1
00:00:01,000 --> 00:00:04,000
PREVIOUSLY ON WILDFIRE.
ARE YOU IN CONTACT
WITH YOUR PARENTS?

2
00:00:04,000 --> 00:00:06,000
MY MOM WRITES ONCE A MONTH
'CAUSE THE JUDGE SAID
SHE HAD TO.

3
00:00:06,000 --> 00:00:08,000
YOUR MOTHER'S RECORD
OF DRUG-RELATED ARRESTS
IS OF CONCERN TO THE COURT.

4
00:00:08,000 --> 00:00:10,000
[PABLO]
THERE'S SOMEONE
I'D LIKE TO HIRE.

5
00:00:10,000 --> 00:00:12,000
SHE'S ONE OF THE GIRLS
FROM CAMP LAGRANGE
I WORK WITH.

6
00:00:12,000 --> 00:00:14,000
[TODD]
SOME KIND OF TEACHER, PABLO.
YOU CAN'T TEACH THAT.

7
00:00:14,000 --> 00:00:17,000
[JUDGE]
MR. BETART SAYS THAT HE IS
PREPARED TO OFFER YOU A JOB

8
00:00:17,000 --> 00:00:20,000
PLUS ROOM AND BOARD
AT THE RAINTREE
THOROUGHBRED FARM.

9
00:00:20,000 --> 00:00:24,000
WHO IS SHE?
HOT WORKIN' GIRL
LIVING IN THE TRAILER?

10
00:00:24,000 --> 00:00:27,000
WHAT ARE THE RULES
ABOUT THIS?
SOMEONE IN MY POSITION

11
00:00:27,000 --> 00:00:29,000
IS OBVIOUSLY GONNA BE
CONCERNED ABOUT WHAT
YOU'VE BEEN THROUGH.

12
00:00:29,000 --> 00:00:33,000
I MADE SOME MISTAKES. I HOPE
I DON'T HAVE TO KEEP PAYING
FOR THEM MY ENTIRE LIFE.

13
00:00:33,000 --> 00:00:36,000
WHAT ARE YOU SAYING?
SO MAYBE IF WE GIVE IT
A LITTLE TIME.

14
00:00:36,000 --> 00:00:38,000
ARE YOU BREAKING UP
WITH ME?

15
00:00:38,000 --> 00:00:40,000
HELLO, IT'S ME.
I'M OUT.

16
00:00:40,000 --> 00:00:42,000
NO, I'M--

17
00:00:42,000 --> 00:00:45,000
I'M NOT COMING HOME.
I GOT A JOB.

18
00:00:45,000 --> 00:00:47,000
WUSSY MAN IS SCARED
TO LOSE TO A GIRL?
[GIRLS LAUGHING]

19
00:00:47,000 --> 00:00:50,000
[MOTOR REVS]
[TIRES SCREECHING]

20
00:00:54,000 --> 00:00:58,000
[MATT]
DRAG RACE. SHE KNEW THE COP
WOULD COME AFTER US. I DIDN'T.

21
00:00:58,000 --> 00:01:00,000
SO DANI KNEW.

22
00:01:15,000 --> 00:01:20,000
♪ LUCKY THAT YOU FOUND ME
YOU GOT TO HANG AROUND ME
SOME MORE ♪

23
00:01:20,000 --> 00:01:22,000
♪ 'CAUSE I'LL REMIND YOU ♪
WHAT'S HE DOING?

24
00:01:22,000 --> 00:01:24,000
HE'S TESTING HIM
FOR CLAUSTROPHOBIA.

25
00:01:24,000 --> 00:01:27,000
IF HE PUSHES WILDFIRE
AGAINST THE WALL
AND HE DOESN'T KICK UP,

26
00:01:27,000 --> 00:01:29,000
HE'S GOOD TO GET
INTO THE STARTING GATE.

27
00:01:29,000 --> 00:01:31,000
♪ GOT TO GET OUT OF YOUR HEAD
TO BELIEVE IT ♪

28
00:01:31,000 --> 00:01:34,000
KRIS.
♪ OH, I KNOW ♪

29
00:01:34,000 --> 00:01:39,000
♪ SOMETHIN' ABOUT YOU
YOU DON'T KNOW ♪

30
00:01:41,000 --> 00:01:43,000
HEY, THERE, OLD BOY.

31
00:01:43,000 --> 00:01:45,000
YOU READY FOR ME NOW?

32
00:01:45,000 --> 00:01:47,000
ONE, TWO, THREE.

33
00:01:49,000 --> 00:01:52,000
HOW'S IT FEEL?

34
00:01:52,000 --> 00:01:54,000
NOTHING COULD BE BETTER.
ALL RIGHT, LISTEN.

35
00:01:54,000 --> 00:01:56,000
TAKE HIM AROUND
A COUPLE TIMES SLOW.

36
00:01:56,000 --> 00:01:59,000
WE'LL SEE HOW HE DOES
GETTING IN THE GATE.
♪ THAT'S WHERE YOU SHINE ♪

37
00:02:00,000 --> 00:02:03,000
♪ SHINE ♪

38
00:02:03,000 --> 00:02:07,000
♪ REMEMBER WHEN YOU TOLD ME TO
GET UP AND DUST YOURSELF OFF ♪

39
00:02:07,000 --> 00:02:10,000
♪ IT WASN'T EASY
EVERYTHING CAN CHANGE ♪

40
00:02:10,000 --> 00:02:13,000
♪ AND IT USUALLY DOES
IT DOES ♪

41
00:02:13,000 --> 00:02:17,000
♪ YOU SAID SHAKE IT OFF
LIKE IT AIN'T NO BIG THING ♪

42
00:02:17,000 --> 00:02:20,000
♪ WON'T BE THE LAST TIME
WE'LL BE SINKING ♪

43
00:02:20,000 --> 00:02:23,000
♪ OH, I KNOW ♪

44
00:02:23,000 --> 00:02:29,000
♪ SOMETHIN' ABOUT YOU
YOU DON'T KNOW ♪

45
00:02:29,000 --> 00:02:32,000
♪ AND THAT'S WHERE YOU SHINE ♪
♪ WHEN YOU THINK
YOU'VE HAD ENOUGH ♪

46
00:02:32,000 --> 00:02:34,000
♪ JUST A MATTER OF TIME
BEFORE YOU FADE ♪

47
00:02:34,000 --> 00:02:36,000
♪ THAT'S WHERE YOU SHINE ♪♪

48
00:02:38,000 --> 00:02:42,000
WE HAVING
A GARAGE SALE?
NOT YET.

49
00:02:42,000 --> 00:02:44,000
SO, UH,

50
00:02:44,000 --> 00:02:46,000
THE MEETING
WITH OUR ACCOUNTANT
DIDN'T GO WELL, HUH?

51
00:02:46,000 --> 00:02:50,000
YEAH, YOU COULD SAY THAT.
MIGHT HAVE TO PART
WITH A FEW THINGS.

52
00:02:50,000 --> 00:02:52,000
YOUR ENGAGEMENT RING?
I, UH--

53
00:02:52,000 --> 00:02:54,000
I HAVEN'T DECIDED YET.

54
00:02:57,000 --> 00:03:00,000
BUT I'M GONNA
HAVE IT APPRAISED.
ARE WE THIS BROKE?

55
00:03:00,000 --> 00:03:02,000
WE'VE BEEN BETTER.

56
00:03:15,000 --> 00:03:19,000
YOU KNOW THAT CEREAL
IS 99% WHITE REFINED SUGAR?

57
00:03:19,000 --> 00:03:23,000
[IMITATING ROBOT]
DON'T...CARE.

58
00:03:23,000 --> 00:03:26,000
WE NEED TO TALK.
NOT...LISTENING.

59
00:03:26,000 --> 00:03:30,000
IF YOU'VE DAMAGED
THE SPECIALLY ENCLOSED--
WHAT IS YOUR PROBLEM?

60
00:03:30,000 --> 00:03:32,000
MY PROBLEM WOULD BE
DANI DAVIS, MY
CONTROL-FREAK SISTER

61
00:03:32,000 --> 00:03:35,000
WHO'S CLEARLY ON THE VERGE
OF SOME NUCLEAR PSYCHO MELTDOWN.

62
00:03:35,000 --> 00:03:37,000
WHAT'S YOUR PROBLEM?
MY BROTHER,

63
00:03:37,000 --> 00:03:40,000
OBSESSED WITH A CERTAIN
SLUTTY EX-CON RANCH HAND.

64
00:03:40,000 --> 00:03:43,000
YOU THINK I'M
OBSESSED WITH KRIS?
OH, BIG TIME, BUBBA.

65
00:03:43,000 --> 00:03:45,000
NOT EVEN, BEE-ATCH.

66
00:03:45,000 --> 00:03:47,000
BUT I WILL ADMIT,
KRIS IS ATTRACTIVE

67
00:03:47,000 --> 00:03:50,000
IN THAT WRONG-SIDE-
OF-THE-TRACKS,

68
00:03:50,000 --> 00:03:54,000
VERY SPECIAL EPISODE
OF JERRY SPRINGER
KIND OF WAY.

69
00:03:57,000 --> 00:03:59,000
WHAT?
GREAT JOB

70
00:03:59,000 --> 00:04:01,000
HIDING THAT SHINER
KRIS GAVE YOU.

71
00:04:01,000 --> 00:04:05,000
GREAT JOB BLACKMAILING ME
TO SAVE KRIS'S JOB.
IT WAS THE RIGHT THING TO DO.

72
00:04:05,000 --> 00:04:09,000
IT WAS UNACCEPTABLE.
YOU STAY CLEAR
OF HER AND ME.

