1 00:00:06,940 --> 00:00:09,977 ♪ 2 00:00:12,546 --> 00:00:14,348 >>> GIVE ME A BEAT! 3 00:00:15,315 --> 00:00:15,816 >> Announcer: LIVE FROM 4 00:00:15,816 --> 00:00:16,283 HOLLYWOOD, IT'S JANET 5 00:00:16,283 --> 00:00:16,917 JACKSON NIGHT ON "DANCING WITH 6 00:00:16,917 --> 00:00:19,319 THE STARS." 7 00:00:19,319 --> 00:00:19,820 [ CHEERS AND APPLAUSE ] 8 00:00:19,820 --> 00:00:26,693 ♪ 9 00:00:31,698 --> 00:00:34,768 ♪ SEND IN THE MOVIE SHOW 10 00:00:34,768 --> 00:00:35,669 ♪ THINKING THEIR NASTY 11 00:00:35,669 --> 00:00:41,575 THOUGHTS ♪ 12 00:00:41,575 --> 00:00:46,380 ♪ THERE BETTER BE A GENTLEMAN OR 13 00:00:46,380 --> 00:00:48,549 YOU'LL TURN ME OFF THAT'S 14 00:00:48,549 --> 00:00:49,149 RIGHT ♪ 15 00:00:49,149 --> 00:00:51,652 ♪ NASTY A NASTY BOY 16 00:00:51,652 --> 00:00:54,955 ♪ DON'T MEAN A THING 17 00:00:54,955 --> 00:00:56,156 ♪ OH, NASTY BOYS 18 00:00:56,156 --> 00:01:04,331 ♪ 19 00:01:04,331 --> 00:01:10,170 ♪ MY FIRST NAME AIN'T BABY IT'S 20 00:01:10,170 --> 00:01:13,273 JANET IF YOU'RE NASTY ♪ 21 00:01:13,273 --> 00:01:18,011 ♪ NASTY BOYS 22 00:01:18,011 --> 00:01:19,746 >> Announcer: AND NOW PLEASE 23 00:01:19,746 --> 00:01:25,586 WELCOME YOUR HOST, TYRA BANKS! 24 00:01:25,586 --> 00:01:26,086 [ CHEERS AND APPLAUSE ] 25 00:01:26,086 --> 00:01:26,253 ♪ 26 00:01:26,253 --> 00:01:28,822 ♪ NASTY BOYS DON'T MEAN A THING 27 00:01:28,822 --> 00:01:29,356 ALL YOU NASTY BOYS ♪ 28 00:01:29,356 --> 00:01:29,523 ♪ 29 00:01:29,523 --> 00:01:42,302 [ CHEERS AND APPLAUSE ] 30 00:01:42,302 --> 00:01:43,403 >> Tyra: THANKS TO BRITT AND 31 00:01:43,403 --> 00:01:46,807 BRANDON FOR CHOREOGRAPHING THAT 32 00:01:46,807 --> 00:01:49,376 FANTASTIC OPENING. 33 00:01:49,376 --> 00:01:54,214 IT'S JANET JACKSON NIGHT IN THIS 34 00:01:54,214 --> 00:01:58,552 BALLROOM, AND IT'S GOING TO BE 35 00:01:58,552 --> 00:01:59,152 AMAZING. 36 00:01:59,152 --> 00:02:01,688 SO LET'S GO! 37 00:02:01,688 --> 00:02:07,861 >> Announcer: DANCING TONIGHT ‐‐ 38 00:02:16,970 --> 00:02:17,471 [ CHEERS AND APPLAUSE ] 39 00:02:17,471 --> 00:02:18,639 >> Tyra: WE'RE ALL SO EXCITED TO 40 00:02:18,639 --> 00:02:21,642 BE CELEBRATING THE MUSIC OF A 41 00:02:21,642 --> 00:02:21,975 LIVING LEGEND. 42 00:02:21,975 --> 00:02:23,710 SHE'S A FIVE‐TIME GRAMMY‐WINNING 43 00:02:23,710 --> 00:02:24,277 SINGER/SONGWRITER/PRODUCER, 44 00:02:24,277 --> 00:02:26,880 INCREDIBLE DANCER. 45 00:02:26,880 --> 00:02:27,948 AND GET THIS ‐‐ SHE'S JOINING US 46 00:02:27,948 --> 00:02:30,050 FROM LONDON RIGHT NOW. 47 00:02:30,050 --> 00:02:38,992 MY GIRL, JANET JACKSON. 48 00:02:38,992 --> 00:02:39,493 [ CHEERS AND APPLAUSE ] 49 00:02:39,493 --> 00:02:41,962 >> HI, TYRA. 50 00:02:41,962 --> 00:02:43,864 >> Tyra: I'M SO EXCITED ABOUT 51 00:02:43,864 --> 00:02:44,097 TONIGHT. 52 00:02:44,097 --> 00:02:46,400 THIS NIGHT IS DEDICATED TO YOUR 53 00:02:46,400 --> 00:02:46,667 ARTISTRY. 54 00:02:46,667 --> 00:02:48,602 WHAT DO YOU THINK ABOUT YOUR 55 00:02:48,602 --> 00:02:51,071 SONGS BEING DANCED TO THE LATIN 56 00:02:51,071 --> 00:02:52,139 AND BALLROOM STYLES TONIGHT? 57 00:02:52,139 --> 00:02:53,473 >> I THINK IT'S GREAT. 58 00:02:53,473 --> 00:02:55,242 I LOVE ALL STYLES, ALL TYPES OF 59 00:02:55,242 --> 00:02:55,442 DANCE. 60 00:02:55,442 --> 00:02:57,077 IT'S A WAY TO EXPRESS YOURSELF. 61 00:02:57,077 --> 00:03:00,213 ANOTHER WAY, I SHOULD SAY, TO 62 00:03:00,213 --> 00:03:01,114 EXPRESS YOURSELF. 63 00:03:01,114 --> 00:03:02,849 IF YOU DON'T DO IT THROUGH 64 00:03:02,849 --> 00:03:04,985 WORDS, ANOTHER WAY YOU CAN 65 00:03:04,985 --> 00:03:06,119 EXPRESS YOURSELF, THROUGH DANCE. 66 00:03:06,119 --> 00:03:07,621 >> Tyra: I REMEMBER GOING TO 67 00:03:07,621 --> 00:03:13,627 YOUR CONCERTS OVER THE YEARS, 68 00:03:13,627 --> 00:03:15,562 SEEING YOU ONSTAGE, YOU'RE LIKE, 69 00:03:15,562 --> 00:03:17,631 BOOM, BOOM, AND IT'S LIKE, OKAY, 70 00:03:17,631 --> 00:03:21,168 WHAT ARE WE GOING TO GET TO EAT? 71 00:03:21,168 --> 00:03:23,537 >> I DON'T KNOW, YOU'RE 72 00:03:23,537 --> 00:03:23,937 EMBARRASSING ME. 73 00:03:23,937 --> 00:03:26,006 >> Tyra: I ALWAYS EMBARRASS ME. 74 00:03:26,006 --> 00:03:26,406 >> I DON'T KNOW. 75 00:03:26,406 --> 00:03:27,007 IT'S MY LIFE. 76 00:03:27,007 --> 00:03:27,808 I LOVE IT. 77 00:03:27,808 --> 00:03:28,475 IT'S MY JOB. 78 00:03:28,475 --> 00:03:30,010 I ENJOY WHAT I DO. 79 00:03:30,010 --> 00:03:30,777 >> Tyra: YEAH. 80 00:03:30,777 --> 00:03:32,145 WE LOVE IT. 81 00:03:32,145 --> 00:03:34,514 >> I SO ENJOY MY DAY JOB. 82 00:03:34,514 --> 00:03:36,149 >> Tyra: WHICH IS MAMA, RIGHT? 83 00:03:36,149 --> 00:03:36,683 YEAH. 84 00:03:36,683 --> 00:03:38,452 WE GOT TO GET OUR BOYS BACK 85 00:03:38,452 --> 00:03:38,852 TOGETHER AGAIN. 86 00:03:38,852 --> 00:03:40,053 >> THAT'S THE BEST. 87 00:03:40,053 --> 00:03:41,655 >> Tyra: TONIGHT IS ALL FOR YOU, 88 00:03:41,655 --> 00:03:41,855 BOO. 89 00:03:41,855 --> 00:03:42,923 >> THAT'S SO SWEET. 90 00:03:42,923 --> 00:03:44,624 AND I'M SO HONORED BY THIS 91 00:03:44,624 --> 00:03:44,991 NIGHT. 92 00:03:44,991 --> 00:03:48,395 THANK YOU SO MUCH, TYRA. 93 00:03:48,395 --> 00:03:50,964 >> Tyra: GIVE IT UP FOR MS. 94 00:03:50,964 --> 00:03:51,965 JANET JACKSON, EVERYBODY! 95 00:03:51,965 --> 00:03:52,265 OH, MY GOSH. 96 00:03:52,265 --> 00:03:56,837 WE PLOF HER SO MUCH. 97 00:03:56,837 --> 00:03:59,306 THE PRESSURE IS ON OUR COUPLES 98 00:03:59,306 --> 00:04:00,040 AS THEY DANCE FOR A SPOT IN THE 99 00:04:00,040 --> 00:04:03,310 SEMIFINALS. 100 00:04:03,310 --> 00:04:03,944 TO GET THERE, OUR COUPLES HAVE 101 00:04:03,944 --> 00:04:04,511 TO SURVIVE TONIGHT'S DOUBLE 102 00:04:04,511 --> 00:04:05,112 ELIMINATION WITH NOT ONE, BUT 103 00:04:05,112 --> 00:04:05,712 TWO DANCES TO SOME OF JANET'S 104 00:04:05,712 --> 00:04:08,815 BIGGEST HITS. 105 00:04:08,815 --> 00:04:13,053 I'M SO NERVOUS BECAUSE ANYBODY 106 00:04:13,053 --> 00:04:13,720 CAN GO HOME. 107 00:04:13,720 --> 00:04:14,321 VOTING IS OPEN IN THE EASTERN 108 00:04:14,321 --> 00:04:14,955 AND CENTRAL TIME ZONES, SO GO TO 109 00:04:14,955 --> 00:04:15,288 ABC.COM. 110 00:04:15,288 --> 00:04:16,890 SUBSCRIBERS OF ALL U. S. WIRELESS 111 00:04:16,890 --> 00:04:19,025 PHONE CARRIERS CAN ALSO VOTE BY 112 00:04:19,025 --> 00:04:21,128 TEXTING THE STAR'S FIRST NAME TO 113 00:04:21,128 --> 00:04:22,696 THE NUMBER 21523. 114 00:04:22,696 --> 00:04:23,263 MESSAGE AND DATA RATES MAY 115 00:04:23,263 --> 00:04:26,399 APPLY. 116 00:04:26,399 --> 00:04:27,000 NOW, LEADING OFF THE FIRST ROUND 117 00:04:27,000 --> 00:04:28,502 WITH A CHA‐CHA TO 118 00:04:28,502 --> 00:04:30,604 JANET JACKSON'S GOOD TIME ANTHEM 119 00:04:30,604 --> 00:04:31,204 "ESCAPADE," IT'S OUR PLATINUM 120 00:04:31,204 --> 00:04:32,172 COUNTRY SINGER. 121 00:04:32,172 --> 00:04:33,774 WE'RE GONNA GET A GLIMPSE OF 122 00:04:33,774 --> 00:04:35,375 JIMMIE ALLEN AND EMMA'S 123 00:04:35,375 --> 00:04:36,009 FRIENDSHIP AS THEY TRAINED FOR 124 00:04:36,009 --> 00:04:39,646 THIS DANCE. 125 00:04:39,646 --> 00:04:44,184 ♪ 126 00:04:44,184 --> 00:04:47,387 >> IT'S JANET JACKSON NIGHT ON 127 00:04:47,387 --> 00:04:47,921 "DANCING WITH THE STARS." 128 00:04:47,921 --> 00:04:52,292 >> I HEART JANET JACKSON. 129 00:04:52,292 --> 00:04:53,827 [ CHEERS AND APPLAUSE ] 130 00:04:53,827 --> 00:04:55,695 JANET JACKSON IS A TRAILBLAZER. 131 00:04:55,695 --> 00:04:57,063 HER SONGS, HER OUTFITS THAT SHE 132 00:04:57,063 --> 00:04:57,264 WEARS. 133 00:04:57,264 --> 00:04:59,733 FIRE. 134 00:04:59,733 --> 00:05:04,271 JANET IS A GREAT DANCER AS WELL. 135 00:05:04,271 --> 00:05:05,605 AND IT'S ONLY FITTING THAT WE 136 00:05:05,605 --> 00:05:06,206 GET TO HONOR HER ON "DANCING 137 00:05:06,206 --> 00:05:11,444 WITH THE STARS." 138 00:05:11,444 --> 00:05:14,080 WHAT SONG ARE WE DANCING TO? 139 00:05:14,080 --> 00:05:16,183 >> "ESCAPADE". 140 00:05:16,183 --> 00:05:17,551 >> OH, MY GOSH. 141 00:05:17,551 --> 00:05:18,985 >> YOU REALLY LOVE JANET 142 00:05:18,985 --> 00:05:19,219 JACKSON. 143 00:05:19,219 --> 00:05:20,287 KICK IT OUT. 144 00:05:20,287 --> 00:05:21,688 KICK IT OUT. 145 00:05:21,688 --> 00:05:24,124 THERE'S NEVER A DULL MOMENT WITH 146 00:05:24,124 --> 00:05:25,025 JIMMIE ALLEN. 147 00:05:25,025 --> 00:05:26,960 OH, YEAH. 148 00:05:26,960 --> 00:05:28,328 POST‐REHEARSAL, THIS IS WHAT 149 00:05:28,328 --> 00:05:30,330 JIMMIE LOOKS LIKE. 150 00:05:30,330 --> 00:05:30,864 PRE‐REHEARSAL ‐‐ 151 00:05:30,864 --> 00:05:32,065 >> I LOVE LITTLE EMMA. 152 00:05:32,065 --> 00:05:34,334 THAT'S WHAT I CALL HER. 153 00:05:34,334 --> 00:05:36,970 YOU KNOW, SHE'S SUPER FUN. 154 00:05:36,970 --> 00:05:38,605 >> MAKE SURE YOU VOTE FOR ME ON 155 00:05:38,605 --> 00:05:39,306 MONDAY NIGHT! 156 00:05:39,306 --> 00:05:40,774 >> YES, I'M EMMA. 157 00:05:40,774 --> 00:05:41,441 VOTE FOR HIM. 158 00:05:41,441 --> 00:05:45,712 >> SHE GETS TO SEE MY WORLD. 159 00:05:45,712 --> 00:05:48,215 >> CHEF ALLEN, WHAT DO WE HAVE? 160 00:05:48,215 --> 00:05:51,351 >> WE GOT A LITTLE FRENCH TOAST 161 00:05:51,351 --> 00:05:51,818 HAPPENING. 162 00:05:51,818 --> 00:05:53,753 I'VE GAINED A SISTER AND A 163 00:05:53,753 --> 00:05:53,987 FRIEND. 164 00:05:53,987 --> 00:05:55,789 I WANT TO BRING SOMEBODY TO THE 165 00:05:55,789 --> 00:05:58,091 STAGE RIGHT NOW, WHO IN THE LAST 166 00:05:58,091 --> 00:06:00,026 TWO MONTHS HAS BEEN KICKING MY 167 00:06:00,026 --> 00:06:01,261 BUTT INTO SHAPE. 168 00:06:01,261 --> 00:06:03,563 >> WE JUST HAVE THIS GREAT 169 00:06:03,563 --> 00:06:04,431 CONNECTION, THIS GREAT BOND. 170 00:06:04,431 --> 00:06:06,833 IT MAKES THIS WHOLE EXPERIENCE 171 00:06:06,833 --> 00:06:09,536 JUST SO BLISSFUL. 172 00:06:09,536 --> 00:06:11,938 >> AM I A HORRIBLE PARTNER, OR 173 00:06:11,938 --> 00:06:12,572 AM I OKAY? 174 00:06:12,572 --> 00:06:14,174 >> YOU'RE A GOOD DANCER. 175 00:06:14,174 --> 00:06:16,610 YOU JUST NEEDED POLISHING. 176 00:06:16,610 --> 00:06:18,044 >> I'VE DEFINITELY FOUND A 177 00:06:18,044 --> 00:06:19,312 FRIEND FOR LIFE IN EMMA. 178 00:06:19,312 --> 00:06:21,815 SHE'S A WONDERFUL PERSON WITH A 179 00:06:21,815 --> 00:06:23,083 BIG HEART. 180 00:06:23,083 --> 00:06:23,884 EMMA SLATER, Y'ALL! 181 00:06:23,884 --> 00:06:24,451 >> Announcer: DANCING THE 182 00:06:24,451 --> 00:06:25,252 CHA‐CHA WITH HIS PARTNER EMMA, 183 00:06:25,252 --> 00:06:28,355 IT'S JIMMIE ALLEN. 184 00:06:28,955 --> 00:06:43,270 ♪ 185 00:06:45,472 --> 00:06:46,506 ♪ AS I WAS WALKIN' BY 186 00:06:46,506 --> 00:06:48,608 SAW YOU STANDIN' 187 00:06:48,608 --> 00:06:52,879 THERE WITH A SMILE ♪ 188 00:06:52,879 --> 00:06:53,380 ♪ LOOKIN' SHY 189 00:06:53,380 --> 00:06:54,447 YOU CAUGHT MY EYE ♪ 190 00:06:54,447 --> 00:06:56,016 ♪ THOUGHT YOU'D WANT 191 00:06:56,016 --> 00:07:00,820 TO HANG FOR A WHILE ♪ 192 00:07:00,820 --> 00:07:02,923 ♪ MY MIND'S TIRED 193 00:07:02,923 --> 00:07:04,491 I'VE WORKED SO 194 00:07:04,491 --> 00:07:09,262 HARD ALL WEEK ♪ 195 00:07:09,262 --> 00:07:12,432 ♪ CASHED MY CHECK 196 00:07:12,432 --> 00:07:13,967 I'M READY TO GO ♪ 197 00:07:13,967 --> 00:07:15,035 ♪ I PROMISE YOU 198 00:07:15,035 --> 00:07:17,137 I'LL SHOW YOU 199 00:07:17,137 --> 00:07:17,671 SUCH A GOOD TIME BABY ♪ 200 00:07:17,671 --> 00:07:19,239 ♪ COME ON BABY 201 00:07:19,239 --> 00:07:21,875 LET'S GET AWAY ♪ 202 00:07:21,875 --> 00:07:22,943 ♪ LET'S SAVE YOUR TROUBLES 203 00:07:22,943 --> 00:07:25,578 FOR ANOTHER DAY ♪ 204 00:07:25,578 --> 00:07:27,180 ♪ COME GO WITH ME 205 00:07:27,180 --> 00:07:29,816 WE'VE GOT IT MADE ♪ 206 00:07:29,816 --> 00:07:31,418 ♪ LET ME TAKE YOU 207 00:07:31,418 --> 00:07:36,790 ON AN ESCAPADE ♪ 208 00:07:36,790 --> 00:07:37,123 ♪ LET'S GO 209 00:07:37,123 --> 00:07:37,590 ♪ MY MIND'S TIRED OOH 210 00:07:37,590 --> 00:07:38,358 I'VE WORKED SO HARD OOH ♪ 211 00:07:38,358 --> 00:07:40,460 ♪ I PROMISE YOU I'LL 212 00:07:40,460 --> 00:07:49,803 SHOW YOU SUCH A GOOD TIME ♪ 213 00:07:49,803 --> 00:07:50,937 ♪ COME ON BABY 214 00:07:50,937 --> 00:07:51,338 ♪ LET ME TAKE YOU 215 00:07:51,338 --> 00:07:51,805 ON AN ESCAPADE 216 00:07:51,805 --> 00:07:53,506 ON AN ESCAPADE BABY ♪ 217 00:07:53,506 --> 00:07:53,673 ♪ 218 00:07:53,673 --> 00:07:54,174 [ CHEERS AND APPLAUSE ] 219 00:07:54,174 --> 00:07:59,179 >> Tyra: OKAY. 220 00:07:59,179 --> 00:08:03,817 JIMMIE AND LITTLE EMMA. 221 00:08:03,817 --> 00:08:05,251 STARTING UP JANET JACKSON NIGHT 222 00:08:05,251 --> 00:08:08,822 WITH A CHA‐CHA TO "ES PA PAID." 223 00:08:08,822 --> 00:08:09,322 LEN? 224 00:08:09,322 --> 00:08:11,291 >> WELL, THERE WAS ONE OR TWO 225 00:08:11,291 --> 00:08:12,258 HEEL LEADS. 226 00:08:12,258 --> 00:08:13,994 WHICH YOU SHOULDN'T DO. 227 00:08:13,994 --> 00:08:15,261 THERE WERE A FEW OF THOSE. 228 00:08:15,261 --> 00:08:17,497 LET ME TELL YOU, THIS WAS A NICE 229 00:08:17,497 --> 00:08:20,667 DANCE AND A NICE ROUTINE. 230 00:08:20,667 --> 00:08:22,936 IS NICE GOOD ENOUGH TO GET YOU 231 00:08:22,936 --> 00:08:24,671 INTO NEXT WEEK? 232 00:08:24,671 --> 00:08:25,705 I'M NOT SURE. 233 00:08:25,705 --> 00:08:26,172 >> Tyra: ALL RIGHT. 234 00:08:26,172 --> 00:08:27,674 DEREK, FIRST OF ALL, BEFORE YOU 235 00:08:27,674 --> 00:08:32,078 COMMENT, I WANT TO CONGRATULATE 236 00:08:32,078 --> 00:08:34,414 YOU ON YOUR NOMINATION FOR A 237 00:08:34,414 --> 00:08:37,650 WORLD CHOREOGRAPHY AWARD. 238 00:08:37,650 --> 00:08:42,389 WORLD, NOT CITY OR STATE. 239 00:08:42,389 --> 00:08:42,589 WORLD. 240 00:08:42,589 --> 00:08:42,789 HUGE. 241 00:08:42,789 --> 00:08:43,289 >> NO, MY MAN, JIMMIE. 242 00:08:43,289 --> 00:08:44,457 FIRST OF ALL, YOU'RE KILLING ME 243 00:08:44,457 --> 00:08:48,294 WITH THE SPARKLES. 244 00:08:48,294 --> 00:08:49,562 I LOVE A SPARKLY OUTFIT. 245 00:08:49,562 --> 00:08:50,864 THIS WAS A GOOD PERFORMANCE, BUT 246 00:08:50,864 --> 00:08:51,998 IT WASN'T YOUR BEST. 247 00:08:51,998 --> 00:08:53,833 I THINK IN THE SIDE‐BY‐SIDE, IT 248 00:08:53,833 --> 00:08:54,300 FELT FREE. 249 00:08:54,300 --> 00:08:56,603 BUT IN THE PARTNER WORK, IT GOT 250 00:08:56,603 --> 00:08:57,604 A LITTLE STIFF. 251 00:08:57,604 --> 00:08:59,439 BUT EVERY WEEK CAN'T BE GREAT. 252 00:08:59,439 --> 00:09:00,407 IT HAPPENS. 253 00:09:00,407 --> 00:09:01,841 >> Tyra: BRUNO? 254 00:09:01,841 --> 00:09:03,777 >> LET ME SAY, I'M SURE YOU'LL 255 00:09:03,777 --> 00:09:04,544 AGREE WITH ME. 256 00:09:04,544 --> 00:09:07,280 THANKS TO JANET, THE PLEASURE 257 00:09:07,280 --> 00:09:10,216 PRINCIPLE IS RULING THE AIRWAYS 258 00:09:10,216 --> 00:09:10,450 TONIGHT. 259 00:09:10,450 --> 00:09:12,752 >> Tyra: IT ABSOLUTELY IS. 260 00:09:12,752 --> 00:09:13,019 TOTALLY. 261 00:09:13,019 --> 00:09:15,822 >> FUN, PLAYFUL, YOU WERE EVEN 262 00:09:15,822 --> 00:09:17,057 DOING BACKING VOCALS. 263 00:09:17,057 --> 00:09:19,259 WHICH WAS NOT NECESSARY, BY THE 264 00:09:19,259 --> 00:09:21,828 WAY, THIS IS ANOTHER SHOW. 265 00:09:21,828 --> 00:09:23,730 BUT I HAVE TO SAY, YOUR FLUIDITY 266 00:09:23,730 --> 00:09:24,297 HAS IMPROVED. 267 00:09:24,297 --> 00:09:28,101 BUT NO HEEL LEADS IN THE 268 00:09:28,101 --> 00:09:28,401 CHA‐CHA‐CHA! 269 00:09:28,401 --> 00:09:31,204 >> Tyra: OH. 270 00:09:31,204 --> 00:09:31,805 CARRIE ANN? 271 00:09:31,805 --> 00:09:33,206 >> LOOK, YOU BRING THE FUN EVERY 272 00:09:33,206 --> 00:09:33,640 TIME. 273 00:09:33,640 --> 00:09:34,908 WHAT A GREAT WAY TO START OUT 274 00:09:34,908 --> 00:09:35,775 THE NIGHT. 275 00:09:35,775 --> 00:09:37,243 YOU ALWAYS MAKE US SMILE. 276 00:09:37,243 --> 00:09:39,012 I LOVE THAT ABOUT YOU. 277 00:09:39,012 --> 00:09:40,380 THERE'S A CASUALNESS ABOUT YOU. 278 00:09:40,380 --> 00:09:41,815 BUT IN THE QUARTERFINALS, WE 279 00:09:41,815 --> 00:09:43,416 ARE, WE'RE LOOKING FOR THE 280 00:09:43,416 --> 00:09:44,918 DETAILS OF THE TECHNIQUE. 281 00:09:44,918 --> 00:09:46,586 THE SHOULDERS WERE UP, WE WANT 282 00:09:46,586 --> 00:09:48,188 THEM DOWN, TOO. 283 00:09:48,188 --> 00:09:49,856 AND KEEP THE RIB CAGE IN, OKAY? 284 00:09:49,856 --> 00:09:50,990 >> Tyra: ALL RIGHTY. 285 00:09:50,990 --> 00:09:52,625 I LOVE THIS LITTLE EMMA. 286 00:09:52,625 --> 00:09:54,427 I MEAN, I THINK EVERYBODY ON 287 00:09:54,427 --> 00:09:58,031 SOCIAL WILL BE CALLING YOU 288 00:09:58,031 --> 00:10:00,867 LITTLE EMMA. 289 00:10:00,867 --> 00:10:01,134 #LITTLEEMMA. 290 00:10:01,134 --> 00:10:03,403 TELL US ABOUT THIS FRIENDSHIP. 291 00:10:03,403 --> 00:10:04,938 >> SHE'S BECOME LIKE A SISTER TO 292 00:10:04,938 --> 00:10:05,105 ME. 293 00:10:05,105 --> 00:10:06,773 SHE GETS ON ME LIKE THE HEEL. 294 00:10:06,773 --> 00:10:09,008 I SAY, WHEN I DANCE ON STAGE A 295 00:10:09,008 --> 00:10:11,377 LOT OF TIMES, I GO WITH THE 296 00:10:11,377 --> 00:10:11,578 HEEL. 297 00:10:11,578 --> 00:10:13,546 BUT SHE'S BEEN GREAT, MY FAMILY 298 00:10:13,546 --> 00:10:15,748 LOVES HER, SHE SUPPORTS ME AND 299 00:10:15,748 --> 00:10:19,419 MY CAREER, ME AND MY FAMILY. 300 00:10:19,419 --> 00:10:21,154 I COULDN'T ASK FOR A BETTER 301 00:10:21,154 --> 00:10:21,921 PARTER IN. 302 00:10:21,921 --> 00:10:23,323 >> Tyra: LET'S GET THESE SCORES. 303 00:10:23,323 --> 00:10:25,592 LET'S GO. 304 00:10:25,592 --> 00:10:26,226 >> Announcer: CARRIE ANN INABA. 305 00:10:26,226 --> 00:10:28,461 >> 8. 306 00:10:28,461 --> 00:10:28,995 >> Announcer: LEN GOODMAN. 307 00:10:28,995 --> 00:10:30,930 >> YES, IT'S AN 8. 308 00:10:30,930 --> 00:10:31,464 >> Announcer: DEREK HOUGH. 309 00:10:31,464 --> 00:10:33,533 >> I AGREE. 310 00:10:33,533 --> 00:10:36,736 8. 311 00:10:36,736 --> 00:10:37,303 >> Announcer: BRUNO TONIOLI. 312 00:10:37,303 --> 00:10:39,906 >> 8. 313 00:10:39,906 --> 00:10:43,042 >> Tyra: IT'S AN 8‐CAPADE. 314 00:10:43,042 --> 00:10:46,079 32 OUT OF 40 FOR JIMMIE AND 315 00:10:46,079 --> 00:10:46,279 EMMA. 316 00:10:46,279 --> 00:10:46,913 BY THE WAY, YOU CAN CATCH JIMMIE 317 00:10:46,913 --> 00:10:47,480 PERFORMING LIVE ON THE CMA 318 00:10:47,480 --> 00:10:48,648 AWARDS, WEDNESDAY NIGHT AT 8:00, 319 00:10:48,648 --> 00:10:52,986 7:00 P. M. CENTRAL ON ABC. 320 00:10:52,986 --> 00:10:54,621 NOW, NEXT, SUNI LEE, WHO HAS A 321 00:10:54,621 --> 00:10:58,191 NEW LOOK, AND SASHA, DANCE A 322 00:10:58,191 --> 00:10:59,425 SAMBA TO JANET JACKSON'S NUMBER 323 00:10:59,425 --> 00:11:00,960 ONE HIT, "ALL FOR YOU." 324 00:11:05,932 --> 00:11:06,432 [ CHEERS AND APPLAUSE ] 325 00:11:06,432 --> 00:11:11,638 ♪ 326 00:11:11,638 --> 00:11:14,274 >> Tyra: WELCOME BACK TO JANET 327 00:11:14,274 --> 00:11:15,742 JACKSON NIGHT. 