1
00:00:01,769 --> 00:00:03,537
COME ON. LET'S JUST
GO TO THE MARINA,

2
00:00:03,571 --> 00:00:04,605
RENT A SAILBOAT,

3
00:00:04,638 --> 00:00:06,540
AND SPEND THE WHOLE DAY
ON THE WATER.

4
00:00:06,574 --> 00:00:07,675
HEH. PLEASE,
STOP IT.

5
00:00:07,708 --> 00:00:09,743
IT'S NOT FAIR,
OK, TO DELIA.

6
00:00:09,777 --> 00:00:11,079
WE HAVEN'T
BEEN OUT IN 3 DAYS,

7
00:00:11,112 --> 00:00:13,681
AND SHE'S, YOU KNOW,
AT THE STORE ALONE.

8
00:00:13,714 --> 00:00:14,715
3 DAYS? WHAT'S THAT?

9
00:00:14,748 --> 00:00:16,650
AFTER WHAT
WE'VE BEEN THROUGH,
WE DESERVE A WEEK.

10
00:00:16,684 --> 00:00:18,686
LOOK, WHY DON'T WE TAKE
THE TRAIN TO OCEAN CITY?

11
00:00:18,719 --> 00:00:19,687
THERE'S THAT LITTLE INN
WE USED TO GO TO.

12
00:00:19,720 --> 00:00:23,324
WE COULD SPEND THE WHOLE DAY
THERE BY OURSELVES.

13
00:00:23,357 --> 00:00:25,693
WHAT'S WRONG?

14
00:00:25,726 --> 00:00:28,196
NOTHING. IT'S JUST...

15
00:00:28,229 --> 00:00:30,731
WAKING UP WITH YOU
AND TALKING TO YOU,

16
00:00:30,764 --> 00:00:34,034
I NEVER THOUGHT I'D
GET TO DO THAT AGAIN.

17
00:00:38,806 --> 00:00:40,808
WELL, WE'RE DOIN' IT.

18
00:00:41,409 --> 00:00:45,313
I'M NOT GOIN' ANYWHERE.
WE JUST HAVE TO GET
BACK TO NORMAL.

19
00:00:45,346 --> 00:00:46,814
NORMAL?

20
00:00:46,847 --> 00:00:47,748
[BOTH LAUGH]

21
00:00:47,781 --> 00:00:50,451
[HORN HONKS]

22
00:00:51,685 --> 00:00:55,223
Man: ALL RIGHT, GUYS.
LET'S UNLOAD THIS EQUIPMENT.

23
00:00:55,256 --> 00:00:57,691
LITTLE REDECORATING,
AND THIS'LL WORK
JUST FINE.

24
00:00:57,725 --> 00:00:59,793
OH, WHAT ABOUT
THE TOWN SQUARE
OUT FRONT?

25
00:00:59,827 --> 00:01:01,329
IT'S AVAILABLE
UNTIL MIDNIGHT.
HEY.

26
00:01:01,362 --> 00:01:03,864
WHAT'S GOING ON,
AND WHO ARE
THESE PEOPLE?

27
00:01:03,897 --> 00:01:06,734
OK, YOU'LL NEVER BELIEVE.
THAT IS CALLY O'KEEFE.

28
00:01:06,767 --> 00:01:08,869
SHE IS THE CREATOR
AND THE HEAD WRITER

29
00:01:08,902 --> 00:01:10,238
OF HOPE'S EDGE...
AH!

30
00:01:10,271 --> 00:01:13,674
AND THEY WANNA FILM
RIGHT HERE IN THE STORE.

31
00:01:13,707 --> 00:01:14,708
HOPE'S EDGE?

32
00:01:14,742 --> 00:01:15,776
YEAH, THE SOAP OPERA.

33
00:01:15,809 --> 00:01:17,678
UH, I USED TO WATCH IT
AT THE STATION WITH THE GUYS.

34
00:01:17,711 --> 00:01:20,781
WELL, F.Y.I.,
SHE PREFERS
DAYTIME SERIAL.

35
00:01:20,814 --> 00:01:22,816
I THINK WE SHOULD
GET RID OF ALL
OF THOSE HERE...

36
00:01:22,850 --> 00:01:23,884
AND SHE'S
DIRECTING THIS ONE.

37
00:01:23,917 --> 00:01:25,085
APPARENTLY IT'S
THE TENTH ANNIVERSARY
OF THE SHOW.

38
00:01:25,119 --> 00:01:28,289
THEY'RE FILMING
THE WHOLE THING RIGHT
HERE IN GRANDVIEW.

39
00:01:28,322 --> 00:01:31,225
HELLO. BACK TO EARTH.
DID YOU ACTUALLY SAY YES?

40
00:01:31,259 --> 00:01:31,892
NO. OF COURSE NOT.

41
00:01:31,925 --> 00:01:33,127
WE CAN ALWAYS
TELL HER NO.

42
00:01:33,161 --> 00:01:34,362
I JUST THINK
IT WOULD BE

43
00:01:34,395 --> 00:01:35,596
GREAT PUBLICITY
FOR THE STORE.

44
00:01:35,629 --> 00:01:38,466
YEAH, BUT WHAT'S GONNA
BE LEFT OF THE STORE
WHEN THEY'RE DONE?

45
00:01:38,499 --> 00:01:40,268
[BELL RINGS]
EH, GOOD POINT.

46
00:01:40,301 --> 00:01:42,470
HEY, CAL.
HMM?

47
00:01:42,503 --> 00:01:44,738
Delia: OH...MY...

48
00:01:44,772 --> 00:01:45,806
GOD.

49
00:01:45,839 --> 00:01:46,907
OH, MY GOD.

50
00:01:46,940 --> 00:01:47,875
EASY.

51
00:01:47,908 --> 00:01:49,610
CAN WE TALK
ABOUT THE SCENE
IN THE CEMETERY?

52
00:01:49,643 --> 00:01:50,744
THE LANGUAGE FEELS
A LITTLE CRUEL.

53
00:01:50,778 --> 00:01:53,147
WELL, YOU'RE NOT
YOURSELF, REMEMBER?

54
00:01:53,181 --> 00:01:54,248
LOOK, JUST--JUST
GIVE ME 2 SECONDS,

55
00:01:54,282 --> 00:01:55,583
AND WE'LL
TALK ABOUT IT.

56
00:01:55,616 --> 00:01:57,318
WHO IS THAT?

57
00:01:57,351 --> 00:01:59,220
YOU ARE
SO HOPELESS.

58
00:01:59,253 --> 00:02:00,388
THAT IS
GRANT HARPER.

59
00:02:00,421 --> 00:02:02,156
YEAH, HE PLAYS
THE SURGEON
ON THE SHOW.

60
00:02:02,190 --> 00:02:04,625
YEAH, AND HE JUST
GOT DIAGNOSED WITH
THIS BRAIN TUMOR,

61
00:02:04,658 --> 00:02:06,294
SO HE'S HAVING BLACKOUTS
ALL THE TIME.

62
00:02:06,327 --> 00:02:07,828
OH, MY GOD,
AND HE'S STILL WORKING?

63
00:02:07,861 --> 00:02:08,629
OH. NO, NOT ON THE--

64
00:02:08,662 --> 00:02:10,564
NO, IT'S
HIS CHARACTER
ON THE SHOW.

65
00:02:10,598 --> 00:02:12,233
HE PLAYS DR. TROY
HOLDEN, RIGHT?

66
00:02:12,266 --> 00:02:13,867
SO HE HAS THIS
ON-AGAIN, OFF-AGAIN

67
00:02:13,901 --> 00:02:14,835
LOVE-HATE
RELATIONSHIP

68
00:02:14,868 --> 00:02:15,903
WITH CELESTE...
CELESTE.

69
00:02:15,936 --> 00:02:17,838
BARRINGTON, AND--
SHE'S THE OWNER
OF THE HOSPITAL.

70
00:02:17,871 --> 00:02:19,707
AND HE HAS THESE BLACKOUTS,
AND HE--HE BECOMES EVIL,

71
00:02:19,740 --> 00:02:21,375
BUT HE CAN'T REMEMBER
AFTER IT HAPPENS.

72
00:02:21,409 --> 00:02:25,446
[SIGHS] I--
IT'S REALLY ADDICTIVE.

73
00:02:25,479 --> 00:02:26,780
YEAH, I--I JUST
DON'T THINK THE FANS

74
00:02:26,814 --> 00:02:28,916
WANNA HEAR ME TALK
TO CELESTE THAT WAY.

75
00:02:28,949 --> 00:02:29,683
I WILL LOOK AT IT.
PROMISE.

76
00:02:29,717 --> 00:02:31,585
UH, DON'T YOU HAVE
THAT PHOTO SHOOT

77
00:02:31,619 --> 00:02:33,854
RIGHT NOW? COME ON.

78
00:02:33,887 --> 00:02:35,589
IT'S PERFECT.

79
00:02:35,623 --> 00:02:36,557
WE'LL TAKE IT.

80
00:02:36,590 --> 00:02:37,225
OH. THAT'S, UM...

81
00:02:37,258 --> 00:02:38,326
OH, GOSH.
CALLY, I'M SORRY.

82
00:02:38,359 --> 00:02:40,961
THIS IS
MY BUSINESS PARTNER
I WAS TELLING YOU ABOUT.

83
00:02:40,994 --> 00:02:41,862
THIS IS MELINDA.
HI.

84
00:02:41,895 --> 00:02:43,531
AND THIS IS HER, UM--
WOW.

85
00:02:43,564 --> 00:02:44,298
SAM.
SAM.

86
00:02:44,332 --> 00:02:46,800
THIS IS SAM.
AND, UH, THIS IS DUFF.

87
00:02:46,834 --> 00:02:48,302
FARADAY,
FIRST ASSISTANT DIRECTOR.

88
00:02:48,336 --> 00:02:49,203
HELLO.
NICE TO MEET YOU.

89
00:02:49,237 --> 00:02:51,539
YOU HAVE SUCH LOVELY
THINGS IN YOUR STORE.

90
00:02:51,572 --> 00:02:52,640
OH, WELL, THANK YOU.
ANYWAY--

91
00:02:52,673 --> 00:02:53,707
OH, AND, DUFF, WE NEED TO
MAKE SURE WE GET THESE GUYS

92
00:02:53,741 --> 00:02:57,211
V.I.P. PASSES TO THE THING
AT THE UNIVERSITY TONIGHT.

93
00:02:57,245 --> 00:02:57,911
WHAT THING?

94
00:02:57,945 --> 00:02:58,779
AN EVENING
WITH HOPE'S EDGE.

95
00:02:58,812 --> 00:02:59,780
WE'RE SCREENING HIGHLIGHTS
FROM THE SHOW.

96
00:02:59,813 --> 00:03:02,383
SOME OF THE CAST MEMBERS
ARE GONNA DO A Q AND A.

97
00:03:02,416 --> 00:03:03,817
OH, I--I DON'T
KNOW IF I--
COOL.

98
00:03:03,851 --> 00:03:04,985
OH, WE WOULD
LOVE TO GO.

99
00:03:05,018 --> 00:03:05,919
OK. WELL, I'M JUST
A LITTLE WORRIED

100
00:03:05,953 --> 00:03:07,955
ABOUT LOSING
A WHOLE DAY
OF BUSINESS, SO...

101
00:03:07,988 --> 00:03:09,957
COMPENSATION'S
IN PARAGRAPH 6.

102
00:03:09,990 --> 00:03:12,526
REALLY?
FOR ONE DAY.

103
00:03:12,560 --> 00:03:14,695
PLUS A DAY OF PREP,
WITH AN OPTION TO EXTEND,

104
00:03:14,728 --> 00:03:16,497
PLUS 50% IN CASE
CALLY GOES OVER SCHEDULE.

105
00:03:16,530 --> 00:03:18,366
NOBODY'S GOIN'
OVER SCHEDULE.

106
00:03:18,399 --> 00:03:22,236
YOU KNOW WHAT?
TAKE AS LONG
AS YOU NEED. HEH.

107
00:03:22,670 --> 00:03:23,571
[CROWD MURMURING]

108
00:03:23,604 --> 00:03:26,907
I HAVEN'T SEEN YOU MUCH
FOR THE PAST 3 DAYS.

109
00:03:26,940 --> 00:03:28,976
P.S., YOU'RE GLOWING.

110
00:03:29,009 --> 00:03:29,710
ANY CONNECTION?

111
00:03:29,743 --> 00:03:33,247
LET'S JUST SAY
EVERYTHING'S FINE.

112
00:03:34,482 --> 00:03:37,418
EXCUSE ME, SIR.
YOU DROPPED YOUR HAT.

113
00:03:37,451 --> 00:03:38,552
I DIDN'T REALIZE--

114
00:03:38,586 --> 00:03:40,654
HA HA! ELI. KNEW IT.

115
00:03:40,688 --> 00:03:44,658
HEY, LOOK,
THEY INVITED THE
WHOLE FACULTY, OK?

116
00:03:44,692 --> 00:03:45,993
AND MY MOM'S
A BIG FAN,

117
00:03:46,026 --> 00:03:48,829
SO I THOUGHT
I'D COME DOWN
AND GET AN AUTOGRAPH.

118
00:03:48,862 --> 00:03:49,897
YEAH, MM-HMM.

119
00:03:49,930 --> 00:03:51,965
FOR HER. NOT FOR ME.

120
00:03:51,999 --> 00:03:54,902
I'M NOT THE ONLY ONE.
SEE?

121
00:03:55,469 --> 00:03:57,605
HI-HO, EVERYONE.

122
00:03:57,638 --> 00:03:58,406
[APPLAUSE]

123
00:03:58,439 --> 00:03:59,340
I'M DUFF FARADAY.

124
00:03:59,373 --> 00:04:00,207
AND AS FIRST ASSISTANT
DIRECTOR ON THE SHOW,

125
00:04:00,240 --> 00:04:01,241
IT'S MY JOB TO KEEP
THINGS MOVIN' ALONG,

126
00:04:01,275 --> 00:04:05,413
SO WELCOME TO
AN EVENING WITH
HOPE'S EDGE.

127
00:04:05,446 --> 00:04:06,414
[CHEERING]

128
00:04:06,447 --> 00:04:09,617
FIRST OFF, LET'S SAY
HELLO TO OUR
EXEC PRODUCER,

129
00:04:09,650 --> 00:04:12,486
CREATOR, HEAD WRITER,
AND FREQUENT DIRECTOR,

130
00:04:12,520 --> 00:04:14,922
AND, YES, THEY ARE
ALL THE SAME PERSON.

