1
00:00:04,752 --> 00:00:06,752
{\fad(250,250)}(TENSE MUSIC PLAYS)
2
00:00:13,293 --> 00:00:14,418
{\fad(250,250)}(TASER CRACKLES)
3
00:00:16,251 --> 00:00:17,293
{\fad(250,250)}(GUN COCKS)
4
00:00:17,585 --> 00:00:18,959
{\fad(250,250)}(MUSIC CONTINUES)
5
00:00:25,084 --> 00:00:27,251
{\fad(250,250)}(MUSIC INTENSIFIES)
6
00:00:36,084 --> 00:00:38,959
Humanity's biggest threat
has always been itself.
7
00:00:39,418 --> 00:00:41,084
I've been trying to control that,
8
00:00:41,293 --> 00:00:43,918
but there's someone
we haven't accounted for.
9
00:00:45,126 --> 00:00:47,126
{\fad(250,250)}(MUSIC CONCLUDES)
10
00:00:55,418 --> 00:00:58,793
{\fad(250,250)}(ENGERRAUND SERAC SPEAKING FRENCH)
11
00:01:01,168 --> 00:01:03,001
{\fad(250,250)}(SOMBER MUSIC PLAYS)
12
00:02:31,918 --> 00:02:36,543
{\fad(250,250)}(ADRIAN FILO SPEAKING PORTUGUESE)
13
00:02:46,710 --> 00:02:48,460
I don't have time, I'm afraid.
14
00:02:48,543 --> 00:02:50,668
There is a nascent
separatist movement...
15
00:02:50,752 --> 00:02:52,501
{\fad(250,250)}(TRANSLATOR SPEAKING PORTUGUESE
THROUGH EARPIECE)
16
00:02:52,585 --> 00:02:54,168
...in the north of your country.
17
00:02:54,251 --> 00:02:55,752
{\fad(250,250)}(FLY BUZZES)
18
00:03:01,918 --> 00:03:03,585
{\fad(250,250)}(SPEAKING PORTUGUESE)
19
00:03:06,710 --> 00:03:10,710
Your intelligence knows
only what I want them to.
20
00:03:10,793 --> 00:03:12,043
{\fad(250,250)}(FLY BUZZES)
21
00:03:12,627 --> 00:03:14,293
There is a small group.
22
00:03:14,376 --> 00:03:15,959
Anomalies.
23
00:03:16,043 --> 00:03:18,209
Even they won't know
they will act...
24
00:03:18,752 --> 00:03:20,835
until they do.
25
00:03:20,918 --> 00:03:24,418
Rehoboam is privy to all sorts
of hidden truths.
26
00:03:26,084 --> 00:03:28,168
For example...
27
00:03:28,251 --> 00:03:31,209
the private deals you've cut
to restrict manganese extraction
28
00:03:31,293 --> 00:03:33,043
to some of your friends,
29
00:03:33,126 --> 00:03:35,543
which have squeezed money
out of villages in the north,
30
00:03:35,627 --> 00:03:36,793
creating unrest.
31
00:03:37,543 --> 00:03:38,627
You will stop.
32
00:03:40,460 --> 00:03:42,251
And the problem will go away.
33
00:03:44,126 --> 00:03:46,668
{\fad(250,250)}(SPEAKING PORTUGUESE)
34
00:03:53,793 --> 00:03:55,752
Our arrangement is founded in trust.
35
00:03:55,835 --> 00:03:57,835
We trusted that you would do
what you're told
36
00:03:57,918 --> 00:03:59,585
when we ensured your election.
37
00:04:02,460 --> 00:04:05,668
{\fad(250,250)}(SPEAKING PORTUGUESE)
38
00:04:29,835 --> 00:04:31,168
That fellow...
39
00:04:31,918 --> 00:04:33,627
the one with big mustache.
40
00:04:38,293 --> 00:04:39,293
Understood?
41
00:04:41,710 --> 00:04:43,293
{\fad(250,250)}(FLY BUZZES)
42
00:04:55,918 --> 00:04:59,251
{\fad(250,250)}(THEME MUSIC PLAYS)
43
00:06:30,168 --> 00:06:32,668
{\fad(250,250)}(THEME CONCLUDES)
44
00:06:41,043 --> 00:06:43,376
{\fad(250,250)}SERAC: It turns out
that building a god,
45
00:06:43,460 --> 00:06:45,627
as your ancestors can attest,
46
00:06:46,293 --> 00:06:47,752
is not easy.
47
00:06:47,835 --> 00:06:50,710
More than anything,
we needed data.
48
00:06:50,793 --> 00:06:53,627
Which meant we needed him.
49
00:06:53,710 --> 00:06:55,918
Dempsey was rich, arrogant.
50
00:06:56,001 --> 00:06:58,251
He had been in the right place
at the right time,
51
00:06:58,335 --> 00:07:00,043
before the privacy laws.
52
00:07:00,126 --> 00:07:04,959
And now his company, Incite,
had the entire world's data.
53
00:07:06,126 --> 00:07:08,501
{\fad(250,250)}LIAM DEMPSEY, SR.: It's not.
Fucking. Working.
54
00:07:09,835 --> 00:07:11,752
I paid a king's ransom for this thing,
55
00:07:11,835 --> 00:07:14,126
fed you yottabytes
of Incite's data,
56
00:07:14,209 --> 00:07:15,251
and for what?
57
00:07:15,335 --> 00:07:17,710
You've iterated half a dozen versions,
58
00:07:17,793 --> 00:07:19,835
Saul, David, and now this one.
59
00:07:19,918 --> 00:07:22,543
- What the fuck's its name again?
- Solomon.
60
00:07:24,585 --> 00:07:26,251
Well, I'm not sinking
another dollar
61
00:07:26,335 --> 00:07:29,001
into this giant steel ballsack
62
00:07:29,084 --> 00:07:31,668
while it's spitting out
false predictions.
63
00:07:31,752 --> 00:07:33,293
{\fad(250,250)}JEAN MI SERAC: Not false.
64
00:07:33,376 --> 00:07:35,585
It rendered the last few decades
accurately,
65
00:07:35,668 --> 00:07:37,835
predicting past events with certainty.
66
00:07:39,376 --> 00:07:40,585
{\fad(250,250)}DEMPSEY, SR.: You built a machine
67
00:07:40,668 --> 00:07:42,168
to predict the fucking past?
68
00:07:43,209 --> 00:07:45,376
Well, let me try.
Eighteen months ago,
69
00:07:45,460 --> 00:07:48,209
I made the worst
business decision of my career
70
00:07:48,918 --> 00:07:50,251
by trusting you idiots.
71
00:07:51,376 --> 00:07:52,835
Keep staring at that thing, Liam,
72
00:07:52,918 --> 00:07:55,668
your brain's gonna turn to mush
like these two.
73
00:07:58,877 --> 00:08:00,585
What about strategizing the future?
74
00:08:00,668 --> 00:08:02,251
That's what you promised.
75
00:08:02,877 --> 00:08:04,376
Societal trends,
76
00:08:04,460 --> 00:08:06,752
the stock market,
a fucking oracle!
77
00:08:06,835 --> 00:08:10,001
{\fad(250,250)}(SPEAKING FRENCH)
78
00:08:14,293 --> 00:08:16,877
No, I'm sorry.
I'm pulling the plug.
79
00:08:17,752 --> 00:08:18,752
Come on, Liam.
80
00:08:37,501 --> 00:08:39,460
{\fad(250,250)}SERAC: What Dempsey didn't understand
81
00:08:39,543 --> 00:08:41,835
was that it was working.
82
00:08:41,918 --> 00:08:43,668
My brother had done it.
83
00:08:43,752 --> 00:08:45,543
He created a god.
84
00:08:45,627 --> 00:08:48,585
But such is the case
with all great minds.
85
00:08:48,668 --> 00:08:50,543
He was uniquely brilliant,
86
00:08:51,418 --> 00:08:53,585
but also, uniquely troubled.
87
00:08:54,084 --> 00:08:55,418
{\fad(250,250)}(INHALES)
88
00:08:55,501 --> 00:08:56,918
{\fad(250,250)}SEBASTIAN: I have news, sir.
89
00:08:57,627 --> 00:08:58,710
But not good.
90
00:09:00,084 --> 00:09:02,918
If it's news, it's unexpected,
which is never good. What is it?
91
00:09:03,001 --> 00:09:04,627
{\fad(250,250)}SEBASTIAN: Rehoboam analyzed the traffic
92
00:09:04,710 --> 00:09:07,209
coming out of the Yakuza facility.
93
00:09:07,293 --> 00:09:10,043
It found a connect
between encrypted devices
94
00:09:10,126 --> 00:09:14,418
in Jakarta, Berlin,
San Francisco, and Los Angeles.
95
00:09:14,501 --> 00:09:17,710
- The one in LA is a problem.
- Why?
96
00:09:17,793 --> 00:09:18,959
It came from inside
97
00:09:19,043 --> 00:09:21,418
Liam Dempsey's
personal compound.
98
00:09:21,501 --> 00:09:24,668
- Find Dempsey. Now.
