1 00:00:10,044 --> 00:00:11,045 LOOK AT THIS. 2 00:00:11,045 --> 00:00:12,713 THE WHOLE TOWN WANTS TO WELCOME HIM BACK, 3 00:00:12,713 --> 00:00:15,015 AND HE COMES HOME IN THE MIDDLE OF THE NIGHT. 4 00:00:15,015 --> 00:00:16,884 WELL, MAYBE HE DOESN'T WANT ALL THE ATTENTION. 5 00:00:16,884 --> 00:00:18,686 HEY, THE GUY GOT THE SILVER STAR. 6 00:00:18,686 --> 00:00:20,521 HE SHOULD BASK IN THE GLORY. 7 00:00:20,521 --> 00:00:22,790 POOR GUY PROBABLY WON'T GET A MOMENT'S PEACE. 8 00:00:22,790 --> 00:00:25,126 I'M JUST GLAD MY BUDDY IS BACK SAFE. 9 00:00:25,126 --> 00:00:26,994 YOU THINK HE'S GONNA BE DIFFERENT? 10 00:00:26,994 --> 00:00:29,597 I THINK TWO TOURS IN IRAQ WOULD CHANGE ANYBODY, 11 00:00:29,597 --> 00:00:31,031 BUT IF HE JUST TAKES IT SLOW, 12 00:00:31,031 --> 00:00:32,400 GETS USED TO BEING HOME, AND DOESN'T COME BACK 13 00:00:32,400 --> 00:00:34,635 TO THE FIREHOUSE UNTIL HE'S ABSOLUTELY READY, 14 00:00:34,635 --> 00:00:35,936 HE'LL BE FINE. 15 00:00:55,389 --> 00:00:56,824 MATTY. HEY, HEY. 16 00:00:56,824 --> 00:00:59,127 WELCOME HOME, MAN. HOW ARE YOU, MAN? 17 00:00:59,127 --> 00:01:00,294 LET ME TAKE THAT FOR YOU. 18 00:01:00,294 --> 00:01:01,562 WE ARE SO GLAD THAT YOU'RE BACK. 19 00:01:01,562 --> 00:01:03,397 OH, IT'S GREAT TO BE BACK. 20 00:01:03,397 --> 00:01:05,733 I SWEAR, IT'S LIKE I'VE NEVER BEEN AWAY. 21 00:01:05,733 --> 00:01:09,637 EVERYTHING IS JUST THE SAME. 22 00:01:15,543 --> 00:01:18,546 I'M SORRY I KEPT YOU WAITING, BABE. 23 00:01:18,546 --> 00:01:20,748 WHAT'S A FEW YEARS BETWEEN FRIENDS? 24 00:01:20,748 --> 00:01:23,717 I'M BACK, BABY. I'M YOURS. 25 00:01:23,717 --> 00:01:26,019 [ENGINE IDLES] 26 00:01:26,019 --> 00:01:28,856 [ENGINE REVS] 27 00:01:31,125 --> 00:01:33,494 Man: HEY, MATT MURPHY, IS THAT YOU? 28 00:01:33,494 --> 00:01:35,563 YO, IT'S MATT MURPHY. HOW YOU DOING, MAN? 29 00:01:35,563 --> 00:01:36,830 I'M GOOD, MAN. I'M GOOD. HOW ARE YOU? 30 00:01:36,830 --> 00:01:39,032 GOOD TO SEE YOU. DOING GREAT. GREAT TO SEE YOU, TOO. 31 00:01:39,032 --> 00:01:40,901 GREAT TO SEE YOU AGAIN. ALL RIGHT, GUYS. 32 00:01:40,901 --> 00:01:43,137 GUYS, THERE'LL BE TIME TO ELECT HIM POPE OVER THE WEEKEND, OK, 33 00:01:43,137 --> 00:01:44,605 BUT COME TO THE PARTY, IF YOU CAN. 34 00:01:44,605 --> 00:01:46,207 LET'S GET OUT OF HERE. LET'S TAKE HIM HOME. 35 00:01:46,207 --> 00:01:49,543 SEE YOU. BYE. TAKE IT EASY. 36 00:01:49,543 --> 00:01:51,979 MAN, I'M SORRY TO TEAR YOU AWAY FROM YOUR FRIENDS. 37 00:01:51,979 --> 00:01:53,514 WERE YOU WRITING THEM, TOO? 38 00:01:53,514 --> 00:01:55,283 HEY, COME ON. GIVE ME A BREAK. 39 00:01:55,283 --> 00:01:56,750 HEY, LET'S GO AND GET A BEER, OK? 40 00:01:56,750 --> 00:01:59,052 THEY WANT TO GO HOME. THEY DON'T WANT COMPANY. 41 00:01:59,052 --> 00:02:02,055 [MACHINE GUN FIRE] 42 00:02:02,055 --> 00:02:03,624 DID YOU HEAR THAT? 43 00:02:03,624 --> 00:02:06,727 YEAH. 44 00:02:06,727 --> 00:02:10,097 WELL, MAYBE IT WAS JUST A CAR BACKFIRING OR SOMETHING. 45 00:02:10,097 --> 00:02:12,200 RIGHT. 46 00:02:12,200 --> 00:02:15,236 SO, YOUR PLACE TOMORROW. WHAT DO YOU WANT US TO BRING? 47 00:02:15,236 --> 00:02:17,371 [MACHINE GUN FIRE] 48 00:02:20,341 --> 00:02:21,675 MATT. MATT. 49 00:02:21,675 --> 00:02:24,345 Jim: MATTY, LOOK AT US. 50 00:02:24,345 --> 00:02:25,846 YOU ALL RIGHT? 51 00:02:25,846 --> 00:02:28,182 HEY... 52 00:02:28,182 --> 00:02:31,552 [LAUGHS] 53 00:02:31,552 --> 00:02:34,722 WOW, I-- 54 00:02:34,722 --> 00:02:36,724 I GUESS I'M STILL A LITTLE JUMPY. 55 00:02:36,724 --> 00:02:40,194 IT'S OK. LET'S GET YOU HOME, OK? 56 00:02:40,194 --> 00:02:41,795 YEAH. WE'LL SEE YOU GUYS TOMORROW. 57 00:02:41,795 --> 00:02:43,497 OK. YEAH. 58 00:02:43,497 --> 00:02:45,366 EARLY, RIGHT? RIGHT, FIRST THING. 59 00:02:45,366 --> 00:02:47,935 OK. GOOD NIGHT. 60 00:02:47,935 --> 00:02:49,270 TAKE CARE, GINA. 61 00:02:50,938 --> 00:02:54,041 WHAT JUST HAPPENED THERE? 62 00:02:54,041 --> 00:02:56,410 HAUNTING OF SOME KIND, A VERY NOISY ONE, 63 00:02:56,410 --> 00:02:58,045 BUT NO ONE SHOULD HAVE HEARD THAT BUT ME. 64 00:02:58,045 --> 00:03:00,214 RIGHT. WHAT DOES THAT MEAN? 65 00:03:00,214 --> 00:03:03,217 I DON'T KNOW, BUT I THINK 66 00:03:03,217 --> 00:03:06,854 MATT BROUGHT THE WAR HOME WITH HIM. 67 00:03:09,323 --> 00:03:11,259 Voice: CAN YOU SEE US? 68 00:03:42,222 --> 00:03:43,391 SO, DO YOU THINK MATT 69 00:03:43,391 --> 00:03:44,725 IS FINALLY GONNA ASK GINA TO MARRY HIM? 70 00:03:44,725 --> 00:03:47,160 I DON'T KNOW, AND PLEASE DON'T ASK ME TO ASK HIM. 71 00:03:47,160 --> 00:03:49,663 I MEAN, SHE STUCK IT OUT WITH HIM FOR A LONG TIME NOW. 72 00:03:49,663 --> 00:03:51,332 THEY BOTH DESERVE A HAPPY ENDING. 73 00:03:51,332 --> 00:03:54,435 YEAH. OH, LISTEN TO THIS. 74 00:03:54,435 --> 00:03:57,338 THIS IS FROM THE CITATION MATT GOT WITH HIS MEDALS. 75 00:03:57,338 --> 00:03:59,907 "WITH HIS SQUAD PINNED DOWN BY AN INSURGENT AMBUSH, 76 00:03:59,907 --> 00:04:03,043 "MURPHY BRAVED ENEMY FIRE TO RETRIEVE A HUMVEE 77 00:04:03,043 --> 00:04:04,845 "AND FOUGHT HIS WAY BACK TO HIS PATROL 78 00:04:04,845 --> 00:04:07,214 "BEFORE SUSTAINING WOUNDS THAT CAUSED HIM TO CRASH 79 00:04:07,214 --> 00:04:09,483 "JUST 10 YARDS SHORT OF HIS TROOPS, 80 00:04:09,483 --> 00:04:12,653 WHO WERE KILLED MOMENTS LATER BY AN I.E.D." 81 00:04:12,653 --> 00:04:14,788 HOW DO YOU GET OVER SOMETHING LIKE THAT? 82 00:04:14,788 --> 00:04:17,958 I CAN'T IMAGINE WHAT THAT MUST BE LIKE. 83 00:04:17,958 --> 00:04:19,593 YOU KNOW, DO YOU THINK THAT'S WHAT I HEARD LAST NIGHT, 84 00:04:19,593 --> 00:04:20,928 IS PART OF THE FIREFIGHT? 85 00:04:20,928 --> 00:04:23,063 DIDN'T YOU SAY YOU THOUGHT THAT GHOST WAS INSURGENT? 86 00:04:23,063 --> 00:04:24,365 WELL, I DON'T REALLY KNOW. 87 00:04:24,365 --> 00:04:25,833 I MEAN, HE WAS WEARING A HEAD SCARF, 88 00:04:25,833 --> 00:04:27,635 BUT IT WAS MORE THE FEELING I GOT FROM HIM, 89 00:04:27,635 --> 00:04:29,136 LIKE ANGER AND RAGE. 90 00:04:29,136 --> 00:04:30,738 MAYBE REVENGE. MAYBE... 91 00:04:30,738 --> 00:04:32,740 BUT THAT STILL DOESN'T EXPLAIN WHY MATT HEARD THE SAME THING I DID. 92 00:04:32,740 --> 00:04:34,241 DOESN'T MAKE ANY SENSE. 93 00:04:34,241 --> 00:04:36,777 YOU KNOW, MAYBE HIS PTSD IS MAKING THIS HAUNTING DIFFERENT. 94 00:04:36,777 --> 00:04:39,012 WAIT A MINUTE. WHO SAYS HE'S GOT POSTTRAUMATIC STRESS? 95 00:04:39,012 --> 00:04:41,081 HE KIND OF SAID IT HIMSELF, DIDN'T HE? 96 00:04:41,081 --> 00:04:43,751 NO. HE SAID HE GETS A LITTLE JUMPY WHEN HE HEARS LOUD NOISES, 97 00:04:43,751 --> 00:04:45,919 BUT, I MEAN, LET'S NOT DIAGNOSE SOMEBODY 98 00:04:45,919 --> 00:04:48,021 JUST BECAUSE YOU SAW A GHOST. 99 00:04:48,021 --> 00:04:50,123 HEY, JIM? YEAH? 100 00:04:50,123 --> 00:04:52,059 YOU KNOW WHAT? NEVER MIND. 101 00:04:52,059 --> 00:04:54,294 LET'S JUST GET READY FOR A PARTY. 102 00:04:57,197 --> 00:04:58,566 HEY, YOU TWO. 103 00:04:58,566 --> 00:04:59,967 HI. HEY, BUDDY. 