1 00:00:02,000 --> 00:00:04,000 PREVIOUSLY ON WILDFIRE. 2 00:00:04,000 --> 00:00:06,000 [JEAN] HOWEVER LONG IT TAKES, YOU'LL HAVE A JOB WAITING FOR YOU WHEN YOU GET OUT. 3 00:00:06,000 --> 00:00:09,000 WHO IS SHE? HOT WORKING GIRL LIVING IN THE TRAILERS? 4 00:00:12,000 --> 00:00:16,000 WE OWE THE I.R.S. $80,000 IN BACK TAXES. 5 00:00:16,000 --> 00:00:19,000 IF YOU WOULD HAVE DONE OUR TAXES RIGHT TO BEGIN WITH, WE WOULDN'T OWE ANYTHING! 6 00:00:19,000 --> 00:00:23,000 I DIDN'T DO OUR TAXES IN 2003, YOUR FATHER DID. 7 00:00:23,000 --> 00:00:24,000 I-- I CAN'T. 8 00:00:26,000 --> 00:00:29,000 I DIDN'T SEE JUNIOR COME IN. HE CAME WITH KRIS. 9 00:00:29,000 --> 00:00:31,000 CAN I ASK YOU SOMETHING? WHY DID YOU CHOOSE KRIS? 10 00:00:31,000 --> 00:00:33,000 IT DOESN'T MATTER. SHE DIDN'T CHOOSE ME BACK. 11 00:00:33,000 --> 00:00:36,000 YOU WANNA COME OVER TO MY PLACE? YOU DON'T HAVE TO ASK YOUR DAD, DO YOU? 12 00:00:36,000 --> 00:00:37,000 HE'S OUT OF TOWN. 13 00:00:37,000 --> 00:00:40,000 YOU WERE OUT LIKE A LOG. HAPPENS TO THE BEST OF US. 14 00:00:40,000 --> 00:00:43,000 SO, YOU DIDN'T WANT TO? NO, YOU DIDN'T. 15 00:00:43,000 --> 00:00:47,000 I DON'T KNOW WHAT PISSES ME OFF MORE, THE FACT THAT YOU BROKE OUR DEAL AND WENT OUT WITH HER, 16 00:00:47,000 --> 00:00:48,000 OR THE FACT THAT YOU LIED ABOUT IT. 17 00:00:48,000 --> 00:00:50,000 IF YOU WANNA END OUR FRIENDSHIP, BE MY GUEST. 18 00:00:50,000 --> 00:00:53,000 BUT I'D RATHER JUST WISH YOU LUCK AND MAY THE BEST MAN WIN. 19 00:00:53,000 --> 00:00:55,000 YOU'RE ON. 20 00:01:11,000 --> 00:01:14,000 HERE YOU GO, HOUDINI. 21 00:01:14,000 --> 00:01:17,000 OH, STUPID ARTHRITIS, BUT YOU GOTTA WALK. 22 00:01:29,000 --> 00:01:31,000 [HORSES NEIGHING] 23 00:01:31,000 --> 00:01:34,000 WHAT'S GOING ON, GUYS? 24 00:01:36,000 --> 00:01:38,000 [NEIGHING] WILDFIRE. 25 00:01:40,000 --> 00:01:43,000 [WIND RUSTLING] 26 00:01:45,000 --> 00:01:47,000 [NEIGHING] HOUDINI. 27 00:01:47,000 --> 00:01:49,000 [LOUD GALLOPING] 28 00:01:55,000 --> 00:01:58,000 [ALL NEIGHING] 29 00:02:26,000 --> 00:02:28,000 [WHINNIES] 30 00:02:39,000 --> 00:02:41,000 [NEIGHING] 31 00:03:16,000 --> 00:03:20,000 [MAN] ♪ WITH THE MORNING LIGHT GOT YOUR MIND IN SIGHT ♪ 32 00:03:20,000 --> 00:03:25,000 ♪ AND I WANNA BE THERE ALL MY LIFE ♪ 33 00:03:25,000 --> 00:03:29,000 ♪ WITH THE MORNING LIGHT GOT YOUR MIND IN SIGHT ♪ 34 00:03:29,000 --> 00:03:32,000 ♪ AND I WANNA BE THERE ♪ 35 00:03:32,000 --> 00:03:38,000 ♪ 'CAUSE YOU'RE ALL I EVER DREAMED OF ♪ 36 00:03:38,000 --> 00:03:40,000 ♪ YOUR STARS ARE OUT ♪ 37 00:03:40,000 --> 00:03:43,000 ♪ AND ALL IS RIGHT ♪♪ 38 00:03:50,000 --> 00:03:53,000 [KNOCKING] THANK YOU. 39 00:03:53,000 --> 00:03:56,000 WILDFIRE AND THREE OTHERS JUST BROKE OUT. THEY TOOK OFF. 40 00:03:56,000 --> 00:03:58,000 WE GOTTA ROUND 'EM UP. WHAT HAPPENED? 41 00:03:58,000 --> 00:04:00,000 THEY SAW THE MUSTANGS. THERE ARE NO MUSTANGS. 42 00:04:00,000 --> 00:04:03,000 NO, THERE ARE. I HEARD THEM AND SAW THEM. WHERE? 43 00:04:03,000 --> 00:04:06,000 JUST BEYOND THE PADDOCK. THERE WAS LIKE A BIG BAY STALLION AND A FEW OTHERS. 44 00:04:06,000 --> 00:04:10,000 MAYBE FOUR, FIVE. OUR HORSES STARTED GOING CRAZY AND STARTED CIRCLING. 45 00:04:10,000 --> 00:04:13,000 AND THEN IT WAS LIKE HOUDINI CALLED OUT TO THEM. OH, NO. HE WENT TOO? 46 00:04:13,000 --> 00:04:16,000 HE MUST HAVE, BECAUSE HE WAS RUNNING ALONG THE FENCE TRYING TO GET OUT. 47 00:04:16,000 --> 00:04:18,000 HE'S SO OLD. I DIDN'T KNOW HE COULD MOVE THAT FAST. WHO ELSE IS OUT? 48 00:04:18,000 --> 00:04:21,000 STETSON AND ARGO. OH, WHAT A DAY! 49 00:04:21,000 --> 00:04:24,000 FIRST I SPRAIN MY ANKLE DOING ABSOLUTELY NOTHING. 50 00:04:24,000 --> 00:04:26,000 I TOLD YOU THAT YOGA TAPE WAS A TORTURE DEVICE. 51 00:04:26,000 --> 00:04:28,000 NEVER MIND. AND NOW THIS. 52 00:04:28,000 --> 00:04:31,000 WE'RE GONNA HAVE TO CATCH UP TO THE HORSES BEFORE THEY GET INTO THE CANYONS. 53 00:04:31,000 --> 00:04:35,000 I'LL COME. YOU CAN'T PUT YOUR FOOT INTO A STIRRUP. 54 00:04:35,000 --> 00:04:37,000 I WISH PABLO WERE HERE. WELL, CAN I GO? 55 00:04:37,000 --> 00:04:42,000 THAT'S A GOOD IDEA, YES. I'LL SADDLE UP THE TRAIL HORSES. COME ON, KRIS. 56 00:04:42,000 --> 00:04:45,000 I'LL GET YOUR GEAR TOGETHER. YOU MAY BE OUT THERE FOR A WHILE. 57 00:04:45,000 --> 00:04:47,000 WHY ARE WE RIDING? THE TRUCKS ARE FASTER. 58 00:04:47,000 --> 00:04:50,000 WE CAN'T GET NEAR A MUSTANG HERD WITH THE TRUCK. WHAT DO YOU MEAN? 59 00:04:50,000 --> 00:04:52,000 HORSES KNOW THE TRUCKS ARE DANGEROUS. 60 00:04:52,000 --> 00:04:55,000 RANCHERS CAN KILL MUSTANGS NOW. IT WAS AGAINST THE LAW FOR A LONG TIME. 61 00:04:55,000 --> 00:04:58,000 WHY'D IT CHANGE? SOME STUPID B.L.M. RULING? 62 00:04:58,000 --> 00:05:01,000 THEY USED TO THIN OUT HERDS BY ROUNDING UP THE MUSTANGS AND SELLING THEM. 63 00:05:01,000 --> 00:05:03,000 THAT'S HOW MY MOM GOT HOUDINI. 64 00:05:03,000 --> 00:05:06,000 SHE REALLY LOVES THAT HORSE. 65 00:05:06,000 --> 00:05:08,000 [PHONE RINGING] 66 00:05:08,000 --> 00:05:11,000 [GROANS] DAMN PHONE! 67 00:05:13,000 --> 00:05:15,000 HELLO? 68 00:05:15,000 --> 00:05:19,000 CHARLIE, HI! NO, NO, I THINK IT'S JUST A SPRAIN. 69 00:05:19,000 --> 00:05:23,000 LISTEN, CAN YOU COME OVER? ABOUT A HALF AN HOUR. 70 00:05:23,000 --> 00:05:27,000 YEAH, FOUR OF OUR HORSES BROKE OUT AND I GOTTA HELP MATT GET READY. 71 00:05:27,000 --> 00:05:30,000 ALL RIGHT, I'LL SEE YOU THEN. BYE. 72 00:05:34,000 --> 00:05:37,000 KRIS, MATT, I'VE GOT EVERYTHING TOGETHER. COME GIVE ME A HAND. 73 00:05:37,000 --> 00:05:40,000 I'LL GO HELP YOUR MOM. HERE. THANKS. 74 00:05:47,000 --> 00:05:50,000 [HORN HONKING] 75 00:05:53,000 --> 00:05:56,000 PONY RIDES? HORSES BROKE LOOSE. 76 00:05:58,000 --> 00:06:01,000 PABLO GOING TOO? HE'S AT A TAX SALE IN PASO ROBLES. 