1 00:01:19,797 --> 00:01:21,997 SO, FIRST PARTY AT THE NEW PLACE, HUH, DRAMA? 2 00:01:22,032 --> 00:01:24,744 DON'T BE IGNORANT, E. IT'S NOT A PARTY, IT'S A GET-TOGETHER. 3 00:01:24,768 --> 00:01:26,634 AND THE DIFFERENCE IS WHAT, JOHNNY? 4 00:01:26,670 --> 00:01:29,204 GET-TOGETHER IS LESS THAN A DOZEN PEOPLE, BRO. 5 00:01:29,239 --> 00:01:30,650 OH, YOU DON'T BE IGNORANT, DRAMA, 6 00:01:30,674 --> 00:01:32,451 'CAUSE THIS IS DEFINITELY GONNA BE A PARTY. 7 00:01:32,475 --> 00:01:34,788 OR SIMULTANEOUS GET-TOGETHERS IF IT MAKES IT EASIER FOR YOU TO SWALLOW. 8 00:01:34,812 --> 00:01:36,222 WHAT ARE YOU GUYS TALKING ABOUT? 9 00:01:36,246 --> 00:01:38,424 WE'RE WELCOMING HOME VINNIE CHASE! PEOPLE WANT TO COME. 10 00:01:38,448 --> 00:01:40,827 I THOUGHT WE AGREED TO KEEP IT SMALL... A FAMILY AFFAIR. 11 00:01:40,851 --> 00:01:42,361 I NEVER SIGNED ANYTHING. 12 00:01:42,385 --> 00:01:43,952 IF YOU WANT TO DO IT AT THE HOTEL...? 13 00:01:43,987 --> 00:01:45,987 NO NO NO, BRO, THIS IS YOUR WELCOME-HOME PARTY. 14 00:01:46,023 --> 00:01:47,488 WE CAN'T DO IT AT A HOTEL. 15 00:01:47,524 --> 00:01:49,002 NOW THAT I HAVE A BEAUTIFUL HOME, 16 00:01:49,026 --> 00:01:51,592 I'D BE HONORED TO WELCOME YOU AND YOUR PARTY. 17 00:01:51,628 --> 00:01:54,073 - I JUST NEED TO KNOW HOW MANY PEOPLE. - TURTLE? 18 00:01:54,097 --> 00:01:56,109 I'D HAVE TO CHECK THE EVITE R.S.V.P. LIST 19 00:01:56,133 --> 00:01:58,644 BEFORE I COULD ACCURATELY RESPOND TO THAT. 20 00:01:58,668 --> 00:02:01,380 - Ari: Calm down, baby! - DO NOT TELL ME TO CALM DOWN, ARI! 21 00:02:01,404 --> 00:02:03,183 THEY'RE GIVING MY SON A HARD TIME! 22 00:02:03,207 --> 00:02:05,919 My baby boy. A mother gets protective when that happens. 23 00:02:05,943 --> 00:02:08,021 WHAT DID THEY SAY? DID THEY SAY THAT HE'S NOT GETTING IN? 24 00:02:08,045 --> 00:02:09,722 THEY WOULDN'T SAY ANYTHING ON THE PHONE, 25 00:02:09,746 --> 00:02:12,192 JUST THAT THEY'D LIKE TO SEE US. THEY'RE LIKE THE C.I.A. 26 00:02:12,216 --> 00:02:13,693 THEN RELAX. HE'S GETTING IN. 27 00:02:13,717 --> 00:02:15,817 - WELL, HE BETTER, ARI. - He's a legacy! 28 00:02:15,853 --> 00:02:18,531 LEGACIES ARE AS SURE A THING AS ME HAVING TO BEG FOR BLOW JOBS. 29 00:02:18,555 --> 00:02:22,257 LITTLE JONAH WILL BE A PROUD MEMBER OF THE BRIAR COUNTRY DAY SCHOOL 30 00:02:22,292 --> 00:02:24,092 JUST LIKE HIS SISTER, FEAR NOT. 31 00:02:24,127 --> 00:02:25,839 BEGGING WON'T BE ENOUGH IF HE ISN'T, ARI. 32 00:02:25,863 --> 00:02:28,496 I GOT TO GO, BABY. I'LL SEE YOU AT THE SCHOOL. 33 00:02:28,531 --> 00:02:30,698 WELCOME VINNIE CHASE HOME TONIGHT. 34 00:02:30,734 --> 00:02:32,912 HERE'S THE ADDRESS. WELCOME VINNIE CHASE HOME TONIGHT. 35 00:02:32,936 --> 00:02:34,914 WELCOME VINNIE CHASE HOME TONIGHT. HERE'S THE ADDRESS. 36 00:02:34,938 --> 00:02:37,138 - HEY. - SORRY, LIMITED SPACE. 37 00:02:37,174 --> 00:02:38,806 WHAT? I DIDN'T INVITE THE DUDE. 38 00:02:38,842 --> 00:02:40,586 - LLOYD, YOU MISS US? - I DID, I DID. 39 00:02:40,610 --> 00:02:42,744 - WELCOME BACK, BOYS. - LLOYD, HOW ARE YOU? 40 00:02:42,779 --> 00:02:44,224 - GREAT. - WHAT UP, LLOYD? 41 00:02:44,248 --> 00:02:45,947 NOTHING, NOT MUCH. 42 00:02:45,983 --> 00:02:48,261 SO I SPENT ALL EVENING PREPARING A LITTLE SOMETHING 43 00:02:48,285 --> 00:02:50,551 FOR THE BIG BASH... CRÈME BRÛLÉE. 44 00:02:50,587 --> 00:02:53,388 IT'S NOT A BASH, LLOYD. IT'S A LARGE GET-TOGETHER. 45 00:02:53,423 --> 00:02:55,290 WHATEVER IT IS, DRAMA, 46 00:02:55,325 --> 00:02:57,070 IS IT OKAY IF I BRING FOUR FRIENDS? 47 00:02:57,094 --> 00:02:58,927 WHAT SORT OF FRIENDS? 48 00:02:58,962 --> 00:03:02,242 IT'S FINE, LLOYD. JUST NO PUBLIC DISPLAYS OF AFFECTION, ALL RIGHT? 49 00:03:02,266 --> 00:03:03,442 - IS THAT VINNIE CHASE? - HEY! 50 00:03:03,466 --> 00:03:05,511 OH MY GOD! LOOK AT THAT! 51 00:03:05,535 --> 00:03:07,513 I DON'T BELIEVE... USUALLY I HAVE TO GET "US WEEKLY" 52 00:03:07,537 --> 00:03:09,215 TO GET A LOOK AT THOSE PRETTY EYES. 53 00:03:09,239 --> 00:03:11,885 AND THEN I HAVE TO LOOK AT THE WEE BOTTOM LOWER CORNER OF THE FRAME 54 00:03:11,909 --> 00:03:13,920 TO SEE THE TOP OF THIS LITTLE MAN'S HEAD. 55 00:03:13,944 --> 00:03:16,244 - WHOO-HOO! - YOU LOOK A LITTLE PUDGY, ARI. 56 00:03:16,280 --> 00:03:19,214 - YOU PUT ON A LITTLE WEIGHT? - YOU WISH! 6% BODY FAT. 57 00:03:19,249 --> 00:03:21,995 ACHIEVE THAT WHEN YOU'RE 40, AND I'LL GIVE YOU A HUNDRED GRAND. 58 00:03:22,019 --> 00:03:23,496 - WHEN'D YOU GET IN? - LATE LAST NIGHT. 59 00:03:23,520 --> 00:03:25,131 YOU COMING TO THE WELCOME-HOME PARTY? 60 00:03:25,155 --> 00:03:26,532 WE UNDERSTAND IF YOU CAN'T MAKE IT. 61 00:03:26,556 --> 00:03:28,523 I WILL BE THERE. FIRST THINGS FIRST. 62 00:03:28,558 --> 00:03:30,892 - DO I LOOK HEAVY? - NO, YOU LOOK GOOD. 63 00:03:30,928 --> 00:03:33,061 - YEAH, BABY! - WHAT? 64 00:03:33,096 --> 00:03:35,397 OH, THIS BROAD I MET ON MYSPACE, SHE'S COMING... 65 00:03:35,432 --> 00:03:37,232 WITH HER SORORITY. 66 00:03:39,403 --> 00:03:42,404 - SO, ITALY WAS GOOD? - OH, IT WAS AMAZING. 67 00:03:42,439 --> 00:03:44,683 LEAVE IT TO E TO PICK THE MOST ROMANTIC SPOT ON EARTH 68 00:03:44,707 --> 00:03:46,953 - RIGHT AFTER HE GETS DUMPED. - SLOAN AND I ARE TAKING A BREAK. 