1
00:01:18,162 --> 00:01:20,607
60 MILLION BUCKS JUST
TO HAVE SEX WITH HER?

2
00:01:20,631 --> 00:01:23,776
COME ON, VINCE, YOU COULD'VE
DONE IT. YOU'VE DONE WORSE.

3
00:01:23,800 --> 00:01:26,779
"WORSE"? WHAT ARE YOU TALKING
ABOUT? HE WAS READY TO DO IT FOR FREE.

4
00:01:26,803 --> 00:01:28,814
YOU SOUND LIKE YOU
THINK I SHOULD'VE DONE IT.

5
00:01:28,838 --> 00:01:30,950
YOU SHOULD'VE AT
LEAST CONSIDERED IT, BRO.

6
00:01:30,974 --> 00:01:33,553
I KNOW I DID WHEN I WAS
SIMILARLY PROPOSITIONED.

7
00:01:33,577 --> 00:01:35,822
SOMEONE OFFERED YOU
MONEY TO FUCK, DRAMA?

8
00:01:35,846 --> 00:01:37,340
YEAH, THAT'S RIGHT, HATER.

9
00:01:37,364 --> 00:01:39,675
"VIKING QUEST" CONVENTION, '99.

10
00:01:39,699 --> 00:01:41,811
A GUY FROM ORLANDO
OFFERED ME 50 BUCKS

11
00:01:41,835 --> 00:01:44,714
TO PHOTOGRAPH ME BANGING HIS WIFE
WHILE WEARING MY TARVOLD COSTUME.

12
00:01:44,738 --> 00:01:46,750
JESUS CHRIST, WHAT DID YOU SAY?

13
00:01:46,774 --> 00:01:49,268
I SAID NO. WHAT THE
FUCK YOU THINK I SAID?

14
00:01:49,292 --> 00:01:51,070
BUT I DID LET HER
BLOW ME IN THE CAR

15
00:01:51,094 --> 00:01:52,939
WHEN HUBBY HIT
THE ROULETTE TABLE.

16
00:01:52,963 --> 00:01:56,209
SO WHAT NOW?

17
00:01:56,233 --> 00:01:58,778
SELL BLOOD LIKE
ROBERT RODRIGUEZ?

18
00:01:58,802 --> 00:02:00,847
NAH, I'M NOT WORRIED.

19
00:02:00,871 --> 00:02:02,382
REALLY?

20
00:02:02,406 --> 00:02:03,517
- MAYBE A LITTLE.
- YEAH.

21
00:02:03,541 --> 00:02:05,007
WE'D BETTER GO.

22
00:02:10,297 --> 00:02:12,542
FEEL FREE TO GRAB ONE, TURTLE.

23
00:02:12,566 --> 00:02:14,544
WHY COULDN'T WE PAY
SOMEONE TO DO THIS?

24
00:02:14,568 --> 00:02:16,879
<i>YOU</i> COULD'VE. <i>WE</i> ARE
TRYING TO SAVE MONEY.

25
00:02:16,903 --> 00:02:19,215
LOOKS LIKE IT'S TIME FOR
EVERYONE TO START THINKING

26
00:02:19,239 --> 00:02:21,818
ABOUT THEIR INDIVIDUAL
FUTURES. HOW SAD.

27
00:02:21,842 --> 00:02:23,152
AW, COME ON, STOP YOUR MOPING.

28
00:02:23,176 --> 00:02:24,621
WE ARE ALL GOOD. THINK ABOUT IT.

29
00:02:24,645 --> 00:02:26,489
THIS PLACE IS GONNA
FEEL LIKE A JAIL CELL

30
00:02:26,513 --> 00:02:28,257
COMPARED TO THE
DIGS AT THE MONDRIAN.

31
00:02:28,281 --> 00:02:31,160
I THINK E'S HOUSE IS THE ONE
THAT'S GONNA FEEL LIKE A JAIL CELL.

32
00:02:31,184 --> 00:02:33,797
- OH BOY, HERE WE GO.
- AND WE... AND I THINK
I SPEAK FOR EVERYONE...

33
00:02:33,821 --> 00:02:35,799
DON'T KNOW WHY YOU'RE
NOT GOING TO THE HOTEL.

34
00:02:35,823 --> 00:02:37,834
BECAUSE I HAVE A GIRLFRIEND
WITH A BIG APARTMENT.

35
00:02:37,858 --> 00:02:40,804
I DON'T SEE THE NEED TO WASTE MONEY,
ESPECIALLY WHEN I DON'T HAVE ANY.

36
00:02:40,828 --> 00:02:43,206
NEVER MOVE IN WITH A
GIRL FOR FINANCIAL REASONS.

37
00:02:43,230 --> 00:02:45,908
NEVER NEVER NEVER. 'CAUSE
ONCE YOU'RE IN, YOU NEVER GET OUT.

38
00:02:45,932 --> 00:02:49,178
I'M NOT MOVING IN WITH HER. I'M JUST STAYING
THERE UNTIL WE LEAVE TO SHOOT THE MOVIE.

39
00:02:49,202 --> 00:02:50,996
AND THAT GIRL FROM
"SILENCE OF THE LAMBS"

40
00:02:51,020 --> 00:02:54,267
WAS JUST "STAYING" IN THAT WELL.

41
00:02:56,993 --> 00:02:58,560
HEY. GUYS.

42
00:02:59,913 --> 00:03:02,926
THE HOUSE... GET OVER HERE.

43
00:03:02,950 --> 00:03:06,629
SAY GOODBYE.

44
00:03:06,653 --> 00:03:09,787
All: GOODBYE, HOUSE.

45
00:03:38,301 --> 00:03:39,946
THAT'S THE LAST OF IT.

46
00:03:39,970 --> 00:03:41,413
SLOAN, HE'S ALL YOURS.

47
00:03:41,437 --> 00:03:43,549
AND I PROMISE TO TAKE
EXCELLENT CARE OF HIM.

48
00:03:43,573 --> 00:03:45,585
HE NEEDS LITTLE SNACKS
IN BETWEEN MEALS.

49
00:03:45,609 --> 00:03:46,987
OTHERWISE HIS BLOOD SUGAR DROPS

50
00:03:47,011 --> 00:03:48,655
AND HE GETS VERY CRANKY.

51
00:03:48,679 --> 00:03:50,823
Vince: <i>NO NAPS, OTHERWISE
HE CAN'T SLEEP AT NIGHT.</i>

52
00:03:50,847 --> 00:03:52,675
OKAY. THANK YOU FOR THE TIPS.

53
00:03:52,699 --> 00:03:54,310
DO YOU GUYS WANT A DRINK?

54
00:03:54,334 --> 00:03:56,679
NO THANKS, WE'RE
GONNA HIT URTH CAFE.

55
00:03:56,703 --> 00:03:58,782
SO WHAT ARE YOU TWO
LOVEBIRDS GONNA DO?

56
00:03:58,806 --> 00:04:01,350
I THINK E'S GONNA TAKE
ME FOR A SPECIAL LUNCH

57
00:04:01,374 --> 00:04:03,185
TO THANK ME FOR MY HOSPITALITY.

58
00:04:03,209 --> 00:04:06,022
OH YEAH?

59
00:04:06,046 --> 00:04:09,091
- HE... HE DIDN'T
MENTION THAT.
- Turtle: HMM.

60
00:04:09,115 --> 00:04:10,727
GIVE ME SOMETHING GOOD, ARI.

61
00:04:10,751 --> 00:04:12,178
Ari: <i>How about something great?</i>

62
00:04:12,202 --> 00:04:14,247
NICKY RUBENSTEIN
TURNED 35 TODAY.

63
00:04:14,271 --> 00:04:15,448
AND WHY DO I CARE?

64
00:04:15,472 --> 00:04:17,750
YOU CARE BECAUSE
HIS TRUST FUND KICKS IN

65
00:04:17,774 --> 00:04:20,320
AND HE WANTS TO GET OUT
FROM THE SHADOW OF HIS POPS.

66
00:04:20,344 --> 00:04:23,522
HE WANTS TO MEET ON "MEDELLIN"
AND HE'S BRINGING HIS CHECKBOOK.

67
00:04:23,546 --> 00:04:25,291
- REALLY?
- WHAT?

68
00:04:25,315 --> 00:04:28,160
NICKY RUBENSTEIN'S GOT
THE MONEY FOR "MEDELLIN."

69
00:04:28,184 --> 00:04:31,314
- ARI, IS THIS FOR REAL?
- IT IS FOR REAL, VINNY.

