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♪

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♪

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>>> THE STARS ARE HERE!

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>> Announcer: LIVE FROM

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HOLLYWOOD, IT'S HORROR NIGHT ON

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"DANCING WITH THE STARS."

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STARRING ‐‐

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[ CHEERS AND APPLAUSE ]

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♪

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AND NOW, LIVE FROM HOLLYWOOD,

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PLEASE WELCOME YOUR HOST,

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TYRA BANKS.

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[ CHEERS AND APPLAUSE ]

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♪

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♪ CALL ME WHEN YOU WANT

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CALL ME WHEN YOU NEED

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CALL ME IN THE MORNING ♪

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♪ I'LL BE ON THE WAY

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CALL ME BY YOUR NAME

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♪ TELL ME YOU LOVE

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ME IN PRIVATE

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CALL ME BY YOUR NAME ♪

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♪ I DO NOT CARE IF YOU LYIN'

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♪

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>> Tyra: OH, YES, BE PREPARED TO

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BE SCARED.

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IT'S HORROR NIGHT IN THE

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BALLROOM TONIGHT.

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WE'RE IN FOR AN EERIE EVENING

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OF FRIGHTFUL FUN AND

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SPINE‐TINGLING COMPETITION,

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BECAUSE ALL OF THE DANCES ARE

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INSPIRED BY YOUR FAVORITE HORROR

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MOVIES AND TV SHOWS.

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PLUS, WE GOT DEREK IN THE HOUSE

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TONIGHT.

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HE HAS A TREAT TO RAISE OUR

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SPIRITS WHEN HE SNEAKS AWAY FROM

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THE JUDGING TABLE AND ONTO THE

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DANCE FLOOR FOR A CHILLING

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PERFORMANCE THAT WILL MAKE YOU

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SCREAM FOR MORE, BABY.

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AS ALWAYS, OUR COUPLES NEED TO

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SCARE UP SOME VOTES FROM YOU.

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VOTING IS OPEN IN THE EASTERN

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AND CENTRAL TIME ZONES.

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AND YOU CAN VOTE AT ABC.COM.

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PLUS, SUBSCRIBERS OF ALL U. S.

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WIRELESS PHONE CARRIERS CAN TEXT

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THE STAR'S FIRST NAME TO THE

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NUMBER 21523.

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MESSAGE AND DATA RATES MAY

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APPLY.

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YOU GET TEN VOTES PER COUPLE PER

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VOTING METHOD.

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ARE WE READY TO GET THIS

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STARTED?

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ALL RIGHTY.

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LET'S START WITH OUR WWE

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SUPERSTAR.

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THIS WEEK, THE MIZ AND WITNEY

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FOUND SOME FAMILY TIME AS THEY

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TRAINED FOR A PASO DOBLE HO

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HONORING "HELLRAISER."

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>> WITNEY!

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>> OH ‐‐

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>> IT'S HORROR NIGHT.

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>> OH, MY GOSH.

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>> DID I SCARE YOU?

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>> NO.

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>> A LITTLE BIT?

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>> NOT EVEN A LITTLE.

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>> WHAT DO YOU DO DURING

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HALLOWEEN?

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YOU SCARE PEOPLE.

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SO, WITNEY, BE AWARE.

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>> WE'RE TAKING INSPIRATION

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FROM "HELLRAISER".

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>> OH, YEAH!

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WITNEY, HOW EXCITED ARE YOU?

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HOW EXCITED ARE YOU ABOUT

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BEING ‐‐ OH, MY GOSH.

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WE'RE GOING ALL‐OUT.

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BACK IN THE '80s, I DON'T THINK

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YOU GOT ANY BETTER THAN PINHEAD.

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IT TERRIFIED ME.

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>> WE'RE DOING A PASO DOBLE

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TO "WICKED GAMES".

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>> MY FAVORITE DANCE THAT I

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WATCH ON "DANCING WITH THE

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STARS" IS THE PASO DOBLE.

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>> THIS IS YOUR WEEK.

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>> THIS IS THE WEEK, WITNEY.

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>> THE PASO DOBLE IS ‐‐

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>> WITNEY!

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>> THAT WAS SO WEAK.

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>> DID YOU GET YOU?

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>> NOT EVEN CLOSE.

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GET OUT OF HERE, YOU FREAKING

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CREEP.

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YOU HAVE TO TRY A LOT HARDER

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THAN THAT.

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>> HALLOWEEN HAS ALWAYS BEEN MY

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FAVORITE HOLIDAY.

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WE GET DIFFERENT CHARACTERS WE

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DRESS UP AS.

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WE PAINT, CARVE, HAVE A BLAST.

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I INVISITED WITNEY TO MY HOME.

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>> I BROUGHT MY HUSBAND AND MY

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LITTLE BABY.

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HI.

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OH, MY GOSH, YOUR GIRLS ARE

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BEAUTIFUL.

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>> LOOK AT THIS LITTLE GUY.

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I LOVE THE FACT THAT WITNEY'S

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FAMILY AND MY FAMILY ARE COMING

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TOGETHER TO JUST HAVE SOME

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HALLOWEEN FUN.

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>> OH.

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>> WELL, SO MUCH FOR THESE WHITE

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SHIRTS.

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>> OH, MY GOSH.

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>> BY THE WAY, LOOK AT YOU,

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ARTIST.

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>> WHOO.

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>> THIS IS WHAT I CAME UP WITH.

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>> THIS IS THE TYPE OF HALLOWEEN

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THAT I LIKE.

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JUST FAMILY FRIENDLY.

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>> AH!

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>> OH, MY GOSH.

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>> I GOT YOU.

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DIDN'T I.

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YOU ALL THOUGHT I WASN'T GOING

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TO GET WITNEY, BUT I GOT HER.

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SCARED HER.

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BOOM!

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[ CHEERS AND APPLAUSE ]

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>> Announcer: DANCING THE PASO

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DOBLE WITH HIS PARTNER WITNEY,

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IT'S THE MIZ.

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♪

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♪ THE WORLD WAS ON FIRE AND

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NO ONE COULD SAVE ME BUT YOU ♪

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♪ IT'S STRANGE WHAT DESIRE

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WILL MAKE FOOLISH PEOPLE DO ♪

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♪ NO I DON'T WANNA FALL IN LOVE

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NO I DON'T WANNA FALL IN LOVE

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WITH YOU ♪

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♪

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♪ WHAT A WICKED THING TO SAY

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YOU NEVER FELT THIS WAY ♪

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♪ WHAT A WICKED THING TO DO

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TO MAKE ME DREAM OF YOU ♪

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♪ AND I DON'T WANNA FALL IN LOVE

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WITH YOU ♪

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O

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♪ OOH OH

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♪

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[ CHEERS AND APPLAUSE ]

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>> Tyra: WHOA.

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OKAY.

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THE MIZ AND WITNEY, JUMPING OFF

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THIS HORROR MOVIE NIGHT WITH A

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PASO DOBLE INSPIRED

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BY "HELLRAISER".

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LEN, WE'RE GOING TO START WITH

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YOU, DARLING.

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>> WELL, MIKE, I'VE GOT TO SAY,

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YOU NAILED IT.

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[ CHEERS AND APPLAUSE ]

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IT WAS A MIX OF AGGRESSION, AND

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EXPRESSION.

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I WOULD HAVE LIKED A LITTLE

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STRONGER POSTURE GOING ON.

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AND YOU GOT SOME FUNNY HANDS

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GOING A LITTLE BIT.

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BUT OVERALL, THIS WAS NO

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NIGHTMARE.

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IT WAS A REALLY TOP PERFORMANCE.

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>> Tyra: DEREK?

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YOU'RE LOOKING GORGEOUS, BY THE

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WAY.

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OR HANDSOME, FINE AS HELL,

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SCARY, ALL OF THAT.

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WHAT DO YOU THINK?

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>> I WAS JUST IMPRESSED THAT

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NOBODY POKED THEIR EYE OUT.

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BUT I WAS THINKING THE SAME

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THING, I WONDER IF THERE NEEDS

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TO BE MORE STRETCH, MORE SHAPE.

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BUT HELLRAISER WOULD HAVE DANCED

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IT JUST LIKE THAT.

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I'M ALWAYS LOOKING FORWARD TO

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YOUR PERFORMANCES EVERY WEEK.

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I LOVE IT.

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>> Tyra: BRUNO, SERVING US

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DEVILISHLY SEXY.

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WHAT DO YOU THINK?

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>> WELCOME TO HELL, EVERYONE.

201
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WITH A HELLRAISING PASO DOBLE IN

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THE BEST POSSIBLE WAY.

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YOU CHANNELED ALL THAT

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DEVILISHLY POWERFUL DANCE WITH

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GREAT CONTROL, ACTUALLY.

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YOUR FOOTWORK WAS VERY GOOD.

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LEN IS RIGHT, SOMETIMES YOU STOP

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YOUR LINE AT YOUR WRISTS.

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EXTEND THROUGH THE WRISTS.

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I KNOW YOU WERE IN CHARACTER,

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BUT ELONGATE IT A LITTLE BIT

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MORE.

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OTHERWISE, GREAT.

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>> Tyra: AND CARRIE ANN?

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WITH TARANTULA VIBES.

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>> I LOVED IT.

217
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IT WAS SO AMAZING.

218
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I WAS WATCHING IT LIKE, IS HE A

219
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LITTLE STIFF?

220
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THEN I REALIZED, IT WAS ON

221
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PURPOSE, IT WAS THE CHARACTER.

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I STILL SAY WORK ON THE

223
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FLEXIBILITY FOR THE NEXT ONE.

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BUT I LOVED THE INTENSITY, YOU

225
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DIDN'T RELY ON THE COSTUME AT

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ALL.

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>> Tyra: MIKE, I GOT TO ASK YOU.

228
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YOU LOVE SCARING PEOPLE.

229
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WHAT IS YOUR GREATEST FEAR?

230
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>> MY GREATEST FEAR?

231
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STEPPING ON THIS DANCE FLOOR

232
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EVERY SINGLE WEEK AND GETTING

233
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JUDGED BY PROFESSIONAL BALLROOM

234
00:08:47,660 --> 00:08:49,796
JUDGES, DRESSED AS HELLRAISER.

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>> Tyra: WELL, THAT WOULD NEVER

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HAPPEN.

237
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>> I'M IN IT.

238
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GIVE ME THE SCORES TO RELIEVE ME

239
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FROM MY NIGHTMARE.

240
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>> Tyra: BUT I SAW YOU GUYS HAVE

241
00:09:02,575 --> 00:09:04,644
THAT FAMILY BONDING, YOUR HOUSE

242
00:09:04,644 --> 00:09:05,612
IS GORGEOUS.

243
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IT WAS SO WARM TO MY HEART TO

244
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WATCH THAT.

245
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>> IT WAS BEAUTIFUL.

246
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HE'S SUCH A GREAT DAD.

247
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AND MY LITTLE BOY IS MY

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EVERYTHING.

249
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TO COMBINE EVERYTHING TOGETHER

250
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WAS SO SPECIAL.

251
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I'M GOING TO CRY IN THIS BALD

252
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CAP.

253
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>> Tyra: LET'S GET YOUR SCORES.

254
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>> Announcer: CARRIE ANN INABA.

255
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>> 9.

256
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>> Announcer: LEN GOODMAN.

257
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>> 8.

258
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>> Announcer: DEREK HOUGH.

259
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>> 9.

260
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>> Announcer: BRUNO TONIOLI.

261
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>> 8.

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>> Tyra: WE GOT TWO 8s, TWO 9s,

263
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34 OUT OF 40 FOR THE MIZ AND

264
00:09:40,680 --> 00:09:40,914
WITNEY.

265
00:09:40,914 --> 00:09:42,449
NEXT UP, KENYA MOORE AND BRANDON

266
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WITH A SPIDERY ARGENTINE TANGO

267
00:09:47,854 --> 00:09:48,888
TRIBUTE TO "ARACHNOPHOBIA,"

268
00:09:48,888 --> 00:09:51,891
LIVE.

269
00:09:56,629 --> 00:09:57,130
[ CHEERS AND APPLAUSE ]

270
00:09:57,130 --> 00:10:01,935
♪

271
00:10:01,935 --> 00:10:04,571
>> Tyra: WE'RE BACK TO SCARE THE

272
00:10:04,571 --> 00:10:06,206
LIVING DAYLIGHTS OUT OF YOU WITH

273
00:10:06,206 --> 00:10:07,173
HORROR NIGHT.

274
00:10:07,173 --> 00:10:09,642
UP NEXT, OUR STAR FROM "THE REAL

275
00:10:09,642 --> 00:10:11,778
HOUSEWIVES OF ATLANTA."

276
00:10:11,778 --> 00:10:13,813
WITH A CREEPY, CRAWLY TRIBUTE TO

277
00:10:13,813 --> 00:10:15,281
THE COMEDY THRILLER

278
00:10:15,281 --> 00:10:17,317
"RACHNOPHOBIA."

279
00:10:17,317 --> 00:10:20,553
LET'S FINDS OUT WHAT HALLOWEEN

280
00:10:20,553 --> 00:10:22,222
WAS LIKE FOR KENYA GROWING UP IN

281
00:10:22,222 --> 00:10:24,824
THE "D," OTHERWISE KNOWN AS

282
00:10:24,824 --> 00:10:27,127
DETROIT.

283
00:10:27,127 --> 00:10:30,597
>> KENYA, YOU FINALLY GOT YOUR

284
00:10:30,597 --> 00:10:31,231
9s.

285
00:10:31,231 --> 00:10:34,100
>> YOU CAN EITHER SINK OR SWIM,

286
00:10:34,100 --> 00:10:35,568
AND BABE, YOU SWAM.

287
00:10:35,568 --> 00:10:37,270
>> LAST WEEK WAS A DREAM.

288
00:10:37,270 --> 00:10:37,770
>> 9.

289
00:10:37,770 --> 00:10:41,774
>> WHAT AN HONOR, AFTER BEING IN

290
00:10:41,774 --> 00:10:44,544
THE BOTTOM TWO FOR TWO WEEKS IN

291
00:10:44,544 --> 00:10:46,012
A ROW, I COULDN'T ASK FOR

292
00:10:46,012 --> 00:10:46,579
ANYTHING BETTER.

293
00:10:46,579 --> 00:10:48,248
>> IT WAS A GREAT NIGHT.

294
00:10:48,248 --> 00:10:53,086
BUT THIS WEEK, IT'S HORROR

295
00:10:53,086 --> 00:10:53,720
NIGHT, AND WE'RE GOING TO DO AN

296
00:10:53,720 --> 00:11:00,059
ARGENTINE TANGO WITH INSPIRATION

297
00:11:00,059 --> 00:11:02,562
FROM "ARACHNOPHOBIA," WITH THE

298
00:11:02,562 --> 00:11:02,829
SPIDERS.

299
00:11:02,829 --> 00:11:06,900
>> I'M TERRIFIED ‐‐ OH!

300
00:11:06,900 --> 00:11:07,634
THAT ‐‐ YEAH.

301
00:11:07,634 --> 00:11:09,636
YOU'RE GOING TO HAVE TO COME

302
00:11:09,636 --> 00:11:10,270
HARDER THAN THIS.

303
00:11:10,270 --> 00:11:11,971
>> KENYA, WHAT WAS HALLOWEEN

304
00:11:11,971 --> 00:11:14,040
LIKE FOR YOU AS A KID, GROWING

305
00:11:14,040 --> 00:11:22,248
UP, DETROIT.

306
00:11:22,248 --> 00:11:23,483
WHAT WAS IT LIKE?

307
00:11:23,483 --> 00:11:24,617
>> I GREW UP GENTJEHOVAH'S WITN.

308
00:11:24,617 --> 00:11:26,486
WE NEVER PARTICIPATED IN ALL OF

309
00:11:26,486 --> 00:11:27,053
THAT STUFF.

310
00:11:27,053 --> 00:11:28,755
IT WAS REALLY FOREIGN TO ME.

311
00:11:28,755 --> 00:11:31,124
BUT I REMEMBER THE NIGHT BEFORE

312
00:11:31,124 --> 00:11:32,592
HALLOWEEN, DETROIT WOULD HAVE

313
00:11:32,592 --> 00:11:33,326
THIS NIGHT.

314
00:11:33,326 --> 00:11:36,362
IT WAS CALLED DEVIL'S NIGHT.

315
00:11:36,362 --> 00:11:38,464
DEVIL'S NIGHT WAS A TIME FOR

316
00:11:38,464 --> 00:11:39,465
PEOPLE IN THE NEIGHBORHOOD WHERE

317
00:11:39,465 --> 00:11:42,869
I GREW UP IN DETROIT TO BURN

318
00:11:42,869 --> 00:11:45,071
DOWN THE ABANDONED HOUSES THAT

319
00:11:45,071 --> 00:11:46,706
THE CITY WOULD NOT DESTROY.

320
00:11:46,706 --> 00:11:49,509
EVERY YEAR, WE KNEW DEVIL'S

321
00:11:49,509 --> 00:11:50,176
NIGHT, THERE WERE GOING TO BE

322
00:11:50,176 --> 00:11:52,845
HUNDREDS OF HOMES ON FIRE.

323
00:11:52,845 --> 00:11:55,181
I GREW UP ON THE WEST SIDE OF

324
00:11:55,181 --> 00:11:57,083
DETROIT, IN A LOWER INCOME AREA.

325
00:11:57,083 --> 00:11:58,418
PEOPLE WERE STRUGGLING.

326
00:11:58,418 --> 00:12:01,120
IT WAS JUST DURING A TIME WHERE

327
00:12:01,120 --> 00:12:02,722
DETROITERS WERE TRYING TO GET

328
00:12:02,722 --> 00:12:03,723
BACK ON THEIR FEET.

329
00:12:03,723 --> 00:12:06,192
THAT IS WHAT DETROITERS ARE ALL

330
00:12:06,192 --> 00:12:06,392
ABOUT.

331
00:12:06,392 --> 00:12:06,960
WITH THAT CAME MY FIGHTER'S

332
00:12:06,960 --> 00:12:08,795
SPIRIT.

333
00:12:08,795 --> 00:12:11,965
>> THIS IS AN IMPORTANT WEEK FOR

334
00:12:11,965 --> 00:12:13,967
KENYA AND I.

335
00:12:13,967 --> 00:12:17,770
WE'RE DOING AN ARGENTINE TANGO.

336
00:12:17,770 --> 00:12:20,039
WE STARTED TO MAKE SOME HEADWAY,

337
00:12:20,039 --> 00:12:22,508
BUT WE HAVE TO KEEP IT UP THIS

338
00:12:22,508 --> 00:12:22,709
WEEK.

339
00:12:22,709 --> 00:12:24,344
>> I FOUGHT BACK FROM BASICALLY

340
00:12:24,344 --> 00:12:26,846
HAVING NOTHING TO BEING HERE

341
00:12:26,846 --> 00:12:27,747
TODAY, LIVING MY DREAM.

342
00:12:27,747 --> 00:12:29,616
FOR ME, THE ONLY OPTION IS TO

343
00:12:29,616 --> 00:12:30,049
FIGHT TO STAY HERE.

344
00:12:30,049 --> 00:12:31,184
[ CHEERS AND APPLAUSE ]

345
00:12:31,184 --> 00:12:33,286
>> Announcer: DANCING THE

346
00:12:33,286 --> 00:12:34,854
ARGENTINE TANGO WITH HER PARTNER

347
00:12:34,854 --> 00:12:38,558
BRANDON, IT'S KENYA MOORE.

348
00:12:39,158 --> 00:12:43,963
♪

349
00:12:43,963 --> 00:12:45,031
♪ I SAW THE FIRE

350
00:12:45,031 --> 00:12:49,235
IN YOUR EYES

351
00:12:49,235 --> 00:12:49,769
I SAW THE FIRE WHEN ♪

352
00:12:49,769 --> 00:12:51,838
♪ I LOOK INTO YOUR EYES

353
00:12:51,838 --> 00:12:55,041
YOU TELL ME THINGS

354
00:12:55,041 --> 00:12:57,143
YOU WANNA TRY UH ♪

355
00:12:57,143 --> 00:12:58,177
♪ I KNOW TEMPTATION IS

356
00:12:58,177 --> 00:12:59,779
THE DEVIL IN DISGUISE

357
00:12:59,779 --> 00:13:01,447
YOU SAID YOU DO ♪

358
00:13:01,447 --> 00:13:04,517
♪ THIS ALL THE TIME

359
00:13:04,517 --> 00:13:06,085
TELL ME YOU LOVE ME IF

360
00:13:06,085 --> 00:13:10,356
I BRING YOU TO THE LIGHT ♪

361
00:13:10,356 --> 00:13:11,424
♪ IT'S LIKE A DREAM WHAT

362
00:13:11,424 --> 00:13:11,924
SHE FEELS WITH ME

363
00:13:11,924 --> 00:13:15,128
SHE LOVES TO BE ♪

364
00:13:15,128 --> 00:13:16,195
♪ ON THE EDGE

365
00:13:16,195 --> 00:13:18,831
HER FANTASY IS

366
00:13:18,831 --> 00:13:22,468
OKAY WITH ME ♪

367
00:13:22,468 --> 00:13:26,172
♪ THEN SUDDENLY BABY SAYS

368
00:13:26,172 --> 00:13:28,308
TAKE MY BREATH AWAY

369
00:13:28,308 --> 00:13:29,342
AND MAKE IT LAST ♪

370
00:13:29,342 --> 00:13:30,910
♪ FOREVER BABE

371
00:13:30,910 --> 00:13:34,614
DO IT NOW OR NEVER BABE

372
00:13:34,614 --> 00:13:37,283
TAKE MY BREATH AWAY ♪

373
00:13:37,283 --> 00:13:38,885
♪ NOBODY DOES IT BETTER BABE

374
00:13:38,885 --> 00:13:39,419
BRING ME CLOSE TO

375
00:13:39,419 --> 00:13:42,555
HEAVEN BABE ♪

376
00:13:42,555 --> 00:13:52,065
♪ TAKE MY BREATH

377
00:13:52,065 --> 00:13:54,701
OH OH

378
00:13:54,701 --> 00:13:57,303
TAKE MY BREATH AWAY ♪

379
00:13:57,303 --> 00:13:58,371
♪ TAKE MY BREATH AWAY

380
00:13:58,371 --> 00:13:58,905
AND MAKE IT LAST

381
00:13:58,905 --> 00:13:59,405
FOREVER BABE ♪

382
00:13:59,405 --> 00:14:01,541
♪ DO IT NOW OR NEVER BABE

383
00:14:01,541 --> 00:14:03,109
TAKE MY BREATH AWAY

384
00:14:03,109 --> 00:14:04,677
TAKE MY BREATH AWAY ♪

385
00:14:04,677 --> 00:14:05,712
♪ NOBODY DOES IT BETTER BABE

386
00:14:05,712 --> 00:14:06,245
BRING ME CLOSE TO

387
00:14:06,245 --> 00:14:07,847
HEAVEN BABE ♪

388
00:14:07,847 --> 00:14:08,381
♪ TAKE MY BREATH

389
00:14:08,381 --> 00:14:18,691
♪

390
00:14:18,691 --> 00:14:22,228
>> Tyra: KENYA AND BRANDON WITH

391
00:14:22,228 --> 00:14:25,398
AN ARGENTINE TANGO INSPIRED

392
00:14:25,398 --> 00:14:30,103
BY "ARACHNOPHOBIA."

393
00:14:30,103 --> 00:14:31,871
DEREK?

394
00:14:31,871 --> 00:14:32,205
>> WOW, YEAH.

395
00:14:32,205 --> 00:14:33,005
WHOO!

396
00:14:33,005 --> 00:14:36,008
KENYA, LISTEN, YOU HAVE JUST

397
00:14:36,008 --> 00:14:37,610
THIS ELEGANT DEMEANOR ABOUT YOU

398
00:14:37,610 --> 00:14:39,846
THAT IS SO PLEASANT TO WATCH.

399
00:14:39,846 --> 00:14:40,980
IT'S SO STUNNING.

400
00:14:40,980 --> 00:14:43,015
THERE WAS A FEW LITTLE WOBBLES

401
00:14:43,015 --> 00:14:44,550
HERE AND THERE, A FEW LITTLE

402
00:14:44,550 --> 00:14:45,818
EXTRA STEPS.

403
00:14:45,818 --> 00:14:47,854
BUT I'M SO IMPRESSED WITH YOU.

404
00:14:47,854 --> 00:14:49,989
THAT LEG EXTENSION, JUST, LIKE,

405
00:14:49,989 --> 00:14:51,257
WOW.

406
00:14:51,257 --> 00:14:53,893
UNBELIEVABLE.

407
00:14:53,893 --> 00:14:54,460
BEAUTIFUL, BEAUTIFUL DANCE.

408
00:14:54,460 --> 00:14:56,662
>> Tyra: OUR DEVIL, BRUNO?

409
00:14:56,662 --> 00:14:59,899
>> MY SPIDER‐WOMAN, BEAUTIFUL

410
00:14:59,899 --> 00:15:00,400
AND DEADLY.

411
00:15:00,400 --> 00:15:02,101
YOU CAN WRAP ME IN YOUR WEB

412
00:15:02,101 --> 00:15:02,368
ANYTIME.

413
00:15:02,368 --> 00:15:06,406
I THINK YOU CAN WRAP ANYBODY,

414
00:15:06,406 --> 00:15:06,672
ACTUALLY.

415
00:15:06,672 --> 00:15:08,341
YOU'RE SEXY, HUNONEY.

416
00:15:08,341 --> 00:15:10,810
YOU REALLY ARE VERY, VERY SEXY.

417
00:15:10,810 --> 00:15:11,944
YOU HAVE GREAT POISE.

418
00:15:11,944 --> 00:15:13,546
YOU HAVE TO, I TOLD YOU BEFORE,

419
00:15:13,546 --> 00:15:14,714
WORK ON THE TRANSITIONS.

420
00:15:14,714 --> 00:15:17,216
AS YOU GO IN AND OUT OF LIFT,

421
00:15:17,216 --> 00:15:19,485
YOU COME OUT OF A LIFT, YOU HAVE

422
00:15:19,485 --> 00:15:21,354
TO TAKE THE NEXT BEAT AND GO FOR

423
00:15:21,354 --> 00:15:21,554
IT.