131
00:04:14,955 --> 00:04:16,056
CALLY O'KEEFE!

132
00:04:16,089 --> 00:04:18,492
[CHEERING]

133
00:04:20,428 --> 00:04:21,895
THANK YOU, GRANDVIEW.

134
00:04:21,929 --> 00:04:24,632
IT'S A PLEASURE
TO BE HERE. I'M--

135
00:04:24,665 --> 00:04:25,933
OH HO HO. YES. YES.

136
00:04:25,966 --> 00:04:27,935
AND NEXT UP,
HERE THEY ARE,

137
00:04:27,968 --> 00:04:29,670
DAYTIME'S
DYNAMIC DUO.

138
00:04:29,703 --> 00:04:32,673
AND, YES, WE ARE
INTRODUCING THEM
TOGETHER,

139
00:04:32,706 --> 00:04:33,741
BECAUSE--WHEW--
WOULDN'T WANNA

140
00:04:33,774 --> 00:04:36,577
START A FIGHT
BETWEEN THESE TWO.

141
00:04:37,010 --> 00:04:37,845
HERE THEY ARE,

142
00:04:37,878 --> 00:04:40,481
DR. TROY HOLDEN
AND CELESTE BARRINGTON.

143
00:04:40,514 --> 00:04:44,017
SAY HELLO
TO SUZANNE ZALE
AND GRANT HARPER!

144
00:04:44,051 --> 00:04:46,754
[CHEERING]

145
00:04:50,090 --> 00:04:51,959
YOU SEE THAT?

146
00:04:51,992 --> 00:04:52,926
THEY LOVE ME.

147
00:04:52,960 --> 00:04:54,628
LOVE TO HATE YOU,
YOU MEAN.

148
00:04:54,662 --> 00:04:56,797
[LAUGHTER]

149
00:04:56,830 --> 00:04:57,831
THANK YOU, DUFF.

150
00:04:57,865 --> 00:04:59,967
THIS IS SUCH
A TREAT FOR US.
YES.

151
00:05:00,000 --> 00:05:02,002
YOU KNOW, I ACTUALLY
DISCOVERED GRANT

152
00:05:02,035 --> 00:05:04,638
RIGHT HERE ON THIS STAGE
WHEN HE AUDITIONED

153
00:05:04,672 --> 00:05:07,875
FOR MY FIRST PLAY
WAY BACK IN GRAD SCHOOL.

154
00:05:07,908 --> 00:05:09,076
[CHEERING]

155
00:05:09,109 --> 00:05:11,912
DON'T YOU MEAN
YOUR ONLY PLAY?

156
00:05:11,945 --> 00:05:14,047
[FEEDBACK]

157
00:05:15,816 --> 00:05:18,652
SO THIS IS
AN HONOR FOR US.

158
00:05:18,686 --> 00:05:19,753
SORRY I'M LATE.

159
00:05:19,787 --> 00:05:20,654
I WAS INDISPOSED.

160
00:05:20,688 --> 00:05:22,790
BEFORE WE SHOW YOU
HIGHLIGHTS FROM THE PAST

161
00:05:22,823 --> 00:05:23,857
10 SEASONS
OF HOPE'S EDGE,

162
00:05:23,891 --> 00:05:27,027
I WOULD LIKE
TO OPEN THINGS UP
FOR YOUR QUESTIONS.

163
00:05:27,060 --> 00:05:29,597
OH, THIS OUGHT
TO BE GOOD.

164
00:05:30,564 --> 00:05:31,932
YES.

165
00:05:31,965 --> 00:05:33,901
HI. MY NAME'S JANET,

166
00:05:33,934 --> 00:05:35,969
AND I'M PRESIDENT
OF THE GRANDVIEW CHAPTER

167
00:05:36,003 --> 00:05:38,005
OF THE HOPE'S EDGE
FAN CLUB.

168
00:05:38,038 --> 00:05:40,140
AND I DON'T MEAN
TO BE DISRESPECTFUL,

169
00:05:40,173 --> 00:05:41,241
BUT WHAT WERE YOU
AND YOUR WRITERS THINKING

170
00:05:41,274 --> 00:05:43,911
WHEN YOU DECIDED
TO RUIN THE CHARACTER
OF DR. HOLDEN?

171
00:05:43,944 --> 00:05:46,113
IT'S OK.
[SCATTERED GROANS]

172
00:05:46,146 --> 00:05:47,080
EXCELLENT QUESTION, CAL.

173
00:05:47,114 --> 00:05:49,450
THAT'S THE WHOLE
BRAIN-TUMOR,
BLACKOUT THING.

174
00:05:49,483 --> 00:05:50,017
GOT IT.

175
00:05:50,050 --> 00:05:51,184
TO TELL YOU THE TRUTH,

176
00:05:51,218 --> 00:05:54,988
AFTER THE LAST 10 YEARS
OF DR. HOLDEN
BEING SO FLAWLESS,

177
00:05:55,022 --> 00:05:57,157
SOMETIMES TO KEEP
A STORY FRESH,

178
00:05:57,190 --> 00:05:58,258
YOU HAVE TO TAKE
SOME RISKS.

179
00:05:58,291 --> 00:06:02,896
AND NOW SPOILERFEST.COM SAYS
YOU'RE GONNA KILL HIM OFF

180
00:06:02,930 --> 00:06:03,997
FOR GOOD.
IS THAT TRUE?

181
00:06:04,031 --> 00:06:07,000
IS GRANT HARPER
LEAVING THE SHOW?

182
00:06:07,034 --> 00:06:08,135
WHAT?
NO WAY.

183
00:06:08,168 --> 00:06:10,137
LOOK, I DON'T
WANNA BE CONFIRMING
OR DENYING RUMORS--

184
00:06:10,170 --> 00:06:11,839
IT'S OK.

185
00:06:11,872 --> 00:06:12,573
BUT I WILL SAY,

186
00:06:12,606 --> 00:06:14,575
IN TV, THERE ARE
A LOT OF REASONS

187
00:06:14,608 --> 00:06:16,744
YOU MIGHT HAVE TO
WRITE A CHARACTER OUT--

188
00:06:16,777 --> 00:06:18,946
A SALARY DISPUTE,
AN ACTOR BREAKS OUT

189
00:06:18,979 --> 00:06:21,181
AND THE NETWORK
WANTS TO GIVE THEM
THEIR OWN SERIES,

190
00:06:21,214 --> 00:06:26,820
OR SOMETIMES THE ACTOR
JUST WANTS A CHANGE.

191
00:06:26,854 --> 00:06:30,424
AND IN ANY
OF THOSE CIRCUMSTANCES,

192
00:06:30,458 --> 00:06:32,526
YOU MIGHT HAVE TO KILL
THE ACTOR.

193
00:06:32,560 --> 00:06:35,929
WELL, YOU GUYS KNOW
A THING OR TWO ABOUT THAT.

194
00:06:37,998 --> 00:06:40,468
OK, OK, WE WERE GONNA
SAVE THIS FOR THE END,

195
00:06:40,501 --> 00:06:42,736
BUT, UH,
LOOK ON THE BACK
OF YOUR PROGRAMS.

196
00:06:42,770 --> 00:06:44,171
THERE'S A FORM WHERE
YOU CAN ENTER A CONTEST

197
00:06:44,204 --> 00:06:48,509
TO WIN A WALK-ON PART
ON OUR 10th ANNIVERSARY
SPECIAL.

198
00:06:48,542 --> 00:06:49,977
NO, HERE.
WAIT,
I WANNA DO IT!

199
00:06:50,010 --> 00:06:51,111
A PART IN THE SHOW.
NO WAY.

200
00:06:51,144 --> 00:06:53,714
YOU GUYS CHECK THAT OUT,
AND WE'LL, UH,
ROLL THE VIDEO.

201
00:06:53,747 --> 00:06:55,082
THANK YOU.

202
00:07:02,956 --> 00:07:06,494
WE GOT A SURPRISE GUEST.

203
00:07:07,528 --> 00:07:10,631
PLAYERS ARE IN PLACE.

204
00:07:11,031 --> 00:07:13,100
STAGE IS SET.

205
00:07:18,138 --> 00:07:19,106
[CROWD MURMURS]

206
00:07:19,139 --> 00:07:21,074
WHAT'S WRONG
WITH THE LIGHTS?
DUFF, WHAT IS IT?

207
00:07:21,108 --> 00:07:22,710
JUST A MOMENT,
LADIES AND GENTLEMEN.

208
00:07:22,743 --> 00:07:26,880
WE'RE EXPERIENCING
SOME TECHNICAL
DIFFICULTIES.

209
00:07:30,851 --> 00:07:34,021
AND NOW SOMEONE'S GONNA
GO OUT WITH A BANG.

210
00:07:36,524 --> 00:07:39,693
[WHISPERING]
Can you see us?

211
00:08:03,050 --> 00:08:07,487
Captioning Made Possible By
ABC Studios, LLC. and CBS, Inc.

212
00:08:11,925 --> 00:08:12,560
THERE YOU GO.

213
00:08:12,593 --> 00:08:14,762
IT WAS DEFINITELY
A WARNING.

214
00:08:14,795 --> 00:08:15,996
SOMETHING ABOUT
KILLING ACTORS?

215
00:08:16,029 --> 00:08:19,600
WAIT. THE GHOST WANTS
TO HURT SOMEONE?

216
00:08:19,633 --> 00:08:20,367
ON THE SHOW?

217
00:08:20,400 --> 00:08:21,569
BECAUSE WE CANNOT
LET THAT HAPPEN.

218
00:08:21,602 --> 00:08:22,570
OBVIOUSLY.

219
00:08:22,603 --> 00:08:24,705
UH, ANY CLUE
AS TO THE WOMAN
IN THE SPOTLIGHT?

220
00:08:24,738 --> 00:08:27,541
I DIDN'T GET A LOOK
AT HER, BUT I'M HAPPY

221
00:08:27,575 --> 00:08:28,576
TO DIVE RIGHT IN
ON THIS ONE.

222
00:08:28,609 --> 00:08:31,211
AND SO YOU CAN GO HANG OUT
WITH THE CAST AND CREW.

223
00:08:31,244 --> 00:08:32,312
YOU CAN COUNT ME IN.

224
00:08:32,345 --> 00:08:33,346
GUYS, PLEASE REMEMBER
THAT WE DON'T KNOW

225
00:08:33,380 --> 00:08:35,749
IF WE'RE DEALING WITH
A MURDER OR A SUICIDE HERE.

226
00:08:35,783 --> 00:08:37,851
I MEAN, THE GUY WAS
SHOT IN THE HEAD.

227
00:08:37,885 --> 00:08:39,553
OK. WAS HE CUTE?

228
00:08:39,587 --> 00:08:40,554
WELL, DID HE
LOOK FAMOUS?

229
00:08:40,588 --> 00:08:44,224
DO YOU THINK HE COULD HAVE
EVER BEEN ON THE SHOW?

230
00:08:44,692 --> 00:08:46,526
THAT'S HIM.

231
00:08:47,260 --> 00:08:48,095
MILES MAITLAND.

232
00:08:48,128 --> 00:08:51,098
THE GUY WHO
THE THEATER'S
NAMED AFTER?

233
00:08:51,131 --> 00:08:52,866
YEAH, 1975 TO 1997.

234
00:08:52,900 --> 00:08:54,835
HE WAS A GRAD
STUDENT IN
THE ACTING PROGRAM.

235
00:08:54,868 --> 00:08:56,804
SAID HE HAD
A PROMISING FUTURE.

236
00:08:56,837 --> 00:08:59,006
UNTIL THEY
ROBBED ME.

237
00:08:59,039 --> 00:09:01,208
WE CAN HELP YOU.
WHAT HAPPENED?

238
00:09:01,241 --> 00:09:02,876
ASK THEM.

239
00:09:04,845 --> 00:09:07,681
UH, WHAT'S GOIN' ON?

240
00:09:07,715 --> 00:09:10,217
HE'S BLAMING SOMEONE
FROM THE SHOW
FOR HIS DEATH.

241
00:09:10,250 --> 00:09:12,920
WHAT IS THIS GUY'S
CONNECTION TO HOPE'S EDGE?

242
00:09:12,953 --> 00:09:15,823
YOU KNOW, CALLY JUST
SAID THAT SHE MET GRANT

243
00:09:15,856 --> 00:09:18,025
HERE WHEN SHE WAS
IN GRAD SCHOOL.

244
00:09:18,058 --> 00:09:20,628
MAYBE THEY KNEW HIM
FROM BACK THEN.

245
00:09:22,730 --> 00:09:25,198
SO WE'RE GOING TO NEED
TO REDRESS THAT COUNTER,

246
00:09:25,232 --> 00:09:26,266
AND I WANT BOOKS
EVERYWHERE.

247
00:09:26,299 --> 00:09:29,236
OH, AND I'M GOING TO NEED
TO SWAP OUT THOSE SHELVES

248
00:09:29,269 --> 00:09:31,338
FOR RED ONES.
WE'LL PUT THEM BACK, OF COURSE.

249
00:09:31,371 --> 00:09:34,908
OH, IT'S NO PROBLEM.
WHATEVER YOU NEED.

250
00:09:34,942 --> 00:09:38,679
WHY DID THEY RENT THE
STORE IF THEY JUST KEEP
CHANGIN' EVERYTHING?

251
00:09:38,712 --> 00:09:41,649
WELL, IT'S SUPPOSED TO BE
SOME KIND OF ANTIQUE STORE

252
00:09:41,682 --> 00:09:42,983
THAT SPECIALIZES
IN THE OCCULT.

253
00:09:43,016 --> 00:09:44,084
OOH, THAT SOUNDS JUICY.
I SWEAR,

254
00:09:44,117 --> 00:09:48,856
HOPE'S EDGE IS THE BEST
SHOW ON TV, REALLY.

255
00:09:49,222 --> 00:09:51,959
YOU REALLY WANT THAT
WALK-ON PART, DON'T YOU,
MR. SUIT AND TIE?

256
00:09:51,992 --> 00:09:53,761
NO MORE THAN YOU,
MISSY BRAND-NEW 'DO.

257
00:09:53,794 --> 00:09:56,697
YOU KNOW WHAT? LET'S JUST
FOCUS ON THE TASK AT HAND.

258
00:09:56,730 --> 00:09:58,265
WE HAVE A GHOST
TO CROSS OVER.

