1
00:00:06,974 --> 00:00:09,174
(theme music playing)
2
00:01:17,745 --> 00:01:21,012
Vince: NOT A BAD
NEIGHBORHOOD, E.
3
00:01:21,047 --> 00:01:23,248
AND YOU'RE RELATIVELY
CLOSE TO THE HOUSE OF WAX.
4
00:01:23,284 --> 00:01:25,161
Drama: YOU GOT A JIFFY LUBE
RIGHT ACROSS THE STREET.
5
00:01:25,185 --> 00:01:26,730
AND IF YOU HAD A HARD DAY,
6
00:01:26,754 --> 00:01:28,965
YOU'RE ONLY A FEW STEPS
AWAY FROM A $50 BLOW JOB.
7
00:01:28,989 --> 00:01:31,490
PLEASE, WE PASSED
$50 10 BLOCKS AGO.
8
00:01:31,525 --> 00:01:33,737
WHAT DO YOU NEED AN OFFICE
FOR ANYWAY? I DON'T GET IT.
9
00:01:33,761 --> 00:01:36,306
YOU DIDN'T GET THE CONCEPT OF
HAVING A JOB TILL YOU WERE 25, TURTLE,
10
00:01:36,330 --> 00:01:38,096
SO I WOULDN'T EXPECT YOU TO.
11
00:01:38,131 --> 00:01:39,709
IF IT'S MY PLACE THAT'S
NOT DOING IT FOR YOU, E,
12
00:01:39,733 --> 00:01:41,232
WE CAN MAKE SOME MODIFICATIONS,
13
00:01:41,268 --> 00:01:43,067
MAKE THE ENVIRONMENT
MORE WORK-FRIENDLY.
14
00:01:43,103 --> 00:01:44,947
I APPRECIATE THAT, DRAMA.
THE ONLY MODIFICATION
15
00:01:44,971 --> 00:01:46,683
THAT WOULD WORK WOULD
BE HAVING YOU GUYS MOVE OUT.
16
00:01:46,707 --> 00:01:48,239
WHY, ARE WE DISTRACTING?
17
00:01:48,275 --> 00:01:49,986
NO, HAVING TURTLE BLOW
BONG HITS IN MY FACE
18
00:01:50,010 --> 00:01:52,544
WHEN I'M TRYING TO READ
A SCRIPT IS MOTIVATING.
19
00:01:52,579 --> 00:01:54,780
- THIS IS THE BUILDING?
- SHUT UP AND GET IN THERE.
20
00:01:57,150 --> 00:01:59,685
- Turtle: JESUS CHRIST.
- Drama: WHAT THE HELL?
21
00:01:59,720 --> 00:02:01,386
I GUESS YOU DON'T LIKE IT?
22
00:02:01,422 --> 00:02:03,087
WELL, IT DOESN'T EXACTLY SCREAM
23
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"I'M VINCENT CHASE'S MANAGER."
24
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NO. IT SCREAMS "I'M
JOHNNY CHASE'S."
25
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- (laughs)
- Drama: WHY DO I
GOTTA GET ABUSED
26
00:02:08,562 --> 00:02:10,173
WHEN WE'RE TRYING TO ABUSE HIM?
27
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IT'S JUST FOR A LAUGH.
28
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- THIS IS GONNA
BE YOUR DESK?
- YEAH, FOR NOW.
29
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NO NO NO. A WORKING
MAN NEEDS A REAL DESK,
30
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A STURDY DESK...
31
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ONE THAT CAN
SUPPORT A GOOD FUCK.
32
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- (Vince laughs)
- WELL, THIS OFFICE
ISN'T FOR SHOW.
33
00:02:21,575 --> 00:02:24,275
AND IT'S NOT FOR FUCKING.
IT'S SO I CAN GET SHIT DONE.
34
00:02:24,311 --> 00:02:26,790
- Turtle: LIKE WHAT?
- YEAH, WHAT DO YOU GOT
TO DO THAT'S SO PRESSING?
35
00:02:26,814 --> 00:02:29,013
I AM KIND OF BOOKED TILL
WALSH HANDS IN HIS SCRIPT.
36
00:02:29,049 --> 00:02:31,093
SO WHAT DO YOU WANT TO DO? YOU
WANT TO SIT AROUND AND DO NOTHING?
37
00:02:31,117 --> 00:02:32,651
YOU HAVE SOMETHING ELSE IN MIND?
38
00:02:32,686 --> 00:02:34,964
PETER JACKSON'S STARTING
A NEW GAMING DIVISION.
39
00:02:34,988 --> 00:02:37,934
THEY'RE LOOKING TO MAKE SOME TALENT
DEALS... BIG DOUGH, LIMITED EXPOSURE.
40
00:02:37,958 --> 00:02:40,069
I'M GONNA CALL HIS DEVELOPMENT
GUY AND SET UP A MEETING.
41
00:02:40,093 --> 00:02:41,671
MAYBE I CAN LOCK US A
VIDEO GAME. SOUND GOOD?
42
00:02:41,695 --> 00:02:43,228
- SOUNDS GREAT.
- YEAH?
43
00:02:43,263 --> 00:02:45,074
- THE OFFICE STILL SUCKS.
- Turtle: YEAH, IT'S TERRIBLE.
44
00:02:45,098 --> 00:02:47,610
COME ON, GUYS. LET'S LEAVE
MY HIGH-POWERED MANAGER
45
00:02:47,634 --> 00:02:49,178
SO HE CAN EARN US SOME MONEY.
46
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- LATER, E.
- WHAT ARE WE
GONNA DO ALL DAY?
47
00:02:51,304 --> 00:02:53,171
WE'LL FIGURE IT OUT.
48
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(phones ringing,
people chattering)
49
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BIG DAY TODAY, PEOPLE!
50
00:02:58,645 --> 00:03:00,390
THE GOLD STANDARD'S GOLDEN GIRL,
51
00:03:00,414 --> 00:03:02,681
MISS MARY J. BLIGE,
52
00:03:02,716 --> 00:03:04,883
IS COMING IN TODAY
FOR HER ANNUAL
53
00:03:04,918 --> 00:03:07,652
"MAKE-ME-UNDERSTAND-
WHAT-I-PAY-YOU-PEOPLE-FOR"
54
00:03:07,688 --> 00:03:09,688
MEETING, SO WE'D
BETTER BE READY.
55
00:03:09,723 --> 00:03:11,267
- CHRIS!
- UH, I'M READY, ARI.
56
00:03:11,291 --> 00:03:12,902
- BRADLEY!
- WEARING MY BEST TIE, ARI.
57
00:03:12,926 --> 00:03:14,760
GREAT, ZIP UP THAT FLY.
58
00:03:14,795 --> 00:03:16,628
- ARI...
- HEY, JIM.
59
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- IT'S JEFF.
- I'M SORRY. FROM THE SIDE,
YOU KNOW...
60
00:03:18,632 --> 00:03:21,077
- YEAH, DON'T WORRY ABOUT IT.
- YOU AND YOUR BRO READY
FOR MARY J.?
61
00:03:21,101 --> 00:03:23,101
WE ARE. BUT LISTEN,
JUST A HEADS UP...
62
00:03:23,136 --> 00:03:25,281
MY BROTHER AND I HAVE BEEN
HAVING SOME PERSONAL PROBLEMS.
63
00:03:25,305 --> 00:03:27,183
- DOES IT HAVE ANYTHING
TO DO WITH MARY J.?
- NO, IT DOES NOT.
64
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- THEN IT HAS NOTHING
TO DO WITH ME.
- YOU'RE ABSOLUTELY RIGHT.
65
00:03:29,443 --> 00:03:31,643
BUT YOU KNOW HOW
EMOTIONAL JIM CAN BE.
66
00:03:31,678 --> 00:03:34,379
SO, LOOK, IF HE COMES BUGGING
YOU WITH THIS, JUST IGNORE HIM.
67
00:03:34,415 --> 00:03:35,958
LET'S HOPE HE DOESN'T
COME BUGGING ME.
68
00:03:35,982 --> 00:03:38,049
YEAH. LET'S HOPE.
69
00:03:40,421 --> 00:03:41,820
DID MARY J. CONFIRM?
70
00:03:41,855 --> 00:03:43,955
SIX TIMES, ONE FOR EACH GRAMMY.
71
00:03:43,990 --> 00:03:46,803
- WHAT'S THAT SMELL?
- IT'S ISSEY MIYAKE,
HER FAVORITE SCENT.
72
00:03:46,827 --> 00:03:49,606
I'M WEARING IT AS A SUBTLE
SUBLIMINAL SHOW OF OUR SUPPORT.
73
00:03:49,630 --> 00:03:51,830
- WHAT ELSE YOU GOT?
- JIM JENSEN'S IN YOUR OFFICE.
