1 00:00:01,469 --> 00:00:04,438 [BELL TOLLING] 2 00:00:08,776 --> 00:00:11,612 MY NAME IS MELINDA GORDON. 3 00:00:12,880 --> 00:00:14,148 I JUST GOT MARRIED, 4 00:00:14,215 --> 00:00:17,351 JUST MOVED TO A SMALL TOWN, JUST OPENED UP AN ANTIQUE SHOP. 5 00:00:17,418 --> 00:00:20,221 I MIGHT BE JUST LIKE YOU. 6 00:00:20,288 --> 00:00:22,223 EXCEPT FROM THE TIME THAT I WAS A LITTLE GIRL, 7 00:00:22,290 --> 00:00:24,258 I KNEW THAT I COULD TALK TO THE DEAD. 8 00:00:25,459 --> 00:00:26,794 Grandmother: IT'S ALL RIGHT, HONEY. 9 00:00:26,860 --> 00:00:29,197 EARTHBOUND SPIRITS, MY GRANDMOTHER CALLED THEM, 10 00:00:29,263 --> 00:00:31,532 THE ONES WHO HAVE NOT CROSSED OVER 11 00:00:31,599 --> 00:00:33,834 BECAUSE THEY HAVE UNFINISHED BUSINESS WITH THE LIVING, 12 00:00:33,901 --> 00:00:36,070 AND THEY COME TO ME FOR HELP. 13 00:00:36,137 --> 00:00:39,407 TO TELL YOU MY STORY, I HAVE TO TELL YOU THEIRS. 14 00:00:39,473 --> 00:00:40,408 [GASPS] 15 00:00:42,210 --> 00:00:43,644 [THUNDER] 16 00:00:50,551 --> 00:00:52,486 [CHATTER] 17 00:01:00,228 --> 00:01:02,330 NO. I CAN'T. I CAN'T DO IT. 18 00:01:02,396 --> 00:01:03,831 [LAUGHING] YES, YOU CAN. 19 00:01:03,897 --> 00:01:05,533 YOU'RE GONNA BE FINE WHEN YOU GET OUT THERE. 20 00:01:05,599 --> 00:01:06,667 I WON'T. I AM A COWARD. 21 00:01:06,734 --> 00:01:08,001 I DON'T KNOW HOW I MISSED THAT. 22 00:01:08,068 --> 00:01:10,271 WILL YOU STOP IT? YOU ARE THE BRAVEST WOMAN I KNOW. 23 00:01:10,338 --> 00:01:12,940 NOW, TAKE A DEEP BREATH. [TAKES QUICK, SHALLOW BREATH] 24 00:01:13,006 --> 00:01:13,941 A BETTER ONE. 25 00:01:15,576 --> 00:01:17,010 LET'S GO OUT THERE. 26 00:01:21,081 --> 00:01:22,683 Woman: WELCOME TO THE COMEDY CAVE! 27 00:01:22,750 --> 00:01:26,187 OK, OK. CAN YOU JUST QUIET DOWN A MINUTE? 28 00:01:26,254 --> 00:01:28,088 ALL RIGHT, ALL RIGHT. SETTLE DOWN. 29 00:01:28,156 --> 00:01:30,358 I NEED TO GET EVERYBODY'S ATTENTION. 30 00:01:30,424 --> 00:01:31,792 UH, BEFORE WE OPEN 31 00:01:31,859 --> 00:01:34,862 THE MIC TONIGHT, I HAVE A LITTLE ANNOUNCEMENT TO MAKE. 32 00:01:34,928 --> 00:01:36,930 AFTER 28 LONG YEARS, 33 00:01:36,997 --> 00:01:38,866 THE CLUB WILL BE CLOSING. AW... AW... 34 00:01:38,932 --> 00:01:40,168 SEE, 35 00:01:40,234 --> 00:01:42,170 THE TRUTH IS, I LOST MY LEASE. 36 00:01:42,236 --> 00:01:43,937 THEY WANT US OUTTA HERE. BOO. 37 00:01:44,004 --> 00:01:45,273 IT'S TIME TO MOVE ON. 38 00:01:45,339 --> 00:01:48,008 BUT BEFORE WE DO, WE ARE GONNA... 39 00:01:48,075 --> 00:01:49,643 PART-AY. [CHUCKLES] 40 00:01:49,710 --> 00:01:50,644 [CHEERING AND APPLAUSE] 41 00:01:50,711 --> 00:01:51,645 THAT'S RIGHT. 42 00:01:51,712 --> 00:01:53,681 EVERY NIGHT FOR THE NEXT 2 WEEKS, 43 00:01:53,747 --> 00:01:56,317 WE ARE GONNA CELEBRATE THE COMEDY CAVE... 44 00:01:56,384 --> 00:01:59,019 AND SOME OF THE BIGGEST COMICS IN THE BUSINESS TODAY. 45 00:01:59,086 --> 00:02:00,321 [CHEERING AND APPLAUSE] YEP. 46 00:02:00,388 --> 00:02:02,790 THEY WILL ALL BE BACK TO SAY GOOD-BYE-- 47 00:02:02,856 --> 00:02:03,957 LIKE LOUIE KLEINMAN, 48 00:02:04,024 --> 00:02:05,793 THE SANTANDER TWINS, 49 00:02:05,859 --> 00:02:08,829 AND ON THE 15th AND THE 16th, 50 00:02:08,896 --> 00:02:10,731 SANDRA HOLLOWAY. 51 00:02:10,798 --> 00:02:11,732 THANK YOU. 52 00:02:11,799 --> 00:02:13,367 [CHEERING AND APPLAUSE] 53 00:02:13,434 --> 00:02:15,936 BUT NOW LET'S GET DOWN TO THE BUSINESS AT HAND. 54 00:02:16,003 --> 00:02:18,406 IT IS COLD. IT'S RAINY OUTSIDE. 55 00:02:18,472 --> 00:02:20,374 MUST BE OPEN MIC NIGHT. 56 00:02:20,441 --> 00:02:21,475 YEAH! [APPLAUSE] 57 00:02:21,542 --> 00:02:22,910 [APPLAUSE] 58 00:02:22,976 --> 00:02:24,712 ANYWAY, HERE WE GO. FIRST UP... 59 00:02:24,778 --> 00:02:26,614 MR. BRYCE AVALON. 60 00:02:26,680 --> 00:02:28,282 [CHEERING AND APPLAUSE] 61 00:02:29,883 --> 00:02:31,219 THANK YOU, THANK YOU. 62 00:02:31,285 --> 00:02:33,521 GREETINGS, EVERYBODY. 63 00:02:33,587 --> 00:02:36,123 ALL RIGHT. WHOO! 64 00:02:36,190 --> 00:02:37,591 YESTERDAY I WAS IN MY BASEMENT, 65 00:02:37,658 --> 00:02:39,126 AND I WAS EATIN' A CAN OF SPAGHETTI-- [MICROPHONE FEEDBACK] 66 00:02:39,193 --> 00:02:41,295 AAH! [LAUGHTER] 67 00:02:41,362 --> 00:02:43,631 [LAUGHTER] 68 00:02:43,697 --> 00:02:45,233 FRANCIE...WHAT'S WRONG WITH THE MIC? 69 00:02:45,299 --> 00:02:46,867 WHY THE MIC SO HOT? 70 00:02:47,935 --> 00:02:49,503 YOU GET THE MIC FROM HELL? 71 00:02:49,570 --> 00:02:50,504 [LAUGHTER] 72 00:02:50,571 --> 00:02:51,805 IS THERE SPECIAL ELECTRONICS 73 00:02:51,872 --> 00:02:53,974 IN HELL OR SOMETHIN'? [LAUGHTER] 74 00:02:54,041 --> 00:02:56,277 DON'T TRY IT TONIGHT. IT'S NOT YOUR NIGHT. WHAT? 75 00:02:56,344 --> 00:02:58,412 THERE'S A REALLY NASTY GHOST UP THERE. 76 00:02:58,479 --> 00:03:01,515 [ELECTRICAL CRACKLE] [LAUGHTER] 77 00:03:01,582 --> 00:03:03,417 WHAT ARE YOU TALKING ABOUT? 78 00:03:03,484 --> 00:03:05,386 [CHEERING AND APPLAUSE] 79 00:03:05,453 --> 00:03:06,820 I'M NEXT. 80 00:03:06,887 --> 00:03:10,157 JUST GO TO THE RESTROOM, OK? AND--AND FAKE 81 00:03:10,224 --> 00:03:11,992 STAGE FRIGHT OR SOMETHING. TRUST ME, 82 00:03:12,059 --> 00:03:13,327 YOU DO NOT WANT TO GO UP THERE. 83 00:03:13,394 --> 00:03:14,328 [LIGHT APPLAUSE] 84 00:03:14,395 --> 00:03:15,496 OK. 85 00:03:15,563 --> 00:03:16,897 THAT'S WHAT Y'ALL DO NOW, FRANCIE? 86 00:03:16,964 --> 00:03:17,898 THAT HOW IT IS? 87 00:03:17,965 --> 00:03:19,099 WHAT HAPPENED TO A HOOK 88 00:03:19,166 --> 00:03:21,569 OR A HORN OR...SOMETHIN'? 89 00:03:21,635 --> 00:03:22,903 HEY, FRANCIE, 90 00:03:22,970 --> 00:03:24,104 I THINK I'M GONNA REALLY NEED 91 00:03:24,171 --> 00:03:25,273 SOME FIRST AID UP HERE. 92 00:03:25,339 --> 00:03:27,875 OK, JUST... KEEP DRINKING. 93 00:03:27,941 --> 00:03:29,977 I'LL--I'LL FIGURE IT OUT. 94 00:03:30,043 --> 00:03:31,612 HOW MANY PEOPLE'LL BE WILLING TO TESTIFY 95 00:03:31,679 --> 00:03:33,481 HE SET HIS OWN HAND ON FIRE? 96 00:03:33,547 --> 00:03:35,383 [LAUGHTER] 97 00:03:35,449 --> 00:03:36,384 ANDREA? 98 00:03:38,452 --> 00:03:40,288 I WENT OUT FOR A WALK. 99 00:03:40,354 --> 00:03:41,755 [GASPS] 100 00:03:45,225 --> 00:03:46,494 OH! MELINDA? 101 00:03:46,560 --> 00:03:48,829 IS THE COAST CLEAR? 102 00:03:48,896 --> 00:03:50,331 UH... 103 00:03:50,398 --> 00:03:51,332 NO. 104 00:03:53,301 --> 00:03:55,503 Voice: CAN YOU SEE US? 105 00:04:29,202 --> 00:04:32,139 UH...I'M GONNA KEEP THE BEST STUFF. 106 00:04:32,205 --> 00:04:35,609 ACTUALLY, UH, ANDY KAUFMAN LEFT A SLEEPING BAG THERE. 107 00:04:35,676 --> 00:04:38,145 YEAH. BUT I'M-- BUT I'M SURE SOME OF THIS STUFF 108 00:04:38,211 --> 00:04:40,748 IS WORTH SELLING. I--I HAVE BAR GLASSES, 109 00:04:40,814 --> 00:04:43,050 I HAVE CDs, I HAVE SIGNED PHOTOS. 110 00:04:43,116 --> 00:04:44,485 THIS STUFF IS GREAT. I MEAN, 111 00:04:44,552 --> 00:04:45,553 WE'VE NEVER HAD ANYTHING LIKE IT. 112 00:04:45,619 --> 00:04:46,987 BUT ARE YOU SURE THAT YOU WANT TO SELL IT? 113 00:04:48,589 --> 00:04:49,890 THERE'S SO MANY MEMORIES HERE. 114 00:04:49,957 --> 00:04:52,326 WELL, MEMORIES ARE VERY ROMANTIC WHEN YOU'RE YOUNG. 