1
00:00:04,335 --> 00:00:08,043
ON A MUTILATED MISSION
TO INFLICT MERCILESS PAIN

2
00:00:08,126 --> 00:00:10,876
SACRIFICE YOUR SOUL
TO THE DEITY OF DETH

3
00:00:10,960 --> 00:00:14,251
SHE'S CONCOCTED YOUR MURDER
AND YOU'VE LOST ALL YOUR DEFENSE

4
00:00:14,335 --> 00:00:17,210
TRY
BUT YOU CAN'T HIDE

5
00:00:17,293 --> 00:00:20,168
THE HUNT IS ON
YOUR LIFE IS GONE

6
00:00:20,251 --> 00:00:22,210
CASTRATIKRON
EYES

7
00:00:22,293 --> 00:00:25,460
THEY WILL GO BLIND
IF LOOKED BEYOND

8
00:00:25,543 --> 00:00:33,960
YOUR SOUL IS GONE
CASTRATIKRON ♪

9
00:00:37,085 --> 00:00:44,001
>> [ROARING]
>> NATHAN!

10
00:00:44,085 --> 00:00:45,293
NATHAN, LOOK!

11
00:00:45,376 --> 00:00:47,168
CAN YOU GET US BACKSTAGE?

12
00:00:47,251 --> 00:00:48,710
WE'LL MAKE IT WORTH YOUR WHILE!

13
00:00:48,793 --> 00:00:51,418
WE'LL TOTALLY SUCK YOUR HOG!

14
00:00:51,501 --> 00:00:53,085
>> NATHAN!

15
00:00:53,168 --> 00:00:55,210
>> YEAH, WE'LL TOTALLY
GANG-BANG YOU!

16
00:00:55,043 --> 00:00:56,251
ALL OF US WILL!

17
00:00:56,085 --> 00:00:57,168
NATHAN!

18
00:00:57,251 --> 00:00:58,918
CUT OUR FACES OFF!

19
00:00:59,001 --> 00:01:00,751
CUT MY ARMS OFF!

20
00:01:00,835 --> 00:01:02,835
>> UH...

21
00:01:02,918 --> 00:01:04,835
I--I--I CAN'T.

22
00:01:04,918 --> 00:01:06,168
>> WHAT'S HE SAYING?

23
00:01:06,251 --> 00:01:07,460
>> WHAT'S HE SAYING?!

24
00:01:07,543 --> 00:01:08,335
>> I CAN'T.

25
00:01:08,418 --> 00:01:11,876
I HAVE A GIRLFRIEND NOW.

26
00:01:11,960 --> 00:01:13,126
>> NO!

27
00:01:13,210 --> 00:01:14,293
NO!

28
00:01:14,376 --> 00:01:16,793
>> ♪ DO ANYTHING FOR DETHKLOK
DO ANYTHING FOR DETHKLOK

29
00:01:16,876 --> 00:01:19,335
DO ANYTHING FOR DETHKLOK
DO ANYTHING FOR DETHKLOK

30
00:01:19,418 --> 00:01:22,168
DO ANYTHING FOR DETHKLOK ♪
>> ♪ DETHKLOK, DETHKLOK

31
00:01:22,251 --> 00:01:24,626
DETHKLOK, DETHKLOK ♪
>> ♪ I'LL

32
00:01:24,710 --> 00:01:27,168
TEACH YOU
WHO

33
00:01:27,251 --> 00:01:29,918
ROCK
DETHKLOK, DETHKLOK! ♪

34
00:01:30,001 --> 00:01:32,335
>> ♪ SKWISGAAR SKWIGELF
TALLER THAN A TREE

35
00:01:32,418 --> 00:01:35,085
TOKI WARTOOTH
NOT A BUMBLE BEE

36
00:01:35,168 --> 00:01:37,543
WILLIAM MURDERFACE
MURDERFACE, MURDERFACE

37
00:01:37,626 --> 00:01:39,335
PICKLES THE DRUMMER
DOODILY DOO, DING-DONG

38
00:01:39,418 --> 00:01:41,710
DOODILY DOODILY DOO
NATHAN EXPLOSION ♪

39
00:01:41,793 --> 00:01:48,043
[CAPTIONING MADE POSSIBLE BY
TURNER ENTERTAINMENT GROUP]

40
00:01:48,126 --> 00:01:50,710
>> [WOMEN GIGGLING]
>> HEY, NATE.

