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[20th CENTURY FOX THEME PLAYS]
[♪♪]
Woman: YEAH. MAKE WAY, BRUDDAH.
MAKE WAY FOR THE "S" SOUL.
YEEEE!
[HIP-HOP MUSIC PLAYING]
YOU SURE HE'S IN THERE?
HE'S IN THERE.
HERE. YOU MIGHT NEED THESE.
I ALREADY GOT ROUNDS.
THEY'RE EARPLUGS.
IT'LL GET LOUD ONCE WE'RE INSIDE.
[RAP PLAYING, INDISTINCT]
HO!
[RUNS DISC BACK AND FORTH]
WHERE BROOKLYN AT?
LONG ISLAND?
USE YOUR VOICE.
WHAT ABOUT QUEENS?
UPTOWN. Y'ALL READY FOR THIS?
[CHEERING]
Y'ALL READY FOR THIS?
[CHEERING]
I DON'T KNOW ABOUT Y'ALL,
BUT I KNOW ABOUT US.
THIS THE ONLY WAY WE KNOW HOW TO ROCK.
LET'S GET IT.
[♪♪]
YEAH!
LET'S START JUMPIN'.
[CLAPPING]OH...
TURN IT.YEAH.
YEAH! KEEP GOIN', MAN.
♪ UP IN THE MORNIN', GIRL
♪ AND THE DJ PLAYIN' THAT SONG
♪ NOW WHATCHA GONNA DO?
♪ OH, DO, DO, DO?
♪ WHATCHA GONNA DO?
♪ OH, DO, DO, DO
♪ I SAID IT'S 2:00 UP IN THE MORNIN' HERE, GIRL ♪
♪ AND THE DJ PLAYIN' THAT SONG ♪
♪ NOW WHATCHA GONNA DO?
♪ DO, DO, DO
♪ WHATCHA DO?
♪ YEAH
♪ I GOT THE LEGAL LIMIT AMERICAN EXPRESS CARD ♪
♪ I MEAN, YOU CAN GET WHATEVER YOU LIKE ♪
♪ PLUS SIDE, GET THAT OLD BLACK PHANTOM ♪
♪ IT'S TEN TO THE FOUR SIZE ♪
♪ CAN HE KISS THE DICKENS? HE IS DECIDIN' ♪
♪ WANT ME, TELL ME DO YOU LIKE? ♪
♪ KID, I KNOW YOU LIKE
♪ KID, IT'S WRITTEN ALL OVER YOUR FACE ♪
♪ DON'T FIGHT IF YOU LIKE
♪ GET MORE THAN I LIKE
♪ GET TO PUT IT ALL OVER YOUR FACE ♪
♪ DON'T FIGHT, IF YOU CAN
♪ FROM RAGS TO RICHES, CLUB PACKED WITH... ♪
♪ HIT THE BACK AND DITCH US ♪
♪ THE HATE GAME IS VICIOUS
♪ AND WE CAN GET IT POPPIN' IN THE BACK ROOM ♪
♪ DON'T BE SUCKA, SMILE, GO AHEAD, AND PASS IT TO 'EM ♪
♪ THEN WE CAN ALL FLOW
♪ OH, JUST LIKE A MILLION ON MY NECK ♪
♪ GOT ALL OF THESE, AND THEY WON'T GO ♪
♪ WE BUSY JUMPIN'
♪ BUT THE CELLAR'S COME ON UP IN V.I.P. ♪
♪ AND THESE DESCRIPTIONS SCREAMIN', "LET ME IN" ♪
♪ IT'S 2:00 UP IN THE MORNIN', BABY ♪
♪ AND THE DJ PLAYIN' THAT SONG ♪
Girl: SO, WHEN ARE YOU GUYS COMIN' DOWN HERE?
COME ON! GET OVER HERE! IT'S NOT A PARTY WITHOUT YOU.
♪ I SAID IT'S 4:00 UP IN IN THE MORNIN' ♪
♪ AND I'M, AND I'M TRYIN' TO GO HOME WIT' YOU ♪
♪ WHATCHA GONNA DO?
♪ OH, DO, DO, DO
♪ WHATCHA GONNA DO?
♪ OH, DO, DO, DO ♪ YEAH
♪ NEED A JOB, PLEASE GIMME THE JOB ♪
♪ IT IS WRITTEN ALL OVER YOUR FACE ♪
CHILL OUT.
NOW, THAT'S WHAT I'M TALKIN' ABOUT, MAN.
THANK YOU, MAN. THAT'S WHAT HAPPENS
WHEN YOU LOVE WHAT YOU DO. IT JUST TURNS OUT RIGHT.
BUT I'M GONNA NEED YOU TO GET THAT RECORD FOR ME, BUD.
HUH? OH, YEAH, YEAH. RIGHT.
THE MUSIC'S TIGHT. HEY, MAN, BUT I'M TALKIN' ABOUT
THESE FLY HONEYS IN HERE CHECKIN' ME OUT TONIGHT, MAN.
NO, THEY FEELIN' ME HERE, D.
I SEE YOU.
I SEE YOU SEEIN' ME.
HEY!YOU LIKE THAT!
YEAH.
I LIKE-- I LIKE IT, TOO.
[CHUCKLES]
YOU--YOU LIKE THAT? HUH? YOU LIKE THAT MOVE RIGHT THERE?
YOU LIKE MY MOVE.
MOVE? [SNICKERS]
YOU LOOK LIKE YOU WAVIN' IN
A 747 TO JFK, MAN.
I NEED YOU TO GET THAT RECORD. FOCUS, MAN.
HEY, BUSTA'S GOT IT, BABY.
BUT THEY DON'T WANT IT. FOCUS.
I DON'T THINK SO.
WE'RE ON THE LIST.
NAME?
BARETTA.
[♪♪]
HEY...THIS GIG TOMORROW, MAN?
YO, THIS THING'S GONNA BE HUGE.
I'M TALKIN' ABOUT EVERYBODY FROM THE MUSIC WORLD'S GONNA BE THERE.
YO, WHOEVER NOT THERE,
I GUARANTEE THEY HEAR ABOUT IT, MAN.
ULTIMATE RECORDS, MAN.
ALL THE WAY TO THE TOP.
AHH. AHH. UHH.
YEAH. HA HA HA!
YOU KNOW WHAT I'M TALK--OH.
WAIT A MINUTE. HEY, YOU OWE SOMEBODY SOME MONEY OR SOMETHIN'?
WHAT'S GOIN' ON?
YEAH!
HA HA HA HA! OH, Y'ALL SHOULDA SEEN
YOU GRILL, JOE. YOU STRAIGHT DRIBBLE.
UH, "YOU OWE MONEY? I..." HA HA HA!
FO' SHIZZLE.
OK. HEY, JUNIOR, LISTEN TO ME.
REAL TALK RIGHT NOW? YOU TALKIN' LIKE THAT...
THAT'S NOT GONNA MAKE ME PUT YOU
IN THIS ORGANIZATION, MAN.
FRANKIE JUNIOR'S GOT HIS OWN ORGANIZATION,
THANK YOU VERY MUCH.MMHH!
WHAT UP, FRANKY MAN?
YO, CHECK IT OUT, D.
MY OLD MAN, HE PLANNED THIS LITTLE SURPRISE PARTY
FOR MY SISTER DOLLY. 'CAUSE YOU KNOW
SHE'S COMIN' BACK FROM LAW SCHOOL FOR THE SUMMER TOMORROW.
DOLLY? YEAH.
IT'S BEEN A LONG TIME, MAN.
PEEP THIS, SON. IT BE ILLIN'.
YOU BE CHILLIN' ALL THAT FAT JIMMIE-JAM ON THE BEAT BOX. A'IGHT?
OK. YOU KNOW WHAT? IT'S GETTIN' RIDICULOUS.
EVEN I DON'T UNDERSTAND WHAT HE JUST SAID. I DON'T KNOW.
DAWG, I KNOW SHE'D GROOVE ON YOUR TRACKS, MAN.
POP GAVE THE OK FOR YOU TO SPIN!
OH, HELL, NO. HELL, NO!
AIN'T NO WAY. ME AND MY MAN RIGHT HERE,
WE GOT A PRIOR ENGAGEMENT.
MUST BE YOUR FUNERAL.
SAY WHAT? WHAT?
NO, NO, NO. HE'S ONLY--
HE'S ONLY KIDDING. OK? HE'S ONLY KIDDING.
MONEY'S NO OBJECT.
I'LL DO IT FOR FREE.
SAY WHAT? MMHH, MMHH, MMHH!
NO, NO, NO, NO, NO. ME AND JUNIOR'S FAMILY GO WAY BACK, MAN.
I APPRECIATE THAT, D, MAN.
YEAH. GIMME SOME LOVE.
YEAH. MMM.
OK. YOU KNOW, THIS IS GREAT.
THAT'S TERRIFIC, MAN.
ALL RIGHT, YOU KNOW WHAT?
YOU GOT WHAT YOU CAME HERE FOR.
I NEED YOU TO TAKE YOUR SHINY SUITS AND TH--
DAMN. HEY, MAN,
THOSE ARE SOME NICE SHOES.
YEAH. WHAT?
YEAH, THESE ARE, UH, GIOVANNI, COLOR SOÓGLIO.
WHAT--WHAT COLOR IS THAT?
IS THAT--THAT THE SAHARA SAND?NO, NO, NO, NO.
THEY CALL IT PICKLED WALNUT.
I LIKE THAT!
WHOA! I LOVE YOUR BOOTS!
YEAH? YOU LIKE THESE? YEAH. THOSE ARE VERY NICE.
DAMN. I LIKE THOSE.
TIMS. LIMITED EDITIONS.
WHAT WITH THE FUR AROUND THE ANKLE.
THEY HOT, BUT IT'S COOL.
THAT'S GOOD FOR THE SNOW. THEY'RE GOOD.
YOU KNOW!LOOK, LOOK, GENTLEMEN,
TAKE THE GQCONVERSATION OFF THE STAGE.
I GOT RECORDS TO SPIN HERE.
RIGHT. RIGHT. COME ON, LET'S-- YOU KNOW, I'M--
THANK YOU. THANK YOU. FRANK'S GONNA BE HAPPY.
YOU KNOW, I'M GOIN' YOUR WAY.
I WANNA TALK TO...
[NEW SONG] ♪ I AIN'T EXAGGERATING
♪ I'M JUST SEEIN' WHAT I SEE ♪
♪ IF YOU END UP WITH CHICKS, DON'T SPIT ♪
♪ THAT COULD BE ITEM "B"
YEAH, YEAH, THIS NEXT JOINT GOES OUT
TO ALL MY SEXY LADIES IN THE HOUSE.
YOU ROLLIN' WITH ME, MAKE YOURSELF SEEN.
[NEW SONG STARTS]
♪ THIS IS NOT A LOVE SONG ♪
♪ OOH, OOH, OOH
♪ THIS IS NOT A LOVE SONG ♪
MMM...
OH...YEAH.
[BREATHLESSLY] OH, YEAH.
I CAN'T FIND MY KEYS.
MMM. LET ME TRY.
MMM. GOD, YOU LOOK SO GOOD.
OHH! OHHH...
BABY...
DID YOU FIND 'EM?
YES. OH, YOUR KEYS.
UHHH...
OH, YEAH. OHHH...WHOO!
UM...HERE YOU GO.
COME HERE.
MMM...
[SIGHS]
OHHH...
AHHH!
OHHH...
[PANTING]
[DOOR CLOSES]
[SOFT BUSTLING ABOUT]
OHHH... MMM...
Come here. OHHH...
OHH! WHO'S THERE?[FOOTSTEPS]
OH, I'M FREEZIN'. OHHH. OHHH...
MMM... MMM...
Oh, come on.
WHO IS--OH.
UHHH...UH, LEXI! UH, SWEETHEART, WHAT--
WHAT ARE YOU DOIN' HERE?
I COULDN'T SLEEP.
WHERE'S BIG MAMA?
WORKIN' A DOUBLE SHIFT AT THE HOSPITAL.
BABY-SITTER FELL ASLEEP WATCHIN' G-STRING DIVAS.
YOU MISSED A BUTTON.
OH, UH... OH, JEEZ.
UH, LEXI, THIS IS CHERISE.
HI.
HI. [CHUCKLES] GET HER OUT OF HERE.
DARRELL.
Y-YES, SWEETNESS?
WHAT HAPPENED TO PAMELA?
WHO'S PAMELA?
UH...I DON'T KNOW.
WHO IS PAMELA, LEX?
YOU KNOW. THE ONE WHO CAME OVER YESTERDAY.
YOU SAID YOU WEREN'T SEEIN' ANYBODY. OHHH!
I'M NOT. WELL, I AM--YOU.
AND PAMELA.
GO TO BED.
SHE'S DELIRIOUS. I KNEW IT. YOU'RE A PLAYER.
COME ON, CHERISE. I SWEAR I DON'T EVEN KNOW A PAMELA.
YOU DON'T KNOW A CHERISE, EITHER.
COME--CHERISE.
CHERISE, PLEASE DON'T LEAVE.
[GIGGLES]
[SIGHS]
[DOOR CLOSES]
YOU MIND TELLIN' ME WHO PAMELA IS?
HOW WOULD IKNOW?
THEN WHY DID YOU JUST TELL CHERISE--
SHE WASN'T RIGHT FOR YOU.
[SIGHS]
GET OVER IT. SHE'S GONE.
[INDISTINCT CHATTER]
HEY, JOHNNY C.
HOW ARE YOU?
HI. IT'S GOOD TO SEE YOU.
GOOD TO SEE YOU, TOO, YEAH.
HOW ARE YOU?
EXCUSE ME.
DARRELL.
IT'S GOOD TO SEE YOU, SON.
HEY, MR. PUCELLI. HOW YOU DOIN'?