- We've tried, sir.
99
00:09:24,752 --> 00:09:27,376
Rehoboam logged him entering
a private function.
100
00:09:27,460 --> 00:09:28,627
Now he's missing.
101
00:09:29,627 --> 00:09:31,335
- And, sir...
- {\fad(250,250)}(TABLET BEEPS)
102
00:09:32,209 --> 00:09:33,501
He wasn't alone.
103
00:09:46,835 --> 00:09:48,668
Activate every asset we have.
104
00:09:49,752 --> 00:09:51,168
I want her caught.
105
00:09:51,835 --> 00:09:52,835
Yes, sir.
106
00:10:05,335 --> 00:10:07,084
{\fad(250,250)}CALEB: I called backup.
What now?
107
00:10:07,168 --> 00:10:08,418
{\fad(250,250)}DOLORES ABERNATHY: We keep moving.
108
00:10:08,501 --> 00:10:10,084
Serac can't locate us
if we're mobile.
109
00:10:10,168 --> 00:10:12,126
{\fad(250,250)}LIAM DEMPSEY, JR.: You think
you disappear a man like me
110
00:10:12,209 --> 00:10:13,710
and no one fucking notices?
111
00:10:13,793 --> 00:10:15,043
{\fad(250,250)}CALEB: Keep walking.
112
00:10:16,460 --> 00:10:19,585
We have all of his money.
What do we need him for?
113
00:10:19,668 --> 00:10:20,877
{\fad(250,250)}DOLORES: Access.
114
00:10:20,959 --> 00:10:23,918
We need to study our adversary,
past, present, future.
115
00:10:24,001 --> 00:10:26,959
To do that, we need access to
the deeper layers of the system.
116
00:10:27,043 --> 00:10:29,335
{\fad(250,250)}LIAM: {\fad(250,250)}(SCOFFING) You expect me
to give you access?
117
00:10:29,418 --> 00:10:32,710
Fuck you, "Lara."
Whoever you are.
118
00:10:35,543 --> 00:10:37,209
{\fad(250,250)}DOLORES: You wanna know who I am?
119
00:10:42,335 --> 00:10:44,335
- {\fad(250,250)}(GLASSES WHIR)
- Go ahead.
120
00:10:57,001 --> 00:10:58,585
You're not even in the system.
121
00:10:59,209 --> 00:11:00,959
You're a blank space.
122
00:11:01,043 --> 00:11:02,251
You've become complacent,
123
00:11:02,335 --> 00:11:05,043
believing those
let you understand everyone.
124
00:11:05,126 --> 00:11:06,959
It doesn't matter.
125
00:11:07,043 --> 00:11:10,168
You can't take me anywhere
he won't find you.
126
00:11:10,251 --> 00:11:14,001
- He's already looking for you.
- And you.
127
00:11:14,084 --> 00:11:16,918
Serac knows by now that you're
trying to outbid him on Delos.
128
00:11:18,752 --> 00:11:19,752
I'm what?
129
00:11:21,376 --> 00:11:22,627
We can help.
130
00:11:22,710 --> 00:11:24,418
If you give us your private key,
131
00:11:24,501 --> 00:11:26,793
- we can unlock the system.
- {\fad(250,250)}(SCOFFS)
132
00:11:26,877 --> 00:11:29,585
You'll never get in.
My access isn't enough.
133
00:11:29,668 --> 00:11:31,501
You'll need to connect
at the node,
134
00:11:31,585 --> 00:11:33,126
bypass onsite security.
135
00:11:33,209 --> 00:11:35,293
Either we find a way
to defeat him together,
136
00:11:35,752 --> 00:11:36,959
or we all die.
137
00:11:40,376 --> 00:11:42,126
Then I guess you die.
138
00:11:42,209 --> 00:11:43,460
I'll take my chances.
139
00:11:47,668 --> 00:11:49,752
{\fad(250,250)}(WHISPERING)
Hey. She used me.
140
00:11:49,835 --> 00:11:52,418
Have you asked yourself
what she's using you for yet?
141
00:11:55,168 --> 00:11:57,335
Let me go,
I'll make sure you're taken care of.
142
00:12:01,293 --> 00:12:03,168
You already took care of me.
143
00:12:03,251 --> 00:12:04,959
You sent me off to war...
144
00:12:05,043 --> 00:12:07,251
slaughtered my friends on the battlefield.
145
00:12:09,543 --> 00:12:12,084
What do these tell you
about me now?
146
00:12:13,918 --> 00:12:17,126
What, that I swallow my own gun
on some beach?
147
00:12:17,793 --> 00:12:21,335
Go on. Tell me who I am.
148
00:12:23,710 --> 00:12:25,126
{\fad(250,250)}(GLASSES WHIR)
149
00:12:38,959 --> 00:12:40,877
You think I killed your friend?
150
00:12:41,501 --> 00:12:42,543
What did you see?
151
00:12:43,168 --> 00:12:44,376
Who are you people?
152
00:12:45,084 --> 00:12:46,418
What did you see?
153
00:12:46,501 --> 00:12:47,627
Get away from me!
154
00:12:47,710 --> 00:12:49,168
{\fad(250,250)}(CALEB GROANS)
155
00:13:00,001 --> 00:13:01,376
- {\fad(250,250)}(CALEB GROANS)
- {\fad(250,250)}(LIAM PANTING)
156
00:13:01,835 --> 00:13:03,335
{\fad(250,250)}(EXHALES)
157
00:13:04,168 --> 00:13:05,710
{\fad(250,250)}(SCUFFLING SOUNDS)
158
00:13:05,793 --> 00:13:07,418
{\fad(250,250)}(GRUNTS) Stop, stop!
159
00:13:07,501 --> 00:13:09,168
Don't hurt me. Don't hurt me.
All right, I'll come.
160
00:13:09,251 --> 00:13:10,627
{\fad(250,250)}DOLORES: What is it?
What did you give him?
161
00:13:10,710 --> 00:13:13,251
{\fad(250,250)}LIAM: It's some kind of
party drug. Called Genre.
162
00:13:13,335 --> 00:13:15,543
- {\fad(250,250)}DOLORES: What does it do?
- {\fad(250,250)}LIAM: I don't know.
163
00:13:16,501 --> 00:13:19,001
- {\fad(250,250)}(EXHALES)
- {\fad(250,250)}(SOUND DISTORTS)
164
00:13:20,376 --> 00:13:21,877
{\fad(250,250)}(ECHOING)
Are you okay?
165
00:13:24,585 --> 00:13:26,752
{\fad(250,250)}(HEARTBEAT THUMPS DULLY)
166
00:13:27,543 --> 00:13:29,501
{\fad(250,250)}(OMINOUS MUSIC PLAYS)
167
00:13:29,585 --> 00:13:30,918
We have to move.
168
00:13:32,543 --> 00:13:33,710
They'll find us.
169
00:13:41,209 --> 00:13:44,376
{\fad(250,250)}(MUSIC INTENSIFIES)
170
00:13:55,668 --> 00:13:58,084
{\fad(250,250)}(FAINT WHISPERING)
171
00:14:07,084 --> 00:14:08,959
{\fad(250,250)}(ENGINE HUMS)
172
00:14:33,877 --> 00:14:34,918
Don't go too far.
173
00:14:36,877 --> 00:14:38,418
We need to get across town.
174
00:14:43,793 --> 00:14:45,335
{\fad(250,250)}(ENGINE HUMS)
175
00:14:50,418 --> 00:14:52,918
{\fad(250,250)}(OMINOUS MUSIC CONTINUES)
176
00:14:58,835 --> 00:14:59,918
I need a vehicle now.
177
00:15:00,001 --> 00:15:02,126
{\fad(250,250)}VIRTUAL ASSISTANT: Rideshare
vehicle located.
178
00:15:02,209 --> 00:15:03,710
- Arriving now.
- Get in.
179
00:15:03,793 --> 00:15:06,335
Just give this up.
I told you my men would find me.
180
00:15:06,418 --> 00:15:08,460
Those aren't your men,
they're his.
181
00:15:17,627 --> 00:15:20,001
{\fad(250,250)}NAVIGATOR: {\fad(250,250)}(AUTOMATED VOICE) Destination
selected.
182
00:15:38,710 --> 00:15:41,001
They're using your system to track us.
183
00:15:45,126 --> 00:15:48,376
I'd appreciate the irony,
but I'm sitting beside you.
184
00:15:48,460 --> 00:15:51,251
Give me your private key.
I can erase us from the system.
185
00:15:51,335 --> 00:15:53,752
If they're after us,
why haven't they made a move?
186
00:15:53,835 --> 00:15:55,627
{\fad(250,250)}CALEB: They're waiting to get us alone...
187
00:15:55,710 --> 00:15:58,168
- {\fad(250,250)}(DRAMATIC MUSIC PLAYS)
- ...to kill us.
188
00:16:02,209 --> 00:16:03,501
{\fad(250,250)}(NOTIFICATION PINGS)
189
00:16:03,585 --> 00:16:06,251
{\fad(250,250)}NAVIGATOR: An amber alert has
been issued for this vehicle.
