WEBVTT

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[ENGINE TURNS OFF]

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WOMAN: SORRY. I COULDN'T
FIND A PARKING SPACE.

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[MUSIC PLAYING]

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IS EVERYTHING OK?

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I CAN MAKE YOU SOMETHING
ELSE IF YOU'D LIKE.

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NO. THANK YOU.

7
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OF COURSE.

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EXCUSE ME.

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- HERE YOU GO.
- GRACIAS.

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[BEEPING]

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[REGISTER PRINTING]

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YOU GUYS, YOU SHOULD
HAVE SEEN REID.

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HE SHOT A 100.

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YEAH, HE QUALIFIED
TO SHOOT A POSSIBLE.

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THAT'S A PERFECT SCORE.
WHAT, LIKE 200 AGENTS

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HAVE MADE THE WALL
OF GLORY.

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HE HIT EVERYTHING.
I MEAN, AT ONE POINT

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I THOUGHT HE MUST
HAVE TWO GUNS.

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MAYBE I DID.

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GARCIA: OK, I THINK
THIS WILL WORK.

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WOW, WHERE HAVE YOU BEEN
HIDING THOSE?

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LEWIS: SO, ALVEZ,
WHAT DID YOU SHOOT?

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95.

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PHEW. TARA?

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[SCOFFS]
HUNDRED, COME ON.

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[SCOFFS] NO. NO WAY.

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OK. I MEAN, YOU'RE GOOD,
BUT YOU ARE NOT THAT GOOD.

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THAT'S NOT WHAT YOUR
DADDY SAID LAST NIGHT.

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[SHUFFLES CARDS]OH!

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LUCKY DADDY.

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[LAUGHTER]

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GARCIA: I AM LOVING
THIS TIME RIGHT NOW,

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BUT TWO DAYS
WITHOUT A CASE,

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IT FEELS WEIRD.

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IT FEELS LIKE WE COULD
BE DOING SOME OF THIS
WAITING AT HOME.

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YEAH, YEAH, ROSSI
STEPPED OUT.

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ROSSI'S GETTING
MARRIED IN TWO DAYS,

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AND WE'RE ALL STILL
ON THE CLOCK.

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SIMMONS:
GUYS, I FEEL LIKE THIS
IS GONNA BE THE HOT SEAT.

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JAREAU:
YEAH, YOU DO KNOW
HE'S BEEN BANNED

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FROM EVERY CASINO
IN VEGAS, RIGHT?

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REALLY?

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WITH A DECK OF 52 CARDS,

44
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THE NUMBER OF COMBINATIONS
IS A FACTORIAL OF 52.

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YOU SIMPLY NEED TO
CALCULATE YOUR OUTS
AND THEN YOUR IMPLIED ODDS.

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MATH IS THE BASIS OF
ALL CARD GAMES.

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LEWIS: ALL RIGHT,
LADIES AND GENTLEMEN.

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TODAY'S GAME'S 5 CARD.
ROLL THEM OUT.

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THE BIG BLIND IS 50.
THE BABY IS 25.

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WE ARE STILL PLAYING
POKER, RIGHT?

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[HEAVY BREATHING]

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MAN: HE'S GOT A GUN!
RUN!

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TCH.

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ALVEZ: DO YOU THINK
THE LADY'S BLUFFING?

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I KNOW THE LADY'S BLUFFING

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BECAUSE SHE HAS A TELL.

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NO, I DON'T.

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I'M GONNA GO ALL IN.

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OH, I LIKE IT.

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LIVE BY THE SWORD,
DIE BY THE SWORD.

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I CALL.

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ALL RIGHT, LET'S SEE 'EM.

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THREE OF A KIND,
KING HIGH.

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PERFECTLY RESPECTABLE,
BUT NOT GETTING IT DONE.

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PAIR OF KINGS,
PAIR OF 7s.

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OH, I'M SORRY,
THREE 7s.

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OOH, A FULL BOAT FROM
THE SASSY DR. REID.

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LEWIS: OOH!

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OH, A STRAIGHT FLUSH!
THAT HAS TO HURT.

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GENTLEMEN.

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I THINK THAT
REID IS
SPEECHLESS.

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GUESS I'M A BETTER LIAR
THAN YOU THOUGHT.

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THANK YOU FOR NOT
LETTING ME PUT

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GARCIA'S OCTOPUS
MUG IN THE PILE.

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WHAT'S THAT?

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HEH. NOTHING.

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OH, BOY, DON'T LOOK NOW.

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WE'VE GOT A CASE.

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PRENTISS: WE'RE HEADED
TO LOS ANGELES

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WHERE TWO MURDERS
IN THE LAST TWO DAYS

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WITH THE EXACT SAME M.O.

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HAVE THE AUTHORITIES
PUZZLED.

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THE FIRST HOMICIDE
WAS YESTERDAY FOLLOWING

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A HIT AND RUN
IN EAGLE ROCK.

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GARCIA: THIS MAN
IN A PICKUP

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REAR ENDED THIS
WOMAN IN A SEDAN,

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AND THEN HE GOT OUT OF
HIS CAR AND HE SHOT HER.

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PRENTISS: TWICE IN
THE CHEST AT CLOSE RANGE.

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HE THEN FLED THE SCENE.

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COPS THOUGHT IT WAS
A ROAD RAGE INCIDENT
GONE WRONG UNTIL TODAY.

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GARCIA: A FEW HOURS
AGO, A SECOND
SHOOTING HAPPENED

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FOLLOWING A VIOLENT
ACCIDENT,

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THIS TIME IN RESEDA.

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SIMILAR PATTERN,
AND THE SAME DRIVER

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ACCORDING TO
EYEWITNESS ACCOUNTS.

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THIS TIME HE'S IN THE SUV.

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HE T-BONES THE RED TRUCK.
HE SURVIVES THE CRASH,

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AND JUST LIKE BEFORE,

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HE GETS OUT,
HE WALKS RIGHT UP
TO THE OTHER CAR

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AND SHOOTS THE DRIVER.

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ALVEZ: WE'VE SEEN CASES
OF SYMPHOROPHILIA BEFORE,

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WHERE A SUSPECT GETS OFF
ON STAGING A CRASH,

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BUT NONE THAT
INVOLVED A GUN.

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AND GIVEN THE FACT THAT
HE'S ALSO THE DRIVER,

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I THINK IT'S MORE LIKELY
A CASE OF AUTASSASSINOPHILIA.

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IT'S AN OVERLAPPING PARAPHILIA
IN WHICH AN INDIVIDUAL

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DERIVES AROUSAL
OR SEXUAL PLEASURE

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FROM THE THOUGHT OF
AND OR RISK OF BEING KILLED.

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SIMMONS: MAKES ME THINK
THE VEHICLES ARE IMPORTANT
TO HIM IN SOME WAY,

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LIKE THEY'RE A PART OF WHAT
HE'S TRYING TO DO OR SAY.

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WERE ANY OF THE CARS
THE SUSPECT USED
REPORTED STOLEN?

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OH, YEAH, BOTH VEHICLES
WERE REPORTED MISSING
PRIOR TO THE ACCIDENTS.

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WE'VE GOT
THE MAKINGS OF A
THRILL KILLER HERE.

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PRENTISS: A THRILL KILLER
AT THE START OF A SPREE.

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WITH TWO DEAD AND OUR
PRIMARY SUSPECT AT LARGE,

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THE JET'S STANDING BY.

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WHAT ABOUT ROSSI?

118
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I KNOW I SAID I DIDN'T
WANT ANY OF THIS,

119
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BUT I CANNOT WAIT TO
WALK DOWN THAT AISLE

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AND MARRY YOU
IN TWO DAYS.

121
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THE ALTAR WILL BE
SET UP HERE.

122
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OK, WHAT ABOUT THE FLOWERS?[CELL PHONE CHIMES]

123
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THEY'LL BE DELIVERED
MORNING OF.

124
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AND THIS IS THE BAR.
LET ME KNOW IF YOU HAVE
ANY SPECIAL REQUESTS.

125
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WHEELS UP.

126
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WOULD YOU GIVE
US A MINUTE?

127
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I DON'T HAVE TO GO.

128
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YEAH, YOU DO.

129
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I'LL MAKE IT BACK
IN TIME.

130
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IF I HAVE TO FLY
THE JET MYSELF,

131
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I WILL MAKE IT BACK
FOR OUR WEDDING.

132
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I KNOW YOU WILL.

133
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I LOVE YOU.

134
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[CAR ALARM SOUNDS]

135
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MAN: HEY!

136
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HEY, WHAT ARE YOU DOING?
THAT'S MY CAR!

137
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GIVE ME THE KEYS.

138
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DON'T MAKE ME
SHOOT YOU!

139
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KEYS!

140
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[ALARM CHIRPS]

141
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[TIRES SQUEAL]

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JAREAU: "WE ALL HAVE
A MONSTER WITHIN.

143
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THE DIFFERENCE IS
IN DEGREE, NOT IN KIND."

144
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DOUGLAS PRESTON.

145
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LEWIS: OK, SO OUR FIRST
VICTIM, ANDREA HINOJOSA,

146
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WAS 40 YEARS OLD.

147
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SHE WAS A PUBLIC
DEFENDER FOR L.A. COUNTY

148
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ON HER WAY TO A COURTHOUSE
WHEN THE SHOOTER
COLLIDED WITH HER.

149
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IT SAYS HERE ANDREA
WAS SINGLE, LIVED ALONE.

150
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SHE WAS WELL RESPECTED,
A RISING STAR
IN HER OFFICE.

151
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PRENTISS: WE SHOULD FOCUS
ON DISGRUNTLED CLIENTS,
ANGRY FAMILY MEMBERS.

152
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GARCIA: I'M WORKING ON
GETTING ACCESS TO HER
CLIENT LIST AS WE SPEAK.

153
00:08:18,933 --> 00:08:20,500
SIMMONS: OUR SECOND
VICTIM, PAUL BURKE,

154
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WAS SOMETHING OF
A ROLLING STONE.

155
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HE'S BEEN AN UBER
DRIVER, A HANDYMAN,

156
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AND MOST RECENTLY,
A CONSTRUCTION WORKER.

157
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ALVEZ: HE WAS HEADED
TO A JOB SITE

158
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WHEN OUR SHOOTER SMASHED INTO
HIS TRUCK AND THEN SHOT HIM.

159
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THAT WAS THE VIDEO
YOU SENT ME.
YEAH.

160
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GARCIA, DID PAUL BURKE
AND ANDREA HINOJOSA
EVER CROSS PATHS?

161
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GARCIA: YEAH, IT'S
STILL TOO EARLY TO SAY.

162
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ANDREA HAD A LOT OF
CLIENTS AND CASES

163
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THAT TOOK HER ALL
OVER LOS ANGELES.

164
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PAUL DID, TOO, BUT
HIS DIGITAL FOOTPRINT

165
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ISN'T AS STRONG
AS HIS PEERS'.