115 00:04:52,393 --> 00:04:54,695 WHEN YOU'RE MY AGE, THEY'RE LIKE NEEDLES 116 00:04:54,762 --> 00:04:56,697 THAT STICK INTO YOUR HEART. 117 00:04:56,764 --> 00:04:58,766 SO I'D RATHER TAKE THE CASH. 118 00:04:58,832 --> 00:05:02,336 SO WHATEVER YOU GET, I'LL SPLIT IT WITH YOU 50/50. 119 00:05:02,403 --> 00:05:06,340 WOW. YOU HAVE MENTORED SO MANY PEOPLE, FRANCIE. 120 00:05:06,407 --> 00:05:07,608 YEAH. 121 00:05:07,675 --> 00:05:09,777 HMM. THERE'S A LOT OF HISTORY 122 00:05:09,843 --> 00:05:11,679 IN THAT LITTLE CLUB OF MINE. 123 00:05:14,415 --> 00:05:16,684 YOU KNOW, MELINDA THINKS THE CLUB IS HAUNTED. 124 00:05:16,750 --> 00:05:18,218 I DO NOT. A-- 125 00:05:18,285 --> 00:05:19,853 HAUNTED. [CHUCKLES] 126 00:05:19,920 --> 00:05:22,055 THAT'S A VERY STRONG WORD. 127 00:05:22,122 --> 00:05:25,092 YES...IT IS... HAUNTED. 128 00:05:25,158 --> 00:05:26,093 REALLY. 129 00:05:26,159 --> 00:05:27,761 THAT'S WHAT PEOPLE SAY. 130 00:05:27,828 --> 00:05:30,297 MONDAY NIGHTS, THE CLUB IS CLOSED. 131 00:05:30,364 --> 00:05:33,367 AND OUR CLEANING GUY SWEARS THAT THEY COME IN, 132 00:05:33,434 --> 00:05:36,069 THEY REARRANGE THE TABLES, AND THEY DO THEIR OWN SHOW. 133 00:05:37,671 --> 00:05:39,206 BUT I'M NO FOOL. 134 00:05:39,272 --> 00:05:41,909 BEING HAUNTED... VERY GOOD FOR BUSINESS. 135 00:05:41,975 --> 00:05:43,377 ALL RIGHT, GIRLS. 136 00:05:43,444 --> 00:05:45,178 LET ME KNOW HOW YOU DO WITH THIS STUFF. 137 00:05:45,245 --> 00:05:47,214 THANKS. I'LL WALK YOU OUT. 138 00:05:51,018 --> 00:05:53,487 BOY, SHE'S A CHARACTER, ISN'T SHE? 139 00:05:53,554 --> 00:05:55,222 [CHUCKLES] 140 00:05:55,288 --> 00:05:57,224 HEY, HAVE YOU SEEN MY KEYS? 141 00:05:57,290 --> 00:06:00,060 I SWEAR I PUT THEM UP HERE ON THE DESK. 142 00:06:00,127 --> 00:06:01,128 COAT POCKET? 143 00:06:01,194 --> 00:06:05,399 [SOFT ECHOING LAUGHTER] 144 00:06:05,466 --> 00:06:06,400 HMM. 145 00:06:07,635 --> 00:06:09,403 BEHOLD... 146 00:06:09,470 --> 00:06:11,038 YOUR KEYS. 147 00:06:11,104 --> 00:06:12,906 AM I IMAGINING IT, 148 00:06:12,973 --> 00:06:14,908 OR ARE THEY DEFYING THE LAWS OF PHYSICS? 149 00:06:22,983 --> 00:06:26,153 ANDREA HAS NERVES OF STEEL. I MEAN, 150 00:06:26,219 --> 00:06:28,088 I CAN'T IMAGINE ANYTHING SCARIER 151 00:06:28,155 --> 00:06:29,757 THAN HAVING TO GET UP IN FRONT OF A BUNCH OF PEOPLE 152 00:06:29,823 --> 00:06:31,258 AND MAKE 'EM LAUGH. COULD YOU DO THAT? 153 00:06:31,324 --> 00:06:33,861 ME? NO. HECK, I WAS LINUS 154 00:06:33,927 --> 00:06:35,328 IN OUR THIRD GRADE PRODUCTION 155 00:06:35,395 --> 00:06:36,597 OF YOU'RE A GOOD MAN, CHARLIE BROWN, 156 00:06:36,664 --> 00:06:38,899 AND I ALMOST THREW UP ON SNOOPY. 157 00:06:38,966 --> 00:06:39,967 WOW! 158 00:06:40,033 --> 00:06:41,368 THAT'S NOT ABOUT OUR THIRD GRADE PLAY, 159 00:06:41,435 --> 00:06:42,369 NOW, IS IT? 160 00:06:42,436 --> 00:06:44,371 WE'RE TURNING A PROFIT. 161 00:06:44,438 --> 00:06:46,540 TH--THE STORE IS TURNING A PROFIT. REALLY? 162 00:06:46,607 --> 00:06:47,941 CONGRATULATIONS. YEAH! [LAUGHS] 163 00:06:48,008 --> 00:06:49,677 IT'S RIGHT THERE IN BLACK AND WHITE. 164 00:06:49,743 --> 00:06:51,679 WE SHOULD CELEBRATE. MY TREAT. 165 00:06:51,745 --> 00:06:53,747 CONGRATULATIONS. [LAUGHS] 166 00:06:53,814 --> 00:06:56,216 OH, I HAVE TO CALL ANDREA. SHE IS GOING TO FREAK. 167 00:06:56,283 --> 00:06:57,217 ALL RIGHT. 168 00:07:08,261 --> 00:07:10,197 SO, YOU KNOW, I MEAN, I WAS JUST THINKIN' AHEAD HERE, 169 00:07:10,263 --> 00:07:12,099 BUT, YOU KNOW, MAYBE WE SHOULD EXPAND. 170 00:07:12,165 --> 00:07:14,134 OH, ANDREA, IT'S ONE MONTH'S PROFIT. 171 00:07:14,201 --> 00:07:15,302 WE'RE NOT WAL-MART YET. 172 00:07:15,368 --> 00:07:18,305 THAT'S IT. WE SHOULD FRANCHISE. 173 00:07:20,608 --> 00:07:23,777 OK. I'M GONNA GO OUT ON A LIMB HERE 174 00:07:23,844 --> 00:07:25,145 AND SAY THAT THAT WAS GHOST-RELATED. 175 00:07:25,212 --> 00:07:26,146 THAT'S NOT FUNNY. 176 00:07:26,213 --> 00:07:27,147 I WASN'T JOKING. 177 00:07:27,214 --> 00:07:28,482 NOT YOU. HIM. YOU ARE MESSING 178 00:07:28,549 --> 00:07:29,983 WITH THE WRONG PERSON, PAL. 179 00:07:30,050 --> 00:07:32,786 [SIGHS] CAN'T WE JUST IGNORE THIS GUY AND MAYBE 180 00:07:32,853 --> 00:07:33,787 HE'LL GO AWAY? 181 00:07:33,854 --> 00:07:34,988 THAT'S ALWAYS MY FIRST PLAN. 182 00:07:35,055 --> 00:07:35,989 NEVER WORKS. 183 00:07:36,056 --> 00:07:38,425 WELL...WHERE DID HE COME FROM? 184 00:07:38,492 --> 00:07:41,328 MY GUESS IS HE'S ATTACHED TO ONE OF THESE THINGS OF THE COMEDY CLUB. 185 00:07:41,394 --> 00:07:43,664 HE WAS IN MY HOUSE LAST NIGHT. REARRANGED MY FURNITURE. 186 00:07:43,731 --> 00:07:45,198 REALLY! HOW'D IT LOOK? 187 00:07:45,265 --> 00:07:46,934 NOT BAD, EXCEPT FOR THE ARM CHAIR 188 00:07:47,000 --> 00:07:48,536 BALANCING ON THE COFFEE TABLE. 189 00:07:48,602 --> 00:07:51,004 SO...HOW DO WE GET RID OF THIS JOKER? 190 00:07:51,071 --> 00:07:53,373 I GUESS HE'LL EVENTUALLY GET BORED AND SHOW HIMSELF. 191 00:07:53,440 --> 00:07:55,275 [SOFT ECHOING LAUGHTER] OK. 192 00:08:03,684 --> 00:08:07,354 MELINDA...I, UH, THINK YOU'D BETTER...SEE THIS. 193 00:08:15,929 --> 00:08:18,198 I HATE THIS GUY. 194 00:08:18,265 --> 00:08:20,834 I THINK IT'S TIME TO PAY FRANCIE A VISIT. 195 00:08:24,905 --> 00:08:28,408 [THUNDER] 196 00:08:34,615 --> 00:08:36,216 MONDAYS. 197 00:08:36,283 --> 00:08:37,618 [RATTLING] 198 00:08:37,685 --> 00:08:38,886 [CREAKING] 199 00:08:57,671 --> 00:08:59,973 [LAUGHTER] 200 00:09:00,040 --> 00:09:02,643 [LAUGHTER AND CHATTER ECHOING THROUGHOUT] 201 00:09:18,225 --> 00:09:20,093 SO I WAS AT A PARTY THE OTHER NIGHT, RIGHT? 202 00:09:20,160 --> 00:09:21,662 I ASKED THIS GIRL FOR A PHONE NUMBER 203 00:09:21,729 --> 00:09:23,997 AND SHE SAID, WELL, HOW DID SHE PHRASE IT? OH, YEAH... 204 00:09:24,064 --> 00:09:24,998 NO. 205 00:09:25,065 --> 00:09:28,135 HA HA HA HA. 206 00:09:28,201 --> 00:09:30,604 [ROOM BECOMES SILENT EXCEPT FOR ONE MAN CHUCKLING] 207 00:09:30,671 --> 00:09:33,140 UH, WE DON'T SERVE YOUR KIND HERE, HONEY. 208 00:09:33,206 --> 00:09:34,441 [LIGHT LAUGHTER] 209 00:09:34,507 --> 00:09:36,076 WHAT ARE YOU ALL DOING HERE? 210 00:09:36,143 --> 00:09:38,078 HOW COME YOU CAN SEE US? 211 00:09:38,145 --> 00:09:39,446 JUST LUCKY, I GUESS. 212 00:09:39,512 --> 00:09:42,015 WHY HAVEN'T YOU ALL CROSSED OVER? 213 00:09:42,082 --> 00:09:43,283 WE LIKE IT IN FRONT OF THE LIGHT. 214 00:09:43,350 --> 00:09:44,584 WHO KNOWS WHAT'S BEHIND IT? 215 00:09:44,652 --> 00:09:46,820 BESIDES, THEY LOVE US HERE, RIGHT? 216 00:09:46,887 --> 00:09:47,955 OH, BEIN' DEAD. 217 00:09:48,021 --> 00:09:50,758 IS IT JUST ME, OR DO YOUR CLOTHES FIT BETTER? 218 00:09:50,824 --> 00:09:51,959 DEATH AGREES WITH ME. 219 00:09:52,025 --> 00:09:53,994 NEXT TIME MY WIFE ASKS ME TO TAKE OUT THE GARBAGE, 220 00:09:54,061 --> 00:09:55,595 I GOT A REAL GOOD EXCUSE. 221 00:09:55,663 --> 00:09:57,731 SORRY, HONEY... RIGOR MORTIS. 222 00:09:57,798 --> 00:09:58,899 [LAUGHTER] 223 00:09:58,966 --> 00:10:01,134 OK, PLEASE STOP. I'M LOOKING FOR SOMEONE. 