259
00:09:58,298 --> 00:10:00,634
FINE.
[SIGHS]

260
00:10:02,035 --> 00:10:04,071
OK, HERE WE GO,

261
00:10:04,104 --> 00:10:05,005
FROM APRIL, '97.

262
00:10:05,038 --> 00:10:06,940
"ROCKLAND UNIVERSITY
STUDENT MILES MAITLAND,

263
00:10:06,974 --> 00:10:08,809
"22, WAS SHOT AND KILLED
ONSTAGE IN FRONT OF

264
00:10:08,842 --> 00:10:10,177
"AN AUDIENCE
OF 300 THEATERGOERS

265
00:10:10,210 --> 00:10:11,812
"FRIDAY NIGHT
DURING THE PERFORMANCE

266
00:10:11,845 --> 00:10:14,381
OF THE COMEDY PLAY
DEAD TO ME."

267
00:10:14,414 --> 00:10:16,316
SHOT AND KILLED ONSTAGE?

268
00:10:16,349 --> 00:10:17,017
YEAH.

269
00:10:17,050 --> 00:10:19,119
AND GUESS
WHO WROTE THE PLAY?

270
00:10:20,688 --> 00:10:22,389
CALLY O'KEEFE.

271
00:10:22,422 --> 00:10:23,356
IT GETS WORSE.

272
00:10:23,390 --> 00:10:25,425
GUESS WHO PLAYED
THE LEAD.

273
00:10:25,458 --> 00:10:28,662
GRANT HARPER.
THAT'S OUR CONNECTION.

274
00:10:28,696 --> 00:10:30,731
IT SAYS
A BLANK GUN FIRED

275
00:10:30,764 --> 00:10:33,300
AND MALFUNCTIONED
AND KILLED MILES

276
00:10:33,333 --> 00:10:37,370
EARLY IN THE SECOND ACT
OF THE SHOW, AND...

277
00:10:37,404 --> 00:10:38,872
WHAT?

278
00:10:39,239 --> 00:10:42,242
THE ACTRESS WHO SHOT HIM
WAS BROOK DENNIS.

279
00:10:42,275 --> 00:10:43,343
SHOULD I KNOW THAT NAME?

280
00:10:43,376 --> 00:10:45,445
NO, BUT SHE'S
A THEATER PROFESSOR
HERE AT ROCKLAND.

281
00:10:45,478 --> 00:10:48,849
I'VE NEVER MET HER,
BUT I'VE READ ALL ABOUT
HER PRODUCTIONS.

282
00:10:48,882 --> 00:10:50,417
WELL, WHY DON'T WE
GO AND TALK TO HER?

283
00:10:50,450 --> 00:10:54,187
AFTER I DO
A LITTLE FACT-FINDING
WITH THE POLICE.

284
00:10:54,454 --> 00:10:56,724
OK, ACCORDING
TO THE POLICE,

285
00:10:56,757 --> 00:10:58,992
THE GUN WAS AN OLD
SNUB-NOSED REVOLVER

286
00:10:59,026 --> 00:11:00,360
THAT HAD BEEN
IN THE THEATER

287
00:11:00,393 --> 00:11:01,729
PROP DEPARTMENT
FOR YEARS.

288
00:11:01,762 --> 00:11:02,796
NOW, DETECTIVE BLAIR
TOLD ME

289
00:11:02,830 --> 00:11:04,031
THAT THE BARREL
WAS CORRODED

290
00:11:04,064 --> 00:11:06,967
AND THAT THE BLANK HAD
SOME EXTRA POWDER IN IT,

291
00:11:07,000 --> 00:11:09,436
SO AT CLOSE RANGE,
THE WADDING COULD
HAVE LAUNCHED,

292
00:11:09,469 --> 00:11:10,470
CAUSED SOME
SERIOUS DAMAGE.

293
00:11:10,503 --> 00:11:12,205
BY WHICH YOU MEAN DEATH.

294
00:11:12,239 --> 00:11:13,140
THINK ABOUT IT.

295
00:11:13,173 --> 00:11:13,774
YOU GUN SOMEONE DOWN

296
00:11:13,807 --> 00:11:15,108
IN FRONT
OF 300 WITNESSES,

297
00:11:15,142 --> 00:11:17,077
MAKE IT LOOK LIKE
A TRAGIC ACCIDENT.

298
00:11:17,110 --> 00:11:19,012
IT'S THE PERFECT MURDER.

299
00:11:22,783 --> 00:11:24,017
BROOK DENNIS.

300
00:11:24,051 --> 00:11:24,852
OUR SHOOTER.

301
00:11:24,885 --> 00:11:26,720
"OUR SHOOTER."
DON'T YOU
MEAN ACTOR?

302
00:11:26,754 --> 00:11:30,057
WASN'T THIS THE WOMAN
IN THE SPOTLIGHT LAST NIGHT?

303
00:11:30,090 --> 00:11:31,892
YEAH. WAS SHE
EVEN CHARGED?

304
00:11:31,925 --> 00:11:33,727
WELL, MILES' DEATH WAS
CONSIDERED AN ACCIDENT.

305
00:11:33,761 --> 00:11:35,796
THEY NEVER FOUND
ANY MOTIVE.

306
00:11:35,829 --> 00:11:37,297
BUT THERE WERE 3 PEOPLE
IN THE PLAY--

307
00:11:37,330 --> 00:11:39,900
MILES, BROOK,
AND GRANT HARPER--

308
00:11:39,933 --> 00:11:40,968
PLUS CALLY,
WHO WROTE AND DIRECTED,

309
00:11:41,001 --> 00:11:42,970
AND ALL THEIR
FINGERPRINTS WERE
FOUND ON THE GUN.

310
00:11:43,003 --> 00:11:45,138
SO ANYONE COULD HAVE
TAMPERED WITH IT.

311
00:11:45,172 --> 00:11:47,107
OR EVERYONE.

312
00:11:47,808 --> 00:11:50,744
YOU DON'T THINK THAT...

313
00:11:51,011 --> 00:11:51,879
CONSPIRACY?

314
00:11:51,912 --> 00:11:52,579
TO COMMIT MURDER.

315
00:11:52,612 --> 00:11:55,849
SO 3 PEOPLE
CONSPIRED TOGETHER

316
00:11:55,883 --> 00:11:57,117
ON A DIABOLICALLY
GOOFY PLAN

317
00:11:57,150 --> 00:11:58,852
TO KILL A GUY
IN FRONT OF

318
00:11:58,886 --> 00:11:59,753
HUNDREDS OF PEOPLE
FOR NO REASON?

319
00:11:59,787 --> 00:12:02,756
YEAH, OK, IT SOUNDS
A LITTLE FAR-FETCHED,

320
00:12:02,790 --> 00:12:04,958
BUT THE GHOST OBVIOUSLY
BLAMES THEM ALL.

321
00:12:04,992 --> 00:12:08,161
OTHERWISE, WHY WOULD
HE POINT A SPOTLIGHT
AT ALL OF 'EM?

322
00:12:08,195 --> 00:12:09,196
I DON'T KNOW.

323
00:12:09,229 --> 00:12:11,799
BUT I ALSO DON'T
KNOW WHY HE WOULD
WAIT SO LONG.

324
00:12:11,832 --> 00:12:12,900
HE DIED
10 YEARS AGO.

325
00:12:12,933 --> 00:12:14,401
WELL, MAYBE
THAT LITTLE REUNION
ONSTAGE WOKE HIM UP.

326
00:12:14,434 --> 00:12:16,436
I MEAN, MAYBE HE WAS
HAUNTING THE THEATER.

327
00:12:16,469 --> 00:12:17,437
OR BROOK,
WHO WORKED THERE

328
00:12:17,470 --> 00:12:19,306
AND HAPPENED
TO PULL THE TRIGGER.

329
00:12:19,339 --> 00:12:22,843
MAYBE THE CONSPIRACY IS
A CONSPIRACY OF SILENCE.

330
00:12:22,876 --> 00:12:23,610
BROOK KILLED MILES,

331
00:12:23,643 --> 00:12:25,145
WHETHER ON PURPOSE
OR BY ACCIDENT.

332
00:12:25,178 --> 00:12:28,448
THE OTHER TWO KNOW WHY,
BUT KEPT QUIET.

333
00:12:28,481 --> 00:12:30,517
UNLESS THAT'S TOO GOOFY
A THEORY FOR YOU.

334
00:12:30,550 --> 00:12:35,789
NO. ACTUALLY,
THAT ONE,
I'D BELIEVE.

335
00:12:39,893 --> 00:12:40,560
[TV TURNS ON]

336
00:12:40,593 --> 00:12:43,296
[STATIC]

337
00:12:58,445 --> 00:13:01,048
[FAINT, INDISTINCT VOICES
UNDER STATIC]

338
00:13:05,552 --> 00:13:07,287
Man: NO, CELESTE.
YOU'LL BE FINE.

339
00:13:07,320 --> 00:13:10,891
IT'S OUR RELATIONSHIP
THAT'S NOT GONNA
MAKE IT.

340
00:13:11,124 --> 00:13:13,861
YOU CAN'T MEAN THAT.

341
00:13:13,894 --> 00:13:14,928
DOESN'T CHANGE THE FACT

342
00:13:14,962 --> 00:13:15,929
THAT YOU SLEPT
WITH MY FATHER.

343
00:13:15,963 --> 00:13:17,931
SO WHAT? SO YOU'RE
CUTTING ME OUT
OF YOUR LIFE?

344
00:13:17,965 --> 00:13:20,100
OF COURSE I HID
YOUR CHILD FROM YOU.

345
00:13:20,133 --> 00:13:21,101
I DID IT
BECAUSE I LOV--

346
00:13:21,134 --> 00:13:24,838
SO WHAT ARE
YOU SAYIN'? THIS WAS
GOOD-BYE SEX?

347
00:13:24,872 --> 00:13:25,839
AAH!

348
00:13:25,873 --> 00:13:26,606
[SHATTERS]

349
00:13:26,639 --> 00:13:28,075
[SHATTERS]

350
00:13:28,108 --> 00:13:29,242
WHY?!

351
00:13:29,276 --> 00:13:30,177
AAH!

352
00:13:30,210 --> 00:13:32,012
HOW QUICKLY LOVE
TURNS TO HATE.

353
00:13:32,045 --> 00:13:33,513
[SLOW] HOW QUICKLY
LOVE TURNS TO HATE.

354
00:13:33,546 --> 00:13:37,017
[SLOWER] HOW QUICKLY
LOVE TURNS TO HATE.

355
00:13:38,551 --> 00:13:41,021
WELL, I KNOW YOU
BY REPUTATION
AROUND CAMPUS,

356
00:13:41,054 --> 00:13:41,989
PROFESSOR JAMES.

357
00:13:42,022 --> 00:13:43,623
OH. WELL,
PLEASE CALL ME ELI,

358
00:13:43,656 --> 00:13:46,326
AND I HOPE
THAT'S A GOOD THING.

359
00:13:46,359 --> 00:13:47,527
MOSTLY.

360
00:13:47,560 --> 00:13:50,097
UM, WOULD YOU LIKE
TO SIT DOWN?

361
00:13:50,130 --> 00:13:51,999
LET ME MOVE THIS.
I GOT IT. I GOT IT.

362
00:13:52,032 --> 00:13:56,103
OH, THANKS. JUST
PUT IT BY THE DOOR
FOR THE RECYCLERS.

363
00:13:57,637 --> 00:13:59,306
IS IT BROKEN?

364
00:13:59,339 --> 00:14:02,209
UH, POSSESSED IS
MORE LIKE IT.

365
00:14:05,012 --> 00:14:09,282
HEH. YOU GUYS
ARE GONNA THINK
I'M NUTS.

366
00:14:09,316 --> 00:14:12,920
WE MIGHT NOT, UH...

367
00:14:12,953 --> 00:14:13,653
SO WHAT HAPPENED?

368
00:14:13,686 --> 00:14:16,256
WELL, FIRST IT
TURNED ITSELF ON,

369
00:14:16,289 --> 00:14:19,059
AND THEN IT JUST STARTED
FLIPPING THROUGH SCENES

370
00:14:19,092 --> 00:14:21,028
FROM THAT SOAP OPERA
THAT'S SHOOTING IN TOWN.

371
00:14:21,061 --> 00:14:22,295
WHAT SCENES?
DO YOU REMEMBER?

372
00:14:22,329 --> 00:14:24,164
UH, JUST THE 2
MAIN CHARACTERS

373
00:14:24,197 --> 00:14:27,100
BREAKING UP
OVER AND OVER AGAIN.

374
00:14:27,134 --> 00:14:28,501
ANYWAY, I'M SURE
THAT YOU DIDN'T

375
00:14:28,535 --> 00:14:30,070
COME HERE TO TALK
ABOUT MY TELEVISION.

376
00:14:30,103 --> 00:14:33,974
WHAT DID YOU WANT
TO SEE ME ABOUT?

377
00:14:35,042 --> 00:14:36,944
UH, MILES MAITLAND.

378
00:14:36,977 --> 00:14:37,744
WHAT ABOUT HIM?

379
00:14:37,777 --> 00:14:40,513
YOU MAY FIND THIS
HARD TO BELIEVE...

380
00:14:40,547 --> 00:14:43,984
BUT WE THINK THAT MILES
IS HAUNTING YOU.

381
00:14:45,152 --> 00:14:47,921
WE'VE TALKED TO HIS SPIRIT.

382
00:14:48,321 --> 00:14:50,490
YOU TALK TO GHOSTS?

383
00:14:50,523 --> 00:14:51,624
AND I CAN SEE THEM.

384
00:14:51,658 --> 00:14:54,194
LOOK, YOU HAVE TO
BELIEVE US, OK,

385
00:14:54,227 --> 00:14:57,397
BECAUSE WE'VE SEEN MILES
AND YOUR TV,

386
00:14:57,430 --> 00:14:59,532
AND THIS COULD BE
JUST THE BEGINNING.

387
00:14:59,566 --> 00:15:01,601
YEAH, THAT'S
REALLY STRANGE.

388
00:15:01,634 --> 00:15:06,606
BECAUSE EVER SINCE
GRANT AND CALLY HAVE
BEEN BACK IN TOWN...

389
00:15:07,307 --> 00:15:08,341
I FELT MILES
WAS HERE.

390
00:15:08,375 --> 00:15:11,111
BUT, YOU KNOW,
I--I JUST THOUGHT
IT WAS HIS MEMORY.