424
00:15:21,554 --> 00:15:22,155
DON'T WOBBLE.

425
00:15:22,155 --> 00:15:23,656
IT'S A QUESTION OF NOT DOUBTING

426
00:15:23,656 --> 00:15:23,923
IT.

427
00:15:23,923 --> 00:15:30,096
I CAN SEE YOU THINKING ABOUT IT.

428
00:15:30,096 --> 00:15:32,598
GO THROUGH THE LIFT.

429
00:15:32,598 --> 00:15:34,567
>> Tyra: DEREK?

430
00:15:34,567 --> 00:15:35,468
>> SORRY.

431
00:15:35,468 --> 00:15:38,037
>> Tyra: THAT'S OKAY, DARLING.

432
00:15:38,037 --> 00:15:38,571
CARRIE ANN?

433
00:15:38,571 --> 00:15:41,641
>> OKAY, FROM ONE SPIDEY TO

434
00:15:41,641 --> 00:15:43,376
ANOTHER SPIDEY, YOU HAVE SO MUCH

435
00:15:43,376 --> 00:15:43,576
POWER.

436
00:15:43,576 --> 00:15:45,878
WHEN YOU DANCE, YOU DIG INTO IT.

437
00:15:45,878 --> 00:15:47,680
AND YOU'RE ABLE TO PULL OUT

438
00:15:47,680 --> 00:15:48,881
POWERS THAT I DON'T SEE FROM

439
00:15:48,881 --> 00:15:49,916
OTHER PEOPLE.

440
00:15:49,916 --> 00:15:51,951
IT'S VERY SPECTACULAR.

441
00:15:51,951 --> 00:15:53,453
BUT I WANT TO BRING UP SOMETHING

442
00:15:53,453 --> 00:15:56,489
TO YOU THAT I THINK WOULD HELP

443
00:15:56,489 --> 00:15:56,689
YOU.

444
00:15:56,689 --> 00:15:59,258
SOMETIMES YOU HIT A POSE AND YOU

445
00:15:59,258 --> 00:16:00,460
JUST FREEZE AND WAIT FOR BRANDON

446
00:16:00,460 --> 00:16:03,262
TO MOVE IN.

447
00:16:03,262 --> 00:16:03,796
YOU HAVE TO KEEP IT ALIVE.

448
00:16:03,796 --> 00:16:05,965
ALL OUR EYES ARE ON YOU.

449
00:16:05,965 --> 00:16:09,936
WE CANNOT HELP BUT GAZE AT YOU

450
00:16:09,936 --> 00:16:10,470
BECAUSE YOU'RE STUNNING.

451
00:16:10,470 --> 00:16:11,103
>> THANK YOU.

452
00:16:11,103 --> 00:16:11,838
>> Tyra: LEN?

453
00:16:11,838 --> 00:16:13,005
>> YOU SPUN A WEB THAT

454
00:16:13,005 --> 00:16:15,475
ABSOLUTELY CAPTURED THE FLAVOR

455
00:16:15,475 --> 00:16:18,911
OF ARGENTINE TANGO.

456
00:16:18,911 --> 00:16:19,679
WELL DONE.

457
00:16:19,679 --> 00:16:20,947
>> Tyra: THE JUDGES KEEP TALKING

458
00:16:20,947 --> 00:16:23,516
ABOUT THIS SEXY, SEXY THING.

459
00:16:23,516 --> 00:16:24,116
WHERE IS THAT COMING FROM?

460
00:16:24,116 --> 00:16:26,886
>> OH, I DON'T KNOW.

461
00:16:26,886 --> 00:16:29,388
I HAVE A GOOD INSPIRATION HERE.

462
00:16:29,388 --> 00:16:31,524
>> Tyra: OH.

463
00:16:31,524 --> 00:16:31,691
OH.

464
00:16:31,691 --> 00:16:33,292
>> OKAY, MOVING ON.

465
00:16:33,292 --> 00:16:35,528
>> Tyra: BRANDON HAS A LITTLE

466
00:16:35,528 --> 00:16:36,562
SWAG GOING ON.

467
00:16:36,562 --> 00:16:39,465
YOU HAVE A FIGHTER'S SPIRIT,

468
00:16:39,465 --> 00:16:40,700
TALK ABOUT THAT AND HOW YOU

469
00:16:40,700 --> 00:16:42,401
BRING THAT TO THE DANCE FLOOR.

470
00:16:42,401 --> 00:16:43,836
>> BEING FROM DETROIT, WE HAD TO

471
00:16:43,836 --> 00:16:46,873
FIGHT FOR JUST BEING ALIVE.

472
00:16:46,873 --> 00:16:49,442
NOT BEING ON DRUGS, NOT FALLING

473
00:16:49,442 --> 00:16:53,145
PREY TO THE EVILS OF DETROIT.

474
00:16:53,145 --> 00:16:53,813
I'M GLAD I'M FROM THERE, BUT IT

475
00:16:53,813 --> 00:16:55,915
GAVE ME THIS FIGHTER'S SPIRIT.

476
00:16:55,915 --> 00:16:58,084
NO MATTER WHAT, I'M GOING TO

477
00:16:58,084 --> 00:16:59,318
FIGHT MY WAY OUT.

478
00:16:59,318 --> 00:17:01,521
>> Tyra: YOU FEEL IT.

479
00:17:01,521 --> 00:17:03,055
LET'S GET THESE SCORES.

480
00:17:03,055 --> 00:17:03,689
>> Announcer: CARRIE ANN INABA.

481
00:17:03,689 --> 00:17:04,757
>> 8.

482
00:17:04,757 --> 00:17:05,291
>> Announcer: LEN GOODMAN.

483
00:17:05,291 --> 00:17:07,527
>> 8.

484
00:17:07,527 --> 00:17:08,060
>> Announcer: DEREK HOUGH.

485
00:17:08,060 --> 00:17:11,731
>> 8.

486
00:17:11,731 --> 00:17:12,298
>> Announcer: BRUNO TONIOLI.

487
00:17:12,298 --> 00:17:12,665
>> 8.

488
00:17:12,665 --> 00:17:16,502
>> Tyra: 32 OUT OF 40 FOR KENYA

489
00:17:16,502 --> 00:17:18,538
AND BRANDON.

490
00:17:18,538 --> 00:17:20,239
NOW, IF YOU ARE INTO KILLER

491
00:17:20,239 --> 00:17:21,607
CLOWNS, JOJO SIWA AND JENNA HAVE

492
00:17:21,607 --> 00:17:22,408
A DANCE FOR YOU.

493
00:17:23,776 --> 00:17:25,678
NEXT, LIVE.

494
00:17:33,653 --> 00:17:34,153
[ CHEERS AND APPLAUSE ]

495
00:17:34,153 --> 00:17:36,622
♪

496
00:17:36,622 --> 00:17:39,559
>>> THIS WEEK ON UNSOLVED DANCE

497
00:17:39,559 --> 00:17:39,892
MYSTERIES ‐‐

498
00:17:39,892 --> 00:17:42,094
>> I'M NOT GETTING MUCH SLEEP.

499
00:17:42,094 --> 00:17:44,697
>> EVERY TIME I CLOSE MY EYES, I

500
00:17:44,697 --> 00:17:44,964
SEE THEM.

501
00:17:44,964 --> 00:17:48,367
>> I'D CALL IT A NIGHTMARE, BUT

502
00:17:48,367 --> 00:17:51,037
THAT'S TOO NICE OF A WORD.

503
00:17:51,037 --> 00:17:53,005
>> IT'S LIKE I'M BEING HAUNTED.

504
00:17:53,005 --> 00:17:56,609
>> I TRIED SAGING MY HOUSE.

505
00:17:56,609 --> 00:17:57,944
>> NOTHING IS WORKING.

506
00:17:57,944 --> 00:17:59,779
>> I CAN'T GET THEIR VOICE OUT

507
00:17:59,779 --> 00:18:00,580
OF MY AHEAD.

508
00:18:00,580 --> 00:18:02,181
>> I DON'T KNOW HOW LONG I CAN

509
00:18:02,181 --> 00:18:03,115
GO ON LIKE THIS.

510
00:18:03,115 --> 00:18:05,051
>> I FEEL LIKE I'M LOSING MY

511
00:18:05,051 --> 00:18:06,485
MIND.

512
00:18:10,189 --> 00:18:13,626
>> I FEEL A COLD, AND CRITICAL,

513
00:18:13,626 --> 00:18:16,662
AND IRRITATED PRESENCE.

514
00:18:16,662 --> 00:18:21,400
I THINK THEY'RE HERE.

515
00:18:21,400 --> 00:18:24,403
NO.

516
00:18:24,403 --> 00:18:25,071
NO.

517
00:18:25,071 --> 00:18:25,237
NO.

518
00:18:25,237 --> 00:18:28,007
>> WHAT ARE YOU DOING IN THIS

519
00:18:28,007 --> 00:18:30,843
DARK, CREEPY ROOM?

520
00:18:30,843 --> 00:18:33,913
GET BACK TO REHEARSAL!

521
00:18:33,913 --> 00:18:34,547
>> NO!

522
00:18:34,547 --> 00:18:36,482
>> Tyra: SOME MYSTERIES ARE BEST

523
00:18:36,482 --> 00:18:38,117
LEFT UNSOLVED.

524
00:18:38,117 --> 00:18:38,584
WE'RE BACK.

525
00:18:38,584 --> 00:18:39,652
ONE WEEK FROM TONIGHT, THE

526
00:18:39,652 --> 00:18:41,220
BALLROOM WILL BE ROCKING AS OUR

527
00:18:41,220 --> 00:18:41,821
COUPLES DANCE TO THE MUSIC OF

528
00:18:41,821 --> 00:18:42,922
QUEEN.

529
00:18:42,922 --> 00:18:47,660
YES, I'M SO EXCITED.

530
00:18:47,660 --> 00:18:51,430
NOW, UP NEXT IN OUR HORROR NIGHT

531
00:18:51,430 --> 00:18:53,532
COMPETITION, THE POP STAR AND TV

532
00:18:53,532 --> 00:18:55,635
PERSONALITY WHO LAST WEEK EARNED

533
00:18:55,635 --> 00:18:56,902
THE FIRST PERFECT SCORE OF THE

534
00:18:56,902 --> 00:18:57,136
SEASON.

535
00:18:57,136 --> 00:19:00,673
THIS WEEK, JOJO SIWA AND JENNA

536
00:19:00,673 --> 00:19:02,541
HAD SOME SURPRISE VISITORS AS

537
00:19:02,541 --> 00:19:07,346
THEY TRAINED TO HONOR "IT."

538
00:19:07,346 --> 00:19:10,149
>> YOU AFFECTED MY BRAIN, MY

539
00:19:10,149 --> 00:19:14,487
HEART, IT WAS SUPERB.

540
00:19:14,487 --> 00:19:15,955
>> LAST WEEK WE GOT THE FIRST

541
00:19:15,955 --> 00:19:17,890
PERFECT SCORE OF THE WHOLE

542
00:19:17,890 --> 00:19:18,124
SEASON.

543
00:19:18,124 --> 00:19:18,958
>> 10!

544
00:19:18,958 --> 00:19:22,161
>> MY MIND WAS LITERALLY AND

545
00:19:22,161 --> 00:19:25,698
STILL IS ON CLOUD 495.

546
00:19:25,698 --> 00:19:29,635
>> IT IS HORROR NIGHT!

547
00:19:29,635 --> 00:19:32,004
>> OH, BOY.

548
00:19:32,004 --> 00:19:33,205
>> WE'RE TAKING INSPIRATION FROM

549
00:19:33,205 --> 00:19:35,541
THE MOVIE "IT."

550
00:19:35,541 --> 00:19:36,942
AND I FEEL LIKE YOU'RE REALLY

551
00:19:36,942 --> 00:19:40,680
GOING TO TAP INTO THIS CREEPY

552
00:19:40,680 --> 00:19:41,414
PENNYWISE CHARACTER.

553
00:19:41,414 --> 00:19:44,784
>> I HAVE TO CHANNEL MY INNER

554
00:19:44,784 --> 00:19:45,084
PENNYWISE.

555
00:19:45,084 --> 00:19:47,687
I HAVE TO WORK ON MY SMILE TO

556
00:19:47,687 --> 00:19:48,254
LOOK LIKE HIM.

557
00:19:48,254 --> 00:19:50,823
I HAVE A LOT OF WORK TO DO.

558
00:19:50,823 --> 00:19:52,425
>> WHAT IS YOUR FAVORITE PART OF

559
00:19:52,425 --> 00:19:53,025
HALLOWEEN IN GENERAL?

560
00:19:53,025 --> 00:19:58,864
>> WE GET A LOT OF TRICK OR

561
00:19:58,864 --> 00:20:03,769
TREATERS DRESS SED UP AS ME FOR

562
00:20:03,769 --> 00:20:04,036
HALLOWEEN.

563
00:20:04,036 --> 00:20:05,171
IT JUST MAKES ME SMILE.

564
00:20:05,171 --> 00:20:07,540
>> I WONDER IF ANYONE HAS EVER

565
00:20:07,540 --> 00:20:09,275
DRESSED UP AS ME FOR HALLOWEEN?

566
00:20:09,275 --> 00:20:11,711
>> I WILL.

567
00:20:11,711 --> 00:20:15,448
I'LL COME IN TOMORROW DRESSED UP

568
00:20:15,448 --> 00:20:15,915
AS YOU.

569
00:20:15,915 --> 00:20:17,149
>> I LOVE IT!

570
00:20:17,149 --> 00:20:22,755
>> I'M NOT JOJO TODAY, I'M

571
00:20:22,755 --> 00:20:24,557
JENJEN.

572
00:20:24,557 --> 00:20:25,825
MY NAILS, MY RING.

573
00:20:25,825 --> 00:20:26,592
>> YOUR HAIR.

574
00:20:26,592 --> 00:20:30,296
>> DON'T TOUCH IT.

575
00:20:30,296 --> 00:20:31,764
I DYED IT BROWN.

576
00:20:31,764 --> 00:20:35,134
I WANTED MY FAMILY TO COME MEET

577
00:20:35,134 --> 00:20:36,035
JENNA TODAY.

578
00:20:36,035 --> 00:20:37,903
IT WAS DESTINED TO HAPPEN.

579
00:20:37,903 --> 00:20:39,538
>> HEY, THERE'S JOJO.

580
00:20:39,538 --> 00:20:40,439
>> HEY!

581
00:20:40,439 --> 00:20:42,608
>> WE THOUGHT WE WOULD COME AND

582
00:20:42,608 --> 00:20:43,309
MEET JENNA.

583
00:20:43,309 --> 00:20:44,110
>> FINALLY.

584
00:20:44,110 --> 00:20:45,044
>> OH, MY GOODNESS.

585
00:20:45,044 --> 00:20:49,248
THIS IS MY DAD, MY BROTHER, AND

586
00:20:49,248 --> 00:20:49,482
MY MOM.

587
00:20:49,482 --> 00:20:51,117
I'M NOT JOJO, I'M JENJEN.

588
00:20:51,117 --> 00:20:52,785
>> SHE'S HAD SO MANY GOOD

589
00:20:52,785 --> 00:20:53,953
COSTUMES THROUGH THE YEARS.

590
00:20:53,953 --> 00:20:55,454
THIS COULD BE MY FAVORITE ONE.

591
00:20:55,454 --> 00:20:57,823
>> DO YOU REMEMBER THERE WERE

592
00:20:57,823 --> 00:21:01,927
THREE YEARS IN A ROW YOU WENT AS

593
00:21:01,927 --> 00:21:02,161
TIGGER?

594
00:21:02,161 --> 00:21:03,395
>> SHE WAS SO LITTLE.

595
00:21:03,395 --> 00:21:03,929
SO CUTE.

596
00:21:03,929 --> 00:21:08,467
>> WE GO ALL‐OUT FOR HALLOWEEN.

597
00:21:08,467 --> 00:21:09,535
COSTUMES, DECORATIONS,

598
00:21:09,535 --> 00:21:09,835
EVERYTHING.

599
00:21:09,835 --> 00:21:13,706
>> I LOVE WATCHING YOU PLAY BIG

600
00:21:13,706 --> 00:21:14,006
CHARACTERS.

601
00:21:14,006 --> 00:21:16,609
I THINK THIS WILL BE SO GOOD.

602
00:21:16,609 --> 00:21:18,377
>> I'M GOING TO SCARE YOU GUYS.

603
00:21:18,377 --> 00:21:20,079
I'M REALLY CLOSE TO MY FAMILY.

604
00:21:20,079 --> 00:21:21,881
THEY'VE BEEN BY MY SIDE THROUGH

605
00:21:21,881 --> 00:21:22,615
THICK AND THIN.

606
00:21:22,615 --> 00:21:24,416
I WOULDN'T BE ABLE TO DO WHAT

607
00:21:24,416 --> 00:21:26,852
I'M DOING WITHOUT THEM.

608
00:21:26,852 --> 00:21:27,153
[ LAUGHTER ]

609
00:21:27,153 --> 00:21:29,054
>> WATCHING THEM PRACTICE AND

610
00:21:29,054 --> 00:21:30,422
REHEARSE LIKE THAT, SEEING THE

611
00:21:30,422 --> 00:21:32,625
HARD WORK THEY PUT IN,

612
00:21:32,625 --> 00:21:33,559
ABSOLUTELY AMAZING.

613
00:21:33,559 --> 00:21:34,560
>> BEST NIGHT EVER.

614
00:21:34,560 --> 00:21:35,194
>> WE'LL TAKE ANOTHER DAUGHTER,

615
00:21:35,194 --> 00:21:36,462
ANYTIME.

616
00:21:36,462 --> 00:21:42,802
[ CHEERS AND APPLAUSE ]

617
00:21:42,802 --> 00:21:43,435
>> Announcer: DANCING JAZZ WITH

618
00:21:43,435 --> 00:21:46,539
HER PARTNER JENNA, IT'S

619
00:21:46,539 --> 00:21:46,772
JOJO SIWA.

620
00:21:47,973 --> 00:21:49,642
♪

621
00:21:49,642 --> 00:21:55,447
♪ TIMES HAVE CHANGED

622
00:21:55,447 --> 00:21:56,515
AND WE'VE OFTEN

623
00:21:56,515 --> 00:22:02,855
REWOUND THE CLOCK ♪

624
00:22:02,855 --> 00:22:03,923
♪ IN OLDEN DAYS A GLIMPSE

625
00:22:03,923 --> 00:22:05,524
OF STOCKING WAS ♪

626
00:22:05,524 --> 00:22:06,058
♪ LOOKED ON AS SOMETHING

627
00:22:06,058 --> 00:22:09,728
SHOCKING NOW ♪

628
00:22:09,728 --> 00:22:10,196
♪ HEAVEN KNOWS, KNOWS

629
00:22:10,196 --> 00:22:13,432
ANYTHING GOES ♪

630
00:22:13,432 --> 00:22:14,466
♪ GOOD AUTHORS TOO WHO ONCE

631
00:22:14,466 --> 00:22:15,501
KNEW BETTER WORDS ♪

632
00:22:15,501 --> 00:22:17,102
♪ NOW ONLY USE

633
00:22:17,102 --> 00:22:17,603
FOUR LETTER WORDS ♪

634
00:22:17,603 --> 00:22:19,738
♪ WRITING PROSE

635
00:22:19,738 --> 00:22:27,746
ANYTHING GOES ♪

636
00:22:29,949 --> 00:22:30,149
♪

637
00:22:30,149 --> 00:22:35,721
♪ ANYTHING GOES

638
00:22:36,388 --> 00:22:43,329
♪

639
00:22:43,329 --> 00:22:45,431
♪ THE WORLD'S GONE MAD TODAY

640
00:22:45,431 --> 00:22:48,033
AND GOOD'S BAD TODAY ♪

641
00:22:48,033 --> 00:22:50,669
♪ AND BLACK'S WHITE TODAY

642
00:22:50,669 --> 00:23:00,279
AND DAY'S NIGHT TODAY ♪

643
00:23:02,481 --> 00:23:09,655
♪ ANYTHING GOES ♪

644
00:23:09,655 --> 00:23:09,989
[ SCREAMING ]

645
00:23:09,989 --> 00:23:10,155
♪

646
00:23:10,155 --> 00:23:16,729
[ CHEERS AND APPLAUSE ]

647
00:23:16,729 --> 00:23:18,797
>> Tyra: FREAKY.

648
00:23:18,797 --> 00:23:20,266
FREAKY.

649
00:23:20,266 --> 00:23:24,803
JOJO AND JENNA WITH A JAZZ.

650
00:23:24,803 --> 00:23:29,241
OH, MY GOD.

651
00:23:29,241 --> 00:23:31,043
BRUNO?

652
00:23:31,043 --> 00:23:36,181
>> IT IS TERRIFYING AND

653
00:23:36,181 --> 00:23:37,883
ABSOLUTELY BRILLIANT.

654
00:23:37,883 --> 00:23:39,718
YOU TURNED A NIGHTMARE INTO A

655
00:23:39,718 --> 00:23:42,254
WORK OF ART.

656
00:23:42,254 --> 00:23:45,257
THE QUALITY OF YOUR DANCES, THE

657
00:23:45,257 --> 00:23:47,359
THING YOU DID IN THERE,

658
00:23:47,359 --> 00:23:49,795
COMBINING JAZZ, BALLET,

659
00:23:49,795 --> 00:23:51,530
ONTEMPORARY, ACROBATICS, I'M

660
00:23:51,530 --> 00:23:55,034
TELLING YOU, YOU ARE A TERRIFIC

661
00:23:55,034 --> 00:23:55,267
TALENT.

662
00:23:55,267 --> 00:23:55,701
>> Tyra: CARRIE ANN?

663
00:23:55,701 --> 00:23:59,204
>> THANK YOU SO MUCH.

664
00:23:59,204 --> 00:24:00,806
>> SO MANY THOUGHTS GOING

665
00:24:00,806 --> 00:24:02,074
THROUGH MY HEAD.

666
00:24:02,074 --> 00:24:04,276
I MEAN, IT'S OBVIOUS, YOU ARE A

667
00:24:04,276 --> 00:24:05,444
BRILLIANT DANCER.

668
00:24:05,444 --> 00:24:06,679
HANDS DOWN, YOU ARE BRILLIANT.

669
00:24:06,679 --> 00:24:09,415
BUT WHAT I LOVED ABOUT THIS

670
00:24:09,415 --> 00:24:11,417
PERFORMANCE WAS THE WAY YOU

671
00:24:11,417 --> 00:24:13,652
PUSHED YOURSELF FURTHER.

672
00:24:13,652 --> 00:24:15,187
YOU WERE DOING THINGS THAT WE'VE

673
00:24:15,187 --> 00:24:17,489
NEVER SEEN, THE ACROBATICS, THE

674
00:24:17,489 --> 00:24:19,091
TURNS, AT THE END, YOU WERE

675
00:24:19,091 --> 00:24:22,895
RUNNING OUT OF STEAM, YOU NAILED

676
00:24:22,895 --> 00:24:24,129
THAT JUMP.

677
00:24:24,129 --> 00:24:25,364
>> Tyra: LEN?

678
00:24:25,364 --> 00:24:28,634
>> PUSH A LITTLE HARDER!

679
00:24:28,634 --> 00:24:29,601
>> THAT, THAT WAS SCARY.

680
00:24:29,601 --> 00:24:31,804
I'M SO GLAD I'VE GOT ON MY

681
00:24:31,804 --> 00:24:34,540
RUBBER UNDERPANTS.

682
00:24:34,540 --> 00:24:36,141
I TELL YOU ‐‐

683
00:24:36,141 --> 00:24:37,242
>> YES, ME TOO.

684
00:24:37,242 --> 00:24:39,645
>> IF EVER A DANCE CAPTURED THE

685
00:24:39,645 --> 00:24:43,015
FLAVOR OF A BOOK, THAT WAS IT.

686
00:24:43,015 --> 00:24:43,782
>> THANK YOU.

687
00:24:43,782 --> 00:24:46,018
>> Tyra: LEN, I LOVE IT.

688
00:24:46,018 --> 00:24:48,454
YOU'RE O. G., YOU SAID A BOOK,

689
00:24:48,454 --> 00:24:49,955
NOT A MOVIE, A BOOK.

690
00:24:49,955 --> 00:24:51,290
BECAUSE IT STARTED WITH A BOOK.

691
00:24:51,290 --> 00:24:53,058
THANK YOU VERY MUCH.

692
00:24:53,058 --> 00:24:53,258
DEREK?

693
00:24:53,258 --> 00:24:55,728
>> I HATED IT BECAUSE I'M

694
00:24:55,728 --> 00:24:56,862
TERRIFIED OF CLOWNS, SO THANK

695
00:24:56,862 --> 00:24:57,563
YOU FOR THAT.

696
00:24:57,563 --> 00:24:59,565
I'M ALSO TERRIFIED ABOUT THE

697
00:24:59,565 --> 00:25:00,666
RUBBER UNDERPANTS.

698
00:25:00,666 --> 00:25:02,134
BUT WE'LL TALK ABOUT THAT LATER.

699
00:25:02,134 --> 00:25:05,838
I LOVE THE JUXTAPOSITION BETWEEN

700
00:25:05,838 --> 00:25:10,209
THE SCARY HORROR AND THE CLASSIC

701
00:25:10,209 --> 00:25:10,409
SONG.

702
00:25:10,409 --> 00:25:11,744
BEAUTIFULLY DONE.

703
00:25:11,744 --> 00:25:12,044
PHENOMENAL.

704
00:25:12,044 --> 00:25:12,578
>> THANK YOU SO MUCH.

705
00:25:12,578 --> 00:25:14,246
>> Tyra: THERE'S SO MUCH TO TALK

706
00:25:14,246 --> 00:25:15,481
ABOUT HERE.

707
00:25:15,481 --> 00:25:16,648
JENNA'S ARM IS SCARING THE HELL

708
00:25:16,648 --> 00:25:17,916
OUT OF ME.

709
00:25:17,916 --> 00:25:20,352
JOJO'S TEETH, CRAZY.

710
00:25:20,352 --> 00:25:25,157
JOJO, YOU'RE A SWEETHEART.

711
00:25:25,157 --> 00:25:31,030
YOU CAME UP TO ME OFFSTAGE,

712
00:25:31,030 --> 00:25:32,131
YOU'RE A SWEETHEART.

