1 00:00:09,176 --> 00:00:11,377 (man speaking Spanish) 2 00:00:13,814 --> 00:00:15,080 CAMERA! 3 00:00:15,116 --> 00:00:17,816 (engine starts) 4 00:00:17,851 --> 00:00:20,252 "MEDELLIN," SCENE 25, TAKE 14. 5 00:00:20,287 --> 00:00:21,753 MARK! 6 00:00:25,026 --> 00:00:27,737 Vince: "MEDELLIN" IS THE STORY OF PABLO ESCOBAR, 7 00:00:27,761 --> 00:00:30,829 ONE OF THE GREATEST OUTLAWS THE WORLD HAD EVER KNOWN. 8 00:00:30,864 --> 00:00:33,310 Man: AND WHAT ATTRACTED YOU TO THIS PROJECT? 9 00:00:33,334 --> 00:00:36,435 WHAT ATTRACTED ME TO THIS PROJECT? 10 00:00:36,470 --> 00:00:39,438 (chuckles) EVERYTHING. 11 00:00:39,473 --> 00:00:41,451 IT WAS THE SCRIPT FOR ME. YOU KNOW, THE FIRST TIME I READ IT, 12 00:00:41,475 --> 00:00:42,986 I COULDN'T PUT IT DOWN. I KNEW IT WAS A MOVIE, 13 00:00:43,010 --> 00:00:44,276 AN EXCITING MOVIE. 14 00:00:44,311 --> 00:00:46,245 WHAT ATTRACTED ME TO THIS PROJECT? 15 00:00:46,280 --> 00:00:49,515 WELL, THAT'S EASY. 16 00:00:49,550 --> 00:00:52,617 IT WAS THE BLOOD. 17 00:00:52,653 --> 00:00:54,619 (theme music playing) 18 00:02:14,634 --> 00:02:17,069 (Spanish rap playing) 19 00:02:19,573 --> 00:02:22,374 Man: ON SEPTEMBER THE 3rd, 2006, 20 00:02:22,409 --> 00:02:25,077 A COMPLETELY INDEPENDENTLY FINANCED MOVIE CREW 21 00:02:25,112 --> 00:02:27,312 SET OUT INTO THE HILLS OF COLOMBIA 22 00:02:27,347 --> 00:02:31,216 TO MAKE A MOVIE ABOUT ONE OF THE MOST FEARED DRUG LORDS IN HISTORY. 23 00:02:31,251 --> 00:02:34,186 A YOUNG DIRECTOR, FIRST-TIME PRODUCER, 24 00:02:34,221 --> 00:02:36,621 AND AN UP-AND-COMING MOVIE STAR ALL HAD ONE GOAL... 25 00:02:36,656 --> 00:02:38,123 TO MAKE SOMETHING SPECIAL. 26 00:02:38,158 --> 00:02:39,724 PEOPLE, PEOPLE! 27 00:02:39,759 --> 00:02:41,871 Man: I WAS INVITED ALONG TO DOCUMENT THE RIDE. 28 00:02:41,895 --> 00:02:44,396 GATHER ROUND! GATHER ROUND! 29 00:02:47,033 --> 00:02:49,334 EVERYONE TAKE A MOMENT. BREATHE IN THE AIR. 30 00:02:49,369 --> 00:02:53,271 FOCUS ON YOUR SURROUNDINGS. THIS IS NOW YOUR HOME. 31 00:02:53,307 --> 00:02:56,475 EVERYTHING YOU LEFT BEHIND IS BEHIND YOU. 32 00:02:56,510 --> 00:02:58,020 WHETHER IT BE YOUR WIFE, YOUR CHILDREN, 33 00:02:58,044 --> 00:03:00,912 OR YOUR FUCKING COCKER SPANIEL NAMED LUCY, NONE OF THEM MATTERS. 34 00:03:00,947 --> 00:03:04,249 THE ONLY THING THAT MATTERS IS WHAT YOU CAN SEE. 35 00:03:04,284 --> 00:03:08,220 THANK YOU. EXCUSE ME. 36 00:03:08,255 --> 00:03:10,266 Eric: I KNEW GOING INTO THIS THAT BILLY WAS GONNA BE A HANDFUL. 37 00:03:10,290 --> 00:03:13,035 IT WAS MY JOB TO HANDLE HIM AND BRING THE MOVIE IN ON BUDGET. 38 00:03:13,059 --> 00:03:14,770 Man: BUT YOU HAVE NO EXPERIENCE. 39 00:03:14,794 --> 00:03:16,761 NO, NONE, ACTUALLY. 40 00:03:16,796 --> 00:03:18,741 IN FACT, FOUR YEARS AGO, I WAS RUNNING A PIZZA PLACE IN NEW YORK. 41 00:03:18,765 --> 00:03:22,167 AND NOW THEY PUT YOU IN CHARGE OF A $30-MILLION BUDGET? 42 00:03:22,202 --> 00:03:23,901 ONLY IN HOLLYWOOD, RIGHT? 43 00:03:23,937 --> 00:03:25,881 Man: SO HOW DO YOU KNOW WHAT TO DO? 44 00:03:25,905 --> 00:03:28,451 I MEAN, YOU DON'T. YOU LEARN ON THE JOB. YOU HAVE TO. 45 00:03:28,475 --> 00:03:30,587 AND HE HAS THIS BOOK TO HELP. 46 00:03:30,611 --> 00:03:32,344 HE READS IT EVERY NIGHT. 47 00:03:32,379 --> 00:03:33,990 HE KEEPS IT UNDER HIS PILLOW. 48 00:03:34,014 --> 00:03:36,414 I HAVE READ IT ABOUT 60 TIMES. 49 00:03:36,450 --> 00:03:38,783 OKAY, NEXT SCENE UP, 50 00:03:38,818 --> 00:03:40,718 SCENE 167... 51 00:03:40,754 --> 00:03:42,854 THE STORMING OF PABLO'S PRIVATE PRISON. 52 00:03:42,889 --> 00:03:45,056 OKAY, HOW MANY EXTRAS WILL WE HAVE? 53 00:03:45,091 --> 00:03:47,659 400, JUST LIKE THE SCRIPT ASKED FOR. 54 00:03:47,694 --> 00:03:49,294 IT AIN'T ENOUGH. 55 00:03:49,329 --> 00:03:50,806 IT AIN'T ENOUGH? IT'S WHAT THE SCRIPT SAYS. 56 00:03:50,830 --> 00:03:52,342 IT AIN'T ENOUGH. IT NEEDS TO BE OVERWHELMING. 57 00:03:52,366 --> 00:03:53,909 WE NEED TO FILL THE WHOLE FRAME. 58 00:03:53,933 --> 00:03:55,745 I'D SAY ANOTHER 1,000 WILL DO IT. 59 00:03:55,769 --> 00:03:57,213 THIS IS THE REAL COLOMBIAN ARMY WE'RE GETTING HERE, BILLY. 60 00:03:57,237 --> 00:03:58,748 - WE'RE GETTING THEM CHEAP. - (phone ringing) 61 00:03:58,772 --> 00:04:00,416 CAN'T JUST THROW ANOTHER 1,000 IN THERE EVEN AT THAT PRICE. 62 00:04:00,440 --> 00:04:02,574 TURN YOUR MOTHERFUCKING CELL PHONES OFF. 63 00:04:02,609 --> 00:04:04,487 SORRY, IT'S MY BAD. THERE HASN'T BEEN ANY SERVICE. 64 00:04:04,511 --> 00:04:06,289 THAT IS THE LAST FUCKING CELL PHONE 65 00:04:06,313 --> 00:04:09,159 THAT I WANNA HEAR IN THE NEXT 45 DAYS THAT WE SPEND TOGETHER. 66 00:04:09,183 --> 00:04:10,793 I'M TELLING YOU ALL RIGHT NOW 67 00:04:10,817 --> 00:04:12,750 THAT IF ANOTHER CELL PHONE RINGS 68 00:04:12,786 --> 00:04:14,197 WHILE PROFESSIONAL ARTISTS ARE TRYING TO WORK, 69 00:04:14,221 --> 00:04:15,798 THE PERSON RESPONSIBLE FOR THAT DISTRACTION 70 00:04:15,822 --> 00:04:17,433 WILL BE DRAGGED INTO TOWN AND SOLD AS A DRUG MULE. 71 00:04:17,457 --> 00:04:21,125 DOES EVERYONE UNDERSTAND WHAT I'M SAYING? 72 00:04:21,161 --> 00:04:23,061 IT WAS MY BAD, OKAY? 73 00:04:23,096 --> 00:04:26,276 BUT THERE REALLY HASN'T BEEN ANY CELL PHONE SERVICE. I THINK THE GUY OVERREACTED. 