70
00:04:31,338 --> 00:04:33,549
THE LITTLE PRICK IS ON HIS
WAY TO THE OFFICE RIGHT NOW.

71
00:04:33,573 --> 00:04:35,468
- WHY DON'T YOU BOYS
COME IN FOR A TALK?
- OKAY.

72
00:04:35,492 --> 00:04:37,186
HE WANTS US AT HIS
OFFICE NOW. LET'S GO.

73
00:04:37,210 --> 00:04:38,888
- RIGHT NOW?
- <i>NOW.</i>

74
00:04:38,912 --> 00:04:41,273
- GO, BABY, IT'S FINE.
- YOU SURE?

75
00:04:41,297 --> 00:04:43,710
<i>YEAH, OF COURSE
I AM. THIS IS HUGE.</i>

76
00:04:43,734 --> 00:04:45,762
OKAY. I'LL MAKE IT
UP TO YOU TONIGHT

77
00:04:45,786 --> 00:04:48,186
AT A NICE DINNER, OKAY?

78
00:04:50,741 --> 00:04:52,968
DID YOU SEE THE
LOOK ON SLOAN'S FACE

79
00:04:52,992 --> 00:04:55,338
WHEN E HAD TO CANCEL
THEIR SPECIAL LUNCH?

80
00:04:55,362 --> 00:04:56,872
IT WAS JUST LIKE
THE LOOK ON MY FACE

81
00:04:56,896 --> 00:04:59,175
WHEN HE TOLD US HE WAS
GONNA BE LIVING WITH HER.

82
00:04:59,199 --> 00:05:01,311
THERE WAS NO LOOK. SHE
COULDN'T HAVE BEEN COOLER.

83
00:05:01,335 --> 00:05:04,180
- SLOAN IS NOT LIKE OTHER GIRLS.
- ALL GIRLS ARE LIKE
OTHER GIRLS, E.

84
00:05:04,204 --> 00:05:05,848
JUST LIKE ALL GUYS
ARE LIKE OTHER GUYS.

85
00:05:05,872 --> 00:05:08,685
THE WORLD IS SPLIT IN TWO
GROUPS: PENISES AND PUSSIES.

86
00:05:08,709 --> 00:05:11,554
PENISES WANT TO RUN FREE,
PUSSIES WANT TO LAND THE PENIS.

87
00:05:11,578 --> 00:05:13,856
AMAZING YOU GUYS HAVE
SUCH A HARD TIME GETTING LAID.

88
00:05:13,880 --> 00:05:15,925
WHATEVER. GO GET
YOUR MONEY. LET'S ROLL.

89
00:05:15,949 --> 00:05:19,395
- Turtle: WHERE TO?
- IF YOU GUYS ARE REALLY
LEAVING FOR COLOMBIA,

90
00:05:19,419 --> 00:05:22,248
THIS NETWORK-SERIES STAR
BETTER FIND HIMSELF A PLACE TO LIVE.

91
00:05:22,272 --> 00:05:24,033
- COME ON.
- YOU BUYING LUNCH?

92
00:05:24,057 --> 00:05:25,435
YEAH, SURE, BUT NO APPIES.

93
00:05:25,459 --> 00:05:27,486
E'S NOT THE ONLY ONE
WATCHING HIS BUDGET.

94
00:05:27,510 --> 00:05:28,755
WE'LL SEE YOU GUYS LATER.

95
00:05:28,779 --> 00:05:29,978
SEE YOU.

96
00:05:33,350 --> 00:05:36,428
Nicky: <i>MY FATHER WILL NOT
BE INVOLVED IN THIS AT ALL.</i>

97
00:05:36,452 --> 00:05:37,947
<i>"MEDELLIN" IS MY THING.</i>

98
00:05:37,971 --> 00:05:39,616
MY SHOT, MY WAY.

99
00:05:39,640 --> 00:05:42,501
FANTASTIC.

100
00:05:42,525 --> 00:05:46,105
- WHAT?
- WHAT? I CAN SENSE THAT MOCKING
CONDESCENDING TONE IN THERE.

101
00:05:46,129 --> 00:05:47,940
Ari: <i>NO NO, NICKY,
THERE IS NO MOCKING.</i>

102
00:05:47,964 --> 00:05:49,575
I'VE KNOWN THIS
GUY SINCE I WAS A KID

103
00:05:49,599 --> 00:05:52,094
AND HE STILL LOOKS AT
ME LIKE I'M A SPOILED PRICK.

104
00:05:52,118 --> 00:05:55,431
ARE YOU KIDDING? I LOOK AT YOU WITH
AWE OF ALL OF YOUR ACCOMPLISHMENTS.

105
00:05:55,455 --> 00:05:57,567
RIGHT. HEY, I DON'T CARE.
TRUTH OF THE MATTER IS

106
00:05:57,591 --> 00:05:59,369
I GOT SO MUCH MONEY
NOW I CAN SIT ON MY ASS

107
00:05:59,393 --> 00:06:01,787
AND FUCK MODELS FOR THE
REST OF MY LIFE IF I WANTED TO.

108
00:06:01,811 --> 00:06:04,273
- I'M NOT A MODEL, I'M A SINGER.
- I'M JUST MAKING A POINT,
SWEETHEART.

109
00:06:04,297 --> 00:06:05,709
- Ari: <i>ANYWAY?</i>
- Nicky:<i> ANYWAY,</i>

110
00:06:05,733 --> 00:06:07,927
THE STUDIO BUDGETED
THE FILM AT 65 MILLION.

111
00:06:07,951 --> 00:06:11,430
- YOU'RE GONNA GIVE US THAT?
- NO, IT'S A STUDIO BUDGET. THAT'S RIDICULOUS. I GOT 25.

112
00:06:11,454 --> 00:06:13,449
- 25'S NOT ENOUGH, NICKY.
- THAT'S WHAT I GOT.

113
00:06:13,473 --> 00:06:15,251
AND YOU KNOW WHAT,
NICKY? IT'S PLENTY.

114
00:06:15,275 --> 00:06:17,170
WHAT DO YOU KNOW
ABOUT A MOVIE BUDGET, ARI?

115
00:06:17,194 --> 00:06:18,905
WHAT DO YOU KNOW, MINI-PRODUCER?

116
00:06:18,929 --> 00:06:20,739
I KNOW THAT THREE
STUDIOS BUDGETED IT

117
00:06:20,763 --> 00:06:22,541
AND ALL OF THEM
WERE OVER 65 MILLION.

118
00:06:22,565 --> 00:06:25,111
EVEN IF THEY INFLATED IT 20%
WE'RE STILL NOT EVEN CLOSE.

119
00:06:25,135 --> 00:06:28,498
- YOU MAKE CONCESSIONS.
- LIKE WHAT, SHOOT IN MALIBU
FOR COLOMBIA?

120
00:06:28,522 --> 00:06:30,433
<i>THEY SHOT "KING
KONG" IN NEW ZEALAND</i>

121
00:06:30,457 --> 00:06:32,986
AND THAT MONKEY CLIMBED
UP THE EMPIRE STATE BUILDING.

122
00:06:33,010 --> 00:06:36,089
IF YOU WANT THIS THING, YOU
FIGURE OUT A WAY TO MAKE IT WORK.

123
00:06:36,113 --> 00:06:39,092
- THEY ALWAYS
FIGHT THIS MUCH?
- UH-HUH.

124
00:06:39,116 --> 00:06:40,726
LOOK, GUYS, THIS IS WHAT I GOT

125
00:06:40,750 --> 00:06:42,228
AND IT'S KIND OF NON-NEGOTIABLE.

126
00:06:42,252 --> 00:06:44,063
SO IF YOU THINK YOU
CAN MAKE IT WORK,

127
00:06:44,087 --> 00:06:46,032
I'M IN FOR LETTING YOU
DO IT HOW YOU WANT TO.

128
00:06:46,056 --> 00:06:47,984
ALL RIGHT? SO WHAT DO YOU THINK?

129
00:06:48,008 --> 00:06:50,720
- E?
- <i>I THINK THIS MOVIE</i>
<i>NEEDS A DIRECTOR</i>

130
00:06:50,744 --> 00:06:53,456
WITH A VISION AND A GUY THAT
KNOWS HOW TO STRETCH A DOLLAR.

131
00:06:53,480 --> 00:06:55,174
WALSH.

132
00:06:55,198 --> 00:06:57,693
YEP. YOU KNOW A DIRECTOR
NAMED BILLY WALSH, NICKY?

133
00:06:57,717 --> 00:06:59,478
ARE YOU KIDDING? "I
AM QUEENS BOULEVARD."