224 00:10:01,201 --> 00:10:04,071 UH, HE'S ONE OF YOU-- A COMIC, I GUESS. 225 00:10:04,137 --> 00:10:05,839 OH, THAT REALLY NARROWS IT DOWN. [LAUGHTER] 226 00:10:05,906 --> 00:10:09,176 H-HE'S 28. UM... REALLY INTO 227 00:10:09,242 --> 00:10:10,944 PRACTICAL JOKES. AND TENNIS AND 228 00:10:11,011 --> 00:10:12,612 LONG WALKS ON THE BEACH. 229 00:10:12,680 --> 00:10:14,682 SHUT UP, BOB. WHAT DOES HE LOOK LIKE? 230 00:10:14,748 --> 00:10:17,818 I HAVEN'T REALLY SEEN HIM. JUST A-- A FLASH. DARK HAIR. 231 00:10:17,885 --> 00:10:20,654 UM, HE HAUNTS THE CLUB WHEN IT'S OPEN. 232 00:10:20,721 --> 00:10:22,455 UM, MARTY. 233 00:10:22,522 --> 00:10:24,124 MARTY GOLDEN. 234 00:10:24,191 --> 00:10:25,993 OH, RIGHT! I REMEMBER HIM. 235 00:10:26,059 --> 00:10:27,527 OH, YEAH.MARTY. 236 00:10:27,594 --> 00:10:29,029 YEAH, VERY CONCEPTUAL. 237 00:10:29,096 --> 00:10:30,363 ALWAYS TOOK THINGS TO THE NEXT LEVEL. 238 00:10:30,430 --> 00:10:31,832 YEAH. REMEMBER THE NIGHT WHEN HE MADE THE AUDIENCE 239 00:10:31,899 --> 00:10:33,834 WEAR OXYGEN MASKS? TOLD 'EM THERE WAS GONNA 240 00:10:33,901 --> 00:10:35,836 BE A BIG CHEMICAL ATTACK? HA HA HA! 241 00:10:35,903 --> 00:10:37,004 [LAUGHTER] 242 00:10:37,070 --> 00:10:39,206 HE WAS UNIQUE, THAT'S FOR SURE. 243 00:10:39,272 --> 00:10:40,507 WHAT HAPPENED TO HIM? 244 00:10:40,573 --> 00:10:41,709 THE KID HAD PROBLEMS. 245 00:10:41,775 --> 00:10:43,276 HE COULDN'T GET ARRESTED. AND HE WAS GREAT. 246 00:10:43,343 --> 00:10:44,712 HE HAD A TREMENDOUS TALENT. 247 00:10:44,778 --> 00:10:46,579 VERY ORIGINAL, BUT THAT DOESN'T ALWAYS MEAN 248 00:10:46,646 --> 00:10:48,048 YOU'RE GONNA MAKE IT. 249 00:10:48,115 --> 00:10:50,150 ANYWAY, TO MAKE A LONG STORY SHORT-- 250 00:10:50,217 --> 00:10:51,484 TOO LATE. YES, DAN. 251 00:10:51,551 --> 00:10:53,353 JUST 'CAUSE WE HAVE ALL ETERNITY DOESN'T MEAN 252 00:10:53,420 --> 00:10:55,522 WE WANT TO SPEND IT LISTENIN' TO THIS STORY. 253 00:10:55,588 --> 00:10:56,990 YEAH, WELL, GO TAKE A SHOWER, AND I'LL FINISH. 254 00:10:57,057 --> 00:10:59,359 [LAUGHTER] HA HA HA. 255 00:10:59,426 --> 00:11:01,328 ANYWAY, ONE NIGHT HE WALKS OUT OF THE CLUB. 256 00:11:01,394 --> 00:11:04,597 HE WAS REALLY DOWN, DEPRESSED, FEELIN' SORRY FOR HIMSELF. 257 00:11:04,664 --> 00:11:05,899 AND? 258 00:11:05,966 --> 00:11:07,935 THAT'S IT. WE NEVER SAW HIM AGAIN. 259 00:11:08,001 --> 00:11:10,137 YEAH. HE MUST'VE SIGNED WITH MY AGENT. 260 00:11:10,203 --> 00:11:12,239 [LAUGHTER] 261 00:11:12,305 --> 00:11:13,540 OH. 262 00:11:13,606 --> 00:11:15,208 RIGHT. 263 00:11:15,275 --> 00:11:16,376 WELL, THANK YOU... 264 00:11:16,443 --> 00:11:17,677 FOR YOUR HELP. REMEMBER, FOLKS, 265 00:11:17,745 --> 00:11:19,246 BE GOOD TO YOUR WAITERS TONIGHT. 266 00:11:19,312 --> 00:11:21,148 AND I'LL BE HERE EVERY MONDAY. 267 00:11:21,214 --> 00:11:22,449 EVERY MONDAY! 268 00:11:22,515 --> 00:11:23,550 [LAUGHTER AND CHATTER] 269 00:11:41,034 --> 00:11:42,736 [STARTS PLAYING DISK] [LAUGHTER] 270 00:11:42,803 --> 00:11:44,004 SO SHE SAYS TO ME, 271 00:11:44,071 --> 00:11:47,908 "MARTY, YOU'VE GOT TO LOOK AT THE BIG PICTURE. 272 00:11:47,975 --> 00:11:49,777 "IN A HUNDRED YEARS, NONE OF THIS WILL MATTER, 273 00:11:49,843 --> 00:11:51,945 AND WE'LL ALL BE DEAD." 274 00:11:52,012 --> 00:11:53,847 ALL NEW PEOPLE. 275 00:11:53,914 --> 00:11:55,582 ISN'T IT BEAUTIFUL? 276 00:11:55,648 --> 00:11:57,284 [LAUGHTER] 277 00:11:57,350 --> 00:11:58,986 SO I FIRED HER. WHAT, ARE YOU KIDDING ME? 278 00:11:59,052 --> 00:12:01,922 I DON'T NEED TO TAKE THAT KIND OF CRAP FROM A THERAPIST. 279 00:12:01,989 --> 00:12:04,925 [LAUGHTER] 280 00:12:04,992 --> 00:12:07,194 I MEAN, REALLY. THAT'S WHAT WE PAY 'EM FOR, RIGHT? 281 00:12:07,260 --> 00:12:10,097 SUBSIDIZED DENIAL. 282 00:12:10,163 --> 00:12:12,632 BUT YOU KNOW, SHE'S RIGHT. 283 00:12:12,699 --> 00:12:14,267 I MEAN, LET'S FACE IT... 284 00:12:14,334 --> 00:12:17,304 WE'RE ALL GONNA DIE. 285 00:12:17,370 --> 00:12:19,339 OH, YEAH. SURE, WE ARE. 286 00:12:19,406 --> 00:12:21,008 YEAH. 287 00:12:21,074 --> 00:12:23,243 YOU'RE GONNA DIE... 288 00:12:23,310 --> 00:12:24,812 AND YOU'RE GONNA DIE... [ECHO] GONNA DIE... 289 00:12:24,878 --> 00:12:26,246 AND YOU'RE GONNA DIE. YOU'RE NOT FUNNY. COME ON! 290 00:12:26,313 --> 00:12:27,881 AND YOU, SIR, IN THE BACK, BOO! 291 00:12:27,948 --> 00:12:29,783 STUFFING YOUR FACE WITH THE CHEESEBURGER, 292 00:12:29,850 --> 00:12:31,518 ARE GOING TO DIE. GET OFF THE STAGE. 293 00:12:31,584 --> 00:12:34,021 YEAH, LET'S-- LET'S JUST SAY IT ALL TOGETHER. BOO! 294 00:12:34,087 --> 00:12:36,790 READY? OK. BOO! BOO! 295 00:12:36,857 --> 00:12:40,127 I'M...GONNA...DIE! 296 00:12:40,193 --> 00:12:42,963 [ECHOING] DIE! DIE! 297 00:12:45,332 --> 00:12:47,234 [GROWLING] 298 00:12:49,036 --> 00:12:50,337 AM I DEAD? 299 00:12:56,276 --> 00:12:58,711 I ASKED YOU A QUESTION. 300 00:12:58,778 --> 00:13:01,214 AM I DEAD? 301 00:13:01,281 --> 00:13:03,984 UM...VERY. 302 00:13:05,052 --> 00:13:08,321 UM...WHAT'S WITH ALL THE WATER? 303 00:13:08,388 --> 00:13:10,657 I MEAN, THE...FISH TANK, 304 00:13:10,723 --> 00:13:13,160 THE RESTROOM? 305 00:13:13,226 --> 00:13:15,162 MY FLOOR. 306 00:13:15,228 --> 00:13:16,363 I DON'T KNOW. 307 00:13:16,429 --> 00:13:18,698 I CAN'T FIGURE IT OUT. 308 00:13:18,765 --> 00:13:21,668 ONE MINUTE, I'M DYING FIGURATIVELY AT THE CLUB, 309 00:13:21,734 --> 00:13:24,371 AND THE NEXT-- WELL, WHAT'S THE LAST THING YOU REMEMBER? 310 00:13:24,437 --> 00:13:25,372 IT'S HARD TO SAY. 311 00:13:27,207 --> 00:13:29,742 I REMEMBER... FEELING... 312 00:13:30,844 --> 00:13:31,778 HOPEFUL. 313 00:13:33,080 --> 00:13:35,682 BUT ALSO SOMETHING REALLY BAD. 314 00:13:35,748 --> 00:13:38,185 WELL, THE THING IS, USUALLY... 315 00:13:38,251 --> 00:13:40,720 WHEN I SEE SPIRITS, THEY LOOK NORMAL. 316 00:13:40,787 --> 00:13:43,823 SO, WHAT ARE YOU SAYIN'? I LOOK AS BAD AS I FEEL? 317 00:13:43,891 --> 00:13:45,859 I'M TELLING YOU THAT WHEN A SPIRIT COMES TO ME 318 00:13:45,926 --> 00:13:47,895 LOOKING LIKE YOU DO, IT USUALLY MEANS 319 00:13:47,961 --> 00:13:50,097 THAT THEY'VE HAD A SUDDEN OR VERY VIOLENT DEATH. 320 00:13:50,163 --> 00:13:52,332 WHICH IS ALSO WHY YOU DON'T REMEMBER. 321 00:13:52,399 --> 00:13:53,633 SO, WHAT DO I DO? 322 00:13:55,635 --> 00:13:57,404 YOU'RE IN THE WRONG PLACE NOW. 323 00:13:57,470 --> 00:13:59,406 YOU NEED TO CROSS OVER. 324 00:13:59,472 --> 00:14:01,608 OH, YEAH. MY AGENT SAID THE SAME THING, 325 00:14:01,674 --> 00:14:04,344 BUT...I NEVER NEEDED TO APPEAL TO EVERYONE. 326 00:14:04,411 --> 00:14:07,580 I MEANT CROSS OVER TO THE OTHER SIDE. 327 00:14:07,647 --> 00:14:12,319 LOOK. THIS ALL FEELS LIKE A REALLY BIG MISTAKE. 328 00:14:12,385 --> 00:14:16,389 OK? NOW, I HAVE TO FIND OUT WHAT HAPPENED TO ME. 329 00:14:17,557 --> 00:14:19,426 WILL YOU HELP ME? 330 00:14:27,000 --> 00:14:28,301 [MUSIC PLAYING] 331 00:14:38,878 --> 00:14:40,113 OHH! SORRY. 