1 00:00:02,270 --> 00:00:05,239 [BELL TOLLING] 2 00:00:08,642 --> 00:00:11,279 MY NAME IS MELINDA GORDON. 3 00:00:11,312 --> 00:00:14,548 I'M MARRIED, I LIVE IN A SMALL TOWN, 4 00:00:14,582 --> 00:00:16,617 AND I OWN AN ANTIQUE SHOP. 5 00:00:16,650 --> 00:00:18,652 I MIGHT BE JUST LIKE YOU. 6 00:00:18,686 --> 00:00:20,654 EXCEPT THAT FROM THE TIME I WAS A LITTLE GIRL, 7 00:00:20,688 --> 00:00:22,156 I KNEW THAT I COULD TALK TO THE DEAD. 8 00:00:23,491 --> 00:00:25,193 Grandmother: IT'S ALL RIGHT, HONEY. 9 00:00:25,226 --> 00:00:27,461 EARTHBOUND SPIRITS, MY GRANDMOTHER CALLED THEM. 10 00:00:27,495 --> 00:00:29,097 THEY'RE STUCK HERE BECAUSE THEY HAVE UNFINISHED 11 00:00:29,130 --> 00:00:30,264 BUSINESS WITH THE LIVING 12 00:00:30,298 --> 00:00:31,499 AND THEY COME TO ME FOR HELP. 13 00:00:32,800 --> 00:00:33,567 [GASPS] 14 00:00:35,403 --> 00:00:37,371 IN ORDER TO TELL YOU MY STORY, 15 00:00:37,405 --> 00:00:38,606 I HAVE TO TELL YOU THEIRS. 16 00:00:41,742 --> 00:00:44,578 * PAIN WITHOUT LOVE 17 00:00:44,612 --> 00:00:47,581 * PAIN, I CAN'T GET ENOUGH 18 00:00:47,615 --> 00:00:50,484 * PAIN, I LIKE IT ROUGH 19 00:00:50,518 --> 00:00:56,624 * 'CAUSE I'D RATHER FEEL PAIN THAN NOTHING AT ALL * 20 00:00:56,657 --> 00:01:00,261 * PAIN WITHOUT LOVE 21 00:01:00,294 --> 00:01:03,264 * PAIN, CAN'T GET ENOUGH 22 00:01:03,297 --> 00:01:05,666 * PAIN, I LIKE IT ROUGH 23 00:01:05,699 --> 00:01:08,802 * 'CAUSE I'D RATHER FEEL PAIN THAN NOTHING AT ALL * 24 00:01:08,836 --> 00:01:11,705 * RATHER FEEL PAIN THAN NOTHING AT ALL * 25 00:01:11,739 --> 00:01:15,109 * RATHER FEEL PAIN 26 00:01:17,845 --> 00:01:21,249 [CHEERING AND APPLAUSE] 27 00:01:21,282 --> 00:01:23,451 THANK YOU VERY MUCH. WE ARE THREE DAYS GRACE. 28 00:01:23,484 --> 00:01:24,418 WE'LL BE RIGHT BACK. 29 00:01:25,919 --> 00:01:27,421 AHH. 30 00:01:27,455 --> 00:01:28,889 WHEN YOU SAID THAT WE WERE GOING DANCING, 31 00:01:28,922 --> 00:01:30,658 I DIDN'T THINK THIS WAS WHAT YOU MEANT. 32 00:01:30,691 --> 00:01:31,859 I--I SAID THERE MIGHT BE DANCING. 33 00:01:31,892 --> 00:01:33,661 YOUR EXACT WORDS WERE, "I CANNOT WAIT 34 00:01:33,694 --> 00:01:35,229 TO GET YOU OUT ON THE DANCE FLOOR." 35 00:01:35,263 --> 00:01:37,398 COME ON. JUMPING UP AND DOWN CAN BE DANCING. 36 00:01:37,431 --> 00:01:39,367 ANOTHER ROUND, FOLKS? YEAH, YEAH. 37 00:01:39,400 --> 00:01:40,601 2 WOULD BE GREAT. 38 00:01:40,634 --> 00:01:42,570 Man: BRANDON! ORDER UP FOR THE BAND. 39 00:01:44,272 --> 00:01:45,573 SORRY, GUYS. GIVE ME ONE SEC. 40 00:01:48,709 --> 00:01:49,710 DOES THAT GUY LOOK FAMILIAR TO YOU? 41 00:01:49,743 --> 00:01:51,412 I DON'T THINK SO. YOU? 42 00:01:51,445 --> 00:01:52,413 I DON'T KNOW. 43 00:01:52,446 --> 00:01:53,714 HERE YOU GO, GUYS. 44 00:01:53,747 --> 00:01:54,848 HEY, BRANDON, WHY DON'T YOU PLAY? 45 00:01:54,882 --> 00:01:55,849 GOOD JOB. 46 00:01:55,883 --> 00:01:56,850 WE'RE ALMOST DONE. 47 00:01:56,884 --> 00:01:57,851 YEAH, COME ON, PLAY, DUDE. 48 00:01:57,885 --> 00:01:58,852 YOU GOTTA PLAY. 49 00:01:58,886 --> 00:01:59,753 NO, NO, NO. 50 00:01:59,787 --> 00:02:01,555 OTHER PEOPLE HERE. COME ON. YOU GOTTA PLAY. 51 00:02:01,589 --> 00:02:03,191 HERE, I GOT A GUITAR RIGHT HERE. I'M WORKING, MAN. 52 00:02:03,224 --> 00:02:06,160 [CROWD CHEERING] 53 00:02:06,194 --> 00:02:07,495 THAT GUY. 54 00:02:08,896 --> 00:02:11,399 TEAR IT UP, MAN. 55 00:02:11,432 --> 00:02:13,167 [PLAYING JIMI HENDRIX' RENDITION OF "STAR SPANGLED BANNER"] 56 00:02:22,310 --> 00:02:25,546 WOW. HE'S AMAZING. 57 00:02:27,548 --> 00:02:29,550 WAIT A MINUTE. THAT'S WHY I KNOW THIS GUY. 58 00:02:29,583 --> 00:02:31,285 HE USED TO PLAY FOR CRIMSON DOVES. 59 00:02:31,319 --> 00:02:32,186 WHO? CRIMSON DOVES. 60 00:02:32,220 --> 00:02:34,955 THEY WERE A LOCAL BAND, UH...BIG FAVORITE. 61 00:02:34,988 --> 00:02:36,524 THEY RELEASED THIS GREAT ALBUM A FEW YEARS BACK, 62 00:02:36,557 --> 00:02:37,658 AND THEN THEY JUST KINDA DISAPPEARED. 63 00:02:42,496 --> 00:02:44,432 DO YOU FEEL THAT? 64 00:02:48,536 --> 00:02:51,539 [IN SLOW MOTION] WHOO! 65 00:02:55,008 --> 00:02:56,377 [GROWLING] 66 00:02:56,410 --> 00:02:57,345 10. 67 00:03:00,581 --> 00:03:02,583 WHAT? WHAT'S GOING ON? 68 00:03:06,920 --> 00:03:08,722 [RUMBLING AND FEEDBACK] 69 00:03:23,571 --> 00:03:25,706 LET ME GUESS. 70 00:03:25,739 --> 00:03:27,308 THAT WASN'T THE GHOST OF JIMI HENDRIX? 71 00:03:27,341 --> 00:03:30,611 BUT IT GAVE NEW MEANING TO STAGE FRIGHT. 72 00:03:31,912 --> 00:03:34,315 Voice: CAN YOU SEE US? 73 00:04:04,678 --> 00:04:06,614 YOU KNOW, WHY DOES A GUY LIKE THAT WORK HERE? 74 00:04:06,647 --> 00:04:08,382 I MEAN, HE SHOULD BE ON THE COVER OF ROLLING STONE, 75 00:04:08,416 --> 00:04:09,650 NOT SERVING DRINKS. 76 00:04:09,683 --> 00:04:11,452 MAYBE HE GETS MONSTER TIPS HERE. 77 00:04:11,485 --> 00:04:13,321 OR MAYBE A GHOST IS TRYING TO STOP HIM 78 00:04:13,354 --> 00:04:14,054 FROM DOING WHAT HE LOVES. 79 00:04:14,087 --> 00:04:15,756 I HATE THAT. 80 00:04:15,789 --> 00:04:17,825 YOU'RE DEAD, YOU CAN'T MOVE ON, I GET IT. 81 00:04:17,858 --> 00:04:19,360 BUT DON'T MESS WITH THE LIVING, 82 00:04:19,393 --> 00:04:21,429 ESPECIALLY WHEN THEY'RE AS TALENTED AS HE IS. 83 00:04:21,462 --> 00:04:22,730 I'M GONNA GET THE JEEP. 84 00:04:22,763 --> 00:04:24,398 YOU STAY HERE, YOU STAY WARM. 85 00:04:24,432 --> 00:04:25,633 WE'LL GET THIS GHOST INTO THERAPY 86 00:04:25,666 --> 00:04:26,800 WHEN WE GET HOME. ALL RIGHT. 87 00:04:26,834 --> 00:04:29,437 OH, HI! HEY, YOU WERE GREAT UP THERE. 88 00:04:29,470 --> 00:04:30,971 OH, THANKS. 89 00:04:31,004 --> 00:04:33,006 AW, I NEVER DID GET YOU THOSE DRINKS, DID I? 90 00:04:33,040 --> 00:04:35,443 WE CUT OURSELVES OFF. I'M MELINDA. 91 00:04:35,476 --> 00:04:36,777 NICE TO MEET YOU. 92 00:04:36,810 --> 00:04:38,746 IT WAS WEIRD WHAT HAPPENED. WERE YOU OK? 93 00:04:38,779 --> 00:04:40,381 YEAH, IT'S JUST SOME FEEDBACK PROBLEMS. 94 00:04:40,414 --> 00:04:41,615 IT'S HAPPENED BEFORE. 95 00:04:41,649 --> 00:04:42,816 OH, REALLY? LIKE WHEN YOU USED TO PLAY 96 00:04:42,850 --> 00:04:44,452 WITH, UH, CRIMSON DOVES? 97 00:04:44,485 --> 00:04:46,354 ARE YOU A FAN? MY HUSBAND WAS. 98 00:04:46,387 --> 00:04:47,788 SO HE TOLD YOU ABOUT THE CURSE? 99 00:04:47,821 --> 00:04:49,657 NO. WHAT CURSE? 100 00:04:49,690 --> 00:04:51,525 JUST A BAD URBAN LEGEND. HAVE A GOOD NIGHT. 101 00:04:51,559 --> 00:04:53,327 WELL, DO YOU HAVE A SECOND TO TALK? 102 00:04:53,361 --> 00:04:54,528 [RUMBLING] 103 00:04:54,562 --> 00:04:57,798 [ELECTRICITY CRACKLING] 104 00:04:57,831 --> 00:04:59,633 [CRACKLING STOPS] 105 00:05:04,037 --> 00:05:05,673 COME ON. YOU REALLY THINK 106 00:05:05,706 --> 00:05:07,708 YOU CAN GET $3,000 FOR THIS? 107 00:05:07,741 --> 00:05:09,710 EASY. IT'S RUMORED THAT THE DOORS PLAYED ON IT. 108 00:05:09,743 --> 00:05:10,711 WHO ARE THE DOORS? 109 00:05:10,744 --> 00:05:12,646 OH, OUCH. 110 00:05:12,680 --> 00:05:14,047 BUT HOW ARE YOU GONNA SELL IT? IT'S BROKEN. 111 00:05:14,081 --> 00:05:15,649 IT NEEDS A NEW ONE OF...THOSE PEDALS. 112 00:05:15,683 --> 00:05:17,418 WELL, I WORKED WITH A REFURBISHER, 113 00:05:17,451 --> 00:05:18,719 AND HIS CARD'S STILL ON FILE. 114 00:05:18,752 --> 00:05:20,388 HE'S ALSO LOOKING TO BUY A CONDO 115 00:05:20,421 --> 00:05:21,622 IF SOMEONE WANTS TO SELL HIM ONE. 116 00:05:21,655 --> 00:05:24,492 SERENDIPITY, THY NAME IS MELINDA. 117 00:05:24,525 --> 00:05:25,559 I WILL HAVE TO CHECK MY SCHEDULE, 118 00:05:25,593 --> 00:05:27,027 BUT I THINK WE'RE FREE, RIGHT? 