1
00:00:08,617 --> 00:00:10,880
GET OUT OF HERE!

2
00:00:10,923 --> 00:00:12,360
WHAT HAPPENED?

3
00:00:12,403 --> 00:00:15,667
IDIOT ASKED IF HE COULD
PAY WITH A ROLL OF STAMPS.

4
00:00:15,711 --> 00:00:17,408
STAMPS? LIKE FROM
THE POST OFFICE?

5
00:00:17,452 --> 00:00:19,976
HELL, YEAH,
FROM THE POST OFFICE.

6
00:00:20,020 --> 00:00:22,848
THEY WERE STILL IN THAT
LITTLE DUMB, CRINKLY PACKAGE.

7
00:00:22,892 --> 00:00:24,415
WERE THEY AT LEAST
FOREVER STAMPS?

8
00:00:24,459 --> 00:00:28,245
THEY WAS SOME STICK-IT-WHERE-
THE-SUN-DON'T-SHINE STAMPS.

9
00:00:28,289 --> 00:00:31,596
I TOLD HIM, HOW AM
I SUPPOSED TO PUT FOOD ON
THE TABLE WITH THAT?

10
00:00:31,640 --> 00:00:33,816
WOMAN:
I'LL FIND SOMEBODY ELSE.

11
00:00:33,859 --> 00:00:36,819
MAN, VOICE-OVER:
MOST PEOPLE IN LIFE
DESERVE BETTER THAN THEY GOT.

12
00:00:36,862 --> 00:00:38,821
THAT'S A PLAIN AND SIMPLE FACT.

13
00:00:38,864 --> 00:00:40,823
BUT I TRULY BELIEVE
THINGS CAN GET BETTER

14
00:00:40,866 --> 00:00:43,434
IF YOU ONLY WISH IT HARD ENOUGH.

15
00:00:43,478 --> 00:00:46,872
AND THAT WAY, I GUESS
YOU COULD SAY I'M AN OPTIMIST.

16
00:00:54,097 --> 00:00:57,231
WHAT HAPPENED TO YOUR
LEG, SWEETIE?

17
00:00:57,274 --> 00:00:58,797
I TORE A LIGAMENT.

18
00:00:58,841 --> 00:01:00,451
WANT ME TO HELP
MAKE IT BETTER?

19
00:01:00,495 --> 00:01:04,716
50 BUCKS. EXTRAS,
THE PRICE GOES UP.

20
00:01:04,760 --> 00:01:07,067
CAN I ASK YOU
A QUESTION FIRST?

21
00:01:07,110 --> 00:01:08,503
PERSONAL QUESTION?

22
00:01:08,546 --> 00:01:11,201
SURE, HONEY.
FIRE AWAY.

23
00:01:11,245 --> 00:01:14,117
IF I WERE TO GIVE YOU
A CHANCE TO GET AWAY
FROM ALL OF THIS,

24
00:01:14,161 --> 00:01:17,860
FRESH START,
WOULD YOU COME WITH ME?

25
00:01:17,903 --> 00:01:19,992
YOU'D...YOU'D
REALLY DO THAT?

26
00:01:20,036 --> 00:01:21,994
I ABSOLUTELY WOULD.

27
00:01:22,038 --> 00:01:23,779
BUT WHY?
LOOK AT ME.

28
00:01:23,822 --> 00:01:26,477
I'M JUST A...I KNOW WHAT YOU ARE.

29
00:01:26,521 --> 00:01:27,913
DOESN'T MATTER.

30
00:01:33,963 --> 00:01:35,878
COME AWAY WITH YOU?

31
00:01:35,921 --> 00:01:37,967
I DON'T NEED TO BE
REFORMED, HON.

32
00:01:38,010 --> 00:01:39,925
I JUST NEED
THE 50 BUCKS.

33
00:01:48,586 --> 00:01:51,502
MAN, VOICE-OVER: BUT ALL
THE OPTIMISM IN THE WORLD
DOESN'T MEAN A THING

34
00:01:51,546 --> 00:01:53,939
IF PEOPLE AREN'T READY
TO HELP THEMSELVES.

35
00:01:57,552 --> 00:02:00,903
I KNOW WHAT I DO
IS WRONG, BUT...

36
00:02:00,946 --> 00:02:03,949
THERE'S NOT ALWAYS A GOOD CHOICE
TO BE MADE IN LIFE.

37
00:02:07,039 --> 00:02:11,783
SOMETIMES, YOU NEED TO PICK
THE LESSER OF TWO EVILS.

38
00:02:17,311 --> 00:02:19,182
EACH TIME I DO THIS,

39
00:02:19,226 --> 00:02:22,533
I CAN FEEL SOMETHING
DIE INSIDE OF ME.

40
00:02:22,577 --> 00:02:26,929
IT'S AWFUL. I DON'T THINK YOU
APPRECIATE HOW AWFUL IT IS.

41
00:02:26,972 --> 00:02:28,844
AND WHAT SCARES ME THE MOST IS

42
00:02:28,887 --> 00:02:31,281
I'M GOING TO TURN INTO
SOMETHING EVIL, TOO,

43
00:02:31,325 --> 00:02:33,718
BIT BY BIT, GRADUAL,

44
00:02:33,762 --> 00:02:35,938
SO SLOWLY,
I WON'T EVEN NOTICE

45
00:02:35,981 --> 00:02:40,595
UNTIL ONE DAY, SUDDENLY,
THAT'S ALL I AM...

46
00:02:40,638 --> 00:02:42,684
PURE EVIL.

47
00:02:42,727 --> 00:02:44,076
NOTHING ELSE.

48
00:02:44,120 --> 00:02:46,557
PRENTISS: I...I HARDLY KNOW
WHAT TO SAY, SIR.

49
00:02:46,601 --> 00:02:49,560
WELL, WE HOPE
YOU'LL SAY YES.

50
00:02:49,604 --> 00:02:51,736
I DON'T NEED
AN ANSWER TODAY.

51
00:02:51,780 --> 00:02:54,957
OUR TRANSITION TIMELINE
IS STILL SEVERAL MONTHS
DOWN THE ROAD.

52
00:02:55,000 --> 00:02:57,960
I JUST WANTED TO
MAKE YOU AWARE FOR NOW.

53
00:02:58,003 --> 00:03:00,963
YOU'VE GOT THAT DEER-IN-
THE-HEADLIGHTS LOOK,
AGENT PRENTISS.

54
00:03:01,006 --> 00:03:05,446
IT'S JUST...
IT'S A LOT TO CONSIDER...

55
00:03:05,489 --> 00:03:07,796
DIRECTOR OF THE FBI.

56
00:03:07,839 --> 00:03:09,450
WELL, I'M NOT GONNA
SUGARCOAT IT.

57
00:03:09,493 --> 00:03:10,973
IT'S A POLITICAL
POSITION

58
00:03:11,016 --> 00:03:13,584
AND THE VETTING PROCESS
CAN BE GRUELING,

59
00:03:13,628 --> 00:03:15,586
BUT YOU WOULDN'T BE
ON THE SHORT LIST

60
00:03:15,630 --> 00:03:16,979
IF WE DIDN'T THINK
YOU COULD HANDLE IT.

61
00:03:17,022 --> 00:03:18,589
I'M HONORED, SIR.

62
00:03:18,633 --> 00:03:21,157
AND IF I CAN OFFER
A PERSONAL ASIDE,

63
00:03:21,201 --> 00:03:23,594
AFTER 100-PLUS YEARS,
I THINK IT'S HIGH TIME

64
00:03:23,638 --> 00:03:25,553
THE BUREAU HAD A FEMALE
AT THE HELM.

65
00:03:25,596 --> 00:03:27,598
AH...

66
00:03:27,642 --> 00:03:29,992
THINK ABOUT IT.

67
00:03:30,035 --> 00:03:32,603
NOW, UNTIL I HAVE
AN ANSWER,

68
00:03:32,647 --> 00:03:35,084
I'M GONNA HAVE TO ASK
THAT THIS REMAINS
CONFIDENTIAL.

69
00:03:35,127 --> 00:03:37,521
OF COURSE.
THANK YOU, SIR.

70
00:03:37,565 --> 00:03:39,088
RIGHT.

71
00:03:43,048 --> 00:03:45,877
GARCIA: SPILL,
WHY DON'T YOU?
HOW WAS NEW ORLEANS?

72
00:03:45,921 --> 00:03:47,662
OH, IT WAS WONDERFUL.

73
00:03:47,705 --> 00:03:50,055
THE BOYS HAD A BALL GETTING
TO KNOW THEIR COUSINS,

74
00:03:50,099 --> 00:03:52,536
WILL RECONNECTED
WITH HIS OLD CROWD,

75
00:03:52,580 --> 00:03:55,235
AND I ATE SO MANY OYSTERS,

76
00:03:55,278 --> 00:03:57,541
I'M PRETTY SURE I HAVE
PEARLS GROWING IN ME.

77
00:03:57,585 --> 00:04:01,023
MORE LIKELY WHAT'S
GROWING INSIDE OF YOU
IS VIBRIO VULNIFICUS.

78
00:04:01,066 --> 00:04:02,633
IT'S A BACTERIAL
CONTAMINATION

79
00:04:02,677 --> 00:04:04,156
CAUSED BY EATING
RAW SEAFOOD.

80
00:04:04,200 --> 00:04:06,028
THERE'S 52,000
CASES A YEAR IN THE
UNITED STATES ALONE.

81
00:04:06,071 --> 00:04:09,118
I FORGOT WE INVITED
THE FUN POLICE.

82
00:04:09,161 --> 00:04:11,642
IGNORE HIM. THAT'S
WHAT LEMON JUICE IS FOR.

83
00:04:11,686 --> 00:04:14,297
YOU SQUIRT THAT ON STUFF,
AND IT KILLS ALL THE BACTERIA.

84
00:04:14,341 --> 00:04:16,212
I'M SO GLAD YOU'RE
NOT MY PRIMARY CARE
PHYSICIAN.

85
00:04:16,256 --> 00:04:18,736
OK, THAT WAS GROSS
AND I'M GONNA
CHANGE THE SUBJECT.

86
00:04:18,780 --> 00:04:21,173
CAN THE TWO OF YOU
KEEP A SECRET?

87
00:04:21,217 --> 00:04:23,393
HE CAN. I CAN'T.

88
00:04:23,437 --> 00:04:24,742
TELL US ANYWAY?

89
00:04:24,786 --> 00:04:29,094
OK, SO THE FIELD OFFICE
DOWN THERE HAS AN OPENING.

90
00:04:29,138 --> 00:04:30,748
THE JOB'S MINE
IF I WANT IT.

91
00:04:30,792 --> 00:04:32,402
IN NEW ORLEANS?
YEAH.

92
00:04:32,446 --> 00:04:33,751
WAIT. YOU'RE LEAVING?

93
00:04:33,795 --> 00:04:35,623
I DIDN'T KNOW YOU
WERE LOOKING AT
OTHER THINGS.

94
00:04:35,666 --> 00:04:39,627
I'M NOT. I PUT MY NAME
ON THE O.P. LIST THERE,

95
00:04:39,670 --> 00:04:42,020
LIKE YEARS AGO, AND I
COMPLETELY FORGOT ABOUT IT,

96
00:04:42,064 --> 00:04:46,155
BUT APPARENTLY MY NAME
HAS WORKED ITS WAY TO THE TOP.

97
00:04:46,198 --> 00:04:48,331
WHY...I DON'T KNOW HOW
TO FEEL ABOUT THIS.

98
00:04:48,375 --> 00:04:50,028
I MEAN, I SHOULD
BE HAPPY FOR YOU,

99
00:04:50,072 --> 00:04:53,075
BUT THAT MEANS YOU'RE
THERE AND NOT HERE WITH US.

100
00:04:53,118 --> 00:04:55,860
[CELL PHONE RINGING]
AND WHAT ARE WE GONNA DO
IF YOU'RE NOT HERE?

101
00:04:55,904 --> 00:04:58,602
[BEEP]
AND THAT'S EMILY.
WE HAVE A CASE.

102
00:05:00,125 --> 00:05:02,127
THIS CONVERSATION
IS NOT OVER.

103
00:05:04,129 --> 00:05:06,436
I DIDN'T SAY I WAS
GONNA TAKE IT.

104
00:05:06,480 --> 00:05:09,091
SORRY.