ALL RIGHT. GOOD. JUNIOR TELLS ME
YOU'RE A BIG DJ NOW.
OH, YEAH, WELL, I'M TRYIN' TO GET MY OWN STUDIO GOIN'.
ATLANTIC RECORDS? BACK IN THE DAY?
SO, LISTEN, I KNOW YOU'RE BUSY.
I REALLY APPRECIATE YOU COMIN' TONIGHT.
IT WAS MY PLEASURE, MR. PUCELLI. YOU KNOW,
EVERY TIME I LOOK BEHIND THAT BAR,
I SEE YOUR FATHER.
YEAH, MY FATHER LOVED THIS PLACE.
YEAH, HE DID.
YOU KNOW, YOU WERE IN DIAPERS
THE FIRST TIME HE BROUGHT YOU HERE?
I CAN'T SAY I REMEMBER THAT.
I LOOK AT YA NOW--
DOLLY'S A YOUNG WOMAN
AND YOU--YOU WERE A SKINNY KID.
MY WIFE USED TO FEED YOU A PLATE OF LASAGNA.
I'M TELLIN' YOU, IT WAS THE SIZE OF YOUR HEAD.
YEAH. MRS. P WAS A GREAT WOMAN.
YEAH...SHE WAS.
YOUR FATHER WAS A GOOD MAN.
HE HELPED ME OUT A LOT WHEN SHE PASSED ON.
LISTEN, UM... ANYWAY, HEY,
YOU GOT ANY, LIKE, GOLDEN OLDIES, A LITTLE FRANK SINATRA?
OH, YEAH. OLD BLUE EYES? I GOT YA.
TONY BENNETT COMIN' RIGHT UP, SIR.GOOD.
YO! WHAT UP, D?
WHAT'S THIS, HUH?
IT'S YOUR SISTER'S PARTY.
WHAT ARE YOU DOIN' WITH THAT GETUP, HUH?
EASE UP, POP. I DIDN'T GET THE CHANCE TO HOOK MY HAIR UP.
"HOOK YOUR HAIR UP"? WHAT KIND OF TALK IS THAT?
AND HOW ABOUT A BELT? YOUR PANTS ARE FALLIN' DOWN ALL OVER.
IT'S THE STYLE, POP. TELL HIM, D.
LISTEN, DO ME A FAVOR, DARRELL.
WILL YOU TALK SOME SENSE INTO MY SON?
I'LL DO MY BEST.
I'M GONNA HAVE A DRINK AT THE BAR, ON YOUR OLD MAN.
Darrell: ALL RIGHT.
HE'S ALWAYS HATIN' ON ME, MAN.
IT'S YOUR SISTER'S HOMECOMING, MAN.
THAT HAT--WHAT?
NO. YEAH, EXACTLY.
WHAT YOU GOT GOIN' ON THERE?I NEED YOUR HELP.
HEY, BOSS, DID YOU GET A CHANCE TO THINK ABOUT THAT THING?
NOT NOW, JACKIE.
THEY'RE AROUND THE CORNER, FRANK.
SHUT THE LIGHTS AND KEEP EVERYBODY AWAY FROM THE WINDOW.
OK. ALL RIGHT.
HEY, EVERYBODY, BACK AWAY FROM THE WINDOW!
TOMMY, SHUT THE LIGHTS.
COME ON. SHE'S ON HER WAY.
AH, YO, CHAD, THIS IS DARRELL, PART OF THE FAMILY.
DARRELL, THIS IS CHAD. THIS IS DOLLY'S BOYFRIEND.
I GUESS NON-ITALIANS GOTTA STICK TOGETHER, HUH?
OH, YEAH, I'M NOT ITALIAN,
BUT I SURE HOPE TO BE PART OF THE FAMILY REAL SOON.
Man: SHH!
SHH. SHH.
Dolly: YEAH.
HEY, TONY, WHY ARE ALL THE LIGHTS OUT?
WHO THE HELL KNOWS?
YOUR FATHER'S PROBABLY IN THE BACK. THEY CLOSE EARLY--
All: SURPRISE!
[APPLAUSE]
HEY, NICE TO MEET YOU, DARRELL.
DADDY!
I MISSED YOU SO MUCH.
YOU LOOK BEAUTIFUL.
OH, THANK YOU. COME HERE.
I MISSED YOU SO MUCH, TOO.
MM!
LET ME LOOK AT YOU.
MAY I HAVE THIS DANCE? YES.
THIS IS TOO MUCH.
COULD HAVE BEEN YOUR ENGAGEMENT PARTY.
DADDY, YOU PROMISED.
WHEN AM I GONNA DANCE AT MY DAUGHTER'S WEDDING?
AFTER YOU CRY AT HER GRADUATION.
[CHUCKLES]
I LOVE YOU.
I LOVE YOU MORE.
♪ EVERY KISS, EVERY HUG
♪ SEEMS TO ACT JUST LIKE A DRUG ♪
♪ YOU'RE GETTING TO BE A HABIT WITH ME ♪
♪ LET ME STAY IN YOUR ARMS ♪
[SCRATCHING]
[MUSIC PLAYING]
ALL RIGHT, YOU LIKE THAT?
YEAH, GET IT, MAN.UH-UH.
♪ SAY WHAT?
OH!
♪ GOT THIS
♪ FORMULA ONE
♪ UH-UH
♪ WHATEVER YOU WANT, GIRL UH-UH!
EVERYBODY CLAP, COME ON.
♪ UH
♪ YEAH, UH, ALL RIGHT
RELAX, MAMA.
IT'S WHAT BING CROSBY MUSIC WAS TO YOUR GENERATION,
CAPISCE? [CHUCKLES]
♪ EVEN THROUGH HARD TIMES
♪ YOU STILL REMAIN 100%
♪ GENUINE, AND THAT'S WHY I'M WAITING ♪
♪ THE BABY BUGGY, 5 BENS, KID AND ♪
♪ THAT'S WHY YOU GET IT, THAT'S WHY I SPEND IT ♪
♪ IT'S ALL FOR YOU, GIRL
♪ HEY, MAN, THAT WON'T DO, COME ON ♪
♪ SO SEXY
♪ I CAN'T GET YOU OFF MY MIND ♪
♪ SWEET LADY
♪ BE THE BEST OF ALL YOU'VE HAD ♪
♪ I WANT TO BE
♪ HOLDING YOUR BODY TIGHT
♪ YOU'LL SEE
♪ YOU'VE NEVER FELT A PLAYER LIKE ME ♪
♪ DON'T NEED TO DENY
LOOKIN' GOOD, DOLLY.
THANK YOU.
NO, NO. REAL GOOD.
THANK YOU.
♪ I KNOW YOU WANT IT FROM THE LOOK IN YOUR EYE ♪
[NEW SONG] ♪ WAKIN' UP TO A MESSAGE ON MY PHONE ♪
♪ TELLIN' ME YOU DON'T WANNA BE ALONE ♪
♪ BEEN WAITIN' FOR YOUR CALL... ♪
BEYOND SUPERSTITION, STEVIE WONDER.
G33, SING A SONG, EARTH, WIND & FIRE.
YOU REMEMBERED.
IT WAS ONLY 7 YEARS AGO.
I'M SORRY. WHAT'S YOUR NAME AGAIN?
I--
[BOTH CHUCKLE]
DO YOU REMEMBER THE LAST TIME WE WERE HERE?
NEW YEAR'S EVE WHEN MR. P THREW THAT HUGE PARTY.
AND WE SNUCK BOTTLES OF CHAMPAGNE
AND POURED IT INTO WATER GLASSES.
AND SAID IT WAS GINGER ALE UNTIL MY OLD MAN CAUGHT US.
JUNIOR TELLS ME YOU'RE A REALLY HOT SPINNER.
JUNIOR SAYS YOU'RE GONNA BE A BIG HOTSHOT LAWYER.
OH, WELL, YOU KNOW.
TORTS AND CONTRACTS AREN'T AS EXCITING
AS BURNING UP THE DANCE FLOOR,
BUT I THINK I'M GOOD AT IT.
HEY, I MET YOUR BOYFRIEND.
NICE GUY. THANKS.
WHAT ABOUT YOU? YOU GOT A GIRLFRIEND?
HEY, DOLLY.
YOUR DAD'S ABOUT TO MAKE A TOAST.
OK.
♪ SOMEONE ELSE, OH, NO
♪ NO WORRIES CAN GO AROUND
[APPLAUSE]
Frank: LISTEN. I WANT TO THANK YOU ALL FOR COMING TONIGHT.
I AM THRILLED THAT MY DAUGHTER DOLLY
IS BACK HOME WITH US.
AS YOU ALL KNOW, SINCE I'VE BEEN BRAGGING ABOUT IT,
THAT SHE HAS ONE MORE YEAR OF LAW SCHOOL,
AND THEN SHE BECOMES DOLLY PUCELLI,
BIG SHOT LAWYER.
WE COULD USE A MOUTHPIECE IN THE FAMILY.
NOT THAT KIND OF LAWYER, STUNADE,HUH?
SO A TOAST TO DOLLY.
COME ON UP HERE AND TAKE A BOW, DEAR.
COME ON, DOLLY!COME ON!
GUN!
AAH! GUN!
[SCREAMING, WEAPONS FIRE]DADDY!
DADDY!
DOWN![SCREAMING]
DOLLY! WHERE'S DOLLY?DADDY!
SHE'S OK, FRANK.[TIRES SQUEAL]
I'M OK.
SOMEBODY GET HELP! HURRY, PLEASE!
YOU'RE GONNA BE OK. I'M GETTING HELP.
HEY, THERE.
HEY, HOW'S IT GOING?
HE'S YOUNG AND STRONG.
I'VE GIVEN HIM ANTIBIOTICS.
LITTLE REST, HE'LL BE FINE.
THANKS A LOT, DOC.
WHO DO YOU THINK TRIED TO HIT US?
THIS WASN'T A HIT. IT WAS A MESSAGE.
SALVATORE?COME ON, FAT TONY.
WHO THE HELL ELSE IS IT GONNA BE?
NO. IT'S TOO SLOPPY FOR SALVATORE.
YEAH, BUT HE'S THE ONLY ONE WITH ENOUGH BALLS
TO EVEN TRY IT IN MY OWN PLACE.
HOW DO YOU WANT TO HANDLE IT?
ARRANGE A SIT-DOWN.
A SIT-DOWN?!
WITH THAT PIECE OF SHIT WHO TRIED TO KILL YOUR BOSS?
ALL DUE RESPECT, BUT WE GOTTA HIT BACK AND HIT BACK HARD.
EASY, JACKIE. HEY.
RELAX.
SOMEONE CAME TO MY PLACE,
SHOT UP MY FAMILY, COULD'VE KILLED MY DAUGHTER.
UNTIL I FIND OUT WHO DID IT,
YOU DO NOTHING.
[MUSIC PLAYS]
♪ MAYBE YOU'RE SHY
♪ OR MAYBE
♪ YOU'RE THINKIN' THAT I, I... ♪
HEY.
HEY, DOLLY. HEY, YOU ALL RIGHT?
[CHUCKLES] I'M NOT THE ONE WITH THE BULLET HOLE.
OH, IT'S NOTHIN'.
I MEAN, I'VE HAD WORSE GOIN' FOR A LAY-UP AT THE PLAYGROUND.
REALLY, IT'S NOTHIN'.
BUT THIS--
THIS SURE DOES BEAT NEW YORK MEMORIAL ON A SATURDAY NIGHT.
I CAN'T BELIEVE YOU JUMPED IN FRONT OF THAT BULLET.
YOU SAVED MY FATHER'S LIFE.
I GOTTA BE HONEST WITH YA.
I WAS DIVIN' FOR THE LAST STUFFED MUSHROOM.
YOU SEE, FAT TONY, HE WAS MAKIN' A MOVE FOR IT, MAN.
AND I'M TELLIN' YOU, IF I WAS GONNA GET IT, I...HEH...
COME ON.
DON'T DO THAT.
I'M SORRY. IT'S JUST...
LOOK, I KNOW MY DAD IS NO ALTAR BOY.
I JUST-- I NEVER REALIZED--
LISTEN, NOBODY'S GONNA GET OVER ON MR. P.
IF ANYTHING HAPPENED TO HIM,
I DON'T THINK I COULD TAKE IT.
I KNOW.
OH, I'M SORRY.
GOD, HERE I AM, GOING ON AND ON,
AND YOU'VE LOST BOTH YOUR PARENTS.
HEY, I GOT BUSTA.
I GOT LEXI, BIG MAMA, AND JUNIOR.
WHO SAYS YOU CAN'T MAKE YOUR OWN FAMILY?
[TELEPHONE RINGS]YO, MAN, D!
EVEN THOUGH YOU DOWN, MAN, YOU STILL GOT GAME, YO!
THE LADIES IS CALLIN'.
YO. YOU WANT, I'LL GO COMFORT A FEW OF THEM HONEYS FOR YOU, MAN.
I SHARE, BROTHER.
OK, YOU NEED ANYTHING, LET ME KNOW.
I'M JUST TRYING TO HELP A BROTHER OUT.
HEY, FORGET ABOUT IT.
HEY, YOU!
THANKS FOR BEIN' THERE FOR ME WHEN IT ALL WENT DOWN.
"JUST TRYING TO HELP A BROTHER OUT."
UH! OH, NO YOU DIDN'T. WERE YOU MAKIN' FUN?
UH! [IMITATES SIZZLING]
I BROUGHT YOU SOME PIE.
THANKS.
THIS PLACE IS TIGHT!
PEOPLE WHO LIVE HERE ARE IN THE NBA?
UH, MORE LIKE THE M-O-B.
MR. PUCELLI'S A BUSINESSMAN.
[CHUCKLES] YEAH, RIGHT.
AND SNOOP DOG'S A HERBALIST.