332 00:14:40,180 --> 00:14:41,114 OHH... 333 00:14:41,181 --> 00:14:43,050 UH, THE DOOR WAS OPEN, SO... 334 00:14:43,116 --> 00:14:44,451 IT'S ALL RIGHT. COME ON IN. 335 00:14:44,517 --> 00:14:46,419 UM, I JUST WANTED TO TALK TO YOU 336 00:14:46,486 --> 00:14:48,755 ABOUT A CD THAT I LISTENED TO LAST NIGHT. 337 00:14:48,821 --> 00:14:50,257 IT REALLY MADE ME LAUGH. 338 00:14:50,323 --> 00:14:52,592 WELL, GOOD. WHO WAS IT? 339 00:14:52,659 --> 00:14:54,394 MARTY GOLDEN. 340 00:14:54,461 --> 00:14:55,628 YEAH. 341 00:14:56,796 --> 00:14:59,132 HE'S KIND OF A SORE SUBJECT AROUND HERE. 342 00:15:00,934 --> 00:15:02,469 HOW COME? 343 00:15:02,535 --> 00:15:04,137 [SIGHS] WELL... 344 00:15:05,838 --> 00:15:09,109 WELL, MARTY, UH, MARTY WAS THE REAL DEAL. 345 00:15:09,176 --> 00:15:10,443 AN ORIGINAL. 346 00:15:10,510 --> 00:15:12,045 VERY COMPLICATED GUY. 347 00:15:13,346 --> 00:15:15,282 YOU EITHER LOVED HIM OR YOU HATED HIM. 348 00:15:15,348 --> 00:15:16,583 AND YOU? 349 00:15:16,649 --> 00:15:18,285 DID YOU LOVE HIM OR HATE HIM? 350 00:15:20,187 --> 00:15:21,121 YEAH. 351 00:15:22,355 --> 00:15:24,791 I GUESS IT KINDA DEPENDED ON THE DAY. 352 00:15:24,857 --> 00:15:27,694 COULDN'T DO EITHER ONE FOR TOO LONG. 353 00:15:29,029 --> 00:15:32,799 HE, UH...HE CAME TO THE CLUB ONE NIGHT... 354 00:15:32,865 --> 00:15:35,302 HE LEFT, AND NO ONE EVER SAW HIM AGAIN. 355 00:15:35,368 --> 00:15:38,471 JUST ABOUT DESTROYED ANYBODY WHO EVER CARED ABOUT HIM. 356 00:15:39,706 --> 00:15:41,641 AND I'M NOT TALKING ABOUT MOMMY OR DADDY, 357 00:15:41,708 --> 00:15:44,911 BECAUSE THEY'D WRITTEN HIM OFF YEARS AGO. 358 00:15:44,978 --> 00:15:47,814 I'M TALKIN' ABOUT HIS REAL FAMILY... 359 00:15:47,880 --> 00:15:48,982 HERE. 360 00:15:51,384 --> 00:15:52,819 ESPECIALLY SANDRA. 361 00:15:54,154 --> 00:15:55,455 POOR KID. 362 00:15:56,523 --> 00:15:57,457 SANDRA? 363 00:15:57,524 --> 00:15:59,426 I REALLY, UM... 364 00:15:59,492 --> 00:16:02,495 I CAN'T TALK ABOUT THIS RIGHT NOW. 365 00:16:02,562 --> 00:16:05,498 I, UM...I HAVE THIS MOUNTAIN OF PAPERWORK 366 00:16:05,565 --> 00:16:07,534 I HAVE TO GET TO MY ACCOUNTANT, SO... 367 00:16:07,600 --> 00:16:08,535 OK. 368 00:16:15,575 --> 00:16:17,510 SO, DOES MARTY KNOW YOU'VE SEEN FRANCIE? 369 00:16:17,577 --> 00:16:18,911 MARTY HASN'T REALLY COME AROUND TODAY, 370 00:16:18,978 --> 00:16:21,848 BUT FRANCIE SAID WHEN HE DISAPPEARED, 371 00:16:21,914 --> 00:16:23,883 HIS FRIEND SANDRA TOOK IT THE HARDEST. 372 00:16:23,950 --> 00:16:24,884 HMM. 373 00:16:24,951 --> 00:16:27,287 UM...SANDRA HOLLOWAY? HAVE YOU SEEN HER? 374 00:16:27,354 --> 00:16:28,688 YEAH. SHE WAS ON LETTERMAN A COUPLE WEEKS AGO. 375 00:16:28,755 --> 00:16:29,789 SHE'S FINE. 376 00:16:29,856 --> 00:16:30,790 SHE'S PERFORMING AT THE COMEDY CAVE 377 00:16:30,857 --> 00:16:31,791 NEXT WEEKEND. YOU WANNA GO? 378 00:16:31,858 --> 00:16:33,860 YEAH. AND I'LL SPRING FOR THAT ONE. 379 00:16:33,926 --> 00:16:36,029 OH, NO NEED. WE'RE PRACTICALLY ROLLING IN IT. 380 00:16:36,096 --> 00:16:37,297 LOOK... 381 00:16:37,364 --> 00:16:39,132 HOW MUCH MONEY EXACTLY ARE WE TALKIN' ABOUT? 382 00:16:39,199 --> 00:16:40,633 I'M THINKIN' ABOUT HAVIN' IT FRAMED. 383 00:16:40,700 --> 00:16:41,934 OH, YEAH? WOW. 384 00:16:42,001 --> 00:16:43,203 CHECK THE COMMA... 385 00:16:43,270 --> 00:16:44,904 WHERE THE DECIMAL POINT USUALLY GOES. 386 00:16:44,971 --> 00:16:45,905 HERE. 387 00:16:45,972 --> 00:16:46,906 WOW. 388 00:16:48,375 --> 00:16:49,942 I'M PROUD OF YOU. I GIVE IT UP. 389 00:16:50,009 --> 00:16:51,878 YEAH, WELL... WHO'S YOUR MAMA NOW? 390 00:16:51,944 --> 00:16:53,980 YOU. SO, I'M WALKIN' DOWN THE STREET THE OTHER DAY, 391 00:16:54,047 --> 00:16:56,549 AND I SEE THIS GUY, AND HE'S WEARING CAPRI PANTS 392 00:16:56,616 --> 00:16:59,052 FOR MEN. THE DUDE WAS A MANSASTER. 393 00:16:59,119 --> 00:17:01,988 [CHUCKLES] MANPRISE. 394 00:17:02,055 --> 00:17:04,957 I'M TRYING TO BE ORIGINAL, THANK YOU VERY MUCH. 395 00:17:05,024 --> 00:17:07,227 GOD, EVERYBODY'S A CRITIC. 396 00:17:07,294 --> 00:17:09,729 HEY, SO, WAS JIM EXCITED THAT WE'RE FINALLY 397 00:17:09,796 --> 00:17:11,331 MAKIN' SOME MONEY AROUND HERE? 398 00:17:11,398 --> 00:17:13,066 YEAH. HE WAS HAPPY. 399 00:17:13,133 --> 00:17:14,301 A LITTLE WEIRD. 400 00:17:14,367 --> 00:17:16,069 OH, YOU THINK IT BOTHERS HIM? 401 00:17:16,136 --> 00:17:19,572 JIM? NO WAY. HE'S TOO EVOLVED FOR THAT. 402 00:17:19,639 --> 00:17:22,075 RIGHT. MOST MEN ARE. 403 00:17:23,476 --> 00:17:24,477 SHE'S FUNNY. 404 00:17:24,544 --> 00:17:25,578 WHAT? 405 00:17:25,645 --> 00:17:27,414 SHE'S GOOD. 406 00:17:27,480 --> 00:17:29,015 SHE COULD SLOW DOWN A LITTLE. 407 00:17:31,050 --> 00:17:31,984 WHO'S HERE? 408 00:17:32,051 --> 00:17:33,086 SPEAKING OF CRITICS... 409 00:17:33,153 --> 00:17:35,588 HUH. IS THIS OUR FRIEND MARTY 410 00:17:35,655 --> 00:17:38,258 WHO THINKS IT'S FUNNY TO BREAK GLASSES? 411 00:17:38,325 --> 00:17:40,260 ONE AND THE SAME. 412 00:17:40,327 --> 00:17:41,261 HAVE FUN. 413 00:17:41,328 --> 00:17:42,262 [CHUCKLES] 414 00:17:46,333 --> 00:17:47,434 YOU KNOW... 415 00:17:49,001 --> 00:17:50,270 YOU LOOK BETTER. 416 00:17:50,337 --> 00:17:52,839 WHY, THANK YOU. I'VE BEEN DIETING. [CHUCKLES] 417 00:17:52,905 --> 00:17:55,007 I FEEL BETTER. 418 00:17:55,074 --> 00:17:57,510 WELL, IT HAPPENS. ONCE YOU START TO INTERACT WITH THIS WORLD, 419 00:17:57,577 --> 00:17:59,179 YOU START TO LOOK A LITTLE BIT LIKE YOUR OLD SELF. 420 00:18:03,683 --> 00:18:06,119 DO YOU REMEMBER SANDRA? 421 00:18:06,186 --> 00:18:07,620 SANDRA HOLLOWAY? 422 00:18:08,821 --> 00:18:09,789 SANDRA. 423 00:18:11,358 --> 00:18:12,292 WOW. 424 00:18:14,527 --> 00:18:16,796 YEAH, I DO. 425 00:18:16,863 --> 00:18:18,298 YOU LOVED HER, DIDN'T YOU? 426 00:18:19,599 --> 00:18:21,834 [SIGHS] LET'S JUST SAY 427 00:18:21,901 --> 00:18:24,204 WE UNDERSTOOD EACH OTHER VERY WELL. 428 00:18:24,271 --> 00:18:26,473 SHE'S GONNA BE HERE TOMORROW. 429 00:18:30,210 --> 00:18:31,611 SHE'S PERFORMING AT THE COMEDY CAVE. 430 00:18:34,714 --> 00:18:36,149 WHAT REALLY HAPPENED? 431 00:18:37,884 --> 00:18:40,187 I DON'T REMEMBER EXACTLY, BUT 432 00:18:40,253 --> 00:18:43,590 IT...FEELS LIKE A LOT OF PAIN. 433 00:18:45,225 --> 00:18:46,859 DO YOU WANT ME TO HELP YOU TALK TO HER? 434 00:18:46,926 --> 00:18:47,994 TALK TO HER? 435 00:18:48,060 --> 00:18:49,729 YOU WOULD DO THAT? 436 00:18:49,796 --> 00:18:51,664 WILL THAT HELP YOU MOVE ON? 437 00:18:52,932 --> 00:18:54,501 WHAT IF I DID SOMETHING BAD TO HER? 438 00:18:56,336 --> 00:18:57,504 IF YOU REALLY WANT TO KNOW WHAT HAPPENED 439 00:18:57,570 --> 00:18:59,272 TO YOU-- WILL YOU... 440 00:18:59,339 --> 00:19:01,841 WILL YOU GO SEE HER FIRST? 441 00:19:09,081 --> 00:19:10,750 ARE YOU SURE THIS IS WHERE SHE'D BE STAYING? 442 00:19:10,817 --> 00:19:13,386 THIS IS USUALLY WHERE COMICS CRASH WHEN THEY COME TO TOWN. 443 00:19:13,453 --> 00:19:15,522 I DON'T KNOW. MAYBE THIS IS A BAD IDEA. 444 00:19:15,588 --> 00:19:16,623 WELL... 445 00:19:16,689 --> 00:19:17,890 YOU STAY HERE, AND I'LL GO UP. 446 00:19:20,927 --> 00:19:22,362 THAT'S HER. 447 00:19:25,332 --> 00:19:27,734 I ALWAYS...WANTED TO MAKE HER LAUGH. 