1 00:01:23,083 --> 00:01:26,218 Drama: AM I NUTS OR WOULD A HOODIE MAKE ME LOOK 10 YEARS YOUNGER? 2 00:01:26,253 --> 00:01:28,265 - 10 YEARS YOUNGER THAN HIM MAYBE, DRAMA. - BLOW ME, E. 3 00:01:28,289 --> 00:01:31,134 I DON'T KNOW WHAT YOU'RE SO NERVOUS ABOUT, JOHNNY. YOU'RE JUST GOING BACK TO WORK. 4 00:01:31,158 --> 00:01:32,925 GUYS AT WORK THINK I'M OLD, BRO. 5 00:01:32,960 --> 00:01:35,194 THEY TREAT ME OLD, AND THE WRITERS WRITE ME OLD. 6 00:01:35,229 --> 00:01:37,062 THIS SEASON I'M AGING DOWN. 7 00:01:37,097 --> 00:01:39,798 I'M GONNA GET ME A STORYLINE WITH SOMEONE AROUND 19. 8 00:01:39,834 --> 00:01:42,534 - HE'LL PLAY YOUR BOY TOY. - WOULD YOU LOOK AT THIS BEAST? 9 00:01:42,569 --> 00:01:45,048 LOOKS JUST LIKE THE ONE I GOT AT THE ARMY/NAVY IN THE SIXTH GRADE. 10 00:01:45,072 --> 00:01:46,950 YEAH, ONLY ABOUT TWO GRAND MORE. 11 00:01:46,974 --> 00:01:49,085 TWO GRAND JUST TO HANG WITH THE COOL KIDS, HUH? 12 00:01:49,109 --> 00:01:52,088 GREAT, JOHNNY, YOU KNOW WHAT? IT'S ON ME. 13 00:01:52,112 --> 00:01:54,012 YOU COME INTO SOME MONEY, BRO? 14 00:01:54,048 --> 00:01:56,559 - NO, WE GOT INTO CANNES. - IT'S FILM FESTIVAL, NOT A JOB, VINCE. 15 00:01:56,583 --> 00:01:58,862 JOBS ARE COMING, E. I CAN FEEL IT. 16 00:01:58,886 --> 00:02:01,586 HERE'S MY BARNEYS CARD. KNOCK YOURSELF OUT. 17 00:02:01,621 --> 00:02:03,700 - I'LL TAKE IT OFF MY TAB, BRO. - SWEET. 18 00:02:03,724 --> 00:02:05,768 WE GOT WALSH UPSTAIRS IN FIVE. WE'LL SEE YOU GUYS LATER. 19 00:02:05,792 --> 00:02:07,237 - LATER. - HAVE FUN, BOYS. 20 00:02:07,261 --> 00:02:09,139 ALL RIGHT, YOU BUYING THAT OR WHAT, PRETTY WOMAN? 21 00:02:09,163 --> 00:02:12,965 NOT NOW, TURTLE. CHECK OUT THAT HAT. 22 00:02:13,000 --> 00:02:14,711 - Turtle: WHAT ABOUT IT? - IT'S AWESOME. 23 00:02:14,735 --> 00:02:17,069 THE POTHEADS AT WORK WILL FREAK. 24 00:02:17,104 --> 00:02:19,983 POTHEADS? YOU'RE AGING YOURSELF UP WITH THAT PHRASE, DRAMA. 25 00:02:20,007 --> 00:02:22,252 YO, PRETTY DOPE LID YOU'RE SPORTING THERE, HOMBRE. 26 00:02:22,276 --> 00:02:24,109 WHERE'D YOU GET IT? 27 00:02:24,144 --> 00:02:26,656 SO MAYBE WE SHOULD START THINKING ABOUT A NEW HOUSE. 28 00:02:26,680 --> 00:02:28,658 YEAH, MAYBE WE SHOULD START THINKING ABOUT A NEW JOB. 29 00:02:28,682 --> 00:02:30,727 I TOLD YOU, E, JOBS ARE COMING. 30 00:02:30,751 --> 00:02:33,151 - GOD, YOU'RE SO NEGATIVE. - HEY! 31 00:02:33,187 --> 00:02:36,154 - HEY, SNOOP, WHAT UP? - NOTHING LIKE YOU GOT GOING ON. 32 00:02:36,190 --> 00:02:37,901 - WHAT'S UP, SNOOP? - WHAT'S UP, E? 33 00:02:37,925 --> 00:02:40,625 SEE YOU ALL GOT THAT "MEDELLIN" INTO CANNES OR IS IT CANNES? 34 00:02:40,660 --> 00:02:41,972 - IT'S CANNES. - IT'S CANNES. 35 00:02:41,996 --> 00:02:43,661 - REALLY? - YEAH. 36 00:02:43,697 --> 00:02:46,009 - EITHER WAY, MAN, CONGRATULATIONS. - Vince: THANKS. 37 00:02:46,033 --> 00:02:48,733 AND I SEEN THE TRAILER. WHOO! THAT MOTHERFUCKER'S OFF THE HOOK. 38 00:02:48,769 --> 00:02:50,369 - TRAILER? - WHERE? 39 00:02:50,404 --> 00:02:51,536 ON YOUTUBE THIS MORNING. 40 00:02:51,571 --> 00:02:53,638 Y'ALL MAKE "BLOW" LOOK LIKE "ROMPER ROOM." 41 00:02:53,673 --> 00:02:55,340 THANKS. 42 00:02:55,376 --> 00:02:56,975 SUCCESS AND NOTHING LESS, MAN. 43 00:02:57,011 --> 00:02:59,489 - ALL RIGHT, SNOOP, WE'LL SEE YOU NEXT TIME. - PEACE. 44 00:02:59,513 --> 00:03:00,924 SOMEBODY LEAKED THE TRAILER? 45 00:03:00,948 --> 00:03:04,449 - WALSH SHOULD BE HAPPY. - I THINK HE ALREADY ISN'T. 46 00:03:04,484 --> 00:03:06,618 HEY, WHAT'S UP, BILLY? 47 00:03:06,653 --> 00:03:09,121 NOTHING GOOD. SOMEBODY PUT THE TRAILER ON THE NET. 48 00:03:09,156 --> 00:03:11,801 - YEAH, I KNOW. WE JUST HEARD. - YEAH, ANY IDEA WHO? 49 00:03:11,825 --> 00:03:14,393 JUST ONE. 50 00:03:14,428 --> 00:03:15,994 WHAT, ARE YOU KIDDING ME? 51 00:03:16,030 --> 00:03:18,330 - I ONLY GAVE IT TO YOU. - YEAH, AND IT'S AT MY HOUSE. 52 00:03:18,365 --> 00:03:20,743 YEAH, AND NOW IT'S ALL OVER THE FUCKING INTERNET, 53 00:03:20,767 --> 00:03:23,868 - YOU RAT COCKSUCKER. - LISTEN, E WOULD NEVER DO THAT. 54 00:03:23,904 --> 00:03:25,782 VINCE, HE HATED THE MOVIE. HE WAS WRONG. 55 00:03:25,806 --> 00:03:28,051 NOW HE'S TRYING TO SABOTAGE IT NO MATTER WHAT IT DOES TO YOU. 56 00:03:28,075 --> 00:03:30,175 - FUCK YOU. - NO, FUCK YOU. 57 00:03:30,210 --> 00:03:32,088 YOU SUCK AT YOUR JOB. YOU GOT A NAPOLEONIC COMPLEX, 58 00:03:32,112 --> 00:03:34,090 AND I'M GONNA FUCK YOUR MOTHER IF I EVER MEET HER. 59 00:03:34,114 --> 00:03:35,825 - GET YOUR FINGER OUT OF MY FACE. - OR WHAT? 60 00:03:35,849 --> 00:03:37,760 - IT'S GONNA END UP UP YOUR ASS. - WHY DON'T YOU ADMIT 61 00:03:37,784 --> 00:03:40,252 THAT YOU'RE A TRAITOROUS PUSSY AND YOU LIKE TO SUCK COCK? 62 00:03:40,287 --> 00:03:42,254 HEY HEY HEY! 63 00:03:46,793 --> 00:03:50,162 ARE YOU SURE THE KID SAID 7263 MELROSE? 64 00:03:50,197 --> 00:03:52,130 YEAH, RIGHT NEXT TO ALBANO'S. 65 00:03:52,166 --> 00:03:55,200 THIS DON'T LOOK LIKE A CLOTHING STORE. 66 00:03:57,037 --> 00:03:59,037 LOOK AGAIN. 