1 00:00:00,000 --> 00:00:17,000 SUBTITLES SYNCED BY YOSHI224 FOR THE BEAUTIFUL ANGEL TWEETIE PIE (ANNA-MARIA) 2 00:00:17,858 --> 00:00:19,382 BOY: Listen. 3 00:00:22,096 --> 00:00:23,893 Can you hear it? 4 00:00:26,733 --> 00:00:28,291 The music. 5 00:00:30,971 --> 00:00:33,235 I can hear it everywhere. 6 00:00:35,809 --> 00:00:37,572 In the wind... 7 00:00:39,213 --> 00:00:41,010 ...in the air... 8 00:00:43,150 --> 00:00:44,947 ...in the light. 9 00:00:50,691 --> 00:00:52,784 It's all around us. 10 00:01:02,636 --> 00:01:06,299 All you have to do is open yourself up. 11 00:01:16,817 --> 00:01:18,842 All you have to do... 12 00:01:19,920 --> 00:01:21,751 ...is listen. 13 00:01:33,033 --> 00:01:35,661 [MARK MANCINA'S ''WHEATFIELDS'' PLAYING] 14 00:02:11,505 --> 00:02:15,373 HeIIo, Porky. Where's your IittIe friend? 15 00:02:15,542 --> 00:02:18,739 -I don't know, Mr. Mannix. -Go find him or your big butt's mine. 16 00:02:20,414 --> 00:02:21,608 AUGUST: Where I've grown up-- 17 00:02:21,782 --> 00:02:22,806 Evan! 18 00:02:25,385 --> 00:02:26,409 PETER: Evan! 19 00:02:26,587 --> 00:02:29,249 --they tried to stop me from hearing the music. 20 00:02:33,427 --> 00:02:35,452 But when I'm alone... 21 00:02:37,764 --> 00:02:40,130 ...it builds up from inside me. 22 00:02:42,502 --> 00:02:44,800 And I think if I could learn how to play it... 23 00:02:49,710 --> 00:02:51,041 ...they might hear me. 24 00:02:53,413 --> 00:02:55,643 They would know I was theirs... 25 00:02:57,117 --> 00:02:58,914 ...and find me. 26 00:03:00,954 --> 00:03:02,945 MANNIX: Knock, knock. 27 00:03:03,123 --> 00:03:05,182 BO Y 1 : Knock, knock. MANNIX: Knock, knock. 28 00:03:05,359 --> 00:03:06,519 -Knock, knock. BO Y 2: Wake up. 29 00:03:06,693 --> 00:03:08,558 MANNIX: Who's there? Who's there? 30 00:03:09,596 --> 00:03:12,759 Freak. Freak. 31 00:03:14,301 --> 00:03:17,498 -Said, knock, knock, freak. -Who's there? 32 00:03:17,671 --> 00:03:20,504 Your Iong-Iost mommy and daddy. 33 00:03:22,042 --> 00:03:23,703 Can you hear them? 34 00:03:24,711 --> 00:03:26,372 Yes. 35 00:03:30,851 --> 00:03:32,682 No, you can't. 36 00:03:33,487 --> 00:03:34,818 I can. 37 00:03:39,626 --> 00:03:42,322 You don't have no famiIy. 38 00:03:43,030 --> 00:03:45,191 You can't hear anything. 39 00:03:45,666 --> 00:03:47,133 Say it. 40 00:03:49,169 --> 00:03:50,932 -Say it. BO Y 1 : Say it. Say it. 41 00:03:51,104 --> 00:03:53,004 MANNIX: Say it. BO Y 2: Say it. 42 00:03:53,173 --> 00:03:54,299 MANNIX: Say it. BO Y 1 : Say it. 43 00:03:54,474 --> 00:03:56,203 Say it. 44 00:03:57,244 --> 00:03:58,711 Yes... 45 00:03:59,446 --> 00:04:00,470 ...I can. 46 00:04:02,549 --> 00:04:04,710 He doesn't hear anything. 47 00:04:05,352 --> 00:04:06,683 BO Y 3: Yeah. 48 00:04:08,055 --> 00:04:09,283 What is he? 49 00:04:10,791 --> 00:04:12,349 He's a freak. 50 00:04:16,029 --> 00:04:18,657 MANNIX: Sweet dreams, freaks. BO Y 2: SIeep tight. 51 00:04:18,832 --> 00:04:21,323 -Good night. BO Y 1 : Don't Iet the bed bugs bite. 52 00:04:26,940 --> 00:04:29,204 Sometimes the world tries to knock it out of you. 53 00:04:33,313 --> 00:04:35,304 But I believe in music... 54 00:04:35,482 --> 00:04:38,679 ...the way that some people believe in fairy tales. 55 00:04:50,997 --> 00:04:56,492 I like to imagine that what I hear came from my mother and father. 56 00:05:14,788 --> 00:05:16,949 Maybe the notes I hear... 57 00:05:17,124 --> 00:05:21,891 ...are the same ones they heard the night they met. 58 00:05:23,497 --> 00:05:26,625 Maybe that's how they found each other. 59 00:05:29,503 --> 00:05:31,733 Maybe that's how they'll find me. 60 00:05:31,905 --> 00:05:32,894 [BANGING ON DOOR] 61 00:05:33,073 --> 00:05:35,405 MAN: Louis. Louie, where are you? 62 00:05:35,575 --> 00:05:38,237 -LyIa? She's here. What are you doing? LYLA: Dad. 63 00:05:38,412 --> 00:05:41,870 They're waiting for us. Hey, sit up straight, pIease. 64 00:05:42,048 --> 00:05:44,608 Where are you, baby bro? 65 00:05:44,785 --> 00:05:48,050 We didn't foIIow you from San Francisco to pIay for free, man. Yeah? 66 00:05:48,221 --> 00:05:51,554 We need this one, baby bro. AII right? I need this one. 67 00:05:51,725 --> 00:05:53,556 THOMAS: Don't forget to smiIe and Iook reIaxed. 68 00:05:55,462 --> 00:05:57,657 AII right, not that reIaxed. Come on, come on. 69 00:06:01,134 --> 00:06:03,898 I believe that, once upon a time... 70 00:06:04,538 --> 00:06:06,267 ...long ago... 71 00:06:07,574 --> 00:06:10,975 ...they heard the music and followed it. 72 00:06:16,917 --> 00:06:21,945 [MARK MANCINA'S ''MAIN TITLE'' PLAYING] 73 00:06:34,868 --> 00:06:41,831 [SYMPHONY PLAYING JOHANN SEBASTIAN BACH'S ''PRELUDE FROM PARTITA NO. 3''] 74 00:07:09,002 --> 00:07:11,994 [BAND PLAYING JOHN ONDRASIK'S ''BREAK''] 75 00:07:19,246 --> 00:07:20,838 [SINGING] I break 76 00:07:21,982 --> 00:07:23,677 I borrow 77 00:07:24,718 --> 00:07:26,652 I live 78 00:07:27,454 --> 00:07:30,014 I lose 79 00:07:30,190 --> 00:07:31,748 I pray 80 00:07:33,026 --> 00:07:35,586 I'm hollow 81 00:07:35,762 --> 00:07:40,199 I'm dead confused 82 00:07:40,767 --> 00:07:43,497 I'll find you 83 00:07:47,173 --> 00:07:52,509 Once you're here, you're never gone Once you're here, you're never gone 84 00:07:52,679 --> 00:07:58,174 Fallen from a night of cold A piece of me that I can't hold 85 00:07:58,351 --> 00:08:03,550 I love you as I lose you more I break outside this open door 86 00:08:03,723 --> 00:08:08,626 Catch me as I wash away You'll catch me as I wash away 87 00:08:09,262 --> 00:08:11,753 Well, catch me as I wash away 88 00:08:17,304 --> 00:08:18,828 Oh, oh 89 00:08:19,005 --> 00:08:20,905 Oh 90 00:08:22,876 --> 00:08:24,571 Yeah 91 00:08:25,645 --> 00:08:27,112 Don't 92 00:08:27,280 --> 00:08:31,046 Don't wait, don't wait 93 00:08:33,119 --> 00:08:35,246 I break 94 00:08:35,956 --> 00:08:39,858 [CROWD APPLAUDING] 95 00:09:01,848 --> 00:09:03,713 [DANIEL LEVY'S ''THE SWAN'' PLAYING ON SPEAKERS] 96 00:09:03,950 --> 00:09:07,078 MAN: Not bad, ConneIIy. Not bad. -Thanks very much, man. 97 00:09:07,253 --> 00:09:08,481 Where's the main man? 98 00:09:09,255 --> 00:09:11,450 Goddamn it, Louis. Just wait, man. 99 00:09:13,226 --> 00:09:16,787 Louis? Louis, wait up, man. 100 00:09:20,000 --> 00:09:23,128 LIZZY: GirIs, we are going to a party tonight. 101 00:09:23,303 --> 00:09:25,533 It's a fuII moon, you know what that means, right? 102 00:09:25,705 --> 00:09:27,297 [WOMEN SCREAM] 103 00:09:28,975 --> 00:09:31,273 [MARK MANCINA'S ''CONFESSIONS OF LO VE'' PLAYING ON SPEAKERS] 104 00:09:37,684 --> 00:09:39,276 LIZZY: LyIa. 105 00:09:49,863 --> 00:09:52,263 [HARMONICA PLAYS ''MOONDANCE'' IN DISTANCE] 106 00:10:23,730 --> 00:10:26,198 LOUIS: It's a great sound, isn't it? 107 00:10:27,667 --> 00:10:29,726 What are you doing? 108 00:10:29,903 --> 00:10:31,530 Listening. 109 00:10:34,240 --> 00:10:35,571 What are you doing? 110 00:10:38,111 --> 00:10:42,707 -I just came up here to, um.... -Get away? 111 00:10:47,787 --> 00:10:49,516 Have a seat. 112 00:10:49,689 --> 00:10:53,056 Come on, be brave. 113 00:10:53,226 --> 00:10:55,194 Front row, center. 114 00:11:20,620 --> 00:11:22,212 Can you hear that? 115 00:11:22,956 --> 00:11:24,787 What is that? 116 00:11:25,225 --> 00:11:26,954 It's a wish. 117 00:11:35,935 --> 00:11:38,062 Now, what does that sound Iike? 118 00:11:39,239 --> 00:11:43,972 [SINGING] Well, it's a marvelous night For a moondance 119 00:11:44,144 --> 00:11:48,080 With the stars up above in your eyes 120 00:11:48,982 --> 00:11:53,043 A fantabulous night to make romance 121 00:11:53,520 --> 00:11:57,980 'Neath the cover of October skies 122 00:11:59,058 --> 00:12:01,049 When I was a young feIIow... 123 00:12:01,895 --> 00:12:04,193 ...I used to taIk to the moon. 124 00:12:05,498 --> 00:12:07,125 Are you making that up? 125 00:12:09,302 --> 00:12:11,293 God, I haven't done that in a Iong time. 126 00:12:14,541 --> 00:12:17,135 Does it ever taIk back? 127 00:12:18,711 --> 00:12:20,770 WeII, it used to. 128 00:12:22,482 --> 00:12:25,940 Now I just find myseIf on a roof taIking to myseIf... 129 00:12:26,119 --> 00:12:28,610 ...Iike a Ioon. 130 00:12:30,890 --> 00:12:34,917 Just out here on me own. 131 00:12:37,363 --> 00:12:39,194 WeII, I'm here. 132 00:12:41,701 --> 00:12:43,760 Yes, you are. 133 00:12:52,612 --> 00:12:54,136 I'm Louis. 134 00:12:56,616 --> 00:12:58,311 LyIa. 135 00:12:58,985 --> 00:13:01,146 So, what's your story, LyIa? 136 00:13:03,523 --> 00:13:05,889 I don't know. I'm just, um.... 137 00:13:08,761 --> 00:13:10,991 I'm just me. 138 00:13:17,837 --> 00:13:19,737 What are you Iooking at? 139 00:13:21,074 --> 00:13:22,564 You. 140 00:14:09,289 --> 00:14:11,052 [MARK MANCINA'S ''5-NOTE WINDCHIMES'' PLAYING] 141 00:14:19,866 --> 00:14:21,390 MAN: Next. 142 00:14:22,468 --> 00:14:24,402 What did he want? What did you say? 143 00:14:24,570 --> 00:14:27,266 You know, same oId junk. New guy. 144 00:14:29,175 --> 00:14:30,699 My name is Mr. Jeffries. 145 00:14:30,877 --> 00:14:33,971 I'm with ChiId Services for the state of New York. 146 00:14:34,147 --> 00:14:35,671 [WIND CHIMES TINKLE] 147 00:14:35,848 --> 00:14:37,873 Okay, Evan. 148 00:14:38,051 --> 00:14:42,488 Born December 1 7th, 1 995. 149 00:14:42,655 --> 00:14:45,988 LegaI adoption to New York ChiIdren's. 150 00:14:47,060 --> 00:14:49,119 [WHISTLING] 151 00:14:50,163 --> 00:14:51,790 How Iong have you been here, Evan? 152 00:14:52,131 --> 00:14:53,996 EIeven years and sixteen days. 153 00:14:56,269 --> 00:14:57,793 I've been counting. 154 00:14:59,205 --> 00:15:00,672 That's a Iong time. 155 00:15:01,274 --> 00:15:04,209 -How do you do that? -Do what? 156 00:15:04,377 --> 00:15:06,470 [BLOWS] 157 00:15:09,048 --> 00:15:11,516 WeII, it's just imitating the wind chimes. 158 00:15:11,684 --> 00:15:13,345 [BLOWS] 159 00:15:14,153 --> 00:15:16,383 [WHISTLES] 160 00:15:16,556 --> 00:15:19,150 [WHISTLES] 161 00:15:20,360 --> 00:15:21,884 [CHUCKLES] 162 00:15:24,964 --> 00:15:27,797 You don't wanna be pIaced with a reaI famiIy? 163 00:15:27,967 --> 00:15:31,232 -I have a famiIy. -Yes, you do. 164 00:15:31,404 --> 00:15:34,737 I mean, you have parents and aII, but they don't Iive with you. 165 00:15:34,907 --> 00:15:36,067 Not now. 166 00:15:36,509 --> 00:15:40,309 But stiII, you don't have contact with them. 167 00:15:40,480 --> 00:15:43,938 -Yes, I do. -You do? 168 00:15:47,987 --> 00:15:49,215 What, do they caII you? 169 00:15:51,691 --> 00:15:52,919 Come and visit you? 170 00:15:53,393 --> 00:15:54,655 -Send--? -I.... 171 00:15:57,530 --> 00:15:59,691 I don't wanna be sent away. 172 00:16:02,668 --> 00:16:04,602 I understand. 