1 00:00:00,766 --> 00:00:02,300 -The ninth annual Austin City Limits 2 00:00:02,300 --> 00:00:04,233 Hall of Fame Honors, 3 00:00:04,233 --> 00:00:05,966 a celebration of the artists who've made 4 00:00:05,966 --> 00:00:07,733 "Austin City Limits" the longest running 5 00:00:07,733 --> 00:00:10,433 music program in television history. 6 00:00:10,433 --> 00:00:12,200 This year, we honor and induct the late 7 00:00:12,200 --> 00:00:15,000 legendary singer-songwriter John Prine 8 00:00:15,000 --> 00:00:19,766 and country music superstar Trisha Yearwood. 9 00:00:19,766 --> 00:00:21,533 In this second of two episodes, 10 00:00:21,533 --> 00:00:26,600 we celebrate the legacy of Trisha Yearwood with guests 11 00:00:26,600 --> 00:00:28,166 Don Henley, 12 00:00:28,166 --> 00:00:30,400 Brothers Osborne, 13 00:00:30,400 --> 00:00:32,766 Brandy Clark, 14 00:00:32,766 --> 00:00:35,066 Ronnie Dunn, 15 00:00:35,066 --> 00:00:38,900 and Jo Dee Messina. 16 00:00:38,900 --> 00:00:42,533 It's part two of the ninth annual Austin City Limits 17 00:00:42,533 --> 00:00:44,400 Hall of Fame Honors. 18 00:00:47,766 --> 00:00:50,066 -The Austin City Limits Hall of Fame 19 00:00:50,066 --> 00:00:52,166 was created to honor the artists who contributed to the legacy 20 00:00:52,166 --> 00:00:56,366 for the longest running music program in television history. 21 00:00:56,366 --> 00:00:59,400 In this second of two episodes, we celebrate Trisha Yearwood. 22 00:00:59,400 --> 00:01:03,033 -♪ Marry that boy someday ♪ 23 00:01:05,633 --> 00:01:08,966 -Here is Trisha from her first "ACL" performance in 1991. 24 00:01:08,966 --> 00:01:10,333 [ "Like We Never Had a Broken Heart" plays ] 25 00:01:10,333 --> 00:01:13,200 ♪♪ 26 00:01:13,200 --> 00:01:20,500 -♪ Don't be afraid to hold me tight ♪ 27 00:01:20,500 --> 00:01:26,333 ♪ You know I won't break in two ♪ 28 00:01:27,300 --> 00:01:34,000 ♪ What we're doing here tonight ♪ 29 00:01:34,000 --> 00:01:38,433 ♪ Sure beats what we're going through ♪ 30 00:01:41,066 --> 00:01:47,700 ♪ We both loved and lost before ♪ 31 00:01:47,700 --> 00:01:52,400 ♪ We know the sadness it can bring ♪ 32 00:01:55,333 --> 00:02:01,300 ♪ Tonight let's close the door ♪ 33 00:02:01,300 --> 00:02:05,366 ♪ And hold on to the nearest thing ♪ 34 00:02:09,233 --> 00:02:14,433 ♪ Let's keep hanging on ♪ 35 00:02:15,800 --> 00:02:21,433 ♪ So we won't fall apart ♪ 36 00:02:22,633 --> 00:02:27,233 ♪ Let's make love tonight ♪ 37 00:02:28,333 --> 00:02:33,233 ♪ Like we never had a broken heart ♪ 38 00:02:35,166 --> 00:02:42,066 ♪ Don't be afraid to close your eyes ♪ 39 00:02:42,066 --> 00:02:48,866 ♪ Pretend I'm someone that you love ♪ 40 00:02:48,866 --> 00:02:55,933 ♪ And I won't have to tell you lies ♪ 41 00:02:55,933 --> 00:03:00,833 ♪ 'Cause it's not you I'm thinking of ♪ 42 00:03:03,600 --> 00:03:10,233 ♪ Let's keep hanging on ♪ 43 00:03:10,233 --> 00:03:17,133 ♪ So we won't fall apart ♪ 44 00:03:17,133 --> 00:03:21,100 ♪ Let's make love tonight ♪ 45 00:03:22,900 --> 00:03:27,600 ♪ Like we never had a broken heart ♪ 46 00:03:28,800 --> 00:03:32,333 -Trisha's interview with "ACL" in 2000. 47 00:03:32,333 --> 00:03:36,233 -I'm not a person in life who is really open 48 00:03:36,233 --> 00:03:38,966 and I don't wear my heart on my sleeve. 49 00:03:38,966 --> 00:03:40,800 I keep my emotions pretty close to the chest. 50 00:03:40,800 --> 00:03:43,733 So music for me is where I get to do that. 51 00:03:43,733 --> 00:03:45,033 Music is where I get to say things 52 00:03:45,033 --> 00:03:47,400 that I might never say in real life. 53 00:03:47,400 --> 00:03:49,900 And so that's my outlet, you know? 54 00:03:49,900 --> 00:03:52,500 So it is like painting a picture 55 00:03:52,500 --> 00:03:54,266 and just putting all your emotions out there 56 00:03:54,266 --> 00:03:56,233 and saying, "This is how I feel." 57 00:03:56,233 --> 00:03:59,100 And it's the most honest thing that I can think of to do 58 00:03:59,100 --> 00:04:02,700 as an artist is to say, "This is how I feel. 59 00:04:02,700 --> 00:04:03,900 This is what I'm what I know." 60 00:04:03,900 --> 00:04:06,900 I've always been inspired by, 61 00:04:06,900 --> 00:04:08,233 as far as female singers go, 62 00:04:08,233 --> 00:04:12,100 women with big, powerful and distinctive voices, 63 00:04:12,100 --> 00:04:14,000 which is why I latched on at an early age 64 00:04:14,000 --> 00:04:15,733 to Patsy Cline records, 65 00:04:15,733 --> 00:04:20,133 to Linda Ronstadt and Emmylou Harris. 66 00:04:20,133 --> 00:04:23,366 Ronstadt because that power and emotion in her voice, 67 00:04:23,366 --> 00:04:25,233 I just -- I wanted -- I loved that. 68 00:04:25,233 --> 00:04:27,133 I always wanted to sing like that. 69 00:04:27,133 --> 00:04:30,333 And Patsy because you could hear the breath, 70 00:04:30,333 --> 00:04:31,866 you could hear the cry and the voice. 71 00:04:31,866 --> 00:04:34,033 And she sounded like she was in the room singing with you. 72 00:04:34,033 --> 00:04:40,066 And Emmylou because she's just the ultimate in integrity, 73 00:04:40,066 --> 00:04:42,500 in song choices. 74 00:04:42,500 --> 00:04:45,466 And I've always been a fan of people that tell stories. 75 00:04:45,466 --> 00:04:47,100 That's why I like James Taylor records. 76 00:04:47,100 --> 00:04:49,566 That's why I like George Jones records. 77 00:04:49,566 --> 00:04:52,066 I like stories, you know? 78 00:04:52,066 --> 00:04:56,133 -Trisha's second "ACL" performance in 1996. 79 00:04:56,133 --> 00:05:01,133 -♪ Phone rings, baby cries, TV diet guru lies ♪ 80 00:05:01,133 --> 00:05:02,933 ♪ Good morning, honey ♪ 81 00:05:03,700 --> 00:05:07,633 ♪ Go to work, make up, try to keep the balance up ♪ 82 00:05:07,633 --> 00:05:10,333 ♪ Between love and money ♪ 83 00:05:10,333 --> 00:05:14,600 ♪ She used to tie her hair up in ribbons and bows ♪ 84 00:05:14,600 --> 00:05:18,100 ♪ Sign her letters with X's and O's ♪ 85 00:05:18,100 --> 00:05:22,033 ♪ Got a picture of her mama in heels and pearls ♪ 86 00:05:22,033 --> 00:05:24,966 ♪ She's trying to make it in her daddy's world ♪ 87 00:05:24,966 --> 00:05:27,566 ♪ She's an American girl ♪ 88 00:05:28,766 --> 00:05:31,233 ♪ An American girl ♪ 89 00:05:32,833 --> 00:05:37,466 ♪ Slow dance, second chance, mama needs romance ♪ 90 00:05:37,466 --> 00:05:39,533 ♪ And an live-in maid, oh, yeah ♪ 91 00:05:40,533 --> 00:05:44,800 ♪ Fix the sink, mow the yard, really isn't all that hard ♪ 92 00:05:44,800 --> 00:05:46,966 ♪ If you get paid ♪ 93 00:05:46,966 --> 00:05:51,366 ♪ She used to tie her hair up in ribbons and bows ♪ 94 00:05:51,366 --> 00:05:54,833 ♪ Sign her letters with X's and O's ♪ 95 00:05:54,833 --> 00:05:58,900 ♪ Got a picture of her mama in heels and pearls ♪ 96 00:05:58,900 --> 00:06:02,166 ♪ She's going to make it in her daddy's world ♪ 97 00:06:02,166 --> 00:06:04,200 ♪ An American girl ♪ 98 00:06:05,233 --> 00:06:07,966 ♪ She's an American girl ♪ 99 00:06:09,366 --> 00:06:13,300 ♪ Well, she's got her God and she's got good wine ♪ 100 00:06:13,300 --> 00:06:18,200 ♪ Aretha Franklin and Patsy Cline ♪ 101 00:06:18,200 --> 00:06:22,400 ♪ She used to tie her hair up in ribbons and bows ♪ 102 00:06:22,400 --> 00:06:26,100 ♪ Sign her letters with X's and O's ♪ 103 00:06:26,100 --> 00:06:29,666 ♪ Got a picture of her mama in heels and pearls ♪ 104 00:06:29,666 --> 00:06:33,133 ♪ She's gonna make it in her daddy's world ♪ 105 00:06:33,133 --> 00:06:36,100 ♪ An American girl ♪ 106 00:06:36,100 --> 00:06:39,100 ♪ She's an American girl ♪ 107 00:06:39,100 --> 00:06:40,700 Yes, ma'am! 108 00:06:40,700 --> 00:06:54,266 ♪♪ 109 00:06:54,266 --> 00:06:57,033 ♪ She's an American girl ♪ 110 00:06:58,233 --> 00:07:00,666 ♪ An American girl ♪ 111 00:07:02,133 --> 00:07:06,033 ♪ Well, she used to tie her hair up in ribbons and bows ♪ 