713
00:25:32,131 --> 00:25:34,466
BUT YOU SCARED THE HELL OUT OF

714
00:25:34,466 --> 00:25:34,633
US.

715
00:25:34,633 --> 00:25:34,967
>> THANK YOU.

716
00:25:34,967 --> 00:25:37,836
THAT MEANS I DID MY JOB RIGHT.

717
00:25:37,836 --> 00:25:39,972
LISTEN, I DON'T LIKE TO BE MEAN

718
00:25:39,972 --> 00:25:41,040
OR SCARY.

719
00:25:41,040 --> 00:25:42,107
HOWEVER, ON A NIGHT LIKE

720
00:25:42,107 --> 00:25:44,443
TONIGHT, I GET TO BE TERRIFYING.

721
00:25:44,443 --> 00:25:47,813
AND ODDLY ENOUGH, I FEEL SO LIKE

722
00:25:47,813 --> 00:25:49,014
MYSELF RIGHT NOW.

723
00:25:49,014 --> 00:25:50,549
>> Tyra: OH!

724
00:25:50,549 --> 00:25:52,451
>> I DON'T KNOW HOW OR WHY.

725
00:25:52,451 --> 00:25:53,152
>> Tyra: OH.

726
00:25:53,152 --> 00:25:54,753
LET'S TELL THAT TO THE HATERS.

727
00:25:54,753 --> 00:25:56,155
SHE'S COMING FOR YOU.

728
00:25:56,155 --> 00:26:00,692
LET'S GET THESE SCORES.

729
00:26:00,692 --> 00:26:01,326
>> Announcer: CARRIE ANN INABA.

730
00:26:01,326 --> 00:26:02,127
>> 10!

731
00:26:02,127 --> 00:26:02,661
>> Announcer: LEN GOODMAN.

732
00:26:02,661 --> 00:26:06,932
>> OH, YES, FROM LEN, THE 10.

733
00:26:06,932 --> 00:26:07,466
>> Announcer: DEREK HOUGH.

734
00:26:07,466 --> 00:26:10,536
>> I'M SCARED.

735
00:26:10,536 --> 00:26:13,672
10!

736
00:26:13,672 --> 00:26:14,239
>> Announcer: BRUNO TONIOLI.

737
00:26:14,239 --> 00:26:14,573
>> 10!

738
00:26:14,573 --> 00:26:17,576
>> Tyra: JOJO AND JENNA, THE

739
00:26:17,576 --> 00:26:19,511
SECOND PERFECT SCORE OF THE

740
00:26:19,511 --> 00:26:19,745
SEASON.

741
00:26:19,745 --> 00:26:21,346
40 OUT OF 40.

742
00:26:21,346 --> 00:26:23,549
OH, MY GOSH.

743
00:26:23,549 --> 00:26:25,584
GO CELEBRATE THAT.

744
00:26:25,584 --> 00:26:27,986
WE GO FROM A KILLER CLOWN AND A

745
00:26:27,986 --> 00:26:28,554
ONE‐ARMED LADY TO A KILLER

746
00:26:28,554 --> 00:26:30,022
INVESTMENT BANKER.

747
00:26:30,022 --> 00:26:31,090
CODY RIGSBY AND CHERYL PAY

748
00:26:31,090 --> 00:26:31,690
TRIBUTE TO "AMERICAN PSYCHO"

749
00:26:31,690 --> 00:26:34,526
WHEN WE COME BACK, LIVE.

750
00:26:41,700 --> 00:26:42,167
[ CHEERS AND APPLAUSE ]

751
00:26:42,167 --> 00:26:47,406
♪

752
00:26:47,406 --> 00:26:49,341
>> Tyra: WELL, HELLO, AND

753
00:26:49,341 --> 00:26:50,142
WELCOME BACK.

754
00:26:50,142 --> 00:26:50,742
OUR "DANCING WITH THE STARS"

755
00:26:50,742 --> 00:26:54,880
PROS ARE GOING ON TOUR THIS

756
00:26:54,880 --> 00:26:55,614
WINTER 2022 WITH AN ALL‐NEW LIVE

757
00:26:55,614 --> 00:26:56,949
SHOW.

758
00:26:56,949 --> 00:26:58,016
VISIT DWTSTOUR.COM FOR TICKETS

759
00:26:58,016 --> 00:27:01,653
AND FULL DETAILS.

760
00:27:01,653 --> 00:27:02,254
ALL RIGHTY.

761
00:27:02,254 --> 00:27:02,821
RIGHT NOW, OUR HORROR NIGHT

762
00:27:02,821 --> 00:27:03,455
COMPETITION CONTINUES WITH OUR

763
00:27:03,455 --> 00:27:07,860
CELEBRITY FITNESS GURU.

764
00:27:07,860 --> 00:27:09,761
CODY RIGSBY AND CHERYL WILL

765
00:27:09,761 --> 00:27:11,830
PERFORM A CHA‐CHA HONORING THE

766
00:27:11,830 --> 00:27:18,770
CULT CLASSIC "AMERICAN PSYCHO."

767
00:27:18,770 --> 00:27:20,739
>> IT'S HORROR NIGHT.

768
00:27:20,739 --> 00:27:22,674
>> OOH.

769
00:27:22,674 --> 00:27:25,511
>> WE'RE TAKING INSPIRATION FROM

770
00:27:25,511 --> 00:27:27,246
THE FILM "AMERICAN PSYCHO."

771
00:27:27,246 --> 00:27:28,680
AND WE'RE DANCING A CHA‐CHA

772
00:27:28,680 --> 00:27:31,016
TO "THERE WILL BE BLOOD".

773
00:27:31,016 --> 00:27:32,084
>> I LOVE THIS SONG.

774
00:27:32,084 --> 00:27:33,585
>> IT IS A REALLY COOL SONG.

775
00:27:33,585 --> 00:27:37,256
>> AND SHE'S THE QUEEN OF SPOOKY

776
00:27:37,256 --> 00:27:37,523
MUSIC.

777
00:27:37,523 --> 00:27:42,794
I LOVE SPOOKY ENERGY, SPOOKY

778
00:27:42,794 --> 00:27:44,997
MUSIC, SPOOKY DANCING.

779
00:27:44,997 --> 00:27:49,401
YOU KNOW HALLOWEEN IS A GAY'S

780
00:27:49,401 --> 00:27:52,638
FAVORITE HOLIDAY.

781
00:27:52,638 --> 00:27:54,940
MY BOYFRIEND AND I DRESSED UP AS

782
00:27:54,940 --> 00:27:56,775
JOKER AND HARLEY QUINN.

783
00:27:56,775 --> 00:27:58,810
WE'VE BEEN TOGETHER FOR THREE

784
00:27:58,810 --> 00:27:59,011
YEARS.

785
00:27:59,011 --> 00:28:01,313
MY LONGEST RELATIONSHIP.

786
00:28:01,313 --> 00:28:03,649
IN GAY YEARS, THAT'S A LOT.

787
00:28:03,649 --> 00:28:06,385
HE'S MY BEST FRIEND, MY PARTNER.

788
00:28:06,385 --> 00:28:08,120
SOMEONE I'M SO GRATEFUL FOR IN

789
00:28:08,120 --> 00:28:09,021
MY LIFE.

790
00:28:09,021 --> 00:28:10,489
IT DOES MAKE THIS PROCESS A

791
00:28:10,489 --> 00:28:11,723
LITTLE BIT HARDER, NOT HAVING

792
00:28:11,723 --> 00:28:14,193
YOUR PARTNER HERE.

793
00:28:14,193 --> 00:28:16,628
IT CAN TAKE ITS TOLL.

794
00:28:16,628 --> 00:28:19,531
HI, BABE, HOW ARE YOU.

795
00:28:19,531 --> 00:28:21,366
>> I MISS YOU.

796
00:28:21,366 --> 00:28:22,234
>> THIS IS CHERYL.

797
00:28:22,234 --> 00:28:22,734
>> HI.

798
00:28:22,734 --> 00:28:25,170
NICE TO MEET YOU.

799
00:28:25,170 --> 00:28:26,104
>> WE'RE DOING A CHA‐CHA.

800
00:28:26,104 --> 00:28:28,674
>> HE'S A KILLER WITH SOME

801
00:28:28,674 --> 00:28:29,741
KILLER CHA‐CHA HIPS.

802
00:28:29,741 --> 00:28:31,810
> THAT'S HOT.

803
00:28:31,810 --> 00:28:33,712
YOU CAN GET INTO IT.

804
00:28:33,712 --> 00:28:34,713
>> ANY ADVICE?

805
00:28:34,713 --> 00:28:38,150
>> JUST BE YOURSELF.

806
00:28:38,150 --> 00:28:38,383
BUT NOT.

807
00:28:38,383 --> 00:28:38,650
A PSYCHO.

808
00:28:38,650 --> 00:28:41,753
BUT IT WILL BE EASY FOR YOU.

809
00:28:41,753 --> 00:28:44,156
HE CAN FLIP IT REALLY QUICK.

810
00:28:44,156 --> 00:28:46,592
>> I KNOW, HE CAN FLIP IT A

811
00:28:46,592 --> 00:28:47,659
COUPLE TIMES.

812
00:28:47,659 --> 00:28:49,528
>> THIS IS WHAT I HATE, WHEN

813
00:28:49,528 --> 00:28:52,097
YOUR WORK PARTNER AND YOUR

814
00:28:52,097 --> 00:28:55,100
ACTUAL PARTNER GANG UP ON YOU.

815
00:28:55,100 --> 00:28:57,069
>> GIVE HIM A SECOND.

816
00:28:57,069 --> 00:28:58,904
HE'LL BE OKAY.

817
00:28:58,904 --> 00:29:00,772
>> THANKS.

818
00:29:00,772 --> 00:29:01,073
LOVE YOU.

819
00:29:01,073 --> 00:29:01,873
>> BYE, BABE.

820
00:29:01,873 --> 00:29:03,375
LOVE YOU.

821
00:29:03,375 --> 00:29:05,310
>> LET'S GET THOSE CHA‐CHA HIPS

822
00:29:05,310 --> 00:29:05,544
MOVING.

823
00:29:05,544 --> 00:29:06,945
LET'S GET TO WORK.

824
00:29:06,945 --> 00:29:07,813
>> LET'S HIT IT.

825
00:29:07,813 --> 00:29:10,649
>> WE HAVE TO CONTINUOUSLY

826
00:29:10,649 --> 00:29:11,617
IMPROVE EVERY WEEK.

827
00:29:11,617 --> 00:29:13,185
CARRIE ANN HAS BEEN SAYING WE

828
00:29:13,185 --> 00:29:17,489
HAVE TO WORK ON DANCING TOGETHER

829
00:29:17,489 --> 00:29:17,723
AS ONE.

830
00:29:17,723 --> 00:29:20,792
>> THINK OF YOUR PARTNERSHIP

831
00:29:20,792 --> 00:29:21,560
INSTEAD OF YOUR STEPS.

832
00:29:21,560 --> 00:29:25,797
>> I WANT TO WORK MY HARDEST AND

833
00:29:25,797 --> 00:29:27,165
SHOW AMERICA THIS IS WHERE I'M

834
00:29:27,165 --> 00:29:27,833
SUPPOSED TO BE.

835
00:29:27,833 --> 00:29:30,736
IT'S GOING TO BE HIGH ENERGY AND

836
00:29:30,736 --> 00:29:30,969
SPOOKY.

837
00:29:30,969 --> 00:29:34,072
I'M DANCING FOR MY MAN THIS

838
00:29:34,072 --> 00:29:34,473
WEEK.

839
00:29:34,473 --> 00:29:35,073
ANDREAS, THIS ONE IS FOR YOU.

840
00:29:35,073 --> 00:29:36,208
[ CHEERS AND APPLAUSE ]

841
00:29:36,208 --> 00:29:37,643
>> Announcer: DANCING THE

842
00:29:37,643 --> 00:29:38,277
CHA‐CHA WITH HIS PARTNER CHERYL,

843
00:29:38,277 --> 00:29:41,246
IT'S CODY RIGSBY.

844
00:29:43,649 --> 00:29:48,253
♪

845
00:29:48,253 --> 00:29:51,223
[ SCREAMING ]

846
00:29:51,223 --> 00:29:51,757
♪ THERE WILL BE BLOOD

847
00:29:51,757 --> 00:29:53,325
♪ RUN FOR YOUR LIFE

848
00:29:53,325 --> 00:29:53,859
GO ON AND SAY

849
00:29:53,859 --> 00:29:54,926
GO ON AND SAY ♪

850
00:29:54,926 --> 00:29:57,029
♪ YOUR LAST GOOD‐BYE

851
00:29:57,029 --> 00:29:59,131
THERE WILL BE BLOOD

852
00:29:59,131 --> 00:30:00,732
YOU'RE GONNA DIE ♪

853
00:30:00,732 --> 00:30:01,800
♪ YOU'LL NEVER MAKE IT

854
00:30:01,800 --> 00:30:02,801
NEVER MAKE IT

855
00:30:02,801 --> 00:30:05,971
THROUGH THE NIGHT ♪

856
00:30:05,971 --> 00:30:06,338
♪ THERE WILL BE

857
00:30:06,338 --> 00:30:07,039
IN THE CLUB

858
00:30:07,039 --> 00:30:08,106
I CAN'T SAVE YOU NOW ♪

859
00:30:08,106 --> 00:30:08,640
♪ AIN'T NOBODY

860
00:30:08,640 --> 00:30:09,675
CAN HEAR YOU SHOUT

861
00:30:09,675 --> 00:30:10,742
WHEN I'M PULLING ♪

862
00:30:10,742 --> 00:30:13,645
♪ YOU UNDERGROUND

863
00:30:13,645 --> 00:30:13,979
THERE WILL BE

864
00:30:13,979 --> 00:30:14,946
TAKE A SIP FROM ♪

865
00:30:14,946 --> 00:30:16,014
♪ THE DEVIL'S CUP

866
00:30:16,014 --> 00:30:16,548
JUST A TASTE

867
00:30:16,548 --> 00:30:18,116
YOU WON'T GET ENOUGH ♪

868
00:30:18,116 --> 00:30:18,650
♪ SEAL YOUR FATE

869
00:30:18,650 --> 00:30:20,285
WHEN YOU SWALLOW UP

870
00:30:20,285 --> 00:30:21,853
THERE WILL BE ♪

871
00:30:21,853 --> 00:30:25,023
♪ DON'T LET ME IN

872
00:30:25,023 --> 00:30:26,625
I'MA RUIN YOUR LIFE

873
00:30:26,625 --> 00:30:28,727
I'M STRAIGHT PSYCHOTIC ♪

874
00:30:28,727 --> 00:30:30,829
♪ THERE WILL BE

875
00:30:30,829 --> 00:30:32,431
THIS IS GONNA BE

876
00:30:32,431 --> 00:30:35,067
A HELL OF A NIGHT ♪

877
00:30:35,067 --> 00:30:37,135
♪ I KNOW YOU WANT IT

878
00:30:37,135 --> 00:30:38,203
THERE WILL BE BLOOD

879
00:30:38,203 --> 00:30:40,839
RUN FOR YOUR LIFE ♪

880
00:30:40,839 --> 00:30:41,373
♪ GO ON AND SAY

881
00:30:41,373 --> 00:30:42,441
GO ON AND SAY

882
00:30:42,441 --> 00:30:44,009
YOUR LAST GOOD‐BYE ♪

883
00:30:44,009 --> 00:30:46,111
♪ THERE WILL BE

884
00:30:46,111 --> 00:30:46,678
WHEN YOU'RE BEGGING

885
00:30:46,678 --> 00:30:47,713
AND ON YOUR KNEES ♪

886
00:30:47,713 --> 00:30:48,246
♪ THAT'S WHEN I GET

887
00:30:48,246 --> 00:30:49,815
A SWEET RELEASE

888
00:30:49,815 --> 00:30:50,349
YOU CAN'T RUN ♪

889
00:30:50,349 --> 00:30:52,484
♪ FROM YOUR DESTINY

890
00:30:52,484 --> 00:30:54,586
THERE WILL BE

891
00:30:54,586 --> 00:30:56,688
THIS IS GONNA BE ♪

892
00:30:56,688 --> 00:30:58,824
♪ A HELL OF A NIGHT

893
00:30:58,824 --> 00:31:00,392
I KNOW YOU WANT IT

894
00:31:00,392 --> 00:31:04,096
THERE WILL BE BLOOD ♪

895
00:31:04,096 --> 00:31:13,638
♪ THERE WILL BE BLOOD

896
00:31:13,638 --> 00:31:17,008
THERE WILL BE ♪

897
00:31:17,008 --> 00:31:17,175
♪

898
00:31:17,175 --> 00:31:17,676
[ CHEERS AND APPLAUSE ]

899
00:31:17,676 --> 00:31:18,343
>> Tyra: WHOA!

900
00:31:18,343 --> 00:31:23,081
WHOO!

901
00:31:23,081 --> 00:31:25,384
CODY AND CHERYL WITH THE CHA‐CHA

902
00:31:25,384 --> 00:31:31,423
INSPIRED BY "AMERICAN PSYCHO."

903
00:31:31,423 --> 00:31:31,957
CARRIE ANN?

904
00:31:31,957 --> 00:31:34,426
>> CODY, I'M SCARED OF YOU.

905
00:31:34,426 --> 00:31:36,628
BUT FOR ALL OF THE RIGHT

906
00:31:36,628 --> 00:31:38,397
REASONS.

907
00:31:38,397 --> 00:31:42,567
YOU SAY HA HA, MM.

908
00:31:42,567 --> 00:31:42,968
YOU WERE AMAZING.

909
00:31:42,968 --> 00:31:44,970
THAT CONNECTION, WHEN YOU KNEE

910
00:31:44,970 --> 00:31:47,038
SLID INTO CHERYL, IT TOOK YOU

911
00:31:47,038 --> 00:31:49,040
OUT OF YOUR MIND, AND YOU JUST

912
00:31:49,040 --> 00:31:50,342
DANCED TOGETHER AS ONE.

913
00:31:50,342 --> 00:31:52,577
TWO BECOME ONE.

914
00:31:52,577 --> 00:31:53,311
CODY, YEAH!

915
00:31:53,311 --> 00:31:54,146
>> Tyra: LEN?

916
00:31:54,146 --> 00:31:55,113
>> I DON'T KNOW ABOUT HALLOWEEN,

917
00:31:55,113 --> 00:31:59,551
I'M GOING TO SAY HALLELUJAH.

918
00:31:59,551 --> 00:32:01,019
BECAUSE HONESTLY, I'VE BEEN

919
00:32:01,019 --> 00:32:02,988
WAITING FOR YOU TO GET OUT HERE

920
00:32:02,988 --> 00:32:06,892
AND REALLY SHOW US YOUR

921
00:32:06,892 --> 00:32:07,292
POTENTIAL.

922
00:32:07,292 --> 00:32:10,495
AND TONIGHT, YOU HAVE DONE IT.

923
00:32:10,495 --> 00:32:11,396
>> Tyra: DEREK?

924
00:32:11,396 --> 00:32:13,064
>> CODY, I MEAN, YOU PLAY A

925
00:32:13,064 --> 00:32:14,065
GREAT PSYCHO.

926
00:32:14,065 --> 00:32:15,434
SO THAT IS GOOD FOR TONIGHT.

927
00:32:15,434 --> 00:32:19,037
NO, HONESTLY, MY MAN, THAT WAS

928
00:32:19,037 --> 00:32:19,604
DEFINITELY YOUR BEST DANCE.

929
00:32:19,604 --> 00:32:20,872
IT REALLY WAS.

930
00:32:20,872 --> 00:32:22,941
YOU COULD SEE THE DETAIL AND THE

931
00:32:22,941 --> 00:32:23,975
TECHNIQUE, THE STRAIGHTENING OF

932
00:32:23,975 --> 00:32:28,814
THE LEGS, THE CHA‐CHA LOCKS, THE

933
00:32:28,814 --> 00:32:29,314
CONNECTION WITH CHERYL.

934
00:32:29,314 --> 00:32:30,549
YOU REALLY SAW THE WORK YOU PUT

935
00:32:30,549 --> 00:32:32,584
IN TO THAT DANCE.

936
00:32:32,584 --> 00:32:33,084
WELL DONE.

937
00:32:33,084 --> 00:32:39,324
>> Tyra: BRUNO?

938
00:32:39,324 --> 00:32:43,462
>> MR. BATEMAN, I FIND YOU

939
00:32:43,462 --> 00:32:44,696
GUILTY OF MURDER ON THE DANCE

940
00:32:44,696 --> 00:32:44,896
FLOOR.

941
00:32:44,896 --> 00:32:46,565
BUT THE CHA‐CHA‐CHA WAS GREAT.

942
00:32:46,565 --> 00:32:47,732
>> THANK YOU, MAN.

943
00:32:47,732 --> 00:32:50,402
>> Tyra: SO YOU DEDICATED THIS

944
00:32:50,402 --> 00:32:52,237
DANCE TO YOUR MAN, ANDREAS.

945
00:32:52,237 --> 00:32:53,839
WHICH WAS REALLY BEAUTIFUL.

946
00:32:53,839 --> 00:32:57,075
HE KNEW YOU BEFORE THIS CRAZY,

947
00:32:57,075 --> 00:33:00,512
HUGE FITNESS GURU STAR HOUSEHOLD

948
00:33:00,512 --> 00:33:01,813
NAME THING.

949
00:33:01,813 --> 00:33:03,281
HOW DOES THIS FEEL, TO HAVE THIS

950
00:33:03,281 --> 00:33:04,883
FOR THREE YEARS?

951
00:33:04,883 --> 00:33:06,918
>> IT'S A LONG TIME IN GAY

952
00:33:06,918 --> 00:33:07,118
YEARS.

953
00:33:07,118 --> 00:33:08,653
IT FEELS AMAZING TO HAVE THAT

954
00:33:08,653 --> 00:33:09,688
SUPPORT, TO HAVE THAT SYSTEM.

955
00:33:09,688 --> 00:33:13,358
AS GAY MEN, WE DON'T ALWAYS HAVE

956
00:33:13,358 --> 00:33:14,993
FAMILIES.

957
00:33:14,993 --> 00:33:17,395
HE IS MY FAMILY, AND THAT IS SO

958
00:33:17,395 --> 00:33:18,129
IMPORTANT TO ME.

959
00:33:18,129 --> 00:33:20,098
>> Tyra: THIS ONE IS FOR YOU,

960
00:33:20,098 --> 00:33:20,332
ANDREAS.

961
00:33:20,332 --> 00:33:22,868
WE'RE GOING TO GET THESE SCORES,

962
00:33:22,868 --> 00:33:24,603
BECAUSE I WANT TO SEE THEM.

963
00:33:24,603 --> 00:33:26,972
AND I KNOW THAT YOU WANT TO SEE

964
00:33:31,276 --> 00:33:31,776
[ CHEERS AND APPLAUSE ]

965
00:33:31,776 --> 00:33:35,514
♪

966
00:33:35,514 --> 00:33:38,483
>> Tyra: WE'RE BACK.

967
00:33:38,483 --> 00:33:42,687
NOW, BEFORE THE BREAK, CODY AND

968
00:33:42,687 --> 00:33:44,689
CHERYL DANCED A CHA‐CHA THAT

969
00:33:44,689 --> 00:33:47,492
DEREK SAID WAS CODY'S BEST DANCE

970
00:33:47,492 --> 00:33:49,694
YET.

971
00:33:49,694 --> 00:33:50,562
LET'S GET THESE SCORES FOR REAL.

972
00:33:50,562 --> 00:33:55,500
LET'S GET THEM.

973
00:33:55,500 --> 00:33:56,101
>> Announcer: CARRIE ANN INABA.

974
00:33:56,101 --> 00:33:58,703
>> 9!

975
00:33:58,703 --> 00:33:59,237
>> Announcer: LEN GOODMAN.

976
00:33:59,237 --> 00:34:02,173
>> 9.

977
00:34:02,173 --> 00:34:02,707
>> Announcer: DEREK HOUGH.

978
00:34:02,707 --> 00:34:03,875
>> 9.

979
00:34:03,875 --> 00:34:04,442
>> Announcer: BRUNO TONIOLI.

980
00:34:04,442 --> 00:34:08,213
>> COME ON, CODY.

981
00:34:08,213 --> 00:34:09,314
9!

982
00:34:09,314 --> 00:34:09,848
>> YEAH.

983
00:34:09,848 --> 00:34:10,849
>> Tyra: ALL RIGHT, EVERYBODY.

984
00:34:10,849 --> 00:34:14,052
THESE ARE THE FIRST 9s FOR CODY

985
00:34:14,052 --> 00:34:14,786
AND CHERYL FOR THIS ENTIRE

986
00:34:14,786 --> 00:34:15,020
SEASON.

987
00:34:15,020 --> 00:34:16,288
36 OUT OF 40.

988
00:34:16,288 --> 00:34:16,721
AMAZING.

989
00:34:16,721 --> 00:34:17,822
WE'RE GOING TO SEE YOU GUYS AT

990
00:34:17,822 --> 00:34:19,524
THE END OF THE NIGHT.

991
00:34:19,524 --> 00:34:21,593
CELEBRATE THOSE 9s, SO FINE.

992
00:34:21,593 --> 00:34:22,227
BEFORE WE CHECK OUT OUR PLATINUM

993
00:34:22,227 --> 00:34:22,761
COUNTRY SINGER'S WEEK IN

994
00:34:22,761 --> 00:34:23,395
TRAINING, LET'S TAKE A LOOK AT

995
00:34:23,395 --> 00:34:26,798
THE LEADERBOARD SO FAR TONIGHT.

996
00:34:26,798 --> 00:34:28,800
AT THE TOP ARE JOJO AND JENNA

997
00:34:28,800 --> 00:34:31,736
WITH A PERFECT SCORE.

998
00:34:31,736 --> 00:34:34,406
AND CURRENTLY AT THE BOTTOM,

999
00:34:34,406 --> 00:34:36,474
KENYA AND BRANDON.

1000
00:34:36,474 --> 00:34:39,578
YOU GET TEN VOTES PER COUPLE PER

1001
00:34:39,578 --> 00:34:40,745
VOTING METHOD.