41
00:01:50,793 --> 00:01:51,793
WHAT THE HELL?

42
00:01:51,876 --> 00:01:54,085
AIN'T YOU GONNA GET PAINTED BY
NAKED LADIES WITH US?

43
00:01:54,168 --> 00:01:55,168
>> NO.

44
00:01:55,251 --> 00:01:56,751
I'M--I'M COOL.

45
00:01:56,835 --> 00:02:00,126
>> ALWAYS YOUS GETS PAINTED BY
NAKED LADY, HUH?

46
00:02:00,210 --> 00:02:01,043
YOU LOVES IT.

47
00:02:01,126 --> 00:02:03,210
>> I WANT TO GO NOW!

48
00:02:03,293 --> 00:02:04,251
>> WHAT THE HELLS, NATHAN?

49
00:02:04,335 --> 00:02:07,001
YOU BRING YOUR GIRLFRIENDS
BACKSTAGE?

50
00:02:07,085 --> 00:02:12,126
>> SHE KNOW HOW--WHERE IT IS,
YOU KNOW, SO...

51
00:02:12,210 --> 00:02:15,126
>> SHE'S PROBABLY KEEPING WATCH
LIKE A HAWK.

52
00:02:15,210 --> 00:02:18,210
>> IT'S ANOTHER JUDGMENTAL BIRD
FACE BAND-WRECKER.

53
00:02:18,043 --> 00:02:19,001
>> WHAT?

54
00:02:19,085 --> 00:02:19,876
>> WHAT? NOTHING.

55
00:02:19,960 --> 00:02:20,626
GOD, YOU'RE PARANOID.

56
00:02:20,710 --> 00:02:21,543
OH, THERE'S MY DRINK OVER THERE.

57
00:02:21,626 --> 00:02:22,418
GOTTA GO!

58
00:02:22,501 --> 00:02:23,501
>> YOUS GONNA HANGS OUT.

59
00:02:23,585 --> 00:02:24,376
COME ON.

60
00:02:24,460 --> 00:02:25,335
>> WE GOTTA GO.

61
00:02:25,418 --> 00:02:27,585
WE GOT PLANS WITH MY PARENTS,
REMEMBER?

62
00:02:27,668 --> 00:02:31,460
>> YEAH, I WISH I COULD, BUT--
>> LET'S GO.

63
00:02:31,543 --> 00:02:39,960
>> [GRUNTING]
FEEL, UH, FREE TO HELP ME OUT

64
00:02:41,043 --> 00:02:43,126
WITH THIS.

65
00:02:43,210 --> 00:02:45,168
>> THE WORLD SEEMS TO BE GOING
CRAZY OVER THE WHIRLWIND ROMANCE

66
00:02:45,251 --> 00:02:47,918
OF DETHKLOK FRONTMAN NATHAN
EXPLOSION AND CELEBRITY

67
00:02:48,001 --> 00:02:52,460
PERSONALITY REBECCA NIGHTROD,
NOW SIMPLY KNOWN AS NATEBECCA OR

68
00:02:52,543 --> 00:02:54,210
REBESPLOSION.

69
00:02:54,043 --> 00:02:56,293
DESPITE THE THOUSANDS OF FEMALE
SUICIDES, IT LOOKS LIKE THE

70
00:02:56,376 --> 00:02:59,126
WORLD HAS COME TO EMBRACE THE
JOINING OF THESE TWO MEDIA

71
00:02:59,210 --> 00:03:00,418
MONSTERS.

72
00:03:00,501 --> 00:03:03,251
NO TALK OF BABIES YET, BUT WE'VE
DONE SOME WORK ON OUR OWN AND

73
00:03:03,335 --> 00:03:07,168
ARE READY TO SHOW THE WORLD WHAT
THE METAL BABY GOD MIGHT LOOK

74
00:03:07,251 --> 00:03:08,876
LIKE.