77 00:06:01,000 --> 00:06:06,000 WE COULD HAVE USED HIS HELP. YEAH, SHARE A LOVELY MID-SUMMER DAY OF FUN. 78 00:06:06,000 --> 00:06:09,000 BLISTERING SUN POUNDING ON YOUR HEAD, BRANCHES SLAPPING YOU IN THE FACE, 79 00:06:09,000 --> 00:06:13,000 MOSQUITOES DIVE-BOMBING EVERY PATCH OF EXPOSED SKIN. 80 00:06:13,000 --> 00:06:16,000 WHAT LUCKY SOUL GETS TO RIDE HORSE NUMBER TWO? KRIS. 81 00:06:16,000 --> 00:06:19,000 CAN I COME? NO. 82 00:06:20,000 --> 00:06:21,000 HEY, JUNIOR. HEY. 83 00:06:21,000 --> 00:06:24,000 HEY! 84 00:06:24,000 --> 00:06:26,000 I WAS JUST OFFERING TO HELP FIND THE HORSES. 85 00:06:26,000 --> 00:06:29,000 WHAT'S FUNNY? DO YOU EVEN KNOW HOW TO RIDE? 86 00:06:29,000 --> 00:06:31,000 DO BIRDS FLY? NOT PENGUINS. 87 00:06:31,000 --> 00:06:33,000 FORGET IT, JUNIOR. WHY NOT? 88 00:06:33,000 --> 00:06:36,000 THERE ARE FOUR HORSES OUT THERE. ANY HELP IS BETTER THAN NOTHING. 89 00:06:36,000 --> 00:06:38,000 SEE? A RINGING ENDORSEMENT. 90 00:06:38,000 --> 00:06:40,000 [CHUCKLES] THERE'S PLENTY OF FOOD. 91 00:06:40,000 --> 00:06:42,000 I'LL GET YOUR GEAR. 92 00:06:45,000 --> 00:06:49,000 YOU KNOW NINE TIMES OUT OF TEN THE HORSES JUST TURN AROUND THEMSELVES AND COME HOME, RIGHT? 93 00:06:49,000 --> 00:06:53,000 THEY WENT AFTER A HERD OF MUSTANGS. THERE ARE NO WILD HORSES HERE. 94 00:06:53,000 --> 00:06:56,000 I SAW THEM OVER THERE BEHIND THE COTTONWOODS. YOU WERE DREAMING. 95 00:06:56,000 --> 00:07:00,000 I DON'T HAVE TIME TO DREAM. IF YOU'RE COMING, GO AND GET READY. 96 00:07:00,000 --> 00:07:02,000 JUNIOR. 97 00:07:02,000 --> 00:07:05,000 THEY'RE SMOKIN', MISS RITTER, BUT NOT MY SIZE. 98 00:07:05,000 --> 00:07:07,000 WE WEAR THE SAME SIZE. PUT 'EM ON. 99 00:07:07,000 --> 00:07:09,000 WE GOTTA GET GOING. HERE. 100 00:07:09,000 --> 00:07:11,000 OKAY. 101 00:07:12,000 --> 00:07:14,000 WE'LL START AT THE PADDOCK. 102 00:07:14,000 --> 00:07:17,000 THEN WE'LL FIGURE OUT WHERE THEY WENT THROUGH THE RAINTREE FENCE. 103 00:07:18,000 --> 00:07:20,000 [CLICKS TEETH] 104 00:07:22,000 --> 00:07:24,000 HEY, MATT. 105 00:07:24,000 --> 00:07:27,000 OH. IS THAT HENRY'S? YEAH. 106 00:07:27,000 --> 00:07:29,000 HE'LL LOVE THAT YOU WORE IT. 107 00:07:34,000 --> 00:07:35,000 LET'S GO! 108 00:07:56,000 --> 00:07:58,000 THE GRASS IS FLATTENED OFF THE ROAD HERE. 109 00:07:58,000 --> 00:08:02,000 LET'S TAKE IT SLOW UNTIL WE CAN PICK UP THEIR TRAIL. 110 00:08:02,000 --> 00:08:04,000 HOW COME THAT HORSE DIDN'T JOIN THE WILD RUMPUS? 111 00:08:04,000 --> 00:08:07,000 THE HERD CIRCLED AWAY FROM THE STABLE. SCARED OF THE DOG. 112 00:08:07,000 --> 00:08:10,000 WHAT'S THE PLAN? STAY UNDER COVER OF THE TREES AS LONG AS YOU CAN. 113 00:08:10,000 --> 00:08:12,000 AND THEN STRIKE OUT OVER THE FIELD TOWARDS THE RIVER. 114 00:08:12,000 --> 00:08:17,000 DON'T TELL ME WE'RE RIDING INTO THOSE TREES. SOMEBODY'S GONNA GET AN EYE POKED OUT. 115 00:08:17,000 --> 00:08:19,000 LET'S GO. 116 00:08:25,000 --> 00:08:28,000 SO WHAT'S THIS ABOUT LOST HORSES? 117 00:08:28,000 --> 00:08:32,000 OH, THEY TOOK OFF AFTER A WILD MUSTANG HERD, WHICH SOUNDS IMPOSSIBLE. 118 00:08:32,000 --> 00:08:37,000 THERE HASN'T BEEN WILD HORSES AROUND HERE SINCE... MY LIFETIME. 119 00:08:39,000 --> 00:08:44,000 SO WHAT HORSES DID YOU LOSE? TWO THOROUGHBREDS I WAS THINKING ABOUT SELLING. 120 00:08:44,000 --> 00:08:47,000 THEY'D BE WORTH ABOUT A HUNDRED THOUSAND WITH A LITTLE MORE TRAINING. 121 00:08:47,000 --> 00:08:51,000 THAT'S BAD ENOUGH. IT GETS WORSE. 122 00:08:51,000 --> 00:08:55,000 WILDFIRE WENT TOO. AND DO YOU REMEMBER HOUDINI? 123 00:08:55,000 --> 00:08:58,000 THE FIERY STEED WHO FLUNG ME TO THE GROUND LIKE CHAFF TO THE WIND. 124 00:08:58,000 --> 00:09:04,000 THE 25-YEAR-OLD MUSTANG YOU SLID OFF OF, YES. [LAUGHS] 125 00:09:04,000 --> 00:09:06,000 HE WAS ONCE A WILD HORSE. 126 00:09:06,000 --> 00:09:10,000 YEAH, I GOT HIM AT A MUSTANG ROUNDUP IN WYOMING. 127 00:09:10,000 --> 00:09:12,000 TAUGHT THE BOYS TO RIDE ON HIM. 128 00:09:12,000 --> 00:09:15,000 OH, HE IS SO SMART. 129 00:09:15,000 --> 00:09:19,000 AND HE'S AS SWEET AS A FAMILY DOG. [CHUCKLES] 130 00:09:19,000 --> 00:09:23,000 AND AT NIGHT, I'D SEE HIM LOOKING OUT OVER THE MEADOWS 131 00:09:23,000 --> 00:09:25,000 AND I KNEW HIS HEART WAS STILL OUT THERE. 132 00:09:25,000 --> 00:09:27,000 MATT'LL FIND HIM. 133 00:09:27,000 --> 00:09:30,000 I HOPE SO. 134 00:09:39,000 --> 00:09:44,000 YOU CAN TELL BY THE TRACKS THERE MUST HAVE BEEN AT LEAST EIGHT HORSES THAT WENT THROUGH HERE. 135 00:09:44,000 --> 00:09:47,000 WHEN'D YOU LEARN ALL THIS? I DON'T KNOW. 136 00:09:47,000 --> 00:09:50,000 I STARTED RIDING OUT WITH HENRY WHEN I WAS A LITTLE KID. 137 00:09:50,000 --> 00:09:52,000 IT'S LIKE LEARNING HOW TO TALK. SOMETIMES YOU JUST KNOW. 138 00:09:52,000 --> 00:09:55,000 [MOCKINGLY] SOMETIMES YOU JUST KNOW. OW! 139 00:09:55,000 --> 00:09:58,000 SORRY. I THOUGHT YOU SAW THAT. 140 00:09:58,000 --> 00:10:00,000 [DOORBELL RINGING] [JEAN] OH, I FORGOT THE FEED SUPPLIER. 141 00:10:00,000 --> 00:10:02,000 I THINK I CAN HANDLE IT. 142 00:10:02,000 --> 00:10:05,000 HI. IS THIS A BAD TIME? IS MISS RITTER HERE? 143 00:10:05,000 --> 00:10:10,000 UH, I CAN SIGN THAT INVOICE. JUST GO AND LEAVE IT IN THE SHED BEHIND THE BARN. 144 00:10:10,000 --> 00:10:13,000 WHOA, WHOA, WHOA. I NEED HER TO COME OUT AND CONFIRM THE CONTENTS OF THE DELIVERY. 145 00:10:13,000 --> 00:10:17,000 HOW LONG IS THAT GONNA TAKE? AS LONG AS IT TAKES TO UNLOAD. 146 00:10:17,000 --> 00:10:20,000 [GROANS] I'LL HELP. 147 00:10:20,000 --> 00:10:22,000 [MATT] THEY GO TOWARDS THE SLOPE LINE ALONGSIDE THE RIVER. 148 00:10:22,000 --> 00:10:26,000 THEN THEY HEAD FOR THE CANYONS ON THE OTHER SIDE WHERE IT'S SAFE. 149 00:10:26,000 --> 00:10:29,000 CAN THEY CROSS THE RIVER? THEY'LL FIND A PLACE WHERE THE CURRENT ISN'T BAD. 150 00:10:29,000 --> 00:10:32,000 THEY KNOW WHAT THEY'RE DOING. HO. 151 00:10:34,000 --> 00:10:37,000 HANG ON A SEC. I GOTTA CHECK THIS OUT. 152 00:10:40,000 --> 00:10:42,000 WHAT'D HE SEE? I DON'T KNOW. FOSSIL. 153 00:10:42,000 --> 00:10:45,000 ARROWHEAD. WE USED TO FIND A TON OF STUFF LIKE THAT. 154 00:10:45,000 --> 00:10:47,000 I FIND IT HARD TO BELIEVE THAT YOU'D HUNT FOR FOSSILS. 