112 00:07:06,033 --> 00:07:09,666 ♪ Sign her letters with X's and O's ♪ 113 00:07:09,666 --> 00:07:11,633 ♪ X's and O's ♪ 114 00:07:13,366 --> 00:07:15,366 ♪ X's and O's ♪ 115 00:07:15,366 --> 00:07:18,666 ♪ Yeah, yeah, yeah, yeah ♪ 116 00:07:18,666 --> 00:07:21,900 ♪♪ 117 00:07:21,900 --> 00:07:24,500 I dreamed for 26 years 118 00:07:24,500 --> 00:07:25,733 before I made my first album 119 00:07:25,733 --> 00:07:27,600 that I could do this for a living, 120 00:07:27,600 --> 00:07:30,500 so I've only got nine years under my belt 121 00:07:30,500 --> 00:07:32,633 of getting to do what I love to do every day, 122 00:07:32,633 --> 00:07:36,000 and to find a new song and to make it my own, 123 00:07:36,000 --> 00:07:39,866 and to record it in the studio and have it forever on tape, 124 00:07:39,866 --> 00:07:41,466 to have forever, that is a -- 125 00:07:41,466 --> 00:07:43,400 that is a dream come true for me every time. 126 00:07:43,400 --> 00:07:47,166 And that's why every album I make is my favorite one 127 00:07:47,166 --> 00:07:49,700 because I got something new to say, 128 00:07:49,700 --> 00:07:51,333 and I hope that I'll have something new to say 129 00:07:51,333 --> 00:07:53,000 for as many years as I can sing. 130 00:07:53,000 --> 00:07:55,933 [ "Walkaway Joe" plays ] 131 00:07:55,933 --> 00:08:00,200 ♪ Mama told her baby, "Girl, take it real slow" ♪ 132 00:08:00,200 --> 00:08:03,900 ♪ Girl told her mama, "Hey, I really gotta go ♪ 133 00:08:03,900 --> 00:08:05,933 ♪ He's waitin' in the car" ♪ 134 00:08:07,033 --> 00:08:10,700 ♪ And Mama said, "Girl, you won't get far" ♪ 135 00:08:12,866 --> 00:08:16,833 ♪ Thus are the dreams of an average Jane ♪ 136 00:08:16,833 --> 00:08:21,066 ♪ Ninety miles an hour down a lover's lane ♪ 137 00:08:21,066 --> 00:08:24,000 ♪ On a tank of dreams ♪ 138 00:08:24,000 --> 00:08:27,800 ♪ Oh, if she could have only seen ♪ 139 00:08:29,233 --> 00:08:34,733 ♪ But fate's got cards that it don't wanna show ♪ 140 00:08:36,266 --> 00:08:39,900 ♪ And that boy's just a Walkaway Joe ♪ 141 00:08:39,900 --> 00:08:41,933 ♪ Born to be a leaver ♪ 142 00:08:41,933 --> 00:08:44,133 ♪ Tell you from the word "go" ♪ 143 00:08:44,133 --> 00:08:46,066 ♪ Destined to deceive her ♪ 144 00:08:46,066 --> 00:08:49,800 ♪ He's the wrong kind of paradise ♪ 145 00:08:49,800 --> 00:08:53,500 ♪ She's gonna know it in a matter of time ♪ 146 00:08:53,500 --> 00:08:57,100 ♪ That boy's just a Walkaway Joe ♪ 147 00:08:57,100 --> 00:09:03,033 ♪♪ 148 00:09:03,033 --> 00:09:07,500 ♪ Just a little while into Abilene ♪ 149 00:09:07,500 --> 00:09:11,133 ♪ He pulls into a station and he robs it clean ♪ 150 00:09:11,133 --> 00:09:13,166 ♪ She's waitin' in the car ♪ 151 00:09:14,966 --> 00:09:18,766 ♪ Underneath the Texaco star ♪ 152 00:09:19,733 --> 00:09:21,966 ♪ She only wanted love ♪ 153 00:09:21,966 --> 00:09:24,133 ♪ Didn't bargain for this ♪ 154 00:09:24,133 --> 00:09:28,033 ♪ She can't help but love him for the way he is ♪ 155 00:09:28,033 --> 00:09:30,466 ♪ She's only 17 ♪ 156 00:09:31,433 --> 00:09:35,933 ♪ And there ain't no reasoning ♪ 157 00:09:35,933 --> 00:09:41,633 ♪ So she'll ride this ride as far as it can go ♪ 158 00:09:43,466 --> 00:09:47,166 ♪ 'Cause that boy's just a Walkaway Joe ♪ 159 00:09:47,166 --> 00:09:48,966 ♪ Born to be a leaver ♪ 160 00:09:48,966 --> 00:09:51,166 ♪ Tell you from the word "go" ♪ 161 00:09:51,166 --> 00:09:53,133 ♪ Destined to deceive her ♪ 162 00:09:53,133 --> 00:09:56,900 ♪ He's the wrong kind of paradise ♪ 163 00:09:56,900 --> 00:10:00,433 ♪ She's gonna know it in a matter of time ♪ 164 00:10:00,433 --> 00:10:04,400 ♪ That boy's just a Walkaway Joe ♪ 165 00:10:05,666 --> 00:10:08,533 I grew up watching "Austin City Limits," you know? 166 00:10:08,533 --> 00:10:12,500 So for me, it's an iconic moment, 167 00:10:12,500 --> 00:10:15,533 and to actually realize you're going to be on that stage 168 00:10:15,533 --> 00:10:17,533 standing in front of that skyline, 169 00:10:17,533 --> 00:10:22,066 I mean, nerves, and just what an honor. 170 00:10:22,066 --> 00:10:23,900 I mean, there are -- you know, in country music, 171 00:10:23,900 --> 00:10:26,566 especially when I was a kid in the '70s growing up, 172 00:10:26,566 --> 00:10:29,100 the opportunities to see your favorite artists 173 00:10:29,100 --> 00:10:31,300 on television were few. 174 00:10:31,300 --> 00:10:33,866 But any chance that you could see a country artist on it, 175 00:10:33,866 --> 00:10:37,033 you know, was -- you would just lock on. 176 00:10:37,033 --> 00:10:40,933 And I grew up on -- I grew up on Willie Nelson and Waylon. 177 00:10:40,933 --> 00:10:42,100 I grew up on the Eagles. 178 00:10:42,100 --> 00:10:44,800 I grew up on Nitty Gritty Dirt Band. 179 00:10:44,800 --> 00:10:46,366 It's where -- I think it's the first place 180 00:10:46,366 --> 00:10:49,800 I ever saw John Prine perform, so I -- 181 00:10:49,800 --> 00:10:52,666 And Emmylou Harris. I loved that music. 182 00:10:52,666 --> 00:10:55,400 And so I loved "Austin City Limits." 183 00:10:55,400 --> 00:10:57,066 So to watch it for all those years 184 00:10:57,066 --> 00:11:00,800 and then to end up being asked to perform, um... 185 00:11:00,800 --> 00:11:03,300 You know, when I see little clips 186 00:11:03,300 --> 00:11:06,600 from that first performance, I see the terror. 187 00:11:06,600 --> 00:11:07,766 [ Laughs ] 188 00:11:07,766 --> 00:11:08,933 I mean, I was just afraid, 189 00:11:08,933 --> 00:11:10,400 but it was such a welcoming place, 190 00:11:10,400 --> 00:11:12,100 and it was one of those -- there's these things 191 00:11:12,100 --> 00:11:13,233 in your career that happen that go, 192 00:11:13,233 --> 00:11:14,300 "Okay, I'm really doing this. 193 00:11:14,300 --> 00:11:15,966 This is a moment. This is -- 194 00:11:15,966 --> 00:11:18,133 Mark this time because this is special." 195 00:11:18,133 --> 00:11:20,000 And that's how I felt the first time 196 00:11:20,000 --> 00:11:23,266 and every time I've gotten to perform at Austin City Limits. 197 00:11:23,266 --> 00:11:24,966 I'm so excited for the folks that have said 198 00:11:24,966 --> 00:11:27,300 yes, this lineup of performers. 199 00:11:27,300 --> 00:11:29,866 I -- I'm just -- I can't wait 200 00:11:29,866 --> 00:11:32,700 and I'm -- I can't -- I'm not saying this for camera. 201 00:11:32,700 --> 00:11:34,200 I'm just so honored. 202 00:11:34,200 --> 00:11:37,566 I really am and I just -- I can't wait to be there. 203 00:11:37,566 --> 00:11:38,866 -Please welcome musician, 204 00:11:38,866 --> 00:11:41,566 songwriter and activist Don Henley. 205 00:11:41,566 --> 00:11:50,266 [ Cheers and applause ] 206 00:11:50,266 --> 00:11:51,933 -I was a fan of Trisha Yearwood 207 00:11:51,933 --> 00:11:56,600 the minute I heard her voice coming out of the radio. 208 00:11:56,600 --> 00:11:58,400 I said, "Who in the world is that?" 209 00:11:58,400 --> 00:12:01,700 It was in the spring of 1991, and in the previous decade, 210 00:12:01,700 --> 00:12:03,466 the country music charts 211 00:12:03,466 --> 00:12:06,866 had been pretty much dominated by men. 212 00:12:06,866 --> 00:12:09,033 But things were changing. 213 00:12:09,033 --> 00:12:11,633 That first single, "She's in Love with the Boy," 214 00:12:11,633 --> 00:12:14,466 raced up the charts, becoming the first debut single 215 00:12:14,466 --> 00:12:19,000 from any female country artist to reach the number 1 position. 216 00:12:19,000 --> 00:12:21,466 [ Cheers and applause ] That's right. 217 00:12:24,566 --> 00:12:27,833 And it stayed there for two weeks. 218 00:12:27,833 --> 00:12:29,800 And a couple of months after that single, 219 00:12:29,800 --> 00:12:33,933 Trisha's debut album came out and I bought the CD. 220 00:12:33,933 --> 00:12:38,600 [ Laughter ] 221 00:12:38,600 --> 00:12:39,966 Certificates of deposit. 