[chime]
Anyone watching, thinking we know
fuck all about, knowing fuck all about,
needs to watch their backs.
Oh.
So you've had your labor reclassified and school
sending prices sky high, literally, literally, taking
the grass from his old roots.
Now you've got you condemnation.
[crowd cheering]
FRANK GALLAGHER: Liberals not into what is like alter
boys pickin' dimps up.
Have we had an international fucking stroke or what?
Is revolution a word?
Or was it never?
Anybody watchin' needs to know, we cope better than our fridge
with irony in Chatsworth.
Well, for fuck's sake, we live in Manchester.
And then charge us for water.
I wandered lonely as the cloud makin' mushroom rarely found.
Green and pleasant land that ends in [inaudible]
Fucking bastard. [barking noises]
FRANK GALLAGHER: Yeah, yeah, yeah, yeah, yeah.
It's not theirs anymore.
This is our England now.
Party.
[music playing]
KELLY MAGUIRE (VOICEOVER): It starts
when you're young, deceit.
[sirens]
[suspenseful music]
Tooth fairies, Santa Claus, God.
Eventually you wise up and realize you've been 'ad.
Convenient in truths, half truths, lies.
[beer cans rattling]
It's just how things work.
MAN ON STREET: Ah, get your tits out you little slut.
Hey, good shag last night, was it?
Where you off now, flicking your bee?
Hey, like, you wanna suck my dick?
Are we for a blowie, Blondie?
Hey, you're going the wrong way.
I'm here.
I'm the fucking--
KELLY MAGUIRE (VOICEOVER): So you learn to do it to other
people, a touch of flattery here, a little white lie there,
spare someone's feelin's.
Keep the peace.
Before you know it, it's second nature deceiving yourself
as well as everybody else.
Ther'es no harm.
It toils the wheels, keeps the world turnin'.
The truth is hard enough to swallow as it is.
Why would I want to own up to reality every time
I look in the fucking mirror?
Keep those wheels well oiled, I say.
A little deceit is good for the soul.
[traffic noise]
[car alarm]
[club music]
No, no, don't think so.
Starving children fair enough.
But winter coats for donkeys, you know, not a chance.
It's not winter coats.
It's body warmers to stop'em freezing to death half
way up the mountains and Aza--
Azerbaijan.
Do these donkeys prefer Velcro fasteners or the ones
that zip up the front?
Scabby queen.
Ass.
All right, I'm goin' to the gym.
But you didn't take Katie's money.
Yeah, I did.
But no point in gamblin' with a marked deck.
Kiss my arse.
I'll kiss your ass.
OK, treble the stakes and we can
consider my arse on the table. - Yep.
Yeah.
It was you not so long ago, wasn't it?
Lads trippin' up over themselves just to get near.
Ah, I'm not out to pasture just yet.
Oh, I don't doubt it.
I mean, you're the reason why half the men walk in for ya,
you know, open your guns in their direction
at least once or twice, a few in a day.
[music playing]
Cheap beer men might ask me to do that.
She'll succumb.
Succumb to what?
Well, I recall what women want is to be rescued,
you know, to be swept off their feet
by a knight in shinin' armour.
Why you need rescuin' around here?
She doesn't.
I don't.
She doesn't realize it yet.
And you--
[music playing]
I think you're bored, Karen.
[tv voices]
[farting]
[tv voices]
[music with drums playing]
Still spillin' out words of wisdom, is he?
What is it this time?
Middle East?
Dangers of globalization?
He's usually got a point, you know.
His kind of a fella.
[smacking sound]
[music playing]
[sirens]
I say.
Feeling your filthy habit on Trust property?
Proper in mornin', eh?
You sound like my daughter.
You've got a daughter?
Behave.
You're nearly an hour late.
Oh, they won't notice.
Old McGuinness has been dead at his bench two months.
No one's clocked it.
Have you been drinkin'?
Haven't been home yet.
Still buzzing.