173 00:16:06,472 --> 00:16:09,168 You see, there's a Iot of chiIdren... 174 00:16:09,342 --> 00:16:12,038 ...who are scared that if they Ieave their first home... 175 00:16:12,211 --> 00:16:14,543 ...their parents wouId never be abIe to find them. 176 00:16:15,648 --> 00:16:17,206 Right? 177 00:16:17,817 --> 00:16:19,546 But see, my job is to make sure... 178 00:16:19,719 --> 00:16:23,155 ...that nothing Iike that wiII ever happen to you. 179 00:16:23,322 --> 00:16:26,450 So there's nothing to be scared of. 180 00:16:28,061 --> 00:16:29,756 Thank you. 181 00:16:36,069 --> 00:16:38,697 I'm gonna do something I never do. 182 00:16:39,906 --> 00:16:42,101 This is my number. 183 00:16:42,275 --> 00:16:46,473 If you ever need to taIk to me, about anything... 184 00:16:48,081 --> 00:16:49,571 ...you caII. 185 00:16:49,749 --> 00:16:52,240 Think about what I said too. 186 00:16:52,852 --> 00:16:56,879 There's a whoIe worId out there with miIIions of wind chimes. 187 00:16:57,490 --> 00:16:58,821 I know. 188 00:17:06,432 --> 00:17:07,763 You can go now. 189 00:17:18,544 --> 00:17:21,240 PETER: Mannix says we're never gonna see our real parents again. 190 00:17:21,414 --> 00:17:23,541 Mannix is a big Iiar. 191 00:17:24,350 --> 00:17:27,513 Yeah, I know. But what if he's right? 192 00:17:27,687 --> 00:17:30,884 I mean, what if they don't ever come? 193 00:17:31,057 --> 00:17:33,992 HardIy remember what my mom Iooks Iike, you know? 194 00:17:34,460 --> 00:17:40,626 WeII, if they don't find us, we'II just have to go find them. 195 00:17:46,372 --> 00:17:49,967 [VAN MORRISON'S ''MOONDANCE'' PLAYING] 196 00:18:13,733 --> 00:18:14,825 [CORK POPS] 197 00:18:15,001 --> 00:18:15,990 [LYLA SCREAMS] 198 00:18:16,169 --> 00:18:17,397 [MEN CHEER] 199 00:18:18,037 --> 00:18:19,026 [LAUGHING] 200 00:18:20,406 --> 00:18:21,464 LYLA: Oh, my God. -Morning. 201 00:18:21,641 --> 00:18:23,006 -How's it going? LYLA: Oh, my God. 202 00:18:23,176 --> 00:18:24,473 Get away. 203 00:18:24,644 --> 00:18:25,872 [LAUGHING] 204 00:18:26,045 --> 00:18:27,273 LYLA: I have to go. 205 00:18:27,446 --> 00:18:29,539 -Let me waIk you home. -No. 206 00:18:29,715 --> 00:18:31,683 LYLA: My dad's waiting at the Sherry. I-- 207 00:18:32,118 --> 00:18:34,780 I've never done this before. I'm in so much troubIe. 208 00:18:34,954 --> 00:18:35,978 Hey, hey. 209 00:18:36,155 --> 00:18:37,213 MEN: Woo! 210 00:18:37,390 --> 00:18:39,415 Meet me here at 1 0:00 by the arch. 211 00:18:39,592 --> 00:18:40,752 [MARSHALL LAUGHING] 212 00:18:40,927 --> 00:18:43,361 LOUIS: Say yes. -Put him out of his misery. Say yes. 213 00:18:43,529 --> 00:18:45,019 -Say yes. -Say it. 214 00:18:45,198 --> 00:18:46,859 Say yes. 215 00:18:50,469 --> 00:18:51,993 After you. 216 00:18:52,972 --> 00:18:54,405 I'II take that as a yes. 217 00:18:58,911 --> 00:19:02,904 You are gonna be in so much troubIe. You shouId have Ieft your dad a note. 218 00:19:03,082 --> 00:19:05,778 Yeah, ransom note. You know what? I don't even care. 219 00:19:05,952 --> 00:19:09,217 I just had the most incredibIe night of my Iife. 220 00:19:09,388 --> 00:19:10,685 Taxi! 221 00:19:10,856 --> 00:19:14,849 [MARK MANCINA'S ''WASHINGTON SQUARE'' PLAYING] 222 00:19:17,897 --> 00:19:20,457 MARSHALL: Louis. She ain't coming. 223 00:19:20,633 --> 00:19:23,796 Oh, man. One girI? 224 00:19:23,970 --> 00:19:26,564 Come on, we're gonna miss the fIight. 225 00:19:29,375 --> 00:19:33,368 -Taxi! MARSHALL: Louis. Where you going, Louis? 226 00:19:35,581 --> 00:19:36,741 Excuse me. 227 00:19:38,351 --> 00:19:40,012 MARSHALL: Louie. 228 00:19:41,220 --> 00:19:42,551 THOMAS: You are not going anywhere. 229 00:19:43,022 --> 00:19:45,718 -LyIa! LYLA: Dad, I'm not going with you. 230 00:19:45,891 --> 00:19:48,621 -LyIa, you Iisten to me. -No. 231 00:19:48,794 --> 00:19:51,490 -Don't you dare waIk away. LYLA: I'm not going with you. 232 00:19:58,738 --> 00:20:00,831 LOUIS: LyIa! 233 00:20:06,379 --> 00:20:09,143 THOMAS: Get in the car right now. 234 00:20:12,184 --> 00:20:14,584 LyIa! LyIa! 235 00:20:27,767 --> 00:20:29,394 MARSHALL: Louis. 236 00:20:32,605 --> 00:20:35,438 Do you remember what Da used to say about princesses? Huh? 237 00:20:35,608 --> 00:20:39,669 They're aIways Iooking for their prince. And you ain't no prince, brother. 238 00:20:40,913 --> 00:20:42,039 How wouId you know? 239 00:20:43,049 --> 00:20:44,949 What am I gonna do now? 240 00:20:59,198 --> 00:21:01,393 I know they're out there somewhere. 241 00:21:02,335 --> 00:21:05,532 [VIBRATING AND BUZZING] 242 00:21:05,705 --> 00:21:09,004 [MARK MANCINA'S ''WIRES'' PLAYING] 243 00:21:15,781 --> 00:21:18,181 I don't know where it comes from... 244 00:21:21,854 --> 00:21:23,651 ...but it's what I hold on to. 245 00:21:28,060 --> 00:21:30,187 And I can't let go. 246 00:21:30,363 --> 00:21:31,694 [WIND WHISTLES] 247 00:21:34,667 --> 00:21:36,066 Somewhere inside me... 248 00:21:37,503 --> 00:21:40,199 ...I know that they always wanted me. 249 00:21:42,575 --> 00:21:44,975 Maybe they just got lost. 250 00:21:46,312 --> 00:21:49,543 LOUIS [SINGING] : Walking through wintertime 251 00:21:49,715 --> 00:21:53,048 When the stars all shine 252 00:21:56,922 --> 00:22:00,414 The angel on the stairs 253 00:22:03,362 --> 00:22:06,854 Will tell you I was there 254 00:22:07,032 --> 00:22:08,397 [CELLO PLAYING MARK MANCINA'S ''CELLO O VERLUDE''] 255 00:22:08,567 --> 00:22:12,025 Under the front porch light 256 00:22:12,204 --> 00:22:15,071 On a mystery night 257 00:22:21,447 --> 00:22:22,675 I been sitting 258 00:22:22,848 --> 00:22:27,046 Watching life pass from the sidelines 259 00:22:28,187 --> 00:22:30,246 Been waiting for a dream 260 00:22:30,423 --> 00:22:34,587 To seep in through my blinds 261 00:22:34,760 --> 00:22:37,251 I wondered what might happen 262 00:22:37,430 --> 00:22:40,092 If I left this all behind 263 00:22:40,900 --> 00:22:43,960 Would the wind be at my back? 264 00:22:44,136 --> 00:22:48,038 Could I get you off my mind 265 00:22:50,176 --> 00:22:51,234 This time? 266 00:22:51,444 --> 00:22:53,969 LOUIS: What's the point in singing, Marshall? 267 00:22:54,847 --> 00:22:56,474 She's not gonna hear me. 268 00:22:57,316 --> 00:23:00,285 I'm leaving the band. I'm sorry, Marshall. 269 00:23:00,453 --> 00:23:02,421 MARSHALL: Don't quit on us, Louis. 270 00:23:04,490 --> 00:23:07,789 [SINGING] The things I left behind 271 00:23:08,360 --> 00:23:10,794 THOMAS: Everything you've given up, everything I've given up-- 272 00:23:11,163 --> 00:23:12,892 [SINGING] Have melted in my mind 273 00:23:13,065 --> 00:23:15,465 I can't do it. I'm sorry, Frank. I can't do it, man. 274 00:23:15,634 --> 00:23:17,329 -Listen to me. Listen to me. -No! 275 00:23:17,503 --> 00:23:19,664 -You know what I mean? I don't know... -Dad! 276 00:23:19,839 --> 00:23:21,329 ...how to approach this probIem. 277 00:23:21,507 --> 00:23:23,498 I mean, where are you gonna put the baby? 278 00:23:23,676 --> 00:23:26,702 And what about this boy? He's not here now. He's not here now. 279 00:23:26,879 --> 00:23:28,278 -I'm Ieaving. -You can't Ieave. 280 00:23:28,447 --> 00:23:31,507 -Where you going, then? -Just Iet me go. WiII you just Iet me go? 281 00:23:32,117 --> 00:23:34,108 LOUIS [SINGING] : Would the wind be at my back? 282 00:23:35,387 --> 00:23:38,845 Could I get you off my mind 283 00:23:39,024 --> 00:23:41,151 MARSHALL: Louis. THOMAS: LyIa. 284 00:23:41,327 --> 00:23:42,760 This time? 285 00:23:44,396 --> 00:23:45,795 Hey, Louis. 286 00:23:47,166 --> 00:23:48,633 THOMAS: LyIa. 287 00:23:49,235 --> 00:23:50,463 [SCREAMS] 288 00:23:50,636 --> 00:23:51,625 [TIRES SCREECH] 289 00:23:51,804 --> 00:23:53,567 [THUDS] 290 00:23:55,307 --> 00:23:57,036 [MARK MANCINA'S ''HOSPITAL PT. 1 '' PLAYING] 291 00:24:12,091 --> 00:24:13,752 WOMAN: We have fetaI distress. 292 00:24:15,728 --> 00:24:17,719 Baby's heart rate is faIIing. 293 00:24:20,132 --> 00:24:21,793 It's faIIing. 294 00:24:50,396 --> 00:24:52,159 I'm sorry. 295 00:24:56,902 --> 00:24:58,767 He's gone. 296 00:26:02,468 --> 00:26:04,732 MAN: Picked him up on the thruway outside of Montrose. 297 00:26:04,903 --> 00:26:07,963 Just wandering down the road. Said he's foIIowing the music. 298 00:26:08,140 --> 00:26:10,802 The moon toId him to. Yeah. Kid's a space cadet. 299 00:26:13,879 --> 00:26:15,540 [CAR HORNS HONKING] 300 00:26:16,715 --> 00:26:19,183 Look, I got a busy day ahead of me. 301 00:26:20,319 --> 00:26:22,617 AII right, big guy, out you go. 302 00:26:22,788 --> 00:26:24,881 This Jeffries guy wasn't in his office yet... 303 00:26:25,057 --> 00:26:27,651 ...so I Ieft him a message to pick you up right here. 304 00:26:27,826 --> 00:26:29,487 AUGUST: Okay. -Here. HoId on. 305 00:26:29,662 --> 00:26:32,790 Don't Iose it. If he doesn't show in an hour, give him another caII. 306 00:26:32,965 --> 00:26:34,626 You can handIe that, right? 307 00:26:34,800 --> 00:26:36,358 -Yeah. -You got any money? 308 00:26:36,802 --> 00:26:40,829 Here's 1 2 bucks. Damn, kid, put it in your pocket. 309 00:26:41,006 --> 00:26:42,769 See you. 310 00:26:56,288 --> 00:26:58,586 [TRAINS CLICKING ON TRACKS] 311 00:27:01,593 --> 00:27:03,185 [TRAIN HORN BLOWS] 312 00:27:05,864 --> 00:27:07,729 [SCREECHING] 313 00:27:21,313 --> 00:27:25,272 [HORNS HONK, TIRES SCREECH AND FOOTSTEPS TAP] 314 00:27:27,853 --> 00:27:29,878 [HIP HOP MUSIC PLAYS ON STEREO] 315 00:27:35,894 --> 00:27:38,419 [WHISTLE BLOWS, HORN HONKS AND DOG BARKS] 316 00:27:47,206 --> 00:27:48,571 [BELL RINGING] 317 00:27:48,741 --> 00:27:49,765 [THUDDING] 318 00:27:57,750 --> 00:27:59,877 [MARK MANCINA'S ''UNION SQUARE'' PLAYING] 319 00:28:35,254 --> 00:28:36,243 [HORN HONKS] 320 00:28:36,421 --> 00:28:37,888 [GASPS] 321 00:28:40,325 --> 00:28:42,122 [GRUNTS] 322 00:28:43,629 --> 00:28:45,290 MAN: Get on the sidewaIk! 323 00:28:55,274 --> 00:28:57,572 [HORNS HONKING AND SIRENS WAILING] 324 00:29:05,317 --> 00:29:07,842 BO Y [SINGING] : Para bailar la bamba 325 00:29:08,020 --> 00:29:10,284 [GIRLS SINGING] 326 00:29:12,991 --> 00:29:17,928 Give me your money 327 00:29:18,096 --> 00:29:22,760 Come here, sweet honey 328 00:29:22,935 --> 00:29:26,393 Come here, baby 329 00:29:28,173 --> 00:29:29,333 Yeah. 330 00:29:30,375 --> 00:29:33,538 [PLAYING ALI DEE'S ''MY COUNTRY 'TIS OF THEE''] 331 00:29:47,893 --> 00:29:51,659 Okay, citizen. You paid. Any requests? 