391
00:15:11,144 --> 00:15:14,214
DO YOU REMEMBER
WHAT HAPPENED
THE NIGHT MILES DIED?

392
00:15:14,247 --> 00:15:16,083
HOW COULD I FORGET?
I--

393
00:15:16,116 --> 00:15:17,284
I SHOT HIM.

394
00:15:17,317 --> 00:15:21,288
SORRY, BABE, BUT IF
YOU'RE ASKING ME
TO BEG FOR MY LIFE...

395
00:15:21,321 --> 00:15:22,990
ALL I'M ASKING
IS THAT YOU

396
00:15:23,023 --> 00:15:25,392
DON'T GET BLOOD
ON MY NEW BERBER.

397
00:15:25,425 --> 00:15:27,060
[LAUGHTER]

398
00:15:27,094 --> 00:15:29,229
[FIRES]

399
00:15:29,629 --> 00:15:30,763
WHAT HAPPENED
AFTER YOU SHOT HIM?

400
00:15:30,797 --> 00:15:35,635
UM, WELL, GRANT AND I,
WE FINISHED THE SCENE
LIKE ALWAYS.

401
00:15:35,668 --> 00:15:40,073
MILES USED TO COMPLAIN
THAT HE HAD TO LIE
PERFECTLY STILL

402
00:15:40,107 --> 00:15:43,043
THROUGHOUT
THE ENTIRE SECOND ACT.

403
00:15:43,076 --> 00:15:45,078
ANYWAY, UH,
WE DIDN'T KNOW

404
00:15:45,112 --> 00:15:48,348
MILES WAS DEAD
UNTIL CURTAIN.

405
00:15:48,381 --> 00:15:50,017
[APPLAUSE]

406
00:15:50,050 --> 00:15:52,619
[CHEERING]

407
00:15:54,287 --> 00:15:57,224
[LAUGHTER]

408
00:15:58,158 --> 00:16:00,193
MILES!

409
00:16:00,227 --> 00:16:02,662
CALL 9-1-1!
CLOSE THE CURTAIN!

410
00:16:02,695 --> 00:16:04,264
MILES!
MILES.

411
00:16:04,297 --> 00:16:08,201
HE MUST HAVE BEEN
DEAD OR DYING

412
00:16:08,235 --> 00:16:10,770
FOR AT LEAST
30 MINUTES.

413
00:16:10,803 --> 00:16:14,107
I ALWAYS WONDERED
IF HE HEARD THEM
LAUGHING THE WHOLE TIME.

414
00:16:14,141 --> 00:16:16,776
YOU SAID HE WAS
SHOT IN THE SIDE,
NOT THE HEAD?

415
00:16:16,809 --> 00:16:20,213
WHEN I SAW HIM,
HE HAD A BULLET WOUND
TO THE TEMPLE.

416
00:16:20,247 --> 00:16:21,581
OH, YEAH, YEAH.
THE MAKEUP. OF COURSE.

417
00:16:21,614 --> 00:16:25,085
UM, THE TRICK WAS THAT
HE WOULD PLAY PART OF
THE SCENE IN PROFILE,

418
00:16:25,118 --> 00:16:30,123
AND WHEN I SHOT HIM,
HE WOULD TURN TO
REVEAL THE WOUND.

419
00:16:30,657 --> 00:16:33,660
YOU KNOW, IT ALWAYS GOT
A REALLY BIG REACTION.

420
00:16:33,693 --> 00:16:34,694
LISTEN, I'M SORRY,

421
00:16:34,727 --> 00:16:39,799
BUT, UH, THIS IS
REALLY HARD FOR ME
TO TALK ABOUT.

422
00:16:39,832 --> 00:16:40,733
YOU KNOW?

423
00:16:40,767 --> 00:16:42,602
THE GUN FIRING
LIKE THAT...

424
00:16:42,635 --> 00:16:44,737
AND IT WAS A BAD
NIGHT TO BEGIN WITH.

425
00:16:44,771 --> 00:16:45,572
WHAT DO YOU MEAN?

426
00:16:45,605 --> 00:16:48,675
SOME PRODUCERS MADE
A DEAL WITH CALLY

427
00:16:48,708 --> 00:16:50,810
TO TAKE THE PLAY
TO THE CITY.

428
00:16:50,843 --> 00:16:53,813
Cally: I'M SORRY.
I FOUGHT FOR YOU.

429
00:16:53,846 --> 00:16:54,747
WHATEVER.

430
00:16:54,781 --> 00:16:56,216
Brook: IT WAS GONNA BE
EVERYONE'S BIG BREAK.

431
00:16:56,249 --> 00:16:56,983
LET'S JUST
FINISH THE SHOW.

432
00:16:57,016 --> 00:16:58,785
BUT GRANT HEARD
A RUMOR THAT MILES

433
00:16:58,818 --> 00:16:59,786
WAS REPLACING HIM
AS THE LEAD,

434
00:16:59,819 --> 00:17:02,055
SO HE CONFRONTED
CALLY ABOUT IT
AT INTERMISSION,

435
00:17:02,089 --> 00:17:05,258
AND SHE HAD NO CHOICE.
SHE HAD TO TELL HIM
THE TRUTH.

436
00:17:05,292 --> 00:17:07,527
YOU CAN USE
THIS ANGER FOR
A FUTURE ROLE.

437
00:17:07,560 --> 00:17:10,463
AND MILES, HE WASN'T THE
MOST GRACIOUS WINNER,

438
00:17:10,497 --> 00:17:13,166
SO WHEN WE WENT
BACK ONSTAGE, HE...

439
00:17:13,200 --> 00:17:16,403
STARTED AD-LIBBING LINES
AND CHANGING THE BLOCKING

440
00:17:16,436 --> 00:17:22,142
AND JUST REALLY
TRYING TO RUB IT
IN GRANT'S FACE.

441
00:17:23,143 --> 00:17:26,246
IT WAS HEARTBREAKING.

442
00:17:26,746 --> 00:17:30,783
YOU SEEM PRETTY
PROTECTIVE OF HIM.

443
00:17:30,817 --> 00:17:32,119
GRANT, I MEAN.

444
00:17:32,152 --> 00:17:33,786
YEAH, I WAS.

445
00:17:33,820 --> 00:17:36,123
YOU SEE, WE--WE'D BEEN
DATING, GRANT AND I.

446
00:17:36,156 --> 00:17:40,093
BUT SOMETHING CHANGED
WHEN WE BOTH GOT
CAST IN THE SHOW,

447
00:17:40,127 --> 00:17:42,162
AND WE BROKE UP.

448
00:17:42,195 --> 00:17:43,563
YOU KNOW,
I WAS PRETTY SURE

449
00:17:43,596 --> 00:17:47,234
THAT HE WAS HAVING
A THING WITH CALLY.

450
00:17:48,301 --> 00:17:50,337
OF COURSE,
AFTER MILES WAS KILLED,

451
00:17:50,370 --> 00:17:52,305
THE PLAY NEVER
WENT TO THE CITY,

452
00:17:52,339 --> 00:17:55,208
AND CALLY
TOOK A JOB WRITING
FOR A SOAP IN L.A.

453
00:17:55,242 --> 00:17:58,211
WITHIN THE YEAR,
SHE HAD CREATED
HOPE'S EDGE,

454
00:17:58,245 --> 00:18:00,280
AND SHE BROUGHT
GRANT ONBOARD.

455
00:18:00,313 --> 00:18:03,216
AND EVERYONE LIVED
HAPPILY EVER AFTER.

456
00:18:03,250 --> 00:18:04,617
WELL, WHO KNOWS?

457
00:18:04,651 --> 00:18:08,755
I THINK WE ALL CARRY
THAT NIGHT WITH US.

458
00:18:08,788 --> 00:18:10,790
I KNOW I DO.

459
00:18:14,227 --> 00:18:15,262
Eli: I THINK
SHE'S LYING.

460
00:18:15,295 --> 00:18:16,229
WELL, THEN SHE'S
A GOOD LIAR.

461
00:18:16,263 --> 00:18:18,398
OF COURSE SHE'S A GOOD LIAR.
SHE'S AN ACTRESS.

462
00:18:18,431 --> 00:18:20,633
OK, SO THEN IF HE
THINKS IT WASN'T
AN ACCIDENT,

463
00:18:20,667 --> 00:18:22,335
WHY IS HE SHOWING HER
SCENES FROM THE SHOW,

464
00:18:22,369 --> 00:18:24,704
AND WHAT IS IT THAT HE'S
TRYING TO TELL HER?

465
00:18:24,737 --> 00:18:25,605
"HELLO. I KNOW
YOU KILLED ME."

466
00:18:25,638 --> 00:18:27,607
PLUS THOSE SCENES
WERE WITH GRANT HARPER.

467
00:18:27,640 --> 00:18:28,541
THAT'S WHAT SHE SAID,
RIGHT?

468
00:18:28,575 --> 00:18:30,410
MAYBE MILES THINKS THEY
WERE IN IT TOGETHER.

469
00:18:30,443 --> 00:18:31,744
RIGHT, SO THEN WHY
ISN'T HE HAUNTING GRANT,

470
00:18:31,778 --> 00:18:35,582
AND WHY ISN'T HE HERE
TELLING US THAT WE NEED
TO CALL THE POLICE?

471
00:18:35,615 --> 00:18:37,217
WELL, THE POLICE
COULDN'T FIND ANY PROOF.

472
00:18:37,250 --> 00:18:39,486
MILES IS GETTING
JUSTICE THE ONLY WAY
HE KNOWS HOW.

473
00:18:39,519 --> 00:18:41,554
THAT DOESN'T
MAKE ANY SENSE TO ME.

474
00:18:41,588 --> 00:18:43,590
WHERE ARE YOU GOING?

475
00:18:43,623 --> 00:18:46,326
WATCH TV.

476
00:18:47,494 --> 00:18:48,395
TROY, LISTEN TO ME.

477
00:18:48,428 --> 00:18:51,264
HE TOLD ME JUST BEFORE
HE LOST CONSCIOUSNESS.

478
00:18:51,298 --> 00:18:53,666
HE SAID
THAT HE WAS HAPPY.

479
00:18:56,236 --> 00:18:58,505
HEY. WHAT
A NICE SURPRISE.

480
00:18:58,538 --> 00:18:59,806
WHAT ARE YOU
DOIN' HOME?

481
00:18:59,839 --> 00:19:02,342
OH--[SNIFFLES]
I THINK THE GHOST

482
00:19:02,375 --> 00:19:03,476
IS USING SCENES
FROM THE SHOW

483
00:19:03,510 --> 00:19:06,313
TO TRY AND SEND A MESSAGE,
SO I'M WATCHING OLD EPISODES.

484
00:19:06,346 --> 00:19:08,681
PLUS THEY'RE SHOOTING
AT THE STORE. IT'S CLOSED.

485
00:19:08,715 --> 00:19:09,616
OH, YOU GOT A COLD?

486
00:19:09,649 --> 00:19:10,650
WHAT'S GOIN' ON?
WHAT--

487
00:19:10,683 --> 00:19:13,353
WAIT A MINUTE.
ARE YOU CRYING?

488
00:19:13,386 --> 00:19:16,256
UHH. I KINDA
GOT SUCKED IN, OK?

489
00:19:16,289 --> 00:19:18,291
THERE'S SO MUCH SADNESS
AND LOSS.

490
00:19:18,325 --> 00:19:19,292
HE SAID
THAT HE WAS HAPPY.

491
00:19:19,326 --> 00:19:20,260
THAT'S GREAT.
I LOVE IT.

492
00:19:20,293 --> 00:19:21,093
HE MADE ME PROMISE...
OH! OH.

493
00:19:21,127 --> 00:19:21,928
THAT I WOULD ALWAYS
LOOK OUT FOR YOU.

494
00:19:21,961 --> 00:19:24,597
THIS IS THE EPISODE
WHERE DR. HOLDEN'S

495
00:19:24,631 --> 00:19:25,632
FATHER IS
ON HIS DEATHBED

496
00:19:25,665 --> 00:19:28,335
AND CELESTE
BARRINGTON DOESN'T
EVEN LET HIM KNOW.

497
00:19:28,368 --> 00:19:29,536
UNTIL AFTER
HIS FATHER'S DIED.

498
00:19:29,569 --> 00:19:31,671
AND NOW DR. HOLDEN
WILL NEVER KNOW

499
00:19:31,704 --> 00:19:33,540
WHO HIS REAL MOTHER IS.

500
00:19:33,573 --> 00:19:35,875
YOU'RE RIGHT.
IT'S ADDICTIVE.

501
00:19:35,908 --> 00:19:39,246
WAIT A MINUTE. SO THE--
THE GHOST IS USING
THIS SOAP SOMEHOW?

502
00:19:39,279 --> 00:19:40,913
YEAH. HE'S TRYING TO TELL
BROOK DENNIS SOMETHING.

503
00:19:40,947 --> 00:19:44,251
I TAKE IT THAT GRANT HARPER
AND SUZANNE ZALE'S CHARACTERS,

504
00:19:44,284 --> 00:19:45,252
THEY BREAK UP A LOT?

505
00:19:45,285 --> 00:19:46,253
ON, CONSTANTLY.
OH, YEAH, YEAH.

506
00:19:46,286 --> 00:19:47,220
THEY'RE LIKE
BITTER ENEMIES

507
00:19:47,254 --> 00:19:48,588
THAT CAN'T GET ENOUGH
OF EACH OTHER, YOU KNOW?

508
00:19:48,621 --> 00:19:49,822
IF SHE EVER KNEW HOW
MANY WOMEN WHO'VE THROWN
THEMSELVES AT HIS FEET,

509
00:19:49,856 --> 00:19:53,326
AND IF HE EVER KNEW
HOW SHE KEEPS HIM
UNDER HER THUMB, EH...

510
00:19:53,360 --> 00:19:55,695
BUT WHY?
I DON'T KNOW.

511
00:19:55,728 --> 00:19:56,563
SHE'S A CONTROL FREAK,

512
00:19:56,596 --> 00:19:58,765
AND HE'S AFRAID
TO GO AFTER HIS DREAMS,

513
00:19:58,798 --> 00:19:59,232
BUT THEY LOVE
EACH OTHER.

514
00:19:59,266 --> 00:19:59,932
IT'S ENTERTAINING.

515
00:19:59,966 --> 00:20:00,700
WAIT. OOH. OH.

516
00:20:00,733 --> 00:20:02,935
HERE'S A LINK
TO TODAY'S EPISODE.

