1 00:00:12,246 --> 00:00:18,819 ♪ 2 00:00:24,958 --> 00:00:29,196 ♪ 3 00:00:29,196 --> 00:00:29,763 ♪ I SEE A LITTLE SILHOUETTO 4 00:00:29,763 --> 00:00:30,797 OF A MAN ♪ 5 00:00:30,797 --> 00:00:32,900 ♪ SCARAMOUCH, SCARAMOUCH 6 00:00:32,900 --> 00:00:34,434 WILL YOU DO THE FANDANGO ♪ 7 00:00:34,434 --> 00:00:36,036 ♪ THUNDERBOLTS AND LIGHTNING 8 00:00:36,036 --> 00:00:37,070 ♪ VERY VERY FRIGHTENING ME 9 00:00:37,070 --> 00:00:37,604 ♪ GALILEO 10 00:00:37,604 --> 00:00:41,842 ♪ GALILEO 11 00:00:41,842 --> 00:00:42,175 ♪ GALILEO 12 00:00:42,175 --> 00:00:42,509 ♪ GALILEO 13 00:00:42,509 --> 00:00:46,847 ♪ OH 14 00:00:46,847 --> 00:00:49,116 ♪ I'M JUST A POOR BOY 15 00:00:49,116 --> 00:00:53,120 ♪ NOBODY LOVES ME 16 00:00:53,120 --> 00:00:53,654 ♪ HE'S JUST A POOR BOY 17 00:00:53,654 --> 00:00:54,187 ♪ FROM A POOR FAMILY 18 00:00:54,187 --> 00:00:54,388 >> OH. 19 00:00:54,388 --> 00:00:54,721 HEY, TYRA. 20 00:00:54,721 --> 00:00:55,789 >> Tyra: WHAT'S UP, DEREK? 21 00:00:55,789 --> 00:00:56,390 JUST WANT TO MAKE SURE YOU'RE 22 00:00:56,390 --> 00:00:58,725 READY FOR QUEEN NIGHT. 23 00:00:58,725 --> 00:00:59,860 >> OH, YOU KNOW I'M READY. 24 00:00:59,860 --> 00:01:00,794 HEY, LISTEN. 25 00:01:00,794 --> 00:01:01,428 I'M IN THE MIDDLE OF SOMETHING 26 00:01:01,428 --> 00:01:03,230 REALLY IMPORTANT. 27 00:01:03,230 --> 00:01:04,865 I GOT TO CALL YOU BACK, OKAY? 28 00:01:04,865 --> 00:01:05,432 >> Tyra: OKAY, SEE YOU SOON. 29 00:01:05,432 --> 00:01:06,767 >> ALL RIGHT. 30 00:01:06,767 --> 00:01:09,303 BYE. 31 00:01:09,303 --> 00:01:15,342 ♪ OH BABY 32 00:01:15,342 --> 00:01:18,145 ♪ JUST GOTTA GET OUT 33 00:01:18,145 --> 00:01:19,880 ♪ JUST GOTTA GET RIGHT OUT OF 34 00:01:19,880 --> 00:01:20,647 HERE ♪ 35 00:01:20,647 --> 00:01:22,182 >> Tyra: LIVE FROM HOLLYWOOD 36 00:01:22,182 --> 00:01:23,717 IT'S QUEEN NIGHT ON "DANCING 37 00:01:23,717 --> 00:01:24,585 WITH THE STARS." 38 00:01:28,455 --> 00:01:28,989 >> Announcer: STARRING ‐‐ 39 00:01:28,989 --> 00:01:29,523 AMANDA KLOOTS. 40 00:01:29,523 --> 00:01:32,426 OLIVIA JADE. 41 00:01:32,426 --> 00:01:33,493 IMAN SHUMPERT. 42 00:01:33,493 --> 00:01:34,027 JIMMIE ALLEN. 43 00:01:34,027 --> 00:01:35,629 THE MIZ. 44 00:01:35,629 --> 00:01:36,163 JOJO SIWA. 45 00:01:36,163 --> 00:01:37,197 SUNI LEE. 46 00:01:37,197 --> 00:01:39,333 CODY RIGSBY. 47 00:01:39,333 --> 00:01:45,138 AND MELORA HARDIN. 48 00:01:48,008 --> 00:01:48,508 ♪ I WANT IT ALL 49 00:01:48,508 --> 00:01:49,576 I WANT IT ALL ♪ 50 00:01:49,576 --> 00:01:52,245 ♪ I WANT IT ALL 51 00:01:52,245 --> 00:01:59,519 AND I WANT IT NOW ♪ 52 00:02:00,721 --> 00:02:05,492 ♪ 53 00:02:05,492 --> 00:02:09,196 ♪ I WANT IT ALL 54 00:02:09,196 --> 00:02:09,563 I WANT IT ALL ♪ 55 00:02:09,563 --> 00:02:12,366 ♪ I WANT IT ALL 56 00:02:12,366 --> 00:02:14,434 AND I WANT IT NOW ♪ 57 00:02:14,434 --> 00:02:16,036 ♪ I WANT IT ALL 58 00:02:16,036 --> 00:02:18,672 I WANT IT ALL ♪ 59 00:02:18,672 --> 00:02:21,308 ♪ I WANT IT ALL 60 00:02:21,308 --> 00:02:23,977 AND I WANT IT NOW ♪ 61 00:02:23,977 --> 00:02:25,012 >> Announcer: AND NOW, PLEASE 62 00:02:25,012 --> 00:02:28,181 WELCOME YOUR HOST, TYRA BANKS! 63 00:02:28,181 --> 00:02:28,715 ♪ I WANT IT ALL 64 00:02:28,715 --> 00:02:31,385 I WANT IT ALL ♪ 65 00:02:31,385 --> 00:02:34,054 ♪ I WANT IT ALL 66 00:02:34,054 --> 00:02:38,558 AND I WANT IT NOW ♪ 67 00:02:46,933 --> 00:02:49,002 >> Tyra: OUR PROS, CHOREOGRAPHED 68 00:02:49,002 --> 00:02:51,672 BY LINDSAY AND PASHA! 69 00:02:51,672 --> 00:02:53,774 WELCOME, WELCOME, WELCOME TO 70 00:02:53,774 --> 00:02:54,374 QUEEN NIGHT, EVERYBODY, AS WE 71 00:02:54,374 --> 00:02:56,410 CELEBRATE ONE OF THE 72 00:02:56,410 --> 00:02:58,512 BEST‐SELLING BANDS OF ALL TIME! 73 00:02:58,512 --> 00:03:06,486 WE'RE GOING TO GET SOME FREDDIE 74 00:03:06,486 --> 00:03:07,020 MERCURY ENERGY UP IN HERE 75 00:03:07,020 --> 00:03:08,588 TONIGHT, BECAUSE EACH OF THE 76 00:03:08,588 --> 00:03:09,156 DANCES WILL BE PERFORMED TO 77 00:03:09,156 --> 00:03:11,224 QUEEN'S MASSIVE HITS. 78 00:03:11,224 --> 00:03:12,292 PLUS, FOR THE FIRST TIME THIS 79 00:03:12,292 --> 00:03:14,428 SEASON, OUR COUPLES WILL HAVE TO 80 00:03:14,428 --> 00:03:16,530 PERFORM NOT ONE DANCE, BUT TWO. 81 00:03:16,530 --> 00:03:19,566 MORE ON TONIGHT'S SECOND ROUND A 82 00:03:19,566 --> 00:03:22,736 LITTLE BIT LATER. 83 00:03:22,736 --> 00:03:23,336 VOTING IS OPEN IN THE EASTERN 84 00:03:23,336 --> 00:03:23,970 AND CENTRAL TIME ZONES, SO GO TO 85 00:03:23,970 --> 00:03:25,906 ABC.COM. 86 00:03:25,906 --> 00:03:26,540 SUBSCRIBERS OF ALL U. S. WIRELESS 87 00:03:26,540 --> 00:03:27,507 PHONE CARRIERS CAN ALSO VOTE BY 88 00:03:27,507 --> 00:03:29,076 TEXTING THE STAR'S FIRST NAME TO 89 00:03:29,076 --> 00:03:30,143 THE NUMBER 21523. 90 00:03:30,143 --> 00:03:30,711 MESSAGE AND DATA RATES MAY 91 00:03:30,711 --> 00:03:33,313 APPLY. 92 00:03:33,313 --> 00:03:35,682 RIGHT NOW, WE'RE ABOUT TO GET 93 00:03:35,682 --> 00:03:36,249 THIS PARTY STARTED WITH THE 94 00:03:36,249 --> 00:03:38,085 FIRST ROUND OF TONIGHT'S 95 00:03:38,085 --> 00:03:38,719 COMPETITION WITH THE COHOST OF 96 00:03:38,719 --> 00:03:42,322 "THE TALK." 97 00:03:42,322 --> 00:03:43,924 HERE'S HOW AMANDA KLOOTS AND 98 00:03:43,924 --> 00:03:44,958 ALAN HOPE TO PUT HER ATHLETIC 99 00:03:44,958 --> 00:03:45,592 SKILLS TO GOOD USE IN THEIR JIVE 100 00:03:45,592 --> 00:03:50,797 TO "DON'T STOP ME NOW." 101 00:03:50,797 --> 00:03:51,431 >> IT'S QUEEN NIGHT AND I'M SO 102 00:03:51,431 --> 00:03:53,433 EXCITED. 103 00:03:53,433 --> 00:03:57,838 I LOVE THE BAND QUEEN. 104 00:03:57,838 --> 00:03:59,806 ♪ I WANT TO BE FREE 105 00:03:59,806 --> 00:04:00,173 ♪ WHOA 106 00:04:00,173 --> 00:04:02,976 ♪ I WANT TO BREAK FREE 107 00:04:02,976 --> 00:04:03,577 >> OH, MY GOSH, THIS BAND IS 108 00:04:03,577 --> 00:04:06,146 LEGENDARY. 109 00:04:06,146 --> 00:04:07,214 I MEAN, ICONIC SONGS, YOU KNOW 110 00:04:07,214 --> 00:04:08,815 THEM ALL, YOU IMMEDIATELY JUST 111 00:04:08,815 --> 00:04:09,382 WANT TO ROCK OUT EVERY TIME 112 00:04:09,382 --> 00:04:13,120 SOMETHING COMES ON. 113 00:04:13,120 --> 00:04:14,988 IT JUST, LIKE, FILLS YOU WITH 114 00:04:14,988 --> 00:04:17,257 THAT ADRENALINE AND THAT ENERGY. 115 00:04:17,257 --> 00:04:17,858 I MEAN, THEY'RE JUST ‐‐ THESE 116 00:04:17,858 --> 00:04:20,427 SONGS ARE PRICELESS. 117 00:04:20,427 --> 00:04:25,198 ♪ I WANT TO BREAK FREE 118 00:04:25,198 --> 00:04:26,767 >> WE'RE GOING TO BE DANCING A 119 00:04:26,767 --> 00:04:29,903 JIVE TO "DON'T STOP ME NOW" AND 120 00:04:29,903 --> 00:04:30,403 I'M SO EXCITED, BECAUSE 121 00:04:30,403 --> 00:04:31,505 NOTHING'S GOING TO STOP US NOW! 122 00:04:31,505 --> 00:04:32,139 >> I SERIOUSLY LOVE THIS SONG, 123 00:04:32,139 --> 00:04:35,208 THOUGH. 124 00:04:35,208 --> 00:04:35,842 I PLAY THIS SONG IN MY FITNESS 125 00:04:35,842 --> 00:04:37,844 CLASSES ALL THE TIME. 126 00:04:37,844 --> 00:04:41,548 I STARTED TEACHING FITNESS IN 127 00:04:41,548 --> 00:04:42,149 2016 AND I LAUNCHED IT WITH A 128 00:04:42,149 --> 00:04:43,150 JUMP ROPE CLASS THAT I CREATED. 129 00:04:43,150 --> 00:04:44,751 I RELEASED AN APP. 130 00:04:44,751 --> 00:04:46,853 I WAS TEACHING LIVE CLASSES. 131 00:04:46,853 --> 00:04:49,523 HI, EVERYBODY, I'M AMANDA KLOOTS 132 00:04:49,523 --> 00:04:51,892 AND THIS IS YOUR AK ROPE CLASS. 133 00:04:51,892 --> 00:04:54,528 SO NOW I'M JUGGLING TEACHING MY 134 00:04:54,528 --> 00:04:57,931 WITNESS CLASSES AND HOSTING "THE 135 00:04:57,931 --> 00:04:59,132 TALK." 136 00:04:59,132 --> 00:05:00,200 >> THE JIVE HAPPENS TO BE ONE OF 137 00:05:00,200 --> 00:05:01,735 THE MOST ENERGETIC DANCES SO ALL 138 00:05:01,735 --> 00:05:02,803 THAT JUMP ROPING BETTER PAY OFF. 139 00:05:02,803 --> 00:05:03,370 IT IS THE EPITOME OF, LIKE, 140 00:05:03,370 --> 00:05:04,371 STAMINA. 141 00:05:04,371 --> 00:05:07,974 ONE, TWO, HOP. 142 00:05:07,974 --> 00:05:11,211 AH, OKAY, LESS. 143 00:05:11,211 --> 00:05:12,846 YOU'RE HOPPING UP, I'M GOING 144 00:05:12,846 --> 00:05:14,247 DOWN, DOWN. 145 00:05:14,247 --> 00:05:15,816 >> THE JIVE, HAPPINESS OF THAT 146 00:05:15,816 --> 00:05:18,318 DANCE MATCHES MY PERSONALITY. 147 00:05:18,318 --> 00:05:20,921 AND WITH MY FITNESS BACKGROUND, 148 00:05:20,921 --> 00:05:23,023 NOTHING'S GOING TO STOP US NOW. 149 00:05:23,023 --> 00:05:25,125 >> Announcer: DANCING THE JIVE, 150 00:05:25,125 --> 00:05:25,692 WITH HER PARTNER ALAN, IT'S 151 00:05:25,692 --> 00:05:29,863 AMANDA KLOOTS! 152 00:05:31,731 --> 00:05:32,532 ♪ TONIGHT, I'M GONNA 153 00:05:32,532 --> 00:05:34,100 HAVE MYSELF A 154 00:05:34,100 --> 00:05:36,203 REAL GOOD TIME ♪ 155 00:05:36,203 --> 00:05:39,906 ♪ I FEEL ALIVE 156 00:05:39,906 --> 00:05:43,677 AND THE WORLD 157 00:05:43,677 --> 00:05:46,279 I'LL TURN IT ♪ 158 00:05:46,279 --> 00:05:48,381 ♪ INSIDE OUT, YEAH 159 00:05:48,381 --> 00:05:50,483 I'M FLOATING AROUND 160 00:05:50,483 --> 00:05:53,687 IN ECSTASY ♪ 161 00:05:53,687 --> 00:05:54,754 ♪ SO DON'T STOP ME 162 00:05:54,754 --> 00:05:56,356 'CAUSE I'M HAVING A GOOD TIME 163 00:05:56,356 --> 00:05:57,390 HAVING A GOOD TIME ♪ 164 00:05:57,390 --> 00:05:58,458 ♪ I'M A SHOOTING STAR 165 00:05:58,458 --> 00:06:00,560 LEAPING THROUGH THE SKY 166 00:06:00,560 --> 00:06:02,696 LIKE A TIGER DEFYING ♪ 167 00:06:02,696 --> 00:06:04,798 ♪ THE LAWS OF GRAVITY 168 00:06:04,798 --> 00:06:07,434 I'M A RACING CAR 169 00:06:07,434 --> 00:06:07,767 PASSING BY ♪ 170 00:06:07,767 --> 00:06:10,070 ♪ LIKE LADY GODIVA 171 00:06:10,070 --> 00:06:12,172 I'M GONNA GO, GO, GO 172 00:06:12,172 --> 00:06:13,773 THERE'S NO STOPPING ME ♪ 173 00:06:13,773 --> 00:06:15,342 ♪ I'M BURNING 174 00:06:15,342 --> 00:06:16,943 THROUGH THE SKY, YEAH! 175 00:06:16,943 --> 00:06:17,477 TWO HUNDRED DEGREES ♪ 176 00:06:17,477 --> 00:06:19,679 ♪ THAT'S WHY THEY CALL ME 177 00:06:19,679 --> 00:06:20,647 MISTER FAHRENHEIT 178 00:06:20,647 --> 00:06:21,681 I'M TRAVELING ♪ 179 00:06:21,681 --> 00:06:23,683 ♪ AT THE SPEED OF LIGHT 180 00:06:23,683 --> 00:06:24,885 I WANNA MAKE A 181 00:06:24,885 --> 00:06:27,020 SUPERSONIC WOMAN OF YOU ♪ 182 00:06:27,020 --> 00:06:27,554 ♪ DON'T STOP ME 183 00:06:27,554 --> 00:06:30,190 DON'T STOP ME, OOH 184 00:06:30,190 --> 00:06:31,791 DON'T STOP ME NOW ♪ 185 00:06:31,791 --> 00:06:32,325 ♪ I'M HAVING SUCH 186 00:06:32,325 --> 00:06:34,427 A GOOD TIME 187 00:06:34,427 --> 00:06:36,563 I'M HAVING A BALL ♪ 188 00:06:36,563 --> 00:06:38,098 ♪ DON'T STOP ME NOW 189 00:06:38,098 --> 00:06:38,398 IF YOU WANNA 190 00:06:38,398 --> 00:06:40,267 HAVE A GOOD TIME ♪ 191 00:06:40,267 --> 00:06:42,335 ♪ JUST GIVE ME A CALL 192 00:06:42,335 --> 00:06:42,869 DON'T STOP ME NOW 193 00:06:42,869 --> 00:06:43,436 'CAUSE I'M HAVING ♪ 194 00:06:43,436 --> 00:06:45,505 ♪ A GOOD TIME 195 00:06:45,505 --> 00:06:45,906 DON'T STOP ME NOW 196 00:06:45,906 --> 00:06:46,306 YES, I'M HAVING ♪ 197 00:06:46,306 --> 00:06:47,641 ♪ A GOOD TIME 198 00:06:47,641 --> 00:06:55,582 I DON'T WANNA STOP AT ALL ♪ 199 00:06:55,582 --> 00:06:59,719 >> Tyra: OKAY! 200 00:06:59,719 --> 00:07:01,421 GETTING US STARTED OFF RIGHT. 201 00:07:01,421 --> 00:07:05,125 AMANDA AND ALAN WITH A JIVE. 202 00:07:05,125 --> 00:07:07,727 WE'RE GOING TO START WITH YOU, 203 00:07:07,727 --> 00:07:07,894 LEN. 204 00:07:07,894 --> 00:07:12,766 >> WELL, JUST BECAUSE THE LYRICS 205 00:07:12,766 --> 00:07:13,867 SAYS DEFYING GRAVITY, I DON'T 206 00:07:13,867 --> 00:07:15,669 THINK THAT'S A GOOD MOMENT TO DO 207 00:07:15,669 --> 00:07:18,371 A LIFT, BECAUSE, YOU KNOW, LIFTS 208 00:07:18,371 --> 00:07:19,472 ARE NOT ALLOWED IN THIS DANCE, 209 00:07:19,472 --> 00:07:21,408 BUT YOU STUCK ONE IN. 210 00:07:21,408 --> 00:07:24,177 ALSO, AMANDA, DURING THE OPENING 211 00:07:24,177 --> 00:07:25,545 PART IN HOLD, YOU'RE LIFTING 212 00:07:25,545 --> 00:07:26,146 YOUR FEET UP TOO MUCH. 213 00:07:26,146 --> 00:07:27,614 THEY'RE ‐‐ 214 00:07:27,614 --> 00:07:29,182 >> Tyra: THEY DON'T LIKE THAT. 215 00:07:29,182 --> 00:07:30,784 >> HEY! 216 00:07:30,784 --> 00:07:31,418 >> IF YOU PRICK ME, DO I NOT 217 00:07:31,418 --> 00:07:34,654 BLEED? 218 00:07:34,654 --> 00:07:35,488 WHY WOULD YOU SAY THAT TO ME? 219 00:07:35,488 --> 00:07:37,324 NOW LISTEN. 220 00:07:37,324 --> 00:07:40,160 YOU'VE GOT TO OPEN UP ‐‐ IT'S 221 00:07:40,160 --> 00:07:41,695 TOO NEAT AND IT WAS LACKING IN 222 00:07:41,695 --> 00:07:43,663 RHYTHM, I WANTED TO SEE MORE 223 00:07:43,663 --> 00:07:45,031 RHYTHM, I WANTED TO SEE YOU 224 00:07:45,031 --> 00:07:46,733 COMING OUT AND SHOWING ME 225 00:07:46,733 --> 00:07:47,367 SOMETHING SPECIAL AND I DIDN'T 226 00:07:47,367 --> 00:07:50,170 REALLY SEE THAT. 227 00:07:50,170 --> 00:07:50,804 >> Tyra: ALL RIGHT, WE KNOW WHAT 228 00:07:50,804 --> 00:07:51,438 LEN IS FEELING RIGHT NOW, DEREK. 229 00:07:51,438 --> 00:07:52,038 WE NEED TO KNOW WHAT YOU WERE 230 00:07:52,038 --> 00:07:52,272 FEELING. 231 00:07:52,272 --> 00:07:55,442 >> AMANDA, THE OPENING WAS SO 232 00:07:55,442 --> 00:07:56,076 BEAUTIFUL, SO ELEGANT, WHAT WE 233 00:07:56,076 --> 00:07:57,544 LOVE SEEING FROM YOU. 234 00:07:57,544 --> 00:07:58,144 LISTEN, I SLIGHTLY AGREE WITH 235 00:07:58,144 --> 00:08:00,680 LEN A LITTLE BIT. 236 00:08:00,680 --> 00:08:01,881 I'M NOT GOING TO LIE. 237 00:08:01,881 --> 00:08:02,515 HERE'S WHAT I'M GOING TO SAY, IS 238 00:08:02,515 --> 00:08:03,049 THAT YOU SET SUCH A HIGH 239 00:08:03,049 --> 00:08:03,883 STANDARD FOR YOURSELF, WHICH 240 00:08:03,883 --> 00:08:07,454 MEANS YOU'RE FANTASTIC. 241 00:08:07,454 --> 00:08:10,123 BUT I THINK THAT ‐‐ IT WASN'T 242 00:08:10,123 --> 00:08:11,191 BAD, BUT IT CERTAINLY 243 00:08:11,191 --> 00:08:11,725 WASN'T YOUR BEST. 244 00:08:11,725 --> 00:08:12,759 IT DIDN'T HAVE THE FINESSE WE 245 00:08:12,759 --> 00:08:13,393 ARE USED TO SEEING FROM YOU, BUT 246 00:08:13,393 --> 00:08:14,027 IT WAS STILL A GREAT DANCE, SO 247 00:08:14,027 --> 00:08:14,361 WELL DONE. 248 00:08:14,361 --> 00:08:16,229 >> Tyra: BRUNO? 249 00:08:16,229 --> 00:08:20,133 WHAT ARE YOU THINKING INGTHINK 250 00:08:20,133 --> 00:08:21,468 LAYING BACK ‐‐ 251 00:08:21,468 --> 00:08:22,035 >> I HAVE NO IDEA WHO THESE 252 00:08:22,035 --> 00:08:25,171 PEOPLE ARE. 253 00:08:25,171 --> 00:08:30,977 I DON'T KNOW ABOUT YOU BUT I 254 00:08:30,977 --> 00:08:31,478 THOUGHT IT WAS SO GOOD. 255 00:08:31,478 --> 00:08:32,112 IT COULD HAVE GONE ON AND ON AND 256 00:08:32,112 --> 00:08:34,614 ON. 257 00:08:34,614 --> 00:08:35,382 >> Tyra: OH, THAT'S WHAT I'M 258 00:08:35,382 --> 00:08:38,818 TALKING ABOUT. 259 00:08:38,818 --> 00:08:40,620 >> I KNEW FREDDIE. 260 00:08:40,620 --> 00:08:42,322 HE WOULD HAVE LOVED IT. 261 00:08:42,322 --> 00:08:43,790 THE LYRICAL BEGINNING WAS 262 00:08:43,790 --> 00:08:44,124 SPECTACULAR. 263 00:08:44,124 --> 00:08:45,625 THE JIVE ‐‐ THE ACTUAL ‐‐ THERE 264 00:08:45,625 --> 00:08:46,926 WAS A SLIGHT MISTAKE, THERE WAS 265 00:08:46,926 --> 00:08:49,896 A SLIGHT MISTAKE, BUT IT WAS 266 00:08:49,896 --> 00:08:51,931 ABSOLUTELY BRILLIANT! 267 00:08:51,931 --> 00:08:55,602 >> Tyra: OH, BRUNO. 268 00:08:55,602 --> 00:08:55,902 CARRIE ANN? 269 00:08:55,902 --> 00:08:58,772 >> OKAY, OH, GOD, BRUNO, OKAY. 270 00:08:58,772 --> 00:08:59,406 AMANDA, LOOK, EVERYTHING YOU DO 271 00:08:59,406 --> 00:09:01,975 IS INCREDIBLE AND THIS WAS HIGH 272 00:09:01,975 --> 00:09:02,542 ENERGY, I KNEW IT WOULD BE 273 00:09:02,542 --> 00:09:03,109 BECAUSE OF YOUR INCREDIBLE 274 00:09:03,109 --> 00:09:06,279 ATHLETICISM AND NON‐STOP GRACE. 275 00:09:06,279 --> 00:09:07,380 BUT WHAT WE'RE ASKING FOR ‐‐ 276 00:09:07,380 --> 00:09:08,982 IT'S STARTING TO FEEL 277 00:09:08,982 --> 00:09:09,516 METRONOMIC WHEN YOU DANCE. 278 00:09:09,516 --> 00:09:10,550 IT'S SO GOOD AND THAT'S NOT 279 00:09:10,550 --> 00:09:11,651 TAKING ANYTHING AWAY FROM YOU. 280 00:09:11,651 --> 00:09:12,719 WE ARE JUST TRYING TO TELL YOU 281 00:09:12,719 --> 00:09:13,353 SO IF YOU WANT TO WIN, YOU HAVE 282 00:09:13,353 --> 00:09:14,821 TO SURPRISE US. 283 00:09:14,821 --> 00:09:15,889 WE NEED YOU TO PUSH JUST PAST 284 00:09:15,889 --> 00:09:18,258 WHAT'S COMFORTABLE. 285 00:09:18,258 --> 00:09:19,392 I KNOW YOU'RE PUSHING HARD. 286 00:09:19,392 --> 00:09:21,061 I'M NOT TRYING TO SAY THAT. 287 00:09:21,061 --> 00:09:21,561 >> Tyra: OKAY. 288 00:09:21,561 --> 00:09:23,863 ALL RIGHT, SO ‐‐ LET'S BREAK 289 00:09:23,863 --> 00:09:26,132 DOWN METRONOMIC. 290 00:09:26,132 --> 00:09:30,036 IT'S THAT METRONOME, YOU 291 00:09:30,036 --> 00:09:30,603 WANTED THE ‐‐ PICK IT UP A 292 00:09:30,603 --> 00:09:31,671 LITTLE BIT. 293 00:09:31,671 --> 00:09:32,172 >> YEAH. 294 00:09:32,172 --> 00:09:32,806 >> Tyra: SHE WANTS YOU TO MIX IT 295 00:09:32,806 --> 00:09:33,239 UP. 296 00:09:33,239 --> 00:09:34,274 HOW DO YOU FEEL ABOUT THAT? 297 00:09:34,274 --> 00:09:34,808 >> ALL RIGHT. 298 00:09:34,808 --> 00:09:37,110 I LOVE CONSTRUCTIVE CRITICISM. 299 00:09:37,110 --> 00:09:38,545 I'M HERE TO LEARN, I'M HERE TO 300 00:09:38,545 --> 00:09:40,847 NOT BE PERFECT BUT TO GROW AND 301 00:09:40,847 --> 00:09:41,748 PROGRESS AND I THANK YOU FOR 302 00:09:41,748 --> 00:09:42,515 YOUR ‐‐ 303 00:09:42,515 --> 00:09:43,216 >> Tyra: BEAUTIFUL ATTITUDE. 304 00:09:43,216 --> 00:09:45,218 LET'S GET THE SCORES. 305 00:09:45,218 --> 00:09:46,820 >> Announcer: CARRIE ANN INABA. 306 00:09:46,820 --> 00:09:47,320 >> AND THERE WAS A LIFT. 307 00:09:47,320 --> 00:09:49,456 EIGHT. 308 00:09:49,456 --> 00:09:52,625 >> Announcer: LEN GOODMAN. 309 00:09:52,625 --> 00:09:53,259 >> BRUNO'S TAKING STANDING UP TO 310 00:09:53,259 --> 00:09:53,693 A NEW LEVEL. 311 00:09:53,693 --> 00:09:56,329 EIGHT. 312 00:09:56,329 --> 00:09:56,863 >> Announcer: DEREK HOUGH. 313 00:09:56,863 --> 00:09:58,431 >> EIGHT. 314 00:09:58,431 --> 00:10:00,967 >> Announcer: BRUNO TONIOLI. 315 00:10:00,967 --> 00:10:02,502 >> YOU'RE TAKING MARKING DOWN TO 316 00:10:02,502 --> 00:10:02,802 A NEW LEVEL. 317 00:10:02,802 --> 00:10:05,538 NINE. 318 00:10:05,538 --> 00:10:07,173 >> Tyra: OH. 319 00:10:07,173 --> 00:10:08,908 BRUNO'S BRINGING IT UP TO A 33 320 00:10:08,908 --> 00:10:11,444 OUT OF 40 FOR AMANDA AND ALAN. 321 00:10:11,444 --> 00:10:12,912 THEY HAVE ANOTHER DANCE TO DO 322 00:10:12,912 --> 00:10:14,347 LATER ON THAT YOU NEED TO SEE. 323 00:10:14,347 --> 00:10:16,850 UP NEXT, WITH THEIR QUEEN NIGHT 324 00:10:16,850 --> 00:10:17,484 QUICKSTEP, OLIVIA JADE AND VAL, 325 00:10:17,484 --> 00:10:20,086 LIVE. 326 00:10:23,690 --> 00:10:28,962 ♪ 327 00:10:28,962 --> 00:10:30,029 >> Tyra: WELL HELLO AND WELCOME 328 00:10:30,029 --> 00:10:30,597 BACK TO QUEEN NIGHT IN THIS 329 00:10:30,597 --> 00:10:32,132 BALLROOM. 330 00:10:32,132 --> 00:10:35,001 YOU GET TEN VOTES PER DANCING 331 00:10:35,001 --> 00:10:35,835 COUPLE, PER VOTING METHOD. 332 00:10:35,835 --> 00:10:36,870 VOTING CLOSES DURING THE LAST 333 00:10:36,870 --> 00:10:40,073 COMMERCIAL BREAK. 334 00:10:40,073 --> 00:10:40,640 OUR BEAUTY VLOGGER AND HER 335 00:10:40,640 --> 00:10:41,207 PARTNER ARE UP NEXT WITH A 336 00:10:41,207 --> 00:10:42,709 QUICKSTEP. 337 00:10:42,709 --> 00:10:44,310 NOW THIS WEEK, THE PRESSURE WAS 338 00:10:44,310 --> 00:10:45,912 REALLY, REALLY ON, AS OLIVIA 339 00:10:45,912 --> 00:10:49,415 JADE AND VAL TRAINED FOR THEIR 340 00:10:49,415 --> 00:10:53,887 FIRST DANCE OF THIS NIGHT. 341 00:10:53,887 --> 00:10:58,124 >> AFTER BEING IN THE BOTTOM TWO 342 00:10:58,124 --> 00:10:58,758 THE WEEK BEFORE, OUR PERFORMANCE 343 00:10:58,758 --> 00:10:59,325 LAST WEEK WAS EXTRA SPECIAL. 344 00:10:59,325 --> 00:11:00,793 >> NINE! 345 00:11:00,793 --> 00:11:03,429 >> IT'S JUST REALLY SCARY 346 00:11:03,429 --> 00:11:05,031 THINKING ABOUT LEAVING THE SHOW. 347 00:11:05,031 --> 00:11:07,066 I'M REALLY GRATEFUL I'M STILL 348 00:11:07,066 --> 00:11:07,667 HERE AND WE JUST WANT TO KEEP 349 00:11:07,667 --> 00:11:08,168 WORKING HARD AND PROVING 350 00:11:08,168 --> 00:11:11,871 OURSELVES. 351 00:11:11,871 --> 00:11:12,472 >> OKAY, SO, THIS WEEK, IT IS 352 00:11:12,472 --> 00:11:15,008 QUEEN NIGHT. 