328 00:11:15,742 --> 00:11:17,177 REMEMBER, YOU'RE VOTING FOR THE 329 00:11:17,177 --> 00:11:18,745 STARS YOU WANT TO SEE IN NEXT 330 00:11:18,745 --> 00:11:20,813 WEEK'S SEMIFINALS. 331 00:11:20,813 --> 00:11:22,715 LAST WEEK'S BOTTOM TWO WAS A 332 00:11:22,715 --> 00:11:23,516 SHOCK TO ALL OF US. 333 00:11:23,516 --> 00:11:26,219 THE COUPLES AT THE BOTTOM HAVE 334 00:11:26,219 --> 00:11:26,853 CHANGED EVERY WEEK. 335 00:11:26,853 --> 00:11:29,355 IN FACT, WHEN IT CAME TO LAST 336 00:11:29,355 --> 00:11:31,424 WEEK'S VOTES, TWO COUPLES WERE 337 00:11:31,424 --> 00:11:40,633 SEPARATED BY LESS THAN 0.1%. 338 00:11:40,633 --> 00:11:44,404 AND TONIGHT, YOU GET TEN VOTES 339 00:11:44,404 --> 00:11:51,411 PER DANCING COUPLE PER VOTIING 340 00:11:51,411 --> 00:11:53,947 METHOD FOR TONIGHT'S DOUBLE 341 00:11:53,947 --> 00:11:54,280 ELIMINATION. 342 00:11:54,280 --> 00:11:55,748 NEXT UP, SUNI LEE IS FEELING 343 00:11:55,748 --> 00:11:57,183 GREAT TONIGHT, AND SHE'S READY 344 00:11:57,183 --> 00:12:02,055 TO DANCE A SAMBA WITH SASHA TO 345 00:12:02,055 --> 00:12:04,290 JANET'S SIGNATURE SONG, "ALL FOR 346 00:12:04,290 --> 00:12:06,659 YOU." 347 00:12:06,659 --> 00:12:08,294 >> LAST WEEK WAS ROUGH. 348 00:12:08,294 --> 00:12:10,196 THE DAY OF THE LIVE SHOW, I WAS 349 00:12:10,196 --> 00:12:11,464 FEELING REALLY SICK. 350 00:12:11,464 --> 00:12:12,966 THE WHOLE TIME I WAS JUST 351 00:12:12,966 --> 00:12:14,100 THINKING, LIKE, JUST GET THROUGH 352 00:12:14,100 --> 00:12:16,135 THE DANCE AND YOU CAN GET UP AND 353 00:12:16,135 --> 00:12:16,302 GO. 354 00:12:16,302 --> 00:12:17,470 >> SUNI AND SASHA. 355 00:12:17,470 --> 00:12:20,406 >> AFTER THE DANCE, I HAD TO RUN 356 00:12:20,406 --> 00:12:22,809 TO THE BATHROOM, BECAUSE I HAD 357 00:12:22,809 --> 00:12:23,443 TO THROW UP. 358 00:12:23,443 --> 00:12:24,577 >> IS SHE OKAY? 359 00:12:24,577 --> 00:12:25,144 >> POOR THING. 360 00:12:25,144 --> 00:12:27,580 >> I LITERALLY RAN OFF THE STAGE 361 00:12:27,580 --> 00:12:28,281 ON LIVE TV. 362 00:12:28,281 --> 00:12:29,215 >> IS SHE OKAY? 363 00:12:29,215 --> 00:12:31,184 >> SERIOUSLY, THAT DANCE WAS SO 364 00:12:31,184 --> 00:12:32,018 GOOD. 365 00:12:32,018 --> 00:12:33,920 >> WHEN I WAS BACKSTAGE, I THINK 366 00:12:33,920 --> 00:12:36,856 I WAS MORE EMBARRASSED THAN 367 00:12:36,856 --> 00:12:37,123 ANYTHING. 368 00:12:37,123 --> 00:12:38,391 BUT I WAS NOT ABOUT TO THROW UP 369 00:12:38,391 --> 00:12:38,992 ON NATIONAL TV. 370 00:12:38,992 --> 00:12:40,693 >> FIRST OF ALL, HOW ARE YOU 371 00:12:40,693 --> 00:12:40,927 FEELING? 372 00:12:40,927 --> 00:12:42,395 >> A LOT BETTER. 373 00:12:42,395 --> 00:12:43,296 THAT WAS A ROUGH WEEK. 374 00:12:43,296 --> 00:12:45,798 PROBABLY GOING TO HAVE TO DELETE 375 00:12:45,798 --> 00:12:46,833 ALL MY SOCIAL MEDIA FOR THIS. 376 00:12:46,833 --> 00:12:47,333 >> WHY? 377 00:12:47,333 --> 00:12:48,968 >> I DON'T LIKE LOOKING AT 378 00:12:48,968 --> 00:12:51,571 NEGATIVE COMMENTS AND STUFF. 379 00:12:51,571 --> 00:12:53,072 ON SOCIAL MEDIA, I ALWAYS SEE A 380 00:12:53,072 --> 00:12:54,941 LOT OF MEAN COMMENTS ABOUT ME 381 00:12:54,941 --> 00:12:56,576 NOT BEING ABLE TO DANCE, AND I 382 00:12:56,576 --> 00:12:57,844 NEED TO GO HOME. 383 00:12:57,844 --> 00:12:59,612 SINCE I'M NOT THE BEST AT IT ‐‐ 384 00:12:59,612 --> 00:13:03,349 >> YOU'RE OUT OF YOUR COMFORT 385 00:13:03,349 --> 00:13:03,549 ZONE. 386 00:13:03,549 --> 00:13:03,783 >> YEAH. 387 00:13:03,783 --> 00:13:04,584 AND I FEEL LIKE THEY'RE RIGHT. 388 00:13:04,584 --> 00:13:07,887 I LET THEM GET TO ME. 389 00:13:07,887 --> 00:13:09,355 IF I DIDN'T CARE ABOUT WHAT 390 00:13:09,355 --> 00:13:10,823 EVERYBODY SAID, I FEEL LIKE I 391 00:13:10,823 --> 00:13:12,392 COULD BE SO MUCH BETTER. 392 00:13:12,392 --> 00:13:14,093 THIS WEEK, WE'RE DOING A SAMBA 393 00:13:14,093 --> 00:13:15,428 TO ALL FOR YOU. 394 00:13:15,428 --> 00:13:16,296 >> 7, 8. 395 00:13:16,296 --> 00:13:19,399 >> I HAVE BEEN WORKING MY BUTT 396 00:13:19,399 --> 00:13:20,867 OFF IN REHEARSALS. 397 00:13:20,867 --> 00:13:23,169 IF I LOOK GOOFY, THEN I LOOK 398 00:13:23,169 --> 00:13:23,369 GOOFY. 399 00:13:23,369 --> 00:13:23,803 I'M HAVING FUN. 400 00:13:23,803 --> 00:13:24,404 AND NOBODY WILL TAKE THE FUN 401 00:13:24,404 --> 00:13:29,942 AWAY. 402 00:13:29,942 --> 00:13:31,377 >> Announcer: DANCING THE SAMBA 403 00:13:31,377 --> 00:13:31,978 WITH HER PARTNER SASHA, IT'S 404 00:13:31,978 --> 00:13:37,950 SUNI LEE. 405 00:13:38,918 --> 00:13:46,559 ♪ 406 00:13:46,559 --> 00:13:48,728 ♪ ALL FOR YOU DO YOU REALLY WANT 407 00:13:48,728 --> 00:13:49,562 IT ♪ 408 00:13:49,562 --> 00:13:56,602 ♪ ALL FOR YOU ALL FOR YOU 409 00:13:56,602 --> 00:13:58,971 ♪ YOU GOT TO HAVE IT. 410 00:13:58,971 --> 00:14:05,011 ♪ ALL FOR YOU 411 00:14:05,011 --> 00:14:10,883 ♪ I SEE YOU OUT THE CORNER OF MY 412 00:14:10,883 --> 00:14:11,751 EYE ♪ 413 00:14:11,751 --> 00:14:17,457 ♪ BUT INSIDE YOU SAY OH MY I 414 00:14:17,457 --> 00:14:19,792 KNOW EXACTLY BECAUSE IT HAPPENS 415 00:14:19,792 --> 00:14:20,827 WITH OTHER GUYS ♪ 416 00:14:20,827 --> 00:14:26,332 ♪ WHAT YOU GONNA DO COME ON TALK 417 00:14:26,332 --> 00:14:27,166 TO ME ♪ 418 00:14:27,166 --> 00:14:32,004 ♪ THAT AIN'T THE WAY TO BE 419 00:14:32,004 --> 00:14:35,074 YEAH ♪ 420 00:14:35,074 --> 00:14:39,679 ♪ ALL FOR YOU ALL FOR YOU 421 00:14:39,679 --> 00:14:44,717 ♪ IT'S ALL FOR YOU 422 00:14:44,717 --> 00:14:47,220 ♪ YOU GOT TO HAVE IT 423 00:14:47,220 --> 00:14:55,862 ♪ IT'S ALL FOR YOU 424 00:14:55,862 --> 00:14:56,028 ♪ 425 00:14:56,028 --> 00:14:56,529 [ CHEERS AND APPLAUSE ] 426 00:14:56,529 --> 00:15:03,069 >> Tyra: SUNI AND SASHA WITH A 427 00:15:03,069 --> 00:15:04,704 SAMBA TO "ALL FOR YOU." 428 00:15:04,704 --> 00:15:04,904 DEREK? 429 00:15:04,904 --> 00:15:07,473 >> SUNI! 430 00:15:07,473 --> 00:15:08,975 MY GIRL! 431 00:15:08,975 --> 00:15:13,379 OH, MY ‐‐ YO, GET THIS GIRL A 432 00:15:13,379 --> 00:15:14,847 HAIR CAMPAIGN IMMEDIATELY. 433 00:15:14,847 --> 00:15:16,816 NEW HAIR, NEW CONFIDENCE. 434 00:15:16,816 --> 00:15:19,118 BABE, YES. 435 00:15:19,118 --> 00:15:19,285 YES. 436 00:15:19,285 --> 00:15:20,286 YOU WERE SO VIBRANT. 437 00:15:20,286 --> 00:15:22,054 YOU HAD THIS BEAUTIFUL ENERGY 438 00:15:22,054 --> 00:15:23,656 OOZING OUT OF YOU. 439 00:15:23,656 --> 00:15:24,590 SO MAGNETIC. 440 00:15:24,590 --> 00:15:25,758 SO SMOOTH. 441 00:15:25,758 --> 00:15:26,692 THE TECHNIQUE. 442 00:15:26,692 --> 00:15:28,127 SAMBA IS A TOUGH ONE. 443 00:15:28,127 --> 00:15:30,430 AND YOU DID IT SO BEAUTIFULLY. 444 00:15:30,430 --> 00:15:31,597 SO GRACEFULLY. 445 00:15:31,597 --> 00:15:32,098 YEAH, GIRL. 446 00:15:32,098 --> 00:15:34,167 >> Tyra: OKAY. 447 00:15:34,167 --> 00:15:34,367 BRUNO? 448 00:15:34,367 --> 00:15:38,871 >> REBOOTED, RECHARGED, RUNNING 449 00:15:38,871 --> 00:15:41,207 ON HIGH OCTANE. 450 00:15:41,207 --> 00:15:43,776 ACTUALLY, I SEE YOU FOR THE 451 00:15:43,776 --> 00:15:46,045 FIRST TIME IN HD. 452 00:15:46,045 --> 00:15:46,512 YOU WERE BRILLIANT. 453 00:15:46,512 --> 00:15:48,247 BECAUSE YOU HAD PROS AROUND YOU, 454 00:15:48,247 --> 00:15:50,716 YOU COULD BE ONE OF THEM. 455 00:15:50,716 --> 00:15:56,589 AND IT WAS 100% AUTHENTIC A 456 00:15:56,589 --> 00:15:56,823 SAMBA. 457 00:15:56,823 --> 00:15:57,690 >> Tyra: CARRIE ANN? 458 00:15:57,690 --> 00:15:59,459 >> SUNI, I'M SO PROUD OF YOU. 459 00:15:59,459 --> 00:16:00,927 THIS IS WHAT I THOUGHT WAS 460 00:16:00,927 --> 00:16:02,762 INSIDE OF YOU THIS WHOLE TIME. 461 00:16:02,762 --> 00:16:04,030 WE'VE ALL BEEN WAITING. 462 00:16:04,030 --> 00:16:05,264 DOES IT FEEL LIKE THIS IS 463 00:16:05,264 --> 00:16:06,098 FINALLY YOU? 464 00:16:06,098 --> 00:16:06,566 >> YES. 465 00:16:06,566 --> 00:16:08,434 >> THIS WAS ALL YOU, AND ALL 466 00:16:08,434 --> 00:16:09,101 FANTASTIC. 467 00:16:09,101 --> 00:16:09,836 WELL DONE. 468 00:16:09,836 --> 00:16:10,203 >> THANK YOU. 469 00:16:10,203 --> 00:16:10,937 >> Tyra: LEN? 470 00:16:10,937 --> 00:16:16,609 >> IF I WAS A DOCTOR, GIVING 471 00:16:16,609 --> 00:16:20,513 YOUR SAMBA A HEALTH CHECK, IT 472 00:16:20,513 --> 00:16:21,414 WOULD GET A ONE. 473 00:16:21,414 --> 00:16:23,783 >> THAT'S A GOOD THING, RIGHT? 474 00:16:23,783 --> 00:16:25,418 >> Tyra: WE GOT NEW HAIR, NEW 475 00:16:25,418 --> 00:16:25,618 SUNI. 476 00:16:25,618 --> 00:16:27,720 WHAT IS HAPPENING THIS WEEK, 477 00:16:27,720 --> 00:16:28,688 BECAUSE YOU ARE GLOWING. 478 00:16:28,688 --> 00:16:30,790 >> I'M HONESTLY SO HAPPY AND 479 00:16:30,790 --> 00:16:31,023 EXCITED. 480 00:16:31,023 --> 00:16:32,625 I FEEL LIKE THIS IS THE TIME TO 481 00:16:32,625 --> 00:16:33,860 REALLY STEP IT UP. 482 00:16:33,860 --> 00:16:37,663 I WAS LIKE, I NEED TO LET GO, 483 00:16:37,663 --> 00:16:39,899 FORGET ABOUT EVERYTHING, AND DO 484 00:16:39,899 --> 00:16:40,833 MY THING. 485 00:16:40,833 --> 00:16:41,934 >> Tyra: IT'S WORKING. 486 00:16:41,934 --> 00:16:43,703 THE HIGHLIGHTS HAVE GIVEN HER 487 00:16:43,703 --> 00:16:43,903 LIFE. 488 00:16:43,903 --> 00:16:45,571 LET'S GET YOUR SCORES. 489 00:16:45,571 --> 00:16:46,205 >> Announcer: CARRIE ANN INABA. 490 00:16:46,205 --> 00:16:49,208 >> IT'S A 10! 491 00:16:49,208 --> 00:16:49,742 >> Announcer: LEN GOODMAN. 492 00:16:49,742 --> 00:16:55,014 >> FROM LEN, THE 10! 493 00:16:55,014 --> 00:16:55,548 >> Announcer: DEREK HOUGH. 494 00:16:55,548 --> 00:16:58,885 >> FROM DEREK, I DON'T KNOW, A 495 00:16:58,885 --> 00:16:59,452 10! 496 00:16:59,452 --> 00:17:00,019 >> Announcer: BRUNO TONIOLI. 497 00:17:00,019 --> 00:17:04,323 >> 10, BABY. 498 00:17:04,323 --> 00:17:04,991 [ CHEERS AND APPLAUSE ] 499 00:17:04,991 --> 00:17:07,960 >> Tyra: PERFECT SCORE FOR A 500 00:17:07,960 --> 00:17:08,294 PERFECT DANCE. 501 00:17:08,294 --> 00:17:12,098 40 OUT OF 40 FOR SUNI AND SASHA. 502 00:17:12,098 --> 00:17:14,934 YOU GUYS GET READY TO GO 503 00:17:14,934 --> 00:17:15,167 CELEBRATE. 504 00:17:15,167 --> 00:17:16,602 YOU GOT THE DANCE‐OFF. 505 00:17:16,602 --> 00:17:21,674 BUT GO CELEBRATE THAT. 506 00:17:21,674 --> 00:17:23,643 LET'S SEE OUR ACTRESS FROM "THE 507 00:17:23,643 --> 00:17:25,478 OFFICE, " THIS WEEK MELORA 508 00:17:25,478 --> 00:17:27,346 HARDIN AND ARTEM HAD SOME TENSE 509 00:17:27,346 --> 00:17:28,481 MOMENTS AS THEY TRAINED FOR A 510 00:17:28,481 --> 00:17:34,620 PASO DOBLE TO "IF." 511 00:17:34,620 --> 00:17:37,423 >> THIS WEEK, IT'S GOING TO BE 512 00:17:37,423 --> 00:17:39,458 JANET JACKSON NIGHT. 513 00:17:39,458 --> 00:17:41,227 AND WE'RE DANCING PASO DOBLE TO 514 00:17:41,227 --> 00:17:42,728 THE SONG "IF." 515 00:17:42,728 --> 00:17:45,431 >> THAT'S A POWERFUL DANCE. 516 00:17:45,431 --> 00:17:49,602 >> WE NEED TO GET SOME 10s 517 00:17:49,602 --> 00:17:49,969 AGAIN. 518 00:17:49,969 --> 00:17:51,871 THIS WEEK IS A DOUBLE 519 00:17:51,871 --> 00:17:52,271 ELIMINATION. 520 00:17:52,271 --> 00:17:58,244 ARTEM AND I ARE WORKING HARD TO 521 00:17:58,244 --> 00:17:58,711 GET TO THE SEMIFINALS. 522 00:17:58,711 --> 00:17:59,378 I'M PHYSICALLY EXHAUSTED. 523 00:17:59,378 --> 00:18:00,746 YOU DON'T HAVE ENOUGH HOURS IN 524 00:18:00,746 --> 00:18:01,080 THE DAY. 525 00:18:01,080 --> 00:18:03,015 >> TRY TO STAY ON TIME. 526 00:18:03,015 --> 00:18:04,884 I'M NOT GOING TO BE HOLDING 527 00:18:04,884 --> 00:18:05,117 BACK. 528 00:18:05,117 --> 00:18:07,186 WE ONLY HAVE A FEW DAYS. 529 00:18:07,186 --> 00:18:07,920 >> I UNDERSTAND. 530 00:18:07,920 --> 00:18:09,522 BUT YOU DON'T NEED TO BE 531 00:18:09,522 --> 00:18:10,756 STRESSED AT ME BECAUSE YOU'RE 532 00:18:10,756 --> 00:18:12,124 STRESSED ABOUT THE TIME. 533 00:18:12,124 --> 00:18:17,096 HE WAS FRUSTRATED BY ME. 534 00:18:17,096 --> 00:18:18,431 MAKES ME FEEL UPSET. 535 00:18:18,431 --> 00:18:19,932 WE'RE UP AGAINST SOME STRESS 536 00:18:19,932 --> 00:18:22,234 HERE, I'M UP AGAINST SOME 537 00:18:22,234 --> 00:18:22,468 STRESS. 538 00:18:22,468 --> 00:18:22,935 YOU WERE BEING COLD. 539 00:18:22,935 --> 00:18:23,269 >> YEAH. 540 00:18:23,269 --> 00:18:24,737 BECAUSE I NEEDED TO GET DONE. 541 00:18:24,737 --> 00:18:26,439 >> THE ONLY WAY TO MATCH YOU 542 00:18:26,439 --> 00:18:27,473 WHEN YOU'RE BEING LIKE THAT IS 543 00:18:27,473 --> 00:18:28,975 TO BE LIKE THAT. 544 00:18:28,975 --> 00:18:29,809 >> OKAY. 545 00:18:29,809 --> 00:18:30,009 COOL. 546 00:18:30,009 --> 00:18:33,346 >> THERE'S GOING TO BE PLACES 547 00:18:33,346 --> 00:18:34,380 WHERE YOU KIND OF DON'T CLICK. 548 00:18:34,380 --> 00:18:35,915 WE'RE STILL LEARNING ABOUT EACH 549 00:18:35,915 --> 00:18:36,916 OTHER. 550 00:18:36,916 --> 00:18:39,218 BUT WHEN I GET SILENT ARTEM, I'M 551 00:18:39,218 --> 00:18:39,619 IN FEAR. 552 00:18:39,619 --> 00:18:41,420 AND I'M GOING TO DISAPPOINT 553 00:18:41,420 --> 00:18:41,887 EVERYBODY. 554 00:18:41,887 --> 00:18:43,923 THAT'S WHAT HAPPENS TO ME. 555 00:18:43,923 --> 00:18:46,659 IT'S LIKE YOU'RE ‐‐ OFF ABOUT 556 00:18:46,659 --> 00:18:48,194 EVERYTHING, AND IT'S LIKE, OKAY. 557 00:18:48,194 --> 00:18:50,396 IT'S A GREAT WAY TO START 558 00:18:50,396 --> 00:18:50,696 REHEARSAL. 559 00:18:50,696 --> 00:18:52,098 >> GETTING UPSET WITH ME FOR 560 00:18:52,098 --> 00:18:55,635 BEING THAT WAY MAKES ME FEEL 561 00:18:55,635 --> 00:18:58,270 IT'S MY FAULT THAT WE DON'T HAVE 562 00:18:58,270 --> 00:18:58,471 TIME. 563 00:18:58,471 --> 00:18:59,438 >> IT'S NOT YOUR FAULT. 564 00:18:59,438 --> 00:19:01,240 >> BUT THAT'S HOW IT MADE ME 565 00:19:01,240 --> 00:19:01,440 FEEL. 566 00:19:01,440 --> 00:19:04,710 >> IT MAKES SENSE THERE'S GOING 567 00:19:04,710 --> 00:19:06,145 TO BE HICCHICCUPS. 568 00:19:06,145 --> 00:19:07,546 IN ANY INTENSE RELATIONSHIP. 569 00:19:07,546 --> 00:19:11,250 I'M SO STORY I MESSED UP THIS 570 00:19:11,250 --> 00:19:12,351 MORNING. 571 00:19:12,351 --> 00:19:16,422 IT'S AN INTENSE TIME, BUT WE'RE 572 00:19:16,422 --> 00:19:19,025 A TEAM, A PARTNERSHIP. 573 00:19:19,025 --> 00:19:19,925 IT'S SUPERHUMAN, THE THINGS 574 00:19:19,925 --> 00:19:20,926 YOU'RE DOING. 575 00:19:20,926 --> 00:19:24,230 YOU KNOW I APPRECIATE THAT, SO 576 00:19:24,230 --> 00:19:25,765 MUCH. 577 00:19:25,765 --> 00:19:26,265 [ CHEERS AND APPLAUSE ] 578 00:19:26,265 --> 00:19:27,299 >> Announcer: DANCING THE PASO 579 00:19:27,299 --> 00:19:28,267 DOBLE WITH HER PARTNER ARTEM, 580 00:19:28,267 --> 00:19:29,035 IT'S MELORA HARDIN. 581 00:19:29,035 --> 00:19:40,179 ♪ 582 00:19:54,160 --> 00:20:00,299 ♪ 583 00:20:00,299 --> 00:20:02,334 ♪ HOW MANY NIGHTS I'VE LAID IN 584 00:20:02,334 --> 00:20:05,404 BET EXCITED OVER YOU I CLOSE MY 585 00:20:05,404 --> 00:20:08,274 EYES AND THOUGHT OF US 100 586 00:20:08,274 --> 00:20:12,111 DIFFERENT WAYS ♪ 587 00:20:12,111 --> 00:20:14,380 ♪ HOW MANY TIMES I WONDER HOW 588 00:20:14,380 --> 00:20:15,481 ABOUT YOU ♪ 589 00:20:15,481 --> 00:20:18,017 ♪ DAY AND NIGHT NIGHT AND DAY 590 00:20:18,017 --> 00:20:20,653 ♪ IF I WAS YOUR GIRL OH THE 591 00:20:20,653 --> 00:20:23,923 THINGS I'D DO TO YOU BUT I'M 592 00:20:23,923 --> 00:20:24,390 NOT ♪ 593 00:20:24,390 --> 00:20:27,593 ♪ SO I CAN'T AND I WON'T 594 00:20:27,593 --> 00:20:35,201 ♪ IF I WAS YOUR GIRL 595 00:20:35,201 --> 00:20:44,477 ♪ 596 00:20:45,478 --> 00:20:52,017 ♪ 597 00:20:52,017 --> 00:20:54,720 ♪ IF I WAS YOUR GIRL 598 00:20:54,720 --> 00:20:55,121 ♪ 599 00:20:55,121 --> 00:20:55,621 [ CHEERS AND APPLAUSE ] 600 00:20:55,621 --> 00:21:01,227 >> Tyra: OH, FOR THE SPINNING 601 00:21:01,227 --> 00:21:04,330 CLOCK, TICK‐TOCK, YOU DON'T 602 00:21:04,330 --> 00:21:04,730 STOP. 603 00:21:04,730 --> 00:21:10,603 MELORA AND ARTEM, PASO DOBLE. 604 00:21:10,603 --> 00:21:16,509 DEREK AND BRUNO, EVERYBODY ON 605 00:21:16,509 --> 00:21:16,809 THEIR FEET. 606 00:21:16,809 --> 00:21:19,011 LET'S START WITH YOU, BRUNO. 607 00:21:19,011 --> 00:21:21,981 >> THE QUEEN OF MEAN. 608 00:21:21,981 --> 00:21:24,116 FEROCIOUS. 609 00:21:24,116 --> 00:21:24,350 FURIOUS. 610 00:21:24,350 --> 00:21:25,951 YOU WERE SPINNING LIKE A 611 00:21:25,951 --> 00:21:26,218 WHIRLWIND. 612 00:21:26,218 --> 00:21:27,353 I THOUGHT YOU WERE GOING TO TAKE 613 00:21:27,353 --> 00:21:27,520 OFF. 614 00:21:27,520 --> 00:21:29,388 BUT I HAVE TO SAY, THE KEY TO 615 00:21:29,388 --> 00:21:33,092 THE PASO DOBLE IS ARTISTRY, IN 616 00:21:33,092 --> 00:21:34,660 SPITE OF IT ALL, THE ARTISTRY 617 00:21:34,660 --> 00:21:35,995 AND THE BEAUTY WAS THERE. 618 00:21:35,995 --> 00:21:37,129 THE CHARACTER WAS THERE. 619 00:21:37,129 --> 00:21:40,566 I MEAN, ABSOLUTELY WONDERFUL. 620 00:21:40,566 --> 00:21:41,801 >> Tyra: CARRIE ANN? 621 00:21:41,801 --> 00:21:43,903 >> OKAY. 622 00:21:43,903 --> 00:21:45,838 MELORA, I JUST HAVE TO SAY THIS. 623 00:21:45,838 --> 00:21:47,673 OFTENTIMES, WOMEN IN THEIR 50s 624 00:21:47,673 --> 00:21:49,074 JUST CAN'T QUITE COMPETE AT THE 625 00:21:49,074 --> 00:21:50,009 LEVEL OF EVERYBODY ELSE. 626 00:21:50,009 --> 00:21:54,580 BUT THIS YEAR, YOU ARE KICKING 627 00:21:54,580 --> 00:21:58,684 THE BALLS OUT OF THIS BALLROOM 628 00:21:58,684 --> 00:21:58,984 COMPETITION. 629 00:21:58,984 --> 00:22:02,087 IT WAS AMAZING, POWERFUL, 630 00:22:02,087 --> 00:22:02,388 PASSIONATE. 631 00:22:02,388 --> 00:22:03,355 I'M SO PROUD OF YOU. 632 00:22:03,355 --> 00:22:03,889 WELL DONE. 633 00:22:03,889 --> 00:22:06,926 IT'S OKAY THAT YOU GUYS FOUGHT. 634 00:22:06,926 --> 00:22:07,326 FORGET IT. 635 00:22:07,326 --> 00:22:08,994 I'M DONE. 636 00:22:08,994 --> 00:22:09,628 >> Tyra: LEN? 637 00:22:09,628 --> 00:22:15,167 >> MELORA, WHAT CAME OUT OF YOU? 638 00:22:15,167 --> 00:22:15,901 YOU'RE USUALLY SUCH A GENTEEL 639 00:22:15,901 --> 00:22:18,337 AND NICE, THEN YOU'RE 640 00:22:18,337 --> 00:22:19,305 AGGRESSIVE, YOU HAVE ATTACK. 641 00:22:19,305 --> 00:22:21,740 I LOVE THE SKIRT, IT GAVE THE 642 00:22:21,740 --> 00:22:23,275 FEELING OF A CAPE THROUGHOUT THE 643 00:22:23,275 --> 00:22:23,642 DANCE. 644 00:22:23,642 --> 00:22:24,443 WELL DONE. 645 00:22:24,443 --> 00:22:25,344 GREAT PERFORMANCE. 646 00:22:25,344 --> 00:22:25,711 >> Tyra: DEREK? 