517
00:20:02,969 --> 00:20:06,239
AHH! I'LL MAKE POPCORN.

518
00:20:08,941 --> 00:20:09,942
CAMERA.

519
00:20:09,976 --> 00:20:11,678
ACTION!

520
00:20:11,944 --> 00:20:15,982
DR. HOLDEN,
IF THE BOARD FINDS OUT
WHAT YOU'VE BEEN UP TO--

521
00:20:16,015 --> 00:20:17,784
THE ONLY THING THE BOARD
IS GONNA FIND OUT
NOW IS THE TRUTH,

522
00:20:17,817 --> 00:20:20,620
THAT YOU'VE BEEN
LYING TO THEM FOR
THE PAST 8 YEARS.

523
00:20:20,653 --> 00:20:21,554
CUT IT! CUT!

524
00:20:21,588 --> 00:20:22,955
IT WAS PERFECT.
WHAT THE HELL?
WHAT'S GO--

525
00:20:22,989 --> 00:20:24,657
Cally: WE GOT LOOKY-LOOS.

526
00:20:24,691 --> 00:20:27,260
DUFF! PLEASE.

527
00:20:27,294 --> 00:20:29,429
SORRY, FOLKS.
YOU'RE IN THE SHOT.

528
00:20:29,462 --> 00:20:31,498
OOPS. I'M SORRY.

529
00:20:31,531 --> 00:20:33,266
IT WON'T
HAPPEN AGAIN. OK.

530
00:20:33,300 --> 00:20:35,835
Duff: SETTING
BACK TO ONE!

531
00:20:36,035 --> 00:20:38,405
[SIGHS] THAT WAS
SO EMBARRASSING.

532
00:20:38,438 --> 00:20:40,340
I WONDER
WHAT THEY'RE SHOOTING.

533
00:20:40,373 --> 00:20:42,809
YOU REALLY WANNA KNOW?

534
00:20:45,312 --> 00:20:46,979
[WHISPERING]
Go.

535
00:20:47,013 --> 00:20:49,649
OK, so I found
this little script.

536
00:20:49,682 --> 00:20:52,018
It has all the pages
that they're
shooting today.

537
00:20:52,051 --> 00:20:53,320
I guess they
call them sides.

538
00:20:53,353 --> 00:20:54,521
Well, all I know...
Uh-huh.

539
00:20:54,554 --> 00:20:56,423
is the rumors
are true.

540
00:20:57,790 --> 00:20:59,726
WELL, ARE YOU GONNA
TELL ME OR NOT?

541
00:20:59,759 --> 00:21:00,493
Well...

542
00:21:00,527 --> 00:21:02,929
there's
a confidentiality
clause

543
00:21:02,962 --> 00:21:03,896
on the location
agreement.

544
00:21:03,930 --> 00:21:05,998
They're trying
to keep the story
under wraps.

545
00:21:06,032 --> 00:21:06,699
AW, COME ON.

546
00:21:06,733 --> 00:21:09,802
BUT IF I WERE
JUST TO MAYBE...

547
00:21:09,836 --> 00:21:10,870
DROP THESE...

548
00:21:10,903 --> 00:21:15,375
AND I WERE JUST
TO PICK THEM UP...

549
00:21:18,811 --> 00:21:19,579
HOLY COW.

550
00:21:19,612 --> 00:21:21,448
THEY'RE REALLY
GONNA KILL DR. HOLDEN.

551
00:21:21,481 --> 00:21:22,582
YEAH.
WHY?

552
00:21:22,615 --> 00:21:25,818
BECAUSE APPARENTLY
THE REAL DRAMA IS
BEHIND THE CAMERA.

553
00:21:25,852 --> 00:21:27,920
LOOK. IT SEEMS...

554
00:21:27,954 --> 00:21:30,423
THAT GRANT HOLDEN
IS HAVING A TORRID
LOVE AFFAIR

555
00:21:30,457 --> 00:21:31,358
WITH ONE
OF HIS CO-STARS,

556
00:21:31,391 --> 00:21:33,326
AND THAT'S
COMING TO AN END.
SUZANNE ZALE.

557
00:21:33,360 --> 00:21:34,394
WELL, THEY DIDN'T SAY,

558
00:21:34,427 --> 00:21:36,563
BUT RUMOR HAS IT
THAT'S WHY HE'S
LEAVING THE SHOW.

559
00:21:36,596 --> 00:21:39,031
WAIT TILL THEY FIND OUT
HE MIGHT BE A MURDERER.

560
00:21:39,065 --> 00:21:40,933
COME ON.
YOU REALLY THINK GRANT

561
00:21:40,967 --> 00:21:43,436
HAD SOMETHING TO DO
WITH MILES' DEATH?

562
00:21:43,470 --> 00:21:44,971
YEAH, I THINK
IT'S POSSIBLE.

563
00:21:45,004 --> 00:21:46,205
ACCORDING TO
THE POLICE FILE,

564
00:21:46,238 --> 00:21:49,008
GRANT TOOK THE PROP GUN HOME
THE NIGHT BEFORE
MILES WAS SHOT.

565
00:21:49,041 --> 00:21:52,479
HE SAID HE WAS USING IT
TO REHEARSE A SCENE
FOR A MOVIE AUDITION.

566
00:21:52,512 --> 00:21:54,614
YOU REALLY THINK
HE WAS RIGGING IT

567
00:21:54,647 --> 00:21:57,750
TO KILL MILES WHEN BROOK
PULLED THE TRIGGER?

568
00:21:57,784 --> 00:22:00,052
AND...ACTION!

569
00:22:02,389 --> 00:22:04,591
[WHISPERING] I think
the ghost may think that.

570
00:22:04,624 --> 00:22:05,792
Shush.

571
00:22:05,825 --> 00:22:08,060
Which is why he said,
"Somebody's goin' out
with a bang."

572
00:22:08,094 --> 00:22:09,496
I WON'T LET YOU DO THIS.

573
00:22:09,529 --> 00:22:11,564
I WON'T LET YOU LEAVE ME.

574
00:22:11,598 --> 00:22:13,633
WAIT A MINUTE.
CELESTE IS ABOUT

575
00:22:13,666 --> 00:22:14,534
TO SHOOT DR. HOLDEN...

576
00:22:14,567 --> 00:22:17,136
CELESTE, HOW DO YOU
THINK YOU CAN STOP ME?

577
00:22:17,169 --> 00:22:19,539
WITH A PROP GUN?!

578
00:22:19,572 --> 00:22:20,607
RAAH!
SORRY.

579
00:22:20,640 --> 00:22:22,041
...WHERE YOU ARE.

580
00:22:22,074 --> 00:22:23,410
CUT! CUT! WHAT THE--

581
00:22:23,443 --> 00:22:24,377
SECURITY!

582
00:22:24,411 --> 00:22:25,745
HEY, SECURITY!
GET OFF ME, MAN.

583
00:22:25,778 --> 00:22:27,046
GET OFF, MAN!
COME ON!

584
00:22:27,079 --> 00:22:28,080
GRANT, YOU OK?

585
00:22:28,114 --> 00:22:28,915
SHE WAS GONNA SHOOT HIM.

586
00:22:28,948 --> 00:22:31,150
IT'S A TV SHOW.
IT'S PRETEND.
SORRY!

587
00:22:31,183 --> 00:22:34,954
YOU IDIOT!
GRANT, ARE YOU ALL RIGHT?

588
00:22:34,987 --> 00:22:38,858
YOU SHOULD HAVE
LET HER SHOOT HIM.

589
00:22:44,664 --> 00:22:45,498
YOU WANNA PRESS CHARGES?

590
00:22:45,532 --> 00:22:47,934
NO, BUT KEEP THAT
LUNATIC AWAY FROM ME.

591
00:22:47,967 --> 00:22:49,902
DUFF, I'LL BE
IN MY TRAILER.

592
00:22:49,936 --> 00:22:50,837
UM, I--[STAMMERS]

593
00:22:50,870 --> 00:22:54,006
I THOUGHT THE GHOST
WAS TRYING TO KILL GRANT

594
00:22:54,040 --> 00:22:56,075
THE SAME WAY
HE WAS KILLED.

595
00:22:56,108 --> 00:22:57,610
IT WAS A GOOD THEORY.

596
00:22:57,644 --> 00:22:58,878
THEY SHOULD BE THANKING ME.

597
00:22:58,911 --> 00:23:02,715
INSTEAD, I JUST RUINED
MY CHANCES OF GETTING
THAT WALK-ON PART.

598
00:23:02,749 --> 00:23:03,550
IT WAS
A GOOD THEORY,

599
00:23:03,583 --> 00:23:05,418
EXCEPT NOBODY
TAMPERED WITH
THE GUN.

600
00:23:05,452 --> 00:23:06,285
BUT THE GHOST WAS HERE.

601
00:23:06,318 --> 00:23:07,820
HE SAID I SHOULD HAVE
LET HER SHOOT HIM.

602
00:23:07,854 --> 00:23:10,757
CAN GHOSTS MAKE BLANK GUNS
FIRE REAL BULLETS?

603
00:23:10,790 --> 00:23:13,926
SOMETHING TELLS ME
HE DOESN'T WANNA
KILL ANYBODY.

604
00:23:13,960 --> 00:23:14,994
WHY DO YOU SAY THAT?

605
00:23:15,027 --> 00:23:17,664
NOBODY'S DEAD.

606
00:23:18,064 --> 00:23:19,198
YET!

607
00:23:19,231 --> 00:23:20,867
Duff: HAIR AND MAKEUP
NEEDS A HALF-AN-HOUR
TO FIX GRANT,

608
00:23:20,900 --> 00:23:23,069
PLUS WHATEVER TIME
HE NEEDS TO RECUPERATE.

609
00:23:23,102 --> 00:23:25,004
[SIGHS] LET'S SHOOT
SUZANNE'S CLOSE-UP.

610
00:23:25,037 --> 00:23:27,740
THIS EPISODE IS CURSED.

611
00:23:28,475 --> 00:23:31,010
EXCUSE ME.
I-I'M SORRY ABOUT
MY FRIEND.

612
00:23:31,043 --> 00:23:31,811
HE CAN GET
EXCITABLE.

613
00:23:31,844 --> 00:23:34,080
YEAH, WELL,
IT'S IN PRETTY BAD TASTE

614
00:23:34,113 --> 00:23:37,049
TO BE BRINGING UP
MALFUNCTIONING
BLANK GUNS AROUND US.

615
00:23:37,083 --> 00:23:39,085
BECAUSE OF
MILES MAITLAND.
WE KNOW.

616
00:23:39,118 --> 00:23:41,721
WHAT IS THIS ABOUT?
REALLY.

617
00:23:41,754 --> 00:23:43,189
LOOK, I KNOW IT'S
GONNA SOUND STRANGE,

618
00:23:43,222 --> 00:23:46,192
BUT DO YOU REMEMBER
THE OTHER NIGHT
AT THE THEATER

619
00:23:46,225 --> 00:23:48,194
WHEN ALL THE LIGHTS
WENT HAYWIRE?

620
00:23:48,227 --> 00:23:49,161
WHAT ABOUT IT?

621
00:23:49,195 --> 00:23:49,929
THAT WAS MILES.

622
00:23:49,962 --> 00:23:52,465
HE'S ANGRY, AND I
THINK HE BLAMES

623
00:23:52,499 --> 00:23:54,033
ONE OF YOU
FOR HIS DEATH.

624
00:23:54,066 --> 00:23:56,869
LOOK, I KNOW
THAT IT'S HARD
TO BELIEVE,

625
00:23:56,903 --> 00:23:58,104
BUT I HAVE A GIFT.

626
00:23:58,137 --> 00:23:59,872
I'VE SEEN MILES,

627
00:23:59,906 --> 00:24:02,208
AND I'VE
TALKED TO HIM.

628
00:24:02,241 --> 00:24:05,011
SINCE HE DIED,
HAS ANYTHING STRANGE
HAPPENED TO YOU?

629
00:24:05,044 --> 00:24:10,216
ANYTHING THAT'S MADE
YOU FEEL LIKE MAYBE
MILES WAS WITH YOU?

630
00:24:10,249 --> 00:24:13,185
I'VE NEVER TOLD ANYONE
THAT BEFORE.

631
00:24:13,219 --> 00:24:17,590
SO YOU'RE SAYING
THAT HIS GHOST IS REALLY...

632
00:24:17,624 --> 00:24:18,424
HAUNTING YOU.

633
00:24:18,457 --> 00:24:21,994
I'M JUST NOT SURE
WHY OR FOR HOW LONG,

634
00:24:22,028 --> 00:24:24,063
BUT HE'S STILL HERE.

635
00:24:24,564 --> 00:24:25,632
IS HE HERE RIGHT NOW?

636
00:24:25,665 --> 00:24:27,534
NOT AT THE MOMENT.

637
00:24:29,836 --> 00:24:32,505
YOU TWO WERE CLOSE?

638
00:24:32,539 --> 00:24:33,806
WE MET AS UNDERGRADS.

639
00:24:33,840 --> 00:24:36,776
MILES WOULD READ
WHATEVER I WAS WORKING ON

640
00:24:36,809 --> 00:24:39,178
AND GIVE ME NOTES,
LOTS OF NOTES.

641
00:24:39,211 --> 00:24:40,913
LIKE ON DEAD TO ME?

642
00:24:40,947 --> 00:24:43,082
HE FOUGHT ME CONSTANTLY
DURING THOSE REHEARSALS.

643
00:24:43,115 --> 00:24:46,252
HE WAS OBSESSED WITH TRUTH,
EVEN IN A BEDROOM FARCE.

644
00:24:46,285 --> 00:24:48,187
THAT'S WHEN I FELT
LIKE KILLING HIM.

645
00:24:48,220 --> 00:24:52,959
BUT THE THING IS,
ALL HIS NOTES JUST
MADE THE WORK BETTER.

646
00:24:54,093 --> 00:24:58,097
ANYWAY, WHENEVER I FACE
THAT BLINKING CURSOR,

647
00:24:58,130 --> 00:25:02,234
IT'S LIKE HE'S STILL THERE
CHALLENGING ME.

648
00:25:03,169 --> 00:25:05,171
I KNOW THAT
MUST SOUND CRAZY.

649
00:25:05,204 --> 00:25:07,206
OH. CONSIDER WHO
YOU'RE TALKING TO.

650
00:25:07,239 --> 00:25:11,110
HE THINKS WE HAD SOMETHING
TO DO WITH HIS DEATH?

