1 00:00:06,607 --> 00:00:08,542 >>> YOU'VE NEVER SEEN HAIR METAL 2 00:00:08,542 --> 00:00:09,676 LIKE THIS BEFORE. 3 00:00:09,676 --> 00:00:10,077 ♪♪ 4 00:00:10,077 --> 00:00:14,514 HAVE YOU EVER LISTENED TO '80s 5 00:00:14,514 --> 00:00:16,884 POP/ROCK AND THOUGHT, THIS WOULD 6 00:00:16,884 --> 00:00:19,052 BE GREAT TO BALLROOM DANCE TO. 7 00:00:19,052 --> 00:00:21,321 WE HAVE THE COMPILATION FOR YOU. 8 00:00:21,321 --> 00:00:23,056 >> COME ON! 9 00:00:23,056 --> 00:00:23,590 >> YEAH. 10 00:00:23,590 --> 00:00:25,392 >> THIS SPECIAL EDITION SET 11 00:00:25,392 --> 00:00:27,861 CONTAINS 11 OF THE MOST EPIC 12 00:00:27,861 --> 00:00:30,931 HAIR METAL SONGS EVER. 13 00:00:30,931 --> 00:00:32,766 SUPPLIES ARE LIMITED. 14 00:00:32,766 --> 00:00:33,567 ACT NOW. 15 00:00:33,567 --> 00:00:36,270 WARNING, DANCING TO HAIR METAL 16 00:00:36,270 --> 00:00:42,643 MIGHT CAUSE A SPIKE IN HAIR 17 00:00:42,643 --> 00:00:43,577 STYLES AND LYCRA PANTS. 18 00:00:43,577 --> 00:00:45,379 WHAT ARE YOU WAITING FOR? 19 00:00:45,379 --> 00:00:46,146 ACT NOW. 20 00:00:46,146 --> 00:00:46,480 NOW. 21 00:00:46,480 --> 00:00:46,914 NOW, NOW, NOW. 22 00:00:46,914 --> 00:00:50,017 ♪♪ 23 00:00:50,017 --> 00:00:58,558 [ CHEERS AND APPLAUSE ] 24 00:00:58,558 --> 00:01:01,128 >> Announcer: LIVE FROM 25 00:01:01,128 --> 00:01:01,995 HOLLYWOOD, IT'S "HAIR METAL 26 00:01:01,995 --> 00:01:02,663 NIGHT" ON "DANCING WITH THE 27 00:01:02,663 --> 00:01:06,967 STARS." 28 00:01:06,967 --> 00:01:09,736 ♪♪ 29 00:01:09,736 --> 00:01:10,904 ♪ YOU KEEP ON SHOUTING 30 00:01:10,904 --> 00:01:13,774 YOU KEEP ON SHOUTING ♪ 31 00:01:13,774 --> 00:01:15,776 >> Announcer: PLEASE WELCOME 32 00:01:15,776 --> 00:01:17,444 GUEST JUDGE GENE SIMMONS. 33 00:01:17,444 --> 00:01:19,146 ♪ I WANNA ROCK AND ROLL 34 00:01:19,146 --> 00:01:22,282 ALL NIGHT 35 00:01:22,282 --> 00:01:24,017 AND PARTY EVERY DAY ♪ 36 00:01:24,017 --> 00:01:26,586 ♪ I WANNA ROCK AND ROLL 37 00:01:26,586 --> 00:01:29,156 ALL NIGHT 38 00:01:29,156 --> 00:01:30,857 AND PARTY EVERY DAY ♪ 39 00:01:30,857 --> 00:01:33,160 >> Announcer: AND NOW, HERE ARE 40 00:01:33,160 --> 00:01:35,429 YOUR STARS -- 41 00:01:35,429 --> 00:01:35,963 SUPERBOWL CHAMPION 42 00:01:35,963 --> 00:01:37,130 DANNY AMENDOLA AND 43 00:01:37,130 --> 00:01:37,965 WITNEY CARSON, 44 00:01:37,965 --> 00:01:39,132 SITCOM AND MOVIE ACTOR 45 00:01:39,132 --> 00:01:40,834 REGINALD VelJOHNSON AND 46 00:01:40,834 --> 00:01:41,635 EMMA SLATER, 47 00:01:41,635 --> 00:01:43,337 TV STAR CHANDLER KINNEY AND 48 00:01:43,337 --> 00:01:44,771 BRANDON ARMSTRONG, 49 00:01:44,771 --> 00:01:46,473 MODEL AND COVER GIRL 50 00:01:46,473 --> 00:01:47,874 BROOKS NADER AND GLEB SAVCHENKO, 51 00:01:47,874 --> 00:01:49,309 OLYMPIC GYMNAST 52 00:01:49,309 --> 00:01:50,711 STEPHEN NEDOROSCIK AND 53 00:01:50,711 --> 00:01:53,280 RYLEE ARNOLD, 54 00:01:53,280 --> 00:01:55,549 MOVIE STAR ERIC ROBERTS AND 55 00:01:55,549 --> 00:01:57,584 BRITT STEWART, 56 00:01:57,584 --> 00:02:00,454 NBA CHAMPION DWIGHT HOWARD AND 57 00:02:00,454 --> 00:02:03,590 DANIELLA KARAGACH, 58 00:02:03,590 --> 00:02:05,258 OLYMPIC RUGBY PLAYER ILONA MAHER 59 00:02:05,258 --> 00:02:06,159 AND ALAN BERSTEN, 60 00:02:06,159 --> 00:02:07,561 FROM "THE BACHELORETTE," 61 00:02:07,561 --> 00:02:08,996 JENN TRAN AND SASHA FARBER, 62 00:02:08,996 --> 00:02:10,397 REALITY ROYALTY PHAEDRA PARKS 63 00:02:10,397 --> 00:02:11,832 AND VAL CHMERKOVSKIY, 64 00:02:11,832 --> 00:02:12,933 AND FROM "THE BACHELOR," 65 00:02:12,933 --> 00:02:14,634 JOEY GRAZIADEI AND 66 00:02:14,634 --> 00:02:17,771 JENNA JOHNSON, 67 00:02:17,771 --> 00:02:20,307 ♪ I WANNA ROCK AND ROLL 68 00:02:20,307 --> 00:02:22,309 ALL NIGHT 69 00:02:22,309 --> 00:02:29,716 AND PARTY EVERY DAY ♪ 70 00:02:29,716 --> 00:02:32,285 >> Alfonso: THAT PYROTECHNIC 71 00:02:32,285 --> 00:02:34,021 OPENING NUMBER FEATURING 72 00:02:34,021 --> 00:02:34,755 WHITESNAKE'S JOEL HOEKSTRA WAS 73 00:02:34,755 --> 00:02:35,789 CHOREOGRAPHED BY PASHA PASHKOV. 74 00:02:35,789 --> 00:02:37,024 YES. 75 00:02:37,024 --> 00:02:38,725 WELCOME TO "DANCING WITH THE 76 00:02:38,725 --> 00:02:40,093 STARS." 77 00:02:40,093 --> 00:02:40,627 I'M ALFONSO RIBEIRO. 78 00:02:40,627 --> 00:02:42,396 >> Julianne: AND I'M 79 00:02:42,396 --> 00:02:43,263 JULIANNE HOUGH. 80 00:02:43,263 --> 00:02:44,097 IT'S "HAIR METAL NIGHT" AND 81 00:02:44,097 --> 00:02:45,832 WE'RE GONNA ROCK 'N' ROLL ALL 82 00:02:45,832 --> 00:02:46,967 NIGHT WITH OUR SPECIAL GUEST 83 00:02:46,967 --> 00:02:47,634 JUDGE, ROCK 'N' ROLL HALL OF 84 00:02:47,634 --> 00:02:49,202 FAMER AND KISS LEGEND, 85 00:02:49,202 --> 00:02:51,872 GENE SIMMONS. 86 00:02:51,872 --> 00:02:52,472 [ CHEERS AND APPLAUSE ] 87 00:02:52,472 --> 00:02:55,575 >> Alfonso: YEAH. 88 00:02:55,575 --> 00:02:56,777 >> Julianne: ALL RIGHT. 89 00:02:56,777 --> 00:02:58,445 GENE, IT'S AN HONOR TO HAVE YOU 90 00:02:58,445 --> 00:03:01,281 HERE TONIGHT. 91 00:03:01,281 --> 00:03:02,616 WE WANT TO KNOW WHAT IT IS THAT 92 00:03:02,616 --> 00:03:03,684 YOU ARE LOOKING FOR. 93 00:03:03,684 --> 00:03:05,419 >> WELL, I WANT TO TELL YOU, 94 00:03:05,419 --> 00:03:06,686 WE'RE BIG FANS OF THE SHOW. 95 00:03:06,686 --> 00:03:07,287 WE WATCH IT EVERY WEEK. 96 00:03:07,287 --> 00:03:13,126 [ CHEERS AND APPLAUSE ] 97 00:03:13,126 --> 00:03:16,196 BUT WHAT I WANT TO SEE IS EVERY 98 00:03:16,196 --> 00:03:19,433 ONE OF THESE GREAT CONTESTANTS 99 00:03:19,433 --> 00:03:20,801 TO STEP UP THEIR CHANNEL, THEIR 100 00:03:20,801 --> 00:03:23,270 INNER ROCK GOD, AND RELEASE THE 101 00:03:23,270 --> 00:03:23,603 KRAKEN! 102 00:03:23,603 --> 00:03:26,039 [ CHEERS AND APPLAUSE ] 103 00:03:26,039 --> 00:03:29,743 >> Julianne: ALL RIGHT. 104 00:03:29,743 --> 00:03:30,477 TAKE IT FROM A SHOWMAN, THAT'S 105 00:03:30,477 --> 00:03:32,379 WHAT HE WANTS TO SEE. 106 00:03:32,379 --> 00:03:35,015 HE WANTS YOU TO RELEASE THE 107 00:03:35,015 --> 00:03:35,348 KRAKEN. 108 00:03:35,348 --> 00:03:38,185 >> Alfonso: YES, YES. 109 00:03:38,185 --> 00:03:39,619 AND OUR STARS WILL HAVE TO 110 00:03:39,619 --> 00:03:41,021 DELIVER BECAUSE TWO COUPLES WILL 111 00:03:41,021 --> 00:03:41,755 BE SENT HOME TONIGHT IN A DOUBLE 112 00:03:41,755 --> 00:03:44,558 ELIMINATION. 113 00:03:44,558 --> 00:03:45,292 >> Julianne: DID YOU HEAR THOSE 114 00:03:45,292 --> 00:03:45,592 BOOS? 115 00:03:45,592 --> 00:03:47,761 ALL RIGHT. 116 00:03:47,761 --> 00:03:48,962 VOTING IS OPEN RIGHT NOW AND IS 117 00:03:48,962 --> 00:03:49,629 AVAILABLE TO THE U.S., ITS 118 00:03:49,629 --> 00:03:50,330 TERRITORIES, AND CANADA AT 119 00:03:50,330 --> 00:03:52,032 ABC.COM. 120 00:03:52,032 --> 00:03:53,433 PLUS, SUBSCRIBERS ON 121 00:03:53,433 --> 00:03:54,835 PARTICIPATING U.S. WIRELESS 122 00:03:54,835 --> 00:03:56,536 PHONE CARRIERS CAN TEXT THE 123 00:03:56,536 --> 00:03:57,971 FIRST NAME OF THEIR FAVORITE 124 00:03:57,971 --> 00:03:58,605 STAR TO THE NUMBER 21523. 125 00:03:58,605 --> 00:03:59,372 MESSAGE AND DATA RATES MAY 126 00:03:59,372 --> 00:04:00,240 APPLY. 127 00:04:00,240 --> 00:04:02,509 >> Alfonso: THAT THEY MAY. 128 00:04:02,509 --> 00:04:04,845 THAT THEY MAY. 129 00:04:04,845 --> 00:04:07,380 LET'S GET RIGHT INTO THE 130 00:04:07,380 --> 00:04:09,082 COMPETITION WITH THE TWO-TIME 131 00:04:09,082 --> 00:04:10,784 SUPER BOWL CHAMPION, WHOSE "SOUL 132 00:04:10,784 --> 00:04:11,518 TRAIN" FOXTROT IMPRESSED THE 133 00:04:11,518 --> 00:04:12,819 JUDGES AND BROUGHT HIS HIGHEST 134 00:04:12,819 --> 00:04:15,088 SCORES SO FAR. 135 00:04:15,088 --> 00:04:24,731 LET'S SEE IF HE CAN CONTINUE TO 136 00:04:24,731 --> 00:04:25,365 CLIMB WITH A PASODOBLE TO 137 00:04:25,365 --> 00:04:25,899 BON JOVI. 138 00:04:25,899 --> 00:04:26,466 IT'S DANNY AMENDOLA & 139 00:04:26,466 --> 00:04:30,403 WITNEY CARSON. 140 00:04:30,403 --> 00:04:30,737 ♪♪ 141 00:04:30,737 --> 00:04:33,373 >> I LOVE SEEING THE PERSONALITY 142 00:04:33,373 --> 00:04:34,307 PERFORMANCE QUALITY SHINING 143 00:04:34,307 --> 00:04:34,641 THROUGH. 144 00:04:34,641 --> 00:04:35,242 KEEP ON THIS PATH. 145 00:04:35,242 --> 00:04:35,609 >> SEVEN. 146 00:04:35,609 --> 00:04:35,976 >> EIGHT. 147 00:04:35,976 --> 00:04:39,179 ♪♪ 148 00:04:39,179 --> 00:04:40,914 >> I HONESTLY FEEL LIKE YOU'RE 149 00:04:40,914 --> 00:04:42,582 GETTING BETTER AND BETTER EVERY 150 00:04:42,582 --> 00:04:44,317 WEEK. 151 00:04:44,317 --> 00:04:46,052 I WANT US TO GET ALL 8s AND 152 00:04:46,052 --> 00:04:49,523 MAYBE A 9. 153 00:04:49,523 --> 00:04:51,124 >> ROCK STARS GET 10s. 154 00:04:51,124 --> 00:04:52,325 >> THAT'S TRUE. 155 00:04:52,325 --> 00:04:55,395 >> HOW DO YOU FEEL ABOUT "HAIR 156 00:04:55,395 --> 00:04:56,062 METAL NIGHT"? 157 00:04:56,062 --> 00:04:58,598 >> I LOVE THIS GENRE OF MUSIC. 158 00:04:58,598 --> 00:05:00,367 MANY COLLEGE, MY FRIENDS AND I 159 00:05:00,367 --> 00:05:01,701 DRESSED UP AS A ROCK BAND. 160 00:05:01,701 --> 00:05:03,403 GOT KICKED OUT OF THE BAR. 161 00:05:03,403 --> 00:05:05,972 WOKE UP WITH A TRUE ROCK STAR 162 00:05:05,972 --> 00:05:06,339 HANGOVER. 163 00:05:06,339 --> 00:05:07,274 >> GOSH. 164 00:05:07,274 --> 00:05:10,210 THE PASO DOBLE IS HARD BECAUSE 165 00:05:10,210 --> 00:05:11,645 OF THE SHAPING AND THE TECHNIQUE 166 00:05:11,645 --> 00:05:12,212 OF IT. 167 00:05:12,212 --> 00:05:12,913 ARE YOU HURTING? 168 00:05:12,913 --> 00:05:13,680 >> UH-HUH. 169 00:05:13,680 --> 00:05:15,882 >> DANNY HAS TO BE POWERFUL. 170 00:05:15,882 --> 00:05:18,451 WHILE HAVING THAT ROCK STAR 171 00:05:18,451 --> 00:05:19,119 ENERGY. 172 00:05:19,119 --> 00:05:22,189 KIND OF LIKE YOU'RE BON JOVI. 173 00:05:22,189 --> 00:05:22,889 >> THESE SHAPES ARE NEW TO MY 174 00:05:22,889 --> 00:05:25,158 BODY. 175 00:05:25,158 --> 00:05:25,525 ♪♪ 176 00:05:25,525 --> 00:05:27,093 MY ANKLES ARE SORE. 177 00:05:27,093 --> 00:05:29,329 MY KNEES ARE SORE. 178 00:05:29,329 --> 00:05:29,996 >> POP. 179 00:05:29,996 --> 00:05:31,398 >> BUT I'M NOT GOING TO DO 180 00:05:31,398 --> 00:05:32,933 WHATEVER IT TAKES TO KEEP OUR 181 00:05:32,933 --> 00:05:33,400 MOMENTUM GOING. 182 00:05:33,400 --> 00:05:34,367 >> THAT'S IT. 183 00:05:34,367 --> 00:05:39,472 [ CHEERS AND APPLAUSE ] 184 00:05:39,472 --> 00:05:40,340 >> Announcer: DANCING THE PASO 185 00:05:40,340 --> 00:05:40,941 DOBLE, WITH HIS PARTNER 186 00:05:40,941 --> 00:05:41,775 WITNEY CARSON, IT'S 187 00:05:41,775 --> 00:05:43,743 DANNY AMENDOLA. 188 00:05:43,743 --> 00:05:50,951 [ CHEERS AND APPLAUSE ] 189 00:05:56,623 --> 00:05:59,926 ♪ JOHNNY USED TO WORK ON THE 190 00:05:59,926 --> 00:06:00,293 DOCKS ♪ 191 00:06:00,293 --> 00:06:04,097 ♪ SHE'S DOWN ON HIS LUCK 192 00:06:04,097 --> 00:06:04,497 IT'S TOUGH 193 00:06:04,497 --> 00:06:07,534 SO TOUGH ♪ 194 00:06:07,534 --> 00:06:09,536 ♪ WE'VE GOTTA HOLD ON 195 00:06:09,536 --> 00:06:12,339 TO WHAT WE'VE GOT ♪ 196 00:06:12,339 --> 00:06:14,608 ♪ IT DOESN'T 197 00:06:14,608 --> 00:06:16,610 MAKE A DIFFERENCE 198 00:06:16,610 --> 00:06:17,244 IF WE MAKE IT OR NOT ♪ 199 00:06:17,244 --> 00:06:20,013 ♪ WE'VE GOT EACH OTHER 200 00:06:20,013 --> 00:06:22,015 AND THAT'S A LOT FOR LOVE 201 00:06:22,015 --> 00:06:28,855 WE'LL GIVE IT A SHOT ♪ 202 00:06:28,855 --> 00:06:31,758 ♪ WHOA, WE'RE HALFWAY THERE 203 00:06:31,758 --> 00:06:33,426 WHOA-OH LIVING ON A PRAYER ♪ 204 00:06:33,426 --> 00:06:36,563 ♪ TAKE MY HAND 205 00:06:36,563 --> 00:06:38,565 WE'LL MAKE IT I SWEAR ♪ 206 00:06:38,565 --> 00:06:41,067 ♪ WHOA-OH LIVING ON A PRAYER 207 00:06:41,067 --> 00:06:50,744 LIVING ON A PRAYER ♪ 208 00:06:50,744 --> 00:06:54,481 >> Alfonso: DANNY AND WITNEY 209 00:06:54,481 --> 00:06:58,351 WITH A PASO DOBLE TO BON JOVI. 210 00:06:58,351 --> 00:06:58,985 OH, YEAH. 211 00:06:58,985 --> 00:07:00,053 NOW, THAT'S HOW YOU START THE 212 00:07:00,053 --> 00:07:00,587 NIGHT, RIGHT THERE. 213 00:07:00,587 --> 00:07:04,124 OKAY. 214 00:07:04,124 --> 00:07:05,558 LET'S HEAR WHAT THE JUDGES HAVE 215 00:07:05,558 --> 00:07:06,893 TO SAY. 216 00:07:06,893 --> 00:07:08,962 BRUNO, YOU'RE FIRST. 217 00:07:08,962 --> 00:07:09,629 >> RIGHT OUT OF THE GATE. 218 00:07:09,629 --> 00:07:10,797 WE ARE ROCKIN' ALREADY. 219 00:07:10,797 --> 00:07:11,498 [ CHEERS AND APPLAUSE ] 220 00:07:11,498 --> 00:07:15,969 OH. 221 00:07:15,969 --> 00:07:17,704 STRONG, ROUGH AND READY. 222 00:07:17,704 --> 00:07:21,341 IT'S LIKE WATCHING "MAD MAX" 223 00:07:21,341 --> 00:07:22,208 HAVING A FIGHT. 224 00:07:22,208 --> 00:07:23,009 OH, MY GOD. 225 00:07:23,009 --> 00:07:26,179 YOU PUT EVERYTHING YOU GOT INTO 226 00:07:26,179 --> 00:07:26,513 IT. 227 00:07:26,513 --> 00:07:33,153 BUT NOW, I TOLD YOU LAST WEEK, 228 00:07:33,153 --> 00:07:35,488 DON'T CUT EVERYTHING SHORT. 229 00:07:35,488 --> 00:07:36,623 YOU HAVE TO RELAX AND EXTEND. 230 00:07:36,623 --> 00:07:37,357 KEEP THE POWER. 231 00:07:37,357 --> 00:07:40,260 YOU HAVE TO ADD ARTISTRY, MY 232 00:07:40,260 --> 00:07:40,894 LOVE. 233 00:07:40,894 --> 00:07:42,395 REMEMBER, ELONGATED SHAPE. 234 00:07:42,395 --> 00:07:45,398 YOU HAVE THE POWER, I WANT THE 235 00:07:45,398 --> 00:07:46,266 FINESSE. 236 00:07:46,266 --> 00:07:47,367 >> Alfonso: ALL RIGHT. 237 00:07:47,367 --> 00:07:48,601 CARRIE ANN? 238 00:07:48,601 --> 00:07:54,274 >> I LOVE THE ATTACK. 239 00:07:54,274 --> 00:07:54,941 YOU'RE NOT A NORMAL -- HEY. 240 00:07:54,941 --> 00:07:55,442 YOUR TIME IS DONE. 241 00:07:55,442 --> 00:07:55,809 BE QUIET. 242 00:07:55,809 --> 00:07:57,510 DANNY, I THINK, YOU'RE NOT A 243 00:07:57,510 --> 00:07:58,044 PERFORMER, RIGHT? 244 00:07:58,044 --> 00:07:59,179 THIS IS NEW TO YOU. 245 00:07:59,179 --> 00:08:01,114 WHAT I LOVE WAS THE ATTITUDE AND 246 00:08:01,114 --> 00:08:01,848 THE ATTACK. 247 00:08:01,848 --> 00:08:04,551 WHAT WE NEED TO DO IS SHIFT IT A 248 00:08:04,551 --> 00:08:09,889 LITTLE AND TUNE IT IN, LIKE 249 00:08:09,889 --> 00:08:10,523 BRUNO SAID. 250 00:08:10,523 --> 00:08:11,891 NEXT TIME YOUR JACKET NEEDS TO 251 00:08:11,891 --> 00:08:13,727 BE TAKEN OFF, IS THERE A 252 00:08:13,727 --> 00:08:14,661 VOLUNTEER IN THE HOUSE? 253 00:08:14,661 --> 00:08:16,096 >> Alfonso: GETTING THE LADIES 254 00:08:16,096 --> 00:08:16,529 INVOLVED. 255 00:08:16,529 --> 00:08:16,996 OKAY, DEREK. 256 00:08:16,996 --> 00:08:18,665 >> I WAS GOING TO SAY, YOU 257 00:08:18,665 --> 00:08:22,168 REMINDED ME I NEED TO RENEW MY 258 00:08:22,168 --> 00:08:23,670 GYM MEMBERSHIP. 259 00:08:23,670 --> 00:08:24,037 DANG. 260 00:08:24,037 --> 00:08:28,308 YOU ANSWER A LOT OF PRAYERS, 261 00:08:28,308 --> 00:08:29,209 TAKING THAT JACKET OFF. 262 00:08:29,209 --> 00:08:30,343 THERE WAS A FEW TIMING ISSUES 263 00:08:30,343 --> 00:08:30,677 THERE. 264 00:08:30,677 --> 00:08:38,451 BUT I LIKED THAT. 265 00:08:38,451 --> 00:08:39,853 YOU'RE LIKE, LET'S GO. 266 00:08:39,853 --> 00:08:40,854 LET'S START THE SHOW. 267 00:08:40,854 --> 00:08:42,389 WELL DONE. 268 00:08:42,389 --> 00:08:42,889 >> Alfonso: GENE? 269 00:08:42,889 --> 00:08:44,391 >> THIS IS A BRAND-NEW 270 00:08:44,391 --> 00:08:45,091 EXPERIENCE FOR ME. 271 00:08:45,091 --> 00:08:46,493 AND IT'S DIFFICULT TO LOOK AT 272 00:08:46,493 --> 00:08:49,028 BOTH OF YOU AND FIGURE OUT WHICH 273 00:08:49,028 --> 00:08:49,796 ONE IS MORE -- HOT, HOT, HOT. 274 00:08:49,796 --> 00:08:54,634 [ CHEERS AND APPLAUSE ] 275 00:08:54,634 --> 00:08:56,536 >> Alfonso: I THINK BOTH IS AN 276 00:08:56,536 --> 00:08:57,971 OPTION. 277 00:08:57,971 --> 00:09:00,540 >> GO BOTH WAYS. 278 00:09:00,540 --> 00:09:01,775 >> ALL RIGHT. 279 00:09:01,775 --> 00:09:02,709 OH, NO. 280 00:09:02,709 --> 00:09:04,844 DANNY, I'M TELLING YOU, YOU'RE 281 00:09:04,844 --> 00:09:06,312 RIGHT NEXT TO SOMEBODY, ONE OF 282 00:09:06,312 --> 00:09:07,046 THE MORE BEAUTIFUL WOMEN ON THE 283 00:09:07,046 --> 00:09:09,983 PLANET. 284 00:09:09,983 --> 00:09:11,551 SHE MAKES YOU LOOK GOOD. 285 00:09:11,551 --> 00:09:12,986 BUT, BUDDY, YOU GOT TO HIT THE 286 00:09:12,986 --> 00:09:13,319 GYM. 287 00:09:13,319 --> 00:09:20,460 YOU GOT TO GET IN THERE. 288 00:09:20,460 --> 00:09:25,432 IN ALL SERIOUSNESS, IN THE 289 00:09:25,432 --> 00:09:27,734 STREET, WHAM, BAM, THANK YOU, 290 00:09:27,734 --> 00:09:28,034 MA'AM. 291 00:09:28,034 --> 00:09:29,502 >> Alfonso: SINCE NO ONE WAS 292 00:09:29,502 --> 00:09:30,370 ELIMINATED SCORES, THE SCORES 293 00:09:30,370 --> 00:09:33,773 WILL CARRY OVER TO TONIGHT. 294 00:09:33,773 --> 00:09:35,475 VOTING CLOSES DURING THE LAST 295 00:09:35,475 --> 00:09:36,609 COMMERCIAL BREAK. 296 00:09:36,609 --> 00:09:37,744 REMEMBER, AT THE END OF THE 297 00:09:37,744 --> 00:09:38,478 SHOW, TWO COUPLES WILL GO HOME 298 00:09:38,478 --> 00:09:39,078 IN A DOUBLE ELIMINATION. 299 00:09:39,078 --> 00:09:42,015 JULIANNE. 300 00:09:42,015 --> 00:09:42,649 >> Julianne: THAT'S RIGHT. 301 00:09:42,649 --> 00:09:43,349 WE'RE GOING TO LOSE TWO MORE 302 00:09:43,349 --> 00:09:46,019 COUPLES TONIGHT, ALFONSO. 303 00:09:46,019 --> 00:09:47,620 THERE WAS A LOT HAPPENING WITH 304 00:09:47,620 --> 00:09:49,489 THE JUDGES' COMMENTS DOWN THERE. 305 00:09:49,489 --> 00:09:51,791 I WANT TO GET TO THE POINT THAT 306 00:09:51,791 --> 00:09:53,660 "LIVING ON A PRAYER" IS THE 307 00:09:53,660 --> 00:09:55,094 THEME SONG FOR THE PATRIOTS. 308 00:09:55,094 --> 00:09:57,564 WHAT IS PATRIOT NATION DOING? 309 00:09:57,564 --> 00:10:00,800 DO THEY HAVE YOUR BACK RIGHT 310 00:10:00,800 --> 00:10:01,100 NOW? 311 00:10:01,100 --> 00:10:02,569 >> THEY ARE US JUICED UP. 312 00:10:02,569 --> 00:10:07,240 WHAT MUSIC DOES, WHAT DANCE DOES 313 00:10:07,240 --> 00:10:09,175 AND WHAT SPORTS DO, IS BRING 314 00:10:09,175 --> 00:10:09,776 PEOPLE TOGETHER. 315 00:10:09,776 --> 00:10:11,010 WE FEEL LIKE A FAMILY. 316 00:10:11,010 --> 00:10:12,645 WE'RE EXCITED TO BE A PART OF 317 00:10:12,645 --> 00:10:13,112 IT. 318 00:10:13,112 --> 00:10:16,182 >> Julianne: YOU JUST DANCED THE 319 00:10:16,182 --> 00:10:20,587 PASO DOBLE IN FRONT OF GENE 320 00:10:20,587 --> 00:10:20,920 SIMMONS. 321 00:10:20,920 --> 00:10:21,621 WHAT DO YOU THINK DANCING IN 322 00:10:21,621 --> 00:10:22,822 FRONT OF GENE SIMMONS? 323 00:10:22,822 --> 00:10:26,092 >> IT'S UNBELIEVABLE. 324 00:10:26,092 --> 00:10:26,960 HE'S AN ICON. 325 00:10:26,960 --> 00:10:29,429 IT'S GREAT TO HAVE HIM IN THE 326 00:10:29,429 --> 00:10:29,796 BUILDING. 327 00:10:29,796 --> 00:10:32,198 >> Julianne: LET'S GET HIS 328 00:10:32,198 --> 00:10:32,532 SCORES. 329 00:10:32,532 --> 00:10:35,301 >> CARRIE ANN INABA. 330 00:10:35,301 --> 00:10:37,537 >> 7. 331 00:10:37,537 --> 00:10:40,974 >> Announcer: DEREK HOUGH. 332 00:10:40,974 --> 00:10:41,307 >> 7. 333 00:10:41,307 --> 00:10:45,078 >> Announcer: GENE SIMMONS. 334 00:10:45,078 --> 00:10:50,617 >> 9. 335 00:10:50,617 --> 00:10:51,784 >> Announcer: BRUNO TONIOLI. 336 00:10:51,784 --> 00:10:52,519 >> Julianne: THE TOTAL FOR BOTH 337 00:10:52,519 --> 00:10:52,952 NIGHTS IS 60. 338 00:10:52,952 --> 00:10:56,055 LIKE ALL OF THE STARS, DANNY AND 339 00:10:56,055 --> 00:10:58,091 WITNEY WANT YOU TO SAVE THEM FOR 340 00:10:58,091 --> 00:10:59,726 TONIGHT'S DOUBLE ELIMINATION. 341 00:10:59,726 --> 00:11:00,527 VOTE WITH YOUR TEXT AND ONLINE 342 00:11:00,527 --> 00:11:07,033 AT ABC.COM. 343 00:11:07,033 --> 00:11:07,734 YOU GET TEN VOTES PER COUPLE, 344 00:11:07,734 --> 00:11:08,201 PER VOTING METHOD. 345 00:11:08,201 --> 00:11:08,735 ALFONSO. 346 00:11:08,735 --> 00:11:10,970 >> Alfonso: THANKS, JULIANNE. 