1 00:00:14,028 --> 00:00:16,700 ♪ 2 00:00:16,700 --> 00:00:17,769 >>> IT'S REALLY NICE THEY'RE 3 00:00:17,769 --> 00:00:19,338 DOING THIS FOR US FOR THE 4 00:00:19,338 --> 00:00:19,640 SEMIFINALS. 5 00:00:19,640 --> 00:00:19,873 >> YEAH. 6 00:00:19,873 --> 00:00:21,476 I'M STRESSED. 7 00:00:21,476 --> 00:00:23,581 THIS COMPETITION IS TOUGH. 8 00:00:23,581 --> 00:00:25,685 >> TELL ME WHAT YOU SEE. 9 00:00:25,685 --> 00:00:26,286 >> I SEE MYSELF IN THE BOTTOM 10 00:00:26,286 --> 00:00:27,789 TWO. 11 00:00:27,789 --> 00:00:32,799 I'M A DISASTER. 12 00:00:32,799 --> 00:00:35,170 >> I SEE A GUY STANDING ON A 13 00:00:35,170 --> 00:00:35,705 DESK, LIKE, YELLING AT ME? 14 00:00:35,705 --> 00:00:39,913 >> I SEE SASHA. 15 00:00:39,913 --> 00:00:40,548 AND HE LOOKS SO DISAPPOINTED IN 16 00:00:40,548 --> 00:00:40,949 ME. 17 00:00:40,949 --> 00:00:41,517 >> I SEE MYSELF DOING AN 18 00:00:41,517 --> 00:00:42,017 ACCIDENTAL LIFT. 19 00:00:42,017 --> 00:00:44,121 CARRIE ANN WILL DOCK A POINT! 20 00:00:44,121 --> 00:00:46,760 >> THIS THING IS SERVING ME 21 00:00:46,760 --> 00:00:49,432 REJECTION AND DISAPPOINTMENT. 22 00:00:49,432 --> 00:00:50,067 >> I SEE MYSELF CRUMBLING UNDER 23 00:00:50,067 --> 00:00:52,639 THE PRESSURE. 24 00:00:52,639 --> 00:00:53,206 THIS IS JUST SO INCREDIBLY 25 00:00:53,206 --> 00:00:54,710 STRESSFUL. 26 00:00:54,710 --> 00:00:57,882 YOU HAVE NO IDEA. 27 00:00:57,882 --> 00:01:00,521 >> SOUNDS REALLY TOUGH. 28 00:01:00,521 --> 00:01:04,730 YOU WANT ME TO TAKE YOUR SPOT? 29 00:01:04,730 --> 00:01:05,798 ♪ 30 00:01:05,798 --> 00:01:06,332 >> Announcer: IT'S THE 31 00:01:06,332 --> 00:01:06,967 SEMIFINALS OF "DANCING WITH THE 32 00:01:06,967 --> 00:01:07,869 STARS." 33 00:01:07,869 --> 00:01:14,015 STARRING ‐‐ 34 00:01:21,095 --> 00:01:22,164 [ CHEERS AND APPLAUSE ] 35 00:01:22,164 --> 00:01:26,406 ♪ 36 00:01:26,406 --> 00:01:28,009 AND NOW, LIVE FROM HOLLYWOOD, 37 00:01:28,009 --> 00:01:29,078 PLEASE WELCOME YOUR HOST, TYRA 38 00:01:29,078 --> 00:01:29,579 BANKS. 39 00:01:29,579 --> 00:01:31,149 ♪ 40 00:01:31,149 --> 00:01:33,253 [ CHEERS AND APPLAUSE ] 41 00:01:33,253 --> 00:01:38,864 ♪ I'M A SAVAGE YEAH 42 00:01:38,864 --> 00:01:39,599 ♪ CLASSY, BOUGIE, RATCHET YEAH 43 00:01:39,599 --> 00:01:43,273 ♪ SASSY, MOODY, NASTY ACTING 44 00:01:43,273 --> 00:01:43,908 STUPID WHAT'S HAPPENING WHAT'S 45 00:01:43,908 --> 00:01:44,341 HAPPENING ♪ 46 00:01:44,341 --> 00:01:44,843 ♪ I'M A SAVAGE 47 00:01:44,843 --> 00:01:45,912 ♪ 48 00:01:45,912 --> 00:01:50,120 [ CHEERS AND APPLAUSE ] 49 00:01:50,120 --> 00:01:51,189 >> Tyra: WELCOME TO THE 50 00:01:51,189 --> 00:01:51,824 SEMIFINALS OF "DANCING WITH THE 51 00:01:51,824 --> 00:01:56,466 STARS." 52 00:01:56,466 --> 00:01:57,602 TONIGHT, OUR SIX SEMIFINALISTS 53 00:01:57,602 --> 00:01:58,203 WILL PERFORM TWO ROUTINES TO 54 00:01:58,203 --> 00:02:01,810 ESCAPE A DOUBLE ELIMINATION. 55 00:02:01,810 --> 00:02:03,379 AND COMPETE FOR THE MIRROR BALL 56 00:02:03,379 --> 00:02:08,423 TROPHY IN NEXT WEEK'S FINALE. 57 00:02:08,423 --> 00:02:08,924 OH, MY GOSH. 58 00:02:08,924 --> 00:02:09,559 THAT'S RIGHT, ONLY FOUR COUPLES 59 00:02:09,559 --> 00:02:10,060 WILL SURVIVE THIS NIGHT. 60 00:02:10,060 --> 00:02:10,695 THE COMPETITION HAS NEVER BEEN 61 00:02:10,695 --> 00:02:17,407 TIGHTER. 62 00:02:17,407 --> 00:02:18,042 AT THIS POINT, WHO WILL WIN IS 63 00:02:18,042 --> 00:02:18,443 ANYBODY'S GUESS. 64 00:02:18,443 --> 00:02:19,044 FIRST UP, THEY WILL TAKE ON A 65 00:02:19,044 --> 00:02:21,784 REDEMPTION ROUND. 66 00:02:21,784 --> 00:02:23,721 THE STARS WILL TRY TO IMPROVE ON 67 00:02:23,721 --> 00:02:24,756 A DANCE STYLE THAT THEY'VE 68 00:02:24,756 --> 00:02:26,894 ALREADY DONE, BUT THIS TIME, 69 00:02:26,894 --> 00:02:27,529 WITH SOME TIPS FROM ONE OF OUR 70 00:02:27,529 --> 00:02:30,568 JUDGES. 71 00:02:30,568 --> 00:02:31,169 AND IT'S GOING TO BE A BIG 72 00:02:31,169 --> 00:02:31,670 NIGHT, Y'ALL. 73 00:02:31,670 --> 00:02:33,239 SO GET READY TO PICK YOUR 74 00:02:33,239 --> 00:02:34,843 FINALISTS. 75 00:02:34,843 --> 00:02:36,412 IT'S SAVAGE, Y'ALL. 76 00:02:36,412 --> 00:02:37,982 VOTING IS OPEN IN THE EASTERN 77 00:02:37,982 --> 00:02:47,000 AND CENTRAL TIME ZONES, SO GO TO 78 00:02:47,000 --> 00:02:47,602 ABC.COM AND YOU CAN ALSO VOTE BY 79 00:02:47,602 --> 00:02:48,236 TEXTING THE STAR'S FIRST NAME TO 80 00:02:48,236 --> 00:02:49,071 THE NUMBER 21523. 81 00:02:49,071 --> 00:02:49,639 MESSAGE AND DATA RATES MAY 82 00:02:49,639 --> 00:02:55,918 APPLY. 83 00:02:55,918 --> 00:02:56,452 WE'RE GOING TO JUMP THIS 84 00:02:56,452 --> 00:02:57,054 SEMIFINAL NIGHT OFF WITH THE 85 00:02:57,054 --> 00:03:00,427 CELEBRITY FITNESS GURU. 86 00:03:00,427 --> 00:03:01,128 LAST WEEK HE RECEIVED HIS 87 00:03:01,128 --> 00:03:01,964 HIGHEST SCORES OF THE SEASON. 88 00:03:01,964 --> 00:03:02,599 HERE ARE CODY RIGSBY AND CHERYL 89 00:03:02,599 --> 00:03:05,671 GETTING SOME ADVICE ON HOW THE 90 00:03:05,671 --> 00:03:06,305 LEVEL UP THE DANCE STYLE BRUNO 91 00:03:06,305 --> 00:03:12,017 CHOSE FOR THEM. 92 00:03:12,017 --> 00:03:12,652 >> WE MADE IT TO THE SEMIFINALS. 93 00:03:12,652 --> 00:03:14,154 >> HALLELUJAH. 94 00:03:14,154 --> 00:03:15,725 CONGRATULATIONS. 95 00:03:15,725 --> 00:03:16,359 OUR FIRST DANCE IS A REDEMPTION 96 00:03:16,359 --> 00:03:19,398 DANCE. 97 00:03:19,398 --> 00:03:22,004 ONE OF THE JUDGES WILL COME IN 98 00:03:22,004 --> 00:03:22,605 TODAY AND GIVE US A CHANCE TO 99 00:03:22,605 --> 00:03:24,108 REDEEM OURSELVES. 100 00:03:24,108 --> 00:03:24,643 >> ALL RIGHT. 101 00:03:24,643 --> 00:03:25,176 BRING IT ON. 102 00:03:25,176 --> 00:03:26,212 >> HELLO! 103 00:03:26,212 --> 00:03:28,851 >> BRUNO! 104 00:03:28,851 --> 00:03:29,418 >> WE'RE SO EXCITED TO HAVE 105 00:03:29,418 --> 00:03:30,988 BRUNO AS OUR JUDGE. 106 00:03:30,988 --> 00:03:34,161 HE HAS GREAT ADVICE TO GIVE US. 107 00:03:34,161 --> 00:03:34,796 >> YOU'LL DO THE WEEK TWO SALSA 108 00:03:34,796 --> 00:03:36,265 AGAIN. 109 00:03:36,265 --> 00:03:36,900 THE LAST TIME, WE ONLY SAW THE 110 00:03:36,900 --> 00:03:40,440 REHEARSAL TAPE. 111 00:03:40,440 --> 00:03:42,812 >> I KNOW, COVID. 112 00:03:42,812 --> 00:03:44,381 >> WE HAD COVID, SO THEY HAD TO 113 00:03:44,381 --> 00:03:48,991 JUDGE OUR REHEARSAL FOOTAGE 114 00:03:48,991 --> 00:03:49,491 INSTEAD. 115 00:03:49,491 --> 00:03:50,695 >> SOMETIMES YOU COULD ROUND 116 00:03:50,695 --> 00:03:54,168 YOUR HIPS A LITTLE BIT MORE. 117 00:03:54,168 --> 00:03:54,703 LET ME SEE WHAT YOU'VE GOT 118 00:03:54,703 --> 00:03:55,170 PREPARED. 119 00:03:55,170 --> 00:03:55,705 ♪ 120 00:03:55,705 --> 00:03:56,740 IT'S ALL ABOUT YOUR PELVIS. 121 00:03:56,740 --> 00:03:56,974 >> AH. 122 00:03:56,974 --> 00:03:57,809 >> IT'S ALWAYS LED BY THE 123 00:03:57,809 --> 00:04:01,883 PELVIS. 124 00:04:01,883 --> 00:04:02,150 >> OKAY. 125 00:04:02,150 --> 00:04:06,225 >> BUT IT'S NOT ‐‐ 126 00:04:06,225 --> 00:04:09,431 >> IT'S GREAT TO HAVE BRUNO'S 127 00:04:09,431 --> 00:04:10,467 ENERGY IN THE REHEARSAL SPACE. 128 00:04:10,467 --> 00:04:11,068 >> THE HIP ACTION IS NOT JUST 129 00:04:11,068 --> 00:04:13,139 SHAKING SIDE TO SIDE. 130 00:04:13,139 --> 00:04:13,674 IT HAS TO HAVE A SENSE OF 131 00:04:13,674 --> 00:04:19,485 ROTATION. 132 00:04:19,485 --> 00:04:20,120 YOU CAN'T DANCE CHA‐CHA‐CHA WITH 133 00:04:20,120 --> 00:04:20,654 A PANEL BETWEEN YOUR LEGS. 134 00:04:20,654 --> 00:04:21,957 IT'S NEVER GOING TO HAPPEN. 135 00:04:21,957 --> 00:04:22,491 >> HE'S BIGGER THAN LIFE. 136 00:04:22,491 --> 00:04:23,059 HE KNOWS WHAT HE'S TALKING 137 00:04:23,059 --> 00:04:24,228 ABOUT. 138 00:04:24,228 --> 00:04:25,263 >> YOU HAVE TO MOVE THE SAME, 139 00:04:25,263 --> 00:04:26,867 YOU SEE? 140 00:04:26,867 --> 00:04:28,937 YOU HAVE TO MOVE THE SAME. 141 00:04:28,937 --> 00:04:31,576 >> I'M GOING TO TAKE EVERYTHING 142 00:04:31,576 --> 00:04:32,210 THAT HE TOLD US AND REALLY PUT 143 00:04:32,210 --> 00:04:33,012 IT INTO OUR PERFORMANCE. 144 00:04:33,012 --> 00:04:33,580 >> YOU GET IT FROM THE FEET 145 00:04:33,580 --> 00:04:34,749 AGAINST THE FLOOR. 146 00:04:34,749 --> 00:04:35,283 BUT IT'S LIGHT. 147 00:04:35,283 --> 00:04:35,818 >> THOSE HIPS. 148 00:04:35,818 --> 00:04:36,419 ALL HE WANTS TO SEE ARE THOSE 149 00:04:36,419 --> 00:04:39,024 HIPS. 150 00:04:39,024 --> 00:04:39,491 >> AH! 151 00:04:39,491 --> 00:04:40,561 THERE YOU GO, I'M SEEING IT. 152 00:04:40,561 --> 00:04:44,836 [ CHEERS AND APPLAUSE ] 153 00:04:44,836 --> 00:04:46,405 >> Announcer: DANCING THE SALSA 154 00:04:46,405 --> 00:04:47,474 WITH HIS PARTNER CHERYL, IT'S 155 00:04:47,474 --> 00:04:51,917 CODY RIGSBY. 156 00:04:53,587 --> 00:04:56,726 ♪ 157 00:04:56,726 --> 00:05:12,525 [ SINGING IN FOREIGN LANGUAGE ] 158 00:05:13,159 --> 00:05:13,694 ♪ 159 00:05:13,694 --> 00:05:31,195 [ SINGING IN FOREIGN LANGUAGE ] 160 00:05:31,830 --> 00:05:32,330 ♪ 161 00:05:32,330 --> 00:05:48,129 [ SINGING IN FOREIGN LANGUAGE ] 162 00:05:49,799 --> 00:05:50,300 ♪ 163 00:05:50,300 --> 00:06:09,104 [ SINGING IN FOREIGN LANGUAGE ] 164 00:06:09,104 --> 00:06:10,073 ♪ 165 00:06:10,073 --> 00:06:11,475 [ CHEERS AND APPLAUSE ] 166 00:06:11,475 --> 00:06:11,977 >> Tyra: OKAY. 167 00:06:11,977 --> 00:06:13,580 CODY AND CHERYL WITH THAT SALSA, 168 00:06:13,580 --> 00:06:17,287 JUMPING OFF A NIGHT OF 169 00:06:17,287 --> 00:06:17,888 SEMIFINALS WITH SOME FIRE AND 170 00:06:17,888 --> 00:06:21,128 DESIRE. 171 00:06:21,128 --> 00:06:22,030 BRUNO, YOU ADVISED CODY AND 172 00:06:22,030 --> 00:06:24,134 CHERYL, WE'LL START WITH YOU. 173 00:06:24,134 --> 00:06:26,272 >> ONE THING IS FOR SURE, THE 174 00:06:26,272 --> 00:06:26,906 RACE TO THE FINALE STARTS WITH A 175 00:06:26,906 --> 00:06:34,221 BANG! 176 00:06:34,221 --> 00:06:35,290 YOU REALLY GOT THE ENERGY AND 177 00:06:35,290 --> 00:06:35,791 THE EXCITEMENT GOING. 178 00:06:35,791 --> 00:06:36,325 THE HIPS, SO MUCH BETTER. 179 00:06:36,325 --> 00:06:43,239 GROUNDED, YET LIGHTER. 180 00:06:43,239 --> 00:06:47,213 YOUR ARMOGRAPHY IMPROVED. 181 00:06:47,213 --> 00:06:47,615 COME ON, GOOD JOB. 182 00:06:47,615 --> 00:06:48,249 YOU STILL MESSED UP A COUPLE OF 183 00:06:48,249 --> 00:06:48,650 PASSES, THOUGH. 184 00:06:48,650 --> 00:06:49,284 YOU LOST A SLIGHT LITTLE BIT OF 185 00:06:49,284 --> 00:06:56,432 SYNC. 186 00:06:56,432 --> 00:06:58,102 BUT OREWISE, I'M TELLING YOU. 187 00:06:58,102 --> 00:06:59,539 SO MUCH BETTER. 188 00:06:59,539 --> 00:07:00,039 >> Tyra: CARRIE ANN? 189 00:07:00,039 --> 00:07:00,641 >> THAT IS THE DEFINITION OF 190 00:07:00,641 --> 00:07:01,108 REDEMPTION. 191 00:07:01,108 --> 00:07:01,643 TRULY. 192 00:07:01,643 --> 00:07:02,243 I'M SO HAPPY TO SEE YOU DOING 193 00:07:02,243 --> 00:07:05,818 THIS AT FULL PERFORMANCE LEVEL. 194 00:07:05,818 --> 00:07:07,387 YOU'RE FANTASTIC. 195 00:07:07,387 --> 00:07:09,726 I LOVE THAT YOU'RE TOTALLY 196 00:07:09,726 --> 00:07:11,195 GETTING INTO THE MOVEMENTS. 197 00:07:11,195 --> 00:07:12,263 I CAN TELL EVERYTHING FEELS GOOD 198 00:07:12,263 --> 00:07:12,497 ON YOU. 199 00:07:12,497 --> 00:07:13,132 SOMETIMES THE ENERGY DRAINS JUST 200 00:07:13,132 --> 00:07:15,269 A LITTLE BIT FROM YOUR FEET. 201 00:07:15,269 --> 00:07:17,742 I'M JUST GOING TO POINT IT OUT 202 00:07:17,742 --> 00:07:18,342 NOW BECAUSE YOU HAVE ANOTHER 203 00:07:18,342 --> 00:07:18,777 DANCE COMING UP. 204 00:07:18,777 --> 00:07:19,277 BUT IT WAS FANTASTIC. 205 00:07:19,277 --> 00:07:20,346 >> Tyra: LEN? 206 00:07:20,346 --> 00:07:20,948 >> THAT WAS AN ACTION‐PACKED 207 00:07:20,948 --> 00:07:21,950 FULL‐ON SALSA. 208 00:07:21,950 --> 00:07:23,520 I LOVED THE MIX OF STUFF 209 00:07:23,520 --> 00:07:25,657 TOGETHER AND THEN APART. 210 00:07:25,657 --> 00:07:26,125 YOU WERE A LITTLE BIT 211 00:07:26,125 --> 00:07:27,227 FLAT‐FOOTED NOW AND AGAIN. 212 00:07:27,227 --> 00:07:28,830 BUT OVERALL, APART FROM ONE 213 00:07:28,830 --> 00:07:30,400 LITTLE BLUNDER, THAT WAS A 214 00:07:30,400 --> 00:07:31,503 FULL‐ON SALSA. 215 00:07:31,503 --> 00:07:34,675 >> Tyra: DEREK? 216 00:07:34,675 --> 00:07:39,418 >> MR. RIGSBY, THAT LAST LITTLE 217 00:07:39,418 --> 00:07:41,021 LEG DIP THING GOT ME GASPING. 218 00:07:41,021 --> 00:07:45,764 IT WAS JAM‐PACKED, A FEW ARM 219 00:07:45,764 --> 00:07:46,398 MISSES HERE AND THERE, BUT WELL 220 00:07:46,398 --> 00:07:48,402 DONE. 221 00:07:48,402 --> 00:07:49,004 THAT WAS A HUGE IMPROVEMENT FROM 222 00:07:49,004 --> 00:07:49,438 THE FIRST TIME. 223 00:07:49,438 --> 00:07:49,972 WELL DONE. 224 00:07:49,972 --> 00:07:53,647 >> WE'LL TAKE IT. 225 00:07:53,647 --> 00:07:54,281 >> Tyra: ALL RIGHT, SO, CODY AND 226 00:07:54,281 --> 00:07:55,249 CHERYL, THIS IS THE SEMIFINALS. 227 00:07:55,249 --> 00:07:55,784 TWO PEOPLE ARE GOING HOME 228 00:07:55,784 --> 00:07:57,521 TONIGHT. 229 00:07:57,521 --> 00:07:58,623 WHICH IS CRAZY TO ME. 230 00:07:58,623 --> 00:07:59,257 WHAT IS IT FEELING LIKE INSIDE 231 00:07:59,257 --> 00:07:59,725 YOUR TUMMY RIGHT NOW? 232 00:07:59,725 --> 00:08:00,326 >> THERE'S A LOT OF PRESSURE, 233 00:08:00,326 --> 00:08:01,261 BUT WE'RE SO ROOTED IN THE 234 00:08:01,261 --> 00:08:03,934 MOMENT. 235 00:08:03,934 --> 00:08:07,006 HAVING FUN. 236 00:08:07,006 --> 00:08:09,444 THERE'S ONLY TWO LEFT, JUST LIVE 237 00:08:09,444 --> 00:08:14,789 IN IT, AND DANCE LIKE EVERY STEP 238 00:08:14,789 --> 00:08:16,225 IS THE LAST. 239 00:08:16,225 --> 00:08:16,826 >> Tyra: CHERYL, MY FAVORITE 240 00:08:16,826 --> 00:08:17,293 LOOK OF YOU EVER. 241 00:08:17,293 --> 00:08:17,795 OKAY. 242 00:08:17,795 --> 00:08:18,429 I WANT YOU GUYS TO FIND OUT WHAT 243 00:08:18,429 --> 00:08:18,930 THOSE SCORES ARE, RIGHT? 244 00:08:18,930 --> 00:08:19,532 WE'LL FIND OUT THOSE SCORES, 245 00:08:19,532 --> 00:08:22,738 WHEN WE COME BACK. 246 00:08:25,644 --> 00:08:26,144 [ CHEERS AND APPLAUSE ] 247 00:08:26,144 --> 00:08:30,888 ♪ 248 00:08:30,888 --> 00:08:32,490 >> Tyra: WELL, HELLO, AND 249 00:08:32,490 --> 00:08:33,125 WELCOME BACK TO THE SEMIFINALS. 250 00:08:33,125 --> 00:08:35,664 IT'S AN INTENSE NIGHT AS OUR 251 00:08:35,664 --> 00:08:36,231 COUPLES BATTLE IT OUT FOR A 252 00:08:36,231 --> 00:08:36,833 PLACE IN, I CAN'T BELIEVE I'M 253 00:08:36,833 --> 00:08:40,974 SAYING THIS, NEXT WEEK'S FINALE. 254 00:08:40,974 --> 00:08:41,609 NOW, BEFORE THE BREAK, CODY AND 255 00:08:41,609 --> 00:08:46,318 CHERYL DANCED A REDEMPTION 256 00:08:46,318 --> 00:08:49,057 SALSA THAT CARRIE ANN SAID WAS 257 00:08:49,057 --> 00:08:51,161 THE DEFINITION OF REDEMPTION. 258 00:08:51,161 --> 00:08:51,361 OKAY. 259 00:08:51,361 --> 00:08:51,863 LET'S GET THEIR SCORES. 260 00:08:51,863 --> 00:08:52,497 >> Announcer: CARRIE ANN INABA. 261 00:08:52,497 --> 00:08:55,202 >> IT'S A 9. 262 00:08:55,202 --> 00:08:55,737 >> Announcer: LEN GOODMAN. 263 00:08:55,737 --> 00:08:56,238 >> 9. 264 00:08:56,238 --> 00:08:57,273 >> Announcer: DEREK HOUGH. 265 00:08:57,273 --> 00:09:00,446 >> 8. 266 00:09:00,446 --> 00:09:01,014 >> Announcer: BRUNO TONIOLI. 267 00:09:01,014 --> 00:09:03,085 >> 9. 268 00:09:03,085 --> 00:09:04,689 >> WE'LL TAKE IT. 269 00:09:04,689 --> 00:09:06,258 >> Tyra: 35 OUT OF 40 FOR CODY 270 00:09:06,258 --> 00:09:07,861 AND CHERYL SO FAR TONIGHT. 271 00:09:07,861 --> 00:09:11,603 YOU GUYS CAN GO GET CHANGED. 272 00:09:11,603 --> 00:09:13,205 YOU AT HOME GET TEN VOTES PER 273 00:09:13,205 --> 00:09:13,773 DANCING COUPLE, PER VOTING 274 00:09:13,773 --> 00:09:15,844 METHOD. 275 00:09:15,844 --> 00:09:16,445 VOTING CLOSES DURING THE LAST 276 00:09:16,445 --> 00:09:17,413 COMMERCIAL BREAK. 277 00:09:17,413 --> 00:09:19,552 YOU GOT THAT? 278 00:09:19,552 --> 00:09:21,054 UP NEXT, IT'S THE ACTRESS FROM 279 00:09:21,054 --> 00:09:22,190 "THE OFFICE" AND "THE BOLD 280 00:09:22,190 --> 00:09:23,760 TYPE," WHO, LAST WEEK, WAS 281 00:09:23,760 --> 00:09:24,294 SPARED ELIMINATION BY THE 282 00:09:24,294 --> 00:09:28,536 JUDGES. 283 00:09:28,536 --> 00:09:29,070 THIS WEEK, LEN GAVE MELORA 284 00:09:29,070 --> 00:09:29,705 HARDIN AND ARTEM SOME POINTERS 285 00:09:29,705 --> 00:09:33,278 TO IMPROVE THEIR RUMBA. 286 00:09:33,278 --> 00:09:35,383 >> LAST WEEK, I WENT FROM THE 287 00:09:35,383 --> 00:09:36,018 ELATION OF GETTING THE PERFECT 288 00:09:36,018 --> 00:09:36,418 SCORE ‐‐ 289 00:09:36,418 --> 00:09:41,729 >> IT'S A 10! 290 00:09:41,729 --> 00:09:42,330 >> TO, LIKE, THE BOTTOM TWO. 291 00:09:42,330 --> 00:09:42,965 >> I'M GOING TO SAVE MELORA AND 292 00:09:42,965 --> 00:09:47,173 ARTEM. 293 00:09:47,173 --> 00:09:47,473 >> MELORA. 294 00:09:47,473 --> 00:09:48,308 >> MELORA. 295 00:09:48,308 --> 00:09:49,310 >> WE MADE IT TO THE SEMIFINALS. 296 00:09:49,310 --> 00:09:49,945 >> DID YOU EVEN THINK THAT WOULD 297 00:09:49,945 --> 00:09:50,379 BE POSSIBLE? 298 00:09:50,379 --> 00:09:50,914 >> YEAH, I THOUGHT IT WAS 299 00:09:50,914 --> 00:09:51,448 POSSIBLE. 300 00:09:51,448 --> 00:09:52,083 BECAUSE THAT'S WHAT WE'VE BEEN 301 00:09:52,083 --> 00:09:54,622 WORKING TO DO. 302 00:09:54,622 --> 00:09:56,224 >> YOUR FIRST DANCE IS YOUR 303 00:09:56,224 --> 00:09:56,626 REDEMPTION DANCE. 304 00:09:56,626 --> 00:09:58,295 >> OH. 305 00:09:58,295 --> 00:10:00,901 YEAH! 306 00:10:00,901 --> 00:10:03,540 >> LEN GOODMAN HIMSELF. 307 00:10:03,540 --> 00:10:05,677 >> THE DANCE I'M GOING TO HAVE 308 00:10:05,677 --> 00:10:07,280 YOU DO IS THE RUMBA. 309 00:10:07,280 --> 00:10:07,915 >> THE RUMBA WAS ONLY OUR SECOND 310 00:10:07,915 --> 00:10:09,417 DANCE. 311 00:10:09,417 --> 00:10:13,960 I WAS STILL TRYING TO FIGURE OUT 312 00:10:13,960 --> 00:10:15,062 HOW TO EVEN WORK WITH HIM. 313 00:10:15,062 --> 00:10:15,764 >> MELORA, YOU NEEDED A LITTLE 314 00:10:15,764 --> 00:10:17,868 BIT MORE HIPS GOING ON. 315 00:10:17,868 --> 00:10:18,937 LET'S JUST TRY TO DANCE A 316 00:10:18,937 --> 00:10:20,540 FORWARD BASIC. 317 00:10:20,540 --> 00:10:22,110 LOOSENING UP. 318 00:10:22,110 --> 00:10:22,745 A LITTLE BIT OF PRESSURE THROUGH 319 00:10:22,745 --> 00:10:25,282 THE FEET. 320 00:10:25,282 --> 00:10:25,917 HIP ACTION IS ONE OF THE KEYS TO 321 00:10:25,917 --> 00:10:30,025 THE RUMBA. 322 00:10:30,025 --> 00:10:31,094 HIP, HIP, HOORAY! 