1
00:00:02,126 --> 00:00:03,418
>> [SIGHS]

2
00:00:03,501 --> 00:00:05,335
UH...

3
00:00:05,418 --> 00:00:08,335
[SIGHS]

4
00:00:08,418 --> 00:00:09,251
>> COME ON, MAN!

5
00:00:09,335 --> 00:00:11,001
PLAY SOMETHING!

6
00:00:11,085 --> 00:00:13,751
>> [SIGHS]

7
00:00:13,835 --> 00:00:14,793
>> THIS IS THE LAST PIECE OF

8
00:00:14,876 --> 00:00:16,293
FOOTAGE WE'VE SEEN OF THE BAND.

9
00:00:16,376 --> 00:00:17,626
THEY'RE CALLING IT THE CONCERT

10
00:00:17,710 --> 00:00:19,543
THAT DETHKLOK DIDN'T PLAY.

11
00:00:19,626 --> 00:00:20,876
RUMORS ARE CIRCULATING,

12
00:00:20,960 --> 00:00:22,543
CANCELLED TOUR DATES, NO PUBLIC

13
00:00:22,626 --> 00:00:24,585
APPEARANCE--HAS THE BAND THROWN

14
00:00:24,668 --> 00:00:27,043
IN THE TOWEL?

15
00:00:27,126 --> 00:00:28,501
>> THEM BOYS,

16
00:00:28,585 --> 00:00:30,626
THEY GOT THE BLUES.

17
00:00:30,710 --> 00:00:31,918
>> ♪ DO ANYTHING FOR DETHKLOK

18
00:00:32,001 --> 00:00:33,043
DO ANYTHING FOR DETHKLOK

19
00:00:33,126 --> 00:00:34,418
DO ANYTHING FOR DETHKLOK

20
00:00:34,501 --> 00:00:35,793
DO ANYTHING FOR DETHKLOK

21
00:00:35,876 --> 00:00:37,126
DO ANYTHING FOR DETHKLOK ♪

22
00:00:37,210 --> 00:00:38,293
>> ♪ DETHKLOK, DETHKLOK

23
00:00:38,376 --> 00:00:39,668
DETHKLOK, DETHKLOK ♪

24
00:00:39,751 --> 00:00:41,043
>> ♪ I'LL

25
00:00:41,126 --> 00:00:42,210
TEACH YOU

26
00:00:42,293 --> 00:00:43,585
WHO

27
00:00:43,668 --> 00:00:44,876
ROCK

28
00:00:44,960 --> 00:00:45,460
DETHKLOK!

29
00:00:45,543 --> 00:00:46,043
DETHKLOK! ♪

30
00:00:46,126 --> 00:00:47,085
>> ♪ SKWISGAAR SKWIGELF

31
00:00:47,168 --> 00:00:48,793
TALLER THAN A TREE

32
00:00:48,876 --> 00:00:49,418
TOKI WARTOOTH

33
00:00:49,501 --> 00:00:51,251
NOT A BUMBLE BEE

34
00:00:51,335 --> 00:00:52,210
WILLIAM MURDERFACE

35
00:00:52,043 --> 00:00:54,001
MURDERFACE, MURDERFACE

36
00:00:54,085 --> 00:00:54,626
PICKLES THE DRUMMER

37
00:00:54,710 --> 00:00:56,001
DOODILY DOO, DING-DONG

38
00:00:56,085 --> 00:00:56,585
DOODILY DOODILY DOO

39
00:00:56,668 --> 00:00:57,835
NATHAN EXPLOSION ♪

40
00:00:57,918 --> 00:00:59,043
[CAPTIONING MADE POSSIBLE BY

41
00:00:59,126 --> 00:01:06,585
TURNER ENTERTAINMENT GROUP]

42
00:01:06,668 --> 00:01:10,085
[SIGHS]

43
00:01:10,168 --> 00:01:12,085
>> CAN YOU PASS THAT PROZAC

44
00:01:12,168 --> 00:01:15,335
SHAKER?

45
00:01:15,418 --> 00:01:16,210
>> OH!

46
00:01:16,293 --> 00:01:17,876
THIS IS SOY ICE CREAM.

47
00:01:17,960 --> 00:01:19,126
SKWISGAAR!