73
00:04:09,000 --> 00:04:11,000
[IMITATING ROBOT]
YES, COMMANDER.

74
00:04:13,000 --> 00:04:16,000
I'M SERIOUS!

75
00:04:32,000 --> 00:04:35,000
IT'S JUST THE STARTING GATE.
A RENTED STARTING GATE.

76
00:04:35,000 --> 00:04:38,000
AND IT'S THE SAME ONE
THEY HAVE AT THE REAL TRACK.

77
00:04:39,000 --> 00:04:41,000
[WHINNIES]
EASY.

78
00:04:51,000 --> 00:04:54,000
EASY. EASY, BOY.
[WHINNYING]

79
00:04:54,000 --> 00:04:57,000
EASY. IT'S JUST
THE STARTING GATE.
EASY.

80
00:04:57,000 --> 00:05:01,000
CUT HIM LOOSE.

81
00:05:01,000 --> 00:05:04,000
[WHINNYING]
[WOMAN]
KRISSY?

82
00:05:04,000 --> 00:05:06,000
KRISSY!

83
00:05:13,000 --> 00:05:15,000
KRISSY!

84
00:05:17,000 --> 00:05:19,000
KRISSY!

85
00:05:21,000 --> 00:05:23,000
MOM?

86
00:05:25,000 --> 00:05:27,000
OH, HI, BABY.

87
00:05:27,000 --> 00:05:29,000
WHAT ARE YOU DOING HERE?

88
00:05:29,000 --> 00:05:32,000
WHAT AM I DOING HERE?
HELLO?

89
00:05:32,000 --> 00:05:35,000
I MISSED YOU.

90
00:05:35,000 --> 00:05:38,000
[SIGHS]
HI, I'M BARB.

91
00:05:38,000 --> 00:05:39,000
PABLO.

92
00:05:39,000 --> 00:05:41,000
HENRY.
TODD.

93
00:05:41,000 --> 00:05:44,000
OH, AND WILDFIRE.

94
00:05:44,000 --> 00:05:46,000
AH. WELL, I MUST SAY,

95
00:05:46,000 --> 00:05:48,000
THIS IS AN ATTRACTIVE
WORK ATMOSPHERE.

96
00:05:48,000 --> 00:05:51,000
SO WHICH ONE
OF YOU STUDS IS
IN CHARGE HERE?

97
00:05:51,000 --> 00:05:54,000
I AM.

98
00:05:54,000 --> 00:05:57,000
UH, MS. RITTER,
UH, THIS IS MY MOM.

99
00:05:57,000 --> 00:06:00,000
HI, I'M BARB.
OH, WELCOME
TO RAINTREE.

100
00:06:00,000 --> 00:06:03,000
THANK YOU.
KRIS, YOU DIDN'T TELL ME
YOUR MOTHER WAS COMING TO--

101
00:06:03,000 --> 00:06:06,000
SHE DIDN'T KNOW.
IT WAS A SURPRISE.

102
00:06:06,000 --> 00:06:08,000
SURPRISE!

103
00:06:08,000 --> 00:06:12,000
SO HOW LONG
IS YOUR VISIT?
OH!

104
00:06:12,000 --> 00:06:15,000
I DON'T KNOW.
UH, UNTIL KRIS GETS
SICK OF ME, I GUESS.

105
00:06:15,000 --> 00:06:18,000
OH, YOU'RE STAYING
HERE WITH KRIS?

106
00:06:18,000 --> 00:06:22,000
UH, IF-IF THAT'S OKAY.
OF COURSE, OF COURSE.

107
00:06:22,000 --> 00:06:24,000
I'M SURE THE TWO OF YOU
HAVE A LOT TO CATCH UP ON.
WE DO.

108
00:06:26,000 --> 00:06:28,000
WE DO.

109
00:06:28,000 --> 00:06:31,000
CAN I TAKE YOUR BAGS
TO THE TRAILER?
NO, JUST GO DO WHAT YOU DO,

110
00:06:31,000 --> 00:06:34,000
AND I'LL CATCH UP
WITH YOU LATER, OKAY?

111
00:06:36,000 --> 00:06:38,000
CAN I TALK TO YOU
FOR A MINUTE?
I'D LIKE THAT.

112
00:06:38,000 --> 00:06:41,000
COME UP TO THE HOUSE.

113
00:06:48,000 --> 00:06:52,000
♪ WITH THE MORNING LIGHT
GOT YOUR MIND IN SIGHT ♪

114
00:06:52,000 --> 00:06:57,000
♪ AND I WANT TO BE THERE
ALL MY LIFE ♪

115
00:06:57,000 --> 00:07:01,000
♪ WITH THE MORNING LIGHT
GOT YOUR MIND IN SIGHT ♪

116
00:07:01,000 --> 00:07:04,000
♪ AND I WANT TO BE THERE ♪

117
00:07:04,000 --> 00:07:09,000
♪ YOU'RE ALL
I EVER DREAMED OF ♪

118
00:07:09,000 --> 00:07:12,000
♪ YOUR STARS ARE OUT ♪

119
00:07:12,000 --> 00:07:16,000
♪ AND ALL IS RIGHT ♪♪

120
00:07:31,000 --> 00:07:34,000
YOUR HOUSE IS
JUST LOVELY.
OH, THANKS.

121
00:07:34,000 --> 00:07:36,000
JUST IGNORE
ALL THIS MESS.

122
00:07:36,000 --> 00:07:40,000
OH, IF THIS IS A MESS,
YOU DON'T KNOW WHAT MESS IS.

123
00:07:40,000 --> 00:07:42,000
YOU WANT SOME TEA?

124
00:07:42,000 --> 00:07:45,000
OH, YEAH, SURE.

125
00:07:45,000 --> 00:07:48,000
SO HOW ARE YOU?

126
00:07:48,000 --> 00:07:51,000
IS THAT
HOW AM I REALLY ?

127
00:07:53,000 --> 00:07:56,000
BECAUSE I-I'M
DOING GREAT.

128
00:07:56,000 --> 00:07:59,000
I'M REALLY GLAD.
YEAH, I GOT A NEW JOB,

129
00:07:59,000 --> 00:08:03,000
NEW APARTMENT--
I'M A NEW BARB.

130
00:08:03,000 --> 00:08:06,000
HARD TO SAY GOOD-BYE
TO THE OLD BARB?

131
00:08:06,000 --> 00:08:09,000
VERY.
YEAH.

132
00:08:09,000 --> 00:08:14,000
BUT I AM SIX MONTHS
SOBER NOW.
OH, WOW. CONGRATULATIONS.

133
00:08:14,000 --> 00:08:17,000
I KNOW HOW SPECIAL
THAT CHIP IS.
THE CHIP?

134
00:08:17,000 --> 00:08:20,000
YEAH, THE ONE FROM THE PROGRAM
COMMEMORATING YOUR SIX MONTHS?

135
00:08:20,000 --> 00:08:23,000
OH, NO. I DIDN'T ENROLL
IN ANYTHING OFFICIAL.

136
00:08:23,000 --> 00:08:27,000
I DID IT ALL ON MY OWN.
WELL, NOT ALL ON MY OWN.

137
00:08:27,000 --> 00:08:30,000
I WENT TO THIS SEMINAR
AND I READ SOME BOOKS

138
00:08:30,000 --> 00:08:33,000
AND LEARNED TO MEDITATE.

139
00:08:33,000 --> 00:08:38,000
MEDITATION'S IMPORTANT.
OH, YEAH. IT'S ALL
ABOUT INNER PEACE

140
00:08:38,000 --> 00:08:41,000
AND SURROUNDING YOURSELF
WITH LOVE.

141
00:08:41,000 --> 00:08:44,000
THAT'S WHY I'M HERE--
TO BRING KRIS HOME WITH ME.

142
00:08:48,000 --> 00:08:51,000
OH,

143
00:08:51,000 --> 00:08:53,000
YOU WOULD BE SO PROUD
OF HOW SHE FIT IN HERE.

144
00:08:53,000 --> 00:08:56,000
SHE IS...INVALUABLE
TO THE RANCH.

145
00:08:56,000 --> 00:08:59,000
WELL, NOW THAT YOU'VE
GOTTEN TO KNOW HER,

146
00:08:59,000 --> 00:09:03,000
IMAGINE HOW MUCH
I MISS HER, HMM?

147
00:09:05,000 --> 00:09:07,000
I, UM--

148
00:09:07,000 --> 00:09:11,000
I ADMIRE ALL THE WORK
YOU'VE DONE, MISS FURILLO,

149
00:09:11,000 --> 00:09:13,000
BUT KRIS'S PAROLE
STIPULATES

150
00:09:13,000 --> 00:09:15,000
THAT SHE WORKS HERE
FOR THREE MONTHS.

151
00:09:15,000 --> 00:09:18,000
I KNOW THAT. THAT'S WHY
I PETITIONED THE PAROLE BOARD.
WHEN DID YOU PETITION?

152
00:09:18,000 --> 00:09:21,000
OH, BEFORE SHE WAS
RELEASED.

153
00:09:21,000 --> 00:09:23,000
NOW ALL I NEED IS TO GET

154
00:09:23,000 --> 00:09:26,000
THE PAROLE OFFICER'S PERMISSION
AND YOUR BLESSING.

155
00:09:27,000 --> 00:09:30,000
[EXHALES]
WHERE WILL SHE WORK?

156
00:09:30,000 --> 00:09:34,000
OH, I'VE GOT THAT COVERED.
WE'D USE THE PAROLE JOB
PLACEMENT PROGRAM.