323 00:10:31,094 --> 00:10:33,767 IF SHE CAN WORK ON GETTING A 324 00:10:33,767 --> 00:10:34,769 LOVELY LATIN RHYTHM GOING, THAT 325 00:10:34,769 --> 00:10:36,371 WILL IMPROVE THAT RUMBA SO MUCH. 326 00:10:36,371 --> 00:10:39,010 GET THAT HIP WORKING. 327 00:10:39,010 --> 00:10:44,822 OH, YUM, YUM, PIG'S BUM. 328 00:10:44,822 --> 00:10:45,156 AND A SWIVEL. 329 00:10:45,156 --> 00:10:46,458 OH, I LOVE IT. 330 00:10:46,458 --> 00:10:47,528 >> I THOUGHT IT WAS SO SWEET 331 00:10:47,528 --> 00:10:50,700 THAT LEN CAME IN PERSON TO GIVE 332 00:10:50,700 --> 00:10:51,234 US A FEW TIPS. 333 00:10:51,234 --> 00:10:57,079 >> IF THEY LISTEN TO MY ADVICE, 334 00:10:57,079 --> 00:10:57,681 AND MELORA GETS A LITTLE BIT 335 00:10:57,681 --> 00:10:58,315 MORE HIP ACTION GOING, I THINK 336 00:10:58,315 --> 00:10:58,850 THIS RUMBA WILL BE A WOW. 337 00:10:58,850 --> 00:11:01,856 [ CHEERS AND APPLAUSE ] 338 00:11:01,856 --> 00:11:03,425 >> Announcer: DANCING THE RUMBA 339 00:11:03,425 --> 00:11:04,027 WITH HER PARTNER ARTEM, IT'S 340 00:11:04,027 --> 00:11:07,133 MELORA HARDIN. 341 00:11:07,734 --> 00:11:08,268 ♪ 342 00:11:08,268 --> 00:11:08,837 ♪ SO OPEN UP YOUR MORNING 343 00:11:08,837 --> 00:11:11,374 LIGHT ♪ 344 00:11:11,374 --> 00:11:12,009 ♪ AND SAY A LITTLE PRAYER FOR 345 00:11:12,009 --> 00:11:12,243 RIGHT ♪ 346 00:11:12,243 --> 00:11:12,845 ♪ YOU KNOW THAT IF WE ARE TO 347 00:11:12,845 --> 00:11:14,548 STAY ALIVE ♪ 348 00:11:14,548 --> 00:11:15,182 ♪ THEN SEE THE PEACE IN EVERY 349 00:11:15,182 --> 00:11:19,825 EYE ♪ 350 00:11:21,127 --> 00:11:29,110 ♪ 351 00:11:29,712 --> 00:11:31,816 ♪ SHE HAD TWO BABIES ONE WAS SIX 352 00:11:31,816 --> 00:11:34,454 MONTHS ONE WAS THREE ♪ 353 00:11:34,454 --> 00:11:40,800 ♪ IN THE WAR OF '44 EVERY 354 00:11:40,800 --> 00:11:41,434 TELEPHONE RING EVERY HEARTBEAT 355 00:11:41,434 --> 00:11:43,438 STINGING ♪ 356 00:11:43,438 --> 00:11:44,474 ♪ WHEN SHE THOUGHT IT WAS GOD 357 00:11:44,474 --> 00:11:49,752 CALLING HER ♪ 358 00:11:49,752 --> 00:11:50,820 ♪ I DON'T WANT TO WAIT FOR OUR 359 00:11:50,820 --> 00:11:53,993 LIVES TO BE OVER ♪ 360 00:11:53,993 --> 00:11:55,062 ♪ I WANT TO KNOW RIGHT NOW WHAT 361 00:11:55,062 --> 00:11:59,838 WILL IT BE ♪ 362 00:11:59,838 --> 00:12:01,408 ♪ I DON'T WANT TO WAIT FOR OUR 363 00:12:01,408 --> 00:12:04,581 LIVES TO BE OVER ♪ 364 00:12:04,581 --> 00:12:07,754 ♪ WILL IT BE YES OR WILL IT BE 365 00:12:07,754 --> 00:12:09,858 SORRY ♪ 366 00:12:09,858 --> 00:12:18,810 ♪ 367 00:12:18,810 --> 00:12:21,181 ♪SORRY ♪ 368 00:12:21,181 --> 00:12:21,448 ♪ 369 00:12:21,448 --> 00:12:23,018 [ CHEERS AND APPLAUSE ] 370 00:12:23,018 --> 00:12:26,224 >> Tyra: NICE. 371 00:12:26,224 --> 00:12:27,794 MELORA AND ARTEM WITH A RUMBA. 372 00:12:27,794 --> 00:12:35,209 A REDEMPTION RUMBA. 373 00:12:35,209 --> 00:12:35,844 OF COURSE, WE'RE COMING TO YOU 374 00:12:35,844 --> 00:12:36,277 FIRST, LEN. 375 00:12:36,277 --> 00:12:39,450 >> WOW. 376 00:12:39,450 --> 00:12:42,657 MISSION ACCOMPLISHED. 377 00:12:42,657 --> 00:12:44,227 [ CHEERS AND APPLAUSE ] 378 00:12:44,227 --> 00:12:45,295 TUTTI FRUTTI, WHAT A BOOTY. 379 00:12:45,295 --> 00:12:46,164 THAT WAS WORKING. 380 00:12:46,164 --> 00:12:47,934 I TELL YOU. 381 00:12:47,934 --> 00:12:50,005 TERRIFIC ROUTINE. 382 00:12:50,005 --> 00:12:50,439 LOTS OF INTERESTING 383 00:12:50,439 --> 00:12:53,713 CHOREOGRAPHY. 384 00:12:53,713 --> 00:12:54,748 AND YOU COPED BRILLIANTLY WELL. 385 00:12:54,748 --> 00:12:57,420 I THOUGHT IT WAS FANTASTIC. 386 00:12:57,420 --> 00:12:58,455 >> Tyra: HOW MUCH DID YOU LOVE 387 00:12:58,455 --> 00:13:00,059 EN SAYING BOOTY WITH THAT 388 00:13:00,059 --> 00:13:01,629 BRITISH ACCENT. 389 00:13:01,629 --> 00:13:02,263 WHAT DID YOU THINK OF THE BOOTY, 390 00:13:02,263 --> 00:13:03,231 DEREK? 391 00:13:03,231 --> 00:13:08,008 >> BOOTY? 392 00:13:08,008 --> 00:13:09,611 MELORA, IT'S VERY DECEIVING. 393 00:13:09,611 --> 00:13:10,245 RUMBA SEEMS EASY BECAUSE IT'S SO 394 00:13:10,245 --> 00:13:17,527 SLOW. 395 00:13:17,527 --> 00:13:18,095 THERE'S SO MUCH SQUEEZING, 396 00:13:18,095 --> 00:13:18,696 CONTROL, ARTICULATION OF THE 397 00:13:18,696 --> 00:13:19,097 FEET. 398 00:13:19,097 --> 00:13:19,731 IT WAS REFRESHING TO SEE A PURE 399 00:13:19,731 --> 00:13:23,305 RUMBA OUT HERE. 400 00:13:23,305 --> 00:13:23,940 ALL THE PROFESSIONALS HERE WERE 401 00:13:23,940 --> 00:13:24,575 ROOTING FOR YOU BECAUSE WE KNOW 402 00:13:24,575 --> 00:13:25,008 HOW DIFFICULT IT IS. 403 00:13:25,008 --> 00:13:25,944 WELL DONE. 404 00:13:25,944 --> 00:13:26,478 WELL DONE. 405 00:13:26,478 --> 00:13:30,185 >> Tyra: BRUNO? 406 00:13:30,185 --> 00:13:33,258 >> YOU REALLY GOT THE RIGHT 407 00:13:33,258 --> 00:13:38,669 MOTION GOING FROM YOU, FROM THE 408 00:13:38,669 --> 00:13:39,303 FOOT THROUGH THE BODY TO THE 409 00:13:39,303 --> 00:13:39,738 ARMS. 410 00:13:39,738 --> 00:13:40,807 AND I LIKED THE WAY YOU PITCHED 411 00:13:40,807 --> 00:13:41,341 IT. 412 00:13:41,341 --> 00:13:41,942 IT WAS SO DELICATE, YOU KEPT 413 00:13:41,942 --> 00:13:42,944 SWITCHING FROM THE SEXY TO THE 414 00:13:42,944 --> 00:13:46,719 ROMANTIC TO THE CHEEKY. 415 00:13:46,719 --> 00:13:47,319 YOUR INTERPRETATION IS ALWAYS 416 00:13:47,319 --> 00:13:47,821 COMPELLING. 417 00:13:47,821 --> 00:13:48,355 BEAUTIFUL. 418 00:13:48,355 --> 00:13:51,529 >> Tyra: CARRIE ANN? 419 00:13:51,529 --> 00:13:54,167 >> OKAY, YOUR HIP ACTION WAS 420 00:13:54,167 --> 00:13:54,568 GREATLY IMPROVED. 421 00:13:54,568 --> 00:13:56,271 WHAT I LOVED IS THE TECHNIQUE, 422 00:13:56,271 --> 00:13:56,805 YOU COULD SEE THE EFFORT. 423 00:13:56,805 --> 00:13:58,208 YOU COULD SEE WHEN SOMEBODY 424 00:13:58,208 --> 00:13:59,978 SWITCHES INTO THAT MODE. 425 00:13:59,978 --> 00:14:02,617 I FEEL LIKE WE LOST A LITTLE BIT 426 00:14:02,617 --> 00:14:06,659 IN THE EXPRESSION OF YOUR HANDS. 427 00:14:06,659 --> 00:14:07,493 IT'S LIKE IT DIDN'T QUITE MAKE 428 00:14:07,493 --> 00:14:08,295 IT ALL THE WAY TO THE TIPS. 429 00:14:08,295 --> 00:14:09,330 AND I THINK YOUR FEET CAME OFF 430 00:14:09,330 --> 00:14:09,865 THE GROUND. 431 00:14:09,865 --> 00:14:10,465 AND I THINK I HAVE TO DOCK A 432 00:14:10,465 --> 00:14:10,934 POINT. 433 00:14:10,934 --> 00:14:11,535 I'M SO SORRY, BUT I HAVE TO. 434 00:14:11,535 --> 00:14:12,571 >> WHAT HAPPENED? 435 00:14:12,571 --> 00:14:14,675 >> YOUR FEET. 436 00:14:14,675 --> 00:14:15,309 >> Tyra: SAID YOUR FOOT CAME OFF 437 00:14:15,309 --> 00:14:16,244 THE GROUND. 438 00:14:16,244 --> 00:14:18,248 LEN WAS IN THE REHEARSAL HALL 439 00:14:18,248 --> 00:14:22,256 WITH YOU. 440 00:14:22,256 --> 00:14:23,358 IN THE DANCE STUDIO. 441 00:14:23,358 --> 00:14:23,893 WHAT DID THAT FEEL LIKE? 442 00:14:23,893 --> 00:14:24,962 HE'S, LIKE, THE MAN. 443 00:14:24,962 --> 00:14:25,597 >> IT WAS VERY EXCITING TO HAVE 444 00:14:25,597 --> 00:14:28,101 LEN. 445 00:14:28,101 --> 00:14:30,205 HE DOES EVERYTHING VERY PROPER. 446 00:14:30,205 --> 00:14:32,309 AND THE SURPRISING PART IS HE'S 447 00:14:32,309 --> 00:14:33,345 ALSO VERY FUN AND PLAYFUL. 448 00:14:33,345 --> 00:14:33,946 THAT WAS A WONDERFUL THING TO 449 00:14:33,946 --> 00:14:35,482 HAVE. 450 00:14:35,482 --> 00:14:36,552 IT WAS REFRESHING. 451 00:14:36,552 --> 00:14:38,656 AND I FELT INSPIRED. 452 00:14:38,656 --> 00:14:42,329 THE OTHER THING WAS, DANCING TO 453 00:14:42,329 --> 00:14:42,964 THIS SONG, IT'S MY FRIEND PAULA 454 00:14:42,964 --> 00:14:46,070 COLE'S SONG. 455 00:14:46,070 --> 00:14:47,674 AND TONIGHT HAPPENS TO BE 23 456 00:14:47,674 --> 00:14:48,174 YEARS AGO, I MARRIED MY 457 00:14:48,174 --> 00:14:48,709 WONDERFUL HUSBAND. 458 00:14:48,709 --> 00:14:51,347 SO HAPPY ANNIVERSARY. 459 00:14:51,347 --> 00:14:56,124 [ CHEERS AND APPLAUSE ] 460 00:14:56,124 --> 00:14:56,759 >> Tyra: LET'S GET YOUR SCORES. 461 00:14:56,759 --> 00:14:58,228 >> Announcer: CARRIE ANN INABA. 462 00:14:58,228 --> 00:15:02,403 >> 8. 463 00:15:02,403 --> 00:15:02,937 >> Announcer: LEN GOODMAN. 464 00:15:02,937 --> 00:15:03,572 >> I THOUGHT IT WAS ABSOLUTELY 465 00:15:03,572 --> 00:15:04,006 FABULOUS. 466 00:15:04,006 --> 00:15:07,179 IT'S A 10 FROM LEN. 467 00:15:07,179 --> 00:15:08,214 >> Announcer: DEREK HOUGH. 468 00:15:08,214 --> 00:15:10,853 >> 9. 469 00:15:10,853 --> 00:15:11,421 >> Announcer: BRUNO TONIOLI. 470 00:15:11,421 --> 00:15:15,630 >> 9. 471 00:15:15,630 --> 00:15:17,767 >> Tyra: MELORA AND ARTEM HAVE A 472 00:15:17,767 --> 00:15:20,439 36 OUT OF 40 SO FAR TONIGHT. 473 00:15:20,439 --> 00:15:21,474 GO CATCH YOUR BREATH, GET READY 474 00:15:21,474 --> 00:15:24,146 FOR YOUR NEXT DANCE. 475 00:15:24,146 --> 00:15:25,717 WE'LL KEEP THE FIRST ROUND GOING 476 00:15:25,717 --> 00:15:28,889 WITH OUR OLYMPIC GOLD MEDALIST. 477 00:15:28,889 --> 00:15:30,492 HERE'S SUNI LEE AND SASHA 478 00:15:30,492 --> 00:15:31,528 TRAINING TO BETTER THEIR 479 00:15:31,528 --> 00:15:32,597 FOXTROT, WITH SOME ADVICE FROM 480 00:15:32,597 --> 00:15:39,377 MS. CARRIE ANN. 481 00:15:39,377 --> 00:15:39,978 >> LAST WEEK WAS AMAZING. 482 00:15:39,978 --> 00:15:45,222 WE GOT A PERFECT SCORE. 483 00:15:45,222 --> 00:15:45,857 I DIDN'T THINK THAT I HAD IT IN 484 00:15:45,857 --> 00:15:46,391 MYSELF TO MAKE IT TO THE 485 00:15:46,391 --> 00:15:47,359 SEMIFINALS. 486 00:15:47,359 --> 00:15:49,998 BUT IT'S NOT OVER YET. 487 00:15:49,998 --> 00:15:50,533 >> OUR FIRST DANCE IS A 488 00:15:50,533 --> 00:15:55,510 REDEMPTION DANCE. 489 00:15:55,510 --> 00:15:56,645 WE DON'T KNOW WHO THE JUDGE IS. 490 00:15:56,645 --> 00:16:00,820 I'M SO EXCITED. 491 00:16:00,820 --> 00:16:01,487 >> HEY, GUYS! 492 00:16:01,487 --> 00:16:01,855 >> CARRIE ANN. 493 00:16:01,855 --> 00:16:02,489 >> CONGRATULATIONS, YOU MADE IT 494 00:16:02,489 --> 00:16:03,124 TO THE SEMIFINALS, AND YOU GOT 495 00:16:03,124 --> 00:16:05,495 YOUR FIRST 40. 496 00:16:05,495 --> 00:16:08,168 >> I'M SO EXCITED WE GOT CARRIE 497 00:16:08,168 --> 00:16:11,575 ANN FOR OUR REDEMPTION DANCE. 498 00:16:11,575 --> 00:16:14,714 IT'S GOING TO MAKE ME MORE 499 00:16:14,714 --> 00:16:15,783 CONFIDENT IN OUR DANCE. 500 00:16:15,783 --> 00:16:16,417 >> THE DANCE I'VE CHOSEN FOR YOU 501 00:16:16,417 --> 00:16:16,852 IS THE FOXTROT. 502 00:16:16,852 --> 00:16:17,352 REMEMBER WEEK THREE. 503 00:16:17,352 --> 00:16:18,321 WE MADE A LOT OF COMMENTARY ON 504 00:16:18,321 --> 00:16:21,862 YOUR CHARACTERIZATION. 505 00:16:21,862 --> 00:16:24,668 PERFORMING LIKE THAT, YOU CAN 506 00:16:24,668 --> 00:16:26,437 STILL BE SENSUAL, AND STILL 507 00:16:26,437 --> 00:16:27,206 EXUDE CONFIDENCE. 508 00:16:27,206 --> 00:16:28,809 I WANT THE FULL EXPRESSION. 509 00:16:28,809 --> 00:16:29,443 I WANT HER TO STAY AT THE TOP OF 510 00:16:29,443 --> 00:16:29,845 HER GAME. 511 00:16:29,845 --> 00:16:33,051 SHE'S ALREADY ON A ROLL. 512 00:16:33,051 --> 00:16:34,153 JUST HERE, AND THEN OPEN, AS 513 00:16:34,153 --> 00:16:37,794 OPPOSED TO IN AND THEN PULL. 514 00:16:37,794 --> 00:16:38,328 WATCH YOUR HANDS. 515 00:16:38,328 --> 00:16:39,898 DON'T LET THEM FLY BACK. 516 00:16:39,898 --> 00:16:42,537 THE FIRST TIME SHE DID THE 517 00:16:42,537 --> 00:16:43,137 FOXTROT, SHE LACKED PERFORMANCE 518 00:16:43,137 --> 00:16:44,106 AND GETTING INTO THE CHARACTER 519 00:16:44,106 --> 00:16:47,279 OF THE DANCE. 520 00:16:47,279 --> 00:16:47,914 SO THIS TIME, WE WORKED A LOT ON 521 00:16:47,914 --> 00:16:49,918 CHARACTER. 522 00:16:49,918 --> 00:16:50,553 LET THEM SEE FULL FOXY FOXTROT 523 00:16:50,553 --> 00:16:53,091 SUNI. 524 00:16:53,091 --> 00:16:54,126 THERE YOU GO. 525 00:16:54,126 --> 00:16:55,730 YOU'RE STARTING TO FEEL IT. 526 00:16:55,730 --> 00:16:57,466 IF SUNI CAN BRING ALL OF THAT 527 00:16:57,466 --> 00:16:59,470 PERSONALITY TO HER PERFORMANCE 528 00:16:59,470 --> 00:17:00,105 OF THE FOXTROT, IT'S GOING TO BE 529 00:17:00,105 --> 00:17:02,644 AMAZING. 530 00:17:02,644 --> 00:17:06,317 [ CHEERS AND APPLAUSE ] 531 00:17:06,317 --> 00:17:07,352 >> Announcer: DANCING THE 532 00:17:07,352 --> 00:17:08,421 FOXTROT WITH HER PARTNER SASHA, 533 00:17:08,421 --> 00:17:12,162 IT'S SUNI LEE. 534 00:17:16,437 --> 00:17:22,249 ♪ 535 00:17:22,249 --> 00:17:22,784 ♪ I'M NOT SURPRISED NOT 536 00:17:22,784 --> 00:17:24,386 EVERYTHING LASTS ♪ 537 00:17:24,386 --> 00:17:25,422 ♪ I'VE BROKEN MY HEART SO MANY 538 00:17:25,422 --> 00:17:29,129 TIMES I STOPPED KEEPING TRACK ♪ 539 00:17:29,129 --> 00:17:29,764 ♪ TALK MYSELF IN I TALK MYSELF 540 00:17:29,764 --> 00:17:32,302 OUT ♪ 541 00:17:32,302 --> 00:17:32,971 ♪ I GET ALL WORKED UP THEN I LET 542 00:17:32,971 --> 00:17:36,043 MYSELF DOWN ♪ 543 00:17:36,043 --> 00:17:36,678 ♪ I TRIED SO VERY HARD NOT TO 544 00:17:36,678 --> 00:17:39,751 LOSE IT ♪ 545 00:17:39,751 --> 00:17:40,318 ♪ I CAME UP WITH A MILLION 546 00:17:40,318 --> 00:17:43,959 EXCUSES ♪ 547 00:17:43,959 --> 00:17:44,594 ♪ I THOUGHT I THOUGHT OF EVERY 548 00:17:44,594 --> 00:17:50,271 POSSIBILITY ♪ 549 00:17:50,271 --> 00:17:50,940 ♪ AND I KNOW SOMEDAY THAT IT'LL 550 00:17:50,940 --> 00:17:53,979 ALL TURN OUT ♪ 551 00:17:53,979 --> 00:17:55,048 ♪ YOU'LL MAKE ME WORK SO WE CAN 552 00:17:55,048 --> 00:17:58,221 WORK TO WORK IT OUT ♪ 553 00:17:58,221 --> 00:18:00,860 ♪ AND I PROMISE YOU KID THAT 554 00:18:00,860 --> 00:18:02,429 I'LL GIVE SO MUCH MORE THAN I 555 00:18:02,429 --> 00:18:06,470 GET, MM ♪ 556 00:18:06,470 --> 00:18:09,878 ♪ I JUST HAVEN'T MET YOU YET 557 00:18:09,878 --> 00:18:10,946 ♪ OH YOU KNOW IT'LL ALL TURN 558 00:18:10,946 --> 00:18:14,119 OUT ♪ 559 00:18:14,119 --> 00:18:14,788 ♪ AND YOU'LL MAKE ME WORK SO WE 560 00:18:14,788 --> 00:18:18,327 CAN WORK TO WORK IT OUT ♪ 561 00:18:18,327 --> 00:18:22,069 ♪ AND I PROMISE YOU KID TO GIVE 562 00:18:22,069 --> 00:18:25,175 SO MUCH MORE THAN I GET YEAH ♪ 563 00:18:25,175 --> 00:18:26,210 ♪ I JUST HAVEN'T MET YOU YET ♪ 564 00:18:26,210 --> 00:18:26,477 ♪ 565 00:18:26,477 --> 00:18:29,918 [ CHEERS AND APPLAUSE ] 566 00:18:29,918 --> 00:18:30,553 >> Tyra: SUNI AND SASHA WITH A 567 00:18:30,553 --> 00:18:32,590 FOXTROT. 568 00:18:32,590 --> 00:18:38,936 WITH SOME CARRIE ANN COACHING. 569 00:18:38,936 --> 00:18:39,470 CARRIE ANN? 570 00:18:39,470 --> 00:18:41,641 WHAT DO YOU THINK? 571 00:18:41,641 --> 00:18:42,677 >> YEAH! 572 00:18:42,677 --> 00:18:46,350 >> WHOO! 573 00:18:46,350 --> 00:18:46,985 >> OKAY, SUNI, I'VE WATCHED YOU 574 00:18:46,985 --> 00:18:49,022 GROW FROM WEEK ONE AS EVERYBODY 575 00:18:49,022 --> 00:18:50,058 THAT IS OUT HERE. 576 00:18:50,058 --> 00:18:50,693 BUT IN THE LAST COUPLE OF WEEKS, 577 00:18:50,693 --> 00:18:51,227 SOMETHING MAGNIFICENT IS 578 00:18:51,227 --> 00:18:54,299 HAPPENING. 579 00:18:54,299 --> 00:18:55,335 THIS IS WHEN IT'S IMPORTANT, THE 580 00:18:55,335 --> 00:18:55,903 MOMENTUM AT THE END IS VERY 581 00:18:55,903 --> 00:18:57,439 POWERFUL. 582 00:18:57,439 --> 00:19:02,817 FULL JOY, FULL CONFIDENCE, 583 00:19:02,817 --> 00:19:03,919 FULL POTENTIAL. 584 00:19:03,919 --> 00:19:04,486 THAT'S WHAT I WANT TO SEE. 585 00:19:04,486 --> 00:19:04,988 >> Tyra: LEN? 586 00:19:04,988 --> 00:19:05,623 >> IT WAS A JOYFUL, HAPPY DANCE. 587 00:19:05,623 --> 00:19:07,627 YOUR FRAME WAS TERRIFIC. 588 00:19:07,627 --> 00:19:08,662 ONCE YOU WERE IN HOLD. 589 00:19:08,662 --> 00:19:10,265 I LIKED THAT VERY MUCH. 590 00:19:10,265 --> 00:19:11,835 THE FOOTWORK WAS A TAD SUSPECT 591 00:19:11,835 --> 00:19:14,541 NOW AND AGAIN. 592 00:19:14,541 --> 00:19:16,110 >> Tyra: SUSPECT. 593 00:19:16,110 --> 00:19:16,745 ALL THE YOUNG PEOPLE ARE LIKE, 594 00:19:16,745 --> 00:19:19,316 SUSPECT. 595 00:19:19,316 --> 00:19:20,351 >> IT WAS A TERRIFIC, 596 00:19:20,351 --> 00:19:21,420 HAPPY‐GO‐LUCKY DANCE. 597 00:19:21,420 --> 00:19:22,990 WELL DONE. 598 00:19:22,990 --> 00:19:26,163 >> Tyra: DEREK? 599 00:19:26,163 --> 00:19:28,802 >> SUNI, I'M LOVING SUNI 2.0. 600 00:19:28,802 --> 00:19:29,403 IT REALLY IS AMAZING TO SEE YOU 601 00:19:29,403 --> 00:19:31,407 BLOSSOM. 602 00:19:31,407 --> 00:19:32,977 SO MUCH FUN. 603 00:19:32,977 --> 00:19:33,579 AND SO MUCH JOY AND LIGHTNESS 604 00:19:33,579 --> 00:19:35,649 ABOUT YOU. 605 00:19:35,649 --> 00:19:36,283 I HAVE TO BE A LITTLE BIT PICKY 606 00:19:36,283 --> 00:19:37,753 BECAUSE IT'S THE SEMIFINALS. 607 00:19:37,753 --> 00:19:38,387 FOR ME PERSONALLY, THE FRAME WAS 608 00:19:38,387 --> 00:19:39,858 A LITTLE BOUNCY. 609 00:19:39,858 --> 00:19:41,460 THE LEFT ARM DROPPED A LOT. 610 00:19:41,460 --> 00:19:42,495 BUT OTHER THAN THAT, YOU SHOULD 611 00:19:42,495 --> 00:19:44,099 BE SO PROUD. 612 00:19:44,099 --> 00:19:45,201 WELL DONE. 613 00:19:45,201 --> 00:19:48,374 >> Tyra: BRUNO? 614 00:19:48,374 --> 00:19:49,009 >> WELL, FOX OR NOT, THIS GIRL 615 00:19:49,009 --> 00:19:50,478 CAN TROT. 616 00:19:50,478 --> 00:19:54,186 I MEAN, COME ON. 617 00:19:54,186 --> 00:19:54,821 THIS WAS A VERY, VERY FAST TRACK 618 00:19:54,821 --> 00:19:55,756 FOR THE FOXTROT. 619 00:19:55,756 --> 00:19:56,357 AND YOU MANAGED TO DO IT WITH 620 00:19:56,357 --> 00:19:58,394 WONDERFUL GRACE. 621 00:19:58,394 --> 00:20:00,532 WE COULD SEE YOUR PERSONALITY. 622 00:20:00,532 --> 00:20:01,166 YOUR CONNECTION WAS ABSOLUTELY 623 00:20:01,166 --> 00:20:03,170 WONDERFUL. 624 00:20:03,170 --> 00:20:05,776 I THINK BECAUSE OF THE SPEED, 625 00:20:05,776 --> 00:20:07,880 SOMETIMES IT GOT A BIT BOUNCY. 626 00:20:07,880 --> 00:20:10,586 BUT I THINK IT WAS THE TRACK. 627 00:20:10,586 --> 00:20:11,186 >> Tyra: EVERYBODY IS TALKING 628 00:20:11,186 --> 00:20:15,663 ABOUT THE BRAND NEW SUNI. 629 00:20:15,663 --> 00:20:16,865 THERE IS A BRAND NEW SUNI IN 630 00:20:16,865 --> 00:20:21,875 THIS BALLROOM AND THIS WORLD. 631 00:20:21,875 --> 00:20:24,046 WHAT IS ALLOWING YOU TO BLOSSOM. 632 00:20:24,046 --> 00:20:24,647 WE HAD CARRIE ANN'S BEAUTIFUL 633 00:20:24,647 --> 00:20:24,914 COACHING. 634 00:20:24,914 --> 00:20:25,448 THERE'S A NEW YOU. 635 00:20:25,448 --> 00:20:28,087 WHAT IS GOING ON THERE? 636 00:20:28,087 --> 00:20:29,122 >> I THINK I'M JUST GAINING SO 637 00:20:29,122 --> 00:20:29,657 MUCH SELF‐CONFIDENCE AND 638 00:20:29,657 --> 00:20:30,626 ALLOWING MYSELF TO HAVE FUN. 639 00:20:30,626 --> 00:20:35,502 >> Tyra: YOU'RE SUPPOSED TO HAVE 640 00:20:35,502 --> 00:20:38,608 FUN, IT'S NOT ABOUT JUMPING AND 641 00:20:38,608 --> 00:20:39,142 TWISTING THE JUMP FLIP. 642 00:20:39,142 --> 00:20:39,711 JUST ENJOYING YOURSELF AND 643 00:20:39,711 --> 00:20:40,078 EMOTING BEAUTY. 