166
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LUCKY FOR YOU GUYS,
I EAT DIGITAL FOOTPRINTS
FOR BREAKFAST.

167
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I'M RONKIN'
AND TONKIN' ON THIS,

168
00:08:48,876 --> 00:08:49,703
SO IF THERE'S A CONNECTION,
I'LL FIND OUT.

169
00:08:49,746 --> 00:08:50,791
THANKS, PENELOPE.

170
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GARCIA: LOVE YOU.
I MEAN IT.

171
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WELL, THE UNSUB MUST
HAVE BEEN STALKING THEM.

172
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HE KNEW THEIR ROUTINES,
TARGETED BOTH ANDREA AND
PAUL ON THEIR WAY INTO WORK.

173
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YEAH, IT'S INTERESTING.

174
00:08:59,974 --> 00:09:01,976
THESE VICTIMS
LIKELY DIDN'T EVEN
SEE HIM COMING

175
00:09:02,019 --> 00:09:03,760
UNTIL HE SMASHES
INTO THEM.

176
00:09:03,804 --> 00:09:06,415
AND THEN AFTER HE'S DONE SO,
INCAPACITATING THEM,

177
00:09:06,458 --> 00:09:07,895
HE WALKS RIGHT UP
TO THE CAR,

178
00:09:07,938 --> 00:09:10,288
SO, WHAT, THEY CAN
SEE HIM PULL THE TRIGGER?

179
00:09:10,332 --> 00:09:13,857
FIRST HE SCARES THEM,
THEN HE PUNISHES THEM.

180
00:09:13,901 --> 00:09:16,033
A GUY THIS BOLD,
THIS COLD-BLOODED

181
00:09:16,077 --> 00:09:17,948
FEELS LIKE HE'S
OUT FOR REVENGE.

182
00:09:17,992 --> 00:09:19,820
I AGREE. WE'VE GOT
A LOT TO SORT THROUGH.

183
00:09:19,863 --> 00:09:22,213
TARA, MATT, GO TO
THE FIRST CRIME SCENE.

184
00:09:22,257 --> 00:09:24,564
DAVE, LUKE, YOU'LL HEAD
TO THE LATEST CRIME SCENE.

185
00:09:24,607 --> 00:09:26,914
JJ, REID, AND I WILL
SET UP AT THE LOCAL P.D.

186
00:09:26,957 --> 00:09:28,785
AND GO THROUGH THE NUMEROUS
EYEWITNESS STATEMENTS.

187
00:09:28,829 --> 00:09:29,917
IF THIS GUY STICKS
TO THE PATTERN,

188
00:09:29,960 --> 00:09:31,571
HE'LL STRIKE AGAIN TODAY.

189
00:09:31,614 --> 00:09:32,876
WE CAN'T LET HIM.

190
00:09:40,405 --> 00:09:41,668
DETECTIVE MURAD.

191
00:09:41,711 --> 00:09:42,843
I'M UNIT CHIEF
PRENTISS.

192
00:09:42,886 --> 00:09:43,974
THESE ARE AGENTS
JAREAU AND REID.

193
00:09:44,018 --> 00:09:45,846
PLEASURE. NICE TO SEE
YOU BOTH AGAIN.

194
00:09:45,889 --> 00:09:47,891
IT'S LIKE I TOLD YOU
ON THE PHONE.

195
00:09:47,935 --> 00:09:49,414
WE'VE HAD HUNDREDS
AND HUNDREDS OF CALLS

196
00:09:49,458 --> 00:09:52,243
OF POSSIBLE EYEWITNESSES,
BUT IT'S IMPOSSIBLE TO KNOW

197
00:09:52,287 --> 00:09:53,767
WHO'S FOR REAL,
WHO'S CRAZY,

198
00:09:53,810 --> 00:09:55,159
AND WHO'S JUST LOOKING
FOR ATTENTION.

199
00:09:55,203 --> 00:09:56,900
WERE THERE ANY ACCOUNTS
THAT STOOD OUT

200
00:09:56,944 --> 00:09:58,989
DUE TO DETAIL OR
SPECIFICITY?

201
00:09:59,033 --> 00:10:01,339
CCTV FOOTAGE HAS BEEN
ON THE NEWS.

202
00:10:01,383 --> 00:10:03,864
A LIBRARIAN IN SILVER LAKE
RECOGNIZED THE SHOOTER.

203
00:10:03,907 --> 00:10:07,258
CLAIMS HE STOLE HIS CAR
AND THREATENED HIM WITH A GUN.

204
00:10:07,302 --> 00:10:09,957
AND THERE'S A WAITRESS
THAT I JUST SPOKE WITH.

205
00:10:10,000 --> 00:10:12,350
SHE'S PRETTY SURE THAT SHE
SERVED THE SHOOTER YESTERDAY.

206
00:10:12,394 --> 00:10:13,656
WE'D LIKE TO TALK
TO BOTH OF THEM.

207
00:10:13,700 --> 00:10:15,310
WELL, XIMENA, THE
WAITRESS, IS STILL HERE.

208
00:10:15,353 --> 00:10:17,355
I'LL GET YOU THE CONTACT
INFO FOR THE LIBRARIAN.

209
00:10:17,399 --> 00:10:19,662
THANK YOU.
REID, JJ, GO TALK
TO XIMENA.

210
00:10:19,706 --> 00:10:23,797
I WILL REROUTE MATT
AND TARA TO THE LIBRARY.

211
00:10:23,840 --> 00:10:25,886
THANK YOU.

212
00:10:25,929 --> 00:10:27,496
SO, WHAT'D HE SAY?

213
00:10:27,539 --> 00:10:30,455
SAYS HE'S HERE EVERY DAY
AND SAW EVERYTHING.

214
00:10:30,499 --> 00:10:32,240
YOU READY FOR THE PART
THAT DOESN'T MAKE SENSE?

215
00:10:32,283 --> 00:10:34,808
SAYS OUR SHOOTER
WAS RELUCTANT.

216
00:10:34,851 --> 00:10:36,331
WHAT DO YOU MEAN?

217
00:10:36,374 --> 00:10:37,549
ACCORDING TO OUR FRIEND,

218
00:10:37,593 --> 00:10:39,290
THE SUSPECT'S HANDS
WERE SHAKING.

219
00:10:39,334 --> 00:10:41,249
THAT COULD HAVE
BEEN ADRENALINE.

220
00:10:41,292 --> 00:10:42,685
YEAH, IT COULD
HAVE BEEN,

221
00:10:42,729 --> 00:10:44,774
BUT HE SAYS HE
HESITATED BEFORE
HE SHOT HIM.

222
00:10:44,818 --> 00:10:46,820
THE FOOTAGE WE SAW
WAS TOO FAR AWAY

223
00:10:46,863 --> 00:10:48,560
TO PICK UP THAT
KIND OF DETAIL.

224
00:10:48,604 --> 00:10:50,867
WE NEED TO CHECK WITH
THE OTHER EYEWITNESS REPORTS,

225
00:10:50,911 --> 00:10:52,129
SEE IF THEY BACK IT UP.

226
00:10:52,173 --> 00:10:53,740
ALL RIGHT.

227
00:10:53,783 --> 00:10:55,437
AND YOU COULD HAVE
GOT ME ONE.

228
00:10:55,480 --> 00:10:57,961
YOU GOT A WEDDING
COMING UP.

229
00:10:58,005 --> 00:10:59,746
MAN: WE WERE ABOUT
TO CLOSE FOR THE NIGHT

230
00:10:59,789 --> 00:11:00,877
WHEN HE FORCED
HIS WAY INSIDE.

231
00:11:00,921 --> 00:11:02,096
EVERYTHING ABOUT HIM
MADE ME NERVOUS.

232
00:11:02,139 --> 00:11:03,837
HIS ENERGY WAS
ALL OVER THE PLACE.

233
00:11:03,880 --> 00:11:05,926
WAS HE LOOKING
FOR A BOOK, A PERSON?

234
00:11:05,969 --> 00:11:07,710
I DON'T KNOW. I DIDN'T
WANT TO GET TOO CLOSE,

235
00:11:07,754 --> 00:11:09,320
BUT THERE WAS
NO ONE ELSE INSIDE.

236
00:11:09,364 --> 00:11:11,018
THEN WHAT HAPPENED?

237
00:11:11,061 --> 00:11:13,063
HE WENT RIGHT TO THESE
STACKS OVER HERE,

238
00:11:13,107 --> 00:11:14,674
THEN TOOK OFF.

239
00:11:14,717 --> 00:11:16,066
I THOUGHT HE WAS
STEALING A BOOK
OR SOMETHING,

240
00:11:16,110 --> 00:11:17,285
SO I CHASED HIM OUT,

241
00:11:17,328 --> 00:11:18,634
SAW HIM BREAK
THE WINDOW OF MY CAR,

242
00:11:18,678 --> 00:11:20,723
THEN HE PULLED A GUN,
TOOK MY KEYS,

243
00:11:20,767 --> 00:11:22,203
AND DROVE AWAY.

244
00:11:22,246 --> 00:11:24,161
DO YOU MIND IF WE TAKE
A LOOK AROUND FOR A MOMENT?

245
00:11:24,205 --> 00:11:26,686
PLEASE. LET ME KNOW IF
YOU NEED ANYTHING ELSE.

246
00:11:26,729 --> 00:11:28,339
THANKS.

247
00:11:28,383 --> 00:11:29,993
TYLER GOT LUCKY.

248
00:11:30,037 --> 00:11:31,778
THE UNSUB COULD HAVE
KILLED HIM.

249
00:11:31,821 --> 00:11:34,519
BUT UP UNTIL NOW HE'S
AVOIDED UNNECESSARY VIOLENCE

250
00:11:34,563 --> 00:11:36,173
AND EVERY CAR
HE'S TAKEN WAS EMPTY.

251
00:11:36,217 --> 00:11:37,784
THIS FEELS RECKLESS.

252
00:11:37,827 --> 00:11:39,873
WHAT WAS HE LOOKING FOR
THAT WAS IMPORTANT

253
00:11:39,916 --> 00:11:43,006
ENOUGH FOR HIM
TO RISK EXPOSING
HIMSELF LIKE THIS?

254
00:11:49,317 --> 00:11:51,580
[APPROACHING SIREN]

255
00:12:00,937 --> 00:12:02,765
REID: WE'VE GOT
CREDIBLE SIGHTINGS
ALL OVER THE CITY.

256
00:12:02,809 --> 00:12:04,941
I MEAN, THE SHOOTER
HAS NOT EXACTLY
BEEN CAREFUL.

257
00:12:04,985 --> 00:12:07,335
YEAH, PUBLIC PARK,
THE RESTAURANT YESTERDAY
AFTERNOON,

258
00:12:07,378 --> 00:12:09,163
THE LIBRARY. THIS GUY'S
BEEN SEEN COMING AND GOING.

