1 00:00:05,706 --> 00:00:08,509 Male voice: PREVIOUSLY ON "IN TREATMENT"... 2 00:00:08,609 --> 00:00:12,346 WE'RE LYING THERE FACE TO FACE, PETTING EACH OTHER LIKE HIGH SCHOOL KIDS. 3 00:00:12,446 --> 00:00:16,284 ONE THING SEEMS PERFECTLY PLAIN TO ME: YOU SLEPT WITH MY PATIENT. 4 00:00:16,384 --> 00:00:17,851 HE DOESN'T BELONG TO YOU. 5 00:00:17,951 --> 00:00:20,588 HE'S A GREAT GUY-- A LITTLE INSECURE IN BED MAYBE, 6 00:00:20,688 --> 00:00:22,956 BUT I THINK I'M GONNA HAVE A TREMENDOUS AFFAIR WITH HIM. 7 00:00:23,057 --> 00:00:26,327 ARE YOU SAYING THAT WHEN I WAS FUCKING ALEX, I WAS ACTUALLY FUCKING YOU? 8 00:00:26,427 --> 00:00:28,562 IT SEEMS MORE LIKE, "LOOK WHAT YOU MISSED OUT ON, PAUL, 9 00:00:28,662 --> 00:00:30,431 YOU COWARD, YOU IDIOT." 10 00:00:30,531 --> 00:00:32,032 PAUL, IF THERE'S ONE THING I'VE PUT RIGHT OUT THERE 11 00:00:32,133 --> 00:00:33,901 WITHOUT HINTING OR MANIPULATION 12 00:00:34,001 --> 00:00:36,003 IT'S THAT I'VE WANTED YOU. 13 00:00:36,104 --> 00:00:39,773 THERE'S MORE INTIMACY BETWEEN US THAN MOST COUPLES IN THE WORLD. 14 00:00:39,873 --> 00:00:41,275 ISN'T THAT RIGHT? 15 00:00:41,375 --> 00:00:43,311 WELL, I DON'T DENY THAT THERE'S A CERTAIN INTIMACY-- 16 00:00:43,411 --> 00:00:45,913 IS THERE INTIMACY HERE OR NOT? 17 00:00:46,013 --> 00:00:49,717 YES, THERE IS. 18 00:01:34,795 --> 00:01:37,431 ( theme music playing ) 19 00:01:56,784 --> 00:01:58,752 I'M SORRY. 20 00:02:05,993 --> 00:02:08,462 LAURA, I THINK THAT 21 00:02:08,562 --> 00:02:12,700 WE NEED TO DISCUSS IN A LITTLE GREATER DETAIL 22 00:02:12,800 --> 00:02:14,268 YOUR ENDING THERAPY. 23 00:02:14,368 --> 00:02:16,837 WE'RE NOT STOPPING YET, 24 00:02:16,937 --> 00:02:18,472 BUT IN ORDER TO DO IT GRADUALLY, 25 00:02:18,572 --> 00:02:22,410 WE HAVE TO CREATE WHAT WE CALL A TIMELINE. 26 00:02:22,510 --> 00:02:25,879 NO TIMELINE. WE'RE FINISHING TODAY. 27 00:02:28,048 --> 00:02:29,883 YEAH, TODAY. 28 00:02:29,983 --> 00:02:32,453 THIS IS OUR LAST SESSION. 29 00:02:42,196 --> 00:02:44,565 GOOD. 30 00:02:44,665 --> 00:02:46,800 FEELS GOOD. 31 00:02:47,968 --> 00:02:51,639 RESOLVED, I GUESS. 32 00:02:51,739 --> 00:02:53,574 I WAS A LITTLE NERVOUS ABOUT TELLING YOU, 33 00:02:53,674 --> 00:02:56,644 BUT NOW THAT THAT'S OVER, I FEEL BETTER, RELIEVED, 34 00:02:56,744 --> 00:03:00,681 ( sighs ) MAYBE A LITTLE TIRED. 35 00:03:02,216 --> 00:03:05,753 AND... 36 00:03:05,853 --> 00:03:07,888 AND SAD. HOW ABOUT YOU? 37 00:03:07,988 --> 00:03:10,558 HOW DO YOU FEEL? 38 00:03:10,658 --> 00:03:13,427 I'M SORRY, IS THAT NOT OKAY FOR ME TO ASK? 39 00:03:13,527 --> 00:03:15,529 NO, IT'S PERFECTLY OKAY. 40 00:03:15,629 --> 00:03:19,533 OH, GOOD, SO... TELL ME. 41 00:03:21,869 --> 00:03:24,372 WELL, TO BE HONEST, 42 00:03:24,472 --> 00:03:26,374 IT'S COME AS A BIT OF A SHOCK. 43 00:03:26,474 --> 00:03:28,909 SHOCK. WELL, OKAY, WHAT ELSE? 44 00:03:29,009 --> 00:03:32,380 WELL, I FEEL SAD, TOO. 45 00:03:33,581 --> 00:03:35,849 - RIGHT. - YES, I DO. 46 00:03:35,949 --> 00:03:37,818 - YOU DON'T BELIEVE ME? - IT JUST DOESN'T LOOK THAT WAY. 47 00:03:37,918 --> 00:03:41,855 IT LOOKS LIKE YOU'RE HOLDING BACK THIS HUGE SIGH OF RELIEF, 48 00:03:41,955 --> 00:03:44,758 THIS HUGE GULP OF AIR TRAPPED IN YOUR LUNGS. 49 00:03:44,858 --> 00:03:47,495 SEE, I'M TRAINED TO SEE THAT STUFF, REMEMBER? 50 00:03:47,595 --> 00:03:51,865 MONITORING RESPIRATION-- THAT'S ANESTHESIOLOGY 101. 