651
00:25:11,143 --> 00:25:14,046
THAT'S CRAZY.

652
00:25:14,080 --> 00:25:14,947
THE IRONY IS THAT PLAY

653
00:25:14,981 --> 00:25:17,149
NEVER WOULD'VE GONE
ANYWHERE WITHOUT HIM.

654
00:25:17,183 --> 00:25:19,051
AS IT TURNS OUT,
IT DIDN'T.

655
00:25:19,085 --> 00:25:22,555
SOUNDS LIKE
YOU REGRET THAT.

656
00:25:23,856 --> 00:25:25,592
REGRET?

657
00:25:25,625 --> 00:25:27,093
WHO KNOWS?

658
00:25:27,126 --> 00:25:29,562
THINGS WORKED OUT
PRETTY WELL FOR US.

659
00:25:29,596 --> 00:25:31,598
YOU AND GRANT, YOU MEAN.
YEAH.

660
00:25:31,631 --> 00:25:33,766
SURE, HE GOT
HIS EGO BRUISED,

661
00:25:33,800 --> 00:25:36,302
BUT HE KNEW I'D
LOOK OUT FOR HIM.

662
00:25:36,335 --> 00:25:38,104
I ALWAYS LOOK OUT
FOR MY FRIENDS.

663
00:25:38,137 --> 00:25:42,742
TROUBLE IS SHE HAS
A NOT-SO-FRIENDLY
WAY OF DOING IT.

664
00:25:42,942 --> 00:25:47,179
SO I'M--
I'M GUESSING THAT
YOU AND GRANT...

665
00:25:49,181 --> 00:25:51,017
WHY HAVE YOU
KEPT IT A SECRET?

666
00:25:51,050 --> 00:25:53,653
I'LL DENY IT
IF YOU EVER TELL ANYONE,

667
00:25:53,686 --> 00:25:58,057
BUT THE TRUTH IS IT'S BETTER
FOR HIS IMAGE TO BE SINGLE,

668
00:25:58,090 --> 00:25:59,225
AND I LIKE MY PRIVACY.

669
00:25:59,258 --> 00:26:01,093
THEN WHY ARE YOU WRITING
HIM OFF THE SHOW?

670
00:26:01,127 --> 00:26:03,362
LOOK, WE GET RATINGS
WHEN HE LEAVES,

671
00:26:03,395 --> 00:26:05,197
EVEN MORE
WHEN HE COMES BACK,

672
00:26:05,231 --> 00:26:08,300
AND EVERY NOW AND THEN,
HE NEEDS HIS FREEDOM,

673
00:26:08,334 --> 00:26:11,203
BUT HE ALWAYS
COMES BACK TO THE SHOW

674
00:26:11,237 --> 00:26:12,905
AND TO THE CHARACTER.

675
00:26:12,939 --> 00:26:15,708
AND TO YOU.

676
00:26:15,742 --> 00:26:17,977
[SIGHS]

677
00:26:18,010 --> 00:26:18,911
SORRY. I JUST--

678
00:26:18,945 --> 00:26:19,679
I GET THESE CHILLS.

679
00:26:19,712 --> 00:26:22,181
IT'S LIKE
A LOW BLOOD SUGAR THING.

680
00:26:22,214 --> 00:26:23,616
NO. ACTUALLY,
IT WAS MILES.

681
00:26:23,650 --> 00:26:26,352
HE GOT REALLY UPSET,
AND I DON'T KNOW WHY.

682
00:26:26,385 --> 00:26:29,188
WELL, GOOD LUCK
FIGURING HIM OUT.

683
00:26:29,221 --> 00:26:30,790
I NEVER COULD.

684
00:26:30,823 --> 00:26:31,858
I'M STILL CONFUSED.

685
00:26:31,891 --> 00:26:35,227
SO YOU'RE KILLING
GRANT'S CHARACTER
OFF YOUR SHOW.

686
00:26:35,261 --> 00:26:38,765
Duff: CALLY!
THEY'RE READY
FOR YOU ON THE SET.

687
00:26:38,798 --> 00:26:42,969
DO YOU CATCH MUCH TV
OR MOVIES OR BOOKS,
FOR THAT MATTER?

688
00:26:43,002 --> 00:26:46,038
PEOPLE IN FICTION
DON'T ALWAYS STAY DEAD.

689
00:26:46,072 --> 00:26:47,306
AAH!

690
00:26:47,339 --> 00:26:50,142
WHAT THE HELL?

691
00:26:50,176 --> 00:26:51,243
WHEW.

692
00:26:51,277 --> 00:26:52,879
LIKE I SAID, CURSED.

693
00:26:52,912 --> 00:26:56,783
Grant: BUT I LOVE
THE THOUGHT OF WORKING
WITH YOU AGAIN.

694
00:26:56,816 --> 00:26:59,118
Brook: YOU WOULD
ACTUALLY CONSIDER IT?

695
00:26:59,151 --> 00:27:00,052
OF COURSE I WOULD.

696
00:27:00,086 --> 00:27:03,222
AND I'M A FREE MAN
AFTER TODAY.

697
00:27:04,156 --> 00:27:05,024
DUFF, WHERE'S GRANT?

698
00:27:05,057 --> 00:27:05,958
UH, HE'S IN HIS TRAILER.

699
00:27:05,992 --> 00:27:08,795
WE'LL BE READY
IN 5 FOR SUZANNE'S
CLOSE-UP.

700
00:27:08,828 --> 00:27:09,796
I'LL BE RIGHT BACK.

701
00:27:09,829 --> 00:27:12,331
WHEN I HEARD
THE SHOW WAS COMIN'
TO GRANDVIEW,

702
00:27:12,364 --> 00:27:13,933
THIS IS
WHAT I HOPED FOR.

703
00:27:13,966 --> 00:27:17,003
HEH. WHAT?
THE TEACHING JOB?

704
00:27:17,036 --> 00:27:18,671
NO. JUST--

705
00:27:18,705 --> 00:27:20,707
[KNOCK ON DOOR]

706
00:27:20,740 --> 00:27:22,408
OH. SORRY.

707
00:27:22,441 --> 00:27:25,177
BROOK,
WHAT A SURPRISE.

708
00:27:25,211 --> 00:27:26,779
HI, CALLY.

709
00:27:26,813 --> 00:27:27,579
HI.

710
00:27:27,613 --> 00:27:29,448
GRANT, I JUST WANTED
TO LET YOU KNOW

711
00:27:29,481 --> 00:27:32,151
THAT YOUR BODY MIKE IS ON,
SO IF YOU TWO

712
00:27:32,184 --> 00:27:33,252
WERE DISCUSSING
ANYTHING PRIVATE...

713
00:27:33,285 --> 00:27:35,021
Grant: NOT AT ALL.
I WAS JUST

714
00:27:35,054 --> 00:27:36,155
TALKING TO BROOK
ABOUT THE POSSIBILITY

715
00:27:36,188 --> 00:27:38,357
OF TEACHING WHEN I'M
DONE WITH THE SHOW.

716
00:27:38,390 --> 00:27:39,792
TEACHING?

717
00:27:39,826 --> 00:27:41,027
AT ROCKLAND?

718
00:27:41,060 --> 00:27:45,264
YEAH. THE DEPARTMENT
CHAIR SUGGESTED
AN ARTIST IN RESIDENCE.

719
00:27:45,297 --> 00:27:47,834
WELL, CONGRATULATIONS.

720
00:27:47,867 --> 00:27:49,235
UM, I HATE TO INTERRUPT,

721
00:27:49,268 --> 00:27:53,372
BUT WE NEED YOU
IN HAIR AND MAKEUP, SO...

722
00:27:53,405 --> 00:27:55,441
REALLY GOOD
TO SEE YOU, BROOK.

723
00:27:56,843 --> 00:27:59,211
SORRY. I'VE GOTTA
GET BACK TO WORK.

724
00:27:59,245 --> 00:28:00,246
OF COURSE.
DUFF!

725
00:28:00,279 --> 00:28:01,447
I'LL BE
IN MY TRAILER!

726
00:28:01,480 --> 00:28:03,282
YOU FINISH
THE SCENE, PLEASE!

727
00:28:03,315 --> 00:28:04,183
ACTION!

728
00:28:04,216 --> 00:28:05,952
I WON'T LET YOU DO THAT.

729
00:28:05,985 --> 00:28:06,853
I WON'T LET YOU LEAVE ME.

730
00:28:06,886 --> 00:28:10,022
CELESTE, HOW DO YOU
THINK YOU CAN STOP ME?

731
00:28:10,056 --> 00:28:11,057
EASILY.

732
00:28:11,090 --> 00:28:14,393
AT LEAST THIS WAY,
I'LL ALWAYS KNOW WHERE YOU ARE.

733
00:28:14,426 --> 00:28:17,363
AHH! AHH.

734
00:28:17,396 --> 00:28:18,865
WAITING FOR YOU...

735
00:28:18,898 --> 00:28:20,933
IN HELL.

736
00:28:22,034 --> 00:28:23,335
AND CUT!

737
00:28:23,369 --> 00:28:25,104
YEAH.
LADIES AND GENTLEMEN,

738
00:28:25,137 --> 00:28:30,209
THAT'S THE SERIES WRAP
FOR GRANT HARPER.

739
00:28:30,242 --> 00:28:31,778
GOOD JOB.

740
00:28:33,045 --> 00:28:34,981
NICE JOB.

741
00:28:35,314 --> 00:28:38,284
THANK YOU, EVERYBODY.
ENJOYED IT.

742
00:28:39,418 --> 00:28:42,021
YOU GUYS ARE THE BEST.
THANK YOU.

743
00:28:44,523 --> 00:28:45,424
WHAT?

744
00:28:45,457 --> 00:28:48,360
I'M GONNA MISS HIM.

745
00:28:49,561 --> 00:28:52,331
[CLAMORING]

746
00:28:55,835 --> 00:28:56,869
GOLDENROD PAGES.

747
00:28:56,903 --> 00:29:00,239
OLD HABITS, I KNOW,
BUT I JUST WRAPPED.
I'M DONE.

748
00:29:00,272 --> 00:29:01,774
UH, BUT YOU'RE
FIRST UP IN LINE

749
00:29:01,808 --> 00:29:05,277
FOR TOMORROW'S WORK,
SCENE 34.

750
00:29:05,511 --> 00:29:09,215
WELL, SOMEBODY
MADE A MISTAKE.

751
00:29:10,149 --> 00:29:11,350
HEY, I DON'T GET IT.

752
00:29:11,383 --> 00:29:12,551
"DR. HOLDEN
SPUTTERS BACK TO LIFE"?

753
00:29:12,584 --> 00:29:14,053
I'M SO SORRY.
I WOULD HAVE TOLD YOU,

754
00:29:14,086 --> 00:29:16,823
BUT I ONLY JUST GOT THE CALL
WHILE YOU WERE SHOOTING.

755
00:29:16,856 --> 00:29:17,656
WHAT HAPPENED?

756
00:29:17,689 --> 00:29:20,026
THE HEAD OF DAYTIME
CHANGED HER MIND.

757
00:29:20,059 --> 00:29:21,427
BUT IT WAS SETTLED.
SHE AGREED.

758
00:29:21,460 --> 00:29:22,228
I FOUGHT FOR YOU.

759
00:29:22,261 --> 00:29:23,495
I EVEN PITCHED OUT
A WHOLE STORY LINE

760
00:29:23,529 --> 00:29:26,365
IN THE AFTERMATH
OF DR. HOLDEN'S DEATH,
BUT SHE WOULDN'T BUDGE.

761
00:29:26,398 --> 00:29:28,100
I SWEAR, CALLY,
IF I DON'T GET OUT

762
00:29:28,134 --> 00:29:29,435
OF THIS ROLE,
I REALLY WILL DIE.

763
00:29:29,468 --> 00:29:30,436
WE'LL GET THROUGH IT.

764
00:29:30,469 --> 00:29:33,105
I'LL CALL HER, AND I WILL
TRY AGAIN. I PROMISE.

765
00:29:33,139 --> 00:29:34,473
COME ON.

766
00:29:50,156 --> 00:29:52,558
[AUDIENCE LAUGHING]

767
00:29:56,896 --> 00:30:00,399
SORRY, BABE, BUT IF
YOU'RE ASKING ME
TO BEG FOR MY LIFE...

768
00:30:00,432 --> 00:30:03,369
ALL I'M ASKING
IS PLEASE

769
00:30:03,402 --> 00:30:05,271
DON'T GET BLOOD
ON MY NEW BERBER.

770
00:30:05,304 --> 00:30:09,441
[LAUGHTER]

771
00:30:11,343 --> 00:30:13,846
[FIRES]

772
00:30:14,580 --> 00:30:16,883
[GAGGING]

773
00:30:36,135 --> 00:30:39,271
Dr. Holden: I COULD NEVER
UNDERSTAND WHY YOU WOULD
DELIBERATELY LIE TO ME.

774
00:30:39,305 --> 00:30:41,073
Celeste: YOU'RE NOT
GOING ANYWHERE.

775
00:30:41,107 --> 00:30:43,309
I STILL HAVE THE FILES.
GET IT.

776
00:30:43,342 --> 00:30:44,410
YOU THINK I CARE ABOUT THAT?

777
00:30:44,443 --> 00:30:47,346
MY FATHER WAS
A HERO TO ME.

778
00:30:47,379 --> 00:30:51,383
I NEVER EVEN GOT
TO SAY GOOD-BYE.

779
00:30:52,518 --> 00:30:53,519
WHAT DOES THAT
EVEN MEAN, "LIES"?

780
00:30:53,552 --> 00:30:55,254
AND WHY DID
HE HAVE TO MAKE THEM

781
00:30:55,287 --> 00:30:56,055
COME OUT OF MY MOUTH?

782
00:30:56,088 --> 00:30:56,822
THAT'S WHERE LIES
USUALLY COME FROM.

783
00:30:56,855 --> 00:30:58,157
YOU KNOW WHAT?
YOU'RE NOT HELPING.

784
00:30:58,190 --> 00:31:01,493
AND WHOSE LIES ARE WE
TALKING ABOUT, CALLY'S,
GRANT'S, OR BROOK'S?

785
00:31:01,527 --> 00:31:02,194
OR ALL OF THEM.

786
00:31:02,228 --> 00:31:03,129
AND DOES THIS
EVEN HAVE TO DO

787
00:31:03,162 --> 00:31:04,663
WITH MILES' DEATH?
BECAUSE THERE HASN'T BEEN

788
00:31:04,696 --> 00:31:06,432
ONE DREAM OR VISION
WITH A GUN OR BLOOD.