259
00:12:09,206 --> 00:12:10,904
THIS PAINTS
A FAR DIFFERENT PICTURE

260
00:12:10,947 --> 00:12:12,775
THAN WHAT WE THOUGHT WE
WERE WALKING INTO.

261
00:12:12,819 --> 00:12:15,125
BETWEEN THE HESITATION
THAT DAVE AND LUKE FOUND

262
00:12:15,169 --> 00:12:17,214
AND THIS RECKLESS BEHAVIOR,
WE'RE MISSING SOMETHING.

263
00:12:17,258 --> 00:12:18,955
[CELL PHONE RINGS]

264
00:12:18,999 --> 00:12:20,696
HEY, PENELOPE.
YOU'RE ON SPEAKER.

265
00:12:20,740 --> 00:12:23,220
FAM, OK, I HAVE BEEN
DOING SOME DIGGING,

266
00:12:23,264 --> 00:12:26,093
AND I HAVE DISCOVERED
A RARE AND BEAUTIFUL ARTIFACT

267
00:12:26,136 --> 00:12:28,008
LIKE THE TEETH OF
A BABY RAPTOR.

268
00:12:28,051 --> 00:12:31,141
6 WEEKS AGO, OUR FIRST
VICTIM, ANDREA HINOJOSA,

269
00:12:31,185 --> 00:12:34,797
HAD A PHONE CONVERSATION
WITH OUR SECOND VICTIM,
PAUL BURKE.

270
00:12:34,841 --> 00:12:36,625
IT ONLY LASTED A FEW MOMENTS,

271
00:12:36,668 --> 00:12:38,583
BUT THIS IS THE ONLY
CONNECTION WE HAVE

272
00:12:38,627 --> 00:12:40,063
BECAUSE THEY DON'T LIVE
IN THE SAME AREAS,

273
00:12:40,107 --> 00:12:42,457
THEY DON'T FREQUENT
THE SAME CANTINAS,
NOTHING, NADA.

274
00:12:42,500 --> 00:12:43,980
COULD IT BE SOMEONE
ASSOCIATED WITH ONE

275
00:12:44,024 --> 00:12:45,808
OF THE CASES ANDREA
WAS WORKING?

276
00:12:45,852 --> 00:12:48,028
IT COULD, BUT PAUL'S
NEVER BEEN ARRESTED.

277
00:12:48,071 --> 00:12:50,291
HE'S NOT LISTED IN ANY
COURT FILINGS OR POLICE REPORTS.

278
00:12:50,334 --> 00:12:51,553
WE NEED YOU.

279
00:12:51,596 --> 00:12:53,163
OH. OH, I HEARD THAT.
IS THAT A LEAD?

280
00:12:53,207 --> 00:12:53,990
THANKS, GARCIA.

281
00:12:54,034 --> 00:12:56,123
OK. GODSPEED.

282
00:12:56,166 --> 00:12:58,473
THEY CAN'T SEE ME.

283
00:12:58,516 --> 00:13:00,867
WE'VE LOCATED THE
VEHICLE STOLEN OUTSIDE
THE LIBRARY LAST NIGHT.

284
00:13:00,910 --> 00:13:03,260
RAMPART DIVISION FOUND
IT IN A RESIDENTIAL
NEIGHBORHOOD.

285
00:13:03,304 --> 00:13:04,958
WE'RE KEEPING
OUR DISTANCE.

286
00:13:06,133 --> 00:13:08,004
PRENTISS: ALL RIGHT, DAVE
AND LUKE ARE CLOSEST.

287
00:13:08,048 --> 00:13:09,484
MURAD: AND WE'VE GOT
UNITS IN THE AREA.

288
00:13:09,527 --> 00:13:11,094
HOW DO YOU WANT US
TO HANDLE THIS?

289
00:13:11,138 --> 00:13:12,574
WITH CAUTION.
HE'S ARMED.

290
00:13:39,731 --> 00:13:42,299
[SIRENS]

291
00:13:46,260 --> 00:13:47,565
HANDS WHERE I CAN
SEE THEM. NOW!

292
00:13:47,609 --> 00:13:49,393
ROSSI: DO NOT MAKE
ANY SUDDEN MOVEMENTS.

293
00:13:49,437 --> 00:13:52,657
GET OUT OF THE VEHICLE
SLOWLY WITH YOUR HANDS UP!

294
00:13:54,529 --> 00:13:55,878
SLOWLY.

295
00:13:55,922 --> 00:13:58,185
YOU DON'T UNDERSTAND.

296
00:13:58,228 --> 00:13:59,012
OFFICER:
STAY RIGHT THERE.

297
00:13:59,055 --> 00:14:00,883
NO, NO.
I HAD TO DO THIS.

298
00:14:00,927 --> 00:14:02,102
KEEP YOUR HANDS UP.

299
00:14:02,145 --> 00:14:03,494
YOU GOT TO LET
ME GO, PLEASE.

300
00:14:03,538 --> 00:14:06,019
WE CAN TALK ABOUT THIS,
BUT I NEED YOU TO CALM DOWN.

301
00:14:06,062 --> 00:14:07,455
YOU DON'T GET IT!

302
00:14:07,498 --> 00:14:09,457
THIS WAS THE LAST ONE.

303
00:14:09,500 --> 00:14:10,458
HE'S GOT A WEAPON.

304
00:14:10,501 --> 00:14:12,199
ALVEZ: KEEP YOUR
HANDS UP!

305
00:14:12,242 --> 00:14:13,635
OK.

306
00:14:13,678 --> 00:14:16,507
I HAD TO DO THIS, OK.
YOU DON'T UNDERSTAND.

307
00:14:16,551 --> 00:14:18,031
WHAT DON'T WE UNDERSTAND?

308
00:14:18,074 --> 00:14:20,729
MY WIFE, OK.
SHE'S IN DANGER.

309
00:14:20,772 --> 00:14:22,426
HER NAME IS LYNN ZABEL.

310
00:14:22,470 --> 00:14:24,341
SHE'S AT 4600
SPRUCE AVENUE.

311
00:14:24,385 --> 00:14:25,516
KEEP YOUR HANDS UP.

312
00:14:25,560 --> 00:14:29,912
PLEASE, I HAVE TO
DO THIS

313
00:14:29,956 --> 00:14:31,609
OR HE WILL KILL HER.

314
00:14:31,653 --> 00:14:33,394
PLEASE.

315
00:14:33,437 --> 00:14:34,569
NO, DON'T!

316
00:14:38,921 --> 00:14:40,923
[SIRENS]

317
00:14:43,099 --> 00:14:45,797
LUKE, HE SAID HIS WIFE'S
NAME WAS LYNN ZABEL.

318
00:14:45,841 --> 00:14:48,539
YES. 4600 SPRUCE AVENUE.

319
00:14:48,583 --> 00:14:54,110
EMILY, WE NEED A UNIT
AT 4600 SPRUCE AVENUE
IMMEDIATELY.

320
00:14:54,154 --> 00:14:57,418
SOMETHING'S WRONG HERE.

321
00:15:04,991 --> 00:15:07,167
OUR SHOOTER'S NAME
WAS MARK ZABEL,

322
00:15:07,210 --> 00:15:09,169
37 YEARS OLD,
A MUSICIAN.

323
00:15:09,212 --> 00:15:11,519
HE WAS JUST SHOT
DEAD BY THE LAPD.

324
00:15:16,219 --> 00:15:18,091
MAN: CLEAR!

325
00:15:18,134 --> 00:15:20,093
WE'RE CLEAR!

326
00:15:20,136 --> 00:15:21,790
[POLICE RADIO]

327
00:15:32,932 --> 00:15:34,672
EMILY.

328
00:15:36,239 --> 00:15:38,981
IT'S LYNN ZABEL.
SHE'S DEAD.

329
00:15:39,025 --> 00:15:41,244
BUT SHE'S STILL WARM.
MARK COULDN'T HAVE DONE THIS.

330
00:15:41,288 --> 00:15:43,290
WHAT THE HELL IS
GOING ON?

331
00:15:49,818 --> 00:15:50,819
SIMMONS: OUR SHOOTER KNEW
THIS WAS GONNA HAPPEN.

332
00:15:50,862 --> 00:15:52,908
MARK KNEW HIS WIFE
WAS IN DANGER.

333
00:15:52,952 --> 00:15:55,693
WELL, HE TOLD DAVE AND
LUKE HE HAD TO DO THIS.

334
00:15:55,737 --> 00:15:57,304
SO LET'S TAKE HIM
AT FACE VALUE.

335
00:15:57,347 --> 00:15:59,567
HE WAS ACTING
UNDER DURESS.

336
00:15:59,610 --> 00:16:01,047
HE WAS COERCED INTO
A KILLING SPREE

337
00:16:01,090 --> 00:16:02,483
IN ORDER TO SAVE
HIS WIFE.

338
00:16:02,526 --> 00:16:03,745
MURDER BY PROXY.

339
00:16:03,788 --> 00:16:05,138
BUT COERCED BY WHOM?

340
00:16:05,181 --> 00:16:06,704
WHO'S PULLING
THE STRINGS?

341
00:16:06,748 --> 00:16:07,967
HOW WOULD THAT EVEN WORK?

342
00:16:08,010 --> 00:16:09,969
WELL, THE UNSUB WOULD
NEED TO GAIN CONTROL.

343
00:16:10,012 --> 00:16:12,884
SO FIRST HE WOULD TAKE
MARK'S WIFE HOSTAGE
AS LEVERAGE,

344
00:16:12,928 --> 00:16:14,538
GIVE HIM AN ULTIMATUM.

345
00:16:14,582 --> 00:16:17,324
DO EXACTLY WHAT I SAY
OR I KILL YOUR WIFE.

346
00:16:17,367 --> 00:16:19,891
THEN HE'D HAVE TO
GIVE MARK SOME KIND
OF INSTRUCTIONS.

347
00:16:19,935 --> 00:16:22,633
HIS ORDERS WOULD BE
CLEAR, CONCISE.

348
00:16:22,677 --> 00:16:25,419
VEHICLE, TIME, PLACE.

349
00:16:25,462 --> 00:16:27,116
SIMMONS: THE VICTIMS
HAVE BEEN SELECTED
AHEAD OF TIME,

350
00:16:27,160 --> 00:16:29,205
SO HE'S MOST LIKELY
WORKING OFF OF A LIST.

351
00:16:29,249 --> 00:16:32,034
SO HE CARRIES OUT
TWO KILLS EXACTLY
AS INSTRUCTED,

352
00:16:32,078 --> 00:16:34,863
DESPITE THE RISK,
HIS OWN APPREHENSIONS,

353
00:16:34,906 --> 00:16:37,039
BUT WE INTERRUPTED
HIS THIRD.

354
00:16:37,083 --> 00:16:38,345
MARK DIDN'T COMPLETE
HIS MISSION,

355
00:16:38,388 --> 00:16:39,911
SO THE UNSUB
KILLS HIS WIFE.

