1
00:01:20,747 --> 00:01:23,315
OH, IT'S ARI AGAIN.

2
00:01:23,350 --> 00:01:25,162
ALL RIGHT, HOW
ABOUT I TAKE THIS?

3
00:01:25,186 --> 00:01:27,186
- WANNA TAKE THAT? OKAY.
- YEAH. THANK YOU.

4
00:01:28,689 --> 00:01:30,500
CAN'T YOU WAIT FOR A CALLBACK?

5
00:01:30,524 --> 00:01:34,226
AS THE FRENCH MIGHT
SAY, NO, I FUCKING CANNOT.

6
00:01:34,261 --> 00:01:35,828
<i>You know why, Eric?</i>

7
00:01:35,863 --> 00:01:37,830
IT'S BECAUSE I HAVE A
BOX OF RARE TRUFFLES

8
00:01:37,865 --> 00:01:39,832
SITTING ON MY DESK...
A GIFT FROM HARVEY.

9
00:01:39,867 --> 00:01:41,678
- DO YOU KNOW WHY?
- I CAN GUESS.

10
00:01:41,702 --> 00:01:43,668
IT'S BECAUSE YOU
SOLD HIM ON A MOVIE

11
00:01:43,704 --> 00:01:45,637
YOU'RE IN NO POSITION TO SELL.

12
00:01:45,672 --> 00:01:48,440
NOW HE THINKS WE'RE ALL
TRAVELING TO CANNES TOGETHER.

13
00:01:48,475 --> 00:01:50,653
DON'T WORRY ABOUT IT,
ARI. IT'S NOT YOUR PROBLEM.

14
00:01:50,677 --> 00:01:51,810
<i>Not my problem?</i>

15
00:01:51,846 --> 00:01:54,313
DID YOU KNOW THAT
HARVEY WAS A MARINE, ERIC?

16
00:01:54,348 --> 00:01:57,182
A MIDDLE-CLASS JEW WHO
GREW UP WITH EVERYTHING,

17
00:01:57,218 --> 00:01:59,617
YET HE CHOSE TO
JOIN THE MARINES.

18
00:01:59,653 --> 00:02:01,453
- <i>Do you know why?</i>
- NO. WHY?

19
00:02:01,488 --> 00:02:03,421
IT'S BECAUSE, AND I QUOTE,

20
00:02:03,457 --> 00:02:06,424
HE "WANTED TO KNOW WHAT
IT FELT LIKE TO KILL SOMEONE."

21
00:02:06,460 --> 00:02:08,360
HE WILL NOW KILL ME

22
00:02:08,395 --> 00:02:10,028
WHEN I TELL HIM WHAT YOU DID.

23
00:02:10,064 --> 00:02:12,742
I SET A DINNER. I'M TELLING
HIM TONIGHT, SO RELAX.

24
00:02:12,766 --> 00:02:14,610
- YOU'RE GONNA
TELL HIM IN PERSON?
- THAT'S RIGHT.

25
00:02:14,634 --> 00:02:16,869
WHAT I WOULDN'T PAY TO SEE THAT.

26
00:02:16,904 --> 00:02:18,949
WELL, SAVE YOUR
MONEY FOR BOTOX, ARI.

27
00:02:18,973 --> 00:02:20,917
ALL THAT NEGATIVITY'S
STARTING TO TAKE ITS TOLL.

28
00:02:20,941 --> 00:02:22,140
CALL WAITING. LATER, LOSER.

29
00:02:22,176 --> 00:02:24,142
LLOYD, I SEE DEAD PEOPLE. WHY?

30
00:02:24,178 --> 00:02:27,057
I DON'T KNOW, BUT M. NIGHT JUST
CALLED TO SAY HE DOESN'T SEE YOU.

31
00:02:27,081 --> 00:02:29,047
WELL, I'M AT THE
CEMETERY JUST LIKE HE SAID.

32
00:02:29,083 --> 00:02:31,283
<i>Remind me again why
I put up with this shit.</i>

33
00:02:31,318 --> 00:02:33,663
BECAUSE HIS MOVIES HAVE
GROSSED ALMOST $2 BILLION

34
00:02:33,687 --> 00:02:34,998
AND BECAUSE YOU'RE
SCARED OF HIM.

35
00:02:35,022 --> 00:02:37,489
THANK YOU, LLOYD,
BUT I FEAR NOTHING.

36
00:02:37,524 --> 00:02:39,992
ARGH!

37
00:02:40,027 --> 00:02:41,393
A LITTLE JUMPY, ARI?

38
00:02:41,428 --> 00:02:45,130
WE'RE IN A CEMETERY, NIGHT.
EVEN FOR YOU THIS IS BIZARRE.

39
00:02:45,165 --> 00:02:48,245
DON'T BE AN ASS. I'M SHOOTING
AN AMEX COMMERCIAL.

40
00:02:48,269 --> 00:02:50,035
OH, GREAT. AND YOU
WANT ME TO STAR IN IT.

41
00:02:50,070 --> 00:02:51,714
THAT'S WHY YOU'VE
SUMMONED ME TO THE VALLEY.

42
00:02:51,738 --> 00:02:54,239
NO, I FINISHED A NEW
DRAFT OF THE SCREENPLAY

43
00:02:54,275 --> 00:02:56,253
- AND I DON'T
TRUST MESSENGERS.
- WOW. YOU'RE, LIKE,

44
00:02:56,277 --> 00:02:58,221
SIX WEEKS AHEAD OF SCHEDULE.
ARE YOU GONNA PUT YOURSELF IN IT?

45
00:02:58,245 --> 00:03:00,656
- I'M GONNA IMPROV
A LITTLE SOMETHING.
- INDIANS AND IMPROV...

46
00:03:00,680 --> 00:03:02,080
NO GREATER MATCH.

47
00:03:04,285 --> 00:03:06,096
YOU'RE GONNA READ IT TONIGHT.

48
00:03:06,120 --> 00:03:08,765
- OF COURSE I WILL.
- DON'T TELL ME YOU WILL
IF YOU WON'T.

49
00:03:08,789 --> 00:03:11,656
MY NIGHT, M. NIGHT, WILL
BE DEDICATED TO NOTHING

50
00:03:11,691 --> 00:03:13,926
BUT ENJOYING YOUR
LATEST CREATION.

51
00:03:13,961 --> 00:03:15,671
I'M GONNA DRIVE BY YOUR
OFFICE IN THE MORNING,

52
00:03:15,695 --> 00:03:17,507
I'M GONNA PICK IT UP
AND I'M GONNA QUIZ YA.

53
00:03:17,531 --> 00:03:19,464
- AS ALWAYS.
- BYE, ARI.

54
00:03:19,499 --> 00:03:21,466
SEE YOU, NIGHT.

55
00:03:21,501 --> 00:03:24,281
ARI, YOU'VE GOT THE MISSUS'S
BEST FRIEND'S DINNER TONIGHT.

56
00:03:24,305 --> 00:03:26,271
OH, FUCK. LOOK AT THIS THING.

57
00:03:26,307 --> 00:03:28,473
IT'S LIKE, 200 PAGES.
FIND ME A FLASHLIGHT.

58
00:03:28,508 --> 00:03:30,675
I'M GONNA HAVE TO
READ THIS AT THE TABLE.

59
00:03:30,710 --> 00:03:32,923
WHY DO WE HAVE TO BRING
THIS GUY OUT WITH US, JOHNNY?

60
00:03:32,947 --> 00:03:34,846
'CAUSE HE'S THE MAYOR
OF BEVERLY HILLS.

61
00:03:34,881 --> 00:03:37,260
AND WHY DO YOU CARE IF YOU
DON'T LIVE IN BEVERLY HILLS?

62
00:03:37,284 --> 00:03:39,784
I CARE BECAUSE THE MAYOR
COULD USE HIS POLITICAL CLOUT

63
00:03:39,820 --> 00:03:41,786
TO ANNEX MY CONDO IN.

64
00:03:41,822 --> 00:03:44,556
HOW WOULD YOU LIKE TO SEE THIS
PLACE ROCKING A 90210 ZIP CODE?

65
00:03:44,591 --> 00:03:47,103
YOU'RE 40 FEET FROM THE BORDER
NOW. WHAT'S GONNA CHANGE?

66
00:03:47,127 --> 00:03:49,806
IT'S LIKE ASKING WHAT CHANGES BETWEEN
NORTH AND SOUTH KOREAN BORDERS.