69 00:03:46,977 --> 00:03:48,988 WHATEVER. SO, YOU PLANNING ANOTHER VACATION 70 00:03:49,012 --> 00:03:51,524 - OR YOU GONNA STEP UP... - VINCE IS PLANNING ON GOING BACK TO WORK, ARI. 71 00:03:51,548 --> 00:03:52,847 OKAY, AS AN ACTOR, 72 00:03:52,882 --> 00:03:55,128 OR AS A PRODUCER OF ANOTHER JUNGLE QUAGMIRE? 73 00:03:55,152 --> 00:03:56,963 THE MOVIE THAT'S GONNA TAKE US UP TO THE NEXT LEVEL, 74 00:03:56,987 --> 00:03:58,932 - YOU'RE WRITING IT OFF AS A DISASTER? - NO NO NO. 75 00:03:58,956 --> 00:04:00,633 I AM WRITING IT OFF AS M.I.A. 76 00:04:00,657 --> 00:04:02,657 AND PROCEEDING ACCORDINGLY. 77 00:04:02,692 --> 00:04:04,326 HE ALWAYS WAS SO NERVOUS. 78 00:04:04,361 --> 00:04:06,539 I KNOW... IS THAT HOW YOU KEEP THE POUNDS OFF, ARI? BY TREMBLING? 79 00:04:06,563 --> 00:04:09,208 WHAT DO YOU EXPECT? "MEDELLIN" HAS BEEN DELAYED MONTH AFTER MONTH AFTER MONTH. 80 00:04:09,232 --> 00:04:12,633 YOU'VE GOT A DIRECTOR WHO REFUSES TO SHOW A SINGLE FRAME TO ANYBODY. 81 00:04:12,669 --> 00:04:14,970 - HUH-UH, WE'RE SEEING IT TODAY. - BULLSHIT. 82 00:04:15,005 --> 00:04:16,682 EVERY FRAME OF IT. WHY DO YOU THINK WE CAME BACK? 83 00:04:16,706 --> 00:04:18,484 - THAT AND WE'RE OUT OF MONEY. - OH, THERE'S THAT. 84 00:04:18,508 --> 00:04:21,476 - ARE YOU? - YOU KNOW THEY CHARGE UP TO $30 FOR A BOWL OF PENNE? 85 00:04:21,511 --> 00:04:23,489 VINCE WANTS A JOB, ARI. TELL US WHAT YOU GOT. 86 00:04:23,513 --> 00:04:25,813 - I GOTTA SEE THE MOVIE. - Vince: NOT GONNA HAPPEN. 87 00:04:25,849 --> 00:04:27,849 WALSH WON'T EVEN LET RUBINSTEIN SEE IT. 88 00:04:27,884 --> 00:04:30,529 HE UNDERSTANDS THAT AT SOME POINT EVERYONE'S GONNA NEED TO SEE IT, RIGHT? 89 00:04:30,553 --> 00:04:32,531 AT SOME POINT, EVERYONE WILL. WE'RE SEEING IT TODAY 90 00:04:32,555 --> 00:04:34,000 AND WE'RE TELLING YOU THAT VINCE NEEDS A JOB. 91 00:04:34,024 --> 00:04:35,868 AND I'M TELLING YOU THAT I NEED TO SEE THE MOVIE. 92 00:04:35,892 --> 00:04:37,703 WHAT DOES ONE THING HAVE TO DO WITH THE OTHER? 93 00:04:37,727 --> 00:04:39,839 - CONNECT THE FUCKING DOTS, E. - WHAT, NO ONE'S GONNA HIRE ME 94 00:04:39,863 --> 00:04:41,941 - UNTIL THEY'VE SEEN "MEDELLIN"? - I WOULDN'T SAY NO ONE. 95 00:04:41,965 --> 00:04:45,833 UH, YOU CAN PLAY JUGHEAD IN A NEW ARCHIES LIVE-ACTION. 96 00:04:45,869 --> 00:04:47,646 - I THINK I'M MORE OF A REGGIE. - YEAH. 97 00:04:47,670 --> 00:04:50,405 RIGHT NOW NO ONE IS GONNA OFFER YOU SOMETHING YOU WANT 98 00:04:50,440 --> 00:04:53,108 OR GIVE YOU THE KIND OF MONEY THAT WE WANT. 99 00:04:53,143 --> 00:04:54,587 YOU CAN UNDERSTAND THAT, RIGHT? 100 00:04:54,611 --> 00:04:56,811 - ACTUALLY, I CAN'T. - THE WORD ON THE STREET 101 00:04:56,846 --> 00:04:59,514 SINCE DAY ONE OF PRODUCTION ON "MEDELLIN" 102 00:04:59,549 --> 00:05:00,915 HAS NOT BEEN GOOD... 103 00:05:00,950 --> 00:05:03,262 DPs AND ACTORS FIRED, PRODUCTION DELAYS, 104 00:05:03,286 --> 00:05:04,519 UNSTABLE DIRECTOR. 105 00:05:04,554 --> 00:05:06,854 NO ONE WANTS TO PUT VINCE'S FACE ON A POSTER 106 00:05:06,890 --> 00:05:10,392 WITH THE POSSIBILITY OF A LOOMING DISASTER HANGING OUT THERE. 107 00:05:10,427 --> 00:05:12,293 - IT'S THE "GIGLI" EFFECT. - WOW. 108 00:05:12,329 --> 00:05:13,873 OKAY, SO WHAT DO WE NEED, ARI? 109 00:05:13,897 --> 00:05:15,897 WE NEED FOR "MEDELLIN" TO BE GOOD, E. 110 00:05:18,535 --> 00:05:21,514 JUST TELL ME THERE'S NOT GOING TO BE MORE THAN 75 PEOPLE. 111 00:05:21,538 --> 00:05:23,538 THERE'S NOT GONNA BE MORE THAN 75 PEOPLE. 112 00:05:23,573 --> 00:05:25,373 - REALLY? - NO, NOT REALLY. 113 00:05:25,409 --> 00:05:27,953 - BUT THAT'S WHAT YOU TOLD ME TO TELL YOU. - DICK. 114 00:05:27,977 --> 00:05:29,477 WHY DO YOU NEED BABY WIPES? 115 00:05:29,513 --> 00:05:31,157 JUST GET WHAT'S ON THE LIST. 116 00:05:31,181 --> 00:05:34,249 - 50 CARTONS? - PLEASE, DON'T QUESTION ME, ALL RIGHT? 117 00:05:34,284 --> 00:05:35,517 ALL RIGHT, FINE FINE. 118 00:05:35,552 --> 00:05:38,353 IT SAYS "12 BARBECUED CHICKEN WINGS." YOU MEAN 1200? 119 00:05:38,388 --> 00:05:40,599 NO, I MEANT WHAT I WROTE... 12. THEY'RE FOR VINCE. 120 00:05:40,623 --> 00:05:42,463 HE LOVES THE WINGS AT COSTCO, 121 00:05:42,492 --> 00:05:45,371 BUT I'M NOT LETTING EVERYONE ELSE GO WILD WITH BARBECUED CHICKEN WINGS. 122 00:05:45,395 --> 00:05:47,195 SO WHAT'S EVERYONE ELSE GONNA EAT, THEN? 123 00:05:47,230 --> 00:05:48,874 CELERY. READ THE LIST. 124 00:05:48,898 --> 00:05:50,565 - CELERY? - YEAH, AND CARROTS. 125 00:05:50,600 --> 00:05:52,500 LOOK, THE PARTY'S CALLED FOR 9:00 P.M. 126 00:05:52,536 --> 00:05:55,803 THAT'S NOT A DINNER PARTY. SO ONLY VINCE IS GONNA EAT REAL FOOD. 127 00:05:55,838 --> 00:05:58,940 EVERYONE ELSE IS GONNA HAVE NICE, CLEAN, STAIN-FREE 128 00:05:58,975 --> 00:06:01,008 - CELERY AND CARROTS. - GREAT. 129 00:06:01,044 --> 00:06:03,222 THINK YOU GUYS HAVE ENOUGH BABY WIPES? 130 00:06:03,246 --> 00:06:05,958 NO NO, IT'S NOT WHAT IT LOOKS LIKE... THEY'RE FOR A PARTY. 131 00:06:05,982 --> 00:06:07,949 YOU WANNA COME? 132 00:06:09,419 --> 00:06:11,419 Vince: YOU LIKE THAT ONE, HUH? 133 00:06:14,324 --> 00:06:16,424 - I COULD DO A PLAY. - YOU COULD. 134 00:06:16,460 --> 00:06:18,526 A PLAY'S NOT GONNA BUY US A NEW HOUSE, THOUGH. 135 00:06:18,562 --> 00:06:20,806 YEAH, IT'D HAVE TO BE A VERY SUCCESSFUL PLAY, I THINK. 136 00:06:20,830 --> 00:06:23,598 UH-OH, CAVALRY'S ARRIVED. PEOPLE, MAN YOUR POSTS. 137 00:06:23,633 --> 00:06:25,633 PREPARE TO DO BATTLE. 