67 00:03:59,073 --> 00:04:01,606 YOU SMELL THAT? 68 00:04:01,641 --> 00:04:04,209 YEAH, ALBANO'S. WE'LL GET A SLICE OF PEPPERONI AFTER. 69 00:04:04,244 --> 00:04:06,522 I'M NOT TALKING ABOUT PIZZA. 70 00:04:06,546 --> 00:04:08,447 THAT'S SOME FINE HERB. 71 00:04:08,482 --> 00:04:10,449 YEAH, WHAT IS THIS PLACE? 72 00:04:13,153 --> 00:04:15,120 HEAVEN MAYBE. 73 00:04:17,291 --> 00:04:19,891 - CAN I HELP YOU FELLAS? - YES, I BELIEVE YOU CAN. 74 00:04:19,926 --> 00:04:23,728 I WOULD LIKE TO PURCHASE ONE BLACK CALIFORNIA HOMEGROWN TRUCKER HAT, 75 00:04:23,763 --> 00:04:25,797 SIMILAR TO THE ONE ON THAT FELLA OVER THERE. 76 00:04:25,832 --> 00:04:27,677 SURE, CHIEF, SOON AS I SEE YOUR CARD. 77 00:04:27,701 --> 00:04:29,901 CARD, WHAT CARD? 78 00:04:29,936 --> 00:04:32,496 THE CARD THAT SAYS YOU'RE ALLOWED IN. 79 00:04:34,375 --> 00:04:36,408 WHY WOULDN'T I BE ALLOWED IN? 80 00:04:36,443 --> 00:04:39,522 I HOPE THERE ARE NO DISCRIMINATORY PRACTICES GOING ON HERE, BECAUSE... 81 00:04:39,546 --> 00:04:41,480 IS THIS A MEDICAL MARIJUANA FACILITY? 82 00:04:41,515 --> 00:04:44,483 UH-HUH, AND NO CARD, NO SERVICE. 83 00:04:44,518 --> 00:04:46,784 WOW. YO, SOMETHING ABOUT GETTING MY WEED LEGALLY 84 00:04:46,820 --> 00:04:50,455 - JUST NEVER SEEMED RIGHT, BUT THIS LOOKS OKAY. - IT IS OKAY. 85 00:04:50,491 --> 00:04:52,469 LOOK, I DON'T WANT ANY WEED. I JUST WANT THE HAT. 86 00:04:52,493 --> 00:04:56,328 WELL, YOU CAN'T GET THAT HAT, NOT WITHOUT A CARD. SORRY. 87 00:04:56,363 --> 00:04:58,341 COME ON, DRAMA, IT'S JUST A HAT. 88 00:04:58,365 --> 00:05:01,933 IT'S NOT JUST A HAT, TURTLE. IT'S THE KEY TO ME LANDING THE COVER OF "TIGER BEAT." 89 00:05:01,968 --> 00:05:03,801 WHERE DO I GET ONE OF THESE CARDS? 90 00:05:03,837 --> 00:05:06,071 YOU NEED A DOCTOR'S PRESCRIPTION. 91 00:05:06,106 --> 00:05:08,073 YEAH, THAT'S GREAT, JUST GREAT. 92 00:05:08,108 --> 00:05:10,042 - LET'S GO, DRAMA. - WHERE TO? 93 00:05:10,077 --> 00:05:12,355 GET YOU CHECKED OUT. I KNOW A GUY, COME ON. 94 00:05:14,181 --> 00:05:16,926 HEY, E, YOU'RE NOT GONNA TAKE ARI DOWN TOO, ARE YOU? 95 00:05:16,950 --> 00:05:19,295 THAT'S FUNNY, VINCE, BUT THIS KID'S HAD IT COMING FOR A LONG TIME. 96 00:05:19,319 --> 00:05:21,297 BUT IN THE MIDDLE OF BARNEYS? 97 00:05:21,321 --> 00:05:23,333 YOU'RE RIGHT. I SHOULD HAVE DONE IT A MONTH AGO ON SET 98 00:05:23,357 --> 00:05:25,468 - AND SAVED MYSELF THE ULCER. - YOU'RE LUCKY YOU DIDN'T GET ARRESTED. 99 00:05:25,492 --> 00:05:27,203 HE'S LUCKY THAT BUSBOY WAS THERE TO PULL ME OFF. 100 00:05:27,227 --> 00:05:28,960 I WOULD HAVE FUCKIN' KILLED HIM. HEY, LLOYD. 101 00:05:28,995 --> 00:05:30,907 OOH, SOMEBODY'S GOT A SEXY TEAR IN THEIR SHIRT. 102 00:05:30,931 --> 00:05:32,864 OH, MAN, I JUST BOUGHT THIS. 103 00:05:32,899 --> 00:05:35,278 NO NEED TO GET UPSET. IF YOU TAKE IT OFF I COULD SEW IT 104 00:05:35,302 --> 00:05:37,213 GOOD AS NEW IN A MERE MOMENT. 105 00:05:37,237 --> 00:05:39,737 SAVE YOUR HOMOEROTIC SLAVE LABOR FOR ME, LLOYD. 106 00:05:39,773 --> 00:05:42,018 E, DON'T TAKE YOUR SHIRT OFF. I DON'T WANT ANYONE GOING BLIND 107 00:05:42,042 --> 00:05:44,854 FROM THE REFLECTION OFF YOUR TRANSLUCENT BOY CHEST. 108 00:05:44,878 --> 00:05:46,978 DON'T START WITH E, ARI. HE'S VERY AGGRESSIVE TODAY. 109 00:05:47,013 --> 00:05:48,513 OOH, THAT'S SCARY. 110 00:05:48,549 --> 00:05:50,593 SO MY SERVICES ARE NOT REQUIRED? 111 00:05:50,617 --> 00:05:52,784 - THANKS ANYWAY. - LET'S DO THIS. 112 00:05:52,819 --> 00:05:54,286 DID YOU HEAR ABOUT THE TRAILER? 113 00:05:54,321 --> 00:05:55,731 THAT'S ALL I'VE BEEN HEARING ABOUT. 114 00:05:55,755 --> 00:05:57,934 LLOYD, HOW MANY CALLS HAVE WE GOTTEN ALREADY ABOUT VINCE? 115 00:05:57,958 --> 00:05:59,491 Lloyd: A BAKER'S DOZEN, AT LEAST. 116 00:05:59,526 --> 00:06:01,538 INCLUDING JEFF KATZENBERG, WHO CALLED AND SAID 117 00:06:01,562 --> 00:06:03,506 IT WAS LIKE WHEN HE SAW THE "RAY" TRAILER 118 00:06:03,530 --> 00:06:05,508 AND KNEW THAT JAMIE FOXX WAS GONNA GET AN OSCAR NOM. 119 00:06:05,532 --> 00:06:08,233 - SO THIS IS GOOD NEWS? - NO, THIS IS NOT GOOD NEWS. 120 00:06:08,268 --> 00:06:11,536 GOOD NEWS IS WHEN THE WIFE AGREES TO EAT BOX FOR YOUR BIRTHDAY. 121 00:06:11,572 --> 00:06:13,538 THIS IS GREAT NEWS! 122 00:06:13,574 --> 00:06:16,252 - I TOLD YOU THINGS WERE GONNA START TURNING. - THEY ARE TURNING FAST. 123 00:06:16,276 --> 00:06:18,676 EVERY STUDIO IN TOWN WANTS TO TAKE A MEETING. 124 00:06:18,712 --> 00:06:22,447 BUT I ONLY WANNA TAKE ONE MEETING WITH ONE STUDIO, IF YOU GUYS ARE STILL ONBOARD. 125 00:06:22,483 --> 00:06:26,251 - STILL ONBOARD WITH WHAT? - WELL, EVEN THOUGH I PRETTY MUCH FIND E USELESS, 126 00:06:26,286 --> 00:06:29,421 - HE DID SLIP ME THIS ONE YEAR AGO. - WOW, YOU REMEMBERED THIS, ARI. 127 00:06:29,456 --> 00:06:30,766 DON'T GET ALL MISTY ON ME, E. 128 00:06:30,790 --> 00:06:34,058 "LOST IN THE CLOUDS," ABOUT THE HIKER UP MOUNT ANNAPURNA. 129 00:06:34,094 --> 00:06:36,739 - I LOVE THAT STORY. - IT IS ON A FAST TRACK. GOOD EYE, E. 130 00:06:36,763 --> 00:06:39,631 GUESS WHO'S IN CONTROL OF THIS ONE... DANA GORDON. 