134
00:06:59,502 --> 00:07:01,163
BOOM.

135
00:07:01,187 --> 00:07:03,132
THIS IS JUST TEMPORARY HOUSING

136
00:07:03,156 --> 00:07:05,535
UNTIL I FIND SOMETHING
I REALLY WANT TO LIVE IN.

137
00:07:05,559 --> 00:07:08,338
NO PROBLEM, WE HAVE
MONTH-TO-MONTH LEASES.

138
00:07:08,362 --> 00:07:09,362
FANTASTIC.

139
00:07:11,365 --> 00:07:13,610
YOU'RE ON THAT SHOW...

140
00:07:13,634 --> 00:07:15,345
"FIVE TOWNS," RIGHT?

141
00:07:15,369 --> 00:07:17,313
- INDEED I AM.
- I KNEW IT!

142
00:07:17,337 --> 00:07:19,282
- ARE YOU A FAN?
- MY DAUGHTER IS.

143
00:07:19,306 --> 00:07:22,051
SHE LOVES THAT YOUNG BOY
WHO'S ALWAYS TAKING HIS SHIRT OFF.

144
00:07:22,075 --> 00:07:24,153
- MM, CUTIE.
- OH, YEAH.

145
00:07:24,177 --> 00:07:27,139
SO DOESN'T THE STAR
OF HIS OWN TV SHOW

146
00:07:27,163 --> 00:07:28,708
WANT SOMETHING BIGGER?

147
00:07:28,732 --> 00:07:30,510
NO, A LOFT IS ALL I NEED.

148
00:07:30,534 --> 00:07:32,895
YOU SHOULD GET A LITTLE
EXTRA SPACE, DRAMA.

149
00:07:32,919 --> 00:07:36,098
I'LL GET EXTRA SPACE WHEN I
KNOW IF MY SHOW GETS PICKED UP.

150
00:07:36,122 --> 00:07:39,068
I'M NOT GETTING SUCKED INTO THE
TRAPPINGS OF CELEBRITY LIFE AGAIN.

151
00:07:39,092 --> 00:07:40,570
I'M NOT DOING IT.

152
00:07:40,594 --> 00:07:42,371
OKAY...

153
00:07:42,395 --> 00:07:43,973
HERE WE ARE.

154
00:07:43,997 --> 00:07:47,143
YOU GOTTA BE KIDDING ME.

155
00:07:47,167 --> 00:07:49,896
QUIET. IT'S PERFECT.

156
00:07:49,920 --> 00:07:51,948
Vince: SO WHAT IS HE SHOOTING?

157
00:07:51,972 --> 00:07:53,182
Eric: HE DIDN'T SAY.

158
00:07:53,206 --> 00:07:56,118
- IS HE EVEN AVAILABLE?
- HE DIDN'T SAY.

159
00:07:56,142 --> 00:07:57,954
LOOK, THERE'S A CAMERA TRUCK.

160
00:07:57,978 --> 00:08:00,378
THIS MUST BE THE PLACE.

161
00:08:02,883 --> 00:08:05,561
Man:<i> OH, BEAUTIFUL,</i> BEAUTIFUL...

162
00:08:05,585 --> 00:08:07,363
BEAUTIFUL.

163
00:08:07,387 --> 00:08:09,532
OKAY, NOW PUSH IN.

164
00:08:12,592 --> 00:08:15,571
- Woman:<i> OH YEAH.</i>
- YOU READY FOR YOUR
POP SHOT, PHILLIPE?

165
00:08:15,595 --> 00:08:18,541
Phillipe: OH OH, I
THINK I BLEW IT.

166
00:08:18,565 --> 00:08:22,111
AGAIN YOU BLEW IT?
YOU USELESS PUTZ!

167
00:08:22,135 --> 00:08:23,846
Phillipe: <i>SORRY, WALLY.</i>

168
00:08:23,870 --> 00:08:25,515
"BOOGIE NIGHTS II"?

169
00:08:25,539 --> 00:08:28,384
OH! THERE THEY ARE,
THE SUIT AND THE STAR.

170
00:08:28,408 --> 00:08:31,187
HEY, EVERYBODY, WAKE UP. A REAL
ACTOR JUST ARRIVED ON THE SET.

171
00:08:31,211 --> 00:08:33,122
<i>YOU COULD ALL LEARN A
THING OR TWO FROM HIM.</i>

172
00:08:33,146 --> 00:08:36,625
- HEY.
- WHAT'S UP, BILLY?

173
00:08:36,649 --> 00:08:38,394
IT'S WALLY AROUND HERE.

174
00:08:38,418 --> 00:08:39,845
I'M BREAKING FOR LUNCH.

175
00:08:39,869 --> 00:08:42,015
AMUSE YOURSELVES.
COME ON, VIN, WE'LL GO TALK.

176
00:08:42,039 --> 00:08:44,350
HEY, BILLY.

177
00:08:44,374 --> 00:08:47,403
HEY, THEY ALLOW PETS IF YOU
WANTED ME TO TAKE AHNOLD.

178
00:08:47,427 --> 00:08:50,790
- I WOULD NOT SUBJECT
AHNOLD TO THAT SHITHOLE.
- YOU'D RATHER BOARD HIM?

179
00:08:50,814 --> 00:08:53,476
I'D RATHER PUT HIM OUT ON THE
STREETS AND LET HIM FEND FOR HIMSELF.

180
00:08:53,500 --> 00:08:55,194
TO EACH HIS OWN, BUT
HE'S ALWAYS WELCOME.

181
00:08:55,218 --> 00:08:57,980
- YOU TOO, TURTLE.
- THANKS.

182
00:09:00,206 --> 00:09:03,068
HEY, SHAUNA, HOW IS MY
LOVELY PUBLICIST DOING?

183
00:09:03,092 --> 00:09:05,804
I'M NOT YOUR PUBLICIST TILL YOU
WRITE A CHECK, YOU CHEAP FUCK.

184
00:09:05,828 --> 00:09:07,724
UNTIL THEN I'M SIMPLY
DOING VINCE A FAVOR.

185
00:09:07,748 --> 00:09:10,976
WELL, WHATEVER IT IS YOU'RE DOING,
I DO APPRECIATE IT. SO WHAT'S UP?

186
00:09:11,000 --> 00:09:14,496
I'M TRYING TO FIND OUT IF YOU'RE
ACTUALLY RENTING AN $800-A-MONTH STUDIO?

187
00:09:14,520 --> 00:09:17,150
- IT'S A LOFT. HOW'D YOU KNOW?
- <i>"Us Weekly" just called.</i>

188
00:09:17,174 --> 00:09:19,384
APPARENTLY YOUR NEW
LANDLORD LIKES TO TALK.

189
00:09:19,408 --> 00:09:22,154
SWEET. DO THEY WANT TO DO
A PHOTO SHOOT OVER THERE?

190
00:09:22,178 --> 00:09:25,424
NO ONE'S PHOTOGRAPHING ANYTHING,
DRAMA. I TOLD THEM IT WASN'T TRUE.

191
00:09:25,448 --> 00:09:28,010
- WHY?
- <i>Because Vincent Chase's</i>
brother cannot be living

192
00:09:28,034 --> 00:09:30,713
LIKE A TRANSIENT CRACK WHORE,
NOT WHILE VINCE DOESN'T HAVE JOB.

193
00:09:30,737 --> 00:09:32,682
YOU'RE ON A NETWORK
FUCKING SHOW.

194
00:09:32,706 --> 00:09:35,818
WAKE UP, GET A LIFE AND GET A PLACE WITH
TWO TOILETS, IF NOT FOR YOU, FOR VINCE.

195
00:09:35,842 --> 00:09:37,519
SO THAT THIS TOWN
DOESN'T GET THE IMPRESSION

196
00:09:37,543 --> 00:09:39,638
THAT HE SOLD HIS HOUSE
BECAUSE HE'S BROKE, EVEN IF HE IS.

197
00:09:39,662 --> 00:09:42,858
- <i>Will you do that</i>
<i>for Vince, Drama?</i>
- YEAH, OF COURSE I WILL.

198
00:09:42,882 --> 00:09:45,044
GREAT, THERE'S AN
APARTMENT AT 8812 BURTON WAY

199
00:09:45,068 --> 00:09:47,346
I JUST LOOKED AT WITH A
CLIENT. IT'D BE PERFECT FOR YOU.

200
00:09:47,370 --> 00:09:49,748
- GREAT AREA,
REASONABLY PRICED.
- WHAT'S REASONABLE?