347 00:11:10,970 --> 00:11:11,804 I HAVE A FEELING THAT GENE WILL 348 00:11:11,804 --> 00:11:12,906 BE DOING THAT A LOT. 349 00:11:12,906 --> 00:11:13,573 "HAIR METAL NIGHT" IS JUST 350 00:11:13,573 --> 00:11:16,342 GETTING STARTED. 351 00:11:16,342 --> 00:11:16,943 REGINALD VelJOHNSON AND 352 00:11:16,943 --> 00:11:17,577 EMMA SLATER "WANNA ROCK." 353 00:11:17,577 --> 00:11:18,311 AND THEY WILL WHEN WE COME BACK, 354 00:11:18,311 --> 00:11:18,711 LIVE. 355 00:11:18,711 --> 00:11:19,245 [ CHEERS AND APPLAUSE ] 356 00:11:24,184 --> 00:11:30,156 ♪♪ 357 00:11:30,156 --> 00:11:32,992 >>> WELCOME BACK TO "HAIR METAL 358 00:11:32,992 --> 00:11:35,395 NIGHT" WITH OUR GUEST JUDGE, 359 00:11:35,395 --> 00:11:36,729 ROCK 'N' ROLL HALL OF FAMER, 360 00:11:36,729 --> 00:11:37,163 GENE SIMMONS. 361 00:11:37,163 --> 00:11:38,698 [ CHEERS AND APPLAUSE ] 362 00:11:38,698 --> 00:11:40,433 >> Julianne: UP NEXT, THE SITCOM 363 00:11:40,433 --> 00:11:42,402 AND MOVIE ACTOR WHO, LAST NIGHT, 364 00:11:42,402 --> 00:11:43,236 LANDED AT THE BOTTOM OF THE 365 00:11:43,236 --> 00:11:43,970 LEADERBOARD BUT WON THE HEARTS 366 00:11:43,970 --> 00:11:47,807 OF EVERYONE IN THE BALLROOM. 367 00:11:47,807 --> 00:11:48,908 IT'S REGINALD VelJOHNSON AND 368 00:11:48,908 --> 00:11:50,143 EMMA SLATER. 369 00:11:50,143 --> 00:12:03,456 [ CHEERS AND APPLAUSE ] 370 00:12:03,456 --> 00:12:04,257 >> THERE'S SOMETHING SO SWEET 371 00:12:04,257 --> 00:12:05,558 AND INNOCENT WHEN YOU DANCE. 372 00:12:05,558 --> 00:12:08,328 I WISH I COULD GIVE YOU 10s. 373 00:12:08,328 --> 00:12:09,162 >> 5. 374 00:12:09,162 --> 00:12:09,495 6. 375 00:12:09,495 --> 00:12:11,164 >> OH. 376 00:12:11,164 --> 00:12:12,065 >> YOU MAKE ME SO PROUD. 377 00:12:12,065 --> 00:12:12,799 >> I APPRECIATE THAT. 378 00:12:12,799 --> 00:12:15,668 I TRY HARD. 379 00:12:15,668 --> 00:12:19,539 >> TO "HAIR METAL NIGHT" THERE'S 380 00:12:19,539 --> 00:12:20,907 A LOT OF STEPS. 381 00:12:20,907 --> 00:12:22,108 ARE YOU FEELING UP TO IT? 382 00:12:22,108 --> 00:12:27,447 >> RIGHT NOW, I DON'T FEEL AS 383 00:12:27,447 --> 00:12:28,815 GOOD. 384 00:12:28,815 --> 00:12:29,248 MY LEGS HURT. 385 00:12:29,248 --> 00:12:29,682 >> YOUR LEGS? 386 00:12:29,682 --> 00:12:31,117 >> I CAN'T KEEP UP WITH THE 387 00:12:31,117 --> 00:12:31,517 YOUNGSTERS. 388 00:12:31,517 --> 00:12:32,885 HAVING ALL OF THE STEPS IS HARD. 389 00:12:32,885 --> 00:12:35,121 >> YOU'RE REMINDING ME OF WHY WE 390 00:12:35,121 --> 00:12:35,588 DO THIS. 391 00:12:35,588 --> 00:12:36,289 >> THANK YOU. 392 00:12:36,289 --> 00:12:37,790 I KEEP FORGETTING. 393 00:12:37,790 --> 00:12:39,325 >> THE CHA-CHA IS DIFFICULT. 394 00:12:39,325 --> 00:12:40,126 THERE ARE FAST FEET. 395 00:12:40,126 --> 00:12:41,728 YOU HAVE TO BE PRECISE. 396 00:12:41,728 --> 00:12:42,595 FORWARD TO ME. 397 00:12:42,595 --> 00:12:44,797 YOUR RIGHT LEG HAS TO GO 398 00:12:44,797 --> 00:12:45,131 FORWARD. 399 00:12:45,131 --> 00:12:48,301 I'M NERVOUS ABOUT THIS ONE FOR 400 00:12:48,301 --> 00:12:48,835 REGGIE TO BE HONEST. 401 00:12:48,835 --> 00:12:50,703 PIVOT AND PIVOT AND PIVOT. 402 00:12:50,703 --> 00:12:51,170 ATTITUDE. 403 00:12:51,170 --> 00:12:52,538 >> "DANCING WITH THE STARS" IS 404 00:12:52,538 --> 00:12:54,574 DIFFICULT TO DO. 405 00:12:54,574 --> 00:12:55,475 I'M NOT READY TO GO HOME. 406 00:12:55,475 --> 00:12:56,976 WE'RE GOING TO KEEP ON KEEPING 407 00:12:56,976 --> 00:12:57,310 ON. 408 00:12:57,310 --> 00:12:58,811 UNTIL THEY DRAG ME OUT ON A 409 00:12:58,811 --> 00:12:59,178 STRETCHER. 410 00:12:59,178 --> 00:12:59,612 >> I GOT YOU. 411 00:12:59,612 --> 00:12:59,979 I GOT YOU. 412 00:12:59,979 --> 00:13:01,814 I GOT YOU. 413 00:13:01,814 --> 00:13:02,181 ♪♪ 414 00:13:02,181 --> 00:13:03,883 [ CHEERS AND APPLAUSE ] 415 00:13:03,883 --> 00:13:06,753 >> Announcer: DANCING THE 416 00:13:06,753 --> 00:13:07,387 CHA-CHA, WITH HIS PARTNER 417 00:13:07,387 --> 00:13:08,187 EMMA SLATER, IT'S 418 00:13:08,187 --> 00:13:12,759 REGINALD VelJOHNSON. 419 00:13:12,759 --> 00:13:18,698 ♪ I WANNA ROCK, ROCK 420 00:13:18,698 --> 00:13:19,832 I WANNA ROCK, ROCK ♪ 421 00:13:19,832 --> 00:13:20,466 ♪ TURN IT DOWN YOU SAY 422 00:13:20,466 --> 00:13:20,967 BUT ALL I GOT 423 00:13:20,967 --> 00:13:21,434 TO SAY TO YOU ♪ 424 00:13:21,434 --> 00:13:22,101 ♪ IS TIME AND TIME AGAIN 425 00:13:22,101 --> 00:13:26,906 I SAY NO 426 00:13:26,906 --> 00:13:27,774 NO, NO, NO, NO, NO ♪ 427 00:13:27,774 --> 00:13:28,374 ♪ TELL ME NOT TO PLAY 428 00:13:28,374 --> 00:13:29,208 WELL ALL I GOT 429 00:13:29,208 --> 00:13:30,310 TO SAY TO ♪ 430 00:13:30,310 --> 00:13:30,877 ♪ WHEN YOU TELL ME 431 00:13:30,877 --> 00:13:31,477 NOT TO PLAY 432 00:13:31,477 --> 00:13:36,015 I SAY NO ♪ 433 00:13:36,015 --> 00:13:36,883 ♪ NO, NO, NO, NO, NO ♪ 434 00:13:36,883 --> 00:13:37,750 ♪ SO IF YOU ASK ME 435 00:13:37,750 --> 00:13:39,485 WHY I LIKE 436 00:13:39,485 --> 00:13:41,187 THE WAY I PLAY IT ♪ 437 00:13:41,187 --> 00:13:43,456 ♪ THERE'S ONLY ONE THING 438 00:13:43,456 --> 00:13:46,025 I CAN SAY TO YOU ♪ 439 00:13:46,025 --> 00:13:49,162 ♪ I WANNA ROCK, ROCK 440 00:13:49,162 --> 00:13:52,832 I WANNA ROCK, ROCK ♪ 441 00:13:52,832 --> 00:13:56,803 ♪ I WANT TO ROCK, ROCK 442 00:13:56,803 --> 00:14:01,340 I WANNA ROCK, ROCK ♪ 443 00:14:01,340 --> 00:14:03,609 ♪ I WANNA ROCK, ROCK 444 00:14:03,609 --> 00:14:05,044 ROCK, ROCK 445 00:14:05,044 --> 00:14:07,880 ROCK, ROCK ♪ 446 00:14:07,880 --> 00:14:12,185 ♪ I WANNA ROCK, ROCK 447 00:14:12,185 --> 00:14:12,552 ROCK, ROCK 448 00:14:12,552 --> 00:14:14,754 ROCK, ROCK ♪ 449 00:14:14,754 --> 00:14:17,590 ♪ I WANT TO ROCK, ROCK 450 00:14:17,590 --> 00:14:17,957 ROCK, ROCK 451 00:14:17,957 --> 00:14:18,758 ROCK, ROCK ♪ 452 00:14:18,758 --> 00:14:20,860 ♪ I WANNA ROCK ♪ 453 00:14:20,860 --> 00:14:25,732 [ CHEERS AND APPLAUSE ] 454 00:14:25,732 --> 00:14:28,634 >> Alfonso: REGINALD AND EMMA 455 00:14:28,634 --> 00:14:31,437 TAKING US BACK TO 1984 WITH 456 00:14:31,437 --> 00:14:32,739 THEIR CHA-CHA. 457 00:14:32,739 --> 00:14:33,139 ALL RIGHT. 458 00:14:33,139 --> 00:14:35,174 THE BALLROOM IS LOVING YOU, 459 00:14:35,174 --> 00:14:35,508 REGGIE. 460 00:14:35,508 --> 00:14:36,075 LOVING YOU. 461 00:14:36,075 --> 00:14:38,177 WE'RE GOING TO SEND A 462 00:14:38,177 --> 00:14:40,580 CHIROPRACTOR FOR EMMA, THOUGH. 463 00:14:40,580 --> 00:14:41,180 OKAY. 464 00:14:41,180 --> 00:14:43,382 CARRIE ANN, YOU'RE UP FIRST. 465 00:14:43,382 --> 00:14:46,619 >> REGINALD, YOU BLOW MY MIND, 466 00:14:46,619 --> 00:14:47,487 OKAY? 467 00:14:47,487 --> 00:14:48,488 THERE'S SOMETHING ABOUT YOU. 468 00:14:48,488 --> 00:14:50,289 IT'S SO ENGAGING TO WHAT YOU'RE 469 00:14:50,289 --> 00:14:51,758 DOING THE FEWEST AMOUNT OF STEPS 470 00:14:51,758 --> 00:14:53,292 OF ANYBODY ELSE IN THIS 471 00:14:53,292 --> 00:14:54,093 COMPETITION, OKAY? 472 00:14:54,093 --> 00:14:55,795 BUT SOMEHOW, WE'RE SO WITH YOU. 473 00:14:55,795 --> 00:14:58,831 AND THAT IS WORTH MENTIONING, 474 00:14:58,831 --> 00:14:59,165 RIGHT? 475 00:14:59,165 --> 00:14:59,565 I LOVE THAT. 476 00:14:59,565 --> 00:14:59,932 BUT WAIT. 477 00:14:59,932 --> 00:15:01,467 YOU GOT TO SUPPORT EMMA JUST A 478 00:15:01,467 --> 00:15:02,869 LITTLE MORE WHEN SHE DOES THE 479 00:15:02,869 --> 00:15:03,169 DIPS. 480 00:15:03,169 --> 00:15:04,804 THERE WAS A LITTLE -- YOU LOST 481 00:15:04,804 --> 00:15:05,905 YOUR BALANCE A LITTLE BIT. 482 00:15:05,905 --> 00:15:06,739 >> A LITTLE? 483 00:15:06,739 --> 00:15:07,907 >> JUST A LITTLE. 484 00:15:07,907 --> 00:15:08,274 ALL RIGHT. 485 00:15:08,274 --> 00:15:12,311 GO ON, THEN, SIR. 486 00:15:12,311 --> 00:15:13,880 >> Alfonso: BE NICE, BRUNO. 487 00:15:13,880 --> 00:15:14,814 DEREK, TAKE IT AWAY. 488 00:15:14,814 --> 00:15:17,416 >> EMMA, ARE YOU GOOD? 489 00:15:17,416 --> 00:15:19,519 THE AMOUNT OF WHIPPING GOING ON. 490 00:15:19,519 --> 00:15:22,054 REGINALD, I HAVE A CONFESSIONAL 491 00:15:22,054 --> 00:15:22,522 TO MAKE. 492 00:15:22,522 --> 00:15:24,857 I HAVE A TOUR THAT HAS A 493 00:15:24,857 --> 00:15:26,225 REGINALD FAN CLUB THAT VOTES 494 00:15:26,225 --> 00:15:27,660 INTENSELY FOR YOU. 495 00:15:27,660 --> 00:15:29,595 >> THAT'S WHY HE IS HERE. 496 00:15:29,595 --> 00:15:31,130 >> I HAVE TO SAY, I GET IN 497 00:15:31,130 --> 00:15:31,998 TROUBLE A LOT. 498 00:15:31,998 --> 00:15:33,366 THEY ABSOLUTELY LOVE YOU. 499 00:15:33,366 --> 00:15:35,434 MY FRIEND, AGAIN, YOUR UPPER 500 00:15:35,434 --> 00:15:36,536 HALF WAS FANTASTIC. 501 00:15:36,536 --> 00:15:38,771 ALL OF THE MOVES, RIGHT ON TIME. 502 00:15:38,771 --> 00:15:39,472 IT WAS GREAT. 503 00:15:39,472 --> 00:15:39,839 WELL DONE. 504 00:15:39,839 --> 00:15:40,206 WELL DONE. 505 00:15:40,206 --> 00:15:42,208 >> THANK YOU. 506 00:15:42,208 --> 00:15:45,044 >> Alfonso: GENE? 507 00:15:45,044 --> 00:15:47,313 >> REGGIE, CAN I CALL YOU 508 00:15:47,313 --> 00:15:47,647 REGGIE? 509 00:15:47,647 --> 00:15:48,214 >> YES. 510 00:15:48,214 --> 00:15:49,749 >> YOU GOT A BEAUTIFUL WOMAN 511 00:15:49,749 --> 00:15:51,350 RIGHT BESIDE YOU, WHO CAN TWIST 512 00:15:51,350 --> 00:15:52,118 IT AND TURN IT AND KNOWS HOW TO 513 00:15:52,118 --> 00:15:54,754 MOVE IT AND ALL THAT. 514 00:15:54,754 --> 00:15:56,522 I WANT TO TELL YOU, AS A GUY 515 00:15:56,522 --> 00:15:58,324 THAT'S BEEN ON THE STAGE FOR 516 00:15:58,324 --> 00:15:59,792 HALF A CENTURY AROUND THE WORLD, 517 00:15:59,792 --> 00:16:00,526 I'M KIND OF A BIG DEAL, REGGIE. 518 00:16:00,526 --> 00:16:02,762 [ LAUGHTER ] 519 00:16:02,762 --> 00:16:03,629 >> I REALIZE THAT. 520 00:16:03,629 --> 00:16:05,965 >> IT'S ALL IN THE ATTITUDE. 521 00:16:05,965 --> 00:16:08,067 AND YOU'VE GOT SOMETHING IN THAT 522 00:16:08,067 --> 00:16:08,534 BEAUTIFUL FACE. 523 00:16:08,534 --> 00:16:08,968 THEY LOVE YOU. 524 00:16:08,968 --> 00:16:13,306 [ CHEERS AND APPLAUSE ] 525 00:16:13,306 --> 00:16:14,740 >> Alfonso: ABSOLUTELY. 526 00:16:14,740 --> 00:16:15,575 BRUNO? 527 00:16:15,575 --> 00:16:15,908 BRUNO? 528 00:16:15,908 --> 00:16:17,143 >> DEFINITELY, DARLING. 529 00:16:17,143 --> 00:16:19,712 I THINK YOU WERE VERY, VERY, 530 00:16:19,712 --> 00:16:22,081 VERY HARD. 531 00:16:22,081 --> 00:16:22,882 YOU WERE THE LOOK. 532 00:16:22,882 --> 00:16:24,884 I GOT IT. 533 00:16:24,884 --> 00:16:26,486 I CAN FLAUNT IT. 534 00:16:26,486 --> 00:16:27,887 AND EMMA SNAPS IN TWO. 535 00:16:27,887 --> 00:16:30,823 THERE YOU GO. 536 00:16:30,823 --> 00:16:31,457 SMART. 537 00:16:31,457 --> 00:16:32,024 >> Alfonso: ALL RIGHT. 538 00:16:32,024 --> 00:16:33,993 WE WILL FIND OUT HOW THOSE 539 00:16:33,993 --> 00:16:34,727 COMMENTS TRANSLATE INTO SCORES 540 00:16:34,727 --> 00:16:36,295 WHEN WE COME BACK. 541 00:16:36,295 --> 00:16:37,163 AND THEN, THE COUPLE WHO HAS 542 00:16:37,163 --> 00:16:37,897 TOPPED THE LEADERBOARD IN EVERY 543 00:16:37,897 --> 00:16:41,701 ROUND OF COMPETITION SO FAR, 544 00:16:41,701 --> 00:16:42,802 CHANDLER KINNEY AND 545 00:16:42,802 --> 00:16:43,536 BRANDON ARMSTRONG WILL ROCK OUT 546 00:16:43,536 --> 00:16:44,704 WITH A JIVE, LIVE. 547 00:16:44,704 --> 00:16:45,538 [ CHEERS AND APPLAUSE ] 548 00:16:52,945 --> 00:16:57,016 ♪♪ 549 00:16:57,016 --> 00:16:58,818 >>> WELCOME BACK. 550 00:16:58,818 --> 00:17:00,219 BEFORE THE BREAK, REGINALD AND 551 00:17:00,219 --> 00:17:01,621 EMMA CELEBRATED "HAIR METAL 552 00:17:01,621 --> 00:17:04,557 NIGHT" WITH A CHA-CHA. 553 00:17:04,557 --> 00:17:06,259 AND I SAW THAT FACE YOU WERE 554 00:17:06,259 --> 00:17:07,360 GETTING INTO IT. 555 00:17:07,360 --> 00:17:09,528 I WANT TO KNOW, WHAT INNER ROCK 556 00:17:09,528 --> 00:17:10,763 STAR WERE YOU CHANNELING 557 00:17:10,763 --> 00:17:11,097 TONIGHT. 558 00:17:11,097 --> 00:17:13,132 >> THE ONE AND ONLY GENE 559 00:17:13,132 --> 00:17:13,466 SIMMONS. 560 00:17:13,466 --> 00:17:14,033 >> Julianne: OH, YEAH. 561 00:17:14,033 --> 00:17:14,333 YEAH. 562 00:17:14,333 --> 00:17:14,667 >> YES. 563 00:17:14,667 --> 00:17:17,870 >> YEAH. 564 00:17:17,870 --> 00:17:19,705 IT'S HARD NOT TO. 565 00:17:19,705 --> 00:17:21,440 >> OVER THE YEARS, YOU KNOW, YOU 566 00:17:21,440 --> 00:17:23,809 CAN'T HELP BUT MATCH WHAT HE 567 00:17:23,809 --> 00:17:24,443 DOES, YOU KNOW? 568 00:17:24,443 --> 00:17:25,044 >> Julianne: ALL RIGHT. 569 00:17:25,044 --> 00:17:26,812 SO, I HAVE A QUESTION. 570 00:17:26,812 --> 00:17:28,281 YOU TWO ARE SO BEAUTIFUL. 571 00:17:28,281 --> 00:17:30,049 I WATCH YOUR RELATIONSHIP. 572 00:17:30,049 --> 00:17:31,717 WHAT HAS BEEN THE MOST 573 00:17:31,717 --> 00:17:33,853 MEANINGFUL PART? 574 00:17:33,853 --> 00:17:34,754 AND HOW MUCH HAS EMMA HELPED YOU 575 00:17:34,754 --> 00:17:35,621 THROUGH THIS COMPETITION? 576 00:17:35,621 --> 00:17:37,924 >> SHE HAS BEEN THE ULTIMATE -- 577 00:17:37,924 --> 00:17:39,825 I MEAN, SHE IS THE BEST. 578 00:17:39,825 --> 00:17:42,161 SHE REALLY IS. 579 00:17:42,161 --> 00:17:42,695 SHE'S JUST THE BEST. 580 00:17:42,695 --> 00:17:43,863 >> HE'S MY ANGEL. 581 00:17:43,863 --> 00:17:45,331 >> Julianne: I LOVE YOU TWO SO 582 00:17:45,331 --> 00:17:45,665 MUCH. 583 00:17:45,665 --> 00:17:48,301 LET'S GET YOUR SCORES. 584 00:17:48,301 --> 00:17:51,337 >> Announcer: CARRIE ANN INABA? 585 00:17:51,337 --> 00:17:52,338 >> 6. 586 00:17:52,338 --> 00:17:53,706 >> Announcer: DEREK HOUGH. 587 00:17:53,706 --> 00:17:57,710 >> IT STARTED WITH A 10, BUT 9. 588 00:17:57,710 --> 00:18:04,650 >> Announcer: GENE SIMMONS. 589 00:18:04,650 --> 00:18:07,086 BRUNO TONIOLI. 590 00:18:07,086 --> 00:18:07,687 >> 5. 591 00:18:07,687 --> 00:18:09,655 >> Julianne: THAT'S A 21 OUT OF 592 00:18:09,655 --> 00:18:11,057 40 FOR REGINALD AND EMMA. 593 00:18:11,057 --> 00:18:13,359 THE TOTAL FOR BOTH NIGHTS IS 42. 594 00:18:13,359 --> 00:18:15,661 NO ONE CAN STAY IN THE 595 00:18:15,661 --> 00:18:16,395 COMPETITION ON JUDGES' SCORES 596 00:18:16,395 --> 00:18:17,863 ALONE. 597 00:18:17,863 --> 00:18:18,731 YOU CAN KEEP THEM SAFE FROM 598 00:18:18,731 --> 00:18:19,432 TONIGHT'S DOUBLE ELIMINATION 599 00:18:19,432 --> 00:18:19,899 WITH YOUR VOTES. 600 00:18:19,899 --> 00:18:20,600 VOTING CLOSES DURING THE LAST 601 00:18:20,600 --> 00:18:22,401 COMMERCIAL BREAK. 602 00:18:22,401 --> 00:18:22,735 ALFONSO? 603 00:18:22,735 --> 00:18:24,403 >> Alfonso: THANKS, JULIANNE. 604 00:18:24,403 --> 00:18:27,006 ANOTHER STINK EYE. 605 00:18:27,006 --> 00:18:28,574 YOU GOT TO LOVE HOW EVERYONE IS 606 00:18:28,574 --> 00:18:29,241 EMBRACING THE SPIRIT OF THE 607 00:18:29,241 --> 00:18:30,843 NIGHT. 608 00:18:30,843 --> 00:18:33,145 LAST NIGHT, OUR DISNEY STAR 609 00:18:33,145 --> 00:18:35,381 AGAIN CLAIMED FIRST PLACE ON THE 610 00:18:35,381 --> 00:18:38,584 JUDGES' LEADERBOARD AND HAS YET 611 00:18:38,584 --> 00:18:43,022 TO BE TOPPLED. 612 00:18:43,022 --> 00:18:45,458 CAN SHE DO IT AGAIN WHEN SHE 613 00:18:45,458 --> 00:18:46,826 STEPS OUT OF HER COMFORT ZONE 614 00:18:46,826 --> 00:18:55,968 FOR A "HAIR METAL JIVE"? 615 00:18:55,968 --> 00:18:56,669 IT'S TV STAR, CHANDLER KINNEY 616 00:18:56,669 --> 00:18:59,872 AND BRANDON ARMSTRONG. 617 00:18:59,872 --> 00:19:01,140 >> HUGE STAR QUALITY. 618 00:19:01,140 --> 00:19:03,509 >> IT'S "HAIR METAL NIGHT." 619 00:19:03,509 --> 00:19:07,079 WE'RE GOING TO DO A JIVE. 620 00:19:07,079 --> 00:19:09,215 "WE'RE NOT GOING TO TAKE IT" BY 621 00:19:09,215 --> 00:19:10,082 TWISTED SISTER. 622 00:19:10,082 --> 00:19:11,817 THIS SONG WAS ABOUT YOUTH IN THE 623 00:19:11,817 --> 00:19:13,519 '80s, STICKING IT TO THE 624 00:19:13,519 --> 00:19:13,853 PARENTS. 625 00:19:13,853 --> 00:19:17,356 >> I'M A BAD GIRL, YOU KNOW. 626 00:19:17,356 --> 00:19:18,257 >> PLAY OUT TOGETHER. 627 00:19:18,257 --> 00:19:18,991 >> THE JIVE HAS ME FEELING LIKE 628 00:19:18,991 --> 00:19:21,761 A DEER ON ICE. 629 00:19:21,761 --> 00:19:22,928 JUST SLIDESING AROUND, 630 00:19:22,928 --> 00:19:24,563 DESPERATELY TRYING TO GET ON TOP 631 00:19:24,563 --> 00:19:26,799 OF MY FEET. 632 00:19:26,799 --> 00:19:28,134 >> FASTER. 633 00:19:28,134 --> 00:19:29,101 CHANDLER REPRESENTS EVERYTHING 634 00:19:29,101 --> 00:19:30,036 THAT THE SONG DOESN'T. 635 00:19:30,036 --> 00:19:32,171 WE HAVE TO TAKE CHANDLER AND 636 00:19:32,171 --> 00:19:35,574 TURN HER INTO A LITTLE REBEL. 637 00:19:35,574 --> 00:19:35,908 ♪♪ 638 00:19:35,908 --> 00:19:39,045 >> WHERE IS THE TOILET PAPER? 639 00:19:39,045 --> 00:19:40,880 >> CHANDLER, WHAT IS YOUR 640 00:19:40,880 --> 00:19:41,213 PROBLEM? 641 00:19:41,213 --> 00:19:41,714 >> ROCK 'N' ROLL. 642 00:19:41,714 --> 00:19:47,319 YEAH. 643 00:19:47,319 --> 00:19:50,122 >> CHANDLER, YOU MIND SPITTING 644 00:19:50,122 --> 00:19:51,057 OUT YOUR GUM? 645 00:19:51,057 --> 00:19:53,025 IT'S NOT GOOD FOR THE AUDIO. 646 00:19:53,025 --> 00:19:54,493 YOU'VE CHANGED. 647 00:19:54,493 --> 00:19:56,028 >> I DON'T KNOW IF CHANDLER 648 00:19:56,028 --> 00:19:58,164 EXISTS IN THE HAIR METAL WORLD. 649 00:19:58,164 --> 00:20:00,933 BUT TONIGHT, WE'RE GOING TO 650 00:20:00,933 --> 00:20:01,500 KICK -- 651 00:20:01,500 --> 00:20:02,301 >> GOING TO SCREAM. 652 00:20:02,301 --> 00:20:03,202 >> I LOVE YOU. 653 00:20:03,202 --> 00:20:04,437 >> AND WE'RE GOING TO DANCE. 654 00:20:04,437 --> 00:20:09,475 >> LOOK AT YOUR LITTLE REBEL. 655 00:20:09,475 --> 00:20:10,109 >> WE SHOULD START A BAND. 656 00:20:10,109 --> 00:20:11,811 [ CHEERS AND APPLAUSE ] 657 00:20:11,811 --> 00:20:12,645 >> Announcer: DANCING THE JIVE, 658 00:20:12,645 --> 00:20:13,145 WITH HER PARTNER 659 00:20:13,145 --> 00:20:14,046 BRANDON ARMSTRONG, IT'S 660 00:20:14,046 --> 00:20:15,281 CHANDLER KINNEY. 661 00:20:15,281 --> 00:20:19,919 [ CHEERS AND APPLAUSE ] 662 00:20:19,919 --> 00:20:23,355 ♪ WE'RE NOT GONNA TAKE IT 663 00:20:23,355 --> 00:20:24,490 NO, WE AIN'T GONNA TAKE IT ♪ 664 00:20:24,490 --> 00:20:27,059 ♪ WE'RE NOT GONNA TAKE IT 665 00:20:27,059 --> 00:20:29,295 ANYMORE ♪ 666 00:20:29,295 --> 00:20:35,835 ♪ WE'VE GOT 667 00:20:35,835 --> 00:20:38,404 THE RIGHT TO CHOOSE ♪ 668 00:20:38,404 --> 00:20:42,108 ♪ AND THERE AIN'T NO WAY 669 00:20:42,108 --> 00:20:45,811 WE'LL LOSE IT ♪ 670 00:20:45,811 --> 00:20:46,946 ♪ THIS IS OUR LIFE 671 00:20:46,946 --> 00:20:48,080 THIS IS OUR SONG ♪ 672 00:20:48,080 --> 00:20:49,782 ♪ WE'LL FIGHT THE POWERS 673 00:20:49,782 --> 00:20:52,918 THAT BE ♪ 674 00:20:52,918 --> 00:20:54,653 ♪ JUST DON'T 675 00:20:54,653 --> 00:20:55,488 PICK OUR DESTINY ♪ 676 00:20:55,488 --> 00:20:56,188 ♪ 'CAUSE YOU DON'T KNOW US 677 00:20:56,188 --> 00:20:56,956 YOU DON'T BELONG ♪ 678 00:20:56,956 --> 00:20:59,458 ♪ WE'RE NOT GONNA TAKE IT 679 00:20:59,458 --> 00:21:02,595 NO, WE AIN'T GONNA TAKE IT ♪ 680 00:21:02,595 --> 00:21:06,899 ♪ WE'RE NOT GONNA TAKE IT 681 00:21:06,899 --> 00:21:11,137 ANYMORE ♪ 682 00:21:11,137 --> 00:21:13,639 ♪ WE'RE RIGHT YEAH 683 00:21:13,639 --> 00:21:15,374 WE'RE FREE YEAH ♪ 684 00:21:15,374 --> 00:21:15,941 ♪ WE'LL FIGHT YEAH 685 00:21:15,941 --> 00:21:16,809 YOU'LL SEE YEAH ♪ 686 00:21:16,809 --> 00:21:19,078 ♪ WE'RE NOT GONNA TAKE IT 687 00:21:19,078 --> 00:21:19,812 NO, WE AIN'T GONNA TAKE IT ♪ 688 00:21:19,812 --> 00:21:24,784 ♪ WE'RE NOT GONNA TAKE IT 689 00:21:24,784 --> 00:21:25,918 ANYMORE 690 00:21:25,918 --> 00:21:28,087 NO WAY ♪ 691 00:21:28,087 --> 00:21:31,190 [ CHEERS AND APPLAUSE ] 692 00:21:31,190 --> 00:21:34,193 >> Alfonso: CHANDLER AND BRANDON 693 00:21:34,193 --> 00:21:35,361 GETTING THIS CROWD GOING WITH 694 00:21:35,361 --> 00:21:35,761 THEIR JIVE. 695 00:21:35,761 --> 00:21:38,631 YES, THEY ARE. 696 00:21:38,631 --> 00:21:39,465 OH, THE FLIPS, THE KICKS. 697 00:21:39,465 --> 00:21:44,069 YES. 698 00:21:44,069 --> 00:21:44,737 IT WAS THERE. 