74
00:03:51,865 --> 00:03:54,566
OH, JESUS CHRIST, HIS
BROTHER JUST AMBUSHED ME.
75
00:03:54,601 --> 00:03:56,880
YEAH, I GUESS THERE'S SOME
KIND OF RIFT WITH THE JENSEN BOYS.
76
00:03:56,904 --> 00:03:58,481
- BE CAREFUL IN THERE.
- CAREFUL?
77
00:03:58,505 --> 00:04:00,204
YOU KNOW MULTIPLES
FREAK ME OUT, ARI.
78
00:04:00,240 --> 00:04:01,785
CAN GAYS HAVE MULTIPLES, LLOYD?
79
00:04:01,809 --> 00:04:03,486
JIM! NOT THE DAY FOR THIS.
80
00:04:03,510 --> 00:04:05,254
HOW'S IT GOING
WITH THE BABY BRO?
81
00:04:05,278 --> 00:04:07,145
OKAY, HE'S 27 SECONDS
OLDER THAN ME, ARI.
82
00:04:07,180 --> 00:04:09,614
AND HE'S A LOWLIFE
SLIMY PIECE OF CUNT SHIT.
83
00:04:09,650 --> 00:04:11,628
YES, WELL, YOU KNOW HOW
SIBLINGS CAN BE, RIGHT?
84
00:04:11,652 --> 00:04:13,518
- OH, YOU HAVE A BROTHER?
- I DO.
85
00:04:13,554 --> 00:04:16,332
AND A WHORE OF A SISTER, SO I CAN
RELATE TO THE SIBLING SQUABBLINGS.
86
00:04:16,356 --> 00:04:18,222
I NEED YOU TO FIRE HIM, ARI.
87
00:04:18,258 --> 00:04:20,459
AHEM... I NEED
POSITIVITY TODAY, JIM.
88
00:04:20,494 --> 00:04:23,261
BUT, ARI, I CAN'T WORK IN
THE SAME BUILDING WITH HIM.
89
00:04:23,296 --> 00:04:25,742
JETER AND A-ROD LET THEIR DICKS
FLY IN THE SAME LOCKER ROOM
90
00:04:25,766 --> 00:04:27,310
- AND THEY HATE EACH OTHER.
- OKAY, ARI...
91
00:04:27,334 --> 00:04:29,033
JIM, LISTEN TO ME.
92
00:04:29,069 --> 00:04:30,802
JUST MAN THE FUCK UP, OKAY?
93
00:04:30,838 --> 00:04:32,749
WE GOT MARY J. COMING IN TODAY.
94
00:04:32,773 --> 00:04:36,274
IT'S TIME TO HEED THE WOMAN'S
LYRICS... "NO MORE DRAMA."
95
00:04:37,945 --> 00:04:40,657
- MATT DRAVITSKI'S
ON THE PHONE.
- WHO'S MATT DRAVITSKI?
96
00:04:40,681 --> 00:04:42,413
VP OF PETER JACKSON'S COMPANY.
97
00:04:42,449 --> 00:04:44,282
DO I TALK TO VPs?
98
00:04:44,317 --> 00:04:45,929
HE SAYS HE'S CALLING
BECAUSE E CALLED HIM
99
00:04:45,953 --> 00:04:49,020
AND SAID VINCE WANTS
TO WORK WITH PETER.
100
00:04:49,055 --> 00:04:51,756
JIM, GO BACK TO WORK.
101
00:04:51,792 --> 00:04:54,526
GO.
102
00:04:54,561 --> 00:04:58,029
AND DON'T ASK TO SEE HER
TATTS LIKE YOU DID WITH ANGELINA.
103
00:04:59,099 --> 00:05:00,510
- (phone beeps)
- HELLO.
104
00:05:00,534 --> 00:05:02,934
OOH, LOOK AT THIS
SWEET PIECE, VINCE.
105
00:05:02,970 --> 00:05:04,647
IT'S PERFECT. E WILL LOVE IT.
106
00:05:04,671 --> 00:05:06,248
CAN I GO ON RECORD AND
SAY THAT WHEN I GET AN OFFICE
107
00:05:06,272 --> 00:05:07,906
I WANT MY GIFT TO BE A PLASMA?
108
00:05:07,941 --> 00:05:10,286
CAN I GO ON THE RECORD AND
SAY BY THE TIME YOU GET AN OFFICE,
109
00:05:10,310 --> 00:05:12,555
PLASMAS WILL HAVE GONE
THE WAY OF THE EIGHT-TRACK?
110
00:05:12,579 --> 00:05:14,813
- (all laughing)
- EXCUSE ME, MISS.
111
00:05:14,848 --> 00:05:16,926
CAN YOU TELL ME A LITTLE
SOMETHING ABOUT THIS DESK?
112
00:05:16,950 --> 00:05:19,484
OH, THAT'S AN AMAZING
PIECE WITH A LOT OF HISTORY.
113
00:05:19,520 --> 00:05:22,220
- YOU'VE GOT A GOOD EYE.
- WELL, THANK YOU.
114
00:05:22,255 --> 00:05:25,568
DO YOU KNOW WHAT KIND
OF WEIGHT THIS CAN SUPPORT?
115
00:05:25,592 --> 00:05:28,593
THIS IS A SIGNED
MAJORELL BUILT IN THE 1930s.
116
00:05:28,629 --> 00:05:31,429
MICKEY ROONEY SAT AT THIS
DESK IN "BREAKFAST AT TIFFANY'S."
117
00:05:31,464 --> 00:05:33,464
- MMM.
- HUH, THAT'S IRONIC.
118
00:05:33,500 --> 00:05:35,800
WE WANT IT SO ANOTHER
SMALL IRISHMAN CAN SIT AT IT.
119
00:05:35,836 --> 00:05:37,569
- Woman: OH, IS THIS A GIFT?
- YEAH.
120
00:05:37,604 --> 00:05:39,237
THAT'S VERY THOUGHTFUL.
121
00:05:39,272 --> 00:05:41,006
HOW THOUGHTFUL?
122
00:05:41,041 --> 00:05:42,407
$42,000.
123
00:05:42,442 --> 00:05:46,244
(whistles) GET A 100-INCH
PLASMA FOR THAT, VIN.
124
00:05:46,279 --> 00:05:50,048
THIS IS AN INVESTMENT, THOUGH. THIS
DESK WILL APPRECIATE LIKE A PIECE OF ART.
125
00:05:50,083 --> 00:05:51,928
AND ROBERT DE NIRO
OWNED THAT DESK.
126
00:05:51,952 --> 00:05:53,418
REALLY?
127
00:05:53,453 --> 00:05:55,431
YEAH, SCORSESE
GAVE IT TO HIM AS A GIFT
128
00:05:55,455 --> 00:05:57,066
AFTER "NEW YORK,
NEW YORK" BOMBED.
129
00:05:57,090 --> 00:05:59,157
IT WAS THE ONLY
THING THAT SURVIVED
130
00:05:59,192 --> 00:06:01,626
AFTER HIS MALIBU HOME
WENT UP IN FLAMES.
131
00:06:01,662 --> 00:06:04,440
- IS THIS TRUE?
- CROSS MY HEART
AND HOPE TO DIE.
132
00:06:04,464 --> 00:06:06,565
HMM.
133
00:06:06,600 --> 00:06:08,166
I'M SOLD.
134
00:06:11,104 --> 00:06:13,572
I WONDER IF DE NIRO
EVER FUCKED ON THIS DESK.
135
00:06:13,607 --> 00:06:15,139
HMM, I DON'T KNOW, DRAMA.
136
00:06:15,175 --> 00:06:17,709
WHY DON'T YOU LEAN OVER
AND SNIFF IT FOR BALL WAX?
137
00:06:17,744 --> 00:06:19,789
TURTLE, COME ON. YOU HAVE
TO RUIN THE DESK FOR ME?
138
00:06:19,813 --> 00:06:22,413
- I'M SORRY, VIN.
- VINCE, I AM SO EMBARRASSED,
139
00:06:22,449 --> 00:06:24,248
BUT APPARENTLY A
BUYER CAME IN YESTERDAY
140
00:06:24,284 --> 00:06:26,150
AND SOMEONE FORGOT
TO PUT THE SOLD TAG OUT.
141
00:06:26,186 --> 00:06:29,054
- YOU'RE KIDDING?
- I FEEL AWFUL.
142
00:06:29,089 --> 00:06:31,155
WE HAVE ANOTHER GREAT
DESK THAT JUST CAME IN.
143
00:06:31,191 --> 00:06:32,691
IT'S A RUSTIC PIECE.
144
00:06:32,726 --> 00:06:35,827
- YEAH, DE NIRO OWN THAT ONE?
- I'M REALLY SORRY.
145
00:06:35,862 --> 00:06:38,841
IS THERE ANY WAY WE CAN CALL THE
BUYER AND MAYBE OFFER HIM A LITTLE MORE?
