1
00:00:08,224 --> 00:00:10,692
(theme music playing)
2
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SO, FIRST PARTY AT THE
NEW PLACE, HUH, DRAMA?
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DON'T BE IGNORANT, E. IT'S NOT
A PARTY, IT'S A GET-TOGETHER.
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AND THE DIFFERENCE
IS WHAT, JOHNNY?
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GET-TOGETHER IS LESS
THAN A DOZEN PEOPLE, BRO.
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OH, YOU DON'T BE
IGNORANT, DRAMA,
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'CAUSE THIS IS DEFINITELY
GONNA BE A PARTY.
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OR SIMULTANEOUS GET-TOGETHERS IF IT
MAKES IT EASIER FOR YOU TO SWALLOW.
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WHAT ARE YOU GUYS TALKING ABOUT?
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WE'RE WELCOMING HOME VINNIE
CHASE! PEOPLE WANT TO COME.
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I THOUGHT WE AGREED TO
KEEP IT SMALL... A FAMILY AFFAIR.
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I NEVER SIGNED ANYTHING.
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IF YOU WANT TO DO
IT AT THE HOTEL...?
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NO NO NO, BRO, THIS IS
YOUR WELCOME-HOME PARTY.
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WE CAN'T DO IT AT A HOTEL.
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NOW THAT I HAVE
A BEAUTIFUL HOME,
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I'D BE HONORED TO WELCOME
YOU AND YOUR PARTY.
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- I JUST NEED TO KNOW
HOW MANY PEOPLE.
- TURTLE?
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I'D HAVE TO CHECK
THE EVITE R.S.V.P. LIST
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BEFORE I COULD ACCURATELY
RESPOND TO THAT.
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- Ari: Calm down, baby!
- DO NOT TELL ME TO
CALM DOWN, ARI!
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THEY'RE GIVING MY
SON A HARD TIME!
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My baby boy. A mother gets
protective when that happens.
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WHAT DID THEY SAY? DID THEY
SAY THAT HE'S NOT GETTING IN?
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THEY WOULDN'T SAY
ANYTHING ON THE PHONE,
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JUST THAT THEY'D LIKE TO
SEE US. THEY'RE LIKE THE C.I.A.
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THEN RELAX. HE'S GETTING IN.
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- WELL, HE BETTER, ARI.
- He's a legacy!
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LEGACIES ARE AS SURE A THING AS
ME HAVING TO BEG FOR BLOW JOBS.
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LITTLE JONAH WILL BE A PROUD MEMBER
OF THE BRIAR COUNTRY DAY SCHOOL
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JUST LIKE HIS SISTER, FEAR NOT.
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BEGGING WON'T BE
ENOUGH IF HE ISN'T, ARI.
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I GOT TO GO, BABY. I'LL
SEE YOU AT THE SCHOOL.
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WELCOME VINNIE
CHASE HOME TONIGHT.
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HERE'S THE ADDRESS. WELCOME
VINNIE CHASE HOME TONIGHT.
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WELCOME VINNIE CHASE HOME
TONIGHT. HERE'S THE ADDRESS.
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- HEY.
- SORRY, LIMITED SPACE.
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WHAT? I DIDN'T INVITE THE DUDE.
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- LLOYD, YOU MISS US?
- I DID, I DID.
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- WELCOME BACK, BOYS.
- LLOYD, HOW ARE YOU?
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- GREAT.
- WHAT UP, LLOYD?
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NOTHING, NOT MUCH.
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SO I SPENT ALL EVENING
PREPARING A LITTLE SOMETHING
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FOR THE BIG BASH...
CRÈME BRÛLÉE.
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IT'S NOT A BASH, LLOYD.
IT'S A LARGE GET-TOGETHER.
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WHATEVER IT IS, DRAMA,
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IS IT OKAY IF I BRING
FOUR FRIENDS?
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WHAT SORT OF FRIENDS?
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IT'S FINE, LLOYD. JUST NO PUBLIC
DISPLAYS OF AFFECTION, ALL RIGHT?
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- IS THAT VINNIE CHASE?
- HEY!
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OH MY GOD! LOOK AT THAT!
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I DON'T BELIEVE... USUALLY
I HAVE TO GET "US WEEKLY"
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TO GET A LOOK AT
THOSE PRETTY EYES.
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AND THEN I HAVE TO LOOK AT THE WEE
BOTTOM LOWER CORNER OF THE FRAME
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TO SEE THE TOP OF
THIS LITTLE MAN'S HEAD.
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- WHOO-HOO!
- YOU LOOK A LITTLE PUDGY, ARI.
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- YOU PUT ON A LITTLE WEIGHT?
- YOU WISH! 6% BODY FAT.
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ACHIEVE THAT WHEN YOU'RE 40,
AND I'LL GIVE YOU A HUNDRED GRAND.
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- WHEN'D YOU GET IN?
- LATE LAST NIGHT.
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YOU COMING TO THE
WELCOME-HOME PARTY?
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WE UNDERSTAND IF
YOU CAN'T MAKE IT.
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I WILL BE THERE.
FIRST THINGS FIRST.
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- DO I LOOK HEAVY?
- NO, YOU LOOK GOOD.
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- YEAH, BABY!
- WHAT?
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OH, THIS BROAD I MET ON
MYSPACE, SHE'S COMING...
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WITH HER SORORITY.
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- SO, ITALY WAS GOOD?
- OH, IT WAS AMAZING.
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LEAVE IT TO E TO PICK THE
MOST ROMANTIC SPOT ON EARTH
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- RIGHT AFTER HE GETS DUMPED.
- SLOAN AND I ARE
TAKING A BREAK.
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WHATEVER. SO, YOU
PLANNING ANOTHER VACATION
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- OR YOU GONNA STEP UP...
- VINCE IS PLANNING ON
GOING BACK TO WORK, ARI.
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OKAY, AS AN ACTOR,
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OR AS A PRODUCER OF
ANOTHER JUNGLE QUAGMIRE?
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THE MOVIE THAT'S GONNA
TAKE US UP TO THE NEXT LEVEL,
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- YOU'RE WRITING IT OFF
AS A DISASTER?
- NO NO NO.
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I AM WRITING IT OFF AS M.I.A.
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AND PROCEEDING ACCORDINGLY.
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HE ALWAYS WAS SO NERVOUS.
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I KNOW... IS THAT HOW YOU KEEP
THE POUNDS OFF, ARI? BY TREMBLING?
80
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WHAT DO YOU EXPECT? "MEDELLIN" HAS BEEN
DELAYED MONTH AFTER MONTH AFTER MONTH.
81
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YOU'VE GOT A DIRECTOR WHO REFUSES
TO SHOW A SINGLE FRAME TO ANYBODY.
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- HUH-UH,
WE'RE SEEING IT TODAY.
- BULLSHIT.
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EVERY FRAME OF IT. WHY
DO YOU THINK WE CAME BACK?
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- THAT AND WE'RE OUT OF MONEY.
- OH, THERE'S THAT.
85
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- ARE YOU?
- YOU KNOW THEY CHARGE UP
TO $30 FOR A BOWL OF PENNE?
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VINCE WANTS A JOB, ARI.
TELL US WHAT YOU GOT.
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- I GOTTA SEE THE MOVIE.
- Vince: NOT GONNA HAPPEN.
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WALSH WON'T EVEN
LET RUBINSTEIN SEE IT.
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HE UNDERSTANDS THAT AT SOME POINT
EVERYONE'S GONNA NEED TO SEE IT, RIGHT?
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AT SOME POINT, EVERYONE
WILL. WE'RE SEEING IT TODAY
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AND WE'RE TELLING YOU
THAT VINCE NEEDS A JOB.
92
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AND I'M TELLING YOU THAT
I NEED TO SEE THE MOVIE.
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WHAT DOES ONE THING
HAVE TO DO WITH THE OTHER?
94
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- CONNECT THE
FUCKING DOTS, E.
- WHAT, NO ONE'S GONNA HIRE ME
95
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- UNTIL THEY'VE
SEEN "MEDELLIN"?
- I WOULDN'T SAY NO ONE.
96
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UH, YOU CAN PLAY JUGHEAD
IN A NEW ARCHIES LIVE-ACTION.
97
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- I THINK I'M MORE
OF A REGGIE.
- YEAH.