353 00:11:15,008 --> 00:11:16,109 >> YEAH! 354 00:11:16,109 --> 00:11:17,710 MY FAVORITE BAND EVER! 355 00:11:17,710 --> 00:11:19,812 ♪ 356 00:11:19,812 --> 00:11:21,948 I LITERALLY HAVE A PHONE ALBUM 357 00:11:21,948 --> 00:11:23,516 CALLED QUEEN HITS, I GREW UP 358 00:11:23,516 --> 00:11:24,150 LISTENING TO QUEEN, MY PARENTS 359 00:11:24,150 --> 00:11:26,219 WOULD PLAY IT. 360 00:11:26,219 --> 00:11:26,853 I DON'T THINK THEY HAVE ONE BAD 361 00:11:26,853 --> 00:11:28,321 SONG. 362 00:11:28,321 --> 00:11:29,923 >> GOOD NIGHT, GOD BLESS YOU. 363 00:11:29,923 --> 00:11:30,523 >> SO, WE'RE DANCING TO "FAT 364 00:11:30,523 --> 00:11:32,559 BOTTOMED GIRLS." 365 00:11:32,559 --> 00:11:33,626 >> I'M SO EXCITED. 366 00:11:33,626 --> 00:11:34,694 >> AND WE'RE DOING A QUICKSTEP. 367 00:11:34,694 --> 00:11:35,228 >> I DON'T KNOW WHAT THAT 368 00:11:35,228 --> 00:11:38,498 ENTAILS. 369 00:11:38,498 --> 00:11:39,199 >> A LOT OF STEPS AND VERY 370 00:11:39,199 --> 00:11:40,533 QUICK. 371 00:11:40,533 --> 00:11:41,000 >> OKAY. 372 00:11:41,000 --> 00:11:43,336 >> YOU GOT A MILLION STEPS GOING 373 00:11:43,336 --> 00:11:46,706 IN EVERY WHICH DIRECTION AND IN 374 00:11:46,706 --> 00:11:48,241 THE MEANTIME, YOU HAVE TO 375 00:11:48,241 --> 00:11:49,409 MAINTAIN THIS PERFECT BALLROOM 376 00:11:49,409 --> 00:11:50,476 FRAME. 377 00:11:50,476 --> 00:11:52,645 CONNECT TO ME. 378 00:11:52,645 --> 00:11:53,279 >> WE ARE GOING ONTO WEEK SEVEN 379 00:11:53,279 --> 00:11:53,913 SO THERE ARE HIGHER EXPECTATIONS 380 00:11:53,913 --> 00:11:54,747 ON MY END TO PICK UP THE MOVES 381 00:11:54,747 --> 00:11:54,981 QUICKER. 382 00:11:54,981 --> 00:11:56,349 I DON'T KNOW WHAT I'M DOING. 383 00:11:56,349 --> 00:11:58,885 AND I THINK THE MOST FRUSTRATING 384 00:11:58,885 --> 00:12:00,186 THING FOR ME IS WHEN IT MAKES 385 00:12:00,186 --> 00:12:01,721 SENSE IN MY HEAD AND MY BODY IS 386 00:12:01,721 --> 00:12:02,388 JUST LIKE, NOPE, YOU ARE NOT 387 00:12:02,388 --> 00:12:03,623 DOING THAT. 388 00:12:03,623 --> 00:12:04,190 >> WHOA! 389 00:12:04,190 --> 00:12:06,526 THE QUICKSTEP IS CHALLENGING AND 390 00:12:06,526 --> 00:12:08,561 IT IS KICKING HER BUTT. 391 00:12:08,561 --> 00:12:10,597 >> JUST DO IT. 392 00:12:10,597 --> 00:12:10,930 >> I'M TRYING. 393 00:12:10,930 --> 00:12:12,165 >> YOU'RE NOT TRYING, YOU'RE 394 00:12:12,165 --> 00:12:13,499 TALKING. 395 00:12:13,499 --> 00:12:14,133 WE'RE UNDER A TREMENDOUS AMOUNT 396 00:12:14,133 --> 00:12:15,034 OF PRESSURE. 397 00:12:15,034 --> 00:12:15,602 SHE NEEDS TO STEP UP TO THE 398 00:12:15,602 --> 00:12:17,704 PLATE AND KEEP WORKING HARD AND 399 00:12:17,704 --> 00:12:19,272 NOT DOUBT HERSELF. 400 00:12:19,272 --> 00:12:20,340 >> I DON'T GET THE TIMING. 401 00:12:20,340 --> 00:12:22,475 >> OH, MY LORD. 402 00:12:22,475 --> 00:12:23,076 ONE MORE TIME, ONE MORE TIME. 403 00:12:23,076 --> 00:12:27,747 >> I DON'T KNOW ANYMORE. 404 00:12:27,747 --> 00:12:30,383 >> Announcer: DANCING THE 405 00:12:30,383 --> 00:12:31,050 QUICKSTEP, WITH HER PARTNER VAL, 406 00:12:31,050 --> 00:12:33,253 IT'S OLIVIA JADE! 407 00:12:35,722 --> 00:12:35,888 ♪ 408 00:12:35,888 --> 00:12:36,289 ♪ OH YOU GONNA 409 00:12:36,289 --> 00:12:39,425 TAKE ME HOME TONIGHT ♪ 410 00:12:39,425 --> 00:12:41,027 ♪ OH DOWN BESIDE 411 00:12:41,027 --> 00:12:46,299 THAT RED FIRE LIGHT ♪ 412 00:12:46,299 --> 00:12:47,367 ♪ OH YOU GONNA 413 00:12:47,367 --> 00:12:49,402 LET IT ALL HANG OUT ♪ 414 00:12:49,402 --> 00:12:51,004 ♪ FAT BOTTOMED GIRLS 415 00:12:51,004 --> 00:12:52,105 YOU MAKE THE ROCKING WORLD 416 00:12:52,105 --> 00:12:55,008 GO ROUND ♪ 417 00:12:55,008 --> 00:12:55,541 ♪ I WAS JUST A SKINNY LAD 418 00:12:55,541 --> 00:12:56,876 NEVER KNEW NO 419 00:12:56,876 --> 00:12:58,444 GOOD FROM BAD ♪ 420 00:12:58,444 --> 00:13:00,046 ♪ BUT I KNEW LIFE BEFORE 421 00:13:00,046 --> 00:13:02,682 I LEFT MY NURSERY ♪ 422 00:13:02,682 --> 00:13:03,716 ♪ LEFT ALONE WITH 423 00:13:03,716 --> 00:13:06,419 BIG FAT FANNY ♪ 424 00:13:06,419 --> 00:13:06,786 ♪ SHE WAS SUCH 425 00:13:06,786 --> 00:13:08,521 A NAUGHTY NANNY ♪ 426 00:13:08,521 --> 00:13:10,123 ♪ HEAP BIG WOMAN 427 00:13:10,123 --> 00:13:10,523 YOU MADE A BAD BOY 428 00:13:10,523 --> 00:13:15,928 OUT OF ME ♪ 429 00:13:15,928 --> 00:13:20,166 ♪ OH YOU GONNA 430 00:13:20,166 --> 00:13:21,200 TAKE ME HOME TONIGHT ♪ 431 00:13:21,200 --> 00:13:21,601 ♪ OH, DOWN BESIDE 432 00:13:21,601 --> 00:13:23,836 THAT RED FIRE LIGHT ♪ 433 00:13:23,836 --> 00:13:25,438 ♪ OH, YOU GONNA 434 00:13:25,438 --> 00:13:27,040 LET IT ALL HANG OUT ♪ 435 00:13:27,040 --> 00:13:28,074 ♪ FAT BOTTOMED GIRLS 436 00:13:28,074 --> 00:13:29,642 YOU MAKE THE ROCKING WORLD 437 00:13:29,642 --> 00:13:32,312 GO ROUND ♪ 438 00:13:32,312 --> 00:13:33,346 ♪ FAT BOTTOMED GIRLS 439 00:13:33,346 --> 00:13:36,015 YOU MAKE THE ROCKING WORLD 440 00:13:36,015 --> 00:13:40,286 GO ROUND ♪ 441 00:13:40,286 --> 00:13:41,321 ♪ GET ON YOUR BIKES 442 00:13:41,321 --> 00:13:43,990 AND RIDE ♪ 443 00:13:43,990 --> 00:13:45,558 ♪ HEY FAT BOTTOMED GIRLS 444 00:13:45,558 --> 00:13:47,126 FAT BOTTOMED GIRLS 445 00:13:47,126 --> 00:13:57,270 YES, YES, YEAH ♪ 446 00:13:59,005 --> 00:14:03,509 >> Tyra: WOO! 447 00:14:03,509 --> 00:14:04,043 OLIVIA AND VAL WITH THE 448 00:14:04,043 --> 00:14:06,145 QUICKSTEP. 449 00:14:06,145 --> 00:14:07,747 I SEE VAL IS REAL HAPPY. 450 00:14:07,747 --> 00:14:09,849 DEREK? 451 00:14:09,849 --> 00:14:13,586 >> OLIVIA, MAN! 452 00:14:13,586 --> 00:14:14,654 YOU ARE JUST SO GENUINE WHEN YOU 453 00:14:14,654 --> 00:14:15,288 PERFORM, IT'S JUST SO INFECTIOUS 454 00:14:15,288 --> 00:14:16,756 TO WATCH. 455 00:14:16,756 --> 00:14:17,357 THERE WAS SO MUCH FOOTWORK IN 456 00:14:17,357 --> 00:14:17,824 THERE. 457 00:14:17,824 --> 00:14:19,392 YOU DIDN'T MISS A STEP. 458 00:14:19,392 --> 00:14:23,029 I WAS WATCHING WITH LASER FOCUS. 459 00:14:23,029 --> 00:14:25,765 YOU HIT EVERY SINGLE STEP. 460 00:14:25,765 --> 00:14:26,799 THAT WAS A VERY CHALLENGING 461 00:14:26,799 --> 00:14:29,402 ROUTINE, BUT YOU WERE ON POINT. 462 00:14:29,402 --> 00:14:30,002 IT WAS SO GOOD, I MEAN ‐‐ I'M 463 00:14:30,002 --> 00:14:30,570 JUST SO IMPRESSED WITH YOU. 464 00:14:30,570 --> 00:14:31,003 I'M OUT OF TIME. 465 00:14:31,003 --> 00:14:31,537 WELL DONE. 466 00:14:31,537 --> 00:14:34,707 >> Tyra: BRUNO? 467 00:14:34,707 --> 00:14:37,877 >> WELL, THE PEACH DIET WORKED. 468 00:14:37,877 --> 00:14:41,581 I TELL YOU, NOT A SPECK OF FAT 469 00:14:41,581 --> 00:14:43,015 OUT THERE. 470 00:14:43,015 --> 00:14:46,919 IN FACT, YOU WERE A LEAN, MEAN, 471 00:14:46,919 --> 00:14:47,286 QUICKSTEP QUEEN! 472 00:14:47,286 --> 00:14:48,521 >> Tyra: EXCEPT THE SONG WAS ALL 473 00:14:48,521 --> 00:14:51,657 ABOUT BIG BOOTIES, THOUGH. 474 00:14:51,657 --> 00:14:52,258 SHE WAS GIVING THE BIG BOOTY 475 00:14:52,258 --> 00:14:55,027 GIRLS LIKE MYSELF A LOT OF LOVE. 476 00:14:55,027 --> 00:14:57,497 CARRIE ANN? 477 00:14:57,497 --> 00:14:59,098 >> OLIVIA, WHAT SETS YOU APART 478 00:14:59,098 --> 00:14:59,732 IN THIS COMPETITION IS THAT YOU 479 00:14:59,732 --> 00:15:03,803 ARE SO LIGHT ON YOUR FEET. 480 00:15:03,803 --> 00:15:04,871 YET YOU USE THE FLOOR IN A 481 00:15:04,871 --> 00:15:05,438 REALLY BEAUTIFUL WAY, LIKE, 482 00:15:05,438 --> 00:15:06,439 YOU'RE NOT JUST SKATING ON TOP 483 00:15:06,439 --> 00:15:07,073 OF IT, YOU ARE ACTUALLY DANCING 484 00:15:07,073 --> 00:15:09,075 ON THE FLOOR. 485 00:15:09,075 --> 00:15:10,676 YOU HAVE THIS INCREDIBLE ABILITY 486 00:15:10,676 --> 00:15:11,310 TO EVEN PUT GRACE INTO THE MOST 487 00:15:11,310 --> 00:15:11,911 ROCK AND ROLL QUICKSTEP I'VE 488 00:15:11,911 --> 00:15:13,413 EVER SEEN. 489 00:15:13,413 --> 00:15:13,980 I LOVE THIS SEASON, THE WAY 490 00:15:13,980 --> 00:15:14,914 WE'RE BLENDING THE STYLES. 491 00:15:14,914 --> 00:15:15,448 IT IS AMAZING. 492 00:15:15,448 --> 00:15:16,516 FANTASTIC JOB. 493 00:15:16,516 --> 00:15:19,185 >> Tyra: LEN? 494 00:15:19,185 --> 00:15:22,355 >> IT WAS STRAIGHT INTO THE 495 00:15:22,355 --> 00:15:22,922 DANCE, WHICH I ALWAYS LIKE. 496 00:15:22,922 --> 00:15:23,456 IT HAD SPEED, BUT IT HAD 497 00:15:23,456 --> 00:15:27,026 CONTROL. 498 00:15:27,026 --> 00:15:27,627 YOU ‐‐ YOU WERE FAST, BUT IT 499 00:15:27,627 --> 00:15:29,228 DIDN'T LOOK RUSHED. 500 00:15:29,228 --> 00:15:30,797 I WOULD HAVE LIKED A LITTLE MORE 501 00:15:30,797 --> 00:15:32,398 BODY CONTACT THROUGHOUT, 502 00:15:32,398 --> 00:15:35,001 ESPECIALLY IN PROMENADE. 503 00:15:35,001 --> 00:15:35,601 IT'S A LITTLE BIT TO DO WITH 504 00:15:35,601 --> 00:15:36,068 THAT COSTUME. 505 00:15:36,068 --> 00:15:37,637 IF YOU HAD A BIG FRILLY FROCK 506 00:15:37,637 --> 00:15:38,704 ON, THAT WOULD HAVE CLOSED UP 507 00:15:38,704 --> 00:15:42,442 THOSE GAPS. 508 00:15:42,442 --> 00:15:44,944 BUT OVERALL, YOU'RE ALWAYS A JOY 509 00:15:44,944 --> 00:15:45,545 TO WATCH. 510 00:15:45,545 --> 00:15:46,345 WELL DONE. 511 00:15:46,345 --> 00:15:48,581 >> Tyra: LEN IS DROPPING HINTS, 512 00:15:48,581 --> 00:15:50,716 WEAR BIG FRILLY FROCKS TO COVER 513 00:15:50,716 --> 00:15:52,185 UP MISTAKES AND EVERYBODY IS 514 00:15:52,185 --> 00:15:52,785 TAKING THAT NOTE. 515 00:15:52,785 --> 00:15:53,619 SO, HOW ARE YOU FEELING RIGHT 516 00:15:53,619 --> 00:15:55,388 NOW? 517 00:15:55,388 --> 00:15:56,422 HOW ARE YOU FEELING RIGHT NOW? 518 00:15:56,422 --> 00:15:58,024 REHEARSAL WAS A LITTLE 519 00:15:58,024 --> 00:15:58,658 COMPLICATED, BUT WE DIDN'T SEE 520 00:15:58,658 --> 00:15:59,025 IT TONIGHT. 521 00:15:59,025 --> 00:16:00,126 >> WE FINALLY PULLED IT OUT AND 522 00:16:00,126 --> 00:16:01,727 PULLED IT TOGETHER AND THIS 523 00:16:01,727 --> 00:16:03,296 WAS ‐‐ I SAY THIS EVERY WEEK, I 524 00:16:03,296 --> 00:16:03,930 SAY THE SAME THING, BUT I REALLY 525 00:16:03,930 --> 00:16:06,332 HAVE SO MUCH FUN AND NOW THAT 526 00:16:06,332 --> 00:16:07,767 IT'S KIND OF COMING TO AN END 527 00:16:07,767 --> 00:16:08,534 SOON, I'M JUST ENJOYING EVERY 528 00:16:08,534 --> 00:16:10,470 LAST MOMENT. 529 00:16:10,470 --> 00:16:12,238 >> Tyra: ALL RIGHTY. 530 00:16:12,238 --> 00:16:12,672 ALL RIGHTY. 531 00:16:12,672 --> 00:16:14,106 WELL, WE ARE GOING TO CHECK OUT 532 00:16:14,106 --> 00:16:14,740 YOUR SCORES AND WE'RE GOING TO 533 00:16:14,740 --> 00:16:16,476 DO THAT WHEN WE COME BACK, LIVE. 534 00:16:26,552 --> 00:16:27,019 >> Tyra: WELCOME BACK. 535 00:16:27,019 --> 00:16:29,522 BEFORE THE BREAK, OLIVIA AND VAL 536 00:16:29,522 --> 00:16:30,156 PERFORMED A QUICKSTEP TO A QUEEN 537 00:16:30,156 --> 00:16:30,790 HIT THAT DEREK SAID WAS 538 00:16:30,790 --> 00:16:31,858 INFECTIOUS TO WATCH. 539 00:16:31,858 --> 00:16:32,458 NOW WE'RE GOING TO GET THEIR 540 00:16:32,458 --> 00:16:37,129 SCORES. 541 00:16:37,129 --> 00:16:37,763 >> Announcer: CARRIE ANN INABA. 542 00:16:37,763 --> 00:16:39,232 >> TEN! 543 00:16:39,232 --> 00:16:40,833 >> Announcer: LEN GOODMAN. 544 00:16:40,833 --> 00:16:42,902 >> EIGHT. 545 00:16:42,902 --> 00:16:43,970 >> Announcer: DEREK HOUGH. 546 00:16:43,970 --> 00:16:47,106 >> WELL DESERVED. 547 00:16:47,106 --> 00:16:47,273 TEN! 548 00:16:47,273 --> 00:16:48,207 >> Announcer: BRUNO TONIOLI. 549 00:16:48,207 --> 00:16:54,013 >> TEN! 550 00:16:54,013 --> 00:16:57,183 >> Tyra: ALONG WITH A SPIN FROM 551 00:16:57,183 --> 00:16:57,817 VAL, 38 OUT OF 40 FOR OLIVIA AND 552 00:16:57,817 --> 00:16:58,784 VAL. 553 00:16:58,784 --> 00:16:59,852 SO FAR TONIGHT. 554 00:16:59,852 --> 00:17:03,089 THEY HAVE ANOTHER DANCE COMING 555 00:17:03,089 --> 00:17:03,656 UP. 556 00:17:03,656 --> 00:17:06,425 YOU CAN GO CATCH YOUR BREATH, 557 00:17:06,425 --> 00:17:09,529 PREPARE, CHANGE INTO THE NEXT 558 00:17:09,529 --> 00:17:11,097 OUTFIT FOR THE SECOND ROUND. 559 00:17:11,097 --> 00:17:12,164 NOW, LAST MONDAY, IN THE MOST 560 00:17:12,164 --> 00:17:12,798 TALKED ABOUT PERFORMANCE OF THE 561 00:17:12,798 --> 00:17:13,432 WEEK, OUR NBA CHAMPION EARNED A 562 00:17:13,432 --> 00:17:15,301 PERFECT SCORE. 563 00:17:15,301 --> 00:17:17,403 AS IMAN SHUMPERT AND DANIELLA 564 00:17:17,403 --> 00:17:18,037 TRAINED FOR THEIR PASO DOBLE TO 565 00:17:18,037 --> 00:17:18,671 "ANOTHER ONE BITES THE DUST," HE 566 00:17:18,671 --> 00:17:19,272 GOT SOME ADVICE FROM A SUPER 567 00:17:19,272 --> 00:17:23,743 FAN. 568 00:17:23,743 --> 00:17:30,650 ♪ 569 00:17:30,650 --> 00:17:31,684 >> HOLY COW! 570 00:17:31,684 --> 00:17:32,785 THAT WAS GENIUS! 571 00:17:32,785 --> 00:17:35,087 WOW! 572 00:17:35,087 --> 00:17:36,489 >> WOO! 573 00:17:36,489 --> 00:17:37,557 >> LAST WEEK WAS AWESOME. 574 00:17:37,557 --> 00:17:39,659 >> TEN! 575 00:17:39,659 --> 00:17:40,293 >> I COULDN'T HAVE ASKED FOR A 576 00:17:40,293 --> 00:17:44,931 BETTER REACTION. 577 00:17:44,931 --> 00:17:47,033 >> I STILL CAN'T BELIEVE IT. 578 00:17:47,033 --> 00:17:48,601 >> YOU TRY AND STAY EVEN KEEL, 579 00:17:48,601 --> 00:17:50,169 BUT FOR ONE MOMENT, I WANTED TO 580 00:17:50,169 --> 00:17:54,407 DO WHAT DEREK DID AND JUST ‐‐ 581 00:17:54,407 --> 00:17:58,644 BUT THAT NEXT DAY REACTION, 582 00:17:58,644 --> 00:17:59,278 THAT'S WHY I'M STILL, YOU KNOW, 583 00:17:59,278 --> 00:17:59,912 KIND OF RIDING A HIGH A LITTLE 584 00:17:59,912 --> 00:18:01,280 BIT. 585 00:18:01,280 --> 00:18:02,348 AND IT'S COOL THAT MY PARENTS 586 00:18:02,348 --> 00:18:02,882 WERE THERE. 587 00:18:02,882 --> 00:18:07,119 >> THEY'VE COME TO EVERY SHOW. 588 00:18:07,119 --> 00:18:07,720 >> MOM, SUPER FAN OF THE SHOW. 589 00:18:07,720 --> 00:18:08,354 MY MOM'S A HUGE FAN OF "DANCING 590 00:18:08,354 --> 00:18:10,323 WITH THE STARS." 591 00:18:10,323 --> 00:18:10,823 WHAT'S UP, MOM? 592 00:18:10,823 --> 00:18:15,094 >> SUPER STAR! 593 00:18:15,094 --> 00:18:16,295 >> SO, WHAT DID YOU THINK ABOUT 594 00:18:16,295 --> 00:18:17,530 IMAN GETTING HIS FIRST PERFECT 595 00:18:17,530 --> 00:18:19,265 SCORE? 596 00:18:19,265 --> 00:18:19,799 >> I ABSOLUTELY LOST IT. 597 00:18:19,799 --> 00:18:20,433 ANYBODY WHO WATCHES THAT KNOWS 598 00:18:20,433 --> 00:18:23,069 THE TEN FROM LEN, THAT'S THE 599 00:18:23,069 --> 00:18:23,703 PHRASE. 600 00:18:23,703 --> 00:18:26,639 AND WHEN YOU HEAR THAT, I WAS ‐‐ 601 00:18:26,639 --> 00:18:28,274 OH, MY GOD, I WAS CRAZED. 602 00:18:28,274 --> 00:18:28,908 >> THIS WEEK, WE ARE DANCING A 603 00:18:28,908 --> 00:18:29,542 PASO DOBLE TO QUEEN'S "ANOTHER 604 00:18:29,542 --> 00:18:30,910 ONE BITES THE DUST." 605 00:18:30,910 --> 00:18:31,143 >> YES! 606 00:18:31,143 --> 00:18:31,978 >> HOW DO YOU FEEL ABOUT HIM 607 00:18:31,978 --> 00:18:35,681 DANCING THE PASO? 608 00:18:35,681 --> 00:18:36,649 >> SHE DON'T KNOW WHAT THE PASO 609 00:18:36,649 --> 00:18:38,084 DOBLE IS. 610 00:18:38,084 --> 00:18:39,318 >> YES, SHE DOES. 611 00:18:39,318 --> 00:18:40,920 SHE WATCHES THE SHOW. 612 00:18:40,920 --> 00:18:41,454 >> I WATCH THE SHOW! 613 00:18:41,454 --> 00:18:42,054 THAT'S A VERY POWERFUL DANCE. 614 00:18:42,054 --> 00:18:42,521 >> YES, IT IS. 615 00:18:42,521 --> 00:18:43,155 >> THERE'S A LOT OF QUICK TURNS 616 00:18:43,155 --> 00:18:43,556 AND JERKS. 617 00:18:43,556 --> 00:18:44,190 >> THERE'S A LOT OF THAT GOING 618 00:18:44,190 --> 00:18:44,624 ON. 619 00:18:44,624 --> 00:18:45,691 IT'S SHARP. 620 00:18:45,691 --> 00:18:46,225 >> IT'S SHARP. 621 00:18:46,225 --> 00:18:48,327 >> MOM, I NEED TO GO LEARN THE 622 00:18:48,327 --> 00:18:48,861 PASO DOBLE. 623 00:18:48,861 --> 00:18:50,429 I WILL CALL YOU LATER. 624 00:18:50,429 --> 00:18:51,497 >> DO A GREAT JOB, GUYS. 625 00:18:51,497 --> 00:18:52,565 I LOVE YOU. 626 00:18:52,565 --> 00:18:56,235 >> LOVE YOU. 627 00:18:56,235 --> 00:18:56,769 >> YEAH. 628 00:18:56,769 --> 00:18:57,803 YEAH. 629 00:18:57,803 --> 00:18:59,405 >> THANK YOU, MOMMY, FOR ALWAYS 630 00:18:59,405 --> 00:19:00,039 PUSHING ME TO BE MORE THAN JUST 631 00:19:00,039 --> 00:19:03,075 AN ATHLETE. 632 00:19:03,075 --> 00:19:04,143 IF YOU ARE GOING TO HAVE A 633 00:19:04,143 --> 00:19:09,982 MOMMA, MAN, HAVE ONE LIKE MINE. 634 00:19:09,982 --> 00:19:11,017 >> Announcer: DANCING THE 635 00:19:11,017 --> 00:19:13,185 PASO DOBLE, WITH HIS PARTNER 636 00:19:13,185 --> 00:19:16,856 DANIELLA, IT'S IMAN SHUMPERT! 637 00:19:16,856 --> 00:19:22,161 ♪ 638 00:19:22,161 --> 00:19:22,695 ♪ OOH! 639 00:19:22,695 --> 00:19:24,263 LET'S GO ♪ 640 00:19:24,263 --> 00:19:24,797 ♪ STEVE WALKS WARILY 641 00:19:24,797 --> 00:19:25,331 DOWN THE STREET ♪ 642 00:19:25,331 --> 00:19:26,365 ♪ WITH THE BRIM 643 00:19:26,365 --> 00:19:27,967 PULLED WAY DOWN LOW ♪ 644 00:19:27,967 --> 00:19:28,567 ♪ AIN'T NO SOUND BUT THE SOUND 645 00:19:28,567 --> 00:19:30,036 OF HIS FEET 646 00:19:30,036 --> 00:19:31,637 MACHINE GUNS READY TO GO ♪ 647 00:19:31,637 --> 00:19:32,171 ♪ ARE YOU READY, HEY 648 00:19:32,171 --> 00:19:33,205 ARE YOU READY FOR THIS ♪ 649 00:19:33,205 --> 00:19:34,807 ♪ ARE YOU HANGING ON 650 00:19:34,807 --> 00:19:35,841 THE EDGE OF YOUR SEAT ♪ 651 00:19:35,841 --> 00:19:36,909 ♪ OUT OF THE DOORWAY 652 00:19:36,909 --> 00:19:37,443 THE BULLETS RIP ♪ 653 00:19:37,443 --> 00:19:38,477 ♪ TO THE SOUND 654 00:19:38,477 --> 00:19:42,181 OF THE BEAT, YEAH ♪ 655 00:19:42,181 --> 00:19:47,119 ♪ ANOTHER ONE BITES THE DUST 656 00:19:47,119 --> 00:19:47,720 ANOTHER ONE BITES THE DUST ♪ 657 00:19:47,720 --> 00:19:49,088 ♪ AND ANOTHER ONE GONE 658 00:19:49,088 --> 00:19:49,622 AND ANOTHER ONE GONE 659 00:19:49,622 --> 00:19:53,325 ANOTHER ONE BITES THE DUST ♪ 660 00:19:53,325 --> 00:19:57,530 ♪ HEY, I'M GONNA GET YOU TOO 661 00:19:57,530 --> 00:19:58,130 ANOTHER ONE BITES THE DUST ♪ 662 00:19:58,130 --> 00:19:58,731 ♪ ANOTHER ONE BITES THE DUST 663 00:19:58,731 --> 00:19:59,665 ANOTHER ONE BITES THE DUST 664 00:19:59,665 --> 00:20:00,733 OW ♪ 665 00:20:00,733 --> 00:20:01,767 ♪ ANOTHER ONE BITES THE DUST 666 00:20:01,767 --> 00:20:04,370 HEY HEY ♪ 667 00:20:04,370 --> 00:20:08,607 ♪ ANOTHER ONE BITES THE DUST 668 00:20:08,607 --> 00:20:10,710 HEY‐EY‐EY‐EY‐EY‐EE‐EY‐EY 669 00:20:10,710 --> 00:20:12,845 OOH, SHOUT ♪ 670 00:20:12,845 --> 00:20:14,413 ♪ AND ANOTHER ONE GONE 671 00:20:14,413 --> 00:20:15,481 AND ANOTHER ONE GONE 672 00:20:15,481 --> 00:20:18,684 ANOTHER ONE BITES THE DUST ♪ 673 00:20:18,684 --> 00:20:19,285 ♪ HEY, I'M GONNA GET YOU TOO 674 00:20:19,285 --> 00:20:23,089 ANOTHER ONE BITES THE DUST ♪ 675 00:20:23,089 --> 00:20:28,728 ♪ SHOOT OUT, EY HEY 676 00:20:28,728 --> 00:20:32,965 ALL RIGHT ♪ 677 00:20:32,965 --> 00:20:41,240 ♪ 678 00:20:43,509 --> 00:20:45,611 >> Tyra: OH, MY GOODNESS. 679 00:20:45,611 --> 00:20:47,079 IMAN AND DANIELLA WITH THE PASO 680 00:20:47,079 --> 00:20:51,050 DOBLE. 681 00:20:51,050 --> 00:20:57,990 TO "ANOTHER ONE BITES THE DUST." 682 00:20:57,990 --> 00:20:58,190 BRUNO? 683 00:20:58,190 --> 00:21:03,095 >> WELL, ONE THING IS FOR SURE, 684 00:21:03,095 --> 00:21:03,729 THIS BASKETBALL LEGEND IS NOW AN 685 00:21:03,729 --> 00:21:05,531 ACCOMPLISHED DANCER. 686 00:21:05,531 --> 00:21:06,432 >> Tyra: YEP. 687 00:21:06,432 --> 00:21:07,500 >> THIS IS ‐‐ THIS WAS A VERY 688 00:21:07,500 --> 00:21:09,568 TRICKY PASO DOBLE, BECAUSE IT 689 00:21:09,568 --> 00:21:11,070 HAD A ROCK FEEL, WHICH YOU DID 690 00:21:11,070 --> 00:21:11,704 VERY, VERY WELL. 691 00:21:11,704 --> 00:21:13,806 YOU INCORPORATED YOUR OWN 692 00:21:13,806 --> 00:21:15,441 INDIVIDUAL STYLE VERY WELL, 693 00:21:15,441 --> 00:21:17,510 WITHOUT GOING TOO FAR. 694 00:21:17,510 --> 00:21:18,144 ALL WITHIN THE FRAME OF THE PASO 695 00:21:18,144 --> 00:21:19,612 DOBLE. 696 00:21:19,612 --> 00:21:21,213 WITHIN THAT FRAME, THOUGH, NOW, 697 00:21:21,213 --> 00:21:23,482 IMAN, WHAT YOU HAVE TO DO, YOU 698 00:21:23,482 --> 00:21:25,985 HAVE TO EXTEND YOUR CHEST AND 699 00:21:25,985 --> 00:21:27,586 LEAN BACK FROM YOUR HIPS. 700 00:21:27,586 --> 00:21:29,155 PASO IS NOT DANCED INWARD, IT'S 701 00:21:29,155 --> 00:21:32,324 DANCED OUTWARD. 702 00:21:32,324 --> 00:21:32,925 THE FRAME WAS THERE, BUT YOU 703 00:21:32,925 --> 00:21:33,926 HAVE TO GET THAT. 704 00:21:33,926 --> 00:21:37,163 REMEMBER WHEN WE'RE TALKING 705 00:21:37,163 --> 00:21:38,063 ABOUT IT, WE'RE TALKING ABOUT 706 00:21:38,063 --> 00:21:39,098 THE EAGLE. 707 00:21:39,098 --> 00:21:39,732 HE KNOWS WHAT I'M TALKING ABOUT. 708 00:21:39,732 --> 00:21:40,900 >> Tyra: CARRIE ANN? 709 00:21:40,900 --> 00:21:43,536 >> OKAY. 710 00:21:43,536 --> 00:21:45,137 THIS IS SO BIZARRE TO SAY, BUT 711 00:21:45,137 --> 00:21:45,771 LIKE SOMETIMES WHEN I WATCH YOU 712 00:21:45,771 --> 00:21:47,773 DANCE, I FEEL LIKE THERE'S A 713 00:21:47,773 --> 00:21:51,310 SPIRITUAL THING HAPPENING. 