1 00:00:00,000 --> 00:00:05,720 This programme contains scenes of Repetitive Flashing Images. 2 00:00:05,720 --> 00:00:09,640 SINISTER LAUGHTER 3 00:00:09,640 --> 00:00:11,320 This is a bit scary, isn't it? 4 00:00:11,320 --> 00:00:12,680 Dani! 5 00:00:12,680 --> 00:00:13,720 Oh! 6 00:00:13,720 --> 00:00:15,040 I don't like it! 7 00:00:15,040 --> 00:00:16,960 No, no, no! 8 00:00:16,960 --> 00:00:20,960 CACKLING 9 00:00:20,960 --> 00:00:22,000 Urgh! 10 00:00:22,000 --> 00:00:23,040 Where's Delta? 11 00:00:23,040 --> 00:00:25,680 Where's Delta gone? 12 00:00:25,680 --> 00:00:27,320 Oh, Will. 13 00:00:27,320 --> 00:00:31,040 THEY SCREAM 14 00:00:31,040 --> 00:00:32,240 Show me how to salsa. 15 00:00:32,240 --> 00:00:33,880 You teach me. 16 00:00:33,880 --> 00:00:34,920 Your frame is that. 17 00:00:34,920 --> 00:00:35,960 Like this? 18 00:00:35,960 --> 00:00:37,520 Yeah. 19 00:00:37,520 --> 00:00:40,080 SCREAMING 20 00:00:40,080 --> 00:00:47,480 SCREAMS 21 00:00:47,480 --> 00:00:51,560 It's not funny. 22 00:00:51,560 --> 00:00:52,840 Ring-a, ring-a-roses. 23 00:00:52,840 --> 00:00:55,200 She could definitely do with some vitamin C, couldn't she? 24 00:00:55,200 --> 00:00:56,960 Guys, I am literally in here. 25 00:00:56,960 --> 00:00:58,040 Delta. 26 00:00:58,040 --> 00:01:00,760 Are you allowed to come out? 27 00:01:00,760 --> 00:01:03,880 No, thank you. 28 00:01:03,880 --> 00:01:05,640 You are scary! 29 00:01:05,640 --> 00:01:07,760 No, no, no. 30 00:01:07,760 --> 00:01:08,760 Don't go there. 31 00:01:08,760 --> 00:01:09,840 Please go away! 32 00:01:09,840 --> 00:01:10,880 Please go away! 33 00:01:10,880 --> 00:01:18,840 Please go away! 34 00:01:25,440 --> 00:01:28,400 Those screams were fab-u-lous! 35 00:01:46,160 --> 00:01:47,800 APPLAUSE 36 00:01:47,800 --> 00:01:55,400 This is Strictly Come Dancing - the Halloween Special! 37 00:01:55,400 --> 00:02:03,360 Please welcome Emma Willis, Josh Widdicombe and Johannes Radebe. 38 00:02:11,600 --> 00:02:18,720 APPLAUSE 39 00:02:18,720 --> 00:02:20,880 Hello and welcome to Strictly Come Dancing and happy 40 00:02:20,880 --> 00:02:23,760 Halloween, everyone! 41 00:02:23,760 --> 00:02:26,120 It's one of the biggest nights in the ballroom 42 00:02:26,120 --> 00:02:30,320 and we are so excited to be a part of it. 43 00:02:30,320 --> 00:02:32,920 It's our annual Fright Night and our couples are looking 44 00:02:32,920 --> 00:02:35,800 to enchant and terrify you in equal measure as they perform some 45 00:02:35,800 --> 00:02:38,960 truly wicked routines. 46 00:02:38,960 --> 00:02:43,800 So tonight, you can expect zombies at a beach party, 47 00:02:43,800 --> 00:02:46,200 Lady Frankenstein hitting up the dating apps and The Addams 48 00:02:46,200 --> 00:02:49,000 Family recreating the pottery scene from Ghost. 49 00:02:49,000 --> 00:02:50,760 Classic Strictly Halloween. 50 00:02:50,760 --> 00:02:58,560 We wouldn't want it any other way. 51 00:02:58,560 --> 00:02:59,600 DOORBELL RINGS 52 00:02:59,600 --> 00:03:02,000 Oh, and it wouldn't be Halloween without some rowdy trick 53 00:03:02,000 --> 00:03:03,200 or treaters at the door. 54 00:03:03,200 --> 00:03:04,240 Please welcome the judges... 55 00:03:04,240 --> 00:03:05,280 MUSIC: Everybody (Backstreet's Back). 56 00:03:05,280 --> 00:03:09,880 # Backstreet's back all right... 57 00:03:09,880 --> 00:03:12,720 Motsi Mabuse and Shirley Ballas, 58 00:03:12,720 --> 00:03:19,400 Craig Revel Horwood and Anton Du Beke. 59 00:03:19,880 --> 00:03:22,320 # Everything you need you'd better rock your body now 60 00:03:22,320 --> 00:03:26,480 # Everybody, yeah. 61 00:03:26,480 --> 00:03:32,160 # Rock your body. 62 00:03:32,160 --> 00:03:35,800 # Yeah 63 00:03:35,800 --> 00:03:36,840 # Everybody. 64 00:03:36,840 --> 00:03:38,040 # Rock your body. 65 00:03:38,040 --> 00:03:46,000 # Backstreet's back all right. 66 00:03:49,480 --> 00:03:49,680 APPLAUSE 67 00:03:49,680 --> 00:03:54,720 Welcome, judges. 68 00:03:54,720 --> 00:04:01,480 Every theme week you deliver. 69 00:04:01,560 --> 00:04:03,760 Anton and Craig, the roles you were 70 00:04:03,760 --> 00:04:07,040 Anton and Craig, the roles you were born to play. Surely, you look 71 00:04:07,040 --> 00:04:10,600 slightly terrifying. You just smiled which is amazing because I can 72 00:04:10,600 --> 00:04:12,800 breathe again! 73 00:04:12,800 --> 00:04:14,720 Now, this year, alongside some killer transformations and 74 00:04:14,720 --> 00:04:18,640 spooky routines, we are serving up a devilish Halloween twist. 75 00:04:18,640 --> 00:04:20,839 Yes, for the first time ever, three couples 76 00:04:20,839 --> 00:04:23,520 will find themselves in the Dance-Off and our judges will be 77 00:04:23,520 --> 00:04:28,840 deciding who to send home. 78 00:04:28,840 --> 00:04:32,440 And that means your vote has never been more important. 79 00:04:32,440 --> 00:04:36,400 Anyone could be in that Dance-Off. 80 00:04:36,400 --> 00:04:38,640 Oh, the drama! 81 00:04:38,640 --> 00:04:40,800 So, the stakes are high and hoping that they 82 00:04:40,800 --> 00:04:43,159 can cast a spell on you tonight, please welcome... 83 00:04:43,159 --> 00:04:48,680 our Strictly stars. 84 00:04:48,680 --> 00:04:52,360 Dani Dyer and her partner Nikita Kuzmin. 85 00:04:52,360 --> 00:04:58,520 Will Best and his partner Dianne Buswell. 86 00:04:58,520 --> 00:05:04,240 Jaime Winstone and her partner Carlos Gu. 87 00:05:04,240 --> 00:05:11,520 Graeme Hall and his partner Lauren Oakley. 88 00:05:11,520 --> 00:05:16,520 Tabby Stoecker and her partner Mark Karmalita. 89 00:05:16,520 --> 00:05:24,480 Lawrence Robb and his partner Jowita Przystal. 90 00:05:25,520 --> 00:05:30,160 Delta Goodrem and her partner Kai Widdrington. 91 00:05:30,160 --> 00:05:35,320 Cach Mercer and his partner Maddie Ingoldsby. 92 00:05:35,320 --> 00:05:41,640 Bethany Antonia and her partner Nancy Xu. 93 00:05:41,640 --> 00:05:46,120 John Nellis and his partner Katya Jones. 94 00:05:46,120 --> 00:05:53,200 And finally, Lacey Turner and her partner Vito Coppola. 95 00:05:53,200 --> 00:05:54,840 # It's murder on the dance floor. 96 00:05:54,840 --> 00:05:57,760 # But you'd better not kill the groove 97 00:05:57,760 --> 00:05:59,480 # Hey, hey 98 00:05:59,480 --> 00:06:02,920 # It's murder on the dance floor 99 00:06:02,920 --> 00:06:06,120 # But you'd better not steal the moves, DJ 100 00:06:06,120 --> 00:06:12,720 # Gonna burn this goddamn house right down 101 00:06:14,200 --> 00:06:24,240 APPLAUSE 102 00:06:28,000 --> 00:06:32,880 This feels like the best Halloween party I've ever been to. 103 00:06:32,880 --> 00:06:36,600 You all look sensational. 104 00:06:36,600 --> 00:06:45,680 I'm really jealous! You guys look amazing. Can we give it up for our 105 00:06:45,680 --> 00:06:48,520 hair, make-up and wardrobe department. You guys are the best in 106 00:06:48,520 --> 00:06:49,920 the business. 107 00:06:49,920 --> 00:06:55,320 APPLAUSE 108 00:06:55,320 --> 00:06:58,200 Right, let's get Strictly Halloween under way and first up tonight with 109 00:06:58,200 --> 00:06:59,600 a samba, it's Graeme and Lauren. 110 00:06:59,600 --> 00:07:00,760 # She's the devil...# 111 00:07:00,760 --> 00:07:04,240 Halloween week. 112 00:07:04,240 --> 00:07:05,840 Right. Lime in the coconut? 113 00:07:05,840 --> 00:07:07,400 Yes. 114 00:07:07,400 --> 00:07:08,600 # Lime in the coconut. 115 00:07:08,600 --> 00:07:11,480 I'm doing a samba, which I've heard people say is quite scary. 116 00:07:11,480 --> 00:07:12,680 Kind of appropriate this week. 117 00:07:12,680 --> 00:07:13,760 One, two, three. 118 00:07:13,760 --> 00:07:14,760 One, two, three. 119 00:07:14,760 --> 00:07:16,680 I'm not getting a down up, down up. 120 00:07:16,680 --> 00:07:17,760 Yeah, OK. 121 00:07:17,760 --> 00:07:19,800 The samba has to be bouncy. 122 00:07:19,800 --> 00:07:21,800 BOTH: Lunge, bounce. 123 00:07:21,800 --> 00:07:24,200 I'm often bouncy like Tigger, but in this dance it's 124 00:07:24,200 --> 00:07:25,640 knowing when to bounce. 125 00:07:25,640 --> 00:07:29,200 Happy dog, scared dog, happy dog, scared dog. 126 00:07:29,200 --> 00:07:31,400 As soon as I explained it in dog terminology, 127 00:07:31,400 --> 00:07:33,000 Graeme got it really well. 128 00:07:33,000 --> 00:07:36,080 Happy dog, scared dog. 129 00:07:36,080 --> 00:07:37,560 Happy, scared. Happy, scared, happy. Yes! 130 00:07:37,560 --> 00:07:41,040 Hey. 131 00:07:41,040 --> 00:07:42,240 Oh, hello! 132 00:07:42,240 --> 00:07:43,280 Hello. 133 00:07:43,280 --> 00:07:44,440 Oh, that's scary! 134 00:07:44,440 --> 00:07:45,480 Oh, hello! 135 00:07:45,480 --> 00:07:47,640 And a witch. 136 00:07:47,640 --> 00:07:50,760 Well, I'm going to run up to Grandad and give him a cuddle. 137 00:07:50,760 --> 00:07:51,800 Hello, darling. 138 00:07:51,800 --> 00:07:53,720 It's so lovely seeing Graeme with his family. 139 00:07:53,720 --> 00:07:55,240 You're a very pretty witch. 140 00:07:55,240 --> 00:07:57,680 Just the treat we needed on a hard day's dancing. 141 00:07:57,680 --> 00:07:58,680 Boo! 142 00:07:58,680 --> 00:08:00,160 We played a couple of games. 143 00:08:00,160 --> 00:08:08,120 You've got to stop dead still and be really scary. 144 00:08:08,320 --> 00:08:10,000 Would you like to see our dance? 145 00:08:10,000 --> 00:08:11,040 Yeah. 146 00:08:11,040 --> 00:08:16,840 I thought it'd be great fun to show the grandkids part of our dance. 147 00:08:16,840 --> 00:08:18,080 Oh, that's so good. 148 00:08:18,080 --> 00:08:19,560 Yay, well done. 149 00:08:19,560 --> 00:08:20,640 Ten out of ten! 150 00:08:20,640 --> 00:08:21,880 A ten. 151 00:08:21,880 --> 00:08:24,040 And we've got some great scores from the kids. 152 00:08:24,040 --> 00:08:26,280 I'll take that. 153 00:08:26,280 --> 00:08:27,480 Seeing the family was lovely. 154 00:08:27,480 --> 00:08:28,520 Group hug. 155 00:08:28,520 --> 00:08:30,400 Yay! 156 00:08:30,400 --> 00:08:33,280 There is nothing quite like that bond that you have with family, 157 00:08:33,280 --> 00:08:35,679 so I'll be dancing this one for them on Saturday. 158 00:08:35,679 --> 00:08:36,720 Good luck, Grandad. 159 00:08:36,720 --> 00:08:39,679 Love you. 160 00:08:41,120 --> 00:08:49,080 Dancing the samba, Graeme Hall and Lauren Oakley. 161 00:08:50,760 --> 00:08:53,680 # Brother bought a coconut, he bought it for a dime 162 00:08:53,680 --> 00:08:56,560 # His sister had another one, she paid it for a lime 163 00:08:56,560 --> 00:08:59,680 # She put the lime in the coconut, she drank 'em both up 164 00:08:59,680 --> 00:09:02,840 # She put the lime in the coconut, she called the doctor 165 00:09:02,840 --> 00:09:05,520 # Woke him up and said 166 00:09:05,520 --> 00:09:07,440 # Doctor, ain't there nothin' I can take 167 00:09:07,440 --> 00:09:09,920 # I say, doctor, to relieve this bellyache? 168 00:09:09,920 --> 00:09:12,320 # I say, doctor, ain't there nothin' I can take 169 00:09:12,320 --> 00:09:14,840 # I say, doctor, to relieve this bellyache? 170 00:09:14,840 --> 00:09:16,600 # Now let me get this straight 171 00:09:16,600 --> 00:09:22,840 # You put the lime in the coconut, you drank 'em both up 172 00:09:22,840 --> 00:09:25,720 # Put the lime in the coconut, you drank 'em both up 173 00:09:25,720 --> 00:09:28,360 # Put the lime in the coconut, you called your doctor 174 00:09:28,360 --> 00:09:31,480 # Woke him up and said, Doctor, ain't there nothing I can take 175 00:09:31,480 --> 00:09:33,480 # I said, Doctor, to relieve this bellyache? 176 00:09:33,480 --> 00:09:36,040 # I said, Doctor, ain't there nothin' I can take (doctor) 177 00:09:36,040 --> 00:09:38,000 # I said, Doctor, to relieve this bellyache? 178 00:09:38,000 --> 00:09:41,080 # You put the lime in the coconut, you drink 'em both together 179 00:09:41,080 --> 00:09:43,720 # Put the lime in the coconut, then you feel better 180 00:09:43,720 --> 00:09:46,360 # Put the lime in the coconut, drink 'em both up 181 00:09:46,360 --> 00:09:49,480 # Put the lime in the coconut, and call me in the morning 182 00:09:49,480 --> 00:09:51,280 # Whoo-ooh-ooh, ooh-ooh-oooh, ooh-ooh, ooh-ooh-ooh-ooh 183 00:09:51,280 --> 00:09:53,880 # Whoo-ooh-ooh, ooh-ooh-oooh, ooh-ooh-ooh 184 00:09:53,880 --> 00:09:55,640 # Now let me get this straight 185 00:09:55,640 --> 00:09:58,760 # You put the lime in the coconut, you drink 'em both together 186 00:09:58,760 --> 00:10:01,320 # Put the lime in the coconut, then you feel better 187 00:10:01,320 --> 00:10:03,960 # Put the lime in the coconut, drink 'em both up 188 00:10:03,960 --> 00:10:07,080 # Put the lime in the coconut, and call me in the morning 189 00:10:07,080 --> 00:10:09,000 # Whoo-oo-oo-oo, ain't there nothin' you can take? 190 00:10:09,000 --> 00:10:10,920 # I say, whoo-oo-oo-oo, to relieve your bellyache? 191 00:10:10,920 --> 00:10:13,640 # You say, well, whoo-oo-oo-oo, ain't there nothing I can take? 192 00:10:13,640 --> 00:10:15,480 # I say, whoo-oo, to relieve your bellyache? 193 00:10:15,480 --> 00:10:18,600 # Just put the lime in the coconut, you drink 'em both together 194 00:10:18,600 --> 00:10:21,240 # Put the lime in the coconut, then you feel better 195 00:10:21,240 --> 00:10:24,000 # Put the lime in the coconut, drink 'em both up 196 00:10:24,000 --> 00:10:29,520 # Put the lime in the coconut, coconut # 197 00:10:29,600 --> 00:10:39,360 APPLAUSE 198 00:10:45,000 --> 00:10:48,040 Wow! 199 00:10:48,040 --> 00:10:52,120 I know we have already mentioned the wardrobe department but can we have 200 00:10:52,120 --> 00:10:59,880 a moment for the zombie sandals? They are a bit special. Thank you to 201 00:10:59,880 --> 00:11:05,360 Rachel in wardrobe. They are modelled on Craig's feet. Shirley, 202 00:11:05,360 --> 00:11:10,720 what did you think to the zombie samba? You are very brave to open 203 00:11:10,720 --> 00:11:14,560 the show with a zombie samba so I will give you that. Nice criteria 204 00:11:14,560 --> 00:11:19,880 when it comes to mixing the basic steps with the open steps, nice hand 205 00:11:19,880 --> 00:11:23,960 drop you did. I would like know double stuttering on the feet and 206 00:11:23,960 --> 00:11:27,160 more flexibility moving forward for you but what I do appreciate about 207 00:11:27,160 --> 00:11:32,800 you is you do not make mistakes so you must drill this and drill it and 208 00:11:32,800 --> 00:11:38,560 drill it. APPLAUSE 209 00:11:38,680 --> 00:11:42,720 Thoughts of the angel? Everything is marvellous. I didn't think it was a 210 00:11:42,720 --> 00:11:47,720 bad effort. It is a samba and a tricky dance because you have got to 211 00:11:47,720 --> 00:11:52,600 get the different rhythms coordinated as well as the 212 00:11:52,600 --> 00:11:56,120 choreography which I thought you did reasonably well for the most part. 213 00:11:56,120 --> 00:12:00,680 I'd like to see more power across the floor but all in all not a bad 214 00:12:00,680 --> 00:12:08,160 effort. Well done. Thank you. I would like to have seen more 215 00:12:08,160 --> 00:12:12,200 fluidity in the bounce and as Shirley said, the footwork was a 216 00:12:12,200 --> 00:12:18,560 little bit sticky at times. And it needs finessing but I have to say, 217 00:12:18,560 --> 00:12:22,120 every time we watch you, you come out here and you go for it. 218 00:12:22,120 --> 00:12:29,080 APPLAUSE I have to say it was a lot of 219 00:12:29,080 --> 00:12:34,280 different basic samba steps you danced, and showed different 220 00:12:34,280 --> 00:12:37,920 rhythms. I love the fact you are leading and really trying to help 221 00:12:37,920 --> 00:12:42,200 your partner. She doesn't have to do anything on her own. I'm going to 222 00:12:42,200 --> 00:12:46,640 stay persistent with you and the upper part of the body. I needed to 223 00:12:46,640 --> 00:12:51,640 be better. I said it last week and I will say it until it is better but 224 00:12:51,640 --> 00:12:57,520 otherwise, thank you for opening the show. It was fun to watch, great 225 00:12:57,520 --> 00:13:04,040 rhythm, keep working. Thank you. Motsi is going to say it and say it 226 00:13:04,040 --> 00:13:11,760 and say it. If you don't get better, the fairy is 227 00:13:12,880 --> 00:13:15,920 the fairy is going to dock you. Really positive and useful comments, 228 00:13:15,920 --> 00:13:22,320 and as a man who loves dancing, to have opened the Strictly Come 229 00:13:22,320 --> 00:13:25,680 Dancing Halloween show must feel incredible. I thought it was going 230 00:13:25,680 --> 00:13:33,280 to be daunting but it turned out to be haunting! Get your ten paddle out 231 00:13:33,280 --> 00:13:37,200 for that one, Anton! Get upstairs and stop making those jokes. Thank 232 00:13:37,200 --> 00:13:48,320 you. Well done. APPLAUSE 233 00:13:49,680 --> 00:13:55,200 Josh said you opened the show, I want to know if there were nerves. 