75
00:03:08,960 --> 00:03:12,543
>> IT APPEARS THAT NATHAN
EXPLOSION HAS FOUND HIMSELF

76
00:03:12,626 --> 00:03:14,210
A GIRLFRIEND.

77
00:03:14,293 --> 00:03:16,043
>> A CELEBRITY GIRLFRIEND.

78
00:03:16,126 --> 00:03:20,085
>> HER NAME IS REBECCA NIGHTROD,
AND SHE'S A WORLD-CLASS TENNIS

79
00:03:20,168 --> 00:03:23,168
PLAYER TURNED SITCOM ACTOR/
MODEL.

80
00:03:23,251 --> 00:03:25,376
>> AND HER FATHER IS A DECORATED
DIGNITARY.

81
00:03:25,460 --> 00:03:27,793
VERY INFLUENTIAL IN THE
POLITICAL WORLD.

82
00:03:27,876 --> 00:03:31,126
>> GENTLEMEN, CELEBRITY
RELATIONSHIP EXPERT HORACE

83
00:03:31,210 --> 00:03:34,376
MARMINGBLAT WIMPLESTEIN JR.
>> WHEN TWO HIGH-PROFILE

84
00:03:34,460 --> 00:03:36,876
CELEBRITIES BEGIN A
RELATIONSHIP, IT CAN UPSET THE

85
00:03:36,960 --> 00:03:38,418
BALANCE OF THE WORLD.

86
00:03:38,501 --> 00:03:40,751
THE JOINING OF THESE TWO
MONUMENTAL EGOS CAN CREATE A

87
00:03:40,835 --> 00:03:43,710
SOCIOLOGICAL SUPERNOVA THAT
OVERSHADOWS WORLDLY EVENTS AND

88
00:03:43,793 --> 00:03:48,251
SHIFTS THE PERSPECTIVE FROM
IMPORTANCE TO PERIPHERAL.

89
00:03:48,085 --> 00:03:50,335
THE GOOD NEWS IS THAT THIS MAKES
THE AMERICAN PUBLIC EVEN MORE

90
00:03:50,418 --> 00:03:53,918
STUPID AND MALLEABLE, BUT THE
BAD NEWS IS THAT IT MAKES THEM,

91
00:03:54,001 --> 00:03:57,210
THE COUPLE, THOUSANDS OF TIMES
MORE POWERFUL, AND WE CANNOT

92
00:03:57,043 --> 00:03:58,210
HAVE THAT.

93
00:03:58,293 --> 00:04:00,376
>> WHAT DO YOU SUGGEST WE DO
ABOUT THIS?

94
00:04:00,460 --> 00:04:03,251
>> WE HAVE ONE THING IN OUR
FAVOR--THE MALE SEX DRIVE.

95
00:04:03,335 --> 00:04:06,126
YOU SEE, WHEN A MAN WHO CAN HAVE
ANY WOMAN HE WANTS ENTERS INTO

96
00:04:06,210 --> 00:04:09,793
AN EXCLUSIVE RELATIONSHIP, HE'S
FORCED TO CONSIDER THAT WHICH HE

97
00:04:09,876 --> 00:04:11,168
IS LEAVING BEHIND.

98
00:04:11,251 --> 00:04:13,376
COMBINE THAT WITH REBECCA
NIGHTROD'S TIGHT PUBLIC HOLD ON

99
00:04:13,460 --> 00:04:17,668
EXPLOSION, AND WE COULD CREATE A
RELATIONSHIP TORNADO.

100
00:04:17,751 --> 00:04:19,293
>> YES.

101
00:04:19,376 --> 00:04:21,876
>> GENTLEMEN, HAVE YOU HEARD OF
THE UNITED STATES PORNOGRAPHY

102
00:04:21,960 --> 00:04:22,835
AWARDS?

103
00:04:22,918 --> 00:04:24,293
>> I'VE READ REPORTS.