714 00:21:51,310 --> 00:21:52,878 WHEN YOU DID THIS, YOU WERE 715 00:21:52,878 --> 00:21:55,080 DOING THAT, I WAS LIKE ‐‐ 716 00:21:55,080 --> 00:21:55,714 YOU ARE SO IN THE MOMENT THAT I 717 00:21:55,714 --> 00:21:56,415 LOVE IT. 718 00:21:56,415 --> 00:21:57,049 BUT IT DRAWS US IN, BECAUSE IT'S 719 00:21:57,049 --> 00:21:58,050 SOMETHING WE'VE NEVER SEEN. 720 00:21:58,050 --> 00:21:58,684 YOU HAVE BROUGHT "DANCING WITH 721 00:21:58,684 --> 00:22:00,686 THE STARS" INTO, LIKE, A NEW 722 00:22:00,686 --> 00:22:01,754 TIME PERIOD, LIKE, INTO A NEW 723 00:22:01,754 --> 00:22:04,423 ERA, JUST BY THE WAY YOU PERFORM 724 00:22:04,423 --> 00:22:08,828 AND YOU DO IT WITH SUCH EASE AND 725 00:22:08,828 --> 00:22:10,663 NATURALNESS, BUT BRUNO'S RIGHT. 726 00:22:10,663 --> 00:22:12,832 YOUR LINES ARE A LITTLE ‐‐ 727 00:22:12,832 --> 00:22:13,365 >> Tyra: LEN? 728 00:22:13,365 --> 00:22:13,966 >> WELL, IT HAD ATTACK AND IT 729 00:22:13,966 --> 00:22:17,503 HAD ATTITUDE. 730 00:22:17,503 --> 00:22:18,137 WHAT I LIKE IS WHENEVER YOU COME 731 00:22:18,137 --> 00:22:18,771 OUT ONTO THE BALLROOM FLOOR, YOU 732 00:22:18,771 --> 00:22:20,206 LIGHTEN AND BRIGHTEN IT UP. 733 00:22:20,206 --> 00:22:23,075 LAST WEEK, YOU HAD A DANCE THAT 734 00:22:23,075 --> 00:22:23,909 SUITED YOU SO MUCH. 735 00:22:23,909 --> 00:22:26,545 THIS WEEK, YOU'VE HAD A DANCE 736 00:22:26,545 --> 00:22:27,613 THAT REALLY DIDN'T SUIT YOU. 737 00:22:27,613 --> 00:22:31,650 >> Tyra: DEREK? 738 00:22:31,650 --> 00:22:33,252 >> WOW. 739 00:22:33,252 --> 00:22:34,320 I GOT NINE SECONDS. 740 00:22:34,320 --> 00:22:34,920 GOING TO HAVE TO BORROW THOSE 741 00:22:34,920 --> 00:22:35,387 ABS BACK. 742 00:22:35,387 --> 00:22:36,455 BUT SECONDLY, ALSO, LISTEN, I'M 743 00:22:36,455 --> 00:22:37,523 SO GLAD TO HEAR YOU GET YOUR 744 00:22:37,523 --> 00:22:38,157 FLOWERS FROM LAST WEEK, BECAUSE 745 00:22:38,157 --> 00:22:40,159 THAT WAS SUCH AN AMAZING MOMENT. 746 00:22:40,159 --> 00:22:40,793 I HAVE TO KIND OF AGREE A LITTLE 747 00:22:40,793 --> 00:22:41,193 BIT. 748 00:22:41,193 --> 00:22:41,794 IT LACKED THE POSTURE AND THE 749 00:22:41,794 --> 00:22:44,396 POWER AND THE PRESENCE. 750 00:22:44,396 --> 00:22:46,498 HOWEVER, YOU DO JUST OOZE THAT 751 00:22:46,498 --> 00:22:47,066 JOY, MY MAN, AND WE ARE ALL 752 00:22:47,066 --> 00:22:47,566 BETTER FOR IT. 753 00:22:47,566 --> 00:22:49,635 THANK YOU SO MUCH. 754 00:22:49,635 --> 00:22:51,237 >> Tyra: ALL RIGHTY. 755 00:22:51,237 --> 00:22:53,339 THAT WAS BEAUTIFUL. 756 00:22:53,339 --> 00:22:57,576 WHAT ALSO IS BEAUTIFUL IS YOU 757 00:22:57,576 --> 00:22:58,177 CALL YOUR MOTHER MOMMY, LIKE, 758 00:22:58,177 --> 00:22:58,811 EVERY MOMMA, INCLUDING MYSELF, 759 00:22:58,811 --> 00:23:00,212 I'VE BEEN TELLING THEM, YOU 760 00:23:00,212 --> 00:23:02,882 GOING TO CALL ME MOMMY FOREVER. 761 00:23:02,882 --> 00:23:04,183 SO, WHAT DO YOU WANT TO SAY TO 762 00:23:04,183 --> 00:23:05,484 YOUR MOMMY TONIGHT? 763 00:23:05,484 --> 00:23:07,386 SHE'S RIGHT HERE. 764 00:23:07,386 --> 00:23:08,020 >> I LOVE YOU, MOMMY, THANK YOU 765 00:23:08,020 --> 00:23:09,521 FOR COMING, TAKING THE TRIPS. 766 00:23:09,521 --> 00:23:10,589 IT'S NOT FOR NOTHING. 767 00:23:10,589 --> 00:23:12,958 I LOVE YOU. 768 00:23:12,958 --> 00:23:14,026 HEY, JUNIE. 769 00:23:14,026 --> 00:23:14,593 MY DAUGHTER IS RIGHT THERE. 770 00:23:14,593 --> 00:23:15,628 >> Tyra: HI, BOO‐BOO. 771 00:23:15,628 --> 00:23:16,161 LET'S GET THE SCORES. 772 00:23:16,161 --> 00:23:17,529 >> Announcer: CARRIE ANN INABA. 773 00:23:17,529 --> 00:23:19,331 >> NINE. 774 00:23:19,331 --> 00:23:20,900 >> Announcer: LEN GOODMAN. 775 00:23:20,900 --> 00:23:22,968 >> SEVEN. 776 00:23:22,968 --> 00:23:24,036 >> Announcer: DEREK HOUGH. 777 00:23:24,036 --> 00:23:27,072 >> EIGHT. 778 00:23:27,072 --> 00:23:27,640 >> Announcer: BRUNO TONIOLI. 779 00:23:27,640 --> 00:23:34,079 >> EIGHT. 780 00:23:34,079 --> 00:23:34,713 >> Tyra: 32 OUT OF 40 FOR IMAN 781 00:23:34,713 --> 00:23:37,249 AND DANIELLA SO FAR TONIGHT. 782 00:23:37,249 --> 00:23:37,850 YOU GUYS, GO TAKE A REST, GET 783 00:23:37,850 --> 00:23:38,484 READY FOR THAT NEXT DANCE, GOING 784 00:23:38,484 --> 00:23:41,453 TO BRING IT IN THAT NEXT DANCE. 785 00:23:41,453 --> 00:23:42,554 ALL RIGHT, FOR THE SECOND ROUND. 786 00:23:42,554 --> 00:23:43,188 NOW, THURSDAY NIGHT AT 8:00/7:00 787 00:23:43,188 --> 00:23:46,792 CENTRAL, YOU CAN CATCH OUR 788 00:23:46,792 --> 00:23:47,293 PLATINUM COUNTRY SINGER 789 00:23:47,293 --> 00:23:49,962 PERFORMING WITH THE MUPPETS ON 790 00:23:49,962 --> 00:23:51,030 THE QUEEN FAMILY SINGALONG. 791 00:23:51,030 --> 00:23:52,097 RIGHT NOW, WE'RE GOING TO CHECK 792 00:23:52,097 --> 00:23:52,731 OUT JIMMIE ALLEN TRAINING WITH 793 00:23:52,731 --> 00:24:02,608 EMMA. 794 00:24:02,608 --> 00:24:03,242 >> IT'S QUEEN NIGHT AND WE ARE 795 00:24:03,242 --> 00:24:03,842 DANCING THE VIENNESE WALTZ TO 796 00:24:03,842 --> 00:24:04,276 "SOMEBODY TO LOVE." 797 00:24:04,276 --> 00:24:07,012 >> LET'S GO! 798 00:24:07,012 --> 00:24:07,680 >> I KNOW. 799 00:24:07,680 --> 00:24:09,515 >> ONLY ONE OF THE BEST SONGS ‐‐ 800 00:24:09,515 --> 00:24:11,483 >> THAT'S THE BEST ONE. 801 00:24:11,483 --> 00:24:12,518 >> ‐‐ EVER. 802 00:24:12,518 --> 00:24:13,018 >> I KNOW. 803 00:24:13,018 --> 00:24:13,652 >> QUEEN IS ONE OF THE BEST LIVE 804 00:24:13,652 --> 00:24:14,119 BANDS OF ALL TIME. 805 00:24:14,119 --> 00:24:14,653 I'VE LOOKED UP TO FREDDIE 806 00:24:14,653 --> 00:24:18,057 MERCURY AS A PERFORMER EVER 807 00:24:18,057 --> 00:24:18,724 SINCE THE FIRST TIME I HEARD OF 808 00:24:18,724 --> 00:24:20,793 QUEEN. 809 00:24:20,793 --> 00:24:22,995 WHAT I LEARNED FROM FREDDIE 810 00:24:22,995 --> 00:24:24,163 ABOUT PERFORMING IS THE ABILITY 811 00:24:24,163 --> 00:24:26,098 TO CONNECT WITH THE CROWD. 812 00:24:26,098 --> 00:24:26,665 YOU CAN FEEL WHAT THEY WANT. 813 00:24:26,665 --> 00:24:27,232 YOU CAN FEEL WHAT THEY NEED. 814 00:24:27,232 --> 00:24:27,866 GOT A CRAZY SCHEDULE RIGHT NOW. 815 00:24:27,866 --> 00:24:30,302 I WAS ON TOUR WITH BRAD PAISLEY. 816 00:24:30,302 --> 00:24:31,370 NOW I'M DOING MY OWN HEADLINING 817 00:24:31,370 --> 00:24:32,404 DATES FOR AWHILE. 818 00:24:32,404 --> 00:24:33,038 EVEN IN THE MIDST OF MY SCHEDULE 819 00:24:33,038 --> 00:24:35,074 WITH "DANCING WITH THE STARS." 820 00:24:35,074 --> 00:24:36,642 BEING ON TOUR IS GREAT. 821 00:24:36,642 --> 00:24:38,777 EVERY NIGHT, IT'S A NEW SHOW. 822 00:24:38,777 --> 00:24:41,480 I'VE PLAYED EVERY TYPE OF VENUE, 823 00:24:41,480 --> 00:24:42,748 FROM HOLE IN THE WALL CLUBS 824 00:24:42,748 --> 00:24:44,016 WHERE THERE'S THREE PEOPLE 825 00:24:44,016 --> 00:24:45,451 LISTENING TO A SOLDOUT SHOW WITH 826 00:24:45,451 --> 00:24:48,854 10,000 PEOPLE. 827 00:24:48,854 --> 00:24:49,421 WE'RE THE LAST ONES ON THE 828 00:24:49,421 --> 00:24:49,955 PLANE. 829 00:24:49,955 --> 00:24:50,556 EMMA WILL COME OUT WITH ME ON 830 00:24:50,556 --> 00:24:51,523 THE ROAD. 831 00:24:51,523 --> 00:24:53,125 IT'S BEEN GREAT TO HAVE EMMA 832 00:24:53,125 --> 00:24:53,659 BEING PART OF MY WORLD. 833 00:24:53,659 --> 00:24:55,794 WHERE ARE WE RIGHT NOW? 834 00:24:55,794 --> 00:24:56,829 >> WE ARE IN SEATTLE. 835 00:24:56,829 --> 00:24:58,430 >> WE'LL REHEARSE IN DIFFERENT 836 00:24:58,430 --> 00:24:59,999 CITIES. 837 00:24:59,999 --> 00:25:00,532 A NEW CITY EVERY DAY. 838 00:25:00,532 --> 00:25:03,068 >> SO, WE'RE HERE IN NASHVILLE. 839 00:25:03,068 --> 00:25:04,737 >> SHE SAYS SHE ENJOYS IT, TOO. 840 00:25:04,737 --> 00:25:05,804 >> TRY TO KEEP YOUR LEGS 841 00:25:05,804 --> 00:25:07,906 STRAIGHT ON THAT. 842 00:25:07,906 --> 00:25:12,978 JIMMIE IS THE HARDEST WORKER. 843 00:25:12,978 --> 00:25:15,280 NOT ONLY IS HE DOING THREE, FOUR 844 00:25:15,280 --> 00:25:17,082 SHOWS A WEEK, HE DANCES OUR 845 00:25:17,082 --> 00:25:17,649 DANCE REHEARSALS, HE ALWAYS 846 00:25:17,649 --> 00:25:19,051 SHOWS UP, HE IS ALWAYS 847 00:25:19,051 --> 00:25:19,318 COMMITTED. 848 00:25:19,318 --> 00:25:19,918 I HAVE NO IDEA HOW HE'S DOING 849 00:25:19,918 --> 00:25:20,619 IT. 850 00:25:20,619 --> 00:25:22,221 >> THIS IS DIFFERENT. 851 00:25:22,221 --> 00:25:22,855 BEING ON THE ROAD AND TRAVELING 852 00:25:22,855 --> 00:25:25,391 RIGHT NOW IS A LOT, BUT I LOVE 853 00:25:25,391 --> 00:25:26,025 WHAT I'M DOING HERE AT "DANCING 854 00:25:26,025 --> 00:25:26,425 WITH THE STARS." 855 00:25:26,425 --> 00:25:30,162 IT'S SOMETHING THAT I'VE ALWAYS 856 00:25:30,162 --> 00:25:30,796 WANTED TO BE PART OF AND I CAN'T 857 00:25:30,796 --> 00:25:31,397 IMAGINE MYSELF DOING ANYTHING 858 00:25:31,397 --> 00:25:32,264 ELSE THAN PERFORMING. 859 00:25:32,264 --> 00:25:38,037 >> THERE YOU GO! 860 00:25:38,037 --> 00:25:39,638 >> Announcer: DANCING THE 861 00:25:39,638 --> 00:25:40,272 VIENNESE WALTZ, WITH HIS PARTNER 862 00:25:40,272 --> 00:25:45,344 EMMA, IT'S JIMMIE ALLEN! 863 00:25:48,080 --> 00:25:55,020 ♪ CAN ANYBODY FIND ME 864 00:25:55,020 --> 00:26:05,964 SOMEBODY TO LOVE? ♪ 865 00:26:05,964 --> 00:26:11,203 ♪ 866 00:26:11,203 --> 00:26:13,338 ♪ EACH MORNING I GET UP 867 00:26:13,338 --> 00:26:14,907 I DIE A LITTLE ♪ 868 00:26:14,907 --> 00:26:16,508 ♪ CAN BARELY STAND 869 00:26:16,508 --> 00:26:17,042 ON MY FEET ♪ 870 00:26:17,042 --> 00:26:20,746 ♪ TAKE A LOOK 871 00:26:20,746 --> 00:26:23,382 IN THE MIRROR AND CRY ♪ 872 00:26:23,382 --> 00:26:26,585 ♪ LORD, WHAT YOU'RE 873 00:26:26,585 --> 00:26:28,687 DOING TO ME ♪ 874 00:26:28,687 --> 00:26:29,254 ♪ I HAVE SPENT ALL MY YEARS 875 00:26:29,254 --> 00:26:30,289 IN BELIEVING YOU ♪ 876 00:26:30,289 --> 00:26:33,992 ♪ BUT I JUST CAN'T 877 00:26:33,992 --> 00:26:34,526 GET NO RELIEF, LORD! ♪ 878 00:26:34,526 --> 00:26:35,594 ♪ SOMEBODY 879 00:26:35,594 --> 00:26:40,332 OOH SOMEBODY 880 00:26:40,332 --> 00:26:45,571 CAN ANYBODY FIND ME ♪ 881 00:26:45,571 --> 00:26:48,207 ♪ FIND ME SOMEBODY TO LOVE 882 00:26:48,207 --> 00:26:53,512 SOMEBODY, SOMEBODY 883 00:26:53,512 --> 00:26:55,614 SOMEBODY FIND ME ♪ 884 00:26:55,614 --> 00:27:01,987 ♪ SOMEBODY FIND ME 885 00:27:01,987 --> 00:27:05,190 SOMEBODY TO LOVE ♪ 886 00:27:05,190 --> 00:27:06,225 ♪ CAN ANYBODY FIND ME 887 00:27:06,225 --> 00:27:06,658 SOMEBODY TO LOVE? ♪ 888 00:27:06,658 --> 00:27:09,928 ♪ CAN, CAN YOU FIND ME 889 00:27:09,928 --> 00:27:15,167 FIND ME, SOMEONE TO LOVE ♪ 890 00:27:22,608 --> 00:27:24,143 >> Tyra: THOSE HANDS, THOSE 891 00:27:24,143 --> 00:27:25,611 HANDS. 892 00:27:25,611 --> 00:27:27,279 BEAUTIFUL, BEAUTIFUL. 893 00:27:27,279 --> 00:27:27,846 JIMMIE AND ALLEN DANCING TO 894 00:27:27,846 --> 00:27:28,280 "SOMEBODY TO LOVE." 895 00:27:28,280 --> 00:27:29,848 BEAUTIFUL. 896 00:27:29,848 --> 00:27:31,083 OH, BRINGING FLOWERS. 897 00:27:31,083 --> 00:27:35,721 OH, I LOVE IT. 898 00:27:35,721 --> 00:27:36,288 ROMANCE IS IN THE BALLROOM 899 00:27:36,288 --> 00:27:36,755 TONIGHT. 900 00:27:36,755 --> 00:27:39,925 ALL RIGHTY, CARRIE ANN. 901 00:27:39,925 --> 00:27:42,060 >> OKAY. 902 00:27:42,060 --> 00:27:45,164 WHEN YOU WENT THAT LITTLE LINE 903 00:27:45,164 --> 00:27:49,535 YOU DID WAS JUST UNBELIEVABLE. 904 00:27:49,535 --> 00:27:50,169 YOU HAVE BEEN WORKING SO HARD ON 905 00:27:50,169 --> 00:27:50,469 YOUR LINES. 906 00:27:50,469 --> 00:27:51,036 WHEN YOU STARTED THIS SHOW, 907 00:27:51,036 --> 00:27:51,637 THERE WASN'T A LOT OF DANCING 908 00:27:51,637 --> 00:27:53,238 HAPPENING AND WHAT I SEE NOW IS 909 00:27:53,238 --> 00:27:55,073 FULL‐ON BEAUTIFUL LINES, LIKE, 910 00:27:55,073 --> 00:27:55,707 YOU ARE ‐‐ YOU ARE HITTING EVERY 911 00:27:55,707 --> 00:27:56,408 LINE BEAUTIFULLY. 912 00:27:56,408 --> 00:27:57,976 YOU ARE INTERPRETING THE MUSIC. 913 00:27:57,976 --> 00:27:59,044 WELL DONE. 914 00:27:59,044 --> 00:28:00,078 WELL DONE. 915 00:28:00,078 --> 00:28:02,214 >> Tyra: LEN? 916 00:28:02,214 --> 00:28:07,519 >> IN THIS COMPETITION, IT'S NOT 917 00:28:07,519 --> 00:28:09,087 HOW YOU START WEEK ONE, IT'S HOW 918 00:28:09,087 --> 00:28:10,689 YOU FINISH AND YOU ARE FINISHING 919 00:28:10,689 --> 00:28:12,291 STRONG. 920 00:28:12,291 --> 00:28:13,859 >> Tyra: ALL RIGHT. 921 00:28:13,859 --> 00:28:15,494 DEREK? 922 00:28:15,494 --> 00:28:19,097 >> YOU KNOW, THE VIENNESE WALTZ 923 00:28:19,097 --> 00:28:27,072 LENDSS ITSELF TO BEING MORE 924 00:28:27,072 --> 00:28:27,973 LYRICAL, MORE SMOOTH AND 925 00:28:27,973 --> 00:28:29,007 THIS WASN'T THAT, BUT I LOVED IT 926 00:28:29,007 --> 00:28:29,641 BECAUSE I HAD POWER AND ENERGY. 927 00:28:29,641 --> 00:28:30,275 I LOVE A BLACK SEQUINED SUIT, AS 928 00:28:30,275 --> 00:28:30,609 WELL. 929 00:28:30,609 --> 00:28:31,143 YOU LOOK FANTASTIC. 930 00:28:31,143 --> 00:28:31,677 THAT WAS SO SPECIAL. 931 00:28:31,677 --> 00:28:32,177 I LOVED IT. 932 00:28:32,177 --> 00:28:34,313 >> Tyra: BRUNO? 933 00:28:34,313 --> 00:28:34,947 >> NOW YOU REALLY HAVE BECOME A 934 00:28:34,947 --> 00:28:35,881 TRUE LEADING MAN. 935 00:28:35,881 --> 00:28:37,482 YOU WERE LEADING THIS DANCE AND 936 00:28:37,482 --> 00:28:38,517 HE KNOWS HOW HARD IT IS TO LEAD 937 00:28:38,517 --> 00:28:39,618 THE VIENNESE WALTZ. 938 00:28:39,618 --> 00:28:40,185 USUALLY PEOPLE GET DRAGGED 939 00:28:40,185 --> 00:28:42,788 AROUND. 940 00:28:42,788 --> 00:28:43,855 YOU WERE SO ON IT. 941 00:28:43,855 --> 00:28:45,424 BRILLIANT! 942 00:28:45,424 --> 00:28:51,230 >> THANK YOU! 943 00:28:51,230 --> 00:28:51,863 >> Tyra: I DON'T KNOW MUCH ABOUT 944 00:28:51,863 --> 00:28:52,497 THIS BALLROOM DANCING THING, I'M 945 00:28:52,497 --> 00:28:53,865 LEARNING SO MUCH EVERY DAY. 946 00:28:53,865 --> 00:28:59,071 BUT I KNOW HANDS, I KNOW HEAD TO 947 00:28:59,071 --> 00:29:00,339 TOE. 948 00:29:00,339 --> 00:29:02,908 BABY, YOU WERE HANDS TO TOES. 949 00:29:02,908 --> 00:29:03,442 YOU READY FOR THE SCORES? 950 00:29:03,442 --> 00:29:04,476 >> YES. 951 00:29:04,476 --> 00:29:05,477 >> Tyra: LET'S GET THOSE SCORES. 952 00:29:05,477 --> 00:29:07,079 AND WE'RE GOING TO GET THOSE 953 00:29:07,079 --> 00:29:07,980 SCORES AFTER THE BREAK. 954 00:29:14,753 --> 00:29:17,389 ♪ 955 00:29:17,389 --> 00:29:18,023 >> Tyra: WELCOME BACK TO QUEEN 956 00:29:18,023 --> 00:29:21,026 NIGHT. 957 00:29:21,026 --> 00:29:22,361 NOW, BEFORE THE BREAK, BRUNO 958 00:29:22,361 --> 00:29:25,430 SAID THAT JIMMIE AND EMMA'S 959 00:29:25,430 --> 00:29:26,064 VIENNESE WALTZ WAS BRILLIANT ‐‐ 960 00:29:26,064 --> 00:29:27,099 BRILLIANT. 961 00:29:27,099 --> 00:29:28,700 NOW LET'S GET THE SCORES. 962 00:29:28,700 --> 00:29:29,301 >> Announcer: CARRIE ANN INABA. 963 00:29:29,301 --> 00:29:31,837 >> NINE. 964 00:29:31,837 --> 00:29:32,371 >> Announcer: LEN GOODMAN. 965 00:29:32,371 --> 00:29:36,608 >> NINE. 966 00:29:36,608 --> 00:29:37,142 >> Announcer: DEREK HOUGH. 967 00:29:37,142 --> 00:29:38,176 >> GOING TO BE A TEN! 968 00:29:38,176 --> 00:29:39,244 >> Announcer: BRUNO TONIOLI. 969 00:29:39,244 --> 00:29:41,913 >> TEN! 970 00:29:41,913 --> 00:29:45,083 >> Tyra: WHOA. 971 00:29:45,083 --> 00:29:45,384 GOOD SCORES. 972 00:29:45,384 --> 00:29:46,151 38 OUT OF 40 FOR JIMMIE AND EMMA 973 00:29:46,151 --> 00:29:48,287 SO FAR TONIGHT. 974 00:29:48,287 --> 00:29:48,920 WE'RE GOING TO SEE YOU GUYS BACK 975 00:29:48,920 --> 00:29:49,488 ON THE FLOOR IN THE SECOND 976 00:29:49,488 --> 00:29:50,922 ROUND. 977 00:29:50,922 --> 00:29:57,062 CAN'T WAIT TO SEE THAT. 978 00:29:57,062 --> 00:30:01,800 SUPERSTAR'S DANCE, I WANT TO 979 00:30:01,800 --> 00:30:03,769 GIVE OA QUICK SHOUTOUT TO THE 980 00:30:03,769 --> 00:30:05,304 FANTASTIC RAY CHEW LIVE. 981 00:30:05,304 --> 00:30:05,837 >> LOOKING GOOD, TYRA. 982 00:30:05,837 --> 00:30:06,471 >> Tyra: YOU ARE LOOKING GOOD, 983 00:30:06,471 --> 00:30:07,939 TOO, BABY. 984 00:30:07,939 --> 00:30:08,540 AND SOUNDING GREAT AS ALWAYS. 985 00:30:08,540 --> 00:30:09,775 THANK YOU SO MUCH. 986 00:30:09,775 --> 00:30:12,177 ALL RIGHT, SO NOW, NEXT UP WITH 987 00:30:12,177 --> 00:30:12,811 THEIR QUEEN NIGHT ROUTINE, THE 988 00:30:12,811 --> 00:30:13,779 MIZ AND WITNEY, AND THIS WEEK, 989 00:30:13,779 --> 00:30:15,347 THE MIZ GOT A VISIT FROM HIS 990 00:30:15,347 --> 00:30:15,981 TOUGHEST CRITIC AND HE TRAINED 991 00:30:15,981 --> 00:30:22,254 FOR A FOXTROT. 992 00:30:22,254 --> 00:30:23,855 >> ALL RIGHT, THIS WEEK IS QUEEN 993 00:30:23,855 --> 00:30:24,423 NIGHT AND WE ARE DANCING A 994 00:30:24,423 --> 00:30:25,457 FOXTROT TO "RADIO GA GA." 995 00:30:25,457 --> 00:30:26,491 >> I'M A BIG QUEEN FAN. 996 00:30:26,491 --> 00:30:28,093 I GREW UP LISTENING TO QUEEN 997 00:30:28,093 --> 00:30:28,694 WITH MY DAD IN THE CAR ON THE 998 00:30:28,694 --> 00:30:31,697 RADIO. 999 00:30:31,697 --> 00:30:32,631 JUST BLASTING IT. 1000 00:30:32,631 --> 00:30:34,566 THOSE ARE SOME OF THE FONDEST 1001 00:30:34,566 --> 00:30:35,734 MEMORIES THAT I HAVE WITH MY 1002 00:30:35,734 --> 00:30:36,001 DAD. 1003 00:30:36,001 --> 00:30:38,170 HE HAD A GOLD CHAIN, LIKE, LONG 1004 00:30:38,170 --> 00:30:39,104 HAIR, MUSTACHE. 1005 00:30:39,104 --> 00:30:39,705 >> OH, WOW. 1006 00:30:39,705 --> 00:30:40,806 >> HE'S A CHARACTER. 1007 00:30:40,806 --> 00:30:42,407 ONCE YOU MEET MY DAD, OH, MY 1008 00:30:42,407 --> 00:30:43,208 GOSH, THAT IS MY MATCH. 1009 00:30:43,208 --> 00:30:44,443 >> I HAVE TO MEET HIM. 1010 00:30:44,443 --> 00:30:47,012 >> MY DAD IS VERY HONEST, 1011 00:30:47,012 --> 00:30:47,913 UNFILTERED AND HE PUSHES 1012 00:30:47,913 --> 00:30:49,147 PEOPLE'S BUTTONS LIKE YOU'VE 1013 00:30:49,147 --> 00:30:49,614 NEVER SEEN BEFORE. 1014 00:30:49,614 --> 00:30:54,519 >> CAN WE GET HIM IN THE STUDIO? 1015 00:30:54,519 --> 00:30:56,655 >> I DON'T KNOW IF YOU WANT TO 1016 00:30:56,655 --> 00:30:57,556 MEET HIM, BECAUSE HE MIGHT TEACH 1017 00:30:57,556 --> 00:30:59,424 YOU HOW TO DANCE. 1018 00:30:59,424 --> 00:30:59,925 >> THAT'S FINE WITH ME. 1019 00:30:59,925 --> 00:31:00,192 I LOVE IT. 1020 00:31:00,192 --> 00:31:00,492 >> HEY! 1021 00:31:00,492 --> 00:31:02,627 >> OH! 1022 00:31:02,627 --> 00:31:03,195 >> YOU THINK LEN IS A TOUGH 1023 00:31:03,195 --> 00:31:04,196 JUDGE? 1024 00:31:04,196 --> 00:31:04,763 MY DAD HAS BEEN A JUDGE MY 1025 00:31:04,763 --> 00:31:05,397 ENTIRE LIFE OF EVERYTHING I HAVE 1026 00:31:05,397 --> 00:31:05,797 DONE. 1027 00:31:05,797 --> 00:31:08,433 >> HOW DO YOU THINK MIKE'S BEEN 1028 00:31:08,433 --> 00:31:08,967 DOING ON THE SHOW SO FAR? 1029 00:31:08,967 --> 00:31:09,401 >> HE NEEDS A LITTLE 1030 00:31:09,401 --> 00:31:11,036 IMPROVEMENT. 1031 00:31:11,036 --> 00:31:11,670 I MEAN, I CAN SEE THAT YOU ARE 1032 00:31:11,670 --> 00:31:14,740 VERY GOOD AT WHAT YOU DO. 1033 00:31:14,740 --> 00:31:16,174 >> DO YOU WANT TO SEE THE 1034 00:31:16,174 --> 00:31:17,776 FOXTROT? 1035 00:31:17,776 --> 00:31:18,543 >> YES, ABSOLUTELY. 1036 00:31:18,543 --> 00:31:20,412 >> WANT TO SEE WHAT WE'VE BEEN 1037 00:31:20,412 --> 00:31:20,612 UP TO? 1038 00:31:20,612 --> 00:31:22,180 >> YES. 1039 00:31:22,180 --> 00:31:23,048 >> DON'T HOLD BACK. 1040 00:31:23,048 --> 00:31:23,682 >> I CAN'T WAIT TO HEAR WHAT HE 1041 00:31:23,682 --> 00:31:23,982 HAS TO SAY. 1042 00:31:23,982 --> 00:31:24,216 >> SLOW. 1043 00:31:24,216 --> 00:31:25,684 QUICK, QUICK, SLOW. 1044 00:31:25,684 --> 00:31:26,251 >> A LITTLE BIT STIFF. 1045 00:31:26,251 --> 00:31:27,319 >> ONE, QUICK QUICK. 1046 00:31:27,319 --> 00:31:28,887 >> I FORGOT THAT ONE. 1047 00:31:28,887 --> 00:31:32,624 >> SOUNDS LIKE A LOT OF EXCUSES. 1048 00:31:32,624 --> 00:31:33,658 I THINK WHAT MIKE HAS TO WORK ON 1049 00:31:33,658 --> 00:31:34,259 THE MOST IS LOOSENING UP AND 1050 00:31:34,259 --> 00:31:35,794 BEING MORE FLUID. 1051 00:31:35,794 --> 00:31:38,430 PRACTICE MAKES PERFECT. 1052 00:31:38,430 --> 00:31:38,964 >> MIKE'S DAD GEORGE IS 1053 00:31:38,964 --> 00:31:41,066 HILARIOUS. 1054 00:31:41,066 --> 00:31:43,168 HE REALLY HAS NO FILTER. 1055 00:31:43,168 --> 00:31:44,736 >> YOU GOT SOME WORK TO DO. 1056 00:31:44,736 --> 00:31:45,337 I'M VERY PROUD OF EVERYTHING 1057 00:31:45,337 --> 00:31:47,372 HE'S DONE. 1058 00:31:47,372 --> 00:31:48,974 HE'S A PERFECTIONIST, SO I 1059 00:31:48,974 --> 00:31:50,008 WOULDN'T BE SURPRISED IF HE 1060 00:31:50,008 --> 00:31:56,882 MAKES IT TO THE FINALS. 