1 00:00:01,000 --> 00:00:02,000 PREVIOUSLY ON WILDFIRE. 2 00:00:02,000 --> 00:00:04,000 [PABLO] THERE'S SOMEONE I'D LIKE TO HIRE. 3 00:00:04,000 --> 00:00:06,000 SHE'S ONE OF THE GIRLS FROM CAMP LAGRANGE I WORK WITH. 4 00:00:06,000 --> 00:00:08,000 [BARCLAY] YOU'RE SOME KIND OF TEACHER, PABLO. YOU CAN'T TEACH THAT. 5 00:00:08,000 --> 00:00:12,000 [JUDGE] MR. BETART SAYS THAT HE IS PREPARED TO OFFER YOU A JOB PLUS ROOM AND BOARD 6 00:00:12,000 --> 00:00:14,000 AT THE RAINTREE THOROUGHBRED FARM. 7 00:00:14,000 --> 00:00:18,000 WHO IS SHE? HOT WORKING GIRL LIVING IN THE TRAILERS? 8 00:00:18,000 --> 00:00:19,000 WHAT ARE THE RULES ABOUT THIS? 9 00:00:19,000 --> 00:00:22,000 SOMEONE IN MY POSITION IS OBVIOUSLY GONNA BE CONCERNED 10 00:00:22,000 --> 00:00:25,000 ABOUT WHAT YOU'VE BEEN THROUGH. I MADE SOME MISTAKES. 11 00:00:25,000 --> 00:00:27,000 I HOPE I DON'T HAVE TO KEEP PAYING FOR THEM MY ENTIRE LIFE. 12 00:00:27,000 --> 00:00:31,000 [HENRY] THINGS JUST GOT A LOT MORE INTERESTING AROUND HERE. 13 00:00:31,000 --> 00:00:33,000 WILDFIRE, HE'S GONNA BE AUCTIONED OFF TONIGHT. 14 00:00:33,000 --> 00:00:36,000 YOU JUST MAKE SURE THEY DON'T TAKE THAT HORSE. HYAH! HYAH! 15 00:00:36,000 --> 00:00:39,000 [WOMAN] POLICE HAVE IDENTIFIED THE GIRL AS KRISTINE FURILLO, 16 00:00:39,000 --> 00:00:42,000 WHY DOESN'T SHE JUST GIVE UP? A RECENT INMATE OF CAMP LAGRANGE. 17 00:00:42,000 --> 00:00:43,000 WHAT'S THE NAME OF THAT HORSE? 18 00:00:43,000 --> 00:00:45,000 [WHINNYING] 19 00:00:45,000 --> 00:00:49,000 YOU HAVE A JOB WAITING FOR YOU WHEN YOU GET OUT. YOU STILL WANT ME, 20 00:00:49,000 --> 00:00:50,000 EVEN AFTER ALL OF THIS? 21 00:00:50,000 --> 00:00:54,000 WILDFIRE! WHEN YOU SEE A GOOD HORSE AT A GOOD PRICE, YOU BUY IT. 22 00:00:54,000 --> 00:00:56,000 WE STILL GOTTA TEACH HIM HOW TO RACE. WHEN DO YOU START? 23 00:00:56,000 --> 00:00:58,000 IN 90 DAYS. 24 00:00:58,000 --> 00:01:01,000 90 DAYS, WILDFIRE, 90 DAYS. 25 00:01:23,000 --> 00:01:24,000 HEY. 26 00:01:24,000 --> 00:01:27,000 HEY. 27 00:01:29,000 --> 00:01:30,000 YOU DOING OKAY? 28 00:01:30,000 --> 00:01:32,000 I'M ABOVE GROUND. 29 00:01:37,000 --> 00:01:39,000 NERVOUS? 30 00:01:39,000 --> 00:01:41,000 NO. 31 00:01:45,000 --> 00:01:48,000 THE RITTERS GOT THE TRAILER ALL FIXED UP FOR YOU. 32 00:01:48,000 --> 00:01:50,000 THEY ASKED ME WHAT YOU WANT IN IT. 33 00:01:50,000 --> 00:01:54,000 COURSE YOU COULD'VE TOLD THEM YOURSELF, IF YOU'D LET ANYBODY COME SEE YOU. 34 00:01:54,000 --> 00:01:56,000 HOW'S WILDFIRE? 35 00:01:56,000 --> 00:01:58,000 HE'S GOT HIS GOOD DAYS. 36 00:01:58,000 --> 00:02:00,000 IS HE OKAY? 37 00:02:00,000 --> 00:02:02,000 HE'S BEEN MOVED AROUND TOO MANY TIMES. 38 00:02:02,000 --> 00:02:04,000 HE'S NOT THE SAME HORSE YOU REMEMBER. 39 00:02:04,000 --> 00:02:07,000 KRIS, NOTHING'S GONNA BE EASY. 40 00:02:07,000 --> 00:02:11,000 YOU STAY FOCUSED ON YOUR WORK, YOU STAY FOCUSED ON WILDFIRE, 41 00:02:11,000 --> 00:02:12,000 AND BE PATIENT, 42 00:02:12,000 --> 00:02:15,000 THINGS WILL COME RIGHT. 43 00:02:18,000 --> 00:02:23,000 [MAN] ♪ WITH THE MORNING LIGHT GOT YOUR MIND IN SIGHT ♪ 44 00:02:23,000 --> 00:02:27,000 ♪ AND I WANNA BE THERE ALL MY LIFE ♪ 45 00:02:27,000 --> 00:02:31,000 ♪ WITH THE MORNING LIGHT GOT YOUR MIND IN SIGHT ♪ 46 00:02:31,000 --> 00:02:35,000 ♪ AND I WANNA BE THERE ♪ 47 00:02:35,000 --> 00:02:39,000 ♪ 'CAUSE YOU'RE ALL I EVER DREAMED OF ♪ 48 00:02:39,000 --> 00:02:43,000 ♪ YOUR STARS ARE OUT ♪ 49 00:02:43,000 --> 00:02:45,000 ♪ AND ALL IS RIGHT ♪♪ 50 00:02:55,000 --> 00:02:57,000 THEY'LL BE HERE ANY MINUTE. 51 00:02:57,000 --> 00:03:00,000 GOOD. AT LEAST I CAN SAY HELLO BEFORE DINNER. HEY! 52 00:03:02,000 --> 00:03:04,000 DID YOU GET A PRESENT? MM-HMM, RIGHT THERE. 53 00:03:04,000 --> 00:03:05,000 WORK BOOTS? 54 00:03:05,000 --> 00:03:08,000 WHAT, IT'S A BAD PRESENT? 55 00:03:08,000 --> 00:03:11,000 THERE'S KIND OF AN UNDERWEAR- FOR-CHRISTMAS VIBE. 56 00:03:11,000 --> 00:03:13,000 I DIDN'T KNOW WHAT ELSE SHE'D NEED. 57 00:03:13,000 --> 00:03:16,000 WELL, THEY DID HAVE A NICE NYLON RAINCOAT. 58 00:03:19,000 --> 00:03:21,000 BOOTS ARE GREAT. [HORN HONKS] 59 00:03:21,000 --> 00:03:24,000 OOH. THEY'RE HERE. COME ON. 60 00:03:27,000 --> 00:03:29,000 RUBBER WORK BOOTS? 61 00:03:29,000 --> 00:03:33,000 OKAY, OKAY. I KNOW. RUBBER BOOTS. 62 00:03:39,000 --> 00:03:41,000 WELCOME BACK! 63 00:03:41,000 --> 00:03:44,000 HEY! RAINTREE'S NEVER BEEN THE SAME! 64 00:03:44,000 --> 00:03:46,000 DID YOU HAVE A NICE TRIP BACK? YEAH, FINE. THANKS. 65 00:03:46,000 --> 00:03:49,000 WELCOME. 66 00:03:49,000 --> 00:03:52,000 IT'S GREAT TO SEE YOU. ME, TOO. I MEAN, IT'S GREAT TO SEE YOU 67 00:03:52,000 --> 00:03:54,000 AND THANK YOU FOR ALL THE E-MAILS. 68 00:03:54,000 --> 00:03:57,000 YOU TWO WERE E-MAILING EACH OTHER? HOW SWEET. 69 00:03:57,000 --> 00:03:59,000 YEAH, WELL... 70 00:03:59,000 --> 00:04:00,000 HEY. 71 00:04:00,000 --> 00:04:01,000 HEY. 72 00:04:03,000 --> 00:04:06,000 THESE ARE FROM ALL OF US. 73 00:04:06,000 --> 00:04:09,000 OH, UH, UH, THESE-- 74 00:04:09,000 --> 00:04:11,000 I REALLY NEED THESE. 75 00:04:11,000 --> 00:04:14,000 THEY'RE FROM GARCIA'S, IN CASE YOU WANT TO TRADE THEM IN. 76 00:04:14,000 --> 00:04:18,000 NO, NO, THEY ARE-- THEY'RE GREAT. THEY ARE. 77 00:04:18,000 --> 00:04:22,000 I'LL BET THAT KRIS WOULD LIKE TO VISIT WILDFIRE. 78 00:04:22,000 --> 00:04:25,000 RIGHT? HE'S IN THE BARN. 79 00:04:28,000 --> 00:04:30,000 UM-- 80 00:04:30,000 --> 00:04:32,000 BE CAREFUL. 81 00:04:34,000 --> 00:04:36,000 HE'LL CALM DOWN WHEN HE SEES KRIS. 82 00:04:36,000 --> 00:04:39,000 I HOPE SO. YOU NEVER KNOW WITH A THOROUGHBRED. 83 00:04:39,000 --> 00:04:41,000 KRIS, TAKE IT SLOW. 84 00:04:44,000 --> 00:04:47,000 [WHISTLES] 85 00:04:53,000 --> 00:04:56,000 WILDFIRE, IT'S ME. I'M BACK. 86 00:04:56,000 --> 00:04:59,000 I MISSED YOU SO MUCH. 87 00:04:59,000 --> 00:05:00,000 [SNORTS] 88 00:05:02,000 --> 00:05:04,000 WILDFIRE? 89 00:05:07,000 --> 00:05:09,000 MAYBE WE SHOULD WAIT. 90 00:05:09,000 --> 00:05:12,000 IT'S ALL RIGHT. 