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RIGHT NOW NO ONE IS GONNA
OFFER YOU SOMETHING YOU WANT
99
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OR GIVE YOU THE KIND
OF MONEY THAT WE WANT.
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YOU CAN UNDERSTAND THAT, RIGHT?
101
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- ACTUALLY, I CAN'T.
- THE WORD ON THE STREET
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SINCE DAY ONE OF
PRODUCTION ON "MEDELLIN"
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HAS NOT BEEN GOOD...
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DPs AND ACTORS FIRED,
PRODUCTION DELAYS,
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UNSTABLE DIRECTOR.
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NO ONE WANTS TO PUT
VINCE'S FACE ON A POSTER
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WITH THE POSSIBILITY OF A LOOMING
DISASTER HANGING OUT THERE.
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- IT'S THE "GIGLI" EFFECT.
- WOW.
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OKAY, SO WHAT DO WE NEED, ARI?
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WE NEED FOR
"MEDELLIN" TO BE GOOD, E.
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JUST TELL ME THERE'S NOT
GOING TO BE MORE THAN 75 PEOPLE.
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THERE'S NOT GONNA BE
MORE THAN 75 PEOPLE.
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- REALLY?
- NO, NOT REALLY.
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- BUT THAT'S WHAT YOU
TOLD ME TO TELL YOU.
- DICK.
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WHY DO YOU NEED BABY WIPES?
116
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JUST GET WHAT'S ON THE LIST.
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- 50 CARTONS?
- PLEASE, DON'T QUESTION ME,
ALL RIGHT?
118
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ALL RIGHT, FINE FINE.
119
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IT SAYS "12 BARBECUED
CHICKEN WINGS." YOU MEAN 1200?
120
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NO, I MEANT WHAT I WROTE...
12. THEY'RE FOR VINCE.
121
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HE LOVES THE WINGS AT COSTCO,
122
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BUT I'M NOT LETTING EVERYONE ELSE
GO WILD WITH BARBECUED CHICKEN WINGS.
123
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SO WHAT'S EVERYONE
ELSE GONNA EAT, THEN?
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CELERY. READ THE LIST.
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- CELERY?
- YEAH, AND CARROTS.
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LOOK, THE PARTY'S
CALLED FOR 9:00 P.M.
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THAT'S NOT A DINNER PARTY. SO
ONLY VINCE IS GONNA EAT REAL FOOD.
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EVERYONE ELSE IS GONNA
HAVE NICE, CLEAN, STAIN-FREE
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- CELERY AND CARROTS.
- GREAT.
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THINK YOU GUYS HAVE
ENOUGH BABY WIPES?
131
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NO NO, IT'S NOT WHAT IT LOOKS
LIKE... THEY'RE FOR A PARTY.
132
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YOU WANNA COME?
133
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Vince: YOU LIKE THAT ONE, HUH?
134
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- I COULD DO A PLAY.
- YOU COULD.
135
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A PLAY'S NOT GONNA BUY
US A NEW HOUSE, THOUGH.
136
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YEAH, IT'D HAVE TO BE A VERY
SUCCESSFUL PLAY, I THINK.
137
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UH-OH, CAVALRY'S ARRIVED.
PEOPLE, MAN YOUR POSTS.
138
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PREPARE TO DO BATTLE.
139
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HE LOOKS GOOD.
HOW ARE YOU, BILLY?
140
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LIVING AND THRIVING,
SUIT. LIVING AND THRIVING.
141
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- WHAT'S UP, BILLY?
- VINNIE, HOW YOU DOING?
142
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JUST THIS. NOTHING ELSE UP.
143
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COME ON BACK. I'LL SHOW
YOU THE FACILITIES. COME ON.
144
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WOW, CUTTING THE
OLD-FASHIONED WAY, HUH?
145
00:06:40,584 --> 00:06:43,262
WHY FUCK A WOMAN WITH A
VIBRATOR WHEN YOU'VE GOT A DICK,
146
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- RIGHT, SUIT?
- I DON'T KNOW WHAT THAT MEANS,
147
00:06:45,222 --> 00:06:47,066
BUT WE'RE EXCITED TO SEE
WHAT YOU'VE DONE, BILLY.
148
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HEY, EVERYBODY! YOU'VE BEEN
LOOKING AT THIS GUY'S BEAUTIFUL FACE
149
00:06:50,160 --> 00:06:53,094
FOR THE PAST THREE
MONTHS. VINNIE CHASE.
150
00:06:53,130 --> 00:06:54,795
(restrained applause)
151
00:06:54,831 --> 00:06:58,166
AND THIS IS HIS SUIT, THOUGH
HE DON'T DRESS THE PART.
152
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GUYS, MY WHOLE CREW IS LATIN...
153
00:07:00,203 --> 00:07:03,070
HELPED MAKE THIS FILM AS
ABSOLUTELY AUTHENTIC AS IT COULD BE.
154
00:07:03,106 --> 00:07:06,841
MY EDITOR RAUL, AND HIS
ASSISTANT-SLASH-LITTLE-BROTHER, TERO.
155
00:07:06,876 --> 00:07:09,210
BOTH MEXICAN.
BOTH TOTALLY LEGAL.
156
00:07:09,246 --> 00:07:11,446
MY POST GUY IS BRAZILIAN.
157
00:07:11,481 --> 00:07:13,615
THE CATERERS ARE FROM CHILE.
158
00:07:13,650 --> 00:07:16,462
EVERY THURSDAY WE GET THAT
ENDANGERED SEA BASS FLOWN IN.
159
00:07:16,486 --> 00:07:19,120
- WHAT'S SHE DO?
- SHE GIVES BLOW JOBS.
160
00:07:19,156 --> 00:07:20,821
- (Vincent giggles)
- SERIOUSLY.
161
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SHE'S A STREETWALKER I BROUGHT
BACK FROM COLOMBIA. GOOD EYES.
162
00:07:24,427 --> 00:07:26,827
SO CAN WE GET THIS
THING GOING OR WHAT?
163
00:07:26,863 --> 00:07:28,796
YOU WANT TO EAT FIRST?
YOU WANT SOMETHING?
164
00:07:28,831 --> 00:07:30,209
- I'M OKAY.
- WE GOT EMPANADAS.
165
00:07:30,233 --> 00:07:31,777
- NO, I'M ALL GOOD.
- YOU WANT AN EMPANADA, SUIT?
166
00:07:31,801 --> 00:07:33,613
- WE JUST ATE, BILLY.
- HOW ABOUT A TAMALE?
167
00:07:33,637 --> 00:07:35,481
- WE'RE ALL GOOD.
- WHAT ABOUT ONE OF THOSE
BLOW JOBS?
168
00:07:35,505 --> 00:07:37,138
- ONE OF THOSE?
- NO.
169
00:07:37,174 --> 00:07:39,174
WHAT, DOES TURTLE CHECK
YOUR BALLS FOR LIPSTICK?
170
00:07:39,209 --> 00:07:41,187
- QUIT STALLING, BILLY.
- I'M NOT FUCKING STALLING.
171
00:07:41,211 --> 00:07:43,222
BILLY, WE REALLY WANT
TO SEE IT, COME ON.
172
00:07:43,246 --> 00:07:45,313
AND I WANT YOU
TO SEE IT, VIN. I DO.
173
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UH, IT'S JUST NOT READY.
174
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IT'S... IT'S NOT READY. I
NEED A LITTLE BIT MORE TIME.
175
00:07:49,719 --> 00:07:53,054
- WHAT ARE YOU
TALKING ABOUT?
- HOW MUCH MORE TIME?
176
00:07:53,089 --> 00:07:55,557
- THREE WEEKS, A MONTH TOPS.
- YOU CAN'T HAVE IT.
177
00:07:55,592 --> 00:07:57,102
- WHO SAYS?
- I SAY.
178
00:07:57,126 --> 00:07:59,104
- WHO THE FUCK ARE YOU?
- THE GUY WITH THE
FUCKING CHECKBOOK.
179
00:07:59,128 --> 00:08:01,607
BILLY, WE JUST FLEW IN FROM
ITALY. YOU SAID YOU'D BE READY.
180
00:08:01,631 --> 00:08:03,409
I THOUGHT I WAS READY,
MAN. I THOUGHT I WAS,
181
00:08:03,433 --> 00:08:05,633
BUT I WATCHED IT THIS
MORNING AND I'M NOT.