644 00:20:40,078 --> 00:20:41,013 WHICH YOU DID. 645 00:20:41,013 --> 00:20:42,583 LET'S GET THESE SCORES. 646 00:20:42,583 --> 00:20:43,217 >> Announcer: CARRIE ANN INABA. 647 00:20:43,217 --> 00:20:45,756 >> 10! 648 00:20:45,756 --> 00:20:46,624 >> Announcer: LEN GOODMAN. 649 00:20:46,624 --> 00:20:48,394 >> 9. 650 00:20:48,394 --> 00:20:50,599 >> Announcer: DEREK HOUGH. 651 00:20:50,599 --> 00:20:51,066 >> 9. 652 00:20:51,066 --> 00:20:51,701 >> Announcer: BRUNO TONIOLI. 653 00:20:51,701 --> 00:20:55,341 >> 9. 654 00:20:55,341 --> 00:20:57,747 >> Tyra: 37 OUT OF 40 FOR SUNI 655 00:20:57,747 --> 00:21:00,084 AND SASHA SO FAR TONIGHT. 656 00:21:00,084 --> 00:21:02,188 TONIGHT'S COMPETITION TO GET 657 00:21:02,188 --> 00:21:04,326 INTO NEXT WEEK'S FINALE WILL 658 00:21:04,326 --> 00:21:08,635 CONTINUE WITH JOJO SIWA AND 659 00:21:08,635 --> 00:21:11,340 JENNA AFTER THIS, LIVE. 660 00:21:19,891 --> 00:21:20,926 [ CHEERS AND APPLAUSE ] 661 00:21:20,926 --> 00:21:22,530 ♪ 662 00:21:22,530 --> 00:21:25,034 >> Tyra: WELCOME BACK TO THE 663 00:21:25,034 --> 00:21:25,636 SEMIFINALS AND THE REDEMPTION 664 00:21:25,636 --> 00:21:26,771 ROUND. 665 00:21:26,771 --> 00:21:28,875 OUR POP STAR AND TV PERSONALITY 666 00:21:28,875 --> 00:21:31,113 IS NEXT WITH A SECOND CHANCE AT 667 00:21:31,113 --> 00:21:32,048 THE ARGENTINE TANGO SHE 668 00:21:32,048 --> 00:21:34,720 PERFORMED IN WEEK THREE. 669 00:21:34,720 --> 00:21:36,290 AS JOJO SIWA AND JENNA TRAINED, 670 00:21:36,290 --> 00:21:38,929 THEY GOT SOME SAGE ADVICE FROM 671 00:21:38,929 --> 00:21:42,102 OUR HEAD JUDGE, LEN. 672 00:21:42,102 --> 00:21:44,206 ♪ 673 00:21:44,206 --> 00:21:45,776 >> OH, MY GOODNESS, JOJO. 674 00:21:45,776 --> 00:21:47,913 WE MADE IT TO THE SEMIFINALS! 675 00:21:47,913 --> 00:21:48,949 WHO DO YOU THINK WILL BE OUR 676 00:21:48,949 --> 00:21:52,656 JUDGE? 677 00:21:52,656 --> 00:21:53,692 >> LEN! 678 00:21:53,692 --> 00:21:54,727 >> HI. 679 00:21:54,727 --> 00:21:56,865 >> LEN! 680 00:21:56,865 --> 00:21:58,969 >> I FEEL LIKE LEN IS VERY 681 00:21:58,969 --> 00:22:01,674 PARTICULAR, BY THE BOOK. 682 00:22:01,674 --> 00:22:03,244 AND SO I FEEL LIKE TO GET HIS 683 00:22:03,244 --> 00:22:04,814 WORDS OF WISDOM AND ADVICE WILL 684 00:22:04,814 --> 00:22:05,348 BE VERY GOOD FOR US. 685 00:22:05,348 --> 00:22:07,452 >> LEN? 686 00:22:07,452 --> 00:22:08,020 >> LET ME JUST SAY, FIRST, 687 00:22:08,020 --> 00:22:09,055 CONGRATULATIONS. 688 00:22:09,055 --> 00:22:12,228 >> THANK YOU. 689 00:22:12,228 --> 00:22:14,332 >> NOW, YOUR REDEMPTION DANCE, 690 00:22:14,332 --> 00:22:17,472 WE'RE GOING BACK TO WEEK THREE. 691 00:22:17,472 --> 00:22:19,075 ARGENTINE TANGO. 692 00:22:19,075 --> 00:22:20,111 IT HAD A LITTLE BIT TOO MUCH 693 00:22:20,111 --> 00:22:22,248 STACCATO. 694 00:22:22,248 --> 00:22:23,284 IT LOOKED MORE LIKE A BALLROOM 695 00:22:23,284 --> 00:22:25,923 TANGO IN PLACES. 696 00:22:25,923 --> 00:22:27,526 IT DIDN'T HAVE THAT OOZINESS 697 00:22:27,526 --> 00:22:28,127 THAT YOU SEE IN THE ARGENTINE 698 00:22:28,127 --> 00:22:32,636 TANGO. 699 00:22:32,636 --> 00:22:34,039 THE BALLROOM TANGO IS LIKE A 700 00:22:34,039 --> 00:22:37,613 PERSON DANCING WITH THEIR WIFE. 701 00:22:37,613 --> 00:22:40,786 THE ARGENTINE TANGO IS A PERSON 702 00:22:40,786 --> 00:22:42,355 DANCING WITH THEIR GIRLFRIEND. 703 00:22:42,355 --> 00:22:46,063 THAT'S WHAT I WOULD LIKE TO SEE 704 00:22:46,063 --> 00:22:47,666 OVERALL, IS THE FEELING THAT IT 705 00:22:47,666 --> 00:22:53,979 IS A LITTLE BIT MORE OOZY. 706 00:22:53,979 --> 00:22:55,014 FOR THAT LITTLE SNUGGLY BIT, I'D 707 00:22:55,014 --> 00:22:57,151 REALLY ‐‐ GET IT IN THERE. 708 00:22:57,151 --> 00:22:57,620 I'D LIKE TO SEE OCHOS. 709 00:22:57,620 --> 00:22:57,987 >> WHAT'S THAT? 710 00:22:57,987 --> 00:23:02,963 >> THIS IS AN OCHO. 711 00:23:02,963 --> 00:23:03,999 >> HE WANTS STRAIGHT‐UP DANCING. 712 00:23:03,999 --> 00:23:04,567 AND HE WANTS IT TO BE GOOD 713 00:23:04,567 --> 00:23:06,103 QUALITY. 714 00:23:06,103 --> 00:23:10,378 >> I LOVE THAT. 715 00:23:10,378 --> 00:23:10,912 OH, I LOVE THAT, TOO. 716 00:23:10,912 --> 00:23:14,085 GOOD LUCK. 717 00:23:14,085 --> 00:23:16,724 I'LL BE WATCHING. 718 00:23:16,724 --> 00:23:17,358 >> I PROMISE WE'RE GOING TO WORK 719 00:23:17,358 --> 00:23:18,828 HARD. 720 00:23:18,828 --> 00:23:19,095 THANK YOU. 721 00:23:19,095 --> 00:23:19,462 THANK YOU, LEN! 722 00:23:19,462 --> 00:23:20,097 [ CHEERS AND APPLAUSE ] 723 00:23:20,097 --> 00:23:20,632 >> Announcer: DANCING THE 724 00:23:20,632 --> 00:23:24,072 ARGENTINE TANGO WITH HER PARTNER 725 00:23:24,072 --> 00:23:26,944 JENNA, IT'S JOJO SIWA. 726 00:23:28,080 --> 00:23:35,428 ♪ 727 00:23:36,564 --> 00:23:37,098 ♪ 728 00:23:37,098 --> 00:23:46,116 [ SINGING IN FOREIGN LANGUAGE ] 729 00:23:47,786 --> 00:23:48,120 ♪ 730 00:23:48,120 --> 00:24:03,852 [ SINGING IN FOREIGN LANGUAGE ] 731 00:24:04,987 --> 00:24:06,056 ♪ 732 00:24:06,056 --> 00:24:19,349 [ SINGING IN FOREIGN LANGUAGE ] 733 00:24:20,986 --> 00:24:21,554 ♪ 734 00:24:21,554 --> 00:24:37,452 [ SINGING IN FOREIGN LANGUAGE ] 735 00:24:38,588 --> 00:24:39,623 ♪ 736 00:24:39,623 --> 00:24:41,761 [ CHEERS AND APPLAUSE ] 737 00:24:41,761 --> 00:24:45,969 >> Tyra: OKAY. 738 00:24:45,969 --> 00:24:48,641 THE BALLROOM IS OOZING AND 739 00:24:48,641 --> 00:24:49,175 GOOZING AND DOOZING. 740 00:24:49,175 --> 00:24:51,279 RIGHT? 741 00:24:51,279 --> 00:24:53,952 OH! 742 00:24:53,952 --> 00:24:57,626 OOZY, OOZY, OOZY. 743 00:24:57,626 --> 00:24:59,229 JUDGES, GET THOSE SCORES IN. 744 00:24:59,229 --> 00:25:01,333 BRUNO, GET THOSE SCORES IN. 745 00:25:01,333 --> 00:25:01,868 BRUNO IS OOZING. 746 00:25:01,868 --> 00:25:02,503 YOU NEED TO GET THOSE SCORES IN, 747 00:25:02,503 --> 00:25:05,007 BRUNO. 748 00:25:05,007 --> 00:25:07,646 LEN, WERE THEY OOZING, BABY? 749 00:25:07,646 --> 00:25:08,213 >> I TELL YOU WHAT THAT WAS. 750 00:25:08,213 --> 00:25:09,750 THAT WAS BLOODY BRILLIANT. 751 00:25:09,750 --> 00:25:19,269 [ CHEERS AND APPLAUSE ] 752 00:25:19,269 --> 00:25:19,803 >> Tyra: BLOODY BRILLIANT. 753 00:25:19,803 --> 00:25:20,872 CAN WE SAY BLOODY ON TV? 754 00:25:20,872 --> 00:25:24,212 DID I JUST SAY IT? 755 00:25:24,212 --> 00:25:26,751 IT'S A MIRACLE, WE CAN SAY IT. 756 00:25:26,751 --> 00:25:27,118 IT'S JUST BLOOD. 757 00:25:27,118 --> 00:25:27,318 DEREK? 758 00:25:27,318 --> 00:25:27,819 >> OH, MY GOODNESS. 759 00:25:27,819 --> 00:25:28,453 MIC DROP FROM LEN GOODMAN OVER 760 00:25:28,453 --> 00:25:33,463 HERE. 761 00:25:33,463 --> 00:25:35,569 YOU KNOW WHAT IS COOL, IT'S 762 00:25:35,569 --> 00:25:36,169 QUITE COMMON TO SEE TWO MALES 763 00:25:36,169 --> 00:25:39,677 DANCING THE ARGENTINE TANGO 764 00:25:39,677 --> 00:25:43,551 TOGETHER, SO IT'S COOL TO SEE 765 00:25:43,551 --> 00:25:46,389 TWO FEMALES DANCING THE 766 00:25:46,389 --> 00:25:46,924 ARGENTINE TANGO TOGETHER. 767 00:25:46,924 --> 00:25:47,425 JOJO, YOU'RE SO STRONG. 768 00:25:47,425 --> 00:25:47,993 IT'S GOOD TO SEE YOU BE AN 769 00:25:47,993 --> 00:25:51,667 AMAZING PARTNER TO JENNA. 770 00:25:51,667 --> 00:25:55,709 THAT WAS A BEAUTIFUL, EXQUISITE, 771 00:25:55,709 --> 00:25:57,078 AND AS HE SAID, BLOODY BRILLIANT 772 00:25:57,078 --> 00:25:58,848 ROUTINE. 773 00:25:58,848 --> 00:25:59,215 >> Tyra: BRUNO? 774 00:25:59,215 --> 00:26:00,250 YES, GO. 775 00:26:00,250 --> 00:26:00,952 >> WHAT ARE YOU DOING TO ME? 776 00:26:00,952 --> 00:26:05,260 YOU'VE BLOWN ALL MY FUSES AGAIN. 777 00:26:05,260 --> 00:26:06,731 I NEED A COMPLETE REWIRING NOW. 778 00:26:06,731 --> 00:26:07,566 I MEAN, COME ON. 779 00:26:07,566 --> 00:26:08,601 THERE'S ONLY ONE THING I CAN 780 00:26:08,601 --> 00:26:10,204 SAY. 781 00:26:10,204 --> 00:26:11,741 OUTSTANDING! 782 00:26:11,741 --> 00:26:13,310 >> Tyra: YES. 783 00:26:13,310 --> 00:26:13,845 CARRIE ANN? 784 00:26:13,845 --> 00:26:20,725 CARRIE ANN? 785 00:26:20,725 --> 00:26:21,359 >> JOJO, THE FIRST TIME YOU DID 786 00:26:21,359 --> 00:26:21,994 THIS, YOU IMPRESSED ME WITH THE 787 00:26:21,994 --> 00:26:23,330 CLARITY, THE WAY YOU LED. 788 00:26:23,330 --> 00:26:25,467 THIS TIME, THERE WAS NOT ONLY 789 00:26:25,467 --> 00:26:27,606 THAT, YOU BUILT UPON THAT, AND 790 00:26:27,606 --> 00:26:28,240 YOU ADDED ‐‐ THERE WAS SO MUCH 791 00:26:28,240 --> 00:26:28,641 PASSION. 792 00:26:28,641 --> 00:26:29,275 YOU GUYS, IT WAS LIKE YOU WERE 793 00:26:29,275 --> 00:26:32,649 AN EXTENSION OF ONE BEING. 794 00:26:32,649 --> 00:26:33,751 IT WAS SO AMAZING TO WATCH. 795 00:26:33,751 --> 00:26:34,385 AND THERE WAS THIS BRAVADO THAT 796 00:26:34,385 --> 00:26:35,889 MADE IT SO POWERFUL. 797 00:26:35,889 --> 00:26:37,391 >> THANK YOU. 798 00:26:37,391 --> 00:26:37,993 >> THANK YOU. 799 00:26:37,993 --> 00:26:40,632 >> Tyra: THAT WAS POWERFUL. 800 00:26:40,632 --> 00:26:41,667 THAT WAS OOZING, THAT WAS ‐‐ IT 801 00:26:41,667 --> 00:26:42,201 ALMOST FELT LIKE A WHOLE, 802 00:26:42,201 --> 00:26:43,738 DIFFERENT DANCE. 803 00:26:43,738 --> 00:26:44,773 EVEN THOUGH IT WAS THE SAME ONE. 804 00:26:44,773 --> 00:26:45,842 THAT'S JENNA'S GENIUS, AND 805 00:26:45,842 --> 00:26:49,783 JOJO'S AMAZINGNESS. 806 00:26:49,783 --> 00:26:51,419 THIS IS THE SEMIFINALS. 807 00:26:51,419 --> 00:26:52,021 TELL US HOW BAD YOU WANT THE 808 00:26:52,021 --> 00:26:52,354 FINALS, JOJO. 809 00:26:52,354 --> 00:26:53,023 >> MORE THAN ANYTHING I'VE EVER 810 00:26:53,023 --> 00:26:57,766 WANTED IN MY ENTIRE LIFE. 811 00:26:57,766 --> 00:26:59,335 THESE LAST TEN WEEKS HAVE NOT 812 00:26:59,335 --> 00:27:01,473 ONLY BEEN THE MOST FUN, BUT ALSO 813 00:27:01,473 --> 00:27:02,542 CHANGED ME AS A HUMAN, CHANGED 814 00:27:02,542 --> 00:27:08,353 THE WAY I LOOK AT MYSELF. 815 00:27:08,353 --> 00:27:09,957 CHANGED THE WAY I LOOK AT THE 816 00:27:09,957 --> 00:27:10,157 WORLD. 817 00:27:10,157 --> 00:27:11,025 AND I JUST WANT ONE MORE WEEK. 818 00:27:11,025 --> 00:27:11,527 WE WANT ONE MORE WEEK. 819 00:27:11,527 --> 00:27:14,165 WE DO. 820 00:27:14,165 --> 00:27:14,800 I'M NOT GOING TO SUGAR‐COAT IT. 821 00:27:14,800 --> 00:27:15,334 >> Tyra: YOU'RE NOT JUST 822 00:27:15,334 --> 00:27:15,969 CHANGING HOW YOU SEE THE WORLD, 823 00:27:15,969 --> 00:27:16,804 YOU'RE CHANGING HOW THE WORLD 824 00:27:16,804 --> 00:27:19,442 SEES YOU AND SO MANY PEOPLE. 825 00:27:19,442 --> 00:27:22,081 WE'RE GOING TO GET YOUR SCORES. 826 00:27:22,081 --> 00:27:22,682 AND WE'RE GOING TO GET THOSE 827 00:27:22,682 --> 00:27:24,520 SCORES WHEN WE COME BACK. 828 00:27:31,934 --> 00:27:32,434 [ CHEERS AND APPLAUSE ] 829 00:27:32,434 --> 00:27:34,573 ♪ 830 00:27:34,573 --> 00:27:35,174 >> Tyra: WELCOME BACK TO THE 831 00:27:35,174 --> 00:27:37,746 SEMIFINALS. 832 00:27:37,746 --> 00:27:39,448 AS OUR STARS COMPETE TO GET INTO 833 00:27:39,448 --> 00:27:40,919 NEXT WEEK'S FINALE. 834 00:27:40,919 --> 00:27:43,023 NOW, BEFORE THE BREAK, JOJO AND 835 00:27:43,023 --> 00:27:43,658 JENNA DANCED A REDEMPTION ROUND 836 00:27:43,658 --> 00:27:46,196 ARGENTINE TANGO. 837 00:27:46,196 --> 00:27:46,730 LEN SAID IT WAS BLOODY 838 00:27:46,730 --> 00:27:49,903 BRILLIANT. 839 00:27:49,903 --> 00:27:50,538 EXCEPT HE DIDN'T SAY IT WITH A 840 00:27:50,538 --> 00:27:50,905 COCKNEY ACCENT. 841 00:27:50,905 --> 00:27:53,578 LET'S GET THEIR SCORES. 842 00:27:53,578 --> 00:27:55,147 >> Announcer: CARRIE ANN INABA. 843 00:27:55,147 --> 00:27:57,251 >> 10! 844 00:27:57,251 --> 00:27:58,320 >> Announcer: LEN GOODMAN. 845 00:27:58,320 --> 00:28:00,424 >> IT'S A 10. 846 00:28:00,424 --> 00:28:01,492 >> Announcer: DEREK HOUGH. 847 00:28:01,492 --> 00:28:03,598 >> 10! 848 00:28:03,598 --> 00:28:04,666 >> Announcer: BRUNO TONIOLI. 849 00:28:04,666 --> 00:28:06,236 >> 10! 850 00:28:06,236 --> 00:28:08,941 >> Tyra: WHOA! 851 00:28:08,941 --> 00:28:11,580 WE GOT FOUR 10s, WE GOT 40 OUT 852 00:28:11,580 --> 00:28:12,214 OF 40 FOR JOJO AND JENNA SO FAR 853 00:28:12,214 --> 00:28:14,218 TONIGHT. 854 00:28:14,218 --> 00:28:19,495 DESERVEDLY SO, I'D SAY. 855 00:28:19,495 --> 00:28:20,063 YOU TWO, GET READY FOR THE 856 00:28:20,063 --> 00:28:21,065 SECOND ROUND. 857 00:28:21,065 --> 00:28:21,700 A I REMIND YOU AT HOME TO VOTE 858 00:28:21,700 --> 00:28:24,539 FOR YOUR FAVORITES BY TEXT AND 859 00:28:24,539 --> 00:28:25,240 AT ABC.COM. 860 00:28:25,240 --> 00:28:26,844 YOU GET TEN VOTES PER DANCING 861 00:28:26,844 --> 00:28:28,446 COUPLE, PER VOTING METHOD AND 862 00:28:28,446 --> 00:28:29,048 VOTING CLOSES DURING THE LAST 863 00:28:29,048 --> 00:28:30,551 COMMERCIAL BREAK. 864 00:28:30,551 --> 00:28:31,052 THIS IS LIVE, Y'ALL. 865 00:28:31,052 --> 00:28:31,587 GET THEM IN. 866 00:28:31,587 --> 00:28:34,225 GET THEM IN. 867 00:28:34,225 --> 00:28:35,795 NEXT UP IN THIS REDEMPTION ROUND 868 00:28:35,795 --> 00:28:36,429 TO MAKE IT INTO THE FINALE, OUR 869 00:28:36,429 --> 00:28:40,037 NBA CHAMPION. 870 00:28:40,037 --> 00:28:42,207 THIS WEEK, DEREK GAVE 871 00:28:42,207 --> 00:28:42,742 IMAN SHUMPERT SOME EXPERT 872 00:28:42,742 --> 00:28:44,312 INSTRUCTION ON HOW TO EXPAND HIS 873 00:28:44,312 --> 00:28:45,380 TANGO FRAME AS HE DANCES WITH 874 00:28:45,380 --> 00:28:48,554 DANIELLA. 875 00:28:48,554 --> 00:28:51,192 ♪ 876 00:28:51,192 --> 00:28:51,694 >> WE MADE IT INTO THE 877 00:28:51,694 --> 00:28:52,762 SEMIFINALS. 878 00:28:52,762 --> 00:28:53,798 HOLY COW, WE'RE HERE. 879 00:28:53,798 --> 00:28:55,668 >> WE ARE HERE. 880 00:28:55,668 --> 00:28:56,169 >> OUR FIRST DANCE IS A 881 00:28:56,169 --> 00:29:00,545 REDEMPTION. 882 00:29:00,545 --> 00:29:01,647 YEAH! 883 00:29:01,647 --> 00:29:02,214 >> IMAN AND DANIELLA. 884 00:29:02,214 --> 00:29:04,318 SEMIFINALS, GUYS. 885 00:29:04,318 --> 00:29:05,387 >> I'M EXCITED THAT WE GOT 886 00:29:05,387 --> 00:29:06,456 DEREK. 887 00:29:06,456 --> 00:29:07,024 HE'S THE MICHAEL JORDAN OF 888 00:29:07,024 --> 00:29:09,095 BALLROOM. 889 00:29:09,095 --> 00:29:09,696 >> YOU'RE GOING TO BE DANCING 890 00:29:09,696 --> 00:29:11,734 THE TANGO. 891 00:29:11,734 --> 00:29:13,303 THE LAST TIME YOU DANCED A 892 00:29:13,303 --> 00:29:14,940 TANGO, I WASN'T IN THE BALLROOM, 893 00:29:14,940 --> 00:29:17,044 BUT I'VE SEEN YOUR PERFORMANCE. 894 00:29:17,044 --> 00:29:19,181 IT FELT LIKE HE WASN'T 895 00:29:19,181 --> 00:29:22,354 CAPITALIZING ON HIS SIZE. 896 00:29:22,354 --> 00:29:26,563 KEEP YOUR ARM ON A STRING, IT'S 897 00:29:26,563 --> 00:29:29,736 PULLING YOU THIS DIRECTION. 898 00:29:29,736 --> 00:29:32,876 I JUST WANT TO HELP HIM WORK ON 899 00:29:32,876 --> 00:29:33,511 HIS FRAME, AND DOMINATING THAT 900 00:29:33,511 --> 00:29:33,978 SPACE WITH HIS TANGO. 901 00:29:33,978 --> 00:29:34,445 WATCH THIS. 902 00:29:34,445 --> 00:29:38,687 WATCH MY HAND. 903 00:29:38,687 --> 00:29:39,756 >> I WAS SITTING HERE, WOW, IT'S 904 00:29:39,756 --> 00:29:41,860 NOT AS STRESSFUL AS I ONCE 905 00:29:41,860 --> 00:29:42,127 THOUGHT. 906 00:29:42,127 --> 00:29:42,662 >> BEND THE LEGS AND MOVE 907 00:29:42,662 --> 00:29:46,637 FORWARD. 908 00:29:46,637 --> 00:29:46,870 FEEL IT. 909 00:29:46,870 --> 00:29:47,271 WIDE, WIDE FRAME. 910 00:29:47,271 --> 00:29:48,774 WIDE. 911 00:29:48,774 --> 00:29:49,275 THAT'S ALL RIGHT. 912 00:29:49,275 --> 00:29:50,878 THAT'S GOOD, THOUGH. 913 00:29:50,878 --> 00:29:53,016 >> DEREK GAVE ME A REALLY COOL 914 00:29:53,016 --> 00:29:53,651 POINTER THAT HAS TO DO WITH MY 915 00:29:53,651 --> 00:29:55,721 FRAMING. 916 00:29:55,721 --> 00:29:56,255 >> USE YOUR SIZE TO YOUR 917 00:29:56,255 --> 00:29:59,863 ADVANTAGE. 918 00:29:59,863 --> 00:30:00,497 WE'RE GOING TO BE LIKE, IN AWE 919 00:30:00,497 --> 00:30:00,932 OF THAT. 920 00:30:00,932 --> 00:30:01,432 >> WE GOT THIS. 921 00:30:01,432 --> 00:30:03,571 >> IMAN, WE'RE IN THE PLAYOFFS. 922 00:30:03,571 --> 00:30:04,171 IF ANYBODY KNOWS HOW TO RISE TO 923 00:30:04,171 --> 00:30:04,739 THE CHALLENGE, IT'S YOU, MY 924 00:30:04,739 --> 00:30:06,677 FRIEND. 925 00:30:06,677 --> 00:30:07,712 CAN'T WAIT TO SEE THIS TANGO. 926 00:30:07,712 --> 00:30:11,987 GOOD LUCK. 927 00:30:11,987 --> 00:30:14,593 >> Announcer: DANCING THE TANGO 928 00:30:14,593 --> 00:30:15,227 WITH HIS PARTNER DANIELLA, IT'S 929 00:30:15,227 --> 00:30:20,203 IMAN SHUMPERT. 930 00:30:20,838 --> 00:30:36,235 ♪ 931 00:30:37,872 --> 00:30:54,606 ♪ 932 00:30:56,275 --> 00:31:07,966 ♪ 933 00:31:09,101 --> 00:31:18,887 ♪ 934 00:31:20,023 --> 00:31:31,178 ♪ 935 00:31:32,314 --> 00:31:33,383 ♪ 936 00:31:33,383 --> 00:31:37,057 [ CHEERS AND APPLAUSE ] 937 00:31:37,057 --> 00:31:46,042 >> Tyra: OH, MY GOSH. 938 00:31:46,042 --> 00:31:46,409 OH, MY GOODNESS. 939 00:31:46,409 --> 00:31:46,977 IMAN AND DANIELLA WITH THE 940 00:31:46,977 --> 00:31:47,177 TANGO. 941 00:31:47,177 --> 00:31:48,146 WITH DEREK COACHING. 942 00:31:48,146 --> 00:31:50,250 ALL RIGHT, DEREK, BABY, WHAT ARE 943 00:31:50,250 --> 00:31:52,889 YOU THINKING? 944 00:31:52,889 --> 00:31:53,423 >> IMAN, MY MAN. 945 00:31:53,423 --> 00:31:54,058 FIRST OF ALL, YOU JUST DEBUNKED 946 00:31:54,058 --> 00:31:59,736 THE MYTH THAT IT'S IMPOSSIBLE TO 947 00:31:59,736 --> 00:32:00,370 HAVE A BEAUTIFUL FRAME WITH THAT 948 00:32:00,370 --> 00:32:00,805 HEIGHT DIFFERENCE. 949 00:32:00,805 --> 00:32:01,439 ALL THE PROS WERE LIKE, YEAH, 950 00:32:01,439 --> 00:32:02,441 THERE IT IS. 951 00:32:02,441 --> 00:32:06,115 THAT WAS FANTASTIC. 952 00:32:06,115 --> 00:32:07,719 THERE'S A REASON WHY, YOU KNOW, 953 00:32:07,719 --> 00:32:10,891 YOU'VE COME THE FURTHEST THAN 954 00:32:10,891 --> 00:32:11,526 ANY OTHER NBA BASKETBALL PLAYER 955 00:32:11,526 --> 00:32:11,927 EVER. 956 00:32:11,927 --> 00:32:12,461 THERE'S A REASON WHY. 957 00:32:12,461 --> 00:32:13,864 YOU CREATE THESE AMAZING 958 00:32:13,864 --> 00:32:14,566 MOMENTS. 959 00:32:14,566 --> 00:32:15,100 I'M SO PROUD OF YOU. 960 00:32:15,100 --> 00:32:16,135 THAT WAS FANTASTIC. 961 00:32:16,135 --> 00:32:16,670 WELL DONE. 962 00:32:16,670 --> 00:32:19,809 >> Tyra: BRUNO? 963 00:32:19,809 --> 00:32:20,443 >> SMART, HE LOOKS THE BUSINESS 964 00:32:20,443 --> 00:32:24,017 AND DELIVERS THE GOODS. 965 00:32:24,017 --> 00:32:30,363 YOUR TOP LINE IS UNRECOGNIZABLE. 