356
00:16:39,955 --> 00:16:42,088
BUT IN ORDER TO KNOW
THAT, HE MUST HAVE BEEN
WATCHING HIM.

357
00:16:42,131 --> 00:16:43,915
IT'S ALMOST LIKE IT'S
SOME KIND OF GAME.

358
00:16:43,959 --> 00:16:49,704
IT SAYS EVERYTHING
ABOUT WHAT THE UNSUB
FEELS ABOUT MARK,

359
00:16:49,747 --> 00:16:52,359
HOW MUCH HE WANTED
HIM TO SUFFER.

360
00:16:55,449 --> 00:16:56,624
[CAMERA SHUTTER CLICKS]

361
00:16:56,667 --> 00:16:59,279
SO THE UNSUB IS
A PROXY KILLER?

362
00:16:59,322 --> 00:17:00,367
PUPPET MASTER,

363
00:17:00,410 --> 00:17:01,977
MOST LIKELY
ORCHESTRATING HIS KILLS

364
00:17:02,021 --> 00:17:03,152
OUT OF A NEED FOR REVENGE.

365
00:17:03,196 --> 00:17:05,067
JAREAU: FORCED INTO
AN IMPOSSIBLE SITUATION,

366
00:17:05,111 --> 00:17:06,373
MARK HAD TO MAKE A CHOICE--

367
00:17:06,416 --> 00:17:08,853
EITHER KILL OR WATCH
HIS WIFE BE KILLED.

368
00:17:08,897 --> 00:17:11,595
MARK CHOSE THE FORMER,
JUST AS OUR UNSUB
KNEW HE WOULD.

369
00:17:11,639 --> 00:17:14,076
TURNED MARK INTO
A MURDERER FOR
HIS OWN ENJOYMENT.

370
00:17:14,120 --> 00:17:15,773
REID: SENDING MARK
ALL ACROSS THE CITY

371
00:17:15,817 --> 00:17:17,906
TO COLLECT HIS INSTRUCTIONS
AND CARRY OUT HIS KILLS

372
00:17:17,949 --> 00:17:19,386
SPEAKS TO HIS LUST FOR POWER.

373
00:17:19,429 --> 00:17:21,910
PRENTISS: THIS IS A MAN WITH
A FRAGILE YET OUTSIZED EGO.

374
00:17:21,953 --> 00:17:24,304
ONCE HE'S CHALLENGED,
HE WON'T BACK DOWN.

375
00:17:24,347 --> 00:17:27,220
SO HE'S, WHAT,
TRYING TO SETTLE
SOME KIND OF SCORE?

376
00:17:27,263 --> 00:17:29,135
ROSSI: PERHAPS TEACH
HIS VICTIMS A LESSON.

377
00:17:29,178 --> 00:17:32,790
THE VICTIMS OUR UNSUB
TARGETED, ANDREA, MARK,
AND PAUL ARE ALL CONNECTED.

378
00:17:32,834 --> 00:17:34,009
ALL RIGHT,
SEE YOU TOMORROW.

379
00:17:34,053 --> 00:17:35,228
SEE YOU, CANDICE.

380
00:17:35,271 --> 00:17:37,056
MURAD: INCLUDING MARK'S
INTENDED THIRD VICTIM.

381
00:17:37,099 --> 00:17:40,581
ROSSI: YEAH. WE ID'd A MAN
NAMED CHARLIE STURGILL.

382
00:17:40,624 --> 00:17:42,583
JAREAU: THEY'VE ALL
CROSSED PATHS WITH THE UNSUB.

383
00:17:42,626 --> 00:17:46,848
FINDING OUT HOW AND WHEN
WILL HELP US IDENTIFY
ANY REMAINING TARGETS.

384
00:17:46,891 --> 00:17:49,546
[WOMAN GRUNTING]

385
00:17:50,982 --> 00:17:52,419
[SCREAMS]

386
00:17:52,462 --> 00:17:54,856
SHUT UP! SHUT UP!

387
00:18:03,734 --> 00:18:05,736
[CLICKING]

388
00:18:13,570 --> 00:18:15,137
DAVE.

389
00:18:15,181 --> 00:18:16,399
THANKS.

390
00:18:16,443 --> 00:18:17,922
WE'LL MAKE IT.

391
00:18:19,794 --> 00:18:21,535
SO CHARLIE STURGILL'S HERE,

392
00:18:21,578 --> 00:18:23,276
AND WE CAUGHT A BREAK.

393
00:18:23,319 --> 00:18:26,888
TURNS OUT HE WAS INVOLVED
IN A CASE THAT ANDREA
TRIED 8 YEARS AGO.

394
00:18:26,931 --> 00:18:29,499
SO, CHARLIE,
YOU WERE A WITNESS.

395
00:18:29,543 --> 00:18:31,371
YEAH.

396
00:18:31,414 --> 00:18:33,938
AND THIS WOMAN,
ANDREA, WAS THE LAWYER.

397
00:18:33,982 --> 00:18:37,594
HER CLIENT,
THE DEFENDANT, WAS NUTS.

398
00:18:37,638 --> 00:18:40,031
HE THREATENED TO KILL
EVERYONE AFTER THE
VERDICT WAS DELIVERED.

399
00:18:40,075 --> 00:18:42,164
SIMMONS:
WHAT DO YOU REMEMBER
ABOUT THE CASE?

400
00:18:42,208 --> 00:18:44,471
IT WAS A HIT AND RUN.

401
00:18:44,514 --> 00:18:46,864
THE DEFENDANT WAS INVOLVED
IN A HEAD-ON COLLISION

402
00:18:46,908 --> 00:18:48,692
IN FRONT OF THE BAR
WHERE I WORKED.

403
00:18:48,736 --> 00:18:50,129
4 PEOPLE WERE KILLED.

404
00:18:50,172 --> 00:18:51,652
HAD HE BEEN DRINKING?

405
00:18:51,695 --> 00:18:55,699
UM, I REMEMBER
SERVING HIM EARLIER
THAT NIGHT.

406
00:18:55,743 --> 00:18:58,180
HIS DEFENSE WAS THAT
IT WAS AN ACCIDENT.

407
00:18:58,224 --> 00:18:59,834
BUT IT WASN'T?
NO.

408
00:18:59,877 --> 00:19:02,271
HE WAS PLAYING CHICKEN
WITH ONCOMING TRAFFIC.

409
00:19:02,315 --> 00:19:05,231
HE CLAIMED TO ONLY HAVE
GOTTEN BEHIND THE WHEEL
ON A DARE,

410
00:19:05,274 --> 00:19:07,885
THAT HIM AND SOME GUY
WERE PLAYING TRUTH OR DARE

411
00:19:07,929 --> 00:19:09,452
TO IMPRESS SOME WOMAN.

412
00:19:09,496 --> 00:19:10,497
WHO WAS THE OTHER GUY?

413
00:19:10,540 --> 00:19:11,672
THEY DIDN'T SAY,

414
00:19:11,715 --> 00:19:12,977
BUT IT WAS
A B.S. EXCUSE.

415
00:19:13,021 --> 00:19:16,111
EVERYONE KNEW IT.
I SAW THE WHOLE THING.

416
00:19:16,155 --> 00:19:17,286
HE DIDN'T LOSE CONTROL.

417
00:19:17,330 --> 00:19:18,983
HE NEVER EVEN
SLOWED DOWN.

418
00:19:19,027 --> 00:19:20,811
THERE WAS A CAR
COMING RIGHT AT HIM,

419
00:19:20,855 --> 00:19:23,336
BUT HE JUST FLOORED IT.

420
00:19:24,598 --> 00:19:25,990
GARCIA: FOUND THE CASE
IN QUESTION.

421
00:19:26,034 --> 00:19:28,036
OUR UNSUB'S NAME IS
CASEY ALLEN PINKNER,

422
00:19:28,079 --> 00:19:29,951
AND HE'S A PIECE OF WORK.

423
00:19:29,994 --> 00:19:32,432
HE SPENT THE MAJORITY
OF HIS MISSPENT YOUTH

424
00:19:32,475 --> 00:19:34,390
IN AND OUT OF THE SYSTEM.

425
00:19:34,434 --> 00:19:37,524
HE TRIED TO GO THE
STRAIGHT AND NARROW
IN HIS EARLY 20s,

426
00:19:37,567 --> 00:19:40,091
TOOK SOME ODD JOBS,
BUT CASEY HAS A PROBLEM
WITH THE DRINK,

427
00:19:40,135 --> 00:19:42,050
AS WE ALL SAW, AND IT
FINALLY CAUGHT UP WITH HIM.

428
00:19:42,093 --> 00:19:43,660
GARCIA, WHERE IS HE NOW?

429
00:19:43,704 --> 00:19:45,184
GARCIA: I CAN TELL YOU
HE WAS SENTENCED TO
10 YEARS IN PRISON.

430
00:19:45,227 --> 00:19:48,099
HE SERVED 8.
HE WAS RELEASED 4 WEEKS AGO.

431
00:19:48,143 --> 00:19:50,014
AND I'LL TRY TO FIND
HIS LAST KNOWNS.

432
00:19:50,058 --> 00:19:51,929
PRENTISS: NOW, CASEY'S
DEFENSE WAS THAT THIS
WHOLE THING

433
00:19:51,973 --> 00:19:54,802
WAS THE RESULT OF
A GAME OF TRUTH OR DARE
GONE WRONG,

434
00:19:54,845 --> 00:19:58,109
AND THAT THIS MYSTERY
MAN IN THE BAR WAS
REALLY AT FAULT.

435
00:19:58,153 --> 00:19:59,981
NOW, WE THINK THAT MAN
WAS MARK ZABEL.

436
00:20:00,024 --> 00:20:03,071
GARCIA: OH, AND I CAN TELL
YOU VIA CREDIT CARD RECEIPT

437
00:20:03,114 --> 00:20:04,725
THAT THAT BAR IN QUESTION
MARK FREQUENTED.

438
00:20:04,768 --> 00:20:05,856
SIMMONS: AT THE TIME OF
CASEY'S TRIAL,

439
00:20:05,900 --> 00:20:07,118
MARK NEVER CAME FORWARD,

440
00:20:07,162 --> 00:20:08,946
SO THE COPS NEVER
PURSUED HIM AS A LEAD.

441
00:20:08,990 --> 00:20:10,644
CASEY'S BEEN PLANNING
THIS FOR A WHILE.

442
00:20:10,687 --> 00:20:13,037
SIMMONS:
WHEN WE QUESTIONED HIM,
CHARLIE RECOGNIZED

443
00:20:13,081 --> 00:20:14,517
PAUL BURKE AS
THE JURY FOREMAN,

444
00:20:14,561 --> 00:20:16,127
SO MAYBE THAT'S WHY
ANDREA CALLED PAUL,

445
00:20:16,171 --> 00:20:17,781
TO WARN HIM THAT
CASEY WAS OUT.

