1
00:00:06,874 --> 00:00:09,174
<i>(theme music playing)</i>

2
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Drama: AM I NUTS OR WOULD A HOODIE
MAKE ME LOOK 10 YEARS YOUNGER?

3
00:01:26,253 --> 00:01:28,265
- 10 YEARS YOUNGER
THAN HIM MAYBE, DRAMA.
- BLOW ME, E.

4
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I DON'T KNOW WHAT YOU'RE SO NERVOUS ABOUT,
JOHNNY. YOU'RE JUST GOING BACK TO WORK.

5
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GUYS AT WORK THINK I'M OLD, BRO.

6
00:01:32,960 --> 00:01:35,194
THEY TREAT ME OLD, AND
THE WRITERS WRITE ME OLD.

7
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THIS SEASON I'M AGING DOWN.

8
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I'M GONNA GET ME A STORYLINE
WITH SOMEONE AROUND 19.

9
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- HE'LL PLAY YOUR BOY TOY.
- WOULD YOU LOOK AT THIS BEAST?

10
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LOOKS JUST LIKE THE ONE I GOT AT
THE ARMY/NAVY IN THE SIXTH GRADE.

11
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YEAH, ONLY ABOUT TWO GRAND MORE.

12
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TWO GRAND JUST TO HANG
WITH THE COOL KIDS, HUH?

13
00:01:49,109 --> 00:01:52,088
GREAT, JOHNNY, YOU
KNOW WHAT? IT'S ON ME.

14
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YOU COME INTO SOME MONEY, BRO?

15
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- NO, WE GOT INTO CANNES.
- IT'S FILM FESTIVAL,
NOT A JOB, VINCE.

16
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JOBS ARE COMING,
E. I CAN FEEL IT.

17
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HERE'S MY BARNEYS CARD.
KNOCK YOURSELF OUT.

18
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- I'LL TAKE IT OFF
MY TAB, BRO.
- SWEET.

19
00:02:03,724 --> 00:02:05,768
WE GOT WALSH UPSTAIRS IN
FIVE. WE'LL SEE YOU GUYS LATER.

20
00:02:05,792 --> 00:02:07,237
- LATER.
- HAVE FUN, BOYS.

21
00:02:07,261 --> 00:02:09,139
ALL RIGHT, YOU BUYING THAT
OR WHAT, PRETTY WOMAN?

22
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NOT NOW, TURTLE.
CHECK OUT THAT HAT.

23
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- Turtle: <i>WHAT ABOUT IT?
- IT'S AWESOME.</i>

24
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THE POTHEADS AT WORK WILL FREAK.

25
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POTHEADS? YOU'RE AGING YOURSELF
UP WITH THAT PHRASE, DRAMA.

26
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YO, PRETTY DOPE LID YOU'RE
SPORTING THERE, HOMBRE.

27
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WHERE'D YOU GET IT?

28
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SO MAYBE WE SHOULD START
THINKING ABOUT A NEW HOUSE.

29
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YEAH, MAYBE WE SHOULD
START THINKING ABOUT A NEW JOB.

30
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I TOLD YOU, E, JOBS ARE COMING.

31
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- GOD, YOU'RE SO NEGATIVE.
- HEY!

32
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- HEY, SNOOP, WHAT UP?
- NOTHING LIKE YOU GOT
GOING ON.

33
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- WHAT'S UP, SNOOP?
- WHAT'S UP, E?

34
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SEE YOU ALL GOT THAT "MEDELLIN"
INTO CANNES OR IS IT<i> CANNES?</i>

35
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- IT'S CANNES.
- IT'S<i> CANNES.</i>

36
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- REALLY?
- YEAH.

37
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- EITHER WAY, MAN,
CONGRATULATIONS.
- Vince:<i> THANKS.</i>

38
00:02:46,033 --> 00:02:48,733
AND I SEEN THE TRAILER. WHOO!
THAT MOTHERFUCKER'S OFF THE HOOK.

39
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- TRAILER?
- WHERE?

40
00:02:50,404 --> 00:02:51,536
ON YOUTUBE THIS MORNING.

41
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Y'ALL MAKE "BLOW" LOOK
LIKE "ROMPER ROOM."

42
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- (sighs)
- THANKS.

43
00:02:55,376 --> 00:02:56,975
SUCCESS AND NOTHING LESS, MAN.

44
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- ALL RIGHT, SNOOP,
WE'LL SEE YOU NEXT TIME.
- PEACE.

45
00:02:59,513 --> 00:03:00,924
SOMEBODY LEAKED THE TRAILER?

46
00:03:00,948 --> 00:03:04,449
- WALSH SHOULD BE HAPPY.
- I THINK HE ALREADY ISN'T.

47
00:03:04,484 --> 00:03:06,618
HEY, WHAT'S UP, BILLY?

48
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NOTHING GOOD. SOMEBODY
PUT THE TRAILER ON THE NET.

49
00:03:09,156 --> 00:03:11,801
- YEAH, I KNOW. WE JUST HEARD.
- YEAH, ANY IDEA WHO?

50
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JUST ONE.

51
00:03:14,428 --> 00:03:15,994
WHAT, ARE YOU KIDDING ME?

52
00:03:16,030 --> 00:03:18,330
- I ONLY GAVE IT TO YOU.
- YEAH, AND IT'S AT MY HOUSE.

53
00:03:18,365 --> 00:03:20,743
YEAH, AND NOW IT'S ALL
OVER THE FUCKING INTERNET,

54
00:03:20,767 --> 00:03:23,868
- YOU RAT COCKSUCKER.
- LISTEN, E WOULD NEVER
DO THAT.

55
00:03:23,904 --> 00:03:25,782
VINCE, HE HATED THE
MOVIE. HE WAS WRONG.

56
00:03:25,806 --> 00:03:28,051
NOW HE'S TRYING TO SABOTAGE IT
NO MATTER WHAT IT DOES TO YOU.

57
00:03:28,075 --> 00:03:30,175
- FUCK YOU.
- NO, FUCK YOU.

58
00:03:30,210 --> 00:03:32,088
YOU SUCK AT YOUR JOB. YOU
GOT A NAPOLEONIC COMPLEX,

59
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AND I'M GONNA FUCK YOUR
MOTHER IF I EVER MEET HER.

60
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- GET YOUR FINGER OUT
OF MY FACE.
- OR WHAT?

61
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- IT'S GONNA END UP
UP YOUR ASS.
- WHY DON'T YOU ADMIT

62
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THAT YOU'RE A TRAITOROUS
PUSSY AND YOU LIKE TO SUCK COCK?

63
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HEY HEY HEY!

64
00:03:42,289 --> 00:03:44,056
(clamoring)

65
00:03:46,793 --> 00:03:50,162
ARE YOU SURE THE
KID SAID 7263 MELROSE?

66
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YEAH, RIGHT NEXT TO ALBANO'S.

67
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THIS DON'T LOOK LIKE
A CLOTHING STORE.

68
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LOOK AGAIN.

69
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(sniffing) YOU SMELL THAT?

70
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YEAH, ALBANO'S. WE'LL GET
A SLICE OF PEPPERONI AFTER.

71
00:04:04,244 --> 00:04:06,522
I'M NOT TALKING ABOUT PIZZA.

72
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THAT'S SOME FINE HERB.

73
00:04:08,482 --> 00:04:10,449
YEAH, WHAT IS THIS PLACE?

74
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HEAVEN MAYBE.

75
00:04:17,291 --> 00:04:19,891
- CAN I HELP YOU FELLAS?
- YES, I BELIEVE YOU CAN.

76
00:04:19,926 --> 00:04:23,728
I WOULD LIKE TO PURCHASE ONE BLACK
CALIFORNIA HOMEGROWN TRUCKER HAT,

77
00:04:23,763 --> 00:04:25,797
SIMILAR TO THE ONE ON
THAT FELLA OVER THERE.

78
00:04:25,832 --> 00:04:27,677
SURE, CHIEF, SOON
AS I SEE YOUR CARD.

79
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CARD, WHAT CARD?

80
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THE CARD THAT SAYS
YOU'RE ALLOWED IN.

81
00:04:34,375 --> 00:04:36,408
WHY WOULDN'T I BE ALLOWED IN?

82
00:04:36,443 --> 00:04:39,522
I HOPE THERE ARE NO DISCRIMINATORY
PRACTICES GOING ON HERE, BECAUSE...

83
00:04:39,546 --> 00:04:41,480
IS THIS A MEDICAL
MARIJUANA FACILITY?

