1 00:00:03,171 --> 00:00:05,039 THESE ARE INTENSE. ARE ANY OF THESE YOURS? 2 00:00:05,039 --> 00:00:06,407 NO, THEY'RE MY GRAD STUDENTS' 3 00:00:06,407 --> 00:00:07,675 FROM MY MASTERS PORTFOLIO CLASS. 4 00:00:07,675 --> 00:00:10,778 WOW, YOU REALLY LOOK BEAUTIFUL IN THIS LIGHT. 5 00:00:10,778 --> 00:00:12,080 [LAUGHS] 6 00:00:12,080 --> 00:00:13,547 WISHFUL THINKING ON BOTH OUR PARTS. 7 00:00:13,547 --> 00:00:15,749 IT'S A MODEL, NOT ME. 8 00:00:15,749 --> 00:00:17,318 SOME PHOTOS DOWN THERE YOU MIGHT ENJOY. 9 00:00:17,318 --> 00:00:19,520 STUDENT OF MINE WAS IN BANGLADESH. 10 00:00:19,520 --> 00:00:20,888 WELL, I'LL TELL YOU WHAT I USED TO TELL MY MOTHER 11 00:00:20,888 --> 00:00:22,323 WHEN I DIDN'T FINISH MY DINNER-- 12 00:00:22,323 --> 00:00:24,358 I DON'T CARE ABOUT KIDS FROM INDIA, I JUST CARE ABOUT YOU. 13 00:00:24,358 --> 00:00:27,027 I DIDN'T SAY THE LAST PART TO MY MOTHER. THAT'D BE WEIRD. 14 00:00:27,027 --> 00:00:28,429 ALTHOUGH I'M SURE SHE WAS FASCINATING. 15 00:00:28,429 --> 00:00:29,697 SHE WAS, VERY. 16 00:00:29,697 --> 00:00:31,165 BUT NO MOTHER ISSUES HERE AT ALL. 17 00:00:33,701 --> 00:00:36,070 THESE HAVE TO BE YOURS. 18 00:00:36,070 --> 00:00:38,005 THIS IS, UH, WHAT, YOUR APARTMENT DOWN IN THE EAST VILLAGE? 19 00:00:38,005 --> 00:00:39,740 DO YOU MISS IT, THE WHOLE BOHEMIAN LIFESTYLE? 20 00:00:39,740 --> 00:00:41,642 NO, I LIKE TEACHING HERE JUST FINE. 21 00:00:41,642 --> 00:00:43,977 HOW COME THERE'S NO PICTURES OF YOU HERE AT ALL? 22 00:00:43,977 --> 00:00:46,214 COME ON, RICK. IT'S THE COMMAND PERFORMANCE FOR THE NEW DEAN. 23 00:00:46,214 --> 00:00:47,648 WE'RE ALREADY LATE. 24 00:00:47,648 --> 00:00:50,118 OK. SO MUCH FOR SMALL TALK. 25 00:00:51,252 --> 00:00:52,920 THIS IS AMAZING. 26 00:00:52,920 --> 00:00:54,422 JUST 'CAUSE THE DEAN IS FORMER IVY, 27 00:00:54,422 --> 00:00:55,756 THEY RENT OUT AN ENTIRE RESTAURANT. 28 00:00:55,756 --> 00:00:57,425 YOU KNOW WHAT I GOT WHEN I CAME TO ROCKLAND U.? 29 00:00:57,425 --> 00:01:00,261 I GOT A WELCOME PACKET WITH A FEW TAKE-OUT MENUS. 30 00:01:00,261 --> 00:01:01,562 PROFESSOR POLLILI. 31 00:01:01,562 --> 00:01:04,732 HI. I'M STACEY ADLER. NOT THAT IT MATTERS. 32 00:01:04,732 --> 00:01:07,535 I KNOW YOUR WORK. I'VE TRIED TO GET INTO YOUR CLASSES, 33 00:01:07,535 --> 00:01:08,802 BUT THEY FILL UP SO FAST. 34 00:01:08,802 --> 00:01:10,138 WELL, IT'S VERY NICE TO MEET YOU, STACEY. 35 00:01:10,138 --> 00:01:11,705 THIS IS PROFESSOR PAYNE. 36 00:01:11,705 --> 00:01:13,907 OH, GREAT. I'M GOING TO GET THE SPELLING IN JUST A SEC. 37 00:01:13,907 --> 00:01:15,376 OH, NO, PLEASE. 38 00:01:15,376 --> 00:01:17,711 OH, IT'S JUST A P.R. PICTURE FOR THE UNIVERSITY MAGAZINE. 39 00:01:17,711 --> 00:01:20,013 NO. I SAID NO. 40 00:01:20,013 --> 00:01:22,049 I'M SORRY. I JUST-- PLEASE, DON'T. 41 00:01:22,049 --> 00:01:23,917 OK. I'M-- I DIDN'T REALIZE. SORRY. 42 00:01:25,219 --> 00:01:26,887 I CAN'T DO THIS. 43 00:01:26,887 --> 00:01:28,489 I THOUGHT I COULD, BUT I CAN'T. 44 00:01:28,489 --> 00:01:29,657 WHAT? WHAT CAN'T YOU DO? 45 00:01:29,657 --> 00:01:31,159 LOOK, IT'S NOT YOU. I JUST-- 46 00:01:31,159 --> 00:01:33,761 I REALLY DON'T FEEL WELL, SO I'M GOING TO GO. UM... 47 00:01:36,897 --> 00:01:39,367 THAT IS WEIRD. YEAH, THAT'S WEIRD. 48 00:01:39,367 --> 00:01:42,203 I KNOW. I HAD HER RIGHT IN FRAME. 49 00:01:42,203 --> 00:01:45,706 WOW. THAT IS WEIRD. 50 00:01:45,706 --> 00:01:46,907 CAN I BORROW THIS FOR A SECOND? 51 00:01:46,907 --> 00:01:48,276 ACTUALLY, LIKE, RIGHT NOW, THIS SECOND. 52 00:01:48,276 --> 00:01:50,077 IT'S OK. OTHERWISE I HAVE TO STEAL IT. 53 00:01:54,148 --> 00:01:56,317 OK. THANK YOU VERY MUCH. 54 00:01:56,317 --> 00:01:57,318 WAIT. WHY? 55 00:01:57,318 --> 00:01:59,653 BECAUSE YOU JUST GAVE YOUR MEMORY CARD 56 00:01:59,653 --> 00:02:01,222 TO THE ANTHROPOLOGY DEPARTMENT. 57 00:02:01,222 --> 00:02:02,656 I APPRECIATE IT. 58 00:02:02,656 --> 00:02:04,492 BUT--WH-WHAT ABOUT THE MAGAZINE? 59 00:02:04,492 --> 00:02:05,993 USE YOUR DESCRIPTIVE POWERS. 60 00:02:05,993 --> 00:02:08,196 WHY, YOU KNOW, CHEAT WITH PICTURES? 61 00:02:08,196 --> 00:02:11,499 * GRANT MY LAST REQUEST AND JUST LET ME HOLD YOU... * 62 00:02:11,499 --> 00:02:12,666 [POUNDS ON DOOR] 63 00:02:12,666 --> 00:02:14,502 Rick: HELLO! 64 00:02:14,502 --> 00:02:16,504 I KNOW YOU GUYS ARE HOME. I CAN SEE YOUR CARS. 65 00:02:16,504 --> 00:02:17,671 ARE YOU EXPECTING SOMEONE? 66 00:02:17,671 --> 00:02:19,173 [SIGHS] NO ONE! 67 00:02:19,173 --> 00:02:20,974 HELLO? HELLO, HELLO, HELLO! 68 00:02:20,974 --> 00:02:22,510 COMING. 69 00:02:22,510 --> 00:02:24,678 HELLO. 70 00:02:24,678 --> 00:02:28,482 HEY. HOW ARE YOU, JIM? YOU BEEN WORKING OUT? YOU LOOK GOOD. 71 00:02:28,482 --> 00:02:29,750 THERE SHE IS. 72 00:02:29,750 --> 00:02:31,319 AHH. THIS IS NICE. 73 00:02:31,319 --> 00:02:33,487 THERE'S THE MISSUS, A NICE CRACKLING FIRE. 74 00:02:33,487 --> 00:02:35,323 NICE VINTAGE-- A LITTLE PRICEY. 75 00:02:35,323 --> 00:02:36,990 "SCRUPULISTIC" NOT A WORD. 76 00:02:36,990 --> 00:02:38,526 DIDN'T YOU HAVE A DATE TONIGHT? 77 00:02:38,526 --> 00:02:40,194 I DID HAVE A DATE TONIGHT, AS IT WERE, 78 00:02:40,194 --> 00:02:43,163 SINCE YOU'RE THE ONE THAT FORCED ME BACK INTO THE DATING WORLD. 79 00:02:43,163 --> 00:02:44,865 WHAT HAPPENED? WELL, WHAT HAPPENED? 80 00:02:44,865 --> 00:02:46,033 I'LL TELL YOU WHAT HAPPENED. 81 00:02:46,033 --> 00:02:47,368 THIS MIGHT HAVE BEEN THE FIRST TIME IN MY LIFE 82 00:02:47,368 --> 00:02:50,037 THAT A WOMAN SAID "IT'S NOT YOU, IT'S ME," 83 00:02:50,037 --> 00:02:52,840 AND I BELIEVED HER. 84 00:02:52,840 --> 00:02:56,176 LET ME FIND THESE FOR YOU. OH, HERE'S PROFESSOR REEMAN, RUSSIAN STUDIES. 85 00:02:56,176 --> 00:02:57,745 HE JUST GOT PUBLISHED... 86 00:02:57,745 --> 00:02:58,912 AGAIN. 87 00:02:58,912 --> 00:03:00,814 OK. OH, HERE WE ARE. OK. THAT'S ME. 88 00:03:00,814 --> 00:03:02,416 WOW. THIS REALLY IS... 89 00:03:02,416 --> 00:03:04,051 A DAMN FINE SUIT. 90 00:03:04,051 --> 00:03:05,386 THAT'S ME, AND NEXT TO ME, 91 00:03:05,386 --> 00:03:07,154 THAT'S WHERE MY DATE SHOULD BE. 92 00:03:07,154 --> 00:03:08,656 THAT BIG, EMPTY SPACE, THAT'S WHERE MY DATE WAS. 93 00:03:08,656 --> 00:03:09,757 OK? HERE'S ANOTHER ONE. 94 00:03:09,757 --> 00:03:12,393 THAT'S ME STANDING NEXT TO... 95 00:03:12,393 --> 00:03:14,395 EHH, NO ONE. NOTHING'S THERE. OK. 96 00:03:14,395 --> 00:03:17,465 OH. HERE'S CLAUDIA'S EXIT, WHICH WAS ABRUPT, TO SAY THE LEAST, 97 00:03:17,465 --> 00:03:20,234 ALTHOUGH YOU CAN'T SEE IT ON ANY OF THESE PHOTOS 98 00:03:20,234 --> 00:03:21,969 'CAUSE APPARENTLY, SHE DOESN'T EXIST. 99 00:03:21,969 --> 00:03:23,003 LET ME TAKE A LOOK AT THAT. 100 00:03:23,003 --> 00:03:24,238 SO SHE'S NOT SHOWING UP 101 00:03:24,238 --> 00:03:25,606 IN ANY OF THE PHOTOS. 102 00:03:25,606 --> 00:03:27,575 JUST ADMIT IT, MELINDA-- TONIGHT, I GOT DUMPED BY A GHOST. 103 00:03:27,575 --> 00:03:29,243 DOES SHE EVEN EXIST? 104 00:03:29,243 --> 00:03:31,745 YES. SHE HAS TENURE. IT'S PUBLISH OR PERISH. 105 00:03:31,745 --> 00:03:33,847 HER PHOTOGRAPHS ARE PUBLISHED EVERYWHERE. 106 00:03:33,847 --> 00:03:35,182 BUT SHE'S NOT IN ANY OF THEM, 107 00:03:35,182 --> 00:03:36,517 AND NOR HAVE I SEEN HER 108 00:03:36,517 --> 00:03:37,951 IN ANY OF HER PERSONAL PHOTOGRAPHY, 109 00:03:37,951 --> 00:03:39,687 AND THE PHOTOS SHE HAS OF HERSELF ON HER DESK 110 00:03:39,687 --> 00:03:41,021 WITH HER FAMILY AND THINGS--NOTHING. 111 00:03:41,021 --> 00:03:42,423 SHE'S NOT IN ANY PHOTOS. 