104 00:04:59,967 --> 00:05:02,370 HOW'S THE ARM? NOT BAD. 105 00:05:02,370 --> 00:05:04,738 OH, WE'VE GOT THAT FOOD GROUP COVERED. 106 00:05:04,738 --> 00:05:07,408 WELL, AT LEAST WE'RE NOT WEARING THE SAME OUTFIT. 107 00:05:07,408 --> 00:05:08,609 DON'T WORRY ABOUT IT. WE'RE GONNA NEED IT ALL. 108 00:05:08,609 --> 00:05:12,112 I THINK MATT HAS INVITED EVERYONE HE'S EVER MET. 109 00:05:12,112 --> 00:05:15,649 HOW'S IT GOING? GOOD. GOOD. 110 00:05:19,052 --> 00:05:20,721 YEAH? 111 00:05:20,721 --> 00:05:23,357 TOO BEAUTIFUL. MADE ME NERVOUS. 112 00:05:23,357 --> 00:05:26,193 HEY, WE DON'T HAVE TO DO THIS, YOU KNOW? 113 00:05:26,193 --> 00:05:28,261 WE COULD STILL TAKE OFF, YOU AND ME, 114 00:05:28,261 --> 00:05:30,263 GO TO THE BEACH OR SOMETHING. 115 00:05:30,263 --> 00:05:31,565 Man: WHAT, NO MORE SAUSAGE? 116 00:05:31,565 --> 00:05:34,134 AND LET CLANCY EAT US OUT OF HOUSE AND HOME? 117 00:05:34,134 --> 00:05:35,636 HEY, I HEARD THAT. 118 00:05:35,636 --> 00:05:38,672 NO WAY. OK. WHO'S HUNGRY? 119 00:05:38,672 --> 00:05:41,775 WHO WANTS SOME OF THE BEST BURGERS-- 120 00:05:52,820 --> 00:05:54,722 I'M SO, SO SORRY. 121 00:05:54,722 --> 00:05:56,156 IT'S OK, MATT. 122 00:05:56,156 --> 00:06:00,093 YOU KNOW HOW MUCH HE LOVED YOU. 123 00:06:00,093 --> 00:06:03,163 EVERYONE, THIS IS ANNA SANCHEZ 124 00:06:03,163 --> 00:06:05,098 AND HER LITTLE GIRL SARI. 125 00:06:05,098 --> 00:06:07,535 ANNA'S HUSBAND HECTOR WAS IN MY UNIT. 126 00:06:07,535 --> 00:06:09,202 I WAS LUCKY AS HELL TO SERVE WITH HIM. 127 00:06:09,202 --> 00:06:12,272 HE WAS LUCKY TO SERVE WITH YOU. 128 00:06:12,272 --> 00:06:14,442 COME ON. COME OVER HERE. 129 00:06:14,442 --> 00:06:17,411 SO, THIS IS SOMEONE I WANT YOU TO MEET. 130 00:06:17,411 --> 00:06:21,314 Anna: WANT TO SAY HI, SARI? OH, SHE'S SHY. 131 00:06:21,314 --> 00:06:23,984 I LEARNED HOW TO DO THIS WHEN I WAS AWAY WITH YOUR DADDY. 132 00:06:23,984 --> 00:06:26,186 MI DADDY, TOO. DADDY. YEAH. 133 00:06:26,186 --> 00:06:30,458 LOOK. LOOK. IT COULD FLY. 134 00:06:30,458 --> 00:06:32,760 CAN YOU SAY THANK YOU TO MATT, SARI? 135 00:06:32,760 --> 00:06:34,294 THANK YOU. 136 00:06:34,294 --> 00:06:35,763 THAT'S OK, SWEETHEART. 137 00:06:35,763 --> 00:06:39,032 WANT TO GO PLAY? YEAH? 138 00:06:39,032 --> 00:06:41,334 OK, EVERYONE. LISTEN UP. 139 00:06:41,334 --> 00:06:44,438 SWEETHEART, COME HERE. 140 00:06:44,438 --> 00:06:48,742 OK. WELL, FIRST, I WANT TO THANK GINA 141 00:06:48,742 --> 00:06:50,544 FOR SO MANY YEARS OF PATIENCE 142 00:06:50,544 --> 00:06:55,282 AND PATIENCE AND MORE PATIENCE. 143 00:06:55,282 --> 00:06:57,017 CAN'T IMAGINE WHAT YOU'VE BEEN THROUGH, BABE. 144 00:06:57,017 --> 00:06:59,219 HE'S GONNA POP THE QUESTION. 145 00:06:59,219 --> 00:07:02,923 WELL, THAT'S ABOUT TO CHANGE. 146 00:07:08,696 --> 00:07:11,031 THIS CAME YESTERDAY. 147 00:07:11,031 --> 00:07:13,400 IT'S MY DISCHARGE FROM THE GUARD, 148 00:07:13,400 --> 00:07:16,136 SO AS OF NOW, I'M OFFICIALLY FREE-- 149 00:07:16,136 --> 00:07:20,641 NO MORE TOURS, NO MORE WARS. 150 00:07:20,641 --> 00:07:23,577 BELONG TO ALL YOU PEOPLE NOW. 151 00:07:23,577 --> 00:07:25,946 [APPLAUSE] 152 00:07:25,946 --> 00:07:27,781 THAT'S GREAT, MATT. 153 00:07:27,781 --> 00:07:30,551 UM, I'M GONNA GO GET THAT CAKE 154 00:07:30,551 --> 00:07:34,287 OUT OF THE FRIDGE. 155 00:07:37,625 --> 00:07:39,960 Delia: YOU KNOW, I DON'T GET IT. 156 00:07:39,960 --> 00:07:42,129 THEY'VE BEEN DATING EACH OTHER HALF OF THEIR ADULT LIVES. 157 00:07:42,129 --> 00:07:43,797 HE'S OBVIOUSLY CRAZY ABOUT HER, 158 00:07:43,797 --> 00:07:45,599 AND SHE'S NUTS ABOUT HIM. 159 00:07:45,599 --> 00:07:47,601 I'M STARTING TO WONDER IF IT HAS SOMETHING TO DO 160 00:07:47,601 --> 00:07:49,537 WITH THE GHOST THAT'S HAUNTING HIM. 161 00:07:49,537 --> 00:07:54,274 WAIT. HE'S GOT A GHOST? IS EVERYBODY HAUNTED? 162 00:07:54,274 --> 00:07:56,610 COULD BE, ON BOTH QUESTIONS. 163 00:07:56,610 --> 00:07:58,812 SO, DO YOU THINK IT HAS SOMETHING TO DO WITH THE WAR? 164 00:07:58,812 --> 00:08:00,848 I DON'T KNOW. I THINK IT MIGHT BE AN INSURGENT, 165 00:08:00,848 --> 00:08:03,450 WHICH I'M TRYING TO FIND OUT MORE ABOUT, BUT THERE'S SO MUCH. 166 00:08:03,450 --> 00:08:05,953 CAN'T YOU JUST ASK THE GHOST GUY, 167 00:08:05,953 --> 00:08:08,789 OR IS THERE A LANGUAGE BARRIER? 168 00:08:08,789 --> 00:08:10,624 DOES THAT EVEN HAPPEN WITH GHOSTS? 169 00:08:10,624 --> 00:08:12,059 NEVER HAS BEEN BEFORE, BUT I DON'T KNOW 170 00:08:12,059 --> 00:08:14,227 BECAUSE I CAN'T EVEN GET CLOSE ENOUGH TO THIS ONE. 171 00:08:14,227 --> 00:08:16,229 YOU KNOW WHAT? NEVER MIND. SORRY. 172 00:08:16,229 --> 00:08:17,665 I AM TRYING. 173 00:08:17,665 --> 00:08:19,900 I WILL LISTEN TO WHATEVER YOU HAVE TO SAY, 174 00:08:19,900 --> 00:08:23,036 EVEN IF I CAN'T, YOU KNOW, WRAP MY MIND AROUND IT. 175 00:08:23,036 --> 00:08:26,540 BYE. BYE. 176 00:08:30,077 --> 00:08:32,646 LOOK WHO I FOUND IN THE SQUARE 177 00:08:32,646 --> 00:08:35,215 GETTING TREATED TO FREE ICE CREAM. 178 00:08:35,215 --> 00:08:36,917 WOW, THE STORE LOOKS GREAT, MEL. 179 00:08:36,917 --> 00:08:40,554 THANKS. YEAH. IT'S A BUNCH OF NEW OLD STUFF. TAKE A LOOK. 180 00:08:49,496 --> 00:08:51,632 I, UH-- I GUESS STRAWBERRY 181 00:08:51,632 --> 00:08:55,168 IS NOT THE BEST FLAVOR FOR ME RIGHT NOW. 182 00:08:55,168 --> 00:08:57,370 HEY, DON'T EVERYONE FREAK OUT. 183 00:08:57,370 --> 00:09:00,608 IT'S OK TO LAUGH ABOUT THESE THINGS. 184 00:09:00,608 --> 00:09:02,542 BETTER THAN BEING BOTTLED UP, RIGHT? 185 00:09:02,542 --> 00:09:03,911 YEAH. HEY, I WAS THINKING 186 00:09:03,911 --> 00:09:05,178 ABOUT TAKING MATT OVER TO THE FIREHOUSE, 187 00:09:05,178 --> 00:09:06,446 SHOWING HIM THE NEW TOYS. 188 00:09:06,446 --> 00:09:07,948 WHY DON'T YOU GUYS GO AND TALK, 189 00:09:07,948 --> 00:09:09,316 AND GINA CAN STAY HERE WITH ME. 190 00:09:09,316 --> 00:09:10,951 WE'LL CATCH UP. COME ON, MAN. 191 00:09:10,951 --> 00:09:13,486 I WAS GONNA SAVE THIS FOR LATER, BUT THEY GOT ABOUT 12 NEW VIDEO GAMES 192 00:09:13,486 --> 00:09:15,155 ESPECIALLY FOR HIM. 193 00:09:17,157 --> 00:09:20,327 HE'S REALLY HAPPY TO BE BACK... 194 00:09:20,327 --> 00:09:22,229 AT LEAST, MOST OF THE TIME. 195 00:09:22,229 --> 00:09:25,432 HOW ABOUT YOU? HOW ARE YOU DOING? 196 00:09:25,432 --> 00:09:27,901 IT'S HARD. 197 00:09:27,901 --> 00:09:31,504 I THOUGHT THAT WHEN HE CAME BACK, THAT WE WOULD-- 198 00:09:31,504 --> 00:09:34,574 IT'S NOT LIKE I HAD SOME BIG PLAN OR ANYTHING. 199 00:09:34,574 --> 00:09:39,012 IT'S JUST, I'M SO READY TO TAKE THIS TO THE NEXT LEVEL, YOU KNOW? 200 00:09:39,012 --> 00:09:42,549 AND NOW IS NOT EXACTLY THE TIME TO HAVE THAT CONVERSATION. 201 00:09:42,549 --> 00:09:44,685 YEAH. 202 00:09:44,685 --> 00:09:48,789 HE HAS THESE BAD DREAMS WHERE HE TALKS IN HIS SLEEP, 203 00:09:48,789 --> 00:09:53,326 AND HE ALWAYS SAYS, "LET ME GO." 204 00:09:53,326 --> 00:09:55,495 DOES HE EVER TELL YOU ANYTHING SPECIFIC 205 00:09:55,495 --> 00:09:57,364 ABOUT WHAT HAPPENED? 