105
00:05:09,134 --> 00:05:11,093
DEPUTY DIRECTOR
DIDN'T BEAT YOU UP
TOO MUCH, DID HE?

106
00:05:11,136 --> 00:05:14,314
UH, NO. JUST THE USUAL
BUMPS AND BRUISES.
PENELOPE?

107
00:05:14,357 --> 00:05:16,707
TODAY'S TOKE OF ICK
HAS BEEN BROUGHT TO US

108
00:05:16,751 --> 00:05:20,058
BY BEAUMONT, TEXAS,
WHERE A BUSINESSMAN,
TOM MITCHELL,

109
00:05:20,102 --> 00:05:22,104
WAS FOUND LAST NIGHT
IN THE DUMPSTER.

110
00:05:22,147 --> 00:05:24,324
CORONERS SAY HE WAS THERE
AT LEAST 3 DAYS.

111
00:05:24,367 --> 00:05:27,239
EARLIER IN THE WEEK,
THE BODY OF A PROSTITUTE
NAMED ELIZABETH McBRIDE

112
00:05:27,283 --> 00:05:28,284
WAS DISCOVERED
IN A SHALLOW GRAVE

113
00:05:28,328 --> 00:05:30,286
LESS THAN A MILE
FROM THAT DUMPSTER.

114
00:05:30,330 --> 00:05:32,114
WHY DO WE THINK THE
MURDERS ARE CONNECTED?

115
00:05:32,157 --> 00:05:36,248
BECAUSE BOTH OF THEM
WERE MISSING THEIR TONGUES
AND THEIR EARS...

116
00:05:36,292 --> 00:05:37,946
AND THEIR HANDS. AND CAN
SOMEONE START TALKING

117
00:05:37,989 --> 00:05:39,426
SO I CAN STOP
THINKING ABOUT...

118
00:05:39,469 --> 00:05:41,863
IT DOESN'T LOOK LIKE
THAT'S THE END OF IT.

119
00:05:41,906 --> 00:05:45,127
IN THE LAST 48 HOURS,
TOBY STEMPLE, A PROMINENT
LOCAL ATTORNEY,

120
00:05:45,170 --> 00:05:47,521
AND ANOTHER PROSTITUTE, CINDY
WILSON, HAVE ALSO GONE MISSING.

121
00:05:47,564 --> 00:05:49,131
REID: AFFLUENT MEN
AND STREET PROSTITUTES.

122
00:05:49,174 --> 00:05:51,438
THIS UNSUB'S TARGETING
TWO DISTINCTLY DIFFERENT
VICTIM TYPES.

123
00:05:51,481 --> 00:05:53,744
JAREAU: OH, MAYBE THE MEN
WERE CLIENTS OF THE WOMEN.

124
00:05:53,788 --> 00:05:55,050
THIS COULD BE ABOUT REVENGE.

125
00:05:55,093 --> 00:05:57,748
OR SOMEONE
WHO DISAPPROVES,
A MORAL ENFORCER.

126
00:05:57,792 --> 00:06:00,142
ALVEZ: YEAH, HANDS,
EARS, TONGUES.

127
00:06:00,185 --> 00:06:01,883
THE MUTILATION
IS ROUGH.

128
00:06:01,926 --> 00:06:03,580
HOPEFULLY, THIS IS
ALL POST-MORTEM.

129
00:06:03,624 --> 00:06:07,758
BEFORE, DURING, OR AFTER,
THIS IS PERSONAL
ANY WAY YOU SLICE IT.

130
00:06:07,802 --> 00:06:10,239
PARDON THE EXPRESSION.

131
00:06:10,282 --> 00:06:12,372
WELL, LET'S GET ON IT.
WHEELS UP IN 20.

132
00:06:12,415 --> 00:06:16,158
GIVE ME CREDIT FOR TRYING
TO DO THE RIGHT THING,

133
00:06:16,201 --> 00:06:19,770
BUT YOU NEED TO FIND ME.

134
00:06:19,814 --> 00:06:21,381
YOU NEED TO STOP ME.

135
00:06:23,252 --> 00:06:24,819
PLEASE.

136
00:07:17,393 --> 00:07:20,265
CAPTIONING MADE POSSIBLE BY
ABC STUDIOS, LLC AND CBS, INC.

137
00:07:26,924 --> 00:07:28,186
MAN, VOICE-OVER: THERE'S
A SCOTTISH PROVERB:

138
00:07:28,230 --> 00:07:31,712
"THEY TALK OF MY DRINKING
BUT NEVER MY THIRST."

139
00:07:31,755 --> 00:07:36,194
PRENTISS: SO, THE VICTIMOLOGY
BETWEEN TOM MITCHELL
AND ELIZABETH McBRIDE

140
00:07:36,238 --> 00:07:38,022
COULD NOT BE
MORE DIFFERENT.

141
00:07:38,066 --> 00:07:40,547
SIMMONS: AND HE WAS A
WEALTHY, WELL-RESPECTED
MEMBER OF THE COMMUNITY,

142
00:07:40,590 --> 00:07:42,331
CHURCHGOER, COACHED
HIS SON'S BASKETBALL TEAM.

143
00:07:42,374 --> 00:07:43,811
LEWIS: SHE,
ON THE OTHER HAND,

144
00:07:43,854 --> 00:07:46,291
HAD THE SADLY FAMILIAR
TRAJECTORY OF
A TROUBLED YOUTH,

145
00:07:46,335 --> 00:07:47,771
ADDICTION,
SPORADIC HOMELESSNESS.

146
00:07:47,815 --> 00:07:49,991
EARS AND TONGUES REMOVED.

147
00:07:50,034 --> 00:07:53,385
AND...WE'RE TALKING ABOUT
HEAR NO EVIL, SPEAK NO EVIL?

148
00:07:53,429 --> 00:07:55,039
JAREAU: BUT HE LEAVES
THE EYES.

149
00:07:55,083 --> 00:07:56,998
SO IT'S OK TO SEE EVIL?

150
00:07:57,041 --> 00:07:59,435
YOU GUYS, WE WERE RIGHT
TO BE WORRIED ABOUT THAT
THING WE WERE WORRIED ABOUT.

151
00:07:59,479 --> 00:08:01,481
THE POLICE JUST FOUND THE BODIES
OF THE TWO MISSING PEOPLE.

152
00:08:01,524 --> 00:08:02,656
WHERE?

153
00:08:02,699 --> 00:08:03,961
GARCIA: WELL, THE ATTORNEY,
TOBY STEMPLE,

154
00:08:04,005 --> 00:08:05,876
WAS FOUND IN
AN ABANDONED INCINERATOR,

155
00:08:05,920 --> 00:08:09,532
AND THIS CINDY WILSON
WAS FOUND BURIED IN THE
WOODS LIKE THE OTHER WOMAN.

156
00:08:09,576 --> 00:08:11,403
AS FAR AS THE MISSING
BODY PARTS GO,

157
00:08:11,447 --> 00:08:13,275
SUFFICE TO SAY
SECOND VERSE, SAME AS THE FIRST.

158
00:08:13,318 --> 00:08:15,233
YOU KNOW, THERE'S
A STARK CONTRAST
IN DISPOSAL METHODS

159
00:08:15,277 --> 00:08:16,539
AS WELL AS VICTIMOLOGY.

160
00:08:16,583 --> 00:08:18,585
THE WOMEN ARE BURIED
WITH CARE IN SECLUDED AREAS.

161
00:08:18,628 --> 00:08:21,239
THE MEN HE DISCARDS
IN PUBLIC PLACES LIKE TRASH.

162
00:08:21,283 --> 00:08:23,024
YEAH, BIG-TIME
ANGER IMBALANCE.

163
00:08:23,067 --> 00:08:25,417
LUKE, SPENCE, GO TO
THE M.E.'S OFFICE.

164
00:08:25,461 --> 00:08:27,376
J.J., TARA, SEE IF
ANY OTHER WOMEN WHO
WORK THE STREETS

165
00:08:27,419 --> 00:08:28,856
HAVE ANYTHING TO ADD.

166
00:08:28,899 --> 00:08:31,249
MATT, YOU'LL TALK
TO THE FAMILIES
OF THE MALE VICTIMS.

167
00:08:31,293 --> 00:08:33,861
DAVE AND I WILL SET UP
WITH THE LOCAL P.D.

168
00:08:36,254 --> 00:08:39,519
MAN: WE'RE GOING THROUGH
OUR MISSING PERSONS REPORTS
FOR THE PAST FEW MONTHS,

169
00:08:39,562 --> 00:08:41,651
SEE IF SOMEBODY ELSE
JUMPS OUT.

170
00:08:41,695 --> 00:08:43,305
WERE YOU FAMILIAR
WITH THE VICTIMS?

171
00:08:43,348 --> 00:08:44,567
CINDY AND LIZ, YEAH.

172
00:08:44,611 --> 00:08:46,700
THEY WERE IN ALL THE
TIME FOR SOLICITATION.

173
00:08:46,743 --> 00:08:48,571
THEY WERE GOOD GIRLS
WITH BIG HEARTS.

174
00:08:48,615 --> 00:08:51,356
THEY JUST...WENT DOWN
A TOUGH ROAD IS ALL.

175
00:08:51,400 --> 00:08:53,271
WHAT ABOUT THE MEN?

176
00:08:53,315 --> 00:08:56,100
NO, SIR, BUT
THEY BOTH HAVE MONEY

177
00:08:56,144 --> 00:08:58,842
AND COME FROM OLD,
ESTABLISHED FAMILIES.

178
00:08:58,886 --> 00:09:01,236
I MEAN, THE MITCHELL
CLAN, THE STEMPLE CLAN,

179
00:09:01,279 --> 00:09:03,847
THEY BEEN PART OF
BEAUMONT SINCE FOREVER.

180
00:09:03,891 --> 00:09:05,370
UH, YOU FOLKS CAN
SET UP IN HERE.

181
00:09:05,414 --> 00:09:07,198
THAT'S PERFECT.
THANK YOU.YOU'RE WELCOME.

182
00:09:07,242 --> 00:09:08,243
EXCUSE ME.

183
00:09:08,286 --> 00:09:09,984
CHIEF, YOU NEED
TO SEE THIS.

184
00:09:15,163 --> 00:09:16,468
DID THIS COME
IN THE MAIL?

185
00:09:16,512 --> 00:09:18,862
WOMAN: NO. ONE OF OUR
OFFICERS STOPPED FOR COFFEE,

186
00:09:18,906 --> 00:09:20,995
AND IT WAS ON THE HOOD
OF HIS SQUAD CAR WHEN
HE CAME OUT.

187
00:09:21,038 --> 00:09:22,300
LET'S RUN THEM FOR PRINTS.

188
00:09:25,652 --> 00:09:28,002
BOTH EARS.

189
00:09:28,045 --> 00:09:31,309
BUT THEN HE ONLY
TOOK ONE HAND FROM
EACH OF THE VICTIMS,

190
00:09:31,353 --> 00:09:32,746
THE LEFT HAND.

191
00:09:32,789 --> 00:09:34,269
MERCIFULLY, THE VICTIMS
WERE ALREADY DEAD

192
00:09:34,312 --> 00:09:35,879
WHEN THE BODY PARTS
WERE REMOVED.

193
00:09:35,923 --> 00:09:37,881
SO WE'RE PROBABLY
NOT DEALING WITH
A SADIST.

194
00:09:37,925 --> 00:09:39,796
WERE YOU ABLE TO
DETERMINE THE COD?

195
00:09:39,840 --> 00:09:42,016
THE WOMEN,
MANUAL STRANGULATION;

196
00:09:42,059 --> 00:09:43,408
THE MEN DIED FROM
MULTIPLE STAB WOUNDS.

197
00:09:43,452 --> 00:09:46,020
IT'S NOT EASY TO
DISARTICULATE A HAND
AT THE WRIST.

198
00:09:46,063 --> 00:09:47,587
DID THEY DEMONSTRATE
ANY SURGICAL SKILL?

199
00:09:47,630 --> 00:09:50,459
WITH THE WOMEN, YES.
IF NOT SKILL, AT LEAST CARE.

200
00:09:50,502 --> 00:09:52,374
REMOVALS WERE CLEAN
AND PRECISE.

201
00:09:52,417 --> 00:09:54,289
AMPUTATIONS ON THE MEN
WERE MUCH CRUDER.

202
00:09:54,332 --> 00:09:56,073
ANY DEFENSIVE WOUNDS?