182
00:08:05,669 --> 00:08:07,780
BILLY, LISTEN, I UNDERSTAND
YOU'RE NERVOUS.
183
00:08:07,804 --> 00:08:10,716
BUT WE'VE BOTH SEEN FIRST CUTS...
WE KNOW WHAT WE'RE LOOKING AT.
184
00:08:10,740 --> 00:08:12,807
I CAN'T, VIN. IT'S
JUST NOT READY.
185
00:08:12,842 --> 00:08:14,809
YOU ONLY GET ONE CHANCE
FOR A FIRST IMPRESSION.
186
00:08:14,844 --> 00:08:16,622
ALL RIGHT, LOOK, HERE'S
THE DEAL, BILLY, OKAY?
187
00:08:16,646 --> 00:08:19,458
WE SEE THIS FILM TODAY OR NOT
ANOTHER DOLLAR COMES INTO THIS FACILITY...
188
00:08:19,482 --> 00:08:21,460
NOT FOR CIGARETTES,
NOT FOR COFFEE,
189
00:08:21,484 --> 00:08:23,462
NOT FOR SEA BASS AND
NOT FOR FUCKING BLOW JOBS.
190
00:08:23,486 --> 00:08:25,686
DO YOU UNDERSTAND
WHAT I'M SAYING?
191
00:08:26,789 --> 00:08:29,324
YEAH, I DO.
192
00:08:29,359 --> 00:08:31,826
RAUL, PREPARE THE PROJECTOR.
193
00:08:33,363 --> 00:08:35,830
I'M JUST GONNA PISS
REALLY QUICKLY, OKAY?
194
00:08:37,800 --> 00:08:40,335
- WAS I TOO HARSH?
- NO, PERFECT.
195
00:08:40,370 --> 00:08:41,836
(engine starts)
196
00:08:41,871 --> 00:08:44,205
SORRY, VINNIE! GO
FUCK YOURSELF, SUIT!
197
00:08:49,879 --> 00:08:52,179
MAYBE YOU WERE A LITTLE HARSH.
198
00:08:53,250 --> 00:08:54,549
(kids playing)
199
00:08:54,584 --> 00:08:56,684
- SO?
- SO.
200
00:08:56,720 --> 00:08:58,353
Mrs. Ari: SO.
201
00:08:58,388 --> 00:09:00,132
- THIS IS AWKWARD.
- WHAT'S AWKWARD?
202
00:09:00,156 --> 00:09:01,967
WE... WE DON'T EVEN
KNOW WHY WE'RE HERE.
203
00:09:01,991 --> 00:09:03,958
- BUT WE ARE CONCERNED.
- MM-HM.
204
00:09:03,993 --> 00:09:06,361
WE'RE VERY CONCERNED.
I MEAN, WE KNOW JONAH
205
00:09:06,396 --> 00:09:09,664
JUST HAD HIS EVALUATION. BUT
WE THOUGHT IT WAS A FORMALITY.
206
00:09:09,699 --> 00:09:11,899
I MEAN, HE'S A LEGACY.
207
00:09:11,934 --> 00:09:14,469
AND WELL, HIS SISTER SARAH
HAS BEEN A MODEL STUDENT HERE
208
00:09:14,504 --> 00:09:16,704
- FOR ALMOST EIGHT YEARS.
- Ari: MM-HM.
209
00:09:16,740 --> 00:09:18,839
I MEAN, ISN'T A SIBLING
GUARANTEED ADMISSION?
210
00:09:18,875 --> 00:09:21,208
WE CAN NEVER MAKE
ANY GUARANTEES.
211
00:09:21,244 --> 00:09:24,123
THAT'S... THAT'S NOT WHAT YOU SAID WHEN I
WAS WRITING ALL THOSE DONATION CHECKS.
212
00:09:24,147 --> 00:09:27,882
SO, WAS THERE A PROBLEM
WITH JONAH'S EVALUATION?
213
00:09:27,917 --> 00:09:29,629
WELL, HE DID HIT A
KID WITH A RULER.
214
00:09:29,653 --> 00:09:31,464
- YES, HE TOLD US THAT.
- HE TOLD US ALL...
215
00:09:31,488 --> 00:09:33,699
THE KID WAS TRYING TO STEAL HIS
POWER RANGER. HE TOLD US ALL ABOUT IT.
216
00:09:33,723 --> 00:09:36,535
AND I TEACH MY SON NEVER TO LET
PEOPLE JUST TAKE THINGS FROM HIM.
217
00:09:36,559 --> 00:09:38,036
IT'S MY ISRAELI BLOOD, OKAY?
218
00:09:38,060 --> 00:09:40,428
I MEAN, YOU CAN'T TELL US
THAT HE MIGHT NOT BE ABLE
219
00:09:40,463 --> 00:09:43,276
- TO GO TO SCHOOL HERE
BECAUSE OF THAT?
- I'M NOT TELLING YOU THAT.
220
00:09:43,300 --> 00:09:46,267
- THIS IS JUST A COURTESY.
- A COURTESY?
221
00:09:46,303 --> 00:09:50,438
WE WANT YOU TO HAVE TIME TO APPLY
TO ANOTHER SCHOOL, JUST IN CASE.
222
00:09:50,473 --> 00:09:51,806
JUST IN CASE WHAT?
223
00:09:51,841 --> 00:09:53,974
JUST IN CASE HE DOESN'T GET IN.
224
00:09:54,010 --> 00:09:55,421
Mrs. Ari: WHAT A SMUG BITCH.
225
00:09:55,445 --> 00:09:57,290
I MEAN, JUST SITTING THERE
WITH THAT STUPID LOOK
226
00:09:57,314 --> 00:09:59,124
ON HER STUPID FUCKING FACE.
227
00:09:59,148 --> 00:10:01,427
- BABY, THE CURSING. WE'RE AT THE SCHOOL.
- I'M SORRY, I'M UPSET.
228
00:10:01,451 --> 00:10:02,983
I KNOW, IT'S KIND
OF HOT. I LIKE IT.
229
00:10:03,019 --> 00:10:04,897
- ARI, WHY AREN'T YOU UPSET?
- SHE'S JUST A SECRETARY,
230
00:10:04,921 --> 00:10:07,232
A LOW-LEVEL MESSENGER. I DON'T
HAVE TIME TO DEAL WITH THAT.
231
00:10:07,256 --> 00:10:09,234
- SO WHAT ARE WE GONNA DO?
- WE'RE GONNA GO TO
OUR OLD BUDDY,
232
00:10:09,258 --> 00:10:11,003
DR. REICH. A HIGHER LEVEL.
233
00:10:11,027 --> 00:10:13,673
- WHAT CAN HE DO?
- HE IS ON THE BOARD
OF TRUSTEES, BABY.
234
00:10:13,697 --> 00:10:15,374
ALL RIGHT, WE DIDN'T
SPEND ALL THOSE NIGHTS
235
00:10:15,398 --> 00:10:18,477
AT HIS QUEER PIANO PARTIES FOR
NOTHING. HE'LL TAKE CARE OF IT.
236
00:10:18,501 --> 00:10:19,934
I THINK I SHOULD GO WITH YOU.
237
00:10:19,969 --> 00:10:22,770
- BABY, THIS IS MAN'S WORK.
- MAN'S WORK?
238
00:10:22,806 --> 00:10:24,617
I AM GOING TO HAVE TO APPLY
A LITTLE BIT OF PRESSURE.
239
00:10:24,641 --> 00:10:26,881
TRUST ME, YOU DO NOT
WANT TO SEE THIS, ALL RIGHT?
240
00:10:26,909 --> 00:10:28,887
DON'T WORRY, I'M
GONNA HANDLE IT.
241
00:10:28,911 --> 00:10:31,045
- TRUST ME.
- (rap music playing)
242
00:10:41,758 --> 00:10:44,726
DAMN, DRAMA, THIS
PLACE IS LOOKING GOOD.
243
00:10:44,761 --> 00:10:47,973
YEAH, AND IT'S GONNA KEEP LOOKING
THAT WAY, SO TAKE YOUR SHOES OFF.
244
00:10:47,997 --> 00:10:50,130
YOU WANT ME TO
TAKE MY SHOES OFF?