Anytime you want to come along, brown sugar, just let me know.
That's racist, you know.
Yeah, but only in a post modern way, you know.
Go count. [sirens]
You're wrong.
More often than I'd like to admit.
But not about you.
I've got a good life, a beautiful son,
a loyal husband, the pub.
You're not built to be sedate.
You dream of better.
It oozes out of every pore.
Everybody dreams.
Even you.
Oh, I couldn't tell you things that go on in my dreams.
You know ah, most women lead lives of quiet desperation
and go to their graves with a song still in them.
Is that you, Karen?
Well, quotin' poets don't do it for me.
You're just passin' somebody else's words off as your own.
Oh, you've had enough.
If not poets, what does do it for you?
My husband.
Then why are you in here with a bloke, now?
Because I brought the towels in.
You know it's not me you need to convince, love.
It's her.
[rock music]
Well, you share the love?
[rock music]
Shall I tell you what I can see?
I'm intrigued.
A scared, failed man who would shag anything that moves just
to stave off the loneliness.
I can't work out whether there's more to you than meets the eye
or less.
You know ah, I don't fuck women because I'm lonely,
Karen.
I fuck women because I'm good at it.
I've gotta go.
Thanks Jamie.
Tom.
Karen?
What the fuck is goin' on?
We're all here 'cause you need help, Kel.
You need straightenin' out, love.
A few parties, so what?
Looked in the mirror lately, not a pretty sight.
Pot kettle black, zippy.
[dogs barking]
- Anymore for anymore. - I'm a priest.
I just get dragged along to these things.
Well, if I could make an observation--
KELLY MAGUIRE: You handin' out life lessons, really?
It's now, Kelly.
That's the way it works.
[soft music]
The drink is takin' its toll.
And the drugs.
And you know you have to be careful
where the drugs are concerned.
I'm just worried about you.
That's why I got everyone together.
- Right, you look a mess. - We all love ya, don't we?
Yeah, we all love ya.
MARTY FISHER: And I never had to pay anyone or nothin'.
And everyone's your friend.
And we just want you to get better.
I love ya.
GLORIA MEAK: Yeah, what did you cook her in spaghetti--
[interposing voices]
What is it?
Her breasts have all but disappeared.
She's got to tell us what's wrong Lillian.
Considerin' what you came from.
- Shut it, mouth. - Fuck off, you.
See what you're causin'?
All this mayhem.
[interposing voices]
I think it's going all right, isn't it?
No one's judgin' ya.
Hey, I'm judgin' ya.
JAMIE MAGUIRE: We just need to help you, mate,
and we can't if you just sit there like that.
When you first die, you'll sleep
behind a good lookin' corpse, or in your case just a corpse.
All right.
This is what you all think.
[soft music]
Apart from us.
Excuse me.
[soft music]
MARTY FISHER: Kelly.
[soft music]
Well, that went well.
Still think she needs rescuin'?
Oh I know it.
Runnin' in the street or partyin' on with boys,
throwin' pennies at cars doesn't qualify
as emancipation in my book.
You're so full of it.
You know, I reckon I could have that girl flat on her back
any time I like.
15 years ago, maybe.
You keep taking your pills, studly.
Care to make a wager on that?
On you shaggin' Ruby?
Yeah, I mean, if I haven't shagged Ruby in the next 48
hours, I'll put 50 quid in that dunk tin of yours, how's that?
I'll take action on that.
But if you do win, I don't get your money.
Oh?
If I win I get to fuck you.
No.
Didn't think so.
[soft music]
[music with drums playing]
[dogs barking]
Ahem.
Where you goin'?
I'm leaving.
You arrogant, judgmental fucking cunts.
[sirens]
Kelly, Kelly.
[sirens]
One mill to the Libertines.
You're just running away?
I think I'll be wild until now,
lover, wants his fucking space.
But where? Where?
- London. - Oh.
The beats, they fuckin' love me there.
There she has a new life.
Don't blame them.