48
00:01:19,210 --> 00:01:22,501
>> [SIGHS]

49
00:01:22,585 --> 00:01:24,460
MAYBE I'M NOT PLERCRICT.

50
00:01:24,543 --> 00:01:25,376
>> AT LEAST THEY'RE NOT THE

51
00:01:25,460 --> 00:01:27,251
FATTEST, UGLIEST LEAD SINGER

52
00:01:27,335 --> 00:01:30,085
ALIVE WITH HORRIBLE SKIN.

53
00:01:30,168 --> 00:01:31,210
>> MY LORDS, THIS MAN BREACHED

54
00:01:31,293 --> 00:01:32,960
THE GATES OF MORDHAUS.

55
00:01:33,043 --> 00:01:34,376
SHALL I KILL HIM?

56
00:01:34,460 --> 00:01:35,835
>> HOW DID HE GETS IN HERE?

57
00:01:35,918 --> 00:01:37,626
>> WELL, I'M A BLUES MAN.

58
00:01:37,710 --> 00:01:38,501
HA HA.

59
00:01:38,585 --> 00:01:40,126
A BLUES MAN FIND HIS WAY IN

60
00:01:40,210 --> 00:01:41,293
ANYWHERE.

61
00:01:41,376 --> 00:01:42,876
>> WHO ARE YOU?

62
00:01:42,960 --> 00:01:46,710
>> I'M MASHED POTATO JOHNSON.

63
00:01:46,793 --> 00:01:49,376
AND I WANT TO HELP YOU.

64
00:01:49,460 --> 00:01:52,085
>> DETHKLOK IS IN A CELEBRITY

65
00:01:52,168 --> 00:01:53,168
DEPRESSION.

66
00:01:53,251 --> 00:01:55,210
THIS COULD BE MONUMENTALLY BAD.

67
00:01:55,293 --> 00:01:56,085
>> COULD THIS CELEBRITY

68
00:01:56,168 --> 00:01:57,043
DEPRESSION BE THE END OF

69
00:01:57,126 --> 00:01:58,210
DETHKLOK?

70
00:01:58,043 --> 00:01:59,001
>> WELL, IT'S DIFFICULT TO

71
00:01:59,085 --> 00:02:00,501
SPECULATE.

72
00:02:00,585 --> 00:02:02,960
GENTLEMEN, CELEBRITY DEPRESSION

73
00:02:03,043 --> 00:02:05,376
EXPERT VINCENZO DE ALIMAMALA

74
00:02:05,460 --> 00:02:07,168
CORNINGSTON III.

75
00:02:07,251 --> 00:02:08,460
>> MANY CELEBRITIES BECOME

76
00:02:08,543 --> 00:02:09,835
CELEBRITIES BECAUSE WORLD

77
00:02:09,918 --> 00:02:11,251
RECOGNITION IS THE ONLY THING

78
00:02:11,335 --> 00:02:12,251
THAT PULLS THEM OUT OF THE

79
00:02:12,335 --> 00:02:13,960
HORRIBLY DEPRESSING REALITIES OF

80
00:02:14,043 --> 00:02:14,918
LIVING.

81
00:02:15,001 --> 00:02:16,710
THEY NO LONGER LIVE IN REALITY.

82
00:02:16,793 --> 00:02:17,668
ANYTHING COULD SEND THEM

83
00:02:17,751 --> 00:02:19,543
SPIRALING INTO A DEPRESSION--

84
00:02:19,626 --> 00:02:21,668
A BAD PHOTO, A SLICE OF PIZZA

85
00:02:21,751 --> 00:02:22,876
BEFORE SLEEPING--AND THEIR

86
00:02:22,960 --> 00:02:24,126
WORLD CAN IMMEDIATELY TURN

87
00:02:24,210 --> 00:02:25,918
UPSIDE DOWN!

88
00:02:26,001 --> 00:02:27,960
THUS THEY TURN OUTSIDE FORCES TO

89
00:02:28,043 --> 00:02:29,960
ENLIGHTEN THEM, SUCH AS SHAMEN

90
00:02:30,043 --> 00:02:31,043
OR GURUS.

91
00:02:31,126 --> 00:02:32,126
>> AND WHO DO YOU BELIEVE

92
00:02:32,210 --> 00:02:34,043
DETHKLOK WILL TURN TO?

