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♪

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♪

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>>> IT'S "GREASE" NIGHT ON

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"DANCING WITH THE STARS."

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[ CHEERS AND APPLAUSE ]

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♪ I SOLVE MY PROBLEMS AND I SEE

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THE LIGHT ♪

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♪ WE GOT A LOVIN' THING WE GOTTA

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FEED IT RIGHT ♪

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♪ THERE AIN'T NO DANGER WE CAN

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GO TOO FAR ♪

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♪ WE START BELIEVING NOW THAT WE

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CAN BE WHO WE ARE ♪

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♪ GREASE IS THE WORD GREASE IS

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THE WORD ♪

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♪ IS THE WORD THAT YOU HEARD

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♪ IT'S GOT GROOVE IT'S GOT

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MEANING ♪

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♪ IT'S THE TIME IT'S THE PLACE

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IT'S THE MOTION GREASE IS THE

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WAY WE'RE FEELING ♪

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♪ WE TAKE THE PRESSURE AND WE

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THROW AWAY ♪

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♪ CONVENTIONALITY BELONGS TO

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YESTERDAY ♪

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♪ THERE IS A CHANCE THAT WE CAN

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MAKE IT SO FAR ♪

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♪ WE START BELIEVING NOW THAT WE

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CAN BE WHO WE ARE ♪

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♪ GREASE IS THE WORD GREASE IS

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THE WORD IS THE WORD THAT YOU

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HEARD ♪

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♪ IT'S GOT GROOVE IT'S GOT

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MEANING ♪

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♪ GREASE IS THE TIME IS THE

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PLACE IS THE MOTION ♪

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♪ GREASE IS THE WAY WE ARE

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FEELING ♪

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♪ THIS IS A LIFE OF ILLUSION

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WRAPPED UP IN TROUBLE ♪

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♪ LACED WITH CONFUSION WHAT ARE

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WE DOING HERE ♪

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♪

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♪ GREASE IS THE WORD IS THE WORD

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THAT YOU HEARD ♪

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♪ IT'S GOT GROOVE IT'S GOT

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MEANING ♪

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♪ GREASE IS THE TIME IS THE

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PLACE IS THE MOTION ♪

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♪ GREASE IS THE WAY WE ARE

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FEELING ♪

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♪ GREASE IS THE WORD IS THE WORD

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IS THE WORD ♪

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♪ IT'S THE WORD

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♪

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[ CHEERS AND APPLAUSE ]

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>> Announcer: LIVE FROM

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HOLLYWOOD, IT'S "GREASE" NIGHT

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ON "DANCING WITH THE STARS."

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[ CHEERS AND APPLAUSE ]

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STARRING ‐‐

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♪

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>> Tyra: WHOO!

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OUR FANTASTIC OPENING NUMBER BY

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CHOREOGRAPHER KATHRYN BURNS.

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GIVE IT UP, EVERYBODY.

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THIS NIGHT IS ALL ABOUT

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CELEBRATING ONE OF OUR ALL‐TIME

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FAVORITE MUSICALS, "GREASE."

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THAT IS RIGHT.

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WE'VE GOT THE SONGS, THE

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COSTUMES, THE CARS, EVEN SOME OF

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THE STARS.

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NOW, WHETHER YOU'RE A T‐BIRD OR

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A PINK LADY, OR MAYBE EVEN A

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SCORPION, YOU'RE GOING TO LOVE

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THIS JAM‐PACKED SHOW MARKING THE

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HALFWAY POINT IN THIS "DANCING

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WITH THE STARS" COMPETITION.

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NOW, I PROMISED THAT YOU'D SEE

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SOME OF THE STARS OF "GREASE,"

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AND I AM SO THRILLED TO BRING

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ONE OF THEM TO YOU RIGHT NOW.

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SHE'S NONE OTHER THAN FOUR‐TIME

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GRAMMY‐WINNING ICON WHO PLAYED

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SANDY, OLIVIA NEWTON‐JOHN!

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WHERE YOU AT?

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>> HELLO, TYRA, AND EVERYONE AT

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"DANCING WITH THE STARS."

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I'M SO THRILLED AND HONORED THAT

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YOU'RE CELEBRATING "GREASE"

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TONIGHT.

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I KNOW THAT THE COUPLES HAVE

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BEEN WORKING REALLY HARD.

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AND IT'S GOING TO BE AN AMAZING

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SHOW.

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I CAN'T WAIT TO SEE YOUR

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PERFORMANCES.

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GOOD LUCK, AND I HOPE YOU HAVE

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AS MUCH FUN AS I DID.

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[ CHEERS AND APPLAUSE ]

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>> Tyra: WOW, THANK YOU SO MUCH,

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OLIVIA.

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OLIVIA WILL BE BACK WITH SOME

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BRIEF MEMORIES THROUGHOUT THE

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NIGHT.

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VOTING IS OPEN IN THE EASTERN

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AND CENTRAL TIME ZONES.

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YOU CAN VOTE AT ABC.COM.

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PLUS, SUBSCRIBERS OF ALL

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U.S. WIRELESS PHONE CARRIERS CAN

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TEXT THE STAR'S FIRST NAME TO

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THE NUMBER 21523.

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MESSAGE AND DATA RATES MAY

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APPLY.

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ALL RIGHT.

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WE'RE ABOUT TO JUMP INTO THIS

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COMPETITION.

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ARE WE READY, EVERYBODY?

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YES.

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AND GET THIS, WE'RE PRESENTING

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ALL OF THE SONGS IN ORDER.

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THAT'S RIGHT, IN ORDER, FROM

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"GREASE."

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SO FIRST UP IN THIS JOURNEY, OUR

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BEAUTY VLOGGER AND HER PARTNER

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VAL, WITH HER TRIBUTE TO THE

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FIRST BIG SCENE.

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>> WE'RE OPENING THE SHOW.

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I'M SO EXCITED.

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IT'S "GREASE" NIGHT.

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>> YEAH!

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MY FAVORITE MOVIE OF ALL TIME.

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I LOVE THE MUSIC, I LOVE EVERY

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CHARACTER, I LOVE THE STORYLINE.

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YEAH, IT'S GOING TO BE

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INCREDIBLE.

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I'M SO EXCITED.

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I'VE SEEN THE MOVIE PROBABLY,

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LIKE, UPWARDS OF 45, 50 TIMES.

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WHEN WE WERE YOUNGER, BELLA AND

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I WOULD WATCH THIS ON REPEAT.

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>> SO MUCH OF THIS MOVIE

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INFLUENCED MY DANCE EDUCATION.

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AND MY LOVE AND JOY FOR

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PERFORMING.

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>> WHEN I WAS YOUNGER, I DRESSED

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UP AS A PINK LADY FOR HALLOWEEN.

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>> THAT'S YOU?

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>> YEAH.

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I'M ABOUT THIS "GREASE" LIFE.

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>> THIS IS GOING TO BE GREAT.

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>> WHAT DANCE ARE WE DOING?

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>> WE'RE DOING THE FOXTROT

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TO "SUMMER NIGHTS."

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>> I'M SANDY.

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YOU'RE DANNY.

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IT'S SO FITTING, BECAUSE YOUR

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HAIR IS SO SLICK LIKE HIS.

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BASICALLY, DANNY AND SANDY HAD A

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SUMMER ROMANCE.

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THEY THOUGHT THEY WOULD NEVER

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SEE EACH OTHER AGAIN.

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THIS SCENE TAKES PLACE ON THEIR

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FIRST DAY OF SCHOOL.

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>> I LOVE "GREASE" BECAUSE IT

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TELLS THE STORY OF HIGH SCHOOL,

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OF HIGH SCHOOL KIDS FALLING IN

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LOVE.

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>> I GREW UP GOING TO AN

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ALL‐GIRLS SCHOOL.

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SO I DIDN'T HAVE ‐‐

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>> YOU DIDN'T HAVE A DANNY?

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>> NO.

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I DIDN'T HAVE A DANNY.

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SO I GET TO LIVE THE DREAMS NOW.

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♪

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>> 2, 3.

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>> THE FACT THAT WE GET TO PLAY

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SUCH ICONIC AND AMAZING

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CHARACTERS, IT'S GOING TO BE

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REALLY FUN.

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AND IT'S ALSO GOING TO PUT THE

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PRESSURE ON, BECAUSE WE HAVE TO

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DO THEM JUSTICE.

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>> "SUMMER NIGHTS" IS THE FIRST

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TIME THAT WE LEARN ABOUT THE

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RELATIONSHIP OF SANDY AND DANNY,

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THROUGH THEIR EYES.

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THEY EACH HAVE A DIFFERENT POINT

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OF VIEW, AND EVERYTHING YOU NEED

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TO KNOW IS SET UP IN THIS SONG.

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I'M SO HAPPY THAT OLIVIA, LOVE

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THE NAME, AND VAL, ARE GOING TO

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BE DANCING TO IT.

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>> 6, 7, 8, AND 1.

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[ CHEERS AND APPLAUSE ]

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>> Announcer: DANCING THE

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FOXTROT WITH HER PARTNER VAL,

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IT'S OLIVIA JADE.

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♪

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♪ SUMMER LOVIN' HAD ME A BLAST

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♪ SUMMER LOVIN' HAPPENED SO

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FAST ♪

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♪ I MET A GIRL CRAZY FOR ME MET

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A BOY CUTE AS CAN BE SUMMER DAYS

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DRIFTING AWAY ♪

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♪ TO UH‐OH THOSE SUMMER NIGHTS

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♪ WELL‐A WELL‐A WELL‐A UH

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♪ TELL ME MORE TELL ME MORE DID

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YOU GET VERY FAR ♪

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♪ TELL ME MORE TELL ME MORE LIKE

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DOES HE HAVE A CAR ♪

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♪ UH‐HUH UH‐HUH UH‐HUH

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♪ SHE SWAM BY ME SHE GOT A

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CRAMP ♪

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♪ HE RAN BY ME GOT MY SUIT

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DAMP ♪

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♪ SAVED HER LIFE SHE NEARLY

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DROWNED ♪

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♪ HE SHOWED OFF SPLASHING

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AROUND ♪

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♪ SUMMER FLING DON'T MEAN A

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THING ♪

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♪ BUT UH‐OH THOSE SUMMER

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NIGHTS ♪

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♪ TELL ME MORE TELL ME MORE

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♪ HOW MUCH DOUGH DID HE SPEND

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♪ TELL ME MORE TELL ME MORE

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♪ COULD SHE GET ME A FRIEND

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♪ THOSE SUMMER NIGHTS

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♪ TELL ME MORE TELL ME MORE

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♪

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[ CHEERS AND APPLAUSE ]

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>> Tyra: WHOO!

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WOW.

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OLIVIA AND VAL, KICKING THIS OFF

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WITH "GREASE" NIGHT, WITH A

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FOXTROT.

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FULL OF SUMMER LOVE.

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LEN?

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>> WELL, I THINK IF SANDY AND

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DANNY WERE TO DANCE A FOXTROT,

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IT WOULD LOOK A LOT LIKE THAT.

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IT WAS FULL OF FUN, IT WAS

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ENTERTAINING.

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OLIVIA, YOU ARE BECOMING ONE

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HECK OF A DANCER.

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AND VAL, YOUR CHOREOGRAPHY IS

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JUST GREAT.

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>> THANK YOU.

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>> Tyra: DEREK?

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>> I CAN ALREADY TELL, TONIGHT

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IS GOING TO BE ONE OF MY

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FAVORITE THEME NIGHTS EVER.

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I LOVE "GREASE."

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OLIVIA, YOU'RE A PERFECT SANDY.

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SO GOOD.

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YOUR FRAME IS UNBELIEVABLE.

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SO BEAUTIFUL, THE CHARACTER YOU

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PLAY IS SPOT‐ON.

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WHAT A GREAT WAY TO OPEN THE

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SHOW.

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AMAZING.

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>> Tyra: BRUNO?

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>> STAY TUNED, BECAUSE IT'S

267
00:09:17,157 --> 00:09:21,861
GOING TO BE A GOOD ONE.

268
00:09:21,861 --> 00:09:26,366
I MEAN, COME ON.

269
00:09:26,366 --> 00:09:27,434
AS AN OPENING NUMBER, YOUR

270
00:09:27,434 --> 00:09:31,304
STARRY NIGHTS ARE MORE THAN

271
00:09:31,304 --> 00:09:31,638
SUMMER NIGHTS.

272
00:09:31,638 --> 00:09:32,906
YOU CAPTURED THE SWEET INNOCENCE

273
00:09:32,906 --> 00:09:33,406
OF SANDY, SO BEAUTIFUL.

274
00:09:33,406 --> 00:09:41,314
YOU GOT SWEPT OFF YOUR FEET BY

275
00:09:41,314 --> 00:09:41,948
DANNY, AND YOU KEPT A VERY, VERY

276
00:09:41,948 --> 00:09:43,950
BEAUTIFUL FOXTROT GOING.

277
00:09:43,950 --> 00:09:45,018
OLIVIA WOULD BE PROUD OF YOU.

278
00:09:45,018 --> 00:09:45,518
>> THANK YOU VERY MUCH.

279
00:09:45,518 --> 00:09:45,952
>> Tyra: CARRIE ANN?

280
00:09:45,952 --> 00:09:46,553
>> YES, I ECHO EVERYTHING MY

281
00:09:46,553 --> 00:09:49,222
FELLOW JUDGES SAY.

282
00:09:49,222 --> 00:09:49,823
BUT ON TOP OF THAT, YOUR BODY

283
00:09:49,823 --> 00:09:53,426
CONTACT WAS AMAZING.

284
00:09:53,426 --> 00:09:55,428
YOUR HOLD, YOUR TECHNIQUE WAS

285
00:09:55,428 --> 00:09:58,698
AMAZING.

286
00:09:58,698 --> 00:09:59,232
YOU BROUGHT HER TO LIFE

287
00:09:59,232 --> 00:10:00,266
BEAUTIFULLY, AND IN THE CORRECT

288
00:10:00,266 --> 00:10:02,335
WAY.

289
00:10:02,335 --> 00:10:04,471
>> THANK YOU.

290
00:10:04,471 --> 00:10:05,071
>> Tyra: OLIVIA, YOU GUYS ARE

291
00:10:05,071 --> 00:10:06,039
KICKING OFF THE NIGHT.

292
00:10:06,039 --> 00:10:06,673
THIS IS YOUR FAVORITE MOVIE OF

293
00:10:06,673 --> 00:10:06,940
ALL TIME.

294
00:10:06,940 --> 00:10:07,540
ARE YOU LIVING A DREAM RIGHT

295
00:10:07,540 --> 00:10:10,777
NOW?

296
00:10:10,777 --> 00:10:11,311
>> TOTALLY.

297
00:10:11,311 --> 00:10:11,911
I WAS SO NERVOUS TO OPEN THE

298
00:10:11,911 --> 00:10:13,413
SHOW, AND I'M SO EXCITED TO SEE

299
00:10:13,413 --> 00:10:17,083
EVERYBODY ELSE.

300
00:10:17,083 --> 00:10:21,921
AND THIS IS ONE OF MY FAVORITE

301
00:10:21,921 --> 00:10:22,422
MOVIES, SO ‐‐

302
00:10:22,422 --> 00:10:23,022
>> Tyra: YOU KNOW I JUST SAW

303
00:10:23,022 --> 00:10:23,656
"GREASE" FOR THE FIRST TIME ON

304
00:10:23,656 --> 00:10:23,923
SATURDAY.

305
00:10:23,923 --> 00:10:27,560
IT'S A CRIME, I KNOW.

306
00:10:27,560 --> 00:10:28,128
>> IT'S SO GOOD.

307
00:10:28,128 --> 00:10:29,762
>> Tyra: LET'S GET YOUR SCORES.

308
00:10:29,762 --> 00:10:30,396
>> Announcer: CARRIE ANN INABA.

309
00:10:30,396 --> 00:10:33,733
>> 9.

310
00:10:33,733 --> 00:10:34,234
>> Announcer: LEN GOODMAN.

311
00:10:34,234 --> 00:10:34,767
>> 9.

312
00:10:34,767 --> 00:10:35,301
>> Announcer: DEREK HOUGH.

313
00:10:35,301 --> 00:10:37,904
>> 9.

314
00:10:37,904 --> 00:10:38,471
>> Announcer: BRUNO TONIOLI.

315
00:10:38,471 --> 00:10:41,040
>> 9.

316
00:10:41,040 --> 00:10:42,609
>> Tyra: WOW.

317
00:10:42,609 --> 00:10:43,209
WE GOT ALL 9s FOR OLIVIA AND

318
00:10:43,209 --> 00:10:44,210
VAL.

319
00:10:44,210 --> 00:10:46,312
THAT'S 36 OUT OF 40.

320
00:10:46,312 --> 00:10:46,880
THEIR HIGHEST SCORE OF THE

321
00:10:46,880 --> 00:10:47,881
SEASON.

322
00:10:47,881 --> 00:10:48,948
SORRY, DEREK, I KNOW IT'S A

323
00:10:48,948 --> 00:10:49,449
SHAME, I ONLY SAW IT ON

324
00:10:49,449 --> 00:10:49,983
SATURDAY.

325
00:10:49,983 --> 00:10:51,084
IT'S A HOT MESS.

326
00:10:51,084 --> 00:10:52,652
BUT I'M CAUGHT UP.

327
00:10:52,652 --> 00:10:53,686
MORE DANCES TO UNFORGETTABLE

328
00:10:53,686 --> 00:10:55,421
SONGS FROM "GREASE" ARE ON THE

329
00:10:55,421 --> 00:10:56,856
WAY.

330
00:10:56,856 --> 00:10:59,425
THE ACTRESS FROM "THE OFFICE"

331
00:10:59,425 --> 00:10:59,993
AND "THE BOLD TYPE,"

332
00:10:59,993 --> 00:11:01,594
MELORA HARDIN, AND ARTEM WILL

333
00:11:01,594 --> 00:11:02,629
TAKE US INTO THE NEXT BIG MOMENT

334
00:11:02,629 --> 00:11:04,564
FROM "GREASE," LIVE.

335
00:11:09,102 --> 00:11:09,602
[ CHEERS AND APPLAUSE ]

336
00:11:09,602 --> 00:11:11,471
♪

337
00:11:11,471 --> 00:11:11,971
[ CHEERS AND APPLAUSE ]

338
00:11:11,971 --> 00:11:13,606
♪

339
00:11:13,606 --> 00:11:14,641
>> Tyra: WELL, WELCOME BACK TO

340
00:11:14,641 --> 00:11:16,209
OUR SPECIAL "GREASE" NIGHT.

341
00:11:16,209 --> 00:11:18,344
AND JOINING US IN THE BALLROOM,

342
00:11:18,344 --> 00:11:20,446
THE TONY AWARD‐NOMINATED

343
00:11:20,446 --> 00:11:20,980
CO‐CREATOR OF "GREASE,"

344
00:11:20,980 --> 00:11:23,616
JIM JACOBS.

345
00:11:23,616 --> 00:11:24,184
THANK YOU SO MUCH FOR BEING

346
00:11:24,184 --> 00:11:26,286
HERE.

347
00:11:26,286 --> 00:11:27,620
AND THANK YOU FOR "GREASE," JIM.

348
00:11:27,620 --> 00:11:34,527
THANK YOU SO, SO MUCH.

349
00:11:34,527 --> 00:11:35,161
NEXT UP, THE TV AND FILM ACTRESS

350
00:11:35,161 --> 00:11:35,728
WHO SHOT TO THE TOP OF THE

351
00:11:35,728 --> 00:11:36,362
LEADERBOARD LAST WEEK WITH THE

352
00:11:36,362 --> 00:11:38,398
FIRST 10 OF THE SEASON.

353
00:11:38,398 --> 00:11:39,032
HERE ARE MELORA HARDIN AND ARTEM

354
00:11:39,032 --> 00:11:40,533
TRAINING FOR THEIR VIENNESE

355
00:11:40,533 --> 00:11:42,068
WALTZ TO THE MOMENT WHEN RIZZO

356
00:11:42,068 --> 00:11:43,570
MOCKS SANDY FOR HER GOOD GIRL

357
00:11:43,570 --> 00:11:51,044
REPUTATION.

358
00:11:51,044 --> 00:11:51,678
>> THIS WEEK IS "GREASE" NIGHT.

359
00:11:51,678 --> 00:11:52,111
>> "GREASE" NIGHT.

360
00:11:52,111 --> 00:11:55,248
>> REALLY EXCITING.

361
00:11:55,248 --> 00:11:55,682
>> I LOVE "GREASE."

362
00:11:55,682 --> 00:11:57,350
I LOVE MUSICALS.

363
00:11:57,350 --> 00:11:59,452
IT STARTED OUT AS A MUSICAL,

364
00:11:59,452 --> 00:12:00,053
THEN IT BECAME THIS WORLDWIDE

365
00:12:00,053 --> 00:12:03,623
PHENOMENON.

366
00:12:03,623 --> 00:12:05,258
SOMETHING ABOUT "GREASE" MAKES

367
00:12:05,258 --> 00:12:05,892
ME THINK ABOUT WOMEN THAT PAVED

368
00:12:05,892 --> 00:12:08,394
THE PATH FOR ME.

369
00:12:08,394 --> 00:12:11,564
>> WE'RE DOING A VIENNESE WALTZ,

370
00:12:11,564 --> 00:12:14,200
LOOK AT ME, I'M SANDRA DEE.

371
00:12:14,200 --> 00:12:17,337
YOU'RE PLAYING RIZZO.

372
00:12:17,337 --> 00:12:19,439
>> AWESOME.

373
00:12:19,439 --> 00:12:19,772
I LOVE RIZZO.

374
00:12:19,772 --> 00:12:21,608
SHE'S AMAZING.

375
00:12:21,608 --> 00:12:22,175
JUST SUPER FUN, NOT MESSING

376
00:12:22,175 --> 00:12:23,676
AROUND.

377
00:12:23,676 --> 00:12:25,778
THIS IS THE SCENE IN "GREASE"

378
00:12:25,778 --> 00:12:27,580
WHERE THE PINK LADIES ARE HAVING

379
00:12:27,580 --> 00:12:28,381
A SLEEPOVER.

380
00:12:28,381 --> 00:12:29,983
RIZZO STARTS TEASING SANDY FOR

381
00:12:29,983 --> 00:12:32,752
BEING ALL GOODY TWO‐SHOES.

382
00:12:32,752 --> 00:12:33,853
SHE'S GOT ATTITUDE.

383
00:12:33,853 --> 00:12:34,420
>> I DON'T THINK I'VE HAD A

384
00:12:34,420 --> 00:12:38,057
SLEEPOVER IN MY LIFE.

385
00:12:38,057 --> 00:12:38,591
>> WHAT?

386
00:12:38,591 --> 00:12:39,225
DOES THAT MEAN YOU HAVEN'T HAD A

387
00:12:39,225 --> 00:12:42,262
PILLOW FIGHT?

388
00:12:42,262 --> 00:12:42,729
>> NO, ABSOLUTELY NOT.

389
00:12:42,729 --> 00:12:43,196
DON'T EVEN GO THERE.

390
00:12:43,196 --> 00:12:43,830
>> WE'RE GOING TO CORRECT THAT

391
00:12:43,830 --> 00:12:44,364
RIGHT NOW.

392
00:12:44,364 --> 00:12:44,998
I'M GOING TO BRING THE PLAY OUT

393
00:12:44,998 --> 00:12:48,534
OF THAT MAN IF IT KILLS ME.

394
00:12:48,534 --> 00:12:52,739
[ LAUGHTER ]

395
00:12:52,739 --> 00:12:53,806
>> YOU WIN.

396
00:12:53,806 --> 00:12:55,575
YOU WIN.

397
00:12:55,575 --> 00:12:57,510
YOU WIN.

398
00:12:57,510 --> 00:12:58,144
GIVE ME THE BEST EXPRESSION OF

399
00:12:58,144 --> 00:13:02,248
RIZZO.

400
00:13:02,248 --> 00:13:02,515
LET'S GO.

401
00:13:02,515 --> 00:13:05,418
♪

402
00:13:05,418 --> 00:13:06,486
>> ONE OF THE MOST FUN THINGS

403
00:13:06,486 --> 00:13:07,620
ABOUT BEING ON "DANCING WITH THE

404
00:13:07,620 --> 00:13:10,523
STARS" IS TAKING BIG, BOLD

405
00:13:10,523 --> 00:13:10,723
RISKS.

406
00:13:10,723 --> 00:13:11,758
AND I REALLY KNOW HOW TO DO THAT

407
00:13:11,758 --> 00:13:13,326
AS AN ACTOR.

408
00:13:13,326 --> 00:13:15,595
BUT I'M LEARNING HOW TO DO THAT

409
00:13:15,595 --> 00:13:16,462
AS A DANCER.

410
00:13:16,462 --> 00:13:20,166
[ CHEERS AND APPLAUSE ]

411
00:13:20,166 --> 00:13:21,200
>> Announcer: DANCING THE

412
00:13:21,200 --> 00:13:22,769
VIENNESE WALTZ WITH HER PARTNER

413
00:13:22,769 --> 00:13:27,073
ARTEM, IT'S MELORA HARDIN.

414
00:13:28,508 --> 00:13:28,741
♪

415
00:13:28,741 --> 00:13:35,048
♪ LOOK AT ME I'M SANDRA DEE

416
00:13:35,048 --> 00:13:37,684
LOUSY WITH VIRGINITY WON'T GO TO

417
00:13:37,684 --> 00:13:43,623
BED UNTIL I'M LEGALLY WED ♪

418
00:13:43,623 --> 00:13:47,727
♪ I CAN'T, I'M SANDRA DEE WATCH

419
00:13:47,727 --> 00:13:49,329
IT HEY I'M DORIS DAY I WAS NOT

420
00:13:49,329 --> 00:13:55,568
BROUGHT UP THAT WAY ♪

421
00:13:55,568 --> 00:13:56,669
♪ WON'T COME ACROSS EVEN ROCK

422
00:13:56,669 --> 00:13:57,303
HUDSON LOST HIS HEART TO DORIS

423
00:13:57,303 --> 00:14:03,576
DAY ♪

424
00:14:03,576 --> 00:14:07,180
♪ I DON'T DRINK OR SWEAR I DON'T

425
00:14:07,180 --> 00:14:07,814
WRAP MY HAIR I GET ILL FROM ONE

426
00:14:07,814 --> 00:14:11,617
CIGARETTE ♪

427
00:14:11,617 --> 00:14:12,485
♪ KEEP YOUR FILTHY PAWS OFF MY

428
00:14:12,485 --> 00:14:16,155
SILKY DRAWERS ♪

429
00:14:16,155 --> 00:14:16,823
♪ WOULD YOU PULL THAT CRAP WITH

430
00:14:16,823 --> 00:14:24,063
ANNETTE ♪

431
00:14:24,063 --> 00:14:28,768
♪ AS FOR YOU TROY DONAHUE I KNOW

432
00:14:28,768 --> 00:14:33,506
WHAT YOU WANT TO DO ♪

433
00:14:33,506 --> 00:14:34,507
♪ I'M NO OBJECT OF LUST I'M JUST

434
00:14:34,507 --> 00:14:40,346
PLAIN SANDRA DEE ♪

435
00:14:40,346 --> 00:14:42,482
♪ ELVIS ELVIS LET ME BE

436
00:14:42,482 --> 00:14:43,149
♪ KEEP THAT PELVIS FAR FROM ME

437
00:14:43,149 --> 00:14:47,620
♪ JUST KEEP YOUR COOL NOW YOU'RE

438
00:14:47,620 --> 00:14:52,525
STARTING TO DROOL ♪

439
00:14:52,525 --> 00:14:53,059
♪ HEY FORGET ABOUT IT

440
00:14:53,059 --> 00:14:54,594
♪ I'M SANDRA DEE

441
00:14:54,594 --> 00:14:57,764
♪

442
00:14:57,764 --> 00:15:07,573
[ CHEERS AND APPLAUSE ]

443
00:15:07,573 --> 00:15:08,207
>> Tyra: MELORA AND ARTEM WITH A

444
00:15:08,207 --> 00:15:15,581
VIENNESE WALTZ.

445
00:15:15,581 --> 00:15:16,182
DEREK?

446
00:15:16,182 --> 00:15:17,750
>> MELORA, YOU ARE THE GIFT THAT

447
00:15:17,750 --> 00:15:20,953
KEEPS ON GIVING.

448
00:15:20,953 --> 00:15:22,555
THAT INTRO WAS STRAIGHT OUT OF

449
00:15:22,555 --> 00:15:24,657
THE MUSICAL.

450
00:15:24,657 --> 00:15:28,327
SO, SO ‐‐ YOU ALWAYS BRING THE

451
00:15:28,327 --> 00:15:29,362
CHARACTER TO LIFE.

452
00:15:29,362 --> 00:15:29,996
AND THE DANCING, OF COURSE, IS

453
00:15:29,996 --> 00:15:30,430
BEAUTIFUL.

454
00:15:30,430 --> 00:15:32,565
ONE LITTLE NOTE, BECAUSE I LOVE

455
00:15:32,565 --> 00:15:34,567
YOU SO MUCH, IT GOT A LITTLE

456
00:15:34,567 --> 00:15:35,935
CONGESTED UP HERE.