222 00:12:39,966 --> 00:12:43,400 [ Laughter ] 223 00:12:43,400 --> 00:12:47,600 You can't really wear out a CD, but I tried. 224 00:12:47,600 --> 00:12:50,066 I loved everything about that album. 225 00:12:50,066 --> 00:12:51,966 I loved the production and the musicianship 226 00:12:51,966 --> 00:12:56,100 and the quality of the material, and pulling it all together 227 00:12:56,100 --> 00:13:01,433 was that voice, that incredible voice. 228 00:13:01,433 --> 00:13:03,166 In late January of 1992, 229 00:13:03,166 --> 00:13:06,166 I saw Trisha on "The Tonight Show" 230 00:13:06,166 --> 00:13:09,666 with Johnny Carson. 231 00:13:09,666 --> 00:13:11,533 And she was just as good in a pressurized 232 00:13:11,533 --> 00:13:14,900 live setting as she was on record. 233 00:13:14,900 --> 00:13:16,766 And around that time I was putting together 234 00:13:16,766 --> 00:13:18,300 a benefit concert 235 00:13:18,300 --> 00:13:21,233 for the Walden Woods Project, and I reached out to Trisha 236 00:13:21,233 --> 00:13:24,833 and she graciously agreed to participate. 237 00:13:24,833 --> 00:13:27,833 And that was the beginning of our friendship. 238 00:13:27,833 --> 00:13:31,533 She was small town Georgia and I was small town Texas. 239 00:13:31,533 --> 00:13:34,000 And so we had an ingrained mutual understanding 240 00:13:34,000 --> 00:13:36,200 and respect. 241 00:13:36,200 --> 00:13:37,700 And also around that time 242 00:13:37,700 --> 00:13:41,666 Trisha had begun recording her second album, 243 00:13:41,666 --> 00:13:43,466 and she asked me if I would come to Nashville 244 00:13:43,466 --> 00:13:48,700 and sing some harmonies on it, and I told her I'd be delighted. 245 00:13:48,700 --> 00:13:50,533 And I ended up singing on two songs, 246 00:13:50,533 --> 00:13:53,933 the title cut called "Hearts in Armor" 247 00:13:53,933 --> 00:13:57,366 and a great storytelling song written by Vince Melamed 248 00:13:57,366 --> 00:13:59,733 and Greg Barnhill called "Walkaway Joe." 249 00:13:59,733 --> 00:14:06,266 [ Cheers and applause ] 250 00:14:06,266 --> 00:14:08,433 And that song shot up to the number 2 position 251 00:14:08,433 --> 00:14:10,700 in the U.S. and Canada, 252 00:14:10,700 --> 00:14:13,066 and it was accompanied by a video 253 00:14:13,066 --> 00:14:15,700 featuring a 22-year-old Matthew McConaughey... 254 00:14:15,700 --> 00:14:18,866 [ Laughter ] 255 00:14:18,866 --> 00:14:21,966 ...who was at that time attending UT, 256 00:14:21,966 --> 00:14:24,800 and he was answering local talent calls. 257 00:14:24,800 --> 00:14:26,500 This was before "Dazed and Confused." 258 00:14:26,500 --> 00:14:29,066 [ Laughter ] 259 00:14:29,066 --> 00:14:30,833 And the black and white portion of that video 260 00:14:30,833 --> 00:14:32,900 was shot right here in the Austin area. 261 00:14:32,900 --> 00:14:35,600 It features Matthew. 262 00:14:35,600 --> 00:14:37,633 That album went on to sell over a million copies 263 00:14:37,633 --> 00:14:41,400 and the rest, as they say, is history. 264 00:14:41,400 --> 00:14:43,866 Trisha went on to rack up many more multi-platinum 265 00:14:43,866 --> 00:14:48,466 certifications and Grammy Awards and CMA Awards and ACM Awards, 266 00:14:48,466 --> 00:14:52,433 and in 1999 she was inducted into the Grand Ole Opry. 267 00:14:52,433 --> 00:14:59,466 [ Cheers and applause ] 268 00:15:00,766 --> 00:15:03,166 And if all that weren't enough, 269 00:15:03,166 --> 00:15:08,366 she hosted 18 seasons of her Emmy-winning cooking show... 270 00:15:08,366 --> 00:15:12,333 [ Laughter, cheers, applause ] 271 00:15:12,333 --> 00:15:15,366 ...called "Trisha's Southern Kitchen," 272 00:15:15,366 --> 00:15:18,200 and she has published four cookbooks, 273 00:15:18,200 --> 00:15:20,300 all New York Times best sellers. 274 00:15:20,300 --> 00:15:26,600 [ Applause ] 275 00:15:26,600 --> 00:15:27,733 I have all of them. 276 00:15:27,733 --> 00:15:31,833 [ Laughter ] 277 00:15:31,833 --> 00:15:33,433 Recently in 2019, 278 00:15:33,433 --> 00:15:35,800 in keeping with her ability and her versatility, 279 00:15:35,800 --> 00:15:37,933 Trisha released a collection of Frank Sinatra 280 00:15:37,933 --> 00:15:41,366 covers entitled "Let's Be Frank." 281 00:15:41,366 --> 00:15:44,000 [ Laughter ] 282 00:15:44,000 --> 00:15:48,566 And that album also includes one beautiful original song 283 00:15:48,566 --> 00:15:51,433 that she co-wrote with her husband, Mr. Yearwood. 284 00:15:51,433 --> 00:15:53,900 [ Laughter ] 285 00:15:53,900 --> 00:16:02,933 [ Cheers and applause ] 286 00:16:03,800 --> 00:16:04,900 I had to. 287 00:16:04,900 --> 00:16:07,666 [ Laughter ] 288 00:16:07,666 --> 00:16:11,400 Anyway, that's a beautiful album and I highly recommend it. 289 00:16:11,400 --> 00:16:13,100 Later that same year, 2019, 290 00:16:13,100 --> 00:16:15,233 she released her highly anticipated new single 291 00:16:15,233 --> 00:16:16,933 "Every Girl in This Town," 292 00:16:16,933 --> 00:16:20,066 setting the stage for the 2019 release of her country album, 293 00:16:20,066 --> 00:16:22,400 the first one in over a decade entitled 294 00:16:22,400 --> 00:16:24,466 "Every Girl." 295 00:16:24,466 --> 00:16:28,266 And then she launched a nationwide tour. 296 00:16:28,266 --> 00:16:30,100 Trisha is one of the most hardworking people 297 00:16:30,100 --> 00:16:32,700 I know in any profession. 298 00:16:32,700 --> 00:16:36,300 And she has earned every bit of her success, 299 00:16:36,300 --> 00:16:38,433 and the hallmark of her career 300 00:16:38,433 --> 00:16:40,900 has been her unwavering conviction 301 00:16:40,900 --> 00:16:44,000 that a well-written song, no matter the style, 302 00:16:44,000 --> 00:16:46,733 is the foundation on which a singer stands. 303 00:16:46,733 --> 00:16:53,400 [ Applause ] 304 00:16:53,400 --> 00:16:58,566 And her ability to recognize, to discern, and to identify 305 00:16:58,566 --> 00:17:02,366 great songs coupled with her exceptional gift 306 00:17:02,366 --> 00:17:07,566 as a singer has resulted in a stellar 32-year career. 307 00:17:07,566 --> 00:17:09,366 And through it all, 308 00:17:09,366 --> 00:17:11,466 through it all, she has remained just as humble 309 00:17:11,466 --> 00:17:16,200 and kind and generous as anybody you'd ever want to meet. 310 00:17:16,200 --> 00:17:18,133 So it is my great pleasure this evening, 311 00:17:18,133 --> 00:17:20,600 my honor, actually, to welcome my friend 312 00:17:20,600 --> 00:17:24,000 Trisha Yearwood into the Austin City Limits Hall of Fame. 313 00:17:24,000 --> 00:17:27,066 [ Cheers and applause ] 314 00:17:40,366 --> 00:17:43,433 [ Cheers and applause continue ] 315 00:17:50,500 --> 00:17:52,600 -It's the skyline. It's so awesome. 316 00:17:54,700 --> 00:17:57,633 I am overwhelmed, 317 00:17:57,633 --> 00:18:02,100 first of all, to havethis singer talk about my singing 318 00:18:02,100 --> 00:18:05,766 is just very surreal because one of the best singers 319 00:18:05,766 --> 00:18:07,233 I've ever heard in my whole life 320 00:18:07,233 --> 00:18:08,566 just presented me with that award. 321 00:18:08,566 --> 00:18:14,033 [ Cheers and applause ] 322 00:18:14,033 --> 00:18:17,000 And I just keep going back to being a kid, 323 00:18:17,000 --> 00:18:22,633 watching this show with my folks, discovering new music. 324 00:18:22,633 --> 00:18:24,233 The fact that my name is said 325 00:18:24,233 --> 00:18:26,166 in the same sentence tonight with John Prine, 326 00:18:26,166 --> 00:18:29,500 who I discovered on this show, is overwhelming 327 00:18:29,500 --> 00:18:30,733 and I'm so grateful. 328 00:18:30,733 --> 00:18:34,533 [ Applause ] 329 00:18:34,533 --> 00:18:38,000 I'm also very uncomfortable being honored. 