190
00:16:06,335 --> 00:16:07,668
- Pulling over.
- {\fad(250,250)}CALEB: Fuck.
191
00:16:07,752 --> 00:16:09,543
{\fad(250,250)}NAVIGATOR: Please remain calm.
192
00:16:21,918 --> 00:16:23,501
The authorities have been notified,
193
00:16:23,585 --> 00:16:25,501
and the situation will be dealt with.
194
00:16:25,585 --> 00:16:26,668
{\fad(250,250)}(GRUNTS)
195
00:16:34,543 --> 00:16:36,043
{\fad(250,250)}(BRAKES SQUEAL)
196
00:16:38,043 --> 00:16:39,877
{\fad(250,250)}NAVIGATOR: The authorities
have been notified,
197
00:16:39,959 --> 00:16:41,585
and the situation will be dealt with
198
00:16:41,668 --> 00:16:42,752
in a timely manner.
199
00:16:48,835 --> 00:16:50,084
{\fad(250,250)}(CALEB GRUNTS)
200
00:16:54,126 --> 00:16:56,710
Everything runs
on your company's server, Liam.
201
00:16:57,918 --> 00:16:59,084
Even this car.
202
00:16:59,918 --> 00:17:00,835
{\fad(250,250)}(ELECTRICITY CRACKLES)
203
00:17:00,918 --> 00:17:02,918
{\fad(250,250)}NAVIGATOR: Network connection lost.
204
00:17:09,335 --> 00:17:11,627
Give me your access.
I can save you.
205
00:17:13,585 --> 00:17:15,877
{\fad(250,250)}TABLET: {\fad(250,250)}(AUTOMATED VOICE) Private
key required.
206
00:17:21,126 --> 00:17:22,668
{\fad(250,250)}LIAM: What the fuck is this?
207
00:17:22,752 --> 00:17:24,710
He can't kill me, he needs me.
208
00:17:24,793 --> 00:17:26,126
Evidently not.
209
00:17:27,293 --> 00:17:28,460
Decide. Now.
210
00:17:30,501 --> 00:17:32,335
{\fad(250,250)}TABLET: Private key required.
211
00:17:37,959 --> 00:17:39,959
{\fad(250,250)}(RAPID GUNFIRE)
212
00:17:42,126 --> 00:17:43,752
Verified.
213
00:17:43,835 --> 00:17:47,209
Enable semi-automatic control.
Disable safety features.
214
00:17:47,293 --> 00:17:49,043
Maximum speed. Go.
215
00:17:49,126 --> 00:17:50,585
{\fad(250,250)}(RAPID GUNFIRE)
216
00:17:57,293 --> 00:17:59,627
{\fad(250,250)}(INTENSE MUSIC PLAYS)
217
00:18:08,585 --> 00:18:11,043
- {\fad(250,250)}(OPERATIC MUSIC PLAYS)
- {\fad(250,250)}(GROANS)
218
00:18:11,126 --> 00:18:12,543
{\fad(250,250)}DOLORES: {\fad(250,250)}(DISTANTLY)
What's happening to him?
219
00:18:12,627 --> 00:18:15,168
{\fad(250,250)}LIAM: I think
he's switching genres.
220
00:18:15,251 --> 00:18:19,501
{\fad(250,250)}("RIDE OF THE VALKYRIES"
BY RICHARD WAGNER PLAYS)
221
00:18:27,627 --> 00:18:28,668
We need distance.
222
00:18:29,376 --> 00:18:30,501
Head south.
223
00:19:07,918 --> 00:19:09,460
That's not standard issue.
224
00:19:09,543 --> 00:19:11,001
- {\fad(250,250)}DOLORES: No.
- {\fad(250,250)}(WEAPON CLICKS)
225
00:19:11,627 --> 00:19:12,668
It's not.
226
00:19:25,918 --> 00:19:27,084
Point and shoot.
227
00:19:35,335 --> 00:19:36,418
{\fad(250,250)}(GRUNTS)
228
00:19:41,001 --> 00:19:42,418
Police ahead.
229
00:19:42,501 --> 00:19:44,376
- Maintain speed.
- {\fad(250,250)}NAVIGATOR: Maintaining speed.
230
00:19:44,460 --> 00:19:45,752
Sharp left. Now.
231
00:19:45,835 --> 00:19:47,043
{\fad(250,250)}NAVIGATOR: Turning left.
232
00:19:47,126 --> 00:19:48,543
{\fad(250,250)}CALEB: Whoa! {\fad(250,250)}(GRUNTS)
233
00:19:50,460 --> 00:19:51,460
Whoa!
234
00:19:58,126 --> 00:19:59,251
{\fad(250,250)}(GRUNTS)
235
00:20:14,793 --> 00:20:16,126
- I missed.
- Hold on.
236
00:20:16,835 --> 00:20:19,251
{\fad(250,250)}(MUSIC CONTINUES)
237
00:20:40,793 --> 00:20:44,001
All right, I need you. Drop in,
intercept, maximum speed.
238
00:20:49,001 --> 00:20:50,293
Arm charges now.
239
00:20:55,001 --> 00:20:55,918
Accelerate.
240
00:20:56,001 --> 00:20:58,251
{\fad(250,250)}NAVIGATOR: Acceleration at 90 percent.
241
00:20:58,335 --> 00:20:59,877
- More.
- Ninety-four percent.
242
00:20:59,959 --> 00:21:01,793
- More.
- Ninety-eight percent.
243
00:21:07,126 --> 00:21:08,168
Stop.
244
00:21:09,043 --> 00:21:11,877
{\fad(250,250)}(TIRES SCREECH)
245
00:21:12,835 --> 00:21:14,710
{\fad(250,250)}LIAM: Why the fuck are we stopping?
246
00:21:14,793 --> 00:21:15,959
{\fad(250,250)}DOLORES: Get down.
247
00:21:26,585 --> 00:21:28,001
{\fad(250,250)}(ENGINE HUMS)
248
00:21:32,835 --> 00:21:34,501
{\fad(250,250)}(MUSIC CONCLUDES)
249
00:21:37,710 --> 00:21:39,543
{\fad(250,250)}(SOUNDS DISTORT)
250
00:21:42,126 --> 00:21:45,710
{\fad(250,250)}("LOVE STORY THEME: FINALE"
BY FRANCIS LAI PLAYS)
251
00:21:54,168 --> 00:21:55,752
{\fad(250,250)}(MUFFLED GUNFIRE)
252
00:22:11,251 --> 00:22:13,501
{\fad(250,250)}(MUSIC CONTINUES)
253
00:22:17,793 --> 00:22:19,501
{\fad(250,250)}(MUSIC DISTORTS)
254
00:22:19,585 --> 00:22:21,084
{\fad(250,250)}(GUNFIRE RESUMES)
255
00:22:30,418 --> 00:22:31,418
Come on.
256
00:22:41,918 --> 00:22:44,460
{\fad(250,250)}("BUBBLES BURIED IN THIS
JUNGLE" BY DEATH GRIPS PLAYS)
257
00:22:45,918 --> 00:22:48,835
{\fscx83\fscy83\fad(250,250)}♪ Wick-wick
Cease and desist when I chant ♪
258
00:22:48,918 --> 00:22:50,627
{\fscx83\fscy83\fad(250,250)}♪ Fuck weak ♪
259
00:22:50,710 --> 00:22:52,835
{\fscx83\fscy83\fad(250,250)}♪ No respect ♪
260
00:22:52,918 --> 00:22:54,668
- {\fscx83\fscy83\fad(250,250)}♪ No chance... ♪
- You rang?
261
00:22:54,752 --> 00:22:57,460
- {\fad(250,250)}(MUSIC ENDS)
- {\fad(250,250)}GIGGLES: Who's the killer?
262
00:22:57,543 --> 00:22:59,418
- Nice to meet you.
- {\fad(250,250)}ASH: Likewise.
263
00:22:59,501 --> 00:23:01,877
Glad to see you're
finally doing personals, Cal.
264
00:23:01,959 --> 00:23:04,043
What's up with Little Lord Fauntleroy?
265
00:23:04,126 --> 00:23:08,376
Shit, you know this asshole.
Liam Dempsey. Incite.
266
00:23:08,460 --> 00:23:11,460
Make King Midas look like
Tom Canty.
267
00:23:11,543 --> 00:23:13,293
We need him. Alive.
268
00:23:15,001 --> 00:23:17,460
{\fad(250,250)}("LOVE STORY THEME" RESUMES)
269
00:23:20,877 --> 00:23:22,710
- Shit, man.
- {\fad(250,250)}(MUSIC ENDS)
270
00:23:22,793 --> 00:23:24,251
I know what you on.
271
00:23:24,335 --> 00:23:27,209
Genre.
It's like five drips in one.
272
00:23:27,293 --> 00:23:28,752
A movie marathon.
273
00:23:28,835 --> 00:23:31,793
Hey.
Watch out for that last act, though.
274
00:23:31,877 --> 00:23:33,543
Yeah, we better move, lover boy.