966 00:32:30,363 --> 00:32:30,965 IN HOLD, YOU STILL HAVE TO BE 967 00:32:30,965 --> 00:32:34,639 CAREFUL. 968 00:32:34,639 --> 00:32:36,743 SOMETIMES IT'S NOT IN HOLD, YOU 969 00:32:36,743 --> 00:32:37,277 START SQUATTING AGAIN. 970 00:32:37,277 --> 00:32:37,812 A TINY LITTLE DETAIL. 971 00:32:37,812 --> 00:32:38,346 BUT I'M TELLING YOU, MAN, 972 00:32:38,346 --> 00:32:38,847 CONGRATS. 973 00:32:38,847 --> 00:32:43,089 >> Tyra: CARRIE ANN? 974 00:32:43,089 --> 00:32:44,692 >> DEREK, THE FRAME, THAT WAS 975 00:32:44,692 --> 00:32:45,293 UNBELIEVABLE TO SEE YOU DANCE 976 00:32:45,293 --> 00:32:49,435 THAT WAY. 977 00:32:49,435 --> 00:32:52,040 YOU JUST EXPANDED OUTWARD. 978 00:32:52,040 --> 00:32:52,675 AND YOU HAVE SO MUCH MAGIC WHEN 979 00:32:52,675 --> 00:32:53,309 YOU DANCE, WHEN YOU DO THAT, IT 980 00:32:53,309 --> 00:32:53,877 BECOMES EVEN MORE PROFOUND. 981 00:32:53,877 --> 00:32:54,278 IT WAS FANTASTIC. 982 00:32:54,278 --> 00:32:54,779 WELL DONE, BOTH OF YOU. 983 00:32:54,779 --> 00:32:57,284 >> Tyra: LEN? 984 00:32:57,284 --> 00:32:59,421 >> IMAN, I'M JUST GOING TO SAY, 985 00:32:59,421 --> 00:33:02,060 WHAT A VAST IMPROVEMENT THIS IS 986 00:33:02,060 --> 00:33:03,630 FROM WEEK THREE WHEN YOU FIRST 987 00:33:03,630 --> 00:33:04,799 DID THIS. 988 00:33:04,799 --> 00:33:07,905 BRILLIANT. 989 00:33:07,905 --> 00:33:08,974 >> Tyra: IMAN AND DANIELLA, YOU 990 00:33:08,974 --> 00:33:09,609 GUYS ARE TURNING INTO THE MOMENT 991 00:33:09,609 --> 00:33:12,147 MAKERS. 992 00:33:12,147 --> 00:33:14,251 #MOMENTMAKER. 993 00:33:14,251 --> 00:33:14,853 JUST DROPPING THAT RIGHT NOW. 994 00:33:14,853 --> 00:33:17,959 LET'S GET THESE SCORES. 995 00:33:17,959 --> 00:33:18,994 >> Announcer: CARRIE ANN INABA. 996 00:33:18,994 --> 00:33:21,633 >> 9. 997 00:33:21,633 --> 00:33:24,271 >> Announcer: LEN GOODMAN. 998 00:33:24,271 --> 00:33:24,471 >> 9. 999 00:33:24,471 --> 00:33:24,973 >> Announcer: DEREK HOUGH. 1000 00:33:24,973 --> 00:33:26,342 >> BIGGEST IMPROVEMENT. 1001 00:33:26,342 --> 00:33:28,981 LET'S GO, 10! 1002 00:33:28,981 --> 00:33:29,549 >> Announcer: BRUNO TONIOLI. 1003 00:33:29,549 --> 00:33:33,757 >> 9. 1004 00:33:33,757 --> 00:33:35,360 >> Tyra: 37 OUT OF 40 FOR IMAN 1005 00:33:35,360 --> 00:33:39,034 AND DANIELLA SO FAR TONIGHT. 1006 00:33:39,034 --> 00:33:41,205 NOW, NEXT UP, IN OUR REDEMPTION 1007 00:33:41,205 --> 00:33:42,240 ROUND, AMANDA KLOOTS AND ALAN 1008 00:33:42,240 --> 00:33:44,011 AFTER THIS, LIVE. 1009 00:33:51,425 --> 00:33:51,893 [ CHEERS AND APPLAUSE 1010 00:33:51,893 --> 00:33:52,427 [ CHEERS AND APPLAUSE ] 1011 00:33:52,427 --> 00:33:53,496 ♪ 1012 00:33:53,496 --> 00:33:54,097 >> Tyra: WE'RE BACK WITH THE 1013 00:33:54,097 --> 00:33:56,135 SEMIFINALS. 1014 00:33:56,135 --> 00:33:57,705 NOW, LAST WEEK, THE CO‐HOST OF 1015 00:33:57,705 --> 00:33:58,707 "THE TALK" RECEIVED HER FIRST 1016 00:33:58,707 --> 00:34:01,378 PERFECT SCORE OF THE SEASON. 1017 00:34:01,378 --> 00:34:02,949 THIS WEEK, LEN GAVE AMANDA 1018 00:34:02,949 --> 00:34:05,053 KLOOTS SOME TIPS ON HOW TO 1019 00:34:05,053 --> 00:34:05,621 PERFECT HER TANGO WITH ALAN. 1020 00:34:05,621 --> 00:34:10,330 ♪ 1021 00:34:10,330 --> 00:34:12,467 >> LAST WEEK WAS SO MUCH FUN. 1022 00:34:12,467 --> 00:34:14,572 >> 10! 1023 00:34:14,572 --> 00:34:15,206 >> WE GOT A PERFECT SCORE FOR 1024 00:34:15,206 --> 00:34:17,778 THE FIRST TIME. 1025 00:34:17,778 --> 00:34:18,412 THIS WEEK IS ALL ABOUT GETTING 1026 00:34:18,412 --> 00:34:22,020 INTO THE FINALE. 1027 00:34:22,020 --> 00:34:22,655 >> THIS WEEK, THE FIRST DANCE IS 1028 00:34:22,655 --> 00:34:24,659 A REDEMPTION DANCE. 1029 00:34:24,659 --> 00:34:26,228 HEY! 1030 00:34:26,228 --> 00:34:29,535 >> THE HEAD JUDGE HIMSELF. 1031 00:34:29,535 --> 00:34:32,173 >> HERE I AM. 1032 00:34:32,173 --> 00:34:32,742 IT'S THE OLD, GRUMPY JUDGE. 1033 00:34:32,742 --> 00:34:33,342 >> I'M SO EXCITED THAT WE GOT 1034 00:34:33,342 --> 00:34:33,777 LEN. 1035 00:34:33,777 --> 00:34:34,411 >> I AM, TOO. 1036 00:34:34,411 --> 00:34:35,514 I ALWAYS LOVED A TOUGH TEACHER. 1037 00:34:35,514 --> 00:34:37,450 THAT'S WHY I LOVE ALAN. 1038 00:34:37,450 --> 00:34:39,589 >> THIS IS THE EXCITING PART. 1039 00:34:39,589 --> 00:34:41,526 WE'RE GOING RIGHT BACK TO WEEK 1040 00:34:41,526 --> 00:34:44,832 ONE, THE TANGO. 1041 00:34:44,832 --> 00:34:45,466 A LITTLE BIT MORE BODY CONTACT 1042 00:34:45,466 --> 00:34:46,068 HERE AND THERE, AND MAYBE THE 1043 00:34:46,068 --> 00:34:46,670 FEET COULD HAVE BEEN CRISPER. 1044 00:34:46,670 --> 00:34:49,107 LAST TIME, THERE WAS A LITTLE 1045 00:34:49,107 --> 00:34:50,678 BIT OF GAPPING, THE FOOTWORK WAS 1046 00:34:50,678 --> 00:34:52,280 NOT QUITE ON POINT. 1047 00:34:52,280 --> 00:34:56,488 I ALWAYS LOOK FOR BODY CONTACT. 1048 00:34:56,488 --> 00:34:57,057 PROMENADE POSITION IS WHEN 1049 00:34:57,057 --> 00:34:59,161 YOU'RE SIDE‐BY‐SIDE. 1050 00:34:59,161 --> 00:35:03,402 IT'S SO EASY TO GAP. 1051 00:35:03,402 --> 00:35:04,004 YOU BOTH GOT THAT BONE AROUND 1052 00:35:04,004 --> 00:35:06,543 THIS HIP. 1053 00:35:06,543 --> 00:35:07,578 YOUR BONE HAS TO BE SLIGHTLY IN 1054 00:35:07,578 --> 00:35:11,786 FRONT OF HER BONE. 1055 00:35:11,786 --> 00:35:14,458 THAT WILL HELP THEM KEEP BODY 1056 00:35:14,458 --> 00:35:15,059 CONTACT DURING PROMENADE WHEN 1057 00:35:15,059 --> 00:35:17,631 THEY'RE SIDE‐BY‐SIDE. 1058 00:35:17,631 --> 00:35:19,201 ARE YOU GOING TO GO ON THE BALL 1059 00:35:19,201 --> 00:35:21,906 OF YOUR FOOT OR THE HEEL OF YOUR 1060 00:35:21,906 --> 00:35:22,407 FOOT? 1061 00:35:22,407 --> 00:35:25,446 >> THE HEEL, LEN. 1062 00:35:25,446 --> 00:35:25,714 THE HEEL! 1063 00:35:25,714 --> 00:35:26,148 >> THAT IS CORRECT. 1064 00:35:26,148 --> 00:35:27,585 I THINK IF AMANDA AND ALAN 1065 00:35:27,585 --> 00:35:29,154 LISTEN TO MY ADVICE, WELL, THE 1066 00:35:29,154 --> 00:35:32,862 SKY IS THE LIMIT. 1067 00:35:32,862 --> 00:35:33,462 YOU COULD WHIP THAT A LITTLE 1068 00:35:33,462 --> 00:35:33,897 MORE. 1069 00:35:33,897 --> 00:35:37,070 [ CHEERS AND APPLAUSE ] 1070 00:35:37,070 --> 00:35:38,640 >> Announcer: DANCING THE TANGO 1071 00:35:38,640 --> 00:35:41,579 WITH HER PARTNER ALAN, IT'S 1072 00:35:41,579 --> 00:35:42,313 AMANDA KLOOTS. 1073 00:35:42,313 --> 00:35:52,367 ♪ 1074 00:35:52,367 --> 00:35:54,471 ♪ YOU SHOUT IT OUT BUT I CAN'T 1075 00:35:54,471 --> 00:35:58,747 HEAR A WORD YOU SAY ♪ 1076 00:35:58,747 --> 00:35:59,381 ♪ I'M TALKING LOUD NOT SAYING 1077 00:35:59,381 --> 00:36:06,161 MUCH ♪ 1078 00:36:06,161 --> 00:36:06,763 ♪ I'M BULLETPROOF NOTHING TO 1079 00:36:06,763 --> 00:36:10,369 LOSE ♪ 1080 00:36:10,369 --> 00:36:13,510 ♪ FIRE AWAY FIRE AWAY 1081 00:36:13,510 --> 00:36:17,217 ♪ RICOCHET YOU TAKE YOUR AIM 1082 00:36:17,217 --> 00:36:20,924 ♪ FIRE AWAY FIRE AWAY 1083 00:36:20,924 --> 00:36:23,563 ♪ YOU SHOOT ME DOWN BUT I WON'T 1084 00:36:23,563 --> 00:36:29,876 FALL I AM TITANIUM ♪ 1085 00:36:30,476 --> 00:36:35,687 ♪ 1086 00:36:35,687 --> 00:36:36,355 ♪ YOU SHOOT ME DOWN BUT I WON'T 1087 00:36:36,355 --> 00:36:42,133 FALL ♪ 1088 00:36:42,133 --> 00:36:53,188 ♪ I AM TITANIUM 1089 00:36:53,188 --> 00:36:55,827 I AM TITANIUM ♪ 1090 00:36:55,827 --> 00:36:58,566 ♪ 1091 00:36:58,566 --> 00:36:59,067 [ CHEERS AND APPLAUSE ] 1092 00:36:59,067 --> 00:37:02,206 >> Tyra: WHOA. 1093 00:37:02,206 --> 00:37:03,777 AMANDA AND ALAN WITH A TANGO. 1094 00:37:03,777 --> 00:37:07,518 WITH LEN COACHING. 1095 00:37:07,518 --> 00:37:11,191 >> NOT IN MY WORLD, IT DIDN'T. 1096 00:37:11,191 --> 00:37:11,793 >> Tyra: WHAT DID YOU THINK, 1097 00:37:11,793 --> 00:37:17,705 LEN? 1098 00:37:17,705 --> 00:37:19,608 >> I TELL YOU WHAT I THOUGHT. 1099 00:37:19,608 --> 00:37:20,242 I ASKED YOU TO GET BODY CONTACT, 1100 00:37:20,242 --> 00:37:20,777 AND I SAW THAT THROUGHOUT. 1101 00:37:20,777 --> 00:37:21,311 PLUS, I SAW ATTACK, I SAW 1102 00:37:21,311 --> 00:37:23,683 AGGRESSION, GREAT MOVEMENT 1103 00:37:23,683 --> 00:37:25,954 ACROSS THE FLOOR. 1104 00:37:25,954 --> 00:37:26,221 FABULOUS. 1105 00:37:26,221 --> 00:37:29,662 >> Tyra: DEREK? 1106 00:37:29,662 --> 00:37:30,262 >> AMANDA, YOU HAVE BEEN THE 1107 00:37:30,262 --> 00:37:30,897 MOST CONSISTENT DANCER, I THINK, 1108 00:37:30,897 --> 00:37:31,365 ON THIS SEASON SO FAR. 1109 00:37:31,365 --> 00:37:33,369 AND I'M JUST IN AWE OF YOU. 1110 00:37:33,369 --> 00:37:33,903 THAT WAS SO FANTASTIC. 1111 00:37:33,903 --> 00:37:34,939 WELL DONE. 1112 00:37:34,939 --> 00:37:36,576 BEAUTIFUL FRAME. 1113 00:37:36,576 --> 00:37:37,210 LIKE YOU SAID, ATTACK ACROSS THE 1114 00:37:37,210 --> 00:37:37,611 FLOOR. 1115 00:37:37,611 --> 00:37:38,680 WELL DONE. 1116 00:37:38,680 --> 00:37:39,749 >> Tyra: BRUNO? 1117 00:37:39,749 --> 00:37:41,318 >> FORGET TITANIUM. 1118 00:37:41,318 --> 00:37:45,560 THAT WAS PLATINUM. 1119 00:37:45,560 --> 00:37:48,198 BUT WHAT YOU HAD AS WELL, IT WAS 1120 00:37:48,198 --> 00:37:48,800 THE CLEAR‐CUT BRILLIANCE OF A 1121 00:37:48,800 --> 00:37:51,873 DIAMOND. 1122 00:37:51,873 --> 00:37:53,442 IT WAS SO POLISHED, SO SLICK. 1123 00:37:53,442 --> 00:37:55,046 YOU WERE JUST ON FIRE, GIRL. 1124 00:37:55,046 --> 00:37:56,616 ABSOLUTELY A GEM. 1125 00:37:56,616 --> 00:37:58,753 >> Tyra: CARRIE ANN? 1126 00:37:58,753 --> 00:38:02,961 >> OKAY, YOU DANCED THAT TANGO 1127 00:38:02,961 --> 00:38:03,596 LIKE THE BOSS THAT YOU ARE, MY 1128 00:38:03,596 --> 00:38:04,030 DEAR. 1129 00:38:04,030 --> 00:38:04,565 THAT WAS INCREDIBLE. 1130 00:38:04,565 --> 00:38:05,734 YOUR LEG CAME OFF THE GROUND, I 1131 00:38:05,734 --> 00:38:08,372 HAVE TO DOCK THE POINT. 1132 00:38:08,372 --> 00:38:08,773 IT IS WHAT IT IS. 1133 00:38:08,773 --> 00:38:09,474 I HAVE TO. 1134 00:38:09,474 --> 00:38:12,113 I'M SORRY, IT'S SEMIFINALS. 1135 00:38:12,113 --> 00:38:13,182 BUT BOSS, BABY, HONEY. 1136 00:38:13,182 --> 00:38:13,750 >> Tyra: YOU SAY YOU LOVE A 1137 00:38:13,750 --> 00:38:14,217 TOUGH TEACHER. 1138 00:38:14,217 --> 00:38:17,925 SO DO I. 1139 00:38:17,925 --> 00:38:18,660 SO IS LEN OR ALAN THE TOUGHER 1140 00:38:18,660 --> 00:38:18,993 TEACHER? 1141 00:38:18,993 --> 00:38:22,133 >> THAT'S A TOUGH ONE. 1142 00:38:22,133 --> 00:38:24,270 I WILL SAY, THIS SHOW IS SUCH A 1143 00:38:24,270 --> 00:38:27,945 JOURNEY, AND LEARNING THIS TANGO 1144 00:38:27,945 --> 00:38:29,515 AGAIN, I COULD HAVE NEVER DONE 1145 00:38:29,515 --> 00:38:30,116 THIS TANGO WE DID TONIGHT IN 1146 00:38:30,116 --> 00:38:31,619 WEEK ONE. 1147 00:38:31,619 --> 00:38:34,257 IT'S AMAZING WHAT YOU CAN DO 1148 00:38:34,257 --> 00:38:35,861 WHEN YOU WORK HARD AND YOU 1149 00:38:35,861 --> 00:38:36,929 REALLY WANT TO BE SOMEWHERE. 1150 00:38:36,929 --> 00:38:38,499 >> Tyra: AND YOU HAVE SOME GOOD 1151 00:38:38,499 --> 00:38:39,568 TEACHERS AND CHOREOGRAPHERS. 1152 00:38:39,568 --> 00:38:42,774 LET'S GET YOUR SCORES. 1153 00:38:42,774 --> 00:38:46,716 >> Announcer: CARRIE ANN INABA. 1154 00:38:46,716 --> 00:38:47,518 >> 9. 1155 00:38:47,518 --> 00:38:48,051 >> Announcer: LEN GOODMAN. 1156 00:38:48,051 --> 00:38:51,224 >> 10. 1157 00:38:51,224 --> 00:38:51,759 >> Announcer: DEREK HOUGH. 1158 00:38:51,759 --> 00:38:53,863 >> 10. 1159 00:38:53,863 --> 00:38:54,932 >> Announcer: BRUNO TONIOLI. 1160 00:38:54,932 --> 00:39:00,176 >> 10. 1161 00:39:00,176 --> 00:39:01,211 >> Tyra: 39 OUT OF 40 FOR AMANDA 1162 00:39:01,211 --> 00:39:04,384 AND ALAN SO FAR TONIGHT. 1163 00:39:04,384 --> 00:39:04,985 YOU GUYS GET CHANGED FOR THAT 1164 00:39:04,985 --> 00:39:10,697 NEXT DANCE. 1165 00:39:10,697 --> 00:39:10,997 ALL RIGHTY. 1166 00:39:10,997 --> 00:39:11,799 NOW, TONIGHT'S SECOND ROUND IS 1167 00:39:11,799 --> 00:39:14,972 OUR SEMIFINALISTS' LAST CHANCE 1168 00:39:14,972 --> 00:39:15,640 TO DANCE IN NEXT WEEK'S FINALE. 1169 00:39:15,640 --> 00:39:16,576 AS A TRIBUTE TO THEIR HARD WORK, 1170 00:39:16,576 --> 00:39:19,214 WE'RE GOING TO CELEBRATE 1171 00:39:19,214 --> 00:39:20,817 ILLUMINATION'S NEW MOVIE "SING 1172 00:39:20,817 --> 00:39:21,886 2," WHICH IS ALL ABOUT DREAMING 1173 00:39:21,886 --> 00:39:23,990 BIG DREAMS AND RISING ABOVE 1174 00:39:23,990 --> 00:39:25,059 EXPECTATIONS TO GRAB YOUR MOMENT 1175 00:39:25,059 --> 00:39:28,198 IN THE SPOTLIGHT. 1176 00:39:28,198 --> 00:39:29,802 THE MOVIE IS FILLED WITH 1177 00:39:29,802 --> 00:39:31,371 INCREDIBLE MUSIC, AND WE'VE GOT 1178 00:39:31,371 --> 00:39:33,977 A HOT NEW TRACK FOR YOU RIGHT 1179 00:39:33,977 --> 00:39:34,143 NOW. 1180 00:39:34,143 --> 00:39:34,778 DANCING TO "SUELTATE," GIVE IT 1181 00:39:34,778 --> 00:39:35,580 UP FOR OUR AMAZING PROS AND 1182 00:39:35,580 --> 00:39:36,114 GUEST DANCERS. 1183 00:39:36,114 --> 00:39:40,657 [ CHEERS AND APPLAUSE ] 1184 00:39:41,258 --> 00:39:45,499 ♪ 1185 00:39:45,499 --> 00:39:50,810 ♪ HEY, MIA I'D RATHER BE NOBODY 1186 00:39:50,810 --> 00:39:52,914 OTHER THAN ME 1187 00:39:52,914 --> 00:39:55,052 MY POWER'S MY TALK AIN'T CHEAP 1188 00:39:55,052 --> 00:39:55,687 LIFE'S A DREAM BUT I'M NOT SLEEP 1189 00:39:55,687 --> 00:39:56,622 I WISH YOU FELT THE WAY I DO ♪ 1190 00:39:56,622 --> 00:39:58,726 ♪ I CAN'T MAKE THIS UP IT'S TRUE 1191 00:39:58,726 --> 00:40:01,899 THEY CAN'T LOVE ME LIKE I DO ♪ 1192 00:40:01,899 --> 00:40:04,538 ♪ I, I FEEL LIKE A WORK OF ART 1193 00:40:04,538 --> 00:40:06,141 I'M NOT EASILY FORGOT 1194 00:40:06,141 --> 00:40:11,919 HAVE TO SET MYSELF APART I'M 1195 00:40:11,919 --> 00:40:16,394 JUST FOLLOWING MY HEART ♪ 1196 00:40:16,394 --> 00:40:25,513 ♪ I'M JUST HERE TO MAKE IT LAST 1197 00:40:25,513 --> 00:40:26,481 I'M NOT LIVIN' IN THE PAST 1198 00:40:26,481 --> 00:40:28,051 YOU DON'T FEEL ME KISS MY ISH 1199 00:40:28,051 --> 00:40:30,189 EACH TIME I'M OUTSIDE IT'S ALL 1200 00:40:30,189 --> 00:40:32,293 EYES ON ME 1201 00:40:32,293 --> 00:40:34,397 DON'T HAVE TO TOUCH ME TO FEEL 1202 00:40:34,397 --> 00:40:34,932 MY ENERGY ♪ 1203 00:40:34,932 --> 00:40:37,069 IT'S IN ME NOT ON ME AND IT'S 1204 00:40:37,069 --> 00:40:37,571 PLAIN TO SEE ♪ 1205 00:40:37,571 --> 00:40:38,171 I CAN'T BE BUT NO ONE BUT ME 1206 00:40:38,171 --> 00:40:38,606 SUELTATE ♪ 1207 00:40:38,606 --> 00:40:41,779 ♪ SUELTATE 1208 00:40:41,779 --> 00:40:45,452 ♪ SUELTATE 1209 00:40:45,452 --> 00:40:48,091 ♪ I AM THE ONE WITH THE MAD SAD 1210 00:40:48,091 --> 00:40:48,626 SONG 1211 00:40:48,626 --> 00:40:50,797 THIS WHO I AM SO I CAN'T GO 1212 00:40:50,797 --> 00:40:53,936 WRONG ♪ 1213 00:40:53,936 --> 00:40:56,074 ♪ THERE WAS NO WAY SO I MADE MY 1214 00:40:56,074 --> 00:40:58,713 OWN NOBODY CAN DO IT LIKE ME 1215 00:40:58,713 --> 00:40:59,347 KNOW I MAKE IT LOOK EASY IF YOU 1216 00:40:59,347 --> 00:41:01,886 GOT IT FLAUNT IT PLEASE JUST 1217 00:41:01,886 --> 00:41:06,896 LIKE ME ♪ 1218 00:41:06,896 --> 00:41:10,068 ♪ THEY SAY ‐‐ 1219 00:41:10,068 --> 00:41:10,703 [ SINGING IN FOREIGN LANGUAGE ] 1220 00:41:10,703 --> 00:41:12,173 ♪ SUELTATE 1221 00:41:12,173 --> 00:41:13,743 ♪ 1222 00:41:13,743 --> 00:41:15,847 ♪ OH OH SUELTATE 1223 00:41:15,847 --> 00:41:23,228 ♪ 1224 00:41:23,228 --> 00:41:24,297 ♪ SUELTATE 1225 00:41:24,297 --> 00:41:24,832 ♪ 1226 00:41:24,832 --> 00:41:33,850 [ CHEERS AND APPLAUSE ] 1227 00:41:33,850 --> 00:41:36,488 >> Tyra: OUR PROS AND GUEST 1228 00:41:36,488 --> 00:41:41,364 DANCERS IN A NUMBER CREATED BY 1229 00:41:41,364 --> 00:41:44,805 THE PHENOMENAL CHOREOGRAPHER, 1230 00:41:44,805 --> 00:41:45,105 LIZ IMPERIO. 1231 00:41:45,105 --> 00:41:45,640 "SING 2" IS SURE TO BE THE 1232 00:41:45,640 --> 00:41:46,374 FEEL‐GOOD MOVIE EVENT OF THE 1233 00:41:46,374 --> 00:41:47,009 HOLIDAYS, IT'S JAM‐PACKED WITH A 1234 00:41:47,009 --> 00:41:48,478 SPECTACULAR PLAYLIST OF YOUR 1235 00:41:48,478 --> 00:41:50,850 FAVORITE HIT SONGS, BELOVED 1236 00:41:50,850 --> 00:41:53,723 CHARACTERS, AND GREAT NEW ONES 1237 00:41:53,723 --> 00:41:54,323 THAT WE KNOW YOU'RE GOING TO 1238 00:41:54,323 --> 00:41:54,791 LOVE TOO. 1239 00:41:54,791 --> 00:41:56,094 YOU WON'T WANT TO MISS IT IN 1240 00:41:56,094 --> 00:41:56,461 THEATERS THIS CHRISTMAS. 1241 00:41:56,461 --> 00:41:56,762 AND WE'VE GOT AN EXCLUSIVE LOOK 1242 00:41:56,762 --> 00:41:57,931 JUST FOR YOU RIGHT HERE. 1243 00:42:05,647 --> 00:42:06,682 [ CHEERS AND APPLAUSE ] 1244 00:42:06,682 --> 00:42:07,216 ♪ 1245 00:42:07,216 --> 00:42:07,851 >> Tyra: WELL, WELCOME BACK TO 1246 00:42:07,851 --> 00:42:09,353 THE SEMIFINALS. 1247 00:42:09,353 --> 00:42:09,988 THE COMPETITION THIS SEASON HAS 1248 00:42:09,988 --> 00:42:13,028 BEEN FIERCE. 1249 00:42:13,028 --> 00:42:15,065 OUR SIX SEMIFINALISTS HAVE 1250 00:42:15,065 --> 00:42:15,700 PUSHED THEMSELVES TO THE LIMIT, 1251 00:42:15,700 --> 00:42:20,577 AND ONLY FOUR WILL SURVIVE. 1252 00:42:20,577 --> 00:42:22,112 BEFORE WE START ROUND TWO, WE'RE 1253 00:42:22,112 --> 00:42:25,152 GOING TO CHECK OUT THE 1254 00:42:25,152 --> 00:42:26,220 LEADERBOARD SO FAR. 1255 00:42:26,220 --> 00:42:28,191 AT THE TOP, WITH A PERFECT 40, 1256 00:42:28,191 --> 00:42:29,561 JOJO AND JENNA. 1257 00:42:29,561 --> 00:42:30,128 AND CODY AND CHERYL AT THE 1258 00:42:30,128 --> 00:42:32,166 BOTTOM WITH 35. 1259 00:42:32,166 --> 00:42:33,769 NOW, THE SECOND ROUND IS THE 1260 00:42:33,769 --> 00:42:35,339 LAST CHANCE FOR OUR 1261 00:42:35,339 --> 00:42:36,441 SEMIFINALISTS TO SAVE THEMSELVES 1262 00:42:36,441 --> 00:42:39,615 FROM TONIGHT'S DOUBLE 1263 00:42:39,615 --> 00:42:40,650 ELIMINATION AND WIN PLACES IN 1264 00:42:40,650 --> 00:42:43,288 NEXT WEEK'S FINALE. 1265 00:42:43,288 --> 00:42:43,823 ALL RIGHT? 1266 00:42:43,823 --> 00:42:44,858 YOU GOT THAT? 1267 00:42:44,858 --> 00:42:46,996 UP NEXT, MELORA AND ARTEM. 1268 00:42:46,996 --> 00:42:49,100 MELORA HAD A SURPRISE VISITOR AS 1269 00:42:49,100 --> 00:42:54,878 THEY TRAINED FOR THIS DANCE. 1270 00:42:54,878 --> 00:42:57,517 >> THIS IS OUR SECOND DANCE. 1271 00:42:57,517 --> 00:42:58,552 THIS COULD POTENTIALLY GET US 1272 00:42:58,552 --> 00:42:59,621 INTO THE FINALE. 1273 00:42:59,621 --> 00:43:02,794 YOU'RE DANCING CONTEMPORARY 1274 00:43:02,794 --> 00:43:03,863 TO "THUNDER." 1275 00:43:03,863 --> 00:43:07,604 >> I LOVE THAT SONG SO MUCH. 1276 00:43:07,604 --> 00:43:08,405 IT MAKES ME THINK OF MY SERIES 1277 00:43:08,405 --> 00:43:09,173 THAT I WAS ON. 1278 00:43:09,173 --> 00:43:13,883 WHEN I WAS 10 YEARS OLD, I WAS 1279 00:43:13,883 --> 00:43:14,450 ON A SHOW FOR KIDS CALLED 1280 00:43:14,450 --> 00:43:14,951 "THUNDER." 