1 00:00:06,006 --> 00:00:08,142 Man: PREVIOUSLY ON "IN TREATMENT"... 2 00:00:08,242 --> 00:00:09,843 HOW DOES THIS WORK? HE DOESN'T GET TO INTERPRET 3 00:00:09,943 --> 00:00:11,379 EVERYTHING I SAY IN HERE, DOES HE? 4 00:00:11,479 --> 00:00:13,214 IT'S THE SAME HERE AS WHEN PAUL'S AT HOME. 5 00:00:13,314 --> 00:00:15,083 HE'S NOT A PSYCHOTHERAPIST HERE. 6 00:00:15,183 --> 00:00:18,052 HE'S NOT A THERAPIST AT HOME? OKAY. 7 00:00:20,454 --> 00:00:22,656 DO YOU REMEMBER WHAT IT FEELS LIKE TO BE WANTED? 8 00:00:25,426 --> 00:00:27,728 WHAT-- WHAT IS IT? DID I S-- 9 00:00:29,163 --> 00:00:32,466 DO-- DO YOU KNOW WHAT TRANSFERENCE IS? 10 00:00:32,566 --> 00:00:35,336 WHEN A PATIENT HAS FEELINGS FOR THEIR THERAPIST 11 00:00:35,436 --> 00:00:38,506 WHICH ARE DRAWN FROM THEIR RELATIONSHIP WITH THEIR PARENTS? 12 00:00:38,606 --> 00:00:40,040 DID YOU FUCK HER? 13 00:00:41,442 --> 00:00:44,145 EDWARD, HE WAS NOTHING. CAN YOU SAY IT'S NOTHING? 14 00:00:44,245 --> 00:00:45,746 CAN YOU SAY IT'S NOTHING WITH THIS-- 15 00:00:45,846 --> 00:00:47,915 WITH-- WHAT-- WHAT'S HER NAME? WHAT IS HER NAME? 16 00:00:48,015 --> 00:00:49,250 I CAN'T TELL YOU, I'M NOT ALLOWED TO. 17 00:00:49,350 --> 00:00:51,552 I WANT TO KNOW AND YOU'D BETTER TELL ME, PAUL. 18 00:00:51,652 --> 00:00:54,222 - I AM NOT FUCKING AROUND. - LAURA. 19 00:00:57,691 --> 00:00:59,327 ( knocking ) 20 00:01:05,866 --> 00:01:07,101 - HI, KATE. - GINA. 21 00:01:07,201 --> 00:01:09,137 - HI, HOW ARE YOU? - OKAY. 22 00:01:09,237 --> 00:01:11,305 - I MADE US SOME TEA. - HI. 23 00:01:11,405 --> 00:01:13,141 HI. 24 00:01:16,877 --> 00:01:18,212 GIVE ME YOUR CELL. 25 00:01:18,312 --> 00:01:20,248 LEAVE-- LEAVE THE RINGER ON. 26 00:01:20,348 --> 00:01:22,683 THAT'S KIND OF THE POINT. 27 00:01:24,252 --> 00:01:26,053 WE'VE BEEN WAITING FOR ROSIE TO CHECK IN ALL DAY. 28 00:01:26,154 --> 00:01:28,222 SHE SLEPT OVER AT A FRIEND'S HOUSE AND... 29 00:01:28,322 --> 00:01:30,224 SHE HASN'T CHECKED IN YET. 30 00:01:30,324 --> 00:01:32,826 Kate: WELL, AT LEAST THAT'S WHAT SHE SAID. 31 00:01:32,926 --> 00:01:34,328 BUT YOU KNOW, LORD KNOWS 32 00:01:34,428 --> 00:01:36,764 IT'S NOT THE FIRST TIME IN HISTORY THAT A TEENAGER 33 00:01:36,864 --> 00:01:39,767 SAID SHE WAS GONNA STAY AT A FRIEND'S AND THEN SHE ENDED UP SOMEWHERE ELSE. 34 00:01:39,867 --> 00:01:41,402 SO WHERE IS SHE? 35 00:01:41,502 --> 00:01:45,105 ( laughs ) DO YOU THINK I'M WITHHOLDING INFORMATION? 36 00:01:45,206 --> 00:01:46,707 ARE YOU? 37 00:01:52,079 --> 00:01:54,315 ( theme music playing ) 38 00:02:10,631 --> 00:02:12,800 ANYWAY, UM... 39 00:02:12,900 --> 00:02:15,068 SARAH'S PARENTS ARE AWAY AND-- 40 00:02:15,169 --> 00:02:16,704 AND ROSIE'S NOT ANSWERING HER PHONE, 41 00:02:16,804 --> 00:02:18,539 SO IT'S A LITTLE CONVENIENT. 42 00:02:18,639 --> 00:02:20,641 DIDN'T THIS HAPPEN A FEW WEEKS AGO? 43 00:02:20,741 --> 00:02:23,677 MM-HMM, BUT THIS TIME SHE'S BEEN GONE FOR 24 HOURS. 44 00:02:25,279 --> 00:02:27,181 I MEAN, SHE IS AT THAT AGE, ISN'T SHE? 45 00:02:27,281 --> 00:02:29,650 - THAT MAKES IT OKAY? - NO, I DIDN'T SAY THAT. 46 00:02:29,750 --> 00:02:31,619 HER MOTHER DOESN'T TRUST HER WHEN SHE SAYS SHE'S SPENDING 47 00:02:31,719 --> 00:02:33,987 THE NIGHT WITH A FRIEND, THAT'S THE CAUSE FOR CONCERN. 48 00:02:34,087 --> 00:02:37,024 I'M PRETTY CONCERNED. 49 00:02:37,124 --> 00:02:39,760 HENCE, THE TWO PHONES LAID OUT. 50 00:02:40,961 --> 00:02:42,396 WHEN DID YOU LAST TALK TO HER? 51 00:02:42,496 --> 00:02:44,298 Kate: YESTERDAY, WHEN I WAS AT WORK. 52 00:02:44,398 --> 00:02:46,133 I DON'T KNOW IF PAUL TOLD YOU, 53 00:02:46,234 --> 00:02:47,601 BUT I RUN A SHELTER FOR BATTERED WOMEN 54 00:02:47,701 --> 00:02:50,338 AND IT'S ALSO A CENTER FOR YOUTHS AT RISK. 55 00:02:50,438 --> 00:02:52,573 AND ROSIE VOLUNTEERS THERE ABOUT FOUR TIMES A WEEK. 56 00:02:52,673 --> 00:02:55,243 SHE TOLD ME SHE'D BE THERE AND THEN SHE WAS GOING TO SARAH'S, 57 00:02:55,343 --> 00:02:58,812 BUT SHE DID SAY IT IN HER RESPONSIBLE VOICE, WHICH SHOULD'VE TIPPED ME OFF. 58 00:03:00,314 --> 00:03:04,117 ANYWAY, SARAH'S PARENTS ARE IN MEXICO AND-- 59 00:03:04,218 --> 00:03:06,654 I DON'T KNOW, MAYBE THE GIRLS DROVE OFF SOMEWHERE AFTER SCHOOL. 