1 00:01:25,786 --> 00:01:27,931 - I CANNOT FIND THIS PLACE. - WHY ARE YOU TOO PROUD 2 00:01:27,955 --> 00:01:30,233 TO USE YOUR NAVIGATION SYSTEM? ASK YOURSELF THAT. 3 00:01:30,257 --> 00:01:32,657 I TRIED THE NAVIGATION, TURTLE. IT CAN'T FIND IT EITHER. 4 00:01:32,693 --> 00:01:35,806 OH, THAT'S TOO BAD 'CAUSE YOU'RE ABOUT TO MISS THE DAY'S LAST BIT OF SUN. 5 00:01:35,830 --> 00:01:37,830 JUST TELL ME WHERE TO TURN. I'M ON POPLAR. 6 00:01:37,865 --> 00:01:40,410 UH, I DON'T KNOW POPLAR. WHY DON'T YOU HEAD BACK DOWN THE HILL? 7 00:01:40,434 --> 00:01:42,345 - I'LL GIVE YOU DIRECTIONS FROM SUNSET. - I DON'T EVEN KNOW 8 00:01:42,369 --> 00:01:44,714 WHERE THE BOTTOM IS. WHY DID WE HAVE TO MOVE ALL THE WAY UP HERE ANYWAY? 9 00:01:44,738 --> 00:01:46,516 'CAUSE IT'S AN INSANE HOUSE, THAT'S WHY. 10 00:01:46,540 --> 00:01:48,373 WELL, FOR 30 G's A MONTH IT SHOULD BE. 11 00:01:48,408 --> 00:01:49,853 Oh, stop stressing about money. 12 00:01:49,877 --> 00:01:51,888 VINCE SAYS IF HE NEVER MAKES ANOTHER DOLLAR 13 00:01:51,912 --> 00:01:55,113 HIS ADVANCE CHECK FROM "CLOUDS" CAN KEEP US IN THIS HOUSE FOR 16 MONTHS. 14 00:01:55,149 --> 00:01:56,793 - 18 MONTHS. - 18 MONTHS. 15 00:01:56,817 --> 00:01:59,484 Oh, that will stop me from stressing. Okay, wait a second, 16 00:01:59,519 --> 00:02:01,631 WAIT A SECOND. I THINK I'M HEADING BACK DOWN RIGHT NOW. 17 00:02:01,655 --> 00:02:04,622 - DURAND DRIVE... DOES THAT SOUND FAMILIAR? - YEAH YEAH, TURN THERE. 18 00:02:06,493 --> 00:02:08,360 - GOD DAMN IT. - WHAT? 19 00:02:08,395 --> 00:02:10,896 SOME GIRL JUST RAN INTO ME. 20 00:02:10,931 --> 00:02:12,898 OH MY GOD, I THINK IT'S ANNA FARIS. 21 00:02:12,933 --> 00:02:15,700 - Really? - YOU KNOW WHAT? LET ME CALL YOU BACK. 22 00:02:15,736 --> 00:02:17,702 WHAT HAPPENED? 23 00:02:17,738 --> 00:02:19,972 ANNA FARIS JUST SMASHED INTO E. 24 00:02:21,842 --> 00:02:23,322 SWEET. 25 00:02:24,544 --> 00:02:27,579 - DID YOU NOT SEE ME? - OH, I AM SO SORRY. 26 00:02:27,614 --> 00:02:29,414 I JUST... I GOT DISTRACTED FOR A SECOND. 27 00:02:29,449 --> 00:02:31,016 IT'S TOTALLY MY FAULT. 28 00:02:31,051 --> 00:02:32,863 WELL, IT'S OKAY. IT WAS AN ACCIDENT. 29 00:02:32,887 --> 00:02:35,487 UM, WOULD YOU MIND NOT COMING ANY CLOSER? 30 00:02:35,522 --> 00:02:39,057 WHY? YOU THINK I'M, LIKE, SOME KIND OF A CRAZY FAN OR SOMETHING? 31 00:02:39,093 --> 00:02:41,793 NO NO, IT'S JUST THAT I'M IN A TOWEL. 32 00:02:41,828 --> 00:02:44,229 I JUST GOT DONE WITH PILATES AND I FORGOT A CHANGE. 33 00:02:44,265 --> 00:02:47,699 AND, YOU KNOW, WHO WANTS TO WEAR SWEATY CLOTHES AFTER A SHOWER? 34 00:02:47,734 --> 00:02:49,579 SO YOU DECIDED TO DRIVE HOME IN A TOWEL? 35 00:02:49,603 --> 00:02:51,414 - YEAH. IT'S A LITTLE WEIRD, HUH? - NOT WEIRD. 36 00:02:51,438 --> 00:02:54,739 IT'S JUST NOT VERY PRACTICAL IN CASE YOU GET IN AN ACCIDENT. 37 00:02:54,775 --> 00:02:58,010 YEAH. UM... SO WHAT NOW? 38 00:02:58,045 --> 00:03:01,613 WELL, I GUESS I'VE GOT TO GET YOUR INSURANCE, RIGHT? 39 00:03:01,648 --> 00:03:03,415 I DON'T HAVE MY WALLET. 40 00:03:03,450 --> 00:03:05,762 OKAY, YOU'RE JUST A MESS TODAY. 41 00:03:05,786 --> 00:03:07,752 YES. YES, 42 00:03:07,788 --> 00:03:10,389 BUT YOUR FLY IS DOWN. 43 00:03:10,424 --> 00:03:12,391 NO, IT'S NOT. 44 00:03:12,426 --> 00:03:15,660 I'M SORRY, I JUST WANTED TO TAKE SOME OF THE ATTENTION OFF ME. 45 00:03:15,695 --> 00:03:18,931 LOOK, I'M FEELING A LITTLE EXPOSED. CAN I GIVE YOU MY NUMBER? 46 00:03:18,966 --> 00:03:20,498 I'M GONNA BE HOME IN, LIKE, 10 MINUTES 47 00:03:20,534 --> 00:03:22,234 AND THEN I'LL GIVE YOU EVERYTHING YOU NEED. 48 00:03:22,269 --> 00:03:23,513 YEAH. YEAH, THAT'S COOL. 49 00:03:23,537 --> 00:03:25,448 LET ME GET MY PHONE AND GET YOUR NUMBER. 50 00:03:25,472 --> 00:03:28,273 - I'M REALLY SORRY. - THAT'S OKAY. IT'LL BE ALL RIGHT. 51 00:03:28,309 --> 00:03:30,542 WHAT TIME'S DINNER, DADDY? 52 00:03:30,577 --> 00:03:32,455 AS SOON AS I'M DONE WITH THIS SCRIPT, SWEETIE. 53 00:03:32,479 --> 00:03:34,813 - OKAY. - OH MY GOD, 54 00:03:34,848 --> 00:03:37,882 THAT IS SO FUNNY! 55 00:03:37,918 --> 00:03:41,619 NO, YOU ARE KIDDING ME. 56 00:03:41,655 --> 00:03:43,455 THAT IS SO FUNNY. 57 00:03:43,490 --> 00:03:44,968 OH MY GOD, TOO FUNNY. 58 00:03:44,992 --> 00:03:46,702 WILL YOU SHUT UP? 59 00:03:46,726 --> 00:03:50,395 OKAY THEN. UM, YES, ASAP. 60 00:03:50,431 --> 00:03:53,665 OKAY. THANK YOU SO MUCH. 61 00:03:53,700 --> 00:03:55,912 WELL, GUESS WHO THAT WAS. 62 00:03:55,936 --> 00:03:57,869 UM... LET ME SEE, 63 00:03:57,904 --> 00:04:00,405 IT WAS CARA GROSSMAN AND SHE WANTS TO KNOW 64 00:04:00,441 --> 00:04:03,153 IF SHE SHOULD SHOULD GET HER EYEBROWS WAXED FIRST OR IF YOU SHOULD. 65 00:04:03,177 --> 00:04:05,956 IT WAS MY OLD PRODUCER FROM "THE YOUNG AND THE RESTLESS." 66 00:04:05,980 --> 00:04:08,280 - WHAT DID HE WANT? - ME. 67 00:04:08,315 --> 00:04:10,048 I DON'T GET IT. 68 00:04:10,084 --> 00:04:12,562 WELL, IT'S THE 35th ANNIVERSARY OF "Y&R" 69 00:04:12,586 --> 00:04:15,631 AND THEY WANT ME TO REPRISE MY ROLE AS KENDALL SCOTT. 70 00:04:15,655 --> 00:04:17,822 ARE YOU SERIOUS? 71 00:04:17,858 --> 00:04:19,824 I AM. 72 00:04:19,860 --> 00:04:22,939 IT SEEMS THAT KENDALL STILL GETS QUITE A BIT OF FAN MAIL 73 00:04:22,963 --> 00:04:25,208 AND THE WRITERS WERE IN A BIND AND THEY'VE COME UP 74 00:04:25,232 --> 00:04:27,010 WITH A LITTLE IDEA THAT COULD WORK FOR TOMORROW. 