112 00:03:42,423 --> 00:03:43,691 WELL, THAT'S WEIRD. 113 00:03:43,691 --> 00:03:45,759 I MEAN, MAYBE IT'S SOMETHING ABOUT HER ENERGY, 114 00:03:45,759 --> 00:03:47,628 OR SOMETHING THE CAMERA CAN'T CAPTURE. 115 00:03:47,628 --> 00:03:50,331 I DON'T THINK SO. PARANORMAL OCCURRENCES USUALLY WORK 116 00:03:50,331 --> 00:03:51,499 THE OPPOSITE WAY. 117 00:03:51,499 --> 00:03:53,534 SPIRITS ARE VISIBLE IN PHOTOGRAPHS 118 00:03:53,534 --> 00:03:56,003 BECAUSE CAMERAS DETECT LIGHT AND HEAT. 119 00:03:56,003 --> 00:03:57,805 BUT A BROADER SPECTRUM OF ENERGY 120 00:03:57,805 --> 00:03:59,873 THE HUMAN EYE CAN'T DETECT. 121 00:03:59,873 --> 00:04:02,743 KIND OF LIKE THAT? WHOA. HELLO. 122 00:04:02,743 --> 00:04:03,877 I'VE NEVER SEEN THIS BEFORE. 123 00:04:03,877 --> 00:04:06,046 HANG ON A SECOND. 124 00:04:06,046 --> 00:04:08,482 IT'S WITH HER IN EVERY SHOT. 125 00:04:08,482 --> 00:04:10,584 FOR THE RECORD, THAT'S NOT WHO I ASKED OUT. 126 00:04:10,584 --> 00:04:12,252 MAYBE NOT, BUT... 127 00:04:12,252 --> 00:04:14,187 THAT'S WHO WENT HOME WITH HER. 128 00:04:19,627 --> 00:04:22,430 Child, whispering: Can you see us? 129 00:04:52,460 --> 00:04:53,794 I'VE BEEN LOOKING FOR OCCURRENCES 130 00:04:53,794 --> 00:04:55,429 OF IMAGES BEING ERASED FROM A PHOTOGRAPH. 131 00:04:55,429 --> 00:04:56,730 THEY'RE HARD TO FIND. 132 00:04:56,730 --> 00:04:59,333 I MEAN, GHOSTS POPPING UP, STEALING THE SPOTLIGHT? 133 00:04:59,333 --> 00:05:00,834 I MEAN, THEY'RE A DIME A DOZEN. 134 00:05:00,834 --> 00:05:04,204 BUT SOMEBODY ACTUALLY BEING KNOCKED FROM THE FRAME? 135 00:05:04,204 --> 00:05:06,206 THAT'S-- THAT'S UNUSUAL. 136 00:05:06,206 --> 00:05:09,577 I'M MORE INTERESTED IN THE SHAPE WE SAW FOLLOWING CLAUDIA. 137 00:05:09,577 --> 00:05:11,445 OH, HIM. YEAH. LET'S CALL HIM BOB. 138 00:05:11,445 --> 00:05:13,647 OK. BOB. WHY? 139 00:05:13,647 --> 00:05:15,215 'CAUSE BOB RIKER GOT MY PROM DATE 140 00:05:15,215 --> 00:05:16,384 DRUNK ON PEACH SCHNAPPS. 141 00:05:16,384 --> 00:05:17,551 HE STOLE HER FROM ME. 142 00:05:17,551 --> 00:05:18,619 NOW THEY'RE MARRIED WITH 3 KIDS, 143 00:05:18,619 --> 00:05:19,820 BUT I DON'T THINK THEY'RE HAPPY. 144 00:05:19,820 --> 00:05:21,489 SAD. BUT YOU'VE MOVED ON TO CLAUDIA. 145 00:05:21,489 --> 00:05:23,156 DOES SHE HAVE ANY IDEA WHAT HAPPENED TO HER? 146 00:05:23,156 --> 00:05:25,493 WELL, SHE FLIPPED OUT THE SECOND A CAMERA WAS POINTED AT HER, 147 00:05:25,493 --> 00:05:28,161 AND, WELL, I'M NO EXPERT IN COMPOSITION, 148 00:05:28,161 --> 00:05:30,498 BUT IT SURE SEEMS LIKE ALL THE PICTURES IN HER OFFICE 149 00:05:30,498 --> 00:05:31,965 ARE KIND OF LOPSIDED. 150 00:05:31,965 --> 00:05:33,133 LIKE SHE USED TO BE IN THEM? 151 00:05:33,133 --> 00:05:34,735 OR LIKE BOB RIKER TOOK THEM. 152 00:05:34,735 --> 00:05:36,069 CAN A GHOST DO THAT? I MEAN, 153 00:05:36,069 --> 00:05:38,739 TRANSFORM AN EXISTING IMAGE OR PRINT? 154 00:05:38,739 --> 00:05:41,409 WELL, IT WOULD HELP IF HE HAD BASIC KNOWLEDGE OF PHOTOGRAPHIC PRINCIPLES-- 155 00:05:41,409 --> 00:05:45,413 I MEAN, KNOWING HOW LIGHT AND HEAT AFFECT PIGMENT. 156 00:05:45,413 --> 00:05:47,748 A PHOTOGRAPH IS JUST PIXELS AND COLORS. 157 00:05:47,748 --> 00:05:49,550 SO IN THEORY, HE COULD MOVE THEM ALL AROUND 158 00:05:49,550 --> 00:05:50,918 LIKE THE PIECE ON AN OUIJA BOARD. 159 00:05:50,918 --> 00:05:52,653 YOU SAID HE. IS THIS BOB? 160 00:05:52,653 --> 00:05:53,987 NO, I'M TALKING ABOUT KEVIN. 161 00:05:53,987 --> 00:05:55,355 KEVIN WAS ONE OF CLAUDIA'S GRADUATE STUDENTS. 162 00:05:55,355 --> 00:05:56,356 HE DIED 2 WEEKS AGO. 163 00:05:56,356 --> 00:05:57,691 AND YOU'RE JUST TELLING ME THIS NOW? 164 00:05:57,691 --> 00:06:00,628 THAT IS, LIKE, PLAIN WITHHOLDING. WHAT HAPPENED TO HIM? 165 00:06:00,628 --> 00:06:02,029 HE DIED IN A CAR CRASH. 166 00:06:02,029 --> 00:06:03,363 BUT I DIDN'T EVEN KNOW UNTIL THIS MORNING 167 00:06:03,363 --> 00:06:04,532 WHEN I CALLED CLAUDIA-- 168 00:06:04,532 --> 00:06:06,066 WHICH, BY THE WAY, I WAS COMPLETELY BREAKING 169 00:06:06,066 --> 00:06:08,969 MY "DON'T CALL ANYONE FOR 48 HOURS AFTER A DISASTROUS DATE" RULE. 170 00:06:08,969 --> 00:06:11,805 I CAN'T IMAGINE HOW THAT CAME UP IN A CONVERSATION. 171 00:06:11,805 --> 00:06:13,641 ACTUALLY, A PRETTY SMOOTH SEGUE 172 00:06:13,641 --> 00:06:15,275 FROM "HEY, DO YOU KNOW YOU'RE INVISIBLE?" 173 00:06:15,275 --> 00:06:16,677 [SCOFFS] 174 00:06:16,677 --> 00:06:18,512 I AGREE, PROFESSOR POLLILI, BUT IT SEEMS AMBIGUOUS. 175 00:06:18,512 --> 00:06:20,481 Claudia: THAT'S WHAT MAKES IT A GREAT PHOTOGRAPH 176 00:06:20,481 --> 00:06:23,851 IS THE UNSPOKEN NARRATIVE. IT TELLS A STORY. 177 00:06:23,851 --> 00:06:26,153 I WILL HAVE EXTENDED OFFICE HOURS THIS AFTERNOON, OK? 178 00:06:26,153 --> 00:06:27,421 BUT I NEED TO TALK TO THESE PEOPLE. 179 00:06:27,421 --> 00:06:28,789 AND, JOSEPH, CONGRATULATIONS. 180 00:06:28,789 --> 00:06:29,957 OH, SERIOUSLY, PROFESSOR POLLILI, 181 00:06:29,957 --> 00:06:31,224 I CAN'T THANK YOU ENOUGH. 182 00:06:31,224 --> 00:06:32,392 SEE YOU LATER. 183 00:06:32,392 --> 00:06:34,394 HI. I'M CLAUDIA. 184 00:06:34,394 --> 00:06:35,563 MELINDA. 185 00:06:35,563 --> 00:06:37,898 THE FRIEND I WAS TELLING YOU ABOUT. 186 00:06:37,898 --> 00:06:39,199 WHAT HAPPENED TO YOUR FOREHEAD? 187 00:06:39,199 --> 00:06:40,534 OH, I WAS DRIVING HOME LAST NIGHT 188 00:06:40,534 --> 00:06:42,069 AND I CLIPPED A PARKED CAR. 189 00:06:42,069 --> 00:06:44,171 [CHUCKLES] LUCKILY NOBODY WAS HURT. 190 00:06:44,171 --> 00:06:45,405 EXCEPT FOR YOU. 191 00:06:45,405 --> 00:06:48,041 MMM. I DON'T KNOW WHERE I'M AT THESE DAYS. 192 00:06:49,376 --> 00:06:51,378 ALL I KNOW IS, I CAME HOME ONE DAY 193 00:06:51,378 --> 00:06:53,747 TO FIND I WASN'T IN ANY PICTURES. 194 00:06:53,747 --> 00:06:55,916 FAMILY, FRIENDS, TRAVEL-- 195 00:06:55,916 --> 00:06:59,853 THE PHOTOS WERE STILL THERE, BUT I WAS GONE. 196 00:06:59,853 --> 00:07:01,655 WHAT DAY WAS THAT, EXACTLY? 197 00:07:01,655 --> 00:07:03,491 IT WAS THE DAY AFTER KEVIN GRAHAM DIED. 198 00:07:03,491 --> 00:07:05,325 YOUR STUDENT. 199 00:07:05,325 --> 00:07:07,728 HE DIED IN A CAR CRASH. 200 00:07:07,728 --> 00:07:10,564 SO TALENTED. NICEST GUY. 201 00:07:10,564 --> 00:07:12,900 LAST NIGHT, DID YOU FEEL ANYTHING STRANGE, 202 00:07:12,900 --> 00:07:14,935 LIKE A PRESENCE? 203 00:07:14,935 --> 00:07:16,303 I DON'T THINK SO. 204 00:07:16,303 --> 00:07:17,838 HOW WELL DID YOU KNOW KEVIN? 205 00:07:17,838 --> 00:07:21,141 WAS THERE ANY REASON FOR HIM TO BE ANGRY WITH YOU? 206 00:07:21,141 --> 00:07:25,178 KEVIN HAD THE MAKINGS OF A GREAT PHOTOGRAPHER. 207 00:07:25,178 --> 00:07:28,281 HE HAD EVERYTHING THAT IT TOOK... 208 00:07:28,281 --> 00:07:29,950 EXCEPT FOR PATIENCE. 209 00:07:29,950 --> 00:07:32,119 THERE WAS A GALLERY SHOWING 210 00:07:32,119 --> 00:07:34,955 THAT HE WAS JUST DESPERATE TO GET INTO. 211 00:07:34,955 --> 00:07:36,957 AND HE WANTED ME TO MAKE A CALL ON HIS BEHALF, 212 00:07:36,957 --> 00:07:38,659 BUT I TOLD HIM THAT HE WASN'T READY. 213 00:07:38,659 --> 00:07:39,993 WAS HE UPSET? 214 00:07:39,993 --> 00:07:41,328 HE TOOK IT REALLY HARD, 215 00:07:41,328 --> 00:07:43,030 LIKE I WAS TELLING HIM HE DIDN'T HAVE A FUTURE. 