1281 00:43:14,951 --> 00:43:15,553 40 YEARS LATER, I MET A WOMAN 1282 00:43:15,553 --> 00:43:16,054 NAMED HUNTER WHEN I WAS 1283 00:43:16,054 --> 00:43:20,763 DIRECTING A MUSIC VIDEO. 1284 00:43:20,763 --> 00:43:21,364 SHE SAID TO ME, WHEN I WAS A 1285 00:43:21,364 --> 00:43:21,932 LITTLE GIRL, YOU WERE ON MY 1286 00:43:21,932 --> 00:43:22,567 FAVORITE SATURDAY MORNING SHOW 1287 00:43:22,567 --> 00:43:27,610 FOR KIDS CALLED "THUNDER." 1288 00:43:27,610 --> 00:43:29,180 AND YOU WERE THE LIGHT AT A TIME 1289 00:43:29,180 --> 00:43:33,054 WHEN MY LIFE WAS DARK FOR ME. 1290 00:43:33,054 --> 00:43:35,325 SHE HAD HAD TRAUMA IN HER 1291 00:43:35,325 --> 00:43:36,294 CHILDHOOD. 1292 00:43:36,294 --> 00:43:36,929 I FELT COMPELLED TO OPEN UP MY 1293 00:43:36,929 --> 00:43:37,496 LIFE TO HER AND THAT'S THE 1294 00:43:37,496 --> 00:43:38,131 BEGINNING OF AN INCREDIBLE AND 1295 00:43:38,131 --> 00:43:39,433 TRANSFORMATIVE FRIENDSHIP. 1296 00:43:39,433 --> 00:43:39,968 >> HI! 1297 00:43:39,968 --> 00:43:43,709 >> THERE SHE IS! 1298 00:43:43,709 --> 00:43:44,343 >> IT'S ALWAYS SO GOOD TO HAVE 1299 00:43:44,343 --> 00:43:44,745 HUNTER AROUND. 1300 00:43:44,745 --> 00:43:46,347 SHE'S AN EXTRAORDINARY WOMAN. 1301 00:43:46,347 --> 00:43:47,917 AND SO SUPPORTIVE. 1302 00:43:47,917 --> 00:43:48,986 SHE'S JUST A DELIGHT. 1303 00:43:48,986 --> 00:43:49,621 >> EVERY WEEK I'M WATCHING YOU 1304 00:43:49,621 --> 00:43:51,625 DANCE. 1305 00:43:51,625 --> 00:43:53,194 AND IT'S BEAUTIFUL. 1306 00:43:53,194 --> 00:43:58,506 >> YOU'RE MAKING ME CRY. 1307 00:43:58,506 --> 00:44:00,108 >> WE'RE IN OUR 50s. 1308 00:44:00,108 --> 00:44:00,676 >> AND DOING JUST AS GOOD. 1309 00:44:00,676 --> 00:44:01,177 >> I'M SO PROUD OF HER. 1310 00:44:01,177 --> 00:44:01,745 SHE LOVES BUILDING UP OTHER 1311 00:44:01,745 --> 00:44:03,248 WOMEN. 1312 00:44:03,248 --> 00:44:04,851 YOU'RE CHANGING THE WAY THAT 1313 00:44:04,851 --> 00:44:06,955 PEOPLE THINK ABOUT WHAT THEY CAN 1314 00:44:06,955 --> 00:44:07,122 DO. 1315 00:44:07,122 --> 00:44:08,024 I WILL BE CHEERING SO LOUDLY FOR 1316 00:44:08,024 --> 00:44:11,164 YOU. 1317 00:44:11,164 --> 00:44:11,799 >> I ABSOLUTELY WANT TO GET TO 1318 00:44:11,799 --> 00:44:12,767 THE FINALE. 1319 00:44:12,767 --> 00:44:13,401 I'M GOING FOR IT WITH EVERYTHING 1320 00:44:13,401 --> 00:44:16,642 I'VE GOT. 1321 00:44:16,642 --> 00:44:17,777 THERE'S NO DOUBT. 1322 00:44:17,777 --> 00:44:18,846 BUT THE IDEA THAT WHAT I'M DOING 1323 00:44:18,846 --> 00:44:20,415 ON THIS SHOW COULD INSPIRE OTHER 1324 00:44:20,415 --> 00:44:22,352 WOMEN TO STEP UP INTO THEIR 1325 00:44:22,352 --> 00:44:24,123 POWER, THAT IN ITSELF IS A WIN. 1326 00:44:24,123 --> 00:44:26,227 [ CHEERS AND APPLAUSE ] 1327 00:44:26,227 --> 00:44:29,400 >> Announcer: DANCING 1328 00:44:29,400 --> 00:44:30,970 CONTEMPORARY WITH HER PARTNER 1329 00:44:30,970 --> 00:44:34,143 ARTEM, IT'S MELORA HARDIN. 1330 00:44:35,278 --> 00:44:41,057 ♪ 1331 00:44:41,057 --> 00:44:41,725 ♪ JUST A YOUNG GUN WITH A QUICK 1332 00:44:41,725 --> 00:44:43,729 FUSE ♪ 1333 00:44:43,729 --> 00:44:44,296 ♪ I WAS UPTIGHT WANNA LET 1334 00:44:44,296 --> 00:44:46,367 LOOSE ♪ 1335 00:44:46,367 --> 00:44:47,402 ♪ I WAS DREAMING OF BIGGER 1336 00:44:47,402 --> 00:44:50,108 THINGS ♪ 1337 00:44:50,108 --> 00:44:50,743 ♪ AND WANNA LEAVE MY OLD LIFE 1338 00:44:50,743 --> 00:44:53,248 BEHIND ♪ 1339 00:44:53,248 --> 00:44:54,851 ♪ NOT A YES SIR NOT A FOLLOWER 1340 00:44:54,851 --> 00:44:57,489 ♪ FIT THE BOX FIT THE MOLD 1341 00:44:57,489 --> 00:44:58,391 ♪ HAVE A SEAT IN THE FOYER TAKE 1342 00:44:58,391 --> 00:45:00,128 A NUMBER ♪ 1343 00:45:00,128 --> 00:45:01,698 ♪ I WAS LIGHTNING BEFORE THE 1344 00:45:01,698 --> 00:45:04,871 THUNDER THUNDER ♪ 1345 00:45:04,871 --> 00:45:06,407 ♪ THUNDER, FEEL THE THUNDER 1346 00:45:06,407 --> 00:45:10,382 LIGHTNING THEN THE THUNDER ♪ 1347 00:45:10,382 --> 00:45:12,252 ♪ THUNDER, FEEL THE THUNDER 1348 00:45:12,252 --> 00:45:15,225 LIGHTNING THEN THE THUNDER 1349 00:45:15,225 --> 00:45:17,897 THUNDER ♪ 1350 00:45:18,498 --> 00:45:26,480 ♪ 1351 00:45:26,480 --> 00:45:29,654 ♪ THUNDER, FEEL THE THUNDER 1352 00:45:29,654 --> 00:45:30,221 LIGHTNING THEN THE THUNDER 1353 00:45:30,221 --> 00:45:32,794 THUNDER ♪ 1354 00:45:32,794 --> 00:45:35,432 ♪ THUNDER, FEEL THE THUNDER 1355 00:45:35,432 --> 00:45:36,000 LIGHTNING THEN THE THUNDER 1356 00:45:36,000 --> 00:45:38,071 THUNDER ♪ 1357 00:45:38,071 --> 00:45:40,141 ♪ THUNDER, FEEL THE THUNDER 1358 00:45:40,141 --> 00:45:41,210 LIGHTNING THEN THE THUNDER 1359 00:45:41,210 --> 00:45:43,314 THUNDER ♪ 1360 00:45:43,314 --> 00:45:46,487 ♪ THUNDER, FEEL THE THUNDER 1361 00:45:46,487 --> 00:45:47,055 LIGHTNING THEN THE THUNDER 1362 00:45:47,055 --> 00:45:48,592 THUNDER ♪ 1363 00:45:48,592 --> 00:45:51,765 ♪ THUNDER, FEEL THE THUNDER 1364 00:45:51,765 --> 00:45:52,332 LIGHTNING THEN THE THUNDER 1365 00:45:52,332 --> 00:45:52,834 THUNDER ♪ 1366 00:45:52,834 --> 00:45:54,403 ♪ 1367 00:45:54,403 --> 00:45:58,144 [ CHEERS AND APPLAUSE ] 1368 00:45:58,144 --> 00:46:01,852 >> Tyra: WOW, MELORA AND ARTEM 1369 00:46:01,852 --> 00:46:02,285 WITH A CONTEMPORARY 1370 00:46:02,285 --> 00:46:08,699 TO "THUNDER." 1371 00:46:08,699 --> 00:46:10,803 LEN? 1372 00:46:10,803 --> 00:46:12,874 >> I LIKED THE WAY THE DANCE 1373 00:46:12,874 --> 00:46:15,546 ABSOLUTELY MIRRORED THE MUSIC. 1374 00:46:15,546 --> 00:46:16,581 EVERY NUANCE WAS PICKED OUT. 1375 00:46:16,581 --> 00:46:17,650 I THOUGHT THAT WAS LOVELY. 1376 00:46:17,650 --> 00:46:19,754 IT WAS FULL OF ATTACK. 1377 00:46:19,754 --> 00:46:21,357 IT WAS FULL OF PURPOSE. 1378 00:46:21,357 --> 00:46:22,392 MELORA, YOU'RE ALWAYS A JOY TO 1379 00:46:22,392 --> 00:46:24,496 WATCH. 1380 00:46:24,496 --> 00:46:26,635 >> Tyra: DEREK? 1381 00:46:26,635 --> 00:46:28,739 >> MELORA, WHAT I LOVE ABOUT YOU 1382 00:46:28,739 --> 00:46:30,876 IS THAT YOU CAN ALWAYS SEE AND 1383 00:46:30,876 --> 00:46:33,014 FEEL YOUR LOVE OF DANCE. 1384 00:46:33,014 --> 00:46:34,049 EVERY TIME YOU STEP ON TO THE 1385 00:46:34,049 --> 00:46:34,617 FLOOR, WE FEEL YOUR LOVE OF 1386 00:46:34,617 --> 00:46:35,085 DANCE. 1387 00:46:35,085 --> 00:46:36,688 THANK YOU SO MUCH FOR THAT. 1388 00:46:36,688 --> 00:46:38,291 YOU'VE BEEN TRULY A POWERFUL 1389 00:46:38,291 --> 00:46:38,792 PRESENCE ON THIS FLOOR. 1390 00:46:38,792 --> 00:46:39,326 WELL DONE. 1391 00:46:39,326 --> 00:46:41,965 >> Tyra: BRUNO? 1392 00:46:41,965 --> 00:46:45,138 >> I LOVE THAT YOU'RE SUCH A 1393 00:46:45,138 --> 00:46:45,706 WONDERFUL LIGHT AND MOTION, 1394 00:46:45,706 --> 00:46:54,089 SENSE OF FREEDOM. 1395 00:46:54,089 --> 00:46:58,498 REMEMBER JEROME ROBBINS, IT JUST 1396 00:46:58,498 --> 00:47:00,736 THOSE TOUCHES, I LOVED IT. 1397 00:47:00,736 --> 00:47:01,605 GOOD JOB. 1398 00:47:01,605 --> 00:47:02,038 >> Tyra: CARRIE ANN? 1399 00:47:02,038 --> 00:47:02,673 >> MELORA, YOU JUST ARE THE MOST 1400 00:47:02,673 --> 00:47:03,241 BEAUTIFUL, LYRICAL DANCER. 1401 00:47:03,241 --> 00:47:03,876 YOU DANCED FROM YOUR HEART AND 1402 00:47:03,876 --> 00:47:05,311 SOUL, AND YOU LEFT EVERYTHING ON 1403 00:47:05,311 --> 00:47:05,846 THE DANCE FLOOR JUST NOW. 1404 00:47:05,846 --> 00:47:09,554 IT WAS SO BEAUTIFUL. 1405 00:47:09,554 --> 00:47:10,589 >> Tyra: MELORA, THAT WAS A 1406 00:47:10,589 --> 00:47:11,390 BEAUTIFUL TRIBUTE TO YOUR FRIEND 1407 00:47:11,390 --> 00:47:15,365 HUNTER. 1408 00:47:15,365 --> 00:47:18,304 YOU MADE A DOCUMENTARY ABOUT IT, 1409 00:47:18,304 --> 00:47:18,972 IT'S GOING TO BE AMAZING. 1410 00:47:18,972 --> 00:47:21,243 I CAN'T WAIT TO SEE IT. 1411 00:47:21,243 --> 00:47:24,449 WE ALL CAN'T WAIT TO SEE IT. 1412 00:47:24,449 --> 00:47:25,084 WE'RE GOING TO GET THESE SCORES 1413 00:47:25,084 --> 00:47:25,519 NOW. 1414 00:47:25,519 --> 00:47:26,053 LET'S GET THESE SCORES. 1415 00:47:26,053 --> 00:47:26,688 >> Announcer: CARRIE ANN INABA. 1416 00:47:26,688 --> 00:47:27,623 >> 9. 1417 00:47:27,623 --> 00:47:28,157 >> Announcer: LEN GOODMAN. 1418 00:47:28,157 --> 00:47:31,865 >> 9. 1419 00:47:31,865 --> 00:47:32,399 >> Announcer: DEREK HOUGH. 1420 00:47:32,399 --> 00:47:33,969 >> 9. 1421 00:47:33,969 --> 00:47:34,537 >> Announcer: BRUNO TONIOLI. 1422 00:47:34,537 --> 00:47:37,710 >> 9. 1423 00:47:37,710 --> 00:47:38,779 >> Tyra: ALL RIGHTY. 1424 00:47:38,779 --> 00:47:39,413 WE GOT 36 OUT OF 40 FOR MELORA 1425 00:47:39,413 --> 00:47:41,417 AND ARTEM. 1426 00:47:41,417 --> 00:47:42,052 AND THEIR TOTAL FOR THE NIGHT IS 1427 00:47:42,052 --> 00:47:45,626 72. 1428 00:47:45,626 --> 00:47:47,229 CODY AND CHERYL ARE GETTING 1429 00:47:47,229 --> 00:47:47,830 READY FOR THE SECOND ROUND OF 1430 00:47:47,830 --> 00:47:49,333 THE SEMIFINALS. 1431 00:47:49,333 --> 00:47:49,934 AND THEY'RE NEXT, AND THEY'RE 1432 00:47:49,934 --> 00:47:51,070 LIVE. 1433 00:47:58,417 --> 00:47:58,919 [ CHEERS AND APPLAUSE ] 1434 00:47:58,919 --> 00:48:00,856 ♪ 1435 00:48:00,856 --> 00:48:01,357 [ CHEERS AND APPLAUSE ] 1436 00:48:01,357 --> 00:48:02,425 ♪ 1437 00:48:02,425 --> 00:48:03,027 >> Tyra: WELCOME BACK TO THE 1438 00:48:03,027 --> 00:48:03,327 SEMIFINALS. 1439 00:48:03,327 --> 00:48:03,996 UP NEXT, THE COUPLE WHO RECEIVED 1440 00:48:03,996 --> 00:48:04,597 35 FOR THEIR REDEMPTION ROUND 1441 00:48:04,597 --> 00:48:06,668 SALSA. 1442 00:48:06,668 --> 00:48:08,271 HERE'S HOW CODY AND CHERYL 1443 00:48:08,271 --> 00:48:09,841 PLANNED TO BRING OUT CODY'S 1444 00:48:09,841 --> 00:48:16,220 POWER IN THIS ROUND. 1445 00:48:16,220 --> 00:48:18,859 >> OUR SECOND DANCE IS NONE 1446 00:48:18,859 --> 00:48:20,428 OTHER THAN MY FAVE OF ALL TIME, 1447 00:48:20,428 --> 00:48:27,275 ARGENTINE TANGO, AND WE'RE 1448 00:48:27,275 --> 00:48:29,947 DANCING TO THE SONG "LA 1449 00:48:29,947 --> 00:48:30,481 CUMPARASITA." 1450 00:48:30,481 --> 00:48:31,083 WE COULDN'T HAVE PEAKED AT A 1451 00:48:31,083 --> 00:48:31,518 BETTER TIME. 1452 00:48:31,518 --> 00:48:35,224 I FEEL LIKE YOU'RE FINALLY 1453 00:48:35,224 --> 00:48:36,260 SHOWING WHO YOU REALLY ARE ON 1454 00:48:36,260 --> 00:48:40,703 THE DANCE FLOOR. 1455 00:48:40,703 --> 00:48:43,775 >> IT REMINDS ME OF ALL THE 1456 00:48:43,775 --> 00:48:45,478 BREAKTHROUGH MOMENTS I HAD IN MY 1457 00:48:45,478 --> 00:48:45,846 LIFE. 1458 00:48:45,846 --> 00:48:46,480 THE MAJORITY OF MY CHILDHOOD, I 1459 00:48:46,480 --> 00:48:47,415 GREW UP IN GREENSBORO, NORTH 1460 00:48:47,415 --> 00:48:47,950 CAROLINA. 1461 00:48:47,950 --> 00:48:48,552 I DIDN'T ALWAYS FEEL LIKE IT 1462 00:48:48,552 --> 00:48:54,296 ACCEPTED ME. 1463 00:48:54,296 --> 00:48:54,897 AS A GAY MAN, THERE ARE TIMES 1464 00:48:54,897 --> 00:48:55,899 WHERE I'VE HAD TO HIDE OR HOLD 1465 00:48:55,899 --> 00:48:56,467 BACK BECAUSE OF RIDICULE OR 1466 00:48:56,467 --> 00:48:56,968 BULLYING. 1467 00:48:56,968 --> 00:48:57,570 IN HIGH SCHOOL, I DIDN'T FEEL 1468 00:48:57,570 --> 00:48:58,538 LIKE I COULD BE MYSELF. 1469 00:48:58,538 --> 00:48:59,072 >> RIGHT. 1470 00:48:59,072 --> 00:49:00,642 >> I FEEL LIKE ONCE I GOT TO 1471 00:49:00,642 --> 00:49:01,678 COLLEGE AND STARTED TO SEE OTHER 1472 00:49:01,678 --> 00:49:03,280 GAY PEOPLE AND OTHER GAY PEOPLE 1473 00:49:03,280 --> 00:49:05,385 BEING HAPPY, THAT GAVE ME THE 1474 00:49:05,385 --> 00:49:06,453 COURAGE TO SAY, THIS IS WHO I 1475 00:49:06,453 --> 00:49:15,973 AM, THIS IS WHO I WANT TO BE. 1476 00:49:15,973 --> 00:49:21,785 IT WASN'T UNTIL I FOUND THAT 1477 00:49:21,785 --> 00:49:22,853 SELF‐LOVE THAT I ALLOWED MYSELF 1478 00:49:22,853 --> 00:49:23,387 TO FIND JOY. 1479 00:49:23,387 --> 00:49:24,423 AND THIS SHOW HAS MADE ME 1480 00:49:24,423 --> 00:49:25,024 BELIEVE IN MYSELF A LOT MORE. 1481 00:49:25,024 --> 00:49:25,659 AND WE'RE HOLDING NOTHING BACK, 1482 00:49:25,659 --> 00:49:26,561 AND WE'RE GETTING THAT SPOT IN 1483 00:49:26,561 --> 00:49:27,095 THE FINALE. 1484 00:49:27,095 --> 00:49:28,130 >> THAT'S RIGHT. 1485 00:49:28,130 --> 00:49:28,632 BECAUSE YOU KNOW WHY? 1486 00:49:28,632 --> 00:49:29,166 YOU DESERVE IT. 1487 00:49:29,166 --> 00:49:32,606 >> HEY! 1488 00:49:32,606 --> 00:49:34,944 WHAT I'VE LOVED ABOUT THIS 1489 00:49:34,944 --> 00:49:38,451 JOURNEY, I GET TO BE EXTRA. 1490 00:49:38,451 --> 00:49:39,319 I GET TO BE FLAMBOYANT, AND 1491 00:49:39,319 --> 00:49:40,622 CELEBRATED FOR IT. 1492 00:49:40,622 --> 00:49:41,256 AND I'M GOING TO BRING ALL THAT 1493 00:49:41,256 --> 00:49:42,192 AUTHENTICITY, STRENGTH, AND 1494 00:49:42,192 --> 00:49:42,827 POWER INTO THIS PERFORMANCE IN 1495 00:49:42,827 --> 00:49:43,795 THE BALLROOM. 1496 00:49:43,795 --> 00:49:44,864 [ CHEERS AND APPLAUSE ] 1497 00:49:44,864 --> 00:49:46,433 >> Announcer: DANCING THE 1498 00:49:46,433 --> 00:49:48,003 ARGENTINE TANGO WITH HIS PARTNER 1499 00:49:48,003 --> 00:49:52,011 CHERYL, IT'S CODY RIGSBY. 1500 00:49:52,713 --> 00:50:09,580 ♪ 1501 00:50:10,181 --> 00:50:27,917 ♪ 1502 00:50:32,225 --> 00:50:44,449 ♪ 1503 00:50:45,051 --> 00:50:57,375 ♪ 1504 00:50:58,477 --> 00:51:07,028 ♪ 1505 00:51:07,630 --> 00:51:16,179 ♪ 1506 00:51:16,748 --> 00:51:17,816 ♪ 1507 00:51:17,816 --> 00:51:20,454 [ CHEERS AND APPLAUSE ] 1508 00:51:20,454 --> 00:51:21,089 >> Tyra: WHOO, CHERYL'S FAVORITE 1509 00:51:21,089 --> 00:51:23,093 DANCE. 1510 00:51:23,093 --> 00:51:24,129 CODY AND CHERYL WITH THE 1511 00:51:24,129 --> 00:51:32,078 ARGENTINE TANGO. 1512 00:51:32,078 --> 00:51:33,682 DEREK? 1513 00:51:33,682 --> 00:51:35,786 >> CODY, FIRST OF ALL, THAT 1514 00:51:35,786 --> 00:51:36,319 OPENING IMAGE WAS, LIKE, 1515 00:51:36,319 --> 00:51:40,562 EVERYTHING. 1516 00:51:40,562 --> 00:51:41,664 I'M OBSESSED. 1517 00:51:41,664 --> 00:51:42,265 IT'S MY FAVORITE IMAGE OF THE 1518 00:51:42,265 --> 00:51:42,733 ENTIRE SEASON. 1519 00:51:42,733 --> 00:51:43,267 THAT OPENING. 1520 00:51:43,267 --> 00:51:44,335 SO GOOD. 1521 00:51:44,335 --> 00:51:45,371 CHERYL WAS WORKING OVERTIME ON 1522 00:51:45,371 --> 00:51:47,976 THAT ROUTINE. 1523 00:51:47,976 --> 00:51:49,580 AND LADIES DO A LOT MORE STEPS 1524 00:51:49,580 --> 00:51:50,147 IN DANCE AND IN LIFE, AM I 1525 00:51:50,147 --> 00:51:51,684 RIGHT? 1526 00:51:51,684 --> 00:51:54,322 >> THANK YOU VERY MUCH. 1527 00:51:54,322 --> 00:51:54,857 >> CODY, GREAT JOB. 1528 00:51:54,857 --> 00:51:56,961 GREAT JOB. 1529 00:51:56,961 --> 00:52:03,875 >> Tyra: BRUNO? 1530 00:52:03,875 --> 00:52:04,510 >> MY FRIENDS, IF YOU LIKE THE 1531 00:52:04,510 --> 00:52:05,144 ARGENTINE TANGO RED‐HOT, THEY'VE 1532 00:52:05,144 --> 00:52:05,444 GOT IT. 1533 00:52:05,444 --> 00:52:08,985 COME ON. 1534 00:52:08,985 --> 00:52:12,760 IT WAS THE MOODY LATIN LOVER, 1535 00:52:12,760 --> 00:52:13,695 CRISTIANO RONALDO STARE HE 1536 00:52:13,695 --> 00:52:18,036 WHOLE WAY. 1537 00:52:18,036 --> 00:52:18,403 WHO'S THIS MAN? 1538 00:52:18,403 --> 00:52:19,272 YOU REALLY WENT FOR IT. 1539 00:52:19,272 --> 00:52:19,874 IT'S DIFFICULT TO DO, AND YOU 1540 00:52:19,874 --> 00:52:20,407 HAD A WONDERFUL GO AT THIS. 1541 00:52:20,407 --> 00:52:20,842 WELL DONE. 1542 00:52:20,842 --> 00:52:24,015 >> Tyra: CARRIE ANN? 1543 00:52:24,015 --> 00:52:25,084 >> WHEN YOU START LIKE THAT, IN 1544 00:52:25,084 --> 00:52:26,119 THAT POSE, YOU HAD BETTER BRING 1545 00:52:26,119 --> 00:52:27,188 THE DRAMA. 1546 00:52:27,188 --> 00:52:31,496 AND YOU DID. 1547 00:52:31,496 --> 00:52:32,098 YOU BROUGHT THE DRAMA TO THE 1548 00:52:32,098 --> 00:52:32,599 DANCE. 1549 00:52:32,599 --> 00:52:33,133 SOMETHING HAPPENED IN THE 1550 00:52:33,133 --> 00:52:33,768 BEGINNING, I DON'T KNOW WHAT IT 1551 00:52:33,768 --> 00:52:34,703 WAS. 1552 00:52:34,703 --> 00:52:35,337 BUT YOU GUYS WERE LIKE, DO NOT 1553 00:52:35,337 --> 00:52:35,739 MESS UP. 1554 00:52:35,739 --> 00:52:38,443 WE'RE GOING TO STAY AND DO THIS. 1555 00:52:38,443 --> 00:52:39,479 I APPLAUD YOU, BECAUSE I'M NOT 1556 00:52:39,479 --> 00:52:40,014 SURE WHAT HAPPENED. 1557 00:52:40,014 --> 00:52:41,584 SO WELL DONE. 1558 00:52:41,584 --> 00:52:46,326 >> Tyra: LEN? 1559 00:52:46,326 --> 00:52:48,430 >> CODY, WHEN I THINK BACK, THE 1560 00:52:48,430 --> 00:52:49,499 FIRST FOUR WEEKS ON THIS SHOW, 1561 00:52:49,499 --> 00:52:52,673 YOU GOT A 6 FROM ME. 1562 00:52:52,673 --> 00:52:54,242 AND WHEN I WATCHED THIS, YOU 1563 00:52:54,242 --> 00:52:57,683 HAVE COME SO FAR. 1564 00:52:57,683 --> 00:52:58,450 BRILLIANT. 1565 00:52:58,450 --> 00:53:00,020 >> Tyra: CODY, YOU ARE GETTING 1566 00:53:00,020 --> 00:53:01,624 SUCH PRAISE FOR BEING YOURSELF. 1567 00:53:01,624 --> 00:53:03,193 THAT'S WHAT YOU WERE TALKING 1568 00:53:03,193 --> 00:53:04,797 ABOUT, TO BE TRUE YOU. 1569 00:53:04,797 --> 00:53:05,364 NOW YOU'RE SO CLOSE TO THE 1570 00:53:05,364 --> 00:53:09,573 FINALE. 1571 00:53:09,573 --> 00:53:10,675 BEING THE CODY THAT WE ALL LOVE. 1572 00:53:10,675 --> 00:53:11,276 TELL ME WHAT THAT IS FEELING 1573 00:53:11,276 --> 00:53:12,278 LIKE FOR YOU. 1574 00:53:12,278 --> 00:53:12,679 >> IT FEELS GOOD. 1575 00:53:12,679 --> 00:53:13,313 EVERY PLATFORM WE STAND IN, WE 1576 00:53:13,313 --> 00:53:17,789 WANT TO SPEAK OUR TRUTH. 1577 00:53:17,789 --> 00:53:18,892 AND LIVE OUR AUTHENTICITY. 1578 00:53:18,892 --> 00:53:19,526 SO PEOPLE AT HOME SEE THAT AND 1579 00:53:19,526 --> 00:53:20,094 ARE INSPIRED TO DO THE SAME. 1580 00:53:20,094 --> 00:53:20,629 >> Tyra: BEAUTIFUL WORDS. 1581 00:53:20,629 --> 00:53:22,031 LET'S GET YOUR SCORE. 1582 00:53:22,031 --> 00:53:23,635 >> Announcer: CARRIE ANN INABA. 1583 00:53:23,635 --> 00:53:25,739 >> 9. 1584 00:53:25,739 --> 00:53:26,273 >> Announcer: LEN GOODMAN. 1585 00:53:26,273 --> 00:53:28,878 >> 9. 1586 00:53:28,878 --> 00:53:29,914 >> Announcer: DEREK HOUGH. 1587 00:53:29,914 --> 00:53:32,051 >> 9. 1588 00:53:32,051 --> 00:53:33,120 >> Announcer: BRUNO TONIOLI. 1589 00:53:33,120 --> 00:53:37,328 >> 9. 1590 00:53:37,328 --> 00:53:38,363 >> Tyra: 36 OUT OF 40 FOR CODY 1591 00:53:38,363 --> 00:53:40,501 AND CHERYL. 1592 00:53:40,501 --> 00:53:43,675 THEIR TOTAL FOR THE NIGHT IS 71. 