245
00:10:50,166 --> 00:10:52,778
EVERYBODY'S GONNA BE GOING
SHOELESS TONIGHT, TURTLE.
246
00:10:52,802 --> 00:10:55,548
SO DON'T THINK YOUR SMELLY FEET
ARE GETTING ANY SPECIAL ATTENTION.
247
00:10:55,572 --> 00:10:58,150
THERE'S GONNA BE A SIGN RIGHT
THERE THAT SAYS "NO SHOES"
248
00:10:58,174 --> 00:10:59,719
AND A BASKET RIGHT
THERE TO HOUSE THEM.
249
00:10:59,743 --> 00:11:01,987
WELL, YOU MIGHT WANT TO GET
A SIGN AND A BASKET FOR BRAS,
250
00:11:02,011 --> 00:11:04,223
'CAUSE THESE SORORITY GIRLS,
THEY SOUND KINDA FREAKY.
251
00:11:04,247 --> 00:11:06,659
- WELL, THEY JUST
BETTER BE NEAT.
- (Turtle laughs)
252
00:11:06,683 --> 00:11:09,684
- GRAB THAT END.
- WHERE'S IT GOING?
253
00:11:09,719 --> 00:11:11,697
IN THE BEDROOM. IT'S
ONLY TWO WEEKS OLD,
254
00:11:11,721 --> 00:11:13,966
- I DON'T WANT ANYONE
SITTING ON IT.
- ARE YOU FOR REAL?
255
00:11:13,990 --> 00:11:16,569
WHAT KIND OF PARTY IS THIS GONNA
BE IF PEOPLE DON'T HAVE A PLACE TO SIT?
256
00:11:16,593 --> 00:11:19,238
FIRST OF ALL, I GOT STURDY FOLDING
CHAIRS IN MY STORAGE CLOSET.
257
00:11:19,262 --> 00:11:22,408
SECOND, I PUT WAY MORE INTO THIS
PLACE THAN I COULD POSSIBLY AFFORD.
258
00:11:22,432 --> 00:11:25,533
AND I DON'T WANT MY SHIT
GETTING DESTROYED, CAPISCE?
259
00:11:25,568 --> 00:11:28,503
- LET'S GO.
- (Turtle groans)
260
00:11:28,538 --> 00:11:30,583
OH, QUIT WHINGING, YOU PUSSY.
261
00:11:30,607 --> 00:11:33,240
YOU'RE BOXING MY
CUTLERY AFTER THIS.
262
00:11:34,877 --> 00:11:36,844
YOU REALLY THINK THAT
WAS THE ONLY PRINT?
263
00:11:36,879 --> 00:11:39,825
MY SPANISH ISN'T GREAT, BUT I BELIEVE
THAT'S WHAT THE EDITOR WAS SAYING.
264
00:11:39,849 --> 00:11:42,216
SO WHAT ARE OUR OPTIONS
IF WE DON'T FIND HIM?
265
00:11:42,251 --> 00:11:44,730
- WE GET A NEW EDITOR,
START OVER.
- THAT COULD TAKE MONTHS.
266
00:11:44,754 --> 00:11:48,055
THAT'S WHY WE GOT TO FIND
HIM. THIS IS IT RIGHT HERE.
267
00:11:50,526 --> 00:11:52,626
(low volume TV playing)
268
00:11:55,097 --> 00:11:57,130
- HELLO, KAT.
- HEY, VINCE.
269
00:11:57,166 --> 00:11:59,900
- E.
- HOW ARE YOU?
270
00:11:59,935 --> 00:12:03,036
BILLY'S MA IS STAYING WITH
US, SO AS GOOD AS I CAN BE.
271
00:12:03,072 --> 00:12:05,473
Woman: CLOSE THE DOOR,
THERE'S A CHILL COMING THROUGH.
272
00:12:05,508 --> 00:12:07,842
IT'S 80° OUT.
273
00:12:07,877 --> 00:12:09,555
SHE'S ALWAYS COMPLAINING.
274
00:12:09,579 --> 00:12:11,545
WHAT DID YOU JUST SAY
ABOUT ME, YOU LITTLE SLUT?
275
00:12:11,581 --> 00:12:14,915
HEY, THIS IS MY HOUSE. DON'T
FUCKING TALK TO ME THAT WAY, BITCH!
276
00:12:14,950 --> 00:12:17,385
- FUCK YOU!
- FUCK YOU!
277
00:12:17,420 --> 00:12:18,919
MY GOD.
278
00:12:18,954 --> 00:12:22,456
MAN, I'M SORRY. THE
WOMAN IS CRAZY, YOU KNOW?
279
00:12:22,492 --> 00:12:25,003
SO, WHAT'S GOING ON WITH
YOU GUYS? EVERYTHING OKAY?
280
00:12:25,027 --> 00:12:26,494
YEAH, WE'RE LOOKING FOR BILLY.
281
00:12:26,529 --> 00:12:28,407
WASN'T HE GONNA MEET YOU
GUYS FOR THE SCREENING?
282
00:12:28,431 --> 00:12:30,264
WELL, YEAH, HE WAS. BUT HE LEFT
283
00:12:30,299 --> 00:12:31,810
- AND HE TOOK
THE MOVIE WITH HIM.
- OH.
284
00:12:31,834 --> 00:12:33,579
WELL, I DON'T KNOW WHERE HE IS.
285
00:12:33,603 --> 00:12:35,681
THOUGH HE WAS A LITTLE DOWN
WHEN HE LEFT HERE THIS MORNING.
286
00:12:35,705 --> 00:12:38,572
HE WAS? WE SPOKE TO HIM
LAST NIGHT, HE SOUNDED GREAT.
287
00:12:38,608 --> 00:12:41,319
YEAH, HE SCREENED THE MOVIE
LAST NIGHT FOR ME AND HIS MOTHER
288
00:12:41,343 --> 00:12:42,721
AND I THINK IT SOURED HIM.
289
00:12:42,745 --> 00:12:45,345
- YOU SAW THE MOVIE?
- OH YEAH, A BUNCH OF TIMES.
290
00:12:45,381 --> 00:12:47,014
WAS IT GOOD?
291
00:12:47,049 --> 00:12:48,883
OH, I CAN'T SAY.
292
00:12:48,918 --> 00:12:51,229
- YOU CAN'T SAY
IF IT WAS GOOD?
- E, I CAN'T SAY ANYTHING.
293
00:12:51,253 --> 00:12:53,098
BILLY WOULD KILL
ME IF I SAID ANYTHING,
294
00:12:53,122 --> 00:12:55,856
AND YOU KNOW, I'D NEVER
BETRAY BILLY THAT WAY.
295
00:12:55,892 --> 00:12:57,636
SO WHY WAS HE SO
DOWN THIS MORNING?
296
00:12:57,660 --> 00:12:59,605
BECAUSE OF WHAT SHE
SAID, FUCKING COOZE.
297
00:12:59,629 --> 00:13:01,796
- SHE DIDN'T LIKE IT.
- (cell phone rings)
298
00:13:01,831 --> 00:13:04,665
OH, THAT'S HIM.
299
00:13:04,700 --> 00:13:06,512
HEY BABY, WHERE ARE YOU?
300
00:13:06,536 --> 00:13:09,036
YEAH, VINCE AND E
ARE, LIKE, FREAKING OUT.
301
00:13:09,071 --> 00:13:11,583
NO, I DIDN'T CALL
THEM, BABY. BABY...
302
00:13:11,607 --> 00:13:14,341
WHERE ARE YOU? CALM DOWN.
303
00:13:14,376 --> 00:13:16,343
BABY?
304
00:13:17,379 --> 00:13:19,747
HE HUNG UP. HE'S DRUNK.
305
00:13:19,782 --> 00:13:22,494
HE SAID HE'S AT THE ONLY PLACE
WHERE PEOPLE REALLY LOVE HIM.
306
00:13:22,518 --> 00:13:24,785
ANY IDEA WHERE THAT MIGHT BE?
307
00:13:24,821 --> 00:13:27,888
YEAH, THE BODY SHOP, PROBABLY.
308
00:13:27,924 --> 00:13:29,568
- THANKS, KAT.
- SEE YOU, KAT.
309
00:13:29,592 --> 00:13:31,291
WE'LL SEE YOU LATER.