699 00:21:44,737 --> 00:21:45,871 IT WAS THERE. 700 00:21:45,871 --> 00:21:46,205 DEREK? 701 00:21:46,205 --> 00:21:52,444 >> FIRST OF ALL, ARE THOSE PRO 702 00:21:52,444 --> 00:21:54,046 IN THE BALLROOM? 703 00:21:54,046 --> 00:21:55,047 NO PRO HERE. 704 00:21:55,047 --> 00:21:57,249 YOU ARE IN A LEAGUE OF YOUR OWN, 705 00:21:57,249 --> 00:21:57,616 CHANDLER. 706 00:21:57,616 --> 00:22:02,221 YOU REALLY ARE. 707 00:22:02,221 --> 00:22:03,589 YOU ARE ONE OF THE BEST DANCERS, 708 00:22:03,589 --> 00:22:05,891 IF NOT THE BEST. 709 00:22:05,891 --> 00:22:06,425 THAT WAS PHENOMENAL. 710 00:22:06,425 --> 00:22:07,760 THE ONLY NOTE ON THAT ONE, 711 00:22:07,760 --> 00:22:09,962 TOWARDS THE END, LOST A LITTLE 712 00:22:09,962 --> 00:22:11,096 STEAM. 713 00:22:11,096 --> 00:22:12,164 JIVE IS ABOUT STAMINA. 714 00:22:12,164 --> 00:22:14,133 YOU HAVE TO SEE IT THROUGH TO 715 00:22:14,133 --> 00:22:15,167 FINISH. 716 00:22:15,167 --> 00:22:15,568 FANTASTIC. 717 00:22:15,568 --> 00:22:16,235 WELL DONE. 718 00:22:16,235 --> 00:22:19,038 >> Alfonso: ALL RIGHT. 719 00:22:19,038 --> 00:22:19,405 GENE? 720 00:22:19,405 --> 00:22:25,544 >> CHANDLER, YOU FOGGED UP MY 721 00:22:25,544 --> 00:22:26,512 GLASSES. 722 00:22:26,512 --> 00:22:27,713 I -- I DON'T KNOW WHAT TO TELL 723 00:22:27,713 --> 00:22:27,980 YOU. 724 00:22:27,980 --> 00:22:33,018 LET ME -- 725 00:22:33,018 --> 00:22:36,455 YOU MOVED -- YOU MOVED ME, NOT 726 00:22:36,455 --> 00:22:38,891 JUST WITH YOUR GYRATIONS AND 727 00:22:38,891 --> 00:22:39,692 SUCH. 728 00:22:39,692 --> 00:22:41,227 BUT YOUR BEAUTIFUL FACE AND HOW 729 00:22:41,227 --> 00:22:44,363 YOU'RE INTO THE EMOTION OF IT, 730 00:22:44,363 --> 00:22:44,797 TOP-TO-BOTTOM. 731 00:22:44,797 --> 00:22:45,798 YOU'RE PRETTY GOOD, TOO. 732 00:22:45,798 --> 00:22:50,336 BUT I'M TELLING YOU -- 733 00:22:50,336 --> 00:22:52,071 TELLING YOU, I AM A BIG FAN. 734 00:22:52,071 --> 00:22:54,206 YOU HAVE A BIG FUTURE. 735 00:22:54,206 --> 00:22:57,243 YOU SHOULD STICK TO IT. 736 00:22:57,243 --> 00:22:58,644 >> Alfonso: BRUNO? 737 00:22:58,644 --> 00:23:01,714 >> CHANDLER, THE ROCK 'N' ROLL 738 00:23:01,714 --> 00:23:02,081 DIVA. 739 00:23:02,081 --> 00:23:04,516 YOUR PERFORMING INSTINCTS ARE 740 00:23:04,516 --> 00:23:04,884 FLAWLESS. 741 00:23:04,884 --> 00:23:06,252 YOU ARE A NATURAL. 742 00:23:06,252 --> 00:23:10,756 NOW, I'M GOING TO BE VERY -- 743 00:23:10,756 --> 00:23:11,624 THIS, HALFWAY THROUGH. 744 00:23:11,624 --> 00:23:13,025 THE ONE LITTLE SLIP IS OKAY. 745 00:23:13,025 --> 00:23:14,760 WHEN IT COMES TO THE FLICKS, YOU 746 00:23:14,760 --> 00:23:17,730 HAVE TO KEEP THE SHARP 747 00:23:17,730 --> 00:23:18,130 RETRACTION. 748 00:23:18,130 --> 00:23:18,931 TOWARDS THE END, THE ENERGY WENT 749 00:23:18,931 --> 00:23:19,265 DOWN. 750 00:23:19,265 --> 00:23:23,302 YOU KEPT IT UP. 751 00:23:23,302 --> 00:23:25,938 YOU'RE SO GOOD, YOU COULD 752 00:23:25,938 --> 00:23:28,507 LITERALLY HAVE SPLIT THE DANCE 753 00:23:28,507 --> 00:23:29,608 INTO TWO. 754 00:23:29,608 --> 00:23:31,577 DON'T LET IT SLIP AWAY FROM YOU. 755 00:23:31,577 --> 00:23:32,311 >> Alfonso: ALL RIGHT. 756 00:23:32,311 --> 00:23:33,279 ALL RIGHT. 757 00:23:33,279 --> 00:23:33,679 CARRIE ANN? 758 00:23:33,679 --> 00:23:35,414 >> I HAVE A FEW THINGS TO SAY. 759 00:23:35,414 --> 00:23:37,316 JUST TO BE COMPLETELY 760 00:23:37,316 --> 00:23:37,716 TRANSPARENT. 761 00:23:37,716 --> 00:23:39,084 I HAVE HIGH EXPECTATIONS FOR YOU 762 00:23:39,084 --> 00:23:40,653 BECAUSE ON WEEK ONE, YOU SHOWED 763 00:23:40,653 --> 00:23:42,321 US YOU CAN DANCE. 764 00:23:42,321 --> 00:23:42,621 OKAY? 765 00:23:42,621 --> 00:23:46,091 MY POINT IS GOING TO BE VERY, 766 00:23:46,091 --> 00:23:46,458 SPECIFIC. 767 00:23:46,458 --> 00:23:47,526 I THINK WHEN YOU PERFORM, YOU 768 00:23:47,526 --> 00:23:49,328 CAN BE SHARPER, ALMOST LIKE A 769 00:23:49,328 --> 00:23:51,297 BLUE TINT, LIKE SHARP AND CLEAN. 770 00:23:51,297 --> 00:23:52,998 SOME FEELS A LITTLE MUDDLED 771 00:23:52,998 --> 00:23:53,332 OVER. 772 00:23:53,332 --> 00:23:55,301 THAT'S WHAT WE'RE REFERRING 773 00:23:55,301 --> 00:23:55,634 OVER. 774 00:23:55,634 --> 00:23:56,869 THE ENERGY, CLEAN IT UP AND HIT 775 00:23:56,869 --> 00:23:57,703 IT HARDER. 776 00:23:57,703 --> 00:24:02,308 GIVE US YOUR BEST. 777 00:24:02,308 --> 00:24:02,841 THIS SHOW IS ABOUT 778 00:24:02,841 --> 00:24:03,309 TRANSFORMATION. 779 00:24:03,309 --> 00:24:03,942 YOU WHO ARE BEAUTIFUL AND 780 00:24:03,942 --> 00:24:05,177 WONDERFUL, WE WANT TO SEE YOU 781 00:24:05,177 --> 00:24:05,678 GROW, TOO. 782 00:24:05,678 --> 00:24:06,278 >> Alfonso: ALL RIGHT. 783 00:24:06,278 --> 00:24:06,812 ALL RIGHT. 784 00:24:06,812 --> 00:24:09,348 HAD ENOUGH OF JULIANNE IN THE 785 00:24:09,348 --> 00:24:10,449 SKYBOX. 786 00:24:10,449 --> 00:24:10,816 GREAT JOB. 787 00:24:10,816 --> 00:24:12,484 IF YOU MISSED US LAST NIGHT, YOU 788 00:24:12,484 --> 00:24:13,185 MISSED THE STEAMIEST RUMBA WE 789 00:24:13,185 --> 00:24:16,855 HAVE EVER SEEN. 790 00:24:16,855 --> 00:24:17,723 WHAT DO BROOKS NADER AND 791 00:24:17,723 --> 00:24:18,457 GLEB SAVCHENKO HAVE PLANNED FOR 792 00:24:18,457 --> 00:24:19,024 AN ENCORE IN FRONT OF 793 00:24:19,024 --> 00:24:19,458 GENE SIMMONS? 794 00:24:19,458 --> 00:24:22,194 WE'LL FIND OUT SOON. 795 00:24:22,194 --> 00:24:25,331 JULIANNE, TAKE IT AWAY. 796 00:24:25,331 --> 00:24:27,333 >> Julianne: THANKS, ALFONSO, AS 797 00:24:27,333 --> 00:24:30,002 THEY CATCH THEIR BREATH FROM THE 798 00:24:30,002 --> 00:24:30,903 JIVE. 799 00:24:30,903 --> 00:24:34,006 CARRIE ANN'S COMMENTS ABOUT 800 00:24:34,006 --> 00:24:34,373 IMPROVING. 801 00:24:34,373 --> 00:24:35,708 YOU SAID THE JIVE IS NOT EASY. 802 00:24:35,708 --> 00:24:37,476 WHAT DID YOU TAKE FROM CARRIE 803 00:24:37,476 --> 00:24:38,777 ANN'S COMMENTS RIGHT NOW? 804 00:24:38,777 --> 00:24:40,179 >> I NEED TO APPLY MYSELF. 805 00:24:40,179 --> 00:24:43,782 I PUSHED MYSELF REALLY HARD. 806 00:24:43,782 --> 00:24:44,550 I GOT DISCOURAGED WITH THE JIVE 807 00:24:44,550 --> 00:24:46,251 AT TIMES BECAUSE IT IS SO 808 00:24:46,251 --> 00:24:47,186 HIGH-ENERGY AND SHARP. 809 00:24:47,186 --> 00:24:50,189 AND I WAS LIKE, I'M TWISTING AND 810 00:24:50,189 --> 00:24:51,323 TURNING LIKE A TORNADO. 811 00:24:51,323 --> 00:24:52,291 IT'S A LOT. 812 00:24:52,291 --> 00:24:53,692 I'M GOING TO KEEP PUSHING. 813 00:24:53,692 --> 00:24:55,627 I WANT TO IMPROVE. 814 00:24:55,627 --> 00:24:56,395 >> I LOVE IT. 815 00:24:56,395 --> 00:24:57,696 WE LOVE TO HEAR IT. 816 00:24:57,696 --> 00:24:58,964 LET'S GET YOUR SCORES. 817 00:24:58,964 --> 00:25:00,132 YOU'RE PROBABLY ANXIOUS FOR 818 00:25:00,132 --> 00:25:00,466 THEM. 819 00:25:00,466 --> 00:25:01,667 LET'S GET TO THEM. 820 00:25:01,667 --> 00:25:02,134 WHEN WE COME BACK. 821 00:25:02,134 --> 00:25:02,468 ♪♪ 822 00:25:02,468 --> 00:25:03,002 [ CHEERS AND APPLAUSE ] 823 00:25:08,040 --> 00:25:08,374 ♪ 824 00:25:08,374 --> 00:25:08,741 ♪ ♪ 825 00:25:08,741 --> 00:25:08,974 ♪ 826 00:25:08,974 --> 00:25:11,977 [ CHEERS AND APPLAUSE ] 827 00:25:11,977 --> 00:25:12,811 >>> WE'RE BACK. 828 00:25:12,811 --> 00:25:15,147 BEFORE THE BREAK, CHANDLER AND 829 00:25:15,147 --> 00:25:17,216 BRANDON PERFORMED A JIVE THAT 830 00:25:17,216 --> 00:25:19,752 THE JUDGS PRAISED, ALTHOUGH 831 00:25:19,752 --> 00:25:21,120 THEY WANT TO SEE MORE. 832 00:25:21,120 --> 00:25:24,022 LET'S GET THEIR SCORES. 833 00:25:24,022 --> 00:25:26,658 >> Announcer: CARRIE ANN INABA. 834 00:25:26,658 --> 00:25:28,560 >> 8. 835 00:25:28,560 --> 00:25:29,995 >> Announcer: DEREK HOUGH. 836 00:25:29,995 --> 00:25:30,763 >> 8. 837 00:25:30,763 --> 00:25:31,430 >> Announcer: GENE SIMMONS. 838 00:25:31,430 --> 00:25:34,166 >> 9. 839 00:25:34,166 --> 00:25:37,503 >> Announcer: BRUNO TONIOLI. 840 00:25:37,503 --> 00:25:39,538 >> 8. 841 00:25:39,538 --> 00:25:41,006 >> Julianne: 33 OUT OF 40 FOR 842 00:25:41,006 --> 00:25:41,840 CHANDLER AND BRANDON. 843 00:25:41,840 --> 00:25:43,876 THE TOTAL FOR BOTH NIGHTS IS 69. 844 00:25:43,876 --> 00:25:45,844 NO MATTER WHERE THEY ARE ON THE 845 00:25:45,844 --> 00:25:46,645 LEADERBOARD, THEY STILL NEED 846 00:25:46,645 --> 00:25:49,248 YOUR VOTES. 847 00:25:49,248 --> 00:25:49,581 ALFONSO? 848 00:25:49,581 --> 00:25:55,187 >> Alfonso: THANKS, JULIANNE. 849 00:25:55,187 --> 00:25:56,922 LAST NIGHT, OUR "SPORTS 850 00:25:56,922 --> 00:25:58,023 ILLUSTRATED" COVER MODEL, NEARLY 851 00:25:58,023 --> 00:25:58,724 SET OFF THE SPRINKLERS WITH A 852 00:25:58,724 --> 00:25:59,258 RUMBA THAT WAS HOT. 853 00:25:59,258 --> 00:25:59,992 TONIGHT, SHE AND HER PARTNER ARE 854 00:25:59,992 --> 00:26:00,726 HOPING FOR A GOOD TIME WITH HER 855 00:26:00,726 --> 00:26:02,628 CHA-CHA. 856 00:26:02,628 --> 00:26:03,195 IT'S BROOKS NADER AND 857 00:26:03,195 --> 00:26:05,731 GLEB SAVCHENKO. 858 00:26:05,731 --> 00:26:14,072 ♪♪ 859 00:26:14,072 --> 00:26:15,774 >> YOU'RE LIKE THE ROLE PLAY. 860 00:26:15,774 --> 00:26:16,675 I GET IT. 861 00:26:16,675 --> 00:26:18,343 THEY WANT TO SEE MORE. 862 00:26:18,343 --> 00:26:19,812 LIKE THE 16 BARS IN THE 863 00:26:19,812 --> 00:26:21,046 BEGINNING, WERE A LITTLE WASTED. 864 00:26:21,046 --> 00:26:21,380 >> 7. 865 00:26:21,380 --> 00:26:24,683 ♪♪ 866 00:26:24,683 --> 00:26:26,318 >> LAST PERFORMANCE, I WAS A 867 00:26:26,318 --> 00:26:27,453 LITTLE UPSET ABOUT IT. 868 00:26:27,453 --> 00:26:28,620 >> I WAS NOT HAPPY. 869 00:26:28,620 --> 00:26:30,355 >> I DID NOT AGREE WITH THE 870 00:26:30,355 --> 00:26:30,689 JUDGES. 871 00:26:30,689 --> 00:26:31,023 >> OKAY. 872 00:26:31,023 --> 00:26:33,225 >> I THINK THIS IS [ BLEEP ]. 873 00:26:33,225 --> 00:26:33,792 >> YEAH. 874 00:26:33,792 --> 00:26:34,660 >> I LOVE YOU. 875 00:26:34,660 --> 00:26:35,394 YOU'RE THE BEST. 876 00:26:35,394 --> 00:26:37,196 >> WE'RE GOING TO HAVE TO CRUSH 877 00:26:37,196 --> 00:26:38,464 THIS HAIR METAL DANCE. 878 00:26:38,464 --> 00:26:40,165 >> I'LL GIVE YOU MORE 879 00:26:40,165 --> 00:26:40,599 CHOREOGRAPHY. 880 00:26:40,599 --> 00:26:41,967 >> I'M REALLY TEACHABLE. 881 00:26:41,967 --> 00:26:44,403 >> FOR HAIR METAL NIGHT, WE'RE 882 00:26:44,403 --> 00:26:46,104 DANCING THE CHA-CHA, TO "NOTHING 883 00:26:46,104 --> 00:26:48,941 BUT A GOOD TIME" BY POISON. 884 00:26:48,941 --> 00:26:53,345 >> I KNOW BRET MICHAELS. 885 00:26:53,345 --> 00:26:54,346 I KNOW HIS DAUGHTER. 886 00:26:54,346 --> 00:26:55,814 WE'RE DANCING TO "NOTHING BUT A 887 00:26:55,814 --> 00:26:56,415 GOOD TIME." 888 00:26:56,415 --> 00:26:58,650 >> IT'S ABOUT PLAYING HARD AND 889 00:26:58,650 --> 00:26:59,718 HAVE FUN. 890 00:26:59,718 --> 00:27:00,619 THAT'S WHAT PEOPLE LOVE. 891 00:27:00,619 --> 00:27:02,354 YOU HAVE AN AMAZING CHEMISTRY AS 892 00:27:02,354 --> 00:27:03,822 A TEAM, UNLEASH THAT. 893 00:27:03,822 --> 00:27:04,456 AND JUST ROCK THEIR WORLD. 894 00:27:04,456 --> 00:27:07,392 >> I LOVE THAT. 895 00:27:07,392 --> 00:27:08,727 I'M SO EXCITED. 896 00:27:08,727 --> 00:27:10,329 >> CHA, CHA, CHA. 897 00:27:10,329 --> 00:27:11,897 >> IT'S A FUN DANCE. 898 00:27:11,897 --> 00:27:14,600 JUDGES WANT TO SEE MORE CONTENT. 899 00:27:14,600 --> 00:27:16,101 SO, THAT'S WHAT I'M GOING TO DO. 900 00:27:16,101 --> 00:27:20,372 >> CLICK, CLICK, CLICK. 901 00:27:20,372 --> 00:27:22,975 >> I WANT TO NAIL THIS CHA-CHA. 902 00:27:22,975 --> 00:27:24,476 I WANT EVERYONE TO LOVE IT. 903 00:27:24,476 --> 00:27:25,777 I WANT THE JUDGES TO LOVE IT. 904 00:27:25,777 --> 00:27:27,412 I WANT TO SEE IMPROVEMENT. 905 00:27:27,412 --> 00:27:29,448 WE NEED TO STAY SAFE. 906 00:27:29,448 --> 00:27:31,783 >> WE'RE KILLING IT. 907 00:27:31,783 --> 00:27:32,384 >> YOU'RE KILLING IT. 908 00:27:32,384 --> 00:27:33,886 >> I'M EXCITED ABOUT THIS. 909 00:27:33,886 --> 00:27:35,020 >> Announcer: DANCING THE 910 00:27:35,020 --> 00:27:35,654 CHA-CHA, WITH HER PARTNER 911 00:27:35,654 --> 00:27:36,221 GLEB SAVCHENKO, IT'S 912 00:27:36,221 --> 00:27:37,723 BROOKS NADER. 913 00:27:37,723 --> 00:27:38,056 ♪♪ 914 00:27:38,056 --> 00:27:47,132 [ CHEERS AND APPLAUSE ] 915 00:27:47,132 --> 00:27:48,000 ♪ NOW LISTEN 916 00:27:48,000 --> 00:27:48,567 NOT A DIME 917 00:27:48,567 --> 00:27:51,069 I CAN'T PAY MY RENT ♪ 918 00:27:51,069 --> 00:27:55,374 ♪ I CAN BARELY 919 00:27:55,374 --> 00:27:58,477 MAKE IT THROUGH THE WEEK ♪ 920 00:27:58,477 --> 00:28:00,779 ♪ I'M ALWAYS WORKING 921 00:28:00,779 --> 00:28:01,613 SLAVING EVERY DAY ♪ 922 00:28:01,613 --> 00:28:04,182 ♪ GOTTA GET AWAY FROM THAT 923 00:28:04,182 --> 00:28:04,783 SAME OLD, SAME OLD ♪ 924 00:28:04,783 --> 00:28:05,317 ♪ I NEED A CHANCE 925 00:28:05,317 --> 00:28:06,184 JUST TO GET AWAY ♪ 926 00:28:06,184 --> 00:28:07,352 ♪ IF YOU COULD HEAR ME THINK 927 00:28:07,352 --> 00:28:10,756 THIS IS WHAT I'D SAY ♪ 928 00:28:10,756 --> 00:28:15,294 ♪ DON'T NEED NOTHIN' 929 00:28:15,294 --> 00:28:16,728 BUT A GOOD TIME 930 00:28:16,728 --> 00:28:18,730 HOW CAN I RESIST ♪ 931 00:28:18,730 --> 00:28:23,802 ♪ AIN'T LOOKING FOR NOTHIN' 932 00:28:23,802 --> 00:28:26,939 BUT A GOOD TIME ♪ 933 00:28:26,939 --> 00:28:30,909 ♪ AND IT DON'T GET 934 00:28:30,909 --> 00:28:35,447 BETTER THAN THIS ♪ 935 00:28:35,447 --> 00:28:36,048 ♪ DON'T NEED NOTHIN' 936 00:28:36,048 --> 00:28:37,182 BUT A GOOD TIME 937 00:28:37,182 --> 00:28:37,749 HOW CAN I RESIST ♪ 938 00:28:37,749 --> 00:28:38,850 ♪ AIN'T LOOKING FOR NOTHIN' 939 00:28:38,850 --> 00:28:39,751 BUT A GOOD TIME ♪ 940 00:28:39,751 --> 00:28:45,157 ♪ AND IT DON'T GET 941 00:28:45,157 --> 00:28:45,724 BETTER THAN THIS ♪ 942 00:28:45,724 --> 00:28:46,592 ♪ DON'T GET 943 00:28:46,592 --> 00:28:48,560 BETTER THAN THAT Y'ALL ♪ 944 00:28:48,560 --> 00:28:53,999 [ CHEERS AND APPLAUSE ] 945 00:28:53,999 --> 00:28:57,269 >> Alfonso: BROOKS AND GLEB WITH 946 00:28:57,269 --> 00:28:59,104 A GOOD TIME WITH THEIR CHA-CHA 947 00:28:59,104 --> 00:28:59,905 TO POISON. 948 00:28:59,905 --> 00:29:01,707 AND THE BALLROOM IS ON FIRE. 949 00:29:01,707 --> 00:29:02,140 ALL RIGHT. 950 00:29:02,140 --> 00:29:02,774 HERE'S A MAN THAT KNOWS 951 00:29:02,774 --> 00:29:03,342 SOMETHING ABOUT FIRE. 952 00:29:03,342 --> 00:29:07,746 GENE? 953 00:29:07,746 --> 00:29:08,614 >> LOOK, LOOK. 954 00:29:08,614 --> 00:29:10,315 I'M NOT THE TECHNICIAN HERE. 955 00:29:10,315 --> 00:29:11,049 I DANCE. 956 00:29:11,049 --> 00:29:15,153 I DID WIN THE TWIST CONTEST IN 957 00:29:15,153 --> 00:29:16,221 PS-145, A LONG TIME AGO. 958 00:29:16,221 --> 00:29:17,990 FOR ME, IT'S NOT ABOUT THE 959 00:29:17,990 --> 00:29:18,924 TECHNICAL STUFF. 960 00:29:18,924 --> 00:29:21,693 IF YOU DID SOMETHING MORE 961 00:29:21,693 --> 00:29:23,662 TECHNICALLY PROFICIENT AND SO 962 00:29:23,662 --> 00:29:24,363 ON, YOU WOULD WIPE THE FLOOR 963 00:29:24,363 --> 00:29:25,130 WITH EVERYBODY. 964 00:29:25,130 --> 00:29:25,897 YOUR VIBE, YOUR PERSONALITY, OUT 965 00:29:25,897 --> 00:29:29,635 OF THIS WORLD. 966 00:29:29,635 --> 00:29:33,005 DEREK, YOU'RE PRETTY GOOD, TOO. 967 00:29:33,005 --> 00:29:34,606 >> Alfonso: ALL RIGHT. 968 00:29:34,606 --> 00:29:34,940 BRUNO? 969 00:29:34,940 --> 00:29:35,274 >> LOOK. 970 00:29:35,274 --> 00:29:43,415 WHEN IT COMES TO A GOOD TIME. 971 00:29:43,415 --> 00:29:44,016 [ CHEERS AND APPLAUSE ] 972 00:29:44,016 --> 00:29:45,350 THESE ARE THE LIMITS. 973 00:29:45,350 --> 00:29:46,451 I THINK I'M TURNING. 974 00:29:46,451 --> 00:29:47,052 WHAT'S GOING ON WITH ME? 975 00:29:47,052 --> 00:29:50,322 SERIOUSLY. 976 00:29:50,322 --> 00:29:51,990 IMPROVED ALL THE WAY. 977 00:29:51,990 --> 00:29:54,359 AND BRILLIANT. 978 00:29:54,359 --> 00:29:55,227 BALANCED. 979 00:29:55,227 --> 00:29:55,994 SPOT-ON. 980 00:29:55,994 --> 00:29:56,361 PLACEMENT. 981 00:29:56,361 --> 00:29:57,496 KEEP WORKING, HONEY. 982 00:29:57,496 --> 00:30:00,132 YOU'RE A GOOD DANCER, AS WELL AS 983 00:30:00,132 --> 00:30:00,799 TERRIBLY HOT. 984 00:30:00,799 --> 00:30:03,001 >> Alfonso: THERE YOU GO. 985 00:30:03,001 --> 00:30:03,969 [ CHEERS AND APPLAUSE ] 986 00:30:03,969 --> 00:30:05,704 CARRIE ANN? 987 00:30:05,704 --> 00:30:07,906 >> BROOKE, WOMAN-TO-WOMAN, I 988 00:30:07,906 --> 00:30:09,141 APPRECIATE WHAT I JUST 989 00:30:09,141 --> 00:30:09,508 WITNESSED. 990 00:30:09,508 --> 00:30:11,810 YOU CAME OUT HERE. 991 00:30:11,810 --> 00:30:13,011 YOU REALLY GAVE US A WHOLE 992 00:30:13,011 --> 00:30:13,679 DIFFERENT TUNE. 993 00:30:13,679 --> 00:30:15,847 YOU WERE FOCUSED. 994 00:30:15,847 --> 00:30:16,782 WHEN A WOMAN HAS SOMETHING TO 995 00:30:16,782 --> 00:30:18,216 PROVE, GET OUT OF HER WAY. 996 00:30:18,216 --> 00:30:19,651 YOU JUST DID THAT. 997 00:30:19,651 --> 00:30:20,252 [ CHEERS AND APPLAUSE ] 998 00:30:20,252 --> 00:30:21,953 >> Alfonso: WE KNOW THAT'S TRUE. 999 00:30:21,953 --> 00:30:22,287 DEREK? 1000 00:30:22,287 --> 00:30:25,657 >> I AM GOING TO TELL YOU RIGHT 1001 00:30:25,657 --> 00:30:27,059 NOW, POLE DANCING IS HARD. 1002 00:30:27,059 --> 00:30:27,993 I TRIED IT. 1003 00:30:27,993 --> 00:30:30,028 THAT'S REALLY IMPRESSIVE. 1004 00:30:30,028 --> 00:30:31,697 ALSO, LISTEN, THE TECHNIQUE, THE 1005 00:30:31,697 --> 00:30:33,465 TWIST, THE TURNS, THE 1006 00:30:33,465 --> 00:30:34,366 ATHLETICISM, THE CLEAN LINES, 1007 00:30:34,366 --> 00:30:37,402 THE LAST LIFT INTO THE SPLIT, 1008 00:30:37,402 --> 00:30:38,437 THAT WAS EPIC. 1009 00:30:38,437 --> 00:30:39,004 >> Alfonso: ALL RIGHT. 1010 00:30:39,004 --> 00:30:41,840 THE FIRE IS HOT. 1011 00:30:41,840 --> 00:30:43,241 HEAD ON UP TO JULIANNE FOR YOUR 1012 00:30:43,241 --> 00:30:44,376 SCORES. 1013 00:30:44,376 --> 00:30:46,678 NEXT TUESDAY NIGHT, MIRROR BALL 1014 00:30:46,678 --> 00:30:47,779 CHAMPION MARK BALLAS JOINS OUR 1015 00:30:47,779 --> 00:30:48,647 JUDGES FOR AN EVENING OF 1016 00:30:48,647 --> 00:30:51,216 POWERFUL AND EMOTIONAL STORIES 1017 00:30:51,216 --> 00:30:52,684 FROM OUR STARS. 1018 00:30:52,684 --> 00:30:54,086 PLUS, WE'LL SEE DEREK AND 1019 00:30:54,086 --> 00:30:56,088 HAYLEY HOUGH IN AN UPLIFTING 1020 00:30:56,088 --> 00:30:56,788 PERFORMANCE TO CELEBRATE HER 1021 00:30:56,788 --> 00:30:57,489 TRIUMPHANT RETURN TO THE 1022 00:30:57,489 --> 00:30:59,491 BALLROOM AFTER A 1023 00:30:59,491 --> 00:31:01,493 LIFE-THREATENING EMERGENCY. 1024 00:31:01,493 --> 00:31:02,160 IT'S "DEDICATION NIGHT" AT 1025 00:31:02,160 --> 00:31:02,894 8:00/7:00 CENTRAL ON ABC AND 1026 00:31:02,894 --> 00:31:06,331 DISNEY+. 1027 00:31:06,331 --> 00:31:08,734 JULIANNE, THEY ARE WITH YOU? 1028 00:31:08,734 --> 00:31:10,302 >> Julianne: THANKS, ALFONSO. 1029 00:31:10,302 --> 00:31:13,472 THEY ARE. 1030 00:31:13,472 --> 00:31:18,076 BROOKS AND GLEB DOING THE 1031 00:31:18,076 --> 00:31:18,410 CHA-CHA. 1032 00:31:18,410 --> 00:31:21,480 YOU GOT TO TALK TO BRET 1033 00:31:21,480 --> 00:31:21,847 MICHAELS. 1034 00:31:21,847 --> 00:31:23,248 WHAT WAS THAT EXPERIENCE LIKE 1035 00:31:23,248 --> 00:31:24,950 BEFORE THIS DANCE? 1036 00:31:24,950 --> 00:31:27,619 >> HE GAVE US A PUMP-UP TALK. 1037 00:31:27,619 --> 00:31:28,653 IT MADE HIM PROUD. 1038 00:31:28,653 --> 00:31:29,955 HE IS WATCHING ON TOUR RIGHT 1039 00:31:29,955 --> 00:31:30,255 NOW. 1040 00:31:30,255 --> 00:31:32,190 >> Julianne: I THINK YOU MADE A 1041 00:31:32,190 --> 00:31:34,626 LOT OF PEOPLE PROUD TONIGHT. 1042 00:31:34,626 --> 00:31:35,927 LET'S GET YOUR SCORES. 1043 00:31:35,927 --> 00:31:38,597 >> Announcer: CARRIE ANN INABA. 1044 00:31:38,597 --> 00:31:39,731 >> 8. 1045 00:31:39,731 --> 00:31:40,732 >> Announcer: DEREK HOUGH. 1046 00:31:40,732 --> 00:31:41,333 >> 8. 