1
00:00:06,507 --> 00:00:08,440
(theme music playing)
2
00:01:17,111 --> 00:01:20,428
- (fanfare)
- (horses neighing)
3
00:01:30,491 --> 00:01:32,674
- CHEERS, BABY.
- CHEERS.
4
00:01:34,128 --> 00:01:36,139
SO ARE WE GONNA TALK ABOUT THAT?
5
00:01:36,163 --> 00:01:39,342
- WHAT?
- THAT HANDCUFF
ON YOUR WRIST.
6
00:01:39,366 --> 00:01:42,629
JESUS, GIVE ME A BREAK.
IT'S A BRACELET, THAT'S ALL.
7
00:01:42,653 --> 00:01:44,463
IT'S CALLED THE LOVE
BRACELET THOUGH, RIGHT?
8
00:01:44,487 --> 00:01:46,116
I DON'T KNOW WHAT IT'S CALLED.
9
00:01:46,140 --> 00:01:48,017
THAT'S WHAT IT'S CALLED...
A CARTIER LOVE BRACELET.
10
00:01:48,041 --> 00:01:50,537
DOES THIS MEAN THAT VINCE
AND AMANDA ARE IN LOVE?
11
00:01:50,561 --> 00:01:53,856
NO, IT MEANS E KNOWS WAY
TOO MUCH ABOUT JEWELRY.
12
00:01:53,880 --> 00:01:55,558
IS THAT WHAT IT'S CALLED, VINCE?
13
00:01:55,582 --> 00:01:57,560
I DON'T KNOW WHAT
IT'S CALLED, TURTLE.
14
00:01:57,584 --> 00:01:59,228
ALL I KNOW IS
YOU'RE ANNOYING ME.
15
00:01:59,252 --> 00:02:01,047
AMANDA GOT ME A GIFT,
16
00:02:01,071 --> 00:02:03,966
A VERY NICE GIFT, AND I
HAPPEN TO LIKE IT, ALL RIGHT?
17
00:02:03,990 --> 00:02:05,618
SO STAY OFF MY ASS.
18
00:02:05,642 --> 00:02:08,388
YOU GUYS ARE NOT GONNA
BELIEVE THE LUCK OF THE IRISH.
19
00:02:08,412 --> 00:02:11,357
- WE'VE GOT A SURE THING
RUNNING IN THE FIFTH.
- REALLY?
20
00:02:11,381 --> 00:02:12,742
- ARE YOU SERIOUS?
- HOW DO YOU KNOW, DRAMA?
21
00:02:12,766 --> 00:02:14,561
BECAUSE I KNOW THE
PONY'S GRANDDAD.
22
00:02:14,585 --> 00:02:16,295
AND IN HORSERACING, AS IN LIFE,
23
00:02:16,319 --> 00:02:18,732
A GOOD LINEAGE IS THE SUREST WAY
24
00:02:18,756 --> 00:02:20,566
TO PREDICT A FINE PERFORMANCE.
25
00:02:20,590 --> 00:02:22,218
WELL, HOW COME YOU'RE
FROM VINCE'S LINEAGE
26
00:02:22,242 --> 00:02:23,586
AND ALL YOUR PERFORMANCES SUCK?
27
00:02:23,610 --> 00:02:26,761
Vince: ALL RIGHT, JOHNNY,
WHO'S THE GRANDDADDY?
28
00:02:28,298 --> 00:02:31,410
KINGMAKER. REMEMBER THAT NAME?
29
00:02:31,434 --> 00:02:32,579
KINGMAKER?
30
00:02:32,603 --> 00:02:34,096
- NO.
- WHO'S THAT?
31
00:02:34,120 --> 00:02:35,532
COME ON, KING MAKER...
32
00:02:35,556 --> 00:02:37,884
HE CAME HOME FOR ME
AT 10 TO ONE AT BELMONT.
33
00:02:37,908 --> 00:02:40,920
THAT'S HOW I BOUGHT THE
LINCOLN. ANY OF THIS RINGING A BELL?
34
00:02:40,944 --> 00:02:42,739
- NOT REALLY.
- NO.
35
00:02:42,763 --> 00:02:45,241
I THOUGHT YOU BOUGHT YOUR LINCOLN
FROM SELLING WEED AT THE HIGH SCHOOL.
36
00:02:45,265 --> 00:02:46,843
- THAT RINGS A BELL.
- WHATEVER.
37
00:02:46,867 --> 00:02:49,245
- YOU GUYS WANNA WIN
SOME DOUGH WITH ME OR NOT?
- YES.
38
00:02:49,269 --> 00:02:50,847
- OBVIOUSLY.
- DEFINITELY.
39
00:02:50,871 --> 00:02:52,949
BUT IT'S NOT TILL THE FIFTH RACE,
SO CAN WE DO ANOTHER SHOT?
40
00:02:52,973 --> 00:02:55,268
YOU GUYS ARE DOING SHOTS
AT 10:30 IN THE MORNING?
41
00:02:55,292 --> 00:02:57,286
RELAX, KID. IT'S A HOLIDAY.
42
00:02:57,310 --> 00:03:00,607
- WHAT HOLIDAY IS IT?
- YOM KIPPUR, RETARD.
43
00:03:00,631 --> 00:03:02,592
OH YEAH, THAT'S RIGHT. I FORGOT.
44
00:03:02,616 --> 00:03:04,661
NO WONDER THERE WAS NO TRAFFIC.
45
00:03:04,685 --> 00:03:07,763
HEY, CHIEF, CAN WE GET A COUPLE
SHOTS OF CUERVO OVER HERE, PLEASE?
46
00:03:07,787 --> 00:03:09,399
YEAH. COMING UP.
47
00:03:09,423 --> 00:03:11,517
- Sarah: I HATE THIS. I'M STARVING.
- NOW YOU KNOW
48
00:03:11,541 --> 00:03:13,787
WHAT MOMMY GOES THROUGH EVERY
DAY TO MAKE A HOT BODY FOR DADDY.
49
00:03:13,811 --> 00:03:16,022
- ARI!
- DADDY'S JUST
KIDDING, SWEETIE.
50
00:03:16,046 --> 00:03:19,525
SARAH, WE FAST AND MAKE OTHER
IMPORTANT SACRIFICES TODAY
51
00:03:19,549 --> 00:03:22,028
TO SHOW GOD WE'RE
SORRY FOR OUR SINS.
52
00:03:22,052 --> 00:03:24,130
- DADDY ATE A BREATH MINT.
- WHAT?
53
00:03:24,154 --> 00:03:26,432
NOW YOU'RE GONNA HAVE TO
ATONE FOR RATTING DADDY OUT, BABY.
54
00:03:26,456 --> 00:03:28,602
WHAT, DO YOU THINK GOD
WANTS MY BREATH TO SMELL?
55
00:03:28,626 --> 00:03:31,972
- Man: ARI.
- THERE HE IS, LITTLE
NICKY RUBENSTEIN.
56
00:03:31,996 --> 00:03:34,007
- SHEILA, HOW ARE YOU? GOOD TO SEE YOU.
- HOW ARE YOU DOING?
57
00:03:34,031 --> 00:03:35,642
- HAPPY NEW YEAR.
- WHERE'S THE OLD MAN?
58
00:03:35,666 --> 00:03:37,343
HE'S ON A PLANE TO COLOMBIA.
59
00:03:37,367 --> 00:03:38,912
ON THE HIGHEST OF
HOLIDAYS, WOULD YOU BELIEVE?
60
00:03:38,936 --> 00:03:40,646
MA, STOP. WE'VE GOT
ENOUGH STRESS TODAY.
61
00:03:40,670 --> 00:03:43,416
YOUR FATHER'S GOT $100 MILLION IN THE
BANK. HOW MUCH STRESS CAN YOU HAVE?
62
00:03:43,440 --> 00:03:45,185
WELL, "MEDALLION"
'S FALLING APART.
63
00:03:45,209 --> 00:03:47,287
IT'S "MEDELLIN," MOM. WHY THE
FUCK CAN'T ANYONE PRONOUNCE IT?
64
00:03:47,311 --> 00:03:49,038
- DO NOT CURSE
IN THE TEMPLE.
- EXCUSE ME.
65
00:03:49,062 --> 00:03:51,374
BENICIO WALKED AND MY FATHER'S
TRYING TO PREVENT THE WHOLE CREW
66
00:03:51,398 --> 00:03:53,726
- FROM DOING THE SAME.
- HE'S BEEN SAYING BENICIO'S
GONNA WALK FOR WEEKS.
67
00:03:53,750 --> 00:03:56,162
NO, IT'S OFFICIAL. CHECK OUT "US
WEEKLY." THERE'S A PICTURE OF HIM
68
00:03:56,186 --> 00:03:58,631
ON A CATAMARAN WITH SOME
BLONDE BOMBSHELL IN ANGUILLA.
69
00:03:58,655 --> 00:04:00,967
- IT WAS ANTIGUA.
- ANTIGUA, ANGUILLA... WHO THE FUCK CARES?