457
00:15:35,935 --> 00:15:37,036
JUST A LITTLE BIT.

458
00:15:37,036 --> 00:15:38,070
SO PUSH AWAY A LITTLE BIT UP

459
00:15:38,070 --> 00:15:38,237
TOP.

460
00:15:38,237 --> 00:15:39,138
BUT OTHER THAN THAT, YOU'RE

461
00:15:39,138 --> 00:15:39,405
AMAZING.

462
00:15:39,405 --> 00:15:40,706
>> Tyra: BRUNO?

463
00:15:40,706 --> 00:15:41,774
>> MELORA, YOU GOT THE PART.

464
00:15:41,774 --> 00:15:44,410
YOU'RE HIRED.

465
00:15:44,410 --> 00:15:48,114
WHAT SHE DOES, SHE TAKES THE

466
00:15:48,114 --> 00:15:50,249
CHARACTER, YOU MAKE IT YOUR OWN.

467
00:15:50,249 --> 00:15:50,883
YOU PLAY WITH YOUR OWN SENSE OF

468
00:15:50,883 --> 00:15:54,454
HUMOR.

469
00:15:54,454 --> 00:15:55,087
AND YOU PUT SOME BUMP AND GRIND

470
00:15:55,087 --> 00:15:59,225
INTO THE VIENNESE WALTZ.

471
00:15:59,225 --> 00:15:59,759
I DON'T MIND, I LIKED IT.

472
00:15:59,759 --> 00:16:00,793
IN THIS CASE, IT WORKED.

473
00:16:00,793 --> 00:16:05,531
IT ENHANCED THE CHARACTER.

474
00:16:05,531 --> 00:16:07,600
YOU PLAYED IT SO WELL.

475
00:16:07,600 --> 00:16:08,000
>> Tyra: CARRIE ANN?

476
00:16:08,000 --> 00:16:09,202
>> MELORA, LAST WEEK, I KNOW I

477
00:16:09,202 --> 00:16:13,239
SAID IT WAS A LITTLE BIT SAFE.

478
00:16:13,239 --> 00:16:15,174
BUT WHAT I LOVED ABOUT THIS

479
00:16:15,174 --> 00:16:16,342
PERFORMANCE, YOU NEVER KNEW

480
00:16:16,342 --> 00:16:17,810
WHERE YOU WERE GOING TO GO NEXT.

481
00:16:17,810 --> 00:16:18,444
AND WHAT SETS YOU APART, EVERY

482
00:16:18,444 --> 00:16:20,446
TIME YOU DANCE, IT MAKES US WANT

483
00:16:20,446 --> 00:16:20,980
TO DO THE DANCE WITH YOU.

484
00:16:20,980 --> 00:16:22,515
YOU MAKE IT LOOK LIKE IT FEELS

485
00:16:22,515 --> 00:16:25,218
SO GOOD.

486
00:16:25,218 --> 00:16:26,819
EXCELLENT JOB.

487
00:16:26,819 --> 00:16:27,153
>> Tyra: LEN?

488
00:16:27,153 --> 00:16:30,490
>> YOU DIDN'T JUST DANCE THAT

489
00:16:30,490 --> 00:16:31,090
FANTASTICALLY WELL, YOU ACTED

490
00:16:31,090 --> 00:16:32,058
THE PART.

491
00:16:32,058 --> 00:16:33,125
THERE WAS A GREAT CONNECTION

492
00:16:33,125 --> 00:16:36,262
BETWEEN THE TWO OF YOU.

493
00:16:36,262 --> 00:16:37,864
I TELL YOU WHAT, IT'S JUST LIKE

494
00:16:37,864 --> 00:16:40,566
THE FILM OR THE SHOW.

495
00:16:40,566 --> 00:16:43,603
I FEEL BETTER FOR SEEING THAT.

496
00:16:43,603 --> 00:16:46,272
[ CHEERS AND APPLAUSE ]

497
00:16:46,272 --> 00:16:46,906
>> Tyra: SO MELORA, YOU ARE OUR

498
00:16:46,906 --> 00:16:47,540
ACTRESS EXTRAORDINAIRE IN THIS

499
00:16:47,540 --> 00:16:51,177
COMPETITION.

500
00:16:51,177 --> 00:16:52,512
WITH ALL OF THE EMOTING.

501
00:16:52,512 --> 00:16:58,718
TALK ABOUT BEING RIZZO TONIGHT?

502
00:16:58,718 --> 00:16:59,352
>> SHE'S SO FUN, SO BALLSY, SO

503
00:16:59,352 --> 00:16:59,752
GO GET 'EM.

504
00:16:59,752 --> 00:17:00,286
SHE MAKES EVERYTHING FUN.

505
00:17:00,286 --> 00:17:02,922
AND TAKES NO NONSENSE.

506
00:17:02,922 --> 00:17:03,556
SO IT WAS FUN TO BRING THAT OUT.

507
00:17:03,556 --> 00:17:04,190
>> Tyra: YOU GOT THE FIRST 10s

508
00:17:04,190 --> 00:17:05,024
OF THE SEASON.

509
00:17:05,024 --> 00:17:07,593
TALK ABOUT THE PRESSURE, MAN.

510
00:17:07,593 --> 00:17:09,262
>> YEAH.

511
00:17:09,262 --> 00:17:09,862
NO, YES, TOTALLY, YES, IT WAS

512
00:17:09,862 --> 00:17:12,431
VERY EXCITING.

513
00:17:12,431 --> 00:17:14,534
AND ALSO DEFINITELY HAD TO KIND

514
00:17:14,534 --> 00:17:16,068
OF ADJUST AND JUST DEAL WITH,

515
00:17:16,068 --> 00:17:16,702
YOU KNOW WHAT, I DON'T WANT TO

516
00:17:16,702 --> 00:17:18,704
MISS A MOMENT OF THIS.

517
00:17:18,704 --> 00:17:25,578
EVEN IF THE PRESSURE GETS BUILT.

518
00:17:25,578 --> 00:17:26,145
>> Tyra: LET'S SEE WHAT THE

519
00:17:26,145 --> 00:17:26,445
SCORES ARE.

520
00:17:26,445 --> 00:17:27,580
>> Announcer: CARRIE ANN INABA.

521
00:17:27,580 --> 00:17:28,514
>> 9.

522
00:17:28,514 --> 00:17:31,350
>> Announcer: LEN GOODMAN.

523
00:17:31,350 --> 00:17:31,551
>> 9.

524
00:17:31,551 --> 00:17:34,554
>> Announcer: DEREK HOUGH.

525
00:17:34,554 --> 00:17:35,588
>> 9.

526
00:17:35,588 --> 00:17:36,155
>> Announcer: BRUNO TONIOLI.

527
00:17:36,155 --> 00:17:38,758
>> 9.

528
00:17:38,758 --> 00:17:39,392
>> Tyra: QUADRUPLE 9s FOR MELORA

529
00:17:39,392 --> 00:17:39,825
AND ARTEM.

530
00:17:39,825 --> 00:17:42,762
36 OUT OF 40.

531
00:17:42,762 --> 00:17:45,431
ALL RIGHT.

532
00:17:45,431 --> 00:17:46,065
OUR NBA CHAMPION IMAN SHUMPERT

533
00:17:46,065 --> 00:17:47,033
AND DANIELLA ARE HOPELESSLY

534
00:17:47,033 --> 00:17:49,101
DEVOTED TO THE NEXT SONG FROM

535
00:17:49,101 --> 00:17:49,368
"GREASE."

536
00:17:49,368 --> 00:17:51,270
THEY'RE GOING TO DANCE WHEN WE

537
00:17:51,270 --> 00:17:51,604
COME BACK, LIVE.

538
00:17:51,604 --> 00:17:52,138
GOING TO DANCE

539
00:17:52,138 --> 00:17:52,738
COME BACK, LIVE.

540
00:17:56,976 --> 00:17:57,476
[ CHEERS AND APPLAUSE ]

541
00:17:57,476 --> 00:17:58,311
♪

542
00:17:58,311 --> 00:18:00,413
[ CHEERS AND APPLAUSE ]

543
00:18:00,413 --> 00:18:01,347
♪

544
00:18:01,347 --> 00:18:02,481
>> Tyra: WHAT'S UP?

545
00:18:02,481 --> 00:18:04,083
WELCOME BACK TO "GREASE" NIGHT

546
00:18:04,083 --> 00:18:04,450
IN THE BALLROOM.

547
00:18:04,450 --> 00:18:06,419
NOW, HERE'S A QUICK REMINDER

548
00:18:06,419 --> 00:18:07,286
THAT YOU GET TEN VOTES PER

549
00:18:07,286 --> 00:18:07,820
DANCING COUPLE PER VOTING

550
00:18:07,820 --> 00:18:09,388
METHOD.

551
00:18:09,388 --> 00:18:10,456
AND VOTING CLOSES DURING THE

552
00:18:10,456 --> 00:18:13,626
LAST COMMERCIAL BREAK.

553
00:18:13,626 --> 00:18:14,427
NEXT ON THE DANCE FLOOR, OUR NBA

554
00:18:14,427 --> 00:18:16,262
CHAMPION.

555
00:18:16,262 --> 00:18:18,431
THIS WEEK IN TRAINING

556
00:18:18,431 --> 00:18:19,932
IMAN SHUMPERT TOLD DANIELLA WHAT

557
00:18:19,932 --> 00:18:20,533
THIS NEXT SONG FROM "GREASE"

558
00:18:20,533 --> 00:18:23,069
MEANS TO HIM.

559
00:18:23,069 --> 00:18:28,341
♪

560
00:18:28,341 --> 00:18:30,409
>> IT IS "GREASE" NIGHT.

561
00:18:30,409 --> 00:18:32,011
>> YES, IT IS.

562
00:18:32,011 --> 00:18:33,079
>> YOU ARE PLAYING DANNY.

563
00:18:33,079 --> 00:18:34,113
AND I'M PLAYING SANDY.

564
00:18:34,113 --> 00:18:37,283
YOU'RE AN AMAZING ACTOR.

565
00:18:37,283 --> 00:18:37,917
LAST WEEK, YOU WERE AN AMAZING

566
00:18:37,917 --> 00:18:41,520
JAFAR.

567
00:18:41,520 --> 00:18:44,690
>> I'M BLOWN AWAY.

568
00:18:44,690 --> 00:18:45,324
THAT WAS ONE OF THE MOST MAGICAL

569
00:18:45,324 --> 00:18:45,958
PERFORMANCES I'VE EVER SEEN ON

570
00:18:45,958 --> 00:18:46,792
THIS SHOW.

571
00:18:46,792 --> 00:18:48,394
IT'S LIKE POETRY IN MOTION.

572
00:18:48,394 --> 00:18:49,028
>> THIS WEEK, WE NEED TO BRING

573
00:18:49,028 --> 00:18:52,598
THE DANNY OUT OF YOU.

574
00:18:52,598 --> 00:18:55,167
WE'RE DANCING A VIENNESE WALTZ.

575
00:18:55,167 --> 00:18:56,235
IN THIS SCENE, SHE REALIZES HOW

576
00:18:56,235 --> 00:18:59,405
MUCH SHE TRULY LOVES DANNY.

577
00:18:59,405 --> 00:19:01,340
>> THIS SONG SUMS UP THE REALITY

578
00:19:01,340 --> 00:19:01,574
OF LOVE.

579
00:19:01,574 --> 00:19:02,408
WHEN YOU CAN'T LIVE WITHOUT THE

580
00:19:02,408 --> 00:19:02,742
OTHER PERSON.

581
00:19:02,742 --> 00:19:03,609
>> CAN YOU RELATE?

582
00:19:03,609 --> 00:19:06,779
>> I CAN RELATE.

583
00:19:06,779 --> 00:19:07,413
MY WIFE AND I HAVE BEEN MARRIED

584
00:19:07,413 --> 00:19:10,449
FOR FIVE YEARS.

585
00:19:10,449 --> 00:19:13,386
WE LIVE LIFE TO SMILE IN IT AND

586
00:19:13,386 --> 00:19:15,488
ENJOY IT.

587
00:19:15,488 --> 00:19:15,821
>> WHAT'S UP?

588
00:19:15,821 --> 00:19:16,055
>> HEY!

589
00:19:16,055 --> 00:19:17,056
>> I LOVE YOU GUYS.

590
00:19:17,056 --> 00:19:17,657
>> ARE YOU CATCHING A FLIGHT?

591
00:19:17,657 --> 00:19:18,424
>> YES, I AM.

592
00:19:18,424 --> 00:19:20,226
I'M AT THE AIRPORT.

593
00:19:20,226 --> 00:19:21,260
MY FLIGHT IS BOARDING.

594
00:19:21,260 --> 00:19:21,861
BUT I WANTED TO CHECK IN WITH

595
00:19:21,861 --> 00:19:22,328
YOU GUYS.

596
00:19:22,328 --> 00:19:25,498
>> IT'S "GREASE" WEEK.

597
00:19:25,498 --> 00:19:30,403
AND "GREASE" REMINDS ME OF US

598
00:19:30,403 --> 00:19:31,771
GETTING MARRIED.

599
00:19:31,771 --> 00:19:32,371
>> WE HAD THE MATCHING BIKER

600
00:19:32,371 --> 00:19:32,905
JACKETS, THE SCARVES, THE

601
00:19:32,905 --> 00:19:36,776
BANDANNAS.

602
00:19:36,776 --> 00:19:38,611
>> THAT'S THE MOST PERFECT STORY

603
00:19:38,611 --> 00:19:41,013
FOR THE TWO OF YOU.

604
00:19:41,013 --> 00:19:45,284
>> WE HAVE TO GET BACK TO

605
00:19:45,284 --> 00:19:45,551
PRACTICE.

606
00:19:45,551 --> 00:19:46,118
>> I'M SO PROUD OF YOU GUYS.

607
00:19:46,118 --> 00:19:46,385
HONESTLY.

608
00:19:46,385 --> 00:19:46,952
>> HAVE A GREAT REHEARSAL.

609
00:19:46,952 --> 00:19:47,286
>> I LOVE YOU.

610
00:19:47,286 --> 00:19:47,520
KISSES.

611
00:19:47,520 --> 00:19:48,020
>> ALL RIGHT, BYE‐BYE.

612
00:19:48,020 --> 00:19:48,988
>> 1, 2, 3, 4.

613
00:19:48,988 --> 00:19:53,225
>> "HOPELESSLY DEVOTED TO YOU"

614
00:19:53,225 --> 00:19:55,628
HAS A VERY SPECIAL PLACE IN MY

615
00:19:55,628 --> 00:19:55,828
HEART.

616
00:19:55,828 --> 00:20:02,401
IT WAS ESPECIALLY WRITTEN FOR ME

617
00:20:02,401 --> 00:20:02,968
MY BY LIFETIME PRODUCER AND

618
00:20:02,968 --> 00:20:04,036
FRIEND.

619
00:20:04,036 --> 00:20:05,071
I'M LOOKING FORWARD TO SEEING

620
00:20:05,071 --> 00:20:05,705
WHAT IMAN AND DANIELLA BRING TO

621
00:20:05,705 --> 00:20:06,639
THE SONG.

622
00:20:06,639 --> 00:20:10,409
[ CHEERS AND APPLAUSE ]

623
00:20:10,409 --> 00:20:11,911
>> Announcer: DANCING THE

624
00:20:11,911 --> 00:20:12,545
VIENNESE WALTZ WITH HIS PARTNER

625
00:20:12,545 --> 00:20:17,183
DANIELLA, IT'S IMAN SHUMPERT.

626
00:20:22,555 --> 00:20:24,123
♪

627
00:20:24,123 --> 00:20:26,425
♪ GUESS MINE IS NOT THE FIRST

628
00:20:26,425 --> 00:20:33,632
HEART BROKEN ♪

629
00:20:33,632 --> 00:20:34,266
♪ MY EYES ARE NOT THE FIRST TO

630
00:20:34,266 --> 00:20:40,439
CRY ♪

631
00:20:40,439 --> 00:20:45,678
♪ I'M NOT THE FIRST TO KNOW

632
00:20:45,678 --> 00:20:46,378
♪ THERE'S JUST NO GETTING OVER

633
00:20:46,378 --> 00:20:53,619
YOU ♪

634
00:20:53,619 --> 00:20:54,420
♪ I'M HOPELESSLY DEVOTED TO

635
00:20:54,420 --> 00:21:02,595
YOU ♪

636
00:21:02,595 --> 00:21:03,662
♪ BUT NOW THERE'S NOWHERE TO

637
00:21:03,662 --> 00:21:06,298
HIDE ♪

638
00:21:06,298 --> 00:21:07,366
♪ SINCE YOU PUSHED MY LOVE

639
00:21:07,366 --> 00:21:13,339
ASIDE ♪

640
00:21:13,339 --> 00:21:15,775
♪ I'M OUT OF MY HEAD

641
00:21:15,775 --> 00:21:24,717
♪ HOPELESSLY DEVOTED TO YOU

642
00:21:24,717 --> 00:21:36,862
♪ HOPELESSLY DEVOTED TO YOU

643
00:21:36,862 --> 00:21:40,566
♪ HOPELESSLY DEVOTED TO YOU ♪

644
00:21:40,566 --> 00:21:42,101
♪

645
00:21:42,101 --> 00:21:44,737
[ CHEERS AND APPLAUSE ]

646
00:21:44,737 --> 00:21:48,974
>> Tyra: OH.

647
00:21:48,974 --> 00:21:50,543
IMAN AND DANIELLA WITH A

648
00:21:50,543 --> 00:21:58,417
VIENNESE WALTZ.

649
00:21:58,417 --> 00:22:01,654
>> IMAN.

650
00:22:01,654 --> 00:22:03,255
LISTEN, I COULD REALLY FEEL THE

651
00:22:03,255 --> 00:22:05,891
SENSE OF A LOVE STORY.

652
00:22:05,891 --> 00:22:06,525
PLENTY OF LOVE AND DEVOTION IN

653
00:22:06,525 --> 00:22:10,095
THERE.

654
00:22:10,095 --> 00:22:10,729
NOW, THERE IS ONE THING WHICH I

655
00:22:10,729 --> 00:22:12,198
SAID LAST WEEK.

656
00:22:12,198 --> 00:22:14,300
WHEN YOU'RE FREE, AND YOU

657
00:22:14,300 --> 00:22:17,436
EXTEND, IT ALL LOOKS BEAUTIFUL.

658
00:22:17,436 --> 00:22:18,070
BUT AT THE MOMENT, WHAT HAPPENS,

659
00:22:18,070 --> 00:22:18,637
WHEN YOU GO IN HOLD, YOU'RE

660
00:22:18,637 --> 00:22:19,572
DANCING DOWN.

661
00:22:19,572 --> 00:22:23,242
YOU SHRINK.

662
00:22:23,242 --> 00:22:24,810
IT MAKES ALL THE IN HOLD SECTION

663
00:22:24,810 --> 00:22:25,878
NOT AS GOOD AS WHEN YOU'RE JUST,

664
00:22:25,878 --> 00:22:27,980
THE EAGLE IN FLIGHT.

665
00:22:27,980 --> 00:22:29,548
YOU HAVE TO KEEP THAT SENSE ‐‐

666
00:22:29,548 --> 00:22:31,350
[ BOOING ]

667
00:22:31,350 --> 00:22:33,285
OH, YES, COME ON.

668
00:22:33,285 --> 00:22:33,819
BUT YOU KNOW WHAT I MEAN.

669
00:22:33,819 --> 00:22:35,955
DON'T DANCE DOWN TO HER.

670
00:22:35,955 --> 00:22:36,989
BECAUSE SHE CAN ACTUALLY HANDLE

671
00:22:36,989 --> 00:22:38,424
IT.

672
00:22:38,424 --> 00:22:39,091
KEEP IT UP.

673
00:22:39,091 --> 00:22:40,659
KEEP IT GOING.

674
00:22:40,659 --> 00:22:41,260
BECAUSE YOU'VE GOT IT THERE.

675
00:22:41,260 --> 00:22:42,261
>> Tyra: CARRIE ANN?

676
00:22:42,261 --> 00:22:43,863
>> YEAH.

677
00:22:43,863 --> 00:22:45,931
IT'S SO HARD BECAUSE, LOOK,

678
00:22:45,931 --> 00:22:46,565
LIKE, YOUR KNEE IS WHERE HER HIP

679
00:22:46,565 --> 00:22:46,999
IS.

680
00:22:46,999 --> 00:22:49,335
THE HEIGHT DIFFERENCE IS

681
00:22:49,335 --> 00:22:51,203
TREMENDOUS.

682
00:22:51,203 --> 00:22:52,238
BUT THIS ONE WASN'T THE BEST

683
00:22:52,238 --> 00:22:52,705
DANCE SUITED FOR YOU.

684
00:22:52,705 --> 00:22:53,239
SOME PEOPLE ARE SUITED TO

685
00:22:53,239 --> 00:22:54,406
CERTAIN DANCES.

686
00:22:54,406 --> 00:22:56,976
IT'S THE TRUTH.

687
00:22:56,976 --> 00:23:01,347
BUT I LOVE THAT YOU WENT FOR THE

688
00:23:01,347 --> 00:23:02,948
OLD DANNY STYLE AT THE BEACH.

689
00:23:02,948 --> 00:23:03,616
WHEN THEY FELL IN LOVE.

690
00:23:03,616 --> 00:23:04,483
I LOVE THAT.

691
00:23:04,483 --> 00:23:05,117
AND I LOVE THE CHEMISTRY YOU

692
00:23:05,117 --> 00:23:07,686
ALWAYS BRING.

693
00:23:07,686 --> 00:23:08,320
YOU ALWAYS CREATE A CONNECTION,

694
00:23:08,320 --> 00:23:08,754
AND THAT'S SPECIAL.

695
00:23:08,754 --> 00:23:15,060
>> Tyra: LEN?

696
00:23:15,060 --> 00:23:15,661
>> IT HAD A GENTLENESS THAT I

697
00:23:15,661 --> 00:23:18,230
LIKED SO MUCH.

698
00:23:18,230 --> 00:23:22,935
YOUR TECHNIQUE ISN'T GREAT.

699
00:23:22,935 --> 00:23:27,139
YOU ‐‐ THE THING IS, YOU TRY SO

700
00:23:27,139 --> 00:23:28,173
HARD THAT I FIND IT DIFFICULT TO

701
00:23:28,173 --> 00:23:30,309
CRITICIZE YOU.

702
00:23:30,309 --> 00:23:34,013
MY MOTHER USED TO SAY, NEVER

703
00:23:34,013 --> 00:23:34,346
KNOCK A TRIER.

704
00:23:34,346 --> 00:23:41,220
AND YOU TRY SO MUCH.

705
00:23:41,220 --> 00:23:45,024
>> LEN, DID YOU SEE THE FLECKLE?

706
00:23:45,024 --> 00:23:45,491
>> I SAW THE FLECKLE.

707
00:23:45,491 --> 00:23:45,958
>> Tyra: THE FLECKLE.

708
00:23:45,958 --> 00:23:46,892
DEREK?

709
00:23:46,892 --> 00:23:47,426
>> I LOVE YOU PERSONALLY.

710
00:23:47,426 --> 00:23:48,994
YOU JUST OOZE JOY WHEN YOU

711
00:23:48,994 --> 00:23:49,194
DANCE.

712
00:23:49,194 --> 00:23:50,062
AS A JUDGE, YOU GOT TO JUDGE THE

713
00:23:50,062 --> 00:23:50,696
TECHNIQUE AND THE FRAME AND THE

714
00:23:50,696 --> 00:23:51,263
FORM AND ALL THAT KINDS OF

715
00:23:51,263 --> 00:23:52,164
STUFF.

716
00:23:52,164 --> 00:23:52,765
BUT BROTHER, THAT WAS A GREAT

717
00:23:52,765 --> 00:23:56,368
TRY.

718
00:23:56,368 --> 00:23:58,404
>> Tyra: LET'S TALK ABOUT

719
00:23:58,404 --> 00:23:59,004
HOPELESSLY DEVOTED.

720
00:23:59,004 --> 00:24:03,242
I WANT TO TALK ABOUT YOUR WIFE,

721
00:24:03,242 --> 00:24:03,876
TEYANA, WHO IS FAMOUS IN OUR OWN

722
00:24:03,876 --> 00:24:05,344
RIGHT, A RECORDING ARTIST STAR.

723
00:24:05,344 --> 00:24:07,446
TALK ABOUT YOUR LOVE AND

724
00:24:07,446 --> 00:24:12,251
DEVOTION TO HER.

725
00:24:12,251 --> 00:24:12,818
>> ME AND MY WIFE, OUR LOVE

726
00:24:12,818 --> 00:24:13,385
STORY STARTS YOUNG.

727
00:24:13,385 --> 00:24:15,955
IT CARRIES OUT.

728
00:24:15,955 --> 00:24:16,989
IT'S, YOU KNOW, GOT TWO

729
00:24:16,989 --> 00:24:17,623
BEAUTIFUL CHILDREN ATTACHED TO

730
00:24:17,623 --> 00:24:17,856
IT NOW.

731
00:24:17,856 --> 00:24:20,159
AND IT'S STILL GOING.

732
00:24:20,159 --> 00:24:20,793
WE GOT A SHOW GOING ON RIGHT NOW

733
00:24:20,793 --> 00:24:21,226
ON E!

734
00:24:21,226 --> 00:24:25,431
WE'RE HAVING A GOOD TIME.

735
00:24:25,431 --> 00:24:28,600
>> Tyra: I WANT TO ASK ABOUT THE

736
00:24:28,600 --> 00:24:30,169
VIENNESE WALTZ, THEN WE'RE GOING

737
00:24:30,169 --> 00:24:31,236
TO TALK ABOUT THE CUFF ON YOUR

738
00:24:31,236 --> 00:24:36,608
PANTS.

739
00:24:36,608 --> 00:24:39,912
WE HAD A LITTLE DEBATE

740
00:24:39,912 --> 00:24:42,014
BACKSTAGE.

741
00:24:42,014 --> 00:24:42,581
WE MET IN THE HALLWAY, AND

742
00:24:42,581 --> 00:24:43,215
DANIELLA LOOKED AT ME LIKE, TELL

743
00:24:43,215 --> 00:24:43,649
ME HIS CUFF IS LONG.

744
00:24:43,649 --> 00:24:44,650
SO WE DID ADJUST THE CUFF.

745
00:24:44,650 --> 00:24:45,184
>> WE DID.

746
00:24:45,184 --> 00:24:49,221
>> Tyra: TO WHERE IT IS NOW.

747
00:24:49,221 --> 00:24:50,522
I DON'T KNOW WHAT YOU HAD GOING

748
00:24:50,522 --> 00:24:51,357
ON.

749
00:24:51,357 --> 00:24:51,890
>> I WANTED THE BIG CUFFS.

750
00:24:51,890 --> 00:24:52,458
IT WAS THE STYLE BACK THEN.

751
00:24:52,458 --> 00:24:52,958
ALWAYS WANTED TO DO IT.

752
00:24:52,958 --> 00:24:53,525
>> Tyra: I DON'T KNOW ABOUT

753
00:24:53,525 --> 00:24:53,993
THAT.

754
00:24:53,993 --> 00:24:55,561
SCORES, SCORES.

755
00:24:55,561 --> 00:24:56,595
>> Announcer: CARRIE ANN INABA.

756
00:24:56,595 --> 00:24:58,697
>> 7.

757
00:24:58,697 --> 00:25:00,265
>> Announcer: LEN GOODMAN.

758
00:25:00,265 --> 00:25:02,334
>> IT'S A 7.

759
00:25:02,334 --> 00:25:03,369
>> Announcer: DEREK HOUGH.

760
00:25:03,369 --> 00:25:06,005
>> 7.

761
00:25:06,005 --> 00:25:06,572
>> Announcer: BRUNO TONIOLI.

762
00:25:06,572 --> 00:25:07,072
>> 7.

763
00:25:07,072 --> 00:25:09,174
>> WE'LL TAKE IT.

764
00:25:09,174 --> 00:25:09,742
>> Tyra: A LOT OF THE SAME

765
00:25:09,742 --> 00:25:13,345
NUMBERS TONIGHT.

766
00:25:13,345 --> 00:25:14,446
FOUR 7s FOR IMAN AND DANIELLA,

767
00:25:14,446 --> 00:25:16,582
GIVING THEM 28 OUT OF 40.

768
00:25:16,582 --> 00:25:18,150
ALL RIGHT, YOU HAD BETTER GET

769
00:25:18,150 --> 00:25:19,785
READY FOR SOME GREASED

770
00:25:19,785 --> 00:25:20,819
LIGHTNING, BECAUSE THE MIZ AND

771
00:25:20,819 --> 00:25:23,455
WITNEY ARE ABOUT TO BURN UP THE

772
00:25:23,455 --> 00:25:24,056
FLOOR WITH THEIR JIVE, NEXT,

773
00:25:24,056 --> 00:25:24,990
LIVE.