201
00:09:49,772 --> 00:09:51,717
GOODBYE, DRAMA. MAKE
SURE SHE DOESN'T TAKE A NAP.

202
00:09:51,741 --> 00:09:53,352
I DON'T WANT TO BE
UP ALL FUCKING NIGHT.

203
00:09:53,376 --> 00:09:55,587
WHAT'S UP?

204
00:09:55,611 --> 00:09:58,630
MY BUDGET. TAKE US TO 90210.

205
00:10:02,619 --> 00:10:05,097
SO THE SUIT IS
PRODUCING A MOVIE, HUH?

206
00:10:05,121 --> 00:10:07,366
ACTUALLY, WE'RE
BOTH PRODUCING IT.

207
00:10:07,390 --> 00:10:09,669
WHAT DO YOU KNOW ABOUT
PRODUCING A MOVIE, SUIT?

208
00:10:09,693 --> 00:10:12,038
- I KNOW A GOOD SCRIPT.
- SAYS WHO?

209
00:10:12,062 --> 00:10:14,339
I FOUND "QUEENS
BOULEVARD," DIDN'T I?

210
00:10:14,363 --> 00:10:16,241
AH, THE LUCK OF THE IRISH.

211
00:10:16,265 --> 00:10:18,077
HEY, COME ON, BILLY,
WHAT DO YOU SAY?

212
00:10:18,101 --> 00:10:19,611
YOU WANT TO MAKE A MOVIE?

213
00:10:19,635 --> 00:10:21,814
I'M MAKING MOVIES,
VINCE, MY WAY.

214
00:10:21,838 --> 00:10:24,050
YOUR WAY? THEY'RE
CALLING YOU "WALLY" IN THERE.

215
00:10:25,374 --> 00:10:27,053
<i>WHAT'S THAT ALL ABOUT?</i>

216
00:10:27,077 --> 00:10:29,388
"WALLY BALLS"...
THAT'S MY ALIAS.

217
00:10:29,412 --> 00:10:30,506
<i>IT'S CATCHY, AIN'T IT?</i>

218
00:10:30,530 --> 00:10:32,575
AND THEY GAVE ME
A 25-PICTURE DEAL

219
00:10:32,599 --> 00:10:35,011
AFTER SEEING ME
SHOOT ONLY ONE SCENE.

220
00:10:35,035 --> 00:10:38,214
BILLY WALSH IS GONNA
BRING THE 1970S-TYPE CLASS

221
00:10:38,238 --> 00:10:41,050
BACK TO PORN. AND THE WIDE BUSH.

222
00:10:41,074 --> 00:10:44,136
WE GOT A REAL MOVIE HERE,
BILLY. YOU'RE GONNA LOVE IT.

223
00:10:44,160 --> 00:10:47,707
- IT'S RIGHT UP YOUR ALLEY.
- SUIT, YOU GOT NO FUCKING IDEA
WHAT MY ALLEY IS.

224
00:10:47,731 --> 00:10:50,159
<i>I NEVER MADE MOVIES FOR
MONEY AND I NEVER MADE MOVIES</i>

225
00:10:50,183 --> 00:10:51,560
<i>TO PLEASE ANYBODY BUT MYSELF,</i>

226
00:10:51,584 --> 00:10:55,147
AND, VINCE, AS GREAT
AS IT WAS TO MAKE "Q.B."

227
00:10:55,171 --> 00:10:57,383
THE PAIN OF HAVING IT
RIPPED AWAY FROM ME

228
00:10:57,407 --> 00:10:59,702
AND FUCKING BUTCHERED
WAS JUST TOO MUCH TO BEAR.

229
00:10:59,726 --> 00:11:02,271
I REALLY APPRECIATE
YOU COMING DOWN HERE

230
00:11:02,295 --> 00:11:04,773
BUT I'M SORRY.

231
00:11:04,797 --> 00:11:08,244
YEAH, ME TOO, BILLY. ME TOO.

232
00:11:08,268 --> 00:11:11,113
SUIT, BEST OF LUCK
TO YOU, ALL RIGHT?

233
00:11:11,137 --> 00:11:12,615
<i>YEAH, YOU TOO, BILLY.</i>

234
00:11:12,639 --> 00:11:14,617
<i>I GUESS YOU DON'T NEED
LUCK THOUGH, RIGHT?</i>

235
00:11:14,641 --> 00:11:17,619
IT LOOKS LIKE YOU GOT
EVERYTHING YOU NEED RIGHT HERE.

236
00:11:17,643 --> 00:11:20,622
INSULT ME, SUIT, AND I WILL
BITE OFF YOUR FUCKING NOSE.

237
00:11:20,646 --> 00:11:23,026
YOU KNOW WHAT? I'VE KNOCKED
OUT GUYS TALLER THAN YOU.

238
00:11:23,050 --> 00:11:24,560
- FUCK YOU.
- FUCK<i> YOU.</i>

239
00:11:24,584 --> 00:11:26,512
HEY, GUYS GUYS, COME ON.

240
00:11:26,536 --> 00:11:29,715
YOU'RE RIGHT, I DON'T KNOW
ANYTHING ABOUT PRODUCING MOVIES

241
00:11:29,739 --> 00:11:33,252
BUT I DO KNOW THIS GUY, THIS
SCRIPT AND YOU DIRECTING...

242
00:11:33,276 --> 00:11:34,954
EVEN THOUGH YOU ARE
A TOTAL DOUCHEBAG...

243
00:11:34,978 --> 00:11:36,060
IS A HOME RUN.

244
00:11:38,748 --> 00:11:42,661
GIVE ME THE SCRIPT,
SUIT. I NEED AN HOUR.

245
00:11:42,685 --> 00:11:46,165
EVETTE, GET ME A FLUFFER
IN THE GREENROOM.

246
00:11:46,189 --> 00:11:48,467
I GOT READING TO DO.

247
00:11:48,491 --> 00:11:50,202
YEAH, WE'LL BE WAITING.

248
00:11:50,226 --> 00:11:51,803
REALLY?

249
00:11:51,827 --> 00:11:54,323
YEAH, WHAT ELSE WE GOT TO DO?

250
00:12:03,923 --> 00:12:05,935
FUCKING BEVERLY HILLS...

251
00:12:05,959 --> 00:12:07,703
EVEN THE WATER'S PRICIER HERE.

252
00:12:07,727 --> 00:12:09,705
I DON'T KNOW, IT LOOKS
PRETTY NICE TO ME,

253
00:12:09,729 --> 00:12:11,941
ESPECIALLY COMPARED
TO THAT DUMP WE JUST LEFT.

254
00:12:11,965 --> 00:12:13,776
DON'T BE FOOLED BY
THE EXTERIOR, TURTLE.

255
00:12:13,800 --> 00:12:16,011
THIS PLACE WILL BE HALF
THE SIZE AND TWICE THE PRICE

256
00:12:16,035 --> 00:12:19,048
JUST SO YOU CAN TELL PEOPLE YOU
GOT THE SAME ZIP AS SHANNEN DOHERTY.

257
00:12:19,072 --> 00:12:20,549
Man:<i> Hello?</i>

258
00:12:20,573 --> 00:12:23,093
WE'RE HERE TO SEE
THE TWO BEDROOM.

259
00:12:23,693 --> 00:12:26,260
GENTLEMEN.

260
00:12:28,931 --> 00:12:30,509
MY GOD.

261
00:12:30,533 --> 00:12:33,011
AHNOLD COULD
DEFINITELY STAY HERE.

262
00:12:33,035 --> 00:12:36,148
EVERYTHING'S BEEN REDONE AND
RESTORED IN THE PAST NINE MONTHS...

263
00:12:36,172 --> 00:12:40,085
MARBLE BATHROOM FLOORS,
SUNKEN TUB, STEAM SHOWER.

264
00:12:40,109 --> 00:12:42,120
WHOA, LOOK AT THIS VIEW.

265
00:12:42,144 --> 00:12:43,789
LOOK AT THIS KITCHEN.

266
00:12:43,813 --> 00:12:45,424
Realtor: <i>ALL VIKING.
IT WAS PUT IN</i>

267
00:12:45,448 --> 00:12:48,427
WHEN ONE OF THE CONTESTANTS
FROM "THE IRON CHEF" STAYED HERE.

268
00:12:48,451 --> 00:12:50,712
SO WHAT DO YOU THINK?

269
00:12:50,736 --> 00:12:52,514
Drama: <i>I THINK IT'S FANTASTIC.</i>

270
00:12:52,538 --> 00:12:53,816
I THINK IT'S HOME.