157
00:09:34,000 --> 00:09:36,000
IF YOU WRITE A LETTER,
YOU KNOW,

158
00:09:36,000 --> 00:09:38,000
DESCRIBING HOW INVALUABLE
SHE IS AROUND HERE,

159
00:09:38,000 --> 00:09:41,000
I'M SURE SHE CAN GET
A JOB RIGHT AWAY.

160
00:09:41,000 --> 00:09:44,000
I DON'T KNOW
WHAT TO SAY.
OH!

161
00:09:44,000 --> 00:09:48,000
JUST...SAY YOU'RE
AS HAPPY AS I AM.

162
00:09:49,000 --> 00:09:52,000
HMM?

163
00:09:52,000 --> 00:09:54,000
YOU KNOW, I'M GONNA GO CHECK
AND SEE HOW KRISSY'S DOING.

164
00:09:54,000 --> 00:09:57,000
THANK YOU SO MUCH
FOR THE TEA.

165
00:10:00,000 --> 00:10:02,000
[GROANS]

166
00:10:02,000 --> 00:10:06,000
HEY.
HEY, YOU.

167
00:10:06,000 --> 00:10:10,000
WHOA.
WHAT'S WITH THIS STUFF?

168
00:10:10,000 --> 00:10:13,000
JUST, UH, SOME THINGS
THAT I'M GETTING APPRAISED.

169
00:10:16,000 --> 00:10:19,000
THIS IS THE MOST
VALUABLE STUFF WE OWN.
IT'S JUST STUFF.

170
00:10:19,000 --> 00:10:22,000
THIS IS OUR FAMILY HISTORY.

171
00:10:22,000 --> 00:10:24,000
I DIDN'T WAKE UP
THIS MORNING GOING,
GEE, I'M BORED.

172
00:10:24,000 --> 00:10:27,000
LET'S SELL OFF
THE FAMILY HEIRLOOMS.

173
00:10:27,000 --> 00:10:30,000
MAYBE I DON'T
HAVE A CHOICE.
[SIGHS]

174
00:10:33,000 --> 00:10:36,000
YOU KEEP TELLING ME
TO HAVE FAITH,

175
00:10:36,000 --> 00:10:38,000
THAT THINGS WILL
GET BETTER IF WE FACE
OUR PROBLEMS TOGETHER.

176
00:10:40,000 --> 00:10:43,000
YEAH.
SO?

177
00:10:43,000 --> 00:10:46,000
LET ME HELP.
I'LL GET A NIGHT JOB.

178
00:10:49,000 --> 00:10:51,000
THERE'S ONLY SO MUCH
YOU CAN DO.

179
00:10:53,000 --> 00:10:55,000
I AM SO IMPRESSED
WITH THE WAY

180
00:10:55,000 --> 00:10:59,000
YOU HAVE STEPPED UP
AND HELPED OUT
SINCE DAD LEFT,

181
00:10:59,000 --> 00:11:02,000
BUT I WANT YOU
TO ENJOY YOURSELF.

182
00:11:02,000 --> 00:11:05,000
I WANT YOU TO BE ABLE
TO CONCENTRATE ON YOUR
SCHOOLWORK IN THE FALL.

183
00:11:05,000 --> 00:11:09,000
YOU HAVE YOUR WHOLE
LIFE TO WORK.

184
00:11:11,000 --> 00:11:15,000
AND THAT-- THAT'S
JUST STUFF, HMM?

185
00:11:17,000 --> 00:11:19,000
WE CAN LIVE
WITHOUT IT.

186
00:11:21,000 --> 00:11:24,000
SO, UH, YOUR MOM
SETTLING IN?

187
00:11:24,000 --> 00:11:26,000
SETTLING IN WAS
NEVER HER STRENGTH.

188
00:11:26,000 --> 00:11:28,000
MOVING ON IS
MORE HER STYLE.

189
00:11:28,000 --> 00:11:31,000
WELL, SHE LOOKS--
SOBER?

190
00:11:31,000 --> 00:11:33,000
YEAH.
YEAH.

191
00:11:33,000 --> 00:11:37,000
WELL, THAT'LL CHANGE
LIKE THE WEATHER.

192
00:11:37,000 --> 00:11:39,000
SO WHAT'S THE FORECAST?

193
00:11:39,000 --> 00:11:41,000
LOUSY.

194
00:11:41,000 --> 00:11:45,000
♪♪ [ROCK ON STEREO]

195
00:11:49,000 --> 00:11:51,000
WHOA!

196
00:11:51,000 --> 00:11:54,000
GOTCHA.

197
00:11:54,000 --> 00:11:56,000
HOW'S IT GOIN'?

198
00:11:56,000 --> 00:12:00,000
[SIGHS]
WELL, THIS IS MY SIXTH
WHEELBARROW SINCE DAWN.

199
00:12:00,000 --> 00:12:02,000
HOW ARE YOU?
GOOD.

200
00:12:02,000 --> 00:12:05,000
GOOD.

201
00:12:05,000 --> 00:12:09,000
YOU GONNA HELP ME
WITH THIS?
UM, WELL...

202
00:12:09,000 --> 00:12:12,000
YOU FORGOT
YOUR SHOVEL AT HOME?
YEAH.

203
00:12:12,000 --> 00:12:14,000
YEAH.

204
00:12:14,000 --> 00:12:16,000
WELL, THEN...

205
00:12:23,000 --> 00:12:27,000
HEY. THANKS FOR
GETTING DANI TO DROP
THE CHARGES AGAINST ME.

206
00:12:27,000 --> 00:12:29,000
ANYTIME.

207
00:12:29,000 --> 00:12:33,000
I'M FULL OF GOOD DEEDS.
YOU JUST HAVE TO ASK.

208
00:12:39,000 --> 00:12:42,000
HEY.
YOU WERE
THREE FOR THREE?

209
00:12:42,000 --> 00:12:45,000
FOUR FOR FOUR.
METS BEAT THE CUBS
IN EXTRA INNINGS.

210
00:12:45,000 --> 00:12:48,000
YOU'RE BUYING LUNCH.
BUYING DINNER TOO.

211
00:12:56,000 --> 00:12:58,000
HI, SWEETIE.

212
00:13:02,000 --> 00:13:05,000
REMEMBER WHEN YOU WERE LITTLE
AND I READ YOU THE LITTLE PIGS,

213
00:13:05,000 --> 00:13:07,000
AND YOU SAID, MAMA,

214
00:13:07,000 --> 00:13:11,000
IF THE PIGS HAD
A MOBILE HOME, THE WOLF
WOULD NEVER CATCH THEM.

215
00:13:13,000 --> 00:13:16,000
WHY ARE YOU HERE?

216
00:13:16,000 --> 00:13:18,000
I CAME TO
BRING YOU HOME.
HOME ?

217
00:13:18,000 --> 00:13:22,000
YOU MEAN THAT BROKE-DOWN
APARTMENT WITH NO FOOD
OR ELECTRICITY? THAT HOME?

218
00:13:22,000 --> 00:13:25,000
OKAY, I ADMIT THERE WERE
TIMES THAT WEREN'T SO GOOD.

219
00:13:25,000 --> 00:13:28,000
MOM, THERE ARE TIMES
WHEN THINGS TOTALLY SUCKED.
I WANT TO MAKE THAT UP NOW.

220
00:13:31,000 --> 00:13:34,000
WE BOTH HAVE THESE
WONDERFUL NEW PATHS.

221
00:13:34,000 --> 00:13:37,000
YEAH, AND THE PAROLE BOARD
SAYS THAT MY PATH
LEADS TO RAINTREE.

222
00:13:37,000 --> 00:13:40,000
I CONTACTED THEM,
THE PAROLE BOARD.
YOU SHOULDN'T DO THAT.

223
00:13:40,000 --> 00:13:42,000
OH, IT WAS EASY.

224
00:13:42,000 --> 00:13:46,000
HONEY, DON'T YOU WANT THEM
TO SAY YOU CAN COME HOME?

225
00:13:46,000 --> 00:13:48,000
WE HAVE JEAN'S BLESSING.

226
00:13:48,000 --> 00:13:52,000
YOU CAN'T JUST EXPECT ME
TO PACK EVERYTHING, MOVE HOME,
AND LEAVE MY NEW JOB.

227
00:13:52,000 --> 00:13:54,000
WE'LL FIND ANOTHER ONE.

228
00:13:54,000 --> 00:13:56,000
YEAH, BUT I LIKE MY JOB.

229
00:13:56,000 --> 00:13:59,000
HONEY, WE CAN FIND YOU

230
00:13:59,000 --> 00:14:02,000
A SECOND JOB
THAT YOU LIKE EVEN BETTER.
YEAH, WHAT KIND OF JOB?

231
00:14:02,000 --> 00:14:05,000
A GOOD ONE.

232
00:14:05,000 --> 00:14:08,000
HONEY, I GOT US
A NEW APARTMENT

233
00:14:08,000 --> 00:14:10,000
IN A NICE, NEW AREA.

234
00:14:10,000 --> 00:14:13,000
NO MORE GUNSHOTS
IN THE MIDDLE OF THE NIGHT.
OH, GREAT.

235
00:14:14,000 --> 00:14:16,000
AND I'M CLEAN, KRISSY.

236
00:14:18,000 --> 00:14:22,000
AND WITH YOU AROUND,
I KNOW I CAN STAY THAT WAY.

237
00:14:24,000 --> 00:14:28,000
I NEVER MATTERED
TO YOU BEFORE.
THAT WAS BEFORE.

238
00:14:30,000 --> 00:14:33,000
I LOVE YOU.
DON'T DO THIS!

239
00:14:33,000 --> 00:14:36,000
AND I KNOW
YOU LOVE ME TOO.

