1 00:00:02,220 --> 00:00:08,090 Prepared and arranged by zero boy my instagram => im_0boy 2 00:00:10,930 --> 00:00:16,510 WE'RE GOING INTO A NEW ERA AND SOMETIMES WHEN YOU'RE FORCED 3 00:00:16,530 --> 00:00:17,880 AND SOMETIMES WHEN YOU'RE FORCED TO CHANGE, A LOT OF BEAUTIFUL 4 00:00:17,900 --> 00:00:19,980 TO CHANGE, A LOT OF BEAUTIFUL THINGS HAPPEN WITH THAT AS WELL. 5 00:00:20,000 --> 00:00:22,310 THINGS HAPPEN WITH THAT AS WELL. IT'S GOING TO BE SO 6 00:00:22,340 --> 00:00:22,650 IT'S GOING TO BE SO DIFFERENT. 7 00:00:22,670 --> 00:00:25,220 DIFFERENT. THE CONTESTANTS ARE READY. 8 00:00:25,240 --> 00:00:26,990 THE CONTESTANTS ARE READY. IN THE REGULAR WORLD IT'S SO 9 00:00:27,010 --> 00:00:28,920 IN THE REGULAR WORLD IT'S SO HARD TO BALANCE. 10 00:00:28,950 --> 00:00:29,960 HARD TO BALANCE. IN THIS WORLD, ON THIS SHOW, 11 00:00:29,980 --> 00:00:32,730 IN THIS WORLD, ON THIS SHOW, NOW, ANYTHING CAN HAPPEN 12 00:00:32,750 --> 00:00:40,750 NOW, ANYTHING CAN HAPPEN [ CHEERS AND APPLAUSE 13 00:00:42,090 --> 00:00:44,170 [ CHEERS AND APPLAUSE I FEEL LIKE THIS IS MY TIME 14 00:00:44,190 --> 00:00:45,740 I FEEL LIKE THIS IS MY TIME THIS IS SO BIG. 15 00:00:45,760 --> 00:00:51,510 THIS IS SO BIG. THIS COULD CHANGE MY LIFE 16 00:00:51,530 --> 00:00:51,910 THIS COULD CHANGE MY LIFE FOREVER. 17 00:00:51,940 --> 00:00:55,750 FOREVER. FOR US, MAKING IT TO THE NEXT 18 00:00:55,770 --> 00:00:57,750 FOR US, MAKING IT TO THE NEXT ROUND MEANS EVERYTHING WE'VE 19 00:00:57,770 --> 00:00:58,850 ROUND MEANS EVERYTHING WE'VE WANTED OUR ENTIRE LIFE 20 00:00:58,880 --> 00:00:59,820 WANTED OUR ENTIRE LIFE IT'S SHOWTIME 21 00:00:59,840 --> 00:01:01,920 IT'S SHOWTIME I FEEL SO EXCITED 22 00:01:01,950 --> 00:01:04,860 I FEEL SO EXCITED I'M READY TO STEP ON THAT "AGT" 23 00:01:04,880 --> 00:01:06,790 I'M READY TO STEP ON THAT "AGT" STAGE AND SHOW AMERICA WHAT I 24 00:01:06,820 --> 00:01:07,060 STAGE AND SHOW AMERICA WHAT I HAVE 25 00:01:07,080 --> 00:01:07,830 HAVE HERE WE GO. 26 00:01:07,850 --> 00:01:09,100 HERE WE GO. WHAT'S UP, Y'ALL 27 00:01:09,120 --> 00:01:09,490 WHAT'S UP, Y'ALL WHAT'S UP? 28 00:01:09,520 --> 00:01:14,070 WHAT'S UP? OH, MAN. 29 00:01:14,090 --> 00:01:14,330 OH, MAN. WOO. 30 00:01:14,360 --> 00:01:15,370 WOO. ALL RIGHT. 31 00:01:15,390 --> 00:01:15,700 ALL RIGHT. YOU READY? 32 00:01:15,730 --> 00:01:19,640 YOU READY? LET'S MAKE IT HAPPEN 33 00:01:19,660 --> 00:01:21,240 LET'S MAKE IT HAPPEN Announcer: LIVE FROM 34 00:01:21,260 --> 00:01:24,940 Announcer: LIVE FROM UNIVERSAL STUDIOS HOLLYWOOD, 35 00:01:24,970 --> 00:01:32,850 UNIVERSAL STUDIOS HOLLYWOOD, IT'S "AMERICA'S GOT TALENT"! 36 00:01:32,880 --> 00:01:38,620 IT'S "AMERICA'S GOT TALENT"! HERE'S YOUR HOST, TERRY CREWS. 37 00:01:38,650 --> 00:01:46,650 HERE'S YOUR HOST, TERRY CREWS. [ CHEERS AND APPLAUSE 38 00:01:54,530 --> 00:01:55,010 [ CHEERS AND APPLAUSE Terry: WOO! 39 00:01:55,030 --> 00:01:55,740 Terry: WOO! HELLO AMERICA, AND 40 00:01:55,770 --> 00:01:57,310 HELLO AMERICA, AND HELLO WORLD. 41 00:01:57,330 --> 00:01:58,910 HELLO WORLD. YES, WE GOT PEOPLE WATCHING 42 00:01:58,940 --> 00:02:02,180 YES, WE GOT PEOPLE WATCHING EVERYWHERE 43 00:02:02,210 --> 00:02:10,210 EVERYWHERE LOOK AT ALL THESE FACES. 44 00:02:11,920 --> 00:02:13,090 LOOK AT ALL THESE FACES. THIS IS GONNA BE LIKE NOTHING 45 00:02:13,120 --> 00:02:14,730 THIS IS GONNA BE LIKE NOTHING YOU'VE EVER SEEN IN 15 YEARS OF 46 00:02:14,750 --> 00:02:16,830 YOU'VE EVER SEEN IN 15 YEARS OF "AGT." 47 00:02:16,850 --> 00:02:17,900 "AGT." OF COURSE, WE'RE GONNA HAVE ACTS 48 00:02:17,920 --> 00:02:18,930 OF COURSE, WE'RE GONNA HAVE ACTS RIGHT HERE ON OUR STAGE. 49 00:02:18,960 --> 00:02:21,630 RIGHT HERE ON OUR STAGE. BUT WE ARE AT UNIVERSAL STUDIOS, 50 00:02:21,660 --> 00:02:22,700 BUT WE ARE AT UNIVERSAL STUDIOS, SO WE'RE GONNA HAVE ACTS OUT AND 51 00:02:22,730 --> 00:02:24,840 SO WE'RE GONNA HAVE ACTS OUT AND ABOUT, PERFORMING ALL OVER THE 52 00:02:24,860 --> 00:02:26,410 ABOUT, PERFORMING ALL OVER THE LOT. 53 00:02:26,430 --> 00:02:28,010 LOT. LIKE IN A NEW YORK STREET, OR 54 00:02:28,030 --> 00:02:29,070 LIKE IN A NEW YORK STREET, OR GOING BACK IN TIME TO THE WILD 55 00:02:29,100 --> 00:02:32,280 GOING BACK IN TIME TO THE WILD WEST 56 00:02:32,300 --> 00:02:33,850 WEST THIS IS GONNA BE SO COOL 57 00:02:33,870 --> 00:02:35,450 THIS IS GONNA BE SO COOL AND ON TOP OF THAT, WE ARE GOING 58 00:02:35,470 --> 00:02:37,080 AND ON TOP OF THAT, WE ARE GOING INTERNATIONAL, WITH ACTS BEAMING 59 00:02:37,110 --> 00:02:38,650 INTERNATIONAL, WITH ACTS BEAMING IN VIA SATELLITE FROM ALL AROUND 60 00:02:38,680 --> 00:02:41,820 IN VIA SATELLITE FROM ALL AROUND THE WORLD. 61 00:02:41,840 --> 00:02:43,460 THE WORLD. SO FAR, THE GOAL FOR THE ACTS 62 00:02:43,480 --> 00:02:44,990 SO FAR, THE GOAL FOR THE ACTS HAS BEEN TO MAKE IT TO THESE 63 00:02:45,020 --> 00:02:46,630 HAS BEEN TO MAKE IT TO THESE LIVE SHOWS. 64 00:02:46,650 --> 00:02:47,660 LIVE SHOWS. WELL, THEY'RE HERE AND THE 65 00:02:47,680 --> 00:02:49,260 WELL, THEY'RE HERE AND THE GOALPOSTS JUST MOVED 66 00:02:49,290 --> 00:02:51,360 GOALPOSTS JUST MOVED NOW, THEY GOTTA WIN. 67 00:02:51,390 --> 00:02:52,970 NOW, THEY GOTTA WIN. AND THE PRIZE IS THE BIGGEST 68 00:02:52,990 --> 00:02:55,630 AND THE PRIZE IS THE BIGGEST PRIZE ON TV... 69 00:02:55,660 --> 00:02:56,670 PRIZE ON TV... $1 MILLION AND A HEADLINE SHOW 70 00:02:56,690 --> 00:03:00,370 $1 MILLION AND A HEADLINE SHOW IN LAS VEGAS 71 00:03:00,400 --> 00:03:02,710 IN LAS VEGAS [ CHEERS AND APPLAUSE 72 00:03:02,730 --> 00:03:04,780 [ CHEERS AND APPLAUSE NOW, AS SOME OF YOU MIGHT KNOW, 73 00:03:04,800 --> 00:03:05,880 NOW, AS SOME OF YOU MIGHT KNOW, SIMON COWELL HAD AN ACCIDENT 74 00:03:05,900 --> 00:03:06,480 SIMON COWELL HAD AN ACCIDENT OVER THE WEEKEND AND HE CAN'T BE 75 00:03:06,500 --> 00:03:09,080 OVER THE WEEKEND AND HE CAN'T BE HERE TONIGHT 76 00:03:09,110 --> 00:03:11,750 HERE TONIGHT BUT SIMON, WE ARE SENDING LOTS 77 00:03:11,770 --> 00:03:13,350 BUT SIMON, WE ARE SENDING LOTS OF "AGT" LOVE AND OUR BEST 78 00:03:13,380 --> 00:03:14,390 OF "AGT" LOVE AND OUR BEST WISHES AND WE HOPE TO SEE YOU 79 00:03:14,410 --> 00:03:16,560 WISHES AND WE HOPE TO SEE YOU SOON 80 00:03:16,580 --> 00:03:18,160 SOON STANDING IN FOR SIMON TONIGHT, 81 00:03:18,180 --> 00:03:19,230 STANDING IN FOR SIMON TONIGHT, WE ARE PSYCHED TO HAVE A TRUE 82 00:03:19,250 --> 00:03:24,360 WE ARE PSYCHED TO HAVE A TRUE SUPERSTAR. 83 00:03:24,390 --> 00:03:27,630 SUPERSTAR. MISS KELLY CLARKSON. 84 00:03:27,660 --> 00:03:31,100 MISS KELLY CLARKSON. [ CHEERS AND APPLAUSE 85 00:03:31,130 --> 00:03:33,740 [ CHEERS AND APPLAUSE HI, KELLY 86 00:03:33,760 --> 00:03:34,410 HI, KELLY Terry: AND MAKE SOME NOISE 87 00:03:34,430 --> 00:03:35,980 Terry: AND MAKE SOME NOISE FO 88 00:03:36,000 --> 00:03:37,580 FO SOFIA VERGARA. 89 00:03:37,600 --> 00:03:45,600 SOFIA VERGARA. HEIDI KLUM 90 00:03:46,080 --> 00:03:52,290 HEIDI KLUM AND HOWIE MANDEL 91 00:03:52,320 --> 00:03:53,030 AND HOWIE MANDEL WOW. 92 00:03:53,050 --> 00:03:56,430 WOW. KELLY, I MEAN, WHAT IS IT LIKE, 93 00:03:56,450 --> 00:03:59,230 KELLY, I MEAN, WHAT IS IT LIKE, FILLING IN SIMON'S SHOES 94 00:03:59,260 --> 00:03:59,430 FILLING IN SIMON'S SHOES TONIGHT? 95 00:03:59,460 --> 00:04:00,670 TONIGHT? TALK TO ME 96 00:04:00,690 --> 00:04:03,200 TALK TO ME I HAVE WAITED YEARS FOR THIS. 97 00:04:03,230 --> 00:04:05,540 I HAVE WAITED YEARS FOR THIS. I LOVE SIMON BUT I'MGETTING 98 00:04:05,560 --> 00:04:07,510 I LOVE SIMON BUT I'MGETTING REALLY USED TO THIS CHAIR, 99 00:04:07,530 --> 00:04:08,140 REALLY USED TO THIS CHAIR, BUDDY. 100 00:04:08,160 --> 00:04:10,280 BUDDY. I'M JUST SAYING, TAKE YOUR TIME. 101 00:04:10,300 --> 00:04:12,650 I'M JUST SAYING, TAKE YOUR TIME. I COULD USE ANOTHER JOB. 102 00:04:12,670 --> 00:04:14,250 I COULD USE ANOTHER JOB. YOU COULD USE SOME REST, 103 00:04:14,270 --> 00:04:14,550 YOU COULD USE SOME REST, RIGHT? 104 00:04:14,570 --> 00:04:16,780 RIGHT? NO, I HOPE HE FEELS BETTER. 105 00:04:16,810 --> 00:04:17,980 NO, I HOPE HE FEELS BETTER. I LOVE THE SHOW. 106 00:04:18,010 --> 00:04:21,190 I LOVE THE SHOW. THANK YOU ALL FOR HAVING ME. 107 00:04:21,210 --> 00:04:22,120 THANK YOU ALL FOR HAVING ME. Terry: THANK YOU FOR BEING 108 00:04:22,150 --> 00:04:23,090 Terry: THANK YOU FOR BEING HERE, KELLY, THANK YOU SO MUCH 109 00:04:23,110 --> 00:04:27,990 HERE, KELLY, THANK YOU SO MUCH [ APPLAUSE ] 110 00:04:28,020 --> 00:04:29,460 [ APPLAUSE ] 11 ACTS ARE COMING UP TONIGHT 111 00:04:29,490 --> 00:04:31,930 11 ACTS ARE COMING UP TONIGHT BUT ONLY FIVE WILL SURVIVE 112 00:04:31,950 --> 00:04:32,930 BUT ONLY FIVE WILL SURVIVE YEP, JUST FIVE 113 00:04:32,960 --> 00:04:37,270 YEP, JUST FIVE FOR THE FIRST TIME THIS SEASON, 114 00:04:37,290 --> 00:04:43,280 FOR THE FIRST TIME THIS SEASON, YOU'VE GOTTA, GOTTA, GOTTA VOTE. 115 00:04:43,300 --> 00:04:45,010 YOU'VE GOTTA, GOTTA, GOTTA VOTE. FOR OUR FIRST ACT, WE'RE GOING 116 00:04:45,030 --> 00:04:47,480 FOR OUR FIRST ACT, WE'RE GOING TO THE ICONIC UNIVERSAL STUDIO 117 00:04:47,500 --> 00:04:49,880 TO THE ICONIC UNIVERSAL STUDIO THIS PROVES YOU CAN FIND TALENT 118 00:04:49,910 --> 00:04:50,980 THIS PROVES YOU CAN FIND TALENT ANYWHERE, INCLUDING DOWN ON THE 119 00:04:51,010 --> 00:04:52,020 ANYWHERE, INCLUDING DOWN ON THE FARM 120 00:04:52,040 --> 00:04:53,620 FARM HERE'S PORK CHOP REVUE 121 00:04:53,640 --> 00:04:56,890 HERE'S PORK CHOP REVUE WE LIVE IN A SMALL TOWN IN 122 00:04:56,910 --> 00:04:57,260 WE LIVE IN A SMALL TOWN IN FLORIDA. 123 00:04:57,280 --> 00:04:59,120 FLORIDA. IT'S A NICE PLACE FOR THE 124 00:04:59,150 --> 00:04:59,490 IT'S A NICE PLACE FOR THE ANIMALS. 125 00:04:59,520 --> 00:05:00,430 ANIMALS. HI, GIRLS 126 00:05:00,450 --> 00:05:03,100 HI, GIRLS LUNA, LEAVE THE CHICKENS 127 00:05:03,120 --> 00:05:03,700 LUNA, LEAVE THE CHICKENS ALONE. 128 00:05:03,720 --> 00:05:04,960 ALONE. THERE'S PRACTICE AREA 129 00:05:04,990 --> 00:05:06,830 THERE'S PRACTICE AREA THE BIG GUY RIGHT HERE IS 130 00:05:06,860 --> 00:05:08,500 THE BIG GUY RIGHT HERE IS MAC, THE SWEETEST ANIMAL YOU'LL 131 00:05:08,530 --> 00:05:09,270 MAC, THE SWEETEST ANIMAL YOU'LL EVER SEE 132 00:05:09,290 --> 00:05:12,070 EVER SEE HE SAW HEIDI KISSING ON THE 133 00:05:12,100 --> 00:05:12,410 HE SAW HEIDI KISSING ON THE AUDITIONS. 134 00:05:12,430 --> 00:05:15,270 AUDITIONS. I THINK MAC HAS SO MUCH 135 00:05:15,300 --> 00:05:16,280 I THINK MAC HAS SO MUCH CONFIDENCE, NOT TOO MUCH 136 00:05:16,300 --> 00:05:20,480 CONFIDENCE, NOT TOO MUCH NOW WE'RE AT THE LIVE SHOWS, OUR 137 00:05:20,500 --> 00:05:23,350 NOW WE'RE AT THE LIVE SHOWS, OUR KIDS HAVE BECOME DIVAS 138 00:05:23,370 --> 00:05:27,920 KIDS HAVE BECOME DIVAS WHAT A BEAUTIFUL DAY TO TAKE A 139 00:05:27,940 --> 00:05:28,090 WHAT A BEAUTIFUL DAY TO TAKE A NAP. 140 00:05:28,110 --> 00:05:29,920 NAP. ANYTHING I WOULDN'T EAT, I 141 00:05:29,950 --> 00:05:32,060 ANYTHING I WOULDN'T EAT, I WON'T FEED IT TO THEM. 142 00:05:32,080 --> 00:05:35,790 WON'T FEED IT TO THEM. THEY LOVE ZUCCHINI, THEY LOVE 143 00:05:35,820 --> 00:05:36,300 THEY LOVE ZUCCHINI, THEY LOVE CUCUMBERS. 144 00:05:36,320 --> 00:05:39,030 CUCUMBERS. THEY DON'T LIKE KALE. 145 00:05:39,060 --> 00:05:40,470 THEY DON'T LIKE KALE. HE LOVES TO BE TUCKED INTO BED 146 00:05:40,490 --> 00:05:41,500 HE LOVES TO BE TUCKED INTO BED THEY'RE OUR BABIES 147 00:05:41,520 --> 00:05:42,940 THEY'RE OUR BABIES I LOVE THEM. 148 00:05:42,960 --> 00:05:43,670 I LOVE THEM. WE SPOIL THEM. 149 00:05:43,690 --> 00:05:44,700 WE SPOIL THEM. AND I THINK THEY DO 150 00:05:44,730 --> 00:05:45,370 AND I THINK THEY DO APPRECIATE IT. 151 00:05:45,400 --> 00:05:47,470 APPRECIATE IT. WHEN IT'S MY TIME, I HOPE I COME 152 00:05:47,500 --> 00:05:50,240 WHEN IT'S MY TIME, I HOPE I COME BACK AS ONE OF MY PIGS 153 00:05:50,270 --> 00:05:51,180 BACK AS ONE OF MY PIGS "AMERICA'S GOT TALENT" HAS GOT 154 00:05:51,200 --> 00:05:52,880 "AMERICA'S GOT TALENT" HAS GOT SOME INCREDIBLE, AMAZING ANIMAL 155 00:05:52,900 --> 00:05:54,110 SOME INCREDIBLE, AMAZING ANIMAL ACTS WE'VE WATCHED OVER THE 156 00:05:54,140 --> 00:05:54,410 ACTS WE'VE WATCHED OVER THE YEARS. 157 00:05:54,440 --> 00:05:56,480 YEARS. THAT'S A TOUGH COMPETITION, 158 00:05:56,510 --> 00:05:56,820 THAT'S A TOUGH COMPETITION, GUYS 159 00:05:56,840 --> 00:05:58,850 GUYS THE LAST TWO SEASONS IT'S 160 00:05:58,880 --> 00:05:59,350 THE LAST TWO SEASONS IT'S BEEN ABOUT THE DOGS. 161 00:05:59,380 --> 00:05:59,990 BEEN ABOUT THE DOGS. THIS YEAR IT'S ALL ABOUT THE 162 00:06:00,010 --> 00:06:05,690 THIS YEAR IT'S ALL ABOUT THE HOGS 163 00:06:05,720 --> 00:06:08,190 HOGS [ APPLAUSE ] 164 00:06:08,220 --> 00:06:16,220 [ APPLAUSE ] GOOD BOY, LOUIE 165 00:06:18,030 --> 00:06:19,470 GOOD BOY, LOUIE LOUIE, GO AHEAD 166 00:06:19,500 --> 00:06:25,680 LOUIE, GO AHEAD ♪ 167 00:06:25,700 --> 00:06:33,700 ♪ >> HERE, RED >> HERE, RED ♪ 168 00:06:35,810 --> 00:06:37,060 ♪ ♪ I'M HERE FOR THE PARTY ♪ 169 00:06:37,080 --> 00:06:42,590 ♪ I'M HERE FOR THE PARTY ♪ INSIDE. 170 00:06:42,620 --> 00:06:50,620 INSIDE. UP UP ALL RIGHT, RED 171 00:06:53,300 --> 00:06:57,540 ALL RIGHT, RED UP UP GOOD BOY 172 00:06:57,570 --> 00:07:00,310 GOOD BOY COME ON, MAN, RIGHT HERE. 173 00:07:00,340 --> 00:07:00,980 COME ON, MAN, RIGHT HERE. GOOD BOY 174 00:07:01,000 --> 00:07:01,580 GOOD BOY STEP UP. 175 00:07:01,600 --> 00:07:02,080 STEP UP. YOU GOT IT, BIG BOY. 176 00:07:02,100 --> 00:07:07,390 YOU GOT IT, BIG BOY. EASY EASY NOW TURN 177 00:07:07,410 --> 00:07:12,020 NOW TURN ATTABOY. 178 00:07:12,050 --> 00:07:20,050 ATTABOY. GOOD BOY GOOD BOY [ APPLAUSE ] 179 00:07:26,230 --> 00:07:27,970 [ APPLAUSE ] ♪ I'M HERE FOR THE PARTY ♪ 180 00:07:28,000 --> 00:07:29,940 ♪ I'M HERE FOR THE PARTY ♪ ♪ AN AIN'T LEAVING 'TIL THEY 181 00:07:29,970 --> 00:07:31,510 ♪ AN AIN'T LEAVING 'TIL THEY THROW ME OUT ♪ 182 00:07:31,530 --> 00:07:32,280 THROW ME OUT ♪ GOOD BOY, COME ON 183 00:07:32,300 --> 00:07:34,810 GOOD BOY, COME ON RIGHT HERE 184 00:07:34,840 --> 00:07:36,150 RIGHT HERE GOOD BOY, NELSON 185 00:07:36,170 --> 00:07:40,750 GOOD BOY, NELSON GOOD BOY, NELSON 186 00:07:40,780 --> 00:07:41,350 GOOD BOY, NELSON LET'S TRY THAT ONE MORE TIME, 187 00:07:41,380 --> 00:07:47,690 LET'S TRY THAT ONE MORE TIME, NELSON 188 00:07:47,720 --> 00:07:49,660 NELSON GOOD BOY, NELSON 189 00:07:49,690 --> 00:07:57,690 GOOD BOY, NELSON JUMP JUMP GOOD BOY 190 00:07:58,630 --> 00:08:02,170 GOOD BOY ♪ I'M HERE FOR THE PARTY ♪ 191 00:08:02,200 --> 00:08:03,780 ♪ I'M HERE FOR THE PARTY ♪ ♪ YES, I AIN'T LEAVING 'TIL THE 192 00:08:03,800 --> 00:08:05,180 ♪ YES, I AIN'T LEAVING 'TIL THE THROW ME OUT ♪ 193 00:08:05,200 --> 00:08:07,280 THROW ME OUT ♪ RIGHT HERE. 194 00:08:07,300 --> 00:08:09,550 RIGHT HERE. GOOD BOY 195 00:08:09,570 --> 00:08:17,570 GOOD BOY AND NOW ROLL IT, PAL 196 00:08:18,950 --> 00:08:19,660 AND NOW ROLL IT, PAL GOOD BOY 197 00:08:19,680 --> 00:08:21,130 GOOD BOY THAT IS FOR YOU. 198 00:08:21,150 --> 00:08:22,560 THAT IS FOR YOU. UP AND OVER. 199 00:08:22,590 --> 00:08:22,830 UP AND OVER. NICE JOB 200 00:08:22,850 --> 00:08:25,700 NICE JOB TAKE A SEAT. 201 00:08:25,720 --> 00:08:26,330 TAKE A SEAT. ♪ YOU KNOW I'M HERE FOR THE 202 00:08:26,360 --> 00:08:29,870 ♪ YOU KNOW I'M HERE FOR THE PARTY ♪ 203 00:08:29,890 --> 00:08:31,870 PARTY ♪ ♪ YES I AIN'T LEAVING 'TIL THEY 204 00:08:31,890 --> 00:08:33,010 ♪ YES I AIN'T LEAVING 'TIL THEY THROW ME OUT ♪ 205 00:08:33,030 --> 00:08:41,030 THROW ME OUT ♪ COME ON, HERE WE GO 206 00:08:42,170 --> 00:08:44,520 COME ON, HERE WE GO DOWN THE SLIDE 207 00:08:44,540 --> 00:08:44,850 DOWN THE SLIDE YOU READY? 208 00:08:44,870 --> 00:08:49,590 YOU READY? DOWN THE SLIDE, GOOD BOY 209 00:08:49,610 --> 00:08:52,220 DOWN THE SLIDE, GOOD BOY COME ON, RED. 210 00:08:52,250 --> 00:09:00,250 COME ON, RED. THE SLIDE. 211 00:09:02,160 --> 00:09:08,230 THE SLIDE. ♪ I'M HERE FOR THE PARTY ♪ 212 00:09:09,430 --> 00:09:16,570 [ CHEERS AND APPLAUSE 213 00:09:20,080 --> 00:09:23,660 Terry: WE'LL FIND OUT WHAT THE JUDGES THOUGHT IN JUST A 214 00:09:23,680 --> 00:09:24,360 THE JUDGES THOUGHT IN JUST A COUPLE OF MINUTES. 215 00:09:24,380 --> 00:09:27,260 COUPLE OF MINUTES. THEN A 13-YEAR-OLD PRODIGY FROM 216 00:09:27,280 --> 00:09:28,690 THEN A 13-YEAR-OLD PRODIGY FROM TAIWAN PUSHES WAY BEYOND HIS 217 00:09:28,720 --> 00:09:29,330 TAIWAN PUSHES WAY BEYOND HIS LIMITS, HOPING TO WIN AMERICA'S 218 00:09:29,350 --> 00:09:29,460 LIMITS, HOPING TO WIN AMERICA'S VOTE 219 00:09:29,490 --> 00:09:31,220 VOTE WE'LL BE RIGHT BACK. 220 00:09:50,540 --> 00:09:53,420 Terry: OK, BEFORE THE BREAK WE SAW PORK CHOP REVUE PULLING 221 00:09:53,440 --> 00:09:55,020 WE SAW PORK CHOP REVUE PULLING OFF SOME STUNNING MOVES. 222 00:09:55,040 --> 00:10:01,290 OFF SOME STUNNING MOVES. LET'S GET TO THE JUDGES. 223 00:10:01,320 --> 00:10:01,630 LET'S GET TO THE JUDGES. HOWIE? 224 00:10:01,650 --> 00:10:02,690 HOWIE? Howie: STUNNING 225 00:10:02,720 --> 00:10:05,660 Howie: STUNNING THE MOVES WERE STUNNING TO YOU 226 00:10:05,690 --> 00:10:06,730 THE MOVES WERE STUNNING TO YOU I THINK IT'S AMAZING BECAUSE 227 00:10:06,760 --> 00:10:09,070 I THINK IT'S AMAZING BECAUSE THEY'RE PIGS 228 00:10:09,090 --> 00:10:10,070 THEY'RE PIGS BUT IF I HAVE TO BE HONEST, IT'S 229 00:10:10,090 --> 00:10:12,370 BUT IF I HAVE TO BE HONEST, IT'S LIKE A VERY LETHARGIC DOG ACT. 230 00:10:12,400 --> 00:10:13,810 LIKE A VERY LETHARGIC DOG ACT. IT'S KIND OF SLOW. 231 00:10:13,830 --> 00:10:15,510 IT'S KIND OF SLOW. BUT IT'S AMAZING BECAUSE THEY'RE 232 00:10:15,530 --> 00:10:16,710 BUT IT'S AMAZING BECAUSE THEY'RE PIGS, YOU HAVE TO TAKE THAT INTO 233 00:10:16,730 --> 00:10:17,040 PIGS, YOU HAVE TO TAKE THAT INTO ACCOUNT. 234 00:10:17,070 --> 00:10:20,510 ACCOUNT. YOU KNOW I'M MISSING THE 235 00:10:20,540 --> 00:10:24,380 YOU KNOW I'M MISSING THE AUDIENCE BOOING. 236 00:10:24,410 --> 00:10:28,590 AUDIENCE BOOING. Heidi: TO ME, IT WASN'T ONE 237 00:10:28,610 --> 00:10:31,490 Heidi: TO ME, IT WASN'T ONE BIG BORING... YOU DON'T GET IT 238 00:10:31,510 --> 00:10:36,430 BIG BORING... YOU DON'T GET IT Howie: I GET IT 239 00:10:36,450 --> 00:10:38,460 Howie: I GET IT Heidi: I'VE NEVER SEEN SUCH A 240 00:10:38,490 --> 00:10:39,260 Heidi: I'VE NEVER SEEN SUCH A BIG PIG. 241 00:10:39,290 --> 00:10:43,470 BIG PIG. I WISH YOU GOOD LUCK 242 00:10:43,490 --> 00:10:45,100 I WISH YOU GOOD LUCK Terry: SOFIA. 243 00:10:45,130 --> 00:10:47,910 Terry: SOFIA. Sofia: I LOVE IT, THEY'RE 244 00:10:47,930 --> 00:10:49,740 Sofia: I LOVE IT, THEY'RE PIGS, THEY'RE GIGANTIC PIGS, AND 245 00:10:49,770 --> 00:10:51,110 PIGS, THEY'RE GIGANTIC PIGS, AND YOU GUYS ARE ADORABLE. 246 00:10:51,130 --> 00:10:53,210 YOU GUYS ARE ADORABLE. I COULD NOT LOVE IT. 247 00:10:53,240 --> 00:10:57,750 I COULD NOT LOVE IT. Howie: YOU COULD NOT LOVE IT? 248 00:10:57,770 --> 00:10:58,120 Howie: YOU COULD NOT LOVE IT? PERFECT. 249 00:10:58,140 --> 00:10:59,650 PERFECT. Terry: KELLY, DID YOU NOT 250 00:10:59,680 --> 00:11:00,690 Terry: KELLY, DID YOU NOT LOVE IT? 251 00:11:00,710 --> 00:11:01,890 LOVE IT? Kelly: I ACTUALLY DID LOVE IT 252 00:11:01,910 --> 00:11:02,790 Kelly: I ACTUALLY DID LOVE IT JUST BECAUSE I'VE NEVER SEEN 253 00:11:02,810 --> 00:11:03,590 JUST BECAUSE I'VE NEVER SEEN ANYTHING LIKE IT 254 00:11:03,610 --> 00:11:05,290 ANYTHING LIKE IT I LOVED THAT ALL THE PIGS DIDN'T 255 00:11:05,310 --> 00:11:06,360 I LOVED THAT ALL THE PIGS DIDN'T DO WHAT THEY'RE SUPPOSED TO 256 00:11:06,380 --> 00:11:08,390 DO WHAT THEY'RE SUPPOSED TO BECAUSE, ONE, THAT MEANS YOU 257 00:11:08,420 --> 00:11:09,700 BECAUSE, ONE, THAT MEANS YOU LOVE YOUR PIGS AND AREN'T HARD 258 00:11:09,720 --> 00:11:11,800 LOVE YOUR PIGS AND AREN'T HARD ON THEM, AND THAT MEANS A LOT TO 259 00:11:11,820 --> 00:11:12,160 ON THEM, AND THAT MEANS A LOT TO ME 260 00:11:12,190 --> 00:11:14,800 ME TWO, IT'S GREAT THAT IT'S LIVE, 261 00:11:14,820 --> 00:11:15,970 TWO, IT'S GREAT THAT IT'S LIVE, YOU NEVER KNOW WHAT'S GOING TO 262 00:11:15,990 --> 00:11:17,900 YOU NEVER KNOW WHAT'S GOING TO HAPPEN, YOU LEANED IN AND SHOW 263 00:11:17,930 --> 00:11:19,910 HAPPEN, YOU LEANED IN AND SHOW THEIR PERSONALITIES. 