271
00:12:53,840 --> 00:12:55,685
- <i>GREAT.</i>
- AHEM.

272
00:12:55,709 --> 00:12:58,454
BUT THERE ARE SOME PROBLEMS.

273
00:12:58,478 --> 00:13:00,656
FOR ONE, IF I HAD MY DRUTHERS,

274
00:13:00,680 --> 00:13:03,025
I WOULD FACE NORTHEAST

275
00:13:03,049 --> 00:13:05,828
NOT SOUTHWEST, WHICH
THIS CLEARLY DOES.

276
00:13:05,852 --> 00:13:08,497
<i>AND $2500 A MONTH</i>

277
00:13:08,521 --> 00:13:10,182
IS NOT WHAT I WAS
PLANNING ON SPENDING.

278
00:13:10,206 --> 00:13:11,951
WHAT KIND OF WIGGLE
ROOM YOU GOT THERE?

279
00:13:11,975 --> 00:13:14,153
$2500 A MONTH? NO.

280
00:13:14,177 --> 00:13:17,155
THIS IS A CONDO. IT'S
FOR SALE AT 1.4 MILLION.

281
00:13:17,179 --> 00:13:18,990
1.4 MILLION?

282
00:13:19,014 --> 00:13:21,310
WAIT, IS THIS 8812 BURTON WAY?

283
00:13:21,334 --> 00:13:23,345
NO, IT'S 8814.

284
00:13:23,369 --> 00:13:26,482
OH.

285
00:13:26,506 --> 00:13:29,168
I NEVER DID TWO GUYS BEFORE.

286
00:13:29,192 --> 00:13:31,370
THERE'S A FIRST TIME
FOR EVERYTHING, RIGHT?

287
00:13:31,394 --> 00:13:33,005
I GUESS.

288
00:13:33,029 --> 00:13:34,673
- AWESOME.
- YEAH?

289
00:13:34,697 --> 00:13:36,409
- YEAH, I BOUGHT IT.
- SWEET.

290
00:13:36,433 --> 00:13:37,443
WANT TO RUN IT AGAIN?

291
00:13:37,467 --> 00:13:39,077
- YEAH.
- OKAY.

292
00:13:39,101 --> 00:13:41,864
- PICK ANY RESTAURANT YOU WANT.
- Sloan:<i> Wow, so accommodating.</i>

293
00:13:41,888 --> 00:13:44,650
I'M FEELING GOOD. I'M JUST PRAYING
THIS MANIAC LIKES THE SCRIPT.

294
00:13:44,674 --> 00:13:47,736
ALL RIGHT, I'LL WEAR MY GOOD-LUCK
MANOLOS. HOW ABOUT GIORGIO'S?

295
00:13:47,760 --> 00:13:49,255
- PERFECT.
- <i>8:00?</i>

296
00:13:49,279 --> 00:13:50,505
<i>Sounds good.</i>

297
00:13:50,529 --> 00:13:52,091
- LOVE YOU.
- <i>Love you too.</i>

298
00:13:52,115 --> 00:13:53,926
- VINNY!
- <i>YO.</i>

299
00:13:53,950 --> 00:13:56,612
- <i>VINCENT!</i>
- TALK TO ME, WHAT?

300
00:13:56,636 --> 00:13:58,014
PABLO ESCOBAR?

301
00:13:58,038 --> 00:14:01,100
PABLO FUCKING ESCOBAR?

302
00:14:01,124 --> 00:14:03,435
I WANTED TO MAKE A
MOVIE ABOUT THIS GUY

303
00:14:03,459 --> 00:14:05,371
SINCE THE FIRST TIME I
READ A STORY ABOUT HIM

304
00:14:05,395 --> 00:14:08,374
BLOWING UP THAT AIRLINER.
I LOVE PABLO ESCOBAR.

305
00:14:08,398 --> 00:14:10,109
SO YOU LIKE THE SCRIPT?

306
00:14:10,133 --> 00:14:12,111
WHAT, WAS I NOT
JUST FUCKING CLEAR?

307
00:14:12,135 --> 00:14:13,746
CAN YOU DO IT FOR 25 MILLION?

308
00:14:13,770 --> 00:14:15,615
I DON'T SEE WHY NOT.

309
00:14:15,639 --> 00:14:17,099
I NEED TO TALK TO THE FINANCIER.

310
00:14:17,123 --> 00:14:18,834
NO PROBLEM.

311
00:14:18,858 --> 00:14:20,936
I LOVE IT, VINCE. THANK YOU.

312
00:14:20,960 --> 00:14:23,605
WE'RE GONNA WIN YOU AN OSCAR.

313
00:14:23,629 --> 00:14:25,675
Drama: THESE HALLWAYS
ARE TOO NARROW.

314
00:14:25,699 --> 00:14:27,543
- STOP COMPLAINING.
- AND IT'S HOT.

315
00:14:27,567 --> 00:14:30,245
WHAT, THEY GOT NO FREAKING
AIR CONDITIONER IN THIS PLACE?

316
00:14:30,269 --> 00:14:31,947
JEEZ, YOU'RE A MISERY.

317
00:14:31,971 --> 00:14:33,883
THIS IS THE UNIT RIGHT HERE.

318
00:14:33,907 --> 00:14:36,451
IT'S SO SPACIOUS AND LOVELY.

319
00:14:36,475 --> 00:14:38,475
I'M SURE IT IS.

320
00:14:40,714 --> 00:14:43,693
HUH. IT'S NOT BAD.

321
00:14:43,717 --> 00:14:46,628
EAT-IN KITCHEN, TWO
BEDROOMS, TWO BATHS

322
00:14:46,652 --> 00:14:48,931
WALKING DISTANCE FROM
ALL THE MAJOR SHOPS.

323
00:14:48,955 --> 00:14:52,017
- WHAT DO YOU THINK?
- I HATE IT.

324
00:14:52,041 --> 00:14:54,753
DRAMA, COME ON, THIS IS A
NICE PLACE IN A NICE AREA

325
00:14:54,777 --> 00:14:57,240
AND IT'S NOT THAT EXPENSIVE.
WHAT'S THE PROBLEM?

326
00:14:57,264 --> 00:15:00,326
THE PROBLEM IS I
WANT THAT CONDO.

327
00:15:00,350 --> 00:15:02,044
WILL YOU CALM DOWN, NICKY?

328
00:15:02,068 --> 00:15:03,779
<i>Don't tell me to calm down, E.</i>

329
00:15:03,803 --> 00:15:07,416
YOUR BOY WALSH, HE MIGHT BE A
GENIUS, BUT HE'S ALSO AN ASSHOLE.

330
00:15:07,440 --> 00:15:10,369
- WHAT'S THE PROBLEM?
- <i>The problem is the guy</i>
<i>wants more money.</i>

331
00:15:10,393 --> 00:15:13,789
- MORE MONEY?
- YEAH, AND HE KEEPS CALLING ME
"TRUST-FUND BABY."

332
00:15:13,813 --> 00:15:17,175
- JESUS.
- <i>Yeah, right? Also, I can't say for sure</i>

333
00:15:17,199 --> 00:15:19,495
BUT I GET THE DISTINCT
FEELING THE GUY'S TRYING

334
00:15:19,519 --> 00:15:22,348
TO TELL ME THAT HE
FUCKED MY GIRLFRIEND.

335
00:15:22,372 --> 00:15:24,466
THAT'S HIM CALLING ON
THE OTHER LINE RIGHT NOW.

336
00:15:24,490 --> 00:15:26,151
I'M GONNA TAKE CARE
OF IT, DON'T WORRY.

337
00:15:26,175 --> 00:15:27,686
GET HIM IN LINE, E.

338
00:15:27,710 --> 00:15:30,288
- BILLY.
- <i>Hey, E.</i>

339
00:15:30,312 --> 00:15:33,542
THIS FINANCIER OF YOURS IS A
BIGGER JERKOFF THAN YOU ARE.

340
00:15:33,566 --> 00:15:35,194
WHAT ARE YOU ASKING
FOR MORE MONEY FOR?

341
00:15:35,218 --> 00:15:37,363
WHAT ARE YOU TAKING HIS
SIDE? YOU'RE MY PRODUCER.

342
00:15:37,387 --> 00:15:39,097
I'M NOT TAKING SIDES.

343
00:15:39,121 --> 00:15:40,599
FUCK YOU, SUIT.

344
00:15:40,623 --> 00:15:43,469
I LOVE PRODUCING.

345
00:15:43,493 --> 00:15:46,872
THE PLACE SHAUNA SENT
ME IS A COMPLETE SHITHOLE.