75 00:04:27,034 --> 00:04:29,145 - I HOPE YOU TOLD THEM NO. - I TOLD THEM WE'D TALK ABOUT IT. 76 00:04:29,169 --> 00:04:31,736 WE TALKED ABOUT IT. SO YOU TELL THEM NO. 77 00:04:31,771 --> 00:04:33,616 WE HAVE NOT TALKED ABOUT IT, ARI. 78 00:04:33,640 --> 00:04:35,507 WELL, HONEY, WHAT IS THERE TO TALK ABOUT? 79 00:04:35,542 --> 00:04:38,654 I DON'T KNOW, UM... TELL ME THAT IT'S EXCITING 80 00:04:38,678 --> 00:04:40,756 AND THAT IF I DID IT, I'D BE GOOD. 81 00:04:40,780 --> 00:04:43,648 IT'S A SOAP OPERA, BABY. THERE IS NO GOOD, THERE'S JUST DEGREES OF BAD. 82 00:04:43,683 --> 00:04:46,651 WELL, THEN TELL ME THAT I WOULD BE PRETTY, 83 00:04:46,686 --> 00:04:48,498 AS PRETTY AS THE DAY I LEFT THE SHOW. 84 00:04:48,522 --> 00:04:50,188 WELL, YOU LEFT THE SHOW WHEN YOU WERE 25 85 00:04:50,224 --> 00:04:51,990 AND NOW THEY SHOOT EVERYTHING IN HIGH DEF. 86 00:04:53,460 --> 00:04:55,793 YOU ARE SUCH AN ASSHOLE! 87 00:04:55,829 --> 00:04:57,940 - COME ON, BABY. - YEAH, RIGHT. WELL, ASK ANYBODY, 88 00:04:57,964 --> 00:05:00,198 YOU'VE AGED A LOT WORSE THAN I HAVE, BABY. 89 00:05:00,234 --> 00:05:03,568 COME HERE, HONEY. WHERE ARE YOU GOING? 90 00:05:03,603 --> 00:05:05,837 - TO CALL MY PRODUCER... - FOR WHAT? 91 00:05:05,872 --> 00:05:09,107 AND TELL HIM KENDALL SCOTT, TOWN SLUT, IS BACK. 92 00:05:12,846 --> 00:05:14,913 WHAT'S UP, BOYS? 93 00:05:14,948 --> 00:05:18,308 PFFT, FOR A GUY WHO JUST GOT INTO AN ACCIDENT, YOU SEEM HAPPY. 94 00:05:19,153 --> 00:05:20,830 MAYBE HE'S GOT A HEAD INJURY. 95 00:05:20,854 --> 00:05:22,954 IT'S A FENDER-BENDER, DRAMA. I'M FINE. ARE YOU NUTS? 96 00:05:22,989 --> 00:05:25,323 WELL, I HOPE YOU DIDN'T TELL MS. FARIS THAT, 97 00:05:25,359 --> 00:05:27,103 'CAUSE WE'RE GONNA SUE THE CRAP OUT OF HER. 98 00:05:27,127 --> 00:05:29,205 WE'RE NOT SUING ANYBODY. THERE'S BARELY ANY DAMAGE. 99 00:05:29,229 --> 00:05:30,895 YEAH, VISIBLE DAMAGE, 100 00:05:30,931 --> 00:05:33,165 BUT INTERNAL DAMAGE IS A WHOLE OTHER THING. 101 00:05:33,200 --> 00:05:35,600 - LET IT GO, DRAMA. - E, COME ON, WHAT'S UP? 102 00:05:35,635 --> 00:05:37,436 I DON'T KNOW. SHE'S CUTE. 103 00:05:37,471 --> 00:05:39,438 - THAT SHE IS. - WE HAD A LITTLE MOMENT. 104 00:05:39,473 --> 00:05:41,673 - PFFT. NO SHOT. - NO WAY. 105 00:05:41,708 --> 00:05:44,576 YOU'RE NOT A MEMBER OF THE CELEB CLUB, BRO. 106 00:05:44,611 --> 00:05:46,589 - IT'LL NEVER HAPPEN. - I GOT HER NUMBER. 107 00:05:46,613 --> 00:05:49,559 I CRASHED INTO AN 80-YEAR-OLD WOMAN ONCE. SHE GAVE ME HER NUMBER TOO. 108 00:05:49,583 --> 00:05:51,361 WHATEVER. I'M CALLING. 109 00:05:51,385 --> 00:05:54,919 I BET MY LEFT NUT HE COULD NOT CLOSE ANNA FARIS. 110 00:05:54,955 --> 00:05:56,921 OH, GEE, A BET I'D LOVE TO WIN. 111 00:05:56,957 --> 00:06:00,092 - SHIT. - WHAT HAPPENED? 112 00:06:00,127 --> 00:06:02,727 SHE GAVE ME THE WRONG NUMBER. 113 00:06:02,762 --> 00:06:05,029 AW, DON'T FEEL TOO BAD, E. 114 00:06:05,065 --> 00:06:07,199 YOU'RE JUST A REGULAR PERSON, A CIVILIAN. 115 00:06:07,234 --> 00:06:09,334 TOO BAD SHE DIDN'T HIT ME. 116 00:06:09,369 --> 00:06:11,336 WE'D BE FUCKING BY NOW. 117 00:06:20,380 --> 00:06:22,325 - GOOD MORNING, ARI. - IS THAT SMIRK FOR ME 118 00:06:22,349 --> 00:06:24,315 OR ARE YOUR BEN WA BALLS SHIFTING? 119 00:06:24,351 --> 00:06:26,062 JUST WONDERING HOW YOU'RE FEELING 120 00:06:26,086 --> 00:06:28,131 ABOUT NOT BEING THE BIGGEST STAR IN YOUR HOUSE ANYMORE. 121 00:06:28,155 --> 00:06:30,188 OH, DON'T BE A WISEASS. HOW DID YOU KNOW? 122 00:06:30,223 --> 00:06:33,425 - IT'S ON DEFAMER. - YOU'RE KIDDING. 123 00:06:33,460 --> 00:06:35,638 OH, ARI, BE PROUD OF HER. 124 00:06:35,662 --> 00:06:37,140 SHE'S GONNA LIGHT UP THE SCREEN 125 00:06:37,164 --> 00:06:39,142 AND BRING A NEWFOUND EXCITEMENT TO GENOA CITY. 126 00:06:39,166 --> 00:06:41,499 - YOU WATCH THAT SHIT? - "Y&R" IS FOURTH 127 00:06:41,535 --> 00:06:43,513 ON MY TiVo SEASON PASS PRIORITY LIST. 128 00:06:43,537 --> 00:06:45,748 - I HAVEN'T MISSED AN EPISODE IN 12 YEARS. - THAT IS SO SAD. 129 00:06:45,772 --> 00:06:47,316 YOU SHOULD GO DOWN TO THE SET TODAY, ARI, 130 00:06:47,340 --> 00:06:48,951 WATCH YOUR WIFE'S WORK, BE SUPPORTIVE. 131 00:06:48,975 --> 00:06:51,209 I'VE GOT MY OWN LIFE'S WORK TO SUPPORT, LLOYD. 132 00:06:58,952 --> 00:07:00,885 LLOYD! 133 00:07:01,921 --> 00:07:04,355 WHO THE HELL IS THIS? 134 00:07:05,992 --> 00:07:08,671 THAT'S THE UNDERAGE STUDENT SHE SEDUCES... JULIO. 135 00:07:08,695 --> 00:07:10,506 IT'S NOT A GREAT PICTURE. I HAVE A BETTER ONE. 136 00:07:10,530 --> 00:07:12,075 IT'S MY SCREEN SAVER, IF YOU WANNA SEE. 137 00:07:12,099 --> 00:07:14,009 - CLEAR MY SCHEDULE. - EVEN YOUR LUNCH? 138 00:07:14,033 --> 00:07:16,513 I'M GOING TO BE EATING JULIO'S LUNCH TODAY. 139 00:07:19,005 --> 00:07:21,005 HI, JULIO. 140 00:07:21,040 --> 00:07:23,508 - I GOT IT. - GOT WHAT? 141 00:07:23,543 --> 00:07:25,776 ANNA FARIS'S ADDRESS. WAIT TILL SHE SEES ME 142 00:07:25,812 --> 00:07:27,778 SHOW UP ON HER DOORSTEP. 143 00:07:27,814 --> 00:07:30,025 WHAT? I SHOULD PAY FOR THE CAR? 144 00:07:30,049 --> 00:07:32,395 E, IS THIS REALLY ABOUT THE MONEY 145 00:07:32,419 --> 00:07:34,163 OR IS THIS ABOUT YOUR LITTLE MOMENT? 146 00:07:34,187 --> 00:07:36,954 - WE DID HAVE A MOMENT. - SHE'S AN ACTRESS. 147 00:07:36,990 --> 00:07:39,790 - SO WHAT, I'M AN IDIOT? - NO, SHE'S A GOOD ACTRESS. 148 00:07:39,826 --> 00:07:43,661 IS E STILL BITCHING ABOUT BEING BITCH-SLAPPED BY A BITCH? 