332 00:29:51,830 --> 00:29:53,297 AUGUST: No. 333 00:29:54,733 --> 00:29:56,098 AIrighty, then. 334 00:29:58,437 --> 00:30:02,567 [SINGING] Father, hear me when I 335 00:30:02,741 --> 00:30:05,039 Call your name 336 00:30:05,611 --> 00:30:09,945 I need you to answer me now 337 00:30:10,115 --> 00:30:14,017 Father, here I am 338 00:30:14,186 --> 00:30:17,121 Weak in your sight 339 00:30:17,289 --> 00:30:21,123 Can you rescue me now? 340 00:30:21,293 --> 00:30:27,391 I'm crying out Can't figure it out on my own 341 00:30:29,701 --> 00:30:33,000 Back off. Away, away. Yo, son, you're messing with my equiIibrium. 342 00:30:33,171 --> 00:30:36,436 Nobody touches this instrument but me. Roxy's my girI. 343 00:30:36,608 --> 00:30:39,202 Son, we done here, so why don't you go find your mommy. 344 00:30:39,678 --> 00:30:43,045 -I don't know where she is. -Good, that's just great. Uh.... 345 00:30:43,215 --> 00:30:45,274 Cops show up around 6. TeII them you're AWOL. 346 00:30:45,450 --> 00:30:47,350 They'II send you back where you come from. 347 00:30:47,519 --> 00:30:48,884 I don't wanna go back there. 348 00:30:49,721 --> 00:30:51,211 WeII, good. 349 00:30:51,390 --> 00:30:53,790 This day's been a bust anyway. I'm out. 350 00:31:04,236 --> 00:31:08,002 [MARK MANCINA'S ''FOLLOWING ARTHUR'' PLAYING] 351 00:31:15,380 --> 00:31:16,438 What? 352 00:31:18,717 --> 00:31:20,344 I don't have a pIace to stay. 353 00:31:21,186 --> 00:31:23,677 Do I Iook Iike a reaI-estate tycoon to you? 354 00:31:27,292 --> 00:31:29,089 How many dead presidents you got? 355 00:31:29,661 --> 00:31:31,959 Nuggets? Shorts? 356 00:31:32,130 --> 00:31:33,529 Show me the money. 357 00:31:38,303 --> 00:31:42,603 -Are you thinking what I'm thinking? -No, I'm thinking something eIse. 358 00:31:44,843 --> 00:31:47,004 I'm gonna Iet you buy me a pizza. 359 00:32:02,627 --> 00:32:06,461 I've been doing this for 1 0 years, Bob. I said 1 0 percent. 360 00:32:07,632 --> 00:32:10,032 We need to cIose the deaI. HoId on a second. 361 00:32:10,202 --> 00:32:13,433 No. We said 1 0 percent. 362 00:32:14,339 --> 00:32:17,331 Yeah, weII, it makes the worId go round, doesn't it, Bob? 363 00:32:18,310 --> 00:32:20,676 Just get me the 1 0 percent, wiII you? 364 00:32:20,846 --> 00:32:22,336 Thanks. 365 00:32:23,081 --> 00:32:24,446 [SIGHS] 366 00:32:26,218 --> 00:32:29,449 MAN: Need anything, sir? -Do you know any hit men? 367 00:32:29,621 --> 00:32:32,181 I do know a bass pIayer might be abIe to heIp you out. 368 00:32:32,357 --> 00:32:34,382 Likes to get in fights with Iead singers. 369 00:32:36,561 --> 00:32:37,687 Nick? 370 00:32:39,464 --> 00:32:41,432 What are you doing, man? 371 00:32:42,968 --> 00:32:45,869 StiII driving. Paying off those wedding biIIs from Iast year. 372 00:32:46,038 --> 00:32:48,529 Oh, fair pIay to you. Oh, she's a nice girI. 373 00:32:49,941 --> 00:32:51,670 So you pIaying at aII? 374 00:32:52,110 --> 00:32:53,270 Nope. 375 00:32:54,046 --> 00:32:56,571 Why the heII not? Your fingers faII off? 376 00:32:56,748 --> 00:32:58,545 WeII, you move on. 377 00:33:00,819 --> 00:33:03,788 What about the Iads? Seen any of them IateIy? 378 00:33:05,123 --> 00:33:07,057 We stiII mess around... 379 00:33:07,225 --> 00:33:11,184 ...but the ConneIIy Brothers never reaIIy bounced back minus one brother. 380 00:33:15,700 --> 00:33:17,224 You seen MarshaII IateIy? 381 00:33:18,170 --> 00:33:19,637 Have you? 382 00:33:19,805 --> 00:33:22,069 [VAN MORRISON'S ''MAGIC TIME'' PLAYING] 383 00:33:22,841 --> 00:33:24,433 It's my birthday on Saturday. 384 00:33:25,043 --> 00:33:28,069 Session's at my pIace. Come, bring your girIfriend. 385 00:33:28,947 --> 00:33:31,040 It's great seeing you, man. 386 00:33:31,216 --> 00:33:35,016 Reminds me of New York. The good oId days, eh? 387 00:33:35,387 --> 00:33:37,514 [SIRENS WAILING] 388 00:33:42,094 --> 00:33:44,085 [LYLA HUMMING BEETHO VEN'S ''FUR ELISE''] 389 00:33:44,262 --> 00:33:45,820 GIRL: I know. 390 00:33:45,997 --> 00:33:48,227 I know. 391 00:33:48,400 --> 00:33:51,801 -I know. Okay, I don't know. -Oh! 392 00:33:52,003 --> 00:33:55,200 ''Fur EIise'' by Beethoven. And you shouId know that one. 393 00:33:55,373 --> 00:33:57,432 Oh, yeah. 394 00:33:57,609 --> 00:34:00,077 WiII you be our teacher forever, Miss Novacek? 395 00:34:00,245 --> 00:34:03,237 WeII, at Ieast untiI your oId teacher comes back. 396 00:34:03,415 --> 00:34:06,680 But onIy if you caII me...? 397 00:34:06,852 --> 00:34:09,082 -LyIa. -That's right. 398 00:34:09,254 --> 00:34:10,721 You're crazy, Miss Novacek. 399 00:34:10,889 --> 00:34:12,151 WOMAN: Megan. -Got everything? 400 00:34:14,326 --> 00:34:16,021 -Okay. -Bye. 401 00:34:16,194 --> 00:34:17,991 [MARK MANCINA'S ''ELEVEN YEARS LATER'' PLAYING] 402 00:34:18,430 --> 00:34:20,990 Hi, sweetie. 403 00:34:21,533 --> 00:34:23,524 Did you have a good day? 404 00:34:24,936 --> 00:34:26,130 Thanks. 405 00:34:26,304 --> 00:34:27,498 LIZZY: There you are. -Hey. 406 00:34:27,672 --> 00:34:31,369 Okay, now, before you say no.... Okay, picture this. 407 00:34:31,543 --> 00:34:35,775 You on stage, me accompanying, thousands of peopIe. 408 00:34:35,947 --> 00:34:37,414 -Liz. -The New York PhiIharmonic. 409 00:34:37,582 --> 00:34:40,415 I just got the invite. They want you back. 410 00:34:40,585 --> 00:34:43,315 It's just one night, but they want you back. 411 00:34:44,890 --> 00:34:47,051 I don't wanna be up there. 412 00:34:47,225 --> 00:34:48,715 LyIa.... 413 00:34:49,528 --> 00:34:51,792 When are you gonna Iet yourseIf be happy again? 414 00:34:51,963 --> 00:34:54,329 I am happy. 415 00:34:55,133 --> 00:34:58,466 I'm taIking about when everyone eIse goes home. 416 00:35:05,443 --> 00:35:07,274 Look.... 417 00:35:07,445 --> 00:35:09,970 I know. Okay? I know. 418 00:35:11,516 --> 00:35:12,847 Just think about it. 419 00:35:13,018 --> 00:35:17,648 I mean, you're a music teacher who doesn't pIay music anymore. 420 00:35:18,123 --> 00:35:20,023 CaII me crazy. 421 00:35:20,192 --> 00:35:21,819 Okay, Crazy. 422 00:35:21,993 --> 00:35:24,553 -I'II see you at home, okay? -AII right. 423 00:35:35,907 --> 00:35:38,398 ARTHUR: No, I ain't got no daddy. 424 00:35:39,911 --> 00:35:41,173 See, my pops is a drunk. 425 00:35:41,346 --> 00:35:44,941 And my mama, she took off with this crackhead named LittIe Jesus. 426 00:35:45,116 --> 00:35:48,381 But, you know, he wasn't no IittIe Jesus, you know what I'm saying? 427 00:35:48,553 --> 00:35:49,577 [BILLIE HOLIDAY'S ''GOD BLESS THE CHILD'' PLAYING] 428 00:35:49,754 --> 00:35:51,949 No, they never gave a damn about me. 429 00:35:52,123 --> 00:35:56,025 Come on, man. This is us right here. 430 00:35:58,129 --> 00:36:01,064 -I've been with Wizard for years. AUGUST: Who's Wizard? 431 00:36:01,233 --> 00:36:03,599 ARTHUR: Oh, he's a reaI piece of work, that's what he is. 432 00:36:03,768 --> 00:36:06,328 His reaI name's MaxweII WaIIace. 433 00:36:06,504 --> 00:36:09,632 He took me in. He said that I was an investment. 434 00:36:09,808 --> 00:36:12,902 He gave me Roxy here. He bought it in the oId days. 435 00:36:13,345 --> 00:36:16,678 WeII, he reaIIy didn't buy it. Guess you'd kind of say he found it. 436 00:36:16,848 --> 00:36:18,145 AII right, he stoIe it. 437 00:36:18,316 --> 00:36:20,477 Wizard? He gave me his pIace at the Square. 438 00:36:20,652 --> 00:36:23,143 My parents? They ain't gave me nothing. 439 00:36:25,724 --> 00:36:28,625 We aII gonna be big stars someday. 440 00:36:29,628 --> 00:36:32,825 MAN: What's the password? -Open the damn door aIready. 441 00:36:34,132 --> 00:36:35,895 You're getting on my nerves with that. 442 00:36:40,372 --> 00:36:42,397 Okay, foIIow me. 443 00:36:42,574 --> 00:36:45,668 [MARK MANCINA'S ''WIZARD'S LAIR'' PLAYING] 444 00:36:45,844 --> 00:36:48,779 What's your name again? It's Evan, right? 445 00:36:50,181 --> 00:36:52,547 Yo, this is our home, son. 446 00:36:52,717 --> 00:36:54,617 It's kind of crazy in here, so stay on your feet. 447 00:36:54,786 --> 00:36:56,378 [BO Y YELLS] 448 00:36:58,089 --> 00:36:59,249 Watch out. 449 00:36:59,424 --> 00:37:02,621 Yeah, I've been Iiving here for a whiIe. Come on, man. 450 00:37:02,794 --> 00:37:04,853 Hey, check it out. 451 00:37:05,030 --> 00:37:06,190 -How much you make? BO Y 1 : Ten doIIars. 452 00:37:06,364 --> 00:37:08,298 ARTHUR: You Iying. Let me see. BO Y 1 : I am not Iying. 453 00:37:08,466 --> 00:37:10,434 ARTHUR: What did I teII you about that? -Boo! 454 00:37:11,703 --> 00:37:12,692 [BABBLING] 455 00:37:12,871 --> 00:37:15,772 BO Y 2: Hey, it's Arthur. ARTHUR: I'II be Iaughing at your funeraI. 456 00:37:15,940 --> 00:37:17,999 BO Y 1 : I'm gonna go pIay basketbaII. ARTHUR: AII cIear. 457 00:37:18,176 --> 00:37:23,705 [SINGING] My life, the sky Like a feather I'll fly 458 00:37:24,482 --> 00:37:27,144 ARTHUR: Man, you shouId've knocked him in his head, son. 459 00:37:27,652 --> 00:37:30,951 [PLAYING IMPACT REPERTORY THEATRE'S ''WIZARD'S THEATER SONG''] 460 00:37:38,063 --> 00:37:39,894 BO Y 3: Shoot it, shoot it, shoot it! 461 00:37:44,836 --> 00:37:46,235 Pizza! 462 00:37:51,343 --> 00:37:53,402 Pizza, pizza, pizza. 463 00:38:07,826 --> 00:38:09,225 GIRL 1 : Don't make me come up there. 464 00:38:09,394 --> 00:38:11,453 BO Y 4: Yo, you better hurry before Wizard shows. 465 00:38:11,629 --> 00:38:14,189 He'II be pissed if he's seen you bought a pie. 466 00:38:14,566 --> 00:38:16,227 I ain't take no famiIy money. 467 00:38:16,401 --> 00:38:17,698 Citizen bought it. 468 00:38:21,005 --> 00:38:23,701 Hola, music Iovers. 469 00:38:23,875 --> 00:38:25,706 Wow, whiIe the cat's away.... 470 00:38:26,544 --> 00:38:27,909 Oh. 471 00:38:28,079 --> 00:38:29,376 Who Iikes pizza? 472 00:38:31,616 --> 00:38:32,913 Who did this? 473 00:38:34,519 --> 00:38:35,781 Arthur? 474 00:38:41,793 --> 00:38:43,852 -What is he? -He's a damn fooI. 475 00:38:44,028 --> 00:38:46,462 He's a damn fooI. 476 00:38:46,631 --> 00:38:48,258 -He's gonna get it good. -Shh. 477 00:38:48,433 --> 00:38:50,264 What are you, Arthur? 478 00:38:50,769 --> 00:38:52,703 I'm a reaI piece of work, Wizard. 479 00:38:54,372 --> 00:38:56,067 You're on thin ice. 480 00:38:56,574 --> 00:39:00,567 I didn't take no famiIy money. He bought it. 481 00:39:05,884 --> 00:39:07,283 What? 482 00:39:07,652 --> 00:39:08,949 You Iook crazy. 483 00:39:10,588 --> 00:39:11,714 I am crazy. 484 00:39:11,890 --> 00:39:13,824 [SCREAMS] 485 00:39:15,093 --> 00:39:16,492 See? 486 00:39:17,362 --> 00:39:18,420 Come here. 487 00:39:21,299 --> 00:39:22,823 Now! 488 00:39:24,135 --> 00:39:25,568 Come on. 489 00:39:28,907 --> 00:39:31,842 -What's your name? -Evan, sir. 490 00:39:32,644 --> 00:39:33,975 What are you doing here? 491 00:39:34,779 --> 00:39:36,576 I foIIowed the music. 