Maybe they appreciate a bit of wild Iver there.
No fucking millstones round me neck.
What about your stuff, I mean your clothes.
Burn'em or fuckin' wank over'em.
I don't give a shit.
Please.
Don't you fucking dare.
I've been a soldier before.
I love you.
I don't love you.
[soft music]
[yelling]
[MUSIC - NOAH AND THE WHALE, "L.I.F.E.G.O.E.S.O.N."]
Lisa likes brandy and the way it hits her lips.
She's a rock and roll survivor with pendulum hips.
She's got deep brown eyes that have seen it all.
Working at a nightclub that was called The Avenue.
The barmen used to call her "Little Lisa, Looney Tunes."
She went down on almost anyone.
From the hard time livin' till the Chelsea days.
From when her hair was sweet blonde to the day
it turned gray.
She said, L.I.F.E.G.O.E.S.O.N. Guess
I need to talk to you.
[phone rings]
Are you trying to seduce me, Mrs. Robinson?
I think you've made a mistake.
ICU morphine pills, ward 45, bed 7.
What about'em?
You used 100 mg.
And?
We sent up 15s only yesterday.
The patient's four days post-op.
It doesn't make sense for the dosage to change like that.
Can I ask you a question?
Who are you trying to prove yourself to?
There's only me.
I'm not.
I just didn't want you--
Is that ID?
Right.
It's your trainee pharmacist assistant.
Is that right, that's your title?
You haven't been home.
See, I'm just checking in case you thought
you actually were a pharmacist.
'Cause, you know, um, I am.
And the studying and the work, and you know, all that stuff.
[phone rings]
Grow up.
[phone rings]
[birds chirping]
ANNIE: Where have you been Marie?
Oh, fucking excellent.
I've been looking everywhere for ya.
Well, now you found me.
You can shuffle off to wherever.
I've been looking for you, Marie.
Nope.
[sirens]
You can fuck off.
Charmin'.
Go on then.
So, do you know your name or are you too addled?
Annie.
What you dressed like that for?
You look like a lady boy or a big blond goat.
With no social filter, just Gasper.
ANNIE: You won't take me back, will ya?
KELLY MAGUIRE: Are you sure?
ANNIE: Positive.
It's not a bit modern dressed as a lamb.
I'm over 30, you know.
I'll keep you out of the clutches
of age concern for a bit.
Night on the tails.
Oh, you sure? 'Cause I haven't seen you in--
Ever.
But fuck it, live dangerous.
You don't want to go through life
with regrets, Annie, do ya?
Wee.
KELLY MAGUIRE: Look at you.
You don't know whether it's Christmas or Tuesday, do ya?
No.
That's why you have to embrace life, isn't it?
So what do you fancy then?
Local or into town.
What for?
A couple of drinks, bit of down time.
Oh, no, can't go with you.
I'm going to a party.
What?
Fuck off, what party?
Me daughter.
It's her birthday.
Then I'll go with.
No.
You look strange.
I've only just met ya?
What are you goin' on about?
It's me, Marie.
Don't be ridiculous.
Marie died 20 years ago.
Now, please leave me alone.
Fuck me, blown out by a mentalist.
[sirens]
CALUM: Avril wait.
Come on, wait.
I'm sorry.
You were right.
I was using 100 mg.
I got in some real damage.
I'm sorry.
I knew you were right and I panicked.
Nasty tongue on you when you're under pressure.
What you on?
[sirens]
It's hydrocodone.
It's kind of like Vicodin but it's not addictive.
Vicodin is addictive.
It won't happen again, promise.
Tomorrow's another day, eh?
Saved someone's life today, you know.
No, I mean it.
It that prescription had got up to ward 45,
bed 7 would be toast.
[soft music]
[jogger breathing hard]
It's not natural, you know.
Ground rules.
Ruby can't know it's a bet at any time.
In fact, nobody knows about it.
Agreed.
No third party involvement, assistance, or interference.
Well, that won't be necessary.