446
00:20:17,825 --> 00:20:19,740
JURY ROSTERS IN
LOS ANGELES COUNTY
ARE SEALED.

447
00:20:19,783 --> 00:20:20,958
THAT'S WHY WE COULDN'T
FIND THE CONNECTION

448
00:20:21,002 --> 00:20:22,221
BETWEEN
PAUL AND ANDREA.

449
00:20:22,264 --> 00:20:25,224
SO ANDREA
WAS HIS LAWYER,

450
00:20:25,267 --> 00:20:27,138
PAUL THE JURY FOREMAN,

451
00:20:27,182 --> 00:20:29,489
CHARLIE THE EYEWITNESS.

452
00:20:29,532 --> 00:20:31,578
CASEY'S GOING AFTER
EVERYONE INVOLVED,

453
00:20:31,621 --> 00:20:33,841
EVERYONE THAT HELPED
PUT HIM AWAY.

454
00:20:33,884 --> 00:20:36,539
ROSSI: WE NEED THE NAMES
OF EVERYONE WHO COULD HAVE
BEEN IN THAT COURTROOM.

455
00:20:36,583 --> 00:20:38,672
COMPILING AND SENDING NOW.

456
00:20:38,715 --> 00:20:41,283
[CELL PHONE RINGS]

457
00:20:41,327 --> 00:20:42,893
HEY, SWEETIE,
WHAT'S UP?

458
00:20:42,937 --> 00:20:45,287
CASEY: IS THIS
THE HONORABLE JUDGE,
MS. MELISSA HAMILTON?

459
00:20:45,331 --> 00:20:46,897
WHO IS THIS?

460
00:20:46,941 --> 00:20:48,856
LISTEN VERY CAREFULLY.

461
00:20:48,899 --> 00:20:50,858
I HAVE YOUR
DAUGHTER CANDICE.

462
00:20:50,901 --> 00:20:53,469
I WOULDN'T DO THAT,
MELISSA.

463
00:20:53,513 --> 00:20:57,038
YOU'LL DO EXACTLY
AS I SAY OR SHE DIES.

464
00:20:57,081 --> 00:21:00,476
UM, NEVER MIND.
I THOUGHT I FORGOT A FILE.

465
00:21:00,520 --> 00:21:02,652
I'M GOOD.
THAT'S MY CAR.

466
00:21:05,220 --> 00:21:07,135
CASEY: I'M GONNA BE
CRYSTAL CLEAR.

467
00:21:07,178 --> 00:21:10,399
TALK TO THE POLICE,
ASK ANYONE ELSE FOR
ANY HELP,

468
00:21:10,443 --> 00:21:11,966
CANDICE IS DEAD.

469
00:21:12,009 --> 00:21:13,402
[PHONE BEEPS]

470
00:21:16,710 --> 00:21:18,407
[GASPS]

471
00:21:21,149 --> 00:21:23,064
WHAT DO YOU WANT?

472
00:21:23,107 --> 00:21:26,154
WE'RE GONNA PLAY
A LITTLE GAME.

473
00:21:26,197 --> 00:21:28,461
REID: GARCIA, ANY LUCK
WITH JUDGE HAMILTON?

474
00:21:28,504 --> 00:21:31,420
NO. WE'VE REACHED
EVERYONE ELSE INVOLVED.

475
00:21:31,464 --> 00:21:33,204
SHE WON'T PICK UP.
I'M PINGING HER PHONE.

476
00:21:33,248 --> 00:21:34,554
YOU GUYS ARE CLOSE.

477
00:21:34,597 --> 00:21:36,251
JAREAU: SHE'S GOT
TO BE HIS END GAME.

478
00:21:36,295 --> 00:21:37,948
HE KNOWS WE'RE
ON TO HIM.
TIME IS LIMITED.

479
00:21:37,992 --> 00:21:39,776
DURING SENTENCING, SHE WANTED
TO THROW THE BOOK AT HIM,

480
00:21:39,820 --> 00:21:41,865
SAID HE NEEDED TO TAKE
RESPONSIBILITY FOR HIS ACTIONS.

481
00:21:41,909 --> 00:21:43,258
THAT WOULD HAVE
INCENSED HIM.

482
00:21:43,302 --> 00:21:44,651
OH, SHE JUST PULLED OVER.

483
00:21:46,174 --> 00:21:47,393
YOU'LL DO EXACTLY AS I SAY.

484
00:21:47,436 --> 00:21:49,438
YOUR DAUGHTER'S LIFE
DEPENDS ON IT.

485
00:21:53,616 --> 00:21:56,271
REID: THAT'S HER.
THAT'S JUDGE HAMILTON.

486
00:21:56,315 --> 00:21:57,881
TURN AROUND.

487
00:21:57,925 --> 00:22:00,057
GO! NOW!

488
00:22:00,101 --> 00:22:01,885
[TIRES SQUEAL]

489
00:22:07,238 --> 00:22:09,066
[TRUCK BEEPING]

490
00:22:14,811 --> 00:22:17,031
[PEOPLE SCREAMING]

491
00:22:21,122 --> 00:22:23,733
GO, GO, GO. GO!

492
00:22:27,215 --> 00:22:28,869
RIGHT THERE.

493
00:22:29,957 --> 00:22:30,914
EVERYBODY OUT!

494
00:22:30,958 --> 00:22:31,915
[GUNSHOT]

495
00:22:31,959 --> 00:22:33,482
JAREAU: GO! GET OUT!
FBI.

496
00:22:33,526 --> 00:22:35,615
PUT YOUR WEAPONS DOWN. NOW!

497
00:22:35,658 --> 00:22:36,616
THAT'S NOT GONNA
HAPPEN.

498
00:22:36,659 --> 00:22:38,226
MELISSA, TAKE IT.

499
00:22:40,141 --> 00:22:42,273
TAKE IT!

500
00:22:42,317 --> 00:22:44,885
I'LL KILL YOUR DAUGHTER.
YOU KNOW I WILL.

501
00:22:44,928 --> 00:22:47,888
POINT IT AT THEM.
NOW!

502
00:22:51,282 --> 00:22:53,284
CASEY: I'M NOT GONNA
ASK YOU AGAIN.

503
00:22:53,328 --> 00:22:55,635
PUT IT DOWN!

504
00:22:55,678 --> 00:22:58,246
PUT THEM DOWN NOW!

505
00:22:58,289 --> 00:22:59,378
IT'S OK.

506
00:23:00,553 --> 00:23:02,206
DOWN!

507
00:23:04,121 --> 00:23:05,645
MELISSA, PICK THEM UP.

508
00:23:05,688 --> 00:23:07,386
PICK THEM UP!
GO, GO!

509
00:23:07,429 --> 00:23:09,649
TOSS THEM.

510
00:23:11,433 --> 00:23:14,305
PLEASE, DON'T HURT HER.

511
00:23:14,349 --> 00:23:15,655
I DIDN'T CALL THEM.

512
00:23:15,698 --> 00:23:17,439
I HAVE NO IDEA
HOW THEY FOUND ME.

513
00:23:17,483 --> 00:23:19,310
DO NOT MOVE.

514
00:23:19,354 --> 00:23:22,488
LOCK IT DOWN!

515
00:23:22,531 --> 00:23:24,925
[GATE WHIRS]

516
00:23:24,968 --> 00:23:27,406
PLEASE, JUST LET
MY DAUGHTER GO.

517
00:23:27,449 --> 00:23:31,061
MELISSA, WE HAVEN'T
FINISHED OUR LITTLE GAME.

518
00:23:42,551 --> 00:23:45,075
REAR ENTRANCE HAS BEEN
BARRICADED AS WELL.

519
00:23:45,119 --> 00:23:47,121
EYEWITNESSES PUT
4 OR 5 PEOPLE INSIDE.

520
00:23:47,164 --> 00:23:48,992
WHAT ABOUT
SECURITY CAMERAS?

521
00:23:49,036 --> 00:23:50,254
EMPLOYEE SAYS
THEY'RE CHEAP,

522
00:23:50,298 --> 00:23:52,082
ROUTED OFF OF SOME
SERVER IN CHINA.

523
00:23:52,126 --> 00:23:53,606
WE'RE TRYING TO
ACCESS THEM NOW.

524
00:23:53,649 --> 00:23:55,477
GET GARCIA ON IT.

525
00:23:55,521 --> 00:23:58,001
RAPID RESPONSE TEAM IS
GEARING UP IN THE BACK.

526
00:23:58,045 --> 00:24:00,003
AS SOON AS THEY FIND A
POINT OF VULNERABILITY,

527
00:24:00,047 --> 00:24:01,091
I WANT TO GO IN STRONG.

528
00:24:01,135 --> 00:24:02,397
NO. NO, THAT'S
A BAD IDEA.

529
00:24:02,441 --> 00:24:04,834
LET'S BUILD A LINE
OF COMMUNICATION, START THERE.

530
00:24:04,878 --> 00:24:06,532
WE'VE GOT TWO OF OUR
BEST AGENTS IN THERE.

531
00:24:06,575 --> 00:24:08,838
WE NEED TO TRUST THAT THEY'LL
KEEP THINGS UNDER CONTROL

532
00:24:08,882 --> 00:24:11,058
UNTIL WE CAN FIND
A WAY IN.

533
00:24:11,101 --> 00:24:12,451
OK.

534
00:24:13,974 --> 00:24:16,977
THE PROBLEM IS,
CASEY'S NOT LIKELY
TO ASK FOR ANYTHING.

535
00:24:17,020 --> 00:24:20,110
I MEAN, WHAT
HE WANTS, HE HAS.

536
00:24:20,154 --> 00:24:22,548
WE CAN'T NEGOTIATE
WITH A GUY WHO DOESN'T
WANT ANYTHING.

537
00:24:24,245 --> 00:24:26,987
DON'T WORRY,
IT'S GONNA BE OK.

538
00:24:27,030 --> 00:24:28,075
CASEY: HURRY UP.

539
00:24:28,118 --> 00:24:30,033
GET OVER HERE.

540
00:24:32,558 --> 00:24:34,037
THIS IS ALL YOUR FAULT.

541
00:24:34,081 --> 00:24:37,127
I TOLD YOU. I TOLD YOU
IT WAS AN ACCIDENT,

542
00:24:37,171 --> 00:24:39,042
THAT MARK WAS THE ONE
WHO FORCED ME TO DO IT,

543
00:24:39,086 --> 00:24:40,348
BUT YOU WOULDN'T LISTEN.

544
00:24:40,391 --> 00:24:44,526
YOU JUST SAT UP THERE
LOOKING SMUG AND SUPERIOR.

545
00:24:44,570 --> 00:24:48,487
YOU THINK YOU'RE
SO MUCH BETTER THAN ME,
BUT YOU'RE NOT.