HEY, SO HOW LONG YOU GONNA BE STUCK HERE IN THE OLIVE GARDEN,
LIVIN' ALL HIGH SOCIETY STYLE?
HEY, LISTEN, THERE ARE SECURITY CAMERAS ALL OVER THIS PLACE.
MAKE SURE YOU DON'T DO ANYTHING THAT I'M GONNA REGRET.
♪ MAKE IT ALL OFFICIAL
♪ BROTHERLY LOVE, ABSOLUTELY, UNCONDITIONAL ♪
♪ GOT YOUR BACK THROUGH THE THICK AND THIN ♪
♪ WE CAME UP, STILL FRIENDS, TO THE VERY END ♪
♪ HOLD ME DOWN
♪ ALMOST FELT LIKE MUSIC SAVED OUR LIFE ♪
♪ KEPT US REAL THROUGH THE TROUBLE ♪
♪ WE'RE STILL BROTHERS NOW
HELLO.
I'M DOLLY.LEXI.
HI, LEXI. I WAS GONNA HAVE SOME MILK AND COOKIES.
I'M DOWN WITH THAT.
ALL RIGHT.
[EXPLOSION, RAPID WEAPONS FIRE]
[MAN GROANS]
HEY, DARRELL,
YOU WANNA GO TO STRIP WORLD TONIGHT?
AH, NO. MR. PUCELLI THINKS I SHOULD LAY LOW, MAN.
HEY, DAWG, LISTEN,
NOW I UNDERSTAND THAT YOUR ITALIAN FRIENDS, THEY GOT TRADITIONS, OK?
BUT BROTHERS, WE GOT TRADITIONS, TOO.
AND EVERYBODY KNOWS THAT IF A BROTHER GETS SHOT AND LIVES,
YOU CELEBRATE BY GOING TO THE STRIP CLUB. EVERYBODY KNOW THAT.
YOU SAID THE SAME THING ON MARTIN LUTHER KING'S DAY.
I SAID THAT?
YEAH, YOU DID, MAN.
WELL, THEN, WE GONNA MARCH DOWN
TO THE STRIP CLUB, THEN, DARRELL, OK?
THANKSGIVING DAY, WE CAN GIVE THANKS AT THE STRIP CLUB.
CHRISTMAS--WELL, EVERY DAY'S CHRISTMAS AT THE STRIP CLUB.
YOU GOT PROBLEMS, MAN.
WHAT YOU GONNA DO ON MOTHER'S DAY?
I'M GONNA CELEBRATE WITH THE MOTHERS AT THE STRIP CLUB.
YOU DON'T THINK MOTHERS STRIPPIN' AT THE STRIP CLUB?
YOU SICK.
[CHUCKLES] GOT YOU WITH THAT ONE.
[RAPID WEAPONS FIRE]
[EXPLOSION]
Busta: THEY'RE NICE. BETWEEN ME AND YOU,
I THINK THAT WHITE PEOPLE CHANGIN' NOW.
THEY ACTIN' FUNNY.
♪ WHY WAIT
♪ FOR THE
♪ HAND OF FATE?
[HUMMING]
BYE, DADDY. MMM-WA!
WHERE YOU GOIN'?
TO THE VILLAGE, SHOPPING.
WAIT, WAIT, WAIT. WAIT. HOLD IT.
JUST WAIT. WAIT.
DOLLY, WHAT HAPPENED LAST NIGHT WAS VERY SERIOUS.
I KNOW, DADDY.
ARE YOU OK?YES, I AM OK, AND YOU'RE OK.
AND I WANT TO KEEP IT THAT WAY.
THAT'S WHY JACKIE'S GONNA TAKE YOU TO THE VILLAGE.
BUT I HAVE A YOGA CLASS AFTER THAT.
HE'LL TAKE YOU THERE, TOO.
DINNER WITH THE GIRLS?
YEAH.
DO I LOOK LIKE I NEED A BABY-SITTER?
LOOK AT THE BRIGHT SIDE:
YOU DON'T HAVE TO WORRY ABOUT PARKING.
DAD, I LIVE IN BERKELEY.
I GO TO RESTAURANTS WITH DEAD CHICKENS IN THE WINDOW IN CHINATOWN.
I DRIVE THROUGH DOWNTOWN OAKLAND AT NIGHT, ALONE.
IN JERSEY, SOMEBODY GOES WITH YOU.
AND IF I SAY NO?
YOU DON'T GO OUT.
YOU'RE TREATING ME LIKE A CHILD.
WHAT WOULD YOUR MOTHER THINK IF I LET SOMETHING HAPPEN TO YOU?
Dolly: THAT IS NOT FAIR.
YOU CAN'T JUST DICTATE TERMS, OK?
YOU HAVE TO NEGOTIATE.
NEGOTIATE.
YOU KNOW, YOU'RE AS BEAUTIFUL AS YOUR MOTHER
WHEN YOU GET MAD.
FLATTERY WILL GET YOU NOWHERE.
NOW, I WILL HAVE A DRIVER,
BUT ONLY TO TAKE ME TO THE VILLAGE.
EVERYWHERE.
NON-NEGOTIABLE.
HE WAITS OUTSIDE.
HE STAYS RIGHT WITH YOU.
UGH! DAD, I CAN'T TAKE JACKIE ANYWHERE.
THAT'S CRUEL AND UNUSUAL PUNISHMENT.
FINE. YOU DON'T WANT JACKIE.
ANYONE IN THIS HOUSE IS MORE THAN QUALIFIED TO PROTECT YOU.
MY CHOICE.
FINE. YOUR CHOICE.
UHH!
[DARRELL HUMS]
DARRELL.
WHAT?
I CHOOSE DARRELL.
[CHUCKLES] NO.
YOU'VE KNOWN HIM FOREVER.
HE'S LOYAL, AND HE JUST TOOK A BULLET FOR YOU.
YOU CAN'T CHOOSE DARRELL.
OBJECTION. YOU SAID, "ANYBODY IN THIS HOUSE,"
AND HE IS IN THIS HOUSE.
DARRELL IS NOT A BODYGUARD.
[CHUCKLES] HE IS NOW.
DOLLY!
SO LET ME GET THIS STRAIGHT.
YOU WANT ME TO DRIVE DOLLY AND GO WHEREVER SHE GOES?
I CAN UNDERSTAND IF YOU SAY NO, DARRELL.
I MEAN, IT'S A VERY DANGEROUS SITUATION HERE.
THEN I'D LIVE HERE, AND I'D BE ON CALL 24/7?
RIGHT. OF COURSE YOU'D BE TAKEN CARE OF,
BUT ALL THE MONEY IN THE WORLD
WON'T MEAN MUCH IF YOU'RE DEAD.
I'D BE LIKE HER MUSCLE?
OR MORE LIKE A HUMAN SHIELD,
AND IT WON'T BE GROUPIES COMIN' AT YA,
IT'D BE GUYS WITH GUNS.
DAMN.
YEAH.
OK.
WHAT?
I'D NEVER FORGET MY FATHER'S FACE
WHEN I GRADUATED FROM COLLEGE.
HE WAS SO PROUD OF ME.
AND THAT WOULD HAVE NEVER HAPPENED WITHOUT YOU, MR. B.
SO IF YOU'RE TELLING ME YOU NEED ME NOW,
I'M HERE.
ARE YOU SURE?
YEAH.
UH, EEH. UM...
HEY...
OK.
WELCOME TO THE FAMILY.
LISTEN, UM, NOW THAT YOU'RE GONNA DO THIS THING,
UH, THERE'S SOMETHIN' WE GOTTA TAKE CARE OF HERE.
GINO, DID YOU BRING EVERYTHING WE DISCUSSED?
OF COURSE, MR. PUCELLI.
GOOD. WE HAVE A NEW MEMBER OF THE FAMILY,
AND I REALLY WANT HIM TO LOOK NICE.
IT WOULD BE MY HONOR, SIR.
HEY, FRANK, YOU WANTED TO SEE ME?
AH.
THIS IS DARRELL.
YOU TREAT HIM WITH THE UTMOST CARE.
OF COURSE, MR. PUCELLI.
WHAT UP, PLAYER?
CAN I HELP YOU?
MR. PUCELLI HAS REQUESTED
A DAY SUIT FOR YOU
AND ONE FOR THE EVENING.
A SUIT? NO.
WHAT'S WRONG WITH WHAT I GOT ON?
THOSE PANTS ARE 3 SIZES TOO BIG.
HEY, UH...
I NEED THE SPACE.
HEY!
YOU KNOW WHAT? YOU GOTTA WARN A BROTHER
BEFORE YOU GO MESSIN' AROUND IN MY JUNK, MAN.
JUNK?
WHAT DO YOU MEAN, JUNK?
I AM USING NOTHING BUT THE FINEST ITALIAN WOOL.
NO, NOT YOU.
HEY! HOLD ON!
I HAVE TO MEASURE YOUR INSEAM.
THAT IS THE DISTANCE FROM YOUR SOLE TO YOUR--
DAMN, MAN! I KNOW WHAT AN INSEAM IS.
I'M A 32-LONG.
MAYBE WE START WITH A JACKET OR SOMETHING.
SOME SHOES MAYBE?
[SIGHS]
♪ THIS IS WHAT YOU WANT HERE ♪
♪ THIS IS WHAT YOU NEED ♪
♪ GO BANG, BANG, ROLL IN SOME LIGHT GREEN ♪
♪ THIS AIN'T WANT YOU WANT
♪ THIS AIN'T WHAT YOU NEED... ♪
♪ THIS IS WHAT YOU WANT
♪ THIS IS WHAT YOU NEED
WHAT'S OUR WORLD COMIN' TO?
NOBODY SHOWS RESPECT
FOR A FAMILY GET-TOGETHER?
I THOUGHT YOU COULD TELL ME
SOMETHING ABOUT THAT, SALVATORE.
YOU THINK WE HAD SOMETHING TO DO WITH THIS?
LET ME TELL YOU, FRANK.
WE SHOT AT YOU, YOU'RE DEAD.
ANGELO, [SPEAKING ITALIAN]
I'M SORRY, FRANK.
I WANT SOME ANSWERS.
I HAD NOTHING TO DO WITH THIS.
I SWEAR ON THE SOUL
OF MY DEAR DEPARTED MOTHER,
MARIA BENEDETTO VINCENZA ROSENBLOOM.
SHE REMARRIED AFTER MY FATHER PASSED AWAY.
SALVATORE, YOU NEVER BEEN HAPPY
WITH YOUR TAKE ON THINGS.
THAT'S NO SECRET,
BUT I DON'T WANT ANOTHER WAR.
NOBODY DOES.
I GIVE YOU MY WORD.
I WILL DO EVERYTHING IN MY POWER
TO HELP YOU FIND THESE GUYS.
BUT I DON'T WANT TO HAVE TO WATCH
OVER MY SHOULDER.
YOU HAVE NOTHING TO WORRY ABOUT.
♪ THIS IS WHAT YOU WANT
♪ THIS IS WHAT YOU NEED
♪ A BIG BOY HOUSE...
HEY, FRANK.
COMPLIMENTE.
I HEAR YOUR DAUGHTER'S GROWN UP TO BECOME
A BEAUTIFUL YOUNG WOMAN.
♪ WHILE THEY SPEAK OF MURDER ♪
♪ YEAH, YEAH
♪ MURDER, YOU DON'T HAVE THE HEART TO MURDER ♪
♪ YEAH, YEAH
♪ I'M LOOKIN' IN YOUR EYES AND NEVER REALIZE ♪
♪ WHY THEY SPEAK OF MURDER ♪
OH. DAMN, D.
OH, YOU LOOK FLY, MAN.
SO FRESH AND SO CLEAN, CLEAN.
HA HA!
OOH! IT DO LOOK GOOD, DON'T IT?
YO, DARRELL, YOU LOOK SO FLY,
I FIGURE I'LL WALK RIGHT BEHIND YOU, RIGHT?
AND I'LL JUST LIKE SCOOP THEM HONEYS UP
WHEN THEY FALL AT YOUR FEET.
DARRELL WILLIAMS-- BODYGUARD.
YEAH, MAN. LOOKS GOOD.
HEY, GOOD LOOK, GINO. YEAH.
WORD UP.
THE SUIT IS COOL AND ALL, MAN,
BUT UNLESS IT'S BULLETPROOF,
DON'T YOU THINK I NEED SOMETHING
A LITTLE MORE SUBSTANTIAL IN THE BODYGUARD DEPARTMENT?
OH, YOU MEAN A GAT?
YO, AIN'T NO THING, DAWG.
ANYTHING GOES DOWN,
YOU BE TAKEN CARE OF.
WELL, WHAT DOES THAT MEAN?
"TAKEN CARE OF"?
I MEAN, WHAT, AM I GONNA WAKE UP WITH A FISH'S HEAD
UNDERNEATH MY COVERS OR SOMETHING?
THAT'S A HORSE'S HEAD, MAN.
YOU SLEEP WITH THE-- YO, NEVER MIND.
I MEAN, DOLLY'S YOUR SISTER, JUNIOR.
I MEAN, WHAT AREN'T YOU DOING THIS?
YOU KNOW, POPS PROMISED MOM
HE'D NEVER LET US NEAR THE BUSINESS.
OH, SPEAKING OF BUSINESS,
I NEED YOU TO PEEP MY MARKETING PLAN
FOR ULTIMATE RECORDS.
YO, I'M GONNA BE RIGHT BACK.
AMAZING. WOW!
SORRY. I'LL CALL YOU BACK.
BROTHER'S KEEPIN' IT REAL.
REAL ENOUGH TO FAKE IT?
HIT ME WITH THAT AGAIN?
WE'LL DRIVE AWAY, DAD'LL BE HAPPY.
I'LL DO MY THING,
AND YOU WAIT IN THE CAR.