1002
00:34:40,745 --> 00:34:42,147
VOTING CLOSES DURING THE LAST

1003
00:34:42,147 --> 00:34:44,182
COMMERCIAL BREAK.

1004
00:34:44,182 --> 00:34:49,054
NOW, HERE ARE JIMMIE ALLEN AND

1005
00:34:49,054 --> 00:34:51,990
EMMA WORKING ON A CONTEMPORARY

1006
00:34:51,990 --> 00:34:56,261
ROUTINE INSPIRED BY "A QUIET

1007
00:34:56,261 --> 00:34:56,494
PLACE".

1008
00:34:56,494 --> 00:34:57,829
>> IT'S HORROR NIGHT ON "DANCING

1009
00:34:57,829 --> 00:34:58,463
WITH THE STARS."

1010
00:34:58,463 --> 00:35:05,070
AND WE'RE PAYING HOMAGE TO "A

1011
00:35:05,070 --> 00:35:06,371
QUIET PLACE".

1012
00:35:06,371 --> 00:35:10,742
>> WITH MY FAMILY, IT WOULD BE A

1013
00:35:10,742 --> 00:35:12,177
20‐SECOND MOVIE.

1014
00:35:12,177 --> 00:35:13,311
THE BABY WOULD CRY.

1015
00:35:13,311 --> 00:35:15,080
>> PEOPLE LIVE IN A WORLD WHERE

1016
00:35:15,080 --> 00:35:16,147
THEY CAN'T MAKE A NOISE.

1017
00:35:16,147 --> 00:35:20,185
THE WORLD HAS BEEN INHABITED BY

1018
00:35:20,185 --> 00:35:24,823
THESE ALIEN CREATURES, AND THEY

1019
00:35:24,823 --> 00:35:27,225
TRACK YOU BY SOUND.

1020
00:35:27,225 --> 00:35:29,661
THE CHARACTERS ARE SO PROTECTIVE

1021
00:35:29,661 --> 00:35:30,362
OF THEIR FAMILY.

1022
00:35:30,362 --> 00:35:32,230
>> I'M A FATHER OF THREE.

1023
00:35:32,230 --> 00:35:34,766
MY SON IS 7.

1024
00:35:34,766 --> 00:35:37,369
MY DAUGHTER IS 1 1/2.

1025
00:35:37,369 --> 00:35:42,841
AND MY WIFE JUST GAVE BIRTH TO

1026
00:35:42,841 --> 00:35:43,308
OUR SECOND DAUGHTER.

1027
00:35:43,308 --> 00:35:44,075
>> I CAN'T IMAGINE WHAT IT MUST

1028
00:35:44,075 --> 00:35:45,343
HAVE BEEN LIKE LAST WEEK TO BE

1029
00:35:45,343 --> 00:35:47,746
THERE AT THE BIRTH OF YOUR

1030
00:35:47,746 --> 00:35:47,979
CHILD.

1031
00:35:47,979 --> 00:35:49,147
>> YOUR CHILDREN ARE ONLY BORN

1032
00:35:49,147 --> 00:35:49,347
ONCE.

1033
00:35:49,347 --> 00:35:49,614
>> YES.

1034
00:35:49,614 --> 00:35:51,816
>> WHEN I BECAME A DAD, THERE

1035
00:35:51,816 --> 00:35:53,551
WAS A SHIFT FOR ME.

1036
00:35:53,551 --> 00:35:56,588
MY MUSIC CAREER HADN'T STARTED

1037
00:35:56,588 --> 00:35:58,323
YET, BUT I NEEDED TO GET IT

1038
00:35:58,323 --> 00:36:00,058
GOING AND DO WHAT IT TAKES TO

1039
00:36:00,058 --> 00:36:02,927
PROVIDE FOR MY SON.

1040
00:36:02,927 --> 00:36:03,561
WHEN YOU BECOME A PARENT, YOU

1041
00:36:03,561 --> 00:36:06,164
REALIZE THAT NOTHING ELSE

1042
00:36:06,164 --> 00:36:11,603
MATTERS.

1043
00:36:11,603 --> 00:36:13,204
HOWEVER, WHENEVER, AND WHEREVER

1044
00:36:13,204 --> 00:36:13,772
YOU HAVE TO PROTECT YOUR

1045
00:36:13,772 --> 00:36:14,039
CHILDREN.

1046
00:36:14,039 --> 00:36:16,207
>> I WANT THIS DANCE TO BE A

1047
00:36:16,207 --> 00:36:17,642
REPRESENTATION OF HOW FAR YOU'LL

1048
00:36:17,642 --> 00:36:20,178
GO FOR YOUR KIDS.

1049
00:36:20,178 --> 00:36:20,545
>> I LOVE THAT.

1050
00:36:20,545 --> 00:36:23,715
>> THE MUSIC IS VERY SOFT.

1051
00:36:23,715 --> 00:36:25,050
THERE ARE NO LYRICS.

1052
00:36:25,050 --> 00:36:28,420
I WANT TO INCORPORATE AMERICAN

1053
00:36:28,420 --> 00:36:31,222
SIGN LANGUAGE INTO THE DANCE,

1054
00:36:31,222 --> 00:36:34,859
BECAUSE THAT'S WHAT THEY DID IN

1055
00:36:34,859 --> 00:36:35,894
THE FILM.

1056
00:36:35,894 --> 00:36:40,398
COVER MY MOUTH, AND I WANT THIS

1057
00:36:40,398 --> 00:36:40,732
P

1058
00:36:40,732 --> 00:36:42,033
PANIC TO HAPPEN.

1059
00:36:42,033 --> 00:36:46,404
>> BEING A FATHER, PROTECTING MY

1060
00:36:46,404 --> 00:36:46,971
CHILDREN IS THAT I WILL DO.

1061
00:36:46,971 --> 00:36:48,206
SHH.

1062
00:36:48,206 --> 00:36:48,740
>> Announcer: DANCING

1063
00:36:48,740 --> 00:36:49,340
CONTEMPORARY WITH HIS PARTNER

1064
00:36:49,340 --> 00:36:51,976
EMMA, IT'S JIMMIE ALLEN.

1065
00:36:51,976 --> 00:36:55,213
[ CHEERS AND APPLAUSE ]

1066
00:36:55,947 --> 00:37:11,029
♪

1067
00:37:12,230 --> 00:37:25,977
♪

1068
00:37:26,778 --> 00:37:36,955
♪

1069
00:37:37,922 --> 00:37:47,832
♪

1070
00:37:49,067 --> 00:38:05,083
♪

1071
00:38:06,184 --> 00:38:22,000
♪

1072
00:38:22,000 --> 00:38:28,873
>> AHH!

1073
00:38:28,873 --> 00:38:29,040
♪

1074
00:38:29,040 --> 00:38:29,541
[ CHEERS AND APPLAUSE ]

1075
00:38:29,541 --> 00:38:32,143
>> Tyra: WHOA, THAT WAS DEEP.

1076
00:38:32,143 --> 00:38:36,147
JIMMIE AND EMMA.

1077
00:38:36,147 --> 00:38:37,715
OH.

1078
00:38:37,715 --> 00:38:38,817
THIS IS REALLY BEAUTIFUL.

1079
00:38:38,817 --> 00:38:39,450
JIMMIE IS HAVING A BEAUTIFUL

1080
00:38:39,450 --> 00:38:43,988
MOMENT RIGHT NOW.

1081
00:38:43,988 --> 00:38:44,589
WE'RE GOING TO LET HIM GATHER

1082
00:38:44,589 --> 00:38:47,959
HIMSELF.

1083
00:38:47,959 --> 00:38:51,796
THAT'S BEAUTIFUL.

1084
00:38:51,796 --> 00:38:52,297
[ CHEERS AND APPLAUSE ]

1085
00:38:52,297 --> 00:38:53,798
YOU THINKING ABOUT YOUR BABIES?

1086
00:38:53,798 --> 00:38:57,836
DO YOU WANT A SECOND?

1087
00:38:57,836 --> 00:38:59,838
WE'RE GOING TO LET THEM GATHER

1088
00:38:59,838 --> 00:39:01,639
THEMSELVES BECAUSE IT'S VERY

1089
00:39:01,639 --> 00:39:01,906
EMOTIONAL.

1090
00:39:01,906 --> 00:39:03,908
WE'RE GOING TO START WITH YOU,

1091
00:39:03,908 --> 00:39:04,108
LEN.

1092
00:39:04,108 --> 00:39:04,809
>> ME?

1093
00:39:04,809 --> 00:39:06,211
>> Tyra: YEAH, WE'RE GOING TO

1094
00:39:06,211 --> 00:39:06,778
START WITH YOU.

1095
00:39:06,778 --> 00:39:08,012
>> SHH.

1096
00:39:08,012 --> 00:39:09,347
I LOVED IT.

1097
00:39:09,347 --> 00:39:14,319
IT HAD CONTROL, IT HAD EMOTION,

1098
00:39:14,319 --> 00:39:15,720
IT HELD MY ATTENTION.

1099
00:39:15,720 --> 00:39:17,622
AND I THOUGHT THAT MUSIC WAS

1100
00:39:17,622 --> 00:39:18,556
REALLY TRICKY.

1101
00:39:18,556 --> 00:39:20,792
AND YET YOU MANAGED TO DANCE

1102
00:39:20,792 --> 00:39:21,726
RIGHT ALONG WITH IT.

1103
00:39:21,726 --> 00:39:21,993
WELL DONE.

1104
00:39:21,993 --> 00:39:26,631
>> Tyra: DEREK?

1105
00:39:26,631 --> 00:39:28,333
>> THE STORY OF SACRIFICING

1106
00:39:28,333 --> 00:39:30,235
YOURSELF FOR THE ONE THAT YOU

1107
00:39:30,235 --> 00:39:32,704
LOVE, I DON'T KNOW, IT'S

1108
00:39:32,704 --> 00:39:33,404
UNBELIEVABLE ON HORROR NIGHT,

1109
00:39:33,404 --> 00:39:36,941
HERE WE ARE, GETTING EMOTIONAL.

1110
00:39:36,941 --> 00:39:39,010
THAT'S THE POWER OF WHAT YOU

1111
00:39:39,010 --> 00:39:41,145
JUST CREATED.

1112
00:39:41,145 --> 00:39:43,381
BEAUTIFUL ROUTINE, EXECUTION,

1113
00:39:43,381 --> 00:39:43,715
STORYTELLING.

1114
00:39:43,715 --> 00:39:46,951
YOU'RE ALWAYS SO COMMITTED AND

1115
00:39:46,951 --> 00:39:48,920
AUTHENTIC, WE'RE SO IMMERSED.

1116
00:39:48,920 --> 00:39:50,054
THANK YOU FOR THAT BEAUTIFUL

1117
00:39:50,054 --> 00:39:50,388
PERFORMANCE.

1118
00:39:50,388 --> 00:39:55,026
>> Tyra: BRUNO?

1119
00:39:55,026 --> 00:39:56,127
>> IT WAS SO INVOLVING.

1120
00:39:56,127 --> 00:39:58,196
YOU CAPTURED THE ESSENCE OF THE

1121
00:39:58,196 --> 00:39:58,396
MOVIE.

1122
00:39:58,396 --> 00:40:00,231
WHICH ACTUALLY IS A LOVE STORY.

1123
00:40:00,231 --> 00:40:03,001
AND THE LENGTH YOU GET TO TO

1124
00:40:03,001 --> 00:40:06,537
PROTECT YOUR LOVED ONES.

1125
00:40:06,537 --> 00:40:08,539
AND THIS WAS MORE THAN THAT.

1126
00:40:08,539 --> 00:40:10,008
IT WAS BEING THE CHARACTER.

1127
00:40:10,008 --> 00:40:16,247
GREAT JOB.

1128
00:40:16,247 --> 00:40:18,216
>> Tyra: THIS CARRIE ANN?

1129
00:40:18,216 --> 00:40:19,517
>> THIS IS WHY I LOVE THE SHOW

1130
00:40:19,517 --> 00:40:20,752
SO MUCH.

1131
00:40:20,752 --> 00:40:22,887
YOU UNDERSTAND THE POWER OF

1132
00:40:22,887 --> 00:40:23,087
DANCE.

1133
00:40:23,087 --> 00:40:25,723
I CAN INSPIRE US, MOVE US, AND

1134
00:40:25,723 --> 00:40:26,591
MAKE US BETTER HUMANS.

1135
00:40:26,591 --> 00:40:27,692
THANK YOU SO MUCH.

1136
00:40:27,692 --> 00:40:28,259
>> THANK YOU.

1137
00:40:28,259 --> 00:40:29,427
>> Tyra: I WON'T ASK YOU A LOT

1138
00:40:29,427 --> 00:40:30,662
BECAUSE I KNOW YOU'RE IN A

1139
00:40:30,662 --> 00:40:31,162
MOMENT RIGHT NOW.

1140
00:40:31,162 --> 00:40:34,532
AND I'M GOING TO RESPECT THAT.

1141
00:40:34,532 --> 00:40:37,201
WAS THAT FOR YOUR BABIES, YOUR

1142
00:40:37,201 --> 00:40:37,435
FAMILY?

1143
00:40:37,435 --> 00:40:37,869
WHAT WAS THAT?

1144
00:40:37,869 --> 00:40:41,572
>> AS A PARENT, IT JUST HIT ME.

1145
00:40:41,572 --> 00:40:43,308
I WOULD SACRIFICE ANYTHING FOR

1146
00:40:43,308 --> 00:40:46,077
MY KIDS, MY CAREER, MY LIFE,

1147
00:40:46,077 --> 00:40:48,046
ANYTHING.

1148
00:40:48,046 --> 00:40:49,480
I DON'T KNOW, I JUST GOT

1149
00:40:49,480 --> 00:40:50,682
INVOLVED EMOTIONALLY.

1150
00:40:50,682 --> 00:40:53,785
AND IT JUST CLICKED, AS SOON AS

1151
00:40:53,785 --> 00:40:56,421
THE SONG CAME ON, I WAS LIKE,

1152
00:40:56,421 --> 00:40:59,123
OH, MY GOD, I'M CRYING ON THE

1153
00:40:59,123 --> 00:41:00,625
SHOW AGAIN.

1154
00:41:00,625 --> 00:41:04,195
>> Tyra: LET'S SEE THE SCORES.

1155
00:41:04,195 --> 00:41:04,829
>> Announcer: CARRIE ANN INABA.

1156
00:41:04,829 --> 00:41:06,297
>> 10!

1157
00:41:06,297 --> 00:41:07,799
YES!

1158
00:41:07,799 --> 00:41:08,333
>> Announcer: LEN GOODMAN.

1159
00:41:08,333 --> 00:41:11,769
>> 9.

1160
00:41:11,769 --> 00:41:12,303
>> Announcer: DEREK HOUGH.

1161
00:41:12,303 --> 00:41:13,705
>> REAL MEN CRY.

1162
00:41:13,705 --> 00:41:17,141
10!

1163
00:41:17,141 --> 00:41:17,709
>> Announcer: BRUNO TONIOLI.

1164
00:41:17,709 --> 00:41:17,909
>> 9.

1165
00:41:17,909 --> 00:41:19,544
>> Tyra: JIMMIE AND EMMA'S FIRST

1166
00:41:19,544 --> 00:41:20,611
10s.

1167
00:41:20,611 --> 00:41:22,613
THAT EMOTION AND DEDICATION PAYS

1168
00:41:22,613 --> 00:41:22,780
OFF.

1169
00:41:22,780 --> 00:41:26,250
38 OUT OF 40 FOR THEM.

1170
00:41:26,250 --> 00:41:28,186
DEREK HOUGH HEADS OUT ON TO THIS

1171
00:41:28,186 --> 00:41:29,420
DANCE FLOOR WITH SOME VERY

1172
00:41:29,420 --> 00:41:32,156
SPECIAL GUESTS FOR A SHOCKINGLY

1173
00:41:32,156 --> 00:41:32,824
SPECTACULAR PERFORMANCE WHEN WE

1174
00:41:32,824 --> 00:41:33,091
COME BACK.

1175
00:41:33,091 --> 00:41:34,625
YES.

1176
00:41:39,530 --> 00:41:40,164
[ CHEERS AND APPLAUSE ]

1177
00:41:40,164 --> 00:41:45,336
♪

1178
00:41:47,772 --> 00:41:58,116
♪

1179
00:42:00,251 --> 00:42:06,624
♪

1180
00:42:06,624 --> 00:42:17,301
[ SCREAMING ]

1181
00:42:17,301 --> 00:42:19,637
>> WHAT ARE YOU DOING?

1182
00:42:19,637 --> 00:42:23,307
>> WHAT, YOU DON'T MOISTURIZE?

1183
00:42:23,307 --> 00:42:25,910
NOW, THAT'S SCARY.

1184
00:42:26,177 --> 00:42:27,278
>> Tyra: TAKE IT FROM THE MIZ.

1185
00:42:27,278 --> 00:42:27,779
YOU HAVE TO MOISTURIZE.

1186
00:42:27,779 --> 00:42:29,580
WELCOME BACK.

1187
00:42:29,580 --> 00:42:30,214
JUST ONE MONTH AGO, DEREK HOUGH

1188
00:42:30,214 --> 00:42:31,682
WON AN EMMY AWARD FOR THE

1189
00:42:31,682 --> 00:42:33,718
SPECIAL PERFORMANCE HE CREATED

1190
00:42:33,718 --> 00:42:37,588
FOR US LAST SEASON.

1191
00:42:37,588 --> 00:42:39,957
DEREK IS BACK WITH SOMETHING

1192
00:42:39,957 --> 00:42:40,658
APPROPRIATE FOR HORROR NIGHT.

1193
00:42:40,658 --> 00:42:41,726
IT'S AN EPIC, TRAGIC STORY OF

1194
00:42:41,726 --> 00:42:42,360
HIS LOVE BRINGING HIM BACK FROM

1195
00:42:42,360 --> 00:42:43,828
THE DEAD.

1196
00:42:43,828 --> 00:42:45,696
JOINED BY HIS GIRLFRIEND

1197
00:42:45,696 --> 00:42:48,032
HAYLEY ERBERT AND SOME

1198
00:42:48,032 --> 00:42:48,666
PHENOMENAL GUEST DANCERS, GIVE

1199
00:42:48,666 --> 00:42:53,137
IT UP FOR DEREK HOUGH.

1200
00:42:53,137 --> 00:42:55,807
[ CHEERS AND APPLAUSE ]

1201
00:42:59,077 --> 00:42:59,243
♪

1202
00:42:59,243 --> 00:43:01,679
♪ ANGELS OF DARKNESS

1203
00:43:01,679 --> 00:43:03,848
RELEASE MY LOVE

1204
00:43:03,848 --> 00:43:04,382
FROM THE CURSE OF DEATH ♪

1205
00:43:04,382 --> 00:43:04,882
♪ HE'LL RISE ABOVE

1206
00:43:04,882 --> 00:43:07,051
FROM BEYOND THE GRAVE

1207
00:43:07,051 --> 00:43:09,187
I SUMMON THEE ♪

1208
00:43:09,187 --> 00:43:11,255
♪ THE CHAINS ARE BROKEN

1209
00:43:11,255 --> 00:43:18,963
AND TONIGHT, YOU ARE FREE ♪

1210
00:43:20,398 --> 00:43:31,008
♪

1211
00:43:31,809 --> 00:43:41,619
♪

1212
00:43:42,520 --> 00:43:50,528
♪

1213
00:43:53,164 --> 00:44:05,576
♪

1214
00:44:05,576 --> 00:44:06,644
♪ A PROMISE MADE

1215
00:44:06,644 --> 00:44:07,178
BY LOVER'S LIPS

1216
00:44:07,178 --> 00:44:12,950
A VOW ONCE SEALED ♪

1217
00:44:12,950 --> 00:44:13,985
♪ WITH A SINGLE KISS

1218
00:44:13,985 --> 00:44:24,629
♪

1219
00:44:25,296 --> 00:44:36,674
♪

1220
00:44:37,708 --> 00:44:52,089
♪

1221
00:44:53,090 --> 00:45:03,134
♪

1222
00:45:04,835 --> 00:45:18,616
♪

1223
00:45:19,383 --> 00:45:21,519
♪

1224
00:45:21,519 --> 00:45:30,995
[ CHEERS AND APPLAUSE ]

1225
00:45:30,995 --> 00:45:31,329
>> Tyra: WHOA.

1226
00:45:31,329 --> 00:45:31,796
THE TANGO OF THE DEAD.

1227
00:45:31,796 --> 00:45:32,430
DEREK HOUGH, HAYLEY ERBERT, AND

1228
00:45:32,430 --> 00:45:33,664
GUEST DANCERS FROM DEREK'S

1229
00:45:33,664 --> 00:45:35,733
SPECTACULAR RESIDENCY AT THE

1230
00:45:35,733 --> 00:45:36,300
VENETIAN RESORT LAS VEGAS,

1231
00:45:36,300 --> 00:45:40,471
THROUGH NOVEMBER.

1232
00:45:40,471 --> 00:45:41,072
FOR TICKETS YOU BETTER GO TO

1233
00:45:41,072 --> 00:45:44,909
DEREKHOUGH.COM.

1234
00:45:44,909 --> 00:45:50,548
NOW, WE'RE GOING TO GET RIGHT

1235
00:45:50,548 --> 00:45:54,085
BACK WITH OUR BEAUTY VLOGGER WHO

1236
00:45:54,085 --> 00:45:54,685
WHO WAS SPARED ELIMINATION BY

1237
00:45:54,685 --> 00:45:55,152
THE JUDGES LAST WEEK.

1238
00:45:55,152 --> 00:45:55,786
FOR THIS HORROR NIGHT ROUTINE,

1239
00:45:55,786 --> 00:45:56,287
OLIVIA JADE AND VAL ARE

1240
00:45:56,287 --> 00:45:57,054
PERFORMING A PASO DOBLE INSPIRED

1241
00:45:57,054 --> 00:46:02,059
BY "THE PURGE."

1242
00:46:02,059 --> 00:46:04,228
>> LAST WEEK, WE HAD OUR BEST

1243
00:46:04,228 --> 00:46:06,397
PERFORMANCE OF THE SEASON BY

1244
00:46:06,397 --> 00:46:06,664
FAR.

1245
00:46:06,664 --> 00:46:09,467
>> OLIVIA, YOU ARE BECOMING ONE

1246
00:46:09,467 --> 00:46:10,868
HECK OF A DANCER.

1247
00:46:10,868 --> 00:46:12,403
>> YOU'RE A PERFECT SANDY.

1248
00:46:12,403 --> 00:46:13,671
>> 36 OUT OF 40.

1249
00:46:13,671 --> 00:46:15,606
THEIR HIGHEST SCORE OF THE

1250
00:46:15,606 --> 00:46:15,873
SEASON.

1251
00:46:15,873 --> 00:46:19,076
>> BUT, YEAH, THAT NIGHT GOT

1252
00:46:19,076 --> 00:46:21,379
REALLY SCARY BY THE END OF IT.

1253
00:46:21,379 --> 00:46:23,648
>> MELANIE C AND OLIVIA ARE THE

1254
00:46:23,648 --> 00:46:23,981
BOTTOM TWO.

1255
00:46:23,981 --> 00:46:26,317
>> THE COUPLE I'D LIKE TO SAVE

1256
00:46:26,317 --> 00:46:27,451
ARE OLIVIA AND VAL.

1257
00:46:27,451 --> 00:46:29,353
>> OLIVIA AND VAL ARE SAFE.

1258
00:46:29,353 --> 00:46:29,620
WHOA!

1259
00:46:29,620 --> 00:46:31,389
>> I HONESTLY DON'T KNOW WHY WE

1260
00:46:31,389 --> 00:46:33,157
WERE IN THE BOTTOM TWO, UNLESS

1261
00:46:33,157 --> 00:46:34,859
IT WAS A PERSONAL ISSUE.

1262
00:46:34,859 --> 00:46:37,228
I THOUGHT WE DID A GOOD JOB ON

1263
00:46:37,228 --> 00:46:37,895
THE DANCE.

1264
00:46:37,895 --> 00:46:39,664
MAYBE PEOPLE JUST DON'T LIKE ME.

1265
00:46:39,664 --> 00:46:40,064
I DON'T KNOW.

1266
00:46:40,064 --> 00:46:42,433
I JUST REALLY WANT TO STAY IN

1267
00:46:42,433 --> 00:46:43,367
THIS COMPETITION.

1268
00:46:43,367 --> 00:46:44,201
>> I DON'T THINK WE HAVE THE

1269
00:46:44,201 --> 00:46:45,670
LUXURY OF GETTING A LOT OF

1270
00:46:45,670 --> 00:46:46,804
VOTES, UNFORTUNATELY.

1271
00:46:46,804 --> 00:46:48,606
SO WE GOT TO STEP OUR GAME UP.

1272
00:46:48,606 --> 00:46:50,541
>> I WANT IT TO BE A SITUATION

1273
00:46:50,541 --> 00:46:55,880
WHERE I'M LIKE, AMERICA HAS NO

1274
00:46:55,880 --> 00:46:56,113
CHOICE.

1275
00:46:56,113 --> 00:46:56,714
THEY HAVE TO VOTE FOR US,

1276
00:46:56,714 --> 00:46:57,581
BECAUSE WE KNOCKED IT OUT OF THE

1277
00:46:57,581 --> 00:46:58,115
PARK.

1278
00:46:58,115 --> 00:46:58,783
THAT'S THE GOAL.

1279
00:46:58,783 --> 00:47:00,351
>> IT'S HORROR NIGHT.

1280
00:47:00,351 --> 00:47:03,754
WE'RE PAYING HOMAGE TO THE

1281
00:47:03,754 --> 00:47:07,391
MOVIE "THE PURGE."

1282
00:47:07,391 --> 00:47:07,992
AND WE'RE DOING A PASO DOBLE

1283
00:47:07,992 --> 00:47:09,026
TO "BEGGING".

1284
00:47:09,026 --> 00:47:11,796
>> THAT'S ONE OF THE ONLY HORROR

1285
00:47:11,796 --> 00:47:12,930
MOVIES I'VE EVER SEEN.

1286
00:47:12,930 --> 00:47:14,565
>> I'M SO EXCITED FOR THIS

1287
00:47:14,565 --> 00:47:14,765
PIECE.

1288
00:47:14,765 --> 00:47:15,766
IT'S SO DRAMATIC.