138 00:06:25,668 --> 00:06:27,668 HE LOOKS GOOD. HOW ARE YOU, BILLY? 139 00:06:27,704 --> 00:06:29,682 LIVING AND THRIVING, SUIT. LIVING AND THRIVING. 140 00:06:29,706 --> 00:06:31,772 - WHAT'S UP, BILLY? - VINNIE, HOW YOU DOING? 141 00:06:31,808 --> 00:06:34,209 JUST THIS. NOTHING ELSE UP. 142 00:06:34,244 --> 00:06:37,612 COME ON BACK. I'LL SHOW YOU THE FACILITIES. COME ON. 143 00:06:37,647 --> 00:06:40,548 WOW, CUTTING THE OLD-FASHIONED WAY, HUH? 144 00:06:40,584 --> 00:06:43,262 WHY FUCK A WOMAN WITH A VIBRATOR WHEN YOU'VE GOT A DICK, 145 00:06:43,286 --> 00:06:45,186 - RIGHT, SUIT? - I DON'T KNOW WHAT THAT MEANS, 146 00:06:45,222 --> 00:06:47,066 BUT WE'RE EXCITED TO SEE WHAT YOU'VE DONE, BILLY. 147 00:06:47,090 --> 00:06:50,136 HEY, EVERYBODY! YOU'VE BEEN LOOKING AT THIS GUY'S BEAUTIFUL FACE 148 00:06:50,160 --> 00:06:53,094 FOR THE PAST THREE MONTHS. VINNIE CHASE. 149 00:06:54,831 --> 00:06:58,166 AND THIS IS HIS SUIT, THOUGH HE DON'T DRESS THE PART. 150 00:06:58,201 --> 00:07:00,168 GUYS, MY WHOLE CREW IS LATIN... 151 00:07:00,203 --> 00:07:03,070 HELPED MAKE THIS FILM AS ABSOLUTELY AUTHENTIC AS IT COULD BE. 152 00:07:03,106 --> 00:07:06,841 MY EDITOR RAUL, AND HIS ASSISTANT-SLASH-LITTLE-BROTHER, TERO. 153 00:07:06,876 --> 00:07:09,210 BOTH MEXICAN. BOTH TOTALLY LEGAL. 154 00:07:09,246 --> 00:07:11,446 MY POST GUY IS BRAZILIAN. 155 00:07:11,481 --> 00:07:13,615 THE CATERERS ARE FROM CHILE. 156 00:07:13,650 --> 00:07:16,462 EVERY THURSDAY WE GET THAT ENDANGERED SEA BASS FLOWN IN. 157 00:07:16,486 --> 00:07:19,120 - WHAT'S SHE DO? - SHE GIVES BLOW JOBS. 158 00:07:19,156 --> 00:07:20,821 SERIOUSLY. 159 00:07:20,857 --> 00:07:24,392 SHE'S A STREETWALKER I BROUGHT BACK FROM COLOMBIA. GOOD EYES. 160 00:07:24,427 --> 00:07:26,827 SO CAN WE GET THIS THING GOING OR WHAT? 161 00:07:26,863 --> 00:07:28,796 YOU WANT TO EAT FIRST? YOU WANT SOMETHING? 162 00:07:28,831 --> 00:07:30,209 - I'M OKAY. - WE GOT EMPANADAS. 163 00:07:30,233 --> 00:07:31,777 - NO, I'M ALL GOOD. - YOU WANT AN EMPANADA, SUIT? 164 00:07:31,801 --> 00:07:33,613 - WE JUST ATE, BILLY. - HOW ABOUT A TAMALE? 165 00:07:33,637 --> 00:07:35,481 - WE'RE ALL GOOD. - WHAT ABOUT ONE OF THOSE BLOW JOBS? 166 00:07:35,505 --> 00:07:37,138 - ONE OF THOSE? - NO. 167 00:07:37,174 --> 00:07:39,174 WHAT, DOES TURTLE CHECK YOUR BALLS FOR LIPSTICK? 168 00:07:39,209 --> 00:07:41,187 - QUIT STALLING, BILLY. - I'M NOT FUCKING STALLING. 169 00:07:41,211 --> 00:07:43,222 BILLY, WE REALLY WANT TO SEE IT, COME ON. 170 00:07:43,246 --> 00:07:45,313 AND I WANT YOU TO SEE IT, VIN. I DO. 171 00:07:45,348 --> 00:07:47,215 UH, IT'S JUST NOT READY. 172 00:07:47,250 --> 00:07:49,684 IT'S... IT'S NOT READY. I NEED A LITTLE BIT MORE TIME. 173 00:07:49,719 --> 00:07:53,054 - WHAT ARE YOU TALKING ABOUT? - HOW MUCH MORE TIME? 174 00:07:53,089 --> 00:07:55,557 - THREE WEEKS, A MONTH TOPS. - YOU CAN'T HAVE IT. 175 00:07:55,592 --> 00:07:57,102 - WHO SAYS? - I SAY. 176 00:07:57,126 --> 00:07:59,104 - WHO THE FUCK ARE YOU? - THE GUY WITH THE FUCKING CHECKBOOK. 177 00:07:59,128 --> 00:08:01,607 BILLY, WE JUST FLEW IN FROM ITALY. YOU SAID YOU'D BE READY. 178 00:08:01,631 --> 00:08:03,409 I THOUGHT I WAS READY, MAN. I THOUGHT I WAS, 179 00:08:03,433 --> 00:08:05,633 BUT I WATCHED IT THIS MORNING AND I'M NOT. 180 00:08:05,669 --> 00:08:07,780 BILLY, LISTEN, I UNDERSTAND YOU'RE NERVOUS. 181 00:08:07,804 --> 00:08:10,716 BUT WE'VE BOTH SEEN FIRST CUTS... WE KNOW WHAT WE'RE LOOKING AT. 182 00:08:10,740 --> 00:08:12,807 I CAN'T, VIN. IT'S JUST NOT READY. 183 00:08:12,842 --> 00:08:14,809 YOU ONLY GET ONE CHANCE FOR A FIRST IMPRESSION. 184 00:08:14,844 --> 00:08:16,622 ALL RIGHT, LOOK, HERE'S THE DEAL, BILLY, OKAY? 185 00:08:16,646 --> 00:08:19,458 WE SEE THIS FILM TODAY OR NOT ANOTHER DOLLAR COMES INTO THIS FACILITY... 186 00:08:19,482 --> 00:08:21,460 NOT FOR CIGARETTES, NOT FOR COFFEE, 187 00:08:21,484 --> 00:08:23,462 NOT FOR SEA BASS AND NOT FOR FUCKING BLOW JOBS. 188 00:08:23,486 --> 00:08:25,686 DO YOU UNDERSTAND WHAT I'M SAYING? 189 00:08:26,789 --> 00:08:29,324 YEAH, I DO. 190 00:08:29,359 --> 00:08:31,826 RAUL, PREPARE THE PROJECTOR. 191 00:08:33,363 --> 00:08:35,830 I'M JUST GONNA PISS REALLY QUICKLY, OKAY? 192 00:08:37,800 --> 00:08:40,335 - WAS I TOO HARSH? - NO, PERFECT. 193 00:08:41,871 --> 00:08:44,205 SORRY, VINNIE! GO FUCK YOURSELF, SUIT! 194 00:08:49,879 --> 00:08:52,179 MAYBE YOU WERE A LITTLE HARSH. 195 00:08:54,584 --> 00:08:56,684 - SO? - SO. 196 00:08:56,720 --> 00:08:58,353 Mrs. Ari: SO. 197 00:08:58,388 --> 00:09:00,132 - THIS IS AWKWARD. - WHAT'S AWKWARD? 198 00:09:00,156 --> 00:09:01,967 WE... WE DON'T EVEN KNOW WHY WE'RE HERE. 199 00:09:01,991 --> 00:09:03,958 - BUT WE ARE CONCERNED. - MM-HM. 200 00:09:03,993 --> 00:09:06,361 WE'RE VERY CONCERNED. I MEAN, WE KNOW JONAH 201 00:09:06,396 --> 00:09:09,664 JUST HAD HIS EVALUATION. BUT WE THOUGHT IT WAS A FORMALITY. 202 00:09:09,699 --> 00:09:11,899 I MEAN, HE'S A LEGACY. 203 00:09:11,934 --> 00:09:14,469 AND WELL, HIS SISTER SARAH HAS BEEN A MODEL STUDENT HERE 204 00:09:14,504 --> 00:09:16,704 - FOR ALMOST EIGHT YEARS. - Ari: MM-HM. 205 00:09:16,740 --> 00:09:18,839 I MEAN, ISN'T A SIBLING GUARANTEED ADMISSION? 206 00:09:18,875 --> 00:09:21,208 WE CAN NEVER MAKE ANY GUARANTEES. 