774
00:25:32,765 --> 00:25:33,265
♪

775
00:25:33,265 --> 00:25:35,367
[ CHEERS AND APPLAUSE ]

776
00:25:35,367 --> 00:25:35,901
>> Tyra: WELL, WE'RE BACK.

777
00:25:35,901 --> 00:25:37,469
AND WE'RE GOING TO SAY HELLO TO

778
00:25:37,469 --> 00:25:42,741
THE INCREDIBLE FOLKS WHO ARE

779
00:25:42,741 --> 00:25:43,375
NAILING EVERY SINGLE SONG FROM

780
00:25:43,375 --> 00:25:44,309
"GREASE" TONIGHT, RAY CHEW LIVE.

781
00:25:44,309 --> 00:25:50,149
>> "GREASE" IS THE WORD, TYRA.

782
00:25:50,149 --> 00:25:50,749
>> Tyra: YOU GOT THAT RIGHT,

783
00:25:50,749 --> 00:25:51,183
RAY.

784
00:25:51,183 --> 00:25:51,817
"GREASE" IS THE WORD ALL NIGHT

785
00:25:51,817 --> 00:25:52,284
LONG.

786
00:25:52,284 --> 00:25:53,852
NOW, UP NEXT WITH A JIVE TO AN

787
00:25:53,852 --> 00:25:54,486
AUTOMATIC, SYSTEMATIC HIT, OUR

788
00:25:54,486 --> 00:25:55,988
WWE SUPERSTAR.

789
00:25:55,988 --> 00:25:57,556
HERE ARE THE MIZ AND WITNEY

790
00:25:57,556 --> 00:25:59,158
TRAINING FOR THEIR ROUTINE.

791
00:25:59,158 --> 00:26:02,728
♪

792
00:26:02,728 --> 00:26:03,295
>> ALL RIGHT, IT'S "GREASE"

793
00:26:03,295 --> 00:26:05,998
NIGHT.

794
00:26:05,998 --> 00:26:06,532
AND WE'RE DANCING A JIVE

795
00:26:06,532 --> 00:26:09,635
TO "GREASED LIGHTNING."

796
00:26:09,635 --> 00:26:10,736
YOU'RE GOING TO BE DANNY.

797
00:26:10,736 --> 00:26:15,007
>> I GOT "GREASED LIGHTNING"?

798
00:26:15,007 --> 00:26:17,810
WHEN YOU THINK ABOUT "GREASE,"

799
00:26:17,810 --> 00:26:21,146
YOU THINK ABOUT "GREASED

800
00:26:21,146 --> 00:26:21,447
LIGHTNING."

801
00:26:21,447 --> 00:26:22,047
THIS IS THE SCENE I REMEMBER

802
00:26:22,047 --> 00:26:24,817
MOST.

803
00:26:24,817 --> 00:26:25,484
KENICKIE BUYS A PIECE OF JUNK,

804
00:26:25,484 --> 00:26:26,085
AND DANNY IS LIKE, WE'LL MAKE

805
00:26:26,085 --> 00:26:26,952
THIS THE BEST RACING CAR WE'VE

806
00:26:26,952 --> 00:26:31,390
EVER SEEN.

807
00:26:31,390 --> 00:26:33,225
WE CAN MAKE THIS INTO GREASED

808
00:26:33,225 --> 00:26:33,492
LIGHTNING.

809
00:26:33,492 --> 00:26:34,126
DANNY IS COOL, SLICK, ALWAYS HAS

810
00:26:34,126 --> 00:26:36,361
THE RIGHT THING TO SAY.

811
00:26:36,361 --> 00:26:37,963
YOU LOOK AT DANNY AND SANDY'S

812
00:26:37,963 --> 00:26:38,597
RELATIONSHIP, IT REMINDS ME OF

813
00:26:38,597 --> 00:26:41,133
MY WIFE.

814
00:26:41,133 --> 00:26:41,733
>> HOW DID YOU AND YOUR WIFE

815
00:26:41,733 --> 00:26:45,871
MEET?

816
00:26:45,871 --> 00:26:46,905
>> I WAS THE HOST OF A WWE SHOW

817
00:26:46,905 --> 00:26:47,539
AND MY WIFE WAS TRYING OUT FOR

818
00:26:47,539 --> 00:26:51,577
IT.

819
00:26:51,577 --> 00:26:53,245
AND I'LL NEVER FORGET HER

820
00:26:53,245 --> 00:26:54,346
WALKING IN.

821
00:26:54,346 --> 00:26:55,614
MY MOUTH JUST DROPPED.

822
00:26:55,614 --> 00:26:56,148
SHE DIDN'T SPEAK ENGLISH.

823
00:26:56,148 --> 00:27:01,753
ZERO.

824
00:27:01,753 --> 00:27:02,287
I WAS LIKE, OH, MY GOD.

825
00:27:02,287 --> 00:27:05,457
YOU ARE THE ONE.

826
00:27:05,457 --> 00:27:06,492
I'VE BEEN MARRIED TO MY WIFE FOR

827
00:27:06,492 --> 00:27:09,128
EIGHT YEARS.

828
00:27:09,128 --> 00:27:10,195
AND EVERY YEAR IT GETS BETTER.

829
00:27:10,195 --> 00:27:13,365
HEY!

830
00:27:13,365 --> 00:27:13,565
>> HI!

831
00:27:13,565 --> 00:27:16,502
>> OH, MY GOSH.

832
00:27:16,502 --> 00:27:18,103
>> HEY!

833
00:27:18,103 --> 00:27:18,437
>> COME ON IN.

834
00:27:18,437 --> 00:27:21,640
>> TO HAVE MY WIFE COME TO

835
00:27:21,640 --> 00:27:22,708
REHEARSAL IS AMAZING.

836
00:27:22,708 --> 00:27:25,444
SHE'S BEEN AT EVERY SHOW.

837
00:27:25,444 --> 00:27:26,545
AND SHE'S ALWAYS MY BIGGEST

838
00:27:26,545 --> 00:27:26,879
CHEERLEADER.

839
00:27:26,879 --> 00:27:30,682
>> IT LOOKS GOOD.

840
00:27:30,682 --> 00:27:32,885
I THINK IF ANYONE CAN PLAY

841
00:27:32,885 --> 00:27:33,685
DANNY, IT'S MY HUSBAND.

842
00:27:33,685 --> 00:27:34,987
>> OH, MY GOD.

843
00:27:34,987 --> 00:27:35,587
>> I'M SO GLAD I GET TO PLAY

844
00:27:35,587 --> 00:27:38,724
DANNY THIS WEEK.

845
00:27:38,724 --> 00:27:39,324
BUT MY REAL LIFE SANDY IS MY

846
00:27:39,324 --> 00:27:42,728
WIFE, AND THIS ONE IS FOR HER.

847
00:27:42,728 --> 00:27:45,664
[ CHEERS AND APPLAUSE ]

848
00:27:45,664 --> 00:27:46,632
>> Announcer: DANCING THE JIVE

849
00:27:46,632 --> 00:27:49,768
WITH HIS PARTNER WITNEY, IT'S

850
00:27:49,768 --> 00:27:50,002
THE MIZ.

851
00:27:50,002 --> 00:27:51,336
♪

852
00:27:51,336 --> 00:27:52,404
♪ THIS CAR IS AUTOMATIC IT'S

853
00:27:52,404 --> 00:27:57,142
SYSTEMATIC ♪

854
00:27:57,142 --> 00:27:57,743
♪ IT'S HYDROMATIC WELL IT'S

855
00:27:57,743 --> 00:28:00,312
GREASED LIGHTNING ♪

856
00:28:00,312 --> 00:28:00,879
♪ WE'LL GET SOME OVERHEAD

857
00:28:00,879 --> 00:28:02,948
LIFTERS ♪

858
00:28:02,948 --> 00:28:03,615
♪ AND SOME FOUR BARREL QUADS OH

859
00:28:03,615 --> 00:28:04,016
YEAH ♪

860
00:28:04,016 --> 00:28:06,652
♪ KEEP TALKING WHOA KEEP

861
00:28:06,652 --> 00:28:06,919
TALKING ♪

862
00:28:06,919 --> 00:28:08,287
♪ A FUEL INJECTION CUTOFF AND

863
00:28:08,287 --> 00:28:09,855
CHROME PLATED RODS OH YEAH ♪

864
00:28:09,855 --> 00:28:10,489
♪ I'LL GET THE MONEY I'LL KILL

865
00:28:10,489 --> 00:28:11,924
TO GET THE MONEY ♪

866
00:28:11,924 --> 00:28:12,491
♪ WITH A FOUR SPEED ON THE

867
00:28:12,491 --> 00:28:12,991
FLOOR ♪

868
00:28:12,991 --> 00:28:13,592
♪ THEY'LL BE WAITING AT THE

869
00:28:13,592 --> 00:28:15,627
DOOR ♪

870
00:28:15,627 --> 00:28:17,729
♪ YOU KNOW THAT AIN'T NO WE'LL

871
00:28:17,729 --> 00:28:18,330
BE GETTING LOTS OF IN GREASE

872
00:28:18,330 --> 00:28:19,331
LIGHTNING ♪

873
00:28:19,331 --> 00:28:20,899
♪ GO GO GO GO GO GO GO GO GO

874
00:28:20,899 --> 00:28:21,099
GO ♪

875
00:28:21,099 --> 00:28:22,467
♪ GO GREASED LIGHTNING YOU'RE

876
00:28:22,467 --> 00:28:24,036
BURNING UP THE QUARTER MILE ♪

877
00:28:24,036 --> 00:28:25,137
♪ GREASED LIGHTNING GO GREASED

878
00:28:25,137 --> 00:28:26,171
LIGHTNING ♪

879
00:28:26,171 --> 00:28:27,639
♪ GO GREASED LIGHTNING YOU'RE

880
00:28:27,639 --> 00:28:28,273
COASTING THROUGH THE HEAT LAP

881
00:28:28,273 --> 00:28:29,875
TRIAL ♪

882
00:28:29,875 --> 00:28:30,509
♪ GREASED LIGHTNING GO GREASED

883
00:28:30,509 --> 00:28:32,511
LIGHTNING ♪

884
00:28:32,511 --> 00:28:34,112
♪ YOU ARE SUPREME THE CHICKS'LL

885
00:28:34,112 --> 00:28:36,215
SCREAM FOR GREASED LIGHTNING ♪

886
00:28:36,215 --> 00:28:38,684
♪ GO GO GO GO GO GO GO GO GO

887
00:28:38,684 --> 00:28:42,621
GO ♪

888
00:28:43,222 --> 00:28:50,095
♪

889
00:28:50,095 --> 00:28:51,663
♪ GO GREASED LIGHTNING YOU'RE

890
00:28:51,663 --> 00:28:52,731
BURNING UP THE QUARTER MILE ♪

891
00:28:52,731 --> 00:28:53,799
♪ GREASED LIGHTNING GO GREASED

892
00:28:53,799 --> 00:28:55,367
LIGHTNING ♪

893
00:28:55,367 --> 00:28:55,968
♪ GO GREASED LIGHTING YOU'RE

894
00:28:55,968 --> 00:28:56,501
BURNING THROUGH THE HIT LAP

895
00:28:56,501 --> 00:28:58,704
TRIAL ♪

896
00:28:58,704 --> 00:28:59,338
♪ GREASED LIGHTNING GO GREASED

897
00:28:59,338 --> 00:29:00,606
LIGHTNING ♪

898
00:29:00,606 --> 00:29:02,241
♪ YOU ARE SUPREME THE CHICKS'LL

899
00:29:02,241 --> 00:29:05,377
SCREAM FOR GREASED LIGHTNING ♪

900
00:29:05,377 --> 00:29:06,945
♪ LIGHTNING LIGHTNING LIGHTNING

901
00:29:06,945 --> 00:29:09,581
LIGHTNING ♪

902
00:29:09,581 --> 00:29:14,386
♪ LIGHTNING LIGHTNING LIGHTNING

903
00:29:14,386 --> 00:29:14,653
YEAH ♪

904
00:29:14,653 --> 00:29:14,920
♪

905
00:29:14,920 --> 00:29:18,724
[ CHEERS AND APPLAUSE ]

906
00:29:18,724 --> 00:29:25,464
>> Tyra: WHOO!

907
00:29:25,464 --> 00:29:26,098
IT'S THE MIZ, OKAY, THE MIZ AND

908
00:29:26,098 --> 00:29:29,101
WITNEY WITH A JIVE.

909
00:29:29,101 --> 00:29:30,702
LIGHTING UP THIS BALLROOM.

910
00:29:30,702 --> 00:29:32,304
WHOA.

911
00:29:32,304 --> 00:29:33,639
CARRIE ANN?

912
00:29:33,639 --> 00:29:34,940
CARRIE ANN?

913
00:29:34,940 --> 00:29:38,710
>> GO, MIZ LIGHTNING.

914
00:29:38,710 --> 00:29:40,746
YOU ARE LIVING THE DREAM.

915
00:29:40,746 --> 00:29:42,714
THAT IS THE ULTIMATE

916
00:29:42,714 --> 00:29:43,382
PERFORMANCE.

917
00:29:43,382 --> 00:29:44,449
THAT WAS AMAZING.

918
00:29:44,449 --> 00:29:46,051
YOU MATCHED THE ENERGY, YOU CAME

919
00:29:46,051 --> 00:29:48,186
OUT, THRILLED US, MADE IT WORK.

920
00:29:48,186 --> 00:29:53,992
YOU JUST RUSHED FOR HALF THE

921
00:29:53,992 --> 00:29:57,696
SONG A LITTLE BIT, I WANT TO

922
00:29:57,696 --> 00:29:58,730
FORGIVE YOU, BUT I STILL HAVE TO

923
00:29:58,730 --> 00:29:59,097
SCORE YOU RIGHT.

924
00:29:59,097 --> 00:29:59,464
BUT I LOVED IT.

925
00:29:59,464 --> 00:30:00,866
>> Tyra: LEN?

926
00:30:00,866 --> 00:30:01,333
>> I'M NOT SURE ABOUT

927
00:30:01,333 --> 00:30:04,569
HYDROMATIC.

928
00:30:04,569 --> 00:30:05,137
I THOUGHT ONE OR TWO OF THE

929
00:30:05,137 --> 00:30:05,637
STEPS WERE A LITTLE BIT

930
00:30:05,637 --> 00:30:06,705
PROBLEMATIC.

931
00:30:06,705 --> 00:30:07,205
[ BOOING ]

932
00:30:07,205 --> 00:30:09,641
WELL, I DID.

933
00:30:09,641 --> 00:30:10,876
OVERALL, IT WAS A HIGH OCTANE,

934
00:30:10,876 --> 00:30:12,978
FULL‐ON JIVE.

935
00:30:12,978 --> 00:30:14,046
YOU JUST RUSHED IT A LITTLE BIT

936
00:30:14,046 --> 00:30:15,614
WITH THE EXCITEMENT.

937
00:30:15,614 --> 00:30:17,716
>> Tyra: DEREK?

938
00:30:17,716 --> 00:30:19,351
>> LISTEN, I LOOK FORWARD TO

939
00:30:19,351 --> 00:30:20,919
SEEING YOUR PERFORMANCES EVERY

940
00:30:20,919 --> 00:30:21,987
WEEK, BECAUSE I KNOW YOU'RE

941
00:30:21,987 --> 00:30:22,587
GOING TO ABSOLUTELY CRUSH IT,

942
00:30:22,587 --> 00:30:25,157
COME OUT AND PERFORM YOUR BUTT

943
00:30:25,157 --> 00:30:25,324
OFF.

944
00:30:25,324 --> 00:30:26,725
I HAVE TO SORT OF AGREE WITH

945
00:30:26,725 --> 00:30:27,693
THEM A LITTLE BIT.

946
00:30:27,693 --> 00:30:32,564
USUALLY EVERY STEP IS ACCOUNTED

947
00:30:32,564 --> 00:30:33,165
FOR WITH YOU, BUT TONIGHT IT

948
00:30:33,165 --> 00:30:33,699
LOST A LITTLE BIT OF THE

949
00:30:33,699 --> 00:30:34,333
CLARITY, ESPECIALLY TOWARDS THE

950
00:30:34,333 --> 00:30:34,499
END.

951
00:30:34,499 --> 00:30:35,100
BUT BRO, IT WAS SO MUCH FUN.

952
00:30:35,100 --> 00:30:42,574
>> Tyra: BRUNO?

953
00:30:42,574 --> 00:30:43,208
>> FIRING ON ALL CYLINDERS, GOT

954
00:30:43,208 --> 00:30:44,676
THE HOT GIRL, GOT THE HOT TANK,

955
00:30:44,676 --> 00:30:47,846
YOU GOT THE POINTING, THE

956
00:30:47,846 --> 00:30:49,414
TIMING, THE TIMING JUST WENT AT

957
00:30:49,414 --> 00:30:50,482
THE END.

958
00:30:50,482 --> 00:30:50,982
BUT WHAT A PERFORMANCE.

959
00:30:50,982 --> 00:30:53,652
>> THANK YOU.

960
00:30:53,652 --> 00:30:55,787
>> Tyra: FIRST OF ALL, WE HAVE

961
00:30:55,787 --> 00:30:56,321
TO SAY, HAPPY BIRTHDAY TO

962
00:30:56,321 --> 00:30:57,356
WITNEY.

963
00:30:57,356 --> 00:30:57,856
HAPPY BIRTHDAY, WITNEY!

964
00:30:57,856 --> 00:30:59,991
>> HEY!

965
00:30:59,991 --> 00:31:02,094
>> OH, MY GOSH.

966
00:31:02,094 --> 00:31:02,327
REALLY?

967
00:31:02,327 --> 00:31:03,161
SO NICE.

968
00:31:03,161 --> 00:31:03,795
>> Tyra: AND YOUR WIFE IS HERE

969
00:31:03,795 --> 00:31:06,331
TONIGHT.

970
00:31:06,331 --> 00:31:06,965
SO YOU'VE DEDICATED THIS DANCE

971
00:31:06,965 --> 00:31:07,399
TO HER.

972
00:31:07,399 --> 00:31:07,933
>> I DID.

973
00:31:07,933 --> 00:31:12,104
>> Tyra: TELL US ABOUT HER.

974
00:31:12,104 --> 00:31:13,171
>> TO BE HONEST, SHE'S THE WOMAN

975
00:31:13,171 --> 00:31:17,409
OF MY DREAMS.

976
00:31:17,409 --> 00:31:17,976
SHE MAKES ME A BETTER HUMAN

977
00:31:17,976 --> 00:31:18,610
BEING, A BETTER ME, SHE SUPPORTS

978
00:31:18,610 --> 00:31:20,045
ME NO MATTER WHAT.

979
00:31:20,045 --> 00:31:24,282
EVEN WHEN MY STEPS ARE A LITTLE

980
00:31:24,282 --> 00:31:24,883
FAST, SHE STILL SUPPORTS ME.

981
00:31:24,883 --> 00:31:25,384
>> Tyra: AND SHE'S ALSO

982
00:31:25,384 --> 00:31:26,051
SUPPORTING "GREASE" NIGHT WITH A

983
00:31:26,051 --> 00:31:29,054
LOVELY RETRO HAIRSTYLE.

984
00:31:29,054 --> 00:31:31,156
LET'S GET THESE SCORES.

985
00:31:31,156 --> 00:31:32,758
>> Announcer: CARRIE ANN INABA.

986
00:31:32,758 --> 00:31:34,860
>> 8.

987
00:31:34,860 --> 00:31:35,927
>> Announcer: LEN GOODMAN.

988
00:31:35,927 --> 00:31:38,563
>> 8.

989
00:31:38,563 --> 00:31:39,097
>> Announcer: DEREK HOUGH.

990
00:31:39,097 --> 00:31:40,132
>> VERY UNIFIED PANEL.

991
00:31:40,132 --> 00:31:43,268
8.

992
00:31:43,268 --> 00:31:43,835
>> Announcer: BRUNO TONIOLI.

993
00:31:43,835 --> 00:31:46,972
>> 8.

994
00:31:46,972 --> 00:31:48,540
>> Tyra: AGAIN, ANOTHER SCORE

995
00:31:48,540 --> 00:31:50,675
WITH FOUR OF THE SAME NUMBER.

996
00:31:50,675 --> 00:31:52,244
FOUR 8s, WHICH IS 32 OUT OF 40

997
00:31:52,244 --> 00:31:53,845
FOR THE MIZ AND WITNEY.

998
00:31:53,845 --> 00:31:54,880
WHAT DO YOU FEEL ABOUT THAT?

999
00:31:54,880 --> 00:31:55,480
THEY TALKED ABOUT SOME TIMING

1000
00:31:55,480 --> 00:31:57,516
STUFF.

1001
00:31:57,516 --> 00:31:58,116
>> THAT'S SOMETHING I GOT TO

1002
00:31:58,116 --> 00:31:59,684
WORK ON.

1003
00:31:59,684 --> 00:32:00,719
I THOUGHT, LET'S GO FAST.

1004
00:32:00,719 --> 00:32:02,320
HEY, LET'S GO.

1005
00:32:02,320 --> 00:32:03,889
IT'S GREASED LIGHTNING.

1006
00:32:03,889 --> 00:32:04,956
BUT I WILL WORK ON THAT.

1007
00:32:04,956 --> 00:32:07,592
>> Tyra: OKAY.

1008
00:32:07,592 --> 00:32:08,660
WE'RE THRILLED THAT THE

1009
00:32:08,660 --> 00:32:11,296
LEGENDARY ICON FROM THE CAST OF

1010
00:32:11,296 --> 00:32:12,864
"GREASE" IS HERE, IN PERSON.

1011
00:32:12,864 --> 00:32:15,000
IN THE BALLROOM.

1012
00:32:15,000 --> 00:32:15,634
TO PERFORM, WHEN AMANDA KLOOTS

1013
00:32:15,634 --> 00:32:18,103
AND ALAN DANCE.

1014
00:32:18,103 --> 00:32:19,704
WE'RE GOING TO FIND OUT WHO THAT

1015
00:32:19,704 --> 00:32:22,140
"GREASE" STAR IS NEXT, LIVE.

1016
00:32:30,849 --> 00:32:31,349
[ CHEERS AND APPLAUSE ]

1017
00:32:31,349 --> 00:32:31,883
♪

1018
00:32:31,883 --> 00:32:32,984
>> Tyra: WELL, WELCOME BACK.

1019
00:32:32,984 --> 00:32:33,518
WELCOME, WELCOME BACK TO

1020
00:32:33,518 --> 00:32:35,587
"GREASE" NIGHT.

1021
00:32:35,587 --> 00:32:36,221
THE CO‐HOST OF "THE TALK" IS UP

1022
00:32:36,221 --> 00:32:37,689
NEXT WITH A VIENNESE WALTZ.

1023
00:32:37,689 --> 00:32:39,858
HERE'S THE MOMENT IN TRAINING

1024
00:32:39,858 --> 00:32:40,892
WHEN AMANDA KLOOTS AND ALAN GOT

1025
00:32:40,892 --> 00:32:43,528
TO CHAT WITH ONE OF THE STARS OF

1026
00:32:43,528 --> 00:32:45,096
"GREASE," AND FOUND OUT THEY'D

1027
00:32:45,096 --> 00:32:46,298
BE DANCING TO A PERFORMANCE BY A

1028
00:32:46,298 --> 00:32:49,301
MOVIE AND MUSIC LEGEND.

1029
00:32:49,301 --> 00:32:54,039
♪

1030
00:32:54,039 --> 00:32:54,673
>> THIS WEEK IS "GREASE" NIGHT.

1031
00:32:54,673 --> 00:32:55,640
>> I FEEL LIKE I'VE WATCHED

1032
00:32:55,640 --> 00:32:59,311
"GREASE" A MILLION TIMES.

1033
00:32:59,311 --> 00:32:59,945
GROWING UP, WE WATCHED IT AS A

1034
00:32:59,945 --> 00:33:00,912
FAMILY.

1035
00:33:00,912 --> 00:33:01,546
I ALWAYS KIND OF WANTED TO LEARN

1036
00:33:01,546 --> 00:33:07,552
THE DANCE MOVES.

1037
00:33:07,552 --> 00:33:09,187
I KNEW ALL THE SONGS.

1038
00:33:09,187 --> 00:33:09,754
THERE'S SOMETHING SO ICONIC

1039
00:33:09,754 --> 00:33:11,289
ABOUT IT.

1040
00:33:11,289 --> 00:33:11,857
IT'S THE ULTIMATE MUSICAL.

1041
00:33:11,857 --> 00:33:12,858
>> I'M REALLY EXCITED BECAUSE

1042
00:33:12,858 --> 00:33:13,458
WE'RE DOING A VIENNESE WALTZ

1043
00:33:13,458 --> 00:33:14,092
TO "BEAUTY SCHOOL DROPOUT," AND

1044
00:33:14,092 --> 00:33:17,062
YOU'RE PLAYING ‐‐

1045
00:33:17,062 --> 00:33:18,630
>> FRENCHY!

1046
00:33:18,630 --> 00:33:19,264
>> I HAD A LITTLE TROUBLE IN MY

1047
00:33:19,264 --> 00:33:23,568
CLASS.

1048
00:33:23,568 --> 00:33:25,670
IN FACT, I HAD A LITTLE TROUBLE

1049
00:33:25,670 --> 00:33:26,505
IN ALL MY CLASSES.

1050
00:33:26,505 --> 00:33:27,138
BEAUTY SCHOOL SURE WASN'T WHAT I

1051
00:33:27,138 --> 00:33:27,606
THOUGHT IT WOULD BE.

1052
00:33:27,606 --> 00:33:28,240
>> SHE DROPS OUT OF HIGH SCHOOL,

1053
00:33:28,240 --> 00:33:31,276
GOES TO BEAUTY SCHOOL.

1054
00:33:31,276 --> 00:33:32,344
THEN HER GUARDIAN ANGEL, FRANKIE

1055
00:33:32,344 --> 00:33:36,014
AVALON, APPEARS.

1056
00:33:36,014 --> 00:33:37,616
SINGS TO HER, AND CONVINCES HER

1057
00:33:37,616 --> 00:33:38,617
TO GO BACK TO HIGH SCHOOL.

1058
00:33:38,617 --> 00:33:41,820
>> I'M GOING TO HAVE TO FIND MY

1059
00:33:41,820 --> 00:33:43,955
INNER FRENCHY.

1060
00:33:43,955 --> 00:33:45,290
SHE DROPPED OUT OF HIGH SCHOOL,

1061
00:33:45,290 --> 00:33:46,558
WENT TO BEAUTY SCHOOL.

1062
00:33:46,558 --> 00:33:49,294
I TOED THE LINE OF A GOODY

1063
00:33:49,294 --> 00:33:50,896
TWO‐SHOES.

1064
00:33:50,896 --> 00:33:53,565
I STRIVED FOR GOOD GRADES, IN

1065
00:33:53,565 --> 00:33:54,633
THE HONOR SOCIETY.

1066
00:33:54,633 --> 00:33:55,534
I TRIED TO DELVE INTO SPORTS AND

1067
00:33:55,534 --> 00:33:55,834
ACTIVITIES.

1068
00:33:55,834 --> 00:33:56,568
SO I GOT TO FIND SOME INSPO HERE

1069
00:33:56,568 --> 00:33:56,868
REAL QUICK.

1070
00:33:56,868 --> 00:33:58,136
>> I HAVE A HUGE SURPRISE.

1071
00:33:58,136 --> 00:34:01,306
WE'RE GOING TO TALK TO DIDI

1072
00:34:01,306 --> 00:34:02,874
CONN, WHO IS FRENCY.

1073
00:34:02,874 --> 00:34:03,074
DIDI.

1074
00:34:03,074 --> 00:34:05,277
>> HI!

1075
00:34:05,277 --> 00:34:08,747
OH, MY GOSH, IT'S SO NICE TO

1076
00:34:08,747 --> 00:34:09,014
MEET YOU.

1077
00:34:09,014 --> 00:34:09,614
>> AMANDA IS PLAYING FRENCHY.

1078
00:34:09,614 --> 00:34:13,485
>> I'M SO EXCITED.

1079
00:34:13,485 --> 00:34:14,019
SHE'S GOT IT, BABY.

1080
00:34:14,019 --> 00:34:18,890
>> SO DO YOU.

1081
00:34:18,890 --> 00:34:19,791
YOU'RE IN YOUR PINK JACKET.

1082
00:34:19,791 --> 00:34:20,458
YOU'VE STILL GOT IT.

1083
00:34:20,458 --> 00:34:21,092
>> WHAT ADVICE CAN YOU GIVE HER,

1084
00:34:21,092 --> 00:34:21,593
TO REALLY GET INTO THAT

1085
00:34:21,593 --> 00:34:24,195
CHARACTER?

1086
00:34:24,195 --> 00:34:25,297
>> FRENCHY JUST WANTS EVERYBODY

1087
00:34:25,297 --> 00:34:26,831
TO BE NOT ONLY BEAUTIFUL ON THE

1088
00:34:26,831 --> 00:34:27,399
OUTSIDE, BUT TO KNOW THAT

1089
00:34:27,399 --> 00:34:28,400
THEY'RE LOVED.