789
00:31:06,465 --> 00:31:07,967
WHAT WAS THE COLOR
OF THAT GOO YOU YAKKED?

790
00:31:08,000 --> 00:31:10,136
GREEN. THANKS FOR
BRINGING THAT UP.

791
00:31:10,169 --> 00:31:11,337
SO TO SPEAK.
GET IT?

792
00:31:11,370 --> 00:31:13,272
YOU SAID CALLY
DIDN'T LOOK HAPPY

793
00:31:13,305 --> 00:31:15,674
WHEN SHE FOUND GRANT
AND BROOK TOGETHER
YESTERDAY.

794
00:31:15,707 --> 00:31:18,177
YEAH. SOMETHING
WENT ON WITH THOSE THREE
IN COLLEGE.

795
00:31:18,210 --> 00:31:20,579
IT'S LIKE THERE'S
A SOAP BEHIND THE SOAP.

796
00:31:20,612 --> 00:31:23,916
YEAH. OR I GUESS
YOU COULD SAY
ACTING IS LYING.

797
00:31:23,950 --> 00:31:26,285
SO IS WRITING.
IT'S MAKING STUFF UP.

798
00:31:26,318 --> 00:31:28,654
IS THAT WHAT THIS
IS ABOUT, THE SHOW?

799
00:31:28,687 --> 00:31:31,257
'CAUSE WHY WOULD MILES
CARE ABOUT THAT?

800
00:31:31,290 --> 00:31:32,491
YEAH, AND
SPEAKING OF WHICH,

801
00:31:32,524 --> 00:31:33,392
WHAT ARE THEY
FILMING TODAY?

802
00:31:33,425 --> 00:31:34,626
UH, THEY'RE IN AN ALLEY
BEHIND CITY HALL.

803
00:31:34,660 --> 00:31:38,030
IT'S THAT SCENE WHERE
DR. HOLDEN'S BODY'S
BEING BROUGHT OUT

804
00:31:38,064 --> 00:31:40,066
AND, YOU KNOW,
HE COMES BACK TO LIFE.

805
00:31:40,099 --> 00:31:42,234
HOW DO YOU
KNOW ALL THIS?

806
00:31:42,468 --> 00:31:45,637
BECAUSE I'M
SEXY CORONER NUMBER 2.

807
00:31:45,671 --> 00:31:49,008
WAIT. YOU WON
THE WALK-ON PART?

808
00:31:49,041 --> 00:31:52,244
JIM--JIM PUT ME
UP FOR IT.

809
00:31:52,278 --> 00:31:55,347
I'M LATE FOR HAIR
AND MAKEUP.

810
00:31:56,648 --> 00:31:58,217
AND...

811
00:31:58,250 --> 00:31:59,952
ACTION!

812
00:32:03,322 --> 00:32:04,190
CUT. CUT, CUT.

813
00:32:04,223 --> 00:32:05,291
MELINDA.

814
00:32:05,324 --> 00:32:07,559
YOU'RE NOT ON YOUR MARK.
AGAIN.

815
00:32:07,593 --> 00:32:09,228
OH, I WAS LOOKING FOR IT.

816
00:32:09,261 --> 00:32:10,162
BACK TO ONE!
I--I REALLY--

817
00:32:10,196 --> 00:32:11,630
IT'S THE PINK TAPE
RIGHT THERE.

818
00:32:11,663 --> 00:32:13,132
OH, THE PINK TAPE!
SEE?

819
00:32:13,165 --> 00:32:13,932
OK? OK.
GOT IT. SORRY.

820
00:32:13,966 --> 00:32:15,634
Grant: YOU'RE DOIN'
A FANTASTIC JOB.

821
00:32:15,667 --> 00:32:16,668
AW, THANK YOU.

822
00:32:16,702 --> 00:32:18,370
IN FACT,
PLEASE FEEL FREE
TO SCREW UP EVERY TAKE.

823
00:32:18,404 --> 00:32:19,338
WELL, I DIDN'T
EXACTLY SCREW--

824
00:32:19,371 --> 00:32:21,273
WE DON'T HAVE A CHOICE
HERE, GRANT. I'M SORRY.

825
00:32:21,307 --> 00:32:24,343
NO, ACTUALLY,
I'M THE ONLY ONE
WITHOUT A CHOICE.

826
00:32:24,376 --> 00:32:24,943
YOU HAVE PLENTY.

827
00:32:24,977 --> 00:32:26,378
I TOLD YOU.
NOW COME ON.

828
00:32:26,412 --> 00:32:27,179
WE GOTTA GET
THIS SCENE.

829
00:32:27,213 --> 00:32:29,415
I ASKED MY AGENT
TO CALL THE NETWORK.

830
00:32:29,448 --> 00:32:31,317
UM, EVERYONE, TAKE FIVE!

831
00:32:31,350 --> 00:32:33,085
GRANT, LET'S GO
TALK IN MY TRAILER.

832
00:32:33,119 --> 00:32:34,120
YOU LIED TO ME, CAL.

833
00:32:34,153 --> 00:32:37,423
YOU'RE THE ONE WHO
DECIDED TO KEEP ME
ON THE SHOW,

834
00:32:37,456 --> 00:32:38,290
ONLY YOU.

835
00:32:38,324 --> 00:32:39,358
OK, I'M SORRY.

836
00:32:39,391 --> 00:32:40,326
I WAS JUST TRYING
TO PROTECT YOU.

837
00:32:40,359 --> 00:32:43,229
THE ONLY THING I NEED
PROTECTING FROM IS YOU.

838
00:32:43,262 --> 00:32:44,263
I WANT OUT.
WHAT?

839
00:32:44,296 --> 00:32:47,699
THE CUSHIEST JOB
IN THE BUSINESS,
A GREAT CAREER.

840
00:32:47,733 --> 00:32:49,435
NO, US.

841
00:32:49,468 --> 00:32:51,703
LOOK, I--I KNOW
I OWE YOU A LOT,

842
00:32:51,737 --> 00:32:52,538
MAYBE EVERYTHING,

843
00:32:52,571 --> 00:32:55,041
AND MAYBE THAT'S WHY
I STAYED SO LONG.

844
00:32:55,074 --> 00:32:57,009
BUT I NEED TO GO.
I'M DONE.

845
00:32:57,043 --> 00:33:01,247
YOU'RE NOT DONE
UNTIL I SAY SO.

846
00:33:01,280 --> 00:33:04,083
YOU'RE STILL
UNDER CONTRACT.

847
00:33:04,283 --> 00:33:06,218
ALL RIGHT, DUFF!
FROM THE TOP, OK?

848
00:33:06,252 --> 00:33:09,255
THIS IS THE ONE,
YOU GUYS. LOTS OF ENERGY.

849
00:33:09,288 --> 00:33:11,590
Crew: STAND BY!
PICTURE'S UP!

850
00:33:11,790 --> 00:33:13,759
SOUNDS JUST
LIKE CELESTE

851
00:33:13,792 --> 00:33:17,029
AND DR. HOLDEN
ON THE SHOW.

852
00:33:17,063 --> 00:33:18,797
WAIT A MINUTE.

853
00:33:18,830 --> 00:33:21,300
THAT'S IT.

854
00:33:21,333 --> 00:33:24,303
YOU'RE DOING WHAT YOU DID
IN GRAD SCHOOL.

855
00:33:24,336 --> 00:33:25,371
YOU'RE GIVING THEM NOTES.

856
00:33:25,404 --> 00:33:26,505
YOU WANT HER
TO CHANGE THE SCRIPT.

857
00:33:26,538 --> 00:33:29,341
DR. HOLDEN MUST
LEAVE HOPE'S EDGE,

858
00:33:29,375 --> 00:33:32,478
AND IF CALLY
WON'T KILL HIM,

859
00:33:32,511 --> 00:33:34,480
I WILL.

860
00:33:34,513 --> 00:33:36,048
WHAT'S GOIN' ON?

861
00:33:36,082 --> 00:33:38,284
WERE YOU JUST TALKIN'
TO THE GHOST?

862
00:33:38,317 --> 00:33:40,519
YOU KNOW WHAT?
I'VE SEEN GHOSTS

863
00:33:40,552 --> 00:33:41,287
TRY TO MANIPULATE--OOH.

864
00:33:41,320 --> 00:33:45,157
SORRY--TVs,
BUT NEVER ENJOY THEM.

865
00:33:45,191 --> 00:33:46,525
WHAT DOES THAT MEAN?

866
00:33:46,558 --> 00:33:48,694
IS THE GHOST
A FAN OF THE SHOW?

867
00:33:48,727 --> 00:33:49,461
Duff: PICTURE'S UP!

868
00:33:49,495 --> 00:33:51,463
MELINDA, WE NEED
YOU ON YOUR MARK!

869
00:33:51,497 --> 00:33:53,265
OH. UM, MORE OF
A CRITIC, ACTUALLY.

870
00:33:53,299 --> 00:33:55,301
HE WANTS HIM TO CHANGE
THE STORY LINE,

871
00:33:55,334 --> 00:33:57,203
BUT I'M NOT SURE
HOW FAR HE'LL GO.

872
00:33:57,236 --> 00:33:59,105
OK. PINK TAPE.

873
00:33:59,138 --> 00:34:00,539
OK. GOOD LUCK.

874
00:34:01,140 --> 00:34:02,774
Cally: AND...

875
00:34:02,808 --> 00:34:05,344
ACTION!

876
00:34:08,514 --> 00:34:10,216
[FEEDBACK]
OHH!

877
00:34:10,249 --> 00:34:12,084
WHAT THE HELL?

878
00:34:12,484 --> 00:34:13,419
HEY, JERRY! JERRY!
THE CRANE!

879
00:34:13,452 --> 00:34:15,287
HEY, CUT! CUT IT!
I WAS ON IT!

880
00:34:15,321 --> 00:34:17,256
THAT'S A CUT!
WE CAN'T STOP IT!

881
00:34:17,289 --> 00:34:18,824
IT'S GONNA HIT HER!
WATCH IT!

882
00:34:18,857 --> 00:34:20,492
[SCREAMS]

883
00:34:22,528 --> 00:34:24,263
Eli: OK, MILES,
CUT, PRINT, WRAP,

884
00:34:24,296 --> 00:34:26,565
OR WHATEVER IT IS
YOU PEOPLE SAY.

885
00:34:26,598 --> 00:34:28,634
IT'S OVER.

886
00:34:28,667 --> 00:34:30,836
SORRY ABOUT YOUR HAND.

887
00:34:30,869 --> 00:34:32,838
YEAH, WELL, YOU SHOULD BE.
SHE ALMOST BROKE A BONE
WITH THAT CRANE STUNT.

888
00:34:32,871 --> 00:34:36,142
IT'S OK. IT'S A SPRAIN.
I'LL LIVE.

889
00:34:36,175 --> 00:34:37,143
I WISH I COULD
SAY THE SAME.

890
00:34:37,176 --> 00:34:38,810
YEAH, WELL, I MIGHT HAVE
FELT MORE SORRY FOR YOU

891
00:34:38,844 --> 00:34:41,847
IF YOU HADN'T JUST TRIED
TO KILL MY FRIEND.

892
00:34:43,415 --> 00:34:45,451
LISTEN, I WASN'T
TRYIN' TO KILL ANYONE.

893
00:34:45,484 --> 00:34:47,686
I JUST WANTED TO STOP
THEM FROM FILMING
THAT IDIOTIC SCENE.

894
00:34:47,719 --> 00:34:51,290
WHY? BECAUSE YOU
DIDN'T LIKE THE STORY
CALLY WAS TELLIN'?

895
00:34:51,323 --> 00:34:53,159
YOU'RE NOT DOING
PLAYS ANYMORE.

896
00:34:53,192 --> 00:34:53,759
THIS IS REAL LIFE.

897
00:34:53,792 --> 00:34:54,860
YES,
I'M AWARE OF THAT.

898
00:34:54,893 --> 00:34:56,828
OK, SO THEN,
WHY DO YOU KEEP TRYING

899
00:34:56,862 --> 00:34:58,730
TO GET THEM TO CHANGE
THE STORY LINE?

900
00:34:58,764 --> 00:35:00,699
IS IT SOME SORT
OF REVENGE?

901
00:35:00,732 --> 00:35:01,500
REVENGE FOR WHAT?

902
00:35:01,533 --> 00:35:03,335
YOU WERE SHOT TO DEATH
ON THIS STAGE.

903
00:35:03,369 --> 00:35:05,304
YOU HAVE TO BLAME
SOMEONE FOR THAT.

904
00:35:05,337 --> 00:35:08,374
NO, I DO, BUT IT'S
NONE OF THEM.

905
00:35:08,874 --> 00:35:10,909
Grant: WHO ARE YOU
TALKIN' TO?

906
00:35:10,942 --> 00:35:13,879
WE CAME RIGHT OVER.
WHAT'S THE EMERGENCY?

907
00:35:13,912 --> 00:35:15,847
I'M DUE IN EDITING.

908
00:35:15,881 --> 00:35:17,483
MILES WANTS
TO TALK TO YOU.

909
00:35:17,516 --> 00:35:21,320
WHAT'S GOIN' ON?
DID YOU PUT 'EM UP TO THIS?

910
00:35:21,353 --> 00:35:24,190
Brook:
IT'S REAL, GRANT.

911
00:35:24,890 --> 00:35:27,226
JUST HEAR THEM OUT.

912
00:35:28,194 --> 00:35:30,429
Grant: SO THOSE ACCIDENTS
WEREN'T REALLY ACCIDENTS?

913
00:35:30,462 --> 00:35:32,864
EXCEPT FOR THE ONE
WHERE I TACKLED YOU.

914
00:35:32,898 --> 00:35:34,433
THAT WAS KIND OF--

915
00:35:34,466 --> 00:35:35,167
PURE STUPIDITY.

916
00:35:35,201 --> 00:35:37,936
THANKS.
MILES, ANYTHING TO ADD?

917
00:35:37,969 --> 00:35:38,770
WE'RE ALL WAITING.

918
00:35:38,804 --> 00:35:39,738
WELL, FIRST OF ALL,
YOU CAN TELL THEM

919
00:35:39,771 --> 00:35:42,508
TO STOP WALLOWING
IN THE GUILT FOR KILLING ME,

920
00:35:42,541 --> 00:35:44,910
BECAUSE IT WASN'T
THEIR FAULT.