UH-UH. DOLLY, I CAN'T DO THAT.
NOBODY'S COMING AFTER ME.
HE JUST BEING OVERPROTECTIVE.
LOOK, YOUR DAD SAID STAY CLOSE TO YOU,
AND THAT'S WHAT I'M GONNA DO.
THEN I MIGHT AS WELL JUST PICK ONE OF THEM.
I THOUGHT YOU PICKED ME BECAUSE YOU TRUSTED ME.
YES, I TRUSTED YOU
TO HELP ME GET OUT OF THIS.
WELL, I THOUGHT I WAS HELPING YOU.
I'M A GROWN WOMAN.
I CAN TAKE CARE OF MYSELF.
OK, MAYBE SO, BUT I TOOK THE GIG,
AND I GAVE MR. P. MY WORD.
OK...
BODYGUARD.
I'LL SEE YOU IN THE MORNING.
[CLOCK CHIMING]
EXCUSE ME. BOSS?
HOPE THIS AIN'T ANOTHER ONE OF YOUR BUSINESS PROPOSALS.
NO, BOSS, IT'S UH...
IT'S THIS THING WITH DARRELL.
WHAT ABOUT IT?
WITH ALL DUE RESPECT, SIR,
HE'S A MULIG...
HE'S A DJ.
THE KID TOOK A BULLET FOR ME, OK?
BESIDES, THIS IS DOLLY'S WISH,
AND I NEED TO KEEP PEACE WITH MY DAUGHTER.
WHAT'S THE MATTER?
YOU THINK HE CAN'T PROTECT HER?
HE AIN'T PART OF THE FAMILY.
I MEAN, HE AIN'T EVEN CARRYIN' A GUN.
SOMETHIN' GOES DOWN,
HE'LL NEVER SEE IT COMIN'.
RIGHT...
BUT YOU WILL.
'CAUSE YOU'RE GONNA BE TAILIN' 'EM.
SO DON'T YOU WORRY ABOUT IT.
[SNORING]
DARRELL?
DARRELL, WAKE UP.
COME ON.
WAKE UP.
DARRELL, IT'S TIME FOR YOGA CLASS.
COME ON.
ARE YOU SERIOUS?
I AM DAMN SERIOUS.
WAKE UP.
IT'S 5:30 IN THE MORNING.
THAT'S RIGHT. RISE AND SHINE.
HAVE YOU LOST YOUR DAMN MIND?
DOLLY PUCELLI.
OK.
CAN A BROTHER WAIT IN THE BACK
WHILE YOU DO YOUR THING?
NO, A BROTHER CAN'T.
I WOULD LIKE A GUEST PASS FOR MY FRIEND HERE--
A DELUXE SPA TREATMENT PACKAGE.
MM!
SOME PACKAGE.
AND A LEVEL 3 VINYASA.
VINYASA--
WHAT IS THAT, THE SPICY SAUCE THEY SERVE
WITH THE CHICKEN OR SOMETHING?
[CHUCKLES]
THANK YOU.
DON'T HURT YOURSELF.
Instructor: MOVING INTO WARRIOR 3.
SO WHO'S THE NEW GUY?
JUST A FRIEND OF THE FAMILY I GOT STUCK WITH.
OH, I WOULDN'T MIND GETTIN' STUCK WITH THAT.
Instructor: DOWN INTO CHATARANGA.
UPWARD-FACING DOG.
AND DOWNWARD-FACING DOG.
FEEL THE STRETCH THROUGH YOUR FINGERTIPS.
RELEASE YOUR BREATH.
IN...
AND OUT.
YOU HAVE AN INCREDIBLE FLEXIBILITY.
YEAH, I'M FEELIN' THAT.
THAT'S GOOD, DOLLY,
BUT YOU REALLY NEED TO FOCUS.
REALLY FEEL THE POSE LIKE...
DARRELL.
YES, LIKE DARRELL.
WHAT? YOU KNOW YOU FEELIN'
MY DOWNWARD-FACING DOGGY-STYLE.
DARRELL?
OH, NOW THIS IS IT RIGHT HERE, DOLLY.
I'M TELLIN YOU, CHILLIN' BY THE POOL.
WHAT THE HELL YOU--
COME ON, TIME FOR LUNCH.
GOOD AFTERNOON, DOLLY.
GOOD TO SEE YOU.
SO WHAT ARE WE HAVIN' FOR LUNCH?
OH, YOU CAN HAVE WHATEVER YOU WANT HERE.
I'LL BE OVER THERE.
GIRL TALK. YOU KNOW HOW IT IS.
HELLO!
HI! HI!
I CAUGHT HIM RED-HANDED.
WHAT WAS HE THINKING?
WHO KNOWS WHAT MEN THINK?
OH. THAT'S JUST DARRELL.
MY DAD HIRED HIM TO BE MY DRIVER.
WELL, LET'S GET "JUST DARRELL" OVER HERE.
HEY.
CARLY, SKYE, MAYA,
THIS IS DARRELL.
HELLO, LADIES.
SIT!
WE NEED A MAN'S OPINION, IF THAT'S OK.
UH, SURE.
I AM A MAN.
YES, YOU ARE.
I WAS TELLING THE GIRLS ABOUT MY BOYFRIEND.
HE SAID HE WAS GOING TO VISIT HIS MOM,
BUT WHERE DO YOU THINK HE WENT?
STRIP CLUB.HE WENT TO A...
HOW DID YOU KNOW THAT?
IT'S LIKE YOU LADIES AND SPAS.
MEN GO THERE TO RELAX.
RELAX? WITH SOME WOMAN'S BOOBS
BOUNCIN' AROUND IN YOUR FACE?
IT DEFINITELY TAKES YOUR MIND
OFF OF EVERYTHING ELSE.
I MEAN, AT LEAST THAT'S WHAT I'VE HEARD.
OH, PLEASE.
SHH. DOLLY, LET THE MAN SPEAK.
A MAN'S NEEDS ARE VERY SIMPLE.
LADIES, FOOD, SPORTS, AND MUSIC.
COURSE THAT ALL DEPENDS ON THE TIME OF DAY.
THE ORDER DOES CHANGE.
HERE, DARRELL, WHY DON'T YOU HAVE A BITE
OF MY POT STICKER?
SURE.
MMM. GUESS THAT VINYASA LEVEL 3
REALLY WORKED UP A BROTHER'S APPETITE.
CAN I ASK YOU A QUESTION?
SURE.
THIS GUY I'VE BEEN DATING FOR 3 MONTHS
TELLS ME HE NEEDS SPACE.
WHAT EXACTLY IS UP WITH THAT?
MMM.
SPACE TO SHOP AROUND.
BUT YOU KNOW WHAT?
YOU TELL HIM YOU AGREE.
I GUARANTEE YOU IN NO TIME,
HE'LL BE KNOCKIN' YOUR DOOR DOWN.
REALLY?
THAT IS, IF YOU WANT HIM BACK.
NOW, DOES THAT HAPPEN TO BE
A CHOCOLATE-COVERED STRAWBERRY IN YOUR HAND?
MM-HMM.
LOVE ANOTHER ONE.
OH...HEY.
IT'S ALL RIGHT.
MMM. THIS IS TOO MUCH, LADIES.
[WOMEN LAUGHING]
[THUNDER]
THANKS, PAL. KEEP DRY.
MAYBE YOU CAN JUST PICK ONE PART OF MY DAY
AND RUIN IT NEXT TIME.
WELL, YOUR FRIENDS DIDN'T SEEM TO MIND.
NO WOMAN SEEMS TO MIND, EXCEPT THIS ONE.
I WAS JUST TRYING TO FIT IN, DOLLY.
FIT IN? LOOK AT YOU.
YOU LOOK LIKE A WALKING COSMOCOVER.
HEY, I'M SUPPOSED TO LOOK LIKE THIS.
YOU THINK I LIKE WEARING SUITS?
I JUST WANT TO BE ABLE TO WALK DOWN THE STREET
WITHOUT A 10-WOMAN PILEUP, ALL RIGHT?
ALONE.
I...
AAH!
YOU ALL RIGHT?
YEAH.
I THINK SO.
HE DIDN'T EVEN TOUCH HIS BRAKES.
HEY, HEY, HEY, BABY DOLL,
LISTEN, IT'S OK.
IT'S OK.
DARRELL, YOU CAN'T TELL MY DAD.
I HAVE TO.
HE TRUSTS ME.
YOU MEAN EVERYTHING TO HIM.
WHICH IS WHY YOU CAN'T TELL HIM.
IF YOU TELL HIM, IT'S GONNA WORRY HIM.
YOU DON'T KNOW IT WASN'T AN ACCIDENT.
I CAN'T TAKE THAT CHANCE.
THANK YOU.
Fish: JACKIE, DID YOU GET THE PLATES ON THE CAR?
NAW, IT ALL HAPPENED SO FAST.
THE WHEELMAN WAS A PRO.
IF HE WAS A PRO, HE WOULD HAVE FINISHED THE JOB.
I'M TELLIN' YOU, IT WAS SALVATORE.
IT HAD TO BE.
I DON'T KNOW.
HE SWORE ON HIS MOTHER IT WASN'T HIM.
BUT DARRELL SAVED HER
FROM GETTING HIT BY THE CAR, RIGHT?
WELL, YEAH.
THE ONLY QUESTION I GOT, BOSS,
IS WHAT'LL HAPPEN NEXT TIME.
WHAT'S THE MATTER, DADDY?
NOTHING.
YOU'RE MAKING YOUR SPECIAL SAUCE.
YOU ONLY MAKE YOUR SPECIAL SAUCE WHEN YOU'RE UPSET.
EVERYTHING'S FINE.
IF YOU WERE IN COURT--
GOD FORBID.
I'D SAY MY WITNESS WAS EVADING THE QUESTION.
I JUST CAN'T BELIEVE YOU KIDS GREW UP SO FAST.
IT SEEMS LIKE IT WAS ONLY YESTERDAY
I'D WAKE UP WITH YOU IN THE MIDDLE OF THE NIGHT
SINGING YOU SOME SINATRA,
PUTTING YOU BACK TO SLEEP.
[BOTH HUMMING]
SO YOU'RE JUST FEELING NOSTALGIC.
WHAT'S THE MATTER, COUNSELOR?
A MAN CAN'T MAKE A NICE FAMILY DINNER?
OH! LET'S SEE HOW MY BODYGUARD LIKES YOUR SPECIAL SAUCE.
IT'S NOT READY YET.
DARRELL, YOU DON'T HAVE TO HANG AROUND.
WHY DON'T YOU TAKE THE REST OF THE NIGHT OFF?
YOU SURE, SIR? I DON'T MIND.
NO, I INSIST.
I KNOW YOU'VE BEEN WORKING REALLY HARD TO KEEP DOLLY SAFE.
EVERYTHING GO ALL RIGHT TODAY?
EVERYTHING WAS FINE, SIR.
GOOD. GOOD.
[SIGHS]
[EXHALES]
I THOUGHT ALL MULIGNANS PACKED HEAT.
SOME BODYGUARD.
WHAT DID YOU CALL ME AGAIN?
IT'S ITALIAN FOR EGGPLANT.
EGGPLANT.
YOU CALLED ME AN EGGPLANT.
[CHUCKLES] YEAH, THAT'S COLD.
DON'T FOR ONE MINUTE THINK YOU'RE PART OF THIS FAMILY.
YOU KNOW, LAST I CHECKED, YOUR NAME WASN'T PUCELLI, EITHER.
[LAUGHING]
NO, YOU'RE GOOD.
NO, NO, NO. THAT WAS GOOD.
THAT WAS VERY GOOD. I LIKE THAT.
THAT WAS VERY GOOD.
SO ANYWAY, I CALLED TO ASK YOU OUT TO DINNER,
BUT YOUR FATHER JUST INSISTED THAT I COME OVER.
DID HE?
WHY GO OUT TO DINNER
WHEN YOU GOT THE BEST RESTAURANT IN NEW JERSEY RIGHT HERE?
THIS SAUCE IS BUENISSIMO, MR. PUCELLI.
YOU KNOW, YOUR ITALIAN IS PRETTY GOOD, CHAD.
WELL, I STUDIED IN FLORENCE MY JUNIOR YEAR AT YALE.
OR SHOULD I SAY FIRENZE.
FIRENZE.DO YOU BELIEVE THIS KID, HUH?
DOLLY, GIVE HIM SOME MORE WINE.
OH, NO, THANK YOU, MR. PUCELLI.
I'VE GOT SOME CONTRACTS I'VE GOT TO GO OVER LATER.
IT'S OK.
YO, UH, CH-CH-CH-CH-CHAD.
WHAT YOU BANGIN' ON THE BOX, MAN?
HEY. SPEAK ENGLISH.
[SLOWLY] WHAT MUSIC DO YOU LISTEN TO?
AH.
YOU KNOW, I'VE BEEN SO BUSY
WITH THIS CORPORATE DISSOLUTION,
I HAVEN'T EVEN HAD TIME TO TURN ON THE RADIO LATELY.
TRYING TO MAKE PARTNER, YOU KNOW?
ABSOLUTELY.
PARTNER. YOU HEAR THAT? LISTEN TO THAT.
IT'S THE OLD MAN'S FIRM. HOW HARD IS THAT?
JUNIOR, SELLARS, FITCH & PFIFFER
IS THE CLASSIEST LAW FIRM IN THE STATE.
YOUR SISTER IS LUCKY THEY TOOK HER ON.
DADDY, IT'S ONLY A SUMMER INTERNSHIP.
NO, NO. NO, NO.
DOLLY'S A VERY SMART GIRL.
I'M SURE SHE'LL MAKE A WONDERFUL ADDITION TO THE TEAM.
ABSOLUTELY.
YOU KNOW, I READ AN INTERESTING ARTICLE THE OTHER DAY.