60 00:03:06,754 --> 00:03:07,955 SARAH'S GOT A CAR. 61 00:03:08,055 --> 00:03:09,990 AND, YOU KNOW, ROSIE WAS PROBABLY AFRAID TO TELL US 62 00:03:10,090 --> 00:03:11,992 BECAUSE YOU MIGHT FLIP OUT AND-- 63 00:03:12,092 --> 00:03:15,429 - I'D FLIP OUT? - WELL-- 64 00:03:15,529 --> 00:03:17,631 WHO KNOWS? I DON'T KNOW. 65 00:03:20,568 --> 00:03:23,337 WHAT KIND OF WORK DOES ROSIE DO AT THE CENTER? 66 00:03:24,472 --> 00:03:26,006 WHATEVER'S NEEDED, 67 00:03:26,106 --> 00:03:28,041 BASICALLY, FROM WRITING UP SCHEDULES 68 00:03:28,141 --> 00:03:29,410 TO RUNNING ERRANDS. 69 00:03:29,510 --> 00:03:30,978 SHE SITS IN ON INTERVIEWS SOMETIMES 70 00:03:31,078 --> 00:03:34,147 JUST SO SHE CAN GET A SENSE OF HOW WE EVALUATE PEOPLE, 71 00:03:34,248 --> 00:03:35,949 HOW MUCH TROUBLE THEY MAY BE IN 72 00:03:36,049 --> 00:03:37,318 AND HOW MUCH HELP THEY MAY NEED. 73 00:03:37,418 --> 00:03:40,421 FOUR TIMES A WEEK-- 74 00:03:40,521 --> 00:03:43,123 IT'S A COMMITMENT FOR A 16-YEAR-OLD KID. 75 00:03:43,223 --> 00:03:44,825 17-YEAR-OLD NEXT MONTH. 76 00:03:44,925 --> 00:03:47,295 IT'S INTERESTING, BECAUSE WHEN ROSIE'S VOLUNTEERING, 77 00:03:47,395 --> 00:03:51,031 - ALL OF A SUDDEN SHE'S AN ADULT. - SHE'S A BORN SOCIAL WORKER. 78 00:03:51,131 --> 00:03:53,567 ALWAYS HAS BEEN, EVER SINCE SHE WAS A KID. 79 00:03:56,304 --> 00:03:58,005 HOW DID SHE SHOW THAT WHEN SHE WAS YOUNGER? 80 00:03:58,105 --> 00:04:01,375 WELL, SHE WAS ALWAYS THE MEDIATOR WITH HER FRIENDS ON THE PLAYGROUND. 81 00:04:01,475 --> 00:04:03,210 YOU KNOW, ORGANIZING, MAKING THE PEACE, 82 00:04:03,311 --> 00:04:04,645 THAT KIND OF THING. 83 00:04:04,745 --> 00:04:06,880 EVEN HER TEACHERS REMARKED ON IT. 84 00:04:06,980 --> 00:04:08,716 AND YOU HEARD THIS WHERE? 85 00:04:08,816 --> 00:04:11,585 I DON'T-- I DON'T REALLY RECALL YOU AT TOO MANY PARENT-TEACHER CONFERENCES-- 86 00:04:11,685 --> 00:04:13,787 I WAS ON THE PTA BOARD AT ARLINGTON, REMEMBER? 87 00:04:13,887 --> 00:04:16,790 WELL, PAUL, I MEAN, COME ON, YOU WENT TWICE. 88 00:04:19,092 --> 00:04:23,764 DID YOU EVER SEE ROSIE TAKE ON THIS MEDIATOR ROLE AT HOME? 89 00:04:26,800 --> 00:04:27,968 W-- WHAT SHE MEANS IS 90 00:04:28,068 --> 00:04:30,704 WAS ROSIE OUR SOCIAL WORKER? 91 00:04:30,804 --> 00:04:32,640 SEE, GINA CAN'T CONCEIVE OF A CHILD BEING BORN 92 00:04:32,740 --> 00:04:35,443 WITH AN INTRINSIC DESIRE TO HELP OTHER PEOPLE 93 00:04:35,543 --> 00:04:37,411 WITHOUT IT BEING A COPING MECHANISM 94 00:04:37,511 --> 00:04:39,647 FOR-- FOR SOMETHING ELSE. 95 00:04:40,180 --> 00:04:41,482 RIGHT? 96 00:04:47,721 --> 00:04:50,223 ROSIE'S ALWAYS BEEN INTERESTED IN BEING OF SERVICE, 97 00:04:50,324 --> 00:04:53,160 AND THAT'S SOMETHING WE ENCOURAGED. 98 00:04:53,260 --> 00:04:55,563 - DID WE? - I ENCOURAGED IT. 99 00:04:55,663 --> 00:04:59,533 I THINK IT'S GREAT. I THINK IT'S INCREDIBLE THAT SHE-- THAT SHE VOLUNTEERS. 100 00:05:05,038 --> 00:05:07,741 I-- I TALK TO HER ABOUT EVERYTHING SHE SEES DOWN AT THE CENTER, 101 00:05:07,841 --> 00:05:10,043 AND IT'S CERTAINLY NOT HER RESPONSIBILITY 102 00:05:10,143 --> 00:05:13,847 TO DEAL WITH ANY OF THE HARDCORE CASES OR ANYTHING LIKE THAT. 103 00:05:13,947 --> 00:05:15,916 I MAKE SURE THAT SHE'S NOT IN OVER HER HEAD. 104 00:05:16,016 --> 00:05:19,653 I-- I TELL HER WHO'S WHO AND WHAT'S GOING ON AND... 105 00:05:21,855 --> 00:05:23,323 ( sighs ) 106 00:05:27,160 --> 00:05:30,531 YEAH, I DO, I AGREE WITH YOU. I THINK FOUR TIMES A WEEK IS A LITTLE TOO MUCH. 107 00:05:30,631 --> 00:05:33,066 YOU KNOW, THERE MIGHT BE A LITTLE MORE TO IT 108 00:05:33,166 --> 00:05:35,536 FOR ROSIE THAN A DESIRE TO HELP. 109 00:05:36,837 --> 00:05:39,072 WHAT GINA IS SAYING IS THAT ROSIE MIGHT BE 110 00:05:39,172 --> 00:05:41,208 WORKING AROUND AT-RISK YOUTHS 111 00:05:41,308 --> 00:05:44,211 BECAUSE SHE'S DISTRESSED HERSELF. 