93
00:02:34,126 --> 00:02:36,376
>> MASHED POTATO JOHNSON.

94
00:02:36,460 --> 00:02:37,960
HE'S THE OLDEST LIVING BLUES

95
00:02:38,043 --> 00:02:39,126
GUITARIST.

96
00:02:39,210 --> 00:02:40,251
THEY SAY HE MADE A DEAL WITH THE

97
00:02:40,085 --> 00:02:42,335
DEVIL--STANDARD BLUES MUSICIAN

98
00:02:42,418 --> 00:02:43,085
RAP SHEET.

99
00:02:43,168 --> 00:02:44,335
>> ALL DUE RESPECT, WHY SHOULD

100
00:02:44,418 --> 00:02:45,793
WE BE WORRIED ABOUT DETHKLOK

101
00:02:45,876 --> 00:02:48,210
LEARNING THE WAYS OF THE BLUES?

102
00:02:48,293 --> 00:02:49,793
>> BECAUSE THE BLUES ARE JUST AS

103
00:02:49,876 --> 00:02:52,001
CURSED AS THIS METAL IS.

104
00:02:52,085 --> 00:02:54,210
>> THE DEVIL HIMSELF IS AT THE

105
00:02:54,043 --> 00:02:55,793
HELM OF THIS MUSIC.

106
00:02:55,876 --> 00:02:57,168
>> IF DETHKLOK EMBRACES THEIR

107
00:02:57,251 --> 00:02:58,876
DEPRESSION, WE COULD ALL BE IN

108
00:02:58,960 --> 00:03:00,585
GREAT DANGER.

109
00:03:00,668 --> 00:03:03,460
>> WE WILL LET DETHKLOK EXPLORE

110
00:03:03,543 --> 00:03:06,168
THIS NEW TERRITORY.

111
00:03:06,251 --> 00:03:10,210
[HARMONICA PLAYING]

112
00:03:10,043 --> 00:03:18,460
[BIRD CAWING]

113
00:03:23,668 --> 00:03:24,585
>> OH!

114
00:03:24,668 --> 00:03:27,168
IT MUST BE 200 DEGREES.

115
00:03:27,251 --> 00:03:28,751
OH, [BLEEP] THIS [BLEEP].

116
00:03:28,835 --> 00:03:29,960
I'M TAKING OFF MY [BLEEP]

117
00:03:30,043 --> 00:03:31,043
SHIRT OFF.

118
00:03:31,126 --> 00:03:31,668
>> WHAT?

119
00:03:31,751 --> 00:03:32,418
WHERE ARE WE?

120
00:03:32,501 --> 00:03:33,335
>> WE'RE IN THE SOUTH--

121
00:03:33,418 --> 00:03:35,960
THE BIRTHPLACE OF THE BLUES.

122
00:03:36,043 --> 00:03:37,501
>> WELL, IT'S TOO [BLEEP] HOT.

123
00:03:37,585 --> 00:03:40,085
AND I'M TAKING MY SHIRT OFF.

124
00:03:40,168 --> 00:03:41,043
MY GOD.

125
00:03:41,126 --> 00:03:42,585
I HAVE LET MYSELF GO.

126
00:03:42,668 --> 00:03:43,835
>> WELL, YOU HAVE PUT ON A FEW

127
00:03:43,918 --> 00:03:44,835
POUND-A-ROONIS.

128
00:03:44,918 --> 00:03:46,168
>> YOU'RE, UH, NOT SUPPOSED TO

129
00:03:46,251 --> 00:03:48,043
AGREE WITH ME, DICK-BRAIN.

130
00:03:48,126 --> 00:03:49,001
>> WHAT ARE WE EVEN DOING IN

131
00:03:49,085 --> 00:03:50,085
THIS HORRIBLE MICROWAVES?

132
00:03:50,168 --> 00:03:51,251
I DOESN'T CARE NOTHING ABOUT

133
00:03:51,335 --> 00:03:52,210
THIS BLOUSE.

134
00:03:52,293 --> 00:03:53,085
>> THE BLUES.

135
00:03:53,168 --> 00:03:53,918
>> YEAH.

136
00:03:54,001 --> 00:03:55,126
BUT ALL I CARES ABOUT IS DARK

137
00:03:55,210 --> 00:03:56,418
AND BRUTAL.