119 00:05:27,060 --> 00:05:29,363 I HAVE A TON OF HOMEWORK THAT THE DOG NEEDS TO EAT. 120 00:05:29,397 --> 00:05:30,698 OK, FINE. 121 00:05:30,731 --> 00:05:31,799 BUT I WANT TO SEE IT WHEN YOU GET HOME. 122 00:05:31,832 --> 00:05:32,733 OK. 123 00:05:34,535 --> 00:05:36,604 BYE, NED. YEAH. 124 00:05:36,637 --> 00:05:37,971 THAT'S A LOT OF FUN TO LIVE WITH 125 00:05:38,005 --> 00:05:38,972 FOR THE PAST WEEK. 126 00:05:39,006 --> 00:05:39,807 WHAT'S GOING ON? 127 00:05:41,475 --> 00:05:43,043 CHARLIE'S BIRTHDAY IS COMING UP. 128 00:05:43,076 --> 00:05:45,446 I KNOW. WEIRD. HE'S DEAD. 129 00:05:45,479 --> 00:05:47,748 BUT...CELEBRATING HIS BIRTHDAY 130 00:05:47,781 --> 00:05:50,484 IS JUST A LITTLE WAY FOR US TO KEEP HIS SPIRIT WITH US. 131 00:05:50,518 --> 00:05:52,653 ACTUALLY, IT MAKES PERFECT SENSE. 132 00:05:52,686 --> 00:05:54,755 YEAH, WELL... 133 00:05:54,788 --> 00:05:56,790 NED'S NOT SO CRAZY ABOUT IT. HE KNOWS IT'S COMING UP, 134 00:05:56,824 --> 00:05:58,426 AND HE'S DOING EVERYTHING HE CAN TO AVOID IT, 135 00:05:58,459 --> 00:06:01,395 AND BY EXTENSION, AVOID ME. 136 00:06:01,429 --> 00:06:02,963 HEY, LOOK. I FOUND IT. 137 00:06:02,996 --> 00:06:04,598 SO I'M GONNA BE ON THE HUNT FOR A NEW PEDAL. 138 00:06:06,066 --> 00:06:08,168 [KNOCKING] HOWDY. HELLO, HANDSOME. 139 00:06:08,201 --> 00:06:09,169 HI, DELIA. 140 00:06:09,202 --> 00:06:11,805 [GIGGLING] 141 00:06:11,839 --> 00:06:13,941 LESSON JIM LEARNED AT WORK TODAY: 142 00:06:13,974 --> 00:06:16,009 DON'T GET CAUGHT SURFING MYSPACE AT WORK. 143 00:06:16,043 --> 00:06:19,012 OOH, IS THERE MOCKING? 144 00:06:19,046 --> 00:06:20,147 SOMETHING ALONG THE LINES 145 00:06:20,180 --> 00:06:21,882 OF YOU BEING A 13-YEAR-OLD GIRL? 146 00:06:21,915 --> 00:06:25,453 VERY FUNNY. IT WAS ALL WORTH IT BECAUSE... 147 00:06:25,486 --> 00:06:26,587 THE LINK TO THE CRIMSON DOVES. 148 00:06:26,620 --> 00:06:28,489 OH... 149 00:06:28,522 --> 00:06:29,957 "REST IN PEACE, JARED." 150 00:06:29,990 --> 00:06:31,091 YEAH. HE'S THE LEAD SINGER. GET THIS... 151 00:06:31,124 --> 00:06:33,060 HE DIES IN A PLANE CRASH 152 00:06:33,093 --> 00:06:35,429 2 DAYS BEFORE THAT CD I WAS TALKING ABOUT COMES OUT. 153 00:06:35,463 --> 00:06:36,697 IT GETS BETTER. 154 00:06:36,730 --> 00:06:38,131 THIS GUY? HE'S THE BASS PLAYER. 155 00:06:38,165 --> 00:06:39,533 HIS NAME'S SAMPSON. THAT'S NOT A STAGE NAME. 156 00:06:39,567 --> 00:06:41,602 HE GIVES AN INTERVIEW WHERE HE SAYS 157 00:06:41,635 --> 00:06:42,903 THAT THE BAND HAS NOT BEEN ABLE TO PLAY TOGETHER 158 00:06:42,936 --> 00:06:44,738 SINCE THE PLANE CRASH, BECAUSE... 159 00:06:44,772 --> 00:06:46,974 THEY WERE CURSED. YEP. BINGO. 160 00:06:47,007 --> 00:06:49,042 MAYBE THAT'S WHAT BRANDON WAS TALKING ABOUT. 161 00:06:49,076 --> 00:06:50,811 YEAH, EXCEPT IT'S NOT THE CURSE. 162 00:06:50,844 --> 00:06:51,912 IT'S THE LEAD SINGER'S GHOST. 163 00:06:53,246 --> 00:06:55,015 JARED. 164 00:06:55,048 --> 00:06:56,950 IS THERE CONTACT INFORMATION IN HERE? 165 00:06:56,984 --> 00:06:59,186 NO, BUT IT'S A GOOD THING 166 00:06:59,219 --> 00:07:00,921 THERE AREN'T TOO MANY GUYS WITH THE FIRST NAME SAMPSON 167 00:07:00,954 --> 00:07:02,523 IN OUR ZIP CODE. 168 00:07:02,556 --> 00:07:04,157 THIS GUY WRITES COMMERCIAL JINGLES FOR THE RADIO. 169 00:07:04,191 --> 00:07:05,526 YOU ROCK. 170 00:07:05,559 --> 00:07:07,528 YES, I DO. 171 00:07:07,561 --> 00:07:08,228 I GOTTA GET BACK TO WORK. 172 00:07:08,261 --> 00:07:11,665 ALL RIGHT... 173 00:07:11,699 --> 00:07:12,933 THE FIRST GIG WE DID AFTER JARED DIED 174 00:07:12,966 --> 00:07:14,735 SHOULD BE ON HERE SOMEWHERE. 175 00:07:17,605 --> 00:07:19,873 IS THAT... IS THAT JARED? 176 00:07:19,907 --> 00:07:21,809 YEAH. 177 00:07:23,711 --> 00:07:26,046 THEY HAD THAT TELEPATHY ONLY THOSE WEIRD, CREATIVE TYPES HAVE. 178 00:07:26,079 --> 00:07:27,981 BEST FRIENDS SINCE CHILDHOOD, TOO, SO THAT HELPED. 179 00:07:28,015 --> 00:07:29,517 HMM. 180 00:07:29,550 --> 00:07:30,984 WHERE'S MY HEAD? 181 00:07:31,018 --> 00:07:32,452 THIS IS THE WRONG DVD. 182 00:07:38,526 --> 00:07:40,227 UM...WHO IS THAT? 183 00:07:40,260 --> 00:07:42,229 OH. SANDY, JARED'S GIRLFRIEND. 184 00:07:42,262 --> 00:07:43,230 [ON TV] WHAT ARE YOU GUYS DOING? 185 00:07:43,263 --> 00:07:44,932 BRANDON HAS A LOVE SONG 186 00:07:44,965 --> 00:07:46,500 WE'RE TRYING TO GET OFF THE GROUND. 187 00:07:46,534 --> 00:07:48,201 Sandy: OOH. WHO'S IT ABOUT, BRANDON? 188 00:07:50,203 --> 00:07:51,805 YOU KNOW, LET ME KNOW WHEN YOU GUYS ARE READY TO WORK. 189 00:07:53,841 --> 00:07:55,876 I GUESS BRANDON DIDN'T LIKE HER VERY MUCH. 190 00:07:55,909 --> 00:07:56,677 NOT TOO MUCH. 191 00:07:56,710 --> 00:07:59,479 THEY COMPETED FOR JARED'S ATTENTION. 192 00:08:00,981 --> 00:08:03,551 THIS IS A MONTH AFTER THE FUNERAL. 193 00:08:03,584 --> 00:08:06,787 WITH JARED GONE, BRANDON TRIED VOCALS. 194 00:08:08,155 --> 00:08:09,890 [FEEDBACK] 195 00:08:12,025 --> 00:08:14,494 WAIT, PAUSE IT. 196 00:08:17,831 --> 00:08:19,600 DOES THAT LOOK LIKE A "10" TO YOU? 197 00:08:21,301 --> 00:08:23,036 I DON'T SEE IT. 198 00:08:27,641 --> 00:08:28,809 LET ME GET THIS STRAIGHT. 199 00:08:28,842 --> 00:08:30,744 THE CRIMSON-- WHATEVER-THEY-ARES, 200 00:08:30,778 --> 00:08:32,179 THEY CAN'T PLAY MUSIC, 201 00:08:32,212 --> 00:08:34,247 AND NOW THEY'RE BLAMING IT ON A CURSE? 202 00:08:34,281 --> 00:08:35,783 DOVES. YEAH. 203 00:08:35,816 --> 00:08:37,150 ANYWAY, SOMETHING'S BEEN GETTING IN THEIR WAY, 204 00:08:37,184 --> 00:08:39,553 AND I THINK SINCE THE LEAD SINGER'S GHOST DIED 205 00:08:39,587 --> 00:08:40,754 JUST ABOUT THE SAME TIME 206 00:08:40,788 --> 00:08:41,722 AS THEY STOPPED BEING ABLE TO PLAY, 207 00:08:41,755 --> 00:08:43,256 IT MIGHT BE RELATED. 208 00:08:43,290 --> 00:08:45,325 YOU KNOW WHAT FASCINATES ME ABOUT POP CULTURE CURSES? 209 00:08:45,358 --> 00:08:46,760 THE DELUSIONAL WEIGHT THAT THE FANS 210 00:08:46,794 --> 00:08:48,929 ATTRIBUTE TO THE CURSE. 211 00:08:48,962 --> 00:08:51,031 HAVE YOU HEARD OF THE "PAUL IS DEAD" HOAX? 212 00:08:51,064 --> 00:08:53,701 A LITTLE. PAUL, AS IN McCARTNEY? 213 00:08:53,734 --> 00:08:55,168 YEAH. WELL, IN A NUTSHELL, 214 00:08:55,202 --> 00:08:57,037 A BUNCH OF BEATLEMANIACS TURNED THE VOLUME WAY UP 215 00:08:57,070 --> 00:08:58,572 ON STRAWBERRY FIELDS FOREVER, 216 00:08:58,606 --> 00:09:00,841 AND THEY THINK THEY HEAR "I BURIED PAUL." 217 00:09:00,874 --> 00:09:02,142 NEXT THING YOU KNOW, RUMORS POP UP 218 00:09:02,175 --> 00:09:04,812 THAT THE CUTE ONE WENT TOES-UP IN A CAR CRASH. 219 00:09:04,845 --> 00:09:06,313 ALL RIGHT, ADMIT IT. YOU WERE THE BEATLEMANIAC 220 00:09:06,346 --> 00:09:07,247 WHO STARTED THAT RUMOR. 221 00:09:07,280 --> 00:09:09,850 OH, SWEETHEART. IF ONLY. ARE YOU KIDDING ME? 222 00:09:09,883 --> 00:09:10,851 IF I STARTED THAT RUMOR? 223 00:09:10,884 --> 00:09:11,852 THAT WOULD HAVE BEEN THE BEST. 224 00:09:11,885 --> 00:09:13,086 BUT IT WASN'T ME. 225 00:09:13,120 --> 00:09:14,788 IT WAS JOHN LENNON'S STUDIO TRICKERY. 226 00:09:14,822 --> 00:09:17,090 HE SAID, "CRANBERRY SAUCE". 227 00:09:17,124 --> 00:09:19,092 THAT WAS IT. THAT WAS IT. 228 00:09:19,126 --> 00:09:20,761 NOW, YOU'RE TALKING ABOUT A PHYSICAL MANIFESTATION, 229 00:09:20,794 --> 00:09:23,030 WHERE PEOPLE ARE ACTUALLY GETTING ILL, PLAYING POORLY? 230 00:09:23,063 --> 00:09:24,297 EXACTLY. 231 00:09:24,331 --> 00:09:25,799 WELL, THERE'S A PERFECTLY REASONABLE EXPLANATION 232 00:09:25,833 --> 00:09:27,067 FOR ALL OF THAT. 233 00:09:27,100 --> 00:09:29,770 IT'S--WELL, IT'S CALLED INFRASOUND. 