546
00:24:48,530 --> 00:24:52,142
YOU'RE JUST AS CAPABLE
OF HURTING SOMEONE
AS ANYBODY IS.

547
00:24:59,106 --> 00:25:00,760
WELL, HERE IT IS,
JUDGE...

548
00:25:02,196 --> 00:25:04,067
YOUR MOMENT OF TRUTH.

549
00:25:06,461 --> 00:25:08,419
SHOOT HER,

550
00:25:08,463 --> 00:25:10,073
OR I'LL KILL
YOUR DAUGHTER.

551
00:25:10,117 --> 00:25:13,773
JAREAU: COME ON.
SHE'S GOT NOTHING
TO DO WITH THIS, OK.

552
00:25:13,816 --> 00:25:15,209
JUST LET HER GO.

553
00:25:15,252 --> 00:25:16,471
SHOOT HER!

554
00:25:16,515 --> 00:25:18,952
CASEY.

555
00:25:18,995 --> 00:25:20,693
SHE'S NOT
A PART OF THIS.

556
00:25:20,736 --> 00:25:21,868
OK?

557
00:25:21,911 --> 00:25:23,217
YOU HAVE NO REASON
TO HURT HER.

558
00:25:23,260 --> 00:25:25,698
JUST LET HER GO.

559
00:25:30,311 --> 00:25:32,835
[MELISSA WHIMPERS]

560
00:25:40,756 --> 00:25:43,019
I WASN'T TALKING TO YOU.

561
00:25:54,901 --> 00:25:57,077
GET UP! NOW!

562
00:25:58,208 --> 00:25:59,514
[MELISSA SCREAMS]

563
00:26:01,081 --> 00:26:03,387
DO NOT MOVE!

564
00:26:08,088 --> 00:26:09,524
NEW DEAL.

565
00:26:12,440 --> 00:26:14,573
NOW YOU NEED TO KILL
ONE OF THESE TWO.

566
00:26:21,841 --> 00:26:23,407
TO GET MELISSA
TO PLAY ALONG,

567
00:26:23,451 --> 00:26:25,105
HE'S GOT TO BE
FORCING HER HAND,

568
00:26:25,148 --> 00:26:27,977
AND MY GUESS IS THAT
HE'S USING HER DAUGHTER
CANDICE AS LEVERAGE.

569
00:26:28,021 --> 00:26:29,588
JUST LIKE BEFORE WITH
MARK AND HIS WIFE.

570
00:26:29,631 --> 00:26:31,720
IF HE'S HOLDING HER,
IT'S GOT TO BE CLOSE.

571
00:26:31,764 --> 00:26:33,243
GO DOOR TO DOOR,
CAR TO CAR.

572
00:26:33,287 --> 00:26:36,029
WE REMOVE THE THREAT,
WE CAN TURN MELISSA.

573
00:26:37,204 --> 00:26:38,988
WHO'S IT GONNA BE?

574
00:26:39,032 --> 00:26:40,599
PLEASE.

575
00:26:40,642 --> 00:26:41,861
I DON'T WANT TO DO THIS.

576
00:26:41,904 --> 00:26:44,385
FOCUS, MELISSA.

577
00:26:44,428 --> 00:26:46,039
PLEASE.

578
00:26:47,214 --> 00:26:48,432
JUDGE, YOU GOT
TO DECIDE.

579
00:26:48,476 --> 00:26:51,392
THAT'S WHAT
YOU DO, RIGHT?

580
00:26:51,435 --> 00:26:53,916
DECIDE
LIFE OR DEATH

581
00:26:53,960 --> 00:26:55,439
WITH A FLICK
OF YOUR GAVEL.

582
00:26:58,138 --> 00:27:01,358
[TELEPHONE RINGS]

583
00:27:01,402 --> 00:27:04,100
[LINE RINGS]

584
00:27:04,144 --> 00:27:06,755
[RING]

585
00:27:06,799 --> 00:27:07,800
[TELEPHONE RINGS]

586
00:27:07,843 --> 00:27:10,280
REID: ANSWER IT.
CASEY, ANSWER IT.

587
00:27:10,324 --> 00:27:11,978
SHUT UP!

588
00:27:12,021 --> 00:27:13,936
PULL THE TRIGGER!

589
00:27:13,980 --> 00:27:16,243
[TELEPHONE RINGS]

590
00:27:16,286 --> 00:27:18,114
[RINGING STOPS]NOTHING.

591
00:27:18,158 --> 00:27:19,942
FOCUS, MELISSA.

592
00:27:21,727 --> 00:27:22,989
PULL THE TRIGGER.

593
00:27:23,032 --> 00:27:24,555
CASEY.

594
00:27:24,599 --> 00:27:28,211
UM, IF MELISSA
WON'T PLAY,

595
00:27:28,255 --> 00:27:30,649
I WILL.

596
00:27:35,044 --> 00:27:37,568
TRUTH OR DARE.
THAT'S YOUR GAME,
RIGHT?

597
00:27:40,093 --> 00:27:41,224
I'LL PLAY.

598
00:27:45,359 --> 00:27:46,839
SIMMONS: I GOT GARCIA.
SHE'S SECONDS AWAY

599
00:27:46,882 --> 00:27:48,144
FROM ACCESSING
THE SECURITY FEED.

600
00:27:48,188 --> 00:27:50,277
GO AHEAD, GARCIA.
WE GOT THE LAPTOP.

601
00:27:50,320 --> 00:27:51,844
I'M RUNNING ALGORITHMS
ON ALGORITHMS HERE.

602
00:27:51,887 --> 00:27:54,150
AND WE ARE IN.

603
00:27:54,194 --> 00:27:55,543
THIS IS LIVE.

604
00:27:55,586 --> 00:27:58,241
OK. ALL RIGHT,
LOOKS LIKE REID
AND JJ ARE TIED UP,

605
00:27:58,285 --> 00:28:00,766
AND IT'S THE SHOP
MANAGER THAT WAS SHOT.
RIGHT? LOOK.

606
00:28:00,809 --> 00:28:02,768
SHE'S STILL MOVING.

607
00:28:02,811 --> 00:28:04,160
SIMMONS:
DO WE HAVE AUDIO?

608
00:28:04,204 --> 00:28:06,206
NO, CAMERAS AREN'T CAPABLE.

609
00:28:06,249 --> 00:28:08,382
IS THAT A DOOR?WHERE?

610
00:28:08,425 --> 00:28:10,166
RIGHT HERE.
FAR LEFT WALL.

611
00:28:10,210 --> 00:28:12,212
CASEY: MELISSA,
THE WEAPON. NOW!

612
00:28:12,255 --> 00:28:14,214
REID: CASEY, I KNOW
WHAT IT'S LIKE,

613
00:28:14,257 --> 00:28:16,216
TO BE WRONGLY ACCUSED,

614
00:28:16,259 --> 00:28:18,653
SENT TO PRISON FOR A
CRIME YOU DIDN'T COMMIT.

615
00:28:20,133 --> 00:28:22,091
YEAH, RIGHT.

616
00:28:22,135 --> 00:28:23,963
YOU WENT TO JAIL?

617
00:28:25,225 --> 00:28:27,270
I'D LIKE TO SEE THAT,
PRETTY BOY.

618
00:28:33,973 --> 00:28:35,583
CASEY: OK.

619
00:28:35,626 --> 00:28:37,193
AGENT...

620
00:28:37,237 --> 00:28:39,195
JAREAU.

621
00:28:40,980 --> 00:28:42,721
AGENT JAREAU.

622
00:28:49,771 --> 00:28:51,642
TRUTH OR DARE?

623
00:28:51,686 --> 00:28:53,862
TRUTH.

624
00:28:53,906 --> 00:28:57,344
IF I THINK YOU'RE LYING
OR STRETCHING THE TRUTH

625
00:28:57,387 --> 00:28:59,607
IN THE SLIGHTEST,
I'LL KILL HIM.

626
00:29:03,263 --> 00:29:04,873
YEAH.

627
00:29:08,877 --> 00:29:10,836
YOU EVER SHOOT
ANYBODY BEFORE?

628
00:29:10,879 --> 00:29:13,447
YES, I HAVE.

629
00:29:13,490 --> 00:29:15,275
YOU ENJOY IT?

630
00:29:15,318 --> 00:29:17,407
NO.

631
00:29:22,848 --> 00:29:24,980
LIAR!
[GUNSHOT]

632
00:29:26,895 --> 00:29:28,462
NO, NO, NO.
I'M NOT LYING.

633
00:29:28,505 --> 00:29:30,681
OK, I'M NOT LYING.

634
00:29:30,725 --> 00:29:32,858
THE PEOPLE I SHOT
I HAD NO CHOICE,

635
00:29:32,901 --> 00:29:37,253
BUT I DID NOT ENJOY IT.
I DIDN'T.

636
00:29:37,297 --> 00:29:39,299
OK, YOU ASKED, AND I
TOLD THE TRUTH, OK.

637
00:29:39,342 --> 00:29:41,214
I TOLD YOU THE TRUTH.

638
00:29:41,257 --> 00:29:44,434
SO NOW IT'S MY TURN.

639
00:29:44,478 --> 00:29:46,785
RIGHT?

640
00:29:46,828 --> 00:29:48,351
THAT'S HOW THIS
GAME'S PLAYED.

641
00:29:48,395 --> 00:29:51,354
WE TAKE TURNS.

642
00:29:51,398 --> 00:29:53,530
TRUTH OR DARE?

643
00:29:56,838 --> 00:29:58,492
TRUTH.

644
00:29:59,885 --> 00:30:00,842
WHAT'S IT GONNA TAKE
FOR ALL OF US

645
00:30:00,886 --> 00:30:02,365
TO WALK OUT
OF HERE ALIVE,

646
00:30:02,409 --> 00:30:04,063
FOR THIS TO END
PEACEFULLY?

647
00:30:04,106 --> 00:30:05,586
I AIN'T GOING BACK
TO PRISON.

648
00:30:05,629 --> 00:30:07,240
MY TURN.

649
00:30:07,283 --> 00:30:09,459
TRUTH OR DARE?

650
00:30:10,634 --> 00:30:12,332
TRUTH.

651
00:30:12,375 --> 00:30:15,161
I WANT YOU TO SAY SOMETHING
YOU'RE AFRAID TO SAY,

652
00:30:15,204 --> 00:30:16,989
THAT YOU'D NEVER
TELL ANYBODY.

653
00:30:17,032 --> 00:30:18,773
AND YOU BETTER
MAKE IT GOOD,

654
00:30:18,817 --> 00:30:21,645
'CAUSE IF IT'S NOT,
IT'S GONNA BE THE LAST
THING YOU EVER SAY.

655
00:30:23,386 --> 00:30:24,910
WHAT'S IT GONNA BE?

656
00:30:26,172 --> 00:30:28,348
THERE ARE ONLY 4 PEOPLE
I TRUST IN THIS WORLD.