70
00:04:00,991 --> 00:04:03,152
- (all exclaim)
- ALL RIGHT, EXCUSE ME,
EXCUSE ME.
71
00:04:03,176 --> 00:04:05,422
THE POINT IS, HAGGIS
IS FREAKED, OKAY?
72
00:04:05,446 --> 00:04:07,257
AND GATOFF IS GIVING
US TILL SUNDOWN TONIGHT
73
00:04:07,281 --> 00:04:09,175
TO FIND A REPLACEMENT OR HE'S
GONNA SHUT THE WHOLE THING DOWN.
74
00:04:09,199 --> 00:04:11,494
I HEAR CRUISE IS GOING
FOR 10¢ ON THE DOLLAR.
75
00:04:11,518 --> 00:04:13,763
NO NO NO NO. I WANT
YOUR BOY, ARI. I WANT VINCE.
76
00:04:13,787 --> 00:04:16,215
- HE'S NOT MY BOY ANYMORE.
- THEN PUT ME ON THE PHONE
WITH HIM,
77
00:04:16,239 --> 00:04:18,517
'CAUSE THIS GIRL'S AGENCY IS
CLOSED FOR THE FUCKING HOLIDAY.
78
00:04:18,541 --> 00:04:20,770
ARI DOESN'T HAVE A
PHONE, NICK. IT'S YOM KIPPUR.
79
00:04:20,794 --> 00:04:23,556
NICK DOESN'T EITHER BECAUSE I
FRISKED HIM BEFORE WE WALKED OUT.
80
00:04:23,580 --> 00:04:26,226
LOOK, SINCE YOU WON'T COMMISSION
VINCE ON THIS, COMMISSION US, OKAY?
81
00:04:26,250 --> 00:04:27,777
THE BACK END COULD BE HUGE.
82
00:04:27,801 --> 00:04:29,595
JESUS CHRIST, IT IS YOM KIPPUR.
83
00:04:29,619 --> 00:04:32,148
AND LOOK WHO JUST SAID "JESUS
CHRIST." YOUR FATHER AGREED TO THIS?
84
00:04:32,172 --> 00:04:33,817
I KNOW THAT YOU KNOW
I SPEAK FOR THE FAMILY.
85
00:04:33,841 --> 00:04:37,303
- NOW COME ON, HELP A FELLOW
MEMBER OF THE TRIBE.
- ARI.
86
00:04:37,327 --> 00:04:39,372
MY HANDS ARE TIED,
NICK. I CAN'T DO IT.
87
00:04:39,396 --> 00:04:42,347
- NOT TODAY. NO BUSINESS.
- THANK YOU.
88
00:04:48,071 --> 00:04:49,999
(mouths)
89
00:04:50,023 --> 00:04:51,984
50 TO ONE... THAT'S
YOUR SURE THING?
90
00:04:52,008 --> 00:04:53,886
THE BIGGER THE ODDS,
THE BIGGER THE PAYDAY.
91
00:04:53,910 --> 00:04:55,821
I'M IN FOR A G.
92
00:04:55,845 --> 00:04:57,957
A G? ARE YOU OUT OF
YOUR FUCKING MIND?
93
00:04:57,981 --> 00:05:00,693
- TRUST ME.
- I'M PUTTING IN
FIVE BUCKS, THAT'S IT.
94
00:05:00,717 --> 00:05:02,929
- YEAH, I'M GOOD FOR 10.
- PUSSIES.
95
00:05:02,953 --> 00:05:04,764
ARE YOU REALLY
FEELING THIS, JOHNNY?
96
00:05:04,788 --> 00:05:07,600
YEAH, THEY'RE UNDERESTIMATING HIM,
BRO, JUST LIKE THEY DID HIS GRANDDAD.
97
00:05:07,624 --> 00:05:10,370
AND YOU REMEMBER WHAT
HE GOT US? THE LINCOLN, BABY.
98
00:05:10,394 --> 00:05:12,539
REMEMBER ALL THE GOOD
TIMES WE HAD IN THAT CAR?
99
00:05:12,563 --> 00:05:14,807
FIRST KNICK GAME WE EVER
WENT TO WAS IN THAT CAR.
100
00:05:14,831 --> 00:05:17,977
- FIRST GIANTS GAME TOO.
- FIRST TRIP TO A.C. ALSO.
101
00:05:18,001 --> 00:05:19,912
WE NEVER TOOK
THE LINCOLN TO A.C.
102
00:05:19,936 --> 00:05:21,597
YOU MIGHT HAVE BEEN
OUT OF TOWN, JOHNNY.
103
00:05:21,621 --> 00:05:23,599
JESUS CHRIST, WHO DROVE?
104
00:05:23,623 --> 00:05:26,069
(laughs) WHAT'S THE
DIFFERENCE? COME ON, WE'RE IN.
105
00:05:26,093 --> 00:05:28,471
WELL, IT'S ONLY MONEY.
I'M GOOD FOR FIVE Gs.
106
00:05:28,495 --> 00:05:31,374
- FIVE Gs? (whistles)
- WE'RE ALL GONNA GET
RICH TODAY, BABY.
107
00:05:31,398 --> 00:05:34,210
BUT LET ME GO FIRST. I DON'T WANT
YOU GUYS FUCKING UP MY ODDS.
108
00:05:34,234 --> 00:05:36,613
- (phone rings)
- LOOK AT THIS.
109
00:05:36,637 --> 00:05:38,948
WHAT IS THIS, A DRUNK DIAL, ARI?
110
00:05:38,972 --> 00:05:41,684
SORRY, E, THE MANISCHEWITZ
IS NOT FLOWING TILL SUNDOWN.
111
00:05:41,708 --> 00:05:44,069
- What do you want?
- I HAVE AN OFFER. ARE YOU INTERESTED?
112
00:05:44,093 --> 00:05:45,455
YEAH. CALL OUR AGENT.
113
00:05:45,479 --> 00:05:47,123
IRONIC THAT ON MY
PEOPLE'S HOLIDAY
114
00:05:47,147 --> 00:05:48,958
I'M WORKING AND
SHE'S NOT. SUCH IS LIFE.
115
00:05:48,982 --> 00:05:53,797
- SO CALL HER TOMORROW.
- BENICIO JUST QUIT
"MEDELLIN" OFFICIALLY.
116
00:05:53,821 --> 00:05:56,132
They want Vince but
they need him fast.
117
00:05:56,156 --> 00:05:58,017
- SAYS WHO?
- PHIL RUBENSTEIN.
118
00:05:58,041 --> 00:06:00,853
I'M STANDING RIGHT NEXT TO
HIS SON/CO-PRODUCER RIGHT NOW.
119
00:06:00,877 --> 00:06:03,189
- NICK, SAY HELLO.
- HELLO, E.
120
00:06:03,213 --> 00:06:05,942
- HEY, NICK.
- WE WANT VINCE. THIS IS NO BULLSHIT.
121
00:06:05,966 --> 00:06:08,811
- WHAT'S GOING ON?
- ARI'S WITH PHIL RUBENSTEIN'S
SON NICK RIGHT NOW.
122
00:06:08,835 --> 00:06:10,779
THEY WANT YOU TO DO "MEDELLIN."
123
00:06:10,803 --> 00:06:13,616
THIS IS THE THIRD TIME ARI HAS
PROMISED YOU THIS MOVIE, E.
124
00:06:13,640 --> 00:06:16,486
- YEAH, BUT THIS TIME IT'S REAL.
- BY THE WAY, THIS IS ALSO
THE THIRD TIME
125
00:06:16,510 --> 00:06:18,388
YOU PROMISED ME THAT YOU
GUYS WOULD STOP TALKING TO HIM.
126
00:06:18,412 --> 00:06:20,339
WE'RE NOT TALKING TO HIM.
WE'RE TALKING TO NICK RUBENSTEIN.
127
00:06:20,363 --> 00:06:22,007
ARI REPRESENTS HIM.
IT'S NOT OUR FAULT.
128
00:06:22,031 --> 00:06:23,876
NO, I GUESS NOT. BUT I
GUESS IT'S MY PROBLEM.
129
00:06:23,900 --> 00:06:25,645
SO WHAT, I'M SUPPOSED TO
JUST SHOW UP AT A TEMPLE
130
00:06:25,669 --> 00:06:28,080
ON THE MOST RELIGIOUS DAY OF
THE YEAR TO DISCUSS BUSINESS?
131
00:06:28,104 --> 00:06:30,483
YOU'RE NOT JUST SHOWING UP. THEY'RE
EXPECTING YOU. THEY'RE GONNA MEET YOU
132
00:06:30,507 --> 00:06:32,585
IN THE ALLEY BEHIND THE SOUTHERN
ENTRANCE NEXT TO THE DUMPSTERS.
133
00:06:32,609 --> 00:06:35,304
WHAT, SHOULD I BRING A GUN
TOO? COME ON, ERIC, THIS IS ABSURD.
134
00:06:35,328 --> 00:06:37,674
- WHAT'S SHE SAYING?
- SHE DOESN'T WANT
TO GO TO TEMPLE.
135
00:06:37,698 --> 00:06:39,942
- LET ME TALK TO HER.