146
00:06:38,865 --> 00:06:41,532
- WE REALLY WANT THE DESK.
- I'M SORRY, I COULDN'T.
147
00:06:41,568 --> 00:06:44,168
WE'RE SUPPOSED TO RESPECT
THE PRIVACY OF OUR CLIENTS.
148
00:06:44,204 --> 00:06:45,682
CAN YOU RESPECT
MY POOR LITTLE FRIEND
149
00:06:45,706 --> 00:06:47,987
SITTING AT A FOLD-UP TABLE
IN HIS SAD LITTLE OFFICE?
150
00:06:50,744 --> 00:06:52,711
(whispers) IT WAS GARY BUSEY.
151
00:06:54,314 --> 00:06:55,580
AHEM...
152
00:06:57,818 --> 00:06:59,383
- HEY.
- (phone ringing)
153
00:07:04,725 --> 00:07:06,725
SHIT!
154
00:07:06,760 --> 00:07:08,493
ERIC MURPHY.
155
00:07:08,528 --> 00:07:09,973
LIKE THE NEW OFFICE NUMBER, E.
156
00:07:09,997 --> 00:07:12,163
YOU KNOW IT SPELLS 274-COCK.
157
00:07:12,198 --> 00:07:15,000
- IT DOES NOT.
- No, it doesn't,
but I made you look.
158
00:07:15,035 --> 00:07:18,737
WHY ARE YOU SO OUT OF BREATH? ARE YOU
CHRISTENING THE PLACE WITH A NICE MIDDAY JERK?
159
00:07:18,772 --> 00:07:20,483
STOP FANTASIZING,
ARI. WHAT DO YOU WANT?
160
00:07:20,507 --> 00:07:22,085
YOU CALL PETER
JACKSON'S COMPANY?
161
00:07:22,109 --> 00:07:24,020
- YEAH, HOW'D YOU KNOW?
- 'CAUSE THEY CALLED ME.
162
00:07:24,044 --> 00:07:27,156
- WHY'D THEY CALL YOU?
- BECAUSE THEY DON'T KNOW
WHO THE FUCK YOU ARE.
163
00:07:27,180 --> 00:07:29,280
I TOLD THEM I WAS
VINCENT CHASE'S MANAGER.
164
00:07:29,315 --> 00:07:31,494
WELL, THERE ARE PEOPLE
OUTSIDE YOUR OFFICE RIGHT NOW
165
00:07:31,518 --> 00:07:33,863
THAT WILL CLAIM TO BE LADY
DI. THAT DON'T MAKE IT TRUE.
166
00:07:33,887 --> 00:07:35,665
WHATEVER. THIS IS
TRUE, YOU JERK-OFF.
167
00:07:35,689 --> 00:07:37,889
YOUR STAFF IS READY, ARI.
168
00:07:37,924 --> 00:07:40,391
LISTEN, WE GOT A
GREAT SYSTEM GOING.
169
00:07:40,426 --> 00:07:42,304
JUST 'CAUSE YOU GOT 80
SQUARE FEET OF OFFICE SPACE
170
00:07:42,328 --> 00:07:43,873
DOESN'T MEAN YOU
CAN GO AND FUCK IT UP.
171
00:07:43,897 --> 00:07:46,330
AND WHAT SYSTEM IS
THAT, ARI? JUST SO I'M CLEAR.
172
00:07:46,366 --> 00:07:48,432
WELL, LET'S SEE, PEOPLE CALL ME,
173
00:07:48,468 --> 00:07:51,536
THEN I CALL YOU. YOU
TELL VINCE WHAT I TELL YOU.
174
00:07:51,571 --> 00:07:54,105
VINCE TELLS YOU WHAT TO TELL ME.
175
00:07:54,141 --> 00:07:57,441
YOU'RE LIKE A... A
VENTRILOQUIST IN A DUMMY'S BODY.
176
00:07:57,477 --> 00:07:59,188
WHATEVER. I CAN MAKE
AND TAKE MY OWN MEETINGS.
177
00:07:59,212 --> 00:08:01,746
WELL, LISTEN, IF YOU WANT
PEOPLE TO CALL YOU BACK,
178
00:08:01,782 --> 00:08:03,660
MAY I SUGGEST THAT YOU GET A VAN
179
00:08:03,684 --> 00:08:05,717
WITH A LARGE
BULLHORN ON THE TOP,
180
00:08:05,752 --> 00:08:07,552
DRIVE AROUND HOLLYWOOD
181
00:08:07,587 --> 00:08:10,499
ANNOUNCING THAT AFTER THREE YEARS
OF HIBERNATING IN VINCENT CHASE'S ASS,
182
00:08:10,523 --> 00:08:13,925
ERIC MURPHY HAS COME
OUT TO PLAY-EE-AY?
183
00:08:13,960 --> 00:08:15,705
ALL RIGHT! LET'S
DO THIS, EVERYBODY!
184
00:08:15,729 --> 00:08:17,996
- EVERYONE FEELING GOOD?
- All: YES! YEAH! GREAT!
185
00:08:18,031 --> 00:08:19,898
NOT EVERYONE.
186
00:08:21,001 --> 00:08:22,533
ALL RIGHT!
187
00:08:22,569 --> 00:08:25,837
I AM NOT ARI GOLD TODAY, I
AM THE QUEEN OF HIP-HOP SOUL.
188
00:08:25,872 --> 00:08:28,406
I HAVE SOLD 65
MILLION MORE RECORDS
189
00:08:28,441 --> 00:08:29,974
THAN ALL OF YOU COMBINED.
190
00:08:30,010 --> 00:08:32,476
IMPRESS ME. GO.
191
00:08:32,512 --> 00:08:34,946
A BROADWAY MUSICAL BASED
ON HER ALTER-EGO, BROOK LYNN.
192
00:08:34,981 --> 00:08:38,083
MISS BLIGE COULD
PRODUCE, STAR AND DIRECT.
193
00:08:38,118 --> 00:08:41,119
UH, SO YOU WANT TO KEEP HER
ON THE STAGE FOR NINE MONTHS
194
00:08:41,154 --> 00:08:42,699
AND OUT OF THE RECORDING STUDIO?
195
00:08:42,723 --> 00:08:44,322
IT'S A REALLY GOOD IDEA.
196
00:08:44,357 --> 00:08:46,268
MENTION THAT TO HER
AND I'LL KILL BOTH OF YOU.
197
00:08:46,292 --> 00:08:49,994
- Ari: NEXT.
- PARAMOUNT HAS A MOVIE
ABOUT CON ARTISTS.
198
00:08:50,030 --> 00:08:52,363
IT'S AN EXCELLENT
SCRIPT, VERY REALISTIC.
199
00:08:52,398 --> 00:08:54,833
YEAH, HE'D KNOW SINCE HE'S A
PRETTY BIG CON ARTIST HIMSELF.
200
00:08:54,868 --> 00:08:56,612
YOU HAVE SOMETHING
PRODUCTIVE TO SAY?
201
00:08:56,636 --> 00:08:58,937
I'M SORRY, ARI, I'M JUST HAVING
TROUBLE CONCENTRATING.
202
00:08:58,972 --> 00:09:01,184
- WELL, JIM, THIS
ISN'T THE PLACE.
- OH, WHAT?
203
00:09:01,208 --> 00:09:03,652
- AM I EMBARRASSING YOU?
- Jeff: NO, YOU'RE
EMBARRASSING YOURSELF.
204
00:09:03,676 --> 00:09:06,122
ACTUALLY, NO ONE CAN TELL YOU TWO
APART, SO YOU'RE BOTH BEING EMBARRASSED.
205
00:09:06,146 --> 00:09:09,114
ARI, ARI, I TOLD YOU, I
CAN'T WORK WITH HIM.
206
00:09:09,149 --> 00:09:11,460
- WHAT ARE YOU GONNA DO? ARE YOU GONNA QUIT?
- NO, I TOLD HIM TO FIRE YOU.
207
00:09:11,484 --> 00:09:13,785
- WHAT?
- YEAH, THAT'S RIGHT, SCUMBAG.
208
00:09:13,820 --> 00:09:16,254
OKAY, YOU KNOW WHAT?
I APOLOGIZED TO YOU.
209
00:09:16,289 --> 00:09:18,534
- BUT WHEN YOU GO
AFTER MY LIVELIHOOD...
- HEY, ASSHOLES!
210
00:09:18,558 --> 00:09:20,236
- FUCK YOUR LIVELIHOOD!
- FUCK YOU!
211
00:09:20,260 --> 00:09:21,771
- FUCK YOU!
- FUCK ME?!
212
00:09:21,795 --> 00:09:23,895
- YOU WANT SOME?
- (all shouting)
213
00:09:29,069 --> 00:09:30,947
PUT THEM BOTH IN MY
OFFICE WHEN IT'S DONE.