216 00:07:43,030 --> 00:07:45,265 BUT IN THIS BUSINESS, 217 00:07:45,265 --> 00:07:47,267 YOU ONLY GET ONE INTRODUCTION, 218 00:07:47,267 --> 00:07:49,503 ONE SHOT, AND I DIDN'T WANT TO BLOW IT FOR HIM. 219 00:07:49,503 --> 00:07:52,840 I MEAN, I THOUGHT OF 100 DIFFERENT WAYS 220 00:07:52,840 --> 00:07:54,174 THAT I COULD HAVE TOLD HIM, BUT-- 221 00:07:54,174 --> 00:07:55,809 BUT YOU THOUGHT NO MATTER WHAT, THE OUTCOME 222 00:07:55,809 --> 00:07:57,645 WOULD HAVE BEEN THE SAME? 223 00:07:57,645 --> 00:07:59,713 I DON'T KNOW. 224 00:07:59,713 --> 00:08:01,949 I MEAN, WOULD HE HAVE BEEN DRIVING 225 00:08:01,949 --> 00:08:03,784 DOWN A DANGEROUS ROAD AT 90 MILES AN HOUR 226 00:08:03,784 --> 00:08:05,085 IF HE THOUGHT HE HAD MORE TO LIVE FOR? 227 00:08:05,085 --> 00:08:07,621 THAT'S EVERY TEACHER'S WORST NIGHTMARE. 228 00:08:07,621 --> 00:08:10,123 YOU TOSS A KID A LOW GRADE OR A CRITICISM, 229 00:08:10,123 --> 00:08:11,458 NEXT THING YOU KNOW, HE SNAPS HIS CAP, 230 00:08:11,458 --> 00:08:13,460 AND HE WANTS TO OFF HIMSELF OR YOU. 231 00:08:13,460 --> 00:08:15,195 IS THAT WHAT YOU'RE THINKING? 232 00:08:15,195 --> 00:08:16,797 MAYBE HE FOUND A WAY TO DO BOTH? 233 00:08:16,797 --> 00:08:18,465 I DON'T KNOW. 234 00:08:18,465 --> 00:08:23,203 WAS THIS ALWAYS HERE? THIS TRANSLUCENT SHAPE, DO YOU SEE IT? 235 00:08:23,203 --> 00:08:24,204 Claudia: NO. 236 00:08:24,204 --> 00:08:25,639 HAVE YOU SEEN IT ANYWHERE ELSE? 237 00:08:25,639 --> 00:08:27,307 YEAH. 238 00:08:27,307 --> 00:08:29,309 LAST WEEK, IN ONE OF MY STUDENTS' WORK. 239 00:08:29,309 --> 00:08:30,978 HIS NAME'S JOSEPH. 240 00:08:30,978 --> 00:08:32,445 DID HE KNOW KEVIN? 241 00:08:32,445 --> 00:08:34,047 YEAH. 242 00:08:34,047 --> 00:08:37,117 PROFESSOR POLLILI KNOWS EVERYBODY IN THE PHOTO WORLD. 243 00:08:37,117 --> 00:08:39,286 SHE PICKS UP THE PHONE, AND YOUR SLIDES GET SEEN. 244 00:08:39,286 --> 00:08:41,121 SO IT'S THAT EASY? 245 00:08:41,121 --> 00:08:43,791 WELL, SHE HAS TO LIKE YOUR WORK. 246 00:08:43,791 --> 00:08:47,260 WHAT ABOUT KEVIN? DID SHE LIKE HIS WORK? 247 00:08:47,260 --> 00:08:48,929 PROFESSOR POLLILI'S TOUGH BUT FAIR. 248 00:08:48,929 --> 00:08:50,330 AND NO DISRESPECT TO THE DEAD, 249 00:08:50,330 --> 00:08:53,667 BECAUSE KEVIN SEEMED LIKE A NICE GUY, A GOOD ARTIST, 250 00:08:53,667 --> 00:08:57,170 BUT THOSE 2 THINGS, EVEN IN COMBINATION... 251 00:08:57,170 --> 00:08:58,438 THEY'RE NOT ENOUGH. YOU KNOW WHAT I MEAN? 252 00:08:58,438 --> 00:09:00,574 I'M NOT SURE I DO. 253 00:09:00,574 --> 00:09:01,975 IT'S SO COMPETITIVE. 254 00:09:01,975 --> 00:09:03,644 IT'S LIKE THIS TINY MARKET 255 00:09:03,644 --> 00:09:05,478 WITH TOO MANY PEOPLE TO BEGIN WITH. 256 00:09:05,478 --> 00:09:07,981 AND IF YOU DON'T HAVE WHAT IT TAKES, WHAT PEOPLE WANT... 257 00:09:07,981 --> 00:09:10,651 THEN YOU GET SQUEEZED OUT. 258 00:09:10,651 --> 00:09:12,485 AND KEVIN WAS FEELING THAT SQUEEZE. 259 00:09:12,485 --> 00:09:14,154 BECAUSE SHE MADE PHONE CALLS 260 00:09:14,154 --> 00:09:16,824 ON YOUR BEHALF AND NOT ON HIS? 261 00:09:16,824 --> 00:09:18,792 YEAH. 262 00:09:18,792 --> 00:09:20,160 BASICALLY. 263 00:09:20,160 --> 00:09:21,662 SHE SAID THAT YOU HAD SOME PHOTOS 264 00:09:21,662 --> 00:09:23,997 WITH THIS STRANGE SHAPE IN THEM. 265 00:09:23,997 --> 00:09:26,166 YEAH. YEAH, RIGHT. UH... 266 00:09:26,166 --> 00:09:27,567 THAT WAS WEIRD. [CHUCKLES] 267 00:09:27,567 --> 00:09:29,402 I DID THIS OCEAN SERIES LAST WEEK-- 268 00:09:29,402 --> 00:09:31,705 JUST SAND, WATER, SKY, 269 00:09:31,705 --> 00:09:34,708 AND THIS KIND OF COOL TRANSLUCENT THING. 270 00:09:34,708 --> 00:09:36,376 I DON'T-- I DON'T KNOW HOW IT HAPPENED, 271 00:09:36,376 --> 00:09:38,511 BUT IT LOOKS GREAT. CAN I SEE THEM? 272 00:09:38,511 --> 00:09:40,681 YEAH. YEAH. UM... 273 00:09:40,681 --> 00:09:42,015 I COULD EMAIL THEM TO YOU. 274 00:09:42,015 --> 00:09:43,150 THANKS. 275 00:09:43,150 --> 00:09:44,384 I PROMISED DELIA 276 00:09:44,384 --> 00:09:46,920 THAT I'D CHECK OUT HER INVENTORY SPREADSHEET. 277 00:09:46,920 --> 00:09:49,022 I ALSO WANT TO DOWNLOAD THOSE PHOTOS FROM THAT GUY JOSEPH. 278 00:09:49,022 --> 00:09:50,724 THAT'S CLAUDIA'S STAR PUPIL, RIGHT? 279 00:09:50,724 --> 00:09:51,892 THE ONE YOUR GHOST HAD IT OUT FOR? 280 00:09:51,892 --> 00:09:53,260 IF THAT'S WHAT IT'S ABOUT. 281 00:09:53,260 --> 00:09:56,263 KEVIN SAID HIS TEACHER-- I DON'T KNOW-- 282 00:09:56,263 --> 00:09:59,532 HELPED ANOTHER GRAD STUDENT GET INTO MORE GALLERIES THAN HIM. 283 00:09:59,532 --> 00:10:01,869 I DON'T WANT TO SOUND HARSH, BUT BOO-HOO. 284 00:10:01,869 --> 00:10:03,370 OR BOO. 285 00:10:03,370 --> 00:10:04,872 BUT SINCE WHEN HAVE GHOSTS BECOME REASONABLE? 286 00:10:04,872 --> 00:10:07,207 IT JUST MAKES ME MAD. WHAT? 287 00:10:07,207 --> 00:10:08,408 THAT THIS FILE'S TAKING SO LONG, 288 00:10:08,408 --> 00:10:10,010 OR THAT HE'S TORMENTING HIS PROFESSOR? 289 00:10:10,010 --> 00:10:11,144 OH, BECAUSE CLAUDIA TRIED TO HOLD HIM BACK 290 00:10:11,144 --> 00:10:13,446 UNTIL HE WAS READY FOR THE BIG, BAD ART WORLD. 291 00:10:13,446 --> 00:10:14,915 I MEAN, HONESTLY, 292 00:10:14,915 --> 00:10:16,717 THAT'S THE WORST THING THAT'S HAPPENED TO THAT GUY? 293 00:10:16,717 --> 00:10:19,186 SERIOUSLY, THAT'S THE STORY HE WANTS TOLD? 294 00:10:19,186 --> 00:10:20,954 [TYPING] 295 00:10:20,954 --> 00:10:23,123 ARE YOU SEEING THIS? 296 00:10:23,123 --> 00:10:26,326 I'D ASSUMED THAT WAS KEVIN, BUT... 297 00:10:26,326 --> 00:10:30,630 WELL, THAT DOESN'T LOOK LIKE ANY KEVIN I'VE MET. 298 00:10:30,630 --> 00:10:33,200 EITHER I HAVE THE WRONG GHOST, OR HE'S TELLING A DIFFERENT STORY. 299 00:10:39,973 --> 00:10:41,474 Rick: JIM SAW THIS? 300 00:10:41,474 --> 00:10:43,210 Melinda: YEAH, AND SO WE CLICKED BACK ON THE SAME FILE AGAIN, 301 00:10:43,210 --> 00:10:45,312 AND THEN IT WAS JUST A STILL PHOTO OF THE BEACH. 302 00:10:45,312 --> 00:10:46,646 THAT'S A HAUNTING. SHE'S MADE HER PRESENCE KNOWN. 303 00:10:46,646 --> 00:10:48,615 YEAH, BUT I DON'T GET IT. WHAT DOES SHE WANT US TO KNOW? 304 00:10:48,615 --> 00:10:50,317 FOR STARTERS, SHE PROBABLY WANTS YOU TO KNOW 305 00:10:50,317 --> 00:10:51,551 YOU CHECKED THE WRONG BOX UNDER "SEX OF GHOST." 306 00:10:51,551 --> 00:10:53,687 OK, FINE, SO SHE'S A GIRL, NOT A GUY. 307 00:10:53,687 --> 00:10:55,923 BUT THIS ALL BEGAN WITH KEVIN'S DEATH, 308 00:10:55,923 --> 00:10:57,257 AND I THINK HE'S THE KEY. 309 00:10:57,257 --> 00:11:01,361 MAYBE CLAUDIA KNOWS MORE THAN SHE'S SAYING. 310 00:11:01,361 --> 00:11:02,830 OR EVEN REALIZES. 311 00:11:02,830 --> 00:11:04,998 [GLASS BREAKING] 312 00:11:07,167 --> 00:11:08,769 CLAUDIA, WHAT HAPPENED IN HERE? 313 00:11:08,769 --> 00:11:10,037 SHE'S EVERYWHERE. 314 00:11:10,037 --> 00:11:12,605 HERE, ALL MY PICTURES AT HOME. 315 00:11:12,605 --> 00:11:15,442 JOSEPH CAME BY, AND SHE'S IN ALL HIS PICTURES, TOO. 316 00:11:15,442 --> 00:11:16,944 WHO IS SHE? 317 00:11:16,944 --> 00:11:18,846 I DON'T KNOW. 318 00:11:18,846 --> 00:11:20,881 JOSEPH SWEARS HE DOESN'T KNOW, EITHER. 319 00:11:20,881 --> 00:11:22,682 WHY'S THIS HAPPENING? 320 00:11:22,682 --> 00:11:24,317 I DON'T KNOW. 321 00:11:24,317 --> 00:11:26,920 IT'S UNUSUAL FOR A GHOST TO WANT TO HAUNT A COMPLETE STRANGER. 322 00:11:26,920 --> 00:11:29,823 MAYBE IT HAS SOMETHING TO DO WITH THIS PLACE. 323 00:11:29,823 --> 00:11:31,658 WELL, MAYBE IT'S NOT SOMETHING YOU DID. 324 00:11:31,658 --> 00:11:33,193 HOW WELL DO YOU KNOW THIS JOSEPH? 325 00:11:33,193 --> 00:11:34,427 HE'S A STUDENT. 326 00:11:34,427 --> 00:11:35,695 I'M NOT INVOLVED IN HIS PERSONAL LIFE. 327 00:11:35,695 --> 00:11:37,397 WELL, DID KEVIN EVER TALK TO YOU ABOUT A GIRL? 328 00:11:37,397 --> 00:11:39,733 I MEAN, MAYBE THIS JOSEPH'S LYING. 