234 00:09:29,803 --> 00:09:31,038 WHAT'S THAT? 235 00:09:31,071 --> 00:09:32,272 WELL, INFRASOUND... 236 00:09:32,305 --> 00:09:34,742 IS A FREQUENCY... [POURING WATER] 237 00:09:34,775 --> 00:09:36,744 THAT'S NOT UNLIKE... 238 00:09:36,777 --> 00:09:37,945 [PLAYS TONE ON GLASS] 239 00:09:37,978 --> 00:09:40,347 OH! PLEASE DON'T DO THAT. 240 00:09:40,380 --> 00:09:42,015 IT SOUNDS LIKE NAILS ON A CHALKBOARD. 241 00:09:42,049 --> 00:09:43,784 LIKE NAILS ON A CHALKBOARD. 242 00:09:43,817 --> 00:09:45,686 SEE, DIFFERENT FREQUENCIES 243 00:09:45,719 --> 00:09:47,087 AFFECT DIFFERENT PEOPLE IN DIFFERENT WAYS. 244 00:09:47,120 --> 00:09:49,690 BUT INFRASOUND IS A FREQUENCY SO LOW 245 00:09:49,723 --> 00:09:50,858 THAT WE CAN'T EVEN HEAR IT AT ALL. 246 00:09:50,891 --> 00:09:52,960 BUT HUMAN BEINGS CAN FEEL IT. 247 00:09:52,993 --> 00:09:54,261 IT RATTLES OUR BONES, IT MAKES US SICK. 248 00:09:54,294 --> 00:09:56,229 NOW, THE WIVES' TALE IS THAT WHEN GHOSTS 249 00:09:56,263 --> 00:09:57,731 WANT TO MAKE THEIR PRESENCE FELT, 250 00:09:57,765 --> 00:09:59,199 THEY USE THAT FREQUENCY. 251 00:09:59,232 --> 00:10:02,703 OK, SO... SAY THAT THE TALE IS TRUE, 252 00:10:02,736 --> 00:10:04,137 AND THAT THE LEAD SINGER'S GHOST 253 00:10:04,171 --> 00:10:05,839 PULLED A FREQUENCY THROUGH THE AMP AND SPEAKERS, 254 00:10:05,873 --> 00:10:06,840 IT COULD MAKE SOMEONE SICK, RIGHT? 255 00:10:06,874 --> 00:10:08,141 IN THEORY. 256 00:10:08,175 --> 00:10:10,744 OK, SO THEORETICALLY, HOW DO WE COUNTERACT IT? 257 00:10:10,778 --> 00:10:12,646 UH, WELL, YOU'D HAVE TO TUNE OFF OF IT. 258 00:10:12,680 --> 00:10:14,181 GO TO THE LOWEST "G" CHORD AVAILABLE 259 00:10:14,214 --> 00:10:15,849 ON AN ELECTRICAL INSTRUMENT. 260 00:10:15,883 --> 00:10:18,919 UH, THAT WOULD NATURALIZE THE VIBRATIVE HARMONIES 261 00:10:18,952 --> 00:10:20,120 AND MAKE THE MUSIC A LITTLE LESS... 262 00:10:20,153 --> 00:10:21,421 STOMACH-CHURNING. 263 00:10:21,454 --> 00:10:23,891 AND WHAT ABOUT THE NUMBER 10? 264 00:10:23,924 --> 00:10:25,292 THAT'S A PRETTY BROAD TOPIC. 265 00:10:25,325 --> 00:10:26,426 DOES IT HAVE ANY RELEVANCE? 266 00:10:26,459 --> 00:10:27,995 IT KEEPS POPPING UP. 267 00:10:28,028 --> 00:10:30,030 IF IT HAS SOMETHING TO DO WITH YOUR CURSE, 268 00:10:30,063 --> 00:10:30,831 I DON'T KNOW. I'LL LOOK INTO IT. 269 00:10:30,864 --> 00:10:32,666 [CELL PHONE RINGS] 270 00:10:32,700 --> 00:10:33,734 HELLO? 271 00:10:33,767 --> 00:10:35,936 HI, DELIA. 272 00:10:35,969 --> 00:10:38,038 HOW MUCH TO FIX THE PIANO? 273 00:10:39,873 --> 00:10:41,074 OK, YOU KNOW WHAT? DO ME A FAVOR 274 00:10:41,108 --> 00:10:42,442 AND JUST FIND OUT HOW MUCH IT IS 275 00:10:42,475 --> 00:10:44,277 FOR JUST THE PARTS. 276 00:10:44,311 --> 00:10:45,312 I THINK I KNOW SOMEBODY WHO CAN FIX THE PIANO FOR US 277 00:10:45,345 --> 00:10:46,714 AT A DISCOUNT. 278 00:10:49,116 --> 00:10:51,752 HOW'D YOU FIND OUT I KNEW ABOUT PIANOS? 279 00:10:51,785 --> 00:10:53,153 I HEARD THAT YOU WERE CLASSICALLY TRAINED, 280 00:10:53,186 --> 00:10:54,287 AND I TOOK A WILD GUESS. 281 00:10:54,321 --> 00:10:56,957 HAVE YOU BEEN CHECKING UP ON ME? 282 00:10:56,990 --> 00:10:58,325 A LITTLE. WHEN YOU MENTIONED A CURSE, 283 00:10:58,358 --> 00:10:59,860 I GOT CURIOUS. 284 00:10:59,893 --> 00:11:02,262 I DON'T THINK THAT'S YOUR PROBLEM. 285 00:11:02,295 --> 00:11:03,697 DO YOU ALWAYS ASK PERSONAL QUESTIONS 286 00:11:03,731 --> 00:11:04,965 OF PEOPLE YOU JUST MET? 287 00:11:04,998 --> 00:11:07,300 ACTUALLY, YES. 288 00:11:07,334 --> 00:11:08,736 WHY DO YOU WORK IN A CLUB? 289 00:11:08,769 --> 00:11:10,904 BECAUSE I NEED A JOB. 290 00:11:10,938 --> 00:11:12,039 AND BEFORE YOU TRY TO GET 291 00:11:12,072 --> 00:11:13,340 A TEARFUL CONFESSION OUT OF ME 292 00:11:13,373 --> 00:11:15,175 ABOUT HOW MUCH I WISH I COULD BE UP THERE, 293 00:11:15,208 --> 00:11:17,010 LET ME JUST SAVE YOU THE TROUBLE. 294 00:11:17,044 --> 00:11:19,279 I WAKE UP EVERY MORNING WANTING THAT. 295 00:11:19,312 --> 00:11:21,915 BUT I CAN'T. 296 00:11:21,949 --> 00:11:23,050 AND THERE'S NOTHING I CAN DO ABOUT IT. 297 00:11:24,852 --> 00:11:27,087 BRANDON, I-- 298 00:11:27,120 --> 00:11:29,189 I KNOW A LITTLE ABOUT HAVING A GIFT 299 00:11:29,222 --> 00:11:32,459 AND BEING FRUSTRATED BY IT. 300 00:11:32,492 --> 00:11:33,794 I THINK I CAN HELP YOU. 301 00:11:33,827 --> 00:11:35,028 YOU DON'T EVEN KNOW ME. 302 00:11:35,062 --> 00:11:36,764 YOU'RE RIGHT. BUT ALL I'M ASKING YOU TO DO 303 00:11:36,797 --> 00:11:37,965 IS PLAY ONE SONG. 304 00:11:37,998 --> 00:11:39,867 IF ANYTHING HAPPENS TO THIS PIANO, 305 00:11:39,900 --> 00:11:41,168 I'M NOT RESPONSIBLE. 306 00:11:41,201 --> 00:11:42,836 [LAUGHS] AGREED. 307 00:11:45,105 --> 00:11:48,241 [EXHALES] 308 00:11:48,275 --> 00:11:49,009 [CRACKS KNUCKLES] 309 00:11:50,878 --> 00:11:52,279 AHEM. 310 00:11:52,312 --> 00:11:54,782 [BEGINS PLAYING PIANO] 311 00:11:56,950 --> 00:11:58,085 [INDISTINCT VOICES] 312 00:12:00,453 --> 00:12:02,856 KEEP PLAYING. 313 00:12:02,890 --> 00:12:04,958 BUT WHEN I TELL YOU, HIT THE LOW "G," OK? 314 00:12:04,992 --> 00:12:05,959 WHY? 315 00:12:05,993 --> 00:12:06,927 JUST TRUST ME. 316 00:12:14,334 --> 00:12:15,869 [THUMP] 317 00:12:15,903 --> 00:12:17,337 MAKE HIM PLAY IT. PLAY WHAT? 318 00:12:17,370 --> 00:12:18,371 WHAT? 319 00:12:18,405 --> 00:12:20,040 Voice: PLAY THE TENTH. 320 00:12:20,073 --> 00:12:21,474 [FEEDBACK] 321 00:12:21,508 --> 00:12:22,976 [TONE PLAYING] 322 00:12:27,414 --> 00:12:29,116 [GRUNTING] 323 00:12:38,058 --> 00:12:40,027 I KNOW THAT THIS IS GONNA SOUND RANDOM, 324 00:12:40,060 --> 00:12:41,829 BUT HAVE YOU EVER PLAYED THE TENTH? 325 00:12:43,997 --> 00:12:45,799 YOU DON'T KNOW WHAT THAT IS. 326 00:12:45,833 --> 00:12:46,433 NOPE. 327 00:12:46,466 --> 00:12:48,068 UH... 328 00:12:48,101 --> 00:12:49,502 WHAT ABOUT MUSIC TEACHERS? 329 00:12:49,536 --> 00:12:50,904 DID ANY OF THEM EVER ASK YOU 330 00:12:50,938 --> 00:12:51,805 TO PLAY THE TENTH? 331 00:12:53,306 --> 00:12:55,342 I HAD ONE MUSIC TEACHER MY WHOLE LIFE. 332 00:12:55,375 --> 00:12:57,110 QUITE ACCOMPLISHED, ACTUALLY. 333 00:12:57,144 --> 00:12:59,212 HE PLAYED PIANO FOR THE NEW YORK PHILHARMONIC. 334 00:12:59,246 --> 00:13:01,414 WROTE SOME SYMPHONIES FOR THEM, TOO. 335 00:13:01,448 --> 00:13:03,083 AND HE'S BURIED RIGHT NEXT TO MY MOM. 336 00:13:03,116 --> 00:13:04,918 IT'S YOUR DAD. 337 00:13:04,952 --> 00:13:07,120 YEAH. 338 00:13:07,154 --> 00:13:09,289 AND THE TENTH NEVER CAME UP. 339 00:13:09,322 --> 00:13:11,091 [BELL JINGLES] 340 00:13:15,628 --> 00:13:17,064 HERE YA ARE. 341 00:13:17,097 --> 00:13:17,831 THANK YOU. SURE. 342 00:13:40,220 --> 00:13:42,422 EXCUSE ME. CRAZY QUESTION. 343 00:13:42,455 --> 00:13:45,492 YOU HAVE PATRICK ROTH'S OTHER 9 SYMPHONIES HERE. 344 00:13:45,525 --> 00:13:46,927 DO YOU KNOW ANYTHING ABOUT A TENTH? 345 00:13:46,960 --> 00:13:48,128 UH, LET ME CHECK. 346 00:13:50,430 --> 00:13:53,033 OH, IT SAYS HERE HE PASSED AWAY 347 00:13:53,066 --> 00:13:54,067 BEFORE HE COULD COMPLETE IT. 348 00:13:54,101 --> 00:13:57,004 ALTHOUGH, WE DO HAVE HIS FIRST 3 MOVEMENTS ON FILE. 349 00:13:57,037 --> 00:13:58,906 I SEE. COULD I GET A COPY OF THAT SCORE? 350 00:13:58,939 --> 00:14:01,241 SURE. WE ALSO HAVE RECORDINGS OF HIS SYMPHONY REHEARSALS. 