1593 00:53:43,675 --> 00:53:46,313 THE SECOND ROUND OF THE 1594 00:53:46,313 --> 00:53:47,916 SEMIFINALS CONTINUES WITH SUNI 1595 00:53:47,916 --> 00:53:52,859 AND SASHA, NEXT, LIVE. 1596 00:54:01,076 --> 00:54:01,777 [ CHEERS 1597 00:54:01,777 --> 00:54:02,278 [ CHEERS AND APPLAUSE ] 1598 00:54:02,278 --> 00:54:02,445 ♪ 1599 00:54:02,445 --> 00:54:03,046 >> Tyra: WELCOME BACK TO THE 1600 00:54:03,046 --> 00:54:03,413 SEMIFINALS. 1601 00:54:03,413 --> 00:54:04,048 NOW, YOU HAD BETTER BE SURE TO 1602 00:54:04,048 --> 00:54:06,052 CHECK OUT OUR PROS IN THE 1603 00:54:06,052 --> 00:54:06,687 ALL‐NEW LIVE TOUR THAT KICKS OFF 1604 00:54:06,687 --> 00:54:11,363 THIS JANUARY. 1605 00:54:11,363 --> 00:54:11,998 GO TO DWTSTOUR.COM FOR TICKETS 1606 00:54:11,998 --> 00:54:15,572 AND FULL DETAILS. 1607 00:54:15,572 --> 00:54:17,141 NOW, SASHA IS ONE OF THOSE PROS, 1608 00:54:17,141 --> 00:54:21,416 AND HE IS UP NEXT TO DANCE WITH 1609 00:54:21,416 --> 00:54:22,018 SUNI, WHO RECEIVED 37 FOR HER 1610 00:54:22,018 --> 00:54:23,521 REDEMPTION FOXTROT. 1611 00:54:23,521 --> 00:54:24,590 HERE'S HOW THEY TRAINED FOR A 1612 00:54:24,590 --> 00:54:26,159 CONTEMPORARY ROUTINE TO REFLECT 1613 00:54:26,159 --> 00:54:31,436 HER TRANSFORMATION. 1614 00:54:31,436 --> 00:54:32,071 >> FOR OUR SECOND DANCE, WE'RE 1615 00:54:32,071 --> 00:54:32,572 DANCING A CONTEMPORARY 1616 00:54:32,572 --> 00:54:36,179 TO "GRAVITY." 1617 00:54:36,179 --> 00:54:36,814 THIS IS A DANCE THAT TAKES YOU 1618 00:54:36,814 --> 00:54:38,818 TO THE FINALS. 1619 00:54:38,818 --> 00:54:39,385 THIS SONG INVOLVES A LOT OF 1620 00:54:39,385 --> 00:54:41,991 EMOTION. 1621 00:54:41,991 --> 00:54:44,630 I WANT TO SHOW A REAL SUNI. 1622 00:54:44,630 --> 00:54:46,199 THE SACRIFICES YOU WOULD HAVE 1623 00:54:46,199 --> 00:54:46,767 MADE TO BECOME WHO YOU HAVE 1624 00:54:46,767 --> 00:54:48,303 BECOME. 1625 00:54:48,303 --> 00:54:49,372 >> I NEVER WANTED TO BE FAMOUS 1626 00:54:49,372 --> 00:54:51,510 OR ANYTHING LIKE THAT. 1627 00:54:51,510 --> 00:54:52,044 MY LIFE LITERALLY CHANGED 1628 00:54:52,044 --> 00:54:55,217 OVERNIGHT AT THE OLYMPICS. 1629 00:54:55,217 --> 00:54:57,321 AND I STILL HAVE NOT FIGURED OUT 1630 00:54:57,321 --> 00:54:58,390 A WAY TO COPE WITH IT. 1631 00:54:58,390 --> 00:55:01,564 I CAN'T EVEN GO OUTSIDE WITHOUT 1632 00:55:01,564 --> 00:55:05,270 PEOPLE KNOWING MY NAME, OR ALL 1633 00:55:05,270 --> 00:55:05,872 THAT PRESSURE, AND IT'S BEEN 1634 00:55:05,872 --> 00:55:06,874 HARD FOR ME. 1635 00:55:06,874 --> 00:55:07,441 I FELT LIKE THE WEIGHT OF THE 1636 00:55:07,441 --> 00:55:08,945 WORLD WAS ON ME. 1637 00:55:08,945 --> 00:55:09,513 I PUT A LOT OF PRESSURE ON 1638 00:55:09,513 --> 00:55:12,084 MYSELF. 1639 00:55:12,084 --> 00:55:13,120 BUT LAST WEEK WAS A HUGE MOMENT 1640 00:55:13,120 --> 00:55:14,188 FOR ME. 1641 00:55:14,188 --> 00:55:15,792 AND I FEEL LIKE I JUST GAINED A 1642 00:55:15,792 --> 00:55:16,694 LOT OF SELF‐CONFIDENCE IN 1643 00:55:16,694 --> 00:55:16,927 MYSELF. 1644 00:55:16,927 --> 00:55:19,499 COMING ON "DANCING WITH THE 1645 00:55:19,499 --> 00:55:21,604 STARS" HAS REALLY HELPED ME JUST 1646 00:55:21,604 --> 00:55:22,171 TO LEARN TO LOVE MYSELF, I 1647 00:55:22,171 --> 00:55:22,739 GUESS, THROUGHOUT THE WHOLE 1648 00:55:22,739 --> 00:55:23,173 PROCESS. 1649 00:55:23,173 --> 00:55:24,275 >> I LOVE THAT. 1650 00:55:24,275 --> 00:55:27,448 >> AND HAVING THAT BREAKTHROUGH 1651 00:55:27,448 --> 00:55:32,726 LAST WEEK MADE ME EXCITED AND 1652 00:55:32,726 --> 00:55:33,794 MOTIVATED TO MAKE IT TO THE 1653 00:55:33,794 --> 00:55:34,028 FINALE. 1654 00:55:34,028 --> 00:55:34,563 >> LET'S MAKE THIS FINALE! 1655 00:55:34,563 --> 00:55:37,067 WHOO! 1656 00:55:37,067 --> 00:55:38,938 >> I HONESTLY DIDN'T THINK I 1657 00:55:38,938 --> 00:55:41,510 WOULD MAKE IT THIS FAR. 1658 00:55:41,510 --> 00:55:43,648 I DOUBTED MYSELF THE WHOLE WAY, 1659 00:55:43,648 --> 00:55:44,282 BUT LAST WEEK WAS A BREAKTHROUGH 1660 00:55:44,282 --> 00:55:45,217 MOMENT FOR ME, AND THIS WEEK I'M 1661 00:55:45,217 --> 00:55:46,286 GOING TO PUSH MYSELF EVEN 1662 00:55:46,286 --> 00:55:46,520 HARDER. 1663 00:55:46,520 --> 00:55:48,925 [ CHEERS AND APPLAUSE ] 1664 00:55:48,925 --> 00:55:50,494 >> Announcer: DANCING 1665 00:55:50,494 --> 00:55:51,564 CONTEMPORARY WITH HER PARTNER 1666 00:55:51,564 --> 00:56:02,384 SASHA, IT'S SUNI LEE. 1667 00:56:03,019 --> 00:56:08,831 ♪ 1668 00:56:08,831 --> 00:56:10,400 ♪ SOMETHING ALWAYS BRINGS ME 1669 00:56:10,400 --> 00:56:17,214 BACK TO YOU ♪ 1670 00:56:17,214 --> 00:56:24,763 ♪ IT NEVER TAKES TOO LONG NO 1671 00:56:24,763 --> 00:56:26,199 MATTER WHAT I SAY OR DO ♪ 1672 00:56:26,199 --> 00:56:27,769 ♪ I'LL STILL FEEL YOU HERE TILL 1673 00:56:27,769 --> 00:56:35,183 THE MOMENT I'M GONE ♪ 1674 00:56:35,183 --> 00:56:37,822 ♪ SET ME FREE LEAVE ME BE 1675 00:56:37,822 --> 00:56:40,460 ♪ I DON'T WANNA FALL ANOTHER 1676 00:56:40,460 --> 00:56:46,239 MOMENT INTO YOUR GRAVITY ♪ 1677 00:56:46,239 --> 00:56:47,809 ♪ HERE I AM AND I STAND SO 1678 00:56:47,809 --> 00:56:51,517 TALL ♪ 1679 00:56:51,517 --> 00:56:52,151 ♪ JUST THE WAY I'M SUPPOSED TO 1680 00:56:52,151 --> 00:56:56,794 BE ♪ 1681 00:56:56,794 --> 00:57:00,802 ♪ BUT YOU'RE ON TO ME AND ALL 1682 00:57:00,802 --> 00:57:04,743 OVER ME ♪ 1683 00:57:04,743 --> 00:57:07,381 ♪ I LIVE HERE ON MY KNEES AS I 1684 00:57:07,381 --> 00:57:09,485 TRY TO MAKE YOU SEE THAT ♪ 1685 00:57:09,485 --> 00:57:12,859 ♪ THE ONE THING THAT I STILL 1686 00:57:12,859 --> 00:57:13,493 KNOW IS THAT YOU'RE KEEPING ME 1687 00:57:13,493 --> 00:57:16,366 DOWN ♪ 1688 00:57:16,366 --> 00:57:18,470 ♪ 1689 00:57:18,470 --> 00:57:21,075 [ CHEERS AND APPLAUSE ] 1690 00:57:21,075 --> 00:57:24,783 >> Tyra: MY GOODNESS. 1691 00:57:24,783 --> 00:57:25,384 WHO IS THIS NEW WOMAN IN THIS 1692 00:57:25,384 --> 00:57:27,922 BALLROOM? 1693 00:57:27,922 --> 00:57:28,456 SUNI AND SASHA, DANCING A 1694 00:57:28,456 --> 00:57:30,628 CONTEMPORARY. 1695 00:57:30,628 --> 00:57:36,406 VERY EMOTIONAL CONTEMPORARY. 1696 00:57:36,406 --> 00:57:36,607 BRUNO? 1697 00:57:36,607 --> 00:57:39,078 >> OH, LISTEN, LET ME SAY FIRST, 1698 00:57:39,078 --> 00:57:39,679 GRAVITY DOESN'T APPLY TO THIS 1699 00:57:39,679 --> 00:57:40,648 GIRL. 1700 00:57:40,648 --> 00:57:42,251 YOUR LIFTS, YOUR JUMPS, 1701 00:57:42,251 --> 00:57:43,854 ABSOLUTELY WEIGHTLESS. 1702 00:57:43,854 --> 00:57:44,455 YOU COULD HAVE DONE IT ALL ON 1703 00:57:44,455 --> 00:57:46,492 YOUR OWN. 1704 00:57:46,492 --> 00:57:48,062 BUT MY DARLING, IT'S SO GOOD TO 1705 00:57:48,062 --> 00:57:49,131 SEE YOU ACTUALLY BEING ABLE TO 1706 00:57:49,131 --> 00:57:50,701 EXPRESS YOURSELF. 1707 00:57:50,701 --> 00:57:52,906 BELIEVE IN YOURSELF. 1708 00:57:52,906 --> 00:57:53,406 YOU'RE A BEAUTIFUL GIRL. 1709 00:57:53,406 --> 00:57:54,910 THE WORLD IS IN YOUR HANDS. 1710 00:57:54,910 --> 00:57:56,479 YOU CAN DO WHATEVER YOU WANT 1711 00:57:56,479 --> 00:57:57,549 WITH IT. 1712 00:57:57,549 --> 00:58:00,187 >> Tyra: CARRIE ANN? 1713 00:58:00,187 --> 00:58:01,757 >> YOU KNOW, FOR ME, NOBODY EVER 1714 00:58:01,757 --> 00:58:03,861 GETS A 10 FROM ME UNLESS THERE'S 1715 00:58:03,861 --> 00:58:04,930 SOMETHING MAGNIFICENT OR MAGICAL 1716 00:58:04,930 --> 00:58:07,034 HAPPENING OUT THERE. 1717 00:58:07,034 --> 00:58:08,604 WHAT I'M SEEING IN THE FIRST 1718 00:58:08,604 --> 00:58:10,207 DANCE, YOU PRESENTED OUTWARD. 1719 00:58:10,207 --> 00:58:12,344 IN THIS ONE, YOU BROUGHT US IN, 1720 00:58:12,344 --> 00:58:13,413 WHICH SHOWS THE VERSATILITY OF 1721 00:58:13,413 --> 00:58:14,983 THE PERFORMER YOU'VE BECOME. 1722 00:58:14,983 --> 00:58:16,587 I'M SO PROUD OF YOU. 1723 00:58:16,587 --> 00:58:18,691 I FEEL LIKE YOUR MOM. 1724 00:58:18,691 --> 00:58:19,759 >> Tyra: I THINK CARRIE ANN IS 1725 00:58:19,759 --> 00:58:21,329 HINTING AT YOUR SCORES. 1726 00:58:21,329 --> 00:58:22,397 LEN? 1727 00:58:22,397 --> 00:58:25,036 >> IT WAS DRAMATIC, PASSIONATE, 1728 00:58:25,036 --> 00:58:27,642 YOU DANCED IT WITH FEELING. 1729 00:58:27,642 --> 00:58:33,453 I LOVED THE LIFTS. 1730 00:58:33,453 --> 00:58:35,056 IT GOT A BIT SAMEY, RUN AWAY, 1731 00:58:35,056 --> 00:58:37,160 SASHA WOULD COME AFTER YOU, RUN 1732 00:58:37,160 --> 00:58:38,731 AWAY. 1733 00:58:38,731 --> 00:58:39,298 >> Tyra: ISN'T THAT LIKE A 1734 00:58:39,298 --> 00:58:44,576 RELATIONSHIP? 1735 00:58:44,576 --> 00:58:45,645 >> HOWEVER, YOU ARE A LOVELY, 1736 00:58:45,645 --> 00:58:47,247 LOVELY DANCER. 1737 00:58:47,247 --> 00:58:49,351 >> Tyra: DEREK? 1738 00:58:49,351 --> 00:58:51,455 >> SUNI, WHAT I LOVE IS THAT 1739 00:58:51,455 --> 00:58:53,594 YOU'VE HAD A REALIZATION. 1740 00:58:53,594 --> 00:58:55,765 AN INWARD REALIZATION. 1741 00:58:55,765 --> 00:58:57,367 WHEN YOU DISCOVER THAT INWARD 1742 00:58:57,367 --> 00:58:59,940 REALIZATION, YOU STOPPED SEEKING 1743 00:58:59,940 --> 00:59:00,440 THAT OUTWARD VALIDATION. 1744 00:59:00,440 --> 00:59:01,042 AND YOU'RE JUST ENJOYING IT OUT 1745 00:59:01,042 --> 00:59:01,475 THERE. 1746 00:59:01,475 --> 00:59:02,512 AND IT'S BEAUTIFUL TO WITNESS. 1747 00:59:02,512 --> 00:59:03,046 WELL DONE. 1748 00:59:03,046 --> 00:59:07,120 SO PROUD OF YOU. 1749 00:59:07,120 --> 00:59:08,222 AMAZING. 1750 00:59:08,222 --> 00:59:08,924 >> Tyra: I LOVE YOU SHARING YOUR 1751 00:59:08,924 --> 00:59:11,395 STORY. 1752 00:59:11,395 --> 00:59:12,966 YOU HAD OVERNIGHT FAME, GOING 1753 00:59:12,966 --> 00:59:14,569 FROM A GYMNASTICS PERSON TO A 1754 00:59:14,569 --> 00:59:19,879 GOLD MEDALIST THAT PEOPLE 1755 00:59:19,879 --> 00:59:23,721 RECOGNIZE EVERYWHERE, OVERNIGHT. 1756 00:59:23,721 --> 00:59:26,425 >> IT WAS HARD. 1757 00:59:26,425 --> 00:59:27,060 I FELT LIKE THERE WAS NOBODY I 1758 00:59:27,060 --> 00:59:27,461 COULD TALK TO. 1759 00:59:27,461 --> 00:59:28,096 I DON'T KNOW, IT WAS JUST SCARY. 1760 00:59:28,096 --> 00:59:28,731 >> Tyra: IT'S LONELY AT THE TOP, 1761 00:59:28,731 --> 00:59:29,064 RIGHT? 1762 00:59:29,064 --> 00:59:30,133 >> YES. 1763 00:59:30,133 --> 00:59:34,341 >> Tyra: YEAH, LONELY. 1764 00:59:34,341 --> 00:59:34,876 AND I GOT THE WHOLE STORY, 1765 00:59:34,876 --> 00:59:35,343 BREAKUP, COME BACK. 1766 00:59:35,343 --> 00:59:37,548 BREAKUP, COME BACK. 1767 00:59:37,548 --> 00:59:38,651 I UNDERSTOOD THAT STORY. 1768 00:59:38,651 --> 00:59:39,184 OKAY. 1769 00:59:39,184 --> 00:59:40,755 LET'S GET THE SCORES. 1770 00:59:40,755 --> 00:59:41,389 >> Announcer: CARRIE ANN INABA. 1771 00:59:41,389 --> 00:59:43,426 >> 10! 1772 00:59:43,426 --> 00:59:44,128 >> Announcer: LEN GOODMAN. 1773 00:59:44,128 --> 00:59:46,032 >> 9. 1774 00:59:46,032 --> 00:59:48,971 >> Announcer: DEREK HOUGH. 1775 00:59:48,971 --> 00:59:50,273 >> 10! 1776 00:59:50,273 --> 00:59:50,875 >> Announcer: BRUNO TONIOLI. 1777 00:59:50,875 --> 00:59:54,549 >> 9. 1778 00:59:54,549 --> 00:59:56,185 >> Tyra: 38 OUT OF 40 FOR SUNI 1779 00:59:56,185 --> 00:59:56,653 AND SASHA. 1780 00:59:56,653 --> 01:00:00,861 THEIR TOTAL FOR THE NIGHT IS 75. 1781 01:00:00,861 --> 01:00:02,999 NEXT UP IN THE SECOND ROUND, WE 1782 01:00:02,999 --> 01:00:04,034 HAVE GOT JOJO, WE HAVE GOT 1783 01:00:04,034 --> 01:00:08,476 JENNA, AFTER THIS, LIVE. 1784 01:00:15,123 --> 01:00:17,227 [ CHEERS AND APPLAUSE ] 1785 01:00:17,227 --> 01:00:17,628 ♪ 1786 01:00:17,628 --> 01:00:18,129 [ CHEERS AND APPLAUSE ] 1787 01:00:18,129 --> 01:00:18,396 ♪ 1788 01:00:18,396 --> 01:00:18,997 >> Tyra: WE'RE BACK WITH THE 1789 01:00:18,997 --> 01:00:20,534 SEMIFINALS. 1790 01:00:20,534 --> 01:00:22,070 AND WE WANT TO GIVE A BIG SHOUT 1791 01:00:22,070 --> 01:00:23,674 OUT TO THE AMAZING ARTISTS WHO 1792 01:00:23,674 --> 01:00:25,845 HAVE KEPT OUR STARS MOVING AND 1793 01:00:25,845 --> 01:00:26,880 GROOVING ALL SEASON LONG, 1794 01:00:26,880 --> 01:00:29,519 RAY CHEW LIVE. 1795 01:00:29,519 --> 01:00:31,623 >> ONE MORE WEEK TO GO, TYRA. 1796 01:00:31,623 --> 01:00:32,525 >> Tyra: I KNOW. 1797 01:00:32,525 --> 01:00:33,761 WE'RE SO SAD, RAY. 1798 01:00:33,761 --> 01:00:35,698 THE SEASON HAS GONE BY AND WE'RE 1799 01:00:35,698 --> 01:00:36,365 NOT READY FOR IT TO END. 1800 01:00:36,365 --> 01:00:38,503 BUT IT'S GOING TO END. 1801 01:00:38,503 --> 01:00:39,539 AND THE SEMIFINALISTS HAVE NEVER 1802 01:00:39,539 --> 01:00:41,643 BEEN SO CLOSE. 1803 01:00:41,643 --> 01:00:42,712 AND LIKE IT OR NOT, TWO COUPLES 1804 01:00:42,712 --> 01:00:47,655 WILL BE ELIMINATED TONIGHT. 1805 01:00:47,655 --> 01:00:47,922 OH, LORD. 1806 01:00:47,922 --> 01:00:48,557 WE'RE GOING TO KEEP THE SECOND 1807 01:00:48,557 --> 01:00:49,959 ROUND GOING WITH THE COUPLE WHO 1808 01:00:49,959 --> 01:00:51,530 EARNED A PERFECT 40 FOR THEIR 1809 01:00:51,530 --> 01:00:52,063 ARGENTINE TANGO IN THE 1810 01:00:52,063 --> 01:00:55,771 REDEMPTION ROUND. 1811 01:00:55,771 --> 01:00:56,405 HERE ARE JOJO AND JENNA TRAINING 1812 01:00:56,405 --> 01:00:57,909 FOR A DANCE THAT HAS A VERY 1813 01:00:57,909 --> 01:01:00,548 SPECIAL DEDICATION. 1814 01:01:00,548 --> 01:01:04,556 ♪ 1815 01:01:04,556 --> 01:01:06,358 >> WE'RE DOING A CONTEMPORARY 1816 01:01:06,358 --> 01:01:11,736 TO "BEFORE YOU GO." 1817 01:01:11,736 --> 01:01:15,076 THIS SONG IS SO EMOTIONAL. 1818 01:01:15,076 --> 01:01:15,978 >> "BEFORE YOU GO" HAS A SPECIAL 1819 01:01:15,978 --> 01:01:17,314 MEANING TO ME. 1820 01:01:17,314 --> 01:01:17,849 JUST A FEW MONTHS AGO, MY 1821 01:01:17,849 --> 01:01:20,486 GRANDPA PASSED AWAY. 1822 01:01:20,486 --> 01:01:24,161 HE WAS ONE OF MY BEST FRIENDS. 1823 01:01:24,161 --> 01:01:27,334 WHAT I WOULD GIVE FOR MY GRANDPA 1824 01:01:27,334 --> 01:01:28,369 TO BE HERE IN PERSON, WATCHING 1825 01:01:28,369 --> 01:01:30,507 ME ON "DANCING WITH THE STARS." 1826 01:01:30,507 --> 01:01:33,179 I WOULD GIVE ABSOLUTELY 1827 01:01:33,179 --> 01:01:41,630 EVERYTHING AND ANYTHING. 1828 01:01:41,630 --> 01:01:42,230 I WANT MY GRANDMA TO COME TO 1829 01:01:42,230 --> 01:01:42,865 REHEARSALS, TO BE A PART OF THIS 1830 01:01:42,865 --> 01:01:44,268 WEEK. 1831 01:01:44,268 --> 01:01:44,836 BECAUSE THIS WEEK IS ABOUT 1832 01:01:44,836 --> 01:01:45,336 HONORING BOTH OF THEM. 1833 01:01:45,336 --> 01:01:46,372 >> YEAH. 1834 01:01:46,372 --> 01:01:46,873 ♪ 1835 01:01:46,873 --> 01:01:47,909 >> OH, BOY! 1836 01:01:47,909 --> 01:01:50,547 GRANDMA JOANIE. 1837 01:01:50,547 --> 01:01:54,789 >> I'M SO EXCITED TO HAVE 1838 01:01:54,789 --> 01:01:55,356 GRANDMA JOANIE COME IN TO A 1839 01:01:55,356 --> 01:01:55,824 REHEARSAL. 1840 01:01:55,824 --> 01:01:56,392 I HOPE SHE'S TOUCHED BY IT. 1841 01:01:56,392 --> 01:01:59,532 >> I'M SO HAPPY TO BE HERE. 1842 01:01:59,532 --> 01:02:00,166 >> THIS IS OUR LAST DANCE BEFORE 1843 01:02:00,166 --> 01:02:01,636 THE FINALE. 1844 01:02:01,636 --> 01:02:02,237 WE JUST WANTED TO DO GRANDPA 1845 01:02:02,237 --> 01:02:03,205 PROUD. 1846 01:02:03,205 --> 01:02:04,274 >> THIS IS SO IMPORTANT. 1847 01:02:04,274 --> 01:02:05,376 IT'S GOING TO BE SO GREAT. 1848 01:02:05,376 --> 01:02:07,480 >> DO YOU WANT TO SEE OUR DANCE? 1849 01:02:07,480 --> 01:02:12,223 ♪ 1850 01:02:12,223 --> 01:02:13,292 GOING INTO THE SEMIFINALS WITH 1851 01:02:13,292 --> 01:02:14,328 THIS ROUTINE, IF WE NAIL IT, WE 1852 01:02:14,328 --> 01:02:14,929 HAVE A CHANCE AT GETTING INTO 1853 01:02:14,929 --> 01:02:16,967 THE FINALE. 1854 01:02:16,967 --> 01:02:19,639 AND THAT WOULD BE AMAZING. 1855 01:02:19,639 --> 01:02:21,710 AND GRANDPA, IF YOU CAN HEAR 1856 01:02:21,710 --> 01:02:23,279 THIS RIGHT NOW, I JUST WANT YOU 1857 01:02:23,279 --> 01:02:24,348 TO KNOW THAT I LOVE YOU AND I 1858 01:02:24,348 --> 01:02:25,383 WANT YOU TO KNOW THAT I MISS 1859 01:02:25,383 --> 01:02:29,091 YOU, A LOT. 1860 01:02:29,091 --> 01:02:31,195 >> SO BEAUTIFUL. 1861 01:02:31,195 --> 01:02:32,765 >> JUST MAKES US SO PROUD. 1862 01:02:32,765 --> 01:02:36,472 [ CHEERS AND APPLAUSE ] 1863 01:02:36,472 --> 01:02:38,075 >> Announcer: DANCING 1864 01:02:38,075 --> 01:02:39,645 CONTEMPORARY WITH HER PARTNER 1865 01:02:39,645 --> 01:02:44,655 JENNA, IT'S JOJO SIWA. 1866 01:02:44,655 --> 01:02:49,665 ♪ 1867 01:02:49,665 --> 01:02:50,266 ♪ I FELL BY THE WAYSIDE LIKE 1868 01:02:50,266 --> 01:02:52,838 EVERYONE ELSE ♪ 1869 01:02:52,838 --> 01:02:53,472 ♪ I HATE YOU I HATE YOU I HATE 1870 01:02:53,472 --> 01:02:53,907 YOU ♪ 1871 01:02:53,907 --> 01:02:54,909 ♪ BUT I WAS JUST KIDDING 1872 01:02:54,909 --> 01:02:57,548 MYSELF ♪ 1873 01:02:57,548 --> 01:02:58,617 ♪ OUR EVERY MOMENT I START TO 1874 01:02:58,617 --> 01:03:00,621 REPLACE ♪ 1875 01:03:00,621 --> 01:03:01,790 ♪ 'CAUSE NOW THAT THEY'RE GONE 1876 01:03:01,790 --> 01:03:02,457 ♪ ALL I HEAR WERE THE WORDS THAT 1877 01:03:02,457 --> 01:03:04,962 I NEEDED TO SAY ♪ 1878 01:03:04,962 --> 01:03:08,102 ♪ WHEN YOU HURT UNDER THE 1879 01:03:08,102 --> 01:03:08,369 SURFACE ♪ 1880 01:03:08,369 --> 01:03:11,843 ♪ LIKE TROUBLED WATER RUNNING 1881 01:03:11,843 --> 01:03:16,051 COLD ♪ 1882 01:03:16,051 --> 01:03:16,686 ♪ WELL, TIME CAN HEAL BUT THIS 1883 01:03:16,686 --> 01:03:27,675 WON'T ♪ 1884 01:03:27,675 --> 01:03:29,244 ♪ SO BEFORE YOU GO WAS THERE 1885 01:03:29,244 --> 01:03:30,814 SOMETHING ♪ 1886 01:03:30,814 --> 01:03:31,883 ♪ I COULD'VE SAID TO MAKE IT ALL 1887 01:03:31,883 --> 01:03:35,824 STOP HURTING ♪ 1888 01:03:35,824 --> 01:03:36,425 ♪ IT KILLS ME HOW YOUR MIND 1889 01:03:36,425 --> 01:03:36,926 COULD MAKE YOU FEEL SO 1890 01:03:36,926 --> 01:03:41,368 WORTHLESS ♪ 1891 01:03:41,368 --> 01:03:46,178 ♪ SO BEFORE YOU GO WAS THERE 1892 01:03:46,178 --> 01:03:48,282 SOMETHING ♪ 1893 01:03:48,282 --> 01:03:52,490 ♪ I COULD'VE SAID TO MAKE YOUR 1894 01:03:52,490 --> 01:03:52,925 HEART BEAT BETTER ♪ 1895 01:03:52,925 --> 01:03:56,198 ♪ IF ONLY I'D HAVE KNOWN YOU HAD 1896 01:03:56,198 --> 01:03:58,837 A STORM TO WEATHER 1897 01:03:58,837 --> 01:04:00,941 SO BEFORE YOU GO ♪ 1898 01:04:00,941 --> 01:04:04,080 ♪ 1899 01:04:04,080 --> 01:04:09,892 [ CHEERS AND APPLAUSE ] 1900 01:04:09,892 --> 01:04:12,030 >> Tyra: BEAUTIFUL, JOJO AND 1901 01:04:12,030 --> 01:04:13,600 JENNA WITH A CONTEMPORARY 1902 01:04:13,600 --> 01:04:16,271 DEDICATED TO JOJO'S BEAUTIFUL 1903 01:04:16,271 --> 01:04:21,048 GRANDDADDY AND GRANDMAMA. 1904 01:04:21,048 --> 01:04:24,221 CARRIE ANN? 1905 01:04:24,221 --> 01:04:25,256 >> OH, ME START? 1906 01:04:25,256 --> 01:04:28,763 OH, OKAY. 1907 01:04:28,763 --> 01:04:32,771 JOJO, HOLD ON. 1908 01:04:32,771 --> 01:04:33,707 GRANDMA, WHAT DID YOU THINK? 