51 00:03:54,134 --> 00:03:56,003 GO AHEAD, LET IT GO. 52 00:03:56,103 --> 00:03:58,439 EXHALE. 53 00:04:01,942 --> 00:04:03,811 NO? 54 00:04:03,911 --> 00:04:06,146 WELL... 55 00:04:06,246 --> 00:04:08,816 MAYBE I'M A LOUSY DOCTOR. 56 00:04:13,954 --> 00:04:15,856 SO HOW'S YOUR WEEK BEEN? 57 00:04:15,956 --> 00:04:18,258 ( scoffs ) 58 00:04:18,359 --> 00:04:21,028 DON'T ASK ME ABOUT MY WEEK. IT WAS TERRIBLE. 59 00:04:22,229 --> 00:04:24,532 HOW TERRIBLE? 60 00:04:27,167 --> 00:04:29,036 I WAS IN SURGERY ON FRIDAY 61 00:04:29,136 --> 00:04:31,472 AND THIS 15-YEAR-OLD GIRL, 62 00:04:31,572 --> 00:04:35,343 SHE HAD THIS TUMOR ON HER CHEEK. 63 00:04:35,443 --> 00:04:38,245 IT WAS NOTHING-- BENIGN, COSMETIC. 64 00:04:38,346 --> 00:04:40,481 AND EVERYTHING'S GOING GREAT, RIGHT? 65 00:04:40,581 --> 00:04:42,850 NOTHING WRONG WITH THE ANESTHETIC. 66 00:04:42,950 --> 00:04:46,186 AND MY ATTENDING GETS CALLED AWAY TO CONSULT ON A PROCEDURE 67 00:04:46,286 --> 00:04:48,889 AND THE SURGERY ENDED FASTER THAN NORMAL. 68 00:04:48,989 --> 00:04:50,624 IT WAS SIMPLE. 69 00:04:50,724 --> 00:04:53,293 AND I'M LEFT WITH HER STILL ANESTHETIZED. 70 00:04:53,394 --> 00:04:55,896 SO I CALLED TO ASK WHAT TO DO. 71 00:04:55,996 --> 00:04:58,966 I'D NEVER BEEN IN THAT SITUATION BEFORE WITH A PATIENT WHO'S NEVER WOKEN UP. 72 00:04:59,066 --> 00:05:00,868 AND THEY TOLD ME TO TAKE HER 73 00:05:00,968 --> 00:05:02,903 INTO THE RECOVERY ROOM. 74 00:05:03,003 --> 00:05:05,906 SHE WAS STILL INTUBATED, AND THE ATTENDING WAS SUPPOSED TO REMOVE THE TUBE 75 00:05:06,006 --> 00:05:08,576 WHEN SHE WAKES UP. 76 00:05:10,110 --> 00:05:12,780 SHE WAS A SWEET GIRL, PRETTY. 77 00:05:12,880 --> 00:05:15,549 MICHELLE WAS HER NAME. 78 00:05:15,649 --> 00:05:18,519 BEFORE THE OP, I WAS TALKING TO HER MOM 79 00:05:18,619 --> 00:05:20,488 WHO TOLD ME THAT SHE'D BEEN ASKING FOR THIS OPERATION 80 00:05:20,588 --> 00:05:22,856 SINCE SHE WAS 9-- 81 00:05:22,956 --> 00:05:25,626 THEY RECOMMENDED THAT SHE PUT IT OFF FOR A WHILE-- 82 00:05:25,726 --> 00:05:28,228 AND HOW SHE WASN'T AFRAID, 83 00:05:28,328 --> 00:05:30,330 JUST WANTED THIS THING GONE, 84 00:05:30,431 --> 00:05:32,933 THIS FATTY LUMP OFF HER PRETTY FACE. 85 00:05:37,304 --> 00:05:39,039 AND THEN SUDDENLY, SHE WASN'T BREATHING. 86 00:05:39,139 --> 00:05:41,642 I DON'T KNOW WHAT HAPPENED, PAUL. 87 00:05:41,742 --> 00:05:43,977 I TOOK HER INTO RECOVERY AND TWO MINUTES LATER SHE WAS BLUE. 88 00:05:44,077 --> 00:05:48,416 I MEAN, ATCHESON-- HE'S THE SENIOR ATTENDING-- 89 00:05:48,516 --> 00:05:50,017 HE PUSHED ME ASIDE AND POUNCED ON HER 90 00:05:50,117 --> 00:05:53,554 WITH CHEST COMPRESSIONS. I HAD NO IDEA WHAT WENT WRONG, PAUL. 91 00:05:53,654 --> 00:05:55,556 THEY EXTUBATED HER, AND SHE WAS BREATHING. 92 00:05:55,656 --> 00:05:59,359 EVERYTHING WAS FINE. IT WAS OKAY. 93 00:06:02,396 --> 00:06:05,265 HOW DID YOU FEEL DURING THOSE FEW MINUTES 94 00:06:05,365 --> 00:06:07,300 WHEN THE... 95 00:06:07,401 --> 00:06:10,170 FANTASTIC, NEVER BETTER. 96 00:06:10,270 --> 00:06:12,473 I FELT LIKE SHIT. 97 00:06:12,573 --> 00:06:14,575 I ONLY LOOK COMPETENT, PAUL, 98 00:06:14,675 --> 00:06:18,045 YOU KNOW-- WHITE COAT, STETHOSCOPE, PEN IN POCKET. 