155 00:10:47,000 --> 00:10:50,000 SURE. I LIKE A NICE AMMONITE AS MUCH AS THE NEXT GUY. 156 00:10:50,000 --> 00:10:53,000 I'VE NEVER SEEN A PLACE LIKE THIS BEFORE. 157 00:10:53,000 --> 00:10:56,000 MOSQUITOES, DRY HEAT AND DEAD GRASS? THE GRASS ISN'T DEAD. 158 00:10:56,000 --> 00:10:58,000 I'VE SEEN IT GET GREEN THE MINUTE IT RAINS. 159 00:10:58,000 --> 00:11:00,000 LOOK. 160 00:11:00,000 --> 00:11:04,000 COYOTE? DOG? IT'S KIND OF FRESH. BURIED. 161 00:11:04,000 --> 00:11:07,000 COUGAR. THAT'S BAD NEWS. ARE YOU SURE IT'S A COUGAR? 162 00:11:07,000 --> 00:11:10,000 MOUNTAIN LIONS BURY THEIR LEFTOVERS. HE KILLED SOMETHING NOT TOO FAR FROM HERE. 163 00:11:10,000 --> 00:11:12,000 I THOUGHT THEY DIDN'T COME THIS CLOSE TO THE RANCHES. 164 00:11:12,000 --> 00:11:16,000 THEY DIDN'T USED TO, BUT THERE'S DEVELOPMENT ALL THE WAY UP THE OTHER SIDE OF THE MESA. 165 00:11:16,000 --> 00:11:19,000 REDUCES HABITAT. AND LIONS HATE TACKY SUBURBS. 166 00:11:19,000 --> 00:11:21,000 DO THEY ATTACK HORSES? IF THEY'RE WEAK AND THEY FALL BEHIND. 167 00:11:21,000 --> 00:11:24,000 GREAT. SO WHAT ABOUT HOUDINI? LET'S GO. 168 00:11:30,000 --> 00:11:33,000 WHAT DO HORSES EAT, BRICKS? THOSE BAGS WEIGHED A TON. 169 00:11:33,000 --> 00:11:36,000 YOU DID NOT HAVE TO HELP THAT GUY. YES, I DID. 170 00:11:36,000 --> 00:11:39,000 I WANTED HIM TO LEAVE. 171 00:11:39,000 --> 00:11:41,000 [DOORBELL RINGING] 172 00:11:41,000 --> 00:11:44,000 OKAY. 173 00:11:45,000 --> 00:11:49,000 WHAT'D YOU FORGET? OH, HI. DANI, IS IT? HI. 174 00:11:49,000 --> 00:11:52,000 IS MATT HERE? DANI, COME ON IN. 175 00:11:52,000 --> 00:11:54,000 ARE YOU OKAY? 176 00:11:54,000 --> 00:11:56,000 IT'S NOTHING SERIOUS. IT LOOKS WORSE THAN IT IS. 177 00:11:56,000 --> 00:11:59,000 SOME OF THE HORSES GOT OUT LAST NIGHT. SO MATT WENT TO ROUND 'EM UP. 178 00:11:59,000 --> 00:12:03,000 WHICH HORSES? WILDFIRE, HOUDINI. 179 00:12:03,000 --> 00:12:05,000 ARE THESE TWO OF THEM? 180 00:12:05,000 --> 00:12:09,000 STETSON AND ARGO! THANK GOODNESS. 181 00:12:09,000 --> 00:12:11,000 SOMEONE SHOULD GO TELL THE KIDS. WHO WENT WITH MATT? 182 00:12:11,000 --> 00:12:13,000 YOUR BROTHER. REALLY? 183 00:12:13,000 --> 00:12:17,000 AND KRIS. REALLY? I'LL GO. 184 00:12:17,000 --> 00:12:21,000 HOW WILL YOU FIND 'EM? PHONES DON'T WORK PAST THE MEADOWS. 185 00:12:21,000 --> 00:12:24,000 MY BROTHER'S LIKE A TRANSMISSION TOWER. HE'LL ANSWER. [LINE RINGING] 186 00:12:24,000 --> 00:12:28,000 HELLO? JUNIOR. YOU'RE BREAKING UP. WHERE ARE YOU? 187 00:12:28,000 --> 00:12:30,000 [JUNIOR'S VOICE GARBLED] MASON RIVER. WHERE? 188 00:12:30,000 --> 00:12:34,000 HELLO? I GOT ENOUGH. 189 00:12:35,000 --> 00:12:39,000 THEY'RE HEADED TO THE CAMPSITE BY THE RIVER. THAT'S A LONG WAY. 190 00:12:39,000 --> 00:12:42,000 ARE YOU SURE YOU WANNA GO? YEAH, NO PROBLEM. 191 00:12:42,000 --> 00:12:44,000 BYE, MR. HEWITT. 192 00:12:45,000 --> 00:12:48,000 [DOOR OPENS, CLOSES] 193 00:12:48,000 --> 00:12:52,000 SHE SEEMS LIKE A NICE GIRL. YES, SHE "SEEMS" LIKE ONE. 194 00:12:53,000 --> 00:12:55,000 OH. HORSES. 195 00:12:55,000 --> 00:12:57,000 I'LL TAKE CARE OF 'EM. 196 00:12:57,000 --> 00:13:00,000 JUST TELL ME HOW MANY BRICKS TO GIVE 'EM. [CHUCKLES] 197 00:13:05,000 --> 00:13:10,000 TRAILS HERE. COMING ALL THE WAY BACK HERE. 198 00:13:10,000 --> 00:13:12,000 PROBABLY HEADED FOR THE MEADOW. 199 00:13:15,000 --> 00:13:19,000 OH! I SHOULD HAVE TOLD YOU TO PUT ON SOME BOOTS. 200 00:13:19,000 --> 00:13:21,000 THEY'RE JUST SHOES. 201 00:13:22,000 --> 00:13:25,000 LET'S NOT ANSWER THE PHONE. NO. 202 00:13:25,000 --> 00:13:27,000 OR THE DOOR. NO. 203 00:13:27,000 --> 00:13:29,000 LISTEN-- [DOORBELL RINGING] 204 00:13:29,000 --> 00:13:34,000 [GROANS] IT COULD BE ABOUT THE HORSES, OR THE KIDS. 205 00:13:34,000 --> 00:13:37,000 OKAY, I'LL GET IT, BUT IF IT'S NOT THAT, I'LL SEND 'EM AWAY. 206 00:13:37,000 --> 00:13:39,000 OKAY, OKAY. 207 00:13:40,000 --> 00:13:42,000 MAY I HELP YOU? [MAN] IS JEAN HOME? 208 00:13:42,000 --> 00:13:46,000 UH, AND YOU ARE? PETE RITTER. 209 00:13:46,000 --> 00:13:48,000 I USED TO LIVE HERE. 210 00:13:50,000 --> 00:13:51,000 PETE. 211 00:13:51,000 --> 00:13:53,000 JEAN. 212 00:14:00,000 --> 00:14:02,000 I DON'T GET WHY THERE'S NO TRACKS. 213 00:14:02,000 --> 00:14:04,000 THERE'S MUD ALL THE WAY DOWNRIVER. 214 00:14:04,000 --> 00:14:06,000 THIS IS THE PLACE WHERE THE CURRENT GETS TOO FAST FROM THE FALLS. 215 00:14:06,000 --> 00:14:09,000 [KRIS] MAYBE THEY DIDN'T CROSS AT ALL. WHERE WOULD THEY GO? 216 00:14:09,000 --> 00:14:11,000 THEY GOTTA FIND SHELTER AND THERE'S NOT THAT MUCH THIS SIDE OF THE WATER. 217 00:14:11,000 --> 00:14:13,000 THEY COULD BE OUT IN THE MEADOWS. 218 00:14:13,000 --> 00:14:17,000 NOT FOR LONG. IT'S GETTING LATE AND THEY KNOW THERE'S A COUGAR AROUND. 219 00:14:17,000 --> 00:14:19,000 THEY NEED TO FIND A SAFE PLACE. HORSES ARE PREY. 220 00:14:19,000 --> 00:14:23,000 THAT'S WHY THEY HAVE EYES ON THE SIDES OF THEIR HEAD. THEY CAN SEE ALMOST 360 DEGREES. 221 00:14:23,000 --> 00:14:27,000 PREDATORS HAVE EYES IN THE FRONT, LIKE US. IS THAT TRUE? 222 00:14:27,000 --> 00:14:30,000 IT WAS A FUN FACT ON THE BACK OF A CEREAL BOX. [CHUCKLES] YEAH. 223 00:14:30,000 --> 00:14:35,000 ANYBODY ELSE HUNGRY? WE DIDN'T EVEN STOP FOR LUNCH. DO WE HAVE TIME? 224 00:14:35,000 --> 00:14:38,000 THE TRAIL'S DEAD. WE SHOULD EAT AND LET THE HORSES REST. 225 00:14:42,000 --> 00:14:43,000 [HORSE APPROACHING] 226 00:14:43,000 --> 00:14:46,000 OH, HI. 227 00:14:46,000 --> 00:14:48,000 DO I HAVE LOJACK EMBEDDED UNDER MY SKIN? 228 00:14:48,000 --> 00:14:50,000 I HEARD YOU SAY MASON RIVER, AND I FIGURED YOU'D BE HERE, 229 00:14:50,000 --> 00:14:53,000 ESPECIALLY IF SHE WAS WITH YOU. 230 00:14:53,000 --> 00:14:56,000 YOUR MOM WANTED ME TO TELL YOU THAT TWO OF THE HORSES ARE HOME-- STETSON AND ARGO. 231 00:14:56,000 --> 00:14:59,000 THAT'S BETTER THAN NONE. THANKS FOR TELLING US. YOU WANT A SANDWICH? 