112 00:05:44,311 --> 00:05:48,081 PAUL, DO YOU REALLY THINK KATE AND I NEED AN INTERPRETER? 113 00:05:49,683 --> 00:05:51,519 SORRY. 114 00:05:51,619 --> 00:05:53,454 WHEN DID SHE START VOLUNTEERING? 115 00:05:53,554 --> 00:05:55,623 UH, IT WAS-- WHAT? 116 00:05:55,723 --> 00:05:57,858 --ABOUT SIX-- SIX MONTHS AGO. 117 00:05:57,958 --> 00:06:00,794 AND I WAS THRILLED AT FIRST BECAUSE IT MEANT SHE WAS SPENDING 118 00:06:00,894 --> 00:06:04,565 LESS TIME AT THE MALL WITH HER FRIENDS, BUT... 119 00:06:04,665 --> 00:06:06,266 I DON'T KNOW, I'M THINKING SHE MAY NEED MORE OF THAT. 120 00:06:06,366 --> 00:06:08,235 WHAT, MORE TIME AT THE MALL? 121 00:06:08,335 --> 00:06:12,272 NO, YOU KNOW WHAT I MEAN. JUST DOING STUPID TEENAGER STUFF. 122 00:06:12,372 --> 00:06:14,241 I MEAN, WHY SHOULD SHE BE SO CONCERNED 123 00:06:14,341 --> 00:06:16,544 WITH THE WORLD'S PROBLEMS AT HER AGE? 124 00:06:16,644 --> 00:06:18,178 I DON'T THINK THAT'S WHAT GINA'S SAYING. 125 00:06:18,278 --> 00:06:20,080 - PAUL. - SHE'S SAYING THAT ROSIE 126 00:06:20,180 --> 00:06:21,482 IS DRAWN TO THE PLACE 127 00:06:21,582 --> 00:06:23,216 BECAUSE SHE'S TRYING TO SAY SOMETHING TO US, 128 00:06:23,316 --> 00:06:26,454 - BUT THAT WE'RE OBLIVIOUS-- - CAN I SPEAK FOR MYSELF? 129 00:06:26,554 --> 00:06:28,388 ISN'T THAT WHAT YOU'RE TRYING TO GET AT? 130 00:06:28,489 --> 00:06:30,891 IT'S NOT FOR YOU TO SAY WHAT I'M GETTING AT. 131 00:06:33,894 --> 00:06:35,463 SORRY. 132 00:06:35,563 --> 00:06:37,831 YOU KNOW, EVEN IF ROSIE HAS A DESIRE 133 00:06:37,931 --> 00:06:41,168 OR A VOCATION TO HELP OTHER PEOPLE, 134 00:06:41,268 --> 00:06:43,403 I'M WONDERING: HOW MUCH OF THAT 135 00:06:43,504 --> 00:06:45,439 DO YOU THINK A 17-YEAR-OLD KID NEEDS? 136 00:06:45,539 --> 00:06:48,609 16. SHE'S STILL 16. 137 00:06:48,709 --> 00:06:50,210 16. 138 00:06:50,310 --> 00:06:51,745 SO, YES, PAUL, SHE MAY BE TRYING 139 00:06:51,845 --> 00:06:53,781 TO SHINE A LIGHT ON SOMETHING. 140 00:06:56,717 --> 00:06:59,119 OKAY, THAT'S IT. I'M GONNA TRY HER AGAIN, 141 00:06:59,219 --> 00:07:03,491 SINCE APPARENTLY HER VOLUNTEERING IS A CRY FOR HELP. 142 00:07:10,531 --> 00:07:12,866 OH, THANK GOD. IT'S RINGING. 143 00:07:13,867 --> 00:07:15,503 ROSIE. 144 00:07:15,603 --> 00:07:17,671 I'M GONNA KILL YOU. WHERE THE HELL HAVE YOU-- 145 00:07:17,771 --> 00:07:20,541 - NO, BECAUSE WE HAVE-- - LET ME TALK TO HER. 146 00:07:22,375 --> 00:07:25,846 - KATE. - SINCE WHEN DOES THAT HAPPEN? 147 00:07:25,946 --> 00:07:28,048 - KATE, LET ME TALK TO HER, PLEASE. - NO, WHEN-- WHEN-- 148 00:07:28,148 --> 00:07:30,718 WHEN YOU SLEEP AWAY, YOU'RE SUPPOSED TO CALL FIRST THING IN THE MORNING. 149 00:07:30,818 --> 00:07:32,486 - THAT WAS THE AGREEMENT... - KATE. 150 00:07:32,586 --> 00:07:34,454 ...AND YOU KNOW IT. 151 00:07:34,555 --> 00:07:37,024 NO, WE WILL DISCUSS THIS AT HOME. 152 00:07:37,124 --> 00:07:39,760 NO, BECAUSE WE'RE OUT. WE'RE TALKING TO SOMEONE. 153 00:07:41,495 --> 00:07:43,897 AN-- AN ACCOUNTANT. 154 00:07:43,997 --> 00:07:46,099 NO, YOU DON'T KNOW HIM-- HER. 155 00:07:47,835 --> 00:07:49,603 WELL, HE'S SITTING-- NO, HE'S SITTING RIGHT HERE, 156 00:07:49,703 --> 00:07:52,105 AND HE IS LOOKING NONE TOO PLEASED ABOUT ANY OF THIS. 157 00:07:54,542 --> 00:07:57,044 WE'LL TALK AT HOME, ROSIE. 158 00:07:58,846 --> 00:08:00,380 ALL RIGHT. 