1 00:00:06,107 --> 00:00:08,476 Male voice: PREVIOUSLY ON "IN TREATMENT"... 2 00:00:08,576 --> 00:00:10,278 I LEFT HOME. 3 00:00:10,378 --> 00:00:12,246 YOU REALLY HELPED ME WITH THAT IN OUR LAST SESSION. 4 00:00:12,346 --> 00:00:16,217 YOU SHOWED ME THAT LEAVING HOME WAS MY OWN PERSONAL DECISION. 5 00:00:17,551 --> 00:00:19,320 COULD YOU BE MAD AT ME FOR SOMETHING ELSE? 6 00:00:19,420 --> 00:00:21,355 - LIKE WHAT? - BECAUSE I MET A PATIENT OF YOURS. 7 00:00:21,455 --> 00:00:24,992 I GOT THE DATES WRONG AND I ACCIDENTALLY MET LAURA. 8 00:00:25,093 --> 00:00:28,329 - SHOULD I GO FOR HER? - I CAN'T GIVE YOU DATING TIPS, ALEX. 9 00:00:28,429 --> 00:00:31,699 SHE'S THE KIND OF WOMAN THAT CAN DRIVE A MAN INSANE. 10 00:00:31,799 --> 00:00:33,033 AM I RIGHT? 11 00:00:38,072 --> 00:00:40,374 - BYE, MELISSA. - BYE. THANK YOU. 12 00:00:48,116 --> 00:00:49,550 I'M EARLY, HUH? 13 00:00:49,650 --> 00:00:53,254 YEAH, BUT IT'S OKAY. IT'S NOT A PROBLEM. 14 00:00:53,354 --> 00:00:56,424 I WAS IN THE AREA AND I DIDN'T WANT TO GO HOME AND HAVE TO COME ALL THE WAY BACK. 15 00:00:56,524 --> 00:00:59,193 - IT'S OKAY. - ARE YOU SURE? 16 00:00:59,293 --> 00:01:01,795 - YOU DON'T HAVE THINGS TO DO? - I'M SURE. 17 00:01:04,165 --> 00:01:07,034 OH, THIS IS FROM LAURA. 18 00:01:07,135 --> 00:01:10,338 I THINK IT'S A CHECK. WHO KNOWS? 19 00:01:14,041 --> 00:01:16,377 ( theme music playing ) 20 00:01:32,560 --> 00:01:34,562 I'LL PAY YOU FOR THE EXTRA TIME. 21 00:01:34,662 --> 00:01:37,398 - NO NEED, IT'S OKAY. - NO NO. 22 00:01:37,498 --> 00:01:40,534 I INSIST. IT'S ANOTHER 20%? 23 00:01:40,634 --> 00:01:43,771 $30, HOLD ON. 24 00:01:58,219 --> 00:01:59,920 DO YOU FEEL BETTER NOW? 25 00:02:00,020 --> 00:02:01,955 WHAT DO YOU MEAN? 26 00:02:02,055 --> 00:02:04,392 AFTER PAYING ME, DO YOU FEEL BETTER? 27 00:02:04,492 --> 00:02:08,095 WHAT ARE YOU TRYING TO SAY? 28 00:02:08,196 --> 00:02:10,331 I GUESS THAT I'M-- 29 00:02:10,431 --> 00:02:12,700 I'M SURPRISED BY HOW MUCH EFFORT YOU PUT INTO 30 00:02:12,800 --> 00:02:16,003 SHOWING YOUR CONTEMPT FOR THIS PROCESS AND FOR ME. 31 00:02:16,103 --> 00:02:18,406 RELAX, OKAY? 32 00:02:18,506 --> 00:02:20,541 IT'S JUST THE WAY MY MOTHER RAISED ME. 33 00:02:20,641 --> 00:02:22,243 I DON'T KNOW WHAT IT'S LIKE WITH YOU PEOPLE. 34 00:02:22,343 --> 00:02:24,878 I DON'T LIKE CHARITY, SO I LIKE TO PAY FOR WHAT I GET. 35 00:02:24,978 --> 00:02:28,349 WELL, I'M GLAD YOU'RE GETTING SOMETHING HERE, ALEX. 36 00:02:28,449 --> 00:02:30,351 LISTEN, LET'S NOT MAKE A BIG DEAL OUT OF THIS, OKAY? 37 00:02:30,451 --> 00:02:33,187 I MEAN, YOU WANT ME TO ADMIT THAT THIS THERAPY IS WORTHWHILE? 38 00:02:33,287 --> 00:02:37,191 OKAY, I'LL ADMIT IT: THIS THERAPY IS CHANGING MY LIFE. 39 00:02:37,291 --> 00:02:40,361 HAPPY? CAN WE DROP IT NOW? 40 00:02:40,461 --> 00:02:44,164 HOW MANY PATIENTS DO YOU HAVE? 41 00:02:44,265 --> 00:02:46,834 - WHY IS THAT RELEVANT? - I'M JUST CURIOUS. 42 00:02:46,934 --> 00:02:48,802 LIKE TODAY, HOW MANY PATIENTS HAVE YOU HAD ALREADY? 43 00:02:48,902 --> 00:02:50,304 WHY ARE YOU ASKING ME THIS? 44 00:02:50,404 --> 00:02:51,772 'CAUSE I WANT TO KNOW WHAT KIND OF MONEY YOU MAKE. 45 00:02:51,872 --> 00:02:53,307 OH. 46 00:02:53,407 --> 00:02:55,008 NOW, LET'S SAY YOU HAVE EIGHT PATIENTS A DAY, 47 00:02:55,108 --> 00:02:57,778 TIMES FIVE DAYS A WEEK, $150 A POP. 48 00:02:59,046 --> 00:03:01,349 IT'S PRETTY GOOD LIVING THERE, DOC. 49 00:03:01,449 --> 00:03:03,050 $24 GRAND A MONTH. 50 00:03:03,150 --> 00:03:06,220 - DO YOU WANNA BUY ME OUT, ALEX? - WHAT? 51 00:03:06,320 --> 00:03:09,056 WELL, $24,000 A MONTH AND I'M ALL YOURS. 52 00:03:09,156 --> 00:03:11,659 AND YOU'LL BE MY ONLY PATIENT. 53 00:03:16,364 --> 00:03:18,299 IT MUST BE HARD FOR YOU TO BE IN THIS POSITION, 54 00:03:18,399 --> 00:03:22,270 TO BE PERCEIVED AS WEAK. 55 00:03:22,370 --> 00:03:26,474 AND YOU HAVE THIS NEED TO REGAIN YOUR STRENGTH. 56 00:03:26,574 --> 00:03:28,676 YOU BRING ME A CHECK FROM LAURA. 57 00:03:28,776 --> 00:03:31,044 YOU'VE ASKED ME ABOUT MY PATIENTS AND MY INCOME. 58 00:03:31,144 --> 00:03:33,747 AND YOU'VE DONE EVERYTHING YOU CAN TO PUT ME IN MY LITTLE PLACE. 