240
00:14:37,000 --> 00:14:41,000
I HAVE TO GET BACK TO WORK.
WELL, JUST THINK
ABOUT IT, OKAY?

241
00:14:41,000 --> 00:14:43,000
SEE YOU LATER,
ALLIGATOR.

242
00:14:50,000 --> 00:14:53,000
THE BOOKENDS,

243
00:14:53,000 --> 00:14:55,000
'BOUT...

244
00:15:00,000 --> 00:15:02,000
OH, NO.

245
00:15:05,000 --> 00:15:07,000
MY RING.

246
00:15:18,000 --> 00:15:21,000
WHAT'S WRONG?
MY ENGAGEMENT RING--
IT'S GONE.

247
00:15:21,000 --> 00:15:23,000
YOU SURE?
YES, I'M SURE.

248
00:15:23,000 --> 00:15:27,000
WHO WOULD'VE TAKEN IT?
I DON'T KNOW. ANYONE COULD'VE
COME IN HERE THIS MORNING.

249
00:15:27,000 --> 00:15:29,000
DID YOU CALL THE SHERIFF?

250
00:15:29,000 --> 00:15:31,000
NO.

251
00:15:31,000 --> 00:15:33,000
LET'S HANDLE THIS
OURSELVES.

252
00:15:34,000 --> 00:15:39,000
TODAY A VALUABLE RING
WENT MISSING FROM THE HOUSE.

253
00:15:39,000 --> 00:15:42,000
I'M NOT ACCUSING
ANYONE OF TAKING IT,

254
00:15:42,000 --> 00:15:46,000
BUT THE FACT REMAINS,
IT'S MISSING
AND I'D LIKE IT BACK.

255
00:15:46,000 --> 00:15:48,000
SO I'M HOPING
THAT SOMEONE HERE

256
00:15:48,000 --> 00:15:51,000
WILL HELP ME FIND IT,
NO QUESTIONS ASKED.

257
00:15:51,000 --> 00:15:53,000
THANKS, EVERYBODY.

258
00:15:53,000 --> 00:15:56,000
WE NEED TO TALK.
ABOUT WHAT?

259
00:15:56,000 --> 00:15:58,000
I THINK YOU KNOW.
[PABLO]
KRIS, WILDFIRE READY?

260
00:15:58,000 --> 00:16:01,000
YEAH.
BARB, YOU WANT TO
JOIN US AT THE RACETRACK?

261
00:16:01,000 --> 00:16:04,000
[TODD]
YOU COULD WATCH KRIS RIDE.
YEAH, I WOULD LOVE TO.

262
00:16:04,000 --> 00:16:08,000
I MISSED THAT TV CHASE THING
BECAUSE THEY ACCIDENTALLY
TURNED OFF MY CABLE.

263
00:16:08,000 --> 00:16:10,000
GREAT.

264
00:16:12,000 --> 00:16:16,000
THE WHOLE KRIS AND DANI
OF IT ALL IS BRINGING US DOWN.

265
00:16:16,000 --> 00:16:18,000
ABSOLUTELY.
SINCE KRIS SHOWED UP,

266
00:16:18,000 --> 00:16:20,000
THINGS HAVE GOTTEN
A BIT TENSE.

267
00:16:20,000 --> 00:16:23,000
YOU CAN SAY THAT AGAIN.
SO, WHAT DO YOU SAY
WE CALL A KRIS TRUCE?

268
00:16:23,000 --> 00:16:26,000
DONE.
WHAT ABOUT DANI?

269
00:16:26,000 --> 00:16:29,000
WE CAN ONLY HOPE
HER DARK MASTER CALLS HER
BACK TO HELL.

270
00:16:29,000 --> 00:16:31,000
HEY, BOBBY.

271
00:16:31,000 --> 00:16:34,000
MR. DAVIS,
MR. RITTER.

272
00:16:34,000 --> 00:16:37,000
GOT SOME GOOD NEWS.
YOU GONNA FORGET THAT BET
I MADE ON THE PADRES?

273
00:16:37,000 --> 00:16:41,000
YEAH, YOU WISH.
NO, THE GOOD NEWS IS I'M HOSTING
A SOIRéE AT MY PLACE TOMORROW.

274
00:16:41,000 --> 00:16:43,000
COCKTAILS, SWIMMING,
HOTTIES.

275
00:16:43,000 --> 00:16:47,000
WHOO! THREE OF
OUR FAVORITE THINGS.

276
00:16:47,000 --> 00:16:49,000
THEN THIS SHOULD MAKE FOUR.
YOU SEEN THIS MONTH'S
CENTERFOLD?

277
00:16:52,000 --> 00:16:55,000
THAT DOES MAKE FOUR.
THEN I'LL SEE YOU
THERE TOMORROW?

278
00:16:55,000 --> 00:16:58,000
I'LL BRING MY MONEY.
NO.

279
00:16:58,000 --> 00:17:00,000
NEVER MIX BUSINESS
WITH PLEASURE.
EXCUSE ME.

280
00:17:08,000 --> 00:17:10,000
WOW. IT LOOKS
BIGGER FROM HERE.

281
00:17:10,000 --> 00:17:13,000
IT SHRINKS REAL FAST
WHEN THEY START TO RUN.

282
00:17:13,000 --> 00:17:16,000
AFTER HE BREAKS, TAKE HIM
AROUND AT QUARTER SPEED.

283
00:17:16,000 --> 00:17:18,000
YOU GOT IT.

284
00:17:22,000 --> 00:17:25,000
YOU'RE DOING GREAT,
KRISSY!

285
00:17:25,000 --> 00:17:27,000
I DIDN'T KNOW SHE WAS
SUCH A GOOD RIDER.
OH, YEAH.

286
00:17:30,000 --> 00:17:34,000
[NICKERS, WHINNYING]

287
00:17:39,000 --> 00:17:41,000
WHOA. WHOA.

288
00:17:44,000 --> 00:17:46,000
OOH.

289
00:17:46,000 --> 00:17:48,000
EASY, EASY.
WHOA. COME ON.

290
00:17:48,000 --> 00:17:52,000
ISN'T THAT THE SAME GATE
WE RENTED FOR RAINTREE?

291
00:17:52,000 --> 00:17:55,000
[WHINNYING]
WHOA. WHOA.

292
00:17:55,000 --> 00:17:59,000
HE'S SPOOKED BY THE GATE.
GO AHEAD AND DISMOUNT.

293
00:18:09,000 --> 00:18:12,000
HOW'D IT GO?
NOT GOOD.

294
00:18:12,000 --> 00:18:14,000
WILDFIRE WOULDN'T
GET IN THE GATE.
WHY NOT?

295
00:18:14,000 --> 00:18:17,000
IT'S A MYSTERY.
KRIS DID ALL SHE COULD.

296
00:18:17,000 --> 00:18:20,000
BARB'S HERE TO
TAKE KRIS HOME.

297
00:18:20,000 --> 00:18:23,000
SHE CLAIMS THAT SHE'S OFF
THE ALCOHOL AND DRUGS.

298
00:18:23,000 --> 00:18:27,000
SHE'S GOT A NEW APARTMENT,
NEW JOB, SHE'S TURNED OVER
A NEW LEAF.

299
00:18:27,000 --> 00:18:29,000
YOU BELIEVE HER?
NO.

300
00:18:29,000 --> 00:18:33,000
WHEN I ASKED HER IF
SHE WAS IN ANY KIND
OF PROGRAM, SHE WASN'T.

301
00:18:33,000 --> 00:18:35,000
SHE TRIED WAY TOO HARD
TO CONVINCE ME SHE'D CHANGED.

302
00:18:35,000 --> 00:18:37,000
YOU KNOW,
I'VE HEARD IT
ALL BEFORE.

303
00:18:37,000 --> 00:18:40,000
I WAS MARRIED
TO IT.

304
00:18:40,000 --> 00:18:42,000
WHAT ABOUT KRIS?

305
00:18:42,000 --> 00:18:45,000
BARB HAS PETITIONED
THE PAROLE BOARD,

306
00:18:45,000 --> 00:18:49,000
AND THEY MAY AGREE
WITH HER-- SHE IS
THE MOTHER.

307
00:18:49,000 --> 00:18:51,000
YOU SAID SHE'S UNFIT.
YEAH, BUT I--

308
00:18:51,000 --> 00:18:54,000
I DON'T HAVE ANY
REAL PROOF OF THAT.

309
00:18:54,000 --> 00:18:57,000
YES, I...
[SIGHS]

310
00:18:57,000 --> 00:19:00,000
YEAH, IT'S MORE
THAN A GUT FEELING.

311
00:19:02,000 --> 00:19:05,000
BUT WHAT IF I'M
OVERREACTING BECAUSE
I WANT KRIS TO STAY?

312
00:19:05,000 --> 00:19:08,000
YOU'RE NOT OVERREACTING.
WELL,

313
00:19:08,000 --> 00:19:10,000
IF THE PAROLE BOARD
OKAYS IT,

314
00:19:10,000 --> 00:19:14,000
KRIS IS THE ONE
WHO HAS THE FINAL
SAY ON THIS.

315
00:19:14,000 --> 00:19:17,000
WHAT IF SHE CAN'T
TURN HER MOTHER DOWN?

316
00:19:17,000 --> 00:19:19,000
LET'S JUST WAIT AND SEE
WHAT THE PAROLE BOARD SAYS.

317
00:19:19,000 --> 00:19:22,000
SHE MIGHT NOT BE
FORCED TO DECIDE.

318
00:19:22,000 --> 00:19:24,000
YEAH.

319
00:19:28,000 --> 00:19:31,000
DID YOU TAKE
JEAN'S RING?
DID I?