492 00:39:42,053 --> 00:39:45,318 Where did you pick this one up, Arthur, BeIIevue? 493 00:39:49,427 --> 00:39:51,793 You never pIayed a note in your Iife. 494 00:39:51,963 --> 00:39:53,988 Do you know what music is? 495 00:39:55,667 --> 00:39:59,797 It's God's IittIe reminder there's something eIse besides us in this universe. 496 00:40:00,338 --> 00:40:05,970 Harmonic connection between aII Iiving beings everywhere, even the stars. 497 00:40:06,711 --> 00:40:08,611 Is this a schooI? 498 00:40:08,780 --> 00:40:12,011 Yeah, the schooI of Screw You and Take AII Your Damn Money. 499 00:40:12,183 --> 00:40:14,048 -Yeah. -Yeah, we're top of the cIass. 500 00:40:14,219 --> 00:40:15,584 Not! 501 00:40:17,989 --> 00:40:19,479 It's a business. 502 00:40:22,126 --> 00:40:24,720 -Pockets. GIRL 2: Okay, Iet's go. 503 00:40:24,896 --> 00:40:26,523 -Let's go, Iet's go. WALLACE: Pockets. 504 00:40:27,398 --> 00:40:28,524 BO Y 1 : Oh, man. Get up. 505 00:40:28,700 --> 00:40:30,691 [CHATTERING] 506 00:40:32,670 --> 00:40:33,898 WALLACE: Peanut, weII done. 507 00:40:35,173 --> 00:40:36,834 I got eyes in the back of my head. 508 00:40:37,809 --> 00:40:39,674 Good job. Gracias, amigo. 509 00:40:39,844 --> 00:40:42,074 Chain is onIy as strong... 510 00:40:42,514 --> 00:40:43,811 ...as its weakest Iink. 511 00:40:46,518 --> 00:40:48,008 Come on, Arthur. 512 00:40:48,353 --> 00:40:49,911 That's chump change. 513 00:40:50,088 --> 00:40:53,421 You got Washington Square. That was my spot for 1 0 years. 514 00:40:57,562 --> 00:41:00,690 Go ahead, before I change my mind. 515 00:41:05,003 --> 00:41:07,164 You kids are gonna put me in the poorhouse. 516 00:41:08,139 --> 00:41:11,074 AII right, IittIe mice, scurry back to your hoIes. Go, go. 517 00:41:13,711 --> 00:41:16,544 Harmonic dreams, sweet chiIdren. 518 00:41:24,522 --> 00:41:26,422 [PLAYING VAN MORRISON'S ''MOONDANCE'' ON HARMONICA] 519 00:42:06,764 --> 00:42:11,258 [PLAYING MARK MANCINA'S ''BARI IMPRO V''] 520 00:43:46,631 --> 00:43:48,758 ARTHUR: Roxanne. Man, I'm gonna kiII him. 521 00:44:17,095 --> 00:44:19,029 WALLACE: You know what's out there? 522 00:44:19,664 --> 00:44:21,791 A series of higher tones. 523 00:44:21,966 --> 00:44:23,490 It's arranged by nature. 524 00:44:23,668 --> 00:44:27,729 It's governed by the Iaws of physics of the whoIe universe. 525 00:44:29,140 --> 00:44:31,540 It's an overtone, it's an energy, it's a waveIength. 526 00:44:31,709 --> 00:44:36,237 And if you're not riding it, good Lordy, you'II never hear it. 527 00:44:36,414 --> 00:44:38,439 Where do you think it comes from? 528 00:44:40,251 --> 00:44:41,548 What I hear. 529 00:44:42,153 --> 00:44:43,887 I think it comes from aII around you, reaIIy. 530 00:44:43,900 --> 00:44:45,645 I mean, it's-- 531 00:44:45,823 --> 00:44:47,654 Comes through us, some of us. 532 00:44:49,894 --> 00:44:52,954 It's invisibIe, but-- But you feeI it. 533 00:44:53,898 --> 00:44:55,661 So onIy some of us can hear it? 534 00:44:57,301 --> 00:44:59,269 OnIy some of us are Iistening. 535 00:45:02,073 --> 00:45:04,405 Do you think my parents are Iistening? 536 00:45:05,276 --> 00:45:07,244 I hear you, kid. 537 00:45:10,214 --> 00:45:11,203 Like: 538 00:45:11,382 --> 00:45:12,747 [STRUMS GUITAR] 539 00:45:13,317 --> 00:45:14,909 Yeah. 540 00:45:18,856 --> 00:45:20,483 WOMAN: Are you hearing a word I'm saying? 541 00:45:20,658 --> 00:45:21,989 [CHATTERING] 542 00:45:24,796 --> 00:45:26,195 Louis. 543 00:45:26,964 --> 00:45:29,797 Come on. It's about time I met your famiIy. 544 00:45:31,002 --> 00:45:33,630 [CHRIS TRAPPER'S ''THIS TIME'' PLAYING IN DISTANCE] 545 00:45:34,338 --> 00:45:37,830 Listen, Jen, maybe this isn't such a good idea. 546 00:45:38,810 --> 00:45:39,834 Grow up. 547 00:45:40,311 --> 00:45:41,778 Come on. 548 00:45:43,681 --> 00:45:44,943 -Come on. -''Grow up.'' 549 00:45:46,784 --> 00:45:49,309 [SINGING ON VIDEO] The angel on the stairs 550 00:45:49,487 --> 00:45:53,014 JEN: Are aII Irish peopIe this Ioud? -Yeah. 551 00:45:53,191 --> 00:45:55,716 Will tell you I was there 552 00:45:58,296 --> 00:46:01,857 Under the front porch light 553 00:46:02,033 --> 00:46:04,968 On a mystery night 554 00:46:11,342 --> 00:46:16,041 I been sitting Watching life pass from the sidelines 555 00:46:17,014 --> 00:46:18,003 MAN: Hey, Louis. 556 00:46:18,182 --> 00:46:20,150 Been waiting for a dream 557 00:46:20,318 --> 00:46:24,015 To seep in through my blinds 558 00:46:25,590 --> 00:46:27,990 NICK: Hey, MarshaII, your brother's here. 559 00:46:28,392 --> 00:46:29,416 Louis. 560 00:46:32,129 --> 00:46:33,596 Hey, Nick. 561 00:46:33,998 --> 00:46:35,556 Could I get you off my mind 562 00:46:36,100 --> 00:46:39,797 JEN: Oh, my God. Is that you? 563 00:46:39,971 --> 00:46:42,064 This time? 564 00:46:43,007 --> 00:46:45,441 When were you gonna teII me you're in a band? 565 00:46:47,845 --> 00:46:51,246 I'm sure there's a Iot of things our Louis hasn't toId you, darIing. 566 00:46:51,415 --> 00:46:54,407 -Like who did you write the song for? -I toId you this is a mistake. 567 00:46:54,952 --> 00:46:57,546 That's it, go on. WaIk out on us again. 568 00:47:00,524 --> 00:47:02,788 -Eh, Lou? LOUIS: Say what you gotta say, MarshaII. 569 00:47:02,960 --> 00:47:04,928 -Say what you have to say. -No, go on. 570 00:47:05,096 --> 00:47:07,189 -Come on, say it. MARSHALL: That the best you got? 571 00:47:07,365 --> 00:47:09,026 -Say it. -That the best you got? 572 00:47:09,200 --> 00:47:11,430 -Come on. Hit me. Come on, hit me. -Come on. 573 00:47:11,602 --> 00:47:13,763 FeeI what? Come on. Hit me. 574 00:47:15,106 --> 00:47:16,403 I'm suffocating here. 575 00:47:17,174 --> 00:47:19,506 The things I left behind 576 00:47:23,214 --> 00:47:24,704 You aII right, man? 577 00:47:26,784 --> 00:47:28,479 You aII right, man? 578 00:47:29,153 --> 00:47:30,882 WeIcome to the ConneIIy cIan. 579 00:47:31,055 --> 00:47:32,852 [MARSHALL LAUGHS] 580 00:47:38,596 --> 00:47:40,223 Jennifer. 581 00:48:05,656 --> 00:48:08,591 You know, it was good having the oId Louis back in there... 582 00:48:09,126 --> 00:48:11,492 ...even if it was onIy for a second. 583 00:48:13,464 --> 00:48:14,954 Louie... 584 00:48:15,399 --> 00:48:18,061 ...aren't you supposed to be in the car with the girI... 585 00:48:18,235 --> 00:48:20,396 ...as she drives off into the sunset? 586 00:48:28,879 --> 00:48:31,439 You'II get your suit dirty sitting there, man. 587 00:48:34,552 --> 00:48:37,988 [MARK MANCINA'S ''5-NOTE TRANSITION'' PLAYING] 588 00:48:39,924 --> 00:48:42,154 [PHONE RINGING] 589 00:48:44,562 --> 00:48:45,551 [ANSWERING MACHINE BEEPS] 590 00:48:45,730 --> 00:48:47,857 WOMAN [O VER PHONE] : This is a message for Lyla Novacek. 591 00:48:48,032 --> 00:48:50,159 Please call Good Samaritan Hospital. 592 00:48:50,334 --> 00:48:53,792 I'm calling about your father, Thomas Novacek. 593 00:49:03,414 --> 00:49:05,746 THOMAS: I wasn't sure you were going to come. 594 00:49:06,884 --> 00:49:09,318 My wiII is in the top drawer of the desk in my study. 595 00:49:09,487 --> 00:49:12,012 Dad, stop, come on. 596 00:49:12,189 --> 00:49:14,350 THOMAS: LyIa, pIease. 597 00:49:14,525 --> 00:49:16,322 There's more. 598 00:49:23,100 --> 00:49:28,834 AII I ever wanted was for you to have aII that promise, aII that Iife. 599 00:49:29,340 --> 00:49:31,274 But you were so young. 600 00:49:31,709 --> 00:49:33,802 We had so much work to do. 601 00:49:33,978 --> 00:49:37,243 -You weren't ready. -That's pIenty, Dad. ReaIIy. 602 00:49:38,049 --> 00:49:40,108 I mean, a baby. 603 00:49:40,284 --> 00:49:42,115 That baby, he couId have hurt you. 604 00:49:42,286 --> 00:49:44,754 [MARK MANCINA'S ''HOSPITAL PT. 2'' PLAYING] 605 00:49:45,222 --> 00:49:49,522 He couId've hurt you, and I-- I wasn't gonna Iet that happen, LyIa. 606 00:49:54,999 --> 00:49:57,092 I made a choice for us. 607 00:50:00,938 --> 00:50:02,803 Oh, my God. 608 00:50:04,842 --> 00:50:06,070 THOMAS: A choice for us. 609 00:50:08,045 --> 00:50:09,603 Wait.... 610 00:50:14,752 --> 00:50:16,447 THOMAS: I'm sorry. 611 00:50:21,325 --> 00:50:22,622 Where? 612 00:50:25,696 --> 00:50:27,527 Where is he? 613 00:50:28,332 --> 00:50:31,893 -I didn't mean-- -Where is he? 614 00:50:32,336 --> 00:50:33,564 I don't know. 615 00:50:35,606 --> 00:50:37,267 I don't. 616 00:50:39,310 --> 00:50:42,404 [PLAYING MICHAEL HEDGES' ''RITUAL DANCE''] 617 00:50:46,250 --> 00:50:48,912 WALLACE: You gotta love music more than you love food. 618 00:50:49,854 --> 00:50:53,517 More than Iife. More than yourseIf. 619 00:50:59,930 --> 00:51:01,158 You feeI it? 620 00:51:04,768 --> 00:51:05,792 Then show me. 621 00:51:06,537 --> 00:51:08,505 PIay it for your parents. 622 00:51:58,055 --> 00:51:59,579 You're fIying, kid. 623 00:51:59,757 --> 00:52:02,351 [CROWD CLAPPING] 624 00:52:09,633 --> 00:52:11,191 WALLACE: Yeah! 625 00:52:11,368 --> 00:52:13,495 You know what I'm thinking? 626 00:52:14,371 --> 00:52:16,931 You're supposed to say, ''What are you thinking, Wizard?'' 627 00:52:17,107 --> 00:52:19,405 ''What are you thinking, Wizard?'' 628 00:52:19,577 --> 00:52:22,011 I teach you everything I know for free. 629 00:52:22,179 --> 00:52:25,080 You get Roxanne. You get my corner of the park. 630 00:52:25,516 --> 00:52:28,917 You get to keep haIf your tips. We're Iike a team. 631 00:52:30,454 --> 00:52:32,422 There's something wrong with that picture. 632 00:52:32,856 --> 00:52:33,914 What? 633 00:52:34,692 --> 00:52:38,025 I don't think performing in parks and street corners is gonna be enough. 634 00:52:38,195 --> 00:52:39,423 It won't? 635 00:52:42,600 --> 00:52:45,933 Evan, we're gonna need to get you a new name. 636 00:52:46,103 --> 00:52:47,866 Something with a IittIe more pop. 637 00:52:48,305 --> 00:52:51,900 What do you wanna be in the worId? In the whoIe worId, what do you wanna be? 638 00:52:52,076 --> 00:52:54,203 CIose your eyes and think about that. 639 00:52:56,380 --> 00:52:57,870 Found. 640 00:53:03,120 --> 00:53:04,485 Doesn't have enough yin. 641 00:53:05,256 --> 00:53:07,383 -LittIe more yang, you know? -Yeah. 642 00:53:07,558 --> 00:53:08,718 Yeah, Iet's.... 643 00:53:08,892 --> 00:53:10,450 [TRUCK HORN HONKING] 644 00:53:10,628 --> 00:53:14,587 TaIk about wishfuI thinking. Look at that. 645 00:53:17,735 --> 00:53:19,794 What name stands out to you on that, huh? 646 00:53:19,970 --> 00:53:20,994 Beach? 647 00:53:21,171 --> 00:53:23,605 It's a good name for a band, but not for a performer. 