67
00:03:49,830 --> 00:03:52,697
- YEAH, THAT'S
A GOOD ANALOGY.
- TURTLE, COME HERE.

68
00:03:52,732 --> 00:03:54,699
LOOK OUT THAT WINDOW.

69
00:03:54,734 --> 00:03:57,613
YOU SEE THAT BRAND-NEW FIRE
STATION OUT THERE? THAT'S BEVERLY HILLS.

70
00:03:57,637 --> 00:04:00,116
DO YOU KNOW, IF THEY WERE TO
LOOK IN HERE AND SEE ME BURNING,

71
00:04:00,140 --> 00:04:02,785
THEY COULDN'T DO ANYTHING ABOUT
IT? I WOULD HAVE TO WAIT HOURS

72
00:04:02,809 --> 00:04:05,410
FOR L.A. COUNTY TO
COME AND SAVE ME.

73
00:04:05,446 --> 00:04:08,080
I DON'T WANT TO WAIT,
VIN. I WANT TO BE SAVED.

74
00:04:08,115 --> 00:04:09,759
YOU ARE BEYOND SAVING, DRAMA.

75
00:04:09,783 --> 00:04:11,549
VINCE CAN SAVE ME.

76
00:04:11,585 --> 00:04:13,485
- HOW?
- <i>THE GUY JUST WANTS</i>

77
00:04:13,520 --> 00:04:16,232
TO ROLL WITH THE BIG-TIME CELEBRITY
FOR THE EVENING, HAVE A GOOD TIME.

78
00:04:16,256 --> 00:04:18,923
BUT YOU'RE A BIG-TIME CELEB,
JOHNNY. WHY DO I HAVE TO GO?

79
00:04:18,959 --> 00:04:21,338
WELL, APPARENTLY,
HE DOESN'T WATCH TV.

80
00:04:21,362 --> 00:04:23,328
LOOK...

81
00:04:23,364 --> 00:04:25,541
THE ANNEXATION
VOTE IS ON WEDNESDAY.

82
00:04:25,565 --> 00:04:27,844
HE KNOWS WHAT I WANT
AND ALLUDED TO THE FACT

83
00:04:27,868 --> 00:04:29,846
THAT ONE HAND WASHES THE OTHER.

84
00:04:29,870 --> 00:04:32,404
I NEED MY HANDS
WASHED, BABY BRO,

85
00:04:32,439 --> 00:04:34,473
AND YOU ARE THE SOAP.

86
00:04:34,508 --> 00:04:36,953
- IT'S THURSDAY NIGHT, VINCE. FUCK HIS HANDS.
- SHUT UP, TURTLE.

87
00:04:36,977 --> 00:04:38,754
- IS HE A GOOD GUY, JOHNNY?
- HE'S A GREAT GUY.

88
00:04:38,778 --> 00:04:40,756
WE PUFF STOGIES AT THE
HAVANA ROOM ALL THE TIME.

89
00:04:40,780 --> 00:04:42,825
- OKAY, WE'LL BRING
HIM OUT.
- YES!

90
00:04:42,849 --> 00:04:44,227
- BRING WHO OUT WHERE?
- WE'RE ROLLING

91
00:04:44,251 --> 00:04:45,495
WITH THE MAYOR
OF BEVERLY HILLS, E.

92
00:04:45,519 --> 00:04:47,852
- TOO BAD YOU GOTTA MISS IT.
- OH YEAH, TOO BAD.

93
00:04:47,888 --> 00:04:49,966
- HARVEY SHOULD
BE FUN, THOUGH.
- SHUT UP, TURTLE.

94
00:04:49,990 --> 00:04:51,868
I DON'T KNOW WHY YOU CAN'T
JUST TELL HARVEY ON THE PHONE, E.

95
00:04:51,892 --> 00:04:53,503
MAYBE HE WANTS TO
FEEL HARVEY'S SPIT

96
00:04:53,527 --> 00:04:55,494
WHEN HE LAUNCHES
IT AT HIM AGAIN!

97
00:04:55,529 --> 00:04:57,440
NO, I JUST WANT TO BE A MAN
AND OWN UP FACE TO FACE.

98
00:04:57,464 --> 00:04:59,431
YOU KNOW WHAT? E
WENT OUT ON HIS OWN

99
00:04:59,466 --> 00:05:02,600
AGAINST THE FAMILY ON THIS. HE
MAY HAVE TO TAKE A LITTLE SPIT.

100
00:05:02,636 --> 00:05:03,835
THANKS, VINCE.

101
00:05:03,870 --> 00:05:05,637
A LITTLE SCARED OF HARVEY, HUH?

102
00:05:05,672 --> 00:05:07,384
I'M NOT AFRAID OF HARVEY.

103
00:05:07,408 --> 00:05:09,307
BECAUSE I WILL GO WITH
YOU IF YOU ASK NICELY.

104
00:05:09,343 --> 00:05:11,376
- THE MAYOR, VINCE.
- I DON'T WANT YOU TO GO.

105
00:05:11,412 --> 00:05:13,390
I GOT MYSELF INTO THIS, I
CAN GET MYSELF OUT OF IT.

106
00:05:13,414 --> 00:05:15,825
- THAT'S THE SPIRIT, KID.
- AND I'M NOT AFRAID OF
HARVEY, ALL RIGHT?

107
00:05:15,849 --> 00:05:17,860
I'M TRYING TO BE PROFESSIONAL
AND COURTEOUS BY DOING THIS,

108
00:05:17,884 --> 00:05:20,130
BUT I'M NOT GONNA SIT THERE
WHILE HE YELLS IN MY FACE AGAIN.

109
00:05:20,154 --> 00:05:22,620
- YOU'RE GONNA FIGHT HARVEY?
- NO, DON'T FIGHT HARVEY, E.

110
00:05:22,656 --> 00:05:24,000
- HARVEY'S BIG, E.
- YEAH, E,

111
00:05:24,024 --> 00:05:25,768
I THINK HARVEY CAN
DEFINITELY TAKE YOU.

112
00:05:25,792 --> 00:05:27,992
YOU USED TO THINK YOU
COULD TAKE ME, TURTLE.

113
00:05:28,028 --> 00:05:30,262
- YOU WANNA GO?
- HA, I WOULD FUCKIN'...

114
00:05:38,238 --> 00:05:40,439
I'M SIMPLY ASKING YOU

115
00:05:40,474 --> 00:05:43,007
NOT TO DILLY-DALLY, THAT'S ALL.

116
00:05:43,043 --> 00:05:44,776
AND I AM NOT GONNA
RUSH THROUGH DINNER.

117
00:05:44,811 --> 00:05:46,545
THIS IS MY BEST
FRIEND'S ENGAGEMENT.

118
00:05:46,580 --> 00:05:48,224
COME ON, SHE'S BEEN
MARRIED TWICE BEFORE.

119
00:05:48,248 --> 00:05:49,625
I'M SURE WE'LL GET
ANOTHER RUN AT THIS.

120
00:05:49,649 --> 00:05:51,661
I ALREADY STOOD IN THE
DRIVEWAY WAITING FOR YOU, ARI.

121
00:05:51,685 --> 00:05:54,297
JUST CHEW FAST AND DON'T
ORDER AN APPETIZER OR A DESSERT.

122
00:05:54,321 --> 00:05:56,254
GIVE ME A BREAK.

123
00:05:56,290 --> 00:05:58,490
- HI.
- OH, JOYCE,
YOU LOOK BEAUTIFUL.

124
00:05:58,525 --> 00:06:00,836
- THANK YOU. YOU TOO, MUFFIN.
- I'M SO EXCITED.

125
00:06:00,860 --> 00:06:03,295
PERFECT TIMING. RON'S AT THE
BAR AND WE THOUGHT WE'D GET

126
00:06:03,330 --> 00:06:05,308
- A BEFORE-DINNER DRINK. WHAT DO YOU SAY?
- NO.

127
00:06:05,332 --> 00:06:06,798
- NO?
- NO, WE'RE STARVING.

128
00:06:06,833 --> 00:06:09,112
SO GRAB YOUR MAN AND
LET'S GET THIS THING ROLLING.

129
00:06:09,136 --> 00:06:11,403
HE'S KIDDING. WE WOULD
LOVE TO HAVE A DRINK...

130
00:06:11,438 --> 00:06:13,405
OR TWO.