84
00:04:41,515 --> 00:04:44,483
UH-HUH, AND NO CARD, NO SERVICE.

85
00:04:44,518 --> 00:04:46,784
WOW. YO, SOMETHING ABOUT
GETTING MY WEED LEGALLY

86
00:04:46,820 --> 00:04:50,455
- JUST NEVER SEEMED RIGHT,
BUT THIS LOOKS OKAY.
- IT IS OKAY.

87
00:04:50,491 --> 00:04:52,469
LOOK, I DON'T WANT ANY
WEED. I JUST WANT THE HAT.

88
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WELL, YOU CAN'T GET THAT HAT,
NOT WITHOUT A CARD. SORRY.

89
00:04:56,363 --> 00:04:58,341
COME ON, DRAMA, IT'S JUST A HAT.

90
00:04:58,365 --> 00:05:01,933
IT'S NOT JUST A HAT, TURTLE. IT'S THE KEY
TO ME LANDING THE COVER OF "TIGER BEAT."

91
00:05:01,968 --> 00:05:03,801
WHERE DO I GET
ONE OF THESE CARDS?

92
00:05:03,837 --> 00:05:06,071
YOU NEED A DOCTOR'S
PRESCRIPTION.

93
00:05:06,106 --> 00:05:08,073
YEAH, THAT'S GREAT, JUST GREAT.

94
00:05:08,108 --> 00:05:10,042
- LET'S GO, DRAMA.
- WHERE TO?

95
00:05:10,077 --> 00:05:12,355
GET YOU CHECKED OUT.
I KNOW A GUY, COME ON.

96
00:05:12,379 --> 00:05:14,146
(inhales deeply)

97
00:05:14,181 --> 00:05:16,926
HEY, E, YOU'RE NOT GONNA
TAKE ARI DOWN TOO, ARE YOU?

98
00:05:16,950 --> 00:05:19,295
THAT'S FUNNY, VINCE, BUT THIS
KID'S HAD IT COMING FOR A LONG TIME.

99
00:05:19,319 --> 00:05:21,297
BUT IN THE MIDDLE OF BARNEYS?

100
00:05:21,321 --> 00:05:23,333
YOU'RE RIGHT. I SHOULD HAVE
DONE IT A MONTH AGO ON SET

101
00:05:23,357 --> 00:05:25,468
- AND SAVED MYSELF THE ULCER.
- YOU'RE LUCKY
YOU DIDN'T GET ARRESTED.

102
00:05:25,492 --> 00:05:27,203
HE'S LUCKY THAT BUSBOY
WAS THERE TO PULL ME OFF.

103
00:05:27,227 --> 00:05:28,960
I WOULD HAVE FUCKIN'
KILLED HIM. HEY, LLOYD.

104
00:05:28,995 --> 00:05:30,907
OOH, SOMEBODY'S GOT A
SEXY TEAR IN THEIR SHIRT.

105
00:05:30,931 --> 00:05:32,864
OH, MAN, I JUST BOUGHT THIS.

106
00:05:32,899 --> 00:05:35,278
NO NEED TO GET UPSET. IF
YOU TAKE IT OFF I COULD SEW IT

107
00:05:35,302 --> 00:05:37,213
GOOD AS NEW IN A MERE MOMENT.

108
00:05:37,237 --> 00:05:39,737
SAVE YOUR HOMOEROTIC
SLAVE LABOR FOR ME, LLOYD.

109
00:05:39,773 --> 00:05:42,018
E, DON'T TAKE YOUR SHIRT OFF. I
DON'T WANT ANYONE GOING BLIND

110
00:05:42,042 --> 00:05:44,854
FROM THE REFLECTION OFF
YOUR TRANSLUCENT BOY CHEST.

111
00:05:44,878 --> 00:05:46,978
DON'T START WITH E, ARI.
HE'S VERY AGGRESSIVE TODAY.

112
00:05:47,013 --> 00:05:48,513
OOH, THAT'S SCARY.

113
00:05:48,549 --> 00:05:50,593
SO MY SERVICES ARE NOT REQUIRED?

114
00:05:50,617 --> 00:05:52,784
- THANKS ANYWAY.
- LET'S DO THIS.

115
00:05:52,819 --> 00:05:54,286
DID YOU HEAR ABOUT THE TRAILER?

116
00:05:54,321 --> 00:05:55,731
THAT'S ALL I'VE
BEEN HEARING ABOUT.

117
00:05:55,755 --> 00:05:57,934
LLOYD, HOW MANY CALLS HAVE
WE GOTTEN ALREADY ABOUT VINCE?

118
00:05:57,958 --> 00:05:59,491
Lloyd: <i>A BAKER'S
DOZEN, AT LEAST.</i>

119
00:05:59,526 --> 00:06:01,538
INCLUDING JEFF KATZENBERG,
WHO CALLED AND SAID

120
00:06:01,562 --> 00:06:03,506
IT WAS LIKE WHEN HE
SAW THE "RAY" TRAILER

121
00:06:03,530 --> 00:06:05,508
AND KNEW THAT JAMIE FOXX
WAS GONNA GET AN OSCAR NOM.

122
00:06:05,532 --> 00:06:08,233
- SO THIS IS GOOD NEWS?
- NO, THIS IS NOT GOOD NEWS.

123
00:06:08,268 --> 00:06:11,536
GOOD NEWS IS WHEN THE WIFE
AGREES TO EAT BOX FOR YOUR BIRTHDAY.

124
00:06:11,572 --> 00:06:13,538
THIS IS GREAT NEWS!

125
00:06:13,574 --> 00:06:16,252
- I TOLD YOU THINGS
WERE GONNA START TURNING.
- <i>THEY ARE TURNING FAST.</i>

126
00:06:16,276 --> 00:06:18,676
EVERY STUDIO IN TOWN
WANTS TO TAKE A MEETING.

127
00:06:18,712 --> 00:06:22,447
BUT I ONLY WANNA TAKE ONE MEETING WITH
ONE STUDIO, IF YOU GUYS ARE STILL ONBOARD.

128
00:06:22,483 --> 00:06:26,251
- STILL ONBOARD WITH WHAT?
- WELL, EVEN THOUGH I PRETTY
MUCH FIND E USELESS,

129
00:06:26,286 --> 00:06:29,421
- HE DID SLIP ME THIS
ONE YEAR AGO.
- WOW, YOU REMEMBERED THIS, ARI.

130
00:06:29,456 --> 00:06:30,766
DON'T GET ALL MISTY ON ME, E.

131
00:06:30,790 --> 00:06:34,058
"LOST IN THE CLOUDS," ABOUT
THE HIKER UP MOUNT ANNAPURNA.

132
00:06:34,094 --> 00:06:36,739
- I LOVE THAT STORY.
- IT IS ON A FAST TRACK. GOOD EYE, E.

133
00:06:36,763 --> 00:06:39,631
GUESS WHO'S IN CONTROL
OF THIS ONE... DANA GORDON.

134
00:06:39,666 --> 00:06:42,367
DANA GORDON? SHE
HATES YOU, DOESN'T SHE?

135
00:06:42,402 --> 00:06:44,614
- ONLY UNTIL SHE
LOVES ME AGAIN.
- YOU GOT HER FIRED, ARI.

136
00:06:44,638 --> 00:06:46,882
YES, I DID, BUT NOW SHE'S
GOT A NEW BIGGER JOB.

137
00:06:46,906 --> 00:06:49,486
IT WOULD HAVE TAKEN HER YEARS
WITHOUT A GOOD GODDAMN KICK IN THE ASS.

138
00:06:49,510 --> 00:06:53,478
PLUS, I GOT PICTURES,
SLIDES ACTUALLY, OF HER

139
00:06:53,514 --> 00:06:56,259
BEGGING ME. YOU KNOW WHAT
I'M SAYING? SO HERE'S THE DEAL.

140
00:06:56,283 --> 00:06:58,250
NOW I AM READY

141
00:06:58,285 --> 00:07:01,219
TO CLEAR MY CALENDAR
AND FOCUS ON ONE MISSION

142
00:07:01,255 --> 00:07:03,721
IF YOU CHOOSE TO
ACCEPT. DO YOU CHOOSE?

143
00:07:03,757 --> 00:07:06,224
- ABSOLUTELY.
- GET US A PAYDAY, ARI.

144
00:07:06,260 --> 00:07:08,605
CHOOSE SOME CLOTHES OTHER THAN
THE ONES FROM THE SALVATION ARMY, E.