448 00:19:29,035 --> 00:19:32,038 IT WAS THE HARDEST DAMN THING TO DO. 449 00:19:38,445 --> 00:19:39,579 W-WHERE'S SHE GOIN'? 450 00:19:40,647 --> 00:19:43,583 UH...LET'S FIND OUT. 451 00:19:43,650 --> 00:19:44,951 [ENGINE STARTS] 452 00:20:23,490 --> 00:20:24,591 WHAT'S SHE DOING? 453 00:20:52,685 --> 00:20:54,354 [WHISPERING] Here's to you, baby. 454 00:21:21,881 --> 00:21:22,815 WHAT? 455 00:21:25,718 --> 00:21:27,487 THIS IS WHERE IT HAPPENED. 456 00:21:32,224 --> 00:21:34,327 THIS IS WHERE I KILLED MYSELF. 457 00:21:44,404 --> 00:21:46,606 I REMEMBER BEING HERE. 458 00:21:50,076 --> 00:21:51,611 ON THIS BRIDGE. 459 00:21:51,678 --> 00:21:53,279 THIS IS WHERE IT HAPPENED. 460 00:21:59,352 --> 00:22:01,153 THIS IS WHERE I KILLED MYSELF. 461 00:22:11,431 --> 00:22:13,099 I KNEW THE MINUTE I STEPPED OFF 462 00:22:13,165 --> 00:22:15,768 THAT...I MADE A MISTAKE. 463 00:22:18,170 --> 00:22:20,540 AND IN THAT MOMENT, I... 464 00:22:23,610 --> 00:22:25,177 I FELT SO ALIVE. 465 00:22:26,245 --> 00:22:27,580 I FELT EVERYTHING. 466 00:22:27,647 --> 00:22:30,216 I COULDN'T HELP BUT APPRECIATE THE IRONY, YOU KNOW? 467 00:22:30,282 --> 00:22:32,719 ALL THIS TIME AND EFFORT TO TRY AND FEEL NOTHING, 468 00:22:32,785 --> 00:22:34,554 TO MAKE MYSELF NUMB, BUT... 469 00:22:35,955 --> 00:22:37,990 IN THOSE LAST SECONDS... 470 00:22:38,057 --> 00:22:40,159 I FELT IT ALL... 471 00:22:40,226 --> 00:22:41,227 REALIZED... 472 00:22:44,464 --> 00:22:45,932 I LOVED IT. 473 00:22:51,137 --> 00:22:54,441 AND THEN I COULDN'T BELIEVE I WAS ABOUT TO... 474 00:22:54,507 --> 00:22:56,509 FEEL NOTHING EVER AGAIN. 475 00:22:58,077 --> 00:23:00,547 MY HEART BROKE INTO A HUNDRED PIECES 476 00:23:00,613 --> 00:23:02,749 BEFORE THE WATER EVER STOPPED IT. 477 00:23:07,654 --> 00:23:11,691 AND A...9.5, 9.6, 478 00:23:11,758 --> 00:23:13,526 AND FROM THE FRENCH JUDGE, 479 00:23:13,593 --> 00:23:15,962 HE GIVES OLD MARTY A 7.5. 480 00:23:16,028 --> 00:23:16,963 WHY? 481 00:23:18,598 --> 00:23:21,468 WHY DID YOU DO THIS TO YOURSELF? 482 00:23:25,672 --> 00:23:26,706 I DON'T KNOW. 483 00:23:30,242 --> 00:23:32,278 YOU DON'T SUPPOSED I CAN UNDO IT, DO YOU? 484 00:23:36,182 --> 00:23:38,618 I WISH WE ALL COULD, BUT WE ONLY GET ONE SHOT. 485 00:23:41,020 --> 00:23:43,523 YOU HAVE TO FIGURE OUT WHY YOU DID THIS TO YOURSELF. 486 00:23:45,858 --> 00:23:47,960 YOU'LL NEVER HAVE ANY PEACE IF YOU DON'T. 487 00:24:00,473 --> 00:24:02,709 SO, I, UM, I MADE A DECISION. 488 00:24:02,775 --> 00:24:05,144 PLEASE TELL ME THAT IT'S NOT TO PUT YOUR END DOWN. 489 00:24:05,211 --> 00:24:07,747 NO. I'M GONNA GIVE OPEN MIC ANOTHER SHOT. 490 00:24:07,814 --> 00:24:09,148 I'M GONNA GO SEE FRANCIE TONIGHT 491 00:24:09,215 --> 00:24:10,416 AND SEE IF SHE'LL GIVE ME ANOTHER CHANCE. 492 00:24:10,483 --> 00:24:12,051 OH, THAT'S A GREAT IDEA. HEY, YOU KNOW WHAT? 493 00:24:12,118 --> 00:24:13,520 WHEN YOU SEE FRANCIE, CAN YOU GET HER 494 00:24:13,586 --> 00:24:14,921 TO TELL YOU MORE ABOUT MARTY AND SANDRA? 495 00:24:14,987 --> 00:24:17,023 'CAUSE I KINDA HIT A WALL WITH HER. 496 00:24:17,089 --> 00:24:19,659 YEAH, I'LL TRY. I'M ACTUALLY REALLY CURIOUS MYSELF. 497 00:24:19,726 --> 00:24:20,727 OH. 498 00:24:20,793 --> 00:24:23,162 UH, ASK AND YOU SHALL RECEIVE. 499 00:24:23,229 --> 00:24:24,163 Melinda: HI. 500 00:24:24,230 --> 00:24:25,998 HI. 501 00:24:26,065 --> 00:24:28,501 I WAS TOLD YOU'RE SELLING THE COMEDY CAVE STUFF-- 502 00:24:28,568 --> 00:24:30,469 MARTY GOLDEN CDs, POSTERS... 503 00:24:30,537 --> 00:24:31,604 YEAH. IT'S ON DISPLAY OVER THERE 504 00:24:31,671 --> 00:24:32,872 AND SOME IN THE WINDOW. OH, GREAT. 505 00:24:32,939 --> 00:24:34,373 I'LL TAKE IT ALL. 506 00:24:34,440 --> 00:24:35,542 ALL? 507 00:24:35,608 --> 00:24:38,010 YES. PLEASE. 508 00:24:41,413 --> 00:24:43,415 THAT SHOULD COVER IT, I THINK. 509 00:24:43,482 --> 00:24:45,885 I THINK! YEAH. YES. 510 00:24:45,952 --> 00:24:47,453 PLEASE BOX IT UP FOR ME. 511 00:24:47,520 --> 00:24:49,321 I'LL HAVE SOMEONE COME BY AND PICK IT UP. 512 00:24:50,590 --> 00:24:52,559 UH... 513 00:24:52,625 --> 00:24:54,694 SANDRA HOLLOWAY BOUGHT IT ALL? 514 00:24:54,761 --> 00:24:55,895 YEAH. 515 00:24:55,962 --> 00:24:58,731 SHE WAS REALLY INTERESTED IN THE MARTY GOLDEN ITEMS. 516 00:24:58,798 --> 00:25:01,634 HMM. HERE. MAKE YOURSELF USEFUL. 517 00:25:01,701 --> 00:25:03,803 ONE ON EACH TABLE. OK. 518 00:25:03,870 --> 00:25:07,273 SO, WHAT EVER HAPPENED WITH MARTY AND SANDRA, ANYWAY? 519 00:25:07,339 --> 00:25:09,976 WELL, SHE OWES HIM A LOT. 520 00:25:10,042 --> 00:25:12,078 SHE KNOWS IT. FIRST TIME SANDRA 521 00:25:12,144 --> 00:25:14,647 CAME IN HERE, SHE WAS LIKE A DEER IN THE HEADLIGHTS. 522 00:25:14,714 --> 00:25:15,882 [LAUGHTER] 523 00:25:15,948 --> 00:25:18,785 Marty: SO THIS COP PULLS ME OVER THE OTHER DAY. 524 00:25:18,851 --> 00:25:19,852 [LAUGHTER] 525 00:25:19,919 --> 00:25:23,455 Francie: SANDRA ALWAYS HAD GREAT MATERIAL. 526 00:25:23,522 --> 00:25:26,492 BUT SHE NEVER HAD THE NERVE TO STAND UP THERE AND GO FOR IT. 527 00:25:28,294 --> 00:25:30,096 HER FEAR, HER TALENT... 528 00:25:31,463 --> 00:25:34,400 I THINK HE SAW SOME OF HIMSELF IN HER. 529 00:25:34,466 --> 00:25:37,236 HE WANTED TO HELP HER THE WAY HE COULDN'T SEEM TO HELP HIMSELF. 530 00:25:37,303 --> 00:25:38,404 THE LAST 15 MINUTES... 531 00:25:38,470 --> 00:25:41,140 BUT AFTER THE FIRST NIGHT HE PULLED HER UP THERE, 532 00:25:41,207 --> 00:25:42,775 IT ALL CHANGED. 533 00:25:42,842 --> 00:25:44,811 THE CROWD LOVED HER. 534 00:25:44,877 --> 00:25:47,680 AND SHE REALLY TOOK OFF. 535 00:25:47,747 --> 00:25:50,282 [CHEERING AND APPLAUSE] 536 00:25:50,349 --> 00:25:53,519 THEY FED OFF EACH OTHER... IN THE BEST WAYS 537 00:25:53,586 --> 00:25:56,288 AND IN THE WORST WAYS. 538 00:25:56,355 --> 00:25:58,324 THEY COULDN'T BE WITHOUT EACH OTHER. 539 00:25:59,759 --> 00:26:01,460 THEY WERE LIKE VAMPIRES IN LOVE... 540 00:26:01,527 --> 00:26:03,863 LIVE BY NIGHT, SLEEP BY DAY. 541 00:26:03,930 --> 00:26:05,231 THEN HE DISAPPEARED. 542 00:26:05,297 --> 00:26:08,034 NO EXPLANATION AT ALL? JUST GONE? 543 00:26:08,100 --> 00:26:12,605 NADA. THEY DIDN'T FIND A BODY OR SIGNS OF ANYTHING. 544 00:26:12,672 --> 00:26:16,208 [SIGHS] SHE DIDN'T LEAVE HER APARTMENT FOR 2 MONTHS. 545 00:26:16,275 --> 00:26:18,978 WOW. DO YOU THINK SHE'S STILL-- 546 00:26:19,045 --> 00:26:22,348 OH, ENOUGH. LET'S NOT TALK ABOUT IT. HOW ABOUT YOU? 547 00:26:22,414 --> 00:26:23,983 YOU READY TO GIVE IT ANOTHER SHOT? 548 00:26:24,050 --> 00:26:25,752 YES. I--I AM GONNA SIGN UP 549 00:26:25,818 --> 00:26:27,086 FOR OPEN MIC NEXT WEEK. 550 00:26:27,153 --> 00:26:28,220 WELL, GOOD! 551 00:26:28,287 --> 00:26:31,057 DON'T PUNK OUT ON ME THIS TIME. 552 00:26:31,123 --> 00:26:33,259 [CRICKETS CHIRPING] 553 00:26:51,043 --> 00:26:51,978 I KNOW. 554 00:26:54,313 --> 00:26:55,648 KNOW WHAT? 555 00:27:00,152 --> 00:27:02,321 I KNOW WHY I KILLED MYSELF. 556 00:27:11,497 --> 00:27:12,799 EUROPE. SHE LEFT ME 557 00:27:12,865 --> 00:27:14,000 TO GO TO EUROPE. 