206 00:09:57,364 --> 00:09:59,132 NO. 207 00:09:59,132 --> 00:10:01,234 Matt: YOU MEAN, WHEN I LOST MY GUYS? 208 00:10:01,234 --> 00:10:03,871 Jim: UH, YEAH. 209 00:10:03,871 --> 00:10:05,272 PEOPLE KEEP ASKING ME THAT. 210 00:10:05,272 --> 00:10:07,440 YOU KNOW WHAT'S STRANGE? 211 00:10:10,010 --> 00:10:11,979 I HAVE NO IDEA. 212 00:10:11,979 --> 00:10:14,514 YOU MEAN, YOU JUST BLACKED IT OUT? 213 00:10:14,514 --> 00:10:17,050 I MEAN, I REMEMBER STUFF UP TO A POINT, 214 00:10:17,050 --> 00:10:21,789 BUT AFTER THAT, NOTHING, 215 00:10:21,789 --> 00:10:23,791 AND PART OF ME IS SCARED TO REMEMBER. 216 00:10:23,791 --> 00:10:25,392 HEY, I'M SORRY I EVEN ASKED. 217 00:10:25,392 --> 00:10:29,162 I MEAN, YOU DON'T HAVE TO TALK ABOUT THIS IF YOU DON'T WANT TO. 218 00:10:29,162 --> 00:10:32,465 WE WERE ON PATROL, MAYBE 2 OR 3 KLICKS SOUTH OF BAGHDAD, 219 00:10:32,465 --> 00:10:35,435 ALMOST READY TO PACK IT IN. 220 00:10:35,435 --> 00:10:37,604 MARKET SQUARE HAD BEEN CAR BOMBED A FEW DAYS BEFORE, 221 00:10:37,604 --> 00:10:43,310 SO IT WAS DESERTED, SO QUIET. 222 00:10:43,310 --> 00:10:46,279 IT WAS WIRED. 223 00:10:46,279 --> 00:10:48,048 THEN WE STARTED TAKING FIRE. 224 00:10:48,048 --> 00:10:51,551 [MACHINE GUN FIRE] 225 00:10:51,551 --> 00:10:53,620 YOU OK? YEAH. YEAH. 226 00:10:53,620 --> 00:10:56,356 I JUST REMEMBERED THAT I NEED TO RUN DOWNSTAIRS AND CHECK ON SOMETHING, 227 00:10:56,356 --> 00:10:59,059 SO JUST MAKE YOURSELF AT HOME, AND I'LL BE RIGHT BACK. 228 00:10:59,059 --> 00:11:02,229 OK. 229 00:11:02,229 --> 00:11:05,899 [MACHINE GUN FIRE] 230 00:11:08,468 --> 00:11:09,970 Matt: WE TRIED TO MAKE IT BACK TO OUR HUMVEE, 231 00:11:09,970 --> 00:11:12,940 BUT WE WERE TAKING TOO MUCH FIRE. 232 00:11:12,940 --> 00:11:14,141 I CALLED FOR AIR SUPPORT, 233 00:11:14,141 --> 00:11:16,209 BUT AIR CAV WAS 20 MINUTES OUT. 234 00:11:16,209 --> 00:11:19,847 WE TOOK COVER BEHIND THAT BOMBED-OUT CAR, 235 00:11:19,847 --> 00:11:24,184 AND THAT THAT'S WHEN ALL HELL BROKE LOOSE. 236 00:11:24,184 --> 00:11:26,854 THEY WERE FIRING AT US FROM EVERYWHERE. 237 00:11:26,854 --> 00:11:30,690 WE WERE PINNED DOWN, AN AMBUSH. 238 00:11:30,690 --> 00:11:31,959 IT WAS CHAOS. 239 00:11:31,959 --> 00:11:35,528 EVERYONE WAS SCREAMING AND YELLING. 240 00:11:35,528 --> 00:11:41,701 WE'RE TAKING ENEMY FIRE. I KNEW WE HAD TO GET OUT OF THERE. 241 00:11:41,701 --> 00:11:45,005 THAT'S ALL I REMEMBER, 242 00:11:45,005 --> 00:11:46,473 I MEAN, EXCEPT FOR THIS FEELING, 243 00:11:46,473 --> 00:11:52,946 THIS FEELING THAT I WANTED TO GO. 244 00:11:52,946 --> 00:11:55,115 I WANTED THEM TO LET ME GO. 245 00:11:55,115 --> 00:11:56,884 BUT, MATT, GETTING IN THE HUMVEE, 246 00:11:56,884 --> 00:11:58,351 GOING TOWARDS YOUR MEN, 247 00:11:58,351 --> 00:11:59,719 EVERYTHING IN THAT REPORT-- 248 00:11:59,719 --> 00:12:04,091 I'M NOT SAYING I COULDN'T HAVE DONE THOSE THINGS. 249 00:12:04,091 --> 00:12:06,526 I JUST DON'T REMEMBER. 250 00:12:06,526 --> 00:12:09,262 [EXPLOSIONS AND GUNFIRE] 251 00:12:09,262 --> 00:12:12,199 Melinda: WHO ARE YOU? 252 00:12:15,735 --> 00:12:18,238 INCOMING! HEADS UP! 253 00:12:19,306 --> 00:12:21,341 SARGE, GET BACK HERE. 254 00:12:21,341 --> 00:12:23,243 SERGEANT MURPHY! MATT! 255 00:12:23,243 --> 00:12:24,344 WHY CAN'T YOU SEE ME? 256 00:12:24,344 --> 00:12:25,712 WHAT THE HELL ARE YOU DOING? 257 00:12:25,712 --> 00:12:26,880 LISTEN TO ME. I CAN HELP YOU. 258 00:12:26,880 --> 00:12:28,816 KILL THAT SON OF A BITCH. 259 00:12:28,816 --> 00:12:31,518 ALL RIGHT. FALL IN. 260 00:12:31,518 --> 00:12:34,855 STACK ON ME. LET'S GO. GO, GO, GO. 261 00:12:34,855 --> 00:12:36,356 LET'S GO, LET'S GO! 262 00:12:36,356 --> 00:12:37,657 AAH! 263 00:12:56,076 --> 00:12:59,546 GIVE MY LOVE TO MELINDA. 264 00:13:00,647 --> 00:13:01,915 MEL, WHERE YOU BEEN? 265 00:13:01,915 --> 00:13:03,650 TO A WAR, AND I WAS RIGHT THERE IN THE MIDDLE OF IT. 266 00:13:03,650 --> 00:13:05,185 YOU ALL RIGHT? 267 00:13:05,185 --> 00:13:07,354 IT GETS WORSE, AND YOU'RE NOT GONNA LIKE IT. 268 00:13:07,354 --> 00:13:13,426 WHAT? I THINK MATT IS BEING HAUNTED BY HIS OWN MEN. 269 00:13:16,997 --> 00:13:18,465 Rick: THIS GUY CHECKS INTO A HOTEL. 270 00:13:18,465 --> 00:13:19,766 EVERY NIGHT THAT HE'S THERE, AT 2 A.M., 271 00:13:19,766 --> 00:13:20,834 THERE'S A KNOCK ON THE DOOR. 272 00:13:20,834 --> 00:13:22,702 IS THIS A JOKE? WELL, IF YOU LAUGH, YEAH. 273 00:13:22,702 --> 00:13:26,473 NO, BUT EVERY OTHER GUEST THAT STAYS IN THIS HOTEL HAS THE EXACT SAME PROBLEM, 274 00:13:26,473 --> 00:13:28,775 SO, TO MAKE A LONG STORY SHORT, 275 00:13:28,775 --> 00:13:30,410 THE PEOPLE THAT RUN THE HOTEL, 276 00:13:30,410 --> 00:13:34,214 THEY CALL IN A BUNCH OF, YOU KNOW, PARANORMAL EXPERTS AND STUFF, 277 00:13:34,214 --> 00:13:35,582 AND WHAT DO YOU THINK THEY FOUND? 278 00:13:35,582 --> 00:13:38,218 A NORMAL, RATIONAL, NONSUPERNATURAL EXPLANATION. 279 00:13:38,218 --> 00:13:40,020 I LOVE THIS ROLE-REVERSAL THING WE'RE DOING. 280 00:13:40,020 --> 00:13:41,488 IT'S GREAT. NO. OF COURSE NOT. 281 00:13:41,488 --> 00:13:43,323 THEY FIND THE GHOST OF A ROOM-SERVICE WAITER 282 00:13:43,323 --> 00:13:45,859 WHO'S BRINGING THE SAME TRAY OF FOOD TO THE SAME ROOM 283 00:13:45,859 --> 00:13:48,428 AT THE SAME TIME EVERY SINGLE NIGHT, 284 00:13:48,428 --> 00:13:50,763 AND THEN THE GROGGY GUEST, WELL, HE OPENS THE DOOR, 285 00:13:50,763 --> 00:13:53,033 BUT THE GHOST IS GONE, LAUGHING HYSTERICALLY. 286 00:13:53,033 --> 00:13:55,735 FASCINATING, BUT WHAT DOES A SPIRIT WHO PLAYS DING DONG DITCH 287 00:13:55,735 --> 00:13:57,837 HAVE TO DO WITH THE GHOST OF A BUNCH OF AMERICAN SOLDIERS 288 00:13:57,837 --> 00:14:00,107 FIGHTING THE SAME BATTLE OVER AND OVER AGAIN? EVERYTHING. 289 00:14:00,107 --> 00:14:02,009 IT'S CALLED AN IMPRINT HAUNTING. 290 00:14:02,009 --> 00:14:04,311 IT'S A GHOST STUCK IN SORT OF A TIME LOOP. 291 00:14:04,311 --> 00:14:06,513 THEY HAVE TO DO THE SAME THING OVER AND OVER AND OVER AGAIN. 292 00:14:06,513 --> 00:14:07,847 WHY? WELL, I DON'T KNOW. 293 00:14:07,847 --> 00:14:08,949 IT DEPENDS ON THE GHOST. 294 00:14:08,949 --> 00:14:10,317 IN THE CASE OF THE ROOM-SERVICE WAITER, 295 00:14:10,317 --> 00:14:11,919 HE'S PROBABLY STILL WAITING FOR THAT TIP HE NEVER GOT. 296 00:14:11,919 --> 00:14:13,820 SO, THEY FIGHT THE SAME BATTLE OVER AND OVER AGAIN, 297 00:14:13,820 --> 00:14:15,522 JUST HOPING FOR A DIFFERENT OUTCOME? 298 00:14:15,522 --> 00:14:17,257 WELL, YEAH, AND IN THE CASE OF YOUR SOLDIERS, 299 00:14:17,257 --> 00:14:20,760 MAYBE SOMETHING HAPPENED TO THEM OVER THERE THAT THEY CAN'T ACCEPT, 300 00:14:20,760 --> 00:14:22,195 MAYBE LIKE GETTING BLOWN UP. 301 00:14:22,195 --> 00:14:23,396 I'M NOT TRYING TO BE FUNNY. 