207 00:09:21,244 --> 00:09:24,123 THAT'S... THAT'S NOT WHAT YOU SAID WHEN I WAS WRITING ALL THOSE DONATION CHECKS. 208 00:09:24,147 --> 00:09:27,882 SO, WAS THERE A PROBLEM WITH JONAH'S EVALUATION? 209 00:09:27,917 --> 00:09:29,629 WELL, HE DID HIT A KID WITH A RULER. 210 00:09:29,653 --> 00:09:31,464 - YES, HE TOLD US THAT. - HE TOLD US ALL... 211 00:09:31,488 --> 00:09:33,699 THE KID WAS TRYING TO STEAL HIS POWER RANGER. HE TOLD US ALL ABOUT IT. 212 00:09:33,723 --> 00:09:36,535 AND I TEACH MY SON NEVER TO LET PEOPLE JUST TAKE THINGS FROM HIM. 213 00:09:36,559 --> 00:09:38,036 IT'S MY ISRAELI BLOOD, OKAY? 214 00:09:38,060 --> 00:09:40,428 I MEAN, YOU CAN'T TELL US THAT HE MIGHT NOT BE ABLE 215 00:09:40,463 --> 00:09:43,276 - TO GO TO SCHOOL HERE BECAUSE OF THAT? - I'M NOT TELLING YOU THAT. 216 00:09:43,300 --> 00:09:46,267 - THIS IS JUST A COURTESY. - A COURTESY? 217 00:09:46,303 --> 00:09:50,438 WE WANT YOU TO HAVE TIME TO APPLY TO ANOTHER SCHOOL, JUST IN CASE. 218 00:09:50,473 --> 00:09:51,806 JUST IN CASE WHAT? 219 00:09:51,841 --> 00:09:53,974 JUST IN CASE HE DOESN'T GET IN. 220 00:09:54,010 --> 00:09:55,421 Mrs. Ari: WHAT A SMUG BITCH. 221 00:09:55,445 --> 00:09:57,290 I MEAN, JUST SITTING THERE WITH THAT STUPID LOOK 222 00:09:57,314 --> 00:09:59,124 ON HER STUPID FUCKING FACE. 223 00:09:59,148 --> 00:10:01,427 - BABY, THE CURSING. WE'RE AT THE SCHOOL. - I'M SORRY, I'M UPSET. 224 00:10:01,451 --> 00:10:02,983 I KNOW, IT'S KIND OF HOT. I LIKE IT. 225 00:10:03,019 --> 00:10:04,897 - ARI, WHY AREN'T YOU UPSET? - SHE'S JUST A SECRETARY, 226 00:10:04,921 --> 00:10:07,232 A LOW-LEVEL MESSENGER. I DON'T HAVE TIME TO DEAL WITH THAT. 227 00:10:07,256 --> 00:10:09,234 - SO WHAT ARE WE GONNA DO? - WE'RE GONNA GO TO OUR OLD BUDDY, 228 00:10:09,258 --> 00:10:11,003 DR. REICH. A HIGHER LEVEL. 229 00:10:11,027 --> 00:10:13,673 - WHAT CAN HE DO? - HE IS ON THE BOARD OF TRUSTEES, BABY. 230 00:10:13,697 --> 00:10:15,374 ALL RIGHT, WE DIDN'T SPEND ALL THOSE NIGHTS 231 00:10:15,398 --> 00:10:18,477 AT HIS QUEER PIANO PARTIES FOR NOTHING. HE'LL TAKE CARE OF IT. 232 00:10:18,501 --> 00:10:19,934 I THINK I SHOULD GO WITH YOU. 233 00:10:19,969 --> 00:10:22,770 - BABY, THIS IS MAN'S WORK. - MAN'S WORK? 234 00:10:22,806 --> 00:10:24,617 I AM GOING TO HAVE TO APPLY A LITTLE BIT OF PRESSURE. 235 00:10:24,641 --> 00:10:26,881 TRUST ME, YOU DO NOT WANT TO SEE THIS, ALL RIGHT? 236 00:10:26,909 --> 00:10:28,887 DON'T WORRY, I'M GONNA HANDLE IT. 237 00:10:28,911 --> 00:10:31,045 TRUST ME. 238 00:10:41,758 --> 00:10:44,726 DAMN, DRAMA, THIS PLACE IS LOOKING GOOD. 239 00:10:44,761 --> 00:10:47,973 YEAH, AND IT'S GONNA KEEP LOOKING THAT WAY, SO TAKE YOUR SHOES OFF. 240 00:10:47,997 --> 00:10:50,130 YOU WANT ME TO TAKE MY SHOES OFF? 241 00:10:50,166 --> 00:10:52,778 EVERYBODY'S GONNA BE GOING SHOELESS TONIGHT, TURTLE. 242 00:10:52,802 --> 00:10:55,548 SO DON'T THINK YOUR SMELLY FEET ARE GETTING ANY SPECIAL ATTENTION. 243 00:10:55,572 --> 00:10:58,150 THERE'S GONNA BE A SIGN RIGHT THERE THAT SAYS "NO SHOES" 244 00:10:58,174 --> 00:10:59,719 AND A BASKET RIGHT THERE TO HOUSE THEM. 245 00:10:59,743 --> 00:11:01,987 WELL, YOU MIGHT WANT TO GET A SIGN AND A BASKET FOR BRAS, 246 00:11:02,011 --> 00:11:04,223 'CAUSE THESE SORORITY GIRLS, THEY SOUND KINDA FREAKY. 247 00:11:04,247 --> 00:11:06,659 WELL, THEY JUST BETTER BE NEAT. 248 00:11:06,683 --> 00:11:09,684 - GRAB THAT END. - WHERE'S IT GOING? 249 00:11:09,719 --> 00:11:11,697 IN THE BEDROOM. IT'S ONLY TWO WEEKS OLD, 250 00:11:11,721 --> 00:11:13,966 - I DON'T WANT ANYONE SITTING ON IT. - ARE YOU FOR REAL? 251 00:11:13,990 --> 00:11:16,569 WHAT KIND OF PARTY IS THIS GONNA BE IF PEOPLE DON'T HAVE A PLACE TO SIT? 252 00:11:16,593 --> 00:11:19,238 FIRST OF ALL, I GOT STURDY FOLDING CHAIRS IN MY STORAGE CLOSET. 253 00:11:19,262 --> 00:11:22,408 SECOND, I PUT WAY MORE INTO THIS PLACE THAN I COULD POSSIBLY AFFORD. 254 00:11:22,432 --> 00:11:25,533 AND I DON'T WANT MY SHIT GETTING DESTROYED, CAPISCE? 255 00:11:25,568 --> 00:11:28,503 LET'S GO. 256 00:11:28,538 --> 00:11:30,583 OH, QUIT WHINGING, YOU PUSSY. 257 00:11:30,607 --> 00:11:33,240 YOU'RE BOXING MY CUTLERY AFTER THIS. 258 00:11:34,877 --> 00:11:36,844 YOU REALLY THINK THAT WAS THE ONLY PRINT? 259 00:11:36,879 --> 00:11:39,825 MY SPANISH ISN'T GREAT, BUT I BELIEVE THAT'S WHAT THE EDITOR WAS SAYING. 260 00:11:39,849 --> 00:11:42,216 SO WHAT ARE OUR OPTIONS IF WE DON'T FIND HIM? 261 00:11:42,251 --> 00:11:44,730 - WE GET A NEW EDITOR, START OVER. - THAT COULD TAKE MONTHS. 262 00:11:44,754 --> 00:11:48,055 THAT'S WHY WE GOT TO FIND HIM. THIS IS IT RIGHT HERE. 263 00:11:55,097 --> 00:11:57,130 - HELLO, KAT. - HEY, VINCE. 264 00:11:57,166 --> 00:11:59,900 - E. - HOW ARE YOU? 265 00:11:59,935 --> 00:12:03,036 BILLY'S MA IS STAYING WITH US, SO AS GOOD AS I CAN BE. 266 00:12:03,072 --> 00:12:05,473 Woman: CLOSE THE DOOR, THERE'S A CHILL COMING THROUGH. 267 00:12:05,508 --> 00:12:07,842 IT'S 80° OUT. 268 00:12:07,877 --> 00:12:09,555 SHE'S ALWAYS COMPLAINING. 269 00:12:09,579 --> 00:12:11,545 WHAT DID YOU JUST SAY ABOUT ME, YOU LITTLE SLUT? 270 00:12:11,581 --> 00:12:14,915 HEY, THIS IS MY HOUSE. DON'T FUCKING TALK TO ME THAT WAY, BITCH! 