IT SAID WOMEN WITH HIGH I.Q.s
HAVE THE BEST CHANCE OF HAVING TRIPLETS.
REALLY? TRIPLETS.
WOW. TRIPLETS.
TRIPLETS. [LAUGHS]
JUNIOR, PASS THE PASTA.
YOU WANT SOME MORE WINE?
I CAN'T. REALLY, I WISH.
THANK YOU, THOUGH.NO PROBLEM.
JUNIOR, DO YOU HAVE THAT CD DARRELL BURNED FOR YOU YESTERDAY?
STRAIGHT UP.
HE CAN'T TALK ENGLISH, THIS KID.
THANK YOU. EXCUSE ME.
AHEM. I'M GONNA TAKE A WALK IN THE GARDEN.
TOO MUCH SPECIAL SAUCE.
CHAD, CHAD. SIT DOWN.
TELL ME ABOUT THIS PARTNER THING.
COME ON. I WANT TO HEAR IT.
[HIP-HOP MUSIC PLAYING]
OH, SHOOT. YO, DARRELL.
I GOT SOME BAD NEWS FOR YOU, DAWG.
YOU KNOW THAT PARTY YOU CANCELED ON?
THEY GOT A NEW SPINNER TO DO THEIR GRAMMY PARTY.
SEEMS LIKE ALL LIVES ARE AGAINST US, MAN.
ULTIMATE RECORDS AIN'T NEVER GETTIN' IN.
CHILL, MAN. IT'S ALL GOOD.
I MEAN, LOOK, WE'VE GOT OUR NAME,
WE GOT OUR DOMAIN. WE IN, WE GOOD.
WHAT WE GOT IS YOUR JANITOR KEY,
AND THAT'S THE ONLY WAY WE'RE GETTING IN.
WHAT IS ALL THIS NEGATIVITY ABOUT, MAN?
YOU KNOW WHAT YOU NEED?
YOU NEED LOLITA. THAT'S WHAT YOU NEED.
LOLITA?
LOLITA! OK!
SHE'S THE HOTTEST NEW ACT IN THE STRIP WORLD.
SHE CAN BALANCE A GLASS OF WATER ON HER ASS
AND DRINK IT AT THE SAME TIME.
IT'S INCREDIBLE.
'CAUSE SHE'S GOT A LONG STRAW.
SHE TURNS AROUND AND BE SIPPIN'.
OH, WAIT. UNLESS YOU GOT A CERTAIN DOLLY ON THE BRAIN,
YOU'RE NOT INTERESTED. I'M SORRY.
FOR REAL, THAT'S WHACK,
NOT TO MENTION IMPOSSIBLE.
SHE'S SPOKEN FOR.
NOT TO MENTION THAT 50 YEARS AGO,
YOU'D BE HANGING FROM A GEORGIA PINE
FOR EVEN LOOKING AT HER, DARRELL.
THE PUCELLI FAMILY MEANS SOMETHING TO ME.
THE PUCELLI FAMILY--
YOU KNOW HOW WE NIP THIS IN THE BUD? WATCH THIS.
EVERYBODY ITALIAN TAKE A STEP FORWARD.
YOU HEAR WHAT I SAID?
EVERYBODY ITALIAN TAKE A STEP FORWARD, DARRELL.
I GUESS THAT MEANS THAT YOU AIN'T FAMILY.
LET IT GO!
[TO THE DANCE FLOOR] ARE WE READY?
DON'T GO AWAY! WE'RE GONNA TAKE IT UP 2 NOTCHES!
LET ME SEE Y'ALL DO THE BUSTA, PEOPLE!
[AUDIENCE CHEERS]YEAH!
YO, BUSTA, I'M OUT, MAN.
HUH?
I'M OUT.
OK.
EVERYBODY! DO THE BUSTA!
OOH! OOH!
YOU KNOW WHAT I'M TALKING ABOUT.
HERE WE GO! HERE WE GO!
THAT'S WHAT I'M TALKING ABOUT!
[MUSIC STOPS]
I'M SORRY. UM, I'LL BE BACK.
WE STILL IN HERE LIKE SWIMWEAR!
GET YOUR HANDS UP, EVERYBODY![AUDIENCE BOOS]
THE MUSIC...
HERE WE GO!
HEY.
DON'T WORRY.
I ALREADY CHECKED THE BUSHES FOR HIT MEN.
YOU CAN'T BE TOO CAREFUL.
THEY COULD BE ANYWHERE.
RIGHT HERE IN THE POOL.
[FAKE GASP] THEN YOU BETTER COME IN AND CHECK.
I'M COOL.
COME ON!
THE WATER'S WARM.
UH...
I CAN'T SWIM.
[LAUGHS] WELL, I WAS A JUNIOR LIFEGUARD.
I COULD SHOW YOU A FEW THINGS.
OH, REALLY? MM-HMM.
YOU COULD SHOW ME A FEW THINGS?
OH, YES.
ALL RIGHT. [LAUGHS]
YOU KNOW WHAT? CANNONBALL!
YOU'RE NOT GONNA SAVE ME?
[LAUGHS]
EVER FLOAT ON YOUR BACK AND LOOK UP AT THE STARS?
UH, NO. MEN DON'T FLOAT.
WHAT?
MEN DON'T FLOAT.
NO.
COME HERE. I'LL SHOW YOU.
THEY--MEN DON'T FLOAT.
WATCH. JUST PUT YOUR FEET UP.
I'M TELLING YOU--
PUT YOUR HEAD BACK.
OK.
CLOSE YOUR EYES.
BOTH.
ALL RIGHT. NOW JUST RELAX, OK?
1, 2, 3.
I TOLD YOU.
MEN DON'T FLOAT.
YOUDON'T FLOAT. HA HA.
SO, YOU'VE MET MY BOYFRIEND.
WHEN DO I GET TO MEET YOUR MISS RIGHT?
NO MISS RIGHT.
MORE OR LESS LIKE A LOT OF MISS RIGHT NOW.
NO ONE SPECIAL? I DON'T BELIEVE YOU.
THERE'S BEEN A-- BEEN FEW NICE GIRLS, BUT--
BUT...WHAT ARE YOU WAITING FOR?
[SIGHS]
I GUESS IT'S JUST NEVER FELT LIKE IT'S SUPPOSED TO.
I KNOW.
SOMETIMES SOMEONE CAN BE RIGHT IN EVERY WAY
EXCEPT THE ONE THAT MATTERS.
THANKS FOR THE SWIMMING LESSON.
NO PROBLEM.
THANK YOU.
GOOD NIGHT, DOLLY.
[BOTH LAUGHING]
HELLO. HELLO.
YOU KNOW, DARRELL, I REALLY DON'T MIND DRIVING.
YEAH? WELL, MR. PUCELLI? HE DOES.
WHERE TO?
A, UM--A RESTAURANT CALLED LA FLEUR.
OH, NO, CHAD, THAT'S SO STUFFY.
CAN WE GO SOMEWHERE ELSE?
DARRELL, WHERE'S YOUR FAVORITE PLACE?
[SIRENS]
[TIRES SCREECH]
MMM. IT ALL LOOKS SO GOOD.
I DON'T KNOW WHAT I WANT.
YEAH, ME, NEITHER.
I DON'T EVEN KNOW WHAT SMOTHERED CHICKEN IS.
WHAT DO YOU RECOMMEND, DARNELL?
DARRELL.DARRELL.
I'M HAVING THE USUAL.
FRIED CHICKEN, YAMS, COLLARD GREENS, CORN BREAD.
MMM! ME, TOO.
YOU KNOW, YOU DON'T HAVE TO KEEP REACHING FOR YOUR WALLET.
IT'S BEEN THERE THE LAST 5 TIMES YOU'VE CHECKED.
IT PROBABLY AIN'T GOING ANYWHERE.
WHAT? OH, COME ON.
THAT'S NOT WHAT I WAS DOING.
YEAH.
HEY, DARRELL.
HEY, LISTEN, LaSHONDA, WE'RE GONNA HAVE THE HOUSE SPECIAL.
THE LADY AND I--
Chad: OH, I'LL HAVE THE SMOTHERED CHICKEN.
ONLY, UM, I HATE TO SEE IT SUFFER.
SO INSTEAD OF SMOTHERING IT
IF YOU COULD JUST GIVE IT A LETHAL INJECTION.
[FORCED LAUGH]
HEY, BABY.
YOU KNOW I TALKED TO BUSTA,
AND HE SAID THAT THERE IS NO,
AND THERE NEVER HAD BEEN, A PAMELA IN YOUR LIFE.
AND I'VE BEEN LOOKING FOR YOU AT THE CLUB.
YOU KNOW WE HAVE SOME UNFINISHED BUSINESS.
AND YOU LOOK SO GOOD.
UH, CHERISE--AHEM-- THIS IS DOLLY AND THE CHAD.
HELLO. HELLO.
CHERISE JACKSON.
OH, WOW.
INVESTMENT COUNSELOR.
THAT'S FUNNY. YOU KNOW,
I'VE BEEN THINKING ABOUT DIVERSIFYING MY PORTFOLIO.
YOU KNOW WHAT? WHY DON'T YOU JUST SIT DOWN
AND HAVE DINNER WITH THE 3 OF US?
WELL--SHE CAN'T. SHE'S--
IF YOU DON'T MIND.
THIS IS GREAT.
SO, UH, YOU UP FOR GOING TO THE CLUB TONIGHT?
I CAN'T. I'M KINDA LIKE THE DESIGNATED DRIVER.
BUT NO ONE HAD ANYTHING TO DRINK.
UH--YEAH. WELL, HEY, I PROMISED HER FATHER.
IT'S SORT OF LIKE A FAMILY THING.
I GET IT.
THIS IS PAYBACK FOR THE OTHER NIGHT, RIGHT?
LOOK, I TOLD YOU I'D MAKE IT UP TO YOU.
SERIOUSLY, CHERISE, NOT TONIGHT.
FINE.
I GUESS I'LL JUST GO HOME AND TAKE A SHOWER
AND GET IN BED NAKED AND LEAVE THE DOOR UNLOCKED.
SO, UM, YOU READY TO HEAD BACK TO MY HOUSE AND GET A CAPPUCCINO?
WHY NOT? IT'S WHAT WE ALWAYS DO.
ARE YOU SAYING I'M NOT SPONTANEOUS?
OH, YOU HAVEN'T DONE ANYTHING SPONTANEOUS SINCE THE FIRST GRADE.
OK.
MARRY ME.
[LAUGHS]
OK. THAT'S A LITTLE TOO SPONTANEOUS.
WHY? YOUR DAD SEEMED TO THINK IT WAS A GREAT IDEA.
OH, REALLY? REALLY.
WELL, I'M SORRY TO DISAPPOINT THE BOTH OF YOU,
BUT I NEED TIME TO THINK.
ABOUT GETTING MARRIED?
ABOUT US.
♪ I GOT WHAT YOU WANT
♪ YOU GOT WHAT I NEED
HEY, DARRELL. WHAT'S UP, MAN?
HOW Y'ALL DOING?
THAT TUNE YOU TOOK DOWN FOR US?
IT'S KICKIN', MAN.
THAT'S COOL. Y'ALL SOUNDED GOOD, MAN.
THANK YOU.
HEY.
WHERE'S THE CHAD?
HE TOOK A CAB HOME.
WHERE'S CHERISE?
♪ BEAUTIFUL
SHE JUST WANTED TO GO TO BED.
♪ YOUR BROWN SKIN'S SWEETER THAN A ♪
♪ HONEYCOMB
THEY'RE GOOD.
I DON'T FEEL LIKE GOING HOME RIGHT NOW.
CAN WE GO SOMEWHERE?
SURE.
♪ YOU MUST HAVE BEEN A CENTERFOLD ♪
♪ THE TYPE OF GIRL THAT LEAVE A PLAYER SURE SPRUNG ♪
♪ YOU CAN TELL ME ANYTHING YOU EVER WANT ♪
THIS IS IT RIGHT HERE.
HUH. THIS IS YOURS?
WELL, NOT YET.
BUSTA TAKES CARE OF THE BUILDING.
HE HAS THE KEY.
COME ON IN. I'LL SHOW YOU.
I COME HERE TO DREAM SOMETIMES, ALL RIGHT?
I KNOW THIS MAY NOT BE WHAT YOU'RE USED TO,
BUT IT MEANS THE WORLD TO ME.
WELCOME TO ULTIMATE RECORDS.
WOW.
UH, EXCUSE ME, MA'AM.
DO YOU HAVE AN APPOINTMENT?
IF NOT, THE RECEPTIONIST'S DESK IS RIGHT HERE.
[LAUGHS] [LAUGHS]
YEAH.
NOW, HERE,
THERE'S A MIXING BOARD.
AND NOT JUST ANY MIXING BOARD.
AN SSL G-SERIES.
YEAH. 96 CHANNELS.
ONLY THE BEST. STATE OF THE ART.
WOW. YEAH.
NOW, OVER HERE-- COME HERE.
THIS IS THE VOCAL BOOTH.
THERE'S A WINDOW HERE
WHERE I CAN WATCH MY ARTISTS, YOU KNOW?
GIVE THEM SOME LOVE.
AND OVER HERE...
THAT'S WHERE ALL OF MY GRAMMYS ARE GONNA GO.
OH. THAT'S AWESOME.
YEAH.
[SIGHS] I GOT BIG DREAMS, DOLLY.
IN YOUR DREAMS, IS THERE ANYONE ELSE, OR IS IT JUST YOU?
OH, YEAH. WELL, BUSTA, HE'LL HANDLE THE FINANCES,
AND JUNIOR...
I DON'T EVEN KNOW WHAT JUNIOR'S GONNA DO,
BUT HE'LL BE HERE.
I MEANT A WOMAN.