99 00:06:18,145 --> 00:06:22,182 I'M LIKE THOSE DOCTORS FROM THE PHARMACEUTICAL ADS. YOU KNOW, 100 00:06:22,282 --> 00:06:24,452 LIKE, HAND ON HIP, 101 00:06:24,552 --> 00:06:27,087 BROW A LITTLE FURROWED WITH CONCERN, 102 00:06:27,187 --> 00:06:30,057 NICE SMILE. I HAVE A PRETTY SMILE, RIGHT? 103 00:06:30,157 --> 00:06:32,092 MM-HMM. 104 00:06:37,731 --> 00:06:41,168 DO YOU EXPECT THAT NOTHING WILL EVER GO WRONG WITH A PATIENT? 105 00:06:41,268 --> 00:06:43,403 I DROPPED THE BALL. 106 00:06:43,504 --> 00:06:45,238 BUT IS THAT WHAT 107 00:06:45,338 --> 00:06:47,074 THE ATTENDING CONCLUDED? 108 00:06:47,174 --> 00:06:50,077 I MEAN, COULDN'T IT HAVE BEEN SOMETHING ELSE, LIKE, I DON'T KNOW, 109 00:06:50,177 --> 00:06:53,914 - AN ALLERGIC REACTION, A DROP IN BLOOD-- - IT'S ALWAYS MY RESPONSIBILITY. 110 00:06:58,586 --> 00:07:02,523 TELL ME A LITTLE BIT MORE ABOUT THAT GIRL. 111 00:07:04,391 --> 00:07:06,727 SHE HAD BRACES. 112 00:07:08,762 --> 00:07:12,432 AND THROUGH HER SURGICAL CAP, YOU COULD SEE-- 113 00:07:12,533 --> 00:07:14,835 WHAT DO THEY CALL IT? THE BARRETTES, 114 00:07:14,935 --> 00:07:18,806 LITTLE BUTTERFLIES PINNING BACK HER BANGS. THEY WERE OLD. 115 00:07:18,906 --> 00:07:23,577 MUST HAVE HER MOTHER'S OR FROM A THRIFT STORE OR SOMETHING. 116 00:07:23,677 --> 00:07:26,747 AND SHE HAD THESE BEAUTIFUL HANDS, 117 00:07:26,847 --> 00:07:28,415 GORGEOUS HANDS. I MEAN, SHE'S JUST A GIRL, 118 00:07:28,516 --> 00:07:32,319 AND SHE HAD THESE HANDS OF A WOMAN-- 119 00:07:32,419 --> 00:07:36,056 VERY LONG FINGERS, PRETTY LITTLE NAILS. 120 00:07:36,156 --> 00:07:38,358 SHIT, WHEN I WAS HER AGE I USED TO EAT MY NAILS. 121 00:07:38,458 --> 00:07:42,095 I MEAN, THEY WERE UGLY AND STUBBY AND SHORT. NERVES, I GUESS. 122 00:07:42,195 --> 00:07:44,765 WHY WERE YOU NERVOUS? 123 00:07:46,534 --> 00:07:48,736 WELL, IT WAS, YOU KNOW, AROUND THE TIME 124 00:07:48,836 --> 00:07:51,004 THAT MY MOTHER PASSED AWAY, SO... 125 00:07:54,041 --> 00:07:56,977 AND WHOSE RESPONSIBILITY WERE YOU THEN? 126 00:07:57,077 --> 00:07:59,212 WHAT DO YOU MEAN? 127 00:08:00,614 --> 00:08:02,883 WELL, WHO WAS TAKING CARE OF YOU? 128 00:08:02,983 --> 00:08:05,218 YOU MEAN WHO WAS WATCHING MY SLEEP? 129 00:08:05,318 --> 00:08:07,487 YEAH. 130 00:08:07,588 --> 00:08:11,291 I WASN'T THAT GIRL ON THE OPERATING TABLE, PAUL. 131 00:08:11,391 --> 00:08:14,394 NO, IT'S JUST THAT YOU TOLD ME THAT WHEN YOUR MOTHER DIED, 132 00:08:14,494 --> 00:08:17,430 THAT IT WAS LIKE A KIND OF A DEATH FOR YOU TOO. 133 00:08:17,531 --> 00:08:19,833 YEAH, BUT YOU KNOW WHAT? SHIT HAPPENS. 134 00:08:19,933 --> 00:08:23,336 LIFE ISN'T FAIR. WHAT ARE YOU GOING TO DO, SUE GOD? 135 00:08:23,436 --> 00:08:25,739 WELL, WHO WOULD YOU SUE? 136 00:08:26,974 --> 00:08:28,876 YOU. 137 00:08:30,844 --> 00:08:33,981 NO, SUING YOU WOULDN'T DO ME ANY GOOD, EITHER. 138 00:08:34,081 --> 00:08:37,517 THAT'S MY PROBLEM WITH PSYCHOLOGY, PAUL. 139 00:08:37,618 --> 00:08:39,119 YOU DIG AND YOU DIG 140 00:08:39,219 --> 00:08:42,122 AND YOU UNCOVER ALL SORTS OF TRUTHS ABOUT YOURSELF, 141 00:08:42,222 --> 00:08:44,524 AND YOU TOUCH ON ALL SORTS OF PAINFUL PLACES, 142 00:08:44,625 --> 00:08:46,560 BUT WHAT GOOD DOES IT DO, PAUL? 143 00:08:46,660 --> 00:08:48,495 I'M SERIOUS. I'M NOT BEING CYNICAL. 144 00:08:48,596 --> 00:08:50,463 WHAT GOOD DOES IT DO ME TODAY 145 00:08:50,564 --> 00:08:52,866 TO KNOW HOW MUCH I SUFFERED THEN? 146 00:08:52,966 --> 00:08:56,103 I'M SICK OF FEELING SORRY FOR MYSELF. 