91 00:05:12,000 --> 00:05:15,000 GO IN SLOW. STAY OUT OF HIS KICK ZONE. 92 00:05:19,000 --> 00:05:21,000 [WHINNIES] 93 00:05:24,000 --> 00:05:26,000 REMEMBER ME? 94 00:05:29,000 --> 00:05:32,000 [WHINNYING] HEY. IT'S ME. 95 00:05:40,000 --> 00:05:43,000 [PABLO] WHOA, WHOA, WHOA, WHOA. 96 00:05:43,000 --> 00:05:45,000 WHOA, WHOA, WHOA, WHOA. 97 00:05:51,000 --> 00:05:53,000 HE'S GETTING IMPOSSIBLE. 98 00:05:53,000 --> 00:05:56,000 IT WASN'T HIS FAULT. WE KNEW BETTER THAN TO CROWD HIM LIKE THAT. 99 00:05:56,000 --> 00:05:59,000 I'M SORRY, KRIS. YOU AND PABLO CAN WORK WITH HIM TOMORROW 100 00:05:59,000 --> 00:06:00,000 WHEN IT'S CALMER. 101 00:06:06,000 --> 00:06:09,000 I GONNA GO BACK UP TO THE HOUSE. I GOT SOMETHING IN THE OVEN. 102 00:06:09,000 --> 00:06:11,000 KRIS, COME HAVE SUNDAY DINNER. 103 00:06:11,000 --> 00:06:14,000 UH, SHE NEEDS TO UNPACK. 104 00:06:14,000 --> 00:06:16,000 I'M TIRED. 105 00:06:16,000 --> 00:06:19,000 OF COURSE YOU ARE. NO, ANOTHER TIME. 106 00:06:19,000 --> 00:06:22,000 SHE HASN'T HAD A DECENT MEAL FOR THREE MONTHS. WE'RE HAVING ROAST BEEF. 107 00:06:22,000 --> 00:06:25,000 I'LL SEE YOU UP THERE. 108 00:06:25,000 --> 00:06:28,000 PLEASE COME. OKAY. 109 00:06:40,000 --> 00:06:43,000 I WISH YOU AND TODD HADN'T DONE THAT. DONE WHAT? 110 00:06:43,000 --> 00:06:45,000 INVITED KRIS TO DINNER. 111 00:06:45,000 --> 00:06:47,000 WE'RE GETTING TOO GOOD TO EAT WITH THE HELP NOW? 112 00:06:47,000 --> 00:06:51,000 PLEASE, I'VE BEEN LOOKING FORWARD TO KRIS COMING BACK FOR MONTHS. 113 00:06:51,000 --> 00:06:53,000 BUT SHE'S HERE TO WORK WITH THE HORSES. 114 00:06:53,000 --> 00:06:57,000 IT'S CONFUSING ENOUGH SHE'S A BEAUTIFUL GIRL. CONFUSING FOR WHO? 115 00:06:57,000 --> 00:07:00,000 MATT HAS TO START THINKING ABOUT COLLEGE. 116 00:07:00,000 --> 00:07:03,000 AND IF KRIS IS UP HERE AT THE HOUSE ALL THE-- 117 00:07:08,000 --> 00:07:10,000 UH-- 118 00:07:12,000 --> 00:07:14,000 WHERE SHOULD I... 119 00:07:14,000 --> 00:07:17,000 [JEAN] OH, I'M SORRY. I DON'T WANT TO CRASH OR ANYTHING. 120 00:07:17,000 --> 00:07:19,000 NO, NO, I'M SORRY. I SET THE TABLE THIS MORNING. 121 00:07:19,000 --> 00:07:21,000 IT'S JUST HABIT. I'LL GET YOU A PLATE. 122 00:07:21,000 --> 00:07:23,000 I'LL GET IT. NO, NO, DAD, SIT DOWN. 123 00:07:23,000 --> 00:07:26,000 I'VE GOT THE CHAIR RIGHT HERE. I'M FINE. I GOT IT. 124 00:07:36,000 --> 00:07:38,000 ROLL? 125 00:07:38,000 --> 00:07:41,000 LET'S SAY "GRACE." 126 00:07:42,000 --> 00:07:46,000 LORD, WE THANK YOU FOR THIS BOUNTY BEFORE US. 127 00:07:46,000 --> 00:07:49,000 AND WE ALSO THANK YOU FOR BRINGING BACK OUR DEAR KRIS, 128 00:07:49,000 --> 00:07:53,000 NEW TO OUR FAMILY, BUT NOW A PART OF IT. 129 00:07:53,000 --> 00:07:54,000 AMEN. AMEN. 130 00:07:56,000 --> 00:07:58,000 DAD. 131 00:07:58,000 --> 00:08:02,000 OH! SORRY. I'M SORRY. I GOT IT. I GOT IT. 132 00:08:02,000 --> 00:08:04,000 DON'T, NO... THAT'S FINE. 133 00:08:04,000 --> 00:08:05,000 I'VE GOT IT. 134 00:08:05,000 --> 00:08:07,000 SO, DID YOU HAVE ANY FRIENDS IN PRISON? 135 00:08:07,000 --> 00:08:11,000 WHAT? THAT'S A WEIRD QUESTION. 136 00:08:11,000 --> 00:08:15,000 NO, IT'S OKAY. THERE WAS THIS ONE GIRL, SHE WAS REALLY NICE. 137 00:08:15,000 --> 00:08:16,000 WHAT DID SHE DO? 138 00:08:19,000 --> 00:08:21,000 SHE'LL BE IN THERE A LONG TIME. 139 00:08:25,000 --> 00:08:26,000 HOW'S GREENSLEEVES? 140 00:08:26,000 --> 00:08:29,000 HAD TO SELL HIM. GOT A LOT LESS THAN WE WANTED, TOO. 141 00:08:31,000 --> 00:08:33,000 WHAT ABOUT RICKY SANCHEZ? 142 00:08:33,000 --> 00:08:36,000 HIS WIFE'S GONNA HAVE A BABY. DID SHE HAVE A BABY? 143 00:08:36,000 --> 00:08:38,000 WE HAD TO LET HIM GO. WE COULDN'T AFFORD-- 144 00:08:38,000 --> 00:08:40,000 MATT. 145 00:08:40,000 --> 00:08:42,000 ROAST BEEF? 146 00:08:42,000 --> 00:08:45,000 I'M SORRY YOU HAD TO SEE WILDFIRE LIKE THIS. 147 00:08:45,000 --> 00:08:47,000 ME, TOO. 148 00:08:47,000 --> 00:08:49,000 IT'S NOT YOUR FAULT. YOU SAVED HIS LIFE. 149 00:08:54,000 --> 00:08:55,000 SORRY. 150 00:09:00,000 --> 00:09:02,000 [MATT] MOM, DON'T WORRY. 151 00:09:02,000 --> 00:09:06,000 NOW THAT HE'S HANGING OUT WITH DANI AGAIN, IT SHOULD BE FINE BETWEEN THEM. 152 00:09:06,000 --> 00:09:09,000 SHOULD BE FINE? WHAT SHOULD BE FINE? 153 00:09:09,000 --> 00:09:10,000 NOTHING. [WHISPERING] SHUT UP. 154 00:09:10,000 --> 00:09:13,000 WHAT'D I SAY? NEVER MIND. 155 00:09:13,000 --> 00:09:15,000 KRIS, DO YOU HAVE EVERYTHING YOU NEED? 156 00:09:15,000 --> 00:09:17,000 I'M FINE. THANKS. 157 00:09:17,000 --> 00:09:19,000 ACTUALLY, COULD WE GET A WORK SCHEDULE 158 00:09:19,000 --> 00:09:23,000 WORKED OUT SO THAT I KNOW WHAT I HAVE TO DO EVERYDAY? 159 00:09:23,000 --> 00:09:26,000 THAT'S A GOOD IDEA. I'LL TALK TO PABLO ABOUT THE SCHEDULE. 160 00:09:34,000 --> 00:09:37,000 I GET HOW YOU'RE FEELING. 161 00:09:37,000 --> 00:09:42,000 BUT IF YOU THINK ABOUT IT, I DID SAVE YOUR LIFE. 162 00:09:42,000 --> 00:09:43,000 DOESN'T THAT COUNT FOR SOMETHING? 163 00:09:46,000 --> 00:09:49,000 WHY WOULDN'T HE WANT TO SEE ME? 164 00:09:49,000 --> 00:09:51,000 MAYBE HE DOES WANT TO SEE YOU. 165 00:09:51,000 --> 00:09:53,000 MAYBE HE'S SAYING HE'S HURT. 166 00:09:53,000 --> 00:09:55,000 I DIDN'T HURT HIM. 167 00:09:55,000 --> 00:09:57,000 HE DOESN'T KNOW THAT. 168 00:09:59,000 --> 00:10:01,000 WHY DIDN'T YOU LET ME VISIT YOU? 169 00:10:01,000 --> 00:10:04,000 I DIDN'T WANT YOU TO SEE ME IN THAT PLACE. I DON'T CARE ABOUT THAT. 170 00:10:04,000 --> 00:10:06,000 I DO. I SENT YOU AN E-MAIL. YOU NEVER ANSWERED. 171 00:10:06,000 --> 00:10:09,000 YOUR BROTHER SENT ME AN E-MAIL EVERY OTHER DAY. I ANSWERED HIM. 172 00:10:09,000 --> 00:10:10,000 ARE YOU SAYING I'M NOT TRYING HARD ENOUGH? 173 00:10:10,000 --> 00:10:15,000 LISTEN, I DID. I TOOK THE BUS TO SEE YOU. 174 00:10:15,000 --> 00:10:17,000 I THOUGHT YOU COULDN'T SAY NO IF YOU KNEW I WAS THERE. 