558 00:27:14,066 --> 00:27:15,768 WHAT ARE YOU TALKING ABOUT? 559 00:27:19,672 --> 00:27:21,674 I COULDN'T GET ANY TRACTION. 560 00:27:21,741 --> 00:27:24,010 I COULDN'T GET OUT OF THAT CLUB. 561 00:27:24,076 --> 00:27:26,445 SANDRA STARTED TO GET TV GIGS. 562 00:27:26,512 --> 00:27:28,614 AND WHEN I TRIED, THEY SAID I DIDN'T TEST WELL. 563 00:27:28,681 --> 00:27:31,317 THEY SAID MY MATERIAL WAS TOO CEREBRAL FOR A YOUNG AUDIENCE. 564 00:27:31,383 --> 00:27:34,386 I WAS OUTRAGED. EVEN AFTER I LOOKED UP THE WORD "CEREBRAL," 565 00:27:34,453 --> 00:27:36,222 I COULDN'T AGREE. 566 00:27:36,288 --> 00:27:37,790 AND THAT TOUR... 567 00:27:37,857 --> 00:27:39,625 IT WAS GONNA TURN IT ALL AROUND FOR HER. 568 00:27:39,692 --> 00:27:41,127 SHE WAS GONNA BECOME A STAR. 569 00:27:41,193 --> 00:27:42,729 WE'LL NEVER MAKE IT. 570 00:27:42,795 --> 00:27:45,732 YOU KNOW, I THOUGHT YOU WOULD KINDA BE HAPPY FOR ME. 571 00:27:45,798 --> 00:27:47,666 WE WON'T MAKE IT, SANDY. 572 00:27:47,734 --> 00:27:49,702 WE'LL NEVER LAST THAT LONG APART. 573 00:27:49,769 --> 00:27:51,270 YOU KNOW WHAT? IF THIS WERE HAPPENING TO YOU, 574 00:27:51,337 --> 00:27:53,005 I WOULD BE CHEERING FOR YOU. NO. 575 00:27:53,072 --> 00:27:54,774 NO. YOU WOULDN'T. YOU WOULD BE AFRAID 576 00:27:54,841 --> 00:27:55,975 THAT I WOULD NEVER COME BACK. 577 00:27:56,042 --> 00:27:58,044 I HAVE TO DO THIS. IT'S MY SHOT, 578 00:27:58,110 --> 00:27:59,311 AND I HAVE TO TAKE IT. 579 00:27:59,378 --> 00:28:01,480 IT SOUNDS TO ME LIKE YOU ALREADY MADE UP YOUR MIND. 580 00:28:01,547 --> 00:28:02,548 WELL, M-- YEAH. 581 00:28:02,614 --> 00:28:04,050 LOOK, I'M NOT LEAVING YOU. 582 00:28:04,116 --> 00:28:05,417 I'M JUST GOING AWAY. 583 00:28:05,484 --> 00:28:07,619 YEAH. IT'S THE SAME DAMN THING, RIGHT? 584 00:28:07,686 --> 00:28:09,321 NO. OK. 585 00:28:11,257 --> 00:28:14,794 JUST...THE THOUGHT OF SANDRA GONE SO LONG AND... 586 00:28:14,861 --> 00:28:17,930 KNOWING THAT SHE'D BE OVER THERE WITH THE BEST 587 00:28:17,997 --> 00:28:19,698 WHILE I WAS STUCK HERE? YOU KNOW? 588 00:28:19,766 --> 00:28:21,533 THE GUY WHO DOESN'T TEST WELL. 589 00:28:21,600 --> 00:28:24,103 HOW COME NOBODY KNOWS WHAT HAPPENED TO YOU? 590 00:28:24,170 --> 00:28:27,239 [LAUGHS] 591 00:28:27,306 --> 00:28:28,240 [CLAPS] 592 00:28:28,307 --> 00:28:29,475 NOW, THAT... 593 00:28:29,541 --> 00:28:31,243 IS A FITTING CODA FOR MY LIFE. 594 00:28:31,310 --> 00:28:34,180 FAILED COMEDIAN MAKES DRAMATIC EXIT, 595 00:28:34,246 --> 00:28:35,915 BUT NOBODY NOTICES. 596 00:28:35,982 --> 00:28:37,216 EVERYBODY NOTICED, MARTY. 597 00:28:40,252 --> 00:28:42,421 YOU BROKE THEIR HEARTS. 598 00:28:45,925 --> 00:28:47,293 I KNOW. 599 00:28:49,195 --> 00:28:50,797 I KNOW, I KNOW, I KNOW. 600 00:28:52,364 --> 00:28:54,133 [SNICKERS] I WAS STUPID. 601 00:28:56,202 --> 00:28:58,337 CEREBRAL, MY ASS. 602 00:29:00,706 --> 00:29:02,842 YOU HAVE TO MAKE IT RIGHT WITH SANDRA. 603 00:29:02,909 --> 00:29:05,878 [LONG SIGH] 604 00:29:05,945 --> 00:29:08,280 I MEAN, THINK ABOUT ALL THAT SHE'S BEEN CARRYING AROUND WITH HER. 605 00:29:08,347 --> 00:29:09,849 I'LL HELP YOU. 606 00:29:09,916 --> 00:29:13,085 [SIGHS] I DON'T KNOW THAT I CAN FACE HER YET. 607 00:29:15,454 --> 00:29:16,889 OK. 608 00:29:16,956 --> 00:29:19,358 THEN LET'S START WITH FRANCIE. 609 00:29:19,425 --> 00:29:21,593 HE WANTS TO SAY THANK YOU... 610 00:29:21,660 --> 00:29:24,730 FOR LETTING HIM SLEEP ON YOUR COUCH... 611 00:29:24,797 --> 00:29:26,999 FOR GIVING HIM A CHANCE, FOR BELIEVING IN HIM. 612 00:29:28,300 --> 00:29:29,902 FOR NEVER GIVING UP ON HIM. 613 00:29:31,303 --> 00:29:33,205 I C--I CAN'T BELIEVE THIS. 614 00:29:33,272 --> 00:29:35,942 HE KILLED HIMSELF? 615 00:29:36,008 --> 00:29:37,776 HE WANTS YOU TO KNOW THAT HE'S SORRY. 616 00:29:39,178 --> 00:29:40,512 HE SEES ME? 617 00:29:41,580 --> 00:29:42,581 HEARS ME? 618 00:29:43,649 --> 00:29:44,884 HOW? 619 00:29:44,951 --> 00:29:47,586 EVERYBODY HAS A TALENT. 620 00:29:47,653 --> 00:29:48,587 THIS IS MINE. 621 00:29:48,654 --> 00:29:50,422 I NEVER MEANT TO HURT ANYONE, 622 00:29:50,489 --> 00:29:52,258 LEAST OF ALL HER. 623 00:29:52,324 --> 00:29:55,094 HE WANTS YOU TO KNOW THAT HE NEVER MEANT TO HURT ANYONE. 624 00:29:55,161 --> 00:29:56,929 [EXHALES INCREDULOUSLY] 625 00:29:56,996 --> 00:29:58,831 IS THAT RIGHT? 626 00:29:58,898 --> 00:30:00,933 THEN WHY THE HELL'D YOU DO IT?! 627 00:30:02,501 --> 00:30:03,569 HE WANTED TO HURT HIMSELF. 628 00:30:03,635 --> 00:30:06,906 BULL, MARTY. YOU HURT YOURSELF FOR 2 MINUTES. 629 00:30:06,973 --> 00:30:08,640 YOU HURT THE PEOPLE WHO LOVED YOU 630 00:30:08,707 --> 00:30:10,609 FOR THE REST OF THEIR LIVES. IS THAT WHAT YOU WANTED? 631 00:30:10,676 --> 00:30:12,611 ARE YOU HAPPY NOW?! 632 00:30:12,678 --> 00:30:15,414 [SIGHS] LOOK... I WOULD TAKE IT BACK IF I COULD. 633 00:30:15,481 --> 00:30:18,117 DO YOU KNOW HOW MANY PEOPLE BELIEVED IN YOU? 634 00:30:18,184 --> 00:30:21,620 DO YOU KNOW THAT I-- I LOVED YOU? 635 00:30:23,289 --> 00:30:25,391 I LOVED YOU LIKE MY SON. 636 00:30:25,457 --> 00:30:27,994 COULD YOU PLEASE JUST-- YOU--ASK HER TO STOP? 637 00:30:28,060 --> 00:30:29,261 I CAN'T TAKE IT. 638 00:30:29,328 --> 00:30:30,529 IS HE STILL THERE? 639 00:30:30,596 --> 00:30:32,798 YES. AND HE KNOWS THAT YOU'RE RIGHT. 640 00:30:34,033 --> 00:30:36,135 AND DO YOU KNOW WHAT YOU DID TO SANDRA? 641 00:30:37,203 --> 00:30:38,971 YOU SHOULDN'T BE HERE CRYING TO ME. 642 00:30:39,038 --> 00:30:42,474 YOU NEED--YOU NEED TO LET HER KNOW THAT THIS WAS NOT 643 00:30:42,541 --> 00:30:43,475 HER FAULT. 644 00:30:45,544 --> 00:30:48,314 YOU NEED TO SET HER FREE, PAL. 645 00:30:48,380 --> 00:30:50,416 SHE HAS LOST A LOT... 646 00:30:52,484 --> 00:30:54,987 THAT SHE WILL NEVER, EVER GET BACK. 647 00:30:58,157 --> 00:30:59,525 HE WILL. 648 00:31:01,660 --> 00:31:03,495 YOU TELL HIM I'M JUST TOO ANGRY 649 00:31:03,562 --> 00:31:05,164 TO TALK TO HIM RIGHT NOW. 650 00:31:09,568 --> 00:31:11,170 [TEARFULLY] I MISS HIM. 651 00:31:15,274 --> 00:31:16,808 YOU TELL HIM... 652 00:31:16,875 --> 00:31:19,878 I WILL NEVER FORGET HIM. 653 00:31:22,081 --> 00:31:23,749 YOU JUST TOLD HIM. 654 00:31:26,953 --> 00:31:27,886 WELL... 655 00:31:29,956 --> 00:31:33,359 WHAT IS THAT I... I FEEL? 656 00:31:33,425 --> 00:31:34,693 HE'S HUGGING YOU. 657 00:31:38,097 --> 00:31:39,198 [TEARFULLY] OH... 658 00:31:41,267 --> 00:31:44,203 OH...MARTY... 659 00:31:47,873 --> 00:31:49,475 WE WERE A FAMILY. 660 00:31:52,211 --> 00:31:53,980 YOU DON'T LEAVE YOUR FAMILY. 661 00:31:59,851 --> 00:32:02,921 [CHEERING AND APPLAUSE] 662 00:32:02,989 --> 00:32:05,324 THANK YOU! GOOD NIGHT! THANK YOU! 663 00:32:05,391 --> 00:32:07,026 [CHEERING AND APPLAUSE] 664 00:32:22,941 --> 00:32:24,076 [KNOCK ON DOOR] 665 00:32:24,143 --> 00:32:25,077 YES? 666 00:32:27,646 --> 00:32:29,248 SORRY TO BOTHER YOU. 667 00:32:29,315 --> 00:32:32,018 UH, I JUST WANTED TO SAY THAT I REALLY ENJOYED YOUR PERFORMANCE. 668 00:32:32,084 --> 00:32:34,920 YOU'RE THE GIRL FROM THE STORE. 669 00:32:34,987 --> 00:32:36,422 RIGHT. 