59 00:03:33,847 --> 00:03:35,249 DID I OFFEND YOU? 60 00:03:35,349 --> 00:03:40,053 NO, I'M KIND OF USED TO IT. 61 00:03:40,153 --> 00:03:43,123 BUT THEN ALL OUR SESSIONS START OUT LIKE THAT, DON'T THEY, ALEX? 62 00:03:43,223 --> 00:03:45,959 MAYBE I WAS EXPECTING SOMETHING A LITTLE DIFFERENT TODAY, 63 00:03:46,059 --> 00:03:49,663 MAYBE BECAUSE YOU WERE EARLY 64 00:03:49,763 --> 00:03:52,666 OR BECAUSE YOU'VE BEEN ASKING AROUND ABOUT ME. 65 00:03:52,766 --> 00:03:54,802 DO YOU WANT ME TO TELL YOU WHY I WAS EARLY, 66 00:03:54,902 --> 00:03:57,338 OR DO YOU WANNA JUST GO ON AND ON WITH YOUR THEORIES? 67 00:03:58,339 --> 00:04:00,741 I'D LOVE TO HEAR. 68 00:04:02,910 --> 00:04:04,812 I WENT TO THE BASE TODAY. 69 00:04:04,912 --> 00:04:08,582 I THOUGHT I'D POP OVER BEFORE MY SESSION HERE 70 00:04:08,682 --> 00:04:11,452 AND SAY HELLO TO MY BOYS, YOU KNOW? 71 00:04:11,552 --> 00:04:14,087 WHEN I GOT TO THE GATE, I REALIZED I FORGOT MY ID. 72 00:04:14,187 --> 00:04:15,523 NOW USUALLY THAT'S NOT A BIG DEAL. 73 00:04:15,623 --> 00:04:19,226 BUT THERE'S A NEW GRUNT AT THE GATE-- 74 00:04:19,327 --> 00:04:21,795 SOME REAL OKIE FROM MUSKOGEE. 75 00:04:21,895 --> 00:04:24,765 I TOLD HIM, "LOOK, CALL THE BASE COMMANDER 76 00:04:24,865 --> 00:04:27,835 AND TELL HIM THAT LIEUTENANT PRINCE IS HERE." 77 00:04:27,935 --> 00:04:30,538 SO HE GOES IN THE BOOTH, CALLS, COMES BACK A MINUTE LATER, 78 00:04:30,638 --> 00:04:32,973 AND HE SAYS I'M NOT ON THE APPROVED LIST. 79 00:04:33,073 --> 00:04:35,709 NOW OF COURSE 80 00:04:35,809 --> 00:04:37,978 THIS IS A REAL SENSITIVE ISSUE THESE DAYS, AS YOU CAN IMAGINE. 81 00:04:38,078 --> 00:04:41,148 STILL I SAID, "TO HELL WITH THE LIST. THIS IS WHAT YOU DO. 82 00:04:41,248 --> 00:04:44,685 YOU CALL DANA THE SECRETARY, TELL HER TO TALK TO THE COMMANDER, 83 00:04:44,785 --> 00:04:48,088 AND YOU TELL HIM THAT LIEUTENANT ALEX PRINCE JR. 84 00:04:48,188 --> 00:04:50,491 IS WAITING AT THE GATE." 85 00:04:50,591 --> 00:04:52,125 SO HE GOES IN, HE CALLS, HE COMES BACK, 86 00:04:52,225 --> 00:04:54,962 AND HE SAYS-- 87 00:04:55,062 --> 00:04:58,699 HE SAYS, "I'M SORRY, BUT THE COMMANDER IS IN A MEETING." 88 00:04:58,799 --> 00:05:01,469 NOW MAYBE HE WAS IN A MEETING AND HE COULDN'T BE DISTURBED. 89 00:05:01,569 --> 00:05:05,439 OR MAYBE THEY WERE STUFFING THEIR FACES WITH DOUGHNUTS. 90 00:05:05,539 --> 00:05:07,708 OR MAYBE HE JUST DIDN'T GIVE A FUCK. I DON'T KNOW. 91 00:05:07,808 --> 00:05:09,877 I TOLD THAT GUARD, I SAID, "LOOK, YOU TELL DANA 92 00:05:09,977 --> 00:05:13,046 IF SHE TOOK THE COMMANDER'S COCK OUT OF HER FUCKING MOUTH ONCE IN A WHILE, 93 00:05:13,146 --> 00:05:16,550 THEN MAYBE SHE COULD HEAR BETTER." 94 00:05:16,650 --> 00:05:19,820 MAN, I WAS THIS CLOSE TO KNOCKING THAT MOTHERFUCKER OUT. 95 00:05:22,823 --> 00:05:25,359 ANYWAY, I DIDN'T GET IN SO I LEFT. 96 00:05:25,459 --> 00:05:27,895 AND THAT IS WHY I GOT HERE EARLY. 97 00:05:31,131 --> 00:05:33,367 OH. 98 00:05:35,268 --> 00:05:37,438 NOT AN EASY EXPERIENCE. 99 00:05:37,538 --> 00:05:38,872 NO, IT'S BULLSHIT. 100 00:05:38,972 --> 00:05:40,741 AND NOW I GOTTA COME HERE AND I GOTTA DEAL WITH THIS? 101 00:05:40,841 --> 00:05:42,810 I GOT YOU COMING AT ME LIKE THIS? 102 00:05:46,213 --> 00:05:48,616 THAT WAS THE TIP OF THE ICEBERG. MY SHITTY WEEK STARTED ON SATURDAY. 103 00:05:48,716 --> 00:05:51,885 WHY? WHAT HAPPENED ON SATURDAY? 104 00:05:51,985 --> 00:05:55,122 OKAY, WE'RE GONNA PRETEND HERE. ALL RIGHT. 105 00:05:55,222 --> 00:05:57,591 WE CAN PRETEND. 106 00:05:57,691 --> 00:05:59,860 YOU KNOW WHAT HAPPENED. 107 00:05:59,960 --> 00:06:02,863 DO I? 108 00:06:02,963 --> 00:06:05,633 I WISH YOU WOULD HAVE WARNED ME ABOUT LAURA LAST WEEK. 109 00:06:05,733 --> 00:06:08,836 IT WOULD HAVE SAVED US BOTH A LOT OF HEARTACHE. 110 00:06:11,672 --> 00:06:13,941 I SLEPT WITH HER, OKAY? 111 00:06:14,041 --> 00:06:16,477 WITH LAURA. 112 00:06:16,577 --> 00:06:18,912 THAT'S WHAT HAPPENED ON SATURDAY. 113 00:06:19,012 --> 00:06:22,716 BUT I'M SURE YOU GOT A FULL PLAY-BY-PLAY FROM HER ALREADY. 114 00:06:29,690 --> 00:06:31,358 DID SHE OR DID SHE NOT TALK TO YOU ABOUT IT? 115 00:06:31,459 --> 00:06:35,896 I'M NOT AT LIBERTY TO DISCUSS MY PATIENTS OR THEIR SESSIONS. 