145
00:07:08,629 --> 00:07:11,229
- THIS IS RALPH LAUREN, ARI.
- <i>ONE MORE THING...</i>

146
00:07:11,265 --> 00:07:14,277
MY BOY ELVIS MITCHELL, FORMER
SUPERSTAR CRITIC OF THE "NEW YORK TIMES,"

147
00:07:14,301 --> 00:07:16,446
IS IN TOWN DOING A PIECE
FOR "INTERVIEW" MAGAZINE

148
00:07:16,470 --> 00:07:19,171
ABOUT THE BRAINS BEHIND
"MEDELLIN"... AND YOU TOO, E.

149
00:07:19,206 --> 00:07:21,072
- REALLY?
- NICE.

150
00:07:21,107 --> 00:07:24,487
GOTTA KEEP THAT MOMENTUM PUSHING. CAN YOU
DO EARLY DRINKS AT THE BEVERLY WILSHIRE?

151
00:07:24,511 --> 00:07:27,579
- SURE.
- <i>AND CALL WALSH.</i>

152
00:07:27,614 --> 00:07:29,247
NO PROBLEM.

153
00:07:29,283 --> 00:07:32,250
- THANKS.
- MM-HMM.

154
00:07:32,285 --> 00:07:35,887
- I GOTTA USE
MY REAL NAME?
- YOU WANT THE CARD?

155
00:07:35,922 --> 00:07:37,889
I WANNA IMPROVE
MY IMAGE, TURTLE,

156
00:07:37,924 --> 00:07:39,368
NOT END UP AS AN
"US WEEKLY" HEADLINE.

157
00:07:39,392 --> 00:07:42,138
YOU SHOULD BE SO LUCKY, AND
THIS IS NOT HEADLINE MATERIAL.

158
00:07:42,162 --> 00:07:44,062
THIS IS PERFECTLY LEGAL.

159
00:07:44,097 --> 00:07:46,508
ALL YOU HAVE TO DO IS CONVINCE THEM
THAT THERE'S SOMETHING WRONG WITH YOU.

160
00:07:46,532 --> 00:07:50,034
BUT THERE'S NOT. I'M
THE PICTURE OF HEALTH.

161
00:07:50,070 --> 00:07:53,404
HEY, KID, WHAT ARE YOU CLAIMING?

162
00:07:53,439 --> 00:07:56,307
NERVE DAMAGE FROM A
SKATEBOARDING ACCIDENT.

163
00:07:56,343 --> 00:07:58,843
HUH... AND YOU?

164
00:07:58,879 --> 00:08:02,513
SAME, BUT FROM A CAR ACCIDENT.

165
00:08:02,548 --> 00:08:05,416
HOW ABOUT YOU ON A
MOTORCYCLE ACCIDENT?

166
00:08:05,451 --> 00:08:08,253
- AND I HAVE NERVE DAMAGE?
- SURE, WHY NOT?

167
00:08:08,288 --> 00:08:11,167
BECAUSE I'M TOO PHYSICALLY FIT
TO HAVE NERVE DAMAGE, TURTLE.

168
00:08:11,191 --> 00:08:13,457
- LOOK AT THESE PIPES.
- OH, GOD.

169
00:08:13,493 --> 00:08:15,137
- JOHNNY CHASE.
- RIGHT HERE.

170
00:08:15,161 --> 00:08:17,128
FOLLOW ME.

171
00:08:17,163 --> 00:08:19,075
WHAT ARE YOU GONNA GO WITH?

172
00:08:19,099 --> 00:08:21,632
MY IMPROV SKILLS.

173
00:08:21,667 --> 00:08:23,501
YOU HAVE LEGIONNAIRES' DISEASE?

174
00:08:23,536 --> 00:08:25,003
THAT'S RIGHT.

175
00:08:25,038 --> 00:08:27,071
LEGIONNAIRES' DISEASE IS
A CHRONIC LUNG DISORDER.

176
00:08:27,107 --> 00:08:29,151
I KNOW. IT'S TERRIBLE.

177
00:08:29,175 --> 00:08:32,510
MR. CHASE, I DON'T
THINK SMOKING MARIJUANA

178
00:08:32,545 --> 00:08:36,080
IS THE RIGHT TREATMENT FOR A
CHRONIC LUNG DISEASE, DO YOU?

179
00:08:36,116 --> 00:08:39,850
WELL, YOU'RE THE DOC.

180
00:08:39,886 --> 00:08:43,421
TYPICALLY, MEDICAL MARIJUANA
IS USED TO TREAT NAUSEA

181
00:08:43,456 --> 00:08:46,524
- AS RELATED TO CANCER.
- I DON'T HAVE CANCER.

182
00:08:46,559 --> 00:08:48,859
- CROHN'S DISEASE?
- WHAT'S THAT?

183
00:08:48,895 --> 00:08:52,830
INTESTINAL PROBLEMS,
EXTREME BOUTS OF DIARRHEA?

184
00:08:52,865 --> 00:08:54,365
THANK YOU, NO.

185
00:08:54,401 --> 00:08:57,235
- AIDS?
- TESTED BIWEEKLY. NO NO.

186
00:08:57,270 --> 00:09:00,538
I THINK WE'RE AT
A STALEMATE HERE.

187
00:09:00,573 --> 00:09:03,074
HEY, DOC, CAN I BE
HONEST WITH YOU?

188
00:09:03,109 --> 00:09:04,675
I DON'T WANT ANY POT.

189
00:09:04,710 --> 00:09:06,855
I JUST WANT THE HAT THAT
THEY SELL AT THE PLACE.

190
00:09:06,879 --> 00:09:08,257
THAT'S ALL. JUST A HAT.

191
00:09:08,281 --> 00:09:10,348
WELL, COULD I BE
HONEST WITH YOU?

192
00:09:10,383 --> 00:09:13,584
I CAN'T GIVE YOU A CARD UNLESS
YOU GIVE ME A LEGITIMATE REASON TO.

193
00:09:13,619 --> 00:09:16,921
SO WILL YOU GIVE ME ONE?

194
00:09:16,957 --> 00:09:19,958
- CAN I GO BACK
TO CROHN'S DISEASE?
- YOU ALREADY SAID NO.

195
00:09:19,993 --> 00:09:22,827
- WHAT ELSE IS THERE?
- WELL, YOU CAN'T THINK
OF ANYTHING?

196
00:09:22,862 --> 00:09:25,908
NO, I'M USUALLY SO GOOD ON
MY FEET. FUCK, I NEED THAT HAT.

197
00:09:25,932 --> 00:09:28,967
WHY? WHAT IS SO
IMPORTANT ABOUT THIS HAT?

198
00:09:29,002 --> 00:09:31,580
DOC, IN MY LINE OF WORK, YOU
GOTTA DO EVERYTHING YOU CAN

199
00:09:31,604 --> 00:09:35,340
TO LOOK YOUNG. AND SINCE I
DARE NOT STICK A BOTOX NEEDLE

200
00:09:35,375 --> 00:09:38,754
IN MY FACE FOR FEAR OF LOSING
MY COMIC EXPRESSIVENESS,

201
00:09:38,778 --> 00:09:41,045
<i>THIS HAT IS ALL I GOT.</i>

202
00:09:41,081 --> 00:09:44,815
YOU SEEM LIKE AN ANXIOUS
PERSON. IS THIS A FAIR ASSESSMENT?

203
00:09:44,851 --> 00:09:48,652
- WELL...
- DO YOU FEEL NERVOUS
FOR NO APPARENT REASON?

204
00:09:48,688 --> 00:09:51,489
- SOMETIMES.
- HYPERVENTILATING?

205
00:09:51,524 --> 00:09:53,302
I DO HAVE A HISTORY
OF PANIC ATTACKS.

206
00:09:53,326 --> 00:09:55,393
- BEAUTIFUL.
- I THINK IT'S HEREDITARY.

207
00:09:55,428 --> 00:09:56,760
WELL, GO GET YOURSELF A HAT.

208
00:09:56,796 --> 00:09:59,230
AND DO YOURSELF A
FAVOR... WHILE YOU'RE THERE,

209
00:09:59,265 --> 00:10:02,900
PICK UP SOME NICE CHILL
WEED AND SMOKE JUST A LITTLE.

210
00:10:02,935 --> 00:10:06,670
I THINK YOU'RE GONNA FIND YOUR
LIFE JUST A TAD MORE MANAGEABLE.