203
00:09:56,117 --> 00:09:57,901
NO. THE MEN DID HAVE
BLUNT FORCE TRAUMA

204
00:09:57,945 --> 00:10:00,338
TO THE BACK OF
THEIR SKULLS, THOUGH.

205
00:10:02,558 --> 00:10:03,907
BLITZ ATTACKED.

206
00:10:03,951 --> 00:10:05,387
NO SUCH INJURIES
ON THE WOMEN,

207
00:10:05,430 --> 00:10:07,432
BUT SEDATIVES DID SHOW UP
ON BOTH THEIR TOX SCREENS.

208
00:10:07,476 --> 00:10:09,347
GIVEN THEIR HISTORY
OF SUBSTANCE ABUSE,

209
00:10:09,391 --> 00:10:11,262
IT'S GONNA BE DIFFICULT
TO SAY WITH ANY CERTAINTY

210
00:10:11,306 --> 00:10:12,655
WHETHER OR NOT THE UNSUB
DRUGGED THEM.

211
00:10:12,699 --> 00:10:13,874
THEY MIGHT HAVE
SELF-MEDICATED

212
00:10:13,917 --> 00:10:15,440
AS PART OF THEIR
NORMAL DAILY ROUTINE.

213
00:10:15,484 --> 00:10:17,399
ONE MORE THING...
THE WOMEN WERE NUDE

214
00:10:17,442 --> 00:10:19,314
BUT DIDN'T SHOW ANY EVIDENCE
OF SEXUAL ASSAULT.

215
00:10:19,357 --> 00:10:22,317
AND THEIR BURIAL WAS WHAT I
GUESS YOU COULD CALL CEREMONIAL.

216
00:10:22,360 --> 00:10:23,710
IN WHAT WAY?

217
00:10:23,753 --> 00:10:25,494
THEY WERE WRAPPED
IN A WHITE SHEET

218
00:10:25,537 --> 00:10:27,365
AND BURIED FACE-DOWN.

219
00:10:28,715 --> 00:10:31,326
A WHITE SHEET? COULD BE
A SYMBOL OF PURITY.

220
00:10:31,369 --> 00:10:33,763
YOU KNOW, TRY TO RESTORE
THEIR LOST INNOCENCE?

221
00:10:33,807 --> 00:10:36,070
WELL, I TALKED TO TOM MITCHELL
AND TOBY STEMPLE'S WIVES,

222
00:10:36,113 --> 00:10:38,333
AND THEY BOTH SWEAR THEIR
HUSBANDS WOULD NEVER
FREQUENT A PROSTITUTE.

223
00:10:38,376 --> 00:10:41,336
WELL, THEY NEVER DO
UNTIL THEY DO.

224
00:10:41,379 --> 00:10:42,946
I BROUGHT IN
KAYLA JACKSON.

225
00:10:42,990 --> 00:10:45,340
SHE WORKED THE STREETS
WITH CINDY WILSON.

226
00:10:45,383 --> 00:10:48,952
SHE SAW THE UNSUB WITH HER
THE DAY CINDY DISAPPEARED.

227
00:10:48,996 --> 00:10:51,259
THIS IS HER DESCRIPTION.

228
00:10:51,302 --> 00:10:53,827
KAYLA SAID IT WAS
SUCH A GOOD LIKENESS,

229
00:10:53,870 --> 00:10:55,393
IT SENT CHILLS
DOWN HER SPINE.

230
00:10:57,526 --> 00:10:59,833
[PEOPLE TALKING AND LAUGHING
INDISTINCTLY]

231
00:10:59,876 --> 00:11:02,966
WOMAN: NO, NO, WAIT. STOP.
STOP. MOM. THAT WASN'T THE DEAL.

232
00:11:03,010 --> 00:11:06,709
COREY AGREED TO PAY HALF,
AND HE HASN'T SENT ME A DIME.

233
00:11:06,753 --> 00:11:09,364
I DON'T KNOW HOW YOU CAN
DEFEND HIM. I REALLY DON'T.

234
00:11:09,407 --> 00:11:11,018
[SIGHS]

235
00:11:12,454 --> 00:11:15,283
SORRY. GET YOU A REFILL?

236
00:11:15,326 --> 00:11:17,851
NO, I'M GOOD.
I'M GOOD.

237
00:11:17,894 --> 00:11:19,374
EVERYTHING OK?

238
00:11:19,417 --> 00:11:20,810
TRUST ME, YOU DON'T
WANT TO KNOW.

239
00:11:20,854 --> 00:11:23,421
SURE I DO.
TELL ME.

240
00:11:23,465 --> 00:11:26,381
JUST SAME OLD, SAME OLD.

241
00:11:26,424 --> 00:11:28,731
MY EX MOVED TO FLORIDA AND
LEFT ME WITH A PILE OF BILLS,

242
00:11:28,775 --> 00:11:30,428
BILLS HE RAN UP.

243
00:11:30,472 --> 00:11:33,040
AND NOW, EVEN MY OWN
MOTHER'S TAKING HIS SIDE.

244
00:11:33,083 --> 00:11:34,519
THAT'S NOT RIGHT.

245
00:11:34,563 --> 00:11:37,392
OH, MY EX CAN PLAY THE
VICTIM CARD VERY WELL.

246
00:11:37,435 --> 00:11:41,135
ANYHOW, SORRY TO
UNLOAD.

247
00:11:41,178 --> 00:11:45,182
BARTENDER'S SUPPOSED TO
BE THE ONE LISTENING
TO YOUR TROUBLES. HA HA!

248
00:11:45,226 --> 00:11:47,358
FAMILY IS EVERYTHING.

249
00:11:48,925 --> 00:11:51,319
WITHOUT FAMILY,
NOTHING MAKES SENSE.

250
00:11:55,105 --> 00:11:57,064
ARE YOU CAR SHOPPING?

251
00:11:57,107 --> 00:12:00,415
YEAH, YEAH. PICKUP
I'VE GOT NOW CAN'T
HANDLE THE MUD.

252
00:12:00,458 --> 00:12:03,461
CAB'S TOO LOW.

253
00:12:03,505 --> 00:12:06,464
HOW'S IT GOING?
DOING GOOD.
HOW ARE YOU?

254
00:12:20,652 --> 00:12:22,437
HEY! GOOD LUCK!

255
00:12:22,480 --> 00:12:26,702
WITH THE TRUCK.
GOOD LUCK WITH THE TRUCK.

256
00:12:26,746 --> 00:12:29,487
MAN, ON RECORDING:
GIVE ME CREDIT FOR TRYING
TO DO THE RIGHT THING,

257
00:12:29,531 --> 00:12:32,055
BUT YOU NEED TO FIND ME.

258
00:12:32,099 --> 00:12:34,492
YOU NEED TO STOP ME.

259
00:12:34,536 --> 00:12:35,755
PLEASE.

260
00:12:35,798 --> 00:12:37,191
RESULTS COME BACK?

261
00:12:37,234 --> 00:12:39,584
YEAH. NO SURPRISE.
FORENSICS CONFIRMED

262
00:12:39,628 --> 00:12:42,196
THE BLOOD ON THE EARRING
BELONGS TO CINDY WILSON.

263
00:12:42,239 --> 00:12:45,068
AND UNFORTUNATELY, HIS PRINTS
AREN'T IN THE SYSTEM.

264
00:12:45,112 --> 00:12:48,637
OK, WELL, WE SHOULD GET
THIS TAPE OUT ON THE
AIRWAVES RIGHT AWAY.

265
00:12:48,680 --> 00:12:51,509
THE VOICE IS DISTINCTIVE ENOUGH
THAT SOMEONE MIGHT RECOGNIZE IT.

266
00:12:55,818 --> 00:13:00,431
MAN: GOOD EYE. THAT
ONE JUST CAME ON
THE LOT YESTERDAY.

267
00:13:00,475 --> 00:13:02,477
BO ZACHARY.

268
00:13:02,520 --> 00:13:04,827
WHAT'S IT GONNA TAKE
FOR ME TO PUT YOU
IN THIS VEHICLE TODAY?

269
00:13:04,871 --> 00:13:06,873
WELL, I'M NOT HERE
TO BUY A CAR, ACTUALLY.

270
00:13:06,916 --> 00:13:10,354
YOU'RE NOT?
NO. I, UH...

271
00:13:10,398 --> 00:13:11,834
I CAME TO
SHOW YOU SOMETHING.

272
00:13:11,878 --> 00:13:13,096
WHAT'S THAT?

273
00:13:13,140 --> 00:13:14,489
IT'S FROM LYDIA.

274
00:13:14,532 --> 00:13:18,101
LYDIA PARRIS.
YOU REMEMBER HER, RIGHT?

275
00:13:18,145 --> 00:13:19,494
I'M NOT GONNA READ THAT.

276
00:13:19,537 --> 00:13:22,627
WELL, I'LL TELL YOU
WHAT IT SAYS.

277
00:13:22,671 --> 00:13:24,760
ON THAT NIGHT,
31 YEARS AGO,

278
00:13:24,804 --> 00:13:27,632
UNDER THE BIG OAK,

279
00:13:27,676 --> 00:13:30,113
THE TWO OF YOU
CONCEIVED A CHILD...

280
00:13:30,157 --> 00:13:31,549
A LITTLE BOY.

281
00:13:33,595 --> 00:13:35,162
THAT BOY WAS ME.

282
00:13:37,860 --> 00:13:39,427
[VOICE BREAKING]
IT'S BEEN SO MANY
YEARS, I...

283
00:13:39,470 --> 00:13:43,083
T-THAT DOESN'T MATTER.
IT'S NEVER TOO LATE
TO FIX THINGS.

284
00:13:44,562 --> 00:13:46,913
WHAT CAN I DO
TO MAKE IT RIGHT?

285
00:13:46,956 --> 00:13:48,566
I MEAN, HOW
COULD I EVER...

286
00:13:50,394 --> 00:13:53,789
SO, WHAT DO YOU SAY
WE TAKE THIS BABY
OUT FOR A SPIN?

287
00:14:09,674 --> 00:14:12,155
LEWIS: NONE OF THE BODY PARTS
HAVE BEEN RECOVERED.

288
00:14:12,199 --> 00:14:13,765
AND WHAT'S THIS GUY
DOING WITH 'EM?

289
00:14:13,809 --> 00:14:16,116
NORMALLY, YOU'D
THINK SOUVENIRS,

290
00:14:16,159 --> 00:14:19,119
BUT THAT'S A LOT
OF ROTTED FLESH TO HAVE
HANGING AROUND THE HOUSE.

291
00:14:19,162 --> 00:14:21,121
THEY'RE PROBABLY
TROPHIES MEANT
FOR DISPLAY.

292
00:14:21,164 --> 00:14:22,600
YEAH, BUT DISPLAY WHERE?

293
00:14:22,644 --> 00:14:24,907
WELL, THE MEN WERE
IN THEIR 50s, BUT
THE FEMALE VICTIMS

294
00:14:24,951 --> 00:14:27,214
BOTH HAVE A 25-YEAR
AGE VARIANCE.

295
00:14:27,257 --> 00:14:29,781
MAKING IT LESS LIKELY
THE FEMALES ARE SURROGATES.

296
00:14:29,825 --> 00:14:31,522
OR THERE'S SOME
CONFUSION IN THE
UNSUB'S MIND

297
00:14:31,566 --> 00:14:33,002
AS TO WHAT THE
WOMEN REPRESENT.

298
00:14:33,046 --> 00:14:34,699
ELIZABETH AND CINDY
MIGHT MEAN DIFFERENT
THINGS TO HIM.

299
00:14:34,743 --> 00:14:37,093
WELL, HE AGED UP A GENERATION
WITH CINDY WILSON.

300
00:14:37,137 --> 00:14:39,095
SO SEXUALIZING A MOTHER FIGURE?

301
00:14:39,139 --> 00:14:41,184
THAT WOULD EXPLAIN
THE FACE-DOWN BURIALS.

302
00:14:41,228 --> 00:14:42,794
HE FEELS REMORSE.

303
00:14:42,838 --> 00:14:44,579
WELL, THIS UNSUB'S
TAKING FEELING GUILTY
TO THE NEXT LEVEL.

304
00:14:44,622 --> 00:14:47,669
I MEAN, HE SENT A TAPE
TO LAW ENFORCEMENT
BEGGING US TO STOP HIM.