131 00:06:39,666 --> 00:06:42,367 DANA GORDON? SHE HATES YOU, DOESN'T SHE? 132 00:06:42,402 --> 00:06:44,614 - ONLY UNTIL SHE LOVES ME AGAIN. - YOU GOT HER FIRED, ARI. 133 00:06:44,638 --> 00:06:46,882 YES, I DID, BUT NOW SHE'S GOT A NEW BIGGER JOB. 134 00:06:46,906 --> 00:06:49,486 IT WOULD HAVE TAKEN HER YEARS WITHOUT A GOOD GODDAMN KICK IN THE ASS. 135 00:06:49,510 --> 00:06:53,478 PLUS, I GOT PICTURES, SLIDES ACTUALLY, OF HER 136 00:06:53,514 --> 00:06:56,259 BEGGING ME. YOU KNOW WHAT I'M SAYING? SO HERE'S THE DEAL. 137 00:06:56,283 --> 00:06:58,250 NOW I AM READY 138 00:06:58,285 --> 00:07:01,219 TO CLEAR MY CALENDAR AND FOCUS ON ONE MISSION 139 00:07:01,255 --> 00:07:03,721 IF YOU CHOOSE TO ACCEPT. DO YOU CHOOSE? 140 00:07:03,757 --> 00:07:06,224 - ABSOLUTELY. - GET US A PAYDAY, ARI. 141 00:07:06,260 --> 00:07:08,605 CHOOSE SOME CLOTHES OTHER THAN THE ONES FROM THE SALVATION ARMY, E. 142 00:07:08,629 --> 00:07:11,229 - THIS IS RALPH LAUREN, ARI. - ONE MORE THING... 143 00:07:11,265 --> 00:07:14,277 MY BOY ELVIS MITCHELL, FORMER SUPERSTAR CRITIC OF THE "NEW YORK TIMES," 144 00:07:14,301 --> 00:07:16,446 IS IN TOWN DOING A PIECE FOR "INTERVIEW" MAGAZINE 145 00:07:16,470 --> 00:07:19,171 ABOUT THE BRAINS BEHIND "MEDELLIN"... AND YOU TOO, E. 146 00:07:19,206 --> 00:07:21,072 - REALLY? - NICE. 147 00:07:21,107 --> 00:07:24,487 GOTTA KEEP THAT MOMENTUM PUSHING. CAN YOU DO EARLY DRINKS AT THE BEVERLY WILSHIRE? 148 00:07:24,511 --> 00:07:27,579 - SURE. - AND CALL WALSH. 149 00:07:27,614 --> 00:07:29,247 NO PROBLEM. 150 00:07:29,283 --> 00:07:32,250 - THANKS. - MM-HMM. 151 00:07:32,285 --> 00:07:35,887 - I GOTTA USE MY REAL NAME? - YOU WANT THE CARD? 152 00:07:35,922 --> 00:07:37,889 I WANNA IMPROVE MY IMAGE, TURTLE, 153 00:07:37,924 --> 00:07:39,368 NOT END UP AS AN "US WEEKLY" HEADLINE. 154 00:07:39,392 --> 00:07:42,138 YOU SHOULD BE SO LUCKY, AND THIS IS NOT HEADLINE MATERIAL. 155 00:07:42,162 --> 00:07:44,062 THIS IS PERFECTLY LEGAL. 156 00:07:44,097 --> 00:07:46,508 ALL YOU HAVE TO DO IS CONVINCE THEM THAT THERE'S SOMETHING WRONG WITH YOU. 157 00:07:46,532 --> 00:07:50,034 BUT THERE'S NOT. I'M THE PICTURE OF HEALTH. 158 00:07:50,070 --> 00:07:53,404 HEY, KID, WHAT ARE YOU CLAIMING? 159 00:07:53,439 --> 00:07:56,307 NERVE DAMAGE FROM A SKATEBOARDING ACCIDENT. 160 00:07:56,343 --> 00:07:58,843 HUH... AND YOU? 161 00:07:58,879 --> 00:08:02,513 SAME, BUT FROM A CAR ACCIDENT. 162 00:08:02,548 --> 00:08:05,416 HOW ABOUT YOU ON A MOTORCYCLE ACCIDENT? 163 00:08:05,451 --> 00:08:08,253 - AND I HAVE NERVE DAMAGE? - SURE, WHY NOT? 164 00:08:08,288 --> 00:08:11,167 BECAUSE I'M TOO PHYSICALLY FIT TO HAVE NERVE DAMAGE, TURTLE. 165 00:08:11,191 --> 00:08:13,457 - LOOK AT THESE PIPES. - OH, GOD. 166 00:08:13,493 --> 00:08:15,137 - JOHNNY CHASE. - RIGHT HERE. 167 00:08:15,161 --> 00:08:17,128 FOLLOW ME. 168 00:08:17,163 --> 00:08:19,075 WHAT ARE YOU GONNA GO WITH? 169 00:08:19,099 --> 00:08:21,632 MY IMPROV SKILLS. 170 00:08:21,667 --> 00:08:23,501 YOU HAVE LEGIONNAIRES' DISEASE? 171 00:08:23,536 --> 00:08:25,003 THAT'S RIGHT. 172 00:08:25,038 --> 00:08:27,071 LEGIONNAIRES' DISEASE IS A CHRONIC LUNG DISORDER. 173 00:08:27,107 --> 00:08:29,151 I KNOW. IT'S TERRIBLE. 174 00:08:29,175 --> 00:08:32,510 MR. CHASE, I DON'T THINK SMOKING MARIJUANA 175 00:08:32,545 --> 00:08:36,080 IS THE RIGHT TREATMENT FOR A CHRONIC LUNG DISEASE, DO YOU? 176 00:08:36,116 --> 00:08:39,850 WELL, YOU'RE THE DOC. 177 00:08:39,886 --> 00:08:43,421 TYPICALLY, MEDICAL MARIJUANA IS USED TO TREAT NAUSEA 178 00:08:43,456 --> 00:08:46,524 - AS RELATED TO CANCER. - I DON'T HAVE CANCER. 179 00:08:46,559 --> 00:08:48,859 - CROHN'S DISEASE? - WHAT'S THAT? 180 00:08:48,895 --> 00:08:52,830 INTESTINAL PROBLEMS, EXTREME BOUTS OF DIARRHEA? 181 00:08:52,865 --> 00:08:54,365 THANK YOU, NO. 182 00:08:54,401 --> 00:08:57,235 - AIDS? - TESTED BIWEEKLY. NO NO. 183 00:08:57,270 --> 00:09:00,538 I THINK WE'RE AT A STALEMATE HERE. 184 00:09:00,573 --> 00:09:03,074 HEY, DOC, CAN I BE HONEST WITH YOU? 185 00:09:03,109 --> 00:09:04,675 I DON'T WANT ANY POT. 186 00:09:04,710 --> 00:09:06,855 I JUST WANT THE HAT THAT THEY SELL AT THE PLACE. 187 00:09:06,879 --> 00:09:08,257 THAT'S ALL. JUST A HAT. 188 00:09:08,281 --> 00:09:10,348 WELL, COULD I BE HONEST WITH YOU? 189 00:09:10,383 --> 00:09:13,584 I CAN'T GIVE YOU A CARD UNLESS YOU GIVE ME A LEGITIMATE REASON TO. 190 00:09:13,619 --> 00:09:16,921 SO WILL YOU GIVE ME ONE? 191 00:09:16,957 --> 00:09:19,958 - CAN I GO BACK TO CROHN'S DISEASE? - YOU ALREADY SAID NO. 192 00:09:19,993 --> 00:09:22,827 - WHAT ELSE IS THERE? - WELL, YOU CAN'T THINK OF ANYTHING? 