74 00:04:26,300 --> 00:04:28,711 I MEAN, IT'S JUST A PRODUCTION MEETING. NOT LIKE I BLEW A SHOT. 75 00:04:28,735 --> 00:04:31,581 AND IT'S SUNDAY. I GOT TO GET MY FOOTBALL PICKS IN. 76 00:04:31,605 --> 00:04:33,905 I ALWAYS TRY TO STEER MY CLIENTS AWAY 77 00:04:33,940 --> 00:04:35,652 FROM WORKING WITH INEXPERIENCED DIRECTORS AND PRODUCERS, 78 00:04:35,676 --> 00:04:38,310 BECAUSE WHY TAKE A CHANCE? 79 00:04:38,345 --> 00:04:40,923 VINNIE REALLY WANTED TO DO THIS MOVIE AND THERE WAS NO STOPPING HIM. 80 00:04:40,947 --> 00:04:44,260 BUT THEN, WHEN HE WANTED TO PUT UP HIS OWN MONEY, I THOUGHT THAT WAS CRAZY, 81 00:04:44,284 --> 00:04:46,851 BECAUSE, LOOK, MOST MOVIES LOSE MONEY. 82 00:04:46,886 --> 00:04:49,454 IT'S MY JOB AS A TALENT REPRESENTATIVE 83 00:04:49,489 --> 00:04:52,134 TO MAKE SURE THAT EVEN IF A MOVIE LOSES ALL OF ITS MONEY, 84 00:04:52,158 --> 00:04:54,459 MY CLIENT STILL SEES ALL OF HIS. 85 00:04:56,697 --> 00:04:58,474 Eric: I'VE NEVER HEARD YOU MENTION THIS PROBLEM BEFORE. 86 00:04:58,498 --> 00:05:00,643 MAKES NO DIFFERENCE WHETHER YOU HEARD IT BEFORE. I'M TELLING YOU NOW. 87 00:05:00,667 --> 00:05:02,812 MAKE SURE A CRANE CAN PULL RIGHT THROUGH THERE. GOT IT? 88 00:05:02,836 --> 00:05:04,547 - HAVE YOU HEARD IT? - I HAVEN'T HEARD IT. 89 00:05:04,571 --> 00:05:07,105 - YOU DON'T DISAGREE? - NO, I DON'T. DO YOU? 90 00:05:07,140 --> 00:05:09,452 I DON'T KNOW, BECAUSE I HAVEN'T HEARD EXACTLY WHAT THE PROBLEM IS. 91 00:05:09,476 --> 00:05:11,454 THE PROBLEM, SUIT, IS THAT WE DON'T HAVE AN ENDING. 92 00:05:11,478 --> 00:05:13,756 I'M SORRY, LET ME CORRECT THAT. WE HAVE A SHITTY ENDING... 93 00:05:13,780 --> 00:05:16,526 AN ENDING THAT WILL TAKE A GENIUS FILM THAT PEOPLE ARE LOVING, 94 00:05:16,550 --> 00:05:18,328 TURN THEM ON A DIME AGAINST US, 95 00:05:18,352 --> 00:05:19,762 AND HAVE THEM WALKING OUT OF THE THEATER 96 00:05:19,786 --> 00:05:22,554 SHAKING THEIR FUCKING HEADS IN DISGUST. 97 00:05:22,589 --> 00:05:24,867 Eric: WE'RE SUPPOSED TO SHOOT IN THREE DAYS. 98 00:05:24,891 --> 00:05:26,736 THE GUY SUDDENLY TELLS US OUT OF NOWHERE 99 00:05:26,760 --> 00:05:28,404 THAT HE HATES THE ENDING? SO WHAT DO YOU DO? 100 00:05:28,428 --> 00:05:30,139 SHOOT YOURSELF IN THE HEAD 101 00:05:30,163 --> 00:05:32,897 WITH A LARGE-CALIBER BULLET. 102 00:05:32,932 --> 00:05:34,944 - I SAY WE SHUT DOWN FOR A WEEK. - NO! 103 00:05:34,968 --> 00:05:37,113 WE WORK ON THE ENDING... IT'LL COST US A LITTLE MONEY, 104 00:05:37,137 --> 00:05:39,949 BUT IF WE START SHOOTING AND THEN WE HAVE TO SHUT DOWN IT'LL BE DISASTROUS. 105 00:05:39,973 --> 00:05:42,574 - WE'LL HAVE SOMETHING TO SHOOT. - VINCE? 106 00:05:42,609 --> 00:05:45,209 I'M READY TO ROLL. I DON'T WANT TO SLOW DOWN. 107 00:05:45,245 --> 00:05:47,679 - SO WE'RE IN AGREEMENT. - IT'S UP TO E. 108 00:05:47,714 --> 00:05:49,914 DON'T WORRY, SUIT. 109 00:05:49,949 --> 00:05:51,628 I PROMISE WE'LL HAVE SOMETHING TO SHOOT. 110 00:05:51,652 --> 00:05:55,253 I WILL WRITE IT AND IT WILL BE BRILLIANT. I PROMISE, OKAY? 111 00:05:55,289 --> 00:05:57,589 - OKAY. - ALL RIGHT! 112 00:05:57,624 --> 00:05:59,857 - YEAH! - SALUD! 113 00:05:59,893 --> 00:06:02,661 - SALUD. - (speaks Spanish) 114 00:06:02,696 --> 00:06:04,641 YOU DON'T GET ON A SET, GET READY TO SHOOT, 115 00:06:04,665 --> 00:06:06,175 AND THEN ASK FOR REWRITES. 116 00:06:06,199 --> 00:06:07,677 STUDIOS DO THIS CRAP ALL THE TIME 117 00:06:07,701 --> 00:06:09,941 AND THEY WONDER WHY THEY END UP WITH A SHIT MOVIE. 118 00:06:09,969 --> 00:06:11,947 MOVIE? YOU KNOW, I HATE THE WORD "MOVIE." 119 00:06:11,971 --> 00:06:14,939 I DON'T MAKE MOVIES. I MAKE FILMS. 120 00:06:14,974 --> 00:06:16,474 Actor: YOU THINK YOU'RE INVINCIBLE. 121 00:06:16,509 --> 00:06:18,410 NOBODY'S INVINCIBLE. 122 00:06:18,445 --> 00:06:21,246 NOTHING IS FOREVER, MR. ESCOBAR. 123 00:06:21,281 --> 00:06:23,948 I APPRECIATE YOUR POSITION, SEÑOR DE QUINTAS. 124 00:06:23,984 --> 00:06:26,818 I KNOW YOU HAVE A JOB AND A FAMILY TO PROVIDE FOR. 125 00:06:26,854 --> 00:06:29,521 - THREE BOYS, NO? - ARE YOU THREATENING ME? 126 00:06:29,556 --> 00:06:33,157 NOBODY IS THREATENING NOBODY. 127 00:06:33,193 --> 00:06:34,671 WELL, ACTUALLY, I'M NOT IN THE MOVIE. 128 00:06:34,695 --> 00:06:36,773 I'M JUST SITTING IN ON THE TABLE READ AS A FAVOR 129 00:06:36,797 --> 00:06:39,330 UNTIL THEY FIND THE REAL ACTOR. 130 00:06:39,366 --> 00:06:42,066 YOU SEE, I'M NOT AVAILABLE. I'M ON A TV SHOW... 131 00:06:42,102 --> 00:06:44,168 "FIVE TOWNS." 132 00:06:44,204 --> 00:06:46,638 WE HAD A VERY SUCCESSFUL FIRST SEASON. 133 00:06:46,673 --> 00:06:49,474 AND EVEN THOUGH I'M ON HIATUS, 134 00:06:49,510 --> 00:06:53,177 I CAN'T BE IN THE MOVIE. CONTRACTUALLY I'M NOT AVAILABLE. 135 00:06:53,213 --> 00:06:57,081 PLUS BILLY DIDN'T REALLY OFFER ME ANYTHING. 136 00:06:57,117 --> 00:07:01,753 THE CALI CARTEL IS A FIGMENT OF YOUR IMAGINATION, PABLO. 137 00:07:01,789 --> 00:07:04,088 THEY ARE GHOSTS. 138 00:07:04,124 --> 00:07:06,235 WHEN'S THE NEXT CASTING SESSION? 139 00:07:06,259 --> 00:07:07,771 BECAUSE IF I HAVE TO LISTEN TO ANYMORE AMATEURS 140 00:07:07,795 --> 00:07:09,305 I'M GONNA SLASH MY WRISTS. 141 00:07:09,329 --> 00:07:13,075 HEY, YOU WANT ME TO TRY THAT WITH AN ACCENT, BILLY? 142 00:07:13,099 --> 00:07:16,601 (speaks Spanish) 143 00:07:22,443 --> 00:07:25,043 HOLA, MUCHACHOS. MUCHO GUSTO. 144 00:07:25,078 --> 00:07:26,890 - WHAT I WOULD DO TO THAT. - BE PROFESSIONAL. 