1090
00:34:28,400 --> 00:34:33,104
>> SHE HAS THAT INNER GOODNESS

1091
00:34:33,104 --> 00:34:33,638
IN HER THAT EVERYBODY CAN

1092
00:34:33,638 --> 00:34:33,939
CONNECT TO.

1093
00:34:33,939 --> 00:34:34,706
I FEEL LIKE I WILL BE ABLE TO

1094
00:34:34,706 --> 00:34:36,274
EMBODY YOUR CHARACTER AND YOUR

1095
00:34:36,274 --> 00:34:36,508
SPIRIT.

1096
00:34:36,508 --> 00:34:40,245
>> HAVE FUN.

1097
00:34:40,245 --> 00:34:41,780
>> THANK YOU.

1098
00:34:41,780 --> 00:34:42,414
>> I GOT ONE MORE SURPRISE FOR

1099
00:34:42,414 --> 00:34:44,950
YOU.

1100
00:34:44,950 --> 00:34:45,517
AND FRANKIE AVALON WILL BE

1101
00:34:45,517 --> 00:34:45,951
PERFORMING LIVE AND

1102
00:34:45,951 --> 00:34:46,618
SINGING "BEAUTY SCHOOL DROPOUT"

1103
00:34:46,618 --> 00:34:46,851
FOR US.

1104
00:34:46,851 --> 00:34:48,720
>> OH, MY GOD, WHAT?

1105
00:34:48,720 --> 00:34:52,290
"GREASE" IS SO INSPIRING, YOU

1106
00:34:52,290 --> 00:34:53,291
WANT TO SING ALONG AND DANCE.

1107
00:34:53,291 --> 00:34:56,094
I'M SO EXCITED FOR "GREASE"

1108
00:34:56,094 --> 00:34:57,295
NIGHT.

1109
00:34:57,295 --> 00:35:00,332
[ CHEERS AND APPLAUSE ]

1110
00:35:00,332 --> 00:35:01,299
>> Announcer: DANCING THE

1111
00:35:01,299 --> 00:35:04,269
VIENNESE WALTZ WITH HER PARTNER

1112
00:35:04,269 --> 00:35:05,503
ALAN, IT'S AMANDA KLOOTS.

1113
00:35:05,503 --> 00:35:12,877
♪

1114
00:35:12,877 --> 00:35:16,014
♪ YOUR STORY IS SAD TO TELL aND

1115
00:35:16,014 --> 00:35:19,751
A TEENAGE NE'ER‐DO‐WELL ♪

1116
00:35:19,751 --> 00:35:22,287
♪ MOST MIXED‐UP NON‐DELINQUENT

1117
00:35:22,287 --> 00:35:27,158
ON THE BLOCK ♪

1118
00:35:27,158 --> 00:35:31,363
♪ YOUR FUTURE'S SO UNCLEAR NOW

1119
00:35:31,363 --> 00:35:38,670
NOW ♪T'S LEFT OF YOUR CAREER ‐

1120
00:35:38,670 --> 00:35:39,304
♪ CAN'T EVEN GET A TRADE‐IN ON

1121
00:35:39,304 --> 00:35:46,578
YOUR SMOCK ♪

1122
00:35:46,578 --> 00:35:48,680
♪ LA LA LA LA LA LA

1123
00:35:48,680 --> 00:35:53,985
♪ LA LA LA LA LA LA LA LA

1124
00:35:53,985 --> 00:35:58,289
♪ BEAUTY SCHOOL DROPOUT NO

1125
00:35:58,289 --> 00:36:01,292
GRADUATION DAY FOR YOU BEAUTY

1126
00:36:01,292 --> 00:36:02,961
SCHOOL DROPOUT ♪

1127
00:36:02,961 --> 00:36:04,295
♪ MISSED YOUR MIDTERMS AND

1128
00:36:04,295 --> 00:36:09,234
FLUNKED SHAMPOO ♪

1129
00:36:09,234 --> 00:36:12,404
♪ IF YOU GO FOR YOUR DIPLOMA YOU

1130
00:36:12,404 --> 00:36:15,573
COULD JOIN A STENO POOL ♪

1131
00:36:15,573 --> 00:36:18,209
♪ TURN IN YOUR TEASIN' COMB AND

1132
00:36:18,209 --> 00:36:25,050
GO BACK TO HIGH SCHOOL ♪

1133
00:36:25,050 --> 00:36:25,717
♪ LA LA LA LA LA LA LA LA LA LA

1134
00:36:25,717 --> 00:36:26,151
LA LA ♪

1135
00:36:26,151 --> 00:36:29,354
♪ A BEAUTY SCHOOL DROPOUT

1136
00:36:29,354 --> 00:36:33,291
HANGING AROUND THE CORNER

1137
00:36:33,291 --> 00:36:37,295
STORE ♪

1138
00:36:37,295 --> 00:36:38,797
♪ BEAUTY SCHOOL DROPOUT WELL

1139
00:36:38,797 --> 00:36:39,397
IT'S ABOUT TIME YOU KNEW THE

1140
00:36:39,397 --> 00:36:42,500
SCORE ♪

1141
00:36:42,500 --> 00:36:44,002
♪ WELL I'VE CALLED THE SHOT GET

1142
00:36:44,002 --> 00:36:50,842
OFF THE POT ♪

1143
00:36:50,842 --> 00:36:52,944
♪ I REALLY GOTTA FLY I GOTTA BE

1144
00:36:52,944 --> 00:37:02,520
GOING TO THAT ♪

1145
00:37:02,520 --> 00:37:06,224
♪ MALT SHOP IN THE SKY BEAUTY

1146
00:37:06,224 --> 00:37:08,827
SCHOOL DROPOUT GO BACK TO HIGH

1147
00:37:08,827 --> 00:37:09,294
SCHOOL ♪

1148
00:37:09,294 --> 00:37:09,894
♪

1149
00:37:09,894 --> 00:37:18,803
[ CHEERS AND APPLAUSE ]

1150
00:37:18,803 --> 00:37:21,272
>> Tyra: AMANDA AND ALAN.

1151
00:37:21,272 --> 00:37:23,041
SO BEAUTIFUL.

1152
00:37:23,041 --> 00:37:25,276
AND A BIG THANK YOU TO THE

1153
00:37:25,276 --> 00:37:28,246
LEGENDARY FRANKIE AVALON.

1154
00:37:28,246 --> 00:37:30,448
WHO WAS TOTALLY SINGING LIVE,

1155
00:37:30,448 --> 00:37:31,082
REAL, THERE WAS NO LIP SYNCING

1156
00:37:31,082 --> 00:37:32,016
IN THIS HOUSE.

1157
00:37:32,016 --> 00:37:33,318
THAT WAS SUPER REAL AND SUPER

1158
00:37:33,318 --> 00:37:34,285
BEAUTIFUL.

1159
00:37:34,285 --> 00:37:37,288
LEN?

1160
00:37:37,288 --> 00:37:39,424
>> WELL, YOU MAY BE A BEAUTY

1161
00:37:39,424 --> 00:37:40,058
SCHOOL DROPOUT, BUT YOU'RE NOT

1162
00:37:40,058 --> 00:37:40,692
GOING TO BE A "DANCING WITH THE

1163
00:37:40,692 --> 00:37:42,594
STARS" DROPOUT.

1164
00:37:42,594 --> 00:37:45,296
BECAUSE I THOUGHT THAT WAS JUST

1165
00:37:45,296 --> 00:37:46,798
FANTASTIC.

1166
00:37:46,798 --> 00:37:47,866
I COULD HAVE COVERED IT WITH

1167
00:37:47,866 --> 00:37:48,500
DIFFERENT THINGS THAT I WASN'T

1168
00:37:48,500 --> 00:37:49,367
TOO SURE ABOUT.

1169
00:37:49,367 --> 00:37:52,537
BUT OVERALL, IT WAS GREAT.

1170
00:37:52,537 --> 00:37:55,173
AND THE ICING ON THE CAKE IS ONE

1171
00:37:55,173 --> 00:37:55,774
OF MY TEENAGE HEROES, FRANKIE

1172
00:37:55,774 --> 00:37:56,775
AVALON.

1173
00:37:56,775 --> 00:38:01,279
[ CHEERS AND APPLAUSE ]

1174
00:38:01,279 --> 00:38:04,249
>> Tyra: DEREK?

1175
00:38:04,249 --> 00:38:05,283
>> AMANDA, FIRST OF ALL, YOU

1176
00:38:05,283 --> 00:38:06,284
SAID, LEG EXTENSION, LET'S GO.

1177
00:38:06,284 --> 00:38:08,920
YOU ARE ALWAYS SO CONSISTENTLY

1178
00:38:08,920 --> 00:38:09,320
FANTASTIC.

1179
00:38:09,320 --> 00:38:10,288
ESPECIALLY IN THE BALLROOM

1180
00:38:10,288 --> 00:38:12,624
DANCES.

1181
00:38:12,624 --> 00:38:16,861
YOUR LEGS ARE UNBELIEVABLE, THE

1182
00:38:16,861 --> 00:38:17,862
FRAME IS BEAUTIFUL.

1183
00:38:17,862 --> 00:38:18,229
JUST FANTASTIC.

1184
00:38:18,229 --> 00:38:18,963
THERE'S SOMETHING FOR ME I CAN'T

1185
00:38:18,963 --> 00:38:21,299
QUITE PUT MY FINGER ON, WHAT IT

1186
00:38:21,299 --> 00:38:23,635
IS.

1187
00:38:23,635 --> 00:38:24,269
THERE'S THIS MOMENT, THIS, LIKE,

1188
00:38:24,269 --> 00:38:26,371
MOMENT, I DON'T KNOW WHAT IT IS.

1189
00:38:26,371 --> 00:38:27,906
IS IT THE CHOREOGRAPHY OR THE

1190
00:38:27,906 --> 00:38:28,973
MOVE, I JUST WANT TO TIP IT OVER

1191
00:38:28,973 --> 00:38:29,574
THE EDGE TO GIVE YOU THAT 10.

1192
00:38:29,574 --> 00:38:31,609
FOR ME.

1193
00:38:31,609 --> 00:38:33,178
FOR ME.

1194
00:38:33,178 --> 00:38:33,545
>> Tyra: BRUNO?

1195
00:38:33,545 --> 00:38:36,881
>> I KNOW WHERE MY FINGER IS.

1196
00:38:36,881 --> 00:38:37,282
>> Tyra: OH, NO.

1197
00:38:37,282 --> 00:38:40,585
>> WHEN IT COMES TO BEAUTY AND

1198
00:38:40,585 --> 00:38:42,187
LEGS, YOU HAVE NOTHING TO FEAR.

1199
00:38:42,187 --> 00:38:45,290
IN FACT, YOU HAVE PLENTY TO

1200
00:38:45,290 --> 00:38:46,424
SPARE.

1201
00:38:46,424 --> 00:38:49,060
I REALLY FELT LIKE YOU STEPPED

1202
00:38:49,060 --> 00:38:52,230
OUT OF A DREAM INTO AN

1203
00:38:52,230 --> 00:38:52,764
ENCHANTING VIENNESE WALTZ.

1204
00:38:52,764 --> 00:38:54,833
SPLENDID.

1205
00:38:54,833 --> 00:38:55,266
>> Tyra: CARRIE ANN?

1206
00:38:55,266 --> 00:38:58,503
CARRIE ANN?

1207
00:38:58,503 --> 00:38:59,137
>> AMANDA, AMANDA, "GREASE" IS

1208
00:38:59,137 --> 00:39:00,605
THE WORD FOR YOU.

1209
00:39:00,605 --> 00:39:01,272
AND "GREASE" IS THE NIGHT FOR

1210
00:39:01,272 --> 00:39:03,241
YOU.

1211
00:39:03,241 --> 00:39:05,276
YOU HAD TECHNIQUE, YOU BROUGHT

1212
00:39:05,276 --> 00:39:07,979
ELEGANCE, YOU HAVE CHARM,

1213
00:39:07,979 --> 00:39:08,513
MUSICALITY, YOU GOT MAGIC.

1214
00:39:08,513 --> 00:39:13,284
STORYTELLING.

1215
00:39:13,284 --> 00:39:13,918
>> Tyra: YOU DANCED TO FRANKIE

1216
00:39:13,918 --> 00:39:14,886
AVALON.

1217
00:39:14,886 --> 00:39:18,556
LIVING LEGEND.

1218
00:39:18,556 --> 00:39:19,123
AND IT WAS LIVE AND HE WAS

1219
00:39:19,123 --> 00:39:21,192
SINGING.

1220
00:39:21,192 --> 00:39:21,659
HIS PACE WAS HIS PACE.

1221
00:39:21,659 --> 00:39:22,227
AND YOU HAD TO KEEP UP WITH

1222
00:39:22,227 --> 00:39:22,427
THAT.

1223
00:39:22,427 --> 00:39:25,296
IT WAS BEAUTIFUL.

1224
00:39:25,296 --> 00:39:25,930
>> IT'S A DREAM SEQUENCE IN THE

1225
00:39:25,930 --> 00:39:28,299
MOVIE, AND THIS FELT LIKE A

1226
00:39:28,299 --> 00:39:30,134
DREAM SEQUENCE IN REAL LIFE.

1227
00:39:30,134 --> 00:39:30,768
THAT WAS AN HONOR TO DANCE WITH

1228
00:39:30,768 --> 00:39:32,770
FRANKIE AVALON.

1229
00:39:32,770 --> 00:39:33,204
>> Tyra: ALL RIGHTY.

1230
00:39:33,204 --> 00:39:35,406
LET'S SEE THESE SCORES.

1231
00:39:35,406 --> 00:39:36,441
>> Announcer: CARRIE ANN INABA.

1232
00:39:36,441 --> 00:39:39,077
>> IT'S A 10.

1233
00:39:39,077 --> 00:39:41,279
>> Announcer: LEN GOODMAN.

1234
00:39:41,279 --> 00:39:44,349
>> IT'S A 10 FROM LEN.

1235
00:39:44,349 --> 00:39:44,883
>> Announcer: DEREK HOUGH.

1236
00:39:44,883 --> 00:39:47,051
>> 9.

1237
00:39:47,051 --> 00:39:49,287
>> Announcer: BRUNO TONIOLI.

1238
00:39:49,287 --> 00:39:50,755
>> 10!

1239
00:39:50,755 --> 00:39:52,357
>> Tyra: ALMOST PERFECT SCORE,

1240
00:39:52,357 --> 00:39:53,358
39 OUT OF 40 FOR AMANDA AND

1241
00:39:53,358 --> 00:40:00,765
ALAN.

1242
00:40:00,765 --> 00:40:01,499
AMANDA, YOU HAVE THE HIGHEST

1243
00:40:01,499 --> 00:40:02,967
SCORE OF THE ENTIRE SEASON SO

1244
00:40:02,967 --> 00:40:03,468
FAR.

1245
00:40:03,468 --> 00:40:04,269
YOU JUST DROPPED DOWN TO THE

1246
00:40:04,269 --> 00:40:05,069
FLOOR.

1247
00:40:05,069 --> 00:40:08,239
OUR OLYMPIC GOLD MEDALIST IS

1248
00:40:08,239 --> 00:40:12,944
HEADING TO THE DANCE FLOOR WITH

1249
00:40:12,944 --> 00:40:13,578
THEIR ROUTINE TO THE NEXT SONG

1250
00:40:13,578 --> 00:40:13,978
FROM "GREASE."

1251
00:40:13,978 --> 00:40:16,080
SUNI LEE AND SASHA ARE BORN TO

1252
00:40:16,080 --> 00:40:16,681
HAND JIVE WHEN WE COME BACK,

1253
00:40:16,681 --> 00:40:17,849
LIVE.

1254
00:40:22,086 --> 00:40:22,253
♪

1255
00:40:22,253 --> 00:40:25,757
[ CHEERS AND APPLAUSE ]

1256
00:40:25,757 --> 00:40:26,257
♪

1257
00:40:26,257 --> 00:40:26,791
[ CHEERS AND APPLAUSE ]

1258
00:40:26,791 --> 00:40:27,325
>> Tyra: WELCOME BACK TO

1259
00:40:27,325 --> 00:40:28,359
"GREASE" NIGHT.

1260
00:40:28,359 --> 00:40:28,993
NOW, HERE'S A LOOK AT WHERE OUR

1261
00:40:28,993 --> 00:40:32,063
COUPLES STAND SO FAR.

1262
00:40:32,063 --> 00:40:33,131
AT THE TOP, AMANDA AND ALAN.

1263
00:40:33,131 --> 00:40:35,199
AND CURRENTLY AT THE BOTTOM,

1264
00:40:35,199 --> 00:40:37,268
IMAN AND DANIELLA.

1265
00:40:37,268 --> 00:40:39,904
OUR OLYMPIC GOLD MEDALIST IS

1266
00:40:39,904 --> 00:40:40,538
NEXT WITH HER ROUTINE TO "BORN

1267
00:40:40,538 --> 00:40:42,006
TO HAND JIVE."

1268
00:40:42,006 --> 00:40:44,142
SUNI LEE AND SASHA ARE BORN TO

1269
00:40:44,142 --> 00:40:50,481
DANCE, WHAT ELSE, A CHARLESTON?

1270
00:40:50,481 --> 00:40:51,049
>> SUNI LEE, IT'S "GREASE"

1271
00:40:51,049 --> 00:40:53,785
NIGHT.

1272
00:40:53,785 --> 00:40:55,253
AND WE ARE DOING A CHARLESTON

1273
00:40:55,253 --> 00:40:57,922
TO "BORN TO HAND JIVE."

1274
00:40:57,922 --> 00:40:59,490
AND YOU'RE PLAYING CHA‐CHA.

1275
00:40:59,490 --> 00:41:01,626
>> I'M SO EXCITED.

1276
00:41:01,626 --> 00:41:02,794
>> I'M PLAYING DANNY.

1277
00:41:02,794 --> 00:41:03,761
NOW WE HAVE TO TURN IT UP.

1278
00:41:03,761 --> 00:41:06,898
>> WE GOT IT.

1279
00:41:06,898 --> 00:41:07,532
I'M SO EXCITED BECAUSE THE SONG

1280
00:41:07,532 --> 00:41:10,068
IS VERY ICONIC.

1281
00:41:10,068 --> 00:41:10,768
THIS IS THE BIG DANCE CONTEST AT

1282
00:41:10,768 --> 00:41:12,170
THE HIGH SCHOOL.

1283
00:41:12,170 --> 00:41:13,738
DANNY AND SANDY GO TOGETHER, BUT

1284
00:41:13,738 --> 00:41:20,044
DURING THE DANCE, CHA‐CHA STEALS

1285
00:41:20,044 --> 00:41:20,678
HIM AWAY, AND THEN THEY WIN THE

1286
00:41:20,678 --> 00:41:22,981
DANCE COMPETITION.

1287
00:41:22,981 --> 00:41:25,683
>> WE'RE GOING BACK TO SCHOOL.

1288
00:41:25,683 --> 00:41:26,250
WHAT WAS YOUR HIGH SCHOOL

1289
00:41:26,250 --> 00:41:26,751
EXPERIENCE LIKE?

1290
00:41:26,751 --> 00:41:28,853
>> MY HIGH SCHOOL EXPERIENCE WAS

1291
00:41:28,853 --> 00:41:29,921
VERY DIFFERENT.

1292
00:41:29,921 --> 00:41:30,555
FOR THE MAJORITY OF MY LIFE, I

1293
00:41:30,555 --> 00:41:31,155
WAS HOMESCHOOLED AND I DIDN'T

1294
00:41:31,155 --> 00:41:31,789
HAVE VERY MANY FRIENDS BECAUSE

1295
00:41:31,789 --> 00:41:34,659
OF GYMNASTICS.

1296
00:41:34,659 --> 00:41:37,495
I DIDN'T GO TO ANY SCHOOL DANCES

1297
00:41:37,495 --> 00:41:39,564
BECAUSE I ALWAYS HAD PRACTICE.

1298
00:41:39,564 --> 00:41:42,600
I LOVE GYMNASTICS, BUT I

1299
00:41:42,600 --> 00:41:43,301
SACRIFICED BY HIGH SCHOOL

1300
00:41:43,301 --> 00:41:43,601
EXPERIENCE.

1301
00:41:43,601 --> 00:41:46,170
SO I FEEL LIKE IT MADE IT HARDER

1302
00:41:46,170 --> 00:41:46,704
GROWING UP.

1303
00:41:46,704 --> 00:41:49,340
AND THAT'S PART OF THE REASON

1304
00:41:49,340 --> 00:41:50,908
WHY I'M SO SHY.

1305
00:41:50,908 --> 00:41:52,643
>> I FEEL LIKE WE'RE ON THE WAY

1306
00:41:52,643 --> 00:41:55,913
WITH YOU OPENING UP AND SHOWING

1307
00:41:55,913 --> 00:41:59,117
SO MUCH EMOTION.

1308
00:41:59,117 --> 00:41:59,684
EACH WEEK, I WATCH YOU GROW.

1309
00:41:59,684 --> 00:42:00,318
JUST PLAYING THESE DIFFERENT

1310
00:42:00,318 --> 00:42:01,786
CHARACTERS.

1311
00:42:01,786 --> 00:42:02,420
SO ONE THING THAT I'M GOING TO

1312
00:42:02,420 --> 00:42:03,054
SAY IS, PLAYING CHA‐CHA IS THIS

1313
00:42:03,054 --> 00:42:03,688
FIERCE, LIKE, SHE PLAYS WITH HER

1314
00:42:03,688 --> 00:42:03,888
SKIRT.

1315
00:42:03,888 --> 00:42:04,422
SHE GOES TO TOWN.

1316
00:42:04,422 --> 00:42:05,056
DO YOU RECKON YOU CAN PLAY THE

1317
00:42:05,056 --> 00:42:06,557
ROLE OF CHA‐CHA?

1318
00:42:06,557 --> 00:42:09,160
>> IT'S GOING TO BE A CHALLENGE.

1319
00:42:09,160 --> 00:42:09,794
>> IT'S LIKE YOU CLOSE YOUR EYES

1320
00:42:09,794 --> 00:42:10,328
AS SUNI, YOU OPEN THEM AS

1321
00:42:10,328 --> 00:42:11,262
CHA‐CHA.

1322
00:42:11,262 --> 00:42:14,432
>> LET'S GO.

1323
00:42:14,432 --> 00:42:16,000
>> OOH, CHA‐CHA IS READY.

1324
00:42:16,000 --> 00:42:16,634
WE'RE GOING TO BE WORKING HARDER

1325
00:42:16,634 --> 00:42:18,603
AND HARDER.

1326
00:42:18,603 --> 00:42:20,204
WAY MORE ENERGY.

1327
00:42:20,204 --> 00:42:22,306
THIS SONG IS QUICK, IT'S FAST.

1328
00:42:22,306 --> 00:42:22,573
EVEN MORE.

1329
00:42:22,573 --> 00:42:23,074
YOU CAN'T SAY NO IN MY

1330
00:42:23,074 --> 00:42:23,341
REHEARSAL.

1331
00:42:23,341 --> 00:42:26,778
LOTS OF TRICKS, LOTS OF

1332
00:42:26,778 --> 00:42:28,112
TECHNIQUES.

1333
00:42:28,112 --> 00:42:29,680
YES!

1334
00:42:29,680 --> 00:42:40,324
WHAT WAS WRONG WITH THAT?

1335
00:42:40,324 --> 00:42:40,892
WHY ARE YOU SO EMBARRASSED?

1336
00:42:40,892 --> 00:42:41,359
PLEASE GET ME THAT 10.

1337
00:42:41,359 --> 00:42:41,893
DO IT FOR ME.

1338
00:42:41,893 --> 00:42:42,927
>> CHA‐CHA HAS A LOT OF SASS AND

1339
00:42:42,927 --> 00:42:43,461
ATTITUDE.

1340
00:42:43,461 --> 00:42:44,062
IT'S THE COMPLETE OPPOSITE OF

1341
00:42:44,062 --> 00:42:48,199
ME.

1342
00:42:48,199 --> 00:42:50,368
I'M STRUGGLING AND I AM JUST

1343
00:42:50,368 --> 00:42:51,002
TRYING TO MAKE THE MOST OUT OF

1344
00:42:51,002 --> 00:42:51,469
IT.

1345
00:42:51,469 --> 00:42:53,738
>> WE NEED ALL THE HELP WE CAN

1346
00:42:53,738 --> 00:42:54,639
GET.

1347
00:42:54,639 --> 00:42:55,706
[ CHEERS AND APPLAUSE ]

1348
00:42:55,706 --> 00:42:56,774
>> Announcer: DANCING THE

1349
00:42:56,774 --> 00:42:57,809
CHARLESTON WITH HER PARTNER

1350
00:42:57,809 --> 00:43:01,279
SASHA, IT'S SUNI LEE.

1351
00:43:01,879 --> 00:43:02,413
♪

1352
00:43:02,413 --> 00:43:03,481
♪ THE BALLROOM IS ROCKIN' SO

1353
00:43:03,481 --> 00:43:04,549
LET'S START ROLLIN' IT'S TIME TO

1354
00:43:04,549 --> 00:43:08,786
HAND JIVE ♪

1355
00:43:08,786 --> 00:43:09,387
♪ BEFORE I WAS BORN LATE ONE

1356
00:43:09,387 --> 00:43:12,457
NIGHT ♪

1357
00:43:12,457 --> 00:43:13,124
♪ MY PAPA SAID EVERYTHING'S ALL

1358
00:43:13,124 --> 00:43:19,297
RIGHT ♪

1359
00:43:19,297 --> 00:43:19,897
♪ THE DOCTOR PAID MAMA LAID

1360
00:43:19,897 --> 00:43:20,898
DOWN ♪

1361
00:43:20,898 --> 00:43:21,532
♪ WITH A SEMITONE BOUNCING ALL

1362
00:43:21,532 --> 00:43:22,967
AROUND ♪

1363
00:43:22,967 --> 00:43:23,734
♪ 'CAUSE THE BEBOP STORK WAS

1364
00:43:23,734 --> 00:43:25,603
ABOUT TO ARRIVE ♪

1365
00:43:25,603 --> 00:43:26,237
♪ MAMA GAVE BIRTH TO THE HAND

1366
00:43:26,237 --> 00:43:33,511
JIVE ♪

1367
00:43:33,511 --> 00:43:37,715
♪ OH YEAH YEAH YEAH EVERYBODY

1368
00:43:37,715 --> 00:43:39,283
♪ BORN TO HAND JIVE BABY BORN TO

1369
00:43:39,283 --> 00:43:42,553
HAND JIVE BABY ♪

1370
00:43:46,791 --> 00:43:57,301
♪

1371
00:43:58,769 --> 00:44:10,047
♪

1372
00:44:10,047 --> 00:44:10,748
♪ HIGHER HIGHER HIGHER AND

1373
00:44:10,748 --> 00:44:13,217
HIGHER ♪

1374
00:44:13,217 --> 00:44:16,387
♪ NOW CAN YOU HAND JIVE BABY

1375
00:44:16,387 --> 00:44:23,761
♪ OH CAN YOU HAND JIVE BABY

1376
00:44:23,761 --> 00:44:25,863
♪ OH YEAH OH YEAH OH YEAH YEAH

1377
00:44:25,863 --> 00:44:26,531
♪ BORN TO HAND JIVE OH YEAH ♪

1378
00:44:26,531 --> 00:44:27,465
♪

1379
00:44:27,465 --> 00:44:32,703
[ CHEERS AND APPLAUSE ]

1380
00:44:32,703 --> 00:44:34,305
>> Tyra: WHOO!

1381
00:44:34,305 --> 00:44:36,407
PIE IN THE FACE.

1382
00:44:36,407 --> 00:44:40,077
JUST LIKE THE MOVIE.

1383
00:44:40,077 --> 00:44:40,611
SUNI AND SASHA WITH A

1384
00:44:40,611 --> 00:44:44,315
CHARLESTON.

1385
00:44:44,315 --> 00:44:44,882
JUDGES, GET THOSE SCORES IN

1386
00:44:44,882 --> 00:44:46,417
THERE.

1387
00:44:46,417 --> 00:44:47,018
WE'RE GOING TO GO TO DEREK.

1388
00:44:47,018 --> 00:44:49,086
>> I'M SO CONFUSED.

1389
00:44:49,086 --> 00:44:52,790
THE SONG IS CALLED "HAND JIVE,"

1390
00:44:52,790 --> 00:44:53,424
YOU'RE DANCING A CHARLESTON, AND

1391
00:44:53,424 --> 00:44:54,058
YOU'RE PLAYING THE CHARACTER OF

1392
00:44:54,058 --> 00:44:55,426
CHA‐CHA.

1393
00:44:55,426 --> 00:44:55,993
IT'S A VERY CONFUSING DANCE.

1394
00:44:55,993 --> 00:44:58,563
BUT I ABSOLUTELY LOVED IT.

1395
00:44:58,563 --> 00:44:59,630
THAT ICONIC MOMENT, WITH YOUR

1396
00:44:59,630 --> 00:45:00,264
FOOT ON HIS CHEST, SHAKING THE

1397
00:45:00,264 --> 00:45:04,869
SKIRT.