No bribes, inducements, or misdirection of any kind.
One angle over from my past life
is I never lie, well, not for personal gain any road.
I'll play a straight game.
There's gonna be some toasty donkeys in Azerbaijan.
[funky music]
Hiya.
How are you?
[dogs barking]
Now, whatever the outcome, this is a once only gig.
And it happens on my terms.
I'm entirely at your disposal.
Good.
[twangy jazz music]
Take it easy.
You know what this stuff does to ya.
You have no idea of the buzz.
Mm.
Someone could literally be dead right now
if I hadn't a done what I did.
Hard to take in.
I wasn't gonna do it.
I wasn't gonna say anythin'.
I could have landed meself in big trouble.
But I thought, no, Avril, it's your duty.
Someone's mother, father, or lover, how do you know?
You didn't rescue an arsehole?
Maybe it was wife beater or a child molester you saved.
Coulda done more harm than good.
Life's cheap these days.
Hospital deaths are 10 a penny.
Hardly worth a mention.
Like
Like fuckin' or fuck.
Have you got a smart-ass comment, have ya?
No, Avril don't.
Model citizen are ya?
Avril.
No.
I did a good thing.
I won't be ridiculed or--
Avril, the prostitute dumped him today.
Marty.
Left him in the street cryin' like a big fuckin' baby,
which was very upsetting for everyone.
So as yin and yang save a life with one
hand, crushed a poor desperate soul with the other, calm.
[music playing]
[sirens]
MALE VOICE (ON TV): It doesn't take
long with patience and care to make a point to a face, a pair.
Hello.
MALE VOICE (ON TV): A wooden spoon.
[technical swoosh]
[MUSIC - FLORENCE + THE MACHINE, "SHAKE IT OUT"] Man, I've been
a fool and I've been blind.
I can never leave the past behind.
I can see no way.
Get off me stool.
Fine, please, I don't do amphibians, all right?
They give me the creeps.
Get off me stool.
Get off. he's not an amphibian He's a reptile.
[squeak]
Look, that seat is my only long-term investment.
Diversify Francis.
You know I couldn't vacate this stool now that you've asked me,
even if I wanted to on masculine principle.
You didn't have masculine principles when you were
porkin' alter boys, did ya?
I've never porked an alter boy,
so that's clearly a fancy of yours, not mine.
[music playing]
[farting]
Have it.
Be my guest.
You know it makes sense.
Yeah.
Appreciate this, be a couple of hours, yeah?
All goes in the holiday fund.
There she is, little miss--
All right, shut it, you pissed-up tramp.
If I want your opinion, you'll be the first to know.
It was gonna be a compliment.
Karen, pint and two valves please.
[funky music]
Been anxious all week.
More's the pity.
I'm so sorry.
I thought you were having a go.
Don't matter.
What's goin' on?
We were open to take Kel back.
Look, the licensing people are all over it, man.
Strict operatin' hours.
You saw the junkies don't flog the kids gear
in the middle of the night.
What you sellin'?
She's fucked on her new life.
Fucked.
The girl's in trouble.
Hm.
She'll be comin' back.
She loves ya.
Oh, fuckin' sell it then.
Gay, Taliban shit tongue.
Gay, Lord.
Mm, fuck'em.
RUBY HEPBURN: How you gettin' on?
A bit stuck?
No.
I've ah not finished with that yet.
[music playing]
What a dick.
He always that rude?
Pretty much.
[music playing]
[pinball machine chiming]
[door alarm]
Avril?
Check me out.
Got in early, showered, even put on deodorant or air freshener,
not sure.
You know, if ever did want to seduce me, Mrs. Robinson.
I'd be all right with it.
[music playing]
RUBY HEPBURN: Meteor.
I'm sorry.
Unusually remote celestial body, seven down.
Need an anagram of remote.
[music playing]
Subtlety is not your strong point, is it?
Oh, don't flatter yourself.
I'm just wondering why the mask.