145 00:07:26,914 --> 00:07:28,480 OKAY. 146 00:07:28,515 --> 00:07:30,949 AHEM... OKAY, LET'S READ THROUGH THIS ONCE. 147 00:07:30,984 --> 00:07:33,785 Drama: I CAN READ WITH. 148 00:07:33,821 --> 00:07:36,922 WE CAN LEAVE THE KISS OUT. OR NOT. 149 00:07:36,957 --> 00:07:39,357 WHY ARE THEY IN HERE? GET THEM OUT. 150 00:07:39,392 --> 00:07:41,192 Eric: YOU GUYS GOT TO GO. 151 00:07:41,227 --> 00:07:43,361 GOOD LUCK. 152 00:07:47,033 --> 00:07:49,601 - (door opens) - BUENO SUERTE. 153 00:07:52,005 --> 00:07:54,305 SORRY ABOUT THAT. 154 00:07:54,341 --> 00:07:56,708 OKAY, LET'S DO THIS. 155 00:07:56,743 --> 00:08:00,211 - I'M A LITTLE BIT NERVOUS. - Billy: NO, DON'T BE. 156 00:08:00,246 --> 00:08:02,046 TODO BIEN. 157 00:08:04,685 --> 00:08:06,496 - SO, WHAT DO YOU THINK? - SHE'S FANTASTIC. 158 00:08:06,520 --> 00:08:08,164 - YEAH, E? - I LOVED HER, 159 00:08:08,188 --> 00:08:10,467 - BUT WE'RE TALKING ABOUT THE VILLAGE GIRL. - AND? 160 00:08:10,491 --> 00:08:13,358 - WELL, IT'S JUST NOT HOW I SAW HER. - NO? HOW DID YOU SEE HER? 161 00:08:13,393 --> 00:08:15,672 KIND OF LIKE LINDA HUNT IN "THE YEAR OF LIVING DANGEROUSLY." 162 00:08:15,696 --> 00:08:18,007 - REALLY? - WHAT, YOU SAW SALMA HAYEK? 163 00:08:18,031 --> 00:08:20,532 I DIDN'T SEE SALMA HAYEK WHEN THAT GIRL JUST READ. 164 00:08:20,567 --> 00:08:22,333 HAVE SOME FUCKING IMAGINATION, SUIT... 165 00:08:22,369 --> 00:08:24,736 MAKEUP, WARDROBE. SHE CAN BE MORE PLAIN AS YOU SAY, 166 00:08:24,771 --> 00:08:27,405 BUT HER ESSENCE IS SOMETHING SPECIAL. 167 00:08:27,440 --> 00:08:29,741 - AGREED, VINCE? - YEAH, AGREED. E? 168 00:08:29,776 --> 00:08:31,409 OKAY, MAKEUP. 169 00:08:31,444 --> 00:08:34,078 ANY SHOT SHE'LL HAVE A NUDE SCENE IN THE FILM, BILL? 170 00:08:34,114 --> 00:08:35,825 WELL, I DIDN'T SEE IT PERSONALLY, 171 00:08:35,849 --> 00:08:38,294 BUT THE ONE THING I DID BELIEVE WAS THAT BILLY KNEW EXACTLY WHAT HE WANTED. 172 00:08:38,318 --> 00:08:40,930 SO IT'S MY JOB TO SUPPORT HIM AS LONG AS HE GOT IT ALL DONE. 173 00:08:40,954 --> 00:08:42,866 Man: AND THE ENDING, HAS HE GOT THAT DONE? 174 00:08:42,890 --> 00:08:45,356 - NOT YET. - Man: SO WHAT DO YOU DO? 175 00:08:45,392 --> 00:08:47,759 I SUPPORT HIM FOR NOW. 176 00:08:53,567 --> 00:08:55,767 ATENCION! ATENCION! 177 00:08:55,802 --> 00:08:58,637 (speaking Spanish) 178 00:08:58,672 --> 00:09:02,007 Man: OCTOBER THE 27th. THE FIRST DAY OF PRODUCTION HAD ARRIVED. 179 00:09:02,042 --> 00:09:04,308 THE SETS WERE ALL UP. 180 00:09:04,344 --> 00:09:06,110 WHY IS THAT DOOR RED? 181 00:09:06,146 --> 00:09:07,924 - I THOUGHT IT POPPED. - YOU THOUGHT IT POPPED. 182 00:09:07,948 --> 00:09:10,515 HOW AM I GOING TO SEE BLOOD SPLATTER ON A RED DOOR? 183 00:09:10,551 --> 00:09:13,418 FUCKWAD. CHANGE IT. 184 00:09:13,453 --> 00:09:15,231 Man: THE ACTORS WERE ALL CAST. 185 00:09:15,255 --> 00:09:18,690 SHOW SOME FUCKING FIRE! FUEGO! PASION! GO! 186 00:09:18,725 --> 00:09:20,959 - (yelling in Spanish) - MUY BIEN! 187 00:09:20,994 --> 00:09:23,595 MUY BIEN. MUY BIEN, SI! 188 00:09:23,630 --> 00:09:27,265 SI, SI, SI, SI! 189 00:09:27,300 --> 00:09:29,012 AS SOON AS I GET THIS ON, VINNIE, 190 00:09:29,036 --> 00:09:31,748 WE'LL PUT THAT OTHER EYE IN FOR YOU AND IT'LL BE PERFECT. 191 00:09:31,772 --> 00:09:34,083 Man: THE MAKEUP TESTS WERE ALL DONE. 192 00:09:34,107 --> 00:09:36,041 - HEY, BILLY! - HOLY SHIT. 193 00:09:36,076 --> 00:09:39,510 THAT CAN'T BE VINCENT CHASE. DON'T HURT ME, DON PABLO! DON'T HURT ME. 194 00:09:39,546 --> 00:09:41,357 - (all laughing) - BEAUTIFUL JOB. BEAUTIFUL JOB. 195 00:09:41,381 --> 00:09:42,725 THANK YOU, THANK YOU, THANK YOU. 196 00:09:42,749 --> 00:09:44,449 THE NOSE NEEDS TO BE MORE THICK. 197 00:09:44,484 --> 00:09:46,563 NO, THAT'S A VERY ACCURATE RENDERING, BILLY, LOOK. 198 00:09:46,587 --> 00:09:48,932 - HE LOOKS JUST LIKE PABLO. - THICKEN IT OR I'LL FIND SOMEONE WHO CAN. 199 00:09:48,956 --> 00:09:50,900 AND DON'T PUT TOO MUCH ON HER. 200 00:09:50,924 --> 00:09:53,291 SHE'S PERFECT AS IS. 201 00:09:53,326 --> 00:09:55,627 - ATENCION! - Man: THEY'RE READY TO SHOOT. 202 00:09:55,662 --> 00:09:57,674 A.D.: I NEED QUIET ON THE SET, PLEASE. 203 00:09:57,698 --> 00:10:00,577 OF COURSE I'M NERVOUS. I MEAN, IT'S ONLY NATURAL. WHO WOULDN'T BE NERVOUS? 204 00:10:00,601 --> 00:10:03,768 - I DON'T REALLY GET NERVOUS. - ONLY PUSSIES GET NERVOUS. 205 00:10:03,804 --> 00:10:05,548 I'M FREAKING OUT A LITTLE BIT. IT'S ALL ON THE LINE ON THIS ONE 206 00:10:05,572 --> 00:10:07,249 AND I HAVE NO CONTROL. I DON'T LIKE THAT. 207 00:10:07,273 --> 00:10:09,407 WELL, WHENEVER YOU'RE ABOUT TO SHOOT 208 00:10:09,442 --> 00:10:11,342 YOU GET BUTTERFLIES. 209 00:10:11,377 --> 00:10:13,890 BUT IF YOU'VE PREPARED AND TAKEN CARE OF YOUR INSTRUMENT, 210 00:10:13,914 --> 00:10:15,947 WHAT CAN GO WRONG? 211 00:10:15,983 --> 00:10:18,928 TONY DANZA TAUGHT ME THAT WHEN I DID A LITTLE GUEST SPOT. 212 00:10:18,952 --> 00:10:20,697 Man: WE'RE ABOUT TO ROLL OUT OF FILM. 213 00:10:20,721 --> 00:10:22,932 - HUH? - Man: WE'RE GONNA ROLL OUT OF FILM. 214 00:10:22,956 --> 00:10:25,256 CAN I FINISH MY STORY HERE? 215 00:10:27,628 --> 00:10:30,728 (speaking Spanish) 216 00:10:30,763 --> 00:10:33,431 SCENE 16, TAKE ONE. 217 00:10:33,466 --> 00:10:35,433 ACTION! 218 00:10:40,273 --> 00:10:42,207 (car approaches) 219 00:10:45,212 --> 00:10:47,445 SALGAN! 