1289
00:47:15,766 --> 00:47:19,270
AND IT'S A REALLY DIFFICULT BUT

1290
00:47:19,270 --> 00:47:21,772
ALSO GOING TO BE POWERFUL DANCE

1291
00:47:21,772 --> 00:47:22,573
FOR YOU.

1292
00:47:22,573 --> 00:47:24,041
I REALLY HOPE THIS PASO DOBLE

1293
00:47:24,041 --> 00:47:25,576
GETS US OUT OF THE BOTTOM TWO.

1294
00:47:25,576 --> 00:47:27,912
I THINK IT HAS ALL THE ELEMENTS.

1295
00:47:27,912 --> 00:47:29,647
NOW WE JUST HAVE TO DELIVER.

1296
00:47:29,647 --> 00:47:31,515
>> I CAN'T PUT INTO WORDS HOW

1297
00:47:31,515 --> 00:47:32,249
GREAT THIS EXPERIENCE HAS BEEN

1298
00:47:32,249 --> 00:47:32,917
FOR ME.

1299
00:47:32,917 --> 00:47:35,486
THAT'S WHY I NEED TO STEP IT UP.

1300
00:47:35,486 --> 00:47:37,855
>> ONE MORE TIME.

1301
00:47:37,855 --> 00:47:38,956
LET'S DO IT AGAIN.

1302
00:47:38,956 --> 00:47:44,962
THE REHEARSALS ARE A BIT MORE

1303
00:47:44,962 --> 00:47:45,496
INT

1304
00:47:45,496 --> 00:47:45,730
INTENSE.

1305
00:47:45,730 --> 00:47:47,064
THERE'S A LOT MORE AT STAKE.

1306
00:47:47,064 --> 00:47:48,799
>> THE PASO DOBLE IS HARD FOR

1307
00:47:48,799 --> 00:47:50,601
M, BECAUSE THE PACE IS

1308
00:47:50,601 --> 00:47:52,169
SOMETHING I HAVEN'T EVER

1309
00:47:52,169 --> 00:47:52,503
EXPERIENCED.

1310
00:47:52,503 --> 00:47:55,005
>> SHE HAS YET TO SHOWCASE

1311
00:47:55,005 --> 00:47:56,507
DRAMA, STRENGTH, AGGRESSION.

1312
00:47:56,507 --> 00:47:58,376
>> WE ARE PLANNING TO LEAVE IT

1313
00:47:58,376 --> 00:48:00,077
ALL ON THE DANCE FLOOR.

1314
00:48:00,077 --> 00:48:01,746
WE ARE RUNNING IT AGAIN.

1315
00:48:01,746 --> 00:48:07,451
>> OLIVIA NEEDS TO BE A LOT MORE

1316
00:48:07,451 --> 00:48:07,718
ASSERTIVE.

1317
00:48:07,718 --> 00:48:09,520
>> OH, [ BLEEP ].

1318
00:48:09,520 --> 00:48:13,190
>> WE CAN'T AFFORD ‐‐

1319
00:48:13,190 --> 00:48:13,557
>> REALLY TRY.

1320
00:48:13,557 --> 00:48:14,191
>> SHE'S MEETING THAT CHALLENGE.

1321
00:48:14,191 --> 00:48:17,795
BUT SHE'S NOT THERE YET.

1322
00:48:25,970 --> 00:48:27,338
>> Tyra: WE'RE BACK.

1323
00:48:27,338 --> 00:48:29,940
AND I'VE HAD A LITTLE SPILL HERE

1324
00:48:29,940 --> 00:48:34,044
WITH SOME RED NAIL POLISH.

1325
00:48:34,044 --> 00:48:35,780
BEFORE THE BREAK, WE SAW

1326
00:48:35,780 --> 00:48:38,949
OLIVIA JADE AND VAL TRAINING FOR

1327
00:48:38,949 --> 00:48:39,517
THEIR HORROR NIGHT ROUTINE

1328
00:48:39,517 --> 00:48:41,252
HONORING "THE PURGE."

1329
00:48:41,252 --> 00:48:41,719
LET'S SEE THEM DANCE.

1330
00:48:41,719 --> 00:48:42,353
>> Announcer: DANCING THE PASO

1331
00:48:42,353 --> 00:48:42,987
DOBLE WITH HER PARTNER VAL, IT'S

1332
00:48:42,987 --> 00:48:45,623
OLIVIA JADE.

1333
00:48:45,623 --> 00:48:46,123
[ CHEERS AND APPLAUSE ]

1334
00:48:46,123 --> 00:48:49,260
♪

1335
00:48:49,260 --> 00:48:49,894
♪ PUT YOUR LOVIN'

1336
00:48:49,894 --> 00:48:57,234
HAND OUT BABY

1337
00:48:57,234 --> 00:49:04,275
I'M BEGGIN' ♪

1338
00:49:04,275 --> 00:49:08,012
♪

1339
00:49:08,012 --> 00:49:10,681
♪ I'M BEGGIN' BEGGIN' YOU

1340
00:49:10,681 --> 00:49:11,715
SO PUT YOUR LOVING

1341
00:49:11,715 --> 00:49:15,986
HAND OUT BABY ♪

1342
00:49:15,986 --> 00:49:18,088
♪ I'M BEGGIN' BEGGIN' YOU

1343
00:49:18,088 --> 00:49:20,191
SO PUT YOUR LOVING

1344
00:49:20,191 --> 00:49:21,792
HAND OUT DARLIN' ♪

1345
00:49:21,792 --> 00:49:23,360
♪ AN EMPTY SHELL

1346
00:49:23,360 --> 00:49:26,530
I USED TO BE

1347
00:49:26,530 --> 00:49:27,598
THE SHADOW OF MY LIFE ♪

1348
00:49:27,598 --> 00:49:29,700
♪ WAS HANGIN' OVER ME

1349
00:49:29,700 --> 00:49:30,734
A BROKEN MAN THAT

1350
00:49:30,734 --> 00:49:33,904
I DON'T KNOW ♪

1351
00:49:33,904 --> 00:49:35,473
♪ BUT EASY COME AND EASY

1352
00:49:35,473 --> 00:49:36,006
GO AND IT WILL END

1353
00:49:36,006 --> 00:49:37,074
SO ANYTIME I BLEED ♪

1354
00:49:37,074 --> 00:49:39,677
♪ YOU LET ME GO

1355
00:49:39,677 --> 00:49:40,744
YEAH ANYTIME I FEED

1356
00:49:40,744 --> 00:49:41,245
YOU GET ME KNOW ♪

1357
00:49:41,245 --> 00:49:41,812
♪ ANYTIME I SEEK

1358
00:49:41,812 --> 00:49:42,313
YOU LET ME KNOW

1359
00:49:42,313 --> 00:49:42,847
BUT I PLANTED THAT SEED ♪

1360
00:49:42,847 --> 00:49:43,881
♪ JUST LET ME GO

1361
00:49:43,881 --> 00:49:44,448
I'M ON MY KNEES

1362
00:49:44,448 --> 00:49:46,550
WHEN I'M BEGGIN' ♪

1363
00:49:46,550 --> 00:49:48,152
♪ 'CAUSE I DON'T WANNA

1364
00:49:48,152 --> 00:49:50,788
LOSE YOU

1365
00:49:50,788 --> 00:49:53,424
HEY YEAH RA‐TA‐TA‐TA ♪

1366
00:49:53,424 --> 00:49:55,559
♪ YEAH‐EE‐AH‐EE‐AH

1367
00:49:55,559 --> 00:49:57,695
I'M BEGGIN' BEGGIN' YOU

1368
00:49:57,695 --> 00:49:59,763
SO PUT YOUR LOVING ♪

1369
00:49:59,763 --> 00:50:03,467
♪ HAND OUT BABY

1370
00:50:03,467 --> 00:50:05,569
I'M BEGGIN' BEGGIN' YOU

1371
00:50:05,569 --> 00:50:07,137
SO PUT YOUR LOVING HAND ♪

1372
00:50:07,137 --> 00:50:08,205
♪ OUT DARLING

1373
00:50:08,205 --> 00:50:11,775
♪

1374
00:50:11,775 --> 00:50:18,249
[ CHEERS AND APPLAUSE ]

1375
00:50:18,249 --> 00:50:19,517
>> Tyra: OUT OF CONTROL WITH

1376
00:50:19,517 --> 00:50:20,117
THAT ONE.

1377
00:50:20,117 --> 00:50:20,684
OLIVIA AND VAL WITH A PASO

1378
00:50:20,684 --> 00:50:25,422
DOBLE.

1379
00:50:25,422 --> 00:50:28,559
INSPIRED BY "THE PURGE."

1380
00:50:28,559 --> 00:50:28,959
DEREK?

1381
00:50:28,959 --> 00:50:29,660
>> WOW.

1382
00:50:29,660 --> 00:50:34,798
OLIVIA, LISTEN, I DON'T KNOW WHY

1383
00:50:34,798 --> 00:50:36,133
YOU WERE IN THE BOTTOM TWO LAST

1384
00:50:36,133 --> 00:50:37,067
WEEK, EITHER.

1385
00:50:37,067 --> 00:50:39,370
YOU'VE DONE AN AMAZING JOB ALL

1386
00:50:39,370 --> 00:50:39,637
SEASON.

1387
00:50:39,637 --> 00:50:41,038
THAT WAS A DIFFICULT ROUTINE.

1388
00:50:41,038 --> 00:50:42,306
REALLY DIFFICULT.

1389
00:50:42,306 --> 00:50:43,841
AND YOU DID SUCH A GREAT JOB AT

1390
00:50:43,841 --> 00:50:44,008
IT.

1391
00:50:44,008 --> 00:50:44,742
WELL DONE.

1392
00:50:44,742 --> 00:50:45,676
WELL DONE.

1393
00:50:45,676 --> 00:50:46,710
>> Tyra: BRUNO?

1394
00:50:46,710 --> 00:50:50,180
>> YOU'RE A NASTY, NASTY, NASTY,

1395
00:50:50,180 --> 00:50:52,683
AND BALLSY LITTLE GIRL.

1396
00:50:52,683 --> 00:50:54,752
WHAT HAVE YOU DONE, VAL?

1397
00:50:54,752 --> 00:50:55,219
SHE WAS NICE.

1398
00:50:55,219 --> 00:50:57,288
BUT I HAVE TO SAY, YOU KEPT UP

1399
00:50:57,288 --> 00:50:59,657
WITH HIM IN A VERY, VERY HARD

1400
00:50:59,657 --> 00:51:01,258
ROUTINE, VERY, VERY WELL.

1401
00:51:01,258 --> 00:51:03,260
I TOLD YOU BEFORE, SHOULDERS.

1402
00:51:03,260 --> 00:51:13,837
WHEN YOU DO THE PORT DE BRAS,

1403
00:51:13,837 --> 00:51:14,071
COME ON.

1404
00:51:14,071 --> 00:51:15,906
>> Tyra: CARRIE ANN?

1405
00:51:15,906 --> 00:51:16,874
>> OH!

1406
00:51:16,874 --> 00:51:18,142
>> HE'S THE DEVIL, GUYS.

1407
00:51:18,142 --> 00:51:21,345
>> YOU MAKE THINGS LOOK

1408
00:51:21,345 --> 00:51:21,645
EFFORTLESS.

1409
00:51:21,645 --> 00:51:23,480
BUT ALL OF US WERE WATCHING.

1410
00:51:23,480 --> 00:51:25,649
WE COULD SEE THE STRENGTH.

1411
00:51:25,649 --> 00:51:26,917
YOU STUCK EVERYTHING.

1412
00:51:26,917 --> 00:51:28,686
VAL, YOU WERE YANKING HER AROUND

1413
00:51:28,686 --> 00:51:29,753
THAT DANCE FLOOR.

1414
00:51:29,753 --> 00:51:30,888
AND YOU HELD YOUR OWN.

1415
00:51:30,888 --> 00:51:32,990
YOU WERE ON YOUR CENTER FOR THE

1416
00:51:32,990 --> 00:51:33,424
WHOLE DANCE.

1417
00:51:33,424 --> 00:51:35,960
YOU WERE PASSIONATE, YOU RODE

1418
00:51:35,960 --> 00:51:38,529
THE EDGE.

1419
00:51:38,529 --> 00:51:38,762
SORRY.

1420
00:51:38,762 --> 00:51:39,463
>> Tyra: LEN?

1421
00:51:39,463 --> 00:51:40,698
>> YOU'RE A ZOMBIE.

1422
00:51:40,698 --> 00:51:42,800
LAST WEEK, YOU WERE NEARLY DEAD

1423
00:51:42,800 --> 00:51:44,168
AND BURIED.

1424
00:51:44,168 --> 00:51:46,236
YOU'VE COME BACK TO LIFE.

1425
00:51:46,236 --> 00:51:48,172
AND GIVEN US A TERRIFIC PASO

1426
00:51:48,172 --> 00:51:48,405
DOBLE.

1427
00:51:48,405 --> 00:51:50,641
>> THANK YOU, LEN.

1428
00:51:50,641 --> 00:51:52,343
>> Tyra: SO THE JUDGES ARE

1429
00:51:52,343 --> 00:51:53,644
FEELING YOU SO MUCH.

1430
00:51:53,644 --> 00:51:56,547
AND YOU SAID THAT YOU GOT TO

1431
00:51:56,547 --> 00:51:57,381
IMPRESS THEM.

1432
00:51:57,381 --> 00:51:58,816
BECAUSE IT COULD BE A LITTLE BIT

1433
00:51:58,816 --> 00:52:00,250
OF A CHALLENGE FOR THE VOTES.

1434
00:52:00,250 --> 00:52:02,453
WHAT DO YOU WANT TO TELL THE

1435
00:52:02,453 --> 00:52:04,421
PEOPLE WITH THE VOTING POWER

1436
00:52:04,421 --> 00:52:05,022
RIGHT NOW?

1437
00:52:05,022 --> 00:52:06,890
>> PLEASE VOTE FOR US.

1438
00:52:06,890 --> 00:52:08,859
WE'RE HAVING SO MUCH FUN, AND I

1439
00:52:08,859 --> 00:52:10,995
DON'T WANT THIS TO END.

1440
00:52:10,995 --> 00:52:12,196
>> Tyra: ALL RIGHT, LET'S GET

1441
00:52:12,196 --> 00:52:13,631
THESE SCORES.

1442
00:52:13,631 --> 00:52:14,264
>> Announcer: CARRIE ANN INABA.

1443
00:52:14,264 --> 00:52:15,633
>> 9.

1444
00:52:15,633 --> 00:52:16,166
>> Announcer: LEN GOODMAN.

1445
00:52:16,166 --> 00:52:18,769
>> 9.

1446
00:52:18,769 --> 00:52:19,303
>> Announcer: DEREK HOUGH.

1447
00:52:19,303 --> 00:52:20,738
>> 9.

1448
00:52:20,738 --> 00:52:21,305
>> Announcer: BRUNO TONIOLI.

1449
00:52:21,305 --> 00:52:23,007
>> 9.

1450
00:52:23,007 --> 00:52:25,042
>> Tyra: FOUR 9s, 36 OUT OF 40

1451
00:52:25,042 --> 00:52:26,810
FOR OLIVIA AND VAL.

1452
00:52:26,810 --> 00:52:28,679
NOW, YOU GUYS CAN GO HEAD OVER,

1453
00:52:28,679 --> 00:52:30,914
JOIN THE OTHERS, AND WE'RE GOING

1454
00:52:30,914 --> 00:52:32,583
TO WATCH THIS NEXT PERFORMANCE.

1455
00:52:32,583 --> 00:52:34,618
COMING TO THE DANCE FLOOR RIGHT

1456
00:52:34,618 --> 00:52:36,387
NOW, OUR ACTRESS FROM "THE

1457
00:52:36,387 --> 00:52:41,291
OFFICE" AND "THE BOLD TYPE."

1458
00:52:41,291 --> 00:52:43,694
BEFORE MELORA HARDIN AND ARTEM

1459
00:52:43,694 --> 00:52:47,297
PERFORM THEIR JIVE, LET'S FIND

1460
00:52:47,297 --> 00:52:49,733
OUT HER CONNECTION TO "CUJO."

1461
00:52:49,733 --> 00:52:52,102
>> THIS WEEK IS HORROR NIGHT.

1462
00:52:52,102 --> 00:52:53,470
SO I'M EXCITED ABOUT THAT.

1463
00:52:53,470 --> 00:52:55,639
>> ME, TOO.

1464
00:52:55,639 --> 00:52:57,808
>> WE ARE GETTING INSPIRED BY

1465
00:52:57,808 --> 00:53:03,947
THE MOVIE "CUJO" TO "HOUND DOG"

1466
00:53:03,947 --> 00:53:06,684
BY ELVIS PRESLEY.

1467
00:53:06,684 --> 00:53:10,654
>> MY DAD WAS IN THE MOVIE, HE

1468
00:53:10,654 --> 00:53:14,825
PLAYED THE ATTORNEY GENERAL.

1469
00:53:14,825 --> 00:53:17,227
WE'RE GOING TO BE SCARED BY THAT

1470
00:53:17,227 --> 00:53:17,428
DOG.

1471
00:53:17,428 --> 00:53:20,197
>> MY PARENTS ARE BOTH ACTORS.

1472
00:53:20,197 --> 00:53:22,966
MY MOM IS A FAMOUS TEACHER FOR

1473
00:53:22,966 --> 00:53:25,369
PEOPLE LIKE LEONARDO DiCAPRIO

1474
00:53:25,369 --> 00:53:29,139
AND MOLLY GREENWALD.

1475
00:53:29,139 --> 00:53:32,009
SHE EVEN TAUGHT BRIAN AUSTIN

1476
00:53:32,009 --> 00:53:32,209
GREEN.

1477
00:53:32,209 --> 00:53:36,046
MY DAD IS AN ACTOR.

1478
00:53:36,046 --> 00:53:36,947
THEY TAUGHT ME EVERYTHING ABOUT

1479
00:53:36,947 --> 00:53:38,649
WHAT IT IS TO BE A PROFESSIONAL.

1480
00:53:38,649 --> 00:53:41,118
MY PARENTS ARE SO SUPPORTIVE.

1481
00:53:41,118 --> 00:53:44,488
I'M SO EXCITED BECAUSE MY

1482
00:53:44,488 --> 00:53:46,290
AMAZING 82 AND ALMOST

1483
00:53:46,290 --> 00:53:48,459
92‐YEAR‐OLD PARENTS ARE COMING

1484
00:53:48,459 --> 00:53:50,294
TO THE STUDIO TODAY TO VISIT

1485
00:53:50,294 --> 00:53:53,397
ARTEM AND I.

1486
00:53:53,397 --> 00:53:53,630
HELLO.

1487
00:53:53,630 --> 00:53:54,331
>> HELLO.

1488
00:53:54,331 --> 00:53:57,401
>> WELL, HERE WE ARE, VISITING

1489
00:53:57,401 --> 00:54:00,137
MELORA AND ARTEM AT THE "DANCING

1490
00:54:00,137 --> 00:54:00,637
WITH THE STARS" STUDIO.

1491
00:54:00,637 --> 00:54:01,939
>> SO NICE TO MEET YOU.

1492
00:54:01,939 --> 00:54:02,806
>> OH.

1493
00:54:02,806 --> 00:54:04,007
>> RIGHT, JERRY?

1494
00:54:04,007 --> 00:54:05,943
>> YES, YES.

1495
00:54:05,943 --> 00:54:06,243
GREAT FUN.

1496
00:54:06,243 --> 00:54:08,545
>> OUR JIVE IS INSPIRED BY A

1497
00:54:08,545 --> 00:54:12,049
MOVIE THAT YOU WERE IN, DAD.

1498
00:54:12,049 --> 00:54:12,282
"CUJO".

1499
00:54:12,282 --> 00:54:14,151
>> OH!

1500
00:54:14,151 --> 00:54:17,254
>> THAT IS ANCIENT HISTORY,

1501
00:54:17,254 --> 00:54:17,488
THOUGH.

1502
00:54:17,488 --> 00:54:19,356
>> IT'S A CLASSIC.

1503
00:54:19,356 --> 00:54:20,791
>> I'M 91.

1504
00:54:20,791 --> 00:54:22,593
>> ALMOST 92 NEXT MONTH.

1505
00:54:22,593 --> 00:54:23,560
>> LOOK AT THAT.

1506
00:54:23,560 --> 00:54:26,930
>> WE'RE LOOKING FORWARD TO LOTS

1507
00:54:26,930 --> 00:54:31,368
OF SURPRISES ON SCARY NIGHT.

1508
00:54:31,368 --> 00:54:34,705
>> MAY THEY DANCE WITH MAGIC

1509
00:54:34,705 --> 00:54:35,372
FEET.

1510
00:54:35,372 --> 00:54:37,040
I THINK MELORA HAS ALREADY WON

1511
00:54:37,040 --> 00:54:39,877
THIS COMPETITION AS FAR AS I'M

1512
00:54:39,877 --> 00:54:40,144
CONCERNED.

1513
00:54:40,144 --> 00:54:41,111
>> WHOO!

1514
00:54:41,111 --> 00:54:44,214
>> I'M SO GRATEFUL THAT I ‐‐

1515
00:54:44,214 --> 00:54:46,750
THAT I STILL HAVE MY PARENTS.

1516
00:54:46,750 --> 00:54:49,153
YOU KNOW, I'M 54 YEARS OLD, AND

1517
00:54:49,153 --> 00:54:51,355
I HAVE BOTH OF MY PARENTS.

1518
00:54:51,355 --> 00:54:53,791
AND THAT THEY CAN STILL INTERACT

1519
00:54:53,791 --> 00:54:55,325
AND ENJOY MY LIFE.

1520
00:54:55,325 --> 00:54:56,860
>> WE'RE GOING TO BE CHEERING

1521
00:54:56,860 --> 00:54:57,694
YOU ON.

1522
00:54:57,694 --> 00:54:59,096
>> SO THIS PERFORMANCE TONIGHT

1523
00:54:59,096 --> 00:55:01,431
IS FOR YOU, MOM AND DAD.

1524
00:55:01,431 --> 00:55:06,203
I LOVE YOU.

1525
00:55:06,203 --> 00:55:06,703
[ CHEERS AND APPLAUSE ]

1526
00:55:06,703 --> 00:55:08,305
>> Announcer: DANCING THE JIVE

1527
00:55:08,305 --> 00:55:08,906
WITH HER PARTNER ARTEM, IT'S

1528
00:55:08,906 --> 00:55:12,276
MELORA HARDIN.

1529
00:55:15,179 --> 00:55:15,345
♪

1530
00:55:15,345 --> 00:55:15,779
♪ YOU AIN'T NOTHIN'

1531
00:55:15,779 --> 00:55:16,246
BUT A HOUND DOG

1532
00:55:16,246 --> 00:55:18,882
CRYIN' ALL THE TIME ♪

1533
00:55:18,882 --> 00:55:20,717
♪ YOU AIN'T NOTHIN'

1534
00:55:20,717 --> 00:55:22,052
BUT A HOUND DOG

1535
00:55:22,052 --> 00:55:25,222
CRYIN' ALL THE TIME ♪

1536
00:55:25,222 --> 00:55:26,290
♪ WELL YOU AIN'T NEVER

1537
00:55:26,290 --> 00:55:26,790
CAUGHT A RABBIT

1538
00:55:26,790 --> 00:55:27,858
AND YOU AIN'T NO ♪

1539
00:55:27,858 --> 00:55:32,095
♪ FRIEND OF MINE

1540
00:55:32,095 --> 00:55:33,263
WHEN THEY SAID YOU

1541
00:55:33,263 --> 00:55:35,766
WAS HIGH‐CLASSED ♪

1542
00:55:35,766 --> 00:55:37,868
♪ WELL THAT WAS JUST A LIE

1543
00:55:37,868 --> 00:55:38,902
WHEN THEY SAID YOU

1544
00:55:38,902 --> 00:55:41,004
WAS HIGH‐CLASSED ♪

1545
00:55:41,004 --> 00:55:44,174
♪ WELL THAT WAS JUST A LIE

1546
00:55:44,174 --> 00:55:44,708
WELL, YOU AIN'T NEVER

1547
00:55:44,708 --> 00:55:46,276
CAUGHT A RABBIT ♪

1548
00:55:46,276 --> 00:55:51,748
♪ AND YOU AIN'T NO

1549
00:55:51,748 --> 00:55:55,385
FRIEND OF MINE ♪

1550
00:55:56,086 --> 00:56:00,991
♪

1551
00:56:01,592 --> 00:56:02,659
♪ WHEN THEY SAID YOU

1552
00:56:02,659 --> 00:56:04,761
WAS HIGH‐CLASSED

1553
00:56:04,761 --> 00:56:06,864
WELL, THAT WAS JUST A LIE ♪

1554
00:56:06,864 --> 00:56:07,397
♪ YOU KNOW THEY SAID YOU

1555
00:56:07,397 --> 00:56:09,499
WAS HIGH‐CLASSED

1556
00:56:09,499 --> 00:56:13,136
WELL THAT WAS JUST A LIE ♪

1557
00:56:13,136 --> 00:56:13,637
♪ WELL YOU AIN'T NEVER

1558
00:56:13,637 --> 00:56:14,738
CAUGHT A RABBIT

1559
00:56:14,738 --> 00:56:15,772
AND YOU AIN'T NO ♪

1560
00:56:15,772 --> 00:56:17,908
♪ FRIEND OF MINE

1561
00:56:17,908 --> 00:56:18,942
YOU AIN'T NOTHIN'

1562
00:56:18,942 --> 00:56:21,578
BUT A HOUND DOG ♪

1563
00:56:21,578 --> 00:56:23,680
♪ CRYIN' ALL THE TIME

1564
00:56:23,680 --> 00:56:24,748
YOU AIN'T NOTHIN'

1565
00:56:24,748 --> 00:56:26,850
BUT A HOUND DOG ♪

1566
00:56:26,850 --> 00:56:30,053
♪ CRYIN' ALL THE TIME

1567
00:56:30,053 --> 00:56:30,587
WELL, YOU AIN'T NEVER

1568
00:56:30,587 --> 00:56:31,655
CAUGHT A RABBIT ♪

1569
00:56:31,655 --> 00:56:32,689
♪ YOU AIN'T NO

1570
00:56:32,689 --> 00:56:33,757
FRIEND OF MINE ♪

1571
00:56:33,757 --> 00:56:37,728
♪

1572
00:56:37,728 --> 00:56:40,330
[ CHEERS AND APPLAUSE ]

1573
00:56:40,330 --> 00:56:43,934
>> Tyra: WHOO‐HOO!