138
00:03:56,501 --> 00:03:57,960
>> YOU WANT TO KNOW DARK AND

139
00:03:58,043 --> 00:03:59,251
BRUTAL?

140
00:03:59,085 --> 00:04:01,085
COME WITH ME.

141
00:04:01,168 --> 00:04:02,710
THIS HERE WHERE THE BLUES BEGAN,

142
00:04:02,793 --> 00:04:04,251
RIGHT HERE WHERE WE'RE STANDING.

143
00:04:04,085 --> 00:04:06,001
BLIND HARLAN DAVENPORT KILLED

144
00:04:06,085 --> 00:04:08,043
HIS WIFE, BURIED HER IN THAT

145
00:04:08,126 --> 00:04:09,835
CHICKEN COOP RIGHT THERE.

146
00:04:09,918 --> 00:04:11,251
THAT NIGHT, HE RECORDED "WIFE

147
00:04:11,335 --> 00:04:13,210
GONE ON THE FUNERAL TRAIN

148
00:04:13,293 --> 00:04:14,460
BLUES."

149
00:04:14,543 --> 00:04:16,085
NEXT MORNING, THE POLICE SHOT

150
00:04:16,168 --> 00:04:19,085
HIM IN THE EYE 52 TIMES.

151
00:04:19,168 --> 00:04:21,085
THIS IS WHERE SMOKY TOE BROWN

152
00:04:21,168 --> 00:04:23,168
WAS SAVAGELY BEATEN FOR SLEEPING

153
00:04:23,251 --> 00:04:25,668
WITH HIS NEIGHBOR'S WIFE SHORTLY

154
00:04:25,751 --> 00:04:28,251
BEFORE HE RECORDED "TRAIN, LEAVE

155
00:04:28,085 --> 00:04:30,376
THIS STATION BLUES."

156
00:04:30,460 --> 00:04:32,168
THEY SAY HIS GHOST COME BACK TO

157
00:04:32,251 --> 00:04:34,085
LIFE AND KILLED HIS NEIGHBOR,

158
00:04:34,168 --> 00:04:36,126
PITCH-FORKED HIS INTESTINES, AND

159
00:04:36,210 --> 00:04:38,376
HUNG THEM ON THE TREE.

160
00:04:38,460 --> 00:04:39,293
EVERYBODY KNOWS

161
00:04:39,376 --> 00:04:41,043
"SHORTY TURNYTOP" MADE A DEAL

162
00:04:41,126 --> 00:04:42,543
WITH THE DEVIL.

163
00:04:42,626 --> 00:04:44,501
HE WAS HIT BY A TRAIN AT THIS

164
00:04:44,585 --> 00:04:46,251
EXACT SPOT.

165
00:04:46,085 --> 00:04:48,335
AS HIS HEAD TRAVELED IN THE AIR,

166
00:04:48,418 --> 00:04:52,168
HE WROTE "BLUES TRAIN BLUES."

167
00:04:52,251 --> 00:04:53,168
>> ALLS THEY SINGS ABOUT IS

168
00:04:53,251 --> 00:04:54,376
TRAINS.

169
00:04:54,460 --> 00:04:55,876
>> IS THERE ANYTHING ELSE REALLY

170
00:04:55,960 --> 00:04:57,168
TO TALK ABOUT?

171
00:04:57,251 --> 00:04:57,835
HA HA.

172
00:04:57,918 --> 00:04:59,460
COME ON.

173
00:04:59,543 --> 00:05:00,835
THIS HERE IS WHERE MUSTARD TITS

174
00:05:00,918 --> 00:05:02,251
THE MURDER MASTER BROWN

175
00:05:02,335 --> 00:05:04,168
SLAUGHTERED 22 MEN JUST FOR

176
00:05:04,251 --> 00:05:06,085
BEING UGLY.

177
00:05:06,168 --> 00:05:08,210
HE WENT ON TO RECORD "HERE COME

178
00:05:08,043 --> 00:05:15,001
THAT TRAIN A-COMING BLUES."