131
00:06:18,612 --> 00:06:22,680
SLOW DOWN, TURTLE. IT'S THE
FRENCH COUNTRY ON THE RIGHT.

132
00:06:22,716 --> 00:06:26,184
Vince: <i>WOW, NICE HOUSE.</i>

133
00:06:26,220 --> 00:06:28,198
HE IS THE MAYOR OF
BEVERLY HILLS, BRO.

134
00:06:28,222 --> 00:06:31,189
PULL OVER THERE, TURTLE.

135
00:06:31,225 --> 00:06:32,957
WHAT ARE YOU DOING?

136
00:06:32,993 --> 00:06:34,637
LETTING THE MAYOR
KNOW WE'RE HERE.

137
00:06:34,661 --> 00:06:36,628
YOU DON'T HONK, YOU NEANDERTHAL.

138
00:06:36,663 --> 00:06:39,409
YOU RING THE BELL LIKE AN UPSTANDING
BEVERLY HILLS CITIZEN WOULD DO.

139
00:06:39,433 --> 00:06:41,233
TOO LATE.

140
00:06:41,268 --> 00:06:43,034
HEY.

141
00:06:43,069 --> 00:06:46,749
DON'T FORGET YOUR CORSAGE.

142
00:06:47,741 --> 00:06:49,774
MAYOR LAURIE.

143
00:06:49,809 --> 00:06:54,212
JOHN CHASE, IS THAT VINNIE
CHASE I SEE IN THAT CAR?

144
00:06:54,248 --> 00:06:56,214
- HI. HOW ARE YOU?
- I'M TURTLE.

145
00:06:56,250 --> 00:06:58,617
OH, VINNIE, I AM A
BIG FAN... BIG BIG FAN.

146
00:06:58,652 --> 00:07:01,153
MY KIDS... THEY'RE JUST
OBSESSED WITH AQUAMAN.

147
00:07:01,188 --> 00:07:03,766
MY DAUGHTER CRIED WHEN THEY
REPLACED YOU IN THE SEQUEL,

148
00:07:03,790 --> 00:07:06,824
SAID SHE WILL NOT SEE IT
NO MATTER HOW GOOD IT IS.

149
00:07:06,860 --> 00:07:09,561
- TELL HER, THANK YOU.
- I WILL. I WILL.

150
00:07:09,596 --> 00:07:11,563
- READY TO GO NOW?
- YEAH YEAH.

151
00:07:11,598 --> 00:07:13,998
UH... GOTTA GRAB A JACKET FIRST.

152
00:07:14,034 --> 00:07:15,333
WALK WITH ME, JOHN.

153
00:07:15,369 --> 00:07:17,569
YEAH, THIS GUY'S GONNA
FIT RIGHT IN WITH US.

154
00:07:17,604 --> 00:07:19,904
OH, I REALLY APPRECIATE THIS.

155
00:07:19,939 --> 00:07:21,917
MY WIFE'S BEEN GONE
FOR OVER A YEAR NOW

156
00:07:21,941 --> 00:07:23,919
AND I'VE BEEN REALLY LONELY.

157
00:07:23,943 --> 00:07:25,443
HEY, WHAT ARE FRIENDS FOR?

158
00:07:25,479 --> 00:07:28,413
YEAH, BUT I THINK I'M
GONNA TAKE MY OWN CAR.

159
00:07:28,448 --> 00:07:31,249
ARE YOU SURE YOU DON'T WANT
TO HAVE TURTLE CHAUFFEUR?

160
00:07:31,285 --> 00:07:33,685
THEN WE CAN GET HAMMERED
AND HAVE A REALLY GOOD NIGHT.

161
00:07:33,720 --> 00:07:36,621
YOU KNOW WHAT WOULD MAKE
IT A REALLY GREAT NIGHT, JOHN?

162
00:07:36,657 --> 00:07:39,257
IT'S IF THAT MOVIE
STAR BROTHER OF YOURS

163
00:07:39,293 --> 00:07:41,259
COULD HELP PROVIDE
ME SOME COMFORT

164
00:07:41,295 --> 00:07:43,861
OF A FOXY YOUNG THING
I DON'T HAVE TO PAY FOR?

165
00:07:43,897 --> 00:07:45,863
HE CAN DO THAT.

166
00:07:47,734 --> 00:07:49,267
YOU...

167
00:08:00,747 --> 00:08:03,047
HI. HOW ARE YOU? I'M
HERE TO MEET HARVEY...

168
00:08:03,083 --> 00:08:04,327
- MR. MURPHY?
- YES.

169
00:08:04,351 --> 00:08:06,551
- RIGHT THIS WAY.
- THANK YOU.

170
00:08:11,324 --> 00:08:14,192
- HOW ARE YOU, ERIC?
- HEY, HOW ARE YOU, HARVEY?

171
00:08:14,227 --> 00:08:16,327
GOOD GOOD. GREAT GREAT.

172
00:08:16,363 --> 00:08:18,329
I'M GREAT. SIT SIT.

173
00:08:18,365 --> 00:08:21,700
- TRY THAT WINE.
- OKAY.

174
00:08:24,872 --> 00:08:26,571
IT'S GOOD.

175
00:08:26,607 --> 00:08:28,573
GOOD? THAT'S A '53 MARGAUX.

176
00:08:28,609 --> 00:08:30,453
IT'S 3,300 BUCKS A BOTTLE.

177
00:08:30,477 --> 00:08:32,355
I ONLY DRINK IT ON
CELEBRATORY OCCASIONS.

178
00:08:32,379 --> 00:08:34,357
THIS BEING ONE, I
ORDERED TWO BOTTLES.

179
00:08:34,381 --> 00:08:36,080
LET'S CELEBRATE.

180
00:08:37,684 --> 00:08:39,863
- LISTEN, HARVEY...
- OH, WOULD YOU
LOOK AT THIS?

181
00:08:39,887 --> 00:08:41,920
SEE THAT LITTLE CUNT?

182
00:08:41,955 --> 00:08:43,833
THAT PRICK STOLE
MY VP OF PRODUCTION.

183
00:08:43,857 --> 00:08:45,167
HE'S LUCKY I DON'T GO OVER THERE

184
00:08:45,191 --> 00:08:47,003
AND CRACK THIS FUCKING
BOTTLE OVER HIS HEAD.

185
00:08:47,027 --> 00:08:49,271
<i>I'M NOT GONNA DO THAT, THOUGH.</i>

186
00:08:49,295 --> 00:08:51,240
MY DOCTOR SAYS I
CAN'T DO THAT ANYMORE

187
00:08:51,264 --> 00:08:52,904
<i>'CAUSE MY BLOOD
PRESSURE'S OFF THE CHARTS.</i>

188
00:08:54,868 --> 00:08:58,336
SO, YOU AND ME, E...
STRESS-FREE DINNER.

189
00:08:59,640 --> 00:09:02,206
- TO "MEDELLIN."
- "MEDELLIN."

190
00:09:03,944 --> 00:09:05,977
I'VE NEVER BEEN SO
EMBARRASSED IN MY LIFE.

191
00:09:06,013 --> 00:09:07,757
WHAT? LISTEN, WHAT'S SO BAD?

192
00:09:07,781 --> 00:09:10,749
UH, YOU GOT THE CHECK
BEFORE WE GOT OUR ENTREES.

193
00:09:10,784 --> 00:09:13,384
- AT LEAST I PAID, RIGHT?
- <i>YOU ARE SUCH AN ASSHOLE.</i>

194
00:09:13,420 --> 00:09:14,831
THAT MAY BE, BUT I'M AN ASSHOLE

195
00:09:14,855 --> 00:09:16,799
THAT'S GONNA BE HOME
AT 9:30, READY TO READ.

196
00:09:16,823 --> 00:09:18,668
YOU KNOW WHAT? LET'S
GET AN EARLY START ON THIS.

197
00:09:18,692 --> 00:09:20,336
GRAB MY BRIEFCASE,
YOU READ TO ME.

198
00:09:20,360 --> 00:09:21,459
SCREW YOU.

199
00:09:21,494 --> 00:09:23,072
COME ON, BABY, BE A TEAM PLAYER.

200
00:09:23,096 --> 00:09:25,564
IF NIGHT PULLS ANOTHER
HALF-BILLION-DOLLAR GROSSER

201
00:09:25,599 --> 00:09:29,039
OUT OF HIS HAT, I'LL GET
YOU SOME DIAMONDS.