220 00:10:47,480 --> 00:10:49,947 - SALG... - (children speaking Spanish) 221 00:10:49,982 --> 00:10:52,450 HOLA, HERMANO. 222 00:10:52,485 --> 00:10:54,452 (speaking Spanish) 223 00:11:07,900 --> 00:11:09,967 (laughs) 224 00:11:18,478 --> 00:11:20,811 HOLA! 225 00:11:24,784 --> 00:11:27,285 (speaks Spanish) 226 00:11:27,320 --> 00:11:29,754 VAMOS. 227 00:11:29,789 --> 00:11:32,156 (speaking Spanish) 228 00:11:38,798 --> 00:11:42,099 GOAL! 229 00:11:44,604 --> 00:11:46,271 (gunshot) 230 00:11:50,076 --> 00:11:52,076 PAPI, PAPI! 231 00:11:52,111 --> 00:11:54,111 PAPI, PAPI. 232 00:11:54,147 --> 00:11:56,247 (sobbing) PAPI. 233 00:11:56,283 --> 00:11:59,517 (engine revs) 234 00:12:03,490 --> 00:12:05,456 - (gunshots) - (people screaming) 235 00:12:05,492 --> 00:12:07,659 (laughs) 236 00:12:21,308 --> 00:12:23,308 NO! NO! 237 00:12:25,812 --> 00:12:28,579 (automatic gunfire) 238 00:12:32,151 --> 00:12:35,119 - COME ON, WILL YOU EVER DOUBT THE GUY AGAIN? - Eric: NO. 239 00:12:35,154 --> 00:12:37,065 THAT SHIT LOOKED UNBELIEVABLE. 240 00:12:37,089 --> 00:12:39,402 - IS THIS KID A MOVIE STAR OR WHAT? - DID YOU LIKE IT, JOHNNY? 241 00:12:39,426 --> 00:12:41,970 IF I DON'T GET A LITTLE SOMETHING IN THIS MOVIE, I'M GONNA KILL MYSELF. 242 00:12:41,994 --> 00:12:43,572 (chuckles) I GUESS HE LIKES. 243 00:12:43,596 --> 00:12:45,430 THERE HE IS! 244 00:12:45,465 --> 00:12:48,466 THE AUTEUR EXTRAORDINAIRE. AWESOME, BILLY. 245 00:12:48,501 --> 00:12:50,401 Drama: BRAVO, BILLY. BRAVO. 246 00:12:50,437 --> 00:12:52,102 WHAT'S WRONG? 247 00:12:52,138 --> 00:12:53,938 - I HATE IT. - YOU HATE IT? 248 00:12:53,973 --> 00:12:55,451 - I HATE IT. - WHY? IT LOOKS GREAT. 249 00:12:55,475 --> 00:12:58,086 IT LOOKS LIKE SHIT. LIKE A HALLMARK HALL OF FAME MOVIE. 250 00:12:58,110 --> 00:13:00,678 HEY, I DID A COUPLE GOOD HALLMARK HALL OF FAME MOVIES. 251 00:13:00,714 --> 00:13:02,880 OVERLIT, MAN. DRIPPING IN SHIT. 252 00:13:02,915 --> 00:13:04,949 YOU JAMMED THAT DP DOWN MY THROAT, 253 00:13:04,984 --> 00:13:06,495 AND THIS IS WHAT HAPPENS WHEN I GET JAMMED. 254 00:13:06,519 --> 00:13:09,186 - YOU PICKED THE DP - OFF YOUR LIST, SUIT, 255 00:13:09,222 --> 00:13:11,055 YOUR BUDGET-FUCKING-LIST. 256 00:13:11,090 --> 00:13:13,090 YOU GO BUDGET, YOU GET A BUDGET-ASS LOOK. 257 00:13:13,125 --> 00:13:15,371 - BILLY, I SWEAR IT LOOKS GREAT. - VINCE, I LOVE YOU, 258 00:13:15,395 --> 00:13:17,172 BUT I SWEAR IT DON'T. IT LOOKS LIKE SHIT. 259 00:13:17,196 --> 00:13:19,908 I FEEL LIKE CRYING, I HATE IT SO MUCH. I HATE IT! 260 00:13:19,932 --> 00:13:23,267 - BILLY, HERE COMES SVEN. CHILL OUT. - I HATE IT, I HATE IT. 261 00:13:23,302 --> 00:13:24,547 - HEY! - ENOUGH. 262 00:13:24,571 --> 00:13:25,936 WE LOVING LIFE, HUH? 263 00:13:25,972 --> 00:13:28,183 I HATE IT! I HATE IT! I FUCKING HATE IT! 264 00:13:28,207 --> 00:13:30,875 - WHOA WHOA WHOA! - BILLY, BILLY, BILLY! 265 00:13:30,910 --> 00:13:33,978 YOUR FILTERS MAKE IT LOOK LIKE SOMEONE CAME ON THE LENS. 266 00:13:34,013 --> 00:13:37,448 - BILLY, GET OFF OF HIM. - YOU BIG FUCKING SCANDINAVIAN PUSSY! 267 00:13:37,484 --> 00:13:40,518 I THOUGHT IT LOOKED GREAT, BUT I'M NOT A CINEMATOGRAPHER. 268 00:13:40,553 --> 00:13:43,298 IF BILLY THOUGHT THAT IT COULD LOOK BETTER, I BELIEVED HIM. 269 00:13:43,322 --> 00:13:45,790 I BELIEVED HIM TOO. BUT STILL, WE HAVE A BUDGET 270 00:13:45,825 --> 00:13:48,303 AND I WOULDN'T HAVE LET HIM FIRE THE GUY. BUT I HAD NO SAY. 271 00:13:48,327 --> 00:13:50,205 SEE, AFTER BILLY HUMILIATED HIM HE QUIT. 272 00:13:50,229 --> 00:13:51,741 OH, THAT'S ALWAYS A GOOD SIGN, RIGHT? 273 00:13:51,765 --> 00:13:53,576 WHEN THE DIRECTOR STARTS OFFING PEOPLE. 274 00:13:53,600 --> 00:13:55,165 YEAH, BIG FUCKING DEAL. 275 00:13:55,201 --> 00:13:57,580 I DECIDED TO SHOOT THE THING MYSELF, SAVE US SOME MONEY. 276 00:13:57,604 --> 00:13:59,537 Billy: YOU'RE FEARFUL. 277 00:13:59,572 --> 00:14:02,440 LIKE THIS IS THE MOST FEARED MAN IN COLOMBIA, RIGHT? 278 00:14:02,475 --> 00:14:05,075 BUT YOU KNOW THAT HE LUSTS AFTER YOU. 279 00:14:05,111 --> 00:14:07,745 BUT I'M ONLY SELLING BANANAS. 280 00:14:10,149 --> 00:14:12,550 - WHY AREN'T WE SHOOTING? - I JUST ACT, KID. 281 00:14:14,687 --> 00:14:16,487 WHAT THE FUCK IS GOING ON? 282 00:14:16,523 --> 00:14:18,166 I THINK YOUR DIRECTOR'S GOT A CRUSH. 283 00:14:18,190 --> 00:14:21,992 DON'T BURST HIS BUBBLE, BUT SHE'S BEEN EYEING ME FOR DAYS. 284 00:14:22,028 --> 00:14:24,662 (sighs) 285 00:14:24,697 --> 00:14:26,675 WHY AREN'T WE SHOOTING, BILLY? 286 00:14:26,699 --> 00:14:28,944 - THE LIGHT'S NOT RIGHT. - WHEN'S IT GOING TO BE RIGHT? 287 00:14:28,968 --> 00:14:31,402 WHEN THE CLOUDS MOVE. 288 00:14:31,438 --> 00:14:32,937 WHEN'S THAT GOING TO BE? 289 00:14:32,972 --> 00:14:35,139 I'M A FILMMAKER, SUIT, NOT A FUCKING WEATHERMAN. 290 00:14:35,174 --> 00:14:36,607 I'LL LET YOU GUYS TALK. 291 00:14:36,643 --> 00:14:38,375 NO, WAIT... 292 00:14:40,480 --> 00:14:43,180 SO WHAT DO YOU WANT TO DO? 293 00:14:43,215 --> 00:14:45,450 WHAT I'VE BEEN DOING... 294 00:14:45,485 --> 00:14:47,284 WAITING. 295 00:14:49,823 --> 00:14:51,901 WE LITERALLY WAIT TWO DAYS FOR THE GUY TO SHOOT. 296 00:14:51,925 --> 00:14:54,937 AND WHEN HE FINALLY DOES, SUDDENLY HE SAYS, "NO ONE SEES ANY MORE DAILIES." 