I mean you clearly are not an idiot.
So what's with the heels, tits, and teeth?
Who the fuck do you think you're talkin' to?
DOMINIC MEAK: Precisely my question.
See, there's a lot more to you than these mugs get to see.
Am I right?
If you know so much about it, you tell me.
GLORIA MEAK: So I had my palm read today.
MIMI TUTTON: I've told Karen about lettin' them in the pub.
No, not them, your brother.
First couple hours he is a total prick.
Then, he practically me my own life story.
Well, you know what that means, don't you?
What?
He's lookin' to get into your knickers.
He's a fuckin' priest.
Look, don't take it personally,
but it's what he does.
It's his thing.
Had you spoken to Dominic before today?
No.
So, he's rude to ya, behaved like a dick.
Because at least then he's on your radar.
Next step, he'll turn that negative impression
into a positive.
So he'll sweep you off your feet by makin'
a casual pull, bang on inside your character.
He's a dirty bastard.
GLORIA MEAK: Mm-hm, and the rest.
[funky music]
[crows cawing]
[soft music]
[traffic noise]
[soft music]
We need to start doin' food at tea time.
This is ridiculous.
Oh, and you're goin' to pay God and Mumsey, are ya?
No.
His Language is fuckin' atrocious.
What do you think of him?
Oh, he loves to latch onto himself, that's for sure.
Aye, and quite a shagger by all accounts.
Yeah, if he can get it up with the amount that he puts away.
Is that true, though, some men can't-- (WHISTLE).
How would I know?
Have you seen me?
I like him.
Who?
Priest.
Spit it out.
He bet me he could shag ya.
Come again.
He bet me he could get you into bed.
And if he does, he wins me.
He's looking to sleep with you to get to me.
Sorry.
[twanging guitar]
[piano music]
FRANK GALLAGHER: Well, well, well.
[funky music]
[tires squealing]
[funky music]
Woo.
[rave music]
Oh she's with me.
Fuck off.
Go kid.
[RAVE MUSIC AND YELLING AND CHEERING]
[music - i am kloot, "because"] She turns the blue sky black.
I put her on her back.
Am I dying?
She is lying next to me.
She comes again.
From the devil came a daughter.
I was bathing in her waters.
She was crying over me.
We come again.
Ba da, ba da.
All's tranquilizer.
What did you think would happen?
You stupid cow.
I think you're dyin'.
What the fuck are you doin' here?
You invited me.
No I didn't.
I told ya I don't love ya.
Take a hint.
You don't mean it.
KELLY MAGUIRE: I fucking do.
You're just being cruel.
That's what you do when somebody gets close.
And you're being really horrible to me
so you must totally love me.
[baby crying]
Where is that coming from?
[baby crying]
My mum got me these.
They weren't cheap, best shoes I ever 'ad.
It was our secret.
Me old man kicked the livin' shit
out of her when he found out.
But she wasn't sorry.
[flute music]
I was in Spain when she died.
Shootin' any old shit I could find into me arms.
She had no one.
No.
KELLY MAGUIRE: Jesus Christ.
It's blood.
It's the one you wearin' the first time you done it.
I know what it is.
I killed him, you know.
Good.
And I killed me mother.
- No, you didn't. - Here's the fucking bit.
You couldn't stop it.0
If I let him, then she wouldn't become a depressive
and thrown herself off a balcony.
What would you have done?
Run around on the day with a safety net
and caught her like Tom and Jerry.
Now who's being cruel?
What the fuck do you want?
Same as you.
[baby crying]
What the fuck is that?
[baby crying]
Where is that noise coming from?
You.
It's coming from you.
[baby crying]
- I was to have a baby. - There's no blame.
It's nature.
Sometimes a body's ready, sometimes it's not.
That's all. - I'm tire.
MARTY FISHER: I know you are.
But you're dyin'.
You're chokin' on your own puke.
And you're not responsible for your mum or him or the baby.
That's all bollocks.