647 00:22:25,711 --> 00:22:28,914 >> FIRST OF ALL, I LOVED YOUR 648 00:22:28,914 --> 00:22:29,148 PACKAGE. 649 00:22:29,148 --> 00:22:31,550 IT REMINDS US ALL HOW DIFFICULT 650 00:22:31,550 --> 00:22:31,784 IT IS. 651 00:22:31,784 --> 00:22:36,288 BUT YOU CAME OUT, YOU ABSOLUTELY 652 00:22:36,288 --> 00:22:37,089 SLAYED THAT PASO. 653 00:22:37,089 --> 00:22:38,390 I'M OUT OF TIME. 654 00:22:38,390 --> 00:22:39,558 YOU'RE AMAZING. 655 00:22:39,558 --> 00:22:39,758 WOW. 656 00:22:39,758 --> 00:22:42,862 >> Tyra: THAT WAS INTENSE TO SEE 657 00:22:42,862 --> 00:22:44,230 YOU HAVE THAT REAL FAMILY 658 00:22:44,230 --> 00:22:44,463 MOMENT. 659 00:22:44,463 --> 00:22:45,164 WHAT WAS GOING ON? 660 00:22:45,164 --> 00:22:46,465 HOW ARE YOU GUYS FEELING NOW? 661 00:22:46,465 --> 00:22:49,668 >> YOU KNOW, WE'RE REALLY AT THE 662 00:22:49,668 --> 00:22:50,236 NITTY‐GRITTY HERE. 663 00:22:50,236 --> 00:22:52,438 I'M VERY AWARE THAT THIS COULD 664 00:22:52,438 --> 00:22:54,273 BE MY LAST NIGHT ON THE SHOW. 665 00:22:54,273 --> 00:22:56,742 I WANT TO TAKE A MOMENT TO 666 00:22:56,742 --> 00:22:58,844 REALLY THANK SOME OF THE MANY, 667 00:22:58,844 --> 00:23:01,480 MANY PEOPLE THAT THE AUDIENCE AT 668 00:23:01,480 --> 00:23:03,315 HOME DOES NOT SEE, THE PEOPLE 669 00:23:03,315 --> 00:23:05,351 THAT MAKE OUR INCREDIBLE 670 00:23:05,351 --> 00:23:07,453 COSTUMES, THE PEOPLE THAT MAKE 671 00:23:07,453 --> 00:23:07,887 US LOOK BEAUTIFUL. 672 00:23:07,887 --> 00:23:09,088 WEEK AFTER WEEK. 673 00:23:09,088 --> 00:23:10,756 THE PEOPLE THAT GET US TO SET ON 674 00:23:10,756 --> 00:23:12,458 TIME, AND KEEP THE SHOW MOVING. 675 00:23:12,458 --> 00:23:14,360 AND THE CAMERA OPERATORS. 676 00:23:14,360 --> 00:23:18,898 AND THE SOUND DEPARTMENT. 677 00:23:18,898 --> 00:23:19,164 EVERYBODY. 678 00:23:19,164 --> 00:23:20,699 AND THE PEOPLE THAT COME OUT 679 00:23:20,699 --> 00:23:21,834 DURING THE COMMERCIAL AND SWEEP 680 00:23:21,834 --> 00:23:24,036 UP ALL THE CONFETTI. 681 00:23:24,036 --> 00:23:24,837 >> Tyra: SHE'S THANKING 682 00:23:24,837 --> 00:23:25,104 EVERYBODY. 683 00:23:25,104 --> 00:23:27,473 THEY'RE SAYING I GOT TO GET 684 00:23:27,473 --> 00:23:28,607 THESE SCORES. 685 00:23:28,607 --> 00:23:30,676 >> I LOVE EVERYONE. 686 00:23:30,676 --> 00:23:33,212 I'M PRIVILEGED. 687 00:23:33,212 --> 00:23:35,414 I LOVE YOU, ARTEM. 688 00:23:35,414 --> 00:23:36,649 >> Tyra: THEY'RE TELLING ME WE 689 00:23:36,649 --> 00:23:39,151 GOT TO GET SCORES. 690 00:23:39,151 --> 00:23:39,785 >> Announcer: CARRIE ANN INABA. 691 00:23:39,785 --> 00:23:41,086 >> IT'S A 10! 692 00:23:41,086 --> 00:23:41,620 >> Announcer: LEN GOODMAN. 693 00:23:41,620 --> 00:23:44,356 >> IT'S A 10! 694 00:23:44,356 --> 00:23:44,890 >> Announcer: DEREK HOUGH. 695 00:23:44,890 --> 00:23:48,360 >> IT'S A 10! 696 00:23:48,360 --> 00:23:48,928 >> Announcer: BRUNO TONIOLI. 697 00:23:48,928 --> 00:23:49,128 >> 10! 698 00:23:49,128 --> 00:23:53,132 >> Tyra: OH, MY GOODNESS. 699 00:23:53,132 --> 00:23:55,501 MELORA, ARTEM, YOU GUYS GOT A 700 00:23:55,501 --> 00:23:56,368 PERFECT 10. 701 00:23:56,368 --> 00:23:58,537 I KNOW JANET IS UP IN LONDON 702 00:23:58,537 --> 00:24:01,307 GOING, HECK, YEAH. 703 00:24:01,307 --> 00:24:02,942 FOUR 10s FOR A 40. 704 00:24:02,942 --> 00:24:05,945 40 OUT OF 40. 705 00:24:05,945 --> 00:24:08,013 WE'VE GOT ONE OF JANET JACKSON'S 706 00:24:08,013 --> 00:24:10,582 NUMBER ONE R&B HITS. 707 00:24:10,582 --> 00:24:13,452 OLIVIA AND VAL DANCE TO "ANYTIME 708 00:24:18,691 --> 00:24:19,191 [ CHEERS AND APPLAUSE ] 709 00:24:19,191 --> 00:24:24,229 ♪ 710 00:24:24,229 --> 00:24:26,565 >> Tyra: WE'RE BACK WITH OUR 711 00:24:26,565 --> 00:24:27,967 JANET JACKSON NIGHT COMPETITION 712 00:24:27,967 --> 00:24:29,501 AS OUR COUPLES DANCE TO SURVIVE 713 00:24:29,501 --> 00:24:32,071 TONIGHT'S DOUBLE ELIMINATION AND 714 00:24:32,071 --> 00:24:32,571 ADVANCE TO NEXT WEEK'S 715 00:24:32,571 --> 00:24:33,138 SEMIFINALS. 716 00:24:33,138 --> 00:24:35,774 NEXT UP, WITH AN ARGENTINE 717 00:24:35,774 --> 00:24:37,343 TANGO, OUR BEAUTY VLOGGER. 718 00:24:37,343 --> 00:24:38,944 FIRST, WE'RE GONNA CHECK OUT 719 00:24:38,944 --> 00:24:42,648 OLIVIA JADE AND VAL WORKING ON 720 00:24:42,648 --> 00:24:43,182 THEIR ROUTINE TO JANET'S 721 00:24:43,182 --> 00:24:45,050 BEAUTIFULLY SEXY HIT, "ANY TIME, 722 00:24:45,050 --> 00:24:50,456 ANY PLACE." 723 00:24:50,456 --> 00:24:55,361 >> LAST WEEK WAS SO INCREDIBLE. 724 00:24:55,361 --> 00:24:59,198 WE GOT OUR FIRST 10s. 725 00:24:59,198 --> 00:25:00,332 >> 10! 726 00:25:00,332 --> 00:25:04,136 >> IT WAS A BIG SURPRISE TO ME. 727 00:25:04,136 --> 00:25:08,273 I DID NOT EXPECT TO GET ALL FOUR 728 00:25:08,273 --> 00:25:08,841 OF THOSE POINTS. 729 00:25:08,841 --> 00:25:09,475 >> OLIVIA! 730 00:25:09,475 --> 00:25:10,576 >> OLIVIA! 731 00:25:10,576 --> 00:25:11,176 >> OLIVIA! 732 00:25:11,176 --> 00:25:13,012 >> I CAME ON THE SHOW AND REALLY 733 00:25:13,012 --> 00:25:14,480 DIDN'T THINK I WOULD MAKE IT 734 00:25:14,480 --> 00:25:15,247 VERY FAR. 735 00:25:15,247 --> 00:25:18,217 SO IT'S REALLY SURREAL THAT WE 736 00:25:18,217 --> 00:25:19,184 COULD POTENTIALLY MAKE THE 737 00:25:19,184 --> 00:25:20,586 SEMIFINALS IF WE MAKE IT THROUGH 738 00:25:20,586 --> 00:25:21,120 THIS WEEK. 739 00:25:21,120 --> 00:25:22,621 >> IT'S JANET JACKSON NIGHT, AND 740 00:25:22,621 --> 00:25:25,424 WE'RE DANCING THE ARGENTINE 741 00:25:25,424 --> 00:25:28,260 TANGO TO "ANY TIME, ANY PLACE". 742 00:25:28,260 --> 00:25:29,528 >> I'M REALLY EXCITED. 743 00:25:29,528 --> 00:25:31,230 SHE'S AN ICONIC SINGER AND A 744 00:25:31,230 --> 00:25:32,264 FIRE DANCER. 745 00:25:32,264 --> 00:25:34,800 I HAVE A FAMILY, SMALL 746 00:25:34,800 --> 00:25:35,534 CONNECTION TO JANET JACKSON. 747 00:25:35,534 --> 00:25:36,869 >> WHAT IS IT? 748 00:25:36,869 --> 00:25:37,803 >> FUN FACT. 749 00:25:37,803 --> 00:25:39,805 MY DAD WAS IN A JANET JACKSON 750 00:25:39,805 --> 00:25:40,973 MUSIC VIDEO. 751 00:25:40,973 --> 00:25:41,473 >> WOW. 752 00:25:41,473 --> 00:25:43,609 >> HE'S IN, LIKE, A TRUCK OR 753 00:25:43,609 --> 00:25:43,976 SOMETHING. 754 00:25:43,976 --> 00:25:45,344 SO YOUNG, LATE 20s. 755 00:25:45,344 --> 00:25:46,678 I THINK HE WAS FRIENDS WITH HER 756 00:25:46,678 --> 00:25:49,014 BACK IN THE, LIKE, EARLY '90s. 757 00:25:49,014 --> 00:25:50,883 I THINK WHY I LIKE TO DANCE SO 758 00:25:50,883 --> 00:25:52,551 MUCH IS WHEN I WAS SUPER YOUNG, 759 00:25:52,551 --> 00:25:53,852 MY DAD AND I WOULD DANCE 760 00:25:53,852 --> 00:25:55,220 TOGETHER ALL THE TIME. 761 00:25:55,220 --> 00:25:57,289 JUST BLASTING MUSIC, EVERY 762 00:25:57,289 --> 00:26:00,125 HOLIDAY PARTY, WE WOULD BE THE 763 00:26:00,125 --> 00:26:01,360 FIRST ONES ON THE DANCE FLOOR 764 00:26:01,360 --> 00:26:04,229 AND THE LAST ONES OFF. 765 00:26:04,229 --> 00:26:06,031 MY FAVORITE MEMORIES WITH MY DAD 766 00:26:06,031 --> 00:26:08,233 ARE ON THE DANCE FLOOR, A FULL 767 00:26:08,233 --> 00:26:08,834 CIRCLE MOMENT. 768 00:26:08,834 --> 00:26:11,470 AND HE'S WATCHING ME DANCE EVERY 769 00:26:11,470 --> 00:26:13,105 SINGLE MONDAY, IT MEANS 770 00:26:13,105 --> 00:26:13,405 EVERYTHING. 771 00:26:13,405 --> 00:26:15,307 HE'LL CALL ME, TEXT ME, AND TELL 772 00:26:15,307 --> 00:26:17,943 ME HE'S REALLY PROUD OF ME AND 773 00:26:17,943 --> 00:26:18,777 THAT I'M DOING A GREAT JOB. 774 00:26:18,777 --> 00:26:19,745 IT'S HARD. 775 00:26:19,745 --> 00:26:21,046 I WANT TO MAKE IT THROUGH THIS 776 00:26:21,046 --> 00:26:22,214 WEEK SO BADLY. 777 00:26:22,214 --> 00:26:25,484 I CAN'T EVEN EXPLAIN IT. 778 00:26:25,484 --> 00:26:26,618 I WILL PUSH MYSELF TO NEW LIMITS 779 00:26:26,618 --> 00:26:30,355 IF I MAKE IT TO THE SEMIS. 780 00:26:30,355 --> 00:26:30,856 [ CHEERS AND APPLAUSE ] 781 00:26:30,856 --> 00:26:31,957 >> Announcer: DANCING THE 782 00:26:31,957 --> 00:26:33,025 ARGENTINE TANGO WITH HER PARTNER 783 00:26:33,025 --> 00:26:36,295 VAL, IT'S OLIVIA JADE. 784 00:26:38,730 --> 00:26:46,672 ♪ 785 00:26:46,672 --> 00:26:47,506 ♪ IN THE 786 00:26:47,506 --> 00:26:49,641 THUNDER AND RAIN 787 00:26:49,641 --> 00:26:53,345 YOU STARE INTO MY EYES ♪ 788 00:26:53,345 --> 00:26:57,015 ♪ I CAN FEEL YOUR HAND 789 00:26:57,015 --> 00:27:01,286 MOVIN' UP MY THIGHS ♪ 790 00:27:01,286 --> 00:27:04,990 ♪ SKIRT AROUND MY WAIST 791 00:27:04,990 --> 00:27:07,092 WALL AGAINST MY FACE 792 00:27:07,092 --> 00:27:13,465 I CAN FEEL YOUR LIPS ♪ 793 00:27:13,465 --> 00:27:15,000 ♪ OOH I DON'T WANNA STOP 794 00:27:15,000 --> 00:27:18,670 JUST BECAUSE PEOPLE WALKIN' 795 00:27:18,670 --> 00:27:20,806 BY ARE WATCHIN' US ♪ 796 00:27:20,806 --> 00:27:21,273 ♪ I DON'T GIVE A DAMN 797 00:27:21,273 --> 00:27:25,010 WHAT THEY THINK ♪ 798 00:27:25,010 --> 00:27:26,612 ♪ I WANT YOU NOW 799 00:27:26,612 --> 00:27:28,180 I DON'T WANNA STOP ♪ 800 00:27:28,180 --> 00:27:29,781 ♪ JUST BECAUSE 801 00:27:29,781 --> 00:27:33,085 YOU FEEL SO GOOD ♪ 802 00:27:33,085 --> 00:27:33,519 ♪ INSIDE OF MY LOVE 803 00:27:33,519 --> 00:27:35,587 I'M NOT GONNA STOP ♪ 804 00:27:35,587 --> 00:27:38,257 ♪ NO NO NO 805 00:27:38,257 --> 00:27:41,960 I WANT YOU ♪ 806 00:27:41,960 --> 00:27:43,529 ♪ ALL I WANT TO SAY IS 807 00:27:43,529 --> 00:27:47,766 ANY TIME ♪ 808 00:27:47,766 --> 00:27:49,835 ♪ AND ANY PLACE 809 00:27:49,835 --> 00:27:56,208 I DON'T CARE WHO'S AROUND 810 00:27:56,208 --> 00:28:01,313 NO NO NO NO NO WEE OH ♪ 811 00:28:01,313 --> 00:28:01,480 ♪ 812 00:28:01,480 --> 00:28:07,119 [ CHEERS AND APPLAUSE ] 813 00:28:07,119 --> 00:28:08,554 >> Tyra: SOME TABLE ACTION, 814 00:28:08,554 --> 00:28:12,191 OLIVIA AND VAL WITH AN ARGENTINE 815 00:28:12,191 --> 00:28:13,592 TANGO TO "ANY TIME, ANY PLACE." 816 00:28:13,592 --> 00:28:17,663 CARRIE ANN? 817 00:28:17,663 --> 00:28:20,699 >> OLIVIA, IT WAS A BEAUTIFUL 818 00:28:20,699 --> 00:28:20,999 PERFORMANCE. 819 00:28:20,999 --> 00:28:23,835 YOU'RE SO ELEGANT, SO REFINED 820 00:28:23,835 --> 00:28:25,771 WITH ALL YOUR LINES. 821 00:28:25,771 --> 00:28:27,439 HONESTLY, I WOULD HAVE LIKED TO 822 00:28:27,439 --> 00:28:30,108 SEE A LITTLE MORE HEAT. 823 00:28:30,108 --> 00:28:31,476 AND YOU HAVE A RUMBA COMING UP. 824 00:28:31,476 --> 00:28:37,149 IN YOUR NEXT DANCE ‐‐ 825 00:28:37,149 --> 00:28:41,453 >> Tyra: YOU WANT A LITTLE MORE 826 00:28:41,453 --> 00:28:41,620 MM. 827 00:28:41,620 --> 00:28:41,787 LEN? 828 00:28:41,787 --> 00:28:45,524 >> I LOVED THE CHEMISTRY, YOU 829 00:28:45,524 --> 00:28:47,359 HAD MOMENTS OF SPEED. 830 00:28:47,359 --> 00:28:50,562 VAL, I'M NEVER KEEN ON A TABLE. 831 00:28:50,562 --> 00:28:51,063 >> HAVE YOU TRIED IT? 832 00:28:51,063 --> 00:28:54,399 >> Tyra: OH, VAL. 833 00:28:54,399 --> 00:28:56,001 SHAME ON YOU. 834 00:28:56,001 --> 00:28:58,770 >> DON'T KNOCK IT UNTIL YOU TRY 835 00:28:58,770 --> 00:28:58,937 IT. 836 00:28:58,937 --> 00:28:59,671 >> Tyra: DEREK? 837 00:28:59,671 --> 00:29:01,473 >> OLIVIA, BY THE WAY, YOU 838 00:29:01,473 --> 00:29:02,975 SHOULD TRY TABLES OUT, LEN. 839 00:29:02,975 --> 00:29:04,943 >> Tyra: YOU GUYS, THIS IS A 840 00:29:04,943 --> 00:29:05,310 FAMILY SHOW. 841 00:29:05,310 --> 00:29:07,779 >> OLIVIA, WHO AM I? 842 00:29:07,779 --> 00:29:08,847 WHERE AM I? 843 00:29:08,847 --> 00:29:09,181 I DON'T KNOW. 844 00:29:09,181 --> 00:29:11,316 YOU CAN DANCE A PASO OR 845 00:29:11,316 --> 00:29:13,652 ARGENTINE TANGO, BUT YOU HAVE 846 00:29:13,652 --> 00:29:15,454 THIS JOY AND SMILE ON YOUR FACE 847 00:29:15,454 --> 00:29:17,089 THAT IS SO AUTHENTIC AND 848 00:29:17,089 --> 00:29:17,356 WONDERFUL. 849 00:29:17,356 --> 00:29:19,091 IT WAS A BEAUTIFUL, BEAUTIFUL 850 00:29:19,091 --> 00:29:19,391 DANCE. 851 00:29:19,391 --> 00:29:19,691 WELL DONE. 852 00:29:19,691 --> 00:29:20,359 >> Tyra: BRUNO? 853 00:29:20,359 --> 00:29:26,999 >> MY DARLING, SEDUCTIVE, R 854 00:29:26,999 --> 00:29:27,466 ROMANTIC, INVOLVING. 855 00:29:27,466 --> 00:29:29,835 MAYBE A LITTLE BIT MORE PASSION, 856 00:29:29,835 --> 00:29:32,170 BUT AN ARGENTINE BEAUTY. 857 00:29:32,170 --> 00:29:34,006 >> Tyra: I THOUGHT IT WAS VERY 858 00:29:34,006 --> 00:29:34,206 SEXY. 859 00:29:34,206 --> 00:29:35,073 I LOVED THE TABLE. 860 00:29:35,073 --> 00:29:37,075 SOME OF THE JUDGES ARE NOT 861 00:29:37,075 --> 00:29:37,576 FEELING THE TABLE. 862 00:29:37,576 --> 00:29:44,816 >> YOU CAN FIND THIS TABLE IN 863 00:29:44,816 --> 00:29:45,017 IKEA. 864 00:29:45,017 --> 00:29:46,285 >> Tyra: IT'S FOR SALE. 865 00:29:46,285 --> 00:29:48,987 LET'S GET THE SCORES, DARLING. 866 00:29:48,987 --> 00:29:49,588 P>> Announcer: CARRIE ANN INABA. 867 00:29:49,588 --> 00:29:50,422 >> 9. 868 00:29:50,422 --> 00:29:50,956 >> Announcer: LEN GOODMAN. 869 00:29:50,956 --> 00:29:52,891 >> YEAH, A 9. 870 00:29:52,891 --> 00:29:53,425 >> Announcer: DEREK HOUGH. 871 00:29:53,425 --> 00:29:55,527 >> SLICK. 872 00:29:55,527 --> 00:29:58,463 9. 873 00:29:58,463 --> 00:29:59,031 >> Announcer: BRUNO TONIOLI. 874 00:29:59,031 --> 00:29:59,231 >> 9. 875 00:29:59,231 --> 00:30:00,365 >> Tyra: ALL RIGHTY. 876 00:30:00,365 --> 00:30:02,968 WE GOT A 36 OUT OF 40 FOR OLIVIA 877 00:30:02,968 --> 00:30:04,770 AND VAL SO FAR TONIGHT. 878 00:30:04,770 --> 00:30:06,305 NEXT UP WITH A PASO DOBLE TO 879 00:30:06,305 --> 00:30:07,406 JANET'S "BLACK CAT," CODY RIGSBY 880 00:30:07,406 --> 00:30:08,240 AND CHERYL. 881 00:30:08,240 --> 00:30:09,207 WE'LL SEE THEM AFTER THIS, LIVE. 882 00:30:13,879 --> 00:30:14,379 [ CHEERS AND APPLAUSE ] 883 00:30:14,379 --> 00:30:18,884 ♪ 884 00:30:18,884 --> 00:30:20,952 >> Tyra: WELCOME BACK. 885 00:30:20,952 --> 00:30:22,154 NOW, GET THIS. 886 00:30:22,154 --> 00:30:24,022 "DANCING WITH THE STARS" HAS 887 00:30:24,022 --> 00:30:26,491 BEEN NOMINATED FOR A PEOPLE'S 888 00:30:26,491 --> 00:30:26,892 CHOICE AWARD. 889 00:30:26,892 --> 00:30:27,459 VOTE FOR US AT VOTEPCA.COM. 890 00:30:27,459 --> 00:30:28,060 ALL VOTES CAST TOMORROW COUNT 891 00:30:28,060 --> 00:30:30,595 TWICE. 892 00:30:30,595 --> 00:30:31,730 YOU GOT THAT? 893 00:30:31,730 --> 00:30:33,732 THEY COUNT TWICE. 894 00:30:33,732 --> 00:30:34,132 SO VOTE TOMORROW. 895 00:30:34,132 --> 00:30:34,766 NOW, OUR CELEBRITY FITNESS GURU 896 00:30:34,766 --> 00:30:35,233 IS UP NEXT TO DANCE A 897 00:30:35,233 --> 00:30:35,534 PASO DOBLE. 898 00:30:35,534 --> 00:30:36,335 HERE ARE CODY RIGSBY AND CHERYL 899 00:30:36,335 --> 00:30:37,369 TRAINING FOR THEIR ROUTINE TO 900 00:30:37,369 --> 00:30:39,471 JANET JACKSON'S GRAMMY‐NOMINATED 901 00:30:39,471 --> 00:30:43,709 NUMBER ONE HIT "BLACK CAT." 902 00:30:43,709 --> 00:30:47,913 ♪ 903 00:30:47,913 --> 00:30:49,414 >> IT'S JANET JACKSON NIGHT. 904 00:30:49,414 --> 00:30:51,149 >> OH, MY GOD. 905 00:30:51,149 --> 00:30:53,218 I LOVE JANET JACKSON. 906 00:30:53,218 --> 00:30:54,419 I HAVE SEEN JANET JACKSON SO 907 00:30:54,419 --> 00:30:55,787 MANY TIMES IN CONCERT. 908 00:30:55,787 --> 00:30:57,723 >> AND WE'RE DANCING TO THE 909 00:30:57,723 --> 00:30:59,358 SONG "BLACK CAT". 910 00:30:59,358 --> 00:31:02,094 >> OOH, SUCH A GOOD ONE. 911 00:31:02,094 --> 00:31:03,562 JANET JACKSON IS A FEMALE 912 00:31:03,562 --> 00:31:03,862 POWERHOUSE. 913 00:31:03,862 --> 00:31:06,665 I CAN'T WAIT TO DO HER PROUD IN 914 00:31:06,665 --> 00:31:07,099 THE BALLROOM. 915 00:31:07,099 --> 00:31:10,869 WHEN I THINK OF JANET JACKSON, I 916 00:31:10,869 --> 00:31:12,504 THINK OF JUST HAVING FUN WITH MY 917 00:31:12,504 --> 00:31:13,705 MOM AS A KID. 918 00:31:13,705 --> 00:31:17,609 SHE TOOK ME TO MY FIRST JANET 919 00:31:17,609 --> 00:31:18,009 JACKSON CONCERT. 920 00:31:18,009 --> 00:31:18,777 >> TELL ME A LITTLE BIT ABOUT 921 00:31:18,777 --> 00:31:19,344 YOUR MOM. 922 00:31:19,344 --> 00:31:21,313 >> SHE'S FUN, SILLY, CAN TALK 923 00:31:21,313 --> 00:31:23,682 YOUR EAR OFF. 924 00:31:23,682 --> 00:31:24,316 I HAVE SO MUCH RESPECT FOR MY 925 00:31:24,316 --> 00:31:24,583 MOM. 926 00:31:24,583 --> 00:31:25,951 SHE WAS A SINGLE PARENT. 927 00:31:25,951 --> 00:31:27,652 I WAS BORN IN LOS ANGELES, AND 928 00:31:27,652 --> 00:31:30,222 MY DAD DIED WHEN I WAS ABOUT 929 00:31:30,222 --> 00:31:31,656 FOUR MONTHS OLD. 930 00:31:31,656 --> 00:31:34,459 AND SHE TOOK ON A LOT OF 931 00:31:34,459 --> 00:31:34,826 RESPONSIBILITY. 932 00:31:34,826 --> 00:31:38,597 I REMEMBER BEING EVICTED FROM 933 00:31:38,597 --> 00:31:43,902 OUR APARTMNT AS AN 8‐YEAR‐OLD. 934 00:31:43,902 --> 00:31:45,570 WE DIDN'T HAVE A HOME FOR A 935 00:31:45,570 --> 00:31:47,005 WHILE, AND THAT WAS SCARY. 936 00:31:47,005 --> 00:31:48,907 NO MATTER HOW ROUGH IT GOT, SHE 937 00:31:48,907 --> 00:31:50,475 ALWAYS WAS GIVING HER BEST. 938 00:31:50,475 --> 00:31:54,112 AND SHE ALWAYS PUT ME FIRST. 939 00:31:54,112 --> 00:31:56,214 I'M GRATEFUL FOR THAT STRUGGLE. 940 00:31:56,214 --> 00:31:57,749 >> HAS SHE WATCHED YOU ON THE 941 00:31:57,749 --> 00:31:57,949 SHOW? 942 00:31:57,949 --> 00:31:59,084 >> OH, MY GOD, SHE LOVES 943 00:31:59,084 --> 00:31:59,718 WATCHING US ON "DANCING WITH THE 944 00:31:59,718 --> 00:32:01,887 STARS." 945 00:32:01,887 --> 00:32:04,289 THIS WEEK IS A FIGHT TO THE 946 00:32:04,289 --> 00:32:04,589 SEMIFINALS. 947 00:32:04,589 --> 00:32:07,192 AND I WANT TO BE IN THAT 948 00:32:07,192 --> 00:32:08,627 SEMIFINAL SO, SO BAD. 949 00:32:08,627 --> 00:32:09,995 >> STEP NEXT TO MY FOOT. 950 00:32:09,995 --> 00:32:10,328 THAT'S IT. 951 00:32:10,328 --> 00:32:12,431 >> I WOULD LOVE TO DEDICATE THIS 952 00:32:12,431 --> 00:32:14,065 DANCE TO MY MOM. 953 00:32:14,065 --> 00:32:15,967 I WANT HER TO KNOW SHE'S SO 954 00:32:15,967 --> 00:32:16,301 SPECIAL TO ME. 955 00:32:16,301 --> 00:32:17,335 [ CHEERS AND APPLAUSE ] 956 00:32:17,335 --> 00:32:17,869 >> Announcer: DANCING THE 957 00:32:17,869 --> 00:32:19,438 PASO DOBLE WITH HIS PARTNER 958 00:32:19,438 --> 00:32:23,708 CHERYL, IT'S CODY RIGSBY. 