THE DREAM NEVER MADE IT THAT FAR.
MAYBE YOU NEVER MET THE RIGHT ONE.
OR...
MAYBE YOU'VE KNOW HER YOUR WHOLE LIFE.
[CRASH]
[LAUGHS]
IT'S THE CAT.
YEAH.
WE SHOULD GET OUT OF HERE.
YEAH.
[LAUGHS]
SO MAYBE-- SO MAYBE--
[LAUGHS]
NO, GO AHEAD. GO AHEAD.
[LAUGHS]
GO AHEAD.
WHAT A NIGHT, HUH?
YOU KNOW WE KISSED BACK THERE, HUH?
MM-HMM.
I DON'T THINK I'M EVER GOING TO FORGET THAT.
MAYBE WE SHOULD.
WOW.
I DON'T EVEN QUALIFY AS "MISS RIGHT NOW?"
WELL, RIGHT NOW,
WE CAN SAY IT WAS JUST A CRAZY MOMENT.
MAYBE IT'S BETTER THAT WAY, YOU KNOW?
YEAH, SURE.
MUST HAVE BEEN THE COLLARD GREENS THAT MADE ME LOSE CONTROL.
I DON'T THINK MR. P IS GONNA SEE IT THAT WAY.
JUST ONCE I WANT TO FIND A MAN
WHO DOESN'T DO EVERYTHING MY FATHER SAYS.
LOOK, YOUR FATHER TRUSTED ME TO TAKE CARE OF YOU.
LOOK AT ME, DOLLY.
I'M NOT SAYING IT WASN'T BEAUTIFUL.
[SIGHS]
GOOD NIGHT.
PRINCESS! YOU HAVE A NICE EVENING?
YOU SHOULD KNOW.
YOU SEEM TO KNOW EVERYTHING ABOUT MY LIFE BEFORE I DO.
DOLLY, OF COURSE CHAD WOULD COME TO ME.
IT'S THE RIGHT THING TO DO.
IT'S THE RIGHT THING TO DO
AFTER THE WOMAN SAYS YES.
BEFORE. AFTER. WHAT'S THE DIFFERENCE?
YOU MAY CONTROL THE FAMILY IN NEW JERSEY,
BUT YOU DO NOT CONTROL ME.
I GAVE YOU MY WORD, AND THIS IS WHAT YOU DO?
CALM DOWN, SAL. YOU'RE NOT MAKING ANY SENSE HERE.
CALM DOWN.
YOU KNOW WHAT THIS IS?!
MY CADILLAC.
SOMEBODY BLEW UP YOUR CAR?
CHRIST! IT WAS YOU, YOU BASTARD!
HEY! BREAK IT UP! BREAK IT UP!
SOMETHING'S GOING ON HERE, SAL.
WE GOTTA COME TOGETHER ON THIS.
♪ I STAY ON TOP OF MY CHAIN ♪
♪ THAT'S RIGHT
♪ I STAY ON TOP OF MY GAME ♪
♪ I STAY ON TOP OF MY GAME
♪ I STAY ON TOP OF THE FLAME ♪
♪ THAT'S RIGHT
HEY.
[COLDLY] HELLO.
[DROPS MAGAZINE ON COUNTER]
[SIGHS]
LASAGNA.
MANICOTTI.
GNOCCHI.
IF I HAVE ONE MORE BITE OF PASTA,
I'M GOING TO EXPLODE.
WE COULD GO OUT.
I MEAN, UM...
I COULD DRIVE YOU SOMEWHERE.
I'M SO HUNGRY RIGHT NOW,
I WOULD GO JUST ABOUT ANYWHERE...
EXCEPT LITTLE ITALY.
WELL, THAT'S NOT WHAT I HAD IN MIND.
WHAT DO YOU HAVE IN MIND?
♪ LET'S GET THIS PARTY STARTED ♪
♪ WE'LL GO CRAZY TONIGHT
WHAT'S GOING ON? WHAT'S UP?
BIG MAMA.
I GOT SOMEBODY I WANT YOU TO MEET.
THIS IS A FRIEND OF MINE.
WE GO WAY BACK.
DOLLY, BIG MAMA. BIG MAMA, DOLLY.
HI. SO NICE TO MEET YOU.
OH, GIVE BIG MAMA A SQUEEZE, CHILD.
OOH!
THIS GIRL NEEDS SOME MEAT ON HER BONES.
DO YOU LIKE MACARONI AND CHEESE?
MORE PASTA.
I LIKE MACARONI.
AT HOME, WE ALWAYS EAT IT WITH TOMATO SAUCE.
OOH. WELL, THIS WILL GIVE BABY SOME BACK.
HEY.HEY, LEXI.
WE GOTTA TALK.
HEY. [LAUGHS]
HEY, BIG MAMA, HOW YOU DOING?
GIRL, YOU GOT IT BAD.
EXCUSE ME?
I SEE THE WAY YOU TWO LOOK AT EACH OTHER.
YOU MEAN DARRELL.
NO, WILL SMITH.
[LAUGHS]
HAVE YOU TWO DONE THE NASTY?
NO!
DON'T BE ACTING ALL INNOCENT WITH ME NOW.
I LIVE ACROSS THE HALL, REMEMBER?
YEAH.
CAN YOU KEEP A SECRET?
GIRL TO GIRL.
I LIKE HIM.
DON'T WORRY. US SISTERS HAVE TO STICK TOGETHER.
SO YOU GOT MACARONI AND CHEESE,
YAMS, AND--
COLLARD GREENS.
NO, NO, NO. MUSTARD.
A LITTLE MORE BETTER.
OH, WE HAVE THAT, TOO. IT'S CALLED ESCAROLE.
ES-CAR-OLE.
OK. WELL, THESE ARE GRITS.
CORNMEAL WITH SOME HOT WATER AND A WHOLE LOT OF BUTTER.
WE HAVE THAT, TOO. IT'S CALLED POLENTA.
EXCEPT WE PUT A BUNCH OF PARMESAN CHEESE ON TOP.
YOU ITALIANS HAVE SOME FUNNY IDEAS WHEN IT COMES TO FOOD.
SO AFTER ALL THIS MADNESS, YOU READY TO GO HOME?
NO.
WELL, WHERE DO YOU WANNA GO?
I WAS THINKING THAT WE WOULD GO DOWN TO THE CLUB.
WHAT CLUB? MY CLUB?
MM-HMM. NO.
NO, NO.
[CHUCKLES] NO.
WHAT DO YOU MEAN, OH, NO?
JUNIOR GETS TO GO.
I DON'T EVEN KNOW WHAT IT IS YOU DO.
OH, COME ON, PLEASE?
ALL RIGHT.
[DARRELL AND DOLLY TALKING, INDISTINCT]
[STARTS CAR]
[HIP-HOP MUSIC PLAYING]
Darrell: OK, YOU'VE SEEN IT. CAN WE GO NOW?
NO.
AREN'T YOU SUPPOSED TO BE UP THERE?
MY MAN'S DOING JUST FINE.
NOBODY CAN SPIN LIKE YOU.
OH, I BET YOU'VE SPUN HER.
NO, DEFINITELY NOT.
OK, I MIGHT HAVE.
YOU WANT A DRINK?
LET'S DANCE.
I CAN'T DANCE.
COME ON. I'LL TEACH YOU.
I--DOLLY.
DOLLY.
I HEARD BLACK MEN CAN DANCE.
YEAH? WELL, I HEARD ITALIAN WOMEN CAN GET YOU IN TROUBLE.
COME ON.
I GUESS I CAN DANCE, HUH?
[SONG ENDS, SLOW SONG STARTS]
OH.
YEAH, MAN.
MAY I HAVE THIS DANCE?
WHY, OF COURSE.
YOU'VE GOT QUITE THE FAN CLUB.
THEY'RE REALLY INTO MY MUSIC.
[LAUGHS]
IS THAT ALL THEY'RE INTO?
OH, YOU'D BE BLIND NOT TO NOTICE.
ALL I SEE IS YOU.
THE PARTY'S OVER!JACKIE!
YOUR OLD MAN KNOW YOU GOT JUNGLE FEVER, HUH?
YOU NEED TO SIT DOWN AND SOBER UP, MAN.
YOU TOUCH HER AGAIN, I WILL BREAK YOUR HANDS.
YOU DANCE WITH HIM, YOU CAN DANCE WITH ME.
LET'S GO.LET'S TAKE THIS OUTSIDE, JACKIE!
NOW. RIGHT HERE.
HE'S GOT A GUN!
Jackie: HEY! GET OFF ME!
GET YOUR HANDS OFF ME!
[BOTTLES BREAKING, PEOPLE SHOUTING]
I GOTTA GET YOU HOME.
I DON'T LIKE MY WORLD VERY MUCH RIGHT NOW.
TAKE ME TO YOURS.
IT'S TIME.
YOU READY?
I THINK SO.
I JUST WANT EVERYTHING TO BE RIGHT.
SO...I CHECK.
[MEN LAUGHING]
[COUGHS] SUCKER.
[MEN LAUGHING]
YOU CALL, OR YOU RAISE.
YEAH, BUT HOW COME HE GOT TO CHECK?
OK, WAIT. LISTEN,
RULE NUMBER ONE, ALL RIGHT?
IF SOMEBODY RAISES, YOU GOTTA CALL.
YOU GOTTA CALL.TAKE YOUR MONEY OUT.
PUT YOUR MONEY ON THE TABLE.
I DON'T WANT YOU
TO WORRY YOUR LITTLE PRETTY FACE ANYMORE.
ALL RIGHT. I DON'T HAVE ANY CHANGE.
IT DON'T MATTER. IT'S ALL GOING IN MY POCKET.
I'M OUT.
WHAT?
I'M OUT.
OH, MAN. I'M TAPPED.WHAT?
HEY, HOW ABOUT RUFUS?
HOW ABOUT RU...
FOOL! YOU CAN'T RAISE WITH A DAMN BULLDOG!
WHERE YOU GOING?
YOU KNOW WHAT A PUREBRED BULLDOG LIKE THAT COSTS?
YOU GOT HIM FOR FREE, FOOL!
HEY, LOOK, MAN, AIN'T NOBODY ASK YOU.
HEY, LISTEN.
YOU CAN'T USE A DOG, OK?
WHAT ELSE YOU GOT, MAN?
HA!
OH.
THERE YOU GO.
THE MAN CALLS WITH A GLOCK.
I APOLOGIZE. I'M SORRY.
MM-HMM.
HA!
YOU KNOW HOW WE DO.
WE PUT THE GUNS ON THE TABLE INSTEAD.
THAT'S RIGHT. THAT'S RIGHT.
PUT YOUR RENT MONEY DOWN.
I'M DOWN, OK?
EWW.
EWW. [SNIFFS]
HEY, MAN, THAT IS NASTY!
WHAT IS WRONG WITH YOUR STOMACH? OH, MY GOD.
THAT AIN'T ME, MAN.
RUFUS! [WHIMPERS]
GET YOUR ASS OUTTA HERE, BOY!
THAT'S WHY HE GOT HIM FOR FREE.
BETWEEN RUFUS AND THE DAMN CIGAR--
PUT THE CIGAR OUT, MAN!
TIME TO PLAY, PEOPLE.
UHH! I GOT A BOAT FULL OF LADIES.
LET'S GET THIS MONEY.
[LAUGHS]
OH...I GOT, UM...
DEUCES.
OWW! 4 OF THEM.
HOW MANY IS THAT?
THAT'S INCOME, BABY.
OH!
LADY LUCK IS A LESBIAN, AND WE JUST GOT HUSTLED.
HERE. YOU GUYS CAN KEEP THESE.
WE GOT PLENTY OF THEM AT HOME.
Darrell: THIS IS RIDICULOUS.
[LAUGHS]
LET ME FIND OUT IF SHE HUSTLED ME.
RULE NUMBER 2:
NEVER PLAY POKER WITH A SICILIAN.
OH, NOW SHE'S GONNA RUB IT IN.
WE COULD TAKE THIS THING ALL THE WAY TO ATLANTIC CITY.
YOU THINK? YEAH.
THEY'D NEVER SEE US COMING.
EBONY AND IVORY.
[LAUGHS]
HA HA! GIGGLE GIGGLE, JOKE JOKE.
GIGGLE GIGGLE, JOKE.
SMILE ON YOUR FACE, BOY.
DAMN, YOU CLEANED THE BOYS OUT!
BIG BUDDY D!
I DIDN'T HAVE THE HEART TO TAKE RUFUS.
AH, YOU'RE CRAZY.
I LIKE THAT.
I DIG THAT. YEAH?
YES.
DO EVER THINK ABOUT THIS?
THINKIN' AND DOIN' IS 2 DIFFERENT THINGS.
HMM.
YOU DON'T LIKE ME?
I HAVE RESPECT FOR YOUR FATHER.
YOU MEAN YOU'RE AFRAID OF HIM.
I'M NOT AFRAID OF ANYTHING.
♪ THESE DAYS IT'S HARD TO FIND ♪
♪ SOMEONE TO LOVE
♪ ONCE YOU FIND 'EM
♪ YOU DON'T WANNA GIVE UP
♪ AND NOW I KNOW THAT WE'RE
♪ BOTH ALONE IN THIS
♪ IT'S JUST ME AND YOU AGAINST THE WORLD ♪
♪ AND IT'S ME
♪ AND IT'S YOU
♪ IT'S JUST ME AND YOU AGAINST THE WORLD ♪
♪ BUH BUH BUH BUH BUH ♪
♪ BUH BUH BUH BUH BUH
♪ BUH BUH BUH BUH BUH ♪
♪ BUH BUH BUH
♪ OH, GIRL, WHAT AM I SUPPOSED TO DO? ♪
♪ THE ALARMS ARE GOIN' OFF IN MY HEAD ♪
♪ AND IT'S DANGEROUS, YES, IT'S COMPLICATED ♪
♪ WE'RE THE ONLY ONES WHO GET IT ♪
♪ ONLY ONES WHO WANT THIS
♪ THE ONLY ONES WHO FEEL IT ENOUGH ♪
♪ OH HOO HOO
♪ BUH BUH BUH DA-BUH ♪
♪ BUH BUH BUH BUH
♪ IT'S JUST THE TWO OF US... ♪
OOH-WEE! YOU GUYS IN BIG TROUBLE.