329 00:11:39,733 --> 00:11:41,735 MAYBE IT WAS SOME KIND OF ROMANTIC TRIANGLE-- 330 00:11:41,735 --> 00:11:43,170 I TOLD YOU. I DON'T KNOW HER, OK? 331 00:11:43,170 --> 00:11:44,504 HOW AM I SUPPOSED TO HELP YOU? 332 00:11:44,504 --> 00:11:47,574 I'VE NEVER SEEN THIS GIRL BEFORE IN MY LIFE. 333 00:11:47,574 --> 00:11:49,509 [SIGHS] 334 00:11:49,509 --> 00:11:52,445 SO THIS GHOST IS NOW SHOWING UP IN CLAUDIA'S PICTURES AND JOSEPH'S. 335 00:11:52,445 --> 00:11:54,948 CLAUDIA SEEMS TO BE FALLING APART BECAUSE OF IT, 336 00:11:54,948 --> 00:11:56,283 AND JOSEPH, AS FAR AS I CAN TELL, 337 00:11:56,283 --> 00:11:58,786 IS SHRUGGING IT OFF AS WEIRD. 338 00:11:58,786 --> 00:12:00,821 THERE'S STILL DAYS I WISH I WAS 23 339 00:12:00,821 --> 00:12:03,290 AND CONVINCED NOTHING BAD WOULD EVER HAPPEN TO ME AGAIN. 340 00:12:03,290 --> 00:12:04,391 YOU WANT MUSTARD WITH THIS? NO, THANKS. 341 00:12:04,391 --> 00:12:05,959 WHAT'S THAT? 342 00:12:05,959 --> 00:12:08,695 OH, THIS, IT'S JUST A STUDY GUIDE. 343 00:12:08,695 --> 00:12:10,097 ISN'T IT FOR MEDICAL SCHOOL? 344 00:12:10,097 --> 00:12:12,065 WELL, YEAH, TECHNICALLY. SURE. 345 00:12:12,065 --> 00:12:13,834 [CHUCKLES] OK, SO YOU'RE GONNA GO TO MEDICAL SCHOOL? 346 00:12:13,834 --> 00:12:15,202 THAT'S GREAT! 347 00:12:15,202 --> 00:12:17,805 MEL, THERE'S A BIG DIFFERENCE BETWEEN GOING AND APPLYING. 348 00:12:19,172 --> 00:12:22,009 THE SOUTHERN MICHIGAN CATALOG, IS THAT WHY WE GOT THAT? 349 00:12:22,009 --> 00:12:23,777 I THOUGHT IT WAS JUST JUNK MAIL. 350 00:12:23,777 --> 00:12:25,979 LOOK, I'M JUST CHECKING OUT THE POSSIBILITIES, OK? 351 00:12:25,979 --> 00:12:27,714 OR, IN MY CASE, THE IMPOSSIBILITIES. 352 00:12:27,714 --> 00:12:30,884 LOOK, THE CHANCES OF GETTING IN ANYWHERE ARE SO SLIM, 353 00:12:30,884 --> 00:12:32,485 I THOUGHT, SINCE MY DAD WENT THERE, 354 00:12:32,485 --> 00:12:34,321 I HAD AN EDGE BEING A LEGACY. 355 00:12:34,321 --> 00:12:35,989 SO YOU'RE NOT JUST GONNA CHANGE CAREERS, 356 00:12:35,989 --> 00:12:37,925 WE MIGHT BE MOVING TO MICHIGAN. 357 00:12:37,925 --> 00:12:39,359 NO. I HAVEN'T EVEN APPLIED. 358 00:12:39,359 --> 00:12:40,894 WHAT ABOUT OUR LIFE HERE? 359 00:12:40,894 --> 00:12:43,163 AND MY STORE. I MEAN, WERE YOU EVEN GOING TO TALK TO ME ABOUT THIS? 360 00:12:43,163 --> 00:12:45,598 OF COURSE. I'M JUST TRYING TO FIGURE IT OUT BY MYSELF AT FIRST. 361 00:12:45,598 --> 00:12:46,834 I'M YOUR WIFE, 362 00:12:46,834 --> 00:12:49,036 SO WHY AREN'T YOU FIGURING IT OUT WITH ME? 363 00:12:50,537 --> 00:12:52,405 THIS IS A HUGE CONVERSATION, ALL RIGHT? 364 00:12:52,405 --> 00:12:55,142 AND IT ISN'T JUST ABOUT YOUR STORE, YOU KNOW THAT. 365 00:12:55,142 --> 00:12:56,376 IT'S ABOUT WHAT YOU DO. 366 00:12:56,376 --> 00:12:58,345 I MEAN, THAT'S THE REAL DISCUSSION, ISN'T IT? 367 00:12:58,345 --> 00:13:00,247 I MEAN, WHETHER WE COULD EVER LEAVE GRANDVIEW 368 00:13:00,247 --> 00:13:01,681 KNOWING WHAT WE KNOW ABOUT THIS PLACE 369 00:13:01,681 --> 00:13:03,450 AND WHAT'S UNDERNEATH IT. 370 00:13:03,450 --> 00:13:04,684 THAT'S WHY I WANTED TO WAIT. 371 00:13:04,684 --> 00:13:06,019 LOOK, I DON'T EVEN KNOW WHAT I WANT HERE. 372 00:13:06,019 --> 00:13:08,255 OR WHAT I EVEN HAVE THE RIGHT TO ASK YOU ABOUT. JIM... 373 00:13:08,255 --> 00:13:10,390 LET'S JUST TALK ABOUT IT LATER, ALL RIGHT? 374 00:13:10,390 --> 00:13:12,592 I GOTTA GO TO WORK, YOU GOTTA CROSS OVER A NASTY GHOST. 375 00:13:12,592 --> 00:13:14,427 ANOTHER ONE, THAT'S WHAT YOU MEAN. 376 00:13:14,427 --> 00:13:17,330 NO, NO, I DIDN'T MEAN THAT. I DIDN'T SAY THAT. 377 00:13:19,266 --> 00:13:21,234 LOOK, I LOVE YOU, OK? WE'LL FIGURE THIS OUT. 378 00:13:26,106 --> 00:13:27,440 Melinda: IS THIS KEVIN? 379 00:13:27,440 --> 00:13:29,042 Man: YEAH. YOU NEVER MET HIM? 380 00:13:29,042 --> 00:13:30,677 HE WAS A FRIEND OF A FRIEND. 381 00:13:30,677 --> 00:13:32,812 WELL, IT'S NICE OF YOU TO HELP OUT. 382 00:13:32,812 --> 00:13:35,282 I CAN'T IMAGINE PACKING UP SOMEONE'S LIFE. 383 00:13:35,282 --> 00:13:36,950 UH, THIS GIRL. 384 00:13:36,950 --> 00:13:38,418 DO YOU KNOW HER? 385 00:13:38,418 --> 00:13:40,187 'CAUSE I'M TRYING TO GET IN TOUCH WITH HER. 386 00:13:40,187 --> 00:13:41,421 I GAVE HIM A LEASE TO SIGN, 387 00:13:41,421 --> 00:13:43,123 AND RAN INTO HIM GETTING MAIL ONCE. 388 00:13:43,123 --> 00:13:44,691 HE WAS ALWAYS ALONE. 389 00:13:44,691 --> 00:13:46,426 I'M GONNA BE HERE FOR A LITTLE BIT. IS THAT OK? 390 00:13:46,426 --> 00:13:48,595 JUST DROP THE KEYS DOWNSTAIRS. 391 00:13:48,595 --> 00:13:50,230 THANK YOU. 392 00:14:15,022 --> 00:14:16,823 [BEEP] 393 00:14:16,823 --> 00:14:18,225 Kevin, on answering machine: HI, THIS IS KEVIN. 394 00:14:18,225 --> 00:14:20,160 YOU KNOW WHAT TO DO, SO DO IT. 395 00:14:20,160 --> 00:14:22,862 [BEEP] 396 00:14:22,862 --> 00:14:24,464 [REWINDING] 397 00:14:24,464 --> 00:14:26,266 [BEEP] 398 00:14:26,266 --> 00:14:28,235 Answering machine: SAVED MESSAGES. 399 00:14:28,235 --> 00:14:30,370 HEY, IT'S SOPHIE. 400 00:14:30,370 --> 00:14:32,639 UM, OBVIOUSLY. 401 00:14:32,639 --> 00:14:33,873 LOOK, I KNOW YOU'RE PISSED, 402 00:14:33,873 --> 00:14:36,609 BUT WE NEED TO TALK, AND NOT ON THE PHONE. 403 00:14:36,609 --> 00:14:38,211 I LOVE YOU. 404 00:14:38,211 --> 00:14:40,213 AND YOU CAN'T GET RID OF ME THAT EASY. 405 00:14:40,213 --> 00:14:42,382 SOPHIE. 406 00:14:42,382 --> 00:14:44,384 [PIPES CREAKING] 407 00:14:44,384 --> 00:14:46,319 [WATER RUNNING] 408 00:15:08,041 --> 00:15:10,944 [GASPS] 409 00:15:27,694 --> 00:15:29,096 AND HERE YOU GO. 410 00:15:29,096 --> 00:15:30,964 I AM SO SORRY! DO YOU NEED SOME HELP? 411 00:15:30,964 --> 00:15:32,232 NO, NO, WE'RE OK. IT'S FINE. 412 00:15:32,232 --> 00:15:33,366 ALL RIGHT, YOU GOOD? YEAH. 413 00:15:33,366 --> 00:15:35,702 OK, GREAT. [SIGHS] I'M SO SORRY. 414 00:15:35,702 --> 00:15:38,171 I DIDN'T EVEN KNOW WE HAD A CUSTOMER UNTIL 5 SECONDS AGO. 415 00:15:38,171 --> 00:15:40,107 WELL, I MIGHT BE A LITTLE DISTRACTED, TOO, 416 00:15:40,107 --> 00:15:41,975 IF I THOUGHT I JUST SAW SOMEBODY DROWN. 417 00:15:41,975 --> 00:15:43,243 WELL, IT WAS A VISION, 418 00:15:43,243 --> 00:15:45,012 SO IT'S JUST SOMETHING THE GHOST EXPERIENCED, 419 00:15:45,012 --> 00:15:46,879 BUT IF I DON'T KNOW WHO SHE IS, 420 00:15:46,879 --> 00:15:47,947 I CAN'T EVEN HELP HER. 421 00:15:47,947 --> 00:15:50,450 I'VE CHECKED OBITS FOR SOPHIES, SOPHIAS, 422 00:15:50,450 --> 00:15:52,986 THE LOCAL AREA IN IOWA WHERE KEVIN'S FROM. 423 00:15:52,986 --> 00:15:55,422 YOU KNOW WHAT, MAYBE I SHOULD CHECK ACCIDENTAL DROWNINGS. 424 00:15:55,422 --> 00:15:58,025 YEAH, BUT WHY? DIDN'T HER MESSAGE SAY 425 00:15:58,025 --> 00:16:00,193 "YOU CAN'T GET RID OF ME THAT EASILY?" 426 00:16:00,193 --> 00:16:02,095 WELL, MAYBE HE DID. 427 00:16:02,095 --> 00:16:05,232 AND MAYBE THE GUILT OVER WHAT HE HAD DONE GOT TO HIM. 428 00:16:05,232 --> 00:16:06,533 OR HER GHOST DID. 429 00:16:06,533 --> 00:16:08,468 I MEAN, IT WOULD EXPLAIN HOW THEIR DEATHS ARE TIED. 430 00:16:08,468 --> 00:16:11,338 BUT IT DOESN'T EXPLAIN THE CONNECTION WITH KEVIN'S PROFESSOR 431 00:16:11,338 --> 00:16:12,605 OR THE OTHER STUDENT. 432 00:16:12,605 --> 00:16:14,074 WELL, WHAT ABOUT KEVIN'S PHONE? 433 00:16:14,074 --> 00:16:16,709 MAYBE HER LAST NAME WOULD SHOW UP ON THE CALLER I.D. 434 00:16:16,709 --> 00:16:18,045 HE DIDN'T HAVE IT. 435 00:16:18,045 --> 00:16:19,279 DID HE HAVE A CELL PHONE? 436 00:16:19,279 --> 00:16:20,580 I DIDN'T SEE ONE. 437 00:16:20,580 --> 00:16:22,682 YOU SAID HE DIED IN A CAR ACCIDENT, RIGHT? 