193 00:09:22,862 --> 00:09:25,908 NO, I'M USUALLY SO GOOD ON MY FEET. FUCK, I NEED THAT HAT. 194 00:09:25,932 --> 00:09:28,967 WHY? WHAT IS SO IMPORTANT ABOUT THIS HAT? 195 00:09:29,002 --> 00:09:31,580 DOC, IN MY LINE OF WORK, YOU GOTTA DO EVERYTHING YOU CAN 196 00:09:31,604 --> 00:09:35,340 TO LOOK YOUNG. AND SINCE I DARE NOT STICK A BOTOX NEEDLE 197 00:09:35,375 --> 00:09:38,754 IN MY FACE FOR FEAR OF LOSING MY COMIC EXPRESSIVENESS, 198 00:09:38,778 --> 00:09:41,045 THIS HAT IS ALL I GOT. 199 00:09:41,081 --> 00:09:44,815 YOU SEEM LIKE AN ANXIOUS PERSON. IS THIS A FAIR ASSESSMENT? 200 00:09:44,851 --> 00:09:48,652 - WELL... - DO YOU FEEL NERVOUS FOR NO APPARENT REASON? 201 00:09:48,688 --> 00:09:51,489 - SOMETIMES. - HYPERVENTILATING? 202 00:09:51,524 --> 00:09:53,302 I DO HAVE A HISTORY OF PANIC ATTACKS. 203 00:09:53,326 --> 00:09:55,393 - BEAUTIFUL. - I THINK IT'S HEREDITARY. 204 00:09:55,428 --> 00:09:56,760 WELL, GO GET YOURSELF A HAT. 205 00:09:56,796 --> 00:09:59,230 AND DO YOURSELF A FAVOR... WHILE YOU'RE THERE, 206 00:09:59,265 --> 00:10:02,900 PICK UP SOME NICE CHILL WEED AND SMOKE JUST A LITTLE. 207 00:10:02,935 --> 00:10:06,670 I THINK YOU'RE GONNA FIND YOUR LIFE JUST A TAD MORE MANAGEABLE. 208 00:10:06,706 --> 00:10:08,506 TRUST ME. 209 00:10:10,210 --> 00:10:14,078 - THANK YOU, DOC. - YOU'RE WELCOME. 210 00:10:14,114 --> 00:10:16,892 THERE IS NO FUCKING WAY I'M APOLOGIZING TO THAT JERKOFF, VINCE. 211 00:10:16,916 --> 00:10:18,794 - FORGET IT. - I'M NOT ASKING YOU TO APOLOGIZE, 212 00:10:18,818 --> 00:10:20,596 - BUT YOU HAVE TO TALK TO HIM. - WHY? 213 00:10:20,620 --> 00:10:23,187 WHY? BECAUSE HE'S OUR DIRECTOR AND WE HAVE A MOVIE TO FINISH. 214 00:10:23,223 --> 00:10:25,301 I CAN FINISH THE MOVIE WITHOUT SAYING DICK TO HIM. 215 00:10:25,325 --> 00:10:27,436 HE DOESN'T LISTEN TO ME ANYWAY. 216 00:10:27,460 --> 00:10:30,439 - AND WHAT ABOUT TONIGHT? - YOU GO. ELVIS MITCHELL DOESN'T CARE ABOUT ME. 217 00:10:30,463 --> 00:10:33,197 E, THE GUY'S TRYING TO WRITE A STORY ABOUT THREE GUYS FROM NEW YORK 218 00:10:33,233 --> 00:10:35,933 WHO MADE A MOVIE, NOT TWO. YOU UNDERSTAND? 219 00:10:35,968 --> 00:10:37,579 ALL RIGHT, FINE, I'LL GO. BUT YOU BETTER TELL WALSH 220 00:10:37,603 --> 00:10:39,681 NOT TO FUCKING ANTAGONIZE ME OR IT'S GONNA GET UGLY. 221 00:10:39,705 --> 00:10:40,716 - ALL RIGHT. - I'M SERIOUS. 222 00:10:40,740 --> 00:10:42,173 OKAY. 223 00:10:43,776 --> 00:10:46,744 - SHE IN? - NO, YOU CANNOT GO IN THERE, MR. GOLD. 224 00:10:46,779 --> 00:10:49,680 HOW IS THE MOST FUCKABLE PRESIDENT OF PRODUCTION IN TOWN? 225 00:10:49,715 --> 00:10:51,027 ARI, GET THE FUCK OUT. 226 00:10:51,051 --> 00:10:54,552 I BROUGHT CRISTAL AND SPRINKLES CUPCAKES. YOUR FAVORITE. 227 00:10:54,587 --> 00:10:56,554 OR IS IT MINE? WHAT'S THE DIFFERENCE? 228 00:10:56,589 --> 00:10:58,856 WE USED TO EAT EVERYTHING OFF EACH OTHER ANYWAY. 229 00:10:58,891 --> 00:11:00,958 I HAVE TO CALL YOU BACK. 230 00:11:00,993 --> 00:11:02,893 WHAT DO YOU WANT, ARI? 231 00:11:02,929 --> 00:11:04,373 HAVE YOU SEEN VINCE'S TRAILER? 232 00:11:04,397 --> 00:11:06,830 - I HAVE. IT'S GOOD. - OH, PLEASE. 233 00:11:06,866 --> 00:11:10,301 IT'S FUCKING GREAT. GONNA BE DOWNLOADED MORE TIMES THAN BRITNEY'S BEAVER SHOT. 234 00:11:10,336 --> 00:11:12,770 - POINT? - POINT IS I JUST LEFT HIM. 235 00:11:12,805 --> 00:11:14,672 HE LOVES "LOST IN THE CLOUDS" ENOUGH 236 00:11:14,707 --> 00:11:17,075 TO LET YOU SCOOP HIM UP BEFORE EVERY STUDIO IN TOWN BEGS 237 00:11:17,110 --> 00:11:19,810 FOR HIS SERVICES. I'M TELLING YOU, DANA, 238 00:11:19,845 --> 00:11:22,913 BUY HIM TODAY FOR HALF OF WHAT YOU PAY FOR HIM TOMORROW. 239 00:11:22,949 --> 00:11:24,682 I CAN'T. 240 00:11:24,717 --> 00:11:27,585 DANA, DO NOT HOLD OUR PERSONAL PROBLEMS AGAINST VINCE. 241 00:11:27,620 --> 00:11:30,666 ARI, VINCE WOULD BE GREAT FOR THIS, BUT CURTIS HANSON IS DIRECTING. 242 00:11:30,690 --> 00:11:33,891 - VINCE LOVES CURTIS. - AND WE ALREADY HAVE AN OFFER OUT TO SOMEONE. 243 00:11:33,926 --> 00:11:35,859 - I HOPE TO CLOSE TODAY. - MOTHERFUCKER. 244 00:11:35,895 --> 00:11:38,329 - WHO? - HEATH LEDGER. 245 00:11:40,567 --> 00:11:43,201 SORRY, ARI. 246 00:11:43,236 --> 00:11:45,336 BUT THIS IS GOOD. 247 00:11:45,371 --> 00:11:48,506 LAY OFF THE ICING, DANA. LOOKS LIKE YOUR HIPS COULD USE A BREATHER. 248 00:11:54,847 --> 00:11:57,348 LLOYD, I NEED INFORMATION ON HEATH LEDGER. 249 00:11:57,383 --> 00:11:59,917 44-INCH CHEST, ARIES, 250 00:11:59,952 --> 00:12:01,597 AND HE LOVES RAINY DAYS AND BLACK-AND-WHITE MOVIES. 251 00:12:01,621 --> 00:12:04,589 WHO REPRESENTS HIM, LLOYD? 252 00:12:06,659 --> 00:12:07,803 JOSH WEINSTEIN. 253 00:12:07,827 --> 00:12:09,793 - FUCK YOU! - FUCK YOU! 254 00:12:09,829 --> 00:12:12,630 SORRY, ARI, THAT WAS A REFLEX. 255 00:12:12,665 --> 00:12:14,798 THIS IS GONNA BE EASIER THAN I THOUGHT. 256 00:12:14,834 --> 00:12:17,480 - WHAT IS? - YOU HAVE ANY QUEEN SPIES AT THE WEINSTEIN OFFICE? 257 00:12:17,504 --> 00:12:20,149 I HAVE SPIES AT EVERY OFFICE, ARI. DOCTORS, LAWYERS... 258 00:12:20,173 --> 00:12:22,551 - FIND OUT WHERE HE'S EATING LUNCH TODAY. - WHAT ARE YOU UP TO, ARI? 259 00:12:22,575 --> 00:12:24,308 SABOTAGE, LLOYD. AGENCY 101. 260 00:12:24,344 --> 00:12:25,976 OH, GOODY. 