159 00:08:00,480 --> 00:08:01,915 SO I'M NOT ALLOWED TO SPEAK TO HER? 160 00:08:02,015 --> 00:08:04,217 SHE CLAIMED SHE GOT TO SARAH'S LATE LAST NIGHT, 161 00:08:04,317 --> 00:08:06,587 THEN THEY WERE BOTH LATE FOR SCHOOL THIS MORNING AND-- GET THIS-- 162 00:08:06,687 --> 00:08:08,956 SHE DIDN'T REALIZE HER PHONE WAS OFF, 163 00:08:09,056 --> 00:08:11,525 WHICH IS A LITTLE LIKE ME NOT REALIZING MY HEAD'S ON FIRE, BUT-- 164 00:08:11,625 --> 00:08:13,961 SHE IS NOT STAYING THERE AGAIN. 165 00:08:14,061 --> 00:08:16,630 ( groans ) OKAY, WELL, YOU TELL HER THAT. 166 00:08:18,732 --> 00:08:20,968 IF I WERE GINA, I'D ASK, "WHY NOW?" 167 00:08:21,068 --> 00:08:24,504 - Kate: "WHY NOW" WHAT? - WELL, IF A COUPLE CAME TO ME WITH THIS PROBLEM, 168 00:08:24,605 --> 00:08:27,340 I'D SAY "WHY IS SHE CHOOSING TO ACT OUT NOW?" 169 00:08:27,440 --> 00:08:30,243 THAT'S WHAT YOU'D ASK? REALLY? 170 00:08:30,343 --> 00:08:32,445 WELL, MAYBE YOU SHOULD CALL THAT COUPLE 171 00:08:32,546 --> 00:08:34,047 AND ASK THEM AND THEN YOU CAN GET BACK TO ME. 172 00:08:34,147 --> 00:08:36,383 SHE'S DOING THIS ON PURPOSE. IT'S OBVIOUS. 173 00:08:36,483 --> 00:08:39,486 SHE SENSES A CONFLICT BETWEEN US AND SHE'S TURNING IT AROUND, 174 00:08:39,587 --> 00:08:42,089 SO THAT SHE'S GIVEN US A TASTE OF WHAT IT'S LIKE TO WORRY ABOUT HER. 175 00:08:42,189 --> 00:08:45,392 SHE'S A TEENAGER. THERE'S NOT SOME MASTER PLAN INVOLVED HERE. 176 00:08:45,492 --> 00:08:47,260 THIS IS JUST HOW TEENAGE GIRLS ARE, RIGHT? 177 00:08:47,360 --> 00:08:48,896 I MEAN, IT'S JUST HOW THEY THINK 178 00:08:48,996 --> 00:08:50,631 OR DON'T THINK, IN THIS CASE. 179 00:08:50,731 --> 00:08:52,966 Gina: NO, KATE, IT'S NOT CONSCIOUS, 180 00:08:53,066 --> 00:08:54,835 BUT IT'S WORKING. 181 00:08:54,935 --> 00:08:58,772 ROSIE VANISHES AND YOU BECOME FUNCTIONING PARENTS. 182 00:08:58,872 --> 00:09:02,175 YOU'RE UNITED IN YOUR CONCERN FOR HER. 183 00:09:07,748 --> 00:09:11,852 DO YOU THINK THAT ROSIE SENSES THE CONFLICT BETWEEN YOU? 184 00:09:15,222 --> 00:09:16,724 UH... 185 00:09:16,824 --> 00:09:20,227 I-- I THINK WE'VE BEEN PRETTY GOOD ABOUT PRETENDING. 186 00:09:20,327 --> 00:09:21,829 WE'VE ACTUALLY GOTTEN PRETTY SKILLED AT THAT. 187 00:09:21,929 --> 00:09:25,332 SO, WHY NOW? AS PAUL ASKED, 188 00:09:25,432 --> 00:09:28,101 WHY NOW? DID SOMETHING HAPPEN? 189 00:09:28,201 --> 00:09:31,672 YOU KNOW, WHAT-- WHAT DO YOU THINK SHE'S REACTING TO? 190 00:09:31,772 --> 00:09:34,041 WELL, I'D SAY IT'S MORE TENSE ACTUALLY. 191 00:09:34,141 --> 00:09:36,543 - Gina: MORE TENSE? - MM-HMM, KATE-- 192 00:09:36,644 --> 00:09:39,512 - KATE RAN INTO LAURA. - I DIDN'T RUN INTO HER, 193 00:09:39,613 --> 00:09:41,782 I SAW HER AS SHE WAS LEAVING THE HOUSE. 194 00:09:41,882 --> 00:09:43,851 - THE HOUSE? - Paul: MY OFFICE. 195 00:09:43,951 --> 00:09:46,620 HIS OFFICE, THE HOUSE, MY HOME, WHATEVER. 196 00:09:46,720 --> 00:09:47,955 IT'S ALL A LITTLE BLURRED, ISN'T IT? 197 00:09:48,055 --> 00:09:49,790 I THOUGHT YOU SAID SHE STOPPED THERAPY? 198 00:09:49,890 --> 00:09:51,358 YES, HE DID SAY THAT, DIDN'T HE? 199 00:09:51,458 --> 00:09:53,060 ACTUALLY, HER FATHER WAS HOSPITALIZED 200 00:09:53,160 --> 00:09:54,594 AND SHE ASKED ME IF SHE COULD COME BY. 201 00:09:54,695 --> 00:09:56,396 SHE WAS PRETTY UPSET. 202 00:09:56,496 --> 00:09:58,398 PLEASE-- PLEASE DON'T DO THAT. 203 00:09:58,498 --> 00:10:02,369 - WHAT? - DESCRIBING HER LIKE SHE'S THIS FRAGILE LITTLE THING, 204 00:10:02,469 --> 00:10:04,337 LIKE SHE'S SOME POOR LOST SOUL. 205 00:10:04,437 --> 00:10:06,273 SHE'S NOT. 206 00:10:06,373 --> 00:10:08,175 I SAW HER. 207 00:10:09,843 --> 00:10:11,812 HOW DID SHE SEEM TO YOU? 208 00:10:14,447 --> 00:10:15,883 SHE'S TAMMY KENT. 209 00:10:15,983 --> 00:10:17,384 WHAT? 210 00:10:17,484 --> 00:10:19,319 WHO'S TAMMY KENT? 211 00:10:19,419 --> 00:10:23,123 - HOW IS SHE TAMMY KENT? - YOU KNOW EXACTLY WHAT I'M TALKING ABOUT. 