438 00:16:22,682 --> 00:16:24,684 WHEN WAS THE LAST TIME YOU GOT IN A CAR 439 00:16:24,684 --> 00:16:25,885 AND YOU DIDN'T HAVE YOUR CELL PHONE? 440 00:16:27,087 --> 00:16:28,588 YOU'RE RIGHT. 441 00:16:28,588 --> 00:16:31,691 YOU'RE RIGHT. MAYBE THE POLICE HAVE IT, OR THE MORGUE. 442 00:16:31,691 --> 00:16:34,261 NOW WOULD BE A GREAT TIME TO ASK JIM FOR A FAVOR. 443 00:16:34,261 --> 00:16:35,328 I'VE GOT THE STORE COVERED. 444 00:16:35,328 --> 00:16:36,663 GO, GO. 445 00:16:36,663 --> 00:16:38,265 IT'S NOT THAT, BUT THANKS. 446 00:16:38,265 --> 00:16:40,233 WE KIND OF HAD AN ARGUMENT. 447 00:16:40,233 --> 00:16:43,203 LOOKS LIKE JIM MIGHT BE GOING TO MEDICAL SCHOOL. 448 00:16:43,203 --> 00:16:44,571 WHICH IS AMAZING, 449 00:16:44,571 --> 00:16:46,439 AND SEE HOW YOUR FACE JUST LIT UP? 450 00:16:46,439 --> 00:16:49,076 THAT WAS-- THAT WAS MY FACE. 451 00:16:49,076 --> 00:16:50,877 THEN I REALIZED HE'S LOOKING OUT OF STATE, 452 00:16:50,877 --> 00:16:52,745 AND HE HID IT FROM ME. 453 00:16:53,913 --> 00:16:55,815 WELL, YOU KNOW, MELINDA, 454 00:16:55,815 --> 00:16:57,950 THAT IS A HUGE DECISION. 455 00:16:57,950 --> 00:17:01,154 AND I'M SURE HE HAD A LOT OF RESERVATIONS ABOUT IT. 456 00:17:01,154 --> 00:17:04,357 NO, HIS RESERVATION IS ABOUT LIVING HERE. 457 00:17:04,357 --> 00:17:06,693 ESPECIALLY AFTER WHAT HAPPENED IN THE TUNNELS. 458 00:17:09,496 --> 00:17:10,663 THEY'RE JUST HOLDING KEVIN'S STUFF 459 00:17:10,663 --> 00:17:12,832 TILL THE HIGHWAY PATROL REPORT COMES IN. 460 00:17:12,832 --> 00:17:14,834 THANKS FOR CALLING IN A FAVOR. 461 00:17:14,834 --> 00:17:16,269 SURE. 462 00:17:16,269 --> 00:17:18,871 IT'S FUNNY WHAT SURVIVES. 463 00:17:18,871 --> 00:17:21,441 THERE'S A FEW RECENT CALLS... 464 00:17:21,441 --> 00:17:22,742 ONE FROM SOPHIE. 465 00:17:22,742 --> 00:17:24,077 CHECK THE TIMESTAMP. 466 00:17:24,077 --> 00:17:26,579 DAY THAT KEVIN DIED. 467 00:17:26,579 --> 00:17:28,515 IT'S A VIDEO. 468 00:17:30,150 --> 00:17:31,684 SHE'S AT THE BEACH. 469 00:17:31,684 --> 00:17:33,353 I TRUSTED YOU. 470 00:17:33,353 --> 00:17:35,355 I GAVE UP MY LIFE FOR YOU. 471 00:17:35,355 --> 00:17:38,358 THAT'S WHAT YOU WANTED, ISN'T IT? 472 00:17:38,358 --> 00:17:39,892 I TRUSTED YOU. 473 00:17:42,195 --> 00:17:44,564 SHE SENT THAT TO KEVIN? 474 00:17:44,564 --> 00:17:46,333 OH, MY GOD. 475 00:17:50,370 --> 00:17:52,772 SHE'S GONNA DROWN. 476 00:17:54,274 --> 00:17:55,975 WHAT IS THAT? 477 00:17:55,975 --> 00:17:59,045 I THINK WE JUST SAW A 21st CENTURY SUICIDE NOTE. 478 00:18:05,318 --> 00:18:06,386 [SIREN] 479 00:18:06,386 --> 00:18:08,255 PATIENT WAS COMPLAINING OF CHEST PAINS. 480 00:18:08,255 --> 00:18:09,356 WE ADMINISTERED AN E.K.G. 481 00:18:09,356 --> 00:18:11,224 I'M LOOKING AT THE IRREGULARITIES. 482 00:18:11,224 --> 00:18:13,460 HE'S GOT S.T. ELEVATIONS. 483 00:18:13,460 --> 00:18:15,128 LOOKS LIKE HE'S HAVING A HEART ATTACK. 484 00:18:15,128 --> 00:18:16,829 DID YOU ADMINISTER THROMBOLYTICS? 485 00:18:16,829 --> 00:18:18,030 UH, NO. 486 00:18:18,030 --> 00:18:19,899 I MEAN, HE DOESN'T HAVE THE CLASSIC COMPLAINTS. 487 00:18:19,899 --> 00:18:22,535 HE'S GOT NO ARM DISCOMFORT. 488 00:18:22,535 --> 00:18:24,070 HE'S GOT NO DIAPHORESIS, AS YOU CAN SEE. 489 00:18:24,070 --> 00:18:25,972 LOOK, HE HAS SHARP PAINS. 490 00:18:25,972 --> 00:18:27,540 HE LEANS FORWARD, HE FEELS RELIEF. 491 00:18:27,540 --> 00:18:28,908 I MEAN, COULD IT BE PERICARDITIS? 492 00:18:28,908 --> 00:18:30,810 HE'S HAVING CHEST PAINS WITH S.T. ELEVATIONS. 493 00:18:30,810 --> 00:18:32,745 WE HAVE TO TREAT THIS AS A HEART ATTACK. 494 00:18:32,745 --> 00:18:34,013 LET'S GET GOING ON THE THROMBOLYTICS. 495 00:18:34,013 --> 00:18:35,515 Man: RIGHT AWAY. 496 00:18:35,515 --> 00:18:36,849 DON'T YOU THINK THERE'S A CHANCE THERE MIGHT BE-- 497 00:18:36,849 --> 00:18:38,050 WE'LL TAKE IT FROM HERE. THANKS FOR BRINGING IT IN. 498 00:18:49,095 --> 00:18:51,431 HELLO? 499 00:18:51,431 --> 00:18:53,266 CLAUDIA? 500 00:19:02,475 --> 00:19:03,876 [SIGHS] 501 00:19:06,078 --> 00:19:09,582 OK...SOPHIE, I'M HERE. 502 00:19:09,582 --> 00:19:12,985 AND I WANT TO UNDERSTAND WHAT HAPPENED TO YOU. 503 00:19:14,354 --> 00:19:16,789 WHY DID YOU HURT YOURSELF? 504 00:20:03,202 --> 00:20:05,338 [FOOTSTEPS] 505 00:20:06,906 --> 00:20:08,775 MELINDA? 506 00:20:08,775 --> 00:20:10,343 WHAT ARE YOU DOING? 507 00:20:16,783 --> 00:20:17,950 HOW... 508 00:20:19,619 --> 00:20:21,488 WHERE DID YOU GET THESE? 509 00:20:21,488 --> 00:20:23,590 UM, IT'S COMPLICATED, 510 00:20:23,590 --> 00:20:27,260 BUT I THINK THE GIRL WHO'S BEEN SHOWING UP IN YOUR PHOTOS 511 00:20:27,260 --> 00:20:29,095 WANTED ME TO SEE THIS. 512 00:20:29,095 --> 00:20:31,130 OH, MY GOD. 513 00:20:31,130 --> 00:20:33,900 CLAUDIA, I'M NOT HERE TO JUDGE YOU, 514 00:20:33,900 --> 00:20:36,503 BUT I THINK THAT SOMEONE GOT HURT BY WHAT YOU AND KEVIN DID. 515 00:20:36,503 --> 00:20:37,737 YOU DON'T KNOW ANYTHING. 516 00:20:37,737 --> 00:20:38,971 YOU CAN'T. 517 00:20:38,971 --> 00:20:41,508 I KNOW A GIRL NAME SOPHIE WHO IS IN LOVE WITH KEVIN, 518 00:20:41,508 --> 00:20:44,744 AND SHE SAID THAT SHE WOULD GIVE UP HER LIFE FOR HIM, 519 00:20:44,744 --> 00:20:47,514 AND I WATCHED HER DO IT. 520 00:20:47,514 --> 00:20:50,016 AND I THINK IT'S BECAUSE KEVIN WAS SLEEPING WITH YOU. 521 00:20:50,016 --> 00:20:52,452 WHAT DID YOU SAY HER NAME WAS? 522 00:20:52,452 --> 00:20:55,655 SOPHIE. SHE KILLED HERSELF, 523 00:20:55,655 --> 00:20:56,756 AND NOW SHE'S HAUNTING YOU. 524 00:20:56,756 --> 00:20:58,057 AND I DON'T THINK SHE'S GOING TO STOP. 525 00:20:58,057 --> 00:20:59,859 I CAN'T TAKE THIS ANOTHER SECOND. 526 00:20:59,859 --> 00:21:01,761 DO YOU UNDERSTAND? 527 00:21:01,761 --> 00:21:03,363 PLEASE. 528 00:21:03,363 --> 00:21:06,366 PLEASE JUST LEAVE ME ALONE. 529 00:21:06,366 --> 00:21:09,436 YOU'RE MAKING A BIG MISTAKE. 530 00:21:09,436 --> 00:21:12,339 IT WOULDN'T BE THE FIRST. 531 00:21:52,311 --> 00:21:54,381 [CAMERA SHUTTER CLICKING] 532 00:21:54,381 --> 00:21:56,516 [COMPUTER BEEPS] 533 00:22:09,061 --> 00:22:10,997 [SIGHS] 534 00:22:12,899 --> 00:22:14,401 [CAMERA SHUTTER CLICKING] 535 00:22:14,401 --> 00:22:15,668 [COMPUTER BEEPS] 536 00:22:15,668 --> 00:22:17,370 [CAMERA SHUTTER CLICKING] 537 00:22:17,370 --> 00:22:19,238 [COMPUTER BEEPS] 538 00:22:19,238 --> 00:22:21,441 [SCREAMS] 539 00:22:21,441 --> 00:22:23,376 [CAMERA SHUTTER CLICKING] 540 00:22:23,376 --> 00:22:24,811 [CRASH] 541 00:22:26,178 --> 00:22:28,448 YOU HAVE TO KNOW, 542 00:22:28,448 --> 00:22:31,418 I HAVE NEVER BEEN INVOLVED WITH A STUDENT BEFORE. 543 00:22:31,418 --> 00:22:33,820 NEVER EVEN THOUGHT ABOUT IT. 544 00:22:33,820 --> 00:22:36,556 BUT KEVIN, THERE WAS JUST THIS CONNECTION. 545 00:22:36,556 --> 00:22:38,224 OF COURSE THERE WAS. HE LOOKED UP TO YOU. 546 00:22:38,224 --> 00:22:39,526 YOU WERE HIS TEACHER. 547 00:22:39,526 --> 00:22:41,227 IT WASN'T JUST THAT HE LOOKED UP TO ME. 548 00:22:41,227 --> 00:22:43,730 I KNOW IT WAS WRONG. 549 00:22:43,730 --> 00:22:45,632 I KNEW IT WAS WRONG THEN. 550 00:22:45,632 --> 00:22:49,569 BUT HE WAS JUST SO PASSIONATE, SO TALENTED. 551 00:22:49,569 --> 00:22:52,104 LOOK, I'M IN NO POSITION TO JUDGE HERE, OK, 552 00:22:52,104 --> 00:22:54,807 BUT YOU WERE HIS TEACHER. 553 00:22:54,807 --> 00:22:56,643 THAT'S NOT A RELATIONSHIP BETWEEN EQUALS. 554 00:22:56,643 --> 00:22:58,144 THAT'S WHY THIS IS A PROBLEM. 