234 00:13:55,200 --> 00:14:00,920 Plenty of nerves but we overcame them. We did, we really brought it. 235 00:14:00,920 --> 00:14:06,040 This amber is the show of dance. I didn't put you down as a show off. 236 00:14:06,040 --> 00:14:08,880 I'm normally quite quiet and reserved as you know but I thought 237 00:14:08,880 --> 00:14:15,160 this isn't the time to be reserved. Did you enjoy the flamboyance? If 238 00:14:15,160 --> 00:14:21,800 you are going to go for it, go for it. Lauren, remind us about the 239 00:14:21,800 --> 00:14:25,480 trick. There is a lot of bounce action and hip rolling and it wasn't 240 00:14:25,480 --> 00:14:32,320 getting through until I explained it as happy dog, scared dog. A new way 241 00:14:32,320 --> 00:14:33,080 to do lock step! 242 00:14:33,080 --> 00:14:38,120 Scores are in. 243 00:14:38,120 --> 00:14:39,440 The judges have their scores. 244 00:14:39,440 --> 00:14:39,800 The judges have their scores. 245 00:14:39,800 --> 00:14:41,720 Craig Revel Horwood... 246 00:14:41,720 --> 00:14:43,160 Motsi Mabuse... 247 00:14:43,160 --> 00:14:46,200 Shirley Ballas... 248 00:14:46,200 --> 00:14:53,240 Anton Du Beke... 249 00:14:54,560 --> 00:15:05,240 Total score of 20 250 00:15:05,240 --> 00:15:07,640 Our Halloween spectacular has begun and you'll be able to vote for your 251 00:15:07,640 --> 00:15:08,840 able to vote for your 252 00:15:08,840 --> 00:15:10,520 favourites once all our couples have danced. 253 00:15:10,520 --> 00:15:13,160 If you were coconuts about Graeme and Lauren's Samba, then show 254 00:15:13,160 --> 00:15:15,320 them some love and vote for them later tonight. 255 00:15:15,320 --> 00:15:17,720 Scan the QR code or head to bbc.co.uk/strictly to register 256 00:15:17,720 --> 00:15:18,760 your BBC account. 257 00:15:18,760 --> 00:15:19,960 Right, that's the business done. 258 00:15:19,960 --> 00:15:22,240 Let's just relish this iconic moment. 259 00:15:22,240 --> 00:15:23,720 Hit it! 260 00:15:23,720 --> 00:15:30,800 MUSIC: Coconut. 261 00:15:30,800 --> 00:15:34,960 Emma and Josh! 262 00:15:34,960 --> 00:15:37,920 Our next Halloween performance sees two people doing pottery together. 263 00:15:37,920 --> 00:15:39,400 Sorry, pottery? 264 00:15:39,400 --> 00:15:41,560 Come on, it's Halloween, what is scary about that? 265 00:15:41,560 --> 00:15:49,520 MUSIC: Unchained Melody. 266 00:15:52,280 --> 00:15:55,640 I take it back, that's the most disturbing thing I've ever seen. 267 00:15:55,640 --> 00:16:03,600 With a Viennese waltz, it's Delta and Kai. 268 00:16:03,680 --> 00:16:04,920 We made it to Halloween! 269 00:16:04,920 --> 00:16:06,360 This is exciting. 270 00:16:06,360 --> 00:16:07,600 You know what's extra exciting? 271 00:16:07,600 --> 00:16:09,400 Ten! 272 00:16:09,400 --> 00:16:10,600 It makes me really go, 273 00:16:10,600 --> 00:16:12,960 "OK, so I'm gonna keep working on this technique that 274 00:16:12,960 --> 00:16:14,760 you keep teaching me." 275 00:16:14,760 --> 00:16:17,400 Obviously, you know that we're doing the Viennese Waltz this week. 276 00:16:17,400 --> 00:16:18,440 Yes. 277 00:16:18,440 --> 00:16:20,360 We get to be inspired by different characters. 278 00:16:20,360 --> 00:16:21,800 Ours is from The Addams Family. 279 00:16:21,800 --> 00:16:25,760 # All I ever dreamed of...# 280 00:16:25,760 --> 00:16:27,280 There's this iconic couple. 281 00:16:27,280 --> 00:16:28,560 She's dressed in all black. 282 00:16:28,560 --> 00:16:29,840 She has lovely red nails. 283 00:16:29,840 --> 00:16:31,040 Excellent. 284 00:16:31,040 --> 00:16:33,120 Well, we're on the right path. 285 00:16:33,120 --> 00:16:35,200 How long has it been since we've waltzed? 286 00:16:35,200 --> 00:16:37,160 You just see they play romantic so well. 287 00:16:37,160 --> 00:16:39,080 And you can totally believe that they are 288 00:16:39,080 --> 00:16:40,600 so obsessed with each other. 289 00:16:40,600 --> 00:16:45,680 You are so beautiful, pale and mysterious. 290 00:16:45,680 --> 00:16:50,040 It makes sense why they're such a memorable, like, on screen couple. 291 00:16:50,040 --> 00:16:52,400 We're taking inspiration from the film The Addams Family. 292 00:16:52,400 --> 00:16:54,440 The characters are so believable. 293 00:16:54,440 --> 00:16:56,840 So now we've got to just, like, bring all this 294 00:16:56,840 --> 00:16:59,280 energy into our dance. 295 00:16:59,280 --> 00:17:01,240 # Oh, she's sweet, but a psycho. 296 00:17:01,240 --> 00:17:03,000 # A little bit psycho. 297 00:17:03,000 --> 00:17:05,040 # At night she's screaming...# 298 00:17:05,040 --> 00:17:07,760 I am so excited for a theme week. 299 00:17:07,760 --> 00:17:11,760 The most challenging thing with the Viennese waltz for me, 300 00:17:11,760 --> 00:17:13,760 finding the upper frame. 301 00:17:13,760 --> 00:17:15,280 We don't want this. 302 00:17:15,280 --> 00:17:16,960 For the follower in ballroom, you want 303 00:17:16,960 --> 00:17:18,359 to have a beautiful silhouette. 304 00:17:18,359 --> 00:17:22,200 We want this - slightly out to the left with a lovely neckline 305 00:17:22,200 --> 00:17:23,880 and a lovely shoulder line. 306 00:17:23,880 --> 00:17:26,319 It's so hard! 307 00:17:26,319 --> 00:17:28,720 But I really felt like we found some aha moments. 308 00:17:28,720 --> 00:17:30,560 From here up, you're above the water. 309 00:17:30,560 --> 00:17:32,000 Still relaxed down here. 310 00:17:32,000 --> 00:17:33,800 Starting to connect all the dots. 311 00:17:33,800 --> 00:17:37,360 If you come above that, there's like a zzz! 312 00:17:37,360 --> 00:17:40,240 Morticia and I are about to really discover each other this week, 313 00:17:40,240 --> 00:17:42,640 and I think there's a bit of Morticia in everyone. 314 00:17:42,640 --> 00:17:46,720 MORTICIA VOICE: See you later, everybody. Goodbye. 315 00:17:46,720 --> 00:17:50,040 Dancing the Viennese waltz, Delta Goodrem and Kai Widdrington. 316 00:17:50,040 --> 00:17:55,920 APPLAUSE 317 00:17:55,920 --> 00:18:03,880 # Woah, my love, my darlin' 318 00:18:08,440 --> 00:18:15,120 # I've hungered for your touch 319 00:18:15,120 --> 00:18:23,040 # A long, lonely time 320 00:18:27,880 --> 00:18:35,840 # And time goes by so slowly (hmmm hmmm hmmm) 321 00:18:40,400 --> 00:18:48,280 # And time can do so much (so much) 322 00:18:48,280 --> 00:18:56,200 # Are you still mine (are you still mine) 323 00:19:01,120 --> 00:19:09,080 # I need your love (la la la la, la la la la) 324 00:19:10,360 --> 00:19:18,320 # I, I need your love (la la la la, la la la la) 325 00:19:18,960 --> 00:19:26,920 # God speed your love to me 326 00:19:41,600 --> 00:19:47,760 CHEERING AND APPLAUSE. 327 00:20:08,080 --> 00:20:20,160 Wow. Gomez, Morticia, stay in character. That was incredible. 328 00:20:20,160 --> 00:20:27,000 Anton, thoughts? It was incredible. I loved that dance. That was 329 00:20:27,000 --> 00:20:34,400 sensational. Your fleckerl, I'm going to talk about this for a 330 00:20:34,400 --> 00:20:37,880 second because I know Kai would have spent a lot of time on this with 331 00:20:37,880 --> 00:20:45,680 you. You started off with the reverse fleckerl, came out with a 332 00:20:45,680 --> 00:20:52,440 natural fleckerl, it was absolutely beautiful. A few things I have a 333 00:20:52,440 --> 00:20:56,760 problem with. You have toes everywhere and secondly, I think I 334 00:20:56,760 --> 00:21:03,480 preferred Craig and me on the spin thing there. I thought we had better 335 00:21:03,480 --> 00:21:11,960 form but other than that it was practically perfect. Well done. I 336 00:21:11,960 --> 00:21:19,760 have one of those at home, darling. I loved it. It was smooth, you 337 00:21:19,760 --> 00:21:22,520 maintained your frame throughout. I particularly loved the fact you 338 00:21:22,520 --> 00:21:29,240 balanced all the way through that reverse arabesque spin. It was so 339 00:21:29,240 --> 00:21:37,200 detailed, absolutely gorgeous. I agree with Craig. I loved the 340 00:21:37,200 --> 00:21:41,960 fluidity, the way you move. I loved the way you made something so 341 00:21:41,960 --> 00:21:46,200 difficult look so easy because it was not easy. The only thing I would 342 00:21:46,200 --> 00:21:52,240 love for you to work on is when you have posture, think of it not as a 343 00:21:52,240 --> 00:21:57,920 position, don't stay. Your spine is continuously working and stretching, 344 00:21:57,920 --> 00:22:07,720 otherwise I thought you did a great characterisation, top notch. The 345 00:22:07,720 --> 00:22:13,720 nice comments have made you feel out of character. We almost halfway 346 00:22:13,720 --> 00:22:18,280 through the competition and I have been very picky. There is a lot you 347 00:22:18,280 --> 00:22:22,800 did that I'd like. I like the fact you are tempted the natural and the 348 00:22:22,800 --> 00:22:28,480 reverse freckle. On the first step when the man is moving on to the 349 00:22:28,480 --> 00:22:34,520 first step, it is a heel and the step for the lady should be a heel 350 00:22:34,520 --> 00:22:38,840 also. There was a lot of toe work there but I appreciate what everyone 351 00:22:38,840 --> 00:22:47,560 else sees. It is almost halfway in the competition, your standard is 352 00:22:47,560 --> 00:22:51,520 very high, you are a great dancer so I expect to see the correct footwork 353 00:22:51,520 --> 00:23:00,400 when you are dancing. Another week of really strong comments, apart 354 00:23:00,400 --> 00:23:09,240 from the toes. It is amazing. The amazing technique that Kai has been 355 00:23:09,240 --> 00:23:14,560 teaching me, it has been wonderful to learn. You look spectacular in 356 00:23:14,560 --> 00:23:23,120 this outfit. Kai, I am loving it. Go and get your scores. Thank you. 357 00:23:28,960 --> 00:23:38,160 CHEERING. Darling, hello. 358 00:23:38,960 --> 00:23:42,600 Darling, hello. You missed Icons Week so this is officially your 359 00:23:42,600 --> 00:23:47,560 first themed week of Strictly. Have you had fun at Halloween? I love a 360 00:23:47,560 --> 00:23:53,960 festivity. Anything, birthdays, Halloween but this is so iconic. I 361 00:23:53,960 --> 00:24:00,520 am very happy to be here. She is in character, my darling. Talk to me, 362 00:24:00,520 --> 00:24:07,160 because the judges talked about your detail. Are you enjoying the process 363 00:24:07,160 --> 00:24:13,960 of learning how to dance? I love it. I loved Kai's passion for ballroom 364 00:24:13,960 --> 00:24:19,880 when he walked in on day one. He had this very serious look, we are 365 00:24:19,880 --> 00:24:23,800 learning ballroom again this week again. I love the learning from that 366 00:24:23,800 --> 00:24:29,080 and feeding off that energy, and I love being a student, learning a new 367 00:24:29,080 --> 00:24:35,080 craft. It is so beautiful when the pros do it. Kai, I love you 368 00:24:35,080 --> 00:24:41,320 spreading their wings on the floor. Is it because of this beauty? It is. 369 00:24:41,320 --> 00:24:46,120 This girl work so hard. We are not out of the woods, I hear what the 370 00:24:46,120 --> 00:24:50,520 judges are saying about the body. She works so hard and the biggest 371 00:24:50,520 --> 00:24:55,560 compliment I can say to her is when I am out there, I am dancing at my 372 00:24:55,560 --> 00:24:58,800 max and that is the biggest compliment I can give you because 373 00:24:58,800 --> 00:25:00,720 you are brilliant. 374 00:25:00,720 --> 00:25:02,040 Scores are in. 375 00:25:02,040 --> 00:25:03,080 The judges have their scores. 376 00:25:03,080 --> 00:25:03,360 The judges have their scores. 377 00:25:03,360 --> 00:25:05,160 Craig Revel Horwood... 378 00:25:05,160 --> 00:25:06,840 Motsi Mabuse... 379 00:25:06,840 --> 00:25:10,680 Shirley Ballas... 380 00:25:10,680 --> 00:25:17,400 Anton Du Beke... 381 00:25:19,880 --> 00:25:21,280 A total score of 33. 382 00:25:21,280 --> 00:25:26,000 A total score of 33. There you go. 383 00:25:26,000 --> 00:25:27,920 If you think Delta and Kai's Viennese waltz 384 00:25:27,920 --> 00:25:30,800 was devilishly good, then you can show your support when voting opens 385 00:25:30,800 --> 00:25:32,240 after all our couples have danced. 386 00:25:32,240 --> 00:25:35,360 This week three couples will face the Dance-Off and the judges will be 387 00:25:35,360 --> 00:25:42,840 choosing who to send home so every vote counts. 388 00:25:42,920 --> 00:25:48,920 Still to come we have Jaime and Carlos doing the salsa. Come on, 389 00:25:48,920 --> 00:25:56,520 Jaime, shall we? 390 00:25:56,520 --> 00:26:03,040 Joshy and Emma. 391 00:26:03,120 --> 00:26:04,840 Thank you, Jaime. 392 00:26:04,840 --> 00:26:06,480 Next in the ballroom, with a quickstep, 393 00:26:06,480 --> 00:26:07,520 it's Tabby and Mark. 394 00:26:07,520 --> 00:26:09,720 This week in training, as a bit of Halloween 395 00:26:09,720 --> 00:26:11,160 fun, they played a game to 396 00:26:11,160 --> 00:26:14,280 see who could scare each other more, which I actually think is very 397 00:26:14,280 --> 00:26:15,720 immature and not something I'd ever... 398 00:26:15,720 --> 00:26:18,240 YELLS. 399 00:26:18,240 --> 00:26:19,400 1-0. 400 00:26:19,400 --> 00:26:20,440 What are you doing?! 401 00:26:20,440 --> 00:26:21,480 It's Tabby and Mark. 402 00:26:21,480 --> 00:26:22,960 APPLAUSE. 403 00:26:22,960 --> 00:26:24,280 How was Saturday for you? 404 00:26:24,280 --> 00:26:25,760 Two tens, Mark! 405 00:26:25,760 --> 00:26:27,920 I know, right, I thought one would be cool. 406 00:26:27,920 --> 00:26:29,520 We got two! 407 00:26:29,520 --> 00:26:31,600 It felt really significant. 408 00:26:31,600 --> 00:26:34,040 Not just because of the story that we were telling, 409 00:26:34,040 --> 00:26:36,400 but I think also the way that I was dancing, 410 00:26:36,400 --> 00:26:38,800 it's the first time I feel like I really was 411 00:26:38,800 --> 00:26:41,200 in the moment and I wasn't thinking about the steps. 412 00:26:41,200 --> 00:26:43,440 I was just, like, genuinely being a dancer. 413 00:26:43,440 --> 00:26:45,360 I want to say you went for it. 414 00:26:45,360 --> 00:26:46,400 It was really impressive. 415 00:26:46,400 --> 00:26:47,840 We're doing the quickstep this week. 416 00:26:47,840 --> 00:26:49,280 Do you know anything about it? 417 00:26:49,280 --> 00:26:50,320 It's fast. 418 00:26:50,320 --> 00:26:51,360 A little bit jumpy. 419 00:26:51,360 --> 00:26:52,400 A lot of jumpy. 420 00:26:52,400 --> 00:26:53,640 A lot of jumpy. 421 00:26:53,640 --> 00:26:54,680 One, two, three. 422 00:26:54,680 --> 00:26:55,720 Run, run! 423 00:26:55,720 --> 00:26:58,360 In the quickstep, the judges are going to be looking out 424 00:26:58,360 --> 00:27:00,280 for the footwork of the dance, making sure 425 00:27:00,280 --> 00:27:01,960 you're doing it in all nice hold. 426 00:27:01,960 --> 00:27:03,000 Even more away. 427 00:27:03,000 --> 00:27:04,040 Nice. 428 00:27:04,040 --> 00:27:05,080 The right shoulder. 429 00:27:05,080 --> 00:27:07,000 This is a common thing in the ballroom. 430 00:27:07,000 --> 00:27:08,040 We can't have that. 431 00:27:08,040 --> 00:27:09,480 So making sure that stays back. 432 00:27:09,480 --> 00:27:10,520 That's it. 433 00:27:10,520 --> 00:27:11,560 That's where we stay. 434 00:27:11,560 --> 00:27:12,760 It's not just one position. 435 00:27:12,760 --> 00:27:15,880 I have to, like, have my head this way and then that way, 436 00:27:15,880 --> 00:27:16,920 but then I'm spinning. 437 00:27:16,920 --> 00:27:19,560 Mark is pulling me and my head is, like, left behind. 438 00:27:19,560 --> 00:27:20,600 That's wrong. 439 00:27:20,600 --> 00:27:23,960 I end up by the end of the routine, like, bent over like some 440 00:27:23,960 --> 00:27:25,000 kind of little gremlin. 441 00:27:25,000 --> 00:27:26,040 It's real ghoulish. 442 00:27:26,040 --> 00:27:27,080 Ooh! 443 00:27:27,080 --> 00:27:28,160 Scary shoulders! 