1047 00:31:41,333 --> 00:31:44,703 >> Announcer: GENE SIMMONS. 1048 00:31:44,703 --> 00:31:46,471 >> I'M NOT THE TECHNICAL GUY 1049 00:31:46,471 --> 00:31:46,772 HERE. 1050 00:31:46,772 --> 00:31:47,406 I WAS GOING TO GIVE A 9. 1051 00:31:47,406 --> 00:31:52,244 I GAVE A 10. 1052 00:31:52,244 --> 00:31:55,046 >> Announcer: BRUNO TONIOLI. 1053 00:31:55,046 --> 00:31:55,747 >> 8. 1054 00:31:55,747 --> 00:31:56,348 >> Julianne: ALL RIGHT. 1055 00:31:56,348 --> 00:31:58,150 THAT'S A 33 OUT OF 40 FOR BROOKS 1056 00:31:58,150 --> 00:31:58,850 AND GLEB. 1057 00:31:58,850 --> 00:32:01,586 THEIR TOTAL FOR BOTH NIGHTS IS 1058 00:32:01,586 --> 00:32:01,920 61. 1059 00:32:01,920 --> 00:32:08,593 THAT IS OKAY. 1060 00:32:08,593 --> 00:32:09,294 I'VE GOT SOMETHING COMING IN. 1061 00:32:09,294 --> 00:32:09,594 OKAY. 1062 00:32:09,594 --> 00:32:11,963 WE GOT A LITTLE TRICKY. 1063 00:32:11,963 --> 00:32:13,765 GENE KEYED IN AT A 9. 1064 00:32:13,765 --> 00:32:15,467 WE HAVE TO CHANGE THE SCORE. 1065 00:32:15,467 --> 00:32:16,601 WANT TO CLARIFY THAT. 1066 00:32:16,601 --> 00:32:18,503 THE TOTAL IS 33. 1067 00:32:18,503 --> 00:32:19,404 HEY. 1068 00:32:19,404 --> 00:32:20,172 WAIT, WAIT. 1069 00:32:20,172 --> 00:32:20,806 WHOA, WHOA. 1070 00:32:20,806 --> 00:32:22,107 LET'S GET BACK TO IT. 1071 00:32:22,107 --> 00:32:24,876 THOSE ARE YOUR BEST SCORES YET. 1072 00:32:24,876 --> 00:32:26,444 THESE ARE YOUR BEST SCORES YET. 1073 00:32:26,444 --> 00:32:27,679 HOW DO YOU FEEL ABOUT THAT? 1074 00:32:27,679 --> 00:32:30,582 >> AMAZING. 1075 00:32:30,582 --> 00:32:31,616 >> Julianne: AMAZING. 1076 00:32:31,616 --> 00:32:32,417 LOOK. 1077 00:32:32,417 --> 00:32:34,219 IT IS DOUBLE ELIMINATION 1078 00:32:34,219 --> 00:32:34,553 TONIGHT. 1079 00:32:34,553 --> 00:32:37,456 YOU GET TEN VOTES PER COUPLE PER 1080 00:32:37,456 --> 00:32:38,590 VOTING METHOD AND YOU CAN SPREAD 1081 00:32:38,590 --> 00:32:40,859 THEM OUT ANY WAY YOU WANT. 1082 00:32:40,859 --> 00:32:41,426 ALFONSO? 1083 00:32:41,426 --> 00:32:43,728 >> Alfonso: THANKS, JULIANNE. 1084 00:32:43,728 --> 00:32:44,229 MADNESS DOWN HERE. 1085 00:32:44,229 --> 00:32:45,397 JUST GREAT. 1086 00:32:45,397 --> 00:32:48,567 SO FAR, OUR OLYMPIC GYMNAST HAS 1087 00:32:48,567 --> 00:32:50,235 TAKEN ON THE RUBIK'S CUBE, THE 1088 00:32:50,235 --> 00:32:51,102 THEME FROM "SUPERMAN," AND, LAST 1089 00:32:51,102 --> 00:32:53,939 NIGHT, A "SOUL TRAIN" CLASSIC. 1090 00:32:53,939 --> 00:32:55,073 STEPHEN NEDOROSCIK AND 1091 00:32:55,073 --> 00:32:55,807 RYLEE ARNOLD ARE UP NEXT, WITH A 1092 00:32:55,807 --> 00:32:57,309 FOXTROT TO WHITESNAKE, LIVE. 1093 00:32:57,309 --> 00:32:58,510 [ CHEERS AND APPLAUSE ] 1094 00:33:04,349 --> 00:33:06,685 ♪♪ 1095 00:33:06,685 --> 00:33:09,321 [ CHEERS AND APPLAUSE ] 1096 00:33:09,321 --> 00:33:12,023 >>> WELCOME BACK TO "HAIR METAL 1097 00:33:12,023 --> 00:33:14,192 NIGHT" WHERE OUR -- I CAN'T SEE 1098 00:33:14,192 --> 00:33:15,360 WITH THOSE. 1099 00:33:15,360 --> 00:33:16,261 WHERE OUR HAIR DEPARTMENT HAS 1100 00:33:16,261 --> 00:33:18,697 BEEN WORKING OVERTIME. 1101 00:33:18,697 --> 00:33:21,800 LAST NIGHT, THE OLYMPIC GYMNAST 1102 00:33:21,800 --> 00:33:24,669 PERFORMED A QUICKSTEP THAT BRUNO 1103 00:33:24,669 --> 00:33:26,238 SAID TOOK HIM BACK TO HIS PROM. 1104 00:33:26,238 --> 00:33:28,907 HE WANTS TO SEE BETTER TIMING 1105 00:33:28,907 --> 00:33:30,442 AND MUSICALITY. 1106 00:33:30,442 --> 00:33:32,477 WILL IT HAPPEN TONIGHT? 1107 00:33:32,477 --> 00:33:39,584 WELL, IT'S STEPHEN NEDOROSCIK 1108 00:33:39,584 --> 00:33:44,155 AND RYLEE ARNOLD. 1109 00:33:44,155 --> 00:33:45,323 >> YOU HAVE TO WORK ON YOUR 1110 00:33:45,323 --> 00:33:45,891 TIMING AND MUSICALITY. 1111 00:33:45,891 --> 00:33:46,658 >> IT DRIVES ME MAD. 1112 00:33:46,658 --> 00:33:47,425 >> 7. 1113 00:33:47,425 --> 00:33:48,126 >> 8. 1114 00:33:48,126 --> 00:33:49,027 >> OKAY. 1115 00:33:49,027 --> 00:33:50,662 SO, WHEN YOU GET ON THAT STAGE, 1116 00:33:50,662 --> 00:33:52,564 THAT ADRENALINE HITS YOU. 1117 00:33:52,564 --> 00:33:54,666 BUT WHAT YOU HAVE TO FOCUS ON IS 1118 00:33:54,666 --> 00:33:56,501 THE DANCE MOVES MATCH TO MUSIC 1119 00:33:56,501 --> 00:33:56,835 BEATS. 1120 00:33:56,835 --> 00:33:57,469 >> YEAH. 1121 00:33:57,469 --> 00:33:59,604 WE DON'T DO GYMNASTICS TO MUSIC. 1122 00:33:59,604 --> 00:34:00,805 IT'S DIFFICULT FOR ME TO EASE 1123 00:34:00,805 --> 00:34:04,309 INTO A STEP. 1124 00:34:04,309 --> 00:34:06,444 THE THEME IS "HAIR METAL NIGHT." 1125 00:34:06,444 --> 00:34:07,279 >> I'M EXCITED. 1126 00:34:07,279 --> 00:34:09,614 >> YOU'RE GIVING MAJOR ROCK 'N' 1127 00:34:09,614 --> 00:34:10,315 ROLL VIBES. 1128 00:34:10,315 --> 00:34:11,716 >> I'M GOING TO GET INTO THAT 1129 00:34:11,716 --> 00:34:12,284 CHARACTER. 1130 00:34:12,284 --> 00:34:12,918 LET'S GO. 1131 00:34:12,918 --> 00:34:16,354 >> SIX, SEVEN, EIGHT. 1132 00:34:16,354 --> 00:34:16,955 DON'T STEP UNTIL EIGHT. 1133 00:34:16,955 --> 00:34:18,657 THE FOXTROT IS VERY CLEAR 1134 00:34:18,657 --> 00:34:18,990 TIMING. 1135 00:34:18,990 --> 00:34:19,891 TRY AGAIN. 1136 00:34:19,891 --> 00:34:20,225 SLOWER. 1137 00:34:20,225 --> 00:34:23,094 >> STEPHEN IS OFF, IT WILL BE 1138 00:34:23,094 --> 00:34:24,296 VERY EVIDENT TO EVERYONE IN THE 1139 00:34:24,296 --> 00:34:24,629 ROOM. 1140 00:34:24,629 --> 00:34:25,597 >> THIS SUCKS. 1141 00:34:25,597 --> 00:34:26,865 AFTER PUTTING IN THE WORK -- 1142 00:34:26,865 --> 00:34:28,333 >> ONE, TWO, THREE. 1143 00:34:28,333 --> 00:34:28,667 YES. 1144 00:34:28,667 --> 00:34:29,501 THAT LOOKS NICE. 1145 00:34:29,501 --> 00:34:31,703 >> MUSICALITY IS STARTING TO 1146 00:34:31,703 --> 00:34:32,637 CLICK FOR ME. 1147 00:34:32,637 --> 00:34:37,842 TONIGHT, I'M GOING TO UNLEASH MY 1148 00:34:37,842 --> 00:34:38,743 ROCK STAR ALTER EGO AND ACE 1149 00:34:38,743 --> 00:34:39,144 EVERY STEP. 1150 00:34:39,144 --> 00:34:48,086 ♪♪ 1151 00:34:48,086 --> 00:34:49,054 >> Announcer: DANCING THE 1152 00:34:49,054 --> 00:34:52,057 FOXTROT, WITH HIS PARTNER RILEY 1153 00:34:52,057 --> 00:35:05,303 ARNOLD, IT'S STEPHEN NEDOROSCIK. 1154 00:35:05,303 --> 00:35:06,738 ♪ I DON'T KNOW WHERE I'M GOING 1155 00:35:06,738 --> 00:35:08,440 BUT I SURE KNOW WHERE I'VE 1156 00:35:08,440 --> 00:35:09,841 BEEN ♪ 1157 00:35:09,841 --> 00:35:11,576 ♪ HANGING ON THE PROMISES 1158 00:35:11,576 --> 00:35:13,545 IN SONGS OF YESTERDAY ♪ 1159 00:35:13,545 --> 00:35:16,147 ♪ 'CAUSE I KNOW WHAT IT MEANS 1160 00:35:16,147 --> 00:35:18,383 TO WALK ALONG 1161 00:35:18,383 --> 00:35:22,420 THE LONELY STREET OF DREAMS ♪ 1162 00:35:22,420 --> 00:35:25,557 ♪ HERE I GO AGAIN ON MY OWN 1163 00:35:25,557 --> 00:35:27,826 GOIN' DOWN THE ONLY ROAD 1164 00:35:27,826 --> 00:35:29,527 I'VE EVER KNOWN ♪ 1165 00:35:29,527 --> 00:35:31,496 ♪ LIKE A DRIFTER 1166 00:35:31,496 --> 00:35:35,233 I WAS BORN TO WALK ALONE ♪ 1167 00:35:35,233 --> 00:35:37,435 ♪ BUT I'VE MADE UP MY MIND 1168 00:35:37,435 --> 00:35:40,305 I AIN'T WASTING 1169 00:35:40,305 --> 00:35:44,009 NO MORE TIME ♪ 1170 00:35:44,009 --> 00:35:53,151 ♪ HERE I GO AGAIN ON MY OWN 1171 00:35:53,151 --> 00:35:53,952 GOIN' DOWN THE ONLY ROAD 1172 00:35:53,952 --> 00:36:07,932 I'VE EVER KNOWN ♪ 1173 00:36:07,932 --> 00:36:11,903 >> Alfonso: STEPHEN AND RYLEE 1174 00:36:11,903 --> 00:36:15,006 WITH A FOXTROT AND AN ASSIST 1175 00:36:15,006 --> 00:36:18,043 FROM JOEL HOEKSTRA. 1176 00:36:18,043 --> 00:36:19,511 THANK YOU, JOEL. 1177 00:36:19,511 --> 00:36:20,245 GREAT JOB, DUDE. 1178 00:36:20,245 --> 00:36:20,945 THAT'S A PROPER ASSIST RIGHT 1179 00:36:20,945 --> 00:36:21,246 THERE. 1180 00:36:21,246 --> 00:36:24,916 ALL RIGHT. 1181 00:36:24,916 --> 00:36:26,151 THAT WAS HOTNESS. 1182 00:36:26,151 --> 00:36:27,085 BRUNO, YOU'RE UP. 1183 00:36:27,085 --> 00:36:29,054 >> MY BABY, I LOVE A GOOD 1184 00:36:29,054 --> 00:36:29,387 STUDENT. 1185 00:36:29,387 --> 00:36:30,021 YOU SEE? 1186 00:36:30,021 --> 00:36:31,656 IF YOU PUT THE WORK IN, 1187 00:36:31,656 --> 00:36:32,557 EVERYTHING IS GOING TO HAPPEN 1188 00:36:32,557 --> 00:36:33,658 AND GO YOUR WAY. 1189 00:36:33,658 --> 00:36:34,559 THERE'S NO SECRET. 1190 00:36:34,559 --> 00:36:35,260 WORK HARD, AND YOU GET THERE. 1191 00:36:35,260 --> 00:36:39,264 [ CHEERS AND APPLAUSE ] 1192 00:36:39,264 --> 00:36:40,732 YOU GAVE ME BEAUTIFUL LINE. 1193 00:36:40,732 --> 00:36:45,570 AND YOU EVEN WENT FOR THE 1194 00:36:45,570 --> 00:36:45,904 VILLAGE. 1195 00:36:45,904 --> 00:36:48,740 WHAT MORE DO YOU WANT? 1196 00:36:48,740 --> 00:36:50,108 >> Alfonso: I THINK THEY WANT 1197 00:36:50,108 --> 00:36:51,676 YOUR GOOD SCORES. 1198 00:36:51,676 --> 00:36:52,844 CARRIE ANN, FOLLOW-UP. 1199 00:36:52,844 --> 00:36:54,045 >> I WANT TO SEE MORE 1200 00:36:54,045 --> 00:36:54,946 UNDERSTANDING THE MOVEMENT. 1201 00:36:54,946 --> 00:36:56,514 WHEN YOU DO SOMETHING, WHEN 1202 00:36:56,514 --> 00:36:57,882 YOU'RE CARESSING THE FACE, ARE 1203 00:36:57,882 --> 00:37:00,151 YOU CARESSING THE FACE OR ARE 1204 00:37:00,151 --> 00:37:02,854 YOU -- THAT'S GOING TO MAKE A 1205 00:37:02,854 --> 00:37:04,456 HUGE DIFFERENCE FOR YOU, 1206 00:37:04,456 --> 00:37:04,889 STORYTELLING. 1207 00:37:04,889 --> 00:37:05,890 THAT'S AMAZING. 1208 00:37:05,890 --> 00:37:07,025 >> Alfonso: ALL RIGHT. 1209 00:37:07,025 --> 00:37:08,827 >> I'M GOING TO ECHO HOW IT WAS 1210 00:37:08,827 --> 00:37:09,160 SAID. 1211 00:37:09,160 --> 00:37:10,228 WE SAID WORK ON THE FRAME. 1212 00:37:10,228 --> 00:37:11,329 YOU WORKED ON THE FRAME. 1213 00:37:11,329 --> 00:37:12,764 YOU WORKED ON THE FRAME. 1214 00:37:12,764 --> 00:37:14,365 WE SAID WORK ON THE TIMING, YOU 1215 00:37:14,365 --> 00:37:15,633 WORKED ON THE TIMING. 1216 00:37:15,633 --> 00:37:17,736 AND GOING SLOW IS HARD. 1217 00:37:17,736 --> 00:37:19,471 IT'S LIKE RIDING A BIKE SLOW. 1218 00:37:19,471 --> 00:37:21,072 THAT WAS IMPRESSIVE. 1219 00:37:21,072 --> 00:37:22,407 THE ONE THING I WANT YOU TO WORK 1220 00:37:22,407 --> 00:37:24,609 ON IS MORE OF THE STRIDE TO MOVE 1221 00:37:24,609 --> 00:37:25,810 MORE ACROSS THE FLOOR. 1222 00:37:25,810 --> 00:37:27,545 MY MAN, JUST KEEP ON IMPROVING. 1223 00:37:27,545 --> 00:37:28,613 I LOVE YOU. 1224 00:37:28,613 --> 00:37:28,980 WELL DONE. 1225 00:37:28,980 --> 00:37:33,384 >> Alfonso: GENE? 1226 00:37:33,384 --> 00:37:35,653 >> WHAT WAS THAT THING YOU WERE 1227 00:37:35,653 --> 00:37:36,888 DOING ON THE FLOOR ALL OF A 1228 00:37:36,888 --> 00:37:37,222 SUDDEN? 1229 00:37:37,222 --> 00:37:38,223 WHAT WAS THAT? 1230 00:37:38,223 --> 00:37:40,091 LET ME TELL YOU SOMETHING -- 1231 00:37:40,091 --> 00:37:41,993 >> HE'S A GYMNAST. 1232 00:37:41,993 --> 00:37:42,460 GYMNASTICS MOVE. 1233 00:37:42,460 --> 00:37:46,331 >> HE'S VERY FLEXIBLE. 1234 00:37:46,331 --> 00:37:46,998 >> NO COMMENT. 1235 00:37:46,998 --> 00:37:48,166 I WANT TO SAY THIS. 1236 00:37:48,166 --> 00:37:50,502 IF THEY GAVE OUT AWARDS, I WOULD 1237 00:37:50,502 --> 00:37:52,237 GIVE YOU A GOLD AWARD. 1238 00:37:52,237 --> 00:37:54,539 BUT I WANT TO TELL YOU SOMETHING 1239 00:37:54,539 --> 00:37:55,140 REALLY IMPORTANT. 1240 00:37:55,140 --> 00:37:57,375 YOU HAVE SO MUCH PERSONALITY IN 1241 00:37:57,375 --> 00:38:00,044 THAT BODY OF YOURS. 1242 00:38:00,044 --> 00:38:02,714 GLASSES, SUPERMAN WEARS GLASSES. 1243 00:38:02,714 --> 00:38:04,315 >> Alfonso: ALL RIGHT. 1244 00:38:04,315 --> 00:38:05,049 HEAD UP TO THE SKYBOX FOR YOUR 1245 00:38:05,049 --> 00:38:06,751 SCORES. 1246 00:38:06,751 --> 00:38:08,486 MANY OF YOU HAVE BEEN ASKING IF 1247 00:38:08,486 --> 00:38:14,425 "DISNEY NIGHT" WILL BE BACK THIS 1248 00:38:14,425 --> 00:38:15,093 SEASON AND I HAVE SOME NEWS. 1249 00:38:15,093 --> 00:38:15,860 GET YOUR MICKEY EARS READY. 1250 00:38:15,860 --> 00:38:16,528 IT'S COMING TWO WEEKS FROM 1251 00:38:16,528 --> 00:38:16,995 TONIGHT. 1252 00:38:16,995 --> 00:38:17,729 WE'LL HAVE EXCITING NEW ROUTINES 1253 00:38:17,729 --> 00:38:18,463 TO DISNEY HITS, AND WE'LL TAKE 1254 00:38:18,463 --> 00:38:19,130 THE COMPETITION TO THE NEXT 1255 00:38:19,130 --> 00:38:19,831 LEVEL WITH THE RETURN OF THE 1256 00:38:19,831 --> 00:38:21,533 TEAM DANCES. 1257 00:38:21,533 --> 00:38:22,400 JULIANNE? 1258 00:38:22,400 --> 00:38:23,067 >> Julianne: WE LOVE "DISNEY 1259 00:38:23,067 --> 00:38:23,802 NIGHT," AND WE LOVE TEAM DANCES, 1260 00:38:23,802 --> 00:38:26,371 ALFONSO. 1261 00:38:26,371 --> 00:38:26,704 OKAY. 1262 00:38:26,704 --> 00:38:28,806 I JUST SAW YOU DO A TOUR AND YOU 1263 00:38:28,806 --> 00:38:31,910 WERE CELEBRATING. 1264 00:38:31,910 --> 00:38:33,311 I FEEL LIKE LAST WEEK TO THIS 1265 00:38:33,311 --> 00:38:35,013 WEEK, YOU WERE ABLE TO DO FRAME 1266 00:38:35,013 --> 00:38:35,346 AGAIN. 1267 00:38:35,346 --> 00:38:36,581 DO YOU FEEL LIKE YOU IMPROVED? 1268 00:38:36,581 --> 00:38:37,515 >> 100%. 1269 00:38:37,515 --> 00:38:39,217 I PUT THE HOURS IN. 1270 00:38:39,217 --> 00:38:40,985 I FIXED THAT FRAME AND FIGURED 1271 00:38:40,985 --> 00:38:43,755 OUT WHAT WORKS FOR ME. 1272 00:38:43,755 --> 00:38:45,590 RYLEE IS A GREAT COACH. 1273 00:38:45,590 --> 00:38:46,558 >> Julianne: AMAZING. 1274 00:38:46,558 --> 00:38:48,560 LET'S GET YOUR SCORES. 1275 00:38:48,560 --> 00:38:49,494 >> Announcer: CARRIE ANN INABA. 1276 00:38:49,494 --> 00:38:54,299 >> 8. 1277 00:38:54,299 --> 00:38:56,134 >> Announcer: DEREK HOUGH. 1278 00:38:56,134 --> 00:39:00,738 >> PROUD OF YOU, MAN, 8. 1279 00:39:00,738 --> 00:39:01,406 >> Announcer: GENE SIMMONS. 1280 00:39:01,406 --> 00:39:01,773 >> 8. 1281 00:39:01,773 --> 00:39:03,741 >> Announcer: BRUNO TONIOLI. 1282 00:39:03,741 --> 00:39:04,209 >> 8. 1283 00:39:04,209 --> 00:39:06,144 >> Julianne: THAT'S A 32 OUT OF 1284 00:39:06,144 --> 00:39:08,513 40 FOR STEPHEN AND RYLEE. 1285 00:39:08,513 --> 00:39:11,716 THE TOTAL FOR BOTH NIGHTS IS 62. 1286 00:39:11,716 --> 00:39:12,450 IF THEY ARE YOUR FAVORITES, YOU 1287 00:39:12,450 --> 00:39:13,218 HAVE TO VOTE FOR THEM WITH YOUR 1288 00:39:13,218 --> 00:39:13,885 TEXTS AND ONLINE AT ABC.COM. 1289 00:39:13,885 --> 00:39:14,586 VOTING CLOSES DURING THE LAST 1290 00:39:14,586 --> 00:39:16,321 COMMERCIAL BREAK. 1291 00:39:16,321 --> 00:39:16,688 ALFONSO? 1292 00:39:16,688 --> 00:39:17,455 >> Alfonso: THANKS, JULIANNE. 1293 00:39:17,455 --> 00:39:18,923 ON THE WAY ARE THE MOVIE STAR 1294 00:39:18,923 --> 00:39:20,325 WHO MADE A MOVE UP THE 1295 00:39:20,325 --> 00:39:22,026 LEADERBOARD LAST NIGHT AND THE 1296 00:39:22,026 --> 00:39:22,860 NBA CHAMPION WHO TOOK A TUMBLE. 1297 00:39:22,860 --> 00:39:24,295 DWIGHT HOWARD IS UP NEXT AND 1298 00:39:24,295 --> 00:39:25,463 THEN, ERIC ROBERTS DANCES, LIVE. 1299 00:39:25,463 --> 00:39:26,097 [ CHEERS AND APPLAUSE ] 1300 00:39:32,370 --> 00:39:33,471 ♪♪ 1301 00:39:33,471 --> 00:39:37,809 [ CHEERS AND APPLAUSE ] 1302 00:39:37,809 --> 00:39:41,546 >>> WE'RE BACK. 1303 00:39:41,546 --> 00:39:44,115 LAST NIGHT, WE ASKED DEREK TO 1304 00:39:44,115 --> 00:39:47,285 TAKE A DEEP DIVE IN THE TEMPOS 1305 00:39:47,285 --> 00:39:47,819 OF LATIN DANCES. 1306 00:39:47,819 --> 00:39:49,754 >> Julianne: TONIGHT, WE ASK HIM 1307 00:39:49,754 --> 00:39:52,223 TO GIVE US AN EXPLOSIVE 1308 00:39:52,223 --> 00:39:54,158 PERFORMANCE WORTH OF HAIR METAL 1309 00:39:54,158 --> 00:39:54,692 NIGHT. 1310 00:39:54,692 --> 00:39:55,026 DEREK? 1311 00:39:55,026 --> 00:39:56,127 >> Julianne: THANKS, JULIANNE. 1312 00:39:56,127 --> 00:39:58,196 WHAT'S MORE ROCK 'N' ROLL WITH A 1313 00:39:58,196 --> 00:39:59,597 PERFORMANCE WITH DANGER, POWER 1314 00:39:59,597 --> 00:40:01,065 AND EDGE-OF-YOUR-SEAT 1315 00:40:01,065 --> 00:40:01,466 EXCITEMENT. 1316 00:40:01,466 --> 00:40:05,069 THE SUREFIRE WAY TO ADD 1317 00:40:05,069 --> 00:40:05,737 CRESCENDO TO ANY DANCE IS A 1318 00:40:05,737 --> 00:40:10,808 LIFT. 1319 00:40:10,808 --> 00:40:13,344 RAY, LIGHT IT UP. 1320 00:40:13,344 --> 00:40:14,045 UM, THAT'S A LITTLE ADVANCED. 1321 00:40:14,045 --> 00:40:15,079 WE BETTER START WITH THE BASICS. 1322 00:40:15,079 --> 00:40:15,747 ALL LIFTS REQUIRE STRENGTH, 1323 00:40:15,747 --> 00:40:16,481 TRUST, AND PARTNERSHIP. 1324 00:40:16,481 --> 00:40:18,683 BUT THE SECRET IS THAT MANY OF 1325 00:40:18,683 --> 00:40:23,588 THESE ARE EASIER THAN THEY LOOK. 1326 00:40:23,588 --> 00:40:25,990 WE CALL THIS THE DOUBLE-STAG. 1327 00:40:25,990 --> 00:40:27,091 THE TRICK TO MAKING IT LOOK 1328 00:40:27,091 --> 00:40:28,259 EFFORTLESS IS FOR EZRA TO LEAN 1329 00:40:28,259 --> 00:40:28,993 BACK SLIGHTLY TO COUNTERBALANCE 1330 00:40:28,993 --> 00:40:29,694 STEPHANI'S WEIGHT. 1331 00:40:29,694 --> 00:40:30,428 ADDING MOMENTUM ACTUALLY MAKES 1332 00:40:30,428 --> 00:40:32,530 IT EASIER TO PULL IT OFF. 1333 00:40:32,530 --> 00:40:33,564 LOOK AT THAT. 1334 00:40:33,564 --> 00:40:34,032 NICE WORK, GUYS. 1335 00:40:34,032 --> 00:40:34,399 BEAUTIFUL. 1336 00:40:34,399 --> 00:40:36,234 IMPRESSIVE. 1337 00:40:36,234 --> 00:40:37,402 BUT HOW DO YOU PULL OFF A REAL 1338 00:40:37,402 --> 00:40:38,202 SHOWSTOPPER LIKE THE "WHEEL OF 1339 00:40:38,202 --> 00:40:39,637 DEATH?" 1340 00:40:39,637 --> 00:40:40,371 THE SECRETS HERE ARE EZRA'S GRIP 1341 00:40:40,371 --> 00:40:41,906 AND THE MOTION CREATED BY 1342 00:40:41,906 --> 00:40:43,341 STEPHANI CARTWHEELING OVER 1343 00:40:43,341 --> 00:40:44,175 EZRA'S ARM TO CREATE THE 1344 00:40:44,175 --> 00:40:47,078 ILLUSION OF WEIGHTLESSNESS, AS 1345 00:40:47,078 --> 00:40:48,179 IF THEY'RE DEFYING GRAVITY. 1346 00:40:48,179 --> 00:40:49,047 MOST IMPORTANTLY, YOU MUST LOOK 1347 00:40:49,047 --> 00:40:52,183 CONFIDENT TO MAKE IT APPEAR 1348 00:40:52,183 --> 00:40:53,885 EST EFFORTLESS. 1349 00:40:53,885 --> 00:40:55,153 SO, GUYS, FIX YOUR FACE. 1350 00:40:55,153 --> 00:40:55,620 SO MUCH BETTER. 1351 00:40:55,620 --> 00:40:56,521 WELL DONE. 1352 00:40:56,521 --> 00:40:57,188 NOW YOU KNOW THE SECRETS TO 1353 00:40:57,188 --> 00:40:57,922 USING LIFTS TO CREATE A DYNAMIC 1354 00:40:57,922 --> 00:40:59,357 ROUTINE. 1355 00:40:59,357 --> 00:41:00,058 REMEMBER, EZRA & STEPHANI ARE 1356 00:41:00,058 --> 00:41:00,792 TRAINED PROFESSIONALS, SO DON'T 1357 00:41:00,792 --> 00:41:03,695 TRY THESE AT HOME. 1358 00:41:03,695 --> 00:41:06,664 OR CARRIE ANN WILL FIND YOU. 1359 00:41:06,664 --> 00:41:09,100 [ CHEERS AND APPLAUSE ] 1360 00:41:09,100 --> 00:41:09,467 JULIANNE? 1361 00:41:09,467 --> 00:41:10,335 >> Julianne: THANKS, DEREK. 1362 00:41:10,335 --> 00:41:14,138 AND FROM ONE BROTHER AND SISTER 1363 00:41:14,138 --> 00:41:22,046 DUO TO ANOTHER, THANKS TO EZRA 1364 00:41:22,046 --> 00:41:22,547 AND STEPHANI SOSA. 1365 00:41:22,547 --> 00:41:23,247 UP NEXT, THE NBA ALL-STAR AND 1366 00:41:23,247 --> 00:41:23,982 EARLY STAND-OUT WHO HAD A TOUGH 1367 00:41:23,982 --> 00:41:24,649 TIME LAST NIGHT AND LANDED 1368 00:41:24,649 --> 00:41:25,316 SECOND TO THE BOTTOM OF THE 1369 00:41:25,316 --> 00:41:25,717 LEADERBOARD. 1370 00:41:25,717 --> 00:41:27,819 WILL HE BE ABLE TO REDEEM 1371 00:41:27,819 --> 00:41:30,688 HIMSELF WITH A PASO DOBLE? 1372 00:41:30,688 --> 00:41:32,924 >> Julianne: IT'S DWIGHT HOWARD 1373 00:41:32,924 --> 00:41:34,759 AND DANIELLA KARAGACH. 1374 00:41:34,759 --> 00:41:40,465 ♪♪ 1375 00:41:40,465 --> 00:41:42,200 >> YOU WERE LITERALLY MAKING IT 1376 00:41:42,200 --> 00:41:42,533 UP. 1377 00:41:42,533 --> 00:41:44,302 >> WHAT AM I DOING? 1378 00:41:44,302 --> 00:41:44,969 >> 6. 1379 00:41:44,969 --> 00:41:45,336 >> 5. 1380 00:41:45,336 --> 00:41:49,073 >> OH. 1381 00:41:49,073 --> 00:41:50,942 >> SECOND-TO-LAST ON THE 1382 00:41:50,942 --> 00:41:51,342 LEADERBOARD. 