1398
00:45:04,869 --> 00:45:05,436
I WAS LIKE, LET'S GO, SUNI.

1399
00:45:05,436 --> 00:45:05,903
LET'S GO.

1400
00:45:05,903 --> 00:45:06,437
SO MUCH FUN.

1401
00:45:06,437 --> 00:45:10,775
WELL DONE.

1402
00:45:10,775 --> 00:45:11,709
>> Tyra: BRUNO?

1403
00:45:11,709 --> 00:45:14,312
>> OH, YES.

1404
00:45:14,312 --> 00:45:14,946
IT REALLY FELT LIKE WE'RE HAVING

1405
00:45:14,946 --> 00:45:18,049
THE MOST FUN EVER.

1406
00:45:18,049 --> 00:45:18,783
YOU GOT YOUR CAKE, BY THE LOOK

1407
00:45:18,783 --> 00:45:20,184
OF IT.

1408
00:45:20,184 --> 00:45:20,818
TALK ABOUT THROWING EVERYTHING

1409
00:45:20,818 --> 00:45:23,888
AT IT.

1410
00:45:23,888 --> 00:45:24,522
AND YOU PUT A BIT OF LINDY HOP

1411
00:45:24,522 --> 00:45:27,558
IN THERE AS WELL.

1412
00:45:27,558 --> 00:45:28,626
WHICH JUST MADE IT EVEN MORE

1413
00:45:28,626 --> 00:45:29,694
DELICIOUS.

1414
00:45:29,694 --> 00:45:31,295
>> THANK YOU.

1415
00:45:31,295 --> 00:45:32,330
>> SORRY.

1416
00:45:32,330 --> 00:45:34,966
>> Tyra: CARRIE ANN?

1417
00:45:34,966 --> 00:45:38,069
>> I THOUGHT IT WAS FANTASTIC.

1418
00:45:38,069 --> 00:45:40,204
THAT MOMENT IS EVERY DANCER'S

1419
00:45:40,204 --> 00:45:41,239
DREAM, WHEN THE HOT DANCER CHICK

1420
00:45:41,239 --> 00:45:43,374
STEALS HIM AWAY FOR A MINUTE.

1421
00:45:43,374 --> 00:45:44,976
THE GREATEST MOMENT.

1422
00:45:44,976 --> 00:45:46,544
GREAT JOB.

1423
00:45:46,544 --> 00:45:48,112
BUT I WANT TO KEEP PUSHING YOU.

1424
00:45:48,112 --> 00:45:49,180
I STILL THINK SOME OF YOUR

1425
00:45:49,180 --> 00:45:50,781
MOVEMENTS COULD BE A LITTLE MORE

1426
00:45:50,781 --> 00:45:53,417
AGGRESSIVE.

1427
00:45:53,417 --> 00:45:55,486
WHEN YOU WERE ROLLING AROUND, I

1428
00:45:55,486 --> 00:45:57,188
SAW YOU, YOU WERE HAVING THE

1429
00:45:57,188 --> 00:45:57,588
TIME OF YOUR LIFE.

1430
00:45:57,588 --> 00:45:58,222
I WANT A LITTLE BIT MORE OF THAT

1431
00:45:58,222 --> 00:45:58,689
IN ALL OF THE DANCES.

1432
00:45:58,689 --> 00:45:59,156
BUT IT WAS FANTASTIC.

1433
00:45:59,156 --> 00:46:01,392
>> Tyra: LEN?

1434
00:46:01,392 --> 00:46:02,960
>> WHAT I LIKED, YOU HAVE

1435
00:46:02,960 --> 00:46:06,130
ELEMENTS OF CHARLESTON IN THERE,

1436
00:46:06,130 --> 00:46:09,834
AND MY BIGGEST COMPLIMENT ABOUT

1437
00:46:09,834 --> 00:46:10,434
THAT DANCE, I SMILED THE WHOLE

1438
00:46:10,434 --> 00:46:10,835
WAY THROUGH.

1439
00:46:10,835 --> 00:46:12,436
>> WHOO!

1440
00:46:12,436 --> 00:46:13,471
THANK YOU.

1441
00:46:13,471 --> 00:46:15,072
>> THANK YOU.

1442
00:46:15,072 --> 00:46:16,107
>> Tyra: SUNI, HOW DO YOU FEEL

1443
00:46:16,107 --> 00:46:16,707
PLAYING, LIKE, THE HOT, SEXY

1444
00:46:16,707 --> 00:46:18,776
CHICK TONIGHT?

1445
00:46:18,776 --> 00:46:22,446
>> IT'S PRETTY COOL.

1446
00:46:22,446 --> 00:46:23,014
BECAUSE I'M SO SHY, AND THE

1447
00:46:23,014 --> 00:46:25,082
OPPOSITE OF CHA‐CHA.

1448
00:46:25,082 --> 00:46:26,117
SO IT'S CRAZY TO BE SOMETHING

1449
00:46:26,117 --> 00:46:26,651
THAT I'M NOT.

1450
00:46:26,651 --> 00:46:27,051
>> Tyra: RIGHT?

1451
00:46:27,051 --> 00:46:27,351
PLAYING IT.

1452
00:46:27,351 --> 00:46:28,286
PLAYING IT.

1453
00:46:28,286 --> 00:46:30,921
LET'S GET THESE SCORES.

1454
00:46:30,921 --> 00:46:31,989
>> Announcer: CARRIE ANN INABA.

1455
00:46:31,989 --> 00:46:34,592
>> 9.

1456
00:46:34,592 --> 00:46:35,126
>> Announcer: LEN GOODMAN.

1457
00:46:35,126 --> 00:46:37,762
>> 9.

1458
00:46:37,762 --> 00:46:40,931
>> Announcer: DEREK HOUGH.

1459
00:46:40,931 --> 00:46:41,132
>> 9.

1460
00:46:41,132 --> 00:46:41,966
>> Announcer: BRUNO TONIOLI.

1461
00:46:41,966 --> 00:46:44,568
>> 9.

1462
00:46:44,568 --> 00:46:46,170
>> Tyra: OH, MY GOSH.

1463
00:46:46,170 --> 00:46:46,771
THE MULTIPLES ARE KEEPING ON

1464
00:46:46,771 --> 00:46:50,775
COMING.

1465
00:46:50,775 --> 00:46:53,577
36 OUT OF 40 FOR SUNI AND SASHA.

1466
00:46:53,577 --> 00:46:54,211
NOW, OUR PLATINUM COUNTRY SINGER

1467
00:46:54,211 --> 00:46:54,845
IS DANCING NEXT IN OUR MUSICAL

1468
00:46:54,845 --> 00:46:56,747
JOURNEY THROUGH "GREASE."

1469
00:46:56,747 --> 00:46:58,316
JIMMIE ALLEN AND EMMA PERFORM A

1470
00:46:58,316 --> 00:47:01,152
FOXTROT WHEN WE COME BACK, LIVE.

1471
00:47:10,728 --> 00:47:11,228
[ CHEERS AND APPLAUSE ]

1472
00:47:11,228 --> 00:47:11,762
♪

1473
00:47:11,762 --> 00:47:15,333
>> Tyra: WELL, HELLO.

1474
00:47:15,333 --> 00:47:17,535
AND WE'RE BACK.

1475
00:47:17,535 --> 00:47:19,637
NEXT MONDAY, HALLOWEEN ARRIVES

1476
00:47:19,637 --> 00:47:20,271
EARLY WITH OUR TRIBUTE TO HORROR

1477
00:47:20,271 --> 00:47:22,273
MOVIES.

1478
00:47:22,273 --> 00:47:22,840
NOW, IT'S BEEN A WHIRLWIND

1479
00:47:22,840 --> 00:47:23,474
WEEKEND FOR OUR PLATINUM COUNTRY

1480
00:47:23,474 --> 00:47:25,476
SINGER.

1481
00:47:25,476 --> 00:47:28,079
LET'S FIND OUT WHAT HAPPENED IN

1482
00:47:28,079 --> 00:47:30,181
JIMMIE ALLEN'S LIFE BEFORE HE

1483
00:47:30,181 --> 00:47:32,283
AND EMMA DANCE TO AN EMOTIONAL

1484
00:47:32,283 --> 00:47:32,917
SNG FROM "GREASE" THAT WAS SUNG

1485
00:47:32,917 --> 00:47:38,656
BY JOHN TRAVOLTA.

1486
00:47:38,656 --> 00:47:40,257
>> IT'S "GREASE" NIGHT!

1487
00:47:40,257 --> 00:47:41,826
>> I LOVE "GREASE."

1488
00:47:41,826 --> 00:47:43,427
I'VE SEEN IT HUNDREDS OF TIMES.

1489
00:47:43,427 --> 00:47:44,995
>> OKAY, GOOD.

1490
00:47:44,995 --> 00:47:47,631
BECAUSE WE'RE DANCING A FOXTROT

1491
00:47:47,631 --> 00:47:48,165
TO "SANDY."

1492
00:47:48,165 --> 00:47:48,766
>> THAT WAS THE PART WHERE HE

1493
00:47:48,766 --> 00:47:49,266
REALIZED HE LOVED HER.

1494
00:47:49,266 --> 00:47:49,900
>> I THOUGHT I MEANT SOMETHING

1495
00:47:49,900 --> 00:47:52,870
TO YOU!

1496
00:47:52,870 --> 00:47:55,506
>> YOU THINK I'M GOING TO STAY

1497
00:47:55,506 --> 00:47:56,140
HERE WITH YOU IN THIS SIN WAGON?

1498
00:47:56,140 --> 00:47:57,608
>> SANDY ABANDONED DANNY.

1499
00:47:57,608 --> 00:48:01,879
HE'S FEELING IT.

1500
00:48:01,879 --> 00:48:02,480
IT'S A GREAT TURNING POINT IN

1501
00:48:02,480 --> 00:48:06,083
THE MOVIE.

1502
00:48:06,083 --> 00:48:07,685
ANOTHER CHANCE TO SEE HOW MUCH

1503
00:48:07,685 --> 00:48:09,253
LOVING SOMEONE CAN MEAN TO YOU.

1504
00:48:09,253 --> 00:48:10,855
>> SPEAKING OF LOVE ‐‐

1505
00:48:10,855 --> 00:48:13,991
>> MM‐HMM.

1506
00:48:13,991 --> 00:48:14,592
>> YOUR WIFE, SHE IS HEAVILY

1507
00:48:14,592 --> 00:48:17,161
PREGNANT.

1508
00:48:17,161 --> 00:48:17,762
>> LAST WEEK I SAID SHE'S TWO

1509
00:48:17,762 --> 00:48:19,263
CENTIMETERS PREGNANT.

1510
00:48:19,263 --> 00:48:19,797
I MEANT TO SAY SHE'S TWO

1511
00:48:19,797 --> 00:48:28,539
CENTIMETERS DILATED.

1512
00:48:28,539 --> 00:48:29,240
>> FOUND OUT MY WIFE IS TWO

1513
00:48:29,240 --> 00:48:29,774
CENTIMETERS PREGNANT.

1514
00:48:29,774 --> 00:48:33,477
>> IT'S ABOUT TO DROP.

1515
00:48:33,477 --> 00:48:36,080
>> I GOT THE CALL.

1516
00:48:36,080 --> 00:48:37,581
LIKE, THE BABY IS ON THE WAY,

1517
00:48:37,581 --> 00:48:38,182
CALL.

1518
00:48:38,182 --> 00:48:39,784
SO I JUST LANDED IN NASHVILLE.

1519
00:48:39,784 --> 00:48:41,385
ABOUT TO HEAD TO THE HOSPITAL.

1520
00:48:41,385 --> 00:48:43,487
CHECK ON MY WIFE.

1521
00:48:43,487 --> 00:48:44,088
AND GET READY TO MEET MY NEW

1522
00:48:44,088 --> 00:48:47,725
DAUGHTER.

1523
00:48:47,725 --> 00:48:49,827
THE BABY IS HERE.

1524
00:48:49,827 --> 00:48:50,428
HER AND MOMMY ARE BOTH DOING

1525
00:48:50,428 --> 00:48:52,496
GREAT.

1526
00:48:52,496 --> 00:48:56,700
SEVEN POUNDS, TEN OUNCES.

1527
00:48:56,700 --> 00:48:56,967
THAT YAWN.

1528
00:48:56,967 --> 00:49:00,371
SAY HI.

1529
00:49:00,371 --> 00:49:00,571
YEAH.

1530
00:49:00,571 --> 00:49:01,939
IT'S BEEN A GOOD DAY.

1531
00:49:01,939 --> 00:49:05,609
MOMMY IS GOOD.

1532
00:49:05,609 --> 00:49:07,211
THERE'S THE BABY, GOOD.

1533
00:49:07,211 --> 00:49:07,711
THANK Y'ALL FOR YOUR

1534
00:49:07,711 --> 00:49:09,313
CONGRATULATIONS.

1535
00:49:09,313 --> 00:49:11,916
AND YOUR WELL WISHES.

1536
00:49:11,916 --> 00:49:12,550
HERE'S THE REAL SUPERSTAR RIGHT

1537
00:49:12,550 --> 00:49:13,551
HERE.

1538
00:49:13,551 --> 00:49:16,720
SEE Y'ALL LATER.

1539
00:49:16,720 --> 00:49:19,890
[ CHEERS AND APPLAUSE ]

1540
00:49:19,890 --> 00:49:20,958
>> Announcer: DANCING THE

1541
00:49:20,958 --> 00:49:21,992
FOXTROT WITH HIS PARTNER EMMA,

1542
00:49:21,992 --> 00:49:25,729
IT'S JIMMIE ALLEN.

1543
00:49:26,363 --> 00:49:28,599
♪

1544
00:49:28,599 --> 00:49:30,000
♪ STRANDED AT THE DRIVE‐IN

1545
00:49:30,000 --> 00:49:36,841
BRANDED A FOOL ♪

1546
00:49:36,841 --> 00:49:37,942
♪ WHAT WILL THEY SAY MONDAY AT

1547
00:49:37,942 --> 00:49:46,884
SCHOOL ♪

1548
00:49:46,884 --> 00:49:49,620
♪ SANDY CAN'T YOU SEE I'M IN

1549
00:49:49,620 --> 00:49:52,590
MISERY ♪

1550
00:49:52,590 --> 00:49:53,190
♪ WE MADE A START NOW WE'RE

1551
00:49:53,190 --> 00:49:57,595
APART ♪

1552
00:49:57,595 --> 00:50:00,097
♪ THERE'S NOTHIN' LEFT FOR ME

1553
00:50:00,097 --> 00:50:03,767
♪ LOVE HAS FLOWN ALL ALONE

1554
00:50:03,767 --> 00:50:05,569
♪ I SIT AND WONDER

1555
00:50:05,569 --> 00:50:10,074
WHY‐YI‐YI‐OH ♪

1556
00:50:10,074 --> 00:50:17,982
♪ WHY YOU LEFT ME OH SANDY

1557
00:50:17,982 --> 00:50:21,619
♪ OH SANDY MAYBE SOMEDAY WHEN

1558
00:50:21,619 --> 00:50:25,623
HI‐YIGH SCHOOL IS DONE ♪

1559
00:50:25,623 --> 00:50:27,525
♪ SOMEHOW IN SOME WAY OUR TWO

1560
00:50:27,525 --> 00:50:34,365
WORLDS WILL BE ONE ♪

1561
00:50:34,365 --> 00:50:40,704
♪ LOVE HAS FLOWN ALL ALONE I SIT

1562
00:50:40,704 --> 00:50:41,739
I WONDER WHY‐YI‐YI‐OH

1563
00:50:41,739 --> 00:50:53,851
WHY YOU LEFT ME OH SANDY ♪

1564
00:50:53,851 --> 00:50:54,485
♪ WHY‐YI‐YI‐YI OH SANDY ♪

1565
00:50:54,485 --> 00:50:57,621
♪

1566
00:50:57,621 --> 00:51:03,928
[ CHEERS AND APPLAUSE ]

1567
00:51:03,928 --> 00:51:04,528
>> Tyra: JIMMIE AND EMMA WITH

1568
00:51:04,528 --> 00:51:06,030
THE FOXTROT.

1569
00:51:06,030 --> 00:51:09,600
IT'S OKAY.

1570
00:51:09,600 --> 00:51:10,568
IT'S ALL RIGHT.

1571
00:51:10,568 --> 00:51:11,268
BRUNO?

1572
00:51:11,268 --> 00:51:15,472
>> LET ME SAY FROM ALL OF US,

1573
00:51:15,472 --> 00:51:16,073
CONGRATULATIONS TO THE PROUD

1574
00:51:16,073 --> 00:51:19,176
DADDY.

1575
00:51:19,176 --> 00:51:20,244
AND EMMA, YOU DUMPED HIM.

1576
00:51:20,244 --> 00:51:22,346
>> I DID.

1577
00:51:22,346 --> 00:51:24,448
>> IT WAS SUCH A SMOOTH RIDE.

1578
00:51:24,448 --> 00:51:25,516
ACTUALLY, YOU WERE VERY, VERY

1579
00:51:25,516 --> 00:51:27,117
GOOD IN HOLD.

1580
00:51:27,117 --> 00:51:27,651
YOU WERE VERY DYNAMIC

1581
00:51:27,651 --> 00:51:29,753
SIDE‐BY‐SIDE.

1582
00:51:29,753 --> 00:51:32,923
GREAT STORYTELLING.

1583
00:51:32,923 --> 00:51:35,559
THAT LITTLE SLIP, IT'S THE

1584
00:51:35,559 --> 00:51:40,598
CONFETTI THAT SOMEBODY LEFT ‐‐

1585
00:51:40,598 --> 00:51:41,365
>> IT'S SASHA'S WHIPPED CREAM.

1586
00:51:41,365 --> 00:51:41,999
>> I WILL SAY, THE FLOOR IS LIKE

1587
00:51:41,999 --> 00:51:43,467
ICE RIGHT NOW.

1588
00:51:43,467 --> 00:51:46,537
SOMETHING IS ON IT.

1589
00:51:46,537 --> 00:51:48,739
JUST WANTED TO ‐‐

1590
00:51:48,739 --> 00:51:49,773
>> Tyra: CARRIE ANN?

1591
00:51:49,773 --> 00:51:50,374
>> EMMA, I'VE NEVER SEEN YOUR

1592
00:51:50,374 --> 00:51:55,579
FACE LIKE THAT.

1593
00:51:55,579 --> 00:51:56,180
YOU'RE LIKE, WHAT'S HAPPENING?

1594
00:51:56,180 --> 00:51:56,814
>> EVERY STEP OF THE WAY, I WAS

1595
00:51:56,814 --> 00:51:57,648
LIKE, BE CAREFUL.

1596
00:51:57,648 --> 00:51:58,248
>> I THINK YOU MADE THE BABY

1597
00:51:58,248 --> 00:52:01,852
PROUD.

1598
00:52:01,852 --> 00:52:02,486
THERE'S SOMETHING ABOUT YOU WHEN

1599
00:52:02,486 --> 00:52:02,953
YOU DANCE.

1600
00:52:02,953 --> 00:52:03,487
THE MUSICALITY, THE

1601
00:52:03,487 --> 00:52:04,021
STORYTELLING.

1602
00:52:04,021 --> 00:52:04,622
WHAT I DO WANT TO POINT OUT,

1603
00:52:04,622 --> 00:52:05,155
BECAUSE THIS SEASON, THE

1604
00:52:05,155 --> 00:52:07,691
COMPETITION IS VERY FIERCE.

1605
00:52:07,691 --> 00:52:08,726
SOMETIMES WHEN YOU'RE OUT OF

1606
00:52:08,726 --> 00:52:09,360
HOLD, YOU'RE SO MUCH BIGGER THAN

1607
00:52:09,360 --> 00:52:10,327
WHEN YOU ARE IN HOLD.

1608
00:52:10,327 --> 00:52:15,099
I WANT TO SEE A BALANCE.

1609
00:52:15,099 --> 00:52:18,402
SO IT DOESN'T FEEL SO DIFFERENT,

1610
00:52:18,402 --> 00:52:19,770
THE STYLE OF DANCING.

1611
00:52:19,770 --> 00:52:20,304
BUT GREAT JOB.

1612
00:52:20,304 --> 00:52:20,838
>> Tyra: LEN?

1613
00:52:20,838 --> 00:52:21,372
>> I DON'T THINK IT WAS

1614
00:52:21,372 --> 00:52:21,905
CONFETTI.

1615
00:52:21,905 --> 00:52:23,474
I THINK IT MAY HAVE BEEN GREASE.

1616
00:52:23,474 --> 00:52:31,415
[ CHEERS AND APPLAUSE ]

1617
00:52:31,415 --> 00:52:32,449
THERE'S A FLAIR ABOUT YOUR

1618
00:52:32,449 --> 00:52:34,084
DANCING.

1619
00:52:34,084 --> 00:52:35,653
I DON'T ALWAYS THINK THE

1620
00:52:35,653 --> 00:52:38,288
TECHNIQUE IS OVERLY GREAT.

1621
00:52:38,288 --> 00:52:38,922
YOU LOSE YOUR HOLD AND POSTURE A

1622
00:52:38,922 --> 00:52:41,959
LITTLE BIT.

1623
00:52:41,959 --> 00:52:44,094
BUT YOU COME OUT WITH

1624
00:52:44,094 --> 00:52:44,395
ENTHUSIASM.

1625
00:52:44,395 --> 00:52:45,029
AND I THINK THAT IS SUCH A GREAT

1626
00:52:45,029 --> 00:52:45,663
TRAIT.

1627
00:52:45,663 --> 00:52:46,196
WELL DONE.

1628
00:52:46,196 --> 00:52:47,798
>> Tyra: DEREK?

1629
00:52:47,798 --> 00:52:49,366
>> IT HAD CONTENT, PERFORMANCE,

1630
00:52:49,366 --> 00:52:49,867
STORYTELLING, GREAT

1631
00:52:49,867 --> 00:52:50,901
CHOREOGRAPHY.

1632
00:52:50,901 --> 00:52:52,503
THAT WAS A CONCEPT SEEN THROUGH

1633
00:52:52,503 --> 00:52:54,071
FROM THE BEGINNING TO THE END.

1634
00:52:54,071 --> 00:52:55,673
THAT WAS THE COMPLETE PACKAGE.

1635
00:52:55,673 --> 00:52:56,173
WELL DONE, BROTHER.

1636
00:52:56,173 --> 00:52:58,308
>> THANK YOU, THANK YOU.

1637
00:52:58,308 --> 00:52:59,343
>> Tyra: I JUST HAVE TO

1638
00:52:59,343 --> 00:53:00,911
CONGRATULATE PAPA AGAIN.

1639
00:53:00,911 --> 00:53:01,979
>> THANK YOU.

1640
00:53:01,979 --> 00:53:03,047
>> Tyra: YOU GOT ON THE PLANE TO

1641
00:53:03,047 --> 00:53:03,681
NASHVILLE, YOU SAW THE BABY COME

1642
00:53:03,681 --> 00:53:04,615
OUT.

1643
00:53:04,615 --> 00:53:05,249
CONGRATULATIONS TO YOU AND YOUR

1644
00:53:05,249 --> 00:53:07,284
WIFE.

1645
00:53:07,284 --> 00:53:09,620
AND HELLO, BABY ZARA.

1646
00:53:09,620 --> 00:53:10,587
WELCOME TO THE WORLD.

1647
00:53:10,587 --> 00:53:13,090
LET'S GET YOUR SCORES.

1648
00:53:13,090 --> 00:53:14,158
>> Announcer: CARRIE ANN INABA.

1649
00:53:14,158 --> 00:53:16,794
>> 8.

1650
00:53:16,794 --> 00:53:17,327
>> Announcer: LEN GOODMAN.

1651
00:53:17,327 --> 00:53:19,930
>> IT'S AN 8.

1652
00:53:19,930 --> 00:53:20,497
>> Announcer: DEREK HOUGH.

1653
00:53:20,497 --> 00:53:23,667
>> IT'S A 9.

1654
00:53:23,667 --> 00:53:24,702
>> Announcer: BRUNO TONIOLI.

1655
00:53:24,702 --> 00:53:26,804
>> BLAME HIM.

1656
00:53:26,804 --> 00:53:26,937
9.

1657
00:53:26,937 --> 00:53:27,304
>> THANK YOU!

1658
00:53:27,304 --> 00:53:29,940
THANK YOU.

1659
00:53:29,940 --> 00:53:32,042
>> Tyra: 34 OUT OF 40 FOR JIMMIE

1660
00:53:32,042 --> 00:53:33,110
AND EMMA.

1661
00:53:33,110 --> 00:53:33,744
NOW YOU CAN HEAD OVER WITH THE

1662
00:53:33,744 --> 00:53:34,178
OTHERS.

1663
00:53:34,178 --> 00:53:37,881
GO RELAX.

1664
00:53:37,881 --> 00:53:38,515
REMEMBER, YOU GET TWO VOTES PER

1665
00:53:38,515 --> 00:53:40,584
DANCING COUPLE, PER VOTING

1666
00:53:40,584 --> 00:53:42,786
METHOD.

1667
00:53:42,786 --> 00:53:46,290
UP NEXT, THE STAR OF "THE REAL

1668
00:53:46,290 --> 00:53:46,924
HOUSEWIVES OF ATLANTA," KENYA

1669
00:53:46,924 --> 00:53:49,993
MOORE, HAS A SPECIAL DEDICATION

1670
00:53:49,993 --> 00:53:51,895
AS SHE AND BRANDON DANCE TO

1671
00:53:51,895 --> 00:53:53,764
THEIR SONG FROM "GREASE."

1672
00:53:53,764 --> 00:53:54,798
>> ALL RIGHT, KENYA.

1673
00:53:54,798 --> 00:53:55,332
IT'S "GREASE" NIGHT.

1674
00:53:55,332 --> 00:53:55,833
LEN SAVED US.

1675
00:53:55,833 --> 00:53:56,900
GAVE US ANOTHER OPPORTUNITY.

1676
00:53:56,900 --> 00:53:58,569
WE'RE STILL HERE TO FIGHT

1677
00:53:58,569 --> 00:53:59,503
ANOTHER DAY.

1678
00:53:59,503 --> 00:54:01,105
>> I WAS IN THE BOTTOM TWO AGAIN

1679
00:54:01,105 --> 00:54:04,274
FOR THE SECOND WEEK IN A ROW.

1680
00:54:04,274 --> 00:54:04,908
>> KENYA, YOU'RE STAYING IN THE

1681
00:54:04,908 --> 00:54:09,546
SHOW.

1682
00:54:09,546 --> 00:54:10,180
>> I WILL FIGHT TO CONTINUE TO

1683
00:54:10,180 --> 00:54:11,615
STAY HERE.

1684
00:54:11,615 --> 00:54:13,751
>> WE GOT ANOTHER WEEK.

1685
00:54:13,751 --> 00:54:15,886
>> I'M JUST SO HAPPY THAT WE'RE

1686
00:54:15,886 --> 00:54:16,453
BACK AGAIN TO DANCE ANOTHER

1687
00:54:16,453 --> 00:54:19,623
WEEK.

1688
00:54:19,623 --> 00:54:20,657
>> WE'RE DOING A RUMBA TO "THERE

1689
00:54:20,657 --> 00:54:22,726
ARE WORSE THINGS I COULD DO."

1690
00:54:22,726 --> 00:54:24,828
AND YOU'RE PLAYING RIZZO.

1691
00:54:24,828 --> 00:54:27,998
>> I CAN UNDERSTAND HER.

1692
00:54:27,998 --> 00:54:28,565
WHEN THIS SONG IS SUNG, SHE

1693
00:54:28,565 --> 00:54:33,003
THINKS SHE MIGHT BE PREGNANT.

1694
00:54:33,003 --> 00:54:35,739
I THINK I CAN REALLY CONNECT TO

1695
00:54:35,739 --> 00:54:37,574
THIS SONG BECAUSE I WAS THE

1696
00:54:37,574 --> 00:54:38,175
RESULT OF A TEENAGE PREGNANCY.

1697
00:54:38,175 --> 00:54:38,776
WHEN MY MOM FOUND OUT SHE WAS

1698
00:54:38,776 --> 00:54:39,409
PREGNANT, SHE WANTED TO GIVE ME

1699
00:54:39,409 --> 00:54:41,044
UP FOR ADOPTION.

1700
00:54:41,044 --> 00:54:45,582
BUT MY DAD'S MOM BEGGED HER TO

1701
00:54:45,582 --> 00:54:45,949
GIVE ME TO HER.

1702
00:54:45,949 --> 00:54:46,583
I WAS RAISED BY MY GRANDMOTHER,

1703
00:54:46,583 --> 00:54:49,620
DORIS.

1704
00:54:49,620 --> 00:54:50,554
I WAS HER BABY.

1705
00:54:50,554 --> 00:54:52,122
IF ANYONE ASKS, THAT'S MY BABY.

1706
00:54:52,122 --> 00:54:52,756
SHE'S THE ONE THAT INTRODUCED ME

1707
00:54:52,756 --> 00:54:55,292
TO DANCE.