444 00:27:28,160 --> 00:27:31,560 Oh! 445 00:27:31,560 --> 00:27:36,200 Oh, my...! 446 00:27:36,200 --> 00:27:37,640 Mark and I have been trying 447 00:27:37,640 --> 00:27:40,280 to give each other a few frights in the training room. 448 00:27:40,280 --> 00:27:41,320 One-nil. 449 00:27:41,320 --> 00:27:42,520 I'm gonna get you back. 450 00:27:42,520 --> 00:27:43,560 Just you wait. 451 00:27:43,560 --> 00:27:44,760 My leg is really itchy. 452 00:27:44,760 --> 00:27:45,800 No! 453 00:27:45,800 --> 00:27:47,480 It's, like, constant repetition of the steps. 454 00:27:47,480 --> 00:27:48,520 Oh, my gosh! 455 00:27:48,520 --> 00:27:50,440 I don't want to see your right shoulder... 456 00:27:50,440 --> 00:27:51,480 SHE SCREAMS. 457 00:27:51,480 --> 00:27:53,800 Where did you even get this? 458 00:27:53,800 --> 00:27:56,280 I'm so happy that I made it through Halloween week. 459 00:27:56,280 --> 00:27:58,440 That's really impressive. 460 00:27:58,440 --> 00:28:01,320 To think that I get to bring the kind of spooky season 461 00:28:01,320 --> 00:28:03,560 to everybody at home is just fantastic. 462 00:28:03,560 --> 00:28:05,320 SCREAMS. 463 00:28:05,320 --> 00:28:06,360 Ah! 464 00:28:06,360 --> 00:28:11,000 Let's go! 465 00:28:11,000 --> 00:28:18,960 Dancing the quickstep, Tabby Stoecker and Mark Karmalita. 466 00:28:19,320 --> 00:28:23,640 # All the girls on the block knocking at my door 467 00:28:23,640 --> 00:28:28,560 # Wanna know what it is make the boys want more 468 00:28:28,560 --> 00:28:32,760 # Is your lover playing on your side? 469 00:28:32,760 --> 00:28:37,640 # Says he loves ya, but he ain't got time? 470 00:28:37,640 --> 00:28:41,520 # Here's the answer, come and get it 471 00:28:41,520 --> 00:28:47,360 # At a knocked down price (hey) 472 00:28:47,360 --> 00:28:52,440 # Get your boy on his knees and repeat after me, say 473 00:28:52,440 --> 00:28:57,040 # Take a sip from my secret potion, I'll make you fall in love 474 00:28:57,040 --> 00:29:01,880 # For a spell that can't be broken, one drop should be enough 475 00:29:01,880 --> 00:29:06,000 # Boy, you belong to me, I got the recipe 476 00:29:06,000 --> 00:29:11,160 # And it's called black magic (and it's called black magic) 477 00:29:11,160 --> 00:29:14,800 # All the girls on the block knocking at my door 478 00:29:14,800 --> 00:29:16,000 # (I got the recipe) 479 00:29:16,000 --> 00:29:20,160 # Wanna know what it is make the boys want more 480 00:29:20,160 --> 00:29:21,840 # (Called black magic) 481 00:29:21,840 --> 00:29:26,280 # Take a sip from my secret potion (whoa), one taste 482 00:29:26,280 --> 00:29:27,720 # And you'll be mine (mine) 483 00:29:27,720 --> 00:29:30,840 # It's a spell that can't be broken, it'll keep you up all 484 00:29:30,840 --> 00:29:31,880 night (all night) 485 00:29:31,880 --> 00:29:37,760 # Boy, you belong to me (belong to me) 486 00:29:37,760 --> 00:29:40,720 # I got the recipe and it's called black magic 487 00:29:40,720 --> 00:29:43,640 # Falling in love (hey), falling in love oh (yeah) 488 00:29:43,640 --> 00:29:48,560 # Falling in love (hey), falling in love 489 00:29:48,560 --> 00:29:56,400 # Magic.# 490 00:30:01,880 --> 00:30:09,880 APPLAUSE 491 00:30:17,680 --> 00:30:22,120 Firstly, are you all right? You fell off the wall. He was just showing 492 00:30:22,120 --> 00:30:31,720 off! Absolutely joyful. Motsi. I have to say you both look very 493 00:30:31,720 --> 00:30:36,160 beautiful. What I love about the way you dance quickstep is that you have 494 00:30:36,160 --> 00:30:40,640 an extension that you keep throughout the dance. But then I 495 00:30:40,640 --> 00:30:45,280 have to speak about the tiny little mistakes that kept popping in, in 496 00:30:45,280 --> 00:30:50,920 and out, in and out. That has to be really the whole time balanced out. 497 00:30:50,920 --> 00:30:55,080 I want you to feel more confident in your quickstep and ballroom 498 00:30:55,080 --> 00:30:58,320 generally so you need to work on it because you have a lot of talent. 499 00:30:58,320 --> 00:31:03,560 It's the first time I have seen you so nervous the tiny mistakes but you 500 00:31:03,560 --> 00:31:06,760 still carried on, you presented it well and you were really beautiful 501 00:31:06,760 --> 00:31:08,880 to watch. Thank you. 502 00:31:08,880 --> 00:31:13,080 APPLAUSE 503 00:31:13,080 --> 00:31:18,080 Shirley, I noticed you on your fight. It was certainly bright. I 504 00:31:18,080 --> 00:31:23,240 don't agree with Motsi at all. The postural element I would like to 505 00:31:23,240 --> 00:31:28,640 show you with Anton. Yourself knees were not too bad but he should be 506 00:31:28,640 --> 00:31:34,480 off to the left, I keep my base with him and I stretch. The space between 507 00:31:34,480 --> 00:31:42,120 the two, if I go into promenade I'm not here. Don't do that. That made 508 00:31:42,120 --> 00:31:46,440 the two legs really close, then you have nowhere to go. You are stepping 509 00:31:46,440 --> 00:31:51,520 on his feet, then you get on the wrong foot. It wasn't the best for 510 00:31:51,520 --> 00:31:56,680 me but I can see potential in this team, Tabby. Listen to your anti 511 00:31:56,680 --> 00:32:01,040 Shirley because you have a chance to go far. If you have more ballroom 512 00:32:01,040 --> 00:32:06,640 dances you have to correct the postural element and some of the 513 00:32:06,640 --> 00:32:12,520 footwork but good job. Did you enjoy the dance? And did you enjoy the 514 00:32:12,520 --> 00:32:17,200 dance with Shirley? It was tremendous. Lovely line, well done, 515 00:32:17,200 --> 00:32:24,720 just need to sort your hair out. You can talk! There is an element of 516 00:32:24,720 --> 00:32:28,720 that I agree with. I would like you to have more space to dance in 517 00:32:28,720 --> 00:32:33,600 really, you just got too close, then you are not quite sure where you 518 00:32:33,600 --> 00:32:39,400 are. Your openwork is a delight and your power is extraordinary. You 519 00:32:39,400 --> 00:32:44,200 have great power, you have great finish. I like everything you do, 520 00:32:44,200 --> 00:32:47,880 you finish everything, that's why your couple's choice was so good 521 00:32:47,880 --> 00:32:52,040 last week, you finish everything so well. The thing you have got to work 522 00:32:52,040 --> 00:32:56,880 on moving forward is when you are in hold, give yourself some space to 523 00:32:56,880 --> 00:33:01,880 work in. You keep having to bring up the mistakes, I'm trying to gloss 524 00:33:01,880 --> 00:33:07,320 over. It's almost halfway. Keep working on those things and I think 525 00:33:07,320 --> 00:33:12,560 he will go far. I have got to agree with Anton, the mistake goes into 526 00:33:12,560 --> 00:33:15,040 consideration, there was also gapping and you lost your frame 527 00:33:15,040 --> 00:33:27,520 halfway through. BOOING. Give a bit of that to 528 00:33:27,520 --> 00:33:31,680 Shirley, she loves it. The timing was really difficult. It was after 529 00:33:31,680 --> 00:33:35,760 that moment you successfully completed that you then didn't pick 530 00:33:35,760 --> 00:33:40,360 up your frame again. But your energy on that floor is immaculate and I 531 00:33:40,360 --> 00:33:47,080 loved your performance. Thank you. Some good stuff to take away from 532 00:33:47,080 --> 00:33:50,960 their comments. I know it's a quickstep but you were very quick, 533 00:33:50,960 --> 00:33:55,200 you were very, very quick and I always feel like you are really 534 00:33:55,200 --> 00:34:00,200 light on your feet. Like you could take off at any second. I was 535 00:34:00,200 --> 00:34:07,000 surprised none of you noticed, that was one of Emma's comments. Well 536 00:34:07,000 --> 00:34:19,480 done. APPLAUSE 537 00:34:22,440 --> 00:34:31,040 I just want to know if you are OK. Yes. Constructive feedback from the 538 00:34:31,040 --> 00:34:37,239 judges. I'm an athlete, that's what I live for. That's my girl! A few 539 00:34:37,239 --> 00:34:41,920 things went wrong, what do you think happened? I wanted to challenge 540 00:34:41,920 --> 00:34:46,000 myself after such a high last week. I wanted to do something difficult 541 00:34:46,000 --> 00:34:50,760 and you can see that, it was difficult. I want to grow and learn 542 00:34:50,760 --> 00:34:57,280 and you can't do that without taking on different challenges. Use said 543 00:34:57,280 --> 00:35:02,280 your brain and body are starting to pick up dances faster. I think so. 544 00:35:02,280 --> 00:35:06,960 Each week I think I'm picking up something else. The Argentine tango 545 00:35:06,960 --> 00:35:12,120 was about the performance element, this amber the technique, last week 546 00:35:12,120 --> 00:35:15,480 I got compliments on the flare so I'm happy about that. You are doing 547 00:35:15,480 --> 00:35:17,120 brilliantly. 548 00:35:17,120 --> 00:35:20,840 Scores are in. 549 00:35:20,840 --> 00:35:20,880 Scores are in. 550 00:35:20,880 --> 00:35:21,880 Craig Revel Horwood... 551 00:35:21,880 --> 00:35:22,920 Motsi Mabuse... 552 00:35:22,920 --> 00:35:23,960 Shirley Ballas... 553 00:35:23,960 --> 00:35:31,920 Anton Du Beke... 554 00:35:32,800 --> 00:35:35,200 Anton Du Beke... 555 00:35:35,200 --> 00:35:37,160 That's a total score of 25. 556 00:35:37,160 --> 00:35:39,800 If Tabby and Mark's quickstep has put a spell on you, 557 00:35:39,800 --> 00:35:42,680 then remember to vote for them at the end of the show. 558 00:35:42,680 --> 00:35:44,840 Still to come, Cach and Maddie take on the 559 00:35:44,840 --> 00:35:46,840 Argentine tango. 560 00:35:46,840 --> 00:35:49,800 Cach, you lead. 561 00:35:54,000 --> 00:35:55,520 Emma and Josh. 562 00:35:55,520 --> 00:35:59,040 APPLAUSE 563 00:35:59,040 --> 00:36:02,840 Up next, dancing the tango, it's John and Katya. 564 00:36:02,840 --> 00:36:05,040 Anton is loving that! 565 00:36:05,040 --> 00:36:06,720 And tonight they will be playing bloodthirsty 566 00:36:06,720 --> 00:36:09,600 vampires. 567 00:36:09,600 --> 00:36:18,760 Do you think it's going to be a good one? I think it's going to be 568 00:36:18,760 --> 00:36:23,440 fangtastic. Thank you! 569 00:36:23,440 --> 00:36:24,480 Six, seven, eight. 570 00:36:24,480 --> 00:36:25,720 It's Halloween week. 571 00:36:25,720 --> 00:36:26,760 THEY CACKLE 572 00:36:26,760 --> 00:36:28,240 We will be dancing the tango. 573 00:36:28,240 --> 00:36:33,600 And we are playing sassy, fierce vampires. 574 00:36:33,600 --> 00:36:35,480 Katya told me for about six weeks now 575 00:36:35,480 --> 00:36:37,120 I need to be big. 576 00:36:37,120 --> 00:36:40,760 And it's like, no, no, you need to go like this. 577 00:36:40,760 --> 00:36:42,480 Five. Six. Seven. Good. 578 00:36:42,480 --> 00:36:46,840 You have to stay in a squat position throughout the entire dance. 579 00:36:46,840 --> 00:36:48,200 Bend, one. 580 00:36:48,200 --> 00:36:49,960 Bend. Bend. Bend. Bend. Bend. 581 00:36:49,960 --> 00:36:52,600 I actually really love the technical moves and the very specific 582 00:36:52,600 --> 00:36:54,200 places you need to be. 583 00:36:54,200 --> 00:36:56,280 Don't lean. 584 00:36:56,280 --> 00:36:58,280 Haircut. Costume. 585 00:36:58,280 --> 00:37:00,680 It's all going to add to the character. 586 00:37:00,680 --> 00:37:02,880 My whole life has built up to this moment. 587 00:37:02,880 --> 00:37:06,600 I'm going to be wearing a latex suit on TV. 588 00:37:06,600 --> 00:37:10,160 Let's go to wardrobe and see what this latex looks like. 589 00:37:10,160 --> 00:37:11,240 Hello. 590 00:37:11,240 --> 00:37:12,920 Welcome to wardrobe, John. 591 00:37:12,920 --> 00:37:17,560 Oh, yes! 592 00:37:17,560 --> 00:37:22,600 It's actually pulling out my little leg hairs. 593 00:37:22,600 --> 00:37:23,960 Up here. 594 00:37:23,960 --> 00:37:26,120 This is going to look either terrible or I'm 595 00:37:26,120 --> 00:37:29,800 going to look amazing. 596 00:37:29,800 --> 00:37:33,040 I do think my little hips look a little bit silly. 597 00:37:33,040 --> 00:37:37,000 They do look a bit ridiculous, don't they? 598 00:37:37,000 --> 00:37:38,040 Look at you! 599 00:37:38,040 --> 00:37:39,200 Wow! 600 00:37:39,200 --> 00:37:40,240 All right, let's see. 601 00:37:40,240 --> 00:37:41,440 Will we do the test? 602 00:37:41,440 --> 00:37:44,960 Elbows. 603 00:37:44,960 --> 00:37:46,440 It's not bad for the shoulders. 604 00:37:46,440 --> 00:37:48,080 Is it a good fit, that. 605 00:37:48,080 --> 00:37:50,200 Tah-tah! Tah-tah! 606 00:37:50,200 --> 00:37:51,640 You ready to tango? I am. 607 00:37:51,640 --> 00:37:56,480 I don't think I'll ever be able to get out of this, though. 608 00:37:56,480 --> 00:37:59,920 Dancing the tango, John Nellis and Katya Jones. 609 00:37:59,920 --> 00:38:02,840 APPLAUSE 610 00:38:16,200 --> 00:38:17,240 # (Wanna play ya) 611 00:38:17,240 --> 00:38:19,200 # (I wanna play ya) 612 00:38:19,200 --> 00:38:25,680 # You couldn't wait to see me out 613 00:38:25,680 --> 00:38:29,160 # Lock eyes, walk by 614 00:38:29,160 --> 00:38:33,240 # Can't help but feel 615 00:38:33,240 --> 00:38:36,600 # Unusual 616 00:38:36,600 --> 00:38:41,920 # Are you for real 617 00:38:41,920 --> 00:38:43,400 # I kinda hate you, but 618 00:38:43,400 --> 00:38:49,280 # It doesn't matter, let me dance 619 00:38:49,280 --> 00:38:50,960 # You seem so miserable 620 00:38:50,960 --> 00:38:58,920 # It doesn't matter, let me dance 621 00:39:04,720 --> 00:39:08,240 # I came here to party, and you know what you started 622 00:39:08,240 --> 00:39:11,920 # I'll end it in the morning when you seem unimportant 623 00:39:11,920 --> 00:39:15,760 # And I came here to party, and you know what you started 624 00:39:15,760 --> 00:39:23,720 # I'll end it in the morning when you seem unimportant-ahhh 625 00:39:24,360 --> 00:39:28,360 # Oh-oh-oh-oh-aahhh 626 00:39:28,360 --> 00:39:34,520 # Ooooh 627 00:39:34,520 --> 00:39:37,480 # (Ooooh) 628 00:39:40,600 --> 00:39:45,560 APPLAUSE 629 00:39:54,680 --> 00:39:58,360 Hello! Hello! 630 00:39:58,360 --> 00:40:03,360 APPLAUSE 631 00:40:03,360 --> 00:40:08,640 I think that speaks for itself, everybody loved that. I can speak as 632 00:40:08,640 --> 00:40:14,080 well this week, which is weird. Visually that was spectacular, it 633 00:40:14,080 --> 00:40:22,720 looked incredible. How much talc did it take? More than I want to share. 634 00:40:22,720 --> 00:40:29,800 The choreo and tricks were amazing, so good. Craig. I would have liked 635 00:40:29,800 --> 00:40:40,200 to see a stronger heel leads. To drive you on that first step. But 636 00:40:40,200 --> 00:40:48,280 power, passion, my darling, you nailed that. Motsi. Last week you 637 00:40:48,280 --> 00:40:54,160 said John was the ballroom King. Yes, thank you for confirming me 638 00:40:54,160 --> 00:40:59,600 again. I enjoy the way you dance, I loved the way she has told you to do 639 00:40:59,600 --> 00:41:04,200 your job, to lead. As a man on the dance floor, this is what you are 640 00:41:04,200 --> 00:41:11,120 supposed to do. I love the footwork. I prefer a tango, I love that you 641 00:41:11,120 --> 00:41:20,240 are so close to the dance floor, the drag you put in there, you are not 642 00:41:20,240 --> 00:41:26,960 afraid to use it. Your vampire face is working for you. Great tango, 643 00:41:26,960 --> 00:41:34,120 guys, well done. I think you should hold his hand for this one. Hold his 644 00:41:34,120 --> 00:41:40,440 hand, the other one. I like a sweaty hand. It is really sweaty. In all 645 00:41:40,440 --> 00:41:45,800 the time I have been judging this anywhere or around the world, I have 646 00:41:45,800 --> 00:41:52,680 never seen slows the way you danced them today. John, listen carefully. 