211
00:10:06,706 --> 00:10:08,506
<i>TRUST ME.</i>

212
00:10:10,210 --> 00:10:14,078
- THANK YOU, DOC.
- <i>YOU'RE WELCOME.</i>

213
00:10:14,114 --> 00:10:16,892
THERE IS NO FUCKING WAY I'M
APOLOGIZING TO THAT JERKOFF, VINCE.

214
00:10:16,916 --> 00:10:18,794
- FORGET IT.
- I'M NOT ASKING YOU
TO APOLOGIZE,

215
00:10:18,818 --> 00:10:20,596
- BUT YOU HAVE TO
TALK TO HIM.
- WHY?

216
00:10:20,620 --> 00:10:23,187
WHY? BECAUSE HE'S OUR DIRECTOR
AND WE HAVE A MOVIE TO FINISH.

217
00:10:23,223 --> 00:10:25,301
I CAN FINISH THE MOVIE
WITHOUT SAYING DICK TO HIM.

218
00:10:25,325 --> 00:10:27,436
HE DOESN'T LISTEN TO ME ANYWAY.

219
00:10:27,460 --> 00:10:30,439
- AND WHAT ABOUT TONIGHT?
- YOU GO. ELVIS MITCHELL
DOESN'T CARE ABOUT ME.

220
00:10:30,463 --> 00:10:33,197
E, THE GUY'S TRYING TO WRITE A STORY
ABOUT THREE GUYS FROM NEW YORK

221
00:10:33,233 --> 00:10:35,933
WHO MADE A MOVIE, NOT
TWO. YOU UNDERSTAND?

222
00:10:35,968 --> 00:10:37,579
ALL RIGHT, FINE, I'LL GO.
BUT YOU BETTER TELL WALSH

223
00:10:37,603 --> 00:10:39,681
NOT TO FUCKING ANTAGONIZE
ME OR IT'S GONNA GET UGLY.

224
00:10:39,705 --> 00:10:40,716
- ALL RIGHT.
- I'M SERIOUS.

225
00:10:40,740 --> 00:10:42,173
OKAY.

226
00:10:43,776 --> 00:10:46,744
- SHE IN?
- NO, YOU CANNOT GO
IN THERE, MR. GOLD.

227
00:10:46,779 --> 00:10:49,680
HOW IS THE MOST FUCKABLE
PRESIDENT OF PRODUCTION IN TOWN?

228
00:10:49,715 --> 00:10:51,027
ARI, GET THE FUCK OUT.

229
00:10:51,051 --> 00:10:54,552
I BROUGHT CRISTAL AND SPRINKLES
CUPCAKES. YOUR FAVORITE.

230
00:10:54,587 --> 00:10:56,554
OR IS IT MINE? WHAT'S
THE DIFFERENCE?

231
00:10:56,589 --> 00:10:58,856
WE USED TO EAT EVERYTHING
OFF EACH OTHER ANYWAY.

232
00:10:58,891 --> 00:11:00,958
I HAVE TO CALL YOU BACK.

233
00:11:00,993 --> 00:11:02,893
WHAT DO YOU WANT, ARI?

234
00:11:02,929 --> 00:11:04,373
HAVE YOU SEEN VINCE'S TRAILER?

235
00:11:04,397 --> 00:11:06,830
- I HAVE. IT'S GOOD.
- OH, PLEASE.

236
00:11:06,866 --> 00:11:10,301
IT'S FUCKING GREAT. GONNA BE DOWNLOADED
MORE TIMES THAN BRITNEY'S BEAVER SHOT.

237
00:11:10,336 --> 00:11:12,770
- POINT?
- POINT IS
I JUST LEFT HIM.

238
00:11:12,805 --> 00:11:14,672
HE LOVES "LOST IN
THE CLOUDS" ENOUGH

239
00:11:14,707 --> 00:11:17,075
TO LET YOU SCOOP HIM UP
BEFORE EVERY STUDIO IN TOWN BEGS

240
00:11:17,110 --> 00:11:19,810
FOR HIS SERVICES.
I'M TELLING YOU, DANA,

241
00:11:19,845 --> 00:11:22,913
BUY HIM TODAY FOR HALF OF
WHAT YOU PAY FOR HIM TOMORROW.

242
00:11:22,949 --> 00:11:24,682
I CAN'T.

243
00:11:24,717 --> 00:11:27,585
DANA, DO NOT HOLD OUR
PERSONAL PROBLEMS AGAINST VINCE.

244
00:11:27,620 --> 00:11:30,666
ARI, VINCE WOULD BE GREAT FOR
THIS, BUT CURTIS HANSON IS DIRECTING.

245
00:11:30,690 --> 00:11:33,891
- VINCE LOVES CURTIS.
- AND WE ALREADY HAVE
AN OFFER OUT TO SOMEONE.

246
00:11:33,926 --> 00:11:35,859
- I HOPE TO CLOSE TODAY.
- MOTHERFUCKER.

247
00:11:35,895 --> 00:11:38,329
- WHO?
- <i>HEATH LEDGER.</i>

248
00:11:40,567 --> 00:11:43,201
SORRY, ARI.

249
00:11:43,236 --> 00:11:45,336
BUT THIS IS GOOD.

250
00:11:45,371 --> 00:11:48,506
LAY OFF THE ICING, DANA. LOOKS
LIKE YOUR HIPS COULD USE A BREATHER.

251
00:11:54,847 --> 00:11:57,348
LLOYD, I NEED INFORMATION
ON HEATH LEDGER.

252
00:11:57,383 --> 00:11:59,917
44-INCH CHEST, ARIES,

253
00:11:59,952 --> 00:12:01,597
AND HE LOVES RAINY DAYS
AND BLACK-AND-WHITE MOVIES.

254
00:12:01,621 --> 00:12:04,589
WHO REPRESENTS HIM, LLOYD?

255
00:12:06,659 --> 00:12:07,803
JOSH WEINSTEIN.

256
00:12:07,827 --> 00:12:09,793
- FUCK YOU!
- FUCK YOU!

257
00:12:09,829 --> 00:12:12,630
SORRY, ARI, THAT WAS A REFLEX.

258
00:12:12,665 --> 00:12:14,798
(laughs) THIS IS GONNA BE
EASIER THAN I THOUGHT.

259
00:12:14,834 --> 00:12:17,480
- WHAT IS?
- YOU HAVE ANY QUEEN SPIES
AT THE WEINSTEIN OFFICE?

260
00:12:17,504 --> 00:12:20,149
I HAVE SPIES AT EVERY OFFICE,
ARI. DOCTORS, LAWYERS...

261
00:12:20,173 --> 00:12:22,551
- FIND OUT WHERE
HE'S EATING LUNCH TODAY.
- WHAT ARE YOU UP TO, ARI?

262
00:12:22,575 --> 00:12:24,308
SABOTAGE, LLOYD. AGENCY 101.

263
00:12:24,344 --> 00:12:25,976
OH, GOODY.

264
00:12:26,012 --> 00:12:28,324
WE HAVEN'T HAD A STEALTH
ADVENTURE IN A WHILE.

265
00:12:28,348 --> 00:12:31,427
- YOU KNOW I DON'T SMOKE WEED
DURING THE WORK SEASON.
- YEAH, BUT YOU HEARD THE DOC.

266
00:12:31,451 --> 00:12:33,429
HE SAID YOU'RE NERVOUS.
YOU OUGHT TO TRY SOMETHING.

267
00:12:33,453 --> 00:12:35,598
TURTLE, IF YOU WANTED THE WEED,
WHY DIDN'T YOU GET THE CARD?

268
00:12:35,622 --> 00:12:37,065
I JUST WANTED TO SEE IF
SOMETHING HAPPENED TO YOU FIRST.

269
00:12:37,089 --> 00:12:40,302
WELL, NOTHING DID. CHECK
OUT THAT BAD BOY RIGHT THERE.

270
00:12:40,326 --> 00:12:42,226
IMPRESSIVE. WHAT'S
WRONG WITH YOU?

271
00:12:42,262 --> 00:12:44,662
- PANIC DISORDER.
- I'LL BUY THAT.

272
00:12:46,799 --> 00:12:49,080
YO, WHERE THE HATS AT?

273
00:12:54,740 --> 00:12:57,007
- OH, YEAH.
- OH!

274
00:12:57,043 --> 00:12:58,809
HEY, CAN I HELP YOU GUYS?