202
00:09:30,537 --> 00:09:32,671
- THE BRIEFCASE ISN'T HERE.
- WHAT DO YOU MEAN?

203
00:09:32,706 --> 00:09:35,406
JUST WHAT I SAID. ARE YOU SURE
YOU DIDN'T LEAVE IT IN THE OFFICE?

204
00:09:37,778 --> 00:09:39,744
WHAT, YOU DON'T BELIEVE ME?

205
00:09:42,248 --> 00:09:45,494
JESUS CHRIST, THE
VALET PROBABLY STOLE IT.

206
00:09:45,518 --> 00:09:48,887
- DON'T BE RACIST.
- VALETS STEAL SHIT,
ALL RIGHT?

207
00:09:48,922 --> 00:09:51,267
JUST BECAUSE THEY'RE MOSTLY
HISPANIC DOESN'T MAKE ME A RACIST.

208
00:09:51,291 --> 00:09:53,269
<i>YOU KNOW WHAT
HAPPENS IF THIS GETS OUT?</i>

209
00:09:53,293 --> 00:09:56,105
IF SOMEONE PUTS NIGHT'S NEW ENDING
ON THE INTERNET, MY LIFE IS OVER!

210
00:09:56,129 --> 00:09:57,629
NOBODY'S GONNA KNOW YOU DID IT.

211
00:09:57,664 --> 00:10:00,209
YES, THEY WILL, BECAUSE
NIGHT, THAT LITTLE SICK FUCK,

212
00:10:00,233 --> 00:10:02,834
PRINTED MY NAME ON
EVERY FUCKING PAGE!

213
00:10:02,869 --> 00:10:04,970
SO MAYBE THE VALETS
PUT IT IN THE TRUNK.

214
00:10:09,375 --> 00:10:11,442
IT'S GONE. NOT FUCKING HERE.

215
00:10:11,478 --> 00:10:14,145
THEY FUCKING STOLE IT. THE
MOTHERFUCKERS STOLE IT.

216
00:10:14,180 --> 00:10:17,448
WH... DID THEY
REPLACE IT WITH THIS?

217
00:10:17,484 --> 00:10:20,151
- WHAT THE FUCK IS THAT?
- YOU TELL ME, FREAK.

218
00:10:20,186 --> 00:10:22,186
I HAVE NO IDEA!

219
00:10:22,222 --> 00:10:24,856
WELL, THERE'S A WHOLE BAG.

220
00:10:24,891 --> 00:10:27,003
- THE SEATS AREN'T AS DARK
AS THEY'RE SUPPOSED TO BE.
- WHAT?

221
00:10:27,027 --> 00:10:28,871
- THEY GAVE US
THE WRONG CAR.
- SHUT UP.

222
00:10:28,895 --> 00:10:30,862
GET IN THERE. WHAT,
ARE YOU FUCKING BLIND?

223
00:10:30,897 --> 00:10:32,341
YOU'RE THE ONE WHO
DROVE IT HOME, SCHMUCK.

224
00:10:32,365 --> 00:10:34,845
WHY WOULD I BUY A BLACK COCK?

225
00:10:39,740 --> 00:10:42,473
WHERE THE FUCK ARE OUR SALADS?

226
00:10:42,509 --> 00:10:44,876
HEY, PAL, PAL.

227
00:10:46,579 --> 00:10:49,447
HOW LONG WE GOTTA WAIT
FOR A LOUSY ICEBERG WEDGE?

228
00:10:49,482 --> 00:10:51,494
YOU SLICE THE FUCKING
THING, YOU PUT IT ON A PLATE

229
00:10:51,518 --> 00:10:53,838
AND YOU BRING IT OVER HERE.

230
00:10:54,587 --> 00:10:57,000
ANYWAY, E, WHAT
WAS I TALKING ABOUT?

231
00:10:57,024 --> 00:10:59,357
YOU WERE SAYING
THAT YOU WERE, UH...

232
00:10:59,392 --> 00:11:01,960
YOU WERE PISSED OFF AT US AFTER
WE FUCKED YOU OVER AT SUNDANCE.

233
00:11:01,995 --> 00:11:04,007
OH, YEAH YEAH. OH, I WAS RAGING.

234
00:11:04,031 --> 00:11:06,597
SURE, YOU LITTLE PRICKS LET
ME CALL A PRESS CONFERENCE

235
00:11:06,633 --> 00:11:08,745
TO ANNOUNCE I'M IN BUSINESS
WITH YOU AND THEN YOU BAIL ON ME?

236
00:11:08,769 --> 00:11:11,903
I KNOW. THAT WAS... THAT
WAS A BIG MISTAKE, HARVEY.

237
00:11:11,938 --> 00:11:13,905
IT'S A MISTAKE?

238
00:11:15,108 --> 00:11:17,020
THAT WAS SOME
MISTAKE. DON'T YOU EVER

239
00:11:17,044 --> 00:11:19,644
MAKE A MISTAKE LIKE
THAT WITH ME AGAIN,

240
00:11:19,680 --> 00:11:22,413
BECAUSE NEXT TIME I'M
NOT GONNA BE SO KIND.

241
00:11:22,448 --> 00:11:24,415
I'LL KILL PEOPLE.

242
00:11:24,450 --> 00:11:26,551
YOU MIND IF I USE THE
BATHROOM, HARVEY?

243
00:11:26,586 --> 00:11:29,821
SURE, GO AHEAD.
OH OH, HEY, E, E,

244
00:11:29,856 --> 00:11:32,201
ON YOUR WAY OVER THERE
WALK BY THAT CUNT'S TABLE

245
00:11:32,225 --> 00:11:34,665
AND GIVE HIM A LITTLE
ELBOW IN THE HEAD.

246
00:11:35,762 --> 00:11:37,729
IF YOU FEEL LIKE IT.

247
00:11:43,636 --> 00:11:46,382
HOW AM I GONNA GET THIS
GUY LAID, JOHNNY, SERIOUSLY?

248
00:11:46,406 --> 00:11:47,972
TELL GIRLS

249
00:11:48,008 --> 00:11:50,075
THAT IF THEY FUCK HIM,
YOU'LL FUCK 'EM AFTER.

250
00:11:50,110 --> 00:11:52,088
THAT SOUNDS LIKE A
GOOD DEAL FOR VINCE.

251
00:11:52,112 --> 00:11:54,079
HE'D BE LYING.

252
00:11:54,114 --> 00:11:58,549
- OH, JESUS.
- Vince:<i> HOW DID HE</i>
BEAT US HERE?

253
00:12:06,559 --> 00:12:09,393
HEY, WHAT'S UP, VINCE?

254
00:12:09,429 --> 00:12:11,196
HEY, E.

255
00:12:11,231 --> 00:12:13,009
- <i>How is it going</i>
over there?
- IT'S NOT.

256
00:12:13,033 --> 00:12:14,811
THIS GUY'S NUTS. HE'S
TEETERING ON THE EDGE.

257
00:12:14,835 --> 00:12:16,400
DID HE YELL AT YOU?

258
00:12:16,436 --> 00:12:18,447
NO, HE DIDN'T YELL AT ME
'CAUSE I DIDN'T TELL HIM YET.

259
00:12:18,471 --> 00:12:20,249
I THOUGHT YOU SAID YOU
WEREN'T AFRAID OF HARVEY.

260
00:12:20,273 --> 00:12:22,518
I'M NOT SCARED OF HIM, BUT IT WOULDN'T
BE GOOD FOR ANYBODY IF I END UP

261
00:12:22,542 --> 00:12:25,321
ROLLING AROUND IN THE PARKING LOT WITH
ONE OF THE MOST POWERFUL MEN IN HOLLYWOOD.

262
00:12:25,345 --> 00:12:27,623
- SO WHAT DO YOU WANT ME TO DO?
- I WANT YOU TO COME DOWN HERE.

263
00:12:27,647 --> 00:12:29,792
- I'M WITH THE MAYOR, E.
- <i>Fuck the mayor, Vince.</i>

264
00:12:29,816 --> 00:12:32,350
HARVEY'S NOT GONNA MAKE THE
SAME KIND OF SCENE IF YOU'RE HERE.

265
00:12:32,385 --> 00:12:35,932
SWALLOW YOUR PRIDE AND ADMIT
YOU'RE AFRAID OF HIM AND I'M THERE.

266
00:12:35,956 --> 00:12:37,922
LOOK, I'M NOT SCARED OF HARVEY.