647 00:41:52,680 --> 00:41:56,760 The highlights, the tricks, the thing at the beginning where she 648 00:41:56,760 --> 00:42:00,760 fell backwards, that is all trust and that is huge but it is never 649 00:42:00,760 --> 00:42:05,360 what really gets my heart. When I see that kind of footwork... I 650 00:42:05,360 --> 00:42:13,360 disagree with Craig. I saw you shoot your heel out, you are sharp and 651 00:42:13,360 --> 00:42:19,320 together and it was amazing. APPLAUSE 652 00:42:19,320 --> 00:42:25,920 Let me hold your hand. It is really sweaty! Anton, dare I ask about the 653 00:42:25,920 --> 00:42:33,400 left arm? Ask away. Let me tell you about that arm. I have thought about 654 00:42:33,400 --> 00:42:39,520 nothing else this week. I had a shave, I was thinking of your arm 655 00:42:39,520 --> 00:42:46,640 but what's delighted me is so have you been thinking about your arm. It 656 00:42:46,640 --> 00:42:51,840 is so much better. It was marvellous, it was perfect. This 657 00:42:51,840 --> 00:42:56,160 makes me so happy to think I sit here and say things and you don't 658 00:42:56,160 --> 00:42:59,880 just ignore me like everybody else ignores me! 659 00:42:59,880 --> 00:43:04,560 LAUGHTER You think I don't notice but I 660 00:43:04,560 --> 00:43:08,920 notice. There was one moment at the end where you came out of something 661 00:43:08,920 --> 00:43:17,400 a bit soon together and you went like that, whoosh, then you went 662 00:43:17,400 --> 00:43:25,000 away on time. That was magnificent, well done. Thank you. We had a deal. 663 00:43:25,000 --> 00:43:29,960 You told me last week if I fixed my left arm, I could get in the club. 664 00:43:29,960 --> 00:43:34,880 You are in! 665 00:43:34,880 --> 00:43:38,320 You are in! 666 00:43:38,320 --> 00:43:52,520 Yes! Welcome! Shall we go up? Everyone up there, don't touch him. 667 00:43:52,520 --> 00:43:58,000 He is dripping with sweat! Get upstairs and get a brush. 668 00:43:58,000 --> 00:44:10,400 APPLAUSE Well done. Look at the sweat! 669 00:44:12,320 --> 00:44:15,120 Well done. Look at the sweat! My goodness! Let's take a moment for 670 00:44:15,120 --> 00:44:19,680 this costume please. We have been talking about it all week. You are 671 00:44:19,680 --> 00:44:24,760 dripping with sweat. How does it feel to dance in it? It felt great 672 00:44:24,760 --> 00:44:28,040 around the start but now I'm just slipping around the place, 673 00:44:28,040 --> 00:44:33,400 squeaking. Let's celebrate that you are in the ballroom club! You said 674 00:44:33,400 --> 00:44:39,600 you can't believe you are here for Halloween. My wife will testify to 675 00:44:39,600 --> 00:44:43,680 this, I genuinely thought I was gone after a couple of weeks and so did 676 00:44:43,680 --> 00:44:50,920 she. I didn't pack a bag! Cat year, my darling, it is clear to see this 677 00:44:50,920 --> 00:44:54,600 man has been working very hard and all the hard work you have done but 678 00:44:54,600 --> 00:45:00,160 it is about layering now, the foundation. He asked me yesterday, 679 00:45:00,160 --> 00:45:07,520 and I a good student? Teachers pet! It is hard for them to gauge where 680 00:45:07,520 --> 00:45:12,920 they are out, they start from zero, and we haven't had the easiest week 681 00:45:12,920 --> 00:45:19,280 timewise, but I think it displays your character now. It's all shows 682 00:45:19,280 --> 00:45:24,200 through his dancing. It absolutely does. Give this man a towel. 683 00:45:24,200 --> 00:45:26,200 Scores are in. 684 00:45:26,200 --> 00:45:26,480 Scores are in. 685 00:45:26,480 --> 00:45:28,160 The judges have their scores. 686 00:45:28,160 --> 00:45:29,800 Craig Revel Horwood... 687 00:45:29,800 --> 00:45:31,680 Motsi Mabuse... 688 00:45:31,680 --> 00:45:34,600 Shirley Ballas... 689 00:45:34,600 --> 00:45:41,480 Anton Du Beke... 690 00:45:44,320 --> 00:45:51,600 That is a total score of 39, your highest score yet. 691 00:45:51,600 --> 00:45:54,480 If you loved John and Katya's tango and you want to save 692 00:45:54,480 --> 00:45:58,080 them from a night of horror, then remember to vote for them at the end 693 00:45:58,080 --> 00:45:59,120 of the show. 694 00:45:59,120 --> 00:46:01,280 This week the bottom three couples will face the 695 00:46:01,280 --> 00:46:04,360 Dance-Off and the judges will choose who to send home, so your vote 696 00:46:04,360 --> 00:46:05,440 matters more than ever. 697 00:46:05,440 --> 00:46:13,120 Emma and Joshy. 698 00:46:13,120 --> 00:46:15,720 Up next, it's Bethany and Nancy with a dance set in 699 00:46:15,720 --> 00:46:16,760 a haunted hotel. 700 00:46:16,760 --> 00:46:19,840 Hey Josh, guess what witches love about hotels. 701 00:46:19,840 --> 00:46:22,120 Oh, no, incoming! 702 00:46:22,120 --> 00:46:30,120 The broom service. 703 00:46:30,240 --> 00:46:37,160 Come on, Anton! You are on it tonight. 704 00:46:37,160 --> 00:46:41,760 So excited that we get to do a jive. 705 00:46:41,760 --> 00:46:49,560 It kind of feels like the perfect dance for me and Nancy. 706 00:46:49,560 --> 00:46:50,720 It's a really goofy dance. 707 00:46:50,720 --> 00:46:51,760 Ding ding! 708 00:46:51,760 --> 00:46:54,640 I love that we get to be a bit silly with it. 709 00:46:54,640 --> 00:46:55,880 LAUGHTER. 710 00:46:55,880 --> 00:46:58,280 There's a lot of challenge, but also in this routine, 711 00:46:58,280 --> 00:46:59,720 we need to have fun. 712 00:46:59,720 --> 00:47:02,040 It's Halloween week. 713 00:47:02,040 --> 00:47:03,480 We have the two cutest monsters. 714 00:47:03,480 --> 00:47:05,200 You're a monster! 715 00:47:05,200 --> 00:47:08,560 Do something a monster would do. 716 00:47:08,560 --> 00:47:11,400 Me and Nancy have had a really good day of training today, 717 00:47:11,400 --> 00:47:16,320 so we're going to have a Halloween night out. 718 00:47:16,320 --> 00:47:23,840 That was really spooky. 719 00:47:23,840 --> 00:47:25,400 I love everything about Halloween. 720 00:47:25,400 --> 00:47:26,680 I can tell! 721 00:47:26,680 --> 00:47:28,480 I know you hate it. 722 00:47:28,480 --> 00:47:30,400 Listen, I don't hate it. 723 00:47:30,400 --> 00:47:32,600 I just don't like to be scared. 724 00:47:32,600 --> 00:47:39,840 But we can have Halloween fun without being scared. 725 00:47:39,840 --> 00:47:41,960 Let's pick some pumpkins. 726 00:47:41,960 --> 00:47:44,640 # Jiving, jiving and jiving. 727 00:47:44,640 --> 00:47:47,440 It helps holding your pumpkin like this and lean forward. 728 00:47:47,440 --> 00:47:49,000 Your body weight. 729 00:47:49,000 --> 00:47:50,720 Two and three and four. 730 00:47:50,720 --> 00:47:54,320 It was really nice to do something a bit more slow paced 731 00:47:54,320 --> 00:47:57,240 after a week of doing the jive. 732 00:47:57,240 --> 00:48:02,280 Hopefully I've made her see the joy in Halloween. 733 00:48:02,280 --> 00:48:03,320 It's a Halloween vibe. 734 00:48:03,320 --> 00:48:05,080 It's like this. 735 00:48:05,080 --> 00:48:06,720 I quite like it. 736 00:48:06,720 --> 00:48:09,880 This year you're going to experience a Strictly Halloween. 737 00:48:09,880 --> 00:48:12,840 It's gonna be a treat! 738 00:48:16,040 --> 00:48:23,440 Dancing the jive, Bethany Antonia and Nancy Xu. 739 00:48:28,400 --> 00:48:29,600 # Oh 740 00:48:29,600 --> 00:48:32,480 # He'll buy me a thorn before he'll buy me a rose 741 00:48:32,480 --> 00:48:34,880 # Be covered in dirt before I'm covered in gold 742 00:48:34,880 --> 00:48:37,280 # He's trying it on, yeah, he's ticking me off 743 00:48:37,280 --> 00:48:39,920 # Say what you want, but I won't ever be told 744 00:48:39,920 --> 00:48:44,560 # Cos I'm in love with a monster 745 00:48:44,560 --> 00:48:45,680 # (Ooh, ooh, ah-ooh) 746 00:48:45,680 --> 00:48:48,840 # Friends say I'm stupid and I'm out of my mind (ooh, ooh) 747 00:48:48,840 --> 00:48:51,960 # But without you, boy, I'd be bored all the time (ooh, ooh) 748 00:48:51,960 --> 00:48:54,320 # No, I don't really care for the same conversation 749 00:48:54,320 --> 00:48:57,040 # Got everythin' I need and I'd rather be chasing 750 00:48:57,040 --> 00:49:01,200 # Chasing love with a monster 751 00:49:01,200 --> 00:49:03,320 # (Ooh, ooh, ah-ooh) 752 00:49:03,320 --> 00:49:05,000 # I'm in love (I'm in love) 753 00:49:05,000 --> 00:49:06,680 # I'm in love (I'm in love) 754 00:49:06,680 --> 00:49:09,080 # I'm in love with a monster (Ooh, ooh, ooh) 755 00:49:09,080 --> 00:49:11,200 # I'm in love (I'm in love) 756 00:49:11,200 --> 00:49:12,880 # I'm in love (I'm in love) 757 00:49:12,880 --> 00:49:15,280 # I'm in love with a monster (Ooh, ooh, ooh) 758 00:49:15,280 --> 00:49:19,240 # I'm in love with a monster 759 00:49:19,240 --> 00:49:21,280 # (Ooh, ooh, ah-ooh) 760 00:49:21,280 --> 00:49:22,640 # Sweeter you try 761 00:49:22,640 --> 00:49:25,040 # They don't be gettin' love from it (ooooh ah-ooh) 762 00:49:25,040 --> 00:49:26,240 # Ain't worth a dime 763 00:49:26,240 --> 00:49:28,880 # Cos I just don't get enough from it (ooooh ah-ooh) 764 00:49:28,880 --> 00:49:30,800 # Leave it to me, don't you see 765 00:49:30,800 --> 00:49:32,720 # I don't run from it (ooooh ah-ooh) 766 00:49:32,720 --> 00:49:34,880 # The bitter the better (Hey, hey, hey, hey) 767 00:49:34,880 --> 00:49:38,040 # You make me crazy, but I love it (I love it, babe) 768 00:49:38,040 --> 00:49:39,440 # You make me crazy, baby 769 00:49:39,440 --> 00:49:41,600 # But I love it (Bit it, baby, yeah) 770 00:49:41,600 --> 00:49:44,240 # You make me crazy (Oh, oh), but I love it 771 00:49:44,240 --> 00:49:46,640 # You make me crazy, baby, but I love it 772 00:49:46,640 --> 00:49:48,320 # I'm in love with a monster 773 00:49:48,320 --> 00:49:49,360 # Hit me 774 00:49:49,360 --> 00:49:50,400 # Hit me 775 00:49:50,400 --> 00:49:51,800 # Hit me 776 00:49:51,800 --> 00:49:57,360 # One, two, three, four, five, six, seven, eight, hit 777 00:49:57,360 --> 00:50:00,320 # Thank you, goodnight 778 00:50:04,520 --> 00:50:10,640 CHEERING AND APPLAUSE. 779 00:50:22,440 --> 00:50:29,760 Joyful. Last week was an intense Argentine tango, this week, the 780 00:50:29,760 --> 00:50:35,360 smile on your faces... Shirley? That was an atmospheric, haunting 781 00:50:35,360 --> 00:50:41,320 narrative that you had. Today, with the slip of the foot, I can tell you 782 00:50:41,320 --> 00:50:49,960 have worked hard on that together. The action of the jive and the 783 00:50:49,960 --> 00:50:53,120 softer knees, synchronisation, your directional focus was great. As you 784 00:50:53,120 --> 00:51:01,160 move forward, I would like you to start going for things. Bethany, you 785 00:51:01,160 --> 00:51:04,280 have this feeling that you always see her out of the corner of your 786 00:51:04,280 --> 00:51:11,320 eye. I see it in you, you show an awful lot of promise. This was a 787 00:51:11,320 --> 00:51:21,080 very good jive for me. I enjoyed it as well. You had a great 788 00:51:21,080 --> 00:51:25,000 performance. You never undersell anything. You had a strong narrative 789 00:51:25,000 --> 00:51:29,560 through the dance and it plays to your strength. The first half of the 790 00:51:29,560 --> 00:51:33,960 dance was stronger than the second half, it just started to flag. I 791 00:51:33,960 --> 00:51:42,760 still want that work going through the legs. Your legs are the thing to 792 00:51:42,760 --> 00:51:47,360 work on. The better leg speed you get through the dance, the more 793 00:51:47,360 --> 00:51:53,240 musicality you get, otherwise it is one paced. A huge improvement from 794 00:51:53,240 --> 00:51:59,840 your cha-cha-cha. Well done, you. There is a slight lethargy in your 795 00:51:59,840 --> 00:52:07,680 legs and body. You can combat that by thinking and dancing slightly 796 00:52:07,680 --> 00:52:14,200 ahead of the beat. If you do that, that will add energy to it. But I 797 00:52:14,200 --> 00:52:21,400 thought your kicks and flicks were untested can I loved the routine. 798 00:52:21,400 --> 00:52:27,800 Motsi, what did you think? I do believe and I mean this in all 799 00:52:27,800 --> 00:52:32,840 honesty, this is one of your best dancers. Honestly, you have improved 800 00:52:32,840 --> 00:52:37,640 and you are both very much in sync. I love the attention to detail in 801 00:52:37,640 --> 00:52:43,400 relation to music. Dancing is about music and if you are able to 802 00:52:43,400 --> 00:52:47,800 highlight every single effect and be on time and be together and not 803 00:52:47,800 --> 00:52:52,680 overpower the dance, that shows me you have enormous control. Maybe now 804 00:52:52,680 --> 00:52:57,440 you can let go a bit of the control but you are really a great dancer, 805 00:52:57,440 --> 00:53:03,960 just keep on pushing. Some great comments, great attention to detail 806 00:53:03,960 --> 00:53:09,320 but you just looked like you had the most fun. The best night of my life. 807 00:53:09,320 --> 00:53:19,880 That's quite the statement. I'm glad we could create it for you. Yeah... 808 00:53:19,880 --> 00:53:24,080 I was going to say something else and it has totally gone from my 809 00:53:24,080 --> 00:53:29,640 head. I was going to say, I will move Josh around the stage like that 810 00:53:29,640 --> 00:53:44,760 all the time. CHEERING AND APPLAUSE. 811 00:53:44,840 --> 00:53:53,320 Tell me something, when you said you were going to do a roly-poly in the 812 00:53:53,320 --> 00:53:58,160 middle of the jive, what did you think? You said this jive reminded 813 00:53:58,160 --> 00:54:03,280 you how much you loved dancing. We got to let go and forget about the 814 00:54:03,280 --> 00:54:11,400 footwork and all the stresses. It was fun and joy and I loved it. Your 815 00:54:11,400 --> 00:54:14,880 family are watching you on Strictly Come Dancing and now he you are in 816 00:54:14,880 --> 00:54:25,960 the Halloween special. Has it lived up to expectation? It has. As a pro 817 00:54:25,960 --> 00:54:29,800 we are serious, focused and disciplined but this week we had fun 818 00:54:29,800 --> 00:54:35,080 and we played. It was a beautiful thing. Most importantly, we brought 819 00:54:35,080 --> 00:54:41,800 a smile to people's faces. Your scores are in. 820 00:54:41,800 --> 00:54:43,160 The judges have their scores. 821 00:54:43,160 --> 00:54:43,400 The judges have their scores. 822 00:54:43,400 --> 00:54:44,680 Craig Revel Horwood... 823 00:54:44,680 --> 00:54:46,280 Motsi Mabuse... 824 00:54:46,280 --> 00:54:49,320 Shirley Ballas... 825 00:54:49,320 --> 00:54:55,360 Anton Du Beke... 826 00:54:58,840 --> 00:55:04,520 That is a total score of 30. 827 00:55:04,520 --> 00:55:06,920 If you're in love with Bethany and Nancy's monster jive, 828 00:55:06,920 --> 00:55:09,840 then you can vote for them at the end of the show. 829 00:55:09,840 --> 00:55:11,960 Now, have you ever heard about the Strictly ghost? 830 00:55:11,960 --> 00:55:13,920 There's a pale figure dressed all in black 831 00:55:13,920 --> 00:55:17,160 who has been haunting the 832 00:55:17,160 --> 00:55:21,680 ballroom for years... 833 00:55:21,680 --> 00:55:25,800 Who did you say it is? 834 00:55:25,800 --> 00:55:29,680 That's just me, JoJo. 835 00:55:29,680 --> 00:55:32,560 Remember, there's a whole Strictly universe available on BBC 836 00:55:32,560 --> 00:55:36,720 iPlayer where you can find Lights Up with Abi Clarke and Ty West, 837 00:55:36,720 --> 00:55:43,280 training room diaries, the Weekly Rewind and more. 838 00:55:43,280 --> 00:55:49,960 Emma and Joshy. 839 00:55:50,040 --> 00:55:52,600 Thank you, Neil. 840 00:55:52,600 --> 00:55:54,720 Next up it's Cach and Maddie who are dancing 841 00:55:54,720 --> 00:55:55,960 in Argentine tango in a 842 00:55:55,960 --> 00:55:58,600 haunted house where at any given moment something could jump out 843 00:55:58,600 --> 00:55:59,840 and scare you. 844 00:55:59,840 --> 00:56:02,280 I know, you're not going to get me again, Willis. 845 00:56:02,280 --> 00:56:08,360 You're going to need something a lot smarter than that to catch me out. 846 00:56:08,440 --> 00:56:10,840 Motsi, you smashed it. 847 00:56:10,840 --> 00:56:16,960 That'll be 2-0. 848 00:56:16,960 --> 00:56:18,360 # No rest for the wicked. 849 00:56:18,360 --> 00:56:20,120 I'm a ghost and I'm haunting Cach. 850 00:56:20,120 --> 00:56:21,280 You have to be scared. 851 00:56:21,280 --> 00:56:23,440 Nothing really changes cos I haunt him every week. 852 00:56:23,440 --> 00:56:24,440 Oh, look at you. 853 00:56:24,440 --> 00:56:25,480 Yes. 854 00:56:25,480 --> 00:56:26,520 You're very scary sometimes. 855 00:56:26,520 --> 00:56:27,600 I'm not gonna lie. 856 00:56:27,600 --> 00:56:30,440 There are times where we do tap in and out of character. 857 00:56:30,440 --> 00:56:31,480 Oh, my days! 858 00:56:31,480 --> 00:56:34,120 Because all me and Maddie do all the time is laugh. 859 00:56:34,120 --> 00:56:35,240 It's not funny. 860 00:56:35,240 --> 00:56:36,200 This is scary! 