648 00:53:23,774 --> 00:53:26,709 You can't say, ''PIease weIcome Beach.'' No, no. 649 00:53:26,877 --> 00:53:31,177 August Rush. August Rush. Doesn't that warm you up a IittIe bit? 650 00:53:31,615 --> 00:53:34,948 I can see it. ''Wizard Productions presents... 651 00:53:35,119 --> 00:53:37,986 ...the number-one heat wave: 652 00:53:38,155 --> 00:53:41,613 August Rush!'' 653 00:53:41,792 --> 00:53:44,352 -Yeah. -Yeah. Me! 654 00:53:44,528 --> 00:53:47,190 -August, August, August. -It gives me a rush. 655 00:53:47,364 --> 00:53:50,663 That gives me chiIIs. The hair on the back of my neck's standing up. 656 00:53:50,834 --> 00:53:52,301 -ReaIIy? -Yeah, Iook at that. 657 00:53:52,469 --> 00:53:53,902 Quick, check it out. Yeah. 658 00:53:54,071 --> 00:53:57,700 -I'm fIying! I'm fIying! -Yeah. August! August Rush. 659 00:53:57,875 --> 00:54:00,173 -August. -August Rush. August Rush. 660 00:54:00,344 --> 00:54:01,368 That's you. 661 00:54:01,745 --> 00:54:04,145 WALLACE: August. August. AUGUST: August Rush, August Rush. 662 00:54:06,183 --> 00:54:08,845 [LUCAS REYNOLDS' ''SOMETHING INSIDE'' PLAYING] 663 00:54:48,525 --> 00:54:49,651 [THUNDER CRASHES] 664 00:54:49,827 --> 00:54:52,125 LIZZY: New York, Lyla? What are you doing in New York? 665 00:54:52,296 --> 00:54:55,060 Lizzy, I mean, I've aIways feIt that he was aIive. 666 00:54:55,232 --> 00:55:00,534 I'd see kids that wouId be his age and I'd imagine what he'd Iook Iike. 667 00:55:00,704 --> 00:55:03,468 -Big bIue eyes Iike his dad and-- -Oh, my God, Lyla. 668 00:55:03,640 --> 00:55:08,077 Lizzy, I used to Iie in bed at night and I swear I couId hear him. 669 00:55:08,245 --> 00:55:11,214 -I swear I couId hear him. -Lyla, calm down. 670 00:55:11,382 --> 00:55:15,045 CaIm down? How can I be caIm? How can I be caIm? 671 00:55:15,219 --> 00:55:18,484 I've been caIm for over 1 0 years and Iook where it's gotten me. 672 00:55:18,655 --> 00:55:21,146 Lyla, you're losing it. 673 00:55:21,392 --> 00:55:24,623 You're right. And maybe it's about time. 674 00:55:24,795 --> 00:55:26,490 Don't do anything crazy, okay? 675 00:55:26,663 --> 00:55:30,997 We're on our honeymoon, but we're leaving. We'll get there as soon as we can, okay? 676 00:55:50,421 --> 00:55:53,288 Okay, Jack, he's worth three times what you're offering him. 677 00:55:53,457 --> 00:55:55,254 -WaIIace-- -You heard him in the park! 678 00:55:55,426 --> 00:55:56,688 You're a pain in the ass. 679 00:55:56,860 --> 00:56:00,261 -Two-fifty if he can pIay for two hours. -No, five or he waIks. 680 00:56:00,431 --> 00:56:05,232 -Five hundred? I'II give him 250-- -Five hundred or he waIks, aII right? 681 00:56:05,402 --> 00:56:06,391 JACK: He waIks? 682 00:56:06,570 --> 00:56:08,800 WALLACE: We have Iightning in a bottIe, Jack. 683 00:56:08,972 --> 00:56:11,497 No, there's no parents. I'm his guardian. 684 00:56:11,675 --> 00:56:14,872 No, I'm his representation, that's why I'm making the deaI. 685 00:56:15,045 --> 00:56:16,774 WOMAN: May I heIp you? 686 00:56:17,181 --> 00:56:19,411 -I'm trying to find my son. WOMAN: HoId on a second. 687 00:56:20,150 --> 00:56:21,811 Name? 688 00:56:27,124 --> 00:56:29,115 GIRL 1 : Mommy. 689 00:56:30,093 --> 00:56:33,028 [MARK MANCINA'S ''PLAYGROUND'' PLAYING] 690 00:56:34,932 --> 00:56:36,866 Mommy. 691 00:56:39,703 --> 00:56:41,170 I don't know. 692 00:56:42,606 --> 00:56:45,166 GIRL 2: Mom. GIRL 3: Mommy. 693 00:56:55,219 --> 00:56:57,346 Mommy, Iook at me. 694 00:56:57,521 --> 00:57:00,012 I'm sorry, ma'am, we're cIosing. 695 00:57:01,358 --> 00:57:05,158 PIease, I just-- I wanna know his name. 696 00:57:05,929 --> 00:57:11,128 To even consider re-estabIishing contact with a chiId, there is a detaiIed process. 697 00:57:11,301 --> 00:57:15,965 I don't care about your process! Okay? 698 00:57:32,155 --> 00:57:36,649 WOMAN: Ma'am, we're cIosed. Come back tomorrow. 699 00:57:40,197 --> 00:57:41,926 LOUIS: Lyla. 700 00:57:42,966 --> 00:57:44,433 Novacek. 701 00:57:47,271 --> 00:57:50,104 LYLA [ON RECORDING] : Hi, this is Lyla-- LIZZY [ON RECORDING] : And Lizzy. 702 00:57:50,274 --> 00:57:52,902 LYLA & LIZZY: And we're not here right now, so leave a message. 703 00:57:53,076 --> 00:57:54,668 [MACHINE BEEPS] 704 00:58:13,297 --> 00:58:14,821 WALLACE: Arthur! 705 00:58:15,699 --> 00:58:17,929 What'd I teII you about taIking to strangers? 706 00:58:18,101 --> 00:58:21,559 -Yeah, what's your name? -My name is Mr. Jeffries, and yours? 707 00:58:22,072 --> 00:58:24,302 Arthur. We ain't strangers now. 708 00:58:24,841 --> 00:58:29,039 Look, Mr. WaIIace, I'm here making my normaI rounds. 709 00:58:29,212 --> 00:58:30,770 I'm trying to find these kids. 710 00:58:30,948 --> 00:58:34,179 This girI, her name is GeraIda. She shouId be about 1 4 now. 711 00:58:34,351 --> 00:58:35,784 Don't know her, Mr. Jeffries. 712 00:58:35,953 --> 00:58:38,979 Okay, weII, maybe you can heIp me with this young man. 713 00:58:39,156 --> 00:58:43,058 LittIe boy that came up missing recentIy and his name is Evan TayIor. 714 00:58:43,894 --> 00:58:46,055 He's about 1 2. 715 00:58:48,198 --> 00:58:51,827 And what if I find this Evan and I turn him over to you? 716 00:58:52,402 --> 00:58:56,304 What then? You don't care about a kid after he's in the system. 717 00:58:56,473 --> 00:59:00,068 -It's not Iike that-- -Oh, I know exactIy what it's Iike. 718 00:59:00,243 --> 00:59:04,236 You don't foIIow up. And you throw him from pIace to pIace. 719 00:59:04,414 --> 00:59:08,009 EventuaIIy, you end up in a pIace where they kick the crap out of you. 720 00:59:08,452 --> 00:59:13,082 Go to bed at night and he tries to cIose his eyes, ears. 721 00:59:13,256 --> 00:59:14,951 Shut out the worId. 722 00:59:15,125 --> 00:59:18,652 What happens to that kid? What do you think he hears? 723 00:59:19,262 --> 00:59:20,957 What do you think he hears? 724 00:59:22,699 --> 00:59:24,826 -Nothing. -Nothing. Nothing at aII. 725 00:59:28,572 --> 00:59:29,698 Are you aII right? 726 00:59:30,307 --> 00:59:31,865 -Yeah, I'm cooI. -He's good. 727 00:59:40,784 --> 00:59:42,843 MAN: Fourteenth Precinct, Sergeant O'Malley. 728 00:59:43,654 --> 00:59:46,214 WALLACE: No. That doesn't cut it. 729 00:59:46,390 --> 00:59:48,620 [PLAYING MARK MANCINA'S ''WIND UP''] 730 00:59:48,792 --> 00:59:51,852 No! Oh, is that finaI? 731 00:59:52,029 --> 00:59:55,430 Okay, weII, here's my finaI offer: we're history! 732 00:59:56,466 --> 00:59:58,593 -DeaI's off. -But I wanna pIay. 733 00:59:58,769 --> 01:00:01,738 You pIay when I say pIay. You breathe when I say breathe. 734 01:00:01,905 --> 01:00:04,533 -You got that, boy? -But I have to pIay. 735 01:00:04,708 --> 01:00:06,835 Wizard, I need them to hear. 736 01:00:07,010 --> 01:00:11,970 You forget about your parents! They were pretty quick to forget about you. 737 01:00:13,050 --> 01:00:16,019 [MARK MANCINA'S ''AGAINST THE GATE'' PLAYING] 738 01:00:17,821 --> 01:00:20,255 You don't know how it couId be for you. 739 01:00:20,424 --> 01:00:23,257 You do not know how precious your gift is. 740 01:00:23,427 --> 01:00:26,157 You're just a kid, you don't know. 741 01:00:30,901 --> 01:00:33,131 I do, August. 742 01:00:44,514 --> 01:00:46,744 [SIRENS WAILING] 743 01:00:48,085 --> 01:00:50,485 BOY: Wizard. Wizard. WALLACE: Shh! Talk to me. What happened? 744 01:00:50,654 --> 01:00:54,090 -It's Arthur. The cops chased him here. -Okay, spIit up. You know the driII. 745 01:00:54,257 --> 01:00:56,748 -We gotta heIp Arty. -Forget Arty. Arty's on his own. 746 01:00:56,927 --> 01:00:58,918 -That's the book. -No. 747 01:00:59,096 --> 01:01:01,394 WALLACE: August! COP 1 : Grab him. Grab him. There he goes. 748 01:01:02,399 --> 01:01:03,889 COP 2: He went outside over there. 749 01:01:04,067 --> 01:01:06,695 [MARK MANCINA'S ''THE RAID'' PLAYING] 750 01:01:17,047 --> 01:01:20,380 Up there. You see him? See him? Look, over there. 751 01:01:20,550 --> 01:01:22,381 COP 2: Hey, kid, don't move. -Hey, you! 752 01:01:22,552 --> 01:01:25,112 Cops. Cops. 753 01:01:25,756 --> 01:01:27,815 Cops. Over here. 754 01:01:30,460 --> 01:01:33,190 COP 2: Grab that kid over there. Grab him, grab him. 755 01:01:39,870 --> 01:01:42,065 Listen, you can't Iet the cops catch you. 756 01:01:42,239 --> 01:01:44,639 If they do, you don't teII them your reaI name... 757 01:01:44,808 --> 01:01:48,244 ...because they'II send you right back where you came from, you got that? 758 01:01:49,112 --> 01:01:50,477 I don't wanna Iose you... 759 01:01:50,647 --> 01:01:53,013 ...but if we get separated, we meet at the arch. 760 01:01:54,985 --> 01:01:56,782 Do not teII them your name. 761 01:01:56,953 --> 01:02:02,016 Hey, when I say run, you run, okay? 762 01:02:08,832 --> 01:02:10,026 COP 1 : Let me see your hands. 763 01:02:10,200 --> 01:02:11,792 [SCREAMS] 764 01:02:13,036 --> 01:02:17,268 WALLACE: Run, August. Run, August. Run! COP 2: Hey, kid. 765 01:02:28,084 --> 01:02:29,108 Hey, kid, stop. 766 01:02:35,458 --> 01:02:36,516 Open the door. 767 01:02:36,693 --> 01:02:37,682 [BUZZES] 768 01:02:49,139 --> 01:02:51,972 [JAMAL JOSEPH'S ''HARLEM STREETZ'' PLAYING ON CAR STEREO IN DISTANCE] 769 01:03:08,558 --> 01:03:13,120 MAN [SINGING] : How I don't need that man But they don't understand 770 01:03:13,296 --> 01:03:15,821 There's far too many pressures in reality 771 01:03:16,967 --> 01:03:20,061 Dealing with the pain of stress and poverty 772 01:03:20,237 --> 01:03:26,801 And I gotta be myself because There's nobody else for me, no 773 01:03:26,977 --> 01:03:28,706 Hang in there with me 774 01:03:28,879 --> 01:03:31,746 Sometimes it takes a different kind of love To raise a child 775 01:03:31,915 --> 01:03:34,008 -So don't give up -So don't give up 776 01:03:34,184 --> 01:03:35,446 When pressures come down 777 01:03:35,619 --> 01:03:38,952 Sometimes it takes a different kind of dream To make you smile 778 01:03:39,122 --> 01:03:40,589 -So raise it up -So raise 779 01:03:40,757 --> 01:03:42,384 Hang in there with me 780 01:03:42,559 --> 01:03:45,619 Sometimes we need another helping hand To show the way 781 01:03:45,795 --> 01:03:47,524 -So don't give up -So don't give up 782 01:03:47,697 --> 01:03:49,255 When pressures come down 783 01:03:49,432 --> 01:03:52,333 Sometimes it seems impossible And that's why we pray 784 01:03:52,502 --> 01:03:54,470 -So raise it up -We pray 785 01:03:54,638 --> 01:03:57,766 Seems to be nothing left for me 786 01:03:57,941 --> 01:04:00,535 Mama's gone, Daddy didn't wanna be 787 01:04:01,478 --> 01:04:05,141 Now I'm all by myself Wondering where is love 788 01:04:05,315 --> 01:04:07,306 Or should I just give up, you know 789 01:04:07,484 --> 01:04:11,420 Life falls down on me Cuts into my soul 790 