149 00:07:43,696 --> 00:07:47,098 - HE'S RIGHTFULLY UPSET. - YEAH, WELL, LET IT GO. WE HAVE BIGGER PROBLEMS. 150 00:07:47,134 --> 00:07:49,645 WHAT'S THAT TURTLE? PINK DOT INSISTING ON SEEING A NOTE 151 00:07:49,669 --> 00:07:51,647 - BEFORE YOU USE VINCE'S CREDIT CARD AGAIN? - HO HO HO. 152 00:07:51,671 --> 00:07:54,484 - THEY DISCONTINUED HIS FAVORITE WEED. - OUR FAVORITE WEED, 153 00:07:54,508 --> 00:07:57,275 AND IT'S NOT DISCONTINUED, IT'S EXTINCT, GONE FOREVER. 154 00:07:57,310 --> 00:07:59,277 LIKE THE YANGTZE RIVER DOLPHIN. 155 00:07:59,312 --> 00:08:02,057 I GOTTA WAIT FOR THE CABLE GUY TODAY. HOW AM I GONNA DO THAT WITH NO WEED? 156 00:08:02,081 --> 00:08:04,093 WHY DON'T YOU PICK UP ONE OF THE OTHER 50 KINDS OF WEED 157 00:08:04,117 --> 00:08:06,962 - YOU'VE BEEN LIVING OFF FOR THE LAST 20 YEARS? - I'M TOO DISTRAUGHT. 158 00:08:06,986 --> 00:08:09,365 TURTLE, WHAT IF I WAS TO TELL YOU THAT I HAVE A SECRET STASH 159 00:08:09,389 --> 00:08:11,889 OF THE MOST-RECENTLY-EXTINCT AURORA BOREALIS 160 00:08:11,924 --> 00:08:13,724 IN A BOX IN THE LIVING ROOM? 161 00:08:13,760 --> 00:08:15,571 I WOULD SAY IF I WASN'T WORRIED ABOUT APPEARANCES, 162 00:08:15,595 --> 00:08:17,340 I WOULD KISS YOU RIGHT NOW, VIN. HOW MUCH YOU GOT? 163 00:08:17,364 --> 00:08:19,642 ENOUGH TO MAKE WAITING FOR THE CABLE GUY TOLERABLE. 164 00:08:19,666 --> 00:08:21,299 FANTASTIC. 165 00:08:21,334 --> 00:08:22,978 YOU KNOW WHAT? MAYBE I'LL STICK AROUND, 166 00:08:23,002 --> 00:08:25,381 COOK US A NICE LUNCHTIME FEAST. YOU DO THE SHOPPING. 167 00:08:25,405 --> 00:08:27,272 IF I PICK THE MENU. 168 00:08:27,307 --> 00:08:29,285 DONE. YOU IN, E? 169 00:08:29,309 --> 00:08:30,975 I CAN'T. GOT TOO MUCH STUFF TO DO TODAY. 170 00:08:31,010 --> 00:08:32,843 I'LL SEE YOU GUYS LATER. 171 00:08:32,879 --> 00:08:35,213 WHAT'S HE GOTTA DO? 172 00:08:35,248 --> 00:08:37,682 I REALLY MISS THIS LOVELY CANVAS. 173 00:08:37,717 --> 00:08:39,895 OH, WELL, I HOPE I DON'T DISAPPOINT, STEVEN. 174 00:08:39,919 --> 00:08:41,819 IT'S REALLY NERVE-WRACKING 175 00:08:41,854 --> 00:08:44,133 WHEN YOU HAVEN'T BEEN IN FRONT OF THE CAMERA FOR SO LONG. 176 00:08:44,157 --> 00:08:47,758 DON'T WORRY. YOU LOOK AS GOOD AS EVER AND YOU WILL BE FANTASTIC. 177 00:08:47,794 --> 00:08:50,328 SURPRISE, HONEY. YOUR HUSBAND HAS ARRIVED. 178 00:08:50,363 --> 00:08:52,230 ARI, WHAT ARE YOU DOING HERE? 179 00:08:52,265 --> 00:08:54,432 WELL, I WANTED TO SEE YOUR WORK. 180 00:08:54,467 --> 00:08:56,712 I WANTED TO BE THE SUPPORTIVE HUSBAND AND MEET YOUR COLLEAGUES. 181 00:08:56,736 --> 00:08:58,581 HELLO, HOW ARE YOU? ARI GOLD. NICE TO MEET YOU. 182 00:08:58,605 --> 00:09:00,316 I AM THE MAN BEHIND THIS BEAUTIFUL WOMAN. 183 00:09:00,340 --> 00:09:02,640 YOUR WIFE HAS THE MOST AMAZING SKIN. 184 00:09:02,676 --> 00:09:04,775 - SHE DOES, DOESN'T SHE? - UH, STEVEN, 185 00:09:04,811 --> 00:09:07,512 DO YOU THINK YOU COULD GIVE US JUST A COUPLE SECONDS? 186 00:09:07,547 --> 00:09:09,814 UH-HUH, SURE. WHATEVER YOU NEED. 187 00:09:09,849 --> 00:09:11,649 OKAY. 188 00:09:11,685 --> 00:09:13,962 - ARI, REALLY, WHAT ARE YOU DOING HERE? - I HEARD ABOUT YOUR SCENE. 189 00:09:13,986 --> 00:09:16,465 OH, COME ON, IT'S A SOAP. WHAT DID YOU THINK I WAS GONNA BE DOING? 190 00:09:16,489 --> 00:09:18,723 I DON'T KNOW, DISCOVERING THAT YOUR HUSBAND 191 00:09:18,758 --> 00:09:21,092 IS REALLY YOUR LONG-LOST TRANNY COUSIN? 192 00:09:21,127 --> 00:09:22,760 WHO GIVES A SHIT? ALL I KNOW IS 193 00:09:22,795 --> 00:09:25,062 I DON'T WANT ANOTHER MAN'S LIPS ON MY WIFE. 194 00:09:25,098 --> 00:09:27,109 - IT'S BARELY A KISS. - AND HOW ARE YOUR KIDS 195 00:09:27,133 --> 00:09:28,899 GOING TO EXPLAIN THAT IN SCHOOL 196 00:09:28,935 --> 00:09:30,901 WHEN PEOPLE ASK WHY THEIR MOMMY 197 00:09:30,937 --> 00:09:33,304 IS ON TV BARELY KISSING JUAN VALDEZ? 198 00:09:33,340 --> 00:09:36,274 SARAH'S BEST FRIEND'S MOTHER JUST GOT RAPED ON "CRIMINAL MINDS" LAST WEEK. 199 00:09:36,309 --> 00:09:39,344 A... RAPE IS INVOLUNTARY AND B... IT'S PRIME TIME. 200 00:09:39,379 --> 00:09:41,346 - YOU ARE SUCH AN ASSHOLE. - BABY, 201 00:09:41,381 --> 00:09:43,292 YOU'RE 30 MINUTES AWAY FROM GETTING IT ON 202 00:09:43,316 --> 00:09:45,094 WITH A 19-YEAR-OLD LATIN BULLFIGHTER 203 00:09:45,118 --> 00:09:47,952 AND I PASS ON HOT PIECES OF ASS 204 00:09:47,987 --> 00:09:50,199 THAT THROW THEMSELVES AT ME ALL DAY EVERY DAY 205 00:09:50,223 --> 00:09:53,168 WITHOUT SO MUCH AS A CUPPING OF AN ASS CHEEK. 206 00:09:53,192 --> 00:09:55,304 YOU KNOW WHAT? I'LL TELL YOU, IF YOU CAN GET ONE OF THEM 207 00:09:55,328 --> 00:09:57,773 TO FUCK YOU ON NATIONAL TELEVISION, YOU HAVE MY BLESSING. 208 00:09:57,797 --> 00:09:59,764 ARI, GO BACK TO WORK. 209 00:09:59,799 --> 00:10:02,433 BABY, WE AGREED TO SUFFER THROUGH MONOGAMY TOGETHER. 210 00:10:02,469 --> 00:10:04,636 IF YOU LOVE ME, YOU WON'T DO IT! 211 00:10:04,671 --> 00:10:07,082 IF YOU LOVE ME, YOU WILL GET THE HELL OUT OF HERE. 212 00:10:07,106 --> 00:10:08,917 SERIOUSLY, ARI, YOU ARE PISSING ME OFF. 213 00:10:08,941 --> 00:10:10,675 GO BACK TO WORK. 214 00:10:26,058 --> 00:10:27,925 - HELLO? - ANNA. 215 00:10:27,960 --> 00:10:31,462 - YEAH, WHO'S THIS? - THE GUY YOU SMASHED INTO LAST NIGHT. 216 00:10:31,498 --> 00:10:35,366 OH MY GOD, I AM SO SORRY I GAVE YOU THE WRONG PHONE NUMBER. 217 00:10:35,402 --> 00:10:38,536 - YEAH, YOU DID. - OH, IT WAS A TOTAL ACCIDENT. 