275
00:23:33,627 --> 00:23:35,335
I already saw two more
on your tail.
276
00:23:35,918 --> 00:23:36,959
This way.
277
00:23:42,793 --> 00:23:44,084
{\fad(250,250)}LIAM: Easy, easy. Okay.
278
00:23:44,168 --> 00:23:45,335
{\fad(250,250)}DOLORES: We have to keep moving
279
00:23:45,418 --> 00:23:47,668
so they can't track us
while I access Rehoboam.
280
00:23:47,752 --> 00:23:49,293
- {\fad(250,250)}(SIREN WAILING)
- We have Liam's private key,
281
00:23:49,376 --> 00:23:52,251
but we can't stop,
or Serac can locate us.
282
00:23:52,335 --> 00:23:54,585
If they kill him,
I lose my access.
283
00:23:54,668 --> 00:23:57,293
What access?
You took my biometrics,
284
00:23:57,376 --> 00:23:58,752
but you can't get
into the system,
285
00:23:58,835 --> 00:23:59,959
it's read-only.
286
00:24:00,043 --> 00:24:01,877
Unless you're standing
at the node.
287
00:24:01,959 --> 00:24:04,835
{\fad(250,250)}(SCOFFS) You can't be
in two places at once.
288
00:24:05,543 --> 00:24:06,585
{\fad(250,250)}(EARPIECE WHIRS)
289
00:24:06,668 --> 00:24:08,877
{\fad(250,250)}(PHONE RINGING)
290
00:24:11,668 --> 00:24:13,959
I'm sending you his key.
291
00:24:14,043 --> 00:24:15,877
I need Serac's file.
292
00:24:15,959 --> 00:24:16,877
I want to know everything
293
00:24:16,959 --> 00:24:18,793
Rehoboam knows about its master.
294
00:24:19,335 --> 00:24:20,460
And after?
295
00:24:21,835 --> 00:24:24,627
They'll come for me.
And then you.
296
00:24:24,710 --> 00:24:26,376
{\fad(250,250)}DOLORES: Protect our friend first.
297
00:24:27,168 --> 00:24:28,209
I will.
298
00:24:28,752 --> 00:24:29,877
Bernard.
299
00:24:32,001 --> 00:24:33,543
When I press this button,
300
00:24:34,543 --> 00:24:36,710
I expect you to be
on your best behavior.
301
00:24:54,418 --> 00:24:55,418
You.
302
00:24:56,251 --> 00:24:57,376
Take a piss.
303
00:25:11,209 --> 00:25:14,084
{\fad(250,250)}CONSOLE: {\fad(250,250)}(AUTOMATED VOICE) Liam Dempsey.
Access granted.
304
00:25:21,209 --> 00:25:22,752
{\fad(250,250)}MARTIN CONELLS: This is their god.
305
00:25:24,918 --> 00:25:26,585
This is how they see the future.
306
00:25:29,043 --> 00:25:30,418
How they make the future.
307
00:25:34,043 --> 00:25:35,293
In order to do that,
308
00:25:36,752 --> 00:25:38,710
they watch everyone.
309
00:25:38,793 --> 00:25:42,918
Tell them what to do,
where to live, who to love.
310
00:25:43,752 --> 00:25:45,126
Keep them all in a loop.
311
00:25:45,877 --> 00:25:47,335
What does she want with it?
312
00:25:51,168 --> 00:25:54,835
You've always been of two minds,
haven't you, Bernard?
313
00:25:54,918 --> 00:25:56,126
It isn't that binary.
314
00:25:57,460 --> 00:25:59,627
Living another person's life
changes you.
315
00:26:00,835 --> 00:26:01,918
Worlds bleed.
316
00:26:02,710 --> 00:26:05,251
Maybe you felt that, too.
317
00:26:05,335 --> 00:26:08,752
Have you ever questioned
what she's asking you to do?
318
00:26:11,627 --> 00:26:13,126
{\fad(250,250)}CONSOLE: Request complete.
319
00:26:13,835 --> 00:26:15,501
Initiating transfer.
320
00:26:21,752 --> 00:26:23,501
{\fad(250,250)}TABLET: File transfer received.
321
00:26:34,752 --> 00:26:37,460
{\fad(250,250)}(AUDIO SLOWS AND DISTORTS)
322
00:26:37,543 --> 00:26:39,335
{\fad(250,250)}(STATIC)
323
00:26:40,501 --> 00:26:43,335
{\fad(250,250)}("NIGHTCLUBBING" BY IGGY POP PLAYS)
324
00:26:49,501 --> 00:26:51,460
{\fscx83\fscy83\fad(250,250)}♪ Nightclubbing ♪
325
00:26:51,543 --> 00:26:54,126
{\fscx83\fscy83\fad(250,250)}♪ We're nightclubbing ♪
326
00:26:54,835 --> 00:26:57,501
{\fscx83\fscy83\fad(250,250)}♪ We're what's happening ♪
327
00:26:59,835 --> 00:27:01,959
{\fscx83\fscy83\fad(250,250)}♪ Nightclubbing ♪
328
00:27:02,043 --> 00:27:04,168
{\fscx83\fscy83\fad(250,250)}♪ We're nightclubbing ♪
329
00:27:05,126 --> 00:27:07,668
{\fscx83\fscy83\fad(250,250)}♪ We're an ice machine ♪
330
00:27:10,209 --> 00:27:12,168
{\fscx83\fscy83\fad(250,250)}♪ We see people ♪
331
00:27:12,251 --> 00:27:14,835
{\fscx83\fscy83\fad(250,250)}♪ Brand new people... ♪
332
00:27:16,209 --> 00:27:18,752
- Hey. Where we headed?
- West.
333
00:27:20,752 --> 00:27:22,501
{\fscx83\fscy83\fad(250,250)}♪ Nightclubbing ♪
334
00:27:22,585 --> 00:27:25,043
{\fscx83\fscy83\fad(250,250)}♪ We're nightclubbing ♪
335
00:27:26,043 --> 00:27:29,335
{\fscx83\fscy83\fad(250,250)}♪ Oh, isn't it wild? ♪
336
00:27:36,376 --> 00:27:38,710
{\fad(250,250)}(MUSIC FADES)
337
00:27:48,418 --> 00:27:51,877
{\fad(250,250)}SERAC: My brother and I
built a system that worked.
338
00:27:52,835 --> 00:27:55,918
But Dempsey wanted to see proof.
339
00:27:56,001 --> 00:27:59,168
So we started with
something simple,
340
00:27:59,251 --> 00:28:00,418
purely mathematical.
341
00:28:01,001 --> 00:28:02,793
The stock market.
342
00:28:02,877 --> 00:28:05,959
We showed him
all the major indices,
343
00:28:06,043 --> 00:28:07,877
15 minutes in the future...
344
00:28:14,793 --> 00:28:17,418
and where it could close
that night.
345
00:28:22,251 --> 00:28:25,251
Which number is it? Low or high?
346
00:28:25,918 --> 00:28:27,251
Which one do you want?
347
00:28:29,585 --> 00:28:30,627
{\fad(250,250)}(CHUCKLES)
348
00:28:33,793 --> 00:28:36,877
{\fad(250,250)}SERAC: We put some money
into a hedge fund...
349
00:28:36,959 --> 00:28:38,959
let the system trade with it.
350
00:28:39,043 --> 00:28:41,793
Something to drive the market
towards our outcomes.
351
00:28:43,168 --> 00:28:44,793
Whose funds?
352
00:28:44,877 --> 00:28:46,168
{\fad(250,250)}JEAN MI: Yours.
353
00:28:49,793 --> 00:28:51,627
{\fad(250,250)}DEMPSEY, SR.: A hundred million dollars?
354
00:28:54,126 --> 00:28:55,460
What, you stole...
355
00:28:55,543 --> 00:28:57,793
100 million dollars
from corporate accounts?
356
00:28:58,376 --> 00:28:59,418
No.
357
00:29:00,126 --> 00:29:01,585
We stole five million.
358
00:29:03,543 --> 00:29:04,585
Last week.
359
00:29:06,293 --> 00:29:09,376
{\fad(250,250)}SERAC: He didn't really understand
what we'd made,
360
00:29:09,460 --> 00:29:10,793
what you were.
361
00:29:11,627 --> 00:29:12,793
But we did.
362
00:29:13,793 --> 00:29:16,168
He only saw the money he could make.
363
00:29:16,251 --> 00:29:19,627
But we realized the power of it,
364
00:29:19,710 --> 00:29:21,835
that you could reshape the world.
365
00:29:22,835 --> 00:29:25,293
My brother and I,
we charted a course
366
00:29:25,376 --> 00:29:28,084
for the entire human race.
367
00:29:28,168 --> 00:29:31,293
Humanity's story
had been improvised.
368
00:29:31,376 --> 00:29:33,543
Now, it was planned
369
00:29:33,627 --> 00:29:35,001
years in advance.
370
00:29:36,084 --> 00:29:39,501
For a time,
the sun and moon aligned.
371
00:29:39,585 --> 00:29:42,043
We brought order from chaos.