OH, MY GOD! DARRELL, GET UP. WE HAVE TO GO.
[LAUGHING, CHATTERING]
ANY REGRETS ABOUT LAST NIGHT?
NOT FOR A SECOND.
ARE YOU SURE?
YES. I'M SURE.
GOOD. 'CAUSE I'M GONNA TALK TO YOUR FATHER.
NO.
LOOK, DOLLY, I'M A MAN, OK?
I GOTTA DO THIS.
I KNOW. I KNOW YOU DO.
JUST LET ME SPEAK TO HIM FIRST.
OK? PLEASE?
OK.
MORNING, SWEETIE.
OH! UP EARLY.
YEAH. YOU KNOW, EARLY BIRD AND ALL THAT.
WHERE YOU GOING?
SIT DOWN AND TALK TO YOUR OLD MAN
A FEW MINUTES. WANT SOME COFFEE?
SURE.
HOW DO YOU LIKE IT?
BLACK.
BLACK. SUGAR?
BROWN.
YOU OK? YEAH.
YOU SURE?
WHAT DO YOU MEAN?
YOU SEEM A LITTLE FLUSTERED.
FLUSTERED? NO, I'M NOT FLUSTERED.
I'M SO WITHOUT FLUSTER.
OK. YOU'RE NOT FLUSTERED. BLACK COFFEE. BROWN SUGAR.
DADDY...
I WANT--
GOOD MORNING, FISH.
MORNING, DOLLY.
YOU WERE TELLING ME SOMETHING? NO.
I WASN'T. WE'LL TALK LATER.
YOU'RE SURE? YEAH, YEAH, YEAH.
YEAH. WE CAN TALK LATER.
HAVE A GOOD DAY. BYE.
YOU, TOO.
HEY, FISH,
HOW DO YOU THINK DOLLY IS...
SINCE SHE'S BEEN BACK?
DIFFERENT. LIKE SHE'S IN LOVE OR SOMETHING.
THAT'S IT. IT'S CHAD, OF COURSE.
I GOT SOME INFORMATION ABOUT THAT THING.
YEAH?
THE SHOOTER WASN'T SALVATORE'S PEOPLE.
OH, NO? WHO WAS IT?
THAT I DON'T GOT.
LET'S GO SEE SALVATORE.
DID YOU SPEAK TO YOUR FATHER?
I DIDN'T GET A CHANCE YET.
WHEW. CAN YOU TAKE ME TO THE SPA?
HOW COULD YOU GO TO THE SPA AT A TIME LIKE THIS?
I BOOKED IT ALREADY.
WELL, YOU HAVE TO WAIT TILL YOUR FATHER COMES BACK.
IT WON'T TAKE LONG.
ARE YOU SERIOUS? YEAH!
BESIDES, IT WOULDN'T HURT YOU TO RELAX A LITTLE.
UNBELIEVABLE.
YOU KNOW WHAT, BABY?
YOU'RE RIGHT.
I AM STARTING TO RELAX.
I'M SO GLAD.
I'M GONNA TAKE A SHOWER.
I'LL BE RIGHT HERE.
ALL RIGHT?
I DON'T LIKE IT, FRANK.
LOOKS LIKE SALVATORE FELL OFF THE FACE OF THE EARTH.
YOU TRYING TO TELL ME NOBODY KNOWS NOTHING?
YOU CHECK WITH THE PEOPLE ON THE SOUTH SIDE?
WE DID.
EXCUSE ME, BOSS. I'M SORRY TO INTERRUPT YOU,
BUT JACKIE'S GOT SOMETHING TO TELL YOU.
CAN'T IT WAIT?
I THINK YOU'RE GONNA WANT TO HEAR THIS, BOSS.
IT'S ABOUT DOLLY.
♪ BYE, BYE, BABY
♪ DON'T BE LONG
♪ I'LL WORRY ABOUT YOU
♪ WHILE YOU'RE GONE
THAT YOU, BABY?
FRANK--
WHERE'S MY LITTLE GIRL?
WHERE IS SHE?
SHE'S IN THE SHOWER.
WRONG ANSWER.
TAKE HIM.
WAIT, WAIT--WHOA!
FRANK, WAIT, WAIT, WAIT!
WAIT, WAIT, WAIT! THE POOL!
WAIT--LET ME EXPLAIN--
FRANK, I'M SORRY.
YOU MESSED UP, DARRELL. YOU HURT ME!
I DIDN'T MEAN FOR IT TO GO DOWN LIKE THIS.
I WOULD NEVER BETRAY YOU!
SHE MEANS EVERYTHING TO ME, FRANK.
MY DAUGHTER MEANS EVERYTHING TO YOU, HUH?
HUH? DUNK HIM!
YOU WENT BEHIND MY BACK!
GET HIM OUT OF MY SIGHT!
HOW FAR?
NOT THAT FAR.
WAIT, FRANK! FRANK--
TONY!
TONY, COME ON! GET HIM OUTTA THERE.
COME ON.
COME TO PAPA. COME TO PAPA.
OH, MARONE.
WHAT?
WHAT'S WRONG?
THIS IS BAD.
THIS IS VERY BAD.
WHO IS HE?
HOLY SHIT! IT'S SALVATORE.
BOSS OF THE NORTH SIDE FOUND DEAD
IN SOUTH SIDE BOSS' CAR.
THIS IS VERY BAD.
MAYBE IT AIN'T SALVATORE.
I MEAN, HOW CAN WE TELL? HE'S BLUE.
WHAT ARE YOU DOIN'?
DOESN'T SALVATORE HAVE A GLASS EYE?
YEAH.
WE GOTTA FIND OUT IF IT'S SALVATORE.
GOOD IDEA.
[SQUISHING, CRUNCHING]
THAT FELT SO GOOD.
DADDY.
YOU EMBARRASSED ME, DARLING.
YOU EMBARRASSED THIS FAMILY.
WHERE'S DARRELL?
DID YOU HEAR A WORD I JUST SAID?
DADDY, WHERE IS HE? WHAT DID YOU DO?
THIS IS NOT WHAT I WANTED FOR YOU.
OH, REALLY? WHAT DID YOU WANT, A WHITE GUY?
DON'T YOU SAY THAT TO ME.
DON'T YOU DARE SAY THAT TO ME.
I TREATED HIM LIKE HE WAS FAMILY,
AND HOW DID HE REPAY ME?
BY DISRESPECTING ME AND MY DAUGHTER.
HE WANTED TO TELL YOU. I'M THE ONE WHO STOPPED HIM.
DOLLY...
HE TOOK ADVANTAGE OF ME.
HE'S GONNA PAY FOR THAT MISTAKE, DOLLY.
DADDY, PLEASE DON'T HURT HIM.
PLEASE DON'T HURT HIM. I'LL DO ANYTHING.
THEN YOU END IT.
YOU END THIS NOW.
FINE. I'LL END IT.
[CRYING]
FINE.
[OPERA PLAYS IN BACKGROUND]
WHAT ARE YOU DOIN'?
WHAT THE HELL DID YOU BRING THAT FOR?
SHH!
I JUST DON'T LIKE THE IDEA OF SENDING HIM OFF WITHOUT IT.
DON'T SEEM RIGHT.
HERE, SAL.
IN CASE YOU NEED IT.
HEY.
I DID MY PART. WHEN ARE YOU GONNA DO YOURS?
HEY, RELAX.
RELAX? THIS HAS TO HAPPEN NOW. YESTERDAY!
I GOT A PLAN.
I BROUGHT YOU SOME ICE FOR YOUR KNEE.
CHERISE, I'M HAPPY YOU CAME BY,
AND THANK YOU, BUT I GOTTA GO.
HOW 'BOUT AN ASPIRIN OR A NICE GLASS OF WINE?
CHERISE, PLEASE--
SOMETHING TO TAKE YOUR MIND OFF THE PAIN.
I GOTTA GO!
DOLLY, BABY, ARE YOU OK?
I'M SORRY...
CHERISE WAS JUST GETTING READY TO LEAVE--
NO. THAT'S NOT NECESSARY.
THIS IS NOT WHAT YOU THINK. THIS IS NOTHING.
IT'S NOT JUST THIS.
OK, YOU DIDN'T TALK TO YOUR FATHER. THAT'S FINE.
DARRELL, JUST STOP.
I'M GOING...
TO MARRY CHAD.
WHAT?
NO, NO, WAIT.
DOLLY, COME HERE.
LET'S TALK AT LEAST--
BABY--
DOLLY, WAIT!
BABY, JUST LET HER GO!
IT WAS NEVER GONNA WORK OUT WITH YOU TWO ANYWAY.
♪ OUR LITTLE BITTY BABY GIRL ♪
♪ AND OUR BABY BOYS
OH, YOU MISSIN' THE MULIGNAN?
♪ 'CAUSE THE MAN MADE THEM TOYS ♪
♪ AND I'M THE MAN, MAKE EVERYTHING ♪
♪ EVERYTHING YOU CAN
♪ YOU KNOW THE MAN MAKES MONEY... ♪
BABY...
I CAN MAKE YOU FORGET ALL ABOUT HER.
[KNOCK ON DOOR]
CHERISE, PLEASE.
DOLLY--
SHE'S WITH HIM RIGHT NOW, BOSS.
WHO?DOLLY.
I TOOK HER TO THE CLUB LIKE SHE ASKED,
TOLD HER YOU WEREN'T GONNA LIKE IT,
BUT SHE TOLD ME TO BUTT OUT.
SHE GOES INSIDE. I FIGURE I'LL TAKE A LITTLE LOOK,
MAKE SURE SHE'S ALL RIGHT.
I SEE THE TWO OF 'EM, AND...WE STILL ON SPEAKER?
GO ON.
THEY'RE REALLY STARTIN' TO GO AT IT, KISSIN', HUGGIN',
I THINK YOU SHOULD COME DOWN HERE, BOSS.
I'M ON MY WAY.
WAIT, BOSS. I THINK YOU SHOULD COME ALONE.
I GOT YOUR BACK, NO WORRIES.
BUT THE BOYS--YOU KNOW HOW THEY CAN TALK.
YEAH. STAY THERE. I'M COMING.
WHERE WE GOING?
NOWHERE. I'M GOIN' ALONE.
WHOA, WAIT A SECOND. I CAN'T LET YOU DO THAT, FRANK.
THIS IS PERSONAL, FISH.
IT'S NOT A GOOD IDEA.
THIS IS BETWEEN ME AND MY DAUGHTER.
WELL, IT'S MY SISTER AND MY FRIEND, SO I'M COMIN'.
STAY HERE.
BUT YOU SAID IF I--
STAY HERE!
MOVE.
LOOK WHO IT IS, MY FAVORITE MULIGNAN.
NOW IT'S A PARTY.
HOW YOU DOIN', BABY?
Darrell: DOLLY!
IF YOU TOUCH HER--
YEAH, WHAT ARE YOU GONNA DO, MR. DJ?
PLAY A SONG ABOUT ME?
SIT DOWN.
MMM.
YOU OK?
MM MMM MM MM MM.
OW!
WHAT DO YOU CARE?
WHY DON'T YOU GO ASK CHERISE?
YOU DON'T LISTEN.
I WAS TRYING TO GET RID OF HER.
YEAH, RIGHT.
AND WHAT ABOUT YOU? YOU GONNA MARRY CHAD?
I ONLY SAID THAT SO MY DAD WOULDN'T COME AFTER YOU.
I CAN'T BELIEVE I EVER THOUGHT YOU LOVED ME.
I'VE NEVER LOVED ANYONE UNTIL YOU.
Jackie: THAT'S TOUCHING.
TOO BAD IT'S GONNA BE A SHORT ROMANCE.
LOOK, LET HER GO.
LOOK, I DON'T KNOW WHAT TYPE OF PLAY YOU GUYS ARE RUNNING, MAN, BUT...
LEAVE HER OUT OF THIS.
SORRY. CAN'T DO THAT.
SO WHO'S GONNA RUN THE BUSINESS, HUH?
AND WHICH ONE OF YOU'S GONNA BE THE BITCH?
HEY, SHUT YOUR MOUTH.
NOW NOBODY SAYS A WORD.
HE MOVES...
SHOOT 'EM.
GUESS THAT ANSWERS MY QUESTION.
SHUT UP.
[DOOR OPENS, CLOSES]
DOLLY, I THOUGHT I TOLD YOU TO STAY AWAY FROM HIM.
BUT, DADDY, JACKIE'S--
SHUT UP.
HELLO, FRANK.
WELCOME TO THE PARTY.
WHAT IS THIS?
IT'S THE DAWN OF A NEW DON.
OR TWO.
YOU PUNKS.
SO YOU KILLED SALVATORE.
YEAH, WE WAS HOPING AFTER I TOOK THE SHOT TO YOU AT THE PARTY,
YOU'D START A WAR AND KILL EACH OTHER OFF.
♪ THAT SWEET, SWEET BOOTY
♪ UNH, I GOTTA GET IT
♪ 'CAUSE I WANT IT
HEY. WHOA.
OOH, THAT--UH...
HEY, LOOK, UM...
I JUST CAME IN TO-- TO DROP SOME EQUIPMENT OFF.
I AIN'T EVEN REALIZE Y'ALL WAS HAVING A MEET.