310
00:13:34,129 --> 00:13:36,396
- HEY, FRIDA.
- YEAH, HE'S IN WITH SOMEONE.
311
00:13:36,432 --> 00:13:38,410
OH, IT'S FINE. I'LL
TELL HIM IT'S FINE.
312
00:13:38,434 --> 00:13:40,601
JEFFREY!
313
00:13:40,636 --> 00:13:43,170
- ARI.
- HEY, YOUR OFFICE SAID YOU
DIDN'T WANT TO SEE ME.
314
00:13:43,205 --> 00:13:45,016
I JUST SAW YOU FOR A
CLEANING LAST WEEK.
315
00:13:45,040 --> 00:13:47,352
- NO, IT'S NOT FOR
MY TEETH, JEFF.
- OH NO, WHAT THEN?
316
00:13:47,376 --> 00:13:49,810
THEY'VE GIVING JONAH A
HARD TIME OVER AT SCHOOL.
317
00:13:49,846 --> 00:13:51,378
- HARD TIME, HUH?
- YEAH.
318
00:13:51,413 --> 00:13:53,592
HE HIT A KID WITH A
RULER AT HIS EVALUATION.
319
00:13:53,616 --> 00:13:55,461
NOW THEY'RE TELLING
ME HE MAY NOT GET IN.
320
00:13:55,485 --> 00:13:57,017
I SEE.
321
00:13:57,052 --> 00:13:59,453
UH, YOU KNOW, YOU'RE ON
THE BOARD AND I NEED HELP.
322
00:13:59,489 --> 00:14:01,956
I REALLY... REALLY CAN'T, ARI.
323
00:14:01,991 --> 00:14:03,691
WHAT DO YOU... WHAT
DO YOU MEAN, YOU CAN'T?
324
00:14:03,726 --> 00:14:06,137
I CAN'T EVEN TALK
ABOUT THIS, ARI.
325
00:14:06,161 --> 00:14:08,462
TALK ABOUT WHAT? YOU ALREADY
KNOW SOMETHING ABOUT THIS?
326
00:14:08,498 --> 00:14:10,865
- ARI, I'M WITH A PATIENT.
- JEFF JEFF JEFF JEFF...
327
00:14:10,900 --> 00:14:13,767
I'M THE GUY THAT GOT LINDSAY LOHAN
TO SCREEN "MEAN GIRLS" AT THE SCHOOL
328
00:14:13,803 --> 00:14:15,603
WHEN YOU BEGGED.
329
00:14:15,638 --> 00:14:17,850
I'M THE GUY THAT GOT LIL' BOW WOW
AT YOUR DAUGHTER'S BAT MITZVAH.
330
00:14:17,874 --> 00:14:19,317
- ARI.
- I'M THE GUY THAT KNOWS
331
00:14:19,341 --> 00:14:21,353
YOU GOT A LITTLE SKANK YOU
KEEP ON THE WILSHIRE CORRIDOR.
332
00:14:21,377 --> 00:14:23,143
THIS STAYS HERE.
333
00:14:23,178 --> 00:14:25,618
WHAT ARE YOU NOT TELLING ME?
334
00:14:28,050 --> 00:14:30,428
LOOK, I GOT TWO MORE KIDS
THAT I GOT TO GET INTO SCHOOL.
335
00:14:30,452 --> 00:14:33,186
BEING ON THE BOARD ALONE
DOES NOT GUARANTEE THAT.
336
00:14:33,222 --> 00:14:35,367
YOU NEED TO TALK TO THE
HEADMASTER ABOUT THIS.
337
00:14:35,391 --> 00:14:37,290
ABOUT WHAT?
338
00:14:38,460 --> 00:14:40,060
GOODBYE.
339
00:14:40,095 --> 00:14:43,697
THE RULER INCIDENT IS NOT
YOUR SON'S ONLY PROBLEM.
340
00:14:43,733 --> 00:14:47,134
- WHAT ARE YOU TALKING ABOUT?
- TALK TO ANDREW PRESTON.
341
00:14:47,169 --> 00:14:49,302
PLEASE, I CANNOT SAY
ANYTHING MORE. I AM SORRY...
342
00:14:49,338 --> 00:14:51,839
- BUT...
- I AM SORRY.
343
00:14:51,874 --> 00:14:53,340
(yawns)
344
00:14:53,375 --> 00:14:55,353
HOPE YOU HAD A NICE NAP, TURTLE.
345
00:14:55,377 --> 00:14:56,810
WHAT'S THE PROBLEM?
346
00:14:56,846 --> 00:14:58,546
YOU LOOK LIKE YOU GOT
IT ALL UNDER CONTROL.
347
00:14:58,581 --> 00:15:00,414
I GOTTA GET REST IF
WE'RE GONNA GO ALL NIGHT.
348
00:15:00,449 --> 00:15:02,115
- ALL NIGHT?
- HA.
349
00:15:02,151 --> 00:15:03,529
- LET'S HOPE SO.
- WHATEVER.
350
00:15:03,553 --> 00:15:05,397
JUST GET OVER HERE AND
GIVE ME A HAND WITH THIS.
351
00:15:05,421 --> 00:15:07,298
YOU'RE TAKING DOWN
THE LIGHT FIXTURE?
352
00:15:07,322 --> 00:15:10,168
IT'S A CHANDELIER, AND YES, I DON'T
WANT ANYONE SWINGING FROM IT.
353
00:15:10,192 --> 00:15:12,960
- YOU GOT IT AT IKEA.
- WHATEVER, JUST GRAB IT.
354
00:15:12,995 --> 00:15:15,073
HOLD ON, I GOT TO TAKE A PISS.
355
00:15:15,097 --> 00:15:17,598
6-2-4-9-8-7.
356
00:15:17,633 --> 00:15:20,300
- HUH?
- 6-2-4-9-8-7.
357
00:15:20,335 --> 00:15:22,302
IT'S THE COMBO.
358
00:15:26,842 --> 00:15:28,308
ARE YOU FUCKING SERIOUS?
359
00:15:28,343 --> 00:15:30,022
DEADLY SERIOUS, TURTLE.
360
00:15:30,046 --> 00:15:31,957
YOU ARE RUINING
THIS PARTY, DRAMA.
361
00:15:31,981 --> 00:15:33,892
BY STOPPING 200 PEOPLE
FROM SHITTING ON MY TOILET?
362
00:15:33,916 --> 00:15:36,762
- I DON'T THINK I'M
RUINING ANYTHING.
- WHO SHITS AT A PARTY?
363
00:15:36,786 --> 00:15:38,418
WELL, EVEN JUST PISS.
364
00:15:38,454 --> 00:15:40,888
WHAT DO DRUNK PEOPLE
DO? THEY PISS AND THEY MISS.
365
00:15:40,923 --> 00:15:43,591
THAT'S IMPORTED ITALIAN
LIMESTONE IN THERE.
366
00:15:43,626 --> 00:15:45,604
IT'S POROUS AND IT'S
NOT GETTING PISSED ON.
367
00:15:45,628 --> 00:15:48,106
SO WHERE IS EVERYONE SUPPOSED
TO GO, HUH? OFF THE BALCONY?
368
00:15:48,130 --> 00:15:50,430
DON'T BE RETARDED. I GOT
PORTA-POTTIES COMING.
369
00:15:50,466 --> 00:15:52,032
YOU DO NOT.
370
00:15:52,068 --> 00:15:54,935
I DO TOO. IN FACT, THEY
SHOULD BE HERE ANY MINUTE.
371
00:15:54,971 --> 00:15:57,104
- SO WHY DON'T YOU HOLD IT?
- FUCK THAT!
372
00:15:57,139 --> 00:15:58,973
I'M NOT HOLDING SHIT.
373
00:15:59,008 --> 00:16:01,341
DO YOU REMEMBER THE COMBO?
374
00:16:01,376 --> 00:16:03,655
I WILL PISS ALL OVER
YOUR PLASMA, DRAMA.
375
00:16:03,679 --> 00:16:05,879
I SWEAR TO GOD.
376
00:16:05,915 --> 00:16:08,515
6-2-4-9-8-7.
377
00:16:08,550 --> 00:16:10,161
AND WASH YOUR HANDS THOROUGHLY.
378
00:16:10,185 --> 00:16:11,863
WE GOT TO WRAP
UP MY FRETTE LINENS.