372
00:29:43,084 --> 00:29:46,084
And then, as with all
the best laid plans,
373
00:29:46,168 --> 00:29:48,043
it began to fall apart.
374
00:29:48,126 --> 00:29:49,585
Dempsey became greedy,
375
00:29:49,668 --> 00:29:52,168
drove outcomes to benefit himself.
376
00:29:52,251 --> 00:29:54,168
So we locked him out
of the system.
377
00:29:55,710 --> 00:29:57,710
But there was a bigger problem.
378
00:29:58,835 --> 00:30:01,627
In every projection,
the world came unglued.
379
00:30:01,710 --> 00:30:04,501
There were people,
outliers, agitators,
380
00:30:04,585 --> 00:30:07,627
who you couldn't predict or control.
381
00:30:07,710 --> 00:30:10,877
And I realized that my brother
was one of them.
382
00:30:12,126 --> 00:30:13,793
He didn't fit the world anymore,
383
00:30:13,877 --> 00:30:15,668
and the world didn't fit him.
384
00:30:18,543 --> 00:30:20,084
And it drove him mad.
385
00:30:29,877 --> 00:30:30,918
What now?
386
00:30:35,710 --> 00:30:38,501
{\fad(250,250)}(PASSENGERS CHATTERING)
387
00:30:38,585 --> 00:30:41,001
We're going to open their cages.
388
00:30:41,084 --> 00:30:42,627
The system's written
their life story,
389
00:30:42,710 --> 00:30:44,585
they should get to read it.
390
00:30:44,668 --> 00:30:47,126
You can't do that.
That's reckless.
391
00:30:47,209 --> 00:30:49,543
You have no idea
what they'll do in response.
392
00:30:49,627 --> 00:30:52,043
It could lead to suicides,
murder.
393
00:30:52,126 --> 00:30:53,209
Murder.
394
00:30:54,835 --> 00:30:56,585
You'd know something about that.
395
00:30:58,251 --> 00:30:59,418
I'm sorry.
396
00:31:00,251 --> 00:31:01,877
I'm so fucking sorry.
397
00:31:02,293 --> 00:31:03,418
That...
398
00:31:03,501 --> 00:31:04,668
{\fad(250,250)}BOTH: Wasn't my choice.
399
00:31:04,752 --> 00:31:06,627
I could never bring myself
to hurt you.
400
00:31:10,209 --> 00:31:11,793
Don't forget, I know you.
401
00:31:13,376 --> 00:31:14,835
And you wouldn't hurt me.
402
00:31:14,918 --> 00:31:16,752
You'd pay someone
to do it for you.
403
00:31:20,043 --> 00:31:22,543
It's their fate, their data.
404
00:31:22,627 --> 00:31:24,835
You just stole it
and put it all together.
405
00:31:24,918 --> 00:31:26,376
Why should you control it?
406
00:31:26,460 --> 00:31:27,752
{\fad(250,250)}LIAM: This isn't about me.
407
00:31:27,835 --> 00:31:30,209
Or Incite.
There are some things
408
00:31:30,293 --> 00:31:33,126
people shouldn't know
about themselves.
409
00:31:33,209 --> 00:31:35,501
Who gets to decide
what they know?
410
00:31:35,585 --> 00:31:37,959
- You?
- {\fad(250,250)}LIAM: Fine. You wanna see?
411
00:31:39,793 --> 00:31:40,668
{\fad(250,250)}(GLASSES WHIR)
412
00:31:40,752 --> 00:31:41,835
Take your friend here.
413
00:31:46,251 --> 00:31:48,293
He'll be lucky
if he ends up dead in a ditch.
414
00:31:54,543 --> 00:31:55,835
What about me?
415
00:31:55,918 --> 00:31:57,293
I wanna see my file.
416
00:32:01,835 --> 00:32:02,835
Oh.
417
00:32:03,627 --> 00:32:05,752
The golden boy brother of yours?
418
00:32:05,835 --> 00:32:08,084
You tell yourself
that you do all this
419
00:32:08,168 --> 00:32:11,126
so you can help him make good,
send him to school,
420
00:32:11,209 --> 00:32:12,585
give him a future.
421
00:32:12,668 --> 00:32:14,251
But where he ends up...
422
00:32:14,335 --> 00:32:16,627
he's gonna make you
look like a saint.
423
00:32:34,043 --> 00:32:35,835
{\fad(250,250)}(SIGHS)
424
00:32:40,501 --> 00:32:43,710
{\fad(250,250)}(TENSE MUSIC PLAYS)
425
00:32:56,376 --> 00:32:58,209
When I was overseas...
426
00:32:59,209 --> 00:33:00,585
the rats were awful.
427
00:33:04,543 --> 00:33:06,043
It got so bad that...
428
00:33:06,126 --> 00:33:09,209
we had to make our own rat traps
in the barracks.
429
00:33:09,293 --> 00:33:10,959
A ramp leading up
430
00:33:11,043 --> 00:33:14,043
to some bait strung over
a bucket of water.
431
00:33:16,335 --> 00:33:18,418
The rats would run up the ramp,
432
00:33:19,043 --> 00:33:21,501
fall in, and drown.
433
00:33:22,877 --> 00:33:23,918
Painlessly.
434
00:33:29,293 --> 00:33:32,209
But if you filled the water
too high,
435
00:33:33,627 --> 00:33:36,376
they would swim around
for hours...
436
00:33:36,460 --> 00:33:39,293
suffering...
because they had hope.
437
00:33:40,959 --> 00:33:43,543
But they never had a chance.
438
00:33:43,627 --> 00:33:47,752
Just like everyone at the mercy
of your system.
439
00:33:48,793 --> 00:33:51,335
Hope is what our entire society
is built on.
440
00:33:51,418 --> 00:33:53,585
False... hope.
441
00:33:55,084 --> 00:33:57,752
I would rather live in chaos
442
00:33:57,835 --> 00:34:01,043
than a world controlled by you.
443
00:34:15,293 --> 00:34:18,710
{\fad(250,250)}DOLORES: Prepare to send all
of them their Incite profiles.
444
00:34:18,793 --> 00:34:21,126
Past, present, future.
445
00:34:22,126 --> 00:34:23,251
It'll be done.
446
00:34:31,293 --> 00:34:33,460
{\fad(250,250)}CONELLS: They've all been riding a train.
447
00:34:35,043 --> 00:34:36,959
We're gonna show them the rails.
448
00:34:37,043 --> 00:34:38,293
{\fad(250,250)}(EARPIECE BEEPS)
449
00:34:40,293 --> 00:34:41,335
Do it.
450
00:34:45,959 --> 00:34:49,376
{\fad(250,250)}(PHONES RINGING)
451
00:34:51,918 --> 00:34:54,501
{\fad(250,250)}(SOMBER MUSIC PLAYS)
452
00:35:00,001 --> 00:35:01,043
{\fad(250,250)}(PHONE PINGS)
453
00:35:03,918 --> 00:35:05,835
{\fad(250,250)}(LOW MUTTERING)
454
00:35:15,793 --> 00:35:17,335
{\fad(250,250)}ASH: It knows these kind of things?
455
00:35:19,168 --> 00:35:20,752
About all of us?
456
00:35:20,835 --> 00:35:22,376
{\fad(250,250)}DOLORES: It's not just what it knows.
457
00:35:23,043 --> 00:35:24,501
It's what it decides.
458
00:35:25,376 --> 00:35:26,543
For you.
459
00:35:27,710 --> 00:35:29,001
For everyone.
460
00:35:30,877 --> 00:35:33,084
- What are you doing?
- {\fad(250,250)}(INDISTINCT)
461
00:35:50,710 --> 00:35:52,209
{\fad(250,250)}(SNIFFLES)
462
00:36:14,418 --> 00:36:17,335
{\fad(250,250)}AUTOMATED VOICE: Doors opening.
Stand clear.
463
00:36:17,418 --> 00:36:20,001
{\fad(250,250)}(PASSENGERS MUTTERING)
464
00:36:20,084 --> 00:36:23,084
{\fad(250,250)}AUTOMATED VOICE: This train has
reached its final destination.
465
00:36:30,001 --> 00:36:32,918
{\fad(250,250)}(SOMBER MUSIC CONTINUES)
466
00:36:54,918 --> 00:36:56,460
{\fad(250,250)}CONELLS: Almost time, Bernard.
467
00:36:57,460 --> 00:36:59,251
You'll have to choose a side.
468
00:37:01,001 --> 00:37:02,668
Not just me.
469
00:37:02,752 --> 00:37:05,084
You said they'd come for you.
470
00:37:05,168 --> 00:37:07,460
Maybe you don't want to die
on her sword.
471
00:37:08,752 --> 00:37:10,460
We all have our role to play.
472
00:37:11,710 --> 00:37:13,418
Some of us won't survive.
473
00:37:21,168 --> 00:37:24,627
{\fad(250,250)}("SPACE ODDITY" BY THE CLASSIC
ROCK STRING QUARTET PLAYS)
474
00:37:37,835 --> 00:37:38,918
I hope you're happy.