267
00:12:37,958 --> 00:12:39,624
HOW LONG YOU THINK
YOU CAN KEEP ME

268
00:12:39,659 --> 00:12:41,370
WAITING AT THE TABLE
WITHOUT ME GETTING ANTSY?

269
00:12:41,394 --> 00:12:43,339
SORRY ABOUT THAT, HARVEY.
I'M ACTUALLY TALKING TO VINCE.

270
00:12:43,363 --> 00:12:44,829
HEY!

271
00:12:44,865 --> 00:12:47,065
HEY, VINCE. HOW
THE FUCK ARE YOU?

272
00:12:47,100 --> 00:12:49,067
- HEY, HARVEY.
- <i>Where are you, pal?</i>

273
00:12:49,102 --> 00:12:51,569
I JUST WALKED INTO A
PLACE CALLED WINSTON'S.

274
00:12:51,604 --> 00:12:54,639
I LOVE WINSTON'S! WE'LL COME OVER
THERE FOR A CELEBRATORY TOAST.

275
00:12:54,674 --> 00:12:56,307
- <i>Okay.</i>
- WALK THE OTHER WAY, DAVID,

276
00:12:56,342 --> 00:12:59,077
OR I'LL PULL OUT YOUR FUCKING
EYEBALLS. YEAH, WE'LL SEE YOU SOON.

277
00:12:59,112 --> 00:13:01,345
- <i>See you.</i>
- COME ON, EAT.

278
00:13:03,150 --> 00:13:05,950
VINCE, NEL REALLY LIKES
THIS ONE OVER HERE.

279
00:13:05,986 --> 00:13:08,086
CAN YOU GO TALK TO HER?

280
00:13:14,560 --> 00:13:16,961
IT'S A BLACK LS HYBRID,

281
00:13:16,997 --> 00:13:19,642
SO DON'T BE AFRAID TO STEP
ON THE GAS AND GET IT UP HERE.

282
00:13:19,666 --> 00:13:21,699
THIS IS A BLACK LS.

283
00:13:21,734 --> 00:13:24,046
THAT'S THE WRONG
BLACK LS, OBVIOUSLY.

284
00:13:25,906 --> 00:13:28,306
OKAY, IS THERE A MANAGER?

285
00:13:29,776 --> 00:13:32,521
- I AM THE MANAGER.
- AN ENGLISH-SPEAKING MANAGER.

286
00:13:32,545 --> 00:13:35,124
- I SPEAK ENGLISH.
- FIRST-LANGUAGE
ENGLISH-SPEAKING...

287
00:13:35,148 --> 00:13:36,893
IT'S OKAY. YOU
SWITCHED CARS ON US.

288
00:13:36,917 --> 00:13:40,484
- OH SHIT, THAT'S NOT
YOUR CAR?
- NO.

289
00:13:40,520 --> 00:13:42,553
BECAUSE THE GUY WHO
JUST LEFT IN THE SAME CAR

290
00:13:42,588 --> 00:13:43,988
ACCUSED US OF
STEALING HIS GLASSES.

291
00:13:44,024 --> 00:13:46,891
HERE THEY ARE.
WRONGFULLY ACCUSED AGAIN.

292
00:13:46,927 --> 00:13:48,526
SO HE'S GONE?

293
00:13:48,561 --> 00:13:51,062
YES, BUT I'M SURE HE'S GONNA
COME BACK AS SOON AS HE REALIZES.

294
00:13:51,097 --> 00:13:52,675
I DON'T HAVE TIME
TO WAIT FOR THAT.

295
00:13:52,699 --> 00:13:54,677
I HAVE SOMETHING I NEED TO
GET OUT OF THE CAR TONIGHT.

296
00:13:54,701 --> 00:13:56,979
- THERE'S NOTHING
YOU CAN DO ABOUT THAT.
- THERE'S ALWAYS SOMETHING

297
00:13:57,003 --> 00:14:00,649
THAT CAN BE DONE, BABY. SOMETIMES YOU
JUST HAVE TO THINK REALLY REALLY HARD.

298
00:14:00,673 --> 00:14:02,640
SO EVERYBODY THINK.

299
00:14:05,611 --> 00:14:08,090
- ANYONE GOT SOMETHING? YOU GOT SOMETHING?
- NO, ARI.

300
00:14:08,114 --> 00:14:11,216
YOU COULD ALWAYS GO TO HIS
HOUSE AND HOPE THAT HE'S HOME.

301
00:14:11,251 --> 00:14:13,029
- WHAT, YOU KNOW
WHERE HE LIVES?
- NO,

302
00:14:13,053 --> 00:14:15,186
BUT HAS IT EVER OCCURRED
TO YOU RICH PEOPLE

303
00:14:15,222 --> 00:14:16,855
THAT WHEN YOU ARE
ENJOYING A NICE DINNER,

304
00:14:16,890 --> 00:14:19,623
WE HAVE YOUR KEYS AND
YOUR FANCY NAVIGATION SYSTEM

305
00:14:19,659 --> 00:14:21,259
TO LEAD US STRAIGHT
TO YOUR EMPTY HOUSE?

306
00:14:21,294 --> 00:14:23,828
I LIKE YOUR STYLE, PAL.

307
00:14:29,970 --> 00:14:32,114
- Female voice:
Setting home...
- OXNARD... HOW FAR IS THAT?

308
00:14:32,138 --> 00:14:34,105
ABOUT 50 MILES.

309
00:14:34,140 --> 00:14:36,107
UH, YOU'RE TAKING ME HOME FIRST.

310
00:14:37,143 --> 00:14:39,077
THANK YOU, SIR.

311
00:14:39,112 --> 00:14:41,779
5532.

312
00:14:43,350 --> 00:14:45,461
COOL. SO I'LL CALL
YOU AT, LIKE, 2:00?

313
00:14:45,485 --> 00:14:48,619
MAKE IT 2:30. THE BOYS AND I
USUALLY GRAB A BITE LATE-NIGHT.

314
00:14:48,654 --> 00:14:50,221
OKAY.

315
00:14:51,791 --> 00:14:54,370
I THOUGHT WE WERE SUPPOSED TO BE
PULLING FOR THE MAYOR, NOT OURSELVES.

316
00:14:54,394 --> 00:14:56,705
- I'M JUST NOT
A GOOD WRANGLER.
- YEAH, WELL, I AM,

317
00:14:56,729 --> 00:14:58,674
AND I'VE BEEN WASTING MY
SKILLS ON DRAMA'S CAUSE.

318
00:14:58,698 --> 00:15:01,043
YOU'RE TELLING ME YOU'D BE
PULLING IF IT WAS FOR<i> YOUR</i> CAUSE?

319
00:15:01,067 --> 00:15:04,369
OF COURSE I WOULD BE. WHAT
KIND OF QUESTION IS THAT?

320
00:15:04,404 --> 00:15:07,338
FELLAS, GUESS
WHO'S INTO POLITICS.

321
00:15:07,374 --> 00:15:09,340
- THIS IS ANEEKA.
- ANIKA.

322
00:15:09,376 --> 00:15:11,354
ANIKA. ANIKA, THE BOYS.

323
00:15:11,378 --> 00:15:14,212
- HELLO, BOYS.
- ANIKA'S FROM PRAGUE.

324
00:15:14,247 --> 00:15:17,059
I TOLD HER A LITTLE ABOUT OUR
MAN AND SHE WAS VERY IMPRESSED.

325
00:15:17,083 --> 00:15:19,061
GOTTA LOVE THE EASTERN BLOC.

326
00:15:19,085 --> 00:15:20,952
BACK IN A FLASH.

327
00:15:24,524 --> 00:15:27,392
NEL, SAY HELLO TO ANIKA.

328
00:15:27,427 --> 00:15:31,629
ANIKA, THE ONE AND ONLY MAYOR
OF BEVERLY HILLS, NEL LAURIE.

329
00:15:31,664 --> 00:15:34,132
JOHNNY HAS TOLD ME OF
YOUR DEDICATION TO THE CITY

330
00:15:34,167 --> 00:15:37,001
AND OF YOUR KINDNESS.
IT IS SO NICE TO MEET YOU.

331
00:15:37,037 --> 00:15:40,504
YOU TOO, YOU TOO.
WOULD YOU LIKE TO SIT?

332
00:15:40,540 --> 00:15:42,473
YES, I WOULD LOVE TO.

333
00:15:47,380 --> 00:15:50,681
MY GOD, YOU HAVE GORGEOUS FEET.