212 00:10:28,862 --> 00:10:30,563 MAY I ASK WHO THIS IS? 213 00:10:30,664 --> 00:10:33,133 THIS WAS A GIRL THAT PAUL WAS IN LOVE WITH WHEN WE FIRST MET. 214 00:10:33,233 --> 00:10:34,802 A LONG LONG TIME AGO. 215 00:10:34,902 --> 00:10:37,004 WELL, WHATEVER. THEY'RE EXACTLY THE SAME TYPE... 216 00:10:37,104 --> 00:10:39,006 - NO, THEY'RE NOT. - ...AND HE-- YES, THEY ARE-- 217 00:10:39,106 --> 00:10:41,775 AND HE MADE LAURA OUT TO BE THIS FRAGILE LITTLE GIRL, 218 00:10:41,875 --> 00:10:44,377 AND I AM TELLING YOU, WHAT I SAW WAS 219 00:10:44,477 --> 00:10:46,379 THIS HIGHLY-SEXUAL WOMAN 220 00:10:46,479 --> 00:10:48,315 WHO WAS WEARING STILETTOS AT 10:00 IN THE MORNING. 221 00:10:48,415 --> 00:10:50,483 - TAMMY KENT. - I DID NOT DESCRIBE HER LIKE THAT. 222 00:10:50,583 --> 00:10:54,254 - IF YOU FORMED AN IMAGE-- - NO-- BUT YOU LET ME THINK 223 00:10:54,354 --> 00:10:56,790 THAT SHE WAS ONE OF YOUR FATHERLESS WALKING WOUNDED. 224 00:10:56,890 --> 00:10:58,926 NO, YOU RUSHED TO THAT CONCLUSION YOURSELF. 225 00:10:59,026 --> 00:11:02,362 OH, AND WHAT HE ALSO FORGOT TO MENTION IS THAT SHE'S STUNNINGLY BEAUTIFUL. 226 00:11:02,462 --> 00:11:04,932 AND VERY YOUNG, BUT THAT'S NO SURPRISE, IS IT? 227 00:11:05,032 --> 00:11:08,435 JESUS CHRIST, IT'S THE GODDAMN HISTORY OF THE WORLD, 228 00:11:08,535 --> 00:11:10,237 LEAVING YOUR MIDDLE-AGED WIFE AND-- 229 00:11:10,337 --> 00:11:11,772 OH, GOD. 230 00:11:11,872 --> 00:11:13,741 ISN'T IT A LITTLE EMBARRASSING FOR YOU 231 00:11:13,841 --> 00:11:16,643 THAT YOU'VE TURNED OUT TO BE LIKE EVERY THIRD MAN? 232 00:11:16,744 --> 00:11:19,412 I MEAN, YOU'VE SPENT YOUR ENTIRE LIFE STUDYING THE HUMAN CONDITION 233 00:11:19,512 --> 00:11:23,216 AND NOW YOU'RE JUST FOLLOWING YOUR DICK AROUND LIKE A CAVEMAN. 234 00:11:31,258 --> 00:11:34,127 THIS WOMAN, LAURA, SHE'S GOT THIS, UM... 235 00:11:36,429 --> 00:11:38,498 THIS SPOILED, ALOOF 236 00:11:38,598 --> 00:11:41,201 AND CALCULATED LOOK. 237 00:11:41,301 --> 00:11:44,437 AND-AND-AND-- AND SHE HAS THIS, UH... 238 00:11:46,473 --> 00:11:48,508 THIS AIR OF SELF-CONFIDENCE 239 00:11:48,608 --> 00:11:51,178 THAT IS QUITE OBVIOUSLY BULLSHIT, 240 00:11:51,278 --> 00:11:53,280 BECAUSE IF ANYTHING REAL EVER HAPPENED TO HER, 241 00:11:53,380 --> 00:11:56,449 SHE WOULDN'T KNOW WHAT THE HELL TO DO. SHE WAS SO FAKE. 242 00:11:56,549 --> 00:11:59,119 AND ALL THIS YOU SAW WHILE YOU WERE TAKING OUT THE TRASH. 243 00:11:59,219 --> 00:12:02,055 YES, THAT'S RIGHT, JUST BY LOOKING AT HER. 244 00:12:02,155 --> 00:12:06,093 EVERYTHING IS COMMUNICATED WHETHER WE LIKE IT OR NOT-- ANOTHER ONE OF YOUR LINES. 245 00:12:06,193 --> 00:12:08,728 AND YOU JUST HAPPENED TO BE-- TO BE THERE AS SHE WAS-- 246 00:12:08,829 --> 00:12:10,630 OH, DON'T KEEP DOING THAT. 247 00:12:10,730 --> 00:12:14,634 YOU'RE MAKING ME OUT TO LOOK LIKE I'M SOME LOOSE-CANNON, DEMENTED WIFE. 248 00:12:14,734 --> 00:12:16,469 WELL, IF SHE IS ALL THAT-- SPOILED AND A FAKE-- 249 00:12:16,569 --> 00:12:17,838 WHY ARE YOU SO THREATENED BY HER? 250 00:12:17,938 --> 00:12:20,240 BECAUSE MY HUSBAND IS IN LOVE WITH HER. 251 00:12:29,149 --> 00:12:32,219 AND BECAUSE SHE'S THE KIND OF WOMAN WHO ALWAYS GETS HER MAN. 252 00:12:42,395 --> 00:12:44,965 A WOMAN LIKE THAT HAS ALWAYS BEEN HIS FANTASY-- 253 00:12:45,065 --> 00:12:47,935 GORGEOUS, SELF-CENTERED, UNATTAINABLE. 254 00:12:48,035 --> 00:12:51,304 THAT'S WHAT I WANT? IT'S-- IT'S GOOD TO KNOW THAT. 255 00:12:54,274 --> 00:12:56,443 YOU DON'T SEE YOURSELF THAT WAY? 256 00:12:57,811 --> 00:12:59,312 NO. 257 00:13:01,248 --> 00:13:03,516 SO, YOU'RE NOT PAUL'S FANTASY? 258 00:13:04,918 --> 00:13:06,820 NO, I'M NOT. 259 00:13:06,920 --> 00:13:08,555 YET HE MARRIED YOU. 260 00:13:13,493 --> 00:13:17,497 WELL, I GUESS HE GOT A RAW DEAL, DIDN'T HE? 261 00:13:18,932 --> 00:13:20,200 HE WANTED THE TROPHY WIFE 262 00:13:20,300 --> 00:13:22,535 AND HE GOT STUCK WITH A HOMEMAKER. 