271 00:12:14,950 --> 00:12:17,385 - FUCK YOU! - FUCK YOU! 272 00:12:17,420 --> 00:12:18,919 MY GOD. 273 00:12:18,954 --> 00:12:22,456 MAN, I'M SORRY. THE WOMAN IS CRAZY, YOU KNOW? 274 00:12:22,492 --> 00:12:25,003 SO, WHAT'S GOING ON WITH YOU GUYS? EVERYTHING OKAY? 275 00:12:25,027 --> 00:12:26,494 YEAH, WE'RE LOOKING FOR BILLY. 276 00:12:26,529 --> 00:12:28,407 WASN'T HE GONNA MEET YOU GUYS FOR THE SCREENING? 277 00:12:28,431 --> 00:12:30,264 WELL, YEAH, HE WAS. BUT HE LEFT 278 00:12:30,299 --> 00:12:31,810 - AND HE TOOK THE MOVIE WITH HIM. - OH. 279 00:12:31,834 --> 00:12:33,579 WELL, I DON'T KNOW WHERE HE IS. 280 00:12:33,603 --> 00:12:35,681 THOUGH HE WAS A LITTLE DOWN WHEN HE LEFT HERE THIS MORNING. 281 00:12:35,705 --> 00:12:38,572 HE WAS? WE SPOKE TO HIM LAST NIGHT, HE SOUNDED GREAT. 282 00:12:38,608 --> 00:12:41,319 YEAH, HE SCREENED THE MOVIE LAST NIGHT FOR ME AND HIS MOTHER 283 00:12:41,343 --> 00:12:42,721 AND I THINK IT SOURED HIM. 284 00:12:42,745 --> 00:12:45,345 - YOU SAW THE MOVIE? - OH YEAH, A BUNCH OF TIMES. 285 00:12:45,381 --> 00:12:47,014 WAS IT GOOD? 286 00:12:47,049 --> 00:12:48,883 OH, I CAN'T SAY. 287 00:12:48,918 --> 00:12:51,229 - YOU CAN'T SAY IF IT WAS GOOD? - E, I CAN'T SAY ANYTHING. 288 00:12:51,253 --> 00:12:53,098 BILLY WOULD KILL ME IF I SAID ANYTHING, 289 00:12:53,122 --> 00:12:55,856 AND YOU KNOW, I'D NEVER BETRAY BILLY THAT WAY. 290 00:12:55,892 --> 00:12:57,636 SO WHY WAS HE SO DOWN THIS MORNING? 291 00:12:57,660 --> 00:12:59,605 BECAUSE OF WHAT SHE SAID, FUCKING COOZE. 292 00:12:59,629 --> 00:13:01,796 SHE DIDN'T LIKE IT. 293 00:13:01,831 --> 00:13:04,665 OH, THAT'S HIM. 294 00:13:04,700 --> 00:13:06,512 HEY BABY, WHERE ARE YOU? 295 00:13:06,536 --> 00:13:09,036 YEAH, VINCE AND E ARE, LIKE, FREAKING OUT. 296 00:13:09,071 --> 00:13:11,583 NO, I DIDN'T CALL THEM, BABY. BABY... 297 00:13:11,607 --> 00:13:14,341 WHERE ARE YOU? CALM DOWN. 298 00:13:14,376 --> 00:13:16,343 BABY? 299 00:13:17,379 --> 00:13:19,747 HE HUNG UP. HE'S DRUNK. 300 00:13:19,782 --> 00:13:22,494 HE SAID HE'S AT THE ONLY PLACE WHERE PEOPLE REALLY LOVE HIM. 301 00:13:22,518 --> 00:13:24,785 ANY IDEA WHERE THAT MIGHT BE? 302 00:13:24,821 --> 00:13:27,888 YEAH, THE BODY SHOP, PROBABLY. 303 00:13:27,924 --> 00:13:29,568 - THANKS, KAT. - SEE YOU, KAT. 304 00:13:29,592 --> 00:13:31,291 WE'LL SEE YOU LATER. 305 00:13:34,129 --> 00:13:36,396 - HEY, FRIDA. - YEAH, HE'S IN WITH SOMEONE. 306 00:13:36,432 --> 00:13:38,410 OH, IT'S FINE. I'LL TELL HIM IT'S FINE. 307 00:13:38,434 --> 00:13:40,601 JEFFREY! 308 00:13:40,636 --> 00:13:43,170 - ARI. - HEY, YOUR OFFICE SAID YOU DIDN'T WANT TO SEE ME. 309 00:13:43,205 --> 00:13:45,016 I JUST SAW YOU FOR A CLEANING LAST WEEK. 310 00:13:45,040 --> 00:13:47,352 - NO, IT'S NOT FOR MY TEETH, JEFF. - OH NO, WHAT THEN? 311 00:13:47,376 --> 00:13:49,810 THEY'VE GIVING JONAH A HARD TIME OVER AT SCHOOL. 312 00:13:49,846 --> 00:13:51,378 - HARD TIME, HUH? - YEAH. 313 00:13:51,413 --> 00:13:53,592 HE HIT A KID WITH A RULER AT HIS EVALUATION. 314 00:13:53,616 --> 00:13:55,461 NOW THEY'RE TELLING ME HE MAY NOT GET IN. 315 00:13:55,485 --> 00:13:57,017 I SEE. 316 00:13:57,052 --> 00:13:59,453 UH, YOU KNOW, YOU'RE ON THE BOARD AND I NEED HELP. 317 00:13:59,489 --> 00:14:01,956 I REALLY... REALLY CAN'T, ARI. 318 00:14:01,991 --> 00:14:03,691 WHAT DO YOU... WHAT DO YOU MEAN, YOU CAN'T? 319 00:14:03,726 --> 00:14:06,137 I CAN'T EVEN TALK ABOUT THIS, ARI. 320 00:14:06,161 --> 00:14:08,462 TALK ABOUT WHAT? YOU ALREADY KNOW SOMETHING ABOUT THIS? 321 00:14:08,498 --> 00:14:10,865 - ARI, I'M WITH A PATIENT. - JEFF JEFF JEFF JEFF... 322 00:14:10,900 --> 00:14:13,767 I'M THE GUY THAT GOT LINDSAY LOHAN TO SCREEN "MEAN GIRLS" AT THE SCHOOL 323 00:14:13,803 --> 00:14:15,603 WHEN YOU BEGGED. 324 00:14:15,638 --> 00:14:17,850 I'M THE GUY THAT GOT LIL' BOW WOW AT YOUR DAUGHTER'S BAT MITZVAH. 325 00:14:17,874 --> 00:14:19,317 - ARI. - I'M THE GUY THAT KNOWS 326 00:14:19,341 --> 00:14:21,353 YOU GOT A LITTLE SKANK YOU KEEP ON THE WILSHIRE CORRIDOR. 327 00:14:21,377 --> 00:14:23,143 THIS STAYS HERE. 328 00:14:23,178 --> 00:14:25,618 WHAT ARE YOU NOT TELLING ME? 329 00:14:28,050 --> 00:14:30,428 LOOK, I GOT TWO MORE KIDS THAT I GOT TO GET INTO SCHOOL. 330 00:14:30,452 --> 00:14:33,186 BEING ON THE BOARD ALONE DOES NOT GUARANTEE THAT. 331 00:14:33,222 --> 00:14:35,367 YOU NEED TO TALK TO THE HEADMASTER ABOUT THIS. 332 00:14:35,391 --> 00:14:37,290 ABOUT WHAT? 333 00:14:38,460 --> 00:14:40,060 GOODBYE. 334 00:14:40,095 --> 00:14:43,697 THE RULER INCIDENT IS NOT YOUR SON'S ONLY PROBLEM. 335 00:14:43,733 --> 00:14:47,134 - WHAT ARE YOU TALKING ABOUT? - TALK TO ANDREW PRESTON. 336 00:14:47,169 --> 00:14:49,302 PLEASE, I CANNOT SAY ANYTHING MORE. I AM SORRY... 337 00:14:49,338 --> 00:14:51,839 - BUT... - I AM SORRY. 338 00:14:53,375 --> 00:14:55,353 HOPE YOU HAD A NICE NAP, TURTLE. 339 00:14:55,377 --> 00:14:56,810 WHAT'S THE PROBLEM? 340 00:14:56,846 --> 00:14:58,546 YOU LOOK LIKE YOU GOT IT ALL UNDER CONTROL. 341 00:14:58,581 --> 00:15:00,414 I GOTTA GET REST IF WE'RE GONNA GO ALL NIGHT. 342 00:15:00,449 --> 00:15:02,115 - ALL NIGHT? - HA. 343 00:15:02,151 --> 00:15:03,529 - LET'S HOPE SO. - WHATEVER. 344 00:15:03,553 --> 00:15:05,397 JUST GET OVER HERE AND GIVE ME A HAND WITH THIS. 345 00:15:05,421 --> 00:15:07,298 YOU'RE TAKING DOWN THE LIGHT FIXTURE? 