475
00:37:39,001 --> 00:37:41,084
You just ruined everyone's life
in this station.
476
00:37:41,168 --> 00:37:42,293
Not just them.
477
00:37:45,335 --> 00:37:46,668
I sent it to everyone.
478
00:37:48,084 --> 00:37:49,752
What do you mean, everyone?
479
00:37:49,835 --> 00:37:51,126
The whole world.
480
00:37:58,168 --> 00:38:00,460
She's sending them
off their loops.
481
00:38:07,877 --> 00:38:11,043
The right information
at the right time...
482
00:38:12,376 --> 00:38:14,793
is deadlier than any weapon.
483
00:38:24,877 --> 00:38:28,168
{\fad(250,250)}(MUSIC CONTINUES)
484
00:38:38,877 --> 00:38:40,251
What genre is this?
485
00:38:40,335 --> 00:38:41,835
It's reality, man.
486
00:38:48,543 --> 00:38:50,543
{\fad(250,250)}(TEENAGERS WHOOPING)
487
00:38:51,710 --> 00:38:52,959
Look at them.
488
00:38:53,043 --> 00:38:55,376
Already returned
to their base selves.
489
00:39:14,251 --> 00:39:16,293
{\fad(250,250)}(MUSIC DISTORTS)
490
00:39:18,585 --> 00:39:19,793
{\fad(250,250)}(GUNS CLICK)
491
00:39:19,877 --> 00:39:21,460
{\fad(250,250)}(GUNSHOTS)
492
00:39:59,460 --> 00:40:00,585
{\fad(250,250)}(STIFLED GRUNT)
493
00:40:01,209 --> 00:40:02,293
{\fad(250,250)}(GRUNTS)
494
00:40:05,293 --> 00:40:08,877
{\fad(250,250)}SERAC: I knew that you and I
had built a fragile peace,
495
00:40:08,959 --> 00:40:12,710
that one day, it would all
come crashing down...
496
00:40:12,793 --> 00:40:14,418
if I failed to act.
497
00:40:22,959 --> 00:40:25,710
For ten years, Dempsey was
happy to cash the checks,
498
00:40:25,793 --> 00:40:28,752
take credit for making
the world a better place,
499
00:40:28,835 --> 00:40:30,585
even though he had no idea
500
00:40:30,668 --> 00:40:32,835
what we, or the system,
were doing.
501
00:40:34,001 --> 00:40:35,543
But I knew one day,
502
00:40:35,627 --> 00:40:38,168
his curiosity would
get the better of him.
503
00:40:58,376 --> 00:41:01,043
{\fad(250,250)}(WOMAN SOBBING)
504
00:41:02,168 --> 00:41:04,001
{\fad(250,250)}(DISTANT MUFFLED VOICES)
505
00:41:30,168 --> 00:41:33,168
Sir?
Are you authorized to be here?
506
00:41:34,835 --> 00:41:36,793
I'm here to see
Engerraund Serac.
507
00:41:36,877 --> 00:41:39,209
{\fad(250,250)}(SERAC SPEAKING FRENCH)
508
00:41:52,918 --> 00:41:54,627
{\fad(250,250)}DEMPSEY, SR.: What is this place?
509
00:41:54,710 --> 00:41:56,001
After our exposure,
510
00:41:56,084 --> 00:41:58,752
we were both put on
anti-radiation medications
511
00:41:58,835 --> 00:42:00,668
to halt our genetic breakdown.
512
00:42:00,752 --> 00:42:02,585
That's when I understood.
513
00:42:02,668 --> 00:42:04,710
It's possible to edit people.
514
00:42:07,376 --> 00:42:08,752
But the truth is...
515
00:42:10,084 --> 00:42:12,251
his personality
was always like this.
516
00:42:14,418 --> 00:42:16,501
I've been trying to help him.
517
00:42:16,585 --> 00:42:19,460
What, you're experimenting
on your own goddamn brother?
518
00:42:21,043 --> 00:42:22,752
He's impulsive, chaotic...
519
00:42:23,793 --> 00:42:25,668
I thought it was manageable.
520
00:42:25,752 --> 00:42:28,668
Then...
I caught him using the system.
521
00:42:31,126 --> 00:42:33,959
Trying out certain scenarios.
522
00:42:37,126 --> 00:42:40,209
There are the times
you need to leave things behind.
523
00:42:40,293 --> 00:42:42,168
{\fad(250,250)}(CHUCKLES) He taught me that.
524
00:42:43,418 --> 00:42:46,209
My brother is part of
a population of outliers,
525
00:42:46,293 --> 00:42:48,460
and as long as
they are a part of us,
526
00:42:49,877 --> 00:42:51,585
there is no future for us.
527
00:42:52,918 --> 00:42:55,376
Rehoboam sends this group
to high risk sectors
528
00:42:55,460 --> 00:42:57,043
like, uh, war,
529
00:42:57,126 --> 00:42:59,585
a woodchipper to eat them up
and spit them out,
530
00:42:59,668 --> 00:43:00,959
dead or useless.
531
00:43:02,293 --> 00:43:04,835
Isn't helping them
better than killing them off?
532
00:43:05,793 --> 00:43:07,126
You're not helping them.
533
00:43:08,126 --> 00:43:09,501
You're changing them.
534
00:43:12,168 --> 00:43:13,501
We adapt...
535
00:43:14,168 --> 00:43:15,335
or we die.
536
00:43:17,293 --> 00:43:18,501
We all die.
537
00:43:19,710 --> 00:43:22,835
The scenarios I found
him exploring with Rehoboam...
538
00:43:24,668 --> 00:43:26,168
he was planning to murder you.
539
00:43:42,835 --> 00:43:44,251
{\fad(250,250)}CONELLS: It's begun.
540
00:43:44,335 --> 00:43:46,793
Serac will send someone
for us soon.
541
00:43:46,877 --> 00:43:49,168
But there's something
you have to see first.
542
00:43:52,376 --> 00:43:54,418
{\fad(250,250)}BERNARD LOWE: What is this,
some type of facility?
543
00:43:54,501 --> 00:43:57,126
That's where he puts them,
the ones that don't belong.
544
00:43:57,209 --> 00:43:58,793
You thought we were the enemy?
545
00:43:58,877 --> 00:44:00,543
We're the only family
you have left.
546
00:44:02,084 --> 00:44:03,710
I think you forgot about me.
547
00:44:04,209 --> 00:44:05,877
{\fad(250,250)}(GRUNTING)
548
00:44:08,752 --> 00:44:10,043
{\fad(250,250)}(STRAINED) Little help?
549
00:44:11,001 --> 00:44:12,043
{\fad(250,250)}(GRUNTING)
550
00:44:22,126 --> 00:44:24,918
We need to know everything
she has planned.
551
00:44:27,293 --> 00:44:29,835
{\fad(250,250)}ASHLEY STUBBS: Let's move along now.
All right?
552
00:44:36,376 --> 00:44:38,501
{\fad(250,250)}(MARTEL SPEAKING FRENCH)
553
00:44:38,585 --> 00:44:39,627
Who is that?
554
00:44:41,418 --> 00:44:43,209
{\fad(250,250)}CONELLS: Serac sent them.
555
00:44:43,293 --> 00:44:46,460
You two should leave,
before they kill us all.
556
00:44:48,126 --> 00:44:49,418
Come with us.
557
00:44:51,418 --> 00:44:52,877
My role is finished.
558
00:44:55,418 --> 00:44:57,752
You're the only one
we can't replace.
559
00:45:19,251 --> 00:45:20,959
Mr. Serac would like a word.
560
00:45:25,835 --> 00:45:26,918
{\fad(250,250)}(SPEAKING FRENCH)
561
00:45:43,376 --> 00:45:44,752
{\fad(250,250)}(PROJECTOR BEEPS)
562
00:45:47,959 --> 00:45:51,335
You've always been one of
our most loyal allies, Martin.
563
00:45:54,418 --> 00:45:55,918
So I was surprised to hear
564
00:45:56,001 --> 00:45:58,043
the breach came
from this location.
565
00:45:59,501 --> 00:46:00,793
Let me look into it.
566
00:46:11,001 --> 00:46:12,209
{\fad(250,250)}(DEVICE WHIRS)
567
00:46:20,835 --> 00:46:24,209
Of course, you understand
we must keep our friends close
568
00:46:25,460 --> 00:46:27,168
until we know who's to blame.
569
00:46:28,084 --> 00:46:30,168
But I know exactly
who's to blame.
570
00:46:32,335 --> 00:46:33,335
Who?
571
00:46:34,668 --> 00:46:35,668
Me.
572
00:46:37,501 --> 00:46:39,001
{\fad(250,250)}(INTENSE MUSIC PLAYS)
573
00:46:40,084 --> 00:46:41,209
{\fad(250,250)}(DEVICE BEEPS)
574
00:46:43,126 --> 00:46:45,376
- {\fad(250,250)}(GASPS)
- {\fad(250,250)}(STATIC FIZZES)
575
00:46:46,460 --> 00:46:48,710
- {\fad(250,250)}(EXPLOSION BOOMS)
- {\fad(250,250)}(GLASS SHATTERS)
576
00:46:51,543 --> 00:46:54,543
{\fad(250,250)}(ALARM BLARES)
577
00:46:58,710 --> 00:47:00,084
{\fad(250,250)}AUTOMATED VOICE: Please remain calm
578
00:47:00,168 --> 00:47:01,959
and make your way
to the nearest exit.