263 00:13:22,635 --> 00:13:25,939 I'M JUST A GOOD MOM. 264 00:13:26,039 --> 00:13:28,241 - PRETTY BORING. - COME ON, KATE, LISTEN TO YOURSELF. 265 00:13:28,341 --> 00:13:30,677 YOU'RE COMPLETELY INVALIDATING YOUR-- 266 00:13:30,777 --> 00:13:32,812 YOUR SEXUALITY FOR A START. 267 00:13:32,913 --> 00:13:35,949 I THINK WE BOTH KNOW THAT YOU COULD'VE DONE BETTER IF YOU'D WANTED TO. 268 00:13:36,049 --> 00:13:39,352 KATE, I FELL IN LOVE WITH YOU, NOT JUST BECAUSE YOU'RE-- YOU'RE BEAUTIFUL AND SEXY, 269 00:13:39,452 --> 00:13:43,523 BUT BECAUSE-- BECAUSE OF YOUR STRENGTH. 270 00:13:45,625 --> 00:13:48,228 - HER STRENGTH? - YES. 271 00:13:48,328 --> 00:13:52,199 SHE WAS-- SHE WAS GROUNDED AND HONEST AND-- 272 00:13:52,299 --> 00:13:54,935 AND DEPENDABLE. 273 00:13:55,035 --> 00:13:58,872 I-- I NEEDED THAT. I THINK WE BOTH NEEDED THAT. 274 00:14:04,777 --> 00:14:07,280 NOT ANYMORE. I DON'T NEED YOU ANYMORE. 275 00:14:28,035 --> 00:14:29,636 ( clears throat ) 276 00:14:29,736 --> 00:14:32,372 WELL, I NEED YOU. I'VE ALWAYS LOVED YOU, WANTED YOU AND NEEDED YOU. 277 00:14:32,472 --> 00:14:35,142 BUT NOT LIKE LAURA. YOU NEVER EVER WANTED ME LIKE THAT. 278 00:14:35,242 --> 00:14:37,544 HOW CAN YOU SAY THAT? 279 00:14:37,644 --> 00:14:41,414 YOU KEEP JUMPING TO THESE CONCLUSIONS THAT MAKE NO... 280 00:14:53,293 --> 00:14:57,630 KATE, YOU SAID YOU DIDN'T NEED PAUL ANYMORE. 281 00:14:57,730 --> 00:14:59,666 CAN YOU TALK ABOUT THAT A LITTLE? 282 00:15:05,472 --> 00:15:07,440 I DON'T NEED HIM LIKE I USED TO... 283 00:15:09,776 --> 00:15:11,444 NOT LIKE I THOUGHT I NEEDED HIM. 284 00:15:13,780 --> 00:15:17,050 I DON'T KNOW, MAYBE I DON'T EVEN NEED A PARTNER AT ALL. 285 00:15:19,486 --> 00:15:22,322 I MEAN, WOULD I LIKE ONE? YEAH, OF COURSE. 286 00:15:24,424 --> 00:15:26,326 BUT IT WOULD BE AWFULLY NICE 287 00:15:26,426 --> 00:15:29,262 IF THAT PERSON WERE A BIT MORE PRESENT AND AVAILABLE. 288 00:15:29,362 --> 00:15:32,165 ( sniffs ) BUT DO I NEED IT? 289 00:15:32,265 --> 00:15:34,567 IF THAT'S THE QUESTION, UM... 290 00:15:37,237 --> 00:15:40,407 NO, I THINK I'VE-- I'VE LEARNED TO LIVE WITHOUT IT. 291 00:15:45,078 --> 00:15:47,680 WHAT KIND OF PARTNER COULD YOU SEE YOURSELF WITH? 292 00:15:47,780 --> 00:15:49,782 ( laughs ) 293 00:15:49,882 --> 00:15:52,085 OH, I DON'T KNOW. I-- UM-- 294 00:15:53,420 --> 00:15:55,288 I MEAN, YOU KNOW, MY FRAME OF REFERENCE 295 00:15:55,388 --> 00:15:58,391 FOR TWO AND A HALF DECADES HAS BEEN PAUL, SO... 296 00:16:01,328 --> 00:16:03,130 OUR FRIENDS, THEIR HUSBANDS, 297 00:16:03,230 --> 00:16:06,833 WHAT THE HELL DO I KNOW ABOUT WHAT THEY'RE REALLY LIKE? 298 00:16:06,933 --> 00:16:08,301 WHAT GOES ON BEHIND CLOSED DOORS? 299 00:16:08,401 --> 00:16:11,671 I MEAN, DO WE KNOW... ANY COUPLE, REALLY? 300 00:16:14,507 --> 00:16:16,809 IT'S-- IT'S NOT LIKE I SIT AROUND DAYDREAMING ABOUT IT 301 00:16:16,909 --> 00:16:20,080 OR I HAVE SOME FANTASTIC FLIGHT OF FANCY 302 00:16:20,180 --> 00:16:22,349 ABOUT SOME PERFECT MAN OR, UM... 303 00:16:24,084 --> 00:16:25,852 ( laughs ) I COULD BE WITH A SERIAL KILLER 304 00:16:25,952 --> 00:16:28,188 AS LONG AS HE TOLD ME ABOUT HIS DAMN DAY. 305 00:16:35,128 --> 00:16:36,463 AND IT'S NOT JUST ABOUT BEING WANTED. 306 00:16:36,563 --> 00:16:39,132 I KNOW-- I KNOW THAT'S WHAT I SAID LAST WEEK. 307 00:16:43,570 --> 00:16:45,072 AND WANTED IS GOOD. I MEAN, OF COURSE, 308 00:16:45,172 --> 00:16:47,174 EVERYBODY WANTS THAT, BUT... 309 00:16:51,344 --> 00:16:52,479 YES? 310 00:16:52,579 --> 00:16:55,182 I JUST WANT TO BE A PART OF SOMETHING. 311 00:16:56,983 --> 00:16:59,219 IT DOESN'T HAVE TO BE BIG... 312 00:16:59,319 --> 00:17:01,421 ( crying ) AND IT DOESN'T HAVE TO BE GRAND. 313 00:17:08,861 --> 00:17:12,732 BUT I'LL TELL YOU SOMETHING ABOUT WOMEN LIKE LAURA. 