959 00:32:24,409 --> 00:32:36,087 ♪ 960 00:32:36,087 --> 00:32:37,689 ♪ ALL THE LONELY NIGHTS 961 00:32:37,689 --> 00:32:40,859 I SPEND ALONE 962 00:32:40,859 --> 00:32:41,393 NEVER AROUND TO LOVE ME ♪ 963 00:32:41,393 --> 00:32:44,029 ♪ YOU'RE ALWAYS GONE 964 00:32:44,029 --> 00:32:45,597 'CAUSE YOU'RE HANGIN' OUT 965 00:32:45,597 --> 00:32:48,767 BREAKIN' THE RULES ♪ 966 00:32:48,767 --> 00:32:52,404 ♪ OH THE MAN HAS COME 967 00:32:52,404 --> 00:32:52,771 LOOKING FOR YOU 968 00:32:52,771 --> 00:32:54,005 YOU'RE A REBEL NOW ♪ 969 00:32:54,005 --> 00:32:56,107 ♪ DON'T GIVE A DAMN 970 00:32:56,107 --> 00:32:57,676 ALWAYS CARRYING ON 971 00:32:57,676 --> 00:33:00,846 TILL IT'S TOO LATE ♪ 972 00:33:00,846 --> 00:33:02,981 ♪ DON'T UNDERSTAND 973 00:33:02,981 --> 00:33:04,549 WHY YOU INSIST ♪ 974 00:33:04,549 --> 00:33:05,584 ♪ AND I JUST KNOW THAT 975 00:33:05,584 --> 00:33:10,922 YOU'RE TELLING ME LIES ♪ 976 00:33:10,922 --> 00:33:11,423 ♪ BLACK CAT NINE LIVES 977 00:33:11,423 --> 00:33:13,058 SHORT DAYS LONG NIGHTS ♪ 978 00:33:13,058 --> 00:33:15,160 ♪ LIVIN' ON THE EDGE 979 00:33:15,160 --> 00:33:18,864 NOT AFRAID TO DIE ♪ 980 00:33:18,864 --> 00:33:19,364 ♪ HEARTBEAT REAL STRONG 981 00:33:19,364 --> 00:33:20,966 BUT NOT FOR LONG ♪ 982 00:33:20,966 --> 00:33:22,567 ♪ BETTER WATCH YOUR STEP 983 00:33:22,567 --> 00:33:28,907 OR YOU'RE GONNA DIE ♪ 984 00:33:31,142 --> 00:33:31,309 ♪ 985 00:33:31,309 --> 00:33:36,715 ♪ NOT AFRAID TO 986 00:33:36,715 --> 00:33:40,752 DIE GUITAR ♪ 987 00:33:40,752 --> 00:33:42,587 ♪ 988 00:33:42,587 --> 00:33:48,426 [ CHEERS AND APPLAUSE ] 989 00:33:48,426 --> 00:33:52,764 >> Tyra: THAT DROP IN THE END. 990 00:33:52,764 --> 00:33:53,031 WHOA. 991 00:33:53,031 --> 00:33:53,598 CODY AND CHERYL WITH A PASO 992 00:33:53,598 --> 00:33:57,102 DOBLE. 993 00:33:57,102 --> 00:33:59,337 TO "BLACK CAT." 994 00:33:59,337 --> 00:34:02,040 ALL RIGHT, LEN, WE'RE GOING TO 995 00:34:02,040 --> 00:34:02,440 START WITH YOU. 996 00:34:02,440 --> 00:34:04,242 >> ARE YOU TALKING TO ME? 997 00:34:04,242 --> 00:34:04,643 >> Tyra: YES. 998 00:34:04,643 --> 00:34:08,013 >> IT WAS BIG, BOLD, NO NONSENSE 999 00:34:08,013 --> 00:34:08,780 DANCING. 1000 00:34:08,780 --> 00:34:11,082 FULL OF FIRE AND ICE. 1001 00:34:11,082 --> 00:34:12,284 I HAVE TO BE HONEST, I DIDN'T 1002 00:34:12,284 --> 00:34:13,752 EVEN SEE YOU, CHERYL. 1003 00:34:13,752 --> 00:34:15,887 IT WAS SO DOMINANT, AND THAT'S 1004 00:34:15,887 --> 00:34:17,789 HOW THE PASO DOBLE SHOULD BE. 1005 00:34:17,789 --> 00:34:20,292 IT'S A MAN'S DANCE. 1006 00:34:20,292 --> 00:34:22,460 AND YOU DANCED IT FANTASTIC. 1007 00:34:22,460 --> 00:34:22,827 >> Tyra: DEREK? 1008 00:34:22,827 --> 00:34:25,063 >> I FEEL LIKE THERE WAS A 1009 00:34:25,063 --> 00:34:26,831 SWITCH WENT OFF, A COUPLE OF 1010 00:34:26,831 --> 00:34:27,332 WEEKS AGO. 1011 00:34:27,332 --> 00:34:29,267 YOU SAID, I GOT TO STEP IT UP. 1012 00:34:29,267 --> 00:34:31,236 AND MY FRIEND, YOU HAVE BEEN 1013 00:34:31,236 --> 00:34:35,073 STEPPING IT UP. 1014 00:34:35,073 --> 00:34:37,943 THE WHOLE TIME, I WAS LIKE, OH. 1015 00:34:37,943 --> 00:34:40,078 YOUR LINES, YOUR PRESENCE, IT 1016 00:34:40,078 --> 00:34:40,745 WAS ALL THERE. 1017 00:34:40,745 --> 00:34:42,047 >> Tyra: IT WAS FUN TO WATCH YOU 1018 00:34:42,047 --> 00:34:44,616 WATCH HIM, DEREK. 1019 00:34:44,616 --> 00:34:47,285 >> YOU HAVE UNLEASHED THE BEAST 1020 00:34:47,285 --> 00:34:47,519 WITHIN. 1021 00:34:47,519 --> 00:34:50,488 IT WAS LIKE MORTAL KOMBAT. 1022 00:34:50,488 --> 00:34:53,024 HE WAS GOING AT IT LIKE AN 1023 00:34:53,024 --> 00:34:53,358 EXECUTIONER. 1024 00:34:53,358 --> 00:34:55,093 YEAH, YEAH, YEAH, HE'S MINE! 1025 00:34:55,093 --> 00:34:58,430 I'M GOING TO MAKE IT TO THE 1026 00:34:58,430 --> 00:34:59,130 SEMIFINALS. 1027 00:34:59,130 --> 00:35:02,667 I MEAN, IT WAS A POWER PASO. 1028 00:35:02,667 --> 00:35:03,368 >> Tyra: CARRIE ANN? 1029 00:35:03,368 --> 00:35:05,737 >> CODY, I JUST HAVE TO ASK YOU, 1030 00:35:05,737 --> 00:35:07,305 HOW DID THAT FEEL? 1031 00:35:07,305 --> 00:35:08,607 >> IT FELT AMAZING. 1032 00:35:08,607 --> 00:35:10,976 I THINK I LOST ONE OF MY NINE 1033 00:35:10,976 --> 00:35:11,810 LIVES, THOUGH. 1034 00:35:11,810 --> 00:35:13,712 >> IT WAS FANTASTIC. 1035 00:35:13,712 --> 00:35:15,680 YOU'RE FINALLY BRINGING IT ALL 1036 00:35:15,680 --> 00:35:16,414 TOGETHER. 1037 00:35:16,414 --> 00:35:18,316 IT WAS LIKE ‐‐ THE STRENGTH, THE 1038 00:35:18,316 --> 00:35:19,484 POWER, THE PASSION. 1039 00:35:19,484 --> 00:35:20,752 IT ALL CAME TOGETHER. 1040 00:35:20,752 --> 00:35:22,587 >> Tyra: YOUR MAMA TOOK YOU TO 1041 00:35:22,587 --> 00:35:24,422 YOUR FIRST JANET CONCERT. 1042 00:35:24,422 --> 00:35:26,858 YOU DEDICATED THIS TO YOUR MAMA. 1043 00:35:26,858 --> 00:35:28,026 THIS WAS CRAZY POWER. 1044 00:35:28,026 --> 00:35:31,096 I WAS LIKE, OH, MY GOSH. 1045 00:35:31,096 --> 00:35:31,896 WHAT DO YOU WANT TO SAY TO YOUR 1046 00:35:31,896 --> 00:35:32,163 MAMA? 1047 00:35:32,163 --> 00:35:33,465 >> I LOVE YOU SO MUCH. 1048 00:35:33,465 --> 00:35:35,500 YOU DID AN AMAZING JOB RAISING 1049 00:35:35,500 --> 00:35:35,734 ME. 1050 00:35:35,734 --> 00:35:36,501 I LOVE YOU. 1051 00:35:36,501 --> 00:35:37,836 >> Tyra: WE LOVE YOU, MAMA. 1052 00:35:37,836 --> 00:35:39,471 AND MAMA, WE'RE GOING TO GET 1053 00:35:39,471 --> 00:35:40,271 YOUR BABY SCORES. 1054 00:35:40,271 --> 00:35:42,540 AND WE'RE GOING TO GET 1055 00:35:42,540 --> 00:35:43,875 IT AFTER THE BREAK. 1056 00:35:49,881 --> 00:35:50,382 [ CHEERS AND APPLAUSE ] 1057 00:35:50,382 --> 00:35:53,652 ♪ 1058 00:35:53,652 --> 00:35:54,252 >> Tyra: WE'RE BACK ON JANET 1059 00:35:54,252 --> 00:35:56,621 JACKSON NIGHT. 1060 00:35:56,621 --> 00:35:59,324 BY THE WAY, IN 2022, TO MARK THE 1061 00:35:59,324 --> 00:36:02,794 40th ANNIVERSARY OF HER DEBUT 1062 00:36:02,794 --> 00:36:06,231 ALBUM, SHE'S TELLING HER STORY 1063 00:36:06,231 --> 00:36:12,370 IN A TWO‐PART DOCUMENTARY EVENT. 1064 00:36:12,370 --> 00:36:16,207 IT'S AN INTIMATE, HONEST, AND 1065 00:36:16,207 --> 00:36:17,942 UNFILTERED LOOK IN HER OWN 1066 00:36:17,942 --> 00:36:18,143 WORDS. 1067 00:36:18,143 --> 00:36:18,710 BEFORE THE BREAK, CODY AND 1068 00:36:18,710 --> 00:36:19,411 CHERYL DANCED A PASO DOBLE TO 1069 00:36:19,411 --> 00:36:19,978 JANET JACKSON'S HIT, 1070 00:36:19,978 --> 00:36:23,415 "BLACK CAT." 1071 00:36:23,415 --> 00:36:27,018 NOW, IT'S TIME TO GET SOME 1072 00:36:27,018 --> 00:36:27,952 SCORES. 1073 00:36:27,952 --> 00:36:28,586 >> Announcer: CARRIE ANN INABA. 1074 00:36:28,586 --> 00:36:29,020 >> ONE CORRECTION. 1075 00:36:29,020 --> 00:36:35,527 JUST KIDDING. 1076 00:36:35,527 --> 00:36:36,261 10! 1077 00:36:36,261 --> 00:36:36,795 >> Announcer: LEN GOODMAN. 1078 00:36:36,795 --> 00:36:39,531 >> IT'S A 10! 1079 00:36:39,531 --> 00:36:40,065 >> Announcer: DEREK HOUGH. 1080 00:36:40,065 --> 00:36:41,332 >> 9. 1081 00:36:41,332 --> 00:36:41,900 >> Announcer: BRUNO TONIOLI. 1082 00:36:41,900 --> 00:36:42,100 >> 9! 1083 00:36:42,100 --> 00:36:44,602 >> Tyra: OH, MAN. 1084 00:36:44,602 --> 00:36:46,771 WHAT'S UP WITH DEREK AND BRUNO 1085 00:36:46,771 --> 00:36:47,939 MESSING UP THE 10s. 1086 00:36:47,939 --> 00:36:50,608 38 OUT OF 40 FOR CODY AND 1087 00:36:50,608 --> 00:36:50,842 CHERYL. 1088 00:36:50,842 --> 00:36:52,210 BUT THESE ARE CODY AND CHERYL'S 1089 00:36:52,210 --> 00:36:53,778 FIRST 10s OF THE SEASON. 1090 00:36:53,778 --> 00:36:54,379 SO CONGRATULATIONS. 1091 00:36:54,379 --> 00:36:55,714 GET READY FOR THAT DANCE‐OFF. 1092 00:36:55,714 --> 00:36:57,215 WE'RE GOING TO KEEP IT GOING. 1093 00:36:57,215 --> 00:36:59,818 ALL RIGHT. 1094 00:36:59,818 --> 00:37:03,421 NEXT UP, DANCING TO JANET'S 1095 00:37:03,421 --> 00:37:07,258 HIT "MISS YOU MUCH," IT'S THE 1096 00:37:07,258 --> 00:37:12,831 CO‐HOST OF "THE TALK." 1097 00:37:12,831 --> 00:37:13,865 THIS WEEK, THE STRESS WAS 1098 00:37:13,865 --> 00:37:16,768 GETTING TO AMANDA KLOOTS AND 1099 00:37:16,768 --> 00:37:17,936 ALAN AS THEY TRAINED. 1100 00:37:17,936 --> 00:37:19,304 >> THE JUDGES WERE A BIT TOUGH 1101 00:37:19,304 --> 00:37:19,637 ON ME. 1102 00:37:19,637 --> 00:37:21,639 >> I WANTED TO SEE SOMETHING 1103 00:37:21,639 --> 00:37:24,142 SPECIAL, AND I DIDN'T REALLY SEE 1104 00:37:24,142 --> 00:37:24,342 THAT. 1105 00:37:24,342 --> 00:37:27,846 >> IT DIDN'T HAVE THE FINESSE WE 1106 00:37:27,846 --> 00:37:30,648 WERE USED TO SEEING THIS WEEK. 1107 00:37:30,648 --> 00:37:33,585 >> I WANT TO GO IN AND KILL IT 1108 00:37:33,585 --> 00:37:34,352 THIS WEEK. 1109 00:37:34,352 --> 00:37:36,821 >> WE'RE DANCING JAZZ TO "MISS 1110 00:37:36,821 --> 00:37:37,255 YOU MUCH." 1111 00:37:37,255 --> 00:37:40,158 IF WE MAKE IT THIS WEEK, WE'RE 1112 00:37:40,158 --> 00:37:40,592 IN THE SEMIFINALS. 1113 00:37:40,592 --> 00:37:44,129 >> IT'S GOING TO BE A REALLY 1114 00:37:44,129 --> 00:37:45,296 TOUGH WEEK WITH THE DOUBLE 1115 00:37:45,296 --> 00:37:45,997 ELIMI 1116 00:37:45,997 --> 00:37:46,297 ELIMINATION. 1117 00:37:46,297 --> 00:37:47,732 AND I WANT TO GET TO THE 1118 00:37:47,732 --> 00:37:48,032 SEMIFINALS. 1119 00:37:48,032 --> 00:37:50,902 >> OUR ARMS ARE SO DISCONNECTED 1120 00:37:50,902 --> 00:37:51,636 FROM YOUR BODY. 1121 00:37:51,636 --> 00:37:53,404 >> ALAN HAS BEEN PUSHING ME HARD 1122 00:37:53,404 --> 00:37:53,905 THIS WEEK. 1123 00:37:53,905 --> 00:37:57,842 WE HAVE A LOT OF WORK TO DO. 1124 00:37:57,842 --> 00:37:58,476 >> YOU'RE JUST RUNNING THROUGH 1125 00:37:58,476 --> 00:37:58,743 IT. 1126 00:37:58,743 --> 00:37:59,944 >> I'M NOT DOING THAT. 1127 00:37:59,944 --> 00:38:02,413 IT'S SO RUDE. 1128 00:38:02,413 --> 00:38:03,715 IT'S DEFINITELY TIME WITHIN 1129 00:38:03,715 --> 00:38:05,917 EVERY REHEARSAL WHERE ALAN AND I 1130 00:38:05,917 --> 00:38:07,719 WILL BUTT HEADS. 1131 00:38:07,719 --> 00:38:09,187 YOU GIVE ME THE [ BLEEP ] 1132 00:38:09,187 --> 00:38:09,654 LAUNDRY LIST. 1133 00:38:09,654 --> 00:38:12,891 >> YOU DON'T LIKE TO DO LAUNDRY. 1134 00:38:12,891 --> 00:38:13,725 NEITHER DO I. 1135 00:38:13,725 --> 00:38:15,894 >> WE PUSH EACH OTHER'S BUTTONS, 1136 00:38:15,894 --> 00:38:17,562 AND WE DEFINITELY HAVE TIMES 1137 00:38:17,562 --> 00:38:21,065 PWHERE WE'RE HAVING A HARD TIME 1138 00:38:21,065 --> 00:38:21,900 UNDERSTANDING EACH OTHER. 1139 00:38:21,900 --> 00:38:23,701 >> SO WHAT IS THAT STEP, IS WHAT 1140 00:38:23,701 --> 00:38:25,837 I'M ASKING? 1141 00:38:25,837 --> 00:38:29,040 >> GRANDE, STEP, STEP, STEP. 1142 00:38:29,040 --> 00:38:29,874 >> YOU DIDN'T DO THAT. 1143 00:38:29,874 --> 00:38:30,842 >> 3, 4. 1144 00:38:30,842 --> 00:38:31,743 >> NO. 1145 00:38:31,743 --> 00:38:34,946 I THINK THE JUDGES ARE HARDER ON 1146 00:38:34,946 --> 00:38:36,314 AMANDA BECAUSE THEY SEE 1147 00:38:36,314 --> 00:38:38,950 SOMETHING SPECIAL WITH HER. 1148 00:38:38,950 --> 00:38:40,218 THEY'RE PUSHING US TO BRING A 1149 00:38:40,218 --> 00:38:44,155 NEW SIDE OF AMANDA OUT. 1150 00:38:44,155 --> 00:38:46,090 AND HOPEFULLY THIS IS THE WEEK. 1151 00:38:46,090 --> 00:38:48,092 >> MY MIND LITERALLY BLANKS OUT 1152 00:38:48,092 --> 00:38:48,860 EVERY TIME. 1153 00:38:48,860 --> 00:38:51,663 BOTTOM LINE, WE HAVE TO 1154 00:38:51,663 --> 00:38:52,263 COMMUNICATE, WORK THROUGH IT, 1155 00:38:52,263 --> 00:38:52,664 AND KEEP PUSHING. 1156 00:38:52,664 --> 00:38:54,866 [ CHEERS AND APPLAUSE ] 1157 00:38:54,866 --> 00:38:57,468 >> Announcer: DANCING JAZZ WITH 1158 00:38:57,468 --> 00:38:58,002 HER PARTNER ALAN, IT'S 1159 00:38:58,002 --> 00:39:00,839 AMANDA KLOOTS. 1160 00:39:01,539 --> 00:39:09,881 ♪ 1161 00:39:09,881 --> 00:39:12,150 ♪ SHOT LIKE AN ARROW 1162 00:39:12,150 --> 00:39:14,819 THROUGH MY HEART 1163 00:39:14,819 --> 00:39:17,922 I JUST KNOW THAT ♪ 1164 00:39:17,922 --> 00:39:19,057 ♪ IT FEELS WRONG 1165 00:39:19,057 --> 00:39:20,658 WHEN I'M AWAY TOO LONG 1166 00:39:20,658 --> 00:39:24,863 IT MAKES MY BODY HOT ♪ 1167 00:39:24,863 --> 00:39:25,396 ♪ SO LET ME TELL YA BABY 1168 00:39:25,396 --> 00:39:27,532 I'LL TELL YOUR MAMA 1169 00:39:27,532 --> 00:39:29,634 I'LL TELL YOUR FRIENDS ♪ 1170 00:39:29,634 --> 00:39:33,838 ♪ I'LL TELL ANYONE 1171 00:39:33,838 --> 00:39:34,372 WHOSE HEART CAN COMPREHEND 1172 00:39:34,372 --> 00:39:35,406 SEND IT IN A LETTER BABY ♪ 1173 00:39:35,406 --> 00:39:38,576 ♪ TELL YOU ON THE PHONE 1174 00:39:38,576 --> 00:39:39,110 I'M NOT THE KIND OF GIRL 1175 00:39:39,110 --> 00:39:44,949 WHO LIKES TO BE ALONE ♪ 1176 00:39:44,949 --> 00:39:45,350 ♪ I MISS YOU MUCH 1177 00:39:45,350 --> 00:39:46,017 BOY OH I MISS YOU MUCH ♪ 1178 00:39:46,017 --> 00:39:49,921 ♪ I REALLY MISS YOU MUCH 1179 00:39:49,921 --> 00:39:52,357 M‐I‐S‐S YOU MUCH ♪ 1180 00:39:52,357 --> 00:39:52,891 ♪ I MISS YOU MUCH 1181 00:39:52,891 --> 00:39:53,424 BOY OH I MISS YOU MUCH ♪ 1182 00:39:53,424 --> 00:39:53,958 ♪ BABY I REALLY 1183 00:39:53,958 --> 00:39:57,929 MISS YOU MUCH 1184 00:39:57,929 --> 00:40:00,832 M‐I‐S‐S YOU MUCH ♪ 1185 00:40:00,832 --> 00:40:02,400 ♪ I MISS YOU MUCH 1186 00:40:02,400 --> 00:40:05,904 I MISS YOU MUCH ♪ 1187 00:40:05,904 --> 00:40:07,105 ♪ I'M NOT ASHAMED TO 1188 00:40:07,105 --> 00:40:09,240 TELL THE WORLD 1189 00:40:09,240 --> 00:40:11,876 I MISS YOU ♪ 1190 00:40:11,876 --> 00:40:12,410 ♪ I MISS YOU MUCH 1191 00:40:12,410 --> 00:40:13,444 REALLY REALLY 1192 00:40:13,444 --> 00:40:15,079 MISS YOU MUCH ♪ 1193 00:40:15,079 --> 00:40:16,114 ♪ BOY OH I MISS YOU MUCH 1194 00:40:16,114 --> 00:40:16,614 BABY I REALLY 1195 00:40:16,614 --> 00:40:19,284 MISS YOU MUCH ♪ 1196 00:40:19,284 --> 00:40:19,784 ♪ M‐I‐S‐S YOU MUCH 1197 00:40:19,784 --> 00:40:26,291 THAT'S THE END ♪ 1198 00:40:26,291 --> 00:40:26,958 >> Tyra: IS THAT THE END? 1199 00:40:26,958 --> 00:40:28,293 SHE'S LIKE, NO. 1200 00:40:28,293 --> 00:40:30,595 NO. 1201 00:40:30,595 --> 00:40:32,764 AMANDA AND ALAN, DOING A JAZZ 1202 00:40:32,764 --> 00:40:38,870 DANCE TO "MISS YOU MUCH." 1203 00:40:38,870 --> 00:40:41,572 DEREK'S GOT THE SLOW CLAP. 1204 00:40:41,572 --> 00:40:42,807 DEREK'S GOT THE SLOW CLAP. 1205 00:40:42,807 --> 00:40:44,509 >> AMANDA! 1206 00:40:44,509 --> 00:40:45,977 OH, MY GOODNESS. 1207 00:40:45,977 --> 00:40:47,478 YOU WERE JUST A LEADING LADY 1208 00:40:47,478 --> 00:40:49,580 FROM START TO FINISH. 1209 00:40:49,580 --> 00:40:51,582 YOU OWNED THOSE FELLAS AT THE 1210 00:40:51,582 --> 00:40:52,750 BEGINNING, ALL THE WAY THROUGH. 1211 00:40:52,750 --> 00:40:56,955 THE LIFTS WERE DIFFICULT. 1212 00:40:56,955 --> 00:41:02,060 YOU WERE SO IN SYNC. 1213 00:41:02,060 --> 00:41:02,694 YOU DID IT. 1214 00:41:02,694 --> 00:41:03,828 >> Tyra: BRUNO? 1215 00:41:03,828 --> 00:41:04,762 >> YOU WERE IN CHARGE OF THE 1216 00:41:04,762 --> 00:41:07,966 DANCE FROM BEGINNING TO THE END. 1217 00:41:07,966 --> 00:41:08,433 ABSOLUTELY LEADING IT. 1218 00:41:08,433 --> 00:41:10,702 AND WHAT YOU DID, YOU HAD ALL OF 1219 00:41:10,702 --> 00:41:13,905 THIS JANET JACKSON REFERENCES, 1220 00:41:13,905 --> 00:41:17,442 BUT YOU MADE IT YOUR OWN. 1221 00:41:17,442 --> 00:41:19,510 YOUR PERSONALITY SHOWED IT'S 1222 00:41:19,510 --> 00:41:19,877 YOUR DANCE. 1223 00:41:19,877 --> 00:41:21,212 >> Tyra: CARRIE ANN? 1224 00:41:21,212 --> 00:41:23,614 >> AMANDA, CAN I COME HUG YOU? 1225 00:41:23,614 --> 00:41:27,652 BECAUSE I WANT TO HUG YOU. 1226 00:41:27,652 --> 00:41:28,920 >> Tyra: WOW, CARRIE ANN SHOWING 1227 00:41:28,920 --> 00:41:32,156 SOME LOVE. 1228 00:41:32,156 --> 00:41:32,924 >> OKAY. 1229 00:41:32,924 --> 00:41:34,359 I'M SO PROUD OF HER. 1230 00:41:34,359 --> 00:41:36,627 >> Tyra: WE GOT TO MOVE ON TO 1231 00:41:36,627 --> 00:41:36,794 LEN. 1232 00:41:36,794 --> 00:41:39,397 THEY'RE SAYING THIS, NOT ME. 1233 00:41:39,397 --> 00:41:45,036 GO AHEAD, LEN. 1234 00:41:45,036 --> 00:41:46,137 >> AMANDA. 1235 00:41:46,137 --> 00:41:46,604 AMAZING. 1236 00:41:46,604 --> 00:41:48,639 >> Tyra: OH, MY GOSH, WHAT A 1237 00:41:48,639 --> 00:41:50,675 HEATED REHEARSAL THAT YOU GUYS 1238 00:41:50,675 --> 00:41:50,842 HAD. 1239 00:41:50,842 --> 00:41:52,677 BUT THEN THIS HAPPENS. 1240 00:41:52,677 --> 00:41:54,445 THIS IS, LIKE, CRAZY. 1241 00:41:54,445 --> 00:41:55,246 YOU BROUGHT THE THING. 1242 00:41:55,246 --> 00:41:57,548 LET'S GET THESE SCORES. 1243 00:41:57,548 --> 00:41:59,250 READY? 1244 00:41:59,250 --> 00:41:59,484 SCORES. 1245 00:41:59,484 --> 00:42:00,151 >> Announcer: CARRIE ANN INABA. 1246 00:42:00,151 --> 00:42:04,055 >> 10! 1247 00:42:04,055 --> 00:42:04,589 >> Announcer: LEN GOODMAN. 1248 00:42:04,589 --> 00:42:08,059 >> FROM LEN, THE 10. 1249 00:42:08,059 --> 00:42:08,593 >> Announcer: DEREK HOUGH. 1250 00:42:08,593 --> 00:42:13,998 >> 10! 1251 00:42:13,998 --> 00:42:14,565 >> Announcer: BRUNO TONIOLI. 1252 00:42:14,565 --> 00:42:14,799 >> 10! 1253 00:42:14,799 --> 00:42:17,602 >> Tyra: 40 OUT OF 40 FOR AMANDA 1254 00:42:17,602 --> 00:42:18,836 AND ALAN. 1255 00:42:18,836 --> 00:42:20,004 HER FIRST PERFECT SCORE. 1256 00:42:20,004 --> 00:42:21,773 40 OUT OF 40 SO FAR TONIGHT. 1257 00:42:21,773 --> 00:42:28,980 THEY CAN GET READY FOR THAT DAVE 1258 00:42:28,980 --> 00:42:29,380 DA 1259 00:42:29,380 --> 00:42:29,647 DANCE‐OFF. 1260 00:42:29,647 --> 00:42:30,281 WE'RE GONNA KEEP IT GOING WITH A 1261 00:42:30,281 --> 00:42:30,882 CHA‐CHA FROM OUR NBA CHAMPION. 1262 00:42:30,882 --> 00:42:32,350 HERE ARE IMAN SHUMPERT AND 1263 00:42:32,350 --> 00:42:32,917 DANIELLA TRAINING FOR THEIR 1264 00:42:32,917 --> 00:42:34,485 ROUTINE TO JANET JACKSON'S 1265 00:42:34,485 --> 00:42:35,019 GROUNDBREAKING, SOCIALLY 1266 00:42:35,019 --> 00:42:37,155 CONSCIOUS HIT, "RHYTHM NATION." 1267 00:42:37,155 --> 00:42:41,559 ♪ 1268 00:42:41,559 --> 00:42:43,327 >> SO IT'S JANET JACKSON NIGHT. 1269 00:42:43,327 --> 00:42:46,097 ARE YOU EXCITED ABOUT THAT ONE? 1270 00:42:46,097 --> 00:42:47,365 >> YEAH. 1271 00:42:47,365 --> 00:42:50,935 GOING TO BE SOME POPS. 1272 00:42:50,935 --> 00:42:52,403 THAT'S WHAT SHE ALWAYS TALKS 1273 00:42:52,403 --> 00:42:54,505 ABOUT WITH JANET, CATCHING THE 1274 00:42:54,505 --> 00:42:55,006 RIGHT ‐‐ 1275 00:42:55,006 --> 00:42:56,207 >> OH, MY GOD. 1276 00:42:56,207 --> 00:42:57,575 I'M DEAD. 1277 00:42:57,575 --> 00:43:01,379 >> MY WIFE IS AN ENORMOUS FAN OF 1278 00:43:01,379 --> 00:43:01,913 JANET JACKSON. 1279 00:43:01,913 --> 00:43:04,182 NUMBER ONE FAN WITH THE FOAM 1280 00:43:04,182 --> 00:43:04,415 FINGER. 1281 00:43:04,415 --> 00:43:06,084 >> YOU GUYS ACTUALLY KNOW HER. 1282 00:43:06,084 --> 00:43:07,285 >> JANET IS COOL, THOUGH. 1283 00:43:07,285 --> 00:43:09,020 WE WERE TRYING TO GET TO A JANET 1284 00:43:09,020 --> 00:43:10,121 JACKSON CONCERT. 