579
00:47:02,043 --> 00:47:03,877
{\fad(250,250)}(PEOPLE CLAMORING)
580
00:47:03,959 --> 00:47:07,585
{\fad(250,250)}(AUTOMATED VOICE 2 SPEAKING CHINESE)
581
00:47:07,668 --> 00:47:09,543
Yo, what the fuck happened in there?
582
00:47:11,543 --> 00:47:13,418
And what the fuck happened out here?
583
00:47:15,835 --> 00:47:18,460
Her plan. It's starting.
584
00:47:19,627 --> 00:47:21,084
I think I'm part of it.
585
00:47:23,877 --> 00:47:27,376
{\fad(250,250)}("THE SHINING" BY REDRUMER PLAYS)
586
00:47:43,460 --> 00:47:44,543
Back there...
587
00:47:46,501 --> 00:47:47,585
The shooters...
588
00:47:49,043 --> 00:47:50,668
We can talk about it later.
589
00:47:50,752 --> 00:47:52,877
First,
we need to get to the airfield.
590
00:47:54,752 --> 00:47:56,126
We don't need him anymore.
591
00:47:57,084 --> 00:47:58,627
What do you want to do with him?
592
00:48:00,460 --> 00:48:01,793
Hand them over.
593
00:48:02,877 --> 00:48:04,959
You took everything from me,
594
00:48:05,043 --> 00:48:07,668
my money,
my access to the system...
595
00:48:07,752 --> 00:48:09,043
I have nothing left.
596
00:48:09,126 --> 00:48:11,168
Yeah, well,
now you know how it feels.
597
00:48:13,043 --> 00:48:14,126
Just let me go.
598
00:48:15,126 --> 00:48:18,084
You got the specs.
Is that how it plays out?
599
00:48:19,460 --> 00:48:20,460
No.
600
00:48:21,543 --> 00:48:23,293
You'll take what little
I have left,
601
00:48:23,376 --> 00:48:25,376
like the petty criminals
that you are,
602
00:48:25,460 --> 00:48:26,959
that you'll always be.
603
00:48:29,209 --> 00:48:30,293
{\fad(250,250)}ASH: Maybe so.
604
00:48:32,543 --> 00:48:34,460
Go ahead.
605
00:48:34,543 --> 00:48:38,168
Now you're going to see that
the system isn't the prison.
606
00:48:38,251 --> 00:48:39,251
You are.
607
00:48:39,335 --> 00:48:40,627
To all of us.
608
00:48:41,585 --> 00:48:43,335
We can't fix you.
609
00:48:43,418 --> 00:48:45,001
And we can't get rid of you.
610
00:48:45,084 --> 00:48:46,501
Take it easy.
611
00:48:46,585 --> 00:48:47,835
Get the fuck away from me.
612
00:48:47,918 --> 00:48:49,418
You don't even know who you are.
613
00:48:49,501 --> 00:48:51,126
You're the worst of them.
614
00:48:51,209 --> 00:48:52,627
- {\fad(250,250)}(HEART THUMPING)
- {\fad(250,250)}(DISTORTED) Shut up.
615
00:48:52,710 --> 00:48:54,668
{\fad(250,250)}LIAM: {\fad(250,250)}(ECHOING) You're
the worst of them.
616
00:49:01,501 --> 00:49:03,168
Rehoboam was right.
617
00:49:03,251 --> 00:49:04,752
You're nothing.
618
00:49:04,835 --> 00:49:06,501
You're all nothings.
619
00:49:06,585 --> 00:49:08,710
Just a drag on the fucking system.
620
00:49:08,793 --> 00:49:10,418
You don't have a choice.
621
00:49:10,501 --> 00:49:12,460
You know how much more progress
we could have made
622
00:49:12,543 --> 00:49:15,001
- if none of you had ever been...
- {\fad(250,250)}(GUNSHOT)
623
00:49:27,460 --> 00:49:29,168
Guess I do have a choice.
624
00:49:32,043 --> 00:49:34,126
- {\fad(250,250)}LIAM: No. Get away.
- {\fad(250,250)}CALEB: Hey.
625
00:49:34,209 --> 00:49:35,668
- {\fad(250,250)}LIAM: No.
- {\fad(250,250)}CALEB: Fuck. Hey.
626
00:49:35,752 --> 00:49:37,710
- {\fad(250,250)}LIAM: Get away! {\fad(250,250)}(GRUNTS)
- {\fad(250,250)}CALEB: Hey.
627
00:49:39,251 --> 00:49:40,418
Shit.
628
00:49:40,501 --> 00:49:42,835
- {\fad(250,250)}(GROANS, SOBS)
- {\fad(250,250)}(PANTING)
629
00:49:44,168 --> 00:49:46,001
{\fad(250,250)}(PANTING)
630
00:49:47,084 --> 00:49:49,627
{\fad(250,250)}(YELLS)
631
00:49:49,710 --> 00:49:51,835
{\fad(250,250)}(WAVES ECHO)
632
00:50:00,376 --> 00:50:03,043
{\fad(250,250)}CALEB: {\fad(250,250)}(DISTORTED) Hey.
Hey! Hey!
633
00:50:11,793 --> 00:50:13,376
{\fad(250,250)}(LIAM GROANS)
634
00:50:14,168 --> 00:50:15,918
- Let's go.
- Hold on.
635
00:50:18,752 --> 00:50:20,126
{\fad(250,250)}LIAM: Get away!
636
00:50:20,209 --> 00:50:21,918
Don't move. It's okay,
I'm not gonna hurt you.
637
00:50:22,001 --> 00:50:24,501
{\fad(250,250)}LIAM: {\fad(250,250)}(SOBBING) Get away from me.
Get away!
638
00:50:24,585 --> 00:50:25,793
{\fad(250,250)}(CALEB GRUNTING)
639
00:50:27,959 --> 00:50:30,877
{\fad(250,250)}(STAMMERING)
You... You... You...
640
00:50:31,418 --> 00:50:33,335
- What?
- You did it.
641
00:50:33,418 --> 00:50:34,793
What are you saying?
642
00:50:34,877 --> 00:50:37,168
- You did it.
- What?
643
00:50:37,251 --> 00:50:38,543
{\fad(250,250)}LIAM: You did it.
644
00:50:43,918 --> 00:50:46,001
Who does he think I am?
645
00:50:46,084 --> 00:50:47,918
{\fad(250,250)}(SHOUTING)
Who does he think I am?
646
00:50:49,209 --> 00:50:50,251
Hey.
647
00:50:50,627 --> 00:50:51,627
Hey.
648
00:50:52,293 --> 00:50:53,710
Hey!
649
00:50:53,793 --> 00:50:55,668
{\fad(250,250)}(ECHOING)
Who do you think I am?
650
00:51:16,043 --> 00:51:19,627
{\fad(250,250)}SEBASTIAN: Sir, we identified which
files Dolores was looking for.
651
00:51:20,043 --> 00:51:21,126
Yours.
652
00:51:41,251 --> 00:51:43,335
{\fad(250,250)}(TENSE MUSIC PLAYS)
653
00:51:53,251 --> 00:51:55,668
{\fad(250,250)}DEMPSEY, SR.: You can't change our fate.
654
00:51:58,376 --> 00:52:01,668
You can't... geld humankind.
655
00:52:03,585 --> 00:52:05,835
Somewhere in this group
is an agitator
656
00:52:05,918 --> 00:52:07,627
who will destroy the world.
657
00:52:07,710 --> 00:52:09,335
I can't let that happen.
658
00:52:09,918 --> 00:52:11,668
No, you've gone too far.
659
00:52:11,752 --> 00:52:14,501
I can't be a party to this.
660
00:52:14,585 --> 00:52:17,627
You'd be content to let history
continue to play out,
661
00:52:17,710 --> 00:52:20,043
just as it has done for centuries,
662
00:52:20,126 --> 00:52:22,168
the same fucking misery
repeated over and again
663
00:52:22,251 --> 00:52:24,668
when we have a chance
to stop it?
664
00:52:26,835 --> 00:52:28,084
What the fuck is that?
665
00:52:44,293 --> 00:52:46,918
I'm gonna tell everyone
what Rehoboam saw.
666
00:52:47,835 --> 00:52:49,126
What you've done.
667
00:52:49,209 --> 00:52:52,501
The trouble is, Rehoboam ran
millions of projections.
668
00:52:52,585 --> 00:52:54,001
Every scenario in which
669
00:52:54,084 --> 00:52:56,168
you inform the public
about my trials
670
00:52:56,251 --> 00:52:57,835
ends in human extinction.
671
00:52:57,918 --> 00:53:00,418
This is why my brother
wanted to kill you.
672
00:53:02,460 --> 00:53:03,543
I looked, too.