- SHE'LL GO TEMPLE
FOR VINCE.
136
00:06:39,966 --> 00:06:42,846
Drama: SHE'D GO TO THE GAZA
STRIP IN A YARMULKE FOR VINCE.
137
00:06:42,870 --> 00:06:45,248
YOU REALIZE THAT THIS HAS TO BE
LOCKED DOWN BY SUNSET, RIGHT?
138
00:06:45,272 --> 00:06:47,984
YES, ERIC, I HEARD YOU, AND I
WILL MEET THEM ANYWHERE ELSE.
139
00:06:48,008 --> 00:06:49,836
- AMANDA.
- PUT VINCE ON.
140
00:06:49,860 --> 00:06:52,121
- CAN I TALK TO HER?
- WHY DID YOU WANT ME
TO CALL HER?
141
00:06:52,145 --> 00:06:55,357
I DIDN'T WANT YOU TO FEEL LEFT
OUT OF THE PROCESS. COME ON.
142
00:06:55,381 --> 00:06:57,026
THIS IS NOT A GOOD
SITUATION, VINCE.
143
00:06:57,050 --> 00:06:59,595
- HELLO.
- HEY, VINCE.
144
00:06:59,619 --> 00:07:01,263
OKAY, IT'S YOM KIPPUR.
THIS IS RIDICULOUS.
145
00:07:01,287 --> 00:07:03,249
(laughs) I KNOW, I KNOW.
146
00:07:03,273 --> 00:07:05,618
I KNOW.
147
00:07:05,642 --> 00:07:08,421
LOOKS LIKE YOU'RE THE
THIRD WHEEL NOW, HUH, E?
148
00:07:08,445 --> 00:07:11,057
A TINY LITTLE SPARE WHEEL.
149
00:07:11,081 --> 00:07:12,826
OH, THERE HE IS.
150
00:07:12,850 --> 00:07:14,794
WE LOVE YOU, KING!
151
00:07:14,818 --> 00:07:18,030
- Turtle: AW, HE LOOKS
OUT OF SHAPE.
- WHAT ARE YOU TALKING ABOUT?
152
00:07:18,054 --> 00:07:20,683
LOOK AT THOSE GLUTES.
FUCKING BEAUTIFUL.
153
00:07:20,707 --> 00:07:23,385
DO YOU WANNA WIN MONEY
ON HIM OR FUCK HIM, DRAMA?
154
00:07:23,409 --> 00:07:25,655
DON'T TALK UNCIVILIZED
AT THE TRACK, E.
155
00:07:25,679 --> 00:07:27,189
WHAT'D SHE SAY?
156
00:07:27,213 --> 00:07:29,208
IT'S ALL GOOD. SHE'S
HEADING TO TEMPLE NOW.
157
00:07:29,232 --> 00:07:31,810
THAT WAS A SURE THING.
158
00:07:31,834 --> 00:07:33,746
THIS WILL BE THE EASIEST
PAYCHECK YOU EVER MADE,
159
00:07:33,770 --> 00:07:35,898
EXCEPT FOR THAT STINT
AT SPEARMINT RHINO.
160
00:07:35,922 --> 00:07:38,634
STOP WASTING TIME, ARI. YOU'VE GOT A
LOT OF BEGGING FOR GOD'S FORGIVENESS
161
00:07:38,658 --> 00:07:41,003
- TO GO BACK TO.
- Nick: OKAY, LOOK,
162
00:07:41,027 --> 00:07:43,005
AMANDA, I SPOKE TO
THE BIG STUDIO CHIEF
163
00:07:43,029 --> 00:07:45,341
THIS MORNING, OKAY? AND HE'S
PREPARED TO MEET VINCE'S QUOTE.
164
00:07:45,365 --> 00:07:46,759
GREAT. THEN THIS SHOULD BE EASY.
165
00:07:46,783 --> 00:07:48,761
FANTASTIC. SO WE'VE
GOT A DEAL AT THREE MIL.
166
00:07:48,785 --> 00:07:51,331
UM, NO, BECAUSE
VINCE'S QUOTE IS SIX MIL.
167
00:07:51,355 --> 00:07:54,500
- S-SIX?
- WHAT'S THE MATTER, ARI,
SHORT-TERM MEMORY LOSS?
168
00:07:54,524 --> 00:07:56,569
- ARI, IS IT SIX?
- YEAH, NICK, IT'S SIX.
169
00:07:56,593 --> 00:07:58,070
I SHOULD KNOW, I GOT IT THERE.
170
00:07:58,094 --> 00:08:00,523
OKAY, ARE WE DOING A DEAL
OR TALKING ABOUT GLORY DAYS?
171
00:08:00,547 --> 00:08:02,408
I COULD SWEAR MY
FATHER SAID IT WAS THREE.
172
00:08:02,432 --> 00:08:04,510
WHATEVER. DEAL. IT'S A
DEAL. WE'LL DO IT AT SIX.
173
00:08:04,534 --> 00:08:06,412
GREAT. HAVE ARTHUR SIGN
OFF, CALL ME, AND WE'RE CLOSED.
174
00:08:06,436 --> 00:08:09,365
DONE. WE GET VINCE ON THE PLANE
TONIGHT, DOT THE "I's" IN THE MORNING, YES?
175
00:08:09,389 --> 00:08:10,716
UH, NO. ARTHUR CALLS FIRST.
176
00:08:10,740 --> 00:08:12,535
- UH, AMANDA...
- (men laugh)
177
00:08:12,559 --> 00:08:15,405
AMANDA, ARTHUR GATOFF IS A
VERY RELIGIOUS MAN. IT'S YOM KIPPUR.
178
00:08:15,429 --> 00:08:17,740
THE MAN DOESN'T EVEN LET HIS
KID GO TO LES DEUX ON FRIDAY NIGHT.
179
00:08:17,764 --> 00:08:20,943
I GIVE YOU THE RUBENSTEIN
FAMILY WORD WE HAVE A DEAL AT SIX.
180
00:08:20,967 --> 00:08:22,612
THE RUBENSTEIN FAMILY WORD?
181
00:08:22,636 --> 00:08:24,947
THAT IS REALLY REASSURING, NICK.
182
00:08:24,971 --> 00:08:26,816
WOW. OKAY, AMANDA,
WE'VE CHANGED, ALL RIGHT?
183
00:08:26,840 --> 00:08:28,450
NEITHER ONE OF US HAS
HAD A SIP IN OVER A YEAR.
184
00:08:28,474 --> 00:08:30,553
HERE'S MY NUMBER. THE
PHONE WILL BE ON ALL DAY.
185
00:08:30,577 --> 00:08:32,510
(engine turns over)
186
00:08:35,348 --> 00:08:37,281
Sarah: MOM TOLD ME TO FIND YOU.
187
00:08:39,303 --> 00:08:42,081
YOU DID. I'M IN THE BATHROOM.
I'M NOT FEELING WELL.
188
00:08:42,105 --> 00:08:44,233
I'M ON MY HANDS AND KNEES.
I'M VERY SICK RIGHT NOW, HONEY.
189
00:08:44,257 --> 00:08:46,101
YOU WANT ME TO LIE?!
190
00:08:46,125 --> 00:08:47,904
THAT IS THE BEAUTY
OF YOM KIPPUR...
191
00:08:47,928 --> 00:08:50,840
AS LONG AS YOU APOLOGIZE BY
SUNDOWN, DOESN'T MATTER WHAT YOU DO.
192
00:08:50,864 --> 00:08:52,830
NOW GO. I'LL BE BACK SOON.
193
00:08:54,818 --> 00:08:57,513
WHAT THE FUCK ARE WE GONNA DO?
194
00:08:57,537 --> 00:08:59,315
LET'S GO GET GATOFF.
195
00:08:59,339 --> 00:09:01,550
HE'S AT WILSHIRE ORTHODOX. IT'S
TWO MILES AWAY. YOU GOT A CAR?
196
00:09:01,574 --> 00:09:03,586
- NO. YOU?
- NO. CALL A CAB?
197
00:09:03,610 --> 00:09:06,422
- GOT ANY MONEY?
- NO, MOM TOOK IT. YOU?
198
00:09:06,446 --> 00:09:09,158
THE WIFE TOOK
EVERYTHING BUT MY FILLINGS.
199
00:09:09,182 --> 00:09:10,726
SO WHAT NOW?
200
00:09:10,750 --> 00:09:13,679
NOW, LIKE OUR
DESERT-DWELLING ANCESTORS
201
00:09:13,703 --> 00:09:16,249
WE WALK.
202
00:09:16,273 --> 00:09:18,206
AW... (mutters)
203
00:09:19,509 --> 00:09:21,960
(crowd cheering)
204
00:09:24,848 --> 00:09:27,643
COME ON! YOU'RE
THE KING! GO, BABY, GO!
205
00:09:27,667 --> 00:09:29,379
EASY, DRAMA. HE'S IN LAST.
206
00:09:29,403 --> 00:09:31,014
SHUT UP, TURTLE.
HE'S PACING HIMSELF.