861 00:56:36,200 --> 00:56:39,080 But I'm excited to show that I can, like, move to, like, 862 00:56:39,080 --> 00:56:40,280 the passionate side of things. 863 00:56:40,280 --> 00:56:44,480 If I want to. 864 00:56:44,480 --> 00:56:49,160 Because it's Halloween Week, I have a little surprise for Cach. 865 00:56:49,160 --> 00:56:51,200 We're walking up the stairs. 866 00:56:51,200 --> 00:56:53,000 It's very dark. 867 00:56:53,000 --> 00:56:55,240 So we're here this evening to investigate this building. 868 00:56:55,240 --> 00:56:58,560 It's got a bit of a reputation for being haunted. 869 00:56:58,560 --> 00:57:01,640 What you're looking for is energy in the building. 870 00:57:01,640 --> 00:57:05,440 If they get closer to that, they will set that off. 871 00:57:05,440 --> 00:57:08,120 Don't worry, I got you. 872 00:57:08,120 --> 00:57:09,240 What are you doing? 873 00:57:09,240 --> 00:57:12,120 Stop... Stop doing that! 874 00:57:12,120 --> 00:57:13,720 Do something for us, please. 875 00:57:13,720 --> 00:57:14,920 Please move that teddy bear. 876 00:57:14,920 --> 00:57:16,160 Make it flash. 877 00:57:16,160 --> 00:57:18,000 Oh, wow. 878 00:57:18,000 --> 00:57:21,760 Oh, there's definitely some truth to it. 879 00:57:21,760 --> 00:57:24,400 I think it's a lady that's standing there at the moment. 880 00:57:24,400 --> 00:57:25,440 It's a lady, yeah? 881 00:57:25,440 --> 00:57:26,480 What's your name? 882 00:57:26,480 --> 00:57:27,520 IN HIGH VOICE: Francesca. 883 00:57:27,520 --> 00:57:28,560 Francesca, yeah? 884 00:57:28,560 --> 00:57:31,440 What do you want? A tango? I know you know the tango. 885 00:57:31,440 --> 00:57:34,560 I think it's definitely getting us into the right vibe for our dance. 886 00:57:34,560 --> 00:57:37,200 If you touch the teddy bear, that means that on Saturday, 887 00:57:37,200 --> 00:57:39,680 we're gonna get good marks. 888 00:57:39,680 --> 00:57:45,960 The spirit's away, man. 889 00:57:47,960 --> 00:57:55,440 Dancing the Argentine tango, Cach Mercer and Maddie Ingoldsby. 890 00:57:55,440 --> 00:58:03,400 MUSIC: Pas De Deux by Michael Abels. 891 00:59:43,320 --> 00:59:45,760 CHEERING AND APPLAUSE. 892 01:00:15,920 --> 01:00:26,880 I mean, it was tense. Cach, you played the part, it was amazing. Did 893 01:00:26,880 --> 01:00:36,240 it feel good? Amazing, really good. Amazing, I need to breathe. Craig? 894 01:00:36,240 --> 01:00:41,400 You need to caress the floor more. You have a tendency to almost leap 895 01:00:41,400 --> 01:00:46,440 from one step to another rather than gliding across the floor. You could 896 01:00:46,440 --> 01:00:51,400 afford to also calm your upper body in this particular style of dance. 897 01:00:51,400 --> 01:00:57,440 There is a lot of energy there that could be used elsewhere. I'm being 898 01:00:57,440 --> 01:01:02,240 really picky because you are brilliant. But you know, that was an 899 01:01:02,240 --> 01:01:10,000 impassioned and very dynamic performance, brilliant. 900 01:01:10,000 --> 01:01:13,600 performance, brilliant. You know, first of all, that was the first 901 01:01:13,600 --> 01:01:19,680 standing ovation from the public. They stood up, they were screaming 902 01:01:19,680 --> 01:01:27,120 for you. Take that all in. You are moving people. There is a saying, 903 01:01:27,120 --> 01:01:32,160 sorry, I forgot who it was, don't get me cancelled but they say 904 01:01:32,160 --> 01:01:36,200 sometimes technique is more important. Just look at the reaction 905 01:01:36,200 --> 01:01:41,240 and the feeling you are leaving with everybody. I love to see you in this 906 01:01:41,240 --> 01:01:45,720 type of dancing. I love the control you have and the chemistry you 907 01:01:45,720 --> 01:01:49,720 brought on the dance floor. I love you are capable to control all of 908 01:01:49,720 --> 01:01:54,560 this. I love watching you guys dance, dancing with intention. Thank 909 01:01:54,560 --> 01:02:00,600 you. I was just looking at my notes and last week I gave you a five and 910 01:02:00,600 --> 01:02:06,480 this week is so much better for me. Cach, you looked so invested in that 911 01:02:06,480 --> 01:02:11,760 dance. It was so steamy, the chemistry between you that you are 912 01:02:11,760 --> 01:02:16,920 melting this ice queen! I'm smiling and I should be serious. I loved 913 01:02:16,920 --> 01:02:23,960 your ganchos, I didn't quite agree with Craig, I think I was so... 914 01:02:23,960 --> 01:02:28,840 Didn't know what to expect and you are so tuned in and when two people 915 01:02:28,840 --> 01:02:35,000 are so connected, it's not often you look at the feet... Oh, Anton! I'm 916 01:02:35,000 --> 01:02:42,960 very pleased with you. LAUGHTER 917 01:02:43,080 --> 01:02:47,240 You are right, I wasn't looking at your feet for a second, that was 918 01:02:47,240 --> 01:02:53,240 marvellous. What a lovely moment. It's about these two! Do you know 919 01:02:53,240 --> 01:02:57,240 the thing I love about you the most, you are very talented and you bring 920 01:02:57,240 --> 01:03:02,280 a lot of your own style of dancing and it's wonderful, I love it. It is 921 01:03:02,280 --> 01:03:06,440 very modern and very you, I love that, but you have to invest in the 922 01:03:06,440 --> 01:03:12,280 dance you are doing 100%, which you did tonight, which was 923 01:03:12,280 --> 01:03:15,000 extraordinary. Everything is legitimate. You can do everything 924 01:03:15,000 --> 01:03:20,640 you want at the right time. This was all about the moment. This dance is 925 01:03:20,640 --> 01:03:26,920 all about Maggie, you focus in on her and concentrated on her. You 926 01:03:26,920 --> 01:03:31,560 gave to her. She was magnificent in the lifts because of you. You look 927 01:03:31,560 --> 01:03:36,560 to secure this week, last week you didn't. This week you look to 928 01:03:36,560 --> 01:03:44,600 secure. All in all, this dance was magic. I can see you are so overawed 929 01:03:44,600 --> 01:03:50,320 by it but you got a standing ovation and more importantly you melted the 930 01:03:50,320 --> 01:03:54,680 ice queen. Somebody needs to get a bucket of ice very quickly. 931 01:03:54,680 --> 01:03:59,280 Genuinely, I don't know what you have done to our judges. Get 932 01:03:59,280 --> 01:04:09,440 upstairs. APPLAUSE 933 01:04:12,800 --> 01:04:18,320 You did that to the whole ballroom tonight, we were screaming up here. 934 01:04:18,320 --> 01:04:23,000 How does that feel? I don't know what to do with myself, I'm not 935 01:04:23,000 --> 01:04:27,400 going to lie, I feel emotional. It was a good moment and thank you, 936 01:04:27,400 --> 01:04:34,000 everybody. You're welcome, baby. Strictly has been teaching you how 937 01:04:34,000 --> 01:04:38,920 to dance in a partnership. What has been the biggest revelation for you? 938 01:04:38,920 --> 01:04:44,080 I think it's the amount of trust Maddie puts in me without knowing me 939 01:04:44,080 --> 01:04:47,920 too well. I literally pick her up and throw her all about the place. 940 01:04:47,920 --> 01:04:52,520 It is that level of trust and getting to know each other for that 941 01:04:52,520 --> 01:04:57,120 bond to happen. Dancing with her is really special. She puts it all into 942 01:04:57,120 --> 01:05:03,080 the dance. If you get to know her, she's not that scary in real life. 943 01:05:03,080 --> 01:05:11,520 She is really sweet and it was a very nice dance. Maddie, are you 944 01:05:11,520 --> 01:05:16,080 proud of your bike? I am. We have had a roller-coaster of weeks but 945 01:05:16,080 --> 01:05:19,680 this week is my favourite. I have had the most incredible time so I'm 946 01:05:19,680 --> 01:05:20,760 very proud of him. 947 01:05:20,760 --> 01:05:23,000 Scores are in. 948 01:05:23,000 --> 01:05:25,520 Craig Revel Horwood... 949 01:05:25,520 --> 01:05:30,440 Motsi Mabuse... 950 01:05:30,440 --> 01:05:33,880 Shirley Ballas... 951 01:05:33,880 --> 01:05:41,880 Anton Du Beke... 952 01:05:45,720 --> 01:05:47,120 Brilliant work, you two. 953 01:05:47,120 --> 01:05:49,040 If Cach and Maddie's Argentine tango was your 954 01:05:49,040 --> 01:05:52,360 dance of the night, then you can vote for them at the end of 955 01:05:52,360 --> 01:05:53,480 tonight's show. 956 01:05:53,480 --> 01:06:03,400 Still to come we have Dani and Nicky to doing their Viennese waltz. Shall 957 01:06:03,400 --> 01:06:10,560 we? Emma and Josh! 958 01:06:10,920 --> 01:06:14,360 We are just over halfway through our Halloween spectacular. 959 01:06:14,360 --> 01:06:16,000 Do you fancy a little midway treat? 960 01:06:16,000 --> 01:06:17,120 Absolutely. 961 01:06:17,120 --> 01:06:18,080 What are we thinking? 962 01:06:18,080 --> 01:06:19,160 Apple bobbing? 963 01:06:19,160 --> 01:06:20,200 A bucket of sweets? 964 01:06:20,200 --> 01:06:21,400 How about a midway leaderboard? 965 01:06:21,400 --> 01:06:25,160 You are wild tonight, Emma Willis. 966 01:06:25,160 --> 01:06:27,200 I know how to show you a good time. 967 01:06:27,200 --> 01:06:30,240 OK, here's how things are shaping up so far. 968 01:06:30,240 --> 01:06:30,320 OK, here's how things are shaping up so far. 969 01:06:30,320 --> 01:06:36,920 Currently at the top with a score of 35 we have John and cat year. At the 970 01:06:36,920 --> 01:06:42,440 other end, joint fourth, we have Graeme and Lauren and Tabby and Mark 971 01:06:42,440 --> 01:06:42,600 with 972 01:06:42,600 --> 01:06:44,280 Graeme and Lauren and Tabby and Mark with 25. So that's where things 973 01:06:44,280 --> 01:06:48,360 stand right now but when the voting opens later, you will have the power 974 01:06:48,360 --> 01:06:53,880 to turn the Leader Board upside down. There is a three way Dance-Off 975 01:06:53,880 --> 01:06:58,680 on the horizon and your vote has never mattered more. Someone who 976 01:06:58,680 --> 01:07:04,440 knows exactly how tough the Dance-Off can be is our next star 977 01:07:04,440 --> 01:07:08,560 who found herself back there last week for the second time. She is 978 01:07:08,560 --> 01:07:12,320 doing everything to avoid it again. With a spooky salso, it is Jaime and 979 01:07:12,320 --> 01:07:18,560 Carlos. 980 01:07:18,560 --> 01:07:21,080 # And you can hold me like he held her.# 981 01:07:21,080 --> 01:07:23,240 Happy Halloween. Thank you. I mean, look at this. 982 01:07:23,240 --> 01:07:25,360 I'm so excited that you are going to experience 983 01:07:25,360 --> 01:07:26,440 Halloween on Strictly. 984 01:07:26,440 --> 01:07:27,880 It feels like a huge privilege. 985 01:07:27,880 --> 01:07:30,760 I'm so glad we got there by the skin of our teeth. 986 01:07:30,760 --> 01:07:33,840 We'd been in the dance-off before and now we were in it again. 987 01:07:33,840 --> 01:07:34,880 It was hard. 988 01:07:34,880 --> 01:07:36,560 Last weekend was really tough for Jaime. 989 01:07:36,560 --> 01:07:37,600 You are a fighter. 990 01:07:37,600 --> 01:07:40,560 I know how much you love dancing. 991 01:07:40,560 --> 01:07:41,600 Cheers to that. 992 01:07:41,600 --> 01:07:42,680 Oh, is that a...? 993 01:07:42,680 --> 01:07:44,640 That's a little thing. 994 01:07:44,640 --> 01:07:48,080 I am really excited about this week. 995 01:07:48,080 --> 01:07:54,240 We're doing the salsa. 996 01:07:54,240 --> 01:07:55,240 Yah, yah, yah. 997 01:07:55,240 --> 01:07:56,280 Yeah, yeah, flip. 998 01:07:56,280 --> 01:07:59,200 The salsa demands you to think on your feet. 999 01:07:59,200 --> 01:08:00,440 Step, step. Even smaller step. 1000 01:08:00,440 --> 01:08:01,640 We are working really hard 1001 01:08:01,640 --> 01:08:04,240 not only to get the technique right, but also the stamina. 1002 01:08:04,240 --> 01:08:05,280 It's a beast. 1003 01:08:05,280 --> 01:08:07,680 How do you breathe and shimmy at the same time? 1004 01:08:07,680 --> 01:08:08,880 You can't do it half-hearted. 1005 01:08:08,880 --> 01:08:09,920 You don't breathe. 1006 01:08:09,920 --> 01:08:11,200 You don't breathe. 1007 01:08:11,200 --> 01:08:13,360 Remembering to move and the steps at that pace, 1008 01:08:13,360 --> 01:08:14,800 yeah, it can be very tricky. 1009 01:08:14,800 --> 01:08:16,439 Wow. 1010 01:08:16,439 --> 01:08:17,479 It was intense. 1011 01:08:17,479 --> 01:08:18,520 It's an intense dance. 1012 01:08:18,520 --> 01:08:25,240 Yeah. 1013 01:08:25,240 --> 01:08:27,800 Me and Jaime, we literally dance our breath out every single 1014 01:08:27,800 --> 01:08:29,000 time we do this dance. 1015 01:08:29,000 --> 01:08:30,600 And then there's a lot of spins. 1016 01:08:30,600 --> 01:08:32,520 There's a lot of different types of spins. 1017 01:08:32,520 --> 01:08:33,560 We love spinning. 1018 01:08:33,560 --> 01:08:34,600 Is it two turns? 1019 01:08:34,600 --> 01:08:35,640 Yes. 1020 01:08:35,640 --> 01:08:37,399 So I'm not stopping? No. 1021 01:08:37,399 --> 01:08:39,080 We are hubble bubble, stirring the trouble. 1022 01:08:39,080 --> 01:08:40,760 This week has been a great week. 1023 01:08:40,760 --> 01:08:42,200 I'm still really loving my experience. 1024 01:08:42,200 --> 01:08:44,120 Really, now, I just want to enjoy myself. 1025 01:08:44,120 --> 01:08:51,359 That was great! 1026 01:08:55,040 --> 01:09:02,960 Dancing the salsa, Jaime Winstone and Carlos Gu. 1027 01:09:09,200 --> 01:09:11,000 # When you're walkin' down the street 1028 01:09:11,000 --> 01:09:15,000 # And a man tries to get your business 1029 01:09:15,000 --> 01:09:17,439 # And the people that you meet 1030 01:09:17,439 --> 01:09:23,560 # Want to open you up like Christmas 1031 01:09:23,560 --> 01:09:28,160 # You gotta wrap your fuzzy with a big red bow 1032 01:09:28,160 --> 01:09:31,920 # Ain't no some witch gonna treat me like a... 1033 01:09:31,920 --> 01:09:35,000 # Cos you're filthy (filthy) 1034 01:09:35,000 --> 01:09:40,399 # Oooh, and I'm gorgeous (gorgeous) 1035 01:09:40,399 --> 01:09:43,439 # Cos you're filthy 1036 01:09:43,439 --> 01:09:48,640 # Oooh, and I'm gorgeous 1037 01:09:48,640 --> 01:09:53,399 # You're disgusting 1038 01:09:53,399 --> 01:09:56,600 # Ooh, and you're nasty 1039 01:09:56,600 --> 01:10:00,760 # And you can grab me 1040 01:10:00,760 --> 01:10:08,720 # Oh, cos you're nasty 1041 01:10:14,960 --> 01:10:19,000 # Cos you're filthy (filthy) 1042 01:10:19,000 --> 01:10:24,360 # Ooooh, and I'm gorgeous (gorgeous) 1043 01:10:24,360 --> 01:10:30,800 # Cos you're filthy (filthy) # 1044 01:10:30,880 --> 01:10:32,960 CHEERING AND APPLAUSE 1045 01:10:32,960 --> 01:10:41,200 CHEERING AND APPLAUSE 1046 01:10:44,080 --> 01:10:56,240 That was so good. Yes! Very good. That felt like a night out with 1047 01:10:56,240 --> 01:11:06,480 Jaime Winstone. That felt great! We love being spun. You love being 1048 01:11:06,480 --> 01:11:13,920 spun! Salsa is amazing, it is so fun. Shirley. Anything with the 1049 01:11:13,920 --> 01:11:18,360 split, the pot stirrer at the end, anything with a trick you execute 1050 01:11:18,360 --> 01:11:22,360 extremely well but Motsi said earlier on the most important thing 1051 01:11:22,360 --> 01:11:29,680 is the music and I found you totally in front of the music. Wait, wait. I 1052 01:11:29,680 --> 01:11:33,200 think perhaps because you have been in the bottom two you have come back 1053 01:11:33,200 --> 01:11:38,040 and giving it all you can give and by goodness, you gave it all, but I 1054 01:11:38,040 --> 01:11:43,240 think you pushed it and it borders on out of time actually. If you play 1055 01:11:43,240 --> 01:11:48,000 it back and look and you know how to count salsa, you will see it. There 1056 01:11:48,000 --> 01:11:54,520 is a lot in there to like but musicality as you move on in the 1057 01:11:54,520 --> 01:12:05,160 competition is key. Thank you. Anton? I'm going to look this way. I 1058 01:12:05,160 --> 01:12:08,360 don't fully agree. The only reason I say that is because you were doing 1059 01:12:08,360 --> 01:12:12,200 it together so I'm putting that down to a choice that you are right on 1060 01:12:12,200 --> 01:12:18,160 the front foot there. Because the power. No one is going to say to you 1061 01:12:18,160 --> 01:12:21,720 you didn't try hard enough or that you saved a bit for next week 1062 01:12:21,720 --> 01:12:26,960 because you don't save anything. Everything is on the red line and I 1063 01:12:26,960 --> 01:12:33,200 love that, and I want you to continue in the same vein. I think 1064 01:12:33,200 --> 01:12:37,720 Shirley and Anton are actually both right. You do dance a bit ahead of 1065 01:12:37,720 --> 01:12:41,600 the beat which I don't mind in this particular dance because it provides 1066 01:12:41,600 --> 01:12:46,120 energy but you have to remember to continue the dance through that. You 1067 01:12:46,120 --> 01:12:50,600 are a little bit ahead of the beat, then suddenly your body will fall 1068 01:12:50,600 --> 01:12:54,720 still rather than use it but that being said you have a great forward 1069 01:12:54,720 --> 01:12:59,240 and back basic with fantastic hip action, darling. The lifts were 1070 01:12:59,240 --> 01:13:05,960 extraordinary. I thought it was entertaining. I loved the 1071 01:13:05,960 --> 01:13:10,640 choreography, all the fond stuff, you crawling, the acting out of this 1072 01:13:10,640 --> 01:13:15,080 world, I absolutely loved that. I'm still going to sit on the point of 1073 01:13:15,080 --> 01:13:19,680 breathing because I found it a little bit too... Hectic, a tiny 1074 01:13:19,680 --> 01:13:25,320 little bit, and I have to also enter this conversation. I love it to be 1075 01:13:25,320 --> 01:13:30,280 on time and it was a bit of time and it's going to be difficult to listen 1076 01:13:30,280 --> 01:13:34,600 to a salsa if I don't see or feel the music. It is difficult. It is 1077 01:13:34,600 --> 01:13:40,120 really a grounded dance and I live for music so we need to continue on 1078 01:13:40,120 --> 01:13:45,120 that but you have a strength. You have an aura. Nobody can take that 1079 01:13:45,120 --> 01:13:50,760 away from you, you are a star. You have a strength and an aura and you 1080 01:13:50,760 --> 01:13:56,360 always come out fighting because you absolutely love it, don't you? Yes, 1081 01:13:56,360 --> 01:14:02,000 I love dancing. 