232 00:14:59,000 --> 00:15:03,000 NO, THANKS. I'LL BE GOING. OH, COME ON. AT LEAST WATER YOUR HORSE. 233 00:15:07,000 --> 00:15:11,000 SO, WERE YOU REALLY LOOKING FOR HORSES OR DID YOU BRING KRIS OUT HERE TO GO SKINNY-DIPPING? 234 00:15:11,000 --> 00:15:14,000 WE WERE LOOKING FOR HORSES, BUT WE LOST THE TRAIL. 235 00:15:14,000 --> 00:15:16,000 BUT NOW THAT YOU MENTION IT, I COULD TAKE A DIP. 236 00:15:16,000 --> 00:15:18,000 WE HAVE TO GET GOING. HE'S RIGHT. 237 00:15:18,000 --> 00:15:22,000 THESE HORSES HAVE BEEN GOING FOR EIGHT HOURS IN THIS HEAT. THEY SHOULD REST. 238 00:15:22,000 --> 00:15:25,000 THERE'S A HOT SPRING RIGHT DOWNSTREAM AND THE HAUNTED ROCKS. 239 00:15:25,000 --> 00:15:27,000 THERE'S STILL ENOUGH DAYLIGHT LEFT FOR A SWIM. 240 00:15:27,000 --> 00:15:30,000 I DON'T THINK SO, BUT DO WHAT YOU WANT. CELLULITE? 241 00:15:30,000 --> 00:15:35,000 LET'S JUST EAT LUNCH. THEN WE'LL FIGURE OUT IF THERE'S MORE WE CAN DO. AGREED? 242 00:15:43,000 --> 00:15:45,000 TODD'S GETTING BIG. DOES HE STILL TALK LIKE HENRY? 243 00:15:45,000 --> 00:15:49,000 SOMETIMES I THINK THEY'RE CLONED. AND MATT? 244 00:15:52,000 --> 00:15:55,000 LOOKING MORE LIKE YOU EVERY DAY. 245 00:15:55,000 --> 00:15:58,000 HANDSOME KID. 246 00:15:58,000 --> 00:16:02,000 SO, UH, CHARLIE, WHAT LINE OF WORK YOU IN? COMPUTER GAMING. 247 00:16:02,000 --> 00:16:05,000 I INVENTED DRONE. SOUNDS LIKE FUN. BET THE KIDS LIKE IT. 248 00:16:05,000 --> 00:16:08,000 EVERYBODY DOES. WELL, WOMEN DON'T SEEM TO. 249 00:16:08,000 --> 00:16:12,000 RESEARCH SHOWS WOMEN DON'T REALLY CARE ABOUT SHORT-TERM GOALS AS MUCH AS MEN DO. 250 00:16:12,000 --> 00:16:16,000 [CHUCKLES] SO WHAT DO YOU DO, PETE? 251 00:16:16,000 --> 00:16:20,000 WELL, YOU MIGHT HAVE HEARD, I'VE HAD SOME DIFFICULTIES THE PAST COUPLE YEARS. 252 00:16:20,000 --> 00:16:22,000 BUT I SWITCHED FROM GAMBLING TO INVESTING. 253 00:16:22,000 --> 00:16:25,000 AND I FELL INTO A PATCH OF GOOD LUCK RECENTLY. 254 00:16:25,000 --> 00:16:27,000 REALLY? 255 00:16:27,000 --> 00:16:30,000 THAT'S JUST A START, JEANIE. I WANNA PAY YOU BACK. 256 00:16:30,000 --> 00:16:32,000 WELL... 257 00:16:32,000 --> 00:16:34,000 THANK YOU. 258 00:16:34,000 --> 00:16:37,000 [TEA KETTLE WHISTLING] 259 00:16:37,000 --> 00:16:40,000 HEY, CHARLIE, THERE'S SOME DARJEELING IN THE RIGHT PANTRY THERE. 260 00:16:40,000 --> 00:16:42,000 SOME OF THAT HERB STUFF IF YOU WANT IT. 261 00:16:42,000 --> 00:16:45,000 THAT'S STILL TRUE, ISN'T IT? 262 00:16:52,000 --> 00:16:55,000 IT'S CRAZY. THERE'S NOTHING. THE TRACKS STOP AT THE HAUNTED ROCKS. 263 00:16:55,000 --> 00:16:57,000 WE ALREADY TRIED TO FOLLOW THEM DOWN THE RIVER. 264 00:16:57,000 --> 00:17:00,000 MAYBE THEY FLEW OFF INTO THIN AIR LIKE PEGASUS. THE FLYING HORSE OF THE GODS. 265 00:17:00,000 --> 00:17:04,000 AND DON'T YOU DARE MAKE SOME DUMB WISECRACK ABOUT THE FIFTH AT SANTA ANITA. 266 00:17:04,000 --> 00:17:06,000 I NEVER SAID A WORD. WELL, DON'T. 267 00:17:06,000 --> 00:17:08,000 SO WHAT DO WE DO NOW? 268 00:17:08,000 --> 00:17:11,000 [HORSES WHINNYING] 269 00:17:14,000 --> 00:17:17,000 THEY'RE CLOSE TO THE RIVER. DID YOU GUYS SEE HOUDINI OR WILDFIRE? 270 00:17:17,000 --> 00:17:19,000 THEY'RE TOO FAR AWAY. THEY MOVE WAY TOO FAST. 271 00:17:19,000 --> 00:17:22,000 HOW'D THEY GET OVER THERE? PEGASUS. FLEW. 272 00:17:22,000 --> 00:17:25,000 WE HAVE TO FIND THE HORSES, SO WE'LL CROSS THE RIVER. IT'S TOO LATE. 273 00:17:25,000 --> 00:17:27,000 BY THE TIME WE GET OVER THERE AND PICK UP THEIR TRAIL, IT'LL BE DARK. 274 00:17:27,000 --> 00:17:29,000 WE SHOULD CAMP OUT HERE AND GO IN THE MORNING. 275 00:17:29,000 --> 00:17:31,000 YOU DON'T EVEN KNOW IF YOUR HORSES ARE WITH THEM. WE HAVE TO ASSUME THEY ARE. 276 00:17:31,000 --> 00:17:35,000 THERE'S A COUGAR RUNNING WILD AND HOUDINI'S WEAK. IF THE HORSES AREN'T WITH THE HERD-- 277 00:17:35,000 --> 00:17:39,000 THERE'S NOTHING WE CAN DO ABOUT IT. WE HAVE TO WAIT AND SEE WHAT TURNS UP. 278 00:17:39,000 --> 00:17:41,000 IF NOTHING DOES, WE'LL GO FIRST THING IN THE MORNING. 279 00:17:41,000 --> 00:17:45,000 SEE, THIS IS THE FLIP SIDE ABOUT LIVING IN THE MIDDLE OF NOWHERE. 280 00:17:45,000 --> 00:17:49,000 NO STREET LIGHTS, NO TAXIS, NO 911. 281 00:17:51,000 --> 00:17:52,000 [INSECTS BUZZING] 282 00:17:52,000 --> 00:17:56,000 OKAY, THE SUN'S STILL OUT. LET'S SWIM. 283 00:17:56,000 --> 00:17:58,000 I'M IN. 284 00:18:00,000 --> 00:18:02,000 [LAUGHING] 285 00:18:05,000 --> 00:18:07,000 WHY DO YOU WANNA GO TO THE CITY SO MUCH? 286 00:18:07,000 --> 00:18:10,000 YOU BELONG OUT HERE. YOU'RE SO SURE OF YOURSELF. 287 00:18:10,000 --> 00:18:12,000 I MEAN, THE FIELDS, THE WOODS, THE MOUNTAINS. 288 00:18:12,000 --> 00:18:14,000 WHAT WOULD YOU DO IF YOU COULDN'T SEE THEM EVERY DAY? 289 00:18:14,000 --> 00:18:17,000 I DON'T REALLY SEE THEM. HOW DO I KNOW WHAT THIS IS? 290 00:18:17,000 --> 00:18:20,000 I MEAN, I HAVE NOTHING TO COMPARE IT TO. 291 00:18:20,000 --> 00:18:24,000 COME ON IN! IT'S GREAT. 292 00:18:24,000 --> 00:18:27,000 WHY NOT? CAN'T HAVE UNDERWEAR ANY MORE EMBARRASSING THAN THAT. 293 00:18:33,000 --> 00:18:34,000 WHERE'S YOUR FRIEND? 294 00:18:34,000 --> 00:18:36,000 HE HAD TO MAKE A FEW PHONE CALLS. 295 00:18:39,000 --> 00:18:43,000 EVERYTHING'S EXACTLY THE SAME, EXCEPT I'VE BEEN KICKED OUT OF THE GALLERY. 296 00:18:44,000 --> 00:18:46,000 I APPRECIATE THE $10,000. 297 00:18:46,000 --> 00:18:48,000 THERE'LL BE MORE TO COME. REALLY? I HOPE SO. 298 00:18:48,000 --> 00:18:54,000 WE WERE AUDITED THIS YEAR BECAUSE YOU TOOK $80,000 IN EXPENSES I KNOW WE DIDN'T HAVE. 299 00:18:54,000 --> 00:18:55,000 HOW COULD YOU-- 300 00:18:57,000 --> 00:19:00,000 I GUESS THERE'S NO POINT IN GOING INTO IT AGAIN. 301 00:19:00,000 --> 00:19:03,000 MAYBE I NEVER UNDERSTOOD HOW MUCH I HURT YOU. 302 00:19:03,000 --> 00:19:07,000 YOU'RE GONNA HAVE TO DO BETTER THAN THAT. THAT SOUNDED LIKE A SOAP OPERA. 303 00:19:07,000 --> 00:19:11,000 I KNEW YOU'D BUST ME, JEANIE. YOU ALWAYS DID, BUT YOU ALWAYS MADE ME LAUGH. 