1061 00:31:56,882 --> 00:31:57,783 >> Announcer: DANCING THE 1062 00:31:57,783 --> 00:31:58,483 FOXTROT, WITH HIS PARTNER 1063 00:31:58,483 --> 00:32:02,454 WITNEY, IT'S THE MIZ! 1064 00:32:03,789 --> 00:32:09,628 ♪ 1065 00:32:09,628 --> 00:32:09,995 ♪ I'D SIT ALONE 1066 00:32:09,995 --> 00:32:11,730 AND WATCH YOUR LIGHT ♪ 1067 00:32:11,730 --> 00:32:14,366 ♪ MY ONLY FRIEND 1068 00:32:14,366 --> 00:32:15,967 THROUGH TEENAGE NIGHTS ♪ 1069 00:32:15,967 --> 00:32:18,036 ♪ AND EVERYTHING 1070 00:32:18,036 --> 00:32:21,773 I HAD TO KNOW ♪ 1071 00:32:21,773 --> 00:32:25,444 ♪ I HEARD IT ON MY RADIO 1072 00:32:25,444 --> 00:32:33,819 RADIO ♪ 1073 00:32:33,819 --> 00:32:36,054 ♪ SO, DON'T BECOME 1074 00:32:36,054 --> 00:32:36,555 SOME BACKGROUND NOISE ♪ 1075 00:32:36,555 --> 00:32:36,955 ♪ A BACKDROP FOR 1076 00:32:36,955 --> 00:32:37,422 THE GIRLS AND BOYS ♪ 1077 00:32:37,422 --> 00:32:37,889 ♪ WHO JUST DON'T KNOW 1078 00:32:37,889 --> 00:32:40,826 OR JUST DON'T CARE ♪ 1079 00:32:40,826 --> 00:32:43,995 ♪ AND JUST COMPLAIN 1080 00:32:43,995 --> 00:32:47,699 WHEN YOU'RE NOT THERE ♪ 1081 00:32:47,699 --> 00:32:50,836 ♪ YOU HAD YOUR TIME 1082 00:32:50,836 --> 00:32:52,437 YOU HAD THE POWER ♪ 1083 00:32:52,437 --> 00:32:55,607 ♪ YOU'VE YET TO HAVE 1084 00:32:55,607 --> 00:32:58,276 YOUR FINEST HOUR ♪ 1085 00:32:58,276 --> 00:33:01,446 ♪ RADIO, RADIO 1086 00:33:01,446 --> 00:33:01,847 ALL WE HEAR IS ♪ 1087 00:33:01,847 --> 00:33:02,180 ♪ RADIO GA GA 1088 00:33:02,180 --> 00:33:03,548 RADIO GOO GOO 1089 00:33:03,548 --> 00:33:05,116 RADIO GA GA ♪ 1090 00:33:05,116 --> 00:33:11,523 ♪ ALL WE HEAR IS 1091 00:33:11,523 --> 00:33:13,091 RADIO GA GA 1092 00:33:13,091 --> 00:33:14,693 RADIO BLAH BLAH ♪ 1093 00:33:14,693 --> 00:33:15,227 ♪ RADIO, WHAT'S NEW 1094 00:33:15,227 --> 00:33:15,760 RADIO 1095 00:33:15,760 --> 00:33:21,166 SOMEONE STILL LOVES YOU ♪ 1096 00:33:23,635 --> 00:33:25,237 >> Tyra: OKAY! 1097 00:33:25,237 --> 00:33:29,774 THE MIZ AND WITNEY! 1098 00:33:29,774 --> 00:33:37,782 FOXTROTTING. 1099 00:33:37,782 --> 00:33:39,518 LEN? 1100 00:33:39,518 --> 00:33:40,151 >> WELL, YOUR FRAME WAS GOOD, IN 1101 00:33:40,151 --> 00:33:40,785 HOLD, I LIKED THAT SHAPE YOU'VE 1102 00:33:40,785 --> 00:33:42,153 GOT THERE. 1103 00:33:42,153 --> 00:33:43,221 NOW, WITNEY'S BEEN TELLING YOU, 1104 00:33:43,221 --> 00:33:43,855 KEEP YOUR HEAD TO THE LEFT AND 1105 00:33:43,855 --> 00:33:47,459 KEEP IT UP. 1106 00:33:47,459 --> 00:33:50,095 IT BECAME FIXED, IT WAS SCARY. 1107 00:33:50,095 --> 00:33:53,732 YOU GOT TO MAKE ‐‐ THE DANCE HAS 1108 00:33:53,732 --> 00:33:54,633 GOT TO BE A LITTLE BIT MORE 1109 00:33:54,633 --> 00:33:55,934 NATURAL. 1110 00:33:55,934 --> 00:33:56,535 WHEN WITNEY SAYS DO IT, WELL, DO 1111 00:33:56,535 --> 00:33:57,135 IT, BUT DO IT IN A LESS SCARY 1112 00:33:57,135 --> 00:33:58,003 WAY. 1113 00:33:58,003 --> 00:34:00,038 >> Tyra: DEREK? 1114 00:34:00,038 --> 00:34:01,506 >> I THINK WHAT HE'S TRYING TO 1115 00:34:01,506 --> 00:34:03,341 SAY IS, DON'T DO ARTIFICIALLY, 1116 00:34:03,341 --> 00:34:03,575 RIGHT? 1117 00:34:03,575 --> 00:34:04,876 THE HEAD COMES FROM THE SHAPING 1118 00:34:04,876 --> 00:34:06,111 OF THE BODY. 1119 00:34:06,111 --> 00:34:06,745 THE HEAD SHOULD BE IN LINE WITH 1120 00:34:06,745 --> 00:34:09,781 THE SPINE, THE SHAPE COMES FROM 1121 00:34:09,781 --> 00:34:10,282 LEANING MORE SHAPE HERE. 1122 00:34:10,282 --> 00:34:11,249 SAYING THAT, DUDE, YOUR RISE AND 1123 00:34:11,249 --> 00:34:12,551 FALL IN THE FOXTROT, THE 1124 00:34:12,551 --> 00:34:14,352 CONTROL, YOU COULD REALLY SEE 1125 00:34:14,352 --> 00:34:17,188 YOU ARTICULATING YOUR FEET, YOUR 1126 00:34:17,188 --> 00:34:17,822 ANKLES, YOUR KNEES. 1127 00:34:17,822 --> 00:34:20,492 THAT WAS REALLY IMPRESSIVE. 1128 00:34:20,492 --> 00:34:20,759 WELL DONE. 1129 00:34:20,759 --> 00:34:21,126 >> Tyra: BRUNO? 1130 00:34:21,126 --> 00:34:22,627 >> I BLAME THE MUSCLES. 1131 00:34:22,627 --> 00:34:24,529 YOU WERE A BIT TIGHT AT THE 1132 00:34:24,529 --> 00:34:24,796 BEGINNING. 1133 00:34:24,796 --> 00:34:25,430 VERY MUSCULAR. 1134 00:34:25,430 --> 00:34:27,265 THE THING IS, YOU RELAXED IN THE 1135 00:34:27,265 --> 00:34:27,632 SECOND HALF. 1136 00:34:27,632 --> 00:34:28,967 AND THE GOOD THING, YOU'RE 1137 00:34:28,967 --> 00:34:30,969 TRYING NOW TO EXTEND THOSE LINES 1138 00:34:30,969 --> 00:34:31,503 WE TALKED ABOUT. 1139 00:34:31,503 --> 00:34:32,137 AND THAT WORKED. 1140 00:34:32,137 --> 00:34:34,205 BUT THEY'RE ABSOLUTELY RIGHT. 1141 00:34:34,205 --> 00:34:34,839 IT HAS TO BE A LITTLE BIT MORE 1142 00:34:34,839 --> 00:34:36,808 FLUID. 1143 00:34:36,808 --> 00:34:37,342 >> Tyra: CARRIE ANN? 1144 00:34:37,342 --> 00:34:37,943 >> MIKE, WELL, YOUR DAD KNEW 1145 00:34:37,943 --> 00:34:38,476 WHAT HE WAS TALKING ABOUT. 1146 00:34:38,476 --> 00:34:39,110 THERE'S A LITTLE BIT OF TENSION 1147 00:34:39,110 --> 00:34:43,448 HERE. 1148 00:34:43,448 --> 00:34:44,816 I JUST WANT TO QUICKLY GIVE YOU 1149 00:34:44,816 --> 00:34:47,118 THIS NOTE. 1150 00:34:47,118 --> 00:34:47,752 YOU ARE JUST TOO TENSE HERE AND 1151 00:34:47,752 --> 00:34:48,353 THAT IS MAKING EVERYTHING UP 1152 00:34:48,353 --> 00:34:48,987 HERE ‐‐ THAT'S WHAT'S DOING IT. 1153 00:34:48,987 --> 00:34:49,754 SO, IF YOU JUST RELAX, LIKE, HOW 1154 00:34:49,754 --> 00:34:50,388 ARE YOU RIGHT NOW, YOU KNOW THE 1155 00:34:50,388 --> 00:34:51,890 DANCE. 1156 00:34:51,890 --> 00:34:52,524 IF ANYBODY'S REHEARSED IT, I CAN 1157 00:34:52,524 --> 00:34:53,458 TELL HOW WELL REHEARSED YOU ARE. 1158 00:34:53,458 --> 00:34:53,992 JUST HAVE FUN NOW. 1159 00:34:53,992 --> 00:34:56,094 LET IT GO, OKAY? 1160 00:34:56,094 --> 00:34:58,730 >> HAVE FUN. 1161 00:34:58,730 --> 00:34:59,798 >> HAVE FUN. 1162 00:34:59,798 --> 00:35:01,800 >> Tyra: DAD GEORGE WAS IN 1163 00:35:01,800 --> 00:35:02,467 REHEARSAL. 1164 00:35:02,467 --> 00:35:04,736 DAD GEORGE IS IN THE BALLROOM 1165 00:35:04,736 --> 00:35:06,471 TONIGHT. 1166 00:35:06,471 --> 00:35:07,706 DADDY GEORGE, WHAT DO YOU WANT 1167 00:35:07,706 --> 00:35:09,407 TO SAY TO YOUR BABY BOY? 1168 00:35:09,407 --> 00:35:10,008 >> HE ALREADY WON IN MY EYES. 1169 00:35:10,008 --> 00:35:11,409 >> Tyra: AW. 1170 00:35:11,409 --> 00:35:11,810 THAT IS SO SWEET. 1171 00:35:11,810 --> 00:35:13,011 LET'S GET THE SCORES. 1172 00:35:13,011 --> 00:35:14,579 >> Announcer: CARRIE ANN INABA. 1173 00:35:14,579 --> 00:35:16,715 >> OKAY, EIGHT. 1174 00:35:16,715 --> 00:35:17,248 >> Announcer: LEN GOODMAN. 1175 00:35:17,248 --> 00:35:19,384 >> EIGHT. 1176 00:35:19,384 --> 00:35:20,452 >> Announcer: DEREK HOUGH. 1177 00:35:20,452 --> 00:35:22,554 >> EIGHT. 1178 00:35:22,554 --> 00:35:25,790 >> Announcer: BRUNO TONIOLI. 1179 00:35:25,790 --> 00:35:27,859 >> EIGHT. 1180 00:35:27,859 --> 00:35:28,460 >> Tyra: 32 OUT OF 40 FOR THE 1181 00:35:28,460 --> 00:35:31,630 MIZ AND WITNEY. 1182 00:35:31,630 --> 00:35:32,964 THEY GOT ANOTHER DANCE COMING 1183 00:35:32,964 --> 00:35:33,331 UP. 1184 00:35:33,331 --> 00:35:36,534 OKAY, NEXT UP, POP STAR AND TV 1185 00:35:36,534 --> 00:35:39,037 PERSONALITY JOJO SIWA AND JENNA 1186 00:35:39,037 --> 00:35:40,271 PERFORM A TANGO TO ANOTHER QUEEN 1187 00:35:40,271 --> 00:35:42,307 HIT, LIVE. 1188 00:35:47,946 --> 00:35:50,548 ♪ 1189 00:35:50,548 --> 00:35:51,049 ♪ 1190 00:35:51,049 --> 00:35:52,751 >> Tyra: WELCOME BACK. 1191 00:35:52,751 --> 00:35:54,819 NOW, OUR OWN JOJO SIWA'S 1192 00:35:54,819 --> 00:35:56,388 PERFORMING ON THE "QUEEN FAMILY 1193 00:35:56,388 --> 00:35:58,523 SINGALONG" THURSDAY NIGHT AT 1194 00:35:58,523 --> 00:36:01,426 8:00/7:00 CENTRAL ON ABC. 1195 00:36:01,426 --> 00:36:03,662 AND RIGHT NOW, HERE IS JOJO 1196 00:36:03,662 --> 00:36:07,032 TRAINING FOR A TANGO WITH JENNA. 1197 00:36:07,032 --> 00:36:07,732 ♪ WE WILL 1198 00:36:07,732 --> 00:36:08,600 ♪ WE WILL 1199 00:36:08,600 --> 00:36:09,968 ♪ ROCK YOU 1200 00:36:09,968 --> 00:36:11,002 >> IT'S QUEEN NIGHT! 1201 00:36:11,002 --> 00:36:14,239 >> WOO! 1202 00:36:14,239 --> 00:36:17,342 >> I'M SO EXCITED! 1203 00:36:17,342 --> 00:36:18,943 I DON'T THINK ANYBODY KNOWS HOW 1204 00:36:18,943 --> 00:36:21,079 MUCH I LOVE QUEEN. 1205 00:36:21,079 --> 00:36:22,647 I HAVE A FULL SECTION IN MY 1206 00:36:22,647 --> 00:36:24,683 CONCERT DEDICATED TO QUEEN. 1207 00:36:24,683 --> 00:36:25,283 ♪ WE WILL 1208 00:36:25,283 --> 00:36:26,918 ♪ WE WILL 1209 00:36:26,918 --> 00:36:27,986 ♪ ROCK YOU 1210 00:36:27,986 --> 00:36:31,156 ♪ EVERYBODY 1211 00:36:31,156 --> 00:36:32,190 ♪ WE WILL 1212 00:36:32,190 --> 00:36:32,724 ♪ WE WILL 1213 00:36:32,724 --> 00:36:35,360 ♪ ROCK YOU 1214 00:36:35,360 --> 00:36:37,462 QUEEN IS LITERALLY MY FAVORITE 1215 00:36:37,462 --> 00:36:37,996 BAND, FREDDIE MERCURY, MY 1216 00:36:37,996 --> 00:36:42,233 FAVORITE ARTIST OF ALL TIME. 1217 00:36:42,233 --> 00:36:45,537 I WEAR THE YELLOW JACKET. 1218 00:36:45,537 --> 00:36:46,438 SEQUINED ONESIES. 1219 00:36:46,438 --> 00:36:47,305 OF COURSE I HAVE A WHITE CPE. 1220 00:36:47,305 --> 00:36:50,241 I'M OBSESS. 1221 00:36:50,241 --> 00:36:51,843 FREDDIE MERCURY HAS SINGLE 1222 00:36:51,843 --> 00:36:52,877 HANDEDLY CHANGED MY LIFE. 1223 00:36:52,877 --> 00:36:53,378 I USED TO HAVE A LOT OF 1224 00:36:53,378 --> 00:36:54,479 CONFIDENCE PROBLEMS, BELIEVE IT 1225 00:36:54,479 --> 00:36:56,581 OR NOT, WITH MY SINGING. 1226 00:36:56,581 --> 00:36:57,215 I NEVER, EVER, EVER WOULD SING 1227 00:36:57,215 --> 00:36:58,717 LIVE. 1228 00:36:58,717 --> 00:36:59,818 THE SECOND I FOUND FREDDIE 1229 00:36:59,818 --> 00:37:00,852 MERCURY, I SAID, NO ONE CAN SING 1230 00:37:00,852 --> 00:37:03,321 MY SONGS BETTER THAN I CAN. 1231 00:37:03,321 --> 00:37:05,090 I CALLED MY ENTIRE TEAM AND I 1232 00:37:05,090 --> 00:37:06,925 WAS LIKE, WE'RE SINGING 1233 00:37:06,925 --> 00:37:08,493 COMPLETELY LIVE ON TOUR. 1234 00:37:08,493 --> 00:37:10,028 >> THE LOVE RUNS DEEP. 1235 00:37:10,028 --> 00:37:12,697 >> OH, YEAH. 1236 00:37:12,697 --> 00:37:13,264 >> WE ARE DANCING TO "BODY 1237 00:37:13,264 --> 00:37:13,732 LANGUAGE." 1238 00:37:13,732 --> 00:37:15,967 >> YES. 1239 00:37:15,967 --> 00:37:17,202 I FEEL LIKE WE'RE GOING TO TUNE 1240 00:37:17,202 --> 00:37:18,803 INTO OUR SEXY SIDE THIS WEEK. 1241 00:37:18,803 --> 00:37:19,838 >> I DON'T THINK I HAVE ONE OF 1242 00:37:19,838 --> 00:37:20,038 THOSE. 1243 00:37:20,038 --> 00:37:21,840 >> WE DO. 1244 00:37:21,840 --> 00:37:24,743 WE JUST HAVE TO DIG DOWN AND 1245 00:37:24,743 --> 00:37:25,343 FIND HER. 1246 00:37:25,343 --> 00:37:26,311 >> I'M READY FOR SOME FREDDIE, 1247 00:37:26,311 --> 00:37:28,179 BABY. 1248 00:37:28,179 --> 00:37:28,713 >> STOP, DOWN, DROP. 1249 00:37:28,713 --> 00:37:29,781 IT'S QUICK. 1250 00:37:29,781 --> 00:37:30,381 >> WE HAVE A HARD DANCE THIS 1251 00:37:30,381 --> 00:37:30,982 WEEK, BUT WE DON'T WANT TO GO 1252 00:37:30,982 --> 00:37:32,951 DOWN. 1253 00:37:32,951 --> 00:37:33,585 WE ARE PUSHING TO GET ANOTHER 1254 00:37:33,585 --> 00:37:34,219 PERFECT SCORE AND SO IT'S GOING 1255 00:37:34,219 --> 00:37:34,552 TO BE AMAZING. 1256 00:37:34,552 --> 00:37:36,054 WHOA. 1257 00:37:36,054 --> 00:37:40,825 >> GOOD! 1258 00:37:40,825 --> 00:37:43,995 >> Announcer: DANCING THE TANGO, 1259 00:37:43,995 --> 00:37:44,596 WITH HER PARTNER JENNA, IT'S 1260 00:37:44,596 --> 00:37:47,766 JOJO SIWA! 1261 00:37:48,767 --> 00:37:59,844 ♪ 1262 00:37:59,844 --> 00:38:12,056 ♪ GIVE ME YOUR BODY 1263 00:38:12,056 --> 00:38:12,490 GIVE ME YOUR BODY ♪ 1264 00:38:12,490 --> 00:38:15,226 ♪ DON'T TALK, DON'T TALK 1265 00:38:15,226 --> 00:38:17,328 DON'T TALK, DON'T TALK 1266 00:38:17,328 --> 00:38:23,635 BABY DON'T TALK ♪ 1267 00:38:23,635 --> 00:38:25,236 ♪ BODY LANGUAGE 1268 00:38:25,236 --> 00:38:25,570 BODY LANGUAGE 1269 00:38:25,570 --> 00:38:37,949 BODY LANGUAGE ♪ 1270 00:38:37,949 --> 00:38:40,618 ♪ 1271 00:38:40,618 --> 00:38:47,525 ♪ GIVE ME YOUR BODY 1272 00:38:47,525 --> 00:38:54,899 GIVE ME, YEAH, YOUR BODY 1273 00:38:54,899 --> 00:38:59,103 DON'T TALK ♪ 1274 00:38:59,103 --> 00:39:03,341 ♪ BODY LANGUAGE, HUH HUH 1275 00:39:03,341 --> 00:39:08,112 BODY LANGUAGE 1276 00:39:08,112 --> 00:39:13,952 BODY LANGUAGE ♪ 1277 00:39:13,952 --> 00:39:14,552 >> Tyra: THAT'S A JOJO WE'VE 1278 00:39:14,552 --> 00:39:16,588 NEVER SEEN BEFORE. 1279 00:39:16,588 --> 00:39:26,097 JOJO AND JENNA WITH A TANGO. 1280 00:39:26,097 --> 00:39:28,766 DEREK? 1281 00:39:28,766 --> 00:39:30,668 P>> OH, JOJO, THAT WAS A 1282 00:39:30,668 --> 00:39:32,403 TEMPTING, TANTALIZING TANGO. 1283 00:39:32,403 --> 00:39:34,272 YO, THAT WAS SO AVANT‐GARDE, 1284 00:39:34,272 --> 00:39:36,140 EXPERIMENTAL. 1285 00:39:36,140 --> 00:39:37,375 I ABSOLUTELY LOVED. 1286 00:39:37,375 --> 00:39:38,610 Y'ALL SAID STRUT THROUGHOUT THE 1287 00:39:38,610 --> 00:39:40,378 WHOLE DANCE. 1288 00:39:40,378 --> 00:39:42,247 I ‐‐ I DON'T KNOW WHAT THE 1289 00:39:42,247 --> 00:39:44,616 PONYTAIL THING IS, BUT I LOVED 1290 00:39:44,616 --> 00:39:47,051 IT. 1291 00:39:47,051 --> 00:39:47,652 >> Tyra: THAT'S GOING TO BE A 1292 00:39:47,652 --> 00:39:48,152 THING, I KNOW IT. 1293 00:39:48,152 --> 00:39:48,720 BRUNO? 1294 00:39:48,720 --> 00:39:49,354 >> THAT WAS A SUPER MODEL TANGO. 1295 00:39:49,354 --> 00:39:54,292 >> Tyra: IT SO WAS, HONEY. 1296 00:39:54,292 --> 00:39:54,592 TOTALLY. 1297 00:39:54,592 --> 00:39:55,193 >> THAT'S WHY WE HAVE TYRA ON 1298 00:39:55,193 --> 00:39:57,762 THE SHOW. 1299 00:39:57,762 --> 00:40:00,398 >> CALL VOGUE NEXT TIME. 1300 00:40:00,398 --> 00:40:00,999 SLINKY, SEXY, COOL, EXCELLENT. 1301 00:40:00,999 --> 00:40:04,002 >> Tyra: CARRIE ANN? 1302 00:40:04,002 --> 00:40:06,271 >> OKAY, THAT ‐‐ OKAY, YOU KNOW, 1303 00:40:06,271 --> 00:40:07,405 THIS COMPETITION, PEOPLE NEED TO 1304 00:40:07,405 --> 00:40:08,640 GROW, RIGHT? 1305 00:40:08,640 --> 00:40:09,941 WE DON'T WANT YOU DOING WHAT YOU 1306 00:40:09,941 --> 00:40:10,808 CAME IN DOING, ALL RIGHT, 1307 00:40:10,808 --> 00:40:13,311 BECAUSE THAT WOULD NOT BE FAIR. 1308 00:40:13,311 --> 00:40:16,781 YOU ARE GROWING, YOU ARE 1309 00:40:16,781 --> 00:40:19,651 REMINDING ME OF ZENDAYA, WHEN 1310 00:40:19,651 --> 00:40:21,753 SHE CAME ON, SHE MADE THAT 1311 00:40:21,753 --> 00:40:22,353 TRANSITION FROM YOUNG KID TO 1312 00:40:22,353 --> 00:40:22,687 FULL‐ON ADULT. 1313 00:40:22,687 --> 00:40:22,954 I LOVE IT. 1314 00:40:22,954 --> 00:40:23,321 AMAZING. 1315 00:40:23,321 --> 00:40:23,855 FANTASTIC. 1316 00:40:23,855 --> 00:40:25,957 >> Tyra: LEN? 1317 00:40:25,957 --> 00:40:26,524 >> YOU SHOWED LOVELY, FAST, 1318 00:40:26,524 --> 00:40:29,127 AGGRESSIVE MOVEMENTS. 1319 00:40:29,127 --> 00:40:30,728 WHAT I DIDN'T SEE IS SOME SLOW, 1320 00:40:30,728 --> 00:40:31,796 DELIBERATE WALKS ACROSS THE 1321 00:40:31,796 --> 00:40:35,633 FLOOR. 1322 00:40:35,633 --> 00:40:37,168 I WOULD HAVE LIKED TO HAVE SEEN 1323 00:40:37,168 --> 00:40:38,603 A LITTLE BIT MORE LIGHT AND 1324 00:40:38,603 --> 00:40:39,237 SHADE, BUT AS ALWAYS, YOU DANCED 1325 00:40:39,237 --> 00:40:40,204 BEAUTIFULLY. 1326 00:40:40,204 --> 00:40:41,272 >> THANK YOU. 1327 00:40:41,272 --> 00:40:41,839 >> Tyra: SO JOJO, YOU ARE A 1328 00:40:41,839 --> 00:40:43,374 SWEET BABY TO ME, THIS SWEET 1329 00:40:43,374 --> 00:40:43,975 BABY BABY, BUT TONIGHT WAS A 1330 00:40:43,975 --> 00:40:46,010 WHOLE DIFFERENT JOJO. 1331 00:40:46,010 --> 00:40:48,146 WHERE IS THAT COMING FROM? 1332 00:40:48,146 --> 00:40:50,248 >> LISTEN, THE POWER OF JENNA 1333 00:40:50,248 --> 00:40:52,383 MIXED WITH THE POWER OF FREDDIE 1334 00:40:52,383 --> 00:40:53,484 MERCURY, ANYTHING IS POSSIBLE. 1335 00:40:53,484 --> 00:40:54,018 >> Tyra: YES. 1336 00:40:54,018 --> 00:40:55,586 YOU WERE A WOMAN TONIGHT. 1337 00:40:55,586 --> 00:40:57,722 LET'S GET YOUR SCORES. 1338 00:40:57,722 --> 00:41:00,725 >> Announcer: CARRIE ANN INABA. 1339 00:41:00,725 --> 00:41:02,293 >> TEN! 1340 00:41:02,293 --> 00:41:02,827 >> Announcer: LEN GOODMAN. 1341 00:41:02,827 --> 00:41:04,595 >> NINE. 1342 00:41:04,595 --> 00:41:06,164 >> Announcer: DEREK HOUGH. 1343 00:41:06,164 --> 00:41:08,299 >> TEN! 1344 00:41:08,299 --> 00:41:09,367 >> Announcer:S BRUNO TONIOLI. 1345 00:41:09,367 --> 00:41:13,538 >> TEN! 1346 00:41:13,538 --> 00:41:15,974 >> Tyra: I CAN SEE BOOMERANGS 1347 00:41:15,974 --> 00:41:17,442 WITH THAT PONYTAIL GOING UP AND 1348 00:41:17,442 --> 00:41:19,944 DOWN. 1349 00:41:19,944 --> 00:41:21,879 NEXT ON QUEEN NIGHT, SUNI LEE 1350 00:41:21,879 --> 00:41:23,548 AND SASHA WILL "ROCK YOU," LIVE. 1351 00:41:34,425 --> 00:41:35,193 >> Tyra: WE'RE BACK, AND AS YOU 1352 00:41:35,193 --> 00:41:37,395 CAN TELL FROM THIS 1353 00:41:37,395 --> 00:41:39,864 FREDDIE MERCURY‐INSPIRED OUTFIT, 1354 00:41:39,864 --> 00:41:40,298 IT IS QUEEN NIGHT. 1355 00:41:40,298 --> 00:41:41,866 AND I AM SO FAN‐GIRLING RIGHT 1356 00:41:41,866 --> 00:41:43,134 NOW, BECAUSE NEXT MONDAY NIGHT 1357 00:41:43,134 --> 00:41:43,935 IN THIS BALLROOM, WE ARE 1358 00:41:43,935 --> 00:41:45,503 HONORING THE MUSIC OF A LIVING 1359 00:41:45,503 --> 00:41:46,571 LEGEND, MY FRIEND, MY GIRL, MISS 1360 00:41:46,571 --> 00:41:49,240 JANET JACKSON! 1361 00:41:49,240 --> 00:41:51,876 PLUS, TWO COUPLES WILL BE SENT 1362 00:41:51,876 --> 00:41:54,512 HOME IN A DOUBLE ELIMINATION. 1363 00:41:54,512 --> 00:41:57,715 NEXT UP, WITH A PASO DOBLE TO 1364 00:41:57,715 --> 00:41:58,349 "WE WILL ROCK YOU," OUR OLYMPIC 1365 00:41:58,349 --> 00:42:00,385 GOLD MEDALIST. 1366 00:42:00,385 --> 00:42:01,452 THIS WEEK, AFTER BEING SAVED BY 1367 00:42:01,452 --> 00:42:03,021 THE JUDGES, SUNI LEE GOT SOME 1368 00:42:03,021 --> 00:42:04,622 EXTRA MOTIVATION AS SHE TRAINED 1369 00:42:04,622 --> 00:42:13,631 WITH SASHA. 1370 00:42:13,631 --> 00:42:14,265 >> LAST WEEK, I WAS SHOCKED WHEN 1371 00:42:14,265 --> 00:42:15,199 I WAS IN THE BOTTOM TWO. 1372 00:42:15,199 --> 00:42:15,733 >> Tyra: SUNI AND SASHA. 1373 00:42:15,733 --> 00:42:16,734 >> I KNOW THERE WAS SO MUCH MORE 1374 00:42:16,734 --> 00:42:17,001 IN THERE. 1375 00:42:17,001 --> 00:42:17,802 I'M GOING TO SAVE SUNI. 1376 00:42:17,802 --> 00:42:20,471 >> I'VE BEEN IN THAT SITUATION 1377 00:42:20,471 --> 00:42:22,573 BEFORE. 1378 00:42:22,573 --> 00:42:23,207 I'VE DONE EVERYTHING I COULD AND 1379 00:42:23,207 --> 00:42:25,209 IT STILL WASN'T GOOD ENOUGH. 1380 00:42:25,209 --> 00:42:29,480 I DOUBT MYSELF SO MUCH. 1381 00:42:29,480 --> 00:42:30,615 >> YOU START TO BELIEVE IN 1382 00:42:30,615 --> 00:42:31,582 YOURSELF, THAT'S WHAT'S GOING TO 1383 00:42:31,582 --> 00:42:32,817 GET YOU TO THE NEXT LEVEL. 1384 00:42:32,817 --> 00:42:33,484 >> TRY TO STAY POSITIVE, WHICH 1385 00:42:33,484 --> 00:42:35,186 HAS BEEN ONE OF MY BIGGEST 1386 00:42:35,186 --> 00:42:36,854 STRUGGLES BUT SASHA HAS BEEN 1387 00:42:36,854 --> 00:42:38,689 THERE AND ALSO, MY COACH JESS. 1388 00:42:38,689 --> 00:42:39,757 HE IS ONE OF THE MOST IMPORTANT 1389 00:42:39,757 --> 00:42:49,834 PEOPLE TO ME IN MY LIFE. 1390 00:42:49,834 --> 00:42:50,435 HE'S BEEN THERE FOR ME THROUGH 1391 00:42:50,435 --> 00:42:51,169 EVERYTHING. 1392 00:42:51,169 --> 00:42:51,702 TODAY, WE ARE GOING TO BE 1393 00:42:51,702 --> 00:42:52,203 ZOOMING WITH COACH JESS. 1394 00:42:52,203 --> 00:42:52,804 I ALWAYS LISTEN TO HIM, HE'S 1395 00:42:52,804 --> 00:42:53,137 LIKE MY GO‐TO. 1396 00:42:53,137 --> 00:42:53,504 HI! 1397 00:42:53,504 --> 00:42:54,038 >> JESS. 1398 00:42:54,038 --> 00:42:55,073 >> HI, SUNSET, HI SASHA. 1399 00:42:55,073 --> 00:42:55,706 >> IT'S QUEEN NIGHT AND WE ARE 1400 00:42:55,706 --> 00:42:56,340 DOING A PASO DOBLE TO "WE WILL 1401 00:42:56,340 --> 00:42:57,975 ROCK YOU." 1402 00:42:57,975 --> 00:42:59,644 >> I THINK THAT'S GOING TO BE A 1403 00:42:59,644 --> 00:43:00,645 GREAT DANCE TO THAT SONG. 1404 00:43:00,645 --> 00:43:02,713 BUFF YOU GOT TO BE COMMITTED TO 1405 00:43:02,713 --> 00:43:02,880 IT. 1406 00:43:02,880 --> 00:43:04,782 I REALLY WAS SURPRISED THAT YOU 1407 00:43:04,782 --> 00:43:06,350 GUYS WERE IN THE BOTTOM TWO, BUT 1408 00:43:06,350 --> 00:43:07,785 JUST LET IT GO. 1409 00:43:07,785 --> 00:43:08,419 JUST LIKE IN GYMNASTICS, GOING 1410 00:43:08,419 --> 00:43:09,053 ON FLOOR TO WIN THE GOLD MEDAL, 1411 00:43:09,053 --> 00:43:11,189 I TOLD YOU, THIS IS JUST ANOTHER 1412 00:43:11,189 --> 00:43:13,624 DAY. 1413 00:43:13,624 --> 00:43:14,125 SO, TREAT THIS LIKE A 1414 00:43:14,125 --> 00:43:15,726 COMPETITION AND SUCK IT UP A 1415 00:43:15,726 --> 00:43:16,360 LITTLE BIT, BECAUSE THERE'S ONLY 1416 00:43:16,360 --> 00:43:16,994 THREE WEEKS AFTER THIS, SO, NO 1417 00:43:16,994 --> 00:43:17,395 MORE BARE MINIMUM. 