175 00:10:17,000 --> 00:10:19,000 BUT I GOT TO THE REC ROOM, 176 00:10:19,000 --> 00:10:21,000 AND I SAW YOU WITH SOME GUY. 177 00:10:21,000 --> 00:10:24,000 YOU COULD HAVE TOLD ME. 178 00:10:24,000 --> 00:10:27,000 WHAT GUY? 6'2", KIND OF BUFF, DARK HAIR. 179 00:10:27,000 --> 00:10:29,000 EAGLE TAT ON HIS RIGHT ARM? YEAH, THAT'S HIM. 180 00:10:29,000 --> 00:10:31,000 THAT'S MY BROTHER JACE. HE'S A MERCHANT MARINE. 181 00:10:31,000 --> 00:10:34,000 OH. [HORN HONKS] 182 00:10:41,000 --> 00:10:43,000 NATIONAL VELVET RETURNS. 183 00:10:45,000 --> 00:10:48,000 THOUGHTFUL GIFT, DUDE. 184 00:10:53,000 --> 00:10:56,000 [JUNIOR] THERE SHE IS. LATE AS ALWAYS. 185 00:10:56,000 --> 00:10:59,000 SHE GOT HERE FIVE SECONDS AFTER YOU. BUT I AM A HALF-HOUR LATE. 186 00:11:00,000 --> 00:11:02,000 HEY, WELCOME BACK. 187 00:11:02,000 --> 00:11:05,000 HI, DANI. AMBER. [AMBER] HELLO. 188 00:11:05,000 --> 00:11:07,000 YOU LEFT YOUR JACKET IN MY CAR LAST NIGHT. 189 00:11:07,000 --> 00:11:09,000 [NERVOUS CHUCKLE] THANKS. 190 00:11:09,000 --> 00:11:12,000 WE'RE GONNA GO TO THE DINER. DO YOU WANT TO COME? 191 00:11:12,000 --> 00:11:14,000 NO, THANKS. I'M TIRED. 192 00:11:14,000 --> 00:11:16,000 YOU DON'T LOOK TIRED. YOU LOOK GREAT. 193 00:11:16,000 --> 00:11:19,000 THANKS. ANOTHER TIME. 194 00:11:19,000 --> 00:11:22,000 ALL RIGHT, WELL, LET'S GO. KRIS IS TIRED. 195 00:11:25,000 --> 00:11:30,000 ACTUALLY, I'LL GO. 196 00:11:30,000 --> 00:11:32,000 CAN I RIDE WITH YOU? 197 00:11:32,000 --> 00:11:34,000 I WAS JUST ABOUT TO ASK IF YOU WANTED TO DRIVE. 198 00:11:34,000 --> 00:11:37,000 YOU HAD TO ASK? 199 00:11:37,000 --> 00:11:40,000 ♪♪ [ROCK] 200 00:11:55,000 --> 00:12:00,000 [MAN] ♪ I'M NOT DOIN' FINE I'M DESECRATIN' LIVES ♪ 201 00:12:00,000 --> 00:12:02,000 TAKE A RIGHT UP HERE. I THOUGHT THE DINER WAS ON OLIVERA. 202 00:12:02,000 --> 00:12:06,000 BACK ROADS. YOU CAN OPEN HER UP. 203 00:12:06,000 --> 00:12:09,000 ♪ I'M BORED, STILL BORED I'M SO BORED ♪ 204 00:12:09,000 --> 00:12:12,000 ♪ I GOT A FUNNY LITTLE FEELING ♪ 205 00:12:12,000 --> 00:12:15,000 ♪ MY ARMS ARE SHAKING LIKE A LIGHTNING ROD ♪♪ 206 00:12:15,000 --> 00:12:18,000 YOU'RE NOT A BAD DRIVER FOR A GIRL. 207 00:12:18,000 --> 00:12:19,000 YOU NERVOUS? 208 00:12:21,000 --> 00:12:23,000 OKAY, SLOW IT DOWN A LITTLE. 209 00:12:23,000 --> 00:12:27,000 [KRIS] YEAH, WHOO-HOO! 210 00:12:27,000 --> 00:12:29,000 [DOOR CLOSES] 211 00:12:37,000 --> 00:12:38,000 WHERE ARE THEY? THEY WERE RIGHT BEHIND US. 212 00:12:38,000 --> 00:12:42,000 THEY PROBABLY JUST WENT FOR A DRIVE. 213 00:12:42,000 --> 00:12:43,000 SO, IS IT WEIRD HAVING HER BACK? 214 00:12:43,000 --> 00:12:46,000 NO. THE MAIN THING IS, SHE'S OUT OF THAT PLACE. 215 00:12:46,000 --> 00:12:49,000 IT CAN'T BE EASY, THOUGH. I KNOW YOU GUYS HAD A THING. 216 00:12:49,000 --> 00:12:52,000 NO, LISTEN, IT'S OKAY. 217 00:12:52,000 --> 00:12:54,000 I JUST WANT TO SAY... 218 00:12:54,000 --> 00:12:59,000 I CAN GIVE YOU SOME SPACE IF YOU NEED TO FIGURE STUFF OUT. 219 00:13:02,000 --> 00:13:04,000 DANI... 220 00:13:06,000 --> 00:13:09,000 MAYBE. 221 00:13:09,000 --> 00:13:13,000 I DON'T WANT TO HURT YOU OR KRIS OR ANYBODY. 222 00:13:13,000 --> 00:13:16,000 SO MAYBE IF WE GIVE IT A LITTLE TIME. WHAT ARE YOU SAYING? 223 00:13:16,000 --> 00:13:18,000 IF WE COULD JUST RECONFIGURE. 224 00:13:18,000 --> 00:13:20,000 BUT WE JUST GOT BACK TOGETHER. 225 00:13:20,000 --> 00:13:23,000 THAT'S THE THING. YOU KNOW HOW WE GO BACK AND FORTH. 226 00:13:23,000 --> 00:13:27,000 NOT THAT YOU AREN'T TOTALLY COOL NOW. IT'S JUST-- 227 00:13:27,000 --> 00:13:29,000 I GUESS WHAT I MEAN IS IT'S ABOUT ME. 228 00:13:29,000 --> 00:13:31,000 ARE YOU BREAKING UP WITH ME? 229 00:13:31,000 --> 00:13:34,000 NO. YES. 230 00:13:34,000 --> 00:13:37,000 I DON'T WANT TO DO THIS, BUT I HAVE TO BE HONEST. 231 00:13:37,000 --> 00:13:39,000 WHAT KIND OF PERSON STAYS WITH SOMEONE WHEN HE HAS 232 00:13:39,000 --> 00:13:41,000 FEELINGS FOR SOMEONE ELSE? 233 00:13:43,000 --> 00:13:47,000 DANI-- NO, STAY THERE! 234 00:13:51,000 --> 00:13:52,000 MATT JUST BROKE UP WITH ME. 235 00:13:52,000 --> 00:13:54,000 I THOUGHT YOU WERE GOING TO GIVE HIM SOME "SPACE" 236 00:13:54,000 --> 00:13:57,000 AND HE'D GET SCARED AND SAY NO. HE DUMPED ME, OKAY? 237 00:13:57,000 --> 00:13:58,000 OKAY. 238 00:13:58,000 --> 00:14:02,000 MAYBE JUNIOR HOOKED UP WITH PRISON GIRL LIKE YOU ASKED. 239 00:14:02,000 --> 00:14:04,000 THAT SHOULD TAKE CARE OF THINGS. 240 00:14:14,000 --> 00:14:17,000 [CELL PHONE RINGS] 241 00:14:17,000 --> 00:14:20,000 YOU WANT A LITTLE PRIVACY? 242 00:14:20,000 --> 00:14:23,000 DON'T YOU? DO I HAVE TO ANSWER THAT? 243 00:14:23,000 --> 00:14:25,000 ONLY WITH YOUR EYES. 244 00:14:25,000 --> 00:14:27,000 GOD. DOES A LINE LIKE THAT EVER WORK? 245 00:14:27,000 --> 00:14:29,000 YOU'D BE SURPRISED. YEAH, I WOULD. 246 00:14:29,000 --> 00:14:33,000 HEY, IF YOU'RE INTO MATT, THAT'S COOL. 247 00:14:33,000 --> 00:14:36,000 WHO SAID I'M INTO MATT? MAYBE I'M JUST NOT INTO YOU. 248 00:14:36,000 --> 00:14:39,000 I CAN CHANGE THAT. I DON'T THINK SO. 249 00:14:40,000 --> 00:14:42,000 OW! HEY! 250 00:14:42,000 --> 00:14:44,000 DO YOU THINK I AM THAT EASY, OR ARE YOU JUST STUPID? 251 00:14:44,000 --> 00:14:48,000 YOU DROVE US UP HERE. AND I'M WALKING BACK. 252 00:14:58,000 --> 00:15:01,000 OKAY, I'M SORRY. 253 00:15:01,000 --> 00:15:03,000 GET IN. 254 00:15:03,000 --> 00:15:05,000 WHY, SO YOU CAN TRY IT AGAIN? 255 00:15:05,000 --> 00:15:08,000 SO WE CAN GET OUT OF HERE. 256 00:15:08,000 --> 00:15:11,000 FOR GOD'S SAKE, I'LL KEEP MY HANDS ON THE WHEEL. 257 00:15:11,000 --> 00:15:15,000 YEAH, YOU WILL, OR I'LL BREAK BOTH YOUR ARMS. 258 00:15:21,000 --> 00:15:24,000 WHY ARE YOU CALLING ME? YOU SHOULD BE BUSY, JUNIOR. 259 00:15:24,000 --> 00:15:27,000 WHAT HAPPENED? 260 00:15:27,000 --> 00:15:30,000 NOTHING? LIKE NOTHING NOTHING? 261 00:15:31,000 --> 00:15:34,000 YOU ARE SO TOTALLY LOSING YOUR TOUCH. 262 00:15:36,000 --> 00:15:39,000 NO, DON'T COME HERE. WHERE ARE YOU? 263 00:15:40,000 --> 00:15:44,000 MEET ME AT OLIVERA AND HICKOK. JUST WAIT AT THE LIGHT, OKAY? 264 00:15:44,000 --> 00:15:46,000 WE'LL BE THERE. 