379
00:16:11,887 --> 00:16:13,531
LET'S JUST DO THIS
THING AT VINCE'S HOTEL.
380
00:16:13,555 --> 00:16:15,555
TURTLE, IT'S MY BABY BRO'S PARTY
381
00:16:15,591 --> 00:16:17,357
AND I'M HOSTING IT.
382
00:16:17,392 --> 00:16:19,559
DO YOU REALLY THINK I WOULD
NOT LET IT BE OFF THE HOOK?
383
00:16:19,595 --> 00:16:22,229
NOW STOP IT. IT'S
GONNA BE PERFECT.
384
00:16:22,264 --> 00:16:25,833
30 MORE MINUTES, THIS
PLACE WILL BE INDESTRUCTIBLE.
385
00:16:25,868 --> 00:16:27,200
(motor whirrs)
386
00:16:27,236 --> 00:16:29,536
WHY ARE YOU WORRIED
ABOUT WHAT HIS MOTHER SAYS?
387
00:16:29,571 --> 00:16:31,116
'CAUSE SHE'S THE
ONLY ONE WHO'S SEEN IT.
388
00:16:31,140 --> 00:16:32,840
SHE HATED "QUEENS BOULEVARD."
389
00:16:32,875 --> 00:16:35,175
- THAT'S TRUE.
- SO RELAX.
390
00:16:35,210 --> 00:16:37,544
(cell phone rings)
391
00:16:37,579 --> 00:16:39,713
- MARVIN.
- DEEP BREATH.
392
00:16:39,749 --> 00:16:41,048
HELLO?
393
00:16:41,083 --> 00:16:44,384
IT'S YOUR UNDERAPPRECIATED
MONEY MANAGER, ERIC.
394
00:16:44,419 --> 00:16:45,919
HA, WE APPRECIATE YOU, MARVIN.
395
00:16:45,955 --> 00:16:48,522
THEN HOW COME YOU DON'T
LISTEN TO A FUCKING WORD I SAY?
396
00:16:48,557 --> 00:16:50,190
WILL YOU STOP
YELLING AT ME, MARVIN?
397
00:16:50,225 --> 00:16:51,803
$1200 a night
on a hotel suite...
398
00:16:51,827 --> 00:16:53,672
ARE YOU OUT OF
YOUR FUCKING MIND?
399
00:16:53,696 --> 00:16:55,562
RELAX, MARVIN. IT'S
ONLY TEMPORARY.
400
00:16:55,597 --> 00:16:57,876
Temporary? Yeah,
I'll say it's temporary.
401
00:16:57,900 --> 00:17:00,034
TILL THEY THROW
YOU OUT ON YOUR ASS!
402
00:17:00,069 --> 00:17:01,969
YOU GUYS HAVE NO MONEY!
403
00:17:02,004 --> 00:17:03,949
Why do you think I told
you to get back from Italy?
404
00:17:03,973 --> 00:17:05,083
- I KNOW.
- Hey, listen.
405
00:17:05,107 --> 00:17:07,741
THIS IS NOT CONSERVATIVE
MARVIN TALKING.
406
00:17:07,777 --> 00:17:12,579
THIS IS YOU-ARE-REALLY-
AND-TRULY-BROKE MARVIN TALKING.
407
00:17:12,614 --> 00:17:17,084
- Living on Vince's
Black Card is insane.
- I KNOW.
408
00:17:17,119 --> 00:17:18,652
SO DOES ARI HAVE A JOB?
409
00:17:18,688 --> 00:17:20,498
WE GOT TO WAIT TILL
WE SEE THE MOVIE.
410
00:17:20,522 --> 00:17:22,300
- Did you see it?
- WE'RE SEEING IT TODAY.
411
00:17:22,324 --> 00:17:24,024
- THERE HE IS.
- When?
412
00:17:24,060 --> 00:17:26,038
- RIGHT NOW.
- CALL ME WHEN IT'S OVER... HELLO?
413
00:17:26,062 --> 00:17:27,427
Vince: BILLY.
414
00:17:28,998 --> 00:17:31,609
HEY, VINCE. I DIDN'T KNOW
YOU WERE BACK IN TOWN.
415
00:17:31,633 --> 00:17:32,878
- HEY.
- NO CALL?
416
00:17:32,902 --> 00:17:35,635
- SORRY, MIA.
- Eric: BILLY!
417
00:17:36,872 --> 00:17:40,273
(laughs) I MEAN,
THIS IS JUST SILLY.
418
00:17:40,309 --> 00:17:41,920
WELL, DO YOU THINK
IT'S HIS READING?
419
00:17:41,944 --> 00:17:43,889
I KNOW IT IS. WE DON'T
DO ENOUGH OF IT.
420
00:17:43,913 --> 00:17:46,091
- WELL I TRY.
- A LITTLE LESS
"GREY'S ANATOMY,"
421
00:17:46,115 --> 00:17:47,926
A LITTLE MORE "GOODNIGHT
MOON," PERHAPS.
422
00:17:47,950 --> 00:17:50,450
- YOU'RE BLAMING ME?
- No, I'm blaming me
423
00:17:50,485 --> 00:17:53,131
WHO COMES HOME WITH 40 SCRIPTS
A NIGHT AFTER WORKING A FULL DAY.
424
00:17:53,155 --> 00:17:55,133
HEY, YOU KNOW WHAT? I'LL
READ ONE OF THOSE TO HIM.
425
00:17:55,157 --> 00:17:57,357
TONIGHT I GOT "SAW
IV." HE'LL LOVE IT.
426
00:17:57,392 --> 00:17:58,926
- Ari!
- BABY, DON'T WORRY.
427
00:17:58,961 --> 00:18:00,706
I WILL SAVE THE DAY AS USUAL.
428
00:18:00,730 --> 00:18:03,697
EXCUSE ME, SIR. CELL PHONES ARE
NOT PERMITTED ON SCHOOL GROUNDS.
429
00:18:03,733 --> 00:18:05,899
LET ME CALL YOU BACK.
ANDREW PRESTON?
430
00:18:05,935 --> 00:18:08,635
- ARI GOLD.
- JUST THE MAN
I WAS LOOKING FOR.
431
00:18:08,670 --> 00:18:10,648
SORRY ABOUT THE
PHONE... BUSINESS CALL.
432
00:18:10,672 --> 00:18:12,906
IT IS A WEDNESDAY AFTER ALL.
433
00:18:12,942 --> 00:18:14,975
WELL, WHAT CAN I DO
FOR YOU, MR. GOLD?
434
00:18:15,010 --> 00:18:17,477
WELL, UH, I'M SORRY
TO BOTHER YOU.
435
00:18:17,512 --> 00:18:20,658
IT'S JUST THAT I HAD A MEETING WITH
YOUR EXECUTIVE ASSISTANT TODAY.
436
00:18:20,682 --> 00:18:21,960
- UH-HUH?
- AND...
437
00:18:21,984 --> 00:18:24,162
LOOK, I UNDERSTAND THAT
THE EVALUATION FOR MY SON
438
00:18:24,186 --> 00:18:25,831
DIDN'T GO AS WELL AS EXPECTED,
439
00:18:25,855 --> 00:18:28,421
BUT I NEED TO ASSURE
YOU THAT MY WIFE AND I
440
00:18:28,457 --> 00:18:30,724
ARE COMMITTED TO
DOING WHATEVER IT TAKES
441
00:18:30,760 --> 00:18:32,871
- TO BRING OUR SON
UP TO SPEED.
- MM-HM.
442
00:18:32,895 --> 00:18:34,995
I MEAN, PERHAPS HE IS A
LITTLE BEHIND ON HIS READING
443
00:18:35,030 --> 00:18:37,131
BUT I MEAN, HEY,
HE'S NOT EVEN SIX YET.
444
00:18:37,166 --> 00:18:39,133
OKAY? YOU CAN'T REALLY
JUDGE HIM ON HIS READING.
445
00:18:39,168 --> 00:18:41,034
I MEAN, AT SIX I WAS DYSLEXIC.
446
00:18:41,070 --> 00:18:42,848
ALL RIGHT, YOU WOULD HAVE
THROWN ME OUT IN THE COLD.
447
00:18:42,872 --> 00:18:44,716
LOOK AT ME NOW. I'M LIKE THE
POSTER BOY FOR THIS PLACE.