1383 00:41:51,342 --> 00:41:52,744 OUR SCORES TOOK A BIG DIP. 1384 00:41:52,744 --> 00:41:54,846 >> WE DID MISS A COUPLE DAYS OF 1385 00:41:54,846 --> 00:41:55,213 PRACTICE. 1386 00:41:55,213 --> 00:41:57,715 AND WE DIDN'T HAVE THE BEST OF 1387 00:41:57,715 --> 00:41:58,049 DANCES. 1388 00:41:58,049 --> 00:41:58,950 >> NO. 1389 00:41:58,950 --> 00:42:00,852 >> AS AN ATHLETE, I UNDERSTAND, 1390 00:42:00,852 --> 00:42:02,453 IT'S GOING TO BE SOME BUMPS IN 1391 00:42:02,453 --> 00:42:02,987 THE ROAD. 1392 00:42:02,987 --> 00:42:08,326 YOU COME BACK THE NEXT DAY. 1393 00:42:08,326 --> 00:42:09,427 ALL ABOUT CONSISTENCY. 1394 00:42:09,427 --> 00:42:11,796 >> WE NEED REDEMPTION NOW. 1395 00:42:11,796 --> 00:42:13,965 >> WE'RE GOING TO ROCK 'N' ROLL, 1396 00:42:13,965 --> 00:42:14,265 BABY. 1397 00:42:14,265 --> 00:42:15,666 >> ONE AND -- OH. 1398 00:42:15,666 --> 00:42:16,367 HOLD IT. 1399 00:42:16,367 --> 00:42:18,136 THIS IS THE PERFECT WEEK FOR US 1400 00:42:18,136 --> 00:42:20,138 TO HAVE THE PASO. 1401 00:42:20,138 --> 00:42:23,875 WE FINALLY HAVE A DANCE THAT WE 1402 00:42:23,875 --> 00:42:26,110 CAN USE DWIGHT'S POWER TO OUR 1403 00:42:26,110 --> 00:42:26,477 ADVANTAGE. 1404 00:42:26,477 --> 00:42:27,945 HE IS TRAINING SO HARD, TO MAKE 1405 00:42:27,945 --> 00:42:30,014 SURE HE DOESN'T MISS A STEP. 1406 00:42:30,014 --> 00:42:31,015 PUNCH THE SIDE STEP. 1407 00:42:31,015 --> 00:42:32,683 >> IT'S DOUBLE-ELIMINATION. 1408 00:42:32,683 --> 00:42:33,951 >> LEAD WITH YOUR HIPS. 1409 00:42:33,951 --> 00:42:34,852 >> I'M A FIGHTER. 1410 00:42:34,852 --> 00:42:35,553 >> BETTER. 1411 00:42:35,553 --> 00:42:41,092 >> I DO NOT LIKE BEING AT THE 1412 00:42:41,092 --> 00:42:42,560 BOTTOM. 1413 00:42:42,560 --> 00:42:43,194 AND WE'RE NOT GOING HOME. 1414 00:42:43,194 --> 00:42:43,694 I'M HERE TO STAY. 1415 00:42:43,694 --> 00:42:44,228 WE GOT TO GO HARDER. 1416 00:42:44,228 --> 00:42:44,796 >> THIS IS YOUR DANCE. 1417 00:42:44,796 --> 00:42:47,665 [ CHEERS AND APPLAUSE ] 1418 00:42:47,665 --> 00:42:48,499 >> Announcer: DANCING THE PASO 1419 00:42:48,499 --> 00:42:49,100 DOBLE, WITH HIS PARTNER 1420 00:42:49,100 --> 00:42:49,700 DANIELLA KARAGACH, IT'S 1421 00:42:49,700 --> 00:42:50,768 DWIGHT HOWARD. 1422 00:42:50,768 --> 00:43:04,982 [ CHEERS AND APPLAUSE ] 1423 00:43:04,982 --> 00:43:06,150 ♪ BACKSTROKE LOVER 1424 00:43:06,150 --> 00:43:07,552 ALWAYS HIDIN' 1425 00:43:07,552 --> 00:43:12,123 'NEATH THE COVERS ♪ 1426 00:43:12,123 --> 00:43:14,092 ♪ 'TIL I TALKED TO YOUR DADDY 1427 00:43:14,092 --> 00:43:16,127 HE SAY ♪ 1428 00:43:16,127 --> 00:43:20,364 ♪ HE SAID 1429 00:43:20,364 --> 00:43:24,602 YOU AIN'T SEEN NOTHIN' 1430 00:43:24,602 --> 00:43:26,604 'TIL YOU'RE DOWN ON A MUFFIN ♪ 1431 00:43:26,604 --> 00:43:27,271 ♪ THEN YOU'RE SURE TO BE 1432 00:43:27,271 --> 00:43:27,905 A-CHANGIN' YOUR WAYS ♪ 1433 00:43:27,905 --> 00:43:28,506 ♪ I MET A CHEERLEADER 1434 00:43:28,506 --> 00:43:29,440 WAS A REAL YOUNG BLEEDER ♪ 1435 00:43:29,440 --> 00:43:31,142 ♪ OH THE TIMES 1436 00:43:31,142 --> 00:43:31,709 I COULD REMINISCE ♪ 1437 00:43:31,709 --> 00:43:32,243 ♪ 'CAUSE THE BEST 1438 00:43:32,243 --> 00:43:32,810 THINGS OF LOVIN' ♪ 1439 00:43:32,810 --> 00:43:33,344 ♪ WITH HER SISTER 1440 00:43:33,344 --> 00:43:33,878 AND HER COUSIN ♪ 1441 00:43:33,878 --> 00:43:34,445 ♪ ONLY STARTED WITH 1442 00:43:34,445 --> 00:43:34,879 A LITTLE KISS 1443 00:43:34,879 --> 00:43:35,980 LIKE THIS ♪ 1444 00:43:35,980 --> 00:43:36,581 ♪ SEESAW SWINGIN' 1445 00:43:36,581 --> 00:43:37,315 WITH THE BOYS IN THE SCHOOL ♪ 1446 00:43:37,315 --> 00:43:37,815 ♪ AND YOUR FEET 1447 00:43:37,815 --> 00:43:38,449 FLYIN' UP IN THE AIR ♪ 1448 00:43:38,449 --> 00:43:39,150 ♪ SINGING HEY DIDDLE DIDDLE 1449 00:43:39,150 --> 00:43:39,684 WITH YOUR KITTY 1450 00:43:39,684 --> 00:43:40,551 IN THE MIDDLE ♪ 1451 00:43:40,551 --> 00:43:41,052 ♪ OF THE SWING 1452 00:43:41,052 --> 00:43:41,686 LIKE YOU DIDN'T CARE ♪ 1453 00:43:41,686 --> 00:43:42,553 ♪ SHE TOLD ME TO 1454 00:43:42,553 --> 00:43:43,421 WALK THIS WAY 1455 00:43:43,421 --> 00:43:43,988 TALK THIS WAY ♪ 1456 00:43:43,988 --> 00:43:44,856 ♪ WALK THIS WAY 1457 00:43:44,856 --> 00:43:46,257 TALK THIS WAY ♪ 1458 00:43:46,257 --> 00:43:47,992 ♪ WALK THIS WAY 1459 00:43:47,992 --> 00:43:51,395 TALK THIS WAY ♪ 1460 00:43:51,395 --> 00:43:52,230 ♪ WALK THIS WAY 1461 00:43:52,230 --> 00:43:54,799 TALK THIS WAY 1462 00:43:54,799 --> 00:43:59,637 LIKE THIS ♪ 1463 00:43:59,637 --> 00:44:02,306 [ CHEERS AND APPLAUSE ] 1464 00:44:02,306 --> 00:44:09,380 >> Alfonso: DWIGHT AND DANIELLA 1465 00:44:09,380 --> 00:44:13,851 WITH A PASO DOBLE TO 1466 00:44:13,851 --> 00:44:14,218 AEROSMITH. 1467 00:44:14,218 --> 00:44:15,353 AND THE BALLROOM IS ON THEIR 1468 00:44:15,353 --> 00:44:15,887 FEET. 1469 00:44:15,887 --> 00:44:16,487 YEAH, MAN. 1470 00:44:16,487 --> 00:44:17,522 ALL RIGHT, ALL RIGHT. 1471 00:44:17,522 --> 00:44:20,158 CARRIE ANN, YOU'RE UP FIRST. 1472 00:44:20,158 --> 00:44:22,527 >> DWIGHT, WERE YOU GIVING ME 1473 00:44:22,527 --> 00:44:24,829 STINK EYE WHEN YOU WERE DANCING? 1474 00:44:24,829 --> 00:44:27,265 YOU ARE BACK IN THE GAME. 1475 00:44:27,265 --> 00:44:30,501 THE LINE, THE SHAPING. 1476 00:44:30,501 --> 00:44:32,570 I'M SO -- OKAY. 1477 00:44:32,570 --> 00:44:33,704 AMAZING AS I'M WATCHING YOU 1478 00:44:33,704 --> 00:44:36,807 DANCE AND I'M NOT NOTICING THE 1479 00:44:36,807 --> 00:44:37,441 HEIGHT DIFFERENCE AS MUCH. 1480 00:44:37,441 --> 00:44:40,645 YOU HAVE SOLVED THAT PROBLEM 1481 00:44:40,645 --> 00:44:41,045 BEAUTIFULLY. 1482 00:44:41,045 --> 00:44:41,512 IT WAS ELEGANT. 1483 00:44:41,512 --> 00:44:42,013 YOU WERE GLIDING. 1484 00:44:42,013 --> 00:44:42,480 IT WAS POWERFUL. 1485 00:44:42,480 --> 00:44:44,515 WELL DONE. 1486 00:44:44,515 --> 00:44:45,283 >> Alfonso: ALL RIGHT. 1487 00:44:45,283 --> 00:44:45,583 DEREK? 1488 00:44:45,583 --> 00:44:47,752 >> LAST NIGHT, IT WASN'T UNTIL. 1489 00:44:47,752 --> 00:44:48,452 YOU WERE FREESTYLING THE END. 1490 00:44:48,452 --> 00:44:51,689 THE WHOLE THING. 1491 00:44:51,689 --> 00:44:53,357 TONIGHT, MY MAN, YOU ARE THE 1492 00:44:53,357 --> 00:44:53,891 COMEBACK KING. 1493 00:44:53,891 --> 00:44:54,725 YOU CAME OUT STRONG AND 1494 00:44:54,725 --> 00:44:55,092 CONFIDENT. 1495 00:44:55,092 --> 00:44:58,696 YOU CAME OUT PREPARED. 1496 00:44:58,696 --> 00:45:00,264 I HATE TO SAY IT. 1497 00:45:00,264 --> 00:45:04,902 THIS COULD PASOIBLY BE YOUR BEST 1498 00:45:04,902 --> 00:45:05,603 DANCE. 1499 00:45:05,603 --> 00:45:06,270 >> Alfonso: OKAY. 1500 00:45:06,270 --> 00:45:06,604 OKAY. 1501 00:45:06,604 --> 00:45:11,676 GENE? 1502 00:45:11,676 --> 00:45:12,577 >> HEY, DWIGHT. 1503 00:45:12,577 --> 00:45:13,978 YOU ARE A POWERFUL AND 1504 00:45:13,978 --> 00:45:14,545 ATTRACTIVE MAN. 1505 00:45:14,545 --> 00:45:18,649 AND THAT WAS A SLAM DUNK. 1506 00:45:18,649 --> 00:45:19,850 >> Alfonso: THERE YOU GO. 1507 00:45:19,850 --> 00:45:20,785 OKAY, BRUNO? 1508 00:45:20,785 --> 00:45:24,622 >> THAT WAS A HEROIC, MONUMENTAL 1509 00:45:24,622 --> 00:45:25,456 RETURN TO FORM. 1510 00:45:25,456 --> 00:45:32,763 IT WAS LIKE WATCHING THE WONDER 1511 00:45:32,763 --> 00:45:33,197 OF THE WORLD. 1512 00:45:33,197 --> 00:45:33,764 VERY IMPORTANT. 1513 00:45:33,764 --> 00:45:34,465 BUT QUICKLY, DON'T BREAK YOUR 1514 00:45:34,465 --> 00:45:37,335 HANDS. 1515 00:45:37,335 --> 00:45:43,207 IT STOPS YOUR SHAPING. 1516 00:45:43,207 --> 00:45:46,911 YOU KNOW DANIELLA, GET THROUGH 1517 00:45:46,911 --> 00:45:47,378 IT. 1518 00:45:47,378 --> 00:45:48,779 >> Alfonso: HEAD UP FOR YOUR 1519 00:45:48,779 --> 00:45:49,113 SCORES. 1520 00:45:49,113 --> 00:45:50,982 WE LOOK AT THE FIRST FIVE 1521 00:45:50,982 --> 00:45:52,250 COUPLES CURRENTLY STAND ON THE 1522 00:45:52,250 --> 00:45:53,184 LEADERBOARD WITH LAST NIGHT'S 1523 00:45:53,184 --> 00:45:54,085 SCORES ADDED IN. 1524 00:45:54,085 --> 00:45:57,021 AT THE TOP, ARE CHANDLER AND 1525 00:45:57,021 --> 00:45:59,757 BRANDON WITH 69 BOTH NIGHTS OF 1526 00:45:59,757 --> 00:46:00,157 COMPETITION. 1527 00:46:00,157 --> 00:46:04,061 AT THE BOTTOM, REGINALD AND EMMA 1528 00:46:04,061 --> 00:46:04,962 WITH 42. 1529 00:46:04,962 --> 00:46:05,730 THE JUDGES' SCORES MAKE UP HALF 1530 00:46:05,730 --> 00:46:10,301 THE STORY. 1531 00:46:10,301 --> 00:46:11,002 YOUR VOTES MAKE UP THE OTHER 1532 00:46:11,002 --> 00:46:11,469 HALF. 1533 00:46:11,469 --> 00:46:14,872 AFTER LAST NIGHT'S TUMBLE DOWN 1534 00:46:14,872 --> 00:46:15,606 THE LEADERBOARD, I'M SURE DWIGHT 1535 00:46:15,606 --> 00:46:16,340 AND DANIELLA WANT YOU TO RALLY 1536 00:46:16,340 --> 00:46:16,707 FOR THEM. 1537 00:46:16,707 --> 00:46:17,074 JULIANNE. 1538 00:46:17,074 --> 00:46:17,775 >> Julianne: THEY'RE UP HERE 1539 00:46:17,775 --> 00:46:18,476 HOPING THEY GOT BETTER SCORES 1540 00:46:18,476 --> 00:46:21,445 TONIGHT, ALFONSO. 1541 00:46:21,445 --> 00:46:22,046 COMEBACK KING. 1542 00:46:22,046 --> 00:46:24,815 SLAM DUNK. 1543 00:46:24,815 --> 00:46:26,050 I SAW THE FACIAL EXPRESSIONS. 1544 00:46:26,050 --> 00:46:28,019 DID YOU LEARN THAT? 1545 00:46:28,019 --> 00:46:28,986 WHAT WAS GOING ON? 1546 00:46:28,986 --> 00:46:31,255 >> I WENT TO THE A BULLFIGHT 1547 00:46:31,255 --> 00:46:31,989 LAST SUMMER. 1548 00:46:31,989 --> 00:46:33,758 I TOOK A LOT OF VIDEOS OF THE 1549 00:46:33,758 --> 00:46:34,125 BULLFIGHT. 1550 00:46:34,125 --> 00:46:36,294 I TRIED TO CHANNEL MY INNER 1551 00:46:36,294 --> 00:46:41,465 MATADOR FROM SPAIN. 1552 00:46:41,465 --> 00:46:42,533 >> Julianne: IT WAS GOOD. 1553 00:46:42,533 --> 00:46:43,300 LET'S GET YOUR SCORES, WHEN WE 1554 00:46:43,300 --> 00:46:43,668 COME BACK. 1555 00:46:43,668 --> 00:46:43,934 ♪♪ 1556 00:46:49,774 --> 00:46:54,679 ♪♪ 1557 00:46:54,679 --> 00:46:57,214 >>> WELCOME BACK. 1558 00:46:57,214 --> 00:47:07,758 BEFORE THE BREAK, DWIGHT AND 1559 00:47:07,758 --> 00:47:13,831 DANIELLA DID A PASO DOBLE. 1560 00:47:13,831 --> 00:47:18,002 LET'S GET THE SCORES. 1561 00:47:18,002 --> 00:47:22,440 >> Announcer: CARRIE ANN INABA? 1562 00:47:22,440 --> 00:47:22,873 8. 1563 00:47:22,873 --> 00:47:24,775 >> Julianne: THAT'S A 29 OUT OF 1564 00:47:24,775 --> 00:47:27,344 40 FOR DWIGHT AND DANIELL. 1565 00:47:27,344 --> 00:47:29,180 THAT LEAVES THEM IN FIFTH PLACE 1566 00:47:29,180 --> 00:47:34,085 ON THE LEADERBOARD FOR NOW. 1567 00:47:34,085 --> 00:47:34,785 THERE IS A DOUBLE ELIMINATION 1568 00:47:34,785 --> 00:47:35,453 COMING UP AT THE END OF THE 1569 00:47:35,453 --> 00:47:36,087 NIGHT. 1570 00:47:36,087 --> 00:47:36,787 YOU CAN HELP THEM SURVIVE TO 1571 00:47:36,787 --> 00:47:38,889 DANCE AGAIN WHEN YOU VOTE. 1572 00:47:38,889 --> 00:47:40,024 ALFONSO? 1573 00:47:40,024 --> 00:47:41,192 >> Alfonso: THANKS, JULIANNE. 1574 00:47:41,192 --> 00:47:41,892 LAST NIGHT OUR MOVIE STAR SAW 1575 00:47:41,892 --> 00:47:42,626 HIS HIGHEST PADDLES SO FAR FOR A 1576 00:47:42,626 --> 00:47:43,327 FOXTROT DEDICATED TO HIS WIFE. 1577 00:47:43,327 --> 00:47:47,131 LET'S SEE HOW HE TRAINED FOR 1578 00:47:47,131 --> 00:47:49,967 TONIGHT'S PASO DOBLE. 1579 00:47:49,967 --> 00:47:51,402 IT'S ERIC ROBERTS AND 1580 00:47:51,402 --> 00:47:54,572 BRITT STEWART. 1581 00:47:54,572 --> 00:47:58,843 ♪♪ 1582 00:47:58,843 --> 00:48:00,244 >> WHEN YOU HAVE AN INTENTION 1583 00:48:00,244 --> 00:48:02,046 WITH THE DANCE, IT GIVES YOU THE 1584 00:48:02,046 --> 00:48:04,882 CLARITY TO COME OUT HERE AND DO 1585 00:48:04,882 --> 00:48:06,650 SOMETHING REALLY SPECIAL AND 1586 00:48:06,650 --> 00:48:07,051 BEAUTIFUL. 1587 00:48:07,051 --> 00:48:08,052 >> 5. 1588 00:48:08,052 --> 00:48:08,919 >> 6. 1589 00:48:08,919 --> 00:48:09,887 >> 7. 1590 00:48:09,887 --> 00:48:12,423 >> DEREK, HAIR METAL WAS ICONIC 1591 00:48:12,423 --> 00:48:13,691 IN THE '80s. 1592 00:48:13,691 --> 00:48:15,426 WHAT WAS YOUR LIFE LIKE? 1593 00:48:15,426 --> 00:48:17,294 >> THE '80s WERE LIFE CHANGING 1594 00:48:17,294 --> 00:48:19,263 FOR ME. 1595 00:48:19,263 --> 00:48:20,765 IN 1981, I WAS IN A CAR 1596 00:48:20,765 --> 00:48:21,999 ACCIDENT. 1597 00:48:21,999 --> 00:48:25,236 TOTALED MY CAR, HIT A TREE. 1598 00:48:25,236 --> 00:48:25,669 I ALMOST DIED. 1599 00:48:25,669 --> 00:48:27,371 I WAS IN A COMA FOR TWO WEEKS. 1600 00:48:27,371 --> 00:48:28,906 I HAD BROKEN RIBS. 1601 00:48:28,906 --> 00:48:30,207 MY RIGHT SIDE WAS PARALYZED. 1602 00:48:30,207 --> 00:48:31,642 I THOUGHT IT WAS GOING TO BEAT 1603 00:48:31,642 --> 00:48:31,942 ME. 1604 00:48:31,942 --> 00:48:33,277 I GOT VERY ANGRY. 1605 00:48:33,277 --> 00:48:36,781 I USED IT AS MY MOTIVATION TO 1606 00:48:36,781 --> 00:48:37,414 GET WELL. 1607 00:48:37,414 --> 00:48:39,183 >> I'M SORRY YOU WENT THROUGH 1608 00:48:39,183 --> 00:48:39,550 THAT. 1609 00:48:39,550 --> 00:48:41,318 FOR THIS DANCE, I WOULD LOVE TO 1610 00:48:41,318 --> 00:48:42,553 USE YOUR STORY. 1611 00:48:42,553 --> 00:48:47,391 >> LET'S KILL IT. 1612 00:48:47,391 --> 00:48:49,493 >> THE PASO DOBLE IS STRONG 1613 00:48:49,493 --> 00:48:49,827 MOVES. 1614 00:48:49,827 --> 00:48:51,529 THIS IS STRENGTH FOR ERIC TO GET 1615 00:48:51,529 --> 00:48:52,563 THROUGH HIS CAR ACCIDENT. 1616 00:48:52,563 --> 00:48:54,365 >> I PICK MY FOOT UP. 1617 00:48:54,365 --> 00:48:56,333 I HAVE TO BALANCE ON ONE FOOT. 1618 00:48:56,333 --> 00:48:57,868 AND I HAVE TROUBLE BALANCING ON 1619 00:48:57,868 --> 00:48:58,402 TWO FEET AT A TIME. 1620 00:48:58,402 --> 00:49:01,105 >> TWO, THREE. 1621 00:49:01,105 --> 00:49:02,440 >> YOU'RE LETTING THE 1622 00:49:02,440 --> 00:49:04,475 FRUSTRATION GET TO YOU. 1623 00:49:04,475 --> 00:49:05,876 >> SONGS LIKE "CHERRY PIE" MAKE 1624 00:49:05,876 --> 00:49:06,944 YOU WANT TO DANCE. 1625 00:49:06,944 --> 00:49:09,847 IF I CAN REALLY PULL THIS OFF 1626 00:49:09,847 --> 00:49:10,748 EXCELLENTLY, MAYBE I GET TO 1627 00:49:10,748 --> 00:49:11,081 STAY. 1628 00:49:11,081 --> 00:49:11,649 I GOT TO BE A BADASS. 1629 00:49:11,649 --> 00:49:18,055 >> YES. 1630 00:49:18,055 --> 00:49:19,190 >> Announcer: DANCING THE PASO 1631 00:49:19,190 --> 00:49:20,624 DOBLE, WITH HIS PARTNER 1632 00:49:20,624 --> 00:49:22,359 BRITT STEWART, IT'S 1633 00:49:22,359 --> 00:49:24,462 ERIC ROBERTS. 1634 00:49:24,462 --> 00:49:25,062 [ CHEERS AND APPLAUSE ] 1635 00:49:25,062 --> 00:49:28,199 ♪♪ 1636 00:49:28,199 --> 00:49:30,734 ♪ SHE'S MY CHERRY PIE 1637 00:49:30,734 --> 00:49:31,836 COOL DRINK OF WATER 1638 00:49:31,836 --> 00:49:33,270 SUCH A SWEET SURPRISE ♪ 1639 00:49:33,270 --> 00:49:34,405 ♪ TASTES SO GOOD 1640 00:49:34,405 --> 00:49:38,676 MAKES A GROWN MAN CRY 1641 00:49:38,676 --> 00:49:41,812 SWEET CHERRY PIE, YEAH ♪ 1642 00:49:41,812 --> 00:49:45,216 ♪ WELL SWINGIN' 1643 00:49:45,216 --> 00:49:48,085 ON THE FRONT PORCH 1644 00:49:48,085 --> 00:49:51,755 SWINGIN' ON THE LAWN ♪ 1645 00:49:51,755 --> 00:49:54,959 ♪ SWINGIN' WHERE WE WANT 1646 00:49:54,959 --> 00:49:57,494 'CAUSE THERE 1647 00:49:57,494 --> 00:49:58,362 AIN'T NOBODY HOME ♪ 1648 00:49:58,362 --> 00:49:58,996 ♪ SWINGIN' TO THE LEFT 1649 00:49:58,996 --> 00:49:59,763 AND SWINGIN' TO THE RIGHT ♪ 1650 00:49:59,763 --> 00:50:00,464 ♪ IF I THINK ABOUT BASEBALL 1651 00:50:00,464 --> 00:50:01,098 I'LL SWING ALL NIGHT YEAH 1652 00:50:01,098 --> 00:50:02,600 YEAH YEAH HUH ♪ 1653 00:50:02,600 --> 00:50:04,268 ♪ SWINGIN' TO THE DRUMS 1654 00:50:04,268 --> 00:50:05,703 SWINGIN' TO GUITAR ♪ 1655 00:50:05,703 --> 00:50:08,572 ♪ SWINGIN' TO THE BASS 1656 00:50:08,572 --> 00:50:11,375 IN THE BACK OF MY CAR ♪ 1657 00:50:11,375 --> 00:50:13,911 ♪ AIN'T GOT MONEY 1658 00:50:13,911 --> 00:50:16,514 AIN'T GOT NO GAS ♪ 1659 00:50:16,514 --> 00:50:20,784 ♪ BUT WE'LL GET 1660 00:50:20,784 --> 00:50:21,385 WHERE WE'RE GOIN' 1661 00:50:21,385 --> 00:50:22,019 IF WE SWING REAL FAST ♪ 1662 00:50:22,019 --> 00:50:22,620 ♪ I SCREAM YOU SCREAM 1663 00:50:22,620 --> 00:50:23,254 WE ALL SCREAM FOR HER ♪ 1664 00:50:23,254 --> 00:50:23,888 ♪ DON'T EVEN TRY 'CAUSE 1665 00:50:23,888 --> 00:50:24,522 YOU CAN'T IGNORE HER ♪ 1666 00:50:24,522 --> 00:50:25,122 ♪ SHE'S MY CHERRY PIE 1667 00:50:25,122 --> 00:50:25,656 COOL DRINK OF WATER 1668 00:50:25,656 --> 00:50:26,290 SUCH A SWEET SURPRISE ♪ 1669 00:50:26,290 --> 00:50:26,824 ♪ TASTES SO GOOD 1670 00:50:26,824 --> 00:50:27,458 MAKE A GROWN MAN CRY ♪ 1671 00:50:27,458 --> 00:50:28,025 ♪ SWEET CHERRY PIE 1672 00:50:28,025 --> 00:50:28,492 OH YEAH ♪ 1673 00:50:28,492 --> 00:50:29,093 ♪ SHE'S MY CHERRY PIE 1674 00:50:29,093 --> 00:50:29,894 PUT A SMILE ON YOUR FACE 1675 00:50:29,894 --> 00:50:30,761 TEN MILES WIDE ♪ 1676 00:50:30,761 --> 00:50:31,328 ♪ LOOKS SO GOOD 1677 00:50:31,328 --> 00:50:33,931 BRING A TEAR TO YOUR EYE ♪ 1678 00:50:33,931 --> 00:50:34,565 ♪ SWEET CHERRY PIE, HUH 1679 00:50:34,565 --> 00:50:38,702 SWING IT ♪ 1680 00:50:38,702 --> 00:50:39,303 [ CHEERS AND APPLAUSE ] 1681 00:50:39,303 --> 00:50:42,006 >> Alfonso: ERIC AND BRITT WITH 1682 00:50:42,006 --> 00:50:46,610 A CHERRY PIE FLAVORED PASO 1683 00:50:46,610 --> 00:50:46,944 DOBLE. 1684 00:50:46,944 --> 00:50:47,278 YES. 1685 00:50:47,278 --> 00:50:47,978 COME ON OVER HERE, YOUNG SIR. 1686 00:50:47,978 --> 00:50:52,616 ALL RIGHT. 1687 00:50:52,616 --> 00:50:53,150 DEREK, TAKE IT AWAY. 1688 00:50:53,150 --> 00:50:54,151 >> BRITT, YOU WERE GOING HARD AT 1689 00:50:54,151 --> 00:50:55,519 THE BEGINNING. 1690 00:50:55,519 --> 00:50:57,087 LET'S GO. 1691 00:50:57,087 --> 00:50:59,423 ERIC, LISTEN, I LOVE YOUR 1692 00:50:59,423 --> 00:51:04,862 DETERMINATION AND YOUR SPIRIT. 1693 00:51:04,862 --> 00:51:05,562 YOU'VE POURED YOUR HEART AND 1694 00:51:05,562 --> 00:51:06,764 SOUL INTO WHAT YOU'RE WORKING. 1695 00:51:06,764 --> 00:51:08,232 YOU LOST TIME IN THE MIDDLE. 1696 00:51:08,232 --> 00:51:10,034 BUT AGAIN, MY FRIEND, I LOVE 1697 00:51:10,034 --> 00:51:10,701 YOUR SPIRIT. 1698 00:51:10,701 --> 00:51:13,737 THANK YOU FOR THAT. 1699 00:51:13,737 --> 00:51:14,638 >> Alfonso: ABSOLUTELY. 1700 00:51:14,638 --> 00:51:14,972 GENE? 1701 00:51:14,972 --> 00:51:16,407 >> AS FAR AS I'M CONCERNED, 1702 00:51:16,407 --> 00:51:20,878 EVERYTHING BEGINS AND ENDS WITH 1703 00:51:20,878 --> 00:51:22,980 YOUR HEART. 1704 00:51:22,980 --> 00:51:23,781 IF YOU HAVE A BIG HEART, YOU'RE 1705 00:51:23,781 --> 00:51:25,849 A REAL ROCK STAR, DESPITE 1706 00:51:25,849 --> 00:51:27,418 WHATEVER EXCUSES EVERYBODY TALKS 1707 00:51:27,418 --> 00:51:27,751 ABOUT. 1708 00:51:27,751 --> 00:51:29,787 YOU STEPPED UP THERE AND TOOK A 1709 00:51:29,787 --> 00:51:31,889 PRETTY GIRL IN HAND AND YOU 1710 00:51:31,889 --> 00:51:32,690 RULE. 1711 00:51:32,690 --> 00:51:33,691 >> Alfonso: ALL RIGHT. 1712 00:51:33,691 --> 00:51:34,024 BRUNO? 1713 00:51:34,024 --> 00:51:36,293 >> YOUR ATTITUDE AND YOUR INTENT 1714 00:51:36,293 --> 00:51:38,228 ARE ABSOLUTELY BRILLIANT. 1715 00:51:38,228 --> 00:51:40,130 AND THERE'S A LOT OF CONTENT IN 1716 00:51:40,130 --> 00:51:40,698 THIS DANCE. 1717 00:51:40,698 --> 00:51:42,399 IT JUST HAPPENED, THE TIMING 1718 00:51:42,399 --> 00:51:44,668 WENT A BIT OFF. 1719 00:51:44,668 --> 00:51:46,403 YOU KNOW, IT HAPPENS TO ALL OF 1720 00:51:46,403 --> 00:51:46,737 US. 1721 00:51:46,737 --> 00:51:47,471 VERY GOOD EFFORT. 1722 00:51:47,471 --> 00:51:49,807 >> Alfonso: ALL RIGHT. 1723 00:51:49,807 --> 00:51:50,441 CARRIE ANN? 1724 00:51:50,441 --> 00:51:52,876 >> WHAT I'M SEEING THAT IS SO 1725 00:51:52,876 --> 00:51:54,144 IMPRESSIVE, YOU ARE RECONNECTING 1726 00:51:54,144 --> 00:51:55,212 WITH YOUR OWN BODY. 1727 00:51:55,212 --> 00:51:56,947 YOU ARE FINDING NEW LANGUAGE. 