265 00:15:49,000 --> 00:15:51,000 WHERE ARE THEY? HAVE YOU TALKED TO THEM? 266 00:15:51,000 --> 00:15:53,000 WE'RE GOING TO MEET THEM. 267 00:15:59,000 --> 00:16:02,000 [REVS ENGINE] 268 00:16:04,000 --> 00:16:06,000 SHE WANTS TO RACE. 269 00:16:06,000 --> 00:16:08,000 IN AN ESCALADE. FORGET IT. 270 00:16:08,000 --> 00:16:10,000 DANI, THIS IS NOT A GREAT IDEA. AMBER, SHUT UP. 271 00:16:10,000 --> 00:16:12,000 YOU DON'T HAVE A CHANCE. IT'S A PORSCHE. 272 00:16:12,000 --> 00:16:15,000 I'VE GOT A MONSTER TRUCK HERE. 273 00:16:16,000 --> 00:16:18,000 YOUR CALL. 274 00:16:20,000 --> 00:16:21,000 [ENGINES REVVING] 275 00:16:21,000 --> 00:16:24,000 NO COMPETITION. WHY BOTHER? 276 00:16:24,000 --> 00:16:27,000 DON'T WORRY ABOUT IT. 277 00:16:27,000 --> 00:16:30,000 I DON'T WANNA DO THIS. WHY? 278 00:16:30,000 --> 00:16:33,000 'CAUSE LITTLE WUSSY MAN IS SCARED TO LOSE TO A GIRL? 279 00:16:33,000 --> 00:16:35,000 [DANI, AMBER CHUCKLE] 280 00:16:48,000 --> 00:16:50,000 [SIREN WAILING] 281 00:16:55,000 --> 00:16:57,000 ROGER. 282 00:17:00,000 --> 00:17:02,000 YOU'RE ON PAROLE. 283 00:17:02,000 --> 00:17:04,000 SO WHAT? SHE WASN'T DRIVING. 284 00:17:04,000 --> 00:17:07,000 LET'S GO. COME ON. GET UP AGAINST THE CAR. 285 00:17:07,000 --> 00:17:10,000 SPREAD YOUR LEGS. 286 00:17:22,000 --> 00:17:26,000 HEY, WHAT ARE YOU SWEATING HER FOR? I WAS DRIVING. 287 00:17:26,000 --> 00:17:27,000 COME ON. LET'S GO. 288 00:17:27,000 --> 00:17:29,000 WHAT ARE YOU DOING? 289 00:17:29,000 --> 00:17:33,000 LET'S GO HAVE A CHIT-CHAT BACK AT THE STATION. YOU'LL FEEL RIGHT AT HOME. 290 00:17:33,000 --> 00:17:36,000 YOU CAN'T DO THIS. WHAT ARE HER CHARGES? I'M CALLING A LAWYER. 291 00:17:36,000 --> 00:17:39,000 YOU LOOK FAMILIAR. DO I KNOW YOU? 292 00:17:39,000 --> 00:17:42,000 KEN DAVIS, JR. MY ATTORNEY WILL BE SUING YOU FOR FALSE ARREST. 293 00:17:42,000 --> 00:17:45,000 REALLY? GET IN THE CAR, JUNIOR. 294 00:17:45,000 --> 00:17:47,000 ANYBODY ELSE HAVE ANY COMMENTS TO MAKE? 295 00:17:47,000 --> 00:17:49,000 IF YOU'RE GONNA TAKE THEM, YOU'RE GONNA TAKE ME. 296 00:17:49,000 --> 00:17:52,000 AND YOU ARE? MATT RITTER. 297 00:17:52,000 --> 00:17:54,000 ALL RIGHT, MATT, PLENTY OF ROOM IN THE CAR. 298 00:17:56,000 --> 00:17:58,000 YOU GIRLS COMING, TOO? 299 00:17:58,000 --> 00:18:01,000 NO. THANK YOU. 300 00:18:01,000 --> 00:18:02,000 GO HOME. 301 00:18:14,000 --> 00:18:16,000 WELL, THERE GOES THE GIRL FROM CELL BLOCK NINE. 302 00:18:16,000 --> 00:18:19,000 YEAH, BUT THEY BOTH WENT WITH HER. HOW DOES SHE DO IT? 303 00:18:19,000 --> 00:18:21,000 YOU STILL GOT RID OF HER. 304 00:18:21,000 --> 00:18:23,000 TRUE. IN LESS THAN THREE HOURS. 305 00:18:23,000 --> 00:18:26,000 I'LL DRIVE THE PORSCHE. 306 00:18:27,000 --> 00:18:29,000 TAKE A SEAT, SON. SO WHAT'S WITH THIS GUY? 307 00:18:29,000 --> 00:18:32,000 THE MINUTE I SAY MY NAME, SLAM. 308 00:18:32,000 --> 00:18:34,000 DO YOU REMEMBER MOLLY BLITZER? 309 00:18:34,000 --> 00:18:37,000 THAT'S HER BROTHER? MM-HMM. 310 00:18:37,000 --> 00:18:40,000 BUT WE WERE JUST SWIMMING. 311 00:18:40,000 --> 00:18:42,000 THAT'S NOT WHAT IT LOOKED LIKE ON THEIR SURVEILLANCE CAMERA. 312 00:18:42,000 --> 00:18:45,000 CAN YOU TWO STOP IT? DON'T YOU GET IT? 313 00:18:45,000 --> 00:18:48,000 THEY COULD STICK ME WITH A PAROLE VIOLATION AND I'D GO BACK TO LAGRANGE. 314 00:18:48,000 --> 00:18:51,000 I DON'T GIVE A RAT'S ASS ABOUT SOME POLLY... [JUNIOR] MOLLY. 315 00:18:51,000 --> 00:18:53,000 JUNIOR, SHUT UP. 316 00:19:00,000 --> 00:19:03,000 I'M SORRY, KRIS. 317 00:19:11,000 --> 00:19:14,000 HELLO, JEAN. PABLO. KEN, I'M GLAD YOU'RE HERE. 318 00:19:14,000 --> 00:19:18,000 IT'S BEEN AWHILE. SORRY IT'S NOT UNDER BETTER CIRCUMSTANCES. 319 00:19:18,000 --> 00:19:22,000 OKAY, THESE THREE KIDS HAVE BROKEN SEVERAL LAWS. 320 00:19:22,000 --> 00:19:25,000 WAIT. NEITHER MATT NOR KRIS WERE DRIVING. WHAT LAWS? 321 00:19:25,000 --> 00:19:27,000 RECKLESS DRIVING, POSSIBLE RESISTING ARREST... 322 00:19:27,000 --> 00:19:31,000 POSSIBLE RESISTING ARREST? YES, SIR. 323 00:19:31,000 --> 00:19:32,000 DID THEY RESIST ARREST OR NOT? 324 00:19:32,000 --> 00:19:34,000 THERE WAS A LOT OF SMART TALK ABOUT LAWYERS. 325 00:19:34,000 --> 00:19:35,000 WAS THERE PHYSICAL RESISTANCE? 326 00:19:35,000 --> 00:19:38,000 DID YOU STRIKE ONE OF THOSE CHILDREN? ABSOLUTELY NOT. 327 00:19:38,000 --> 00:19:41,000 WHAT ARE THE CHARGES? THAT GIRL, THE HORSE THIEF. 328 00:19:41,000 --> 00:19:44,000 IF YOU GUYS HAD ANY IDEA THE TROUBLE SHE CAUSED A FRIEND OF MINE. 329 00:19:44,000 --> 00:19:47,000 HE LOST A HUNDRED HEAD OF CATTLE BECAUSE OF A STAMPEDE SHE STARTED. 330 00:19:47,000 --> 00:19:49,000 WAS HE INSURED? 331 00:19:49,000 --> 00:19:52,000 SIR, KRIS FURILLO'S JOB ALLOWS HER TO MAKE RESTITUTION FOR THAT. 332 00:19:52,000 --> 00:19:54,000 SENDING HER TO JAIL WON'T HELP. 333 00:19:54,000 --> 00:19:58,000 I PROMISE YOU WE WILL DISCIPLINE THEM OURSELVES AT HOME. 334 00:19:58,000 --> 00:20:01,000 WELL, I STILL WANT A WORD WITH KRIS FURILLO'S PAROLE OFFICER. 335 00:20:01,000 --> 00:20:02,000 SOUNDS LIKE A PRUDENT IDEA. 336 00:20:02,000 --> 00:20:04,000 NO, IT ISN'T. 337 00:20:04,000 --> 00:20:06,000 TWO MIDDLE-CLASS BOYS GET SENT HOME WITH A REBUKE, 338 00:20:06,000 --> 00:20:08,000 INCLUDING THE ONE WHO WAS ACTUALLY DRIVING... WAIT A MINUTE-- 339 00:20:08,000 --> 00:20:11,000 NO. AND THE GIRL IN THE PASSENGER SEAT, 340 00:20:11,000 --> 00:20:13,000 A WORKING CLASS GIRL, 341 00:20:13,000 --> 00:20:17,000 WHO WAS DOING HER BEST TO MAKE A BETTER LIFE FOR HERSELF, SHE'S HELD RESPONSIBLE. 342 00:20:17,000 --> 00:20:20,000 I THINK THE NEWSPAPERS WOULD BE FASCINATED BY THAT STORY. 343 00:20:20,000 --> 00:20:22,000 WE CAN SOLVE THIS WHOLE THING 344 00:20:22,000 --> 00:20:27,000 BY TAKING THEM HOME AND DEALING WITH IT OURSELVES. 345 00:20:27,000 --> 00:20:31,000 SEE THEY DON'T DO IT AGAIN. ANY OF THEM. 346 00:20:39,000 --> 00:20:41,000 I DON'T WANT YOU SEEING THAT GIRL ANYMORE. 