320
00:19:31,000 --> 00:19:34,000
WELL, HONEY,
LET'S FACE IT.

321
00:19:34,000 --> 00:19:38,000
YOU'VE HAD AN ACCESSORY
IN CAR THEFT,

322
00:19:38,000 --> 00:19:41,000
YOU STOLE A HORSE
FROM AN AUCTION PEN,

323
00:19:41,000 --> 00:19:43,000
AND...
[LAUGHING]

324
00:19:43,000 --> 00:19:47,000
BUT A DIAMOND RING?
I MEAN, STEALING
A DIAMOND RING...

325
00:19:48,000 --> 00:19:51,000
HOW DID YOU KNOW
IT WAS A DIAMOND RING?

326
00:19:51,000 --> 00:19:54,000
WELL, JEAN
SAID THAT WHEN--
NO, SHE DIDN'T.

327
00:19:54,000 --> 00:19:58,000
SHE DID WHEN SHE
ADDRESSED THE EMPLOYEES.
NO, SHE DIDN'T.

328
00:19:58,000 --> 00:20:02,000
OH, SO I'M THE THIEF.

329
00:20:02,000 --> 00:20:06,000
YOU REALLY NEED TO
COME HOME, YOUNG LADY.

330
00:20:06,000 --> 00:20:08,000
DID THE RITTERS
MAKE YOU LIKE THIS?

331
00:20:08,000 --> 00:20:11,000
OH, GOD, DON'T
BRING THEM INTO THIS.
WHY?

332
00:20:11,000 --> 00:20:15,000
YOU THINK YOU'RE
SPECIAL TO THEM?

333
00:20:15,000 --> 00:20:17,000
WE WERE OUT THERE,

334
00:20:17,000 --> 00:20:19,000
ALL OF US,
IN THAT FILTH, WITH
ALL THE OTHER SUSPECTS,

335
00:20:19,000 --> 00:20:22,000
WHILE SHE WAS ACCUSING
SOMEONE OF STEALING
FROM HER.

336
00:20:22,000 --> 00:20:26,000
WHAT ARE YOU--
WHAT DID YOU TAKE?

337
00:20:27,000 --> 00:20:32,000
NOTHING.
YOU PROMISED ME
THAT YOU WOULD CLEAN UP.

338
00:20:32,000 --> 00:20:35,000
I SAID I NEED YOUR HELP
TO STAY CLEAN.

339
00:20:41,000 --> 00:20:44,000
I HAVE TO LAY DOWN.

340
00:20:49,000 --> 00:20:51,000
WHAT'D YOU TAKE?

341
00:20:51,000 --> 00:20:54,000
NOTHING LIFE-THREATENING.

342
00:20:55,000 --> 00:20:57,000
IT'S STARTED AGAIN.
NO.

343
00:20:57,000 --> 00:21:01,000
YEAH, THE LIES,
THE PILLS...
COME HOME.

344
00:21:03,000 --> 00:21:06,000
I CAN STOP WITH YOU.

345
00:21:06,000 --> 00:21:09,000
COME HOME.
PLEASE, KRISSY?

346
00:21:09,000 --> 00:21:11,000
COME HOME.

347
00:21:14,000 --> 00:21:18,000
CAN YOU? PLEASE?

348
00:21:48,000 --> 00:21:50,000
♪♪ [ROCK ON STEREO ]

349
00:21:59,000 --> 00:22:01,000
OOH, OOH.

350
00:22:14,000 --> 00:22:17,000
GENTLEMEN, WELCOME.

351
00:22:17,000 --> 00:22:19,000
NICE HOUSE, BOBBY.
THANK YOU.

352
00:22:19,000 --> 00:22:22,000
NICE PARTY.
WHAT CAN I GET
YOU BOYS TO DRINK?

353
00:22:22,000 --> 00:22:25,000
ALL I REALLY WANT
IS $300 DOWN ON
THE TWINS GAME TODAY.

354
00:22:25,000 --> 00:22:27,000
OKAY. OKAY.
WHAT'S THE URGENCY?

355
00:22:27,000 --> 00:22:30,000
WHAT, YOU NEED THE MONEY
TO SAVE THE RANCH?

356
00:22:30,000 --> 00:22:33,000
HEY, HOW'S MY FAVORITE
PONY, AVATAR?

357
00:22:33,000 --> 00:22:36,000
WHEN'S HIS NEXT RACE?
SOON.

358
00:22:37,000 --> 00:22:40,000
WHAT'S HER NAME?

359
00:22:40,000 --> 00:22:44,000
THAT'S SASHA.
SO, HOW HAVE AVATAR'S
WORK TIMES BEEN?

360
00:22:44,000 --> 00:22:46,000
HEY, DOES SASHA HAVE
A BOYFRIEND?
OR A TWIN SISTER?

361
00:22:46,000 --> 00:22:49,000
THAT'S WHAT I'M
TALKIN' ABOUT.
IF AVATAR RAN

362
00:22:49,000 --> 00:22:52,000
IN NEXT MONTH'S STAKES RACE,
HE'D PROBABLY COME OFF
AS THE FAVORITE, RIGHT?

363
00:22:52,000 --> 00:22:55,000
UNLESS THERE WERE
SOME SLOW WORK TIMES
CIRCULATING.

364
00:22:55,000 --> 00:22:58,000
UM, WHAT DID
YOU JUST SAY?

365
00:22:58,000 --> 00:23:01,000
HEY, BOBBY.
SASHA,

366
00:23:01,000 --> 00:23:03,000
JUNIOR DAVIS,
MATT RITTER.

367
00:23:03,000 --> 00:23:06,000
SORRY.
I'M ALL WET.

368
00:23:06,000 --> 00:23:10,000
SO HOW'S THE HOT TUB?
HOT.
YOU SHOULD TRY IT.

369
00:23:10,000 --> 00:23:13,000
OH, NO TRUNKS.

370
00:23:13,000 --> 00:23:15,000
SO?

371
00:23:15,000 --> 00:23:18,000
YOU KNOW, SASHA,
I BET MY BOYS HERE
WOULD REALLY,

372
00:23:18,000 --> 00:23:21,000
REALLY LOVE TO SEE
MY FAVORITE PARTY TRICK.

373
00:23:33,000 --> 00:23:35,000
MM.

374
00:23:36,000 --> 00:23:38,000
KRISSY?

375
00:23:44,000 --> 00:23:47,000
HONEY?

376
00:23:47,000 --> 00:23:49,000
BABY, I AM SO SORRY.

377
00:23:57,000 --> 00:24:00,000
HONEY, I SAID
I'M SORRY.

378
00:24:06,000 --> 00:24:09,000
WHERE'D YOU FIND THOSE?
WHERE DO YOU THINK?

379
00:24:11,000 --> 00:24:13,000
WHERE'S MISS RITTER'S RING?

380
00:24:13,000 --> 00:24:16,000
I DON'T HAVE IT.

381
00:24:16,000 --> 00:24:20,000
YOU WENT THROUGH MY STUFF.
DID YOU FIND ANYTHING?
NO.

382
00:24:20,000 --> 00:24:24,000
WHY DO YOU KEEP
PUSHING ME AWAY?
I'M NOT PUSHING YOU AWAY.

383
00:24:24,000 --> 00:24:27,000
I'M TRYING TO HELP YOU.
I'M ALWAYS TRYING TO HELP YOU.
ARE YOU ABANDONING ME?

384
00:24:27,000 --> 00:24:30,000
I DIDN'T ABANDON YOU!

385
00:24:30,000 --> 00:24:33,000
I PAID FOR MY MISTAKES.
I DON'T KNOW WHY I HAVE TO
KEEP PAYING FOR YOURS TOO!

386
00:24:41,000 --> 00:24:44,000
HEY.
HEY.

387
00:24:44,000 --> 00:24:47,000
ARE YOU OKAY?
NOT REALLY.

388
00:24:47,000 --> 00:24:51,000
WHY WON'T WILDFIRE
GET IN THE GATE
AT THE TRACK?

389
00:24:51,000 --> 00:24:53,000
[TODD]
YOU'LL FIGURE IT OUT.

390
00:24:55,000 --> 00:24:58,000
YOU WANT TO FEED HIM?
OKAY.

391
00:25:02,000 --> 00:25:05,000
I DON'T BELIEVE
YOU'D EVER STEAL
ANYTHING FROM US.

392
00:25:05,000 --> 00:25:07,000
LIKE MOM'S RING.

393
00:25:07,000 --> 00:25:09,000
JUST SO YOU KNOW.

394
00:25:11,000 --> 00:25:13,000
THANKS.

395
00:25:21,000 --> 00:25:23,000
YOU WANT TO TALK
ABOUT IT?

396
00:25:23,000 --> 00:25:26,000
NOT REALLY.
THANKS FOR OFFERING.

397
00:25:26,000 --> 00:25:29,000
SURE.

398
00:25:29,000 --> 00:25:32,000
READY?
SURE.

399
00:25:34,000 --> 00:25:37,000
ALL RIGHT.

400
00:25:40,000 --> 00:25:42,000
HERE WE GO.

401
00:26:00,000 --> 00:26:03,000
WELL, I'LL BE DIPPED.

402
00:26:03,000 --> 00:26:07,000
WHAT IS IT ABOUT
THE GATE AT THE TRACK?

403
00:26:07,000 --> 00:26:11,000
HOW DO YOU DO THAT?
I HAVE A VERSATILE
TONGUE.

404
00:26:14,000 --> 00:26:16,000
I DON'T KNOW HOW SHE DOES IT.
I DO.
I INVITED HER.

405
00:26:16,000 --> 00:26:19,000
HI.