670 00:32:36,488 --> 00:32:38,024 MELINDA GORDON. 671 00:32:38,090 --> 00:32:39,258 COME ON IN. 672 00:32:41,860 --> 00:32:44,330 DON'T TELL HER I'M HERE YET. SHE'LL NEVER BELIEVE YOU. 673 00:32:44,396 --> 00:32:45,664 YOU WANT SOMETHING TO DRINK? 674 00:32:45,731 --> 00:32:46,932 NO. THANKS. 675 00:32:49,935 --> 00:32:55,141 UH, I WAS ALSO A-- A FAN OF MARTY GOLDEN'S, TOO. 676 00:32:55,207 --> 00:32:58,410 I--I KNOW THAT YOU TWO WERE CLOSE. [CHUCKLES] 677 00:32:58,477 --> 00:33:02,381 "CLOSE." IT'S A VERY INTERESTING WAY OF PUTTING IT. 678 00:33:02,448 --> 00:33:05,551 I'M SORRY. IT'S NONE OF MY BUSINESS. 679 00:33:05,617 --> 00:33:07,886 I'M GLAD SOMEBODY REMEMBERS MARTY. 680 00:33:07,953 --> 00:33:10,789 YOU WANNA KNOW A SECRET? 681 00:33:10,856 --> 00:33:12,858 IT SHOULD'VE BEEN MARTY WHO MADE IT. 682 00:33:12,924 --> 00:33:14,793 HE WAS THE REAL DEAL. 683 00:33:15,961 --> 00:33:17,963 COMPARED TO HIM, I'M JUST A FRAUD. 684 00:33:18,030 --> 00:33:20,366 IF HE WERE STILL HERE, IF HE WERE STILL ALIVE, 685 00:33:20,432 --> 00:33:21,933 IT'D BE HIM OUT THERE... 686 00:33:22,000 --> 00:33:22,934 NOT ME. 687 00:33:24,203 --> 00:33:27,306 SO YOU'RE SURE HE'S DEAD. HOW? 688 00:33:28,374 --> 00:33:30,142 BECAUSE I FEEL DEAD, TOO. 689 00:33:31,210 --> 00:33:32,811 HAVE EVER SINCE THAT NIGHT. 690 00:33:35,714 --> 00:33:37,183 DO YOU THINK MARTY KILLED HIMSELF 691 00:33:37,249 --> 00:33:39,151 BECAUSE YOU LEFT TO GO ON TOUR? 692 00:33:39,218 --> 00:33:41,753 HOW DO YOU KNOW HE KILLED HIMSELF? 693 00:33:41,820 --> 00:33:44,323 I--I JUST ASSUMED. 694 00:33:44,390 --> 00:33:47,326 WELL, HE DIDN'T KILL HIMSELF BECAUSE I WENT ON TOUR. 695 00:33:48,994 --> 00:33:52,531 HE KILLED HIMSELF BECAUSE I WOULDN'T GO ON TOUR. 696 00:34:03,375 --> 00:34:04,476 I DON'T UNDERSTAND. I THOUGHT THE TOUR 697 00:34:04,543 --> 00:34:05,877 WAS SUPPOSED TO BE YOUR BIG BREAK. 698 00:34:07,045 --> 00:34:08,814 THAT'S WHAT EVERYONE KEPT TELLING ME. 699 00:34:08,880 --> 00:34:12,951 EXCEPT THE ONE GUY I NEEDED TO HEAR IT FROM MOST. 700 00:34:13,018 --> 00:34:15,687 I STARTED SECOND-GUESSING MYSELF. 701 00:34:15,754 --> 00:34:18,657 MAYBE MARTY WAS RIGHT. MAYBE WE COULDN'T SURVIVE THE SEPARATION. 702 00:34:18,724 --> 00:34:21,560 I DIDN'T WANT TO LOSE HIM. 703 00:34:21,627 --> 00:34:23,895 MARTY WAS STRUGGLING. BOO! BOO! 704 00:34:23,962 --> 00:34:26,031 HE NEEDED ME MORE THAN EVER. 705 00:34:26,098 --> 00:34:27,133 BOO! BOO! 706 00:34:27,199 --> 00:34:29,868 AND I'D HAVE OTHER CHANCES, OTHER BREAKS. 707 00:34:29,935 --> 00:34:32,838 BUT WOULD I EVER HAVE SOMEONE I LOVE AS MUCH? 708 00:34:35,307 --> 00:34:38,076 SO I DECIDED NOT TO TAKE THE TOUR. 709 00:34:38,144 --> 00:34:39,545 AND WHEN I TOLD HIM... 710 00:34:39,611 --> 00:34:42,948 I THOUGHT THAT HE'D BE HAPPY OR AT LEAST RELIEVED. 711 00:34:44,783 --> 00:34:46,918 BUT INSTEAD, HE JUST SEEMED... 712 00:34:46,985 --> 00:34:49,721 DEFEATED, LIKE HE HAD TAKEN SOMETHING FROM ME. 713 00:34:51,323 --> 00:34:53,359 I'LL NEVER FORGET HOW TIGHT HE HELD ME. 714 00:34:57,429 --> 00:35:00,166 IT WAS THE LAST TIME I EVER SAW HIM. 715 00:35:00,232 --> 00:35:02,868 THEN HE JUMPED OFF DRISCOLL BRIDGE. 716 00:35:04,536 --> 00:35:06,405 HOW DID YOU KNOW THAT? 717 00:35:06,472 --> 00:35:07,939 WHAT WAS IT ABOUT THAT BRIDGE? 718 00:35:08,006 --> 00:35:11,109 OK, YOU'RE CREEPING ME OUT NOW. 719 00:35:11,177 --> 00:35:14,813 ARE YOU, LIKE, ONE OF THESE OBSESSED CONSPIRACY PEOPLE? 720 00:35:14,880 --> 00:35:15,914 OH, I'M SORRY. 721 00:35:15,981 --> 00:35:17,649 Marty: I'M REMEMBERING EVERYTHING NOW. 722 00:35:17,716 --> 00:35:18,917 I HAVE TO TALK TO HER. 723 00:35:18,984 --> 00:35:20,919 MARTY SAW THAT YOU WERE GONNA BE A STAR. 724 00:35:20,986 --> 00:35:22,921 AND--AND HE FELT LIKE HE WAS PULLING YOU DOWN, 725 00:35:22,988 --> 00:35:24,790 AND THEN WHEN YOU SAID THAT YOU WEREN'T GONNA DO THE TOUR, 726 00:35:24,856 --> 00:35:26,625 HE THOUGHT HE WAS RUINING YOU. 727 00:35:26,692 --> 00:35:29,995 JUMPING OFF THAT BRIDGE WAS MARTY'S WAY OF SETTING YOU FREE. 728 00:35:30,061 --> 00:35:31,797 OK, WHO THE HELL ARE YOU? 729 00:35:31,863 --> 00:35:33,865 HOW DO YOU KNOW THIS?! HOW DO YOU KNOW MARTY?! 730 00:35:33,932 --> 00:35:36,235 HE'S HERE WITH US RIGHT NOW. HE CAN HEAR YOU. 731 00:35:37,569 --> 00:35:38,504 GET OUT. 732 00:35:41,340 --> 00:35:42,974 GET OUT! 733 00:35:45,411 --> 00:35:46,945 SO, ARE YOU NERVOUS ABOUT TONIGHT? 734 00:35:47,012 --> 00:35:50,081 NO! WHAT?! NO. NERVOUS? WHY WOULD I BE NERVOUS? 735 00:35:50,148 --> 00:35:51,250 [KNOCK ON DOOR] 736 00:35:52,984 --> 00:35:55,287 AHEM. YOU JUMPING LIKE THAT... 737 00:35:55,354 --> 00:35:57,088 THAT WAS YOU... NOT NERVOUS? 738 00:36:01,159 --> 00:36:02,828 WHY AREN'T YOU AT THE CLUB? 739 00:36:04,563 --> 00:36:05,931 LOOK, I JUST... 740 00:36:07,333 --> 00:36:09,635 I DON'T BELIEVE IN ANY OF THIS CRAP ABOUT GHOSTS. 741 00:36:09,701 --> 00:36:10,636 I JUST DON'T. 742 00:36:10,702 --> 00:36:13,071 YOU AND A MILLION OTHERS. 743 00:36:14,740 --> 00:36:16,041 Andrea: OK, I'M, UH... 744 00:36:16,107 --> 00:36:17,075 I'M, UH, I'M GONNA GO HOME 745 00:36:17,142 --> 00:36:18,810 AND HYPERVENTILATE FOR A WHILE, 746 00:36:18,877 --> 00:36:20,346 AND I'LL-- I'LL SEE YOU AT THE CLUB. 747 00:36:26,252 --> 00:36:27,686 BUT IF I DID... 748 00:36:28,920 --> 00:36:31,523 IF I DID BELIEVE THAT MARTY WAS HERE... 749 00:36:31,590 --> 00:36:34,226 I WOULD TELL HIM HOW STUPID WHAT HE DID WAS. 750 00:36:35,494 --> 00:36:37,095 I'VE BEEN LIVING WITH THIS FOR 2 YEARS, 751 00:36:37,162 --> 00:36:39,965 FEELING RESPONSIBLE, LIKE I TOOK SOMETHING FROM THE WORLD. 752 00:36:40,031 --> 00:36:41,300 IT IS NOT YOUR FAULT. 753 00:36:41,367 --> 00:36:42,601 YOU THINK I DON'T KNOW THAT? 754 00:36:42,668 --> 00:36:44,636 BUT I FEEL IT. 755 00:36:44,703 --> 00:36:46,972 MY HEART IS WRECKED, MARTY! 756 00:36:48,374 --> 00:36:49,608 I'M SORRY. 757 00:36:49,675 --> 00:36:50,742 HE'S SORRY. 758 00:36:50,809 --> 00:36:52,478 NOT AS SORRY AS I AM. 759 00:36:52,544 --> 00:36:53,979 NO. I'M SORRIER. 760 00:36:55,714 --> 00:37:00,151 OK. ASK HER HOW SHE KNEW I JUMPED OFF THE BRIDGE. 761 00:37:00,218 --> 00:37:02,988 HE WANTS TO KNOW HOW YOU KNEW ABOUT THE BRIDGE. 762 00:37:03,054 --> 00:37:04,656 NOW I KNOW YOU'RE LYING. 763 00:37:04,723 --> 00:37:06,725 MARTY WOULD KNOW THE ANSWER TO THAT QUESTION. 764 00:37:06,792 --> 00:37:08,193 WHAT AM I DOING HERE? 765 00:37:08,260 --> 00:37:10,496 THERE'S A LOT THAT MARTY DOESN'T REMEMBER. 766 00:37:13,365 --> 00:37:15,233 HE'S JUST TRYING TO PUT THE PIECES TOGETHER. 767 00:37:27,313 --> 00:37:31,917 MARTY PULLED ME OFF THAT BRIDGE A LONG TIME AGO. 768 00:37:34,152 --> 00:37:36,288 HE SAVED ME WHEN I WAS AT ROCK BOTTOM. 769 00:37:36,355 --> 00:37:38,924 AFTER THAT, WHENEVER EITHER ONE OF US 770 00:37:38,990 --> 00:37:41,660 DID ANYTHING BAD OR NEEDED TO BE FORGIVEN, 771 00:37:41,727 --> 00:37:44,363 WE WOULD GO TO THAT BRIDGE AND WAIT FOR THE OTHER. 772 00:37:46,097 --> 00:37:47,032 THAT'S RIGHT. 773 00:37:48,266 --> 00:37:49,735 I REMEMBER. 