302 00:14:23,396 --> 00:14:25,465 I MEAN, I KNOW HUMOR IS THE FIRST CASUALTY OF WAR. 303 00:14:25,465 --> 00:14:27,567 THE QUOTE IS, "TRUTH IS THE FIRST CASUALTY OF WAR." 304 00:14:27,567 --> 00:14:28,969 YOU'RE RIGHT. YOU'RE RIGHT. 305 00:14:28,969 --> 00:14:31,171 TRUTH IS THE FIRST CASUALTY OF WAR. 306 00:14:31,171 --> 00:14:33,140 IT'S AMAZING. IT'S LIKE TWO HEADS, ONE BRAIN. 307 00:14:33,140 --> 00:14:35,175 YOU SAID THE GHOSTS WERE ANGRY AT THEIR SERGEANT, 308 00:14:35,175 --> 00:14:36,676 YOUR FRIEND THE HERO. YES, VERY. 309 00:14:36,676 --> 00:14:39,346 OK. WELL, IF TRUTH IS THE FIRST CASUALTY OF WAR, 310 00:14:39,346 --> 00:14:42,349 MAYBE SOMETHING HAPPENED WITH THE WAY THAT THEY DIED 311 00:14:42,349 --> 00:14:44,251 THAT MADE THEM FOLLOW THAT SERGEANT HOME. 312 00:14:44,251 --> 00:14:45,986 LIKE THE TRUTH ABOUT HOW THEY DIED. 313 00:14:45,986 --> 00:14:47,554 OR WHY THEY DIED. 314 00:14:47,554 --> 00:14:50,423 ANYWAY, I'M SURE WHATEVER INFORMATION YOU GET 315 00:14:50,423 --> 00:14:52,392 WILL BE A LOT MORE INFORMATIVE 316 00:14:52,392 --> 00:14:54,027 THAN THIS INVESTIGATION THEY HAVE GOING. 317 00:14:54,027 --> 00:14:55,895 WHAT INVESTIGATION? I'M SORRY. 318 00:14:55,895 --> 00:14:59,166 I ASSUMED THAT YOU KNEW. 319 00:14:59,166 --> 00:15:01,468 "WHY HAS THE FAMILY OF ONE OF GRANDVIEW'S SLAIN SOLDIERS 320 00:15:01,468 --> 00:15:04,237 "PETITIONED THE PENTAGON FOR AN INVESTIGATION INTO THE INCIDENT? 321 00:15:04,237 --> 00:15:07,774 STAY TUNED." 322 00:15:10,010 --> 00:15:11,144 Melinda: THIS IS HECTOR? 323 00:15:11,144 --> 00:15:14,581 YES. HE'S THE ONE NEXT TO MATT--ROCKY. 324 00:15:14,581 --> 00:15:17,584 AND WHAT ARE ALL THESE NICKNAMES? 325 00:15:17,584 --> 00:15:22,122 MONEY IS MONEY BECAUSE HE NEVER LOSES A GAME AT POKER, LIKE, EVER. 326 00:15:22,122 --> 00:15:24,857 LUCKY PICKED UP THAT NAME BECAUSE HE ONLY LOST TWO FINGERS 327 00:15:24,857 --> 00:15:28,361 IN A ROADSIDE BOMBING DURING HIS LAST ROTATION. 328 00:15:28,361 --> 00:15:30,863 AND HECTOR? WHY ROCKY? 329 00:15:30,863 --> 00:15:32,265 BECAUSE THEY USED TO KID HIM THAT HE'D DONE 330 00:15:32,265 --> 00:15:35,802 MORE TOURS IN IRAQ THAN THERE WERE "ROCKY" SEQUELS, 331 00:15:35,802 --> 00:15:39,739 WHICH WAS FUNNY UNTIL-- YOU KNOW. 332 00:15:39,739 --> 00:15:43,643 I'M SORRY IF I CAME AT A BAD TIME. 333 00:15:43,643 --> 00:15:47,280 IT'S ALL RIGHT. I JUST HAVE CLASS AT 4:00. 334 00:15:47,280 --> 00:15:49,416 IT'S THE ONLY THING KEEPING ME SANE RIGHT NOW. 335 00:15:49,416 --> 00:15:52,185 I DON'T WANT TO KEEP YOU, BUT I JUST WANT TO ASK YOU-- 336 00:15:52,185 --> 00:15:54,254 DO YOU KNOW WHERE-- 337 00:15:54,254 --> 00:15:56,756 MELINDA, THIS IS RICHARD, HECTOR'S FATHER. 338 00:15:56,756 --> 00:15:58,291 OH, HI. HI. 339 00:15:58,291 --> 00:16:00,860 MELINDA IS A FRIEND OF MATT'S. 340 00:16:00,860 --> 00:16:03,196 OH. 341 00:16:03,196 --> 00:16:05,965 DO YOU KNOW WHERE THE COUNTY TAX STUFF FOR LAST YEAR IS? 342 00:16:05,965 --> 00:16:08,835 ABOVE THE FILE CABINET OUT BACK. 343 00:16:08,835 --> 00:16:12,539 THANK YOU. 344 00:16:12,539 --> 00:16:15,142 HE CAME DOWN FROM BOSTON 345 00:16:15,142 --> 00:16:19,146 TO STAY WITH ME AND HELP OUT. 346 00:16:19,146 --> 00:16:22,882 HE'S GOING THROUGH ALL THE FINANCES. 347 00:16:22,882 --> 00:16:26,019 I WAS DOING IT, BUT I STARTED FINDING ALL THESE NOTES 348 00:16:26,019 --> 00:16:28,721 THAT HECTOR WROTE TO HIMSELF, YOU KNOW, 349 00:16:28,721 --> 00:16:30,957 ALL THE PLANS HE HAD FOR US. 350 00:16:30,957 --> 00:16:32,592 THIS MUST BE SO HARD FOR YOU. 351 00:16:32,592 --> 00:16:34,794 NOT JUST FOR ME. 352 00:16:34,794 --> 00:16:37,164 I DON'T WANT YOU TO THINK THAT I'M PRYING, 353 00:16:37,164 --> 00:16:38,798 BUT I DID HEAR THAT ONE OF THE FAMILIES 354 00:16:38,798 --> 00:16:42,602 HAS ASKED FOR AN INVESTIGATION. 355 00:16:42,602 --> 00:16:45,105 RICHARD ASKED FOR IT. 356 00:16:45,105 --> 00:16:47,307 DO YOU KNOW WHY? 357 00:16:47,307 --> 00:16:52,112 LIKE I SAID, IT'S NOT JUST ME THAT'S HAVING A HARD TIME. 358 00:16:52,112 --> 00:16:53,813 RICHARD, HE'S ANGRY. 359 00:16:53,813 --> 00:16:56,049 HE WANTS REASONS. DON'T YOU? 360 00:16:56,049 --> 00:16:58,451 REASONS AREN'T GONNA BRING MY HUSBAND BACK. 361 00:16:58,451 --> 00:17:00,220 DO YOU THINK HE WOULD MIND IF I TALKED TO HIM 362 00:17:00,220 --> 00:17:02,021 ABOUT WHY HE'S DOING THIS? 363 00:17:02,021 --> 00:17:04,524 WHY? I DON'T KNOW... 364 00:17:04,524 --> 00:17:07,660 JUST IN CASE I CAN HELP IN SOME WAY. 365 00:17:07,660 --> 00:17:09,396 HE'S OUT BACK. 366 00:17:09,396 --> 00:17:11,064 YOU DON'T REALLY UNDERSTAND WHAT'S GOING ON HERE, DO YOU? 367 00:17:11,064 --> 00:17:13,200 DO YOU HAVE SOMETHING AGAINST MATT? 368 00:17:13,200 --> 00:17:14,734 YEAH, JUST THE DEATH OF MY SON, THAT'S ALL. 369 00:17:14,734 --> 00:17:16,569 I DON'T UNDERSTAND. DID MATT SOMEHOW-- LOOK. 370 00:17:16,569 --> 00:17:19,172 IF YOU KNOW THIS GUY, YOU SHOULDN'T BE TALKING TO ME. 371 00:17:19,172 --> 00:17:20,407 IT'S ALL GONNA COME OUT SOON ENOUGH. 372 00:17:20,407 --> 00:17:21,541 WHAT'S GONNA COME OUT? 373 00:17:21,541 --> 00:17:23,976 YOU THINK YOU KNOW MURPHY? 374 00:17:23,976 --> 00:17:25,845 YES, AND SO DOES MY HUSBAND. 375 00:17:25,845 --> 00:17:31,718 COME AND TAKE A LOOK AT THE REAL SERGEANT MURPHY. 376 00:17:31,718 --> 00:17:33,052 WHAT IS THIS? 377 00:17:33,052 --> 00:17:35,122 TERRORIST WEB SITE, A JIHADI RECRUITMENT TOOL. 378 00:17:35,122 --> 00:17:38,358 THEY POST VIDEOS OF AMERICAN SOLDIERS BEING KILLED. 379 00:17:38,358 --> 00:17:40,827 OH, THAT IS AWFUL. 380 00:17:40,827 --> 00:17:42,762 I WAS A COLONEL IN THE GULF WAR. 381 00:17:42,762 --> 00:17:45,098 I STILL HAVE FRIENDS IN THE NSA. 382 00:17:45,098 --> 00:17:47,066 BUDDY OF MINE SENT ME THIS LINK. 383 00:17:47,066 --> 00:17:49,469 GOVERNMENT DOESN'T WANT THIS TO GET OUT. 384 00:17:49,469 --> 00:17:51,971 THERE, THE ONE TRYING TO STOP SERGEANT MURPHY, 385 00:17:51,971 --> 00:17:53,873 THAT'S MY SON. 386 00:17:53,873 --> 00:17:56,876 WHAT'S GOING ON? HARD TO SAY. 387 00:17:56,876 --> 00:17:59,812 SERGEANT MURPHY SEEMS TO BE IN SOME KIND OF ARGUMENT WITH HIS MEN. 388 00:17:59,812 --> 00:18:02,515 THAT'S MY BOY HECTOR WHO'S KEEPING HIM FROM GETTING UP. 389 00:18:02,515 --> 00:18:04,817 WHY? KEEP WATCHING. 390 00:18:04,817 --> 00:18:08,288 SARGE! STOP HIM! STOP HIM! 391 00:18:08,288 --> 00:18:10,590 WHERE'S THAT CRAZY BASTARD GOING? 392 00:18:10,590 --> 00:18:13,059 Richard: MURPHY MAKES IT TO THE HUMVEE, 393 00:18:13,059 --> 00:18:15,262 AND HE DOESN'T EVEN WAIT FOR HIS MEN. 394 00:18:15,262 --> 00:18:18,731 [MACHINE GUN FIRE] 395 00:18:18,731 --> 00:18:23,270 [HUMVEE DEPARTS] 396 00:18:23,270 --> 00:18:24,837 HE ABANDONED HIS MEN UNDER FIRE 397 00:18:24,837 --> 00:18:28,040 AND LEFT MY SON TO DIE. 398 00:18:30,543 --> 00:18:32,912 COME ON. STACK ON ME. LET'S GO. 399 00:18:32,912 --> 00:18:34,547 GO, GO, GO. 400 00:18:34,547 --> 00:18:37,350 [MACHINE GUN FIRE] 401 00:18:41,954 --> 00:18:43,556 [EXPLOSION] 402 00:18:48,528 --> 00:18:51,398 I SAT HERE 403 00:18:51,398 --> 00:18:56,269 AND WATCHED MY SON DIE A HUNDRED TIMES, 404 00:18:56,269 --> 00:18:58,305 AND MURPHY GETS A MEDAL. 