1082 01:14:02,000 --> 01:14:09,800 I love dancing. I did this morning and I still loved it. Keep fighting. 1083 01:14:09,800 --> 01:14:21,160 APPLAUSE Well done, that was really good. 1084 01:14:21,280 --> 01:14:26,160 Babe, I say you looked completely at home with that dance. Did it feel 1085 01:14:26,160 --> 01:14:33,200 like you, baby? I loved it. The salsa is awesome, isn't it? It is 1086 01:14:33,200 --> 01:14:39,680 fun. We have had a tricky week. It is hard to come back fighting after 1087 01:14:39,680 --> 01:14:43,960 two Dance-Offs. It's been quite physically demanding, emotionally 1088 01:14:43,960 --> 01:14:49,400 demanding but I have just got to say thank you to everyone for supporting 1089 01:14:49,400 --> 01:14:54,360 me. You especially, Carlos. To anyone struggling at home, if you 1090 01:14:54,360 --> 01:14:59,120 feel like you are struggling with self doubt or questioning yourself, 1091 01:14:59,120 --> 01:15:06,760 get up and dance. Move. It is good for you. Carlos, how do you pick 1092 01:15:06,760 --> 01:15:10,280 yourself up and pushed through Strictly Come Dancing in hard times? 1093 01:15:10,280 --> 01:15:15,400 We as a dancer have been judged all our life so we get used to it but I 1094 01:15:15,400 --> 01:15:20,360 feel for Jaime, I feel for her since the beginning. My heart was broken 1095 01:15:20,360 --> 01:15:27,240 for her when I saw her. She asked me, what can I do more? I said you 1096 01:15:27,240 --> 01:15:32,080 don't need to give anything more, you give everything, just be 1097 01:15:32,080 --> 01:15:37,160 yourself and enjoy dancing. That is great advice. 1098 01:15:37,160 --> 01:15:38,400 Scores are in. 1099 01:15:38,400 --> 01:15:39,800 The judges have their scores. 1100 01:15:39,800 --> 01:15:39,960 The judges have their scores. 1101 01:15:39,960 --> 01:15:41,480 Craig Revel Horwood... 1102 01:15:41,480 --> 01:15:43,280 Motsi Mabuse... 1103 01:15:43,280 --> 01:15:46,800 Shirley Ballas... 1104 01:15:46,800 --> 01:15:49,800 Anton Du Beke... 1105 01:15:55,040 --> 01:16:07,200 A total score of 27, and 84 Anton. Are you happy? Yes, thank you! 1106 01:16:07,200 --> 01:16:09,120 Was Jaime and Carlos's salsa your perfect match? 1107 01:16:09,120 --> 01:16:13,920 Then make sure you vote for them at the end of tonight's show. 1108 01:16:13,920 --> 01:16:19,320 Don't to forget to scan the QR code on your screen now or go to 1109 01:16:19,320 --> 01:16:25,360 bbc.co.uk/strictly to sign in and vote. 1110 01:16:25,360 --> 01:16:26,800 Up next, it's Will and Dianne. 1111 01:16:26,800 --> 01:16:29,440 Now, last week, Will wowed the judges, although Craig did say 1112 01:16:29,440 --> 01:16:32,080 he looked like he was "chewing a toffee with his bottom". 1113 01:16:32,080 --> 01:16:34,480 Yeah, and Craig didn't even see the most impressive bit. 1114 01:16:34,480 --> 01:16:35,520 What do you mean? 1115 01:16:35,520 --> 01:16:36,960 Will managed to unwrap it first. 1116 01:16:36,960 --> 01:16:37,440 Mind-blowing stuff. 1117 01:16:40,840 --> 01:16:43,320 This week, it's my couple's choice and we are dancing 1118 01:16:43,320 --> 01:16:49,160 to Nu Flow by Big Brovaz. 1119 01:16:49,160 --> 01:16:53,560 An homage to what I do now and my youth. 1120 01:16:53,560 --> 01:16:57,440 The dance that, um, that we're doing, we're puppets. 1121 01:16:57,440 --> 01:16:58,840 We are puppets. 1122 01:16:58,840 --> 01:17:02,840 So is it kind of the sort of dancing that you used to do? 1123 01:17:02,840 --> 01:17:06,440 Oh, is that what you did when you was a kid? 1124 01:17:06,440 --> 01:17:10,200 I think we probably knew that you would do something creative. 1125 01:17:10,200 --> 01:17:12,120 It's been a funny one. 1126 01:17:12,120 --> 01:17:15,280 My career in telly, it's peaks and troughs. 1127 01:17:15,280 --> 01:17:19,040 Started strong, T4 and The Crash and Freshly Squeezed. 1128 01:17:19,040 --> 01:17:20,920 And everyone was like, "This is it, Will. 1129 01:17:20,920 --> 01:17:22,360 "You have made it." 1130 01:17:22,360 --> 01:17:25,320 Then, in the space of, honestly, one month, 1131 01:17:25,320 --> 01:17:30,760 they all got cancelled and, you know, it was scary. 1132 01:17:30,760 --> 01:17:32,480 You can be busy doing things and then suddenly, 1133 01:17:32,480 --> 01:17:35,280 it can all sort of go away. 1134 01:17:35,280 --> 01:17:39,120 But I was lucky enough to, I don't know, get a bit of a second wind. 1135 01:17:39,120 --> 01:17:40,160 Make some noise, everyone. 1136 01:17:40,160 --> 01:17:42,560 When I found out that I was doing Big Brother, 1137 01:17:42,560 --> 01:17:44,080 I couldn't believe it. 1138 01:17:44,080 --> 01:17:46,640 Seeing him on television, it's just lovely. 1139 01:17:46,640 --> 01:17:51,640 And, you know, he did that himself through sheer determination. 1140 01:17:51,640 --> 01:17:56,800 And I feel incredibly proud. 1141 01:17:56,800 --> 01:17:59,880 I pride myself in not giving up, but I wouldn't have been able 1142 01:17:59,880 --> 01:18:02,520 to keep going if it wasn't for, like, the friends and 1143 01:18:02,520 --> 01:18:10,120 family that I have. 1144 01:18:10,120 --> 01:18:15,040 We'll come back to it. 1145 01:18:15,040 --> 01:18:20,000 Family is very important to Will, I know, and always has been. 1146 01:18:20,000 --> 01:18:21,560 Hey, Willbo. 1147 01:18:21,560 --> 01:18:22,800 Hi, guys. 1148 01:18:22,800 --> 01:18:24,680 Hi. 1149 01:18:24,680 --> 01:18:26,600 My sister lives in Australia. 1150 01:18:26,600 --> 01:18:29,880 We've all lived in different cities, so a few years ago, we started doing 1151 01:18:29,880 --> 01:18:34,880 a weekly family video call. 1152 01:18:34,880 --> 01:18:37,280 The fact that we've done this five years, it keeps 1153 01:18:37,280 --> 01:18:39,720 you grounded, doesn't it? 1154 01:18:39,720 --> 01:18:44,520 Like, remembering that you've got your family, your anchor. 1155 01:18:44,520 --> 01:18:46,440 If I'm doing something that makes me happy, 1156 01:18:46,440 --> 01:18:47,760 then that makes them happy. 1157 01:18:47,760 --> 01:18:51,360 And now that I've got a kid of my own, I, for the first time, 1158 01:18:51,360 --> 01:18:55,000 really understand what that means. 1159 01:18:55,000 --> 01:18:58,240 What I really want to do this Saturday is the best dance 1160 01:18:58,240 --> 01:19:06,200 that I can, as a thank you to my family and friends. 1161 01:19:07,800 --> 01:19:14,000 This silly puppet dance is for you. 1162 01:19:15,960 --> 01:19:23,920 Dancing their couple's choice, Will Best and Dianne Buswell. 1163 01:19:24,360 --> 01:19:26,080 # Ladies and gentlemen 1164 01:19:26,080 --> 01:19:29,200 # It is my pleasure to introduce to you all 1165 01:19:29,200 --> 01:19:34,080 # The finest, the ripest, the meanest 1166 01:19:34,080 --> 01:19:36,120 # Who is it? 1167 01:19:36,120 --> 01:19:37,640 # This is Big Bro (Bro) 1168 01:19:37,640 --> 01:19:39,080 # Taking over the show (show) 1169 01:19:39,080 --> 01:19:41,000 # With this nu flow (flow) 1170 01:19:41,000 --> 01:19:43,640 # You need to listen up and feel this (uh-huh, uh-huh) 1171 01:19:43,640 --> 01:19:45,200 # Cos we won't quit (quit) 1172 01:19:45,200 --> 01:19:47,000 # We make them hits (yo) 1173 01:19:47,000 --> 01:19:48,720 # And stack them chips (yo) 1174 01:19:48,720 --> 01:19:49,800 # Who's this? 1175 01:19:49,800 --> 01:19:52,160 # It's Flawless, I came for the dough (say who?) 1176 01:19:52,160 --> 01:19:54,560 # As soon as I step in the door (uh-huh) 1177 01:19:54,560 --> 01:19:56,480 # I see that you're hating my glow 1178 01:19:56,480 --> 01:19:58,880 # The crew, the flow, we're soon to blow (uh-huh) 1179 01:19:58,880 --> 01:20:01,040 # We're tired of being this poor (and what) 1180 01:20:01,040 --> 01:20:03,200 # And having to sleep on the floor (uh-huh) 1181 01:20:03,200 --> 01:20:04,400 # Knowing we're worth more 1182 01:20:04,400 --> 01:20:07,280 # We simply had to settle the score (who, who, who) (this) 1183 01:20:07,280 --> 01:20:08,480 # This is the N.A.D.I.A 1184 01:20:08,480 --> 01:20:10,880 # You didn't think I was coming at you (uh-huh) 1185 01:20:10,880 --> 01:20:12,320 # Giving you people a different 1186 01:20:12,320 --> 01:20:14,240 # Kind of Big Brova flavour (uh huh) 1187 01:20:14,240 --> 01:20:15,680 # I bet y'all didn't think 1188 01:20:15,680 --> 01:20:18,360 # I be riding these beats and making all paper (uh-huh) 1189 01:20:18,360 --> 01:20:20,480 # But I guess that I'm a paper chaser 1190 01:20:20,480 --> 01:20:22,160 # Player, and it's in my nature 1191 01:20:22,160 --> 01:20:23,600 # This is Big Bro (Bro) 1192 01:20:23,600 --> 01:20:25,040 # Taking over the show (show) 1193 01:20:25,040 --> 01:20:26,520 # With this nu flow (flow) 1194 01:20:26,520 --> 01:20:29,120 # You need to listen up and feel this (uh-huh, uh-huh) 1195 01:20:29,120 --> 01:20:30,560 # Cos we won't quit (quit) 1196 01:20:30,560 --> 01:20:31,760 # We make them hits 1197 01:20:31,760 --> 01:20:33,000 # And stack them chips 1198 01:20:33,000 --> 01:20:34,000 # Who's this? 1199 01:20:34,000 --> 01:20:35,920 # Stack up on a daily basis (uh-huh) 1200 01:20:35,920 --> 01:20:37,640 # We travel so many places (uh-huh) 1201 01:20:37,640 --> 01:20:38,800 # Switching so many tricks 1202 01:20:38,800 --> 01:20:40,960 # We're mixing up the names with faces (uh-huh) 1203 01:20:40,960 --> 01:20:43,120 # Cos they see the ice and they trip 1204 01:20:43,120 --> 01:20:44,320 # (Feel this, uh-huh, uh-huh) 1205 01:20:44,320 --> 01:20:47,200 # They like to ride and quit (Cos we won't quit, quit) 1206 01:20:47,200 --> 01:20:48,400 # We make them hits 1207 01:20:48,400 --> 01:20:49,600 # And stack them chips 1208 01:20:49,600 --> 01:20:50,680 # Who's this? 1209 01:20:50,680 --> 01:20:52,360 # This is Big (uh-huh) Bro (Bro) 1210 01:20:52,360 --> 01:20:54,240 # Taking over (uh-huh) the show (show) (this) 1211 01:20:54,240 --> 01:20:55,920 # This is Big (uh-huh) Bro (Bro) 1212 01:20:55,920 --> 01:20:57,600 # Taking over the show (show) (this) 1213 01:20:57,600 --> 01:20:59,320 # This is Big Bro (Bro) (uh-huh) 1214 01:20:59,320 --> 01:21:02,240 # Who's this, who's this? 1215 01:21:06,000 --> 01:21:22,040 CHEERING AND APPLAUSE. Don't worry, you did so good. 1216 01:21:22,040 --> 01:21:26,040 you did so good. Come on. Over Yukon. That was great. It was so 1217 01:21:26,040 --> 01:21:35,800 fun. It was so clever. It was very, very good. Motsi, last week you said 1218 01:21:35,800 --> 01:21:42,760 he was though one to watch. What did you think of the couple's choice? I 1219 01:21:42,760 --> 01:21:48,840 still think you are the one to watch. I love the entertainment in 1220 01:21:48,840 --> 01:21:52,800 that, clever choreography with a lot of details. I want to give you 1221 01:21:52,800 --> 01:21:58,640 advice moving on. Just to make sure you highlight things, that 1222 01:21:58,640 --> 01:22:03,440 everything isn't the same timing. Show us when something is fast, when 1223 01:22:03,440 --> 01:22:08,080 something is slow because you are doing everything right. 1224 01:22:08,080 --> 01:22:18,720 Step-by-step, keep going. Thank you. Shirley? I hope your baby is not 1225 01:22:18,720 --> 01:22:25,800 watching this, Dianne. Two creepy puppets, it is terrifying. Your 1226 01:22:25,800 --> 01:22:31,000 performance in that was really very, very good. Moving forward, a little 1227 01:22:31,000 --> 01:22:37,560 more solid on your feet, a tad more synchronisation but that was the 1228 01:22:37,560 --> 01:22:45,200 strangest, scariest thing I have seen in a long time. Good for you. 1229 01:22:45,200 --> 01:22:49,760 It was a great performance. I am with the Motsi. I would like you to 1230 01:22:49,760 --> 01:22:55,600 move forward with more clarity. It was a great performance, great 1231 01:22:55,600 --> 01:22:58,840 narrative, great characterisation but I would like more clarity of the 1232 01:22:58,840 --> 01:23:05,000 movements. Otherwise everything ends up being the same. We want to see a 1233 01:23:05,000 --> 01:23:10,280 bit more up and down, highs and lows. It gives you musicality but it 1234 01:23:10,280 --> 01:23:14,760 also makes you special and it will make you stand out because you have 1235 01:23:14,760 --> 01:23:19,680 all the elements to be a very good dancer. I want to make you a bit 1236 01:23:19,680 --> 01:23:27,200 more special because you are very good. I can't agree with old dusty 1237 01:23:27,200 --> 01:23:31,280 Springfield up the end there. I was wondering why that week was 1238 01:23:31,280 --> 01:23:37,880 torturing me. I absolutely loved it. I loved the theatre of it, I thought 1239 01:23:37,880 --> 01:23:43,200 it was a really difficult choreography to achieve and I 1240 01:23:43,200 --> 01:23:46,440 thought it was interesting. I thought you danced it particularly 1241 01:23:46,440 --> 01:23:54,400 well. It was great, I loved it. Thank you, Craig. We love the 1242 01:23:54,400 --> 01:23:59,560 routine and I loved it all so when Craig said something positive. 1243 01:23:59,560 --> 01:24:04,920 Thanks very much. It is so fun. We did a silly puppet dance. I always 1244 01:24:04,920 --> 01:24:13,360 just feel like, I did it better in rehearsals. It was great. Craig, you 1245 01:24:13,360 --> 01:24:23,200 liked it. Take your little things. Walk yourselves all the way 1246 01:24:23,200 --> 01:24:29,960 upstairs. Thank you. 1247 01:24:30,040 --> 01:24:40,560 Let's just run up. CHEERING. 1248 01:25:19,920 --> 01:25:25,040 This partnership is going from strength to strength. Is he 1249 01:25:25,040 --> 01:25:32,840 everything you hoped for? This guy is incredible. I say this all the 1250 01:25:32,840 --> 01:25:38,840 time but he is nice to every single person you see and I think that is a 1251 01:25:38,840 --> 01:25:44,000 testament to everyone around you but he is the loveliest guy. We want to 1252 01:25:44,000 --> 01:25:51,480 bring fun and make people smile at home. If you watched at the silly 1253 01:25:51,480 --> 01:25:55,240 puppy dance, -- puppet dance, you smiled and enjoyed it. 1254 01:25:55,240 --> 01:25:55,800 The judges have their scores. 1255 01:25:55,800 --> 01:25:56,440 The judges have their scores. 1256 01:25:56,440 --> 01:25:57,840 Craig Revel Horwood... 1257 01:25:57,840 --> 01:25:59,440 Motsi Mabuse... 1258 01:25:59,440 --> 01:26:01,520 Shirley Ballas... 1259 01:26:01,520 --> 01:26:05,200 Anton Du Beke... 1260 01:26:05,200 --> 01:26:09,920 Anton Du Beke... 1261 01:26:09,920 --> 01:26:19,520 A total score of 32. Why do you look shocked? Thank you! Thank you, Jake, 1262 01:26:19,520 --> 01:26:26,120 as well. The choreographer. 