921
00:35:44,943 --> 00:35:49,681
MILES WANTS YOU
TO KNOW THAT HIS DEATH
WASN'T YOUR FAULT.

922
00:35:51,350 --> 00:35:53,452
WHEN HE SAW
YOUR REACTION TO GRANT

923
00:35:53,485 --> 00:35:54,753
BEING DROPPED
FROM THE SHOW,

924
00:35:54,786 --> 00:35:57,889
HE WAS AFRAID THAT
PEOPLE WOULD START TO
TANK THEIR PERFORMANCES.

925
00:35:57,923 --> 00:35:59,658
I DECIDED
TO SHAKE THINGS UP,

926
00:35:59,691 --> 00:36:02,628
SO I PUT A DOUBLE
CHARGE IN THE GUN,

927
00:36:02,661 --> 00:36:03,495
THOUGHT AN EXTRA-LARGE BLAST

928
00:36:03,529 --> 00:36:06,898
WOULD PUT SOME LIFE
INTO THE SECOND ACT.

929
00:36:07,566 --> 00:36:11,503
HE PUT A DOUBLE CHARGE
INTO THE GUN.

930
00:36:12,003 --> 00:36:14,906
THAT IS SO MILES.

931
00:36:16,808 --> 00:36:19,611
WHAT ABOUT EVERYTHING
THAT HE DID,

932
00:36:19,645 --> 00:36:20,812
ALL THOSE HAUNTINGS?

933
00:36:20,846 --> 00:36:22,348
WHAT DOES
HE WANT FROM US?

934
00:36:22,381 --> 00:36:25,451
IT'S NOT ABOUT
WHAT I WANT.

935
00:36:25,851 --> 00:36:28,854
BUT THE VISION
THAT YOU GAVE ME,

936
00:36:28,887 --> 00:36:30,956
THE WORD "LIES"...

937
00:36:31,557 --> 00:36:32,791
WHO'S LYING?

938
00:36:32,824 --> 00:36:33,425
WHO ISN'T?

939
00:36:33,459 --> 00:36:34,960
AND WHAT DOES
ANY OF THIS

940
00:36:34,993 --> 00:36:36,495
HAVE TO DO WITH GRANT
LEAVING THE SHOW?

941
00:36:36,528 --> 00:36:39,465
IS IT THAT YOU DIDN'T
WANT HIM TO BE WITH CALLY?

942
00:36:39,498 --> 00:36:42,401
WHY WOULD I CARE
WHO HE CHOOSES
TO BE WITH?

943
00:36:42,434 --> 00:36:44,403
I'M DEAD.

944
00:36:45,871 --> 00:36:49,308
JUST AS LONG
AS HE FOLLOWS HIS DREAMS.

945
00:36:49,341 --> 00:36:50,642
RIGHT?

946
00:36:50,676 --> 00:36:52,511
THAT'S WHY YOU WANTED US
TO WATCH THE SHOW,

947
00:36:52,544 --> 00:36:56,982
BECAUSE GRANT AND
HIS CHARACTER HAVE
THE SAME PROBLEM.

948
00:37:01,920 --> 00:37:03,955
UH, NOT FOLLOWING
OUR DREAMS--

949
00:37:03,989 --> 00:37:05,457
WHAT'S HE
TALKIN' ABOUT?

950
00:37:05,491 --> 00:37:06,892
MILES IS SAYING
THAT HE THINKS

951
00:37:06,925 --> 00:37:09,895
YOU SHOULD
TAKE THE JOB
AT ROCKLAND U,

952
00:37:09,928 --> 00:37:11,663
AND AS USUAL,

953
00:37:11,697 --> 00:37:13,031
HE'S RIGHT.

954
00:37:13,064 --> 00:37:15,000
CAL, IS--IS THIS
SOME SORT OF TRICK?

955
00:37:15,033 --> 00:37:16,668
ARE YOU
SETTIN' ME UP AGAIN?

956
00:37:16,702 --> 00:37:18,003
IF THIS IS
ABOUT LIES,

957
00:37:18,036 --> 00:37:22,341
I THINK I KNOW
WHAT MILES
HAS IN MIND.

958
00:37:23,475 --> 00:37:25,877
THAT NIGHT,
WHEN I TOLD YOU

959
00:37:25,911 --> 00:37:29,648
THE PRODUCERS WANTED
MILES FOR YOUR PART,

960
00:37:29,681 --> 00:37:31,783
IT WASN'T TRUE.

961
00:37:32,318 --> 00:37:34,786
THEY OFFERED TO KEEP
THE WHOLE CAST.

962
00:37:34,820 --> 00:37:36,788
THEY WANTED ME
FOR THE LEAD?

963
00:37:36,822 --> 00:37:38,857
[SIGHS]

964
00:37:38,890 --> 00:37:39,658
I DON'T UNDERSTAND.

965
00:37:39,691 --> 00:37:41,993
I HAD BEEN OFFERED
THAT JOB IN L.A.,

966
00:37:42,027 --> 00:37:43,529
AND I WAS AFRAID

967
00:37:43,562 --> 00:37:46,665
IF YOU WENT
TO THE CITY
TO DO THE PLAY--

968
00:37:46,698 --> 00:37:49,701
I WOULD GET BACK
WITH BROOK.

969
00:37:54,072 --> 00:37:55,974
I WAS RIGHT,
WASN'T I?

970
00:37:56,007 --> 00:37:58,544
I DON'T KNOW.

971
00:37:59,378 --> 00:38:03,048
WOULD YOU HATE ME
FOR HOPIN' YES?

972
00:38:03,849 --> 00:38:05,684
HEH.

973
00:38:05,717 --> 00:38:07,886
HATE YOU?

974
00:38:09,588 --> 00:38:12,524
I WISH I COULD.

975
00:38:12,758 --> 00:38:15,427
I BET I KNOW
WHAT MILES IS
SAYING RIGHT NOW.

976
00:38:15,461 --> 00:38:17,062
HE THINKS
I'M CELESTE

977
00:38:17,095 --> 00:38:19,498
AND THAT I NEVER
REALLY LOVED GRANT,

978
00:38:19,531 --> 00:38:24,002
BUT THAT I WOULDN'T
LET ANYBODY ELSE
HAVE HIM.

979
00:38:24,035 --> 00:38:26,405
IS THAT TRUE?

980
00:38:26,438 --> 00:38:28,974
NO. LOOK AT HER.

981
00:38:29,007 --> 00:38:30,409
SHE LOVED HIM,

982
00:38:30,442 --> 00:38:31,377
MAYBE TOO MUCH.

983
00:38:31,410 --> 00:38:34,546
SHE JUST HELD ON
TOO TIGHT.

984
00:38:34,580 --> 00:38:37,983
HE THINKS YOU HAVE
A REALLY GOOD HEART.

985
00:38:38,950 --> 00:38:41,953
YOU JUST NEED
TO LEARN TO USE IT.

986
00:38:45,957 --> 00:38:47,493
YOUR TURN.

987
00:38:47,526 --> 00:38:49,127
MILES SAYS YOU KEPT
COMIN' BACK TO CALLY,

988
00:38:49,160 --> 00:38:53,565
BECAUSE YOU'RE AFRAID
YOU WON'T BE ABLE TO
SUCCEED WITHOUT HER.

989
00:38:53,965 --> 00:38:56,802
YOU WERE AFRAID OF HER
HOLDING YOU BACK,

990
00:38:56,835 --> 00:39:00,071
BUT YOU DID THAT
TO YOURSELF.

991
00:39:00,672 --> 00:39:01,239
OUCH.

992
00:39:01,272 --> 00:39:03,041
TRUTH HURTS,
DOESN'T IT?

993
00:39:03,074 --> 00:39:06,344
TRY NOT TO ENJOY IT
SO MUCH, MILES.

994
00:39:06,978 --> 00:39:09,114
IT'S MY TURN.

995
00:39:09,848 --> 00:39:12,150
I THINK I CAN GUESS.

996
00:39:12,183 --> 00:39:17,423
DO YOU, UH,
MIND IF I TELL THEM?

997
00:39:18,957 --> 00:39:23,128
GRANT HAS BEEN WRITING ME
AND CALLING ME FOR YEARS,

998
00:39:23,161 --> 00:39:26,097
EVERY TIME HE AND CALLY
BROKE UP.

999
00:39:26,131 --> 00:39:28,934
I JUST NEVER
WROTE HIM BACK.

1000
00:39:29,200 --> 00:39:33,605
I JUST TOLD MYSELF
I DIDN'T WANT THAT LIFE.

1001
00:39:34,039 --> 00:39:35,641
THAT WAS A LIE.

1002
00:39:35,674 --> 00:39:37,909
YOU WERE AFRAID, TOO.

1003
00:39:39,044 --> 00:39:42,380
TO TAKE A CHANCE ON YOU.

1004
00:39:46,117 --> 00:39:48,086
NOW YOU UNDERSTAND?

1005
00:39:48,119 --> 00:39:52,658
I COULDN'T STAND SEEING
THEM LIVE THEIR LIVES
LIKE THIS...

1006
00:39:52,691 --> 00:39:55,994
ESPECIALLY WHEN
THEY WERE SO CLOSE
TO BEING HAPPY.

1007
00:39:56,027 --> 00:40:00,398
JUST HAD TO KNOCK SOME
TRUTH IN THEIR HEADS.

1008
00:40:06,938 --> 00:40:07,839
WHAT'S HAPPENING?

1009
00:40:07,873 --> 00:40:10,809
I THINK HE'S READY TO GO.

1010
00:40:10,842 --> 00:40:12,143
BUT IF HE LEAVES,

1011
00:40:12,177 --> 00:40:14,646
WHO'S GOING
TO KEEP ME HONEST?

1012
00:40:14,680 --> 00:40:16,715
TELL HER TO
REMEMBER ME

1013
00:40:16,748 --> 00:40:19,084
AND THAT--

1014
00:40:19,117 --> 00:40:22,120
AND I'LL ALWAYS
BE RIGHT HERE.

1015
00:40:22,721 --> 00:40:24,490
I'LL TELL HER.

1016
00:40:31,763 --> 00:40:33,832
WOW.

1017
00:40:34,099 --> 00:40:36,802
NOW, THAT'S A SPOTLIGHT.

1018
00:40:47,946 --> 00:40:50,215
HE'S GONE.

1019
00:40:58,089 --> 00:40:59,758
[GUNSHOT]
AHH!

1020
00:40:59,791 --> 00:41:00,325
AHH.

1021
00:41:00,358 --> 00:41:03,194
UHH. WAITING
FOR YOU...

1022
00:41:03,228 --> 00:41:05,463
IN HELL.

1023
00:41:07,198 --> 00:41:07,866
AHH.

1024
00:41:07,899 --> 00:41:10,569
AND THIS TIME,
HE REALLY DIES.

1025
00:41:10,602 --> 00:41:11,803
ALONG WITH
MY ACTING DEBUT.

1026
00:41:11,837 --> 00:41:13,805
I'M SORRY THEY CUT
YOUR SCENE, BABE.

1027
00:41:13,839 --> 00:41:17,075
ENH. IT'S ALL RIGHT.
IT'S SHOW BIZ.

1028
00:41:18,009 --> 00:41:18,944
MS. GORDON.

1029
00:41:18,977 --> 00:41:21,847
IT SAYS HERE
YOU HURT YOUR HAND
LAST THURSDAY.

1030
00:41:21,880 --> 00:41:23,181
YEAH.
YEAH, I WAS HOPING

1031
00:41:23,214 --> 00:41:23,982
THAT IT WOULD
GET BETTER.

1032
00:41:24,015 --> 00:41:26,084
I TRIED TO GET HER
TO COME IN EARLY,

1033
00:41:26,117 --> 00:41:27,753
BUT SHE'S, UM,
PLAIN STUBBORN.
RIGHT.

1034
00:41:27,786 --> 00:41:31,022
WELL, WE'LL HAVE TO
DO AN X-RAY TO SEE
IF IT'S BROKEN.

1035
00:41:31,056 --> 00:41:33,559
SO ARE YOU
CURRENTLY TAKING
ANY MEDICATIONS?

1036
00:41:33,592 --> 00:41:34,192
NOPE.

1037
00:41:34,225 --> 00:41:37,195
ANY CHANCE
YOU'RE PREGNANT?

1038
00:41:37,228 --> 00:41:38,597
WE HAVE TO KNOW
WHAT PRECAUTION

1039
00:41:38,630 --> 00:41:40,966
TO TAKE
FOR THE X-RAY.

1040
00:41:40,999 --> 00:41:41,800
NO.

1041
00:41:41,833 --> 00:41:45,003
NO, I'M NOT PREGNANT.

1042
00:41:45,036 --> 00:41:46,204
ARE YOU SURE?

1043
00:41:46,237 --> 00:41:48,774
HOW LONG'S
IT BEEN SINCE
YOUR LAST PERIOD?

1044
00:41:48,807 --> 00:41:51,509
WELL, UM...

1045
00:41:51,977 --> 00:41:55,246
WELL, I HAVE
BEEN PREOCCUPIED. I...

1046
00:42:10,361 --> 00:42:13,231
[HEART BEATING]

1047
00:42:13,264 --> 00:42:16,301
OH, MY GOD.
THAT'S A BABY.

1048
00:42:18,870 --> 00:42:20,972
THAT'S A HEARTBEAT.

1049
00:42:24,776 --> 00:42:27,178
OK, UH, 8 WEEKS, RIGHT?

1050
00:42:27,212 --> 00:42:28,814
YEAH.
WHICH MEANS--

1051
00:42:28,847 --> 00:42:31,917
THAT MEANS IT
HAPPENED BEFORE YOU...

1052
00:42:33,018 --> 00:42:34,753
WENT AWAY...

1053
00:42:34,786 --> 00:42:36,688
AND CAME BACK.

1054
00:42:38,757 --> 00:42:40,859
TELL ME IT'S REAL.

1055
00:42:41,226 --> 00:42:44,362
PLEASE
TELL ME IT'S REAL.

1056
00:42:44,395 --> 00:42:46,197
[CHUCKLES]

1057
00:42:46,231 --> 00:42:48,066
IT'S REAL.

1058
00:43:06,952 --> 00:43:09,788
Captioning Made Possible By
ABC Studios, LLC. and CBS, Inc.

1059
00:43:09,821 --> 00:43:13,992
CAPTIONED BY THE NATIONAL
CAPTIONING INSTITUTE
--www.ncicap.org--