1574
00:56:43,934 --> 00:56:46,870
MELORA AND ARTEM WITH A JIVE

1575
00:56:46,870 --> 00:56:54,311
INSPIRED BY DADDY'S "CUJO."

1576
00:56:54,311 --> 00:56:54,578
BRUNO?

1577
00:56:54,578 --> 00:56:56,813
>> MELORA, DON'T WORRY, MY

1578
00:56:56,813 --> 00:56:57,047
DARLING.

1579
00:56:57,047 --> 00:56:57,814
I WON'T BITE YOU.

1580
00:56:57,814 --> 00:57:01,184
BECAUSE I TELL YOU, ALL OF YOUR

1581
00:57:01,184 --> 00:57:03,520
PERFORMANCES MAKE ME FEEL GOOD.

1582
00:57:03,520 --> 00:57:06,023
YOU TURNED THE WHOLE THING

1583
00:57:06,023 --> 00:57:08,926
AROUND, PLAYED IT WITH SUCH WIT

1584
00:57:08,926 --> 00:57:11,628
AND SENSE OF HUMOR.

1585
00:57:11,628 --> 00:57:12,329
THE WAY YOU WERE PLAYING OFF

1586
00:57:12,329 --> 00:57:14,531
EACH OTHER WAS ABSOLUTELY

1587
00:57:14,531 --> 00:57:14,798
DELICIOUS.

1588
00:57:14,798 --> 00:57:18,302
AND YOUR DRY CLEANING BILL WILL

1589
00:57:18,302 --> 00:57:19,803
BE ASTRONOMICAL.

1590
00:57:19,803 --> 00:57:20,337
>> Tyra: CARRIE ANN?

1591
00:57:20,337 --> 00:57:23,540
>> THAT WAS A GREAT PERFORMANCE,

1592
00:57:23,540 --> 00:57:24,074
AND IT WAS GREAT THAT YOU

1593
00:57:24,074 --> 00:57:26,610
DEDICATED IT TO YOUR PARENT.

1594
00:57:26,610 --> 00:57:28,879
BUT I HAVE TO BE HONEST, YOU

1595
00:57:28,879 --> 00:57:30,480
HAVE TO GIVE US MORE.

1596
00:57:30,480 --> 00:57:33,016
THERE IS ALWAYS A COMBINATION OF

1597
00:57:33,016 --> 00:57:34,551
HUMOR AND LEVITY.

1598
00:57:34,551 --> 00:57:36,153
LIKE WE JUST SAW WITH OLIVIA,

1599
00:57:36,153 --> 00:57:37,154
EVERYBODY IS PUSHING THEMSELVES

1600
00:57:37,154 --> 00:57:37,888
TO THE EDGE.

1601
00:57:37,888 --> 00:57:38,855
IT WAS A LITTLE SAFE.

1602
00:57:38,855 --> 00:57:40,924
I THINK THERE'S MORE, AND I WANT

1603
00:57:40,924 --> 00:57:41,425
TO SEE MORE.

1604
00:57:41,425 --> 00:57:43,593
>> Tyra: LEN?

1605
00:57:43,593 --> 00:57:46,930
>> IT WAS A MIX OF QUANTITY AND

1606
00:57:46,930 --> 00:57:47,397
QUALITY.

1607
00:57:47,397 --> 00:57:48,932
THE QUANTITY OF JIVING THERE WAS

1608
00:57:48,932 --> 00:57:49,766
GREAT.

1609
00:57:49,766 --> 00:57:51,401
THE QUALITY OF DANCING, I

1610
00:57:51,401 --> 00:57:52,469
THOUGHT, WAS FANTASTIC.

1611
00:57:52,469 --> 00:57:53,870
IT WAS A PROPER JIVE.

1612
00:57:53,870 --> 00:57:54,271
WELL DONE.

1613
00:57:54,271 --> 00:57:54,705
>> Tyra: DEREK?

1614
00:57:54,705 --> 00:57:56,974
>> MELORA, I ABSOLUTELY LOVE

1615
00:57:56,974 --> 00:57:57,274
YOU.

1616
00:57:57,274 --> 00:57:58,508
YOU ALWAYS PRODUCE FANTASTIC

1617
00:57:58,508 --> 00:57:59,843
ROUTINES AND PERFORMANCES.

1618
00:57:59,843 --> 00:58:01,778
BUT I HAVE TO AGREE A LITTLE BIT

1619
00:58:01,778 --> 00:58:02,746
WITH CARRIE ANN.

1620
00:58:02,746 --> 00:58:04,514
I WANT TO SEE YOU PUSH YOURSELF

1621
00:58:04,514 --> 00:58:06,616
A LITTLE MORE, A LITTLE MORE

1622
00:58:06,616 --> 00:58:07,451
DIFFICULTY.

1623
00:58:07,451 --> 00:58:08,652
YOU DANCED IT BEAUTIFULLY.

1624
00:58:08,652 --> 00:58:10,988
I JUST WANT TO SEE A LITTLE BIT

1625
00:58:10,988 --> 00:58:11,254
MORE.

1626
00:58:11,254 --> 00:58:12,789
BUT STILL FANTASTIC.

1627
00:58:12,789 --> 00:58:15,859
>> Tyra: YOUR PARENTS WERE IN

1628
00:58:15,859 --> 00:58:16,293
THE REHEARSAL HALL.

1629
00:58:16,293 --> 00:58:16,860
THEY'RE HERE NOW TONIGHT.

1630
00:58:16,860 --> 00:58:19,062
WHAT DO YOU WANT TO SAY TO THEM?

1631
00:58:19,062 --> 00:58:22,432
>> JUST TWO WORDS.

1632
00:58:22,432 --> 00:58:23,266
THANK YOU.

1633
00:58:23,266 --> 00:58:23,767
[ CHEERS AND APPLAUSE ]

1634
00:58:23,767 --> 00:58:24,768
>> Tyra: OH.

1635
00:58:24,768 --> 00:58:25,035
OH.

1636
00:58:25,035 --> 00:58:25,902
LOVE IT.

1637
00:58:25,902 --> 00:58:31,108
LET'S GET THESE SCORES.

1638
00:58:31,108 --> 00:58:31,742
>> Announcer: CARRIE ANN INABA.

1639
00:58:31,742 --> 00:58:33,343
>> 8.

1640
00:58:33,343 --> 00:58:33,877
>> Announcer: LEN GOODMAN.

1641
00:58:33,877 --> 00:58:36,079
>> IT WAS BETTER THAN THAT.

1642
00:58:36,079 --> 00:58:37,848
IT'S A 9.

1643
00:58:37,848 --> 00:58:38,382
>> Announcer: DEREK HOUGH.

1644
00:58:38,382 --> 00:58:42,119
>> 8.

1645
00:58:42,119 --> 00:58:42,686
>> Announcer: BRUNO TONIOLI.

1646
00:58:42,686 --> 00:58:43,754
>> 9.

1647
00:58:43,754 --> 00:58:46,156
>> Tyra: 34 OUT OF 40 FOR MELORA

1648
00:58:46,156 --> 00:58:46,823
AND ARTEM.

1649
00:58:46,823 --> 00:58:47,090
ALL RIGHT.

1650
00:58:47,090 --> 00:58:49,559
WE'RE GOING TO GET READY TO FACE

1651
00:58:49,559 --> 00:58:50,427
THE FEARS.

1652
00:58:50,427 --> 00:58:52,829
YOU GET READY TO FACE YOURS,

1653
00:58:52,829 --> 00:58:55,665
WHEN IMAN SHUMPERT AND DANIELLA

1654
00:58:55,665 --> 00:58:57,234
PERFORM THEIR ROUTINE HONORING

1655
00:58:57,234 --> 00:58:57,801
JORDAN PEELE'S HORROR MOVIE

1656
00:58:57,801 --> 00:59:00,003
"US," NEXT, LIVE.

1657
00:59:07,110 --> 00:59:07,611
[ CHEERS AND APPLAUSE ]

1658
00:59:07,611 --> 00:59:11,915
♪

1659
00:59:11,915 --> 00:59:12,549
>> Tyra: WELCOME BACK TO HORROR

1660
00:59:12,549 --> 00:59:15,419
NIGHT.

1661
00:59:15,419 --> 00:59:19,222
NOW, WE'RE GOING TO SAY HELLO

1662
00:59:19,222 --> 00:59:19,856
TO THE FOLKS WHO ARE SUPPLYING

1663
00:59:19,856 --> 00:59:20,457
THE TERRIFYING TUNES FOR OUR

1664
00:59:20,457 --> 00:59:21,058
GHOULISH GATHERING, RAY CHEW

1665
00:59:21,058 --> 00:59:22,859
LIVE.

1666
00:59:22,859 --> 00:59:26,096
>> HAPPY HALLOWEEN, TYRA.

1667
00:59:26,096 --> 00:59:28,398
>> Tyra: HAPPY HALLOWEEN, RAY.

1668
00:59:28,398 --> 00:59:29,566
YOU GET SOME EXTRA TREATS FOR

1669
00:59:29,566 --> 00:59:29,866
THAT JACKET.

1670
00:59:29,866 --> 00:59:33,070
I'M LOVING IT.

1671
00:59:33,070 --> 00:59:33,637
NEXT UP WITH A HORROR NIGHT

1672
00:59:33,637 --> 00:59:34,271
TRIBUTE TO THE MOVIE "US," OUR

1673
00:59:34,271 --> 00:59:34,638
NBA CHAMPION.

1674
00:59:34,638 --> 00:59:36,239
HERE ARE IMAN SHUMPERT AND

1675
00:59:36,239 --> 00:59:36,807
DANIELLA TRAINING FOR THEIR

1676
00:59:36,807 --> 00:59:41,878
CONTEMPORARY ROUTINE.

1677
00:59:41,878 --> 00:59:46,516
♪

1678
00:59:46,516 --> 00:59:48,251
>> IT'S HORROR NIGHT.

1679
00:59:48,251 --> 00:59:49,653
DO YOU LOVE DRESSING UP?

1680
00:59:49,653 --> 00:59:51,855
>> DEPENDING ON WHAT I HAVE TO

1681
00:59:51,855 --> 00:59:52,022
BE.

1682
00:59:52,022 --> 00:59:53,423
PROBABLY THE BEST TIME IS WHEN I

1683
00:59:53,423 --> 00:59:55,425
GE TO WEAR THE MASK AND BE THE

1684
00:59:55,425 --> 00:59:58,428
DAD THAT OPENS THE DOOR FOR THE

1685
00:59:58,428 --> 01:00:00,363
KIDS.

1686
01:00:00,363 --> 01:00:00,897
HALLOWEEN IS A GOOD TIME.

1687
01:00:00,897 --> 01:00:02,365
WE GET A LOT OF GOOD LAUGHS.

1688
01:00:02,365 --> 01:00:03,900
THERE WILL BE A LOT OF CANDY,

1689
01:00:03,900 --> 01:00:05,068
GOING TO PARTIES.

1690
01:00:05,068 --> 01:00:06,670
I LOVE SCARY MOVIES.

1691
01:00:06,670 --> 01:00:08,071
I LOVE A GOOD THRILLER.

1692
01:00:08,071 --> 01:00:10,373
>> THIS WEEK, WE'RE TAKING

1693
01:00:10,373 --> 01:00:17,114
INSPIRATION FROM THE MOVIE "US."

1694
01:00:17,114 --> 01:00:20,917
ARE YOU GETTING IN CHARACTER?

1695
01:00:20,917 --> 01:00:21,718
>> YUP.

1696
01:00:21,718 --> 01:00:29,960
>> WE'RE DANCING A CONTEMPORARY

1697
01:00:29,960 --> 01:00:32,762
TO "I GOT FIVE ON IT."

1698
01:00:32,762 --> 01:00:33,396
CONTEMPORARY IS A LOT OF PARTNER

1699
01:00:33,396 --> 01:00:33,630
WEEK.

1700
01:00:33,630 --> 01:00:35,465
I FEEL LIKE WE TRUST EACH OTHER

1701
01:00:35,465 --> 01:00:35,732
ENOUGH.

1702
01:00:35,732 --> 01:00:37,300
WE HAVE A GOOD THING GOING.

1703
01:00:37,300 --> 01:00:38,101
>> YOU'RE A GOOD COACH.

1704
01:00:38,101 --> 01:00:41,471
>> I HAVE TO BE HONEST WITH YOU,

1705
01:00:41,471 --> 01:00:42,739
I DIDN'T KNOW WHAT TO EXPECT

1706
01:00:42,739 --> 01:00:44,107
FROM A BASKETBALL PLAYER, YOU'RE

1707
01:00:44,107 --> 01:00:44,975
TWICE MY HEIGHT.

1708
01:00:44,975 --> 01:00:46,376
BUT WE MAKE IT LOOK GOOD.

1709
01:00:46,376 --> 01:00:48,445
>> WE MAKE IT LOOK GOOD.

1710
01:00:48,445 --> 01:00:51,515
ME AND DANI ARE SMOOTH SAILING.

1711
01:00:51,515 --> 01:00:53,116
>> AND YOU CATCH ME.

1712
01:00:53,116 --> 01:00:55,051
IMAN IS ONE OF THE SWEETEST

1713
01:00:55,051 --> 01:00:56,052
PEOPLE I'VE MET.

1714
01:00:56,052 --> 01:00:57,754
HE'S JUST ALWAYS WILLING TO WORK

1715
01:00:57,754 --> 01:00:57,954
HARD.

1716
01:00:57,954 --> 01:01:00,223
AND HE PUTS HIS HEART INTO

1717
01:01:00,223 --> 01:01:01,758
EVERYTHING HE DOES.

1718
01:01:01,758 --> 01:01:03,960
>> ALL MY OTHER COACHES COMMAND

1719
01:01:03,960 --> 01:01:05,896
RESPECT THROUGH GIVING MORE

1720
01:01:05,896 --> 01:01:06,196
PUNISHMENT.

1721
01:01:06,196 --> 01:01:09,232
WITH DANI, HAVING A COACH THAT

1722
01:01:09,232 --> 01:01:11,735
CAN BE ONE‐ON‐ONE WITH YOU, CAN

1723
01:01:11,735 --> 01:01:13,203
BE HONEST, PUT EVERYTHING ON THE

1724
01:01:13,203 --> 01:01:14,938
TABLE FOR YOU TO MAKE SURE

1725
01:01:14,938 --> 01:01:16,072
YOU'RE IN THE BEST POSITION TO

1726
01:01:16,072 --> 01:01:16,573
WIN.

1727
01:01:16,573 --> 01:01:20,110
THAT'S ALL YOU CAN ASK FOR.

1728
01:01:20,110 --> 01:01:21,745
SECOND QUARTER, COACH.

1729
01:01:21,745 --> 01:01:23,180
>> IMAN HAS HAD A LOT OF COACHES

1730
01:01:23,180 --> 01:01:24,447
IN HIS LIFETIME.

1731
01:01:24,447 --> 01:01:26,283
BUT I WOULD LIKE TO THINK THAT I

1732
01:01:26,283 --> 01:01:29,686
WAS ONE OF HIS FAVORITES.

1733
01:01:29,686 --> 01:01:30,120
>> FRAME FOR LIFE.

1734
01:01:30,120 --> 01:01:30,620
>> HEELS FOR LIFE.

1735
01:01:30,620 --> 01:01:34,357
[ CHEERS AND APPLAUSE ]

1736
01:01:34,357 --> 01:01:37,527
>> Announcer: DANCING

1737
01:01:37,527 --> 01:01:38,128
CONTEMPORARY WITH HIS PARTNER

1738
01:01:38,128 --> 01:01:42,132
DANIELLA, IT'S IMAN SHUMPERT.

1739
01:01:42,999 --> 01:01:48,305
♪

1740
01:01:48,305 --> 01:01:57,480
♪ CREEP ON IN

1741
01:01:58,181 --> 01:02:12,028
♪

1742
01:02:12,028 --> 01:02:16,633
♪ I GOT FIVE ON IT

1743
01:02:16,633 --> 01:02:22,038
♪ CREEP ON IN

1744
01:02:22,639 --> 01:02:27,444
♪

1745
01:02:27,444 --> 01:02:34,851
♪ I GOT FIVE ON IT

1746
01:02:35,452 --> 01:02:47,998
♪

1747
01:02:48,865 --> 01:03:02,212
♪

1748
01:03:02,812 --> 01:03:11,821
♪

1749
01:03:11,821 --> 01:03:19,763
[ CHEERS AND APPLAUSE ]

1750
01:03:19,763 --> 01:03:21,331
>> Tyra: THE CROWD IS ON THEIR

1751
01:03:21,331 --> 01:03:22,032
FEET IN THIS BALLROOM.

1752
01:03:22,032 --> 01:03:26,970
EVERYBODY IS ON THEIR FEET.

1753
01:03:26,970 --> 01:03:29,372
JIMMIE IS STANDING ON HIS CHAIR.

1754
01:03:29,372 --> 01:03:30,407
JUDGES ARE STANDING BUT JUDGES

1755
01:03:30,407 --> 01:03:31,608
NEED TO BE SCORING.

1756
01:03:31,608 --> 01:03:36,246
TWO JUDGES, LET'S GET THOSE

1757
01:03:36,246 --> 01:03:39,449
SCORES IN RIGHT NOW.

1758
01:03:39,449 --> 01:03:41,551
IMAN AND DANIELLA WITH THE

1759
01:03:41,551 --> 01:03:43,987
CONTEMPORARY.

1760
01:03:43,987 --> 01:03:46,089
CARRIE NEEDS TO SCORE.

1761
01:03:46,089 --> 01:03:48,625
>> THAT'S NOT THE SCORE.

1762
01:03:48,625 --> 01:03:49,259
THANK YOU, THANK YOU, THANK YOU.

1763
01:03:49,259 --> 01:03:49,626
>> Tyra: OKAY.

1764
01:03:49,626 --> 01:03:51,461
>> OKAY.

1765
01:03:51,461 --> 01:03:53,296
IS IT ME?

1766
01:03:53,296 --> 01:03:53,963
>> Tyra: YES.

1767
01:03:53,963 --> 01:03:56,132
>> HOLY COW!

1768
01:03:56,132 --> 01:03:57,901
THAT WAS GENIUS.

1769
01:03:57,901 --> 01:03:59,369
THAT WAS GENIUS.

1770
01:03:59,369 --> 01:04:02,238
YOU TRANSPORTED US TO ANOTHER

1771
01:04:02,238 --> 01:04:02,439
WORLD.

1772
01:04:02,439 --> 01:04:04,040
MY MIND WAS BLOWN.

1773
01:04:04,040 --> 01:04:05,075
IT WAS SHEER PERFECTION.

1774
01:04:05,075 --> 01:04:07,410
THE WAY YOU GUYS MATCHED AND

1775
01:04:07,410 --> 01:04:12,248
DANCED AS ONE, IT WAS LIKE, YES!

1776
01:04:12,248 --> 01:04:12,515
YES!

1777
01:04:12,515 --> 01:04:14,818
>> Tyra: LEN, WHAT DO YOU THINK?

1778
01:04:14,818 --> 01:04:16,586
>> DANIELLA, YOU CAME UP WITH

1779
01:04:16,586 --> 01:04:21,324
THE MOST BRILLIANT CONCEPT.

1780
01:04:21,324 --> 01:04:23,993
YOU PRODUCED THE DANCE THAT MADE

1781
01:04:23,993 --> 01:04:25,028
IMAN LOOK FANTASTIC.

1782
01:04:25,028 --> 01:04:27,564
IT WAS TIGHT, IT WAS TOGETHER,

1783
01:04:27,564 --> 01:04:31,468
IT WAS TERRIFIC.

1784
01:04:31,468 --> 01:04:33,536
>> Tyra: DEREK?

1785
01:04:33,536 --> 01:04:34,971
OH, DEREK!

1786
01:04:34,971 --> 01:04:38,274
>> WHOO!

1787
01:04:38,274 --> 01:04:39,542
WHOA.

1788
01:04:39,542 --> 01:04:41,978
THAT'S ‐‐ I'M SPEECHLESS.

1789
01:04:41,978 --> 01:04:44,381
THE THING IS, THERE ARE MOMENTS

1790
01:04:44,381 --> 01:04:48,251
ON THE SHOW, THAT IS SOMETHING

1791
01:04:48,251 --> 01:04:50,520
PEOPLE WILL WATCH OVER AND OVER

1792
01:04:50,520 --> 01:04:52,188
AND OVER AGAIN.

1793
01:04:52,188 --> 01:04:52,956
THAT WAS DOPE!

1794
01:04:52,956 --> 01:04:55,125
I LOVED IT.

1795
01:04:55,125 --> 01:04:56,860
>> Tyra: BRUNO?

1796
01:04:56,860 --> 01:04:59,396
>> I WAS TOTALLY TRANSFIXED.

1797
01:04:59,396 --> 01:05:03,700
IT WAS YOUR MASTERPIECE

1798
01:05:03,700 --> 01:05:04,000
PERFORMANCE.

1799
01:05:04,000 --> 01:05:04,401
>> Tyra: OKAY.

1800
01:05:04,401 --> 01:05:05,769
IMAN, YOU HAVE TO BREAK THIS

1801
01:05:05,769 --> 01:05:07,604
DOWN FOR US.

1802
01:05:07,604 --> 01:05:10,006
WE COULD GO, YOU DIDN'T KNOW

1803
01:05:10,006 --> 01:05:12,742
WHAT A HECK A CONTEMPORARY WAS,

1804
01:05:12,742 --> 01:05:13,810
AND YOU DO THIS?

1805
01:05:13,810 --> 01:05:15,011
WHAT THE HELL?

1806
01:05:15,011 --> 01:05:17,046
>> I PROMISE YOU, EVERYTHING I

1807
01:05:17,046 --> 01:05:19,682
HAD TO DO, SHE ASKED ME TO DO

1808
01:05:19,682 --> 01:05:19,916
IT.

1809
01:05:19,916 --> 01:05:22,318
I DIDN'T COME UP WITH ANY OF

1810
01:05:22,318 --> 01:05:22,519
THAT.

1811
01:05:22,519 --> 01:05:24,487
I WAS NERVOUS TO DO IT, BUT A

1812
01:05:24,487 --> 01:05:26,055
HELL OF A PERFORMANCE.

1813
01:05:26,055 --> 01:05:27,157
>> Tyra: WELL, WE'RE GOING TO

1814
01:05:27,157 --> 01:05:27,824
GET YOUR SCORES.

1815
01:05:27,824 --> 01:05:29,125
AND WE'RE GOING TO GET THOSE

1816
01:05:29,125 --> 01:05:29,626
SCORES AFTER THE BREAK.

1817
01:05:29,626 --> 01:05:30,927
WE'LL BE RIGHT BACK.

1818
01:05:37,000 --> 01:05:37,500
[ CHEERS AND APPLAUSE ]

1819
01:05:37,500 --> 01:05:41,771
♪

1820
01:05:41,771 --> 01:05:42,205
>> Tyra: ALL RIGHTY.

1821
01:05:42,205 --> 01:05:45,909
WE'RE BACK.

1822
01:05:45,909 --> 01:05:48,945
BEFORE THE BREAK, IMAN AND

1823
01:05:48,945 --> 01:05:50,079
DANIELLA PERFORMED A

1824
01:05:50,079 --> 01:05:52,282
CONTEMPORARY ROUTINE THAT BRUNO

1825
01:05:52,282 --> 01:05:54,050
SAID WAS A MASTERPIECE.

1826
01:05:54,050 --> 01:05:56,519
LET'S GET THEIR SCORES.

1827
01:05:56,519 --> 01:05:57,153
>> Announcer: CARRIE ANN INABA.

1828
01:05:57,153 --> 01:05:59,556
>> 10!

1829
01:05:59,556 --> 01:06:00,190
>> Announcer: LEN GOODMAN.

1830
01:06:00,190 --> 01:06:04,160
>> IT WAS BLOOMING BRILLIANT.

1831
01:06:04,160 --> 01:06:06,629
10!

1832
01:06:06,629 --> 01:06:07,163
>> Announcer: DEREK HOUGH.

1833
01:06:07,163 --> 01:06:11,100
>> 11!

1834
01:06:11,100 --> 01:06:11,668
>> Announcer: BRUNO TONIOLI.

1835
01:06:11,668 --> 01:06:13,169
>> 10!

1836
01:06:13,169 --> 01:06:13,770
>> Tyra: THE SECOND PERFECT

1837
01:06:13,770 --> 01:06:16,439
SCORE OF THE NIGHT.

1838
01:06:16,439 --> 01:06:19,709
IMAN AND DANIELLA'S HIGHEST

1839
01:06:19,709 --> 01:06:21,377
SCORE EVER, 40 OUT OF 40.

1840
01:06:21,377 --> 01:06:23,279
HOW ARE YOU FEELING RIGHT NOW?

1841
01:06:23,279 --> 01:06:24,214
HOW YOU FEELING?

1842
01:06:24,214 --> 01:06:25,315
THIS IS AMAZING.

1843
01:06:25,315 --> 01:06:28,551
>> OH, MY GOD!

1844
01:06:28,551 --> 01:06:30,753
>> HEY, MAN, THANK Y'ALL, I CAME

1845
01:06:30,753 --> 01:06:35,492
ON THE SHOW TO GET CHALLENGED

1846
01:06:35,492 --> 01:06:36,793
AND CRITIQUED.

1847
01:06:36,793 --> 01:06:38,761
RIGHT NOW, Y'ALL GAVE ME ANOTHER

1848
01:06:38,761 --> 01:06:39,028
CHALLENGE.

1849
01:06:39,028 --> 01:06:40,463
I APPRECIATE THE 10s.

1850
01:06:40,463 --> 01:06:45,335
THANK YOU TO DANIELLA, MAN.

1851
01:06:45,335 --> 01:06:49,205
>> Tyra: THE PGO CELEBRATE THAT

1852
01:06:49,205 --> 01:06:51,074
PERFECT SCORE.