116 00:06:35,996 --> 00:06:37,565 NOW WHAT IS THAT? 117 00:06:37,665 --> 00:06:39,433 CODE LANGUAGE FOR SHE DID DISCUSS IT, BUT YOU WON'T TELL ME? 118 00:06:39,533 --> 00:06:41,502 ALEX, NO. 119 00:06:44,104 --> 00:06:46,073 OKAY. 120 00:06:50,177 --> 00:06:53,080 IT WAS PRETTY WEIRD. 121 00:06:53,180 --> 00:06:56,517 SHE CALLED TO ASK ME IF I WANTED TO COME OVER FOR DINNER. 122 00:06:56,617 --> 00:06:59,687 NO PROBLEM, RIGHT? 123 00:06:59,787 --> 00:07:02,189 SO WHEN I GOT TO HER PLACE, 124 00:07:02,289 --> 00:07:05,726 I LOOKED AT HER. 125 00:07:05,826 --> 00:07:07,595 YOU KNOW, I LOOKED AT HOW SHE WAS DRESSED. 126 00:07:07,695 --> 00:07:09,697 I LOOKED AT THE TABLE. I LOOKED AT THE WINE. 127 00:07:09,797 --> 00:07:12,332 AND I REALIZED THAT DINNER 128 00:07:12,432 --> 00:07:15,469 WAS OBVIOUSLY JUST A CODE NAME FOR SEX. 129 00:07:15,569 --> 00:07:19,039 THIS WHOLE THING WAS LIKE A RITUAL. 130 00:07:19,139 --> 00:07:20,574 A RITUAL? 131 00:07:20,674 --> 00:07:22,543 YEAH YEAH, AND ALL THE RULES. 132 00:07:22,643 --> 00:07:24,545 FIRST, OF COURSE, THERE'S THE MEAL. 133 00:07:24,645 --> 00:07:26,113 SHE DOESN'T LOOK LIKE A COOK, RIGHT? 134 00:07:26,213 --> 00:07:28,616 BUT SHE MADE A BIG EFFORT. 135 00:07:28,716 --> 00:07:31,051 FOR STARTERS, SHE PREPARED HER OWN SUSHI-- 136 00:07:31,151 --> 00:07:34,454 CALIFORNIA ROLLS. THEY WEREN'T THAT GREAT, TO TELL YOU THE TRUTH. 137 00:07:34,555 --> 00:07:36,824 - IT DIDN'T TASTE GOOD? - NO-- 138 00:07:36,924 --> 00:07:39,660 IT WAS JUST FOR SHOW. DON'T YOU GET IT? 139 00:07:39,760 --> 00:07:42,630 THAT'S THE PROBLEM NOWADAYS, EVERYTHING IS FOR SHOW. 140 00:07:42,730 --> 00:07:44,331 IF YOU WANNA MAKE SUSHI, TAKE A FUCKING COURSE. 141 00:07:44,431 --> 00:07:46,133 GO TO A REAL JAPANESE GROCERY. 142 00:07:46,233 --> 00:07:48,536 DON'T MAKE IT WITH UNCLE BEN'S RICE AND IMITATION CRABMEAT. 143 00:07:48,636 --> 00:07:51,905 - COME ON. - DID YOU SAY ANYTHING TO HER? 144 00:07:53,240 --> 00:07:55,576 OF COURSE NOT, NO. 145 00:07:55,676 --> 00:07:59,346 THE DINNER WAS JUST A LEAD UP TO US GETTING IN BED. 146 00:07:59,446 --> 00:08:02,082 I TOLD YOU THAT. IT DIDN'T REALLY MATTER. 147 00:08:03,517 --> 00:08:06,286 SO DID YOU WANT TO SLEEP WITH HER? 148 00:08:06,386 --> 00:08:09,122 YEAH, 149 00:08:09,222 --> 00:08:12,526 BUT IT HAS NOTHING TO DO WITH WANTING ANYTHING. 150 00:08:12,626 --> 00:08:14,427 IT WAS ALL PREMEDITATED. 151 00:08:14,528 --> 00:08:16,697 IT WAS LIKE A MATING RITUAL, 152 00:08:16,797 --> 00:08:19,600 LIKE THE MASAI TRIBE IN TANZANIA, BUT FOR YUPPIES. 153 00:08:19,700 --> 00:08:22,502 ANYWAY, YEAH, SO WE GOT UP FROM THE TABLE, 154 00:08:22,603 --> 00:08:24,437 WE WENT TO HER BEDROOM AND HAD SEX. 155 00:08:24,538 --> 00:08:27,675 AND THAT'S WHAT HAPPENED ON SATURDAY. 156 00:08:28,976 --> 00:08:31,812 IT'S INTERESTING THAT YOU TELL ME SO MUCH 157 00:08:31,912 --> 00:08:35,282 ABOUT THIS RITUAL OF YOU GOING TO BED TOGETHER, 158 00:08:35,382 --> 00:08:38,418 BUT NOTHING ABOUT 159 00:08:38,518 --> 00:08:41,955 WHAT HAPPENED BETWEEN YOU. 160 00:08:42,055 --> 00:08:45,626 I'M SURE THAT YOU'VE HAD LOUSY SUSHI BEFORE, 161 00:08:45,726 --> 00:08:48,729 BUT I DON'T THINK YOU'VE BEEN WITH ANOTHER WOMAN 162 00:08:48,829 --> 00:08:50,230 FOR A LONG TIME. ISN'T THAT CORRECT? 163 00:08:50,330 --> 00:08:52,499 BUT YOU KNOW WHAT HAPPENED. 164 00:08:52,600 --> 00:08:54,635 SO WHY DO YOU HAVE TO HEAR IT FROM ME? 165 00:08:54,735 --> 00:08:57,170 YOU'RE VERY PREOCCUPIED WITH WHO KNOWS WHAT 166 00:08:57,270 --> 00:08:59,707 AND WHO SAID WHAT. 167 00:08:59,807 --> 00:09:03,577 WHAT'S IMPORTANT IS HOW YOU FELT ABOUT IT, 168 00:09:03,677 --> 00:09:06,980 HOW THE EXPERIENCE WAS FOR YOU. 169 00:09:07,080 --> 00:09:08,982 THE SEX, HMM? 170 00:09:10,751 --> 00:09:13,420 THE SEX IS ALL THAT ANYONE WANTS TO TALK ABOUT. 171 00:09:13,520 --> 00:09:16,657 BUT IS IT REALLY AS IMPORTANT AS YOU PEOPLE MAKE IT OUT TO BE? 172 00:09:16,757 --> 00:09:19,960 WELL, YOU TELL ME. 173 00:09:20,060 --> 00:09:22,295 LOOK, I KNOW THAT'S WHAT IT SAYS IN ALL YOUR TEXTBOOKS. 