1285 00:43:10,121 --> 00:43:11,522 THE FLIGHT DIDN'T LINE UP. 1286 00:43:11,522 --> 00:43:13,991 AND JANET REACHED OUT, KNOWING 1287 00:43:13,991 --> 00:43:15,560 SHE WAS A HUGE FAN. 1288 00:43:15,560 --> 00:43:16,894 >> I WAS LOOKING FORWARD TO 1289 00:43:16,894 --> 00:43:20,598 MEETING YOU. 1290 00:43:20,598 --> 00:43:22,266 I REALLY WAS. 1291 00:43:22,266 --> 00:43:23,901 >> IT WAS COOL FOR MY WIFE TO 1292 00:43:23,901 --> 00:43:25,136 TALK TO HER IDOL. 1293 00:43:25,136 --> 00:43:26,604 IT WAS LIKE THE BEGINNING OF 1294 00:43:26,604 --> 00:43:29,440 THEIR RELATIONSHIP. 1295 00:43:29,440 --> 00:43:31,409 >> WE'RE DANCING A CHA‐CHA 1296 00:43:31,409 --> 00:43:33,010 TO "RHYTHM NATION." 1297 00:43:33,010 --> 00:43:34,445 I THINK THE BIGGEST CHALLENGE, 1298 00:43:34,445 --> 00:43:37,381 LEARNING THE CHA‐CHA, IS JUST 1299 00:43:37,381 --> 00:43:39,217 CONTROLLING OUR LIMBS TO THIS 1300 00:43:39,217 --> 00:43:40,284 SPEED OF MUSIC. 1301 00:43:40,284 --> 00:43:41,252 BECAUSE HE'S SO TALL. 1302 00:43:41,252 --> 00:43:43,121 SO I WANT TO WORK ON THAT STEP. 1303 00:43:43,121 --> 00:43:45,923 I DON'T WANT TO JUST DO IT. 1304 00:43:45,923 --> 00:43:46,924 IMAN AND I ARE DEFINITELY 1305 00:43:46,924 --> 00:43:49,327 FEELING THE PRESSURE OF THE 1306 00:43:49,327 --> 00:43:49,861 DOUBLE ELIMINATION. 1307 00:43:49,861 --> 00:43:51,829 IF YOU DON'T KNOW YOUR FOOTWORK, 1308 00:43:51,829 --> 00:43:52,730 WE CAN'T WORK ON IT. 1309 00:43:52,730 --> 00:43:53,664 ANYONE CAN WIN, THE FIELD IS 1310 00:43:53,664 --> 00:43:54,866 REALLY OPEN. 1311 00:43:54,866 --> 00:43:56,000 WE JUST HAVE TO DANCE OUR 1312 00:43:56,000 --> 00:43:57,568 ABSOLUTE BEST. 1313 00:43:57,568 --> 00:43:58,903 >> [ BLEEP ]. 1314 00:43:58,903 --> 00:44:00,738 I'M WORKING EXTREMELY HARD ON 1315 00:44:00,738 --> 00:44:01,973 THIS CHA‐CHA. 1316 00:44:01,973 --> 00:44:03,307 I LIKE THE PRESSURE, AND WE'RE 1317 00:44:03,307 --> 00:44:07,745 AT WAR RIGHT NOW. 1318 00:44:13,484 --> 00:44:13,985 [ CHEERS AND APPLAUSE ] 1319 00:44:13,985 --> 00:44:18,623 ♪ 1320 00:44:18,623 --> 00:44:21,392 >> Tyra: QUICK CHANGE, WE'RE 1321 00:44:21,392 --> 00:44:22,660 BACK. 1322 00:44:22,660 --> 00:44:25,329 BEFORE THE BREAK, WE SAW 1323 00:44:25,329 --> 00:44:25,897 IMAN SHUMPERT AND DANIELLA 1324 00:44:25,897 --> 00:44:26,430 TRAINING FOR A CHA‐CHA TO 1325 00:44:26,430 --> 00:44:26,998 JANET JACKSON'S ICONIC HIT 1326 00:44:26,998 --> 00:44:27,365 "RHYTHM NATION." 1327 00:44:27,365 --> 00:44:27,965 HERE THEY ARE. 1328 00:44:27,965 --> 00:44:29,567 >> Announcer: DANCING THE 1329 00:44:29,567 --> 00:44:30,568 CHA‐CHA WITH HIS PARTNER 1330 00:44:30,568 --> 00:44:33,504 DANIELLA, IT'S IMAN SHUMPERT. 1331 00:44:35,406 --> 00:44:35,573 ♪ 1332 00:44:35,573 --> 00:44:35,940 ♪ FIVE FOUR 1333 00:44:35,940 --> 00:44:37,508 THREE TWO ONE ♪ 1334 00:44:37,508 --> 00:44:39,110 ♪ YEAH YEAH 1335 00:44:39,110 --> 00:44:40,711 YEAH YEAH 1336 00:44:40,711 --> 00:44:41,212 WOO ♪ 1337 00:44:41,212 --> 00:44:41,746 ♪ YEAH YEAH YEAH 1338 00:44:41,746 --> 00:44:42,280 WOO 1339 00:44:42,280 --> 00:44:49,487 BASS BASS BASS BASS ♪ 1340 00:44:49,487 --> 00:44:50,121 ♪ GET NASTY 1341 00:44:50,121 --> 00:44:55,426 ♪ 1342 00:44:55,426 --> 00:44:57,528 ♪ WITH MUSIC BY OUR SIDE 1343 00:44:57,528 --> 00:44:59,664 TO BREAK THE COLOR LINES ♪ 1344 00:44:59,664 --> 00:45:03,100 ♪ LET'S WORK TOGETHER 1345 00:45:03,100 --> 00:45:03,834 TO IMPROVE OUR WAY OF LIFE ♪ 1346 00:45:03,834 --> 00:45:05,970 ♪ JOIN VOICES IN PROTEST 1347 00:45:05,970 --> 00:45:08,072 TO SOCIAL INJUSTICE ♪ 1348 00:45:08,072 --> 00:45:09,140 ♪ A GENERATION 1349 00:45:09,140 --> 00:45:10,708 FULL OF COURAGE 1350 00:45:10,708 --> 00:45:11,776 COME FORTH WITH ME ♪ 1351 00:45:11,776 --> 00:45:13,344 ♪ PEOPLE OF THE WORLD TODAY 1352 00:45:13,344 --> 00:45:13,878 ARE WE LOOKING FOR A 1353 00:45:13,878 --> 00:45:17,048 BETTER WAY OF LIFE ♪ 1354 00:45:17,048 --> 00:45:18,082 ♪ WE ARE A PART OF 1355 00:45:18,082 --> 00:45:20,751 THE RHYTHM NATION 1356 00:45:20,751 --> 00:45:21,819 PEOPLE OF THE WORLD UNITE ♪ 1357 00:45:21,819 --> 00:45:22,353 ♪ STRENGTH IN NUMBERS 1358 00:45:22,353 --> 00:45:22,887 WE CAN GET IT RIGHT 1359 00:45:22,887 --> 00:45:26,057 ONE TIME ♪ 1360 00:45:26,057 --> 00:45:26,591 ♪ WE ARE A PART OF 1361 00:45:26,591 --> 00:45:28,693 THE RHYTHM NATION ♪ 1362 00:45:28,693 --> 00:45:30,294 ♪ BASS BASS 1363 00:45:30,294 --> 00:45:32,930 BASS BASS 1364 00:45:32,930 --> 00:45:38,169 BASS BASS BASS ♪ 1365 00:45:38,169 --> 00:45:40,271 ♪ SING IT PEOPLE 1366 00:45:40,271 --> 00:45:41,872 SING IT CHILDREN 1367 00:45:41,872 --> 00:45:43,441 RHYTHM NATION ♪ 1368 00:45:43,441 --> 00:45:43,975 ♪ SING IT IF YOU 1369 00:45:43,975 --> 00:45:49,814 WANT A BETTER WAY OF LIFE 1370 00:45:49,814 --> 00:45:50,314 RHYTHM NATION ♪ 1371 00:45:50,314 --> 00:45:51,382 ♪ WE ARE A PART OF 1372 00:45:51,382 --> 00:45:55,019 THE RHYTHM NATION ♪ 1373 00:45:55,019 --> 00:45:55,186 ♪ 1374 00:45:55,186 --> 00:45:57,521 [ CHEERS AND APPLAUSE ] 1375 00:45:57,521 --> 00:46:03,027 >> Tyra: OKAY. 1376 00:46:03,027 --> 00:46:03,594 IMAN AND DANIELLA WITH THE 1377 00:46:03,594 --> 00:46:08,199 CHA‐CHA. 1378 00:46:08,199 --> 00:46:10,401 TO EVERYONE'S FAVORITE, "RHYTHM 1379 00:46:10,401 --> 00:46:10,668 NATION." 1380 00:46:10,668 --> 00:46:12,870 >> WHAT IS THAT SMELL? 1381 00:46:12,870 --> 00:46:15,673 >> Tyra: BRUNO, BRUNO, BRUNO? 1382 00:46:15,673 --> 00:46:17,942 >> RESPECT, RESPECT, RESPECT. 1383 00:46:17,942 --> 00:46:21,912 TAKING ON "RHYTHM NATION," ONE 1384 00:46:21,912 --> 00:46:25,583 OF THE MOST ICONIC, 1385 00:46:25,583 --> 00:46:31,489 GROUNDBREAKING NUMBERS EVER. 1386 00:46:31,489 --> 00:46:32,590 IT WAS A GREAT TRIBUTE, YOU GAVE 1387 00:46:32,590 --> 00:46:34,458 A GREAT PERFORMANCE. 1388 00:46:34,458 --> 00:46:38,663 THE CHA‐CHA‐CHA WAS A BIT 1389 00:46:38,663 --> 00:46:38,896 MINIMAL. 1390 00:46:38,896 --> 00:46:40,631 BUT YOU GAVE A GREAT 1391 00:46:40,631 --> 00:46:40,965 PERFORMANCE. 1392 00:46:40,965 --> 00:46:42,867 >> Tyra: CARRIE ANN? 1393 00:46:42,867 --> 00:46:46,404 >> INTRICATE CHOREOGRAPHY, 1394 00:46:46,404 --> 00:46:48,439 DELIVERED WITH YOUR NORMAL 1395 00:46:48,439 --> 00:46:48,706 PIZZAZZ. 1396 00:46:48,706 --> 00:46:50,474 YOU WERE HITTING THINGS WAY 1397 00:46:50,474 --> 00:46:53,077 HARDER AND SHARPER THAN NORMAL. 1398 00:46:53,077 --> 00:46:53,644 >> Tyra: LEN? 1399 00:46:53,644 --> 00:46:55,479 >> I WAS IMPRESSED WITH THE 1400 00:46:55,479 --> 00:46:56,981 PRECISION IN THE GROUP SECTION 1401 00:46:56,981 --> 00:46:58,149 OF THAT DANCE. 1402 00:46:58,149 --> 00:47:00,651 I THOUGHT THAT WAS RIGHT 1403 00:47:00,651 --> 00:47:00,918 ON‐POINT. 1404 00:47:00,918 --> 00:47:04,055 AS FAR AS THE CHA‐CHA‐CHA IS 1405 00:47:04,055 --> 00:47:04,989 CONCERN, IT HAD ITS MOMENTS. 1406 00:47:04,989 --> 00:47:06,891 BUT FOR ME, THERE WASN'T ENOUGH 1407 00:47:06,891 --> 00:47:07,158 OF THEM. 1408 00:47:07,158 --> 00:47:07,758 >> Tyra: DEREK? 1409 00:47:07,758 --> 00:47:12,029 >> YOU GUYS, Y'ALL ARE SPECIAL. 1410 00:47:12,029 --> 00:47:13,297 I'LL TELL YOU WHY. 1411 00:47:13,297 --> 00:47:15,533 WHAT IS REALLY IMPORTANT ON THE 1412 00:47:15,533 --> 00:47:17,935 SHOW IS TO BE MEMORABLE. 1413 00:47:17,935 --> 00:47:19,503 THAT'S WHAT PEOPLE VOTE FOR AND 1414 00:47:19,503 --> 00:47:19,770 REMEMBER. 1415 00:47:19,770 --> 00:47:21,739 AND YOU DELIVERED A VERY 1416 00:47:21,739 --> 00:47:22,273 MEMORABLE PERFORMANCE. 1417 00:47:22,273 --> 00:47:23,974 >> GOOD JOB, COACH. 1418 00:47:23,974 --> 00:47:25,543 >> Tyra: IMAN, I GOT TO SAY, 1419 00:47:25,543 --> 00:47:27,645 WHEN I LOOK AT YOU, TO ME, 1420 00:47:27,645 --> 00:47:30,081 ESPECIALLY BEING A BALLER, YOU 1421 00:47:30,081 --> 00:47:30,948 THRIVE UNDER PRESSURE. 1422 00:47:30,948 --> 00:47:31,315 >> YEAH. 1423 00:47:31,315 --> 00:47:32,216 >> Tyra: SO YOU'RE FEELING THE 1424 00:47:32,216 --> 00:47:33,517 PRESSURE OF THE SEMIFINALS. 1425 00:47:33,517 --> 00:47:34,585 AND YOU JUST BRING IT. 1426 00:47:34,585 --> 00:47:35,486 TALK ABOUT THAT. 1427 00:47:35,486 --> 00:47:38,289 >> I'M USED TO BEING IN THE LONG 1428 00:47:38,289 --> 00:47:41,659 ROAD, AT THE END, IT GETS TIGHT. 1429 00:47:41,659 --> 00:47:44,028 BUT THE MOST BEAUTIFUL MOMENTS 1430 00:47:44,028 --> 00:47:45,229 USUALLY COME OUT OF THIS. 1431 00:47:45,229 --> 00:47:46,831 >> Tyra: THE WINS, RIGHT? 1432 00:47:46,831 --> 00:47:50,034 LET'S SEE HOW THESE SCORES ARE 1433 00:47:50,034 --> 00:47:50,234 GOING. 1434 00:47:50,234 --> 00:47:50,868 >> Announcer: CARRIE ANN INABA. 1435 00:47:50,868 --> 00:47:52,236 >> 9. 1436 00:47:52,236 --> 00:47:52,770 >> Announcer: LEN GOODMAN. 1437 00:47:52,770 --> 00:47:54,672 >> 8. 1438 00:47:54,672 --> 00:47:55,206 >> Announcer: DEREK HOUGH. 1439 00:47:55,206 --> 00:47:58,876 >> 9. 1440 00:47:58,876 --> 00:47:59,443 >> Announcer: BRUNO TONIOLI. 1441 00:47:59,443 --> 00:48:00,945 >> 9. 1442 00:48:00,945 --> 00:48:01,812 >> Tyra: ALL RIGHTY. 1443 00:48:01,812 --> 00:48:04,315 35 OUT OF 40 FOR IMAN AND 1444 00:48:04,315 --> 00:48:05,483 DANIELLA SO FAR TONIGHT. 1445 00:48:05,483 --> 00:48:07,852 THEY CAN HEAD OFF AND CHANGE FOR 1446 00:48:07,852 --> 00:48:08,753 THE DANCE‐OFF. 1447 00:48:08,753 --> 00:48:14,091 NEXT UP WITH A SALSA TO JANET 1448 00:48:14,091 --> 00:48:17,695 JACKSON'S HIT, "FEEDBACK," OUR 1449 00:48:17,695 --> 00:48:18,262 POP STAR AND TV PERSONALITY. 1450 00:48:18,262 --> 00:48:18,996 LAST WEEK, JOJO SIWA AND JENNA 1451 00:48:18,996 --> 00:48:20,064 WERE SAVED BY THE JUDGES TO 1452 00:48:20,064 --> 00:48:20,698 DANCE TONIGHT FOR A PLACE IN THE 1453 00:48:20,698 --> 00:48:25,302 SEMIFINALS. 1454 00:48:25,302 --> 00:48:28,672 >> LAST WEEK, LITERALLY BROKE MY 1455 00:48:28,672 --> 00:48:28,873 HEART. 1456 00:48:28,873 --> 00:48:35,613 JENNA AND I ENDED UP IN THE 1457 00:48:35,613 --> 00:48:37,081 BOTTOM TWO. 1458 00:48:37,081 --> 00:48:37,982 >> I WANT TO SAVE JOJO AND 1459 00:48:37,982 --> 00:48:38,215 JENNA. 1460 00:48:38,215 --> 00:48:40,351 >> THIS WAS A GREAT REMINDER 1461 00:48:40,351 --> 00:48:41,752 THAT EVEN THOUGH WE DO GET 1462 00:48:41,752 --> 00:48:43,521 HIGHER SCORES, VOTING MATTERS. 1463 00:48:43,521 --> 00:48:44,321 >> YES. 1464 00:48:44,321 --> 00:48:46,624 MY MOM HAS A FAMOUS SAYING, IT'S 1465 00:48:46,624 --> 00:48:48,392 CALLED RALLYING THE TROOPS. 1466 00:48:48,392 --> 00:48:52,430 TO GET OUT OF THE BOTTOM TWO, WE 1467 00:48:52,430 --> 00:48:53,364 NEED MY FANS. 1468 00:48:53,364 --> 00:48:55,032 THEY'RE THE BEST EVER, AND I 1469 00:48:55,032 --> 00:48:56,834 KNOW THEY'LL PULL US OUT OF 1470 00:48:56,834 --> 00:48:57,067 THIS. 1471 00:48:57,067 --> 00:48:58,736 THEY'VE BEEN SO SUPPORTIVE OF ME 1472 00:48:58,736 --> 00:48:59,370 FOR SO LONG. 1473 00:48:59,370 --> 00:49:02,139 WHEN I CAME OUT EARLIER THIS 1474 00:49:02,139 --> 00:49:03,541 YEAR, THEY GAVE ME SO MUCH LOVE. 1475 00:49:03,541 --> 00:49:05,075 THANK YOU GUYS. 1476 00:49:05,075 --> 00:49:05,676 THANK YOU. 1477 00:49:05,676 --> 00:49:07,678 THE SUPPORT FROM MY FAMILY, MY 1478 00:49:07,678 --> 00:49:09,380 FRIENDS, FROM CELEBRITIES, JUST 1479 00:49:09,380 --> 00:49:12,283 MADE MY HEART SO FULFILLED. 1480 00:49:12,283 --> 00:49:13,017 ELTON JOHN CALLED ME. 1481 00:49:13,017 --> 00:49:16,253 >> JOJO, I WANT TO CONGRATULATE 1482 00:49:16,253 --> 00:49:17,388 YOU ON SHARING YOURSELF WITH THE 1483 00:49:17,388 --> 00:49:19,890 WORLD AND COMING OUT THIS YEAR. 1484 00:49:19,890 --> 00:49:20,991 >> I KNEW THE SECOND I REALIZED 1485 00:49:20,991 --> 00:49:22,660 I WAS IN LOVE WITH A GIRL, NOT 1486 00:49:22,660 --> 00:49:24,862 EVERYBODY IS GOING TO LOVE IT. 1487 00:49:24,862 --> 00:49:26,931 IT BLOWS MY MIND THAT SOME 1488 00:49:26,931 --> 00:49:29,900 PEOPLE WON'T LET THEIR KIDS 1489 00:49:29,900 --> 00:49:32,870 WATCH MY VIDEOS ANYMORE, BECAUSE 1490 00:49:32,870 --> 00:49:33,204 OF WHO I LOVE. 1491 00:49:33,204 --> 00:49:35,005 I WAS NO DIFFERENT THE DAY 1492 00:49:35,005 --> 00:49:35,239 BEFORE. 1493 00:49:35,239 --> 00:49:37,007 IT'S WILD TO THINK THAT THE 1494 00:49:37,007 --> 00:49:38,042 SCARIEST THING, COMING OUT OF 1495 00:49:38,042 --> 00:49:39,677 THE WORLD, IS THE BEST THING 1496 00:49:39,677 --> 00:49:41,412 THAT I EVER DID. 1497 00:49:41,412 --> 00:49:45,049 >> I'M SO HAPPY YOU DID. 1498 00:49:45,049 --> 00:49:45,549 >> THANK YOU. 1499 00:49:45,549 --> 00:49:46,450 >> I'M SO PROUD OF YOU. 1500 00:49:46,450 --> 00:49:49,854 >> THIS WEK, WE'RE DOING A 1501 00:49:49,854 --> 00:49:52,356 SALSA TO MY FAVORITE JANET 1502 00:49:52,356 --> 00:49:53,991 JACKSON SONG, "FEEDBACK." 1503 00:49:53,991 --> 00:49:55,392 THIS IS THE LAST PERFORMANCE 1504 00:49:55,392 --> 00:49:56,293 BEFORE THE SEMIFINALS. 1505 00:49:56,293 --> 00:49:58,028 IT'S PRESSURE‐FILLED, BECAUSE WE 1506 00:49:58,028 --> 00:50:00,965 WERE IN THE BOTTOM TWO LAST 1507 00:50:00,965 --> 00:50:01,799 WEEK. 1508 00:50:01,799 --> 00:50:06,370 I KNOW THE SIWANATORS WILL VOTE 1509 00:50:06,370 --> 00:50:08,572 AND HAVE MY BACK. 1510 00:50:08,572 --> 00:50:10,774 AND I LOVE THEM SO MUCH. 1511 00:50:10,774 --> 00:50:11,141 >> BEAUTIFUL! 1512 00:50:11,141 --> 00:50:11,642 [ CHEERS AND APPLAUSE ] 1513 00:50:11,642 --> 00:50:12,510 >> Announcer: DANCING THE SALSA 1514 00:50:12,510 --> 00:50:13,110 WITH HER PARTNER JENNA, IT'S 1515 00:50:13,110 --> 00:50:16,146 JOJO SIWA. 1516 00:50:16,914 --> 00:50:25,456 ♪ 1517 00:50:25,456 --> 00:50:26,524 ♪ LIGHT SKIN DARK SKIN 1518 00:50:26,524 --> 00:50:29,159 MY ASIAN PERSUASION ♪ 1519 00:50:29,159 --> 00:50:30,761 ♪ I GOT THEM ALL THAT'S WHY 1520 00:50:30,761 --> 00:50:31,829 THESE GIRLS OUT HERE HATIN' 1521 00:50:31,829 --> 00:50:33,397 'CAUSE I'M SEXY ♪ 1522 00:50:33,397 --> 00:50:35,499 ♪ DO YOU LIKE MY STYLE 1523 00:50:35,499 --> 00:50:39,103 YEAH THAT SEXY SEXY SEXY ♪ 1524 00:50:39,103 --> 00:50:39,637 ♪ AH LIKE I ROCK IT DOWN 1525 00:50:39,637 --> 00:50:42,339 YEAH THAT SEXY SEXY SEXY ♪ 1526 00:50:42,339 --> 00:50:43,374 ♪ AH YOU CAN WORK ME OUT 1527 00:50:43,374 --> 00:50:45,476 YEAH THAT SEXY SEXY SEXY ♪ 1528 00:50:45,476 --> 00:50:49,179 ♪ AH LET ME SHOW YOU HOW 1529 00:50:49,179 --> 00:50:50,781 YEAH THAT SEXY SEXY SEXY ♪ 1530 00:50:50,781 --> 00:50:52,349 ♪ SO HERE'S MY DEMONSTRATION 1531 00:50:52,349 --> 00:50:53,951 A PEEP SHOW ♪ 1532 00:50:53,951 --> 00:50:56,086 ♪ TONIGHT MY BODY'S 1533 00:50:56,086 --> 00:50:58,188 AN EXHIBITION BABY ♪ 1534 00:50:58,188 --> 00:51:00,824 ♪ THOUGH IT'S ON DISPLAY 1535 00:51:00,824 --> 00:51:02,960 DON'T BE SCARED TO 1536 00:51:02,960 --> 00:51:04,528 TOUCH IT IT SAID SO ♪ 1537 00:51:04,528 --> 00:51:06,664 ♪ SO COME AND GET IT BABE 1538 00:51:06,664 --> 00:51:08,265 STRUM ME LIKE A GUITAR 1539 00:51:08,265 --> 00:51:09,833 BLOW OUT MY AMPLIFIER ♪ 1540 00:51:09,833 --> 00:51:10,334 ♪ WHEN YOU HEAR 1541 00:51:10,334 --> 00:51:11,368 SOME FEEDBACK ♪ 1542 00:51:11,368 --> 00:51:12,436 ♪ KEEP GOING 1543 00:51:12,436 --> 00:51:14,038 TAKE IT HIGHER ♪ 1544 00:51:14,038 --> 00:51:14,572 ♪ CRANK IT UP 1545 00:51:14,572 --> 00:51:15,606 GIVE IT TO ME 1546 00:51:15,606 --> 00:51:16,140 COME ON ♪ 1547 00:51:16,140 --> 00:51:16,674 ♪ CRANK IT UP 1548 00:51:16,674 --> 00:51:17,207 GIVE IT TO ME 1549 00:51:17,207 --> 00:51:18,242 COME ON ♪ 1550 00:51:18,242 --> 00:51:19,310 ♪ I'M GONNA FEEDBACK 1551 00:51:19,310 --> 00:51:20,878 FEEDBACK OH 1552 00:51:20,878 --> 00:51:22,479 FEEDBACK FEEDBACK OH ♪ 1553 00:51:22,479 --> 00:51:22,980 ♪ CRANK IT UP 1554 00:51:22,980 --> 00:51:24,048 GIVE IT TO ME 1555 00:51:24,048 --> 00:51:24,315 COME ON ♪ 1556 00:51:24,315 --> 00:51:24,648 ♪ CRANK IT UP 1557 00:51:24,648 --> 00:51:25,082 GIVE IT TO ME 1558 00:51:25,082 --> 00:51:26,684 COME ON ♪ 1559 00:51:26,684 --> 00:51:27,785 ♪ I'M GONNA FEEDBACK 1560 00:51:27,785 --> 00:51:28,819 FEEDBACK OH 1561 00:51:28,819 --> 00:51:33,524 FEEDBACK FEEDBACK OH ♪ 1562 00:51:33,524 --> 00:51:35,192 ♪ FEEDBACK 1563 00:51:35,192 --> 00:51:36,226 F‐F‐FEEDBACK 1564 00:51:36,226 --> 00:51:40,497 BACK BACK BACK BACK ♪ 1565 00:51:40,497 --> 00:51:40,664 ♪ 1566 00:51:40,664 --> 00:51:45,102 [ CHEERS AND APPLAUSE ] 1567 00:51:45,102 --> 00:51:46,203 >> Tyra: OH! 1568 00:51:46,203 --> 00:51:48,772 OKAY, JOJO AND JENNA ARE TRYING 1569 00:51:48,772 --> 00:51:52,309 TO SHOW US HOW IT'S DONE. 1570 00:51:52,309 --> 00:51:52,610 OKAY. 1571 00:51:52,610 --> 00:51:56,981 WITH THE SALSA TO "FEEDBACK." 1572 00:51:56,981 --> 00:51:59,316 JOJO'S FAVORITE JANET SONG. 1573 00:51:59,316 --> 00:51:59,683 CARRIE ANN? 1574 00:51:59,683 --> 00:52:01,085 >> I MEAN, COME ON. 1575 00:52:01,085 --> 00:52:04,288 THIS IS AMAZING, WHAT AN 1576 00:52:04,288 --> 00:52:05,589 INCREDIBLE JANET NIGHT. 1577 00:52:05,589 --> 00:52:08,158 JOJO, THIS IS THE MOST INTENSE 1578 00:52:08,158 --> 00:52:09,193 COMPETITION WE HAVE EVER SEEN IN 1579 00:52:09,193 --> 00:52:10,394 THE HISTORY OF "DANCING WITH THE 1580 00:52:10,394 --> 00:52:10,694 STARS." 1581 00:52:10,694 --> 00:52:13,097 AND A LOT OF IT HAS TO DO WITH 1582 00:52:13,097 --> 00:52:14,665 YOU, BECAUSE YOU CONTINUE TO 1583 00:52:14,665 --> 00:52:18,602 COME OUT HERE AND DO INCREDIBLE 1584 00:52:18,602 --> 00:52:19,103 PERFORMANCES. 1585 00:52:19,103 --> 00:52:23,240 THAT WAS SHARP, HOT, AND SEXY. 1586 00:52:23,240 --> 00:52:29,747 AND HELLO, CIRQUE DE SALSA. 1587 00:52:29,747 --> 00:52:30,180 >> Tyra: LEN? 1588 00:52:30,180 --> 00:52:34,618 >> YOU TWO MAKE A FANTASTIC 1589 00:52:34,618 --> 00:52:34,918 DREAM TEAM. 1590 00:52:34,918 --> 00:52:35,552 HOWEVER, HERE COMES THE NEGATIVE 1591 00:52:35,552 --> 00:52:37,554 BIT. 1592 00:52:37,554 --> 00:52:40,424 FOR ME, THERE WAS ONE OR TWO 1593 00:52:40,424 --> 00:52:43,193 GIMMICKS IN THERE THAT I DIDN'T 1594 00:52:43,193 --> 00:52:45,596 FEEL WERE SALSA. 1595 00:52:45,596 --> 00:52:46,430 [ BOOING ] 1596 00:52:46,430 --> 00:52:47,831 >> I LIKE A GIMMICK. 1597 00:52:47,831 --> 00:52:48,832 THAT SOUNDS FUN. 1598 00:52:48,832 --> 00:52:49,400 >> Tyra: DEREK? 1599 00:52:49,400 --> 00:52:50,768 >> JOJO, FIRST OF ALL, THE 1600 00:52:50,768 --> 00:52:52,636 OPENING LIFT, I WAS LIKE, OKAY, 1601 00:52:52,636 --> 00:52:53,504 OPENING LIFT. 1602 00:52:53,504 --> 00:52:54,772 THAT WAS JUST BEAUTIFUL. 1603 00:52:54,772 --> 00:52:57,641 WHAT A WAY TO START IT. 1604 00:52:57,641 --> 00:52:57,908 GORGEOUS. 