1263 01:26:26,120 --> 01:26:27,800 Was Will and Dianne's couple's choice your 1264 01:26:27,800 --> 01:26:29,000 favourite dance of the night? 1265 01:26:29,000 --> 01:26:30,920 Then remember to vote for them later on, 1266 01:26:30,920 --> 01:26:32,360 once all our couples have performed. 1267 01:26:32,360 --> 01:26:35,280 Tonight, your vote matters more than ever because three couples will be 1268 01:26:35,280 --> 01:26:36,440 going into tomorrow night's Dance-Off. 1269 01:26:36,440 --> 01:26:39,280 Emma and Josh. 1270 01:26:39,280 --> 01:26:41,920 Performing next, it's a Lawrence and Jowita with a dance inspired 1271 01:26:41,920 --> 01:26:42,960 by the film Ghostbusters. 1272 01:26:42,960 --> 01:26:44,880 Ghostbusters is about some naughty ghosts who terrify 1273 01:26:44,880 --> 01:26:47,720 the poor people of New York. 1274 01:26:47,720 --> 01:26:50,600 Now, as you saw earlier, I'm not a fan of the whole 1275 01:26:50,600 --> 01:26:51,640 scaring people business. 1276 01:26:51,640 --> 01:26:54,000 I know it's Halloween but I think it's a very 1277 01:26:54,000 --> 01:26:55,480 childish and not something I'd ever... 1278 01:26:55,480 --> 01:26:58,040 BOOOOOO! 1279 01:26:58,040 --> 01:27:05,920 I ain't afraid of no hosts. 1280 01:27:05,920 --> 01:27:07,480 Saturday night - 1281 01:27:07,480 --> 01:27:10,000 obviously we went slightly further down the leaderboard. 1282 01:27:10,000 --> 01:27:12,160 Yeah, I genuinely thought that we were dancing again. 1283 01:27:12,160 --> 01:27:13,680 But we had so much fun. 1284 01:27:13,680 --> 01:27:17,720 It is a new week and, yeah, I had a very good idea 1285 01:27:17,720 --> 01:27:21,240 that we can overcome our fears a little bit for Halloween. 1286 01:27:21,240 --> 01:27:24,360 So I brought you to this. 1287 01:27:24,360 --> 01:27:29,000 The tallest tube slide in the whole world. 1288 01:27:29,000 --> 01:27:32,760 There's no turning back. 1289 01:27:32,760 --> 01:27:33,760 Oh, gosh. 1290 01:27:33,760 --> 01:27:35,400 It's very high. 1291 01:27:35,400 --> 01:27:37,400 Let's go. 1292 01:27:37,400 --> 01:27:38,680 Let's go. 1293 01:27:38,680 --> 01:27:40,360 Let's go down the slide, come on. 1294 01:27:40,360 --> 01:27:41,800 I don't want to be first. 1295 01:27:41,800 --> 01:27:42,880 Go for it. 1296 01:27:42,880 --> 01:27:45,600 SHE SCREAMS. 1297 01:27:45,600 --> 01:27:47,000 Actually it's fun. 1298 01:27:47,000 --> 01:27:48,240 Wow. 1299 01:27:48,240 --> 01:27:49,800 Here we go. 1300 01:27:49,800 --> 01:27:52,760 Wow! 1301 01:27:52,760 --> 01:27:54,280 Woohoo! 1302 01:27:54,280 --> 01:27:56,960 I've stopped. 1303 01:27:56,960 --> 01:27:58,120 Highlights of the day - 1304 01:27:58,120 --> 01:28:04,640 seeing Jowita terrified of the slide and getting stuck. 1305 01:28:04,640 --> 01:28:06,040 Let's go tango, baby. 1306 01:28:06,040 --> 01:28:07,400 One, two. 1307 01:28:07,400 --> 01:28:13,480 This week, we are doing a Ghostbusters-inspired tango. 1308 01:28:13,480 --> 01:28:16,560 The walk in a tango world is not the same as a normal 1309 01:28:16,560 --> 01:28:18,440 walk on the street. 1310 01:28:18,440 --> 01:28:19,480 Stop! 1311 01:28:19,480 --> 01:28:20,600 Don't drag. 1312 01:28:20,600 --> 01:28:24,200 That shift from one leg to another has to be kind of dramatic. 1313 01:28:24,200 --> 01:28:25,320 Wah... 1314 01:28:25,320 --> 01:28:26,600 No, don't rush. 1315 01:28:26,600 --> 01:28:28,040 I sometimes tend to overcomplicate it. 1316 01:28:28,040 --> 01:28:31,880 Hence me forgetting how to walk for an hour of today. 1317 01:28:31,880 --> 01:28:33,320 Also, it's Halloween. 1318 01:28:33,320 --> 01:28:36,120 There has to be a bit of spookiness in it. 1319 01:28:36,120 --> 01:28:37,240 There's a ghost. 1320 01:28:37,240 --> 01:28:38,240 Yeah. 1321 01:28:38,240 --> 01:28:39,640 Kill him. 1322 01:28:39,640 --> 01:28:41,720 Halloween is an extremely iconic week. 1323 01:28:41,720 --> 01:28:43,400 I think I'm going to enjoy performing 1324 01:28:43,400 --> 01:28:44,800 the tango for sure. 1325 01:28:44,800 --> 01:28:50,960 I ain't afraid of no ghosts. 1326 01:28:50,960 --> 01:28:59,000 Dancing the tango, Lawrence Robb and Jowita Przystal. 1327 01:29:12,680 --> 01:29:14,480 # Ghostbusters 1328 01:29:14,480 --> 01:29:18,080 # If there's somethin' strange in your neighbourhood 1329 01:29:18,080 --> 01:29:20,720 # Who ya gonna call? 1330 01:29:20,720 --> 01:29:21,920 # Ghostbusters 1331 01:29:21,920 --> 01:29:25,640 # If there's somethin' weird, and it don't look good 1332 01:29:25,640 --> 01:29:27,680 # Who ya gonna call? 1333 01:29:27,680 --> 01:29:35,640 # Ghostbusters 1334 01:29:35,840 --> 01:29:38,800 # I ain't afraid of no ghost 1335 01:29:43,400 --> 01:29:50,440 # Yeah, yeah, yeah, yeah 1336 01:29:57,360 --> 01:29:58,800 # Let me tell you somethin' 1337 01:29:58,800 --> 01:30:06,560 # Bustin' makes me feel good 1338 01:30:06,560 --> 01:30:13,840 # I ain't afraid of no ghost 1339 01:30:13,840 --> 01:30:16,600 # I ain't afraid of no ghost 1340 01:30:16,600 --> 01:30:17,800 # Who you gonna call 1341 01:30:17,800 --> 01:30:19,560 # Ghostbusters 1342 01:30:19,560 --> 01:30:21,080 # Louder 1343 01:30:21,080 --> 01:30:23,360 # Ghostbusters 1344 01:30:23,360 --> 01:30:27,400 # I ain't afraid of no ghost 1345 01:30:27,400 --> 01:30:36,080 # Hahahaha...# 1346 01:30:43,760 --> 01:30:49,040 CHEERING AND APPLAUSE 1347 01:30:51,800 --> 01:30:59,520 Great comedy fall at the end. Ghostbusters on Halloween, you have 1348 01:30:59,520 --> 01:31:05,440 hit the jackpot. Iconic. So much fun, it is brilliant, I love it. 1349 01:31:05,440 --> 01:31:12,040 Anton, who are you going to call? I'm not going to call Craig! 1350 01:31:12,040 --> 01:31:18,280 LAUGHTER I enjoyed that performance. As 1351 01:31:18,280 --> 01:31:21,720 always your openwork was tremendous, characterisation was tremendous. 1352 01:31:21,720 --> 01:31:26,760 This has improved from your waltz. You held a nice position. The first 1353 01:31:26,760 --> 01:31:31,440 part was very good, you went out of hold and it never quite got as good 1354 01:31:31,440 --> 01:31:36,680 as it was at the beginning. Your derriere stuck out a little bit but 1355 01:31:36,680 --> 01:31:41,280 otherwise I thought the whole thing was greatly improved from your waltz 1356 01:31:41,280 --> 01:31:47,280 so well done. I thought the frame was a little bit too open, you had 1357 01:31:47,280 --> 01:31:51,000 some misplaced footwork and there was a little something happened 1358 01:31:51,000 --> 01:31:56,880 there, I don't know what it was supposed to be. It was the ghost, 1359 01:31:56,880 --> 01:32:03,520 Craig. I will let you sort that out. It was sharp, staccato and very 1360 01:32:03,520 --> 01:32:10,600 entertaining. Craig, are you over your little scare earlier? Yes, 1361 01:32:10,600 --> 01:32:17,400 actually. I am recovering, darling. I think when you start to dance I'm 1362 01:32:17,400 --> 01:32:21,560 really into it. You are engaged, you have full power and you go for it, 1363 01:32:21,560 --> 01:32:26,960 and then somewhere a tiny little blank so we need to work on 1364 01:32:26,960 --> 01:32:32,000 consistency. You have gained control, you can lead now. I love 1365 01:32:32,000 --> 01:32:36,840 the attention you give your dance partner so I want the best effort up 1366 01:32:36,840 --> 01:32:43,760 until the end. Week two in the waltz we gave you all sorts of things to 1367 01:32:43,760 --> 01:32:48,320 think about and my score was quite low so this is a lot better than 1368 01:32:48,320 --> 01:32:53,880 weak two, so you are improving. You are starting to hold up your frame, 1369 01:32:53,880 --> 01:32:59,480 your bottom gets stuck out, get it underneath, keep working on the 1370 01:32:59,480 --> 01:33:03,560 frame, keep shifting. Footwork for me you know is important. The rocks 1371 01:33:03,560 --> 01:33:09,120 at the beginning I loved that so anything out in open hold, very 1372 01:33:09,120 --> 01:33:15,360 good. Keep working because you are shining. You are shining! You are 1373 01:33:15,360 --> 01:33:20,520 also giving it your all because you are still out of breath. It is a 1374 01:33:20,520 --> 01:33:26,320 running theme for me but to be fair it's quite nice not because the last 1375 01:33:26,320 --> 01:33:29,920 couple of dances I have been wheezing at the end, this is 1376 01:33:29,920 --> 01:33:37,040 slightly easier. It is fantastic and so much fun. Well done, both of you. 1377 01:33:37,040 --> 01:33:43,080 Go and get your scores. APPLAUSE 1378 01:33:47,560 --> 01:33:54,080 You are as tired as before? Your stamina has improved? It is quite 1379 01:33:54,080 --> 01:33:59,480 nice not being able to talk at the end. The judges can see you are 1380 01:33:59,480 --> 01:34:08,000 improving, does that feel nice to hear? Yes, we are building blocks. A 1381 01:34:08,000 --> 01:34:15,200 lovely dance to take the lead in. Did you enjoy that this week? I did. 1382 01:34:15,200 --> 01:34:20,880 Jowita is such an amazing partner and she pushes me every week. It is 1383 01:34:20,880 --> 01:34:26,400 just great to be able to do something on also the most iconic 1384 01:34:26,400 --> 01:34:36,640 week on Strictly, probably. It is! It is! Just thrilled to be here. 1385 01:34:36,640 --> 01:34:38,160 Scores are in. 1386 01:34:38,160 --> 01:34:40,920 The judges have their scores. 1387 01:34:40,920 --> 01:34:40,960 The judges have their scores. 1388 01:34:40,960 --> 01:34:41,960 Craig Revel Horwood... 1389 01:34:41,960 --> 01:34:43,000 Motsi Mabuse... 1390 01:34:43,000 --> 01:34:44,040 Shirley Ballas... 1391 01:34:44,040 --> 01:34:52,000 Anton Du Beke... 1392 01:34:55,680 --> 01:34:58,600 A total 1393 01:34:58,600 --> 01:35:01,440 A total score of 26. Jowita is happy! 1394 01:35:01,440 --> 01:35:03,120 If Lawrence and Jowita are your favourite 1395 01:35:03,120 --> 01:35:06,240 Ghostbusters, then you can make it official at the end of the show. 1396 01:35:06,240 --> 01:35:08,360 Voting opens once all our couples have performed. 1397 01:35:08,360 --> 01:35:11,000 You don't have long to wait as we've only got two 1398 01:35:11,000 --> 01:35:14,000 performances left. 1399 01:35:14,000 --> 01:35:16,040 Joshy. 1400 01:35:16,040 --> 01:35:20,040 Our next couple went trick or treating this week and so Emma 1401 01:35:20,040 --> 01:35:22,720 and Jojo said we should dress up and do the same. 1402 01:35:22,720 --> 01:35:25,320 But I know they're just trying to trick me into wearing 1403 01:35:25,320 --> 01:35:26,400 a ridiculous costume. 1404 01:35:26,400 --> 01:35:31,120 It takes a lot more than that to fool me. 1405 01:35:31,120 --> 01:35:36,880 What's happening? We are meant to be going trick or treating, the three 1406 01:35:36,880 --> 01:35:42,080 of us. You are serious? Jojo is going to be so disappointed, he 1407 01:35:42,080 --> 01:35:55,440 really is. Trick or treat! Icy, too good for Joshy? It was just... I 1408 01:35:55,440 --> 01:36:01,600 give you my heart, I don't expect to get it back in pieces. You are 1409 01:36:01,600 --> 01:36:06,480 unbelievable. 1410 01:36:07,560 --> 01:36:09,480 With a Viennese waltz, it's Dani and Nikita. 1411 01:36:09,480 --> 01:36:11,840 It's Halloween Week and we're dancing the haunting Viennese waltz. 1412 01:36:11,840 --> 01:36:13,800 I thought the Viennese waltz was quite slow, 1413 01:36:13,800 --> 01:36:15,560 but it's very, very fast. 1414 01:36:15,560 --> 01:36:16,560 Look, look. 1415 01:36:16,560 --> 01:36:18,760 We're working hard at the moment on our feet 1416 01:36:18,760 --> 01:36:20,240 and our frame and posture. 1417 01:36:20,240 --> 01:36:25,040 Up from here. Good. 1418 01:36:25,040 --> 01:36:27,680 In this dance, I play an evil porcelain ballerina that wants 1419 01:36:27,680 --> 01:36:29,400 to take revenge on her toymaker. 1420 01:36:29,400 --> 01:36:30,800 Dani is embodying two different characters. 1421 01:36:30,800 --> 01:36:35,400 One is angelic and the other one is evil. 1422 01:36:35,400 --> 01:36:38,520 I feel like that A* that I got in GCSE drama is currently 1423 01:36:38,520 --> 01:36:43,120 doing the trick for me. 1424 01:36:43,120 --> 01:36:46,360 Shall we go trick or treating? 1425 01:36:46,360 --> 01:36:47,960 Yes. 1426 01:36:47,960 --> 01:36:48,960 Yes! 1427 01:36:48,960 --> 01:36:51,360 My kids love Halloween, so I thought I'd bring them 1428 01:36:51,360 --> 01:36:53,080 to the studio for a little treat. 1429 01:36:53,080 --> 01:36:54,080 Go, go, go! 1430 01:36:54,080 --> 01:36:55,120 Hello? 1431 01:36:55,120 --> 01:36:56,320 Well, hang on a minute! 1432 01:36:56,320 --> 01:36:58,280 Why didn't the skeleton go to the party? 1433 01:36:58,280 --> 01:37:02,000 Because he had no BODY to go with. 1434 01:37:02,000 --> 01:37:08,040 One for you. 1435 01:37:08,040 --> 01:37:09,080 Oh! 1436 01:37:09,080 --> 01:37:10,120 Wow! 1437 01:37:10,120 --> 01:37:11,160 Thank you. 1438 01:37:11,160 --> 01:37:12,840 I mean, three kids, lots of sugar. 1439 01:37:12,840 --> 01:37:14,040 What could possibly go wrong? 1440 01:37:14,040 --> 01:37:15,080 Meet the presenters. 1441 01:37:15,080 --> 01:37:19,360 Trick or treat. 1442 01:37:19,360 --> 01:37:23,680 Hi! 1443 01:37:23,680 --> 01:37:25,120 Would you like a witch's hat? 1444 01:37:25,120 --> 01:37:26,160 Oh, no. 1445 01:37:26,160 --> 01:37:27,720 Freeze! 1446 01:37:27,720 --> 01:37:28,760 Frreze! Freeze! 1447 01:37:28,760 --> 01:37:34,840 You need to say it again. 1448 01:37:34,840 --> 01:37:37,360 DOOR CREAKS 1449 01:37:37,360 --> 01:37:39,040 Even Shirley left behind a little treat. 1450 01:37:39,040 --> 01:37:40,080 Take the shoe. 1451 01:37:40,080 --> 01:37:42,480 Take the shoe. 1452 01:37:42,480 --> 01:37:43,520 Well done, Shirley. 1453 01:37:43,520 --> 01:37:45,440 Does that mean you'll give me an eight? 1454 01:37:45,440 --> 01:37:48,520 Happy Halloween. 1455 01:37:48,520 --> 01:37:51,080 THEY CHEER 1456 01:37:51,080 --> 01:37:57,960 Dancing the Viennese waltz, Dani Dyer and Nikita Kuzmin. 1457 01:38:02,520 --> 01:38:09,640 # Raindrops on roses and whiskers on kittens 1458 01:38:09,640 --> 01:38:12,400 # Bright copper kettles and warm woollen mittens 1459 01:38:12,400 --> 01:38:18,560 # Brown paper packages tied up with strings 1460 01:38:18,560 --> 01:38:26,480 # These are a few of my favourite things 1461 01:38:29,600 --> 01:38:32,280 # Girls in white dresses with blue satin sashes 1462 01:38:32,280 --> 01:38:36,080 # Snowflakes that stay on my nose and eyelashes 1463 01:38:36,080 --> 01:38:39,760 # Silver-white winters that melt into springs 1464 01:38:39,760 --> 01:38:47,720 # These are a few of my favourite things 1465 01:38:49,880 --> 01:38:52,840 # Cream-coloured ponies and crisp apple strudels 1466 01:38:52,840 --> 01:38:57,160 # Doorbells and sleigh bells and schnitzel with noodles 1467 01:38:57,160 --> 01:39:00,600 # Wild geese that fly with the moon on their wings 1468 01:39:00,600 --> 01:39:14,520 # These are a few of my favourite things 1469 01:39:14,520 --> 01:39:15,960 # When the dog bites 1470 01:39:15,960 --> 01:39:17,880 # When the bee stings 1471 01:39:17,880 --> 01:39:21,960 # When I'm feeling sad 1472 01:39:21,960 --> 01:39:27,240 # I simply remember my favourite things 1473 01:39:27,240 --> 01:39:35,200 # And then I don't feel so bad, so bad # 1474 01:39:39,280 --> 01:39:49,320 CHEERING AND APPLAUSE 1475 01:40:03,960 --> 01:40:13,000 Take it in! CHEERING AND APPLAUSE 1476 01:40:13,960 --> 01:40:19,360 I 1477 01:40:19,360 --> 01:40:23,280 I mean, A* in GCSE drama, you certainly performed that. It's the 1478 01:40:23,280 --> 01:40:35,640 only star I've got. Motsi. Wow! I think that was your best dance. I 1479 01:40:35,640 --> 01:40:41,640 couldn't look away, I was into your story and your character. You were 1480 01:40:41,640 --> 01:40:44,760 so strong. I absolutely loved the beginning. At the end you had a 1481 01:40:44,760 --> 01:40:50,480 little mistake. Was it you? I thought you slipped. She saved it, 1482 01:40:50,480 --> 01:40:58,120 didn't she? I slipped slightly. 