334
00:15:52,452 --> 00:15:54,986
HOW ABOUT THAT?

335
00:15:55,021 --> 00:15:57,855
HOW ABOUT THIS?

336
00:15:57,890 --> 00:16:01,192
HE LOOKS LIKE A P.O.W.

337
00:16:18,845 --> 00:16:21,512
Woman:<i> WHO IS IT?</i>

338
00:16:21,547 --> 00:16:24,215
HI, MY NAME IS ARI GOLD.
I THINK YOU HAVE MY CAR.

339
00:16:24,250 --> 00:16:26,517
<i>WHAT? WHAT ARE
YOU TALKING ABOUT?</i>

340
00:16:26,552 --> 00:16:28,030
UH, WOULD YOU OPEN THE DOOR?

341
00:16:28,054 --> 00:16:30,021
<i>NO. AND I HAVE A DOG.</i>

342
00:16:30,056 --> 00:16:32,501
THAT'S GREAT. I THINK
YOU ALSO HAVE MY CAR.

343
00:16:32,525 --> 00:16:34,692
DO YOU DRIVE A BLACK LEXUS?

344
00:16:34,727 --> 00:16:36,461
<i>MY HUSBAND DOES.</i>

345
00:16:36,496 --> 00:16:39,364
WELL, I THINK THE VALET
GAVE HIM THE WRONG CAR,

346
00:16:39,399 --> 00:16:41,366
'CAUSE I'M DRIVING HIS.

347
00:16:41,401 --> 00:16:42,800
<i>VALET? WHAT VALET?</i>

348
00:16:42,835 --> 00:16:44,875
THE VALET AT MORTON'S TONIGHT.

349
00:16:46,373 --> 00:16:48,839
MORTON'S IN L.A.?

350
00:16:48,875 --> 00:16:50,686
- YEAH.
- WHAT WAS MY
HUSBAND DOING

351
00:16:50,710 --> 00:16:53,044
- AT MORTON'S IN L.A. TONIGHT?
- UH...

352
00:17:00,453 --> 00:17:01,952
WHAT THE FUCK WERE YOU DOING

353
00:17:01,988 --> 00:17:03,754
- AT MORTON'S TONIGHT?
- WHAT?

354
00:17:03,789 --> 00:17:06,090
- THE VALET SWITCHED
OUR CARS.
- WHAT?

355
00:17:06,126 --> 00:17:08,659
- ANSWER ME, WHO THE FUCK
WERE YOU WITH?
- WHAT?

356
00:17:08,694 --> 00:17:10,761
SEE, THAT'S MY
BRIEFCASE. THANK YOU, GOD.

357
00:17:10,796 --> 00:17:13,898
- ANSWER ME,
YOU PIECE OF SHIT!
- WHAT?

358
00:17:13,933 --> 00:17:16,012
LISTEN, HERE ARE YOUR
KEYS. CAN I GET MINE?

359
00:17:16,036 --> 00:17:18,736
I AM FUCKING WAITING
FOR A FUCKING ANSWER!

360
00:17:18,771 --> 00:17:21,072
DENY TILL YOU DIE, PAL.

361
00:17:23,943 --> 00:17:27,244
I TELL YOU WHAT... JUST ADMIT
THAT YOU'RE SCARED OF HIM

362
00:17:27,279 --> 00:17:28,958
AND I'LL APOLOGIZE FOR YOU.

363
00:17:28,982 --> 00:17:31,727
I DON'T NEED YOU TO APOLOGIZE. I JUST
WANT YOU TO BE HERE WHEN IT GOES DOWN.

364
00:17:31,751 --> 00:17:33,462
I'M RIGHT HERE. WHAT
ARE YOU WAITING FOR?

365
00:17:33,486 --> 00:17:36,587
THE RIGHT MOMENT.

366
00:17:36,623 --> 00:17:38,856
AM I THE CHUCK WOOLERY
OF WINSTON'S OR WHAT?

367
00:17:38,892 --> 00:17:40,536
Turtle: <i>YEAH, ONLY
MINUS THE GOOD LOOKS</i>

368
00:17:40,560 --> 00:17:42,527
THE TAN AND THE BOTANY 500 SUIT.

369
00:17:42,562 --> 00:17:44,529
I GOT ONE OF THOSE SUITS, BRO.

370
00:17:44,564 --> 00:17:46,797
- YO, VINCE.
- YO, RAY.

371
00:17:46,833 --> 00:17:49,534
- MAN, THIS IS DELICATE.
- WHAT'S THAT?

372
00:17:49,569 --> 00:17:51,547
YOU KNOW YOUR BOY
YOU CAME IN WITH?

373
00:17:51,571 --> 00:17:52,837
YEAH, WHAT ABOUT HIM?

374
00:17:52,872 --> 00:17:54,717
WELL, HE'S ABOUT TO
SUCK FACE WITH A TRANNY.

375
00:17:54,741 --> 00:17:56,073
WHAT? COME ON.

376
00:17:56,108 --> 00:17:58,475
THAT'S NO TRANNY,
RAY. THAT'S ANIKA.

377
00:17:58,511 --> 00:18:00,723
ANIKA'S GOT A BIGGER
STUMP THAN YOU DO, DRAMA.

378
00:18:00,747 --> 00:18:04,448
JESUS, IF DRAMA KNEW THAT, HE
WOULD HAVE KEPT HER FOR HIMSELF.

379
00:18:04,483 --> 00:18:06,450
- RAY, ARE YOU SURE?
- TRUST ME.

380
00:18:06,485 --> 00:18:08,631
<i>THE ONLY REASON THAT
WE LET THAT HE-SHE IN HERE</i>

381
00:18:08,655 --> 00:18:10,966
IS BECAUSE SHE GOES ON
HOWARD STERN ALL THE TIME

382
00:18:10,990 --> 00:18:12,801
AND WE DON'T NEED THE
BAD INK. I'M SORRY, BRO.

383
00:18:12,825 --> 00:18:14,792
- COME ON.
- I CAN'T BELIEVE IT.

384
00:18:14,827 --> 00:18:16,794
BELIEVE IT, DRAMA.

385
00:18:16,829 --> 00:18:19,931
- THANKS, MAN. I APPRECIATE IT.
- NO DOUBT, MAN.

386
00:18:19,966 --> 00:18:22,967
- WHAT DO WE DO?
- I AIN'T SAYING SHIT.

387
00:18:23,002 --> 00:18:25,570
NOBODY'S SAYING
NOTHING UNTIL I'M 90210.

388
00:18:25,605 --> 00:18:27,516
JOHNNY, HE'LL FIND
OUT EVENTUALLY

389
00:18:27,540 --> 00:18:30,740
AND THEN YOU'D BETTER PRAY HE'S
NOT YOUR MAYOR. DO THE RIGHT THING.

390
00:18:32,378 --> 00:18:34,178
- FINE, I'LL TELL HIM - E?

391
00:18:35,615 --> 00:18:38,683
- I'M GOING.
- COUPLE OF SHOTS FIRST
TO RELAX?

392
00:18:38,718 --> 00:18:41,251
All: DEFINITELY.

393
00:18:54,000 --> 00:18:56,901
- YEAH, LLOYD.
- <i>Just wanna make sure</i>
you're up and reading.

394
00:18:56,936 --> 00:18:59,481
WELL, I'M UP AND I AM
NOT FUCKING READING.

395
00:18:59,505 --> 00:19:01,349
GOD, YOU'RE EVEN
ANGRY IN THE EVENING.

396
00:19:01,373 --> 00:19:03,674
- FUCK OFF, LLOYD.
- GOOD NIGHT, ARI.

397
00:19:03,710 --> 00:19:05,187
- <i>Lloyd?</i>
- YES, ARI.

398
00:19:05,211 --> 00:19:07,723
TALK TO ME WHILE I DRIVE
SO I DON'T FALL ASLEEP.

399
00:19:07,747 --> 00:19:09,714
<i>Okay, Ari.</i>

400
00:19:09,749 --> 00:19:11,482
OH, FUCK.

401
00:19:11,517 --> 00:19:13,751
- WHAT?
- I'M GETTING PULLED OVER.

402
00:19:13,786 --> 00:19:16,320
- <i>How fast are you going?</i>
- ABOUT 140.

403
00:19:16,355 --> 00:19:20,057
- THAT'S NOT GOOD.
- NO.

404
00:19:22,829 --> 00:19:24,795
CHEERS.