1605 00:52:57,908 --> 00:53:00,210 YOU HAD THE SALSA COMBOS, THE 1606 00:53:00,210 --> 00:53:00,978 JAZZ IN THERE. 1607 00:53:00,978 --> 00:53:03,113 THE AMAZING HIGHLIGHTS. 1608 00:53:03,113 --> 00:53:05,549 IT'S SO GREAT, YOU'RE SUCH A 1609 00:53:05,549 --> 00:53:07,017 GREAT PARTNER AND A GREAT 1610 00:53:07,017 --> 00:53:07,351 LEADER. 1611 00:53:07,351 --> 00:53:09,186 WATCHING THE SALSA. 1612 00:53:09,186 --> 00:53:13,057 HONESTLY, LIKE, THAT WAS JUST, 1613 00:53:13,057 --> 00:53:14,091 I'M SPEECHLESS. 1614 00:53:14,091 --> 00:53:14,925 >> Tyra: SPEECHLESS. 1615 00:53:14,925 --> 00:53:19,697 HE'S LIKE, DANG. 1616 00:53:19,697 --> 00:53:19,897 BRUNO? 1617 00:53:19,897 --> 00:53:20,898 >> DROP DEAD SEXY. 1618 00:53:20,898 --> 00:53:22,933 >> YES. 1619 00:53:22,933 --> 00:53:25,135 >> I'M TELLING YOU, BUT WHAT I 1620 00:53:25,135 --> 00:53:27,604 LIKE ABOUT YOU IS YOU DARE TO GO 1621 00:53:27,604 --> 00:53:27,805 THERE. 1622 00:53:27,805 --> 00:53:29,840 YOU PUT THINGS IN THERE THAT ARE 1623 00:53:29,840 --> 00:53:30,774 JUST AT THE LIMIT. 1624 00:53:30,774 --> 00:53:32,810 YOU PUSH IT AS FAR AS YOU CAN. 1625 00:53:32,810 --> 00:53:36,046 AND YOU HAVE THE COURAGE TO DO 1626 00:53:36,046 --> 00:53:36,213 IT. 1627 00:53:36,213 --> 00:53:37,781 AND TO PULL IT THROUGH. 1628 00:53:37,781 --> 00:53:39,516 I ADMIRE YOU FOR THAT. 1629 00:53:39,516 --> 00:53:41,485 GO FOR IT, NEVER STOP. 1630 00:53:41,485 --> 00:53:44,188 >> Tyra: AND JENNA, THE 1631 00:53:44,188 --> 00:53:46,590 CHOREOGRAPHY WAS BANANAS. 1632 00:53:46,590 --> 00:53:48,459 YOU GUYS WERE IN THE BOTTOM TWO, 1633 00:53:48,459 --> 00:53:51,128 I DON'T GET IT, BUT YOU WERE. 1634 00:53:51,128 --> 00:53:52,996 YOU'RE SHOWING PEOPLE THAT IT 1635 00:53:52,996 --> 00:53:53,564 SHOULDN'T HAPPEN. 1636 00:53:53,564 --> 00:53:54,865 WHAT ARE YOU SHOWING THEM 1637 00:53:54,865 --> 00:53:55,566 TONIGHT, JOJO? 1638 00:53:55,566 --> 00:53:57,935 >> HONESTLY, IT FEELS LIKE EVERY 1639 00:53:57,935 --> 00:54:00,637 WEEK WE TRY TO PULL SOMETHING 1640 00:54:00,637 --> 00:54:01,105 DIFFERENT OUT OF ME. 1641 00:54:01,105 --> 00:54:01,371 THANK YOU. 1642 00:54:01,371 --> 00:54:04,308 AND TONIGHT, I FEEL LIKE JENNA 1643 00:54:04,308 --> 00:54:05,743 REALLY PUSHED ME FOR STRENGTH. 1644 00:54:05,743 --> 00:54:07,845 WE WANTED TO DO SOMETHING WE 1645 00:54:07,845 --> 00:54:09,513 HADN'T DONE YET BEFORE, AND THAT 1646 00:54:09,513 --> 00:54:12,416 WAS SERIOUSLY INTENSE LIFTS. 1647 00:54:12,416 --> 00:54:16,420 AND IT TOOK A MINUTE, BUT WE GOT 1648 00:54:16,420 --> 00:54:16,653 THERE. 1649 00:54:16,653 --> 00:54:18,355 >> Tyra: LET'S GET THESE SCORES. 1650 00:54:18,355 --> 00:54:18,989 >> Announcer: CARRIE ANN INABA. 1651 00:54:18,989 --> 00:54:21,592 >> IT WORKED. 1652 00:54:21,592 --> 00:54:22,693 10! 1653 00:54:22,693 --> 00:54:23,227 >> Announcer: LEN GOODMAN. 1654 00:54:23,227 --> 00:54:25,729 >> 9. 1655 00:54:25,729 --> 00:54:26,263 >> Announcer: DEREK HOUGH. 1656 00:54:26,263 --> 00:54:29,366 >> A STRONG 10! 1657 00:54:29,366 --> 00:54:29,933 >> Announcer: BRUNO TONIOLI. 1658 00:54:29,933 --> 00:54:32,369 >> 10, BABY. 1659 00:54:32,369 --> 00:54:34,004 >> Tyra: ALMOST PERFECT SCORES. 1660 00:54:34,004 --> 00:54:36,740 39 OUT OF 40 FOR JOJO AND JENNA 1661 00:54:36,740 --> 00:54:38,108 SO FAR TONIGHT. 1662 00:54:38,108 --> 00:54:39,643 NOW, THE DANCE‐OFF ROUND IS ON 1663 00:54:39,643 --> 00:54:41,044 THE WAY. 1664 00:54:41,044 --> 00:54:42,646 IT'S GOING TO BE INTENSE. 1665 00:54:42,646 --> 00:54:43,280 PLUS, A SURPRISE GUEST JOINS OUR 1666 00:54:43,280 --> 00:54:43,914 PROS FOR A SPECIAL PERFORMANCE 1667 00:54:43,914 --> 00:54:45,849 WHEN WE COME BACK, LIVE. 1668 00:54:50,654 --> 00:54:51,155 [ CHEERS AND APPLAUSE ] 1669 00:54:51,155 --> 00:54:55,926 ♪ 1670 00:54:55,926 --> 00:54:58,128 WELCOME BACK TO JANET JACKSON 1671 00:54:58,128 --> 00:54:58,328 NIGHT. 1672 00:54:58,328 --> 00:55:00,497 WE'RE GOING TO TAKE A LOOK AT 1673 00:55:00,497 --> 00:55:04,334 THE LEADERBOARD TO SEE WHERE ALL 1674 00:55:04,334 --> 00:55:06,603 OF OUR STARS STAND GOING INTO 1675 00:55:06,603 --> 00:55:14,478 THE DANCE‐OFF ROUND. 1676 00:55:14,478 --> 00:55:22,019 AT THE TOP, SUNI, HELMELORA, AN 1677 00:55:22,019 --> 00:55:23,453 AMANDA WITH PERFECT 40s. 1678 00:55:23,453 --> 00:55:33,130 AT THE BOTTOM, JIMMIE AND EMMA. 1679 00:55:33,130 --> 00:55:33,630 AND AS WE GET READY FOR 1680 00:55:33,630 --> 00:55:34,231 TONIGHT'S SECOND ROUND, WE'VE 1681 00:55:34,231 --> 00:55:34,865 GOT SOMETHING EXTRA SPECIAL FOR 1682 00:55:34,865 --> 00:55:35,165 YOU. 1683 00:55:35,165 --> 00:55:35,799 THIS WINTER 2022, OUR "DANCING 1684 00:55:35,799 --> 00:55:36,433 WITH THE STARS" PROS ARE GOING 1685 00:55:36,433 --> 00:55:41,471 ON TOUR IN AN ALL‐NEW LIVE SHOW. 1686 00:55:41,471 --> 00:55:42,039 WE CAN NOW FINALLY, FINALLY 1687 00:55:42,039 --> 00:55:42,639 ANNOUNCE THAT JOINING THEM IS 1688 00:55:42,639 --> 00:55:43,173 OUR REIGNING MIRROR BALL 1689 00:55:43,173 --> 00:55:45,676 CHAMPION, KAITLYN BRISTOWE. 1690 00:55:45,676 --> 00:55:46,243 NOW, SOME OF THOSE AMAZING 1691 00:55:46,243 --> 00:55:46,844 DANCERS ARE GONNA PERFORM FOR 1692 00:55:46,844 --> 00:55:49,913 YOU RIGHT NOW. 1693 00:55:49,913 --> 00:55:52,549 GIVE IT UP FOR BRITT, BRANDON, 1694 00:55:52,549 --> 00:55:54,885 GLEB, PASHA, AND 1695 00:55:54,885 --> 00:55:55,285 KAITLYN BRISTOWE. 1696 00:55:55,285 --> 00:56:01,225 [ CHEERS AND APPLAUSE ] 1697 00:56:01,225 --> 00:56:06,964 ♪ 1698 00:56:08,131 --> 00:56:09,700 ♪ USED TO BE A TIME WHEN 1699 00:56:09,700 --> 00:56:11,768 YOU WOULD PAMPER ME ♪ 1700 00:56:11,768 --> 00:56:12,803 ♪ USED TO BRAG ABOUT 1701 00:56:12,803 --> 00:56:15,973 IT ALL THE TIME ♪ 1702 00:56:15,973 --> 00:56:19,676 ♪ YOUR FRIENDS SEEM TO THINK 1703 00:56:19,676 --> 00:56:20,277 THAT YOU'RE SO PEACHY KEEN ♪ 1704 00:56:20,277 --> 00:56:21,278 ♪ BUT MY FRIENDS SAY NEGLECT 1705 00:56:21,278 --> 00:56:22,846 IS ON YOUR MIND ♪ 1706 00:56:22,846 --> 00:56:25,482 ♪ WHO'S RIGHT 1707 00:56:25,482 --> 00:56:26,550 WHAT HAVE YOU DONE 1708 00:56:26,550 --> 00:56:30,787 FOR ME LATELY ♪ 1709 00:56:30,787 --> 00:56:33,957 ♪ OOH OOH OOH YEAH 1710 00:56:33,957 --> 00:56:34,491 ♪ WHAT HAVE YOU DONE 1711 00:56:34,491 --> 00:56:39,263 FOR ME LATELY ♪ 1712 00:56:39,263 --> 00:56:42,432 ♪ OOH OOH OOH YEAH 1713 00:56:42,432 --> 00:56:43,967 I NEVER ASK FOR MORE ♪ 1714 00:56:43,967 --> 00:56:47,671 ♪ THAN I DESERVE 1715 00:56:47,671 --> 00:56:50,307 YOU KNOW IT'S THE TRUTH ♪ 1716 00:56:50,307 --> 00:56:52,943 ♪ YOU SEEM TO THINK YOU'RE 1717 00:56:52,943 --> 00:56:57,147 GOD'S GIFT TO THIS EARTH ♪ 1718 00:56:57,147 --> 00:57:02,486 ♪ I'M TELLIN' YOU NO WAY 1719 00:57:02,486 --> 00:57:04,588 YOU OUGHT TO BE THANKFUL ♪ 1720 00:57:04,588 --> 00:57:06,690 ♪ FOR THE LITTLE THINGS 1721 00:57:06,690 --> 00:57:08,792 BUT LITTLE THINGS ARE ALL ♪ 1722 00:57:08,792 --> 00:57:09,860 ♪ YOU SEEM TO GIVE 1723 00:57:09,860 --> 00:57:13,230 YOU'RE ALWAYS PUTTING OFF ♪ 1724 00:57:13,230 --> 00:57:13,764 ♪ WHAT WE COULD DO TODAY 1725 00:57:13,764 --> 00:57:15,132 SOAP OPERA SAYS ♪ 1726 00:57:15,132 --> 00:57:15,666 ♪ YOU'VE GOT ONE 1727 00:57:15,666 --> 00:57:17,734 LIFE TO LIVE ♪ 1728 00:57:17,734 --> 00:57:20,904 ♪ WHO'S RIGHT WHO'S WRONG 1729 00:57:20,904 --> 00:57:21,438 WHAT HAVE YOU DONE 1730 00:57:21,438 --> 00:57:25,676 FOR ME LATELY ♪ 1731 00:57:25,676 --> 00:57:28,845 ♪ OOH OOH OOH YEAH 1732 00:57:28,845 --> 00:57:29,379 WHAT HAVE YOU DONE 1733 00:57:29,379 --> 00:57:34,184 FOR ME LATELY ♪ 1734 00:57:34,184 --> 00:57:39,289 ♪ OOH OOH OOH YEAH ♪ 1735 00:57:39,289 --> 00:57:39,456 ♪ 1736 00:57:39,456 --> 00:57:44,361 [ CHEERS AND APPLAUSE ] 1737 00:57:44,361 --> 00:57:46,697 >> Tyra: CHOREOGRAPHED BY 1738 00:57:46,697 --> 00:57:54,171 DOMINIQUE KELLY, OUR PROS, AND 1739 00:57:54,171 --> 00:57:55,172 KAITLYN BRISTOWE! 1740 00:57:55,172 --> 00:57:55,772 KAITLYN! 1741 00:57:55,772 --> 00:57:58,842 LOOK AT YOU, BRUNETTE, IT'S SO 1742 00:57:58,842 --> 00:58:01,611 GREAT TO HAVE YOU BACK. 1743 00:58:01,611 --> 00:58:04,114 AND WE'RE SO EXCITED THAT YOU'RE 1744 00:58:04,114 --> 00:58:06,783 JOINING OUR PROS FOR THE TOUR. 1745 00:58:06,783 --> 00:58:08,118 WHAT IS THAT LIKE? 1746 00:58:08,118 --> 00:58:10,020 >> IT FEELS RIGHT, TYRA. 1747 00:58:10,020 --> 00:58:10,821 IT FEELS RIGHT. 1748 00:58:10,821 --> 00:58:11,922 >> Tyra: AND YOU'RE LOOKING 1749 00:58:11,922 --> 00:58:12,122 GOOD. 1750 00:58:12,122 --> 00:58:13,924 YOU HAVE TO BE EXCITED THAT 1751 00:58:13,924 --> 00:58:15,392 YOU'RE GOING TO BE DANCING YOUR 1752 00:58:15,392 --> 00:58:16,293 WAY ACROSS AMERICA FOR ALL OF 1753 00:58:16,293 --> 00:58:17,294 THE FANS. 1754 00:58:17,294 --> 00:58:18,128 >> I KNOW. 1755 00:58:18,128 --> 00:58:19,363 >> LET'S GO! 1756 00:58:19,363 --> 00:58:22,466 >> IT'S SO CRAZY, BECAUSE WE 1757 00:58:22,466 --> 00:58:24,167 DIDN'T HAVE AN AUDIENCE LAST 1758 00:58:24,167 --> 00:58:24,401 SEASON. 1759 00:58:24,401 --> 00:58:25,902 IT'S SO EXCITING TO CONNECT WITH 1760 00:58:25,902 --> 00:58:34,311 THE "DANCING WITH THE STARS" 1761 00:58:34,311 --> 00:58:34,511 FANS. 1762 00:58:34,511 --> 00:58:35,145 >> Tyra: KAITLYN WILL BE JOINING 1763 00:58:35,145 --> 00:58:36,713 THE MAJORITY OF THE TOUR STOPS. 1764 00:58:36,713 --> 00:58:42,552 GO TO DWTSTOUR.COM FOR TICKETS 1765 00:58:42,552 --> 00:58:43,320 AND DETAILS. 1766 00:58:43,320 --> 00:58:47,591 WE'VE COME TO THE ROUND THAT 1767 00:58:47,591 --> 00:58:49,259 KAITLYN KNOWS ALL TOO WELL. 1768 00:58:49,259 --> 00:58:55,032 THE DANCE‐OFFS. 1769 00:58:55,032 --> 00:58:55,665 TWO AT A TIME, OUR COUPLES WILL 1770 00:58:55,665 --> 00:58:56,299 DANCE OFF SIDE‐BY‐SIDE FOR TWO 1771 00:58:56,299 --> 00:58:56,900 BONUS POINTS FROM ONE OF OUR 1772 00:58:56,900 --> 00:58:57,100 JUDGES. 1773 00:58:57,100 --> 00:58:57,734 NOW LET'S FIND OUT WHICH OF OUR 1774 00:58:57,734 --> 00:58:58,335 COUPLES WILL BATTLE IT OUT IN 1775 00:58:58,335 --> 00:59:01,671 THE FIRST DANCE‐OFF. 1776 00:59:01,671 --> 00:59:05,075 ♪ 1777 00:59:05,075 --> 00:59:08,478 >> WHO DO YOU THINK WE'LL 1778 00:59:08,478 --> 00:59:08,879 DANCE‐OFF AGAINST? 1779 00:59:08,879 --> 00:59:10,380 >> CAN WE JUST DANCE BY 1780 00:59:10,380 --> 00:59:10,647 OURSELVES? 1781 00:59:10,647 --> 00:59:14,551 >> YEAH, I KNOW. 1782 00:59:14,551 --> 00:59:16,286 >> OH! 1783 00:59:16,286 --> 00:59:17,054 >> YEAH! 1784 00:59:17,054 --> 00:59:20,190 >> JIMMIE, EMMA. 1785 00:59:20,190 --> 00:59:21,625 >> PUT ME AGAINST AN OLYMPIC 1786 00:59:21,625 --> 00:59:23,894 GOLD MEDALIST AND A GUY LIKE 1787 00:59:23,894 --> 00:59:25,729 SASHA THAT CAN DANCE HIS BUTT 1788 00:59:25,729 --> 00:59:26,029 OFF. 1789 00:59:26,029 --> 00:59:26,329 THANK YOU. 1790 00:59:26,329 --> 00:59:28,265 >> JIMMIE IS GREAT. 1791 00:59:28,265 --> 00:59:30,367 >> JIMMIE IS KILLING IT RIGHT 1792 00:59:30,367 --> 00:59:30,834 NOW. 1793 00:59:30,834 --> 00:59:31,968 I'M REALLY NERVOUS. 1794 00:59:31,968 --> 00:59:34,271 >> I'M CURIOUS TO SEE WHAT WE'RE 1795 00:59:34,271 --> 00:59:35,872 DANCING, WHAT WE'RE DANCING TO, 1796 00:59:35,872 --> 00:59:37,908 AND OUR JUDGES. 1797 00:59:37,908 --> 00:59:39,309 LET'S TAKE A GANDER. 1798 00:59:39,309 --> 00:59:40,243 >> DRUM ROLL. 1799 00:59:40,243 --> 00:59:42,379 >> WE'RE DOING THE SALSA 1800 00:59:42,379 --> 00:59:45,949 TO "MADE FOR NOW" BY JANET 1801 00:59:45,949 --> 00:59:47,484 JACKSON AND DADDY YANKEE. 1802 00:59:47,484 --> 00:59:48,518 >> GOOD SONG. 1803 00:59:48,518 --> 00:59:50,854 >> THE JUDGE, BRUNO. 1804 00:59:50,854 --> 00:59:51,588 >> WOW. 1805 00:59:51,588 --> 00:59:59,196 >> ALL RIGHT, SABETWEEN JIMMIE D 1806 00:59:59,196 --> 01:00:00,530 SUNI, WHOEVER BLINKS FIRST IS 1807 01:00:00,530 --> 01:00:04,634 THE LOSER. 1808 01:00:04,634 --> 01:00:05,769 LET'S GO. 1809 01:00:05,769 --> 01:00:07,938 >> MY EYES ARE BURNING! 1810 01:00:07,938 --> 01:00:09,739 >> DO NOT BLINK, SUNI. 1811 01:00:09,739 --> 01:00:12,476 YOU HOLD IT IN. 1812 01:00:12,476 --> 01:00:13,643 >> LOSER! 1813 01:00:13,643 --> 01:00:14,444 >> BYE! 1814 01:00:14,444 --> 01:00:16,480 >> Y'ALL GET OUT OF HERE SO WE 1815 01:00:16,480 --> 01:00:17,380 CAN PRACTICE, PLEASE. 1816 01:00:17,380 --> 01:00:20,150 >> I ALONE WILL BE JUDGING THIS 1817 01:00:20,150 --> 01:00:21,251 DANCE‐OFF BETWEEN JIMMIE AND 1818 01:00:21,251 --> 01:00:21,451 SUNI. 1819 01:00:21,451 --> 01:00:23,820 THE BEST THING IN A DANCE‐OFF IS 1820 01:00:23,820 --> 01:00:26,890 BEING ABLE TO COMPARE BOTH OF 1821 01:00:26,890 --> 01:00:27,791 THEM SIDE‐BY‐SIDE. 1822 01:00:27,791 --> 01:00:31,862 JIMMIE AT TIMES CAN BE A BIT 1823 01:00:31,862 --> 01:00:32,195 HEAVY‐FOOTED. 1824 01:00:32,195 --> 01:00:34,131 YOU DON'T STOMP A SALSA. 1825 01:00:34,131 --> 01:00:36,066 SUNI IS SO GOOD, ALL SHE HAS TO 1826 01:00:36,066 --> 01:00:38,768 DO IS RELAX AND BECOME THE 1827 01:00:38,768 --> 01:00:38,969 MUSIC. 1828 01:00:38,969 --> 01:00:40,170 YOU ARE PART OF IT. 1829 01:00:40,170 --> 01:00:43,240 >> GOING FOR THE GOLD. 1830 01:00:43,240 --> 01:00:44,774 >> SUNI MIGHT HAVE AN OLYMPIC 1831 01:00:44,774 --> 01:00:45,942 GOLD MEDAL. 1832 01:00:45,942 --> 01:00:50,280 BUT I HAVE AN ACADEMY OF COUNTRY 1833 01:00:50,280 --> 01:00:50,981 MUSIC AWARD. 1834 01:00:50,981 --> 01:00:52,749 I DON'T KNOW HOW THAT WILL PLAY 1835 01:00:52,749 --> 01:00:54,818 FOR THE SALSA. 1836 01:00:54,818 --> 01:00:57,154 BUT GOOD CONFIDENCE BUILDER. 1837 01:00:57,154 --> 01:00:57,654 [ CHEERS AND APPLAUSE ] 1838 01:00:57,654 --> 01:00:58,288 >> Announcer: DANCING THE SALSA 1839 01:00:58,288 --> 01:00:59,623 AGAINST EACH OTHER, IT'S 1840 01:00:59,623 --> 01:01:00,690 JIMMIE ALLEN AND EMMA VERSUS 1841 01:01:00,690 --> 01:01:02,792 SUNI LEE AND SASHA. 1842 01:01:02,792 --> 01:01:08,031 LET THE DANCE‐OFF BEGIN. 1843 01:01:12,269 --> 01:01:14,037 >> JANET JACKSON, ICONIC. 1844 01:01:14,037 --> 01:01:14,571 ♪ 1845 01:01:14,571 --> 01:01:20,644 [ SINGING IN SPANISH ] 1846 01:01:20,644 --> 01:01:23,079 >> GO. 1847 01:01:23,713 --> 01:01:25,182 ♪ 1848 01:01:25,182 --> 01:01:35,592 [ SINGING IN SPANISH ] 1849 01:01:39,262 --> 01:01:43,066 ♪ MADE FOR LOVE MADE FOR LOVE 1850 01:01:43,667 --> 01:01:44,167 ♪ 1851 01:01:44,167 --> 01:01:51,174 [ SINGING IN SPANISH ] 1852 01:01:52,275 --> 01:01:52,809 [ SINGING IN SPANISH ] 1853 01:01:52,809 --> 01:02:03,320 ♪ 1854 01:02:04,421 --> 01:02:05,488 ♪ 1855 01:02:05,488 --> 01:02:12,462 [ SINGING IN SPANISH ] 1856 01:02:12,462 --> 01:02:15,832 ♪ MADE FOR LOVE MADE FOR LOVE 1857 01:02:15,832 --> 01:02:16,466 ♪ MADE FOR LOVE 1858 01:02:16,466 --> 01:02:16,633 ♪ 1859 01:02:16,633 --> 01:02:22,072 [ CHEERS AND APPLAUSE ] 1860 01:02:22,072 --> 01:02:23,039 >> Tyra: WHOA. 1861 01:02:23,039 --> 01:02:25,809 THE BATTLE BEGINS. 1862 01:02:25,809 --> 01:02:26,409 JIMMIE AND EMMA AND SUNI AND 1863 01:02:26,409 --> 01:02:31,214 SASHA WITH A SALSA DANCE‐OFF. 1864 01:02:31,214 --> 01:02:33,049 BRUNO, IT'S ALL YOU, BABY. 1865 01:02:33,049 --> 01:02:34,150 >> OH, MY GOD. 1866 01:02:34,150 --> 01:02:35,318 THIS IS SO HARD. 1867 01:02:35,318 --> 01:02:38,088 BECAUSE ACTUALLY YOU BOTH DID 1868 01:02:38,088 --> 01:02:40,590 GREAT PERFORMANCES. 1869 01:02:40,590 --> 01:02:41,124 SLIGHTLY DIFFERENT FLAVOR. 1870 01:02:41,124 --> 01:02:43,660 BOTH VERY, VERY TASTY. 1871 01:02:43,660 --> 01:02:47,230 IT'S LIKE CHOOSING FROM A GREAT 1872 01:02:47,230 --> 01:02:50,200 CHARDONNAY AND A GREAT 1873 01:02:50,200 --> 01:02:50,467 SAUVIGNON. 1874 01:02:50,467 --> 01:02:52,269 BUT THE SALSA, YOU HAVE TO 1875 01:02:52,269 --> 01:02:53,670 COMBINE FLUIDITY WITH PRECISION. 1876 01:02:53,670 --> 01:02:55,605 WHICH IS VERY, VERY DIFFICULT TO 1877 01:02:55,605 --> 01:02:56,139 DO. 1878 01:02:56,139 --> 01:02:58,241 IT'S A VERY DIFFICULT DANCE. 1879 01:02:58,241 --> 01:03:01,478 YOU CAN'T JUST SHAKE IT ABOUT. 1880 01:03:01,478 --> 01:03:04,381 SO PURELY BASED ON A BALANCE OF 1881 01:03:04,381 --> 01:03:07,817 TECHNIQUE AND PERFORMANCE, AND 1882 01:03:07,817 --> 01:03:11,621 THE TURNS, OH, GOD. 1883 01:03:11,621 --> 01:03:12,922 >> YOU'RE KILLING US! 1884 01:03:12,922 --> 01:03:15,025 >> DO I HAVE TO DO IT. 1885 01:03:15,025 --> 01:03:16,693 >> Tyra: WE'LL COME BACK TO YOU 1886 01:03:16,693 --> 01:03:18,695 WHILE YOU NOODLE ON THAT. 1887 01:03:18,695 --> 01:03:19,496 JIMMIE, YOU WERE COMPETING 1888 01:03:19,496 --> 01:03:22,032 AGAINST A GOLD MEDALIST. 1889 01:03:22,032 --> 01:03:24,701 SUNI, YOU'RE COMPETING AGAINST A 1890 01:03:24,701 --> 01:03:25,802 COUNTRY MUSIC STAR. 1891 01:03:25,802 --> 01:03:33,143 DRIPPING IN GOLD, BABY. 1892 01:03:33,143 --> 01:03:34,444 >> Tyra: RIGHT? 1893 01:03:34,444 --> 01:03:36,646 BRUNO, NOW IT'S YOUR TURN TO 1894 01:03:36,646 --> 01:03:37,180 GIVE THE SCORE. 1895 01:03:37,180 --> 01:03:39,149 WHO IS THE WINNER OF THIS 1896 01:03:39,149 --> 01:03:40,417 DANCE‐OFF, BRUNO? 1897 01:03:40,417 --> 01:03:44,087 >> I THINK IT'S SO DIFFICULT 1898 01:03:44,087 --> 01:03:45,155 BECAUSE AT THIS STAGE, YOU'RE 1899 01:03:45,155 --> 01:03:46,156 BOTH WINNERS. 1900 01:03:46,156 --> 01:03:48,191 BUT PURELY BASED ON THE POINTS I 1901 01:03:48,191 --> 01:03:52,128 MADE, SUNI, YOU'RE THE WINNER. 1902 01:03:52,128 --> 01:03:52,629 [ CHEERS AND APPLAUSE ] 1903 01:03:52,629 --> 01:03:54,898 >> Tyra: ALL RIGHTY, SUNI AND 1904 01:03:54,898 --> 01:03:57,400 SASHA GET THE TWO BONUS POINTS 1905 01:03:57,400 --> 01:03:59,169 ADDED TO THEIR TOTAL FOR 1906 01:03:59,169 --> 01:03:59,436 TONIGHT. 1907 01:03:59,436 --> 01:04:01,171 YOU AT HOME STILL HAVE TO SEND 1908 01:04:01,171 --> 01:04:03,540 YOUR FAVORITES TO THE SEMITIMES. 1909 01:04:03,540 --> 01:04:05,709 TWO MORE COUPLES WILL GO 1910 01:04:05,709 --> 01:04:08,478 HEAD‐TO‐HEAD FOR BONUS POINT 1911 01:04:13,650 --> 01:04:14,184 [ CHEERS AND APPLAUSE ] 1912 01:04:14,184 --> 01:04:18,188 ♪ 1913 01:04:18,188 --> 01:04:21,558 >> Tyra: WELCOME BACK TO JANET 1914 01:04:21,558 --> 01:04:22,425 JACKSON NIGHT. 1915 01:04:22,425 --> 01:04:27,297 YOU GET TEN VOTES PER DANCING 1916 01:04:27,297 --> 01:04:28,998 COUPLE PER VOTING METHOD. 1917 01:04:28,998 --> 01:04:33,336 VOTING CLOSES DURING THE LAST 1918 01:04:33,336 --> 01:04:35,071 KPESHL BREAK. 