351 00:14:01,274 --> 00:14:02,275 CAN I HEAR THEM? 352 00:14:06,446 --> 00:14:08,048 [ORCHESTRA PLAYING] 353 00:14:16,990 --> 00:14:18,358 [RUMBLING] 354 00:14:24,631 --> 00:14:26,333 HE MUST PLAY IT! 355 00:14:26,366 --> 00:14:29,069 IS THAT WHAT YOU WANT? 356 00:14:29,102 --> 00:14:30,337 BRANDON TO PLAY THIS? 357 00:14:30,370 --> 00:14:33,273 NO! YOU'RE NOT GETTING IT! 358 00:14:33,306 --> 00:14:35,675 [FEEDBACK] 359 00:14:35,708 --> 00:14:36,643 [GRUNTING] 360 00:14:44,284 --> 00:14:46,619 CLASSICAL MUSIC. 361 00:14:46,653 --> 00:14:48,055 YEAH. I JUST FOUND OUT MYSELF. 362 00:14:48,088 --> 00:14:50,190 I KNOW THAT IT REVOLVES AROUND THE TENTH. 363 00:14:50,223 --> 00:14:52,425 UM, BUT IT'S MORE LIKE PLAY THE TENTH SYMPHONY, 364 00:14:52,459 --> 00:14:54,294 AND THE ONE THAT I FOUND WASN'T EVEN FINISHED. 365 00:14:54,327 --> 00:14:55,595 NO, NO. I CAN MAKE THIS WORK. 366 00:14:55,628 --> 00:14:58,031 THIS I CAN MAKE WORK. SURE, I WOULD HAVE LOVED 367 00:14:58,065 --> 00:15:00,233 HAVING THIS INFORMATION BEFORE I PROMISED SEXUAL FAVORS 368 00:15:00,267 --> 00:15:01,268 TO A VERY UNAPPEALING WOMAN 369 00:15:01,301 --> 00:15:02,369 AT THE ROCK AND ROLL HALL OF FAME, 370 00:15:02,402 --> 00:15:04,171 BUT MAYBE YOUR PROBLEM 371 00:15:04,204 --> 00:15:05,238 IS ACTUALLY YOUR SOLUTION. 372 00:15:05,272 --> 00:15:06,539 THE CURSE OF THE NINTH? 373 00:15:06,573 --> 00:15:08,976 ALL THE GREAT COMPOSERS DIED AFTER COMPLETING 374 00:15:09,009 --> 00:15:10,210 THEIR NINTH SYMPHONY. 375 00:15:10,243 --> 00:15:11,678 I--YOU'RE TALKING BEETHOVEN, MAHLER, 376 00:15:11,711 --> 00:15:13,213 BRUCKNER. THEY ALL CROAKED 377 00:15:13,246 --> 00:15:14,414 HALFWAY THROUGH THEIR TENTH. 378 00:15:14,447 --> 00:15:15,682 IS THIS CURSE REAL? 379 00:15:15,715 --> 00:15:17,985 NO. NO, NO. IT'S NOT A REAL CURSE AT ALL. 380 00:15:18,018 --> 00:15:19,586 THESE GUYS ALL DIED FROM HAVING THEIR BRAINS ROTTED 381 00:15:19,619 --> 00:15:21,989 FROM VENEREAL DISEASE, BUT SAYING IT'S A CURSE 382 00:15:22,022 --> 00:15:24,224 MAKES IT SOUND MORE RESPECTABLE. 383 00:15:24,257 --> 00:15:25,558 AND WHAT ABOUT A GHOST COMING BACK 384 00:15:25,592 --> 00:15:26,393 TO FINISH HIS WORK? 385 00:15:26,426 --> 00:15:28,061 IS THERE ANYTHING IN HERE ABOUT THAT? 386 00:15:28,095 --> 00:15:29,129 WELL, IT'S RUMORED 387 00:15:29,162 --> 00:15:30,263 THAT BRAHMS WAS SO HAUNTED 388 00:15:30,297 --> 00:15:31,564 BY BEETHOVEN'S GHOST 389 00:15:31,598 --> 00:15:33,266 HE COULDN'T WRITE A WORD FOR 20 YEARS. 390 00:15:33,300 --> 00:15:35,268 THAT IS BRILLIANT. THANK YOU. 391 00:15:35,302 --> 00:15:37,304 WAIT. WAIT. HEY, BEFORE YOU LEAVE 392 00:15:37,337 --> 00:15:39,206 A MELINDA-SHAPED HOLE IN THAT WALL, 393 00:15:39,239 --> 00:15:40,473 YOU SAID THERE WERE DOVES 394 00:15:40,507 --> 00:15:41,408 IN YOUR SYMBOLISM? 395 00:15:41,441 --> 00:15:43,110 CRIMSON DOVES. THAT WAS THE NAME OF THE BAND. 396 00:15:43,143 --> 00:15:45,478 LISTEN TO THIS. 397 00:15:45,512 --> 00:15:47,647 "THE DEATH OF A DOVE, SYMBOLICALLY SPEAKING, 398 00:15:47,680 --> 00:15:49,049 "INDICATES MISFORTUNE. 399 00:15:49,082 --> 00:15:51,518 "AND THE DEATH OF A DOVE NEAR SOMEONE'S HOUSE 400 00:15:51,551 --> 00:15:53,053 "MEANS THE IMPENDING DEATH OF SOMEONE 401 00:15:53,086 --> 00:15:54,254 IN THAT HOUSE." 402 00:15:54,287 --> 00:15:55,989 MAYBE THIS LEAD SINGER'S DEATH 403 00:15:56,023 --> 00:15:58,191 ISN'T JUST A COINCIDENCE. 404 00:15:58,225 --> 00:16:01,428 YEAH. MAYBE. 405 00:16:01,461 --> 00:16:03,396 Melinda: I CAN SEE THE DEAD, 406 00:16:03,430 --> 00:16:05,332 AND YOUR FATHER'S GHOST IS ATTACHED TO YOU. 407 00:16:05,365 --> 00:16:07,634 SO IS THIS THE PART WHERE YOU SAY, 408 00:16:07,667 --> 00:16:09,369 "I'M GETTING A "P" NAME." 409 00:16:09,402 --> 00:16:11,204 AND I SAY, "PATRICK." AND YOU SAY, 410 00:16:11,238 --> 00:16:14,041 "HE WANTS YOU TO STOP WORRYING ABOUT MONEY." AND I SAY-- 411 00:16:14,074 --> 00:16:16,376 YOUR FATHER IS 3 INCHES SHORTER THAN YOU. 412 00:16:16,409 --> 00:16:17,577 HIS HAIRLINE IS RECEDING. 413 00:16:17,610 --> 00:16:20,147 HE HAS A SOFT EUROPEAN ACCENT. GERMAN, I THINK. 414 00:16:20,180 --> 00:16:21,314 SEEMS LIKE AN IMPATIENT GUY, 415 00:16:21,348 --> 00:16:22,449 AND THE LAST TIME I WAS WITH HIM, 416 00:16:22,482 --> 00:16:23,750 HE KEPT TELLING ME HOW I WASN'T GETTING IT. 417 00:16:23,783 --> 00:16:25,418 HOW AM I DOING? 418 00:16:25,452 --> 00:16:28,388 HE USED TO SAY THAT TO ME ALL THE TIME. 419 00:16:28,421 --> 00:16:31,224 [METRONOME TICKING] 420 00:16:31,258 --> 00:16:32,425 WHEN I WOULD PRACTICE. 421 00:16:32,459 --> 00:16:36,396 4 HOURS A DAY. EVERY DAY. 422 00:16:36,429 --> 00:16:39,366 HE MADE ME PLAY HIS SYMPHONIES. 423 00:16:39,399 --> 00:16:42,769 YOU'RE NOT GETTING IT, BRANDON. 424 00:16:42,802 --> 00:16:45,805 YOU'RE OFF THE BEAT. YOUR ORCHESTRA IS LAPPING YOU. 425 00:16:45,838 --> 00:16:48,375 DON'T LOOK DOWN. THE ANSWER ISN'T IN YOUR HANDS, 426 00:16:48,408 --> 00:16:51,344 IT'S HERE. PLAY IT RIGHT. 427 00:16:51,378 --> 00:16:53,380 OR DON'T PLAY AT ALL. 428 00:16:54,581 --> 00:16:55,648 GHOSTS STAY BEHIND BECAUSE THEY HAVE 429 00:16:55,682 --> 00:16:57,684 UNFINISHED BUSINESS WITH THE LIVING. 430 00:16:57,717 --> 00:17:00,787 I THINK YOUR FATHER TRYING TO RUIN YOUR MUSIC... 431 00:17:00,820 --> 00:17:03,756 IS BECAUSE HE WANTS YOU TO FINISH THIS. 432 00:17:06,226 --> 00:17:07,227 DO YOU HAVE ANY IDEA 433 00:17:07,260 --> 00:17:08,461 WHAT YOU'RE ASKING ME TO DO HERE? 434 00:17:08,495 --> 00:17:10,330 THE MAN MADE MY LIFE MISERABLE. 435 00:17:10,363 --> 00:17:12,165 AND NOW YOU WANT ME TO GET INSIDE OF HIS HEAD? 436 00:17:12,199 --> 00:17:13,233 I UNDERSTAND. 437 00:17:13,266 --> 00:17:14,267 BUT IF YOU COMPLETE THE SYMPHONY, 438 00:17:14,301 --> 00:17:15,335 I CAN CROSS HIM OVER. 439 00:17:15,368 --> 00:17:17,404 WH-WHAT DOES THAT MEAN? 440 00:17:17,437 --> 00:17:19,506 IT MEANS YOU CAN PLAY MUSIC AGAIN. 441 00:17:19,539 --> 00:17:21,608 YOUR MUSIC. 442 00:17:28,648 --> 00:17:31,384 HEY, HAVE YOU SEEN THE CALCULATOR? 443 00:17:33,786 --> 00:17:35,555 HAVE YOU THOUGHT ABOUT WHAT YOU WANT TO DO 444 00:17:35,588 --> 00:17:36,856 FOR YOUR DAD'S BIRTHDAY TOMORROW? 445 00:17:36,889 --> 00:17:39,326 HOW ABOUT NOTHING? 446 00:17:39,359 --> 00:17:40,693 NED, LOOK AT ME. 447 00:17:40,727 --> 00:17:43,363 THIS IS IMPORTANT. I REALLY WANT TO DO IT. 448 00:17:43,396 --> 00:17:44,831 WHATEVER. THAT'S FINE. 449 00:17:44,864 --> 00:17:45,798 [DOOR BELL JINGLES] 450 00:17:45,832 --> 00:17:47,367 HEY! 451 00:17:47,400 --> 00:17:48,801 HEY! 452 00:17:48,835 --> 00:17:50,537 THAT ELECTRIC PIANO IS THE HIT OF THE TOWN. 453 00:17:50,570 --> 00:17:51,871 I'VE ALREADY HAD 3 BIDS ON IT. 454 00:17:51,904 --> 00:17:53,873 UH, WELL, YOU HAVE HIM TO THANK FOR FIXING IT. 455 00:17:53,906 --> 00:17:55,808 BRANDON, DELIA. DELIA, BRANDON. 456 00:17:58,878 --> 00:17:59,812 HE'S VERY ARTISTIC. 457 00:17:59,846 --> 00:18:01,748 AS LONG AS HE BRINGS TRAFFIC THROUGH THE STORE, 458 00:18:01,781 --> 00:18:04,117 HE CAN BE AS ARTISTIC AS HE WANTS. 459 00:18:04,151 --> 00:18:06,153 COME ON. 460 00:18:06,186 --> 00:18:07,587 HI, NED. 461 00:18:10,457 --> 00:18:13,360 [DOOR BELL JINGLES] 462 00:18:13,393 --> 00:18:14,561 I HAVE A PRETTY GOOD SENSE 463 00:18:14,594 --> 00:18:15,795 OF MY DAD'S COMPOSING STYLE, 464 00:18:15,828 --> 00:18:16,796 BUT I'M GONNA HAVE TO PLAY IT THROUGH ONCE 465 00:18:16,829 --> 00:18:19,299 JUST TO GET A FEEL FOR WHAT HE WAS TRYING TO SAY. 466 00:18:19,332 --> 00:18:20,300 UH-HUH. IS THERE ANYTHING 467 00:18:20,333 --> 00:18:21,501 I CAN HELP YOU WITH? 468 00:18:21,534 --> 00:18:23,803 YEAH. UH, DO YOU HAVE A TAPE RECORDER? 