104
00:04:24,376 --> 00:04:26,918
>> THIS IS THE BIGGEST ADULT
FILM EVENT OF THE YEAR.

105
00:04:27,001 --> 00:04:29,585
I BELIEVE THAT IF WE CAN INVOLVE
DETHKLOK IN PARTICIPATING, THEN

106
00:04:29,668 --> 00:04:32,668
WE MAY HAVE A CHANCE AT TEMPTING
NATHAN EXPLOSION AND TEARING HIS

107
00:04:32,751 --> 00:04:34,585
RELATIONSHIP APART.

108
00:04:34,668 --> 00:04:37,168
>> I FEEL THAT THIS WOULD WORK
BETTER IF I WERE THERE--

109
00:04:37,251 --> 00:04:39,168
AT THE PORNOGRAPHY AWARDS.

110
00:04:39,251 --> 00:04:40,960
>> PERHAPS I SHOULD GO, TOO.

111
00:04:41,043 --> 00:04:43,626
>> I THINK THAT I SHOULD BE
THERE, TOO.

112
00:04:43,710 --> 00:04:45,376
>> I WILL GO, TOO.

113
00:04:45,460 --> 00:04:47,501
>> NO.

114
00:04:47,585 --> 00:04:51,293
YOU'RE NOT ALLOWED TO GO.

115
00:04:51,376 --> 00:04:54,835
>> SO, YOU'VE BEEN CORDIALLY
INVITED TO HOST AT THE UNITED

116
00:04:54,918 --> 00:04:57,126
STATES PORNOGRAPHY AWARDS.

117
00:04:57,210 --> 00:04:58,835
>> THAT'S WHAT I'M TALKING
ABOUT!

118
00:04:58,918 --> 00:05:00,543
THERE'S GONNA BE SO MUCH
KISSING!

119
00:05:00,626 --> 00:05:02,085
>> NOT, UH, THE MOST
DISTINGUISHED EVENT.

120
00:05:02,168 --> 00:05:03,418
I ADVISE WE PASS.

121
00:05:03,501 --> 00:05:05,626
MOVING ON, WE HAVE A BUNCH OF--
>> [BLEEP] THAT.

122
00:05:05,710 --> 00:05:06,751
I'M GOING.

123
00:05:06,835 --> 00:05:07,585
>> YEAH, WHAT ARE YOU?

124
00:05:07,668 --> 00:05:08,501
A EUNUCH?

125
00:05:08,585 --> 00:05:09,501
SIGN US UP!

126
00:05:09,585 --> 00:05:11,501
>> THEY'RE NOT PAYING YOU, AND
YOU'D LOSE MONEY.

127
00:05:11,585 --> 00:05:12,668
>> SO? [BLEEP] THAT!

128
00:05:12,751 --> 00:05:14,251
I PAY THEM FOR THIS.

129
00:05:14,085 --> 00:05:17,918
I JUST WANTS TO MAKE OUT WITH
THEMS BEAUTIFUL GIRLS.

130
00:05:18,001 --> 00:05:19,835
>> WELL, UH, FINANCIALLY
SPEAKING--

131
00:05:19,918 --> 00:05:22,210
>> HEY, LISTEN, MR. NUMBERS.

132
00:05:22,293 --> 00:05:27,001
UH, SOMETIMES YOU GOTTA JUST DO
SOMETHING BECAUSE YOUR HEART

133
00:05:27,085 --> 00:05:29,751
TELLS YOU IT'S THE RIGHT THING
TO DO.

134
00:05:29,835 --> 00:05:31,418
>> GOTS TO LISTEN TO YOUR
HEARTS.

135
00:05:31,501 --> 00:05:32,793
>> NOW SIGNS US UP.

136
00:05:32,876 --> 00:05:33,918
NAKED LADIES!

137
00:05:34,001 --> 00:05:35,668
OH, WOWEE!

138
00:05:35,751 --> 00:05:36,418
>> IT'S UNANIMOUS.

139
00:05:36,501 --> 00:05:37,585
>> NATHAN.

140
00:05:37,668 --> 00:05:39,168
[REBECCA SCREAMING ON PHONE]
>> YEAH, I KNOW, I'M SORRY.