330 00:18:38,000 --> 00:18:41,600 And so today, listening to the performances 331 00:18:41,600 --> 00:18:44,166 that you're about to hear was a lot. 332 00:18:44,166 --> 00:18:46,866 And I got to cry a lot in soundcheck, so that's good. 333 00:18:46,866 --> 00:18:50,100 Hopefully I won't cry too much during the show 334 00:18:50,100 --> 00:18:54,033 because it's such -- it just makes you feel so good 335 00:18:54,033 --> 00:18:56,600 when people come out for you and do this. 336 00:18:56,600 --> 00:18:59,400 And I'm just excited about what you're going to -- 337 00:18:59,400 --> 00:19:01,066 what you're going to hear. 338 00:19:01,066 --> 00:19:06,233 I want to -- as much as this is about me, and that's hard, 339 00:19:06,233 --> 00:19:09,266 the people that I love and who love me are here, 340 00:19:09,266 --> 00:19:12,566 my family, my husband, Mr. Brooks. 341 00:19:12,566 --> 00:19:17,566 [ Laughter ] 342 00:19:17,566 --> 00:19:19,666 He lets me call him Mr. Yearwood also at home. 343 00:19:19,666 --> 00:19:21,466 [ Laughter ] 344 00:19:21,466 --> 00:19:22,800 You know how I feel about you. 345 00:19:22,800 --> 00:19:25,200 And I'm so happy to share everything 346 00:19:25,200 --> 00:19:26,566 that I get to do with you. 347 00:19:26,566 --> 00:19:29,366 But I want to talk about music for just a second. 348 00:19:29,366 --> 00:19:34,733 In a world where music is sometimes increasingly hard 349 00:19:34,733 --> 00:19:38,033 to identify as what's real, 350 00:19:38,033 --> 00:19:40,366 the thing about Austin City Limits 351 00:19:40,366 --> 00:19:43,700 is that you know the music here on this stage 352 00:19:43,700 --> 00:19:47,333 is made by real musicians, real artists. 353 00:19:47,333 --> 00:19:48,866 It's all about the music here, 354 00:19:48,866 --> 00:19:51,466 and that's why I'm so honored to be a part of it. 355 00:19:51,466 --> 00:19:58,866 [ Cheers and applause ] 356 00:19:58,866 --> 00:20:01,433 And I want to say that whatever you're doing here 357 00:20:01,433 --> 00:20:03,700 in Austin, you can't ever stop. 358 00:20:03,700 --> 00:20:06,666 This is so important for music moving forward. 359 00:20:06,666 --> 00:20:08,833 Thank you, Don, and thank you, guys, for this honor. 360 00:20:08,833 --> 00:20:12,566 [ Cheers and applause ] 361 00:20:25,366 --> 00:20:27,600 -Please welcome Brothers Osborne. 362 00:20:27,600 --> 00:20:36,833 [ Cheers and applause ] 363 00:20:36,833 --> 00:20:38,000 -How's everyone feeling? 364 00:20:38,000 --> 00:20:42,933 [ Cheers and applause continue ] 365 00:20:42,933 --> 00:20:45,666 We've been on a long run this year 366 00:20:45,666 --> 00:20:48,266 and we got the request to come do this. 367 00:20:48,266 --> 00:20:50,366 And we were like, "Of course we have to come here." 368 00:20:50,366 --> 00:20:52,700 This is our first time that we've ever played here. 369 00:20:52,700 --> 00:20:56,866 [ Cheers and applause ] 370 00:20:56,866 --> 00:20:59,166 And me saying our first time was not an accident. 371 00:20:59,166 --> 00:21:00,966 That's me, you know, trying to slip it in. 372 00:21:00,966 --> 00:21:06,133 Hopefully we will be back many times, if you'll have us. 373 00:21:07,433 --> 00:21:09,400 So the other thing though, is Trisha, I mean, 374 00:21:09,400 --> 00:21:12,700 we grew up being fans of hers, and, you know, you always hear 375 00:21:12,700 --> 00:21:14,666 that you don't want to meet your heroes. 376 00:21:14,666 --> 00:21:17,833 And Trisha is absolutely an exception to that. 377 00:21:17,833 --> 00:21:20,566 When you get to know her, you love her more. 378 00:21:20,566 --> 00:21:23,000 And she's one of those very rare individuals 379 00:21:23,000 --> 00:21:25,666 that I have met that I feel like I am better 380 00:21:25,666 --> 00:21:28,033 just being in her presence. 381 00:21:28,033 --> 00:21:31,200 And I feel like my -- just who I am 382 00:21:31,200 --> 00:21:33,466 as a person and our artistry improves 383 00:21:33,466 --> 00:21:34,900 just being around people like that. 384 00:21:34,900 --> 00:21:37,733 She's really incredibly magnetic, 385 00:21:37,733 --> 00:21:39,866 and it's a huge honor to be here. 386 00:21:39,866 --> 00:21:44,100 And so we felt very tepid on what song we were going to do 387 00:21:44,100 --> 00:21:46,433 because there's so many great ones. 388 00:21:46,433 --> 00:21:50,533 And then we asked what song she would like us to sing, 389 00:21:50,533 --> 00:21:51,866 and I was hoping it was going to be one 390 00:21:51,866 --> 00:21:53,233 that didn't have lots of range. 391 00:21:53,233 --> 00:21:56,033 [ Laughter ] 392 00:21:56,033 --> 00:21:58,033 And she picked one that did not have lots of range. 393 00:21:58,033 --> 00:22:02,033 So I was like, "Thanks, Trisha. I knew you were the best." 394 00:22:02,033 --> 00:22:04,466 This is a song that we grew up listening to and loving, 395 00:22:04,466 --> 00:22:06,266 and it's an honor to do it here tonight. 396 00:22:06,266 --> 00:22:08,933 [ Cheers and applause ] 397 00:22:11,100 --> 00:22:14,433 [ "Wrong Side of Memphis" plays ] 398 00:22:14,433 --> 00:22:24,200 ♪♪ 399 00:22:24,200 --> 00:22:27,933 ♪ I've been living on the wrong side of Memphis ♪ 400 00:22:27,933 --> 00:22:30,800 ♪ Really breaking away this time ♪ 401 00:22:30,800 --> 00:22:34,500 ♪ A full tank of gas and a '69 Tempest ♪ 402 00:22:34,500 --> 00:22:37,166 ♪ Taking me to that Nashville sign ♪ 403 00:22:37,166 --> 00:22:40,766 ♪ No turnin' back, I've come too far ♪ 404 00:22:40,766 --> 00:22:43,766 ♪ Headed down 40 with my old guitar ♪ 405 00:22:43,766 --> 00:22:47,400 ♪ This ain't Graceland, well, that's a fact ♪ 406 00:22:47,400 --> 00:22:50,833 ♪ I ain't driving no pink Cadillac ♪ 407 00:22:50,833 --> 00:22:54,366 ♪ I've been living on the wrong side of Memphis ♪ 408 00:22:54,366 --> 00:22:57,066 ♪ Gonna bronze these blue suede shoes ♪ 409 00:22:57,066 --> 00:23:01,033 ♪ These cowboy boots are getting kind of restless ♪ 410 00:23:01,033 --> 00:23:05,900 ♪ Ain't got a single thing to lose ♪ 411 00:23:05,900 --> 00:23:10,166 ♪♪ 412 00:23:10,166 --> 00:23:13,900 ♪ I've had this dream from a tender age ♪ 413 00:23:13,900 --> 00:23:17,066 ♪ Calling my name from the Opry stage ♪ 414 00:23:17,066 --> 00:23:20,500 ♪ I can hear it sing loud and clear ♪ 415 00:23:20,500 --> 00:23:23,800 ♪ Two hundred miles and I'll be there ♪ 416 00:23:23,800 --> 00:23:27,466 ♪ I've been living on the wrong side of Memphis ♪ 417 00:23:27,466 --> 00:23:30,266 ♪ Really breaking away this time ♪ 418 00:23:30,266 --> 00:23:34,066 ♪ A full tank of gas and a '69 Tempest ♪ 419 00:23:34,066 --> 00:23:36,766 ♪ Taking me to that Nashville sign ♪ 420 00:23:36,766 --> 00:23:40,833 ♪ Yes, I've been living on the wrong side of Memphis ♪ 421 00:23:40,833 --> 00:23:43,366 ♪ Gonna bronze these blue suede shoes ♪ 422 00:23:43,366 --> 00:23:47,333 ♪ These cowboy boots are getting kind of restless ♪ 423 00:23:47,333 --> 00:23:52,766 ♪ Ain't got a single thing to lose ♪ 424 00:23:52,766 --> 00:24:01,066 ♪♪ 425 00:24:01,066 --> 00:24:03,533 ♪ Whoa-whoa ♪ 426 00:24:03,533 --> 00:24:08,433 ♪ I've been living on the wrong side of Memphis ♪ 427 00:24:08,433 --> 00:24:10,166 ♪ Yeah, yeah ♪ 428 00:24:10,166 --> 00:24:14,433 -♪ I've been living on the wrong side of Memphis ♪ 429 00:24:16,233 --> 00:24:18,366 -♪ I got the cowboy boots ♪ 430 00:24:19,866 --> 00:24:22,200 ♪ A rhinestone suit ♪ 431 00:24:23,433 --> 00:24:27,333 ♪ I've been living on the wrong side of Memphis ♪ 432 00:24:27,333 --> 00:24:30,066 ♪ Ye-e-e-e-eah ♪ 433 00:24:30,066 --> 00:24:36,600 ♪♪ 434 00:24:36,600 --> 00:24:40,333 ♪ Full tank of gas and a '69 Tempest ♪ 435 00:24:40,333 --> 00:24:46,500 ♪ Taking me to that Nashville si-i-i-i-gn ♪ 436 00:24:46,500 --> 00:24:51,100 ♪♪ 437 00:24:51,100 --> 00:24:53,533 [ Cheers and applause ] Thank you. 438 00:25:03,866 --> 00:25:06,933 [ Cheers and applause continue ] 439 00:25:16,066 --> 00:25:18,266 -Brothers Osborne. Thank you so much. 440 00:25:18,266 --> 00:25:26,766 [ Cheers and applause continue ] 441 00:25:26,766 --> 00:25:28,366 I always say that I didn't feel like 442 00:25:28,366 --> 00:25:29,733 I chose to be a singer. 