305
00:14:47,712 --> 00:14:50,759
MAN: JUST GOT A PHONE CALL
FROM A CAR DEALER DOWNTOWN.

306
00:14:50,802 --> 00:14:54,154
OWNER TOOK A CUSTOMER
OUT ON A TEST DRIVE
3 HOURS AGO.

307
00:14:54,197 --> 00:14:56,069
NEVER CAME BACK.

308
00:14:56,112 --> 00:14:58,201
[CRICKETS CHIRPING]

309
00:14:58,245 --> 00:15:04,773
MAN, VOICE-OVER: CAR SALESMAN
GUY ISN'T MY FATHER,

310
00:15:04,816 --> 00:15:06,775
BUT WHAT ELSE CAN I DO?

311
00:15:06,818 --> 00:15:10,213
I FEEL BAD
AND I BLAME MYSELF,

312
00:15:10,257 --> 00:15:13,608
BUT IT'S ONLY BECAUSE MY WILL
ISN'T DEVELOPED ENOUGH.

313
00:15:13,651 --> 00:15:19,222
I HAVEN'T FULLY COMMITTED TO THE
POWER OF VISUALIZATION.

314
00:15:19,266 --> 00:15:21,616
I'M GETTING STRONGER, THOUGH...

315
00:15:21,659 --> 00:15:23,574
STRONGER AND BETTER.

316
00:15:23,618 --> 00:15:25,620
WHICH MEANS THAT TO CATCH ME,

317
00:15:25,663 --> 00:15:27,665
YOU'LL HAVE TO GET
STRONGER AND BETTER, TOO.

318
00:15:30,277 --> 00:15:31,887
I WONDER IF YOU WILL.

319
00:15:36,544 --> 00:15:38,111
[PEOPLE SPEAKING INDISTINCTLY]

320
00:15:38,154 --> 00:15:40,896
MAN: I APPRECIATE IT.
HOPE WE CAN HELP YOU FIND HIM.

321
00:15:40,940 --> 00:15:42,289
JAREAU: THANKS.

322
00:15:44,073 --> 00:15:46,728
SO, APPARENTLY BO ZACHARY
WAS A PRETTY BIG GUY,

323
00:15:46,771 --> 00:15:48,077
6'2", 220.

324
00:15:48,121 --> 00:15:50,079
NOT SO EASY TO BLITZ ATTACK
SOMEONE LIKE THAT.

325
00:15:50,123 --> 00:15:52,212
UNSUB MUST HAVE HAD
A GUN TO CONTROL HIM.

326
00:15:52,255 --> 00:15:54,997
LOOKS LIKE HE'S STICKING
TO HIS PATTERN OF
ALTERNATING VICTIMS...

327
00:15:55,041 --> 00:15:56,520
BUSINESSMEN,
PROSTITUTES.

328
00:15:56,564 --> 00:16:00,046
EXCEPT THE OTHER TWO MEN
WERE AFFLUENT,

329
00:16:00,089 --> 00:16:04,006
AND ACCORDING TO HIS
EMPLOYEE, BO WAS HAVING
A HARD TIME PAYING THE BILLS.

330
00:16:04,050 --> 00:16:07,531
SO MONEY ISN'T PART OF
THE UNSUB'S VICTIM
SELECTION CRITERIA.

331
00:16:07,575 --> 00:16:08,968
WHAT IS?

332
00:16:09,011 --> 00:16:11,448
TOM MITCHELL
AND TOBY STEMPLE

333
00:16:11,492 --> 00:16:13,320
CAME FROM LONG-ESTABLISHED
FAMILIES HERE, RIGHT?

334
00:16:13,363 --> 00:16:15,452
YEAH. 65 YEARS
WOULD QUALIFY, I THINK.

335
00:16:15,496 --> 00:16:17,759
THIS HAS NOTHING
TO DO WITH WEALTH.

336
00:16:17,802 --> 00:16:21,458
ALL OF HIS MALE VICTIMS
HAVE DEEP ROOTS.

337
00:16:21,502 --> 00:16:23,721
MAN, ON RECORDING:
THEY'RE CALLED MOTHER TREES.

338
00:16:23,765 --> 00:16:26,028
THEY SEND OUT NUTRIENTS
TO SEEDLINGS AROUND THEM.

339
00:16:26,072 --> 00:16:29,640
YOU CAN SEE WHY IT'S
MY ALTAR, CAN'T YOU?

340
00:16:29,684 --> 00:16:31,512
THANKS. [BEEP]

341
00:16:31,555 --> 00:16:34,036
JENNIFER CHECKED IN.
LOOKS LIKE THIS UNSUB

342
00:16:34,080 --> 00:16:37,039
IS TARGETING MEN WHO CAME
IN BEAUMONT'S VERSION
OF THE "MAYFLOWER."

343
00:16:37,083 --> 00:16:38,301
ANYTHING NEW?

344
00:16:38,345 --> 00:16:40,564
OH, HE'S ALL OVER
THE PLACE.

345
00:16:40,608 --> 00:16:44,220
HE SAYS, "I'M WEAK,
I'M STRONG. STOP ME.
NO, DON'T STOP ME."

346
00:16:44,264 --> 00:16:47,049
IT'S THE SAME WAY HE
PING-PONGS BETWEEN
VICTIM TYPES.

347
00:16:47,093 --> 00:16:49,573
YOU KNOW, CLEARLY HE
SEES THESE MURDERS
IN TERMS OF PAIRS,

348
00:16:49,617 --> 00:16:51,314
NOT ONE-OFFS,
TWO HALVES TO A WHOLE,

349
00:16:51,358 --> 00:16:52,968
BUT HOW DO THE HALVES
FIT TOGETHER?

350
00:16:53,012 --> 00:16:54,752
I MEAN, ONE GROUP IS
INGRAINED IN THE FABRIC
OF THE COMMUNITY.

351
00:16:54,796 --> 00:16:56,493
THE OTHER IS MARGINALIZED
AND SHUNNED.

352
00:16:56,537 --> 00:16:59,061
PRENTISS: AND THE UNSUB
KEEPS REFERRING TO THIS
TREE AS AN ALTAR.

353
00:16:59,105 --> 00:17:00,671
HE SAID IT
SEVERAL TIMES.

354
00:17:00,715 --> 00:17:02,282
REID: THE CHURCH REFERENCE
MAKES SENSE TO ME

355
00:17:02,325 --> 00:17:04,066
IF THE UNSUB'S
PUNISHING HIS VICTIMS

356
00:17:04,110 --> 00:17:05,850
FOR MORAL INDISCRETIONS.

357
00:17:05,894 --> 00:17:08,462
HE COULD BE UTILIZING
RELIGIOUS ICONOGRAPHY
TO JUSTIFY HIS MURDERS.

358
00:17:08,505 --> 00:17:11,247
OK, SO WHAT ELSE HAPPENS
IN FRONT OF AN ALTAR?

359
00:17:11,291 --> 00:17:13,075
LET'S THINK ABOUT
WHAT HE DOES TO HIS
FEMALE VICTIMS.

360
00:17:13,119 --> 00:17:16,078
HE WRAPS THEM IN WHITE, HE
CUTS OFF THEIR LEFT HANDS.

361
00:17:16,122 --> 00:17:18,428
THE HAND THAT TRADITIONALLY
HOLDS A WEDDING RING.

362
00:17:18,472 --> 00:17:20,082
REMOVAL OF THE TONGUE
COULD SYMBOLIZE

363
00:17:20,126 --> 00:17:22,998
SILENCING SPOKEN
MARRIAGE VOWS.

364
00:17:23,042 --> 00:17:26,697
WHAT IF THE UNSUB SEES
THESE WOMEN AS BRIDES?

365
00:17:26,741 --> 00:17:29,613
PRENTISS: THE UNKNOWN
SUBJECT WE'RE LOOKING
FOR IS A WHITE MALE

366
00:17:29,657 --> 00:17:31,920
IN HIS LATE 20s
TO MID-30s.

367
00:17:31,963 --> 00:17:34,705
HE IS PHYSICALLY FIT,
MOBILE, AND ORGANIZED.

368
00:17:34,749 --> 00:17:37,012
REID: THIS UNSUB
IS TARGETING TWO
VICTIM TYPES...

369
00:17:37,056 --> 00:17:38,709
FEMALE PROSTITUTES
AND BUSINESSMEN

370
00:17:38,753 --> 00:17:41,756
WHO COME FROM FAMILIES
WITH LONG-STANDING TIES
TO THE COMMUNITY.

371
00:17:41,799 --> 00:17:43,323
LEWIS: THIS INDIVIDUAL
IS UNIQUE IN THAT

372
00:17:43,366 --> 00:17:45,194
HE'S REACHED OUT
DIRECTLY TO US

373
00:17:45,238 --> 00:17:48,893
AND SEEMS TO HAVE A GENUINE
DESIRE TO HAVE US PUT
A STOP TO HIS CRIMES,

374
00:17:48,937 --> 00:17:50,721
HOWEVER, HIS COMPULSION
WON'T ALLOW IT.

375
00:17:50,765 --> 00:17:52,636
ALVEZ: EXCERPTS FROM
RECORDINGS HE'S MADE

376
00:17:52,680 --> 00:17:54,247
HAVE BEEN DISSEMINATED
TO THE PUBLIC.

377
00:17:54,290 --> 00:17:56,988
ANYONE WHO THINKS
THEY RECOGNIZE HIS VOICE

378
00:17:57,032 --> 00:17:58,686
NEEDS TO COME FORWARD
IMMEDIATELY.

379
00:17:58,729 --> 00:18:01,384
WHILE OPERATING IN
PUBLIC WHEN HUNTING AND
ABDUCTING HIS VICTIMS,

380
00:18:01,428 --> 00:18:03,560
THE ACTUAL MURDERS
ALMOST CERTAINLY
TAKE PLACE

381
00:18:03,604 --> 00:18:05,432
IN A REMOTE,
SECURE AREA.

382
00:18:05,475 --> 00:18:07,521
JAREAU: CERTAIN RITUAL
ASPECTS OF THE KILLINGS

383
00:18:07,564 --> 00:18:10,698
LEAD US TO BELIEVE
THE UNSUB IS TRYING
TO RE-CREATE

384
00:18:10,741 --> 00:18:13,135
OR PERHAPS MAKE A MOCKERY
OF AN ACTUAL WEDDING.

385
00:18:13,179 --> 00:18:15,094
REID: GIVEN THE VICTIMOLOGY,
THIS PERSON'S ANGER

386
00:18:15,137 --> 00:18:17,574
PROBABLY STEMS FROM
BEING THE PRODUCT OF
A MARRIAGE THAT ENDED

387
00:18:17,618 --> 00:18:20,142
BECAUSE OF A FATHER'S
INFIDELITY WITH A PROSTITUTE.

388
00:18:20,186 --> 00:18:23,754
ALVEZ: BECAUSE ONE OF THE
PROSTITUTES APPEARS TO BE
A MOTHER SURROGATE,

389
00:18:23,798 --> 00:18:29,108
ANOTHER POSSIBILITY IS
THAT HE IS THE CHILD OF
A PROSTITUTE HIMSELF.

390
00:18:29,151 --> 00:18:32,850
JAREAU: NOW, WE CANNOT
STRESS ENOUGH THE NEED
FOR HEIGHTENED CAUTION

391
00:18:32,894 --> 00:18:34,330
AND AWARENESS
IN THE COMMUNITY,

392
00:18:34,374 --> 00:18:36,767
ESPECIALLY AMONG THE TWO
HIGH-RISK CATEGORIES.

393
00:18:36,811 --> 00:18:38,639
ROSSI: POLICE PATROLS
WILL BE OUT IN FORCE

394
00:18:38,682 --> 00:18:40,162
IN AREAS THAT PROSTITUTES
AND THEIR CUSTOMERS

395
00:18:40,206 --> 00:18:41,859
ARE KNOWN TO FREQUENT.

396
00:18:41,903 --> 00:18:44,166
THIS PRESS CONFERENCE
IS FOR LAW ENFORCEMENT,

397
00:18:44,210 --> 00:18:46,168
MEDIA, AND THE
GENERAL PUBLIC,

398
00:18:46,212 --> 00:18:50,303
BUT WE ARE ALSO ADDRESSING
THE PERPETRATOR OF THESE
CRIMES HIMSELF.