405 00:18:58,305 --> 00:19:00,607 WHAT ARE YOU PLANNING TO DO WITH THIS? 406 00:19:00,607 --> 00:19:02,842 PEOPLE WHO GAVE MURPHY HIS SILVER STAR 407 00:19:02,842 --> 00:19:05,278 DON'T WANT TO SEE THIS. 408 00:19:05,278 --> 00:19:08,080 TOMORROW I'M GIVING IT TO THE PRESS. 409 00:19:08,080 --> 00:19:09,682 YOU WILL RUIN MATT'S LIFE. 410 00:19:09,682 --> 00:19:10,983 HE HAS HIS LIFE! 411 00:19:10,983 --> 00:19:12,485 COULDN'T THERE BE AN EXPLANATION 412 00:19:12,485 --> 00:19:14,921 OF WHAT HAPPENED ON THE VIDEO? 413 00:19:14,921 --> 00:19:17,056 SUCH AS? WELL, I DON'T KNOW... 414 00:19:17,056 --> 00:19:19,058 BUT, YOU KNOW, MAYBE IF YOU GAVE ME SOME MORE TIME, 415 00:19:19,058 --> 00:19:20,427 I COULD FIGURE OUT WHAT REALLY HAPPENED. 416 00:19:20,427 --> 00:19:23,496 FROM WHO-- THE MILITARY, MURPHY? 417 00:19:23,496 --> 00:19:25,097 WHO'S GONNA TELL THE TRUTH? 418 00:19:25,097 --> 00:19:28,335 I AM BEGGING. 419 00:19:28,335 --> 00:19:30,903 PLEASE GIVE MATT SOME MORE TIME. 420 00:19:30,903 --> 00:19:32,805 MAYBE HIS MEMORY WILL COME BACK, 421 00:19:32,805 --> 00:19:36,743 AND YOU'RE GONNA LOSE NOTHING BY WAITING. 422 00:19:36,743 --> 00:19:39,178 I'LL HOLD OFF ANOTHER DAY. 423 00:19:39,178 --> 00:19:43,750 YOU SHOULD USE THAT TIME TO LET MURPHY KNOW WHAT'S COMING DOWN. 424 00:19:43,750 --> 00:19:47,687 THAT'LL JOG HIS MEMORY. 425 00:19:49,589 --> 00:19:51,958 Jim: MATT. 426 00:19:51,958 --> 00:19:54,961 GINA? 427 00:19:54,961 --> 00:19:57,697 HEY, MAN, YOU HOME? 428 00:20:00,267 --> 00:20:04,971 MATT. GINA? ANYBODY HOME? 429 00:20:07,039 --> 00:20:08,575 HEY, BUDDY, I THOUGHT WE'D PLAY SOME BALL. 430 00:20:08,575 --> 00:20:09,809 SINCE YOU ONLY GOT ONE GOOD ARM, 431 00:20:09,809 --> 00:20:12,679 MAYBE I STAND A CHANCE THIS TIME, HUH? 432 00:20:12,679 --> 00:20:16,716 MATT. MATT, WHERE ARE YOU, MAN? 433 00:20:16,716 --> 00:20:19,452 [CLICK] 434 00:20:19,452 --> 00:20:21,821 MATT... CLOSE THE DOOR. CLOSE THE DAMN DOOR. 435 00:20:21,821 --> 00:20:24,324 MATT, THE DOOR IS CLOSED. WHAT ARE YOU DOING? 436 00:20:24,324 --> 00:20:28,461 MATT... LOCK THE DOOR. LOCK THE DOOR. 437 00:20:28,461 --> 00:20:31,698 THE DOORS ARE CLOSED, OK? 438 00:20:31,698 --> 00:20:34,934 TAKE IT EASY. IT'S OK. WHAT'S WRONG? TELL ME WHAT'S WRONG. 439 00:20:34,934 --> 00:20:38,070 MATT, PUT THE GUN DOWN. PUT THE GUN DOWN. 440 00:20:38,070 --> 00:20:40,807 IT'S OK. GOOD. 441 00:20:40,807 --> 00:20:42,742 I'M JUST GONNA TAKE IT. 442 00:20:42,742 --> 00:20:46,112 I'M GONNA TAKE THE GUN FROM YOU, THAT'S ALL. 443 00:20:46,112 --> 00:20:49,749 EASY. GET AWAY FROM MY-- 444 00:20:52,619 --> 00:20:54,554 BUDDY, YOU'RE HAVING A PANIC ATTACK. 445 00:20:54,554 --> 00:20:56,923 TAKE IT EASY. BREATHE. BREATHE. 446 00:20:56,923 --> 00:20:58,358 TRY AND CALM DOWN. 447 00:20:58,358 --> 00:21:00,493 MATT, NOBODY IS GONNA HURT YOU. 448 00:21:00,493 --> 00:21:04,063 I LIED! I LIED! LIED ABOUT WHAT? 449 00:21:04,063 --> 00:21:06,833 WHEN I GOT OFF THE BUS AND TOLD YOU IT WAS LIKE I WAS NEVER AWAY. 450 00:21:06,833 --> 00:21:08,901 I FEEL LIKE I NEVER LEFT IRAQ. 451 00:21:08,901 --> 00:21:11,203 I CAN'T COME HOME, NO MATTER HOW HARD I TRY. 452 00:21:11,203 --> 00:21:12,539 YOU ARE HOME NOW. 453 00:21:12,539 --> 00:21:14,006 YOU HAVE PEOPLE WHO CARE ABOUT YOU, PEOPLE WHO LOVE YOU. 454 00:21:14,006 --> 00:21:16,843 NO ONE IS GONNA LET ANYTHING HAPPEN TO YOU. 455 00:21:16,843 --> 00:21:21,414 COME ON. YOU'RE SAFE NOW. 456 00:21:34,794 --> 00:21:37,497 I WAS SO SCARED. 457 00:21:37,497 --> 00:21:43,069 I'VE NEVER BEEN SCARED, NOT LIKE THIS. 458 00:21:43,069 --> 00:21:47,774 I KEEP SEEING THEM, JIM--MY MEN. 459 00:21:47,774 --> 00:21:50,343 IT'S LIKE THEY'RE HERE. 460 00:21:50,343 --> 00:21:55,081 THEY KNOW IT SHOULD BE ME THAT'S DEAD, AND NOT THEM. 461 00:21:55,081 --> 00:21:58,150 THEY'RE COMING TO GET ME. 462 00:22:01,654 --> 00:22:02,822 THE GUY'S IN TROUBLE, MEL. 463 00:22:02,822 --> 00:22:04,156 I DON'T KNOW HOW MUCH MORE HE CAN TAKE, 464 00:22:04,156 --> 00:22:05,458 AND IF THIS IS ALL BECAUSE OF THOSE GHOSTS, 465 00:22:05,458 --> 00:22:08,428 YOU GOT TO MAKE THEM DISAPPEAR, I MEAN, LIKE, NOW. 466 00:22:08,428 --> 00:22:11,531 YOU KNOW IT'S NOT THAT SIMPLE. WHY NOT? 467 00:22:11,531 --> 00:22:13,700 WHY DOES IT HAVE TO BE ABOUT WHAT HAPPENED THAT NIGHT? 468 00:22:13,700 --> 00:22:15,334 BECAUSE THE HAUNTING IS JUST A SYMPTOM, 469 00:22:15,334 --> 00:22:17,336 AND YOU KNOW THAT, TOO. 470 00:22:17,336 --> 00:22:18,805 THERE'S ALWAYS SOMETHING UNDERNEATH IT. 471 00:22:18,805 --> 00:22:20,272 I WISH THERE WASN'T, BUT THERE IS. 472 00:22:20,272 --> 00:22:21,708 I KNOW THIS GUY THROUGH AND THROUGH. 473 00:22:21,708 --> 00:22:22,975 HE SAVED MY LIFE ON THE JOB. 474 00:22:22,975 --> 00:22:24,143 I MEAN, THE MAN IS A HERO. 475 00:22:24,143 --> 00:22:26,212 OK, SO WHAT ARE YOU AFRAID OF? 476 00:22:26,212 --> 00:22:29,949 WHATEVER WE FIND OUT ABOUT MATT, YOU'RE STILL HIS FRIEND. 477 00:22:29,949 --> 00:22:33,753 WE'RE HIS FRIENDS, SO WE'LL HELP HIM. 478 00:22:33,753 --> 00:22:36,723 WELL, HOW YOU GONNA HELP HIM? 479 00:22:36,723 --> 00:22:39,158 I THINK MATT IS FEELING THE HAUNTINGS 480 00:22:39,158 --> 00:22:41,628 BECAUSE HE'S SO BONDED TO HIS MEN. 481 00:22:41,628 --> 00:22:43,329 THEY GET TO A POINT WHERE THEY CAN 482 00:22:43,329 --> 00:22:46,499 EXPERIENCE EACH OTHER'S FEELINGS, EVEN DEATH, 483 00:22:46,499 --> 00:22:49,702 AND EVERY TIME THAT HE TRIES TO REMEMBER WHAT HAPPENED, 484 00:22:49,702 --> 00:22:53,606 THE GHOSTS COME, JUST NOT CLEARLY ENOUGH FOR ME TO REACH THEM. 485 00:22:53,606 --> 00:22:55,341 ALL RIGHT, SO HE HAS TO REMEMBER BETTER 486 00:22:55,341 --> 00:22:57,444 FOR THEM TO PASS THROUGH. 487 00:22:57,444 --> 00:22:59,846 HE HAS TO REMEMBER EVERYTHING, 488 00:22:59,846 --> 00:23:01,948 EVEN IF IT TRIGGERS ANOTHER ATTACK. 489 00:23:01,948 --> 00:23:05,818 I HAVE TO REACH THEM IN ORDER TO CROSS THEM OVER. 490 00:23:05,818 --> 00:23:08,955 OK. WELL, HOW DO YOU MAKE HIM REMEMBER? 491 00:23:08,955 --> 00:23:12,391 I HAVE TO SHOW HIM SOMETHING. 492 00:23:12,391 --> 00:23:14,260 [GUNFIRE AND EXPLOSIONS] 493 00:23:14,260 --> 00:23:17,830 COME ON. STACK ON ME. LET'S GO. 494 00:23:17,830 --> 00:23:20,032 GO, GO, GO. 495 00:23:20,032 --> 00:23:22,368 [EXPLOSION] 496 00:23:22,368 --> 00:23:24,771 DO YOU REMEMBER ANY OF IT? 497 00:23:26,372 --> 00:23:31,310 AT LEAST NOW I KNOW WHY I KEEP HEARING MYSELF SAYING, "LET ME GO." 498 00:23:31,310 --> 00:23:33,245 Jim: NO. NO. 499 00:23:33,245 --> 00:23:35,214 THERE HAS TO BE SOME OTHER EXPLANATION FOR THIS. 500 00:23:35,214 --> 00:23:36,683 MY GUYS ARE DEAD. 501 00:23:36,683 --> 00:23:38,184 I MEAN, YOU SAW WHAT HAPPENED. 