443 00:25:29,733 --> 00:25:31,700 I felt like I just was, and I had to figure it out. 444 00:25:31,700 --> 00:25:34,033 And when you're a kid, you know, there's no limit. 445 00:25:34,033 --> 00:25:35,966 You know, when you're a child, you can -- 446 00:25:35,966 --> 00:25:37,566 If you can dream it, you can do it. 447 00:25:37,566 --> 00:25:41,800 And I just believed I'm a singer and I would sing all the time 448 00:25:41,800 --> 00:25:44,100 and probably drove my parents crazy. 449 00:25:44,100 --> 00:25:45,600 And I think maybe everybody thought, 450 00:25:45,600 --> 00:25:47,033 "Oh, she'll grow out of that" because if you ask -- 451 00:25:47,033 --> 00:25:48,533 you ask little kids what they want to be, 452 00:25:48,533 --> 00:25:50,366 they want to be an astronaut or they want to be whatever. 453 00:25:50,366 --> 00:25:52,000 I was going to be a singer, 454 00:25:52,000 --> 00:25:54,266 and I think people thought it was kind of cute, 455 00:25:54,266 --> 00:25:55,633 and then it just never went away. 456 00:25:55,633 --> 00:25:58,333 And so I feel very lucky 457 00:25:58,333 --> 00:26:01,933 because I knew my whole life what I wanted to do. 458 00:26:01,933 --> 00:26:03,933 -Please welcome Brandy Clark. 459 00:26:03,933 --> 00:26:11,366 [ Cheers and applause ] 460 00:26:11,366 --> 00:26:13,366 -Thank you. 461 00:26:13,366 --> 00:26:17,600 I feel so honored to be here tonight honoring Trisha. 462 00:26:17,600 --> 00:26:20,500 I was thinking back the first time I ever heard her 463 00:26:20,500 --> 00:26:25,433 sing was on CMT, and it was "She's in Love with the Boy," 464 00:26:25,433 --> 00:26:29,466 and I was an instant fan, and I think that 465 00:26:29,466 --> 00:26:32,800 Trisha has one of those voices that you remember 466 00:26:32,800 --> 00:26:37,833 where you were the first time you heard it, and I -- 467 00:26:37,833 --> 00:26:40,300 I put her on par -- For me, 468 00:26:40,300 --> 00:26:44,400 I mean, she's the Mount Rushmore of singers. 469 00:26:44,400 --> 00:26:48,933 You know, I put her in line with Patsy Cline, 470 00:26:48,933 --> 00:26:54,066 Linda Ronstadt, Karen Carpenter, Trisha Yearwood. 471 00:26:54,066 --> 00:26:59,133 [ Cheers and applause ] 472 00:26:59,133 --> 00:27:01,233 Not only is she an amazing singer, 473 00:27:01,233 --> 00:27:03,733 but her selection of songs 474 00:27:03,733 --> 00:27:06,400 has been impeccable throughout her career, 475 00:27:06,400 --> 00:27:09,366 and there are songs that will be around 100 years from now, 476 00:27:09,366 --> 00:27:13,066 and I think this one is maybe the greatest example of that. 477 00:27:17,100 --> 00:27:19,833 [ "The Song Remembers When" plays ] 478 00:27:19,833 --> 00:27:32,300 ♪♪ 479 00:27:32,300 --> 00:27:35,300 ♪ I was standing at the counter ♪ 480 00:27:35,300 --> 00:27:38,300 ♪ I was waitin' for the change ♪ 481 00:27:38,300 --> 00:27:42,900 ♪ When I heard that old familiar music start ♪ 482 00:27:44,366 --> 00:27:47,500 ♪ It was like a lighted match ♪ 483 00:27:47,500 --> 00:27:50,633 ♪ Had been tossed into my soul ♪ 484 00:27:50,633 --> 00:27:55,100 ♪ It was like a dam had broken in my heart ♪ 485 00:27:56,966 --> 00:28:00,066 ♪ After takin' every detour ♪ 486 00:28:00,066 --> 00:28:02,900 ♪ Gettin' lost and losin' track ♪ 487 00:28:02,900 --> 00:28:09,200 ♪ So that even if I wanted, I could not find my way back ♪ 488 00:28:09,200 --> 00:28:12,166 ♪ After drivin' out the memory ♪ 489 00:28:12,166 --> 00:28:15,533 ♪ Of the way things might have been ♪ 490 00:28:15,533 --> 00:28:20,066 ♪ After I'd forgotten all about us ♪ 491 00:28:20,066 --> 00:28:24,000 ♪ The song remembers when ♪ 492 00:28:25,500 --> 00:28:27,666 [ Cheers and applause ] 493 00:28:27,666 --> 00:28:30,766 ♪ We were rollin' through the Rockies ♪ 494 00:28:30,766 --> 00:28:33,933 ♪ We were up above the clouds ♪ 495 00:28:33,933 --> 00:28:38,500 ♪ When a station out of Jackson played that song ♪ 496 00:28:40,000 --> 00:28:42,966 ♪ And it seemed to fit the moment ♪ 497 00:28:42,966 --> 00:28:46,166 ♪ And the moment seemed to freeze ♪ 498 00:28:46,166 --> 00:28:50,533 ♪ When we turned the music up and sang along ♪ 499 00:28:52,166 --> 00:28:55,166 ♪ And there was a God in heaven ♪ 500 00:28:55,166 --> 00:28:58,333 ♪ And the world made perfect sense ♪ 501 00:28:58,333 --> 00:29:00,933 ♪ We were young and were in love ♪ 502 00:29:00,933 --> 00:29:04,533 ♪ And we were easy to convince ♪ 503 00:29:04,533 --> 00:29:07,466 ♪ We were headed straight for Eden ♪ 504 00:29:07,466 --> 00:29:11,133 ♪ It was just around the bend ♪ 505 00:29:11,133 --> 00:29:15,266 ♪ And though I had forgotten all about it ♪ 506 00:29:15,266 --> 00:29:20,233 ♪ The song remembers when ♪ 507 00:29:20,233 --> 00:29:22,933 ♪♪ 508 00:29:22,933 --> 00:29:26,100 ♪ I guess something must've happened ♪ 509 00:29:26,100 --> 00:29:30,800 ♪ And we must've said goodbye ♪ 510 00:29:30,800 --> 00:29:33,800 ♪ And my heart must have been broken ♪ 511 00:29:33,800 --> 00:29:38,400 ♪ Though I can't recall just why ♪ 512 00:29:38,400 --> 00:29:43,066 ♪ The song remembers when ♪ 513 00:29:43,066 --> 00:29:52,233 ♪♪ 514 00:29:52,233 --> 00:29:55,333 ♪ Well, for all the miles between us ♪ 515 00:29:55,333 --> 00:29:58,500 ♪ And for all the time that's passed ♪ 516 00:29:58,500 --> 00:30:02,833 ♪ You would think I haven't gotten very far ♪ 517 00:30:04,266 --> 00:30:07,500 ♪ And I hope my hasty heart ♪ 518 00:30:07,500 --> 00:30:10,800 ♪ Will forgive me just this once ♪ 519 00:30:10,800 --> 00:30:15,666 ♪ If I stop to wonder how on Earth you are ♪ 520 00:30:16,733 --> 00:30:19,833 ♪ But that's just a lot of water ♪ 521 00:30:19,833 --> 00:30:23,133 ♪ Underneath the bridge I've burned ♪ 522 00:30:23,133 --> 00:30:25,666 ♪ And there's no use in backtracking ♪ 523 00:30:25,666 --> 00:30:28,966 ♪ Around corners I have turned ♪ 524 00:30:28,966 --> 00:30:32,066 ♪ Still I guess some things we bury ♪ 525 00:30:32,066 --> 00:30:35,633 ♪ Are just bound to rise again ♪ 526 00:30:35,633 --> 00:30:39,533 ♪ For even if the whole world has forgotten ♪ 527 00:30:39,533 --> 00:30:44,666 ♪ The song remembers when ♪ 528 00:30:44,666 --> 00:30:46,733 ♪♪ 529 00:30:46,733 --> 00:30:52,200 ♪ Yeah, even if the whole world has forgotten ♪ 530 00:30:52,200 --> 00:30:57,200 ♪ The song remembers when ♪ 531 00:30:57,200 --> 00:30:58,833 ♪♪ 532 00:30:58,833 --> 00:31:01,166 [ Cheers and applause ] 533 00:31:01,166 --> 00:31:09,600 ♪♪ 534 00:31:09,600 --> 00:31:11,266 [ Cheers and applause ] 535 00:31:11,266 --> 00:31:12,800 Thank you so much. 536 00:31:12,800 --> 00:31:15,966 [ Cheers and applause continue ] 537 00:31:30,900 --> 00:31:33,033 -Brandy Clark. Thank you. 538 00:31:33,033 --> 00:31:36,466 [ Cheers and applause ] 539 00:31:36,466 --> 00:31:38,766 "Song Remembers When" was written by Hugh Prestwood, 540 00:31:38,766 --> 00:31:40,300 who is from Long Island, which you all know 541 00:31:40,300 --> 00:31:41,900 is the mecca for country music, so... 542 00:31:41,900 --> 00:31:44,133 [ Laughter ] 543 00:31:44,133 --> 00:31:47,333 In my dreams, I heard Brandy singing that song, 544 00:31:47,333 --> 00:31:49,800 and I think it was just pure and magical and beautiful. 545 00:31:49,800 --> 00:31:51,066 So thank you, Brandy, for that. 546 00:31:51,066 --> 00:31:54,466 [ Cheers and applause ] 547 00:31:54,466 --> 00:31:56,733 And one last thing -- 548 00:31:56,733 --> 00:31:59,100 A lot has been talked about, said about song choice. 