YOU KNOW WHAT? I'M GONNA GO TO THE OFFICE,
'CAUSE I GOT STUFF TO DO ANYWAY, SO I'M--
HEY, HOLD IT!
YOU AIN'T GOIN' ANYWHERE.
[WHIMPERS]
I'M GONNA TELL YOU SOMETHING.
OK? I'M GONNA GIVE YOU SOME GOOD ADVICE.
IF I WAS YOU, I'D PUT THE GUNS DOWN.
'CAUSE THIS DOG HERE IS A TRAINED KILLER,
AND ALL I GOTTA DO IS GIVE HIM THE WORD,
HE GONNA JUMP ON YOUR ASS.
YOU DON'T-- SIC 'EM, RUFUS!
[WHIMPERS]
I--HE DON'T REALLY KNOW THOSE COMMANDS YET
'CAUSE I JUST TAUGHT HIM, SO I--
ENOUGH! LET'S GET THIS OVER WITH.
♪ FULL THROTTLE
♪ DUB, DUB
♪ HERE COME THE BOYS WITH THE... ♪
Dolly: AAH!
[RUFF RUFF RUFF]
♪ HERE COME THE BOY WITH THE ♪
♪ CHECK IT OUT
♪ I'M FEELIN' HO-HUM
♪ I'M FEELIN' LUKEWARM LIKE THE WATER IN MY TUB ♪
♪ STARTED OUT, AND WE WAS HOT ♪
♪ LOOKED UP, AND NOW WE'RE NOT ♪
♪ WE HAD THAT FIRE LIKE WE WAS BOILIN' IN A POT... ♪
NOBODY MESSES WITH MY PEEPS.
♪ WHOOPSIE-DAISY
♪ COME, WE GONNA CATCH THAT FIRE ♪
♪ I'M FEELIN' FOR A FLICKER ♪
♪ THEN WE'LL FAN THE FLAME UP INTO SOMETHING BIGGER ♪
♪ STARTED OUT, AND WE WAS HOT ♪
♪ LOOKED UP, AND NOW WE'RE NOT ♪
♪ WE GONNA CATCH A FIRE, CATCH A FIRE FOR GOD ♪
♪ COME ON
♪ WHOOPSIE-DAISY, WHOOPSIE-DAISY ♪
♪ WHOOPSIE-DAISY
♪ COME, WE GONNA CATCH THAT
♪ WHOOPSIE-DAISY, CALL ME CRAZY ♪
♪ WHOOPSIE-DAISY
♪ COME, WE GONNA CATCH THAT FIRE ♪
♪ TAKIN' IT FROM WARM TO HOT
♪ GOTTA GIVE IT ALL WE GOT
♪ WHOOPSIE-DAISY, CALL ME CRAZY... ♪
WHOA! WHERE'S DOLLY?
RIGHT HERE.
LOVE TO DANCE THE NIGHT AWAY, BUT IT'S LAST CALL.
DROP IT.
DROP IT!
KICK IT OVER HERE.
KICK IT OVER!
GOOD.
SEE THAT? YOU'RE WEAK ANDSTUPID,
'CAUSE I WAS GONNA WHACK HER ANYWAY.
DOLLY!
Dolly: NO!
DARRELL.
PERFECT. LET'S SEE IF I CAN GET 2 FOR THE PRICE OF 1.
I DON'T THINK SO.
OH, FUCK!
HEY, DARRELL, YOU COOL?!
DARRELL, ARE YOU OK?
YEAH, I'M FINE.
SO, YOU DID IT AGAIN.
I'M RUNNING OUT OF SHOULDERS.
YEAH.
JUNIOR!
YOU OK, DAD?
YEAH, I'M OK.
I'M PROUD OF YOU, SON.
THANKS, POP.
HEY, JUNIOR.
GOOD LOOK, MAN.
GOOD LOOK.
HEY, AIN'T NO THING, DAWG.
HEY, NOW THAT WAS TIGHT, JUNIOR. HA HA.
YO, YOU KNOW I WAS PEEPING A COLD ME PARTY,
LET'S NOT BE MASHIN' SUPER-SIZE, YOU KNOW WHAT I'M SAYING?
NO, JUNIOR, I DON'T KNOW WHAT YOU'RE SAYING.
HE SAID HE HAD TO ACT FACT.
OTHERWISE, WE'D BE DEAD.
WHAT? POPS. WHAT...
YOU LIVE IN THE SAME HOUSE,
YOU LEARN SOME THINGS.
YEAH, BABY. COME HERE.
HELLO.
I'M BLEEDIN' TO DEATH OVER HERE.
Frank: WE'LL GET YOU A DOCTOR.
I CAN'T BELIEVE YOU DID THAT.
IF GROWIN' UP IN THE 'HOOD IS SO DANGEROUS,
WHY IS IT THAT I ONLY GET SHOT BY WHITE PEOPLE?
HUH?
[FOLK MUSIC PLAYING]
[HAPPY SHOUTING]
SO DID WE REGISTER FOR BENJAMINS?
IT'S AN ITALIAN TRADITION. WE LIKE TO DEAL IN CASH.
IT'S AN AFRICAN-AMERICAN TRADITION, TOO.
TANTO MILLE GRAZIE.
GRAZIE.
WELL DONE.
[GUESTS LAUGHING]
[INAUDIBLE]
[SONG ENDS]
GOTTA GET MY MOVE ON.
YOU GO, GIRL.
[ORCHESTRA DANCE MUSIC PLAYING]
HEY, HEY, HEY.
♪ EVERY KISS, EVERY HUG
♪ SEEMS TO ACT JUST LIKE A DRUG... ♪
DARRELL IS A GOOD MAN.
I'M GLAD I DIDN'T KILL HIM.
THERE'S STILL TIME, THOUGH.
DADDY.
I'M JUST KIDDING.
I LOVE YOU.
I LOVE YOU MORE.
HOW COME YOU ALWAYS SAY THAT?
IF I LOVE YOU WITH ALL MY HEART,
HOW CAN YOU LOVE ME MORE?
WHEN YOU HAVE CHILDREN, YOU'LL UNDERSTAND IT.
AHEM. PARDON ME.
UH, I THINK IT'S TIME THAT I DANCED WITH MY WIFE.
SURE. YOU KNOW, DARRELL, I WANTED MY DAUGHTER TO MARRY A MAN OF HONOR.
AND SHE DID.
YOUR DAD WOULD'VE BEEN PROUD, SON.
GET OVER HERE.
HEY, HOW YOU DOING?
ALL RIGHT.
HEY, WHAT'S GOING ON, EVERYBODY?
HOW'S EVERYBODY DOING? THIS IS NICE, PEOPLE.
I'M GONNA LET Y'ALL KNOW THAT. I MEAN, THIS IS REAL BEAUTIFUL.
EVERYBODY SMILIN' AND STUFF, MAN. IT'S LIKE...
IT'S LIKE HOODS IN THE 'HOOD.
[LAUGHING]
'CAUSE--AHEM. AHEM.
ALL RIGHT. UH, YOU KNOW WHAT?
LET'S CHANGE IT UP FOR A SECOND.
THIS IS A NEW TRACK THAT WE'RE WORKING ON
FROM OUR RECORD COMPANY ULTIMATE RECORDS.
I WANT Y'ALL TO LISTEN TO IT, TELL ME WHAT YOU THINK.
ALL RIGHT. HEY, AND BE HONEST.
IF YOU LIKE IT, TELL ME, YOU KNOW.
WHITE MONEY'S THE BEST MONEY.
SHOULD I SAY THAT OUT LOUD? UH-OH.
I WOULD DO ANYTHING FOR YOU, MR. WILLIAMS.
AND I WOULD TAKE A BULLET FOR YOU, MRS. WILLIAMS.
OH, I BELIEVE YOU ALREADY DID...
TWICE. TWICE.
AND I'D TAKE ANOTHER ONE.
'CAUSE IT ONLY HURTS, BABY,
WHEN I DO THIS.
♪ I DON'T THINK SHE'S REAL
♪ SHE'S JUST A FIGMENT OF MY IMAGINATION ♪
♪ OHH
♪ SHE MAKES THE TIME STAND STILL ♪
♪ I LIKE THE FEELIN'
♪ BUT SOMETIMES I CAN'T TAKE IT, BABY, I ♪
♪ UNH, OH, I
♪ ONLY SEE HER IN MY DREAMS ♪
♪ IT DOES THESE CRAZY THINGS TO ME ♪
♪ I THINK
HO!
♪ LIKE I'M FLYIN' WITHOUT WINGS ♪
♪ I'LL GIVE HER MYSELF AND LET HER TAKE ME AWAY ♪
[RUFF RUFF]
♪ AT LEAST FOR BETTER OR WORSE ♪
♪ GIRL, I PROMISE I'LL PUT YOU FIRST ♪
I LIKE YOUR DOG HE IS SO CUTE.
CAN I PET HIM?
♪ WHAT WE GOT HERE IS GOOD... ♪
EWW!
COME ON, MAN.
OK, I GOTTA CONFESS.
THAT ONE WAS ME. HA HA HA HA HA!
YOU NASTY, MAN.
RUFUS. WHAT IS WRONG WITH YOUR DOG, MAN?
GET OFF. RUFUS!
NEXT DANCE IS WITH ME, YOUNG LADY. HEH HEH.
YOU LOOK GOOD, FISH.
HEY, THANKS, TON.
AND YOU LOOK-- YOU LOOK PHAT.
WHAT'D YOU SAY TO ME?
PHAT WITH A P-H.
IT'S A COMPLIMENT.
TELL HIM, JUNIOR.
YEAH, YEAH, LIKE, LIKE,
"PHAT." YEAH, FO' SHIZZLE.
OH, OH, PHAT.
OH, YEAH. OH, YEAH.
THANK YOU. HEY, TELL YOU THE TRUTH,
I NEVER FELT PHATTER IN MY LIFE.
DO YOU LIKE IT, SWEETHEART?
DO I LIKE A VVS-1, IDEAL-CUT,
3.5-CARAT, D-COLOR DIAMOND ENGAGEMENT RING?
SWEETIE.
YOU KNOW I'M NOT ABOUT THAT.
BUT LET'S TALK EARRINGS.
♪ AT LEAST FOR BETTER OR WORSE ♪
♪ GIRL, I PROMISE I'LL PUT YOU FIRST ♪
[NEW SONG] ♪ WATCH THIS, UNH
♪ YEAH, J LACK TRACKS, MAN
♪ U.S.
♪ UH-HUH
♪ SURE, WE GOOD RIGHT HERE, MAN ♪
♪ YEAH, UNH, LET'S TAKE IT TO THE WESTSIDE ♪
♪ WESTSIDE HEH HEH.
♪ IT'S GETTIN' HOT IN HERE
♪ BABY GIRL, LET ME SET YOU DOWN ♪
♪ SWEAT
♪ BET I CAN GET YOUR WET CLOTHES OFF ♪
♪ TALK TO 'EM, USHER ♪
♪ LOOK WHAT YOU DID NOW
♪ CLUB'S ABOUT TO CLOSE UP
♪ AND YOU DONE WET YOUR CLOTHES UP ♪
♪ GIRL
♪ WE NEED TO SHAKE THE BREEZE ♪
♪ 'CAUSE I DON'T WANNA SEE YOU OUT HERE IN THE COLD ♪
♪ KNOWIN' EVERYBODY LOOKIN' AT THOSE ♪
♪ LADIES SO SWERVE
♪ HEY, NOW, WE COULD BE LOVERS AND FRIENDS ♪
♪ HEAD BACK TO MY CRIB
♪ GET FRESHED UP
♪ SO I CAN GET YOU BACK
♪ WHEN I CAN, GIRL, I WANNA MAKE YA ♪
♪ SWEAT
♪ CAN YOU FEEL THE HEAT, GIRL? ♪
♪ I WON'T STOP
♪ WON'T STOP UNTIL YOU SWEAT ♪
♪ SWEAT
♪ BABY, WE COULD TURN IT UP ♪
♪ YEAH, YEAH, YEAH
♪ YEAH
♪ BABY, I CAN GET YOUR WET CLOTHES OFF ♪
♪ YEAH, YEAH, UNH
♪ THIS IS A
♪ J LACK TRACK, MAN
♪ RICO
WHAT UP, USHER? YOU GOOD?
I ALREADY GOT ONE WITH ME, BABE.
THAT'S SURE RIGHT THERE, BABE.
YEAH.
[NEW SONG] CORNER BOYS.
♪ WHOO, WHOO
♪ COULD, COULD, COULD THIS BE LOVE? ♪
♪ WHOO, WHOO
♪ COULD, COULD, COULD THIS BE LOVE? ♪
♪ WHOO, WHOO
♪ COULD, COULD, COULD THIS BE LOVE? ♪
♪ WHOO, WHOO
♪ WHOO
♪ THE FIRST TIME I SAW YOU, GIRL ♪
♪ I KNEW
♪ THAT
♪ YOU'D BE THE ONE TO CHANGE MY WORLD ♪
♪ I'M SO INTO YOU
♪ AND EVERYTHING I KNEW BEFORE ♪
♪ EVERYTHING THAT I KNEW BEFORE ♪
♪ WASN'T ENOUGH
♪ WHOO, WHOO
♪ AN INFATUATION
♪ OH, YEAH, YEAH
♪ BUT WHEN YOU CAME THROUGH THAT DOOR ♪
♪ I KNEW FOR SURE
♪ I FOUND OUT WHAT TO DO
♪ COULD THIS BE LOVE?
♪ LOVE
♪ 'CAUSE I NEVER, EVER FELT THIS WAY ♪
♪ COULD THIS BE LOVE?
♪ COULD IT BE LOVE?
♪ AND IF SO, I WANT THIS FEELING TO STAY ♪
♪ COULD THIS BE LOVE?
♪ I TRIED
♪ I TRIED TO WALK AWAY...
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