218 00:10:38,571 --> 00:10:40,705 - ANOTHER ONE? - Hey, um... 219 00:10:40,740 --> 00:10:42,873 HOW DID YOU FIND MY HOUSE? 220 00:10:42,909 --> 00:10:45,343 - STAR MAPS. - RIGHT. 221 00:10:45,378 --> 00:10:48,145 SO ARE YOU, LIKE, HERE TO BEAT ME UP? 222 00:10:48,181 --> 00:10:50,715 - NO. - 'Cause you do realize 223 00:10:50,750 --> 00:10:53,228 IT'S A LITTLE NUTTY TRACKING ME DOWN LIKE THIS, RIGHT? 224 00:10:53,252 --> 00:10:55,687 IF YOU DIDN'T LOOK SO HARMLESS, I'D BE WORRIED. 225 00:10:55,722 --> 00:10:57,855 - I LOOK HARMLESS? - YEAH, THAT'S A GOOD THING. 226 00:10:57,890 --> 00:10:59,902 I'm in the business. I manage Vincent Chase. 227 00:10:59,926 --> 00:11:02,037 I'M NOT A CRAZY PERSON. I'M JUST A LITTLE PISSED OFF. 228 00:11:02,061 --> 00:11:03,806 I MEAN, YOU BLEW OFF THE ACCIDENT. 229 00:11:03,830 --> 00:11:06,241 LOOK, IF I CAN JUST GET YOUR INSURANCE INFO, THAT'D BE GREAT. 230 00:11:06,265 --> 00:11:08,800 YEAH. OKAY, COME IN. 231 00:11:08,835 --> 00:11:10,802 THANK YOU. 232 00:11:16,810 --> 00:11:19,344 I SWEAR I DIDN'T DO IT ON PURPOSE. 233 00:11:19,379 --> 00:11:22,847 THE PHONE IS NEW AND I'M JUST TOTALLY NUMBER DYSLEXIC. 234 00:11:22,882 --> 00:11:25,249 3253, 2353... 235 00:11:25,284 --> 00:11:27,463 MY BRAIN JUST CAN'T PROCESS THE DIFFERENCE. 236 00:11:27,487 --> 00:11:29,520 WELL, I'M SORRY TO JUST SHOW UP LIKE THIS. 237 00:11:29,556 --> 00:11:32,234 NO, LISTEN, I'M CRAZY ENOUGH TO DO THE SAME THING. 238 00:11:32,258 --> 00:11:34,737 IN HIGH SCHOOL SOMEONE PUT GUM ON MY LOCKER ONCE 239 00:11:34,761 --> 00:11:37,039 AND I SPENT THREE WEEKS TRYING TO TRACK DOWN WHO IT WAS. 240 00:11:37,063 --> 00:11:38,162 WHAT HAPPENED? 241 00:11:38,197 --> 00:11:40,698 UH, I GOT MY ASS KICKED BY JANE NEVINS, 242 00:11:40,734 --> 00:11:43,000 THE 300-LB RESIDENT SCHOOL LUNATIC. 243 00:11:43,035 --> 00:11:45,436 SO SHOULD WE DO THIS? 244 00:11:45,472 --> 00:11:48,072 - YEAH. - OKAY, HERE'S MINE. 245 00:11:48,107 --> 00:11:50,775 THERE'S MY STUFF RIGHT THERE. 246 00:11:50,810 --> 00:11:52,988 SO IS YOUR CAR TOTALLY SCREWED UP? 247 00:11:53,012 --> 00:11:55,946 UH, NOT TOO BAD, ACTUALLY. YOURS? 248 00:11:55,982 --> 00:11:58,583 COMPLETELY. I DID SOMETHING TO THE WHEELS. 249 00:11:58,618 --> 00:12:00,785 YOU KNOW, I GUESS IT'S WHAT I DESERVE. 250 00:12:00,820 --> 00:12:03,087 YEAH, I'VE BEEN WAITING 40 MINUTES FOR A CAB 251 00:12:03,122 --> 00:12:05,089 TO TAKE ME TO A MEETING. I AM SO LATE. 252 00:12:05,124 --> 00:12:07,091 I CAN GIVE YOU A LIFT. 253 00:12:07,126 --> 00:12:09,126 REALLY? YOU'D DO THAT? 254 00:12:09,161 --> 00:12:12,307 - I PROBABLY SHOULD HAVE ASKED HOW FAR FIRST. - OH NO, IT'S REALLY CLOSE. 255 00:12:12,331 --> 00:12:15,143 - NO PROBLEM THEN. - OKAY, I'M GONNA GO GRAB MY STUFF. 256 00:12:15,167 --> 00:12:17,134 OKAY. 257 00:12:24,911 --> 00:12:28,813 - THIS IS NICE. - YEAH. YEAH. 258 00:12:28,848 --> 00:12:32,483 WE DON'T GET TOO MUCH ALONE TIME, JUST YOU AND ME, BRO. 259 00:12:32,519 --> 00:12:34,886 YEAH. 260 00:12:40,860 --> 00:12:42,493 SO WHAT DO YOU WANT TO DO? 261 00:12:44,798 --> 00:12:46,931 WELL, WE GOT NO TV. 262 00:12:48,100 --> 00:12:50,735 - WANNA TALK? - SURE. 263 00:12:55,308 --> 00:12:57,141 I GOT NOTHIN'. 264 00:12:57,176 --> 00:12:59,777 YEAH, ME NEITHER. YOU WANNA SMOKE? 265 00:12:59,813 --> 00:13:01,446 WE PROMISED TURTLE WE'D WAIT. 266 00:13:01,481 --> 00:13:04,161 - I WON'T TELL IF YOU DON'T. - SPARK IT UP. 267 00:13:05,685 --> 00:13:07,652 OH, YEAH. 268 00:13:15,127 --> 00:13:17,562 THE LITTLE BASTARD TOOK IT ALL. 269 00:13:20,667 --> 00:13:23,512 I WAS RIGHT TO TAKE IT, 'CAUSE YOU GUYS CANNOT CONTROL YOURSELVES. 270 00:13:23,536 --> 00:13:25,681 WHEN ARE YOU BRINGING IT BACK? VINCE IS BORED. 271 00:13:25,705 --> 00:13:27,182 I'LL BE HOME SOON. RELAX. 272 00:13:27,206 --> 00:13:28,940 YOU'D BETTER NOT SMOKE ANY OF THAT 273 00:13:28,975 --> 00:13:30,942 BEFORE YOU GET BACK, TURTLE. 274 00:13:30,977 --> 00:13:33,644 DID YOU HEAR THAT? VINCE FEELS VIOLATED. 275 00:13:33,680 --> 00:13:35,925 OH, PLEASE. I WOULD HAVE COME HOME TO NOTHING BUT STEMS 276 00:13:35,949 --> 00:13:37,927 IF I LEFT IT WITH YOU TWO DEGENERATES. 277 00:13:37,951 --> 00:13:41,063 EXCUSE ME. HEY, I ONLY HAVE A FEW THINGS. 278 00:13:41,087 --> 00:13:42,698 WOULD YOU MIND IF I WENT AHEAD OF YOU? 279 00:13:42,722 --> 00:13:44,388 I'LL CALL YOU BACK. 280 00:13:44,423 --> 00:13:46,991 UH, SURE, YEAH, I'LL LET YOU GO, 281 00:13:47,026 --> 00:13:49,627 BUT IF YOUR BOYFRIEND COMES RUNNING UP HERE WITH 20 MORE ITEMS, 282 00:13:49,662 --> 00:13:51,863 - I'M GONNA BE PISSED. - I DON'T HAVE A BOYFRIEND. 283 00:13:51,898 --> 00:13:53,865 THEN BY ALL MEANS. 284 00:13:53,900 --> 00:13:55,867 THANKS. 285 00:13:55,902 --> 00:13:57,568 Turtle: HEALTHY LIVING. 286 00:13:57,604 --> 00:14:00,783 YEAH, ME AND MY FRIEND ARE HAVING A LITTLE MIDDAY FIESTA. 287 00:14:00,807 --> 00:14:03,140 HEY, YOU KNOW WHAT? ME AND MY FRIENDS ARE HAVING ONE TOO. 288 00:14:03,175 --> 00:14:05,042 MAYBE WE SHOULD, UH, COMBINE PARTIES. 289 00:14:05,077 --> 00:14:07,211 - I DON'T THINK SO. - OH, COME ON. 290 00:14:07,246 --> 00:14:09,157 I GUARANTEE YOU OUR PARTY WILL BE BETTER THAN YOURS. 291 00:14:09,181 --> 00:14:10,748 OH, YEAH? WHY? 292 00:14:10,783 --> 00:14:12,550 'CAUSE IT'S AT VINCENT CHASE'S HOUSE. 293 00:14:12,585 --> 00:14:14,552 REALLY? 