405
00:19:27,399 --> 00:19:29,634
I'M GOING IN.

406
00:19:29,669 --> 00:19:32,169
AND E, WHY AREN'T
YOUR FEET MOVING?

407
00:19:32,204 --> 00:19:34,371
ALL RIGHT, I'M SCARED.

408
00:19:34,406 --> 00:19:36,373
HA HA HA! PUSSY.

409
00:19:36,408 --> 00:19:38,275
COME ON. I'LL TALK TO HIM.

410
00:19:38,310 --> 00:19:40,277
I'LL STAND RIGHT NEXT TO YOU.

411
00:19:40,312 --> 00:19:43,592
YEAH, I'LL BE HANGING
BACK, HAVING FUN.

412
00:19:43,616 --> 00:19:46,583
HI.

413
00:19:46,619 --> 00:19:48,585
OR NOT.

414
00:19:48,621 --> 00:19:50,599
CAN I GET YOU SOMETHING?

415
00:19:50,623 --> 00:19:52,823
- HEY, JOHNNY.
- HEY...

416
00:19:52,859 --> 00:19:56,226
ANIKA, WOULD YOU
EXCUSE US FOR A SECOND?

417
00:19:56,262 --> 00:19:58,262
UM, YEAH, SURE.

418
00:19:58,297 --> 00:20:01,932
WELL, YOU'D BETTER HURRY
BACK OR I'M GONNA COME CHASIN'.

419
00:20:01,968 --> 00:20:04,702
<i>I WILL.</i>

420
00:20:07,940 --> 00:20:10,221
HEY, JOHN, WHAT'S HAPPENING?

421
00:20:11,944 --> 00:20:13,844
- IT'S ABOUT ANIKA.
- <i>YEAH?</i>

422
00:20:13,880 --> 00:20:16,458
YOU KNOW, WE DIDN'T EVEN
NEED VINNIE'S INTRO, HUH?

423
00:20:16,482 --> 00:20:18,949
THANK YOU.

424
00:20:18,985 --> 00:20:22,086
I TELL YOU, SHE IS ONE DOLL.

425
00:20:22,121 --> 00:20:24,922
YEAH, WELL, ACCORDING TO SOME,

426
00:20:24,957 --> 00:20:27,391
- THAT BARBIE
MIGHT BE A KEN.
- EH?

427
00:20:27,426 --> 00:20:29,960
- SHE MIGHT HAVE BALLS,
YOUR HONOR.
- WHAT?

428
00:20:29,996 --> 00:20:31,962
SHE'S A HE, A TRANSFORMER,

429
00:20:31,998 --> 00:20:33,942
A HERMAPHRODITE, SOMETHING
THAT JUST AIN'T RIGHT.

430
00:20:33,966 --> 00:20:36,567
OH, I DON'T BELIEVE
THAT. LOOK AT HER.

431
00:20:36,602 --> 00:20:38,569
<i>SHE'S BEAUTIFUL.</i>

432
00:20:40,239 --> 00:20:43,540
I GOT ONLY REASONS TO LIE
TO YOU, NEL, BUT IT'S TRUE.

433
00:20:43,576 --> 00:20:46,010
I'M SORRY.

434
00:20:46,045 --> 00:20:48,445
I AM TOO.

435
00:20:48,480 --> 00:20:50,600
I APPRECIATE YOUR HONESTY...

436
00:20:54,754 --> 00:20:57,021
AND...

437
00:20:57,056 --> 00:20:59,134
I WOULD APPRECIATE
YOUR POSSE'S DISCRETION

438
00:20:59,158 --> 00:21:01,804
'CAUSE I DON'T CARE WHAT
SHE'S GOT UNDER THAT DRESS.

439
00:21:01,828 --> 00:21:03,105
- NO?
- <i>NO.</i>

440
00:21:03,129 --> 00:21:05,896
WE HAVE A CONNECTION.
SHE GETS ME.

441
00:21:08,134 --> 00:21:10,312
HEY, BABE, YOU READY
TO GET OUT OF HERE?

442
00:21:10,336 --> 00:21:11,501
OKAY.

443
00:21:11,537 --> 00:21:13,548
I GOT A BLUE MERCEDES,
TINTED WINDOWS.

444
00:21:13,572 --> 00:21:15,784
- SEE YOU OUT THERE
IN 10 MINUTES.
- OKAY.

445
00:21:18,477 --> 00:21:19,844
OKAY.

446
00:21:19,879 --> 00:21:21,757
NEL, WHAT ABOUT MY ANNEXATION?

447
00:21:21,781 --> 00:21:24,348
LOOKING GOOD.

448
00:21:24,383 --> 00:21:26,784
EH?

449
00:21:26,819 --> 00:21:28,619
SWEET.

450
00:21:28,654 --> 00:21:30,621
- AH!
- HARVEY.

451
00:21:30,656 --> 00:21:32,723
HA HA HA! I LOVE YOU.

452
00:21:32,759 --> 00:21:34,524
SIT DOWN.

453
00:21:34,560 --> 00:21:38,028
SO, SO, WHAT'S ON
YOUR MIND, VINCE?

454
00:21:38,064 --> 00:21:40,030
WELL, HARVEY, IT'S
ABOUT "MEDELLIN."

455
00:21:40,066 --> 00:21:41,543
- WHAT ABOUT IT?
- WE...

456
00:21:41,567 --> 00:21:43,645
- VODKA,
SPLASH OF CRANBERRY.
- I ORDERED TONIC.

457
00:21:43,669 --> 00:21:45,480
NO, YOU DIDN'T. YOU
ORDERED CRANBERRY.

458
00:21:45,504 --> 00:21:48,050
WHY WOULD I ORDER CRANBERRY
IF I DON'T DRINK CRANBERRY?

459
00:21:48,074 --> 00:21:49,218
I DON'T KNOW, BUT YOU DID.

460
00:21:49,242 --> 00:21:51,120
YOU BELIEVE THIS FUCKING GUY?

461
00:21:51,144 --> 00:21:53,677
I'LL GET YOU YOUR TONIC.

462
00:21:53,712 --> 00:21:55,690
NO NO NO, DON'T GET ME TONIC.

463
00:21:55,714 --> 00:21:57,860
- TELL ME I DIDN'T
ORDER CRANBERRY.
- BUT YOU DID.

464
00:21:57,884 --> 00:21:59,327
ARE YOU OUT OF
YOUR FUCKING MIND?

465
00:21:59,351 --> 00:22:02,019
- JUST GET THE TONIC, GUY.
- NO NO NO, GUY,

466
00:22:02,054 --> 00:22:04,499
- NO, GUY,
DON'T GO ANYWHERE.
- I'M GOING TO THE BATHROOM.

467
00:22:04,523 --> 00:22:07,324
WHOA WHOA WHOA, VINCE,
WHAT ARE YOU DOING?

468
00:22:07,359 --> 00:22:09,626
I'M NOT TELLING HIM.
HE'S OUT OF HIS MIND.

469
00:22:09,662 --> 00:22:12,102
YOU KNOW WHAT? I'LL DO IT.

470
00:22:14,000 --> 00:22:15,966
- HARVEY, LOOK...
- NO NO,

471
00:22:16,002 --> 00:22:19,014
YOU LOOK ME IN THE FUCKING
FACE AND YOU TELL ME WHY,

472
00:22:19,038 --> 00:22:21,005
AFTER 50 YEARS OF LIFE

473
00:22:21,040 --> 00:22:24,241
AND NEVER HAVING EVEN
SIPPED CRANBERRY JUICE,

474
00:22:24,277 --> 00:22:26,710
FOR SOME REASON I COME IN HERE

475
00:22:26,745 --> 00:22:28,257
<i>AND I ORDER CRANBERRY JUICE.</i>

476
00:22:28,281 --> 00:22:30,580
CAN YOU ANSWER THAT,
YOU FUCKING SCUMBAG?!

477
00:22:30,616 --> 00:22:32,749
NO, I CAN'T, BUT YOU DID.

478
00:22:32,785 --> 00:22:34,930
- HARVEY.
- I'M GONNA FUCKING
KILL HIM!

479
00:22:34,954 --> 00:22:37,199
- TAKE IT EASY, SIR.
- DON'T TELL ME
TO TAKE IT EASY.