1919 01:04:35,071 --> 01:04:38,274 NOW LET'S FIND OUT WHO IS GOING 1920 01:04:38,274 --> 01:04:38,808 HEAD‐TO‐HEAD IN THE NEXT 1921 01:04:38,808 --> 01:04:39,409 DANCE‐OFF TO "THAT'S THE WAY 1922 01:04:39,409 --> 01:04:41,678 LOVE GOES." 1923 01:04:41,678 --> 01:04:43,213 >> WHO DO YOU THINK WE'LL BE 1924 01:04:43,213 --> 01:04:43,747 PAIRED AGAINST? 1925 01:04:43,747 --> 01:04:44,914 >> WHO DO YOU WANT? 1926 01:04:44,914 --> 01:04:46,182 >> I DON'T CARE, I JUST WANT THE 1927 01:04:46,182 --> 01:04:47,350 TWO POINTS. 1928 01:04:47,350 --> 01:04:47,817 YOU KNOW WHAT I MEAN? 1929 01:04:47,817 --> 01:04:49,786 >> YEAH! 1930 01:04:49,786 --> 01:04:54,557 >> OKAY. 1931 01:04:54,557 --> 01:04:56,025 >> HEY! 1932 01:04:56,025 --> 01:04:59,095 >> WE WANT TO KNOW, WHO PUT ME 1933 01:04:59,095 --> 01:05:00,196 UP AGAINST MS. JOJO SIWA? 1934 01:05:00,196 --> 01:05:00,964 >> AMAZING! 1935 01:05:00,964 --> 01:05:03,500 >> I'M GOING UP AGAINST MY 1936 01:05:03,500 --> 01:05:05,034 BEAUTIFUL WIFE JENNA JOHNSON. 1937 01:05:05,034 --> 01:05:05,602 >> WE MEET AGAIN. 1938 01:05:05,602 --> 01:05:07,303 >> BUT THAT'S WHERE THE LOVE 1939 01:05:07,303 --> 01:05:07,504 ENDS. 1940 01:05:07,504 --> 01:05:10,273 AND COMPETITION BEGINS. 1941 01:05:10,273 --> 01:05:12,442 I HAVE SUCH CONFLICTING 1942 01:05:12,442 --> 01:05:12,709 EMOTIONS. 1943 01:05:12,709 --> 01:05:14,511 >> VAL, OLIVIA, WE'RE COMING FOR 1944 01:05:14,511 --> 01:05:14,711 YOU. 1945 01:05:14,711 --> 01:05:16,346 >> OH, THIS IS EVERYTHING. 1946 01:05:16,346 --> 01:05:17,947 >> IT'S GOING DOWN. 1947 01:05:17,947 --> 01:05:19,582 >> ALL RIGHT, WE'RE ABOUT TO 1948 01:05:19,582 --> 01:05:21,785 FIND OUT OUR SONG, STYLE, AND 1949 01:05:21,785 --> 01:05:22,185 JUDGE. 1950 01:05:22,185 --> 01:05:25,355 WE'RE DANCING A RUMBA TO THE 1951 01:05:25,355 --> 01:05:27,924 SONG "THAT'S THE WAY LOVE GOES" 1952 01:05:27,924 --> 01:05:28,825 BY JANET JACKSON. 1953 01:05:28,825 --> 01:05:31,361 >> WORD. 1954 01:05:31,361 --> 01:05:31,628 >> WORD. 1955 01:05:31,628 --> 01:05:35,865 >> WE'RE BEING JUDGED BY CARRIE 1956 01:05:35,865 --> 01:05:36,866 ANN INABA. 1957 01:05:36,866 --> 01:05:39,035 >> THIS IS THE FIRST TIME JOJO 1958 01:05:39,035 --> 01:05:41,638 AND JENNA WILL BE DANCING A 1959 01:05:41,638 --> 01:05:42,705 RUMBA. 1960 01:05:42,705 --> 01:05:46,075 THE KEY IS GREAT FLUIDITY AND 1961 01:05:46,075 --> 01:05:46,476 CONNECTION. 1962 01:05:46,476 --> 01:05:49,813 SOMETIMES JOJO IS A LITTLE BIT 1963 01:05:49,813 --> 01:05:53,616 TOO ATHLETIC, AND THROWS THINGS 1964 01:05:53,616 --> 01:05:53,817 AWAY. 1965 01:05:53,817 --> 01:05:55,251 AND WE NEED TO SEE OLIVIA IN HER 1966 01:05:55,251 --> 01:05:55,819 FULLEST STRENGTH. 1967 01:05:55,819 --> 01:05:56,719 >> WE WERE IN THE BOTTOM TWO 1968 01:05:56,719 --> 01:05:57,220 LAST WEEK. 1969 01:05:57,220 --> 01:05:59,456 SO WE REALLY WANT TO SOLIDIFY 1970 01:05:59,456 --> 01:06:01,591 OUR SPOT IN THIS COMPETITION BY 1971 01:06:01,591 --> 01:06:02,659 GETTING THE TWO POINTS. 1972 01:06:02,659 --> 01:06:04,394 >> I'M NERVOUS ABOUT DOUBLE 1973 01:06:04,394 --> 01:06:04,694 ELIMINATION. 1974 01:06:04,694 --> 01:06:05,562 IT'S EITHER WE'RE GOING HOME, OR 1975 01:06:05,562 --> 01:06:09,732 TO THE SEMIFINALS. 1976 01:06:09,732 --> 01:06:10,233 [ CHEERS AND APPLAUSE ] 1977 01:06:10,233 --> 01:06:12,368 >> Tyra: DANCING THE RUMBA 1978 01:06:12,368 --> 01:06:14,437 AGAINST EACH OTHER, IT'S 1979 01:06:14,437 --> 01:06:15,505 JOJO SIWA AND JENNA VERSUS 1980 01:06:15,505 --> 01:06:19,209 OLIVIA JADE AND VAL. 1981 01:06:19,209 --> 01:06:21,978 LET THE DANCE‐OFF BEGIN. 1982 01:06:22,645 --> 01:06:24,247 ♪ 1983 01:06:24,247 --> 01:06:24,781 ♪ LIKE A MOTH TO A FLAME 1984 01:06:24,781 --> 01:06:25,315 BURNED BY THE FIRE ♪ 1985 01:06:25,315 --> 01:06:25,849 ♪ MY LOVE IS BLIND 1986 01:06:25,849 --> 01:06:27,417 CAN'T YOU SEE MY DESIRE ♪ 1987 01:06:27,417 --> 01:06:34,824 ♪ THAT'S THE WAY LOVE GOES 1988 01:06:34,824 --> 01:06:40,129 THAT'S THE WAY LOVE ♪ 1989 01:06:40,129 --> 01:06:40,663 ♪ LIKE A MOTH TO A FLAME 1990 01:06:40,663 --> 01:06:43,299 BURNED BY THE FIRE ♪ 1991 01:06:43,299 --> 01:06:44,334 ♪ THAT'S THE WAY LOVE GOES 1992 01:06:44,334 --> 01:06:44,901 MY LOVE IS BLIND ♪ 1993 01:06:44,901 --> 01:06:49,572 ♪ CAN'T YOU SEE MY DESIRE 1994 01:06:49,572 --> 01:06:50,106 COME WITH ME ♪ 1995 01:06:50,106 --> 01:06:52,208 ♪ DON'T YOU WORRY 1996 01:06:52,208 --> 01:06:55,912 I'M GONNA MAKE YOU CRAZY ♪ 1997 01:06:55,912 --> 01:06:56,412 ♪ I'LL GIVE YOU THE 1998 01:06:56,412 --> 01:06:59,582 TIME OF YOUR LIFE ♪ 1999 01:06:59,582 --> 01:07:01,751 ♪ I'M GONNA TAKE YOU PLACES 2000 01:07:01,751 --> 01:07:03,853 YOU'VE NEVER BEEN BEFORE ♪ 2001 01:07:03,853 --> 01:07:05,421 ♪ AND YOU'LL BE SO HAPPY 2002 01:07:05,421 --> 01:07:10,693 THAT YOU CAME ♪ 2003 01:07:10,693 --> 01:07:11,227 ♪ OOH I'M GONNA TAKE 2004 01:07:11,227 --> 01:07:20,703 YOU THERE ♪ 2005 01:07:20,703 --> 01:07:21,237 ♪ OOH OOH OOH 2006 01:07:21,237 --> 01:07:22,272 THAT'S THE WAY ♪ 2007 01:07:22,272 --> 01:07:23,339 ♪ LOVE GOES HOO 2008 01:07:23,339 --> 01:07:25,975 THAT'S THE WAY LOVE GOES ♪ 2009 01:07:25,975 --> 01:07:27,043 ♪ DESIRE THAT'S THE WAY 2010 01:07:27,043 --> 01:07:29,145 THAT'S THE WAY ♪ 2011 01:07:29,145 --> 01:07:31,247 ♪ THAT'S THE WAY LOVE GOES 2012 01:07:31,247 --> 01:07:32,282 OOH THAT'S THE WAY LOVE ♪ 2013 01:07:32,282 --> 01:07:34,417 ♪ THAT'S THE WAY LOVE 2014 01:07:34,417 --> 01:07:41,858 THAT'S THE WAY LOVE GOES ♪ 2015 01:07:41,858 --> 01:07:42,559 ♪ 2016 01:07:42,559 --> 01:07:43,059 [ CHEERS AND APPLAUSE ] 2017 01:07:43,059 --> 01:07:44,327 >> Tyra: OH, MY GOODNESS. 2018 01:07:44,327 --> 01:07:48,464 IT'S GETTING HOT IN HERE. 2019 01:07:48,464 --> 01:07:49,198 WE GOT COUPLES AND COUPLES AND 2020 01:07:49,198 --> 01:07:49,432 COUPLES. 2021 01:07:49,432 --> 01:07:51,968 OKAY. 2022 01:07:51,968 --> 01:07:54,404 JOJO AND JENNA AND OLIVIA AND 2023 01:07:54,404 --> 01:07:57,040 VAL WITH A RUMBA DANCE‐OFF 2024 01:07:57,040 --> 01:07:59,676 TO "THAT'S THE WAY LOVE GOES." 2025 01:07:59,676 --> 01:08:02,979 CARRIE ANN, WHERE IS YOUR VOTE 2026 01:08:02,979 --> 01:08:03,313 GOES‐ING? 2027 01:08:03,313 --> 01:08:05,315 >> FIRST OF ALL, NO PRESSURE. 2028 01:08:05,315 --> 01:08:07,717 THAT IS THE DANCE‐OFF OF 2029 01:08:07,717 --> 01:08:08,051 DANCE‐OFFS. 2030 01:08:08,051 --> 01:08:09,886 BOTH OF YOU GUYS ARE SO 2031 01:08:09,886 --> 01:08:10,186 INCREDIBLE. 2032 01:08:10,186 --> 01:08:11,120 I CAN'T BELIEVE THAT THAT WAS 2033 01:08:11,120 --> 01:08:12,889 THE FIRST TIME BOTH OF YOU HAVE 2034 01:08:12,889 --> 01:08:14,591 DONE YOUR RUMBAS. 2035 01:08:14,591 --> 01:08:16,960 OLIVIA, I SAW YOU BRING UP THE 2036 01:08:16,960 --> 01:08:19,729 HEAT, YOU WERE SINGING ALONG. 2037 01:08:19,729 --> 01:08:21,864 OOH, OOH. 2038 01:08:21,864 --> 01:08:23,766 BUT YOU'RE SO FLUID AND THERE'S 2039 01:08:23,766 --> 01:08:25,501 THIS EXQUISITENESS THAT YOU DO 2040 01:08:25,501 --> 01:08:27,503 THAT I REALLY LOVE ABOUT YOU. 2041 01:08:27,503 --> 01:08:30,073 JOJO AND JENNA, I'M SORRY, HOLD 2042 01:08:30,073 --> 01:08:32,475 ON ONE SECOND NOW. 2043 01:08:32,475 --> 01:08:33,843 BECAUSE THAT PASSION AND 2044 01:08:33,843 --> 01:08:39,816 CHEMISTRY WAS PALPABLE. 2045 01:08:39,816 --> 01:08:40,350 PAL 2046 01:08:40,350 --> 01:08:40,617 PALPABLE. 2047 01:08:40,617 --> 01:08:42,285 >> Tyra: IT WAS COUPLE AND 2048 01:08:42,285 --> 01:08:43,119 COUPLE AND COUPLE. 2049 01:08:43,119 --> 01:08:46,389 I HAVE TO ASK YOU, JENNA, YOU'RE 2050 01:08:46,389 --> 01:08:48,324 DANCING WITH JOJO, BUT YOUR MAN 2051 01:08:48,324 --> 01:08:49,525 IS OVER THERE, TOO. 2052 01:08:49,525 --> 01:08:51,227 IT'S A LOT GOING ON. 2053 01:08:51,227 --> 01:08:54,931 >> I TOLD JOJO, I MIGHT GET 2054 01:08:54,931 --> 01:08:55,565 DISTRACTED. 2055 01:08:55,565 --> 01:08:56,666 HIS BUM IS SO GREAT. 2056 01:08:56,666 --> 01:08:58,534 I GOT TO STAY FOCUSED. 2057 01:08:58,534 --> 01:08:58,868 >> Tyra: YES. 2058 01:08:58,868 --> 01:09:02,672 IT IS HARD TO, LIKE, NOT WATCH 2059 01:09:02,672 --> 01:09:04,140 VAL AND ALL OF HIS ‐‐ OKAY. 2060 01:09:04,140 --> 01:09:05,608 IT'S TIME FOR CARRIE ANN'S 2061 01:09:05,608 --> 01:09:05,908 DECISION. 2062 01:09:05,908 --> 01:09:09,646 CARRIE ANN, WHO IS THE WINNER OF 2063 01:09:09,646 --> 01:09:10,613 THIS DANCE‐OFF? 2064 01:09:10,613 --> 01:09:12,415 >> OKAY, SO HARD. 2065 01:09:12,415 --> 01:09:14,083 YOU BOTH DID AMAZINGLY. 2066 01:09:14,083 --> 01:09:15,718 BUT I'M GOING TO SAY THAT THE 2067 01:09:15,718 --> 01:09:18,421 WINNER OF THIS DANCE‐OFF IS, WHO 2068 01:09:18,421 --> 01:09:19,422 DO YOU THINK? 2069 01:09:19,422 --> 01:09:22,025 OH, WELL I'M GOING TO SAY JOJO 2070 01:09:22,025 --> 01:09:24,227 AND JENNA. 2071 01:09:24,227 --> 01:09:26,863 >> Tyra: OH! 2072 01:09:26,863 --> 01:09:29,799 JOJO AND JENNA GET THE TWO BONUS 2073 01:09:29,799 --> 01:09:31,467 POINTS ADDED TO THEIR SCORE 2074 01:09:31,467 --> 01:09:31,734 TONIGHT. 2075 01:09:31,734 --> 01:09:33,603 BUT YOU AT HOME STILL HAVE TO 2076 01:09:33,603 --> 01:09:37,073 VOTE TO SEE THEM IN THE 2077 01:09:37,073 --> 01:09:37,373 SEMIFINALS. 2078 01:09:37,373 --> 01:09:40,209 AND I STILL VOTE FOR VAL'S 2079 01:09:40,209 --> 01:09:41,277 BOOTY, TOO, BECAUSE IT WAS HOT. 2080 01:09:41,277 --> 01:09:41,844 WE'RE GONNA FIND OUT WHICH 2081 01:09:41,844 --> 01:09:42,478 COUPLES ARE GOING HEAD‐TO‐HEAD 2082 01:09:42,478 --> 01:09:43,079 IN THE NEXT DANCE‐OFF, RIGHT 2083 01:09:43,079 --> 01:09:45,114 AFTER THIS, LIVE. 2084 01:09:49,585 --> 01:09:50,086 [ CHEERS AND APPLAUSE ] 2085 01:09:50,086 --> 01:09:53,389 ♪ 2086 01:09:53,389 --> 01:09:53,823 >> Tyra: ALL RIGHT. 2087 01:09:53,823 --> 01:09:55,024 WELCOME BACK. 2088 01:09:55,024 --> 01:09:55,658 AND WE WANT TO SAY HELLO TO THE 2089 01:09:55,658 --> 01:09:57,660 FIERCE MUSICIANS WHO ARE 2090 01:09:57,660 --> 01:10:01,631 ABSOLUTELY CRUSHING IT TONIGHT 2091 01:10:01,631 --> 01:10:02,265 ON ALL OF JANET JACKSON'S HITS. 2092 01:10:02,265 --> 01:10:06,869 OUR OWN RAY CHEW LIVE. 2093 01:10:06,869 --> 01:10:09,172 >> HEY, TYRA. 2094 01:10:09,172 --> 01:10:09,572 >> Tyra: HEY, RAY. 2095 01:10:09,572 --> 01:10:12,241 I KNOW YOU'VE GOT ANOTHER ONE OF 2096 01:10:12,241 --> 01:10:12,875 THOSE HITS COMING FOR US RIGHT 2097 01:10:12,875 --> 01:10:13,309 NOW. 2098 01:10:13,309 --> 01:10:14,010 FIRST WE'RE GONNA FIND OUT WHICH 2099 01:10:14,010 --> 01:10:14,877 OF OUR COUPLES WILL FOXTROT 2100 01:10:14,877 --> 01:10:17,013 AGAINST EACH OTHER IN THIS 2101 01:10:17,013 --> 01:10:19,115 DANCE‐OFF TO JANET'S ACADEMY 2102 01:10:19,115 --> 01:10:25,555 AWARD‐NOMINATED SONG "AGAIN." 2103 01:10:25,555 --> 01:10:27,757 >> THIS WEEK IS GOING TO BE A 2104 01:10:27,757 --> 01:10:28,524 DANCE‐OFF CHALLENGE. 2105 01:10:28,524 --> 01:10:30,126 WHO DO YOU THINK IT'S GOING TO 2106 01:10:30,126 --> 01:10:30,426 BE? 2107 01:10:30,426 --> 01:10:31,561 IT COULD BE ANYBODY. 2108 01:10:31,561 --> 01:10:32,562 >> IT COULD BE ANYBODY. 2109 01:10:32,562 --> 01:10:33,129 I DON'T KNOW HOW THEY PAIR 2110 01:10:33,129 --> 01:10:37,500 PEOPLE UP. 2111 01:10:37,500 --> 01:10:37,700 >> OH! 2112 01:10:37,700 --> 01:10:37,934 >> MAN. 2113 01:10:37,934 --> 01:10:40,336 >> NO WAY. 2114 01:10:40,336 --> 01:10:42,538 >> I HAPPEN TO REALLY LIKE IMAN 2115 01:10:42,538 --> 01:10:43,039 A LOT. 2116 01:10:43,039 --> 01:10:44,373 IT'S UNFORTUNATE THAT IMAN IS 2117 01:10:44,373 --> 01:10:50,847 NOW GOING TO MEET MY COMPETITIVE 2118 01:10:50,847 --> 01:10:51,047 SIDE. 2119 01:10:51,047 --> 01:10:51,814 >> GOING AGAINST MELORA HARDIN 2120 01:10:51,814 --> 01:10:54,650 IS GOING TO BE HARD. 2121 01:10:54,650 --> 01:10:57,887 >> THEY'RE DEFINITELY STRONG 2122 01:10:57,887 --> 01:10:58,221 COMPETITION. 2123 01:10:58,221 --> 01:11:01,591 >> WE'RE DANCING A FOXTROT TO 2124 01:11:01,591 --> 01:11:02,658 THE SONG "AGAIN" BY JANET 2125 01:11:02,658 --> 01:11:02,925 JACKSON. 2126 01:11:02,925 --> 01:11:04,794 AND WE'RE BEING JUDGED BY DEREK. 2127 01:11:04,794 --> 01:11:06,662 >> THIS IS MY DANCE‐OFF 2128 01:11:06,662 --> 01:11:06,929 CHALLENGE. 2129 01:11:06,929 --> 01:11:09,432 I ALONE WILL DETERMINE THE 2130 01:11:09,432 --> 01:11:11,634 WINNER BETWEEN IMAN AND MELORA. 2131 01:11:11,634 --> 01:11:12,668 MELORA, SHE'S BEEN SO CONSISTENT 2132 01:11:12,668 --> 01:11:14,871 BECAUSE SHE HAS AN IMPECCABLE 2133 01:11:14,871 --> 01:11:17,840 FRAME AND BEAUTIFUL, FLOWING 2134 01:11:17,840 --> 01:11:18,107 MOVEMENT. 2135 01:11:18,107 --> 01:11:19,709 WITH IMAN, HE COULD USE HIS SIZE 2136 01:11:19,709 --> 01:11:21,410 TO HIS ADVANTAGE TO REALLY FILL 2137 01:11:21,410 --> 01:11:22,411 OUT THE ROOM. 2138 01:11:22,411 --> 01:11:23,279 THERE'S SOMETHING ABOUT THE WAY 2139 01:11:23,279 --> 01:11:27,483 HE MOVES, HIS ENERGY, HIS 2140 01:11:27,483 --> 01:11:28,684 CHARISMA, YOU CAN'T HELP BUT 2141 01:11:28,684 --> 01:11:30,853 SMILE. 2142 01:11:30,853 --> 01:11:31,420 THAT'S WHAT FOXTROT IS ALL 2143 01:11:31,420 --> 01:11:31,621 ABOUT. 2144 01:11:31,621 --> 01:11:33,356 I'M GOING TO BE LOOKING AT WHO 2145 01:11:33,356 --> 01:11:34,957 IS PERFORMING MORE, WITH BETTER 2146 01:11:34,957 --> 01:11:36,793 LINES AND MORE TECHNIQUE. 2147 01:11:36,793 --> 01:11:38,594 PLAY TO YOUR STRENGTHS. 2148 01:11:38,594 --> 01:11:39,595 >> THESE POINTS ARE CRUCIAL. 2149 01:11:39,595 --> 01:11:43,332 WE'RE COMING FOR YOU, MELORA AND 2150 01:11:43,332 --> 01:11:43,566 ARTEM. 2151 01:11:43,566 --> 01:11:46,569 >> IMAN BETTER WATCH OUT. 2152 01:11:46,569 --> 01:11:47,970 IT'S TWO EXTRA POINTS. 2153 01:11:47,970 --> 01:11:48,471 SO I WANT THEM. 2154 01:11:48,471 --> 01:11:49,071 >> Tyra: DANCING THE FOXTROT 2155 01:11:49,071 --> 01:11:50,006 AGAINST EACH OTHER, IT'S 2156 01:11:50,006 --> 01:11:52,441 IMAN SHUMPERT AND DANIELLA 2157 01:11:52,441 --> 01:11:53,509 VERSUS MELORA HARDIN AND ARTEM. 2158 01:11:53,509 --> 01:11:56,612 LET THE DANCE‐OFF BEGIN. 2159 01:11:57,480 --> 01:12:05,988 ♪ 2160 01:12:05,988 --> 01:12:07,557 ♪ I HEARD FROM 2161 01:12:07,557 --> 01:12:09,625 A FRIEND TODAY ♪ 2162 01:12:09,625 --> 01:12:09,992 ♪ AND SHE SAID 2163 01:12:09,992 --> 01:12:13,896 YOU WERE IN TOWN ♪ 2164 01:12:13,896 --> 01:12:16,532 ♪ SUDDENLY THE MEMORIES 2165 01:12:16,532 --> 01:12:21,604 CAME BACK TO ME IN MY MIND ♪ 2166 01:12:21,604 --> 01:12:22,805 ♪ HOW CAN I BE STRONG 2167 01:12:22,805 --> 01:12:25,474 I'VE ASKED MYSELF 2168 01:12:25,474 --> 01:12:28,611 TIME AND TIME I'VE SAID ♪ 2169 01:12:28,611 --> 01:12:31,247 ♪ THAT I'LL NEVER FALL 2170 01:12:31,247 --> 01:12:41,858 IN LOVE WITH YOU AGAIN ♪ 2171 01:12:41,858 --> 01:12:48,731 ♪ HOLD ME HOLD ME 2172 01:12:48,731 --> 01:12:52,935 DON'T EVER LET ME GO 2173 01:12:52,935 --> 01:12:57,139 SAY IT JUST ONE TIME ♪ 2174 01:12:57,139 --> 01:13:02,411 ♪ SAY YOU LOVE ME 2175 01:13:02,411 --> 01:13:06,082 GOD KNOWS I DO 2176 01:13:06,082 --> 01:13:10,720 LOVE YOU AGAIN ♪ 2177 01:13:10,720 --> 01:13:10,887 ♪ 2178 01:13:10,887 --> 01:13:14,156 [ CHEERS AND APPLAUSE ] 2179 01:13:14,156 --> 01:13:19,462 >> Tyra: OH, OH. 2180 01:13:19,462 --> 01:13:24,300 ONE OF JANET'S MOST TENDER 2181 01:13:24,300 --> 01:13:25,334 SONGS. 2182 01:13:25,334 --> 01:13:28,037 SOME OF "DANCING WITH THE 2183 01:13:28,037 --> 01:13:33,910 STARS'" MOST TENDER DANCING. 2184 01:13:33,910 --> 01:13:35,478 DEREK, BABY, IT'S YOU. 2185 01:13:35,478 --> 01:13:36,545 >> OH, MY GOODNESS. 2186 01:13:36,545 --> 01:13:38,281 I LOVE THIS DANCE‐OFF CHALLENGE. 2187 01:13:38,281 --> 01:13:40,249 NOW WE SEE EACH OTHER 2188 01:13:40,249 --> 01:13:41,417 SIDE‐BY‐SIDE. 2189 01:13:41,417 --> 01:13:42,351 IMAN, MY MAN. 2190 01:13:42,351 --> 01:13:43,152 YOU HAVE GOTTEN SO MUCH BETTER. 2191 01:13:43,152 --> 01:13:47,056 LIKE, WOW. 2192 01:13:47,056 --> 01:13:52,895 THE WAY YOU USED THAT FLOOR. 2193 01:13:52,895 --> 01:13:55,464 VERY STRATEGIC, YOU OPENED WITH 2194 01:13:55,464 --> 01:13:56,632 A LIFT. 2195 01:13:56,632 --> 01:13:58,234 MELORA, SO CONSISTENT, ELEGANT, 2196 01:13:58,234 --> 01:13:58,668 AND BEAUTIFUL. 2197 01:13:58,668 --> 01:14:02,104 BUT LISTEN, ON PAPER, I THOUGHT 2198 01:14:02,104 --> 01:14:03,406 HONESTLY, I THOUGHT IT WOULD BE 2199 01:14:03,406 --> 01:14:06,876 KIND OF A BLOWOUT ON PAPER. 2200 01:14:06,876 --> 01:14:09,612 BUT THAT WAS REALLY DIFFICULT. 2201 01:14:09,612 --> 01:14:11,247 >> Tyra: YOU GUYS REALLY CAME 2202 01:14:11,247 --> 01:14:11,914 FOR IT. 2203 01:14:11,914 --> 01:14:14,917 IT WAS SO BEAUTIFUL TO SEE BOTH 2204 01:14:14,917 --> 01:14:15,184 OF YOU. 2205 01:14:15,184 --> 01:14:17,219 JANET IS WATCHING, EVERYBODY IS 2206 01:14:17,219 --> 01:14:18,120 WATCHING, THEY'RE LIKE, WHAT IS 2207 01:14:18,120 --> 01:14:19,855 DEREK GOING TO SAY? 2208 01:14:19,855 --> 01:14:22,358 ARE WE READY TO HEAR? 2209 01:14:22,358 --> 01:14:24,060 DEREK, WHO IS GETTING YOUR TWO 2210 01:14:24,060 --> 01:14:25,561 BONUS POINTS? 2211 01:14:25,561 --> 01:14:28,030 >> I DON'T KNOW WHAT I'M DOING, 2212 01:14:28,030 --> 01:14:29,598 BUT I'M DOING IT. 2213 01:14:29,598 --> 01:14:32,435 THE TWO BONUS POINTS, THE WINNER 2214 01:14:32,435 --> 01:14:33,669 IS MELORA. 2215 01:14:33,669 --> 01:14:35,972 >> Tyra: MELORA AND ARTEM GET 2216 01:14:35,972 --> 01:14:37,673 DEREK'S TWO BONUS POINTS ADDED 2217 01:14:37,673 --> 01:14:39,575 TO THEIR SCORE TONIGHT. 2218 01:14:39,575 --> 01:14:41,577 BUT YOU STILL HAVE TO VOTE TO 2219 01:14:41,577 --> 01:14:43,145 SEE THEM IN THE SEMIFINALS. 2220 01:14:43,145 --> 01:14:45,781 AMANDA AND ALAN AND CODY AND 2221 01:14:45,781 --> 01:14:47,917 CHERYL BATTLE SIDE‐BY‐SIDE IN 2222 01:14:47,917 --> 01:14:48,584 THE LAST DANCE‐OFF AFTER THIS, 2223 01:14:48,584 --> 01:14:49,952 LIVE. 2224 01:14:55,224 --> 01:14:55,725 [ CHEERS AND APPLAUSE ] 2225 01:14:55,725 --> 01:15:00,196 ♪ 2226 01:15:00,196 --> 01:15:02,198 >> Tyra: WE ARE BACK. 2227 01:15:02,198 --> 01:15:04,033 THIS FRIDAY, NOVEMBER 12th, 2228 01:15:04,033 --> 01:15:06,602 CELEBRATE THE STORIES YOU LOVE 2229 01:15:06,602 --> 01:15:07,236 DURING DISNEY PLUS DAY, A GLOBAL 2230 01:15:07,236 --> 01:15:07,770 CELEBRATION THAT INCLUDES 2231 01:15:07,770 --> 01:15:08,270 EXCITING PROMOTIONS AND 2232 01:15:08,270 --> 01:15:08,704 EXPERIENCES. 