261 00:12:26,012 --> 00:12:28,324 WE HAVEN'T HAD A STEALTH ADVENTURE IN A WHILE. 262 00:12:28,348 --> 00:12:31,427 - YOU KNOW I DON'T SMOKE WEED DURING THE WORK SEASON. - YEAH, BUT YOU HEARD THE DOC. 263 00:12:31,451 --> 00:12:33,429 HE SAID YOU'RE NERVOUS. YOU OUGHT TO TRY SOMETHING. 264 00:12:33,453 --> 00:12:35,598 TURTLE, IF YOU WANTED THE WEED, WHY DIDN'T YOU GET THE CARD? 265 00:12:35,622 --> 00:12:37,065 I JUST WANTED TO SEE IF SOMETHING HAPPENED TO YOU FIRST. 266 00:12:37,089 --> 00:12:40,302 WELL, NOTHING DID. CHECK OUT THAT BAD BOY RIGHT THERE. 267 00:12:40,326 --> 00:12:42,226 IMPRESSIVE. WHAT'S WRONG WITH YOU? 268 00:12:42,262 --> 00:12:44,662 - PANIC DISORDER. - I'LL BUY THAT. 269 00:12:46,799 --> 00:12:49,080 YO, WHERE THE HATS AT? 270 00:12:54,740 --> 00:12:57,007 - OH, YEAH. - OH! 271 00:12:57,043 --> 00:12:58,809 HEY, CAN I HELP YOU GUYS? 272 00:12:58,844 --> 00:13:01,379 YES, WHAT'S THE LARGEST AMOUNT THAT ONE CAN LEGALLY... 273 00:13:01,414 --> 00:13:03,514 WITH THE CARD... PURCHASE? 274 00:13:03,550 --> 00:13:06,551 - HOW MUCH DO THEY NEED? - MAYBE 2 LBS. 275 00:13:06,586 --> 00:13:10,020 LISTEN, JUST GIVE HIM THE MOST YOU CAN OF THE STRONGEST YOU GOT. 276 00:13:10,056 --> 00:13:13,469 ME, I'LL TAKE ONE JET-BLACK CALIFORNIA HOMEGROWN TRUCKER HAT. 277 00:13:13,493 --> 00:13:16,860 NO BAG NECESSARY. I'LL BE WEARING IT OUT. 278 00:13:20,032 --> 00:13:23,767 OH, YEAH. NOW I'M READY FOR WORK. 279 00:13:23,803 --> 00:13:25,969 ME TOO. 280 00:13:26,005 --> 00:13:29,207 VINNIE, VINNIE, THAT LITTLE CUNT SUCKER-PUNCHED ME, MAN, 281 00:13:29,242 --> 00:13:31,442 THE BIGGEST BITCH MOVE IN THE WORLD. 282 00:13:31,477 --> 00:13:33,289 BILLY, YOU DID SCREAM HE LIKES TO SUCK COCK. 283 00:13:33,313 --> 00:13:36,358 I WANT THAT LITTLE UNDERSIZED DOUCHE IN THE RING ANYTIME, ANYWHERE. 284 00:13:36,382 --> 00:13:38,227 BILLY, THIS IS GETTING RIDICULOUS. 285 00:13:38,251 --> 00:13:41,363 NO, WHAT'S RIDICULOUS IS THAT ONE OF THE PRODUCERS OF OUR FILM SEEMS INTENT 286 00:13:41,387 --> 00:13:43,299 - ON TAKING IT DOWN. - Taking it down? 287 00:13:43,323 --> 00:13:45,456 THE WHOLE TOWN IS FREAKING OVER THE TRAILER. 288 00:13:45,491 --> 00:13:46,990 YO, I WASN'T READY YET. 289 00:13:47,026 --> 00:13:49,838 WELL, EITHER WAY, I'M TELLING YOU HE DID NOT LEAK IT. 290 00:13:49,862 --> 00:13:51,740 GET HIM ON A LIE DETECTOR THEN. I'LL PAY FOR THE THING. 291 00:13:51,764 --> 00:13:54,577 - OH, BILLY, COME ON. - YOU DON'T DOUBT HIM EVEN FOR A MINUTE? 292 00:13:54,601 --> 00:13:56,679 THE GUY TRIED TO SELL OUR MOVIE BEHIND YOUR BACK. 293 00:13:56,703 --> 00:13:58,669 BILLY, HE'S LIKE MY BROTHER. 294 00:13:58,705 --> 00:14:01,972 I'VE KNOWN HIM SINCE I'M SIX YEARS OLD. I HAVE ZERO DOUBT. 295 00:14:02,007 --> 00:14:04,308 You understand? 296 00:14:04,344 --> 00:14:06,422 I DO. YOU'RE A LOYAL GUY, AND I RESPECT THAT. 297 00:14:06,446 --> 00:14:08,424 SO PLEASE RESPECT THAT I NEED YOU THERE TONIGHT. 298 00:14:08,448 --> 00:14:10,326 AND I NEED YOU BOTH TO GET ALONG DURING THIS INTERVIEW 299 00:14:10,350 --> 00:14:12,150 for the sake of the movie. 300 00:14:12,184 --> 00:14:14,530 OKAY, VINCE, FOR YOU AND FOR THE MOVIE, BUT YOU TELL HIM 301 00:14:14,554 --> 00:14:18,256 ONE LOOK, ONE WORD, ONE SMIRK, AND HE'S GOING DOWN HARD. 302 00:14:18,291 --> 00:14:20,636 I'LL SEE YOU THERE. IT'S ALL GOOD. 303 00:14:20,660 --> 00:14:22,638 HE UNDERSTANDS IT'S ALL ABOUT THE MOVIE. 304 00:14:22,662 --> 00:14:25,502 - HE'S GONNA BE ON HIS BEST BEHAVIOR. - YEAH, WELL, HE BETTER BE. 305 00:14:29,001 --> 00:14:30,968 THERE HE IS. THERE HE IS. 306 00:14:31,003 --> 00:14:33,616 KEEP THE MOISTNESS OUT OF YOUR PANTS, LLOYD, AND JUST WAIT. 307 00:14:33,640 --> 00:14:36,960 LET HIM SEE US. LET HIM COME TO US, ALL RIGHT? 308 00:14:37,777 --> 00:14:40,844 HEY, ARI, HOW ARE YOU? WHAT, WE STILL GOT BEEF? 309 00:14:40,880 --> 00:14:44,214 NO BEEF, JOSH. THIS IS MY ASSISTANT LLOYD. 310 00:14:44,250 --> 00:14:46,751 - HEY. - JOSH USED TO BE YOU, LLOYD. 311 00:14:46,786 --> 00:14:50,488 OH, JOSH WEINSTEIN. ARI'S ALWAYS YELLING AT ME, 312 00:14:50,523 --> 00:14:53,223 "LLOYD, WHY CAN'T YOU BE MORE LIKE JOSH WEINSTEIN?" 313 00:14:53,259 --> 00:14:55,426 REALLY? THAT'S COOL. 314 00:14:55,461 --> 00:14:56,838 Ari: WHAT ARE YOU UP TO, JOSH? 315 00:14:56,862 --> 00:14:59,730 NOTHING MUCH, MAN, JUST WORKING WITH HEATH. 316 00:14:59,766 --> 00:15:02,144 - LEDGER... I'M SURE YOU'VE HEARD. - I DID NOT HEAR. 317 00:15:02,168 --> 00:15:04,546 NO, BUT THAT'S FANTASTIC. TERRIFIC. I LOVE HEATH. 318 00:15:04,570 --> 00:15:06,737 OH YEAH. HE'S HUGE, AND HE'S MINE. 319 00:15:06,773 --> 00:15:08,850 - MMM. - ARI, YOU WOULD HAVE BEEN SO PROUD OF ME. 320 00:15:08,874 --> 00:15:10,519 - IT WAS JUST HOW YOU TAUGHT ME. - YEAH? 321 00:15:10,543 --> 00:15:12,087 - I WAS IN A TEAM LEDGER MEETING... - UH-HUH? 322 00:15:12,111 --> 00:15:15,212 THREW OUT A COUPLE OF SUGGESTIONS... OH, DID HIS POINT GUY GET PISSED! 323 00:15:15,247 --> 00:15:17,348 BUT HEATH LOVED MY IDEAS. 