297 00:14:54,961 --> 00:14:57,061 NOBODY COMES IN HERE! 298 00:14:58,765 --> 00:15:00,743 YOU KNOW, I'M NOT GOING TO BE JUDGED ON MY WORK. 299 00:15:00,767 --> 00:15:02,800 NOT BY FUCKING NOVICES. 300 00:15:02,836 --> 00:15:04,969 WE MAY HAVE SNUCK A PEAK. 301 00:15:05,004 --> 00:15:07,605 (whispers) COME ON. 302 00:15:12,244 --> 00:15:14,579 (projector whirring) 303 00:15:24,290 --> 00:15:27,157 WHEN BILLY'S RIGHT, HE'S RIGHT. 304 00:15:27,193 --> 00:15:28,459 IT LOOKED SICK. 305 00:15:34,400 --> 00:15:37,167 SOMEONE JUST IN HERE? 306 00:15:38,872 --> 00:15:40,616 Man: SO IS BILLY DOUBTING HIMSELF? 307 00:15:40,640 --> 00:15:42,117 NAH, BILLY NEVER DOUBTS HIMSELF. 308 00:15:42,141 --> 00:15:43,975 BUT SOMETHING WAS WRONG. 309 00:15:44,010 --> 00:15:46,789 I ONLY HAVE A COUPLE OF SCENES IN THE MOVIE... FILM. 310 00:15:46,813 --> 00:15:49,747 SO I DON'T UNDERSTAND WHY THE DIRECTOR 311 00:15:49,782 --> 00:15:52,149 WANTS TO EAT ALL HIS MEALS WITH ME. 312 00:16:00,226 --> 00:16:02,092 AND CUT! 313 00:16:02,128 --> 00:16:03,594 (groans) 314 00:16:03,630 --> 00:16:06,797 OH, THAT IS BEAUTIFUL. THAT IS BEAUTIFUL. PRINT IT! 315 00:16:06,833 --> 00:16:10,134 AND EVERYONE ELSE... EVERYONE ELSE, 316 00:16:10,169 --> 00:16:12,202 LEARN FROM IT. 317 00:16:13,673 --> 00:16:17,074 OH, I AM SO PLEASED THAT YOU'RE DOING MY FILM. 318 00:16:17,109 --> 00:16:18,954 I SEE REAL STAR QUALITY IN YOU. 319 00:16:18,978 --> 00:16:21,445 YOU'RE VERY SOPHIA LOREN, EXCEPT NOT ITALIAN. 320 00:16:21,480 --> 00:16:23,180 YOU COMPRENDE? 321 00:16:23,215 --> 00:16:25,349 VINCE, GUYS, COME JOIN US. 322 00:16:25,384 --> 00:16:26,862 - OKAY. - YOU MIND? 323 00:16:26,886 --> 00:16:28,853 WHY WOULD I MIND? 324 00:16:31,257 --> 00:16:33,090 HI THERE. HOW YOU DOING? 325 00:16:35,161 --> 00:16:38,128 SO, BILLY, ANY WORD ON THE NEW ENDING? 326 00:16:38,164 --> 00:16:41,065 NO. 327 00:16:41,100 --> 00:16:43,879 WHEN A DIRECTOR FALLS FOR AN ACTOR ON SET, ALL BETS ARE OFF. 328 00:16:43,903 --> 00:16:46,103 WHEN HE DOESN'T GET HER, BET YOU HAVE A PROBLEM. 329 00:16:46,138 --> 00:16:48,639 WHEN SOMEONE ELSE GETS HER, BET THE HOUSE. 330 00:16:48,675 --> 00:16:51,576 I NAILED ONE OF MY DIRECTORS ON "MELROSE PLACE." 331 00:16:51,611 --> 00:16:54,579 THAT WAS THE YEAR THEY THREW ME OFF, ACTUALLY. 332 00:16:54,614 --> 00:16:56,926 Man: YOU THINK THAT MIGHT'VE BEEN THE REASON? 333 00:16:56,950 --> 00:17:01,185 I DON'T KNOW. I NEVER REALLY THOUGHT ABOUT THAT. 334 00:17:01,220 --> 00:17:03,454 (Latin music playing) 335 00:17:03,489 --> 00:17:06,390 (people speaking Spanish) 336 00:17:10,597 --> 00:17:12,830 WHY ARE YOU HOVERING AROUND DOWN THERE, SUIT? 337 00:17:12,865 --> 00:17:14,710 WE GOT TO TALK ABOUT THE ENDING, BILLY. 338 00:17:14,734 --> 00:17:15,945 - WE DO? - YEAH, WE DO. 339 00:17:15,969 --> 00:17:18,102 HOW WOULD YOU AND ME TALKING ABOUT THE ENDING HELP? 340 00:17:18,137 --> 00:17:19,870 BECAUSE TIME IS RUNNING SHORT, BILLY. 341 00:17:19,906 --> 00:17:22,406 I DON'T HAVE ANYTHING YET, SUIT, BUT STUFF IS PERCOLATING. 342 00:17:22,441 --> 00:17:23,819 I DON'T HAVE TIME FOR PERCOLATING, BILLY. 343 00:17:23,843 --> 00:17:25,963 I NEED PAGES TO PRODUCE. YOU PROMISED. 344 00:17:27,947 --> 00:17:29,725 IS SOMETHING ELSE WRONG? 345 00:17:29,749 --> 00:17:32,182 DOES IT LOOK LIKE SOMETHING'S WRONG? 346 00:17:32,218 --> 00:17:35,385 EVERYONE LISTEN UP, I HAVE SOMETHING VERY IMPORTANT TO SAY. 347 00:17:35,421 --> 00:17:37,622 SEX KILLS. 348 00:17:37,657 --> 00:17:40,290 IT KILLS CREATIVITY, IT KILLS ARTISTRY. 349 00:17:40,326 --> 00:17:42,426 IT KILLS A FILM SET. 350 00:17:42,461 --> 00:17:46,030 THERE WILL BE NO SEX HERE... NOT ON MY FILM SET. 351 00:17:46,065 --> 00:17:48,065 I HOPE THAT I'VE MADE MYSELF CLEAR. 352 00:17:48,101 --> 00:17:50,901 - THE ENDING, BILLY. - PERCOLATING, SUIT. 353 00:17:50,937 --> 00:17:54,038 PERCOLATING. 354 00:17:54,073 --> 00:17:56,051 I AM NOT HAVING SEX WITH HER. 355 00:17:56,075 --> 00:17:58,208 - YOU SURE? - PRETTY SURE. 356 00:17:58,244 --> 00:17:59,888 IF I DON'T GET A PART IN THIS MOVIE 357 00:17:59,912 --> 00:18:01,757 I CAN HAVE SEX WITH HER, TECHNICALLY, 358 00:18:01,781 --> 00:18:03,458 WITHOUT OFFENDING BILLY, RIGHT? 359 00:18:03,482 --> 00:18:05,549 YEAH, BUT YOU MAY OFFEND ALL THE COLOMBIANS 360 00:18:05,584 --> 00:18:07,317 WHO WOULD BE SICKENED BY THE THOUGHT. 361 00:18:07,353 --> 00:18:09,386 - WALSH IS GETTING OBSESSED. - YOU THINK? 362 00:18:09,421 --> 00:18:11,522 YEAH, AND I DON'T CARE, BUT HE'S NOT WRITING. 363 00:18:11,557 --> 00:18:13,035 WHAT DO YOU WANT ME TO DO? 364 00:18:13,059 --> 00:18:14,825 DON'T FUCK HER, FOR ONE. 365 00:18:14,861 --> 00:18:17,561 SERIOUSLY. I CAN STILL FUCK HER, RIGHT? 366 00:18:17,596 --> 00:18:20,464 YEAH. DRAMA, IF YOU CAN GET HER, GO FOR IT. 367 00:18:20,499 --> 00:18:23,034 OH, A CHALLENGE. I LOVE IT. 368 00:18:24,771 --> 00:18:26,737 (speaking Spanish) 369 00:18:40,419 --> 00:18:41,919 Billy: CUT! 370 00:18:41,954 --> 00:18:44,099 Vince: WHAT'S THE PROBLEM THIS TIME, BILLY? 371 00:18:44,123 --> 00:18:45,990 IT SUCKED. 