347 00:20:41,000 --> 00:20:42,000 DANI? DONE. 348 00:20:42,000 --> 00:20:45,000 YOU KNOW WHO I MEAN. 349 00:20:45,000 --> 00:20:49,000 KRIS IS A...CERTAIN KIND OF GIRL. 350 00:20:49,000 --> 00:20:52,000 SHE DIDN'T GROW UP WITH THE ADVANTAGES YOU DID. 351 00:20:52,000 --> 00:20:56,000 SHE'S GOT A NICE BODY, PRETTY SMILE. 352 00:20:56,000 --> 00:21:00,000 SHE USES THAT TO GET WHAT SHE WANTS. OH, PLEASE. DO ME A FAVOR. 353 00:21:00,000 --> 00:21:02,000 YOU'RE A TARGET. YOU UNDERSTAND? 354 00:21:02,000 --> 00:21:05,000 YOU'RE FINANCIALLY SECURE. YOU COME FROM A GOOD FAMILY, 355 00:21:05,000 --> 00:21:07,000 AND YOU GOT A BRIGHT FUTURE AHEAD OF YOU. 356 00:21:07,000 --> 00:21:10,000 YOU MEAN SHE DOESN'T JUST LIKE ME FOR MY LOOKS? 357 00:21:10,000 --> 00:21:12,000 YOU GOT TOO MUCH TO LOSE, JUNIOR. 358 00:21:16,000 --> 00:21:18,000 FROM NOW ON, I WANT YOU TO TAKE ON MORE RESPONSIBILITY 359 00:21:18,000 --> 00:21:20,000 AT THE BUSINESS. 360 00:21:20,000 --> 00:21:23,000 THIS WEEK AT THE PARTY, I WANT YOU TO TAKE THE OPPORTUNITY TO NETWORK. 361 00:21:23,000 --> 00:21:24,000 MEET THE INVESTORS. 362 00:21:24,000 --> 00:21:26,000 FINE. WHATEVER. 363 00:21:26,000 --> 00:21:30,000 I CAN'T BELIEVE YOU LET A GIRL LIKE THAT DRIVE YOUR CAR. 364 00:21:30,000 --> 00:21:32,000 THERE'S A LOT MORE TO HER THAN YOU THINK, DAD, 365 00:21:32,000 --> 00:21:35,000 AND SHE DRIVES BETTER THAN I DO. [CHUCKLES] 366 00:22:00,000 --> 00:22:02,000 YOU KNOW I DIDN'T DO ANYTHING. 367 00:22:02,000 --> 00:22:06,000 YOU SHOULDN'T HAVE BEEN OUT WITH THOSE KIDS. YOU KNOW BETTER. 368 00:22:06,000 --> 00:22:09,000 I THOUGHT I WAS OUT OF JAIL. 369 00:22:09,000 --> 00:22:12,000 SOME WAYS, YOU ARE. SOME WAYS, YOU'RE NOT. 370 00:22:15,000 --> 00:22:16,000 HEY. 371 00:22:16,000 --> 00:22:19,000 I DIDN'T DO ANYTHING. EITHER DID KRIS. 372 00:22:19,000 --> 00:22:22,000 YOU HAD TO PUT YOUR TWO CENTS IN WITH BART BLITZER. 373 00:22:22,000 --> 00:22:24,000 YOU KNOW HOW FULL OF HIMSELF HE IS. 374 00:22:24,000 --> 00:22:27,000 HE WAS GONNA ARREST KRIS FOR NOTHING. YOU HAVE TO UNDERSTAND. 375 00:22:27,000 --> 00:22:29,000 KRIS IS NOT GONNA BE HELD TO THE SAME STANDARDS 376 00:22:29,000 --> 00:22:33,000 AS YOU AND YOUR FRIENDS, NOT FOR A LONG TIME. 377 00:22:33,000 --> 00:22:36,000 SHE'S ON PAROLE. WE KNOW WHY. SHE WAS SAVING WILDFIRE. 378 00:22:36,000 --> 00:22:38,000 STILL. 379 00:22:38,000 --> 00:22:41,000 I'M TRYING TO TELL YOU, 380 00:22:41,000 --> 00:22:45,000 DO NOT PUT HER IN SITUATIONS WHERE SHE'LL BE VULNERABLE. 381 00:22:45,000 --> 00:22:48,000 LET HER DO HER WORK. YOU DO YOUR WORK. 382 00:22:48,000 --> 00:22:50,000 YOU GOT COLLEGE COMING UP. 383 00:22:50,000 --> 00:22:52,000 WHAT DO YOU WANT ME TO DO? IGNORE HER? 384 00:22:52,000 --> 00:22:54,000 THAT'S NOT WHAT I'M SAYING. 385 00:22:54,000 --> 00:22:56,000 OKAY, OKAY, OKAY. NO-- 386 00:22:56,000 --> 00:22:58,000 FINE. GOOD NIGHT, MOM. 387 00:22:58,000 --> 00:23:00,000 [DOOR OPENS, CLOSES] 388 00:23:00,000 --> 00:23:03,000 [GROANS] 389 00:23:03,000 --> 00:23:05,000 [DANI] HOW WAS THE LOCKUP? 390 00:23:05,000 --> 00:23:07,000 YOU'RE SUCH A RIOT. [CHUCKLES] 391 00:23:07,000 --> 00:23:09,000 WHAT WAS THAT STUPID COP DOING THERE, ANYWAY? 392 00:23:09,000 --> 00:23:13,000 OH, YOU DIDN'T KNOW? HE GOES THERE PRETTY MUCH EVERY NIGHT 393 00:23:13,000 --> 00:23:15,000 AFTER HE PICKS UP HIS FOOD FROM THE DINER. WHAT? YOU KNEW? 394 00:23:15,000 --> 00:23:18,000 PLUS çA CHANGE, PLUS C'EST LA MEME CHOSE. 395 00:23:18,000 --> 00:23:21,000 WHAT ARE YOU SAYING? IT'S FRENCH FOR "SAME AS IT EVER WAS." 396 00:23:21,000 --> 00:23:23,000 MEN ALWAYS NEED TO MEASURE UP. 397 00:23:23,000 --> 00:23:26,000 WHETHER IT'S QUARTER MILE TIMES OR THE SIZE OF THEIR-- JUST STOP. 398 00:23:26,000 --> 00:23:29,000 KRIS COULD HAVE GONE BACK TO JAIL. WHY DON'T YOU LEAVE HER ALONE? 399 00:23:29,000 --> 00:23:31,000 MATT. 400 00:23:31,000 --> 00:23:32,000 YOU ARE SUCH A PSYCHO. 401 00:23:32,000 --> 00:23:35,000 IF HE WAS SO IN LOVE WITH YOU, HE WOULDN'T HAVE DUMPED YOU. 402 00:23:35,000 --> 00:23:37,000 OKAY, ROMEO. 403 00:23:37,000 --> 00:23:39,000 SO, WHAT'D BIG DADDY DO TO YOU? 404 00:23:39,000 --> 00:23:41,000 BLAH, BLAH. NOTHING. WHAT'D HE DO TO YOU? 405 00:23:41,000 --> 00:23:43,000 HE WOULDN'T EVEN HAVE NOTICED I WAS ALIVE, 406 00:23:43,000 --> 00:23:45,000 BUT THERE WERE FRENCH FRIES AND KETCHUP IN HIS BACKSEAT. 407 00:23:45,000 --> 00:23:48,000 SO I HAVE TO TAKE THE ESCALADE TO THE CAR WASH. POOR YOU. 408 00:24:13,000 --> 00:24:16,000 HE'S LOOKING AT YOU SQUARE ON. HE'S SAYING "KEEP YOUR DISTANCE." 409 00:24:16,000 --> 00:24:18,000 I WISH I COULD TELL HIM I DIDN'T LEAVE HIM. 410 00:24:18,000 --> 00:24:19,000 FOR THEM, IT'S ALL ABOUT TRUST. 411 00:24:19,000 --> 00:24:22,000 AND YOU'VE LOST HIS. WE ALL HAVE. 412 00:24:22,000 --> 00:24:24,000 YEAH, WELL, IT'S A MEAN WORLD. 413 00:24:24,000 --> 00:24:26,000 MAYBE HE'S RIGHT. 414 00:24:26,000 --> 00:24:28,000 MAYBE YOU SHOULDN'T TRUST EVERYONE THAT GIVES YOU A CARROT. 415 00:24:28,000 --> 00:24:30,000 DO YOU THINK THAT? I DON'T KNOW WHAT I THINK. 416 00:24:30,000 --> 00:24:32,000 MAYBE HE DOESN'T, EITHER. 417 00:24:32,000 --> 00:24:35,000 WHAT WOULD MAKE YOU TRUST SOMEONE? 418 00:24:35,000 --> 00:24:37,000 RESPECT. 419 00:24:38,000 --> 00:24:43,000 PEOPLE DOING WHAT THEY SAY THEY'LL DO. 420 00:24:43,000 --> 00:24:45,000 THERE YOU ARE. 421 00:24:45,000 --> 00:24:48,000 WHAT? ABOUT WILDFIRE? 422 00:24:48,000 --> 00:24:50,000 WHAT AM I SUPPOSED TO DO? 423 00:24:50,000 --> 00:24:51,000 NOTHING. 424 00:24:51,000 --> 00:24:55,000 RESPECT HIS FEAR. IF HE WANTS TO RUN, LET HIM RUN. 425 00:24:55,000 --> 00:24:58,000 IF HE WANTS TO STAND THERE ALL DAY, LET HIM STAND THERE. 426 00:24:58,000 --> 00:25:01,000 HE HAS TO LEARN YOU'RE HERE FOR HIM, NO MATTER WHAT HE DOES. 427 00:25:10,000 --> 00:25:13,000 ANYBODY HOME? 428 00:25:17,000 --> 00:25:19,000 HERE YOU ARE. LOOKS LIKE THERE'S ROOM. 429 00:25:19,000 --> 00:25:22,000 EXCUSE ME. I'M JEAN RITTER. I OWN THIS FARM. 430 00:25:22,000 --> 00:25:25,000 SORRY. CHARLIE HEWITT. 