1728 00:51:56,947 --> 00:51:58,148 I SEE YOU. 1729 00:51:58,148 --> 00:52:01,051 SOMETHING IS GROWING IN YOU. 1730 00:52:01,051 --> 00:52:02,653 YOUR CONFIDENCE IN THE WAY YOU 1731 00:52:02,653 --> 00:52:02,987 MOVE. 1732 00:52:02,987 --> 00:52:07,257 THERE WERE MISTAKES IN THIS 1733 00:52:07,257 --> 00:52:08,459 ROUTINE. 1734 00:52:08,459 --> 00:52:09,093 I LOVE SEEING YOU FEELING 1735 00:52:09,093 --> 00:52:09,827 COMFORTABLE IN YOUR SKIN AGAIN. 1736 00:52:09,827 --> 00:52:11,195 IT'S BEAUTIFUL TO WITNESS. 1737 00:52:11,195 --> 00:52:11,695 >> Alfonso: YEAH. 1738 00:52:11,695 --> 00:52:15,766 HEAD UP TO JULIE JULIE ANN IN 1739 00:52:15,766 --> 00:52:18,302 THE SKYBOX. 1740 00:52:18,302 --> 00:52:18,836 ALL RIGHT, BROTHER. 1741 00:52:18,836 --> 00:52:23,107 ♪♪ 1742 00:52:23,107 --> 00:52:23,507 ♪ WANTED 1743 00:52:23,507 --> 00:52:24,241 FOR LOVIN' 1744 00:52:24,241 --> 00:52:25,075 IN THE FIRST DEGREE ♪ 1745 00:52:25,075 --> 00:52:26,210 ♪ WANTED 1746 00:52:26,210 --> 00:52:27,077 GOT THE GUN THAT YOU NEED ♪ 1747 00:52:27,077 --> 00:52:28,178 ♪ WANTED 1748 00:52:28,178 --> 00:52:29,046 FOR LOVIN' 1749 00:52:29,046 --> 00:52:32,449 IN THE FIRST DEGREE ♪ 1750 00:52:32,449 --> 00:52:33,917 ♪ WANTED 1751 00:52:33,917 --> 00:52:42,459 FOR THE LOVE THAT YOU NEED ♪ 1752 00:52:42,459 --> 00:52:46,063 ♪ UH, I'M WANTED, YEAH ♪ 1753 00:52:46,063 --> 00:52:46,664 [ CHEERS AND APPLAUSE ] 1754 00:52:46,664 --> 00:52:49,099 >> Julianne: THAT'S ROCKIN' OUT 1755 00:52:49,099 --> 00:52:53,570 FROM KAILYN AND ROMAN FROM OUR 1756 00:52:53,570 --> 00:52:54,171 TROUPE. 1757 00:52:54,171 --> 00:52:55,205 HOT, HOT, HOT. 1758 00:52:55,205 --> 00:52:56,073 ERIC AND BRITT. 1759 00:52:56,073 --> 00:52:57,508 YOU MADE IT THROUGH A TOUGH TIME 1760 00:52:57,508 --> 00:52:58,375 IN YOUR LIFE. 1761 00:52:58,375 --> 00:52:59,410 NOW, YOU'RE DOING A SHOW THAT 1762 00:52:59,410 --> 00:53:01,278 YOU WANTED TO DO FOR SO LONG. 1763 00:53:01,278 --> 00:53:05,916 WHAT ARE YOU FEELING RIGHT NOW? 1764 00:53:05,916 --> 00:53:08,519 >> PETRIFIED. 1765 00:53:08,519 --> 00:53:09,119 >> Julianne: ALL RIGHT. 1766 00:53:09,119 --> 00:53:10,988 WITH THE SCORES COMING UP, HOW 1767 00:53:10,988 --> 00:53:11,722 ARE YOU FEELING ABOUT THE DOUBLE 1768 00:53:11,722 --> 00:53:14,058 ELIMINATION? 1769 00:53:14,058 --> 00:53:17,861 >> NOT SECURE. 1770 00:53:17,861 --> 00:53:19,263 >> Julianne: IS THIS ANOTHER 1771 00:53:19,263 --> 00:53:19,730 NOTHING MOMENT? 1772 00:53:19,730 --> 00:53:22,533 ALL RIGHT. 1773 00:53:22,533 --> 00:53:27,604 LET'S GET YOUR SCORES. 1774 00:53:27,604 --> 00:53:31,442 >> Announcer: CARRIE ANN INABA? 1775 00:53:31,442 --> 00:53:31,975 >> 6. 1776 00:53:31,975 --> 00:53:32,609 >> Announcer: DEREK HOUGH. 1777 00:53:32,609 --> 00:53:35,012 >> 5. 1778 00:53:35,012 --> 00:53:35,679 >> Announcer: GENE SIMMONS. 1779 00:53:35,679 --> 00:53:40,684 >> 6. 1780 00:53:40,684 --> 00:53:42,720 >> Announcer: BRUNO TONIOLI. 1781 00:53:42,720 --> 00:53:43,620 >> 5. 1782 00:53:43,620 --> 00:53:45,122 >> Julianne: THAT'S A 22 OUT OF 1783 00:53:45,122 --> 00:53:46,323 40 FOR ERIC AND BRITT. 1784 00:53:46,323 --> 00:53:49,593 THE TOTAL FOR BOTH NIGHTS IS 46. 1785 00:53:49,593 --> 00:53:50,527 I'M JUST JOKING WITH YOU. 1786 00:53:50,527 --> 00:53:51,662 YOU CAN HELP THEM 1787 00:53:51,662 --> 00:53:52,796 SURVIVE TONIGHT'S DOUBLE 1788 00:53:52,796 --> 00:53:54,798 ELIMINATION WHEN YOU VOTE WITH 1789 00:53:54,798 --> 00:53:56,500 YOUR TEXTS AND AT ABC.COM. 1790 00:53:56,500 --> 00:53:58,168 ALFONSO. 1791 00:53:58,168 --> 00:54:01,004 >> Alfonso: ALL RIGHT. 1792 00:54:01,004 --> 00:54:01,738 "HAIR METAL NIGHT" RAGES ON WITH 1793 00:54:01,738 --> 00:54:02,439 MORE DANCING TO THE GREATEST 1794 00:54:02,439 --> 00:54:05,576 ROCK ANTHEMS OF ALL-TIME. 1795 00:54:05,576 --> 00:54:06,710 UP NEXT, ILONA MAR AND 1796 00:54:06,710 --> 00:54:08,445 ALAN BERSTEN HOPE TO "FEEL THE 1797 00:54:08,445 --> 00:54:10,047 NOISE" FOR THEIR JIVE, LIVE. 1798 00:54:12,483 --> 00:54:19,156 ♪♪ 1799 00:54:19,156 --> 00:54:19,923 >>> WELCOME BACK TO "HAIR METAL 1800 00:54:19,923 --> 00:54:23,093 NIGHT." 1801 00:54:23,093 --> 00:54:24,528 UP NEXT, THE OLYMPIC RUGBY 1802 00:54:24,528 --> 00:54:25,662 PLAYER WHO, LAST NIGHT, FINISHED 1803 00:54:25,662 --> 00:54:26,497 IN THE MIDDLE OF THE PACK. 1804 00:54:26,497 --> 00:54:27,931 LET'S SEE IF SHE CAN BREAK FREE 1805 00:54:27,931 --> 00:54:28,632 AND START A "QUIET RIOT" WITH 1806 00:54:28,632 --> 00:54:32,202 HER JIVE. 1807 00:54:32,202 --> 00:54:33,003 IT'S ILONA MAHER AND 1808 00:54:33,003 --> 00:54:38,609 ALAN BERSTEN. 1809 00:54:38,609 --> 00:54:41,979 ♪♪ 1810 00:54:41,979 --> 00:54:45,048 >> ILONA, YOU ARE SO BEAUTIFUL. 1811 00:54:45,048 --> 00:54:45,449 AND ELEGANT. 1812 00:54:45,449 --> 00:54:45,749 >> 7. 1813 00:54:45,749 --> 00:54:51,288 >> 8. 1814 00:54:51,288 --> 00:54:54,158 >> ILONA, WE ARE DANCING A JIVE. 1815 00:54:54,158 --> 00:54:56,660 IT'S ALL ABOUT THE KICKS AND 1816 00:54:56,660 --> 00:54:58,328 FLICKS AND FULL THROTTLE ALL THE 1817 00:54:58,328 --> 00:54:59,463 TIME. 1818 00:54:59,463 --> 00:55:02,866 DO YOU KNOW ANYTHING ABOUT HAIR 1819 00:55:02,866 --> 00:55:03,267 METALSOME. 1820 00:55:03,267 --> 00:55:03,834 >> I DON'T KNOW MUCH. 1821 00:55:03,834 --> 00:55:05,536 BUT PEOPLE LOVE TO GET 1822 00:55:05,536 --> 00:55:06,870 THEMSELVES TO PUSH IN THE GYM. 1823 00:55:06,870 --> 00:55:09,740 >> WE HAVE TO GET TO THE GYM AND 1824 00:55:09,740 --> 00:55:11,108 PUMP SOME IRON. 1825 00:55:11,108 --> 00:55:16,547 HAIR METAL LIVES IN THE IRON 1826 00:55:16,547 --> 00:55:17,514 PARADISE. 1827 00:55:17,514 --> 00:55:18,448 WE'RE GOING TO THE GYM TO GET 1828 00:55:18,448 --> 00:55:20,818 THE HAIR METAL PUMPING THROUGH 1829 00:55:20,818 --> 00:55:21,618 OUR VEINS. 1830 00:55:21,618 --> 00:55:22,786 >> KICKS AND FLICKS. 1831 00:55:22,786 --> 00:55:24,421 >> KICKS AND FLICKS. 1832 00:55:24,421 --> 00:55:26,857 >> THE JIVE IS SIMILAR TO HOW I 1833 00:55:26,857 --> 00:55:28,458 TRAIN IN RUGBY. 1834 00:55:28,458 --> 00:55:29,526 IT'S UPBEAT AND FAST. 1835 00:55:29,526 --> 00:55:31,295 >> WANT TO BE LIGHT ON YOUR 1836 00:55:31,295 --> 00:55:31,795 FEET. 1837 00:55:31,795 --> 00:55:32,496 FASTER, LIGHTER. 1838 00:55:32,496 --> 00:55:34,164 >> THAT'S, GO, GO, GO. 1839 00:55:34,164 --> 00:55:35,933 THAT'S HOW I PLAY AND PRACTICE. 1840 00:55:35,933 --> 00:55:37,501 IT'S NICE TO FEEL LIKE I'M BACK 1841 00:55:37,501 --> 00:55:38,669 IN MY BODY AGAIN. 1842 00:55:38,669 --> 00:55:40,003 >> IS IT THE OLYMPICS? 1843 00:55:40,003 --> 00:55:40,337 NO. 1844 00:55:40,337 --> 00:55:41,171 IT'S "DANCING WITH THE STARS." 1845 00:55:41,171 --> 00:55:42,739 >> THE ONLY THING HARDER THAN 1846 00:55:42,739 --> 00:55:44,074 LEG DAY IS SHOW DAY. 1847 00:55:44,074 --> 00:55:47,611 I'M PUMPED AND READY TO GO. 1848 00:55:47,611 --> 00:55:48,312 >> I'M GOING TO GRAB MYSELF A 1849 00:55:48,312 --> 00:55:50,447 WATER. 1850 00:55:50,447 --> 00:55:51,181 >> Announcer: DANCING THE JIVE, 1851 00:55:51,181 --> 00:55:52,149 WITH HER PARTNER ALAN BERSTEN, 1852 00:55:52,149 --> 00:55:53,684 IT'S ILONA MAHER. 1853 00:55:53,684 --> 00:55:59,189 [ CHEERS AND APPLAUSE ] 1854 00:55:59,189 --> 00:56:01,458 ♪ COME ON FEEL THE NOISE 1855 00:56:01,458 --> 00:56:05,429 GIRLS ROCK YOUR BOYS ♪ 1856 00:56:05,429 --> 00:56:08,565 ♪ WE'LL GET WILD WILD WILD 1857 00:56:08,565 --> 00:56:16,540 WILD WILD WILD ♪ 1858 00:56:16,540 --> 00:56:17,341 ♪ SO YOU THINK 1859 00:56:17,341 --> 00:56:20,777 I GOT AN EVIL MIND 1860 00:56:20,777 --> 00:56:21,345 I TELL YOU, HONEY ♪ 1861 00:56:21,345 --> 00:56:21,912 ♪ I DON'T KNOW WHY 1862 00:56:21,912 --> 00:56:22,479 I DON'T KNOW WHY ♪ 1863 00:56:22,479 --> 00:56:22,980 ♪ SO YOU THINK 1864 00:56:22,980 --> 00:56:23,614 MY SINGIN'S OUT OF TIME 1865 00:56:23,614 --> 00:56:25,315 IT MAKES ME MONEY ♪ 1866 00:56:25,315 --> 00:56:27,884 ♪ I DON'T KNOW WHY 1867 00:56:27,884 --> 00:56:29,620 I DON'T KNOW WHY ♪ 1868 00:56:29,620 --> 00:56:34,458 ♪ ANYMORE 1869 00:56:34,458 --> 00:56:37,294 OH NO ♪ 1870 00:56:37,294 --> 00:56:38,462 ♪ SO COME ON FEEL THE NOISE 1871 00:56:38,462 --> 00:56:42,232 GIRLS ROCK YOUR BOYS ♪, NO ♪ 1872 00:56:42,232 --> 00:56:42,933 ♪ SO COME ON FEEL THE NOISE 1873 00:56:42,933 --> 00:56:48,639 GIRLS ROCK YOUR BOYS ♪ 1874 00:56:48,639 --> 00:56:51,508 ♪ WE'LL GET WILD, WILD, WILD 1875 00:56:51,508 --> 00:56:52,075 WILD, WILD, WILD ♪ 1876 00:56:52,075 --> 00:56:52,743 ♪ COME ON FEEL THE NOISE 1877 00:56:52,743 --> 00:56:56,046 GIRLS ROCK YOUR BOYS ♪ 1878 00:56:56,046 --> 00:56:58,015 ♪ WE'LL GET WILD, WILD, WILD 1879 00:56:58,015 --> 00:57:00,050 BABY 1880 00:57:00,050 --> 00:57:05,522 OHH ♪ 1881 00:57:05,522 --> 00:57:13,163 [ CHEERS AND APPLAUSE ] 1882 00:57:13,163 --> 00:57:15,632 >> Alfonso: ILONA AND ALAN, 1883 00:57:15,632 --> 00:57:16,333 NOTHING QUIET ABOUT THAT JIVE. 1884 00:57:16,333 --> 00:57:18,936 ALL RIGHT. 1885 00:57:18,936 --> 00:57:21,305 OKAY. 1886 00:57:21,305 --> 00:57:23,273 GENE, YOU'RE UP. 1887 00:57:23,273 --> 00:57:25,742 [ CHEERS AND APPLAUSE ] 1888 00:57:25,742 --> 00:57:28,378 GENE, TAKE IT AWAY. 1889 00:57:28,378 --> 00:57:29,313 >> ALL RIGHT. 1890 00:57:29,313 --> 00:57:29,813 I CAN'T HEAR YOU. 1891 00:57:29,813 --> 00:57:37,688 [ CHEERS AND APPLAUSE ] 1892 00:57:37,688 --> 00:57:38,021 HELP. 1893 00:57:38,021 --> 00:57:38,755 >> Alfonso: THEY LOVE YOU HERE. 1894 00:57:38,755 --> 00:57:42,592 WOW. 1895 00:57:42,592 --> 00:57:44,061 GO AHEAD, GENE. 1896 00:57:44,061 --> 00:57:46,129 >> WAS THAT YOU UP HERE? 1897 00:57:46,129 --> 00:57:47,230 FROM THIS TIME -- YOU THINK 1898 00:57:47,230 --> 00:57:48,298 THAT'S THE TOP OF IT. 1899 00:57:48,298 --> 00:57:49,933 WHEN YOU GUYS GOT DOWN THERE, 1900 00:57:49,933 --> 00:57:51,368 ALL OVER. 1901 00:57:51,368 --> 00:57:53,603 REALLY MAGNIFICENT. 1902 00:57:53,603 --> 00:57:55,706 ILONA, I DON'T KNOW WHAT TO SAY. 1903 00:57:55,706 --> 00:57:56,106 MAGNIFICENT. 1904 00:57:56,106 --> 00:57:56,573 I LOVE THE END. 1905 00:57:56,573 --> 00:58:00,110 [ CHEERS AND APPLAUSE ] 1906 00:58:00,110 --> 00:58:01,011 >> Alfonso: BRUNO? 1907 00:58:01,011 --> 00:58:03,113 >> I LOVE WILD AND WONDERFUL. 1908 00:58:03,113 --> 00:58:06,283 AND I LOVE TO EMBRACE IT. 1909 00:58:06,283 --> 00:58:08,952 BUT, I AM SORRY, MY DARLING. 1910 00:58:08,952 --> 00:58:10,487 YOU WENT WRONG SO MANY TIMES. 1911 00:58:10,487 --> 00:58:11,688 AND YOU KNOW I APPRECIATE IT. 1912 00:58:11,688 --> 00:58:13,590 THIS IS A DANCE COMPETITION. 1913 00:58:13,590 --> 00:58:14,491 IT'S ALL VERY WELL. 1914 00:58:14,491 --> 00:58:16,226 EVERYBODY HAS TO BE TREATED EK 1915 00:58:16,226 --> 00:58:16,560 KWELI. 1916 00:58:16,560 --> 00:58:19,029 IF YOU MAKE MISTAKES, YOU WILL 1917 00:58:19,029 --> 00:58:21,665 BE DEDUCTED POINTS FOR IT. 1918 00:58:21,665 --> 00:58:22,332 IT WAS FANTASTIC. 1919 00:58:22,332 --> 00:58:23,767 TAKE NOTHING AWAY FROM WHAT YOU 1920 00:58:23,767 --> 00:58:24,067 DID. 1921 00:58:24,067 --> 00:58:24,701 THE ATTITUDE WAS PERFECT. 1922 00:58:24,701 --> 00:58:27,637 THAT'S ALL. 1923 00:58:27,637 --> 00:58:28,605 >> Alfonso: CARRIE ANN? 1924 00:58:28,605 --> 00:58:30,907 >> ARE YOU OKAY? 1925 00:58:30,907 --> 00:58:32,542 ARE YOU OKAY? 1926 00:58:32,542 --> 00:58:35,045 >> BEEN BETTER, CARRIE ANN. 1927 00:58:35,045 --> 00:58:36,046 >> YOU KNOW WHAT? 1928 00:58:36,046 --> 00:58:38,348 I LOVE THAT I SAW YOU GET TEARED 1929 00:58:38,348 --> 00:58:38,715 UP. 1930 00:58:38,715 --> 00:58:39,349 AS A WOMAN, I LIKE THAT. 1931 00:58:39,349 --> 00:58:44,221 YOU'RE SO EMOTIONAL. 1932 00:58:44,221 --> 00:58:46,323 YOU'RE SO INVESTED. 1933 00:58:46,323 --> 00:58:47,457 THAT'S WHY EVERYBODY IS ROOTING 1934 00:58:47,457 --> 00:58:47,958 FOR YOU. 1935 00:58:47,958 --> 00:58:49,559 BECAUSE OF THE EMOTIONAL 1936 00:58:49,559 --> 00:58:49,960 ATTACHMENT. 1937 00:58:49,960 --> 00:58:51,395 I AM GOING TO SAY, IT WAS ONCE 1938 00:58:51,395 --> 00:58:52,529 YOU LANDED, YOU GOT OFF THE BEAT 1939 00:58:52,529 --> 00:58:55,999 AND THAT'S A HARD RECOVERY. 1940 00:58:55,999 --> 00:58:57,601 BUT YOU ARE AMAZING. 1941 00:58:57,601 --> 00:58:57,934 PLEASE. 1942 00:58:57,934 --> 00:58:58,435 NEVER DOUBT THAT. 1943 00:58:58,435 --> 00:59:01,772 ♪♪ 1944 00:59:01,772 --> 00:59:02,372 >> Alfonso: DEREK? 1945 00:59:02,372 --> 00:59:04,274 >> ILONA, YOU'RE A COMPETITOR. 1946 00:59:04,274 --> 00:59:05,242 YOU'RE A COMPETITOR. 1947 00:59:05,242 --> 00:59:06,843 WHEN THINGS GO WRONG ON THE 1948 00:59:06,843 --> 00:59:08,178 FIELD, YOU REGROUP AND COME BACK 1949 00:59:08,178 --> 00:59:09,913 NEXT WEEK AND YOU COME UP 1950 00:59:09,913 --> 00:59:10,247 STRONG. 1951 00:59:10,247 --> 00:59:12,215 THAT'S -- TAKE THIS AS A MOMENT 1952 00:59:12,215 --> 00:59:14,418 TO BE, A LOT OF TIME. 1953 00:59:14,418 --> 00:59:16,920 NEXT WEEK, YOU'RE GOING TO COME 1954 00:59:16,920 --> 00:59:17,487 BACK AND BE FANTASTIC. 1955 00:59:17,487 --> 00:59:21,391 [ CHEERS AND APPLAUSE ] 1956 00:59:21,391 --> 00:59:22,459 >> Alfonso: LET'S GIVE A BIG 1957 00:59:22,459 --> 00:59:24,428 HANDS TO THE TALENTED FOLKS WHO 1958 00:59:24,428 --> 00:59:26,430 ARE TAKING IT TO 11 TONIGHT. 1959 00:59:26,430 --> 00:59:29,733 OUR BAND, OUR SINGERS, OUR MUSIC 1960 00:59:29,733 --> 00:59:32,302 DIRECTOR. 1961 00:59:32,302 --> 00:59:32,903 IT'S RAY CHEW LIVE. 1962 00:59:32,903 --> 00:59:33,737 ROCK 'N' ROLL, RAY. 1963 00:59:33,737 --> 00:59:34,571 JULIANNE. 1964 00:59:34,571 --> 00:59:35,305 >> Julianne: RAY IS ALWAYS READY 1965 00:59:35,305 --> 00:59:37,908 TO ROCK, ALFONSO. 1966 00:59:37,908 --> 00:59:39,910 ALL RIGHT, ILONA. 1967 00:59:39,910 --> 00:59:41,611 I WANT TO JUST ASK RIGHT NOW, 1968 00:59:41,611 --> 00:59:44,681 THIS IS SUCH A HUMAN MOMENT 1969 00:59:44,681 --> 00:59:47,384 RIGHT NOW. 1970 00:59:47,384 --> 00:59:49,820 I THINK EVERYBODY WANTS TO KNOW 1971 00:59:49,820 --> 00:59:50,387 WHAT'S GOING ON. 1972 00:59:50,387 --> 00:59:52,456 >> THIS IS A TOUGH DANCE FOR ME. 1973 00:59:52,456 --> 00:59:53,857 AND THIS WHOLE WEEK IS REALLY 1974 00:59:53,857 --> 00:59:54,191 TOUGH. 1975 00:59:54,191 --> 00:59:55,959 YOU DO IT SO WELL IN DRESS 1976 00:59:55,959 --> 00:59:56,326 REHEARSAL. 1977 00:59:56,326 --> 00:59:59,463 AND YOU COME OUT AND MESS IT UP. 1978 00:59:59,463 --> 01:00:00,230 IT'S REALLY HARD. 1979 01:00:00,230 --> 01:00:00,931 HE KNOWS I CAN DO WELL AND I 1980 01:00:00,931 --> 01:00:03,900 JUST DON'T. 1981 01:00:03,900 --> 01:00:05,735 >> WELL, FIRST OF ALL, AS ALLEN 1982 01:00:05,735 --> 01:00:08,305 IS SAYING RIGHT NOW, YOU DID 1983 01:00:08,305 --> 01:00:08,872 AMAZING. 1984 01:00:08,872 --> 01:00:11,408 I THINK ANYBODY CAN SAY WHEN YOU 1985 01:00:11,408 --> 01:00:12,843 GO OUT AND PUT ENERGY AND EFFORT 1986 01:00:12,843 --> 01:00:14,711 INTO IT, IT'S SO HARD, WHEN YOU 1987 01:00:14,711 --> 01:00:16,246 DON'T FEEL LIKE YOU NAIL IT. 1988 01:00:16,246 --> 01:00:19,583 YOU'RE GOING TO COME BACK, EVEN 1989 01:00:19,583 --> 01:00:21,218 STRONGER AND YOU DID AN AMAZING 1990 01:00:21,218 --> 01:00:21,551 JOB. 1991 01:00:21,551 --> 01:00:21,918 ALL RIGHT. 1992 01:00:21,918 --> 01:00:22,519 [ CHEERS AND APPLAUSE ] 1993 01:00:22,519 --> 01:00:24,387 LET'S GET YOUR SCORES. 1994 01:00:24,387 --> 01:00:30,193 >> Announcer: CARRY ANN INABA? 1995 01:00:30,193 --> 01:00:31,428 >> 7. 1996 01:00:31,428 --> 01:00:32,229 >> Announcer: DEREK HOUGH. 1997 01:00:32,229 --> 01:00:35,165 >> HAPPENS TO ALL OF US, TRUST 1998 01:00:35,165 --> 01:00:36,199 ME. 1999 01:00:36,199 --> 01:00:36,500 6. 2000 01:00:36,500 --> 01:00:37,400 >> Announcer: GENE SIMMONS. 2001 01:00:37,400 --> 01:00:39,035 >> I HAVE TO GET MY NUMBER. 2002 01:00:39,035 --> 01:00:39,769 WHERE IS IT? 2003 01:00:39,769 --> 01:00:43,974 KILL ME NOW. 2004 01:00:43,974 --> 01:00:44,407 >> TAKE MINE. 2005 01:00:44,407 --> 01:00:49,746 >> 7. 2006 01:00:49,746 --> 01:00:51,748 >> Announcer: BRUNO TONIOLI. 2007 01:00:51,748 --> 01:00:54,284 >> YOU'LL BE BACK MUCH STRONGER. 2008 01:00:54,284 --> 01:00:55,819 LEARN FROM THIS. 2009 01:00:55,819 --> 01:00:56,253 6. 2010 01:00:56,253 --> 01:00:56,920 >> Julianne: OKAY. 2011 01:00:56,920 --> 01:01:01,491 THAT'S 26 OUT OF 40 FOR ILONA 2012 01:01:01,491 --> 01:01:03,260 AND ALAN. 2013 01:01:03,260 --> 01:01:04,594 THEIR TOTAL IS 46. 2014 01:01:04,594 --> 01:01:05,362 >> I'M OKAY. 2015 01:01:05,362 --> 01:01:06,329 NO MATTER WHAT THE JUDGES SAY. 2016 01:01:06,329 --> 01:01:06,730 >> I'M OKAY. 2017 01:01:06,730 --> 01:01:11,468 I'M OKAY. 2018 01:01:11,468 --> 01:01:14,471 >> Julianne: NO MATTER WHAT THE 2019 01:01:14,471 --> 01:01:16,072 JUDGES SAY WITH THEIR PADDLES, 2020 01:01:16,072 --> 01:01:18,341 YOU HAVE EQUAL SAY WITH YOUR 2021 01:01:18,341 --> 01:01:18,675 VOTES. 2022 01:01:18,675 --> 01:01:21,044 YOU GET TEN OF THEM PER COUPLE 2023 01:01:21,044 --> 01:01:22,178 PER VOTING METHOD. 2024 01:01:22,178 --> 01:01:24,381 ALFONSO. 2025 01:01:24,381 --> 01:01:24,814 GIVE ME A HUG. 2026 01:01:24,814 --> 01:01:27,450 >> Alfonso: I LOVE IT. 2027 01:01:27,450 --> 01:01:27,951 THANKS, JULIANNE. 2028 01:01:27,951 --> 01:01:28,518 ONE OF LAST NIGHT'S 2029 01:01:28,518 --> 01:01:29,219 MOST-IMPROVED STARS IS ON THE 2030 01:01:29,219 --> 01:01:29,953 WAY WITH HER "HAIR METAL NIGHT" 2031 01:01:29,953 --> 01:01:32,622 ROUTINE. 2032 01:01:32,622 --> 01:01:33,356 JENN TRAN AND SASHA FARBER HOPE 2033 01:01:33,356 --> 01:01:34,090 TO KEEP UP THAT MOMENTUM WHEN WE 2034 01:01:34,090 --> 01:01:35,292 COME BACK, LIVE. 2035 01:01:38,995 --> 01:01:40,797 ♪♪ 2036 01:01:40,797 --> 01:01:45,368 [ CHEERS AND APPLAUSE ] 2037 01:01:45,368 --> 01:01:46,136 >>> WELCOME BACK TO "HAIR METAL 2038 01:01:46,136 --> 01:01:49,172 NIGHT." 2039 01:01:49,172 --> 01:01:50,874 LAST NIGHT, OUR STAR FROM "THE 2040 01:01:50,874 --> 01:01:51,975 BACHELORETTE" TOOK THE JUDGES' 2041 01:01:51,975 --> 01:01:52,609 NOTES TO HEART AND MADE A 2042 01:01:52,609 --> 01:01:53,176 SERIOUS CLIMB UP THE 2043 01:01:53,176 --> 01:01:54,244 LEADERBOARD. 2044 01:01:54,244 --> 01:01:57,414 >> Julianne: LET'S CHECK OUT HOW 2045 01:01:57,414 --> 01:02:00,517 TRAINING FOR TONIGHT'S PASO 2046 01:02:00,517 --> 01:02:01,251 DOBLE WENT FOR JENN TRAN AND 2047 01:02:01,251 --> 01:02:03,720 SASHA FARBER. 2048 01:02:03,720 --> 01:02:08,091 ♪♪ 2049 01:02:08,091 --> 01:02:11,861 >> THAT WAS ONE OF THE SEXIEST 2050 01:02:11,861 --> 01:02:12,529 ROLLS THAT I'VE EVER SEEN. 2051 01:02:12,529 --> 01:02:12,829 >> 7. 2052 01:02:12,829 --> 01:02:16,299 >> AN 8. 2053 01:02:16,299 --> 01:02:18,001 >> THE 8s WERE CRAZY. 2054 01:02:18,001 --> 01:02:20,103 >> I WAS NOT EXPECTING THAT. 2055 01:02:20,103 --> 01:02:21,671 >> WE'RE CLIMBING UP THE 2056 01:02:21,671 --> 01:02:22,072 LEADERBOARD. 2057 01:02:22,072 --> 01:02:23,707 AND THIS IS THE PERFECT TIME. 2058 01:02:23,707 --> 01:02:25,742 SO, IT IS "HAIR METAL NIGHT." 2059 01:02:25,742 --> 01:02:27,310 >> I LOVE TO HAVE A ROCK 'N' 2060 01:02:27,310 --> 01:02:27,811 ROLL TIME. 2061 01:02:27,811 --> 01:02:30,280 >> OH, GOD. 2062 01:02:30,280 --> 01:02:31,214 >> WHEN I WAS IN EUROPE IN 2063 01:02:31,214 --> 01:02:32,482 COLLEGE, EVERY NIGHT WAS HAIR 2064 01:02:32,482 --> 01:02:33,016 METAL NIGHT. 2065 01:02:33,016 --> 01:02:36,920 I STUDIED FOOD, ART AND ITALIAN 2066 01:02:36,920 --> 01:02:37,487 MEN. 2067 01:02:37,487 --> 01:02:38,154 IT'S GREAT. 2068 01:02:38,154 --> 01:02:39,923 THE WILD SIDE I LIKE TO KEEP 2069 01:02:39,923 --> 01:02:41,591 LOCKED IN A LITTLE BOX. 2070 01:02:41,591 --> 01:02:44,361 ONCE SHE'S OUT, SHE'S CRAZY. 