304 00:19:13,000 --> 00:19:17,000 I SPENT THE PAST TWO YEARS TRYING TO FIGURE OUT WHAT HAPPENED. 305 00:19:17,000 --> 00:19:21,000 AND I-- I COULDN'T FACE YOU OR THE BOYS OR HENRY BECAUSE YOU TRUSTED ME AND I LET YOU-- 306 00:19:21,000 --> 00:19:26,000 Sí. PERFECTO. HASTA MANANA. 307 00:19:26,000 --> 00:19:29,000 I'M SORRY. AM I INTERRUPTING? NO, NO, CHARLIE. PLEASE STAY. 308 00:19:29,000 --> 00:19:31,000 NO, STAY. PETE WAS JUST LEAVING. 309 00:19:32,000 --> 00:19:34,000 I GUESS I WAS. 310 00:19:36,000 --> 00:19:38,000 IT'S GETTING LATE. 311 00:19:38,000 --> 00:19:41,000 TOO BAD YOU CAN'T STAY FOR DINNER. 312 00:19:41,000 --> 00:19:43,000 WELL, WHY NOT? IF YOU DON'T MIND. 313 00:19:43,000 --> 00:19:48,000 I GOT AN IDEA. LET'S LET JEAN REST RIGHT HERE AND WE'LL DO ALL THE WORK. 314 00:19:48,000 --> 00:19:50,000 COULD I HAVE A WORD WITH JEAN? SURE. 315 00:19:50,000 --> 00:19:54,000 I'M GONNA GO GET US STARTED. 316 00:19:54,000 --> 00:19:57,000 I DIDN'T MEAN TO INVITE HIM FOR DINNER. WHAT DID I JUST DO? 317 00:19:57,000 --> 00:19:59,000 YOU DIDN'T DO ANYTHING. HE DID. 318 00:19:59,000 --> 00:20:01,000 IT'S AN ART FORM. [SIGHS] 319 00:20:01,000 --> 00:20:04,000 JUST-- WE'LL EAT. HE'LL GO. 320 00:20:04,000 --> 00:20:06,000 AND THEN THE KIDS WILL BE BACK. 321 00:20:06,000 --> 00:20:09,000 NOT THAT I'M NOT WORRIED ABOUT THE HORSES OR ANYTHING. 322 00:20:11,000 --> 00:20:13,000 LET'S GO, CHARLIE! LET'S GET THE SHOW ON THE ROAD! YEAH. 323 00:20:13,000 --> 00:20:16,000 [CHUCKLING] OKAY. 324 00:20:16,000 --> 00:20:19,000 THE SHOW. 325 00:20:19,000 --> 00:20:21,000 YEAH. COME ON. 326 00:20:29,000 --> 00:20:32,000 LET'S PLAY MARCO POLO! COME ON, KRIS! MARCO POLO. 327 00:20:32,000 --> 00:20:34,000 KRIS'LL LOVE IT. NO, I CAN'T. 328 00:20:34,000 --> 00:20:36,000 WHY NOT? 329 00:20:36,000 --> 00:20:39,000 WELL, JUST-- WHAT, CAN'T SWIM? 330 00:20:39,000 --> 00:20:41,000 YEAH. IS THAT A PROBLEM? 331 00:20:41,000 --> 00:20:43,000 NOT FOR ME. 332 00:20:43,000 --> 00:20:48,000 NOT EVERYONE CAN BE AS PERFECT AND ACCOMPLISHED AS YOU, DANI. 333 00:20:48,000 --> 00:20:51,000 THERE'S STUFF THAT I CAN'T DO. LIKE? 334 00:20:52,000 --> 00:20:55,000 SING ON KEY. 335 00:20:55,000 --> 00:20:58,000 WE ALREADY KNOW THAT. WHAT DON'T WE KNOW ABOUT YOU? 336 00:20:58,000 --> 00:21:00,000 KRIS JUST TOLD US SOMETHING. WHY DON'T YOU? 337 00:21:02,000 --> 00:21:06,000 WILL EVERYBODY... TELL A SECRET? 338 00:21:06,000 --> 00:21:09,000 I HAVEN'T GOT A LOT, BUT...OKAY. 339 00:21:09,000 --> 00:21:11,000 DO I HAVE TO GO AGAIN? THAT WAS A PRETTY LAME SECRET. 340 00:21:11,000 --> 00:21:15,000 NOT TO ME IT WASN'T. OKAY, BUT ONLY IF YOU GUYS TELL A BETTER ONE. 341 00:21:15,000 --> 00:21:17,000 DANI'S STILL FIRST. GOOD. 342 00:21:17,000 --> 00:21:21,000 I HAVE A GOOD ONE. SHE ACTUALLY HATES PRADA. 343 00:21:21,000 --> 00:21:24,000 [LAUGHING] [DANI] NO. 344 00:21:24,000 --> 00:21:26,000 [INHALES DEEPLY] 345 00:21:26,000 --> 00:21:29,000 I TRIED TO FIND OUR MOTHER. 346 00:21:29,000 --> 00:21:30,000 WHAT? 347 00:21:31,000 --> 00:21:34,000 WHEN? LAST YEAR. 348 00:21:34,000 --> 00:21:38,000 I KNEW THAT WE LIVED WITH HER IN SAN FRANCISCO UNTIL YOU WERE TWO AND I WAS ONE. 349 00:21:38,000 --> 00:21:41,000 SO I FOUND A DETECTIVE AGENCY IN THE PHONE BOOK, 350 00:21:41,000 --> 00:21:43,000 AND I HIRED A GUY TO FIND ISABEL MATTIA. 351 00:21:43,000 --> 00:21:46,000 WELL, WHAT HAPPENED? 352 00:21:46,000 --> 00:21:49,000 WELL, ALL I COULD FIND WAS SOME LAWYER'S ADDRESS. SO, I WROTE A LETTER. 353 00:21:49,000 --> 00:21:53,000 HOW COULD YOU NOT TELL ME THIS? LISTEN TO WHAT HAPPENED. 354 00:21:53,000 --> 00:21:55,000 AN ANSWER CAME BACK BY CERTIFIED MAIL SAYING 355 00:21:55,000 --> 00:21:59,000 THAT A LEGAL AGREEMENT SPECIFIED THAT I WAS NEVER TO GET IN CONTACT WITH MISS MATTIA, 356 00:21:59,000 --> 00:22:03,000 NOR WAS I TO KNOW HER WHEREABOUTS OR EVEN WHETHER SHE WAS LIVING OR DEAD. 357 00:22:03,000 --> 00:22:06,000 THAT'S CRAZY. THAT'S WHAT IT SAID. 358 00:22:06,000 --> 00:22:09,000 I CAN'T BELIEVE THIS. YOU SHOULD HAVE TOLD ME. 359 00:22:09,000 --> 00:22:12,000 I WAS AFRAID YOU'D TELL DAD. SO WHY TELL ME NOW? 360 00:22:12,000 --> 00:22:15,000 YOU WANTED A SECRET, YOU GOT ONE. WHO'S NEXT? 361 00:22:23,000 --> 00:22:25,000 COME ON. SOMEONE STEP UP. 362 00:22:25,000 --> 00:22:28,000 MR. RITTER. [LAUGHS] 363 00:22:28,000 --> 00:22:30,000 I DON'T KNOW WHAT TO SAY. UM-- 364 00:22:30,000 --> 00:22:33,000 HERE'S ONE. I'M ALLERGIC TO HORSES. 365 00:22:33,000 --> 00:22:35,000 NO, I AM. 366 00:22:35,000 --> 00:22:38,000 I GET SHOTS SOMETIMES, BUT MOST OF THE TIME I TOUGH IT OUT. 367 00:22:38,000 --> 00:22:40,000 TOP SECRET. I'M TOO TOUGH TO BLOW MY NOSE. 368 00:22:40,000 --> 00:22:43,000 WHAT ELSE DO YOU GUYS WANNA HEAR? LET'S FORGET IT. 369 00:22:43,000 --> 00:22:47,000 NO! THESE STRONG BROODING TYPES ALWAYS HAVE A THING OR TWO TO TELL. COME ON. 370 00:22:47,000 --> 00:22:49,000 I TOLD YOU ABOUT THE FORBIDDEN MOTHER. 371 00:22:51,000 --> 00:22:53,000 I CAUGHT MY MOM MAKING OUT WITH THE DRONE GUY. [JUNIOR] DUDE! 372 00:22:53,000 --> 00:22:56,000 HOW BITCHIN' IS THAT! 373 00:22:56,000 --> 00:23:00,000 [DANI] WAS IT WEIRD? YEAH, IT WAS WEIRD. 374 00:23:00,000 --> 00:23:03,000 I-- I DON'T WANNA KNOW ABOUT MY MOM'S SEX LIFE. 375 00:23:03,000 --> 00:23:05,000 I CAN'T BELIEVE I JUST SAID THAT. 376 00:23:05,000 --> 00:23:09,000 I USED TO SEE MY MOM WITH OTHER GUYS. 377 00:23:09,000 --> 00:23:12,000 WE LIVED IN THIS REALLY SMALL SPACE FOR A WHILE. AT FIRST, I DIDN'T LIKE IT. 378 00:23:12,000 --> 00:23:15,000 BUT, I MEAN, WHAT ARE YOU GONNA DO? 379 00:23:15,000 --> 00:23:18,000 I MEAN, SHE HAD TO LIVE HER OWN LIFE, YOU KNOW. 380 00:23:18,000 --> 00:23:21,000 SO...I JUST BLOCKED IT OUT. I DIDN'T CARE. 381 00:23:21,000 --> 00:23:24,000 IS THAT YOUR SECRET? NO, IT'S NOT A SECRET. 