294 00:14:20,459 --> 00:14:22,092 - JAVIER. - YES? 295 00:14:22,128 --> 00:14:24,762 ARI GOLD. DO YOU KNOW ME? 296 00:14:24,797 --> 00:14:27,543 OH, YES YES, I KNOW OF YOU. 297 00:14:27,567 --> 00:14:29,845 I'D SHAKE YOUR HAND, BUT I JUST USED MY COCOA BUTTER. 298 00:14:29,869 --> 00:14:31,780 ARE YOU INTERESTED IN REPRESENTING ME? 299 00:14:31,804 --> 00:14:34,304 I MAY BE. I MAY BE, 300 00:14:34,340 --> 00:14:36,273 BUT RIGHT NOW I'M INTERESTED 301 00:14:36,308 --> 00:14:38,375 IN TALKING TO YOU ABOUT YOUR SCENE TODAY. 302 00:14:38,411 --> 00:14:39,922 SCENE? I HAVE MANY SCENES. 303 00:14:39,946 --> 00:14:42,024 THERE'S ONLY ONE SCENE THAT I WANNA TALK TO YOU ABOUT. 304 00:14:42,048 --> 00:14:44,459 - WHICH ONE IS THAT? - IT'S THE ONE WITH MRS. GOLD. 305 00:14:44,483 --> 00:14:47,518 - MRS. GOLD? - YEAH, MY WIFE. 306 00:14:47,554 --> 00:14:50,254 - SHE PLAYS KENDALL SCOTT. - OH, KENDALL SCOTT. 307 00:14:50,289 --> 00:14:52,590 I'M SORRY, I ONLY KNOW CHARACTER NAMES. 308 00:14:52,625 --> 00:14:54,091 I'M A METHOD ACTOR. 309 00:14:54,126 --> 00:14:56,093 MM, WELL, UH... AHEM... 310 00:14:56,128 --> 00:14:58,407 YOU'RE SUPPOSED TO KISS HER ON THE MOUTH. 311 00:14:58,431 --> 00:15:00,932 - JUST ACTING. - DON'T. 312 00:15:00,967 --> 00:15:02,945 MR. GOLD, THE SCRIPT SAYS THAT I HAVE TO. 313 00:15:02,969 --> 00:15:05,436 LOOK, JAVIER, I CAN HELP YOU, OKAY? 314 00:15:05,471 --> 00:15:07,449 YOU DON'T WANT TO SPEND THE REST OF YOUR LIFE 315 00:15:07,473 --> 00:15:11,042 HAVING FAT MIDDLE-AGED WOMEN AND ODD HOMOSEXUAL MEN 316 00:15:11,077 --> 00:15:13,422 GETTING OFF TO YOUR WORK, DO YOU? YOU HAVE BIGGER DREAMS, 317 00:15:13,446 --> 00:15:15,846 I'M SURE, AND LET ME TELL YOU, 318 00:15:15,882 --> 00:15:18,182 AS ANYONE IN THIS TOWN CAN TELL YOU, 319 00:15:18,217 --> 00:15:20,417 I AM A DREAM WEAVER, ALL RIGHT? 320 00:15:20,453 --> 00:15:22,064 SO YOU FOCUS ON WHAT I'M SAYING 321 00:15:22,088 --> 00:15:24,399 AND I WILL HAVE YOU KISSING UGLY BETTY BY CHRISTMAS, 322 00:15:24,423 --> 00:15:27,543 BUT NOBODY GETS TO KISS MY WIFE, NOBODY BUT ME. 323 00:15:28,327 --> 00:15:30,294 OH, THIS IS NICE. 324 00:15:30,329 --> 00:15:32,697 I CAN GET USED TO HAVING A PERSONAL DRIVER. 325 00:15:32,732 --> 00:15:35,343 WELL, I MIGHT HAVE TO TAKE THE JOB JUST TO KEEP THE ROADS SAFE... 326 00:15:35,367 --> 00:15:38,135 - OH! - WITH YOU DRIVING, YES. 327 00:15:38,170 --> 00:15:40,170 YOU KNOW, YOU DID STOP SHORT. 328 00:15:40,206 --> 00:15:42,084 WHAT ARE YOU TALKING ABOUT? WHEN YOU ARE THE PERSON 329 00:15:42,108 --> 00:15:44,319 THAT CRASHES INTO ANOTHER PERSON, IT'S ALWAYS YOUR FAULT. 330 00:15:44,343 --> 00:15:47,189 - THAT'S COMMON KNOWLEDGE. EVERYBODY KNOWS THAT. - YEAH, I KNOW... 331 00:15:47,213 --> 00:15:49,179 BUT YOU DID STOP SHORT. 332 00:15:49,215 --> 00:15:51,616 A LITTLE BIT. BUT STILL, YOUR FAULT. 333 00:15:51,651 --> 00:15:53,629 SO WHERE AM I TAKING YOU ANYWAY? 334 00:15:53,653 --> 00:15:55,620 OH, I'VE GOT THIS MEETING WITH A DIRECTOR 335 00:15:55,655 --> 00:15:58,067 - FOR THIS MOVIE I'M GONNA DO. - OH YEAH? WHAT MOVIE? 336 00:15:58,091 --> 00:16:00,069 - "BROWN-EYED GIRL." - OKAY, I'VE READ THAT. 337 00:16:00,093 --> 00:16:02,627 THEY SENT IT OVER FOR VINCE A WAYS BACK. 338 00:16:02,662 --> 00:16:04,394 SO WHAT HAPPENED? YOU DIDN'T LIKE IT? 339 00:16:04,430 --> 00:16:06,396 NO, NOT FOR VINCE. 340 00:16:06,432 --> 00:16:08,833 DO YOU LIKE IT FOR ME? 341 00:16:08,868 --> 00:16:11,146 I MEAN, I DON'T KNOW. I READ IT FOR VINCE. 342 00:16:11,170 --> 00:16:13,370 NICE SAVE. 343 00:16:13,405 --> 00:16:16,051 NO, SERIOUSLY, IT WAS A LONG TIME AGO. 344 00:16:16,075 --> 00:16:18,120 I DON'T EVEN REMEMBER SPECIFICS. SO IS THIS IT? 345 00:16:18,144 --> 00:16:20,645 YEAH. UM... LOOK, CAN YOU PLEASE 346 00:16:20,680 --> 00:16:23,025 BE HONEST WITH ME AND TELL ME WHAT YOU THOUGHT OF THE SCRIPT? 347 00:16:23,049 --> 00:16:24,860 WHAT DOES IT MATTER WHAT I THINK? 348 00:16:24,884 --> 00:16:27,451 WELL, BECAUSE NOW I'VE GOTTA GO INTO THIS MEETING 349 00:16:27,486 --> 00:16:29,520 AND YOU'RE ALL IN MY HEAD AND... 350 00:16:29,555 --> 00:16:31,355 JUST HUMOR ME. I CAN TAKE IT. 351 00:16:31,390 --> 00:16:34,202 OKAY. ALL RIGHT, LOOK, I DIDN'T LIKE IT. 352 00:16:34,226 --> 00:16:36,538 I MEAN, IF IT WERE JUST A REGULAR ROMANTIC COMEDY, 353 00:16:36,562 --> 00:16:39,508 I'D GO, "OKAY, IT'S CUTE." BUT IT'S NOT. IT TRIES TO BE SO MUCH MORE. 354 00:16:39,532 --> 00:16:41,409 ALL RIGHT? WHEN MOVIES DO THAT, I DON'T KNOW, 355 00:16:41,433 --> 00:16:43,078 IT JUST... IT PISSES ME OFF. 356 00:16:43,102 --> 00:16:45,014 ALL RIGHT, LOOK, THE THIRD ACT... WHEN IT LOOKS LIKE 357 00:16:45,038 --> 00:16:46,949 THEY'RE GONNA GET BACK TOGETHER AND ALL OF A SUDDEN 358 00:16:46,973 --> 00:16:49,051 SHE'S TAKING OFF TO START AN ORGANIC DOG FOOD COMPANY? 359 00:16:49,075 --> 00:16:51,553 I MEAN, COME ON. IT JUST FELT BROAD AND MANIPULATIVE 360 00:16:51,577 --> 00:16:53,221 AND JUST... I DON'T KNOW, I DIDN'T BUY IT. 361 00:16:53,245 --> 00:16:56,246 YOU REALLY FORGOT THE SPECIFICS, HUH? 362 00:16:56,282 --> 00:16:59,283 - WAS THAT JUST WAY TOO HONEST? - NO NO NO NO. 363 00:16:59,318 --> 00:17:02,252 NO, I APPRECIATE IT. AND I REALLY APPRECIATE THE RIDE. 364 00:17:02,288 --> 00:17:04,088 - THANK YOU. - YOU'RE WELCOME. 365 00:17:04,123 --> 00:17:06,256 SO I GUESS OUR INSURANCE PEOPLE WILL TALK? 366 00:17:06,292 --> 00:17:07,636 YEAH. YEAH, I GUESS. 367 00:17:07,660 --> 00:17:09,359 OKAY, IT WAS NICE MEETING YOU. 368 00:17:09,395 --> 00:17:11,696 NICE MEETING YOU. GOOD LUCK ON YOUR MEETING. 