2071 01:02:44,361 --> 01:02:45,362 >> I'M SCARED. 2072 01:02:45,362 --> 01:02:46,196 ONE, TWO AND THREE. 2073 01:02:46,196 --> 01:02:47,097 >> I FORGOT. 2074 01:02:47,097 --> 01:02:48,331 >> THIS IS ONE OF THE DANCES 2075 01:02:48,331 --> 01:02:49,532 WHERE THE FEMALE DOES ALMOST 2076 01:02:49,532 --> 01:02:50,900 MORE THAN THE MALE. 2077 01:02:50,900 --> 01:02:51,668 COME FORWARD. 2078 01:02:51,668 --> 01:02:53,570 I'M GOING TO SEE A LOT OF 2079 01:02:53,570 --> 01:02:57,874 PASSION IN THIS PASO DOBLE. 2080 01:02:57,874 --> 01:02:58,975 I'M GOING TO PUSH THE BOUNDARIES 2081 01:02:58,975 --> 01:03:01,177 OF WHAT JENN CAN DO. 2082 01:03:01,177 --> 01:03:02,345 THERE'S NOTHING ABOUT YOU THAT'S 2083 01:03:02,345 --> 01:03:02,712 INNOCENT. 2084 01:03:02,712 --> 01:03:04,514 >> IT FREAKS ME IT THAT THERE'S 2085 01:03:04,514 --> 01:03:05,882 DOUBLE ELIMINATION. 2086 01:03:05,882 --> 01:03:08,351 I FEEL MYSELF GETTING BETTER AT 2087 01:03:08,351 --> 01:03:09,719 THE PASO DOBLE. 2088 01:03:09,719 --> 01:03:10,920 I'M CHANNELING WILD JENN. 2089 01:03:10,920 --> 01:03:13,390 I DON'T WANT TO BE GOING HOME. 2090 01:03:13,390 --> 01:03:14,124 >> I LOVE THE WAY YOU'RE OOZING 2091 01:03:14,124 --> 01:03:15,492 OUT. 2092 01:03:15,492 --> 01:03:20,563 [ CHEERS AND APPLAUSE ] 2093 01:03:20,563 --> 01:03:21,431 >> Announcer: DANCING THE PASO 2094 01:03:21,431 --> 01:03:22,032 DOBLE, WITH HER PARTNER 2095 01:03:22,032 --> 01:03:23,366 SASHA FARBER, IT'S JENN TRAN. 2096 01:03:23,366 --> 01:03:40,183 ♪♪ 2097 01:03:40,183 --> 01:03:45,055 ♪ WE'RE LEAVING TOGETHER 2098 01:03:45,055 --> 01:03:47,023 BUT STILL IT'S FAREWELL ♪ 2099 01:03:47,023 --> 01:03:54,731 ♪ AND MAYBE 2100 01:03:54,731 --> 01:04:00,070 WE'LL COME BACK TO EARTH 2101 01:04:00,070 --> 01:04:06,042 WHO CAN TELL ♪ 2102 01:04:06,042 --> 01:04:08,344 ♪ I GUESS THERE IS 2103 01:04:08,344 --> 01:04:09,179 NO ONE TO BLAME ♪ 2104 01:04:09,179 --> 01:04:10,613 ♪ WE'RE LEAVING GROUND 2105 01:04:10,613 --> 01:04:17,187 WILL THINGS EVER 2106 01:04:17,187 --> 01:04:18,321 BE THE SAME AGAIN? ♪ 2107 01:04:18,321 --> 01:04:19,489 ♪ IT'S THE FINAL COUNTDOWN 2108 01:04:19,489 --> 01:04:23,760 THE FINAL COUNTDOWN 2109 01:04:23,760 --> 01:04:35,638 OH OH ♪ 2110 01:04:35,638 --> 01:04:38,508 >> Alfonso: JENN AND SASHA WITH 2111 01:04:38,508 --> 01:04:39,109 A PASO DOBLE, FEATURING 2112 01:04:39,109 --> 01:04:41,311 JOEL HOEKSTRA. 2113 01:04:41,311 --> 01:04:41,911 [ CHEERS AND APPLAUSE ] 2114 01:04:41,911 --> 01:04:44,247 OH, YEAH. 2115 01:04:44,247 --> 01:04:45,415 ALL THE BALLROOM IS ROCKIN' FOR 2116 01:04:45,415 --> 01:04:45,782 THAT ONE. 2117 01:04:45,782 --> 01:04:49,285 THANK YOU, JOEL. 2118 01:04:49,285 --> 01:04:50,520 OH, YES. 2119 01:04:50,520 --> 01:04:51,955 OH, YES. 2120 01:04:51,955 --> 01:04:53,957 THINK THEY'RE GOING TO LOVE IT. 2121 01:04:53,957 --> 01:04:54,290 BRUNO? 2122 01:04:54,290 --> 01:04:55,058 >> ELECTRIFIED. 2123 01:04:55,058 --> 01:04:59,629 I THINK YOU BLEW MY FUSES. 2124 01:04:59,629 --> 01:05:00,497 YOU KNOW WHY? 2125 01:05:00,497 --> 01:05:02,632 WE KEEP TALKING ABOUT CONTENT. 2126 01:05:02,632 --> 01:05:06,035 YOU PUT EVERYTHING IN IT. 2127 01:05:06,035 --> 01:05:08,338 THAT A PASO DOBLE REQUIRES, 2128 01:05:08,338 --> 01:05:08,671 SASHA. 2129 01:05:08,671 --> 01:05:09,072 EVERYTHING. 2130 01:05:09,072 --> 01:05:11,674 THANK YOU VERY MUCH. 2131 01:05:11,674 --> 01:05:12,842 >> Alfonso: ALL RIGHT. 2132 01:05:12,842 --> 01:05:13,476 CARRIE ANN. 2133 01:05:13,476 --> 01:05:14,911 >> I KEEP SAYING THIS. 2134 01:05:14,911 --> 01:05:16,279 EVERY TIME YOU'RE ON THE FLOOR, 2135 01:05:16,279 --> 01:05:17,447 YOU'RE SO EXCITING BECAUSE 2136 01:05:17,447 --> 01:05:18,548 YOU'RE UNPREDICTABLE. 2137 01:05:18,548 --> 01:05:20,116 YOU DANCE ON THE -- YOU REALLY 2138 01:05:20,116 --> 01:05:21,184 DANCE ON THE EDGE. 2139 01:05:21,184 --> 01:05:22,252 I'M NEVER SURE IF YOU'RE GOING 2140 01:05:22,252 --> 01:05:22,919 TO HIT IT. 2141 01:05:22,919 --> 01:05:27,557 BUT YOU HIT IT. 2142 01:05:27,557 --> 01:05:28,458 >> Alfonso: ALL RIGHT, DEREK. 2143 01:05:28,458 --> 01:05:31,194 >> SASHA, AT THE START, YOU LOOK 2144 01:05:31,194 --> 01:05:33,463 LIKE AIR TRAFFIC CONTROL FOR 2145 01:05:33,463 --> 01:05:35,231 BRUNO'S PRIVATE PLANE. 2146 01:05:35,231 --> 01:05:36,966 JENN, THERE WAS A BEAUTIFUL, 2147 01:05:36,966 --> 01:05:37,901 STRONG CALMNESS ABOUT YOU 2148 01:05:37,901 --> 01:05:39,002 TONIGHT THAT PROJECTED STRENGTH 2149 01:05:39,002 --> 01:05:40,436 ON THAT FLOOR. 2150 01:05:40,436 --> 01:05:41,671 LET'S TALK ABOUT THE KNEE WALKS 2151 01:05:41,671 --> 01:05:42,172 ACROSS THE FLOOR. 2152 01:05:42,172 --> 01:05:45,308 [ CHEERS AND APPLAUSE ] 2153 01:05:45,308 --> 01:05:46,910 >> Alfonso: YES, WE CAN. 2154 01:05:46,910 --> 01:05:47,777 >> WELL DONE. 2155 01:05:47,777 --> 01:05:48,545 >> Alfonso: ALL RIGHT. 2156 01:05:48,545 --> 01:05:48,878 GENE? 2157 01:05:48,878 --> 01:05:49,579 >> THERE'S NO QUESTION. 2158 01:05:49,579 --> 01:05:52,382 YOU TWO MAKE A STEAMY COUPLE. 2159 01:05:52,382 --> 01:05:53,583 SASHA'S TERRIFIC, A 2160 01:05:53,583 --> 01:05:54,050 PROFESSIONAL. 2161 01:05:54,050 --> 01:05:54,984 DOES IT EVERY DAY. 2162 01:05:54,984 --> 01:05:56,085 ALL THE PRESSURE IS ON YOU. 2163 01:05:56,085 --> 01:06:00,390 AND I HAVE TO SAY, BESIDES BEING 2164 01:06:00,390 --> 01:06:01,591 BEAUTIFUL, YOU DELIVERED. 2165 01:06:01,591 --> 01:06:02,959 >> Alfonso: ABSOLUTELY. 2166 01:06:02,959 --> 01:06:04,961 HEAD UP TO JULIANNE IN THE 2167 01:06:04,961 --> 01:06:06,996 SKYBOX. 2168 01:06:06,996 --> 01:06:07,831 JUST MINUTES FROM NOW, THE STAR 2169 01:06:07,831 --> 01:06:08,698 WHO OPENED LAST NIGHT'S "SOUL 2170 01:06:08,698 --> 01:06:09,499 TRAIN" COMPETITION RETURNS TO 2171 01:06:09,499 --> 01:06:10,967 THE FLOOR. 2172 01:06:10,967 --> 01:06:14,637 SHE BROUGHT THE BOOGIE TO HER 2173 01:06:14,637 --> 01:06:15,772 QUICKSTEP. 2174 01:06:15,772 --> 01:06:19,442 CAN SHE ROCK THE PASODOBLE? 2175 01:06:19,442 --> 01:06:19,943 PHAEDRA PARKS AND 2176 01:06:19,943 --> 01:06:20,677 VAL CHMERKOVSKIY ARE ON THE WAY. 2177 01:06:20,677 --> 01:06:22,812 JULIANNE. 2178 01:06:22,812 --> 01:06:24,247 >> Alfonso: THANKS, ALFONSO. 2179 01:06:24,247 --> 01:06:26,349 LAST NIGHT, YOU CLIMBED THE 2180 01:06:26,349 --> 01:06:26,749 LEADERBOARD. 2181 01:06:26,749 --> 01:06:28,384 TONIGHT, YOU'RE GETTING PRAISE. 2182 01:06:28,384 --> 01:06:30,453 ARE YOU STARTING TO BELIEVE YOU 2183 01:06:30,453 --> 01:06:31,154 CAN DO THIS? 2184 01:06:31,154 --> 01:06:32,255 >> JUST A LITTLE BIT. 2185 01:06:32,255 --> 01:06:33,923 I'VE BEEN WORKING REALLY, REALLY 2186 01:06:33,923 --> 01:06:34,257 HARD. 2187 01:06:34,257 --> 01:06:36,392 I PUT MORE PRESSURE ON MYSELF 2188 01:06:36,392 --> 01:06:37,227 THAN HE DOES. 2189 01:06:37,227 --> 01:06:37,861 HE IS LIKE, IT'S AMAZING. 2190 01:06:37,861 --> 01:06:41,931 NO. 2191 01:06:41,931 --> 01:06:44,667 IT FEELS GOOD TO GET GOOD 2192 01:06:44,667 --> 01:06:45,001 CRITIQUES. 2193 01:06:45,001 --> 01:06:45,935 I HAVE BEEN WORKING HARD. 2194 01:06:45,935 --> 01:06:47,136 AND IT CAN BE BETTER. 2195 01:06:47,136 --> 01:06:49,339 >> LET'S SEE IF THE HARD WORK 2196 01:06:49,339 --> 01:06:50,073 PAYS OFF. 2197 01:06:50,073 --> 01:06:53,543 LET'S GET YOUR SCORES. 2198 01:06:53,543 --> 01:06:56,913 >> Announcer: CARRIE ANN INABA. 2199 01:06:56,913 --> 01:06:57,881 >> 8. 2200 01:06:57,881 --> 01:06:59,015 >> Announcer: DEREK HOUGH. 2201 01:06:59,015 --> 01:06:59,816 >> 8. 2202 01:06:59,816 --> 01:07:00,483 >> Announcer: GENE SIMMONS. 2203 01:07:00,483 --> 01:07:05,421 >> DON'T HATE ME. 2204 01:07:05,421 --> 01:07:11,361 >> Announcer: PRUNE BRUNO 2205 01:07:11,361 --> 01:07:11,694 TONIOLI. 2206 01:07:11,694 --> 01:07:13,329 >> Announcer: THE TOTAL FOR BOTH 2207 01:07:13,329 --> 01:07:14,397 NIGHTS IS 62. 2208 01:07:14,397 --> 01:07:15,965 IF YOU VOTED LAST NIGHT, YOU 2209 01:07:15,965 --> 01:07:17,433 HAVE TO VOTE AGAIN TONIGHT. 2210 01:07:17,433 --> 01:07:20,637 YOU GET TEN VOTES PER COUPLE PER 2211 01:07:20,637 --> 01:07:21,304 VOTING METHOD. 2212 01:07:21,304 --> 01:07:25,341 >> Alfonso: THANKS, JULIANNE. 2213 01:07:25,341 --> 01:07:26,075 TOMORROW NIGHT ON ABC, THE MEN 2214 01:07:26,075 --> 01:07:30,680 OF "THE GOLDEN BACHELORETTE" 2215 01:07:30,680 --> 01:07:31,447 SHOW OFF DANCE MOVES OF THEIR 2216 01:07:31,447 --> 01:07:31,714 OWN. 2217 01:07:31,714 --> 01:07:32,482 HERE'S A PREVIEW OF THE SPECIAL 2218 01:07:32,482 --> 01:07:32,882 GROUP DATE. 2219 01:07:32,882 --> 01:07:35,752 >> HAVE ANY OF YOU STRIPPED 2220 01:07:35,752 --> 01:07:36,119 BEFORE? 2221 01:07:36,119 --> 01:07:40,823 >> HOLY COW. 2222 01:07:40,823 --> 01:07:42,091 I'M NOT READY FOR THIS. 2223 01:07:42,091 --> 01:07:43,426 >> GOING TO BE A REVEALING DAY. 2224 01:07:43,426 --> 01:07:44,060 >> WE'LL SEE WHAT HAPPENS. 2225 01:07:44,060 --> 01:07:49,098 ♪♪ 2226 01:07:49,098 --> 01:07:50,833 >> I HOPE THEY THROW MONEY. 2227 01:07:50,833 --> 01:07:51,568 I'M KEEPING IT. 2228 01:07:51,568 --> 01:07:53,870 >> I NEED TO SEE A GUY WILLING 2229 01:07:53,870 --> 01:07:55,138 TO BARE IT ALL. 2230 01:07:55,138 --> 01:07:56,139 >> THIS IS A WHOLE NEW ME. 2231 01:07:56,139 --> 01:07:56,940 THIS IS GOING TO BE FUN. 2232 01:07:56,940 --> 01:07:59,342 ♪♪ 2233 01:08:01,911 --> 01:08:08,418 ♪♪ 2234 01:08:08,418 --> 01:08:09,018 ♪ GIRLS, GIRLS, GIRLS 2235 01:08:09,018 --> 01:08:09,385 LONG LEGS 2236 01:08:09,385 --> 01:08:13,222 AND BURGUNDY LIPS ♪ 2237 01:08:13,222 --> 01:08:13,856 ♪ GIRLS, GIRLS, GIRLS 2238 01:08:13,856 --> 01:08:17,260 DANCING DOWN ON SUNSET STRIP 2239 01:08:17,260 --> 01:08:19,529 GIRLS, GIRLS, GIRLS ♪ 2240 01:08:19,529 --> 01:08:28,071 [ CHEERS AND APPLAUSE ] 2241 01:08:28,071 --> 01:08:29,172 >> Alfonso: WE'RE BACK WITH OUR 2242 01:08:29,172 --> 01:08:32,241 PRO DANCERS, CHOREOGRAPHED BY 2243 01:08:32,241 --> 01:08:35,011 EMMA SLATER AND ALAN BERSTEN. 2244 01:08:35,011 --> 01:08:35,411 YEAH, YEAH. 2245 01:08:35,411 --> 01:08:37,013 YOU CAN SEE THESE PROS AND MORE 2246 01:08:37,013 --> 01:08:38,181 IN YOUR HOMETOWN THIS WINTER IN 2247 01:08:38,181 --> 01:08:40,450 OUR ALL-NEW TOUR. 2248 01:08:40,450 --> 01:08:42,785 TICKETS GO ON SALE TO THE PUBLIC 2249 01:08:42,785 --> 01:08:43,620 THIS FRIDAY, OCTOBER 11th. 2250 01:08:43,620 --> 01:08:45,888 BUT "DWTS" SUPER FANS AND ABC 2251 01:08:45,888 --> 01:08:49,025 INSIDERS WILL HAVE PRESALE 2252 01:08:49,025 --> 01:08:49,892 ACCESS TOMORROW MORNING. 2253 01:08:49,892 --> 01:08:50,693 FULL DETAILS ARE AVAILABLE AT 2254 01:08:50,693 --> 01:08:53,596 DWTSTOUR.COM. 2255 01:08:53,596 --> 01:08:56,165 [ CHEERS AND APPLAUSE ] 2256 01:08:56,165 --> 01:08:58,134 NOW, LET'S SEE WHAT HAPPENS WHEN 2257 01:08:58,134 --> 01:09:01,738 OUR REALITY ROYALTY TAKES ON A 2258 01:09:01,738 --> 01:09:06,542 ROCKIN' PASO DOBLE. 2259 01:09:06,542 --> 01:09:07,143 IT'S PHAEDRA PARKS AND 2260 01:09:07,143 --> 01:09:08,311 VAL CHMERKOVSKIY. 2261 01:09:08,311 --> 01:09:14,951 ♪♪ 2262 01:09:14,951 --> 01:09:16,052 >> OVERALL, THAT PERFORMANCE WAS 2263 01:09:16,052 --> 01:09:18,054 SO FANTASTIC. 2264 01:09:18,054 --> 01:09:18,421 >> 7. 2265 01:09:18,421 --> 01:09:24,694 >> 8. 2266 01:09:24,694 --> 01:09:30,700 >> PHAEDRA, WE'RE DANCING TO BON 2267 01:09:30,700 --> 01:09:31,034 JOVI'S -- 2268 01:09:31,034 --> 01:09:33,603 >> "YOU GIVE LOVE A BAD NAME." 2269 01:09:33,603 --> 01:09:37,173 >> I KNOW WHAT "YOU GIVE LOVE A 2270 01:09:37,173 --> 01:09:39,776 BAD NAME" MEANS BECAUSE I WENT 2271 01:09:39,776 --> 01:09:41,778 THROUGH A BAD DIVORCE. 2272 01:09:41,778 --> 01:09:46,783 >> PASO DOBLE HAS DRAMA AND 2273 01:09:46,783 --> 01:09:47,817 SASSINESS. 2274 01:09:47,817 --> 01:09:49,419 IT DEPICTS PHAEDRA. 2275 01:09:49,419 --> 01:09:50,853 LEAD WITH YOUR BOOTY. 2276 01:09:50,853 --> 01:09:52,688 >> I'M NEVER GOING TO PUT IN THE 2277 01:09:52,688 --> 01:09:55,224 ATMOSPHERE THAT IT MIGHT BE ME. 2278 01:09:55,224 --> 01:09:57,393 SO, BON VOYAGE AND IT IS NICE 2279 01:09:57,393 --> 01:09:58,094 KNOWING THE TWO THAT WILL BE 2280 01:09:58,094 --> 01:09:58,561 LEAVING TONIGHT. 2281 01:09:58,561 --> 01:10:04,634 >> YES. 2282 01:10:04,634 --> 01:10:05,468 >> Announcer: DANCING THE PASO 2283 01:10:05,468 --> 01:10:06,569 DOBLE, WITH HER PARTNER 2284 01:10:06,569 --> 01:10:07,437 VAL CHMERKOVSKIY, IT'S 2285 01:10:07,437 --> 01:10:09,138 PHAEDRA PARKS. 2286 01:10:09,138 --> 01:10:09,806 ♪ SHOT THROUGH THE HEART 2287 01:10:09,806 --> 01:10:13,409 AND YOU'RE TO BLAME ♪ 2288 01:10:13,409 --> 01:10:14,844 ♪ DARLING, YOU GIVE LOVE 2289 01:10:14,844 --> 01:10:22,852 A BAD NAME ♪ 2290 01:10:22,852 --> 01:10:27,390 ♪ AN ANGEL'S SMILE 2291 01:10:27,390 --> 01:10:32,195 IS WHAT YOU SELL ♪ 2292 01:10:32,195 --> 01:10:37,900 ♪ YOU PROMISED ME HEAVEN 2293 01:10:37,900 --> 01:10:41,571 THEN PUT ME THROUGH HELL ♪ 2294 01:10:41,571 --> 01:10:45,575 ♪ CHAINS OF LOVE 2295 01:10:45,575 --> 01:10:48,111 GOT A HOLD ON ME ♪ 2296 01:10:48,111 --> 01:10:52,081 ♪ WHEN PASSION'S A PRISON 2297 01:10:52,081 --> 01:10:54,951 YOU CAN'T BREAK FREE ♪ 2298 01:10:54,951 --> 01:10:55,518 ♪ WHOA YOU'RE 2299 01:10:55,518 --> 01:10:56,385 A LOADED GUN YEAH ♪ 2300 01:10:56,385 --> 01:10:57,086 ♪ OH THERE'S NOWHERE TO RUN 2301 01:10:57,086 --> 01:10:57,820 NO ONE CAN SAVE ME 2302 01:10:57,820 --> 01:10:58,955 THE DAMAGE IS DONE ♪ 2303 01:10:58,955 --> 01:11:01,824 ♪ SHOT THROUGH THE HEART 2304 01:11:01,824 --> 01:11:07,797 AND YOU'RE TO BLAME 2305 01:11:07,797 --> 01:11:08,631 YOU GIVE LOVE A BAD NAME ♪ 2306 01:11:08,631 --> 01:11:09,465 ♪ I PLAY MY PART 2307 01:11:09,465 --> 01:11:10,933 AND YOU PLAY YOUR GAME ♪ 2308 01:11:10,933 --> 01:11:12,034 ♪ YOU GIVE LOVE A BAD NAME 2309 01:11:12,034 --> 01:11:16,272 AND YOU GIVE LOVE 2310 01:11:16,272 --> 01:11:17,874 A BAD NAME ♪ 2311 01:11:17,874 --> 01:11:23,246 [ CHEERS AND APPLAUSE ] 2312 01:11:23,246 --> 01:11:25,648 >> Alfonso: PHAEDRA AND VAL WITH 2313 01:11:25,648 --> 01:11:28,684 A REALLY GOOD NAME FOR THAT PASO 2314 01:11:28,684 --> 01:11:29,018 DOBLE. 2315 01:11:29,018 --> 01:11:29,385 ALL RIGHT. 2316 01:11:29,385 --> 01:11:29,752 ALL RIGHT. 2317 01:11:29,752 --> 01:11:31,587 THE BALLROOM IS LOVING. 2318 01:11:31,587 --> 01:11:32,355 LOVING IT. 2319 01:11:32,355 --> 01:11:33,723 COME ON IN HERE. 2320 01:11:33,723 --> 01:11:35,191 OVER HERE, AND LET'S SEE WHAT 2321 01:11:35,191 --> 01:11:37,493 THE JUDGES THINK. 2322 01:11:37,493 --> 01:11:38,361 CARRIE ANN? 2323 01:11:38,361 --> 01:11:39,529 >> ANOTHER STRONG PERFORMANCE. 2324 01:11:39,529 --> 01:11:41,798 BUT THERE WERE SOME MISTAKES. 2325 01:11:41,798 --> 01:11:42,365 AND YEAH. 2326 01:11:42,365 --> 01:11:44,967 I CAN SEE THEM. 2327 01:11:44,967 --> 01:11:47,436 WHAT I WANTED TO SAY TO YOU, IS 2328 01:11:47,436 --> 01:11:48,738 I THINK WHAT'S GOING TO HELP 2329 01:11:48,738 --> 01:11:50,173 WITH THE NEXT SEGMENT IF YOU GET 2330 01:11:50,173 --> 01:11:52,308 TO MOVE ON, IS FIND NUANCES. 2331 01:11:52,308 --> 01:11:55,178 YOU'RE DANCING VERY SQUARE. 2332 01:11:55,178 --> 01:11:56,512 IF THAT MAKES SENSE. 2333 01:11:56,512 --> 01:11:57,780 SOME OF THE MOVEMENTS ARE FLAT 2334 01:11:57,780 --> 01:11:58,881 TO ME. 2335 01:11:58,881 --> 01:11:59,916 I KNOW YOU'RE DYNAMIC. 2336 01:11:59,916 --> 01:12:02,518 I WANT TO SEE MORE OF THAT. 2337 01:12:02,518 --> 01:12:05,354 >> Alfonso: ALL RIGHT. 2338 01:12:05,354 --> 01:12:05,688 DEREK? 2339 01:12:05,688 --> 01:12:08,324 >> CARRIE ANN, I THOUGHT THAT 2340 01:12:08,324 --> 01:12:09,158 WAS DYNAMIC. 2341 01:12:09,158 --> 01:12:11,327 SHE WAS RUNNING ACROSS THE FLOOR 2342 01:12:11,327 --> 01:12:12,495 WITH ENERGY. 2343 01:12:12,495 --> 01:12:13,863 SHE HAS THE TINA TURNER THING 2344 01:12:13,863 --> 01:12:16,299 GOING ON RIGHT NOW. 2345 01:12:16,299 --> 01:12:17,366 YES, THERE WERE LITTLE THINGS 2346 01:12:17,366 --> 01:12:19,202 HERE AND THERE. 2347 01:12:19,202 --> 01:12:19,902 WE WANT TO MATCH THE ENERGY 2348 01:12:19,902 --> 01:12:20,736 MOVING FORWARD. 2349 01:12:20,736 --> 01:12:23,840 OVERALL, WELL DONE. 2350 01:12:23,840 --> 01:12:24,407 WELL DONE. 2351 01:12:24,407 --> 01:12:25,408 >> Alfonso: ABSOLUTELY. 2352 01:12:25,408 --> 01:12:25,741 GENE? 2353 01:12:25,741 --> 01:12:27,944 >> I GOT TO SAY, I'M A BIG FAN 2354 01:12:27,944 --> 01:12:32,148 OF THE BAD GIRL AND THE BAD BOY. 2355 01:12:32,148 --> 01:12:32,982 ALL RIGHT. 2356 01:12:32,982 --> 01:12:33,816 SETTLE DOWN. 2357 01:12:33,816 --> 01:12:34,550 SETTLE DOWN. 2358 01:12:34,550 --> 01:12:35,117 IT'S A FAMILY SHOW. 2359 01:12:35,117 --> 01:12:38,187 SETTLE DOWN. 2360 01:12:38,187 --> 01:12:43,459 >> OH, NOW YOU CARE? 2361 01:12:43,459 --> 01:12:44,160 >> YES. 2362 01:12:44,160 --> 01:12:49,165 YOU WERE DIGGING DEEP AND AIMING 2363 01:12:49,165 --> 01:12:49,498 HIGH. 2364 01:12:49,498 --> 01:12:51,400 I LOVE THAT. 2365 01:12:51,400 --> 01:12:52,568 BUT, AGAIN MISTAKES. 2366 01:12:52,568 --> 01:12:55,304 AND WHEN YOU DO YOUR STEPPING, 2367 01:12:55,304 --> 01:12:57,473 WATCH FLAMENCO, HOW HE TWISTS 2368 01:12:57,473 --> 01:13:00,109 FROM THE WAIST AND HE'S NOT 2369 01:13:00,109 --> 01:13:00,443 SQUARE. 2370 01:13:00,443 --> 01:13:02,011 AND SHE'S ABSOLUTELY RIGHT. 2371 01:13:02,011 --> 01:13:03,813 AND THESE HANDS, FREE HAND, I 2372 01:13:03,813 --> 01:13:07,750 TOLD YOU A MILLION TIMES, FIX 2373 01:13:07,750 --> 01:13:08,284 IT. 2374 01:13:08,284 --> 01:13:11,020 >> Alfonso: ALL RIGHT. 2375 01:13:11,020 --> 01:13:16,492 HEAD UP TO JULIAN IN THE SKYBOX. 2376 01:13:16,492 --> 01:13:17,326 STANDING BY TO CLOSE OUT "HAIR 2377 01:13:17,326 --> 01:13:18,060 METAL NIGHT" IS THE COUPLE WHO 2378 01:13:18,060 --> 01:13:18,628 FINISHED LAST NIGHT'S 2379 01:13:18,628 --> 01:13:19,362 COMPETITION JUST TWO POINTS OFF 2380 01:13:19,362 --> 01:13:21,297 OUR LEADERS. 2381 01:13:21,297 --> 01:13:22,131 CAN JOEY GRAZIADEI AND 2382 01:13:22,131 --> 01:13:22,865 JENNA JOHNSON STEAL THE TOP SPOT 2383 01:13:22,865 --> 01:13:23,566 TONIGHT? 2384 01:13:23,566 --> 01:13:24,166 JULIANNE. 2385 01:13:24,166 --> 01:13:27,236 >> Julianne: THANKS, ALFONSO. 2386 01:13:27,236 --> 01:13:29,906 THE LOOKS OF THESE TWO AND 2387 01:13:29,906 --> 01:13:32,208 EVERYONE ELSE, WE HAVE BROKEN 2388 01:13:32,208 --> 01:13:33,643 THE WIG BUDGET FOR THE ENTIRE 2389 01:13:33,643 --> 01:13:33,976 SEASON. 2390 01:13:33,976 --> 01:13:35,578 DID YOU EVER THINK YOU GUYS 2391 01:13:35,578 --> 01:13:37,613 WOULD HAVE THE SAME HAIR STYLE? 2392 01:13:37,613 --> 01:13:38,714 >> I DIDN'T THINK SO. 2393 01:13:38,714 --> 01:13:41,751 BUT IT LOOKS GOOD. 2394 01:13:41,751 --> 01:13:42,652 >> Julianne: WE'RE GOING TO GET 2395 01:13:42,652 --> 01:13:43,352 TO YOUR SCORES. 2396 01:13:43,352 --> 01:13:44,553 I KNOW YOU WANT TO HEAR WHAT 2397 01:13:44,553 --> 01:13:46,756 THEY HAVE TO SAY. 2398 01:13:46,756 --> 01:13:50,192 >> Announcer: CARRIE ANN INABA? 2399 01:13:50,192 --> 01:13:51,093 >> 7. 2400 01:13:51,093 --> 01:13:52,295 >> Announcer: DEREK HOUGH. 2401 01:13:52,295 --> 01:13:53,262 >> 7. 2402 01:13:53,262 --> 01:13:55,031 >> Announcer: GENE SIMMONS. 2403 01:13:55,031 --> 01:13:55,998 >> 5. 2404 01:13:55,998 --> 01:13:59,001 >> Announcer: BRUNO TONIOLI. 2405 01:13:59,001 --> 01:13:59,435 >> 7. 2406 01:13:59,435 --> 01:14:01,070 >> Julianne: IT'S A WILD NIGHT 2407 01:14:01,070 --> 01:14:02,505 TONIGHT. 2408 01:14:02,505 --> 01:14:08,277 26 OUT OF 40 FOR PHAEDRA AND 2409 01:14:08,277 --> 01:14:08,611 VAL. 2410 01:14:08,611 --> 01:14:09,512 THEIR TOTAL IS 56. 