174 00:09:22,395 --> 00:09:24,564 I KNOW THAT. BUT I ASK MYSELF, 175 00:09:24,665 --> 00:09:26,767 "IS IT REALLY THE KEY TO EVERYTHING? 176 00:09:26,867 --> 00:09:29,502 OR IS IT JUST THE SIMPLEST ANSWER?" 177 00:09:29,603 --> 00:09:32,339 BUT YOU'RE THE ONE WHO STARTED THE STORY 178 00:09:32,439 --> 00:09:34,574 BY SAYING THAT THE SEX WAS THE ISSUE, 179 00:09:34,675 --> 00:09:37,845 THAT ALL THE REST WAS JUST FOREPLAY. 180 00:09:37,945 --> 00:09:41,214 OKAY, I'LL TELL YOU WHAT HAPPENED. 181 00:09:41,314 --> 00:09:44,584 OTHERWISE YOU WON'T FEEL LIKE YOU'RE DOING YOUR JOB, RIGHT? 182 00:09:49,289 --> 00:09:51,291 BUT BEFORE I START, 183 00:09:51,391 --> 00:09:53,193 THERE'S SOMETHING I'VE GOTTA KNOW. 184 00:09:54,928 --> 00:09:57,931 DID YOU EVER JERK OFF TO ANYTHING A PATIENT TOLD YOU? 185 00:09:58,031 --> 00:09:59,066 WHAT? 186 00:09:59,166 --> 00:10:01,635 COME ON. 187 00:10:01,735 --> 00:10:04,938 COME ON, YOU MUST HEAR SOME CRAZY STORIES FROM WOMEN-- 188 00:10:05,038 --> 00:10:08,842 EXPLICIT SHIT, FANTASIES. 189 00:10:08,942 --> 00:10:10,543 DID YOU EVER JERK OFF AFTERWARDS? 190 00:10:10,644 --> 00:10:13,881 ARE YOU CONCERNED THAT I'LL MASTURBATE 191 00:10:13,981 --> 00:10:16,416 - TO SOMETHING THAT YOU TELL ME, ALEX? - ME? NO. 192 00:10:16,516 --> 00:10:18,919 I'M TALKING ABOUT YOU'VE GOT WOMEN, THEY SIT HERE ON YOUR COUCH. 193 00:10:19,019 --> 00:10:20,754 THEY TELL YOU ALL ABOUT FUCKING. 194 00:10:20,854 --> 00:10:23,356 IT MUST GET TO YOU SOMETIMES. I KNOW IT WOULD GET TO ME. 195 00:10:23,456 --> 00:10:25,225 DO YOU MASTURBATE? 196 00:10:25,325 --> 00:10:27,795 THERE YOU GO AGAIN, YOU'RE ANSWERING A QUESTION WITH A QUESTION. 197 00:10:27,895 --> 00:10:30,998 ALL RIGHT, I'LL ANSWER WITH AN ANSWER. 198 00:10:31,098 --> 00:10:33,767 I'M A HUMAN BEING. I MASTURBATE SOMETIMES. 199 00:10:33,867 --> 00:10:38,505 MY FANTASIES ARE ABOUT MANY MANY THINGS, 200 00:10:38,605 --> 00:10:40,841 ALL SORTS OF WOMEN. 201 00:10:40,941 --> 00:10:42,542 IS THAT WHAT YOU WANTED TO HEAR? 202 00:10:42,642 --> 00:10:45,979 THAT IN THAT REGARD I'M NOT THAT SUBSTANTIALLY DIFFERENT FROM YOU? 203 00:10:46,079 --> 00:10:49,182 THAT'S THE FIRST TIME YOU'VE EVER ANSWERED ONE OF MY QUESTIONS. 204 00:10:49,282 --> 00:10:51,251 IN ANY CASE, 205 00:10:51,351 --> 00:10:54,855 YOU WON'T MASTURBATE TO ME AND LAURA'S STORY. I GUARANTEE YOU THAT. 206 00:10:54,955 --> 00:10:57,657 IF ANYTHING, YOU MAY THINK OF IT THE NEXT TIME YOU'RE HAVING SEX WITH YOUR WIFE 207 00:10:57,758 --> 00:11:00,227 AND YOU'RE TRYING NOT TO COME. 208 00:11:05,866 --> 00:11:08,836 IT MUST HAVE BEEN A VERY... 209 00:11:08,936 --> 00:11:13,006 COMPLEX EXPERIENCE FOR YOU 210 00:11:13,106 --> 00:11:15,208 BEING WITH-- 211 00:11:15,308 --> 00:11:17,277 BEING WITH ANOTHER WOMAN 212 00:11:17,377 --> 00:11:20,147 AFTER ALL THIS TIME. 213 00:11:20,247 --> 00:11:22,215 COMPLEX, RIGHT. 214 00:11:27,554 --> 00:11:29,689 I GAVE A SHITTY PERFORMANCE. 215 00:11:29,790 --> 00:11:31,591 I MADE EVERY POSSIBLE MISTAKE. 216 00:11:31,691 --> 00:11:34,795 I WAS A MESS, TO TELL YOU THE TRUTH. 217 00:11:38,866 --> 00:11:41,201 DURING DINNER, 218 00:11:41,301 --> 00:11:43,503 BEFORE WE HAD SEX, 219 00:11:43,603 --> 00:11:44,938 I STARTED THINKING ABOUT MY FIRST DATE 220 00:11:45,038 --> 00:11:48,408 WITH MY WIFE MICHAELA ABOUT 15 YEARS AGO. 221 00:11:50,744 --> 00:11:52,379 JESUS. 222 00:11:55,115 --> 00:11:57,084 WE HAD GONE OUT TO THIS BAR TOGETHER, 223 00:11:57,184 --> 00:11:58,986 AND AT THE TIME SHE WAS THE LIBERAL TYPE. 224 00:11:59,086 --> 00:12:00,854 YOU KNOW, SHE'D TALK OPENLY ABOUT EVERYTHING-- 225 00:12:00,954 --> 00:12:03,556 FOREPLAY, FAVORITE POSITIONS, CUDDLING AFTERWARDS-- 226 00:12:03,656 --> 00:12:07,327 "COSMO" TYPE BULLSHIT. 227 00:12:07,427 --> 00:12:09,462 AND AMONG OTHER THINGS, SHE TOLD ME THAT RESEARCHERS FOUND 228 00:12:09,562 --> 00:12:11,799 THAT WINE AROUSES WOMEN SEXUALLY 229 00:12:11,899 --> 00:12:14,401 AND REPRESSES MEN'S SEXUAL DESIRES. 230 00:12:14,501 --> 00:12:16,169 HAVE YOU EVER HEARD THAT? 231 00:12:16,269 --> 00:12:18,271 - MM-HMM. - YEAH, WELL, I DON'T KNOW WHAT MADE ME DO IT, 232 00:12:18,371 --> 00:12:21,574 BUT AT ONE POINT DURING MY CONVERSATION WITH LAURA, 233 00:12:21,674 --> 00:12:24,644 WE HIT ONE OF THOSE DEADLY SILENCES. 