399
00:18:50,346 --> 00:18:53,175
YOU PLEADED WITH US
TO STOP YOU.

400
00:18:53,219 --> 00:18:54,916
ALLOW US TO HELP.

401
00:18:54,959 --> 00:18:57,179
THIS CAN END NOW,
IF YOU WANT.

402
00:18:57,223 --> 00:19:00,182
FULL DISCLOSURE.
FEAR OF CHANGE IS
FORCING ME

403
00:19:00,226 --> 00:19:02,489
TO CONTINUE TO EAT
FROZEN DESSERT FOODS.
WHAT DO YOU NEED?

404
00:19:02,532 --> 00:19:06,275
WE THINK OUR UNSUB
IS THE SON OF A COUPLE
WHO USED TO LIVE IN BEAUMONT.

405
00:19:06,319 --> 00:19:08,059
GARCIA: OH, MY GOSH.
DO YOU THINK THAT, NEWBIE?

406
00:19:08,103 --> 00:19:10,192
OH, MY GOSH. YOU JUST
NARROWED THE CANDIDATES

407
00:19:10,236 --> 00:19:12,325
TO LIKE 1.2 MILLION PEOPLE.

408
00:19:12,368 --> 00:19:14,370
IT'S JUST THE SUGAR
TALKING.

409
00:19:14,414 --> 00:19:17,808
WE ALSO THINK THAT
HIS MOTHER MAY OR MAY NOT

410
00:19:17,852 --> 00:19:20,289
HAVE WORKED AS A
PROSTITUTE AT ONE TIME.

411
00:19:20,333 --> 00:19:24,206
BUT DAD IS PROBABLY A MEMBER
OF ONE OF THE PROMINENT,
LONG-ENTRENCHED FAMILIES HERE.

412
00:19:24,250 --> 00:19:25,816
MOM AND DAD MARRIED?

413
00:19:25,860 --> 00:19:27,818
IT'S UNSURE.
I MEAN, ASPECTS OF
A WEDDING RITUAL

414
00:19:27,862 --> 00:19:29,298
ARE TANGLED UP
IN HIS M.O.,

415
00:19:29,342 --> 00:19:30,821
BUT IT COULD JUST BE
PROJECTION ON HIS PART,
YOU KNOW?

416
00:19:30,865 --> 00:19:32,258
WISHFUL THINKING.

417
00:19:32,301 --> 00:19:34,042
THIS COULD HAVE BEEN
AN ENGAGEMENT THAT FELL THROUGH.

418
00:19:34,085 --> 00:19:35,522
GARCIA: OK, I AM ON IT.

419
00:19:35,565 --> 00:19:36,914
BY THE WAY,
IS J.J. THERE?

420
00:19:36,958 --> 00:19:38,177
NO, WHY?

421
00:19:38,220 --> 00:19:39,830
GARCIA: ALL RIGHT,
YOU PULLED THIS OUT FROM ME

422
00:19:39,874 --> 00:19:41,354
AND YOU DID NOT
HEAR IT FROM ME,

423
00:19:41,397 --> 00:19:43,138
BUT SHE'S THINKING ABOUT
TAKING A JOB IN NEW ORLEANS.

424
00:19:43,182 --> 00:19:44,748
WHAT?GARCIA: I KNOW, RIGHT?

425
00:19:44,792 --> 00:19:47,751
HENCE FORTHWITH,
MY LIPS ARE SEALED,

426
00:19:47,795 --> 00:19:49,840
BUT YOU ONLY KNOW THAT
INFORMATION SO WE CAN
GANG UP ON HER

427
00:19:49,884 --> 00:19:51,451
AND TALK HER OUT OF IT.

428
00:19:51,494 --> 00:19:53,235
I'M SO MAD THAT YOU
MADE ME TELL YOU THAT!

429
00:19:53,279 --> 00:19:54,671
[BEEP]

430
00:19:54,715 --> 00:19:55,890
NOT MY FAULT, J.J.

431
00:19:55,933 --> 00:19:57,065
I TOLD YOU I WASN'T GOOD
AT KEEPING SECRETS.

432
00:19:57,108 --> 00:19:58,936
I TOLD YOU. I TOLD YOU.

433
00:19:58,980 --> 00:20:00,373
ONE BEER, SHAWN?
I DON'T KNOW.

434
00:20:00,416 --> 00:20:02,853
I MIGHT HAVE TO CUT
YOU OFF AFTER THIS.
I'M KIDDING!

435
00:20:02,897 --> 00:20:04,246
HOW'S YOUR WIFE DOING?

436
00:20:04,290 --> 00:20:05,856
I NEED TO TALK TO YOU.

437
00:20:05,900 --> 00:20:07,467
OK. GIVE ME
TWO SECONDS.

438
00:20:07,510 --> 00:20:09,947
NO. I NEED TO
TALK TO YOU NOW.

439
00:20:09,991 --> 00:20:12,298
WHOA, NOT COOL!
THAT WAS REALLY RUDE!

440
00:20:12,341 --> 00:20:14,256
THIS IS GONNA
SOUND CRAZY, OK,

441
00:20:14,300 --> 00:20:16,258
BUT THERE'S THIS PLACE
NEARBY IN THE WOODS.

442
00:20:16,302 --> 00:20:19,479
IT'S THIS TREE LIKE NO OTHER
TREE YOU'VE EVER SEEN
BEFORE IN YOUR LIFE.

443
00:20:19,522 --> 00:20:23,483
IT WAS WHERE I WAS
CONCEIVED, ACTUALLY,
AND...

444
00:20:23,526 --> 00:20:25,006
I'M SORRY. I CAN TELL
BY THE WAY YOU'RE
LOOKING AT ME

445
00:20:25,049 --> 00:20:27,487
THAT I'M GOING
WAY TOO FAST,
SO LET ME BACK UP.

446
00:20:27,530 --> 00:20:32,535
UM, IT WASN'T A MISTAKE
THAT WE MET,

447
00:20:32,579 --> 00:20:35,495
THAT YOU TOLD ME ABOUT
YOUR FAMILY BEFORE I
EVEN KNEW WHO YOU WERE.

448
00:20:35,538 --> 00:20:36,800
I NEED TO GET
BACK TO WORK.

449
00:20:36,844 --> 00:20:41,065
NO. YOU'RE NOT HEARING
WHAT I'M SAYING.

450
00:20:41,109 --> 00:20:43,894
COME WITH ME...NOW.

451
00:20:43,938 --> 00:20:45,505
WHAT ARE YOU TALKING ABOUT?

452
00:20:45,548 --> 00:20:47,028
I CAN'T JUST LEAVE.
THIS IS MY JOB.

453
00:20:47,071 --> 00:20:49,291
FORGET THIS PLACE!
WHAT I'M TALKING ABOUT

454
00:20:49,335 --> 00:20:50,771
IS SO MUCH MORE
THAN THIS.

455
00:20:50,814 --> 00:20:54,731
I'M TALKING ABOUT
THE CHANCE FOR A
BRAND-NEW START.

456
00:20:56,820 --> 00:20:58,909
HOW DO I KNOW
I CAN TRUST YOU?

457
00:20:58,953 --> 00:21:01,912
LOOK AT ME.

458
00:21:01,956 --> 00:21:04,915
I WOULD NEVER
TRY TO DECEIVE YOU,

459
00:21:04,959 --> 00:21:06,961
NOT ABOUT THIS.

460
00:21:08,571 --> 00:21:09,964
A NEW START.

461
00:21:18,015 --> 00:21:20,366
ALL RIGHT, SPORT.
IT'S TIME TO GO.

462
00:21:20,409 --> 00:21:21,976
THANK YOU, NICK.

463
00:21:22,019 --> 00:21:23,064
WAIT, WHAT?

464
00:21:23,107 --> 00:21:25,066
I SAID IT'S
TIME TO GO.

465
00:21:25,109 --> 00:21:28,069
JUST GET OFF. GET OFF!

466
00:21:28,112 --> 00:21:29,679
WHAT ARE YOU DOING?

467
00:21:44,259 --> 00:21:46,609
YOU SHOW YOUR FACE
AROUND HERE AGAIN,
I'M CALLING THE COPS.

468
00:22:01,058 --> 00:22:03,409
YOU STILL GOT IT,
BABY GIRL.

469
00:22:03,452 --> 00:22:05,367
[RINGING]

470
00:22:05,411 --> 00:22:07,195
WHAT IS IT, GARCIA?

471
00:22:07,238 --> 00:22:10,590
I SEARCHED BIRTH RECORDS
IN BEAUMONT FROM 1987 TO 1992.

472
00:22:10,633 --> 00:22:12,548
THERE WERE 20,000 BABIES BORN.

473
00:22:12,592 --> 00:22:14,898
BUT WHEN YOU APPLY GARCIA'S
LAW OF DIDDLYSQUAT,

474
00:22:14,942 --> 00:22:16,422
THINGS NARROW DOWN CONSIDERABLY.

475
00:22:16,465 --> 00:22:18,380
ROSSI:
LAW OF DIDDLYSQUAT?

476
00:22:18,424 --> 00:22:20,991
GARCIA: SIMPLY STATED,
WHERE THERE SHOULD BE GOBS
OF INFORMATION ABOUT SOMEONE

477
00:22:21,035 --> 00:22:22,602
OR SOMETHING AND YOU
FIND DIDDLYSQUAT,

478
00:22:22,645 --> 00:22:24,995
THERE IS GOLD IN DEM DER HILLS
AND DIG DOWN.

479
00:22:25,039 --> 00:22:27,171
PRENTISS: THE GOLD
THIS TIME BEING...

480
00:22:27,215 --> 00:22:30,131
IN 1989, THERE WAS
A 16-YEAR-OLD GIRL...

481
00:22:30,174 --> 00:22:31,611
LET'S CALL HER GIRL X.

482
00:22:31,654 --> 00:22:33,047
SHE GOT PREGNANT,
FATHER UNKNOWN...

483
00:22:33,090 --> 00:22:34,265
LET'S CALL HIM BOY X.

484
00:22:34,309 --> 00:22:35,745
SHE HAD A HISTORY
OF DRUG ISSUES.

485
00:22:35,789 --> 00:22:38,008
SHE WAS ARRESTED TWICE
FOR SOLICITATION.

486
00:22:38,052 --> 00:22:39,183
DO WE KNOW HER NAME?

487
00:22:39,227 --> 00:22:40,794
GARCIA: NOT YET.
THEY'RE BOTH JUVENILES,

488
00:22:40,837 --> 00:22:42,622
SO THOSE RECORDS
ARE SEALED TIGHT.

489
00:22:42,665 --> 00:22:44,798
BEAUMONT IS A
DECENT-SIZE CITY.

490
00:22:44,841 --> 00:22:46,190
THAT COULDN'T HAVE
BEEN THE ONLY BIRTH

491
00:22:46,234 --> 00:22:48,410
DURING THAT
TIMEFRAME THAT
RAISED EYEBROWS.

492
00:22:48,454 --> 00:22:50,151
CORRECT. SO I FOLLOWED
THE MONEY.

493
00:22:50,194 --> 00:22:52,022
GIRL X FILED
FOR CHILD SUPPORT,

494
00:22:52,066 --> 00:22:53,676
A LOT OF CHILD SUPPORT.

495
00:22:53,720 --> 00:22:55,025
OBVIOUSLY, SHE THOUGHT
SHE WAS GONNA GET IT.

496
00:22:55,069 --> 00:22:57,463
BOY X'S PARENTS
WERE WELL-OFF.

497
00:22:57,506 --> 00:22:58,942
GARCIA:
THAT'S WHERE MY MIND WENT.

498
00:22:58,986 --> 00:23:02,163
OOH! AND...SEALED TIGHT
IS JUST GARCIA-SPEAK

499
00:23:02,206 --> 00:23:03,817
FOR UNSEALED
WAITING TO HAPPEN.

500
00:23:03,860 --> 00:23:05,775
THE GIRL'S NAME...
LYDIA PARRIS.

501
00:23:05,819 --> 00:23:07,037
DO WE KNOW
WHERE SHE IS NOW?

502
00:23:07,081 --> 00:23:08,648
NOT YET,
BUT WE WILL.

503
00:23:08,691 --> 00:23:10,780
ROSSI: DOES IT
INDICATE WHETHER
SHE GOT THE MONEY?

504
00:23:10,824 --> 00:23:12,434
GARCIA: NO, BUT SHE GOT IT.