179
00:05:15,085 --> 00:05:16,501
NOW, THE FIRST RULE OF THE BLUES

180
00:05:16,585 --> 00:05:18,460
IS TRANSLATING THAT FEELING,

181
00:05:18,543 --> 00:05:20,210
MAKING SOMEBODY FEEL JUST AS BAD

182
00:05:20,293 --> 00:05:21,335
AS YOU.

183
00:05:21,418 --> 00:05:22,960
NOW, I WANT Y'ALL TO PAIR UP.

184
00:05:23,043 --> 00:05:25,335
WE GONNA HAVE A BLUES-GIVING

185
00:05:25,418 --> 00:05:27,293
SESSION.

186
00:05:27,376 --> 00:05:30,835
[HARMONICA PLAYING]

187
00:05:30,918 --> 00:05:31,751
>> DUDE, HAS ANYBODY GOT ANY

188
00:05:31,835 --> 00:05:32,626
SPF?

189
00:05:32,710 --> 00:05:35,418
I'M VERY IRISH-AMERICAN.

190
00:05:35,501 --> 00:05:37,710
>> REAL BLUESMAN GET A SUNBURN.

191
00:05:37,793 --> 00:05:39,168
NOW, GO ON, NATHAN.

192
00:05:39,251 --> 00:05:41,835
YOU GIVE MURDERFACE THEM BLUES!

193
00:05:41,918 --> 00:05:42,960
>> OK, UH.

194
00:05:43,043 --> 00:05:44,126
ALL RIGHT, ALL RIGHT.

195
00:05:44,210 --> 00:05:46,085
UH, HEY, DOG-FACE,

196
00:05:46,168 --> 00:05:48,001
WHY DON'T YOU GO EAT SOME DOG

197
00:05:48,085 --> 00:05:50,043
FOOD AND EAT YOUR OWN THROW-UP,

198
00:05:50,126 --> 00:05:52,085
'CAUSE YOU'RE A DOG-FACE.

199
00:05:52,168 --> 00:05:53,793
>> JEEZ, NATHAN!

200
00:05:53,876 --> 00:05:55,293
A LITTLE BELOW THE BELT.

201
00:05:55,376 --> 00:05:56,793
I GUESS I REALLY DO HAVE A

202
00:05:56,876 --> 00:05:57,543
DOG-FACE.

203
00:05:57,626 --> 00:05:58,835
MAYBE I SHOULD THROW UP AND EAT

204
00:05:58,918 --> 00:05:59,460
IT.

205
00:05:59,543 --> 00:06:00,126
>> GOOD!

206
00:06:00,210 --> 00:06:01,876
NOW YOU FEELING THEM BLUES.

207
00:06:01,960 --> 00:06:04,126
YOU GO ON NOW, MURDERFACE.

208
00:06:04,210 --> 00:06:05,210
>> OK.

209
00:06:05,043 --> 00:06:07,460
HEY, THIN-LIPS,

210
00:06:07,543 --> 00:06:09,210
WHY DON'T YOU GO...

211
00:06:09,293 --> 00:06:11,876
MAKE OUT WITH GLENN CLOSE AND,

212
00:06:11,960 --> 00:06:14,126
UH, AND GO AND BRING HER ACADEMY

213
00:06:14,210 --> 00:06:15,293
AWARD AND SHOVE IT UP YOUR

214
00:06:15,376 --> 00:06:16,501
[BLEEP] ASS.

215
00:06:16,585 --> 00:06:17,376
THAT'S GREAT.

216
00:06:17,460 --> 00:06:18,210
>> MAYBE YOU'RE RIGHT.

217
00:06:18,293 --> 00:06:19,543
MAYBE I SHOULD USE MY CRAPPY

218
00:06:19,626 --> 00:06:21,626
THIN LIPS AND MAKE OUT WITH

219
00:06:21,710 --> 00:06:25,668
GLENN CLOSE.

220
00:06:25,751 --> 00:06:27,043
>> NOW, SKWISGAAR,

221
00:06:27,126 --> 00:06:29,710
LET'S TALK ABOUT BLUES GUITAR.

222
00:06:29,793 --> 00:06:31,168
>> I ONLY PLAYS METAL.

223
00:06:31,251 --> 00:06:32,085
IT'S EMBARRASSED FOR US TO EVEN

224
00:06:32,168 --> 00:06:33,918
HAVE THIS GRANDSPA'S GUITARS.