382 00:23:24,000 --> 00:23:26,000 YOUR MOM'S GOING THROUGH A REALLY TOUGH TIME, 383 00:23:26,000 --> 00:23:30,000 AND YOU SHOULD JUST THINK OF IT AS...SHE'S SPENDING TIME WITH A GUY SHE REALLY LIKES. 384 00:23:30,000 --> 00:23:34,000 I JUST DIDN'T WANT A MENTAL PICTURE, OKAY? [JUNIOR] YOU'LL ADJUST. 385 00:23:34,000 --> 00:23:38,000 WE GET TO MEET A LOVELY NEW AIRLINE HOSTESS EACH MONTH. 386 00:23:38,000 --> 00:23:40,000 SOMETIMES THEY EVEN PINCH MY CHEEK. OOH. 387 00:23:40,000 --> 00:23:42,000 LET'S GO CHECK OUT THE CHUMASH THING. 388 00:23:42,000 --> 00:23:45,000 HEY, I HAVEN'T SPILLED MY GUTS YET! 389 00:23:45,000 --> 00:23:48,000 TRY AND HOLD IT IN. CAN YOU? 390 00:23:48,000 --> 00:23:51,000 I'M SICK OF THIS GAME. 391 00:23:54,000 --> 00:23:57,000 YOU KNOW, I USED TO DO ALL THE COOKING. 392 00:23:57,000 --> 00:23:59,000 AS A MATTER OF FACT, JEAN DOESN'T KNOW HER WAY AROUND POT AU FEU. 393 00:23:59,000 --> 00:24:02,000 WOW. POT AU FEU. 394 00:24:05,000 --> 00:24:10,000 IT'S AN ODD SITUATION WE'RE IN HERE, ISN'T IT? WELL, YES AND NO. 395 00:24:10,000 --> 00:24:13,000 YES, ACTUALLY, IT IS. 396 00:24:14,000 --> 00:24:17,000 LET'S HAVE A DRINK. GOOD IDEA. 397 00:24:31,000 --> 00:24:34,000 THIS IS IT? PETROGLYPHS. THEY'RE LIKE A THOUSAND YEARS OLD. 398 00:24:34,000 --> 00:24:36,000 WHAT DO THEY MEAN? THEY MIGHT BE A CODE. 399 00:24:36,000 --> 00:24:39,000 BUT IT'S POSSIBLE THAT THE ONLY PERSON THAT KNOWS IS THE ONE WHO DID THE CARVINGS. 400 00:24:39,000 --> 00:24:42,000 I'M GONNA SET UP CAMP. I'LL HELP. 401 00:24:48,000 --> 00:24:51,000 SOMETHING GOT INTO JUNIOR. HE JUST SPOKE WITHOUT MAKING A WISECRACK. 402 00:24:51,000 --> 00:24:52,000 IS IT COLD? 403 00:24:52,000 --> 00:24:55,000 HERE. 404 00:24:59,000 --> 00:25:01,000 THIS IS WHERE I SAY, THIS DOESN'T MEAN THAT WE'RE FRIENDS. 405 00:25:01,000 --> 00:25:03,000 JUST PUT IT ON. 406 00:25:07,000 --> 00:25:11,000 THIS IS A STRANGE PLACE. WHAT'D THEY SAY ABOUT THIS PLACE? 407 00:25:11,000 --> 00:25:14,000 THAT IT WAS A SACRED SITE EVEN BEFORE THE CHUMASH CAME. 408 00:25:14,000 --> 00:25:17,000 IT'S SUPPOSED TO BE LOUSY WITH SPIRITS, BUT... 409 00:25:17,000 --> 00:25:20,000 I DON'T KNOW, I NEVER SAW ONE. 410 00:25:20,000 --> 00:25:24,000 MAYBE YOU JUST DON'T SEE THEM. OOGA, BOOGA, BOOGA. 411 00:25:31,000 --> 00:25:35,000 YOU MUST BE WORRIED ABOUT WILDFIRE. YEAH. 412 00:25:35,000 --> 00:25:39,000 BUT I FEEL LIKE HE'S OKAY. 413 00:25:39,000 --> 00:25:42,000 MAYBE I'M FOOLING MYSELF. NO. 414 00:25:42,000 --> 00:25:47,000 SOMETIMES YOU'RE ON A WIRE WITH SOMEBODY. THAT'S HOW I THINK OF IT. 415 00:25:47,000 --> 00:25:51,000 IF YOU DON'T KNOW FACTS OR ANYTHING, BUT YOU'RE IN TOUCH. 416 00:25:51,000 --> 00:25:56,000 NO MATTER HOW FAR AWAY YOU GET, IF SOMETHING BAD HAPPENS TO THEM, YOU KNOW. 417 00:25:56,000 --> 00:25:59,000 IT DOESN'T HAVE TO BE A PERSON. YOU HAVE THAT WITH WILDFIRE. 418 00:25:59,000 --> 00:26:01,000 YEAH, I DO. 419 00:26:03,000 --> 00:26:05,000 DO YOU HAVE THAT? 420 00:26:05,000 --> 00:26:08,000 I MEAN, A WIRE WITH SOMEONE. 421 00:26:13,000 --> 00:26:15,000 KNOW WHAT I FIGURED OUT. 422 00:26:16,000 --> 00:26:18,000 WHATEVER HAPPENED WITH MATT AND ME, 423 00:26:18,000 --> 00:26:21,000 I HAVE TO LET IT GO. 424 00:26:21,000 --> 00:26:23,000 I KNOW IT WASN'T JUST ABOUT YOU. 425 00:26:38,000 --> 00:26:42,000 SO I JUMPED THIS FREIGHT CAR. AND I'M THINKING, THIS IS GREAT. 426 00:26:42,000 --> 00:26:44,000 LIFE OF ADVENTURE, RIGHT? 427 00:26:44,000 --> 00:26:48,000 NEXT THING I KNOW, I'M UNDER ARREST. BUT I GOT A PLACE TO SPEND THE NIGHT AND A HOT MEAL. 428 00:26:48,000 --> 00:26:51,000 NOT THE BEST PLACE TO CATCH UP ON SLEEP. I WENT TO JAIL ONCE. 429 00:26:51,000 --> 00:26:55,000 HOW'D YOU GET THERE? "SAVE THE COASTLINE" PROTEST, 1987. 430 00:26:55,000 --> 00:26:58,000 I WAS THERE! I SAT NEXT TO JERRY GARCIA. 431 00:26:58,000 --> 00:27:01,000 THEY THREW JERRY GARCIA AND ME IN THE PADDY WAGON. 432 00:27:01,000 --> 00:27:03,000 IT'S LIKE A REUNION. [LAUGHS] 433 00:27:03,000 --> 00:27:04,000 YOU KNOW WHAT WE SHOULD HAVE MADE? WHAT? 434 00:27:04,000 --> 00:27:06,000 WHAT THEY FED US IN CITY JAIL. 435 00:27:06,000 --> 00:27:09,000 CRUSTY BALONEY ON A SLICE OF STALE BREAD. IS THAT WHAT THAT WAS? 436 00:27:09,000 --> 00:27:12,000 I KIND OF LIKED IT. 437 00:27:14,000 --> 00:27:18,000 [KRIS] THERE'S PLENTY OF FOOD LEFT. BEEF JERKY? OH. 438 00:27:20,000 --> 00:27:22,000 ARE THERE ANY MORE RAISINS? 439 00:27:22,000 --> 00:27:26,000 UM, SARDINES? ALL RIGHT! 440 00:27:26,000 --> 00:27:28,000 [KRIS] EEW. 441 00:27:28,000 --> 00:27:30,000 [DANI] MAYBE WE SHOULD THINK ABOUT SOMETHING ELSE BESIDES FOOD. 442 00:27:30,000 --> 00:27:35,000 I'VE GOT A REAL SECRET, WHICH I NOW WILL REVEAL. 443 00:27:40,000 --> 00:27:42,000 [JUNIOR] HO, HO. PARTY TIME. 444 00:27:42,000 --> 00:27:44,000 WHAT'S ON TAP, AVRIL LAVIGNE? 445 00:27:44,000 --> 00:27:47,000 NOPE. I CREATED THIS. 446 00:27:49,000 --> 00:27:52,000 ♪♪ [DANCE ROCK] 447 00:27:54,000 --> 00:27:56,000 [DANI] WHOO! DANCE THAT SUN DOWN! 448 00:27:58,000 --> 00:28:00,000 WHOO-HOO! 449 00:28:09,000 --> 00:28:10,000 [JUNIOR] WHOO! 450 00:28:18,000 --> 00:28:20,000 SOMEONE SHOULD GET SOME MORE WOOD. 451 00:28:20,000 --> 00:28:22,000 I'LL GO. 452 00:28:25,000 --> 00:28:27,000 ME TOO. 453 00:28:30,000 --> 00:28:34,000 GET ME MY BEDROLL, GIRL WHO LIKES MEN. 454 00:28:34,000 --> 00:28:36,000 GET OVER YOURSELF, LAZIEST BUM. 455 00:28:43,000 --> 00:28:46,000 THERE'S SOME FIREWOOD OVER HERE. 456 00:28:48,000 --> 00:28:50,000 TURN OFF THE LIGHT. 457 00:28:50,000 --> 00:28:53,000 GIVE IT A MINUTE. YOU'LL BE ABLE TO SEE IN THE DARK. 458 00:28:55,000 --> 00:28:59,000 I'VE NEVER BEEN IN THE REAL DARK BEFORE. 459 00:28:59,000 --> 00:29:02,000 WHEN DID THERE GET TO BE SO MANY STARS? 460 00:29:07,000 --> 00:29:08,000 [NEIGHING] 461 00:29:08,000 --> 00:29:10,000 MATT, LOOK! 462 00:29:10,000 --> 00:29:14,000 IT'S GONE. IT WAS A HORSE AND IT WAS UP IN THE SKY LIKE IT WAS PULLING DOWN THE STARS. 463 00:29:14,000 --> 00:29:18,000 THERE'S NOTHING THERE. NO HORSE WOULD BE OUT ALONE NOW ANYWAY. 