480
00:22:37,223 --> 00:22:39,824
YOU KNOW WHO THE FUCK I
AM? I WAS ROLLING MY BONES

481
00:22:39,859 --> 00:22:41,536
<i>WHEN YOU WERE SUCKING
YOUR MOTHER'S TITTIE.</i>

482
00:22:41,560 --> 00:22:44,039
- LET'S LEAVE
MY MOTHER OUT OF THIS.
- FUCK YOU AND FUCK HIM!

483
00:22:44,063 --> 00:22:46,897
ALL RIGHT, PAL, YOU'RE
OUT OF HERE. COME ON!

484
00:22:46,933 --> 00:22:49,066
GET YOUR FUCKING HANDS OFF ME!

485
00:22:49,101 --> 00:22:51,568
SO YOU LET VINCE DO
YOUR DIRTY WORK, HUH, E?

486
00:22:51,603 --> 00:22:53,248
NO, HE COULDN'T DO IT.

487
00:22:53,272 --> 00:22:55,039
HEY, E HAD IT IN HIM AFTER ALL.

488
00:22:55,074 --> 00:22:57,452
NO, I DIDN'T GET A CHANCE TO
EITHER, BUT I'LL TRY TOMORROW.

489
00:22:57,476 --> 00:22:59,877
TOMORROW? WHAT?

490
00:22:59,912 --> 00:23:02,379
YOU WEAK WEAK
MAN. HEY, HARVEY...

491
00:23:03,482 --> 00:23:05,449
WE'RE NOT SELLING YOU THE MOVIE.

492
00:23:05,484 --> 00:23:08,297
SORRY, BRO. WE'RE GONNA PUT IT
ON THE OPEN MARKET AT CANNES.

493
00:23:08,321 --> 00:23:10,065
YOU'RE GONNA HAVE TO
BID LIKE EVERYONE ELSE.

494
00:23:10,089 --> 00:23:11,956
I'LL EAT YOU ALIVE!

495
00:23:11,991 --> 00:23:14,524
I'LL EAT YOU ALIVE AND
CRAP YOU OUT OF MY TUCHUS

496
00:23:14,560 --> 00:23:16,526
AND FLUSH YOU DOWN THE TOILET!

497
00:23:16,562 --> 00:23:18,795
YOU'LL NEVER WORK AGAIN, NEVER,

498
00:23:18,831 --> 00:23:21,043
YOU UNDERSTAND ME?
YOUR CAREER IS OVER!

499
00:23:21,067 --> 00:23:23,033
<i>IT'S OVER!</i>

500
00:23:23,069 --> 00:23:25,169
HE WAS TALKING
ABOUT E, NOT ME, RIGHT?

501
00:23:28,440 --> 00:23:30,407
MORNING, ARI.

502
00:23:33,012 --> 00:23:34,656
DONE. NIGHT IN THE OFFICE?

503
00:23:34,680 --> 00:23:36,892
- YES, ARI. HE JUST GOT HERE.
- PERFECT TIMING.

504
00:23:36,916 --> 00:23:38,493
ARE YOU WEARING THE
SAME SUIT AS YESTERDAY?

505
00:23:38,517 --> 00:23:40,028
SPENT THE NIGHT IN JAIL.

506
00:23:40,052 --> 00:23:41,785
OH MY GOD, ARI. WHY
DIDN'T YOU CALL ME?

507
00:23:41,820 --> 00:23:43,498
'CAUSE YOU GET ONE CALL
AND I WANTED TO USE IT

508
00:23:43,522 --> 00:23:45,500
ON SOMEONE I LIKE TO HAVE
SEX WITH. NIGHT, GENIUS.

509
00:23:45,524 --> 00:23:49,059
BEST SCRIPT YET.
ASK ME ANYTHING.

510
00:23:49,095 --> 00:23:51,495
HOW COULD YOU POSSIBLY
LIKE THAT THIRD ACT?

511
00:23:51,530 --> 00:23:53,942
ARE YOU KIDDING? THE TWIST
WITH THE DOVE? I LOVED IT.

512
00:23:53,966 --> 00:23:55,543
- <i>IT WAS PERFECT.</i>
- NO, IT'S FUCKED.

513
00:23:55,567 --> 00:23:57,935
WHAT YOU READ IS TOTALLY FUCKED.

514
00:23:57,970 --> 00:24:00,537
I TRIED TO CALL YOU LAST
NIGHT. I DIDN'T HAVE YOUR CELL.

515
00:24:00,572 --> 00:24:02,384
- I DON'T UNDERSTAND.
- AFTER YOU LEFT,
IT HIT ME...

516
00:24:02,408 --> 00:24:04,942
THE WHOLE THIRD ACT'S
A MESS, MAN. IT'S A MESS.

517
00:24:04,977 --> 00:24:07,811
I CHANGED IT. IT
REALLY WORKS NOW.

518
00:24:07,846 --> 00:24:09,479
OH.

519
00:24:09,515 --> 00:24:13,117
HERE, READ IT.

520
00:24:13,152 --> 00:24:14,985
I'LL WAIT.

521
00:24:16,022 --> 00:24:17,788
START FROM THE TOP
SO YOU GET THE FLOW.

522
00:24:31,170 --> 00:24:33,137
MORNING, FELLAS.

523
00:24:33,172 --> 00:24:35,150
GET 'EM WHILE THEY'RE HOT.

524
00:24:35,174 --> 00:24:36,851
YOU JUST SAVED E'S ASS, JOHNNY.

525
00:24:36,875 --> 00:24:38,820
HE'S BEEN WRESTLING WITH YOUR
ESPRESSO MAKER FOR AN HOUR.

526
00:24:38,844 --> 00:24:42,179
WRESTLE NO MORE, E. I GOT YOUR
FAVORITE... CARAMEL MACCHIATO.

527
00:24:42,214 --> 00:24:44,026
I HATE CARAMEL, BUT VERY
THOUGHTFUL NONETHELESS.

528
00:24:44,050 --> 00:24:46,583
INDEED IT WAS, BUT
EVER MORE THOUGHTFUL

529
00:24:46,618 --> 00:24:48,997
WERE THE COFFEES I BROUGHT
OVER TO THE BEVERLY HILLS FIREHOUSE

530
00:24:49,021 --> 00:24:50,854
WHEN I WENT OVER
TO INTRODUCE MYSELF.

531
00:24:50,889 --> 00:24:52,801
ARE YOU EXPECTING A FIRE
OR ARE YOU JUST HOPING

532
00:24:52,825 --> 00:24:56,393
TO SLIDE UP AND
DOWN ON THEIR POLE?

533
00:24:56,429 --> 00:24:58,395
YOU SLAY ME, E.

534
00:24:58,431 --> 00:25:00,397
NO, REALLY I'M JUST PROUD TO BE

535
00:25:00,433 --> 00:25:02,311
A SOON-TO-BE-ANNEXED
RESIDENT OF THE QUAINT CITY

536
00:25:02,335 --> 00:25:04,468
KNOWN THROUGHOUT THE
WORLD AS BEVERLY HILLS.

537
00:25:04,503 --> 00:25:07,438
YEAH, WELL, I WOULDN'T BE
TOO PROUD TOO FAST, DRAMA.

538
00:25:07,473 --> 00:25:09,673
I DON'T KNOW HOW MUCH LONGER
YOUR BOY'S GONNA BE MAYOR.

539
00:25:09,708 --> 00:25:10,919
WHAT ARE YOU TALKING ABOUT?

540
00:25:10,943 --> 00:25:12,909
I'M TALKING ABOUT
THE ALL-SEEING,

541
00:25:12,945 --> 00:25:15,479
ALL-KNOWING LENSES OF TMZ.com.

542
00:25:15,514 --> 00:25:17,481
LOOK AT THIS.

543
00:25:19,385 --> 00:25:21,463
Man: <i>Hey, Mayor, I'm from TMZ.</i>

544
00:25:21,487 --> 00:25:23,465
<i>How about saying
a little something?</i>

545
00:25:23,489 --> 00:25:25,822
Howdy, folks.

546
00:25:25,858 --> 00:25:27,836
Man: <i>Hey, why are you
sneaking out in the alley?</i>

547
00:25:27,860 --> 00:25:30,100
Hey hey, I'm not sneaking.
There's no sneaking

548
00:25:30,129 --> 00:25:32,096
going on here. Hustle
into the car, baby.

549
00:25:38,270 --> 00:25:40,537
OH NO. NO!

550
00:25:40,572 --> 00:25:42,706
- THAT'S NUTS.
- NO!