You are responsible for her, though.
I'm not strong.
[baby crying]
[music with drums playing]
Marty, don't leave me.
I want to-- I want to get back to Marty.
Promised me you'll always be there.
[music with drums playing]
Stop it you stupid bitch.
Get up. Get up.
[technical swoosh]
[music with drums playing]
[choking noises]
[music with drums playing]
[dogs barking]
Oh, at last.
Two.
Can you see us or have we faded away to nothing
due to the lack of milk?
[dogs barking]
I do have a life ladies.
[dogs barking]
That's very gratifying, but we have no milk.
[dogs barking]
I was in me pajamas when I got this out of the fridge.
Now I'm dressed.
How do you suppose I carry through the sleeve?
You get just as much calcium and stuff from skins, you know.
Here.
Yes.
But you need to use a pint of the fuckin' stuff
to turn a cup of tea white.
You've been tight?
You've got an asblow?
I'm in trainin'.
What for?
'Cause I like it.
Running for pleasure.
God's way of telling you, you've too much time on your hands.
And it's asbo, not asblow muppet.
[suspenseful music]
[dogs barking]
[suspenseful music]
FRANK GALLAGHER: Oh.
Oh.
Fuck off creep.
Heh, heh, heh, heh, heh.
Seriously I've fuckin' had it with the men around here.
Oh, all right, easy Braveheart.
Don't go paintin' your face blue just yet?
You ever say anythin' positive?
Why did she take the bet?
What?
In the Jockey, two little pussycats.
Quite the shagger by all accounts.
How would I know?
Have you seen me?
[dogs barking]
Why did she accept the bet?
Because she wants him to win.
Because?
Because then he'd have to shag her.
All in one, or two as the case may be.
Then why'd she try to put me off him?
FRANK GALLAGHER: Yeah, it's a double blufff feedin'
into your perverse chip on both shoulders, Celtic temperament.
Warn you off so you'll go runnin'
towards him, throwin' both legs over your shoulders as you go.
Why do you care?
I don't, not even a little bit.
I simply expect you to furnish me with cigarettes and alcohol
by way of thanks.
So you bet on me?
Fuckin' hell.
You accepted the bet because you want to fuck him.
OH, would you keep your voice down.
I do not want to fuck him.
It's not gonna happen. It was a laugh.
And I'll call it off.
No you fucking won't.
Because you don't get to have all the fun.
Why, what you gonna do?
Expression on your face, now that's a laugh.
Rub--
[voice on intercom]
Calum should I put--
Ah.
Not now.
AVRIL: He's a danger.
He's also a pharmacist.
Any trouble, it'll be last in, first out.
Take your time, mate, honestly.
It's no heavy, this stuff.
Well, keep your head down.
Think of your job.
Avril?
Come on.
[music playing]
Ah, Jamie was shoutin' down for ya.
-
Can you keep an eye?
[music playing]
You're good.
Well, you know, I try.
You whisper truths into women's ears,
then catch their knickers when they swoon.
It's a clever trick.
Oh, no, no, it's not a trick.
Don't be defensive.
No one's criticizin'.
It's worked.
Drink up.
You what?
Where we goin'?
I am gonna fuck you rather spectacularly, Dom.
I'm a very fit girl.
[music playing]
OK.
KAREN MAGUIRE: You know, sometimes it's
like having two bloody kids.
I lived with a fella once.
Used to reuse cling film.
Kitchen walls were covered with it just in case.
[rock music]
All right, wait, wait, wait.
Wait, wait, wait, please.
No, let's not stop.
No, I mean it.
I really like sex, Dom.
Truth be told, I'm a pretty dirty girl.
But I have one condition.
Name it, anything.
Nobody finds out about this.
You think I kiss and tell?
Nobody, not even Karen.
Why would you th--
OK.
Not even Karen.
[rock music]
No, do not go in to lockup.
It's none of your business.
Too late, I'm in.
And it is my business.