505
00:23:12,478 --> 00:23:15,742
BEFORE BABY, LYDIA
WAS HUSTLING FOR DRUG MONEY.

506
00:23:15,785 --> 00:23:18,440
AFTER, MOTHER AND SON MOVED TO
HOUSTON, LIVED IN STYLE...

507
00:23:18,484 --> 00:23:20,007
NEW CAR, NICE APARTMENT.

508
00:23:23,793 --> 00:23:25,229
YOU SURE YOU'RE OK?

509
00:23:25,273 --> 00:23:28,581
YEAH, YEAH, THAT GUY
WAS A NUT JOB,
BUT HE WAS HARMLESS.

510
00:23:28,624 --> 00:23:30,670
WOMAN: HEY, NICK,
YOU MIND GIVING ME A HAND?

511
00:23:30,713 --> 00:23:32,106
JUST BE CAREFUL,
ALL RIGHT?

512
00:23:32,149 --> 00:23:33,716
OK.

513
00:23:40,723 --> 00:23:43,422
AAH! MMM!

514
00:23:45,424 --> 00:23:47,687
OH! YOU ARE
A LIFESAVER.
THANK YOU.

515
00:23:47,730 --> 00:23:50,080
[CELL PHONE RINGING]

516
00:23:50,124 --> 00:23:51,691
WHAT DO YOU GOT,
PENELOPE?

517
00:23:51,734 --> 00:23:56,086
GARCIA: I HAVE THE
SAD CONCLUSION OF THE
LYDIA PARRIS SAGA.

518
00:23:56,130 --> 00:23:58,088
LIFE DID NOT IMPROVE FOR HER
ONCE SHE LEFT BEAUMONT.

519
00:23:58,132 --> 00:23:59,699
PRENTISS:
WHAT HAPPENED?

520
00:23:59,742 --> 00:24:02,223
MORE OF THE SAME...
DRUGS, ALCOHOL, HOMELESSNESS.

521
00:24:02,266 --> 00:24:04,094
SHE DIED OF CIRRHOSIS
3 MONTHS AGO IN GALVESTON.

522
00:24:04,138 --> 00:24:06,096
THERE'S YOUR TRIGGER.WHAT ABOUT HER SON?

523
00:24:06,140 --> 00:24:07,707
GARCIA: I'M STILL TRYING
TO TRACK HIM DOWN.

524
00:24:07,750 --> 00:24:09,665
HE LEFT HOME EARLY
AND THEN FELL OFF THE GRID.

525
00:24:09,709 --> 00:24:11,145
AND THE FATHER?

526
00:24:11,188 --> 00:24:12,494
GARCIA:
BOY X REMAINS BOY X.

527
00:24:12,538 --> 00:24:14,017
MONEY'LL BUY YOU
A LOT OF ANONYMITY.

528
00:24:14,061 --> 00:24:15,758
I'LL HIT YOU BACK
WHEN I HAVE MORE.

529
00:24:22,286 --> 00:24:24,114
YEP. THAT'S THE GUY.

530
00:24:24,158 --> 00:24:26,726
AND THE NAME OF THE BARTENDER
IS BECKY SILVERMAN?

531
00:24:26,769 --> 00:24:28,118
LOOK, SOMETHING
BAD HAPPENED.

532
00:24:28,162 --> 00:24:29,729
HER CAR'S STILL PARKED
IN THE ALLEY.

533
00:24:29,772 --> 00:24:31,731
HER HANDBAG'S ON THE GROUND.
SHE'S NOT ANSWERING HER CELL.

534
00:24:31,774 --> 00:24:33,210
AND YOU SAID THAT
SHE HAD AN ENCOUNTER
WITH THIS MAN

535
00:24:33,254 --> 00:24:34,560
EARLIER
IN THE AFTERNOON?

536
00:24:34,603 --> 00:24:36,300
GUY HAD BEEN HANGING
AROUND THE BAR
PAST FEW DAYS.

537
00:24:36,344 --> 00:24:37,737
BECKY SAID HE WAS CRAZY.HOW SO?

538
00:24:37,780 --> 00:24:41,262
HE WENT OFF ABOUT THIS TREE
THEY HAD TO GO SEE.

539
00:24:41,305 --> 00:24:43,177
BUT UP UNTIL
THE LAST FEW DAYS,

540
00:24:43,220 --> 00:24:44,744
YOU'D NEVER SEEN
THIS MAN BEFORE?

541
00:24:44,787 --> 00:24:47,268
NO. BECKY SAID HE WAS
LOOKING THROUGH
A CAR FLYER.

542
00:24:47,311 --> 00:24:49,096
HE NEEDED A PICKUP
THAT COULD HANDLE MUD?

543
00:24:49,139 --> 00:24:51,359
MUD? HAS IT BEEN
RAINING RECENTLY?

544
00:24:51,402 --> 00:24:53,666
IT'S BEEN BONE DRY
FOR MONTHS.

545
00:25:01,195 --> 00:25:02,805
[GASPING]

546
00:25:04,198 --> 00:25:05,808
COME ON.

547
00:25:08,202 --> 00:25:09,812
SHH...

548
00:25:12,206 --> 00:25:13,903
PLEASE! PLEASE DON'T
HURT ME, PLEASE!

549
00:25:13,947 --> 00:25:15,775
SHH...SHH.

550
00:25:15,818 --> 00:25:17,733
IT'S RIGHT NEARBY.

551
00:25:17,777 --> 00:25:19,169
I'M GONNA SHOW YOU.

552
00:25:19,213 --> 00:25:23,826
AND THEN WE'LL COME BACK
HERE AND GET READY.

553
00:25:29,266 --> 00:25:33,575
SO WHEREVER HE'S TAKING
HIS VICTIMS HAS GOT TO
BE SOMEWHERE PRIVATE,

554
00:25:33,619 --> 00:25:36,491
A PLACE HE KNOWS OTHERS
WOULDN'T DISTURB HIM.

555
00:25:36,535 --> 00:25:38,798
THERE'S LOTS OF PLACES
LIKE THAT AROUND HERE.

556
00:25:38,841 --> 00:25:41,496
TURNS PRETTY RURAL, YOU JUST GET
A COUPLE MILES OUTSIDE OF TOWN.

557
00:25:41,540 --> 00:25:44,804
OK, APPARENTLY HE NEEDED
A TRUCK THAT COULD
TRAVERSE DEEP MUD,

558
00:25:44,847 --> 00:25:46,196
BUT IT HASN'T RAINED
AROUND HERE FOR WEEKS.

559
00:25:46,240 --> 00:25:48,764
YEAH, WELL, THIS IS
BAYOU COUNTRY, REMEMBER.

560
00:25:48,808 --> 00:25:52,551
THERE ARE SOME AREAS
THAT ARE PRONE TO ON-AND-OFF
FLOODING YEAR-ROUND.

561
00:25:52,594 --> 00:25:54,727
WHICH PLACES?

562
00:25:54,770 --> 00:25:57,251
OH, SOUTHEAST OF...

563
00:25:59,862 --> 00:26:02,473
[CRYING]
I HAVEN'T DONE
ANYTHING TO YOU!

564
00:26:02,517 --> 00:26:04,214
COME ON!

565
00:26:04,258 --> 00:26:06,434
HEY, HEY, HEY,
THIS IS IT.

566
00:26:06,477 --> 00:26:08,828
UHH!

567
00:26:08,871 --> 00:26:13,267
HEY, HEY, HEY, THIS
IS OUR PLACE. OK?

568
00:26:13,310 --> 00:26:15,574
WE CAN MAKE
A FRESH START HERE.

569
00:26:15,617 --> 00:26:18,881
OK? OK, JUST
THE TWO OF US.

570
00:26:38,422 --> 00:26:39,772
THESE ARE THE
FLOOD ZONES.

571
00:26:39,815 --> 00:26:41,556
I SENT A COPY
OFF TO GARCIA.

572
00:26:41,600 --> 00:26:44,080
THERE MUST BE 15,000,
20,000 ACRES HERE. WE
NEED TO NARROW IT DOWN.

573
00:26:44,124 --> 00:26:46,996
ALL RIGHT, LET'S THINK.
IMAGINE YOU ARE BOY X.

574
00:26:47,040 --> 00:26:48,519
YOU'RE FROM
A PROMINENT FAMILY,

575
00:26:48,563 --> 00:26:50,173
BUT YOUR GIRLFRIEND
IS A WRONG-SIDE-OF-
THE-TRACKS TYPE.

576
00:26:50,217 --> 00:26:52,132
WHERE WOULD YOU GO
FOR A TRYST?

577
00:26:52,175 --> 00:26:55,265
YOU CAN'T RISK BEING SEEN.
YOU'D GO OFF TO THE
COUNTRYSIDE.

578
00:26:55,309 --> 00:26:57,659
OK, BUT NOT JUST
ANY COUNTRYSIDE.

579
00:26:57,703 --> 00:27:01,141
A PLACE YOU KNOW,
IDEALLY, A PLACE
YOU CONTROL.

580
00:27:01,184 --> 00:27:02,708
PROBABLY THE BOY'S
FAMILY OWNS.

581
00:27:02,751 --> 00:27:04,013
[CELL PHONE RINGS]

582
00:27:04,057 --> 00:27:06,102
GARCIA.I KNOW, I KNOW, I KNOW!

583
00:27:06,146 --> 00:27:08,061
I GOT THE FLOOD MAP, BUT
IT'S A LOT TO WADE THROUGH.

584
00:27:08,104 --> 00:27:10,019
EXCUSE THE ROSSI SCHOOL OF
BEING UNINTENTIONALLY PUNNY.

585
00:27:10,063 --> 00:27:12,021
PRENTISS: NARROW
YOUR SEARCH TO LAND
THAT'S BEEN OWNED

586
00:27:12,065 --> 00:27:15,808
BY THE SAME FAMILY FOR
AT LEAST 3 GENERATIONS.

587
00:27:15,851 --> 00:27:19,463
GARCIA: OH, THAT
HELPS ENORMOUSLY.

588
00:27:19,507 --> 00:27:22,249
THE ONES CLOSEST TO
THE CITY LIMITS ARE...

589
00:27:22,292 --> 00:27:24,033
CRAWFORD, STANFORD,
AND BOWMAN RANCHES.

590
00:27:24,077 --> 00:27:25,687
ALVEZ: CHECK THE
FAMILIES' HISTORIES,

591
00:27:25,731 --> 00:27:27,080
SEE IF ANY FLARES
GO OFF.

592
00:27:27,123 --> 00:27:30,170
PLEASE LET ME GO.
I WON'T TELL ANYBODY,
I SWEAR!

593
00:27:30,213 --> 00:27:33,390
SEE THAT TREE?
IT'S WHERE I BEGAN.

594
00:27:33,434 --> 00:27:37,046
A PLACE LIKE THAT, IT...

595
00:27:37,090 --> 00:27:39,701
IT SHOULD HAVE BEEN
THE MOST BEAUTIFUL
THING IN THE WORLD...

596
00:27:41,137 --> 00:27:42,704
LIKE YOU.

597
00:27:54,107 --> 00:27:57,850
WHY DID YOU PUT
THOSE THINGS ON IT?

598
00:27:57,893 --> 00:27:59,373
TO HONOR WHAT HAPPENED.

599
00:27:59,416 --> 00:28:00,853
WHAT?

600
00:28:00,896 --> 00:28:04,073
BRINGING TOGETHER
WHAT SHOULD ALWAYS
HAVE BEEN TOGETHER

601
00:28:04,117 --> 00:28:05,988
BUT WASN'T.

602
00:28:06,032 --> 00:28:08,991
SEE, ALL MY MOTHER
EVER WANTED WAS A FAMILY.

603
00:28:10,210 --> 00:28:12,125
SHE WASN'T GOOD ENOUGH
FOR HIM, THOUGH.

604
00:28:14,127 --> 00:28:16,912
BUT TREES, THEY'RE...

605
00:28:16,956 --> 00:28:18,914
THEY SENSE THINGS.

606
00:28:18,958 --> 00:28:20,220
THEY REGENERATE.

607
00:28:21,787 --> 00:28:23,049
I KNOW HOW THIS SOUNDS.

608
00:28:23,092 --> 00:28:25,529
DON'T! DON'T!
DO NOT TOUCH ME!

609
00:28:25,573 --> 00:28:28,445
DIDN'T YOU HEAR
WHAT I SAID? I...