448
00:18:44,740 --> 00:18:46,218
- IT'S NOT HIS READING.
- WHAT IS IT THEN?
449
00:18:46,242 --> 00:18:48,220
HIS RHYMING, HIS
FINE MOTOR SKILLS?
450
00:18:48,244 --> 00:18:49,888
- IT'S NONE OF THAT.
- WHAT IS IT?
451
00:18:49,912 --> 00:18:52,057
I CAN'T DISCUSS IT UNTIL
THE PROCESS IS COMPLETE.
452
00:18:52,081 --> 00:18:53,725
- YOU UNDERSTAND.
- ACTUALLY I DON'T.
453
00:18:53,749 --> 00:18:54,882
UH, MR. GOLD...
454
00:18:54,917 --> 00:18:58,351
MR. PRESTON, I HAVE
SPENT OVER $200,000
455
00:18:58,387 --> 00:19:00,498
IN TUITION OVER THE
PAST EIGHT YEARS,
456
00:19:00,522 --> 00:19:02,089
ANOTHER 50 OR SO IN DONATIONS.
457
00:19:02,124 --> 00:19:04,357
MY WIFE HAS SERVED ON
50 DIFFERENT COMMITTEES.
458
00:19:04,393 --> 00:19:07,505
ALL RIGHT, THAT'S TWO LESS DAYS A
WEEK SHE GETS TO BARRY'S BOOT CAMP.
459
00:19:07,529 --> 00:19:11,131
SHE SACRIFICES HER BODY... OBVIOUSLY
A SACRIFICE THAT I MAKE AS WELL,
460
00:19:11,167 --> 00:19:12,978
ALL FOR THE GOOD OF THIS SCHOOL.
461
00:19:13,002 --> 00:19:16,248
NOW, WHY DON'T YOU TELL ME WHAT
TYPE OF NEW DONATION I HAVE TO MAKE
462
00:19:16,272 --> 00:19:18,250
TO ENSURE THAT I NEVER
HAVE TO THINK ABOUT
463
00:19:18,274 --> 00:19:20,974
ANY TYPE OF LIMITATIONS
YOU THINK MY SON HAS.
464
00:19:21,010 --> 00:19:22,409
LOOK, MR. GOLD, THE THING IS...
465
00:19:22,444 --> 00:19:24,144
- $20,000.
- MR. GOLD.
466
00:19:24,180 --> 00:19:26,113
- $30,000!
- MR. GOLD...
467
00:19:26,148 --> 00:19:28,215
IT IS NOT YOUR SON.
468
00:19:28,250 --> 00:19:30,550
IT IS HIS FATHER:
469
00:19:30,585 --> 00:19:34,065
A CELL PHONE ON YOUR EAR EVERY TIME
I SEE YOU WALK THROUGH THESE HALLS...
470
00:19:34,089 --> 00:19:36,101
A FOUL MOUTH ON THE SOCCER FIELD
471
00:19:36,125 --> 00:19:38,203
EVERY TIME I SEE YOU
ROOT FOR YOUR DAUGHTER.
472
00:19:38,227 --> 00:19:41,572
THIS SCHOOL HAS SIMPLY DECIDED THAT
YOUR DAUGHTER HAS ONLY FOUR YEARS LEFT.
473
00:19:41,596 --> 00:19:44,898
BUT IF WE ADMIT YOUR SON, THAT MEANS
MORE THAN A DECADE LEFT WITH YOU.
474
00:19:45,935 --> 00:19:47,400
GOOD DAY.
475
00:19:47,436 --> 00:19:50,103
(rock music playing)
476
00:19:58,513 --> 00:20:01,315
- (teacher talking)
- DADDY.
477
00:20:01,350 --> 00:20:04,184
- GET YOUR STUFF, SWEETHEART.
- EVERYTHING OKAY, MR. GOLD?
478
00:20:04,220 --> 00:20:06,031
WHAT'S GOING ON, DADDY?
479
00:20:06,055 --> 00:20:08,166
NOTHING, SWEETHEART, YOU JUST
NO LONGER GO TO SCHOOL HERE.
480
00:20:08,190 --> 00:20:09,756
WHAT?
481
00:20:09,791 --> 00:20:11,825
(rap music playing)
482
00:20:25,241 --> 00:20:28,441
HEY, DON'T BE AFRAID
TO USE A COASTER, PAL.
483
00:20:28,477 --> 00:20:31,879
HEY ASSHOLE! THERE'S
NOTHING IN THE SUB-ZERO.
484
00:20:31,914 --> 00:20:34,181
THERE'S NO NEED TO EVEN OPEN IT.
485
00:20:34,216 --> 00:20:36,049
FUCKING ANIMALS.
486
00:20:36,085 --> 00:20:38,318
SO IS IT LIKE THE MOVIES?
YOU KNOW, WHERE THE GIRLS
487
00:20:38,354 --> 00:20:40,820
MAKE YOU DO ALL SORTS OF CRAZY
THINGS TO GET INTO A SORORITY?
488
00:20:40,856 --> 00:20:44,657
OH YEAH. THEY DIDN'T LET US SLEEP
FOR 24 HOURS ON INITIATION NIGHT.
489
00:20:44,693 --> 00:20:47,060
NO, I MEANT LIKE
CRAZY SEXUAL THINGS.
490
00:20:48,797 --> 00:20:50,497
WE CAN SELL MY CAR.
491
00:20:50,532 --> 00:20:52,510
NO, IT'S IMPORTANT TO
KEEP UP APPEARANCES.
492
00:20:52,534 --> 00:20:54,234
GREAT. 'CAUSE I LOVE THAT CAR.
493
00:20:54,270 --> 00:20:56,703
(laughs) WE ARE ALL GOOD.
494
00:20:56,738 --> 00:20:58,716
WE KNOW THE MOVIE'S
GREAT. WE WERE THERE.
495
00:20:58,740 --> 00:21:01,152
- YEAH, WE WERE.
- HEY, HOW WAS YOUR DAY? MINE SUCKED
496
00:21:01,176 --> 00:21:03,743
AND NO ONE CALLED ME ALL
DAY. DID YOU SEE THE MOVIE?
497
00:21:03,779 --> 00:21:05,979
- I'M GONNA CALL WALSH AGAIN.
- WHAT?
498
00:21:06,015 --> 00:21:08,748
- IS THERE A PROBLEM?
- Drama: HEY, SHOES OFF, ARI!
499
00:21:08,784 --> 00:21:10,951
HEY, FUCK YOU, DRAMA!
500
00:21:10,986 --> 00:21:13,921
HEY BILLY. IT'S E.
501
00:21:13,956 --> 00:21:16,089
Look, I'm calling for Vince.
502
00:21:16,125 --> 00:21:18,025
I know you hate me, Billy.
503
00:21:18,060 --> 00:21:20,972
VINCE PUT HIS ENTIRE CAREER ON
THE LINE FOR THIS MOVIE AND FOR YOU...
504
00:21:20,996 --> 00:21:23,663
AND ALL OF HIS
MONEY. HE'S GOT NONE.
505
00:21:23,698 --> 00:21:25,933
AND HE CAN'T GET A JOB
UNTIL PEOPLE SEE THIS.
506
00:21:25,968 --> 00:21:28,335
So I'm not asking
anything for me, Billy,
507
00:21:28,370 --> 00:21:30,070
but for Vince.
508
00:21:30,105 --> 00:21:32,472
What does Vince have
to do to see this movie?
509
00:21:32,507 --> 00:21:34,908
(beeps)
510
00:21:34,944 --> 00:21:37,777
HE HAS TO BE GENTLE, SUIT.
511
00:21:44,253 --> 00:21:46,531
- JUST CALM DOWN.
- DON'T TELL ME TO
CALM DOWN, TURTLE.
512
00:21:46,555 --> 00:21:48,900
SOMEONE'S IN MY BATHROOM AND I
WANT TO KNOW HOW THEY GOT IN THERE.
513
00:21:48,924 --> 00:21:51,558
- DON'T LOOK AT ME.
- DON'T LOOK AT YOU?
514
00:21:51,593 --> 00:21:54,027
THAT'S A NICKEL-PLATED
MASTER LOCK
515
00:21:54,063 --> 00:21:55,895
WITH HARDENED STEEL SHACKLES.