469 00:18:26,239 --> 00:18:28,375 YOU NEVER ANSWERED MY QUESTION ABOUT TOMORROW NIGHT. 470 00:18:30,710 --> 00:18:33,280 HEY. DO YOU REMEMBER THE CREME BRULEE 471 00:18:33,313 --> 00:18:34,581 THAT YOU AND DAD ALWAYS LIKED? 472 00:18:34,614 --> 00:18:35,848 MAYBE I COULD MAKE THAT. 473 00:18:35,882 --> 00:18:37,650 OR MAYBE WE SHOULDN'T DO ANYTHING. 474 00:18:37,684 --> 00:18:39,619 HOW COME? 475 00:18:39,652 --> 00:18:42,389 BECAUSE IT'S BEEN 3 YEARS. 476 00:18:42,422 --> 00:18:43,423 BECAUSE IT-- 477 00:18:43,456 --> 00:18:45,192 NED. 478 00:18:46,393 --> 00:18:49,362 I WANT TO TALK ABOUT THIS. 479 00:18:49,396 --> 00:18:52,365 I HAVE A REPORT DUE ON TO KILL A MOCKINGBIRD. 480 00:18:52,399 --> 00:18:53,833 I, UM--LEFT IT IN THE BACK ROOM. 481 00:18:53,866 --> 00:18:54,601 I'LL BE RIGHT BACK. 482 00:18:58,238 --> 00:18:59,339 HOW'S THIS? 483 00:18:59,372 --> 00:19:00,273 OH, IT'S PERFECT. 484 00:19:01,708 --> 00:19:02,675 WHEW. 485 00:19:02,709 --> 00:19:05,378 YOU CAN DO THIS. 486 00:19:05,412 --> 00:19:07,347 LAST TIME I MISSED A NOTE, 487 00:19:07,380 --> 00:19:09,582 MY DAD ALMOST DREW BLOOD. 488 00:19:09,616 --> 00:19:11,818 NOW THAT HE'S A GHOST, 489 00:19:11,851 --> 00:19:13,753 WHO KNOWS WHAT HE'LL DO? 490 00:19:13,786 --> 00:19:16,456 SOMETIMES, GHOSTS HAVE MESSAGES FOR THE LIVING. 491 00:19:16,489 --> 00:19:18,425 I MIGHT NEED YOUR HELP TO UNDERSTAND IT. 492 00:19:18,458 --> 00:19:20,560 A WORD, A PHRASE. SOMETHING THAT MIGHT 493 00:19:20,593 --> 00:19:22,329 HAVE MEANING FOR THE TWO OF YOU. 494 00:19:22,362 --> 00:19:23,896 [PLAYING PIANO MUSIC] 495 00:19:37,244 --> 00:19:38,177 [THUMP] 496 00:19:40,513 --> 00:19:42,515 BRANDON, YOUR DAD'S HERE. 497 00:19:42,549 --> 00:19:44,651 I DIDN'T HIT THE LOW "G." 498 00:19:44,684 --> 00:19:46,686 NO, IT'S OK. IT'S OK. 499 00:19:46,719 --> 00:19:48,288 HE PROBABLY JUST NEEDED TO SEE YOU PLAY. 500 00:19:48,321 --> 00:19:49,956 [RUMBLING] 501 00:19:53,326 --> 00:19:54,727 WHAT IS THAT? 502 00:20:01,834 --> 00:20:03,703 I THINK WE'RE OK. 503 00:20:03,736 --> 00:20:05,672 HELP ME. 504 00:20:08,808 --> 00:20:09,742 HIT THE LOW "G." 505 00:20:18,485 --> 00:20:20,387 JARED. 506 00:20:23,823 --> 00:20:25,392 WAIT, WAIT, WAIT. 507 00:20:25,425 --> 00:20:26,993 ARE YOU TRYING TO TELL ME THAT... 508 00:20:27,026 --> 00:20:28,595 MY DAD IS GONE, 509 00:20:28,628 --> 00:20:30,363 AND THERE'S ANOTHER GHOST? 510 00:20:30,397 --> 00:20:31,731 YEAH, ATTACHED TO HIM. 511 00:20:31,764 --> 00:20:33,933 UH, IT'S JARED. HE'S IN THE STORE. 512 00:20:33,966 --> 00:20:35,435 HOW'S IT GOIN', BUDDY? 513 00:20:35,468 --> 00:20:36,769 HE SAYS HI. 514 00:20:38,405 --> 00:20:40,006 THAT'S-- 515 00:20:40,039 --> 00:20:43,042 MY GOD, THAT'S AWESOME. 516 00:20:43,075 --> 00:20:44,811 YEAH. WHY ARE YOU HERE? 517 00:20:44,844 --> 00:20:46,579 TO PROTECT BRANDON. 518 00:20:46,613 --> 00:20:48,348 HE'S PROTECTING YOU. FROM WHO? 519 00:20:48,381 --> 00:20:51,050 FROM THAT WASTE OF TIME. 520 00:20:51,083 --> 00:20:52,885 WASTE OF TIME? WHAT ARE YOU TALKING ABOUT? 521 00:20:52,919 --> 00:20:53,920 I KNOW. 522 00:20:57,590 --> 00:20:58,825 Brandon: WE'D BEEN PLAYING TOGETHER FOR ABOUT A YEAR. 523 00:21:09,068 --> 00:21:10,603 WELL? 524 00:21:10,637 --> 00:21:12,071 WHAT DID YOU GUYS THINK? 525 00:21:12,104 --> 00:21:13,940 Jared: I REALLY DON'T THINK IT WORKS. 526 00:21:13,973 --> 00:21:16,543 IT WAS BEAUTIFUL. 527 00:21:16,576 --> 00:21:17,410 DO YOU HAVE LYRICS? 528 00:21:18,778 --> 00:21:21,714 UM--UM, I'M STILL WORKING ON THEM. 529 00:21:21,748 --> 00:21:23,350 AND YOU GUYS WANT SOMETHING TO EAT, 530 00:21:23,383 --> 00:21:25,685 OR DRINK, OR--? 531 00:21:25,718 --> 00:21:26,986 DAD. 532 00:21:35,995 --> 00:21:38,765 YOU TWO, LEAVE. 533 00:21:38,798 --> 00:21:40,733 RIGHT NOW. 534 00:21:57,650 --> 00:21:59,686 SO THIS IS WHAT YOU DECIDE 535 00:21:59,719 --> 00:22:01,588 TO THROW YOUR TRAINING AWAY FOR? 536 00:22:01,621 --> 00:22:05,492 THIS IS BETTER THAN MOZART? 537 00:22:05,525 --> 00:22:09,128 MOZART ROCKED OUT IN HIS DAY. 538 00:22:09,161 --> 00:22:10,430 YOU TAUGHT ME THAT. 539 00:22:10,463 --> 00:22:11,464 YOU WANT TO WASTE YOUR TIME, 540 00:22:11,498 --> 00:22:13,933 I CAN'T STOP YOU. 541 00:22:13,966 --> 00:22:15,502 BUT WHAT I CAN'T FORGIVE YOU FOR 542 00:22:15,535 --> 00:22:17,036 IS WASTING MINE. 543 00:22:19,806 --> 00:22:22,709 AFTER THAT, MY DAD AND I STOPPED. 544 00:22:22,742 --> 00:22:25,645 EVERYTHING. TALKING, 545 00:22:25,678 --> 00:22:28,415 BEING IN THE SAME ROOM. 546 00:22:28,448 --> 00:22:31,050 JARED BECAME MY FAMILY. 547 00:22:31,083 --> 00:22:33,453 I GUESS HE STILL IS. 548 00:22:33,486 --> 00:22:36,589 SO, BRANDON'S DAD SHOWS UP AND YOU WHAT? 549 00:22:36,623 --> 00:22:38,758 BEAT HIM UP, AND THEN DECIDE TO WRECK MY STORE? 550 00:22:38,791 --> 00:22:40,993 IT WAS BAD ENOUGH THAT I DIED AND COULDN'T PLAY ANYMORE. 551 00:22:41,027 --> 00:22:42,729 BUT THEN I FOLLOWED BRANDON TO HIS NEXT GIG 552 00:22:42,762 --> 00:22:44,931 AND SAW THAT DOUCHE MUCKING AROUND WITH THE SOUND. 553 00:22:44,964 --> 00:22:47,400 DISRUPTED, MADE BRANDON PLAY LIKE CRAP. 554 00:22:47,434 --> 00:22:48,601 WH-WHAT-- WHAT'S HE SAYING? 555 00:22:48,635 --> 00:22:50,937 HE SAYS YOUR DAD WAS AFFECTING YOUR PLAYING, 556 00:22:50,970 --> 00:22:51,971 AND THE RUMBLE WE FELT? 557 00:22:52,004 --> 00:22:53,673 THAT WAS HIS WAY OF FIGHTING HIM OFF. 558 00:22:53,706 --> 00:22:55,007 GOOD INTENTIONS ASIDE, 559 00:22:55,041 --> 00:22:57,009 THIS IS NOT SOLVING THE PROBLEM. 560 00:22:57,043 --> 00:22:58,811 YOUR DAD WANTS YOU TO FINISH THE SYMPHONY, 561 00:22:58,845 --> 00:23:00,780 AND HE'S NOT GONNA CROSS OVER UNTIL HE DOES THAT. 562 00:23:00,813 --> 00:23:01,681 WELL, MAYBE THERE'S A THIRD OPTION. 563 00:23:01,714 --> 00:23:03,450 MAYBE MR. FATHER OF THE YEAR 564 00:23:03,483 --> 00:23:05,785 NEEDS TO ACCEPT WHO HIS SON IS. 565 00:23:05,818 --> 00:23:07,520 ONCE HE LEAVES BRANDON ALONE, 566 00:23:07,554 --> 00:23:08,655 I'LL LEAVE HIM ALONE. 567 00:23:11,824 --> 00:23:13,893 [CELL PHONE RINGS] OH! 568 00:23:13,926 --> 00:23:14,894 HELLO? 569 00:23:14,927 --> 00:23:16,863 HEY, MEL. IT'S ME. 570 00:23:16,896 --> 00:23:18,931 IS EVERYTHING OK? 571 00:23:18,965 --> 00:23:21,434 NO, ACTUALLY. I'M A LITTLE FREAKED OUT. 572 00:23:21,468 --> 00:23:24,170 YOU KNOW, NED WAS VERY JUMPY THE WHOLE CAR RIDE HOME 573 00:23:24,203 --> 00:23:26,005 AND ALL THROUGH DINNER. AND THEN HE TOLD ME 574 00:23:26,038 --> 00:23:28,074 THAT HE HAD TO GO DO SOMETHING AND... 575 00:23:28,107 --> 00:23:29,609 I CAN'T FIND HIM. 576 00:23:29,642 --> 00:23:31,911 DO YOU WANT JIM AND I TO HELP YOU LOOK FOR HIM? 577 00:23:31,944 --> 00:23:35,147 I FEEL LIKE I SHOULD GIVE IT AN HOUR OR SO BEFORE... 578 00:23:35,181 --> 00:23:37,684 I REALLY LOSE MY MIND. OK? 579 00:23:37,717 --> 00:23:41,454 SO--BUT IF YOU SEE HIM-- IF YOU SEE HIM AT THE STORE OR IN THE SQUARE, 580 00:23:41,488 --> 00:23:43,923 WILL YOU CALL ME, PLEASE? WILL YOU BRING HIM HOME? 581 00:23:43,956 --> 00:23:45,224 [RINGTONE PLAYS] UH-- 582 00:23:45,257 --> 00:23:46,092 THANK YOU SO MUCH. 583 00:23:51,097 --> 00:23:53,566 NED. 584 00:23:53,600 --> 00:23:54,433 AM I WRONG? 585 00:23:54,467 --> 00:23:56,102 I WANT YOU TO LISTEN TO ME VERY CLOSELY. 586 00:23:56,135 --> 00:23:57,470 WE CANNOT TELL YOUR MOM. 587 00:23:57,504 --> 00:23:59,506 WHY NOT? IT'S COMPLICATED. 