1708
00:54:55,292 --> 00:54:57,427
MY GRANDMOTHER LOVED DANCING.

1709
00:54:57,427 --> 00:54:58,595
SHE TOOK US TO A COMMUNITY

1710
00:54:58,595 --> 00:54:59,530
CENTER, WHERE THEY HAD FREE

1711
00:54:59,530 --> 00:55:01,665
CLASSES.

1712
00:55:01,665 --> 00:55:02,299
AND IT WAS THE BEST TIME OF MY

1713
00:55:02,299 --> 00:55:03,734
LIFE.

1714
00:55:03,734 --> 00:55:05,836
I LOVED DANCE.

1715
00:55:05,836 --> 00:55:07,938
AND I THINK THAT HALF THE REASON

1716
00:55:07,938 --> 00:55:08,572
I WANT TO BE HERE IS BECAUSE OF

1717
00:55:08,572 --> 00:55:11,074
HER.

1718
00:55:11,074 --> 00:55:15,312
SHE DIED FOUR YEARS AGO.

1719
00:55:15,312 --> 00:55:16,380
I THINK SHE WOULD BE SO PROUD.

1720
00:55:16,380 --> 00:55:16,914
>> YOU'VE MADE HER PROUD

1721
00:55:16,914 --> 00:55:17,414
ALREADY.

1722
00:55:17,414 --> 00:55:17,981
>> SHE WAS MY BIGGEST FAN,

1723
00:55:17,981 --> 00:55:20,117
BRANDON.

1724
00:55:20,117 --> 00:55:22,219
I MISS THAT.

1725
00:55:22,219 --> 00:55:23,253
>> I DIDN'T WANT HER TO BE

1726
00:55:23,253 --> 00:55:25,389
ADOPTED.

1727
00:55:25,389 --> 00:55:29,593
THAT'S MY BABY.

1728
00:55:29,593 --> 00:55:30,127
>> CAN WE DO THIS FOR MY

1729
00:55:30,127 --> 00:55:31,728
GRANDMOTHER?

1730
00:55:31,728 --> 00:55:33,297
>> NO, NOT CAN WE.

1731
00:55:33,297 --> 00:55:33,831
LET'S GO DO THIS FOR YOUR

1732
00:55:33,831 --> 00:55:34,064
GRANDMA.

1733
00:55:34,064 --> 00:55:35,933
COME ON.

1734
00:55:35,933 --> 00:55:40,537
♪

1735
00:55:46,476 --> 00:55:46,643
♪

1736
00:55:46,643 --> 00:55:47,544
[ CHEERS AND APPLAUSE ]

1737
00:55:47,544 --> 00:55:48,045
♪

1738
00:55:48,045 --> 00:55:48,612
[ CHEERS AND APPLAUSE ]

1739
00:55:48,612 --> 00:55:50,180
>> Tyra: WELCOME BACK.

1740
00:55:50,180 --> 00:55:51,782
NOW, BEFORE THE BREAK, WE SAW

1741
00:55:51,782 --> 00:55:53,851
KENYA MOORE AND BRANDON TRAINING

1742
00:55:53,851 --> 00:55:55,485
TO DEDICATE THEIR DANCE TO A

1743
00:55:55,485 --> 00:55:56,086
VERY SPECIAL WOMAN IN KENYA'S

1744
00:55:56,086 --> 00:55:58,655
LIFE.

1745
00:55:58,655 --> 00:55:59,723
HERE'S THEIR RUMBA TO A SONG

1746
00:55:59,723 --> 00:56:00,257
FROM A MEMORABLE SCENE IN

1747
00:56:00,257 --> 00:56:02,359
"GREASE."

1748
00:56:02,359 --> 00:56:04,995
>> Announcer: DANCING THE RUMBA

1749
00:56:04,995 --> 00:56:05,629
WITH HER PARTNER BRANDON, IT'S

1750
00:56:05,629 --> 00:56:09,199
KENYA MOORE.

1751
00:56:11,368 --> 00:56:11,902
♪

1752
00:56:11,902 --> 00:56:12,536
THERE ARE WORSE THINGS I COULD

1753
00:56:12,536 --> 00:56:16,139
DO ♪

1754
00:56:16,139 --> 00:56:19,309
♪ THAN GO WITH A BOY OR TWO

1755
00:56:19,309 --> 00:56:21,945
♪ EVEN THOUGH THE NEIGHBORHOOD

1756
00:56:21,945 --> 00:56:25,616
THINKS I'M TRASHY AND NO GOOD ♪

1757
00:56:25,616 --> 00:56:28,285
♪ I SUPPOSE IT COULD BE TRUE BUT

1758
00:56:28,285 --> 00:56:28,919
THERE ARE WORSE THINGS I COULD

1759
00:56:28,919 --> 00:56:32,522
DO ♪

1760
00:56:32,522 --> 00:56:33,123
♪ I COULD FLIRT WITH ALL THE

1761
00:56:33,123 --> 00:56:39,396
GUYS ♪

1762
00:56:39,396 --> 00:56:39,963
♪ SMILE AT THEM AND BAT MY

1763
00:56:39,963 --> 00:56:44,101
EYES ♪

1764
00:56:44,101 --> 00:56:44,701
♪ PRESS AGAINST THEM WHEN WE

1765
00:56:44,701 --> 00:56:46,737
DANCE ♪

1766
00:56:46,737 --> 00:56:47,371
♪ MAKE THEM THINK THEY STAND A

1767
00:56:47,371 --> 00:56:54,645
CHANCE ♪

1768
00:56:54,645 --> 00:56:55,178
♪ THEN REFUSE TO SEE IT

1769
00:56:55,178 --> 00:56:55,712
THROUGH ♪

1770
00:56:55,712 --> 00:56:56,780
♪ THAT'S A THING I'D NEVER DO

1771
00:56:56,780 --> 00:56:57,347
♪ I COULD STAY HOME EVERY

1772
00:56:57,347 --> 00:57:01,051
NIGHT ♪

1773
00:57:01,051 --> 00:57:08,959
♪ WAIT AROUND FOR MR. RIGHT

1774
00:57:08,959 --> 00:57:12,963
♪ TAKE COLD SHOWERS EVERY DAY

1775
00:57:12,963 --> 00:57:14,264
AND THROW MY LIFE AWAY ♪

1776
00:57:14,264 --> 00:57:14,865
♪ ON A DREAM THAT WON'T COME

1777
00:57:14,865 --> 00:57:19,503
TRUE ♪

1778
00:57:19,503 --> 00:57:20,537
♪ THAT'S THE WORST THING I COULD

1779
00:57:20,537 --> 00:57:22,639
DO ♪

1780
00:57:22,639 --> 00:57:24,241
♪

1781
00:57:24,241 --> 00:57:31,615
[ CHEERS AND APPLAUSE ]

1782
00:57:31,615 --> 00:57:36,920
>> Tyra: WHOO!

1783
00:57:36,920 --> 00:57:40,958
>> GOOD JOB.

1784
00:57:40,958 --> 00:57:42,192
>> Tyra: WHOA.

1785
00:57:42,192 --> 00:57:43,260
KENYA AND BRANDON, SIZZLING IT

1786
00:57:43,260 --> 00:57:47,998
UP IN HERE WITH A RUMBA.

1787
00:57:47,998 --> 00:57:50,634
CARRIE ANN?

1788
00:57:50,634 --> 00:57:51,234
>> KENYA, I'M SO HAPPY THAT YOU

1789
00:57:51,234 --> 00:57:52,936
ARE STILL HERE IN THIS

1790
00:57:52,936 --> 00:57:54,304
COMPETITION.

1791
00:57:54,304 --> 00:57:55,339
SO THAT YOU CAN DO THAT DANCE

1792
00:57:55,339 --> 00:58:00,944
RIGHT NOW FOR ALL OF US.

1793
00:58:00,944 --> 00:58:02,212
YOU HAVE INCREDIBLE DIGNITY.

1794
00:58:02,212 --> 00:58:02,846
THE WAY YOU COME BACK AND YOU ‐‐

1795
00:58:02,846 --> 00:58:04,915
IT'S LIKE NOTHING HAPPENED.

1796
00:58:04,915 --> 00:58:07,951
YOU JUST SHOW UP AND YOU PERFORM

1797
00:58:07,951 --> 00:58:09,619
AND YOU'RE GETTING SO GOOD.

1798
00:58:09,619 --> 00:58:10,654
THAT WAS THE MOST ‐‐ IT WAS

1799
00:58:10,654 --> 00:58:12,956
DELICIOUS AND SENSUOUS AND

1800
00:58:12,956 --> 00:58:13,824
POWERFUL AND DIGNIFIED.

1801
00:58:13,824 --> 00:58:14,424
NOW I UNDERSTAND HOW MUCH YOU

1802
00:58:14,424 --> 00:58:16,960
LOVE DANCING.

1803
00:58:16,960 --> 00:58:17,561
I'M SO PROUD.

1804
00:58:17,561 --> 00:58:24,868
>> Tyra: LEN?

1805
00:58:24,868 --> 00:58:25,469
>> I KNOW THE SONG SAYS WORSE

1806
00:58:25,469 --> 00:58:28,572
THINGS YOU COULD DO.

1807
00:58:28,572 --> 00:58:29,206
THERE WASN'T MUCH WORSE THAT YOU

1808
00:58:29,206 --> 00:58:30,173
COULD HAVE DONE IN THAT RUMBA.

1809
00:58:30,173 --> 00:58:30,741
IT HAD CHEMISTRY, IT HAD A

1810
00:58:30,741 --> 00:58:31,908
ROMANCE ABOUT IT, IT HAD

1811
00:58:31,908 --> 00:58:34,378
CONTROL.

1812
00:58:34,378 --> 00:58:34,978
IT WAS REALLY, REALLY SPOT‐ON.

1813
00:58:34,978 --> 00:58:36,913
WELL DONE.

1814
00:58:36,913 --> 00:58:39,082
>> Tyra: DEREK?

1815
00:58:39,082 --> 00:58:39,716
>> THAT OPENING HALF‐SPLIT, IT

1816
00:58:39,716 --> 00:58:42,285
WAS STUNNING.

1817
00:58:42,285 --> 00:58:44,421
ASSERTIVE, INTENTIONAL, THE

1818
00:58:44,421 --> 00:58:45,956
ROTATION IN YOUR LEGS AND THE

1819
00:58:45,956 --> 00:58:46,590
FAN POSITION, THE WAY YOU USED

1820
00:58:46,590 --> 00:58:48,625
YOUR ARMS.

1821
00:58:48,625 --> 00:58:49,659
LISTEN, YOU COULD SINK OR SWIM.

1822
00:58:49,659 --> 00:58:51,762
AND, BABE, YOU SWAM.

1823
00:58:51,762 --> 00:58:52,796
>> YES!

1824
00:58:52,796 --> 00:59:02,739
>> Tyra: BRUNO?

1825
00:59:02,739 --> 00:59:04,841
>> KENYA, I'M STILL FANNING.

1826
00:59:04,841 --> 00:59:05,375
HOT.

1827
00:59:05,375 --> 00:59:06,009
BUT WHAT WAS BRILLIANT, YOU WERE

1828
00:59:06,009 --> 00:59:08,512
SO FOCUSED.

1829
00:59:08,512 --> 00:59:09,146
TRANSLATING THE EMOTION THROUGH

1830
00:59:09,146 --> 00:59:11,148
MOTION.

1831
00:59:11,148 --> 00:59:12,215
RIGHT ON IT, HONEY.

1832
00:59:12,215 --> 00:59:14,351
>> THANK YOU.

1833
00:59:14,351 --> 00:59:17,521
>> Tyra: ALL RIGHTY.

1834
00:59:17,521 --> 00:59:18,555
SO KENYA, YOU WERE SO VULNERABLE

1835
00:59:18,555 --> 00:59:19,623
AND SO REAL.

1836
00:59:19,623 --> 00:59:20,223
AND I'VE KNOWN YOU FOR A LONG

1837
00:59:20,223 --> 00:59:21,191
TIME.

1838
00:59:21,191 --> 00:59:22,259
I DIDN'T KNOW THAT STORY ABOUT

1839
00:59:22,259 --> 00:59:23,293
YOUR GRANDMOMMY.

1840
00:59:23,293 --> 00:59:26,430
SHE'S SMILING DOWN ON YOU.

1841
00:59:26,430 --> 00:59:28,999
WHAT DO YOU WANT TO SAY TO HER?

1842
00:59:28,999 --> 00:59:30,100
BECAUSE SHE'S HERE WITH US.

1843
00:59:30,100 --> 00:59:30,734
>> THANK YOU FOR BEING THE LIGHT

1844
00:59:30,734 --> 00:59:36,406
OF MY LIFE.

1845
00:59:36,406 --> 00:59:37,007
AND THE BEST WOMAN I'VE EVER

1846
00:59:37,007 --> 00:59:37,441
MET.

1847
00:59:37,441 --> 00:59:38,508
>> Tyra: LET'S GET YOUR SCORES.

1848
00:59:38,508 --> 00:59:40,077
>> Announcer: CARRIE ANN INABA.

1849
00:59:40,077 --> 00:59:40,710
>> SORRY, JUST TALKING ABOUT HOW

1850
00:59:40,710 --> 00:59:41,645
GREAT IT WAS.

1851
00:59:41,645 --> 00:59:44,281
9.

1852
00:59:44,281 --> 00:59:45,348
>> Announcer: LEN GOODMAN.

1853
00:59:45,348 --> 00:59:46,950
>> 9.

1854
00:59:46,950 --> 00:59:48,018
>> Announcer: DEREK HOUGH.

1855
00:59:48,018 --> 00:59:51,188
>> 9.

1856
00:59:51,188 --> 00:59:52,956
>> Announcer: BRUNO TONIOLI.

1857
00:59:52,956 --> 00:59:55,425
>> 9.

1858
00:59:55,425 --> 00:59:56,993
>> Tyra: TALK ABOUT A COMEBACK.

1859
00:59:56,993 --> 00:59:57,561
36 OUT OF 40 FOR KENYA AND

1860
00:59:57,561 --> 01:00:00,163
BRANDON.

1861
01:00:00,163 --> 01:00:00,697
HER HIGHEST SCORES YET.

1862
01:00:00,697 --> 01:00:03,333
GO TAKE A BREAK.

1863
01:00:03,333 --> 01:00:06,670
GO CELEBRATE, BOTTOM TWO, AND

1864
01:00:06,670 --> 01:00:07,771
NOW ALL THOSE 9s.

1865
01:00:07,771 --> 01:00:08,004
AMAZING.

1866
01:00:08,004 --> 01:00:08,605
LET'S GET RIGHT INTO THE NEXT

1867
01:00:08,605 --> 01:00:12,509
DANCE WITH JOJO SIWA AND JENNA

1868
01:00:12,509 --> 01:00:13,076
WITH A FOXTROT TO A PIVOTAL

1869
01:00:13,076 --> 01:00:19,916
SCENE FROM "GREASE."

1870
01:00:19,916 --> 01:00:24,154
>> JOJO, IT IS "GREASE" NIGHT.

1871
01:00:24,154 --> 01:00:24,688
WE'RE GOING TO BE DOING A

1872
01:00:24,688 --> 01:00:25,755
FOXTROT TO "LOOK AT ME I'M

1873
01:00:25,755 --> 01:00:30,127
SANDRA DEE REPRISE."

1874
01:00:30,127 --> 01:00:36,233
YOU'LL BE PLAYING SANDY, AND

1875
01:00:36,233 --> 01:00:36,600
I'LL BE FRENCHY.

1876
01:00:36,600 --> 01:00:37,000
>> AREN'T YOU HAPPY?

1877
01:00:37,000 --> 01:00:37,634
>> NO, BUT I THINK I KNOW A WAY

1878
01:00:37,634 --> 01:00:38,301
I COULD BE.

1879
01:00:38,301 --> 01:00:38,835
COULD YOU HELP ME?

1880
01:00:38,835 --> 01:00:39,369
>> OF COURSE.

1881
01:00:39,369 --> 01:00:39,970
>> I HAVE A VERY BIG SURPRISE

1882
01:00:39,970 --> 01:00:41,471
FOR YOU.

1883
01:00:41,471 --> 01:00:45,675
WE'RE GOING TO BE TALKING TO THE

1884
01:00:45,675 --> 01:00:46,743
ORIGINAL FRENCHY, MS. DIDI CONN.

1885
01:00:46,743 --> 01:00:48,945
>> INCREDIBLE.

1886
01:00:48,945 --> 01:00:50,413
>> HI, DIDI.

1887
01:00:50,413 --> 01:00:51,047
>> HOW COME YOU GUYS DON'T LOOK

1888
01:00:51,047 --> 01:00:56,286
SWEATY OR ANYTHING?

1889
01:00:56,286 --> 01:00:58,922
>> SO DIDI, JENNA AND I WILL BE

1890
01:00:58,922 --> 01:00:59,956
DANCING TO "LOOK AT ME I'M

1891
01:00:59,956 --> 01:01:04,194
SANDRA DEE REPRISE."

1892
01:01:04,194 --> 01:01:04,728
>> THAT'S EXCITING.

1893
01:01:04,728 --> 01:01:05,328
>> I LOVE THAT THIS IS SUCH A

1894
01:01:05,328 --> 01:01:09,332
TRANSFORMATIVE MOMENT.

1895
01:01:09,332 --> 01:01:10,400
WITH YOUR HELP.

1896
01:01:10,400 --> 01:01:11,001
>> FRENCHY WANTS PEOPLE TO FEEL

1897
01:01:11,001 --> 01:01:15,672
GOOD INSIDE AND OUTSIDE.

1898
01:01:15,672 --> 01:01:16,306
RIGHT AWAY, SHE'S PROTECTIVE OF

1899
01:01:16,306 --> 01:01:18,808
HER.

1900
01:01:18,808 --> 01:01:20,210
>> I FEEL LIKE THAT'S BEEN MINE

1901
01:01:20,210 --> 01:01:23,647
AND JOJO'S JOURNEY.

1902
01:01:23,647 --> 01:01:24,181
>> OLIVIA AND I ARE STILL

1903
01:01:24,181 --> 01:01:24,614
FRIENDS TO THIS DAY.

1904
01:01:24,614 --> 01:01:25,215
IT'S BEAUTIFUL THAT YOU HAVE

1905
01:01:25,215 --> 01:01:25,916
THAT SPECIAL FRIENDSHIP.

1906
01:01:25,916 --> 01:01:28,351
KNOCK THEM DEAD.

1907
01:01:28,351 --> 01:01:28,885
I CAN'T WAIT TO WATCH YOU.

1908
01:01:28,885 --> 01:01:29,953
>> WE HOPE WE MAKE YOU PROUD.

1909
01:01:29,953 --> 01:01:32,589
>> THE SONG IS ALL ABOUT SANDY

1910
01:01:32,589 --> 01:01:37,861
SELF‐REFLECTING, AND FRENCHY

1911
01:01:37,861 --> 01:01:38,895
HELPING HER GET TO WHO SHE WANTS

1912
01:01:38,895 --> 01:01:40,964
TO BE.

1913
01:01:40,964 --> 01:01:43,934
THAT'S BEEN ME AND JENNA.

1914
01:01:43,934 --> 01:01:45,202
WHEN I CAME HERE WEEK ONE, I

1915
01:01:45,202 --> 01:01:48,371
CAME HERE IN FULL PANTS, FULL

1916
01:01:48,371 --> 01:01:49,439
HOODIE, FULL JEAN JACKET.

1917
01:01:49,439 --> 01:01:53,343
I WAS VERY SELF‐CONSCIOUS.

1918
01:01:53,343 --> 01:01:55,946
THE ONE THING THAT I PREACH BUT

1919
01:01:55,946 --> 01:01:56,913
DON'T PRACTICE IS CONFIDENCE.

1920
01:01:56,913 --> 01:01:57,447
SINCE COMING HERE, YOU'VE

1921
01:01:57,447 --> 01:02:00,083
BROUGHT ME OUT OF MY LITTLE

1922
01:02:00,083 --> 01:02:00,283
SHELL.

1923
01:02:00,283 --> 01:02:00,884
I FEEL LIKE I GOT MY FRENCHY

1924
01:02:00,884 --> 01:02:02,786
MAKEOVER.

1925
01:02:02,786 --> 01:02:03,820
YOU GAVE ME THE CONFIDENCE AND

1926
01:02:03,820 --> 01:02:04,421
COURAGE TO BE MORE OKAY WITH

1927
01:02:04,421 --> 01:02:07,958
MYSELF.

1928
01:02:07,958 --> 01:02:09,125
AND THAT WAS REALLY COOL.

1929
01:02:09,125 --> 01:02:10,160
>> THIS HAS BEEN THE MOST

1930
01:02:10,160 --> 01:02:10,760
CONNECTED I'VE EVER BEEN TO A

1931
01:02:10,760 --> 01:02:12,829
PARTNER.

1932
01:02:12,829 --> 01:02:13,463
I JUST FEEL LIKE I'M YOUR OLDER

1933
01:02:13,463 --> 01:02:16,967
SISTER.

1934
01:02:16,967 --> 01:02:17,500
AND I WANT YOU TO SEE HOW

1935
01:02:17,500 --> 01:02:18,068
BEAUTIFUL YOU ARE.

1936
01:02:18,068 --> 01:02:19,636
BECAUSE ‐‐

1937
01:02:19,636 --> 01:02:20,036
>> ARE YOU CRYING?

1938
01:02:20,036 --> 01:02:23,340
>> I DON'T KNOW.

1939
01:02:23,340 --> 01:02:23,940
ALL THE HORMONES IN THIS ROOM

1940
01:02:23,940 --> 01:02:26,009
ARE A LOT.

1941
01:02:26,009 --> 01:02:27,577
>> JENNA HAS CHANGED MY

1942
01:02:27,577 --> 01:02:28,945
PERSPECTIVE OF WHO I AM IN MY

1943
01:02:28,945 --> 01:02:32,349
BRAIN.

1944
01:02:32,349 --> 01:02:32,983
AND THAT'S SOMETHING I'M FOREVER

1945
01:02:32,983 --> 01:02:33,383
GRATEFUL FOR.

1946
01:02:33,383 --> 01:02:33,917
>> I LOVE YOU.

1947
01:02:33,917 --> 01:02:34,484
>> AND I LOVE YOU.

1948
01:02:34,484 --> 01:02:39,256
[ CHEERS AND APPLAUSE ]

1949
01:02:39,256 --> 01:02:40,824
>> Announcer: DANCING THE

1950
01:02:40,824 --> 01:02:42,392
FOXTROT WITH HER PARTNER JENNA,

1951
01:02:42,392 --> 01:02:46,263
IT'S JOJO SIWA.

1952
01:02:47,364 --> 01:02:56,840
♪

1953
01:02:56,840 --> 01:03:02,646
♪ LOOK AT ME THERE HAS TO BE

1954
01:03:02,646 --> 01:03:03,313
♪ SOMETHING MORE THAN WHAT THEY

1955
01:03:03,313 --> 01:03:05,315
SEE ♪

1956
01:03:05,315 --> 01:03:07,417
♪ WHOLESOME AND PURE OH SO

1957
01:03:07,417 --> 01:03:14,858
SCARED AND UNSURE ♪

1958
01:03:14,858 --> 01:03:23,566
♪ A POOR MAN'S SANDRA DEE

1959
01:03:24,701 --> 01:03:41,685
♪

1960
01:03:41,685 --> 01:03:44,854
♪ SANDY YOU MUST START ANEW

1961
01:03:44,854 --> 01:03:45,922
♪ DON'T YOU KNOW WHAT YOU MUST

1962
01:03:45,922 --> 01:03:50,660
DO ♪

1963
01:03:50,660 --> 01:03:51,728
♪ HOLD YOUR HEAD HIGH TAKE A

1964
01:03:51,728 --> 01:03:57,534
DEEP BREATH AND SIGH ♪

1965
01:03:57,534 --> 01:04:01,204
♪ GOOD‐BYE TO SANDRA DEE ♪

1966
01:04:01,204 --> 01:04:03,306
♪

1967
01:04:03,306 --> 01:04:10,714
[ CHEERS AND APPLAUSE ]

1968
01:04:10,714 --> 01:04:16,953
>> Tyra: WHOA!

1969
01:04:16,953 --> 01:04:18,655
BALLROOM IS ON THEIR FEET.

1970
01:04:18,655 --> 01:04:19,956
FOR JOJO AND JENNA, WITH THAT

1971
01:04:19,956 --> 01:04:20,223
FOXTROT.

1972
01:04:20,223 --> 01:04:24,961
THAT WAS PRETTY.

1973
01:04:24,961 --> 01:04:28,965
LEN?

1974
01:04:28,965 --> 01:04:30,767
LEN, LEN, LEN.

1975
01:04:30,767 --> 01:04:31,267
I GOT TO KNOW WHAT YOU'RE

1976
01:04:31,267 --> 01:04:31,801
THINKING.

1977
01:04:31,801 --> 01:04:32,001
>> ME?

1978
01:04:32,001 --> 01:04:32,936
>> Tyra: YEAH.

1979
01:04:32,936 --> 01:04:36,573
IT'S ALL ABOUT YOU, LEN.

1980
01:04:36,573 --> 01:04:40,944
>> YOU AFFECTED MY BRAIN WITH

1981
01:04:40,944 --> 01:04:42,379
THE QUALITY OF THE TECHNIQUE.

1982
01:04:42,379 --> 01:04:44,514
YOU AFFECTED MY HEART WITH THE

1983
01:04:44,514 --> 01:04:46,082
ARTISTRY THAT YOU PRODUCED.

1984
01:04:46,082 --> 01:04:48,752
IT WAS SUPERB.

1985
01:04:48,752 --> 01:04:49,252
[ CHEERS AND APPLAUSE ]

1986
01:04:49,252 --> 01:04:51,888
>> THANK YOU.

1987
01:04:51,888 --> 01:04:52,255
>> Tyra: DEREK?

1988
01:04:52,255 --> 01:04:52,789
>> I ABSOLUTELY LOVE THIS

1989
01:04:52,789 --> 01:04:54,557
PARTNERSHIP.

1990
01:04:54,557 --> 01:04:55,925
IT'S SO BEAUTIFUL.

1991
01:04:55,925 --> 01:05:00,864
AND THE WAY YOU EBB AND FLOW

1992
01:05:00,864 --> 01:05:01,464
BETWEEN FOLLOWER AND LEADER,

1993
01:05:01,464 --> 01:05:01,931
LEADER AND FOLLOWER.

1994
01:05:01,931 --> 01:05:03,500
THE OPENING TURN WAS STELLAR.

1995
01:05:03,500 --> 01:05:03,933
THE POWER AND GRACE.

1996
01:05:03,933 --> 01:05:07,904
IT WAS ABSOLUTELY PRISTINE.

1997
01:05:07,904 --> 01:05:09,839
THAT WAS A MOMENT.

1998
01:05:09,839 --> 01:05:11,408
THAT WAS A MOMENT.

1999
01:05:11,408 --> 01:05:13,510
>> Tyra: BRUNO?

2000
01:05:13,510 --> 01:05:15,645
>> I AM STILL SHIVERING.

2001
01:05:15,645 --> 01:05:16,713
BECAUSE I'M TELLING YOU WHAT,

2002
01:05:16,713 --> 01:05:20,383
THAT WAS THE MOST EXQUISITE

2003
01:05:20,383 --> 01:05:23,086
INTERPRETATION OF THE IMPORTANCE

2004
01:05:23,086 --> 01:05:32,061
AND POWER OF FRIENDSHIP.

2005
01:05:32,061 --> 01:05:32,695
AND IT WAS DANCED TO A LEVEL OF

2006
01:05:32,695 --> 01:05:33,329
MUSICALITY, BECAUSE YOU ALL KNOW

2007
01:05:33,329 --> 01:05:34,164
DANCES.

2008
01:05:34,164 --> 01:05:36,966
YOU HAVE TO FOLLOW THE PHRASING

2009
01:05:36,966 --> 01:05:37,934
OF THE KEYBOARD.

2010
01:05:37,934 --> 01:05:38,868
YOU DID THAT LIKE AN ARTIST.

2011
01:05:38,868 --> 01:05:40,970
>> Tyra: CARRIE ANN?

2012
01:05:40,970 --> 01:05:44,140
>> YOU GUYS LEAVE ME NOTHING TO

2013
01:05:44,140 --> 01:05:46,776
SAY AT THIS POINT EXCEPT I CAN

2014
01:05:46,776 --> 01:05:47,377
JUST SAY, THAT WAS PERFECTION.

2015
01:05:47,377 --> 01:05:48,378
[ CHEERS AND APPLAUSE ]

2016
01:05:48,378 --> 01:05:49,412
>> THANK YOU.

2017
01:05:49,412 --> 01:05:49,946
>> Tyra: OH, MY GOSH.

2018
01:05:49,946 --> 01:05:51,514
THIS IS BEAUTIFUL.

2019
01:05:51,514 --> 01:05:53,116
SOME FRIENDSHIPS ARE FOR A

2020
01:05:53,116 --> 01:05:53,683
SEASON, AND SOME ARE FOR A

2021
01:05:53,683 --> 01:05:57,887
LIFETIME.