141
00:05:39,251 --> 00:05:40,710
I JUST--I DIDN'T UNDERSTAND THAT
MADE YOU MAD.

142
00:05:40,793 --> 00:05:43,001
I DIDN'T KNOW THAT MADE YOU MAD.

143
00:05:43,085 --> 00:05:44,626
SEE, NOW I KNOW.

144
00:05:44,710 --> 00:05:46,626
WELL, I'M NOT PERFECT.

145
00:05:46,710 --> 00:05:49,043
I WILL TAKE YOU TO BED,
BATH & BEYOND.

146
00:05:49,126 --> 00:05:50,918
I DON'T KNOW MY SCHEDULE YET.

147
00:05:51,001 --> 00:05:51,710
>> NATHAN.

148
00:05:51,793 --> 00:05:52,918
>> OH, CAN I CALL YOU BACK?

149
00:05:53,001 --> 00:05:54,085
BAND MEETING.

150
00:05:54,168 --> 00:05:55,251
NO, YOU'RE IMPORTANT, TOO.

151
00:05:55,335 --> 00:05:56,293
>> STOP YELLING AT ME!

152
00:05:56,376 --> 00:05:57,751
>> NO, I'M NOT YELLING.

153
00:05:57,835 --> 00:05:59,251
I AM NOT YELLING.

154
00:05:59,085 --> 00:06:00,085
OK.

155
00:06:00,168 --> 00:06:01,210
>> I LOVE YOU!

156
00:06:01,043 --> 00:06:03,043
>> I HMPH YOU, TOO.

157
00:06:03,126 --> 00:06:03,876
>> OK, BYE.

158
00:06:03,960 --> 00:06:04,710
>> ALL RIGHT, BYE.

159
00:06:04,793 --> 00:06:07,710
[BEEP]
YOU DICKS GOT A PROBLEM?

160
00:06:07,793 --> 00:06:08,876
>> NO.

161
00:06:08,960 --> 00:06:09,835
>> ALL RIGHT.

162
00:06:09,918 --> 00:06:11,210
NATHAN, THE UNITED STATES
PORNOGRAPHY AWARDS.

163
00:06:11,293 --> 00:06:12,210
ARE YOU IN OR OUT?

164
00:06:12,293 --> 00:06:13,626
>> HE'S IN. RIGHT?

165
00:06:13,710 --> 00:06:14,835
>> WELL, HE MIGHT NOT BE.

166
00:06:14,918 --> 00:06:16,835
YOU SEE, HE HAS A GIRLFRIEND
NOW, AND SHE MIGHT NOT

167
00:06:16,918 --> 00:06:17,668
ENJOY THE IDEA.

168
00:06:17,751 --> 00:06:19,335
>> LISTEN, I CAN DO WHATEVER
I WANT.

169
00:06:19,418 --> 00:06:20,585
I'M [BLEEP] GOING!

170
00:06:20,668 --> 00:06:22,960
[CELL PHONE RINGS]
HELLO.

171
00:06:23,043 --> 00:06:24,501
>> I THOUGHT WE WERE GOING TO
BED, BATH & BEYOND!

172
00:06:24,585 --> 00:06:26,126
>> YES, WE'RE STILL GOING TO
BED, BATH & BEYOND.

173
00:06:26,210 --> 00:06:27,126
>> WHEN?

174
00:06:27,210 --> 00:06:28,168
>> SOON!

175
00:06:28,251 --> 00:06:36,668
>> YOU GUYS NOTICE THAT NATHAN'S
BEEN ACTING WEIRD LATELY, HUH?

176
00:06:40,668 --> 00:06:42,126
I'MS GETTING WORRIED.

177
00:06:42,210 --> 00:06:45,168
UNITED STATES PORNOGRAPHY AWARDS
IN TWO DAYS AND NATHAN HASN'T

178
00:06:45,251 --> 00:06:46,210
BEEN TO REHEARSAL.

179
00:06:46,293 --> 00:06:47,335
>> THAT'S LADIES FOR YOU.