214
00:09:30,971 --> 00:09:32,982
REMIND ME TO SELL
THIS AS A REALITY SHOW.
215
00:09:33,006 --> 00:09:35,039
(men shouting)
216
00:09:37,944 --> 00:09:39,621
SOUNDS TOO EASY
IS ALL I'M SAYING.
217
00:09:39,645 --> 00:09:41,324
THE GUY SAID HE'D BE
HAPPY TO SELL ME THE DESK.
218
00:09:41,348 --> 00:09:43,692
LET'S JUST GET IN AND
OUT. NO SMALL TALK.
219
00:09:43,716 --> 00:09:46,295
BUSEY SCARES ME, VIN. YOU
SURE THERE'S NOT ANOTHER DESK?
220
00:09:46,319 --> 00:09:49,031
THIS IS THE DESK WE'RE GETTING,
TURTLE. JUST DON'T SMALL TALK, OKAY?
221
00:09:49,055 --> 00:09:50,532
- (sighs)
- JOHNNY?
222
00:09:50,556 --> 00:09:52,323
I LIKE TALKING TO BUSEY.
223
00:09:52,359 --> 00:09:54,859
THE TORTOISE, THE HARE
AND THE MILLIONAIRE.
224
00:09:54,894 --> 00:09:58,229
(chuckles) IT IS SO
GOOD TO SEE YOU GUYS.
225
00:09:58,264 --> 00:10:00,564
I'VE HAD WALKING PNEUMONIA
FOR THE PAST COUPLE OF WEEKS.
226
00:10:00,600 --> 00:10:03,067
HAVEN'T HAD ANY GUESTS.
227
00:10:03,103 --> 00:10:06,070
BUT FOR THE BEGINNING OF
NEW GUESTS, YOU ARE THE BEST.
228
00:10:07,607 --> 00:10:09,240
COME ON IN.
229
00:10:10,343 --> 00:10:13,077
Gary: COME ON. COME ON.
230
00:10:13,113 --> 00:10:15,480
SO, YOU'VE COME TO ACQUIRE
MY NEWLY-ACQUIRED DESK.
231
00:10:15,515 --> 00:10:17,048
IT'S FOR E AS A GIFT.
232
00:10:17,083 --> 00:10:18,694
YEAH, HE'S GOT A
SWEET NEW OFFICE
233
00:10:18,718 --> 00:10:21,278
AND IT'LL COMPLEMENT
THE PLACE PERFECTLY.
234
00:10:21,888 --> 00:10:24,033
THERE'S NO WAY I'M GONNA
PART WITH THAT DESK.
235
00:10:24,057 --> 00:10:25,656
BUT, GARY, YOU
SAID ON THE PHONE...
236
00:10:25,691 --> 00:10:28,092
THAT PHONE CALL WAS
TWO YEARS AGO, MR. VINCE.
237
00:10:29,695 --> 00:10:31,673
GARY, MY BROTHER
IS PREPARED TO PAY
238
00:10:31,697 --> 00:10:33,742
WHATEVER HE'S GOT TO PAY TO
GET THAT DESK. NAME YOUR PRICE.
239
00:10:33,766 --> 00:10:35,533
EASY, JOHNNY, EASY.
240
00:10:35,568 --> 00:10:37,113
UH, YES, I AM
WILLING TO PAY, GARY,
241
00:10:37,137 --> 00:10:38,669
BUT LET'S BE REASONABLE.
242
00:10:38,704 --> 00:10:41,039
YOU PAID 42, I'LL GIVE YOU 50.
243
00:10:41,074 --> 00:10:43,174
MONEY WILL BURY YOU, VINCE.
244
00:10:43,209 --> 00:10:44,920
- OKAY, ALL RIGHT.
- HERE, SIT DOWN.
245
00:10:44,944 --> 00:10:47,225
LET'S FIND HARMONY
IN THIS CIRCLE.
246
00:10:50,216 --> 00:10:51,960
Gary: GOOD.
247
00:10:51,984 --> 00:10:53,984
WHY ARE YOU SO QUIET?
248
00:10:54,020 --> 00:10:55,553
YOU SCARE ME, GARY.
249
00:10:55,588 --> 00:10:57,655
IT'S YOUR REFLECTION
IN THE MIRROR
250
00:10:57,690 --> 00:10:59,290
THAT SCARES YOU, TURTLE.
251
00:10:59,325 --> 00:11:01,570
Vince: GARY, WHAT
EXACTLY DO YOU WANT?
252
00:11:01,594 --> 00:11:03,039
I'M PLANNING A
SERIES OF PORTRAITS
253
00:11:03,063 --> 00:11:04,573
AND I'VE CHOSEN MY NEXT SUBJECT.
254
00:11:04,597 --> 00:11:08,499
- YOU WANT TO PAINT ME?
- NO. YOU DON'T KNOW PAIN.
255
00:11:08,535 --> 00:11:10,234
I... I DON'T FOLLOW.
256
00:11:10,270 --> 00:11:13,337
DRAMA, I'VE CHOSEN YOU.
257
00:11:14,507 --> 00:11:17,041
YOU WANT TO PAINT ME?
258
00:11:17,077 --> 00:11:19,677
NO, I WANT TO PAINT ON YOU.
259
00:11:20,980 --> 00:11:22,480
NOW I DON'T FOLLOW.
260
00:11:22,515 --> 00:11:25,749
THIS IS A STATEMENT OF
ENLIGHTENED PHOTOGRAPHY...
261
00:11:25,785 --> 00:11:29,753
THE UNSEEN FACES
OF THE FAMILIAR.
262
00:11:29,789 --> 00:11:32,856
I PAINTED GEORGE HAMILTON WHITE.
263
00:11:32,892 --> 00:11:35,859
I'VE TAKEN 230 LBS
OFF DOM DELUISE
264
00:11:35,895 --> 00:11:38,896
BY PAINTING HIM WITH
VERTICAL STRIPES.
265
00:11:38,931 --> 00:11:41,532
WITH YOU, I WILL PAINT YOU
266
00:11:41,568 --> 00:11:43,679
TO BRING OUT YOUR
BEAUTY AND YOUR TRUTH.
267
00:11:43,703 --> 00:11:46,048
- PSS... GOOD LUCK.
- SO WHAT DO YOU SAY,
JOHNNY?
268
00:11:46,072 --> 00:11:49,407
I DON'T KNOW, BRO.
I GOT TINY PORES.
269
00:11:49,442 --> 00:11:51,875
- IT COULD SUFFOCATE ME.
- HEY!
270
00:11:51,911 --> 00:11:54,245
ONLY DENIAL WILL SUFFOCATE YOU.
271
00:11:54,280 --> 00:11:57,582
- COME ON, DRAMA. IT'S FOR E.
- IT'S FOR E.
272
00:11:57,617 --> 00:12:00,351
AND FOR IMMORTALITY.
273
00:12:02,054 --> 00:12:04,200
Woman on phone: "Daily
Variety" Ad Sales, can I help you?
274
00:12:04,224 --> 00:12:06,768
HI. I'D LIKE TO TAKE OUT AN AD IN
TOMORROW'S PAPER ANNOUNCING MY COMPANY.
275
00:12:06,792 --> 00:12:09,171
OKAY, NO PROBLEM. I NEED
THE NAME OF YOUR BUSINESS.
276
00:12:09,195 --> 00:12:10,761
THE MURPHY GROUP.
277
00:12:10,796 --> 00:12:12,530
THE MURPHY GROUP.
278
00:12:12,565 --> 00:12:14,165
YEAH, YOU LIKE THAT?
279
00:12:14,200 --> 00:12:16,534
IT'S OKAY. WHAT DO YOU DO?
280
00:12:16,569 --> 00:12:18,035
I REPRESENT VINCENT CHASE.
281
00:12:18,070 --> 00:12:19,715
OOH! I LIKED "AQUAMAN."
282
00:12:19,739 --> 00:12:21,783
- COOL.
- But according
to the SAG database,
283
00:12:21,807 --> 00:12:23,774
ARI GOLD REPRESENTS
VINCENT CHASE.
284
00:12:23,809 --> 00:12:25,276
WELL, I'M HIS MANAGER.
285
00:12:25,311 --> 00:12:27,545
OH, THAT'S NICE. WHO
ELSE DO YOU REPRESENT?
286
00:12:29,115 --> 00:12:31,682
- JUST VINCE.
- SO WHY THE "GROUP"?
287
00:12:31,717 --> 00:12:33,884
I THOUGHT IT SOUNDED
GOOD. WHAT, IT DOESN'T?
288
00:12:33,919 --> 00:12:35,520
IF THERE WAS A GROUP IT MIGHT.
289
00:12:35,555 --> 00:12:37,888
WELL, WHATEVER. I'M
GONNA GO WITH THE GROUP.