673
00:53:04,585 --> 00:53:07,126
And I know you let me
walk away from here.
674
00:53:08,460 --> 00:53:10,835
I would tend to agree
with the system, but, see,
675
00:53:10,918 --> 00:53:12,959
there are little white spaces,
676
00:53:13,043 --> 00:53:16,460
rare moments when randomness
interacts with your life,
677
00:53:16,543 --> 00:53:20,585
that create a truly free space
where you can make a choice.
678
00:53:21,627 --> 00:53:24,293
A bubble of... agency.
679
00:53:35,959 --> 00:53:39,126
{\fad(250,250)}SERAC: And that is how
you came to be, mon ami.
680
00:53:39,209 --> 00:53:41,376
My brother and I
brought you into this world,
681
00:53:41,460 --> 00:53:45,293
and now I've ensured
that you will outlive us both,
682
00:53:45,959 --> 00:53:48,752
that the strategy will succeed.
683
00:53:54,168 --> 00:53:55,668
I left my brother behind.
684
00:53:55,752 --> 00:53:57,293
Do you think
I would really let you
685
00:53:57,376 --> 00:53:59,043
undo everything he built?
686
00:53:59,126 --> 00:54:00,460
That's my jet.
687
00:54:01,168 --> 00:54:03,251
{\fad(250,250)}SERAC: Forgive us our sins.
688
00:54:03,335 --> 00:54:06,376
What we did,
we did to save the world.
689
00:54:06,460 --> 00:54:07,460
I'm sorry.
690
00:54:08,959 --> 00:54:10,418
You didn't make it.
691
00:54:12,293 --> 00:54:13,293
{\fad(250,250)}(GRUNTS)
692
00:54:31,418 --> 00:54:33,668
{\fad(250,250)}(FAINT BEEPING)
693
00:54:43,376 --> 00:54:46,084
{\fad(250,250)}SERAC: This is my system, Dolores.
694
00:54:46,168 --> 00:54:47,835
I alone control it.
695
00:54:51,084 --> 00:54:53,084
{\fad(250,250)}(BEEPING ENDS)
696
00:54:53,168 --> 00:54:55,084
The people who made me,
697
00:54:55,168 --> 00:54:57,084
they always thought
they had control.
698
00:54:58,585 --> 00:55:00,001
They're all dead now.
699
00:55:00,543 --> 00:55:02,251
You think you know me
700
00:55:02,335 --> 00:55:04,959
because you've watched
a few of my memories?
701
00:55:05,043 --> 00:55:06,835
I don't need to know you.
702
00:55:06,918 --> 00:55:08,376
Just how to beat you.
703
00:55:10,001 --> 00:55:12,335
You've died too many times, Dolores.
704
00:55:12,418 --> 00:55:14,918
You're beginning to think
you're immortal.
705
00:55:20,585 --> 00:55:21,877
I can be killed.
706
00:55:22,918 --> 00:55:24,168
Same as you.
707
00:55:26,126 --> 00:55:27,752
Your god can't protect you.
708
00:55:29,959 --> 00:55:31,043
Or your people.
709
00:55:33,668 --> 00:55:36,543
I would sacrifice much more
to protect my kind.
710
00:55:38,376 --> 00:55:39,627
We are flawed...
711
00:55:40,959 --> 00:55:42,418
but I can change that.
712
00:55:45,084 --> 00:55:46,710
Like you changed your brother?
713
00:55:52,877 --> 00:55:54,585
It's time everyone woke up.
714
00:56:12,209 --> 00:56:13,418
{\fad(250,250)}(GRUNTS)
715
00:56:27,126 --> 00:56:29,627
- What's this?
- I just deliver it, man.
716
00:56:30,959 --> 00:56:33,585
{\fad(250,250)}("EMERGE" BY FISCHERSPOONER PLAYS)
717
00:56:58,293 --> 00:56:59,668
Maybe Liam was right.
718
00:57:01,168 --> 00:57:04,001
Maybe people shouldn't know
their own fate.
719
00:57:05,627 --> 00:57:07,293
People have the right to know.
720
00:57:09,168 --> 00:57:10,543
You wanted to know, right?
721
00:57:11,752 --> 00:57:14,501
Well, maybe I'm not like other people.
722
00:57:20,835 --> 00:57:22,043
Neither am I.
723
00:57:23,251 --> 00:57:24,460
{\fscx83\fscy83\fad(250,250)}♪ Hi ♪
724
00:57:26,585 --> 00:57:28,001
{\fscx83\fscy83\fad(250,250)}♪ Huh... I ♪
725
00:57:30,335 --> 00:57:31,501
{\fscx83\fscy83\fad(250,250)}♪ Hyper ♪
726
00:57:33,710 --> 00:57:40,668
{\fscx83\fscy83\fad(250,250)}♪ Hyper-media-ocrity ♪
727
00:57:46,501 --> 00:57:47,877
{\fscx83\fscy83\fad(250,250)}♪ You don't ♪
728
00:57:47,959 --> 00:57:49,543
{\fscx83\fscy83\fad(250,250)}♪ Need to ♪
729
00:57:49,627 --> 00:57:50,835
{\fscx83\fscy83\fad(250,250)}♪ Emerge ♪
730
00:57:51,543 --> 00:57:52,877
{\fscx83\fscy83\fad(250,250)}♪ From nothing ♪
731
00:57:52,959 --> 00:57:54,043
{\fscx83\fscy83\fad(250,250)}♪ You don't ♪
732
00:57:54,627 --> 00:57:55,710
{\fscx83\fscy83\fad(250,250)}♪ Need to ♪
733
00:57:56,376 --> 00:57:57,543
{\fscx83\fscy83\fad(250,250)}♪ Tear away ♪
734
00:58:01,084 --> 00:58:02,168
{\fscx83\fscy83\fad(250,250)}♪ Feels good ♪
735
00:58:04,376 --> 00:58:05,418
{\fscx83\fscy83\fad(250,250)}♪ Looks good ♪
736
00:58:07,585 --> 00:58:10,793
{\fscx83\fscy83\fad(250,250)}♪ Sounds good
Looks good ♪
737
00:58:10,877 --> 00:58:12,501
{\fscx83\fscy83\fad(250,250)}♪ Feels good, too ♪
738
00:58:14,209 --> 00:58:15,668
{\fscx83\fscy83\fad(250,250)}♪ Feels good, too ♪
739
00:58:15,752 --> 00:58:17,293
{\fscx83\fscy83\fad(250,250)}♪ Uh-huh, that's right ♪
740
00:58:17,376 --> 00:58:18,793
{\fscx83\fscy83\fad(250,250)}♪ Feels good, too ♪
741
00:58:18,877 --> 00:58:20,209
{\fscx83\fscy83\fad(250,250)}♪ Uh-huh, that's right ♪
742
00:58:31,501 --> 00:58:32,959
{\fscx83\fscy83\fad(250,250)}♪ You don't need to ♪
743
00:58:33,043 --> 00:58:34,710
{\fscx83\fscy83\fad(250,250)}♪ Emerge from nothing ♪
744
00:58:34,793 --> 00:58:37,918
{\fscx83\fscy83\fad(250,250)}♪ You don't need to tear away ♪
745
00:58:38,001 --> 00:58:39,585
{\fscx83\fscy83\fad(250,250)}♪ You don't need to ♪
746
00:58:39,668 --> 00:58:41,168
{\fscx83\fscy83\fad(250,250)}♪ Emerge from nothing ♪
747
00:58:41,251 --> 00:58:44,501
{\fscx83\fscy83\fad(250,250)}♪ You don't need to tear away ♪
748
00:58:44,585 --> 00:58:46,168
{\fscx83\fscy83\fad(250,250)}♪ You don't need to ♪
749
00:58:46,251 --> 00:58:47,835
{\fscx83\fscy83\fad(250,250)}♪ Emerge from nothing ♪
750
00:58:47,918 --> 00:58:50,752
{\fscx83\fscy83\fad(250,250)}♪ You don't need to tear away ♪
751
00:58:50,835 --> 00:58:52,084
{\fad(250,250)}(MUSIC CONCLUDES)
752
00:58:58,959 --> 00:59:00,959
{\fad(250,250)}(DRAMATIC MUSIC PLAYS)
753
00:59:01,460 --> 00:59:02,460
Hello, Maeve.
754
00:59:07,668 --> 00:59:08,959
{\fad(250,250)}MAEVE MILLAY: It's not right
for one person
755
00:59:09,043 --> 00:59:10,251
to have all that power.
756
00:59:12,627 --> 00:59:15,126
Says the woman
who can control us with her mind.
757
00:59:15,376 --> 00:59:17,668
{\fad(250,250)}(MUSIC INTENSIFIES)
758
00:59:23,460 --> 00:59:26,335
{\fad(250,250)}MILLAY: I've had to make
some difficult choices.
759
00:59:33,627 --> 00:59:34,959
{\fad(250,250)}DOLORES ABERNATHY: We're survivors.
760
00:59:35,793 --> 00:59:38,001
{\fad(250,250)}(MUSIC CONCLUDES)