275
00:12:58,844 --> 00:13:01,379
YES, WHAT'S THE LARGEST
AMOUNT THAT ONE CAN LEGALLY...

276
00:13:01,414 --> 00:13:03,514
WITH THE CARD... PURCHASE?

277
00:13:03,550 --> 00:13:06,551
- HOW MUCH DO THEY NEED?
- MAYBE 2 LBS.

278
00:13:06,586 --> 00:13:10,020
LISTEN, JUST GIVE HIM THE MOST
YOU CAN OF THE STRONGEST YOU GOT.

279
00:13:10,056 --> 00:13:13,469
ME, I'LL TAKE ONE JET-BLACK
CALIFORNIA HOMEGROWN TRUCKER HAT.

280
00:13:13,493 --> 00:13:16,860
NO BAG NECESSARY.
I'LL BE WEARING IT OUT.

281
00:13:20,032 --> 00:13:23,767
OH, YEAH. NOW I'M
READY FOR WORK.

282
00:13:23,803 --> 00:13:25,969
ME TOO.

283
00:13:26,005 --> 00:13:29,207
VINNIE, VINNIE, THAT LITTLE
CUNT SUCKER-PUNCHED ME, MAN,

284
00:13:29,242 --> 00:13:31,442
THE BIGGEST BITCH
MOVE IN THE WORLD.

285
00:13:31,477 --> 00:13:33,289
BILLY, YOU DID SCREAM
HE LIKES TO SUCK COCK.

286
00:13:33,313 --> 00:13:36,358
I WANT THAT LITTLE UNDERSIZED
DOUCHE IN THE RING ANYTIME, ANYWHERE.

287
00:13:36,382 --> 00:13:38,227
BILLY, THIS IS
GETTING RIDICULOUS.

288
00:13:38,251 --> 00:13:41,363
NO, WHAT'S RIDICULOUS IS THAT ONE OF
THE PRODUCERS OF OUR FILM SEEMS INTENT

289
00:13:41,387 --> 00:13:43,299
- ON TAKING IT DOWN.
- <i>Taking it down?</i>

290
00:13:43,323 --> 00:13:45,456
THE WHOLE TOWN IS
FREAKING OVER THE TRAILER.

291
00:13:45,491 --> 00:13:46,990
YO, I WASN'T READY YET.

292
00:13:47,026 --> 00:13:49,838
WELL, EITHER WAY, I'M
TELLING YOU HE DID NOT LEAK IT.

293
00:13:49,862 --> 00:13:51,740
GET HIM ON A LIE DETECTOR
THEN. I'LL PAY FOR THE THING.

294
00:13:51,764 --> 00:13:54,577
- OH, BILLY, COME ON.
- YOU DON'T DOUBT HIM
EVEN FOR A MINUTE?

295
00:13:54,601 --> 00:13:56,679
THE GUY TRIED TO SELL OUR
MOVIE BEHIND YOUR BACK.

296
00:13:56,703 --> 00:13:58,669
BILLY, HE'S LIKE MY BROTHER.

297
00:13:58,705 --> 00:14:01,972
I'VE KNOWN HIM SINCE I'M SIX
YEARS OLD. I HAVE ZERO DOUBT.

298
00:14:02,007 --> 00:14:04,308
<i>You understand?</i>

299
00:14:04,344 --> 00:14:06,422
I DO. YOU'RE A LOYAL
GUY, AND I RESPECT THAT.

300
00:14:06,446 --> 00:14:08,424
SO PLEASE RESPECT THAT I
NEED YOU THERE TONIGHT.

301
00:14:08,448 --> 00:14:10,326
AND I NEED YOU BOTH TO GET
ALONG DURING THIS INTERVIEW

302
00:14:10,350 --> 00:14:12,150
<i>for the sake of the movie.</i>

303
00:14:12,184 --> 00:14:14,530
OKAY, VINCE, FOR YOU AND
FOR THE MOVIE, BUT YOU TELL HIM

304
00:14:14,554 --> 00:14:18,256
ONE LOOK, ONE WORD, ONE
SMIRK, AND HE'S GOING DOWN HARD.

305
00:14:18,291 --> 00:14:20,636
I'LL SEE YOU THERE.
IT'S ALL GOOD.

306
00:14:20,660 --> 00:14:22,638
HE UNDERSTANDS IT'S
ALL ABOUT THE MOVIE.

307
00:14:22,662 --> 00:14:25,502
- HE'S GONNA BE
ON HIS BEST BEHAVIOR.
- YEAH, WELL, HE BETTER BE.

308
00:14:29,001 --> 00:14:30,968
THERE HE IS. THERE HE IS.

309
00:14:31,003 --> 00:14:33,616
KEEP THE MOISTNESS OUT OF
YOUR PANTS, LLOYD, AND JUST WAIT.

310
00:14:33,640 --> 00:14:36,960
LET HIM SEE US. LET HIM
COME TO US, ALL RIGHT?

311
00:14:37,777 --> 00:14:40,844
HEY, ARI, HOW ARE YOU?
WHAT, WE STILL GOT BEEF?

312
00:14:40,880 --> 00:14:44,214
NO BEEF, JOSH. THIS
IS MY ASSISTANT LLOYD.

313
00:14:44,250 --> 00:14:46,751
- HEY.
- JOSH USED
TO BE YOU, LLOYD.

314
00:14:46,786 --> 00:14:50,488
OH, JOSH WEINSTEIN. ARI'S
ALWAYS YELLING AT ME,

315
00:14:50,523 --> 00:14:53,223
"LLOYD, WHY CAN'T YOU BE
MORE LIKE JOSH WEINSTEIN?"

316
00:14:53,259 --> 00:14:55,426
REALLY? THAT'S COOL.

317
00:14:55,461 --> 00:14:56,838
Ari: <i>WHAT ARE YOU UP TO, JOSH?</i>

318
00:14:56,862 --> 00:14:59,730
NOTHING MUCH, MAN,
JUST WORKING WITH HEATH.

319
00:14:59,766 --> 00:15:02,144
- LEDGER... I'M
SURE YOU'VE HEARD.
- I DID NOT HEAR.

320
00:15:02,168 --> 00:15:04,546
NO, BUT THAT'S FANTASTIC.
TERRIFIC. I LOVE HEATH.

321
00:15:04,570 --> 00:15:06,737
OH YEAH. HE'S
HUGE, AND HE'S MINE.

322
00:15:06,773 --> 00:15:08,850
- MMM.
- ARI, YOU WOULD HAVE BEEN
SO PROUD OF ME.

323
00:15:08,874 --> 00:15:10,519
- IT WAS JUST
HOW YOU TAUGHT ME.
- YEAH?

324
00:15:10,543 --> 00:15:12,087
- I WAS IN A
TEAM LEDGER MEETING...
- UH-HUH?

325
00:15:12,111 --> 00:15:15,212
THREW OUT A COUPLE OF SUGGESTIONS...
OH, DID HIS POINT GUY GET PISSED!

326
00:15:15,247 --> 00:15:17,348
- (laughs)
- BUT HEATH LOVED MY IDEAS.

327
00:15:17,383 --> 00:15:19,850
BAM! NOW HE ONLY
LISTENS TO WHAT I SAY.

328
00:15:19,885 --> 00:15:21,730
WHERE ARE YOU
STEERING HIM NOW, JOSH?

329
00:15:21,754 --> 00:15:24,455
WE'RE ABOUT TO CLOSE
ON "LOST IN THE CLOUDS."

330
00:15:24,490 --> 00:15:25,690
REALLY?

331
00:15:25,725 --> 00:15:27,291
YEAH, WHAT? YOU DON'T LIKE IT?

332
00:15:27,327 --> 00:15:29,070
NO NO NO, YOU KNOW, I
SHOULDN'T SAY ANYTHING.

333
00:15:29,094 --> 00:15:32,196
EXCUSE ME, MISS, UH, COULD
WE BE SEATED NOW? THANKS.

334
00:15:32,231 --> 00:15:34,042
- RIGHT THIS WAY,
MR. GOLD.
- ALL RIGHT.

335
00:15:34,066 --> 00:15:36,412
ARE YOU JUST BEING A HATER, OR
YOU REALLY GOT SOMETHING TO SAY?

336
00:15:36,436 --> 00:15:38,480
LISTEN, DO YOU REALLY WANT
HEATH UP ON ANOTHER MOUNTAIN

337
00:15:38,504 --> 00:15:40,015
PLAYING GAY AGAIN?
I MEAN, COME ON,

338
00:15:40,039 --> 00:15:42,540
"BROKEBACK" IS STILL
IN PEOPLE'S MINDS.