264 00:11:19,930 --> 00:11:22,370 THEIR PERSONALITIES. I LOVED THAT HE WAS LIKE, NOPE, 265 00:11:22,400 --> 00:11:23,080 I LOVED THAT HE WAS LIKE, NOPE, WE'RE NOT DOING THAT TODAY 266 00:11:23,100 --> 00:11:25,880 WE'RE NOT DOING THAT TODAY I LIKE THAT. 267 00:11:25,900 --> 00:11:27,380 I LIKE THAT. Terry: ALL RIGHT. 268 00:11:27,400 --> 00:11:28,650 Terry: ALL RIGHT. PORK CHOP REVUE, HOW HAVE YOU 269 00:11:28,670 --> 00:11:29,850 PORK CHOP REVUE, HOW HAVE YOU GUYS BEEN DOING DURING THIS 270 00:11:29,870 --> 00:11:31,250 GUYS BEEN DOING DURING THIS WHOLE QUARANTINE DOWN ON THE 271 00:11:31,270 --> 00:11:31,580 WHOLE QUARANTINE DOWN ON THE FARM 272 00:11:31,610 --> 00:11:33,490 FARM THAT'S WHAT WE SPENT A LOT OF 273 00:11:33,510 --> 00:11:35,590 THAT'S WHAT WE SPENT A LOT OF TIME AT THE FARM, TERRY, THE 274 00:11:35,610 --> 00:11:36,820 TIME AT THE FARM, TERRY, THE PIGS, WE SPEND A LOT OF TIME 275 00:11:36,850 --> 00:11:38,760 PIGS, WE SPEND A LOT OF TIME WITH THEM AND THE OTHER ANIMALS, 276 00:11:38,780 --> 00:11:43,700 WITH THEM AND THE OTHER ANIMALS, WE HAVE GOATS, A LLAMA, AND 277 00:11:43,720 --> 00:11:44,100 WE HAVE GOATS, A LLAMA, AND DOGS 278 00:11:44,120 --> 00:11:45,700 DOGS Terry: YOU'RE NEVER ALONE 279 00:11:45,720 --> 00:11:46,200 Terry: YOU'RE NEVER ALONE THIS IS GOOD 280 00:11:46,220 --> 00:11:46,930 THIS IS GOOD GOOD LUCK TONIGHT. 281 00:11:46,960 --> 00:11:47,700 GOOD LUCK TONIGHT. HERE WE GO 282 00:11:47,720 --> 00:11:49,230 HERE WE GO VOTING STARTS NOW. 283 00:11:49,260 --> 00:11:51,540 VOTING STARTS NOW. GET ONLINE OR USE THE APP. 284 00:11:51,560 --> 00:11:53,540 GET ONLINE OR USE THE APP. YOU CAN VOTE UP TO TEN TIMES 285 00:11:53,560 --> 00:11:56,100 YOU CAN VOTE UP TO TEN TIMES WITH EACH VOTING MESSAGE 286 00:12:06,170 --> 00:12:13,020 HOWEVER YOU DO IT, GO VOTE LET'S KEEP IT GOING. 287 00:12:13,050 --> 00:12:14,090 LET'S KEEP IT GOING. WE ARE GOING INTERNATIONAL FOR 288 00:12:14,120 --> 00:12:15,130 WE ARE GOING INTERNATIONAL FOR OUR NEXT ACT 289 00:12:15,150 --> 00:12:15,890 OUR NEXT ACT HE'S OVER IN TAIWAN AND HE'LL BE 290 00:12:15,920 --> 00:12:18,830 HE'S OVER IN TAIWAN AND HE'LL BE PERFORMING VIA SATELLITE 291 00:12:18,850 --> 00:12:20,030 PERFORMING VIA SATELLITE HE'S JUST 13 YEARS OLD 292 00:12:20,060 --> 00:12:20,930 HE'S JUST 13 YEARS OLD BUT, MAN... WHAT THIS GUY CAN DO 293 00:12:20,960 --> 00:12:21,630 BUT, MAN... WHAT THIS GUY CAN DO WITH A UKULELE, YOU WILL NOT 294 00:12:21,660 --> 00:12:25,040 WITH A UKULELE, YOU WILL NOT BELIEVE. 295 00:12:25,060 --> 00:12:31,440 BELIEVE. HE'S FENG E. 296 00:12:31,470 --> 00:12:32,880 HE'S FENG E. I THINK THE REASON I LOVE 297 00:12:32,900 --> 00:12:34,450 I THINK THE REASON I LOVE PLAY-DOH IS BECAUSE YOU CAN 298 00:12:34,470 --> 00:12:35,580 PLAY-DOH IS BECAUSE YOU CAN BUILD EVERYTHING 299 00:12:35,600 --> 00:12:39,550 BUILD EVERYTHING WHEN I WAS 6 YEARS OLD, MY 300 00:12:39,580 --> 00:12:41,550 WHEN I WAS 6 YEARS OLD, MY TEACHER TOLD MY FATHER MY 301 00:12:41,580 --> 00:12:44,590 TEACHER TOLD MY FATHER MY FINGERS WERE NOT AS FLEXIBLE AS 302 00:12:44,610 --> 00:12:48,090 FINGERS WERE NOT AS FLEXIBLE AS ALL THE OTHER STUDENTS 303 00:12:48,120 --> 00:12:56,120 ALL THE OTHER STUDENTS [ SPEAKING FOREIGN LANGUAGE 304 00:12:58,890 --> 00:13:02,170 [ SPEAKING FOREIGN LANGUAGE HE MADE A DEAL WITH ME, FOR 305 00:13:02,200 --> 00:13:07,210 HE MADE A DEAL WITH ME, FOR EVERY MINUTE I PLAY UKELELE, 306 00:13:07,240 --> 00:13:09,180 EVERY MINUTE I PLAY UKELELE, HE'LL PLAY LEGO WITH ME. 307 00:13:09,210 --> 00:13:10,880 HE'LL PLAY LEGO WITH ME. IT WAS A GOOD DEAL BECAUSE I 308 00:13:10,910 --> 00:13:14,350 IT WAS A GOOD DEAL BECAUSE I LOVE LEGO. 309 00:13:14,380 --> 00:13:16,390 LOVE LEGO. MAKING MUSIC IS LIKE MAKING A 310 00:13:16,410 --> 00:13:17,290 MAKING MUSIC IS LIKE MAKING A LEGO WORK. 311 00:13:17,310 --> 00:13:18,960 LEGO WORK. IT'S LIKE PUTTING A LOT OF SMALL 312 00:13:18,980 --> 00:13:21,260 IT'S LIKE PUTTING A LOT OF SMALL PIECES TOGETHER TO BECOME A VERY 313 00:13:21,280 --> 00:13:22,030 PIECES TOGETHER TO BECOME A VERY BEAUTIFUL THING. 314 00:13:22,050 --> 00:13:29,630 BEAUTIFUL THING. THANKS TO MY DAD, NOW I LOVE UKE 315 00:13:29,660 --> 00:13:29,890 THANKS TO MY DAD, NOW I LOVE UKE 316 00:13:30,030 --> 00:13:31,570 LELE IT CHANGED MY WHOLE LIFE AND NOW 317 00:13:31,590 --> 00:13:33,370 IT CHANGED MY WHOLE LIFE AND NOW I'M ON "AGT. 318 00:13:33,400 --> 00:13:34,040 I'M ON "AGT. "AMERICA'S GOT TALENT" IS ONE OF 319 00:13:34,060 --> 00:13:37,510 "AMERICA'S GOT TALENT" IS ONE OF THE BIGGEST SHOWS IN THE WORLD 320 00:13:37,530 --> 00:13:40,210 THE BIGGEST SHOWS IN THE WORLD I'M SO HAPPY THAT THESE LITTLE 321 00:13:40,240 --> 00:13:41,150 I'M SO HAPPY THAT THESE LITTLE TOYS HAVE LED TO SOMETHING SO 322 00:13:41,170 --> 00:13:41,850 TOYS HAVE LED TO SOMETHING SO BIG. 323 00:13:41,870 --> 00:13:44,840 BIG. [ CHEERS AND APPLAUSE 324 00:13:45,810 --> 00:13:53,810 ♪ 325 00:13:59,590 --> 00:14:07,590 ♪ 326 00:14:12,470 --> 00:14:20,470 ♪ 327 00:14:24,510 --> 00:14:32,510 ♪ 328 00:14:39,930 --> 00:14:47,930 ♪ 329 00:14:54,040 --> 00:15:02,040 ♪ 330 00:15:07,390 --> 00:15:15,390 ♪ 331 00:15:22,470 --> 00:15:30,470 ♪ 332 00:15:36,790 --> 00:15:44,790 ♪ 333 00:15:51,370 --> 00:15:59,370 ♪ 334 00:16:05,350 --> 00:16:08,850 ♪ 335 00:16:10,590 --> 00:16:16,070 [ CHEERS AND APPLAUSE Terry: FENG E, THAT WAS 336 00:16:16,090 --> 00:16:17,800 Terry: FENG E, THAT WAS AMAZING. 337 00:16:17,830 --> 00:16:22,910 AMAZING. INCREDIBLE 338 00:16:22,930 --> 00:16:24,080 INCREDIBLE HOWIE, YOU'RE ON YOUR FEET 339 00:16:24,100 --> 00:16:26,280 HOWIE, YOU'RE ON YOUR FEET I'M ON MY FEET. 340 00:16:26,300 --> 00:16:27,810 I'M ON MY FEET. I'VE GOT TO SAY SOMETHING, I'M 341 00:16:27,840 --> 00:16:29,810 I'VE GOT TO SAY SOMETHING, I'M THE OLDEST ONE IN THE ROOM, AND 342 00:16:29,840 --> 00:16:31,020 THE OLDEST ONE IN THE ROOM, AND THE OTHER NIGHT I WAS WATCHING 343 00:16:31,040 --> 00:16:33,420 THE OTHER NIGHT I WAS WATCHING "THREE DAYS AT WOODSTOCK," A 344 00:16:33,440 --> 00:16:33,790 "THREE DAYS AT WOODSTOCK," A DOCUMENTARY. 345 00:16:33,810 --> 00:16:39,820 DOCUMENTARY. I'M TELLING YOU, YOU ARE THE H 346 00:16:39,850 --> 00:16:47,850 I'M TELLING YOU, YOU ARE THE H HENDRIX OF THE UKE HE LAUKELELE. 347 00:16:50,330 --> 00:16:51,970 HENDRIX OF THE UKE HE LAUKELELE. YOU JUST BLEW ME AWAY. 348 00:16:51,990 --> 00:16:53,410 YOU JUST BLEW ME AWAY. THE SOUND WAS GREAT, THE LOOK 349 00:16:53,430 --> 00:16:54,140 THE SOUND WAS GREAT, THE LOOK WAS GREAT. 350 00:16:54,160 --> 00:16:55,170 WAS GREAT. YOU, YOUNG MAN, CAN SPEND 351 00:16:55,200 --> 00:16:59,940 YOU, YOUNG MAN, CAN SPEND ANOTHER TEN MINUTES ON LEGO. 352 00:16:59,970 --> 00:17:00,850 ANOTHER TEN MINUTES ON LEGO. THANK YOU 353 00:17:00,870 --> 00:17:02,080 THANK YOU Terry: HEIDI. 354 00:17:02,100 --> 00:17:03,050 Terry: HEIDI. Heidi: WHAT AN AMAZING 355 00:17:03,070 --> 00:17:03,380 Heidi: WHAT AN AMAZING PERFORMANCE. 356 00:17:03,410 --> 00:17:06,080 PERFORMANCE. I ALSO HAVE TO TELL YOU, I LOVE 357 00:17:06,110 --> 00:17:06,320 I ALSO HAVE TO TELL YOU, I LOVE YOUR VIBE. 358 00:17:06,340 --> 00:17:08,320 YOUR VIBE. I THINK THAT YOU ARE SO COOL 359 00:17:08,340 --> 00:17:10,260 I THINK THAT YOU ARE SO COOL I WISH I WAS HALF AS COOL AS YOU 360 00:17:10,280 --> 00:17:10,860 I WISH I WAS HALF AS COOL AS YOU ARE. 361 00:17:10,880 --> 00:17:12,620 ARE. KUDOS FOR YOU, I HOPE PEOPLE ARE 362 00:17:12,650 --> 00:17:13,890 KUDOS FOR YOU, I HOPE PEOPLE ARE GOING TO VOTE FOR YOU TODAY. 363 00:17:13,920 --> 00:17:14,590 GOING TO VOTE FOR YOU TODAY. GOOD LUCK. 364 00:17:14,620 --> 00:17:15,290 GOOD LUCK. THANK YOU 365 00:17:15,320 --> 00:17:17,400 THANK YOU Terry: SOFIA. 366 00:17:17,420 --> 00:17:18,730 Terry: SOFIA. Sofia: YOU LOOK LIKE A STAR 367 00:17:18,750 --> 00:17:20,170 Sofia: YOU LOOK LIKE A STAR UP THERE 368 00:17:20,190 --> 00:17:21,430 UP THERE IT WAS LIKE UNBELIEVABLE 369 00:17:21,460 --> 00:17:24,740 IT WAS LIKE UNBELIEVABLE I HATE THE UKELELE 370 00:17:24,760 --> 00:17:28,110 I HATE THE UKELELE AND YOU MAKE THE UKELELE SOUND 371 00:17:28,130 --> 00:17:29,540 AND YOU MAKE THE UKELELE SOUND LIKE UNBELIEVABLE. 372 00:17:29,570 --> 00:17:31,540 LIKE UNBELIEVABLE. I COULD LIKE LISTEN TO YOU 373 00:17:31,570 --> 00:17:32,010 I COULD LIKE LISTEN TO YOU FOREVER. 374 00:17:32,030 --> 00:17:33,210 FOREVER. IT'S AMAZING WHAT YOU CAN DO 375 00:17:33,240 --> 00:17:34,180 IT'S AMAZING WHAT YOU CAN DO WITH THAT INSTRUMENT 376 00:17:34,200 --> 00:17:35,050 WITH THAT INSTRUMENT AND I REALLY... 377 00:17:35,070 --> 00:17:37,380 AND I REALLY... WHAT INSTRUMENT 378 00:17:37,410 --> 00:17:39,920 WHAT INSTRUMENT THE UKELELE 379 00:17:39,940 --> 00:17:41,550 THE UKELELE AND I REALLY HOPE THAT YOU KEEP 380 00:17:41,580 --> 00:17:42,720 AND I REALLY HOPE THAT YOU KEEP GOING IN THIS COMPOSITION 381 00:17:42,740 --> 00:17:43,350 GOING IN THIS COMPOSITION BECAUSE I WANT TO HEAR YOU 382 00:17:43,380 --> 00:17:46,790 BECAUSE I WANT TO HEAR YOU AGAIN. 383 00:17:46,820 --> 00:17:48,390 AGAIN. KELLY 384 00:17:48,420 --> 00:17:49,290 KELLY Kelly: I WANT TO HEAR YOU 385 00:17:49,320 --> 00:17:52,730 Kelly: I WANT TO HEAR YOU PLAY THE UKELELE TOO 386 00:17:52,750 --> 00:17:55,370 PLAY THE UKELELE TOO I THOUGHT IT WAS SO... NOT ONLY 387 00:17:55,390 --> 00:17:58,170 I THOUGHT IT WAS SO... NOT ONLY JUST... YOU'RE NOT ONLY JUST SO 388 00:17:58,190 --> 00:17:59,970 JUST... YOU'RE NOT ONLY JUST SO INSANELY GIFTED, JUST A TALENTED 389 00:18:00,000 --> 00:18:01,710 INSANELY GIFTED, JUST A TALENTED MUSICIAN, EVEN THE PART WHERE 390 00:18:01,730 --> 00:18:03,310 MUSICIAN, EVEN THE PART WHERE YOU SHUSH EVERYONE AND THE DRAMA 391 00:18:03,330 --> 00:18:04,180 YOU SHUSH EVERYONE AND THE DRAMA OF THE WHOLE PERFORMANCE AND HOW 392 00:18:04,200 --> 00:18:05,610 OF THE WHOLE PERFORMANCE AND HOW ROCK AND ROLL THE WHOLE THING 393 00:18:05,630 --> 00:18:05,940 ROCK AND ROLL THE WHOLE THING WAS. 394 00:18:05,970 --> 00:18:07,910 WAS. I MEAN, YOU LITERALLY COULD 395 00:18:07,940 --> 00:18:10,450 I MEAN, YOU LITERALLY COULD JUST... I'VE SEEN ED SHEERAN 396 00:18:10,470 --> 00:18:11,850 JUST... I'VE SEEN ED SHEERAN BEFORE, IT'S JUST HIM AND LIGHTS 397 00:18:11,870 --> 00:18:14,020 BEFORE, IT'S JUST HIM AND LIGHTS AND NO OTHER BAND, YOU COULD 398 00:18:14,040 --> 00:18:15,690 AND NO OTHER BAND, YOU COULD CONTROL THE ENTIRE ARENA WITH 399 00:18:15,710 --> 00:18:16,990 CONTROL THE ENTIRE ARENA WITH THE SAME KIND OF VIBE AND ENERGY 400 00:18:17,010 --> 00:18:18,020 THE SAME KIND OF VIBE AND ENERGY AND NOT MANY PEOPLE ARE CAPABLE 401 00:18:18,050 --> 00:18:18,920 AND NOT MANY PEOPLE ARE CAPABLE OF DOING THAT. 402 00:18:18,950 --> 00:18:21,990 OF DOING THAT. YOU ARE VERY TALENTED. 403 00:18:22,020 --> 00:18:23,090 YOU ARE VERY TALENTED. Terry: INCREDIBLE 404 00:18:23,120 --> 00:18:25,360 Terry: INCREDIBLE GOOD LUCK TONIGHT, FENG E. 405 00:18:25,390 --> 00:18:26,930 GOOD LUCK TONIGHT, FENG E. IF YOU WANT TO VOTE FOR FENG E, 406 00:18:26,960 --> 00:18:28,570 IF YOU WANT TO VOTE FOR FENG E, YOU CAN VOTE ONLINE AT NBC.COM 407 00:18:28,590 --> 00:18:30,170 YOU CAN VOTE ONLINE AT NBC.COM OR USE THE OFFICIAL "AMERICA'S 408 00:18:30,190 --> 00:18:32,300 OR USE THE OFFICIAL "AMERICA'S GOT TALENT" APP. 409 00:18:32,330 --> 00:18:33,370 GOT TALENT" APP. YOU CAN DOWNLOAD IT FROM THE APP 410 00:18:33,400 --> 00:18:36,540 YOU CAN DOWNLOAD IT FROM THE APP STORE OR GOOGLE PLAY 411 00:18:36,570 --> 00:18:38,680 STORE OR GOOGLE PLAY VOTING IS OPEN NOW AND STAY OPEN 412 00:18:38,700 --> 00:18:46,490 VOTING IS OPEN NOW AND STAY OPEN UNTIL 7 A.M. EASTERN TOMORROW. 413 00:18:46,510 --> 00:18:47,120 UNTIL 7 A.M. EASTERN TOMORROW. Announcer: COMING UP... 414 00:18:47,140 --> 00:18:49,090 Announcer: COMING UP... THIS IS JUST THE BEGINNING 415 00:18:49,110 --> 00:18:49,320 THIS IS JUST THE BEGINNING FOR YOU. 416 00:18:49,340 --> 00:18:56,190 FOR YOU. AND YOU JUST CRUSHED IT. 417 00:18:56,220 --> 00:18:59,030 AND YOU JUST CRUSHED IT. NO, NO. 418 00:18:59,050 --> 00:19:07,050 NO, NO. DID YOU REALLY TAKE YOUR ARMS 419 00:19:14,400 --> 00:19:15,350 DID YOU REALLY TAKE YOUR ARMS Terry: THINK ABOUT IT... THIS 420 00:19:15,370 --> 00:19:16,410 Terry: THINK ABOUT IT... THIS IS A BIG, BIG NIGHT FOR THE 421 00:19:16,440 --> 00:19:18,520 IS A BIG, BIG NIGHT FOR THE ACTS 422 00:19:18,540 --> 00:19:20,120 ACTS ONE MINUTE THEY'RE SITTING AT 423 00:19:20,140 --> 00:19:21,190 ONE MINUTE THEY'RE SITTING AT HOME WATCHING TV... DREAMING OF 424 00:19:21,210 --> 00:19:23,860 HOME WATCHING TV... DREAMING OF STARDOM. 425 00:19:23,880 --> 00:19:24,920 STARDOM. THE NEXT THEY'RE STARRING ON TV. 426 00:19:24,950 --> 00:19:26,520 THE NEXT THEY'RE STARRING ON TV. AND YOU CAN TAKE THIS RIDE RIGHT 427 00:19:26,550 --> 00:19:28,090 AND YOU CAN TAKE THIS RIDE RIGHT ALONGSIDE THEM 428 00:19:28,120 --> 00:19:30,230 ALONGSIDE THEM JUST FOLLOW THEM ON TWITTER, 429 00:19:30,250 --> 00:19:31,830 JUST FOLLOW THEM ON TWITTER, INSTAGRAM, OR FACEBOOK @AGT. 430 00:19:31,850 --> 00:19:34,500 INSTAGRAM, OR FACEBOOK @AGT. FIND OUT WHAT'S REALLY GOING ON 431 00:19:34,520 --> 00:19:39,070 FIND OUT WHAT'S REALLY GOING ON FOR THEM 432 00:19:39,090 --> 00:19:40,540 FOR THEM NOW, THIS SHOW IS ALL ABOUT 433 00:19:40,560 --> 00:19:41,740 NOW, THIS SHOW IS ALL ABOUT ORDINARY PEOPLE FOLLOWING THEIR 434 00:19:41,760 --> 00:19:42,710 ORDINARY PEOPLE FOLLOWING THEIR DREAMS 435 00:19:42,730 --> 00:19:44,340 DREAMS BUT EVERYONE HAS THEIR OWN 436 00:19:44,370 --> 00:19:45,680 BUT EVERYONE HAS THEIR OWN PERSONAL BATTLES THEY HAVE TO 437 00:19:45,700 --> 00:19:46,980 PERSONAL BATTLES THEY HAVE TO FIGHT IN ORDER TO DO THAT. 438 00:19:47,000 --> 00:19:48,810 FIGHT IN ORDER TO DO THAT. LIKE THIS SINGER 439 00:19:48,840 --> 00:19:52,120 LIKE THIS SINGER SHE'S SHAQUIRA McGRATH 440 00:19:52,140 --> 00:19:53,520 SHE'S SHAQUIRA McGRATH WHEN I WAS GROWING UP, I 441 00:19:53,540 --> 00:19:54,950 WHEN I WAS GROWING UP, I WANTED TO BE A SINGER AND EVERY 442 00:19:54,980 --> 00:20:01,560 WANTED TO BE A SINGER AND EVERY INCH OF MY HOME WAS A STAGE. 443 00:20:01,580 --> 00:20:03,900 INCH OF MY HOME WAS A STAGE. I JUST IMAGINED STANDING IN THE 444 00:20:03,920 --> 00:20:04,830 I JUST IMAGINED STANDING IN THE BIGGEST ARENAWITH ALL THE 445 00:20:04,850 --> 00:20:09,100 BIGGEST ARENAWITH ALL THE LIGHTS ON ME, AND THAT'S WHERE I 446 00:20:09,120 --> 00:20:09,670 LIGHTS ON ME, AND THAT'S WHERE I WANTED TO BE 447 00:20:09,690 --> 00:20:10,970 WANTED TO BE BUT I'VE ALWAYS HAD INSECURITIES 448 00:20:10,990 --> 00:20:13,240 BUT I'VE ALWAYS HAD INSECURITIES THAT HELD ME BACK. 449 00:20:13,260 --> 00:20:14,440 THAT HELD ME BACK. YOU THINK, NO ONE WANTS TO LOOK 450 00:20:14,460 --> 00:20:16,440 YOU THINK, NO ONE WANTS TO LOOK AT ME, NO ONE CARES WHAT I SOUND 451 00:20:16,470 --> 00:20:17,840 AT ME, NO ONE CARES WHAT I SOUND LIKE BECAUSE THEY ONLY CARE 452 00:20:17,870 --> 00:20:18,540 LIKE BECAUSE THEY ONLY CARE ABOUT WHAT I LOOK LIKE 453 00:20:18,570 --> 00:20:21,010 ABOUT WHAT I LOOK LIKE I WAS MY OWN TOUGHEST CRITIC 454 00:20:21,040 --> 00:20:22,750 I WAS MY OWN TOUGHEST CRITIC AND I WAS MY OWN ROADBLOCK FOR 455 00:20:22,770 --> 00:20:25,120 AND I WAS MY OWN ROADBLOCK FOR EVERY OPPORTUNITY THAT CAME MY 456 00:20:25,140 --> 00:20:26,320 EVERY OPPORTUNITY THAT CAME MY WAY, EVERY SINGLE ONE. 457 00:20:26,340 --> 00:20:27,750 WAY, EVERY SINGLE ONE. SO THEN I HAD MY FIRST AUDITION 458 00:20:27,780 --> 00:20:30,460 SO THEN I HAD MY FIRST AUDITION ON "AMERICA'S GOT TALENT." 459 00:20:30,480 --> 00:20:32,290 ON "AMERICA'S GOT TALENT." I REMEMBER WALKING ON THE STAGE 460 00:20:32,310 --> 00:20:34,060 I REMEMBER WALKING ON THE STAGE AND FEELING LIKE MY HEART WAS 461 00:20:34,080 --> 00:20:37,200 AND FEELING LIKE MY HEART WAS ABOUT TO FALL OUT OF MY CHEST. 462 00:20:37,220 --> 00:20:38,860 ABOUT TO FALL OUT OF MY CHEST. I REMEMBER THE LIGHTS, THE 463 00:20:38,890 --> 00:20:39,160 I REMEMBER THE LIGHTS, THE CROWDED. 464 00:20:39,190 --> 00:20:41,170 CROWDED. AND A NEW DOOR WAS OPENED FOR 465 00:20:41,190 --> 00:20:46,170 AND A NEW DOOR WAS OPENED FOR ME, TO CHANGE MY LIFE FOREVER. 466 00:20:46,190 --> 00:20:48,710 ME, TO CHANGE MY LIFE FOREVER. I'M JUST SO HAPPY TO BE HERE 467 00:20:48,730 --> 00:20:51,680 I'M JUST SO HAPPY TO BE HERE I NEVER THOUGHT IN A MILLION 468 00:20:51,700 --> 00:20:52,740 I NEVER THOUGHT IN A MILLION YEARS THAT SOMETHING LIKE THIS 469 00:20:52,770 --> 00:20:53,850 YEARS THAT SOMETHING LIKE THIS WOULD BE HAPPENING TO ME 470 00:20:53,870 --> 00:20:56,180 WOULD BE HAPPENING TO ME AFTER WANTING IT SO BAD, AND 471 00:20:56,200 --> 00:20:58,320 AFTER WANTING IT SO BAD, AND WORKING SO HARD, IT MEANS THE 472 00:20:58,340 --> 00:21:03,090 WORKING SO HARD, IT MEANS THE WORLD. 473 00:21:03,110 --> 00:21:04,620 WORLD. EVER SINCE I WAS LITTLE, I'VE 474 00:21:04,650 --> 00:21:06,290 EVER SINCE I WAS LITTLE, I'VE WANTED TO BE ON A STAGE. 475 00:21:06,320 --> 00:21:09,160 WANTED TO BE ON A STAGE. AND NOW, AFTER WAITING ALL MY 476 00:21:09,180 --> 00:21:12,130 AND NOW, AFTER WAITING ALL MY LIFE, I'M HERE 477 00:21:12,150 --> 00:21:17,190 LIFE, I'M HERE [ CHEERS AND APPLAUSE 478 00:21:18,060 --> 00:21:22,930 ♪ 479 00:21:30,270 --> 00:21:34,890 ♪ I CAN TAKE THE RAIN ON THE ROOF OF THIS HOUSE, THAT DON'T 480 00:21:34,910 --> 00:21:35,320 ROOF OF THIS HOUSE, THAT DON'T BOTHER ME ♪ 481 00:21:35,340 --> 00:21:37,260 BOTHER ME ♪ ♪ I CAN TAKE A FEW TEARS AND LE 482 00:21:37,280 --> 00:21:37,820 ♪ I CAN TAKE A FEW TEARS AND LE THEM OUT ♪ 483 00:21:37,850 --> 00:21:40,690 THEM OUT ♪ ♪ I'M NOT AFRAID TO CRY, EVERY 484 00:21:40,720 --> 00:21:46,750 ♪ I'M NOT AFRAID TO CRY, EVERY ONCE IN A WHILE ♪ 485 00:21:47,620 --> 00:21:53,490 ♪ 486 00:21:56,500 --> 00:22:02,950 ♪ WHAT HURTS THE MOST IS BEING SO CLOSE ♪ 487 00:22:02,970 --> 00:22:08,650 SO CLOSE ♪ ♪ AND WATCHING YOU WALK AWAY ♪ 488 00:22:08,680 --> 00:22:14,690 ♪ AND WATCHING YOU WALK AWAY ♪ ♪ AND NEVER KNOWING WHAT COULD 489 00:22:14,720 --> 00:22:17,300 ♪ AND NEVER KNOWING WHAT COULD HAVE BEEN ♪ 490 00:22:17,320 --> 00:22:20,930 HAVE BEEN ♪ ♪ AND LOVING YOU IS WHAT I WAS 491 00:22:20,960 --> 00:22:24,800 ♪ AND LOVING YOU IS WHAT I WAS TRYING TO DO ♪ 492 00:22:24,830 --> 00:22:32,830 TRYING TO DO ♪ OH, WHOA ♪ 493 00:22:34,640 --> 00:22:42,640 OH, WHOA ♪ WHOA, YEAH ♪ 494 00:22:43,980 --> 00:22:51,980 WHOA, YEAH ♪ ♪ IT HURTS TO FALL ♪ 495 00:22:53,990 --> 00:23:00,470 ♪ IT HURTS TO FALL ♪ ♪ WATCHING YOU WALK AWAY ♪ 496 00:23:00,500 --> 00:23:02,440 ♪ WATCHING YOU WALK AWAY ♪ ♪ I'LL NEVER KNOW WHAT COULD 497 00:23:02,460 --> 00:23:02,910 ♪ I'LL NEVER KNOW WHAT COULD HAVE BEEN ♪ 498 00:23:02,930 --> 00:23:05,540 HAVE BEEN ♪ ♪ NOT SEEING THAT LOVING YOU ♪ 499 00:23:05,570 --> 00:23:13,570 ♪ NOT SEEING THAT LOVING YOU ♪ ♪ IS WHAT I WAS TRYING TO DO ♪ 500 00:23:15,140 --> 00:23:23,140 ♪ IS WHAT I WAS TRYING TO DO ♪ ♪ IT'S WHAT I WAS TRYING TO DO ♪ 501 00:23:25,690 --> 00:23:28,230 ♪ IT'S WHAT I WAS TRYING TO DO ♪ OOH ♪ 502 00:23:28,260 --> 00:23:35,300 OOH ♪ [ CHEERS AND APPLAUSE 503 00:23:40,640 --> 00:23:48,490 Terry: SHAQUIRA McGRATH SOFIA, WHAT DO YOU THINK 504 00:23:48,510 --> 00:23:49,350 SOFIA, WHAT DO YOU THINK Sofia: BREATHTAKING 505 00:23:49,380 --> 00:23:50,320 Sofia: BREATHTAKING CAN YOU PLEASE SING MORE 506 00:23:50,350 --> 00:23:51,990 CAN YOU PLEASE SING MORE I LOVE IT. 507 00:23:52,010 --> 00:23:52,520 I LOVE IT. FANTASTIC. 