657
00:30:28,391 --> 00:30:29,610
BORING.

658
00:30:29,653 --> 00:30:30,611
[GUNSHOT]

659
00:30:30,654 --> 00:30:32,526
NEXT!

660
00:30:34,006 --> 00:30:35,529
UM...

661
00:30:36,617 --> 00:30:40,403
MY...

662
00:30:40,447 --> 00:30:43,058
MY BABY I LOST,
I, UM...

663
00:30:44,407 --> 00:30:46,322
MMM.

664
00:30:46,366 --> 00:30:48,063
I WANTED TO NAME
HER MAGGIE.

665
00:30:48,107 --> 00:30:50,413
WRONG! COME ON, YOU CAN
DO BETTER THAN THAT.

666
00:30:50,457 --> 00:30:51,501
CASEY.

667
00:30:51,545 --> 00:30:53,939
SHUT UP!

668
00:30:53,982 --> 00:30:56,419
OK, OK, OK.

669
00:30:56,463 --> 00:30:58,552
LAST CHANCE.

670
00:30:58,595 --> 00:31:00,641
SOMETHING YOU WOULD
NEVER SAY ALOUD,

671
00:31:00,684 --> 00:31:03,339
NOT EVEN TO YOUR
PARTNER HERE.

672
00:31:03,383 --> 00:31:05,994
YOUR DEEPEST,
DARKEST SECRET.

673
00:31:06,038 --> 00:31:08,867
IMPRESS ME
OR I KILL HIM.

674
00:31:14,133 --> 00:31:15,830
COME ON!

675
00:31:23,664 --> 00:31:27,233
SPENCE, UM...

676
00:31:30,192 --> 00:31:32,325
UM...

677
00:31:36,982 --> 00:31:38,679
I'VE ALWAYS LOVED YOU.

678
00:31:42,857 --> 00:31:45,425
AND I WAS JUST TOO SCARED
TO SAY IT BEFORE.

679
00:31:47,949 --> 00:31:51,910
AND NOW THINGS ARE JUST
REALLY TOO COMPLICATED
TO SAY IT NOW.

680
00:31:56,436 --> 00:31:58,481
[EXHALES]
I'M SORRY.

681
00:32:01,310 --> 00:32:03,138
BUT YOU SHOULD KNOW.

682
00:32:07,577 --> 00:32:09,884
HOT DAMN.

683
00:32:09,928 --> 00:32:11,930
THAT'S WHAT I'M
TALKING ABOUT.

684
00:32:11,973 --> 00:32:14,671
NOW THOSE ARE SOME
LAST WORDS RIGHT THERE.

685
00:32:14,715 --> 00:32:17,718
BUT NOT GOOD ENOUGH
TO SAVE YOUR LIFE.

686
00:32:17,761 --> 00:32:19,328
[GUNSHOT]

687
00:32:45,659 --> 00:32:47,574
[SIRENS]

688
00:32:47,617 --> 00:32:50,272
WOMAN: ♪ ALL OF THE LOVE
IN THE WORLD ♪

689
00:32:50,316 --> 00:32:53,101
♪ COULDN'T SAVE ME

690
00:32:55,669 --> 00:32:59,716
♪ DEAL WITH ME,
STEAL WITH ME ♪

691
00:32:59,760 --> 00:33:03,285
♪ JUST STAY FOR A MOMENT
AND HEAL WITH ME... ♪

692
00:33:03,329 --> 00:33:07,028
WE NEED AN AMBULANCE.
WE'VE GOT 3 DOWN.
3 HAVE BEEN SHOT.

693
00:33:07,072 --> 00:33:08,856
♪ PLAY WITH ME

694
00:33:08,899 --> 00:33:11,728
HANG IN THERE, OK.
HELP IS ON ITS WAY.

695
00:33:12,903 --> 00:33:16,081
♪ ALL OF THE LOVE
IN THE WORLD ♪

696
00:33:16,124 --> 00:33:18,822
♪ COULDN'T MAKE ME
LESS ALONE ♪

697
00:33:21,521 --> 00:33:24,915
♪ ALL OF THE LOVE
IN THE WORLD ♪

698
00:33:24,959 --> 00:33:27,962
♪ COULDN'T SAVE ME...

699
00:33:28,006 --> 00:33:30,834
ALL RIGHT.
YOU OK?

700
00:33:30,878 --> 00:33:33,881
♪ ALL OF THE LOVE
IN THE WORLD ♪

701
00:33:33,924 --> 00:33:40,366
♪ COULDN'T SAVE ME

702
00:33:42,846 --> 00:33:44,805
♪ I CALLED IT AT TWO

703
00:33:44,848 --> 00:33:47,242
♪ YOU CALLED IT AT THREE

704
00:33:47,286 --> 00:33:53,553
♪ SAME PEOPLE,
DIFFERENT PARTY ♪

705
00:33:55,816 --> 00:33:58,819
♪ ALL OF THE LOVE
IN THE WORLD ♪

706
00:33:58,862 --> 00:34:01,996
♪ COULDN'T SAVE ME

707
00:34:04,955 --> 00:34:06,740
DAD.

708
00:34:06,783 --> 00:34:08,089
I DIDN'T THINK YOU
WERE GONNA MAKE IT.

709
00:34:08,133 --> 00:34:10,265
[LAUGHS]GET OVER HERE!

710
00:34:10,309 --> 00:34:13,834
HEY, I WOULDN'T MISS
IT FOR THE WORLD.

711
00:34:13,877 --> 00:34:15,053
HOW'S YOUR MOTHER?

712
00:34:15,096 --> 00:34:16,532
SHE'S GREAT.

713
00:34:16,576 --> 00:34:18,969
AND THAT HUSBAND OF YOURS,
HE'S STILL TREATING YOU WELL?

714
00:34:19,013 --> 00:34:21,711
YES, DAD.
I'M SO PROUD OF YOU.

715
00:34:21,755 --> 00:34:23,191
HEY, THAT'S MY LINE.

716
00:34:23,235 --> 00:34:24,975
HAVE YOU MET PORTIA?

717
00:34:25,019 --> 00:34:26,716
I HAVE, YES.
SHE'S AMAZING.

718
00:34:26,760 --> 00:34:29,545
TOLD ME HOW YOU STOPPED
HER FROM MARRYING
A TOTAL LOSER,

719
00:34:29,589 --> 00:34:33,332
WHICH SOUNDS
ABOUT RIGHT.

720
00:34:33,375 --> 00:34:35,899
YOU LOOK VERY HANDSOME.

721
00:34:39,773 --> 00:34:40,817
YEAH?

722
00:34:40,861 --> 00:34:42,950
PERFECT.

723
00:34:42,993 --> 00:34:44,995
YOU LOOK PERFECT.

724
00:34:45,039 --> 00:34:47,607
YOU GUYS DECIDED ON
A HONEYMOON YET?

725
00:34:47,650 --> 00:34:50,610
WE HAVEN'T. WE TALKED
ABOUT IT, BUT...

726
00:34:50,653 --> 00:34:55,397
WELL, HOW ABOUT TWO WEEKS
IN THE FRENCH RIVIERA?

727
00:35:00,185 --> 00:35:01,664
I'VE ALWAYS WANTED TO GO.

728
00:35:01,708 --> 00:35:02,839
[LAUGHS] I KNOW.

729
00:35:02,883 --> 00:35:04,972
YOU TALKED ABOUT IT
MY ENTIRE LIFE.

730
00:35:07,757 --> 00:35:09,194
OH, MOM, DON'T START.

731
00:35:09,237 --> 00:35:11,674
COME ON,
THE CAR'S WAITING.

732
00:35:17,289 --> 00:35:18,855
[VIOLIN MUSIC PLAYING SOFTLY]

733
00:35:21,119 --> 00:35:23,033
HI.

734
00:35:23,077 --> 00:35:25,427
KRISTY: HEY, I WAS HOPING
TO MEET THE FANTASTIC

735
00:35:25,471 --> 00:35:27,647
ANDREW MENDOZA
I'VE BEEN HEARING ABOUT.

736
00:35:27,690 --> 00:35:28,822
YOU WILL.

737
00:35:28,865 --> 00:35:30,911
I JUST THOUGHT
A WEDDING LIKE THIS

738
00:35:30,954 --> 00:35:32,086
MIGHT BE A LITTLE--

739
00:35:32,130 --> 00:35:33,783
TOO SOON?

740
00:35:33,827 --> 00:35:35,133
TOO MUCH.

741
00:35:35,176 --> 00:35:37,787
GARCIA: OK, I HAVE JUST
MADE THIS UP.

742
00:35:37,831 --> 00:35:39,833
I CALL IT THE ROSSI.

743
00:35:39,876 --> 00:35:41,922
IT IS SERVED IN
A CRYSTAL GOBLET.

744
00:35:41,965 --> 00:35:43,619
THAT IS WITH A "C"
AND ONE "L."

745
00:35:43,663 --> 00:35:45,447
IT IS DISTINGUISHED.
IT'S RELIABLE.

746
00:35:45,491 --> 00:35:48,146
IT'S A LITTLE SWEET
WITH JUST THE RIGHT
AMOUNT OF BITE.

747
00:35:48,189 --> 00:35:49,799
WILL IT GET ME DRUNK?TOTALLY.

748
00:35:49,843 --> 00:35:51,105
I WILL TAKE A DOUBLE.DONE.

749
00:35:51,149 --> 00:35:55,022
OH, AND, UM, I CAME
TO THIS WEDDING BY MYSELF,

750
00:35:55,065 --> 00:35:56,980
BUT I WILL NOT BE
DANCING BY MYSELF.

751
00:35:57,024 --> 00:35:58,286
DO YOU UNDERSTAND ME,
DR. REID?

752
00:35:58,330 --> 00:35:59,766
- YES.
- OK.

753
00:35:59,809 --> 00:36:02,377
HEY, WHERE HAVE YOU BEEN?
WE'VE ALL BEEN WAITING.

754
00:36:02,421 --> 00:36:05,075
I WAS WAITING TO SEE
IF LISA WAS GONNA HAVE
TO WORK AN EXTRA SHIFT,

755
00:36:05,119 --> 00:36:09,123
AND SHE DOES, SO MAYBE
SHE'LL MAKE IT LATER.

756
00:36:09,167 --> 00:36:11,299
CAN I PLEASE HAVE ONE
OF YOUR FANCY DRINKS?

757
00:36:11,343 --> 00:36:12,953
BECAUSE YOU ASKED
NICELY, YOU CAN.

758
00:36:12,996 --> 00:36:15,042
OH, MY GOSH, YOU GUYS,
DID YOU GUYS HEAR?

759
00:36:15,085 --> 00:36:18,045
JOHNNY MATHIS IS
ROSSI'S BEST MAN.

760
00:36:18,088 --> 00:36:20,743
OF COURSE HE IS.