01:04:11,588 --> 01:04:15,046 But I know I got the strength To make it through it all 791 01:04:15,225 --> 01:04:18,717 Cause I'm still standing tall Breaking through these walls 792 01:04:18,895 --> 01:04:22,296 I'm gonna give my all, hey 793 01:04:22,465 --> 01:04:25,161 I'm feeling like a motherless child 794 01:04:25,502 --> 01:04:28,027 Pain cuts into my soul 795 01:04:28,738 --> 01:04:30,069 It's beaten me down 796 01:04:30,240 --> 01:04:34,802 Can't find a smile On the face of a motherless child 797 01:04:34,978 --> 01:04:38,072 Gonna break down these walls Gonna give my all 798 01:04:38,248 --> 01:04:42,548 You know Yeah, yeah, yeah, yeah 799 01:04:42,719 --> 01:04:44,243 Hang in there with me 800 01:04:44,421 --> 01:04:47,447 Sometimes it takes a different kind of love To raise a child 801 01:04:47,624 --> 01:04:49,421 -So don't give up -So don't give up 802 01:04:49,592 --> 01:04:50,786 When pressures come down 803 01:04:50,961 --> 01:04:54,453 Sometimes it takes a different kind of dream To make you smile 804 01:04:54,631 --> 01:04:56,189 -So raise it up -So raise it up 805 01:04:56,366 --> 01:04:58,357 -Hang in there with me -Raise it up 806 01:04:58,535 --> 01:05:01,368 Sometimes it takes another's helping hand To show you the way 807 01:05:01,538 --> 01:05:02,527 So don't give up 808 01:05:02,706 --> 01:05:04,799 -Oh, no, yeah -When pressures come down 809 01:05:04,975 --> 01:05:07,808 Sometimes it seems impossible That's why we pray 810 01:05:07,978 --> 01:05:08,967 So raise it up 811 01:05:16,353 --> 01:05:18,446 LYLA: Hi. -Hi. 812 01:05:18,955 --> 01:05:23,358 I know how this Iooks, you know. I'm not crazy. 813 01:05:23,526 --> 01:05:26,620 Nobody thinks you're crazy. What's your name? 814 01:05:26,796 --> 01:05:29,026 LyIa Novacek. 815 01:05:29,199 --> 01:05:31,167 WeII, it's Iike the woman expIained to you. 816 01:05:31,334 --> 01:05:33,894 -You fiII out a coupIe forms-- -Six months, they said. 817 01:05:34,070 --> 01:05:37,437 I don't have six months for forms. 818 01:05:37,607 --> 01:05:39,700 Then I can't heIp you, then. 819 01:05:40,310 --> 01:05:43,370 ExpIain something to me now. Why now? 820 01:05:44,147 --> 01:05:47,844 Why not before? Why is it so important that you want him now? 821 01:05:49,052 --> 01:05:51,247 I've aIways wanted him. 822 01:05:53,623 --> 01:05:57,525 I've waited 1 1 years, two months, and 1 5 days... 823 01:05:58,461 --> 01:06:01,089 ...to find out that he's aIive. 824 01:06:04,167 --> 01:06:05,998 I've been counting. 825 01:06:07,637 --> 01:06:09,969 [LUCAS REYNOLDS' ''SOMETHING INSIDE'' PLAYING] 826 01:06:18,014 --> 01:06:20,141 [PHONE DIALING] 827 01:06:22,852 --> 01:06:25,286 - [ON RECORDING] Hi, this is Lyla-- -And Lizzy. 828 01:06:25,455 --> 01:06:27,923 And we're not here right now, so leave a message. 829 01:06:28,091 --> 01:06:30,025 [MACHINE BEEPS] 830 01:06:33,363 --> 01:06:35,957 MAN [SINGING] : When the one thing you're looking for 831 01:06:36,132 --> 01:06:37,292 [PHONE DIALING] 832 01:06:37,467 --> 01:06:39,992 Is nowhere to be found 833 01:06:43,106 --> 01:06:46,234 And you're back-stepping All of your moves 834 01:06:46,409 --> 01:06:48,434 Trying to figure it out 835 01:06:48,611 --> 01:06:49,873 MAN: What are you waiting for? 836 01:06:50,046 --> 01:06:52,776 You see, I know this girI that Iives across the street. 837 01:06:52,949 --> 01:06:53,973 LyIa Novacek. 838 01:06:54,150 --> 01:06:56,243 I've been standing outside here waiting. 839 01:06:56,419 --> 01:06:57,784 I wrote her a song. 840 01:06:57,954 --> 01:07:01,412 WOMAN: Oh, the musician. She keeps me up haIf the night. 841 01:07:01,591 --> 01:07:05,789 WeII, I haven't seen her in a few days. She's off on her honeymoon. 842 01:07:08,198 --> 01:07:09,927 Thanks. 843 01:07:10,100 --> 01:07:15,470 MAN [SINGING] : And you wanna give out You wanna give in 844 01:07:15,638 --> 01:07:20,439 Your head's wrapped around What's around the next bend 845 01:07:20,910 --> 01:07:24,346 You wish you could find Something warm 846 01:07:24,514 --> 01:07:28,006 'Cause you're shivering cold 847 01:07:33,523 --> 01:07:38,654 It's the first thing you see As you open your eyes 848 01:07:38,828 --> 01:07:43,561 The last thing you say As you're saying goodbye 849 01:07:43,733 --> 01:07:50,002 But something inside you Is crying and driving you on 850 01:07:50,740 --> 01:07:52,867 RICHARD: And this isn't your signature? 851 01:07:54,310 --> 01:07:59,179 You do reaIize that he's probabIy aIready been pIaced with a famiIy, correct? 852 01:07:59,349 --> 01:08:01,783 Do you have chiIdren, Mr. Jeffries? 853 01:08:09,592 --> 01:08:11,958 Yeah, I did. 854 01:08:13,830 --> 01:08:15,354 Then you know. 855 01:08:23,206 --> 01:08:24,468 What's his birthday? 856 01:08:25,108 --> 01:08:27,474 December 1 7th, 1 995. 857 01:08:29,179 --> 01:08:30,339 Yeah, I know. 858 01:08:42,959 --> 01:08:45,120 Excuse me a minute. 859 01:09:03,313 --> 01:09:06,009 [MARK MANCINA'S ''PHOTO OF EVAN'' PLAYING] 860 01:09:13,356 --> 01:09:15,051 This is him. 861 01:09:19,729 --> 01:09:21,253 Yeah. 862 01:09:22,799 --> 01:09:25,700 [BELLS TOLLING] 863 01:09:39,782 --> 01:09:41,909 [PEOPLE CHATTERING] 864 01:09:42,085 --> 01:09:44,383 [MARK MANCINA'S ''PIANO LESSON'' PLAYING ON PIANO] 865 01:10:01,004 --> 01:10:03,063 You the one sIept under my bed? 866 01:10:08,378 --> 01:10:09,436 Do you Iive here? 867 01:10:10,046 --> 01:10:12,241 Me and my grandma do, tiII our boat comes in. 868 01:10:15,451 --> 01:10:16,679 Do you Iike music? 869 01:10:18,221 --> 01:10:19,279 More than food. 870 01:10:22,458 --> 01:10:24,187 Do you know your notes? 871 01:10:25,528 --> 01:10:27,428 I've never seen them Iike that before. 872 01:10:27,597 --> 01:10:29,189 See here: 873 01:10:30,033 --> 01:10:34,936 ''Every Good Boy Does Fine'' on the Iines. 874 01:10:35,104 --> 01:10:40,508 And ''F, A, C, E'' in between. 875 01:10:40,677 --> 01:10:44,204 And ''Great Big Dogs Fight AnimaIs.'' 876 01:10:44,380 --> 01:10:49,340 And ''AII Cars Eat Gas.'' Get it? 877 01:10:50,286 --> 01:10:51,776 You're Iike an angeI. 878 01:10:52,622 --> 01:10:54,351 Okay. I gotta go. 879 01:10:54,824 --> 01:10:56,519 Gotta go to schooI. 880 01:11:01,831 --> 01:11:03,560 Can I borrow this? 881 01:11:04,300 --> 01:11:05,961 Later. 882 01:11:12,942 --> 01:11:15,274 [THUDS] 883 01:11:27,857 --> 01:11:30,553 [PLAYING MARK MANCINA'S ''BASKETBALL''] 884 01:12:33,489 --> 01:12:35,150 HoIy.... 885 01:12:38,428 --> 01:12:40,623 Reverend J.! 886 01:13:06,722 --> 01:13:08,747 [ORGAN SOUNDS] 887 01:13:08,925 --> 01:13:11,758 You're not gonna beIieve this, Reverend J. Come quick. 888 01:13:11,928 --> 01:13:14,829 -Whoa. SIow down, Hope. -You've gotta see what's happened. 889 01:13:14,997 --> 01:13:18,990 [PLAYING MARK MANCINA'S ''3 NOTE THEME''] 890 01:13:35,818 --> 01:13:38,446 Remember in Music Appreciation we had a cIass on Mozart? 891 01:13:38,621 --> 01:13:39,645 Yes. 892 01:13:39,822 --> 01:13:41,847 Remember you said he was Iike a musicaI pod? 893 01:13:42,024 --> 01:13:43,958 -Prodigy. -ExactIy. 894 01:13:44,126 --> 01:13:47,027 WeII, I have one of those, and he's Iiving under my bed. 895 01:13:55,304 --> 01:13:58,933 So I showed him the scaIes and when I came home, he was.... 896 01:14:31,641 --> 01:14:35,077 LYLA: Mr. Jeffries, hi, it's Lyla Novacek again. 897 01:14:35,244 --> 01:14:38,077 I was just checking in. 898 01:14:40,550 --> 01:14:41,949 Right, I understand. 899 01:14:42,118 --> 01:14:45,246 You know, if there's any more information or-- 900 01:14:45,421 --> 01:14:47,252 Yeah, just call. 901 01:15:00,970 --> 01:15:02,631 I'II take it. 902 01:15:02,805 --> 01:15:05,399 WOMAN: How Iong do you think you'II be staying? 903 01:15:06,442 --> 01:15:08,933 LYLA: As long as it takes. 904 01:15:29,932 --> 01:15:31,490 Sorry. 905 01:15:31,667 --> 01:15:34,363 LYLA: I don't know, Lizzy, it's like... 906 01:15:34,737 --> 01:15:36,568 ...I just woke up... 907 01:15:36,739 --> 01:15:39,071 ...and I should start playing again. 908 01:15:39,241 --> 01:15:41,141 I should play. 909 01:15:41,611 --> 01:15:44,944 I know it sounds crazy, but maybe he'll hear me. 910 01:16:01,063 --> 01:16:03,930 LOUIS: Hey, Marshall. It's me. 911 01:16:05,534 --> 01:16:07,399 I'm in New York. 912 01:16:09,105 --> 01:16:11,630 Is the band still minus one mad Connelly brother? 913 01:16:12,675 --> 01:16:15,439 Having you guys here, it'd be great, you know? 914 01:16:16,846 --> 01:16:18,211 Just an idea. 915 01:16:18,381 --> 01:16:21,179 Hey, Frank. It's Louis. 916 01:16:21,550 --> 01:16:23,381 Louis ConneIIy. 917 01:16:23,552 --> 01:16:24,985 And? 918 01:16:25,154 --> 01:16:27,645 I pIayed here with me band a coupIe of years ago. 919 01:16:27,823 --> 01:16:29,814 WeII, about 1 0 years ago. 920 01:16:32,395 --> 01:16:34,761 Hey, hey, Iisten, Frank. 921 01:16:35,297 --> 01:16:38,789 I'm gonna pIay you one song, aII right? Just one song. 922 01:16:38,968 --> 01:16:42,597 And if you don't Iike it, you can throw me out. 923 01:16:44,173 --> 01:16:47,006 [MARK MANCINA'S ''AUGUST TO JUILLIARD'' PLAYING] 924 01:16:59,455 --> 01:17:01,753 WOMAN: You brought us a prodigy, Reverend. 925 01:17:01,924 --> 01:17:04,620 -He is a mystery. MAN: Here in the ''WeII-Tempered CIavier'' .... 926 01:17:04,794 --> 01:17:07,490 Dean, I thought he was an angeI. 927 01:17:08,397 --> 01:17:11,662 There's no record of an August Rush anywhere. 928 01:17:11,834 --> 01:17:16,271 MAN: It's about foundation, starting with a very simpIe, orderIy chord. 929 01:17:16,439 --> 01:17:19,169 LOUIS [SINGING] : As you open your eyes 930 01:17:19,341 --> 01:17:23,971 The last thing you say As you're saying goodbye 931 01:17:24,146 --> 01:17:26,512 But something inside you 932 01:17:26,682 --> 01:17:31,016 Is crying and driving you on 933 01:17:31,554 --> 01:17:34,421 [CELLO PLAYING DAVE METZGER'S ''CELLO CONCERTO IN E MINOR''] 934 01:17:40,262 --> 01:17:42,856 LIZZY: LyIa, just reIax. 935 01:17:43,032 --> 01:17:45,364 LYLA: This piece. LIZZY: You're pushing yourseIf too hard. 936 01:17:45,534 --> 01:17:47,798 I don't know if I can do this. 937 01:17:47,970 --> 01:17:50,495 LIZZY: You're pIaying with the PhiIharmonic. 938 01:17:50,673 --> 01:17:52,607 That's great. 939 01:17:54,510 --> 01:17:56,808 Okay, Iet's keep going. 940 01:18:04,120 --> 01:18:07,783 MAN: Start with a C-major chord, then a moduIation to G. 941 01:18:07,957 --> 01:18:10,949 Once we get to G, we go back to C, very simpIe. 942 01:18:11,127 --> 01:18:13,891 And we have C, G, C. 943 01:18:21,604 --> 01:18:23,504 At the very beginning, C-major chord. 