549 00:31:59,100 --> 00:32:03,100 And so I have to mention my longtime producer, 550 00:32:03,100 --> 00:32:05,033 whose name is also Garth, Garth Fundis. 551 00:32:05,033 --> 00:32:07,733 He produced Don Williams and he is the song man. 552 00:32:07,733 --> 00:32:09,200 And he brought me "She's in Love with the Boy." 553 00:32:09,200 --> 00:32:10,833 He brought me "The Song Remembers When." 554 00:32:10,833 --> 00:32:13,933 So I want to thank him for being in my corner all these years. 555 00:32:13,933 --> 00:32:18,633 [ Cheers and applause ] 556 00:32:18,633 --> 00:32:21,800 To be in the Hall of Fame sounds so weird to say. 557 00:32:21,800 --> 00:32:23,366 I'll process that later. 558 00:32:23,366 --> 00:32:25,466 And also to be here on the same night that John Prine -- 559 00:32:25,466 --> 00:32:27,700 Congratulations to John's -- your family. 560 00:32:27,700 --> 00:32:31,033 [ Cheers and applause ] I'm honored. 561 00:32:31,033 --> 00:32:33,600 Because I had done so many demos in Nashville 562 00:32:33,600 --> 00:32:36,200 for some of the premier songwriters in that town, 563 00:32:36,200 --> 00:32:39,166 as a brand-new artist making her first album, 564 00:32:39,166 --> 00:32:41,066 I got top-drawer songs. 565 00:32:41,066 --> 00:32:43,666 A lot of times a songwriter doesn't want to pitch a song 566 00:32:43,666 --> 00:32:45,300 to a new artist because they're unproven. 567 00:32:45,300 --> 00:32:48,166 But I knew these guys and gals because I had worked with them 568 00:32:48,166 --> 00:32:50,133 and they believed in me, 569 00:32:50,133 --> 00:32:52,900 so I got really great songs right out of the box, 570 00:32:52,900 --> 00:32:55,366 and I feel very fortunate for that. 571 00:32:55,366 --> 00:32:58,100 -She's the one that they call. 572 00:32:58,100 --> 00:33:00,833 She's the one that George Jones called. 573 00:33:00,833 --> 00:33:02,200 She's the one that Emmylou Harris 574 00:33:02,200 --> 00:33:04,600 called to come in and sing. 575 00:33:04,600 --> 00:33:05,666 This woman's got it. 576 00:33:05,666 --> 00:33:07,666 I mean, you know, we can all yak. 577 00:33:07,666 --> 00:33:10,700 That's all we do all day is just yak about 578 00:33:10,700 --> 00:33:13,666 what we've done and how badass we are. 579 00:33:13,666 --> 00:33:16,600 How many of us got a call from Pavarotti 580 00:33:16,600 --> 00:33:21,366 to fly all the way over to Italy to sing? 581 00:33:21,366 --> 00:33:24,100 And it's like -- it's crazy. 582 00:33:24,100 --> 00:33:28,166 So she's -- she's the bomb. 583 00:33:28,166 --> 00:33:30,600 -So, I asked the next performer what song he would like to do, 584 00:33:30,600 --> 00:33:32,033 and he chose this song. 585 00:33:32,033 --> 00:33:34,100 And so we're going to do this together. 586 00:33:34,100 --> 00:33:36,933 I go up to this guy at every award show, 587 00:33:36,933 --> 00:33:38,600 and I usually walk up behind him and I say, "You know 588 00:33:38,600 --> 00:33:40,333 you're the best singer in here," and then I just walk off. 589 00:33:40,333 --> 00:33:41,566 [ Laughter ] 590 00:33:41,566 --> 00:33:43,800 True story. Please welcome Mr. Ronnie Dunn. 591 00:33:43,800 --> 00:33:47,666 [ Cheers and applause ] 592 00:33:56,700 --> 00:34:02,900 [ Cheers and applause continue ] 593 00:34:02,900 --> 00:34:04,566 -So, I wrote, uh -- 594 00:34:04,566 --> 00:34:08,000 When Trisha called or somebody sent a text, 595 00:34:08,000 --> 00:34:09,400 I don't remember who it was. 596 00:34:09,400 --> 00:34:11,700 [ Laughter ] 597 00:34:11,700 --> 00:34:13,900 Anyway, I find this song. 598 00:34:13,900 --> 00:34:16,800 It's like -- It's kind of a deep dive. 599 00:34:16,800 --> 00:34:18,133 But it has a real gospel vibe. 600 00:34:18,133 --> 00:34:21,366 And I love that -- those melodies. 601 00:34:21,366 --> 00:34:23,700 And I -- my wife said, 602 00:34:23,700 --> 00:34:28,466 "Don't ask Trisha to sing with you or don't --" you know, 603 00:34:28,466 --> 00:34:31,000 because you're supposed to be sitting in the audience 604 00:34:31,000 --> 00:34:34,266 and we all pay tribute to you, so we'll get you down here 605 00:34:34,266 --> 00:34:36,233 as quick as I can get through in about an hour. 606 00:34:36,233 --> 00:34:37,766 [ Laughter ] 607 00:34:37,766 --> 00:34:39,433 Anyway, I picked this song. 608 00:34:39,433 --> 00:34:40,766 She said, "I'll sing it with you. 609 00:34:40,766 --> 00:34:42,266 Come on, big boy." -Absolutely. 610 00:34:42,266 --> 00:34:43,900 -Take me to school. 611 00:34:43,900 --> 00:34:49,500 [ Cheers and applause ] 612 00:34:49,500 --> 00:34:52,633 ♪ When you can't walk ♪ 613 00:34:54,200 --> 00:34:57,966 ♪ And there's chains around your soul ♪ 614 00:34:59,500 --> 00:35:04,833 ♪ The burden's too heavy ♪ 615 00:35:04,833 --> 00:35:07,600 ♪ And you've run out of road ♪ 616 00:35:07,600 --> 00:35:10,266 [ Crowd cheers ] 617 00:35:10,266 --> 00:35:16,633 ♪ And you're praying out loud ♪ 618 00:35:16,633 --> 00:35:21,200 ♪ As you stumble through the rain and snow ♪ 619 00:35:21,200 --> 00:35:24,266 ♪ I'll walk out and find you ♪ 620 00:35:26,366 --> 00:35:29,300 ♪ I'll carry you home ♪ 621 00:35:30,400 --> 00:35:32,200 Carry me. 622 00:35:32,200 --> 00:35:35,433 -♪ When you can't speak ♪ 623 00:35:35,433 --> 00:35:36,833 [ Crowd cheers ] 624 00:35:36,833 --> 00:35:42,200 ♪ 'Cause the words are too strong ♪ 625 00:35:42,200 --> 00:35:47,466 ♪ And every time that you try ♪ 626 00:35:47,466 --> 00:35:51,400 ♪ It just comes out all wrong ♪ 627 00:35:53,100 --> 00:35:58,766 ♪ When your heart's screaming out ♪ 628 00:35:58,766 --> 00:36:04,100 ♪ But no one can hear your song ♪ 629 00:36:04,100 --> 00:36:07,266 ♪ Oh, I'll sing it for you ♪ 630 00:36:09,300 --> 00:36:13,166 ♪ I'll carry you home ♪ 631 00:36:15,000 --> 00:36:25,400 ♪ I'll carry you home ♪ 632 00:36:25,400 --> 00:36:30,666 -♪ So rest your heart easy ♪ 633 00:36:30,666 --> 00:36:33,866 ♪ I'll carry you home ♪ 634 00:36:33,866 --> 00:36:47,100 ♪♪ 635 00:36:47,100 --> 00:36:55,766 ♪ So wander this world now fearless and free ♪ 636 00:36:57,900 --> 00:37:05,900 ♪ Climb every mountain and sail every sea ♪ 637 00:37:08,366 --> 00:37:14,066 ♪ If you wander too far ♪ 638 00:37:14,066 --> 00:37:20,633 ♪ Into the great unknown ♪ 639 00:37:20,633 --> 00:37:22,400 ♪ Come out and find me ♪ 640 00:37:25,266 --> 00:37:27,033 ♪ Carry me home ♪ 641 00:37:27,033 --> 00:37:29,966 ♪♪ 642 00:37:29,966 --> 00:37:33,866 -♪ I'll carry you home ♪ 643 00:37:35,166 --> 00:37:38,800 ♪ I'll carry you home ♪ 644 00:37:40,566 --> 00:37:44,900 -♪ So rest your heart easy ♪ 645 00:37:46,200 --> 00:37:49,400 ♪ I'll carry you home ♪ 646 00:37:49,400 --> 00:37:51,333 -♪ Ohhh, oh ♪ 647 00:37:51,333 --> 00:37:56,900 ♪ I'll carry you ho-o-o-o-me ♪ 648 00:37:56,900 --> 00:37:59,900 ♪ I'll carry you home ♪ 649 00:37:59,900 --> 00:38:02,400 -♪ Carry you home ♪ 650 00:38:02,400 --> 00:38:07,800 -♪ Honey, rest your heart easy ♪ 651 00:38:07,800 --> 00:38:11,233 ♪ I'll carry you home ♪ 652 00:38:12,666 --> 00:38:20,100 -♪ Honey, rest your heart easy ♪ 653 00:38:21,233 --> 00:38:24,433 -♪ I'll carry you ♪ 654 00:38:24,433 --> 00:38:29,433 ♪ Ho-o-o-o-o-o-o-me ♪ 655 00:38:29,433 --> 00:38:32,400 [ Cheers and applause ] 656 00:38:32,400 --> 00:38:34,133 -Ronnie Dunn. 657 00:38:41,066 --> 00:38:48,600 [ Cheers and applause continue ] 658 00:38:48,600 --> 00:38:49,966 -The one song that I said, 659 00:38:49,966 --> 00:38:51,666 "Are you sure you really want to release?" 