502 00:23:38,184 --> 00:23:41,120 I RAN. I ABANDONED MY MEN UNDER FIRE. I'M ALIVE. 503 00:23:41,120 --> 00:23:42,822 WHAT OTHER EXPLANATION COULD THERE BE? 504 00:23:42,822 --> 00:23:47,359 MATT, HECTOR'S FATHER IS GONNA GO TO THE PRESS WITH THIS TOMORROW. 505 00:23:47,359 --> 00:23:49,328 YOU NEED TO REMEMBER MORE. 506 00:23:49,328 --> 00:23:51,498 IT SHOULD'VE BEEN ME. 507 00:23:51,498 --> 00:23:53,700 [MACHINE GUN FIRE] 508 00:23:58,137 --> 00:24:00,573 [MACHINE GUN FIRE] 509 00:24:06,779 --> 00:24:09,281 [TINKLING] 510 00:24:15,221 --> 00:24:17,957 [MACHINE GUN FIRE] 511 00:24:20,026 --> 00:24:23,029 [GUNFIRE AND EXPLOSIONS] 512 00:24:26,232 --> 00:24:27,667 CAN'T MOVE. WHAT ARE WE GONNA DO? 513 00:24:28,735 --> 00:24:30,369 I'M GONNA KILL THAT SON OF A BITCH. 514 00:24:30,369 --> 00:24:32,905 HECTOR, I NEED TO TALK TO YOU. 515 00:24:32,905 --> 00:24:35,708 I CAN HELP YOU. 516 00:24:35,708 --> 00:24:39,378 ROCKY! ROCKY! 517 00:24:39,378 --> 00:24:42,048 YOUR WIFE TOLD ME THAT'S WHAT EVERYONE CALLS YOU. 518 00:24:42,048 --> 00:24:45,652 ANNA TOLD ME. ANNA? 519 00:24:48,655 --> 00:24:50,857 UH-HUH. 520 00:24:50,857 --> 00:24:54,326 MATT WANTS YOU TO KNOW HOW SORRY HE IS. 521 00:24:54,326 --> 00:24:56,028 HE WISHES THAT HE COULD TAKE BACK WHAT HE DID, 522 00:24:56,028 --> 00:24:57,296 BUT HE CAN'T CHANGE WHAT HAPPENED, 523 00:24:57,296 --> 00:24:58,831 AND NEITHER CAN YOU. 524 00:24:58,831 --> 00:25:01,634 YOU DON'T BELONG HERE. YOU ALL NEED TO CROSS OVER. 525 00:25:01,634 --> 00:25:04,303 HE SAID I'D KNOW WHAT TO DO. 526 00:25:04,303 --> 00:25:05,404 WHO? WHO SAID THAT? 527 00:25:05,404 --> 00:25:07,139 I'M GONNA KILL THAT SON OF A BITCH. 528 00:25:07,139 --> 00:25:08,941 WHAT ARE YOU LOOKING FOR? 529 00:25:08,941 --> 00:25:12,478 HE SAID I'D KNOW WHAT TO DO. 530 00:25:12,478 --> 00:25:14,113 NO. WAIT. 531 00:25:14,113 --> 00:25:17,083 ALL RIGHT. FALL IN. STACK ON ME. 532 00:25:17,083 --> 00:25:18,818 GO, GO, GO! 533 00:25:18,818 --> 00:25:21,554 ALL RIGHT. LET'S GO, LET'S GO! 534 00:25:35,902 --> 00:25:39,639 MOMMY IS ALMOST FINISHED, OK, SWEETIE? 535 00:25:39,639 --> 00:25:42,474 THEN IT'S ME-AND-YOU TIME. YEAH. 536 00:25:43,542 --> 00:25:44,911 [DOOR CLOSES] 537 00:25:44,911 --> 00:25:47,614 HECTOR? DADDY. 538 00:25:52,952 --> 00:25:56,522 THAT SOUNDED JUST LIKE THE WAY YOUR DADDY WOULD BANG THROUGH THE DOOR. 539 00:25:56,522 --> 00:25:59,291 USED TO DRIVE ME CRAZY. 540 00:25:59,291 --> 00:26:03,295 [DOOR OPENS AND CLOSES] 541 00:26:03,295 --> 00:26:05,732 DADA. 542 00:26:05,732 --> 00:26:09,435 OH, BABY GIRL, I KNOW. I MISS DADDY, TOO. 543 00:26:09,435 --> 00:26:10,770 WHEN I GET DONE WITH MY HOMEWORK, 544 00:26:10,770 --> 00:26:12,371 WE'LL GOT TO THE PARK AND DO WHAT YOU WANT, 545 00:26:12,371 --> 00:26:14,240 OK, SWEETIE? DADDY. 546 00:26:16,308 --> 00:26:18,544 [FURNITURE RATTLING] 547 00:26:18,544 --> 00:26:19,578 DADA. 548 00:26:19,578 --> 00:26:21,013 HERE. STAY HERE, SWEETIE. 549 00:26:21,013 --> 00:26:23,349 [FURNITURE RATTLING] 550 00:26:28,220 --> 00:26:29,455 DAD, IS THAT YOU? 551 00:26:29,455 --> 00:26:32,458 [RATTLING CONTINUES] 552 00:26:32,458 --> 00:26:34,060 DAD? 553 00:26:34,060 --> 00:26:37,630 [KNOCK ON DOOR] 554 00:26:39,398 --> 00:26:40,700 HI, ANNA. 555 00:26:40,700 --> 00:26:42,902 I'M SO SORRY TO BOTHER YOU, 556 00:26:42,902 --> 00:26:44,470 BUT COULD I TALK TO YOU FOR A SECOND? 557 00:26:44,470 --> 00:26:46,873 SURE. COME IN. 558 00:26:46,873 --> 00:26:50,276 EVERYTHING OK? YEAH. 559 00:26:50,276 --> 00:26:52,244 Sari: DADDY. 560 00:26:52,244 --> 00:26:55,347 SARI? SARI? 561 00:27:01,788 --> 00:27:04,924 Hector: SARI. 562 00:27:04,924 --> 00:27:08,027 DADDY. BABY. 563 00:27:11,497 --> 00:27:13,833 COME ON, SWEETIE. 564 00:27:13,833 --> 00:27:16,568 COME HERE, BABY. COME HERE. 565 00:27:16,568 --> 00:27:18,570 WHAT ARE YOU LOOKING FOR? WE DON'T HAVE MUCH TIME. 566 00:27:18,570 --> 00:27:20,673 HE GAVE IT TO ME. 567 00:27:20,673 --> 00:27:21,941 HE SAID I'D KNOW WHAT TO DO. 568 00:27:21,941 --> 00:27:23,910 WHAT IS IT? IT'S AN ENVELOPE. 569 00:27:23,910 --> 00:27:26,345 WHAT'S IN IT? 570 00:27:26,345 --> 00:27:29,348 I NEVER GOT TO OPEN IT. 571 00:27:29,348 --> 00:27:32,484 [MACHINE GUN FIRE] 572 00:27:32,484 --> 00:27:34,721 GO, GO, GO. 573 00:27:34,721 --> 00:27:37,556 [EXPLOSION] 574 00:27:37,556 --> 00:27:40,126 WHAT THE HELL IS GOING ON? 575 00:27:40,126 --> 00:27:42,428 WHO WERE YOU TALKING TO? 576 00:27:42,428 --> 00:27:45,331 OK. JUST PLEASE TRUST ME THAT I WILL EXPLAIN EVERYTHING. 577 00:27:45,331 --> 00:27:47,166 THERE'S SOMETHING I HAVE TO FIND. WHAT? 578 00:27:47,166 --> 00:27:49,368 I DON'T KNOW EXACTLY, BUT I NEED TO LOOK 579 00:27:49,368 --> 00:27:52,638 AT ANYTHING OF HECTOR'S THAT WAS SENT BACK FROM IRAQ. 580 00:27:52,638 --> 00:27:55,474 WHY? PLEASE. 581 00:27:55,474 --> 00:27:57,777 I GAVE THE BOX TO HECTOR'S FATHER. 582 00:27:57,777 --> 00:27:59,645 I DON'T KNOW WHERE HE PUT IT. 583 00:27:59,645 --> 00:28:01,613 [CELL PHONE RINGS] 584 00:28:01,613 --> 00:28:03,415 JIM? Jim: GINA CALLED ME 5 MINUTES AGO. 585 00:28:03,415 --> 00:28:04,550 SHE SAID MATT IS A MESS. 586 00:28:04,550 --> 00:28:05,718 I'M ON MY WAY OVER THERE RIGHT NOW. 587 00:28:05,718 --> 00:28:09,088 YEAH. I'LL MEET YOU. 588 00:28:15,127 --> 00:28:18,430 WHERE'S MATT? HE LEFT. 589 00:28:18,430 --> 00:28:20,066 I TRIED TO GET HIM TO TALK TO ME, 590 00:28:20,066 --> 00:28:23,069 TO TELL ME HOW HE WAS FEELING, TO TELL ME ANYTHING. 591 00:28:23,069 --> 00:28:24,636 GINA, WHERE'D HE GO? DO YOU KNOW? 592 00:28:24,636 --> 00:28:25,838 I DON'T KNOW. 593 00:28:25,838 --> 00:28:27,807 HE KEPT TALKING ABOUT THAT VIDEO. 594 00:28:27,807 --> 00:28:29,141 HE HATED THAT YOU GUYS SAW IT. 595 00:28:29,141 --> 00:28:31,610 HE SAID THAT NOW YOU WOULD KNOW THAT HE WAS A COWARD, TOO, 596 00:28:31,610 --> 00:28:34,480 AND SO WOULD EVERYBODY ELSE AS SOON AS IT WAS MADE PUBLIC. 597 00:28:34,480 --> 00:28:36,816 HE'S NOT A COWARD. WE KNOW THAT, GINA. 598 00:28:36,816 --> 00:28:38,184 WE'RE GONNA FIND HIM. HE'S GONNA BE OK. 599 00:28:38,184 --> 00:28:40,052 I'M AFRAID THAT-- WHAT? 600 00:28:40,052 --> 00:28:45,357 AFTER HE LEFT, I WENT TO CHECK FOR THIS GUN. 601 00:28:45,357 --> 00:28:48,961 IT'S GONE. I GOT HIM. 602 00:28:56,903 --> 00:28:58,871 I NEED YOUR HELP. 603 00:28:58,871 --> 00:29:00,940 THE VIDEO IS GOING OUT. 604 00:29:00,940 --> 00:29:02,875 I KEPT MY WORD. NOW IT'S TIME. 605 00:29:02,875 --> 00:29:04,944 IT HAS NOTHING TO DO WITH THE VIDEO. 606 00:29:04,944 --> 00:29:07,079 I THINK YOUR SON MAY HAVE BEEN CARRYING SOMETHING WHEN HE DIED 607 00:29:07,079 --> 00:29:09,515 THAT WAS GIVEN TO HIM BY MATT. SO WHAT? 608 00:29:09,515 --> 00:29:12,084 I NEED TO FIND OUT WHAT IT IS BECAUSE MATT'S LIFE DEPENDS ON IT. 609 00:29:12,084 --> 00:29:13,485 WHAT THE HELL ARE YOU TALKING ABOUT? 