555 00:22:58,144 --> 00:23:00,079 I'M SORRY I WASN'T HONEST WITH YOU. 556 00:23:00,079 --> 00:23:01,481 YOU KNOW WHAT, IT'S OK. 557 00:23:01,481 --> 00:23:03,550 YOU GAVE ME A HUNDRED REASONS WHY NOT TO GO OUT WITH ME. 558 00:23:03,550 --> 00:23:05,718 IT TURNS OUT IT WAS JUST ONE. I GOT IT. 559 00:23:05,718 --> 00:23:09,088 OK, WHY DON'T YOU TELL ME MORE ABOUT SOPHIE? 560 00:23:11,891 --> 00:23:13,926 I, UM... 561 00:23:13,926 --> 00:23:18,565 KNEW THAT HE HAD A GIRLFRIEND BACK HOME. 562 00:23:18,565 --> 00:23:19,966 THEY WERE HAVING PROBLEMS. 563 00:23:21,634 --> 00:23:26,372 BUT I DIDN'T THINK THAT SHE KNEW ABOUT ME. 564 00:23:26,372 --> 00:23:28,508 AND WE WERE OVER. 565 00:23:28,508 --> 00:23:30,309 KEVIN HAD ALREADY ENDED IT, 566 00:23:30,309 --> 00:23:32,645 AND, TO BE HONEST, 567 00:23:32,645 --> 00:23:34,346 I THINK I WAS A LITTLE RELIEVED, 568 00:23:34,346 --> 00:23:37,149 THINKING, STUPIDLY, 569 00:23:37,149 --> 00:23:40,687 THAT WE'D GOTTEN OUT WITHOUT ANYONE BEING HURT. 570 00:23:40,687 --> 00:23:43,155 BUT THEN, WHEN YOU SAID HER NAME, 571 00:23:43,155 --> 00:23:46,158 SOPHIE, 572 00:23:46,158 --> 00:23:47,960 I JUST FELT SICK. 573 00:23:47,960 --> 00:23:49,829 HOW CAN BOTH OF THESE PEOPLE BE DEAD? 574 00:23:49,829 --> 00:23:52,098 I'M TRYING TO FIGURE OUT THE SAME THING. 575 00:23:53,666 --> 00:23:56,736 CLAUDIA, THERE WAS A... 576 00:23:56,736 --> 00:23:59,105 A TIMESTAMP ON THE SUICIDE VIDEO 577 00:23:59,105 --> 00:24:01,007 THAT SHE SENT TO KEVIN. 578 00:24:02,509 --> 00:24:05,512 THEY DIED WITHIN AN HOUR OF EACH OTHER. 579 00:24:05,512 --> 00:24:07,714 OH, MY GOD. 580 00:24:10,149 --> 00:24:11,951 THAT'S WHY HE RAN OUT. 581 00:24:11,951 --> 00:24:14,386 THEN DO IT. ONE PHONE CALL TO ONE GALLERY. 582 00:24:14,386 --> 00:24:17,156 KEVIN, BELIEVE ME, THESE PEOPLE ARE SUCH SNOBS, 583 00:24:17,156 --> 00:24:18,858 AND YOU ARE NOT READY. 584 00:24:18,858 --> 00:24:20,760 IF THEY PASS ON YOU ONCE, THAT'S IT. 585 00:24:20,760 --> 00:24:23,763 A SECOND PHONE CALL FROM ME ISN'T GOING TO GET YOU A SECOND CHANCE. 586 00:24:23,763 --> 00:24:24,797 YOU NEED TIME TO-- 587 00:24:24,797 --> 00:24:26,499 I DON'T HAVE TIME. 588 00:24:26,499 --> 00:24:28,968 [CELL PHONE BUZZING] 589 00:24:28,968 --> 00:24:30,503 IT'S SOPHIE. 590 00:24:30,503 --> 00:24:32,605 TAKE IT. 591 00:24:32,605 --> 00:24:35,341 I KNOW HOW MUCH SHE MEANS TO YOU. 592 00:24:37,076 --> 00:24:39,912 WE'RE DONE, I KNOW THAT. 593 00:24:43,315 --> 00:24:45,117 I GAVE UP MY LIFE FOR YOU. 594 00:24:45,117 --> 00:24:47,119 THAT'S WHAT YOU WANTED, ISN'T IT? 595 00:24:51,691 --> 00:24:54,293 NO WONDER HE WAS DRIVING 90 MILES AN HOUR DOWN THAT TERRIBLE ROAD. 596 00:24:54,293 --> 00:24:55,828 HE WAS TRYING TO GET TO HER. 597 00:24:55,828 --> 00:24:57,496 OR HE REALIZED HE WAS TOO LATE, 598 00:24:57,496 --> 00:24:58,665 AND HE DIDN'T CARE IF HE EVER MADE IT. 599 00:24:58,665 --> 00:25:00,700 YOU SAID THAT HE SPOKE ABOUT HER ONCE BEFORE. 600 00:25:00,700 --> 00:25:04,871 HER, UM, HER LAST NAME WAS OWENS. 601 00:25:04,871 --> 00:25:08,908 KEVIN SAID THAT SHE HAD A SISTER IN BRIDGEPORT. 602 00:25:08,908 --> 00:25:11,210 MAYBE THE SISTER CAN TELL YOU WHAT YOU NEED 603 00:25:11,210 --> 00:25:12,478 TO HELP SOPHIE MOVE ON. 604 00:25:15,915 --> 00:25:18,150 [KNOCKING ON DOOR] 605 00:25:19,752 --> 00:25:22,555 Woman: HI. 606 00:25:22,555 --> 00:25:24,290 CAN I HELP YOU? 607 00:25:24,290 --> 00:25:26,392 SOPHIE? 608 00:25:26,392 --> 00:25:27,727 YEAH. 609 00:25:27,727 --> 00:25:29,929 DO I KNOW YOU? 610 00:25:29,929 --> 00:25:31,964 I SAW YOU DIE. 611 00:25:37,369 --> 00:25:40,072 Sophie: I TOLD MYSELF KEVIN NEVER GOT THAT CELL VIDEO. 612 00:25:40,072 --> 00:25:43,409 I TOLD MYSELF HIS DEATH WAS JUST A STUPID ACCIDENT. 613 00:25:43,409 --> 00:25:46,579 WHAT HAPPENED TO YOU, THAT WAS NO ACCIDENT. 614 00:25:46,579 --> 00:25:48,581 NO. 615 00:25:48,581 --> 00:25:51,851 NO, I TRIED TO HURT MYSELF, 616 00:25:51,851 --> 00:25:54,621 BUT I COULDN'T GO THROUGH WITH IT. 617 00:25:54,621 --> 00:25:57,590 IT'S HORRIBLE TO EVEN THINK ABOUT. 618 00:25:57,590 --> 00:26:00,026 BUT...BUT WHAT I DON'T UNDERSTAND 619 00:26:00,026 --> 00:26:02,862 IS HOW...YOU SAW IT. 620 00:26:02,862 --> 00:26:06,565 KEVIN'S CELL PHONE WAS WITH HIS EFFECTS. 621 00:26:06,565 --> 00:26:08,067 UM, THOSE PHOTOS OF YOU, 622 00:26:08,067 --> 00:26:10,336 HAS ANYTHING CHANGED IN THEM SINCE KEVIN'S DEATH? 623 00:26:10,336 --> 00:26:11,838 NO. 624 00:26:11,838 --> 00:26:14,540 WHAT ARE YOU TALKING ABOUT? 625 00:26:14,540 --> 00:26:17,343 AND HOW DID YOU KNOW KEVIN EXACTLY? 626 00:26:17,343 --> 00:26:18,645 I KNOW HOW HE HURT YOU. 627 00:26:18,645 --> 00:26:20,046 HOW COULD YOU? 628 00:26:20,046 --> 00:26:21,513 AFTER KEVIN'S DEATH, 629 00:26:21,513 --> 00:26:24,383 SOME STRANGE IMAGES STARTED SHOWING UP IN PHOTOGRAPHS. 630 00:26:24,383 --> 00:26:25,618 OH, WHAT KIND OF IMAGES? 631 00:26:25,618 --> 00:26:27,419 GHOSTLY IMAGES. 632 00:26:27,419 --> 00:26:30,723 IT WAS SORT OF A WHITE, WISPY IMAGE AT FIRST, 633 00:26:30,723 --> 00:26:32,659 AND THEN THERE WERE IMAGES OF YOU, 634 00:26:32,659 --> 00:26:34,861 DROWNING FROM THE VIDEO THAT YOU SENT KEVIN. 635 00:26:34,861 --> 00:26:36,328 THIS DOESN'T MAKE ANY SENSE. 636 00:26:36,328 --> 00:26:39,666 SEE, HE WAS ACTUALLY ABLE TO TAKE THE SKILLS HE HAD IN LIFE 637 00:26:39,666 --> 00:26:43,836 TO...TORMENT PEOPLE IN DEATH. 638 00:26:45,071 --> 00:26:46,639 YOUR IMAGES WERE USED 639 00:26:46,639 --> 00:26:48,407 FOR A PROFESSOR AT ROCKLAND UNIVERSITY. 640 00:26:48,407 --> 00:26:51,410 CLAUDIA POLLILI. 641 00:26:52,879 --> 00:26:54,914 CLAUDIA. 642 00:26:54,914 --> 00:26:57,183 OH. 643 00:26:57,183 --> 00:26:59,085 OF COURSE THAT WAS HER. 644 00:26:59,085 --> 00:27:01,387 I'M SO STUPID. 645 00:27:01,387 --> 00:27:03,055 HE USED TO TALK ABOUT HER ALL THE TIME. 646 00:27:03,055 --> 00:27:05,124 FOR EVERYONE'S SAKE, 647 00:27:05,124 --> 00:27:06,826 CAN YOU PLEASE JUST TELL ME WHAT HAPPENED? 648 00:27:06,826 --> 00:27:08,761 YOU SAID SOMETHING IN YOUR MESSAGE 649 00:27:08,761 --> 00:27:12,164 THAT HE COULDN'T GET RID OF YOU SO EASILY. 650 00:27:12,164 --> 00:27:15,301 BECAUSE WE'D BEEN FIGHTING SO MUCH. 651 00:27:15,301 --> 00:27:17,569 EVERY TIME I HUNG UP, 652 00:27:17,569 --> 00:27:20,673 I WONDERED IF WE HAD BROKEN UP. 653 00:27:20,673 --> 00:27:24,476 HE WANTED ME TO GIVE UP MY JOB IN IOWA AND MOVE HERE. 654 00:27:24,476 --> 00:27:26,378 IF WE KEPT IT LONG DISTANCE, 655 00:27:26,378 --> 00:27:28,547 OUR RELATIONSHIP JUST WASN'T GOING TO MAKE IT. 656 00:27:28,547 --> 00:27:30,016 KEVIN? 657 00:27:30,016 --> 00:27:31,217 WE FOUGHT AND FOUGHT 658 00:27:31,217 --> 00:27:34,153 UNTIL I DECIDED I WAS GOING TO MAKE THE COMMITMENT. 659 00:27:34,153 --> 00:27:38,725 HE ALWAYS GOT MAD 'CAUSE HE SAID I WASN'T INTERESTED IN HIS WORK. 660 00:27:41,694 --> 00:27:43,662 BUT I DIDN'T UNDERSTAND IT. 661 00:27:43,662 --> 00:27:47,299 I MEAN, WHAT COULD HE SEE THROUGH THE LENS OF HIS CAMERA 662 00:27:47,299 --> 00:27:49,769 THAT MADE HIM SO HAPPY? 663 00:27:51,303 --> 00:27:53,840 I GOT MY ANSWER. 664 00:27:58,144 --> 00:28:00,146 ALL OF A SUDDEN, MY... 665 00:28:00,146 --> 00:28:04,116 MY BODY WENT COLD. I COULDN'T--I COULDN'T BREATHE. 666 00:28:04,116 --> 00:28:06,318 I HAD TO GET OUT OF THERE, 667 00:28:06,318 --> 00:28:07,686 BUT I DIDN'T KNOW WHERE TO GO. 668 00:28:08,955 --> 00:28:11,023 NEXT THING I KNEW, I WAS AT THE BEACH. 