Only takes good people to do nothin' for bad people
to do stuff.
JACKSON: You saved one life.
I'm proud of ya.
But you're not suddenly a super hero.
You can't save everybody. - I would.
But it's silver serve for me.
Say, now, can't live for cock, can I?
Fill that soap, love.
Of
Oh.
I've got somethin'.
Don't touch it, leave it.
CALUM: Yeah, I'll patch you up.
All right, see you later.
Fuck he's comin'.
Avril?
Scrub that.
Lex Luther.
[chime]
AVRIL (VOICEMAIL): Say what you gotta say.
Leave a message. [beep]
Avril, give me a ring when you get this message.
All right?
Fine.
Were you waitin' for me?
Pffft.
[suspenseful music]
Where are they?
Don't know what you're talkin' about.
Fuck.
Do you think you can God?
I need'em.
And I'll go wherever I've gotta go to get'em.
Really?
So that's where we're goin' with this.
You're gonna force your hand up my muff searching for pills?
Thought you had a pocket.
Hold on, you've got my pills up your fanny?
Wait, You gonna dob me in?
[twangy guitar music]
[sirens]
[twangy guitar music]
[piano music]
[children's voices]
Wait, stop, stop the bus.
[crows cawing]
[soft piano music]
Hm, hm.
[piano music]
[birds chirping]
[piano music]
[crows cawing]
[piano music]
I'm sorry.
[piano music]
Do love ya.
[piano music]
I know.
[piano music]
I'm so tired.
I know.
It's OK.
[sobbing]
I'll always be there, always.
[piano music]
You could have lost your job.
Yeah, but I didn't.
Mom, could I have some money?
Nothin' about this makes you uncomfortable?
He's taken a month's leave to sort himself out.
Going to rehab somewhere.
All thanks to you?
That wasn't a compliment.
Hello.
I tell you what, though, my job is a fuckin' rush.
Mom, can I have some money?
Have you been smokin'?
No.
Don't lie to me.
I will know.
I had one single puff.
Do you know how bad cigarettes are for ya?
They came out me pocket.
Oh hey, the late shift's arrived.
I'm off for some grub.
[music playing]
Well, time's up.
Got any news for me?
No.
I couldn't pull it off.
You sure?
Yeah, unfortunately, unless we could make another bet.
I don't think so. [music playing]
Thanks for the advice last night.
Big help.
[music playing]
Agh.
You made a bet on me, Dom.
That was a mistake.
It was just a bit of fun, that's all.
You see me laughin'?
Agh, oo, oo.
You'd a loved it, Dom.
I'm very good.
Agh.
Oh, God.
Ow.
One for the private collection.
Oh, oh, ah, oh, oh.
Ah.
KAREN MAGUIRE: Um.
You OK?
Course.
Hey, you fuck off and get your tea.
[traffic noise]
[dogs barking]
Get me a large vodka.
OK.
I've just stripped all me bedding, washin' me sheets.
Don't sleep with women in my bed, Dominic.
It was beyond my control.
[soft music]
You know you're always welcome here.
Family or not.
AVRIL: You look more like yourself.
GLORIA MEAK: We've missed ya.
Worried about ya.
FRANK GALLAGHER: Could have gone out in a blaze of glory.
Look how disappointed it is.
[soft squeak]
I'm parched. [music playing]
Ah, pint for me boy and a vodka tonic for me,
just the one, not a bucket load.
KELLY MAGUIRE (VOICEOVER): Deceit is a sneaky bastard.
Always bites you on the ass eventually.
You finally, unavoidably, have to face yourself.
Sorry about--
Fuck off.
[flute music]
KELLY MAGUIRE (VOICEOVER): Mirror, mirror on the wall,
please forgive me for it all.
I want to be an honest soul.
I am a good girl, Kelly Ball.
[music playing]
Oh, I think I'm startin' to feel quite trippy.
OH, ah.
[vomiting sounds]
[soft music]
Shall we share?
[funky music]
[chime]