1853
01:06:51,074 --> 01:06:52,642
REMEMBER, VOTING CLOSES DURING

1854
01:06:52,642 --> 01:06:55,411
THE LAST COMMERCIAL BREAK.

1855
01:06:55,411 --> 01:06:58,982
NOW, HERE'S SUNI LEE IN TRAINING

1856
01:06:58,982 --> 01:07:03,586
WITH OUR RESIDENT HALLOWEEN

1857
01:07:03,586 --> 01:07:04,587
PRANKSTER, SASHA.

1858
01:07:04,587 --> 01:07:05,989
>> IT'S HORROR NIGHT.

1859
01:07:05,989 --> 01:07:10,860
SASHA IS KNOWN FOR SCARING

1860
01:07:10,860 --> 01:07:11,761
EVERYBODY.

1861
01:07:11,761 --> 01:07:13,363
>> AH!

1862
01:07:13,363 --> 01:07:15,632
[ BLEEP ].

1863
01:07:15,632 --> 01:07:16,699
>> AH!

1864
01:07:16,699 --> 01:07:17,333
>> SO TODAY, I'M GOING TO SCARE

1865
01:07:17,333 --> 01:07:21,738
HIM.

1866
01:07:21,738 --> 01:07:28,111
>> WE HAVE THE TANGO ‐‐ AH!

1867
01:07:28,111 --> 01:07:28,611
[ LAUGHTER ]

1868
01:07:28,611 --> 01:07:29,612
>> I GOT YOU.

1869
01:07:29,612 --> 01:07:31,848
>> YOU ARE IN TROUBLE.

1870
01:07:31,848 --> 01:07:33,283
SHE GOT ME A LITTLE BIT.

1871
01:07:33,283 --> 01:07:34,517
NOT GOING TO LIE.

1872
01:07:34,517 --> 01:07:37,820
I WAS JUST OFF‐GUARD.

1873
01:07:37,820 --> 01:07:38,454
SUNI HAS ANOTHER THING COMING IF

1874
01:07:38,454 --> 01:07:40,123
SHE THINKS THE SCARES WILL END

1875
01:07:40,123 --> 01:07:40,657
HERE.

1876
01:07:40,657 --> 01:07:41,858
SUNI LEE, FOR HORROR NIGHT,

1877
01:07:41,858 --> 01:07:45,562
WE'RE DANCING TO "BAD HABITS" BY

1878
01:07:45,562 --> 01:07:46,296
ED SHEERAN.

1879
01:07:46,296 --> 01:07:47,196
>> I'M EXCITED.

1880
01:07:47,196 --> 01:07:49,032
>> WE'RE GOING TO DO A

1881
01:07:49,032 --> 01:07:51,067
TRADITIONAL TANGO INSPIRED

1882
01:07:51,067 --> 01:07:53,202
BY "VAMPIRE DIARIES".

1883
01:07:53,202 --> 01:07:55,405
>> THAT'S MY FAVORITE SHOW EVER.

1884
01:07:55,405 --> 01:07:57,707
I'VE WATCHED IT, LIKE, NINE

1885
01:07:57,707 --> 01:07:57,907
TIMES.

1886
01:07:57,907 --> 01:08:00,677
AND THERE'S EIGHT SEASONS.

1887
01:08:00,677 --> 01:08:02,145
I WOULD CRY EVERY EPISODE

1888
01:08:02,145 --> 01:08:03,613
BECAUSE I LOVED IT SO MUCH.

1889
01:08:03,613 --> 01:08:04,881
>> I JUST WANT TO SAY SORRY

1890
01:08:04,881 --> 01:08:06,382
RIGHT NOW.

1891
01:08:06,382 --> 01:08:08,117
I WANT TO APOLOGIZE TO YOU.

1892
01:08:08,117 --> 01:08:09,819
I KNOW YOU TRIED TO SCARE ME.

1893
01:08:09,819 --> 01:08:10,620
YOU MESSED WITH THE WRONG

1894
01:08:10,620 --> 01:08:10,853
PERSON.

1895
01:08:10,853 --> 01:08:13,056
NOW YOU TURN.

1896
01:08:13,056 --> 01:08:14,057
LIFT THIS HAND UP.

1897
01:08:14,057 --> 01:08:16,459
PUT IT ON MY SHOULDER.

1898
01:08:16,459 --> 01:08:19,929
>> I LOVE "VAMPIRE DIARIES."

1899
01:08:19,929 --> 01:08:21,598
I'M THE NUMBER ONE FAN.

1900
01:08:21,598 --> 01:08:23,866
IT'S BASED OFF OF THESE TWO

1901
01:08:23,866 --> 01:08:24,133
BROTHERS.

1902
01:08:24,133 --> 01:08:26,469
IT REALLY MAKES ME THINK ABOUT

1903
01:08:26,469 --> 01:08:27,637
SASHA, BECAUSE HE'S LIKE AN

1904
01:08:27,637 --> 01:08:28,404
OLDER BROTHER TO ME.

1905
01:08:28,404 --> 01:08:30,440
HE'S REALLY FUNNY, AND HE'S

1906
01:08:30,440 --> 01:08:31,808
ABSOLUTELY AMAZING.

1907
01:08:31,808 --> 01:08:32,909
AND I WOULDN'T WANT ANY OTHER

1908
01:08:32,909 --> 01:08:33,142
PARTNER.

1909
01:08:33,142 --> 01:08:43,186
♪

1910
01:08:43,186 --> 01:08:50,827
>> AH!

1911
01:08:50,827 --> 01:08:52,028
YOU SAID I WOULD NEVER SCARE

1912
01:08:52,028 --> 01:08:52,195
YOU.

1913
01:08:52,195 --> 01:08:52,395
BOOM!

1914
01:08:52,395 --> 01:08:55,531
[ CHEERS AND APPLAUSE ]

1915
01:08:55,531 --> 01:08:56,566
>> Announcer: DANCING THE TANGO

1916
01:08:56,566 --> 01:08:57,166
WITH HER PARTNER SASHA, IT'S

1917
01:08:57,166 --> 01:09:00,036
SUNI LEE.

1918
01:09:01,070 --> 01:09:02,705
♪

1919
01:09:02,705 --> 01:09:07,443
♪ OOH OOH

1920
01:09:07,443 --> 01:09:10,613
EVERY TIME YOU COME AROUND

1921
01:09:10,613 --> 01:09:14,317
YOU KNOW I CAN'T SAY NO ♪

1922
01:09:14,317 --> 01:09:15,918
♪ EVERY TIME THE SUN

1923
01:09:15,918 --> 01:09:16,986
GOES DOWN I LET

1924
01:09:16,986 --> 01:09:21,758
YOU TAKE CONTROL ♪

1925
01:09:21,758 --> 01:09:24,927
♪ I CAN FEEL THE PARADISE

1926
01:09:24,927 --> 01:09:29,132
BEFORE MY WORLD IMPLODES

1927
01:09:29,132 --> 01:09:32,268
AND TONIGHT HAD ♪

1928
01:09:32,268 --> 01:09:35,438
♪ SOMETHING WONDERFUL

1929
01:09:35,438 --> 01:09:37,573
MY BAD HABITS LEAD TO

1930
01:09:37,573 --> 01:09:39,142
LATE NIGHTS ENDIN' ALONE ♪

1931
01:09:39,142 --> 01:09:40,743
♪ CONVERSATIONS WITH A

1932
01:09:40,743 --> 01:09:42,311
STRANGER I BARELY KNOW

1933
01:09:42,311 --> 01:09:43,880
SWEARIN' THIS WILL BE ♪

1934
01:09:43,880 --> 01:09:44,414
♪ THE LAST BUT

1935
01:09:44,414 --> 01:09:46,516
IT PROBABLY WON'T

1936
01:09:46,516 --> 01:09:46,949
I'VE GOT NOTHIN' ♪

1937
01:09:46,949 --> 01:09:48,651
♪ LEFT TO LOSE

1938
01:09:48,651 --> 01:09:50,787
OR USE OR DO

1939
01:09:50,787 --> 01:09:54,490
MY BAD HABITS LEAD TO YOU ♪

1940
01:09:54,490 --> 01:10:03,433
♪ OOH‐OOH OOH‐OOH

1941
01:10:03,433 --> 01:10:07,103
WE TOOK THE LONG WAY 'ROUND

1942
01:10:07,103 --> 01:10:11,340
BURNED TILL THE FUN ♪

1943
01:10:11,340 --> 01:10:12,408
♪ RAN OUT NOW

1944
01:10:12,408 --> 01:10:14,510
MY BAD HABITS LEAD TO

1945
01:10:14,510 --> 01:10:15,545
WIDE EYES STARE INTO SPACE ♪

1946
01:10:15,545 --> 01:10:17,680
♪ AND I KNOW I LOSE CONTROL

1947
01:10:17,680 --> 01:10:19,248
OF THE THINGS THAT I SAY

1948
01:10:19,248 --> 01:10:21,384
YEAH I WAS LOOKIN' FOR A ♪

1949
01:10:21,384 --> 01:10:24,020
♪ WAY OUT NOW I CAN'T ESCAPE

1950
01:10:24,020 --> 01:10:25,621
NOTHIN' HAPPENS AFTER TWO

1951
01:10:25,621 --> 01:10:27,223
IT'S TRUE IT'S TRUE ♪

1952
01:10:27,223 --> 01:10:27,857
♪ MY BAD HABITS LEAD TO YOU

1953
01:10:27,857 --> 01:10:31,527
♪

1954
01:10:31,527 --> 01:10:41,104
[ CHEERS AND APPLAUSE ]

1955
01:10:41,104 --> 01:10:43,372
>> Tyra: SUNI AND SASHA.

1956
01:10:43,372 --> 01:10:47,310
THE "VAMPIRE DIARIES" INSPIRED

1957
01:10:47,310 --> 01:10:47,643
TANGO.

1958
01:10:47,643 --> 01:10:47,810
LEN?

1959
01:10:47,810 --> 01:10:49,912
>> I LIKED YOUR FRAME WHEN YOU

1960
01:10:49,912 --> 01:10:50,747
WERE IN HOLD.

1961
01:10:50,747 --> 01:10:51,914
THAT WAS GREAT.

1962
01:10:51,914 --> 01:10:53,516
LOTS OF GOOD MOVEMENT AROUND THE

1963
01:10:53,516 --> 01:10:53,716
FLOOR.

1964
01:10:53,716 --> 01:10:55,651
YOUR FOOTWORK WAS A LITTLE BIT

1965
01:10:55,651 --> 01:10:56,686
HIT AND MISS.

1966
01:10:56,686 --> 01:10:59,055
HOWEVER, YOU GOT RIGHT INTO

1967
01:10:59,055 --> 01:11:00,356
CHARACTER, AND I SO ENJOYED

1968
01:11:00,356 --> 01:11:01,257
WATCHING THAT.

1969
01:11:01,257 --> 01:11:01,624
WELL DONE.

1970
01:11:01,624 --> 01:11:02,225
>> Tyra: DEREK?

1971
01:11:02,225 --> 01:11:04,260
>> I LOVE ME SOME MAGIC.

1972
01:11:04,260 --> 01:11:06,395
THAT INTRO WITH THE DRESS COMING

1973
01:11:06,395 --> 01:11:07,930
OFF, OOH, WOW.

1974
01:11:07,930 --> 01:11:09,065
THE FRAME WAS BEAUTIFUL.

1975
01:11:09,065 --> 01:11:11,601
I FEEL LIKE THERE WAS A LITTLE

1976
01:11:11,601 --> 01:11:12,735
DISCONNECT WITH THE MUSIC AND

1977
01:11:12,735 --> 01:11:13,703
THE STEPPING.

1978
01:11:13,703 --> 01:11:15,538
IT WAS FOUR ON THE FLOOR, AND I

1979
01:11:15,538 --> 01:11:16,773
WANTED A LITTLE BIT MORE POWER.

1980
01:11:16,773 --> 01:11:18,441
I WANT TO GIVE YOU, LIKE, I WANT

1981
01:11:18,441 --> 01:11:23,045
TO BE LIKE, YO, LET'S GO, FOR

1982
01:11:23,045 --> 01:11:23,246
SUNI.

1983
01:11:23,246 --> 01:11:24,847
>> Tyra: BRUNO?

1984
01:11:24,847 --> 01:11:26,282
>> LOOK AT ME.

1985
01:11:26,282 --> 01:11:27,650
TONIGHT, YOU HAD BITE.

1986
01:11:27,650 --> 01:11:30,386
IT'S GOOD TO SEE YOU ENHANCING

1987
01:11:30,386 --> 01:11:31,487
THE DRAMA.

1988
01:11:31,487 --> 01:11:33,890
YOU WERE REACHING FOR THE

1989
01:11:33,890 --> 01:11:34,190
MOMENT.

1990
01:11:34,190 --> 01:11:36,125
THERE WERE LITTLE DISCREPANCIES

1991
01:11:36,125 --> 01:11:37,727
IN THE FOOTWORK, BUT THIS IS THE

1992
01:11:37,727 --> 01:11:38,928
WAY TO GO.

1993
01:11:38,928 --> 01:11:39,762
KEEP PERFORMING.

1994
01:11:39,762 --> 01:11:42,265
>> Tyra: CARRIE ANN?

1995
01:11:42,265 --> 01:11:44,901
>> THERE WAS A TINY LIFT, IT WAS

1996
01:11:44,901 --> 01:11:45,668
BOUND TO HAPPEN.

1997
01:11:45,668 --> 01:11:47,236
BUT I'M SO PROUD.

1998
01:11:47,236 --> 01:11:48,137
I SEE YOU.

1999
01:11:48,137 --> 01:11:50,273
LIKE, I KNOW I KEEP ENCOURAGING

2000
01:11:50,273 --> 01:11:52,341
THE SAME THING, BUT EVERY WEEK,

2001
01:11:52,341 --> 01:11:54,610
YOU'RE HAVING MORE FUN.

2002
01:11:54,610 --> 01:11:55,778
AREN'T YOU?

2003
01:11:55,778 --> 01:11:56,312
>> YES.

2004
01:11:56,312 --> 01:11:57,313
>> SO EVEN MORE.

2005
01:11:57,313 --> 01:11:59,048
JUST RIP IT OUT.

2006
01:11:59,048 --> 01:11:59,882
RIP IT OUT.

2007
01:11:59,882 --> 01:12:03,019
>> Tyra: SUNI, YOU'RE A

2008
01:12:03,019 --> 01:12:05,354
BIG "VAMPIRE DIARIES" FAN, AND

2009
01:12:05,354 --> 01:12:07,390
WE HAVE A LITTLE

2010
01:12:07,390 --> 01:12:08,191
SOMETHING‐SOMETHING SPECIAL FOR

2011
01:12:08,191 --> 01:12:08,391
YOU.

2012
01:12:08,391 --> 01:12:08,691
>> NO.

2013
01:12:08,691 --> 01:12:11,360
>> HI, SUNI.

2014
01:12:11,360 --> 01:12:13,429
I JUST WANT TO SEND YOU A QUICK

2015
01:12:13,429 --> 01:12:15,331
LITTLE VIDEO BECAUSE I WAS TOLD

2016
01:12:15,331 --> 01:12:20,603
THAT SUNI IS DOING A "VAMPIRE

2017
01:12:20,603 --> 01:12:22,071
DIARIES" INSPIRED DANCE.

2018
01:12:22,071 --> 01:12:26,309
I CAN'T WAIT TO WATCH THE SHOW.

2019
01:12:26,309 --> 01:12:27,376
>> Tyra: LOOK AT THAT.

2020
01:12:27,376 --> 01:12:31,714
LET'S GET YOUR SCORES.

2021
01:12:31,714 --> 01:12:32,348
>> Announcer: CARRIE ANN INABA.

2022
01:12:32,348 --> 01:12:33,583
>> 9.

2023
01:12:33,583 --> 01:12:34,116
>> Announcer: LEN GOODMAN.

2024
01:12:34,116 --> 01:12:35,518
>> 9.

2025
01:12:35,518 --> 01:12:36,052
>> Announcer: DEREK HOUGH.

2026
01:12:36,052 --> 01:12:39,755
>> 9.

2027
01:12:39,755 --> 01:12:40,323
>> Announcer: BRUNO TONIOLI.

2028
01:12:40,323 --> 01:12:43,092
>> 9.

2029
01:12:43,092 --> 01:12:43,526
>> Tyra: FOUR 9s.

2030
01:12:43,526 --> 01:12:46,062
36 OUT OF 40 FOR SUNI AND SASHA.

2031
01:12:46,062 --> 01:12:48,564
ALL RIGHT, LAST UP ON HORROR

2032
01:12:48,564 --> 01:12:50,266
NIGHT, AMANDA KLOOTS AND ALAN

2033
01:12:50,266 --> 01:12:52,168
DANCE TO CELEBRATE THE SPLATTER

2034
01:12:52,168 --> 01:12:52,568
FILM, "SAW."

2035
01:12:52,568 --> 01:12:53,269
THEY'RE NEXT, LIVE.

2036
01:12:59,575 --> 01:13:00,076
[ CHEERS AND APPLAUSE ]

2037
01:13:00,076 --> 01:13:05,181
♪

2038
01:13:05,181 --> 01:13:06,249
>> Tyra: WELCOME BACK TO HORROR

2039
01:13:06,249 --> 01:13:06,449
NIGHT.

2040
01:13:06,449 --> 01:13:09,185
NOW, COMING TO THE DANCE FLOOR

2041
01:13:09,185 --> 01:13:09,919
WITH THE FINAL PERFORMANCE, THE

2042
01:13:09,919 --> 01:13:11,621
CO‐HOST OF "THE TALK" WHO LAST

2043
01:13:11,621 --> 01:13:12,188
WEEK EARNED A NEAR‐PERFECT

2044
01:13:12,188 --> 01:13:15,892
SCORE.

2045
01:13:15,892 --> 01:13:19,161
NOW LET'S SEE AMANDA KLOOTS AND

2046
01:13:19,161 --> 01:13:21,063
ALAN TRAINING FOR THEIR

2047
01:13:21,063 --> 01:13:24,233
ARGENTINE TANGO HONORING THE

2048
01:13:24,233 --> 01:13:27,570
GORY SPLATTER MOVIE "SAW."

2049
01:13:27,570 --> 01:13:30,273
>> IT'S HORROR NIGHT.

2050
01:13:30,273 --> 01:13:32,842
I TOOK YOU TO THIS, AND IT'S THE

2051
01:13:32,842 --> 01:13:34,577
PERFECT WAY TO GET INTO THE

2052
01:13:34,577 --> 01:13:35,011
HALLOWEEN SPIRIT.

2053
01:13:35,011 --> 01:13:37,780
>> I'M NOT THE BIGGEST HALLOWEEN

2054
01:13:37,780 --> 01:13:38,080
FAN.

2055
01:13:38,080 --> 01:13:41,584
I DON'T LIKE SPOOKY HAUNTED

2056
01:13:41,584 --> 01:13:41,817
HOUSES.

2057
01:13:41,817 --> 01:13:42,652
IT FREAKS ME OUT.

2058
01:13:42,652 --> 01:13:44,420
>> WELL, LOOK AROUND.

2059
01:13:44,420 --> 01:13:46,389
IT'S TOO LATE.

2060
01:13:46,389 --> 01:13:54,630
WE'RE TAKING INSP INSPIRATION

2061
01:13:54,630 --> 01:13:57,433
FROM "SAW," AND YOU'RE THE

2062
01:13:57,433 --> 01:14:01,203
MASTERMIND BEHIND IT ALL.

2063
01:14:01,203 --> 01:14:02,104
LET'S GO, FTRUST ME, YOU'RE GOIG

2064
01:14:02,104 --> 01:14:08,077
TO LOVE IT.

2065
01:14:08,077 --> 01:14:09,412
ISN'T THIS JUST SPECTACULAR?

2066
01:14:09,412 --> 01:14:11,781
>> IT'S REALLY PRETTY.

2067
01:14:11,781 --> 01:14:13,215
HONESTLY, I FEEL LIKE I'M READY

2068
01:14:13,215 --> 01:14:15,451
TO KIND OF ENJOY HALLOWEEN AND

2069
01:14:15,451 --> 01:14:16,652
USHER IN SOME NEW EXPERIENCES

2070
01:14:16,652 --> 01:14:17,386
FOR ELVIS, TOO.

2071
01:14:17,386 --> 01:14:19,555
I HAVE TO TAKE HIM TRICK OR

2072
01:14:19,555 --> 01:14:20,523
TREATING FOR THE FIRST TIME.

2073
01:14:20,523 --> 01:14:21,824
THAT WILL BE FUN.

2074
01:14:21,824 --> 01:14:24,660
>> WHO DOESN'T LIKE FREE CANDY.

2075
01:14:24,660 --> 01:14:27,196
I LOVE THAT.

2076
01:14:27,196 --> 01:14:29,799
NOW WE HAVE TO GO GET INTO THE

2077
01:14:29,799 --> 01:14:30,499
ARGENTINE TANGO.

2078
01:14:30,499 --> 01:14:30,866
>> LET'S DO IT.

2079
01:14:30,866 --> 01:14:31,634
>> LET'S DO IT.

2080
01:14:31,634 --> 01:14:34,303
♪

2081
01:14:34,303 --> 01:14:35,871
TODAY IS A TOUGH DAY BECAUSE

2082
01:14:35,871 --> 01:14:38,140
THIS IS BY FAR THE TOUGHEST

2083
01:14:38,140 --> 01:14:39,909
DANCE I'VE CHOREOGRAPHED.

2084
01:14:39,909 --> 01:14:42,979
MENTALLY IT'S HARD, TOO, BECAUSE

2085
01:14:42,979 --> 01:14:48,150
IT'S AN ARGENTINE TANGO, THERE

2086
01:14:48,150 --> 01:14:50,119
ARE MOMENTS OF SOFTNESS, OF

2087
01:14:50,119 --> 01:14:51,954
HITTING, AND MOMENTS OF

2088
01:14:51,954 --> 01:14:52,588
CONNECTION.

2089
01:14:52,588 --> 01:14:54,790
>> THERE'S SO MUCH FOOTWORK.

2090
01:14:54,790 --> 01:14:58,094
IT'S LIKE STEP AFTER STEP.

2091
01:14:58,094 --> 01:14:59,362
IT DOESN'T STOP.

2092
01:14:59,362 --> 01:15:00,496
IT TAKES ME A SECOND.

2093
01:15:00,496 --> 01:15:02,932
WE'RE NOT GOING TO GET IT ON THE

2094
01:15:02,932 --> 01:15:03,733
FIRST TRY.

2095
01:15:03,733 --> 01:15:04,967
IT'S A LOT.

2096
01:15:04,967 --> 01:15:06,369
>> ARM.

2097
01:15:06,369 --> 01:15:07,937
WHY IS THIS MOVING?

2098
01:15:07,937 --> 01:15:09,205
I NEED YOU TO DO THIS.

2099
01:15:09,205 --> 01:15:10,706
>> THIS IS REALLY HARD.

2100
01:15:10,706 --> 01:15:18,047
I'M SECOND‐GUESSING IF I CAN DO

2101
01:15:18,047 --> 01:15:18,314
IT.

2102
01:15:18,314 --> 01:15:19,448
I WISH I COULD TELL YOU.

2103
01:15:19,448 --> 01:15:20,516
>> I CAN TELL YOU.

2104
01:15:20,516 --> 01:15:22,752
YOU GOT TO CLOSE YOUR ARM,

2105
01:15:22,752 --> 01:15:24,453
STRAIGHTEN YOUR LEG, AND SQUEEZE

2106
01:15:24,453 --> 01:15:25,287
YOUR CORE.

2107
01:15:25,287 --> 01:15:25,921
THAT'S IT.

2108
01:15:25,921 --> 01:15:28,724
SHE'S DOUBTING HERSELF A LITTLE

2109
01:15:28,724 --> 01:15:28,891
BIT.

2110
01:15:28,891 --> 01:15:31,427
I NEED HER TO GET OUT OF THAT

2111
01:15:31,427 --> 01:15:33,295
FUNK AND REALLY BELIEVE IN HER

2112
01:15:33,295 --> 01:15:33,863
AND US.

2113
01:15:33,863 --> 01:15:37,833
>> I DON'T FEEL BAD UNTIL YOU

2114
01:15:37,833 --> 01:15:40,803
START NITPICKING.

2115
01:15:40,803 --> 01:15:41,537
I'M NERVOUS ABOUT THIS ONE.

2116
01:15:41,537 --> 01:15:42,071
I'M NOT GOING TO LIE.

2117
01:15:42,071 --> 01:15:43,706
[ CHEERS AND APPLAUSE ]

2118
01:15:43,706 --> 01:15:44,240
>> Announcer: DANCING THE

2119
01:15:44,240 --> 01:15:45,808
ARGENTINE TANGO WITH HER PARTNER

2120
01:15:45,808 --> 01:15:49,578
ALAN, IT'S AMANDA KLOOTS.