2022
01:05:57,887 --> 01:05:58,455
AND WHAT I SEE IS BEAUTIFUL.

2023
01:05:58,455 --> 01:05:59,022
IT BROUGHT TEARS TO MY EYES.

2024
01:05:59,022 --> 01:05:59,589
AND I'M SURE PEOPLE AT HOME.

2025
01:05:59,589 --> 01:06:01,057
LET'S GET THE SCORES.

2026
01:06:01,057 --> 01:06:04,961
>> Announcer: CARRIE ANN INABA.

2027
01:06:04,961 --> 01:06:06,329
>> PERFECTION MEANS 10!

2028
01:06:06,329 --> 01:06:10,567
>> Announcer: LEN GOODMAN.

2029
01:06:10,567 --> 01:06:11,601
>> IT'S GONNA BE A 10.

2030
01:06:11,601 --> 01:06:15,839
>> Announcer: DEREK HOUGH.

2031
01:06:15,839 --> 01:06:16,372
>> 1, I MEAN, 10.

2032
01:06:16,372 --> 01:06:16,940
>> Announcer: BRUNO TONIOLI.

2033
01:06:16,940 --> 01:06:18,475
>> 10!

2034
01:06:18,475 --> 01:06:21,644
>> Tyra: OKAY.

2035
01:06:21,644 --> 01:06:23,746
EVERYBODY LISTEN UP.

2036
01:06:23,746 --> 01:06:25,348
THIS IS THE FIRST PERFECT SCORE

2037
01:06:25,348 --> 01:06:29,085
OF THE ENTIRE SEASON.

2038
01:06:29,085 --> 01:06:33,323
40 OUT OF 40 FOR JOJO AND JENNA.

2039
01:06:33,323 --> 01:06:35,425
WE COME TO THE MOMENT IN

2040
01:06:35,425 --> 01:06:37,527
"GREASE" WHEN SANDY MAKES HER

2041
01:06:37,527 --> 01:06:38,161
TRANSFORMATION FROM GOOD GIRL TO

2042
01:06:38,161 --> 01:06:40,129
GREASER.

2043
01:06:40,129 --> 01:06:42,765
BYE‐BYE, SANDRA DEE.

2044
01:06:42,765 --> 01:06:43,933
SO I THINK I'M GOING TO GET IN

2045
01:06:43,933 --> 01:06:44,901
ON THAT.

2046
01:06:44,901 --> 01:06:46,970
AND SO WILL SPICE GIRL MELANIE C

2047
01:06:46,970 --> 01:06:49,072
WHEN SHE AND GLEB PERFORM A

2048
01:06:49,072 --> 01:06:50,406
QUICKSTEP, NEXT, LIVE.

2049
01:06:58,348 --> 01:06:58,848
[ CHEERS AND APPLAUSE ]

2050
01:06:58,848 --> 01:06:59,182
♪

2051
01:06:59,182 --> 01:06:59,716
[ CHEERS AND APPLAUSE ]

2052
01:06:59,716 --> 01:07:00,216
♪

2053
01:07:00,216 --> 01:07:01,851
>> Tyra: WE'LL, WE'RE BACK.

2054
01:07:01,851 --> 01:07:05,555
AND THIS IS A SPICIER LOOK.

2055
01:07:05,555 --> 01:07:06,589
IT'S ALSO THE LOOK OF OUR SPICE

2056
01:07:06,589 --> 01:07:07,123
GIRL.

2057
01:07:07,123 --> 01:07:08,191
HERE ARE MELANIE C AND GLEB

2058
01:07:08,191 --> 01:07:09,626
TRAINING FOR THEIR DANCE,

2059
01:07:09,626 --> 01:07:10,293
CELEBRATING A LIFE‐CHANGING

2060
01:07:10,293 --> 01:07:19,235
MOMENT FOR SANDY.

2061
01:07:19,235 --> 01:07:21,871
>> IT'S "GREASE" NIGHT.

2062
01:07:21,871 --> 01:07:22,405
WE'RE DANCING A QUICKSTEP

2063
01:07:22,405 --> 01:07:28,044
TO "YOU'RE THE ONE THAT I WANT."

2064
01:07:28,044 --> 01:07:33,149
YOU'RE SANDY, AND I'M DANNY.

2065
01:07:33,149 --> 01:07:33,383
>> YES!

2066
01:07:33,383 --> 01:07:34,017
FOR ME, THIS IS THE MOST ICONIC

2067
01:07:34,017 --> 01:07:36,920
MOMENT IN "GREASE."

2068
01:07:36,920 --> 01:07:38,488
UP TO THAT POINT, SHE'S BEEN

2069
01:07:38,488 --> 01:07:39,289
QUITE QUIET AND SHY.

2070
01:07:39,289 --> 01:07:40,323
SHE REALLY FINDS THIS INNER

2071
01:07:40,323 --> 01:07:40,623
CONFIDENCE.

2072
01:07:40,623 --> 01:07:40,890
>> SANDY?

2073
01:07:40,890 --> 01:07:41,925
>> TELL ME ABOUT IT, STUD.

2074
01:07:41,925 --> 01:07:45,595
>> "YOU'RE THE ONE THAT I WANT"

2075
01:07:45,595 --> 01:07:46,229
IS A CELEBRATION OF REINVENTION.

2076
01:07:46,229 --> 01:07:46,829
THAT'S WHAT "DANCING WITH THE

2077
01:07:46,829 --> 01:07:53,503
STARS" HAS BEEN SINCE DAY ONE.

2078
01:07:53,503 --> 01:07:54,103
AND I THINK IT'S PERFECT FOR

2079
01:07:54,103 --> 01:07:54,571
MELANIE C AND GLEB.

2080
01:07:54,571 --> 01:07:55,605
>> STEP, HOP, STEP, HOP.

2081
01:07:55,605 --> 01:07:57,574
DON'T QUESTION YOURSELF.

2082
01:07:57,574 --> 01:07:59,309
>> I'M SO SCARED.

2083
01:07:59,309 --> 01:08:00,376
>> MELANIE HAS BEEN STRUGGLING

2084
01:08:00,376 --> 01:08:01,444
THROUGHOUT THIS WHOLE PROCESS TO

2085
01:08:01,444 --> 01:08:04,581
FIND HER CONFIDENCE AS A DANCER.

2086
01:08:04,581 --> 01:08:06,182
AND I REALLY HOPE THIS WEEK WILL

2087
01:08:06,182 --> 01:08:06,783
BE A BREAKTHROUGH MOMENT FOR

2088
01:08:06,783 --> 01:08:07,750
HER.

2089
01:08:07,750 --> 01:08:08,851
>> I IDENTIFY WITH SANDY'S

2090
01:08:08,851 --> 01:08:16,259
CHARACTER IN A WAY.

2091
01:08:16,259 --> 01:08:16,859
SHE'S QUITE UNSURE OF HERSELF.

2092
01:08:16,859 --> 01:08:17,393
I WOULD LOVE TO TRANSFORM.

2093
01:08:17,393 --> 01:08:17,961
BUT I DON'T REALLY HAVE THE

2094
01:08:17,961 --> 01:08:23,633
CONFIDENCE.

2095
01:08:23,633 --> 01:08:24,267
I THINK I DON'T TRUST WHERE TO

2096
01:08:24,267 --> 01:08:28,338
GO WITH IT, WHAT TO DO WITH IT.

2097
01:08:28,338 --> 01:08:29,405
AND SOMETIMES I GET UPSET

2098
01:08:29,405 --> 01:08:29,973
BECAUSE I FEEL LIKE YOU'RE

2099
01:08:29,973 --> 01:08:31,007
REALLY DISAPPOINTED IN ME.

2100
01:08:31,007 --> 01:08:32,575
>> I'M SORRY.

2101
01:08:32,575 --> 01:08:38,414
[ CRYING ]

2102
01:08:38,414 --> 01:08:41,584
LISTEN, I HAVE THE BEST PARTNER

2103
01:08:41,584 --> 01:08:41,985
I COULD WISH FOR.

2104
01:08:41,985 --> 01:08:44,220
AND I WANT YOU TO OWN THE WORLD

2105
01:08:44,220 --> 01:08:44,854
HOW YOU OWN THE WORLD WITH YOUR

2106
01:08:44,854 --> 01:08:46,889
SPICE GIRLS.

2107
01:08:46,889 --> 01:08:47,523
YOU'RE BEAUTIFUL, YOU'RE SEXY,

2108
01:08:47,523 --> 01:08:49,525
AND WE CAN DO THIS.

2109
01:08:49,525 --> 01:08:50,159
>> I FEEL SO HOT AND SEXY RIGHT

2110
01:08:50,159 --> 01:08:51,094
NOW.

2111
01:08:51,094 --> 01:08:55,331
>> LIKE SANDY.

2112
01:08:55,331 --> 01:08:56,366
>> I'VE BEEN WORKING SO HARD

2113
01:08:56,366 --> 01:08:57,433
THIS WEEK ON TRYING TO FIND MY

2114
01:08:57,433 --> 01:09:00,570
INNER CONFIDENCE.

2115
01:09:00,570 --> 01:09:01,604
COME ON.

2116
01:09:01,604 --> 01:09:04,240
SO TONIGHT, I WANT TO BRING THAT

2117
01:09:04,240 --> 01:09:04,807
TO THE DANCE FLOOR THROUGH

2118
01:09:04,807 --> 01:09:05,575
SANDY.

2119
01:09:05,575 --> 01:09:06,576
>> JUST GO FOR IT.

2120
01:09:06,576 --> 01:09:09,545
[ CHEERS AND APPLAUSE ]

2121
01:09:09,545 --> 01:09:12,582
>> Announcer: DANCING THE

2122
01:09:12,582 --> 01:09:13,583
QUICKSTEP WITH HER PARTNER GLEB,

2123
01:09:13,583 --> 01:09:16,619
IT'S MELANIE C.

2124
01:09:18,588 --> 01:09:25,662
♪

2125
01:09:25,662 --> 01:09:30,967
♪ I GOT CHILLS THEY'RE

2126
01:09:30,967 --> 01:09:31,501
MULTIPLYING AND I'M LOSING

2127
01:09:31,501 --> 01:09:35,672
CONTROL ♪

2128
01:09:35,672 --> 01:09:38,307
♪ 'CAUSE THE POWER YOU'RE

2129
01:09:38,307 --> 01:09:45,715
SUPPLYING IT'S ELECTRIFYING ♪

2130
01:09:45,715 --> 01:09:48,918
♪ YOU BETTER SHAPE UP 'CAUSE I

2131
01:09:48,918 --> 01:09:52,588
NEED A MAN ♪

2132
01:09:52,588 --> 01:09:56,292
♪ AND MY HEART IS SET ON YOU YOU

2133
01:09:56,292 --> 01:09:56,859
BETTER SHAPE UP YOU BETTER

2134
01:09:56,859 --> 01:09:59,462
UNDERSTAND ♪

2135
01:09:59,462 --> 01:10:03,166
♪ TO MY HEART I MUST BE TRUE

2136
01:10:03,166 --> 01:10:03,833
♪ NOTHING LEFT NOTHING LEFT FOR

2137
01:10:03,833 --> 01:10:05,234
ME TO DO ♪

2138
01:10:05,234 --> 01:10:09,472
♪ YOU'RE THE ONE THAT I WANT

2139
01:10:09,472 --> 01:10:12,642
OO‐OO‐OO HONEY ♪

2140
01:10:12,642 --> 01:10:13,276
♪ THE ONE THAT I WANT OO‐OO‐OO

2141
01:10:13,276 --> 01:10:17,914
HONEY ♪

2142
01:10:17,914 --> 01:10:21,117
♪ THE ONE THAT I WANT OO‐OO‐OO

2143
01:10:21,117 --> 01:10:24,287
♪ THE ONE I NEED OH YES INDEED

2144
01:10:24,287 --> 01:10:27,990
♪ YOU'RE THE ONE THAT I WANT

2145
01:10:27,990 --> 01:10:31,661
OO‐OO‐OO HONEY ♪

2146
01:10:31,661 --> 01:10:33,629
♪ THE ONE THAT I WANT OO‐OO‐OO

2147
01:10:33,629 --> 01:10:37,600
HONEY ♪

2148
01:10:37,600 --> 01:10:40,069
♪ THE ONE THAT I WANT OO‐OO‐OO

2149
01:10:40,069 --> 01:10:41,137
♪ THE ONE I NEED OH YES

2150
01:10:41,137 --> 01:10:42,171
INDEED ♪

2151
01:10:42,171 --> 01:10:45,575
♪

2152
01:10:45,575 --> 01:10:50,113
[ CHEERS AND APPLAUSE ]

2153
01:10:50,113 --> 01:10:51,681
>> Tyra: MELANIE C AND GLEB.

2154
01:10:51,681 --> 01:10:53,783
WITH A QUICKSTEP.

2155
01:10:53,783 --> 01:11:01,624
DEREK?

2156
01:11:01,624 --> 01:11:02,792
>> MELANIE, FIRST OF ALL,

2157
01:11:02,792 --> 01:11:03,426
CONFIDENCE ISN'T SOMETHING YOU

2158
01:11:03,426 --> 01:11:08,631
HAVE.

2159
01:11:08,631 --> 01:11:09,198
IT'S SOMETHING THAT YOU DO.

2160
01:11:09,198 --> 01:11:12,635
AND YOU DID THAT.

2161
01:11:12,635 --> 01:11:13,736
YOU WERE PHENOMENAL OUT THERE.

2162
01:11:13,736 --> 01:11:15,838
THERE WAS A TEENY LITTLE MOMENT,

2163
01:11:15,838 --> 01:11:17,406
BUT IT WAS OVERSHADOWED BY HOW

2164
01:11:17,406 --> 01:11:19,509
FANTASTIC THAT QUICKSTEP WAS.

2165
01:11:19,509 --> 01:11:20,109
YOUR OVERSWAY WAS PERFECTION.

2166
01:11:20,109 --> 01:11:20,576
WELL DONE.

2167
01:11:20,576 --> 01:11:23,212
>> Tyra: BRUNO?

2168
01:11:23,212 --> 01:11:23,813
>> MELANIE, YOU GOT WHAT YOU

2169
01:11:23,813 --> 01:11:26,883
WANTED.

2170
01:11:26,883 --> 01:11:27,517
GLEB ON HIS KNEES, BEGGING FOR

2171
01:11:27,517 --> 01:11:30,086
IT.

2172
01:11:30,086 --> 01:11:30,620
YEAH.

2173
01:11:30,620 --> 01:11:31,654
YOU WERE RIGHT ON THIS ONE.

2174
01:11:31,654 --> 01:11:36,692
I HAVE TO SAY ONE THING.

2175
01:11:36,692 --> 01:11:37,760
AND YOU DANCERS KNOW.

2176
01:11:37,760 --> 01:11:38,394
IT TAKES A LOT OF GUTS DOING A

2177
01:11:38,394 --> 01:11:38,828
QUICKSTEP IN LYCRA.

2178
01:11:38,828 --> 01:11:39,462
ALL THE ATTENTION IS ON THE LEGS

2179
01:11:39,462 --> 01:11:40,930
AND FEET.

2180
01:11:40,930 --> 01:11:43,566
AND I HAVE TO SAY, APART FROM A

2181
01:11:43,566 --> 01:11:44,100
SLIGHT SLIP, GREAT.

2182
01:11:44,100 --> 01:11:47,203
>> Tyra: CARRIE ANN?

2183
01:11:47,203 --> 01:11:48,805
>> MELANIE, I JUST WANT TO SAY

2184
01:11:48,805 --> 01:11:49,338
THAT I APPRECIATE YOUR

2185
01:11:49,338 --> 01:11:50,373
VULNERABILITY THERE.

2186
01:11:50,373 --> 01:11:51,974
THIS WHOLE THING IS A JOURNEY.

2187
01:11:51,974 --> 01:11:53,543
AS A JUDGE, I'M NOT JUDGING THE

2188
01:11:53,543 --> 01:11:54,177
VULNERABILITY, BUT I LOVED THAT

2189
01:11:54,177 --> 01:11:55,678
YOU SHARED THAT.

2190
01:11:55,678 --> 01:11:56,712
IT MAKES US APPRECIATE WHAT YOU

2191
01:11:56,712 --> 01:11:57,246
DO EVEN MORE.

2192
01:11:57,246 --> 01:11:57,847
THAT'S THE BEAUTY OF "DANCING

2193
01:11:57,847 --> 01:12:00,883
WITH THE STARS."

2194
01:12:00,883 --> 01:12:03,052
SO I LOVE THAT.

2195
01:12:03,052 --> 01:12:03,686
AND WHAT WILL MAKE YOU FEEL LIKE

2196
01:12:03,686 --> 01:12:04,320
YOU HAD A BREAKTHROUGH, WHEN YOU

2197
01:12:04,320 --> 01:12:04,587
HAVE FUN.

2198
01:12:04,587 --> 01:12:07,757
YOU STARTED A LITTLE NERVOUS,

2199
01:12:07,757 --> 01:12:08,357
AND THEN HALFWAY THROUGH, YOU

2200
01:12:08,357 --> 01:12:10,693
HAD FUN.

2201
01:12:10,693 --> 01:12:11,794
AND THAT'S WHEN IT CAME TO LIFE.

2202
01:12:11,794 --> 01:12:12,295
IT WAS AMAZING.

2203
01:12:12,295 --> 01:12:12,829
>> Tyra: LEN?

2204
01:12:12,829 --> 01:12:13,429
>> KEEPING IT SIMPLE, IT WAS

2205
01:12:13,429 --> 01:12:14,931
YOUR BEST DANCE FOR ME.

2206
01:12:14,931 --> 01:12:24,774
WELL DONE.

2207
01:12:24,774 --> 01:12:25,641
>> Tyra: VIL VULNERABILITY IS

2208
01:12:25,641 --> 01:12:28,544
BEAUTIFUL.

2209
01:12:28,544 --> 01:12:29,078
ARE YOU LEARNING TO TRUST

2210
01:12:29,078 --> 01:12:29,579
YOURSELF?

2211
01:12:29,579 --> 01:12:30,112
>> GOSH, I HAVE MOMENTS.

2212
01:12:30,112 --> 01:12:30,646
I DO.

2213
01:12:30,646 --> 01:12:31,714
IT'S LIKE, OH, IT'S SO HARD.

2214
01:12:31,714 --> 01:12:32,348
I JUST HAVE SO MUCH RESPECT FOR

2215
01:12:32,348 --> 01:12:32,782
EVERYONE.

2216
01:12:32,782 --> 01:12:34,884
IT'S LIKE, NO ONE ‐‐ I'M SUCH

2217
01:12:34,884 --> 01:12:35,985
A ‐‐ I'VE DONE SO MUCH

2218
01:12:35,985 --> 01:12:39,155
PERFORMING IN MY LIFE.

2219
01:12:39,155 --> 01:12:39,789
BUT THIS DANCE FLOOR IS, LIKE ‐‐

2220
01:12:39,789 --> 01:12:43,860
>> Tyra: IT'S A WHOLE NEW THING.

2221
01:12:43,860 --> 01:12:44,961
VULNERABILITY IS BEAUTIFUL.

2222
01:12:44,961 --> 01:12:45,595
YOU'RE AT THE TOP OF YOUR GAME,

2223
01:12:45,595 --> 01:12:47,296
BUT REALLY HUMBLE HERE.

2224
01:12:47,296 --> 01:12:48,364
REALLY BEAUTIFUL.

2225
01:12:48,364 --> 01:12:49,465
LET'S GET YOUR SCORES.

2226
01:12:49,465 --> 01:12:50,099
>> Announcer: CARRIE ANN INABA.

2227
01:12:50,099 --> 01:12:52,034
>> 9.

2228
01:12:52,034 --> 01:12:52,568
>> Announcer: LEN GOODMAN.

2229
01:12:52,568 --> 01:12:54,704
>> 9.

2230
01:12:54,704 --> 01:12:55,738
>> Announcer: DEREK HOUGH.

2231
01:12:55,738 --> 01:12:57,840
>> 9.

2232
01:12:57,840 --> 01:12:58,908
>> Announcer: BRUNO TONIOLI.

2233
01:12:58,908 --> 01:13:01,544
>> 9.

2234
01:13:01,544 --> 01:13:02,178
>> Tyra: THE JUDGES LOVE THOSE

2235
01:13:02,178 --> 01:13:04,180
9s TONIGHT.

2236
01:13:04,180 --> 01:13:04,814
36 OUT OF 40 FOR MELANIE C AND

2237
01:13:04,814 --> 01:13:06,282
GLEB.

2238
01:13:06,282 --> 01:13:07,850
VOTING CLOSES DURING THE LAST

2239
01:13:07,850 --> 01:13:08,985
COMMERCIAL BREAK.

2240
01:13:08,985 --> 01:13:10,019
AND WE HAVE ONE MORE DANCE IN

2241
01:13:10,019 --> 01:13:12,121
OUR "GREASE" NIGHT COMPETITION.

2242
01:13:12,121 --> 01:13:15,291
CELEBRITY FITNESS GURU

2243
01:13:15,291 --> 01:13:16,359
CODY RIGSBY AND CHERYL GO

2244
01:13:16,359 --> 01:13:16,993
TOGETHER WITH A QUICKSTEP WHEN

2245
01:13:16,993 --> 01:13:18,127
WE COME BACK, LIVE.

2246
01:13:24,300 --> 01:13:24,800
[ CHEERS AND APPLAUSE ]

2247
01:13:24,800 --> 01:13:27,203
♪

2248
01:13:27,203 --> 01:13:27,703
[ CHEERS AND APPLAUSE ]

2249
01:13:27,703 --> 01:13:28,271
♪

2250
01:13:28,271 --> 01:13:28,771
>> Tyra: WE'RE BACK.

2251
01:13:28,771 --> 01:13:30,373
OUR "DANCING WITH THE STARS"

2252
01:13:30,373 --> 01:13:33,509
PROS ARE HEADING ON TOUR THIS

2253
01:13:33,509 --> 01:13:34,143
WINTER 2022 WITH AN ALL‐NEW LIVE

2254
01:13:34,143 --> 01:13:40,917
SHOW.

2255
01:13:40,917 --> 01:13:43,352
GO TO DWTSTOUR.COM FOR TICKETS

2256
01:13:43,352 --> 01:13:48,691
AND FULL DETAILS.

2257
01:13:48,691 --> 01:13:49,258
NOW, GET READY TO SEE CODY

2258
01:13:49,258 --> 01:13:50,793
RIGSBY AND CHERYL PRACTICE FOR

2259
01:13:50,793 --> 01:13:51,394
THE FINAL NUMBER ON "GREASE"

2260
01:13:51,394 --> 01:13:51,627
NIGHT.

2261
01:13:51,627 --> 01:13:53,963
>> ANOTHER WEEK, ANOTHER DANCE.

2262
01:13:53,963 --> 01:13:55,031
IT'S "GREASE" NIGHT.

2263
01:13:55,031 --> 01:13:55,665
>> "GREASE" IS A CLASSIC WE ALL

2264
01:13:55,665 --> 01:13:57,667
LOVE.

2265
01:13:57,667 --> 01:13:59,735
>> WE'RE DANCING A QUICKSTEP TO

2266
01:13:59,735 --> 01:14:00,269
NONE OTHER THAN "WE GO

2267
01:14:00,269 --> 01:14:02,905
TOGETHER."

2268
01:14:02,905 --> 01:14:03,940
THERE'S SO MANY HIGHLIGHTS WHEN

2269
01:14:03,940 --> 01:14:07,109
IT COMES TO "GREASE."

2270
01:14:07,109 --> 01:14:07,643
AND WE'RE DOING THE MOST

2271
01:14:07,643 --> 01:14:12,949
WELL‐KNOWN SONG.

2272
01:14:12,949 --> 01:14:13,983
>> WHAT I LOVE ABOUT THIS SONG,

2273
01:14:13,983 --> 01:14:14,350
IT'S THE FINALE.

2274
01:14:14,350 --> 01:14:15,051
ALL THE KIDS HAVE GRADUATED.

2275
01:14:15,051 --> 01:14:15,618
THEY'RE DANCING WITH THEIR

2276
01:14:15,618 --> 01:14:18,254
FRIENDS, GIVING ALL THIS ENERGY.

2277
01:14:18,254 --> 01:14:20,356
IT'S CELEBRATORY, IT'S FUN.

2278
01:14:20,356 --> 01:14:20,990
AND THAT'S EXACTLY WHAT WE WANT

2279
01:14:20,990 --> 01:14:23,526
TO DO IS HAVE FUN.

2280
01:14:23,526 --> 01:14:24,560
WHAT BETTER WAY TO DO IT THAN

2281
01:14:24,560 --> 01:14:26,662
THE FINALE OF "GREASE."

2282
01:14:26,662 --> 01:14:28,264
>> I'M SANDY, YOU'RE DANNY.

2283
01:14:28,264 --> 01:14:29,865
>> I'M EXCITED.

2284
01:14:29,865 --> 01:14:30,900
BECAUSE I ‐‐

2285
01:14:30,900 --> 01:14:31,434
>> LOOK GOOD IN A LEATHER

2286
01:14:31,434 --> 01:14:31,968
JACKET.

2287
01:14:31,968 --> 01:14:34,537
>> OF COURSE.

2288
01:14:34,537 --> 01:14:35,171
BUT I ACTUALLY DID "GREASE" IN

2289
01:14:35,171 --> 01:14:39,842
HIGH SCHOOL.

2290
01:14:39,842 --> 01:14:40,910
I WAS KENICKIE.

2291
01:14:40,910 --> 01:14:41,978
IN HIGH SCHOOL, I DID ALL OF THE

2292
01:14:41,978 --> 01:14:44,380
MUSICALS BECAUSE I WAS A GREAT

2293
01:14:44,380 --> 01:14:45,114
DANCER AND A GREAT PERFORMER.

2294
01:14:45,114 --> 01:14:47,750
BUT WHEN I OPENED MY MOUTH TO

2295
01:14:47,750 --> 01:14:48,417
SING, IT SOUNDED LIKE NAILS ON A

2296
01:14:48,417 --> 01:14:52,822
CHALKBOARD.

2297
01:14:52,822 --> 01:14:54,457
TRUST, NO ONE WOULD CAST ME AS A

2298
01:14:54,457 --> 01:14:57,093
LEADING MAN IF YOU HEARD ME

2299
01:14:57,093 --> 01:14:57,293
SING.

2300
01:14:57,293 --> 01:14:59,028
SO I'M EXCITED TO FINALLY PLAY

2301
01:14:59,028 --> 01:15:02,832
DANNY.

2302
01:15:02,832 --> 01:15:04,233
THIS IS MY CHANCE TO BE THE

2303
01:15:04,233 --> 01:15:04,567
LEADING MAN.

2304
01:15:04,567 --> 01:15:07,303
>> THAT'S RIGHT.

2305
01:15:07,303 --> 01:15:07,837
>> I'M TIRED OF BEING THE

2306
01:15:07,837 --> 01:15:08,137
BRIDESMAID.

2307
01:15:08,137 --> 01:15:09,005
I WANT TO BE THE BRIDE.

2308
01:15:09,005 --> 01:15:10,639
>> AMEN.

2309
01:15:10,639 --> 01:15:11,273
>> NO PRESSURE, BUT THIS IS THE

2310
01:15:11,273 --> 01:15:13,743
FINAL MOMENT OF "GREASE."

2311
01:15:13,743 --> 01:15:16,112
WE HAVE TO PERFORM WITH

2312
01:15:16,112 --> 01:15:17,246
EVERYTHING WE HAVE.

2313
01:15:17,246 --> 01:15:18,948
>> WE NEED TO SHOW THEM THAT YOU

2314
01:15:18,948 --> 01:15:20,116
CAN MAINTAIN A FRAME.

2315
01:15:20,116 --> 01:15:21,717
AND YOU CANNOT BREAK HOLD.

2316
01:15:21,717 --> 01:15:22,318
>> I'M EXCITED TO RELIVE MY

2317
01:15:22,318 --> 01:15:22,818
MUSICAL THEATER DAYS.

2318
01:15:22,818 --> 01:15:24,920
LET'S DO THIS!

2319
01:15:24,920 --> 01:15:25,988
[ CHEERS AND APPLAUSE ]

2320
01:15:25,988 --> 01:15:27,556
>> Announcer: DANCING THE

2321
01:15:27,556 --> 01:15:28,124
QUICKSTEP WITH HIS PARTNER

2322
01:15:28,124 --> 01:15:31,761
CHERYL, IT'S CODY RIGSBY.