761
00:36:20,787 --> 00:36:22,092
LEWIS: I GOTTA GET
SOME FAMOUS FRIENDS.

762
00:36:22,136 --> 00:36:23,311
JOHNNY, I'M TELLING YOU,

763
00:36:23,355 --> 00:36:25,922
SHE IS THE MOST BEAUTIFUL
GIRL IN THE WORLD.

764
00:36:25,966 --> 00:36:28,403
THEN WHAT IS SHE
DOING WITH YOU?

765
00:36:28,447 --> 00:36:30,144
I HAVE NO IDEA.

766
00:36:30,188 --> 00:36:32,233
BUT YOUR MUSIC HAS
A LOT TO DO WITH IT.

767
00:36:32,277 --> 00:36:34,540
HERE'S TO SECOND CHANCES.

768
00:36:34,583 --> 00:36:35,976
SECOND CHANCES,
MY FRIEND.

769
00:36:36,019 --> 00:36:38,108
[CLASSICAL MUSIC PLAYING]

770
00:37:37,994 --> 00:37:39,996
[APPLAUSE]

771
00:37:57,449 --> 00:37:59,102
PRENTISS: WHEN DAVE
GOT ENGAGED,

772
00:37:59,146 --> 00:38:01,453
HE PULLED OUT
ALL THE STOPS.

773
00:38:01,496 --> 00:38:03,193
SOME OF YOU MIGHT NOT
KNOW THIS,

774
00:38:03,237 --> 00:38:07,502
BUT HE PROPOSED
TO KRYSTALL IN OUR
ELEVATOR AT THE FBI,

775
00:38:07,546 --> 00:38:09,809
WHICH WAS PERFECT.

776
00:38:09,852 --> 00:38:12,072
IF SHE SAID NO, HE COULD
JUST GO BACK TO WORK

777
00:38:12,115 --> 00:38:15,075
AND SHE HAD
A BUILT-IN ESCAPE.

778
00:38:15,118 --> 00:38:18,557
BUT SHE SAID YES,
AND HERE WE ARE.

779
00:38:18,600 --> 00:38:21,124
OF COURSE, OUR GOOD FRIEND
DAVID ROSSI

780
00:38:21,168 --> 00:38:23,213
HAS BEEN HERE BEFORE.

781
00:38:23,257 --> 00:38:26,173
THIS ISN'T HIS FIRST
RODEO, AS THEY SAY.

782
00:38:26,216 --> 00:38:29,002
STRANGELY ENOUGH, THOUGH,
HE HAS NEVER BEEN TO
AN ACTUAL RODEO.

783
00:38:29,045 --> 00:38:30,960
BUT I DIGRESS.

784
00:38:31,004 --> 00:38:35,051
PENELOPE SAYS THAT
THIS WAS FATE,

785
00:38:35,095 --> 00:38:37,924
THAT THEIR MARRIAGE
WAS IN THE STARS.

786
00:38:37,967 --> 00:38:41,362
DAVE AND KRYSTALL
ARE TWIN FLAMES,

787
00:38:41,406 --> 00:38:46,062
TWO SOULS THAT ARE
ALWAYS MEANT TO BE TOGETHER.

788
00:38:46,106 --> 00:38:48,326
SOMETIMES IT TAKES TIME,

789
00:38:48,369 --> 00:38:51,938
SOMETIMES IT TAKES
A PARALLEL UNIVERSE
OR SOMETHING,

790
00:38:51,981 --> 00:38:54,506
BUT THE THING
ABOUT TWIN FLAMES

791
00:38:54,549 --> 00:38:59,119
IS THAT NOTHING CAN
KEEP THEM APART.

792
00:38:59,162 --> 00:39:02,252
THEY ARE A MAGIC
UNTO THEMSELVES.

793
00:39:02,296 --> 00:39:06,169
AND TOGETHER, THEY
LIGHT THE WAY FOR ALL OF US.

794
00:39:06,213 --> 00:39:09,129
TO DAVID AND KRYSTALL.

795
00:39:09,172 --> 00:39:11,261
ALL: TO DAVID AND KRYSTALL.

796
00:39:11,305 --> 00:39:13,873
CHEERS.
CHEERS.

797
00:39:13,916 --> 00:39:17,224
[GLASSES CLINKING]

798
00:39:21,228 --> 00:39:24,057
[DANCE MUSIC PLAYING]

799
00:39:24,100 --> 00:39:30,237
MAN: ♪ YOU MAKE ME WANT
TO BE A BETTER MAN ♪

800
00:39:30,280 --> 00:39:35,895
♪ YOU MAKE ME WANT TO
BE THE BEST I CAN ♪

801
00:39:35,938 --> 00:39:39,072
♪ YOU'RE MY SWEET INSPIRATION

802
00:39:39,115 --> 00:39:42,075
♪ YOU'RE MY
SWEET INSPIRATION ♪

803
00:39:42,118 --> 00:39:45,165
♪ YOU'RE MY SWEET
INSPIRATION ♪

804
00:39:45,208 --> 00:39:46,688
♪ YEAH, YOU'RE MY...

805
00:39:46,732 --> 00:39:48,734
["CHANCES ARE" INTRO]

806
00:39:57,482 --> 00:39:59,222
JOHNNY MATHIS:
♪ CHANCES ARE...

807
00:39:59,266 --> 00:40:01,964
SIMMONS: TWO, PLEASE.
THANKS.

808
00:40:02,008 --> 00:40:03,226
I SHOULDN'T.

809
00:40:03,270 --> 00:40:04,314
WHY?

810
00:40:04,358 --> 00:40:07,361
♪ THE MOMENT YOU COME
INTO VIEW... ♪

811
00:40:07,405 --> 00:40:10,320
OH, YOU'RE NOT...

812
00:40:10,364 --> 00:40:12,497
♪ CHANCES ARE YOU THINK

813
00:40:12,540 --> 00:40:15,282
♪ THAT I'M IN LOVE
WITH YOU... ♪

814
00:40:15,325 --> 00:40:18,154
OH, MY GOD.
WHAT ARE WE GONNA DO?

815
00:40:18,198 --> 00:40:19,460
NUMBER 5.

816
00:40:19,504 --> 00:40:21,549
WE'RE GONNA NEED
A BIGGER BOAT.

817
00:40:21,593 --> 00:40:24,204
A BIGGER HOUSE,

818
00:40:24,247 --> 00:40:26,467
BIGGER CAR,
BIGGER PAYCHECK.

819
00:40:26,511 --> 00:40:28,556
- CAN I GET A WATER?
- NO PROBLEM.

820
00:40:30,297 --> 00:40:32,125
HEY.

821
00:40:32,168 --> 00:40:34,954
UM...

822
00:40:34,997 --> 00:40:37,478
SO I DIDN'T GET
A CHANCE TO...

823
00:40:37,522 --> 00:40:42,527
SAY IT BACK THERE,
BUT THANK YOU

824
00:40:42,570 --> 00:40:44,746
FOR SAVING MY LIFE.

825
00:40:44,790 --> 00:40:47,140
YOU'RE WELCOME.
YOU OK?

826
00:40:47,183 --> 00:40:48,707
YEAH.

827
00:40:48,750 --> 00:40:52,711
BUT LUKE WAS RIGHT,
THOUGH. TWO GUNS, HUH?

828
00:40:52,754 --> 00:40:54,974
HOW LONG YOU BEEN WEARING
AN ANKLE HOLSTER?

829
00:40:55,017 --> 00:40:56,845
AROUND THE TIME
I GOT OUT OF PRISON.

830
00:40:56,889 --> 00:40:58,151
RIGHT.

831
00:40:58,194 --> 00:41:00,327
♪ GUESS YOU FEEL
YOU'LL ALWAYS BE... ♪

832
00:41:00,370 --> 00:41:04,026
LOOK, SO WHAT I SAID
BACK THERE, I, UH...

833
00:41:04,070 --> 00:41:06,725
I NEEDED TO SAY
SOMETHING THAT WOULD
GET HIS ATTENTION,

834
00:41:06,768 --> 00:41:09,771
AND I NEEDED TO SAY
SOMETHING THAT WOULD
GET YOUR ATTENTION.

835
00:41:09,815 --> 00:41:13,688
YOU KNOW, SO, I, UH,
I JUST NEEDED TO
THROW HIM OFF BALANCE.

836
00:41:13,732 --> 00:41:17,170
JENNIFER...♪ CHANCES ARE
YOUR CHANCES ARE... ♪

837
00:41:17,213 --> 00:41:19,215
TRUTH OR DARE?

838
00:41:19,259 --> 00:41:23,263
♪ AWFULLY GOOD

839
00:41:25,874 --> 00:41:27,789
TRUTH.

840
00:41:27,833 --> 00:41:30,183
DID YOU MEAN IT?

841
00:41:34,361 --> 00:41:36,711
PRENTISS:
GUYS, THEY'RE ABOUT
TO CUT THE CAKE.

842
00:41:36,755 --> 00:41:38,713
UH, GREAT.
WE'LL BE RIGHT THERE.

843
00:41:38,757 --> 00:41:39,932
[CLEARS THROAT]

844
00:41:39,975 --> 00:41:41,281
JUST...

845
00:41:41,324 --> 00:41:43,022
♪ THAT FILL THE SKIES

846
00:41:43,065 --> 00:41:44,197
IT'S OK.

847
00:41:44,240 --> 00:41:46,155
♪ ARE IN MY EYES

848
00:41:46,199 --> 00:41:48,593
EVERYTHING'S OK.

849
00:41:48,636 --> 00:41:52,335
♪ GUESS YOU FEEL
YOU'LL ALWAYS BE ♪
YEAH.

850
00:41:52,379 --> 00:41:53,467
YEAH.

851
00:41:53,511 --> 00:41:57,036
♪ THE ONE AND ONLY
ONE FOR ME ♪

852
00:41:57,079 --> 00:42:00,213
♪ AND IF YOU THINK
YOU COULD... ♪

853
00:42:00,256 --> 00:42:02,215
OK.

854
00:42:02,258 --> 00:42:08,438
♪ WELL, CHANCES ARE
YOUR CHANCES ARE ♪

855
00:42:08,482 --> 00:42:13,705
♪ AWFULLY GOOD

856
00:42:13,748 --> 00:42:22,235
♪ THE CHANCES ARE
YOUR CHANCES ARE... ♪

857
00:42:22,278 --> 00:42:24,498
ROSSI, VOICE-OVER: A GOOD FRIEND
OF MINE ONCE SAID,

858
00:42:24,542 --> 00:42:27,893
"ALL YOU NEED IS LOVE."

859
00:42:48,914 --> 00:42:51,003
CAPTIONING MADE POSSIBLE BY
ABC STUDIOS, LLC AND CBS, INC.

860
00:42:51,046 --> 00:42:52,918
CAPTIONED BY THE NATIONAL
CAPTIONING INSTITUTE
--www.ncicap.org--