290
00:12:37,923 --> 00:12:39,557
WHAT DO YOU WANT THE AD TO SAY?
291
00:12:39,592 --> 00:12:41,792
"THE MURPHY GROUP
292
00:12:41,827 --> 00:12:43,961
IS PROUD TO BE
REPRESENTING VINCENT CHASE."
293
00:12:43,996 --> 00:12:46,030
OKAY, BUT WE NEED CONFIRMATION
294
00:12:46,065 --> 00:12:48,577
THAT YOU ACTUALLY MANAGE VINCENT
CHASE BEFORE WE CAN USE HIS NAME.
295
00:12:48,601 --> 00:12:51,247
- What kind of confirmation?
- CLIENT MANAGEMENT
PAPERS, PERHAPS.
296
00:12:51,271 --> 00:12:54,071
- I DON'T HAVE THOSE.
- YOU REPRESENT VINCENT CHASE
WITH NO PAPERS?
297
00:12:54,106 --> 00:12:56,174
- YES.
- DO YOU THINK THAT'S SMART?
298
00:12:57,477 --> 00:12:59,544
LOOK, WHAT ELSE
CAN I DO TO CONFIRM?
299
00:12:59,579 --> 00:13:02,813
You can have Ari Gold's office
call us, 'cause we know who he is.
300
00:13:03,883 --> 00:13:05,749
Hello?
301
00:13:05,785 --> 00:13:07,363
UH, LOOK, WHATEVER.
YOU KNOW WHAT?
302
00:13:07,387 --> 00:13:09,547
I'LL GET SOME PAPERS
OR SOMETHING, THANK YOU.
303
00:13:10,623 --> 00:13:12,156
FREAK.
304
00:13:16,362 --> 00:13:17,906
- Both: HEY, ARI!
- SHUT THE FUCK UP!
305
00:13:17,930 --> 00:13:21,499
I'VE HEARD ENOUGH OUT OF
BOTH OF YOU TODAY. LLOYD, GO.
306
00:13:21,534 --> 00:13:23,279
YOU GUYS SHOULD'VE HAD
THIS OUT IN THE CARPOOL IN.
307
00:13:23,303 --> 00:13:25,781
WE DON'T CARPOOL, ARI. WE
LIVE ON OPPOSITE SIDES OF TOWN.
308
00:13:25,805 --> 00:13:28,105
REALLY? 'CAUSE I WOULD'VE
PICTURED YOU TWO
309
00:13:28,140 --> 00:13:31,119
LIVING IN THE SAME CONDO TOGETHER IN,
LIKE, BUNK BEDS WITH A LITTLE RACECAR...
310
00:13:31,143 --> 00:13:34,011
- ARI...
- SHUT UP! DON'T SAY
ANOTHER WORD!
311
00:13:34,046 --> 00:13:36,080
PRETEND LIKE YOU'RE
AFRAID OF ME, OKAY?
312
00:13:36,115 --> 00:13:38,316
BECAUSE I'M FEELING A
LITTLE INSECURE RIGHT NOW,
313
00:13:38,351 --> 00:13:40,551
BECAUSE I'M WONDERING
WHAT I'M DOING WRONG
314
00:13:40,587 --> 00:13:43,454
THAT WOULD ALLOW YOU
TWO TO FUCK WITH MY FOCUS
315
00:13:43,489 --> 00:13:46,123
ON A DAY WHEN I NEED
TO BE ON MY A GAME.
316
00:13:46,158 --> 00:13:47,925
ON A DAY, WHEN, IF I'M NOT,
317
00:13:47,960 --> 00:13:50,828
WE COULD SEE M.J.
HIP AND HOP HER WAY
318
00:13:50,863 --> 00:13:52,530
BACK TO I.C.M.
319
00:13:52,565 --> 00:13:54,532
AND IF THAT WERE TO
HAPPEN, BEST CASE,
320
00:13:54,567 --> 00:13:56,334
YOU TWO ARE
MANAGERS IN THE VALLEY.
321
00:13:56,369 --> 00:13:58,336
WORST CASE, YOU'RE A FREAK SHOW
322
00:13:58,371 --> 00:14:00,271
PERFORMING AT THE
SANTA MONICA PIER.
323
00:14:00,306 --> 00:14:03,173
NOW, WITH THAT IN MIND, TELL ME
324
00:14:03,209 --> 00:14:05,109
WHY IN GOD'S NAME
325
00:14:05,144 --> 00:14:06,977
IS THIS HAPPENING?!
326
00:14:10,683 --> 00:14:12,883
HE FUCKED MY WIFE, ARI.
327
00:14:14,820 --> 00:14:16,854
HE DID NOT!
328
00:14:16,889 --> 00:14:18,589
YOU... YOU DID?
329
00:14:18,625 --> 00:14:20,491
YOU FUCKED HIS WIFE?
330
00:14:22,928 --> 00:14:25,263
- AS YOU?
- WHAT?
331
00:14:25,298 --> 00:14:27,665
DID YOU PRETEND TO BE HIM?
332
00:14:27,700 --> 00:14:30,668
OR DID SHE ACTUALLY FUCK
YOU THINKING YOU WERE YOU?
333
00:14:30,703 --> 00:14:33,971
- YOU THINK THIS IS FUNNY?
- NO! I THINK
IT'S DISGUSTING.
334
00:14:34,006 --> 00:14:36,206
I'M JUST... I'M TRYING
TO FIGURE OUT
335
00:14:36,242 --> 00:14:37,775
WHY SHE DID THAT.
336
00:14:37,810 --> 00:14:39,677
I MEAN, IF I WERE
TO CHEAT ON MY WIFE
337
00:14:39,712 --> 00:14:41,490
IT WOULD BE WITH LIKE A,
YOU KNOW, BUSTY BLONDE
338
00:14:41,514 --> 00:14:43,058
OR AN ASIAN WITH POINTY NIPPLES.
339
00:14:43,082 --> 00:14:45,115
BUT AN EXACT FUCKING REPLICA...
340
00:14:45,151 --> 00:14:46,784
STOP, ARI. ARI, WE GET IT, OKAY?
341
00:14:46,819 --> 00:14:49,019
WE'RE SORRY AND
WE WILL WORK IT OUT.
342
00:14:49,054 --> 00:14:51,066
- THERE'S NOTHING TO WORK OUT.
- SEE WHAT I'M DEALING WITH?
343
00:14:51,090 --> 00:14:53,123
- YOU SEE THIS?
- SHUT UP, SHUT UP. LLOYD!
344
00:14:54,694 --> 00:14:56,405
- ACCOUNTING JUST
BROUGHT THIS UP.
- ALL RIGHT.
345
00:14:56,429 --> 00:14:58,629
LOOK, AS REPULSED AS I AM
346
00:14:58,665 --> 00:15:01,399
BY THE FACT THAT YOU FUCKED
YOUR TWIN BROTHER'S WIFE,
347
00:15:01,434 --> 00:15:02,966
IT'S NOT MY PROBLEM.
348
00:15:03,002 --> 00:15:05,202
FUCKING YOUR COWORKER'S WIFE...
349
00:15:05,237 --> 00:15:07,204
THAT IS.
350
00:15:07,239 --> 00:15:09,173
BUT NOW I'VE GOT
A BIGGER PROBLEM.
351
00:15:09,208 --> 00:15:12,610
- PLEASE TELL ME
THAT YOU ARE JEFF.
- I'M JIM.
352
00:15:12,645 --> 00:15:15,045
HOW CAN ANYONE
TELL YOU TWO APART?
353
00:15:15,080 --> 00:15:17,481
- I WEAR A WINDSOR KNOT.
- WHAT DOES IT MATTER?!
354
00:15:17,517 --> 00:15:19,550
JEFF...
355
00:15:19,585 --> 00:15:21,452
HAS OUTEARNED YOU...
356
00:15:21,487 --> 00:15:24,154
SIGNIFICANTLY FOR
THE PAST THREE YEARS.
357
00:15:24,190 --> 00:15:26,957
- SO YOU WON'T FIRE HIM?
- BUDDY, LISTEN TO ME.
358
00:15:26,992 --> 00:15:28,870
I RUN A BUSINESS
HERE, NOT THE U.N.
359
00:15:28,894 --> 00:15:31,674
CLEARLY, YOU TWO WILL NEVER
BE ABLE TO WORK TOGETHER AGAIN.
360
00:15:31,698 --> 00:15:33,542
SO, WHAT? YOU'RE GONNA FIRE ME?
361
00:15:33,566 --> 00:15:36,033
YOU'RE LEAVING ME NO CHOICE.
362
00:15:39,706 --> 00:15:41,717
YOU KNOW WHAT? FUCK YOU!
363
00:15:41,741 --> 00:15:43,607
AND FUCK YOU!
364
00:15:46,713 --> 00:15:48,256
HEY, YOU DID WHAT YOU HAD TO DO.