610
00:28:28,489 --> 00:28:30,143
THIS IS OUR CHANCE

611
00:28:30,186 --> 00:28:31,971
TO MAKE SOMETHING
WRONG RIGHT AGAIN.

612
00:28:32,014 --> 00:28:33,973
YOU ARE INSANE.

613
00:28:35,975 --> 00:28:38,934
YOU'RE NOT ANY
DIFFERENT, ARE YOU?

614
00:28:38,978 --> 00:28:41,937
IT'S NOT TOO LATE.
TAKE ME BACK. I'LL...

615
00:28:41,981 --> 00:28:45,201
YOU'RE NO
DIFFERENT AT ALL.
I THOUGHT YOU WERE.

616
00:28:45,245 --> 00:28:46,768
TSK.

617
00:28:46,812 --> 00:28:48,161
BUT YOU'RE NOT.

618
00:28:48,204 --> 00:28:49,728
YOU'VE GOT A SICKNESS,
BUT YOU CAN GET HELP.

619
00:28:49,771 --> 00:28:51,338
I'LL HELP YOU GET HELP.

620
00:28:51,381 --> 00:28:53,601
NO.

621
00:28:53,644 --> 00:28:54,994
YOU HAD YOUR CHANCE.

622
00:28:55,037 --> 00:28:57,779
[CRYING]

623
00:28:57,823 --> 00:28:59,389
WHAT'S HAPPENING?

624
00:28:59,433 --> 00:29:01,609
WE ASKED GARCIA
TO LOOK FOR FLARES.
SHE MAY HAVE FOUND ONE.

625
00:29:01,652 --> 00:29:03,393
BILLY CRAWFORD.

626
00:29:03,437 --> 00:29:04,220
THAT'S OUR UNSUB?

627
00:29:04,264 --> 00:29:06,570
FATHER OF OUR UNSUB.
BOY X.

628
00:29:06,614 --> 00:29:10,313
30 YEARS BACK, BILLY WAS
KNOWN AS A WILD KID

629
00:29:10,357 --> 00:29:12,141
WHO SLUMMED IT
WITH LYDIA'S CROWD.

630
00:29:12,185 --> 00:29:13,839
SAME TIME SHE GOT PREGNANT,

631
00:29:13,882 --> 00:29:16,667
HE WAS ABRUPTLY SHIPPED
OFF TO A BOARDING SCHOOL
IN CONNECTICUT.

632
00:29:16,711 --> 00:29:18,539
FAMILY PAID OFF THE GIRL
AND THAT WAS THE END OF IT.

633
00:29:18,582 --> 00:29:19,932
WE KNOW WHERE
BILLY IS NOW?

634
00:29:19,975 --> 00:29:21,760
HE DIED OF CANCER
5 YEARS AGO.

635
00:29:21,803 --> 00:29:23,762
SO WITH LYDIA'S
RECENT DEATH,

636
00:29:23,805 --> 00:29:26,590
THE UNSUB, IN EFFECT,
WAS ORPHANED.

637
00:29:26,634 --> 00:29:28,157
SIMMONS: AND CAME BACK
TO BEAUMONT WHERE IT
ALL STARTED

638
00:29:28,201 --> 00:29:29,637
TO TRY TO FIX IT.

639
00:29:29,680 --> 00:29:32,335
THE FAMILY OWNS A RANCH
JUST OUTSIDE OF TOWN.

640
00:29:32,379 --> 00:29:34,729
IT'S MOSTLY DENSE WOOD,
BUT GARCIA HAS A SATELLITE
PHOTO OF A CLEARING

641
00:29:34,773 --> 00:29:36,731
WITH ONE VERY LARGE TREE.

642
00:29:36,775 --> 00:29:40,735
HELP! SOMEBODY!

643
00:29:40,779 --> 00:29:43,782
SCREAM ALL YOU WANT.
THERE'S NOBODY OUT HERE.

644
00:29:47,176 --> 00:29:49,744
OK. OK, LET'S DO
WHAT YOU SAID
OUT BY THE TREE.

645
00:29:49,788 --> 00:29:51,572
LET'S MAKE A NEW START.

646
00:29:51,615 --> 00:29:55,532
NO, YOU'RE JUST SCARED.
SCARED PEOPLE WILL
SAY ANYTHING.

647
00:30:03,149 --> 00:30:05,804
NOW I NEED TO FIND
A BRANCH JUST FOR YOU.

648
00:30:23,822 --> 00:30:25,824
[SIREN]

649
00:30:30,829 --> 00:30:33,440
PRENTISS: STOP! FBI!

650
00:30:53,112 --> 00:30:54,461
DROP IT!

651
00:30:56,463 --> 00:30:57,856
UHH!
[GUN CLICKS]
DAMN IT.

652
00:31:01,903 --> 00:31:03,470
UHH!

653
00:31:07,996 --> 00:31:11,347
WHAT'S HAPPENING?
I HEARD GUNSHOTS.

654
00:31:11,391 --> 00:31:12,914
ONE LAST CHANCE.

655
00:31:12,958 --> 00:31:14,829
WE LEAVE NOW,
TOGETHER.

656
00:31:14,873 --> 00:31:16,570
THIS IS IT.

657
00:31:16,613 --> 00:31:17,876
[SIRENS APPROACHING]

658
00:31:20,139 --> 00:31:21,836
OK.

659
00:31:21,880 --> 00:31:23,229
WHAT?

660
00:31:23,272 --> 00:31:25,884
I SAID OK.
LET'S DO IT.

661
00:31:25,927 --> 00:31:28,016
WELL, HOW DO I KNOW
YOU'RE...

662
00:31:28,060 --> 00:31:29,888
KISS ME.

663
00:31:40,899 --> 00:31:44,206
DO YOU BELIEVE ME NOW?

664
00:31:44,250 --> 00:31:45,860
YES.

665
00:31:45,904 --> 00:31:47,253
YES!

666
00:31:51,910 --> 00:31:53,694
I LOVE YOU.

667
00:31:53,737 --> 00:31:57,350
I'VE LOVED YOU FROM
THE MOMENT I SAW YOU.

668
00:32:07,969 --> 00:32:09,536
WHAT?

669
00:32:13,932 --> 00:32:17,544
W-WHAT'S HAPPENING?
WHAT'S HAPPENING?

670
00:32:19,546 --> 00:32:20,939
WHAT'S HAPPENING?

671
00:32:24,464 --> 00:32:25,944
[GUNSHOT]

672
00:32:41,960 --> 00:32:44,527
DAVE, ARE YOU OK?

673
00:32:44,571 --> 00:32:46,965
YEAH.

674
00:32:47,008 --> 00:32:48,923
MATT SAW A CABIN
OVER NEAR THE RIDGE.

675
00:32:48,967 --> 00:32:51,534
WE SHOULD GO ASSIST.

676
00:32:51,578 --> 00:32:54,929
THIS WAS NEVER GONNA
END ANY OTHER WAY.

677
00:32:54,973 --> 00:32:56,539
I KNOW.

678
00:32:56,583 --> 00:32:58,585
[SIRENS APPROACHING]

679
00:33:18,605 --> 00:33:21,303
PRENTISS: UH-HUH. OK. BYE.

680
00:33:22,739 --> 00:33:26,047
BECKY SILVERMAN'S SHAKEN UP,
BUT SHE'S GONNA BE OK.

681
00:33:26,091 --> 00:33:28,702
ROSSI SAID THE POLICE
FOUND MORE RECORDINGS
IN THE UNSUB'S CABIN?

682
00:33:28,745 --> 00:33:30,225
YEAH, YEAH,
WE'VE GOT 'EM.

683
00:33:30,269 --> 00:33:32,445
WE'RE GONNA TAKE 'EM
BACK TO QUANTICO.

684
00:33:32,488 --> 00:33:34,621
IT MIGHT SHED LIGHT
ON THE MURDERS WE
DON'T KNOW ABOUT.

685
00:33:34,664 --> 00:33:37,232
THAT TREE HAD A LOT
MORE BODY PARTS

686
00:33:37,276 --> 00:33:38,668
THAN 5 VICTIMS
COULD PRODUCE.

687
00:33:38,712 --> 00:33:40,235
TACKLE THOSE TAPES
TOMORROW.

688
00:33:40,279 --> 00:33:43,847
I THINK ALL OF US
HAVE HAD MORE THAN
ENOUGH FOR ONE DAY.

689
00:33:49,766 --> 00:33:52,465
HEY. MAY I BUG YOU
FOR A SECOND?

690
00:33:52,508 --> 00:33:54,249
PLEASE DO.

691
00:33:54,293 --> 00:33:56,425
THERE'S A RUMOR
FLOATING AROUND...

692
00:33:56,469 --> 00:33:58,645
HA. PENELOPE.

693
00:33:58,688 --> 00:34:01,735
IS NEW ORLEANS SOMETHING
YOU'RE SERIOUSLY CONSIDERING?

694
00:34:01,778 --> 00:34:03,650
I DON'T KNOW.

695
00:34:03,693 --> 00:34:05,478
IT SORT OF
CAME OUT OF NOWHERE.

696
00:34:05,521 --> 00:34:07,654
BUT BELIEVE ME, I'M
NOT GONNA DO ANYTHING

697
00:34:07,697 --> 00:34:09,438
WITHOUT CONSULTING
ALL OF YOU FIRST.

698
00:34:09,482 --> 00:34:11,658
THEY WOULD BE
LUCKY TO HAVE YOU.

699
00:34:11,701 --> 00:34:17,664
BUT SOMETHING
TO FACTOR IN, YOU KNOW,
SHOULD THINGS GET SERIOUS.

700
00:34:17,707 --> 00:34:20,667
IF I WERE TO MOVE ON
FROM MY POSITION,

701
00:34:20,710 --> 00:34:23,409
I HAD YOU IN MIND
TO TAKE OVER AS UNIT CHIEF.

702
00:34:23,452 --> 00:34:25,715
WHOA, WAIT. ARE YOU...

703
00:34:25,759 --> 00:34:31,417
NO. AT LEAST NOT UNTIL
I'VE CONSULTED WITH
ALL OF YOU.

704
00:34:31,460 --> 00:34:35,334
BUT I WANTED YOU
TO KNOW THAT WHEN
YOU WEIGH YOUR OPTIONS.

705
00:34:36,726 --> 00:34:38,337
THAT'S ALL.

706
00:34:41,209 --> 00:34:43,298
EMILY...

707
00:34:43,342 --> 00:34:46,693
UM, THANK YOU.

708
00:34:46,736 --> 00:34:48,738
THAT MEANS A LOT
THAT YOU SAID THAT.

709
00:34:56,355 --> 00:34:58,139
MAN, ON RECORDING:
I'M NOT CRAZY.

710
00:34:58,183 --> 00:35:02,796
I KNOW THESE PEOPLE
I FIND. THEY'RE NOT
MY REAL PARENTS.

711
00:35:02,839 --> 00:35:04,928
BUT THE WEIRD THING IS,

712
00:35:04,972 --> 00:35:08,671
SOMETIMES PRETENDING ISN'T JUST
AS GOOD AS THE REAL THING.

713
00:35:08,715 --> 00:35:10,804
IT'S BETTER.

714
00:35:10,847 --> 00:35:12,327
ANYTHING INTERESTING?

715
00:35:12,371 --> 00:35:13,894
IT'S STRANGE.

716
00:35:13,937 --> 00:35:16,331
ON THE ONE HAND,
THE UNSUB WAS TORN
APART BY REMORSE

717
00:35:16,375 --> 00:35:18,725
AND LIVING IN THE WORST
POSSIBLE HELL YOU CAN IMAGINE,

718
00:35:18,768 --> 00:35:22,729
BUT THEN IN THE NEXT INSTANT,
IT WAS LIKE HE WAS IN SOME
KIND OF A FAIRY TALE

719
00:35:22,772 --> 00:35:25,079
FILLED WITH WONDERMENT
AND DELIGHT.

720
00:35:25,123 --> 00:35:26,733
EARLIER TAPE REFLECTED
THE SAME DUALITY.

721
00:35:26,776 --> 00:35:29,953
HE WAS SPLIT BY A DEEP
PSYCHOLOGICAL AND
EMOTIONAL FISSURE.

722
00:35:29,997 --> 00:35:33,740
YEAH, BUT HE WASN'T
A SCHIZOPHRENIC OR
EVEN A SOCIOPATH, REALLY.