588 00:23:59,539 --> 00:24:01,608 SO, YOU CAN HELP THIS GUITARIST GUY, 589 00:24:01,641 --> 00:24:02,675 BUT YOU CAN'T HELP ME? 590 00:24:02,709 --> 00:24:04,176 WITH WHAT, NED? 591 00:24:04,210 --> 00:24:06,513 WHAT CAN I POSSIBLY HELP YOU WITH? 592 00:24:06,546 --> 00:24:08,481 I NEED YOU TO FIND MY DAD. 593 00:24:08,515 --> 00:24:12,985 AFTER HE DIED-- WHEN I WAS YOUNG...ER-- 594 00:24:13,019 --> 00:24:14,854 I THOUGHT I SAW HIM. 595 00:24:14,887 --> 00:24:16,923 MY MOM JUST TOLD ME I IMAGINED IT. 596 00:24:16,956 --> 00:24:19,959 BUT I WASN'T, WAS I? 597 00:24:19,992 --> 00:24:22,862 NO. NO, YOU WEREN'T. 598 00:24:22,895 --> 00:24:25,231 SO, YOU CAN STILL SEE MY DAD? 599 00:24:25,264 --> 00:24:27,834 NO. IT DOESN'T REALLY WORK THAT WAY. 600 00:24:27,867 --> 00:24:28,968 WHY NOT? 601 00:24:29,001 --> 00:24:31,804 BECAUSE I HAVE NO CONTROL OVER 602 00:24:31,838 --> 00:24:32,905 WHICH GHOSTS APPEAR TO ME. 603 00:24:32,939 --> 00:24:34,607 YOU HELPED THAT OTHER GUY'S DAD! 604 00:24:34,641 --> 00:24:39,078 AND I HEARD YOU SAYING THAT GHOSTS GIVE YOU SIGNS AND MESSAGES. 605 00:24:39,111 --> 00:24:41,080 THAT'S JUST WHAT MY MOM NEEDS. 606 00:24:41,113 --> 00:24:43,149 A MESSAGE. 607 00:24:43,182 --> 00:24:45,818 'CAUSE MY MOM IS HURTING. 608 00:24:48,921 --> 00:24:50,222 [SIGHS] 609 00:24:50,256 --> 00:24:52,058 [SIGHS] NED, WHERE YOU GOING? 610 00:24:52,091 --> 00:24:55,762 HOME. DON'T WORRY. I'LL BE FINE. 611 00:24:55,795 --> 00:24:57,196 [SARCASTICALLY] THANKS FOR YOUR HELP. 612 00:25:03,570 --> 00:25:04,537 [SIGHS] 613 00:25:06,739 --> 00:25:08,274 WANT ANYTHING TO EAT? 614 00:25:10,910 --> 00:25:12,579 YOU DON'T SEE CHARLIE ANYWHERE, DO YOU? 615 00:25:12,612 --> 00:25:15,682 [SIGHS] NO. 616 00:25:15,715 --> 00:25:17,750 AND THE WORST PART IS THAT I WISH I COULD TELL 617 00:25:17,784 --> 00:25:18,885 DELIA AND NED THAT HE'S HERE. 618 00:25:18,918 --> 00:25:20,820 BUT HE'S NOT. 619 00:25:20,853 --> 00:25:24,791 HAVE I EVER TOLD YOU HOW HAPPY I AM I'M-- 620 00:25:24,824 --> 00:25:26,158 I'M NOT YOU. 621 00:25:26,192 --> 00:25:28,327 WELL, THAT'S NOT HELPING. 622 00:25:28,360 --> 00:25:29,962 IT'S NOT THE WEIGHT OF WHAT YOU DO, 623 00:25:29,996 --> 00:25:32,865 IT'S THE RESPONSIBILITY. I MEAN, HOW YOU HAVE TO DO IT. 624 00:25:32,899 --> 00:25:34,300 FOR EXAMPLE, ON ONE HAND, 625 00:25:34,333 --> 00:25:38,204 YOU HAVE TO CONVINCE BRANDON NOT TO HIDE HIS GIFT. 626 00:25:38,237 --> 00:25:40,840 BUT THEN ON THE OTHER HAND... 627 00:25:40,873 --> 00:25:45,077 YOU'VE BEEN DOING EXACTLY THAT YOURSELF WITH NED AND DELIA. 628 00:25:45,111 --> 00:25:46,846 SO, YOU THINK I SHOULD TELL HER. 629 00:25:46,879 --> 00:25:49,749 NO. NO. YOU SHOULD COME CLEAN WITH DELIA WHEN YOU FEEL IT'S RIGHT. 630 00:25:49,782 --> 00:25:51,283 AND NOT BECAUSE NED'S GOT YOU BOXED INTO A CORNER. 631 00:25:51,317 --> 00:25:53,219 BUT... 632 00:25:53,252 --> 00:25:57,189 WHAT I DO THINK IS THAT YOU SHOULD LET ME TALK TO NED. 633 00:25:57,223 --> 00:25:59,592 YOU GOT TOO MUCH ON YOUR PLATE ALREADY. 634 00:26:02,294 --> 00:26:04,130 THANK YOU. 635 00:26:06,999 --> 00:26:08,067 IT'S WHAT I'M HERE FOR. 636 00:26:13,673 --> 00:26:14,841 [CLANGING] 637 00:26:14,874 --> 00:26:16,175 [ORCHESTRA PLAYING] 638 00:26:16,208 --> 00:26:17,910 Patrick: YOU'RE NOT GETTING THE STRING SECTION. 639 00:26:17,944 --> 00:26:21,113 YOU'RE TOO SWEET. THE NOTES ARE SWEET. 640 00:26:21,147 --> 00:26:23,883 YOU DON'T HAVE TO PLAY IT SO SWEETLY. 641 00:26:25,351 --> 00:26:29,088 YOU'RE NOT GETTING IT, YOU'RE NOT GETTING IT. 642 00:26:31,924 --> 00:26:33,125 PATRICK. 643 00:26:33,159 --> 00:26:34,627 YOU HAVE TO HELP BRANDON WITH THE TENTH. 644 00:26:34,661 --> 00:26:36,162 I'VE DONE EVERYTHING THAT I CAN. 645 00:26:36,195 --> 00:26:37,797 THE REASON THAT YOU'RE STILL HERE 646 00:26:37,830 --> 00:26:39,699 IS BECAUSE OF YOUR SELFISHNESS. 647 00:26:39,732 --> 00:26:41,701 BRANDON IS NOT GOING TO COMPLETE YOUR SYMPHONY. 648 00:26:41,734 --> 00:26:44,236 IT'S NOT MY TENTH. MY SON'S-- 649 00:26:47,774 --> 00:26:49,642 [GROWLING] 650 00:26:49,676 --> 00:26:52,845 AAH! 651 00:27:02,689 --> 00:27:06,158 Mel: DID YOU GUYS EVER RECORD A TENTH TRACK FOR THE CD? 652 00:27:06,192 --> 00:27:08,194 IT WAS JUST SOMETHING HE WAS MESSING WITH. 653 00:27:08,227 --> 00:27:09,929 WHEN HE AND JARED WERE FIGURING OUT THE TRACK ORDER, 654 00:27:09,962 --> 00:27:11,230 IT DIDN'T MAKE THE CUT. 655 00:27:11,263 --> 00:27:12,064 I DON'T KNOW WHAT HAPPENED TO IT. 656 00:27:12,098 --> 00:27:14,000 BUT SANDY WOULD. 657 00:27:14,033 --> 00:27:16,002 SHE WAS WITH JARED THE WHOLE TIME. 658 00:27:16,035 --> 00:27:18,170 SHE WENT THROUGH ENOUGH AFTER THE CRASH. 659 00:27:18,204 --> 00:27:19,872 I DON'T WANT TO DRAG HER BACK INTO THIS. 660 00:27:19,906 --> 00:27:21,741 I WOULDN'T BRING IT UP UNLESS IT WAS REALLY IMPORTANT. 661 00:27:23,242 --> 00:27:24,977 IF BRANDON CAN GET THROUGH THIS SONG, 662 00:27:25,011 --> 00:27:26,212 MAYBE IT'LL HELP HIM PLAY AGAIN. 663 00:27:31,951 --> 00:27:37,724 * I FOUND A LETTER ON MY DRESSER LAST NIGHT * 664 00:27:37,757 --> 00:27:39,859 * ABOUT A BABY ON... 665 00:27:39,892 --> 00:27:42,128 SAMMY, HI, I'M MELINDA. 666 00:27:42,161 --> 00:27:43,996 HI. MAY I HELP YOU? 667 00:27:44,030 --> 00:27:46,766 ACTUALLY, I WAS HOPING THAT WE COULD TALK ABOUT THE CRIMSON DOVES. 668 00:27:46,799 --> 00:27:49,936 MAN, I HAVEN'T THOUGHT ABOUT THOSE GUYS IN A WHILE. 669 00:27:49,969 --> 00:27:52,371 SO, YOU DIDN'T KEEP IN TOUCH WITH BRANDON? 670 00:27:52,404 --> 00:27:54,406 NO. 671 00:27:54,440 --> 00:27:56,042 OH. WELL, I WAS HOPING YOU WOULD 672 00:27:56,075 --> 00:27:58,244 SHED SOME LIGHT ON SONG NUMBER 10. 673 00:27:58,277 --> 00:28:00,913 THERE WERE ONLY NINE CUTS ON THE ALBUM. 674 00:28:00,947 --> 00:28:02,281 YEAH. BUT YOU'LL REMEMBER THE SONG. 675 00:28:02,314 --> 00:28:03,449 IT WAS THE ONE WITH THE CHORDS 676 00:28:03,482 --> 00:28:05,051 THAT JARED WASN'T CRAZY ABOUT. 677 00:28:07,754 --> 00:28:09,889 WHY DON'T YOU GO TALK TO BRANDON? 678 00:28:09,922 --> 00:28:12,091 WELL, BECAUSE IT'S COMPLICATED. 679 00:28:12,124 --> 00:28:14,794 I THINK THAT JARED GOT IN BRANDON'S WAY. 680 00:28:14,827 --> 00:28:15,995 AND IF I TALK TO BRANDON, 681 00:28:16,028 --> 00:28:17,163 ALL I'M GONNA GET IS AN EARFUL 682 00:28:17,196 --> 00:28:18,831 ABOUT HOW GREAT HIS BEST FRIEND WAS. 683 00:28:18,865 --> 00:28:21,734 SO, YOU GO TO THE GIRLFRIEND FOR THE REAL STORY. 684 00:28:21,768 --> 00:28:23,502 WHAT MAKES YOU THINK I'M GONNA BE ANY MORE HONEST? 685 00:28:23,535 --> 00:28:25,838 BECAUSE YOU WERE THERE. 686 00:28:25,872 --> 00:28:28,407 THERE'S A REASON THAT THAT SONG CAME BETWEEN THEM, ISN'T THERE? 687 00:28:31,110 --> 00:28:33,245 IT WAS ABOUT YOU, WASN'T IT? 688 00:28:43,089 --> 00:28:44,824 DID JARED KNOW? 689 00:28:44,857 --> 00:28:46,826 HE MUST HAVE BEEN FURIOUS TO FIND OUT 690 00:28:46,859 --> 00:28:49,028 THAT HIS BEST FRIEND HAD FEELINGS FOR HIS GIRL. 691 00:28:49,061 --> 00:28:52,231 HE WAS. BUT NOT BECAUSE THE SONG WAS ABOUT ME. 692 00:28:52,264 --> 00:28:54,033 THEN WHAT WAS HE UPSET ABOUT? 693 00:28:54,066 --> 00:28:56,803 AT HOW GOOD THE SONG WAS. 694 00:28:56,836 --> 00:29:01,808 SEE, EVERYBODY KNEW THAT BRANDON WAS SCARY TALENTED. 695 00:29:01,841 --> 00:29:04,343 IT'S WHY JARED WANTED HIM IN THE BAND TO BEGIN WITH. 696 00:29:04,376 --> 00:29:06,846 AND THE ONLY PERSON WHO COULDN'T SEE IT WAS BRANDON. 697 00:29:06,879 --> 00:29:08,547 BUT AFTER HE WROTE THAT SONG-- 698 00:29:08,580 --> 00:29:11,517 HE STARTED OUTGROWING JARED. 