234 00:12:24,744 --> 00:12:27,580 I SUDDENLY TOLD HER 235 00:12:27,680 --> 00:12:31,151 THAT ALCOHOL SEXUALLY REPRESSES MEN, 236 00:12:31,251 --> 00:12:33,720 WHILE WOMEN, IT-- 237 00:12:33,821 --> 00:12:36,489 AND SHE-- OF COURSE, SHE DIDN'T RESPOND. 238 00:12:36,589 --> 00:12:38,758 SHE JUST GAVE ME ONE OF THOSE LOOKS 239 00:12:38,859 --> 00:12:41,328 SAYING, "WHY ARE YOU TELLING ME THIS?" 240 00:12:41,428 --> 00:12:43,831 WHY DID YOU TELL HER? 241 00:12:43,931 --> 00:12:47,600 I DON'T KNOW. 242 00:12:47,700 --> 00:12:50,737 I DON'T KNOW. MAYBE IT WAS A WAY 243 00:12:50,838 --> 00:12:53,273 TO MOVE THE CONVERSATION IN A SEXUAL DIRECTION, 244 00:12:53,373 --> 00:12:54,975 MAKE THINGS GO FORWARD. 245 00:12:55,075 --> 00:12:57,911 A KIND OF SIGNAL THAT SHE HAD BEEN CLEARED TO ATTACK. 246 00:13:01,414 --> 00:13:03,416 IS THAT WHAT YOU WANTED? 247 00:13:03,516 --> 00:13:05,919 FOR HER TO ATTACK? 248 00:13:06,019 --> 00:13:08,989 DO YOU THINK THAT SHE UNDERSTOOD THE SIGNAL? 249 00:13:09,089 --> 00:13:10,657 YEAH. 250 00:13:10,757 --> 00:13:12,525 IS THERE ANY OTHER WAY OF UNDERSTANDING IT? 251 00:13:12,625 --> 00:13:16,563 WELL, IT MIGHT HAVE SOUNDED LIKE AN APOLOGY IN ADVANCE 252 00:13:16,663 --> 00:13:18,899 THAT YOU DIDN'T HAVE ANY 253 00:13:18,999 --> 00:13:22,936 REAL SEXUAL DESIRE FOR HER. 254 00:13:23,036 --> 00:13:25,605 I DON'T THINK SO. SHE WASN'T EVEN TOO FAZED BY IT. 255 00:13:25,705 --> 00:13:28,475 SHE JUST CHANGED THE SUBJECT RIGHT AWAY, 256 00:13:28,575 --> 00:13:30,677 LIKE I HAD SAID SOMETHING NASTY, 257 00:13:30,777 --> 00:13:34,781 SOMETHING INAPPROPRIATE AT THE TABLE WITH ALL THAT SUSHI. 258 00:13:34,882 --> 00:13:36,917 AND THAT'S WHAT PISSED ME OFF. 259 00:13:37,017 --> 00:13:39,119 LIKE ALL HER FAGGY DOCTOR FRIENDS SHE HANGS OUT WITH 260 00:13:39,219 --> 00:13:41,321 ALWAYS SAY EXACTLY THE RIGHT THING. 261 00:13:41,421 --> 00:13:43,623 SO LISTEN, THE FIRST CHANCE I GOT, I LOOKED HER RIGHT IN THE EYE 262 00:13:43,723 --> 00:13:47,660 AND I SAID, "BABY, I HAVE TO GO TO THE BATHROOM. 263 00:13:47,760 --> 00:13:49,963 I'M A BIT NERVOUS. 264 00:13:50,063 --> 00:13:52,900 IT'S MY FIRST TIME SINCE I LEFT MY WIFE." 265 00:13:53,000 --> 00:13:56,636 THIS TIME SHE COULD BARELY SQUEEZE OUT A SMILE, 266 00:13:56,736 --> 00:13:59,039 EVEN A PHONY ONE. AND FROM THEN ON, EVERY FEW MINUTES, 267 00:13:59,139 --> 00:14:02,475 I'D MENTION MY WIFE AND THE SEPARATION-- EVEN IN BED. 268 00:14:02,575 --> 00:14:05,578 I DID IT EVERY CHANCE I GOT JUST TO SEE HER SQUIRM. 269 00:14:07,747 --> 00:14:11,151 I THINK I GOT HER COMPLETELY OUT OF THE MOOD. 270 00:14:11,251 --> 00:14:13,053 SHE WAS TOTALLY TURNED OFF. 271 00:14:17,790 --> 00:14:20,760 WE HAD SEX. 272 00:14:20,860 --> 00:14:23,997 IT WAS MORE LIKE TWO ANIMALS MATING. 273 00:14:24,097 --> 00:14:25,498 I WASN'T THAT HARD 274 00:14:25,598 --> 00:14:28,768 AND I CAME PRETTY FAST. 275 00:14:28,868 --> 00:14:30,737 AND EVEN ON THE WAY TO THE SHOWER 276 00:14:30,837 --> 00:14:33,673 I THREW IN ANOTHER "I'M SORRY, IT WAS MY FIRST TIME IN SO MANY YEARS," 277 00:14:33,773 --> 00:14:35,909 JUST FOR DESSERT. 278 00:14:39,712 --> 00:14:43,516 I DON'T KNOW WHY I KEPT SAYING IT. 279 00:14:46,386 --> 00:14:49,489 WERE YOU THINKING ABOUT YOUR WIFE? 280 00:14:49,589 --> 00:14:51,091 NO. 281 00:14:51,191 --> 00:14:53,293 OR FEELING GUILTY MAYBE? 282 00:14:53,393 --> 00:14:54,894 NO, WHY WOULD I? 283 00:14:54,995 --> 00:14:59,132 WELL, BECAUSE ANY OF THOSE REACTIONS WOULD HAVE BEEN NATURAL, ALEX. 284 00:14:59,232 --> 00:15:02,669 WE HAVEN'T TALKED ABOUT 285 00:15:02,769 --> 00:15:04,972 YOUR SEPARATION, HOW YOU FEEL ABOUT IT. 286 00:15:05,072 --> 00:15:06,639 NO, THAT'S NOT WHAT THIS IS ABOUT. 287 00:15:06,739 --> 00:15:08,841 I TOLD YOU, THE SEPARATION WAS THE RIGHT THING TO DO. 288 00:15:08,942 --> 00:15:11,344 I HAVEN'T EVEN LOOKED BACK ON THAT. DON'T YOU GET OFF TOPIC. 289 00:15:11,444 --> 00:15:13,546 WHAT IS THE TOPIC? 