147 00:08:56,203 --> 00:08:58,572 ( sighs ) 148 00:09:00,373 --> 00:09:04,544 I FUCKING HATE FEELING SORRY FOR MYSELF. THAT'S ONE OF THE THINGS I HATE. 149 00:09:05,746 --> 00:09:08,281 - WHAT ELSE DO YOU HATE? - THERE'S A LONG LIST. 150 00:09:08,381 --> 00:09:10,718 WELL, FOR EXAMPLE. 151 00:09:16,156 --> 00:09:18,091 - OMELETS. - OMELETS. 152 00:09:18,191 --> 00:09:21,494 OMELETS AND ALL SORT OF EGGS, BUT MOSTLY OMELETS. 153 00:09:21,595 --> 00:09:23,797 THAT'S WAS THE THING MY FATHER AND I ATE 154 00:09:23,897 --> 00:09:26,867 THE ENTIRE YEAR AFTER MY MOTHER PASSED AWAY. 155 00:09:30,938 --> 00:09:34,007 I STILL HAVE FLASHBACKS, BUT FROM BEHIND, YOU KNOW? 156 00:09:34,908 --> 00:09:36,777 I'M STANDING AT THE STOVE 157 00:09:36,877 --> 00:09:39,813 AND I'M BREAKING EGGS INTO A FRYING PAN. 158 00:09:39,913 --> 00:09:41,949 EVERYTHING'S VERY QUIET, NO TALKING. 159 00:09:42,049 --> 00:09:44,818 MY DAD'S JUST SITTING THERE 160 00:09:44,918 --> 00:09:48,521 READING THE NEWSPAPER OR SOMETHING AND I'M JUST... 161 00:09:48,622 --> 00:09:52,125 BEATING THE EGGS WITH A FORK. 162 00:09:52,225 --> 00:09:55,262 SOMETIMES HE WOULDN'T EVEN BE READING THE NEWSPAPER. 163 00:09:55,362 --> 00:09:57,898 HE WOULD JUST BE SITTING THERE 164 00:09:57,998 --> 00:10:00,600 WITH A VACANT LOOK, IN A DAZE. 165 00:10:03,203 --> 00:10:05,138 I USED TO-- 166 00:10:09,142 --> 00:10:13,346 I'D FANTASIZE THAT HE'D DISAPPEAR. 167 00:10:13,446 --> 00:10:16,349 SUCH A TERRIBLE THING TO SAY. IT'S NOT THAT I WANTED HIM TO DIE. 168 00:10:16,449 --> 00:10:19,653 I JUST DIDN'T WANT TO CONTINUE LIVING LIKE THAT. 169 00:10:19,753 --> 00:10:21,889 EVERYTHING WAS SO BLEAK, SO SUFFOCATING. 170 00:10:21,989 --> 00:10:23,857 I JUST DIDN'T WANT TO BE THERE. 171 00:10:25,192 --> 00:10:27,260 SO THEN... 172 00:10:27,360 --> 00:10:28,896 THEN YOU WENT TO CALIFORNIA. 173 00:10:28,996 --> 00:10:30,931 YEAH. 174 00:10:31,031 --> 00:10:33,200 SO YOU STAYED THERE FOR A WHILE. 175 00:10:33,300 --> 00:10:36,403 HOW WAS IT COMING BACK HOME AFTER SPENDING THAT TIME 176 00:10:36,503 --> 00:10:38,706 WITH DAVID AND CELIA? 177 00:10:38,806 --> 00:10:42,710 WELL, YOU KNOW, YOU HAVE PLANS, 178 00:10:42,810 --> 00:10:44,377 FULL OF BEANS. 179 00:10:44,477 --> 00:10:47,047 I THOUGHT, "SHIT, I CAN MAKE HIM FEEL BETTER. I CAN." 180 00:10:47,147 --> 00:10:48,849 BUT I COULDN'T. 181 00:10:48,949 --> 00:10:52,820 THAT HOUSE WAS LIKE A BLACK HOLE THAT JUST SUCKED ME IN. 182 00:10:56,556 --> 00:11:00,593 ANYWAY, I SAW DAVID AGAIN 183 00:11:00,694 --> 00:11:02,129 SIX MONTHS LATER. 184 00:11:02,229 --> 00:11:03,530 OH? 185 00:11:03,630 --> 00:11:06,233 YEAH, HE CAME TO THE D.C. AREA 186 00:11:06,333 --> 00:11:08,235 TO TRY SOME BIG CASE. 187 00:11:08,335 --> 00:11:11,638 HE WAS STAYED FOR A WHILE, A FEW MONTHS. 188 00:11:11,739 --> 00:11:14,674 I THOUGHT YOU SAID YOU NEVER SAW HIM AGAIN. 189 00:11:16,844 --> 00:11:20,447 WELL, I NEVER SAW THEM AGAIN, BUT I SAW HIM. 190 00:11:23,717 --> 00:11:26,153 HE USED TO HAVE A ROOM AT THE HAY-ADAMS, 191 00:11:26,253 --> 00:11:28,188 BUT OCCASIONALLY, 192 00:11:28,288 --> 00:11:31,892 HE'D, YOU KNOW, STAY OVER AT OUR HOUSE. 193 00:11:31,992 --> 00:11:35,362 HE DIDN'T HAVE A CAR, SO WHEN IT GOT LATE HE'D STAY. 194 00:11:35,462 --> 00:11:38,866 HE ALWAYS OFFERED TO TAKE A CAB BACK INTO TOWN, 195 00:11:38,966 --> 00:11:41,501 BUT MY DAD REFUSED 196 00:11:41,601 --> 00:11:45,538 SINCE HE WAS SO HOSPITABLE TO ME 197 00:11:45,638 --> 00:11:48,475 DURING THE SUMMER. 