1418 00:43:17,395 --> 00:43:17,962 YOU DON'T NEED TO CONSERVE 1419 00:43:17,962 --> 00:43:18,896 ENERGY ANYMORE. 1420 00:43:18,896 --> 00:43:22,066 >> OKAY. 1421 00:43:22,066 --> 00:43:22,700 HE ALWAYS KNOWS THE THING TO SAY 1422 00:43:22,700 --> 00:43:24,068 TO ME. 1423 00:43:24,068 --> 00:43:25,536 AND I'M GOING TO BE COMMITTED TO 1424 00:43:25,536 --> 00:43:26,471 MAKING THIS DANCE GOOD, BECAUSE 1425 00:43:26,471 --> 00:43:27,538 I WANT TO MAKE HIM PROUD. 1426 00:43:27,538 --> 00:43:28,072 LET'S DO IT AGAIN. 1427 00:43:28,072 --> 00:43:28,706 GOING INTO THIS WEEK, I'M VERY 1428 00:43:28,706 --> 00:43:29,674 MOTIVATED. 1429 00:43:29,674 --> 00:43:30,741 I AM A FIGHTER. 1430 00:43:30,741 --> 00:43:34,846 I HAVE SO MUCH MORE TO PROVE. 1431 00:43:34,846 --> 00:43:36,647 >> DO IT IN PLACE. 1432 00:43:36,647 --> 00:43:37,181 >> I GOT IT, I GOT IT. 1433 00:43:37,181 --> 00:43:37,782 I WANT TO SHOW PEOPLE THAT I 1434 00:43:37,782 --> 00:43:38,216 DESERVE TO BE HERE. 1435 00:43:38,216 --> 00:43:43,187 LET'S DO IT AGAIN. 1436 00:43:43,187 --> 00:43:45,156 AND I'M NOT DONE YET. 1437 00:43:45,156 --> 00:43:46,224 >> Announcer: DANCING THE 1438 00:43:46,224 --> 00:43:47,258 PASO DOBLE, WITH HER PARTNER 1439 00:43:47,258 --> 00:43:50,895 SASHA, IT'S SUNI LEE! 1440 00:43:52,563 --> 00:44:09,981 ♪ 1441 00:44:09,981 --> 00:44:10,515 ♪ BUDDY YOU'RE A BOY 1442 00:44:10,515 --> 00:44:11,048 MAKE A BIG NOISE ♪ 1443 00:44:11,048 --> 00:44:12,116 ♪ PLAYIN' IN THE STREET 1444 00:44:12,116 --> 00:44:13,618 GONNA BE A BIG MAN SOME DAY ♪ 1445 00:44:13,618 --> 00:44:19,190 ♪ YOU GOT MUD ON YO' FACE 1446 00:44:19,190 --> 00:44:22,727 YOU BIG DISGRACE ♪ 1447 00:44:22,727 --> 00:44:23,194 ♪ KICKIN' YOUR CAN 1448 00:44:23,194 --> 00:44:23,594 ALL OVER THE PLACE 1449 00:44:23,594 --> 00:44:23,861 SINGIN' ♪ 1450 00:44:23,861 --> 00:44:24,328 ♪ WE WILL 1451 00:44:24,328 --> 00:44:24,862 WE WILL ROCK YOU ♪ 1452 00:44:24,862 --> 00:44:28,566 ♪ WE WILL 1453 00:44:28,566 --> 00:44:31,135 WE WILL ROCK YOU ♪ 1454 00:44:31,135 --> 00:44:33,304 ♪ BUDDY YOU'RE A YOUNG MAN 1455 00:44:33,304 --> 00:44:33,804 HARD MAN ♪ 1456 00:44:33,804 --> 00:44:34,338 ♪ SHOUTIN' IN THE STREET 1457 00:44:34,338 --> 00:44:35,139 GONNA TAKE ON THE WORLD 1458 00:44:35,139 --> 00:44:41,746 SOME DAY ♪ 1459 00:44:41,746 --> 00:44:42,313 ♪ YOU GOT BLOOD ON YO' FACE 1460 00:44:42,313 --> 00:44:42,813 YOU BIG DISGRACE ♪ 1461 00:44:42,813 --> 00:44:43,347 ♪ WAVIN' YOUR BANNER 1462 00:44:43,347 --> 00:44:45,449 ALL OVER THE PLACE ♪ 1463 00:44:45,449 --> 00:44:45,983 ♪ WE WILL 1464 00:44:45,983 --> 00:44:46,517 WE WILL ROCK YOU 1465 00:44:46,517 --> 00:44:47,051 SING IT, UH! ♪ 1466 00:44:47,051 --> 00:44:47,585 ♪ WE WILL 1467 00:44:47,585 --> 00:44:51,889 WE WILL ROCK YOU ♪ 1468 00:44:52,356 --> 00:45:09,807 ♪ 1469 00:45:09,807 --> 00:45:14,312 ♪ 1470 00:45:18,816 --> 00:45:19,450 >> Tyra: SUNI AND SASHA DANCING 1471 00:45:19,450 --> 00:45:21,485 THE PASO DOBLE. 1472 00:45:21,485 --> 00:45:22,019 ALL RIGHTY. 1473 00:45:22,019 --> 00:45:27,892 ALL RIGHTY. 1474 00:45:27,892 --> 00:45:30,061 SO ‐‐ SUNI HAS ‐‐ NOT FEELING SO 1475 00:45:30,061 --> 00:45:31,862 GOOD. 1476 00:45:31,862 --> 00:45:32,897 NOT COVID, NOT COVID AT ALL BUT 1477 00:45:32,897 --> 00:45:33,965 SHE'S NOT FEELING WELL SO SHE 1478 00:45:33,965 --> 00:45:34,999 DANCED SICK AND SHE HAD TO LEAVE 1479 00:45:34,999 --> 00:45:37,802 BUT SHE'S OKAY. 1480 00:45:37,802 --> 00:45:38,903 ALL RIGHTY. 1481 00:45:38,903 --> 00:45:41,739 SO, WE'RE GOING TO HAVE SASHA 1482 00:45:41,739 --> 00:45:42,840 REPRESENT, OKAY? 1483 00:45:42,840 --> 00:45:43,608 LET'S KEEP GOING. 1484 00:45:43,608 --> 00:45:44,942 BRUNO? 1485 00:45:44,942 --> 00:45:45,543 >> OH, YOU DID SO WELL, HONEY. 1486 00:45:45,543 --> 00:45:46,177 INSPITE OF NOT FEELING WELL, YOU 1487 00:45:46,177 --> 00:45:47,578 ROCKED THAT PASO DOBLE. 1488 00:45:47,578 --> 00:45:51,482 I DON'T KNOW WHERE YOU ARE. 1489 00:45:51,482 --> 00:45:53,884 SHARP, IT WAS ‐‐ THE 1490 00:45:53,884 --> 00:45:55,152 SYNCHRONIZATION WAS FANTASTIC. 1491 00:45:55,152 --> 00:45:59,690 THERE WAS A LITTLE SLIP, THOUGH 1492 00:45:59,690 --> 00:46:01,092 BUT I'M SURE ‐‐ 1493 00:46:01,092 --> 00:46:02,159 >> THE DRESS. 1494 00:46:02,159 --> 00:46:03,194 >> I MEAN ‐‐ I'M SO SORRY, MY 1495 00:46:03,194 --> 00:46:03,828 LOVE THAT YOU ARE AREN'T FEELING 1496 00:46:03,828 --> 00:46:06,130 WELL. 1497 00:46:06,130 --> 00:46:10,434 BUT THE PERFORMANCE WAS REALLY 1498 00:46:10,434 --> 00:46:10,701 WELL DONE. 1499 00:46:10,701 --> 00:46:11,335 I DON'T KNOW WHERE YOU ARE, WE 1500 00:46:11,335 --> 00:46:11,602 LOVE YOU. 1501 00:46:11,602 --> 00:46:12,570 >> Tyra: CARRIE ANN. 1502 00:46:12,570 --> 00:46:13,204 >> SUNI, YOU ARE ALREADY LIKE A 1503 00:46:13,204 --> 00:46:13,838 CHAMPION, YOU HAVE NO IDEA HOW 1504 00:46:13,838 --> 00:46:14,472 MANY PEOPLE YOU INSPIRE JUST BY 1505 00:46:14,472 --> 00:46:15,072 BEING YOU, YOUNG LITTLE ASIAN 1506 00:46:15,072 --> 00:46:15,673 WOMEN, YOUNG GIRLS, GIRLS OF 1507 00:46:15,673 --> 00:46:17,341 DIFFERENT CULTURES ARE INSPIRED 1508 00:46:17,341 --> 00:46:18,909 BY WHAT YOU DO. 1509 00:46:18,909 --> 00:46:22,913 DO NOT BE NOT CONFIDENT. 1510 00:46:22,913 --> 00:46:23,247 IT'S BAFFLING. 1511 00:46:23,247 --> 00:46:24,415 BUT YOU DID HAVE A LITTLE SLIP 1512 00:46:24,415 --> 00:46:25,483 TONIGHT, BUT I'M SO PROUD OF YOU 1513 00:46:25,483 --> 00:46:26,050 FOR GETTING OUT THERE AND 1514 00:46:26,050 --> 00:46:27,785 DANCING. 1515 00:46:27,785 --> 00:46:28,853 I KNOW YOU ARE NOT FEELING WELL. 1516 00:46:28,853 --> 00:46:29,287 DID AN AMAZING JOB. 1517 00:46:29,287 --> 00:46:29,920 >> Tyra: LEN? 1518 00:46:29,920 --> 00:46:31,522 >> SHE WAS A LITTLE BIT HESITANT 1519 00:46:31,522 --> 00:46:33,090 AND I CAN TOTALLY UNDERSTAND 1520 00:46:33,090 --> 00:46:35,226 THAT, YOU KNOW, WHEN YOU'RE NOT 1521 00:46:35,226 --> 00:46:40,498 FEELING TOO WELL, PLUS THERE'S 1522 00:46:40,498 --> 00:46:41,132 TWO DANCES TO DO TONIGHT, SO I 1523 00:46:41,132 --> 00:46:41,766 THOUGHT SHE DID A STERLING JOB. 1524 00:46:41,766 --> 00:46:43,100 >> Tyra: DEREK? 1525 00:46:43,100 --> 00:46:44,702 >> LISTEN, I'LL KEEP IT SHORT 1526 00:46:44,702 --> 00:46:47,171 AND SWEET. 1527 00:46:47,171 --> 00:46:47,772 TO ECHO WHAT THEY SAID, SUPER 1528 00:46:47,772 --> 00:46:48,939 PROUD OF YOU, SUNI. 1529 00:46:48,939 --> 00:46:49,507 YOU REALLY ARE A CHAMPION, 1530 00:46:49,507 --> 00:46:51,042 HONESTLY. 1531 00:46:51,042 --> 00:46:51,642 TONIGHT WASN'T THE BEST NIGHT 1532 00:46:51,642 --> 00:46:52,643 AND OBVIOUSLY YOU WEREN'T 1533 00:46:52,643 --> 00:46:53,711 FEELING TOO WELL, BUT WE LOVE 1534 00:46:53,711 --> 00:46:55,146 YOU. 1535 00:46:55,146 --> 00:46:59,116 WE LOVE YOU, GIRL. 1536 00:46:59,116 --> 00:46:59,617 >> Tyra: ALL RIGHTY. 1537 00:46:59,617 --> 00:47:01,252 SO, SASHA, SHE'S NOT FEELING 1538 00:47:01,252 --> 00:47:02,887 WELL, I KNOW HER TUMMY IS NOT 1539 00:47:02,887 --> 00:47:05,589 WELL, LIKE, SHE'S RUNNING ‐‐ 1540 00:47:05,589 --> 00:47:06,357 >> SHE IS. 1541 00:47:06,357 --> 00:47:07,124 >> Tyra: TO TAKE CARE OF HER 1542 00:47:07,124 --> 00:47:09,093 TUMMY RIGHT NOW. 1543 00:47:09,093 --> 00:47:09,694 >> CAN I JUST SAY SOMETHING, 1544 00:47:09,694 --> 00:47:11,729 SUNI IS SUCH AN INCREDIBLE 1545 00:47:11,729 --> 00:47:12,363 ATHLETE AND THIS HAS BEEN SUCH A 1546 00:47:12,363 --> 00:47:13,297 ROUGH WEEK BUT SHE'S IN THE 1547 00:47:13,297 --> 00:47:14,365 STUDIO, SHE'S GIVING EVERYTHING, 1548 00:47:14,365 --> 00:47:16,967 EVERY RUN THAT WE'VE DONE, POOR 1549 00:47:16,967 --> 00:47:19,970 THING, RUN OFF TO THROW UP BUT I 1550 00:47:19,970 --> 00:47:21,906 WANT TO SAY, SUNI, I'M SO PROUD 1551 00:47:21,906 --> 00:47:23,841 OF YOU, YOU ARE INCREDIBLE. 1552 00:47:23,841 --> 00:47:25,176 THANK YOU FOR BEING AWESOME. 1553 00:47:25,176 --> 00:47:27,144 AWESOME. 1554 00:47:27,144 --> 00:47:29,180 >> Tyra: THAT'S WHAT IT IS 1555 00:47:29,180 --> 00:47:29,780 ABOUT. 1556 00:47:29,780 --> 00:47:30,781 PUSHING THROUGH. 1557 00:47:30,781 --> 00:47:31,148 PUSHING THROUGH. 1558 00:47:31,148 --> 00:47:31,682 BUT ALSO TAKING CARE OF 1559 00:47:31,682 --> 00:47:32,383 YOURSELF. 1560 00:47:32,383 --> 00:47:33,451 LET'S GET THE SCORES. 1561 00:47:33,451 --> 00:47:34,085 >> Announcer: CARRIE ANN INABA. 1562 00:47:34,085 --> 00:47:35,586 >> EIGHT. 1563 00:47:35,586 --> 00:47:36,120 >> Announcer: LEN GOODMAN. 1564 00:47:36,120 --> 00:47:36,654 >> EIGHT. 1565 00:47:36,654 --> 00:47:37,188 >> Announcer: DEREK HOUGH. 1566 00:47:37,188 --> 00:47:39,190 >> EIGHT. 1567 00:47:39,190 --> 00:47:40,358 >> Announcer: BRUNO TONIOLI. 1568 00:47:40,358 --> 00:47:41,392 >> DON'T BE DISCOURAGED. 1569 00:47:41,392 --> 00:47:44,595 NINE. 1570 00:47:44,595 --> 00:47:45,629 >> Tyra: 33 OUT OF 40 FOR SUNI 1571 00:47:45,629 --> 00:47:46,163 AND SASHA SO FAR TONIGHT. 1572 00:47:46,163 --> 00:47:49,633 OKAY. 1573 00:47:49,633 --> 00:47:49,834 OKAY. 1574 00:47:49,834 --> 00:47:51,602 YOU GO CHANGE, WE'LL SEE IF SUNI 1575 00:47:51,602 --> 00:47:52,470 IS ABLE TO DANCE ON THE SECOND 1576 00:47:52,470 --> 00:47:54,271 ROUND TONIGHT. 1577 00:47:54,271 --> 00:47:54,872 LET'S HOPE SHE IS. 1578 00:47:54,872 --> 00:47:56,941 NOW AS WE GET READY TO CHECK OUT 1579 00:47:56,941 --> 00:47:59,176 OUR CELEBRITY FITNESS GURU, WE 1580 00:47:59,176 --> 00:48:00,277 WANT YOU TO REMEMBER THAT YOU 1581 00:48:00,277 --> 00:48:02,913 GUYS AT HOME, YOU GET TEN VOTES 1582 00:48:02,913 --> 00:48:04,181 PER DANCING COUPLE PER VOTING 1583 00:48:04,181 --> 00:48:06,183 METHOD. 1584 00:48:06,183 --> 00:48:06,817 VOTING CLOSES DURING THAT LAST 1585 00:48:06,817 --> 00:48:07,618 COMMERCIAL BREAK. 1586 00:48:07,618 --> 00:48:09,920 GET THEM IN. 1587 00:48:09,920 --> 00:48:10,554 SO NOW, HERE ARE CODY AND CHERYL 1588 00:48:10,554 --> 00:48:11,188 DANCING THEIR FOXTROT TO "YOU'RE 1589 00:48:11,188 --> 00:48:13,124 MY BEST FRIEND" WITH A HEARTFELT 1590 00:48:13,124 --> 00:48:20,464 DEDICATION TO HIS BEST FRIEND. 1591 00:48:20,464 --> 00:48:21,932 >> IT'S QUEEN NIGHT AND WE'RE 1592 00:48:21,932 --> 00:48:24,101 DOING A FOXTROT TO "YOU'RE MY 1593 00:48:24,101 --> 00:48:25,736 BEST FRIEND." 1594 00:48:25,736 --> 00:48:26,070 >> AW. 1595 00:48:26,070 --> 00:48:27,505 >> DOES THIS SONG MEAN ANYTHING 1596 00:48:27,505 --> 00:48:27,905 TO YOU? 1597 00:48:27,905 --> 00:48:29,407 >> I THINK OF MY BEST FRIEND, 1598 00:48:29,407 --> 00:48:31,609 OSCAR. 1599 00:48:31,609 --> 00:48:32,843 OSCAR AND I MET THROUGH A MUTUAL 1600 00:48:32,843 --> 00:48:36,547 FRIEND OF OURS AND WE JUST SPENT 1601 00:48:36,547 --> 00:48:37,148 SO MUCH TIME TOGETHER THAT WE 1602 00:48:37,148 --> 00:48:37,748 DEVELOPED THIS REALLY STRONG 1603 00:48:37,748 --> 00:48:38,649 FRIENDSHIP, THIS REALLY STRONG 1604 00:48:38,649 --> 00:48:41,852 BOND. 1605 00:48:41,852 --> 00:48:42,453 HE WAS LIKE MY LITTLE BROTHER. 1606 00:48:42,453 --> 00:48:43,988 IN FEBRUARY OF 2020, I LOST 1607 00:48:43,988 --> 00:48:45,589 OSCAR TO ADDICTION. 1608 00:48:45,589 --> 00:48:47,691 >> HOW OLD WAS HE? 1609 00:48:47,691 --> 00:48:48,225 >> 28 BEFORE HE DIED. 1610 00:48:48,225 --> 00:48:51,195 >> WOW. 1611 00:48:51,195 --> 00:48:51,829 >> I DIDN'T EVEN GET TO, LIKE, 1612 00:48:51,829 --> 00:48:54,031 SPEAK TO HIM OR SAY GOOD‐BYE AND 1613 00:48:54,031 --> 00:48:56,667 I FEEL GUILTY THAT I COULDN'T 1614 00:48:56,667 --> 00:49:09,313 HAVE DONE ENOUGH TO SAVE HIM. 1615 00:49:09,313 --> 00:49:13,584 I MISS HIM SO MUCH. 1616 00:49:13,584 --> 00:49:14,185 >> THERE'S NOTHING YOU COULD 1617 00:49:14,185 --> 00:49:15,719 HAVE DONE, THOUGH. 1618 00:49:15,719 --> 00:49:16,353 YOU KNOW ‐‐ YOU NEED TO NOT FEEL 1619 00:49:16,353 --> 00:49:17,822 GUILTY. 1620 00:49:17,822 --> 00:49:19,190 THERE'S NOTHING YOU COULD HAVE 1621 00:49:19,190 --> 00:49:19,957 DONE, YOU KNOW? 1622 00:49:19,957 --> 00:49:21,525 >> I KNOW. 1623 00:49:21,525 --> 00:49:22,593 >> BUT I TOTALLY RELATE. 1624 00:49:22,593 --> 00:49:25,763 I AM ALSO AN ADDICT, AN 1625 00:49:25,763 --> 00:49:26,831 ALCOHOLIC, BUT I'M SOBER AND 1626 00:49:26,831 --> 00:49:27,865 IT'S HARD FOR ME TO KEEP IT 1627 00:49:27,865 --> 00:49:29,467 TOGETHER BECAUSE IT'S SO 1628 00:49:29,467 --> 00:49:29,733 SENSITIVE. 1629 00:49:29,733 --> 00:49:30,501 OUR LIFE IS SO FRAGILE. 1630 00:49:30,501 --> 00:49:31,068 YOU THINK HE'S IN A BETTER 1631 00:49:31,068 --> 00:49:34,205 PLACE? 1632 00:49:34,205 --> 00:49:34,538 >> ABSOLUTELY. 1633 00:49:34,538 --> 00:49:35,773 I WOULD JUST WANT HIM TO KNOW 1634 00:49:35,773 --> 00:49:38,442 THAT I LOVE YOU AND I MISS YOU. 1635 00:49:38,442 --> 00:49:41,078 AND THE LOVE THAT HE HAD FOR ME 1636 00:49:41,078 --> 00:49:42,112 AND THE FRIENDSHIP THAT HE GAVE 1637 00:49:42,112 --> 00:49:42,680 ME WAS SO SPECIAL AND WILL 1638 00:49:42,680 --> 00:49:44,748 ALWAYS BE WITH ME. 1639 00:49:44,748 --> 00:49:46,350 >> ONE, TWO ‐‐ 1640 00:49:46,350 --> 00:49:47,952 >> IF HE WAS HERE, HE WOULD BE 1641 00:49:47,952 --> 00:49:50,588 MY BIGGEST CHEERLEADER. 1642 00:49:50,588 --> 00:49:52,723 HE WOULD BE TELLING ME HOW PROUD 1643 00:49:52,723 --> 00:49:53,257 HE IS OF ME. 1644 00:49:53,257 --> 00:49:55,359 I WANT THE EMOTION AND THE 1645 00:49:55,359 --> 00:49:56,427 CONNECTION TO THAT FRIENDSHIP TO 1646 00:49:56,427 --> 00:49:58,529 COME ALIVE IN THIS DANCE. 1647 00:49:58,529 --> 00:49:59,196 I WANT IT TO BE A CELEBRATION OF 1648 00:49:59,196 --> 00:50:01,165 OSCAR. 1649 00:50:01,165 --> 00:50:04,702 I JUST WANT TO DO HIM PROUD. 1650 00:50:16,947 --> 00:50:17,515 >> Tyra: ALL RIGHT, SUNI IS 1651 00:50:17,515 --> 00:50:18,115 FEELING BETTER AND HOPEFULLY 1652 00:50:18,115 --> 00:50:18,716 WE'LL SEE HER IN THE DANCE IN 1653 00:50:18,716 --> 00:50:21,151 THE NEXT ROUND. 1654 00:50:21,151 --> 00:50:22,419 ALL RIGHT? 1655 00:50:22,419 --> 00:50:22,887 WE'RE PULLING FOR HER. 1656 00:50:22,887 --> 00:50:23,821 BEFORE THE BREAK, WE SAW SOME 1657 00:50:23,821 --> 00:50:24,455 EMOTIONAL MOMENTS IN TRAINING AS 1658 00:50:24,455 --> 00:50:26,457 CODY AND CHERYL WORKED ON THEIR 1659 00:50:26,457 --> 00:50:27,091 FOXTROT TO THE QUEEN HIT "YOU'RE 1660 00:50:27,091 --> 00:50:29,627 MY BEST FRIEND." 1661 00:50:29,627 --> 00:50:31,195 AND NOW THEY'RE READY TO DANCE. 1662 00:50:31,195 --> 00:50:32,263 >> Announcer: DANCING THE 1663 00:50:32,263 --> 00:50:33,831 FOXTROT, WITH HIS PARTNER 1664 00:50:33,831 --> 00:50:34,365 CHERYL, IT'S CODY RIGSBY! 1665 00:50:34,365 --> 00:50:38,102 ♪ 1666 00:50:40,170 --> 00:50:46,410 ♪ 1667 00:50:46,410 --> 00:50:49,146 ♪ OOH, YOU MAKE ME LIVE 1668 00:50:49,146 --> 00:50:50,748 ♪ WHATEVER THIS WORLD 1669 00:50:50,748 --> 00:50:52,316 CAN GIVE TO ME 1670 00:50:52,316 --> 00:50:59,757 IT'S YOU ♪ 1671 00:50:59,757 --> 00:51:00,791 ♪ YOU'RE ALL I SEE 1672 00:51:00,791 --> 00:51:01,325 OOH, YOU MAKE ME 1673 00:51:01,325 --> 00:51:01,859 LIVE NOW HONEY ♪ 1674 00:51:01,859 --> 00:51:05,029 ♪ OOH, YOU MAKE ME LIVE 1675 00:51:05,029 --> 00:51:07,665 ♪ OH, YOU'RE THE BEST FRIEN 1676 00:51:07,665 --> 00:51:10,401 THAT I EVER HAD 1677 00:51:10,401 --> 00:51:11,869 BEEN WITH YOU ♪ 1678 00:51:11,869 --> 00:51:13,470 ♪ SUCH A LONG TIME 1679 00:51:13,470 --> 00:51:15,573 YOU'RE MY SUNSHINE 1680 00:51:15,573 --> 00:51:18,409 AND I WANT YOU TO KNOW ♪ 1681 00:51:18,409 --> 00:51:19,810 ♪ THAT MY FEELINGS ARE TRUE 1682 00:51:19,810 --> 00:51:23,514 I REALLY LOVE YOU ♪ 1683 00:51:23,514 --> 00:51:29,353 ♪ OH, YOU'RE MY BEST FRIEND 1684 00:51:29,353 --> 00:51:34,091 OOH, YOU MAKE ME LIVE ♪ 1685 00:51:34,091 --> 00:51:34,458 ♪ OOH I'VE BEEN 1686 00:51:34,458 --> 00:51:35,159 WANDERING ROUND 1687 00:51:35,159 --> 00:51:36,860 BUT I STILL COME 1688 00:51:36,860 --> 00:51:45,703 ♪ BACK TO YOU 1689 00:51:45,703 --> 00:51:46,236 IN RAIN OR SHINE 1690 00:51:46,236 --> 00:51:46,770 YOU'VE STOOD BY ME GIRL ♪ 1691 00:51:46,770 --> 00:51:48,839 ♪ I'M HAPPY AT HOME 1692 00:51:48,839 --> 00:51:49,406 YOU'RE MY BEST FRIEND 1693 00:51:49,406 --> 00:51:58,248 OOH, YOU'RE MY BEST FRIEND ♪ 1694 00:52:01,085 --> 00:52:05,856 >> Tyra: AW. 1695 00:52:05,856 --> 00:52:07,958 CODY AND CHERYL WITH THEIR 1696 00:52:07,958 --> 00:52:08,525 FOXTROT TO "YOU'RE MY BEST 1697 00:52:08,525 --> 00:52:14,865 FRIEND." 1698 00:52:14,865 --> 00:52:17,468 CARRIE ANN? 1699 00:52:17,468 --> 00:52:18,502 >> CODY, I'M SO SORRY FOR YOUR 1700 00:52:18,502 --> 00:52:20,104 LOSS, FIRST OF ALL AND THEY 1701 00:52:20,104 --> 00:52:22,206 ALWAYS SAY THAT THE BEST WAY TO 1702 00:52:22,206 --> 00:52:24,341 CELEBRATE ‐‐ OR THE BEST WAY TO 1703 00:52:24,341 --> 00:52:25,376 EXPRESS YOUR GRIEF IS TO LIVE 1704 00:52:25,376 --> 00:52:28,045 YOUR LIFE AND CONTINUE LIVING TO 1705 00:52:28,045 --> 00:52:28,345 THE FULLEST. 1706 00:52:28,345 --> 00:52:31,215 AND WHAT I SAW TONIGHT, I THINK 1707 00:52:31,215 --> 00:52:32,249 FOR THE FIRST TIME I SAW TRUE 1708 00:52:32,249 --> 00:52:34,418 JOY IN YOUR DANCING. 1709 00:52:34,418 --> 00:52:36,020 YOU WERE OPEN AND FREE AND YOU 1710 00:52:36,020 --> 00:52:39,189 WERE RELAXED AND IT WAS SO 1711 00:52:39,189 --> 00:52:39,823 MUCH ‐‐ I DON'T KNOW, JUST MADE 1712 00:52:39,823 --> 00:52:41,291 ME REALLY HAPPY. 1713 00:52:41,291 --> 00:52:41,892 I KNOW IT'S BEEN A ROUGH ROAD 1714 00:52:41,892 --> 00:52:42,359 FOR YOU, WELL DONE. 1715 00:52:42,359 --> 00:52:43,927 >> Tyra: LEN? 1716 00:52:43,927 --> 00:52:44,461 >> IT WAS A DELIGHTFUL 1717 00:52:44,461 --> 00:52:46,597 PERFORMANCE. 1718 00:52:46,597 --> 00:52:48,165 YOUR BUM STUCK OUT A LITTLE BIT 1719 00:52:48,165 --> 00:52:49,767 HERE AND THERE. 1720 00:52:49,767 --> 00:52:50,367 YOU COULD HAVE TUCKED THAT UNDER 1721 00:52:50,367 --> 00:52:51,835 SLIGHTLY. 1722 00:52:51,835 --> 00:52:53,937 THAT WOULD HAVE BEEN A LITTLE 1723 00:52:53,937 --> 00:52:55,539 BETTER, BUT OVERALL, DEFINITELY 1724 00:52:55,539 --> 00:52:56,607 NOT YOUR WORST DANCE, BUT MAYBE 1725 00:52:56,607 --> 00:52:57,641 NOT QUITE YOUR BEST. 1726 00:52:57,641 --> 00:52:58,175 WELL DONE. 1727 00:52:58,175 --> 00:53:00,277 >> Tyra: DEREK? 1728 00:53:00,277 --> 00:53:00,844 >> SEE, I DISAGREE. 1729 00:53:00,844 --> 00:53:05,049 I THINK THAT WAS YOUR BEST 1730 00:53:05,049 --> 00:53:05,616 DANCE, BECAUSE THERE WAS AN 1731 00:53:05,616 --> 00:53:07,217 APPROACHABLE AND, LIKE, SOFT 1732 00:53:07,217 --> 00:53:08,252 ENERGY ABOUT YOU THAT WAS JUST 1733 00:53:08,252 --> 00:53:08,886 SO REFRESHING TO SEE FROM YOU, 1734 00:53:08,886 --> 00:53:09,853 CODY. 1735 00:53:09,853 --> 00:53:11,422 AND ALSO, TECHNICALLY, YOUR 1736 00:53:11,422 --> 00:53:12,022 FRAME WAS WIRED, IT WAS MORE 1737 00:53:12,022 --> 00:53:12,489 CONSISTENT. 1738 00:53:12,489 --> 00:53:15,626 IT WAS SMOOTHER. 1739 00:53:15,626 --> 00:53:16,694 I ‐‐ MY MAN. 1740 00:53:16,694 --> 00:53:17,227 WELL DONE. 1741 00:53:17,227 --> 00:53:19,863 >> Tyra: BRUNO? 1742 00:53:19,863 --> 00:53:27,771 >> I'M KIND OF DIGGING THAT KIND 1743 00:53:27,771 --> 00:53:28,238 OF CODY AND CHER LOOK. 1744 00:53:28,238 --> 00:53:28,839 IT WORKED VERY WELL. 1745 00:53:28,839 --> 00:53:29,440 IT WAS A FOXTROT GLOWING WITH 1746 00:53:29,440 --> 00:53:29,707 AFFECTION. 1747 00:53:29,707 --> 00:53:30,307 I ACTUALLY SAW YOUR TRUE SELF 1748 00:53:30,307 --> 00:53:30,941 TONIGHT. 1749 00:53:30,941 --> 00:53:31,442 YOU WERE HONEST, IT WAS 1750 00:53:31,442 --> 00:53:32,042 SPONTANEOUS, YOU MOVED VERY, 1751 00:53:32,042 --> 00:53:34,411 VERY WELL. 1752 00:53:34,411 --> 00:53:37,815 WELL DONE. 1753 00:53:37,815 --> 00:53:39,917 >> Tyra: SO INTERESTING THAT YOU 1754 00:53:39,917 --> 00:53:41,018 GOT A COMMENT THAT IT WAS YOUR 1755 00:53:41,018 --> 00:53:42,086 BEST. 1756 00:53:42,086 --> 00:53:43,654 DO YOU THINK IT HAS SOMETHING TO 1757 00:53:43,654 --> 00:53:44,288 DO WITH THINKING OF YOUR FRIEND 1758 00:53:44,288 --> 00:53:45,789 AND THAT LOVE YOU HAD? 1759 00:53:45,789 --> 00:53:46,390 WHAT MADE THIS, WHAT THEY'RE 1760 00:53:46,390 --> 00:53:46,924 SAYING SOME OF YOUR BEST 1761 00:53:46,924 --> 00:53:53,697 DANCING? 1762 00:53:53,697 --> 00:53:55,299 >> YEAH, I THINK IT'S JUST 1763 00:53:55,299 --> 00:53:56,366 CONNECTIONS TO EMOTION AND 1764 00:53:56,366 --> 00:53:56,934 CONNECTIONS TO LOVE AND THE 1765 00:53:56,934 --> 00:53:57,534 SPIRIT OF MY BEST FRIEND AND ‐‐ 1766 00:53:57,534 --> 00:53:58,102 >> Tyra: WE FELT IT TONIGHT. 