324 00:15:17,383 --> 00:15:19,850 BAM! NOW HE ONLY LISTENS TO WHAT I SAY. 325 00:15:19,885 --> 00:15:21,730 WHERE ARE YOU STEERING HIM NOW, JOSH? 326 00:15:21,754 --> 00:15:24,455 WE'RE ABOUT TO CLOSE ON "LOST IN THE CLOUDS." 327 00:15:24,490 --> 00:15:25,690 REALLY? 328 00:15:25,725 --> 00:15:27,291 YEAH, WHAT? YOU DON'T LIKE IT? 329 00:15:27,327 --> 00:15:29,070 NO NO NO, YOU KNOW, I SHOULDN'T SAY ANYTHING. 330 00:15:29,094 --> 00:15:32,196 EXCUSE ME, MISS, UH, COULD WE BE SEATED NOW? THANKS. 331 00:15:32,231 --> 00:15:34,042 - RIGHT THIS WAY, MR. GOLD. - ALL RIGHT. 332 00:15:34,066 --> 00:15:36,412 ARE YOU JUST BEING A HATER, OR YOU REALLY GOT SOMETHING TO SAY? 333 00:15:36,436 --> 00:15:38,480 LISTEN, DO YOU REALLY WANT HEATH UP ON ANOTHER MOUNTAIN 334 00:15:38,504 --> 00:15:40,015 PLAYING GAY AGAIN? I MEAN, COME ON, 335 00:15:40,039 --> 00:15:42,540 "BROKEBACK" IS STILL IN PEOPLE'S MINDS. 336 00:15:42,575 --> 00:15:44,809 VERY MUCH SO. 337 00:15:44,844 --> 00:15:47,478 GAY? WHAT ARE YOU TALKING ABOUT, ARI? 338 00:15:47,513 --> 00:15:49,425 THIS IS SUPPOSED TO BE A BADASS MOUNTAIN CLIMBER. 339 00:15:49,449 --> 00:15:50,849 MAYBE. DID YOU READ THE BOOK, JOSH? 340 00:15:50,883 --> 00:15:53,028 I MEAN, THERE IS A REASON WHY HE CHOSE THE HANDSOME SHERPA 341 00:15:53,052 --> 00:15:55,820 WHO WAS EDUCATED AT OXFORD TO SHOW HIM UP THE MOUNTAIN. 342 00:15:55,855 --> 00:15:58,734 I WAS THINKING ABOUT THE ROCK FOR THE SHERPA. 343 00:15:58,758 --> 00:16:01,191 OOF. 344 00:16:01,227 --> 00:16:04,362 THERE IS AN IMAGE. LOOK, JOSH, I DON'T MEAN TO TELL YOU YOUR BUSINESS, 345 00:16:04,397 --> 00:16:07,030 BUT WHAT DO YOU THINK THEY WERE DOING IN THAT CAVE FOR TWO WEEKS? 346 00:16:07,066 --> 00:16:09,533 THEY WERE USING EACH OTHER'S ASSES AS HAND WARMERS. 347 00:16:09,569 --> 00:16:12,436 THE LOVE AFFAIR... IT'S THE SUBTEXT OF THE WHOLE SCRIPT, 348 00:16:12,472 --> 00:16:14,438 EVEN IF IT DOESN'T OVERTLY MAKE THE MOVIE. 349 00:16:14,474 --> 00:16:17,441 I THINK HEATH AND THE ROCK WILL MAKE A HOT COUPLE, JOSH. 350 00:16:17,477 --> 00:16:19,254 I WOULDN'T WORRY ABOUT IT AT ALL. 351 00:16:19,278 --> 00:16:21,912 YOU'VE GOT MY $10.50. 352 00:16:21,947 --> 00:16:24,548 I GOTTA GO CALL HEATH. EXCUSE ME, GUYS. 353 00:16:24,584 --> 00:16:26,550 SORRY, GUYS. 354 00:16:26,586 --> 00:16:28,552 WHAT DO YOU THINK? 355 00:16:28,588 --> 00:16:31,856 WHEN YOU TOLD ME YOUR PLAN, I THOUGHT IT WAS SIMPLE AND STUPID. 356 00:16:31,891 --> 00:16:34,124 - UH-HUH, AND NOW? - BRILLIANT AND COMPLEX. 357 00:16:34,159 --> 00:16:36,360 THERE YOU GO. A COUPLE OF SHOTS, HUH, LLOYD? 358 00:16:36,396 --> 00:16:37,928 OKAY, ARI GOLD, OKAY. 359 00:16:37,963 --> 00:16:41,098 EXCUSE ME, MISS, CAN WE GET A COUPLE OF WOO-WOOS OVER HERE? 360 00:16:41,133 --> 00:16:43,100 WHAT THE FUCK IS A WOO-WOO? 361 00:16:43,135 --> 00:16:44,835 WOO-WOO! 362 00:16:48,274 --> 00:16:50,508 - HEY, JOHNNY. - HEY, GORGEOUS. 363 00:16:50,543 --> 00:16:54,211 - WHAT UP, PLAYAS? - LOOKING GOOD, JOHNNY DRAMA. 364 00:16:54,246 --> 00:16:55,891 FEELING GOOD, J.J., FEELING GOOD. 365 00:16:55,915 --> 00:16:57,325 HEY, ANGELA, HOW'S IT HANGING, BABY? 366 00:16:57,349 --> 00:16:58,849 HEY, JOHNNY. HOW WAS YOUR HIATUS? 367 00:16:58,885 --> 00:17:00,918 ANY BETTER... I'D BE GUILTY. 368 00:17:00,953 --> 00:17:02,920 GARY! YO! 369 00:17:04,356 --> 00:17:07,124 - DRAMA, WHAT UP, DAWG? - WHAT UP, BIATCHES? 370 00:17:07,159 --> 00:17:08,570 JOHNNY, WHAT'S UP, MAN? YOU LOOK GOOD. 371 00:17:08,594 --> 00:17:10,305 - YEAH? - YEAH. YOU LOSE WEIGHT OR WHAT? 372 00:17:10,329 --> 00:17:13,409 MAYBE A COUPLE POUNDS. I'VE BEEN HITTING THE GYM, DOING TWO A DAY. 373 00:17:13,433 --> 00:17:15,299 NICE. HEY, WE SHOULD WORK OUT SOMETIME. 374 00:17:15,334 --> 00:17:17,713 IF YOU THINK YOU CAN KEEP UP WITH MY REGIMEN. 375 00:17:17,737 --> 00:17:20,137 YO, MAN, THAT'S A SWEET HAT. 376 00:17:20,172 --> 00:17:21,872 - THIS LITTLE THING? - YEAH. 377 00:17:21,908 --> 00:17:24,052 - IT'S A'IGHT. - A'IGHT? DUDE, IT'S AWESOME. 378 00:17:24,076 --> 00:17:27,645 - KILLER, MAN. - THAT'S FROM THAT MEDICAL MARIJUANA JOINT, HUH, DRAMA? 379 00:17:27,680 --> 00:17:30,380 - YEAH. - DUDE, I HEAR THEY GOT THE ILLEST OG KUSH THERE. 380 00:17:30,416 --> 00:17:33,584 LET'S JUST SAY MEMBERSHIP HAS ITS PRIVILEGES. 381 00:17:33,619 --> 00:17:35,898 NICE, DRAMA. DUDE, YOU JUST TURNED THIS 382 00:17:35,922 --> 00:17:37,800 INTO ONE VERY SWEET NEW SEASON. 383 00:17:37,824 --> 00:17:39,367 - YEAH? - FUCK YEAH, DUDE. 384 00:17:39,391 --> 00:17:41,358 YO, WHAT THE HELL WE WAITIN' FOR, BOYS? 385 00:17:41,393 --> 00:17:43,427 LET'S HIT DRAMA'S TRAILER, SPARK IT UP. 386 00:17:43,463 --> 00:17:45,429 - COME ON. - UH... 387 00:17:45,465 --> 00:17:47,965 DON'T EVEN TELL ME YOU DIDN'T BRING ANY FOR US, DRAMA. 388 00:17:48,000 --> 00:17:49,978 OF COURSE I DID. IT'S IN THE CAR. 389 00:17:50,002 --> 00:17:51,480 - YEAH! - YEAH, ALL RIGHT! 390 00:17:51,504 --> 00:17:54,204 - I'LL GO GET IT. - ALL RIGHT! 