2411 01:14:09,512 --> 01:14:11,247 WE CAN'T SAY IT ENOUGH TIMES. 2412 01:14:11,247 --> 01:14:11,948 YOU HAVE TO VOTE TO SAVE YOUR 2413 01:14:11,948 --> 01:14:12,682 FAVORITES FROM TONIGHT'S DOUBLE 2414 01:14:12,682 --> 01:14:13,916 ELIMINATION. 2415 01:14:13,916 --> 01:14:14,450 [ CHEERS AND APPLAUSE ] 2416 01:14:23,059 --> 01:14:23,659 [ CHEERS AND APPLAUSE ] 2417 01:14:23,659 --> 01:14:26,595 ♪♪ 2418 01:14:26,595 --> 01:14:29,732 >>> WELCOME BACK. 2419 01:14:29,732 --> 01:14:32,702 FOR THE FINAL DANCE OF THE 2420 01:14:32,702 --> 01:14:35,271 NIGHT, OUR STAR WILL TANGO TO 2421 01:14:35,271 --> 01:14:37,373 THE HAIR METAL CLASSIC, "ROCK 2422 01:14:37,373 --> 01:14:44,680 YOU LIKE A HURRICANE." 2423 01:14:44,680 --> 01:14:46,749 WE WANT YOU TO KNOW THAT THESE 2424 01:14:46,749 --> 01:14:49,618 WERE CHOSEN WELL AHEAD OF THE 2425 01:14:49,618 --> 01:14:50,419 STORMS IN THE SOUTHEAST. 2426 01:14:50,419 --> 01:14:53,322 IF YOU WANT TO HELP, YOU CAN 2427 01:14:53,322 --> 01:14:56,792 DONATE AT REDCROSS.ORG/ABC, TO 2428 01:14:56,792 --> 01:14:57,460 SUPPORT THE RESPONSE AND 2429 01:14:57,460 --> 01:14:57,960 RECOVERY EFFORTS. 2430 01:14:57,960 --> 01:15:04,367 ALL RIGHT. 2431 01:15:04,367 --> 01:15:08,004 NOW, LET'S CHECK OUT TRAINING 2432 01:15:08,004 --> 01:15:12,041 FOR JOEY GRAZIADEI AND JENNA 2433 01:15:12,041 --> 01:15:12,375 JOHNSON. 2434 01:15:12,375 --> 01:15:13,275 >> YOU NAILED THAT TONIGHT, MY 2435 01:15:13,275 --> 01:15:13,642 FRIEND. 2436 01:15:13,642 --> 01:15:14,143 THAT WAS AWESOME. 2437 01:15:14,143 --> 01:15:14,477 AWESOME. 2438 01:15:14,477 --> 01:15:20,316 ♪♪ 2439 01:15:20,316 --> 01:15:21,884 >> JOEY, I LOVE THE MOMENTUM 2440 01:15:21,884 --> 01:15:23,018 THAT WE HAVE. 2441 01:15:23,018 --> 01:15:24,286 >> KEEP PUSHING ME. 2442 01:15:24,286 --> 01:15:25,221 LET'S KEEP RISING. 2443 01:15:25,221 --> 01:15:27,289 >> LET'S KEEP IT UP. 2444 01:15:27,289 --> 01:15:27,690 OKAY. 2445 01:15:27,690 --> 01:15:29,091 DO YOU LIKE ROCK 'N' ROLL MUSIC? 2446 01:15:29,091 --> 01:15:29,792 >> I DO. 2447 01:15:29,792 --> 01:15:31,927 I PLAYED THE DRUMS WHEN I WAS A 2448 01:15:31,927 --> 01:15:32,228 KID. 2449 01:15:32,228 --> 01:15:32,762 >> WHAT? 2450 01:15:32,762 --> 01:15:34,363 >> THAT'S ONE OF THE REASONS I 2451 01:15:34,363 --> 01:15:35,598 FEEL MORE COMFORTABLE WITH MUSIC 2452 01:15:35,598 --> 01:15:36,599 AND UNDERSTANDING TIMING. 2453 01:15:36,599 --> 01:15:37,133 >> YES. 2454 01:15:37,133 --> 01:15:39,702 >> GROWING UP, I HAD A DREAM OF 2455 01:15:39,702 --> 01:15:41,804 BEING A DRUMMER IN A ROCK BAND. 2456 01:15:41,804 --> 01:15:42,872 >> THIS IS YOUR MOMENT. 2457 01:15:42,872 --> 01:15:48,177 >> THIS IS MY CHANCE. 2458 01:15:48,177 --> 01:15:48,677 >> THAT WAS SCARY. 2459 01:15:48,677 --> 01:15:49,145 ROLL YOUR HIPS. 2460 01:15:49,145 --> 01:15:49,845 FOR THIS PERFORMANCE, WE'RE 2461 01:15:49,845 --> 01:15:50,679 DOING A TANGO. 2462 01:15:50,679 --> 01:15:52,114 THIS IS THE FIRST TIME THAT 2463 01:15:52,114 --> 01:15:55,217 WE'LL BE IN FRAME. 2464 01:15:55,217 --> 01:15:58,387 >> WHY CAN I NOT REMEMBER THAT? 2465 01:15:58,387 --> 01:16:01,857 >> IF HIS FRAME IS NOT STRONG. 2466 01:16:01,857 --> 01:16:02,491 AND HIS ELBOWS DROP. 2467 01:16:02,491 --> 01:16:02,925 NO. 2468 01:16:02,925 --> 01:16:05,327 THE JUDGES WILL ANNIHILATE US 2469 01:16:05,327 --> 01:16:05,861 FOR IT. 2470 01:16:05,861 --> 01:16:07,596 >> KEEPING MY SHOULDERS BACK FOR 2471 01:16:07,596 --> 01:16:09,165 THE ENTIRE DANCE IS NOT EASY FOR 2472 01:16:09,165 --> 01:16:09,465 ME. 2473 01:16:09,465 --> 01:16:10,499 >> THIS IS THE FRAME. 2474 01:16:10,499 --> 01:16:12,435 >> I HAVE MY EYE ON FIRST PLACE. 2475 01:16:12,435 --> 01:16:13,869 THERE'S NO CHANCE TO TAKE THE 2476 01:16:13,869 --> 01:16:15,438 FOOT OFF THE GAS PEDAL RIGHT 2477 01:16:15,438 --> 01:16:15,771 NOW. 2478 01:16:15,771 --> 01:16:17,306 I'M READY TO ROCK. 2479 01:16:17,306 --> 01:16:18,908 >> GENE SIMMONS. 2480 01:16:18,908 --> 01:16:24,513 THIS TANGO IS FOR YOU. 2481 01:16:24,513 --> 01:16:27,216 >> Announcer: DANCING THE TANGO 2482 01:16:27,216 --> 01:16:30,119 WITH HIS PARTNER JENNA JOHNSON, 2483 01:16:30,119 --> 01:16:30,786 IT'S JOEY GRAZIADEI. 2484 01:16:30,786 --> 01:16:31,153 ♪♪ 2485 01:16:31,153 --> 01:16:42,231 [ CHEERS AND APPLAUSE ] 2486 01:16:42,231 --> 01:16:44,200 ♪ IT'S EARLY MORNING 2487 01:16:44,200 --> 01:16:45,601 THE SUN COMES OUT ♪ 2488 01:16:45,601 --> 01:16:46,735 ♪ LAST NIGHT WAS SHAKING 2489 01:16:46,735 --> 01:16:47,870 AND PRETTY LOUD ♪ 2490 01:16:47,870 --> 01:16:49,572 ♪ MY CAT IS PURRING 2491 01:16:49,572 --> 01:16:52,975 IT SCRATCHES MY SKIN ♪ 2492 01:16:52,975 --> 01:16:56,712 ♪ SO WHAT IS WRONG 2493 01:16:56,712 --> 01:16:58,681 WITH ANOTHER SIN? ♪ 2494 01:16:58,681 --> 01:17:02,985 ♪ THE BI- IS HUN- 2495 01:17:02,985 --> 01:17:06,956 NEW PLACES TO GO ♪ 2496 01:17:06,956 --> 01:17:07,523 ♪ I'VE GOT TO LEAVE 2497 01:17:07,523 --> 01:17:10,092 IT'S TIME FOR A SHOW ♪ 2498 01:17:10,092 --> 01:17:11,227 ♪ HERE I AM 2499 01:17:11,227 --> 01:17:14,663 ROCK YOU LIKE A HURRICANE 2500 01:17:14,663 --> 01:17:15,764 ARE YOU READY, BABY? ♪ 2501 01:17:15,764 --> 01:17:16,632 ♪ HERE I AM 2502 01:17:16,632 --> 01:17:21,737 ROCK YOU LIKE A HURRICANE 2503 01:17:21,737 --> 01:17:22,571 YEAH, YEAH, YEAH, YEAH, YEAH ♪ 2504 01:17:22,571 --> 01:17:25,407 ♪ HERE I AM 2505 01:17:25,407 --> 01:17:27,977 ROCK YOU LIKE A HURRICANE 2506 01:17:27,977 --> 01:17:31,413 COME ON COME ON COME ON ♪ 2507 01:17:31,413 --> 01:17:33,349 ♪ HERE I AM 2508 01:17:33,349 --> 01:17:35,718 ROCK YOU LIKE A HURRICANE 2509 01:17:35,718 --> 01:17:40,990 HERE I AM ♪ 2510 01:17:40,990 --> 01:17:46,362 [ CHEERS AND APPLAUSE ] 2511 01:17:46,362 --> 01:17:47,530 >> Alfonso: JOEY AND JENNA WITH 2512 01:17:47,530 --> 01:17:49,965 A TANGO. 2513 01:17:49,965 --> 01:17:55,237 OH, YEAH. 2514 01:17:55,237 --> 01:17:56,138 THEY REMEMBER THAT ONE. 2515 01:17:56,138 --> 01:17:57,373 YOU DID, BUDDY. 2516 01:17:57,373 --> 01:17:58,374 THAT'S THE FINAL DANCE. 2517 01:17:58,374 --> 01:17:59,742 VOTING WILL BE CLOSING SOON. 2518 01:17:59,742 --> 01:18:00,676 DEREK, TAKE IT AWAY. 2519 01:18:00,676 --> 01:18:04,847 >> JOEY, JOEY. 2520 01:18:04,847 --> 01:18:06,215 MY GUY. 2521 01:18:06,215 --> 01:18:07,249 YOU'RE DOING BACK FLIPS. 2522 01:18:07,249 --> 01:18:09,652 YOU'RE PLAYING THE DRUMS. 2523 01:18:09,652 --> 01:18:10,186 RETRIEVER BOYFRIEND. 2524 01:18:10,186 --> 01:18:11,987 MY GUY, YOU GOT IT ALL. 2525 01:18:11,987 --> 01:18:14,123 THAT WAS HONESTLY, ONE OF THE 2526 01:18:14,123 --> 01:18:16,325 BEST -- THE BEST TANGOS I'VE 2527 01:18:16,325 --> 01:18:20,629 SEEN FROM A MALE CELEBRITY EVER. 2528 01:18:20,629 --> 01:18:21,263 >> Alfonso: WOW. 2529 01:18:21,263 --> 01:18:24,833 >> THAT FRAME WAS SO STRONG. 2530 01:18:24,833 --> 01:18:26,368 EVERY MOVE WAS DELIBERATE. 2531 01:18:26,368 --> 01:18:27,136 IT WAS CONCISE. 2532 01:18:27,136 --> 01:18:28,170 THAT WAS PHENOMENAL. 2533 01:18:28,170 --> 01:18:29,471 THAT WAS WELL DONE. 2534 01:18:29,471 --> 01:18:31,340 >> Alfonso: GENE, TAKE IT AWAY. 2535 01:18:31,340 --> 01:18:31,874 >> GENE -- I'M GENE. 2536 01:18:31,874 --> 01:18:34,643 THAT'S NOT GENE. 2537 01:18:34,643 --> 01:18:35,678 >> I'M JOEY. 2538 01:18:35,678 --> 01:18:38,180 >> YOU'RE A POWERFUL AND 2539 01:18:38,180 --> 01:18:39,181 ATTRACTIVE MAN. 2540 01:18:39,181 --> 01:18:41,350 CLEARLY, YOU GOT THE GOODS 2541 01:18:41,350 --> 01:18:42,051 INSIDE OF YOU. 2542 01:18:42,051 --> 01:18:42,818 DON'T QUIT NOW. 2543 01:18:42,818 --> 01:18:44,186 YOU'RE GOING TO GET BETTER AND 2544 01:18:44,186 --> 01:18:44,520 BETTER. 2545 01:18:44,520 --> 01:18:45,988 I HAVE A SURPRISE FOR YOU WITH A 2546 01:18:45,988 --> 01:18:46,322 NUMBER. 2547 01:18:46,322 --> 01:18:46,822 >> Alfonso: OKAY. 2548 01:18:46,822 --> 01:18:49,892 ALL RIGHT. 2549 01:18:49,892 --> 01:18:50,226 BRUNO? 2550 01:18:50,226 --> 01:18:56,465 >> WELL, THAT IS HOW YOU ROCK A 2551 01:18:56,465 --> 01:18:56,832 TANGO. 2552 01:18:56,832 --> 01:18:58,334 AND 100% AUTHENTIC. 2553 01:18:58,334 --> 01:18:59,134 >> THANK YOU. 2554 01:18:59,134 --> 01:19:00,502 >> YOUR FOOTWORK AND THE LEG 2555 01:19:00,502 --> 01:19:02,871 ACTION, AS HE SAID, STUNNING. 2556 01:19:02,871 --> 01:19:07,543 YOU ARE THE LEADER OF THE PACK. 2557 01:19:07,543 --> 01:19:08,043 >> Alfonso: OKAY. 2558 01:19:08,043 --> 01:19:09,311 WOW. 2559 01:19:09,311 --> 01:19:10,145 CARRIE ANN? 2560 01:19:10,145 --> 01:19:13,949 >> THAT WAS PHENOMENAL. 2561 01:19:13,949 --> 01:19:14,817 I MEAN, LIVING ROCK STAR DREAMS. 2562 01:19:14,817 --> 01:19:16,452 FROM THE DRUMS TO THE SWITCHING, 2563 01:19:16,452 --> 01:19:17,953 THE CHARACTER, THE SHARPNESS, 2564 01:19:17,953 --> 01:19:20,122 THE CLEANNESS, THE GLIDING, THE 2565 01:19:20,122 --> 01:19:21,690 ATTITUDE, THE HOP, THE HOP AND 2566 01:19:21,690 --> 01:19:23,092 THEN SOME, AND A BAG OF CHIPS 2567 01:19:23,092 --> 01:19:23,459 THROWN IN. 2568 01:19:23,459 --> 01:19:26,562 AND SOME LEG ACTION. 2569 01:19:26,562 --> 01:19:27,496 >> Alfonso: WOW. 2570 01:19:27,496 --> 01:19:27,830 OKAY. 2571 01:19:27,830 --> 01:19:28,530 HEAD ON UP TO THE SKYBOX FOR 2572 01:19:28,530 --> 01:19:31,500 YOUR SCORES. 2573 01:19:31,500 --> 01:19:33,736 THE COUNTDOWN TO THE LAST 2574 01:19:33,736 --> 01:19:34,403 COMMERCIAL BREAK HAS BEGUN. 2575 01:19:34,403 --> 01:19:36,972 THAT'S WHEN VOTING CLOSES. 2576 01:19:36,972 --> 01:19:38,140 VOTE BEFORE IT'S TOO LATE. 2577 01:19:38,140 --> 01:19:38,874 TONIGHT'S DOUBLE ELIMINATION IS 2578 01:19:38,874 --> 01:19:39,375 FAST APPROACHING. 2579 01:19:39,375 --> 01:19:39,875 JULIANNE. 2580 01:19:39,875 --> 01:19:43,912 >> Julianne: THANKS, ALFONSO. 2581 01:19:43,912 --> 01:19:45,481 HONESTLY, EVERYBODY'S MOUTH AND 2582 01:19:45,481 --> 01:19:46,448 JAWS ON THE FLOOR. 2583 01:19:46,448 --> 01:19:47,883 LAST WEEK -- LAST NIGHT, WE 2584 01:19:47,883 --> 01:19:49,485 FOUND OUT THAT YOU, YOU KNOW, 2585 01:19:49,485 --> 01:19:51,687 HAD CHEERLEADING TALENTS. 2586 01:19:51,687 --> 01:19:53,088 TONIGHT, ON THE PEELING THE 2587 01:19:53,088 --> 01:19:55,391 ONION BACK OF JOEY'S HIDDEN 2588 01:19:55,391 --> 01:19:55,724 TALENTS. 2589 01:19:55,724 --> 01:19:58,861 YOU NOW PLAY DRUMS. 2590 01:19:58,861 --> 01:20:00,229 WHAT ARE YOU GOING TO DISCOVER 2591 01:20:00,229 --> 01:20:01,864 FOR US NEXT WEEK IF YOU'RE HERE? 2592 01:20:01,864 --> 01:20:03,298 >> I HAVE NO IDEA. 2593 01:20:03,298 --> 01:20:04,433 I HAVEN'T THOUGHT THROUGH THAT. 2594 01:20:04,433 --> 01:20:06,101 I HAVEN'T TOUCHED A DRUM KIT 2595 01:20:06,101 --> 01:20:07,069 SINCE I WAS 13. 2596 01:20:07,069 --> 01:20:08,671 I'M HAPPY I KEPT ON BEAT. 2597 01:20:08,671 --> 01:20:12,274 AND FEELING GOOD. 2598 01:20:12,274 --> 01:20:13,475 >>. 2599 01:20:13,475 --> 01:20:13,909 >> Julianne:. 2600 01:20:13,909 --> 01:20:14,243 AMAZING. 2601 01:20:14,243 --> 01:20:15,010 LET'S SEE IF THE SCORES MATCH 2602 01:20:15,010 --> 01:20:16,712 YOUR DRUMS. 2603 01:20:16,712 --> 01:20:19,815 >> Announcer: CARRIE ANN INABA. 2604 01:20:19,815 --> 01:20:20,716 >> 9. 2605 01:20:20,716 --> 01:20:22,184 >> Announcer: DEREK HOUGH. 2606 01:20:22,184 --> 01:20:23,152 >> 9. 2607 01:20:23,152 --> 01:20:25,254 >> Announcer: GENE SIMMONS. 2608 01:20:25,254 --> 01:20:26,755 >> 8. 2609 01:20:26,755 --> 01:20:31,226 >> Announcer: BRUNO TONIOLI. 2610 01:20:31,226 --> 01:20:31,527 >> 9. 2611 01:20:31,527 --> 01:20:32,661 >> Julianne: ALL RIGHT. 2612 01:20:32,661 --> 01:20:34,663 THAT'S A 36 OUT OF 40 FOR JOEY 2613 01:20:34,663 --> 01:20:35,397 AND JENNA. 2614 01:20:35,397 --> 01:20:38,000 THE TOTAL FOR BOTH NIGHTS IS 70. 2615 01:20:38,000 --> 01:20:40,402 AS ALFONSO SAID, THAT WAS THE 2616 01:20:40,402 --> 01:20:41,303 LAST DANCE OF THE NIGHT. 2617 01:20:41,303 --> 01:20:43,372 GET YOUR VOTES IN NOW. 2618 01:20:43,372 --> 01:20:43,706 ALFONSO. 2619 01:20:43,706 --> 01:20:44,506 >> Alfonso: THANKS, JULIANNE. 2620 01:20:44,506 --> 01:20:45,374 LET'S CHECK OUT THE TOTAL 2621 01:20:45,374 --> 01:20:46,008 JUDGES' SCORES FROM THIS 2622 01:20:46,008 --> 01:20:46,742 TWO-NIGHT EVENT ON THE COMBINED 2623 01:20:46,742 --> 01:20:48,911 LEADERBOARD. 2624 01:20:48,911 --> 01:20:50,846 AT THE TOP, ARE JOEY AND JENNA 2625 01:20:50,846 --> 01:20:51,547 WITH 70. 2626 01:20:51,547 --> 01:20:53,749 AT THE BOTTOM, IS REGINALD AND 2627 01:20:53,749 --> 01:20:54,850 EMMA WITH 42. 2628 01:20:54,850 --> 01:20:56,952 WE'LL TAKE ONE LAST LOOK AT THE 2629 01:20:56,952 --> 01:20:57,653 VOTING DETAILS FOR ALL OF OUR 2630 01:20:57,653 --> 01:20:58,787 COUPLES. 2631 01:20:58,787 --> 01:21:00,189 EACH AND EVERY STAR NEEDS YOUR 2632 01:21:00,189 --> 01:21:01,623 VOTES TO SURVIVE TONIGHT'S 2633 01:21:01,623 --> 01:21:03,325 DOUBLE ELIMINATION. 2634 01:21:03,325 --> 01:21:05,861 COMPLETE VOTING INFORMATION CAN 2635 01:21:05,861 --> 01:21:06,995 BE FOUND ON ABC.COM. 2636 01:21:06,995 --> 01:21:07,896 TWO MORE COUPLES WILL BE 2637 01:21:07,896 --> 01:21:08,630 ELIMINATED, WHEN WE COME BACK, 2638 01:21:08,630 --> 01:21:11,300 LIVE. 2639 01:21:11,300 --> 01:21:11,834 [ CHEERS AND APPLAUSE ] 2640 01:21:16,205 --> 01:21:20,943 ♪♪ 2641 01:21:20,943 --> 01:21:22,311 >>> WELCOME BACK. 2642 01:21:22,311 --> 01:21:23,045 VOTING IS NOW CLOSED AND HERE 2643 01:21:23,045 --> 01:21:25,414 ARE THE RESULTS. 2644 01:21:25,414 --> 01:21:27,416 >> Julianne: GOOD LUCK TO ALL OF 2645 01:21:27,416 --> 01:21:29,151 YOU. 2646 01:21:29,151 --> 01:21:30,853 WE'VE COMBINED THE JUDGES' 2647 01:21:30,853 --> 01:21:32,554 SCORES FROM TONIGHT AND LAST 2648 01:21:32,554 --> 01:21:35,657 NIGHT WITH YOUR LIVE VOTES FROM 2649 01:21:35,657 --> 01:21:38,227 BOTH NIGHTS. 2650 01:21:38,227 --> 01:21:38,927 NOW, IN NO PARTICULAR ORDER, 2651 01:21:38,927 --> 01:21:39,661 LET'S FIND OUT WHICH COUPLES ARE 2652 01:21:39,661 --> 01:21:40,362 SAFE AND THE TWO COUPLES WHO 2653 01:21:40,362 --> 01:21:45,667 WILL BE GOING HOME TONIGHT. 2654 01:21:45,667 --> 01:21:46,502 >> Alfonso: THE FIRST FOUR 2655 01:21:46,502 --> 01:21:52,674 COUPLES WHO ARE SAFE ARE -- 2656 01:21:52,674 --> 01:21:53,142 JOEY AND JENNA. 2657 01:21:53,142 --> 01:21:59,414 [ CHEERS AND APPLAUSE ] 2658 01:21:59,414 --> 01:22:03,986 BROOKS AND GLEB. 2659 01:22:03,986 --> 01:22:05,220 [ CHEERS AND APPLAUSE ] 2660 01:22:05,220 --> 01:22:05,754 STEPHEN AND RYLEE. 2661 01:22:05,754 --> 01:22:11,426 [ CHEERS AND APPLAUSE ] 2662 01:22:11,426 --> 01:22:14,129 AND CHANDLER AND BRANDON. 2663 01:22:14,129 --> 01:22:18,500 [ CHEERS AND APPLAUSE ] 2664 01:22:18,500 --> 01:22:19,768 >> Julianne: THE NEXT FOUR 2665 01:22:19,768 --> 01:22:25,007 COUPLES WHO ARE SAFE ARE -- 2666 01:22:25,007 --> 01:22:25,474 JENN AND SASHA. 2667 01:22:25,474 --> 01:22:31,246 [ CHEERS AND APPLAUSE ] 2668 01:22:31,246 --> 01:22:31,713 PHAEDRA AND VAL. 2669 01:22:31,713 --> 01:22:37,152 [ CHEERS AND APPLAUSE ] 2670 01:22:37,152 --> 01:22:40,022 DANNY AND WITNEY. 2671 01:22:40,022 --> 01:22:41,089 [ CHEERS AND APPLAUSE ] 2672 01:22:41,089 --> 01:22:46,728 AND DWIGHT AND DANIELLA. 2673 01:22:46,728 --> 01:22:47,429 >> Alfonso: WHILE NOT 2674 01:22:47,429 --> 01:22:48,597 NECESSARILY THE BOTTOM THREE, 2675 01:22:48,597 --> 01:22:50,432 ONE OF THE REMAINING COUPLES IS 2676 01:22:50,432 --> 01:22:50,766 SAFE. 2677 01:22:50,766 --> 01:22:52,534 THE OTHER TWO COUPLES HAVE THE 2678 01:22:52,534 --> 01:22:54,970 LOWEST COMBINED TOTAL OF JUDGES' 2679 01:22:54,970 --> 01:22:56,171 SCORES AND VIEWER VOTES FROM 2680 01:22:56,171 --> 01:22:57,606 LAST NIGHT AND TONIGHT AND WILL 2681 01:22:57,606 --> 01:23:00,509 BOTH BE LEAVING RIGHT NOW. 2682 01:23:00,509 --> 01:23:07,783 IT'S TIME FOR THE FINAL RESULT. 2683 01:23:07,783 --> 01:23:10,452 >> Julianne: ERIC AND BRITT, 2684 01:23:10,452 --> 01:23:13,655 ILONA AND ALAN, REGINALD AND 2685 01:23:13,655 --> 01:23:13,989 EMMA. 2686 01:23:13,989 --> 01:23:14,723 >> Alfonso: THE FINAL COUPLE WHO 2687 01:23:14,723 --> 01:23:24,032 IS SAFE IS -- 2688 01:23:24,032 --> 01:23:24,500 ILONA AND ALAN. 2689 01:23:24,500 --> 01:23:29,171 [ CHEERS AND APPLAUSE ] 2690 01:23:29,171 --> 01:23:32,407 >> Julianne: THAT MEANS ERIC AND 2691 01:23:32,407 --> 01:23:35,911 BRITT, AND REGINALD AND EMMA, 2692 01:23:35,911 --> 01:23:38,547 ARE GOING HOME. 2693 01:23:38,547 --> 01:23:40,916 JOIN US DOWN HERE, ILONA AND 2694 01:23:40,916 --> 01:23:42,918 ALAN JOIN THE OTHER SAFE 2695 01:23:42,918 --> 01:23:43,252 COUPLES. 2696 01:23:43,252 --> 01:23:45,153 >> Alfonso: REGINALD AND EMMA, 2697 01:23:45,153 --> 01:23:47,189 HOW MUCH HAS THIS COUPLE MEANT 2698 01:23:47,189 --> 01:23:48,390 TO BOTH OF YOU? 2699 01:23:48,390 --> 01:23:49,992 >> THIS HAS BEEN A SPECIAL 2700 01:23:49,992 --> 01:23:50,359 OCCASION. 2701 01:23:50,359 --> 01:23:53,028 SHE'S BEEN VERY SPECIAL TO ME. 2702 01:23:53,028 --> 01:23:55,397 I LOVE THIS. 2703 01:23:55,397 --> 01:23:55,797 THANK YOU. 2704 01:23:55,797 --> 01:23:57,266 >> HOW DO YOU FEEL? 2705 01:23:57,266 --> 01:23:58,066 >> I HAVE WON. 2706 01:23:58,066 --> 01:23:59,701 I HAVE A NEW FRIEND HERE. 2707 01:23:59,701 --> 01:24:01,103 >> Julianne: ERIC, THIS 2708 01:24:01,103 --> 01:24:02,905 COMPETITION, YOU'VE BEEN WANTING 2709 01:24:02,905 --> 01:24:05,240 TO SINCE SEASON 1. 2710 01:24:05,240 --> 01:24:06,942 WHAT ARE YOU LEFT WITH AS BRITT 2711 01:24:06,942 --> 01:24:08,143 AS YOUR PARTNER? 2712 01:24:08,143 --> 01:24:09,878 >> I HAVE NEVER HAD A BETTER 2713 01:24:09,878 --> 01:24:12,014 WORKING EXPERIENCE IN MY ENTIRE 2714 01:24:12,014 --> 01:24:12,648 PROFESSIONAL LIFE. 2715 01:24:12,648 --> 01:24:14,216 >> Julianne: THAT'S BEAUTIFUL. 2716 01:24:14,216 --> 01:24:15,550 BRITT, WHAT WOULD YOU LIKE TO 2717 01:24:15,550 --> 01:24:15,851 SAY? 2718 01:24:15,851 --> 01:24:18,754 >> I AM ALWAYS DETERMINED TO 2719 01:24:18,754 --> 01:24:22,858 SHOW SOMEONE'S AUTHENTIC SELF 2720 01:24:22,858 --> 01:24:23,792 AND BREAK BARRIERS. 2721 01:24:23,792 --> 01:24:25,394 WE DID THAT IN THIS BALLROOM. 2722 01:24:25,394 --> 01:24:26,762 >> Alfonso: ABSOLUTELY. 2723 01:24:26,762 --> 01:24:28,230 LET'S HAVE ANOTHER HAND FOR EDGY 2724 01:24:28,230 --> 01:24:30,465 AND EMMA, ERIC AND BRITT. 2725 01:24:30,465 --> 01:24:32,734 WE LOVE YOU GUYS. 2726 01:24:32,734 --> 01:24:34,336 AND SPECIAL THANKS 2727 01:24:34,336 --> 01:24:37,306 TO GENE SIMMONS AND JOEL 2728 01:24:37,306 --> 01:24:37,873 HOEKSTRA. 2729 01:24:37,873 --> 01:24:38,740 WE LOVE YOU. 2730 01:24:38,740 --> 01:24:41,810 OUR COUPLES WILL BE BACK WITH 2731 01:24:41,810 --> 01:24:42,411 SPECIAL DISTRIBUTES ON 2732 01:24:42,411 --> 01:24:42,911 DEDICATION NIGHT. 2733 01:24:42,911 --> 01:24:45,948 OUR THREE-TIME MIRRORBALL CHAMP, 2734 01:24:45,948 --> 01:24:47,082 MARK BALLAS. 2735 01:24:47,082 --> 01:24:51,119 >> Julianne: PLUS, DEREK AND 2736 01:24:51,119 --> 01:24:54,256 HALEY HOUGH WILL HAVE A 2737 01:24:54,256 --> 01:24:55,590 PERFORMANCE YOU CANNOT MISS. 2738 01:24:55,590 --> 01:24:58,860 STARTING RIGHT NOW ON ABC, "HIGH 2739 01:24:58,860 --> 01:24:59,261 POTENTIAL." 2740 01:24:59,261 --> 01:25:00,295 >> Alfonso: THAT'S RIGHT. 2741 01:25:00,295 --> 01:25:01,229 >> Julianne: WE'RE EXCITED FOR 2742 01:25:01,229 --> 01:25:01,730 NEXT WEEK. 2743 01:25:01,730 --> 01:25:03,899 >> Alfonso: IT'S GOING TO BE 2744 01:25:03,899 --> 01:25:04,266 FANTASTIC. 2745 01:25:04,266 --> 01:25:04,866 >> Julianne: GOOD NIGHT. 2746 01:25:04,866 --> 01:25:05,600 >> Alfonso: HAVE A GREAT NIGHT. 2747 01:25:05,600 --> 01:25:05,968 GOOD NIGHT. 2748 01:25:05,968 --> 01:25:06,234 ♪♪