346
00:15:46,896 --> 00:15:49,207
IT'S ONLY TEMPORARY,
RIGHT, JOHNNY?

347
00:15:49,231 --> 00:15:51,877
YEAH, BUT IT DOESN'T MEAN I
SHOULD LIVE LIKE AN ANIMAL, BRO.

348
00:15:51,901 --> 00:15:54,212
I THOUGHT YOU WERE GETTING
A NICER PLACE FOR VINCE.

349
00:15:54,236 --> 00:15:55,948
THAT WAS UNTIL I
SAW THE KITCHEN.

350
00:15:55,972 --> 00:15:58,134
NOW IT'S FOR ME.

351
00:15:58,158 --> 00:15:59,952
SO DO IT. SAY "FUCK
IT." I ALWAYS DO.

352
00:15:59,976 --> 00:16:01,953
WHAT IF MY SHOW
DOESN'T GET PICKED UP?

353
00:16:01,977 --> 00:16:04,840
IT PREMIERED TO 16 MILLION
VIEWERS. IT'S GETTING PICKED UP.

354
00:16:04,864 --> 00:16:07,393
AND IF IT DON'T, YOU'VE BEEN
KICKED OUT OF A CONDO BEFORE.

355
00:16:07,417 --> 00:16:09,361
IT'S GOT TO BE EASIER
THE SECOND TIME.

356
00:16:09,385 --> 00:16:11,897
VINCE, YOU REALLY
THINK I SHOULD DO IT?

357
00:16:11,921 --> 00:16:14,583
JOHNNY, IF IT MAKES YOU HAPPY,
MAKE THEM A MODEST OFFER.

358
00:16:14,607 --> 00:16:17,069
IF THEY ACCEPT IT,
GREAT. IF NOT, MOVE ON.

359
00:16:17,093 --> 00:16:19,087
YEAH.

360
00:16:19,111 --> 00:16:21,023
I'M GOING TO LOWBALL
THE SHIT OUT OF THEM.

361
00:16:21,047 --> 00:16:22,408
I HAVE DINNER PLANS ALREADY.

362
00:16:22,432 --> 00:16:24,593
NO, WHAT YOU HAVE IS A
VERY NERVOUS MONEYMAN, E.

363
00:16:24,617 --> 00:16:27,062
I TOLD HIM I'D HANDLE THIS,
SO WHY IS HE CALLING YOU?

364
00:16:27,086 --> 00:16:30,532
HE'S CALLING ME BECAUSE HE SORT
OF SEES ME AS A SECOND FATHER

365
00:16:30,556 --> 00:16:33,936
AND HE SORT OF SEES YOU AS A GUY
WHO HAS NO IDEA HOW TO PRODUCE.

366
00:16:33,960 --> 00:16:35,837
<i>Now, I suggest</i>

367
00:16:35,861 --> 00:16:39,258
YOU PRODUCE YOURSELF AT
DINNER TO CALM EVERYONE DOWN.

368
00:16:39,282 --> 00:16:41,109
<i>Will I see you at dinner?</i>

369
00:16:41,133 --> 00:16:43,546
YES, AND THANK YOU FOR THE
FATHERLY ADVICE AS ALWAYS.

370
00:16:43,570 --> 00:16:46,281
WE GOT TO HAVE DINNER WITH
WALSH AND RUBENSTEIN TONIGHT.

371
00:16:46,305 --> 00:16:47,482
DISASTER.

372
00:16:47,506 --> 00:16:49,451
IT'S NOT A DISASTER,
IT'LL BE FINE.

373
00:16:49,475 --> 00:16:52,187
I MEANT A DISASTER THAT YOU GOT
TO CANCEL ANOTHER MEAL ON SLOAN.

374
00:16:52,211 --> 00:16:55,207
- Turtle: YEAH, JESUS,
YOU'RE IN DEEP SHIT.
- WHAT IS WRONG WITH YOU GUYS?

375
00:16:55,231 --> 00:16:57,943
I'VE STAYED AT SLOAN'S 100
TIMES OVER THE PAST TWO YEARS.

376
00:16:57,967 --> 00:16:59,962
WHAT EXACTLY DO YOU
THINK HAS CHANGED?

377
00:16:59,986 --> 00:17:03,432
THE BOXES, E. YOU
BROUGHT OVER BOXES.

378
00:17:03,456 --> 00:17:06,017
Turtle: <i>YOU PLANTED A FLAG.</i>

379
00:17:06,041 --> 00:17:07,352
CANCELING A MEAL IS GOING TO BE

380
00:17:07,376 --> 00:17:09,854
A WHOLE LOT DIFFERENT
AFTER A PLANTING.

381
00:17:09,878 --> 00:17:11,990
Eric: <i>ARE YOU SURE
YOU'RE NOT MAD?</i>

382
00:17:12,014 --> 00:17:13,893
WHY DO YOU KEEP ASKING ME THAT?

383
00:17:13,917 --> 00:17:17,129
IT'S NOT THAT BIG OF A DEAL. WE'LL
HAVE DINNER TOMORROW NIGHT, RIGHT?

384
00:17:17,153 --> 00:17:19,398
<i>OF COURSE. ANYWHERE
YOU WANT, I PROMISE.</i>

385
00:17:19,422 --> 00:17:22,134
DON'T PROMISE, E.

386
00:17:22,158 --> 00:17:23,936
HUH?

387
00:17:23,960 --> 00:17:26,439
OH, I JUST MEAN YOU DON'T KNOW
WHAT MIGHT HAPPEN TOMORROW.

388
00:17:26,463 --> 00:17:27,807
SO YOU ARE MAD.

389
00:17:27,831 --> 00:17:30,976
I'M NOT MAD. I AM BEING
FUNNY... I THOUGHT.

390
00:17:31,000 --> 00:17:32,877
CAN I PUT THIS IN
THE OTHER ROOM?

391
00:17:32,901 --> 00:17:33,879
SURE.

392
00:17:33,903 --> 00:17:35,848
AND I AM NOT HANGING THAT.

393
00:17:35,872 --> 00:17:37,082
WHAT, YOU DON'T LIKE THIS?

394
00:17:37,106 --> 00:17:40,152
THIS WILL LOOK
GREAT ABOVE THE TV.

395
00:17:40,176 --> 00:17:42,321
WHAT THE HELL ARE WE DOING?

396
00:17:42,345 --> 00:17:44,122
ABOUT WHAT?

397
00:17:44,146 --> 00:17:45,958
ABOUT US.

398
00:17:45,982 --> 00:17:48,761
- ABOUT US?
- YEAH.

399
00:17:48,785 --> 00:17:51,697
WOW.

400
00:17:51,721 --> 00:17:53,632
<i>"WOW" WHAT?</i>

401
00:17:53,656 --> 00:17:55,634
THE GUYS SAID YOU WERE
GONNA GIVE ME A HARD TIME

402
00:17:55,658 --> 00:17:57,119
<i>ABOUT STAYING HERE.</i>

403
00:17:57,143 --> 00:17:59,154
OH, SO NOW I'M THAT GIRL.

404
00:17:59,178 --> 00:18:01,623
I DON'T KNOW, ARE YOU?

405
00:18:01,647 --> 00:18:05,194
ALL RIGHT, YOU KNOW WHAT?
I'M NOT GONNA FIGHT WITH YOU.

406
00:18:05,218 --> 00:18:09,364
YOU'VE HAD A STRESSFUL DAY
WITH THE MOVIE STUFF AND THE MOVE

407
00:18:09,388 --> 00:18:10,999
SO LET'S JUST TALK TOMORROW.

408
00:18:11,023 --> 00:18:14,269
OH, I'M SORRY. YOU'RE
UPSET... I WANT TO TALK NOW.

409
00:18:14,293 --> 00:18:17,456
OKAY.

410
00:18:17,480 --> 00:18:19,157
WHAT IS YOUR PLAN?

411
00:18:19,181 --> 00:18:22,544
IF YOU GO AND SHOOT
THIS MOVIE FOR SIX MONTHS,

412
00:18:22,568 --> 00:18:25,930
I WANT TO KNOW WHAT ME AND
ALL THESE BOXES ARE WAITING FOR.

413
00:18:25,954 --> 00:18:28,200
- CAN I BE HONEST?
- YEAH.

414
00:18:28,224 --> 00:18:30,669
I'VE BEEN SO CAUGHT UP TRYING
TO PUT THIS MOVIE TOGETHER

415
00:18:30,693 --> 00:18:33,104
I HAVEN'T REALLY
THOUGHT ABOUT IT.