2323
01:15:34,463 --> 01:15:37,099
♪

2324
01:15:37,099 --> 01:15:38,667
♪ WE GO TOGETHER LIKE RAMMA

2325
01:15:38,667 --> 01:15:39,268
LAMMA LAMMA KA DINGA DA DINGA

2326
01:15:39,268 --> 01:15:41,303
DONG ♪

2327
01:15:41,303 --> 01:15:42,872
♪ REMEMBERED FOREVER LIKE

2328
01:15:42,872 --> 01:15:44,407
SHOO‐WOP SHA WHADA WHADDA

2329
01:15:44,407 --> 01:15:46,042
YIPPIDY BOOM DA BOOM ♪

2330
01:15:46,042 --> 01:15:47,376
♪ CHANG CHANG CHANGITY CHANG

2331
01:15:47,376 --> 01:15:48,677
SHOO BOP ♪

2332
01:15:48,677 --> 01:15:51,847
♪ WE'LL ALWAYS BE LIKE ONE

2333
01:15:51,847 --> 01:15:56,652
WA‐WA‐WA‐ONE ♪

2334
01:15:56,652 --> 01:15:57,720
♪ WHEN WE GO OUT AT NIGHT AND

2335
01:15:57,720 --> 01:16:04,026
STARS ARE SHINING BRIGHT ♪

2336
01:16:04,026 --> 01:16:05,094
♪ UP IN THE SKIES ABOVE OR AT

2337
01:16:05,094 --> 01:16:07,196
THE HIGH SCHOOL DANCE ♪

2338
01:16:07,196 --> 01:16:09,832
♪ WHERE YOU CAN FIND ROMANCE

2339
01:16:09,832 --> 01:16:12,968
MAYBE IT MIGHT BE

2340
01:16:12,968 --> 01:16:14,570
LO‐UH‐UH‐UH‐UH‐VE ♪

2341
01:16:14,570 --> 01:16:15,204
♪ RAMMA LAMMA LAMMA KA DINGITY

2342
01:16:15,204 --> 01:16:16,672
DING DA DONG ♪

2343
01:16:16,672 --> 01:16:17,273
♪ SHOO BOP SHOO WADDA WADDA

2344
01:16:17,273 --> 01:16:19,308
YIPPITY BOOM DA BOOM ♪

2345
01:16:19,308 --> 01:16:19,909
♪ CHANG CHANG CHANGITY CHANG

2346
01:16:19,909 --> 01:16:22,478
SHOO BOP ♪

2347
01:16:22,478 --> 01:16:23,145
♪ YIP DA DIP DA DIP SHOO BOP SHA

2348
01:16:23,145 --> 01:16:28,317
DOOBY DO ♪

2349
01:16:28,317 --> 01:16:28,984
♪ A‐WOMP BOP A‐LOOMA A‐WOMP BAM

2350
01:16:28,984 --> 01:16:32,421
BOOM ♪

2351
01:16:32,421 --> 01:16:33,622
♪ WE'RE FOR EACH OTHER LIKE WOMP

2352
01:16:33,622 --> 01:16:37,326
BOP A‐LOOMA A‐WOMP BAM BOOM ♪

2353
01:16:37,326 --> 01:16:38,861
♪ JUST LIKE MY BROTHER IS SHA NA

2354
01:16:38,861 --> 01:16:40,429
NA NA NA NA NA NA YIPPITY DIP DA

2355
01:16:40,429 --> 01:16:40,996
DO ♪

2356
01:16:40,996 --> 01:16:43,632
♪ CHANG CHANG CHANGITY CHANG

2357
01:16:43,632 --> 01:16:43,933
SHOO BOP ♪

2358
01:16:43,933 --> 01:16:47,803
♪ WE'LL ALWAYS BE TOGETHER

2359
01:16:47,803 --> 01:16:49,939
WAH‐OOO YEAH ♪

2360
01:16:49,939 --> 01:16:51,006
♪ WE'LL ALWAYS CHANG CHANG

2361
01:16:51,006 --> 01:16:52,041
CHANGITY CHANG SHOO BOP ♪

2362
01:16:52,041 --> 01:16:53,642
♪ BE TOGETHER CHANG CHANG

2363
01:16:53,642 --> 01:16:55,211
CHANGITY CHANG SHOO BOP ♪

2364
01:16:55,211 --> 01:16:55,778
♪ WE'LL ALWAYS CHANG CHANG

2365
01:16:55,778 --> 01:16:57,313
CHANGITY CHANG SHOO BOP ♪

2366
01:16:57,313 --> 01:16:58,380
♪ BE TOGETHER CHANG CHANG

2367
01:16:58,380 --> 01:16:58,948
CHANGITY CHANG SHOO BOP ♪

2368
01:16:58,948 --> 01:16:59,982
♪

2369
01:16:59,982 --> 01:17:06,355
[ CHEERS AND APPLAUSE ]

2370
01:17:06,355 --> 01:17:07,423
>> Tyra: WHOA, CODY AND CHERYL

2371
01:17:07,423 --> 01:17:09,525
WITH A QUICKSTEP TO CLOSE OUT

2372
01:17:09,525 --> 01:17:12,661
THE FINAL DANCE OF THE NIGHT.

2373
01:17:12,661 --> 01:17:13,229
>> GOOD JOB.

2374
01:17:13,229 --> 01:17:14,263
>> Tyra: THAT'S THE LAST DANCE.

2375
01:17:14,263 --> 01:17:15,331
SO VOTE ON ABC.COM.

2376
01:17:15,331 --> 01:17:17,433
AND VOTE BY TEXTING THE FIRST

2377
01:17:17,433 --> 01:17:20,402
NAME OF YOUR FAVORITE STAR TO

2378
01:17:20,402 --> 01:17:21,637
THE NUMBER 21523.

2379
01:17:21,637 --> 01:17:21,837
BRUNO?

2380
01:17:21,837 --> 01:17:27,977
>> I'M READY TO GO.

2381
01:17:27,977 --> 01:17:28,577
BECAUSE IT HAD THAT SENSE OF

2382
01:17:28,577 --> 01:17:31,647
UPLIFTING CELEBRATION OF

2383
01:17:31,647 --> 01:17:32,081
EVERYTHING "GREASE."

2384
01:17:32,081 --> 01:17:34,850
GREAT PERFORMANCE.

2385
01:17:34,850 --> 01:17:36,952
BUT I HAVE TO ‐‐ NOW, YOU REALLY

2386
01:17:36,952 --> 01:17:38,020
HAVE TO WORK ON THE SECTIONS IN

2387
01:17:38,020 --> 01:17:39,588
HOLD.

2388
01:17:39,588 --> 01:17:41,690
AND THE FOOTWORK.

2389
01:17:41,690 --> 01:17:42,291
AT THIS STAGE, WE CANNOT LET

2390
01:17:42,291 --> 01:17:43,292
THAT GO.

2391
01:17:43,292 --> 01:17:45,394
I KNOW YOU DIDN'T HAVE MUCH TIME

2392
01:17:45,394 --> 01:17:46,028
TOGETHER, BUT CODY, YOU NEED TO

2393
01:17:46,028 --> 01:17:47,530
WORK ON IT.

2394
01:17:47,530 --> 01:17:49,098
I KNOW YOU CAN DO IT.

2395
01:17:49,098 --> 01:17:50,166
IT'S THE PARTNER WORK.

2396
01:17:50,166 --> 01:17:51,734
>> Tyra: CARRIE ANN?

2397
01:17:51,734 --> 01:17:54,870
>> I'M PROUD OF YOU TO DO THAT

2398
01:17:54,870 --> 01:17:55,471
AFTER HAVING COVID, IT TAKES

2399
01:17:55,471 --> 01:17:58,541
YOUR BREATH AWAY.

2400
01:17:58,541 --> 01:17:59,608
I KNOW IT'S HARD,

2401
01:17:59,608 --> 01:18:02,111
ENDURANCE‐WISE.

2402
01:18:02,111 --> 01:18:03,712
BUT BRUNO IS RIGHT, WE NEED MORE

2403
01:18:03,712 --> 01:18:04,747
CHEMISTRY AND DANCING TOGETHER.

2404
01:18:04,747 --> 01:18:05,281
GOOD JOB.

2405
01:18:05,281 --> 01:18:09,018
>> Tyra: LEN?

2406
01:18:09,018 --> 01:18:12,454
>> YOU NEEDED A STRONGER FRAME.

2407
01:18:12,454 --> 01:18:13,022
BUT I LIKED THE ENERGY, YOU

2408
01:18:13,022 --> 01:18:13,656
REALLY CAME OUT AND GAVE IT YOUR

2409
01:18:13,656 --> 01:18:13,856
ALL.

2410
01:18:13,856 --> 01:18:20,095
>> Tyra: DEREK?

2411
01:18:20,095 --> 01:18:20,729
>> I THOUGHT IT WAS A GREAT WAY

2412
01:18:20,729 --> 01:18:21,230
TO FINISH OUT THE NIGHT.

2413
01:18:21,230 --> 01:18:21,830
I THOUGHT YOUR FRAME IMPROVED

2414
01:18:21,830 --> 01:18:23,399
FROM LAST WEEK.

2415
01:18:23,399 --> 01:18:24,833
>> THANK YOU.

2416
01:18:24,833 --> 01:18:29,038
>> WELL DONE, CODY.

2417
01:18:29,038 --> 01:18:29,572
>> Tyra: ALL RIGHT, CODY,

2418
01:18:29,572 --> 01:18:30,139
FINALLY BEING THE LEAD GUY.

2419
01:18:30,139 --> 01:18:30,673
>> I'M TIRED OF BEING THE

2420
01:18:30,673 --> 01:18:33,676
BRIDESMAID.

2421
01:18:33,676 --> 01:18:35,110
TIME TO BE THE BRIDE, YOU KNOW?

2422
01:18:35,110 --> 01:18:36,378
>> Tyra: WE WANT YOU TO LOOK AT

2423
01:18:36,378 --> 01:18:36,979
SOMETHING.

2424
01:18:36,979 --> 01:18:40,382
CHECK THIS OUT.

2425
01:18:40,382 --> 01:18:41,750
>> OH, MY GOSH.

2426
01:18:41,750 --> 01:18:45,988
>> Tyra: THAT IS CODY PERFORMING

2427
01:18:45,988 --> 01:18:46,555
AS KENICKIE IN HIGH SCHOOL.

2428
01:18:46,555 --> 01:18:47,056
>> NICE, CODY.

2429
01:18:47,056 --> 01:18:51,293
>> Tyra: CHECK IT OUT.

2430
01:18:51,293 --> 01:18:51,827
I LOVE THAT.

2431
01:18:51,827 --> 01:18:53,929
THAT WAS A LOT OF ENERGY.

2432
01:18:53,929 --> 01:18:54,563
YOU WERE A STAR BACK THEN, AND

2433
01:18:54,563 --> 01:18:54,997
WE SAW IT.

2434
01:18:54,997 --> 01:18:57,132
LET'S GET YOUR SCORES.

2435
01:18:57,132 --> 01:18:58,701
>> Announcer: CARRIE ANN INABA.

2436
01:18:58,701 --> 01:19:00,769
>> 8.

2437
01:19:00,769 --> 01:19:01,837
>> Announcer: LEN GOODMAN.

2438
01:19:01,837 --> 01:19:03,939
>> 8.

2439
01:19:03,939 --> 01:19:05,407
>> Announcer: DEREK HOUGH.

2440
01:19:05,407 --> 01:19:07,610
>> 8.

2441
01:19:07,610 --> 01:19:08,177
>> Announcer: BRUNO TONIOLI.

2442
01:19:08,177 --> 01:19:08,677
>> 8.

2443
01:19:08,677 --> 01:19:11,347
>> ALL RIGHT.

2444
01:19:11,347 --> 01:19:15,050
>> Tyra: ALL RIGHT.

2445
01:19:15,050 --> 01:19:15,684
SO YOU GUYS WITH THE LAST DANCE

2446
01:19:15,684 --> 01:19:18,220
OF THE NIGHT.

2447
01:19:18,220 --> 01:19:18,787
CHERYL, HOW ARE YOU FEELING

2448
01:19:18,787 --> 01:19:19,288
RIGHT NOW?

2449
01:19:19,288 --> 01:19:19,822
>> I FEEL GREAT.

2450
01:19:19,822 --> 01:19:22,992
I'M SO PROUD OF CODY.

2451
01:19:22,992 --> 01:19:23,559
WITH EVERYTHING WE'VE GONE

2452
01:19:23,559 --> 01:19:24,059
THROUGH, YOU DID GREAT.

2453
01:19:24,059 --> 01:19:28,430
>> Tyra: SEE YOU IN A COUPLE OF

2454
01:19:28,430 --> 01:19:28,931
MINUTES FOR THE RESULTS.

2455
01:19:28,931 --> 01:19:29,565
LET'S LOOK AT THE FINAL

2456
01:19:29,565 --> 01:19:35,671
LEADERBOARD.

2457
01:19:35,671 --> 01:19:36,205
GIVE ME THE SCORE, GUYS.

2458
01:19:36,205 --> 01:19:36,739
JOJO AND JENNA.

2459
01:19:36,739 --> 01:19:37,273
AT THE BOTTOM, IMAN AND

2460
01:19:37,273 --> 01:19:38,307
DANIELLA.

2461
01:19:38,307 --> 01:19:39,375
ALL OF OUR STARS WANT YOUR

2462
01:19:39,375 --> 01:19:40,409
VOTES.

2463
01:19:40,409 --> 01:19:41,043
LET'S TAKE ONE LAST LOOK AT THE

2464
01:19:41,043 --> 01:19:41,677
VOTING DETAILS FOR ALL OF YOUR

2465
01:19:41,677 --> 01:19:42,011
COUPLES.

2466
01:19:42,011 --> 01:19:44,113
VOTING WILL CLOSE SOON.

2467
01:19:44,113 --> 01:19:44,747
GET THE FINAL VOTES AND TEXTS IN

2468
01:19:44,747 --> 01:19:45,714
RIGHT NOW.

2469
01:19:45,714 --> 01:19:46,749
ALL OF THE VOTING INFORMATION

2470
01:19:46,749 --> 01:19:50,486
CAN BE FOUND ON ABC.COM.

2471
01:19:50,486 --> 01:19:51,553
WE'RE GOING TO COMBINE YOUR

2472
01:19:51,553 --> 01:19:56,425
VOTES WITH THE JUDGES' SCORES.

2473
01:19:56,425 --> 01:19:57,359
WHEN WE COME BACK, ONE COUPLE

2474
01:19:57,359 --> 01:20:00,296
WILL BE ELIMINATED, LIVE.

2475
01:20:07,803 --> 01:20:09,905
[ CHEERS AND APPLAUSE ]

2476
01:20:09,905 --> 01:20:10,072
♪

2477
01:20:10,072 --> 01:20:12,041
>> Tyra: WELCOME BACK.

2478
01:20:12,041 --> 01:20:14,143
IT HAS BEEN AN AMAZING "GREASE"

2479
01:20:14,143 --> 01:20:15,144
NIGHT.

2480
01:20:15,144 --> 01:20:17,846
THANKS TO ALL OF OUR GUESTS FROM

2481
01:20:17,846 --> 01:20:18,347
THE MOVIE ‐‐ DIDI CONN,

2482
01:20:18,347 --> 01:20:19,148
FRANKIE AVALON, THE CO‐CREATOR

2483
01:20:19,148 --> 01:20:21,016
OF "GREASE," JIM JACOBS.

2484
01:20:21,016 --> 01:20:22,618
WE WOULDN'T BE HERE WITHOUT YOU.

2485
01:20:22,618 --> 01:20:23,185
AND SPECIAL THANKS TO

2486
01:20:23,185 --> 01:20:26,322
OLIVIA NEWTON‐JOHN.

2487
01:20:26,322 --> 01:20:26,955
VOTING IS CLOSED, AND RIGHT HERE

2488
01:20:26,955 --> 01:20:30,025
ARE THE RESULTS.

2489
01:20:30,025 --> 01:20:31,060
WE'VE COMBINED THE JUDGES'

2490
01:20:31,060 --> 01:20:32,127
SCORES FROM TONIGHT WITH YOUR

2491
01:20:32,127 --> 01:20:34,763
VOTES.

2492
01:20:34,763 --> 01:20:37,399
NOW, IN NO PARTICULAR ORDER,

2493
01:20:37,399 --> 01:20:38,967
LET'S FIND OUT WHO'S SAFE AND

2494
01:20:38,967 --> 01:20:52,715
WHO IS IN THE BOTTOM TWO.

2495
01:20:52,715 --> 01:20:53,349
THE FIRST SAFE COUPLE IS KENYA

2496
01:20:53,349 --> 01:20:54,283
AND BRANDON.

2497
01:20:54,283 --> 01:21:06,462
[ CHEERS AND APPLAUSE ]

2498
01:21:06,462 --> 01:21:07,096
AND JOINING THEM ARE JIMMIE AND

2499
01:21:07,096 --> 01:21:09,631
EMMA.

2500
01:21:09,631 --> 01:21:14,136
[ CHEERS AND APPLAUSE ]

2501
01:21:14,136 --> 01:21:23,145
ALSO COMING BACK NEXT WEEK ARE

2502
01:21:23,145 --> 01:21:23,545
MELORA AND ARTEM.

2503
01:21:23,545 --> 01:21:34,990
[ CHEERS AND APPLAUSE ]

2504
01:21:34,990 --> 01:21:35,624
THE NEXT SAFE COUPLE IS CODY AND

2505
01:21:35,624 --> 01:21:37,626
CHERYL.

2506
01:21:37,626 --> 01:21:37,860
>> WHOO!

2507
01:21:37,860 --> 01:21:39,762
[ CHEERS AND APPLAUSE ]

2508
01:21:39,762 --> 01:21:45,567
>> Tyra: ALSO DANCING NEXT WEEK

2509
01:21:45,567 --> 01:21:46,101
ARE SUNI AND SASHA.

2510
01:21:46,101 --> 01:21:50,305
[ CHEERS AND APPLAUSE ]

2511
01:21:50,305 --> 01:21:58,213
JOINING THEM IN THE COMPETITION

2512
01:21:58,213 --> 01:21:59,281
ARE JOJO AND JENNA.

2513
01:21:59,281 --> 01:22:00,349
>> YEAH!

2514
01:22:00,349 --> 01:22:05,120
[ CHEERS AND APPLAUSE ]

2515
01:22:05,120 --> 01:22:13,562
>> Tyra: THE NEXT SAFE COUPLE IS

2516
01:22:13,562 --> 01:22:14,096
THE MIZ AND WITNEY.

2517
01:22:14,096 --> 01:22:15,164
>> OH!

2518
01:22:15,164 --> 01:22:25,207
[ CHEERS AND APPLAUSE ]

2519
01:22:25,207 --> 01:22:25,808
>> Tyra: ALSO SAFE ARE AMANDA

2520
01:22:25,808 --> 01:22:26,775
AND ALAN.

2521
01:22:26,775 --> 01:22:31,513
[ CHEERS AND APPLAUSE ]

2522
01:22:31,513 --> 01:22:40,022
AND IN NO PARTICULAR ORDER, THE

2523
01:22:40,022 --> 01:22:40,622
LAST SAFE COUPLE IS IMAN AND

2524
01:22:40,622 --> 01:22:42,658
DANIELLA.

2525
01:22:42,658 --> 01:22:47,429
[ CHEERS AND APPLAUSE ]

2526
01:22:47,429 --> 01:22:49,031
WHICH MEANS MELANIE C AND GLEB

2527
01:22:49,031 --> 01:22:50,599
AND OLIVIA AND VAL ARE AT THE

2528
01:22:50,599 --> 01:22:52,167
BOTTOM TWO.

2529
01:22:52,167 --> 01:22:52,734
PLEASE JOIN ME ON THE DANCE

2530
01:22:52,734 --> 01:22:54,803
FLOOR.

2531
01:22:54,803 --> 01:22:56,905
GOOD LUCK TO YOU BOTH.

2532
01:22:56,905 --> 01:23:00,609
AGAIN, IT'S GOING TO BE UP TO

2533
01:23:00,609 --> 01:23:01,210
THE JUDGES TO SAVE ONE OF THE

2534
01:23:01,210 --> 01:23:02,211
BOTTOM TWO COUPLES AND KEEP THEM

2535
01:23:02,211 --> 01:23:06,949
IN THE COMPETITION.

2536
01:23:06,949 --> 01:23:08,550
IF, AFTER LEN'S VOTE, THERE IS A

2537
01:23:08,550 --> 01:23:10,185
TIE AMONG THE JUDGES, THEN AS

2538
01:23:10,185 --> 01:23:11,753
OUR HEAD JUDGE, LEN'S VOTE

2539
01:23:11,753 --> 01:23:15,457
AUTOMATICALLY BREAKS THE TIE.

2540
01:23:15,457 --> 01:23:16,091
OKAY, IT'S TIME FOR THE JUDGES'

2541
01:23:16,091 --> 01:23:19,161
VERDICT.

2542
01:23:19,161 --> 01:23:21,263
DEREK?

2543
01:23:21,263 --> 01:23:21,897
WHICH COUPLE WOULD YOU LIKE TO

2544
01:23:21,897 --> 01:23:22,331
SAVE?

2545
01:23:22,331 --> 01:23:22,865
>> I DON'T LIKE IT.

2546
01:23:22,865 --> 01:23:23,365
I DON'T LIKE THIS ONE.

2547
01:23:23,365 --> 01:23:26,502
NO.

2548
01:23:26,502 --> 01:23:29,171
OH, MY GOSH, MELANIE, YOU HAVE

2549
01:23:29,171 --> 01:23:29,771
BEEN EXTRAORDINARY AND GOTTEN

2550
01:23:29,771 --> 01:23:32,341
BETTER EVERY WEEK.

2551
01:23:32,341 --> 01:23:32,975
OLIVIA, YOU'VE BLOSSOMED IN THIS

2552
01:23:32,975 --> 01:23:36,044
EXPERIENCE.

2553
01:23:36,044 --> 01:23:37,079
THIS IS A TOUGH ONE!

2554
01:23:37,079 --> 01:23:41,316
AMERICA, WHAT HAVE YOU DONE?

2555
01:23:41,316 --> 01:23:44,019
I THINK TONIGHT THE COUPLE I'M

2556
01:23:44,019 --> 01:23:47,222
GOING TO SAVE IS OLIVIA AND VAL.

2557
01:23:47,222 --> 01:23:47,856
>> Tyra: ONE VOTE FOR OLIVIA AND

2558
01:23:47,856 --> 01:23:48,257
VAL FROM DEREK.

2559
01:23:48,257 --> 01:23:52,494
CARRIE ANN?

2560
01:23:52,494 --> 01:23:53,629
WHICH COUPLE WOULD YOU LIKE TO

2561
01:23:53,629 --> 01:23:53,829
SAVE?

2562
01:23:53,829 --> 01:23:54,463
>> OKAY, THIS IS HARD, EXTREMELY

2563
01:23:54,463 --> 01:23:55,030
HARD.

2564
01:23:55,030 --> 01:23:55,631
YU BOTH HAVE DONE PHENOMENAL

2565
01:23:55,631 --> 01:23:58,200
JOBS.

2566
01:23:58,200 --> 01:23:59,234
I MEAN, THIS IS NOT THE WAY IT'S

2567
01:23:59,234 --> 01:24:06,375
SUPPOSED TO WORK OUT AT ALL.

2568
01:24:06,375 --> 01:24:08,043
LET ME JUST GATHER MYSELF.

2569
01:24:08,043 --> 01:24:08,644
YOU'RE BOTH FANTASTIC, BUT I

2570
01:24:08,644 --> 01:24:12,414
WANT TO SAVE MELANIE C AND GLEB.

2571
01:24:12,414 --> 01:24:14,216
>> Tyra: ONE FOR OLIVIA AND VAL,

2572
01:24:14,216 --> 01:24:17,352
ONE FOR MELANIE C AND GLEB.

2573
01:24:17,352 --> 01:24:17,886
TIME FOR BRUNO.

2574
01:24:17,886 --> 01:24:18,520
WHICH COUPLE WOULD YOU LIKE TO

2575
01:24:18,520 --> 01:24:18,921
SAVE?

2576
01:24:18,921 --> 01:24:19,454
>> IT'S IMPOSSIBLE.

2577
01:24:19,454 --> 01:24:20,055
BECAUSE YOU BOTH DID SO WELL.

2578
01:24:20,055 --> 01:24:23,158
SOLID, CONSTANT.

2579
01:24:23,158 --> 01:24:23,725
OLIVIA, YOU BECAME SOMEBODY

2580
01:24:23,725 --> 01:24:25,260
ELSE.

2581
01:24:25,260 --> 01:24:29,498
THE SURPRISE OF THE SEASON.

2582
01:24:29,498 --> 01:24:30,132
BUT I ‐‐ I HAVE TO SAVE MELANIE

2583
01:24:30,132 --> 01:24:35,137
AND GLEB.

2584
01:24:35,137 --> 01:24:35,737
>> Tyra: BRUNO VOTES TO SAVE

2585
01:24:35,737 --> 01:24:37,940
MELANIE AND GLEB.

2586
01:24:37,940 --> 01:24:40,042
SO FAR, IT'S TWO VOTES TO ONE.

2587
01:24:40,042 --> 01:24:43,745
LEN, IT COMES DOWN TO YOUR VOTE.

2588
01:24:43,745 --> 01:24:45,847
IF AFTER LEN'S VOTE THERE IS A

2589
01:24:45,847 --> 01:24:49,585
TIE AMONG THE JUDGES, THEN AS

2590
01:24:49,585 --> 01:24:50,152
OUR HEAD JUDGE, LEN'S VOTE

2591
01:24:50,152 --> 01:24:54,323
AUTOMATICALLY BREAKS THAT TIE.

2592
01:24:54,323 --> 01:24:54,957
LEN, WHICH COUPLE WOULD YOU LIKE

2593
01:24:54,957 --> 01:24:56,458
TO SAVE?

2594
01:24:56,458 --> 01:24:58,026
>> I'D LIKE TO GIVE BOTH COUPLES

2595
01:24:58,026 --> 01:24:59,628
A LITTLE BIT OF ADVICE THAT WAS

2596
01:24:59,628 --> 01:25:02,164
GIVEN TO ME ON MY FIRST DANCING

2597
01:25:02,164 --> 01:25:03,365
COMPETITION.PDON'T LET SUCCESS

2598
01:25:03,365 --> 01:25:06,435
HEAD.

2599
01:25:06,435 --> 01:25:07,069
AND DON'T LET DISAPPOINTMENT GO

2600
01:25:07,069 --> 01:25:08,537
TO YOUR HEART.

2601
01:25:08,537 --> 01:25:11,707
IT WAS A VERY CLOSE THING.

2602
01:25:11,707 --> 01:25:12,341
NEITHER OF YOU DESERVE TO BE IN

2603
01:25:12,341 --> 01:25:13,809
THIS.

2604
01:25:13,809 --> 01:25:14,443
>> Tyra: THEY'RE PUSHING ME FOR

2605
01:25:14,443 --> 01:25:18,447
AN ANSWER.

2606
01:25:18,447 --> 01:25:19,281
SORRY, THEY'RE CUTTING ME OFF IN

2607
01:25:19,281 --> 01:25:20,048
MY EAR.

2608
01:25:20,048 --> 01:25:21,149
>> OKAY.

2609
01:25:21,149 --> 01:25:21,783
I'M GOING TO SAY THE COUPLE I'D

2610
01:25:21,783 --> 01:25:22,451
LIKE TO SAVE IS OLIVIA AND VAL.

2611
01:25:22,451 --> 01:25:23,151
>> Tyra: OLIVIA AND VAL ARE

2612
01:25:23,151 --> 01:25:24,853
SAFE.

2613
01:25:24,853 --> 01:25:26,955
WHOA!

2614
01:25:26,955 --> 01:25:29,591
OH, MY GOSH.

2615
01:25:29,591 --> 01:25:30,125
HEAD UP TO THE OTHERS AND

2616
01:25:30,125 --> 01:25:34,896
CELEBRATE.

2617
01:25:34,896 --> 01:25:35,530
MELANIE C AND GLEB, WE'RE GOING

2618
01:25:35,530 --> 01:25:36,131
TO HAVE THIS BEAUTIFUL MOMENT

2619
01:25:36,131 --> 01:25:36,698
WITH YOU TOMORROW ON "GOOD

2620
01:25:36,698 --> 01:25:37,532
MORNING AMERICA."

2621
01:25:37,532 --> 01:25:38,166
LET'S HEAR IT ONE MORE TIME FOR

2622
01:25:38,166 --> 01:25:41,737
THEM.

2623
01:25:41,737 --> 01:25:43,305
NEXT MONDAY, HALLOWEEN IS GOING

2624
01:25:43,305 --> 01:25:44,373
TO HAUNT THIS BALLROOM WITH A

2625
01:25:44,373 --> 01:25:44,973
TERRIFYING TRIBUTE TO HORROR

2626
01:25:44,973 --> 01:25:47,142
MOVIES.

2627
01:25:47,142 --> 01:25:50,145
WE'VE GOT EVERYTHING.

2628
01:25:50,145 --> 01:25:50,779
AND NEXT UP IS "THE REAL QUEENS

2629
01:25:50,779 --> 01:25:52,280
OF HIP‐HOP: THE WOMEN WHO

2630
01:25:52,280 --> 01:25:52,914
CHANGED THE GAME" STARTS RIGHT

2631
01:25:52,914 --> 01:25:55,517
NOW ON ABC.