369 00:17:11,731 --> 00:17:13,564 - THANK YOU. BYE. - BYE. 370 00:17:17,136 --> 00:17:20,437 SO WHEN DO WE GET TO SMOKE SOME OF THIS ALLEGEDLY EXTINCT WEED? 371 00:17:20,472 --> 00:17:22,450 WHEN WE GET BACK TO THE HOUSE. 372 00:17:22,474 --> 00:17:24,987 - WHY CAN'T WE JUST SMOKE SOME NOW? - 'CAUSE I PROMISED MY FRIENDS 373 00:17:25,011 --> 00:17:26,288 I WOULDN'T SMOKE IT WITHOUT THEM. 374 00:17:26,312 --> 00:17:27,945 THAT'S KIND OF GAY. 375 00:17:27,980 --> 00:17:30,092 I THOUGHT YOU WERE GONNA BRING TWO FRIENDS AS HOT AS YOU. 376 00:17:30,116 --> 00:17:31,682 STOP. SHE'S COOL. 377 00:17:31,718 --> 00:17:33,962 - WHAT'S HE SAYING ABOUT ME UP THERE? - NOTHING. 378 00:17:33,986 --> 00:17:36,353 - CAN WE AT LEAST SMELL IT? - YOU CAN, 'CAUSE YOU'RE HOT. 379 00:17:36,388 --> 00:17:38,122 OH, EAT ME. 380 00:17:38,157 --> 00:17:40,635 NOT EVEN IF YOU BATHE YOURSELF IN BUTTERSCOTCH, SWEETHEART. 381 00:17:40,659 --> 00:17:42,259 THAT SMELLS GOOD. 382 00:17:42,294 --> 00:17:44,272 JUST PASS THE BOWL BACK AND LET US TAKE ONE HIT. 383 00:17:44,296 --> 00:17:46,208 PUT THE CAP BACK ON, PASS IT UP AND SHUT UP. 384 00:17:46,232 --> 00:17:47,475 - TURTLE! - STOP SIGN! 385 00:17:47,499 --> 00:17:50,334 OH, SHIT. 386 00:17:52,671 --> 00:17:54,138 OH, GREAT GREAT. 387 00:17:54,173 --> 00:17:56,140 WAY TO GO, RETARD. 388 00:18:05,852 --> 00:18:07,818 HELLO, OFFICER. 389 00:18:07,854 --> 00:18:10,187 LICENSE, REGISTRATION, PLEASE. 390 00:18:10,223 --> 00:18:13,224 IT'S IN HERE. I'M GONNA REACH FOR IT SLOW. 391 00:18:13,259 --> 00:18:15,926 WHAT'S THAT SMELL? 392 00:18:17,696 --> 00:18:19,674 Man: BRING IT IN, BRING IT IN. RIGHT THERE. 393 00:18:19,698 --> 00:18:21,176 Director: AND ACTION! 394 00:18:21,200 --> 00:18:24,001 - MISS KENDALL. - COME ON, JULIO, 395 00:18:24,036 --> 00:18:26,514 YOU CAN'T HONESTLY CALL ME THAT WITH A STRAIGHT FACE 396 00:18:26,538 --> 00:18:28,516 NOW THAT YOU'RE ALL GROWN UP. 397 00:18:28,540 --> 00:18:32,709 I'M SORRY. YOU LOOK AMAZING. 398 00:18:32,745 --> 00:18:34,711 MISS KENDALL, YOU WERE MY BABYSITTER. 399 00:18:34,747 --> 00:18:37,614 YOU'RE NOT A BABY ANYMORE. 400 00:18:37,650 --> 00:18:40,184 AND NOW THAT WE'RE BOTH ADULTS, 401 00:18:40,219 --> 00:18:43,453 I THOUGHT WE COULD CATCH UP LIKE ADULTS. 402 00:18:43,489 --> 00:18:45,790 - MISS KENDALL... - JULIO, 403 00:18:45,825 --> 00:18:47,792 WHAT WOULD YOU DO TO ME 404 00:18:47,827 --> 00:18:50,027 IF I LET YOU DO ANYTHING 405 00:18:50,062 --> 00:18:52,797 AND IF I PROMISED NEVER TO TELL YOUR UNCLE JUAN? 406 00:18:52,832 --> 00:18:55,833 JULIO, TELL ME, WHAT WOULD YOU DO? 407 00:18:55,868 --> 00:18:59,036 I WOULD DO... 408 00:18:59,071 --> 00:19:01,038 THIS. 409 00:19:01,073 --> 00:19:02,717 Director: CUT! 410 00:19:02,741 --> 00:19:04,753 WHAT THE FUCK WAS THAT? YOU'RE SUPPOSED TO KISS HER. 411 00:19:04,777 --> 00:19:07,311 I THOUGHT IT WAS A LITTLE BIT MORE ROMANTIC. 412 00:19:07,346 --> 00:19:09,557 - IT'S NOT. LET'S DO IT AGAIN. - I'D RATHER NOT. 413 00:19:09,581 --> 00:19:12,016 YOU'D RATHER NOT WHAT? 414 00:19:12,051 --> 00:19:13,528 I'D RATHER NOT KISS HER. 415 00:19:13,552 --> 00:19:15,330 WHAT IS THE PROBLEM HERE? 416 00:19:15,354 --> 00:19:17,487 I'M SORRY, IS IT ME? AM I DOING SOMETHING WRONG? 417 00:19:17,523 --> 00:19:20,157 NO NO NO, IT'S NOT YOU. YOU'RE AN INCREDIBLE WOMAN. 418 00:19:20,193 --> 00:19:22,159 SO WHAT THEN? 419 00:19:22,195 --> 00:19:24,695 IT'S HIM. 420 00:19:26,065 --> 00:19:28,765 HE THREATENED MY CAREER AND HE PROMISED ME "UGLY BETTY." 421 00:19:28,801 --> 00:19:30,767 I WILL BE RIGHT BACK. 422 00:19:32,805 --> 00:19:35,150 - UH, YOU ARE INTERFERING WITH MY WORK. - BABY, COME ON. 423 00:19:35,174 --> 00:19:37,719 HONEY, NO MATTER WHAT YOU SAY OR DO, HE'S NOT GONNA KISS YOU. 424 00:19:37,743 --> 00:19:39,621 - OH, REALLY? - NO, IT'S NOT GONNA HAPPEN, HONEY. 425 00:19:39,645 --> 00:19:41,611 YOU REALLY THINK THAT? OKAY. 426 00:19:53,025 --> 00:19:56,260 I KISSED HIM. IT'S DONE. LET'S SHOOT THIS. 427 00:19:56,295 --> 00:19:58,829 AGH! 428 00:19:58,865 --> 00:20:02,166 YOU DON'T LOOK LIKE YOU HAVE GLAUCOMA TO ME. 429 00:20:02,201 --> 00:20:03,846 - WHAT'S HE SAYING TO HIM? - I DON'T KNOW, 430 00:20:03,870 --> 00:20:05,747 BUT CAN HE ARREST ALL OF US FOR THIS? 431 00:20:05,771 --> 00:20:07,872 I'M TELLING HIM HE KIDNAPPED US IF HE TRIES. 432 00:20:07,907 --> 00:20:10,385 OFFICER, PLEASE. WE PURCHASED THAT WEED LEGALLY. 433 00:20:10,409 --> 00:20:12,554 - WE WEREN'T GONNA SMOKE IT. - SON, I DON'T WANT TO HEAR 434 00:20:12,578 --> 00:20:15,246 ANOTHER SYLLABLE OUT OF YOU UNLESS I ASK YOU A QUESTION. 435 00:20:16,916 --> 00:20:19,549 NOW IT SAYS YOUR TRUCK IS REGISTERED TO VINCENT CHASE. 436 00:20:19,585 --> 00:20:22,953 YEAH, I'M SORT OF HIS DRIVER. ARE YOU A FAN? 437 00:20:22,989 --> 00:20:25,722 AND IF I THROW YOU IN JAIL, WHO'S GONNA DRIVE YOUR MOVIE STAR DOWN 438 00:20:25,758 --> 00:20:28,558 - TO BAIL YOU OUT? - I DON'T KNOW, SIR, BUT PLEASE... 439 00:20:28,594 --> 00:20:30,294 - GET DOWN ON YOUR KNEES! - WHAT? 440 00:20:30,329 --> 00:20:32,296 DOWN! NOW! 441 00:20:32,331 --> 00:20:34,977 - FLAT ON YOUR STOMACH! - ARE YOU GONNA SHOOT ME RIGHT NOW? 442 00:20:35,001 --> 00:20:36,967 NO. 443 00:20:40,439 --> 00:20:42,406 DROP IT IN THE SEWER. 