669 00:28:11,023 --> 00:28:14,526 I USED TO GO THERE WHEN I'D COME VISIT, 670 00:28:14,526 --> 00:28:17,263 AND KEVIN WOULD ASK ME TO STAY. 671 00:28:18,931 --> 00:28:21,500 AND HERE I WAS, AND FOR GOOD. 672 00:28:21,500 --> 00:28:24,470 AND FOR WHAT? 673 00:28:25,805 --> 00:28:28,440 I FELT SO... 674 00:28:28,440 --> 00:28:31,243 EMPTY AND STUPID AND... 675 00:28:31,243 --> 00:28:34,814 DISPOSABLE. MY HEART HURT SO MUCH I WANTED TO DIE. 676 00:28:34,814 --> 00:28:38,084 IT--IT WASN'T SOMETHING THAT I PLANNED. 677 00:28:38,084 --> 00:28:42,789 IT WAS JUST SOMETHING I DID WITHOUT THINKING. 678 00:28:42,789 --> 00:28:47,126 I--I THINK A PART OF ME BELIEVED THAT WAS WHAT HE DESERVED-- 679 00:28:47,126 --> 00:28:50,662 TO BE HURT WITH PICTURES THE WAY HE HURT ME. 680 00:28:50,662 --> 00:28:52,398 I TRUSTED YOU! 681 00:28:52,398 --> 00:28:54,366 I GAVE UP MY LIFE MY FOR YOU. 682 00:28:54,366 --> 00:28:58,204 THAT'S WHAT YOU WANTED, ISN'T IT? 683 00:28:58,204 --> 00:29:01,774 THE WAVES JUST KEPT KNOCKING ME BACK. 684 00:29:01,774 --> 00:29:05,444 * TO LET YOU WALK AWAY... * 685 00:29:05,444 --> 00:29:07,046 MY LUNGS FILLED WITH WATER, 686 00:29:07,046 --> 00:29:09,515 MY BODY JUST TOOK OVER. 687 00:29:09,515 --> 00:29:10,783 * IS THERE A CHANCE? * 688 00:29:10,783 --> 00:29:12,418 * A FRAGMENT * 689 00:29:12,418 --> 00:29:17,256 * OF LIGHT AT THE END OF THE TUNNEL? * 690 00:29:17,256 --> 00:29:20,692 * A REASON TO FIGHT? * 691 00:29:20,692 --> 00:29:21,994 * IS THERE A CHANCE?... * 692 00:29:21,994 --> 00:29:26,098 IT MADE ME REALIZE HOW CRAZY I WAS BEING. 693 00:29:26,098 --> 00:29:30,369 I MEAN, TO LET ANYONE HAVE THAT MUCH POWER OVER ME. 694 00:29:30,369 --> 00:29:32,204 I RACED BACK TO THE APARTMENT. 695 00:29:32,204 --> 00:29:34,874 BY THE TIME I GOT THERE, THE POLICE WERE CALLING, 696 00:29:34,874 --> 00:29:36,675 SAYING THERE'D BEEN AN ACCIDENT. 697 00:29:36,675 --> 00:29:39,511 I WANTED TO HURT HIM, BUT NOT LIKE THAT. 698 00:29:39,511 --> 00:29:41,413 I DIDN'T WANT HIM TO GET HURT LIKE THAT. 699 00:29:42,714 --> 00:29:45,084 I NEED YOU TO HELP ME REACH HIM. 700 00:29:45,084 --> 00:29:46,819 WHY? 701 00:29:48,554 --> 00:29:51,457 BECAUSE KEVIN'S SPIRIT OR WHATEVER 702 00:29:51,457 --> 00:29:54,260 IS TRYING TO TORTURE THIS CLAUDIA PERSON? 703 00:29:54,260 --> 00:29:55,627 YES. 704 00:29:55,627 --> 00:29:57,763 SOPHIE, I KNOW HOW HARD THIS IS, 705 00:29:57,763 --> 00:29:59,731 I REALLY DO, 706 00:29:59,731 --> 00:30:02,368 BUT HAVEN'T ENOUGH PEOPLE BEEN HURT? 707 00:30:02,368 --> 00:30:05,404 MAYBE IT'S JUST HER GUILT THAT'S HAUNTING HER. 708 00:30:07,139 --> 00:30:09,375 I DON'T KNOW WHO YOU ARE 709 00:30:09,375 --> 00:30:11,177 OR HOW YOU KNOW ALL THESE THINGS, 710 00:30:11,177 --> 00:30:13,512 BUT...IF SHE'S SUFFERING, 711 00:30:13,512 --> 00:30:16,482 THEN IT'S BECAUSE OF WHAT THEY DID, NOT ME. 712 00:30:16,482 --> 00:30:19,018 AND THAT'S ALL I HAVE TO SAY. 713 00:30:20,920 --> 00:30:23,522 YOU HAVE MY NUMBER. 714 00:30:33,199 --> 00:30:35,134 [SIGHS] 715 00:30:37,136 --> 00:30:39,338 [CAMERA SHUTTER CLICKING] 716 00:30:41,607 --> 00:30:43,209 [CAMERA SHUTTER CLICKING] 717 00:30:45,544 --> 00:30:47,479 [CAMERA SHUTTER CLICKING] 718 00:30:49,415 --> 00:30:51,350 [CAMERA SHUTTER CLICKING] 719 00:30:53,719 --> 00:30:55,054 Sophie: WHAT? 720 00:30:59,125 --> 00:31:00,859 [CAMERA SHUTTER CLICKING] 721 00:31:00,859 --> 00:31:03,195 [GASPS] NO! 722 00:31:03,195 --> 00:31:04,496 NO, KEVIN! 723 00:31:09,701 --> 00:31:12,238 [CAMERA SHUTTER CLICKING] 724 00:31:12,238 --> 00:31:13,772 NO, KEVIN! 725 00:31:13,772 --> 00:31:16,442 PLEASE, PLEASE... 726 00:31:16,442 --> 00:31:18,444 [CHOKING] 727 00:31:28,520 --> 00:31:30,456 [CELL PHONE RINGS] 728 00:31:33,825 --> 00:31:35,928 HELLO? 729 00:31:44,803 --> 00:31:46,672 [TIRES SQUEALING] 730 00:31:56,815 --> 00:31:59,651 SOPHIE, IT'S ME, MELINDA. 731 00:32:16,402 --> 00:32:18,937 SOPHIE, BREATHE. PLEASE BREATHE. 732 00:32:18,937 --> 00:32:20,239 [COUGHING] 733 00:32:20,239 --> 00:32:21,273 WHAT? 734 00:32:27,613 --> 00:32:30,282 OK. 735 00:32:30,282 --> 00:32:32,618 [GASPING] 736 00:32:32,618 --> 00:32:34,820 GOOD. OK. 737 00:32:34,820 --> 00:32:36,255 [DIALING] 738 00:32:36,255 --> 00:32:38,557 YES, I NEED AN AMBULANCE AT 215 HAVENWOOD LANE. 739 00:32:38,557 --> 00:32:40,192 YES, I'M IN THE RESIDENCE. 740 00:32:40,192 --> 00:32:42,228 I THOUGHT SHE WAS DEAD. 741 00:32:42,228 --> 00:32:43,595 YOU'RE SCARING HER. YOU HAVE TO CROSS OVER. 742 00:32:43,595 --> 00:32:44,830 YES, I'M HERE. 743 00:32:44,830 --> 00:32:47,866 UM, YES, SHE IS BREATHING NOW, BUT SHE HAS ASTHMA. 744 00:32:47,866 --> 00:32:51,003 NO, I GAVE HER THE INHALER. 745 00:32:51,003 --> 00:32:53,472 OK, DEEP BREATHS. 746 00:32:53,472 --> 00:32:55,541 OK? DEEP BREATHS. 747 00:32:55,541 --> 00:32:56,675 WILL YOU TELL HER I'M HERE? 748 00:32:56,675 --> 00:32:58,510 YOU'RE HURTING HER. 749 00:32:58,510 --> 00:33:00,712 I'VE SEEN MORE THAN YOU KNOW. 750 00:33:00,712 --> 00:33:02,348 OK? AND I KNOW WHAT HAPPENS TO PEOPLE WHEN THEY DON'T-- 751 00:33:05,451 --> 00:33:07,819 OK, SOPHIE, IT'S GOING TO BE ALL RIGHT. HELLO? 752 00:33:07,819 --> 00:33:09,555 YES, I'M STILL HERE. 753 00:33:09,555 --> 00:33:11,490 PLEASE HURRY. 754 00:33:16,395 --> 00:33:19,031 WOW, I FEEL BAD FOR THE GUY, THAT'S A BRUTAL PROCEDURE. 755 00:33:19,031 --> 00:33:20,199 BUT YOU SAID HE'S STABLE? 756 00:33:20,199 --> 00:33:22,468 AND IT WAS PERICARDITIS? 757 00:33:22,468 --> 00:33:24,370 OH, GOOD. ALL RIGHT. 758 00:33:24,370 --> 00:33:27,039 WELL, IF HE'S OK. THANKS, MAN. BYE. 759 00:33:27,039 --> 00:33:31,877 SO YOU WERE RIGHT ABOUT THE GUY NOT HAVING A HEART ATTACK. 760 00:33:31,877 --> 00:33:33,445 YEAH, BUT THEN THE MEDICATION THEY GAVE HIM, 761 00:33:33,445 --> 00:33:34,946 YOU SEE, IT UNCLOGS EVERYTHING, 762 00:33:34,946 --> 00:33:36,515 AND HIS HEART CHAMBER FILLED WITH BLOOD, 763 00:33:36,515 --> 00:33:39,051 AND THEY HAD TO DO THIS REALLY INVASIVE PROCEDURE TO DRAIN IT. 764 00:33:39,051 --> 00:33:41,587 OH, THAT'S AWFUL. 765 00:33:41,587 --> 00:33:43,322 THE E.R. DOCTOR SHOULD HAVE LISTENED TO YOU. 766 00:33:43,322 --> 00:33:44,656 NO, NOT REALLY. 767 00:33:44,656 --> 00:33:46,492 I MEAN, SHE READ THE E.K.G., SHE MADE A QUICK DIAGNOSIS. 768 00:33:46,492 --> 00:33:48,427 THAT'S HER JOB. 769 00:33:48,427 --> 00:33:51,063 THAT'S WHAT SUCKS ABOUT BEING A DOCTOR, I GUESS. 770 00:33:51,063 --> 00:33:52,731 IT'S A LOT OF GUESS WORK ON THE FLY. 771 00:33:52,731 --> 00:33:55,301 YOU'D BE A GREAT DOCTOR... IF YOU WANTED TO BE. 772 00:33:56,535 --> 00:33:57,703 YEAH. 773 00:33:59,638 --> 00:34:01,607 IT'S JUST, YOU'RE ALWAYS SO SUPPORTIVE OF ME, 774 00:34:01,607 --> 00:34:03,342 AND... 775 00:34:03,342 --> 00:34:04,943 I WANT TO DO THE SAME FOR YOU. 776 00:34:07,179 --> 00:34:08,780 OK, LET'S... 777 00:34:08,780 --> 00:34:10,882 LET'S JUST DO FIRST THINGS FIRST, OK? 778 00:34:10,882 --> 00:34:13,552 I SEE WHAT YOU GO THROUGH, YOU KNOW? I KNOW THE STAKES. 779 00:34:13,552 --> 00:34:14,920 AND YOU WERE LATE TONIGHT 780 00:34:14,920 --> 00:34:17,456 BECAUSE BASICALLY, YOU WERE SAVING SOMEBODY'S LIFE. 781 00:34:17,456 --> 00:34:19,625 THAT'S NOT THE POINT. NO, IT IS THE POINT. 782 00:34:19,625 --> 00:34:22,461 WHAT YOU DO FOR PEOPLE, COME ON, IT'S NOT LIKE A JOB. 783 00:34:22,461 --> 00:34:23,995 I CAN'T ASK YOU TO GIVE THAT UP. 784 00:34:23,995 --> 00:34:26,332 YOU KNOW, TO TAKE CARE OF ME. 785 00:34:26,332 --> 00:34:28,267 BUT, HONEY, 786 00:34:28,267 --> 00:34:29,835 YOU CAN'T ASK ME 787 00:34:29,835 --> 00:34:31,870 TO STOP WANTING TO TAKE CARE OF YOU. 788 00:34:31,870 --> 00:34:33,472 JIM-- NO, AND YOU'RE RIGHT. 