391 00:17:54,239 --> 00:17:58,141 DUDE, HE'S THE MAN. WE'RE HOOKING UP. 392 00:18:03,983 --> 00:18:06,061 COME ON, TURTLE, PICK IT UP. 393 00:18:11,858 --> 00:18:14,103 - YO. - YO, DID YOU FINISH ALL MY WEED? 394 00:18:14,127 --> 00:18:16,093 Nah, not all of it. 395 00:18:16,129 --> 00:18:18,763 I NEED YOU ON THE SET WITH WHATEVER'S LEFT, NOW. 396 00:18:18,798 --> 00:18:21,076 I'M NOT MOVING TOO FAST, DRAMA. THIS IS SOME POWERFUL SHIT. 397 00:18:21,100 --> 00:18:23,667 NOW, TURTLE, NOW! 398 00:18:25,938 --> 00:18:27,315 - VINCE. - HEY, ELVIS. 399 00:18:27,339 --> 00:18:28,617 - HOW ARE YOU? - GREAT. 400 00:18:28,641 --> 00:18:30,485 GOOD TO SEE YOU. HAVEN'T SEEN YOU SINCE SUNDANCE. 401 00:18:30,509 --> 00:18:32,287 - YEAH, THAT'S RIGHT. - HOW HAVE YOU BEEN? 402 00:18:32,311 --> 00:18:33,655 - VERY WELL. AND YOU? - GOOD. 403 00:18:33,679 --> 00:18:35,523 THIS IS MY PRODUCER AND MANAGER, ERIC MURPHY. 404 00:18:35,547 --> 00:18:36,992 - NICE TO MEET YOU, ELVIS. - HOW ARE YOU? 405 00:18:37,016 --> 00:18:38,727 - I'M WELL. HOW ARE YOU? - I'M GOOD, THANKS. 406 00:18:38,751 --> 00:18:40,717 AND HERE'S MR. WALSH NOW. 407 00:18:40,753 --> 00:18:42,719 MR. MITCHELL. 408 00:18:42,755 --> 00:18:45,189 - PLEASURE TO MEET YOU. - HOW ARE YOU? 409 00:18:45,224 --> 00:18:47,191 SO, UH... 410 00:18:47,226 --> 00:18:49,972 HOW CHARMING DO WE HAVE TO BE TO GET THE COVER? 411 00:18:53,199 --> 00:18:55,432 - WHO TOLD YOU, ARI? - Told me what, Dana? 412 00:18:55,467 --> 00:18:57,445 What are you talking about? I was just calling to apologize. 413 00:18:57,469 --> 00:18:59,782 YOU KNOW, I THOUGHT MAYBE I WAS A LITTLE RUDE EARLIER. 414 00:18:59,806 --> 00:19:01,784 - BRIAN GRAZER, HOW ARE YOU, MAN? - YEAH. HEY. 415 00:19:01,808 --> 00:19:03,952 GOOD TO SEE YOU. LISTEN, THE REAL "AMERICAN GANGSTER." EVERYTHING GOOD? 416 00:19:03,976 --> 00:19:05,654 YEAH, IT'S GOOD, BUT I'LL SEE YOU IN A WHILE. 417 00:19:05,678 --> 00:19:07,890 YES, YOU WILL. CAN WE PUT VINNIE AND RUSSELL TOGETHER? 418 00:19:07,914 --> 00:19:08,879 YEAH. 419 00:19:08,915 --> 00:19:10,492 WE WILL. DANA, LISTEN, 420 00:19:10,516 --> 00:19:12,727 I KNOW THAT DEEP DOWN MY BEHAVIOR REALLY TURNS YOU ON, 421 00:19:12,751 --> 00:19:15,397 but in case it really doesn't, then yes, I am sorry. 422 00:19:15,421 --> 00:19:18,381 WHATEVER. HEATH'S OFF "LOST IN THE CLOUDS." 423 00:19:19,292 --> 00:19:20,958 - REALLY? - Yeah, it turns out 424 00:19:20,993 --> 00:19:23,794 HE'S GOT SOME PASSION PROJECT HE WANTS TO DIRECT. 425 00:19:23,830 --> 00:19:26,864 A VERY INTERESTING TURN OF EVENTS OUT OF NOWHERE. 426 00:19:26,899 --> 00:19:29,233 And an even stranger one that I'm calling you now. 427 00:19:29,268 --> 00:19:31,013 WELL, YOU TELL CURTIS THAT VINNIE IS IN. 428 00:19:31,037 --> 00:19:33,816 YOU KNOW, I WOULD LOVE TO, 429 00:19:33,840 --> 00:19:35,806 BUT CURTIS IS OUT. 430 00:19:35,842 --> 00:19:39,087 Wanted to only work with Heath on this and no one else. 431 00:19:39,111 --> 00:19:41,078 JESUS. UH, SO NOW WHAT? 432 00:19:41,113 --> 00:19:44,581 SO NOW MY FAST-TRACK FILM HAS HIT THE SKIDS. 433 00:19:47,119 --> 00:19:50,654 SMOKE SMOKE SMOKE! 434 00:19:50,689 --> 00:19:52,923 SMOKE SMOKE SMOKE... 435 00:19:55,962 --> 00:19:58,428 SMOKE SMOKE SMOKE... 436 00:19:59,465 --> 00:20:01,431 OH YEAH, BABY. 437 00:20:01,467 --> 00:20:03,433 Man: WHOO! YEAH! 438 00:20:03,469 --> 00:20:05,836 TAKE IT EASY, DRAMA. THAT SHIT'S STRONG. 439 00:20:05,872 --> 00:20:07,850 HEY, EVERYONE, TURTLE HERE THINKS HE'S MY DAD, 440 00:20:07,874 --> 00:20:09,551 THINKS I SHOULD SLOW DOWN. 441 00:20:09,575 --> 00:20:11,942 DON'T WORRY, BRO, HE'S COOL. 442 00:20:11,978 --> 00:20:14,144 SEE, TURTLE? I'M COOL. 443 00:20:14,180 --> 00:20:15,946 - Man: YEAH. - ALL RIGHT, I'M UP. 444 00:20:15,982 --> 00:20:18,615 - YOU JUST WENT, DRAMA. - JUST HIT ME, BITCH. 445 00:20:18,650 --> 00:20:22,152 - IT'S NOT YOUR TURN, DRAMA. - JUST FUCKING HIT ME, MAN. 446 00:20:22,188 --> 00:20:24,628 YOU DON'T HAVE ANY CARDS, DRAMA. 447 00:20:24,656 --> 00:20:26,835 WELL, GET ME SOME MOTHERFUCKING CARDS THEN, SON. 448 00:20:26,859 --> 00:20:29,360 ALL RIGHT, DAWG. 449 00:20:31,264 --> 00:20:32,440 OOH. 450 00:20:32,464 --> 00:20:34,765 HIT ME. 451 00:20:34,800 --> 00:20:36,600 All: OH! 452 00:20:36,635 --> 00:20:38,635 STRIP OR SMOKE. 453 00:20:38,670 --> 00:20:40,548 WELL, THERE'S NO WAY I'M TAKING THESE BOXERS OFF 454 00:20:40,572 --> 00:20:43,051 AND HUMILIATING ALL THE OTHER MEN IN HERE, SO... 455 00:20:43,075 --> 00:20:44,975 I'LL STRIP FOR YOU. 456 00:20:45,011 --> 00:20:46,977 I'LL TAKE THAT... 457 00:20:47,013 --> 00:20:49,246 AND I'LL SMOKE. PACK THAT SHIT TIGHT. 458 00:20:49,282 --> 00:20:52,416 YOU'RE OUT OF YOUR MIND, DRAMA. 459 00:20:52,451 --> 00:20:55,085 SMOKE SMOKE SMOKE... 460 00:21:03,562 --> 00:21:07,331 Man: WHOA WHOA WHOA. 461 00:21:10,536 --> 00:21:11,902 ARE YOU OKAY, DRAMA? 462 00:21:11,938 --> 00:21:14,738 WHAT? 463 00:21:14,773 --> 00:21:16,407 ARE YOU OKAY? 464 00:21:17,810 --> 00:21:20,277 WHY IS EVERYONE LOOKING AT ME? 465 00:21:20,313 --> 00:21:22,346 'CAUSE YOU'RE TALKING. 