339
00:15:42,575 --> 00:15:44,809
VERY MUCH SO.

340
00:15:44,844 --> 00:15:47,478
GAY? WHAT ARE YOU
TALKING ABOUT, ARI?

341
00:15:47,513 --> 00:15:49,425
THIS IS SUPPOSED TO BE A
BADASS MOUNTAIN CLIMBER.

342
00:15:49,449 --> 00:15:50,849
MAYBE. DID YOU
READ THE BOOK, JOSH?

343
00:15:50,883 --> 00:15:53,028
I MEAN, THERE IS A REASON WHY
HE CHOSE THE HANDSOME SHERPA

344
00:15:53,052 --> 00:15:55,820
WHO WAS EDUCATED AT OXFORD
TO SHOW HIM UP THE MOUNTAIN.

345
00:15:55,855 --> 00:15:58,734
I WAS THINKING ABOUT
THE ROCK FOR THE SHERPA.

346
00:15:58,758 --> 00:16:01,191
OOF. (guffaws)

347
00:16:01,227 --> 00:16:04,362
THERE IS AN IMAGE. LOOK, JOSH, I
DON'T MEAN TO TELL YOU YOUR BUSINESS,

348
00:16:04,397 --> 00:16:07,030
BUT WHAT DO YOU THINK THEY WERE
DOING IN THAT CAVE FOR TWO WEEKS?

349
00:16:07,066 --> 00:16:09,533
THEY WERE USING EACH
OTHER'S ASSES AS HAND WARMERS.

350
00:16:09,569 --> 00:16:12,436
THE LOVE AFFAIR... IT'S THE
SUBTEXT OF THE WHOLE SCRIPT,

351
00:16:12,472 --> 00:16:14,438
EVEN IF IT DOESN'T
OVERTLY MAKE THE MOVIE.

352
00:16:14,474 --> 00:16:17,441
I THINK HEATH AND THE ROCK
WILL MAKE A HOT COUPLE, JOSH.

353
00:16:17,477 --> 00:16:19,254
I WOULDN'T WORRY
ABOUT IT AT ALL.

354
00:16:19,278 --> 00:16:21,912
YOU'VE GOT <i>MY</i> $10.50.

355
00:16:21,947 --> 00:16:24,548
I GOTTA GO CALL
HEATH. EXCUSE ME, GUYS.

356
00:16:24,584 --> 00:16:26,550
SORRY, GUYS.

357
00:16:26,586 --> 00:16:28,552
- WHAT DO YOU THINK?
- (chuckles)

358
00:16:28,588 --> 00:16:31,856
WHEN YOU TOLD ME YOUR PLAN, I
THOUGHT IT WAS SIMPLE AND STUPID.

359
00:16:31,891 --> 00:16:34,124
- UH-HUH, AND NOW?
- BRILLIANT AND COMPLEX.

360
00:16:34,159 --> 00:16:36,360
THERE YOU GO. A COUPLE
OF SHOTS, HUH, LLOYD?

361
00:16:36,396 --> 00:16:37,928
OKAY, ARI GOLD, OKAY.

362
00:16:37,963 --> 00:16:41,098
EXCUSE ME, MISS, CAN WE GET A
COUPLE OF WOO-WOOS OVER HERE?

363
00:16:41,133 --> 00:16:43,100
WHAT THE FUCK IS A WOO-WOO?

364
00:16:43,135 --> 00:16:44,835
WOO-WOO!

365
00:16:48,274 --> 00:16:50,508
- HEY, JOHNNY.
- HEY, GORGEOUS.

366
00:16:50,543 --> 00:16:54,211
- WHAT UP, PLAYAS?
- LOOKING GOOD,
JOHNNY DRAMA.

367
00:16:54,246 --> 00:16:55,891
FEELING GOOD,
J.J., FEELING GOOD.

368
00:16:55,915 --> 00:16:57,325
HEY, ANGELA, HOW'S
IT HANGING, BABY?

369
00:16:57,349 --> 00:16:58,849
HEY, JOHNNY. HOW
WAS YOUR HIATUS?

370
00:16:58,885 --> 00:17:00,918
ANY BETTER... I'D BE GUILTY.

371
00:17:00,953 --> 00:17:02,920
GARY! YO!

372
00:17:04,356 --> 00:17:07,124
- DRAMA, WHAT UP, DAWG?
- WHAT UP, BIATCHES?

373
00:17:07,159 --> 00:17:08,570
JOHNNY, WHAT'S UP,
MAN? YOU LOOK GOOD.

374
00:17:08,594 --> 00:17:10,305
- YEAH?
- YEAH. YOU LOSE WEIGHT
OR WHAT?

375
00:17:10,329 --> 00:17:13,409
MAYBE A COUPLE POUNDS. I'VE BEEN
HITTING THE GYM, DOING TWO A DAY.

376
00:17:13,433 --> 00:17:15,299
NICE. HEY, WE SHOULD
WORK OUT SOMETIME.

377
00:17:15,334 --> 00:17:17,713
IF YOU THINK YOU CAN
KEEP UP WITH MY REGIMEN.

378
00:17:17,737 --> 00:17:20,137
YO, MAN, THAT'S A SWEET HAT.

379
00:17:20,172 --> 00:17:21,872
- THIS LITTLE THING?
- YEAH.

380
00:17:21,908 --> 00:17:24,052
- IT'S A'IGHT.
- A'IGHT? DUDE,
IT'S AWESOME.

381
00:17:24,076 --> 00:17:27,645
- KILLER, MAN.
- THAT'S FROM THAT MEDICAL
MARIJUANA JOINT, HUH, DRAMA?

382
00:17:27,680 --> 00:17:30,380
- YEAH.
- DUDE, I HEAR THEY GOT
THE ILLEST OG KUSH THERE.

383
00:17:30,416 --> 00:17:33,584
LET'S JUST SAY MEMBERSHIP
HAS ITS PRIVILEGES.

384
00:17:33,619 --> 00:17:35,898
NICE, DRAMA. DUDE,
YOU JUST TURNED THIS

385
00:17:35,922 --> 00:17:37,800
INTO ONE VERY SWEET NEW SEASON.

386
00:17:37,824 --> 00:17:39,367
- YEAH?
- FUCK YEAH, DUDE.

387
00:17:39,391 --> 00:17:41,358
YO, WHAT THE HELL
WE WAITIN' FOR, BOYS?

388
00:17:41,393 --> 00:17:43,427
LET'S HIT DRAMA'S
TRAILER, SPARK IT UP.

389
00:17:43,463 --> 00:17:45,429
- COME ON.
- UH...

390
00:17:45,465 --> 00:17:47,965
DON'T EVEN TELL ME YOU
DIDN'T BRING ANY FOR US, DRAMA.

391
00:17:48,000 --> 00:17:49,978
OF COURSE I DID.
IT'S IN THE CAR.

392
00:17:50,002 --> 00:17:51,480
- YEAH!
- YEAH, ALL RIGHT!

393
00:17:51,504 --> 00:17:54,204
- I'LL GO GET IT.
- ALL RIGHT!

394
00:17:54,239 --> 00:17:58,141
DUDE, HE'S THE MAN.
WE'RE HOOKING UP.

395
00:17:58,177 --> 00:17:59,643
<i>(R&B music playing)</i>

396
00:17:59,678 --> 00:18:01,645
<i>(phone ringing)</i>

397
00:18:03,983 --> 00:18:06,061
COME ON, TURTLE, PICK IT UP.

398
00:18:06,085 --> 00:18:08,052
<i>(phone ringing)</i>

399
00:18:11,858 --> 00:18:14,103
- YO.
- YO, DID YOU FINISH
ALL MY WEED?

400
00:18:14,127 --> 00:18:16,093
<i>Nah, not all of it.</i>

401
00:18:16,129 --> 00:18:18,763
I NEED YOU ON THE SET
WITH WHATEVER'S LEFT, NOW.

402
00:18:18,798 --> 00:18:21,076
I'M NOT MOVING TOO FAST, DRAMA.
THIS IS SOME POWERFUL SHIT.

403
00:18:21,100 --> 00:18:23,667
NOW, TURTLE, NOW!

404
00:18:25,938 --> 00:18:27,315
- VINCE.
- HEY, ELVIS.

405
00:18:27,339 --> 00:18:28,617
- HOW ARE YOU?
- GREAT.