774 00:37:52,471 --> 00:37:56,608 I THOUGHT THAT HE WOULD BE WAITING FOR ME THERE THAT NIGHT. 775 00:37:56,675 --> 00:37:59,578 BUT I WAS TOO LATE. 776 00:37:59,645 --> 00:38:01,847 I FOUND THE BOTTLE, AND I KNEW 777 00:38:01,913 --> 00:38:03,849 THAT HE HAD DONE SOMETHING BAD TO HIMSELF 778 00:38:03,915 --> 00:38:05,717 AND HE DID IT OFF THAT BRIDGE 779 00:38:05,784 --> 00:38:07,619 SO THAT I WOULD FORGIVE HIM. [LAUGHS] 780 00:38:07,686 --> 00:38:10,088 HE'S SORRY. HE REALLY IS. 781 00:38:10,155 --> 00:38:12,190 HE JUST THOUGHT THAT YOU WOULD BE BETTER OFF WITHOUT HIM. 782 00:38:12,257 --> 00:38:14,693 OH, WELL, YOU WERE WRONG, MARTY! 783 00:38:14,760 --> 00:38:16,027 I LOVED YOU! 784 00:38:16,094 --> 00:38:18,430 IT WASN'T EXACTLY THE HEALTHIEST LOVE IN THE WORLD, 785 00:38:18,497 --> 00:38:21,132 BUT...WE COULD'VE MADE IT WORK. 786 00:38:21,199 --> 00:38:23,635 HE KNOWS THAT HE MADE A MISTAKE. 787 00:38:23,702 --> 00:38:25,804 AND HE DOESN'T WANT YOU TO SUFFER FOR IT ANYMORE. 788 00:38:25,871 --> 00:38:29,140 EASIER SAID THAN DONE. SUFFERING IS MY BREAD AND BUTTER. 789 00:38:30,576 --> 00:38:33,745 TELL HER...THAT IT'S THE ONLY WAY I CAN REDEEM MYSELF 790 00:38:33,812 --> 00:38:35,814 FOR WHAT I DID... 791 00:38:35,881 --> 00:38:36,915 TO GO AWAY 792 00:38:36,982 --> 00:38:39,651 KNOWING THAT... SHE'S GONNA BE OK. 793 00:38:39,718 --> 00:38:42,053 HE WANTS TO REDEEM HIMSELF. 794 00:38:42,120 --> 00:38:43,989 HE WANTS TO KNOW THAT YOU'RE GONNA BE OK. 795 00:38:46,925 --> 00:38:47,859 TELL HER THAT I 796 00:38:47,926 --> 00:38:48,860 LOVE HER. 797 00:38:50,328 --> 00:38:52,097 I ALWAYS DID... 798 00:38:52,163 --> 00:38:53,499 ALWAYS WILL. 799 00:38:53,565 --> 00:38:55,200 HE LOVES YOU. 800 00:38:56,835 --> 00:38:59,438 [TEARFULLY] WHY DID YOU DO IT, MARTY? 801 00:38:59,505 --> 00:39:03,509 I LOVE YOU, TOO, SO MUCH. WHY DID YOU LEAVE ME? 802 00:39:04,743 --> 00:39:05,677 IT'S OK. 803 00:39:06,912 --> 00:39:08,814 IT'S GONNA BE OK. I PROMISE. 804 00:39:08,880 --> 00:39:11,016 [SOBS] 805 00:39:11,082 --> 00:39:12,017 OHH... 806 00:39:12,083 --> 00:39:13,685 [SNIFFLES] 807 00:39:13,752 --> 00:39:15,020 OHH... 808 00:39:16,755 --> 00:39:19,425 WHAT IF I GET HAPPY AND I'M NOT FUNNY ANYMORE? 809 00:39:19,491 --> 00:39:20,492 [BOTH LAUGH] 810 00:39:21,827 --> 00:39:24,129 HE DOESN'T THINK THAT THAT'S GONNA BE AN ISSUE. 811 00:39:25,697 --> 00:39:27,132 [BREATHES HEAVILY] 812 00:39:33,772 --> 00:39:34,706 [EXHALES QUICKLY] 813 00:39:38,410 --> 00:39:40,912 [WHISPERING] I'll be watching you tonight, baby. 814 00:39:46,618 --> 00:39:48,720 [CHEERING AND APPLAUSE] 815 00:39:48,787 --> 00:39:50,656 I--I LIVE IN GRANDVIEW, 816 00:39:50,722 --> 00:39:52,658 WHICH, AS YOU GUYS KNOW, IS THE DATING 817 00:39:52,724 --> 00:39:54,493 CAPITAL OF THE NORTHEAST. 818 00:39:54,560 --> 00:39:55,494 [LAUGHTER] 819 00:39:55,561 --> 00:39:57,729 AND, UM... IT'S HARD, YOU KNOW? 820 00:39:57,796 --> 00:39:58,997 'CAUSE I'M A SINGLE WOMAN. 821 00:39:59,064 --> 00:40:00,331 I'M 6 FEET TALL. I'M LIVIN' ALONE 822 00:40:00,398 --> 00:40:02,734 IN A SMALL TOWN. IT'S KINDA SCARY, YOU KNOW? 823 00:40:02,801 --> 00:40:04,570 AND I'M WATCHIN' TV THE OTHER NIGHT AND I'M HOME ALONE, 824 00:40:04,636 --> 00:40:07,806 AND A--A GUY ESCAPED FROM A LOCAL JAIL. 825 00:40:07,873 --> 00:40:09,875 AND I'M THERE IN THE DARK, 826 00:40:09,941 --> 00:40:12,578 AND ALL I CAN THINK IS "OH, MY GOD... 827 00:40:12,644 --> 00:40:14,412 I HOPE HE'S TALL." 828 00:40:14,480 --> 00:40:15,413 [CHEERING AND APPLAUSE] 829 00:40:15,481 --> 00:40:17,516 YOU GUYS HAVE BEEN AWESOME! 830 00:40:17,583 --> 00:40:19,184 THANK YOU SO MUCH! 831 00:40:19,250 --> 00:40:21,453 THANK YOU! 832 00:40:21,520 --> 00:40:22,654 [CHEERING AND APPLAUSE] 833 00:40:22,721 --> 00:40:23,855 [ANDREA LAUGHS] 834 00:40:23,922 --> 00:40:25,423 LADIES AND GENTLEMEN, 835 00:40:25,491 --> 00:40:27,559 THE MOMENT YOU'VE ALL BEEN WAITING FOR... 836 00:40:27,626 --> 00:40:30,061 THE INCOMPARABLE, THE PEERLESS 837 00:40:30,128 --> 00:40:32,163 SANDRA HOLLOWAY! GIVE IT UP! 838 00:40:32,230 --> 00:40:34,766 [CHEERING AND APPLAUSE] 839 00:40:56,688 --> 00:40:58,056 AHH. 840 00:40:58,123 --> 00:41:01,392 YEAH! 841 00:41:04,630 --> 00:41:06,765 Sandra: SO, I WAS UP LATE LAST NIGHT, 842 00:41:06,832 --> 00:41:09,267 DOING SOMETHING THAT I DON'T NORMALLY DO 843 00:41:09,334 --> 00:41:10,368 WHEN I'M ALONE. 844 00:41:10,435 --> 00:41:12,604 OOH... OOH... WHOO! 845 00:41:12,671 --> 00:41:13,605 [LAUGHTER] 846 00:41:13,672 --> 00:41:14,606 I SAID SOMETHING 847 00:41:14,673 --> 00:41:16,341 I DON'T NORMALLY DO 848 00:41:16,407 --> 00:41:18,376 [LAUGHTER] WHEN I'M ALONE. 849 00:41:18,443 --> 00:41:21,980 I WAS TALKING TO AN OLD FRIEND OF MINE FROM THE PAST. 850 00:41:22,047 --> 00:41:25,283 HE'S BEEN DEAD FOR 2 YEARS. 851 00:41:25,350 --> 00:41:27,753 KEEPS TRYIN' TO GET ME TO COME VISIT. SOME FRIEND, RIGHT? 852 00:41:27,819 --> 00:41:29,821 [LAUGHTER] 853 00:41:31,222 --> 00:41:34,325 AND I SAYS TO HIM, "HEY...YOU'RE DEAD. 854 00:41:34,392 --> 00:41:36,227 "SO COME ON, TELL ME SOMETHING 855 00:41:36,294 --> 00:41:38,564 "REALLY DEEP AND PROFOUND. 856 00:41:38,630 --> 00:41:41,166 ENLIGHTEN ME." RIGHT? 857 00:41:41,232 --> 00:41:43,535 "GIVE ME SOMETHING THAT WILL HELP ME 858 00:41:43,602 --> 00:41:45,971 TO BETTER MY LIFE HERE ON EARTH." 859 00:41:46,037 --> 00:41:47,973 AND HE LOOKS AT ME... 860 00:41:48,039 --> 00:41:50,075 TAKES A DEEP BREATH... 861 00:41:50,141 --> 00:41:52,043 AND HE SAYS... 862 00:41:52,110 --> 00:41:54,145 "HONEY... 863 00:41:54,212 --> 00:41:57,348 THOSE JEANS REALLY DO MAKE YOU LOOK FAT." 864 00:41:57,415 --> 00:41:59,350 [LAUGHTER AND APPLAUSE] 865 00:41:59,417 --> 00:42:00,919 GOOD NIGHT, GRANDVIEW. 866 00:42:00,986 --> 00:42:03,789 [CHEERING AND APPLAUSE] 867 00:42:03,855 --> 00:42:05,691 YOU'VE BEEN A GREAT AUDIENCE! 868 00:42:05,757 --> 00:42:07,125 THANK YOU! 869 00:42:07,192 --> 00:42:10,195 [CHEERING AND APPLAUSE] 870 00:42:54,072 --> 00:42:55,506 [CHEERING FADES] 871 00:42:56,908 --> 00:42:58,844 SO, CAN YOU TELL ME WHAT IT'S LIKE? 872 00:42:58,910 --> 00:43:01,847 I DON'T KNOW. I'M STILL ALIVE. 873 00:43:01,913 --> 00:43:03,581 EVERYBODY'S A COMEDIAN. [CHUCKLES] 874 00:43:03,649 --> 00:43:04,983 NO, REALLY. WHAT DO YOU HEAR? 875 00:43:05,050 --> 00:43:07,753 I DON'T KNOW. NO ONE'S EVER COME BACK TO COMPLAIN. 876 00:43:07,819 --> 00:43:09,454 LET'S... LEAVE IT AT THAT. 877 00:43:14,159 --> 00:43:15,460 THANK YOU. 878 00:43:15,526 --> 00:43:17,595 YOU'RE WELCOME. 879 00:43:17,663 --> 00:43:18,596 THANK YOU. 880 00:43:20,331 --> 00:43:22,100 FOR THE LAUGHS. [CHUCKLES] 881 00:43:28,339 --> 00:43:29,374 THEY WERE RIGHT. 882 00:43:29,440 --> 00:43:30,375 WHAT? 883 00:43:33,011 --> 00:43:34,212 DYING IS EASY. 884 00:43:34,279 --> 00:43:37,048 IT'S THE COMEDY THAT'S HARD. 885 00:43:57,035 --> 00:43:58,569 [MANIACAL LAUGHTER] 886 00:44:04,575 --> 00:44:06,745 I HAVE BUSINESS WITH YOU. 887 00:44:06,812 --> 00:44:08,747 [MANIACAL LAUGHTER]