508 00:23:52,550 --> 00:23:54,790 FANTASTIC. IT'S LIKE YOU PUT YOUR SOUL IN 509 00:23:54,820 --> 00:23:57,660 IT'S LIKE YOU PUT YOUR SOUL IN EVERY SONG THAT YOU SING 510 00:23:57,690 --> 00:24:01,030 EVERY SONG THAT YOU SING IT'S LIKE MAGIC. 511 00:24:01,060 --> 00:24:01,670 IT'S LIKE MAGIC. THANK YOU SO MUCH 512 00:24:01,690 --> 00:24:05,400 THANK YOU SO MUCH Terry: KELLY, WHAT DID YOU 513 00:24:05,430 --> 00:24:05,800 Terry: KELLY, WHAT DID YOU THINK? 514 00:24:05,830 --> 00:24:07,170 THINK? Kelly: GIRL, I LOVE THAT 515 00:24:07,200 --> 00:24:08,210 Kelly: GIRL, I LOVE THAT SONG, ONE OF MY FAVORITES. 516 00:24:08,230 --> 00:24:09,940 SONG, ONE OF MY FAVORITES. THAT'S HARD SONG TO SING, 517 00:24:09,970 --> 00:24:13,540 THAT'S HARD SONG TO SING, AMERICA NEEDS TO KNOW, THERE IS 518 00:24:13,570 --> 00:24:14,350 AMERICA NEEDS TO KNOW, THERE IS NOWHERE TO BREATHE IN THAT SONG. 519 00:24:14,370 --> 00:24:15,480 NOWHERE TO BREATHE IN THAT SONG. I KNOW YOU'LL HEAR A COUPLE OF 520 00:24:15,500 --> 00:24:17,250 I KNOW YOU'LL HEAR A COUPLE OF THINGS THAT YOU DIDN'T QUITE GET 521 00:24:17,270 --> 00:24:18,720 THINGS THAT YOU DIDN'T QUITE GET THERE, BUT OVERALL YOU HAVE SUCH 522 00:24:18,740 --> 00:24:21,420 THERE, BUT OVERALL YOU HAVE SUCH A POWERFUL VOICE AND IT'S SO 523 00:24:21,440 --> 00:24:21,790 A POWERFUL VOICE AND IT'S SO SOULFUL. 524 00:24:21,810 --> 00:24:23,020 SOULFUL. IT'S KIND OF WHAT I LIKE ABOUT 525 00:24:23,040 --> 00:24:26,320 IT'S KIND OF WHAT I LIKE ABOUT GARY AND COUNTRY MUSIC, TEETERS 526 00:24:26,350 --> 00:24:28,830 GARY AND COUNTRY MUSIC, TEETERS THE LINE BETWEEN COUNTRY MUSIC 527 00:24:28,850 --> 00:24:32,030 THE LINE BETWEEN COUNTRY MUSIC AND BRIAN McKNIGHT 528 00:24:32,050 --> 00:24:33,060 AND BRIAN McKNIGHT YOU HAVE SUCH A BEAUTIFUL AND 529 00:24:33,090 --> 00:24:34,330 YOU HAVE SUCH A BEAUTIFUL AND POWERFUL VOICE 530 00:24:34,360 --> 00:24:34,870 POWERFUL VOICE GREAT JOB. 531 00:24:34,890 --> 00:24:36,500 GREAT JOB. Terry: HOWIE. 532 00:24:36,530 --> 00:24:37,840 Terry: HOWIE. Howie: I THINK YOU CERTAINLY 533 00:24:37,860 --> 00:24:38,370 Howie: I THINK YOU CERTAINLY DESERVE TO BE HERE 534 00:24:38,390 --> 00:24:39,200 DESERVE TO BE HERE THE PASSION SHOWS. 535 00:24:39,230 --> 00:24:40,610 THE PASSION SHOWS. YOU HAVE THE STRENGTH IN YOUR 536 00:24:40,630 --> 00:24:40,970 YOU HAVE THE STRENGTH IN YOUR VOICE. 537 00:24:41,000 --> 00:24:42,410 VOICE. TO BE HONEST, STILL, I WATCHED 538 00:24:42,430 --> 00:24:44,480 TO BE HONEST, STILL, I WATCHED YOU THREE TIMES ON THIS SHOW, 539 00:24:44,500 --> 00:24:46,880 YOU THREE TIMES ON THIS SHOW, THE FIRST ONE BLEW ME AWAY AND I 540 00:24:46,900 --> 00:24:48,750 THE FIRST ONE BLEW ME AWAY AND I THINK THAT THE FIRST ONE HAS 541 00:24:48,770 --> 00:24:52,850 THINK THAT THE FIRST ONE HAS BEEN YOUR TOP PERFORMANCE. 542 00:24:52,870 --> 00:24:55,290 BEEN YOUR TOP PERFORMANCE. Heidi: LET ME TALK INSTEAD. 543 00:24:55,310 --> 00:24:56,690 Heidi: LET ME TALK INSTEAD. Terry: HEIDI? 544 00:24:56,710 --> 00:24:58,560 Terry: HEIDI? Heidi: YOU'RE AMAZING, YOUR 545 00:24:58,580 --> 00:25:00,160 Heidi: YOU'RE AMAZING, YOUR VOICE IS LARGER THAN LIFE AND IT 546 00:25:00,180 --> 00:25:01,860 VOICE IS LARGER THAN LIFE AND IT FILLED EVERY NOOK AND CRANNY OF 547 00:25:01,880 --> 00:25:02,890 FILLED EVERY NOOK AND CRANNY OF THIS ROOM RIGHT HERE 548 00:25:02,920 --> 00:25:04,100 THIS ROOM RIGHT HERE YOUR VOICE IS SO BIG 549 00:25:04,120 --> 00:25:05,530 YOUR VOICE IS SO BIG I FEEL THIS VULNERABILITY INSIDE 550 00:25:05,550 --> 00:25:08,570 I FEEL THIS VULNERABILITY INSIDE OF AND YOU IT'S SO BEAUTIFUL 551 00:25:08,590 --> 00:25:13,070 OF AND YOU IT'S SO BEAUTIFUL AND YOU ARE SO BEAUTIFUL 552 00:25:13,090 --> 00:25:17,210 AND YOU ARE SO BEAUTIFUL PLEASE VOTE FOR SHAQUIRA, SHE'S 553 00:25:17,230 --> 00:25:17,710 PLEASE VOTE FOR SHAQUIRA, SHE'S AMAZING. 554 00:25:17,730 --> 00:25:19,040 AMAZING. IF THEY COULD ALL STAND UP, IF 555 00:25:19,070 --> 00:25:20,440 IF THEY COULD ALL STAND UP, IF THERE WAS AN AUDIENCE THEY WOULD 556 00:25:20,470 --> 00:25:23,480 THERE WAS AN AUDIENCE THEY WOULD ALL STAND UP 557 00:25:23,510 --> 00:25:25,120 ALL STAND UP Terry: SHAQUIRA, CONSIDERING 558 00:25:25,140 --> 00:25:27,120 Terry: SHAQUIRA, CONSIDERING ALL YOU'VE BEEN THROUGH, HOW 559 00:25:27,140 --> 00:25:27,750 ALL YOU'VE BEEN THROUGH, HOW DOES IT FEEL TO BE HERE RIGHT 560 00:25:27,780 --> 00:25:31,090 DOES IT FEEL TO BE HERE RIGHT NOW? 561 00:25:31,110 --> 00:25:32,790 NOW? TO BE ABLE TO STAND HERE, 562 00:25:32,810 --> 00:25:34,890 TO BE ABLE TO STAND HERE, KNOWING HOW BAD I WANTED IT, IT 563 00:25:34,920 --> 00:25:36,390 KNOWING HOW BAD I WANTED IT, IT FEELS SO FREEING 564 00:25:36,420 --> 00:25:38,130 FEELS SO FREEING LIKE OF COURSE, YES, I'M STILL 565 00:25:38,150 --> 00:25:38,530 LIKE OF COURSE, YES, I'M STILL TERRIFIED. 566 00:25:38,550 --> 00:25:40,130 TERRIFIED. BUT I FEEL FREE. 567 00:25:40,160 --> 00:25:43,270 BUT I FEEL FREE. I MEAN, KELLY CLARKSON IS HERE, 568 00:25:43,290 --> 00:25:45,040 I MEAN, KELLY CLARKSON IS HERE, SHE JUST TALKED TO ME. 569 00:25:45,060 --> 00:25:46,000 SHE JUST TALKED TO ME. SO YES, I'M FREAKING OUT 570 00:25:46,030 --> 00:25:46,470 SO YES, I'M FREAKING OUT BUT IT'S OKAY. 571 00:25:46,490 --> 00:25:50,340 BUT IT'S OKAY. I FEEL GOOD. 572 00:25:50,370 --> 00:25:51,740 I FEEL GOOD. Kelly: THEN LIFE IS GOOD. 573 00:25:51,770 --> 00:25:52,840 Kelly: THEN LIFE IS GOOD. Terry: GOOD LUCK TONIGHT. 574 00:25:52,870 --> 00:25:53,980 Terry: GOOD LUCK TONIGHT. IF YOU WANT TO VOTE FOR 575 00:25:54,000 --> 00:25:56,050 IF YOU WANT TO VOTE FOR SHAQUIRA, YOU CAN VOTE ONLINE AT 576 00:25:56,070 --> 00:25:57,680 SHAQUIRA, YOU CAN VOTE ONLINE AT NBC.COM OR USE THE OFFICIAL 577 00:25:57,710 --> 00:25:59,820 NBC.COM OR USE THE OFFICIAL "AMERICA'S GOT TALENT" APP 578 00:25:59,840 --> 00:26:00,850 "AMERICA'S GOT TALENT" APP YOU CAN DOWNLOAD IT FROM THE APP 579 00:26:00,880 --> 00:26:04,560 YOU CAN DOWNLOAD IT FROM THE APP STORE OR GOOGLE PLAY 580 00:26:04,580 --> 00:26:05,660 STORE OR GOOGLE PLAY AFTER THE BREAK, TWO YOUNG SALSA 581 00:26:05,680 --> 00:26:06,720 AFTER THE BREAK, TWO YOUNG SALSA DANCERS FACE THE BIGGEST 582 00:26:06,750 --> 00:26:11,920 DANCERS FACE THE BIGGEST CHALLENGE OF THEIR YOUNG LIVES 583 00:26:26,770 --> 00:26:29,710 Terry: NOW, WHILE WE'RE LUCKY ENOUGH TO BE SHOOTING SOME 584 00:26:29,740 --> 00:26:35,650 ENOUGH TO BE SHOOTING SOME PERFORMANCES OUT ON THE LOT AT 585 00:26:35,680 --> 00:26:37,490 PERFORMANCES OUT ON THE LOT AT UNIVERSAL STUDIOS, HOLLYWOOD, 586 00:26:37,510 --> 00:26:41,190 UNIVERSAL STUDIOS, HOLLYWOOD, AND IT'S OPEN TO GUESTS, THE 587 00:26:41,220 --> 00:26:43,660 AND IT'S OPEN TO GUESTS, THE THEME PARK IS CURRENTLY CLOSED 588 00:26:43,690 --> 00:26:45,860 THEME PARK IS CURRENTLY CLOSED BUT THESE TWO SALSA DANCERS GOT 589 00:26:45,890 --> 00:26:46,500 BUT THESE TWO SALSA DANCERS GOT THEIR OWN PRIVATE TOUR 590 00:26:46,520 --> 00:26:51,500 THEIR OWN PRIVATE TOUR CHECK OUT SIMON AND MARIA. 591 00:26:51,530 --> 00:26:52,340 CHECK OUT SIMON AND MARIA. WE ARE IN THE UNIVERSAL BACK 592 00:26:52,360 --> 00:26:54,970 WE ARE IN THE UNIVERSAL BACK LOT. 593 00:26:55,000 --> 00:26:56,310 LOT. WHERE THEY FILMED A WHOLE 594 00:26:56,330 --> 00:26:57,510 WHERE THEY FILMED A WHOLE BUNCH OF MOVIES. 595 00:26:57,530 --> 00:26:58,510 BUNCH OF MOVIES. YES 596 00:26:58,530 --> 00:27:00,240 YES AND LIVE SHOWS. 597 00:27:00,270 --> 00:27:01,050 AND LIVE SHOWS. "AMERICA'S GOT TALENT." 598 00:27:01,070 --> 00:27:01,280 "AMERICA'S GOT TALENT." HOWIE 599 00:27:01,300 --> 00:27:06,650 HOWIE SOFIA 600 00:27:06,680 --> 00:27:08,590 SOFIA LOOK TO OUR RIGHT, WE HAVE 601 00:27:08,610 --> 00:27:10,450 LOOK TO OUR RIGHT, WE HAVE THE CLOCK TOWER FROM "BACK TO 602 00:27:10,480 --> 00:27:10,890 THE CLOCK TOWER FROM "BACK TO THE FUTURE." 603 00:27:10,910 --> 00:27:12,690 THE FUTURE." AND IF YOU LOOK TO YOUR LEFT, 604 00:27:12,710 --> 00:27:13,890 AND IF YOU LOOK TO YOUR LEFT, YOU'LL SEE THE SET WHERE "HOME 605 00:27:13,920 --> 00:27:20,400 YOU'LL SEE THE SET WHERE "HOME ALONE 2" WAS FILMED. 606 00:27:20,420 --> 00:27:21,800 ALONE 2" WAS FILMED. I'M LITERALLY IN THE MIDDLE 607 00:27:21,820 --> 00:27:23,870 I'M LITERALLY IN THE MIDDLE OF A JUNGLE. 608 00:27:23,890 --> 00:27:29,510 OF A JUNGLE. WHOO WHOO OH, MY GOSH. 609 00:27:29,530 --> 00:27:31,010 OH, MY GOSH. IT HAS BEEN REALLY EXCITING. 610 00:27:31,030 --> 00:27:33,880 IT HAS BEEN REALLY EXCITING. THE WHOLE THEME PARK, IT'S 611 00:27:33,900 --> 00:27:37,050 THE WHOLE THEME PARK, IT'S BEEN REALLY COOL 612 00:27:37,070 --> 00:27:40,550 BEEN REALLY COOL OH, MY GOD. 613 00:27:40,580 --> 00:27:40,990 OH, MY GOD. [ SCREAMING 614 00:27:41,010 --> 00:27:42,590 [ SCREAMING STOP SCREAMING! 615 00:27:42,610 --> 00:27:44,320 STOP SCREAMING! I CAN'T BELIEVE THAT WE'RE 616 00:27:44,350 --> 00:27:46,620 I CAN'T BELIEVE THAT WE'RE GOING TO PERFORM TONIGHT 617 00:27:46,650 --> 00:27:47,260 GOING TO PERFORM TONIGHT THIS IS CRAZY. 618 00:27:47,280 --> 00:27:49,430 THIS IS CRAZY. THE LIVE SHOWS, WE'VE DEFINITELY 619 00:27:49,450 --> 00:27:50,700 THE LIVE SHOWS, WE'VE DEFINITELY HAD TO STEP IT UP. 620 00:27:50,720 --> 00:27:52,560 HAD TO STEP IT UP. WE'VE BEEN PRACTICING EVERY DAY. 621 00:27:52,590 --> 00:27:55,430 WE'VE BEEN PRACTICING EVERY DAY. AND WE HAVE A BUNCH OF TRICKS UP 622 00:27:55,460 --> 00:27:56,300 AND WE HAVE A BUNCH OF TRICKS UP OUR SLEEVE 623 00:27:56,320 --> 00:27:57,070 OUR SLEEVE I'M SO EXCITED 624 00:27:57,090 --> 00:27:57,400 I'M SO EXCITED WE'RE HERE. 625 00:27:57,430 --> 00:28:00,140 WE'RE HERE. OH, MY GOSH 626 00:28:00,160 --> 00:28:00,540 OH, MY GOSH YOU READY 627 00:28:00,560 --> 00:28:04,040 YOU READY LET'S DO THIS 628 00:28:04,070 --> 00:28:07,330 LET'S DO THIS [ CHEERS AND APPLAUSE 629 00:28:08,440 --> 00:28:16,440 ♪ 630 00:28:20,280 --> 00:28:27,920 ♪ 631 00:28:31,060 --> 00:28:39,030 ♪ 632 00:28:43,170 --> 00:28:50,880 ♪ 633 00:28:55,850 --> 00:29:03,850 ♪ 634 00:29:08,260 --> 00:29:16,260 ♪ 635 00:29:23,110 --> 00:29:31,110 ♪ 636 00:29:36,690 --> 00:29:44,690 ♪ 637 00:29:50,810 --> 00:29:55,540 ♪ 638 00:29:56,910 --> 00:30:01,450 [ CHEERS AND APPLAUSE 639 00:30:02,350 --> 00:30:04,830 Terry: WHOA I CAN'T STOP MY FEET MOVING. 640 00:30:04,850 --> 00:30:05,900 I CAN'T STOP MY FEET MOVING. WE'RE GONNA FIND OUT WHAT THE 641 00:30:05,920 --> 00:30:07,500 WE'RE GONNA FIND OUT WHAT THE JUDGES MADE OF THAT IN JUST A 642 00:30:07,520 --> 00:30:09,600 JUDGES MADE OF THAT IN JUST A COUPLE OF MINUTES. 643 00:30:09,620 --> 00:30:10,230 COUPLE OF MINUTES. THEN, A SENSATIONAL DANCER IS 644 00:30:10,260 --> 00:30:11,200 THEN, A SENSATIONAL DANCER IS GOING TO ATTEMPT THE PHYSICALLY 645 00:30:11,230 --> 00:30:12,800 GOING TO ATTEMPT THE PHYSICALLY IMPOSSIBLE 646 00:30:12,830 --> 00:30:13,870 IMPOSSIBLE YOU GOTTA SEE THIS TO BELIEVE 647 00:30:13,900 --> 00:30:14,940 YOU GOTTA SEE THIS TO BELIEVE IT 648 00:30:14,960 --> 00:30:18,430 IT STAY RIGHT THERE 649 00:30:33,180 --> 00:30:36,190 Terry: HERE ARE SIMON AND MARIA, WHO WE SAW TEARING UP 650 00:30:36,220 --> 00:30:37,800 MARIA, WHO WE SAW TEARING UP MEL'S DINER HERE AT UNIVERSAL. 651 00:30:37,820 --> 00:30:38,860 MEL'S DINER HERE AT UNIVERSAL. LET'S GET STRAIGHT TO THE 652 00:30:38,890 --> 00:30:43,400 LET'S GET STRAIGHT TO THE JUDGES 653 00:30:43,420 --> 00:30:43,730 JUDGES KELLY? 654 00:30:43,760 --> 00:30:44,870 KELLY? Kelly: I THOUGHT THAT WAS 655 00:30:44,890 --> 00:30:45,440 Kelly: I THOUGHT THAT WAS AMAZING. 656 00:30:45,460 --> 00:30:48,240 AMAZING. WE WERE DISCUSSING AT THE BREAK, 657 00:30:48,260 --> 00:30:49,610 WE WERE DISCUSSING AT THE BREAK, HOW WONDERFUL IT IS, WITH A COOL 658 00:30:49,630 --> 00:30:53,080 HOW WONDERFUL IT IS, WITH A COOL OPPORTUNITY TO USE THIS WHOLE 659 00:30:53,100 --> 00:30:55,350 OPPORTUNITY TO USE THIS WHOLE LOT AND BE ABLE TO DO THAT 660 00:30:55,370 --> 00:30:57,720 LOT AND BE ABLE TO DO THAT USUALLY YOU HAVE TO BE IN 661 00:30:57,740 --> 00:30:59,150 USUALLY YOU HAVE TO BE IN MULTIMILLION DOLLAR MOVIES TO DO 662 00:30:59,170 --> 00:30:59,420 MULTIMILLION DOLLAR MOVIES TO DO THAT 663 00:30:59,440 --> 00:31:01,690 THAT YOU DID SO WELL, YOU'RE SO CUTE, 664 00:31:01,710 --> 00:31:03,120 YOU DID SO WELL, YOU'RE SO CUTE, I LIKED WATCHING YOUR FACES 665 00:31:03,140 --> 00:31:06,060 I LIKED WATCHING YOUR FACES ALMOST AS MUCH AS WATCHING YOUR 666 00:31:06,080 --> 00:31:06,420 ALMOST AS MUCH AS WATCHING YOUR FEET 667 00:31:06,450 --> 00:31:07,520 FEET THANK YOU 668 00:31:07,550 --> 00:31:08,790 THANK YOU Terry: HOWIE? 669 00:31:08,820 --> 00:31:10,460 Terry: HOWIE? Howie: I AGREE WITH WHAT 670 00:31:10,490 --> 00:31:11,600 Howie: I AGREE WITH WHAT KELLY SAID 671 00:31:11,620 --> 00:31:13,160 KELLY SAID YOU'VE PERFORMED THREE TIMES AND 672 00:31:13,190 --> 00:31:14,970 YOU'VE PERFORMED THREE TIMES AND EACH TIME IT'S GOTTEN BETTER, 673 00:31:14,990 --> 00:31:16,870 EACH TIME IT'S GOTTEN BETTER, BETTER, AND BETTER 674 00:31:16,890 --> 00:31:17,300 BETTER, AND BETTER THANK YOU 675 00:31:17,330 --> 00:31:18,700 THANK YOU Howie: AND I HOPE AMERICA 676 00:31:18,730 --> 00:31:20,700 Howie: AND I HOPE AMERICA AGREES AND I HOPE AMERICA VOTES. 677 00:31:20,730 --> 00:31:22,110 AGREES AND I HOPE AMERICA VOTES. ONLY FIVE CAN GO THROUGH 678 00:31:22,130 --> 00:31:23,240 ONLY FIVE CAN GO THROUGH AMERICA, YOU'VE GOT TO VOTE. 679 00:31:23,260 --> 00:31:24,380 AMERICA, YOU'VE GOT TO VOTE. YOU GUYS ARE GREAT 680 00:31:24,400 --> 00:31:25,840 YOU GUYS ARE GREAT THANK YOU, HOWIE. 681 00:31:25,870 --> 00:31:27,310 THANK YOU, HOWIE. Terry: HEIDI? 682 00:31:27,340 --> 00:31:28,750 Terry: HEIDI? Heidi: YOU ARE SO TALENTED. 683 00:31:28,770 --> 00:31:31,550 Heidi: YOU ARE SO TALENTED. BY THE WAY, YOUR TALENT IS ONLY 684 00:31:31,570 --> 00:31:32,580 BY THE WAY, YOUR TALENT IS ONLY OVERSHADOWED BY YOUR CUTENESS 685 00:31:32,610 --> 00:31:34,180 OVERSHADOWED BY YOUR CUTENESS BECAUSE YOU ARE SO CUTE. 686 00:31:34,210 --> 00:31:36,320 BECAUSE YOU ARE SO CUTE. LIKE YOU SAID, THE FEET ARE 687 00:31:36,340 --> 00:31:39,690 LIKE YOU SAID, THE FEET ARE DANCING, THE FACES DANCING 688 00:31:39,710 --> 00:31:40,460 DANCING, THE FACES DANCING GOOD LUCK TONIGHT. 689 00:31:40,480 --> 00:31:42,590 GOOD LUCK TONIGHT. THANK YOU, HEIDI. 690 00:31:42,620 --> 00:31:44,560 THANK YOU, HEIDI. Terry: SOFIA. 691 00:31:44,590 --> 00:31:46,260 Terry: SOFIA. Sofia: MY FAVORITE 692 00:31:46,290 --> 00:31:46,700 Sofia: MY FAVORITE COLOMBIANS 693 00:31:46,720 --> 00:31:48,270 COLOMBIANS I AM SO PROUD OF YOU GUYS TO SEE 694 00:31:48,290 --> 00:31:50,970 I AM SO PROUD OF YOU GUYS TO SEE YOU ON THIS STAGE AND TO DO WHAT 695 00:31:50,990 --> 00:31:52,740 YOU ON THIS STAGE AND TO DO WHAT YOU'VE BEEN DOING. 696 00:31:52,760 --> 00:31:54,170 YOU'VE BEEN DOING. THE THIRD TIME, IT'S BEEN EVEN 697 00:31:54,200 --> 00:31:55,710 THE THIRD TIME, IT'S BEEN EVEN BETTER THAN THE FIRST TIME 698 00:31:55,730 --> 00:31:57,640 BETTER THAN THE FIRST TIME I CAN ONLY SEE THE FUTURE FOR 699 00:31:57,670 --> 00:32:00,010 I CAN ONLY SEE THE FUTURE FOR YOU, LIKE UNBELIEVABLE 700 00:32:00,040 --> 00:32:04,450 YOU, LIKE UNBELIEVABLE THANK YOU FOR EXISTING 701 00:32:04,470 --> 00:32:06,580 THANK YOU FOR EXISTING Terry: SIMON AND MARIA, HOW 702 00:32:06,610 --> 00:32:07,920 Terry: SIMON AND MARIA, HOW HAVE YOUR LIVES CHANGED SINCE 703 00:32:07,940 --> 00:32:10,490 HAVE YOUR LIVES CHANGED SINCE THE AUDITION 704 00:32:10,510 --> 00:32:11,660 THE AUDITION THEY HAVE CHANGED A LOT SINCE 705 00:32:11,680 --> 00:32:14,160 THEY HAVE CHANGED A LOT SINCE THE AUDITION, BECAUSE OUR 706 00:32:14,180 --> 00:32:15,430 THE AUDITION, BECAUSE OUR FRIENDS, LIKE A LOT MORE PEOPLE 707 00:32:15,450 --> 00:32:16,860 FRIENDS, LIKE A LOT MORE PEOPLE HAVE NOTICED US. 708 00:32:16,890 --> 00:32:19,430 HAVE NOTICED US. AND IT'S BEEN REALLY GREAT 709 00:32:19,450 --> 00:32:20,530 AND IT'S BEEN REALLY GREAT Terry: GOOD LUCK, GUYS. 710 00:32:20,560 --> 00:32:22,130 Terry: GOOD LUCK, GUYS. WHAT DO YOU THINK? 711 00:32:22,160 --> 00:32:23,200 WHAT DO YOU THINK? DO YOU WANT TO SEE THESE TWO IN 712 00:32:23,220 --> 00:32:25,300 DO YOU WANT TO SEE THESE TWO IN THE SEMI-FINALS? 713 00:32:25,330 --> 00:32:26,900 THE SEMI-FINALS? THEN YOU HAVE TO VOTE. 714 00:32:26,930 --> 00:32:27,970 THEN YOU HAVE TO VOTE. YOU CAN VOTE UP TO TEN TIMES FOR 715 00:32:28,000 --> 00:32:29,040 YOU CAN VOTE UP TO TEN TIMES FOR EACH ACT WITH EACH VOTING 716 00:32:29,060 --> 00:32:31,180 EACH ACT WITH EACH VOTING METHOD 717 00:32:31,200 --> 00:32:33,810 METHOD LET'S KEEP IT GOING. 718 00:32:33,840 --> 00:32:35,410 LET'S KEEP IT GOING. COMING UP RIGHT NOW IS A DANCER 719 00:32:35,440 --> 00:32:38,050 COMING UP RIGHT NOW IS A DANCER WHO PROVES THAT IF YOU HAVE A 720 00:32:38,070 --> 00:32:39,120 WHO PROVES THAT IF YOU HAVE A DREAM, YOU JUST HAVE TO FOLLOW 721 00:32:39,140 --> 00:32:40,180 DREAM, YOU JUST HAVE TO FOLLOW IT... NO MATTER WHAT 722 00:32:40,210 --> 00:32:42,320 IT... NO MATTER WHAT BUT SOMETIMES YOU NEED A LITTLE 723 00:32:42,340 --> 00:32:45,690 BUT SOMETIMES YOU NEED A LITTLE HELP... LIKE, FROM SIMON COWELL. 724 00:32:45,710 --> 00:32:50,490 HELP... LIKE, FROM SIMON COWELL. HERE'S FRENCHIEBABYY 725 00:32:50,520 --> 00:32:53,230 HERE'S FRENCHIEBABYY ME AND MY FAMILY WERE VERY 726 00:32:53,250 --> 00:32:55,000 ME AND MY FAMILY WERE VERY CLOSE BUT WHEN I STARTED 727 00:32:55,020 --> 00:32:58,240 CLOSE BUT WHEN I STARTED DANCING, MY FAMILY WAS SUPER 728 00:32:58,260 --> 00:32:58,800 DANCING, MY FAMILY WAS SUPER CHRISTIAN AND THEY DIDN'T 729 00:32:58,830 --> 00:32:59,500 CHRISTIAN AND THEY DIDN'T SUPPORT IT 730 00:32:59,530 --> 00:33:01,540 SUPPORT IT I GOT INTO A BIG FIGHT WITH MY 731 00:33:01,560 --> 00:33:04,510 I GOT INTO A BIG FIGHT WITH MY PARENTS AND GOT KICKED OUT OF 732 00:33:04,530 --> 00:33:05,340 PARENTS AND GOT KICKED OUT OF THE HOUSE. 733 00:33:05,370 --> 00:33:07,240 THE HOUSE. Simon: WHY DON'T WE CALL THEM 734 00:33:07,270 --> 00:33:07,510 Simon: WHY DON'T WE CALL THEM NOW. 735 00:33:07,540 --> 00:33:10,850 NOW. YOUR SON IS ON "AMERICA'S GOT 736 00:33:10,870 --> 00:33:11,050 YOUR SON IS ON "AMERICA'S GOT TALENT." 737 00:33:11,070 --> 00:33:13,580 TALENT." I STARTED TO PUT THE PIECES 738 00:33:13,610 --> 00:33:17,120 I STARTED TO PUT THE PIECES BACK TOGETHER WITH MY MOM BUT I 739 00:33:17,150 --> 00:33:18,620 BACK TOGETHER WITH MY MOM BUT I LOST CONNECTION WITH MY SISTERS, 740 00:33:18,650 --> 00:33:19,120 LOST CONNECTION WITH MY SISTERS, THEY WERE MY BEST FRIENDS 741 00:33:19,150 --> 00:33:23,360 THEY WERE MY BEST FRIENDS GROWING UP 742 00:33:23,380 --> 00:33:26,600 GROWING UP [ TELEPHONE RINGING 743 00:33:26,620 --> 00:33:26,960 [ TELEPHONE RINGING HEY, GUYS. 744 00:33:26,990 --> 00:33:30,830 HEY, GUYS. HOW ARE YOU ALL DOING? 