346 00:15:07,322 --> 00:15:10,168 IT'S A CHANDELIER, AND YES, I DON'T WANT ANYONE SWINGING FROM IT. 347 00:15:10,192 --> 00:15:12,960 - YOU GOT IT AT IKEA. - WHATEVER, JUST GRAB IT. 348 00:15:12,995 --> 00:15:15,073 HOLD ON, I GOT TO TAKE A PISS. 349 00:15:15,097 --> 00:15:17,598 6-2-4-9-8-7. 350 00:15:17,633 --> 00:15:20,300 - HUH? - 6-2-4-9-8-7. 351 00:15:20,335 --> 00:15:22,302 IT'S THE COMBO. 352 00:15:26,842 --> 00:15:28,308 ARE YOU FUCKING SERIOUS? 353 00:15:28,343 --> 00:15:30,022 DEADLY SERIOUS, TURTLE. 354 00:15:30,046 --> 00:15:31,957 YOU ARE RUINING THIS PARTY, DRAMA. 355 00:15:31,981 --> 00:15:33,892 BY STOPPING 200 PEOPLE FROM SHITTING ON MY TOILET? 356 00:15:33,916 --> 00:15:36,762 - I DON'T THINK I'M RUINING ANYTHING. - WHO SHITS AT A PARTY? 357 00:15:36,786 --> 00:15:38,418 WELL, EVEN JUST PISS. 358 00:15:38,454 --> 00:15:40,888 WHAT DO DRUNK PEOPLE DO? THEY PISS AND THEY MISS. 359 00:15:40,923 --> 00:15:43,591 THAT'S IMPORTED ITALIAN LIMESTONE IN THERE. 360 00:15:43,626 --> 00:15:45,604 IT'S POROUS AND IT'S NOT GETTING PISSED ON. 361 00:15:45,628 --> 00:15:48,106 SO WHERE IS EVERYONE SUPPOSED TO GO, HUH? OFF THE BALCONY? 362 00:15:48,130 --> 00:15:50,430 DON'T BE RETARDED. I GOT PORTA-POTTIES COMING. 363 00:15:50,466 --> 00:15:52,032 YOU DO NOT. 364 00:15:52,068 --> 00:15:54,935 I DO TOO. IN FACT, THEY SHOULD BE HERE ANY MINUTE. 365 00:15:54,971 --> 00:15:57,104 - SO WHY DON'T YOU HOLD IT? - FUCK THAT! 366 00:15:57,139 --> 00:15:58,973 I'M NOT HOLDING SHIT. 367 00:15:59,008 --> 00:16:01,341 DO YOU REMEMBER THE COMBO? 368 00:16:01,376 --> 00:16:03,655 I WILL PISS ALL OVER YOUR PLASMA, DRAMA. 369 00:16:03,679 --> 00:16:05,879 I SWEAR TO GOD. 370 00:16:05,915 --> 00:16:08,515 6-2-4-9-8-7. 371 00:16:08,550 --> 00:16:10,161 AND WASH YOUR HANDS THOROUGHLY. 372 00:16:10,185 --> 00:16:11,863 WE GOT TO WRAP UP MY FRETTE LINENS. 373 00:16:11,887 --> 00:16:13,531 LET'S JUST DO THIS THING AT VINCE'S HOTEL. 374 00:16:13,555 --> 00:16:15,555 TURTLE, IT'S MY BABY BRO'S PARTY 375 00:16:15,591 --> 00:16:17,357 AND I'M HOSTING IT. 376 00:16:17,392 --> 00:16:19,559 DO YOU REALLY THINK I WOULD NOT LET IT BE OFF THE HOOK? 377 00:16:19,595 --> 00:16:22,229 NOW STOP IT. IT'S GONNA BE PERFECT. 378 00:16:22,264 --> 00:16:25,833 30 MORE MINUTES, THIS PLACE WILL BE INDESTRUCTIBLE. 379 00:16:27,236 --> 00:16:29,536 WHY ARE YOU WORRIED ABOUT WHAT HIS MOTHER SAYS? 380 00:16:29,571 --> 00:16:31,116 'CAUSE SHE'S THE ONLY ONE WHO'S SEEN IT. 381 00:16:31,140 --> 00:16:32,840 SHE HATED "QUEENS BOULEVARD." 382 00:16:32,875 --> 00:16:35,175 - THAT'S TRUE. - SO RELAX. 383 00:16:37,579 --> 00:16:39,713 - MARVIN. - DEEP BREATH. 384 00:16:39,749 --> 00:16:41,048 HELLO? 385 00:16:41,083 --> 00:16:44,384 IT'S YOUR UNDERAPPRECIATED MONEY MANAGER, ERIC. 386 00:16:44,419 --> 00:16:45,919 HA, WE APPRECIATE YOU, MARVIN. 387 00:16:45,955 --> 00:16:48,522 THEN HOW COME YOU DON'T LISTEN TO A FUCKING WORD I SAY? 388 00:16:48,557 --> 00:16:50,190 WILL YOU STOP YELLING AT ME, MARVIN? 389 00:16:50,225 --> 00:16:51,803 $1200 a night on a hotel suite... 390 00:16:51,827 --> 00:16:53,672 ARE YOU OUT OF YOUR FUCKING MIND? 391 00:16:53,696 --> 00:16:55,562 RELAX, MARVIN. IT'S ONLY TEMPORARY. 392 00:16:55,597 --> 00:16:57,876 Temporary? Yeah, I'll say it's temporary. 393 00:16:57,900 --> 00:17:00,034 TILL THEY THROW YOU OUT ON YOUR ASS! 394 00:17:00,069 --> 00:17:01,969 YOU GUYS HAVE NO MONEY! 395 00:17:02,004 --> 00:17:03,949 Why do you think I told you to get back from Italy? 396 00:17:03,973 --> 00:17:05,083 - I KNOW. - Hey, listen. 397 00:17:05,107 --> 00:17:07,741 THIS IS NOT CONSERVATIVE MARVIN TALKING. 398 00:17:07,777 --> 00:17:12,579 THIS IS YOU-ARE-REALLY- AND-TRULY-BROKE MARVIN TALKING. 399 00:17:12,614 --> 00:17:17,084 - Living on Vince's Black Card is insane. - I KNOW. 400 00:17:17,119 --> 00:17:18,652 SO DOES ARI HAVE A JOB? 401 00:17:18,688 --> 00:17:20,498 WE GOT TO WAIT TILL WE SEE THE MOVIE. 402 00:17:20,522 --> 00:17:22,300 - Did you see it? - WE'RE SEEING IT TODAY. 403 00:17:22,324 --> 00:17:24,024 - THERE HE IS. - When? 404 00:17:24,060 --> 00:17:26,038 - RIGHT NOW. - CALL ME WHEN IT'S OVER... HELLO? 405 00:17:26,062 --> 00:17:27,427 Vince: BILLY. 406 00:17:28,998 --> 00:17:31,609 HEY, VINCE. I DIDN'T KNOW YOU WERE BACK IN TOWN. 407 00:17:31,633 --> 00:17:32,878 - HEY. - NO CALL? 408 00:17:32,902 --> 00:17:35,635 - SORRY, MIA. - Eric: BILLY! 409 00:17:36,872 --> 00:17:40,273 I MEAN, THIS IS JUST SILLY. 410 00:17:40,309 --> 00:17:41,920 WELL, DO YOU THINK IT'S HIS READING? 411 00:17:41,944 --> 00:17:43,889 I KNOW IT IS. WE DON'T DO ENOUGH OF IT. 412 00:17:43,913 --> 00:17:46,091 - WELL I TRY. - A LITTLE LESS "GREY'S ANATOMY," 413 00:17:46,115 --> 00:17:47,926 A LITTLE MORE "GOODNIGHT MOON," PERHAPS. 414 00:17:47,950 --> 00:17:50,450 - YOU'RE BLAMING ME? - No, I'm blaming me 415 00:17:50,485 --> 00:17:53,131 WHO COMES HOME WITH 40 SCRIPTS A NIGHT AFTER WORKING A FULL DAY. 416 00:17:53,155 --> 00:17:55,133 HEY, YOU KNOW WHAT? I'LL READ ONE OF THOSE TO HIM. 417 00:17:55,157 --> 00:17:57,357 TONIGHT I GOT "SAW IV." HE'LL LOVE IT. 418 00:17:57,392 --> 00:17:58,926 - Ari! - BABY, DON'T WORRY. 419 00:17:58,961 --> 00:18:00,706 I WILL SAVE THE DAY AS USUAL. 420 00:18:00,730 --> 00:18:03,697 EXCUSE ME, SIR. CELL PHONES ARE NOT PERMITTED ON SCHOOL GROUNDS. 421 00:18:03,733 --> 00:18:05,899 LET ME CALL YOU BACK. ANDREW PRESTON? 