516
00:21:55,931 --> 00:21:58,198
IT'S IMPOSSIBLE TO GET IN
THERE WITHOUT A COMBO!
517
00:21:58,233 --> 00:22:00,211
MAYBE DAVID
COPPERFIELD IS IN THERE.
518
00:22:00,235 --> 00:22:02,035
OH, THAT'S FUNNY.
519
00:22:11,380 --> 00:22:13,813
SHE PROMISED TO
SHOW ME HER TITS.
520
00:22:13,849 --> 00:22:16,083
FUCKING SELLOUT.
521
00:22:17,119 --> 00:22:18,418
WHAT'S THE PROBLEM, JOHNNY?
522
00:22:18,454 --> 00:22:20,420
NO PROBLEM, BRO.
HAVING THE TIME OF MY LIFE.
523
00:22:20,456 --> 00:22:22,696
- YOU HAVING A GOOD TIME?
- GREAT TIME, GREAT TIME.
524
00:22:22,724 --> 00:22:25,203
- LISTEN, WE'RE GONNA
TAKE OFF, ALL RIGHT?
- YOU LEAVING?
525
00:22:25,227 --> 00:22:27,560
YEAH, WALSH PROMISED TO
SHOW US THE MOVIE RIGHT NOW.
526
00:22:27,596 --> 00:22:29,707
I DON'T WANT HIM TO CHANGE HIS
MIND... YOU UNDERSTAND, RIGHT?
527
00:22:29,731 --> 00:22:31,176
YEAH, I UNDERSTAND, BRO.
528
00:22:31,200 --> 00:22:33,078
HAVE A GOOD TIME.
GOOD LUCK, GOOD LUCK.
529
00:22:33,102 --> 00:22:35,146
- SEE YOU GUYS LATER.
- ALL RIGHT, E. SEE YOU LATER, BUDDY.
530
00:22:35,170 --> 00:22:37,148
BYE-BYE NOW. I'LL SEE YOU GUYS.
531
00:22:37,172 --> 00:22:39,706
BYE, YOU GUYS. BYE, BYE.
532
00:22:43,178 --> 00:22:44,378
EVERYONE!
533
00:22:44,413 --> 00:22:46,779
I HAVE AN ANNOUNCEMENT TO MAKE!
534
00:22:46,815 --> 00:22:49,249
GET THE FUCK OUT.
535
00:22:49,284 --> 00:22:50,783
(music stops)
536
00:22:50,819 --> 00:22:52,597
- (all chuckling)
- NO, I'M SERIOUS.
537
00:22:52,621 --> 00:22:54,754
THE PARTY'S OVER.
GET THE FUCK OUT!
538
00:22:54,789 --> 00:22:56,823
AND HEAD OVER TO MY HOUSE!
539
00:22:56,858 --> 00:22:59,159
AFTER-PARTY AT VINNIE
CHASE'S HOTEL ROOM!
540
00:22:59,194 --> 00:23:01,161
(all scream)
541
00:23:10,839 --> 00:23:13,140
- BILLY.
- NO WORDS NECESSARY.
542
00:23:13,175 --> 00:23:16,109
ROLL IT, RAUL. ENJOY.
543
00:23:17,513 --> 00:23:19,833
I'LL BE THROWING
UP IN THE ALLEY.
544
00:23:22,284 --> 00:23:23,583
HEY.
545
00:23:25,354 --> 00:23:27,487
(orchestration begins)
546
00:23:35,464 --> 00:23:37,830
(rock music blasting)
547
00:23:47,676 --> 00:23:50,277
I MEAN, A PERSON IS ONLY
AS GOOD AS THEIR WORD.
548
00:23:50,312 --> 00:23:53,246
I MEAN, WITHOUT THAT
WE'D JUST BE ANIMALS.
549
00:23:53,282 --> 00:23:55,482
FINE.
550
00:23:55,517 --> 00:23:57,484
YOU HAPPY?
551
00:23:57,519 --> 00:24:00,153
SADLY, I'M VERY HAPPY.
552
00:24:00,189 --> 00:24:01,488
ANYBODY SEEN DRAMA?
553
00:24:01,523 --> 00:24:03,234
EXCUSE ME, EXCUSE
ME. GET OUT OF THE WAY.
554
00:24:03,258 --> 00:24:05,336
Drama: MAJOR MOTION PICTURE.
IT'S A LITTLE SOMETHING...
555
00:24:05,360 --> 00:24:06,726
JOHNNY DRAMA, JOHNNY DRAMA.
556
00:24:06,761 --> 00:24:08,962
SOMEONE DID SOMETHING
REALLY HORRIBLE IN THE BATHROOM.
557
00:24:08,997 --> 00:24:11,864
YEAH? WHAT DO YOU WANT
ME TO DO ABOUT IT, BRO?
558
00:24:13,502 --> 00:24:15,868
HEY, LLOYD, NICE SWEATER, BABY.
559
00:24:15,904 --> 00:24:17,882
- WHAT'S UP, DRAMA?
- HOW ARE YOU, PAL?
560
00:24:17,906 --> 00:24:20,440
GOOD, MAN. HONEY, HOLD THIS.
561
00:24:23,011 --> 00:24:26,679
(laughing) HYSTERICAL.
562
00:24:26,715 --> 00:24:29,416
(exploding)
563
00:24:35,957 --> 00:24:38,191
(music playing)
564
00:24:44,833 --> 00:24:47,134
(music ends)
565
00:24:54,476 --> 00:24:56,709
PLEASE SAY SOMETHING.
566
00:24:56,745 --> 00:24:59,513
AH... I'M BLOWN AWAY, BILLY.
567
00:24:59,548 --> 00:25:01,148
- BAH!
- (laughing)
568
00:25:01,183 --> 00:25:04,050
OH YOU! AH!
569
00:25:05,287 --> 00:25:06,453
SUIT?
570
00:25:06,488 --> 00:25:08,988
- GREAT JOB, BILLY.
- GOD, YOU LITTLE...!
571
00:25:09,024 --> 00:25:11,391
- AW, YOU LITTLE...
- (Eric laughing)
572
00:25:11,426 --> 00:25:14,194
- AH!
- HEY HEY.
573
00:25:14,229 --> 00:25:15,573
- YEAH!
- YEAH!
574
00:25:15,597 --> 00:25:17,930
(both screaming)
575
00:25:22,271 --> 00:25:24,081
SO WE'RE ON THE
SAME PAGE, RIGHT?
576
00:25:24,105 --> 00:25:26,551
- YOU WERE JUST BEING
NICE TO BILLY.
- WHAT DO YOU MEAN?
577
00:25:26,575 --> 00:25:28,353
I MEAN, YOU DIDN'T REALLY
LIKE THE MOVIE, DID YOU?
578
00:25:28,377 --> 00:25:30,009
I THOUGHT IT WAS
AMAZING. YOU DIDN'T?
579
00:25:30,045 --> 00:25:31,545
I THOUGHT IT SUCKED.
580
00:25:31,580 --> 00:25:33,547
- REALLY?
- REALLY.
581
00:25:33,582 --> 00:25:35,582
(cell phone rings)
582
00:25:35,617 --> 00:25:37,850
HEY, WHAT'S UP, TURTLE?
583
00:25:39,788 --> 00:25:41,921
GREAT, NO, THAT'S
FUCKING AWESOME.
584
00:25:41,956 --> 00:25:43,156
WHAT HAPPENED?
585
00:25:43,192 --> 00:25:44,902
THEY HAD AN
AFTER-PARTY AT THE HOTEL.
586
00:25:44,926 --> 00:25:47,372
ANTHONY MICHAEL HALL PISSED OFF
THE BALCONY AND WE GOT THROWN OUT.
587
00:25:47,396 --> 00:25:49,162
- NICE.
- SO WHAT DO YOU WANT TO DO?
588
00:25:49,198 --> 00:25:50,697
WE'LL CRASH AT JOHNNY'S TONIGHT.
589
00:25:50,732 --> 00:25:52,232
SO YOU REALLY DIDN'T LIKE IT?
590
00:25:52,267 --> 00:25:53,700
I REALLY DIDN'T.
591
00:25:53,735 --> 00:25:55,134
HUH.
592
00:25:55,170 --> 00:25:59,806
(rock music playing)