372 00:18:46,025 --> 00:18:48,125 15 TAKES? I DON'T GET IT. 373 00:18:48,161 --> 00:18:49,994 - SUIT. - YEAH? 374 00:18:50,029 --> 00:18:53,575 WOULD YOU PLEASE TELL MR. CHASE THAT I WANT SOME FUCKING PASSION OUT OF HIM? 375 00:18:53,599 --> 00:18:56,319 - YOU DON'T WANT TO TELL HIM? - I'D RATHER NOT. 376 00:18:57,503 --> 00:18:59,469 (sighs) 377 00:19:01,407 --> 00:19:04,041 HE WANTS SOME PASSION OUT OF YOU. 378 00:19:04,077 --> 00:19:06,677 - HE'S NOT TALKING TO ME NOW? - I GUESS NOT. 379 00:19:06,713 --> 00:19:08,779 (sighs) 380 00:19:08,815 --> 00:19:12,116 HEY. LET'S WALK. 381 00:19:12,151 --> 00:19:15,485 - WHAT'S THE PROBLEM? - THERE'S NO PROBLEM. 382 00:19:15,521 --> 00:19:17,855 BILLY, I'M NOT FUCKING HER. 383 00:19:17,890 --> 00:19:21,125 SWEAR ON IT, VINCE. SWEAR ON YOUR MOTHER'S LIFE. 384 00:19:21,160 --> 00:19:22,671 I JUST TOLD YOU I'M NOT. 385 00:19:22,695 --> 00:19:25,629 - THEN WHO IS? - I HAVE NO IDEA IF ANYONE IS. 386 00:19:25,664 --> 00:19:29,166 VINNIE, MAN, SHE TOLD ME SHE WANTED TO BE FRIENDS. 387 00:19:29,202 --> 00:19:31,301 YEAH? 388 00:19:31,337 --> 00:19:32,981 SHOW ME THE GIRL WHO WANTS TO BE FRIENDS, 389 00:19:33,005 --> 00:19:34,482 I'LL SHOW YOU THE GUY WHO'S FUCKING HER. 390 00:19:34,506 --> 00:19:37,407 WELL, IT AIN'T ME. SO CAN WE GO BACK TO WORK? 391 00:19:37,443 --> 00:19:40,010 YEAH, VIN, GO BACK TO WORK. 392 00:19:40,046 --> 00:19:41,957 AND WILL YOU WRITE THE ENDING? 393 00:19:41,981 --> 00:19:43,714 YES, I WILL. 394 00:19:43,750 --> 00:19:45,960 HE HASN'T WRITTEN SHIT. AND WHEN WE'RE NOT SHOOTING 395 00:19:45,984 --> 00:19:48,024 ALL HE DOES IS SIT IN THE BAR AND SULK. 396 00:19:50,255 --> 00:19:52,534 BY THURSDAY, WE WILL HAVE SHOT EVERYTHING THAT'S BEEN WRITTEN, 397 00:19:52,558 --> 00:19:54,869 MY GREATEST FEAR WILL BE REALIZED AND WE'RE GONNA HAVE TO SHUT DOWN. 398 00:19:54,893 --> 00:19:57,572 - SO, YOU'RE STARTING TO PANIC? - I'M WAY PAST PANIC. 399 00:19:57,596 --> 00:20:01,498 - GET ME STEPHEN GAGHAN. - STEPHEN GAGHAN? 400 00:20:01,534 --> 00:20:03,567 YEAH, SUIT. YOU HEARD OF HIM? HE WROTE "TRAFFIC." 401 00:20:03,602 --> 00:20:05,113 - I KNOW WHO HE IS. - HE'S A GOOD WRITER. 402 00:20:05,137 --> 00:20:07,497 - IT'S A TWO-WEEK JOB, TOPS. - WHY CAN'T YOU WRITE IT? 403 00:20:08,941 --> 00:20:11,342 RUMORS ALREADY STARTED ABOUT DPs BEING FIRED, 404 00:20:11,377 --> 00:20:13,087 PRODUCTION DELAYS, ET CETERA. 405 00:20:13,111 --> 00:20:15,857 BUT NOW THEY WANT AN ACADEMY AWARD WINNER TO DO THE REWRITES? 406 00:20:15,881 --> 00:20:17,948 RIDICULOUS. I TOLD HIM HE'D NEVER DO IT. 407 00:20:17,983 --> 00:20:20,116 YEAH, I KNOW STEPHEN... 408 00:20:20,152 --> 00:20:22,030 FROM THE BRENTWOOD COUNTRY MART. 409 00:20:22,054 --> 00:20:23,699 GUY LOVES ME. HE'LL DO IT. 410 00:20:23,723 --> 00:20:26,401 STEPHEN GAGHAN'S GOING TO COST US OVER 200 GRAND A WEEK. 411 00:20:26,425 --> 00:20:27,902 - SO? - SO WE CAN'T AFFORD IT. 412 00:20:27,926 --> 00:20:30,160 WHAT WE CAN'T AFFORD IS NOT TO HAVE AN ENDING. 413 00:20:30,195 --> 00:20:32,696 FIGURE IT OUT, SUIT. 414 00:20:32,732 --> 00:20:36,367 I'M TELLING YOU RIGHT NOW THIS GUY'S GOING TO CALL ME SUIT ONE TOO MANY TIMES, 415 00:20:36,402 --> 00:20:38,213 I'M GOING TO KNOCK HIS FUCKING TEETH OUT OF HIS MOUTH. 416 00:20:38,237 --> 00:20:40,181 I CALLED ARI PERSONALLY AND ASKED HIM 417 00:20:40,205 --> 00:20:42,851 IF HE'D CALL OUR FINANCIER AND TRY AND GET US A LITTLE MORE MONEY. 418 00:20:42,875 --> 00:20:45,376 I TOLD VINCE, "HA HA HA." 419 00:20:45,411 --> 00:20:48,746 OUR FINANCIER ALREADY HAD ENOUGH PROBLEMS, YOU KNOW WHAT I'M SAYING? 420 00:20:48,781 --> 00:20:50,848 WELL, WHAT HAPPENED WAS 421 00:20:50,883 --> 00:20:52,761 I WAS ON MY WAY TO THE AIRPORT IN LOS ANGELES 422 00:20:52,785 --> 00:20:54,485 WHEN I WAS PULLED OVER 423 00:20:54,520 --> 00:20:56,920 AND THE OFFICER FOUND SOME COCAINE. 424 00:20:56,955 --> 00:20:58,633 WELL, IT WAS A LOT OF COCAINE... 425 00:20:58,657 --> 00:21:00,624 (chuckles) ACTUALLY. 426 00:21:00,659 --> 00:21:02,659 YOU'RE PROBABLY ASKING YOURSELF 427 00:21:02,695 --> 00:21:06,397 WHY ON EARTH WAS I BRINGING COCAINE TO COLOMBIA. 428 00:21:06,432 --> 00:21:08,176 WELL, TRUTHFULLY, I WASN'T. 429 00:21:08,200 --> 00:21:09,578 AS IT TURNS OUT IT WAS AN OLD BAG 430 00:21:09,602 --> 00:21:11,446 THAT HAD BEEN LYING IN MY TRUNK FOR YEARS. 431 00:21:11,470 --> 00:21:13,382 I HAD JUST COMPLETELY FORGOTTEN ABOUT IT. 432 00:21:13,406 --> 00:21:15,305 SO, YEAH. 433 00:21:15,340 --> 00:21:17,641 IN EITHER CASE, THE JUDGE DIDN'T REALLY BUY THAT. 434 00:21:17,676 --> 00:21:21,177 MEANWHILE, MY PASSPORT HAS BEEN TAKEN AWAY WHILE I AWAIT TRIAL. 435 00:21:21,213 --> 00:21:23,179 - MY BANK ACCOUNTS WERE FROZEN. - Fuck you, man. 436 00:21:23,215 --> 00:21:26,483 AND THERE'S NO MORE MONEY JUST NOW. 437 00:21:26,519 --> 00:21:30,454 SO I CAN ONLY PRAY THAT THE 30 MIL I SUNK INTO THIS THING 438 00:21:30,489 --> 00:21:33,056 ISN'T GOING DOWN SOME COLOMBIAN DRAIN. RIGHT? 439 00:21:33,091 --> 00:21:36,794 'CAUSE THERE'S, YOU KNOW, NO SUICIDE WATCH HERE. 440 00:21:36,829 --> 00:21:39,062 YOU KNOW WHAT I MEAN? 441 00:21:40,866 --> 00:21:42,544 VINCE, WE CAN'T AFFORD GAGHAN. 442 00:21:42,568 --> 00:21:44,345 WE'VE GOT TO GET A LIST OF CHEAPER WRITERS. 443 00:21:44,369 --> 00:21:45,647 HE'LL HAVE TO GO FOR IT. 444 00:21:45,671 --> 00:21:47,337 DON'T USE THE WORD "CHEAP." 445 00:21:47,372 --> 00:21:50,774 I'M HEADING TO MAKEUP. SEE YOU ON SET. HEY, BE FIRM. 446 00:21:50,810 --> 00:21:52,854 HAVE I NOT BEEN? HAVE I NOT BEEN FIRM? 447 00:21:52,878 --> 00:21:54,678 WHAT'S GOING ON? 448 00:21:54,713 --> 00:21:58,148 HE'S INTERROGATING THE CREW TO FIND OUT WHO'S BEEN WITH HIS GIRL. 449 00:21:58,183 --> 00:21:59,883 - FUCK YOU. - NO, FUCK YOU. 450 00:21:59,919 --> 00:22:03,119 I'M GOING TO ASK YOU ONE TIME, "CHOCHITO." 