314 00:17:12,832 --> 00:17:14,267 IT... 315 00:17:16,636 --> 00:17:19,739 THEY'RE-- THEY'RE JUST ALL ABOUT SEX. YOU KNOW, THAT'S THEIR CURRENCY. 316 00:17:19,839 --> 00:17:23,243 THAT'S-- IT'S-- IT'S NOT THE ACTUAL SEX ITSELF, THAT'S NOT WHAT I'M SAYING. 317 00:17:23,343 --> 00:17:26,846 IT'S-- SEX AS THIS THING THAT CONTROLS, 318 00:17:26,946 --> 00:17:30,217 THAT-- THAT DETERMINES THE DISTANCE BETWEEN HER AND SOMEONE ELSE, 319 00:17:30,317 --> 00:17:32,352 AND I CANNOT COMPETE WITH THAT. 320 00:17:40,927 --> 00:17:42,429 KATE... 321 00:17:44,030 --> 00:17:48,368 LAURA ISN'T A SEXUAL OBJECT FOR PAUL. 322 00:17:48,468 --> 00:17:51,104 THEIR RELATIONSHIP ISN'T BASED ON THAT. 323 00:17:51,204 --> 00:17:54,907 IT'S MORE... CHASTE. 324 00:17:55,007 --> 00:17:58,745 SHE'S NOT HIS SEXUAL FANTASY. IT'S NOT ABOUT LUST. 325 00:18:03,883 --> 00:18:06,286 THE REAL THREAT IS... 326 00:18:06,386 --> 00:18:09,622 THAT HE MAY ACTUALLY HAVE FALLEN IN LOVE WITH HER. 327 00:18:14,194 --> 00:18:16,496 YOU KNOW, YOU SAID YOU WERE DRAWN TO HIM. 328 00:18:16,596 --> 00:18:19,566 YOU MARRIED HIM BECAUSE YOU ADMIRED HIM... 329 00:18:19,666 --> 00:18:22,769 BECAUSE HE PAID SUCH DEEP ATTENTION TO YOU. 330 00:18:22,869 --> 00:18:24,471 YOU WERE GRATEFUL 331 00:18:24,571 --> 00:18:27,374 THAT YOU FELT YOU WERE INTERESTING. 332 00:18:28,475 --> 00:18:31,278 THAT DYNAMIC OF PATIENT-THERAPIST 333 00:18:31,378 --> 00:18:34,714 WAS SATISFYING TO BOTH OF YOU AT THAT POINT-- 334 00:18:34,814 --> 00:18:37,484 - JESUS CHRIST, GINA. - PLEASE LET ME DO MY JOB HERE, PAUL. 335 00:18:37,584 --> 00:18:39,652 Paul: YOUR JOB OF WHAT, RUSHING TO CONCLUSIONS? 336 00:18:43,256 --> 00:18:45,091 EVENTUALLY, KATE, YOU FELT 337 00:18:45,192 --> 00:18:48,060 THAT IT WASN'T SATISFYING FOR YOU. 338 00:18:48,161 --> 00:18:51,464 YOU-- YOU'VE OUTGROWN THAT DEPENDENCY. 339 00:18:51,564 --> 00:18:54,501 YOU'VE OUTGROWN THAT PART OF YOUR MARRIAGE. 340 00:18:54,601 --> 00:18:57,437 YOU SAID YOU DON'T NEED PAUL ANYMORE, 341 00:18:57,537 --> 00:19:00,173 YOU DON'T NEED TO BE TAKEN CARE OF 342 00:19:00,273 --> 00:19:04,211 AND PAUL MAY HAVE SENSED THIS. 343 00:19:04,311 --> 00:19:06,913 YOU'RE DRIFTING AWAY FROM UNDER HIS WING, 344 00:19:07,013 --> 00:19:09,115 AND SUDDENLY HE FINDS HIMSELF 345 00:19:09,216 --> 00:19:11,884 CONFUSED ABOUT HIS FEELINGS FOR A PATIENT. 346 00:19:13,286 --> 00:19:15,655 LAURA IS DEPENDENT ON PAUL. 347 00:19:18,791 --> 00:19:23,330 HE'S HER THERAPIST, HER ELDER, HER GUIDE. 348 00:19:23,430 --> 00:19:26,098 DEPENDENCY DEFINES THAT RELATIONSHIP. 349 00:19:26,199 --> 00:19:29,135 OH, I SEE, SO SHE'S NOT MY-- MY GROUPIE ANYMORE, 350 00:19:29,236 --> 00:19:31,103 SO I FOUND SOMEBODY TO-- 351 00:19:31,204 --> 00:19:32,372 TO REPLACE HER. IS THAT YOUR THEORY? 352 00:19:32,472 --> 00:19:35,808 NICE ONE, GINA. HMM. 353 00:19:35,908 --> 00:19:37,910 SEE, YOUR PROBLEM IS YOU THINK IT'S IMPOSSIBLE 354 00:19:38,010 --> 00:19:40,480 TO FALL IN LOVE WITH A PATIENT WITHOUT SOME KIND OF... 355 00:19:40,580 --> 00:19:43,583 PATHOLOGY SURROUNDING THE WHOLE THING. 356 00:19:47,186 --> 00:19:51,224 KATE, YOU'RE TRYING TO REDEFINE YOURSELF IN YOUR MARRIAGE, 357 00:19:51,324 --> 00:19:53,726 TO SEE YOURSELF NOT AS A DEPENDANT 358 00:19:53,826 --> 00:19:56,162 BUT AS AN EQUAL. 