610 00:29:13,485 --> 00:29:15,922 SHOW HER, DAD. LET HER LOOK THROUGH MY THINGS. 611 00:29:15,922 --> 00:29:18,457 HECTOR WOULD WANT IT. PLEASE TRUST ME. 612 00:29:18,457 --> 00:29:21,794 SINCE WHEN DO YOU SPEAK FOR MY SON? 613 00:29:21,794 --> 00:29:23,029 NOW, EVERYTHING THEY SENT ME OF HIS 614 00:29:23,029 --> 00:29:25,464 IS LOCKED UP OUT BACK IN THE STORAGE ROOM. 615 00:29:25,464 --> 00:29:27,766 ANNA IS NOT READY TO LOOK THROUGH IT. 616 00:29:27,766 --> 00:29:29,668 YOU KNOW, IS ANNA HOME? BECAUSE MAYBE WE-- 617 00:29:29,668 --> 00:29:31,838 ANNA TOOK SARI TO THE STORE. 618 00:29:31,838 --> 00:29:34,273 SHE WAS A NERVOUS WRECK WHEN I GOT HOME. 619 00:29:34,273 --> 00:29:35,574 I WANT YOU TO STAY AWAY FROM HER. 620 00:29:35,574 --> 00:29:37,709 [GUNFIRE] 621 00:29:37,709 --> 00:29:42,248 HEY! HEY! 622 00:29:42,248 --> 00:29:45,051 ARE YOU ON DRUGS? DO I HAVE TO CALL THE COPS? 623 00:29:45,051 --> 00:29:48,387 [GUNFIRE] 624 00:29:57,997 --> 00:29:59,966 [GASPS] 625 00:29:59,966 --> 00:30:02,501 IT'S HOT. 626 00:30:04,136 --> 00:30:05,737 HOW IS THAT POSSIBLE? 627 00:30:05,737 --> 00:30:09,909 PLEASE TRUST ME WHEN I SAY THIS. 628 00:30:09,909 --> 00:30:12,945 I THINK YOUR SON WANTS YOU TO FIND WHAT MATT GAVE TO HIM. 629 00:30:37,970 --> 00:30:42,108 THIS IS ALL I HAVE LEFT OF MY SON. 630 00:30:44,376 --> 00:30:48,014 I SAID THAT ANNA WASN'T READY TO LOOK THROUGH IT. 631 00:30:48,014 --> 00:30:52,418 IT'S REALLY ME WHO ISN'T. 632 00:30:52,418 --> 00:30:58,657 I KEEP THINKING THAT IF I DON'T OPEN THE BOX, 633 00:30:58,657 --> 00:31:02,895 IT'S LIKE IT'S NOT REALLY FINAL. 634 00:31:02,895 --> 00:31:06,933 I WON'T SEE THE END OF MY SON. 635 00:31:06,933 --> 00:31:09,835 I AM SO SORRY. 636 00:31:33,926 --> 00:31:39,631 Hector: MY JACKET-- MY RIGHT VEST POCKET. 637 00:31:39,631 --> 00:31:42,969 MAYBE YOU SHOULD CHECK HIS JACKET-- 638 00:31:42,969 --> 00:31:46,205 RIGHT VEST POCKET. 639 00:32:08,827 --> 00:32:14,333 I WASN'T AFRAID, DAD. I KNOW I WASN'T. 640 00:32:14,333 --> 00:32:18,504 YOU TAUGHT ME HOW TO BE TOUGH, AND I WAS. 641 00:32:18,504 --> 00:32:21,373 YOU SHOULD KNOW HE WASN'T AFRAID. 642 00:32:21,373 --> 00:32:25,844 HE WAS TOUGH, JUST LIKE YOU TAUGHT HIM TO BE. 643 00:32:31,850 --> 00:32:37,056 [HOOK-AND-LOOP FASTENER RIPS] 644 00:32:37,056 --> 00:32:39,891 I DON'T UNDERSTAND ANY OF THIS. 645 00:32:47,566 --> 00:32:50,102 "UNTIL I GET HOME!" 646 00:32:58,077 --> 00:33:02,148 IS THIS WHAT YOU'RE LOOKING FOR? 647 00:33:05,951 --> 00:33:09,455 WHAT DOES THIS ALL MEAN? 648 00:33:09,455 --> 00:33:12,458 MATT. HE NEEDS US RIGHT NOW. 649 00:33:12,458 --> 00:33:16,262 WHERE? WHERE THE NAMES ARE IN THE VILLAGE SQUARE. 650 00:33:16,262 --> 00:33:19,398 CAN I KEEP THIS? 651 00:33:19,398 --> 00:33:22,968 YEAH. 652 00:33:29,375 --> 00:33:33,845 COME ON. YOU REMEMBER WHEN YOU WERE A ROOKIE. 653 00:33:33,845 --> 00:33:35,647 YOU WERE AS GREEN AS THIS GRASS HERE, 654 00:33:35,647 --> 00:33:38,450 BUT YOU PLUCKED ME OFF THAT FIRE ESCAPE 655 00:33:38,450 --> 00:33:39,818 WITHOUT A SECOND THOUGHT. 656 00:33:39,818 --> 00:33:42,654 YOU SAVED ME, AND THAT WALL CAME CRASHING DOWN. 657 00:33:42,654 --> 00:33:45,391 I REMEMBER, YOU DIDN'T EVEN BLINK. 658 00:33:45,391 --> 00:33:50,496 I DON'T KNOW WHO THAT GUY WAS, BUT IT WASN'T ME. 659 00:33:50,496 --> 00:33:53,399 IT WASN'T THE GUY WHO LET HIS PATROL DIE 660 00:33:53,399 --> 00:33:58,904 IN SOME BOMBED-OUT SQUARE IN IRAQ. 661 00:33:58,904 --> 00:34:01,640 YOU SAW IT. YOU KNOW. 662 00:34:01,640 --> 00:34:03,675 I DON'T CARE WHAT I SAW 663 00:34:03,675 --> 00:34:06,678 OR WHAT I DIDN'T SEE ON THAT VIDEOTAPE. 664 00:34:06,678 --> 00:34:09,648 I KNOW WHO YOU ARE. 665 00:34:09,648 --> 00:34:12,951 THIS WHOLE TOWN KNOWS WHO YOU ARE. 666 00:34:14,453 --> 00:34:17,923 NICE TRY, PAL. 667 00:34:17,923 --> 00:34:21,160 I APPRECIATE IT. I REALLY DO. 668 00:34:21,160 --> 00:34:24,296 THIS ISN'T ABOUT WHO I AM. 669 00:34:24,296 --> 00:34:27,966 IT'S ABOUT WHAT I AM. 670 00:34:27,966 --> 00:34:29,668 [CLICK] 671 00:34:35,207 --> 00:34:36,775 Melinda: MATT, WHAT ARE YOU DOING HERE? 672 00:34:36,775 --> 00:34:40,412 Jim: WHAT DO YOU WANT? 673 00:34:40,412 --> 00:34:44,550 YOU KNOW WHAT I WANT, JIM? 674 00:34:48,954 --> 00:34:51,757 I WANT TO KNOW WHY I LEFT MY MEN BEHIND. 675 00:34:51,757 --> 00:34:54,560 I WANT TO KNOW WHY I CAN'T REMEMBER WHAT I DID 676 00:34:54,560 --> 00:34:58,797 AND WHY I KEEP DOING THIS. 677 00:34:58,797 --> 00:35:01,933 MOST OF ALL, I WANT TO KNOW 678 00:35:01,933 --> 00:35:07,105 WHY THEY'RE DEAD AND I'M NOT. 679 00:35:07,105 --> 00:35:10,242 MATT, I WENT TO HECTOR'S HOUSE. 680 00:35:10,242 --> 00:35:12,678 WE FOUND THIS. 681 00:35:12,678 --> 00:35:16,282 YOU GAVE IT TO HIM RIGHT BEFORE YOU GOT INTO THE HUMVEE. 682 00:35:16,282 --> 00:35:19,185 WHAT DOES IT MEAN? 683 00:35:28,594 --> 00:35:31,029 YOU KNOW, THESE REEDS GROW EVERYWHERE 684 00:35:31,029 --> 00:35:35,967 IN THE SOUTH OF BAGHDAD. 685 00:35:35,967 --> 00:35:39,471 ONE DAY, I WAS JUST PLAYING WITH THEM, 686 00:35:39,471 --> 00:35:42,007 AND I MADE THIS. 687 00:35:42,007 --> 00:35:43,942 THAT'S A RING? 688 00:35:43,942 --> 00:35:46,745 AN ENGAGEMENT RING. 689 00:35:46,745 --> 00:35:48,747 IT WAS SUPPOSED TO BE A PLACEHOLDER 690 00:35:48,747 --> 00:35:51,717 TILL I COULD GET HER A REAL ONE. 691 00:35:51,717 --> 00:35:53,219 WHY'D YOU GIVE IT TO HECTOR? 692 00:35:53,219 --> 00:35:56,555 Hector: BECAUSE HE THOUGHT HE WAS ONE A ONE-WAY TRIP IN THE HUMVEE. 693 00:35:56,555 --> 00:35:59,225 YOU THOUGHT YOU WEREN'T COMING HOME. 694 00:35:59,225 --> 00:36:01,159 Melinda: THAT DAY THAT YOU GOT IN THE HUMVEE, 695 00:36:01,159 --> 00:36:04,129 YOU WEREN'T RUNNING SCARED, WERE YOU? 696 00:36:04,129 --> 00:36:06,465 YOU WERE ON A SUICIDE MISSION FOR YOUR MEN. 697 00:36:06,465 --> 00:36:08,066 HOW'D YOU KNOW THAT? 698 00:36:08,066 --> 00:36:12,804 HECTOR, YOUR MEN, THEY'RE HERE WITH YOU, 699 00:36:12,804 --> 00:36:15,040 WITH US RIGHT NOW. 700 00:36:19,811 --> 00:36:21,280 ROCKY? 701 00:36:25,417 --> 00:36:26,985 WHY? 702 00:36:26,985 --> 00:36:29,721 Hector: BECAUSE WE DON'T LEAVE A MAN BEHIND, 703 00:36:29,721 --> 00:36:32,991 ESPECIALLY WHEN HE NEVER LEFT US. 704 00:36:32,991 --> 00:36:38,163 Melinda: THEY SAID YOU NEVER LEFT THEM. 705 00:36:38,163 --> 00:36:40,131 WHAT HAPPENED? 706 00:36:40,131 --> 00:36:42,801 WE GOT SEPARATED FROM OUR CONVOY, 707 00:36:42,801 --> 00:36:44,970 PINNED DOWN IN THAT SQUARE. 708 00:36:44,970 --> 00:36:46,438 HE RADIOED FOR AIR COVER. 709 00:36:46,438 --> 00:36:48,206 THERE JUST WASN'T ENOUGH TIME. 710 00:36:48,206 --> 00:36:50,409 GET DOWN! GET DOWN! 711 00:36:50,409 --> 00:36:52,411 WHERE'S THE FIRE COMING FROM? 712 00:36:52,411 --> 00:36:54,346 STOREFRONT ACROSS THE STREET, SARGE. 