198 00:11:48,575 --> 00:11:50,744 I MEAN, HE WAS LONELY. 199 00:11:52,312 --> 00:11:54,882 BUT HE WASN'T THE SAME DAVID, YOU KNOW, 200 00:11:54,982 --> 00:11:57,350 WITH THE RAY-BANS AND THE SUNBLOCK AND THE SURFBOARD. 201 00:11:57,450 --> 00:11:59,787 HE WAS THIS LAWYER GUY 202 00:11:59,887 --> 00:12:02,222 WITH A THREE-PIECE SUIT, 203 00:12:02,322 --> 00:12:04,024 AN EXPENSIVE HAIRCUT 204 00:12:04,124 --> 00:12:07,828 AND A MIDDLE-AGED POT BELLY-- 205 00:12:09,429 --> 00:12:12,766 NOT THAT THERE'S ANYTHING WRONG WITH A POT BELLY. 206 00:12:17,570 --> 00:12:20,273 ANYWAY, HE CAME TO OUR HOUSE 207 00:12:20,373 --> 00:12:22,843 FOR DINNER THE FIRST NIGHT HE WAS IN TOWN. 208 00:12:22,943 --> 00:12:25,112 MY BROTHER OLIVER WAS AWAY AT COLLEGE 209 00:12:25,212 --> 00:12:28,281 AND SO IT WAS JUST THE THREE OF US-- 210 00:12:28,381 --> 00:12:30,350 ONE BIG HAPPY FAMILY, 211 00:12:30,450 --> 00:12:33,954 MY DAD, DAVID AND I. 212 00:12:34,054 --> 00:12:36,289 WHAT WAS THAT LIKE, SITTING THERE 213 00:12:36,389 --> 00:12:38,758 WITH THESE EXTREMES, 214 00:12:38,859 --> 00:12:41,428 YOUR FATHER ON ONE SIDE AND... 215 00:12:41,528 --> 00:12:45,132 NICK NOLTE WITH A POT BELLY SITTING ON THE OTHER SIDE? 216 00:12:45,232 --> 00:12:47,134 - WHAT WAS THAT LIKE? - AT FIRST, 217 00:12:47,234 --> 00:12:50,003 WELL, SELF-CONSCIOUS, I GUESS. 218 00:12:51,371 --> 00:12:53,673 YOU KNOW HOW YOU ALWAYS FEEL MORE LIKE A KID 219 00:12:53,773 --> 00:12:56,543 WHEN YOUR PARENTS ARE AROUND? THAT HAPPENED. 220 00:12:59,546 --> 00:13:02,315 I REMEMBER SLURPING UP SPAGHETTI 221 00:13:02,415 --> 00:13:05,785 AND TRYING REALLY HARD NOT TO LET THE NOODLES DRIP DOWN MY CHIN. 222 00:13:07,955 --> 00:13:10,390 LATER, I GUESS, 223 00:13:10,490 --> 00:13:13,093 I WASN'T AS SELF-CONSCIOUS. 224 00:13:13,193 --> 00:13:15,829 OH, WHY? 225 00:13:20,567 --> 00:13:23,803 LATER, AFTER DAVID AND I MADE LOVE. 226 00:13:29,209 --> 00:13:31,144 I SEDUCED HIM. 227 00:13:34,814 --> 00:13:38,218 - HAVE YOU READ "LOLITA"? - SURE. 228 00:13:38,318 --> 00:13:39,786 IT'S AMAZING, 229 00:13:39,887 --> 00:13:42,856 BECAUSE PRETTY MUCH THE SAME THING HAPPENED TO ME. 230 00:13:49,696 --> 00:13:51,831 THAT NIGHT WHEN HE CAME OVER FOR DINNER, 231 00:13:51,932 --> 00:13:54,101 MY DAD WAS STILL AT WORK. 232 00:13:55,668 --> 00:13:57,905 SO WE SAT ON THE PORCH AND, 233 00:13:59,372 --> 00:14:01,942 YOU KNOW, CAUGHT UP. 234 00:14:03,343 --> 00:14:05,545 I WAS PAINTING MY TOENAILS. 235 00:14:05,645 --> 00:14:07,680 AND IT BECAME PRETTY CLEAR 236 00:14:07,780 --> 00:14:09,582 THAT HE AND CELIA WERE HAVING PROBLEMS, 237 00:14:09,682 --> 00:14:13,553 I MEAN, HE SAID JUST AS MUCH, WHICH IS WHY SHE HADN'T JOINED HIM ON THE TRIP. 238 00:14:16,256 --> 00:14:20,160 SO WE WERE JUST SITTING ON THE PORCH SWING. 239 00:14:20,260 --> 00:14:23,997 I WAS ON ONE SIDE. HE WAS ON THE OTHER. 240 00:14:24,097 --> 00:14:27,400 AND I WAS RESTING MY LEGS 241 00:14:27,500 --> 00:14:30,270 ON HIS TO DRY MY NAILS. 242 00:14:31,271 --> 00:14:33,540 AND HE WAS JUST ASKING ABOUT ME, 243 00:14:33,640 --> 00:14:36,009 WHAT WAS GOING ON WITH ME, 244 00:14:36,109 --> 00:14:38,946 AND I STARTED TELLING HIM ABOUT THE RED HOT CHILI PEPPERS. 