290 00:15:15,482 --> 00:15:17,750 DO OUR STORIES MATCH, ME AND LAURA'S? 291 00:15:17,850 --> 00:15:19,352 THAT'S WHAT I WANT TO KNOW. 292 00:15:22,222 --> 00:15:24,992 LOOK, ON THE ONE HAND, YOU DESCRIBE THIS FEELING 293 00:15:25,092 --> 00:15:27,727 OF HELPLESSNESS, WEAKNESS, 294 00:15:27,827 --> 00:15:30,630 AS IF YOU WERE DRAGGED INTO SEX 295 00:15:30,730 --> 00:15:33,100 AGAINST YOUR WILL. 296 00:15:34,301 --> 00:15:36,836 YOU FEEL THAT YOU DIDN'T PERFORM TOO WELL, 297 00:15:36,936 --> 00:15:38,972 SO YOU FELT... 298 00:15:39,072 --> 00:15:41,374 SOMEWHAT HUMILIATED. 299 00:15:41,474 --> 00:15:45,812 THEN TO GAIN BACK SOME STRENGTH AND CONTROL, 300 00:15:45,912 --> 00:15:49,882 YOU MAKE THESE REFERENCES TO YOUR WIFE 301 00:15:49,983 --> 00:15:52,252 IN ORDER TO BELITTLE LAURA. 302 00:15:52,352 --> 00:15:54,054 BELITTLE HER? 303 00:15:54,154 --> 00:15:57,424 YOU REALLY MAKE SOME PRETTY FAR-OUT CONNECTIONS. 304 00:15:57,524 --> 00:16:01,394 SHE BELITTLED ME. HER WHOLE ATTITUDE IS-- IT'S PATRONIZING. 305 00:16:01,494 --> 00:16:03,096 YOU'RE SURE? 306 00:16:03,196 --> 00:16:05,898 YOU'RE THE ONE WHO SUDDENLY FELT WEAK, SO YOU ATTACKED. 307 00:16:05,999 --> 00:16:09,202 YOU WANTED TO REGAIN CONTROL. 308 00:16:09,302 --> 00:16:12,172 IT REMINDS ME OF THE BEGINNING OF OUR SESSION WHEN YOU CAME IN HERE. 309 00:16:12,272 --> 00:16:14,307 YOU WERE VULNERABLE FROM WHAT HAPPENED AT THE BASE. 310 00:16:14,407 --> 00:16:16,243 YOU GIVE ME THE ENVELOPE FROM LAURA 311 00:16:16,343 --> 00:16:19,012 AND THEN YOU THROW YOUR MONEY ON THE TABLE 312 00:16:19,112 --> 00:16:21,014 AS IF YOU WANTED TO HUMILIATE ME, 313 00:16:21,114 --> 00:16:24,051 TO MAKE ME FEEL SMALL. 314 00:16:27,187 --> 00:16:28,188 HOW'S YOUR MACHINE? 315 00:16:28,288 --> 00:16:31,091 IT'S GOOD. THANK YOU. 316 00:16:31,191 --> 00:16:34,094 ARE THE CLIENTS HAPPY? 317 00:16:36,396 --> 00:16:39,166 I'M GONNA MAKE ME SOME COFFEE, BY THE WAY, IF YOU WANT SOME. 318 00:16:39,266 --> 00:16:41,401 IF YOU'VE DECIDED TO STOP BEING A TEA MAN. 319 00:16:41,501 --> 00:16:44,304 ALEX, CAN WE GET BACK TO THIS, PLEASE? 320 00:16:44,404 --> 00:16:47,274 WE'RE ONTO SOMETHING HERE 321 00:16:47,374 --> 00:16:48,741 AND I DON'T WANT TO LOSE TRACK. 322 00:16:48,841 --> 00:16:53,146 JUST GIVE ME A SECOND HERE, OKAY? 323 00:16:53,246 --> 00:16:56,015 I REALIZE WE'RE ONTO SOMETHING. I JUST NEED A BREAK. 324 00:16:56,116 --> 00:16:59,152 RESPECT THAT. 325 00:17:32,985 --> 00:17:35,922 I WANT YOU TO TELL ME SOMETHING... 326 00:17:36,022 --> 00:17:38,191 HONESTLY. 327 00:17:44,897 --> 00:17:46,666 DO YOU REALLY THINK YOU CAN HELP ME? 328 00:17:54,241 --> 00:17:56,509 I MEAN, IF WE SIT HERE 329 00:17:56,609 --> 00:17:59,212 AND WE TALK ABOUT FUCKING A FEW TIMES... 330 00:18:01,581 --> 00:18:03,483 YOU'LL BE ABLE TO SOLVE ALL MY PROBLEMS? 331 00:18:04,717 --> 00:18:07,820 I DON'T HAVE THE ANSWER TO THAT QUESTION. 332 00:18:11,458 --> 00:18:13,593 YEAH, I KNEW YOU'D SAY THAT. 333 00:18:13,693 --> 00:18:16,563 YOU KNOW, THAT'S WHAT KILLS ME ABOUT YOU PEOPLE. 334 00:18:16,663 --> 00:18:18,498 'CAUSE ANY OTHER PROFESSIONAL-- 335 00:18:18,598 --> 00:18:20,200 I GO TO A DOCTOR, HE TAKES A LOOK 336 00:18:20,300 --> 00:18:22,302 AND HE SAYS, "THIS IS WHAT YOU GOT. 337 00:18:22,402 --> 00:18:24,637 THIS IS HOW LONG YOU HAVE TO LIVE." 338 00:18:24,737 --> 00:18:26,206 IF I WENT TO A MECHANIC, 339 00:18:26,306 --> 00:18:29,742 HE'D SAY, "$2,000, IT'LL BE GOOD AS NEW." 340 00:18:31,110 --> 00:18:33,846 BUT YOU PEOPLE, YOU DON'T GUARANTEE SHIT. 341 00:18:39,752 --> 00:18:41,020 CAN I TELL YOU A STORY? 342 00:18:41,120 --> 00:18:43,356 WHAT KIND OF STORY? 