365
00:15:48,280 --> 00:15:50,326
- IT'S ABOUT THE NUMBERS...
- GET OUT OF MY FACE.
366
00:15:50,350 --> 00:15:53,417
GO BACK TO WORK.
YOU MAKE ME SICK.
367
00:15:53,453 --> 00:15:54,985
LLOYD!
368
00:15:55,020 --> 00:15:56,821
THE CURSE OF THE
MULTIPLES IS OVER.
369
00:15:57,857 --> 00:16:00,524
(chanting in foreign language)
370
00:16:09,301 --> 00:16:10,835
(hissing)
371
00:16:13,072 --> 00:16:15,351
PLEASE, GARY, DO YOU
HAVE TO THROW IT AT ME?
372
00:16:15,375 --> 00:16:18,242
HEY, YOU WANT HIM IN CLOSE,
WORKING YOU OVER WITH BRUSHES?
373
00:16:18,277 --> 00:16:20,745
WE'LL GET TO THE DETAILS LATER.
374
00:16:22,214 --> 00:16:25,082
(chanting)
375
00:16:25,117 --> 00:16:27,028
KEEP YOUR EYES STRAIGHT,
PLEASE. DON'T LOOK AT THE PAINT.
376
00:16:27,052 --> 00:16:29,754
THE PAINT WILL BE ON YOU SOON.
377
00:16:33,158 --> 00:16:35,459
(laughs)
378
00:16:35,495 --> 00:16:37,695
- LOOKING GOOD, JOHNNY.
- Gary: WHEE! WHA!
379
00:16:37,730 --> 00:16:40,075
WHOA! I JUST TALKED
TO THE STORE,
380
00:16:40,099 --> 00:16:41,977
E WILL HAVE THE
DESK THIS AFTERNOON.
381
00:16:42,001 --> 00:16:45,335
- WHOA!
- YEAH, GREAT. WELL, HE BETTER LOVE IT
382
00:16:45,371 --> 00:16:47,315
OR YOU'RE PAYING FOR MY THERAPY.
383
00:16:47,339 --> 00:16:49,172
Gary: THERAPY WILL LET YOU DOWN.
384
00:16:49,208 --> 00:16:51,475
THIS...
385
00:16:51,511 --> 00:16:53,210
IS YOUR THERAPY.
386
00:16:53,245 --> 00:16:54,978
(groans)
387
00:16:55,014 --> 00:16:57,359
WHAT DO YOU MEAN YOU NEED
CONFIRMATION? YOU ARE THE CONFIRMATION.
388
00:16:57,383 --> 00:16:59,995
WELL, YOU NEED TO TELL MR. CHASE
THAT THE SCREEN ACTORS GUILD
389
00:17:00,019 --> 00:17:02,286
REQUIRES HIM TO
UPDATE HIS FORMS.
390
00:17:02,321 --> 00:17:04,700
- UPDATE HIS FORMS? HE DOESN'T OPEN HIS MAIL!
- (cell phone ringing)
391
00:17:04,724 --> 00:17:06,268
Woman: Sir, please calm down.
392
00:17:06,292 --> 00:17:08,926
YOU KNOW WHAT?
FORGET IT. I'LL CALL BACK.
393
00:17:08,961 --> 00:17:11,440
- HELLO?
- PLEASE TELL ME
YOU'RE NOT THE IDIOT
394
00:17:11,464 --> 00:17:14,704
- THAT'S BEEN CALLING "VARIETY"
TRYING TO TAKE OUT AN AD.
- THIS ISN'T HAPPENING.
395
00:17:14,734 --> 00:17:17,479
DO YOU REALLY THINK IF SOMEONE CALLS
THE PRESS AND THROWS VINCE'S NAME AROUND
396
00:17:17,503 --> 00:17:19,981
- I'M NOT GONNA HEAR ABOUT IT?
- Eric: I'm not trying
to keep it a secret.
397
00:17:20,005 --> 00:17:22,484
- I'm just trying to get my name
out there a little bit.
- BY TAKING OUT AN AD?
398
00:17:22,508 --> 00:17:24,019
WHO ARE YOU, THE
FUCKING ROTO-ROOTER MAN?
399
00:17:24,043 --> 00:17:25,587
YOU WANT YOUR NAME
OUT THERE, YOU CALL ME.
400
00:17:25,611 --> 00:17:27,355
ALL RIGHT, SHAUNA. NOW
THAT I HAVE YOU ON THE PHONE,
401
00:17:27,379 --> 00:17:28,724
I'D LIKE MY NAME OUT
THERE A LITTLE BIT.
402
00:17:28,748 --> 00:17:31,214
- ASK ME NICELY.
- Shauna...
403
00:17:31,250 --> 00:17:34,919
GO TO "VARIETY," E. ASK FOR JACKIE
STONE. SHE'LL BE THERE TILL 4:00.
404
00:17:34,954 --> 00:17:36,665
She'll do a press
release on you,
405
00:17:36,689 --> 00:17:38,233
ask you a couple of questions,
406
00:17:38,257 --> 00:17:40,402
write a few sentences. Will
take you 20 minutes tops
407
00:17:40,426 --> 00:17:41,970
and it won't cost you a dime.
408
00:17:41,994 --> 00:17:44,862
- WOW. THANKS, SHAUNA.
- WHERE'S MY FUCKING KID?
409
00:17:45,932 --> 00:17:47,665
(groans)
410
00:17:47,700 --> 00:17:49,399
HE THREW UP ON ME.
411
00:17:49,435 --> 00:17:51,134
OH, RELAX, CHRISTY.
412
00:17:51,170 --> 00:17:53,250
I'M SURE HE'S NOT THE
FIRST GUY TO PUKE ON YOU.
413
00:17:56,108 --> 00:17:58,187
- IT'S TIME, ARI! IT'S TIME!
- CALM, LLOYD.
414
00:17:58,211 --> 00:18:00,544
MISS MARY J. BLIGE JUST
GOT OFF THE ELEVATOR.
415
00:18:00,580 --> 00:18:02,558
- BE COOL, LLOYD, BE COOL.
- I CAN'T BE COOL.
416
00:18:02,582 --> 00:18:04,348
OH! FEEL MY BEATING HEART.
417
00:18:04,383 --> 00:18:06,850
SHE'S A CHICK, LLOYD. THERE
MAY BE HOPE FOR YOU YET.
418
00:18:06,885 --> 00:18:08,330
- Mary: HEY.
- Ari: THERE SHE IS.
419
00:18:08,354 --> 00:18:09,831
- HOW ARE YOU?
- GOOD, HOW ARE YOU?
420
00:18:09,855 --> 00:18:11,333
- I'M GREAT.
- YOU LOOK STUNNING.
421
00:18:11,357 --> 00:18:13,235
THANK YOU. YOU PICK OUT
THAT SUIT JUST FOR ME?
422
00:18:13,259 --> 00:18:15,299
ACTUALLY, MY WIFE DID. YOU LIKE?
423
00:18:16,662 --> 00:18:18,502
- YOU SMELL NICE.
- (Lloyd giggles)
424
00:18:18,531 --> 00:18:21,343
- EVERYONE, THIS IS
MISS MARY J. BLIGE!
- Mary: HEY! THANK YOU.
425
00:18:21,367 --> 00:18:22,944
- (cheering)
- I'M EXCITED TO BE HERE.
426
00:18:22,968 --> 00:18:26,270
- THANK YOU.
- Ari: LET'S GET STARTED.
427
00:18:26,305 --> 00:18:28,439
LET'S DO IT.
428
00:18:29,742 --> 00:18:32,743
ARI, WHERE'S JIM?
429
00:18:32,778 --> 00:18:34,911
(hip-hop music playing)
430
00:18:38,784 --> 00:18:40,551
HEY, FELLAS. WE JUST
GOT THE MESSAGE.
431
00:18:40,586 --> 00:18:43,398
- WHAT'S THE PROBLEM?
- THIS THING WILL NEVER
GET UP TO THAT OFFICE.
432
00:18:43,422 --> 00:18:47,124
NO WAY. THE STAIRWELL IS TOO
NARROW AND IT WON'T FIT IN THE ELEVATOR.
433
00:18:47,159 --> 00:18:49,426
YOU CAN'T JUST JACK IT
UP THROUGH THE WINDOW?
434
00:18:50,963 --> 00:18:53,497
TURTLE, WE COULDN'T FIT
YOU THROUGH THAT WINDOW.
435
00:18:53,532 --> 00:18:55,098
WHAT ARE YOU, A SMURF?
436
00:18:55,134 --> 00:18:57,000
- (laughs)
- THAT'S FUNNY, WISEASS.
437
00:18:57,035 --> 00:18:58,869
I THOUGHT SO.
438
00:18:58,904 --> 00:19:00,649
SORRY, VINCE. IT'S
A ONE-PIECE DESK.