406
00:26:19,000 --> 00:26:22,000
HI.

407
00:26:22,000 --> 00:26:24,000
HI.

408
00:26:24,000 --> 00:26:27,000
WERE THOSE FREE
WITH THE TUMMY TUCK
AND THE LIPO?

409
00:26:33,000 --> 00:26:36,000
GROSS.

410
00:26:36,000 --> 00:26:38,000
SO, DID YOU GET
QUESTIONED?
ABOUT WHAT?

411
00:26:38,000 --> 00:26:42,000
YOUR MOTHER'S RING
THAT WAS STOLEN THIS MORNING.
STOLEN? WHO SAID--

412
00:26:42,000 --> 00:26:44,000
DO YOU THINK IT WAS
KRIS OR HER MOM?

413
00:26:44,000 --> 00:26:47,000
HMM. DON'T KNOW.
WHO WOULD YOU BET ON?

414
00:26:47,000 --> 00:26:49,000
WAIT, WAIT.
KRIS'S MOM?
SHE'S IN TOWN?

415
00:26:49,000 --> 00:26:53,000
WHERE HAVE YOU TWO BEEN?
SHE GOT HERE
THIS MORNING.

416
00:26:53,000 --> 00:26:57,000
WHAT'S THE MATTER?
HOW DO YOU KNOW
ALL THIS?

417
00:26:57,000 --> 00:27:00,000
THE FARMHANDS GOSSIP
TO OUR MAID.
I GET THE HIGHLIGHTS.

418
00:27:00,000 --> 00:27:03,000
IF YOU ONLY USED
YOUR POWERS FOR GOOD
INSTEAD OF EVIL.

419
00:27:04,000 --> 00:27:06,000
WE GOTTA GO.

420
00:27:06,000 --> 00:27:10,000
WAIT, YOU CAN'T LEAVE ALREADY.
NO, WE CAN'T LEAVE
FAST ENOUGH.

421
00:27:13,000 --> 00:27:17,000
WHAT KIND OF HOST WOULD I BE
IF THE TWO PRETTIEST GIRLS
DIDN'T HAVE A DRINK?

422
00:27:21,000 --> 00:27:23,000
MOM?

423
00:27:25,000 --> 00:27:27,000
HEY, MOM?

424
00:27:27,000 --> 00:27:29,000
MOM?

425
00:27:30,000 --> 00:27:32,000
ARE YOU OKAY?

426
00:27:47,000 --> 00:27:49,000
[KNOCKING]

427
00:27:51,000 --> 00:27:54,000
HEY, CAN YOU, UH,
COME UP TO THE HOUSE?

428
00:27:54,000 --> 00:27:56,000
YEAH.

429
00:28:09,000 --> 00:28:12,000
I JUST GOT A CALL
FROM YOUR PAROLE OFFICER.

430
00:28:12,000 --> 00:28:14,000
THEY'VE, UH,

431
00:28:14,000 --> 00:28:17,000
REVIEWED YOUR
MOTHER'S PETITION.
TO MOVE ME HOME?

432
00:28:19,000 --> 00:28:21,000
YES, AND THEY'VE
APPROVED IT.

433
00:28:23,000 --> 00:28:26,000
SO WHAT DOES THAT MEAN?
THAT MEANS

434
00:28:26,000 --> 00:28:28,000
THAT IF WE GIVE
OUR PERMISSION,

435
00:28:28,000 --> 00:28:30,000
YOU'RE FREE
TO GO HOME.

436
00:28:32,000 --> 00:28:35,000
BUT...I WON'T COME

437
00:28:35,000 --> 00:28:38,000
BETWEEN YOU
AND YOUR MOTHER, SO

438
00:28:38,000 --> 00:28:41,000
IT'S REALLY
YOUR DECISION.

439
00:28:41,000 --> 00:28:44,000
KRIS, WE DON'T
WANT YOU TO GO,

440
00:28:44,000 --> 00:28:47,000
BUT WE WON'T
STAND IN YOUR WAY.

441
00:29:03,000 --> 00:29:06,000
HOW YOU DOIN'?

442
00:29:06,000 --> 00:29:08,000
I'M OKAY.

443
00:29:08,000 --> 00:29:10,000
AND BARB?

444
00:29:10,000 --> 00:29:13,000
SHE'S THE SAME
AS SHE'S EVER BEEN.

445
00:29:13,000 --> 00:29:16,000
STILL WANTS YOU TO
GO HOME WITH HER.

446
00:29:16,000 --> 00:29:20,000
AND?
AND...

447
00:29:20,000 --> 00:29:23,000
WHY CAN'T SHE
JUST LOVE ME?

448
00:29:23,000 --> 00:29:25,000
AND WHY DO I KEEP
WANTING THAT?

449
00:29:25,000 --> 00:29:28,000
'CAUSE THAT'S
WHAT A MOTHER IS
SUPPOSED TO DO.

450
00:29:28,000 --> 00:29:31,000
EVERYONE WANTS THAT.
YEAH, AND SO DOES SHE,
BUT IT'S NEVER ENOUGH.

451
00:29:31,000 --> 00:29:35,000
NO, AND IT NEVER WILL BE.
THAT KIND OF NEED

452
00:29:35,000 --> 00:29:37,000
IS A BOTTOMLESS PIT.

453
00:29:37,000 --> 00:29:39,000
KRIS, YOU'RE DOING
THE BEST YOU CAN.
NO, I'M NOT!

454
00:29:39,000 --> 00:29:43,000
IF I WAS THERE FOR HER--
I MEAN, WHAT IF SHE TAKES
SOME PILLS AND DIES?

455
00:29:43,000 --> 00:29:47,000
NO, DO YOU SEE THAT
IT WON'T BE MY FAULT
BUT I KNOW THAT IT WILL BE.

456
00:29:47,000 --> 00:29:49,000
ONE OF THESE DAYS
YOU'RE GONNA SEE

457
00:29:49,000 --> 00:29:51,000
THAT WHAT SHE DOES
IS NOT YOUR FAULT.

458
00:29:51,000 --> 00:29:55,000
HOW? HOW CAN I BE SURE?
YOU'RE GONNA HAVE TO
BELIEVE ME, OKAY?

459
00:29:55,000 --> 00:29:58,000
I HAVE BEEN THROUGH THIS.
IT'S A CHOICE

460
00:29:58,000 --> 00:30:00,000
THAT YOUR MOTHER MADE,

461
00:30:00,000 --> 00:30:03,000
AND SHE HAS TO CHOOSE
TO END IT.

462
00:30:05,000 --> 00:30:08,000
YEAH, BUT MY MOM'S ALONE.
I KNOW.

463
00:30:08,000 --> 00:30:12,000
AND THAT'S NOT YOUR FAULT.
REALLY TOUGH TO UNDERSTAND,
BUT IT'S TRUE.

464
00:30:18,000 --> 00:30:22,000
YOU FIGURED IT
OUT YET?
NOPE.

465
00:30:22,000 --> 00:30:25,000
WELL, WE'VE GOT NOTHING

466
00:30:25,000 --> 00:30:28,000
BUT A GATE
AND A CLEAR, STRAIGHT--

467
00:30:28,000 --> 00:30:31,000
WAIT A MINUTE.
HENRY, HAVE YOU SEEN KRIS?

468
00:30:31,000 --> 00:30:34,000
NO.
WHERE IS SHE?

469
00:30:34,000 --> 00:30:36,000
DO I KNOW YOU?
YOU HAVE A FAINT RESEMBLANCE

470
00:30:36,000 --> 00:30:39,000
TO MY LONG, LOST BROTHER
WHO HASN'T SPOKEN TO ME--
WHERE IS SHE?

471
00:30:39,000 --> 00:30:43,000
SHEESH. SHE'S WITH
PABLO AND WILDFIRE
AT THE TRACK.

472
00:30:43,000 --> 00:30:45,000
WHAT'S HIS DEAL?

473
00:30:45,000 --> 00:30:48,000
I DON'T KNOW,
BUT HE'S SURE UPSET
THAT KRIS ISN'T HERE.

474
00:30:48,000 --> 00:30:50,000
GET IN.
IN THE STARTING GATE?

475
00:30:50,000 --> 00:30:53,000
YEAH, AND PRETEND
THAT YOU'RE WILDFIRE.

476
00:30:53,000 --> 00:30:56,000
OKAY. I'M WILDFIRE.
MM-HMM.

477
00:30:56,000 --> 00:30:59,000
PERFECTLY COMFORTABLE
IN THIS STARTING GATE.

478
00:30:59,000 --> 00:31:02,000
BUT UNWILLING
TO GET IN THE GATE
AT THE TRACK.

479
00:31:02,000 --> 00:31:04,000
BUT WHY?

480
00:31:04,000 --> 00:31:07,000
I MEAN, THEY'RE
THE EXACT SAME
STARTING GATE.

481
00:31:07,000 --> 00:31:11,000
WHAT'S AT THE TRACK
THAT ISN'T HERE?
OR WHAT IS HERE

482
00:31:11,000 --> 00:31:14,000
THAT ISN'T
AT THE TRACK, HMM?

483
00:31:14,000 --> 00:31:18,000
WHAT ISN'T AT THE TRACK?
YEAH.

484
00:31:20,000 --> 00:31:23,000
COME ON, BOBBY.
HOW MUCH DOES
MY BROTHER OWE YOU?

485
00:31:24,000 --> 00:31:26,000
OWE ME?
DON'T BE SO COY.

486
00:31:26,000 --> 00:31:29,000
WE KNOW YOU TAKE BETS.
GIRL, DOES YOUR DADDY
EVEN KNOW

487
00:31:29,000 --> 00:31:32,000
WHERE YOU ARE RIGHT NOW?
HE DOESN'T CARE.