180
00:06:47,418 --> 00:06:49,876
THEY ROB YOU OF YOUR VERY
ESSENCE.

181
00:06:49,960 --> 00:06:51,126
THEY'RE SOUL MURDERERS!

182
00:06:51,210 --> 00:06:53,251
>> SHE'S NOT GOOD ENOUGH
FOR HIMS.

183
00:06:53,085 --> 00:06:56,835
I HATES HER, YET I WOULD TOTALLY
DOS HER.

184
00:06:56,918 --> 00:06:58,501
>> YEAH. ME, TOO.

185
00:06:58,585 --> 00:07:01,293
SO STRANGE IS THIS MIND OF MEN.

186
00:07:01,376 --> 00:07:03,126
>> YEAH, MY LITTLE FRIEND.

187
00:07:03,210 --> 00:07:07,501
WE ARE SO EVOLVED, YET OUR
ANIMALISTIC INSKINCTS ALWAYS

188
00:07:07,585 --> 00:07:09,626
REMIND US OF WHO WE TRULY ARE.

189
00:07:09,710 --> 00:07:14,751
>> MENS ART BEASTS AND WOMENS--
THE DEMONS OF TONIGHT.

190
00:07:14,835 --> 00:07:17,835
[DOOR OPENS AND CLOSES]
>> HEY.

191
00:07:17,918 --> 00:07:18,918
YOU FEELING ALL RIGHT?

192
00:07:19,001 --> 00:07:21,210
>> AW, DID SHE BREAK UP WITH
YOU?

193
00:07:21,043 --> 00:07:21,960
>> NO.

194
00:07:22,043 --> 00:07:22,835
>> DAMN IT!

195
00:07:22,918 --> 00:07:26,001
>> BUT I HAVE SOME BAD NEWS!

196
00:07:26,085 --> 00:07:30,876
I CAN'T GO TO THE UNITED STATES
PORNOGRAPHY AWARDS.

197
00:07:30,960 --> 00:07:32,210
I'M NOT ALLOWED.

198
00:07:32,043 --> 00:07:35,085
>> DUDE, BUT IF YOU CAN'T GO,
THEN WE CAN'T PLAY,

199
00:07:35,168 --> 00:07:37,043
AND WE'RE DON'T--WE CAN'T GO!

200
00:07:37,126 --> 00:07:38,501
WE CAN'T GO!

201
00:07:38,585 --> 00:07:40,210
>> I'M SORRY.

202
00:07:40,043 --> 00:07:42,251
>> I WANTED TO KISS THE GIRLS!

203
00:07:42,085 --> 00:07:44,085
>> I WANT TO DIE.

204
00:07:44,168 --> 00:07:46,085
>> WHY?!

205
00:07:46,168 --> 00:07:47,085
>> YOU DON'T UNDERSTAND!

206
00:07:47,168 --> 00:07:48,210
SHE WON'T LET ME!

207
00:07:48,085 --> 00:07:51,751
>> YOUR RELATIONSHIP IS MESSING
WITH OUR LIVES!

208
00:07:51,835 --> 00:07:56,210
OUR LIVES.

209
00:07:56,043 --> 00:07:57,210
>> YOU BASTARD.

210
00:07:57,293 --> 00:07:59,585
WHY YOU MAKES ME DO THIS?

211
00:07:59,668 --> 00:08:04,085
>> WHA--
OH!

212
00:08:04,168 --> 00:08:06,085
WHAT THE HELL ARE YOU GUYS
DOING?

213
00:08:06,168 --> 00:08:10,085
I CAN'T MOVE!

214
00:08:10,168 --> 00:08:11,835
>> YEAH.

215
00:08:11,918 --> 00:08:14,251
FUNNY THING ABOUT BEING TIED
DOWN...

216
00:08:14,085 --> 00:08:15,168
>> AAGH!

217
00:08:15,251 --> 00:08:17,335
>> IT'S HARD TO KEEP YOUR
DEFENSES UP.

218
00:08:17,418 --> 00:08:18,751
>> OOH!

219
00:08:18,835 --> 00:08:23,251
WHY ARE YOU DOING THIS?