416
00:18:33,128 --> 00:18:35,474
OKAY, I UNDERSTAND.
CAN I BE HONEST?

417
00:18:35,498 --> 00:18:36,808
YEAH.

418
00:18:36,832 --> 00:18:39,833
YOU REALLY NEED TO.

419
00:18:43,856 --> 00:18:46,285
SO YOU LIKE THE PLACE?

420
00:18:46,309 --> 00:18:48,720
I LIKE IT. I DON'T LOVE IT.

421
00:18:48,744 --> 00:18:50,555
HE DOESN'T LOVE IT.

422
00:18:50,579 --> 00:18:53,225
BUT YOU LOVE THE
VIKING KITCHEN, RIGHT?

423
00:18:53,249 --> 00:18:56,395
AGAIN, I LIKE IT.
I DON'T LOVE IT.

424
00:18:56,419 --> 00:18:57,545
HE DOESN'T LOVE IT.

425
00:18:57,569 --> 00:18:59,348
YOU BOYS ARE TRYING
TO HAGGLE, YES?

426
00:18:59,372 --> 00:19:00,632
- YES.
- NO.

427
00:19:00,656 --> 00:19:01,916
NO.

428
00:19:01,940 --> 00:19:04,236
I DON'T HAGGLE. THE
PRICE IS $1.4 MILLION.

429
00:19:04,260 --> 00:19:07,956
WELL, THIS BEING
A BUYER'S MARKET,

430
00:19:07,980 --> 00:19:10,959
MY OFFER IS 950,000

431
00:19:10,983 --> 00:19:12,411
AND THAT'S FINAL.

432
00:19:12,435 --> 00:19:13,746
1.4 MILLION.

433
00:19:13,770 --> 00:19:15,581
1.1.

434
00:19:15,605 --> 00:19:16,882
1.4.

435
00:19:16,906 --> 00:19:19,535
SIR, I WOKE UP THIS MORNING

436
00:19:19,559 --> 00:19:22,771
<i>WITH A BUDGET MAPPED OUT
IN MY HEAD OF $1,000 A MONTH.</i>

437
00:19:22,795 --> 00:19:25,574
OBVIOUSLY I HAVE
STEPPED UP CONSIDERABLY

438
00:19:25,598 --> 00:19:28,893
BUT THERE ARE LIMITS,
AND WE HAVE REACHED MINE.

439
00:19:28,917 --> 00:19:30,812
I'M SORRY TO HEAR THAT.

440
00:19:30,836 --> 00:19:32,113
ALL RIGHT, LET'S ROLL.

441
00:19:32,137 --> 00:19:33,698
1.2.

442
00:19:33,722 --> 00:19:36,284
- THERE IS
NO NEGOTIATING.
- 1.3.

443
00:19:36,308 --> 00:19:37,986
DRAMA!

444
00:19:38,010 --> 00:19:39,588
EXCUSE ME ONE MOMENT.

445
00:19:39,612 --> 00:19:42,123
YEAH?

446
00:19:42,147 --> 00:19:44,893
YOU'RE THE WORST
NEGOTIATOR I'VE EVER SEEN.

447
00:19:44,917 --> 00:19:46,729
I'M JUST WORKING HIM IN, TURTLE.

448
00:19:46,753 --> 00:19:48,464
YOU FIGURED OUT YOUR FINANCES.

449
00:19:48,488 --> 00:19:51,032
YOU CAME UP WITH 1.1, WHICH
IS ALREADY A HUGE STRETCH.

450
00:19:51,056 --> 00:19:53,068
NOW YOU'RE OFFERING 1.3?

451
00:19:53,092 --> 00:19:55,804
YOU'RE NOT WORKING ANYBODY.
COME ON, GET IT UNDER CONTROL.

452
00:19:55,828 --> 00:19:57,873
- YOU'RE RIGHT, YOU'RE RIGHT.
- HERE HE COMES.

453
00:19:57,897 --> 00:20:00,442
I'M AFRAID THAT WAS ANOTHER
OFFER AT FULL LISTING.

454
00:20:00,466 --> 00:20:02,210
HE'S BLUFFING.

455
00:20:02,234 --> 00:20:03,784
AM I?

456
00:20:05,821 --> 00:20:08,800
THANK YOU, SIR, I
APPRECIATE YOUR TIME.

457
00:20:08,824 --> 00:20:10,469
I DO YOURS AS WELL.

458
00:20:10,493 --> 00:20:11,970
1.5!

459
00:20:11,994 --> 00:20:13,705
DONE.

460
00:20:13,729 --> 00:20:16,375
FUCK IT. 16 MILLION
VIEWERS OUR FIRST WEEK?

461
00:20:16,399 --> 00:20:18,076
WE'RE GONNA BE
THE NEXT "SEINFELD."

462
00:20:18,100 --> 00:20:19,077
WHERE DO I SIGN?

463
00:20:19,101 --> 00:20:20,445
I GOT YOU SET UP RIGHT HERE.

464
00:20:20,469 --> 00:20:23,232
I NEED 30... I CAN'T DO IT FOR
A DOLLAR LESS THAN THAT.

465
00:20:23,256 --> 00:20:25,401
I DON'T HAVE ANY MORE
MONEY FOR YOU, BIG GUY.

466
00:20:25,425 --> 00:20:28,103
OH, COME ON, YOU PROBABLY
GOT THE CASH OUT IN YOUR CAR,

467
00:20:28,127 --> 00:20:30,472
TRUST-FUND BABY.
NOW JUST PONY IT UP.

468
00:20:30,496 --> 00:20:32,074
STOP CALLING ME TRUST-FUND BABY,

469
00:20:32,098 --> 00:20:34,009
YOU FUCKING ORANGUTAN!

470
00:20:34,033 --> 00:20:36,945
- Eric: GUYS, THIS IS
GETTING US NOWHERE.
- Ari: WE GOT A BUDGET HERE.

471
00:20:36,969 --> 00:20:40,516
HEY, SENIOR AND JUNIOR SUITS, LET THE
CREATIVE PEOPLE TALK TO THE MONEY PEOPLE.

472
00:20:40,540 --> 00:20:42,017
MY LINE PRODUCER
HAS DONE A BUDGET

473
00:20:42,041 --> 00:20:44,886
AND IT'S A BUDGET THAT NOBODY
ELSE ON THE PLANET FUCKING EARTH

474
00:20:44,910 --> 00:20:47,923
COULD DO TO MAKE THIS MOVIE,
BUT IT IS THE BARE MINIMUM.

475
00:20:47,947 --> 00:20:50,359
YOU UNDERSTAND THAT? IT
CANNOT BE DONE FOR LESS.

476
00:20:50,383 --> 00:20:52,594
WHO IS YOUR LINE PRODUCER?
WHERE IS THIS BUDGET?

477
00:20:52,618 --> 00:20:54,996
I'M MY FUCKING LINE
PRODUCER, TRUST-FUND BABY.

478
00:20:55,020 --> 00:20:57,699
- AND IT'S RIGHT HERE.
- <i>YOUR OWN STATIONERY?</i>

479
00:20:57,723 --> 00:21:01,269
NOW I'M GONNA GO
DUMP... YOU LET ME KNOW.

480
00:21:01,293 --> 00:21:05,173
MAKING A MOVIE IS
LIKE GOING TO WAR.

481
00:21:05,197 --> 00:21:08,193
<i>AND AS WE'VE ALL LEARNED,
YOU DON'T GO TO WAR</i>

482
00:21:08,217 --> 00:21:10,534
UNDERPREPARED AND UNDERFINANCED.

483
00:21:13,339 --> 00:21:16,818
OH, AND I WANT FINAL CUT
AND THAT'S NOT NEGOTIABLE.

484
00:21:16,842 --> 00:21:20,455
- FORGET THIS. NO NO, IT'S MY
FUCKING MONEY. FORGET IT!
- WILL YOU CALM DOWN?

485
00:21:20,479 --> 00:21:22,090
- ARI!
- WHAT DO YOU WANT
ME TO DO?

486
00:21:22,114 --> 00:21:24,309
- <i>GET RID OF THIS GUY.</i>
- WE'RE NOT GETTING
RID OF HIM.

487
00:21:24,333 --> 00:21:26,711
- VINCE, THE GUY
IS A LOOSE CANNON.
- HE IS OUR GUY, NICKY.

488
00:21:26,735 --> 00:21:28,947
Eric: <i>NICKY, WE'VE WORKED
WITH HIM, ALL RIGHT?</i>

489
00:21:28,971 --> 00:21:31,616
I HATE HIM AS MUCH AS YOU DO,
BUT THIS GUY IS MAGIC ON THE SET.