699 00:29:11,550 --> 00:29:14,887 THEY HAD A FIGHT ABOUT WHETHER OR NOT 700 00:29:14,921 --> 00:29:17,023 THE SONG WAS GOING ON THE CD. 701 00:29:17,056 --> 00:29:19,025 THE RECORD COMPANY WANTED IT. 702 00:29:19,058 --> 00:29:21,493 BRANDON WANTED IT. BUT... 703 00:29:21,527 --> 00:29:23,495 JARED DIDN'T. 704 00:29:23,529 --> 00:29:25,965 HE GOT ON THAT PLANE TO COME BACK TO THE STUDIO 705 00:29:25,998 --> 00:29:27,099 AND REMOVE IT PERSONALLY. 706 00:29:29,068 --> 00:29:30,536 ONLY HE NEVER MADE IT. 707 00:29:32,471 --> 00:29:35,341 AFTER THE FUNERAL, BRANDON GATHERED 708 00:29:35,374 --> 00:29:38,577 EVERY RECORDING HE'D MADE OF THE SONG. 709 00:29:38,610 --> 00:29:40,346 HEY. STOP IT. 710 00:29:40,379 --> 00:29:41,814 JUST LEAVE ME ALONE. 711 00:29:43,883 --> 00:29:45,317 GET OUT OF HERE! 712 00:29:47,453 --> 00:29:49,521 GO! 713 00:29:53,926 --> 00:29:55,227 HE BURNT EVERYTHING? 714 00:29:56,929 --> 00:29:59,899 HE THOUGHT HE WAS HONORING JARED'S WISHES. 715 00:29:59,932 --> 00:30:02,334 I REALLY THOUGHT YOU WERE GOING TO BE ABLE 716 00:30:02,368 --> 00:30:04,336 TO HELP ME GET HIM TO PLAY AGAIN. 717 00:30:06,538 --> 00:30:08,107 WAIT. 718 00:30:17,516 --> 00:30:20,953 THIS IS THE FIRST DEMO HE EVER MADE OF IT. 719 00:30:20,987 --> 00:30:22,488 THE ONE WITH LYRICS. 720 00:30:22,521 --> 00:30:26,125 HE WANTED TO KNOW WHAT I THOUGHT ABOUT IT. 721 00:30:28,227 --> 00:30:30,429 TELL HIM I CHERISHED IT. 722 00:30:37,069 --> 00:30:40,372 HEY, DELIA. EXCELLENT. 723 00:30:40,406 --> 00:30:41,874 HEY, I WAS ACTUALLY LOOKING FOR NED. 724 00:30:41,908 --> 00:30:42,909 AND I WAS WONDERING IF... 725 00:30:42,942 --> 00:30:43,876 HEY. 726 00:30:48,047 --> 00:30:49,048 YOU'RE CRYING. WHAT'S WRONG? 727 00:30:49,081 --> 00:30:51,083 IT'S NOTHING. 728 00:30:51,117 --> 00:30:54,486 MEL TOLD ME, UM... 729 00:30:54,520 --> 00:30:56,355 TODAY WOULD BE CHARLIE'S BIRTHDAY, RIGHT? 730 00:30:56,388 --> 00:30:58,157 YEAH. 731 00:30:58,190 --> 00:31:03,662 THAT...AND I REALLY MISS HANGING OUT WITH MY SON. 732 00:31:03,695 --> 00:31:06,065 I'M SORRY, JIM. YOU DIDN'T ASK FOR THIS. 733 00:31:06,098 --> 00:31:08,267 IF YOU EVER WANT TO TALK ABOUT IT... 734 00:31:09,701 --> 00:31:11,370 THIS IS COOL. 735 00:31:15,474 --> 00:31:17,977 THAT'S CHARLIE. 736 00:31:19,145 --> 00:31:20,679 YOU LOOK VERY HAPPY. 737 00:31:20,712 --> 00:31:23,115 WE WERE. 738 00:31:23,149 --> 00:31:26,352 FOR 12 LONG YEARS. 739 00:31:26,385 --> 00:31:28,254 WE'RE READY. WE GOT 13 SECONDS. 740 00:31:31,157 --> 00:31:32,391 SMILE. 741 00:31:35,527 --> 00:31:38,230 AND THEN ONE DAY HE STOPPED AT AN ATM. 742 00:31:38,264 --> 00:31:40,566 HE GOT ROBBED AND... 743 00:31:42,568 --> 00:31:46,205 GOD, I HATE CRYING WHEN I'M TRYING TO MAKE A POINT. 744 00:31:46,238 --> 00:31:48,707 IT'S ALL RIGHT. 745 00:31:48,740 --> 00:31:52,644 THEY GOT INTO A BIG ARGUMENT THE NIGHT BEFORE. 746 00:31:52,678 --> 00:31:54,380 NED JUST WANTED TO GET HIS ALLOWANCE EARLY 747 00:31:54,413 --> 00:31:55,982 SO HE COULD BUY THIS GAME. 748 00:31:56,015 --> 00:31:58,317 CHARLIE TOLD HIM HE'D HAVE TO WAIT. 749 00:31:58,350 --> 00:32:01,087 SO, NED CALLED HIM AN ASSHAT. 750 00:32:01,120 --> 00:32:03,222 IS THAT EVEN A WORD? 751 00:32:03,255 --> 00:32:05,391 I DON'T REALLY KNOW. 752 00:32:05,424 --> 00:32:10,329 SO, WE GROUNDED HIM MORE ON PRINCIPLE THAN ANYTHING ELSE. 753 00:32:10,362 --> 00:32:13,065 AND CHARLIE WAS GONNA LET HIM OFF THE HOOK THE NEXT DAY, BUT... 754 00:32:13,099 --> 00:32:15,467 HE NEVER CAME HOME. 755 00:32:17,636 --> 00:32:21,140 THAT'S WHY I WANT TO CELEBRATE HIS BIRTHDAY EVERY YEAR-- 756 00:32:21,173 --> 00:32:24,076 SO THAT... 757 00:32:24,110 --> 00:32:27,313 NED CAN REMEMBER ALL THE GOOD THINGS ABOUT HIS DAD. 758 00:32:34,020 --> 00:32:36,455 HEY, KID--YOU AND ME. LET'S TALK. 759 00:32:36,488 --> 00:32:37,556 UH-OH. 760 00:32:37,589 --> 00:32:38,624 WHAT MAKES YOU SAY THAT? 761 00:32:38,657 --> 00:32:41,493 YOU COMING TO ME, OUT OF THE BLUE? 762 00:32:41,527 --> 00:32:44,196 I KNOW WHAT COMES NEXT, YOU THREATEN ME TO STAY QUIET. 763 00:32:44,230 --> 00:32:47,366 WELL, IT'S A GOOD THING I LEFT MY PLIERS BACK IN THE VAN. 764 00:32:47,399 --> 00:32:49,601 LISTEN, MY WIFE TELLS ME 765 00:32:49,635 --> 00:32:52,071 SOMETIMES YOU USED TO SEE YOUR DAD AFTER HE DIED. 766 00:32:52,104 --> 00:32:53,372 SIT DOWN. 767 00:32:55,207 --> 00:32:57,143 [SIGHS] 768 00:33:00,112 --> 00:33:03,049 I WAS ON PRETTY BAD TERMS WHEN MY DAD DIED. 769 00:33:03,082 --> 00:33:06,585 AND AFTER I JUST KICKED MYSELF FOR NOT SAYING... 770 00:33:09,521 --> 00:33:11,257 ALL THE THINGS I WANTED TO. 771 00:33:11,290 --> 00:33:14,393 BUT THEN MELINDA TOLD ME SOMETHING THAT REALLY HELPED. 772 00:33:14,426 --> 00:33:16,662 SHE DIDN'T SEE MY DAD ANYWHERE. 773 00:33:16,695 --> 00:33:17,663 THAT'S A GOOD THING? 774 00:33:17,696 --> 00:33:18,664 THAT'S A GREAT THING. 775 00:33:18,697 --> 00:33:22,268 'CAUSE IT MEANT THAT HE CROSSED OVER, YOU KNOW. 776 00:33:22,301 --> 00:33:24,103 INTO THE LIGHT. 777 00:33:24,136 --> 00:33:26,372 WHAT IS THAT, HEAVEN? 778 00:33:26,405 --> 00:33:29,441 I THINK IT'S A PLACE THE DEAD GO TO BE AT PEACE. 779 00:33:29,475 --> 00:33:32,144 AND THEY ONLY GO THERE 780 00:33:32,178 --> 00:33:34,680 WHEN THE PEOPLE THEY'VE LEFT BEHIND ARE OK. 781 00:33:36,748 --> 00:33:38,584 MY DAD ISN'T HERE ANYMORE, IS HE? 782 00:33:43,222 --> 00:33:44,656 YOU GOT A PHONE? 783 00:33:44,690 --> 00:33:45,757 YEAH. 784 00:33:51,363 --> 00:33:53,765 THIS IS MY CELL. 785 00:33:53,799 --> 00:33:55,567 YOU WANT TO TALK TO ME ABOUT GUY STUFF, 786 00:33:55,601 --> 00:33:58,070 I'M A PHONE CALL AWAY. 787 00:33:58,104 --> 00:34:00,206 THIS IS HOW IT WORKS. 788 00:34:00,239 --> 00:34:03,742 WE DON'T TELL ANYBODY ABOUT WHAT MELINDA CAN DO, OK? 789 00:34:03,775 --> 00:34:05,644 I'LL KEEP ANY SECRET YOU WANT. 790 00:34:05,677 --> 00:34:07,579 YOU KEEP THIS ONE. 791 00:34:07,613 --> 00:34:09,681 DEAL? 792 00:34:09,715 --> 00:34:13,085 ALL RIGHT. I GOTTA GO TO WORK. 793 00:34:13,119 --> 00:34:14,653 [CELL PHONE RINGING] 794 00:34:16,755 --> 00:34:17,823 CLANCY. 795 00:34:17,856 --> 00:34:19,291 Ned: CAN I COME? 796 00:34:29,801 --> 00:34:32,238 HOW LONG HAS JARED BEEN DOING THIS TO YOU? 797 00:34:32,271 --> 00:34:33,405 I DON'T KNOW. 798 00:34:33,439 --> 00:34:35,741 WHEN THE DOCTOR SAID I WAS DYING, 799 00:34:35,774 --> 00:34:38,244 I TRIED TO REACH OUT TO BRANDON. 800 00:34:38,277 --> 00:34:42,548 TELL HIM I WAS SORRY. I--I WAS SO SCARED. 801 00:34:42,581 --> 00:34:45,684 AFTER THE WAY I TREATED HIM. 802 00:34:45,717 --> 00:34:48,120 IS THAT WHY YOU STAYED BEHIND? 803 00:34:48,154 --> 00:34:49,555 TO APOLOGIZE? 804 00:34:49,588 --> 00:34:51,690 NO. 805 00:34:51,723 --> 00:34:55,161 SOMETHING IN MY LIFE WAS UNFINISHED. 806 00:34:55,194 --> 00:34:57,263 I THOUGHT IT WAS MY SYMPHONY. 807 00:34:57,296 --> 00:35:00,532 AND THEN I SAW MY SON PERFORM. 808 00:35:00,566 --> 00:35:03,669 HE WAS BEAUTIFUL. 809 00:35:05,171 --> 00:35:06,505 I COULDN'T BELIEVE IT. 810 00:35:06,538 --> 00:35:08,607 COULDN'T BELIEVE 811 00:35:08,640 --> 00:35:11,377 THAT I HAD NEVER LET MYSELF... 812 00:35:12,678 --> 00:35:14,613 SEE HIM. 813 00:35:14,646 --> 00:35:18,817 HE KEPT ON GETTING IN THE WAY. 814 00:35:18,850 --> 00:35:19,818 JARED. 815 00:35:19,851 --> 00:35:21,287 YES. FROM THE BEGINNING 816 00:35:21,320 --> 00:35:25,357 IT WAS HIM DESTROYING BRANDON'S PLAYING. 