225
00:06:34,001 --> 00:06:35,210
>> THAT'S BECAUSE YOU DON'T KNOW

226
00:06:35,043 --> 00:06:37,626
HOW TO MAKE THE BLUES SOUND.

227
00:06:37,710 --> 00:06:39,168
WHY DON'T YOU TRY TO PLAY THIS.

228
00:06:39,251 --> 00:06:44,168
[PLAYS BLUESY RIFF]

229
00:06:44,251 --> 00:06:47,501
[PLAYING FAST ARPEGGIOS]

230
00:06:47,585 --> 00:06:49,418
THAT'S CLOSE.

231
00:06:49,501 --> 00:06:51,085
ONE MORE TIME.

232
00:06:51,168 --> 00:06:53,043
TRY TO PLAY THIS.

233
00:06:53,126 --> 00:06:55,626
[SLIDES UP TO NOTE, HOLDS IT,

234
00:06:55,710 --> 00:06:57,043
STRUMS]

235
00:06:57,126 --> 00:06:58,876
[PLAYING FAST SCALES]

236
00:06:58,960 --> 00:06:59,960
>> WE CAN'T NOTS PLAYS FAST

237
00:07:00,043 --> 00:07:00,835
PHYSICALLY.

238
00:07:00,918 --> 00:07:01,918
>> YEAH, IT'S HARD.

239
00:07:02,001 --> 00:07:02,793
>> ALL RIGHT.

240
00:07:02,876 --> 00:07:04,668
LET'S TRY SOMETHING ELSE.

241
00:07:04,751 --> 00:07:08,043
[PLAYING SLOWLY]

242
00:07:08,126 --> 00:07:09,001
>> OH!

243
00:07:09,085 --> 00:07:11,126
I GOTS THE HIT IN THE BALLS WITH

244
00:07:11,210 --> 00:07:13,335
THE TRAIN CINDER BLOCK RIGHT IN

245
00:07:13,418 --> 00:07:14,126
THE BALLS!

246
00:07:14,210 --> 00:07:15,085
>> NOW, NATHAN,

247
00:07:15,168 --> 00:07:16,251
I WANT YOU TO PLAY ME SOME BLUES

248
00:07:16,335 --> 00:07:18,001
HARMONICA.

249
00:07:18,085 --> 00:07:18,960
>> I DON'T HAVE A BLUES

250
00:07:19,043 --> 00:07:20,168
HARMONICA.

251
00:07:20,251 --> 00:07:21,210
>> WELL, THAT'S OK.

252
00:07:21,043 --> 00:07:24,085
YOU CAN USE MINE.

253
00:07:24,168 --> 00:07:25,126
LICK IT.

254
00:07:25,210 --> 00:07:26,501
>> I'M SORRY, WHAT?

255
00:07:26,585 --> 00:07:28,418
>> A REAL BLUES MAN GET A FLAVOR

256
00:07:28,501 --> 00:07:29,376
FOR HIS HARP.

257
00:07:29,460 --> 00:07:31,001
NOW, YOU GO ON AND LICK THAT

258
00:07:31,085 --> 00:07:32,626
THING.

259
00:07:32,710 --> 00:07:35,251
NOW, YOU PLAY THEM BLUES.

260
00:07:35,335 --> 00:07:36,085
[TOOT]

261
00:07:36,168 --> 00:07:37,085
>> THERE.

262
00:07:37,168 --> 00:07:37,835
I'M FINISHED.

263
00:07:37,918 --> 00:07:38,626
>> WHAT?!

264
00:07:38,710 --> 00:07:39,960
YOU'VE HARDLY PLAYED THAT THING

265
00:07:40,043 --> 00:07:41,001
AT ALL.

266
00:07:41,085 --> 00:07:42,210
>> YEAH, WELL, I MEAN, I--

267
00:07:42,293 --> 00:07:43,835
I GOT IT.

268
00:07:43,918 --> 00:07:45,085
>> NOW, YOU BOYS COME A LONG

269
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WAY, BUT SOME OF YOU MIGHT NOT

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KNOW, DOWN HERE IN MISSISSIPPI,

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THERE'S EVIL.

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THE BLUES DEVIL LIVE DOWN HERE.

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IF YOU WANT TO BE A REAL BLUES

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MAN, YOU GOTTA SELL YOUR SOUL TO

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THE DEVIL.