464 00:29:18,000 --> 00:29:21,000 IT WAS THERE. IT WASN'T WILDFIRE. 465 00:29:21,000 --> 00:29:24,000 A STALLION? YEAH! HOUDINI. 466 00:29:24,000 --> 00:29:28,000 KRIS, HOUDINI CAN'T REAR UP LIKE THAT. HE CAN'T EVEN MOVE. 467 00:29:29,000 --> 00:29:33,000 I BET HE'S BACK HOME BY NOW. 468 00:29:35,000 --> 00:29:40,000 [CHUCKLES] YOU DON'T BELIEVE ME BUT I KNOW YOU WANT TO. 469 00:29:40,000 --> 00:29:43,000 [WOMAN] ♪ BREAKIN' ME WIDE OPEN NOW ♪ 470 00:29:43,000 --> 00:29:47,000 ♪ MAKE ME NEW I DON'T KNOW HOW ♪ 471 00:29:47,000 --> 00:29:53,000 ♪ I'M AFRAID I CAN'T BELIEVE YOU DID IT ♪ 472 00:29:55,000 --> 00:29:57,000 ♪ YOU CAN SEE THE LIGHT IN ME ♪ 473 00:29:57,000 --> 00:30:00,000 SO, PETE, I NEVER DID FIND OUT WHAT YOU DO FOR A LIVING. 474 00:30:00,000 --> 00:30:02,000 INVESTMENTS. SO YOU'RE A BROKER? 475 00:30:02,000 --> 00:30:04,000 IN A SENSE. I KEEP MY EYES OPEN. 476 00:30:04,000 --> 00:30:06,000 THERE'S BEEN THIS REAL ESTATE THING I'VE BEEN KEEPING MY EYE ON. 477 00:30:06,000 --> 00:30:09,000 YOU MIGHT WANT TO CONSIDER GETTING IN ON THIS DEAL. 478 00:30:09,000 --> 00:30:11,000 IT'S AROUND THE OUTSKIRTS OF COCONUT GROVE-- 479 00:30:11,000 --> 00:30:14,000 [JEAN] YOU KNOW, IT'S BEEN A LOVELY DINNER, 480 00:30:14,000 --> 00:30:19,000 BUT I GUESS THE KIDS ARE CAMPING OUT AND I'VE REALLY GOTTA GET SOME SLEEP. 481 00:30:19,000 --> 00:30:23,000 BUT WE STILL GOTTA CLEAN UP, RIGHT, CHARLIE? GREAT. I'LL WASH, YOU DRY. 482 00:30:23,000 --> 00:30:25,000 DEAL. 483 00:30:25,000 --> 00:30:27,000 THANK YOU. 484 00:30:33,000 --> 00:30:35,000 YOU OKAY, JEAN? 485 00:30:35,000 --> 00:30:37,000 I'M THINKING ABOUT HOUDINI OUT THERE. 486 00:30:37,000 --> 00:30:40,000 IN THE NIGHT. DO YOU REMEMBER HIM? 487 00:30:40,000 --> 00:30:43,000 OH, YEAH. I REMEMBER MATT STANDING ON HIS BACK RIDING HIM, 488 00:30:43,000 --> 00:30:47,000 AND YOU TAKING TODD AND SITTING HIM IN FRONT OF YOU AND TAKING HIM FOR A FAST RIDE. 489 00:30:47,000 --> 00:30:50,000 [CHUCKLES] YOU TOOK A PICTURE OF THAT. 490 00:30:50,000 --> 00:30:54,000 I SAW IT IN THE LIVING ROOM. WE WERE HAPPY THEN. 491 00:30:57,000 --> 00:31:01,000 I MADE A TERRIBLE MISTAKE. AND I-- I WANT TO MAKE AMENDS. 492 00:31:02,000 --> 00:31:05,000 WELL, THE-- THE CHECK IS A GOOD START. 493 00:31:05,000 --> 00:31:10,000 HEY, DO YOU REMEMBER THE TIME THAT WE WENT ON HOUDINI TOGETHER OUT IN THE MEADOW AT NIGHT? 494 00:31:10,000 --> 00:31:12,000 DON'T-- 495 00:31:12,000 --> 00:31:15,000 I'M LOOKIN' FOR A WAY BACK HERE, JEAN. 496 00:31:15,000 --> 00:31:18,000 WHAT IS IT-- CHARLIE? DON'T! 497 00:31:18,000 --> 00:31:22,000 IT HAS NOTHING TO DO WITH HIM. 498 00:31:22,000 --> 00:31:26,000 I WENT DOWN THE ROAD WITH YOU AND IT CAME TO AN END. AND IT ENDED. 499 00:31:26,000 --> 00:31:28,000 IT-- IT JUST DID. 500 00:31:33,000 --> 00:31:35,000 IT'S TIME FOR ME TO GO. 501 00:31:35,000 --> 00:31:37,000 [QUIETLY] YES, IT IS. 502 00:31:42,000 --> 00:31:44,000 [SIGHS] 503 00:31:53,000 --> 00:31:56,000 [DOOR OPENS, CLOSES] 504 00:31:56,000 --> 00:31:58,000 [BIRDS HOOTING] 505 00:32:30,000 --> 00:32:31,000 HEY! 506 00:32:34,000 --> 00:32:35,000 COULDN'T SLEEP? 507 00:32:36,000 --> 00:32:38,000 ME, NEITHER. 508 00:32:40,000 --> 00:32:42,000 CAN I SIT DOWN? [WHISPERING] YEAH, IF YOU'RE QUIET. 509 00:32:52,000 --> 00:32:53,000 [WHISPERING] WHAT ARE WE LOOKING FOR? 510 00:32:53,000 --> 00:32:56,000 WHATEVER WE SEE. 511 00:33:01,000 --> 00:33:05,000 THIS AFTERNOON... WHEN YOU TALKED ABOUT YOUR MOM 512 00:33:05,000 --> 00:33:08,000 AND THOSE GUYS AND THAT-- 513 00:33:08,000 --> 00:33:12,000 YOU SAID IT WASN'T A SECRET, BUT IT WAS. 514 00:33:12,000 --> 00:33:15,000 I KNOW IT BOTHERED YOU. ARE YOU TRYING TO BE A SMART-ASS? 515 00:33:15,000 --> 00:33:17,000 NO! WHAT DO YOU KNOW? 516 00:33:17,000 --> 00:33:21,000 I KNOW. AND YOU KNOW WHY? 517 00:33:23,000 --> 00:33:26,000 BECAUSE I WATCH YOU. 518 00:33:26,000 --> 00:33:29,000 I HAVE NO IDEA WHAT MAKES ME DO IT, BUT-- 519 00:33:29,000 --> 00:33:30,000 EVERY TIME YOU TURN YOUR HEAD, 520 00:33:30,000 --> 00:33:32,000 EVERY TIME YOU LAUGH OUT LOUD 521 00:33:32,000 --> 00:33:36,000 OR LIFT YOUR HAND TO DRINK A CUP OF COFFEE, 522 00:33:36,000 --> 00:33:40,000 OR THE WAY YOUR SMILE SPREADS FROM ONE SIDE OF YOUR FACE TO THE OTHER. 523 00:33:42,000 --> 00:33:44,000 I DON'T JUST WATCH. 524 00:33:44,000 --> 00:33:47,000 I SEE. 525 00:33:47,000 --> 00:33:49,000 AND I SAW YOUR FACE WHEN YOU SAID THAT STUFF TODAY. 526 00:33:49,000 --> 00:33:54,000 I KNOW IT HURT YOU. THAT'S YOUR SECRET. 527 00:33:55,000 --> 00:33:58,000 [WHISPERING] I WON'T TELL. 528 00:33:58,000 --> 00:34:00,000 WHAT'S YOURS? 529 00:34:01,000 --> 00:34:04,000 ISN'T IT OBVIOUS? 530 00:34:05,000 --> 00:34:08,000 I MEAN IT. 531 00:34:08,000 --> 00:34:09,000 I SEE YOU. 532 00:34:11,000 --> 00:34:15,000 MAYBE. BUT WE'RE ALONE IN THE WOODS, IN THE DARK. 533 00:34:15,000 --> 00:34:17,000 YOUR EYES PLAY TRICKS ON YOU. 534 00:34:20,000 --> 00:34:23,000 [MAN] ♪ BABY, I'LL HOLD YOU TONIGHT ♪ 535 00:34:23,000 --> 00:34:27,000 ♪ LOVE YOU THROUGH THE MOONLIGHT ♪ 536 00:34:27,000 --> 00:34:29,000 ♪ NEVER LET YOU GO ♪ 537 00:34:29,000 --> 00:34:31,000 [ANIMAL ROARING] 538 00:34:31,000 --> 00:34:33,000 THE LION! LET'S GO! 539 00:34:33,000 --> 00:34:36,000 MATT! DANI, COME HERE! 540 00:34:36,000 --> 00:34:39,000 [DANI] WHAT WAS THAT? COME HERE! 541 00:34:39,000 --> 00:34:41,000 [LION GROWLS] 542 00:34:46,000 --> 00:34:47,000 [LIONS SNARLS] 543 00:34:52,000 --> 00:34:56,000 [DANI] I CAN'T BELIEVE I ATE BEEF JERKY FOR BREAKFAST. 544 00:34:56,000 --> 00:34:58,000 WE'RE GONNA CROSS THE RIVER, RIGHT? 545 00:34:58,000 --> 00:35:00,000 HOW DOES THAT WORK? HANG ONTO THE SADDLE HORN 546 00:35:00,000 --> 00:35:04,000 GIVE HIM HIS HEAD, THERE SHOULD BE A SPOT WHERE IT'S NOT TOO DEEP. 547 00:35:04,000 --> 00:35:06,000 [HORSE NEIGHS] WILDFIRE? 