431 00:25:25,000 --> 00:25:28,000 DO YOU HAVE A HORSE? 432 00:25:28,000 --> 00:25:30,000 TWO-- UH, THREE. YOU DON'T KNOW? 433 00:25:30,000 --> 00:25:32,000 HORSES MAKE ME NERVOUS. [HORSE WHINNIES] 434 00:25:32,000 --> 00:25:36,000 BUT YOU HAVE TWO OR THREE. 435 00:25:36,000 --> 00:25:38,000 IT'S BECAUSE OF MY ACCOUNTANT. 436 00:25:38,000 --> 00:25:40,000 HE MADE ME BUY THEM. 437 00:25:40,000 --> 00:25:42,000 THEY'RE MUCH LARGER OFFSCREEN. 438 00:25:44,000 --> 00:25:47,000 COMPUTER SCREEN. I DEVELOPED DRONE. 439 00:25:47,000 --> 00:25:49,000 IT'S THIS LITTLE COMPUTER GAME. 440 00:25:49,000 --> 00:25:52,000 OH! OH! AND THERE ARE HORSES IN IT. 441 00:25:52,000 --> 00:25:54,000 YES! GOT IT. 442 00:25:54,000 --> 00:25:56,000 MY FOUR-LEGGED TAX WRITE-OFFS. 443 00:25:56,000 --> 00:26:00,000 DO YOU KNOW HOW TO MAKE A SMALL FORTUNE FROM BREEDING HORSES? HOW? 444 00:26:00,000 --> 00:26:03,000 START WITH A LARGE FORTUNE. 445 00:26:03,000 --> 00:26:05,000 JUST WHAT MY ACCOUNTANT SAID. 446 00:26:06,000 --> 00:26:08,000 HAVE YOU SEEN HENRY? 447 00:26:08,000 --> 00:26:09,000 I THINK HE'S GROOMING STETSON. 448 00:26:09,000 --> 00:26:11,000 TODD, THIS IS MR.-- 449 00:26:11,000 --> 00:26:13,000 HEWITT. 450 00:26:13,000 --> 00:26:16,000 HE WANTS TO BOARD A HORSE OR THREE. 451 00:26:16,000 --> 00:26:18,000 MAYBE FOUR IF I LOSE ENOUGH MONEY. 452 00:26:18,000 --> 00:26:20,000 THIS IS MY SON TODD. 453 00:26:20,000 --> 00:26:21,000 CALL ME CHARLIE. 454 00:26:21,000 --> 00:26:24,000 CHARLIE HEWITT? YOU INVENTED DRONE! 455 00:26:24,000 --> 00:26:28,000 OH, MY GOD. IT'S TAKEN ME MY WHOLE LIFE TO GET TO LEVEL SIX. 456 00:26:28,000 --> 00:26:30,000 DID YOU USE THE CHEAT? NOPE. 457 00:26:30,000 --> 00:26:34,000 YOU FOUGHT IT OUT? MY MAN. 458 00:26:34,000 --> 00:26:37,000 WEREN'T YOU LOOKING FOR YOUR GRANDFATHER? 459 00:26:37,000 --> 00:26:40,000 OH. YEAH. CHARLIE, I'LL SEE YOU AROUND, DUDE. SEE YA. 460 00:26:46,000 --> 00:26:50,000 WHAT'S THAT GIRL DOING OVER THERE? 461 00:26:50,000 --> 00:26:53,000 THERAPY FOR HORSES. 462 00:26:53,000 --> 00:26:55,000 THEY GET NERVOUS, TOO. 463 00:27:08,000 --> 00:27:11,000 HOW'S IT GOING? SHH. 464 00:27:21,000 --> 00:27:23,000 [BEEP] 465 00:27:23,000 --> 00:27:25,000 [BEEPING STOPS] SORRY. 466 00:27:45,000 --> 00:27:48,000 [HONKING] [WILDFIRE WHINNIES] 467 00:27:54,000 --> 00:27:56,000 HE'S USING THAT PORSCHE TO RUIN MY LIFE. 468 00:27:58,000 --> 00:28:00,000 SO WHERE'S BOBBY THE BOOKIE? 469 00:28:01,000 --> 00:28:04,000 WHAT'S WRONG WITH YOU? YOU'RE TODAY'S BIG WINNER. 470 00:28:04,000 --> 00:28:07,000 I'M THE ONE THAT SHOULD BE PISSED. I OWE. 471 00:28:07,000 --> 00:28:08,000 HELLO? 472 00:28:08,000 --> 00:28:10,000 DON'T PLAY AROUND WITH KRIS. 473 00:28:10,000 --> 00:28:12,000 TRANSLATE. 474 00:28:12,000 --> 00:28:14,000 I KNOW WHAT YOU WERE DOING, TAKING HER DOWN TO THE MEADOW. 475 00:28:14,000 --> 00:28:18,000 WAS THAT DANI'S BIG IDEA, OR DID YOU THINK THAT UP ALL BY YOURSELF? 476 00:28:18,000 --> 00:28:20,000 EXCUSE ME. I DO MY OWN THINKING. 477 00:28:20,000 --> 00:28:23,000 I DON'T NEED DANI TO TELL ME WHO'S HOT. 478 00:28:23,000 --> 00:28:25,000 SO WHAT IS IT? YOU'RE INTO HER? HOW WAS I SUPPOSED TO KNOW? 479 00:28:25,000 --> 00:28:28,000 YOU WERE HOOKED UP WITH DANI LAST TIME I CHECKED. IF YOU WANT KRIS-- 480 00:28:28,000 --> 00:28:29,000 SHE'S NOT LIKE OTHER GIRLS. 481 00:28:29,000 --> 00:28:31,000 LIKE I SAID. SHE'S MUCH HOTTER. 482 00:28:31,000 --> 00:28:34,000 LISTEN. SHE'S GOT A LOT TO LOSE. 483 00:28:34,000 --> 00:28:37,000 LEAVE HER ALONE. OKAY. SORRY I BLOCKED YOUR PLAY. 484 00:28:37,000 --> 00:28:39,000 YOU DIDN'T BLOCK MY PLAY. 485 00:28:39,000 --> 00:28:42,000 IF YOU BLOCKED MY PLAY, YOU'D KNOW ABOUT IT. 486 00:28:42,000 --> 00:28:45,000 ARE YOU CALLING ME OUT? 487 00:28:45,000 --> 00:28:47,000 MR. DAVIS. MR. RITTER. 488 00:28:47,000 --> 00:28:50,000 BOBBY. CONGRATULATIONS. 489 00:28:50,000 --> 00:28:52,000 THE BIG UNIT THREW A PERFECT GAME. 490 00:28:54,000 --> 00:28:56,000 YOU, MR. DAVIS, 491 00:28:56,000 --> 00:28:59,000 ARE MUCH LESS FORTUNATE THIS WEEK. 492 00:28:59,000 --> 00:29:01,000 EVEN THE EXPERTS GO DOWN ONCE IN AWHILE. 493 00:29:01,000 --> 00:29:03,000 HEY. [GROANS] 494 00:29:07,000 --> 00:29:09,000 INTRODUCTIONS. YEAH, FINE. 495 00:29:09,000 --> 00:29:11,000 BOBBY, DANI. DANI, BOBBY. MY SISTER. 496 00:29:11,000 --> 00:29:14,000 HI. HI. 497 00:29:14,000 --> 00:29:17,000 NICE FAMILY. DANI, JOIN US. 498 00:29:17,000 --> 00:29:19,000 YOU KNOW, I'D LOVE TO, BUT I HAVE TO RUN. 499 00:29:19,000 --> 00:29:22,000 THERE'S A PARTY AT OUR HOUSE TOMORROW. YOU SHOULD COME. 500 00:29:22,000 --> 00:29:24,000 THAT'S A BUSINESS PARTY. 501 00:29:24,000 --> 00:29:28,000 OUR DAD. HIS FRIENDS. BORING. 502 00:29:28,000 --> 00:29:30,000 SOUNDS ANYTHING BUT. 503 00:29:30,000 --> 00:29:33,000 I'M VERY MUCH INTERESTED IN MOVING INTO THE SUPPLY SIDE OF THE GAMING BUSINESS. 504 00:29:33,000 --> 00:29:37,000 WELL, GOOD. I'D LIKE THAT. I'LL SEE YOU THEN. 505 00:29:38,000 --> 00:29:41,000 BYE, MATT. 506 00:29:43,000 --> 00:29:45,000 SHE'S JUST TRYING TO MAKE MATT JEALOUS. 507 00:29:45,000 --> 00:29:47,000 CUT IT OUT. WE'RE NOT TOGETHER. 508 00:29:47,000 --> 00:29:50,000 I DON'T REALLY CARE. I'LL TAKE IT ANY WAY IT COMES. 509 00:29:54,000 --> 00:29:56,000 I'M INTERESTED IN THE RACING BIZ, TOO, OF COURSE. 510 00:30:11,000 --> 00:30:13,000 KEN DAVIS JUST CALLED. 511 00:30:13,000 --> 00:30:16,000 HE SAID HE'S GONNA BE SHOWING A COUPLE OF 2-YEAR-OLDS AT THE PARTY TOMORROW. 512 00:30:16,000 --> 00:30:19,000 WE CAN BRING STETSON AND ARGO. HE OFFERED TO HELP US SELL THEM. 513 00:30:19,000 --> 00:30:23,000 YOU SURE THAT'S THE ONLY REASON HE WANTS YOU THERE? 514 00:30:23,000 --> 00:30:25,000 I DOUBT IT. 515 00:30:25,000 --> 00:30:28,000 HE SAYS HE WANTS TO GIVE US A HAND. 516 00:30:28,000 --> 00:30:31,000 I'M INCLINED TO LET HIM DO IT. WE NEED THE MONEY. 