723
00:35:33,783 --> 00:35:36,786
I MEAN, HIS M.O. WAS
WELL-ORGANIZED AND EFFICIENT.

724
00:35:36,830 --> 00:35:38,745
COULD JUST BE THE
TWO SEPARATE AND
CONFLICTING REALITIES

725
00:35:38,788 --> 00:35:40,225
CO-EXISTED
INSIDE OF HIM.

726
00:35:40,268 --> 00:35:42,096
YEAH, ALMOST LIKE HE HAD
SOME KIND OF A FANTASY LIFE

727
00:35:42,140 --> 00:35:44,620
THAT WOULD TAKE OVER
FROM TIME TO TIME, YOU KNOW?

728
00:35:44,664 --> 00:35:45,926
LIKE A COPING MECHANISM.

729
00:35:45,969 --> 00:35:47,145
WELL, CAN'T WAIT TO HEAR
WHAT YOU FIND.

730
00:35:47,188 --> 00:35:48,494
YEAH.
SLEEP WELL.

731
00:35:48,537 --> 00:35:49,799
YOU TOO.

732
00:35:49,843 --> 00:35:52,454
[CLICK]
MAN, ON RECORDING:
THERE'S THIS FEELING

733
00:35:52,498 --> 00:35:56,371
THAT COMES OVER ME RIGHT BEFORE
I KNOW I'M GOING TO DO IT.

734
00:35:56,415 --> 00:35:59,331
IF ONLY I KNEW HOW TO
DESCRIBE IT TO YOU.

735
00:36:01,855 --> 00:36:05,380
HEY. WE STILL ON FOR SHOOTING
RANGE PRACTICE TOMORROW?

736
00:36:05,424 --> 00:36:08,383
RIGHT NOW, ALL I WANT TO
DO IS GET HOME AND HAVE
A DRINK WITH KRYSTALL.

737
00:36:08,427 --> 00:36:09,776
CAN WE PLAY IT BY EAR?

738
00:36:09,819 --> 00:36:11,212
OF COURSE.

739
00:36:11,256 --> 00:36:12,648
EVERYTHING OK?

740
00:36:12,692 --> 00:36:14,389
YEAH.

741
00:36:17,349 --> 00:36:20,743
I GUESS I'M FEELING
A LITTLE RATTLED.

742
00:36:20,787 --> 00:36:22,528
WHAT'S GOING ON?

743
00:36:28,447 --> 00:36:32,886
YOU KNOW, IT TOOK
THE WHOLE FLIGHT BACK
TO FIGURE IT OUT,

744
00:36:32,929 --> 00:36:34,888
BUT THEN IT HIT ME.

745
00:36:36,455 --> 00:36:39,414
THE LAST TIME I CHASED
AN UNSUB THROUGH THE WOODS,

746
00:36:39,458 --> 00:36:41,242
I DAMN NEAR DIED.

747
00:36:41,286 --> 00:36:42,983
EVERETT LYNCH.

748
00:36:43,026 --> 00:36:45,812
I KNOW THAT
PTSD IS REAL.

749
00:36:45,855 --> 00:36:48,815
GOD KNOWS, WE'VE BOTH
SEEN ENOUGH OF IT
IN WARTIME.

750
00:36:48,858 --> 00:36:50,425
UNFORTUNATELY,
WE HAVE.

751
00:36:50,469 --> 00:36:53,428
BUT BECAUSE I NEVER
FELL VICTIM TO IT
MYSELF,

752
00:36:53,472 --> 00:36:55,822
I GUESS I'VE LIVED MY
LIFE WITH A SLIVER OF...

753
00:36:55,865 --> 00:36:57,258
ARROGANCE.

754
00:36:57,302 --> 00:36:58,607
WHICH IS?

755
00:36:58,651 --> 00:37:00,696
THAT I WAS IMMUNE
TO PTSD.

756
00:37:00,740 --> 00:37:02,829
IT'S MIND OVER MATTER.

757
00:37:02,872 --> 00:37:07,442
WELL, THANKS TO
EVERETT LYNCH,

758
00:37:07,486 --> 00:37:08,965
I'M NOT IMMUNE NOW.

759
00:37:09,009 --> 00:37:12,447
WELL, LYNCH HAS BEEN QUIET
SINCE HE KILLED HIS DAUGHTER.

760
00:37:12,491 --> 00:37:16,277
COULD BE HE'S GONE DORMANT.
THAT HAPPENS SOMETIMES.

761
00:37:16,321 --> 00:37:17,844
BTK, ZODIAC.

762
00:37:17,887 --> 00:37:20,455
NO, NOT LYNCH. HE'S
A DIFFERENT KIND
OF ANIMAL.

763
00:37:20,499 --> 00:37:22,065
I THINK HE'S
ADJUSTED HIS M.O.,

764
00:37:22,109 --> 00:37:24,111
AND WE'RE JUST NOT
AWARE OF HIS ACTIVITY.

765
00:37:24,154 --> 00:37:26,853
WELL, I HOPE TO HELL
YOU'RE WRONG.

766
00:37:26,896 --> 00:37:29,290
BUT THE ONE THING
I STILL CAN'T
FIGURE OUT,

767
00:37:29,334 --> 00:37:33,338
IS WHY HE LET ME LIVE.

768
00:37:33,381 --> 00:37:38,038
IT CERTAINLY WASN'T
OUT OF THE GOODNESS
OF HIS HEART.

769
00:37:38,081 --> 00:37:42,695
WHAT MATTERS IS THAT
HE DID, AND BECAUSE
OF THAT,

770
00:37:42,738 --> 00:37:47,917
YOU ARE GOING HOME TONIGHT
TO A GREAT WOMAN

771
00:37:47,961 --> 00:37:49,919
AND A COLD, COLD MARTINI.

772
00:37:49,963 --> 00:37:51,530
KRYSTALL'S DRINK,
NOT MINE.

773
00:37:51,573 --> 00:37:52,879
OH, OK.

774
00:37:52,922 --> 00:37:54,272
BUT I TAKE YOUR POINT.

775
00:37:54,315 --> 00:37:58,711
AND AS FOR ME,
I'M ALSO GOING HOME
TO A GREAT WOMAN

776
00:37:58,754 --> 00:38:00,930
AND A BUCKET
OF DIRTY DIAPERS.

777
00:38:02,541 --> 00:38:03,890
I'LL SEE YOU TOMORROW.

778
00:38:03,933 --> 00:38:05,326
HEY.

779
00:38:10,897 --> 00:38:14,683
MAN, ON RECORDING:
I'VE HEARD THAT GAMBLERS
DON'T REALLY WANT TO WIN.

780
00:38:14,727 --> 00:38:18,905
THE ONLY TIME THEY FEEL ALIVE
IS WHEN THE DARKNESS STARTS
TO CROWD IN FROM EVERY ANGLE

781
00:38:18,948 --> 00:38:21,908
AND IT DOESN'T LOOK LIKE
THERE'S ANY WAY OUT.

782
00:38:21,951 --> 00:38:27,043
BUT PEOPLE LIKE ME KNOW,
THERE'S ALWAYS A WAY OUT.

783
00:38:27,087 --> 00:38:31,874
WHAT YOU DO IS GO IN DEEPER.
THAT'S THE TRICK.

784
00:38:31,918 --> 00:38:35,574
THE ONLY WAY OUT
IS TO GO FURTHER IN.

785
00:38:38,751 --> 00:38:43,582
REMEMBER HOW I SAID BEFORE
I FELT SOMETHING DIE IN ME
EVERY TIME I DO THIS?

786
00:38:43,625 --> 00:38:47,063
WELL, THAT'S THE TRUTH,
BUT AT THE SAME TIME,

787
00:38:47,107 --> 00:38:49,370
SOMETHING ELSE GROWS.

788
00:38:49,414 --> 00:38:53,679
AND THE WAY IT FEELS,
THIS GROWING THING,

789
00:38:53,722 --> 00:38:55,985
THERE'S NOTHING LIKE IT
IN WHAT YOU PEOPLE CALL

790
00:38:56,029 --> 00:38:58,510
"THE NORMAL WORLD."
[CAR ALARM BEEPS]

791
00:38:58,553 --> 00:38:59,989
AND FOR THAT, I PITY YOU.

792
00:39:01,600 --> 00:39:03,993
'CAUSE ONCE YOU KNOW
THIS FEELING,

793
00:39:04,037 --> 00:39:09,042
YOU NEVER, EVER WANT IT TO STOP.

794
00:39:09,085 --> 00:39:10,609
[STARTS ENGINE]

795
00:39:20,967 --> 00:39:22,621
[WIND CHIMES]

796
00:39:40,116 --> 00:39:41,596
HERE YOU GO.

797
00:39:41,640 --> 00:39:44,991
HEY, THAT LOOKS
WONDERFUL.

798
00:39:45,034 --> 00:39:49,604
SO, IS IT EVERYTHING
I SAID IT WOULD BE?

799
00:39:49,648 --> 00:39:51,040
EVERYTHING AND MORE.

800
00:39:52,302 --> 00:39:54,435
WHAT'S THE MATTER?

801
00:39:54,479 --> 00:39:57,438
OH, I DON'T KNOW.
I'M JUST...

802
00:39:57,482 --> 00:40:00,746
I'M THINKING BACK
ON MY LIFE AND...

803
00:40:00,789 --> 00:40:03,052
THE THINGS THAT I'VE
DONE AND WHO I AM.

804
00:40:04,619 --> 00:40:06,099
I DON'T DESERVE
ALL OF THIS.

805
00:40:06,142 --> 00:40:08,101
DON'T BE SILLY.
OF COURSE YOU DO.

806
00:40:09,668 --> 00:40:11,626
REALLY, I DON'T.

807
00:40:11,670 --> 00:40:16,979
SWEETHEART, WE'VE
ALL DONE THINGS WE
WISH WE'D DONE DIFFERENTLY,

808
00:40:17,023 --> 00:40:21,636
BUT YOU ARE THE BEST MAN
I HAVE EVER MET...

809
00:40:21,680 --> 00:40:23,116
AND I LOVE YOU.

810
00:40:23,159 --> 00:40:24,683
I LOVE YOU, TOO.

811
00:40:29,601 --> 00:40:31,690
SO, I'M GOING TO MAKE US
A DELICIOUS BREAKFAST...

812
00:40:31,733 --> 00:40:33,343
OH, OK.

813
00:40:33,387 --> 00:40:36,912
AND WE'RE GONNA CELEBRATE
THIS NEW PHASE OF OUR
LIFE TOGETHER.

814
00:40:36,956 --> 00:40:39,349
HEY.
WHAT?

815
00:40:39,393 --> 00:40:41,787
YOU HAVE THE MOST
REMARKABLE...

816
00:40:41,830 --> 00:40:44,267
FACIAL STRUCTURE.

817
00:40:44,311 --> 00:40:46,531
HAS ANYONE EVER
TOLD YOU THAT?

818
00:40:46,574 --> 00:40:48,663
NO.

819
00:40:48,707 --> 00:40:51,231
IT REALLY IS
QUITE LOVELY.

820
00:40:52,711 --> 00:40:55,714
I THINK YOU SHOULD BE
PRESERVED UNDER GLASS
FOREVER.

821
00:40:57,106 --> 00:40:58,891
FLATTERY WILL GET YOU
EVERYWHERE.

822
00:40:58,934 --> 00:41:00,675
HA HA HA!

823
00:41:00,719 --> 00:41:02,068
OK.

824
00:41:02,111 --> 00:41:03,678
I'M JUST...

825
00:41:03,722 --> 00:41:05,114
OK.

826
00:41:15,560 --> 00:41:17,823
LYNCH, VOICE-OVER:
"WE SERIAL KILLERS
ARE YOUR SONS,

827
00:41:17,866 --> 00:41:21,087
"WE ARE YOUR HUSBANDS,
WE ARE EVERYWHERE.

828
00:41:21,130 --> 00:41:24,090
AND THERE WILL BE MORE
OF YOUR CHILDREN DEAD TOMORROW."

829
00:41:24,133 --> 00:41:25,744
TED BUNDY.

830
00:41:27,528 --> 00:41:29,748
[WIND CHIMES]

831
00:41:49,768 --> 00:41:51,770
CAPTIONING MADE POSSIBLE BY
ABC STUDIOS, LLC AND CBS, INC.