944 01:18:23,672 --> 01:18:28,268 We have this chaotic evolution into a remote G-major. 945 01:18:31,614 --> 01:18:33,605 C-major chord, then move into a G. 946 01:18:42,424 --> 01:18:44,892 What's this, August? 947 01:18:45,194 --> 01:18:47,389 The diminished fifth, sir. 948 01:18:47,763 --> 01:18:49,196 Key change here. 949 01:18:49,365 --> 01:18:52,129 And then the rise with those round horns... 950 01:18:52,301 --> 01:18:56,362 ...the oboes, into the aIIegro staccato strings. 951 01:18:57,773 --> 01:18:59,673 [KNOCKING] 952 01:19:01,977 --> 01:19:04,502 Ah. Mr. Rush. 953 01:19:07,983 --> 01:19:11,350 -I'm sorry. -Why are you apoIogizing, August? 954 01:19:12,555 --> 01:19:14,022 Sometimes I don't Iisten weII... 955 01:19:14,190 --> 01:19:16,658 ...and I don't do the homework Iike I'm supposed to. 956 01:19:16,826 --> 01:19:19,124 WeII, I'm sure you'II do better in the future. 957 01:19:30,306 --> 01:19:33,298 The New York PhiIharmonic Orchestra is having a concert. 958 01:19:33,943 --> 01:19:35,996 In the history of this schooI we have never 959 01:19:36,009 --> 01:19:38,073 performed the work of a first-year student... 960 01:19:38,247 --> 01:19:41,148 ...and certainIy no one of your age. 961 01:19:41,317 --> 01:19:45,413 But now, we've asked them if they couId perform your rhapsody. 962 01:19:45,588 --> 01:19:47,146 WouId you Iike that? 963 01:19:48,057 --> 01:19:50,525 WeII, good. Good. 964 01:19:50,693 --> 01:19:52,354 How many peopIe wiII hear it? 965 01:19:55,130 --> 01:19:58,896 WeII, it wouId be performed in CentraI Park, on the Great Lawn. 966 01:19:59,068 --> 01:20:00,092 A hundred? 967 01:20:01,270 --> 01:20:03,170 Much more. Thousands. 968 01:20:04,006 --> 01:20:08,568 Okay. Because I need to pIay it to a Iot of peopIe. Lots and Iots. 969 01:20:08,744 --> 01:20:10,006 [PEOPLE CHUCKLING] 970 01:20:10,179 --> 01:20:11,874 We'II see what we can do to heIp. 971 01:20:14,383 --> 01:20:20,413 DEAN: August, three artists wiII be performing, and you wiII be featured Iast. 972 01:20:21,023 --> 01:20:23,389 [MARK MANCINA'S ''JUILLIARD MONTAGE'' PLAYING] 973 01:20:31,634 --> 01:20:33,431 How do you do it? 974 01:20:33,836 --> 01:20:37,203 How does the music come to you? 975 01:20:39,341 --> 01:20:41,104 AUGUST: I just hear it. 976 01:20:45,047 --> 01:20:46,878 Sometimes I wake up and it's there... 977 01:20:47,049 --> 01:20:49,882 ...or I hear it when I'm waIking down the street. 978 01:20:51,253 --> 01:20:55,883 [MARK MANCINA'S ''JUILLIARD MONTAGE'' PLAYING] 979 01:20:56,992 --> 01:20:59,552 It's like someone's calling out to me. 980 01:21:00,462 --> 01:21:03,124 Writing it aII down is Iike I'm caIIing back to them. 981 01:21:03,299 --> 01:21:04,561 Who? 982 01:21:06,068 --> 01:21:08,263 The ones who gave me the music. 983 01:21:15,611 --> 01:21:17,545 MARSHALL: You sure you're ready for this, Louis? 984 01:21:17,713 --> 01:21:19,010 Are you? 985 01:21:45,841 --> 01:21:49,174 [ORCHESTRA PLAYING MARK MANCINA'S ''RHAPSOD Y REHEARSAL''] 986 01:22:19,308 --> 01:22:21,003 Bravo, August! 987 01:22:23,545 --> 01:22:25,012 Good one! 988 01:22:28,450 --> 01:22:32,648 August, boy, you're a hard guy to find. 989 01:22:34,990 --> 01:22:36,480 Been Iooking everywhere for you. 990 01:22:36,658 --> 01:22:40,094 Excuse me. You're interrupting a rehearsaI here. 991 01:22:40,262 --> 01:22:42,822 WALLACE: Yeah, rehearsaI, right. MAN: And you are...? 992 01:22:42,998 --> 01:22:44,590 Come here to me, son. 993 01:22:54,376 --> 01:22:55,934 Come here. 994 01:22:59,048 --> 01:23:00,913 What'd they do to you? 995 01:23:02,518 --> 01:23:04,008 Nothing. 996 01:23:06,522 --> 01:23:08,513 These peopIe can steaI your souI. 997 01:23:09,358 --> 01:23:11,588 Sir, whomever you are, you don't have the right. 998 01:23:11,760 --> 01:23:14,695 I'm his father, aII right? I have every right. 999 01:23:18,801 --> 01:23:21,565 I'II take you home now. Come on. 1000 01:23:22,171 --> 01:23:25,265 But I have a concert. I Iike it here. 1001 01:23:25,441 --> 01:23:27,966 -He's a remarkabIe boy-- WALLACE: You don't think I know that? 1002 01:23:28,143 --> 01:23:31,909 What'd you do, you just snatched him up off the street? That gives you the right? 1003 01:23:32,514 --> 01:23:34,778 Wait a moment, we've been teaching him here. 1004 01:23:34,950 --> 01:23:36,178 What are you gonna do? 1005 01:23:36,351 --> 01:23:40,048 FiII his head with cIassicaI theory and ruIes? 1006 01:23:40,222 --> 01:23:43,191 You can't Iearn music from books. 1007 01:23:43,358 --> 01:23:44,916 It's out there. 1008 01:23:46,328 --> 01:23:48,694 You teach him? Ha! 1009 01:23:49,131 --> 01:23:50,598 He teaches you. 1010 01:23:50,766 --> 01:23:52,495 You Iearn from him. 1011 01:23:52,668 --> 01:23:55,159 We are. I assure you, Mr. Rush, every day. 1012 01:23:56,305 --> 01:23:58,068 You shouId be with famiIy. Come on. 1013 01:24:01,477 --> 01:24:03,069 Mr. Rush, pIease. 1014 01:24:03,245 --> 01:24:07,306 Do you have any idea of the importance of the concert tomorrow night, for August? 1015 01:24:08,117 --> 01:24:09,641 August. Wait, Iisten. 1016 01:24:10,119 --> 01:24:12,986 You gotta teII me right now, is this man reaIIy your father? 1017 01:24:17,459 --> 01:24:19,290 You can teII me the truth. 1018 01:24:20,462 --> 01:24:22,692 WALLACE: I know your reaI name. 1019 01:24:23,866 --> 01:24:25,265 Evan. 1020 01:24:25,868 --> 01:24:27,768 MAN: August. 1021 01:24:27,936 --> 01:24:29,369 Evan. 1022 01:24:31,773 --> 01:24:33,604 Is he your father? 1023 01:24:33,775 --> 01:24:36,972 [MARK MANCINA'S ''WIZARD RETURNS'' PLAYING] 1024 01:24:38,113 --> 01:24:40,308 He taught me everything I know. 1025 01:24:50,792 --> 01:24:52,726 [STRUMS GUITAR] 1026 01:24:52,895 --> 01:24:54,556 ARTHUR: And we are back, we are back. 1027 01:24:58,400 --> 01:25:00,732 Don't make it harder for yourseIf, Aug. 1028 01:25:00,903 --> 01:25:03,133 Wizard's not so bad. 1029 01:25:04,406 --> 01:25:06,840 You saw the kid, right? He's a freak of nature. Yeah. 1030 01:25:07,009 --> 01:25:10,740 Here's the deaI. Thousand a night, two weeks minimum, three cities guaranteed. 1031 01:25:10,913 --> 01:25:13,973 Then we ship him out to your partner on the West Coast. No. 1032 01:25:14,149 --> 01:25:16,014 ARTHUR: He just ain't feeIing weII. 1033 01:25:17,019 --> 01:25:20,318 He said you the onIy one who gonna make him feeI better. 1034 01:25:27,429 --> 01:25:30,330 Competition. AII right, I'II be back. You do what you do. 1035 01:25:34,236 --> 01:25:36,170 Yo, yo. 1036 01:25:42,010 --> 01:25:44,672 I'm his representation. That's why I'm making the deaI. 1037 01:25:45,514 --> 01:25:47,948 Come on. No, there's no parents. 1038 01:26:18,213 --> 01:26:19,771 Great sounds, kid. 1039 01:26:22,551 --> 01:26:24,143 Gibson J-200? 1040 01:26:25,687 --> 01:26:27,154 It's beautifuI. 1041 01:26:27,756 --> 01:26:29,053 Can I see her? 1042 01:26:32,494 --> 01:26:35,463 Hey. It's okay. 1043 01:26:35,931 --> 01:26:37,990 I'm a musician too. 1044 01:26:43,171 --> 01:26:44,695 Yeah. 1045 01:26:48,777 --> 01:26:50,472 Oh, yeah. 1046 01:26:55,751 --> 01:26:59,016 [PLAYING HEITOR PERIERA'S ''DUELING GUITARS''] 1047 01:27:04,092 --> 01:27:05,423 Nice action. 1048 01:27:06,461 --> 01:27:07,792 You're pretty good. 1049 01:27:08,997 --> 01:27:10,624 Thanks. 1050 01:27:11,566 --> 01:27:13,557 See what you can do with mine. 1051 01:29:08,049 --> 01:29:09,448 How Iong you been pIaying? 1052 01:29:09,885 --> 01:29:11,284 Six months. 1053 01:29:11,920 --> 01:29:13,717 Six months? 1054 01:29:13,889 --> 01:29:16,380 How'd you Iearn how to pIay Iike that in six months? 1055 01:29:16,558 --> 01:29:17,616 JuiIIiard. 1056 01:29:19,261 --> 01:29:20,421 JuiIIiard? 1057 01:29:20,929 --> 01:29:22,157 Yes, sir. 1058 01:29:22,330 --> 01:29:24,298 I have my own concert tonight. 1059 01:29:25,300 --> 01:29:26,961 Do you reckon I shouId beIieve you? 1060 01:29:28,069 --> 01:29:30,731 Yeah. But I can't go. 1061 01:29:31,173 --> 01:29:32,401 Why's that? 1062 01:29:33,141 --> 01:29:35,507 It's kind of a Iong story. 1063 01:29:37,846 --> 01:29:42,374 WeII, if I went to JuiIIiard and I had a concert tonight... 1064 01:29:42,551 --> 01:29:44,451 ...I wouIdn't miss it for the worId. 1065 01:29:45,754 --> 01:29:47,187 Yeah. 1066 01:29:52,360 --> 01:29:54,920 But what if something bad wouId happen if you did it? 1067 01:29:56,598 --> 01:29:58,793 You never quit on your music. 1068 01:29:59,568 --> 01:30:01,661 No matter what happens. 1069 01:30:02,270 --> 01:30:05,967 Because anytime something bad happens to you... 1070 01:30:06,374 --> 01:30:09,673 ...it's the one pIace you can escape to and just, psh, Iet it go. 1071 01:30:11,813 --> 01:30:13,906 I Iearned that the hard way. 1072 01:30:15,550 --> 01:30:17,450 And anyway, Iook at me. 1073 01:30:18,487 --> 01:30:20,819 Nothing bad's gonna happen. 1074 01:30:21,523 --> 01:30:23,650 You gotta have a IittIe faith. 1075 01:30:34,302 --> 01:30:35,530 I'm Louis. 1076 01:30:36,605 --> 01:30:39,005 Ev-- August. 1077 01:30:39,174 --> 01:30:40,835 August Rush. 1078 01:30:41,009 --> 01:30:43,068 August Rush. 1079 01:30:44,479 --> 01:30:46,811 -CooI name. WALLACE: August! 1080 01:30:48,149 --> 01:30:49,673 Come on! 1081 01:30:52,754 --> 01:30:54,551 I gotta go, August. 1082 01:31:00,862 --> 01:31:02,352 Bye. 1083 01:31:03,131 --> 01:31:04,598 Yeah. 1084 01:31:06,434 --> 01:31:07,924 Bye. 1085 01:31:17,612 --> 01:31:19,011 Bye. 1086 01:31:37,465 --> 01:31:40,195 Yes, I made him memorize our number. 1087 01:31:42,771 --> 01:31:46,207 I understand. Your department's doing everything they can. 1088 01:32:05,193 --> 01:32:07,753 Do you think anything bad happened to him? 1089 01:32:08,863 --> 01:32:10,125 I'm sure he's fine. 1090 01:32:11,199 --> 01:32:13,759 I prayed for him. Did you? 1091 01:32:14,536 --> 01:32:16,197 Yeah. 1092 01:32:17,372 --> 01:32:20,739 WeII, if his father Ioves him Iike he shouId... 1093 01:32:20,909 --> 01:32:24,072 ...then he'II do what's best for his son. 1094 01:32:25,981 --> 01:32:27,608 You beIieve that, don't you? 1095 01:32:28,583 --> 01:32:31,381 -Yeah. -Good. 1096 01:32:31,686 --> 01:32:33,551 Now go get ready. 1097 01:32:33,955 --> 01:32:39,222 [MARK MANCINA'S ''ARPEGGIO THEME'' PLAYING] 1098 01:32:44,532 --> 01:32:46,966 DEAN: Welcome to our Concert in the Park... 1099 01:32:47,435 --> 01:32:52,498 ...and the Mercedes Drive Your Future SchoIarship CeIebration. 1100 01:32:52,674 --> 01:32:55,336 And now it is with enormous pIeasure... 1101 01:32:55,510 --> 01:33:01,938 ...that I weIcome back to the concert stage one of JuiIIiard's own, LyIa Novacek. 