343 00:18:43,456 --> 00:18:47,294 IT'S A JEWISH PARABLE THAT A FRIEND OF MINE TOLD ME. 344 00:18:50,062 --> 00:18:52,599 THESE TWO FRIENDS ARE CONDEMNED TO DEATH, 345 00:18:52,699 --> 00:18:54,367 BUT THE KING-- 346 00:18:54,467 --> 00:18:57,170 HE LIKED THEM AND HE DIDN'T WANT TO KILL THEM. 347 00:18:57,270 --> 00:18:59,539 SO INSTEAD, HE TIED 348 00:18:59,639 --> 00:19:03,243 A THIN ROPE ACROSS THIS ABYSS 349 00:19:03,343 --> 00:19:05,645 AND HE TOLD THEM BOTH 350 00:19:05,745 --> 00:19:08,415 TO WALK OVER THE ROPE. 351 00:19:08,515 --> 00:19:11,117 WHOEVER MADE IT TO THE OTHER SIDE 352 00:19:11,218 --> 00:19:12,519 WOULD BE ALLOWED TO LIVE. 353 00:19:12,619 --> 00:19:16,456 SO THE FIRST ONE WALKED OVER THE ROPE 354 00:19:16,556 --> 00:19:20,427 AND HE MAKES IT SAFELY TO THE OTHER SIDE. 355 00:19:20,527 --> 00:19:23,696 AND AFTER HE MADE IT, HIS FRIEND YELLS OUT TO HIM, 356 00:19:23,796 --> 00:19:25,732 "HOW DID YOU DO IT?" 357 00:19:27,066 --> 00:19:29,101 AND THE OTHER GUY ANSWERED, 358 00:19:29,202 --> 00:19:32,605 "I HAVE NO IDEA. 359 00:19:32,705 --> 00:19:34,341 ALL I KNOW IS THAT 360 00:19:34,441 --> 00:19:38,745 WHENEVER MY WEIGHT PULLED ME TO ONE SIDE... 361 00:19:40,179 --> 00:19:42,449 I LEANED TO THE OTHER." 362 00:19:50,557 --> 00:19:52,559 IT AIN'T EXACTLY "LORD OF THE RINGS." 363 00:19:52,659 --> 00:19:54,727 ( laughs ) 364 00:19:54,827 --> 00:19:56,496 TRUE. 365 00:20:00,132 --> 00:20:01,768 SO WHAT DOES IT MEAN? 366 00:20:01,868 --> 00:20:03,970 THAT YOU HAVE TO MAINTAIN BALANCE IN YOUR LIFE? 367 00:20:04,070 --> 00:20:06,873 I THINK WHAT IT MEANS 368 00:20:06,973 --> 00:20:10,543 IS THAT THERE ARE NO SIMPLE WAYS OF JUMPING OVER AN ABYSS 369 00:20:10,643 --> 00:20:13,380 OR WAYS THAT WORK FOR EVERYONE. 370 00:20:13,480 --> 00:20:15,682 I THINK WHAT YOU'RE LOOKING FOR, ALEX, 371 00:20:15,782 --> 00:20:19,586 IS A MILLION-DOLLAR MAGIC TRICK, AND I DON'T HAVE THAT. 372 00:20:20,687 --> 00:20:22,922 I TRULY BELIEVE THERE IS NO SIMPLE WAY 373 00:20:23,022 --> 00:20:24,324 TO JUMP ACROSS AN ABYSS. 374 00:20:24,424 --> 00:20:26,726 INSTEAD, WE HAVE TO WORK 375 00:20:26,826 --> 00:20:29,962 IN SMALL INTERNAL STEPS. 376 00:20:31,197 --> 00:20:34,133 THE QUESTION IS WHETHER YOU WANT US, 377 00:20:34,233 --> 00:20:36,569 YOU AND I, TO ENGAGE IN THAT PROCESS. 378 00:20:40,039 --> 00:20:41,341 EYES ON YOUR INSTRUMENTS. 379 00:20:41,441 --> 00:20:43,576 WHAT DO YOU MEAN? 380 00:20:43,676 --> 00:20:47,213 IT'S ONE OF THE BASIC PRINCIPLES IN AVIATION. 381 00:20:47,314 --> 00:20:48,881 YOU EVER HEARD OF VERTIGO? 382 00:20:48,981 --> 00:20:50,850 SURE. 383 00:20:50,950 --> 00:20:52,952 WHEN YOU GO INTO VERTIGO 384 00:20:53,052 --> 00:20:54,954 YOUR DIRECTIONAL PERCEPTION CHANGES. 385 00:20:55,054 --> 00:20:57,724 YOU'RE SPATIALLY DISORIENTED. 386 00:20:57,824 --> 00:20:59,526 YOU'D BE FLYING AT MACH 2 NOSE DOWN 387 00:20:59,626 --> 00:21:01,728 AND THINK YOU'RE TAKING OFF. 388 00:21:01,828 --> 00:21:04,364 SO THAT'S THE FIRST THING THEY TEACH YOU AT PILOT SCHOOL. 389 00:21:04,464 --> 00:21:06,666 YOU GO INTO VERTIGO, 390 00:21:06,766 --> 00:21:09,736 YOU LOOK ONLY AT YOUR AIRCRAFT'S INSTRUMENTS. 391 00:21:09,836 --> 00:21:11,904 IGNORE YOUR FEELINGS COMPLETELY. 392 00:21:12,004 --> 00:21:13,906 RELY ON YOUR INSTRUMENTS. 393 00:21:14,006 --> 00:21:16,175 THAT'S WHAT THE AIR CONTROLLER TELLS YOU IF HE THINKS YOU'RE FREAKING OUT, 394 00:21:16,275 --> 00:21:18,177 AND THAT'S WHAT YOU'RE TELLING ME NOW. 395 00:21:18,277 --> 00:21:20,547 EYES ON YOUR INSTRUMENTS. 396 00:21:20,647 --> 00:21:25,051 SO YOU WANT ME TO PUT MYSELF INTO YOUR HANDS. 397 00:21:25,151 --> 00:21:28,154 YOU WANNA NAVIGATE ME. RELY ON YOU. 398 00:21:28,254 --> 00:21:30,690 AND ON ONE HAND, YOU'RE RIGHT. 399 00:21:30,790 --> 00:21:32,492 I MEAN, THAT'S WHY I CAME HERE IN THE FIRST PLACE. 400 00:21:32,592 --> 00:21:36,929 BUT KEEPING MY EYES ON THE INSTRUMENTS IS WHAT GOT ME HERE. 401 00:21:37,029 --> 00:21:38,865 WHAT DO YOU MEAN? 402 00:21:38,965 --> 00:21:41,033 BECAUSE I KEPT MY EYES ON THE INSTRUMENTS, 403 00:21:41,133 --> 00:21:43,603 I DROPPED THAT BOMB SO ACCURATELY INTO THAT WINDOW. 404 00:21:43,703 --> 00:21:46,272 I RELIED ONLY ON MY COMMANDERS 405 00:21:46,373 --> 00:21:49,709 AND I KILLED INNOCENT PEOPLE. 406 00:21:54,581 --> 00:21:57,850 AND NOW I'M SUPPOSED TO RELY ON YOU. 407 00:21:57,950 --> 00:22:00,520 ALEX, I DON'T WANT YOU TO RELY ON ME. 408 00:22:00,620 --> 00:22:03,990 I WANT YOU TO RELY ON YOURSELF, 409 00:22:04,090 --> 00:22:05,658 ON YOUR OWN FEELINGS. 