451 00:22:03,155 --> 00:22:07,057 AND IF I FIND OUT YOU'RE LYING TO ME, I'M NOT GOING TO BE HAPPY. 452 00:22:07,092 --> 00:22:08,725 DO YOU UNDERSTAND WHAT I'M SAYING? 453 00:22:08,761 --> 00:22:10,494 I DO, BILLY, I DO. 454 00:22:10,529 --> 00:22:12,474 AND I'M NOT LYING. I SWEAR. 455 00:22:12,498 --> 00:22:15,298 I NEVER TOUCHED HER. NEVER. 456 00:22:15,334 --> 00:22:17,200 NEXT. 457 00:22:17,235 --> 00:22:20,103 - BILLY. - WHAT'S UP, SUIT? 458 00:22:20,138 --> 00:22:21,917 - WE NEED TO TALK, NOW. - NO, I'M BUSY. 459 00:22:21,941 --> 00:22:25,086 GET YOUR ASS UP AND WALK WITH ME RIGHT NOW, OR AS GOD AS MY WITNESS, 460 00:22:25,110 --> 00:22:27,823 I WILL SEND YOU PACKING TODAY AND I WILL FINISH THIS MOVIE WITHOUT YOU. 461 00:22:27,847 --> 00:22:30,246 WHO'S GOING TO DIRECT? TURTLE? 462 00:22:30,282 --> 00:22:33,149 I DIRECTED A COUPLE SHORTS. 463 00:22:33,185 --> 00:22:35,586 YO, I DON'T KNOW WHAT YOU'RE MAKING SUCH A BIG DEAL ABOUT. 464 00:22:35,621 --> 00:22:37,265 YOU DON'T KNOW WHAT I'M MAKING SUCH A BIG DEAL ABOUT? 465 00:22:37,289 --> 00:22:38,967 YOU CONVINCE US ALL WE NEED A NEW ENDING, 466 00:22:38,991 --> 00:22:40,368 AND WHILE I'M TRYING TO MAKE THAT HAPPEN, 467 00:22:40,392 --> 00:22:42,070 YOU'RE OUT INTERROGATING THE CREW ABOUT THIS GIRL? 468 00:22:42,094 --> 00:22:43,560 I NEED TO KNOW WHO'S FUCKING HER. 469 00:22:43,596 --> 00:22:45,540 - WE NEED AN ENDING. - AND I NEED GAGHAN. 470 00:22:45,564 --> 00:22:48,209 YOU CAN'T HAVE HIM, BUT I'VE GOT A LIST OF OTHER WRITERS YOU CAN LOOK OVER. 471 00:22:48,233 --> 00:22:51,134 - WHAT, SOME CHEAP PIECE-OF-SHIT HACKS? - BILLY. 472 00:22:51,169 --> 00:22:53,348 SUIT, I KNOW IN MY HEART THAT GAGHAN IS THE ONE GUY 473 00:22:53,372 --> 00:22:55,083 WHO CAN GET US TO WHERE WE NEED TO BE. 474 00:22:55,107 --> 00:22:57,385 YOU'RE SUPPOSED TO BE THE GUY THAT GETS US WHERE WE NEED TO BE. 475 00:22:57,409 --> 00:22:59,721 WE HAVE NO MORE MONEY AND NO WAY OF GETTING ANY MORE. THAT'S IT. 476 00:22:59,745 --> 00:23:01,690 - I'LL GET RID OF THE EXTRA ARMY GUYS. - THAT'S NOT ENOUGH. 477 00:23:01,714 --> 00:23:03,892 AND LOSE THE BOGATA CENTRAL LIBRARY MASSACRE. 478 00:23:03,916 --> 00:23:06,116 - YOU LOVE THAT SCENE. - I'M COMPROMISING, SUIT. 479 00:23:06,151 --> 00:23:08,530 SINCE WHEN? YOU'RE LETTING THIS GIRL MESS UP YOUR MIND. 480 00:23:08,554 --> 00:23:10,932 - IT'S NOT ABOUT THE GIRL. - THEN WHAT'S YOUR FUCKING PROBLEM? 481 00:23:10,956 --> 00:23:13,267 LIVING IN THIS JUNGLE FOR THE PAST FIVE MONTHS. 482 00:23:13,291 --> 00:23:15,704 - WHAT, WE HAVEN'T? - YOU'RE JUST MOVING NUMBERS AROUND. 483 00:23:15,728 --> 00:23:17,238 I'M DEALING WITH SETS AND EXTRAS 484 00:23:17,262 --> 00:23:19,963 AND FUCKING EXPLOSIONS... BIG EXPLOSIONS, MAN. 485 00:23:19,999 --> 00:23:23,901 MY LAST MOVIE HAD 12 PEOPLE IN IT. 12 TOTAL. 486 00:23:23,936 --> 00:23:26,003 BILLY, IT'S GOING GREAT. YOU'RE KILLING IT. 487 00:23:26,038 --> 00:23:28,839 NO, IT'S KILLING ME, SUIT. I'M MELTING DOWN. 488 00:23:28,874 --> 00:23:31,119 IT'S THIS HUMIDITY. I CAN'T THINK IN THIS HUMIDITY. 489 00:23:31,143 --> 00:23:33,143 - AND I NEED TO THINK. - YOU GOT TO FINISH. 490 00:23:33,178 --> 00:23:35,546 - I CAN'T. - YES, BILLY, YOU CAN, ALL RIGHT? 491 00:23:35,581 --> 00:23:37,548 AND WE CAN'T WITHOUT YOU, SO SNAP OUT OF IT. 492 00:23:37,583 --> 00:23:39,343 I'M HERE. I'LL DO WHATEVER YOU NEED ME TO DO. 493 00:23:40,886 --> 00:23:43,153 YOU REALLY CARE, HUH, SUIT? 494 00:23:43,188 --> 00:23:45,088 YEAH, I DO. 495 00:23:45,123 --> 00:23:47,435 YOU KNOW, YOU'VE NEVER GIVEN ME A COMPLIMENT BEFORE. 496 00:23:47,459 --> 00:23:49,325 I NEVER KNEW YOU NEEDED ONE. 497 00:23:49,361 --> 00:23:51,862 I DO. 498 00:23:51,897 --> 00:23:53,675 AND I NEED HELP WITH THE ENDING. 499 00:23:53,699 --> 00:23:55,498 PLEASE. 500 00:23:57,135 --> 00:23:59,536 IT WAS A NICE MOMENT. I MEAN, WHO WOULD HAVE THOUGHT 501 00:23:59,572 --> 00:24:02,083 BILLY WALSH WOULD BE SO INSECURE? SO I TOOK CARE OF IT. 502 00:24:02,107 --> 00:24:03,785 I PERSONALLY THINK IT WAS ABOUT THE GIRL. 503 00:24:03,809 --> 00:24:07,177 BUT EITHER WAY, E GOT HIM TO STEP OUT OF IT. 504 00:24:07,212 --> 00:24:09,780 WELL, I WAS THE GUY WITH HER. 505 00:24:09,815 --> 00:24:12,049 I ONLY GOT A HAND JOB. 506 00:24:12,084 --> 00:24:13,917 BUT DON'T TELL BILLY. 507 00:24:13,953 --> 00:24:16,653 I'M STILL HOPING TO GET INTO THE LAST SCENE. 508 00:24:16,689 --> 00:24:19,489 (laughing) DRAMA? NO SHOT. 509 00:24:19,524 --> 00:24:22,192 NO SHOT, BUT PLEASE BUST OUT A POLYGRAPH MACHINE. 510 00:24:22,227 --> 00:24:24,227 SO WE'RE ALL SET? 511 00:24:24,262 --> 00:24:26,697 OH, THAT'S GREAT. THAT'S GREAT, THANK YOU VERY MUCH. 512 00:24:26,732 --> 00:24:28,966 (beeps) 513 00:24:29,001 --> 00:24:30,767 EVERYONE, BILLY, 514 00:24:30,803 --> 00:24:33,169 WE GOT STEPHEN GAGHAN TO REWRITE OUR ENDING. 515 00:24:33,205 --> 00:24:35,138 - STEPHEN FUCKING GAGHAN. - YES! 516 00:24:35,173 --> 00:24:37,440 (all cheering) 517 00:24:42,715 --> 00:24:45,816 THEY GOT STEVE FUCKING GAGHAN? 518 00:24:45,851 --> 00:24:48,819 STEPHEN GAGHAN? AWESOME. 519 00:24:48,854 --> 00:24:50,621 GAGHAN... 