439
00:19:00,673 --> 00:19:02,217
THE ONLY WAY YOU GETTING
THAT BAD BOY UP THERE
440
00:19:02,241 --> 00:19:04,720
IS IF YOU CUT A HOLE IN THE
ROOF AND HELICOPTER IT IN.
441
00:19:04,744 --> 00:19:06,343
HOW MUCH WOULD THAT COST?
442
00:19:06,379 --> 00:19:08,412
IT'S A JOKE, SMURF.
443
00:19:08,447 --> 00:19:11,181
- ANY OTHER SUGGESTIONS?
- YEAH.
444
00:19:11,216 --> 00:19:13,250
RETURN THE DESK AND
GET YOUR MONEY BACK.
445
00:19:13,286 --> 00:19:15,552
MAN, IT'S TOO NICE FOR
THIS SHITHOLE, ANYWAY.
446
00:19:16,722 --> 00:19:18,656
SO YOU HAVEN'T HAD
AN OFFICE UNTIL NOW?
447
00:19:18,691 --> 00:19:20,235
WELL, I REALLY
HAVEN'T NEEDED ONE.
448
00:19:20,259 --> 00:19:21,870
I MEAN, WE'VE HAD SO MUCH
SPACE AT VINCE'S HOUSE,
449
00:19:21,894 --> 00:19:23,938
BUT NOW WE'RE ALL LIVING
IN A SMALL CONDO, SO...
450
00:19:23,962 --> 00:19:26,062
- YOU GUYS LIVE TOGETHER?
- YEAH.
451
00:19:26,098 --> 00:19:28,343
I MEAN, BUT IT'S NOT LIKE THAT. WE'VE
BEEN FRIENDS SINCE WE WERE KIDS.
452
00:19:28,367 --> 00:19:31,079
WE'RE LIKE BROTHERS. PROBABLY
DON'T NEED TO WRITE THAT DOWN THOUGH.
453
00:19:31,103 --> 00:19:32,969
OH NO, IT'S AN
INTERESTING STORY.
454
00:19:33,005 --> 00:19:35,272
MAYBE WE COULD DO
SOMETHING BIGGER...
455
00:19:35,308 --> 00:19:38,008
A LITTLE PROFILE. DO YOU
HAVE TIME FOR A PHOTO?
456
00:19:38,043 --> 00:19:39,576
YEAH, SURE.
457
00:19:39,612 --> 00:19:41,645
I DIDN'T EVEN KNOW
THAT YOU KNEW JIM.
458
00:19:41,681 --> 00:19:44,881
I KNOW ALL MY PEOPLE,
ARI. AND JIM'S REALLY SWEET.
459
00:19:44,917 --> 00:19:47,462
DID YOU KNOW HE SENDS A PERSONAL
HANDWRITTEN NOTE OUT WITH EVERY SCRIPT?
460
00:19:47,486 --> 00:19:49,019
I DID NOT KNOW THAT, NO.
461
00:19:49,054 --> 00:19:50,587
IT'S A NICE TOUCH.
462
00:19:50,623 --> 00:19:52,155
HMM. YOU KNOW WHAT?
463
00:19:52,191 --> 00:19:54,057
WE'RE GONNA GET JEFF
CALLIGRAPHY LESSONS
464
00:19:54,092 --> 00:19:55,970
AND NOW HE'S GONNA BE
THE ONE THAT'S SWEET TO YOU.
465
00:19:55,994 --> 00:19:57,939
NO, PLEASE. KEEP
JEFF AWAY FROM ME.
466
00:19:57,963 --> 00:19:59,808
HE'S WEIRD AND HE'S
ALWAYS STARING AT MY ASS.
467
00:19:59,832 --> 00:20:02,566
JEFF? NO, HE HAS A LAZY EYE.
468
00:20:02,601 --> 00:20:05,902
- THAT'S PROBABLY
WHAT YOU'RE SEEING.
- EITHER WAY, I LIKE JIM.
469
00:20:05,938 --> 00:20:08,706
- DID YOU REALLY
HAVE TO FIRE HIM?
- UNFORTUNATELY, I DID, YEAH.
470
00:20:08,741 --> 00:20:11,074
- WHY? WHAT HAPPENED?
- UH, YOU, UH...
471
00:20:11,109 --> 00:20:13,377
THE LESS YOU KNOW,
THE BETTER, BELIEVE ME.
472
00:20:13,412 --> 00:20:15,624
IF I WERE TO TELL YOU ALL THE
DETAILS, IT WOULD SICKEN YOU.
473
00:20:15,648 --> 00:20:17,514
- SOUNDS BAD.
- IT IS, IT IS.
474
00:20:17,550 --> 00:20:20,150
BELIEVE ME, I TAKE
NO GREAT PLEASURE
475
00:20:20,185 --> 00:20:22,386
IN FIRING ANYONE, BUT...
ESPECIALLY SOMEONE
476
00:20:22,421 --> 00:20:24,788
THAT'S HAD SUCH A
POSITIVE IMPACT ON YOU.
477
00:20:24,824 --> 00:20:26,890
- ANYWAY, ARI, THANK YOU.
- (elevator dings)
478
00:20:26,925 --> 00:20:28,370
- GOOD STUFF IN THERE TODAY.
- YES, YOU TOO...
479
00:20:28,394 --> 00:20:30,238
- OH, HEY, MARY J.
- HEY, JIM, HOW YOU DOING?
480
00:20:30,262 --> 00:20:32,863
- LET'S GO BACK TO THE OFFICE.
- WAIT WAIT WAIT. NO NO NO NO!
481
00:20:32,898 --> 00:20:35,544
- DID HE TELL YOU
THAT HE FIRED ME?
- LISTEN, HEY,
482
00:20:35,568 --> 00:20:37,379
YOU DON'T HAVE TO AIR OUT
YOUR DIRTY LAUNDRY HERE.
483
00:20:37,403 --> 00:20:39,403
OH, WOULD THAT BE THE
"MY-BROTHER-FUCKS-MY-WIFE-
484
00:20:39,438 --> 00:20:42,706
AND-BECAUSE-HE-EARNS MORE-FOR-YOU-YOU-FIRE-ME"
DIRTY LAUNDRY, ASSHOLE?
485
00:20:42,742 --> 00:20:44,775
ONE LOVE, MARY.
486
00:20:45,845 --> 00:20:48,479
YOU'RE AN ANIMAL, ARI.
487
00:20:52,184 --> 00:20:54,396
- DID YOU SEE M.J. OFF?
- I SAW HER OFF,
ALL RIGHT, LLOYD.
488
00:20:54,420 --> 00:20:56,453
OFF TO I.C.M.
489
00:20:56,489 --> 00:20:59,923
- JEFF!
- HEY, ARI,
YOU GOT IT RIGHT.
490
00:21:00,993 --> 00:21:02,526
WHAT THE HELL?
491
00:21:02,561 --> 00:21:05,763
HOW CAN ONE EMBRYO
PRODUCE TWO FUCKING LOSERS?
492
00:21:05,798 --> 00:21:08,331
- ARI, WHAT'S THE PROBLEM?
- THE PROBLEM IS...
493
00:21:08,367 --> 00:21:10,066
YOU'RE A DISGUSTING MUTANT.
494
00:21:10,102 --> 00:21:12,302
NOW GO RECONJOIN
WITH YOUR BROTHER
495
00:21:12,337 --> 00:21:14,337
ON THE UNEMPLOYMENT LINE!
496
00:21:20,546 --> 00:21:23,079
I DON'T KNOW WHAT YOU'RE
FREAKING OUT ABOUT, E.
497
00:21:23,115 --> 00:21:24,626
I WENT IN THERE TO
WRITE A FEW SENTENCES,
498
00:21:24,650 --> 00:21:26,617
AND THEY AMBUSHED
ME WITH A WHOLE EXPOSÉ.
499
00:21:26,652 --> 00:21:28,652
I WASN'T READY FOR IT.
HIT "REFRESH," TURTLE.
500
00:21:30,155 --> 00:21:32,801
- NOTHING.
- WELL, THE NEW "VARIETY"
COMES UP AT 10:00 P.M.
501
00:21:32,825 --> 00:21:34,936
Turtle: YEAH, WELL, IT'S
9:59 AND IT'S NOT UP YET.
502
00:21:34,960 --> 00:21:36,671
- HIT "REFRESH."
- RELAX, E.
503
00:21:36,695 --> 00:21:38,495
IT'S JUST A LITTLE PRESS.
504
00:21:38,531 --> 00:21:40,864
IT'S HIS FIRST REAL
PRESS. HE'S NERVOUS.
505
00:21:40,900 --> 00:21:44,112
YEAH, I REMEMBER MY FIRST PIECE
OF PRESS... "BACK STAGE WEST."