220
00:08:23,335 --> 00:08:27,168
>> YOU'VE BEEN BLINDED BY
A MANIPULATIVE COW, AND WE ARE

221
00:08:27,251 --> 00:08:28,918
HERE TO SAVE YOU.

222
00:08:29,001 --> 00:08:30,210
TASER HIM.

223
00:08:30,293 --> 00:08:32,960
>> WHOA!

224
00:08:33,043 --> 00:08:34,126
WHOA!

225
00:08:34,210 --> 00:08:35,251
STOP! STOP!

226
00:08:35,335 --> 00:08:37,876
WHOA, WHOA, WHOA!

227
00:08:37,960 --> 00:08:38,960
>> STOP.

228
00:08:39,043 --> 00:08:40,960
TAKE 5 ON THE JUICE, TOKI.

229
00:08:41,043 --> 00:08:41,835
>> WHOA!

230
00:08:41,918 --> 00:08:45,251
>> YOUR ATTITUDE IS
UNACCEPTABLE.

231
00:08:45,335 --> 00:08:49,751
[MUMBLING]
WHY DO YOU LIKE THAT LADY?

232
00:08:49,835 --> 00:08:52,668
>> EVERY TIME WE SEE YOU WITH
HER, YOU LOOK LIKE A BEATEN DOG.

233
00:08:52,751 --> 00:08:54,126
AROOOO!

234
00:08:54,210 --> 00:08:55,085
>> FINE.

235
00:08:55,168 --> 00:08:57,043
YOU WANT THE TRUTH?

236
00:08:57,126 --> 00:08:58,335
I HATE THAT LADY.

237
00:08:58,418 --> 00:09:00,418
>> YOU HATE HER, AND YET YOU ARE
WITH HER?

238
00:09:00,501 --> 00:09:01,251
WHY?!

239
00:09:01,335 --> 00:09:03,043
>> I DON'T KNOW!

240
00:09:03,126 --> 00:09:04,085
>> TOKI.

241
00:09:04,168 --> 00:09:05,710
>> NO!

242
00:09:05,793 --> 00:09:07,335
IT'S THE MOST BRUTAL THING EVER.

243
00:09:07,418 --> 00:09:09,376
IT'S NOT LIKE REGULAR HATE.

244
00:09:09,460 --> 00:09:11,668
IT'S SO MUCH MORE BLACK!

245
00:09:11,751 --> 00:09:14,835
IF SHE WERE A STREET GANG, I'D
[BLEEP] GO TO WAR WITH HER WITH

246
00:09:14,918 --> 00:09:16,418
BOTTLES AND CHAINS.

247
00:09:16,501 --> 00:09:18,043
BUT THIS IS DIFFERENT.

248
00:09:18,126 --> 00:09:20,210
THERE'S NOTHING I CAN DO.

249
00:09:20,043 --> 00:09:21,126
>> THERE'S NOTHING YOU CAN DO?

250
00:09:21,210 --> 00:09:23,210
THERE'S NOTHING YOU CAN DO?!

251
00:09:23,293 --> 00:09:26,793
>> I COULD POSSIBLY BREAK UP
WITH HER, BUT DEAR GOD, MAN, YOU

252
00:09:26,876 --> 00:09:28,668
DON'T KNOW WHAT SHE'S LIKE.

253
00:09:28,751 --> 00:09:30,168
WHAT IF SHE WON'T LET ME?

254
00:09:30,251 --> 00:09:33,251
[CLICKING]
YOU'RE RIGHT.

255
00:09:33,085 --> 00:09:34,168
YOU'RE RIGHT!

256
00:09:34,251 --> 00:09:35,418
OH, GOD, YOU'RE RIGHT!

257
00:09:35,501 --> 00:09:37,543
I'M SORRY!

258
00:09:37,626 --> 00:09:39,668
I'M SORRY!

259
00:09:39,751 --> 00:09:41,710
OHH...

260
00:09:41,793 --> 00:09:43,543
I'M SORRY.

261
00:09:43,626 --> 00:09:45,251
HEY, REBECCA.