789 00:34:33,472 --> 00:34:35,341 BECAUSE WHAT THAT MAKES ME DO 790 00:34:35,341 --> 00:34:37,443 IS SOMETIMES WANT TO GET YOU THE HELL OUT OF HERE. 791 00:34:37,443 --> 00:34:39,211 PEOPLE DIE EVERYWHERE. 792 00:34:39,211 --> 00:34:42,047 THEIR GHOSTS CAN FIND ME. NO. 793 00:34:42,047 --> 00:34:44,550 YOU AND I BOTH KNOW THERE'S SOMETHING ABOUT THIS PLACE. 794 00:34:44,550 --> 00:34:46,051 LATELY, I HAVEN'T BEEN ABLE TO SHAKE THE FEELING 795 00:34:46,051 --> 00:34:49,188 THAT MAYBE WE DIDN'T CHOOSE GRANDVIEW. 796 00:34:49,188 --> 00:34:51,022 MAYBE IT CHOSE US. 797 00:34:51,022 --> 00:34:52,891 I THINK THE SAME THING. 798 00:34:52,891 --> 00:34:56,662 BUT IF THAT'S TRUE, IT HAD TO BE FOR A REASON. 799 00:34:56,662 --> 00:35:00,031 AND A GOOD ONE, AND I'M NOT GOING TO RUN AWAY FROM THAT. 800 00:35:01,867 --> 00:35:05,504 SO IF THAT'S YOUR ONLY REASON FOR WANTING TO LEAVE GRANDVIEW, 801 00:35:05,504 --> 00:35:07,573 THEN... 802 00:35:07,573 --> 00:35:10,442 I'M SORRY, I CAN'T SUPPORT THAT. 803 00:35:19,718 --> 00:35:21,653 SO WHAT ARE WE SUPPOSED TO DO, 804 00:35:21,653 --> 00:35:24,556 JUST WAIT FOR SOME SIGN FROM KEVIN? 805 00:35:26,258 --> 00:35:28,560 SOPHIE, THIS IS CLAUDIA. 806 00:35:28,560 --> 00:35:30,662 CLAUDIA, THIS IS SOPHIE. 807 00:35:31,997 --> 00:35:33,999 I KNOW EXACTLY WHO YOU ARE. 808 00:35:35,501 --> 00:35:36,668 WHAT IS SHE DOING HERE? 809 00:35:36,668 --> 00:35:39,037 I KNOW HOW HARD THIS IS FOR YOU. 810 00:35:39,037 --> 00:35:41,873 BUT I THINK YOU BOTH NEED TO FORGIVE EACH OTHER, 811 00:35:41,873 --> 00:35:45,377 TO MOVE ON WITH THE REST OF YOUR LIVES. 812 00:35:45,377 --> 00:35:48,146 I NEVER MEANT FOR ANYONE TO GET HURT. 813 00:35:48,146 --> 00:35:49,948 THEN WHY'D YOU DO IT? 814 00:35:49,948 --> 00:35:52,318 WHY'D YOU TAKE SOMETHING THAT WASN'T YOURS? 815 00:35:52,318 --> 00:35:53,485 Kevin: SHE DIDN'T. 816 00:35:53,485 --> 00:35:55,687 I DID. 817 00:35:55,687 --> 00:35:59,157 HE'S HERE. 818 00:35:59,157 --> 00:36:00,292 Kevin: YOU TELL SOPHIE 819 00:36:00,292 --> 00:36:01,593 THAT I--I JUST LOST MY WAY WITHOUT HER. 820 00:36:01,593 --> 00:36:04,363 HE SAID HE WAS LOST WITHOUT YOU. 821 00:36:04,363 --> 00:36:05,764 THERE WERE SO MANY TIMES 822 00:36:05,764 --> 00:36:08,033 I ASKED HER TO MOVE TO THE EAST COAST WITH ME, 823 00:36:08,033 --> 00:36:09,401 AND ALL SHE EVER THOUGHT ABOUT 824 00:36:09,401 --> 00:36:11,403 WAS HOW WOULD WE MAKE IT WITHOUT HER JOB, 825 00:36:11,403 --> 00:36:15,040 AND ALL I HEARD WAS SHE THOUGHT I WASN'T GONNA MAKE IT. 826 00:36:15,040 --> 00:36:16,775 HE THOUGHT YOU DIDN'T BELIEVE IN HIM. 827 00:36:16,775 --> 00:36:17,976 I DID. 828 00:36:17,976 --> 00:36:20,412 I DROPPED EVERYTHING TO COME HERE. 829 00:36:20,412 --> 00:36:21,713 I DIDN'T KNOW THAT. 830 00:36:21,713 --> 00:36:23,849 I WAS SO FOCUSED ON TRYING TO MAKE A SALE, 831 00:36:23,849 --> 00:36:25,784 OR EVEN HAVING AN ACTUAL SHOW 832 00:36:25,784 --> 00:36:28,019 SO SHE'D SEE THAT I WASN'T GOING TO FAIL. 833 00:36:28,019 --> 00:36:30,021 HE WANTED TO PROVE HIMSELF TO YOU. 834 00:36:30,021 --> 00:36:32,324 HE WANTED TO MAKE A SALE, AND-- 835 00:36:32,324 --> 00:36:34,326 THAT'S WHY HE GOT SO ANGRY WHEN I WOULDN'T HELP HIM. 836 00:36:35,627 --> 00:36:37,128 YEAH, I WASN'T FAIR. 837 00:36:37,128 --> 00:36:39,465 TO EITHER OF THEM. 838 00:36:39,465 --> 00:36:41,400 HE KNOWS THAT YOU WERE JUST TRYING TO PROTECT HIM. 839 00:36:41,400 --> 00:36:44,703 TELL HER THAT I'M SO SORRY. 840 00:36:44,703 --> 00:36:45,971 I WILL. 841 00:36:45,971 --> 00:36:49,475 BUT I ENDED UP HURTING THE ONE I LOVED THE MOST. 842 00:36:49,475 --> 00:36:52,778 HE FEELS TERRIBLE ABOUT WHAT HAPPENED. 843 00:36:52,778 --> 00:36:55,080 HE WANTED THE TRUTH TO COME OUT ABOUT WHAT HE HAD DONE 844 00:36:55,080 --> 00:36:56,948 AND HOW HE HAD HURT YOU. 845 00:36:56,948 --> 00:37:00,719 AND HE KNEW YOU'D BE THE ONLY THAT COULD TELL IT. 846 00:37:04,423 --> 00:37:07,926 I JUST WANTED TO MEAN AS MUCH TO YOU AS YOUR WORK DID. 847 00:37:07,926 --> 00:37:10,262 AND I LOVED THE WAY YOU LOOKED AT THE WORLD. 848 00:37:10,262 --> 00:37:11,730 I JUST... 849 00:37:11,730 --> 00:37:14,533 WONDERED, DID YOU SEE ME? 850 00:37:16,502 --> 00:37:18,837 SOPHIE, YOU WERE IN EVERYTHING THAT I DID. 851 00:37:18,837 --> 00:37:21,006 AND EVERYTHING THAT I MADE, 852 00:37:21,006 --> 00:37:22,708 YOU WERE A PART OF IT ALL. 853 00:37:22,708 --> 00:37:25,143 CAN YOU MAKE HER UNDERSTAND? 854 00:37:30,215 --> 00:37:32,384 IS THAT THE LIGHT? 855 00:37:33,985 --> 00:37:35,721 IT'S SO INCREDIBLE. 856 00:37:38,824 --> 00:37:40,058 WILL YOU TELL HER THAT? 857 00:37:40,058 --> 00:37:42,227 I CAN'T GO UNLESS I KNOW SHE'S FORGIVEN ME. 858 00:37:42,227 --> 00:37:44,663 HE NEEDS TO KNOW THAT YOU FORGIVE HIM. 859 00:37:50,569 --> 00:37:53,171 I FORGIVE YOU, KEVIN. 860 00:37:53,171 --> 00:37:56,442 AND I'M NOT SORRY THAT I LOVED YOU. 861 00:37:56,442 --> 00:37:58,610 AT LEAST I KNOW I CAN. 862 00:38:04,950 --> 00:38:06,852 HE'S GONE. 863 00:39:04,042 --> 00:39:06,712 I HATE FIGHTING. 864 00:39:06,712 --> 00:39:09,548 NEITHER OF US EVER WINS. 865 00:39:09,548 --> 00:39:12,384 I KNOW YOU'RE JUST TRYING TO PROTECT ME. 866 00:39:12,384 --> 00:39:16,455 I'VE BEEN THINKING A LOT ABOUT THAT DARK SPIRITS 867 00:39:16,455 --> 00:39:18,424 DON'T JUST LURK UNDERGROUND. 868 00:39:18,424 --> 00:39:20,892 THAT THEY'RE AROUND ME ALL THE TIME. 869 00:39:20,892 --> 00:39:24,229 I JUST WANT YOU TO KNOW THAT THAT DOESN'T SCARE ME. 870 00:39:24,229 --> 00:39:26,932 HOW IS THAT REASSURING? 871 00:39:26,932 --> 00:39:28,867 BECAUSE... 872 00:39:28,867 --> 00:39:31,002 ANGER AND DARKNESS, 873 00:39:31,002 --> 00:39:36,742 THAT'S JUST THE STUFF WE'RE SUPPOSED TO UNRAVEL AND LEARN FROM. 874 00:39:36,742 --> 00:39:40,512 AND I DO THAT ALL THE TIME, WITH THE SPIRITS. 875 00:39:42,814 --> 00:39:46,017 AND I'M NOT AFRAID BECAUSE... 876 00:39:48,720 --> 00:39:50,456 I KNOW THAT LOVE IS STRONGER. 877 00:39:52,357 --> 00:39:54,693 I'VE SEEN IT. 878 00:39:58,029 --> 00:40:00,031 [SIGHS] 879 00:40:00,031 --> 00:40:01,166 OK. 880 00:40:01,166 --> 00:40:02,734 NO DECISIONS BASED ON FEAR. 881 00:40:02,734 --> 00:40:05,336 NO DECISIONS BASED ON FEAR. 882 00:40:06,805 --> 00:40:09,808 DOES THAT INCLUDE TRIGONOMETRY AND ORGANIC CHEMISTRY, 883 00:40:09,808 --> 00:40:10,942 BECAUSE THESE ARE TERRIFYING. 884 00:40:10,942 --> 00:40:12,478 IT MEANS A WHOLE YEAR OF UNDERGRAD COURSES 885 00:40:12,478 --> 00:40:13,845 BEFORE I CAN EVEN APPLY. 886 00:40:13,845 --> 00:40:15,280 OH, MY GOD. 887 00:40:16,582 --> 00:40:18,183 YOU'RE GONNA DO IT, AREN'T YOU? 888 00:40:18,183 --> 00:40:19,751 WELL, IF YOU CAN FIGHT THE FORCES OF EVIL, 889 00:40:19,751 --> 00:40:20,952 I THINK I CAN DO PRE-MED. 890 00:40:20,952 --> 00:40:22,854 SAY IT. 891 00:40:22,854 --> 00:40:24,355 I REALLY NEED TO HEAR YOU SAY IT. 892 00:40:24,355 --> 00:40:26,592 I WANT TO BE A DOCTOR. 893 00:40:28,527 --> 00:40:29,961 WHERE YOU GOING? 894 00:40:29,961 --> 00:40:32,931 JUST...CLOSE YOUR EYES. 895 00:40:32,931 --> 00:40:34,866 I GOT YOU SOMETHING. 896 00:40:39,137 --> 00:40:41,172 OK. 897 00:40:41,172 --> 00:40:43,374 PICK A CITY OR A TOWN, 898 00:40:43,374 --> 00:40:45,944 DOESN'T MATTER HOW BIG OR HOW SMALL. 899 00:40:45,944 --> 00:40:48,947 WHEN YOU GET INTO MED SCHOOL, 900 00:40:48,947 --> 00:40:52,050 I'LL BE RIGHT THERE WITH YOU. 901 00:41:46,638 --> 00:41:49,875 [CAMERA BEEPS] 902 00:41:49,875 --> 00:41:51,843 [CAMERA SHUTTER CLICKING]