745 00:33:30,860 --> 00:33:32,170 HOW ARE YOU ALL DOING? GOOD TO SEE YOU GUYS 746 00:33:32,190 --> 00:33:33,400 GOOD TO SEE YOU GUYS IT'S BEEN A LONG TIME 747 00:33:33,430 --> 00:33:35,570 IT'S BEEN A LONG TIME THE LAST TIME WE ALL TOGETHER 748 00:33:35,600 --> 00:33:37,610 THE LAST TIME WE ALL TOGETHER HAD TO BE 2010 749 00:33:37,630 --> 00:33:39,940 HAD TO BE 2010 TO SEE YOU ON "AMERICA'S GOT 750 00:33:39,970 --> 00:33:40,640 TO SEE YOU ON "AMERICA'S GOT TALENT," WE'RE SUPER PROUD OF 751 00:33:40,670 --> 00:33:41,580 TALENT," WE'RE SUPER PROUD OF YOU, MAN 752 00:33:41,600 --> 00:33:42,550 YOU, MAN THANK YOU 753 00:33:42,570 --> 00:33:46,820 THANK YOU I WANT YOU TO KNOW EVEN 754 00:33:46,840 --> 00:33:49,550 I WANT YOU TO KNOW EVEN THOUGH WE COULDN'T BE THERE 755 00:33:49,580 --> 00:33:51,690 THOUGH WE COULDN'T BE THERE PHYSICALLY, WE'RE THERE FOR YOU 756 00:33:51,710 --> 00:33:52,660 PHYSICALLY, WE'RE THERE FOR YOU IN SPIRIT. 757 00:33:52,680 --> 00:33:54,060 IN SPIRIT. WE RECONNECTED, WE HAVE A 758 00:33:54,080 --> 00:33:54,730 WE RECONNECTED, WE HAVE A STRONG BOND. 759 00:33:54,750 --> 00:33:57,590 STRONG BOND. WE'RE WATCHING YOU, YOU'RE 760 00:33:57,620 --> 00:33:59,230 WE'RE WATCHING YOU, YOU'RE GOING TO DO GREAT, YOU'LL BE 761 00:33:59,250 --> 00:33:59,460 GOING TO DO GREAT, YOU'LL BE AWESOME. 762 00:33:59,490 --> 00:34:01,030 AWESOME. I LOVE YOU GUYS SO MUCH 763 00:34:01,060 --> 00:34:04,100 I LOVE YOU GUYS SO MUCH TO BE IN A LIVE SHOW AND HAVE MY 764 00:34:04,130 --> 00:34:05,040 TO BE IN A LIVE SHOW AND HAVE MY FAMILY'S SUPPORT MAKES ME WANT 765 00:34:05,060 --> 00:34:07,000 FAMILY'S SUPPORT MAKES ME WANT TO PUT THE BEST SHOW ON JUST 766 00:34:07,030 --> 00:34:08,240 TO PUT THE BEST SHOW ON JUST BECAUSE I KNOW THEY'RE WATCHING. 767 00:34:08,260 --> 00:34:08,970 BECAUSE I KNOW THEY'RE WATCHING. I FEEL LIKE MY TIME IS NOW 768 00:34:09,000 --> 00:34:10,840 I FEEL LIKE MY TIME IS NOW I'M HERE TO WIN. 769 00:34:10,870 --> 00:34:15,440 I'M HERE TO WIN. [ CHEERS AND APPLAUSE 770 00:34:16,440 --> 00:34:24,140 ♪ 771 00:34:28,220 --> 00:34:36,060 ♪ 772 00:34:39,990 --> 00:34:47,570 ♪ 773 00:34:51,710 --> 00:34:58,880 ♪ 774 00:35:11,290 --> 00:35:19,290 ♪ 775 00:35:23,840 --> 00:35:31,110 ♪ 776 00:35:35,680 --> 00:35:43,680 ♪ 777 00:35:48,860 --> 00:35:56,860 ♪ 778 00:36:03,140 --> 00:36:10,650 ♪ 779 00:36:11,990 --> 00:36:19,690 [ CHEERS AND APPLAUSE 780 00:36:26,030 --> 00:36:30,550 Terry: THAT WAS VIRTUAL REALITY ON STEROIDS. 781 00:36:30,570 --> 00:36:32,320 REALITY ON STEROIDS. FRENCHIEBABYY. 782 00:36:32,340 --> 00:36:32,620 FRENCHIEBABYY. HEIDI? 783 00:36:32,640 --> 00:36:34,590 HEIDI? Heidi: I MEAN, FRENCHIEBABYY, 784 00:36:34,610 --> 00:36:35,420 Heidi: I MEAN, FRENCHIEBABYY, THAT'S ONE OF THOSE THINGS THAT 785 00:36:35,440 --> 00:36:37,150 THAT'S ONE OF THOSE THINGS THAT ARE HARD TO WATCH BUT YOU CAN'T 786 00:36:37,180 --> 00:36:38,690 ARE HARD TO WATCH BUT YOU CAN'T LOOK AWAY, YOU HAVE TO KEEP 787 00:36:38,710 --> 00:36:39,060 LOOK AWAY, YOU HAVE TO KEEP WATCHING 788 00:36:39,080 --> 00:36:40,860 WATCHING YOUR ARMS DON'T LOOK LIKE ARMS, 789 00:36:40,880 --> 00:36:42,330 YOUR ARMS DON'T LOOK LIKE ARMS, IT LOOKS LIKE YOU HAVE SNAKE 790 00:36:42,350 --> 00:36:43,630 IT LOOKS LIKE YOU HAVE SNAKE ARMS, IT'S SO BIZARRE. 791 00:36:43,650 --> 00:36:44,600 ARMS, IT'S SO BIZARRE. LIVE IT. 792 00:36:44,620 --> 00:36:45,330 LIVE IT. YOU'RE SUPER UNIQUE. 793 00:36:45,350 --> 00:36:46,500 YOU'RE SUPER UNIQUE. I ALSO LOVE THAT YOU FOUND YOUR 794 00:36:46,520 --> 00:36:48,830 I ALSO LOVE THAT YOU FOUND YOUR LOOK WITH ALL THE BODY PAINTING, 795 00:36:48,860 --> 00:36:52,170 LOOK WITH ALL THE BODY PAINTING, I THINK IT'S SUPER COOL. 796 00:36:52,190 --> 00:36:54,540 I THINK IT'S SUPER COOL. YOU CAN NEVER, YOU KNOW, THINK 797 00:36:54,560 --> 00:36:56,240 YOU CAN NEVER, YOU KNOW, THINK OF SOMETHING ELSE, IT'S 798 00:36:56,260 --> 00:36:56,710 OF SOMETHING ELSE, IT'S FRENCHIEBABYY. 799 00:36:56,730 --> 00:36:58,610 FRENCHIEBABYY. FRENCHIEBABYY MAKES THE WORLD 800 00:36:58,630 --> 00:36:59,480 FRENCHIEBABYY MAKES THE WORLD GO CRAZY 801 00:36:59,500 --> 00:37:00,680 GO CRAZY Heidi: I THINK IT'S REALLY 802 00:37:00,700 --> 00:37:02,580 Heidi: I THINK IT'S REALLY COOL WHAT YOU DO, I REALLY DO. 803 00:37:02,600 --> 00:37:03,610 COOL WHAT YOU DO, I REALLY DO. Terry: SOFIA. 804 00:37:03,640 --> 00:37:04,680 Terry: SOFIA. Sofia: THAT WAS UNBELIEVABLE. 805 00:37:04,710 --> 00:37:05,950 Sofia: THAT WAS UNBELIEVABLE. THE STAGE, WHAT WAS BEHIND YOU, 806 00:37:05,970 --> 00:37:08,120 THE STAGE, WHAT WAS BEHIND YOU, WHAT YOU WERE DOING. 807 00:37:08,140 --> 00:37:09,320 WHAT YOU WERE DOING. YOU COULD IMAGINE YOU REALLY 808 00:37:09,340 --> 00:37:11,960 YOU COULD IMAGINE YOU REALLY DOING THIS FOR A LIVING BECAUSE 809 00:37:11,980 --> 00:37:13,720 DOING THIS FOR A LIVING BECAUSE IT WAS AMAZING 810 00:37:13,750 --> 00:37:14,420 IT WAS AMAZING SOMETIMES I THOUGHT YOU WERE 811 00:37:14,450 --> 00:37:16,890 SOMETIMES I THOUGHT YOU WERE GOING TO GET STUCK IN ONE OF 812 00:37:16,920 --> 00:37:17,790 GOING TO GET STUCK IN ONE OF THOSE POSITIONS. 813 00:37:17,820 --> 00:37:20,630 THOSE POSITIONS. BUT THEN YOU KEEP DOING IT 814 00:37:20,660 --> 00:37:22,470 BUT THEN YOU KEEP DOING IT IT'S NERVEWRACKING BUT ALSO 815 00:37:22,490 --> 00:37:24,130 IT'S NERVEWRACKING BUT ALSO SUPER ENTERTAINING 816 00:37:24,160 --> 00:37:25,770 SUPER ENTERTAINING I LOVE YOU 817 00:37:25,790 --> 00:37:28,310 I LOVE YOU Terry: WHAT DO YOU THINK, 818 00:37:28,330 --> 00:37:28,740 Terry: WHAT DO YOU THINK, KELLY? 819 00:37:28,760 --> 00:37:30,840 KELLY? Kelly: I'VE NEVER IN MY LIFE 820 00:37:30,870 --> 00:37:31,940 Kelly: I'VE NEVER IN MY LIFE SEEN ANYTHING LIKE WHAT JUST 821 00:37:31,970 --> 00:37:33,180 SEEN ANYTHING LIKE WHAT JUST HAPPENED 822 00:37:33,200 --> 00:37:35,750 HAPPENED KUDOS TO YOU ON SONGS, IT'S SO 823 00:37:35,770 --> 00:37:37,080 KUDOS TO YOU ON SONGS, IT'S SO IMPORTANT, IT SETS UP THE TONE 824 00:37:37,100 --> 00:37:37,710 IMPORTANT, IT SETS UP THE TONE AND THE VIBE 825 00:37:37,740 --> 00:37:39,180 AND THE VIBE WHAT YOU DO IS INCREDIBLE. 826 00:37:39,210 --> 00:37:41,920 WHAT YOU DO IS INCREDIBLE. I'VE NEVER SEEN ANYONE ON THE 827 00:37:41,940 --> 00:37:43,750 I'VE NEVER SEEN ANYONE ON THE PLANET BE ABLE TO DO IT. 828 00:37:43,780 --> 00:37:45,860 PLANET BE ABLE TO DO IT. CONGRATULATIONS, YOU'RE ONE OF A 829 00:37:45,880 --> 00:37:46,090 CONGRATULATIONS, YOU'RE ONE OF A KIND 830 00:37:46,110 --> 00:37:51,000 KIND MUCH LOVE, MUCH LOVE. 831 00:37:51,020 --> 00:37:54,000 MUCH LOVE, MUCH LOVE. Terry: HOWIE. 832 00:37:54,020 --> 00:37:55,930 Terry: HOWIE. Howie: WOW AND OW 833 00:37:55,960 --> 00:37:59,140 Howie: WOW AND OW THIS BRINGS EVERYBODY TOGETHER, 834 00:37:59,160 --> 00:38:01,170 THIS BRINGS EVERYBODY TOGETHER, AND YOUR FAMILY CAME TOGETHER. 835 00:38:01,200 --> 00:38:02,840 AND YOUR FAMILY CAME TOGETHER. IT WAS EMOTIONAL 836 00:38:02,860 --> 00:38:03,040 IT WAS EMOTIONAL VOTE 837 00:38:03,060 --> 00:38:04,370 VOTE I HAVE A FEELING YOU'RE GOING TO 838 00:38:04,400 --> 00:38:06,710 I HAVE A FEELING YOU'RE GOING TO BE ONE OF THE FIVE THAT GO 839 00:38:06,730 --> 00:38:07,040 BE ONE OF THE FIVE THAT GO THROUGH. 840 00:38:07,070 --> 00:38:09,710 THROUGH. Terry: GOOD LUCK TONIGHT, 841 00:38:09,740 --> 00:38:13,320 Terry: GOOD LUCK TONIGHT, FRENCHY. 842 00:38:13,340 --> 00:38:16,150 FRENCHY. FRENCHY IS COUNTING ON YOU 843 00:38:16,180 --> 00:38:17,220 FRENCHY IS COUNTING ON YOU REMEMBER, AGT ON XFINITY VOICE 844 00:38:17,240 --> 00:38:17,850 REMEMBER, AGT ON XFINITY VOICE REMOTE YOU CAN ALSO VOTE USING 845 00:38:17,880 --> 00:38:18,790 REMOTE YOU CAN ALSO VOTE USING YOUR XFINITY REMOTE. 846 00:38:18,810 --> 00:38:19,320 YOUR XFINITY REMOTE. SO GET BUSY. 847 00:38:19,350 --> 00:38:20,390 SO GET BUSY. COMING UP, ONE OF THE MOST 848 00:38:20,410 --> 00:38:21,460 COMING UP, ONE OF THE MOST DANGEROUS ACTS WE'VE SEEN SO FAR 849 00:38:21,480 --> 00:38:22,030 DANGEROUS ACTS WE'VE SEEN SO FAR FACES A MAJOR SETBACK. 850 00:38:22,050 --> 00:38:23,060 FACES A MAJOR SETBACK. CAN THEY STILL SAVE THEIR 851 00:38:23,080 --> 00:38:24,130 CAN THEY STILL SAVE THEIR PERFORMANCE? 852 00:38:24,150 --> 00:38:32,150 PERFORMANCE? FIND OUT AFTER THE BREAK 853 00:38:35,230 --> 00:38:39,210 FIND OUT AFTER THE BREAK Terry: WELCOME BACK 854 00:38:39,230 --> 00:38:42,210 Terry: WELCOME BACK WE'VE COME OUTSIDE TO ONE OF 855 00:38:42,240 --> 00:38:42,950 WE'VE COME OUTSIDE TO ONE OF UNIVERSAL'S AMAZING LOCATIONS 856 00:38:42,970 --> 00:38:44,610 UNIVERSAL'S AMAZING LOCATIONS FOR ONE OF OUR DANGER ACTS 857 00:38:44,640 --> 00:38:47,920 FOR ONE OF OUR DANGER ACTS THESE TWO HAVE BOTH COMPETED ON 858 00:38:47,940 --> 00:38:48,750 THESE TWO HAVE BOTH COMPETED ON "AGT" BEFORE, SEPARATELY 859 00:38:48,780 --> 00:38:50,290 "AGT" BEFORE, SEPARATELY AND MAN, THEY HAVE DONE SOME 860 00:38:50,310 --> 00:38:51,690 AND MAN, THEY HAVE DONE SOME CRAZY STUFF, BEING BLOWN OUT OF 861 00:38:51,710 --> 00:38:55,260 CRAZY STUFF, BEING BLOWN OUT OF A CANNON, BEING BLOWN UP 862 00:38:55,280 --> 00:38:56,790 A CANNON, BEING BLOWN UP WELL, NOW THEY PERFORM TOGETHER, 863 00:38:56,820 --> 00:38:57,830 WELL, NOW THEY PERFORM TOGETHER, WHICH MAKES SENSE BECAUSE THEY 864 00:38:57,850 --> 00:39:00,700 WHICH MAKES SENSE BECAUSE THEY ARE FATHER AND DAUGHTER. 865 00:39:00,720 --> 00:39:01,230 ARE FATHER AND DAUGHTER. ALL RIGHT. 866 00:39:01,260 --> 00:39:02,130 ALL RIGHT. HERE COME OUR JUDGES 867 00:39:02,160 --> 00:39:04,670 HERE COME OUR JUDGES COME ON, GUYS, LET'S MOVE. 868 00:39:04,690 --> 00:39:05,870 COME ON, GUYS, LET'S MOVE. Howie: WE'RE COMING 869 00:39:05,890 --> 00:39:07,100 Howie: WE'RE COMING Terry: EVERYTHING WAS ALL SET 870 00:39:07,130 --> 00:39:09,870 Terry: EVERYTHING WAS ALL SET FOR THE SHOW, BUT BEING IN A 871 00:39:09,900 --> 00:39:11,580 FOR THE SHOW, BUT BEING IN A DAREDEVIL ACT IS A DANGEROUS 872 00:39:11,600 --> 00:39:13,140 DAREDEVIL ACT IS A DANGEROUS BUSINESS 873 00:39:13,170 --> 00:39:13,910 BUSINESS AND THIS WEEK, THERE WAS SOME 874 00:39:13,930 --> 00:39:15,250 AND THIS WEEK, THERE WAS SOME BIG DRAMA. 875 00:39:15,270 --> 00:39:19,020 BIG DRAMA. CHECK OUT BELLO & ANNALIESE 876 00:39:19,040 --> 00:39:19,720 CHECK OUT BELLO & ANNALIESE NOCK 877 00:39:19,740 --> 00:39:20,450 NOCK WHAT'S THE WORST THING THAT 878 00:39:20,470 --> 00:39:22,150 WHAT'S THE WORST THING THAT COULD HAPPEN IF THIS GOES WRONG? 879 00:39:22,180 --> 00:39:22,850 COULD HAPPEN IF THIS GOES WRONG? SPLAT 880 00:39:22,880 --> 00:39:24,450 SPLAT WE HAVE BEEN ON "AMERICA'S 881 00:39:24,480 --> 00:39:28,930 WE HAVE BEEN ON "AMERICA'S GOT TALENT" INDIVIDUALLY 882 00:39:28,950 --> 00:39:29,790 GOT TALENT" INDIVIDUALLY BUT NEITHER ONE OF US MADE IT AS 883 00:39:29,820 --> 00:39:32,630 BUT NEITHER ONE OF US MADE IT AS FAR AS WE WANTED TO. 884 00:39:32,650 --> 00:39:33,960 FAR AS WE WANTED TO. WHEN I SAW THAT THEY WERE 885 00:39:33,990 --> 00:39:36,430 WHEN I SAW THAT THEY WERE HAVING AUDITIONS ONLINE, I SAID, 886 00:39:36,460 --> 00:39:37,970 HAVING AUDITIONS ONLINE, I SAID, DAD, THIS IS OUR OPPORTUNITY, 887 00:39:37,990 --> 00:39:39,570 DAD, THIS IS OUR OPPORTUNITY, LET'S TRY AND DO THIS TOGETHER 888 00:39:39,590 --> 00:39:41,270 LET'S TRY AND DO THIS TOGETHER AND SO WHEN WE FOUND OUT WE WERE 889 00:39:41,300 --> 00:39:44,610 AND SO WHEN WE FOUND OUT WE WERE GOING TO THE LIVE SHOW, WE KNEW 890 00:39:44,630 --> 00:39:45,480 GOING TO THE LIVE SHOW, WE KNEW WE HAD TO THINK EVEN BIGGER AND 891 00:39:45,500 --> 00:39:48,250 WE HAD TO THINK EVEN BIGGER AND EVEN BOLDER. 892 00:39:48,270 --> 00:39:49,880 EVEN BOLDER. FOR THIS NEXT PERFORMANCE, 893 00:39:49,900 --> 00:39:53,220 FOR THIS NEXT PERFORMANCE, WE'VE CONSTRUCTED AN APPARATUS 894 00:39:53,240 --> 00:39:56,390 WE'VE CONSTRUCTED AN APPARATUS THAT IS PASSING THE LIMITS OF 895 00:39:56,410 --> 00:39:56,620 THAT IS PASSING THE LIMITS OF DANGER 896 00:39:56,640 --> 00:39:57,550 DANGER WE'RE GOING TO PERFORMING ON 897 00:39:57,580 --> 00:39:58,760 WE'RE GOING TO PERFORMING ON SOMETHING CALLED A WHEEL OF 898 00:39:58,780 --> 00:39:58,960 SOMETHING CALLED A WHEEL OF DEATH. 899 00:39:58,980 --> 00:39:59,690 DEATH. IT IS VERY DANGEROUS 900 00:39:59,710 --> 00:40:04,660 IT IS VERY DANGEROUS NO NET, NO SAFETY DEVICES. 901 00:40:04,690 --> 00:40:06,400 NO NET, NO SAFETY DEVICES. I AM NERVOUS BECAUSE IT'S MY 902 00:40:06,420 --> 00:40:08,230 I AM NERVOUS BECAUSE IT'S MY DAUGHTER, MY BEAUTIFUL DAUGHTER. 903 00:40:08,260 --> 00:40:10,870 DAUGHTER, MY BEAUTIFUL DAUGHTER. WHATEVER I DO AFFECTS HER. 904 00:40:10,890 --> 00:40:11,430 WHATEVER I DO AFFECTS HER. ONE WRONG MOVE COULD BE 905 00:40:11,460 --> 00:40:15,910 ONE WRONG MOVE COULD BE DEVASTATING. 906 00:40:15,930 --> 00:40:17,310 DEVASTATING. THERE'S AN EMERGENCY, WE NEED 907 00:40:17,330 --> 00:40:20,180 THERE'S AN EMERGENCY, WE NEED A MEDIC. 908 00:40:20,200 --> 00:40:22,250 A MEDIC. MY DAD GOT HURT IN THE LAST 909 00:40:22,270 --> 00:40:22,680 MY DAD GOT HURT IN THE LAST REHEARSAL. 910 00:40:22,700 --> 00:40:24,010 REHEARSAL. I DON'T KNOW WHAT I DID 911 00:40:24,040 --> 00:40:27,550 I DON'T KNOW WHAT I DID THE PAIN COMES AND GOES, BACK 912 00:40:27,580 --> 00:40:27,920 THE PAIN COMES AND GOES, BACK SPASM. 913 00:40:27,940 --> 00:40:29,890 SPASM. THEY DON'T KNOW WHAT'S WRONG 914 00:40:29,910 --> 00:40:30,090 THEY DON'T KNOW WHAT'S WRONG YET. 915 00:40:30,110 --> 00:40:32,020 YET. I HOPE HE CAN DO THIS WITH ME. 916 00:40:32,050 --> 00:40:40,050 I HOPE HE CAN DO THIS WITH ME. BUT IF HE CAN'T, WE DON'T KNOW 917 00:40:40,220 --> 00:40:42,330 BUT IF HE CAN'T, WE DON'T KNOW SO, BELLO, HOW ARE YOU DOING? 918 00:40:42,360 --> 00:40:44,230 SO, BELLO, HOW ARE YOU DOING? I FEEL GREAT. 919 00:40:44,260 --> 00:40:46,700 I FEEL GREAT. BUT ALSO JUST TERRIBLE THAT I'M 920 00:40:46,730 --> 00:40:47,440 BUT ALSO JUST TERRIBLE THAT I'M MISSING THIS 921 00:40:47,460 --> 00:40:50,070 MISSING THIS I SUSTAINED AN ACROBATIC INJURY 922 00:40:50,100 --> 00:40:51,010 I SUSTAINED AN ACROBATIC INJURY YESTERDAY, WOKE UP THIS MORNING 923 00:40:51,030 --> 00:40:52,080 YESTERDAY, WOKE UP THIS MORNING NOT ABLE TO WORK 924 00:40:52,100 --> 00:40:54,950 NOT ABLE TO WORK I ASKED MY DAUGHTER IF SHE 925 00:40:54,970 --> 00:40:55,980 I ASKED MY DAUGHTER IF SHE WOULD, YOU KNOW, PERFORM BY 926 00:40:56,000 --> 00:40:58,080 WOULD, YOU KNOW, PERFORM BY HERSELF AND SHE HAD LESS THAN 24 927 00:40:58,110 --> 00:40:59,720 HERSELF AND SHE HAD LESS THAN 24 HOURS TO COME UP WITH A NEW 928 00:40:59,740 --> 00:41:00,180 HOURS TO COME UP WITH A NEW ROUTINE. 929 00:41:00,210 --> 00:41:01,120 ROUTINE. HER BROTHER PETEY WILL STEP IN 930 00:41:01,140 --> 00:41:02,820 HER BROTHER PETEY WILL STEP IN AND BE THE COUNTERBALANCE AND 931 00:41:02,840 --> 00:41:04,090 AND BE THE COUNTERBALANCE AND SHOW US SOMETHING EVEN I'VE 932 00:41:04,110 --> 00:41:05,720 SHOW US SOMETHING EVEN I'VE NEVER SEEN BEFORE. 933 00:41:05,750 --> 00:41:06,990 NEVER SEEN BEFORE. Terry: OKAY 934 00:41:07,010 --> 00:41:11,730 Terry: OKAY AND HERE IS ANNALIESE NOCK 935 00:41:11,750 --> 00:41:15,290 AND HERE IS ANNALIESE NOCK LET'S GO! 936 00:41:16,260 --> 00:41:24,260 ♪ 937 00:41:29,500 --> 00:41:37,500 ♪ 938 00:41:43,120 --> 00:41:50,720 ♪ 939 00:41:54,630 --> 00:42:02,630 ♪ 940 00:42:07,570 --> 00:42:15,570 ♪ 941 00:42:21,350 --> 00:42:24,160 ♪ 942 00:42:27,190 --> 00:42:31,300 OF COURSE SHE HAS TO CLIMB ON THE OUTSIDE. 943 00:42:32,300 --> 00:42:40,300 ♪ 944 00:42:46,750 --> 00:42:54,650 ♪ 945 00:42:57,890 --> 00:42:59,600 SHE'S GOING TO DO JUMP ROPE SHE'S GOING TO SKIP 946 00:42:59,630 --> 00:43:03,830 SHE'S GOING TO SKIP I KNOW. 947 00:43:04,800 --> 00:43:10,440 ♪ 948 00:43:14,770 --> 00:43:22,770 ♪ 949 00:43:30,120 --> 00:43:35,390 CRAZY LOOK AHEAD. 950 00:43:36,460 --> 00:43:39,500 ♪ 951 00:43:40,630 --> 00:43:47,210 NO! 952 00:43:48,270 --> 00:43:56,270 ♪ 953 00:44:02,890 --> 00:44:10,890 FIRE. OH, MY GOSH 954 00:44:13,370 --> 00:44:20,440 OH, MY GOSH "HOT," SHE SAID 955 00:44:21,140 --> 00:44:24,740 ♪ 956 00:44:26,810 --> 00:44:34,810 NO, NO, I DON'T LIKE THIS YES 957 00:44:35,190 --> 00:44:37,730 YES WOW 958 00:44:37,760 --> 00:44:45,760 WOW [ CHEERS AND APPLAUSE 959 00:44:47,470 --> 00:44:55,470 ♪ 960 00:45:06,450 --> 00:45:10,800 AWW INSANE! 961 00:45:10,820 --> 00:45:11,130 INSANE! ARE YOU OKAY 962 00:45:11,160 --> 00:45:13,600 ARE YOU OKAY I'M OKAY. 963 00:45:13,630 --> 00:45:14,400 I'M OKAY. ALL RIGHT 964 00:45:14,430 --> 00:45:16,540 ALL RIGHT WE'RE GOING TO HEAD BACK INSIDE 965 00:45:16,560 --> 00:45:19,310 WE'RE GOING TO HEAD BACK INSIDE FOR THE JUDGING AND GIVE OUR 966 00:45:19,330 --> 00:45:20,040 FOR THE JUDGING AND GIVE OUR HEARTS TIME TO STOP POUNDING 967 00:45:20,070 --> 00:45:28,070 HEARTS TIME TO STOP POUNDING WE'LL BE RIGHT BACK. 968 00:45:35,150 --> 00:45:38,230 WE'LL BE RIGHT BACK. Terry: WELCOME BACK 969 00:45:38,250 --> 00:45:40,900 Terry: WELCOME BACK BELLO AND ANNALIESE NOCK - 970 00:45:40,920 --> 00:45:41,930 BELLO AND ANNALIESE NOCK - I MEAN, ANNALIESE, YOU HAD MY 971 00:45:41,960 --> 00:45:43,530 I MEAN, ANNALIESE, YOU HAD MY HEART IN MY MOUTH THE WHOLE 972 00:45:43,560 --> 00:45:45,140 HEART IN MY MOUTH THE WHOLE TIME 973 00:45:45,160 --> 00:45:45,670 TIME SO THANKS FOR THAT 974 00:45:45,690 --> 00:45:46,740 SO THANKS FOR THAT LET'S CHECK OUT WHAT THE JUDGES 975 00:45:46,760 --> 00:45:49,410 LET'S CHECK OUT WHAT THE JUDGES THOUGHT. 976 00:45:49,430 --> 00:45:51,410 THOUGHT. NOW, KELLY, WE FILMED THIS ON A 977 00:45:51,430 --> 00:45:54,240 NOW, KELLY, WE FILMED THIS ON A DAY YOU WEREN'T ABLE TO BE 978 00:45:54,270 --> 00:45:54,480 DAY YOU WEREN'T ABLE TO BE THERE. 979 00:45:54,500 --> 00:45:56,510 THERE. SEEING IT FOR THE FIRST TIME... 980 00:45:56,540 --> 00:46:00,180 SEEING IT FOR THE FIRST TIME... Kelly: THANK GOD. 981 00:46:00,210 --> 00:46:02,190 Kelly: THANK GOD. Terry: WHAT DID YOU THINK? 982 00:46:02,210 --> 00:46:04,720 Terry: WHAT DID YOU THINK? Kelly: I HAD TO TURN AWAY, I 983 00:46:04,750 --> 00:46:07,420 Kelly: I HAD TO TURN AWAY, I HAD EVERY EMOTION IN THE WORLD 984 00:46:07,450 --> 00:46:07,820 HAD EVERY EMOTION IN THE WORLD HAPPENING. 985 00:46:07,850 --> 00:46:09,730 HAPPENING. I HAVE ZERO DAREDEVIL GOING ON, 986 00:46:09,750 --> 00:46:10,690 I HAVE ZERO DAREDEVIL GOING ON, SO WAY TO GO 987 00:46:10,720 --> 00:46:13,060 SO WAY TO GO YOU'RE INSANE BUT YOUR AWESOME 988 00:46:13,090 --> 00:46:14,870 YOU'RE INSANE BUT YOUR AWESOME I'M TERRIFIED FOR YOU. 989 00:46:14,890 --> 00:46:15,830 I'M TERRIFIED FOR YOU. Terry: HEIDI. 990 00:46:15,860 --> 00:46:18,300 Terry: HEIDI. Heidi: I SIT HERE WONDERING 991 00:46:18,330 --> 00:46:20,070 Heidi: I SIT HERE WONDERING HOW YOU GUYS PLAYED THAT GAME 992 00:46:20,090 --> 00:46:21,940 HOW YOU GUYS PLAYED THAT GAME TRUTH OR DARE AT HOME, 993 00:46:21,960 --> 00:46:22,370 TRUTH OR DARE AT HOME, LITERALLY. 994 00:46:22,400 --> 00:46:25,380 LITERALLY. THE SONG WAS PERFECT, "GO BIG, 995 00:46:25,400 --> 00:46:25,780 THE SONG WAS PERFECT, "GO BIG, GO HOME. 996 00:46:25,800 --> 00:46:27,580 GO HOME. ANYTHING WITH YOU GUYS IS ALWAYS 997 00:46:27,600 --> 00:46:29,210 ANYTHING WITH YOU GUYS IS ALWAYS LARGER THAN LIFE, YOU BEING SHOT 998 00:46:29,240 --> 00:46:30,850 LARGER THAN LIFE, YOU BEING SHOT OUT OF A CANNON OR YOU WERE ON A 999 00:46:30,870 --> 00:46:32,350 OUT OF A CANNON OR YOU WERE ON A LADDER THAT I'VE NEVER SEEN, 1000 00:46:32,370 --> 00:46:33,220 LADDER THAT I'VE NEVER SEEN, THIS TALL. 1001 00:46:33,240 --> 00:46:34,850 THIS TALL. YOU BLEW YOURSELF UP 1002 00:46:34,880 --> 00:46:35,990 YOU BLEW YOURSELF UP IT'S ALWAYS SPECTACULAR. 