1909 01:04:33,707 --> 01:04:34,775 SHE'S SAYING LIKE THIS. 1910 01:04:34,775 --> 01:04:35,911 I THINK I'M WITH GRANDMA JOANIE. 1911 01:04:35,911 --> 01:04:42,056 THAT WAS AMAZING. 1912 01:04:42,056 --> 01:04:44,729 A DEMONSTRATION OF ALL THAT YOU 1913 01:04:44,729 --> 01:04:46,365 ARE. 1914 01:04:46,365 --> 01:04:47,000 YOU'RE SO POWERFUL, EVERYTHING 1915 01:04:47,000 --> 01:04:47,568 WAS IN PERFECTION, IN SYNC. 1916 01:04:47,568 --> 01:04:47,968 SO MUCH EMOTION. 1917 01:04:47,968 --> 01:04:48,570 >> Tyra: IT WAS BEAUTIFUL, I 1918 01:04:48,570 --> 01:04:49,037 AGREE. 1919 01:04:49,037 --> 01:04:52,210 LEN? 1920 01:04:52,210 --> 01:04:53,279 >> WELL, YOU MIXED ARTISTRY WITH 1921 01:04:53,279 --> 01:04:55,383 ATHLETICISM. 1922 01:04:55,383 --> 01:04:58,523 AND WHEN I LOOK AT YOU, YOU'RE 1923 01:04:58,523 --> 01:05:00,159 18 YEARS OLD. 1924 01:05:00,159 --> 01:05:02,263 I'VE GOT UNDERPANTS OLDER THAN 1925 01:05:02,263 --> 01:05:02,898 YOU, AND YET YOU DANCE WITH SUCH 1926 01:05:02,898 --> 01:05:05,436 MATURITY. 1927 01:05:05,436 --> 01:05:07,006 IT'S REALLY FANTASTIC. 1928 01:05:07,006 --> 01:05:09,612 >> Tyra: DEREK? 1929 01:05:09,612 --> 01:05:10,212 >> FIRST OF ALL, I'M IN LOVE 1930 01:05:10,212 --> 01:05:11,716 WITH YOUR GRANDMA. 1931 01:05:11,716 --> 01:05:13,319 I LOVE YOU SO MUCH, GRANDMA. 1932 01:05:13,319 --> 01:05:14,387 >> SHE'S THE BEST. 1933 01:05:14,387 --> 01:05:15,456 >> I LOVE YOU. 1934 01:05:15,456 --> 01:05:19,665 >> SHE REALLY IS THE BEST. 1935 01:05:19,665 --> 01:05:20,299 >> LISTEN, I'LL MAKE IT SIMPLE. 1936 01:05:20,299 --> 01:05:20,934 THAT WAS THE BEST CONTEMPORARY 1937 01:05:20,934 --> 01:05:21,536 DANCE WE'VE EVER SEEN ON THE 1938 01:05:21,536 --> 01:05:23,873 SHOW, EVER. 1939 01:05:23,873 --> 01:05:29,518 LIKE, EVER. 1940 01:05:29,518 --> 01:05:31,121 >> Tyra: WOW, THAT'S BIG, DEREK. 1941 01:05:31,121 --> 01:05:32,558 WOW, JENNA. 1942 01:05:32,558 --> 01:05:33,058 BRUNO? 1943 01:05:33,058 --> 01:05:34,127 >> MY DARLING, THAT WAS 1944 01:05:34,127 --> 01:05:36,833 EXQUISITE. 1945 01:05:36,833 --> 01:05:37,835 PERFECTION. 1946 01:05:37,835 --> 01:05:39,437 BUT THERE WERE MOMENTS, YOU 1947 01:05:39,437 --> 01:05:41,007 REALLY SENT ME TO DANCE HEAVEN. 1948 01:05:41,007 --> 01:05:41,642 YOU LOOKED LIKE TWO ANGELS OUT 1949 01:05:41,642 --> 01:05:44,815 THERE. 1950 01:05:44,815 --> 01:05:46,284 IT WAS LIKE WATCHING TWO HEARTS 1951 01:05:46,284 --> 01:05:47,320 AND SOULS TOTALLY UNITED. 1952 01:05:47,320 --> 01:05:49,959 IT WAS STUNNING. 1953 01:05:49,959 --> 01:05:52,631 >> THANK YOU. 1954 01:05:52,631 --> 01:05:53,700 >> Tyra: JOJO AND JENNA, THAT 1955 01:05:53,700 --> 01:05:55,269 WAS BEAUTIFUL. 1956 01:05:55,269 --> 01:05:55,904 I'M SITTING ON THE SIDE, HOLDING 1957 01:05:55,904 --> 01:05:56,873 BACK TEARS. 1958 01:05:56,873 --> 01:05:58,475 AND EVERYBODY AT HOME IS HOLDING 1959 01:05:58,475 --> 01:05:59,545 BACK TEARS. 1960 01:05:59,545 --> 01:06:00,614 GRANDMA IS HERE. 1961 01:06:00,614 --> 01:06:02,183 SHE IS CRYING. 1962 01:06:02,183 --> 01:06:02,818 I KNOW YOU'RE SO PROUD OF YOUR 1963 01:06:02,818 --> 01:06:04,855 BABY. 1964 01:06:04,855 --> 01:06:05,423 ALL RIGHTY, LET'S GET THESE 1965 01:06:05,423 --> 01:06:06,425 SCORES. 1966 01:06:06,425 --> 01:06:08,563 >> I LOVE YOU, GRANDMA. 1967 01:06:08,563 --> 01:06:10,667 >> Announcer: CARRIE ANN INABA. 1968 01:06:10,667 --> 01:06:12,771 >> 10! 1969 01:06:12,771 --> 01:06:14,374 >> Announcer: LEN GOODMAN. 1970 01:06:14,374 --> 01:06:16,979 >> FROM LEN, THE 10. 1971 01:06:16,979 --> 01:06:18,015 >> Announcer: DEREK HOUGH. 1972 01:06:18,015 --> 01:06:21,756 >> 11! 1973 01:06:21,756 --> 01:06:22,323 >> Announcer: BRUNO TONIOLI. 1974 01:06:22,323 --> 01:06:25,964 >> 10! 1975 01:06:25,964 --> 01:06:26,599 >> Tyra: JOJO'S GOT TWO PERFECT 1976 01:06:26,599 --> 01:06:29,638 SCORES. 1977 01:06:29,638 --> 01:06:32,845 40 OUT OF 40, SO THAT PERFECT 1978 01:06:32,845 --> 01:06:33,479 PLUS PERFECT EQUALS A TOTAL FOR 1979 01:06:33,479 --> 01:06:34,447 80 FOR THE NIGHT. 1980 01:06:34,447 --> 01:06:35,517 GRANDPA IS LOOKING DOWN AND 1981 01:06:35,517 --> 01:06:38,690 SMILING AT HIS BABY GIRL. 1982 01:06:38,690 --> 01:06:40,259 UP NEXT, TO TAKE THEIR LAST SHOT 1983 01:06:40,259 --> 01:06:42,363 AT GETTING INTO THE FINALE, IMAN 1984 01:06:42,363 --> 01:06:44,501 AND DANIELLA. 1985 01:06:44,501 --> 01:06:45,837 SEE THEM LIVE, AFTER THIS. 1986 01:06:51,849 --> 01:06:52,350 [ CHEERS AND APPLAUSE ] 1987 01:06:52,350 --> 01:06:52,618 ♪ 1988 01:06:52,618 --> 01:06:53,653 [ CHEERS AND APPLAUSE ] 1989 01:06:53,653 --> 01:06:54,722 ♪ 1990 01:06:54,722 --> 01:06:55,322 >> Tyra: WELCOME BACK TO THE 1991 01:06:55,322 --> 01:06:55,757 SEMIFINALS. 1992 01:06:55,757 --> 01:06:56,859 NOW, IN TONIGHT'S FIRST ROUND, 1993 01:06:56,859 --> 01:06:57,895 OUR NEXT COUPLE EARNED 37 FROM 1994 01:06:57,895 --> 01:06:58,796 THE JUDGES FOR THEIR REDEMPTION 1995 01:06:58,796 --> 01:07:02,604 TANGO. 1996 01:07:02,604 --> 01:07:03,138 WE'RE GONNA SEE IMAN AND 1997 01:07:03,138 --> 01:07:03,773 DANIELLA TRAINING FOR THEIR LAST 1998 01:07:03,773 --> 01:07:04,808 DANCE TO GET INTO NEXT WEEK'S 1999 01:07:04,808 --> 01:07:11,121 FINALE. 2000 01:07:11,121 --> 01:07:12,691 >> THIS IS OUR LAST DANCE BEFORE 2001 01:07:12,691 --> 01:07:17,968 THE FINALE. 2002 01:07:17,968 --> 01:07:23,211 WE'RE DOING A JAZZ TO "DARK 2003 01:07:23,211 --> 01:07:23,846 FANTASY" BY KANYE AND YOUR WIFE. 2004 01:07:23,846 --> 01:07:30,594 >> A LOT OF PEOPLE DON'T KNOW 2005 01:07:30,594 --> 01:07:31,227 THIS, BUT MY WIFE DID VOCALS ON 2006 01:07:31,227 --> 01:07:34,568 THAT SONG. 2007 01:07:34,568 --> 01:07:35,804 THAT'S THE SONG THAT GOT HER 2008 01:07:35,804 --> 01:07:37,073 SIGNED TO GOOD MUSIC. 2009 01:07:37,073 --> 01:07:37,708 >> WHAT IS IT LIKE GETTING INTO 2010 01:07:37,708 --> 01:07:40,814 THE SEMIFINALS? 2011 01:07:40,814 --> 01:07:41,882 >> IT'S EXCITING, BUT THREE 2012 01:07:41,882 --> 01:07:43,452 YEARS STRAIGHT IN BASKETBALL WE 2013 01:07:43,452 --> 01:07:43,987 WENT TO THE CHAMPIONSHIP. 2014 01:07:43,987 --> 01:07:44,622 IT'S STARTING TO FEEL LIKE THAT 2015 01:07:44,622 --> 01:07:48,228 HERE. 2016 01:07:48,228 --> 01:07:48,830 I LIKE THE PRESSURE SITUATION 2017 01:07:48,830 --> 01:07:49,030 NOW. 2018 01:07:49,030 --> 01:07:49,798 >> TURN. 2019 01:07:49,798 --> 01:07:51,936 THAT HAS TO BE TOGETHER. 2020 01:07:51,936 --> 01:07:52,971 WE GOT TO MAKE IT TO THE FINALE. 2021 01:07:52,971 --> 01:07:54,040 >> I'M GOING TO WORK MY TAIL OFF 2022 01:07:54,040 --> 01:07:55,577 ON THIS DANCE. 2023 01:07:55,577 --> 01:07:56,646 I'M ALL ABOUT THE IMPROVEMENT. 2024 01:07:56,646 --> 01:08:00,352 LET'S KEEP CLIMBING. 2025 01:08:00,352 --> 01:08:00,954 A LOT OF SWEAT, A LOT OF SORE 2026 01:08:00,954 --> 01:08:01,956 FEET. 2027 01:08:01,956 --> 01:08:04,027 >> ELBOW AND PAUSE. 2028 01:08:04,027 --> 01:08:07,199 ELBOW, PAUSE. 2029 01:08:07,199 --> 01:08:08,235 WE WERE THE UNDERDOGS THIS WHOLE 2030 01:08:08,235 --> 01:08:08,536 COMPETITION. 2031 01:08:08,536 --> 01:08:09,303 AND WE NEED TO WORK REALLY, 2032 01:08:09,303 --> 01:08:10,907 REALLY HARD THIS WEEK. 2033 01:08:10,907 --> 01:08:15,717 WE DON'T WANT TO GO HOME. 2034 01:08:15,717 --> 01:08:16,752 >> "DANCING WITH THE STARS" HAS 2035 01:08:16,752 --> 01:08:17,386 NEVER SEEN AN NBA PLAYER GET TO 2036 01:08:17,386 --> 01:08:20,459 THE SEMIFINALS. 2037 01:08:20,459 --> 01:08:22,597 THE COMPETITION, I'M WITH IT. 2038 01:08:22,597 --> 01:08:25,202 IT'S TIME TO DO IT. 2039 01:08:25,202 --> 01:08:29,945 [ CHEERS AND APPLAUSE ] 2040 01:08:29,945 --> 01:08:32,049 >> Announcer: DANCING JAZZ WITH 2041 01:08:32,049 --> 01:08:32,617 HIS PARTNER DANIELLA, IT'S 2042 01:08:32,617 --> 01:08:35,857 IMAN SHUMPERT. 2043 01:08:36,458 --> 01:08:37,527 ♪ 2044 01:08:37,527 --> 01:08:38,596 ♪ YOU MIGHT THINK YOU'VE PEEPED 2045 01:08:38,596 --> 01:08:39,631 THE SCENE ♪ 2046 01:08:39,631 --> 01:08:40,299 ♪ YOU HAVEN'T THE REAL ONE'S FAR 2047 01:08:40,299 --> 01:08:42,303 TOO MEAN ♪ 2048 01:08:42,303 --> 01:08:42,938 ♪ THE WATERED‐DOWN ONE THE ONE 2049 01:08:42,938 --> 01:08:44,407 YOU KNOW ♪ 2050 01:08:44,407 --> 01:08:48,148 ♪ WAS MADE UP CENTURIES AGO 2051 01:08:48,148 --> 01:08:49,183 ♪ TWISTED FICTIONS SICK 2052 01:08:49,183 --> 01:08:50,787 ADDICTION ♪ 2053 01:08:50,787 --> 01:08:52,356 ♪ WELL, GATHER 'ROUND CHILDREN, 2054 01:08:52,356 --> 01:08:56,064 ZIP IT, LISTEN ♪ 2055 01:08:56,064 --> 01:08:58,703 ♪ CAN WE GET MUCH HIGHER SO 2056 01:08:58,703 --> 01:09:06,619 HIGH, HIGH ♪ 2057 01:09:06,619 --> 01:09:07,687 ♪ CAN WE GET MUCH HIGHER SO 2058 01:09:07,687 --> 01:09:09,792 HIGH ♪ 2059 01:09:09,792 --> 01:09:18,241 ♪ 2060 01:09:18,241 --> 01:09:18,876 ♪ I FANTASIZED 'BOUT THIS BACK 2061 01:09:18,876 --> 01:09:20,947 IN CHICAGO ♪ 2062 01:09:20,947 --> 01:09:21,982 ♪ MERCY, MERCY ME THAT 2063 01:09:21,982 --> 01:09:24,621 MURCIELAGO ♪ 2064 01:09:24,621 --> 01:09:25,289 ♪ THAT'S ME THE FIRST YEAR THAT 2065 01:09:25,289 --> 01:09:26,191 I BLOW ♪ 2066 01:09:26,191 --> 01:09:27,259 ♪ HOW YOU SAY BROKE IN SPANISH 2067 01:09:27,259 --> 01:09:29,898 MI NO HABLO ♪ 2068 01:09:29,898 --> 01:09:30,465 ♪ AT THE MALL THERE WAS A 2069 01:09:30,465 --> 01:09:32,571 SEANCE ♪ 2070 01:09:32,571 --> 01:09:35,142 ♪ JUST KIDS NO PARENTS 2071 01:09:35,142 --> 01:09:35,710 ♪ THEN THE SKY FILLED WITH 2072 01:09:35,710 --> 01:09:37,279 HERONS ♪ 2073 01:09:37,279 --> 01:09:38,315 ♪ SAW THE DEVIL IN A CHRYSLER 2074 01:09:38,315 --> 01:09:42,557 LEBARON ♪ 2075 01:09:42,557 --> 01:09:44,661 ♪ CAN WE GET MUCH HIGHER SO 2076 01:09:44,661 --> 01:09:53,679 HIGH, HIGH ♪ 2077 01:09:53,679 --> 01:09:54,280 ♪ CAN WE GET MUCH HIGHER SO 2078 01:09:54,280 --> 01:09:58,990 HIGH ♪ 2079 01:09:58,990 --> 01:10:02,697 ♪ 2080 01:10:02,697 --> 01:10:09,043 [ CHEERS AND APPLAUSE ] 2081 01:10:09,043 --> 01:10:15,355 >> Tyra: IMAN AND DANIELLA. 2082 01:10:15,355 --> 01:10:16,992 THE #MOMENTMAKERS IN THE HOUSE 2083 01:10:16,992 --> 01:10:22,236 WITH THE JAZZ. 2084 01:10:22,236 --> 01:10:25,442 LEN? 2085 01:10:25,442 --> 01:10:25,944 >> IS IT ME? 2086 01:10:25,944 --> 01:10:29,116 >> Tyra: LEN? 2087 01:10:29,116 --> 01:10:29,685 >> THAT HAD MORE LIFTS THAN 2088 01:10:29,685 --> 01:10:30,185 UBER. 2089 01:10:30,185 --> 01:10:33,325 I'M TELLING YOU. 2090 01:10:33,325 --> 01:10:37,567 AND THEY WERE SPECTACULAR. 2091 01:10:37,567 --> 01:10:38,134 AND ALSO, IT WAS LYRICAL IN 2092 01:10:38,134 --> 01:10:39,203 PLACES. 2093 01:10:39,203 --> 01:10:40,740 I THINK THERE WAS A LITTLE 2094 01:10:40,740 --> 01:10:42,276 STAGGERING THING OVER THERE. 2095 01:10:42,276 --> 01:10:42,811 BUT ‐‐ 2096 01:10:42,811 --> 01:10:46,017 [ BOOING ] 2097 01:10:46,017 --> 01:10:47,052 WOULD I TELL A LIE? 2098 01:10:47,052 --> 01:10:50,760 NO. 2099 01:10:50,760 --> 01:10:52,864 AND OUR BODIES ARE SO SIMILAR. 2100 01:10:52,864 --> 01:10:53,498 I HAVE A FEW MORE TATTOOS, BUT 2101 01:10:53,498 --> 01:10:55,002 VERY SIMILAR. 2102 01:10:55,002 --> 01:10:55,536 >> Tyra: TAKE IT OFF, LEN. 2103 01:10:55,536 --> 01:10:56,572 TAKE IT OFF. 2104 01:10:56,572 --> 01:10:58,141 DEREK? 2105 01:10:58,141 --> 01:10:58,776 >> OH, MY GOSH, DANIELLA, YOU'RE 2106 01:10:58,776 --> 01:11:03,853 THE PLANK QUEEN. 2107 01:11:03,853 --> 01:11:06,658 HE'S THE BENCH PRESS KING. 2108 01:11:06,658 --> 01:11:07,292 SERIOUSLY, THAT WAS SO AMAZING. 2109 01:11:07,292 --> 01:11:07,861 THE BEGINNING, NOT ONLY THE 2110 01:11:07,861 --> 01:11:08,361 AMAZING LIFTS, BUT THE 2111 01:11:08,361 --> 01:11:09,296 CHOREOGRAPHY. 2112 01:11:09,296 --> 01:11:11,067 YOU'RE HITTING THE TIMING, THE 2113 01:11:11,067 --> 01:11:12,469 LINES, THE TEXTURES. 2114 01:11:12,469 --> 01:11:16,110 REALLY IMPRESSIVE. 2115 01:11:16,110 --> 01:11:16,712 ALSO, I CAUGHT THE, YOU KNOW 2116 01:11:16,712 --> 01:11:17,279 WHAT I MEAN, THE BASKETBALL 2117 01:11:17,279 --> 01:11:17,714 STUFF. 2118 01:11:17,714 --> 01:11:19,283 I LOVE IT. 2119 01:11:19,283 --> 01:11:20,352 AWESOME, REALLY AWESOME. 2120 01:11:20,352 --> 01:11:24,060 >> Tyra: BRUNO? 2121 01:11:24,060 --> 01:11:26,164 >> I'VE ALREADY CALLED A 2122 01:11:26,164 --> 01:11:27,199 PERSONAL TRAINER BECAUSE I'M 2123 01:11:27,199 --> 01:11:31,441 STARTING TO HAVE BODY ENVY. 2124 01:11:31,441 --> 01:11:31,975 I MEAN, THRILLING. 2125 01:11:31,975 --> 01:11:33,044 THOSE LIFTS, COME ON. 2126 01:11:33,044 --> 01:11:35,683 SOMETIMES HEART‐STOPPING. 2127 01:11:35,683 --> 01:11:39,390 IT'S JUST, HOW DID HE DO THAT? 2128 01:11:39,390 --> 01:11:42,564 THERE WAS ‐‐ THERE WAS A TINY 2129 01:11:42,564 --> 01:11:43,632 LITTLE STUMBLE, YOU ALMOST LOST 2130 01:11:43,632 --> 01:11:45,736 HER, I THOUGHT, OH, MY GOD, 2131 01:11:45,736 --> 01:11:49,945 SHE'S GOING TO DIE. 2132 01:11:49,945 --> 01:11:50,580 BUT THIS GIRL HAS SPENT SO MUCH 2133 01:11:50,580 --> 01:11:51,180 TIME IN ORBIT, SHE'S READY TO 2134 01:11:51,180 --> 01:11:57,794 JOIN SPACEX. 2135 01:11:57,794 --> 01:11:59,396 THEY'RE ON THE PHONE. 2136 01:11:59,396 --> 01:12:01,267 >> AND BLUE ORIGIN, AND VIRGIN 2137 01:12:01,267 --> 01:12:04,306 GALACTIC. 2138 01:12:04,306 --> 01:12:04,841 CARRIE ANN? 2139 01:12:04,841 --> 01:12:05,910 >> I JUST WANT TO SAY THIS 2140 01:12:05,910 --> 01:12:06,477 CORRECTLY. 2141 01:12:06,477 --> 01:12:07,112 BECAUSE YOU BRING SOMETHING VERY 2142 01:12:07,112 --> 01:12:08,047 DIFFERENT, AND I DON'T WANT 2143 01:12:08,047 --> 01:12:08,682 PEOPLE TO LESSEN WHAT YOU BRING 2144 01:12:08,682 --> 01:12:09,250 JUST BECAUSE IT'S DIFFERENT. 2145 01:12:09,250 --> 01:12:09,851 WHAT YOU BRING IS SPECTACULAR. 2146 01:12:09,851 --> 01:12:11,220 AND IT'S DYNAMIC, AND IT'S 2147 01:12:11,220 --> 01:12:12,790 ARTISTIC, AND IT'S ATHLETIC. 2148 01:12:12,790 --> 01:12:13,826 IT'S EVERYTHING THAT I WANT TO 2149 01:12:13,826 --> 01:12:15,428 SEE IN A DANCE. 2150 01:12:15,428 --> 01:12:17,132 GREAT JOB. 2151 01:12:17,132 --> 01:12:17,734 >> Tyra: YOU TRULY ARE MAKING 2152 01:12:17,734 --> 01:12:20,172 THESE MOMENTS HAPPEN. 2153 01:12:20,172 --> 01:12:21,775 I KNOW THE SOCIAL MEDIA SPHERE 2154 01:12:21,775 --> 01:12:23,846 IS BLOWING UP RIGHT NOW. 2155 01:12:23,846 --> 01:12:25,415 AND YOUR WIFE SANG THE SONG. 2156 01:12:25,415 --> 01:12:27,887 AND DANIELLA IS FANTASTIC. 2157 01:12:27,887 --> 01:12:31,260 AND WE GOT TO GET THESE SCORES 2158 01:12:31,260 --> 01:12:31,762 RIGHT NOW, Y'ALL READY? 2159 01:12:31,762 --> 01:12:32,396 >> Announcer: CARRIE ANN INABA. 2160 01:12:32,396 --> 01:12:34,968 >> IT'S A 10! 2161 01:12:34,968 --> 01:12:36,003 >> Announcer: LEN GOODMAN. 2162 01:12:36,003 --> 01:12:38,141 >> 9. 2163 01:12:38,141 --> 01:12:39,176 >> Announcer: DEREK HOUGH. 2164 01:12:39,176 --> 01:12:41,347 >> 10! 2165 01:12:41,347 --> 01:12:42,416 >> Announcer: BRUNO TONIOLI. 2166 01:12:42,416 --> 01:12:45,055 >> 9. 2167 01:12:45,055 --> 01:12:47,159 STUMBLE. 2168 01:12:47,159 --> 01:12:48,228 >> Tyra: 38 OUT OF 40 FOR IMAN 2169 01:12:48,228 --> 01:12:51,969 AND DANIELLA. 2170 01:12:51,969 --> 01:12:56,177 THEIR TOTAL FOR THE NIGHT IS 75. 2171 01:12:56,177 --> 01:12:57,212 THERE IS ONE DANCE LEFT IN THE 2172 01:12:57,212 --> 01:12:57,814 SEMIFINALS BEFORE OUR DOUBLE 2173 01:12:57,814 --> 01:13:00,853 ELIMINATION. 2174 01:13:00,853 --> 01:13:01,420 WE GOT AMANDA AND ALAN. 2175 01:13:01,420 --> 01:13:02,991 THEY'RE PERFORMING. 2176 01:13:02,991 --> 01:13:06,732 AND THEY'RE NEXT, LIVE. 2177 01:13:13,679 --> 01:13:14,781 [ CHEERS AND APPLAUSE ] 2178 01:13:14,781 --> 01:13:16,017 ♪ 2179 01:13:16,017 --> 01:13:16,518 [ CHEERS AND APPLAUSE ] 2180 01:13:16,518 --> 01:13:17,553 ♪ 2181 01:13:17,553 --> 01:13:18,154 >> Tyra: WE'RE BACK WITH THE 2182 01:13:18,154 --> 01:13:20,760 SEMIFINALS. 2183 01:13:20,760 --> 01:13:22,329 THE LAST DANCE OF THE NIGHT IS 2184 01:13:22,329 --> 01:13:24,433 FROM THE COUPLE WHO EARNED 39 2185 01:13:24,433 --> 01:13:24,934 FOR THEIR TANGO IN THE 2186 01:13:24,934 --> 01:13:26,538 REDEMPTION ROUND. 2187 01:13:26,538 --> 01:13:27,607 HERE ARE AMANDA AND ALAN 2188 01:13:27,607 --> 01:13:29,678 TRAINING FOR A CONTEMPORARY 2189 01:13:29,678 --> 01:13:32,349 ROUTINE TO A SONG THAT HAS A 2190 01:13:32,349 --> 01:13:36,558 VERY SPECIAL MEANING FOR HER. 2191 01:13:36,558 --> 01:13:40,231 >> THIS IS THE LAST DANCE WE GET 2192 01:13:40,231 --> 01:13:40,733 TO DO BEFORE THE FINALE. 2193 01:13:40,733 --> 01:13:41,267 I FEEL LIKE WE HAVE TO DO 2194 01:13:41,267 --> 01:13:42,870 SOMETHING SPECIAL. 2195 01:13:42,870 --> 01:13:45,543 >> IT'S SOMETHING I THOUGHT 2196 01:13:45,543 --> 01:13:47,145 ABOUT HONESTLY WHEN I GOT ASKED 2197 01:13:47,145 --> 01:13:49,249 TO DO THIS SHOW, TO DANCE TO 2198 01:13:49,249 --> 01:13:57,332 NICK'S SONG, "LIVE YOUR LIFE." 2199 01:13:57,332 --> 01:13:59,336 ON JULY 5th OF TO 2020, I LOST 2200 01:13:59,336 --> 01:14:00,873 MY HUSBAND TO COVID. 2201 01:14:00,873 --> 01:14:01,508 NICK'S SONG "LIVE YOUR LIFE" WAS 2202 01:14:01,508 --> 01:14:03,478 ONE OF THE FIRST SONGS HE WROTE. 2203 01:14:03,478 --> 01:14:07,185 AND I THINK IT COULD BE REALLY 2204 01:14:07,185 --> 01:14:09,490 MEANINGFUL IF I COULD DANCE TO 2205 01:14:09,490 --> 01:14:09,758 IT. 2206 01:14:09,758 --> 01:14:10,325 >> I LOVE IT. 2207 01:14:10,325 --> 01:14:13,364 IT'S SUCH A BEAUTIFUL SONG. 2208 01:14:13,364 --> 01:14:13,999 AND I CAN ONLY IMAGINE HOW TOUGH 2209 01:14:13,999 --> 01:14:14,400 THIS WAS FOR YOU. 2210 01:14:14,400 --> 01:14:14,934 >> IT WAS EXTREMELY HARD. 2211 01:14:14,934 --> 01:14:19,276 NICK WAS IN A DEEP COMA. 2212 01:14:19,276 --> 01:14:20,412 SO I WOULD SIT THERE BY HIM. 2213 01:14:20,412 --> 01:14:21,548 ALL I COULD DO WAS GRAB HIS 2214 01:14:21,548 --> 01:14:24,086 HAND. 2215 01:14:24,086 --> 01:14:28,327 BUT TO ME, THE POWER OF HOLDING 2216 01:14:28,327 --> 01:14:28,962 SOMEONE'S HAND IS SO ‐‐ THERE'S 2217 01:14:28,962 --> 01:14:31,500 NOTHING LIKE IT. 2218 01:14:31,500 --> 01:14:32,035 BECAUSE YOU KNOW YOU HAVE 2219 01:14:32,035 --> 01:14:33,605 SOMEBODY THAT HAS YOU. 2220 01:14:33,605 --> 01:14:34,239 AND I WANTED HIM TO KNOW THAT I 2221 01:14:34,239 --> 01:14:40,953 HAD HIM. 2222 01:14:40,953 --> 01:14:43,057 WE MADE THE DECISION TO SLOWLY 2223 01:14:43,057 --> 01:14:44,661 TAKE HIM OFF OF ALL OF THE 2224 01:14:44,661 --> 01:14:44,928 MACHINES. 