245 00:14:39,046 --> 00:14:41,814 GOD, I WAS SO INTO THEM. 246 00:14:41,915 --> 00:14:44,284 YOU KNOW, HOW YOU'RE AT THAT STAGE WHERE YOU'RE WRITING DOWN THE LYRICS 247 00:14:44,384 --> 00:14:45,452 AND ANALYZING THEM, 248 00:14:45,552 --> 00:14:48,321 AND I STARTED SINGING AT THE TOP OF MY LUNGS. 249 00:14:48,421 --> 00:14:50,590 ( singing ) 250 00:14:52,225 --> 00:14:54,261 AND DAVID JOINED IN, AND WE WERE SO BAD. 251 00:14:54,361 --> 00:14:57,030 I MEAN, WE WERE SCREAMING IT. 252 00:15:00,033 --> 00:15:02,970 AND THEN I FELT HIS HARDNESS 253 00:15:03,070 --> 00:15:05,305 UNDER MY FOOT. 254 00:15:07,874 --> 00:15:09,977 AND WE WE'RE JUST ROCKING IN THE SWING 255 00:15:10,077 --> 00:15:12,379 AND THE RHYTHM OF IT STARTS TO TAKE OVER. 256 00:15:13,846 --> 00:15:17,050 AND I'M JUST RUBBING HIM WITH MY FOOT, 257 00:15:17,150 --> 00:15:19,919 ALTHOUGH I'VE NEVER DONE THAT BEFORE IN MY LIFE-- NEVER NEVER. 258 00:15:21,688 --> 00:15:25,225 I HAD ON THIS LITTLE SKIRT WITH THESE LITTLE FLOWERS. 259 00:15:25,325 --> 00:15:27,927 AND HE PUSHED UP MY SKIRT WITH HIS FINGER. 260 00:15:30,030 --> 00:15:33,200 AND HIS FINGER JUST STARTED 261 00:15:33,300 --> 00:15:36,669 CLIMBING FURTHER AND FURTHER UP MY THIGH. 262 00:15:38,405 --> 00:15:42,075 THEN WE SEE MY FATHER'S VOLVO COMING DOWN THE STREET, 263 00:15:42,175 --> 00:15:45,845 SO WE RAN OVER TO HELP HIM WITH THE GROCERIES. 264 00:15:45,945 --> 00:15:48,982 AND I REMEMBER LAUGHING SO HARD BECAUSE DAVID WAS CARRYING HIS BAG OF GROCERIES 265 00:15:49,082 --> 00:15:51,051 IN FRONT OF HIS HARD-ON. 266 00:15:51,151 --> 00:15:54,587 WE WERE JUST CRACKING UP LIKE TEENAGERS. 267 00:15:57,524 --> 00:16:01,894 HE STAYED OVER THAT NIGHT IN OLIVER'S ROOM. 268 00:16:01,995 --> 00:16:05,065 AND AROUND 1:00 IN THE MORNING, I GOT UP 'CAUSE I COULDN'T SLEEP, 269 00:16:05,165 --> 00:16:08,535 AND I WALKED DOWN THE CORRIDOR IN THE HOUSE. 270 00:16:08,635 --> 00:16:10,103 OLIVER'S ROOM WAS AT THE BACK OF THE HOUSE. 271 00:16:10,203 --> 00:16:13,440 AND I SAW HIS LIGHT ON 272 00:16:13,540 --> 00:16:15,175 AND THE DOOR WAS OPEN, 273 00:16:15,275 --> 00:16:18,478 AND HE WAS WAITING FOR ME. 274 00:16:18,578 --> 00:16:20,713 DAVID. 275 00:16:22,415 --> 00:16:26,486 AND WE MADE LOVE. IT WAS LOVELY. 276 00:16:26,586 --> 00:16:28,688 AND DURING THE TWO MONTHS THAT HE WAS IN TOWN, 277 00:16:28,788 --> 00:16:31,058 WE MADE LOVE ALMOST EVERY DAY, MOSTLY IN THE MORNINGS 278 00:16:31,158 --> 00:16:33,560 WHEN MY DAD WENT TO WORK, BUT OCCASIONALLY, 279 00:16:33,660 --> 00:16:35,762 IF HE DIDN'T HAVE TO BE IN COURT UNTIL THE AFTERNOON, 280 00:16:35,862 --> 00:16:39,366 I'D PLAY HOOKY. 281 00:16:39,466 --> 00:16:42,202 SOMETIMES I'D GO TO HIS FANCY HOTEL. 282 00:16:43,370 --> 00:16:46,073 I FELT VERY IMPORTANT AND GROWN-UP 283 00:16:46,173 --> 00:16:49,742 WALKING THROUGH THAT LOBBY IN MY MOTHER'S HIGH HEELS. 284 00:16:57,050 --> 00:16:59,452 HMM. 285 00:17:00,587 --> 00:17:03,856 DID YOU EVER FEEL THAT THIS MAN, 286 00:17:03,956 --> 00:17:07,727 THAT DAVID WAS TAKING ADVANTAGE OF YOU? 287 00:17:07,827 --> 00:17:10,197 HE WASN'T TAKING ADVANTAGE OF ME. 288 00:17:10,297 --> 00:17:12,365 I'M TELLING YOU. I SEDUCED HIM. 289 00:17:12,465 --> 00:17:16,836 WELL, LOLITA SEDUCES HUMBERT HUMBERT IN THE NOVEL 290 00:17:16,936 --> 00:17:18,371 AND SHE'S ONLY 12. 291 00:17:19,539 --> 00:17:21,708 WELL, YOU DISAPPROVE, OBVIOUSLY. 