444 00:20:49,748 --> 00:20:52,216 NOW GET IN YOUR CAR AND GET OUT OF HERE. 445 00:20:52,251 --> 00:20:53,583 I CAN GO? 446 00:20:53,619 --> 00:20:55,663 BETTER MAKE IT QUICK BEFORE I CHANGE MY MIND. 447 00:20:55,687 --> 00:20:57,665 THANK YOU, OFFICER. THANK YOU. 448 00:21:00,026 --> 00:21:02,893 - WHAT HAPPENED? - ARE YOU OKAY? 449 00:21:02,929 --> 00:21:05,007 HE MADE ME THROW THE WEED DOWN THE SEWER. 450 00:21:05,031 --> 00:21:07,009 OH, BET YOUR FRIENDS ARE GONNA BE PISSED. 451 00:21:07,033 --> 00:21:10,067 CAN I TAPE YOUR MOUTH SHUT IF YOU'RE WRONG? 452 00:21:11,103 --> 00:21:13,270 WHAT... WHAT ARE YOU DOING? 453 00:21:15,341 --> 00:21:17,581 WHAT? 454 00:21:20,313 --> 00:21:22,633 I DON'T BELIEVE THIS GUY. 455 00:21:23,715 --> 00:21:25,682 WHAT IS HE DOING? 456 00:21:29,221 --> 00:21:30,754 HOW? 457 00:21:30,789 --> 00:21:32,722 PUT IT ON THE LEDGE. 458 00:21:32,758 --> 00:21:35,692 - WOW, EVEN I'M IMPRESSED. - YAY! 459 00:21:40,232 --> 00:21:43,701 NEVER TELL AN ACTRESS YOU DON'T LIKE HER WORK, E. 460 00:21:43,736 --> 00:21:46,448 OR AN ACTOR FOR THAT MATTER. IT HURTS. 461 00:21:46,472 --> 00:21:48,306 I KNOW. I'M AN IDIOT. 462 00:21:48,341 --> 00:21:51,141 DON'T FEEL TOO BAD. YOU WERE NEVER GONNA GET HER ANYWAY. 463 00:21:51,177 --> 00:21:53,155 OH, THANKS, DRAMA. I FEEL MUCH BETTER NOW. 464 00:21:56,148 --> 00:21:58,115 ANNA. 465 00:21:58,150 --> 00:22:00,384 - HELLO. - HEY, ERIC, IT'S ANNA. 466 00:22:00,420 --> 00:22:03,721 - HEY. - LISTEN, I FELT LIKE WE GOT CUT OFF TODAY. 467 00:22:03,756 --> 00:22:05,801 WOULD YOU LIKE TO HAVE DINNER WITH ME TONIGHT? 468 00:22:05,825 --> 00:22:08,426 YES, SURE. SOUNDS GREAT. 469 00:22:08,461 --> 00:22:11,495 - I can take a cab or... - NO, I'LL PICK YOU UP. 470 00:22:11,531 --> 00:22:13,364 - GREAT. HOW'S 8:00? - PERFECT. 471 00:22:13,399 --> 00:22:15,533 - All right, cool. - I'LL SEE YOU AT 8:00. 472 00:22:17,403 --> 00:22:19,370 ANNA JUST ASKED ME TO GO OUT TO DINNER WITH HER. 473 00:22:19,405 --> 00:22:20,938 NICE! 474 00:22:20,973 --> 00:22:23,040 - SHE ASKED YOU? - YEAH. 475 00:22:23,075 --> 00:22:26,288 MAKE SURE YOU PAY. END THIS CYCLE OF BITCHDOM. 476 00:22:26,312 --> 00:22:28,156 Turtle: I'M HOME. 477 00:22:28,180 --> 00:22:30,859 - FINALLY. - Vince: YOU'D BETTER HAVE SOMETHING GOOD, TURTLE. 478 00:22:30,883 --> 00:22:33,595 LOOKS LIKE SOMEONE FOUND SOME FRESH MEAT AT THE MARKET. 479 00:22:33,619 --> 00:22:36,019 GUYS, THIS IS LAURIE, MORGAN... 480 00:22:36,055 --> 00:22:38,567 AND YOURS, DRAMA. E, I DIDN'T KNOW YOU WERE GONNA BE HERE 481 00:22:38,591 --> 00:22:40,135 OR ELSE I WOULD HAVE FOUND A FOURTH. 482 00:22:40,159 --> 00:22:42,338 - YOU AND DRAMA CAN FIGHT IT OUT FOR HER. - THANKS, TURTLE. 483 00:22:42,362 --> 00:22:44,640 HI THERE. JONATHAN CHASE. 484 00:22:44,664 --> 00:22:46,342 - HI. - IT'S A PLEASURE TO MEET YOU. 485 00:22:46,366 --> 00:22:48,332 - HELLO. - HI. 486 00:22:48,368 --> 00:22:50,568 - Turtle: YES! - YEAH, TRY TAKING THAT 487 00:22:50,603 --> 00:22:53,571 AND I'LL BREAK YOUR FUCKING FINGERS. 488 00:22:57,777 --> 00:22:59,588 IT'S 8:00. WHAT ARE YOU DOING IN BED? 489 00:22:59,612 --> 00:23:01,078 LONG DAY. I'M RELAXING. 490 00:23:01,113 --> 00:23:02,747 THE KIDS EAT? 491 00:23:02,782 --> 00:23:05,148 - I MADE LASAGNA. - YOU DID? 492 00:23:05,184 --> 00:23:07,251 IT WAS STOUFFER'S, BUT I DID THE MICROWAVING. 493 00:23:09,288 --> 00:23:11,255 LOOK, ABOUT TODAY... 494 00:23:11,290 --> 00:23:13,758 FORGET TODAY, ALL RIGHT? LET'S NEVER TALK ABOUT TODAY AGAIN. 495 00:23:13,793 --> 00:23:16,059 IT'S OVER AND I'M NO LONGER MAD... 496 00:23:16,095 --> 00:23:18,596 HUMPH... YOU'RE NO LONGER MAD? 497 00:23:18,631 --> 00:23:20,609 WELL, I AM MAD, YOU SELFISH PRICK. 498 00:23:20,633 --> 00:23:23,379 - AND I WANT AN APOLOGY, ARI. - NO NO NO, YOUR LITTLE LATIN JOYRIDE 499 00:23:23,403 --> 00:23:25,636 MEANS ME NEVER HAVING TO SAY I'M SORRY. 500 00:23:25,671 --> 00:23:27,649 - WHAT, YOU'RE NOT GONNA APOLOGIZE? - NO, I'M NOT. 501 00:23:27,673 --> 00:23:30,285 - WELL, THEN HOW ARE WE GONNA GET PAST THIS? - I'M ALREADY PAST IT, 502 00:23:30,309 --> 00:23:31,987 UNLESS YOU'RE GONNA GO KISS ANOTHER GUY. 503 00:23:32,011 --> 00:23:34,055 - THEN WE'RE ALL GOOD, ALL RIGHT? - WELL, I JUST MAY. 504 00:23:34,079 --> 00:23:36,146 THEY ASKED ME TO BE A SERIES REGULAR ON THE SHOW. 505 00:23:36,181 --> 00:23:37,782 YOU'RE BLUFFING. 506 00:23:37,817 --> 00:23:40,284 AM I? 507 00:23:40,319 --> 00:23:43,020 I'M SORRY, OKAY? I GET JEALOUS. 508 00:23:43,055 --> 00:23:45,790 YOU'RE POSSESSIVE. I DON'T WANT AN APOLOGY FOR THAT. 509 00:23:45,825 --> 00:23:47,324 WHAT... FOR WHAT THEN? 510 00:23:47,359 --> 00:23:49,326 FOR... 511 00:23:49,361 --> 00:23:51,261 FOR TELLING ME THAT I AM OLD 512 00:23:51,297 --> 00:23:53,163 AND THAT I WOULDN'T PHOTOGRAPH IN HIGH DEF. 513 00:23:53,198 --> 00:23:55,766 IT'S A LEGITIMATE CONCERN. 514 00:23:55,802 --> 00:23:58,380 LOOK, I JUST DIDN'T WANT YOU DOING IT, ALL RIGHT? 515 00:23:58,404 --> 00:24:01,116 I LIKE THE WAY THINGS ARE. I DON'T WANT YOU ON TELEVISION. 516 00:24:01,140 --> 00:24:03,318 I DON'T WANT SOME 19-YEAR-OLD KISSING THE LIPS 517 00:24:03,342 --> 00:24:05,487 THAT I'M SUPPOSED TO BE KISSING, ALL RIGHT? 518 00:24:05,511 --> 00:24:08,256 LISTEN, IF YOU WANNA GO AND BE A SOAP WHORE EVERY DAY, 519 00:24:08,280 --> 00:24:11,520 JUST DO IT KNOWING THAT YOU MAKE YOUR HUSBAND MISERABLE. 