466 00:21:22,381 --> 00:21:24,793 - I'M NOT TALKING, YOU'RE TALKING. - RELAX, DRAMA. 467 00:21:24,817 --> 00:21:27,484 I CAN'T RELAX. MY PULSE IS SKYROCKETING. 468 00:21:27,519 --> 00:21:30,020 - CHECK MY PULSE. - OH SHIT, DUDE. 469 00:21:30,056 --> 00:21:32,256 SOMEONE IS BUGGING OUT. 470 00:21:32,291 --> 00:21:34,469 I'M NOT BUGGING OUT. MY MOUTH IS JUST DRY. I NEED SOME WATER. 471 00:21:34,493 --> 00:21:37,627 BUT OUT! BUG OUT! BUG OUT... 472 00:21:41,233 --> 00:21:43,211 NO, I'M NOT BUGGING OUT. GIVE ME WATER. 473 00:21:43,235 --> 00:21:46,370 SOMEONE GET ME SOME WATER. GET ME SOME WATER! 474 00:21:46,405 --> 00:21:48,772 BUG OUT! BUG OUT... 475 00:21:48,807 --> 00:21:51,207 TURTLE, WHY WON'T THEY HELP ME? 476 00:21:53,045 --> 00:21:55,612 WHY DON'T YOU JUST HELP YOURSELF AND EMBRACE IT? 477 00:21:55,647 --> 00:21:58,782 YEAH, I'M BUGGING OUT. 478 00:21:58,817 --> 00:22:01,518 - YEAH. - I'M BUGGING OUT! 479 00:22:07,093 --> 00:22:08,993 All: SMOKE SMOKE SMOKE...! 480 00:22:10,696 --> 00:22:12,674 SO WE'RE STANDING ON THE SIDE OF THIS MOUNTAIN 481 00:22:12,698 --> 00:22:16,233 OVERLOOKING THIS PLACE THAT PABLO ESCOBAR TERRORIZED 482 00:22:16,268 --> 00:22:18,869 OVER A DECADE, AND WE'RE GOING, 483 00:22:18,904 --> 00:22:22,973 "WHAT IS THE FLAW IN HUMANITY THAT MAKES PEOPLE ACT SO CRUEL?" 484 00:22:23,009 --> 00:22:25,376 - ELVIS, IT WAS AMAZING. - IT WAS VERY INSPIRING. 485 00:22:25,411 --> 00:22:27,255 - MM-HMM. - WHAT DID YOU THINK, ERIC? 486 00:22:27,279 --> 00:22:29,246 OH, ERIC WASN'T THERE. 487 00:22:29,281 --> 00:22:31,259 I WAS AT BASE CAMP PREPARING FOR THE NEXT SCENE. 488 00:22:31,283 --> 00:22:33,428 ERIC WASN'T NECESSARILY ON SET A LOT. 489 00:22:33,452 --> 00:22:35,763 I WAS WHEREVER I NEEDED TO BE, WHEREVER THAT WAS. 490 00:22:35,787 --> 00:22:39,034 ERIC HAS THE TOUGHEST JOB AND HE'LL PROBABLY GET THE LEAST AMOUNT OF CREDIT. 491 00:22:39,058 --> 00:22:42,404 BUT HE'S THE SMALLEST SO HE DOESN'T NEED AS MUCH CREDIT AS BIG PEOPLE. 492 00:22:42,428 --> 00:22:45,462 YEAH. THEN AGAIN, MY EGO ISN'T HALF AS BIG AS BILLY'S. 493 00:22:45,498 --> 00:22:47,931 SHIT, SIMON COWELL'S EGO ISN'T AS BIG. 494 00:22:47,966 --> 00:22:51,535 - YOU GUYS HAVE AN AMAZING RAPPORT. - DON'T THEY? 495 00:22:51,570 --> 00:22:53,315 THE THREE OF YOU. DID YOU ALL GROW UP TOGETHER? 496 00:22:53,339 --> 00:22:54,538 NO, JUST ME AND E. 497 00:22:54,573 --> 00:22:56,751 "TINY E"... THAT'S OUR NICKNAME FOR HIM. 498 00:22:56,775 --> 00:23:00,944 YOU CAN PRINT THAT. 499 00:23:02,415 --> 00:23:04,781 THANKS AGAIN, GUYS. 500 00:23:04,816 --> 00:23:05,994 - TAKE CARE, ELVIS. - Vince: THANK YOU. 501 00:23:06,018 --> 00:23:07,984 - GOOD LUCK AT CANNES. - THANK YOU. 502 00:23:08,020 --> 00:23:10,921 - YOU FUCKING PRICK. - LICK MY BALLS, BITCH. 503 00:23:10,956 --> 00:23:13,601 WHAT, YOU WANT ME TO WHIP YOUR ASS AGAIN, YOU FUCKING HACK? 504 00:23:13,625 --> 00:23:15,837 - HACK? LET'S GO, RIGHT HERE. - YEAH, YOU'RE A FUCKING HACK. 505 00:23:15,861 --> 00:23:18,695 SHUT THE FUCK UP! 506 00:23:18,730 --> 00:23:20,197 SERIOUSLY. 507 00:23:20,232 --> 00:23:23,200 E, GET IN THE FUCKING CAR. GO. 508 00:23:24,336 --> 00:23:25,980 YOU'D BETTER RUN, PUSSY. 509 00:23:26,004 --> 00:23:27,704 - RUN? - E. 510 00:23:30,742 --> 00:23:33,544 I'M SORRY, MAN. I JUST HATE HIM. 511 00:23:33,579 --> 00:23:35,123 TALK TO YOU LATER, BILLY. 512 00:23:35,147 --> 00:23:36,646 DON'T BE MAD AT ME, VINNIE. 513 00:23:38,817 --> 00:23:41,663 DRIVE AWAY NOW. DRIVE AWAY IF YOU KNOW WHAT'S GOOD FOR YOU. 514 00:23:41,687 --> 00:23:43,432 - ARE YOU FUCKING SERIOUS? - OH, WHAT, IT'S ME? 515 00:23:43,456 --> 00:23:46,334 WALSH IS A MESS. I MEAN, LOOK AT HIM. HE'S A CRAZY ARTIST. 516 00:23:46,358 --> 00:23:48,292 - ARGHH-HH-HH! - Vince: YOU'RE NOT. 517 00:23:48,327 --> 00:23:51,361 YOU'RE SUPPOSED TO HAVE YOUR HEAD ON YOUR SHOULDERS, RIGHT? 518 00:23:51,397 --> 00:23:54,776 RIGHT. NO, YOU'RE RIGHT, VINCE, I'M SORRY. 519 00:23:54,800 --> 00:23:57,167 BUT SIX MORE WEEKS AND THAT'S IT. 520 00:23:57,203 --> 00:23:59,414 WE FINISH POSTING THIS MOVIE, WE GO TO CANNES, 521 00:23:59,438 --> 00:24:01,483 AND THEN I NEVER SEE OR SPEAK TO THIS FUCK AGAIN, EVER. 522 00:24:01,507 --> 00:24:02,917 - FINE. - FINE. 523 00:24:02,941 --> 00:24:05,342 HEY, WHAT'S UP, ARI? 524 00:24:05,377 --> 00:24:07,322 WHO WANTS TO CLIMB MOUNT ANNAPURNA? 525 00:24:07,346 --> 00:24:08,778 WE GOT IT? 526 00:24:08,814 --> 00:24:10,614 - We got it. - THAT'S SICK. 527 00:24:10,649 --> 00:24:13,584 NO, WHAT'S SICK IS I ALSO GOT E ON AS A PRODUCER. 528 00:24:13,619 --> 00:24:15,185 - NICE. - HOW DID YOU DO THAT? 529 00:24:15,221 --> 00:24:17,865 BY USING THE HYPE TO SELL THEM THE DREAM-TEAM PACKAGE. 530 00:24:17,889 --> 00:24:19,201 OH YEAH? WHO'S THE DREAM TEAM? 531 00:24:19,225 --> 00:24:21,325 Team "Medellin," baby. Vinnie stars, 532 00:24:21,360 --> 00:24:23,660 YOU PRODUCE, WALSH DIRECTS. 533 00:24:23,695 --> 00:24:25,996 Boom! 534 00:24:26,031 --> 00:24:27,998 FUCK ME.