1003 00:46:36,010 --> 00:46:36,990 IT'S ALWAYS SPECTACULAR. REALLY, REALLY ALWAYS IS 1004 00:46:37,010 --> 00:46:39,860 REALLY, REALLY ALWAYS IS I THINK YOU GUYS ARE AMAZING 1005 00:46:39,880 --> 00:46:41,120 I THINK YOU GUYS ARE AMAZING THANK YOU 1006 00:46:41,150 --> 00:46:41,790 THANK YOU Heidi: GOOD LUCK. 1007 00:46:41,820 --> 00:46:42,960 Heidi: GOOD LUCK. Terry: SOFIA. 1008 00:46:42,980 --> 00:46:46,500 Terry: SOFIA. Sofia: I KEPT WATCHING MY SON 1009 00:46:46,520 --> 00:46:49,030 Sofia: I KEPT WATCHING MY SON GRAB A KNIFE AND CUT AN ONION, I 1010 00:46:49,060 --> 00:46:50,200 GRAB A KNIFE AND CUT AN ONION, I HAVE TO LEAVE THE KITCHEN. 1011 00:46:50,220 --> 00:46:52,370 HAVE TO LEAVE THE KITCHEN. I DON'T KNOW HOW BELLO CAN BE 1012 00:46:52,390 --> 00:46:53,540 I DON'T KNOW HOW BELLO CAN BE THERE WATCHING THIS. 1013 00:46:53,560 --> 00:46:55,540 THERE WATCHING THIS. IT'S UNBELIEVABLE, WHAT YOU GUYS 1014 00:46:55,560 --> 00:46:55,810 IT'S UNBELIEVABLE, WHAT YOU GUYS DO 1015 00:46:55,830 --> 00:47:00,110 DO YOU GUYS ARE LIKE NERVES OF 1016 00:47:00,130 --> 00:47:00,510 YOU GUYS ARE LIKE NERVES OF STEEL. 1017 00:47:00,530 --> 00:47:02,350 STEEL. I WANT TO SEE MORE, THOUGH 1018 00:47:02,370 --> 00:47:03,410 I WANT TO SEE MORE, THOUGH Terry: HOWIE. 1019 00:47:03,440 --> 00:47:05,120 Terry: HOWIE. Howie: I AGREE WITH SOFIA, WE 1020 00:47:05,140 --> 00:47:07,750 Howie: I AGREE WITH SOFIA, WE SHOULD CALL CHILD PROTECTIVE 1021 00:47:07,770 --> 00:47:08,850 SHOULD CALL CHILD PROTECTIVE SERVICES 1022 00:47:08,880 --> 00:47:09,550 SERVICES YOU'RE NOT SUPPOSED TO BE 1023 00:47:09,580 --> 00:47:10,720 YOU'RE NOT SUPPOSED TO BE PUTTING YOUR DAUGHTER ON 1024 00:47:10,740 --> 00:47:11,960 PUTTING YOUR DAUGHTER ON SOMETHING CALLED THE WHEEL OF 1025 00:47:11,980 --> 00:47:12,760 SOMETHING CALLED THE WHEEL OF DEATH. 1026 00:47:12,780 --> 00:47:13,990 DEATH. I'M NERVOUS WITH MY DAUGHTER 1027 00:47:14,010 --> 00:47:16,030 I'M NERVOUS WITH MY DAUGHTER BEHIND THE WHEEL OF A CAR. 1028 00:47:16,050 --> 00:47:16,960 BEHIND THE WHEEL OF A CAR. BUT THAT WAS SPECTACULAR 1029 00:47:16,980 --> 00:47:18,930 BUT THAT WAS SPECTACULAR THE SHOW MUST GO ON. 1030 00:47:18,950 --> 00:47:20,660 THE SHOW MUST GO ON. BELLO, I HOPE YOU'RE FEELING 1031 00:47:20,690 --> 00:47:21,000 BELLO, I HOPE YOU'RE FEELING BETTER 1032 00:47:21,020 --> 00:47:23,170 BETTER GOOD LUCK, BUDDY 1033 00:47:23,190 --> 00:47:24,830 GOOD LUCK, BUDDY Terry: ANNALIESE, I SAW YOU 1034 00:47:24,860 --> 00:47:26,540 Terry: ANNALIESE, I SAW YOU WERE IN TEARS, CAN YOU EXPLAIN 1035 00:47:26,560 --> 00:47:27,770 WERE IN TEARS, CAN YOU EXPLAIN WHAT YOU WERE FEELING WHEN IT 1036 00:47:27,790 --> 00:47:29,740 WHAT YOU WERE FEELING WHEN IT WAS OVER 1037 00:47:29,760 --> 00:47:30,940 WAS OVER I NEVER EXPECTED TO PERFORM 1038 00:47:30,960 --> 00:47:32,880 I NEVER EXPECTED TO PERFORM WITHOUT MY DAD, I HAVE A LOT OF 1039 00:47:32,900 --> 00:47:33,580 WITHOUT MY DAD, I HAVE A LOT OF EMOTIONS RUNNING HIGH. 1040 00:47:33,600 --> 00:47:36,210 EMOTIONS RUNNING HIGH. I HOPE I DID GOOD ENOUGH TO GET 1041 00:47:36,240 --> 00:47:37,950 I HOPE I DID GOOD ENOUGH TO GET US BOTH TO THE NEXT ROUND SO WE 1042 00:47:37,970 --> 00:47:39,320 US BOTH TO THE NEXT ROUND SO WE CAN SHOW THE WORLD WHAT WE CAN 1043 00:47:39,340 --> 00:47:39,580 CAN SHOW THE WORLD WHAT WE CAN DO TOGETHER. 1044 00:47:39,610 --> 00:47:40,520 DO TOGETHER. Terry: GOOD LUCK TONIGHT. 1045 00:47:40,540 --> 00:47:42,120 Terry: GOOD LUCK TONIGHT. IF YOU WANT TO SEE BELLO AND 1046 00:47:42,140 --> 00:47:43,150 IF YOU WANT TO SEE BELLO AND ANNALIESE IN THE SEMI-FINALS, 1047 00:47:43,180 --> 00:47:44,790 ANNALIESE IN THE SEMI-FINALS, VOTE 1048 00:47:44,810 --> 00:47:45,860 VOTE IF YOU WANT TO VOTE ONLINE, GO 1049 00:47:45,880 --> 00:47:47,420 IF YOU WANT TO VOTE ONLINE, GO TO NBC.COM 1050 00:47:47,450 --> 00:47:52,860 TO NBC.COM KEEP THEIR DREAM ALIVE 1051 00:47:52,890 --> 00:47:54,460 KEEP THEIR DREAM ALIVE RIGHT NOW, HERE'S SOFIA 1052 00:47:54,490 --> 00:47:56,030 RIGHT NOW, HERE'S SOFIA VERGARA'S FIRS 1053 00:47:56,060 --> 00:47:57,100 VERGARA'S FIRS EVER GOLDEN BUZZER 1054 00:47:57,120 --> 00:48:01,270 EVER GOLDEN BUZZER SOFIA, WHY THIS GIRL 1055 00:48:01,300 --> 00:48:04,010 SOFIA, WHY THIS GIRL Sofia: I THINK IT WAS THE 1056 00:48:04,030 --> 00:48:04,710 Sofia: I THINK IT WAS THE SURPRISE FACTOR. 1057 00:48:04,730 --> 00:48:07,940 SURPRISE FACTOR. I NEVER THOUGHT THAT THAT TINY, 1058 00:48:07,970 --> 00:48:10,110 I NEVER THOUGHT THAT THAT TINY, DELICATE, CUTE LITTLE GIRL COULD 1059 00:48:10,140 --> 00:48:12,380 DELICATE, CUTE LITTLE GIRL COULD JUST OPEN HER MOUTH AND SOUND 1060 00:48:12,410 --> 00:48:13,650 JUST OPEN HER MOUTH AND SOUND LIKE THAT. 1061 00:48:13,670 --> 00:48:15,650 LIKE THAT. I WAS BLOWN AWAY 1062 00:48:15,680 --> 00:48:17,190 I WAS BLOWN AWAY AND THAT WAS MY FIRST DAY ON 1063 00:48:17,210 --> 00:48:18,120 AND THAT WAS MY FIRST DAY ON THIS JOB 1064 00:48:18,150 --> 00:48:22,960 THIS JOB SO IT WAS LIKE, I STILL FEEL 1065 00:48:22,980 --> 00:48:23,190 SO IT WAS LIKE, I STILL FEEL GOOSEBUMPS 1066 00:48:23,220 --> 00:48:23,730 GOOSEBUMPS Terry: OKAY 1067 00:48:23,750 --> 00:48:25,190 Terry: OKAY LET'S CATCH UP 1068 00:48:25,220 --> 00:48:33,220 LET'S CATCH UP WITH ROBERTA BATTAGLIA 1069 00:48:33,330 --> 00:48:35,940 WITH ROBERTA BATTAGLIA YOU'RE NERVOUS? 1070 00:48:35,960 --> 00:48:38,240 YOU'RE NERVOUS? OH, GOSH. 1071 00:48:38,270 --> 00:48:39,940 OH, GOSH. JUST BE YOURSELF, CONTINUE ON 1072 00:48:39,970 --> 00:48:41,140 JUST BE YOURSELF, CONTINUE ON BEING YOURSELF 1073 00:48:41,170 --> 00:48:44,610 BEING YOURSELF YOU ALWAYS SAID YOU LIKED TO 1074 00:48:44,640 --> 00:48:46,050 YOU ALWAYS SAID YOU LIKED TO SING BECAUSE YOU LIKED TO PUT 1075 00:48:46,070 --> 00:48:49,490 SING BECAUSE YOU LIKED TO PUT SMILES ON PEOPLE'S FACES 1076 00:48:49,510 --> 00:48:51,590 SMILES ON PEOPLE'S FACES IT REALLY FEELS NICE 1077 00:48:51,610 --> 00:48:52,690 IT REALLY FEELS NICE THE EMOTION THAT YOU GAVE WHILE 1078 00:48:52,710 --> 00:48:56,530 THE EMOTION THAT YOU GAVE WHILE YOU WERE ON THAT STAGE 1079 00:48:56,550 --> 00:48:57,090 YOU WERE ON THAT STAGE IT WAS INCREDIBLE. 1080 00:48:57,120 --> 00:49:03,890 IT WAS INCREDIBLE. JUST INCREDIBLE. 1081 00:49:05,430 --> 00:49:13,430 [ SPEAKING FOREIGN LANGUAGE 1082 00:49:20,510 --> 00:49:23,620 YOU DID THIS ALL, GIRL. YOU WORKED HARD AT IT AND YOU 1083 00:49:23,640 --> 00:49:24,350 YOU WORKED HARD AT IT AND YOU DID IT 1084 00:49:24,380 --> 00:49:26,590 DID IT AND NOW HERE WE ARE, WE'RE ABOUT 1085 00:49:26,610 --> 00:49:29,360 AND NOW HERE WE ARE, WE'RE ABOUT TO EMBARK ON ANOTHER JOURNEY 1086 00:49:29,380 --> 00:49:30,460 TO EMBARK ON ANOTHER JOURNEY ARE YOU READY 1087 00:49:30,480 --> 00:49:31,290 ARE YOU READY I'M READY 1088 00:49:31,320 --> 00:49:32,330 I'M READY ARE YOU SURE? 1089 00:49:32,350 --> 00:49:36,130 ARE YOU SURE? HEY, I'M ONLY 10, DON'T RUSH 1090 00:49:36,160 --> 00:49:36,400 HEY, I'M ONLY 10, DON'T RUSH IT 1091 00:49:36,420 --> 00:49:38,230 IT I'M TURNING 11 ON THE 22nd 1092 00:49:38,260 --> 00:49:38,740 I'M TURNING 11 ON THE 22nd WE'RE SO PROUD OF YOU 1093 00:49:38,760 --> 00:49:39,270 WE'RE SO PROUD OF YOU VERY PROUD 1094 00:49:39,290 --> 00:49:43,960 VERY PROUD [ CHEERS AND APPLAUSE 1095 00:49:44,960 --> 00:49:52,200 ♪ 1096 00:49:55,110 --> 00:50:00,460 ♪ I KEEP HEARING VOICES IN MY MIND SAYING NOT ENOUGH ♪ 1097 00:50:00,480 --> 00:50:03,560 MIND SAYING NOT ENOUGH ♪ ♪ EVERY SINGLE NIGHT THEY TELL 1098 00:50:03,580 --> 00:50:11,580 ♪ EVERY SINGLE NIGHT THEY TELL ME I WILL NEVER BE ENOUGH ♪ 1099 00:50:13,730 --> 00:50:18,570 ME I WILL NEVER BE ENOUGH ♪ ♪ WHEN I CAN'T FEEL A THING, YO 1100 00:50:18,600 --> 00:50:21,280 ♪ WHEN I CAN'T FEEL A THING, YO SAY I AM STRONG ♪ 1101 00:50:21,300 --> 00:50:27,420 SAY I AM STRONG ♪ ♪ WHEN I THINK I AM WEAK ♪ 1102 00:50:27,440 --> 00:50:31,820 ♪ WHEN I THINK I AM WEAK ♪ ♪ AND I BELIEVE, OH, I BELIEVE 1103 00:50:31,850 --> 00:50:39,630 ♪ AND I BELIEVE, OH, I BELIEVE WHAT YOU SAY TO ME, I BELIEVE ♪ 1104 00:50:39,650 --> 00:50:44,570 WHAT YOU SAY TO ME, I BELIEVE ♪ ♪ TAKING ALL I HAVE AND NOW I'M 1105 00:50:44,590 --> 00:50:51,140 ♪ TAKING ALL I HAVE AND NOW I'M LAYING IT AT YOUR FEET ♪ 1106 00:50:51,170 --> 00:50:59,170 LAYING IT AT YOUR FEET ♪ ♪ YOU'LL HAVE EVERY VICTORY ♪ 1107 00:51:02,440 --> 00:51:06,890 ♪ YOU'LL HAVE EVERY VICTORY ♪ ♪ WHOA, WHOA ♪ 1108 00:51:06,910 --> 00:51:11,130 ♪ WHOA, WHOA ♪ ♪ WHEN I CAN'T FEEL A THING, YO 1109 00:51:11,150 --> 00:51:15,800 ♪ WHEN I CAN'T FEEL A THING, YO SAY I'M STRONG WHEN I THINK I AM 1110 00:51:15,820 --> 00:51:16,130 SAY I'M STRONG WHEN I THINK I AM WEAK ♪ 1111 00:51:16,160 --> 00:51:24,160 WEAK ♪ ♪ AND YOU SAY I AM YOURS ♪ 1112 00:51:30,140 --> 00:51:34,550 ♪ AND YOU SAY I AM YOURS ♪ ♪ AND I BELIEVE ♪ 1113 00:51:34,570 --> 00:51:38,120 ♪ AND I BELIEVE ♪ ♪ WHOA, I BELIEVE WHAT YOU SAY 1114 00:51:38,150 --> 00:51:44,730 ♪ WHOA, I BELIEVE WHAT YOU SAY TO ME ♪ 1115 00:51:44,750 --> 00:51:45,800 TO ME ♪ ♪ AND I BELIEVE ♪ 1116 00:51:45,820 --> 00:51:53,820 ♪ AND I BELIEVE ♪ [ CHEERS AND APPLAUSE 1117 00:52:02,070 --> 00:52:07,220 Terry: ROBERTA BATTAGLIA. SOFIA, THAT'S YOUR GOLDEN 1118 00:52:07,240 --> 00:52:08,020 SOFIA, THAT'S YOUR GOLDEN BUZZER 1119 00:52:08,040 --> 00:52:09,020 BUZZER WHAT DO YOU THINK? 1120 00:52:09,040 --> 00:52:11,620 WHAT DO YOU THINK? Sofia: I WANT HER TO WIN. 1121 00:52:11,650 --> 00:52:13,520 Sofia: I WANT HER TO WIN. I WANT MANY OF THEM TO WIN 1122 00:52:13,550 --> 00:52:15,760 I WANT MANY OF THEM TO WIN BUT YOU HAVE A SPECIAL PLACE IN 1123 00:52:15,780 --> 00:52:17,530 BUT YOU HAVE A SPECIAL PLACE IN MY HEART BECAUSE IT WAS MY FIRST 1124 00:52:17,550 --> 00:52:22,230 MY HEART BECAUSE IT WAS MY FIRST DAY AT WORK, AND I CANNOT 1125 00:52:22,260 --> 00:52:23,430 DAY AT WORK, AND I CANNOT BELIEVE HOW SPECTACULAR YOU 1126 00:52:23,460 --> 00:52:23,770 BELIEVE HOW SPECTACULAR YOU SING 1127 00:52:23,790 --> 00:52:25,170 SING IT'S LIKE, I THINK THE WORLD IS 1128 00:52:25,190 --> 00:52:27,000 IT'S LIKE, I THINK THE WORLD IS GOING TO OPEN UP FOR YOU 1129 00:52:27,030 --> 00:52:31,040 GOING TO OPEN UP FOR YOU I MEAN, AFTER THIS EXPERIENCE. 1130 00:52:31,060 --> 00:52:31,670 I MEAN, AFTER THIS EXPERIENCE. THANK YOU SO MUCH 1131 00:52:31,700 --> 00:52:33,580 THANK YOU SO MUCH Terry: KELLY. 1132 00:52:33,600 --> 00:52:35,240 Terry: KELLY. Kelly: YOU ARE INCREDIBLE 1133 00:52:35,270 --> 00:52:38,350 Kelly: YOU ARE INCREDIBLE NO, YOU'RE... HELLO, BUT I DON'T 1134 00:52:38,370 --> 00:52:40,420 NO, YOU'RE... HELLO, BUT I DON'T WANT TO WASTE MY TIME ON YOU 1135 00:52:40,440 --> 00:52:41,080 WANT TO WASTE MY TIME ON YOU YOU'RE INCREDIBLE. 1136 00:52:41,110 --> 00:52:42,250 YOU'RE INCREDIBLE. I CANNOT BELIEVE YOUR AGE. 1137 00:52:42,280 --> 00:52:44,290 I CANNOT BELIEVE YOUR AGE. EVEN IF YOU WERE 27 AND SOUNDING 1138 00:52:44,310 --> 00:52:47,260 EVEN IF YOU WERE 27 AND SOUNDING LIKE THAT, YOUR TONE IS SO 1139 00:52:47,280 --> 00:52:47,520 LIKE THAT, YOUR TONE IS SO BEAUTIFUL. 1140 00:52:47,550 --> 00:52:50,130 BEAUTIFUL. AND IT'S EFFORTLESS. 1141 00:52:50,150 --> 00:52:53,500 AND IT'S EFFORTLESS. AND I CAN'T EVEN WAIT TO SEE 1142 00:52:53,520 --> 00:52:56,400 AND I CAN'T EVEN WAIT TO SEE WHAT YOU DO THE REST OF YOUR 1143 00:52:56,420 --> 00:52:57,330 WHAT YOU DO THE REST OF YOUR LIFE 1144 00:52:57,360 --> 00:52:58,070 LIFE THANK YOU SO MUCH 1145 00:52:58,090 --> 00:53:00,100 THANK YOU SO MUCH Kelly: ALL THE POTENTIAL YOU 1146 00:53:00,130 --> 00:53:02,170 Kelly: ALL THE POTENTIAL YOU HAVE IS INSANE 1147 00:53:02,200 --> 00:53:04,310 HAVE IS INSANE AMERICA, VOTE FOR HER, PLEASE. 1148 00:53:04,330 --> 00:53:05,110 AMERICA, VOTE FOR HER, PLEASE. Terry: HOWIE. 1149 00:53:05,130 --> 00:53:06,580 Terry: HOWIE. Howie: I'M SO PROUD THAT I'M 1150 00:53:06,600 --> 00:53:08,640 Howie: I'M SO PROUD THAT I'M FROM TORONTO AND YOU'RE FROM 1151 00:53:08,670 --> 00:53:09,010 FROM TORONTO AND YOU'RE FROM TORONTO. 1152 00:53:09,040 --> 00:53:09,750 TORONTO. YOU BLOW ME AWAY 1153 00:53:09,770 --> 00:53:11,410 YOU BLOW ME AWAY I SAID TO SOFIA, RIGHT AFTER 1154 00:53:11,440 --> 00:53:12,550 I SAID TO SOFIA, RIGHT AFTER THAT, I THINK THAT YOU HAVE A 1155 00:53:12,570 --> 00:53:13,980 THAT, I THINK THAT YOU HAVE A GOOD CHANCE OF WINNING THIS 1156 00:53:14,010 --> 00:53:16,220 GOOD CHANCE OF WINNING THIS WHOLE SEASON, NUMBER ONE 1157 00:53:16,240 --> 00:53:17,290 WHOLE SEASON, NUMBER ONE NUMBER TWO, YOUR VOICE IS GREAT. 1158 00:53:17,310 --> 00:53:18,960 NUMBER TWO, YOUR VOICE IS GREAT. AND THE ABILITY TO SING THROUGH 1159 00:53:18,980 --> 00:53:20,490 AND THE ABILITY TO SING THROUGH A HORRIBLE BUTTERFLY ATTACK LIKE 1160 00:53:20,510 --> 00:53:22,190 A HORRIBLE BUTTERFLY ATTACK LIKE THAT IS AMAZING. 1161 00:53:22,220 --> 00:53:22,860 THAT IS AMAZING. THANK YOU SO MUCH 1162 00:53:22,880 --> 00:53:23,960 THANK YOU SO MUCH Terry: HEIDI. 1163 00:53:23,980 --> 00:53:25,090 Terry: HEIDI. Heidi: I HAVE SO MUCH RESPECT 1164 00:53:25,120 --> 00:53:26,060 Heidi: I HAVE SO MUCH RESPECT FOR YOU. 1165 00:53:26,090 --> 00:53:27,260 FOR YOU. I THINK YOU'RE ABSOLUTELY 1166 00:53:27,290 --> 00:53:27,730 I THINK YOU'RE ABSOLUTELY INCREDIBLE 1167 00:53:27,750 --> 00:53:28,530 INCREDIBLE YOUR VOICE IS INCREDIBLE 1168 00:53:28,560 --> 00:53:30,900 YOUR VOICE IS INCREDIBLE I MEAN, SOFIA SAW YOUR TALENT 1169 00:53:30,920 --> 00:53:33,140 I MEAN, SOFIA SAW YOUR TALENT FIRST AND RIGHTFULLY SO, SHE HIT 1170 00:53:33,160 --> 00:53:34,800 FIRST AND RIGHTFULLY SO, SHE HIT THE GOLDEN BUZZER FOR YOU. 1171 00:53:34,830 --> 00:53:37,410 THE GOLDEN BUZZER FOR YOU. I HOPE NOW AMERICA SEES THAT AND 1172 00:53:37,430 --> 00:53:38,410 I HOPE NOW AMERICA SEES THAT AND WILL VOTE FOR YOU. 1173 00:53:38,430 --> 00:53:39,940 WILL VOTE FOR YOU. I THINK YOU'RE INCREDIBLE. 1174 00:53:39,970 --> 00:53:40,240 I THINK YOU'RE INCREDIBLE. GOOD LUCK. 1175 00:53:40,270 --> 00:53:44,910 GOOD LUCK. THANK YOU SO MUCH 1176 00:53:44,940 --> 00:53:46,420 THANK YOU SO MUCH Terry: ROBERTA, DO YOU SEE 1177 00:53:46,440 --> 00:53:47,680 Terry: ROBERTA, DO YOU SEE YOURSELF DOING THIS THE REST OF 1178 00:53:47,710 --> 00:53:48,180 YOURSELF DOING THIS THE REST OF YOUR LIFE? 1179 00:53:48,210 --> 00:53:49,920 YOUR LIFE? YES, I DEFINITELY DO, YES 1180 00:53:49,940 --> 00:53:51,020 YES, I DEFINITELY DO, YES Terry: GOOD LUCK TONIGHT, 1181 00:53:51,040 --> 00:53:52,090 Terry: GOOD LUCK TONIGHT, ROBERTA. 1182 00:53:52,110 --> 00:53:54,190 ROBERTA. REMEMBER, A SPOT IN THE 1183 00:53:54,210 --> 00:53:56,330 REMEMBER, A SPOT IN THE SEMI-FINALS IS AT STAKE HERE 1184 00:53:56,350 --> 00:53:59,000 SEMI-FINALS IS AT STAKE HERE VOTING IS OPEN NOW AND CLOSES AT 1185 00:53:59,020 --> 00:54:00,530 VOTING IS OPEN NOW AND CLOSES AT 7:00 A.M. EASTERN TOMORROW 1186 00:54:00,550 --> 00:54:03,730 7:00 A.M. EASTERN TOMORROW YOU ALSO CAN VOTE ONLINE AT 1187 00:54:03,760 --> 00:54:05,900 YOU ALSO CAN VOTE ONLINE AT NBC.COM AND YOU CAN VOTE USING 1188 00:54:05,930 --> 00:54:07,500 NBC.COM AND YOU CAN VOTE USING THE "AMERICA'S GOT TALENT" APP 1189 00:54:07,530 --> 00:54:10,670 THE "AMERICA'S GOT TALENT" APP MOVING RIGHT ALONG, HERE'S A 1190 00:54:10,700 --> 00:54:13,340 MOVING RIGHT ALONG, HERE'S A COMEDIAN WHO WENT STRAIGHT FROM 1191 00:54:13,370 --> 00:54:14,940 COMEDIAN WHO WENT STRAIGHT FROM THE HIGH OF A GREAT AUDITION TO, 1192 00:54:14,970 --> 00:54:18,080 THE HIGH OF A GREAT AUDITION TO, WELL, THE LOWEST OF LOWS 1193 00:54:18,110 --> 00:54:25,450 WELL, THE LOWEST OF LOWS HERE'S MICHAEL YO'S STORY. 1194 00:54:25,480 --> 00:54:31,230 HERE'S MICHAEL YO'S STORY. I CHANGED AFTER "AGT" BUT NOT 1195 00:54:31,250 --> 00:54:33,860 I CHANGED AFTER "AGT" BUT NOT IN THE WAY I THOUGHT I WOULD 1196 00:54:33,890 --> 00:54:34,260 IN THE WAY I THOUGHT I WOULD CHANGE 1197 00:54:34,290 --> 00:54:35,570 CHANGE I TOLD MY WIFE I DIDN'T FEEL 1198 00:54:35,590 --> 00:54:35,870 I TOLD MY WIFE I DIDN'T FEEL GOOD 1199 00:54:35,890 --> 00:54:37,670 GOOD I HAD A FEVER, 101 1200 00:54:37,690 --> 00:54:39,300 I HAD A FEVER, 101 I COULDN'T BREATHE ANYMORE 1201 00:54:39,330 --> 00:54:40,970 I COULDN'T BREATHE ANYMORE MY WIFE IMMEDIATELY CALLED 911 1202 00:54:40,990 --> 00:54:43,240 MY WIFE IMMEDIATELY CALLED 911 I'M LAYING ON THE KITCHEN FLOOR 1203 00:54:43,260 --> 00:54:44,870 I'M LAYING ON THE KITCHEN FLOOR GASPING FOR AIR. 1204 00:54:44,900 --> 00:54:45,740 GASPING FOR AIR. SHE'S SCREAMING. 1205 00:54:45,770 --> 00:54:50,910 SHE'S SCREAMING. MY SON IS CRYING 1206 00:54:50,940 --> 00:54:53,750 MY SON IS CRYING THE AMBULANCE SHOWS UP 1207 00:54:53,770 --> 00:54:57,120 THE AMBULANCE SHOWS UP AND HE PUTS HIS HAND ON THE 1208 00:54:57,140 --> 00:54:57,420 AND HE PUTS HIS HAND ON THE WINDOW 1209 00:54:57,440 --> 00:55:00,360 WINDOW AND I WALK OVER TO IT AND I PUT 1210 00:55:00,380 --> 00:55:04,490 AND I WALK OVER TO IT AND I PUT MY HAND ON IT. 1211 00:55:04,520 --> 00:55:08,430 MY HAND ON IT. AND THEN THEY TAKE ME AWAY 1212 00:55:08,460 --> 00:55:10,730 AND THEN THEY TAKE ME AWAY THEY ROLLED ME INTO ICU. 1213 00:55:10,760 --> 00:55:13,600 THEY ROLLED ME INTO ICU. THE DOCTOR SAYS, YOU GOT COVID 1214 00:55:13,630 --> 00:55:15,740 THE DOCTOR SAYS, YOU GOT COVID I SAID, I'M GOING TO MAKE IT, 1215 00:55:15,760 --> 00:55:16,040 I SAID, I'M GOING TO MAKE IT, RIGHT? 1216 00:55:16,060 --> 00:55:18,910 RIGHT? AND SHE GOES, WE'RE GOING TO TRY 1217 00:55:18,930 --> 00:55:19,540 AND SHE GOES, WE'RE GOING TO TRY OUR BEST 1218 00:55:19,570 --> 00:55:21,580 OUR BEST MY BIGGEST FEAR WHEN I WAS IN 1219 00:55:21,600 --> 00:55:22,950 MY BIGGEST FEAR WHEN I WAS IN THERE, IT WASN'T DYING 1220 00:55:22,970 --> 00:55:25,080 THERE, IT WASN'T DYING IT WAS MY KIDS NOT KNOWING HOW 1221 00:55:25,110 --> 00:55:29,790 IT WAS MY KIDS NOT KNOWING HOW MUCH I REALLY LOVE THEM. 1222 00:55:29,810 --> 00:55:31,720 MUCH I REALLY LOVE THEM. SO I FOUGHT HARD 1223 00:55:31,750 --> 00:55:32,760 SO I FOUGHT HARD DADDY'S HERE! 1224 00:55:32,780 --> 00:55:39,230 DADDY'S HERE! ♪ 1225 00:55:39,250 --> 00:55:41,130 ♪ WHEN I KISSED MY WIFE FOR THE 1226 00:55:41,150 --> 00:55:43,830 WHEN I KISSED MY WIFE FOR THE FIRST TIME AND HUGGED MY SON AND 1227 00:55:43,860 --> 00:55:45,370 FIRST TIME AND HUGGED MY SON AND DAUGHTER, ME AND MY WIFE LOOKED 1228 00:55:45,390 --> 00:55:47,100 DAUGHTER, ME AND MY WIFE LOOKED AT EACH OTHER AND SHE SAID, 1229 00:55:47,130 --> 00:55:49,170 AT EACH OTHER AND SHE SAID, BABY, YOU'RE HERE FOR A REASON 1230 00:55:49,200 --> 00:55:50,170 BABY, YOU'RE HERE FOR A REASON YOU'RE HERE TO MAKE PEOPLE 1231 00:55:50,200 --> 00:55:51,670 YOU'RE HERE TO MAKE PEOPLE LAUGH, YOU'RE HERE TO MAKE 1232 00:55:51,700 --> 00:55:53,040 LAUGH, YOU'RE HERE TO MAKE PEOPLE COME TOGETHER 1233 00:55:53,070 --> 00:55:53,940 PEOPLE COME TOGETHER AND THAT'S WHY I WANT TO BE ON 1234 00:55:53,970 --> 00:55:55,680 AND THAT'S WHY I WANT TO BE ON THE BIGGEST STAGE WITH THE BEST 1235 00:55:55,700 --> 00:55:57,780 THE BIGGEST STAGE WITH THE BEST TALENT IN THE WORLD, TO SHOW 1236 00:55:57,800 --> 00:55:59,380 TALENT IN THE WORLD, TO SHOW PEOPLE THAT A COMEDIAN CAN WIN 1237 00:55:59,410 --> 00:56:03,220 PEOPLE THAT A COMEDIAN CAN WIN THIS THING 1238 00:56:03,240 --> 00:56:05,890 THIS THING [ CHEERS AND APPLAUSE 1239 00:56:05,910 --> 00:56:08,060 [ CHEERS AND APPLAUSE Terry: WOW. 1240 00:56:08,080 --> 00:56:09,160 Terry: WOW. WELL, MICHAEL IS GONNA GET HIS 1241 00:56:09,180 --> 00:56:09,990 WELL, MICHAEL IS GONNA GET HIS CHANCE IN A COUPLE OF MINUTES. 