1102 01:33:28,610 --> 01:33:33,138 [PLAYING DAVE METZGER'S ''CELLO CONCERTO IN E MINOR''] 1103 01:33:56,538 --> 01:33:57,664 [LOUIS PLAYING LUCAS REYNOLDS' ''SOMETHING INSIDE''] 1104 01:33:57,839 --> 01:34:00,774 [SINGING] So long you've been running in circles 1105 01:34:00,942 --> 01:34:02,807 Round what's at stake 1106 01:34:05,847 --> 01:34:10,682 But now the time's come For your feet to stand still in one place 1107 01:34:14,222 --> 01:34:17,851 You wanna reach out You wanna give in 1108 01:34:18,026 --> 01:34:21,928 Your head's wrapped around What's around the next bend 1109 01:34:22,097 --> 01:34:27,364 You wish you could find something warm 'Cause you're shivering cold 1110 01:34:29,971 --> 01:34:33,873 It's the first thing you see As you open your eyes 1111 01:34:34,042 --> 01:34:37,978 The last thing you say As you're saying goodbye 1112 01:34:38,146 --> 01:34:43,174 But something inside you Is crying, driving you on 1113 01:34:44,819 --> 01:34:49,153 'Cause if you hadn't found me 1114 01:34:49,324 --> 01:34:51,758 I would have found you 1115 01:34:53,628 --> 01:34:58,861 I would have found you 1116 01:35:06,574 --> 01:35:08,303 I have to go now. 1117 01:35:20,221 --> 01:35:22,018 I'm not coming back this time. 1118 01:35:23,658 --> 01:35:24,989 He's just kidding, Wizard. 1119 01:35:26,594 --> 01:35:29,324 Me and August have a understanding. Don't we? 1120 01:35:34,469 --> 01:35:36,664 Aug, you can't Ieave me, man. 1121 01:35:36,838 --> 01:35:38,601 Yes, I can. 1122 01:35:39,841 --> 01:35:41,968 Because you have to find your parents, right? 1123 01:35:42,143 --> 01:35:44,907 Yeah. My concert's starting. 1124 01:35:45,079 --> 01:35:50,142 WeII, aII my money's on the fact your foIks won't be abIe to find you. 1125 01:35:50,318 --> 01:35:51,649 You know why? 1126 01:35:52,053 --> 01:35:53,953 Because they can't hear you. 1127 01:35:54,389 --> 01:35:55,720 They're probabIy dead. 1128 01:35:55,890 --> 01:35:58,085 You're not going anywhere. 1129 01:36:01,930 --> 01:36:06,492 It's the first thing you see As you open your eyes 1130 01:36:06,701 --> 01:36:10,102 The last thing you say As you're saying goodbye 1131 01:36:10,305 --> 01:36:11,363 Nowhere to go, son. 1132 01:36:11,539 --> 01:36:15,134 Something inside you Is crying and driving you on 1133 01:36:16,177 --> 01:36:21,979 I would have found you 1134 01:36:22,417 --> 01:36:24,180 ARTHUR: Run, boy. 1135 01:36:24,352 --> 01:36:25,876 Run, August, run. 1136 01:36:26,054 --> 01:36:29,990 I would have found you 1137 01:36:32,327 --> 01:36:37,060 I would have found you 1138 01:36:38,199 --> 01:36:40,394 [HORN HONKS] 1139 01:36:47,008 --> 01:36:49,476 WALLACE: August! 1140 01:37:02,891 --> 01:37:05,985 [PLAYING DAVE METZGER'S ''CELLO CONCERTO IN E MINOR''] 1141 01:37:39,594 --> 01:37:42,119 WALLACE: August! 1142 01:38:02,483 --> 01:38:05,111 DEAN: Thank you, Iadies and gentIemen. 1143 01:38:05,486 --> 01:38:11,288 Music has aIways fascinated us in the way that it communicates. 1144 01:38:11,459 --> 01:38:14,485 Without words, without pictures. 1145 01:38:15,396 --> 01:38:18,263 And that Ieads us to our finaI performance. 1146 01:38:22,437 --> 01:38:24,598 NICK: How much Ionger to the airport? 1147 01:38:24,772 --> 01:38:27,263 MARSHALL: Man, it jams up the traffic. 1148 01:38:27,442 --> 01:38:29,933 Bring you back to the oId days, eh, Louis? 1149 01:38:32,080 --> 01:38:35,982 [MARK MANCINA'S ''ARPEGGIO THEME'' PLAYING] 1150 01:38:47,662 --> 01:38:49,459 ''August Rush.'' 1151 01:38:49,630 --> 01:38:51,461 Evan TayIor. 1152 01:39:07,181 --> 01:39:11,845 UnfortunateIy, our Iast performer seems to have.... 1153 01:39:12,020 --> 01:39:14,887 He's here. He's here. He's here. 1154 01:39:15,056 --> 01:39:17,388 Oh. ExceIIent. 1155 01:39:17,558 --> 01:39:21,426 Perhaps there's no one eIse who can better personify... 1156 01:39:21,596 --> 01:39:24,497 ...the mystery that is music... 1157 01:39:24,665 --> 01:39:27,395 ...than our finaI composer. 1158 01:40:18,219 --> 01:40:21,950 [ORCHESTRA PLAYING MARK MANCINA'S ''RHAPSOD Y''] 1159 01:41:19,147 --> 01:41:20,637 Hey, what's that? 1160 01:41:20,815 --> 01:41:23,409 MAN: Concerts in the Park every spring. 1161 01:41:51,145 --> 01:41:52,806 Let me out. 1162 01:41:54,015 --> 01:41:56,415 Let me out! Let me out! 1163 01:42:44,899 --> 01:42:47,026 HOPE [SINGING] : Yeah, yeah, yeah 1164 01:42:50,571 --> 01:42:52,402 Woo woo 1165 01:42:55,209 --> 01:42:58,042 Yeah, yeah 1166 01:43:02,049 --> 01:43:04,176 Yeah 1167 01:43:08,222 --> 01:43:11,783 Oh, oh 1168 01:43:12,860 --> 01:43:15,954 Woo 1169 01:43:18,032 --> 01:43:20,193 Yeah 1170 01:43:24,905 --> 01:43:27,999 Oh, oh 1171 01:43:29,610 --> 01:43:30,599 Whoa, oh 1172 01:43:32,313 --> 01:43:34,440 Yeah 1173 01:43:36,550 --> 01:43:40,987 Whoa, oh 1174 01:43:43,557 --> 01:43:47,049 [VAN MORRISON'S ''MOONDANCE'' PLAYING] 1175 01:46:39,633 --> 01:46:42,158 AUGUST: The music is all around us. 1176 01:46:42,336 --> 01:46:45,065 All you have to do is listen. 1177 01:46:45,162 --> 01:47:01,262 SUBTITLES SYNCED BY YOSHI224 FOR THE BEAUTIFUL ANGEL TWEETIE PIE (ANNA-MARIA) 1178 01:47:01,355 --> 01:47:06,952 MAN [SINGING] : Ooo eee oooh 1179 01:47:08,963 --> 01:47:13,297 As days go by and fade tonight 1180 01:47:13,467 --> 01:47:17,062 I still question why you left 1181 01:47:17,238 --> 01:47:21,174 I wonder how it didn't work out 1182 01:47:21,342 --> 01:47:23,071 But now you're gone 1183 01:47:23,244 --> 01:47:27,146 And memories are all I have for now 1184 01:47:27,314 --> 01:47:29,145 But no, it's not over 1185 01:47:29,316 --> 01:47:33,275 We'll get older We'll get over 1186 01:47:33,454 --> 01:47:37,413 We'll live to see the day that I hope for 1187 01:47:37,591 --> 01:47:38,853 Come back to me 1188 01:47:39,026 --> 01:47:40,721 I still believe 1189 01:47:40,895 --> 01:47:46,333 That we'll get it right again 1190 01:47:46,500 --> 01:47:49,025 We'll come back to life again 1191 01:47:49,203 --> 01:47:54,072 We won't say another goodbye again 1192 01:47:54,241 --> 01:47:58,007 Live forever with me 1193 01:47:59,680 --> 01:48:01,841 And someday 1194 01:48:03,784 --> 01:48:05,649 Someday 1195 01:48:05,819 --> 01:48:09,755 We'll be together someday 1196 01:48:11,859 --> 01:48:17,058 Someday we'll be together 1197 01:48:19,800 --> 01:48:23,600 Our someday might be today 1198 01:48:23,771 --> 01:48:27,605 The mysteries of destiny say 1199 01:48:27,775 --> 01:48:31,575 Our somehow and our some way 1200 01:48:31,745 --> 01:48:35,647 For all we know they come tomorrow 1201 01:48:35,816 --> 01:48:39,775 But for today my eyes are open 1202 01:48:39,954 --> 01:48:43,651 My arms are raised for your embrace 1203 01:48:43,824 --> 01:48:48,056 My hands are here to mend what is broken 1204 01:48:48,228 --> 01:48:52,494 To feel again the warmth of your face 1205 01:48:52,666 --> 01:48:56,568 I believe there is more to life 1206 01:48:56,737 --> 01:48:59,399 Oh, I love you much more than life 1207 01:48:59,573 --> 01:49:00,562 It's though 1208 01:49:00,741 --> 01:49:03,767 I believe I can change your mind 1209 01:49:03,944 --> 01:49:08,005 Revive what is dying inside 1210 01:49:10,150 --> 01:49:13,085 And someday 1211 01:49:14,321 --> 01:49:16,186 Someday 1212 01:49:16,357 --> 01:49:20,293 We'll be together someday 1213 01:49:22,429 --> 01:49:26,331 Someday we'll be together 1214 01:49:26,500 --> 01:49:28,968 Someday 1215 01:49:30,471 --> 01:49:32,336 Someday 1216 01:49:32,506 --> 01:49:36,067 We'll be together 1217 01:49:36,644 --> 01:49:38,976 We'll be together 1218 01:49:40,614 --> 01:49:43,913 We'll be together 1219 01:49:46,820 --> 01:49:49,015 Someday 1220 01:50:07,141 --> 01:50:11,805 MAN 2 [SINGING] : I'm as crazy as a clown tonight 1221 01:50:11,979 --> 01:50:15,813 A clown without a crown tonight 1222 01:50:15,983 --> 01:50:21,011 A simple sack of wishes and bones 1223 01:50:22,923 --> 01:50:27,519 I'm as useless as a memory 1224 01:50:27,695 --> 01:50:31,495 The day before it came to me 1225 01:50:31,665 --> 01:50:37,365 To save your town Of stitches and stones 1226 01:50:37,538 --> 01:50:40,302 But once in my life 1227 01:50:40,474 --> 01:50:44,433 I was the king of Earth 1228 01:50:46,180 --> 01:50:48,910 Once in my life 1229 01:50:49,083 --> 01:50:53,520 I was 1230 01:50:53,987 --> 01:50:57,081 Now that the stars 1231 01:50:57,257 --> 01:51:00,784 Are frozen in their places 1232 01:51:02,629 --> 01:51:07,464 Now that our hope seems gone 1233 01:51:10,003 --> 01:51:12,437 Now that the stars 1234 01:51:12,606 --> 01:51:17,043 Have fallen from our faces 1235 01:51:19,246 --> 01:51:21,942 I will see you on 1236 01:51:25,385 --> 01:51:29,913 I'll never be your picture president 1237 01:51:30,090 --> 01:51:34,117 But I hope you got the rose I sent 1238 01:51:34,294 --> 01:51:39,163 To save your town of stitches and bones 1239 01:51:41,068 --> 01:51:46,005 I'm nothing more than but a simple man 1240 01:51:46,173 --> 01:51:49,870 Formed to be American 1241 01:51:50,043 --> 01:51:55,538 Out to draw these bridges alone 1242 01:51:55,716 --> 01:51:58,344 But once in my life 1243 01:51:58,519 --> 01:52:03,047 I was the king of the Earth 1244 01:52:04,591 --> 01:52:07,583 Once in my life 1245 01:52:27,748 --> 01:52:31,047 CHORUS [SINGING] : Bamba, bamba 1246 01:52:31,919 --> 01:52:35,411 Oh, bamba, bamba 1247 01:52:35,589 --> 01:52:38,524 MAN 3 [SINGING] : Para bailar la bamba 1248 01:52:38,692 --> 01:52:40,660 CHORUS [SINGING] : Bamba, bamba 1249 01:52:40,828 --> 01:52:43,888 MAN 3 [SINGING] : Para bailar la bamba CHORUS [SINGING] : Bamba, bamba 1250 01:52:44,064 --> 01:52:49,434 MAN 3 [SINGING] : Se necesita una poca de gracia 1251 01:52:49,603 --> 01:52:51,036 CHORUS [SINGING] : Bamba, bamba 1252 01:52:51,205 --> 01:52:56,268 MAN 3 [SINGING] : Una poca de gracia pa mi pa ti 1253 01:52:56,443 --> 01:52:58,911 Y arriba, y arriba 1254 01:52:59,079 --> 01:53:01,479 CHORUS [SINGING] : Bamba, bamba 1255 01:53:01,648 --> 01:53:03,843 MAN 3 [SINGING] : Yeah, dance with me, baby 1256 01:53:04,017 --> 01:53:05,075 CHORUS [SINGING] : Bamba, bamba 1257 01:53:05,252 --> 01:53:06,947 MAN 3 [SINGING] : Let's dance tonight 1258 01:53:07,120 --> 01:53:09,384 Say arriba y arriba 1259 01:53:09,556 --> 01:53:12,218 CHORUS [SINGING] : Bamba, bamba 1260 01:53:12,392 --> 01:53:14,587 MAN 3 [SINGING] : Say arriba y arriba 1261 01:53:14,761 --> 01:53:17,127 CHORUS [SINGING] : Bamba, bamba 1262 01:53:17,297 --> 01:53:20,027 MAN 3 [SINGING] : Oh, oh 1263 01:53:22,703 --> 01:53:25,934 Yeah, yeah, yeah 1264 01:53:26,106 --> 01:53:27,971 [MAN 3 LAUGHING] 1265 01:53:33,347 --> 01:53:35,338 [ENGLISH SDH]