359 00:19:56,263 --> 00:19:58,030 DO YOU THINK YOU CAN DO THAT AND STAY WITH PAUL? 360 00:19:58,130 --> 00:19:59,966 Paul: GINA, FOR FUCK'S SAKE. 361 00:20:00,066 --> 00:20:03,370 IF I'M THIS NARCISSISTIC MONSTER 362 00:20:03,470 --> 00:20:06,072 THAT YOU'RE TALKING ABOUT WHO HAS TO BE ADMIRED 363 00:20:06,172 --> 00:20:09,075 AND-- AND-- AND WORSHIPPED AND NEEDED, 364 00:20:09,175 --> 00:20:11,010 HOW DOES THAT FIT WITH ME SITTING HERE 365 00:20:11,110 --> 00:20:13,413 TRYING TO ADDRESS THE PROBLEM THAT WE'VE BROUGHT TO YOU? 366 00:20:13,513 --> 00:20:15,948 I'M NOT SAYING YOU'RE A MONSTER, PAUL. 367 00:20:16,048 --> 00:20:18,251 IN FACT, IF YOU'LL LISTEN, 368 00:20:18,351 --> 00:20:20,920 I'M NOT EVEN SAYING IT'S ALL YOU. 369 00:20:23,690 --> 00:20:26,659 KATE, PAUL MAY NOT SEE YOU AS AN EQUAL, 370 00:20:26,759 --> 00:20:30,129 BUT PERHAPS YOU'VE CONTRIBUTED TO THAT. 371 00:20:30,229 --> 00:20:31,898 MAYBE IT'S HOW YOU 372 00:20:31,998 --> 00:20:33,333 WANTED TO BE SEEN. 373 00:20:33,433 --> 00:20:36,836 IT'S WHAT WAS COMFORTABLE FOR YOU. 374 00:20:36,936 --> 00:20:41,341 YEAH, 25 YEARS, I ALWAYS FELT HE COULD WALK OUT AT ANY MINUTE. YEP. 375 00:20:41,441 --> 00:20:43,310 WAS THAT PART OF THE ATTRACTION? 376 00:20:43,410 --> 00:20:46,313 Paul: WOULD YOU STOP IT? WOULD YOU STOP 377 00:20:46,413 --> 00:20:50,216 PUTTING THESE POISONOUS FUCKING WORDS INTO HER MOUTH? 378 00:20:50,317 --> 00:20:51,918 YOU'VE IGNORED ME IN THIS CONVERSATION. 379 00:20:52,018 --> 00:20:53,586 YOU SEE WHAT SHE'S DOING. 380 00:20:53,686 --> 00:20:55,788 SHE'S INSTRUCTING YOU ON WHAT YOU SHOULD BE FEELING. 381 00:20:55,888 --> 00:20:57,390 IT'S FUCKING RECKLESS. 382 00:20:57,490 --> 00:20:59,158 WHY ARE YOU SPEEDING THIS UP, GINA? 383 00:20:59,258 --> 00:21:01,994 DO YOU WANT TO MEDDLE, IS THAT IT? TO SEE HOW FAST YOU CAN DO THIS? 384 00:21:02,094 --> 00:21:05,665 PUSHING KATE TO A PLACE THAT USUALLY TAKES MONTHS IF NOT YEARS? 385 00:21:05,765 --> 00:21:08,134 - Gina: THAT'S NOT WHAT I'M DOING. - WHAT TAKES MONTHS? 386 00:21:08,234 --> 00:21:11,137 WHAT SHE'S SAYING IS THAT YOU HAVE A PREDISPOSITION 387 00:21:11,237 --> 00:21:13,139 TO BE REJECTED, TO NOT BE MY EQUAL, 388 00:21:13,239 --> 00:21:15,775 THAT YOU'RE REACTING TO YOUR CHILDHOOD. 389 00:21:15,875 --> 00:21:18,911 THAT IS-- THAT IS RUSHING THE PROCESS, GINA. 390 00:21:20,246 --> 00:21:21,614 HERE'S THE WAY I THINK IT WORKS: 391 00:21:21,714 --> 00:21:23,616 YOU'RE SUPPOSED TO FOCUS ON THE COUPLE FIRST, 392 00:21:23,716 --> 00:21:25,718 THEN TALK TO THEM ABOUT THEIR PARENTS AND THEIR CHILDHOOD. 393 00:21:25,818 --> 00:21:27,720 IF YOU DO IT THE OTHER WAY, THEY BLAME EACH OTHER. 394 00:21:27,820 --> 00:21:29,922 THEY SAY "OH, I KNEW IT. YOUR MOTHER FUCKED YOU UP 395 00:21:30,022 --> 00:21:33,259 AND NOW YOU'RE TAKING IT OUT ON ME." DO SEE YOU SEE HOW DESTRUCTIVE THAT IS? 396 00:21:33,360 --> 00:21:35,628 MAYBE YOU DON'T WANT TO TALK ABOUT CHILDHOODS 397 00:21:35,728 --> 00:21:38,230 BECAUSE WE'D END UP TALKING ABOUT YOUR CHILDHOOD. 398 00:21:38,331 --> 00:21:40,032 OH, SO WE'RE BACK TO WHERE WE STARTED. 399 00:21:40,132 --> 00:21:42,569 YOU SAW ME AFTER 10 YEARS AND RIGHT AWAY YOU DECIDED THAT I'M MY FATHER. 400 00:21:42,669 --> 00:21:44,971 AND LIKE HIM, I'M IN LOVE WITH MY PATIENT 401 00:21:45,071 --> 00:21:47,607 AND THAT I'M PUSHING KATE TOWARDS HAVING AN AFFAIR 402 00:21:47,707 --> 00:21:50,109 SO THAT I CAN HAVE AN EXCUSE TO LEAVE THE HOUSE. 403 00:21:50,209 --> 00:21:52,379 AND NOW, OF COURSE, KATE-- AN HOUR AND A HALF WITH HER 404 00:21:52,479 --> 00:21:54,447 AND EVERYTHING FITS PERFECTLY. 405 00:21:54,547 --> 00:21:55,782 GAME, SET AND MATCH TO YOU, GINA. 406 00:21:55,882 --> 00:21:57,950 YOU KNOW WHAT? I CAN'T REALLY DO THIS ANYMORE. 407 00:21:58,050 --> 00:22:00,387 I'M VERY SORRY. I KNOW THIS WAS MY IDEA, BUT... 408 00:22:00,487 --> 00:22:02,589 I KNEW, DEEP DOWN, THAT IF I CAME HERE 409 00:22:02,689 --> 00:22:04,524 IT WOULD TURN INTO THIS HISTORY BETWEEN YOU TWO. 410 00:22:04,624 --> 00:22:06,759 AND I'M SORRY, IT'S JUST-- IT'S REALLY NOT HELPFUL TO ME. 411 00:22:06,859 --> 00:22:09,762 - I APOLOGIZE-- - I'M SORRY, KATE. I'M SORRY. 412 00:22:11,030 --> 00:22:15,001 ( door opens, closes ) 413 00:22:26,613 --> 00:22:28,881 I'LL SEE YOU NEXT WEEK, OKAY? 414 00:22:28,981 --> 00:22:30,683 GOOD NIGHT. 415 00:22:48,267 --> 00:22:51,538 ( theme music playing )