2225 01:14:44,928 --> 01:14:49,938 WE PLAYED "LIVE YOUR LIFE" ALL 2226 01:14:49,938 --> 01:14:55,783 DAY, AND WE SLOWLY LET HIM GO. 2227 01:14:55,783 --> 01:14:56,383 TO BE ABLE TO PUT A BEAUTIFUL 2228 01:14:56,383 --> 01:14:56,985 DANCE TO ONE OF MY HUSBAND'S 2229 01:14:56,985 --> 01:15:03,164 SONGS, I DON'T KNOW IF THERE 2230 01:15:03,164 --> 01:15:03,799 COULD BE ANYTHING MORE SPECIAL 2231 01:15:03,799 --> 01:15:07,907 AND MEANINGFUL TO ME. 2232 01:15:07,907 --> 01:15:08,542 LET'S DO THIS FOR EVERYONE WHO 2233 01:15:08,542 --> 01:15:09,176 HAS LOST SOMEBODY, AND FOR NICK. 2234 01:15:09,176 --> 01:15:11,581 [ CHEERS AND APPLAUSE ] 2235 01:15:11,581 --> 01:15:12,650 >> Announcer: DANCING 2236 01:15:12,650 --> 01:15:14,253 CONTEMPORARY WITH HER PARTNER 2237 01:15:14,253 --> 01:15:17,125 ALAN, IT'S AMANDA KLOOTS. 2238 01:15:18,261 --> 01:15:18,795 ♪ 2239 01:15:18,795 --> 01:15:21,568 ♪ THIS HURTS LIKE HELL BUT IT 2240 01:15:21,568 --> 01:15:26,745 FEELS RIGHT ♪ 2241 01:15:26,745 --> 01:15:27,780 ♪ FAR'S I CAN TELL YOU'VE MADE 2242 01:15:27,780 --> 01:15:37,600 YOUR MIND ♪ 2243 01:15:37,600 --> 01:15:39,436 ♪ AND I'LL WISH YOU WELL BUT 2244 01:15:39,436 --> 01:15:39,771 WON'T BE ON ♪ 2245 01:15:39,771 --> 01:15:40,338 ♪ THE OTHER SIDE BIDING MY 2246 01:15:40,338 --> 01:15:47,319 TIME ♪ 2247 01:15:47,319 --> 01:15:47,987 ♪ YOU'VE GOT YOUR PLANS AND I'VE 2248 01:15:47,987 --> 01:15:55,268 GOT MINE ♪ 2249 01:15:55,268 --> 01:15:57,607 ♪ WHO UNDERSTANDS HOW STARS 2250 01:15:57,607 --> 01:16:03,217 ALIGN ♪ 2251 01:16:03,217 --> 01:16:04,787 ♪ IF ONE'S SHOOTING PAST THEN 2252 01:16:04,787 --> 01:16:07,425 I'LL CONSIDER ♪ 2253 01:16:07,425 --> 01:16:08,060 ♪ IT A SIGN THAT YOU'RE STILL 2254 01:16:08,060 --> 01:16:16,410 ALIVE ♪ 2255 01:16:16,410 --> 01:16:18,515 ♪ LIVE YOUR LIFE AND IT'S ALL 2256 01:16:18,515 --> 01:16:24,292 RIGHT ♪ 2257 01:16:24,292 --> 01:16:28,000 ♪ LIVE YOUR LIFE LIKE YOU'VE GOT 2258 01:16:28,000 --> 01:16:33,845 ONE NIGHT LIVE YOUR LIFE ♪ 2259 01:16:33,845 --> 01:16:37,018 ♪ THEY'LL GIVE YOU HELL BUT 2260 01:16:37,018 --> 01:16:37,620 DON'T YOU LET THEM KILL YOUR 2261 01:16:37,620 --> 01:16:43,899 LIGHT ♪ 2262 01:16:43,899 --> 01:16:44,567 ♪ NOT WITHOUT A FIGHT LIVE YOUR 2263 01:16:44,567 --> 01:16:46,538 LIFE ♪ 2264 01:16:46,538 --> 01:16:49,176 ♪ 2265 01:16:49,176 --> 01:16:53,384 [ CHEERS AND APPLAUSE ] 2266 01:16:53,384 --> 01:16:58,127 >> Tyra: AMANDA AND ALAN. 2267 01:16:58,127 --> 01:16:58,729 WITH A CONTEMPORARY TO "LIVE 2268 01:16:58,729 --> 01:17:03,939 YOUR LIFE." 2269 01:17:03,939 --> 01:17:06,578 THAT IS THE LAST DANCE OF THE 2270 01:17:06,578 --> 01:17:08,214 SEMIFINALS, SO GET YOUR VOTES IN 2271 01:17:08,214 --> 01:17:13,725 NOW ON ABC.COM. 2272 01:17:13,725 --> 01:17:15,061 AND YOU CAN ALSO VOTE BY TEXTING 2273 01:17:15,061 --> 01:17:15,696 THE FIRST NAME OF YOUR FAVORITE 2274 01:17:15,696 --> 01:17:19,302 STAR TO THE NUMBER 21523. 2275 01:17:19,302 --> 01:17:20,873 DEREK? 2276 01:17:20,873 --> 01:17:21,941 >> YOU KNOW, THERE ARE MOMENTS 2277 01:17:21,941 --> 01:17:23,512 AND OPPORTUNITIES ON THE SHOW 2278 01:17:23,512 --> 01:17:26,150 WHEN YOU DO SOMETHING FOR YOU. 2279 01:17:26,150 --> 01:17:27,720 NOT FOR US, NOT FOR THE 2280 01:17:27,720 --> 01:17:30,859 AUDIENCE, BUT FOR YOU. 2281 01:17:30,859 --> 01:17:31,493 AND I'M HAPPY YOU'LL ALWAYS HAVE 2282 01:17:31,493 --> 01:17:31,795 THIS MOMENT. 2283 01:17:31,795 --> 01:17:34,934 WELL DONE. 2284 01:17:34,934 --> 01:17:37,238 >> Tyra: BRUNO? 2285 01:17:37,238 --> 01:17:38,809 >> I WAS TOTALLY MESMERIZED, MY 2286 01:17:38,809 --> 01:17:40,946 LOVE. 2287 01:17:40,946 --> 01:17:41,480 YOU TOUCHED MY HEART. 2288 01:17:41,480 --> 01:17:43,050 AND I'M SURE YOU TOUCHED THE 2289 01:17:43,050 --> 01:17:44,152 HEART OF THE NATION. 2290 01:17:44,152 --> 01:17:46,758 THIS IS BEYOND CRITIQUE. 2291 01:17:46,758 --> 01:17:47,325 I LIVED SOMETHING WITH YOU 2292 01:17:47,325 --> 01:17:49,429 TONIGHT. 2293 01:17:49,429 --> 01:17:49,997 HE'S PROUD OF YOU, AND HE'S 2294 01:17:49,997 --> 01:17:50,999 SMILING AT YOU. 2295 01:17:50,999 --> 01:17:51,534 >> Tyra: HE SURE IS. 2296 01:17:51,534 --> 01:17:55,241 CARRIE ANN? 2297 01:17:55,241 --> 01:17:56,778 >> AMANDA, SOMETHING HAPPENED, 2298 01:17:56,778 --> 01:18:01,019 LIKE, HALFWAY THROUGH THE DANCE, 2299 01:18:01,019 --> 01:18:03,658 I SAW YOU DISAPPEAR AND GO INTO 2300 01:18:03,658 --> 01:18:08,969 THIS MOMENT RIGHT NOW, 1,000%. 2301 01:18:08,969 --> 01:18:10,071 AND IT WAS SO BEAUTIFUL. 2302 01:18:10,071 --> 01:18:10,639 YOU TRANSCENDED BEAUTY AND 2303 01:18:10,639 --> 01:18:11,641 PERFECTION. 2304 01:18:11,641 --> 01:18:13,244 YOU JUST MADE SOMETHING. 2305 01:18:13,244 --> 01:18:14,346 THERE'S NO WORDS. 2306 01:18:14,346 --> 01:18:15,916 I'M SORRY. 2307 01:18:15,916 --> 01:18:17,519 >> Tyra: LEN? 2308 01:18:17,519 --> 01:18:21,226 >> TONIGHT, YOU'VE DONE TWO 2309 01:18:21,226 --> 01:18:24,366 DANCES, EACH ONE DIFFERENT. 2310 01:18:24,366 --> 01:18:29,142 BUT BOTH FANTASTIC. 2311 01:18:29,142 --> 01:18:30,177 >> Tyra: AMANDA, I LOVE WHAT 2312 01:18:30,177 --> 01:18:31,748 DEREK SAID, THIS WAS FOR YOU. 2313 01:18:31,748 --> 01:18:34,987 THIS WAS FOR YOU. 2314 01:18:34,987 --> 01:18:35,589 I ALSO THINK IT'S FOR SO MANY 2315 01:18:35,589 --> 01:18:37,559 PEOPLE THAT HAVE LOST SO MANY 2316 01:18:37,559 --> 01:18:38,628 PEOPLE THAT THEY LOVE THROUGH 2317 01:18:38,628 --> 01:18:39,262 THIS PANDEMIC THAT WE'RE GOING 2318 01:18:39,262 --> 01:18:40,732 THROUGH. 2319 01:18:40,732 --> 01:18:41,366 IS THERE ANYTHING THAT YOU WANT 2320 01:18:41,366 --> 01:18:42,335 TO SAY? 2321 01:18:42,335 --> 01:18:44,974 >> OH, MY GOD, ABSOLUTELY. 2322 01:18:44,974 --> 01:18:45,609 WHEN YOU'RE GRIEVING, YOU FEEL 2323 01:18:45,609 --> 01:18:50,284 SO ALONE. 2324 01:18:50,284 --> 01:18:53,825 BUT I HAD SUCH AN AMAZING 2325 01:18:53,825 --> 01:18:54,459 SUPPORT SYSTEM, SOME OF THEM ARE 2326 01:18:54,459 --> 01:18:54,760 HERE TODAY. 2327 01:18:54,760 --> 01:18:57,131 BUT THE WHOLE WORLD. 2328 01:18:57,131 --> 01:18:58,702 AND I JUST THINK THAT YOU HAVE 2329 01:18:58,702 --> 01:19:01,373 TO FIND THAT COMMUNITY IF YOU'RE 2330 01:19:01,373 --> 01:19:01,808 GRIEVING. 2331 01:19:01,808 --> 01:19:03,979 BECAUSE THERE'S SOMETHING OUT 2332 01:19:03,979 --> 01:19:04,312 THERE FOR YOU. 2333 01:19:04,312 --> 01:19:05,582 AND YOU CAN CONNECT WITH PEOPLE. 2334 01:19:05,582 --> 01:19:06,617 AND I JUST WANT TO THANK ALAN 2335 01:19:06,617 --> 01:19:07,653 FOR THIS BEAUTIFUL DANCE THAT 2336 01:19:07,653 --> 01:19:08,722 I'LL ALWAYS HAVE. 2337 01:19:08,722 --> 01:19:09,255 > Tyra: ALWAYS. 2338 01:19:09,255 --> 01:19:11,360 YOU'LL ALWAYS HAVE THIS. 2339 01:19:11,360 --> 01:19:11,894 OKAY. 2340 01:19:11,894 --> 01:19:14,032 LET'S PULL IT TOGETHER. 2341 01:19:14,032 --> 01:19:14,667 I'M CRYING, WE'RE ALL CRYING IN 2342 01:19:14,667 --> 01:19:15,067 HERE. 2343 01:19:15,067 --> 01:19:17,706 LET'S GET YOUR SCORES. 2344 01:19:17,706 --> 01:19:19,309 >> Announcer: CARRIE ANN INABA. 2345 01:19:19,309 --> 01:19:23,017 >> 10. 2346 01:19:23,017 --> 01:19:23,551 >> Announcer: LEN GOODMAN. 2347 01:19:23,551 --> 01:19:26,189 >> 10. 2348 01:19:26,189 --> 01:19:26,724 >> Announcer: DEREK HOUGH. 2349 01:19:26,724 --> 01:19:29,362 >> 10. 2350 01:19:29,362 --> 01:19:30,431 >> Announcer: BRUNO TONIOLI. 2351 01:19:30,431 --> 01:19:35,709 >> 10, MY LOVE. 2352 01:19:35,709 --> 01:19:36,309 >> Tyra: AMANDA, 40 OUT OF 40 2353 01:19:36,309 --> 01:19:38,313 FOR AMANDA AND ALAN. 2354 01:19:38,313 --> 01:19:39,917 AND I'M GOING TO ADD, AND NICK, 2355 01:19:39,917 --> 01:19:40,084 TOO. 2356 01:19:40,084 --> 01:19:42,021 40 OUT OF 40. 2357 01:19:42,021 --> 01:19:48,601 THEIR TOTAL FOR THE NIGHT IS 79. 2358 01:19:48,601 --> 01:19:49,235 YOU, TOO, CAN GET READY FOR THE 2359 01:19:49,235 --> 01:19:49,870 RESULTS. 2360 01:19:49,870 --> 01:19:50,504 LET'S TAKE A LOOK AT THE FINAL 2361 01:19:50,504 --> 01:19:53,043 LEADERBOARD. 2362 01:19:53,043 --> 01:19:54,647 AT THE TOP, JOJO AND JENNA. 2363 01:19:54,647 --> 01:19:56,751 AT THE BOTTOM, CODY AND CHERYL. 2364 01:19:56,751 --> 01:19:57,385 OUR STARS HAVE DONE EVERYTHING 2365 01:19:57,385 --> 01:19:59,422 THAT THEY CAN. 2366 01:19:59,422 --> 01:20:01,527 AND NOW IT'S UP TO YOU TO VOTE 2367 01:20:01,527 --> 01:20:03,130 FOR THE COUPLES THAT YOU WANT TO 2368 01:20:03,130 --> 01:20:04,165 SEE DANCING FOR THE MIRROR BALL 2369 01:20:04,165 --> 01:20:05,234 TROPHY NEXT MONDAY NIGHT. 2370 01:20:05,234 --> 01:20:06,804 RIGHT HERE IN THIS BALLROOM. 2371 01:20:06,804 --> 01:20:08,908 VOTE, VOTE NOW. 2372 01:20:08,908 --> 01:20:09,944 WE WILL SHOW YOU THE DETAILS FOR 2373 01:20:09,944 --> 01:20:11,012 ALL OF OUR COUPLES ONE LAST 2374 01:20:11,012 --> 01:20:12,583 TIME. 2375 01:20:12,583 --> 01:20:13,217 AND, YOU GUYS, VOTING WILL CLOSE 2376 01:20:13,217 --> 01:20:14,687 REALLY SOON. 2377 01:20:14,687 --> 01:20:15,722 SO GET YOUR FINAL VOTES AND 2378 01:20:15,722 --> 01:20:18,928 TEXTS IN. 2379 01:20:18,928 --> 01:20:19,964 YOU HAVE TO DO IT RIGHT NOW. 2380 01:20:19,964 --> 01:20:20,999 ALL OF THE VOTING INFORMATION 2381 01:20:20,999 --> 01:20:25,775 CAN BE FOUND ON ABC.COM. 2382 01:20:25,775 --> 01:20:27,946 WE ARE GOING TO FIND OUT WHICH 2383 01:20:27,946 --> 01:20:31,119 COUPLES WILL DANCE FOR THE 2384 01:20:31,119 --> 01:20:33,223 MIRROR BALL TROPHY NEXT WEEK AND 2385 01:20:33,223 --> 01:20:35,862 WE WILL GET BEHIND THAT CHANCE. 2386 01:20:35,862 --> 01:20:36,496 OUR DOUBLE ELIMINATION IS NEXT, 2387 01:20:36,496 --> 01:20:38,601 LIVE. 2388 01:20:43,310 --> 01:20:44,345 [ CHEERS AND APPLAUSE ] 2389 01:20:44,345 --> 01:20:48,020 ♪ 2390 01:20:48,020 --> 01:20:49,623 >> Tyra: WELCOME BACK. 2391 01:20:49,623 --> 01:20:51,193 IT'S BEEN AN INCREDIBLE 2392 01:20:51,193 --> 01:20:51,794 SEMIFINALS OF AN UNBELIEVABLE 2393 01:20:51,794 --> 01:20:53,297 SEASON. 2394 01:20:53,297 --> 01:20:53,898 VOTING IS CLOSED AND HERE ARE 2395 01:20:53,898 --> 01:20:55,969 THE RESULTS. 2396 01:20:55,969 --> 01:20:58,073 WE'VE COMBINED THE JUDGES' 2397 01:20:58,073 --> 01:20:58,675 SCORES FROM TONIGHT WITH YOUR 2398 01:20:58,675 --> 01:20:59,677 VOTES. 2399 01:20:59,677 --> 01:21:01,814 AND NOW, IN NO PARTICULAR ORDER, 2400 01:21:01,814 --> 01:21:03,918 LET'S FIND OUT WHO'S SAFE TO 2401 01:21:03,918 --> 01:21:07,593 DANCE IN NEXT WEEK'S FINALE AND 2402 01:21:07,593 --> 01:21:08,360 WHO IS IN THE BOTTOM THREE. 2403 01:21:08,360 --> 01:21:11,834 GOOD LUCK TO YOU ALL. 2404 01:21:11,834 --> 01:21:18,681 THE FIRST COUPLE WHO IS DANCING 2405 01:21:18,681 --> 01:21:24,325 IN THE FINALE IS JOJO AND JENNA. 2406 01:21:24,325 --> 01:21:32,976 [ CHEERS AND APPLAUSE ] 2407 01:21:32,976 --> 01:21:33,611 THE NEXT FINALISTS ARE IMAN AND 2408 01:21:33,611 --> 01:21:35,615 DANIELLA. 2409 01:21:35,615 --> 01:21:41,961 [ CHEERS AND APPLAUSE ] 2410 01:21:41,961 --> 01:21:42,596 AND IN NO PARTICULAR ORDER, THE 2411 01:21:42,596 --> 01:21:43,196 LAST COUPLE WHO IS DEFINITELY 2412 01:21:43,196 --> 01:21:49,877 COMPETING FOR THE MIRROR BALL 2413 01:21:49,877 --> 01:21:50,477 TROPHY NEXT WEEK IS CODY AND 2414 01:21:50,477 --> 01:21:50,912 CHERYL. 2415 01:21:50,912 --> 01:21:54,118 >> WHAT? 2416 01:21:54,118 --> 01:21:54,753 >> Tyra: CHERYL, CHERYL, LISTEN 2417 01:21:54,753 --> 01:21:56,724 TO THIS. 2418 01:21:56,724 --> 01:21:57,793 THIS IS YOUR FIRST TIME IN THE 2419 01:21:57,793 --> 01:21:59,897 FINALE SINCE SEASON 17. 2420 01:21:59,897 --> 01:22:01,499 CONGRATULATIONS. 2421 01:22:01,499 --> 01:22:04,138 [ CHEERS AND APPLAUSE ] 2422 01:22:04,138 --> 01:22:05,709 WHICH MEANS MELORA AND ARTEM, 2423 01:22:05,709 --> 01:22:07,345 SUNI AND SASHA, AND AMANDA AND 2424 01:22:07,345 --> 01:22:12,088 AAN ARE THE BOTTOM THREE. 2425 01:22:12,088 --> 01:22:14,727 THE COUPLE WITH THE LOWEST 2426 01:22:14,727 --> 01:22:15,795 COMBINED TOTAL OF JUDGES' SCORES 2427 01:22:15,795 --> 01:22:16,429 AND VIEWER'S VOTES WILL NOW BE 2428 01:22:16,429 --> 01:22:18,968 ELIMINATED. 2429 01:22:18,968 --> 01:22:30,558 THE COUPLE AT THE VERY BOTTOM 2430 01:22:30,558 --> 01:22:31,192 AND LEAVING RIGHT NOW IS MELORA 2431 01:22:31,192 --> 01:22:32,395 AND ARTEM. 2432 01:22:32,395 --> 01:22:35,267 OH, GOSH. 2433 01:22:35,267 --> 01:22:35,835 MELORA IS SUCH A BEAUTIFUL, 2434 01:22:35,835 --> 01:22:36,904 BEAUTIFUL DANCER. 2435 01:22:36,904 --> 01:22:38,473 SO MUCH EMOTION. 2436 01:22:38,473 --> 01:22:40,612 AMAZING ACTRESS. 2437 01:22:40,612 --> 01:22:42,716 ALL RIGHTY. 2438 01:22:42,716 --> 01:22:43,350 LET'S GIVE THEM ONE MORE TIME AS 2439 01:22:43,350 --> 01:22:46,524 THEY EXIT THE STAGE. 2440 01:22:46,524 --> 01:22:52,201 LET'S GIVE IT UP FOR THEM. 2441 01:22:52,201 --> 01:22:54,238 THE REMAINING COUPLES ARE WITH 2442 01:22:54,238 --> 01:22:55,040 ME ON THE DANCE FLOOR. 2443 01:22:55,040 --> 01:22:55,608 WE HAVE SUNI AND SASHA AND 2444 01:22:55,608 --> 01:22:56,109 AMANDA AND ALAN. 2445 01:22:56,109 --> 01:22:57,144 AND NOW IT IS TIME FOR THE 2446 01:22:57,144 --> 01:23:07,164 JUDGES' VERDICT. 2447 01:23:07,164 --> 01:23:08,200 CARRIE ANN, WHO DO YOU WANT TO 2448 01:23:08,200 --> 01:23:08,601 SEE IN THE FINALS? 2449 01:23:08,601 --> 01:23:14,580 WHO DO YOU WANT TO SAVE? 2450 01:23:14,580 --> 01:23:15,147 >> OKAY, YOU BOTH HAVE DONE 2451 01:23:15,147 --> 01:23:15,682 INCREDIBLY WELL, TONIGHT 2452 01:23:15,682 --> 01:23:16,216 ESPECIALLY, YOU BOTH DID 2453 01:23:16,216 --> 01:23:19,322 FANTASTIC. 2454 01:23:19,322 --> 01:23:19,957 SUNI, I'M SO PROUD OF YOU, BUT 2455 01:23:19,957 --> 01:23:20,592 THE COUPLE I'M GOING TO SAVE IS 2456 01:23:20,592 --> 01:23:23,029 AMANDA AND ALAN. 2457 01:23:23,029 --> 01:23:25,133 >> Tyra: OKAY. 2458 01:23:25,133 --> 01:23:25,768 CARRIE ANN VOTES TO SAVE AMANDA 2459 01:23:25,768 --> 01:23:30,043 AND ALAN. 2460 01:23:30,043 --> 01:23:33,216 IT IS NOW TIME FOR YOU, DEREK. 2461 01:23:33,216 --> 01:23:33,851 WHICH COUPLE WOULD YOU LIKE TO 2462 01:23:33,851 --> 01:23:34,418 SAVE AND SEE IN THE FINALE? 2463 01:23:34,418 --> 01:23:34,987 >> SHOUT OUT TO MELORA AND 2464 01:23:34,987 --> 01:23:35,855 ARTEM. 2465 01:23:35,855 --> 01:23:40,665 MELORA, WELL DONE. 2466 01:23:40,665 --> 01:23:41,232 YOU SHOULD BE SUPER, SUPER 2467 01:23:41,232 --> 01:23:41,767 PROUD. 2468 01:23:41,767 --> 01:23:42,836 YOU DID INCREDIBLE WORK TONIGHT. 2469 01:23:42,836 --> 01:23:43,436 OH, MY GOODNESS, SUNI, YOU'VE 2470 01:23:43,436 --> 01:23:44,940 TURNED INTO THIS AMAZING WOMAN 2471 01:23:44,940 --> 01:23:46,544 AND DANCER. 2472 01:23:46,544 --> 01:23:47,111 AMANDA, YOU'VE BEEN SO 2473 01:23:47,111 --> 01:23:47,646 CONSISTENT THROUGHOUT THE 2474 01:23:47,646 --> 01:23:49,750 COMPETITION. 2475 01:23:49,750 --> 01:23:51,854 THIS IS A TOUGH ONE. 2476 01:23:51,854 --> 01:23:52,488 I'M PRETTY SHOCKED THAT BOTH OF 2477 01:23:52,488 --> 01:23:54,526 YOU ARE HERE. 2478 01:23:54,526 --> 01:23:56,597 BUT THE COUPLE I'M GOING TO SAVE 2479 01:23:56,597 --> 01:23:58,734 TONIGHT IS AMANDA AND ALAN. 2480 01:23:58,734 --> 01:24:00,838 >> Tyra: AMANDA AND ALAN. 2481 01:24:00,838 --> 01:24:01,472 WE HAVE TWO SAVES FOR AMANDA AND 2482 01:24:01,472 --> 01:24:03,476 ALAN. 2483 01:24:03,476 --> 01:24:04,513 BRUNO, WHICH COUPLE WOULD YOU 2484 01:24:04,513 --> 01:24:07,117 LIKE TO SAVE, AND SEE IN THE 2485 01:24:07,117 --> 01:24:07,351 FINALE? 2486 01:24:07,351 --> 01:24:09,790 >> IT'S SO HARD. 2487 01:24:09,790 --> 01:24:11,860 BECAUSE NOT JUST THAT ALL OF 2488 01:24:11,860 --> 01:24:13,463 YOU, BUT ALL THE DANCERS TONIGHT 2489 01:24:13,463 --> 01:24:13,998 HAVE WORKED AND DONE SOME 2490 01:24:13,998 --> 01:24:15,568 AMAZING PERFORMANCES. 2491 01:24:15,568 --> 01:24:17,137 THE STANDARD IS INCREDIBLE. 2492 01:24:17,137 --> 01:24:21,914 HARD TO CHOOSE. 2493 01:24:21,914 --> 01:24:23,517 I HAVE TO GO WITH AMANDA AND 2494 01:24:23,517 --> 01:24:24,018 ALAN. 2495 01:24:24,018 --> 01:24:25,622 >> Tyra: ALL RIGHT. 2496 01:24:25,622 --> 01:24:27,191 WE'VE GOT A MAJORITY, THREE FOR 2497 01:24:27,191 --> 01:24:31,499 AMANDA AND ALAN, WHO ARE SAFE. 2498 01:24:31,499 --> 01:24:35,742 CONGRATULATIONS, YOU GUYS. 2499 01:24:35,742 --> 01:24:36,309 SUNI AND SASHA, SUNI, I'VE 2500 01:24:36,309 --> 01:24:36,944 WITNESSED, EVERYBODY IN AMERICA 2501 01:24:36,944 --> 01:24:37,344 HAS WITNESSED THIS 2502 01:24:37,344 --> 01:24:37,979 TRANSFORMATION OF THIS BEAUTIFUL 2503 01:24:37,979 --> 01:24:38,848 GIRL. 2504 01:24:38,848 --> 01:24:39,482 I KNOW YOU SAID THE STARDOM CAME 2505 01:24:39,482 --> 01:24:40,952 OVERNIGHT. 2506 01:24:40,952 --> 01:24:43,056 I NOW THINK YOU'RE READY FOR IT. 2507 01:24:43,056 --> 01:24:44,125 YOU CAN DANCE YOUR BUTT OFF. 2508 01:24:44,125 --> 01:24:44,726 I CAN'T WAIT TO SEE WHAT YOUR 2509 01:24:44,726 --> 01:24:51,305 GYMNASTICS DOES. 2510 01:24:51,305 --> 01:24:52,709 WITH DANCE INCORPORATED LIKE 2511 01:24:52,709 --> 01:24:52,909 THIS. 2512 01:24:52,909 --> 01:24:53,276 AND SASHA, LOVE. 2513 01:24:53,276 --> 01:24:55,080 LEN, WHO WOULD YOU HAVE SAVED? 2514 01:24:55,080 --> 01:24:55,682 >> I WOULD HAVE SAVED AMANDA. 2515 01:24:55,682 --> 01:24:56,315 >> Tyra: SO IT WOULD HAVE BEEN 2516 01:24:56,315 --> 01:24:58,821 UNANIMOUS. 2517 01:24:58,821 --> 01:25:01,960 LET'S HEAR IT FOR ALL OF OUR 2518 01:25:01,960 --> 01:25:05,133 ELIMINATED COUPLES, MELORA AND 2519 01:25:05,133 --> 01:25:06,202 ARTEM, YOU GUYS WILL SEE THEM ON 2520 01:25:06,202 --> 01:25:07,772 "GOOD MORNING AMERICA" TOMORROW 2521 01:25:07,772 --> 01:25:12,481 MORNING. 2522 01:25:12,481 --> 01:25:13,049 AS WELL AS, WHERE ARE WE? 2523 01:25:13,049 --> 01:25:15,688 THEY LEFT US. 2524 01:25:15,688 --> 01:25:19,996 NEXT MONDAY, OUR SEASON FINALE, 2525 01:25:19,996 --> 01:25:22,234 TWO EXCITING ROUNDS OF 2526 01:25:22,234 --> 01:25:23,804 COMPETITION, INCLUDING THE 2527 01:25:23,804 --> 01:25:25,641 ALWAYS AMAZING FREESTYLES. 2528 01:25:25,641 --> 01:25:27,344 AND WE'LL SEE SUNI AND SASHA IN 2529 01:25:27,344 --> 01:25:27,712 THE MORNING. 2530 01:25:27,712 --> 01:25:28,079 TOO. 2531 01:25:28,079 --> 01:25:28,748 THE STARS OF THE SEASON WILL BE 2532 01:25:28,748 --> 01:25:29,215 BACK. 2533 01:25:29,215 --> 01:25:32,154 JIMMIE ALLEN WILL PERFORM,