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[BIRD CAWING]

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[THUNDER]

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>> I UNDERSTAND YOU WISH TO

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BARGAIN YOUR ETERNAL SOULS FOR

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BLUES FAME.

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>> YEAH, UH...

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HEY, FANCY-PANTS, WE'RE

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DETHKLOK.

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WE'RE KIND OF FAMOUS ALREADY.

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>> OH, COME ON.

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WE'RE SUPPOSED TO DO THIS TO

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BECOME, YOU KNOW, THE BLUES

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GUYS.

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SIR, SORRY.

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HEY, WE, UH, WISH TO BARGAIN

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OUR SOULS, YOU KNOW, HA,

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FOR WHATEVER.

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>> VERY WELL.

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YOU UNDERSTAND THEN THAT YOU

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WILL HAVE TO SIGN A BINDING

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CONTRACT.

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>> WELL, SEE, OUR LAWYER IS NOT

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HERE.

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>> WELL, IT'S NOT LIKE WE

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HAVEN'T NEGOTIATED A CONTRACTED

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BEFORE.

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>> HOLD ON.

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PAGE 4, THE LANGUAGE IS KIND OF

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MURKY.

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THAT'S GONNA HAVE TO BE

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REWRITTEN.

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I'M SEEING OTHER REVISIONS, TOO.

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PAGE 7...

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>> ...IN ADVANCE NOT INCLUDABLE

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OF ALL AND/OR ANY MONIES...

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>> ...POINT 8% OF ALL SALES

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PRORATED BECAUSE OF BACK END...

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>> ...BEHAVIOR SYSTEM

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IS 16.9%...

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>> ...GOTTA DO IS PIGGYBACK SAID

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SALES ONTO RECOUPABLE SOURCES,

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I.E...

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>> ...7% OF THE BACK END ON YOUR

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SOUL, AND YOU, IN TURN, WILL GET

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THIS $5.00 GIFT CARD FOR

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HOT TOPIC.

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>> I CAN LIVES WITH THAT.

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>> I'M GONNA SLEEP ON IT AND

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CONTACT A NOTARY.

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>> I'M A NOTARY.

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>> I'M GONNA SLEEP ON IT.

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TAKE CARE, GUYS.

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>> I LIKE HIM.

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>> WE CAN'T EVEN GET THE BLUES

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RIGHT.

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OH, IT'S MAKING ME DEPRESSED.

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>> WE HAVE ONE FINAL THING TO DO

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AND YOUR JOURNEY OF THE BLUES IS

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COMPLETE.

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YOU GOTTA PLAY A SHOW.

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>> BUT WE CAN'T!

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WE'RE NOT READY!

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>> OH, HELL, YOU READY.

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>> BUT IT'S UNPOSSIBLE.

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NO BACK-STAGE, NO CHAMPAGNES,

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NOS POTATO SALAD IN THE SHAPE OF

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A DEAD LADIES.

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WE DON'T EVEN HAVE THE CONCERTS

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BOOK.

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>> IT DON'T MATTER.

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YOU GO TO WHERE PEOPLE ARE AND

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YOU PLAY THEM BLUES.

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[AIRY IMPROV GUITAR MUSIC PLAYS]

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00:10:03,043 --> 00:10:05,043
THIS'LL DO JUST FINE.

350
00:10:05,126 --> 00:10:07,335
>> DIRTY, WORTHLESS HIPPIES.

351
00:10:07,418 --> 00:10:09,710
>> THIS, GUYS, IS WAY TOO HAPPY.

352
00:10:09,793 --> 00:10:10,918
>> MAKE 'EM WISH THEY WAS NEVER

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BORN.

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00:10:12,001 --> 00:10:13,085
GIVE 'EM THE BLUES.

355
00:10:13,168 --> 00:10:14,668
>> SOMEBODY SLAP MY SUNBURNED

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00:10:14,751 --> 00:10:15,710
BACK.

357
00:10:15,793 --> 00:10:17,293
AAGH!

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00:10:17,376 --> 00:10:19,543
I CAN FEEL PAIN AGAIN.

359
00:10:19,626 --> 00:10:21,001
I'M READY.