207
00:09:31,038 --> 00:09:32,748
HE LOOKS LIKE HE'S
ON A LEISURE WALK.
208
00:09:32,772 --> 00:09:34,967
- Vince: OKAY.
- (announcer speaking
over P.A.)
209
00:09:34,991 --> 00:09:36,986
SURE YOU CAN TAKE
ME TO THE AIRPORT.
210
00:09:37,010 --> 00:09:39,289
(laughs)
211
00:09:39,313 --> 00:09:42,675
YEAH, SOUNDS LIKE
A GREAT SENDOFF.
212
00:09:42,699 --> 00:09:44,677
OKAY, BYE.
213
00:09:44,701 --> 00:09:47,447
IT'S ALL GOOD. SHE SAID
THE MONEY'S NO BIGGIE.
214
00:09:47,471 --> 00:09:49,816
THEY'RE JUST WAITING FOR
THE STUDIO HEAD TO SIGN OFF.
215
00:09:49,840 --> 00:09:51,784
- WHAT?
- NOTHING.
216
00:09:51,808 --> 00:09:53,853
YOUR GIGGLING'S MAKING
ME A LITTLE NAUSEOUS.
217
00:09:53,877 --> 00:09:57,339
GIGGLING? THERE WAS
NO GIGGLING. I LAUGHED.
218
00:09:57,363 --> 00:09:59,409
SOUNDED LIKE A GIGGLE TO ME.
219
00:09:59,433 --> 00:10:01,977
IF YOUR VOICE GOES UP
IN PITCH PAST THE HIGH C,
220
00:10:02,001 --> 00:10:03,880
IT'S A GIGGLE. YOU
HIT A D THERE, BRO.
221
00:10:03,904 --> 00:10:05,882
- WHATEVER.
- WHATEVER IS RIGHT,
222
00:10:05,906 --> 00:10:07,766
'CAUSE LOOK WHO'S
MAKING HIS MOVE. GO, KING!
223
00:10:07,790 --> 00:10:09,902
- HOLY SHIT!
- Announcer: King's Ransom
on the outside...
224
00:10:09,926 --> 00:10:12,137
- Vince: COME ON, BABY!
- 50 TO ONE! MAKE IT HOME!
225
00:10:12,161 --> 00:10:14,674
Announcer: To the finish line, it's
King's Ransom and Go For Broke.
226
00:10:14,698 --> 00:10:16,659
Now Go For Broke fighting back.
227
00:10:16,683 --> 00:10:18,711
King's Ransom trying to hold the
lead, but here comes Go For Broke
228
00:10:18,735 --> 00:10:21,047
driving hard on the
outside and into the lead.
229
00:10:21,071 --> 00:10:24,000
And at the wire,
it's Go For Broke!
230
00:10:24,024 --> 00:10:26,824
Go For Broke, in
another strong... (trails off)
231
00:10:27,677 --> 00:10:30,807
- WHAT?
- OH, WELL.
232
00:10:30,831 --> 00:10:33,559
90 THIS TIME OF YEAR?
I MEAN, CAN ANYONE
233
00:10:33,583 --> 00:10:35,461
REALLY DEBATE GLOBAL
WARMING AT THIS POINT?
234
00:10:35,485 --> 00:10:38,664
SHOULD HAVE THOUGHT ABOUT THAT WHEN YOU
TOOK YOUR DAD'S G4 TO JAMAICA LAST YEAR.
235
00:10:38,688 --> 00:10:40,850
HEY, YOU TRY FLYING
COMMERCIAL WITH 12 LBS OF KUSH.
236
00:10:40,874 --> 00:10:42,468
BUT THOSE DAYS
ARE BEHIND ME, ARI.
237
00:10:42,492 --> 00:10:44,470
THE POLAR ICECAPS
ARE GRATEFUL, NICK.
238
00:10:44,494 --> 00:10:47,378
(cantor chanting in Hebrew)
239
00:10:53,920 --> 00:10:55,853
(continues chanting)
240
00:11:06,882 --> 00:11:08,816
GOOD YONTIF.
241
00:11:15,225 --> 00:11:17,520
THIS IS WILDLY INAPPROPRIATE,
242
00:11:17,544 --> 00:11:20,456
COMING TO MY SHUL
ON THIS DAY OF ALL DAYS
243
00:11:20,480 --> 00:11:22,458
TO DISCUSS MONEY.
244
00:11:22,482 --> 00:11:24,460
I HAVE A BAD ENOUGH
REPUTATION HERE
245
00:11:24,484 --> 00:11:26,862
AFTER THE HELLISH DIVORCE
I'VE JUST GONE THROUGH.
246
00:11:26,886 --> 00:11:28,514
AT LEAST YOU'RE AT A
PLACE WHERE YOU CAN MEET
247
00:11:28,538 --> 00:11:30,900
A NICE JEWISH GIRL, ARTHUR.
248
00:11:30,924 --> 00:11:33,052
COME ON, WE WERE AT TEMPLE TOO.
249
00:11:33,076 --> 00:11:35,588
THIS IS TIME-SENSITIVE.
GOD WILL UNDERSTAND.
250
00:11:35,612 --> 00:11:37,690
WE ALL HAVE TO TAKE
CARE OF OUR OWN...
251
00:11:37,714 --> 00:11:40,525
ARI, I HAVE TO GO BACK INSIDE.
252
00:11:40,549 --> 00:11:43,028
ARTHUR, LOOK, YOU SAID
YOU'D MEET VINCE'S QUOTE.
253
00:11:43,052 --> 00:11:45,748
- YOU SAID
HIS QUOTE WAS THREE.
- I WAS WRONG.
254
00:11:45,772 --> 00:11:47,500
YOU AND YOUR FATHER
HAVE BEEN WRONG
255
00:11:47,524 --> 00:11:50,068
ABOUT A LOT OF THINGS
ON THIS ONE, NICK.
256
00:11:50,092 --> 00:11:52,412
MAYBE ANIMATION
IS MORE YOUR BAG.
257
00:11:53,396 --> 00:11:55,207
WOW.
258
00:11:55,231 --> 00:11:59,095
YOU CUT THE RUBENSTEINS
LIKE THAT ON A HIGH HOLIDAY?
259
00:11:59,119 --> 00:12:01,731
I'M SORRY. FORGIVE ME.
260
00:12:01,755 --> 00:12:04,483
ARTHUR, I FORGIVE YOU. JUST MAKE A
QUICK PHONE CALL. IT'LL TAKE A SECOND.
261
00:12:04,507 --> 00:12:06,485
NICK, I DON'T KNOW WHAT GOES ON
262
00:12:06,509 --> 00:12:09,321
AT THAT HALF-CHURCH
REFORM SYNAGOGUE OF YOURS,
263
00:12:09,345 --> 00:12:12,141
BUT HERE WE DON'T TALK BUSINESS
264
00:12:12,165 --> 00:12:14,143
ON YOM KIPPUR.
265
00:12:14,167 --> 00:12:17,551
NOW PLEASE,
BEFORE I GET ANGRY...
266
00:12:19,855 --> 00:12:21,833
ALL RIGHT.
267
00:12:21,857 --> 00:12:24,002
CALL AMANDA, TELL HER SHE'S
GONNA THROW THIS MOVIE AWAY.
268
00:12:24,026 --> 00:12:25,687
SHE DOESN'T TRUST US, NICK.
269
00:12:25,711 --> 00:12:28,157
WHICH ONE OF YOU TRIED
TO FUCK HER ANYWAY?
270
00:12:28,181 --> 00:12:31,526
BOTH. BUT IN MY FATHER'S DEFENSE,
HE WAS LEGALLY SEPARATED AT THE TIME.
271
00:12:31,550 --> 00:12:34,463
- WHAT'S YOUR EXCUSE?
- I DON'T HAVE ONE. I STILL WANT TO FUCK HER.
272
00:12:34,487 --> 00:12:36,465
- LET'S CALL E.
- WHY?
273
00:12:36,489 --> 00:12:38,467
PUT THE FEAR OF GOD
INTO THE LITTLE IRISHMAN.
274
00:12:38,491 --> 00:12:40,469
HE'S MORE OF A NEUROTIC
JEW THAN YOU ARE.
275
00:12:40,493 --> 00:12:41,820
Drama: IT'S OKAY, BRO.
276
00:12:41,844 --> 00:12:43,839
EVERYTHING'S GONNA BE OKAY.
277
00:12:43,863 --> 00:12:45,374
WINNING AIN'T EVERYTHING.
278
00:12:45,398 --> 00:12:47,509
IT WOULD HAVE BEEN NICE IF
YOU AT LEAST PLACED, THOUGH.
279
00:12:47,533 --> 00:12:49,979
WHAT? I HAD A HUNDY ON THAT.
280
00:12:50,003 --> 00:12:52,448
DON'T MAKE HIM
FEEL WORSE, TURTLE.
281
00:12:52,472 --> 00:12:54,984
SO IF YOU CAN'T RACE
HIM ANYMORE, THEN WHAT?
282
00:12:55,008 --> 00:12:57,102
ARE YOU GONNA
PUT HIM OUT TO STUD?