520 00:24:12,752 --> 00:24:15,586 YOU THINK I WANT TO DO IT, ARI? 521 00:24:15,621 --> 00:24:17,922 I GAVE UP ACTING TO HAVE A FAMILY 522 00:24:17,957 --> 00:24:20,558 AND I HAVE NEVER EVER REGRETTED IT. 523 00:24:20,593 --> 00:24:23,093 I LIKE THE WAY THINGS ARE. 524 00:24:23,128 --> 00:24:25,095 I JUST WANTED TO HAVE ONE DAY OF STUPID FUN. 525 00:24:25,130 --> 00:24:26,809 WITH JULIO DOWN AT THE SCHOOLYARD. 526 00:24:26,833 --> 00:24:29,132 WELL, IF I'M SO OLD AND UGLY, WHY DO YOU EVEN CARE? 527 00:24:29,168 --> 00:24:31,046 WELL, SOME GUYS ARE INTO THAT. I MEAN, YOU KNOW... 528 00:24:31,070 --> 00:24:33,504 TELL ME THAT I AM SEXY, ARI. 529 00:24:33,539 --> 00:24:35,506 HONEY, YOU ARE... 530 00:24:35,541 --> 00:24:38,008 THE BEAUTIFUL MOTHER OF MY CHILDREN. 531 00:24:40,713 --> 00:24:42,680 AND I RESPECT YOU. 532 00:24:44,316 --> 00:24:46,283 MMM, JULIO. 533 00:24:46,318 --> 00:24:48,686 OH, JULIO. 534 00:24:48,721 --> 00:24:50,688 YOU LITTLE SLUT! 535 00:24:52,725 --> 00:24:55,425 - HERE YOU GO. - THANKS. 536 00:24:55,461 --> 00:24:58,128 I SWEAR TO GOD, MY LIFE... I THOUGHT I WAS GONNA DIE. 537 00:24:58,163 --> 00:25:00,531 OH MY GOD, YOU'RE INSANE. 538 00:25:00,566 --> 00:25:03,000 AND THOROUGHLY ENTERTAINING. 539 00:25:04,871 --> 00:25:07,070 THANK YOU SO MUCH FOR COMING TO DINNER WITH ME. 540 00:25:07,106 --> 00:25:09,072 THERE'S NO ARGUMENTS... IT'S ON ME. 541 00:25:09,108 --> 00:25:11,319 NO SHOT. I'M PAYING. 542 00:25:11,343 --> 00:25:13,622 OH, NO NO. WE'RE GONNA HAVE TO FIGHT IT OUT WHEN THE BILL COMES. 543 00:25:13,646 --> 00:25:15,090 - OH, WE WILL. - OKAY. 544 00:25:15,114 --> 00:25:18,181 - SO HOW WAS YOUR MEETING? - NOT GOOD. 545 00:25:18,217 --> 00:25:20,183 I TOLD YOU, YOU WERE IN MY HEAD. 546 00:25:20,219 --> 00:25:22,330 OH, I'M SORRY. I SHOULD HAVE KEPT MY MOUTH SHUT. 547 00:25:22,354 --> 00:25:25,523 NO NO. YOU KNOW WHAT? YOU WERE RIGHT. 548 00:25:25,558 --> 00:25:27,992 I REREAD THE SCRIPT AND I HATE IT. 549 00:25:28,027 --> 00:25:29,760 - YOU SERIOUS? - YEAH. 550 00:25:29,795 --> 00:25:31,762 I KNEW I WAS JUSTIFYING, THOUGH. 551 00:25:31,797 --> 00:25:33,697 I MEAN, IT SHOOTS IN ITALY FOR THREE MONTHS. 552 00:25:33,733 --> 00:25:37,001 HOW GREAT WOULD THAT BE? BUT IT'S JUST NOT THAT GOOD. 553 00:25:37,036 --> 00:25:38,446 SO WHAT ARE YOU GONNA DO NOW? 554 00:25:38,470 --> 00:25:40,704 I TOLD MY AGENT TO GET ME OUT OF IT. 555 00:25:40,740 --> 00:25:42,784 OH MY GOD, I FEEL TERRIBLE. 556 00:25:42,808 --> 00:25:44,853 - THIS DIRECTOR'S GONNA KILL ME. - NO NO NO NO. 557 00:25:44,877 --> 00:25:48,579 NO, YOU WERE RIGHT. AND GOOD ADVICE IS HARD TO COME BY. 558 00:25:48,614 --> 00:25:50,526 - WELL... - I ACTUALLY WOULDN'T MIND 559 00:25:50,550 --> 00:25:52,416 PICKING YOUR BRAIN FOR SOME MORE ADVICE. 560 00:25:52,451 --> 00:25:54,952 SURE. 561 00:25:54,987 --> 00:25:57,154 OH, I'M SORRY. HANG ON A SECOND. 562 00:25:57,189 --> 00:25:59,122 HEY, BABY. ALL RIGHT, 563 00:25:59,158 --> 00:26:01,592 I'M PROBABLY GONNA BE HOME IN, LIKE, TWO HOURS. 564 00:26:01,627 --> 00:26:05,062 IT'S MY BOYFRIEND. 565 00:26:05,097 --> 00:26:08,165 - THAT STEAK WAS AMAZING. - YEAH, WHAT DO YOU SEASON IT WITH? 566 00:26:08,200 --> 00:26:10,467 I'LL NEVER TELL. 567 00:26:10,502 --> 00:26:12,770 OH, COME ON. YOU'LL TELL ME. 568 00:26:12,805 --> 00:26:14,905 NO, SERIOUSLY, I WON'T. 569 00:26:14,941 --> 00:26:18,286 IT'S UNBELIEVABLE. THIS SHIT JUST KEEPS GOING AND GOING. 570 00:26:18,310 --> 00:26:20,722 YEAH, SO STOP RUNNING YOUR MOUTH AND KEEP IT GOING. 571 00:26:20,746 --> 00:26:22,813 NO, I'M SERIOUS. WE'VE ONLY HAD, LIKE, AN EIGHTH, 572 00:26:22,848 --> 00:26:24,560 - AND IT'S STILL... - ACTUALLY, TURTLE, 573 00:26:24,584 --> 00:26:27,029 I MIGHT HAVE COME ACROSS ANOTHER SECRET STASH WHILE I WAS UNPACKING. 574 00:26:27,053 --> 00:26:29,587 YOU'RE GETTING SNEAKIER AND SNEAKIER, VIN. 575 00:26:29,622 --> 00:26:32,022 SO WHAT NOW, LADIES? 576 00:26:32,058 --> 00:26:34,024 WHO'S UP FOR A LITTLE... 577 00:26:34,060 --> 00:26:35,859 SKINNY DIP? 578 00:26:35,895 --> 00:26:37,138 - I'M IN. - ALL RIGHT. 579 00:26:37,162 --> 00:26:39,002 - ANYONE ELSE? - BE NICE, TURTLE. 580 00:26:39,031 --> 00:26:41,142 - I'M THE ONLY SHOT YOU GOT TONIGHT. - PFFT. 581 00:26:41,166 --> 00:26:43,834 - REALLY? I GOT A SHOT? - NO, NOT REALLY. 582 00:26:43,869 --> 00:26:45,636 - Vince: HEY, WHAT UP? - YO. 583 00:26:45,671 --> 00:26:47,983 WHAT'S UP IS YOU MISSED THE CABLE GUY. THAT'S WHAT'S UP. 584 00:26:48,007 --> 00:26:49,974 - OH, SHIT. - NICE, TURTLE. 585 00:26:50,009 --> 00:26:53,243 - Vince: HOW WAS THE BIG DATE? - IT WASN'T A DATE. SHE HAS A BOYFRIEND. 586 00:26:53,278 --> 00:26:55,591 A BOYFRIEND? WHY DID SHE TAKE YOU OUT TO DINNER? 587 00:26:55,615 --> 00:26:58,649 SHE WANTED SOME CAREER ADVICE. SHE DOESN'T HAVE A MANAGER. 588 00:26:58,684 --> 00:27:00,762 - SHE WANTS YOU TO BE HER MANAGER? - YEP. 589 00:27:00,786 --> 00:27:03,553 - WHOA. - Drama: I TOLD YOU YOU WOULDN'T FUCK HER. 590 00:27:03,589 --> 00:27:05,734 ALL RIGHT, IN THE POOL, LADIES. LET'S GO. 591 00:27:05,758 --> 00:27:07,703 COME ON. YEAH, BABY. 592 00:27:07,727 --> 00:27:10,027 ARE YOU GONNA TELL ME WHAT'S ON THAT STEAK? 593 00:27:10,062 --> 00:27:11,962 WE'LL SEE. 594 00:27:12,999 --> 00:27:14,698 I'LL PRINT OUT THE RECIPE. 595 00:27:14,734 --> 00:27:18,268 SHE WANTS YOU TO BE HER MANAGER, HUH? 596 00:27:18,303 --> 00:27:19,737 YEAH. 597 00:27:19,772 --> 00:27:21,739 INTERESTING. 598 00:27:21,774 --> 00:27:23,206 OH! 599 00:27:25,544 --> 00:27:28,846 Drama: YEAH, BABY!