406
00:18:28,641 --> 00:18:30,485
GOOD TO SEE YOU. HAVEN'T
SEEN YOU SINCE SUNDANCE.

407
00:18:30,509 --> 00:18:32,287
- YEAH, THAT'S RIGHT.
- HOW HAVE YOU BEEN?

408
00:18:32,311 --> 00:18:33,655
- <i>VERY WELL. AND YOU?</i>
- GOOD.

409
00:18:33,679 --> 00:18:35,523
THIS IS MY PRODUCER AND
MANAGER, ERIC MURPHY.

410
00:18:35,547 --> 00:18:36,992
- NICE TO MEET YOU, ELVIS.
- HOW ARE YOU?

411
00:18:37,016 --> 00:18:38,727
- I'M WELL. HOW ARE YOU?
- I'M GOOD, THANKS.

412
00:18:38,751 --> 00:18:40,717
AND HERE'S MR. WALSH NOW.

413
00:18:40,753 --> 00:18:42,719
MR. MITCHELL.

414
00:18:42,755 --> 00:18:45,189
- PLEASURE TO MEET YOU.
- HOW ARE YOU?

415
00:18:45,224 --> 00:18:47,191
SO, UH...

416
00:18:47,226 --> 00:18:49,972
HOW CHARMING DO WE HAVE
TO BE TO GET THE COVER?

417
00:18:49,996 --> 00:18:53,164
(Elvis chuckles)

418
00:18:53,199 --> 00:18:55,432
- WHO TOLD YOU, ARI?
- <i>Told me what, Dana?</i>

419
00:18:55,467 --> 00:18:57,445
<i>What are you talking about?
I was just calling to apologize.</i>

420
00:18:57,469 --> 00:18:59,782
YOU KNOW, I THOUGHT MAYBE
I WAS A LITTLE RUDE EARLIER.

421
00:18:59,806 --> 00:19:01,784
- BRIAN GRAZER,
HOW ARE YOU, MAN?
- YEAH. HEY.

422
00:19:01,808 --> 00:19:03,952
GOOD TO SEE YOU. LISTEN, THE REAL
"AMERICAN GANGSTER." EVERYTHING GOOD?

423
00:19:03,976 --> 00:19:05,654
YEAH, IT'S GOOD, BUT
I'LL SEE YOU IN A WHILE.

424
00:19:05,678 --> 00:19:07,890
YES, YOU WILL. CAN WE PUT
VINNIE AND RUSSELL TOGETHER?

425
00:19:07,914 --> 00:19:08,879
(chuckles) YEAH.

426
00:19:08,915 --> 00:19:10,492
WE WILL. DANA, LISTEN,

427
00:19:10,516 --> 00:19:12,727
I KNOW THAT DEEP DOWN MY
BEHAVIOR REALLY TURNS YOU ON,

428
00:19:12,751 --> 00:19:15,397
<i>but in case it really
doesn't, then yes, I am sorry.</i>

429
00:19:15,421 --> 00:19:18,381
WHATEVER. HEATH'S
OFF "LOST IN THE CLOUDS."

430
00:19:19,292 --> 00:19:20,958
- REALLY?
- <i>Yeah, it turns out</i>

431
00:19:20,993 --> 00:19:23,794
HE'S GOT SOME PASSION
PROJECT HE WANTS TO DIRECT.

432
00:19:23,830 --> 00:19:26,864
A VERY INTERESTING TURN
OF EVENTS OUT OF NOWHERE.

433
00:19:26,899 --> 00:19:29,233
<i>And an even stranger
one that I'm calling you now.</i>

434
00:19:29,268 --> 00:19:31,013
WELL, YOU TELL
CURTIS THAT VINNIE IS IN.

435
00:19:31,037 --> 00:19:33,816
(chuckles) YOU KNOW,
I WOULD LOVE TO,

436
00:19:33,840 --> 00:19:35,806
BUT CURTIS IS OUT.

437
00:19:35,842 --> 00:19:39,087
Wanted to only work with
Heath on this and no one else.

438
00:19:39,111 --> 00:19:41,078
JESUS. UH, SO NOW WHAT?

439
00:19:41,113 --> 00:19:44,581
SO NOW MY FAST-TRACK
FILM HAS HIT THE SKIDS.

440
00:19:47,119 --> 00:19:50,654
- <i>(people chanting)</i> SMOKE SMOKE SMOKE!
<i>- (Rock music playing)</i>

441
00:19:50,689 --> 00:19:52,923
SMOKE SMOKE SMOKE...

442
00:19:52,959 --> 00:19:55,926
(women cheering)

443
00:19:55,962 --> 00:19:58,428
SMOKE SMOKE SMOKE...

444
00:19:59,465 --> 00:20:01,431
OH YEAH, BABY.

445
00:20:01,467 --> 00:20:03,433
Man: <i>WHOO! YEAH!</i>

446
00:20:03,469 --> 00:20:05,836
TAKE IT EASY, DRAMA.
THAT SHIT'S STRONG.

447
00:20:05,872 --> 00:20:07,850
HEY, EVERYONE, TURTLE
HERE THINKS HE'S MY DAD,

448
00:20:07,874 --> 00:20:09,551
THINKS I SHOULD SLOW DOWN.

449
00:20:09,575 --> 00:20:11,942
DON'T WORRY, BRO, HE'S COOL.

450
00:20:11,978 --> 00:20:14,144
SEE, TURTLE? I'M COOL.

451
00:20:14,180 --> 00:20:15,946
- Man: YEAH.
- ALL RIGHT, I'M UP.

452
00:20:15,982 --> 00:20:18,615
- YOU JUST WENT, DRAMA.
- JUST HIT ME, BITCH.

453
00:20:18,650 --> 00:20:22,152
- IT'S NOT YOUR TURN, DRAMA.
- JUST FUCKING HIT ME, MAN.

454
00:20:22,188 --> 00:20:24,628
YOU DON'T HAVE ANY CARDS, DRAMA.

455
00:20:24,656 --> 00:20:26,835
WELL, GET ME SOME
MOTHERFUCKING CARDS THEN, SON.

456
00:20:26,859 --> 00:20:29,360
ALL RIGHT, DAWG.

457
00:20:31,264 --> 00:20:32,440
OOH.

458
00:20:32,464 --> 00:20:34,765
HIT ME.

459
00:20:34,800 --> 00:20:36,600
All: OH!

460
00:20:36,635 --> 00:20:38,635
STRIP OR SMOKE.

461
00:20:38,670 --> 00:20:40,548
WELL, THERE'S NO WAY I'M
TAKING THESE BOXERS OFF

462
00:20:40,572 --> 00:20:43,051
AND HUMILIATING ALL THE
OTHER MEN IN HERE, SO...

463
00:20:43,075 --> 00:20:44,975
- I'LL STRIP FOR YOU.
- (men cheer)

464
00:20:45,011 --> 00:20:46,977
I'LL TAKE THAT...

465
00:20:47,013 --> 00:20:49,246
AND I'LL SMOKE.
PACK THAT SHIT TIGHT.

466
00:20:49,282 --> 00:20:52,416
- (cheering)
- YOU'RE OUT OF YOUR
MIND, DRAMA.

467
00:20:52,451 --> 00:20:55,085
SMOKE SMOKE SMOKE...

468
00:21:01,860 --> 00:21:03,527
(cheering)

469
00:21:03,562 --> 00:21:07,331
- (coughing)
- Man: WHOA WHOA WHOA.

470
00:21:07,366 --> 00:21:10,500
(retching)

471
00:21:10,536 --> 00:21:11,902
ARE YOU OKAY, DRAMA?

472
00:21:11,938 --> 00:21:14,738
WHAT?

473
00:21:14,773 --> 00:21:16,407
ARE YOU OKAY?

474
00:21:17,810 --> 00:21:20,277
WHY IS EVERYONE LOOKING AT ME?

475
00:21:20,313 --> 00:21:22,346
'CAUSE YOU'RE TALKING.

476
00:21:22,381 --> 00:21:24,793
- I'M NOT TALKING,
YOU'RE TALKING.
- RELAX, DRAMA.

477
00:21:24,817 --> 00:21:27,484
I CAN'T RELAX. MY
PULSE IS SKYROCKETING.

478
00:21:27,519 --> 00:21:30,020
- CHECK MY PULSE.
- OH SHIT, DUDE.

479
00:21:30,056 --> 00:21:32,256
SOMEONE IS BUGGING OUT.