1242 00:56:10,020 --> 00:56:11,260 CHANCE IN A COUPLE OF MINUTES. AND LATER, A SINGER WHO'S LIVED 1243 00:56:11,280 --> 00:56:12,360 AND LATER, A SINGER WHO'S LIVED THROUGH HELL FINALLY GETS HIS 1244 00:56:12,390 --> 00:56:14,460 THROUGH HELL FINALLY GETS HIS SHOT AT THE LIFE HE DESERVES 1245 00:56:14,490 --> 00:56:18,120 SHOT AT THE LIFE HE DESERVES WE'LL BE RIGHT BACK. 1246 00:56:32,740 --> 00:56:34,580 Terry: BEFORE THE BREAK WE SAW COMEDIAN MICHAEL YO'S BATTLE 1247 00:56:34,610 --> 00:56:35,120 SAW COMEDIAN MICHAEL YO'S BATTLE TO BE HERE 1248 00:56:35,140 --> 00:56:37,250 TO BE HERE AND NOW, HE GETS HIS SHOT AT 1249 00:56:37,280 --> 00:56:38,290 AND NOW, HE GETS HIS SHOT AT MAKING AMERICA LAUGH 1250 00:56:38,310 --> 00:56:42,890 MAKING AMERICA LAUGH GIVE IT UP FOR MICHAEL YO. 1251 00:56:42,920 --> 00:56:50,920 GIVE IT UP FOR MICHAEL YO. [ CHEERS AND APPLAUSE 1252 00:56:52,230 --> 00:56:54,470 [ CHEERS AND APPLAUSE WHAT'S UP, AMERICA? 1253 00:56:54,490 --> 00:56:55,870 WHAT'S UP, AMERICA? I HAVE SOME GOOD NEWS. 1254 00:56:55,900 --> 00:56:58,240 I HAVE SOME GOOD NEWS. ME AND MY WIFE, WE JUST HAD A 1255 00:56:58,270 --> 00:56:58,710 ME AND MY WIFE, WE JUST HAD A BABY 1256 00:56:58,730 --> 00:57:00,040 BABY YEAH, BEAUTIFUL. 1257 00:57:00,070 --> 00:57:00,410 YEAH, BEAUTIFUL. BEAUTIFUL. 1258 00:57:00,430 --> 00:57:01,040 BEAUTIFUL. BUT AS A MAN I DID LEARN TWO 1259 00:57:01,070 --> 00:57:02,480 BUT AS A MAN I DID LEARN TWO THINGS I 1260 00:57:02,500 --> 00:57:06,120 THINGS I THE DELIVERY ROOM. 1261 00:57:06,140 --> 00:57:07,680 THE DELIVERY ROOM. THE FIRST THING I LEARNED IS HOW 1262 00:57:07,710 --> 00:57:09,650 THE FIRST THING I LEARNED IS HOW MUCH STRONGER WOMEN ARE THAN 1263 00:57:09,680 --> 00:57:09,990 MUCH STRONGER WOMEN ARE THAN MEN. 1264 00:57:10,010 --> 00:57:11,650 MEN. THAT'S RIGHT, I COULD NEVER GIVE 1265 00:57:11,680 --> 00:57:12,420 THAT'S RIGHT, I COULD NEVER GIVE BIRTH TO A BABY. 1266 00:57:12,450 --> 00:57:15,090 BIRTH TO A BABY. EVEN IF I WANTED TO, I WOULDN'T. 1267 00:57:15,110 --> 00:57:16,590 EVEN IF I WANTED TO, I WOULDN'T. BECAUSE YOU CAN DO THINGS THAT 1268 00:57:16,620 --> 00:57:18,190 BECAUSE YOU CAN DO THINGS THAT WE JUST CAN'T DO 1269 00:57:18,220 --> 00:57:19,230 WE JUST CAN'T DO THAT'S RIGHT, WE'RE NOT STRONG 1270 00:57:19,250 --> 00:57:20,660 THAT'S RIGHT, WE'RE NOT STRONG ENOUGH TO DELIVER A BABY, YOU 1271 00:57:20,690 --> 00:57:20,960 ENOUGH TO DELIVER A BABY, YOU KNOW 1272 00:57:20,990 --> 00:57:22,970 KNOW THE SECOND THING I LEARNED, 1273 00:57:22,990 --> 00:57:28,640 THE SECOND THING I LEARNED, HOWIE, AND SIMON, IS HOW USELESS 1274 00:57:28,660 --> 00:57:32,540 HOWIE, AND SIMON, IS HOW USELESS MEN ARE IN THE DELIVERY ROOM 1275 00:57:32,570 --> 00:57:33,780 MEN ARE IN THE DELIVERY ROOM OH, CONVEY 1276 00:57:33,800 --> 00:57:34,510 OH, CONVEY THAT' 1277 00:57:34,530 --> 00:57:34,810 THAT' YEAH. 1278 00:57:34,830 --> 00:57:36,280 YEAH. LET ME BREAK IT DOWN FOR YOU 1279 00:57:36,300 --> 00:57:38,780 LET ME BREAK IT DOWN FOR YOU MY WIFE IS GIVING BIRTH TO A 1280 00:57:38,810 --> 00:57:40,320 MY WIFE IS GIVING BIRTH TO A BABY BOY AND I'M STANDING NEXT 1281 00:57:40,340 --> 00:57:44,290 BABY BOY AND I'M STANDING NEXT TO HER GOING, PUSH, PUSH 1282 00:57:44,310 --> 00:57:49,890 TO HER GOING, PUSH, PUSH LIKE WHAT'S SHE GOING TO DO, 1283 00:57:49,920 --> 00:57:54,200 LIKE WHAT'S SHE GOING TO DO, SUCK THE BABY BACK IN? 1284 00:57:54,220 --> 00:57:58,000 SUCK THE BABY BACK IN? WE NAMED HIM OLIVER FOR MY DAD 1285 00:57:58,020 --> 00:57:59,000 WE NAMED HIM OLIVER FOR MY DAD HE WAS CRYING AND CRYING 1286 00:57:59,030 --> 00:58:00,470 HE WAS CRYING AND CRYING I SAID, I CAN DO SOMETHING, I 1287 00:58:00,490 --> 00:58:01,800 I SAID, I CAN DO SOMETHING, I CAN HELP OUT 1288 00:58:01,830 --> 00:58:04,310 CAN HELP OUT I PUT MY FINGER IN MY BABY'S 1289 00:58:04,330 --> 00:58:05,640 I PUT MY FINGER IN MY BABY'S HAND AND HE GRABS MY FINGER AND 1290 00:58:05,670 --> 00:58:06,310 HAND AND HE GRABS MY FINGER AND STARTS CRYING. 1291 00:58:06,330 --> 00:58:07,340 STARTS CRYING. THEN I START WRITING 1292 00:58:07,370 --> 00:58:10,210 THEN I START WRITING WAAHHH 1293 00:58:10,240 --> 00:58:12,580 WAAHHH THIS IS WHAT LOVE IS 1294 00:58:12,610 --> 00:58:13,680 THIS IS WHAT LOVE IS NOW, EVERY FATHER WATCHING, YOU 1295 00:58:13,710 --> 00:58:15,620 NOW, EVERY FATHER WATCHING, YOU KNOW WHAT I'M ABOUT TO SAY IS 1296 00:58:15,640 --> 00:58:18,220 KNOW WHAT I'M ABOUT TO SAY IS TRUE 1297 00:58:18,240 --> 00:58:20,290 TRUE AS SOON AS MY SON TOUCHED MY 1298 00:58:20,310 --> 00:58:22,630 AS SOON AS MY SON TOUCHED MY FINGER, I KNEW I WOULD DIE FOR 1299 00:58:22,650 --> 00:58:22,820 FINGER, I KNEW I WOULD DIE FOR HIM. 1300 00:58:22,850 --> 00:58:24,690 HIM. I DON'T EVEN KNOW THIS DUDE BUT 1301 00:58:24,720 --> 00:58:25,690 I DON'T EVEN KNOW THIS DUDE BUT I WOULD DIE FOR MY SON 1302 00:58:25,720 --> 00:58:27,260 I WOULD DIE FOR MY SON THE FIRST TIME I SEE HIM, THE 1303 00:58:27,290 --> 00:58:28,530 THE FIRST TIME I SEE HIM, THE FIRST TIME I TOUCH HIM, I WOULD 1304 00:58:28,560 --> 00:58:30,370 FIRST TIME I TOUCH HIM, I WOULD DIE FOR MY SON 1305 00:58:30,390 --> 00:58:32,700 DIE FOR MY SON ISN'T THAT CRAZY, WE DO THAT, 1306 00:58:32,730 --> 00:58:34,770 ISN'T THAT CRAZY, WE DO THAT, FELLA? 1307 00:58:34,790 --> 00:58:36,210 FELLA? WE WOULDN'T DID A THAT FOR OUR 1308 00:58:36,230 --> 00:58:36,440 WE WOULDN'T DID A THAT FOR OUR WIVES. 1309 00:58:36,460 --> 00:58:37,440 WIVES. OH, I'M FEELING THE HEAT FROM 1310 00:58:37,460 --> 00:58:38,070 OH, I'M FEELING THE HEAT FROM THE WOMEN. 1311 00:58:38,100 --> 00:58:43,580 THE WOMEN. HANG ON, LET ME EXPLAIN, LADIES. 1312 00:58:43,600 --> 00:58:46,180 HANG ON, LET ME EXPLAIN, LADIES. LOOK, LADIES, THE FIRST TIME WE 1313 00:58:46,210 --> 00:58:47,720 LOOK, LADIES, THE FIRST TIME WE SEE YOU OR TOUCH YOU IS USUALLY 1314 00:58:47,740 --> 00:58:48,580 SEE YOU OR TOUCH YOU IS USUALLY ON THE FIRST DATE. 1315 00:58:48,610 --> 00:58:50,450 ON THE FIRST DATE. NO DUDE IS DYING FOR YOU ON THE 1316 00:58:50,480 --> 00:58:52,120 NO DUDE IS DYING FOR YOU ON THE FIRST DATE 1317 00:58:52,150 --> 00:58:55,220 FIRST DATE NOW, LET ME MAKE YOU FEEL 1318 00:58:55,250 --> 00:58:55,620 NOW, LET ME MAKE YOU FEEL BETTER 1319 00:58:55,650 --> 00:58:58,730 BETTER IF A DUDE LOOKS AT YOU ON THE 1320 00:58:58,750 --> 00:58:59,360 IF A DUDE LOOKS AT YOU ON THE FIRST DATE AND GOES, I WOULD DIE 1321 00:58:59,390 --> 00:59:00,730 FIRST DATE AND GOES, I WOULD DIE FOR YOU, YOU BETTER RUN, BECAUSE 1322 00:59:00,750 --> 00:59:08,100 FOR YOU, YOU BETTER RUN, BECAUSE THAT DUDE IS ABOUT TO KILL YOU 1323 00:59:08,130 --> 00:59:11,510 THAT DUDE IS ABOUT TO KILL YOU BUT I WOULD DIE FOR MY WIFE NOW, 1324 00:59:11,530 --> 00:59:12,410 BUT I WOULD DIE FOR MY WIFE NOW, 100% 1325 00:59:12,430 --> 00:59:14,740 100% IT TOOK A COUPLE OF YEARS TO GET 1326 00:59:14,770 --> 00:59:14,940 IT TOOK A COUPLE OF YEARS TO GET THERE. 1327 00:59:14,970 --> 00:59:17,880 THERE. IF A CAR CAME, I WOULD PUSH HER 1328 00:59:17,900 --> 00:59:19,650 IF A CAR CAME, I WOULD PUSH HER OUT OF THE WAY AND TAKE IT 1329 00:59:19,670 --> 00:59:20,280 OUT OF THE WAY AND TAKE IT MYSELF 1330 00:59:20,310 --> 00:59:23,250 MYSELF BECAUSE WE ALL KNOW PEOPLE WHO 1331 00:59:23,280 --> 00:59:24,950 BECAUSE WE ALL KNOW PEOPLE WHO WE WOULDN'T DIE FOR. 1332 00:59:24,980 --> 00:59:26,860 WE WOULDN'T DIE FOR. I GUESS IT WAS THEIR TIME, THE 1333 00:59:26,880 --> 00:59:28,890 I GUESS IT WAS THEIR TIME, THE LORD WORKS IN MYSTERIOUS WAYS. 1334 00:59:28,920 --> 00:59:30,560 LORD WORKS IN MYSTERIOUS WAYS. GUYS, THANK YOU SO MUCH. 1335 00:59:30,580 --> 00:59:36,370 GUYS, THANK YOU SO MUCH. [ APPLAUSE ] 1336 00:59:36,390 --> 00:59:37,170 [ APPLAUSE ] Terry: MICHAEL YO 1337 00:59:37,190 --> 00:59:38,700 Terry: MICHAEL YO GOOD TO SEE YOU, MAN 1338 00:59:38,730 --> 00:59:39,870 GOOD TO SEE YOU, MAN YOU WERE AWESOME 1339 00:59:39,890 --> 00:59:42,240 YOU WERE AWESOME THANK YOU, THANK YOU. 1340 00:59:42,260 --> 00:59:45,170 THANK YOU, THANK YOU. Terry: KELLY, HE HAD YOU 1341 00:59:45,200 --> 00:59:45,510 Terry: KELLY, HE HAD YOU CRYING 1342 00:59:45,530 --> 00:59:46,880 CRYING Kelly: I LOVE COMEDY, ONE OF 1343 00:59:46,900 --> 00:59:50,410 Kelly: I LOVE COMEDY, ONE OF MY FIRST JOBS, I WAS A WAITRESS 1344 00:59:50,440 --> 00:59:51,610 MY FIRST JOBS, I WAS A WAITRESS AT A COMEDY CLUB 1345 00:59:51,640 --> 00:59:54,850 AT A COMEDY CLUB I LOVE COMEDIANS 1346 00:59:54,870 --> 00:59:56,920 I LOVE COMEDIANS Y'ALL ARE NEEDED NOW MORE THAN 1347 00:59:56,940 --> 00:59:57,720 Y'ALL ARE NEEDED NOW MORE THAN EVER 1348 00:59:57,740 --> 00:59:59,190 EVER I'VE KNOWN YOU FOR YEARS AND I'M 1349 00:59:59,210 --> 01:00:02,020 I'VE KNOWN YOU FOR YEARS AND I'M SO EXCITED FOR YOU, YOU JUST 1350 01:00:02,050 --> 01:00:02,730 SO EXCITED FOR YOU, YOU JUST NAILED IT. 1351 01:00:02,750 --> 01:00:04,260 NAILED IT. I DIDN'T KNOW THIS SIDE OF YOU 1352 01:00:04,280 --> 01:00:05,030 I DIDN'T KNOW THIS SIDE OF YOU EXISTED. 1353 01:00:05,050 --> 01:00:05,530 EXISTED. CONGRATULATIONS. 1354 01:00:05,550 --> 01:00:07,100 CONGRATULATIONS. THANK YOU SO MUCH, KELLY. 1355 01:00:07,120 --> 01:00:08,500 THANK YOU SO MUCH, KELLY. Terry: HOWIE. 1356 01:00:08,520 --> 01:00:09,600 Terry: HOWIE. Howie: AS I SAID TO MY FELLOW 1357 01:00:09,620 --> 01:00:11,530 Howie: AS I SAID TO MY FELLOW JUDGES BEFORE THIS, OUT OF EVERY 1358 01:00:11,560 --> 01:00:16,870 JUDGES BEFORE THIS, OUT OF EVERY ART FORM THAT WE HAVE ON THIS 1359 01:00:16,900 --> 01:00:24,610 ART FORM THAT WE HAVE ON THIS SHOW, WHEN YOU'RE IN FRONT OF A 1360 01:00:24,640 --> 01:00:26,550 SHOW, WHEN YOU'RE IN FRONT OF A VIRTUAL AUDIENCE, YOU DIDN'T 1361 01:00:26,570 --> 01:00:27,820 VIRTUAL AUDIENCE, YOU DIDN'T LOOK THAT NERVOUS. 1362 01:00:27,840 --> 01:00:30,650 LOOK THAT NERVOUS. I'M SO HAPPY YOU SURVIVED THE 1363 01:00:30,680 --> 01:00:31,720 I'M SO HAPPY YOU SURVIVED THE COVID. 1364 01:00:31,740 --> 01:00:33,620 COVID. COMEDY AND TRAGEDY GO TOGETHER 1365 01:00:33,650 --> 01:00:34,160 COMEDY AND TRAGEDY GO TOGETHER YOU DELIVERED. 1366 01:00:34,180 --> 01:00:34,890 YOU DELIVERED. AND THIS IS HARD 1367 01:00:34,910 --> 01:00:36,360 AND THIS IS HARD I DON'T KNOW WHAT I WOULD DO IN 1368 01:00:36,380 --> 01:00:38,230 I DON'T KNOW WHAT I WOULD DO IN THIS ROOM LIKE THIS. 1369 01:00:38,250 --> 01:00:40,500 THIS ROOM LIKE THIS. BUT YOU DELIVERED. 1370 01:00:40,520 --> 01:00:41,100 BUT YOU DELIVERED. THANK YOU SO MUCH 1371 01:00:41,120 --> 01:00:42,900 THANK YOU SO MUCH Howie: I'M PROUD OF YOU 1372 01:00:42,920 --> 01:00:44,270 Howie: I'M PROUD OF YOU THANK YOU, THANK YOU. 1373 01:00:44,290 --> 01:00:45,630 THANK YOU, THANK YOU. Terry: HEIDI. 1374 01:00:45,660 --> 01:00:47,070 Terry: HEIDI. Heidi: THAT WAS A LOT OF FUN. 1375 01:00:47,090 --> 01:00:48,300 Heidi: THAT WAS A LOT OF FUN. YOU ARE A LOT OF FUN 1376 01:00:48,330 --> 01:00:49,840 YOU ARE A LOT OF FUN YOU HAVE A BEAUTIFUL FAMILY. 1377 01:00:49,860 --> 01:00:51,070 YOU HAVE A BEAUTIFUL FAMILY. PROBABLY MY FAVORITE PART OF THE 1378 01:00:51,100 --> 01:00:53,940 PROBABLY MY FAVORITE PART OF THE ENTIRE THING WAS YOUR FACE, YOU 1379 01:00:53,970 --> 01:00:56,750 ENTIRE THING WAS YOUR FACE, YOU LIKE LIKE THAT SMILEY EMOJI WITH 1380 01:00:56,770 --> 01:00:57,780 LIKE LIKE THAT SMILEY EMOJI WITH THOSE HEARTS, WHEN YOU'RE 1381 01:00:57,800 --> 01:00:58,780 THOSE HEARTS, WHEN YOU'RE TALKING ABOUT YOUR FAMILY, 1382 01:00:58,810 --> 01:00:59,980 TALKING ABOUT YOUR FAMILY, ESPECIALLY YOUR SON. 1383 01:01:00,010 --> 01:01:01,680 ESPECIALLY YOUR SON. CONGRATULATIONS AGAIN FOR THIS 1384 01:01:01,710 --> 01:01:03,350 CONGRATULATIONS AGAIN FOR THIS AND LIKE YOU SAID, IT'S VERY 1385 01:01:03,380 --> 01:01:04,190 AND LIKE YOU SAID, IT'S VERY HARD WHEN YOU DON'T HAVE THE 1386 01:01:04,210 --> 01:01:05,620 HARD WHEN YOU DON'T HAVE THE PEOPLE TO FEED OFF OF. 1387 01:01:05,650 --> 01:01:08,090 PEOPLE TO FEED OFF OF. BUT IT DIDN'T SEEM TO BOTHER YOU 1388 01:01:08,110 --> 01:01:10,130 BUT IT DIDN'T SEEM TO BOTHER YOU AT ALL 1389 01:01:10,150 --> 01:01:11,130 AT ALL SO, VERY GOOD. 1390 01:01:11,150 --> 01:01:12,660 SO, VERY GOOD. Terry: SOFIA. 1391 01:01:12,690 --> 01:01:14,200 Terry: SOFIA. Sofia: I REALLY ENJOYED IT. 1392 01:01:14,220 --> 01:01:16,400 Sofia: I REALLY ENJOYED IT. YES, YES! 1393 01:01:16,420 --> 01:01:18,770 YES, YES! Sofia: I THINK THIS TIME WAS 1394 01:01:18,790 --> 01:01:22,200 Sofia: I THINK THIS TIME WAS BETTER THAN THE LAST TIME. 1395 01:01:22,230 --> 01:01:23,610 BETTER THAN THE LAST TIME. I LOVED IT 1396 01:01:23,630 --> 01:01:23,970 I LOVED IT GREAT. 1397 01:01:24,000 --> 01:01:26,010 GREAT. I LOVE YOU. 1398 01:01:26,030 --> 01:01:27,810 I LOVE YOU. Sofia: PEOPLE UNDERSTAND HOW 1399 01:01:27,830 --> 01:01:29,040 Sofia: PEOPLE UNDERSTAND HOW HARD IT IS FOR A COMEDIAN TO 1400 01:01:29,070 --> 01:01:29,480 HARD IT IS FOR A COMEDIAN TO MAKE IT THIS FAR 1401 01:01:29,500 --> 01:01:33,280 MAKE IT THIS FAR I LOVE YOU! 1402 01:01:33,310 --> 01:01:33,620 I LOVE YOU! THANK YOU! 1403 01:01:33,640 --> 01:01:34,880 THANK YOU! Terry: GOOD LUCK TONIGHT, 1404 01:01:34,910 --> 01:01:35,920 Terry: GOOD LUCK TONIGHT, MICHAEL. 1405 01:01:35,940 --> 01:01:37,490 MICHAEL. DO YOU WANT TO SEE MICHAEL IN 1406 01:01:37,510 --> 01:01:38,020 DO YOU WANT TO SEE MICHAEL IN THE SEMI-FINALS? 1407 01:01:38,040 --> 01:01:39,120 THE SEMI-FINALS? THEN VOTE. 1408 01:01:39,150 --> 01:01:41,260 THEN VOTE. GO TO NBC.COM OR DOWNLOAD THE 1409 01:01:41,280 --> 01:01:42,860 GO TO NBC.COM OR DOWNLOAD THE OFFICIAL AGT APP FROM THE APP 1410 01:01:42,880 --> 01:01:45,490 OFFICIAL AGT APP FROM THE APP STORE OR GOOGLE PLAY 1411 01:01:45,520 --> 01:01:47,100 STORE OR GOOGLE PLAY OK, I HOPE YOU'RE READY TO GET 1412 01:01:47,120 --> 01:01:48,660 OK, I HOPE YOU'RE READY TO GET DANCING. 1413 01:01:48,690 --> 01:01:50,300 DANCING. 'CAUSE AFTER THE BREAK... TWO 1414 01:01:50,320 --> 01:01:51,900 'CAUSE AFTER THE BREAK... TWO SISTERS ARE GONNA BE TEARING UP 1415 01:01:51,920 --> 01:01:52,970 SISTERS ARE GONNA BE TEARING UP A WILD WEST TOWN 1416 01:01:52,990 --> 01:02:00,990 A WILD WEST TOWN STAY RIGHT THERE! 1417 01:02:07,170 --> 01:02:08,620 STAY RIGHT THERE! ALL OF OUR PERFORMERS ARE 1418 01:02:08,640 --> 01:02:09,720 ALL OF OUR PERFORMERS ARE HOPING TO CHANGE THEIR LIVES AND 1419 01:02:09,740 --> 01:02:11,820 HOPING TO CHANGE THEIR LIVES AND LIVE THE DREAM 1420 01:02:11,850 --> 01:02:12,920 LIVE THE DREAM WELL, YOU CAN, TOO, BECAUSE 1421 01:02:12,950 --> 01:02:13,960 WELL, YOU CAN, TOO, BECAUSE AUDITIONS FOR NEXT SEASON ARE 1422 01:02:13,980 --> 01:02:17,690 AUDITIONS FOR NEXT SEASON ARE STARTING UP SOON 1423 01:02:17,720 --> 01:02:19,290 STARTING UP SOON GO TO NBC.COM/AGT TO SUBMIT A 1424 01:02:19,320 --> 01:02:21,930 GO TO NBC.COM/AGT TO SUBMIT A VIDEO ONLINE OR TO GET MORE 1425 01:02:21,950 --> 01:02:23,000 VIDEO ONLINE OR TO GET MORE INFORMATION. 1426 01:02:23,020 --> 01:02:24,070 INFORMATION. IT'S TIME TO START LIVING YOUR 1427 01:02:24,090 --> 01:02:25,670 IT'S TIME TO START LIVING YOUR DREAM. 1428 01:02:25,690 --> 01:02:26,700 DREAM. LIKE THESE TWO SISTERS 1429 01:02:26,730 --> 01:02:28,340 LIKE THESE TWO SISTERS AT THE AUDITIONS, THEY HAD ME 1430 01:02:28,360 --> 01:02:29,400 AT THE AUDITIONS, THEY HAD ME JUMPING UP AND DOWN LIKE I 1431 01:02:29,430 --> 01:02:30,440 JUMPING UP AND DOWN LIKE I WAS 16 1432 01:02:30,460 --> 01:02:32,040 WAS 16 THEY ARE A FORCE OF NATURE 1433 01:02:32,060 --> 01:02:35,240 THEY ARE A FORCE OF NATURE BUCKLE UP! 1434 01:02:35,270 --> 01:02:43,270 BUCKLE UP! HERE ARE DOUBLE DRAGON 1435 01:02:44,080 --> 01:02:46,890 HERE ARE DOUBLE DRAGON I SAID YES, OF COURSE 1436 01:02:46,910 --> 01:02:49,220 I SAID YES, OF COURSE BUT UNDER ONE CONDITION. 1437 01:02:49,250 --> 01:02:50,260 BUT UNDER ONE CONDITION. GOOD MORNING, SUNSHINE. 1438 01:02:50,280 --> 01:02:51,860 GOOD MORNING, SUNSHINE. IT'S TWO FOR ONE. 1439 01:02:51,890 --> 01:02:53,530 IT'S TWO FOR ONE. NOW THERE'S THREE OF US 1440 01:02:53,550 --> 01:02:54,800 NOW THERE'S THREE OF US WE ARE LIVING TOGETHER 1441 01:02:54,820 --> 01:02:58,130 WE ARE LIVING TOGETHER HERE YOU GO 1442 01:02:58,160 --> 01:03:01,270 HERE YOU GO THANK YOU 1443 01:03:01,290 --> 01:03:05,070 THANK YOU WE REALIZED THE POWER OF 1444 01:03:05,100 --> 01:03:06,610 WE REALIZED THE POWER OF DOUBLE DRAGON AND WE WERE 1445 01:03:06,630 --> 01:03:07,180 DOUBLE DRAGON AND WE WERE TOGETHER 1446 01:03:07,200 --> 01:03:09,080 TOGETHER DAVID IS VERY SUPPORTIVE BECAUSE 1447 01:03:09,100 --> 01:03:10,680 DAVID IS VERY SUPPORTIVE BECAUSE HE KNOWS THERE IS NO WAY I 1448 01:03:10,700 --> 01:03:12,510 HE KNOWS THERE IS NO WAY I CANNOT SEE MY SISTER EVERY DAY 1449 01:03:12,540 --> 01:03:16,150 CANNOT SEE MY SISTER EVERY DAY BUT "AGT," WE WERE WORKING IN 1450 01:03:16,180 --> 01:03:18,090 BUT "AGT," WE WERE WORKING IN A BAKERY 1451 01:03:18,110 --> 01:03:19,890 A BAKERY FOR AUDITIONS WE REHEARSED FOR 1452 01:03:19,910 --> 01:03:20,790 FOR AUDITIONS WE REHEARSED FOR TEN HOURS. 1453 01:03:20,810 --> 01:03:22,690 TEN HOURS. HE COOKED FOR US SOMETIMES 1454 01:03:22,720 --> 01:03:25,230 HE COOKED FOR US SOMETIMES TOMATOES, ANYBODY 1455 01:03:25,250 --> 01:03:31,100 TOMATOES, ANYBODY WE GAINED SO MUCH WEIGHT. 1456 01:03:31,120 --> 01:03:32,630 WE GAINED SO MUCH WEIGHT. IT'S NICE TO HAVE SOMEONE 1457 01:03:32,660 --> 01:03:34,000 IT'S NICE TO HAVE SOMEONE LIKE HIM THAT ACTUALLY RESPECTS 1458 01:03:34,030 --> 01:03:35,200 LIKE HIM THAT ACTUALLY RESPECTS WHAT WE'RE DOING 1459 01:03:35,230 --> 01:03:35,870 WHAT WE'RE DOING IF THAT'S NOT LOVE, I DON'T 1460 01:03:35,900 --> 01:03:41,710 IF THAT'S NOT LOVE, I DON'T KNOW WHAT IT IS. 1461 01:03:41,730 --> 01:03:44,510 KNOW WHAT IT IS. FOR US, MAKING IT TO THE NEXT 1462 01:03:44,540 --> 01:03:45,380 FOR US, MAKING IT TO THE NEXT ROUND MEANS EVERYTHING WE WANTED 1463 01:03:45,400 --> 01:03:46,380 ROUND MEANS EVERYTHING WE WANTED IN OUR ENTIRE LIFE 1464 01:03:46,410 --> 01:03:48,220 IN OUR ENTIRE LIFE AND WHAT IS IT YOU WANT 1465 01:03:48,240 --> 01:03:50,090 AND WHAT IS IT YOU WANT WE WANT CARBS 1466 01:03:50,110 --> 01:03:53,360 WE WANT CARBS SO SORRY. 1467 01:03:53,380 --> 01:03:56,760 SO SORRY. WE WANT TO MAKE A DREAM COME 1468 01:03:56,780 --> 01:03:57,060 WE WANT TO MAKE A DREAM COME TRUE 1469 01:03:57,080 --> 01:03:58,660 TRUE THIS IS WHY WE'RE HERE. 1470 01:03:58,690 --> 01:04:03,270 THIS IS WHY WE'RE HERE. DOUBLE DRAGON IS HERE 1471 01:04:03,290 --> 01:04:07,360 DOUBLE DRAGON IS HERE [ CHEERS AND APPLAUSE 1472 01:04:08,430 --> 01:04:15,730 ♪ 1473 01:04:19,040 --> 01:04:26,680 ♪ 1474 01:04:32,020 --> 01:04:40,020 ♪ 1475 01:04:44,730 --> 01:04:52,730 ♪ 1476 01:04:58,080 --> 01:05:06,080 ♪ 1477 01:05:10,660 --> 01:05:18,660 ♪ 1478 01:05:22,500 --> 01:05:30,240 ♪ 1479 01:05:34,850 --> 01:05:42,850 ♪ 1480 01:05:49,290 --> 01:05:56,500 ♪ 1481 01:06:02,170 --> 01:06:06,940 [ CHEERS AND APPLAUSE 1482 01:06:09,680 --> 01:06:12,330 Terry: OH, MY GOODNESS. WE'LL BRING THE LADIES BACK TO 1483 01:06:12,350 --> 01:06:12,860 WE'LL BRING THE LADIES BACK TO THE FUTURE FOR THE JUDGING, 1484 01:06:12,890 --> 01:06:13,930 THE FUTURE FOR THE JUDGING, AFTER THE BREAK. 1485 01:06:13,950 --> 01:06:18,620 AFTER THE BREAK. STAY RIGHT THERE 1486 01:06:26,200 --> 01:06:31,480 Announcer: COMING UP... PULL IT 1487 01:06:31,500 --> 01:06:33,450 PULL IT THEY DON'T DO THAT IN 1488 01:06:33,470 --> 01:06:33,680 THEY DON'T DO THAT IN COLOMBIA 1489 01:06:33,710 --> 01:06:36,250 COLOMBIA THAT WAS VERY POWERFUL. 