283
00:12:57,126 --> 00:13:00,540
NO, HE'S STERILE. SO IT'S EITHER THE
DUDE RANCH OR THE GLUE FACTORY.
284
00:13:00,564 --> 00:13:04,109
THE GLUE FACTORY?
YOU'RE KIDDING.
285
00:13:04,133 --> 00:13:06,846
UNFORTUNATELY, IN THIS GAME
SOMETIMES YOU GOTTA CUT YOUR LOSSES.
286
00:13:06,870 --> 00:13:08,864
WELL, HOW ABOUT I CUT
YOUR LOSSES FOR YOU?
287
00:13:08,888 --> 00:13:10,699
HOW MUCH TO TAKE
HIM OFF YOUR HANDS?
288
00:13:10,723 --> 00:13:12,668
- JOHNNY, HEY,
WHAT ARE YOU DOING?
- ARE YOU CRAZY?
289
00:13:12,692 --> 00:13:16,389
I OWE HIS GRANDDAD, BRO. PLUS, I'M
FLUSH WITH NETWORK FUNDS ANYWAY.
290
00:13:16,413 --> 00:13:18,540
HOW MUCH?
291
00:13:18,564 --> 00:13:20,042
- (phone rings)
- TWO GRAND.
292
00:13:20,066 --> 00:13:22,411
- TWO GRAND?
- YEAH, ARI.
293
00:13:22,435 --> 00:13:24,830
- DO YOU WANT THIS MOVIE, E?
- WHAT ARE YOU TALKING ABOUT?
294
00:13:24,854 --> 00:13:28,367
I'M TALKING ABOUT MONEY. YOUR
GIRL IS ASKING FOR TOO MUCH OF IT.
295
00:13:28,391 --> 00:13:30,820
NO, VINCE SPOKE TO HER. SHE SAID IT
WAS ALL GOOD. WE WERE JUST WAITING
296
00:13:30,844 --> 00:13:33,389
- FOR THE STUDIO TO SIGN OFF.
- IT'S 3:30. THEY'RE NOT
GONNA SIGN OFF.
297
00:13:33,413 --> 00:13:35,241
THEY'VE GONE AS
HIGH AS THEY CAN GO.
298
00:13:35,265 --> 00:13:37,076
So unless she
starts slashing prices
299
00:13:37,100 --> 00:13:39,562
LIKE CRAZY EDDIE,
IT'S BYE-BYE, BOGOTA.
300
00:13:39,586 --> 00:13:41,564
- WELL, HOW FAR OFF
ARE THEY?
- 100%.
301
00:13:41,588 --> 00:13:44,883
IT'S AN ARTHOUSE MOVIE. SHE'S
TRYING TO TURN IT INTO M: i: III.
302
00:13:44,907 --> 00:13:46,785
I THINK SHE'S TRYING
TO BLOW THE DEAL.
303
00:13:46,809 --> 00:13:48,509
THE CLOCK IS TICKING.
304
00:13:51,581 --> 00:13:53,965
GET BACK TO ME, E. I GOTTA RUN.
305
00:13:59,406 --> 00:14:01,116
I DON'T EVEN KNOW WHAT TO SAY.
306
00:14:01,140 --> 00:14:03,852
I DO. I'M SORRY. I WILL
FAST THE WHOLE WEEK
307
00:14:03,876 --> 00:14:05,671
TO PROVE TO YOU HOW SORRY I AM.
308
00:14:05,695 --> 00:14:09,015
JUST GET YOUR ASS IN THAT TEMPLE AND
SET A GOOD EXAMPLE FOR YOUR CHILDREN.
309
00:14:10,416 --> 00:14:12,350
GIVE ME THE PHONE.
310
00:14:13,887 --> 00:14:15,903
AND THE BAD PHONE.
311
00:14:19,659 --> 00:14:21,620
(harrumphs)
312
00:14:21,644 --> 00:14:23,595
THANK YOU.
313
00:14:26,533 --> 00:14:28,710
VINCE, I'M COMPLETELY
SHOCKED TO BE HEARING THIS,
314
00:14:28,734 --> 00:14:30,812
BECAUSE WHEN I LEFT THEY
SAID THERE WAS NO PROBLEM
315
00:14:30,836 --> 00:14:33,282
AND NOBODY'S CALLED ME BACK
SINCE TO TELL ME OTHERWISE.
316
00:14:33,306 --> 00:14:35,284
WELL, WILL YOU CALL
THEM BACK, PLEASE,
317
00:14:35,308 --> 00:14:37,536
FIND OUT WHAT THEY'RE TALKING
ABOUT, LOCK THIS THING DOWN?
318
00:14:37,560 --> 00:14:40,138
I WOULDN'T EVEN KNOW WHERE TO
REACH THEM. I DON'T HAVE NICK'S NUMBER.
319
00:14:40,162 --> 00:14:43,309
WELL, YOU DO HAVE ARI'S.
320
00:14:43,333 --> 00:14:44,477
YOU WANT ME TO CALL ARI?
321
00:14:44,501 --> 00:14:46,362
I KNOW YOU HATE
DEALING WITH HIM,
322
00:14:46,386 --> 00:14:48,964
BUT DO IT FOR ME, PLEASE.
323
00:14:48,988 --> 00:14:50,933
- SURE.
- THANK YOU, AMANDA.
324
00:14:50,957 --> 00:14:52,485
I APPRECIATE IT. BYE-BYE.
325
00:14:52,509 --> 00:14:54,459
YEP.
326
00:14:55,995 --> 00:14:57,973
WHAT, SHE DIDN'T
WANT TO CALL ARI?
327
00:14:57,997 --> 00:14:59,842
Vince: UNDERSTANDABLE, NO?
328
00:14:59,866 --> 00:15:01,977
- WHAT?
- I MEAN, YOU KNOW,
329
00:15:02,001 --> 00:15:04,280
DO YOU THINK THERE'S MAYBE ANY
TRUTH TO WHAT ARI WAS SAYING?
330
00:15:04,304 --> 00:15:06,732
THAT SHE'S TRYING TO SCREW
THIS UP? WHY WOULD SHE DO THAT?
331
00:15:06,756 --> 00:15:09,101
MAYBE SHE DOESN'T LIKE IT FOR YOU
'CAUSE SHE DIDN'T FIND IT FOR YOU.
332
00:15:09,125 --> 00:15:10,736
- COME ON.
- Turtle: OR MAYBE
SHE DOESN'T WANT YOU
333
00:15:10,760 --> 00:15:14,006
TO GO AWAY FOR SIX
MONTHS. HANDCUFFS, VINCE.
334
00:15:14,030 --> 00:15:17,059
AW, THE DOWNSIDE OF
FUCKING THE REPRESENTATIVES.
335
00:15:17,083 --> 00:15:18,994
YOU AGREE WITH THESE
GUYS TOO, JOHNNY?
336
00:15:19,018 --> 00:15:21,496
DON'T GET ME WRONG,
AMANDA'S A HOT-LOOKING BROAD,
337
00:15:21,520 --> 00:15:23,599
BUT SHE AIN'T NEVER
HAD A PIECE LIKE YOU, BRO.
338
00:15:23,623 --> 00:15:26,368
- HUH.
- YOU THINK VINCE IS
A PIECE, DRAMA?
339
00:15:26,392 --> 00:15:28,637
- IT'S A FIGURE
OF SPEECH, JACKASS.
- WHATEVER.
340
00:15:28,661 --> 00:15:30,639
WHATEVER WHATEVER.
341
00:15:30,663 --> 00:15:33,275
- WHAT IS YOUR PROBLEM?
- MY PROBLEM IS THE DEAL
ISN'T DONE, VINCE,
342
00:15:33,299 --> 00:15:35,777
AND YOU'RE TALKING TO HER LIKE SHE'S
YOUR GIRLFRIEND AND NOT YOUR AGENT.
343
00:15:35,801 --> 00:15:38,819
- SHE'S DEALING WITH IT.
- I HOPE SO.
344
00:15:52,702 --> 00:15:54,830
WHERE ARE WE GONNA KEEP
THIS GUY, DRAMA, SERIOUSLY?
345
00:15:54,854 --> 00:15:57,282
RIGHT HERE, TILL WE
FIND HIM A GOOD HOME.
346
00:15:57,306 --> 00:15:59,284
WHAT'S THE PROBLEM?
347
00:15:59,308 --> 00:16:00,742
(liquid trickling)
348
00:16:02,812 --> 00:16:05,245
NO PROBLEM.
349
00:16:07,850 --> 00:16:11,263
ON THIS HOLIEST OF DAYS,
350
00:16:11,287 --> 00:16:15,300
GOD ASKS US TO LOOK
WITHIN OURSELVES
351
00:16:15,324 --> 00:16:17,302
AND ASK FORGIVENESS
352
00:16:17,326 --> 00:16:19,805
FOR THE THINGS WE HAVE
DONE TO WRONG EACH OTHER.
353
00:16:19,829 --> 00:16:22,074
THOUGH A SOLEMN DAY,
354
00:16:22,098 --> 00:16:24,092
WE CAN LOOK AT IT WITH HOPE,
355
00:16:24,116 --> 00:16:26,729
FOR IN THIS YEAR
WE WILL BE BETTER.