490
00:21:31,640 --> 00:21:33,852
HE IS GOING TO MAKE A
BRILLIANT MOVIE, I KNOW IT.

491
00:21:33,876 --> 00:21:36,621
AND IT'S GONNA BE YOUR
BRILLIANT MOVIE, NOT YOUR FATHER'S.

492
00:21:36,645 --> 00:21:39,213
YEAH.

493
00:21:42,318 --> 00:21:43,929
OH, FUCK IT.

494
00:21:43,953 --> 00:21:45,497
FINE.

495
00:21:45,521 --> 00:21:47,499
<i>WHAT'S $5 MILLION?</i>

496
00:21:47,523 --> 00:21:49,318
<i>RIGHT?</i>

497
00:21:49,342 --> 00:21:52,003
THAT IS A LOT OF FUCKING ZEROES.

498
00:21:52,027 --> 00:21:55,106
ALL RIGHT, I GOT TO GO TO GENGHIS
COHEN... MY GIRL'S SINGING THERE.

499
00:21:55,130 --> 00:21:57,609
- I'M GONNA NEED THIS...
- Ari:<i> ALL RIGHT.</i>

500
00:21:57,633 --> 00:21:59,733
YOU'LL NEED THIS. HAVE FUN.

501
00:22:03,722 --> 00:22:07,702
- DID HE SIGN IT?
- YEAH.

502
00:22:07,726 --> 00:22:09,421
30 MILLION.

503
00:22:09,445 --> 00:22:11,006
MADE OUT TO CASH?

504
00:22:11,030 --> 00:22:13,842
GIVE ME THAT CHECK, ARI.

505
00:22:13,866 --> 00:22:16,778
- Eric:<i> DID THIS</i>
<i>JUST FUCKING HAPPEN?</i>
- IT JUST... IT FUCKING HAPPENED.

506
00:22:16,802 --> 00:22:17,763
SAKE BOMBS.

507
00:22:17,787 --> 00:22:19,586
SAKE BOMBS.

508
00:22:20,673 --> 00:22:23,552
BOGOTA, BABY.

509
00:22:23,576 --> 00:22:26,454
WHAT?

510
00:22:26,478 --> 00:22:28,157
I CAN'T BELIEVE YOU
PULLED THIS OFF.

511
00:22:28,181 --> 00:22:29,692
<i>WE</i> PULLED IT OFF.

512
00:22:29,716 --> 00:22:32,360
COME ON. YOU FOUND THE
SCRIPT, YOU PICKED THE DIRECTOR,

513
00:22:32,384 --> 00:22:34,063
YOU CONVINCED THE FINANCIERS.

514
00:22:34,087 --> 00:22:35,931
SO YOU THINK I CAN PRODUCE?

515
00:22:35,955 --> 00:22:38,967
I THINK YOU JUST DID. AND, E, I THINK
YOU DON'T HAVE TO GO TO COLOMBIA

516
00:22:38,991 --> 00:22:41,269
- IF YOU DON'T WANT TO.
- WHAT ARE YOU TALKING ABOUT?

517
00:22:41,293 --> 00:22:44,239
IF YOU WANT TO STAY BACK WITH
SLOAN, STAY AND FIND THE NEXT PROJECT.

518
00:22:44,263 --> 00:22:46,875
THIS IS THE ONE WE'VE BEEN
WAITING FOR, THE ONE THAT'S GONNA

519
00:22:46,899 --> 00:22:48,543
SET US UP FOR THE
REST OF OUR LIVES.

520
00:22:48,567 --> 00:22:50,713
- I WANT TO SEE IT
THROUGH TO THE END.
- AND SLOAN?

521
00:22:50,737 --> 00:22:53,971
- SHE'S GONNA HAVE TO WAIT.
- WHAT IF SHE DOESN'T?

522
00:22:57,893 --> 00:22:59,938
HEY, GIRLS, WE'RE HOME.

523
00:22:59,962 --> 00:23:01,706
YOUR BROTHER'S A MESS.

524
00:23:01,730 --> 00:23:03,341
WHAT'S YOUR PROBLEM?

525
00:23:03,365 --> 00:23:05,744
IT'S DEJA VU ALL
OVER AGAIN, BRO.

526
00:23:05,768 --> 00:23:07,278
I OVEREXTENDED MYSELF.

527
00:23:07,302 --> 00:23:10,415
IF IT DOESN'T WORK, I'M
BACK OUT ON THE STREETS.

528
00:23:10,439 --> 00:23:13,618
COME HERE. COME
ON, COME OUT HERE.

529
00:23:13,642 --> 00:23:16,521
LOOK OUT AT THOSE LIGHTS.

530
00:23:16,545 --> 00:23:18,223
THIS IS OUR CITY.

531
00:23:18,247 --> 00:23:19,792
COME ON, IT'S ALL
GONNA WORK OUT.

532
00:23:19,816 --> 00:23:21,960
THE UNIVERSE ALWAYS HAD A PLAN.

533
00:23:21,984 --> 00:23:25,931
I DON'T BELIEVE IN ANY OF
THAT COSMIC KARMIC BULLSHIT,

534
00:23:25,955 --> 00:23:27,666
SO WHAT IF IT DOESN'T?

535
00:23:27,690 --> 00:23:30,102
IF IT DOESN'T, YOU CAN ALWAYS
MOVE BACK IN WITH VINCE.

536
00:23:30,126 --> 00:23:33,138
PLEASE, BABY BROTHER'S
BROKER THAN ME.

537
00:23:33,162 --> 00:23:35,340
THAT'S A TONGUE TWISTER.

538
00:23:35,364 --> 00:23:36,809
<i>"BABY BROTHER'S BROKER THAN ME.</i>

539
00:23:36,833 --> 00:23:39,010
BABY BROTHER'S BROKER
THAN ME." NO, IT'S NOT.

540
00:23:39,034 --> 00:23:41,735
COME HERE, TURTLE.

541
00:23:46,292 --> 00:23:48,237
- TELL THEM.
- YOU WANT ME TO TELL THEM?

542
00:23:48,261 --> 00:23:49,772
TELL THEM.

543
00:23:49,796 --> 00:23:52,975
WE GOT THE MONEY...
WE'RE MAKING "MEDELLIN."

544
00:23:52,999 --> 00:23:55,593
- FOR REAL THIS TIME?
- FOR REAL.

545
00:23:55,617 --> 00:23:57,830
Drama: SWEET!

546
00:23:57,854 --> 00:24:00,432
VINNY CHASE IS BACK, BABY!

547
00:24:00,456 --> 00:24:02,034
HEY, THIS CALLS FOR TOASTS.

548
00:24:02,058 --> 00:24:03,601
TURTLE, GO GET SOME BUBBLY.

549
00:24:03,625 --> 00:24:04,837
ON THE HOP, LET'S GO.

550
00:24:04,861 --> 00:24:06,604
LOOK AT THIS... WALSH.

551
00:24:06,628 --> 00:24:08,073
UH-OH.

552
00:24:08,097 --> 00:24:10,042
WHAT'S GOING ON, BILLY?
YOU GETTING AMPED?

553
00:24:10,066 --> 00:24:11,844
THE IDEAS ARE FLOWING, SUIT.

554
00:24:11,868 --> 00:24:15,214
I'M SHOOTING THE
WHOLE THING IN SPANISH.

555
00:24:15,238 --> 00:24:17,816
BILLY...

556
00:24:17,840 --> 00:24:20,835
I'M NOT SURE THAT'S
SUCH A GOOD IDEA.

557
00:24:20,859 --> 00:24:24,005
OH WELL, GOOD THING I DON'T GIVE A
FUCK WHAT YOU OR ANYONE ELSE THINKS.

558
00:24:24,029 --> 00:24:27,242
GOT TO LOVE FINAL CUT.

559
00:24:27,266 --> 00:24:29,144
THAT'S SWEET.

560
00:24:29,168 --> 00:24:30,845
WHAT'S UP?

561
00:24:30,869 --> 00:24:34,048
HE SAID HE WANTS TO SHOOT
THE WHOLE THING IN SPANISH.

562
00:24:34,072 --> 00:24:35,717
HUH.

563
00:24:35,741 --> 00:24:37,468
IT COULD WORK.

564
00:24:37,492 --> 00:24:39,192
TO "MEDELLIN," BABY.

565
00:24:50,705 --> 00:24:52,918
TO "MEDELLIN"!