506
00:21:44,136 --> 00:21:46,147
I COULDN'T GET AN
AUDITION TO SAVE MY LIFE
507
00:21:46,171 --> 00:21:49,740
UNTIL MY GROUNDBREAKING
ROLE AS LENNY.
508
00:21:49,775 --> 00:21:51,575
HEADLINE ON PAGE 14 READ
509
00:21:51,610 --> 00:21:54,878
"OF MICE AND THE MAN
KNOWN AS JOHNNY CHASE."
510
00:21:54,914 --> 00:21:57,626
DID THEY DUB YOU "CANDLELIGHT DINNER
THEATER'S BIGGEST AND BEST RETARD"?
511
00:21:57,650 --> 00:21:59,650
- (laughing)
- Eric: "REFRESH," TURTLE.
512
00:22:00,853 --> 00:22:03,186
- WHOA, IT'S UP.
- HUH.
513
00:22:03,221 --> 00:22:04,721
THEY GOT A PICTURE, E.
514
00:22:04,757 --> 00:22:06,367
- GOOD PHOTO.
- YOU LOOK CUTE.
515
00:22:06,391 --> 00:22:08,725
- (laughing)
- WHAT'S THE HEADLINE SAY?
516
00:22:08,761 --> 00:22:11,628
"THE NEW NEPOTISM IN HOLLYWOOD."
517
00:22:11,664 --> 00:22:13,274
OH, JESUS CHRIST.
YOU KNOW, I KNEW IT!
518
00:22:13,298 --> 00:22:16,032
I KNEW IT! I'M SO... I'M
SO PISSED RIGHT NOW.
519
00:22:16,068 --> 00:22:18,112
- SORRY, E.
- WHAT'S WRONG
WITH NEPOTISM?
520
00:22:18,136 --> 00:22:20,471
HEY, VINCE, ARE YOU COMING?
521
00:22:27,045 --> 00:22:28,512
WHO'S THAT?
522
00:22:28,547 --> 00:22:31,314
(door closes)
523
00:22:31,350 --> 00:22:35,051
"A NEW TREND IS INFILTRATING THE
ALREADY-IMPENETRABLE POPULAR TABLE OF HOLLYWOOD."
524
00:22:35,087 --> 00:22:37,966
- YOU ALREADY READ THIS.
- WELL, IT SOUNDS WORSE
ON REAL PAPER.
525
00:22:37,990 --> 00:22:39,868
NOW THE WHOLE CITY'S READING IT.
526
00:22:39,892 --> 00:22:42,526
"ERIC MURPHY HAS PAVED THE
WAY FOR THOSE LIKE CASEY COBB,
527
00:22:42,561 --> 00:22:44,439
CHILDHOOD FRIEND
OF JESSICA SIMPSON,
528
00:22:44,463 --> 00:22:46,007
TO COME AND SURF
THE WAVE OF CELEBRITY
529
00:22:46,031 --> 00:22:47,976
IN HOPES OF BECOMING
A PERMANENT FIXTURE
530
00:22:48,000 --> 00:22:49,644
IN THE BUSINESS
OF THE BUSINESS."
531
00:22:49,668 --> 00:22:51,568
YOU'RE PAVING THE
WAY, THAT'S A PLUS.
532
00:22:51,604 --> 00:22:53,548
- WHO CARES, E, HUH?
- YEAH, WHO CARES?
533
00:22:53,572 --> 00:22:55,906
NO PRESS IS BAD PRESS.
534
00:22:55,941 --> 00:22:58,408
- WHERE ARE WE GOING?
- TO CHEER YOU UP.
535
00:22:58,443 --> 00:23:01,222
I JUST WANT TO GET BACK IN THE OFFICE,
FIGURE OUT A WAY TO REPAIR THE DAMAGE.
536
00:23:01,246 --> 00:23:04,593
YOU'RE GONNA NEED A NEW DESK TO
REPAIR THE DAMAGES. WE GOT YOU A NEW DESK.
537
00:23:04,617 --> 00:23:07,250
- YOU GOT ME A DESK?
- Vince: UH-HUH.
538
00:23:07,285 --> 00:23:09,352
Vince: THIS IS IT.
539
00:23:10,656 --> 00:23:12,188
- WOW.
- Vince: YOU LIKE?
540
00:23:12,224 --> 00:23:14,925
YEAH, I LOVE IT. IT'S NEVER
GONNA FIT IN MY OFFICE.
541
00:23:14,960 --> 00:23:17,494
ACTUALLY, E, IT ALREADY DOES.
542
00:23:17,530 --> 00:23:20,597
- HUH?
- THIS IS YOUR OFFICE, E.
543
00:23:20,633 --> 00:23:22,933
- AND THAT'S MINE OVER THERE.
- AND MINE'S OVER THERE.
544
00:23:22,968 --> 00:23:24,946
Vince: AND I GOT ONE TOO,
JUST IN CASE WE MISS YOU.
545
00:23:24,970 --> 00:23:27,771
- Vince: WE CAN ALL HANG.
- BUILDING A SICK
LOUNGE OUT THERE
546
00:23:27,806 --> 00:23:30,874
- WITH A HUGE, HUGE PLASMA.
- HOW MUCH WAS THIS PLACE,
VINCE?
547
00:23:30,910 --> 00:23:33,110
E, YOU CAN'T PUT A
PRICE ON COMFORT.
548
00:23:33,145 --> 00:23:35,211
JUST ENJOY IT.
549
00:23:35,247 --> 00:23:37,280
THANKS, VINCE. NOW I
FEEL REALLY WORTHLESS.
550
00:23:37,315 --> 00:23:38,849
(cell phone ringing)
551
00:23:40,753 --> 00:23:42,452
- HELLO.
- Man: Hello, Eric Murphy?
552
00:23:42,487 --> 00:23:45,622
- SPEAKING.
- HEY, PETER JACKSON
CALLING FROM NEW ZEALAND.
553
00:23:47,225 --> 00:23:49,070
HI. THANKS FOR
GETTING BACK TO ME.
554
00:23:49,094 --> 00:23:50,727
WOULD HAVE CALLED YOU YESTERDAY,
555
00:23:50,763 --> 00:23:52,829
BUT NO ONE DOWN HERE
KNEW WHO THE HELL YOU WERE.
556
00:23:52,865 --> 00:23:55,777
Eric Murphy... now you're not
related to Eddie by any chance?
557
00:23:55,801 --> 00:23:58,134
- WELL, I'M NOT.
- JUST A LITTLE WIND-UP, MATE.
558
00:23:58,170 --> 00:23:59,836
LOOK, I SAW THE
"VARIETY" ARTICLE.
559
00:23:59,872 --> 00:24:01,872
- YEAH?
- HEY, DON'T WORRY.
560
00:24:01,907 --> 00:24:03,919
A LITTLE MEDIA BASHING
EVERY NOW AND AGAIN
561
00:24:03,943 --> 00:24:05,609
KEEPS US ALL HONEST.
562
00:24:05,644 --> 00:24:07,656
BUT I'LL TELL YOU
SOMETHING ABOUT ARI GOLD...
563
00:24:07,680 --> 00:24:10,146
There's only one thing a
cretin like that understands
564
00:24:10,182 --> 00:24:12,827
AND THAT'S AN AIRBORNE
TELEPHONE RIGHT BETWEEN THE EYES.
565
00:24:12,851 --> 00:24:15,351
Anyway, it's good to
know that those of us
566
00:24:15,387 --> 00:24:16,865
THAT WANT TO BE IN THE
VINCENT CHASE BUSINESS
567
00:24:16,889 --> 00:24:19,189
HAVE GOT A LEGITIMATE
MANAGER TO TALK TO.
568
00:24:19,224 --> 00:24:22,559
- WELL, THANK YOU.
- SO, LOOK, I'M... I'M
ACTUALLY KIND OF BUSY.
569
00:24:22,595 --> 00:24:25,774
- SO WHAT EXACTLY DO YOU WANT?
- I WANTED TO TALK TO YOU ABOUT
YOUR GAMING COMPANY.
570
00:24:25,798 --> 00:24:28,999
WELL, I'M ACTUALLY GONNA
BE IN THE STATES NEXT WEEK.
571
00:24:29,034 --> 00:24:32,836
SO WHY DON'T WE DO THIS... WHY DON'T WE
HAVE YOUR ASSISTANT CALL MY ASSISTANT
572
00:24:32,871 --> 00:24:34,816
and then decide
what to do from there?
573
00:24:34,840 --> 00:24:36,740
- How does that sound?
- GREAT.
574
00:24:36,775 --> 00:24:38,475
- THANK YOU.
- Cheers.
575
00:24:38,510 --> 00:24:41,430
- WHAT WAS THAT?
- I THINK I'M GONNA
NEED AN ASSISTANT.
576
00:24:42,514 --> 00:24:44,715
(hip-hop music playing)