517 00:30:54,000 --> 00:30:57,000 [WHINNYING] HEY. 518 00:31:04,000 --> 00:31:06,000 [MAKES KISSING SOUNDS] WHOA. 519 00:31:06,000 --> 00:31:07,000 KRIS, ARE YOU OKAY? 520 00:31:07,000 --> 00:31:09,000 YOU ALL RIGHT? YEAH. 521 00:31:11,000 --> 00:31:13,000 SORRY. 522 00:31:22,000 --> 00:31:24,000 ♪♪ [CLASSICAL] 523 00:31:30,000 --> 00:31:32,000 [WOMAN] HONEY, LOOK. OH, BEAUTIFUL. 524 00:31:34,000 --> 00:31:37,000 TELL HIM TO GIVE ME ABOUT TEN MINUTES. 525 00:31:37,000 --> 00:31:40,000 DO I HAVE TO BE HERE FOR A LONG TIME? 526 00:31:40,000 --> 00:31:42,000 I'LL HAVE RICARDO TAKE OVER WHEN HE'S DONE CLEANING UP, OKAY? 527 00:31:42,000 --> 00:31:44,000 OKAY. 528 00:31:52,000 --> 00:31:54,000 QUITE THE LITTLE SOIRéE. 529 00:31:54,000 --> 00:31:57,000 HARD TO BELIEVE THAT SOMEDAY ALL OF THIS WILL BE YOURS. 530 00:31:57,000 --> 00:32:01,000 I'LL TAKE THAT. NOT MINE. JUNIOR'S. LOOK AT THAT. 531 00:32:01,000 --> 00:32:04,000 GENTLEMEN, THIS IS MY SON KEN JUNIOR. 532 00:32:04,000 --> 00:32:08,000 IF I WERE TO RETIRE TOMORROW, I SWEAR HE COULD TAKE THE JOB RIGHT OFF MY HANDS. 533 00:32:08,000 --> 00:32:11,000 I HOPE THOSE HANDS WON'T BE LOOSENING THEIR GRIP ANY TIME SOON, DAD. 534 00:32:15,000 --> 00:32:17,000 MR. HEWITT. CHARLIE. 535 00:32:17,000 --> 00:32:19,000 CHARLIE, NICE TO SEE YOU HERE. 536 00:32:19,000 --> 00:32:21,000 WHO ARE ALL THESE PEOPLE? 537 00:32:21,000 --> 00:32:24,000 YOU'RE GONNA HAVE TO GET TO KNOW THEM AND FIND OUT. 538 00:32:24,000 --> 00:32:28,000 NAH. TOO MANY. IT WAS GREAT MEETING YOU. I DON'T WANT TO PUSH MY LUCK. 539 00:32:28,000 --> 00:32:31,000 OH. YOUR HORSES ARRIVED THIS MORNING. 540 00:32:31,000 --> 00:32:33,000 COOL! I'LL COME BY AND SEE 'EM. 541 00:32:33,000 --> 00:32:35,000 DO I HAVE TO GIVE THEM NAMES OR ANYTHING? 542 00:32:35,000 --> 00:32:37,000 I'M SORRY. 543 00:32:37,000 --> 00:32:39,000 HEY, WHAT'S THE JOKE? 544 00:32:39,000 --> 00:32:42,000 DO THOSE HORSES YOU SOLD ME HAVE NAMES? 545 00:32:42,000 --> 00:32:44,000 WAIT A MINUTE. 546 00:32:44,000 --> 00:32:47,000 YOU SOLD CHARLIE THE HORSES? WHY DIDN'T YOU JUST KEEP THEM HERE? 547 00:32:47,000 --> 00:32:50,000 I THOUGHT CHARLIE MIGHT WANT TO BOARD WITH YOU. 548 00:32:50,000 --> 00:32:51,000 YOU HAD SEVERAL OPEN STALLS. 549 00:32:51,000 --> 00:32:53,000 THAT'S VERY THOUGHTFUL OF YOU. 550 00:32:53,000 --> 00:32:55,000 WE'VE BEEN FRIENDS A LONG TIME, JEAN. 551 00:32:55,000 --> 00:32:57,000 HAPPY TO HELP OUT. 552 00:32:57,000 --> 00:32:59,000 EVERYBODY HERE KNOWS EVERYBODY ELSE. 553 00:32:59,000 --> 00:33:02,000 NOW WE KNOW YOU. SEE HOW THIS WORKS? 554 00:33:02,000 --> 00:33:04,000 [LAUGHS] 555 00:33:07,000 --> 00:33:09,000 WELL, WE'LL ALL HAVE TO GET TOGETHER SOON SOME TIME. 556 00:33:09,000 --> 00:33:10,000 YEAH. EXCUSE ME. 557 00:33:10,000 --> 00:33:12,000 SEE YA. 558 00:33:13,000 --> 00:33:16,000 YOU'RE SEEING THAT GUY? NOPE. 559 00:33:16,000 --> 00:33:18,000 LET'S GET A DRINK. 560 00:33:18,000 --> 00:33:21,000 EXCELLENT IDEA. 561 00:33:24,000 --> 00:33:26,000 KRIS, CAN WE TALK? 562 00:33:26,000 --> 00:33:28,000 SURE. 563 00:33:28,000 --> 00:33:31,000 I JUST WANT TO SAY I'M NOT SEEING DANI. 564 00:33:31,000 --> 00:33:34,000 WE BROKE UP THE DAY WE WERE ARRESTED. 565 00:33:34,000 --> 00:33:35,000 WHY DID YOU DO THAT? 566 00:33:35,000 --> 00:33:38,000 'CAUSE IT WASN'T FAIR TO HER. 567 00:33:38,000 --> 00:33:41,000 ALL I DO IS THINK ABOUT YOU. 568 00:33:41,000 --> 00:33:44,000 IF IT HADN'T BEEN FOR ME RUNNING AWAY AS I SAW YOUR BROTHER, 569 00:33:44,000 --> 00:33:47,000 IT WOULD BE A LITTLE DIFFERENT. 570 00:33:47,000 --> 00:33:49,000 IT DOESN'T MATTER. WE CAN'T DO THIS. 571 00:33:49,000 --> 00:33:51,000 I'M HERE TO WORK. THAT'S WHAT MY MOTHER SAID. 572 00:33:51,000 --> 00:33:53,000 AND YOU SHOULD LISTEN TO HER. 573 00:33:53,000 --> 00:33:55,000 I DON'T WANT TO. 574 00:33:55,000 --> 00:33:56,000 DID YOU LISTEN TO WHAT YOUR MOTHER SAYS? 575 00:33:56,000 --> 00:33:59,000 MATT, LISTEN, YOU'RE A GOOD GUY. 576 00:33:59,000 --> 00:34:01,000 I MEAN IT. 577 00:34:01,000 --> 00:34:04,000 I'VE NEVER MET SOMEONE LIKE YOU BEFORE. 578 00:34:04,000 --> 00:34:07,000 AND IT KINDA SCARES ME 579 00:34:07,000 --> 00:34:10,000 BECAUSE I COULD REALLY CARE ABOUT YOU. 580 00:34:10,000 --> 00:34:11,000 IF THAT'S TRUE-- LISTEN. 581 00:34:13,000 --> 00:34:17,000 GUYS THAT I'VE BEEN WITH ARE LIKE JUNIOR. 582 00:34:17,000 --> 00:34:22,000 NOT THE RICH PART, BUT I KNOW WHAT THEY'RE IN IT FOR. 583 00:34:22,000 --> 00:34:26,000 I KNOW HOW TO HANDLE THEM, BUT NOT YOU. 584 00:34:26,000 --> 00:34:29,000 PROMISE ME YOU'LL LEAVE THIS ALONE. 585 00:34:33,000 --> 00:34:36,000 I CAN'T PROMISE THAT. MATT, YOU HAVE TO. 586 00:34:36,000 --> 00:34:38,000 THIS ISN'T SOME HIGH SCHOOL DRAMA. IT'S MY LIFE. 587 00:34:38,000 --> 00:34:41,000 WILL YOU PLEASE GO? 588 00:34:42,000 --> 00:34:44,000 I HAVE TO STAY HERE WITH THE HORSES. 589 00:34:56,000 --> 00:34:59,000 AND THERE HE GOES. YOU WANNA USE ME TO MAKE HIM JEALOUS. 590 00:34:59,000 --> 00:35:01,000 WHO, MATT? I DON'T CARE WHAT HE THINKS. 591 00:35:01,000 --> 00:35:05,000 THEN THE COAST IS CLEAR. I'M AMBER. 592 00:35:05,000 --> 00:35:08,000 AND WHAT A FINE LITTLE AMBER YOU ARE, TOO. 593 00:35:08,000 --> 00:35:11,000 YOU DONE WITH THAT? 594 00:35:11,000 --> 00:35:13,000 IT'S ICE WATER. 595 00:35:14,000 --> 00:35:16,000 HOW ABOUT AN INTRODUCTION TO DAD? 596 00:35:16,000 --> 00:35:19,000 YOU WANNA USE ME TO GET CLOSE TO MY FATHER? 597 00:35:19,000 --> 00:35:21,000 YOU'RE GONNA HAVE TO BE REALLY, REALLY NICE FIRST. 598 00:35:28,000 --> 00:35:29,000 STILL WORKING? 599 00:35:29,000 --> 00:35:32,000 I'M DONE. I'M GOING HOME. 600 00:35:32,000 --> 00:35:35,000 I'VE GOTTA TELL YOU SOMETHING. I'M REALLY SORRY ABOUT GETTING YOU BUSTED THE OTHER NIGHT. 601 00:35:35,000 --> 00:35:38,000 FORGET ABOUT IT. THERE'S MORE. 602 00:35:38,000 --> 00:35:40,000 WHEN I TOOK YOU TO THE MEADOW, IT WAS STUPID. 603 00:35:40,000 --> 00:35:42,000 I SHOULD HAVE WAITED TILL I KNEW YOU BETTER. 