292 00:17:21,808 --> 00:17:23,810 YES, I DO. 293 00:17:23,910 --> 00:17:26,579 WHAT'S THE MATTER, PAUL? YOU'RE MAKING A JUDGMENT ON ME. 294 00:17:26,679 --> 00:17:29,282 YOU'RE ALLOWING YOURSELF TO STRAY FROM THE RULES. 295 00:17:32,619 --> 00:17:34,354 GOSH, IT'S TOO BAD YOU WEREN'T LIKE THIS BEFORE, 296 00:17:34,454 --> 00:17:36,256 WILLING TO SAY WHAT'S ON YOUR MIND. 297 00:17:36,356 --> 00:17:39,359 WELL, YOU NEVER TOLD ME THIS BEFORE. 298 00:17:41,194 --> 00:17:44,697 IT'S OUR LAST SESSION SO I THOUGHT IT WAS ONLY RIGHT YOU TO TELL YOU. 299 00:17:46,466 --> 00:17:48,368 REMEMBER I TOLD YOU THAT THE GUY 300 00:17:48,468 --> 00:17:50,803 FROM DEBATE SOCIETY WAS MY FIRST? 301 00:17:50,903 --> 00:17:52,972 YES. 302 00:17:53,072 --> 00:17:56,143 WELL, DAVID WAS MY FIRST. 303 00:17:59,112 --> 00:18:00,813 AND I'M SORRY. 304 00:18:02,482 --> 00:18:04,684 AND WHAT ARE YOU SORRY FOR? 305 00:18:04,784 --> 00:18:07,454 FOR LYING TO YOU. 306 00:18:12,259 --> 00:18:15,128 I WASN'T A VICTIM, PAUL. 307 00:18:15,228 --> 00:18:16,929 DON'T LOOK AT ME LIKE THAT. I WASN'T A VICTIM. 308 00:18:17,029 --> 00:18:19,166 - REALLY? - I GOT INTO HIS BED. 309 00:18:19,266 --> 00:18:22,635 HE WAS A 40-YEAR-OLD MAN, FOR CHRIST'S SAKE. 310 00:18:24,237 --> 00:18:27,039 HE HAD A RESPONSIBILITY TO SEND YOU AWAY. 311 00:18:27,140 --> 00:18:29,976 HE WAS VERY GENTLE. 312 00:18:30,076 --> 00:18:32,312 WHETHER HE WAS GENTLE OR NOT IS BESIDE THE POINT. 313 00:18:32,412 --> 00:18:35,182 HE WAS 40 YEARS OLD. HE HAD A MORAL RESPONSIBILITY. 314 00:18:35,282 --> 00:18:37,884 HE SHOULD HAVE KNOWN BETTER. 315 00:18:37,984 --> 00:18:40,587 LET ME ASK YOU SOMETHING. 316 00:18:40,687 --> 00:18:43,623 DO YOU FEEL... 317 00:18:43,723 --> 00:18:46,459 DO YOU FEEL ANY ANGER TOWARDS THIS MAN, TOWARDS DAVID? 318 00:18:46,559 --> 00:18:49,929 LOOK, PAUL, IT'S NOT SUCH A BIG DEAL. 319 00:18:50,029 --> 00:18:52,932 HE DIDN'T HURT ME. IT DIDN'T HURT AT ALL. 320 00:18:53,032 --> 00:18:54,334 IT WASN'T RAPE. 321 00:18:54,434 --> 00:18:57,804 WHERE WAS YOUR FATHER DURING ALL THIS? 322 00:18:59,639 --> 00:19:01,641 HE WAS ASLEEP IN THE NEXT ROOM. 323 00:19:01,741 --> 00:19:04,877 YES, BUT DURING THE TWO MONTHS THAT DAVID WAS... 324 00:19:04,977 --> 00:19:06,413 VISITING, 325 00:19:06,513 --> 00:19:08,848 YOUR FATHER HAD NO IDEA WHAT WAS GOING ON? 326 00:19:08,948 --> 00:19:12,285 HE WAS DEPRESSED AND GRIEVING. 327 00:19:13,853 --> 00:19:16,122 IT HADN'T EVEN BEEN A YEAR SINCE MY MOTHER PASSED AWAY. 328 00:19:16,223 --> 00:19:18,191 HE NEEDED SOMEONE TO PROTECT HIM, AND GUESS WHO? 329 00:19:18,291 --> 00:19:19,892 YES, I UNDERSTAND THAT, 330 00:19:19,992 --> 00:19:22,962 BUT CHILDREN AREN'T SUPPOSED TO TAKE CARE OF THEIR PARENTS, LAURA. 331 00:19:23,062 --> 00:19:26,799 IT'S A BURDEN THAT NO CHILD DESERVES. 332 00:19:28,201 --> 00:19:30,870 DO YOU FEEL ANY ANGER TOWARDS YOUR FATHER 333 00:19:30,970 --> 00:19:34,040 FOR NOT BEING THERE 334 00:19:34,140 --> 00:19:37,510 TO PROTECT YOU, FOR NOT NOTICING? 335 00:19:40,146 --> 00:19:42,181 NO RESENTMENT? 336 00:19:45,918 --> 00:19:49,021 LET'S JUST SAY YOU COULD TALK TO YOUR FATHER NOW. 337 00:19:49,121 --> 00:19:50,390 WHAT WOULD YOU SAY TO HIM? 338 00:19:50,490 --> 00:19:53,460 I HAVE NOTHING TO SAY TO HIM. 339 00:19:53,560 --> 00:19:56,363 BUT JUST IMAGINE FOR A MOMENT IF YOU WERE FACE TO FACE 340 00:19:56,463 --> 00:19:59,632 AND YOU WERE TALKING 341 00:19:59,732 --> 00:20:02,269 ABOUT THIS INCIDENT. 