422 00:18:05,935 --> 00:18:08,635 - ARI GOLD. - JUST THE MAN I WAS LOOKING FOR. 423 00:18:08,670 --> 00:18:10,648 SORRY ABOUT THE PHONE... BUSINESS CALL. 424 00:18:10,672 --> 00:18:12,906 IT IS A WEDNESDAY AFTER ALL. 425 00:18:12,942 --> 00:18:14,975 WELL, WHAT CAN I DO FOR YOU, MR. GOLD? 426 00:18:15,010 --> 00:18:17,477 WELL, UH, I'M SORRY TO BOTHER YOU. 427 00:18:17,512 --> 00:18:20,658 IT'S JUST THAT I HAD A MEETING WITH YOUR EXECUTIVE ASSISTANT TODAY. 428 00:18:20,682 --> 00:18:21,960 - UH-HUH? - AND... 429 00:18:21,984 --> 00:18:24,162 LOOK, I UNDERSTAND THAT THE EVALUATION FOR MY SON 430 00:18:24,186 --> 00:18:25,831 DIDN'T GO AS WELL AS EXPECTED, 431 00:18:25,855 --> 00:18:28,421 BUT I NEED TO ASSURE YOU THAT MY WIFE AND I 432 00:18:28,457 --> 00:18:30,724 ARE COMMITTED TO DOING WHATEVER IT TAKES 433 00:18:30,760 --> 00:18:32,871 - TO BRING OUR SON UP TO SPEED. - MM-HM. 434 00:18:32,895 --> 00:18:34,995 I MEAN, PERHAPS HE IS A LITTLE BEHIND ON HIS READING 435 00:18:35,030 --> 00:18:37,131 BUT I MEAN, HEY, HE'S NOT EVEN SIX YET. 436 00:18:37,166 --> 00:18:39,133 OKAY? YOU CAN'T REALLY JUDGE HIM ON HIS READING. 437 00:18:39,168 --> 00:18:41,034 I MEAN, AT SIX I WAS DYSLEXIC. 438 00:18:41,070 --> 00:18:42,848 ALL RIGHT, YOU WOULD HAVE THROWN ME OUT IN THE COLD. 439 00:18:42,872 --> 00:18:44,716 LOOK AT ME NOW. I'M LIKE THE POSTER BOY FOR THIS PLACE. 440 00:18:44,740 --> 00:18:46,218 - IT'S NOT HIS READING. - WHAT IS IT THEN? 441 00:18:46,242 --> 00:18:48,220 HIS RHYMING, HIS FINE MOTOR SKILLS? 442 00:18:48,244 --> 00:18:49,888 - IT'S NONE OF THAT. - WHAT IS IT? 443 00:18:49,912 --> 00:18:52,057 I CAN'T DISCUSS IT UNTIL THE PROCESS IS COMPLETE. 444 00:18:52,081 --> 00:18:53,725 - YOU UNDERSTAND. - ACTUALLY I DON'T. 445 00:18:53,749 --> 00:18:54,882 UH, MR. GOLD... 446 00:18:54,917 --> 00:18:58,351 MR. PRESTON, I HAVE SPENT OVER $200,000 447 00:18:58,387 --> 00:19:00,498 IN TUITION OVER THE PAST EIGHT YEARS, 448 00:19:00,522 --> 00:19:02,089 ANOTHER 50 OR SO IN DONATIONS. 449 00:19:02,124 --> 00:19:04,357 MY WIFE HAS SERVED ON 50 DIFFERENT COMMITTEES. 450 00:19:04,393 --> 00:19:07,505 ALL RIGHT, THAT'S TWO LESS DAYS A WEEK SHE GETS TO BARRY'S BOOT CAMP. 451 00:19:07,529 --> 00:19:11,131 SHE SACRIFICES HER BODY... OBVIOUSLY A SACRIFICE THAT I MAKE AS WELL, 452 00:19:11,167 --> 00:19:12,978 ALL FOR THE GOOD OF THIS SCHOOL. 453 00:19:13,002 --> 00:19:16,248 NOW, WHY DON'T YOU TELL ME WHAT TYPE OF NEW DONATION I HAVE TO MAKE 454 00:19:16,272 --> 00:19:18,250 TO ENSURE THAT I NEVER HAVE TO THINK ABOUT 455 00:19:18,274 --> 00:19:20,974 ANY TYPE OF LIMITATIONS YOU THINK MY SON HAS. 456 00:19:21,010 --> 00:19:22,409 LOOK, MR. GOLD, THE THING IS... 457 00:19:22,444 --> 00:19:24,144 - $20,000. - MR. GOLD. 458 00:19:24,180 --> 00:19:26,113 - $30,000! - MR. GOLD... 459 00:19:26,148 --> 00:19:28,215 IT IS NOT YOUR SON. 460 00:19:28,250 --> 00:19:30,550 IT IS HIS FATHER: 461 00:19:30,585 --> 00:19:34,065 A CELL PHONE ON YOUR EAR EVERY TIME I SEE YOU WALK THROUGH THESE HALLS... 462 00:19:34,089 --> 00:19:36,101 A FOUL MOUTH ON THE SOCCER FIELD 463 00:19:36,125 --> 00:19:38,203 EVERY TIME I SEE YOU ROOT FOR YOUR DAUGHTER. 464 00:19:38,227 --> 00:19:41,572 THIS SCHOOL HAS SIMPLY DECIDED THAT YOUR DAUGHTER HAS ONLY FOUR YEARS LEFT. 465 00:19:41,596 --> 00:19:44,898 BUT IF WE ADMIT YOUR SON, THAT MEANS MORE THAN A DECADE LEFT WITH YOU. 466 00:19:45,935 --> 00:19:47,400 GOOD DAY. 467 00:19:58,513 --> 00:20:01,315 DADDY. 468 00:20:01,350 --> 00:20:04,184 - GET YOUR STUFF, SWEETHEART. - EVERYTHING OKAY, MR. GOLD? 469 00:20:04,220 --> 00:20:06,031 WHAT'S GOING ON, DADDY? 470 00:20:06,055 --> 00:20:08,166 NOTHING, SWEETHEART, YOU JUST NO LONGER GO TO SCHOOL HERE. 471 00:20:08,190 --> 00:20:09,756 WHAT? 472 00:20:25,241 --> 00:20:28,441 HEY, DON'T BE AFRAID TO USE A COASTER, PAL. 473 00:20:28,477 --> 00:20:31,879 HEY ASSHOLE! THERE'S NOTHING IN THE SUB-ZERO. 474 00:20:31,914 --> 00:20:34,181 THERE'S NO NEED TO EVEN OPEN IT. 475 00:20:34,216 --> 00:20:36,049 FUCKING ANIMALS. 476 00:20:36,085 --> 00:20:38,318 SO IS IT LIKE THE MOVIES? YOU KNOW, WHERE THE GIRLS 477 00:20:38,354 --> 00:20:40,820 MAKE YOU DO ALL SORTS OF CRAZY THINGS TO GET INTO A SORORITY? 478 00:20:40,856 --> 00:20:44,657 OH YEAH. THEY DIDN'T LET US SLEEP FOR 24 HOURS ON INITIATION NIGHT. 479 00:20:44,693 --> 00:20:47,060 NO, I MEANT LIKE CRAZY SEXUAL THINGS. 480 00:20:48,797 --> 00:20:50,497 WE CAN SELL MY CAR. 481 00:20:50,532 --> 00:20:52,510 NO, IT'S IMPORTANT TO KEEP UP APPEARANCES. 482 00:20:52,534 --> 00:20:54,234 GREAT. 'CAUSE I LOVE THAT CAR. 483 00:20:54,270 --> 00:20:56,703 WE ARE ALL GOOD. 484 00:20:56,738 --> 00:20:58,716 WE KNOW THE MOVIE'S GREAT. WE WERE THERE. 485 00:20:58,740 --> 00:21:01,152 - YEAH, WE WERE. - HEY, HOW WAS YOUR DAY? MINE SUCKED 486 00:21:01,176 --> 00:21:03,743 AND NO ONE CALLED ME ALL DAY. DID YOU SEE THE MOVIE? 487 00:21:03,779 --> 00:21:05,979 - I'M GONNA CALL WALSH AGAIN. - WHAT? 488 00:21:06,015 --> 00:21:08,748 - IS THERE A PROBLEM? - Drama: HEY, SHOES OFF, ARI! 489 00:21:08,784 --> 00:21:10,951 HEY, FUCK YOU, DRAMA! 490 00:21:10,986 --> 00:21:13,921 HEY BILLY. IT'S E. 491 00:21:13,956 --> 00:21:16,089 Look, I'm calling for Vince. 492 00:21:16,125 --> 00:21:18,025 I know you hate me, Billy. 