660 00:38:51,666 --> 00:38:53,933 Because I just thought it was too obvious 661 00:38:53,933 --> 00:38:56,200 and didn't think it was the right choice for her 662 00:38:56,200 --> 00:38:59,800 was a small song called "She's in Love with the Boy," 663 00:38:59,800 --> 00:39:02,566 which actually became her biggest hit. 664 00:39:02,566 --> 00:39:06,533 So that goes to tell you what I know about this business 665 00:39:06,533 --> 00:39:09,033 and just so, so proud of her. 666 00:39:09,033 --> 00:39:11,233 -You know, a song like "She's in Love with the Boy," 667 00:39:11,233 --> 00:39:12,533 I'd been waiting my whole life, 668 00:39:12,533 --> 00:39:14,233 since I'm five to make that first album, 669 00:39:14,233 --> 00:39:16,533 and I was 26 when that album came out. 670 00:39:16,533 --> 00:39:18,466 I don't remember us going, "This is the one. 671 00:39:18,466 --> 00:39:20,033 This is the song that's going to put you on the map." 672 00:39:20,033 --> 00:39:21,600 We just liked it. It's a story song 673 00:39:21,600 --> 00:39:24,133 about how nobody's good enough for daddy's little girl. 674 00:39:24,133 --> 00:39:26,566 So we liked the song. We had no idea. 675 00:39:26,566 --> 00:39:29,033 Anybody who says they knew didn't know 676 00:39:29,033 --> 00:39:30,300 what it was going to do. 677 00:39:30,300 --> 00:39:31,400 When it went to number 1, 678 00:39:31,400 --> 00:39:32,833 and then it stayed there for a few weeks, 679 00:39:32,833 --> 00:39:36,000 and then it, like, made history and all these things, 680 00:39:36,000 --> 00:39:37,533 it was such a runaway train. 681 00:39:37,533 --> 00:39:38,900 You know, I went on the road, 682 00:39:38,900 --> 00:39:41,800 I was gone, and we had this number 1. 683 00:39:41,800 --> 00:39:44,400 It's still a song that I sing every night. 684 00:39:44,400 --> 00:39:46,300 I love this song. I love the story. 685 00:39:46,300 --> 00:39:48,533 Good songs never go away. They always -- 686 00:39:48,533 --> 00:39:51,033 They stand the test of time. And it's -- 687 00:39:51,033 --> 00:39:53,633 It was the beginning of an incredible journey 688 00:39:53,633 --> 00:39:56,133 and it has -- it's still -- it's still the song 689 00:39:56,133 --> 00:39:58,533 that people always want to sing when they talk about 690 00:39:58,533 --> 00:40:00,900 Trisha Yearwood, and I love that. 691 00:40:00,900 --> 00:40:02,666 -Please welcome Jo Dee Messina. 692 00:40:02,666 --> 00:40:05,733 [ Cheers and applause ] 693 00:40:15,900 --> 00:40:17,833 -My first year in Nashville, I turned on 694 00:40:17,833 --> 00:40:21,533 the radio in my car and listened to music. 695 00:40:21,533 --> 00:40:26,566 Every time her voice came on, I knew it was her. 696 00:40:26,566 --> 00:40:29,033 No one sounded like her. 697 00:40:29,033 --> 00:40:30,400 She was -- 698 00:40:30,400 --> 00:40:33,433 The quality of the song was impeccable. 699 00:40:33,433 --> 00:40:36,933 The sound of her voice, the strength, the quality, 700 00:40:36,933 --> 00:40:39,100 the way she sang with so much ease. 701 00:40:39,100 --> 00:40:41,033 And being a girl singer, 702 00:40:41,033 --> 00:40:43,800 I still cannot do the things that she does 703 00:40:43,800 --> 00:40:46,966 and that she's been an example of for my entire career 704 00:40:46,966 --> 00:40:49,266 and my life in Nashville. 705 00:40:49,266 --> 00:40:53,166 So you meet her live and you go to see her live 706 00:40:53,166 --> 00:40:54,900 and it's like, okay, let's see. 707 00:40:56,833 --> 00:40:58,700 She's just as strong and her voice is 708 00:40:58,700 --> 00:41:03,400 just as velvety and powerful, and it's just like, oh, man. 709 00:41:03,400 --> 00:41:06,633 Again, as a chick singer, you're like, "Oh, man, 710 00:41:06,633 --> 00:41:08,033 I got work to do." 711 00:41:08,033 --> 00:41:09,833 [ Laughter ] 712 00:41:09,833 --> 00:41:13,766 And so then I meet her and we become friends. 713 00:41:13,766 --> 00:41:16,566 And in my heart, every time we see each other, 714 00:41:16,566 --> 00:41:18,633 there's a laugh, even if it's for a moment. 715 00:41:18,633 --> 00:41:23,166 We're passing each other on the escalators, there's a laugh. 716 00:41:23,166 --> 00:41:27,133 The heart is as beautiful as the voice, 717 00:41:27,133 --> 00:41:29,866 which is as beautiful as the persona. 718 00:41:29,866 --> 00:41:33,333 And so I want to thank the folks here at Austin City Limits 719 00:41:33,333 --> 00:41:37,500 for letting me be a part of this celebration to honor her. 720 00:41:37,500 --> 00:41:41,033 Austin City Limits is the stage where all the cool people play, 721 00:41:41,033 --> 00:41:44,033 and she is the coolest of the people that I know. 722 00:41:44,033 --> 00:41:49,533 [ Cheers and applause ] 723 00:41:49,533 --> 00:41:50,666 Come on. 724 00:41:50,666 --> 00:41:52,433 [ "She's in Love with the Boy" plays ] 725 00:41:52,433 --> 00:41:54,966 [ Crowd cheers ] 726 00:41:54,966 --> 00:41:57,000 Don't be shy. You can sing it with me. 727 00:41:58,266 --> 00:42:01,766 ♪ Katie's sittin' on her old front porch ♪ 728 00:42:01,766 --> 00:42:04,700 ♪ Watchin' the chickens peck the ground ♪ 729 00:42:05,533 --> 00:42:09,766 ♪ There ain't a whole lot goin' on tonight ♪ 730 00:42:09,766 --> 00:42:12,233 ♪ In this one-horse town ♪ 731 00:42:13,500 --> 00:42:17,466 ♪ Over yonder comin' up the road ♪ 732 00:42:17,466 --> 00:42:20,900 ♪ In a beat-up Chevy truck ♪ 733 00:42:20,900 --> 00:42:24,500 ♪ Her boyfriend Tommy is laying on the horn ♪ 734 00:42:24,500 --> 00:42:27,200 ♪ Splashing through the mud and the muck ♪ 735 00:42:28,633 --> 00:42:32,333 ♪ Her daddy says, "He ain't worth a lick ♪ 736 00:42:32,333 --> 00:42:33,633 ♪ When it comes to brains ♪ 737 00:42:33,633 --> 00:42:36,100 ♪ He got the short end of the stick" ♪ 738 00:42:36,100 --> 00:42:39,933 ♪ But Katie's young and, man, she just don't care ♪ 739 00:42:39,933 --> 00:42:43,133 ♪ She'd follow Tommy anywhere ♪ 740 00:42:43,133 --> 00:42:45,833 ♪ She's in love with the boy ♪ 741 00:42:46,800 --> 00:42:49,500 ♪ She's in love with the boy ♪ 742 00:42:50,566 --> 00:42:53,633 ♪ She's in love with the boy ♪ 743 00:42:54,633 --> 00:42:58,033 ♪ And even if they have to run away ♪ 744 00:42:58,033 --> 00:43:04,166 ♪ She's gonna marry that boy someda-a-a-a-a-y ♪ 745 00:43:04,166 --> 00:43:08,566 [ Cheers and applause ] 746 00:43:08,566 --> 00:43:12,466 ♪ Katie and Tommy at the drive-in movie ♪ 747 00:43:12,466 --> 00:43:15,133 ♪ Parked in the very last row ♪ 748 00:43:16,266 --> 00:43:20,100 ♪ They're too busy holding on to one another ♪ 749 00:43:20,100 --> 00:43:22,600 ♪ To even care about the show ♪ 750 00:43:24,100 --> 00:43:27,666 ♪ Later on outside the Tasty Freeze ♪ 751 00:43:27,666 --> 00:43:30,266 ♪ Tommy slips something on her hand ♪ 752 00:43:31,433 --> 00:43:35,166 ♪ He says, "My high school ring will have to do ♪ 753 00:43:35,166 --> 00:43:38,000 ♪ Till I can buy a wedding band" ♪ 754 00:43:39,066 --> 00:43:42,600 ♪ Her daddy says, "He ain't worth a lick ♪ 755 00:43:42,600 --> 00:43:44,066 ♪ When it comes to brains ♪ 756 00:43:44,066 --> 00:43:46,800 ♪ He got the short end of the stick" ♪ 757 00:43:46,800 --> 00:43:50,500 ♪ But Katie's young and, man, she just don't care ♪ 758 00:43:50,500 --> 00:43:53,600 ♪ She'd follow Tommy anywhere ♪ 759 00:43:53,600 --> 00:43:56,666 ♪ She's in love with the boy ♪ 760 00:43:57,333 --> 00:44:00,233 ♪ She's in love with the boy ♪ 761 00:44:01,100 --> 00:44:04,366 ♪ She's in love with the boy ♪ 762 00:44:05,366 --> 00:44:08,466 ♪ And even if they have to run away ♪ 763 00:44:08,466 --> 00:44:14,000 ♪ She's gonna marry that boy someda-a-a-a-ay ♪ 764 00:44:14,000 --> 00:44:21,866 ♪♪ 765 00:44:21,866 --> 00:44:24,866 We're not done. You guys still get to sing now. 766 00:44:24,866 --> 00:44:28,466 ♪ Her daddy's waitin' up till half past twelve ♪ 767 00:44:28,466 --> 00:44:31,133 ♪ When they come sneakin' up the walk ♪ 768 00:44:32,300 --> 00:44:36,266 ♪ He says, "Young lady, get on up to your room ♪ 769 00:44:36,266 --> 00:44:38,533 ♪ While me and junior have a talk" ♪ 770 00:44:38,533 --> 00:44:40,266 [ Laughs ] 771 00:44:40,266 --> 00:44:43,766 ♪ Mama breaks in, says, "Don't lose your temper ♪ 772 00:44:43,766 --> 00:44:47,733 ♪ It