713 00:36:54,346 --> 00:36:56,081 WE GOT ANOTHER ONE, 11 O'CLOCK. 714 00:36:56,081 --> 00:37:00,452 ROCKY, THE GUN NEST BEHIND THAT WALL-- 2, MAYBE 3 SHOOTERS. 715 00:37:00,452 --> 00:37:03,154 Man: CAN'T MOVE. WHAT ARE WE GONNA DO? 716 00:37:17,336 --> 00:37:18,804 WHAT ARE YOU DOING, MAN? 717 00:37:18,804 --> 00:37:20,806 YOU'LL KNOW WHAT TO DO. WHAT? 718 00:37:20,806 --> 00:37:23,141 WHAT DOES THAT MEAN? MATT, GET DOWN, MAN. 719 00:37:23,141 --> 00:37:24,943 LET ME GO! LET ME GO! 720 00:37:24,943 --> 00:37:26,578 MATT, GET BACK HERE. 721 00:37:26,578 --> 00:37:27,779 KEPT TRYING TO PULL YOU BACK. 722 00:37:27,779 --> 00:37:30,549 YOU JUST KEPT SAYING, "LET ME GO." 723 00:37:30,549 --> 00:37:34,653 I REMEMBER. 724 00:37:34,653 --> 00:37:37,122 I COULDN'T TAKE THE TIME TO EXPLAIN IT BECAUSE IF I DID-- 725 00:37:37,122 --> 00:37:39,625 WE WOULDN'T HAVE LET YOU GO. 726 00:37:39,625 --> 00:37:40,792 SERGEANT MURPHY! 727 00:37:40,792 --> 00:37:42,594 WHAT'S THAT CRAZY BASTARD DOING? MATT! 728 00:37:42,594 --> 00:37:44,530 Matt, voice-over: I KNEW THEY WERE CONFUSED. 729 00:37:44,530 --> 00:37:48,033 ALL I COULD DO WAS SAY A PRAYER THAT I'D MAKE IT TO THE HUMVEE WITHOUT GETTING KILLED. 730 00:37:48,033 --> 00:37:49,267 MATT! 731 00:37:49,267 --> 00:37:51,603 [GUNFIRE AND EXPLOSIONS] 732 00:37:51,603 --> 00:37:52,671 GET DOWN! 733 00:37:57,343 --> 00:37:58,610 MATT! 734 00:37:58,610 --> 00:38:00,211 Hector, voice-over: HE DROVE STRAIGHT INTO ENEMY FIRE. 735 00:38:00,211 --> 00:38:04,650 HE WAS SACRIFICING HIMSELF TO SAVE US. 736 00:38:08,387 --> 00:38:10,689 Matt, voice-over: THERE WERE TWO JIHADIS LEFT. 737 00:38:10,689 --> 00:38:15,394 I GOT THE FIRST ONE. THEN MY GUN JUST JAMMED. 738 00:38:15,394 --> 00:38:16,795 THAT'S WHY YOU KEEP BREAKING IT DOWN 739 00:38:16,795 --> 00:38:18,397 AND PUTTING IT BACK TOGETHER AGAIN. 740 00:38:18,397 --> 00:38:20,532 YOU'RE JUST TRYING TO UNJAM IT. 741 00:38:20,532 --> 00:38:22,233 FALL IN. STACK ON ME. LET'S GO. 742 00:38:22,233 --> 00:38:23,769 LET'S GET SARGE. GO, GO, GO. 743 00:38:23,769 --> 00:38:25,070 ALL RIGHT. LET'S GO, LET'S GO! 744 00:38:25,070 --> 00:38:28,640 Matt: YEAH. YEAH. I MEAN, THAT WAS IT. 745 00:38:28,640 --> 00:38:31,943 MY TICKET WAS ABOUT TO BE PUNCHED BY THE LAST GUNMAN. 746 00:38:31,943 --> 00:38:35,013 [GUNSHOT] 747 00:38:35,013 --> 00:38:37,282 [PANTING] 748 00:38:42,988 --> 00:38:44,390 [GUNSHOT] 749 00:38:44,390 --> 00:38:47,626 Matt, voice-over: AND THEN HECTOR TOOK OUT THE LAST SHOOTER. 750 00:38:47,626 --> 00:38:50,195 Hector, voice-over: AND THEN WE CAME TO SAVE HIM. 751 00:38:54,933 --> 00:38:59,971 Melinda, voice-over: THEY WERE COMING TO RESCUE YOU. 752 00:39:02,908 --> 00:39:06,277 NO! 753 00:39:06,277 --> 00:39:08,847 Matt, voice-over: BUT THEY NEVER MADE IT. 754 00:39:08,847 --> 00:39:11,383 COULDN'T ACCEPT IT. 755 00:39:11,383 --> 00:39:16,555 IT WAS LIKE A PART OF MY BRAIN JUST SHUT DOWN. 756 00:39:18,857 --> 00:39:22,127 SHOULD'VE LEFT ME. 757 00:39:23,361 --> 00:39:25,363 IT SHOULD'VE BEEN 4 SURVIVORS AND 1 CASUALTY 758 00:39:25,363 --> 00:39:26,665 INSTEAD OF THE OTHER WAY ROUND. 759 00:39:26,665 --> 00:39:29,000 Hector: HE SAVED US. 760 00:39:29,000 --> 00:39:31,737 THERE WAS NO WAY WE WERE LEAVING WITHOUT HIM. 761 00:39:31,737 --> 00:39:34,105 THE REST OF IT? 762 00:39:34,105 --> 00:39:36,074 NOBODY HAD ANY CONTROL OVER WHAT HAPPENED NEXT. 763 00:39:36,074 --> 00:39:38,477 I WOULD'VE DONE ANYTHING FOR THEM, 764 00:39:38,477 --> 00:39:40,679 ANYTHING. 765 00:39:40,679 --> 00:39:42,914 I'D TRADE PLACES WITH THEM IN A HEARTBEAT. 766 00:39:42,914 --> 00:39:45,183 Hector: YOU TELL MATT THAT HE'S ALIVE FOR A REASON 767 00:39:45,183 --> 00:39:47,686 AND THAT HE SHOULDN'T WASTE IT FEELING GUILTY ABOUT US. 768 00:39:47,686 --> 00:39:54,025 EVERYTHING THAT HAPPENED WAS MEANT TO HAPPEN. 769 00:39:54,025 --> 00:39:57,195 HECTOR WANTS YOU TO STOP BLAMING YOURSELF. 770 00:39:57,195 --> 00:40:00,298 YOU DID EVERYTHING YOU COULD. 771 00:40:00,298 --> 00:40:02,501 EVERYTHING HAPPENS FOR A REASON. 772 00:40:04,503 --> 00:40:05,937 WHOA, THAT'S BRIGHT. 773 00:40:05,937 --> 00:40:07,673 IS THAT A CHOPPER? 774 00:40:07,673 --> 00:40:12,410 NO. NO. THAT'S NOT A SEARCHLIGHT. 775 00:40:12,410 --> 00:40:14,345 IT'S BEAUTIFUL. 776 00:40:14,345 --> 00:40:16,582 WHAT DOES IT MEAN? 777 00:40:16,582 --> 00:40:18,283 IT MEANS YOU'RE READY TO GO. 778 00:40:21,052 --> 00:40:25,023 TELL ANNA I LOVE HER. 779 00:40:25,023 --> 00:40:28,827 TELL HER NOT TO LET MY LITTLE GIRL FORGET ABOUT HER DAD. 780 00:40:28,827 --> 00:40:31,530 I WILL. 781 00:40:31,530 --> 00:40:34,265 TALK TO MY FATHER. 782 00:40:34,265 --> 00:40:35,667 ASK HIM IF HE THINKS MATT DIDN'T TRY TO SAVE US, 783 00:40:35,667 --> 00:40:36,968 THEN WHY ARE THERE BULLET HOLES 784 00:40:36,968 --> 00:40:40,038 IN THE FRONT GRILL OF OUR HUMVEE? 785 00:40:40,038 --> 00:40:41,540 IT'S BECAUSE MATT WAS GOING TOWARDS THE BULLETS, 786 00:40:41,540 --> 00:40:44,042 NOT AWAY FROM THEM. 787 00:40:46,411 --> 00:40:48,547 YOU TELL HIM THAT I WANT HIM TO WATCH OUT FOR MATT NOW 788 00:40:48,547 --> 00:40:52,651 THE WAY MATT WATCHED OUT FOR ME. 789 00:40:52,651 --> 00:40:57,523 HE'S THE ONE THAT'S GONNA NEED HELP NOW. 790 00:40:57,523 --> 00:41:00,058 WHAT'S HAPPENING? 791 00:41:00,058 --> 00:41:04,362 THEY DID WHAT THEY CAME HERE TO DO. 792 00:41:04,362 --> 00:41:05,831 THEY SAID GOOD-BYE. 793 00:41:28,486 --> 00:41:32,257 I'VE BEEN LOOKING EVERYWHERE FOR YOU. 794 00:41:34,192 --> 00:41:35,627 SORRY. 795 00:41:35,627 --> 00:41:38,329 DON'T EVER LEAVE ME AGAIN. 796 00:41:38,329 --> 00:41:42,067 WHAT PART OF "I LOVE YOU" DON'T YOU GET? 797 00:41:44,035 --> 00:41:47,973 I'M WITH YOU. 798 00:41:47,973 --> 00:41:50,308 I KNOW. 799 00:42:00,686 --> 00:42:03,822 THIS IS ALL I CAN GIVE YOU RIGHT NOW. 800 00:42:07,425 --> 00:42:10,195 NOW, WE'LL REPLACE IT WHEN WE-- 801 00:42:10,195 --> 00:42:12,564 DON'T YOU DARE. 802 00:42:26,344 --> 00:42:32,784 Man: * LAST NIGHT I SLEPT IN A BED OF TEARS * 803 00:42:32,784 --> 00:42:37,923 * BUT I WOKE UP A BETTER MAN * 804 00:42:37,923 --> 00:42:43,862 * I FINALLY FEEL AWAKE FOR THE FIRST TIME * 805 00:42:43,862 --> 00:42:47,465 * I BET I'LL GET HOME TO DO WHAT'S RIGHT * 806 00:42:47,465 --> 00:42:49,635 * THAT'S RIGHT * 807 00:42:49,635 --> 00:42:52,470 * 'CAUSE ONE WAY IS HOLDING ON * 808 00:42:52,470 --> 00:42:55,240 * ONE WAY IS BEING STRONG * 809 00:42:55,240 --> 00:43:01,012 * THERE'S TWO WAYS TO SAY GOOD-BYE * 810 00:43:01,012 --> 00:43:03,982 * YOUR TEARS ARE MADE OF PRIDE * 811 00:43:03,982 --> 00:43:06,918 * MY TEARS HAVE ALL BEEN CRIED * 812 00:43:06,918 --> 00:43:13,558 * THERE'S TWO WAYS TO SAY GOOD-BYE * 813 00:43:13,558 --> 00:43:19,130 * NOW I WON'T TELL YOU THAT YOU'LL BE ALL RIGHT * 814 00:43:19,130 --> 00:43:26,271 * 'CAUSE I DON'T WANT TO HOLD YOU AND KEEP LYING *