1483 01:40:58,240 --> 01:41:03,560 didn't she? I slipped slightly. She yanked him up. 1484 01:41:03,560 --> 01:41:08,200 You did your pivots today and I had the beautiful heel lead in the 1485 01:41:08,200 --> 01:41:13,120 pivot, I had the heel lead on step form when it was going and the 1486 01:41:13,120 --> 01:41:18,160 natural turn. Your frame was better than week two when I told you about 1487 01:41:18,160 --> 01:41:25,600 your frame. You have got to work one anything that side by side in shadow 1488 01:41:25,600 --> 01:41:33,160 but Dani, that was a huge improvement. I saw him slip and I 1489 01:41:33,160 --> 01:41:40,680 saw you say I'm going to make that ending! I love an independent woman. 1490 01:41:40,680 --> 01:41:47,720 I absolutely agree this is your best dance. One thing I want you to work 1491 01:41:47,720 --> 01:41:53,640 on for your next ballroom dance, you must take a wider sidestep. This 1492 01:41:53,640 --> 01:41:56,920 step you do must be bigger because you get yourself a bit cramped but 1493 01:41:56,920 --> 01:42:03,080 all in all the frame was good, fleckerl was great, flair was 1494 01:42:03,080 --> 01:42:09,480 lovely. Great performance, well done. I can see the devil nodding in 1495 01:42:09,480 --> 01:42:20,320 agreement. I cannot add much to that apart from brilliant. 1496 01:42:20,400 --> 01:42:28,360 apart from brilliant. Get upstairs! APPLAUSE 1497 01:42:40,640 --> 01:42:46,320 My goodness! They said it was your best dance yet, how do you feel? I 1498 01:42:46,320 --> 01:42:55,880 can't believe that! Take it in, girl! I am in shock. This is your 1499 01:42:55,880 --> 01:42:59,280 return to the ballroom and you said you had something to prove so what 1500 01:42:59,280 --> 01:43:04,880 was on top of the list? The frame. The lovely frame that you all love 1501 01:43:04,880 --> 01:43:11,160 so much. Nicky tear, as pros we love the freedom of a themed week but 1502 01:43:11,160 --> 01:43:16,680 then how do you balance the ballroom technique and the storytelling? 1503 01:43:16,680 --> 01:43:20,480 Honestly to me, Halloween is all about storytelling, obviously we are 1504 01:43:20,480 --> 01:43:24,560 doing a Viennese waltz but I told Dani on Monday at the moment it is 1505 01:43:24,560 --> 01:43:29,560 all in my head and we will figure it out together, the characters. Give 1506 01:43:29,560 --> 01:43:36,200 the sinister eyes. There we go! Listen, brilliantly done. 1507 01:43:36,200 --> 01:43:37,800 Scores are in. 1508 01:43:37,800 --> 01:43:39,400 The judges have their scores. 1509 01:43:39,400 --> 01:43:39,440 The judges have their scores. 1510 01:43:39,440 --> 01:43:41,160 Craig Revel Horwood... 1511 01:43:41,160 --> 01:43:44,560 Motsi Mabuse... 1512 01:43:44,560 --> 01:43:48,160 Shirley Ballas... 1513 01:43:48,160 --> 01:43:55,160 Anton Du Beke... 1514 01:43:58,240 --> 01:44:01,800 That is a total score of 32. Are you guys happy? 1515 01:44:01,800 --> 01:44:09,240 CHEERING AND APPLAUSE Gorgeous work. I know, right? 1516 01:44:09,240 --> 01:44:11,640 If Dani and Nikita's Viennese waltz was one of your 1517 01:44:11,640 --> 01:44:14,760 favourite things, then you can show them your support by voting for them 1518 01:44:14,760 --> 01:44:16,160 at the end of tonight's show. 1519 01:44:16,160 --> 01:44:18,320 And there's not long to wait as we only 1520 01:44:18,320 --> 01:44:19,760 have one couple left to come. 1521 01:44:19,760 --> 01:44:22,920 But before our last dance, would you like a trick or a treat? 1522 01:44:22,920 --> 01:44:30,080 I say treat! 1523 01:44:30,080 --> 01:44:31,280 CHANTING: Treat! 1524 01:44:31,280 --> 01:44:37,600 Emma and Joshy. 1525 01:44:37,680 --> 01:44:46,360 Closing our Halloween special is lacy and Vito. This week, lacy's 1526 01:44:46,360 --> 01:44:50,360 coaster James visited them in training. James danced a very 1527 01:44:50,360 --> 01:44:55,400 memorable charleston when he was on the show. He was dressed as a 1528 01:44:55,400 --> 01:45:01,720 beekeeper while chasing a bumblebee. What was that about? Says the man 1529 01:45:01,720 --> 01:45:07,400 dressed as a Penguin with a fish in his mouth. That was art. 1530 01:45:07,400 --> 01:45:08,440 Five, six, seven... 1531 01:45:08,440 --> 01:45:15,960 What's that? 1532 01:45:15,960 --> 01:45:17,720 All right, guys? 1533 01:45:17,720 --> 01:45:20,120 It's the best that James has come to see me. 1534 01:45:20,120 --> 01:45:22,480 He is literally like my brother. 1535 01:45:22,480 --> 01:45:23,680 Knowing you very, very well, 1536 01:45:23,680 --> 01:45:24,920 I'm blown away. 1537 01:45:24,920 --> 01:45:26,200 Straight up blown away. 1538 01:45:26,200 --> 01:45:27,880 You look great on the dance floor. 1539 01:45:27,880 --> 01:45:30,800 It's very hard to! 1540 01:45:30,800 --> 01:45:31,840 Yeah, yeah, of course. 1541 01:45:31,840 --> 01:45:33,280 You did say it was hard. 1542 01:45:33,280 --> 01:45:34,720 You just didn't specify how hard. 1543 01:45:34,720 --> 01:45:36,920 You are way better than I was. 1544 01:45:36,920 --> 01:45:38,320 Like, I feel like watching you... 1545 01:45:38,320 --> 01:45:40,560 Don't laugh! 1546 01:45:40,560 --> 01:45:42,840 I know that's not hard. 1547 01:45:42,840 --> 01:45:44,840 You've got the Charleston this week, right? 1548 01:45:44,840 --> 01:45:45,920 Yeah. 1549 01:45:45,920 --> 01:45:46,920 For Halloween. 1550 01:45:46,920 --> 01:45:48,360 Which was my favourite week. 1551 01:45:48,360 --> 01:45:51,160 When I left the show, with the Charleston. 1552 01:45:51,160 --> 01:45:52,200 Dressed as a beekeeper. 1553 01:45:52,200 --> 01:45:55,480 The most famous Halloween character of all time. 1554 01:45:55,480 --> 01:45:57,600 Who was it, Vito? 1555 01:45:57,600 --> 01:45:59,760 Who was the other partnership that knocked me out? 1556 01:45:59,760 --> 01:46:01,200 I have no idea. 1557 01:46:01,200 --> 01:46:02,280 No. 1558 01:46:02,280 --> 01:46:03,720 I feel in the middle here. 1559 01:46:03,720 --> 01:46:06,040 Couldn't have been some young, sexy Italian, could it? 1560 01:46:06,040 --> 01:46:08,120 Lace, mate, you guys are smashing it. 1561 01:46:08,120 --> 01:46:12,440 I hope your Charleston on Halloween goes a lot better than mine... 1562 01:46:12,440 --> 01:46:13,480 So do I! 1563 01:46:13,480 --> 01:46:14,640 ..Which I'm sure it will. 1564 01:46:14,640 --> 01:46:15,720 Creepy, creepy... 1565 01:46:15,720 --> 01:46:18,360 The most important thing with Charleston is to get the swivel 1566 01:46:18,360 --> 01:46:19,400 right with the feet. 1567 01:46:19,400 --> 01:46:22,840 # Twist the feet, otherwise, Craig is gonna tell us off. 1568 01:46:22,840 --> 01:46:25,160 There's lots of lifts. 1569 01:46:25,160 --> 01:46:28,280 So to try and get me to go into the lift a bit 1570 01:46:28,280 --> 01:46:30,360 quicker and smoother, he shouts, "Floor is lava." 1571 01:46:30,360 --> 01:46:32,120 Floor is lava. 1572 01:46:32,120 --> 01:46:35,200 This week has been hard, but fun. 1573 01:46:35,200 --> 01:46:38,200 The Charleston is more free, and I'm really looking forward 1574 01:46:38,200 --> 01:46:42,360 to just letting go and performing it on Saturday night. 1575 01:46:42,360 --> 01:46:45,320 And lava's for the floor! 1576 01:46:49,640 --> 01:46:56,400 Dancing the charleston, Lacey Turner and Vito Coppola. 1577 01:46:56,400 --> 01:46:59,440 # La-la-la-la-la-la-la-love 1578 01:46:59,440 --> 01:47:01,160 # La-la-la-la-la-la-la-love 1579 01:47:01,160 --> 01:47:03,160 # La-la-la-la-la-la-la-love 1580 01:47:03,160 --> 01:47:04,360 # La-la-la-la-la-la-la-love 1581 01:47:04,360 --> 01:47:07,840 # Swore I would never be that girl holding your hand 1582 01:47:07,840 --> 01:47:12,800 # Look at you gazing, acting like your biggest fan, yeah 1583 01:47:12,800 --> 01:47:16,440 # Well, I don't know how you do it to me 1584 01:47:16,440 --> 01:47:20,680 # You make my brain just stop, sink my heart to my feet 1585 01:47:20,680 --> 01:47:27,360 # It's like a rollercoaster but I'm only going up 1586 01:47:27,360 --> 01:47:35,320 # I'm in crazy stupid love 1587 01:47:44,080 --> 01:47:49,520 # Let's go 1588 01:47:49,520 --> 01:47:52,160 # Whistle, I like it when you blow the whistle, yeah 1589 01:47:52,160 --> 01:47:54,520 # You make me wanna ch-bang bang bang bang bang 1590 01:47:54,520 --> 01:47:56,440 # Baby I don't own a crystal, uh 1591 01:47:56,440 --> 01:47:58,120 # My tongue wagging when you wiggle 1592 01:47:58,120 --> 01:48:00,760 # I'll end up kissing you with or without the mistle 1593 01:48:00,760 --> 01:48:03,920 # Love the open toes and the clothes even though we ain't official 1594 01:48:03,920 --> 01:48:05,080 # You official, you official 1595 01:48:05,080 --> 01:48:06,800 # When you see me you official 1596 01:48:06,800 --> 01:48:09,680 # Well, I don't know how you do it to me (ahhhh) 1597 01:48:09,680 --> 01:48:13,000 # You make my brain just stop, sink my heart to my feet (yeaaah) 1598 01:48:13,000 --> 01:48:17,440 # It's like a rollercoaster but I'm only going up 1599 01:48:17,440 --> 01:48:21,760 # I'm in crazy stupid love 1600 01:48:21,760 --> 01:48:23,960 # La-la-la-la-la-la-la-love (Whoa) 1601 01:48:23,960 --> 01:48:25,560 # La-la-la-la-la-la-la-love (Crazy stupid love) 1602 01:48:25,560 --> 01:48:26,920 # La-la-la-la-la-la-la-love 1603 01:48:26,920 --> 01:48:34,880 # (La-la-la-la-la-la-la-love) I'm in crazy stupid love 1604 01:48:37,160 --> 01:48:42,520 CHEERING AND APPLAUSE. 1605 01:49:04,000 --> 01:49:11,520 You untangle yourself. We will say a massive thank you to count Dave Arch 1606 01:49:11,520 --> 01:49:15,280 and his brilliant band and our sensational singers who are always 1607 01:49:15,280 --> 01:49:23,520 just exquisite. Lacey, wow! The lifts, the joy on your face, you 1608 01:49:23,520 --> 01:49:31,960 looked like you had the best time. I did have the best time. Good. It 1609 01:49:31,960 --> 01:49:40,760 looked so much like you did. Craig, a charleston on Halloween, are you a 1610 01:49:40,760 --> 01:49:50,720 happy little devil? Lacey, that was good. Motsi? Best dance of the 1611 01:49:50,720 --> 01:49:59,600 night. Congratulations. Stunning! Stunning! One week one when I looked 1612 01:49:59,600 --> 01:50:05,080 at you, you were quite timid and I watched you tonight and you were 1613 01:50:05,080 --> 01:50:11,160 bam, bam, bam, you did it all. You shock to me, you had me on the front 1614 01:50:11,160 --> 01:50:17,960 of my seat. A huge improvement. Well done. 1615 01:50:18,760 --> 01:50:23,400 done. Clean, clear, timing was amazing, finished everything. I 1616 01:50:23,400 --> 01:50:29,840 thought that was great. Well done, you. Unbelievable comments. Most of 1617 01:50:29,840 --> 01:50:35,840 all, that was good, that was the comment you want. What a way to end 1618 01:50:35,840 --> 01:50:44,200 Halloween night. Go upstairs to get your scores. 1619 01:50:45,880 --> 01:50:59,600 CHEERING AND APPLAUSE. Wow! When I tell you we were screaming... Who is 1620 01:50:59,600 --> 01:51:09,720 this woman standing in front of me? She is called Pat. You said you were 1621 01:51:09,720 --> 01:51:15,400 a late bloomer, you are always late to the party. I am always late but I 1622 01:51:15,400 --> 01:51:21,960 always come so thank you for having me. Your husband was cheering. That 1623 01:51:21,960 --> 01:51:30,400 must be lovely. So lovely. The toe, talk to me. This woman held her own 1624 01:51:30,400 --> 01:51:36,400 on the dance floor tonight and you wanted to show she can do it 1625 01:51:36,400 --> 01:51:40,760 independently. We want to show that we worked really hard, through the 1626 01:51:40,760 --> 01:51:46,240 pain, through the blisters, through their lifts. We couldn't have done 1627 01:51:46,240 --> 01:51:53,720 this without trust. On your own, doing everything, upside-down? 1628 01:51:53,720 --> 01:51:56,760 Congratulations! I love you so much. 1629 01:51:56,760 --> 01:51:59,760 Scores are in. 1630 01:51:59,760 --> 01:51:59,960 Scores are in. 1631 01:51:59,960 --> 01:52:01,440 Craig Revel Horwood... 1632 01:52:01,440 --> 01:52:03,080 Motsi Mabuse... 1633 01:52:03,080 --> 01:52:08,760 Shirley Ballas... 1634 01:52:08,760 --> 01:52:14,800 Anton Du Beke... 1635 01:52:21,160 --> 01:52:29,000 A total score of 36! Welcome to the party. 1636 01:52:29,000 --> 01:52:30,880 If you love to Lacey and Vito's charleston, 1637 01:52:30,880 --> 01:52:33,520 then make sure you vote for them when voting opens shortly. 1638 01:52:33,520 --> 01:52:36,400 All of our couples have now performed, which means it's time for 1639 01:52:36,400 --> 01:52:41,080 a visit from two very friendly spirits, Emma and Joshy. 1640 01:52:41,080 --> 01:52:43,240 CHEERING. 1641 01:52:43,240 --> 01:52:47,000 Trick or treat, everybody! 1642 01:52:47,000 --> 01:52:53,280 We made it to the Halloween party, guys. It looked like so much fun up 1643 01:52:53,280 --> 01:53:00,600 here! 1644 01:53:00,600 --> 01:53:04,360 here! We were jealous down there. 1645 01:53:04,360 --> 01:53:06,760 So, shall we have a look at where everybody stands 1646 01:53:06,760 --> 01:53:10,560 on the judges' leaderboard? 1647 01:53:10,560 --> 01:53:19,400 Up at the top we have Lacey and Vito with 36. At the other end, in joint 1648 01:53:19,400 --> 01:53:24,560 eighth place we have Tabby and Mark, Graeme and Lauren, Lawrence and 1649 01:53:24,560 --> 01:53:33,960 Jowita, sorry, Graeme and Lauren and Tabby and Mark with 25. There are 1650 01:53:33,960 --> 01:53:37,800 three different ties across the leaderboard. 1651 01:53:37,800 --> 01:53:40,200 So that's what the judges think, but do you agree? 1652 01:53:40,200 --> 01:53:42,840 Remember you can completely change that leaderboard and this week, your 1653 01:53:42,840 --> 01:53:44,280 vote has never been more important. 1654 01:53:44,280 --> 01:53:46,680 That's right, because as we've mentioned, tomorrow night, three of 1655 01:53:46,680 --> 01:53:53,080 these couples will face the Dance-Off. 1656 01:53:53,080 --> 01:53:55,800 Your vote will decide who. 1657 01:53:55,800 --> 01:54:00,160 So we need to hand the power over to you, and to do that we have 1658 01:54:00,160 --> 01:54:01,360 a ghost of Strictly passed. 1659 01:54:01,360 --> 01:54:06,120 And by past, I mean last week, it's Alexis! 1660 01:54:06,120 --> 01:54:08,440 Thank you! 1661 01:54:08,440 --> 01:54:10,320 The best of luck to all our couples. 1662 01:54:10,320 --> 01:54:11,520 The vote is now officially... 1663 01:54:11,520 --> 01:54:14,880 Open! 1664 01:54:14,880 --> 01:54:17,040 MUSIC: Somebody's Watching Me. 1665 01:54:17,040 --> 01:54:19,440 You can vote online by scanning the QR code on 1666 01:54:19,440 --> 01:54:21,600 your screen now or visiting bbc.co.uk/strictly where you'll find 1667 01:54:21,600 --> 01:54:25,280 the terms and privacy notice. 1668 01:54:25,280 --> 01:54:28,720 Voting closes at nine o'clock tonight. 1669 01:54:28,720 --> 01:54:32,040 Please do not try and vote if you are watching on demand. 1670 01:54:32,040 --> 01:54:35,920 Here is a reminder of all of tonight's 1671 01:54:35,920 --> 01:54:38,880 performances. 1672 01:56:10,720 --> 01:56:13,320 Congratulations to all our couples for a thrilling night in the 1673 01:56:13,320 --> 01:56:14,440 ballroom. 1674 01:56:14,440 --> 01:56:16,560 It's been an absolute scream. 1675 01:56:16,560 --> 01:56:19,080 But tomorrow, things get really scary as three of our couples 1676 01:56:19,080 --> 01:56:22,160 will find themselves in the Dance-Off. 1677 01:56:22,160 --> 01:56:24,760 If you don't want your favourites to be there, then you'll 1678 01:56:24,760 --> 01:56:26,040 need to vote for them. 1679 01:56:26,040 --> 01:56:28,640 Voting will close at nine o'clock tonight. 1680 01:56:28,640 --> 01:56:31,520 Remember, our judges will be voting for who they want to send 1681 01:56:31,520 --> 01:56:34,640 home this week, and we can now reveal that the judge with the 1682 01:56:34,640 --> 01:56:42,680 casting vote is... 1683 01:56:43,440 --> 01:56:48,640 Motsi! 1684 01:56:48,640 --> 01:56:50,680 Also, tomorrow night our pros get their fangs out 1685 01:56:50,680 --> 01:56:53,160 for a Dracula themed group performance, plus there is music 1686 01:56:53,160 --> 01:56:55,880 from Becky Hill. 1687 01:56:55,880 --> 01:56:58,760 Up next on BBC One, it's a John Bishop's Wisdom Of The 1688 01:56:58,760 --> 01:56:59,800 Crowd. 1689 01:56:59,800 --> 01:57:02,200 Make sure you join us tomorrow at 7.10pm for the 1690 01:57:02,200 --> 01:57:05,040 first ever three way Dance-Off. Until then, shall we howl at the 1691 01:57:05,040 --> 01:57:09,800 moon together? 1692 01:57:09,800 --> 01:57:17,800 ALL: Keeeeep dancing!