604 00:35:42,000 --> 00:35:44,000 AND EVEN IF DANI PUT ME UP TO IT, 605 00:35:44,000 --> 00:35:48,000 I WANT YOU TO KNOW I REALLY LIKE YOU. DANI? 606 00:35:48,000 --> 00:35:51,000 I DIDN'T REALIZE WHAT WAS GONNA HAPPEN IN THE DRAG RACE, SO I'M SORRY. 607 00:35:51,000 --> 00:35:53,000 WHAT ARE YOU SAYING? THE DRAG RACE. 608 00:35:53,000 --> 00:35:56,000 SHE KNEW THE COP WOULD COME AFTER US. I DIDN'T. 609 00:35:56,000 --> 00:36:00,000 REALLY? SO DANI KNEW. 610 00:36:00,000 --> 00:36:02,000 HEY, I'M JUST WARNING YOU. HOLD ON A SECOND. 611 00:36:02,000 --> 00:36:04,000 LISTEN TO ME. KRIS, WAIT. 612 00:36:04,000 --> 00:36:08,000 NOW THE CHARGE WAS RESISTING ARREST, BUT I HEARD SHE DID QUITE A BIT OF DAMAGE-- 613 00:36:08,000 --> 00:36:12,000 WHAT ARE YOU TRYING TO DO TO ME? 614 00:36:12,000 --> 00:36:16,000 IS THIS THE WAY PEOPLE ENTER CONVERSATIONS AT THE EXCLUSIVE CAMP LAGRANGE PARTIES? 615 00:36:16,000 --> 00:36:17,000 [BOTH GASP] 616 00:36:19,000 --> 00:36:21,000 [LAUGHING] 617 00:36:48,000 --> 00:36:52,000 [VOICE CRACKING] I'M SAYING GOOD-BYE! NOT THAT YOU GET IT. 618 00:36:52,000 --> 00:36:55,000 BUT YOU'LL NOTICE I'M GONE. 619 00:36:57,000 --> 00:36:59,000 PEOPLE SEEM SO NICE, 620 00:36:59,000 --> 00:37:02,000 AND THEN YOU GO OUT OF YOUR WAY FOR THEM ONLY TO BLOW IT. 621 00:37:02,000 --> 00:37:05,000 AND THEN YOU END UP ON YOUR OWN AGAIN. 622 00:37:05,000 --> 00:37:08,000 I DON'T KNOW. MAYBE IT'S JUST THE WAY IT GOES. 623 00:37:09,000 --> 00:37:14,000 BUT I LOVE YOU, FOR WHATEVER IT'S WORTH. 624 00:37:35,000 --> 00:37:37,000 GO AWAY. 625 00:37:37,000 --> 00:37:40,000 DAD TELLS ME YOU'RE PRESSING CHARGES AGAINST KRIS. 626 00:37:40,000 --> 00:37:42,000 JUSTICE MUST BE SERVED. 627 00:37:42,000 --> 00:37:46,000 THAT BITCH BELONGS IN JAIL. LOOK AT ME. EVEN DAD HAD TO NOTICE. 628 00:37:46,000 --> 00:37:50,000 YES, WELL, I SUGGEST YOU TELL HIM TO WITHDRAW HIS ATTENTION. 629 00:37:50,000 --> 00:37:53,000 EVEN IF YOU HAD TO RUIN KRIS' LIFE TO GET IT. 630 00:37:53,000 --> 00:37:56,000 LET ME BE CLEAR. I WILL PRESS CHARGES AGAINST HER FOR ASSAULT. 631 00:37:56,000 --> 00:37:58,000 NOTHING YOU CAN SAY WILL STOP ME. 632 00:37:58,000 --> 00:38:01,000 EVEN WHEN I TELL DAD YOU SPENT A FUN-FILLED WEEKEND IN CABO 633 00:38:01,000 --> 00:38:03,000 WITH HIS FRIEND CAL BEASLEY? 634 00:38:03,000 --> 00:38:06,000 DAD GOT A $100,000 SYNDICATE INVESTMENT AS THANKS FOR THAT WEEKEND. 635 00:38:06,000 --> 00:38:10,000 DID HE KNOW IT WAS BECAUSE YOU WERE NAILING HIS PAL FROM THE CLUB? 636 00:38:10,000 --> 00:38:14,000 HE WOULDN'T CARE. OKAY, I'LL GO TELL HIM, SEE WHAT HE SAYS. 637 00:38:14,000 --> 00:38:15,000 DON'T YOU DARE! 638 00:38:15,000 --> 00:38:19,000 OR...YOU CAN CALL THIS WHOLE THING WITH KRIS 639 00:38:19,000 --> 00:38:22,000 AN UNFORTUNATE MISUNDERSTANDING. 640 00:38:25,000 --> 00:38:27,000 I HATE YOU. I KNEW YOU'D UNDERSTAND. 641 00:38:27,000 --> 00:38:29,000 [CLICKS TONGUE] 642 00:38:32,000 --> 00:38:34,000 YEAH. BYE-BYE. 643 00:38:35,000 --> 00:38:36,000 THAT WAS JUNIOR DAVIS. 644 00:38:36,000 --> 00:38:40,000 HE TOLD ME THAT DANI IS NOT GONNA PRESS CHARGES. 645 00:38:40,000 --> 00:38:44,000 GOOD. I'M SURPRISED SOMEBODY HASN'T CLOCKED DANI DAVIS BEFORE NOW. 646 00:38:44,000 --> 00:38:46,000 DAD! 647 00:38:46,000 --> 00:38:49,000 KEN DAVIS COULD STILL SUE. I MEAN, MY GOD, HIS CHILD WAS ASSAULTED. 648 00:38:49,000 --> 00:38:54,000 WELL, YOU KNOW THAT HE WON'T. 649 00:38:54,000 --> 00:38:57,000 WHAT ABOUT KRIS? WHAT ABOUT HER? 650 00:38:57,000 --> 00:38:59,000 YOU KNOW, EVEN IF SHE HAD A GOOD REASON, 651 00:38:59,000 --> 00:39:02,000 SHE CANNOT GO AROUND PUNCHING PEOPLE IN THE FACE. 652 00:39:02,000 --> 00:39:07,000 REALLY? IT SEEMS THAT I RECALL, UH, KATIE ANDERSON 653 00:39:07,000 --> 00:39:09,000 GOING HOME WITH A TORN DRESS 654 00:39:09,000 --> 00:39:12,000 AFTER SHE SPREAD FALSE GOSSIP ABOUT YOU. 655 00:39:12,000 --> 00:39:17,000 YEAH. THAT WAS HIGH SCHOOL. AND I DIDN'T MEAN TO TEAR HER DRESS. 656 00:39:17,000 --> 00:39:19,000 [CHUCKLES] NO, YOU MEANT TO BREAK HER ARM. 657 00:39:19,000 --> 00:39:22,000 IT WAS DIFFERENT. YOU THINK SO? 658 00:39:23,000 --> 00:39:25,000 YES! 659 00:39:37,000 --> 00:39:38,000 [WOMAN] ♪ FADE SLOWLY ♪ 660 00:39:38,000 --> 00:39:41,000 ♪ NIGHT WITHOUT A DAY ♪ 661 00:39:41,000 --> 00:39:43,000 ♪ USED TO THE PAIN ♪ 662 00:39:48,000 --> 00:39:50,000 ♪ YOU DON'T KNOW ♪ 663 00:39:50,000 --> 00:39:52,000 ♪ IF YOU'LL EVER BE THE SAME ♪ 664 00:39:52,000 --> 00:39:55,000 ♪ YOU'D GIVE EVERYTHING ♪ 665 00:39:58,000 --> 00:40:01,000 ♪ YOU DON'T REMEMBER INNOCENCE ♪ 666 00:40:01,000 --> 00:40:04,000 ♪ NOBODY'S HANDING YOU A SECOND CHANCE ♪ 667 00:40:04,000 --> 00:40:08,000 ♪ DON'T CLOSE YOUR EYES ♪ 668 00:40:08,000 --> 00:40:11,000 ♪ I WON'T LET YOU BE ALONE ♪♪ [KNOCKING] 669 00:40:17,000 --> 00:40:19,000 [CLEARS THROAT] 670 00:40:19,000 --> 00:40:21,000 MAY I SIT DOWN? 671 00:40:23,000 --> 00:40:26,000 NO, NO, NO. YOU TOO. 672 00:40:30,000 --> 00:40:32,000 I WANT YOU TO KNOW 673 00:40:32,000 --> 00:40:35,000 I SHOULD FIRE YOU FOR WHAT HAPPENED YESTERDAY. 674 00:40:35,000 --> 00:40:38,000 BUT JUNIOR DAVIS TOLD ME WHAT HIS SISTER DID TO YOU. 675 00:40:38,000 --> 00:40:39,000 I SHOULDN'T HAVE HIT HER. 676 00:40:39,000 --> 00:40:42,000 YEAH, THAT'S RIGHT. I DIDN'T KNOW WHAT ELSE TO DO. 677 00:40:42,000 --> 00:40:44,000 YOU COME TO ME. 678 00:40:49,000 --> 00:40:51,000 IT'S HARD FOR YOU TO TRUST ME, ISN'T IT? 679 00:40:51,000 --> 00:40:53,000 YEAH, IT IS. 680 00:40:55,000 --> 00:40:59,000 WELL, YOU'RE JUST GONNA HAVE TO TAKE A CHANCE. 681 00:41:01,000 --> 00:41:02,000 I'M HERE. 682 00:41:04,000 --> 00:41:06,000 I'M TELLING YOU THAT. 683 00:41:16,000 --> 00:41:18,000 YOU GOT TIME. 684 00:41:21,000 --> 00:41:23,000 YOU'RE SAFE NOW, KRIS. 685 00:41:30,000 --> 00:41:33,000 OKAY, THEN, UM, 686 00:41:33,000 --> 00:41:36,000 YOU GOT SOME UNPACKING TO DO, RIGHT? 687 00:41:36,000 --> 00:41:39,000 RIGHT. RIGHT. 688 00:41:39,000 --> 00:41:40,000 THANK YOU. 689 00:42:49,000 --> 00:42:51,000 [NEIGHING] 690 00:43:17,000 --> 00:43:27,000 [LAUGHING]