1767 00:53:58,102 --> 00:54:00,838 IT WAS BEAUTIFUL, CODY. 1768 00:54:00,838 --> 00:54:01,338 TRULY, TRULY BEAUTIFUL. 1769 00:54:01,338 --> 00:54:01,972 WE'RE GOING TO GET YOUR SCORES, 1770 00:54:01,972 --> 00:54:04,241 OKAY? 1771 00:54:04,241 --> 00:54:05,843 >> Announcer: CARRIE ANN INABA. 1772 00:54:05,843 --> 00:54:07,945 >> EIGHT. 1773 00:54:07,945 --> 00:54:09,012 >> Announcer: LEN GOODMAN. 1774 00:54:09,012 --> 00:54:11,115 >> EIGHT. 1775 00:54:11,115 --> 00:54:12,182 >> Announcer: DEREK HOUGH. 1776 00:54:12,182 --> 00:54:14,318 >> NINE. 1777 00:54:14,318 --> 00:54:16,453 >> Announcer: BRUNO TONIOLI. 1778 00:54:16,453 --> 00:54:16,720 >> BE YOU. 1779 00:54:16,720 --> 00:54:21,225 NINE. 1780 00:54:21,225 --> 00:54:21,859 >> Tyra: 34 OUT OF 40 FOR CODY 1781 00:54:21,859 --> 00:54:23,327 AND CHERYL. 1782 00:54:23,327 --> 00:54:26,430 SO FAR TONIGHT. 1783 00:54:26,430 --> 00:54:27,064 NOW, WE'VE GOT ONE MORE DANCE IN 1784 00:54:27,064 --> 00:54:28,065 THE FIRST ROUND AND IT BELONGS 1785 00:54:28,065 --> 00:54:30,167 TO MELORA HARDIN AND ARTEM. 1786 00:54:30,167 --> 00:54:30,801 THEY ARE NEXT AND THEY WILL BE 1787 00:54:30,801 --> 00:54:32,836 LIVE. 1788 00:54:40,177 --> 00:54:42,846 ♪ 1789 00:54:42,846 --> 00:54:45,582 >> Tyra: WELCOME BACK. 1790 00:54:45,582 --> 00:54:47,951 NOW, BE SURE TO CHECK OUT OUR 1791 00:54:47,951 --> 00:54:49,186 "DANCING WITH THE STARS" PROS ON 1792 00:54:49,186 --> 00:54:52,222 TOUR THIS WINTER 2022 IN AN 1793 00:54:52,222 --> 00:54:55,025 ALL‐NEW LIVE SHOW. 1794 00:54:55,025 --> 00:54:55,926 GO TO DWTSTOUR.COM FOR TICKETS 1795 00:54:55,926 --> 00:54:56,960 AND FULL DETAILS. 1796 00:54:56,960 --> 00:54:58,562 NOW, RIGHT NOW, WE'RE GOING TO 1797 00:54:58,562 --> 00:55:00,130 CHECK OUT OUR ACTRESS FROM "THE 1798 00:55:00,130 --> 00:55:02,766 OFFICE" AND "THE BOLD TYPE." 1799 00:55:02,766 --> 00:55:03,400 THIS WEEK, AS MELORA HARDIN AND 1800 00:55:03,400 --> 00:55:06,436 ARTEM TRAINED FOR THEIR FOXTROT 1801 00:55:06,436 --> 00:55:07,037 TO "KILLER QUEEN," THEY GOT A 1802 00:55:07,037 --> 00:55:07,704 SURPRISE VISIT FROM HER 1803 00:55:07,704 --> 00:55:14,077 COSTARS. 1804 00:55:14,077 --> 00:55:15,012 >> I'M SO EXCITED BECAUSE IT'S 1805 00:55:15,012 --> 00:55:15,312 QUEEN NIGHT! 1806 00:55:15,312 --> 00:55:16,180 OH, MY GOD. 1807 00:55:16,180 --> 00:55:16,713 WHAT'S OUR SONG? 1808 00:55:16,713 --> 00:55:20,884 >> "KILLER QUEEN." 1809 00:55:20,884 --> 00:55:21,618 >> YEAH! 1810 00:55:21,618 --> 00:55:22,853 QUEEN IS EXTRAORDINARY. 1811 00:55:22,853 --> 00:55:24,755 AS AN ACTOR, I JUST APPRECIATE 1812 00:55:24,755 --> 00:55:27,858 THE PERFORMANCE AND 1813 00:55:27,858 --> 00:55:28,192 COLLABORATION. 1814 00:55:28,192 --> 00:55:29,993 IT REMINDS ME OF WORKING ON "THE 1815 00:55:29,993 --> 00:55:30,928 BOLD TYPE." 1816 00:55:30,928 --> 00:55:32,062 THE EXPERIENCE ALL THE WAY 1817 00:55:32,062 --> 00:55:34,064 AROUND WAS SO CREATIVE. 1818 00:55:34,064 --> 00:55:35,098 "BOLD TYPE" IS ABOUT A MAGAZINE 1819 00:55:35,098 --> 00:55:36,700 CALLED "SCARLET MAGAZINE." 1820 00:55:36,700 --> 00:55:39,303 I PLAYED JACQUELINE CARLISLE. 1821 00:55:39,303 --> 00:55:41,471 AND SHE'S REALLY AN AMAZING 1822 00:55:41,471 --> 00:55:43,941 MENTOR TO HER YOUNG EMPLOYEES. 1823 00:55:43,941 --> 00:55:44,508 SHE REALLY WAS KIND OF THE 1824 00:55:44,508 --> 00:55:45,542 QUEEN. 1825 00:55:45,542 --> 00:55:46,176 MY THREE COSTARS WERE WONDERFUL 1826 00:55:46,176 --> 00:55:46,577 TO WORK WITH. 1827 00:55:46,577 --> 00:55:47,110 IT WAS JUST A WONDERFUL 1828 00:55:47,110 --> 00:55:48,712 EXPERIENCE. 1829 00:55:48,712 --> 00:55:50,280 >> HELLO? 1830 00:55:50,280 --> 00:55:53,450 >> AHH! 1831 00:55:53,450 --> 00:55:53,784 >> OH, MY GOD! 1832 00:55:53,784 --> 00:55:55,986 ALL MY "BOLD TYPE" LADIES. 1833 00:55:55,986 --> 00:55:58,622 I JUST ADORE THEM SO MUCH. 1834 00:55:58,622 --> 00:55:59,256 >> WE'RE SO EXCITED TO BE HERE. 1835 00:55:59,256 --> 00:56:00,224 >> MELORA'S CHARACTER ON "THE 1836 00:56:00,224 --> 00:56:03,393 BOLD TYPE" IS JUST LIKE HER. 1837 00:56:03,393 --> 00:56:06,029 SHE'S SUPPORTIVE AND KIND. 1838 00:56:06,029 --> 00:56:06,597 >> I GOT EVERYBODY A LITTLE 1839 00:56:06,597 --> 00:56:07,598 CROWN. 1840 00:56:07,598 --> 00:56:09,199 >> SHE'S JUST SO INCREDIBLE AND 1841 00:56:09,199 --> 00:56:10,767 WE'RE ALL JUST SO PROUD OF HER. 1842 00:56:10,767 --> 00:56:12,870 >> SO, THIS WEEK WE'RE DOING 1843 00:56:12,870 --> 00:56:13,904 FOXTROT AND WE'RE DOING QUEEN. 1844 00:56:13,904 --> 00:56:14,972 >> WITH MELORA, EVERY WEEK IS 1845 00:56:14,972 --> 00:56:16,540 QUEEN WEEK. 1846 00:56:16,540 --> 00:56:18,141 >> BOOM! 1847 00:56:18,141 --> 00:56:18,742 >> THEIR ENERGY JUST MAKES ME 1848 00:56:18,742 --> 00:56:19,710 HAPPY. 1849 00:56:19,710 --> 00:56:21,845 THEY ARE JUST DELIGHTS. 1850 00:56:21,845 --> 00:56:23,413 THEY'RE ABSOLUTE DELIGHTS. 1851 00:56:23,413 --> 00:56:24,047 >> WE'RE COMING TO THE SHOW ON 1852 00:56:24,047 --> 00:56:24,481 MONDAY. 1853 00:56:24,481 --> 00:56:27,684 >> NO WAY! 1854 00:56:27,684 --> 00:56:29,486 >> IT WILL HELP ME BRING A LOT 1855 00:56:29,486 --> 00:56:31,388 MORE OF THAT JACQUELINE CARLISLE 1856 00:56:31,388 --> 00:56:34,558 ENERGY THAT I WANT IN THIS DANCE 1857 00:56:34,558 --> 00:56:37,728 TO KNOW THAT MY THREE BEAUTIFUL 1858 00:56:37,728 --> 00:56:38,295 BABY QUEENS ARE SITTING OUT 1859 00:56:38,295 --> 00:56:38,762 THERE. 1860 00:56:38,762 --> 00:56:39,296 >> TEN! 1861 00:56:39,296 --> 00:56:39,830 TEN! 1862 00:56:39,830 --> 00:56:46,136 TEN! 1863 00:56:46,136 --> 00:56:47,704 >> Announcer: DANCING THE 1864 00:56:47,704 --> 00:56:48,338 FOXTROT, WITH HER PARTNER ARTEM, 1865 00:56:48,338 --> 00:56:52,342 IT'S MELORA HARDIN! 1866 00:56:53,543 --> 00:56:54,044 ♪ 1867 00:56:54,044 --> 00:57:03,053 ♪ SHE KEEPS MOET ET CHANDON 1868 00:57:03,053 --> 00:57:03,587 IN HER PRETTY CABINET ♪ 1869 00:57:03,587 --> 00:57:04,655 ♪ LET THEM EAT CAKE 1870 00:57:04,655 --> 00:57:05,055 SHE SAYS JUST LIKE 1871 00:57:05,055 --> 00:57:05,722 MARIE ANTOINETTE ♪ 1872 00:57:05,722 --> 00:57:06,757 ♪ A BUILT‐IN REMEDY 1873 00:57:06,757 --> 00:57:08,358 FOR KHRUSHCHEV AND KENNEDY 1874 00:57:08,358 --> 00:57:08,926 AT ANYTIME AN INVITATION ♪ 1875 00:57:08,926 --> 00:57:10,994 ♪ YOU CAN'T DECLINE 1876 00:57:10,994 --> 00:57:11,528 CAVIAR AND CIGARETTES ♪ 1877 00:57:11,528 --> 00:57:15,198 ♪ WELL VERSED IN ETIQUETTE 1878 00:57:15,198 --> 00:57:18,335 EXTRAORDINARILY NICE ♪ 1879 00:57:18,335 --> 00:57:19,937 ♪ SHE'S A KILLER QUEEN 1880 00:57:19,937 --> 00:57:22,572 GUNPOWDER, GELATINE 1881 00:57:22,572 --> 00:57:23,173 DYNAMITE WITH A LASER BEAM ♪ 1882 00:57:23,173 --> 00:57:23,640 ♪ GUARANTEED TO 1883 00:57:23,640 --> 00:57:25,742 BLOW YOUR MIND 1884 00:57:25,742 --> 00:57:30,380 ANYTIME ♪ 1885 00:57:31,014 --> 00:57:43,727 ♪ 1886 00:57:43,727 --> 00:57:44,795 ♪ TO AVOID COMPLICATIONS 1887 00:57:44,795 --> 00:57:45,128 SHE NEVER KEPT 1888 00:57:45,128 --> 00:57:46,363 THE SAME ADDRESS ♪ 1889 00:57:46,363 --> 00:57:47,965 ♪ IN CONVERSATION SHE SPOKE 1890 00:57:47,965 --> 00:57:51,101 JUST LIKE A BARONESS ♪ 1891 00:57:51,101 --> 00:57:52,669 ♪ MET A MAN FROM CHINA 1892 00:57:52,669 --> 00:57:54,271 WENT DOWN TO GEISHA MINAH ♪ 1893 00:57:54,271 --> 00:57:56,373 ♪ THEN AGAIN INCIDENTALLY 1894 00:57:56,373 --> 00:57:59,009 IF YOU'RE THAT WAY INCLINED ♪ 1895 00:57:59,009 --> 00:57:59,543 ♪ PERFUME CAME NATURALLY 1896 00:57:59,543 --> 00:58:01,144 FROM PARIS ♪ 1897 00:58:01,144 --> 00:58:02,179 ♪ FOR CARS SHE 1898 00:58:02,179 --> 00:58:03,780 COULDN'T CARE LESS 1899 00:58:03,780 --> 00:58:05,882 FASTIDIOUS AND PRECISE ♪ 1900 00:58:05,882 --> 00:58:08,018 ♪ SHE'S A KILLER QUEEN 1901 00:58:08,018 --> 00:58:10,120 GUNPOWDER, GELATIN 1902 00:58:10,120 --> 00:58:11,188 DYNAMITE WITH A LASER BEAM ♪ 1903 00:58:11,188 --> 00:58:12,255 ♪ GUARANTEED TO 1904 00:58:12,255 --> 00:58:15,025 BLOW YOUR MIND 1905 00:58:15,025 --> 00:58:18,061 ANYTIME ♪ 1906 00:58:21,231 --> 00:58:23,867 >> Tyra: MELORA AND ARTEM 1907 00:58:23,867 --> 00:58:25,969 CLOSING OUT THE FIRST PART OF 1908 00:58:25,969 --> 00:58:26,603 THESE DANCES FOR TONIGHT WITH A 1909 00:58:26,603 --> 00:58:31,008 FOXTROT. 1910 00:58:31,008 --> 00:58:34,344 >> IT HAD SOPHISTICATION, IT HAD 1911 00:58:34,344 --> 00:58:35,979 ELEGANCE, IT HAD STYLE. 1912 00:58:35,979 --> 00:58:37,014 THE HOLDS SHOWED GREAT 1913 00:58:37,014 --> 00:58:37,280 TECHNIQUE. 1914 00:58:37,280 --> 00:58:39,016 I THOUGHT IT WAS AN ALL‐AROUND 1915 00:58:39,016 --> 00:58:39,483 POLISHED PERFORMANCE. 1916 00:58:39,483 --> 00:58:40,183 WELL DONE. 1917 00:58:40,183 --> 00:58:42,319 >> Tyra: DEREK? 1918 00:58:42,319 --> 00:58:43,387 >> NO, IT WAS SMOOTH. 1919 00:58:43,387 --> 00:58:44,955 I MEAN, THE COSTUME, THE 1920 00:58:44,955 --> 00:58:47,090 CONCEPT, IT WAS ALL THERE. 1921 00:58:47,090 --> 00:58:48,658 YOU WERE JUST RADIANT TONIGHT. 1922 00:58:48,658 --> 00:58:51,762 REGAL, ABSOLUTELY STUNNING. 1923 00:58:51,762 --> 00:58:53,363 FANTASTIC. 1924 00:58:53,363 --> 00:58:53,830 ALL HAIL QUEEN MELORA. 1925 00:58:53,830 --> 00:58:55,032 YES. 1926 00:58:55,032 --> 00:58:58,068 >> Tyra: BRUNO? 1927 00:58:58,068 --> 00:58:58,702 >> THIS KILLER QUEEN IS LETHAL. 1928 00:58:58,702 --> 00:58:59,669 IT TAKES ONE TO KNOW ONE, TRUST 1929 00:58:59,669 --> 00:59:01,772 ME. 1930 00:59:01,772 --> 00:59:04,941 I MEAN, TALK ABOUT GIVING THE 1931 00:59:04,941 --> 00:59:06,009 FULL PERFORMANCE PACKAGE. 1932 00:59:06,009 --> 00:59:08,111 SHE WAS GOING FOR THE QUEEN'S 1933 00:59:08,111 --> 00:59:09,679 AWARD TONIGHT. 1934 00:59:09,679 --> 00:59:10,213 I JUST LOVE WATCHING YOU. 1935 00:59:10,213 --> 00:59:12,849 YOU TICKLE ME. 1936 00:59:12,849 --> 00:59:15,018 YOUR HEAD IS STILL ON, DON'T 1937 00:59:15,018 --> 00:59:16,787 WORRY. 1938 00:59:16,787 --> 00:59:21,024 NO MARIE ANTOINETTE TONIGHT. 1939 00:59:21,024 --> 00:59:21,925 >> Tyra: CARRIE ANN? 1940 00:59:21,925 --> 00:59:22,993 >> MELORA, I PUSHED YOU LAST 1941 00:59:22,993 --> 00:59:23,527 WEEK TO GIVE US MORE AND 1942 00:59:23,527 --> 00:59:24,027 TONIGHT, I SAW YOU. 1943 00:59:24,027 --> 00:59:25,629 EVERYTHING, YOU WERE UPPING IT A 1944 00:59:25,629 --> 00:59:26,163 NOTCH. 1945 00:59:26,163 --> 00:59:26,797 I SAW ALL THE AGGRESSION, I SAW 1946 00:59:26,797 --> 00:59:28,265 THE INTENSITY. 1947 00:59:28,265 --> 00:59:28,832 I SAW SOMETHING AT THE END, 1948 00:59:28,832 --> 00:59:29,833 THOUGH, DID YOU LOSE YOUR 1949 00:59:29,833 --> 00:59:32,169 BALANCE? 1950 00:59:32,169 --> 00:59:33,236 WHAT HAPPENED THERE? 1951 00:59:33,236 --> 00:59:33,804 SOMETHING ‐‐ DON'T TELL ME, 1952 00:59:33,804 --> 00:59:34,438 MAYBE IT'S BETTER THAT I DON'T 1953 00:59:34,438 --> 00:59:35,338 KNOW. 1954 00:59:35,338 --> 00:59:36,406 SOMETHING HAPPENED HERE, MAYBE? 1955 00:59:36,406 --> 00:59:37,441 I DON'T KNOW. 1956 00:59:37,441 --> 00:59:38,508 SOMETHING HAPPENED AND YOU 1957 00:59:38,508 --> 00:59:39,109 LOOKED LIKE YOU LOST YOUR ‐‐ 1958 00:59:39,109 --> 00:59:42,212 >> IT'S ARTEM'S FAULT! 1959 00:59:42,212 --> 00:59:47,050 >> MY FAULT. 1960 00:59:47,050 --> 00:59:49,653 >> Tyra: SO YOUR COSTARS ARE 1961 00:59:49,653 --> 00:59:50,220 HERE WITH YOU AND THEY SAID 1962 00:59:50,220 --> 00:59:50,787 SOMETHING REALLY BEAUTIFUL. 1963 00:59:50,787 --> 00:59:51,421 THEY SAID THE PART THAT YOU PLAY 1964 00:59:51,421 --> 00:59:52,823 AND WHO YOU ARE AS A PERSON IS 1965 00:59:52,823 --> 00:59:54,925 SO, SO THE SAME, KINDNESS, 1966 00:59:54,925 --> 00:59:55,992 BEAUTY, ALL OF THAT. 1967 00:59:55,992 --> 00:59:57,861 WHAT DO YOU WANT TO SAY TO THEM? 1968 00:59:57,861 --> 00:59:59,062 THEY'RE HERE RIGHT NOW. 1969 00:59:59,062 --> 00:59:59,629 >> WELL, I WANT TO START BY 1970 00:59:59,629 --> 01:00:00,230 ACKNOWLEDGING THE JUDGES AND 1971 01:00:00,230 --> 01:00:09,473 THANK YOU FOR ALL OF YOUR 1972 01:00:09,473 --> 01:00:10,107 SUPPORT THAT YOU GIVE EVERY WEEK 1973 01:00:10,107 --> 01:00:10,707 AND LAST WEEK IT WAS A GENTLE 1974 01:00:10,707 --> 01:00:11,608 KICK IN THE PANTS AND IT REALLY 1975 01:00:11,608 --> 01:00:12,242 DID INCENTIVIZE ARTEM AND I TO 1976 01:00:12,242 --> 01:00:14,244 TAKE YOUR PARTNERSHIP TO THE 1977 01:00:14,244 --> 01:00:14,878 NEXT LEVEL AND I ENJOYED EVERY 1978 01:00:14,878 --> 01:00:18,648 MINUTE OF FINDING MY KILLER 1979 01:00:18,648 --> 01:00:19,082 QUEEN. 1980 01:00:19,082 --> 01:00:22,786 AND ‐‐ AND I AM ALSO ‐‐ NEVER 1981 01:00:22,786 --> 01:00:24,254 EXPECT MY BEAUTIFUL AND TALENTED 1982 01:00:24,254 --> 01:00:25,655 YOUNG COSTARS TO COME AND 1983 01:00:25,655 --> 01:00:27,424 SUPPORT ME, BUT BECAUSE THEY 1984 01:00:27,424 --> 01:00:28,158 HAVE, I FEEL VERY LOVED AND VERY 1985 01:00:28,158 --> 01:00:30,560 GRATEFUL. 1986 01:00:30,560 --> 01:00:31,628 >> Tyra: ALL RIGHTY. 1987 01:00:31,628 --> 01:00:34,030 SO, ARTEM ‐‐ ARTEM, THE JUDGES 1988 01:00:34,030 --> 01:00:34,397 WERE TOUGH. 1989 01:00:34,397 --> 01:00:37,567 THEY WERE SUPER, ISSUPER TOUGH 1990 01:00:37,567 --> 01:00:38,702 LAST WEEK. 1991 01:00:38,702 --> 01:00:40,270 >> RIGHT. 1992 01:00:40,270 --> 01:00:40,804 >> Tyra: IT WAS HARD CORE. 1993 01:00:40,804 --> 01:00:41,304 TELL ME ‐‐ YOU, AS THE 1994 01:00:41,304 --> 01:00:42,372 CHOREOGRAPHER, AS THE LEAD, AS 1995 01:00:42,372 --> 01:00:44,508 THE PRO, WHAT DID YOU DO TO 1996 01:00:44,508 --> 01:00:47,010 ANSWER THAT CRITIQUE? 1997 01:00:47,010 --> 01:00:48,745 >> AH ‐‐ WELL, I WAS GOING TO 1998 01:00:48,745 --> 01:00:50,914 SAY, MELORA WORKS SO HARD WEEK 1999 01:00:50,914 --> 01:00:53,083 TO WEEK AND SHE'S PUTTING HER 2000 01:00:53,083 --> 01:00:54,417 ABSOLUTE ALL AND I COULD NOT ASK 2001 01:00:54,417 --> 01:00:57,521 FOR HER AND SHE'S AN ABSOLUTE 2002 01:00:57,521 --> 01:00:57,687 GEM. 2003 01:00:57,687 --> 01:00:58,155 >> Tyra: SHE IS A GEM. 2004 01:00:58,155 --> 01:01:00,157 LET'S GET THE SCORES. 2005 01:01:00,157 --> 01:01:01,258 >> Announcer: CARRIE ANN INABA. 2006 01:01:01,258 --> 01:01:05,462 >> NINE. 2007 01:01:05,462 --> 01:01:05,996 >> Announcer: LEN GOODMAN. 2008 01:01:05,996 --> 01:01:07,030 >> NINE. 2009 01:01:07,030 --> 01:01:08,131 >> Announcer: DEREK HOUGH. 2010 01:01:08,131 --> 01:01:09,699 >> NINE. 2011 01:01:09,699 --> 01:01:10,767 >> Announcer: BRUNO TONIOLI. 2012 01:01:10,767 --> 01:01:14,938 >> NINE. 2013 01:01:14,938 --> 01:01:16,540 >> Tyra: 36 OUT OF 40 FOR MELORA 2014 01:01:16,540 --> 01:01:20,110 AND ARTEM. 2015 01:01:20,110 --> 01:01:21,144 SO FAR TONIGHT. 2016 01:01:21,144 --> 01:01:22,445 NOW, IMPORTANT BONUS POINTS ARE 2017 01:01:22,445 --> 01:01:24,481 ON THE WAY AS OUR COUPLES DANCE 2018 01:01:24,481 --> 01:01:25,115 BACK‐TO‐BACK IN TONIGHT'S SECOND 2019 01:01:25,115 --> 01:01:26,483 ROUND. 2020 01:01:26,483 --> 01:01:28,685 IT IS NEXT AND IT IS LIVE! 2021 01:01:33,957 --> 01:01:35,559 ♪ 2022 01:01:35,559 --> 01:01:37,661 ♪ 2023 01:01:37,661 --> 01:01:38,228 >> Tyra: ALL RIGHT, WELCOME 2024 01:01:38,228 --> 01:01:39,296 BACK. 2025 01:01:39,296 --> 01:01:40,297 SO, JUST SO YOU KNOW, WE'RE 2026 01:01:40,297 --> 01:01:41,898 CHECKING IN WITH SUNI, WE'RE 2027 01:01:41,898 --> 01:01:42,933 GOING TO FIND OUT SOON IF SHE IS 2028 01:01:42,933 --> 01:01:43,567 GOING TO PERFORM IN THIS RELAY 2029 01:01:43,567 --> 01:01:45,835 ROUND. 2030 01:01:45,835 --> 01:01:47,771 NOW, RIGHT NOW, WE'RE GOING TO 2031 01:01:47,771 --> 01:01:48,405 TAKE A LOOK AT THE LEADERBOARD 2032 01:01:48,405 --> 01:01:49,039 AFTER THIS FIRST ROUND THAT WE 2033 01:01:49,039 --> 01:01:50,807 JUST HAD. 2034 01:01:50,807 --> 01:01:52,909 AT THE TOP ARE JOJO AND JENNA 2035 01:01:52,909 --> 01:01:55,278 AND CURRENTLY TIED AT THE BOTTOM 2036 01:01:55,278 --> 01:01:57,147 ARE IMAN AND DANIELLA AND THE 2037 01:01:57,147 --> 01:01:59,950 MIZ AND WITNEY. 2038 01:01:59,950 --> 01:02:02,285 ALL RIGHT, WE HAVE COME TO THE 2039 01:02:02,285 --> 01:02:03,853 SECOND ROUND OF THE COMPETITION. 2040 01:02:03,853 --> 01:02:04,387 I LOVE THIS. 2041 01:02:04,387 --> 01:02:05,956 THIS IS A RELAY DANCE ROUND. 2042 01:02:05,956 --> 01:02:06,556 OUR COUPLES HAVE BEEN DIVIDED 2043 01:02:06,556 --> 01:02:08,091 INTO THREE GROUPS BASED ON DANCE 2044 01:02:08,091 --> 01:02:09,125 STYLES THEY HAVE ALREADY 2045 01:02:09,125 --> 01:02:11,261 PERFORMED THIS SEASON. 2046 01:02:11,261 --> 01:02:12,295 THE COUPLES IN EACH GROUP WILL 2047 01:02:12,295 --> 01:02:14,931 DANCE A VERY SPECIFIC STYLE ONE 2048 01:02:14,931 --> 01:02:17,067 AFTER THE OTHER AFTER THE OTHER 2049 01:02:17,067 --> 01:02:19,669 AND EACH JUDGE HAS ONE BONUS 2050 01:02:19,669 --> 01:02:21,238 POINT TO GIVE TO THE COUPLE THAT 2051 01:02:21,238 --> 01:02:26,543 THEY THINK PERFORMED THE BEST IN 2052 01:02:26,543 --> 01:02:27,077 EACH OF THE THREE RELAYS. 2053 01:02:27,077 --> 01:02:27,677 AND THOSE POINTS COULD MAKE A 2054 01:02:27,677 --> 01:02:28,278 HUGE DIFFERENCE IN TONIGHT'S 2055 01:02:28,278 --> 01:02:29,713 ELIMINATION. 2056 01:02:29,713 --> 01:02:31,281 WE'RE ABOUT TO FIND OUT WHO IS 2057 01:02:31,281 --> 01:02:35,552 UP FIRST IN A JIVE RELAY. 2058 01:02:35,552 --> 01:02:36,152 >> WE GOT A MESSAGE FROM LEN. 2059 01:02:36,152 --> 01:02:38,188 >> OH, BOY. 2060 01:02:38,188 --> 01:02:39,256 >> LET'S WATCH THIS AND SEE WHAT 2061 01:02:39,256 --> 01:02:39,589 WE HAVE TO DO. 2062 01:02:39,589 --> 01:02:40,023 >> SEE WHAT HAPPENS. 2063 01:02:40,023 --> 01:02:43,460 >> LET'S GO! 2064 01:02:43,460 --> 01:02:46,129 >> HI, COUPLES. 2065 01:02:46,129 --> 01:02:47,697 YOU WILL BE DANCING A FOXTROT, 2066 01:02:47,697 --> 01:02:50,333 WHICH YOU'VE ALL DONE BEFORE, TO 2067 01:02:50,333 --> 01:02:51,901 "UNDER PRESSURE" BY QUEEN AND 2068 01:02:51,901 --> 01:02:52,402 DAVID BOWIE. 2069 01:02:52,402 --> 01:02:53,703 >> OKAY. 2070 01:02:53,703 --> 01:02:55,071 I'M EXCITED. 2071 01:02:55,071 --> 01:02:56,640 >> THE DANCE ORDER WILL BE 2072 01:02:56,640 --> 01:02:59,809 CHOSEN AT RANDOM. 2073 01:02:59,809 --> 01:03:02,979 FIRST TO DANCE WILL BE ‐‐ JOJO. 2074 01:03:02,979 --> 01:03:05,081 >> OH, HECK YEAH. 2075 01:03:05,081 --> 01:03:07,250 >> SECOND TO DANCE ‐‐ OLIVIA. 2076 01:03:07,250 --> 01:03:08,818 >> OH, GOSH! 2077 01:03:08,818 --> 01:03:09,886 >> THIRD TO DANCE ‐‐ HEY, 2078 01:03:09,886 --> 01:03:10,387 JIMMIE. 2079 01:03:10,387 --> 01:03:10,620 >> HEY! 2080 01:03:10,620 --> 01:03:13,056 >> HEY! 2081 01:03:13,056 --> 01:03:14,090 >> WE'LL SEE HOW YOU STACK UP IN 2082 01:03:14,090 --> 01:03:15,158 THE BALLROOM. 2083 01:03:15,158 --> 01:03:16,760 GOOD LUCK! 2084 01:03:16,760 --> 01:03:18,328 >> PRESSURE! 2085 01:03:18,328 --> 01:03:22,565 IN OUR LAST FOXTROT, WE GOT A 2086 01:03:22,565 --> 01:03:23,199 PERFECT 40, SO THERE'S A LOT OF 2087 01:03:23,199 --> 01:03:23,833 PRESSURE ON US, BECAUSE WE CAN'T 2088 01:03:23,833 --> 01:03:25,702 GO DOWNHILL. 2089 01:03:25,702 --> 01:03:27,804 >> I AM SUPER NERVOUS. 2090 01:03:27,804 --> 01:03:28,371 IT'S OLIVIA AND JOJO WE'RE 2091 01:03:28,371 --> 01:03:28,872 TALKING ABOUT. 2092 01:03:28,872 --> 01:03:31,875 THEY ARE GREAT DANCERS. 2093 01:03:31,875 --> 01:03:34,144 I DEFINITELY WANT TO WIN. 2094 01:03:34,144 --> 01:03:34,344 BOOM. 2095 01:03:34,344 --> 01:03:36,212 LET'S MAKE THIS HAPPEN. 2096 01:03:36,212 --> 01:03:36,813 >> WE ARE THE ONLY COUPLE IN 2097 01:03:36,813 --> 01:03:37,814 THIS GROUP THAT HAS BEEN IN THE 2098 01:03:37,814 --> 01:03:39,249 BOTTOM TWO AND HASN'T RECEIVED A 2099 01:03:39,249 --> 01:03:39,916 TEN YET. 2100 01:03:39,916 --> 01:03:41,017 THESE EXTRA POINTS ARE CRUCIAL. 2101 01:03:41,017 --> 01:03:47,223 THIS IS GOING TO BE A TOUGH ONE. 2102 01:03:47,223 --> 01:03:48,491 >> Tyra: ALL RIGHTY, SO, THE 2103 01:03:48,491 --> 01:03:49,592 CRAZY THING ABOUT LIVE TV IS 2104 01:03:49,592 --> 01:03:50,727 THAT MISTAKES HAPPEN. 2105 01:03:50,727 --> 01:03:52,162 THAT WAS THE WRONG PACKAGE. 2106 01:03:52,162 --> 01:03:52,896 IT'S ALL RIGHT. 2107 01:03:52,896 --> 01:03:53,596 WE ALL HUMAN. 2108 01:03:53,596 --> 01:03:55,832 WE'RE ABOUT TO ROLL THE RIGHT 2109 01:03:55,832 --> 01:03:56,066 PACKAGE. 2110 01:03:56,066 --> 01:03:58,768 LET'S DO IT RIGHT NOW. 2111 01:03:58,768 --> 01:03:59,369 >> SO, WE GOT A MESSAGE FROM 2112 01:03:59,369 --> 01:04:01,004 LEN ‐‐ 2113 01:04:01,004 --> 01:04:02,272 >> UH‐OH. 2114 01:04:02,272 --> 01:04:03,807 >> TEN LEN. 2115 01:04:03,807 --> 01:04:04,407 >> SHOULD WE SEE WHAT HE SAYS? 2116 01:04:04,407 --> 01:04:05,408 >> YES, PLEASE. 