488
00:31:32,000 --> 00:31:34,000
NOW TELL US.
HOW MUCH?

489
00:31:37,000 --> 00:31:40,000
I NEVER KISS AND TELL.
WE'LL JUST SEE ABOUT THAT.

490
00:31:40,000 --> 00:31:42,000
YEAH, WE JUST MIGHT.

491
00:31:42,000 --> 00:31:47,000
NOW IF YOU'LL
EXCUSE ME. LADIES.
[CHUCKLING]

492
00:31:51,000 --> 00:31:55,000
HEY, HOW YOU DOIN'?
WHAT ARE YOU DOING?

493
00:31:55,000 --> 00:31:58,000
HAVING FUN.

494
00:31:58,000 --> 00:32:02,000
BUT I THOUGHT YOU LIKED MATT.
AND MATT LIKES THAT EX-CON.
WHAT'S A GIRL TO DO?

495
00:32:06,000 --> 00:32:09,000
MAYBE THIS ISN'T IT.

496
00:32:09,000 --> 00:32:11,000
NOT YET.

497
00:32:13,000 --> 00:32:16,000
WHAT DO YOU THINK WILL HAPPEN
IF JEAN'S RING'S NOT FOUND?

498
00:32:16,000 --> 00:32:19,000
THE SHERIFF WILL
GET CALLED IN.

499
00:32:19,000 --> 00:32:23,000
OH. THAT'S BAD NEWS
FOR WHOEVER STOLE IT.

500
00:32:27,000 --> 00:32:30,000
WHOA, WHOA, WHOA.
EASY, WILDFIRE.

501
00:32:30,000 --> 00:32:32,000
HE WON'T GO.

502
00:32:32,000 --> 00:32:35,000
WHAT ARE YOU WAITING FOR?
[TODD] HE'S WAITING
FOR WHAT ISN'T HERE.

503
00:32:36,000 --> 00:32:39,000
[GOAT BLEATING]
OUR GOAT?

504
00:32:39,000 --> 00:32:42,000
I REALIZED THAT WILDFIRE
DOESN'T HAVE A PROBLEM
WITH THE STARTING GATE HERE.

505
00:32:42,000 --> 00:32:44,000
HIS PROBLEM IS
WITH THE VIEW.

506
00:32:44,000 --> 00:32:48,000
THE VIEW ?
OF HIS BUDDY.

507
00:32:54,000 --> 00:32:56,000
AT THIS POINT,
I'LL TRY ANYTHING.

508
00:32:56,000 --> 00:32:59,000
HOW ABOUT YOU?
YEAH.
I'LL TRY ANYTHING.

509
00:33:13,000 --> 00:33:16,000
THE HORSES ARE IN
THE STARTING GATE.

510
00:33:16,000 --> 00:33:19,000
READY?
YEAH.

511
00:33:23,000 --> 00:33:26,000
YES!
ALL RIGHT!

512
00:33:28,000 --> 00:33:31,000
WAY TO GO, KRIS.

513
00:33:31,000 --> 00:33:33,000
I LOVE YOU!

514
00:33:36,000 --> 00:33:38,000
AND WILDFIRE
LOVES YOU TOO.

515
00:33:38,000 --> 00:33:40,000
GREAT WORK, TODD.

516
00:33:50,000 --> 00:33:53,000
SAYING YOUR LAST GOOD-BYE?

517
00:33:56,000 --> 00:33:59,000
JUST WONDERING WHEN
LIFE GOT SO TOUGH.

518
00:33:59,000 --> 00:34:01,000
[CHUCKLES]
YEAH.

519
00:34:01,000 --> 00:34:05,000
WELL, THEY SAY
THE GOOD LORD
NEVER DOLES OUT

520
00:34:05,000 --> 00:34:07,000
MORE THAN HE KNOWS
WE CAN HANDLE.

521
00:34:07,000 --> 00:34:11,000
JUST WISH HE'D DOLE OUT
A LITTLE LESS
RIGHT ABOUT NOW.

522
00:34:14,000 --> 00:34:17,000
YOU FOUND IT, HUH?
WHAT?

523
00:34:17,000 --> 00:34:21,000
WHAT?
[GASPS]

524
00:34:21,000 --> 00:34:23,000
OHH!

525
00:34:26,000 --> 00:34:28,000
WHO DO YOU THINK
TOOK IT?

526
00:34:28,000 --> 00:34:31,000
NO QUESTIONS ASKED.
REMEMBER?

527
00:34:38,000 --> 00:34:41,000
HEY, KRIS, GOOD NEWS.

528
00:34:41,000 --> 00:34:43,000
WHOEVER TOOK MY RING
BROUGHT IT BACK.

529
00:34:43,000 --> 00:34:45,000
THAT'S GREAT.

530
00:34:45,000 --> 00:34:48,000
WHEN?
A LITTLE WHILE AGO.

531
00:34:49,000 --> 00:34:53,000
CAN YOU, UH, EXCUSE ME
JUST FOR A SEC?

532
00:34:58,000 --> 00:35:01,000
OH, HONEY. LISTEN.
I'VE BEEN DOING
SOME THINKING,

533
00:35:01,000 --> 00:35:04,000
AND IF I EXPECT YOU
TO COME HOME,

534
00:35:04,000 --> 00:35:06,000
I NEED TO SHOW YOU
THAT I'VE REALLY CHANGED.

535
00:35:06,000 --> 00:35:08,000
SO--
I THREW OUT THE PILLS.

536
00:35:08,000 --> 00:35:10,000
AND?
WELL, THE REST
IS UP TO YOU.

537
00:35:10,000 --> 00:35:12,000
I MEANT THE RING.
IT'S BACK.

538
00:35:12,000 --> 00:35:15,000
WELL, THAT MUST BE
A RELIEF.

539
00:35:15,000 --> 00:35:18,000
I'M SORRY THAT I ACCUSED YOU
OF STEALING IT.

540
00:35:19,000 --> 00:35:21,000
I WAS-- I WAS HIGH.

541
00:35:21,000 --> 00:35:24,000
AND THAT IS A REASON
TO STOP.

542
00:35:25,000 --> 00:35:28,000
NOW, WHAT DO
YOU THINK, HMM?
CAN I HELP YOU PACK?

543
00:35:30,000 --> 00:35:34,000
HONEY, WITH YOU HOME,
I CAN KICK THIS THING.

544
00:35:34,000 --> 00:35:37,000
I AM THIS CLOSE
TO CHANGING MY LIFE.
CAN'T YOU FEEL IT?

545
00:35:37,000 --> 00:35:39,000
DO YOU LISTEN TO YOURSELF?

546
00:35:39,000 --> 00:35:42,000
I MEAN, YOU CAN'T JUST GET
CLEAN UP AND THEN GET TRASHED,

547
00:35:42,000 --> 00:35:46,000
HUMILIATE ME, STEAL A RING,
GIVE IT BACK AND THEN SAY
YOU'RE CLEAN AGAIN.

548
00:35:46,000 --> 00:35:49,000
I MEAN, WHERE DOES IT END?
WHEN YOU COME HOME?

549
00:35:49,000 --> 00:35:52,000
I DON'T BELIEVE YOU.

550
00:35:53,000 --> 00:35:56,000
SO I LOST YOU, RIGHT?

551
00:35:56,000 --> 00:35:59,000
I LOST YOU BECAUSE
I'M A HORRIBLE MOTHER.

552
00:35:59,000 --> 00:36:00,000
YOU DIDN'T LOSE ME.

553
00:36:00,000 --> 00:36:03,000
I FOUND MYSELF.
IT'S NOT ABOUT YOU.

554
00:36:03,000 --> 00:36:06,000
CAN'T YOU UNDERSTAND?

555
00:36:06,000 --> 00:36:07,000
[DOOR SLAMS]

556
00:36:07,000 --> 00:36:10,000
SEE YA LATER, ALLIGATOR.

557
00:36:18,000 --> 00:36:21,000
HEY.
HEY, YOU.

558
00:36:21,000 --> 00:36:23,000
CAN I TALK TO YOU
ABOUT SOMETHING?

559
00:36:23,000 --> 00:36:26,000
THAT DOESN'T SOUND GOOD.

560
00:36:30,000 --> 00:36:32,000
I TOOK YOUR RING.

561
00:36:33,000 --> 00:36:34,000
WHAT?

562
00:36:38,000 --> 00:36:41,000
DO YOU HAVE ANY IDEA

563
00:36:41,000 --> 00:36:45,000
OF WHAT'S BEEN GOING ON
AT THIS RANCH
BECAUSE OF THIS?

564
00:36:46,000 --> 00:36:50,000
WHY IN THE WORLD
WOULD YOU TAKE MY RING?
I DON'T KNOW--

565
00:36:50,000 --> 00:36:53,000
OH, NO, NO, NO.
THAT'S NOT GONNA CUT IT. WHY?

566
00:36:53,000 --> 00:36:55,000
WHAT IF DAD COMES BACK?

567
00:36:58,000 --> 00:37:01,000
[SCOFFS]
MATT.

568
00:37:01,000 --> 00:37:04,000
[GROANS]

569
00:37:05,000 --> 00:37:10,000
SELLING MY ENGAGEMENT RING
HAS NOTHING TO DO WITH DAD.
YES, IT DOES.

570
00:37:10,000 --> 00:37:12,000
NO, NO.
IT HAS EVERYTHING TO DO
WITH WHAT HAPPENED.

571
00:37:12,000 --> 00:37:15,000
EVERYTHING WITH DAD
WASN'T BAD. OH, MY GOD.