548 00:35:06,000 --> 00:35:07,000 [NEIGHS] 549 00:35:07,000 --> 00:35:09,000 [MATT] LET'S GO! 550 00:35:39,000 --> 00:35:42,000 [MATT] IF WE TURN, HE'LL FOLLOW US. 551 00:35:42,000 --> 00:35:46,000 [KRIS] HE WON'T. NO, THAT'S WHAT HORSES DO. 552 00:35:46,000 --> 00:35:49,000 YOU FOLLOW THEM AND IF YOU TURN, THEY FOLLOW US. THAT'S HOW THEY ARE. 553 00:35:49,000 --> 00:35:51,000 THAT'S NOT WHAT HE WANTS. HOW DO YOU KNOW? 554 00:35:51,000 --> 00:35:55,000 THEY'RE ON A WIRE. JUST FOLLOW KRIS. 555 00:36:08,000 --> 00:36:10,000 OH, NO. 556 00:36:22,000 --> 00:36:23,000 OH, BOY. 557 00:36:23,000 --> 00:36:25,000 [SIGHS] 558 00:36:31,000 --> 00:36:34,000 HOUDINI. 559 00:36:35,000 --> 00:36:37,000 IT WASN'T THE COUGAR. 560 00:36:37,000 --> 00:36:39,000 AT LEAST IT WASN'T THAT. [WILDFIRE SNORTS] 561 00:36:41,000 --> 00:36:44,000 WILDFIRE WAS WITH HIM. SO IT WAS SAFE FOR HIM TO DIE. 562 00:36:48,000 --> 00:36:50,000 [SNORTS] [KISSES] 563 00:36:54,000 --> 00:36:57,000 I NEED TO RIDE BACK AND TELL MY MOTHER. 564 00:36:57,000 --> 00:36:59,000 WE'LL BURY HIM HERE. 565 00:36:59,000 --> 00:37:01,000 I'LL STAY WITH HIM. DON'T WORRY. 566 00:37:01,000 --> 00:37:03,000 YEAH, ME TOO. 567 00:37:09,000 --> 00:37:11,000 I'LL GO WITH YOU. 568 00:37:12,000 --> 00:37:15,000 I GUESS I'D BETTER GET GOING. 569 00:37:15,000 --> 00:37:19,000 I'VE GOT A FLIGHT. WHAT? YOU DIDN'T TELL ME THAT. 570 00:37:19,000 --> 00:37:22,000 YEAH, I TRIED TO, AND THEN PETE SHOWED UP. [SIGHS] 571 00:37:22,000 --> 00:37:25,000 THREW ME OFF. 572 00:37:25,000 --> 00:37:28,000 I'M GOING TO CARACAS. TENTH ANNUAL DRONE CONFERENCE. 573 00:37:30,000 --> 00:37:32,000 I'LL BE GONE A COUPLE OF WEEKS. 574 00:37:32,000 --> 00:37:36,000 I'LL MISS YOU. I'LL MISS YOU. 575 00:37:39,000 --> 00:37:40,000 THERE'S E-MAIL. 576 00:37:40,000 --> 00:37:43,000 [SIGHS] IT'S NOT THE SAME. 577 00:37:43,000 --> 00:37:44,000 INSTANT MESSAGE? 578 00:37:44,000 --> 00:37:47,000 [LAUGHS] 579 00:37:48,000 --> 00:37:50,000 JEAN... 580 00:37:50,000 --> 00:37:52,000 SEEING PETE-- 581 00:37:52,000 --> 00:37:54,000 CONFIRMED EVERYTHING I EVER KNEW ABOUT HIM. 582 00:37:54,000 --> 00:37:57,000 HE IS VERY GOOD AT WHAT HE DOES. 583 00:37:57,000 --> 00:37:59,000 WHICH IS? 584 00:37:59,000 --> 00:38:02,000 GETTING PEOPLE TO DO WHAT HE WANTS, GETTING THEM TO LOVE HIM. 585 00:38:02,000 --> 00:38:07,000 YOU KNOW WHAT HE TOLD ME BEFORE HE LEFT? "DON'T TELL THE BOYS I WAS HERE." 586 00:38:08,000 --> 00:38:11,000 HE SAID IT WAS 'CAUSE HE WANTED TO TEST HIS STRENGTH NOT TO GAMBLE. 587 00:38:11,000 --> 00:38:14,000 HE WANTED TO MAKE SURE HE WASN'T GONNA DO IT AGAIN, 588 00:38:14,000 --> 00:38:18,000 BUT REALLY, IT'S 'CAUSE HE'S GONNA DISAPPEAR AGAIN. 589 00:38:18,000 --> 00:38:20,000 HOW CAN HE DO THAT? 590 00:38:20,000 --> 00:38:21,000 TO HIS OWN SONS? 591 00:38:21,000 --> 00:38:25,000 PETE RITTER IS LIKE A TRUCK BEARING DOWN, 592 00:38:25,000 --> 00:38:28,000 ITS LIGHTS ON YOU AND YOU CAN'T MOVE. 593 00:38:28,000 --> 00:38:31,000 IT'S LIKE YOU'RE BEWITCHED. 594 00:38:31,000 --> 00:38:34,000 AND THEN THE LIGHTS SWING OFF YOU AND YOU GO, 595 00:38:34,000 --> 00:38:36,000 "WHAT JUST HAPPENED? I ALMOST GOT HIT BY A TRUCK." 596 00:38:36,000 --> 00:38:40,000 YOU WERE WITH HIM A LONG TIME. I DIDN'T MOVE FAST ENOUGH. 597 00:38:42,000 --> 00:38:43,000 [SOFTLY] OKAY. 598 00:38:43,000 --> 00:38:46,000 LET'S GO. [WHIMPERS] 599 00:38:48,000 --> 00:38:50,000 YOU OKAY? 600 00:38:52,000 --> 00:38:54,000 YEAH, I GUESS. 601 00:38:56,000 --> 00:39:00,000 HE WAS OLD, BUT MY MOM'S GONNA TAKE THIS REALLY HARD. 602 00:39:01,000 --> 00:39:05,000 YOU SAW HIM LAST NIGHT? IT'S HARD TO BELIEVE, I KNOW. 603 00:39:05,000 --> 00:39:06,000 I BELIEVE YOU. 604 00:39:06,000 --> 00:39:09,000 I MEAN, IT DOESN'T MAKE SENSE. 605 00:39:09,000 --> 00:39:12,000 EVERYTHING DOESN'T HAVE TO MAKE SENSE. 606 00:39:35,000 --> 00:39:39,000 WHY DIDN'T YOU TELL ME ABOUT OUR MOTHER? HONESTLY. 607 00:39:39,000 --> 00:39:41,000 I ALMOST DID. BUT THEN-- 608 00:39:44,000 --> 00:39:47,000 IT WAS LIKE, I HAD THIS ADDRESS 609 00:39:47,000 --> 00:39:51,000 AND I WAS GONNA BRING HER BACK ALL BY MYSELF AND, KIND OF, SHOW YOU. 610 00:39:51,000 --> 00:39:52,000 AND HIM. 611 00:39:54,000 --> 00:39:56,000 YOU MEAN DAD? 612 00:39:56,000 --> 00:39:58,000 SHOW US WHAT? 613 00:40:00,000 --> 00:40:01,000 WHAT I COULD DO. 614 00:40:01,000 --> 00:40:05,000 IT TURNED OUT TO BE NOTHING. 615 00:40:05,000 --> 00:40:07,000 IT WASN'T "NOTHING." 616 00:40:13,000 --> 00:40:15,000 YOU THINK SHE'S DEAD? 617 00:40:17,000 --> 00:40:22,000 I DON'T THINK SO, BUT SOMETIMES I WISH SHE WERE. HOW CAN YOU SAY THAT? 618 00:40:24,000 --> 00:40:26,000 WELL, THINK ABOUT IT. 619 00:40:26,000 --> 00:40:30,000 THEN WE'D HAVE A REASON WHY SHE NEVER CAME BACK FOR US. 620 00:40:30,000 --> 00:40:32,000 [SIGHS] 621 00:40:34,000 --> 00:40:36,000 [SIGHS] 622 00:40:38,000 --> 00:40:40,000 [SIGHS] 623 00:40:45,000 --> 00:40:48,000 E-MAIL. E-MAIL. 624 00:41:00,000 --> 00:41:02,000 [GASPS] 625 00:41:08,000 --> 00:41:10,000 HOUDINI? 626 00:41:18,000 --> 00:41:19,000 [SIGHS] 627 00:41:24,000 --> 00:41:25,000 HI. 628 00:41:35,000 --> 00:41:37,000 [JEAN SIGHS] 629 00:41:43,000 --> 00:41:44,000 [JEAN SIGHS] 630 00:41:48,000 --> 00:41:50,000 YOU KNOW, 631 00:41:50,000 --> 00:41:52,000 THERE ALWAYS WAS A PART OF YOU THAT WANTED 632 00:41:52,000 --> 00:41:55,000 TO GET OUT. 633 00:41:55,000 --> 00:41:57,000 I KNOW. 634 00:41:57,000 --> 00:42:01,000 [WEEPING] WELL, YOU DID IT. 635 00:42:01,000 --> 00:42:03,000 YOU GOT OUT. 636 00:42:07,000 --> 00:42:10,000 AND NOW NO ONE CAN CATCH YOU. 637 00:42:10,000 --> 00:42:12,000 [GASPS] 638 00:42:12,000 --> 00:42:15,000 [WEEPING] I'M JUST GONNA MISS YOU SO MUCH. 639 00:42:15,000 --> 00:42:17,000 [SNIFFS] 640 00:42:22,000 --> 00:42:24,000 GOOD-BYE, MY DEAR FRIEND. 641 00:42:40,000 --> 00:42:42,000 NOBODY CAN TAKE THE PAST AWAY FROM YOU. 642 00:42:42,000 --> 00:42:45,000 [SNIFFS] 643 00:42:45,000 --> 00:42:47,000 [SIGHS] 644 00:43:03,000 --> 00:43:13,000 [NEIGHS]