2233 01:15:08,704 --> 01:15:10,806 CONTENT RELEASES FROM DISNEY, 2234 01:15:10,806 --> 01:15:13,476 PIXAR, MARVEL, STAR WARS, 2235 01:15:13,476 --> 01:15:17,680 NATIONAL GEOGRAPHIC, AND A PEEK 2236 01:15:17,680 --> 01:15:18,314 INTO THE NEXT CHAPTER OF DISNEY 2237 01:15:18,314 --> 01:15:21,484 PLUS. 2238 01:15:21,484 --> 01:15:22,585 O DISNEY PLUS. 2239 01:15:22,585 --> 01:15:23,185 NEXT UP, AMANDA AND ALAN AND 2240 01:15:23,185 --> 01:15:23,819 CODY AND CHERYL COMPETE IN OUR 2241 01:15:23,819 --> 01:15:24,253 FINAL DANCE‐OFF TO 2242 01:15:24,253 --> 01:15:24,887 JANET JACKSON'S NUMBER ONE HIT 2243 01:15:24,887 --> 01:15:31,560 "TOGETHER AGAIN." 2244 01:15:31,560 --> 01:15:33,462 >> WHO'S IT GONNA BE? 2245 01:15:33,462 --> 01:15:34,764 >> THE SUSPENSE IS KILLING ME. 2246 01:15:34,764 --> 01:15:35,031 >> IS IT? 2247 01:15:35,031 --> 01:15:39,368 >> OH! 2248 01:15:39,368 --> 01:15:41,670 >> CODY HAS BEEN SHOWING 2249 01:15:41,670 --> 01:15:42,338 PROGRESS AND GROWTH. 2250 01:15:42,338 --> 01:15:44,140 SO I FEEL LIKE WE GOT TO BRING 2251 01:15:44,140 --> 01:15:44,306 IT. 2252 01:15:44,306 --> 01:15:46,509 >> AMANDA AND ALAN HAVE DONE SO 2253 01:15:46,509 --> 01:15:48,944 GREAT THIS ENTIRE SEASON. 2254 01:15:48,944 --> 01:15:50,079 SO WE'VE GOT A CHALLENGE IN 2255 01:15:50,079 --> 01:15:50,646 FRONT OF US. 2256 01:15:50,646 --> 01:15:52,348 AND WE'RE GOING TO BRING OUR 2257 01:15:52,348 --> 01:15:52,548 BEST. 2258 01:15:52,548 --> 01:15:53,282 >> LET'S SEE WHAT WE HAVE. 2259 01:15:53,282 --> 01:15:55,151 >> READY? 2260 01:15:55,151 --> 01:15:57,787 >> DO THE HONORS. 2261 01:15:57,787 --> 01:16:00,189 >> WE'RE DANCING THE CHA‐CHA! 2262 01:16:00,189 --> 01:16:03,459 TO "TOGETHER AGAIN" BY MS. JANET 2263 01:16:03,459 --> 01:16:03,692 JACKSON. 2264 01:16:03,692 --> 01:16:04,193 >> LOVE IT. 2265 01:16:04,193 --> 01:16:06,862 >> AND WE'RE BEING JUDGED BY 2266 01:16:06,862 --> 01:16:07,029 LEN. 2267 01:16:07,029 --> 01:16:09,965 >> YEAH! 2268 01:16:09,965 --> 01:16:13,602 >> LEN IS THE HARDEST JUDGE 2269 01:16:13,602 --> 01:16:13,936 EVER. 2270 01:16:13,936 --> 01:16:15,337 SO WE SHOULD PROBABLY HEAD BACK 2271 01:16:15,337 --> 01:16:17,907 TO REHEARSAL. 2272 01:16:17,907 --> 01:16:20,843 >> SEE YOU GUYS LATER. 2273 01:16:20,843 --> 01:16:22,111 >> THE KEY TO CHA‐CHA‐CHA, IT'S 2274 01:16:22,111 --> 01:16:24,280 GOT TO BE CRISP, CLEAN. 2275 01:16:24,280 --> 01:16:27,083 AMANDA HAS TO WORK ON GIVING US 2276 01:16:27,083 --> 01:16:28,984 A LITTLE MORE RHYTHM. 2277 01:16:28,984 --> 01:16:32,188 BUT IT'S GOT TO SHOW HIP ACTION. 2278 01:16:32,188 --> 01:16:34,156 CODY NEEDS TO GIVE ME A LITTLE 2279 01:16:34,156 --> 01:16:35,758 BIT MORE HIP ACTION. 2280 01:16:35,758 --> 01:16:38,094 HE'S GOT LOVELY, STRONG FEET AND 2281 01:16:38,094 --> 01:16:38,627 LEGS. 2282 01:16:38,627 --> 01:16:39,261 TRANSFER THAT LOVELY ACTION INTO 2283 01:16:39,261 --> 01:16:41,530 HIPS. 2284 01:16:41,530 --> 01:16:43,265 >> WATCH OUT, CODY AND CHERYL. 2285 01:16:43,265 --> 01:16:45,067 BECAUSE WE'RE BRINGING THE LATIN 2286 01:16:45,067 --> 01:16:45,267 HEAT. 2287 01:16:45,267 --> 01:16:47,036 AND WE'RE TAKING THE TWO POINTS. 2288 01:16:47,036 --> 01:16:49,438 >> AMANDA, ALAN, WATCH OUT. 2289 01:16:49,438 --> 01:16:52,775 WE'RE GOING TO CHA‐CHA IT DOWN. 2290 01:16:52,775 --> 01:16:53,008 >> BOOM. 2291 01:16:53,008 --> 01:16:55,377 [ CHEERS AND APPLAUSE ] 2292 01:16:55,377 --> 01:16:56,412 >> Announcer: DANCING THE 2293 01:16:56,412 --> 01:16:58,514 CHA‐CHA AGAINST EACH OTHER, IT'S 2294 01:16:58,514 --> 01:16:59,582 AMANDA KLOOTS AND ALAN VERSUS 2295 01:16:59,582 --> 01:17:02,251 CODY RIGSBY AND CHERYL. 2296 01:17:02,251 --> 01:17:06,055 LET THE DANCE‐OFF BEGIN. 2297 01:17:07,056 --> 01:17:13,963 ♪ 2298 01:17:13,963 --> 01:17:15,564 ♪ THERE ARE TIMES WHEN 2299 01:17:15,564 --> 01:17:17,933 I LOOK ABOVE AND BEYOND 2300 01:17:17,933 --> 01:17:19,768 THERE ARE TIMES WHEN ♪ 2301 01:17:19,768 --> 01:17:21,437 ♪ I FEEL YOUR LOVE 2302 01:17:21,437 --> 01:17:24,507 AROUND ME BABY 2303 01:17:24,507 --> 01:17:29,778 I'LL NEVER FORGET MY BABY ♪ 2304 01:17:29,778 --> 01:17:30,813 ♪ WHEN I FEEL THAT 2305 01:17:30,813 --> 01:17:33,449 I DON'T BELONG ♪ 2306 01:17:33,449 --> 01:17:34,016 ♪ DRAW MY STRENGTH FROM 2307 01:17:34,016 --> 01:17:36,685 THE WORDS WHEN YOU SAID 2308 01:17:36,685 --> 01:17:39,321 HEY IT'S ABOUT YOU BABY ♪ 2309 01:17:39,321 --> 01:17:41,490 ♪ LOOK DEEPER 2310 01:17:41,490 --> 01:17:45,127 INSIDE YOU BABY ♪ 2311 01:17:45,127 --> 01:17:46,195 ♪ DREAM ABOUT US 2312 01:17:46,195 --> 01:17:51,967 TOGETHER AGAIN 2313 01:17:51,967 --> 01:17:52,501 WHAT I WANT US ♪ 2314 01:17:52,501 --> 01:17:53,903 ♪ TOGETHER AGAIN BABY 2315 01:17:53,903 --> 01:17:55,137 I KNOW WE'LL BE 2316 01:17:55,137 --> 01:17:59,375 TOGETHER AGAIN 'CAUSE ♪ 2317 01:17:59,375 --> 01:17:59,775 ♪ EVERYWHERE I GO 2318 01:17:59,775 --> 01:18:01,477 EVERY SMILE I SEE 2319 01:18:01,477 --> 01:18:03,078 I KNOW YOU ARE THERE ♪ 2320 01:18:03,078 --> 01:18:05,181 ♪ SMILIN' BACK AT ME 2321 01:18:05,181 --> 01:18:06,749 DANCIN' IN MOONLIGHT 2322 01:18:06,749 --> 01:18:09,451 I KNOW YOU ARE FREE ♪ 2323 01:18:09,451 --> 01:18:12,087 ♪ 'CAUSE I CAN SEE YOUR STAR 2324 01:18:12,087 --> 01:18:17,393 SHININ' DOWN ON ME ♪ 2325 01:18:17,393 --> 01:18:20,029 ♪ TIMES WE'LL SHARE AGAIN 2326 01:18:20,029 --> 01:18:22,531 ALL MY LOVE'S FOR YOU ♪ 2327 01:18:22,531 --> 01:18:22,698 ♪ 2328 01:18:22,698 --> 01:18:29,205 [ CHEERS AND APPLAUSE ] 2329 01:18:29,205 --> 01:18:29,638 >> Tyra: I LOVE IT! 2330 01:18:29,638 --> 01:18:30,439 AMANDA AND ALAN AND CODY AND 2331 01:18:30,439 --> 01:18:34,343 CHERYL WITH A CHA‐CHA DANCE‐OFF. 2332 01:18:34,343 --> 01:18:35,978 TO "TOGETHER AGAIN." 2333 01:18:35,978 --> 01:18:36,579 THAT'S THE FINAL DANCE‐OFF OF 2334 01:18:36,579 --> 01:18:39,682 THE NIGHT. 2335 01:18:39,682 --> 01:18:40,316 SO GET THOSE VOTES IN RIGHT NOW 2336 01:18:40,316 --> 01:18:40,716 ON ABC.COM. 2337 01:18:40,716 --> 01:18:41,784 AND YOU CAN ALSO VOTE BY TEXTING 2338 01:18:41,784 --> 01:18:45,487 THE FIRST NAME OF YOUR FAVORITE 2339 01:18:45,487 --> 01:18:46,088 STAR TO THE NUMBER 21523. 2340 01:18:46,088 --> 01:18:49,858 LEN, IT IS ALL UP TO YOU. 2341 01:18:49,858 --> 01:18:51,860 >> I'M TOO OLD TO TAKE ALL THIS 2342 01:18:51,860 --> 01:18:52,127 PRESSURE. 2343 01:18:52,127 --> 01:18:55,130 I HAVE TO BE HONEST WITH YOU. 2344 01:18:55,130 --> 01:19:01,170 YOU'VE BOTH PUT THE CHA IN 2345 01:19:01,170 --> 01:19:01,437 CHALLENGE. 2346 01:19:01,437 --> 01:19:04,773 BECAUSE YOU'VE BOTH COME OUT, IT 2347 01:19:04,773 --> 01:19:07,776 WAS CLEAN AND CRISP. 2348 01:19:07,776 --> 01:19:09,378 THE HIP ACTION AND RHYTHM WAS 2349 01:19:09,378 --> 01:19:11,146 LACKING IN THE PAST, BUT YOU 2350 01:19:11,146 --> 01:19:12,881 BOTH PRODUCED THAT. 2351 01:19:12,881 --> 01:19:15,251 I WAS LOOKING AT ONE, THERE'S MY 2352 01:19:15,251 --> 01:19:15,751 WINNER, MAYBE NOT. 2353 01:19:15,751 --> 01:19:19,555 TO BE HONEST, IT ALL HINGED ON 2354 01:19:19,555 --> 01:19:22,725 ONE STEP CALLED THE NEW YORK. 2355 01:19:22,725 --> 01:19:24,760 AND I THOUGHT, THAT'S WHAT IT 2356 01:19:24,760 --> 01:19:26,028 ALL HINGED ON. 2357 01:19:26,028 --> 01:19:26,562 >> Tyra: WOW. 2358 01:19:26,562 --> 01:19:29,732 SO SOMEBODY WAS TAKING US TO THE 2359 01:19:29,732 --> 01:19:31,834 NYC, AND SOMEONE WASN'T, LEN, 2360 01:19:31,834 --> 01:19:32,001 RIGHT? 2361 01:19:32,001 --> 01:19:36,772 >> IT WAS HONESTLY ‐‐ THANK GOD 2362 01:19:36,772 --> 01:19:37,706 I WENT TO THE BATHROOM BEFORE I 2363 01:19:37,706 --> 01:19:38,607 HAD TO JUDGE THIS. 2364 01:19:38,607 --> 01:19:41,043 >> Tyra: OH, MY GOSH. 2365 01:19:41,043 --> 01:19:42,378 I DON'T UNDERSTAND WHAT IS 2366 01:19:42,378 --> 01:19:43,212 HAPPENING RIGHT NOW. 2367 01:19:43,212 --> 01:19:45,514 LET'S JUST GO WITH THIS. 2368 01:19:45,514 --> 01:19:47,950 WHO DID THE NYC FOR YOU, LEN? 2369 01:19:47,950 --> 01:19:52,054 WHO GETS THE TWO BONUS POINPOIN? 2370 01:19:52,054 --> 01:19:54,523 >> IT WAS A TOUGH CALL, BUT IT'S 2371 01:19:54,523 --> 01:19:54,757 AMANDA. 2372 01:19:54,757 --> 01:19:58,027 >> Tyra: LOOKS LIKE AMANDA DID 2373 01:19:58,027 --> 01:19:58,427 THE NEW YORK STEP. 2374 01:19:58,427 --> 01:20:00,195 AMANDA AND ALAN WIN THE TWO 2375 01:20:00,195 --> 01:20:02,598 BONUS POINTS FOR THIS ROUND, AND 2376 01:20:02,598 --> 01:20:05,067 THE EXTRA POINTS COULD HELP THEM 2377 01:20:05,067 --> 01:20:05,601 SURVIVE TONIGHT. 2378 01:20:05,601 --> 01:20:07,536 ALL RIGHT, COUPLES, YOU GUYS GET 2379 01:20:07,536 --> 01:20:08,437 READY FOR THE RESULTS. 2380 01:20:08,437 --> 01:20:11,573 WE'RE GOING TO TAKE A LOOK AT 2381 01:20:11,573 --> 01:20:12,041 THE FINAL LEADERBOARD. 2382 01:20:12,041 --> 01:20:14,209 WITH THE BONUS POINTS ADDED IN. 2383 01:20:14,209 --> 01:20:16,879 WE HAVE A THREE‐WAY TIE, WITH 2384 01:20:16,879 --> 01:20:19,114 SUNI AND SASHA, MELORA AND 2385 01:20:19,114 --> 01:20:21,550 ARTEM, AND AMANDA AND ALAN AT 2386 01:20:21,550 --> 01:20:22,651 THE TIP‐TOP. 2387 01:20:22,651 --> 01:20:24,920 AT THE BOTTOM, JIMMIE AND EMMA. 2388 01:20:24,920 --> 01:20:26,955 YOU NEED TO VOTE NOW FOR THESE 2389 01:20:26,955 --> 01:20:28,257 COUPLES THAT YOU WANT TO SEE IN 2390 01:20:28,257 --> 01:20:30,459 THE SEMIFINALS. 2391 01:20:30,459 --> 01:20:32,127 THE SEMIFINALS ARE NEXT MONDAY 2392 01:20:32,127 --> 01:20:32,328 NIGHT. 2393 01:20:32,328 --> 01:20:35,030 WE'LL SHOW YOU THE DETAILS FOR 2394 01:20:35,030 --> 01:20:39,501 ALL OF OUR COUPLES ONE LAST 2395 01:20:39,501 --> 01:20:39,702 TIME. 2396 01:20:39,702 --> 01:20:40,336 VOTING WILL CLOSE SOON, SO GET 2397 01:20:40,336 --> 01:20:40,936 YOUR FINAL VOTES AND TEXTS IN 2398 01:20:40,936 --> 01:20:41,437 RIGHT NOW. 2399 01:20:41,437 --> 01:20:42,037 ALL OF THE VOTING INFORMATION 2400 01:20:42,037 --> 01:20:43,539 CAN BE FOUND ON ABC.COM. 2401 01:20:43,539 --> 01:20:45,140 WE WILL REVEAL WHICH COUPLES 2402 01:20:45,140 --> 01:20:48,844 WILL DANCE IN NEXT WEEK'S 2403 01:20:48,844 --> 01:20:49,445 FINALS AND WHICH COUPLES WILL 2404 01:20:49,445 --> 01:20:51,980 NOT. 2405 01:20:51,980 --> 01:20:53,515 OUR DOUBLE ELIMINATION IS NEXT, 2406 01:20:53,515 --> 01:20:54,550 LIVE. 2407 01:20:57,286 --> 01:20:59,521 [ CHEERS AND APPLAUSE ] 2408 01:20:59,521 --> 01:21:02,358 ♪ 2409 01:21:02,358 --> 01:21:04,460 >> Tyra: WELCOME, WELCOME BACK. 2410 01:21:04,460 --> 01:21:05,994 VOTING IS CLOSED, AND HERE ARE 2411 01:21:05,994 --> 01:21:07,629 THE RESULTS. 2412 01:21:07,629 --> 01:21:09,231 WE'VE COMBINED THE JUDGES' 2413 01:21:09,231 --> 01:21:09,832 SCORES FROM TONIGHT WITH YOUR 2414 01:21:09,832 --> 01:21:12,368 VOTES. 2415 01:21:12,368 --> 01:21:15,037 NOW, IN NO PARTICULAR ORDER, 2416 01:21:15,037 --> 01:21:16,105 LET'S FIND OUT WHO'S SAFE AND 2417 01:21:16,105 --> 01:21:23,979 WHO IS IN THE BOTTOM THREE. 2418 01:21:23,979 --> 01:21:25,647 THE FIRST COUPLE WHO IS DANCING 2419 01:21:25,647 --> 01:21:32,221 IN THE SEMIFINALS IS SUNI AND 2420 01:21:32,221 --> 01:21:32,421 SASHA. 2421 01:21:32,421 --> 01:21:37,559 [ CHEERS AND APPLAUSE ] 2422 01:21:37,559 --> 01:21:42,064 AND JOINING THEM IN THE 2423 01:21:42,064 --> 01:21:44,900 SEMIFINALS ARE JOJO AND JENNA. 2424 01:21:44,900 --> 01:21:50,906 [ CHEERS AND APPLAUSE ] 2425 01:21:50,906 --> 01:21:59,281 ALSO COMPETING IN THE SEMIFINALS 2426 01:21:59,281 --> 01:21:59,715 ARE AMANDA AND ALAN. 2427 01:21:59,715 --> 01:22:05,654 [ CHEERS AND APPLAUSE ] 2428 01:22:05,654 --> 01:22:15,898 THE NEXT SEMIFINALIST COUPLE IS 2429 01:22:15,898 --> 01:22:16,265 CODY AND CHERYL. 2430 01:22:16,265 --> 01:22:20,669 [ CHEERS AND APPLAUSE ] 2431 01:22:20,669 --> 01:22:23,839 >> OH, MY GOD. 2432 01:22:23,839 --> 01:22:26,041 >> Tyra: AND IN NO PARTICULAR 2433 01:22:26,041 --> 01:22:28,944 ORDER, THE LAST COUPLE WHO IS 2434 01:22:28,944 --> 01:22:35,517 DEFINITELY COMPETING IN THE 2435 01:22:35,517 --> 01:22:43,425 SEMIFINALS IS IMAN AND DANIELLA. 2436 01:22:43,425 --> 01:22:43,992 [ CHEERS AND APPLAUSE ] 2437 01:22:43,992 --> 01:22:47,095 WHICH MEANS OLIVIA AND VAL, 2438 01:22:47,095 --> 01:22:49,765 JIMMIE AND EMMA, AND MELORA AND 2439 01:22:49,765 --> 01:22:55,437 ARTEM ARE IN THE BOTTOM THREE. 2440 01:22:55,437 --> 01:22:57,573 THE COUPLE WITH THE LOWEST 2441 01:22:57,573 --> 01:23:01,910 COMBINED TOTAL OF SCORES AND 2442 01:23:01,910 --> 01:23:05,581 VIEWER VOTES WILL BE ELIMINATED. 2443 01:23:05,581 --> 01:23:10,052 THE COUPLE LEAVING RIGHT NOW IS 2444 01:23:10,052 --> 01:23:11,453 OLIVIA AND VAL. 2445 01:23:11,453 --> 01:23:12,588 THIS IS CRAZY. 2446 01:23:12,588 --> 01:23:14,223 YOU GUYS HAVE BROUGHT TO MUCH TO 2447 01:23:14,223 --> 01:23:14,990 THIS COMPETITION. 2448 01:23:14,990 --> 01:23:17,659 YOU HAVE TO GIVE IT UP FOR THEM. 2449 01:23:17,659 --> 01:23:19,428 OLIVIA DANCED HER BUTT OFF. 2450 01:23:19,428 --> 01:23:21,930 VAL CHOREOGRAPHED HIS BUTT OFF. 2451 01:23:21,930 --> 01:23:24,466 WE'RE SAD TO SEE YOU GUYS GO. 2452 01:23:24,466 --> 01:23:25,434 ALL RIGHTY. 2453 01:23:25,434 --> 01:23:27,569 THANK YOU GUYS SO, SO MUCH. 2454 01:23:27,569 --> 01:23:28,504 OLIVIA, YOU SHOULD BE SO PROUD 2455 01:23:28,504 --> 01:23:29,905 OF YOURSELF. 2456 01:23:29,905 --> 01:23:31,940 I FEEL YOU'VE GOT SOME PRO 2457 01:23:31,940 --> 01:23:32,541 SKILLS, GIRL. 2458 01:23:32,541 --> 01:23:34,610 LET'S GIVE THEM A HAND, YOU 2459 01:23:34,610 --> 01:23:34,810 GUYS. 2460 01:23:34,810 --> 01:23:36,245 LET'S GIVE THE REMAINING COUPLES 2461 01:23:36,245 --> 01:23:39,014 A HAND. 2462 01:23:39,014 --> 01:23:39,414 ALL RIGHT. 2463 01:23:39,414 --> 01:23:41,216 GOOD LUCK TO YOU BOTH. 2464 01:23:41,216 --> 01:23:42,985 AGAIN, IT'S GOING TO BE UP TO 2465 01:23:42,985 --> 01:23:44,753 THE JUDGES TO SAVE ONE OF THE 2466 01:23:44,753 --> 01:23:48,257 BOTTOM TWO COUPLES AND KEEP THEM 2467 01:23:48,257 --> 01:23:49,758 IN THIS COMPETITION. 2468 01:23:49,758 --> 01:23:50,392 IF, AFTER LEN'S VOTE, THERE IS A 2469 01:23:50,392 --> 01:23:51,360 TIE AMONG THE JUDGES, THEN AS 2470 01:23:51,360 --> 01:23:51,927 OUR HEAD JUDGE, LEN'S VOTE 2471 01:23:51,927 --> 01:23:52,528 AUTOMATICALLY BREAKS THE TIE. 2472 01:23:52,528 --> 01:23:53,161 OKAY, IT'S TIME FOR THE JUDGES' 2473 01:23:53,161 --> 01:23:58,500 VERDICT. 2474 01:23:58,500 --> 01:23:59,268 DEREK, WHICH COUPLE WOULD YOU 2475 01:23:59,268 --> 01:24:00,035 LIKE TO SAVE? 2476 01:24:00,035 --> 01:24:03,438 >> FIRST OF ALL, I JUST WANT TO 2477 01:24:03,438 --> 01:24:05,007 SAY, I'M SO SAD TO SEE OLIVIA 2478 01:24:05,007 --> 01:24:05,774 AND VAL GO. 2479 01:24:05,774 --> 01:24:07,342 THEY WERE UNBELIEVABLE. 2480 01:24:07,342 --> 01:24:08,377 MAKES ME SO PROUD. 2481 01:24:08,377 --> 01:24:09,912 THIS IS REALLY DIFFICULT. 2482 01:24:09,912 --> 01:24:11,513 REALLY TRULY IS. 2483 01:24:11,513 --> 01:24:13,315 BUT TONIGHT, THE PERSON I'M 2484 01:24:13,315 --> 01:24:16,385 GOING TO SAVE IS MELORA AND 2485 01:24:16,385 --> 01:24:16,618 ARTEM. 2486 01:24:16,618 --> 01:24:17,819 >> Tyra: DEREK VOTES TO SAVE 2487 01:24:17,819 --> 01:24:19,755 MELORA AND ARTEM. 2488 01:24:19,755 --> 01:24:20,689 BRUNO, WHICH COUPLE WOULD YOU 2489 01:24:20,689 --> 01:24:22,257 LIKE TO SAVE? 2490 01:24:22,257 --> 01:24:24,493 >> I HAVE TO ‐‐ LET ME SAY ONE 2491 01:24:24,493 --> 01:24:24,927 THING. 2492 01:24:24,927 --> 01:24:27,663 JIMMIE, I LOVED WATCHING YOU ALL 2493 01:24:27,663 --> 01:24:31,433 THE WAY THROUGH. 2494 01:24:31,433 --> 01:24:31,900 YOU'VE GROWN SO MUCH. 2495 01:24:31,900 --> 01:24:33,569 YOU'RE SO ENTERTAINING. 2496 01:24:33,569 --> 01:24:36,405 BUT AT THIS STAGE, I HAVE TO 2497 01:24:36,405 --> 01:24:39,474 SAVE MELORA AND ARTEM. 2498 01:24:39,474 --> 01:24:41,109 >> Tyra: THAT'S TWO FOR MELORA 2499 01:24:41,109 --> 01:24:43,378 AND ARTEM. 2500 01:24:43,378 --> 01:24:43,679 CARRIE ANN? 2501 01:24:43,679 --> 01:24:45,414 WHICH COUPLE WOULD YOU LIKE TO 2502 01:24:45,414 --> 01:24:45,614 SAVE? 2503 01:24:45,614 --> 01:24:46,748 >> THIS BREAKS MY HEART. 2504 01:24:46,748 --> 01:24:47,749 >> Tyra: OH, CARRIE ANN. 2505 01:24:47,749 --> 01:24:50,419 >> YOU BOTH HAVE DONE REALLY 2506 01:24:50,419 --> 01:24:50,986 WELL. 2507 01:24:50,986 --> 01:24:53,155 BUT JIMMIE, YOU EMBODY WHAT THE 2508 01:24:53,155 --> 01:24:54,623 SHOW IS ALL ABOUT IN SO MANY 2509 01:24:54,623 --> 01:24:55,290 WAYS. 2510 01:24:55,290 --> 01:24:59,094 BUT I HAVE TO CHOOSE MELORA. 2511 01:24:59,094 --> 01:24:59,394 I'M SORRY. 2512 01:24:59,394 --> 01:25:01,897 >> Tyra: THE MAJORITY GOES TO 2513 01:25:01,897 --> 01:25:02,464 MELORA AND ARTEM. 2514 01:25:02,464 --> 01:25:05,601 YOU GUYS ARE SAFE. 2515 01:25:05,601 --> 01:25:06,802 JIMMIE, I KNOW YOU'RE GOING TO 2516 01:25:06,802 --> 01:25:10,372 TAKE THAT ON THE ROAD, AND NOT 2517 01:25:10,372 --> 01:25:11,974 JUST YOUR VOICE AND YOUR BODY. 2518 01:25:11,974 --> 01:25:15,477 LEN, OUT OF CURIOSITY, WHO WOULD 2519 01:25:15,477 --> 01:25:16,912 YOU HAVE SAVED. 2520 01:25:16,912 --> 01:25:20,182 >> I WOULD HAVE SAVED MELORA AND 2521 01:25:20,182 --> 01:25:20,415 ARTEM. 2522 01:25:20,415 --> 01:25:21,650 >> Tyra: IT WAS UNANIMOUS. 2523 01:25:21,650 --> 01:25:23,518 YOU GUYS CAN HEAD UP WITH THE 2524 01:25:23,518 --> 01:25:25,287 OTHERS. 2525 01:25:25,287 --> 01:25:26,021 AS WE HAVE OUR FINAL MOMENT WITH 2526 01:25:26,021 --> 01:25:28,657 OLIVIA AND VAL. 2527 01:25:28,657 --> 01:25:29,625 WHERE IS MY OLIVIA AND VAL? 2528 01:25:29,625 --> 01:25:31,360 WE HAVE JIMMIE AND EMMA. 2529 01:25:31,360 --> 01:25:32,861 I WANT THEM BACK HERE. 2530 01:25:32,861 --> 01:25:36,765 HOW ARE YOU FEELING RIGHT NOW? 2531 01:25:36,765 --> 01:25:39,134 >> PEOPLE HAVE BEEN WANTING TO 2532 01:25:39,134 --> 01:25:41,236 KNOW WHAT THIS SCARF IS. 2533 01:25:41,236 --> 01:25:43,839 IT'S MY GRANDMA'S SCARF. 2534 01:25:43,839 --> 01:25:46,475 >> Tyra: SHE'S BEEN WITH US. 2535 01:25:46,475 --> 01:25:48,510 WE CAN SEE YOU, JIMMIE AND EMMA, 2536 01:25:48,510 --> 01:25:51,880 AND OLIVIA AND VAL, ON "GOOD 2537 01:25:51,880 --> 01:25:55,050 MORNING AMERICA" IN THE MORNING. 2538 01:25:55,050 --> 01:25:55,651 "BACKSTAGE PASS: COUNTDOWN TO 2539 01:25:55,651 --> 01:25:56,284 THE CMA AWARDS" STARTS NOW ON 2540 01:25:56,284 --> 01:25:59,388 ABC. 2541 01:25:59,388 --> 01:25:59,888 [ CHEERS AND APPLAUSE ] 2542 01:25:59,888 --> 01:26:00,355 ♪