817 00:35:25,391 --> 00:35:27,859 BUT EVERY TIME I TRIED TO STOP HIM, 818 00:35:27,893 --> 00:35:29,495 HE DRAINS ME. 819 00:35:29,528 --> 00:35:31,697 I THINK JARED IS USING YOU. 820 00:35:31,730 --> 00:35:34,333 THE SADNESS OVER WHAT YOU LOST WITH BRANDON, 821 00:35:34,366 --> 00:35:36,702 IT'S ONLY MAKING HIM STRONGER. YOU HAVE TO FIGHT HIM. 822 00:35:36,735 --> 00:35:39,238 I CAN'T. 823 00:35:39,271 --> 00:35:40,672 I'VE GOT NOTHING LEFT. 824 00:35:54,720 --> 00:35:56,655 [MUSIC PLAYING] 825 00:36:00,926 --> 00:36:01,860 [ENGINE STOPS] 826 00:36:03,429 --> 00:36:05,464 [GASPS] 827 00:36:09,735 --> 00:36:12,338 UNH! [GASPS] 828 00:36:12,371 --> 00:36:13,939 YOU KNOW I'VE BEEN SEARCHING FOR THIS DEMO FOR YEARS? 829 00:36:13,972 --> 00:36:16,742 AND LOOK AT THAT-- YOU LEAD ME RIGHT TO IT. 830 00:36:16,775 --> 00:36:18,176 NO. WAIT! 831 00:36:20,846 --> 00:36:23,349 YOU DON'T WANT BRANDON TO PLAY THE SONG. 832 00:36:23,382 --> 00:36:24,716 I GET IT. 833 00:36:24,750 --> 00:36:26,518 THERE'S A BETTER WAY, JARED. 834 00:36:26,552 --> 00:36:29,321 OH, YOU MEAN YOUR LITTLE PEACE, LOVE AND UNDERSTANDING WHITE LIGHT? 835 00:36:29,355 --> 00:36:31,757 YEAH. I'VE SEEN IT. WHAT YOU DON'T GET 836 00:36:31,790 --> 00:36:34,393 IS THAT I CAN DO WHAT EVERY ROCK STAR DREAMS OF NOW. 837 00:36:34,426 --> 00:36:36,295 I CAN MAKE PEOPLE TREMBLE. 838 00:36:36,328 --> 00:36:38,597 I CAN MAKE THE EARTH MOVE. 839 00:36:38,630 --> 00:36:40,566 WHY GET IN BRANDON'S WAY? 840 00:36:40,599 --> 00:36:42,534 I MADE BRANDON WHO HE IS. 841 00:36:42,568 --> 00:36:44,436 AND I CAN TAKE IT AWAY. 842 00:36:44,470 --> 00:36:45,704 WHAT DO YOU HAVE ON YOUR SIDE? 843 00:36:45,737 --> 00:36:48,974 PUPPY DOGS AND RAINBOWS? 844 00:36:49,007 --> 00:36:51,477 BRANDON'S DAD MEANS NOTHING TO ME. 845 00:36:51,510 --> 00:36:53,812 AND NEITHER DO YOU. 846 00:36:53,845 --> 00:36:55,281 I'M NOT CROSSING OVER. 847 00:36:55,314 --> 00:36:56,315 EVER! 848 00:36:57,916 --> 00:36:59,551 [GASPING] 849 00:37:07,626 --> 00:37:09,695 I DON'T UNDERSTAND WHY YOU'RE ASKING ME TO DO THIS. 850 00:37:09,728 --> 00:37:11,763 MY DAD IS NOT GOING TO LET ME PLAY MY MUSIC. 851 00:37:15,967 --> 00:37:17,803 YOU SEE? 852 00:37:17,836 --> 00:37:20,739 YOUR FATHER ISN'T THE ONE THAT'S BEEN GETTING IN YOUR WAY. 853 00:37:20,772 --> 00:37:22,308 IT'S JARED. 854 00:37:22,341 --> 00:37:24,776 HE WOULDN'T DO THAT. YES, HE WOULD. 855 00:37:24,810 --> 00:37:27,613 HE WAS JEALOUS ABOUT THE SONG YOU WROTE FOR SANDY. 856 00:37:27,646 --> 00:37:29,548 I DESTROYED THAT SONG. 857 00:37:29,581 --> 00:37:30,916 THAT WASN'T GOOD ENOUGH. 858 00:37:30,949 --> 00:37:34,286 HE WAS THREATENED BY HOW GOOD YOU ARE. 859 00:37:34,320 --> 00:37:37,055 AND THE PERSON WHO WASN'T WAS YOUR FATHER. 860 00:37:37,088 --> 00:37:38,624 TELL HIM 861 00:37:38,657 --> 00:37:42,461 THE FIRST SONG WAS INSPIRED. 862 00:37:42,494 --> 00:37:45,497 GLENN GOULD-ESQUE. 863 00:37:45,531 --> 00:37:48,700 HE SAID THE FIRST SONG ON YOUR CD WAS LIKE GLENN GOULD. 864 00:37:48,734 --> 00:37:52,070 HE...LISTENED TO MY MUSIC? 865 00:37:52,103 --> 00:37:53,972 YES. 866 00:37:54,005 --> 00:37:56,442 WHY COULDN'T HE TELL ME THAT WHEN HE WAS ALIVE? 867 00:37:56,475 --> 00:37:58,344 BECAUSE HE HATED YOU. 868 00:37:58,377 --> 00:38:00,712 BRANDON, YOUR FATHER WANTS TO HELP YOU. 869 00:38:00,746 --> 00:38:03,349 HE WANTS YOU TO SING SANDY'S SONG 870 00:38:03,382 --> 00:38:04,783 AND EVERYTHING ELSE YOU'VE EVER WRITTEN. 871 00:38:04,816 --> 00:38:07,986 MAYBE THIS WILL HELP. 872 00:38:37,749 --> 00:38:38,884 UNH! 873 00:38:43,989 --> 00:38:44,890 WHAT HAPPENED?! 874 00:38:46,425 --> 00:38:47,559 AAH! 875 00:38:47,593 --> 00:38:49,561 IT'S JARED. HE'S HURTING YOUR FATHER. 876 00:38:49,595 --> 00:38:51,430 YOU CAN'T JUST KEEP DOING THIS. 877 00:38:51,463 --> 00:38:52,931 WANT TO BET? 878 00:38:56,468 --> 00:38:57,603 IS THAT IT? 879 00:39:11,082 --> 00:39:14,520 YOU CAN BREAK ALL THE STRINGS YOU WANT, MAN. 880 00:39:14,553 --> 00:39:17,656 NO ONE IS GOING TO STOP ME FROM PLAYING ANYMORE. 881 00:39:17,689 --> 00:39:19,024 [PLAYING] 882 00:39:24,763 --> 00:39:25,697 [GROWLING] 883 00:39:39,478 --> 00:39:41,780 [CHEERING] 884 00:39:41,813 --> 00:39:45,451 * DON'T LIE 885 00:39:45,484 --> 00:39:49,555 * SAY THAT IT'S OK 886 00:39:55,494 --> 00:39:59,164 * IT'S ALL RIGHT IF 887 00:39:59,197 --> 00:40:03,401 * THERE'S NOTHING MORE TO SAY * 888 00:40:07,973 --> 00:40:11,577 * SO I'M RUNNING AWAY... 889 00:40:11,610 --> 00:40:14,145 WHAT DOES THAT MEAN? 890 00:40:14,179 --> 00:40:15,581 THAT LIGHT? 891 00:40:15,614 --> 00:40:18,784 IT MEANS YOU'RE READY TO CROSS OVER. 892 00:40:22,153 --> 00:40:24,956 HE'S GONNA BE ALL RIGHT. 893 00:40:26,558 --> 00:40:27,826 YES. 894 00:40:27,859 --> 00:40:31,597 * I'M RUNNIN' AWAY 895 00:40:36,568 --> 00:40:38,870 * AND FASTER 896 00:40:38,904 --> 00:40:43,809 * THAN YOU CAN FOLLOW ME 897 00:40:43,842 --> 00:40:48,013 * FROM THIS LONELY PLACE... 898 00:40:48,046 --> 00:40:50,048 I WISH I DIDN'T HAVE TO GO. 899 00:40:52,851 --> 00:40:56,154 NOT NOW. 900 00:40:56,187 --> 00:40:59,558 NOT JUST YET. 901 00:40:59,591 --> 00:41:03,629 * YEAH, I'M LEAVING TODAY... * 902 00:41:03,662 --> 00:41:05,797 IT'S TIME. 903 00:41:05,831 --> 00:41:08,867 * I'LL NEVER LET YOU FIND ME * 904 00:41:08,900 --> 00:41:11,169 * I'M LEAVIN' YOU BEHIND... * 905 00:41:11,202 --> 00:41:13,004 THANK YOU. 906 00:41:13,038 --> 00:41:17,543 * NO, I WANT HER BACK 907 00:41:17,576 --> 00:41:22,881 * AND I WANNA HEAR YOUR REASONS * 908 00:41:22,914 --> 00:41:31,022 * WANNA HEAR YOU TELL ME WHY I SHOULD STAY * 909 00:41:31,056 --> 00:41:32,891 * AND TRY 910 00:41:32,924 --> 00:41:36,194 * AND TRY TO UNDERSTAND ME 911 00:41:36,227 --> 00:41:40,566 * AND TRY TO UNDERSTAND WHAT I SAY * 912 00:41:40,599 --> 00:41:44,936 * WHEN I SAY WHEN I CAN'T STAY * 913 00:41:44,970 --> 00:41:46,605 * I'M 914 00:41:46,638 --> 00:41:49,941 * I'M MOVING OFF OF THIS PLACE * 915 00:41:49,975 --> 00:41:58,884 * I'M LEAVING AND I WON'T QUIT, I'M RUNNING AWAY * 916 00:41:58,917 --> 00:42:03,221 * I'M RUNNING AWAY 917 00:42:03,254 --> 00:42:08,827 * I'M LEAVING THIS PLACE 918 00:42:08,860 --> 00:42:12,764 [CHEERING AND APPLAUSE] 919 00:42:23,675 --> 00:42:25,977 SO, HOW DO YOU THINK THE REUNION TOUR WENT? 920 00:42:26,011 --> 00:42:27,012 OHH, IF THERE WAS A T-SHIRT, 921 00:42:27,045 --> 00:42:28,113 I WOULD HAVE BOUGHT IT. 922 00:42:33,752 --> 00:42:37,055 UH, GIVE ME A SECOND. I HAVE TO TALK TO SOMEBODY. 923 00:42:41,993 --> 00:42:42,994 YOU'LL BE OK? 924 00:42:43,028 --> 00:42:44,963 YEAH. TRUST ME. 925 00:42:44,996 --> 00:42:47,165 HE CAN'T HURT ANYBODY ANYMORE. 926 00:42:48,834 --> 00:42:50,068 I'LL BE OVER THERE. OK. 927 00:42:58,810 --> 00:43:01,212 JUST BECAUSE YOU CAN SING A FEW SONGS, 928 00:43:01,246 --> 00:43:02,681 DOESN'T MEAN ANYTHING. 929 00:43:03,949 --> 00:43:05,817 DOESN'T MEAN YOU'LL MAKE IT. 930 00:43:05,851 --> 00:43:08,219 MAYBE HE DOESN'T NEED TO MAKE IT. 931 00:43:08,253 --> 00:43:10,055 MAYBE HE JUST NEEDS TO PLAY. 932 00:43:10,088 --> 00:43:11,923 HEH. 933 00:43:11,957 --> 00:43:14,693 LOOK, I KNOW HOW ANGRY YOU ARE RIGHT NOW. BUT IF YOU'LL LET ME, 934 00:43:14,726 --> 00:43:16,628 I CAN HELP YOU CROSS OVER. 935 00:43:16,662 --> 00:43:19,064 THINK YOU'RE THE ONLY AFTERLIFE GAME IN TOWN? 936 00:43:19,097 --> 00:43:22,400 THERE ARE OTHERS AROUND HERE-- 937 00:43:22,433 --> 00:43:25,303 PEOPLE WHO ARE DYING TO MEET ME. 938 00:43:25,336 --> 00:43:28,940 THOSE OTHER SPIRITS, THEY WILL PROMISE YOU ANYTHING. 939 00:43:28,974 --> 00:43:29,908 THEY'RE ALL LYING. 940 00:43:29,941 --> 00:43:33,779 NO WORSE THAN THE USUAL ROCK AND ROLL SWINDLE. 941 00:43:39,250 --> 00:43:41,286 BE SEEING YOU.