1490 01:06:36,280 --> 01:06:38,680 THAT WAS VERY POWERFUL. THIS IS AN AUDITION I WILL 1491 01:06:50,520 --> 01:06:56,670 OKAY DOUBLE DRAGON NAILED IT BEFORE 1492 01:06:56,700 --> 01:06:57,710 DOUBLE DRAGON NAILED IT BEFORE THE BREAK, OUT IN THE WILD WEST. 1493 01:06:57,730 --> 01:07:02,910 THE BREAK, OUT IN THE WILD WEST. LET'S GO TO THE JUDGES 1494 01:07:02,940 --> 01:07:03,210 LET'S GO TO THE JUDGES HOWIE? 1495 01:07:03,240 --> 01:07:05,110 HOWIE? Howie: YOU KNOW, I'M NOT 1496 01:07:05,140 --> 01:07:07,320 Howie: YOU KNOW, I'M NOT JUDGING YOU AS SINGERS, I'M 1497 01:07:07,340 --> 01:07:09,320 JUDGING YOU AS SINGERS, I'M JUDGING YOU AS JUST 1498 01:07:09,340 --> 01:07:09,680 JUDGING YOU AS JUST PERSONALITIES. 1499 01:07:09,710 --> 01:07:11,650 PERSONALITIES. YOU GUYS SING, YOU MAKE US 1500 01:07:11,680 --> 01:07:11,950 YOU GUYS SING, YOU MAKE US LAUGH. 1501 01:07:11,980 --> 01:07:13,820 LAUGH. WE WERE ALL TALKING BEFORE, 1502 01:07:13,850 --> 01:07:14,560 WE WERE ALL TALKING BEFORE, THEY'RE GOING TO SAY THE SAME 1503 01:07:14,580 --> 01:07:20,900 THEY'RE GOING TO SAY THE SAME THING, I SEE YOU AS A SITCOM, 1504 01:07:20,920 --> 01:07:23,430 THING, I SEE YOU AS A SITCOM, YOU COULD BE THE NEW "THREE'S 1505 01:07:23,460 --> 01:07:26,670 YOU COULD BE THE NEW "THREE'S COMPANY" WITH YOU AND YOUR 1506 01:07:26,690 --> 01:07:27,070 COMPANY" WITH YOU AND YOUR BOYFRIEND. 1507 01:07:27,090 --> 01:07:28,140 BOYFRIEND. Terry: HEIDI? 1508 01:07:28,160 --> 01:07:30,270 Terry: HEIDI? Heidi: I LOVE YOU TOO 1509 01:07:30,300 --> 01:07:33,240 Heidi: I LOVE YOU TOO DOUBLE THE ENERGY, DOUBLE THE 1510 01:07:33,270 --> 01:07:34,910 DOUBLE THE ENERGY, DOUBLE THE FUN, DOUBLE THE TALENT 1511 01:07:34,930 --> 01:07:39,820 FUN, DOUBLE THE TALENT CAN I BE YOUR TRIPLET? 1512 01:07:39,840 --> 01:07:41,820 CAN I BE YOUR TRIPLET? Sofia: THE ONLY ONE HERE WHO 1513 01:07:41,840 --> 01:07:44,050 Sofia: THE ONLY ONE HERE WHO COULD BE THEIR TRIPLET IS ME 1514 01:07:44,080 --> 01:07:47,360 COULD BE THEIR TRIPLET IS ME SO MUCH FUN 1515 01:07:47,380 --> 01:07:48,460 SO MUCH FUN Terry: WHAT DO YOU THINK, SO 1516 01:07:48,480 --> 01:07:49,220 Terry: WHAT DO YOU THINK, SO MUCH I CAN'T 1517 01:07:49,250 --> 01:07:50,630 MUCH I CAN'T Sofia: IF YOU DON'T WIN THIS 1518 01:07:50,650 --> 01:07:52,690 Sofia: IF YOU DON'T WIN THIS COMPETITION, I THINK WE CAN DO 1519 01:07:52,720 --> 01:07:53,060 COMPETITION, I THINK WE CAN DO SOMETHING. 1520 01:07:53,090 --> 01:07:57,270 SOMETHING. YOU DESERVE A REALITY SHOW, AT 1521 01:07:57,290 --> 01:07:59,770 YOU DESERVE A REALITY SHOW, AT LEAST, BECAUSE YOU GUYS ARE SO 1522 01:07:59,790 --> 01:08:01,170 LEAST, BECAUSE YOU GUYS ARE SO ENTERTAINING, SO FULL OF LIFE. 1523 01:08:01,190 --> 01:08:03,670 ENTERTAINING, SO FULL OF LIFE. I FEEL SO BAD FOR THAT POOR 1524 01:08:03,700 --> 01:08:06,340 I FEEL SO BAD FOR THAT POOR BOYFRIEND THAT LIVES WITH YOU. 1525 01:08:06,370 --> 01:08:08,240 BOYFRIEND THAT LIVES WITH YOU. BUT YOU GUYS ARE AMAZING 1526 01:08:08,270 --> 01:08:11,580 BUT YOU GUYS ARE AMAZING AND THE VOICE, THE VOICE IS 1527 01:08:11,600 --> 01:08:11,850 AND THE VOICE, THE VOICE IS FANTASTIC. 1528 01:08:11,870 --> 01:08:14,320 FANTASTIC. I'M SO HAPPY, THANK YOU 1529 01:08:14,340 --> 01:08:15,480 I'M SO HAPPY, THANK YOU Terry: KELLY. 1530 01:08:15,510 --> 01:08:17,890 Terry: KELLY. Kelly: I LOVE THE ENERGY, 1531 01:08:17,910 --> 01:08:19,290 Kelly: I LOVE THE ENERGY, LOVE THE SONG CHOICE, I LOVED 1532 01:08:19,310 --> 01:08:22,060 LOVE THE SONG CHOICE, I LOVED YOU SINGING IN SPANISH, IT WAS 1533 01:08:22,080 --> 01:08:26,390 YOU SINGING IN SPANISH, IT WAS SEXY AND FUN AND FLIRTY AND 1534 01:08:26,420 --> 01:08:27,100 SEXY AND FUN AND FLIRTY AND GREAT. 1535 01:08:27,120 --> 01:08:29,100 GREAT. Terry: DOUBLE DRAGON, WHERE 1536 01:08:29,120 --> 01:08:30,170 Terry: DOUBLE DRAGON, WHERE DO YOU GET THAT ENERGY 1537 01:08:30,190 --> 01:08:32,570 DO YOU GET THAT ENERGY IT'S COFFEE, MAN, WE DRINK A 1538 01:08:32,590 --> 01:08:34,800 IT'S COFFEE, MAN, WE DRINK A LOT, DOUBLE SHOT 1539 01:08:34,830 --> 01:08:37,540 LOT, DOUBLE SHOT Terry: I GOT IT, I GOT IT 1540 01:08:37,560 --> 01:08:38,070 Terry: I GOT IT, I GOT IT GOOD LUCK TONIGHT, LADIES. 1541 01:08:38,100 --> 01:08:39,110 GOOD LUCK TONIGHT, LADIES. REMEMBER, ALL OF TONIGHT'S 1542 01:08:39,130 --> 01:08:40,180 REMEMBER, ALL OF TONIGHT'S ACTS ARE DEPENDING VOICE REMOTE 1543 01:08:40,200 --> 01:08:41,240 ACTS ARE DEPENDING VOICE REMOTE ON YOU 1544 01:08:41,270 --> 01:08:42,810 ON YOU SO YOU GOTTA VOTE! 1545 01:08:42,840 --> 01:08:43,410 SO YOU GOTTA VOTE! XFINITY CUSTOMERS, YOU CAN VOTE 1546 01:08:43,440 --> 01:08:44,410 XFINITY CUSTOMERS, YOU CAN VOTE USING YOUR XFINITY VOICE REMOTE. 1547 01:08:44,440 --> 01:08:51,720 USING YOUR XFINITY VOICE REMOTE. HERE'S OUR NEXT ACT. 1548 01:08:51,740 --> 01:08:54,090 HERE'S OUR NEXT ACT. HE'S SOFIA VERGARA'S NEXT BFF, 1549 01:08:54,110 --> 01:08:55,590 HE'S SOFIA VERGARA'S NEXT BFF, OR NOT 1550 01:08:55,610 --> 01:08:56,630 OR NOT THIS GUY TAKES SWORD-SWALLOWING 1551 01:08:56,650 --> 01:08:57,360 THIS GUY TAKES SWORD-SWALLOWING TO A WHOLE NEW LEVEL OF... WHAT! 1552 01:08:57,380 --> 01:08:58,230 TO A WHOLE NEW LEVEL OF... WHAT! AND PLEASE, DO NOT EVEN THINK 1553 01:08:58,250 --> 01:08:59,290 AND PLEASE, DO NOT EVEN THINK ABOUT TRYING WHAT YOU'RE GONNA 1554 01:08:59,320 --> 01:08:59,830 ABOUT TRYING WHAT YOU'RE GONNA SEE AT HOME. 1555 01:08:59,850 --> 01:09:04,070 SEE AT HOME. HERE'S BRETT LOUDERMILK. 1556 01:09:04,090 --> 01:09:05,230 HERE'S BRETT LOUDERMILK. HEY, AMERICA. 1557 01:09:05,260 --> 01:09:08,940 HEY, AMERICA. IT'S ME, BRETT LOUDERMILK. 1558 01:09:08,960 --> 01:09:11,440 IT'S ME, BRETT LOUDERMILK. WHEN I WINK, YOU GRAB THE SWORD 1559 01:09:11,460 --> 01:09:11,940 WHEN I WINK, YOU GRAB THE SWORD AND PULL 1560 01:09:11,960 --> 01:09:13,710 AND PULL PULL IT, PULL IT! 1561 01:09:13,730 --> 01:09:14,880 PULL IT, PULL IT! I CAN'T 1562 01:09:14,900 --> 01:09:17,210 I CAN'T SUCH A GREAT REACTION FROM MY 1563 01:09:17,240 --> 01:09:20,520 SUCH A GREAT REACTION FROM MY AUDITION ON "AGT," I DECIDED TO 1564 01:09:20,540 --> 01:09:22,480 AUDITION ON "AGT," I DECIDED TO PACK MY BAGS, MOVE TO LAS VEGAS, 1565 01:09:22,510 --> 01:09:25,450 PACK MY BAGS, MOVE TO LAS VEGAS, FOLLOW MY DREAMS, TRY TO GET 1566 01:09:25,480 --> 01:09:26,450 FOLLOW MY DREAMS, TRY TO GET SOME WORK. 1567 01:09:26,480 --> 01:09:27,460 SOME WORK. AND BOOM, CORONAVIRUS. 1568 01:09:27,480 --> 01:09:30,990 AND BOOM, CORONAVIRUS. I DECIDED TO KEEP A VIDEO DIARY. 1569 01:09:31,020 --> 01:09:32,760 I DECIDED TO KEEP A VIDEO DIARY. THE ENTIRE LAS VEGAS STRIP IS 1570 01:09:32,790 --> 01:09:33,660 THE ENTIRE LAS VEGAS STRIP IS CLOSED 1571 01:09:33,690 --> 01:09:35,860 CLOSED CASINOS ARE CLOSED 1572 01:09:35,890 --> 01:09:37,200 CASINOS ARE CLOSED THEATERS ARE BOARDED UP. 1573 01:09:37,220 --> 01:09:39,570 THEATERS ARE BOARDED UP. MY DREAMS ARE DEAD 1574 01:09:39,590 --> 01:09:40,770 MY DREAMS ARE DEAD I CAN'T STREET PERFORM BECAUSE 1575 01:09:40,790 --> 01:09:42,040 I CAN'T STREET PERFORM BECAUSE THERE'S LITERALLY NO ONE ON THE 1576 01:09:42,060 --> 01:09:42,400 THERE'S LITERALLY NO ONE ON THE STREETS. 1577 01:09:42,430 --> 01:09:45,170 STREETS. I'VE BEEN IN QUARANTINE FOR 1578 01:09:45,200 --> 01:09:46,040 I'VE BEEN IN QUARANTINE FOR ABOUT THIS LONG. 1579 01:09:46,070 --> 01:09:48,780 ABOUT THIS LONG. I'M WORKING ON MY NEXT ACT 1580 01:09:48,800 --> 01:09:50,580 I'M WORKING ON MY NEXT ACT NOW, I THINK THEY DID THAT ON 1581 01:09:50,600 --> 01:09:51,310 NOW, I THINK THEY DID THAT ON SEASON 2 1582 01:09:51,340 --> 01:09:52,580 SEASON 2 I'M DOING PHOTOGRAPHY. 1583 01:09:52,610 --> 01:09:53,920 I'M DOING PHOTOGRAPHY. AND I'M SPENDING A FAIR AMOUNT 1584 01:09:53,940 --> 01:09:59,090 AND I'M SPENDING A FAIR AMOUNT OF TIME JUST STARING AT A WALL 1585 01:09:59,110 --> 01:10:01,690 OF TIME JUST STARING AT A WALL GOING FORWARD NOW IS COMPLETELY 1586 01:10:01,710 --> 01:10:02,290 GOING FORWARD NOW IS COMPLETELY UNCHARTED. 1587 01:10:02,310 --> 01:10:03,060 UNCHARTED. "AMERICA'S GOT TALENT" HAS 1588 01:10:03,080 --> 01:10:03,320 "AMERICA'S GOT TALENT" HAS CHANGED. 1589 01:10:03,350 --> 01:10:04,360 CHANGED. EVERYTHING HAS CHANGED 1590 01:10:04,380 --> 01:10:06,060 EVERYTHING HAS CHANGED I CAN'T THINK OF ANOTHER TIME IN 1591 01:10:06,090 --> 01:10:08,300 I CAN'T THINK OF ANOTHER TIME IN HISTORY WHERE EVERYONE HAS 1592 01:10:08,320 --> 01:10:09,630 HISTORY WHERE EVERYONE HAS EXPERIENCED THE EXACT SAME 1593 01:10:09,660 --> 01:10:10,700 EXPERIENCED THE EXACT SAME THING. 1594 01:10:10,720 --> 01:10:12,600 THING. AND I THINK AT THE END OF THIS 1595 01:10:12,630 --> 01:10:13,540 AND I THINK AT THE END OF THIS THERE'S GOING TO BE A GREATER 1596 01:10:13,560 --> 01:10:14,800 THERE'S GOING TO BE A GREATER SENSE OF COMMUNITY IN THE WORLD. 1597 01:10:14,830 --> 01:10:16,640 SENSE OF COMMUNITY IN THE WORLD. HELLO, GOOD TO SEE YOU GUYS 1598 01:10:16,660 --> 01:10:17,970 HELLO, GOOD TO SEE YOU GUYS WHAT I'M REALLY LOOKING 1599 01:10:18,000 --> 01:10:20,010 WHAT I'M REALLY LOOKING FORWARD TO THE MOST IS GETTING 1600 01:10:20,030 --> 01:10:23,110 FORWARD TO THE MOST IS GETTING BACK ON STAGE, MAKING PEOPLE 1601 01:10:23,140 --> 01:10:24,410 BACK ON STAGE, MAKING PEOPLE LAUGH, AND MAKING THEM FORGET 1602 01:10:24,440 --> 01:10:25,650 LAUGH, AND MAKING THEM FORGET ABOUT ANYTHING BAD THAT HAPPENED 1603 01:10:25,670 --> 01:10:27,820 ABOUT ANYTHING BAD THAT HAPPENED TO THEM THAT DAY AND REMIND THEM 1604 01:10:27,840 --> 01:10:28,920 TO THEM THAT DAY AND REMIND THEM OF THE GREAT THINGS LIFE HAS TO 1605 01:10:28,940 --> 01:10:29,320 OF THE GREAT THINGS LIFE HAS TO OFFER. 1606 01:10:29,340 --> 01:10:33,910 OFFER. [ CHEERS AND APPLAUSE 1607 01:10:36,610 --> 01:10:41,630 "AGT" LIVE SHOWS, I GET IT. JESUS. 1608 01:10:41,650 --> 01:10:44,700 JESUS. THAT'S A LOT OF PINK 1609 01:10:44,720 --> 01:10:46,370 THAT'S A LOT OF PINK CAN WE GET SOMETHING A LITTLE 1610 01:10:46,390 --> 01:10:48,140 CAN WE GET SOMETHING A LITTLE LESS SUBTLE, PLEASE? 1611 01:10:48,160 --> 01:10:48,740 LESS SUBTLE, PLEASE? THANK YOU. 1612 01:10:48,760 --> 01:10:50,240 THANK YOU. SPEAKING OF SUBTLE, I WANT TO 1613 01:10:50,260 --> 01:10:51,940 SPEAKING OF SUBTLE, I WANT TO THANK THE ART DEPARTMENT FOR 1614 01:10:51,960 --> 01:10:56,610 THANK THE ART DEPARTMENT FOR THAT IMPECCABLE IMAGE OF MYSELF. 1615 01:10:56,640 --> 01:10:58,580 THAT IMPECCABLE IMAGE OF MYSELF. HI, HEIDI, HOW ARE YOU 1616 01:10:58,600 --> 01:11:03,020 HI, HEIDI, HOW ARE YOU WE HAVEN'T MET YET, THIS IS SO 1617 01:11:03,040 --> 01:11:03,450 WE HAVEN'T MET YET, THIS IS SO EXCITING 1618 01:11:03,480 --> 01:11:04,620 EXCITING Heidi: IS THERE A SWORD I 1619 01:11:04,640 --> 01:11:06,290 Heidi: IS THERE A SWORD I HAVE TO PULL OUT OF YOUR THROAT? 1620 01:11:06,310 --> 01:11:07,760 HAVE TO PULL OUT OF YOUR THROAT? NOT YET 1621 01:11:07,780 --> 01:11:09,560 NOT YET IT'S A DECK OF CARD. 1622 01:11:09,580 --> 01:11:10,890 IT'S A DECK OF CARD. IT'S NOT REALLY A TRICK, IT'S 1623 01:11:10,920 --> 01:11:12,160 IT'S NOT REALLY A TRICK, IT'S MORE OF A STUNT. 1624 01:11:12,180 --> 01:11:12,990 MORE OF A STUNT. I'M GOING TO SPREAD THE CARDS 1625 01:11:13,020 --> 01:11:14,260 I'M GOING TO SPREAD THE CARDS OUT JUST LIKE THIS 1626 01:11:14,290 --> 01:11:16,230 OUT JUST LIKE THIS WILL YOU PULL ONE OF THOSE CARDS 1627 01:11:16,260 --> 01:11:17,000 WILL YOU PULL ONE OF THOSE CARDS TOWARDS YOURSELF 1628 01:11:17,020 --> 01:11:19,770 TOWARDS YOURSELF YEP, RIGHT THERE 1629 01:11:19,790 --> 01:11:21,800 YEP, RIGHT THERE LIKE I SAID, IT'S NOT A MAGIC 1630 01:11:21,830 --> 01:11:22,070 LIKE I SAID, IT'S NOT A MAGIC TRICK. 1631 01:11:22,090 --> 01:11:23,770 TRICK. YOU CAN SHOW THE CAMERA THE 1632 01:11:23,800 --> 01:11:25,310 YOU CAN SHOW THE CAMERA THE CARD, I CAN SEE THE CARD, IT 1633 01:11:25,330 --> 01:11:26,570 CARD, I CAN SEE THE CARD, IT DOESN'T MATTER 1634 01:11:26,600 --> 01:11:27,610 DOESN'T MATTER THE SIX OF DIAMONDS. 1635 01:11:27,630 --> 01:11:28,010 THE SIX OF DIAMONDS. ALL RIGHT. 1636 01:11:28,030 --> 01:11:29,640 ALL RIGHT. I WANT YOU TO SIGN YOUR NAME 1637 01:11:29,670 --> 01:11:31,710 I WANT YOU TO SIGN YOUR NAME ACROSS THE SIX OF DIAMONDS 1638 01:11:31,740 --> 01:11:32,310 ACROSS THE SIX OF DIAMONDS JUST GIVE ME YOUR AUTOGRAPH 1639 01:11:32,340 --> 01:11:34,850 JUST GIVE ME YOUR AUTOGRAPH RIGHT THERE. 1640 01:11:34,870 --> 01:11:35,450 RIGHT THERE. PERFECT. 1641 01:11:35,470 --> 01:11:36,550 PERFECT. NOW, THIS IS REALLY IMPORTANT. 1642 01:11:36,580 --> 01:11:40,020 NOW, THIS IS REALLY IMPORTANT. WE'RE GOING TO PLACE THE CARD 1643 01:11:40,050 --> 01:11:43,090 WE'RE GOING TO PLACE THE CARD ABOUT 18 CARDS INTO THE PACK 1644 01:11:43,120 --> 01:11:43,860 ABOUT 18 CARDS INTO THE PACK YOU'LL SEE WHY THAT'S IMPORTANT 1645 01:11:43,880 --> 01:11:48,630 YOU'LL SEE WHY THAT'S IMPORTANT IN JUST SECONDS. 1646 01:11:48,650 --> 01:11:48,960 IN JUST SECONDS. PERFECT. 1647 01:11:48,990 --> 01:11:51,030 PERFECT. YOU FOLLOW INSTRUCTIONS SO WELL. 1648 01:11:51,060 --> 01:11:53,470 YOU FOLLOW INSTRUCTIONS SO WELL. SPEAKING OF FOLLOWING 1649 01:11:53,490 --> 01:11:54,070 SPEAKING OF FOLLOWING INSTRUCTIONS... 1650 01:11:54,090 --> 01:11:55,540 INSTRUCTIONS... Sofia: WHAT 1651 01:11:55,560 --> 01:11:57,340 Sofia: WHAT WHAT WHAT >> HI, SOFIA 1652 01:11:57,360 --> 01:11:59,370 HI, SOFIA WILL YOU PLEASE JOIN ME ONSTAGE? 1653 01:11:59,400 --> 01:12:01,080 WILL YOU PLEASE JOIN ME ONSTAGE? EVERYONE GIVE HER A ROUND OF 1654 01:12:01,100 --> 01:12:03,180 EVERYONE GIVE HER A ROUND OF APPLAUSE AS SOFIA JOINS ME 1655 01:12:03,200 --> 01:12:03,440 APPLAUSE AS SOFIA JOINS ME ONSTAGE. 1656 01:12:03,470 --> 01:12:04,510 ONSTAGE. YES, HURRY UP, COME ON 1657 01:12:04,540 --> 01:12:12,540 YES, HURRY UP, COME ON [ APPLAUSE ] 1658 01:12:15,710 --> 01:12:19,730 [ APPLAUSE ] YOU MAY REMEMBER, DURING MY 1659 01:12:19,750 --> 01:12:22,260 YOU MAY REMEMBER, DURING MY AUDITION SOFIA ASSISTED ME 1660 01:12:22,290 --> 01:12:22,630 AUDITION SOFIA ASSISTED ME ONSTAGE. 1661 01:12:22,660 --> 01:12:24,630 ONSTAGE. YOU SCREWED IT UP. 1662 01:12:24,660 --> 01:12:26,370 YOU SCREWED IT UP. BUT IT'S FINE, IT'S OKAY, 1663 01:12:26,390 --> 01:12:28,140 BUT IT'S FINE, IT'S OKAY, BECAUSE TONIGHT IS YOUR CHANCE 1664 01:12:28,160 --> 01:12:29,340 BECAUSE TONIGHT IS YOUR CHANCE FOR REDEMPTION 1665 01:12:29,360 --> 01:12:31,910 FOR REDEMPTION I DIDN'T DO ANYTHING WRONG. 1666 01:12:31,930 --> 01:12:32,370 I DIDN'T DO ANYTHING WRONG. STAND OVER THERE. 1667 01:12:32,400 --> 01:12:39,050 STAND OVER THERE. STAND ON THE X 1668 01:12:39,070 --> 01:12:39,680 STAND ON THE X TONIGHT THIS ACT IS NOT ABOUT 1669 01:12:39,700 --> 01:12:41,850 TONIGHT THIS ACT IS NOT ABOUT ME 1670 01:12:41,870 --> 01:12:45,450 ME THIS ACT IS ALL ABOUT YOU! 1671 01:12:45,480 --> 01:12:48,820 THIS ACT IS ALL ABOUT YOU! THAT'S A NICE PICTURE, THANK 1672 01:12:48,850 --> 01:12:49,160 THAT'S A NICE PICTURE, THANK YOU. 1673 01:12:49,180 --> 01:12:50,160 YOU. IT WAS FIVE GRAND 1674 01:12:50,180 --> 01:12:51,090 IT WAS FIVE GRAND I'M NOT KIDDING. 1675 01:12:51,120 --> 01:12:52,490 I'M NOT KIDDING. I LIKE IT 1676 01:12:52,520 --> 01:12:55,130 I LIKE IT IN A MINUTE, YOU'RE GOING TO 1677 01:12:55,150 --> 01:12:57,370 IN A MINUTE, YOU'RE GOING TO BE SHOOTING THAT CROSSBOW 1678 01:12:57,390 --> 01:12:59,270 BE SHOOTING THAT CROSSBOW DIRECTLY AT MY FACE. 1679 01:12:59,290 --> 01:13:00,500 DIRECTLY AT MY FACE. Sofia: COME ON, COME ON 1680 01:13:00,530 --> 01:13:04,770 Sofia: COME ON, COME ON STAND THERE, GO BACK, GO 1681 01:13:04,800 --> 01:13:05,270 STAND THERE, GO BACK, GO BACK 1682 01:13:05,300 --> 01:13:07,280 BACK Sofia: WHY CAN'T HE DO IT 1683 01:13:07,300 --> 01:13:08,340 Sofia: WHY CAN'T HE DO IT YOU WILL SHOOT THE ARROW TO 1684 01:13:08,370 --> 01:13:15,680 YOU WILL SHOOT THE ARROW TO FIND HEIDI'S CARD. 1685 01:13:15,710 --> 01:13:18,990 FIND HEIDI'S CARD. Sofia: WHY CAN'T HEIDI? 1686 01:13:19,010 --> 01:13:22,960 Sofia: WHY CAN'T HEIDI? Heidi: WHY CAN'T SHE STAND 1687 01:13:22,980 --> 01:13:24,190 Heidi: WHY CAN'T SHE STAND HERE 1688 01:13:24,220 --> 01:13:24,890 HERE BECAUSE YOU DIDN'T SCREW ME 1689 01:13:24,920 --> 01:13:29,930 BECAUSE YOU DIDN'T SCREW ME OVER LAST TIME 1690 01:13:29,960 --> 01:13:31,400 OVER LAST TIME I'M GOING TO BE STANDING ON THAT 1691 01:13:31,420 --> 01:13:31,830 I'M GOING TO BE STANDING ON THAT X. 1692 01:13:31,860 --> 01:13:34,840 X. THIS CROSSBOW IS EQUIPPED WITH A 1693 01:13:34,860 --> 01:13:35,770 THIS CROSSBOW IS EQUIPPED WITH A LASER SIGHT. 1694 01:13:35,790 --> 01:13:37,810 LASER SIGHT. YOU WILL AIM THE CROSSBOW AT THE 1695 01:13:37,830 --> 01:13:39,670 YOU WILL AIM THE CROSSBOW AT THE CARDS IN MY MOUTH AND ON MY 1696 01:13:39,700 --> 01:13:41,380 CARDS IN MY MOUTH AND ON MY SIGNAL, ONLY ON MY SIGNAL, YOU 1697 01:13:41,400 --> 01:13:43,240 SIGNAL, ONLY ON MY SIGNAL, YOU WILL FIRMLY PULL THAT TRIGGER, 1698 01:13:43,270 --> 01:13:45,010 WILL FIRMLY PULL THAT TRIGGER, SHOOTING AN ARROW ACROSS THAT 1699 01:13:45,040 --> 01:13:46,210 SHOOTING AN ARROW ACROSS THAT STAGE INTO A PACK OF CARDS 1700 01:13:46,240 --> 01:13:46,650 STAGE INTO A PACK OF CARDS DO YOU UNDERSTAND? 1701 01:13:46,670 --> 01:13:53,020 DO YOU UNDERSTAND? Sofia: WHY ME 1702 01:13:53,050 --> 01:13:54,460 Sofia: WHY ME YOU DON'T WANT TO DO THIS 1703 01:13:54,480 --> 01:13:55,120 YOU DON'T WANT TO DO THIS Sofia: WHAT IF SOMETHING I DO 1704 01:13:55,150 --> 01:13:55,520 Sofia: WHAT IF SOMETHING I DO WRONG? 1705 01:13:55,550 --> 01:14:00,330 WRONG? I DIE 1706 01:14:00,350 --> 01:14:01,960 I DIE Heidi: I HAVE ANOTHER 1707 01:14:01,990 --> 01:14:02,330 Heidi: I HAVE ANOTHER QUESTION 1708 01:14:02,350 --> 01:14:04,600 QUESTION WHERE DO I STAND WHILE THIS IS 1709 01:14:04,620 --> 01:14:05,130 WHERE DO I STAND WHILE THIS IS HAPPENING? 1710 01:14:05,160 --> 01:14:05,970 HAPPENING? WE HAVE FOUR MINUTES, I DON'T 1711 01:14:05,990 --> 01:14:07,570 WE HAVE FOUR MINUTES, I DON'T HAVE TIME FOR YOUR QUESTIONS 1712 01:14:07,590 --> 01:14:10,140 HAVE TIME FOR YOUR QUESTIONS Sofia: WHAT IS YOUR SIGNAL? 1713 01:14:10,160 --> 01:14:12,940 Sofia: WHAT IS YOUR SIGNAL? I'M GOING TO YELL "FIRE." 1714 01:14:12,970 --> 01:14:13,810 I'M GOING TO YELL "FIRE." Sofia: OKAY 1715 01:14:13,830 --> 01:14:14,510 Sofia: OKAY LIKE RIGHT NOW 1716 01:14:14,530 --> 01:14:15,080 LIKE RIGHT NOW NO. 1717 01:14:15,100 --> 01:14:15,540 NO. NOT RIGHT NOW. 1718 01:14:15,570 --> 01:14:16,710 NOT RIGHT NOW. WHEN YOU AIM 1719 01:14:16,740 --> 01:14:18,080 WHEN YOU AIM LISTEN, I BELIEVE IN YOU, AS 1720 01:14:18,100 --> 01:14:19,780 LISTEN, I BELIEVE IN YOU, AS LONG AS YOU JUST FOCUS AND DO 1721 01:14:19,810 --> 01:14:22,050 LONG AS YOU JUST FOCUS AND DO WHAT I'M ASKING YOU TO DO, 1722 01:14:22,070 --> 01:14:23,490 WHAT I'M ASKING YOU TO DO, EVERYTHING IS GOING TO BE OKAY 1723 01:14:23,510 --> 01:14:23,920 EVERYTHING IS GOING TO BE OKAY Sofia: OKAY 1724 01:14:23,940 --> 01:14:24,320 Sofia: OKAY I CAN DO IT. 1725 01:14:24,340 --> 01:14:28,420 I CAN DO IT. I HOPE YOU CAN DO IT. 1726 01:14:28,450 --> 01:14:34,460 I HOPE YOU CAN DO IT. SOFIA, RAISE THE CROSSBOW. 1727 01:14:34,490 --> 01:14:34,900 SOFIA, RAISE THE CROSSBOW. ANY DAY NOW. 1728 01:14:34,920 --> 01:14:37,500 ANY DAY NOW. NOT THERE. 1729 01:14:37,520 --> 01:14:38,270 NOT THERE. Sofia: NO 1730 01:14:38,290 --> 01:14:40,540 Sofia: NO NO. 1731 01:14:40,560 --> 01:14:41,270 NO. A LITTLE HIGHER. 