493 00:21:18,060 --> 00:21:20,972 VINCE PUT HIS ENTIRE CAREER ON THE LINE FOR THIS MOVIE AND FOR YOU... 494 00:21:20,996 --> 00:21:23,663 AND ALL OF HIS MONEY. HE'S GOT NONE. 495 00:21:23,698 --> 00:21:25,933 AND HE CAN'T GET A JOB UNTIL PEOPLE SEE THIS. 496 00:21:25,968 --> 00:21:28,335 So I'm not asking anything for me, Billy, 497 00:21:28,370 --> 00:21:30,070 but for Vince. 498 00:21:30,105 --> 00:21:32,472 What does Vince have to do to see this movie? 499 00:21:34,944 --> 00:21:37,777 HE HAS TO BE GENTLE, SUIT. 500 00:21:44,253 --> 00:21:46,531 - JUST CALM DOWN. - DON'T TELL ME TO CALM DOWN, TURTLE. 501 00:21:46,555 --> 00:21:48,900 SOMEONE'S IN MY BATHROOM AND I WANT TO KNOW HOW THEY GOT IN THERE. 502 00:21:48,924 --> 00:21:51,558 - DON'T LOOK AT ME. - DON'T LOOK AT YOU? 503 00:21:51,593 --> 00:21:54,027 THAT'S A NICKEL-PLATED MASTER LOCK 504 00:21:54,063 --> 00:21:55,895 WITH HARDENED STEEL SHACKLES. 505 00:21:55,931 --> 00:21:58,198 IT'S IMPOSSIBLE TO GET IN THERE WITHOUT A COMBO! 506 00:21:58,233 --> 00:22:00,211 MAYBE DAVID COPPERFIELD IS IN THERE. 507 00:22:00,235 --> 00:22:02,035 OH, THAT'S FUNNY. 508 00:22:11,380 --> 00:22:13,813 SHE PROMISED TO SHOW ME HER TITS. 509 00:22:13,849 --> 00:22:16,083 FUCKING SELLOUT. 510 00:22:17,119 --> 00:22:18,418 WHAT'S THE PROBLEM, JOHNNY? 511 00:22:18,454 --> 00:22:20,420 NO PROBLEM, BRO. HAVING THE TIME OF MY LIFE. 512 00:22:20,456 --> 00:22:22,696 - YOU HAVING A GOOD TIME? - GREAT TIME, GREAT TIME. 513 00:22:22,724 --> 00:22:25,203 - LISTEN, WE'RE GONNA TAKE OFF, ALL RIGHT? - YOU LEAVING? 514 00:22:25,227 --> 00:22:27,560 YEAH, WALSH PROMISED TO SHOW US THE MOVIE RIGHT NOW. 515 00:22:27,596 --> 00:22:29,707 I DON'T WANT HIM TO CHANGE HIS MIND... YOU UNDERSTAND, RIGHT? 516 00:22:29,731 --> 00:22:31,176 YEAH, I UNDERSTAND, BRO. 517 00:22:31,200 --> 00:22:33,078 HAVE A GOOD TIME. GOOD LUCK, GOOD LUCK. 518 00:22:33,102 --> 00:22:35,146 - SEE YOU GUYS LATER. - ALL RIGHT, E. SEE YOU LATER, BUDDY. 519 00:22:35,170 --> 00:22:37,148 BYE-BYE NOW. I'LL SEE YOU GUYS. 520 00:22:37,172 --> 00:22:39,706 BYE, YOU GUYS. BYE, BYE. 521 00:22:43,178 --> 00:22:44,378 EVERYONE! 522 00:22:44,413 --> 00:22:46,779 I HAVE AN ANNOUNCEMENT TO MAKE! 523 00:22:46,815 --> 00:22:49,249 GET THE FUCK OUT. 524 00:22:50,819 --> 00:22:52,597 NO, I'M SERIOUS. 525 00:22:52,621 --> 00:22:54,754 THE PARTY'S OVER. GET THE FUCK OUT! 526 00:22:54,789 --> 00:22:56,823 AND HEAD OVER TO MY HOUSE! 527 00:22:56,858 --> 00:22:59,159 AFTER-PARTY AT VINNIE CHASE'S HOTEL ROOM! 528 00:23:10,839 --> 00:23:13,140 - BILLY. - NO WORDS NECESSARY. 529 00:23:13,175 --> 00:23:16,109 ROLL IT, RAUL. ENJOY. 530 00:23:17,513 --> 00:23:19,833 I'LL BE THROWING UP IN THE ALLEY. 531 00:23:22,284 --> 00:23:23,583 HEY. 532 00:23:47,676 --> 00:23:50,277 I MEAN, A PERSON IS ONLY AS GOOD AS THEIR WORD. 533 00:23:50,312 --> 00:23:53,246 I MEAN, WITHOUT THAT WE'D JUST BE ANIMALS. 534 00:23:53,282 --> 00:23:55,482 FINE. 535 00:23:55,517 --> 00:23:57,484 YOU HAPPY? 536 00:23:57,519 --> 00:24:00,153 SADLY, I'M VERY HAPPY. 537 00:24:00,189 --> 00:24:01,488 ANYBODY SEEN DRAMA? 538 00:24:01,523 --> 00:24:03,234 EXCUSE ME, EXCUSE ME. GET OUT OF THE WAY. 539 00:24:03,258 --> 00:24:05,336 Drama: MAJOR MOTION PICTURE. IT'S A LITTLE SOMETHING... 540 00:24:05,360 --> 00:24:06,726 JOHNNY DRAMA, JOHNNY DRAMA. 541 00:24:06,761 --> 00:24:08,962 SOMEONE DID SOMETHING REALLY HORRIBLE IN THE BATHROOM. 542 00:24:08,997 --> 00:24:11,864 YEAH? WHAT DO YOU WANT ME TO DO ABOUT IT, BRO? 543 00:24:13,502 --> 00:24:15,868 HEY, LLOYD, NICE SWEATER, BABY. 544 00:24:15,904 --> 00:24:17,882 - WHAT'S UP, DRAMA? - HOW ARE YOU, PAL? 545 00:24:17,906 --> 00:24:20,440 GOOD, MAN. HONEY, HOLD THIS. 546 00:24:23,011 --> 00:24:26,679 HYSTERICAL. 547 00:24:54,476 --> 00:24:56,709 PLEASE SAY SOMETHING. 548 00:24:56,745 --> 00:24:59,513 AH... I'M BLOWN AWAY, BILLY. 549 00:24:59,548 --> 00:25:01,148 BAH! 550 00:25:01,183 --> 00:25:04,050 OH YOU! AH! 551 00:25:05,287 --> 00:25:06,453 SUIT? 552 00:25:06,488 --> 00:25:08,988 - GREAT JOB, BILLY. - GOD, YOU LITTLE...! 553 00:25:09,024 --> 00:25:11,391 AW, YOU LITTLE... 554 00:25:11,426 --> 00:25:14,194 - AH! - HEY HEY. 555 00:25:14,229 --> 00:25:15,573 - YEAH! - YEAH! 556 00:25:22,271 --> 00:25:24,081 SO WE'RE ON THE SAME PAGE, RIGHT? 557 00:25:24,105 --> 00:25:26,551 - YOU WERE JUST BEING NICE TO BILLY. - WHAT DO YOU MEAN? 558 00:25:26,575 --> 00:25:28,353 I MEAN, YOU DIDN'T REALLY LIKE THE MOVIE, DID YOU? 559 00:25:28,377 --> 00:25:30,009 I THOUGHT IT WAS AMAZING. YOU DIDN'T? 560 00:25:30,045 --> 00:25:31,545 I THOUGHT IT SUCKED. 561 00:25:31,580 --> 00:25:33,547 - REALLY? - REALLY. 562 00:25:35,617 --> 00:25:37,850 HEY, WHAT'S UP, TURTLE? 563 00:25:39,788 --> 00:25:41,921 GREAT, NO, THAT'S FUCKING AWESOME. 564 00:25:41,956 --> 00:25:43,156 WHAT HAPPENED? 565 00:25:43,192 --> 00:25:44,902 THEY HAD AN AFTER-PARTY AT THE HOTEL. 566 00:25:44,926 --> 00:25:47,372 ANTHONY MICHAEL HALL PISSED OFF THE BALCONY AND WE GOT THROWN OUT. 567 00:25:47,396 --> 00:25:49,162 - NICE. - SO WHAT DO YOU WANT TO DO? 568 00:25:49,198 --> 00:25:50,697 WE'LL CRASH AT JOHNNY'S TONIGHT. 569 00:25:50,732 --> 00:25:52,232 SO YOU REALLY DIDN'T LIKE IT? 570 00:25:52,267 --> 00:25:53,700 I REALLY DIDN'T. 571 00:25:53,735 --> 00:25:55,134 HUH.