2117 01:04:05,408 --> 01:04:07,277 >> HELLO, COUPLES. 2118 01:04:07,277 --> 01:04:09,646 NOW, YOU WILL BE DANCING A JIVE, 2119 01:04:09,646 --> 01:04:10,280 WHICH YOU'VE ALL DONE BEFORE, TO 2120 01:04:10,280 --> 01:04:10,914 "CRAZY LITTLE THING CALLED LOVE" 2121 01:04:10,914 --> 01:04:14,951 BY QUEEN. 2122 01:04:14,951 --> 01:04:15,251 >> LOVE IT. 2123 01:04:15,251 --> 01:04:15,885 >> FIRST TO DANCE WILL BE ‐‐ THE 2124 01:04:15,885 --> 01:04:17,087 MIZ! 2125 01:04:17,087 --> 01:04:19,189 >> ALL RIGHT, START IT OFF HOT. 2126 01:04:19,189 --> 01:04:22,892 >> SECOND WILL BE IMAN. 2127 01:04:22,892 --> 01:04:23,193 >> OH, SNAP. 2128 01:04:23,193 --> 01:04:26,596 >> DANCING THIRD, CODY. 2129 01:04:26,596 --> 01:04:29,232 SO, GET TO WORK AND WE'LL SEE 2130 01:04:29,232 --> 01:04:29,666 YOU IN THE BALLROOM. 2131 01:04:29,666 --> 01:04:30,300 >> IT'S REALLY IMPORTANT THAT WE 2132 01:04:30,300 --> 01:04:35,739 GET THOSE EXTRA POINTS. 2133 01:04:35,739 --> 01:04:37,407 IT'S SUCH A GAME CHANGER THAT WE 2134 01:04:37,407 --> 01:04:40,643 HAVE TO DELIVER ON THIS JIVE. 2135 01:04:40,643 --> 01:04:41,277 >> YOU HAVE TO SHOW THE JUDGES 2136 01:04:41,277 --> 01:04:41,745 WHAT THEY WANT TO SEE. 2137 01:04:41,745 --> 01:04:42,379 >> I'M GOING AGAINST THE MIZ AND 2138 01:04:42,379 --> 01:04:42,746 CODY. 2139 01:04:42,746 --> 01:04:43,380 COMPETITION, ME AGAINST YOU, IS 2140 01:04:43,380 --> 01:04:43,780 MORE MY LANE. 2141 01:04:43,780 --> 01:04:45,382 >> THEN LOOK TO THE FRONT. 2142 01:04:45,382 --> 01:04:50,153 >> THESE POINTS COULD BE A 2143 01:04:50,153 --> 01:04:50,754 DIFFERENCE‐MAKER OF YOU GOING 2144 01:04:50,754 --> 01:04:51,388 HOME OR NOT, SO WE NEED TO MAKE 2145 01:04:51,388 --> 01:04:55,959 OUR BEST IMPRESSION. 2146 01:04:55,959 --> 01:04:57,560 >> Announcer: DANCING THE JIVE 2147 01:04:57,560 --> 01:05:00,196 RELAY, WITH THEIR PARTNERS, IT'S 2148 01:05:00,196 --> 01:05:04,634 THE MIZ, IMAN AND CODY! 2149 01:05:05,969 --> 01:05:08,104 ♪ 2150 01:05:08,104 --> 01:05:10,740 ♪ THIS THING CALLED LOVE 2151 01:05:10,740 --> 01:05:11,775 I JUST CAN'T HANDLE IT 2152 01:05:11,775 --> 01:05:14,944 THIS THING CALLED LOVE ♪ 2153 01:05:14,944 --> 01:05:16,546 ♪ I MUST GET ROUND TO IT 2154 01:05:16,546 --> 01:05:19,716 I AIN'T READY ♪ 2155 01:05:19,716 --> 01:05:20,250 ♪ CRAZY LITTLE THING 2156 01:05:20,250 --> 01:05:22,419 CALLED LOVE ♪ 2157 01:05:22,419 --> 01:05:23,453 ♪ THIS THING 2158 01:05:23,453 --> 01:05:25,555 CALLED LOVE ♪ 2159 01:05:25,555 --> 01:05:27,157 ♪ IT CRIES IN A 2160 01:05:27,157 --> 01:05:27,657 CRADLE ALL NIGHT ♪ 2161 01:05:27,657 --> 01:05:31,294 ♪ IT SWINGS 2162 01:05:31,294 --> 01:05:32,429 IT JIVES ♪ 2163 01:05:32,429 --> 01:05:32,962 ♪ IT SHAKES ALL OVER 2164 01:05:32,962 --> 01:05:34,030 LIKE A JELLY FISH 2165 01:05:34,030 --> 01:05:35,098 I KINDA LIKE IT ♪ 2166 01:05:35,098 --> 01:05:35,732 ♪ CRAZY LITTLE THING 2167 01:05:35,732 --> 01:05:40,870 CALLED LOVE ♪ 2168 01:05:40,870 --> 01:05:48,278 ♪ THERE GOES MY BABY 2169 01:05:48,278 --> 01:05:48,845 SHE KNOWS HOW TO ROCK‐N‐ROLL 2170 01:05:48,845 --> 01:05:49,345 SHE DRIVES ME CRAZY ♪ 2171 01:05:49,345 --> 01:05:51,281 ♪ SHE GIVES ME HOT 2172 01:05:51,281 --> 01:05:51,681 AND COLD FEVER ♪ 2173 01:05:51,681 --> 01:05:52,115 ♪ SHE LEAVES ME IN 2174 01:05:52,115 --> 01:05:56,786 A COOL, COOL SWEAT ♪ 2175 01:05:56,786 --> 01:05:58,888 ♪ I GOTTA BE COOL 2176 01:05:58,888 --> 01:06:01,524 RELAX, GET HIP 2177 01:06:01,524 --> 01:06:03,092 GET ON MY TRACKS ♪ 2178 01:06:03,092 --> 01:06:04,160 ♪ TAKE A BACK SEAT 2179 01:06:04,160 --> 01:06:05,728 HITCH‐HIKE ♪ 2180 01:06:05,728 --> 01:06:06,796 ♪ AND TAKE A LONG RIDE 2181 01:06:06,796 --> 01:06:08,398 ON MY MOTORBIKE 2182 01:06:08,398 --> 01:06:11,000 UNTIL I'M READY ♪ 2183 01:06:11,000 --> 01:06:12,035 ♪ CRAZY LITTLE THING 2184 01:06:12,035 --> 01:06:15,271 CALLED LOVE ♪ 2185 01:06:15,271 --> 01:06:17,707 ♪ THIS THING CALLED LOVE 2186 01:06:17,707 --> 01:06:18,908 I JUST CAN'T HANDLE IT 2187 01:06:18,908 --> 01:06:23,680 THIS THING CALLED LOVE ♪ 2188 01:06:23,680 --> 01:06:25,782 ♪ I MUST GET ROUND TO IT 2189 01:06:25,782 --> 01:06:28,985 I AIN'T READY ♪ 2190 01:06:28,985 --> 01:06:29,452 ♪ CRAZY LITTLE THING 2191 01:06:29,452 --> 01:06:30,053 CALLED LOVE ♪ 2192 01:06:30,053 --> 01:06:31,087 ♪ CRAZY LITTLE THING 2193 01:06:31,087 --> 01:06:35,458 CALLED LOVE ♪ 2194 01:06:36,926 --> 01:06:37,560 >> Tyra: ALL RIGHTY, ALL RIGHTY, 2195 01:06:37,560 --> 01:06:40,096 ALL RIGHTY. 2196 01:06:40,096 --> 01:06:40,597 THAT WAS HOT. 2197 01:06:40,597 --> 01:06:46,035 THE JIVE RELAY. 2198 01:06:46,035 --> 01:06:47,103 WE HAD THE WRONG PACKAGE, BUT WE 2199 01:06:47,103 --> 01:06:49,205 ARE ON TARGET NOW. 2200 01:06:49,205 --> 01:06:50,807 WE'RE GOING TO START WITH YOU. 2201 01:06:50,807 --> 01:06:51,875 WHAT DID YOU THINK? 2202 01:06:51,875 --> 01:06:53,977 >> I THOUGHT THEY ALL CAME OUT, 2203 01:06:53,977 --> 01:06:55,578 THEY ‐‐ IT WAS SO MUCH FUN TO 2204 01:06:55,578 --> 01:06:56,646 WATCH AND ALL OF YOU HAVE GOT 2205 01:06:56,646 --> 01:06:58,214 SLIGHTLY DIFFERENT PERSONALITIES 2206 01:06:58,214 --> 01:06:59,816 AND I THOUGHT THAT CAME OUT 2207 01:06:59,816 --> 01:07:00,850 WATCHING THAT JIVE. 2208 01:07:00,850 --> 01:07:03,286 WELL DONE. 2209 01:07:03,286 --> 01:07:03,853 >> Tyra: DEREK? 2210 01:07:03,853 --> 01:07:06,389 >> OH, MAN, FIRST OF ALL, THE 2211 01:07:06,389 --> 01:07:08,324 MIZ WITH THE INTRO, SLIDING 2212 01:07:08,324 --> 01:07:10,693 DOWN, JUMPING OVER THE HEAD, 2213 01:07:10,693 --> 01:07:12,262 AMAZING CHARISMA. 2214 01:07:12,262 --> 01:07:13,863 IMAN, THAT SHIRT IS RIDICULOUS, 2215 01:07:13,863 --> 01:07:14,898 I WANT IT. 2216 01:07:14,898 --> 01:07:15,532 BUT THAT IS THE SWAGGIEST JIVE I 2217 01:07:15,532 --> 01:07:15,965 EVER SAW. 2218 01:07:15,965 --> 01:07:16,499 SO GOOD. 2219 01:07:16,499 --> 01:07:18,034 ALSO ‐‐ CODY, DUDE, TECHNICALLY, 2220 01:07:18,034 --> 01:07:18,468 THAT WAS FANTASTIC. 2221 01:07:18,468 --> 01:07:19,269 IT WAS A TOUGH ONE. 2222 01:07:19,269 --> 01:07:21,204 >> Tyra: BRUNO? 2223 01:07:21,204 --> 01:07:23,273 >> ALL SO GOOD. 2224 01:07:23,273 --> 01:07:24,908 YOU HAD THE REQUIRED ENERGY. 2225 01:07:24,908 --> 01:07:25,975 YOU HAD THE SYNCHRONIZATION, 2226 01:07:25,975 --> 01:07:27,010 WHICH IS VERY DIFFICULT TO 2227 01:07:27,010 --> 01:07:29,279 MAINTAIN, ESPECIALLY BECAUSE YOU 2228 01:07:29,279 --> 01:07:30,880 HAVE SUCH LITTLE TIME TO DO IT. 2229 01:07:30,880 --> 01:07:31,948 OH, IT'S DRIVING ME CRAZY. 2230 01:07:31,948 --> 01:07:32,448 I DON'T KNOW WHAT TO DO. 2231 01:07:32,448 --> 01:07:32,982 >> Tyra: JIVING YOU CRAZY. 2232 01:07:32,982 --> 01:07:36,986 CARRIE ANN? 2233 01:07:36,986 --> 01:07:38,421 >> THIS JUST SHOWS HOW AMAZING 2234 01:07:38,421 --> 01:07:39,088 THIS SEASON IS. 2235 01:07:39,088 --> 01:07:40,790 I MEAN, YOU GUYS ARE ALL 2236 01:07:40,790 --> 01:07:41,090 INCREDIBLE. 2237 01:07:41,090 --> 01:07:42,825 THAT WAS PRETTY AMAZING. 2238 01:07:42,825 --> 01:07:44,193 THERE'S TWO OF YOU MAYBE HAD 2239 01:07:44,193 --> 01:07:48,231 SLIGHT ISSUES BUT ONE OF THEM 2240 01:07:48,231 --> 01:07:48,998 STOOD OUT AND THAT'S ALL I CAN 2241 01:07:48,998 --> 01:07:51,868 SAY FOR NOW. 2242 01:07:51,868 --> 01:07:52,302 >> Tyra: ALL RIGHTY. 2243 01:07:52,302 --> 01:07:52,936 SO ‐‐ SO MIZ, YOU WERE FIRST. 2244 01:07:52,936 --> 01:07:53,469 HOW DID IT FEEL? 2245 01:07:53,469 --> 01:07:54,504 >> LOOK, THEY TOLD ME I WAS A 2246 01:07:54,504 --> 01:07:55,572 LITTLE STIFF, I TRIED TO LOOSEN 2247 01:07:55,572 --> 01:07:58,107 UP A LOT. 2248 01:07:58,107 --> 01:07:58,708 >> Tyra: YEAH. 2249 01:07:58,708 --> 01:07:59,709 YOU WERE JUST ‐‐ 2250 01:07:59,709 --> 01:08:01,077 >> GETTING ALL PERSONALITY. 2251 01:08:01,077 --> 01:08:01,711 I WILL JIVE THE HELL OUT OF THIS 2252 01:08:01,711 --> 01:08:02,145 BALLROOM. 2253 01:08:02,145 --> 01:08:02,745 >> Tyra: LET'S GET THE POINTS 2254 01:08:02,745 --> 01:08:04,280 GOING. 2255 01:08:04,280 --> 01:08:06,382 JUDGES, GET THE POINTS READY. 2256 01:08:06,382 --> 01:08:08,551 >> Announcer: CARRIE ANN INABA. 2257 01:08:08,551 --> 01:08:10,119 >> MY BONUS POINT GOES TO ‐‐ 2258 01:08:10,119 --> 01:08:13,122 IMAN. 2259 01:08:13,122 --> 01:08:16,326 >> Announcer: LEN GOODMAN. 2260 01:08:16,326 --> 01:08:21,598 >> MY POINT GOES TO ‐‐ CODY. 2261 01:08:21,598 --> 01:08:22,165 >> Announcer: DEREK HOUGH. 2262 01:08:22,165 --> 01:08:23,299 >> MY POINT GOES TO THE SWAGGY, 2263 01:08:23,299 --> 01:08:26,336 IMAN. 2264 01:08:26,336 --> 01:08:27,270 >> Announcer: BRUNO TONIOLI. 2265 01:08:27,270 --> 01:08:31,274 >> MY POINT GOES TO CODY. 2266 01:08:31,274 --> 01:08:31,874 >> Tyra: TWO BONUS POINTS TO 2267 01:08:31,874 --> 01:08:34,844 CODY, TWO POINTS TO IMAN. 2268 01:08:34,844 --> 01:08:36,846 THOSE BONUS POINTS WILL BE ADDED 2269 01:08:36,846 --> 01:08:37,814 TO THE SCORES FROM THE FIRST 2270 01:08:37,814 --> 01:08:39,682 ROUND. 2271 01:08:39,682 --> 01:08:41,484 WE HAVE GOT ANOTHER EXCITING 2272 01:08:41,484 --> 01:08:42,518 RELAY DANCE NEXT, IT'S GOING TO 2273 01:08:42,518 --> 01:08:43,319 BE LIVE! 2274 01:08:50,927 --> 01:08:51,995 ♪ 2275 01:08:51,995 --> 01:08:52,528 >> Tyra: WE ARE BACK. 2276 01:08:52,528 --> 01:08:54,664 THE MUSIC OF QUEEN WILL AGAIN 2277 01:08:54,664 --> 01:08:55,264 THURSDAY TAKE CENTER STAGE ON 2278 01:08:55,264 --> 01:08:56,232 ABC THIS THURSDAY NIGHT AT 2279 01:08:56,232 --> 01:08:56,866 8:00/7:00 CENTRAL ON THE QUEEN 2280 01:08:56,866 --> 01:08:59,369 FAMILY SINGALONG. 2281 01:08:59,369 --> 01:09:04,273 DEREK HOUGH WILL BE PERFORMING 2282 01:09:04,273 --> 01:09:11,581 "ANOTHER ONE BITES THE DUST" 2283 01:09:11,581 --> 01:09:15,318 WITH MARK BALLAS AND BC JEAN'S 2284 01:09:15,318 --> 01:09:17,720 GROUP ALEXANDER JEAN. 2285 01:09:17,720 --> 01:09:18,254 LOOKS AMAZING, DEREK. 2286 01:09:18,254 --> 01:09:18,788 I CAN'T WAIT TO SEE THAT! 2287 01:09:18,788 --> 01:09:19,422 WE'RE IN THE MIDST OF THE RELAY 2288 01:09:19,422 --> 01:09:20,023 DANCE ROUND, A CHANCE FOR YOU 2289 01:09:20,023 --> 01:09:20,623 AND OUR JUDGES TO COMPARE OUR 2290 01:09:20,623 --> 01:09:21,224 STARS, AS THEY DANCE THE SAME 2291 01:09:21,224 --> 01:09:21,958 STYLE FOR BONUS POINTS THAT 2292 01:09:21,958 --> 01:09:22,592 COULD HELP THEM ESCAPE TONIGHT'S 2293 01:09:22,592 --> 01:09:24,661 ELIMINATION. 2294 01:09:24,661 --> 01:09:26,596 NOW, THEY ALREADY SAW THE TAPE, 2295 01:09:26,596 --> 01:09:27,563 BECAUSE WE PLAYED THAT BEFORE, 2296 01:09:27,563 --> 01:09:29,265 SO, HERE'S THE NEXT RELAY. 2297 01:09:29,265 --> 01:09:31,167 WE'RE DOING IT RIGHT NOW. 2298 01:09:31,167 --> 01:09:31,901 >> Announcer: DANCING THE 2299 01:09:31,901 --> 01:09:32,969 FOXTROT RELAY, WITH THEIR 2300 01:09:32,969 --> 01:09:33,603 PARTNERS, IT'S JOJO, OLIVIA AND 2301 01:09:33,603 --> 01:09:39,776 JIMMIE! 2302 01:09:41,411 --> 01:09:44,714 ♪ 2303 01:09:44,714 --> 01:09:48,751 ♪ BOOM, BOOM, BAH, DA 2304 01:09:48,751 --> 01:09:50,987 BOOM, BOOM, BAH, DAY 2305 01:09:50,987 --> 01:09:52,055 B‐BOOM, BOOM, BAH, DAY, DAY ♪ 2306 01:09:52,055 --> 01:10:00,496 ♪ PRESSURE 2307 01:10:00,496 --> 01:10:00,897 PUSHING DOWN ON ME 2308 01:10:00,897 --> 01:10:01,397 PRESSING DOWN ON YOU ♪ 2309 01:10:01,397 --> 01:10:01,798 ♪ NO MAN ASK FOR 2310 01:10:01,798 --> 01:10:03,666 UNDER PRESSURE 2311 01:10:03,666 --> 01:10:04,701 THAT BURNS A BUILDING DOWN ♪ 2312 01:10:04,701 --> 01:10:06,803 ♪ SPLITS A FAMILY IN TWO PUTS 2313 01:10:06,803 --> 01:10:07,236 PEOPLE ON STREETS ♪ 2314 01:10:07,236 --> 01:10:08,371 ♪ THAT'S THE TERROR OF KNOWING 2315 01:10:08,371 --> 01:10:16,846 ♪ WHAT THIS WORLD IS ABOUT 2316 01:10:16,846 --> 01:10:18,414 WATCHING SOME 2317 01:10:18,414 --> 01:10:18,948 GOOD FRIENDS SCREAMING ♪ 2318 01:10:18,948 --> 01:10:19,482 ♪ LET ME OUT! 2319 01:10:19,482 --> 01:10:20,016 TOMORROW GETS ME HIGHER ♪ 2320 01:10:20,016 --> 01:10:24,287 ♪ PRESSURE ON PEOPLE 2321 01:10:24,287 --> 01:10:24,821 PEOPLE ON STREETS ♪ 2322 01:10:24,821 --> 01:10:33,763 ♪ DAY DAY DAY 2323 01:10:33,763 --> 01:10:36,733 BAH, DA, BAH, BAH, BAH ♪ 2324 01:10:36,733 --> 01:10:39,035 ♪ CHIPPIN' AROUND 2325 01:10:39,035 --> 01:10:42,739 KICK MY BRAINS 2326 01:10:42,739 --> 01:10:43,272 'ROUND THE FLOOR ♪ 2327 01:10:43,272 --> 01:10:44,340 ♪ THESE ARE THE DAYS 2328 01:10:44,340 --> 01:10:44,674 IT NEVER RAINS 2329 01:10:44,674 --> 01:10:45,374 BUT IT POURS ♪ 2330 01:10:45,374 --> 01:10:46,442 ♪ PEOPLE ON STREETS 2331 01:10:46,442 --> 01:10:56,719 PEOPLE ON STREETS ♪ 2332 01:10:56,719 --> 01:10:57,320 ♪ IT'S THE TERROR OF KNOWING 2333 01:10:57,320 --> 01:10:57,887 WHAT THIS WORLD IS ABOUT ♪ 2334 01:10:57,887 --> 01:10:58,488 ♪ WATCHING SOME GOOD FRIENDS 2335 01:10:58,488 --> 01:10:58,988 SCREAMING LET ME OUT! ♪ 2336 01:10:58,988 --> 01:11:03,860 ♪ TOMORROW GETS ME HIGHER 2337 01:11:03,860 --> 01:11:08,097 HIGHER, HIGH! ♪ 2338 01:11:08,097 --> 01:11:11,768 ♪ PRESSURE ON PEOPLE 2339 01:11:11,768 --> 01:11:12,268 PEOPLE ON STREETS ♪ 2340 01:11:12,268 --> 01:11:12,802 ♪ UNDER PRESSURE 2341 01:11:12,802 --> 01:11:15,972 UNDER PRESSURE ♪ 2342 01:11:15,972 --> 01:11:18,608 >> Tyra: JIMMIE IS LIKE, I'M 2343 01:11:18,608 --> 01:11:22,845 GOING TO GIVE YOU THE HANDS 2344 01:11:22,845 --> 01:11:23,379 AGAIN. 2345 01:11:23,379 --> 01:11:23,946 I'M GIVING YOU LINES, HONEY. 2346 01:11:23,946 --> 01:11:26,015 FOXTROT RELAY. 2347 01:11:26,015 --> 01:11:27,049 DEREK? 2348 01:11:27,049 --> 01:11:28,151 WHAT YOU THINK? 2349 01:11:28,151 --> 01:11:28,751 >> ME? 2350 01:11:28,751 --> 01:11:29,719 I'M TALKING? 2351 01:11:29,719 --> 01:11:29,919 OKAY. 2352 01:11:29,919 --> 01:11:30,253 OH, MY GOSH. 2353 01:11:30,253 --> 01:11:30,787 LISTEN ‐‐ 2354 01:11:30,787 --> 01:11:31,854 >> NO PRESSURE. 2355 01:11:31,854 --> 01:11:33,990 ♪ UNDER PRESSURE 2356 01:11:33,990 --> 01:11:35,024 >> JOJO, THAT WAS BEAUTIFUL, 2357 01:11:35,024 --> 01:11:35,591 CLASSIC, SO MUCH CONTENT IN 2358 01:11:35,591 --> 01:11:37,660 THERE. 2359 01:11:37,660 --> 01:11:38,694 OLIVIA, UNBELIEVABLE. 2360 01:11:38,694 --> 01:11:40,296 FANTASTIC. 2361 01:11:40,296 --> 01:11:43,065 >> Tyra: DROPPED THE PEN. 2362 01:11:43,065 --> 01:11:43,599 >> JIMMIE, AGAIN, SO GOOD. 2363 01:11:43,599 --> 01:11:44,100 WHAT IS THAT, VELVET? 2364 01:11:44,100 --> 01:11:46,068 I LOVE IT. 2365 01:11:46,068 --> 01:11:46,669 >> Tyra: DEREK WANTS ALL THE 2366 01:11:46,669 --> 01:11:48,504 OUTFITS TONIGHT. 2367 01:11:48,504 --> 01:11:50,306 >> SO MANY THINGS, AH. 2368 01:11:50,306 --> 01:11:51,507 >> Tyra: BRUNO? 2369 01:11:51,507 --> 01:11:52,141 >> ALL OF YOU RAISED THE BAR SO 2370 01:11:52,141 --> 01:11:54,010 HIGH. 2371 01:11:54,010 --> 01:11:56,145 THE QUALITY OF YOUR WORK ‐‐ I'M 2372 01:11:56,145 --> 01:11:57,180 JUDGING, BUT I TELL YOU, I LOVE 2373 01:11:57,180 --> 01:11:58,781 YOU AND RESPECT YOU SO MUCH. 2374 01:11:58,781 --> 01:12:02,518 THANK YOU FOR GIVING ME MY JOB, 2375 01:12:02,518 --> 01:12:02,752 REALLY. 2376 01:12:02,752 --> 01:12:03,586 >> Tyra: AW. 2377 01:12:03,586 --> 01:12:06,522 CARRIE ANN? 2378 01:12:06,522 --> 01:12:06,989 MAKING THE JOB HARD. 2379 01:12:06,989 --> 01:12:07,857 CARRIE ANN? 2380 01:12:07,857 --> 01:12:08,491 >> I KNOW ‐‐ ACTUALLY, YOU GUYS 2381 01:12:08,491 --> 01:12:09,458 ARE ‐‐ WHAT BRUNO JUST SAID, I 2382 01:12:09,458 --> 01:12:10,493 DON'T WANT TO ECHO HIM, BUT IT'S 2383 01:12:10,493 --> 01:12:14,430 AMAZING, YOU'VE ALL GROWN. 2384 01:12:14,430 --> 01:12:16,666 THAT'S WHAT'S SO IMPRESSIVE. 2385 01:12:16,666 --> 01:12:17,066 YOU'VE ALL GROWN. 2386 01:12:17,066 --> 01:12:17,700 JOJO, YOU SPED UP A LITTLE BIT 2387 01:12:17,700 --> 01:12:18,234 BUT THEN YOU SLOWED IT BACK 2388 01:12:18,234 --> 01:12:19,168 DOWN, I WAS IMPRESSED WITH THE 2389 01:12:19,168 --> 01:12:20,870 BEGINNING. 2390 01:12:20,870 --> 01:12:21,470 YOU BLEW ME AWAY AND YOU ALSO 2391 01:12:21,470 --> 01:12:22,972 BLEW ME AWAY. 2392 01:12:22,972 --> 01:12:26,042 >> Tyra: ALL THE YOUS. 2393 01:12:26,042 --> 01:12:26,409 >> TOUGH ONE. 2394 01:12:26,409 --> 01:12:27,910 >> Tyra: LEN? 2395 01:12:27,910 --> 01:12:28,477 >> WELL, IF THEY WERE UNDER 2396 01:12:28,477 --> 01:12:29,078 PRESSURE, YOU DIDN'T SHOW ANY 2397 01:12:29,078 --> 01:12:30,580 PRESSURE AT ALL. 2398 01:12:30,580 --> 01:12:33,216 YOU CAME OUT WITH A CALMNESS, 2399 01:12:33,216 --> 01:12:34,283 RELAXED AND YOU ALL PERFORMED 2400 01:12:34,283 --> 01:12:36,419 BEAUTIFULLY. 2401 01:12:36,419 --> 01:12:40,523 >> Tyra: ALL RIGHTY. 2402 01:12:40,523 --> 01:12:42,291 SO, OLIVIA ‐‐ OLIVIA, I KNOW 2403 01:12:42,291 --> 01:12:43,693 YOU'VE BEEN TALKING ABOUT, LIKE, 2404 01:12:43,693 --> 01:12:46,095 NEEDING THESE POINTS, SO TELL ME 2405 01:12:46,095 --> 01:12:47,830 WHAT THESE POINTS MEAN TO YOU, 2406 01:12:47,830 --> 01:12:49,465 THESE BONUS ROUND POINTS. 2407 01:12:49,465 --> 01:12:50,099 >> UM ‐‐ IT MEANS SO MUCH JUST 2408 01:12:50,099 --> 01:12:51,033 BEING HERE AND DANCING AGAINST 2409 01:12:51,033 --> 01:12:53,669 JIMMIE AND JOJO ALSO IS AN 2410 01:12:53,669 --> 01:12:54,303 HONOR, I JUST HAVE TO SAY, THEY 2411 01:12:54,303 --> 01:12:54,871 ARE BOTH SO TALENTED, SO ‐‐ 2412 01:12:54,871 --> 01:12:56,839 >> WE LOVE YOU. 2413 01:12:56,839 --> 01:12:58,407 >> Tyra: ALL RIGHT, SO ‐‐ 2414 01:12:58,407 --> 01:12:59,041 JIMMIE, JIMMIE, YOU HIT US WITH 2415 01:12:59,041 --> 01:13:00,543 THE LINE IN THE END. 2416 01:13:00,543 --> 01:13:01,177 YOU WERE LIKE, I WANT YOU TO 2417 01:13:01,177 --> 01:13:02,111 REMEMBER THIS. 2418 01:13:02,111 --> 01:13:03,179 LET ME SEE THAT LINE. 2419 01:13:03,179 --> 01:13:04,747 >> IT HAPPENED IN REHEARSAL BY 2420 01:13:04,747 --> 01:13:06,883 ACCIDENT AND WE JUST STUCK IT. 2421 01:13:06,883 --> 01:13:07,917 >> Tyra: THAT'S SO GOOD. 2422 01:13:07,917 --> 01:13:11,787 LET'S GO TO THE JUDGES SCORES 2423 01:13:11,787 --> 01:13:12,388 FOR THESE BONUS POINTS RIGHT 2424 01:13:12,388 --> 01:13:13,055 NOW. 2425 01:13:13,055 --> 01:13:15,691 >> Announcer: CARRIE ANN INABA. 2426 01:13:15,691 --> 01:13:16,726 >> MY BONUS POINT GOES TO ‐‐ 2427 01:13:16,726 --> 01:13:18,861 OLIVIA. 2428 01:13:18,861 --> 01:13:20,963 >> Announcer: LEN GOODMAN. 2429 01:13:20,963 --> 01:13:23,065 >> SO DOES MINE, IT'S OLIVIA. 2430 01:13:23,065 --> 01:13:25,668 >> Announcer: DEREK HOUGH. 2431 01:13:25,668 --> 01:13:26,269 >> THE BEST FRAMES I'VE EVER 2432 01:13:26,269 --> 01:13:26,669 SEEN ON THE SHOW. 2433 01:13:26,669 --> 01:13:28,304 OLIVIA. 2434 01:13:28,304 --> 01:13:31,173 >> Announcer: BRUNO TONIOLI. 2435 01:13:31,173 --> 01:13:32,708 >> GUESS WHAT? 2436 01:13:32,708 --> 01:13:34,644 OLIVIA. 2437 01:13:34,644 --> 01:13:37,313 >> Tyra: WHOA! 2438 01:13:37,313 --> 01:13:37,947 OLIVIA AND VAL SWEPT THE BONUS 2439 01:13:37,947 --> 01:13:40,683 POINTS. 2440 01:13:40,683 --> 01:13:42,084 THOSE ARE GOING TO BE ADDED TO 2441 01:13:42,084 --> 01:13:44,720 THE SCORES FROM THE FIRST ROUND 2442 01:13:44,720 --> 01:13:45,788 AND COULD MAKE A BIG DIFFERENCE 2443 01:13:45,788 --> 01:13:47,390 BETWEEN ELIMINATION AND GOING 2444 01:13:47,390 --> 01:13:49,492 HOME AND SURVIVING TO DANCE 2445 01:13:49,492 --> 01:13:50,092 AGAIN NEXT WEEK TO MISS JANET 2446 01:13:50,092 --> 01:13:52,662 JACKSON. 2447 01:13:52,662 --> 01:13:56,732 AMANDA AND ALAN, SUNI AND SASHA, 2448 01:13:56,732 --> 01:13:57,366 AND MELORA AND ARTEM ARE NEXT UP 2449 01:13:57,366 --> 01:13:59,869 IN THE LAST RELAY, LIVE. 2450 01:14:07,243 --> 01:14:13,549 ♪ 2451 01:14:13,549 --> 01:14:15,151 >> Tyra: WE ARE BACK TO FINISH 2452 01:14:15,151 --> 01:14:18,087 OFF THE RELAY DANCE ROUND FROM 2453 01:14:18,087 --> 01:14:19,221 THE JUDGES BONUS POINTS. 2454 01:14:19,221 --> 01:14:21,023 AS WE SAW IN THE FIRST ROUND, 2455 01:14:21,023 --> 01:14:22,625 SUNI WAS FEELING ILL AT THE END 2456 01:14:22,625 --> 01:14:23,159 OF HER DANCE. 2457 01:14:23,159 --> 01:14:24,627 WILL SHE BE ABLE TO PERFORM IN 2458 01:14:24,627 --> 01:14:25,194 THIS ROUND? 2459 01:14:25,194 --> 01:14:26,295 WE WILL FIND OUT. 2460 01:14:26,295 --> 01:14:27,697 BUT FIRST, WE'RE GOING TO FIND 2461 01:14:27,697 --> 01:14:29,632 OUT WHAT OUR COUPLES HAD TO SAY 2462 01:14:29,632 --> 01:14:31,200 WHEN THEY GOT THEIR 2463 01:14:31,200 --> 01:14:32,201 INSTRUCTIONS, OH, MY GOD, LET'S 2464 01:14:32,201 --> 01:14:36,238 SEE. 2465 01:14:36,238 --> 01:14:37,807 >> WE HAVE A MESSAGE FROM LEN. 2466 01:14:37,807 --> 01:14:38,874 >> LET'S SEE WHAT HE HAS TO SAY. 2467 01:14:38,874 --> 01:14:43,112 >> YOU READY? 