342 00:20:02,369 --> 00:20:04,604 WHAT DO YOU THINK YOU MIGHT SAY TO HIM? 343 00:20:04,704 --> 00:20:08,140 - HAVE YOU EVER SPOKEN TO YOUR FATHER IN THAT WAY? - I WISH I COULD. 344 00:20:08,241 --> 00:20:11,644 BECAUSE YOU CAN'T TALK TO YOUR FATHER, YOU'RE ASKING ME TO TALK TO MINE? 345 00:20:11,744 --> 00:20:13,513 NO, THAT'S NOT WHAT I'M SAYING, LAURA. 346 00:20:13,613 --> 00:20:16,383 I THINK IT'S IMPORTANT THAT YOU TALK 347 00:20:16,483 --> 00:20:19,786 TO YOUR FATHER ABOUT THIS 348 00:20:19,886 --> 00:20:20,987 WHILE IT'S STILL POSSIBLE, 349 00:20:21,087 --> 00:20:24,757 NOT FOR HIS SAKE, 350 00:20:24,857 --> 00:20:27,159 BUT FOR YOURS. 351 00:20:27,260 --> 00:20:29,729 YEAH? 352 00:20:30,930 --> 00:20:34,934 CAN I HAVE SOMETHING TO DRINK OTHER THAN WATER? 353 00:20:35,034 --> 00:20:38,705 - SURE. - DO YOU HAVE ANY SODA? 354 00:20:41,274 --> 00:20:43,476 I DON'T KNOW. 355 00:20:45,244 --> 00:20:48,047 SO THIS IS THE FAMOUS COFFEE MACHINE, HUH? 356 00:20:48,147 --> 00:20:50,417 ALEX'S FAMOUS COFFEE MACHINE, YEAH. 357 00:20:50,517 --> 00:20:52,819 HOW DO YOU USE IT? 358 00:20:56,188 --> 00:20:57,857 EXCUSE ME. 359 00:21:02,695 --> 00:21:05,665 - HE'S SUCH A COFFEE FREAK-- ALEX. - UH-HUH. 360 00:21:06,899 --> 00:21:10,603 IT'S THE BEST SMELL, DON'T YOU THINK? ( sniffs ) 361 00:21:19,746 --> 00:21:22,682 YOU KNOW THAT THIS THING WITH ME AND ALEX IS OVER. 362 00:21:22,782 --> 00:21:25,818 I ENDED IT. 363 00:21:27,320 --> 00:21:30,357 ARE YOU RELIEVED? 364 00:21:35,962 --> 00:21:38,531 JESUS, PAUL, LOOK AT YOU. 365 00:21:38,631 --> 00:21:41,401 HOW CAN YOU LIVE LIKE THIS? 366 00:21:41,501 --> 00:21:45,372 CAN'T YOU JUST SAY OR DO SOMETHING ON IMPULSE? 367 00:21:57,283 --> 00:22:00,753 YOU KNOW THAT I CONNECTED THAT GIRL TO THE WRONG TUBE. 368 00:22:04,857 --> 00:22:08,194 I INFLATED HER LIKE A BALLOON. 369 00:22:08,294 --> 00:22:10,663 AND I ALMOST KILLED HER, AND YOU KNOW WHY? 370 00:22:14,367 --> 00:22:16,736 BECAUSE I WAS THINKING ABOUT YOU. 371 00:22:18,938 --> 00:22:22,442 AND I REALIZED WHAT AN INSANE EFFECT YOU'RE HAVING ON ME. 372 00:22:24,276 --> 00:22:26,713 IT HAS TO STOP. 373 00:22:34,320 --> 00:22:36,689 LAURA, LAURA, 374 00:22:36,789 --> 00:22:38,691 WE CAN CONTINUE TO TALK ABOUT THIS IF YOU WANT. 375 00:22:38,791 --> 00:22:41,794 ALL OF A SUDDEN YOU'RE VERY GENEROUS WITH YOUR TIME. 376 00:22:46,766 --> 00:22:49,201 YOU KNOW, FOR MONTHS I SPENT THE WEEK THINKING, 377 00:22:49,301 --> 00:22:51,804 "IT'LL BE THIS MONDAY. 378 00:22:51,904 --> 00:22:54,874 I'LL TELL HIM THAT I LOVE HIM AND HE'LL TELL ME HE LOVES ME, 379 00:22:54,974 --> 00:22:58,811 AND THE SESSION WON'T BE 50 MINUTES. IT'LL GO FOREVER. 380 00:23:02,849 --> 00:23:07,386 BUT THEN MONDAY WOULD COME AND I WOULDN'T DARE SAY ANYTHING. 381 00:23:07,487 --> 00:23:11,157 AND THE SESSION WOULD END AND I WOULD JUST WALK OUT OF HERE THINKING, 382 00:23:11,257 --> 00:23:13,359 "FUCK! 383 00:23:13,460 --> 00:23:16,128 I DIDN'T SAY ANYTHING AGAIN. 384 00:23:17,597 --> 00:23:19,632 NOW I HAVE TO WAIT A WHOLE OTHER WEEK 385 00:23:19,732 --> 00:23:22,134 FOR MY LIFE TO BEGIN." 386 00:23:27,206 --> 00:23:30,577 I CAN'T CONTINUE, PAUL. 387 00:23:30,677 --> 00:23:32,845 EVERY MINUTE HERE IS TEARING ME APART. 388 00:24:33,439 --> 00:24:35,608 ( theme music playing )