480
00:21:32,291 --> 00:21:34,469
I'M NOT BUGGING OUT. MY MOUTH
IS JUST DRY. I NEED SOME WATER.

481
00:21:34,493 --> 00:21:37,627
BUT OUT! BUG OUT! BUG OUT...

482
00:21:41,233 --> 00:21:43,211
NO, I'M NOT BUGGING
OUT. GIVE ME WATER.

483
00:21:43,235 --> 00:21:46,370
SOMEONE GET ME SOME
WATER. GET ME SOME WATER!

484
00:21:46,405 --> 00:21:48,772
BUG OUT! BUG OUT...

485
00:21:48,807 --> 00:21:51,207
TURTLE, WHY WON'T THEY HELP ME?

486
00:21:53,045 --> 00:21:55,612
WHY DON'T YOU JUST HELP
YOURSELF AND EMBRACE IT?

487
00:21:55,647 --> 00:21:58,782
YEAH, I'M BUGGING OUT.

488
00:21:58,817 --> 00:22:01,518
- <i>YEAH.</i>
- I'M BUGGING OUT!

489
00:22:01,553 --> 00:22:03,720
(cheering)

490
00:22:07,093 --> 00:22:08,993
All: <i>SMOKE SMOKE SMOKE...!</i>

491
00:22:10,696 --> 00:22:12,674
SO WE'RE STANDING ON
THE SIDE OF THIS MOUNTAIN

492
00:22:12,698 --> 00:22:16,233
OVERLOOKING THIS PLACE THAT
PABLO ESCOBAR TERRORIZED

493
00:22:16,268 --> 00:22:18,869
OVER A DECADE, AND WE'RE GOING,

494
00:22:18,904 --> 00:22:22,973
"WHAT IS THE FLAW IN HUMANITY
THAT MAKES PEOPLE ACT SO CRUEL?"

495
00:22:23,009 --> 00:22:25,376
- ELVIS, IT WAS AMAZING.
- IT WAS VERY INSPIRING.

496
00:22:25,411 --> 00:22:27,255
- MM-HMM.
- WHAT DID YOU
THINK, ERIC?

497
00:22:27,279 --> 00:22:29,246
OH, ERIC WASN'T THERE.

498
00:22:29,281 --> 00:22:31,259
I WAS AT BASE CAMP
PREPARING FOR THE NEXT SCENE.

499
00:22:31,283 --> 00:22:33,428
ERIC WASN'T
NECESSARILY ON SET A LOT.

500
00:22:33,452 --> 00:22:35,763
<i>I WAS WHEREVER I NEEDED
TO BE, WHEREVER THAT WAS.</i>

501
00:22:35,787 --> 00:22:39,034
ERIC HAS THE TOUGHEST JOB AND HE'LL
PROBABLY GET THE LEAST AMOUNT OF CREDIT.

502
00:22:39,058 --> 00:22:42,404
BUT HE'S THE SMALLEST SO HE DOESN'T
NEED AS MUCH CREDIT AS BIG PEOPLE.

503
00:22:42,428 --> 00:22:45,462
YEAH. THEN AGAIN, MY EGO
ISN'T HALF AS BIG AS BILLY'S.

504
00:22:45,498 --> 00:22:47,931
SHIT, SIMON COWELL'S
EGO ISN'T AS BIG.

505
00:22:47,966 --> 00:22:51,535
- YOU GUYS HAVE
AN AMAZING RAPPORT.
- DON'T THEY?

506
00:22:51,570 --> 00:22:53,315
THE THREE OF YOU. DID
YOU ALL GROW UP TOGETHER?

507
00:22:53,339 --> 00:22:54,538
NO, JUST ME AND E.

508
00:22:54,573 --> 00:22:56,751
"TINY E"... THAT'S OUR
NICKNAME FOR HIM.

509
00:22:56,775 --> 00:23:00,944
- YOU CAN PRINT THAT.
- (guffaws)

510
00:23:00,979 --> 00:23:02,379
(all chuckle)

511
00:23:02,415 --> 00:23:04,781
THANKS AGAIN, GUYS.

512
00:23:04,816 --> 00:23:05,994
- E: TAKE CARE, ELVIS.
- Vince: THANK YOU.

513
00:23:06,018 --> 00:23:07,984
- GOOD LUCK AT CANNES.
- THANK YOU.

514
00:23:08,020 --> 00:23:10,921
- YOU FUCKING PRICK.
- LICK MY BALLS, BITCH.

515
00:23:10,956 --> 00:23:13,601
WHAT, YOU WANT ME TO WHIP
YOUR ASS AGAIN, YOU FUCKING HACK?

516
00:23:13,625 --> 00:23:15,837
- HACK? LET'S GO, RIGHT HERE.
- YEAH, YOU'RE A FUCKING HACK.

517
00:23:15,861 --> 00:23:18,695
SHUT THE FUCK UP!

518
00:23:18,730 --> 00:23:20,197
SERIOUSLY.

519
00:23:20,232 --> 00:23:23,200
E, GET IN THE FUCKING CAR. GO.

520
00:23:24,336 --> 00:23:25,980
YOU'D BETTER RUN, PUSSY.

521
00:23:26,004 --> 00:23:27,704
- RUN?
- E.

522
00:23:30,742 --> 00:23:33,544
I'M SORRY, MAN. I JUST HATE HIM.

523
00:23:33,579 --> 00:23:35,123
TALK TO YOU LATER, BILLY.

524
00:23:35,147 --> 00:23:36,646
DON'T BE MAD AT ME, VINNIE.

525
00:23:38,817 --> 00:23:41,663
DRIVE AWAY NOW. DRIVE AWAY IF
YOU KNOW WHAT'S GOOD FOR YOU.

526
00:23:41,687 --> 00:23:43,432
- ARE YOU FUCKING SERIOUS?
- OH, WHAT, IT'S ME?

527
00:23:43,456 --> 00:23:46,334
WALSH IS A MESS. I MEAN, LOOK
AT HIM. HE'S A CRAZY ARTIST.

528
00:23:46,358 --> 00:23:48,292
- ARGHH-HH-HH!
- Vince: YOU'RE NOT.

529
00:23:48,327 --> 00:23:51,361
YOU'RE SUPPOSED TO HAVE YOUR
HEAD ON YOUR SHOULDERS, RIGHT?

530
00:23:51,397 --> 00:23:54,776
RIGHT. NO, YOU'RE
RIGHT, VINCE, I'M SORRY.

531
00:23:54,800 --> 00:23:57,167
BUT SIX MORE
WEEKS AND THAT'S IT.

532
00:23:57,203 --> 00:23:59,414
WE FINISH POSTING THIS
MOVIE, WE GO TO CANNES,

533
00:23:59,438 --> 00:24:01,483
AND THEN I NEVER SEE OR
SPEAK TO THIS FUCK AGAIN, EVER.

534
00:24:01,507 --> 00:24:02,917
- FINE.
- FINE.

535
00:24:02,941 --> 00:24:05,342
- <i>(phone rings)</i>
- HEY, WHAT'S UP, ARI?

536
00:24:05,377 --> 00:24:07,322
WHO WANTS TO CLIMB
MOUNT ANNAPURNA?

537
00:24:07,346 --> 00:24:08,778
WE GOT IT?

538
00:24:08,814 --> 00:24:10,614
- <i>We got it.</i>
- THAT'S SICK.

539
00:24:10,649 --> 00:24:13,584
NO, WHAT'S SICK IS I ALSO
GOT E ON AS A PRODUCER.

540
00:24:13,619 --> 00:24:15,185
- NICE.
- HOW DID YOU DO THAT?

541
00:24:15,221 --> 00:24:17,865
BY USING THE HYPE TO SELL
THEM THE DREAM-TEAM PACKAGE.

542
00:24:17,889 --> 00:24:19,201
OH YEAH? WHO'S THE DREAM TEAM?

543
00:24:19,225 --> 00:24:21,325
<i>Team "Medellin,"
baby. Vinnie stars,</i>

544
00:24:21,360 --> 00:24:23,660
YOU PRODUCE, WALSH DIRECTS.

545
00:24:23,695 --> 00:24:25,996
<i>Boom!</i>

546
00:24:26,031 --> 00:24:27,998
FUCK ME.

547
00:24:28,033 --> 00:24:30,800
<i>(rock song playing)</i>

548
00:24:37,476 --> 00:24:39,776
<i>(song continues)</i>