2468 01:14:43,112 --> 01:14:43,512 >> HELLO, COUPLES. 2469 01:14:43,512 --> 01:14:44,180 YOU'LL BE DANCING A VIENNESE 2470 01:14:44,180 --> 01:14:44,380 WALTZ. 2471 01:14:44,380 --> 01:14:46,816 >> YES. 2472 01:14:46,816 --> 01:14:48,417 >> WHICH YOU'VE ALL DONE BEFORE, 2473 01:14:48,417 --> 01:14:51,087 TO "WE ARE THE CHAMPIONS" BY 2474 01:14:51,087 --> 01:14:51,287 QUEEN. 2475 01:14:51,287 --> 01:14:53,189 FIRST TO DANCE WILL BE AMANDA. 2476 01:14:53,189 --> 01:14:53,422 >> HEY! 2477 01:14:53,422 --> 01:14:55,825 OKAY. 2478 01:14:55,825 --> 01:14:56,359 >> DANCING SECOND ‐‐ SUNI. 2479 01:14:56,359 --> 01:14:56,892 >> OKAY. 2480 01:14:56,892 --> 01:14:59,528 >> SECOND, IN THE MIDDLE. 2481 01:14:59,528 --> 01:15:00,062 OKAY, I LIKE THAT. 2482 01:15:00,062 --> 01:15:01,664 >> DANCING THIRD ‐‐ MELORA. 2483 01:15:01,664 --> 01:15:03,232 >> I LIKE GOING LAST. 2484 01:15:03,232 --> 01:15:06,902 >> I'LL SEE YOU IN THE BALLROOM. 2485 01:15:06,902 --> 01:15:07,970 >> LAST TIME ME AND SASHA DID A 2486 01:15:07,970 --> 01:15:10,606 VIENNESE WALTZ, LEN TOLD US THAT 2487 01:15:10,606 --> 01:15:11,240 WE NEED TO WORK ON BEING IN HOLD 2488 01:15:11,240 --> 01:15:12,208 MORE. 2489 01:15:12,208 --> 01:15:14,310 IT DOES MAKE ME A LITTLE NERVOUS 2490 01:15:14,310 --> 01:15:14,944 BECAUSE I JUST DON'T WANT TO BE 2491 01:15:14,944 --> 01:15:15,911 IN THE BOTTOM TWO AGAIN. 2492 01:15:15,911 --> 01:15:19,081 >> ALAN AND I NEED THESE EXTRA 2493 01:15:19,081 --> 01:15:19,315 POINTS. 2494 01:15:19,315 --> 01:15:20,683 THIS COMPETITION IS SO TOUGH. 2495 01:15:20,683 --> 01:15:21,317 I HOPE WE CAN BRING IT, BECAUSE 2496 01:15:21,317 --> 01:15:22,818 I DON'T WANT TO GO HOME. 2497 01:15:22,818 --> 01:15:25,454 >> ONE. 2498 01:15:25,454 --> 01:15:26,088 >> WE ARE DIRECTLY GOING AGAINST 2499 01:15:26,088 --> 01:15:27,056 AMANDA AND SUNI. 2500 01:15:27,056 --> 01:15:27,690 I LIKE A LITTLE BIT OF HEALTHY 2501 01:15:27,690 --> 01:15:34,463 COMPETITION. 2502 01:15:34,463 --> 01:15:35,498 >> Announcer: DANCING THE 2503 01:15:35,498 --> 01:15:37,633 VIENNESE WALTZ RELAY, WITH THEIR 2504 01:15:37,633 --> 01:15:39,702 PARTNERS, IT'S AMANDA, SUNI AND 2505 01:15:39,702 --> 01:15:42,338 MELORA! 2506 01:15:42,338 --> 01:15:45,741 ♪ I'VE PAID MY DUES 2507 01:15:45,741 --> 01:15:46,575 TIME AFTER TIME 2508 01:15:46,575 --> 01:15:53,983 I'VE DONE MY SENTENCE ♪ 2509 01:15:53,983 --> 01:15:58,287 ♪ BUT COMMITTED NO CRIME 2510 01:15:58,287 --> 01:16:00,423 AND BAD MISTAKES 2511 01:16:00,423 --> 01:16:05,728 I'VE MADE A FEW ♪ 2512 01:16:05,728 --> 01:16:07,296 ♪ I'VE HAD MY SHARE OF 2513 01:16:07,296 --> 01:16:09,932 SAND KICKED IN MY FACE 2514 01:16:09,932 --> 01:16:12,568 BUT I'VE COME THROUGH ♪ 2515 01:16:12,568 --> 01:16:14,136 ♪ AND I NEED TO GO ON 2516 01:16:14,136 --> 01:16:19,975 AND ON ♪AND ON‐ 2517 01:16:19,975 --> 01:16:20,543 ♪ WE ARE THE CHAMPIONS MY 2518 01:16:20,543 --> 01:16:23,145 FRIENDS ♪ 2519 01:16:23,145 --> 01:16:26,816 ♪ AND WE'LL KEEP ON FIGHTING 2520 01:16:26,816 --> 01:16:28,451 'TIL THE END 2521 01:16:28,451 --> 01:16:33,222 WE ARE THE CHAMPIONS ♪ 2522 01:16:33,222 --> 01:16:40,629 ♪ WE ARE THE CHAMPIONS 2523 01:16:40,629 --> 01:16:45,734 NO TIME FOR LOSERS 2524 01:16:45,734 --> 01:16:46,402 'CAUSE WE ARE THE CHAMPIONS ♪ 2525 01:16:46,402 --> 01:16:52,208 ♪ WE ARE THE CHAMPIONS 2526 01:16:52,208 --> 01:16:59,248 MY FRIENDS ♪ 2527 01:16:59,248 --> 01:17:01,217 ♪ AND WE'LL KEEP ON FIGHTING 2528 01:17:01,217 --> 01:17:08,657 'TIL THE END 2529 01:17:08,657 --> 01:17:10,759 WE ARE THE CHAMPIONS ♪ 2530 01:17:10,759 --> 01:17:14,463 ♪ WE ARE THE CHAMPIONS 2531 01:17:14,463 --> 01:17:18,667 NO TIME FOR LOSERS ♪ 2532 01:17:18,667 --> 01:17:23,439 ♪ 'CAUSE WE ARE THE 2533 01:17:23,439 --> 01:17:27,643 CHAMPIONS OF THE WORLD ♪ 2534 01:17:27,643 --> 01:17:31,247 >> Tyra: WHOA! 2535 01:17:31,247 --> 01:17:32,948 OUR LAST RELAY OF THE NIGHT. 2536 01:17:32,948 --> 01:17:35,084 OH, MY GOSH. 2537 01:17:35,084 --> 01:17:36,685 THE VIENNESE WALTZ RELAY. 2538 01:17:36,685 --> 01:17:39,788 AMANDA AND ALAN, MELORA AND 2539 01:17:39,788 --> 01:17:41,857 ARTEM AND SUNI SHOWED UP. 2540 01:17:41,857 --> 01:17:43,759 SHE WAS ABLE TO PULL IT THROUGH 2541 01:17:43,759 --> 01:17:44,326 WITH SASHA. 2542 01:17:44,326 --> 01:17:46,595 THAT IS THE FINAL DANCE OF THE 2543 01:17:46,595 --> 01:17:48,130 NIGHT, SO GUYS, GET YOUR VOTES 2544 01:17:48,130 --> 01:17:50,432 IN RIGHT NOW ON ABC.COM AND YOU 2545 01:17:50,432 --> 01:17:52,134 CAN ALSO VOTE BY TEXTING THE 2546 01:17:52,134 --> 01:17:54,537 FIRST NAME OF YOUR FAVORITE STAR 2547 01:17:54,537 --> 01:17:59,208 TO THE NUMBER 21523. 2548 01:17:59,208 --> 01:18:00,276 YOU KNOW ALL THIS. 2549 01:18:00,276 --> 01:18:00,910 WHAT WE DON'T KNOW IS WHAT BRUNO 2550 01:18:00,910 --> 01:18:01,143 THINKS. 2551 01:18:01,143 --> 01:18:01,777 >> IT KEEPS GETTING BETTER AND 2552 01:18:01,777 --> 01:18:02,912 HARDER FOR US! 2553 01:18:02,912 --> 01:18:03,279 I MEAN, COME ON. 2554 01:18:03,279 --> 01:18:04,547 SUCH CLASS, EVERYONE COVERED THE 2555 01:18:04,547 --> 01:18:06,081 BEAUTIFUL, FLUID, GREAT 2556 01:18:06,081 --> 01:18:08,184 ROTATION, GREAT CONNECTION. 2557 01:18:08,184 --> 01:18:08,817 I HAVE NO IDEA WHAT I'M GOING TO 2558 01:18:08,817 --> 01:18:09,785 DO. 2559 01:18:09,785 --> 01:18:10,886 >> Tyra: CARRIE ANN? 2560 01:18:10,886 --> 01:18:11,921 >> I JUST HAVE TO SAY ‐‐ 2561 01:18:11,921 --> 01:18:12,454 >> OH, NO. 2562 01:18:12,454 --> 01:18:15,391 >> OH, MY GOSH. 2563 01:18:15,391 --> 01:18:16,559 >> Tyra: IN THE HEELS! 2564 01:18:16,559 --> 01:18:19,228 IN THE HEELS! 2565 01:18:19,228 --> 01:18:19,762 ♪ WE ARE THE CHAMPIONS 2566 01:18:19,762 --> 01:18:23,332 BECAUSE YOU GUYS ARE AMAZING! 2567 01:18:23,332 --> 01:18:27,269 >> Tyra: WORK IT GIRL. 2568 01:18:27,269 --> 01:18:27,670 >> NO, SERIOUSLY. 2569 01:18:27,670 --> 01:18:28,604 ALL OF YOU ‐‐ I JUST ‐‐ THANK 2570 01:18:28,604 --> 01:18:29,138 YOU FOR MAKING MY LIFE SO 2571 01:18:29,138 --> 01:18:30,172 AMAZING AND THANK YOU FOR 2572 01:18:30,172 --> 01:18:31,240 BRINGING JOY TO AMERICA. 2573 01:18:31,240 --> 01:18:31,774 IT'S AMAZING. 2574 01:18:31,774 --> 01:18:33,742 ALL OF YOU. 2575 01:18:33,742 --> 01:18:34,944 >> Tyra: LEN? 2576 01:18:34,944 --> 01:18:40,749 GET ON THE TABLE, LEN! 2577 01:18:40,749 --> 01:18:42,384 >> I LOVE THIS, BECAUSE IT GIVES 2578 01:18:42,384 --> 01:18:45,788 YOU SUCH A GREAT CHANCE TO SEE 2579 01:18:45,788 --> 01:18:46,589 EACH ONE OF YOU SIDE‐BY‐SIDE, 2580 01:18:46,589 --> 01:18:48,190 ONE AFTER THE OTHER. 2581 01:18:48,190 --> 01:18:49,225 IT WAS WONDERFUL TO WATCH. 2582 01:18:49,225 --> 01:18:49,758 WELL DONE. 2583 01:18:49,758 --> 01:18:51,894 >> Tyra: DEREK? 2584 01:18:51,894 --> 01:18:52,928 >> FIRST OF ALL, I GET ON THE 2585 01:18:52,928 --> 01:18:55,297 TABLE ONE TIME ‐‐ 2586 01:18:55,297 --> 01:18:56,098 >> Tyra: AND THEY FOLLOW. 2587 01:18:56,098 --> 01:18:56,665 >> LISTEN, I'M OUT OF TIME. 2588 01:18:56,665 --> 01:18:57,166 YOU WERE SENSATIONAL. 2589 01:18:57,166 --> 01:18:59,268 I LOVE YOU ALL. 2590 01:18:59,268 --> 01:18:59,768 WELL DONE. 2591 01:18:59,768 --> 01:19:01,370 GOOD JOB, SUNI. 2592 01:19:01,370 --> 01:19:04,540 >> Tyra: ALL RIGHT, SUNI, I GOT 2593 01:19:04,540 --> 01:19:06,108 TO ASK YOU ‐‐ I KNOW YOU'VE BEEN 2594 01:19:06,108 --> 01:19:08,210 STRUGGLING ALL DAY AND, LIKE, 2595 01:19:08,210 --> 01:19:08,777 YOU ‐‐ DUDE IS LIKE, YOU'RE 2596 01:19:08,777 --> 01:19:11,847 THROWING UP. 2597 01:19:11,847 --> 01:19:13,015 LET'S JUST KEEP IT REAL, IT'S 2598 01:19:13,015 --> 01:19:15,317 LIVE TV. 2599 01:19:15,317 --> 01:19:15,551 >> YEAH. 2600 01:19:15,551 --> 01:19:16,151 >> Tyra: AND YOU RAN OFF BUT 2601 01:19:16,151 --> 01:19:16,585 YOU'RE BACK. 2602 01:19:16,585 --> 01:19:17,653 >> YEAH. 2603 01:19:17,653 --> 01:19:18,721 >> Tyra: HOW ARE YOU FEELING 2604 01:19:18,721 --> 01:19:26,629 RIGHT NOW? 2605 01:19:26,629 --> 01:19:27,229 >> UM ‐‐ I DON'T EVEN KNOW, I 2606 01:19:27,229 --> 01:19:29,265 MEAN, I DID IT SO MANY TIMES, IT 2607 01:19:29,265 --> 01:19:30,866 WAS KIND OF LIKE PRACTICE, SO 2608 01:19:30,866 --> 01:19:33,369 IT'S JUST VERY DIFFERENT AND 2609 01:19:33,369 --> 01:19:35,771 IT'S ALSO VERY SCARY, BECAUSE 2610 01:19:35,771 --> 01:19:37,239 IT'S LIKE, I'VE NEVER DONE THAT 2611 01:19:37,239 --> 01:19:39,041 BEFORE, SO I WAS KIND OF 2612 01:19:39,041 --> 01:19:39,341 EMBARRASSED. 2613 01:19:39,341 --> 01:19:41,110 AND I KNEW THAT IF I DIDN'T COME 2614 01:19:41,110 --> 01:19:41,810 OUT HERE I'D BE VERY 2615 01:19:41,810 --> 01:19:44,280 DISAPPOINTED IN MYSELF. 2616 01:19:44,280 --> 01:19:44,913 >> Tyra: WELL, YOU MADE ALL OF 2617 01:19:44,913 --> 01:19:45,347 US SO PROUD. 2618 01:19:45,347 --> 01:19:47,449 I'M SO PROUD OF YOU. 2619 01:19:47,449 --> 01:19:48,517 SO PROUD OF YOU. 2620 01:19:48,517 --> 01:19:49,118 ALL RIGHT, JUDGES, TIME FOR 2621 01:19:49,118 --> 01:19:49,718 THESE BONUS POINTS, LET'S GO. 2622 01:19:49,718 --> 01:19:51,287 >> Announcer: CARRIE ANN INABA. 2623 01:19:51,287 --> 01:19:52,254 >> NOTHING TO BE ASHAMED OF. 2624 01:19:52,254 --> 01:19:55,291 MY BONUS POINT GOES TO SUNI. 2625 01:19:55,291 --> 01:19:57,593 >> Announcer: LEN GOODMAN. 2626 01:19:57,593 --> 01:19:58,594 >> MY BONUS POINT TO YOU, 2627 01:19:58,594 --> 01:20:00,162 MELORA. 2628 01:20:00,162 --> 01:20:02,298 >> Announcer: DEREK HOUGH. 2629 01:20:02,298 --> 01:20:04,400 >> MY BONUS POINT TO AMANDA. 2630 01:20:04,400 --> 01:20:07,002 >> Announcer: BRUNO TONIOLI. 2631 01:20:07,002 --> 01:20:09,738 >> MY BONUS POINT TO MELORA. 2632 01:20:09,738 --> 01:20:11,573 >> Tyra: ALL RIGHTY, MELORA, TWO 2633 01:20:11,573 --> 01:20:13,242 OUT OF THE FOUR, BUT EVERYBODY 2634 01:20:13,242 --> 01:20:15,010 GOT A BONUS POINT ON THIS GROUP, 2635 01:20:15,010 --> 01:20:16,078 THAT'S AMAZING. 2636 01:20:16,078 --> 01:20:17,212 THOSE POINTS ARE GOING TO BE 2637 01:20:17,212 --> 01:20:18,414 ADDED TO THE SCORES FROM THE 2638 01:20:18,414 --> 01:20:18,881 FIRST ROUND. 2639 01:20:18,881 --> 01:20:20,783 ALL RIGHTY, COUPLES, YOU GUYS, 2640 01:20:20,783 --> 01:20:22,384 GO, GET READY FOR THE RESULTS. 2641 01:20:22,384 --> 01:20:23,786 WE'RE GOING TO TAKE A LAST LOOK 2642 01:20:23,786 --> 01:20:25,554 AT THIS FINAL LEADERBOARD WITH 2643 01:20:25,554 --> 01:20:28,223 THE BONUS POINTS ADDED IN. 2644 01:20:28,223 --> 01:20:28,824 AT THE TOP ARE OLIVIA AND VAL 2645 01:20:28,824 --> 01:20:29,425 AND AT THE BOTTOM ARE THE MIZ 2646 01:20:29,425 --> 01:20:31,293 AND WITNEY. 2647 01:20:31,293 --> 01:20:31,927 VOTE FOR THE COUPLES YOU WANT TO 2648 01:20:31,927 --> 01:20:33,529 KEEP IN THIS COMPETITION. 2649 01:20:33,529 --> 01:20:37,433 WE'RE GOING TO SHOW YOU THE 2650 01:20:37,433 --> 01:20:38,067 DETAILS, FOLLOW THOSE COUPLES 2651 01:20:38,067 --> 01:20:39,201 ONE LAST TIME. 2652 01:20:39,201 --> 01:20:39,802 EVERYBODY, VOTING IS GOING TO 2653 01:20:39,802 --> 01:20:40,269 CLOSE SOON. 2654 01:20:40,269 --> 01:20:42,771 THESE COUPLES NEED YOU SO BADLY. 2655 01:20:42,771 --> 01:20:44,139 SO GET THOSE FINAL VOTES AND 2656 01:20:44,139 --> 01:20:45,641 THOSE TEXTS IN RIGHT NOW. 2657 01:20:45,641 --> 01:20:46,275 ALL THE VOTING INFORMATION CAN 2658 01:20:46,275 --> 01:20:47,209 BE FOUND ON ABC.COM. 2659 01:20:47,209 --> 01:20:48,644 OUR ELIMINATION IS NEXT. 2660 01:20:48,644 --> 01:20:49,945 I WANT TO SEE YOU. 2661 01:20:49,945 --> 01:20:50,679 DON'T YOU GO ANYWHERE. 2662 01:20:50,679 --> 01:20:52,281 THAT ELIMINATION IS LIVE. 2663 01:20:58,921 --> 01:21:03,125 ♪ 2664 01:21:03,125 --> 01:21:04,126 >> Tyra: OH, MY GOODNESS. 2665 01:21:04,126 --> 01:21:05,260 WELCOME BACK. 2666 01:21:05,260 --> 01:21:06,295 VOTING IS CLOSED AND HERE ARE 2667 01:21:06,295 --> 01:21:07,363 THE RESULTS. 2668 01:21:07,363 --> 01:21:09,465 THEY'RE RIGHT HERE. 2669 01:21:09,465 --> 01:21:10,032 WE HAVE COMBINED THE JUDGES 2670 01:21:10,032 --> 01:21:11,066 SCORES FROM TONIGHT WITH YOUR 2671 01:21:11,066 --> 01:21:14,203 VOTES. 2672 01:21:14,203 --> 01:21:16,839 NOW, IN NO PARTICULAR ORDER, 2673 01:21:16,839 --> 01:21:18,941 LET'S FIND OUT WHO IS SAFE AND 2674 01:21:18,941 --> 01:21:24,747 WHO IS IN THE BOTTOM TWO. 2675 01:21:24,747 --> 01:21:34,289 THE FIRST SAFE COUPLE IS ‐‐ 2676 01:21:34,289 --> 01:21:34,823 SUNI AND SASHA. 2677 01:21:34,823 --> 01:21:36,425 >> OH, THANK GOD. 2678 01:21:36,425 --> 01:21:42,765 >> Tyra: AND JOINING THEM ARE ‐‐ 2679 01:21:42,765 --> 01:21:48,537 OLIVIA AND VAL. 2680 01:21:48,537 --> 01:21:49,571 ALSO COMING BACK NEXT WEEK 2681 01:21:49,571 --> 01:21:54,877 ARE ‐‐ 2682 01:21:54,877 --> 01:22:00,149 CODY AND CHERYL. 2683 01:22:00,149 --> 01:22:08,624 THE NEXT SAFE COUPLE IS ‐‐ 2684 01:22:08,624 --> 01:22:14,463 IMAN AND DANIELLA. 2685 01:22:14,463 --> 01:22:21,303 ALSO DANCING NEXT WEEK ARE ‐‐ 2686 01:22:21,303 --> 01:22:27,643 MELORA AND ARTEM. 2687 01:22:27,643 --> 01:22:29,244 JOINING THEM IN THE COMPETITION 2688 01:22:29,244 --> 01:22:36,118 ARE ‐‐ 2689 01:22:36,118 --> 01:22:41,423 JIMMIE AND EMMA. 2690 01:22:41,423 --> 01:22:43,559 AND IN NO PARTICULAR ORDER, THE 2691 01:22:43,559 --> 01:22:50,933 LAST SAFE COUPLE IS ‐‐ 2692 01:22:50,933 --> 01:22:54,069 AMANDA AND ALAN. 2693 01:22:54,069 --> 01:22:55,637 WHOA. 2694 01:22:55,637 --> 01:22:58,273 WHOA, WHOA. 2695 01:22:58,273 --> 01:22:58,874 THIS MEANS JOJO AND JENNA AND 2696 01:22:58,874 --> 01:22:59,475 THE MIZ AND WITNEY ARE IN THE 2697 01:22:59,475 --> 01:23:02,344 BOTTOM TWO. 2698 01:23:02,344 --> 01:23:04,246 PLEASE COME AND JOIN ME ON THE 2699 01:23:04,246 --> 01:23:05,747 DANCE FLOOR. 2700 01:23:05,747 --> 01:23:06,281 >> JOJO. 2701 01:23:06,281 --> 01:23:06,882 >> Tyra: EVERYBODY AT HOME IS 2702 01:23:06,882 --> 01:23:08,150 GOING, WHAT THE HECK IS 2703 01:23:08,150 --> 01:23:09,818 HAPPENING NOW? 2704 01:23:09,818 --> 01:23:10,853 GOOD LUCK TO YOU BOTH. 2705 01:23:10,853 --> 01:23:11,487 THIS IS PROBABLY A SURPRISE TO A 2706 01:23:11,487 --> 01:23:13,388 LOT OF PEOPLE. 2707 01:23:13,388 --> 01:23:14,690 IT'S GOING TO BE UP TO THE 2708 01:23:14,690 --> 01:23:16,358 JUDGES TO SAVE ONE OF THESE VERY 2709 01:23:16,358 --> 01:23:17,893 TALENTED COUPLES THAT ARE IN THE 2710 01:23:17,893 --> 01:23:18,627 BOTTOM TWO RIGHT NOW. 2711 01:23:18,627 --> 01:23:20,596 DO YOU WANT THEM IN THE 2712 01:23:20,596 --> 01:23:20,896 COMPETITION? 2713 01:23:20,896 --> 01:23:22,865 IT'S ALL IN THE JUDGES' HANDS. 2714 01:23:22,865 --> 01:23:25,067 IF AFTER LEN'S VOTE THERE IS A 2715 01:23:25,067 --> 01:23:27,669 TIE AMONG THE JUDGES, THEN AS 2716 01:23:27,669 --> 01:23:30,239 OUR HEAD JUDGE, LEN'S VOTE 2717 01:23:30,239 --> 01:23:32,908 AUTOMATICALLY BREAKS THAT TIE. 2718 01:23:32,908 --> 01:23:35,410 OKAY? 2719 01:23:35,410 --> 01:23:36,445 IT'S TIME FOR THE JUDGES' 2720 01:23:36,445 --> 01:23:38,413 VERDICT. 2721 01:23:38,413 --> 01:23:39,014 BRUNO, WHICH COUPLE WOULD YOU 2722 01:23:39,014 --> 01:23:40,082 LIKE TO SAVE? 2723 01:23:40,082 --> 01:23:42,150 >> THIS IS IMPOSSIBLE, AFTER 2724 01:23:42,150 --> 01:23:42,784 SUCH A SPECTACULAR NIGHT, I HAVE 2725 01:23:42,784 --> 01:23:46,388 TO DO THIS. 2726 01:23:46,388 --> 01:23:47,990 BUT ANYWAY, LISTEN ‐‐ THANK YOU 2727 01:23:47,990 --> 01:23:49,558 FOR THE ENTERTAINMENT, 2728 01:23:49,558 --> 01:23:50,192 OBVIOUSLY, I MEAN, MIZ, YOU WORK 2729 01:23:50,192 --> 01:23:52,194 SO HARD, YOU REALLY APPLIED 2730 01:23:52,194 --> 01:23:53,795 YOURSELF, YOU DID EVERYTHING YOU 2731 01:23:53,795 --> 01:23:57,499 COULD SO WELL. 2732 01:23:57,499 --> 01:24:00,102 JOJO, INSPIRATION, REVELATION. 2733 01:24:00,102 --> 01:24:02,738 I'M SO GLAD YOU DID THE SHOW AND 2734 01:24:02,738 --> 01:24:04,306 I HAVE TO SAY, JOJO. 2735 01:24:04,306 --> 01:24:07,910 >> Tyra: BRUNO VOTES FOR JOJO. 2736 01:24:07,910 --> 01:24:13,315 NOW IT'S TIME TO GO TO CARRIE 2737 01:24:13,315 --> 01:24:13,482 ANN. 2738 01:24:13,482 --> 01:24:16,118 WHICH COUPLE WOULD YOU LIKE TO 2739 01:24:16,118 --> 01:24:18,387 SAVE? 2740 01:24:18,387 --> 01:24:18,987 >> FIRST OF ALL, I'M SHOCKED 2741 01:24:18,987 --> 01:24:19,521 YOU'RE IN THE BOTTOM TWO. 2742 01:24:19,521 --> 01:24:20,155 THAT DOESN'T TAKE ANYTHING AWAY 2743 01:24:20,155 --> 01:24:21,557 FROM YOU, MIKE, BUT WHAT I HAVE 2744 01:24:21,557 --> 01:24:22,190 LOVED ABOUT YOU IS YOUR INTENSE 2745 01:24:22,190 --> 01:24:24,226 DEDICATION. 2746 01:24:24,226 --> 01:24:25,260 YOU BRING JOY EVERY TIME YOU 2747 01:24:25,260 --> 01:24:29,398 STEP OUT ON THIS DANCE FLOOR AND 2748 01:24:29,398 --> 01:24:30,899 YOU'VE INSPIRED ALL OF US. 2749 01:24:30,899 --> 01:24:31,533 BUT THE COUPLE I WANT TO SAY IS 2750 01:24:31,533 --> 01:24:32,067 JOJO AND JENNA. 2751 01:24:32,067 --> 01:24:34,636 I'M SORRY. 2752 01:24:34,636 --> 01:24:36,204 >> Tyra: TWO FOR JOJO AND JENNA. 2753 01:24:36,204 --> 01:24:38,106 DEREK? 2754 01:24:38,106 --> 01:24:38,740 >> I WOULD LIKE TO SAY SO MANY 2755 01:24:38,740 --> 01:24:39,675 THINGS, TYRA. 2756 01:24:39,675 --> 01:24:41,777 >> Tyra: DO WE HAVE TIME? 2757 01:24:41,777 --> 01:24:44,613 >> NO, WE DON'T HAVE TIME. 2758 01:24:44,613 --> 01:24:46,248 >> Tyra: HELP ME OUT HERE. 2759 01:24:46,248 --> 01:24:46,848 >> MIKE, YOU ARE GOING TO BE 2760 01:24:46,848 --> 01:24:47,349 LIKE, DUDE, I DID THAT. 2761 01:24:47,349 --> 01:24:48,884 YOU WERE ICONIC, THIS ENTIRE 2762 01:24:48,884 --> 01:24:49,551 SHOW, YOU SHOULD BE SUPER, SUPER 2763 01:24:49,551 --> 01:24:51,553 PROUD. 2764 01:24:51,553 --> 01:24:55,958 I'M GOING TO HAVE TO SAVE JOJO. 2765 01:24:55,958 --> 01:24:57,225 >> Tyra: ALL RIGHTY, SO, WE GOT 2766 01:24:57,225 --> 01:24:59,227 THREE THAT HAVE SAVED JOJO AND 2767 01:24:59,227 --> 01:24:59,428 JENNA. 2768 01:24:59,428 --> 01:25:00,662 YOU GUYS ARE SAFE. 2769 01:25:00,662 --> 01:25:01,363 LEN, WE GOT TO KNOW WHAT YOU 2770 01:25:01,363 --> 01:25:04,099 WOULD HAVE DONE. 2771 01:25:04,099 --> 01:25:04,733 >> IT WOULD HAVE BEEN JOJO AND 2772 01:25:04,733 --> 01:25:04,933 JENNA. 2773 01:25:04,933 --> 01:25:05,500 >> Tyra: I WOULD HAVE BEEN 2774 01:25:05,500 --> 01:25:06,835 UNANIMOUS. 2775 01:25:06,835 --> 01:25:07,903 HEAD OFF TO THE OTHERS AND ‐‐ I 2776 01:25:07,903 --> 01:25:08,537 DON'T EVEN KNOW, THIS IS CRAZY 2777 01:25:08,537 --> 01:25:11,607 THAT YOU ARE HERE. 2778 01:25:11,607 --> 01:25:12,074 OKAY. 2779 01:25:12,074 --> 01:25:14,242 MIKE, WE HAVE LOVED YOU, YOU ARE 2780 01:25:14,242 --> 01:25:14,576 AMAZING. 2781 01:25:14,576 --> 01:25:16,078 YOU ARE SUCH A BEAUTIFUL HUMAN 2782 01:25:16,078 --> 01:25:16,378 BEING. 2783 01:25:16,378 --> 01:25:17,412 >> IT WAS AN HONOR TO BE ON THIS 2784 01:25:17,412 --> 01:25:18,480 DANCE FLOOR. 2785 01:25:18,480 --> 01:25:19,014 THANK YOU TO ALL OF YOU. 2786 01:25:19,014 --> 01:25:21,116 THANK YOU TO ALL OF YOU. 2787 01:25:21,116 --> 01:25:24,119 >> Tyra: WITNEY, WE LOVE YOU SO 2788 01:25:24,119 --> 01:25:24,853 MUCH. 2789 01:25:24,853 --> 01:25:25,420 CONGRATULATIONS FOR THE NEW 2790 01:25:25,420 --> 01:25:27,556 PUMPKIN IN YOUR LIFE. 2791 01:25:27,556 --> 01:25:28,657 ALL RIGHT, EVERYBODY. 2792 01:25:28,657 --> 01:25:32,194 WE'RE GOING TO HEAR ONE LAST 2793 01:25:32,194 --> 01:25:34,463 TIME FROM THEM, YOU'RE GOING TO 2794 01:25:34,463 --> 01:25:34,997 SEE THEM ON "GOOD MORNING 2795 01:25:34,997 --> 01:25:36,231 AMERICA" IN THE MORNING. 2796 01:25:36,231 --> 01:25:36,865 NEXT MONDAY, WE ARE DEVOTING THE 2797 01:25:36,865 --> 01:25:37,499 ENTIRE NIGHT TO MY FRIEND, THE 2798 01:25:37,499 --> 01:25:38,600 LIVING LEGEND, MISS JANET 2799 01:25:38,600 --> 01:25:40,068 JACKSON. 2800 01:25:40,068 --> 01:25:40,268 OKAY. 2801 01:25:40,268 --> 01:25:41,169 I'M SO EXCITED. 2802 01:25:41,169 --> 01:25:44,072 WE'RE GOING TO CELEBRATE HER 2803 01:25:44,072 --> 01:25:44,640 MUSIC ALL NIGHT. 2804 01:25:44,640 --> 01:25:45,741 WE'RE GOING TO DANCE TO HER. 2805 01:25:45,741 --> 01:25:46,375 WE'RE GOING TO BE TALKING TO MY 2806 01:25:46,375 --> 01:25:48,076 HOME GIRL, TOO, LIVE. 2807 01:25:48,076 --> 01:25:48,710 PLUS, TWO COUPLES WILL BE SENT 2808 01:25:48,710 --> 01:25:49,444 HOME IN A DOUBLE ELIMINATION, 2809 01:25:49,444 --> 01:25:50,512 WE'RE GOING TO SEE YOU 8:00/7:00 2810 01:25:50,512 --> 01:25:51,013 CENTRAL NEXT WEEK. 2811 01:25:51,013 --> 01:25:53,281 BYE, Y'ALL.