356
00:16:26,753 --> 00:16:29,364
WE WILL ACT OUT OF KINDNESS
357
00:16:29,388 --> 00:16:31,367
AND SELFLESSNESS.
358
00:16:31,391 --> 00:16:35,192
(phone ringing)
359
00:16:38,114 --> 00:16:39,708
I THINK THAT'S YOUR PHONE.
360
00:16:39,732 --> 00:16:42,128
HAVE YOU EVER
HEARD OF "VIBRATE"?
361
00:16:42,152 --> 00:16:44,680
(phone beeps)
362
00:16:44,704 --> 00:16:49,267
WE WILL PRACTICE
THE CALL TO ACTION...
363
00:16:49,291 --> 00:16:51,654
WHAT IF THAT WAS AMANDA?
364
00:16:51,678 --> 00:16:53,656
NICK, IT'LL HAVE TO WAIT.
365
00:16:53,680 --> 00:16:55,324
WHAT IF IT WAS VINCE?
WHAT IF IT WAS E?
366
00:16:55,348 --> 00:16:57,025
NICK, IT WILL HAVE TO WAIT.
367
00:16:57,049 --> 00:16:58,994
LOOK, I CAN'T AFFORD
TO WAIT, OKAY?
368
00:16:59,018 --> 00:17:01,029
I'M THE ONE WHO FUCKED UP
THE QUOTE. MY FATHER SAYS
369
00:17:01,053 --> 00:17:03,031
ANY MORE MISTAKES, I'M
GONNA HAVE TO GET A REAL JOB.
370
00:17:03,055 --> 00:17:05,033
ARI, I'M GONNA END UP DRUNK
AGAIN SELLING INSURANCE.
371
00:17:05,057 --> 00:17:06,452
I HAVE TO GO BACK TO ARTHUR.
372
00:17:06,476 --> 00:17:08,788
ARI, DON'T.
373
00:17:08,812 --> 00:17:11,741
BABY, THE KID IS MELTING DOWN
LIKE PHIL MICKELSON AT WINGED FOOT.
374
00:17:11,765 --> 00:17:14,744
I CAN'T ABANDON A BROTHER IN
PERIL, NOT ON THE HIGH HOLIDAYS.
375
00:17:14,768 --> 00:17:16,662
ABANDON ME AGAIN, ARI, AND
YOU'RE GONNA HAVE TO DO
376
00:17:16,686 --> 00:17:18,631
A WHOLE LOT MORE THAN PRAY.
377
00:17:18,655 --> 00:17:21,333
- I WOULDN'T MOVE, DADDY.
- Rabbi: WE MUST
FACE THE WRONG
378
00:17:21,357 --> 00:17:23,935
WE HAVE DONE TO OTHERS THIS YEAR
379
00:17:23,959 --> 00:17:26,488
AND THE WRONG THAT
HAS BEEN DONE UNTO US.
380
00:17:26,512 --> 00:17:28,490
$5000 TO BOARD A HORSE,
381
00:17:28,514 --> 00:17:31,660
AND THAT DOESN'T EVEN INCLUDE
FOOD. I AM SO PISSED RIGHT NOW.
382
00:17:31,684 --> 00:17:33,562
YOU THINK YOU'RE PISSED?
WAIT TILL THE GARDENER SEES
383
00:17:33,586 --> 00:17:35,864
HE HAS TO CLEAN UP MORE THAN
JUST ARNOLD'S SHIT ON TUESDAY.
384
00:17:35,888 --> 00:17:37,549
MAYBE YOU SHOULD
RETURN HIM, JOHNNY.
385
00:17:37,573 --> 00:17:39,551
I CAN'T, BRO.
386
00:17:39,575 --> 00:17:41,208
I LOVE HIM.
387
00:17:42,929 --> 00:17:45,157
YO, THE KING JUST
LEFT THE BUILDING.
388
00:17:45,181 --> 00:17:47,960
- WHAT DO YOU MEAN?
- I MEAN HE JUST WALKED
RIGHT OUT OF THE GATE.
389
00:17:47,984 --> 00:17:50,128
- WHERE DID HE GO?
- HE DIDN'T SAY, DRAMA.
390
00:17:50,152 --> 00:17:52,948
YOU CAN'T BABYSIT FOR
TWO SECONDS, CAN YOU?
391
00:17:52,972 --> 00:17:55,306
HOW IS THIS MY FAULT?
392
00:17:57,343 --> 00:18:00,556
KING! KING!
393
00:18:00,580 --> 00:18:02,224
Turtle: I TOLD YOU.
394
00:18:02,248 --> 00:18:04,176
WELL, GET IN THE CAR,
TURTLE. WE GOTTA FIND HIM.
395
00:18:04,200 --> 00:18:07,028
WE'LL BE RIGHT BACK. COME
ON, YOU FAT BASTARD, LET'S GO.
396
00:18:07,052 --> 00:18:09,798
- Turtle: SHUT UP.
- (phone rings)
397
00:18:09,822 --> 00:18:12,167
- IT'S AMANDA. HELLO. - HEY.
398
00:18:12,191 --> 00:18:15,253
SO I LEFT WORD FOR ARI AND
I'M JUST WAITING FOR A CALLBACK.
399
00:18:15,277 --> 00:18:17,823
SHE'S WAITING FOR
A CALLBACK. WHAT?
400
00:18:17,847 --> 00:18:19,991
WELL, SHE SHOULD CALL ARI
AGAIN. LET ME TALK TO HER.
401
00:18:20,015 --> 00:18:21,593
HOLD ON. E WANTS TO TALK TO YOU.
402
00:18:21,617 --> 00:18:23,128
- HELLO.
- WHAT'S UP, E?
403
00:18:23,152 --> 00:18:25,097
UH, AMANDA, YOU SHOULD CALL ARI.
404
00:18:25,121 --> 00:18:27,182
WE HAVE A DEADLINE. THE
SUN'S STARTING TO SET.
405
00:18:27,206 --> 00:18:30,268
ERIC, WHAT DO YOU WANT ME TO
DO? I LEFT A MESSAGE AND I SAID YES.
406
00:18:30,292 --> 00:18:31,704
WELL, WHAT IF HE
DOESN'T GET IT IN TIME?
407
00:18:31,728 --> 00:18:33,422
ERIC, DO YOU REALLY BELIEVE
408
00:18:33,446 --> 00:18:35,491
THAT ARTHUR GATOFF IS GONNA
SCRAP AN $80-MILLION MOVIE
409
00:18:35,515 --> 00:18:37,225
BASED ON SOME
RIDICULOUS DEADLINE?
410
00:18:37,249 --> 00:18:39,811
WELL, THAT'S WHAT THE PRODUCER
OF THE MOVIE SAYS, SO YES, I DO.
411
00:18:39,835 --> 00:18:43,115
OKAY, ERIC, THE PRODUCER AND
HIS NEW HIGH-POWERED AGENT
412
00:18:43,139 --> 00:18:46,135
ARE TRYING TO HOLD A GUN TO OUR
HEADS AND YOU'RE FALLING FOR IT.
413
00:18:46,159 --> 00:18:49,321
He calls this an arthouse
film? This is 50 arthouse films.
414
00:18:49,345 --> 00:18:51,389
So, please, just relax
415
00:18:51,413 --> 00:18:54,081
AND ALL WILL BE
FINE. TRUST ME, OKAY?
416
00:18:57,086 --> 00:18:58,130
OKAY?
417
00:18:58,154 --> 00:18:59,998
OKAY.
418
00:19:00,022 --> 00:19:03,958
NOW I WILL CALL YOU
WHEN I HEAR SOMETHING.
419
00:19:05,611 --> 00:19:07,656
WHAT'D SHE SAY?
420
00:19:07,680 --> 00:19:09,558
SHE THINKS THE DEADLINE
DOESN'T MEAN SHIT.
421
00:19:09,582 --> 00:19:11,326
WHAT DO YOU THINK?
422
00:19:11,350 --> 00:19:12,994
I THINK SHE'S BEEN ON
THIS MOVIE FIVE MINUTES.
423
00:19:13,018 --> 00:19:14,530
WE'VE BEEN CHASING IT TWO YEARS.
424
00:19:14,554 --> 00:19:16,031
I DON'T WANT TO LOSE
THIS MOVIE, VINCE.
425
00:19:16,055 --> 00:19:18,733
SO WHAT DO YOU WANT TO
DO? I'LL DO ANYTHING YOU WANT.
426
00:19:18,757 --> 00:19:21,637
I WANT TO GO FIND
NICK AND ARI OURSELVES.
427
00:19:21,661 --> 00:19:24,606
OLD SCHOOL E AIN'T
PLAYIN'. ALRIGHTY.
428
00:19:24,630 --> 00:19:27,442
- (hip-hop music
playing on radio)
- KING! OH, KING!
429
00:19:27,466 --> 00:19:29,077
ARE YOU AROUND HERE, KING?