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00:10:21,085 --> 00:10:22,460
>> WE JUST RECEIVED SOME VERY

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00:10:22,543 --> 00:10:25,085
AWESOME AND RAD NEWS, EVERYBODY.

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00:10:25,168 --> 00:10:27,168
DETHKLOK HAS RETURNED TO THE

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00:10:27,251 --> 00:10:28,210
PUBLIC.

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00:10:28,293 --> 00:10:29,585
[HOWLS]

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00:10:29,668 --> 00:10:30,710
YEAH!

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00:10:30,793 --> 00:10:31,668
>> WE'RE HERE TO PLAY SOME

367
00:10:31,751 --> 00:10:33,251
MISSISSIPPI DELTA BLUES.

368
00:10:33,085 --> 00:10:35,251
WE'RE IN A HORRIBLE DEPRESSION,

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00:10:35,085 --> 00:10:36,835
AND I GOTTA ADMIT IT:

370
00:10:36,918 --> 00:10:39,293
WE'RE STARTING TO LIKE IT.

371
00:10:39,376 --> 00:10:40,793
♪ HERE COMES THE SOUL COLLECTING

372
00:10:40,876 --> 00:10:42,793
TRAIN OF MURDER A-COMIN'

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00:10:42,876 --> 00:10:43,960
IT LONGS TO TAKE YOUR PUTRID

374
00:10:44,043 --> 00:10:46,460
BLACKENED SOUL AWAY FROM YOU

375
00:10:46,543 --> 00:10:47,043
YOUR FACE WILL LEAVE

376
00:10:47,126 --> 00:10:47,960
YOUR ROTTING HEAD

377
00:10:48,043 --> 00:10:48,918
IN THE EARLY MORNING ♪

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00:10:49,001 --> 00:10:49,626
>> MY GOD!

379
00:10:49,710 --> 00:10:50,501
IT'S SO DEPRESSING!

380
00:10:50,585 --> 00:10:51,335
>> ♪ YOUR GUTS WILL LEAVE YOUR

381
00:10:51,418 --> 00:10:52,043
CORPSE, YOUR SPINE WILL BREAK

382
00:10:52,126 --> 00:10:53,001
AND CRACK IN TWO ♪

383
00:10:53,085 --> 00:10:53,918
>> AAGH!

384
00:10:54,001 --> 00:10:54,626
>> AAGH!

385
00:10:54,710 --> 00:10:55,418
>> ♪ IT CANNOT BE STOPPED

386
00:10:55,501 --> 00:10:56,085
THE TRAIN IS FUELED BY CHOPPED

387
00:10:56,168 --> 00:10:57,001
BODIES FILLED WITH SORROW

388
00:10:57,085 --> 00:10:57,585
THERE IS NO TOMORROW

389
00:10:57,668 --> 00:10:58,251
TICKET IS YOUR LIFE

390
00:10:58,335 --> 00:10:59,085
ENDED BY A KNIFE

391
00:10:59,168 --> 00:11:00,251
CALLED THE MURDER TRAIN

392
00:11:00,085 --> 00:11:02,626
ETERNITY OF PAIN

393
00:11:02,710 --> 00:11:03,293
OH, YEAH

394
00:11:03,376 --> 00:11:04,210
YOU KNOW

395
00:11:04,043 --> 00:11:06,251
WHAT I'M TALKING ABOUT ♪

396
00:11:06,085 --> 00:11:07,210
[CAPTIONING MADE POSSIBLE BY

397
00:11:07,293 --> 00:11:08,418
TURNER ENTERTAINMENT GROUP]

398
00:11:08,501 --> 00:11:11,585
♪ THERE IS NO ESCAPE BUT DEATH

399
00:11:11,668 --> 00:11:13,335
YOUR LIFE IS JUST

400
00:11:13,418 --> 00:11:16,376
A MURDER TRAIN A-COMIN' ♪

401
00:11:16,460 --> 00:11:17,835
[CAPTIONED BY THE NATIONAL

402
00:11:17,918 --> 00:11:19,085
CAPTIONING INSTITUTE

403
00:11:19,168 --> 00:11:20,460
--www.ncicap.org--]

404
00:11:20,543 --> 00:11:24,335
♪ NOW PLAY THOSE BLUES ♪

405
00:11:24,418 --> 00:11:26,376
>> CHIRP.