520 00:24:50,656 --> 00:24:53,134 DAMN, I'D LOVE TO HEAR HIS WORDS COMING OUT OF MY MOUTH. 521 00:24:53,158 --> 00:24:55,236 SO WE FEDEXED STEPHEN A CHECK AND A PLANE TICKET. 522 00:24:55,260 --> 00:24:57,906 I WAS EXCITED. THE GUYS SEEMED REALLY PASSIONATE. 523 00:24:57,930 --> 00:25:00,575 I COULDN'T STOP THINKING ABOUT WHAT I WAS GONNA TELL STEPHEN 524 00:25:00,599 --> 00:25:02,911 ABOUT WHAT I WAS THINKING. ALL NIGHT I COULDN'T SLEEP. 525 00:25:02,935 --> 00:25:04,813 I STARTED WRITING SOME IDEAS DOWN. 526 00:25:04,837 --> 00:25:07,704 AND I WROTE AND WROTE AND WROTE. 527 00:25:07,740 --> 00:25:09,084 I WAS INTO IT, YOU KNOW? 528 00:25:09,108 --> 00:25:11,642 ON THE PLANE, MY IDEAS WERE FLOWING. 529 00:25:11,677 --> 00:25:14,489 LET'S JUST SAY YOU NEVER KNOW IF YOU'RE GOING TO MATCH UP WITH A DIRECTOR. 530 00:25:14,513 --> 00:25:17,425 Billy: I WOKE UP THIS MORNING SITTING AT MY TYPEWRITER. 531 00:25:17,449 --> 00:25:19,215 I HAD WRITTEN ALL NIGHT. 532 00:25:19,251 --> 00:25:20,929 HE REWROTE THE WHOLE FUCKING SCRIPT. 533 00:25:20,953 --> 00:25:22,953 BILLY! BILLY! 534 00:25:22,988 --> 00:25:25,122 - BILLY, I LOVE IT. - YEAH? 535 00:25:25,157 --> 00:25:26,489 IT'S PERFECT. 536 00:25:26,525 --> 00:25:29,292 HEY BOYS, I'M EXCITED TO GET INTO THIS. 537 00:25:29,327 --> 00:25:31,506 DID WE PAY THIS GUY YET? 538 00:25:31,530 --> 00:25:33,374 VINCENT CHASE, STEPHEN GAGHAN. 539 00:25:33,398 --> 00:25:35,732 - BILLY WALSH, OUR DIRECTOR. - STEVE. 540 00:25:38,937 --> 00:25:41,538 Eric: $275,000 DOWN THE DRAIN. 541 00:25:41,573 --> 00:25:43,184 BUT I HAVE TO ADMIT, THE SCRIPT IS GOOD. 542 00:25:43,208 --> 00:25:45,809 - NO, IT'S GREAT. - IT IS GREAT. 543 00:25:45,844 --> 00:25:48,690 AND STEPHEN GAGHAN WAS KIND ENOUGH TO READ IT AND AGREE BEFORE HE HEADED BACK HOME. 544 00:25:48,714 --> 00:25:50,525 - THANK YOU SO MUCH. - HEY, NO PROBLEM. 545 00:25:50,549 --> 00:25:52,527 Gaghan: I'VE HAD PEOPLE READ MY WORK AND NOT LIKE IT, 546 00:25:52,551 --> 00:25:55,296 BUT I'VE NEVER HAD ANYBODY PAY ME NOT TO WORK. 547 00:25:55,320 --> 00:25:57,620 IT WAS NICE, ACTUALLY. 548 00:25:57,656 --> 00:25:59,890 (salsa music playing) 549 00:25:59,925 --> 00:26:01,636 Eric: ALL RIGHT, THIS IS OUR LAST SHOT, 550 00:26:01,660 --> 00:26:03,972 AND PROBABLY THE MOST COMPLICATED OF THE WHOLE SHOOT. 551 00:26:03,996 --> 00:26:05,740 AND I'M NOT IN IT, WHICH IS NICE. 552 00:26:05,764 --> 00:26:08,832 WHICH IS WHY WE'RE BOTH A LITTLE TOASTY RIGHT NOW. 553 00:26:08,867 --> 00:26:11,634 - WHAT? - YOU'RE GONNA HAVE TO EDIT THAT OUT. 554 00:26:11,670 --> 00:26:13,970 Man: SO ERIC, WHAT'S THIS SCENE? 555 00:26:14,006 --> 00:26:17,407 OKAY, THE ARMY STORMS PABLO'S HIDEOUT. 556 00:26:17,442 --> 00:26:20,343 EXPLOSIONS GO OFF IN THE SOUTH, EAST AND WEST. 557 00:26:20,378 --> 00:26:22,724 WE HAVE NINE CAMERAS POINTED AT EVERYTHING BILLY WANTS. 558 00:26:22,748 --> 00:26:25,082 WE'VE BEEN PREPPING THIS FOR THREE MONTHS. IT HAS TO WORK. 559 00:26:25,117 --> 00:26:28,151 - WE CAN'T DO IT TWICE. - OKAY, ARE YOU READY FOR THIS? 560 00:26:28,187 --> 00:26:31,121 ARE WE FUCKING READY?! 561 00:26:31,156 --> 00:26:33,590 NOBODY SOUNDS FUCKING READY. 562 00:26:33,625 --> 00:26:36,137 HEY, GET THAT FUCKING CAMERA OFF ME. I'LL THROW IT IN THE WATER. 563 00:26:36,161 --> 00:26:37,728 HE'S NERVOUS. 564 00:26:37,763 --> 00:26:39,607 - LOOKS LIKE HE HAS IT UNDER CONTROL. - BILLY! 565 00:26:39,631 --> 00:26:42,365 YOU FREAKING? 566 00:26:42,400 --> 00:26:44,901 A LITTLE BIT. 567 00:26:44,937 --> 00:26:47,670 - IT'S ALL GOOD, BILLY. - EVERYTHING IS PREPARED. 568 00:26:47,706 --> 00:26:50,752 IF WE GET THIS SHOT, GUYS, WE GOT THE WHOLE MOVIE IN THE CAN. 569 00:26:50,776 --> 00:26:52,486 - Vince: LET'S DO IT. - Billy: LET'S DO IT. 570 00:26:52,510 --> 00:26:55,278 LET'S DO IT! LET'S DO IT! 571 00:26:55,313 --> 00:26:58,448 - ROLL CAMERAS! - (speaking Spanish) 572 00:26:58,483 --> 00:27:00,583 SET! WE'RE READY. 573 00:27:00,619 --> 00:27:04,187 ACTION! 574 00:27:05,824 --> 00:27:07,791 (men speaking Spanish) 575 00:27:20,739 --> 00:27:22,939 (screaming) 576 00:27:25,744 --> 00:27:28,945 - (gunfire) - (chuckles) 577 00:27:30,482 --> 00:27:33,516 (speaking Spanish) 578 00:27:57,176 --> 00:27:58,474 CUT! 579 00:28:01,746 --> 00:28:04,186 THE START WAS OFF, SUIT. I'M GONNA NEED ANOTHER ONE. 580 00:28:05,717 --> 00:28:07,561 I'M FUCKING WITH YOU. IT WAS PERFECT! 581 00:28:07,585 --> 00:28:09,820 - (all laughing) - YEAH, BABY! 582 00:28:09,855 --> 00:28:13,089 (people cheering) 583 00:28:13,125 --> 00:28:16,259 - GUYS, WE DID IT. - YES, WE DID. 584 00:28:16,295 --> 00:28:18,472 WHO WOULD HAVE THOUGHT A COUPLE KIDS FROM QUEENS COULD HAVE PULLED THIS OFF? 585 00:28:18,496 --> 00:28:20,308 BUT WE DID, AND IT'S GOING TO BE FUCKING AMAZING. 586 00:28:20,332 --> 00:28:23,178 I'VE NEVER FELT SO GOOD ABOUT A MOVIE AFTER IT WAS DONE THAN THIS ONE. 587 00:28:23,202 --> 00:28:25,702 I KNOW IT. 588 00:28:25,737 --> 00:28:29,139 Man: BILLY, YOU THINK YOU MADE A GOOD FILM? 589 00:28:29,174 --> 00:28:31,607 I'LL TELL YOU THIS: 590 00:28:31,643 --> 00:28:33,988 IT'S EITHER GOING TO BE GENIUS OR IT'S GOING TO FUCKING SUCK. 591 00:28:34,012 --> 00:28:36,446 UNTIL I SEE THE FIRST CUT, I HAVE NO IDEA. 592 00:28:36,481 --> 00:28:39,883 BUT YOU KNOW WHAT? NEITHER DOES ANYBODY ELSE. 593 00:28:44,556 --> 00:28:46,690 (rock music playing)