430
00:19:29,101 --> 00:19:31,079
HE'S A HORSE, DRAMA,
NOT A HOUSECAT.
431
00:19:31,103 --> 00:19:33,582
- I THINK WE'D SEE HIM
IF HE WAS AROUND.
- DON'T EVEN TALK TO ME, TURTLE.
432
00:19:33,606 --> 00:19:35,284
I DID NOT LEAVE THE
GATE OPEN, ALL RIGHT?
433
00:19:35,308 --> 00:19:37,319
I TOLD YOU IT OPENS
AUTOMATICALLY WITH THE SENSORS.
434
00:19:37,343 --> 00:19:38,887
NOT WHEN I GO
OUT THERE, IT DON'T.
435
00:19:38,911 --> 00:19:41,089
THAT'S 'CAUSE HE'S A HORSE,
DRAMA. HE WEIGHS 3000 LBS.
436
00:19:41,113 --> 00:19:44,125
- JUST DRIVE THE CAR.
- ALL RIGHT, RELAX,
WE'LL FIND HIM.
437
00:19:44,149 --> 00:19:46,528
WE'D BETTER. 'CAUSE IF
ANYTHING HAPPENS TO HIM,
438
00:19:46,552 --> 00:19:48,530
I'LL NEVER FORGIVE MYSELF.
439
00:19:48,554 --> 00:19:50,699
(chuckles) LOOK.
440
00:19:50,723 --> 00:19:52,133
THANK GOD.
441
00:19:52,157 --> 00:19:54,686
KING! KING!
442
00:19:54,710 --> 00:19:57,556
KING! KING!
443
00:19:57,580 --> 00:20:00,191
ALL RIGHT, DON'T CROWD
HIM, DON'T CROWD HIM.
444
00:20:00,215 --> 00:20:03,128
STEP AWAY. STEP AWAY FROM THE
HORSE. HE GETS A LITTLE NERVOUS.
445
00:20:03,152 --> 00:20:05,196
HOW ARE YOU DOING, BUDDY?
WHERE HAVE YOU BEEN?
446
00:20:05,220 --> 00:20:06,931
IS THIS YOUR HORSE?
447
00:20:06,955 --> 00:20:09,468
INDEED IT IS, YOUNG
LADY. INDEED IT IS.
448
00:20:09,492 --> 00:20:12,304
COOL. THE COPS HAVE
BEEN ASKING EVERYONE.
449
00:20:12,328 --> 00:20:15,357
EXCUSE ME, OFFICERS,
IT'S THIS GUY'S HORSE.
450
00:20:15,381 --> 00:20:18,031
(police radio chatter)
451
00:20:22,655 --> 00:20:24,132
CAN WE EAT YET?
452
00:20:24,156 --> 00:20:26,368
IN FIVE MINUTES, SHEL,
YOU CAN EAT TILL YOU DROP.
453
00:20:26,392 --> 00:20:28,136
OKAY OKAY.
454
00:20:28,160 --> 00:20:30,093
EXCUSE ME.
455
00:20:35,652 --> 00:20:37,997
I'M NOT EVEN MAKING A CALL.
I'M JUST CHECKING MESSAGES.
456
00:20:38,021 --> 00:20:40,783
IN FOUR MINUTES, ARI,
WHEN THE SUN IS DOWN.
457
00:20:40,807 --> 00:20:42,506
LOOK AT YOUR UNCLE.
458
00:20:43,710 --> 00:20:46,004
SHELLEY!
459
00:20:46,028 --> 00:20:48,973
SORRY SORRY. I'M A
BAD JEW. SHOOT ME.
460
00:20:48,997 --> 00:20:50,575
HEY, ARI.
461
00:20:50,599 --> 00:20:52,577
OH, WILL YOU LOOK AT THIS, HUH?
462
00:20:52,601 --> 00:20:55,447
THE BOYS FROM QUEENS ARE IN
THE MARKET FOR SOME BRISKET.
463
00:20:55,471 --> 00:20:57,216
- SORRY TO BOTHER YOU.
- WE DON'T MEAN TO INTRUDE.
464
00:20:57,240 --> 00:20:58,900
WE TRIED TO CALL YOU BUT
NO ONE WAS ANSWERING.
465
00:20:58,924 --> 00:21:00,936
WELL, THAT WOULD BE MY
FAULT. I HAVE HIS PHONES.
466
00:21:00,960 --> 00:21:02,938
WHAT'S UP?
467
00:21:02,962 --> 00:21:04,806
- WE'RE IN, ARI.
- WHATEVER IT TAKES. JUST TELL US
468
00:21:04,830 --> 00:21:07,431
- HOW TO GET AHOLD OF NICK.
- THAT'S EASY. YOU GOT A PHONE?
469
00:21:11,954 --> 00:21:13,954
WHAT? THEY'RE NOT JEWISH.
470
00:21:17,793 --> 00:21:19,727
(phone ringing)
471
00:21:21,230 --> 00:21:23,208
Sheila: DON'T YOU DARE
ANSWER THAT PHONE, NICK.
472
00:21:23,232 --> 00:21:25,410
HEY! MY LIFE IS FALLING APART!
473
00:21:25,434 --> 00:21:27,212
I HAVEN'T EATEN IN 10 HOURS!
474
00:21:27,236 --> 00:21:29,280
SO GET OFF MY ASS!
475
00:21:29,304 --> 00:21:31,238
(phone continues ringing)
476
00:21:32,441 --> 00:21:34,375
I'M SORRY. I'M SORRY.
477
00:21:35,978 --> 00:21:38,206
- HELLO.
- NICK, I'M STANDING
HERE WITH VINCE.
478
00:21:38,230 --> 00:21:39,708
- HEY, NICK.
- HE'S IN.
479
00:21:39,732 --> 00:21:41,309
I'M IN, NICK. WHATEVER YOU NEED.
480
00:21:41,333 --> 00:21:43,078
Ari: He'll jump
on a plane tonight,
481
00:21:43,102 --> 00:21:45,380
lock a deal down tomorrow
if everyone agrees to be fair.
482
00:21:45,404 --> 00:21:47,549
YEAH, WELL, LIFE'S
NOT FAIR, GUYS.
483
00:21:47,573 --> 00:21:49,685
WHAT DO YOU MEAN?
484
00:21:49,709 --> 00:21:53,371
IT'S OVER. IT'S OVER.
THE SUN HAS SET.
485
00:21:53,395 --> 00:21:55,557
- WHAT ARE YOU TALKING ABOUT?
- WE'VE STILL GOT TWO MINUTES.
486
00:21:55,581 --> 00:21:58,026
- WE'RE GOOD TO GO.
- HE PULLED THE PLUG, ARI.
487
00:21:58,050 --> 00:21:59,894
GATOFF YANKED IT RIGHT
OUT OF THE FUCKING WALL.
488
00:21:59,918 --> 00:22:02,197
- WHAT DO YOU MEAN, NICK?
- I MEAN IT'S GONE.
489
00:22:02,221 --> 00:22:03,932
ERIC, IT'S GONE.
THE MOVIE IS GONE
490
00:22:03,956 --> 00:22:05,956
AND THERE'S NOTHING
I CAN DO ABOUT IT.
491
00:22:07,660 --> 00:22:10,271
6:58. EVERYBODY CAN EAT.
492
00:22:10,295 --> 00:22:13,408
THANKS, I LOST MY APPETITE.
493
00:22:13,432 --> 00:22:15,844
$5000 BUCKS FOR
NOT HAVING A PERMIT.
494
00:22:15,868 --> 00:22:17,946
THAT'S TWICE WHAT I
PAID FOR THE BIG BOY.
495
00:22:17,970 --> 00:22:20,482
AND YOU'RE GONNA KEEP
GETTING TICKETS, DRAMA.
496
00:22:20,506 --> 00:22:22,951
YOU GOTTA GIVE THIS GUY BACK.
497
00:22:22,975 --> 00:22:25,053
THEY'LL SEND HIM TO THE
GLUE FACTORY, TURTLE.
498
00:22:25,077 --> 00:22:26,889
NO GO.
499
00:22:26,913 --> 00:22:28,891
WE GOTTA FIND HIM A GOOD HOME.
500
00:22:28,915 --> 00:22:31,226
DO YOU KNOW ANYONE
THAT'S GOT HORSES?
501
00:22:31,250 --> 00:22:34,284
YOU KNOW EVERYONE
I KNOW, DRAMA. NO.
502
00:22:36,371 --> 00:22:38,349
I GOT AN IDEA.
503
00:22:38,373 --> 00:22:40,018
OH, THIS DOESN'T SOUND GOOD.
504
00:22:40,042 --> 00:22:42,587
OH NO, IT'S GOOD. IT'S VERY GOOD
505
00:22:42,611 --> 00:22:45,224
FOR MY HORSE AND MY CAREER.
COME, BOY. COME ON, KING.
506
00:22:45,248 --> 00:22:48,088
- WHERE ARE YOU GOING?
- HELP ME GET HIM
IN THE TRAILER.