1732 01:14:41,290 --> 01:14:43,610 A LITTLE HIGHER. Sofia: WAIT, NO, IT'S WRONG 1733 01:14:43,630 --> 01:14:44,640 Sofia: WAIT, NO, IT'S WRONG YOU'RE FINE 1734 01:14:44,660 --> 01:14:46,370 YOU'RE FINE OH, MY GOD 1735 01:14:46,400 --> 01:14:47,110 OH, MY GOD Sofia: WAIT 1736 01:14:47,130 --> 01:14:49,010 Sofia: WAIT THIS IS WHAT I'M PUSHING HERE? 1737 01:14:49,030 --> 01:14:49,640 THIS IS WHAT I'M PUSHING HERE? YES 1738 01:14:49,670 --> 01:14:50,810 YES THE TRIGGER, YES 1739 01:14:50,840 --> 01:14:51,180 THE TRIGGER, YES BUT NOT YET. 1740 01:14:51,200 --> 01:14:54,650 BUT NOT YET. HERE WE GO 1741 01:14:54,670 --> 01:14:56,490 HERE WE GO AIM AT THE... 1742 01:14:56,510 --> 01:14:57,850 AIM AT THE... Sofia: DO I HAVE TO LOOK? 1743 01:14:57,880 --> 01:14:59,650 Sofia: DO I HAVE TO LOOK? YES, YOU HAVE TO LOOK AT THE 1744 01:14:59,680 --> 01:15:00,290 YES, YOU HAVE TO LOOK AT THE RED DOT. 1745 01:15:00,310 --> 01:15:01,490 RED DOT. Sofia: WAIT, WAIT 1746 01:15:01,510 --> 01:15:04,530 Sofia: WAIT, WAIT THIS IS MOVING 1747 01:15:04,550 --> 01:15:04,890 THIS IS MOVING OKAY 1748 01:15:04,920 --> 01:15:08,900 OKAY I BEG YOU, I BEG YOU 1749 01:15:08,920 --> 01:15:09,460 I BEG YOU, I BEG YOU FIRE! 1750 01:15:09,490 --> 01:15:13,600 FIRE! Howie: HE SAID FIRE 1751 01:15:13,630 --> 01:15:14,100 Howie: HE SAID FIRE Sofia: HE'S DEAD? 1752 01:15:14,130 --> 01:15:21,310 Sofia: HE'S DEAD? HE'S DEAD? 1753 01:15:21,330 --> 01:15:29,330 HE'S DEAD? [ COUGHING ] 1754 01:15:32,540 --> 01:15:33,990 [ COUGHING ] Kelly: NO WAY 1755 01:15:34,010 --> 01:15:36,820 Kelly: NO WAY NO WAY 1756 01:15:36,850 --> 01:15:39,930 NO WAY Heidi: NO WAY 1757 01:15:39,950 --> 01:15:40,930 Heidi: NO WAY HEIDI 1758 01:15:40,950 --> 01:15:41,930 HEIDI YOU DON'T HAVE TO TOUCH IT, I 1759 01:15:41,950 --> 01:15:43,830 YOU DON'T HAVE TO TOUCH IT, I DEFEAT IT, COVID 1760 01:15:43,860 --> 01:15:46,940 DEFEAT IT, COVID IS THAT YOUR SIGNED CARD 1761 01:15:46,960 --> 01:15:47,600 IS THAT YOUR SIGNED CARD Heidi: IT IS MY SIGNED CARD 1762 01:15:47,630 --> 01:15:55,630 Heidi: IT IS MY SIGNED CARD [ APPLAUSE ] 1763 01:16:03,640 --> 01:16:10,120 [ APPLAUSE ] Terry: BRETT LOUDERMILK 1764 01:16:10,150 --> 01:16:12,260 Terry: BRETT LOUDERMILK HOWIE, WHAT DID YOU THINK? 1765 01:16:12,280 --> 01:16:13,630 HOWIE, WHAT DID YOU THINK? Howie: LAST TIME WAS GREAT, 1766 01:16:13,650 --> 01:16:15,860 Howie: LAST TIME WAS GREAT, USING SOFIA AND ALL OF US. 1767 01:16:15,890 --> 01:16:16,730 USING SOFIA AND ALL OF US. THIS WAS EVEN GREATER. 1768 01:16:16,760 --> 01:16:18,030 THIS WAS EVEN GREATER. IT LOOKED MORE DANGEROUS 1769 01:16:18,060 --> 01:16:19,430 IT LOOKED MORE DANGEROUS IT WAS MORE MAGICAL. 1770 01:16:19,460 --> 01:16:21,500 IT WAS MORE MAGICAL. IT WAS A LOT OF FUN. 1771 01:16:21,530 --> 01:16:22,540 IT WAS A LOT OF FUN. AND IT LOOKED LIKE YOU WERE IN 1772 01:16:22,560 --> 01:16:24,040 AND IT LOOKED LIKE YOU WERE IN MORE CONTROL THIS TIME THAN LAST 1773 01:16:24,060 --> 01:16:24,610 MORE CONTROL THIS TIME THAN LAST TIME 1774 01:16:24,630 --> 01:16:25,070 TIME SLIGHTLY. 1775 01:16:25,100 --> 01:16:25,810 SLIGHTLY. Howie: YES. 1776 01:16:25,830 --> 01:16:26,370 Howie: YES. SO GOOD LUCK 1777 01:16:26,400 --> 01:16:27,580 SO GOOD LUCK IT'S GOING TO BE UP TO AMERICA, 1778 01:16:27,600 --> 01:16:29,640 IT'S GOING TO BE UP TO AMERICA, BUT THAT WAS A GOOD JOB. 1779 01:16:29,670 --> 01:16:30,280 BUT THAT WAS A GOOD JOB. THANK YOU 1780 01:16:30,300 --> 01:16:33,880 THANK YOU Terry: KELLY. 1781 01:16:33,910 --> 01:16:38,290 Terry: KELLY. Kelly: WHAT JUST HAPPENED 1782 01:16:38,310 --> 01:16:41,720 Kelly: WHAT JUST HAPPENED A LITTLE BIT OF REDEMPTION. 1783 01:16:41,750 --> 01:16:43,260 A LITTLE BIT OF REDEMPTION. Kelly: I WANTED TO SHOOT THE 1784 01:16:43,280 --> 01:16:44,690 Kelly: I WANTED TO SHOOT THE CROSSBOW SO I'M A LITTLE UPSET 1785 01:16:44,720 --> 01:16:47,960 CROSSBOW SO I'M A LITTLE UPSET BUT SECONDLY, I DON'T UNDERSTAND 1786 01:16:47,990 --> 01:16:48,430 BUT SECONDLY, I DON'T UNDERSTAND HOW THAT HAPPENED. 1787 01:16:48,450 --> 01:16:50,370 HOW THAT HAPPENED. I'M SO IN AWE RIGHT NOW. 1788 01:16:50,390 --> 01:16:54,740 I'M SO IN AWE RIGHT NOW. HOW DID IT GET IN YOUR THROAT? 1789 01:16:54,760 --> 01:16:58,240 HOW DID IT GET IN YOUR THROAT? IT'S A MAGIC TRICK. 1790 01:16:58,260 --> 01:17:00,610 IT'S A MAGIC TRICK. Sofia: I'M THE ONE WHO DID 1791 01:17:00,630 --> 01:17:01,610 Sofia: I'M THE ONE WHO DID IT 1792 01:17:01,630 --> 01:17:02,580 IT Kelly: IT WAS SO 1793 01:17:02,600 --> 01:17:02,980 Kelly: IT WAS SO ENTERTAINING 1794 01:17:03,000 --> 01:17:03,810 ENTERTAINING I WOULD LOVE TO SEE A FULL SHOW 1795 01:17:03,840 --> 01:17:04,550 I WOULD LOVE TO SEE A FULL SHOW OF YOU 1796 01:17:04,570 --> 01:17:06,880 OF YOU I LOVE ANY KIND OF MAGIC 1797 01:17:06,910 --> 01:17:12,020 I LOVE ANY KIND OF MAGIC YOU DID SUCH A GREAT JOB, WOW. 1798 01:17:12,040 --> 01:17:13,550 YOU DID SUCH A GREAT JOB, WOW. Heidi: I'M JUST HAPPY IT CAME 1799 01:17:13,580 --> 01:17:19,160 Heidi: I'M JUST HAPPY IT CAME OUT BY HIMSELF, WITH CORONA THE 1800 01:17:19,180 --> 01:17:21,930 OUT BY HIMSELF, WITH CORONA THE HEIMLICH WOULD NOT HAVE BEEN 1801 01:17:21,950 --> 01:17:22,100 HEIMLICH WOULD NOT HAVE BEEN GOOD 1802 01:17:22,120 --> 01:17:26,230 GOOD Terry: SOFIA, YOU WERE 1803 01:17:26,260 --> 01:17:26,740 Terry: SOFIA, YOU WERE ONSTAGE, YOU SAW IT. 1804 01:17:26,760 --> 01:17:27,970 ONSTAGE, YOU SAW IT. Sofia: I THOUGHT IT WAS 1805 01:17:27,990 --> 01:17:28,800 Sofia: I THOUGHT IT WAS SPECTACULAR, THE BOW AND 1806 01:17:28,830 --> 01:17:30,200 SPECTACULAR, THE BOW AND EVERYTHING I DID, I'M WONDERING, 1807 01:17:30,230 --> 01:17:33,140 EVERYTHING I DID, I'M WONDERING, WHAT WILL YOU DO WHEN I'M NOT 1808 01:17:33,170 --> 01:17:33,540 WHAT WILL YOU DO WHEN I'M NOT AVAILABLE? 1809 01:17:33,570 --> 01:17:35,240 AVAILABLE? HOW WILL THIS SHOW BE WITHOUT 1810 01:17:35,270 --> 01:17:35,510 HOW WILL THIS SHOW BE WITHOUT ME 1811 01:17:35,530 --> 01:17:36,840 ME BECAUSE THIS IS MY REAL JOB, I 1812 01:17:36,870 --> 01:17:37,450 BECAUSE THIS IS MY REAL JOB, I CAN'T BE IN VEGAS ALL THE TIME 1813 01:17:37,470 --> 01:17:40,920 CAN'T BE IN VEGAS ALL THE TIME WHEN YOU NEED ME 1814 01:17:40,940 --> 01:17:43,990 WHEN YOU NEED ME I THINK IT WAS GREAT 1815 01:17:44,010 --> 01:17:47,390 I THINK IT WAS GREAT I COULDN'T REALLY SEE BECAUSE I 1816 01:17:47,410 --> 01:17:48,620 I COULDN'T REALLY SEE BECAUSE I CLOSED MY EYES BECAUSE I DIDN'T 1817 01:17:48,650 --> 01:17:50,860 CLOSED MY EYES BECAUSE I DIDN'T WANT TO SEE YOU WHEN YOU DIED. 1818 01:17:50,880 --> 01:17:53,760 WANT TO SEE YOU WHEN YOU DIED. BUT I THINK IT WAS SPECTACULAR 1819 01:17:53,790 --> 01:17:55,360 BUT I THINK IT WAS SPECTACULAR THANK YOU 1820 01:17:55,390 --> 01:17:58,300 THANK YOU FABULOUS JOB, BRETT, 1821 01:17:58,320 --> 01:17:58,870 FABULOUS JOB, BRETT, FABULOUS, FABULOUS JOB 1822 01:17:58,890 --> 01:18:00,100 FABULOUS, FABULOUS JOB GOOD LUCK TONIGHT. 1823 01:18:00,130 --> 01:18:01,670 GOOD LUCK TONIGHT. EVERY VOTE COUNTS, SO GET BUSY 1824 01:18:01,690 --> 01:18:02,770 EVERY VOTE COUNTS, SO GET BUSY YOU CAN VOTE UP TO 10 TIMES FOR 1825 01:18:02,790 --> 01:18:04,340 YOU CAN VOTE UP TO 10 TIMES FOR EACH ACT, WITH EACH VOTING 1826 01:18:04,360 --> 01:18:05,940 EACH ACT, WITH EACH VOTING METHOD 1827 01:18:05,960 --> 01:18:06,980 METHOD AFTER THE BREAK, OUR LAST ACT 1828 01:18:07,000 --> 01:18:08,580 AFTER THE BREAK, OUR LAST ACT OF THE NIGHT 1829 01:18:08,600 --> 01:18:09,240 OF THE NIGHT WE'RE GONNA HAVE TO WAIT JUST A 1830 01:18:09,270 --> 01:18:11,280 WE'RE GONNA HAVE TO WAIT JUST A COUPLE OF MINUTES. 1831 01:18:11,300 --> 01:18:14,980 COUPLE OF MINUTES. HE'S HAD TO WAIT 37 YEARS TO 1832 01:18:15,010 --> 01:18:16,050 HE'S HAD TO WAIT 37 YEARS TO LIVE HIS LIFE. 1833 01:18:16,070 --> 01:18:18,640 LIVE HIS LIFE. STAY RIGHT THERE 1834 01:18:34,460 --> 01:18:36,500 Terry: OKAY HERE'S OUR LAST ACT TONIGHT. 1835 01:18:36,530 --> 01:18:37,910 HERE'S OUR LAST ACT TONIGHT. THIS SINGER HAS ALREADY FACED 1836 01:18:37,930 --> 01:18:41,210 THIS SINGER HAS ALREADY FACED JUST ABOUT THE TOUGHEST BREAK 1837 01:18:41,230 --> 01:18:44,380 JUST ABOUT THE TOUGHEST BREAK THE WORLD CAN THROW AT A GUY, AS 1838 01:18:44,400 --> 01:18:45,380 THE WORLD CAN THROW AT A GUY, AS THINGS ARE STARTING TO GO HIS 1839 01:18:45,400 --> 01:18:45,510 THINGS ARE STARTING TO GO HIS WAY. 1840 01:18:45,540 --> 01:18:53,540 WAY. HERE IS ARCHIE WILLIAMS. 1841 01:19:00,920 --> 01:19:03,430 HERE IS ARCHIE WILLIAMS. DEAR MR. BARRY. 1842 01:19:03,460 --> 01:19:05,700 DEAR MR. BARRY. MY NAME IS ARCHIE WILLIAMS 1843 01:19:05,720 --> 01:19:08,740 MY NAME IS ARCHIE WILLIAMS I'M SERVING AN INSTANCE FOR A 1844 01:19:08,760 --> 01:19:09,970 I'M SERVING AN INSTANCE FOR A RAPE AND ATTEMPTED MURDER THAT I 1845 01:19:10,000 --> 01:19:11,440 RAPE AND ATTEMPTED MURDER THAT I KNOW I DIDN'T COMMIT 1846 01:19:11,460 --> 01:19:13,170 KNOW I DIDN'T COMMIT AS THE YEARS GO BY, I SIT HERE 1847 01:19:13,200 --> 01:19:14,540 AS THE YEARS GO BY, I SIT HERE YEAR AFTER YEAR. 1848 01:19:14,570 --> 01:19:16,310 YEAR AFTER YEAR. IT'S LIKE NO ONE CARES 1849 01:19:16,330 --> 01:19:17,380 IT'S LIKE NO ONE CARES YOU HAVE NO OUTSIDE HELP 1850 01:19:17,400 --> 01:19:21,080 YOU HAVE NO OUTSIDE HELP PEOPLE LET YOU DOWN AND GIVE UP 1851 01:19:21,110 --> 01:19:21,980 PEOPLE LET YOU DOWN AND GIVE UP ON YOU 1852 01:19:22,010 --> 01:19:22,780 ON YOU THEN ALL YOU HAVE IS PRISON 1853 01:19:22,810 --> 01:19:29,790 THEN ALL YOU HAVE IS PRISON LIFE 1854 01:19:29,820 --> 01:19:31,230 LIFE I'VE BEEN HERE IN LOUISIANA 1855 01:19:31,250 --> 01:19:34,100 I'VE BEEN HERE IN LOUISIANA STATE PRISON FOR 12 YEARS. 1856 01:19:34,120 --> 01:19:35,800 STATE PRISON FOR 12 YEARS. I'VE MAILED TO MANY PLACES BUT 1857 01:19:35,820 --> 01:19:36,900 I'VE MAILED TO MANY PLACES BUT NO ONE RESPONDS. 1858 01:19:36,920 --> 01:19:37,630 NO ONE RESPONDS. I'M TRYING SO HARD BECAUSE I 1859 01:19:37,660 --> 01:19:45,660 I'M TRYING SO HARD BECAUSE I KNOW I'M INNOCENT. 1860 01:19:48,400 --> 01:19:49,810 KNOW I'M INNOCENT. I KNOW PEOPLE MUST WRITE YOU ALL 1861 01:19:49,840 --> 01:19:51,750 I KNOW PEOPLE MUST WRITE YOU ALL THE TIME BUT IF YOU CAN FIND IT 1862 01:19:51,770 --> 01:19:53,180 THE TIME BUT IF YOU CAN FIND IT IN YOUR HEART, I WOULD 1863 01:19:53,210 --> 01:19:54,680 IN YOUR HEART, I WOULD APPRECIATE ALL THE HELP YOU CAN 1864 01:19:54,710 --> 01:19:55,280 APPRECIATE ALL THE HELP YOU CAN GIVE 1865 01:19:55,310 --> 01:19:56,990 GIVE HERE ARE SOME OF THE CLOSING 1866 01:19:57,010 --> 01:19:57,990 HERE ARE SOME OF THE CLOSING ARGUMENTS IN MY CASE 1867 01:19:58,010 --> 01:20:00,090 ARGUMENTS IN MY CASE MR. WILLIAMS, IF CONVICTED, WILL 1868 01:20:00,110 --> 01:20:02,890 MR. WILLIAMS, IF CONVICTED, WILL NEVER GO HOME AGAIN. 1869 01:20:02,920 --> 01:20:04,760 NEVER GO HOME AGAIN. EVERY MAN IS PRESUMED INNOCENT 1870 01:20:04,780 --> 01:20:05,790 EVERY MAN IS PRESUMED INNOCENT UNTIL PROVEN GUILTY. 1871 01:20:05,820 --> 01:20:07,160 UNTIL PROVEN GUILTY. IT WOULD BE A TRAVESTY AND A 1872 01:20:07,190 --> 01:20:09,560 IT WOULD BE A TRAVESTY AND A DANGER TO CONVICT THE WRONG MAN. 1873 01:20:09,590 --> 01:20:14,800 DANGER TO CONVICT THE WRONG MAN. MR. WILLIAMS IS NOT THE RIGHT 1874 01:20:14,830 --> 01:20:15,040 MR. WILLIAMS IS NOT THE RIGHT MAN. 1875 01:20:15,060 --> 01:20:15,570 MAN. THANK YOU. 1876 01:20:15,590 --> 01:20:23,590 THANK YOU. ARCHIE WILLIAMS. 1877 01:20:45,090 --> 01:20:49,070 MAKE I ♪ IT'S YOUR FRIENDLY ANNOUNCER, 1878 01:20:49,090 --> 01:20:53,540 ♪ IT'S YOUR FRIENDLY ANNOUNCER, I HAVE NEWS TO PASS ON TO 1879 01:20:53,570 --> 01:20:54,480 I HAVE NEWS TO PASS ON TO EVERYBODY ♪ 1880 01:20:54,500 --> 01:21:02,500 EVERYBODY ♪ ♪ WHAT I'M ABOUT TO SAY COULD 1881 01:21:03,110 --> 01:21:05,620 ♪ WHAT I'M ABOUT TO SAY COULD MEAN A WORLD DISASTER, COULD 1882 01:21:05,640 --> 01:21:11,730 MEAN A WORLD DISASTER, COULD CHANGE YOUR JOY AND LAUGHTER TO 1883 01:21:11,750 --> 01:21:13,830 CHANGE YOUR JOY AND LAUGHTER TO TEARS AND PAIN ♪ 1884 01:21:13,850 --> 01:21:21,850 TEARS AND PAIN ♪ ♪ YOU KNOW THAT LOVE IN NEED OF 1885 01:21:25,330 --> 01:21:28,880 ♪ YOU KNOW THAT LOVE IN NEED OF LOVE TODAY ♪ 1886 01:21:28,900 --> 01:21:33,180 LOVE TODAY ♪ ♪ DON'T DELAY, SEND YOURS IN 1887 01:21:33,210 --> 01:21:38,220 ♪ DON'T DELAY, SEND YOURS IN RIGHT AWAY ♪ 1888 01:21:38,240 --> 01:21:46,240 RIGHT AWAY ♪ ♪ HATE GOIN' ROUND IN MANY 1889 01:21:47,390 --> 01:21:50,100 ♪ HATE GOIN' ROUND IN MANY HEARTS ♪ 1890 01:21:50,120 --> 01:21:56,470 HEARTS ♪ ♪ STOP BEFORE IT'S GONE TOO 1891 01:21:56,490 --> 01:21:59,570 ♪ STOP BEFORE IT'S GONE TOO FAR ♪ 1892 01:21:59,600 --> 01:22:07,600 FAR ♪ ♪ EVER THINK THAT LOVE WOULD BE 1893 01:22:10,310 --> 01:22:11,190 ♪ EVER THINK THAT LOVE WOULD BE IN LOVE TODAY ♪ 1894 01:22:11,210 --> 01:22:16,220 IN LOVE TODAY ♪ ♪ WE GOT TO, WE GOT TO SEND 1895 01:22:16,250 --> 01:22:19,930 ♪ WE GOT TO, WE GOT TO SEND YOURS IN RIGHT AWAY ♪ 1896 01:22:19,950 --> 01:22:23,000 YOURS IN RIGHT AWAY ♪ ♪ BECAUSE HATE'S GOING ROUND, 1897 01:22:23,020 --> 01:22:27,000 ♪ BECAUSE HATE'S GOING ROUND, HATE'S GOING ROUND, HATE'S GOING 1898 01:22:27,030 --> 01:22:31,640 HATE'S GOING ROUND, HATE'S GOING ROUND, BREAKING MANY HEARTS ♪ 1899 01:22:31,660 --> 01:22:37,040 ROUND, BREAKING MANY HEARTS ♪ ♪ STOP IT, PLEASE, BEFORE IT'S 1900 01:22:37,070 --> 01:22:45,070 ♪ STOP IT, PLEASE, BEFORE IT'S GONE TOO FAR ♪ 1901 01:22:47,180 --> 01:22:55,180 GONE TOO FAR ♪ ♪ LOVE IN NEED OF LOVE TODAY ♪ 1902 01:22:59,290 --> 01:22:59,800 ♪ LOVE IN NEED OF LOVE TODAY ♪ THANK YOU 1903 01:22:59,820 --> 01:23:07,820 THANK YOU [ CHEERS AND APPLAUSE 1904 01:23:11,200 --> 01:23:15,320 [ CHEERS AND APPLAUSE Terry: ARCHIE WILLIAMS. 1905 01:23:15,340 --> 01:23:16,680 Terry: ARCHIE WILLIAMS. SOFIA. 1906 01:23:16,710 --> 01:23:17,420 SOFIA. Sofia: SPECTACULAR. 1907 01:23:17,440 --> 01:23:19,620 Sofia: SPECTACULAR. I MEAN, YOU DESERVE THIS MORE 1908 01:23:19,640 --> 01:23:20,220 I MEAN, YOU DESERVE THIS MORE THAN ANYONE. 1909 01:23:20,250 --> 01:23:21,660 THAN ANYONE. I HOPE THAT THE PEOPLE VOTE FOR 1910 01:23:21,680 --> 01:23:21,790 I HOPE THAT THE PEOPLE VOTE FOR YOU. 1911 01:23:21,810 --> 01:23:27,030 YOU. YOU DESERVE THIS 1912 01:23:27,050 --> 01:23:28,330 YOU DESERVE THIS Terry: HEIDI. 1913 01:23:28,350 --> 01:23:31,900 Terry: HEIDI. Heidi: I MEAN, THIS STEVIE 1914 01:23:31,920 --> 01:23:33,100 Heidi: I MEAN, THIS STEVIE WONDER SONG MIXED WITH YOUR 1915 01:23:33,120 --> 01:23:34,600 WONDER SONG MIXED WITH YOUR STORY, YOUR VOICE. 1916 01:23:34,630 --> 01:23:35,840 STORY, YOUR VOICE. I CAN FEEL ALL THE PAIN THAT 1917 01:23:35,860 --> 01:23:36,800 I CAN FEEL ALL THE PAIN THAT YOU'VE GONE THROUGH. 1918 01:23:36,830 --> 01:23:38,470 YOU'VE GONE THROUGH. AND THOSE WORDS COULD NOT BE 1919 01:23:38,500 --> 01:23:39,510 AND THOSE WORDS COULD NOT BE MORE PERFECT AT THIS TIME RIGHT 1920 01:23:39,530 --> 01:23:39,910 MORE PERFECT AT THIS TIME RIGHT NOW. 1921 01:23:39,930 --> 01:23:42,240 NOW. WE NEED MORE LOVE AND LESS HATE. 1922 01:23:42,270 --> 01:23:45,050 WE NEED MORE LOVE AND LESS HATE. IT COULDN'T BE MORE PERFECT. 1923 01:23:45,070 --> 01:23:45,750 IT COULDN'T BE MORE PERFECT. AND THANK YOU FOR THAT 1924 01:23:45,770 --> 01:23:51,520 AND THANK YOU FOR THAT THANK YOU FOR BEING HERE 1925 01:23:51,540 --> 01:23:52,920 THANK YOU FOR BEING HERE Terry: KELLY. 1926 01:23:52,940 --> 01:23:54,990 Terry: KELLY. Kelly: I MEAN, FIRST OF ALL, 1927 01:23:55,010 --> 01:23:55,460 Kelly: I MEAN, FIRST OF ALL, THANK YOU SO MUCH. 1928 01:23:55,480 --> 01:23:56,420 THANK YOU SO MUCH. THAT WAS JUST A BEAUTIFUL 1929 01:23:56,450 --> 01:23:56,760 THAT WAS JUST A BEAUTIFUL PERFORMANCE. 1930 01:23:56,780 --> 01:23:59,490 PERFORMANCE. I KNOW YOUR STORY IS 1931 01:23:59,520 --> 01:24:01,430 I KNOW YOUR STORY IS INCREDIBLY... IT'S AN INCREDIBLE 1932 01:24:01,450 --> 01:24:02,430 INCREDIBLY... IT'S AN INCREDIBLE TESTIMONY, HONESTLY. 1933 01:24:02,450 --> 01:24:03,500 TESTIMONY, HONESTLY. IT'S POWERFUL. 1934 01:24:03,520 --> 01:24:05,300 IT'S POWERFUL. BUT I DON'T WANT THAT TO 1935 01:24:05,320 --> 01:24:06,500 BUT I DON'T WANT THAT TO OVERSHADOW THE BEAUTIFUL GIFT 1936 01:24:06,520 --> 01:24:07,640 OVERSHADOW THE BEAUTIFUL GIFT THAT YOU HAVE TOO. 1937 01:24:07,660 --> 01:24:09,600 THAT YOU HAVE TOO. YOUR TONE IS SO COOL 1938 01:24:09,630 --> 01:24:11,270 YOUR TONE IS SO COOL AND IT WAS JUST A BLESSING TO BE 1939 01:24:11,300 --> 01:24:13,040 AND IT WAS JUST A BLESSING TO BE ABLE TO HEAR SUCH A STORYTELLER. 1940 01:24:13,060 --> 01:24:15,040 ABLE TO HEAR SUCH A STORYTELLER. THOSE ARE MY FAVORITE KIND OF 1941 01:24:15,070 --> 01:24:16,540 THOSE ARE MY FAVORITE KIND OF SINGERS, MAN, AND YOU DID A 1942 01:24:16,570 --> 01:24:17,880 SINGERS, MAN, AND YOU DID A REALLY GREAT JOB, I HOPE 1943 01:24:17,900 --> 01:24:19,610 REALLY GREAT JOB, I HOPE EVERYBODY VOTES FOR YOU TONIGHT. 1944 01:24:19,640 --> 01:24:20,480 EVERYBODY VOTES FOR YOU TONIGHT. Terry: HOWIE. 1945 01:24:20,510 --> 01:24:21,650 Terry: HOWIE. Howie: I AGREE WITH WHAT 1946 01:24:21,670 --> 01:24:22,620 Howie: I AGREE WITH WHAT EVERYBODY IS SAYING. 1947 01:24:22,640 --> 01:24:24,990 EVERYBODY IS SAYING. YOU DON'T SING TO US, IT'S LIKE 1948 01:24:25,010 --> 01:24:26,720 YOU DON'T SING TO US, IT'S LIKE YOU PREACH TO US 1949 01:24:26,740 --> 01:24:28,160 YOU PREACH TO US YOUR WORDS MEAN SO MUCH MORE 1950 01:24:28,180 --> 01:24:30,390 YOUR WORDS MEAN SO MUCH MORE THAN EVEN THE LYRICS AND THE WAY 1951 01:24:30,420 --> 01:24:31,360 THAN EVEN THE LYRICS AND THE WAY YOU SING IT. 1952 01:24:31,380 --> 01:24:32,560 YOU SING IT. AND TO HAVE ENDURED WHAT YOU DO, 1953 01:24:32,580 --> 01:24:36,360 AND TO HAVE ENDURED WHAT YOU DO, YOU KNOW YOU'RE AN INSPIRATION 1954 01:24:36,390 --> 01:24:37,630 YOU KNOW YOU'RE AN INSPIRATION I THINK YOU DESERVE... THE FACT 1955 01:24:37,660 --> 01:24:40,070 I THINK YOU DESERVE... THE FACT THAT THE FIRST FREEDOM THAT YOU 1956 01:24:40,090 --> 01:24:42,240 THAT THE FIRST FREEDOM THAT YOU HAD YOU DECIDED TO SHARE ON OUR 1957 01:24:42,260 --> 01:24:43,370 HAD YOU DECIDED TO SHARE ON OUR STAGE, I CAN'T THANK YOU ENOUGH. 1958 01:24:43,390 --> 01:24:44,870 STAGE, I CAN'T THANK YOU ENOUGH. ONLY FIVE ARE GOING THROUGH, YOU 1959 01:24:44,900 --> 01:24:47,880 ONLY FIVE ARE GOING THROUGH, YOU DESERVE IT, ARCHIE, MORE THAN 1960 01:24:47,900 --> 01:24:48,280 DESERVE IT, ARCHIE, MORE THAN ANYBODY. 1961 01:24:48,300 --> 01:24:50,080 ANYBODY. Terry: ARCHIE WILLIAMS, GOOD 1962 01:24:50,100 --> 01:24:51,880 Terry: ARCHIE WILLIAMS, GOOD LUCK TONIGHT, ARCHIE 1963 01:24:51,900 --> 01:24:54,380 LUCK TONIGHT, ARCHIE COME ON, ARCHIE NEEDS YOUR 1964 01:24:54,410 --> 01:24:54,850 COME ON, ARCHIE NEEDS YOUR VOTES. 1965 01:24:54,870 --> 01:24:57,450 VOTES. VOTING IS OPEN NOW AND STAYS 1966 01:24:57,480 --> 01:24:59,520 VOTING IS OPEN NOW AND STAYS OPEN UNTIL 7:00 A.M. EASTERN 1967 01:24:59,540 --> 01:25:00,090 OPEN UNTIL 7:00 A.M. EASTERN TOMORROW 1968 01:25:00,110 --> 01:25:01,190 TOMORROW OVER TO YOU. 1969 01:25:01,210 --> 01:25:03,390 OVER TO YOU. IT'S PICK FIVE FOR THE 1970 01:25:03,410 --> 01:25:05,190 IT'S PICK FIVE FOR THE SEMIFINALS 1971 01:25:05,220 --> 01:25:08,160 SEMIFINALS THE RESULTS SHOW TOMORROW. 1972 01:25:08,190 --> 01:25:13,000 THE RESULTS SHOW TOMORROW. MATT FRANCO AND KODI LEE 1973 01:25:13,020 --> 01:25:15,300 MATT FRANCO AND KODI LEE "WORLD OF DANCE" SEMIFINALS ARE 1974 01:25:15,330 --> 01:25:15,500 "WORLD OF DANCE" SEMIFINALS ARE NEXT 1975 01:25:15,530 --> 01:25:15,870 NEXT I AM TERRY CREWS 1976 01:25:15,890 --> 01:25:18,160 I AM TERRY CREWS GOOD NIGHT, AMERICA.