572
00:37:15,000 --> 00:37:17,000
HE GAVE ME YOU AND TODD.

573
00:37:17,000 --> 00:37:20,000
I DON'T WANNA ERASE HIM
FROM OUR HISTORY
ANY MORE THAN YOU DO.

574
00:37:20,000 --> 00:37:24,000
BUT YOU NEVER GAVE HIM
A REAL CHANCE.

575
00:37:24,000 --> 00:37:27,000
[GROANS]

576
00:37:27,000 --> 00:37:32,000
IF I HAD HAD...
ANY ALTERNATIVE,

577
00:37:32,000 --> 00:37:36,000
I NEVER WOULD HAVE TAKEN YOU
AND TODD AWAY FROM YOUR FATHER.

578
00:37:38,000 --> 00:37:41,000
HE'S AN ADDICT,
AND I HAD TO MAKE A DECISION

579
00:37:41,000 --> 00:37:44,000
THAT WASN'T POPULAR
WITH ANYBODY.

580
00:37:46,000 --> 00:37:49,000
AND I HAVE TO LIVE WITH THAT.

581
00:37:50,000 --> 00:37:52,000
SO DO I.

582
00:37:58,000 --> 00:38:04,000
SHE'S CLEANED HERSELF UP
LIKE A MILLION TIMES,
SO WHY IS IT MY PROBLEM?

583
00:38:04,000 --> 00:38:07,000
BESIDES, I SAID THAT
I'D STAY HERE WITH YOU ANYWAY.

584
00:38:07,000 --> 00:38:09,000
TALKING TO HORSES?

585
00:38:09,000 --> 00:38:12,000
YEAH.
[CHUCKLES]
HE'S A GREAT LISTENER.

586
00:38:12,000 --> 00:38:16,000
THE STRONG AND SILENT TYPE.
[LAUGHS]
YEAH.

587
00:38:20,000 --> 00:38:22,000
THE RING--

588
00:38:22,000 --> 00:38:25,000
IT WAS MY FAULT.
YOUR FAULT?

589
00:38:25,000 --> 00:38:28,000
I TOOK THE RING
AND I HID IT.
WHY?

590
00:38:28,000 --> 00:38:31,000
IT WAS A GIFT FROM MY DAD,
AND MY MOM WAS GONNA
SELL IT.

591
00:38:31,000 --> 00:38:34,000
SO? SHE'S AN ADULT.
IT'S HER RING.

592
00:38:34,000 --> 00:38:37,000
I KNOW, BUT THERE'S
BETTER ANSWERS.
SHE PANICKED.

593
00:38:37,000 --> 00:38:40,000
AND YOU DIDN'T?
I'M TELLING YOU,
I WAS WRONG.

594
00:38:41,000 --> 00:38:43,000
I'M SORRY FOR ALL
THE TROUBLE I CAUSED.

595
00:38:43,000 --> 00:38:47,000
YOU HAVE NO IDEA
THE TROUBLE THAT YOU'VE CAUSED.

596
00:38:50,000 --> 00:38:52,000
MOM?

597
00:39:07,000 --> 00:39:11,000
NEED A LIFT
TO THE BUS STATION?
HOW DO YOU KNOW?

598
00:39:11,000 --> 00:39:13,000
MATT CALLED.
SAID YOU'RE MAD AT HIM.

599
00:39:13,000 --> 00:39:16,000
AND TO GIVE YOU A RIDE.
COME ON.
WHY IS THIS YOUR PROBLEM?

600
00:39:16,000 --> 00:39:19,000
BECAUSE I DON'T WANT YOUR MOTHER
LEAVING TOWN WITHOUT
TALKING TO YOU.

601
00:39:19,000 --> 00:39:22,000
WHAT?
MY MOM LEFT IN A TAXI.

602
00:39:22,000 --> 00:39:24,000
THAT'S ALL I REMEMBER.

603
00:39:24,000 --> 00:39:28,000
I WAS SO YOUNG I HAD NOTHING
TO SAY ABOUT IT. YOU DO.

604
00:39:31,000 --> 00:39:33,000
[LAUGHING]

605
00:39:33,000 --> 00:39:36,000
WHEN I THINK OF ALL THE TIMES
I WANTED THIS GOAT DEAD.

606
00:39:36,000 --> 00:39:39,000
LIKE WHEN HE ATE
THE VEGETABLE GARDEN.
YEAH.

607
00:39:39,000 --> 00:39:42,000
SO WE'LL JUST KEEP MOVING
THIS CAN CRUSHER DOWN THE TRACK

608
00:39:42,000 --> 00:39:46,000
UNTIL WILDFIRE CAN START
WITHOUT HIM BEING THERE.

609
00:39:46,000 --> 00:39:49,000
YOU SAVED THE DAY, TODD.
NOT REALLY.

610
00:39:49,000 --> 00:39:52,000
I MEAN, KRIS GOT HIM
INTO THE STARTING GATE.
IS KRIS HERE WITH YOU?

611
00:39:52,000 --> 00:39:55,000
NO.
WHAT ABOUT HER TRAILER?

612
00:39:55,000 --> 00:39:57,000
NO.
HAVE YOU SEEN BARB?

613
00:39:57,000 --> 00:40:01,000
I HAVE. SHE WAS WALKING
DOWN THE DRIVEWAY
WITH HER BLUE SUITCASE.

614
00:40:05,000 --> 00:40:09,000
DO YOU THINK KRIS
LEFT WITH HER MOTHER?

615
00:40:15,000 --> 00:40:17,000
HEY, SUPERSTAR.
I RANG THE DOORBELL.

616
00:40:17,000 --> 00:40:22,000
THE DOORBELL'S BROKEN,
ALONG WITH MY BLENDER
AND MY LAVA LAMP.

617
00:40:22,000 --> 00:40:24,000
YOU WANT SOMETHING
TO DRINK?
NO.

618
00:40:24,000 --> 00:40:27,000
I'M JUST HERE TO PLACE
ANOTHER BET, AND COLLECT
ON TODAY'S WINNINGS.

619
00:40:27,000 --> 00:40:32,000
I SORT OF LEFT IN A HURRY.
AND MISSED SOME SICK ACTION.

620
00:40:32,000 --> 00:40:35,000
OH, YEAH. SPEAKING OF ACTION,
I SHOULD PROBABLY WARN YOU.

621
00:40:38,000 --> 00:40:40,000
WELL, HI, MATT.

622
00:40:40,000 --> 00:40:42,000
DAIQUIRI?

623
00:40:52,000 --> 00:40:56,000
[MAN OVER P.A.]
ALL PASSENGERS HOLDING TICKETS
MAY NOW BOARD.

624
00:40:56,000 --> 00:40:59,000
ALL PASSENGERS
MAY NOW BOARD.
MOM?

625
00:41:01,000 --> 00:41:03,000
MOM, WAIT!

626
00:41:06,000 --> 00:41:10,000
MOM, I'M SORRY.
MATT TOOK THE RING.
I SHOULD HAVE BELIEVED YOU.

627
00:41:10,000 --> 00:41:12,000
DOES THAT MEAN
YOU'RE COMING WITH ME?

628
00:41:15,000 --> 00:41:18,000
I CAN'T. I--
I JUST--

629
00:41:20,000 --> 00:41:24,000
ARE YOU MAD?
MAD? NO.

630
00:41:24,000 --> 00:41:28,000
I'M A LITTLE HURT, I GUESS.

631
00:41:28,000 --> 00:41:30,000
HEY, YOU ARE GROWN UP.

632
00:41:31,000 --> 00:41:33,000
I SHOULD GROW UP TOO, RIGHT?

633
00:41:34,000 --> 00:41:36,000
YOU'LL DO GREAT.

634
00:41:38,000 --> 00:41:40,000
WITHOUT YOU, BABY?

635
00:41:41,000 --> 00:41:42,000
YEAH.

636
00:41:44,000 --> 00:41:45,000
OH, HONEY,
I'M SO PROUD OF YOU.

637
00:41:47,000 --> 00:41:49,000
ARE YOU REALLY?

638
00:41:51,000 --> 00:41:53,000
I AM.

639
00:41:53,000 --> 00:41:55,000
YOU DID GOOD.

640
00:41:58,000 --> 00:42:00,000
AND YOU KNOW WHAT?

641
00:42:00,000 --> 00:42:02,000
YOU'RE GONNA BE SO PROUD
OF ME WHEN I'M CLEAN.

642
00:42:04,000 --> 00:42:06,000
YEAH, I WILL BE.

643
00:42:09,000 --> 00:42:12,000
AND, UH, YOUR ROOM
WILL BE READY WHEN
YOU CHANGE YOUR MIND.

644
00:42:12,000 --> 00:42:16,000
IF I CHANGE MY MIND.
WHEN...YOU CHANGE YOUR MIND.

645
00:42:19,000 --> 00:42:22,000
HEY, SEE YA LATER,
ALLIGATOR.

646
00:42:22,000 --> 00:42:24,000
IN A WHILE, CROCODILE.

647
00:42:29,000 --> 00:42:31,000
[MAN]
♪ FAR, FAR AWAY ♪

648
00:42:31,000 --> 00:42:34,000
♪ FIND COMFORT IN PAIN ♪

649
00:42:34,000 --> 00:42:37,000
♪ FOR PLEASURE'S THE SAME ♪

650
00:42:37,000 --> 00:42:40,000
♪ IT JUST KEEPS ME
FROM TROUBLE ♪

651
00:42:40,000 --> 00:42:44,000
♪ IT'S HARD AND I STRIVE ♪

652
00:42:46,000 --> 00:42:56,000
♪ IT'S JUST TEARS AND RAIN ♪♪