507
00:22:48,934 --> 00:22:51,547
GUYS, I KNOW HOW MUCH YOU
WANTED THIS, AND AS A FRIEND
508
00:22:51,571 --> 00:22:53,915
I CAN ONLY SAY I'M SORRY.
509
00:22:53,939 --> 00:22:55,917
- THANKS.
- THANKS, ARI.
510
00:22:55,941 --> 00:22:59,354
HEY, YOU KNOW, AND THANKS FOR
NOT BASHING AMANDA DURING THIS.
511
00:22:59,378 --> 00:23:01,223
I KNOW YOU'VE BEEN DYING TO.
512
00:23:01,247 --> 00:23:03,292
I THINK THE SITUATION
SPEAKS FOR ITSELF.
513
00:23:03,316 --> 00:23:05,716
- ARI.
- SORRY SORRY.
514
00:23:07,453 --> 00:23:09,486
- SEE YOU, ARI.
- GOOD NIGHT.
515
00:23:11,257 --> 00:23:13,235
HE WOULD HAVE
NEVER LET THIS HAPPEN.
516
00:23:13,259 --> 00:23:15,837
NO, HE WOULDN'T
HAVE. SO WHAT NOW?
517
00:23:15,861 --> 00:23:17,839
NOW I DEAL WITH IT.
518
00:23:17,863 --> 00:23:20,141
TAKE ME TO THE RESTAURANT.
519
00:23:20,165 --> 00:23:22,799
(rings doorbell)
520
00:23:26,339 --> 00:23:28,083
HEY, EDDIE.
521
00:23:28,107 --> 00:23:29,918
HEY, JOHNNY. WHAT'S UP?
522
00:23:29,942 --> 00:23:32,354
SORRY TO BOTHER YOU. I HOPE
YOU'RE NOT IN THE MIDDLE OF DINNER.
523
00:23:32,378 --> 00:23:36,525
NO NO, WE JUST FINISHED. BUT
HOW DID YOU GET MY ADDRESS?
524
00:23:36,549 --> 00:23:39,027
GOOD ONE, EDDIE. BUT
I'VE BEEN HERE BEFORE.
525
00:23:39,051 --> 00:23:40,845
HAVE YOU?
526
00:23:40,869 --> 00:23:43,582
HAVEN'T I?
527
00:23:43,606 --> 00:23:46,585
WHAT'S GOING ON? ARE YOU
NERVOUS ABOUT THE PREMIERE?
528
00:23:46,609 --> 00:23:48,987
LOOK, PEOPLE ARE GONNA
WATCH, TRUST ME, ALL RIGHT?
529
00:23:49,011 --> 00:23:51,023
NO NO, I FEEL GOOD ABOUT THAT.
530
00:23:51,047 --> 00:23:53,642
I JUST CAME BY TO SAY THANK YOU
531
00:23:53,666 --> 00:23:55,894
'CAUSE I OWE YOU
BIG TIME FOR THIS ONE.
532
00:23:55,918 --> 00:23:58,096
- AND I WON'T LET YOU DOWN.
- THAT'S GOOD, THAT'S GOOD.
533
00:23:58,120 --> 00:23:59,764
I APPRECIATE THAT, ALL RIGHT?
534
00:23:59,788 --> 00:24:02,667
AND I BROUGHT YOU A GIFT AS
A TOKEN OF MY APPRECIATION.
535
00:24:02,691 --> 00:24:04,569
- A GIFT?
- YEAH YEAH.
536
00:24:04,593 --> 00:24:06,922
COME HERE. YOU'RE GONNA LOVE IT.
537
00:24:06,946 --> 00:24:09,212
- TURTLE!
- (King neighs)
538
00:24:10,749 --> 00:24:13,995
YOU BOUGHT ME A HORSE?
539
00:24:14,019 --> 00:24:16,898
YEAH, WELL, I THOUGHT
SINCE YOU HAVE SMALL KIDS...
540
00:24:16,922 --> 00:24:19,484
ARE YOU OUT OF YOUR FUCKING
MIND? THIS IS BEVERLY HILLS.
541
00:24:19,508 --> 00:24:21,319
WHAT AM I GONNA DO WITH A HORSE?
542
00:24:21,343 --> 00:24:23,488
OH MY GOD, A HORSE!
543
00:24:23,512 --> 00:24:26,691
IS THAT FOR MY BIRTHDAY?
HE'S SO BEAUTIFUL!
544
00:24:26,715 --> 00:24:29,127
Eddie: THANK YOU, MAN.
545
00:24:29,151 --> 00:24:31,017
NICE.
546
00:24:36,375 --> 00:24:39,387
DO YOU WANT ME
TO GO IN WITH YOU?
547
00:24:39,411 --> 00:24:41,389
NO, I GOT IT.
548
00:24:41,413 --> 00:24:45,049
BUT WAIT. IT'LL BE QUICK.
549
00:24:55,494 --> 00:24:58,506
(sighs) I'M SORRY, VINCE.
550
00:24:58,530 --> 00:24:59,925
ARE YOU?
551
00:24:59,949 --> 00:25:01,776
WHAT DOES THAT MEAN?
552
00:25:01,800 --> 00:25:05,146
IT MEANS, AMANDA, I CHASED
THIS MOVIE FOR TWO YEARS
553
00:25:05,170 --> 00:25:07,415
HARDER THAN I'VE CHASED
ANYTHING IN MY LIFE
554
00:25:07,439 --> 00:25:09,250
AND I WANTED IT SO BADLY.
555
00:25:09,274 --> 00:25:11,119
I KNOW, VINCE, AND I
WANTED IT FOR YOU.
556
00:25:11,143 --> 00:25:14,022
- IT DOESN'T FEEL THAT WAY.
- NO? HOW DOES IT FEEL?
557
00:25:14,046 --> 00:25:17,091
IT FEELS LIKE YOU STALLED.
AND I'M JUST WONDERING,
558
00:25:17,115 --> 00:25:20,028
ARE YOU STALLING AS MY AGENT
BECAUSE YOU DON'T LIKE THE PROJECT
559
00:25:20,052 --> 00:25:22,513
OR AS MY GIRLFRIEND
560
00:25:22,537 --> 00:25:25,417
BECAUSE YOU DON'T LIKE THE IDEA
THAT I'LL BE GONE FOR SIX MONTHS?
561
00:25:25,441 --> 00:25:27,452
ARI CONVINCED
YOU THAT I STALLED?
562
00:25:27,476 --> 00:25:30,522
I LOST A PROJECT. WHAT
DIFFERENCE DOES IT MAKE WHO IT WAS?
563
00:25:30,546 --> 00:25:32,757
THE DIFFERENCE IS, YOU
HAVE NEVER LET ARI GO.
564
00:25:32,781 --> 00:25:35,427
WELL, MAYBE I SHOULDN'T HAVE.
565
00:25:35,451 --> 00:25:38,096
NO, MAYBE YOU SHOULDN'T HAVE.
566
00:25:38,120 --> 00:25:39,764
BUT LET ME JUST TELL YOU THIS:
567
00:25:39,788 --> 00:25:42,100
I DIDN'T LOSE THE MOVIE.
THE MOVIE WAS LOST
568
00:25:42,124 --> 00:25:44,403
WHEN NICK RUBENSTEIN BARGED
INTO ARTHUR GATOFF'S TEMPLE
569
00:25:44,427 --> 00:25:46,405
FOR THE SECOND
TIME THIS AFTERNOON
570
00:25:46,429 --> 00:25:48,440
LIKE THE SPOILED
LITTLE BABY HE IS.
571
00:25:48,464 --> 00:25:50,442
NOW ARTHUR PAYS PEOPLE
TO MAKE HIS LIFE EASIER,
572
00:25:50,466 --> 00:25:52,444
BUT TODAY NICK DIDN'T DO THAT.
573
00:25:52,468 --> 00:25:54,446
INSTEAD, HE AGGRAVATED
HIM EVEN MORE.
574
00:25:54,470 --> 00:25:57,249
AND I KNOW THIS BECAUSE ARTHUR
CALLED ME RIGHT AFTER SUNDOWN.
575
00:25:57,273 --> 00:26:01,002
AND YOU KNOW WHAT HE SAID? "THIS
MOVIE WAS PLAGUED SINCE DAY ONE.
576
00:26:01,026 --> 00:26:03,788
I'M GONNA CUT MY
LOSSES. BUT I LOVE VINCE.
577
00:26:03,812 --> 00:26:06,057
I'D LOVE TO DO JUST ABOUT
ANYTHING ELSE WITH HIM.
578
00:26:06,081 --> 00:26:08,615
LET'S SET A LUNCH."
579
00:26:11,003 --> 00:26:14,332
I FEEL STUPID.
580
00:26:14,356 --> 00:26:16,801
PROBABLY DOESN'T
HAPPEN TO YOU A LOT, HUH?
581
00:26:16,825 --> 00:26:18,759
(chuckles)
582
00:26:21,697 --> 00:26:23,930
SO WHAT DO WE DO NOW?
583
00:26:25,267 --> 00:26:28,068
NOW, VINCE, WE SAY GOODBYE.
584
00:26:31,273 --> 00:26:33,540
(hip-hop music playing)