410 00:22:05,758 --> 00:22:08,861 THE MOST I CAN EVER BE TO YOU 411 00:22:08,961 --> 00:22:11,263 IS AN AIR TRAFFIC CONTROLLER 412 00:22:11,364 --> 00:22:14,734 WHO TELLS YOU TO TRY TO IGNORE THE EXPECTATIONS OF EVERYBODY ELSE. 413 00:22:14,834 --> 00:22:18,037 IT'S THE EXPECTATIONS THAT GIVE YOU-- 414 00:22:18,137 --> 00:22:19,839 THAT GIVE YOU VERTIGO. 415 00:22:30,149 --> 00:22:32,184 WHAT'S THE FIRST STEP 416 00:22:32,284 --> 00:22:34,253 ON THE WAY TO MY NEW LIFE? 417 00:22:34,353 --> 00:22:36,623 WELL, WHAT WOULD YOU LIKE TO DO? 418 00:22:41,628 --> 00:22:43,863 I THINK I'LL GO FUCK HER AGAIN. 419 00:22:43,963 --> 00:22:47,033 YEAH, I'LL FUCK HER 420 00:22:47,133 --> 00:22:48,768 WELL AND PROPER THIS TIME. 421 00:22:48,868 --> 00:22:50,903 I'LL FUCK HER SLOW AND GOOD. 422 00:22:51,003 --> 00:22:52,605 I'LL TAKE MY TIME 423 00:22:52,705 --> 00:22:55,542 UP INTO THAT SWEET, HOT LITTLE PUSSY. 424 00:22:55,642 --> 00:22:57,910 I MEAN, WHAT'S THE BIG DEAL? 425 00:22:58,010 --> 00:23:00,647 I MEAN, SHE THINKS SHE'S THE BELLE OF THE BALL. FUCK THAT. 426 00:23:00,747 --> 00:23:03,683 SHE MUST BE PRETTY MISERABLE IF SHE'S COMING TO SEE YOU, RIGHT? 427 00:23:03,783 --> 00:23:07,153 DON'T ASSUME THAT EVERYBODY WHO COMES TO SEE ME IS MISERABLE, ALEX. 428 00:23:07,253 --> 00:23:10,423 LOOK, DOC, WHEN I CAME TO PICK HER UP FROM HERE YESTERDAY 429 00:23:10,523 --> 00:23:12,091 SHE WAS LIKE A COMPLETE PSYCHOPATH. 430 00:23:12,191 --> 00:23:15,127 ONE MINUTE SHE'S HUGGING ME, COMPLETELY OVER THE TOP 431 00:23:15,227 --> 00:23:16,729 LIKE WE'RE IN SOME KIND OF MOVIE. 432 00:23:16,829 --> 00:23:18,765 THE NEXT MINUTE, AS SOON AS I CLOSE THE CAR DOOR, 433 00:23:18,865 --> 00:23:20,399 SHE'S LIKE, "TAKE ME HOME. I'M TOO TIRED TO DO ANYTHING TODAY." 434 00:23:20,500 --> 00:23:22,334 I MEAN, WHAT THE FUCK? 435 00:23:22,435 --> 00:23:25,171 SHE TURNED AS COLD AS ICE. 436 00:23:25,271 --> 00:23:26,939 SHE WAS TWO TOTALLY DIFFERENT PEOPLE. 437 00:23:27,039 --> 00:23:28,741 I MEAN, GO FIGURE WHAT GOES THROUGH HER HEAD. 438 00:23:28,841 --> 00:23:32,211 LISTEN TO WHAT YOU'RE SAYING. YOU'RE BELITTLING HER AGAIN. 439 00:23:32,311 --> 00:23:34,447 HEY, YOU DON'T THINK SHE BELITTLES ME? 440 00:23:34,547 --> 00:23:36,148 YOU DON'T THINK I KNOW 441 00:23:36,248 --> 00:23:38,818 THAT SHE'S COMPLETELY AND TOTALLY HUNG UP ON SOMEONE ELSE? 442 00:23:42,088 --> 00:23:44,223 CHECK THIS OUT. 443 00:23:44,323 --> 00:23:46,125 SATURDAY, AFTER WE HAD SEX, 444 00:23:46,225 --> 00:23:47,894 SHE STRADDLES MY LEG. 445 00:23:47,994 --> 00:23:51,931 SHE STARTS RUBBING UP AGAINST ME AS IF I'M NOT EVEN THERE. 446 00:23:52,031 --> 00:23:54,366 IT SO OBVIOUS SHE'S FANTASIZING ABOUT SOMEBODY ELSE. 447 00:23:54,467 --> 00:23:58,337 AND THEN SHE STARTS CRYING. 448 00:23:58,437 --> 00:24:01,207 I MEAN, TEARS AND EVERYTHING. 449 00:24:01,307 --> 00:24:02,609 SHE'S JUST CRYING, AND I ASK HER, 450 00:24:02,709 --> 00:24:04,977 "LAURA, WHAT'S UP? 451 00:24:05,077 --> 00:24:07,279 EVERYTHING OKAY?" 452 00:24:07,379 --> 00:24:10,116 SHE DOESN'T EVEN LOOK AT ME. 453 00:24:10,216 --> 00:24:13,319 SHE DOESN'T EVEN ANSWER ME, 454 00:24:13,419 --> 00:24:16,422 LIKE I'M JUST HER DILDO. 455 00:24:16,523 --> 00:24:19,191 DON'T TELL ME I BELITTLE HER, OKAY? 456 00:24:34,974 --> 00:24:38,678 I KNOW THIS IS GOING TO SOUND CRAZY AFTER EVERYTHING I JUST SAID... 457 00:24:42,214 --> 00:24:45,084 BUT DO YOU THINK WE HAVE A CHANCE TOGETHER, ME AND LAURA? 458 00:24:45,184 --> 00:24:47,153 IF WE REALLY WORK AT IT? 459 00:24:47,253 --> 00:24:49,221 I DON'T KNOW, ALEX. 460 00:24:49,321 --> 00:24:51,591 I COULDN'T EVEN-- 461 00:24:52,759 --> 00:24:55,127 I DON'T KNOW THAT. 462 00:24:55,227 --> 00:24:57,296 I THINK IT COULD HAPPEN. 463 00:24:57,396 --> 00:24:58,798 I MEAN, LIKE YOU SAID, DOC, 464 00:24:58,898 --> 00:25:02,034 IT'S A LONG SERIES OF SMALL STEPS, RIGHT? 465 00:25:02,134 --> 00:25:04,236 MM-HMM, YES IT IS. 466 00:25:08,307 --> 00:25:12,879 WELL, OUR TIME IS UP FOR TODAY. 467 00:25:12,979 --> 00:25:15,682 ALREADY? 468 00:25:17,984 --> 00:25:20,687 WHY DON'T WE CONTINUE NEXT WEEK 469 00:25:20,787 --> 00:25:24,523 WHERE WE LEFT OFF TODAY, OKAY? 470 00:25:43,542 --> 00:25:45,077 THANKS. 471 00:25:45,177 --> 00:25:47,614 YOU'RE WELCOME. 472 00:26:13,940 --> 00:26:16,108 ( theme music playing )