262
00:09:45,335 --> 00:09:48,168
I THINK YOU AND I REALLY NEED TO
TALK.

263
00:09:48,251 --> 00:09:49,126
LISTEN.

264
00:09:49,210 --> 00:09:53,918
YOU AND AND I ARE TWO VERY GREAT
AND VERY DIFFERENT PEOPLE.

265
00:09:54,001 --> 00:09:57,668
>> HOLD ON FOR A [BLEEP] SECOND,
TONTO.

266
00:09:57,751 --> 00:09:59,126
WH--WHOA!

267
00:09:59,210 --> 00:10:00,085
OH!

268
00:10:00,168 --> 00:10:02,376
OH--OH, I'M OK.

269
00:10:02,460 --> 00:10:03,710
I'M OK.

270
00:10:03,793 --> 00:10:07,168
AAGH!

271
00:10:07,251 --> 00:10:11,626
[GRUNTING]
AAGH!

272
00:10:11,710 --> 00:10:18,168
[GRUNTING]
UHH!

273
00:10:18,251 --> 00:10:21,085
>> WELL, SHE'S IN A COMA, AND IF
YOU WANT TO TALK TO HER, SHE CAN

274
00:10:21,168 --> 00:10:22,043
HEAR YOU.

275
00:10:22,126 --> 00:10:23,251
WHATEVER.

276
00:10:23,335 --> 00:10:28,085
>> REBECCA, I DON'T FEEL LIKE I
EVER REALLY TALKED TO YOU

277
00:10:28,168 --> 00:10:31,710
BECAUSE, YOU KNOW, YOU DIDN'T
LET ME.

278
00:10:31,793 --> 00:10:34,751
BUT I JUST WANTED TO SAY I WAS
GOING TO BREAK UP WITH YOU BACK

279
00:10:34,835 --> 00:10:39,126
THERE, AND NOW SINCE YOU'RE IN
A COMA, I REALLY DON'T HAVE TO.

280
00:10:39,210 --> 00:10:41,418
YOU'RE, LIKE, THE ULTIMATE
GIRLFRIEND RIGHT NOW, AND I

281
00:10:41,501 --> 00:10:44,251
DON'T--I DON'T WANT TO LOSE
THAT, YOU KNOW?

282
00:10:44,335 --> 00:10:48,835
BUT, UH, TONIGHT ARE THE UNITED
STATES PORNOGRAPHY AWARDS, AND,

283
00:10:48,918 --> 00:10:53,668
UH, I KNOW YOU DIDN'T REALLY
LIKE THE IDEA OF ME GOING, BUT I

284
00:10:53,751 --> 00:10:57,168
FEEL LIKE WE'VE GROWN SO MUCH
SINCE THEN.

285
00:10:57,251 --> 00:11:00,460
AND, UH, IF YOU STILL DON'T WANT
ME TO GO, PLEASE...

286
00:11:00,543 --> 00:11:04,418
PLEASE SAY SOMETHING RIGHT NOW.

287
00:11:04,501 --> 00:11:09,210
>> AND NOW THE AWARDS FOR THE
BEST USE OF A DILDO.

288
00:11:09,293 --> 00:11:12,085
>> "ON GOLDEN DILDO."

289
00:11:12,168 --> 00:11:17,043
>> "GILDO DILDO A ROONEY ROO!"
>> "DILDO LIPS: THE KISSING

290
00:11:17,126 --> 00:11:19,210
DILDO."

291
00:11:19,043 --> 00:11:26,043
>> AND THE, UH, WINNER GOES TO
"DILDO TEAM TASK FORCE Z."

292
00:11:26,126 --> 00:11:27,210
>> CHIRP.

293
00:11:27,043 --> 00:11:29,168
[CAPTIONING MADE POSSIBLE BY
TURNER ENTERTAINMENT GROUP]

294
00:11:29,251 --> 00:11:30,418
[CAPTIONED BY THE NATIONAL
CAPTIONING INSTITUTE

295
00:11:30,501 --> 00:11:31,876
--www.ncicap.org--]