2121
01:15:50,312 --> 01:15:55,151
♪

2122
01:15:55,151 --> 01:15:58,854
♪ HELLO, ALAN

2123
01:15:58,854 --> 01:16:00,956
DO YOU WANT TO DANCE

2124
01:16:00,956 --> 01:16:05,194
I SEE YOUR RED DOOR

2125
01:16:05,194 --> 01:16:11,000
I WANT IT PAINTED BLACK ♪

2126
01:16:11,000 --> 01:16:15,171
♪ NO COLORS ANYMORE

2127
01:16:15,171 --> 01:16:25,714
I WANT THEM TO TURN BLACK ♪

2128
01:16:25,714 --> 01:16:27,817
♪ I SEE THE GIRLS WALK BY

2129
01:16:27,817 --> 01:16:30,486
DRESSED IN THEIR

2130
01:16:30,486 --> 01:16:33,122
SUMMER CLOTHES ♪

2131
01:16:33,122 --> 01:16:38,928
♪ I HAVE TO TURN MY HEAD

2132
01:16:38,928 --> 01:16:39,495
UNTIL MY DARKNESS GOES OH ♪

2133
01:16:39,495 --> 01:16:40,529
♪ I WANT TO SEE IT PAINTED

2134
01:16:40,529 --> 01:16:42,631
PAINTED PAINTED BLACK ♪

2135
01:16:42,631 --> 01:16:43,666
♪ BLACK AS NIGHT

2136
01:16:43,666 --> 01:16:45,234
BLACK AS COAL ♪

2137
01:16:45,234 --> 01:16:45,768
♪ I SEE YOUR RED DOOR

2138
01:16:45,768 --> 01:16:53,142
AND I WANT IT PAINTED BLACK ♪

2139
01:16:53,142 --> 01:16:54,176
♪ NO COLORS ANY MORE

2140
01:16:54,176 --> 01:16:55,244
I WANT THEM TO TURN BLACK ♪

2141
01:16:55,244 --> 01:16:56,312
♪ I WANT TO SEE IT PAINTED

2142
01:16:56,312 --> 01:16:57,880
PAINTED PAINTED BLACK ♪

2143
01:16:57,880 --> 01:16:58,414
♪ I SEE THE GIRLS WALK BY

2144
01:16:58,414 --> 01:16:59,448
DRESSED IN THEIR

2145
01:16:59,448 --> 01:17:03,185
SUMMER CLOTHES ♪

2146
01:17:03,185 --> 01:17:05,821
♪ I HAVE TO TURN MY HEAD

2147
01:17:05,821 --> 01:17:11,460
UNTIL MY DARKNESS GOES ♪

2148
01:17:11,460 --> 01:17:16,265
♪

2149
01:17:16,899 --> 01:17:18,934
♪

2150
01:17:18,934 --> 01:17:24,039
[ CHEERS AND APPLAUSE ]

2151
01:17:24,039 --> 01:17:28,711
>> Tyra: OOH.

2152
01:17:28,711 --> 01:17:31,614
AMANDA AND ALAN WITH AN

2153
01:17:31,614 --> 01:17:32,948
ARGENTINE TANGO INSPIRED

2154
01:17:32,948 --> 01:17:39,088
BY "SAW."

2155
01:17:39,088 --> 01:17:40,156
THAT'S THE LAST DANCE OF THE

2156
01:17:40,156 --> 01:17:42,258
NIGHT, SO VOTE ON ABC.COM.

2157
01:17:42,258 --> 01:17:44,360
AND VOTE BY TEXTING THE FIRST

2158
01:17:44,360 --> 01:17:46,996
NAME OF YOUR FAVORITE STAR TO

2159
01:17:46,996 --> 01:17:51,367
THE NUMBER 21523.

2160
01:17:51,367 --> 01:17:51,567
DEREK?

2161
01:17:51,567 --> 01:17:54,403
>> AMANDA, SO, I KNOW EVERYBODY

2162
01:17:54,403 --> 01:17:55,604
GAVE YOU 10s AND I DIDN'T.

2163
01:17:55,604 --> 01:17:56,939
I GAVE YOU A 9.

2164
01:17:56,939 --> 01:17:59,608
I ASKED YOU TO CHALLENGE

2165
01:17:59,608 --> 01:18:00,442
YOURSELF MORE.

2166
01:18:00,442 --> 01:18:01,410
IT'S DIFFICULT WHEN YOU'RE SO

2167
01:18:01,410 --> 01:18:03,179
GOOD OUT OF THE GATE, WEEK ONE.

2168
01:18:03,179 --> 01:18:05,247
YOU HAVE TO FIND WAYS TO

2169
01:18:05,247 --> 01:18:06,348
SURPRISE US AND PUSH YOURSELF.

2170
01:18:06,348 --> 01:18:08,083
THAT WAS A VERY CHALLENGING

2171
01:18:08,083 --> 01:18:08,551
ROUTINE.

2172
01:18:08,551 --> 01:18:11,353
I LOVED SEEING YOU STRUGGLE,

2173
01:18:11,353 --> 01:18:14,123
BECAUSE FOR ME, THAT WAS A 10.

2174
01:18:14,123 --> 01:18:14,957
>> Tyra: BRUNO?

2175
01:18:14,957 --> 01:18:20,262
>> THE KILLER DOLL IS CUTTING IT

2176
01:18:20,262 --> 01:18:21,363
LIKE A SCALPEL.

2177
01:18:21,363 --> 01:18:23,832
AND ALAN, YOU HAVE THE SCARS TO

2178
01:18:23,832 --> 01:18:24,433
PROVE IT.

2179
01:18:24,433 --> 01:18:25,501
THAT WAS SO SHARP.

2180
01:18:25,501 --> 01:18:27,403
AS HE SAID, THE FOOTWORK.

2181
01:18:27,403 --> 01:18:29,805
THERE WAS SO MUCH REAL ARGENTINE

2182
01:18:29,805 --> 01:18:30,472
TANGO CONTENT.

2183
01:18:30,472 --> 01:18:32,408
THE LINES, THE SHAPE, THE WHOLE

2184
01:18:32,408 --> 01:18:32,775
THING WAS GREAT.

2185
01:18:32,775 --> 01:18:35,411
>> Tyra: CARRIE ANN?

2186
01:18:35,411 --> 01:18:38,647
>> AMANDA, YOU DO NOT DISAPPOINT

2187
01:18:38,647 --> 01:18:39,848
WITH ANY PERFORMANCE YOU'VE

2188
01:18:39,848 --> 01:18:41,450
BROUGHT ON THIS DANCE FLOOR

2189
01:18:41,450 --> 01:18:41,817
EVER.

2190
01:18:41,817 --> 01:18:43,686
HOWEVER, IT'S THAT WEEK, MAYBE

2191
01:18:43,686 --> 01:18:45,287
I'M ON MY PERIOD.

2192
01:18:45,287 --> 01:18:46,989
ACTUALLY, IT'S WELL PAST THAT

2193
01:18:46,989 --> 01:18:47,189
TIME.

2194
01:18:47,189 --> 01:18:48,123
IT'S WELL PAST THAT TIME.

2195
01:18:48,123 --> 01:18:50,125
BUT THIS IS WHAT I WANT TO SAY

2196
01:18:50,125 --> 01:18:51,527
TO YOU IS THAT SOMETIMES IT'S

2197
01:18:51,527 --> 01:18:54,563
NOT ABOUT SEEKING PERFECTION.

2198
01:18:54,563 --> 01:18:55,097
IT'S ABOUT ALLOWING THE

2199
01:18:55,097 --> 01:18:55,965
PERFECTION THAT ALREADY IS.

2200
01:18:55,965 --> 01:18:58,167
I THINK YOU'RE PUSHING YOURSELF

2201
01:18:58,167 --> 01:18:59,235
WITH TOO MUCH TENSION AND

2202
01:18:59,235 --> 01:19:01,537
FORCING SOME OF THE MOVEMENTS

2203
01:19:01,537 --> 01:19:05,174
INSTEAD OF ALLOWING IT.

2204
01:19:05,174 --> 01:19:06,308
>> Tyra: LEN?

2205
01:19:06,308 --> 01:19:08,344
>> SORRY.

2206
01:19:08,344 --> 01:19:08,811
>> Tyra: THAT'S OKAY.

2207
01:19:08,811 --> 01:19:10,613
>> YOU CAPTURED THE STORY.

2208
01:19:10,613 --> 01:19:11,714
IT WAS TOO SHARP.

2209
01:19:11,714 --> 01:19:14,383
IT LACKED A BIT OF ARGENTINE

2210
01:19:14,383 --> 01:19:17,186
TANGO FEEL FOR ME.

2211
01:19:17,186 --> 01:19:19,755
BUT DON'T BE DISAPPOINTED, KEEP

2212
01:19:19,755 --> 01:19:20,556
YOUR CHIN UP.

2213
01:19:20,556 --> 01:19:21,490
>> Tyra: YOU'RE A NATURAL AT

2214
01:19:21,490 --> 01:19:21,690
THIS.

2215
01:19:21,690 --> 01:19:23,726
THIS WEEK, EVEN IN REHEARSAL,

2216
01:19:23,726 --> 01:19:25,928
THAT WASN'T THE AMANDA WE WERE

2217
01:19:25,928 --> 01:19:26,262
USED TO.

2218
01:19:26,262 --> 01:19:27,196
WHAT WAS GOING ON?

2219
01:19:27,196 --> 01:19:28,497
>> THIS WEEK WAS REALLY TOUGH.

2220
01:19:28,497 --> 01:19:29,765
IT WAS A CHALLENGE.

2221
01:19:29,765 --> 01:19:31,567
THIS DANCE WAS REALLY, YOU NO E,

2222
01:19:31,567 --> 01:19:32,735
DIFFICULT FOR ME.

2223
01:19:32,735 --> 01:19:34,770
AND I REALLY DIDN'T KNOW IF I

2224
01:19:34,770 --> 01:19:36,338
COULD COME OUT HERE AND DO IT.

2225
01:19:36,338 --> 01:19:38,574
BUT ALAN WAS SUCH A SUPPORT TO

2226
01:19:38,574 --> 01:19:38,741
ME.

2227
01:19:38,741 --> 01:19:39,642
AND THAT FELT AMAZING.

2228
01:19:39,642 --> 01:19:42,811
YOU KNOW, WHEN YOU WORK SO HARD

2229
01:19:42,811 --> 01:19:44,413
AT SOMETHING ‐‐

2230
01:19:44,413 --> 01:19:46,815
>> Tyra: HE'S LIKE THIS TOUGH

2231
01:19:46,815 --> 01:19:50,419
BALLET TEACHER THAT IS

2232
01:19:50,419 --> 01:19:50,719
DEMANDING.

2233
01:19:50,719 --> 01:19:54,957
>> AMANDA HAS BEEN MY MOST

2234
01:19:54,957 --> 01:19:55,424
EXHILARATING PARTNER.

2235
01:19:55,424 --> 01:19:58,894
SHE'S SO INCREDIBLE AND TRIES SO

2236
01:19:58,894 --> 01:19:59,094
HARD.

2237
01:19:59,094 --> 01:20:01,263
>> Tyra: LET'S GET THOSE SCORES.

2238
01:20:01,263 --> 01:20:01,897
>> Announcer: CARRIE ANN INABA.

2239
01:20:01,897 --> 01:20:03,098
>> 9.

2240
01:20:03,098 --> 01:20:03,632
>> Announcer: LEN GOODMAN.

2241
01:20:03,632 --> 01:20:05,868
>> 9.

2242
01:20:05,868 --> 01:20:06,402
>> Announcer: DEREK HOUGH.

2243
01:20:06,402 --> 01:20:09,038
>> PUSH IT.

2244
01:20:09,038 --> 01:20:11,106
10!

2245
01:20:11,106 --> 01:20:11,674
>> Announcer: BRUNO TONIOLI.

2246
01:20:11,674 --> 01:20:13,475
>> 10!

2247
01:20:13,475 --> 01:20:15,778
>> Tyra: 38 OUT OF 40 FOR AMANDA

2248
01:20:15,778 --> 01:20:16,345
AND ALAN.

2249
01:20:16,345 --> 01:20:18,013
WE'LL SEE YOU GUYS IN A FEW

2250
01:20:18,013 --> 01:20:18,847
MINUTES FOR THE RESULTS.

2251
01:20:18,847 --> 01:20:20,883
WE'RE GOING TO LOOK AT THE FINAL

2252
01:20:20,883 --> 01:20:21,850
LEADERBOARD RIGHT NOW.

2253
01:20:21,850 --> 01:20:24,219
AT THE TOP ARE, OKAY, I CAN'T

2254
01:20:24,219 --> 01:20:24,386
SEE.

2255
01:20:24,386 --> 01:20:26,955
JOJO AND JENNA AT THE TOP, AND

2256
01:20:26,955 --> 01:20:28,691
IMAN AND DANIELLA ARE TIED.

2257
01:20:28,691 --> 01:20:30,426
AT THE BOTTOM, KENYA AND

2258
01:20:30,426 --> 01:20:30,659
BRANDON.

2259
01:20:30,659 --> 01:20:31,527
OF COURSE, ALL OF OUR STARS WANT

2260
01:20:31,527 --> 01:20:33,896
YOUR VOTES.

2261
01:20:33,896 --> 01:20:34,530
WE'LL TAKE ONE LAST LOOK AT THE

2262
01:20:34,530 --> 01:20:35,130
VOTING DETAILS FOR ALL OF OUR

2263
01:20:35,130 --> 01:20:37,066
COUPLES.

2264
01:20:37,066 --> 01:20:40,803
AND VOTING WILL CLOSE SOON, SO

2265
01:20:40,803 --> 01:20:41,437
YOU'VE GOT TO GET THE VOTES AND

2266
01:20:41,437 --> 01:20:43,238
TEXTS IN NOW.

2267
01:20:43,238 --> 01:20:43,839
ALL OF THE VOTING INFORMATION

2268
01:20:43,839 --> 01:20:44,807
CAN BE FOUND ON ABC.COM.

2269
01:20:44,807 --> 01:20:46,375
WE'RE GOING TO COMBINE YOUR

2270
01:20:46,375 --> 01:20:49,545
VOTES WITH THE JUDGES' SCORES.

2271
01:20:49,545 --> 01:20:50,079
AND ONE COUPLE WILL BE

2272
01:20:50,079 --> 01:20:51,146
ELIMINATED WHEN WE COME BACK,

2273
01:20:51,146 --> 01:20:53,048
LIVE.

2274
01:21:00,823 --> 01:21:01,323
[ CHEERS AND APPLAUSE ]

2275
01:21:01,323 --> 01:21:05,728
♪

2276
01:21:05,728 --> 01:21:07,930
>> Tyra: WELCOME BACK.

2277
01:21:07,930 --> 01:21:10,833
VOTING IS CLOSED AND HERE ARE

2278
01:21:10,833 --> 01:21:11,967
THE RESULTS.

2279
01:21:11,967 --> 01:21:12,668
WE'VE COMBINED THE JUDGES'

2280
01:21:12,668 --> 01:21:13,902
SCORES FROM TONIGHT WITH YOUR

2281
01:21:13,902 --> 01:21:15,270
VOTES.

2282
01:21:15,270 --> 01:21:17,406
NOW, IN NO PARTICULAR ORDER,

2283
01:21:17,406 --> 01:21:19,875
LET'S FIND OUT WHO'S SAFE AND

2284
01:21:19,875 --> 01:21:26,115
WHO IS IN THE BOTTOM TWO.

2285
01:21:26,115 --> 01:21:32,287
THE FIRST SAFE COUPLE IS IMAN

2286
01:21:32,287 --> 01:21:32,621
AND DANIELLA.

2287
01:21:32,621 --> 01:21:38,927
[ CHEERS AND APPLAUSE ]

2288
01:21:38,927 --> 01:21:42,564
AND JOINING THEM ARE OLIVIA AND

2289
01:21:42,564 --> 01:21:42,731
VAL.

2290
01:21:42,731 --> 01:21:46,602
[ CHEERS AND APPLAUSE ]

2291
01:21:46,602 --> 01:21:47,669
>> LET'S GO!

2292
01:21:47,669 --> 01:21:52,241
>> Tyra: ALSO COMING BACK NEXT

2293
01:21:52,241 --> 01:21:54,443
WEEK ARE JOJO AND JENNA.

2294
01:21:54,443 --> 01:21:58,981
[ CHEERS AND APPLAUSE ]

2295
01:21:58,981 --> 01:22:07,423
THE NEXT SAFE COUPLE IS CODY AND

2296
01:22:07,423 --> 01:22:07,656
CHERYL.

2297
01:22:07,656 --> 01:22:09,758
>> WHOO!

2298
01:22:09,758 --> 01:22:10,259
[ CHEERS AND APPLAUSE ]

2299
01:22:10,259 --> 01:22:15,264
>> Tyra: ALSO DANCING NEXT WEEK

2300
01:22:15,264 --> 01:22:17,866
ARE THE MIZ AND WITNEY.

2301
01:22:17,866 --> 01:22:18,400
>> YES!

2302
01:22:18,400 --> 01:22:20,803
>> OH, MY GOSH.

2303
01:22:20,803 --> 01:22:25,374
>> Tyra: JOINING THEM IN THE

2304
01:22:25,374 --> 01:22:30,412
COMPETITION ARE AMANDA AND ALAN.

2305
01:22:30,412 --> 01:22:31,113
[ CHEERS AND APPLAUSE ]

2306
01:22:31,113 --> 01:22:39,388
THE NEXT SAFE COUPLE IS JIMMIE

2307
01:22:39,388 --> 01:22:40,622
AND EMMA.

2308
01:22:40,622 --> 01:22:42,157
[ CHEERS AND APPLAUSE ]

2309
01:22:42,157 --> 01:22:43,525
>> WOW.

2310
01:22:43,525 --> 01:22:45,427
>> Tyra: AND IN NO PARTICULAR

2311
01:22:45,427 --> 01:22:52,901
ORDER, THE LAST SAFE COUPLE IS

2312
01:22:52,901 --> 01:22:53,302
MELORA AND ARTEM.

2313
01:22:53,302 --> 01:22:57,806
[ CHEERS AND APPLAUSE ]

2314
01:22:57,806 --> 01:22:59,408
WHICH MEANS KENYA AND BRANDON

2315
01:22:59,408 --> 01:22:59,975
AND SUNI AND SASHA ARE THE

2316
01:22:59,975 --> 01:23:01,643
BOTTOM TWO.

2317
01:23:01,643 --> 01:23:02,211
PLEASE JOIN ME ON THE DANCE

2318
01:23:02,211 --> 01:23:04,680
FLOOR.

2319
01:23:04,680 --> 01:23:05,781
ALL RIGHTY.

2320
01:23:05,781 --> 01:23:09,785
GOOD LUCK TO YOU BOTH.

2321
01:23:09,785 --> 01:23:11,653
THESE COUPLES HAVE WORKED REALLY

2322
01:23:11,653 --> 01:23:11,954
HARD.

2323
01:23:11,954 --> 01:23:13,822
IT WILL BE UP TO THE JUDGES TO

2324
01:23:13,822 --> 01:23:15,390
SAVE ONE OF THE BOTTOM TWO

2325
01:23:15,390 --> 01:23:17,025
COUPLES AND KEEP THEM IN THIS

2326
01:23:17,025 --> 01:23:20,929
COMPETITION.

2327
01:23:20,929 --> 01:23:21,563
IF AFTER LEN'S VOTE THERE IS A

2328
01:23:21,563 --> 01:23:22,164
TIE AMONG THE JUDGES, THEN AS

2329
01:23:22,164 --> 01:23:22,731
OUR HEAD JUDGE, LEN'S VOTE

2330
01:23:22,731 --> 01:23:23,332
AUTOMATICALLY BREAKS THE TIE.

2331
01:23:23,332 --> 01:23:23,966
OKAY, IT'S TIME FOR THE JUDGES'

2332
01:23:23,966 --> 01:23:27,202
VERDICT.

2333
01:23:27,202 --> 01:23:27,836
CARRIE ANN, WHICH COUPLE WOULD

2334
01:23:27,836 --> 01:23:32,207
YOU LIKE TO SAVE?

2335
01:23:32,207 --> 01:23:35,544
>> WELL, I'VE WATCHED BOTH OF

2336
01:23:35,544 --> 01:23:37,379
YOU WOMEN REACH PAST YOUR

2337
01:23:37,379 --> 01:23:39,214
COMFORT ZONE WITH SO MUCH

2338
01:23:39,214 --> 01:23:40,048
DIGNITY AND GRACE.

2339
01:23:40,048 --> 01:23:42,317
I DON'T WANT TO CHOOSE, I DON'T

2340
01:23:42,317 --> 01:23:43,185
WANT TO DO THIS.

2341
01:23:43,185 --> 01:23:47,589
BUT I HAVE TO SAY, JUST BASED ON

2342
01:23:47,589 --> 01:23:49,124
SCORING ALONE, I'M GOING TO SAVE

2343
01:23:49,124 --> 01:23:51,593
SUNI AND SASHA.

2344
01:23:51,593 --> 01:23:52,494
I'M SORRY.

2345
01:23:52,494 --> 01:23:53,729
>> Tyra: CARRIE ANN VOTES TO

2346
01:23:53,729 --> 01:23:55,397
SAVE SUNI AND SASHA.

2347
01:23:55,397 --> 01:23:55,664
DEREK?

2348
01:23:55,664 --> 01:23:57,566
>> KENYA, YOU HAVE BEEN AN

2349
01:23:57,566 --> 01:23:58,767
ABSOLUTE FIGHTER THROUGHOUT THIS

2350
01:23:58,767 --> 01:23:59,768
ENTIRE COMPETITION.

2351
01:23:59,768 --> 01:24:01,203
AND I'VE BEEN SO IMPRESSED WITH

2352
01:24:01,203 --> 01:24:01,770
YOU.

2353
01:24:01,770 --> 01:24:03,438
SUNI, THERE'S SO MUCH MORE IN

2354
01:24:03,438 --> 01:24:05,040
THERE THAT I FEEL LIKE WE

2355
01:24:05,040 --> 01:24:06,942
HAVEN'T SEEN YET.

2356
01:24:06,942 --> 01:24:10,379
AND FOR THAT, I AM GOING TO SAVE

2357
01:24:10,379 --> 01:24:11,513
SUNI AND SASHA.

2358
01:24:11,513 --> 01:24:13,715
>> Tyra: DEREK SAVES SUNI AND

2359
01:24:13,715 --> 01:24:14,483
SASHA.

2360
01:24:14,483 --> 01:24:14,716
BRUNO?

2361
01:24:14,716 --> 01:24:16,752
>> I LOVE YOU BOTH BECAUSE YOU

2362
01:24:16,752 --> 01:24:19,121
BOTH HAVE WORKED SO HARD AND

2363
01:24:19,121 --> 01:24:21,056
LISTENED TO US WITH GREAT

2364
01:24:21,056 --> 01:24:22,958
DIGNITY, WITH GREAT BEAUTY.

2365
01:24:22,958 --> 01:24:24,826
APPLIED ALL THE COMMENTS.

2366
01:24:24,826 --> 01:24:25,861
IT'S VERY HARD.

2367
01:24:25,861 --> 01:24:32,200
BUT I HAVE TO CHOOSE SUNI AND

2368
01:24:32,200 --> 01:24:33,435
SASHA.

2369
01:24:33,435 --> 01:24:34,937
[ CHEERS AND APPLAUSE ]

2370
01:24:34,937 --> 01:24:37,205
>> Tyra: SUNI AND SASHA ARE

2371
01:24:37,205 --> 01:24:37,406
SAFE.

2372
01:24:37,406 --> 01:24:39,508
YOU GUYS CAN GO AND CELEBRATE

2373
01:24:39,508 --> 01:24:43,545
WITH THE OTHER COUPLES OVER

2374
01:24:43,545 --> 01:24:48,417
THERE.

2375
01:24:48,417 --> 01:24:54,590
LEN, OUT OF CURIOUSTY, WHO WOULD

2376
01:24:54,590 --> 01:24:55,791
YOU HAVE SAVED?

2377
01:24:55,791 --> 01:24:57,192
IT WOULD HAVE BEEN UNANIMOUS.

2378
01:24:57,192 --> 01:24:58,827
KENYA AND BRANDON, YOU HAD SOME

2379
01:24:58,827 --> 01:24:59,895
AMAZING SCORES.

2380
01:24:59,895 --> 01:25:00,929
BUT WE ARE WHERE WE ARE NOW.

2381
01:25:00,929 --> 01:25:02,164
WHAT DO YOU WANT TO SAY?

2382
01:25:02,164 --> 01:25:04,933
>> THANK YOU SO MUCH FOR THIS

2383
01:25:04,933 --> 01:25:05,233
OPPORTUNITY.

2384
01:25:05,233 --> 01:25:07,736
THIS HAS BEEN A DREAM COME TRUE.

2385
01:25:07,736 --> 01:25:08,904
I HAVE SO MUCH RESPECT FOR ALL

2386
01:25:08,904 --> 01:25:09,404
OF YOU.

2387
01:25:09,404 --> 01:25:10,839
AND ALL OF YOU, I LOVE YOU GUYS

2388
01:25:10,839 --> 01:25:11,506
SO MUCH.

2389
01:25:11,506 --> 01:25:14,242
I LOVE YOU GUYS SO MUCH.

2390
01:25:14,242 --> 01:25:14,743
[ CHEERS AND APPLAUSE ]

2391
01:25:14,743 --> 01:25:17,179
>> Tyra: WE HAVE TO GIVE IT UP

2392
01:25:17,179 --> 01:25:18,080
FOR YOU.

2393
01:25:18,080 --> 01:25:20,482
KENYA AND BRANDON, YOU CAN SEE

2394
01:25:20,482 --> 01:25:21,116
THEM ON "GOOD MORNING AMERICA"

2395
01:25:21,116 --> 01:25:25,787
TOMORROW MORNING.

2396
01:25:25,787 --> 01:25:26,388
NEXT MONDAY, WE'RE GONNA ROCK

2397
01:25:26,388 --> 01:25:27,022
OUT TO THE MUSIC OF ONE OF THE

2398
01:25:27,022 --> 01:25:27,589
BIGGEST BANDS OF ALL TIME,

2399
01:25:27,589 --> 01:25:29,491
QUEEN.

2400
01:25:29,491 --> 01:25:31,593
OKAY, YOU DO NOT WANT TO MISS A

2401
01:25:31,593 --> 01:25:32,227
SECOND OF THE ACTION, STARTING

2402
01:25:32,227 --> 01:25:36,565
AT 8:00, 7:00 P. M. CENTRAL.

2403
01:25:36,565 --> 01:25:38,634
UNTIL THEN, HAVE A VERY SAFE AND

2404
01:25:38,634 --> 01:25:40,369
A VERY HAPPY HALLOWEEN.

2405
01:25:40,369 --> 01:25:42,471
AND GUESS WHAT, Y'ALL.

2406
01:25:42,471 --> 01:25:46,174
AN ALL‐NEW EPISODE OF "THE GOOD

2407
01:25:46,174 --> 01:25:46,408
DOCTOR."

2408
01:25:46,408 --> 01:25:47,576
WE LOVE THAT SHOW SO MUCH.

2409
01:25:47,576 --> 01:25:49,845
IT STARTS RIGHT NOW ON A TO THE

2410
01:25:49,845 --> 01:25:50,145
B TO THE C.

2411
01:25:50,145 --> 01:25:53,315
HAPPY HALLOWEEN!

2412
01:25:53,315 --> 01:25:55,283
[ CHEERS AND APPLAUSE ]

2413
01:25:55,283 --> 01:25:58,654
♪