wasn't very long ago ♪ 773 00:44:47,733 --> 00:44:51,566 ♪ When you yourself was just a hayseed plowboy ♪ 774 00:44:51,566 --> 00:44:53,866 ♪ Who didn't have a row to hoe ♪ 775 00:44:55,333 --> 00:44:58,866 ♪ My daddy said you wasn't worth a lick ♪ 776 00:44:58,866 --> 00:45:00,266 ♪ When it came to brains ♪ 777 00:45:00,266 --> 00:45:02,933 ♪ You got the short end of the stick ♪ 778 00:45:02,933 --> 00:45:06,266 ♪ But he was wrong and, honey, you are too ♪ 779 00:45:06,266 --> 00:45:09,733 ♪ 'Cause Katie looks at Tommy like I still look at you" ♪ 780 00:45:09,733 --> 00:45:12,133 ♪ She's in love with the boy ♪ 781 00:45:12,133 --> 00:45:13,500 Come on. 782 00:45:13,500 --> 00:45:16,300 ♪ She's in love with the boy ♪ 783 00:45:17,366 --> 00:45:20,000 -♪ She's in love with the boy ♪ 784 00:45:21,166 --> 00:45:24,900 -♪ And even if they have to run away ♪ 785 00:45:24,900 --> 00:45:27,733 ♪ She's in love with the boy ♪ 786 00:45:28,800 --> 00:45:31,666 -♪ She's in love with the boy ♪ 787 00:45:32,566 --> 00:45:35,466 -♪ She's in love with the boy ♪ 788 00:45:35,466 --> 00:45:36,866 ♪ Whoa ♪ 789 00:45:36,866 --> 00:45:40,000 ♪ What's meant to be will always find a way ♪ 790 00:45:40,000 --> 00:45:46,633 ♪ She's gonna marry that boy someda-a-a-a-ay ♪ 791 00:45:46,633 --> 00:45:52,333 ♪♪ 792 00:45:52,333 --> 00:45:53,600 Thank you. 793 00:45:53,600 --> 00:45:58,933 [ Cheers and applause ] 794 00:46:06,933 --> 00:46:08,766 -Jo Dee Messina. 795 00:46:08,766 --> 00:46:11,266 [ Cheers and applause continue ] 796 00:46:11,266 --> 00:46:12,466 You were leaving too fast. 797 00:46:12,466 --> 00:46:14,266 I wanted to hug you and say thank you. 798 00:46:17,233 --> 00:46:20,266 -We can get into some serious trouble together. 799 00:46:20,266 --> 00:46:21,433 -You're the real deal. 800 00:46:21,433 --> 00:46:22,633 Country music is lucky to have you. 801 00:46:22,633 --> 00:46:23,900 Thank you for being here for me tonight. 802 00:46:23,900 --> 00:46:25,000 -Thank you for having me. 803 00:46:25,000 --> 00:46:27,333 [ Cheers and applause ] -Jo Dee Messina. 804 00:46:30,300 --> 00:46:31,866 She sang that almost too good. 805 00:46:31,866 --> 00:46:34,166 [ Laughter ] 806 00:46:34,166 --> 00:46:35,533 I'll never call you again. Thank you. 807 00:46:35,533 --> 00:46:36,866 [ Laughter ] I love her. 808 00:46:36,866 --> 00:46:39,233 She is a bright light and a sweet spirit 809 00:46:39,233 --> 00:46:41,733 and has an amazing voice, so thank you, Jo Dee, for that. 810 00:46:41,733 --> 00:46:44,033 [ Cheers and applause ] 811 00:46:44,033 --> 00:46:45,633 -My favorite Trisha Yearwood song's 812 00:46:45,633 --> 00:46:50,266 "Walkaway Joe," even though she did that with another man. 813 00:46:50,266 --> 00:46:52,500 But it was still great, right? 814 00:46:52,500 --> 00:46:55,266 It's Don Henley. What a great record. 815 00:46:55,266 --> 00:46:59,366 I heard "Walkaway Joe" with the windows down in the truck 816 00:46:59,366 --> 00:47:01,800 coming back into town from Kentucky, 817 00:47:01,800 --> 00:47:05,266 and the second I heard it, played the whole song. 818 00:47:05,266 --> 00:47:08,400 I was so happy for her because my best friend 819 00:47:08,400 --> 00:47:11,900 was going to be just fine in the music business. 820 00:47:11,900 --> 00:47:14,966 [ Cheers and applause ] 821 00:47:14,966 --> 00:47:16,566 -I can't imagine being on this stage 822 00:47:16,566 --> 00:47:18,666 and being honored by Don Henley 823 00:47:18,666 --> 00:47:20,566 and not asking him if he would come up here 824 00:47:20,566 --> 00:47:22,400 and help me finish my portion of the show. 825 00:47:22,400 --> 00:47:24,733 Please make welcome again Mr. Don Henley. 826 00:47:24,733 --> 00:47:29,033 [ Cheers and applause ] 827 00:47:37,466 --> 00:47:39,500 When you called me about -- when you were telling 828 00:47:39,500 --> 00:47:41,033 your speech and you called me about coming 829 00:47:41,033 --> 00:47:42,233 and doing the Walden Woods thing, 830 00:47:42,233 --> 00:47:43,666 you said, "You graciously agreed," 831 00:47:43,666 --> 00:47:45,766 I was like, "I will mow Don Henley's grass," right? 832 00:47:45,766 --> 00:47:48,766 I will go wherever he asked me to go and do whatever. 833 00:47:48,766 --> 00:47:51,600 But ditto on just the friendship. 834 00:47:51,600 --> 00:47:53,466 I don't -- I try not to ask you to do too many things 835 00:47:53,466 --> 00:47:56,666 because you always say yes, and I appreciate you very much. 836 00:47:56,666 --> 00:48:01,033 [ Cheers and applause ] 837 00:48:01,033 --> 00:48:03,933 [ "Walkaway Joe" plays ] 838 00:48:03,933 --> 00:48:06,300 [ Crowd cheers ] 839 00:48:06,300 --> 00:48:09,400 ♪♪ 840 00:48:09,400 --> 00:48:13,600 ♪ Mama told her baby, "Girl, take it real slow" ♪ 841 00:48:13,600 --> 00:48:17,300 ♪ Girl told her mama, "Hey, I really gotta go ♪ 842 00:48:17,300 --> 00:48:20,433 ♪ He's waitin' in the car" ♪ 843 00:48:20,433 --> 00:48:24,266 ♪ And Mama said, "Girl, you won't get far" ♪ 844 00:48:26,266 --> 00:48:30,800 ♪ Thus are the dreams of an average Jane ♪ 845 00:48:30,800 --> 00:48:34,466 ♪ Ninety miles an hour down a lover's lane ♪ 846 00:48:34,466 --> 00:48:37,700 ♪ On a tank of dreams ♪ 847 00:48:37,700 --> 00:48:41,933 ♪ Oh, if she could have only seen ♪ 848 00:48:43,133 --> 00:48:48,766 ♪ But fate's got cards that it don't wanna show ♪ 849 00:48:50,166 --> 00:48:53,800 -♪ That boy's just a Walkaway Joe ♪ 850 00:48:53,800 --> 00:48:55,833 ♪ Born to be a leaver ♪ 851 00:48:55,833 --> 00:48:58,033 ♪ Tell you from the word "go" ♪ 852 00:48:58,033 --> 00:48:59,966 ♪ Destined to deceive her ♪ 853 00:48:59,966 --> 00:49:03,766 ♪ He's the wrong kind of paradise ♪ 854 00:49:03,766 --> 00:49:07,466 ♪ She's gonna know it in a matter of time ♪ 855 00:49:07,466 --> 00:49:11,066 ♪ That boy's just a Walkaway Joe ♪ 856 00:49:11,066 --> 00:49:16,933 [ Cheers and applause ] 857 00:49:16,933 --> 00:49:21,400 -♪ Just a little while into Abilene ♪ 858 00:49:21,400 --> 00:49:25,033 ♪ He pulls into a station and he robs it clean ♪ 859 00:49:25,033 --> 00:49:27,000 ♪ She's waitin' in the car ♪ 860 00:49:28,866 --> 00:49:32,600 ♪ Oh, underneath the Texaco star ♪ 861 00:49:33,633 --> 00:49:35,833 -♪ She only wanted love ♪ 862 00:49:35,833 --> 00:49:38,033 ♪ Didn't bargain for this ♪ 863 00:49:38,033 --> 00:49:41,933 ♪ She can't help but love him for the way he is ♪ 864 00:49:41,933 --> 00:49:45,333 ♪ She's only 17 ♪ 865 00:49:45,333 --> 00:49:49,833 ♪ And there ain't no reasoning ♪ 866 00:49:49,833 --> 00:49:55,866 -♪ So she'll ride this ride as far as it can go ♪ 867 00:49:57,366 --> 00:50:01,066 -♪ 'Cause that boy's just a Walkaway Joe ♪ 868 00:50:01,066 --> 00:50:02,866 ♪ Born to be a leaver ♪ 869 00:50:02,866 --> 00:50:05,066 ♪ Tell you from the word "go" ♪ 870 00:50:05,066 --> 00:50:07,033 ♪ Destined to deceive her ♪ 871 00:50:07,033 --> 00:50:10,800 ♪ He's the wrong kind of paradise ♪ 872 00:50:10,800 --> 00:50:14,333 ♪ She's gonna know it in a matter of time ♪ 873 00:50:14,333 --> 00:50:18,566 ♪ That boy's just a Walkaway Joe ♪ 874 00:50:18,566 --> 00:50:22,866 ♪♪ 875 00:50:22,866 --> 00:50:24,366 [ Cheers and applause ] 876 00:50:24,366 --> 00:50:47,533 ♪♪ 877 00:50:47,533 --> 00:50:51,633 -♪ Somewhere in a roadside motel room ♪ 878 00:50:51,633 --> 00:50:55,800 ♪ Alone in the sun, she wakes up too soon ♪ 879 00:50:55,800 --> 00:50:58,133 ♪ And reaches for his arm ♪ 880 00:50:59,266 --> 00:51:03,800 -♪ But she'll just keep reachin' on ♪ 881 00:51:03,800 --> 00:51:07,266 -♪ 'Cause the cold hard truth revealed ♪ 882 00:51:07,266 --> 00:51:10,533 ♪ What it had known ♪ 883 00:51:10,533 --> 00:51:14,300 ♪♪ 884 00:51:14,300 --> 00:51:17,933 -♪ That boy's just a Walkaway Joe ♪ 885 00:51:17,933 --> 00:51:19,866 ♪ Born to be a leaver ♪ 886 00:51:19,866 --> 00:51:22,133 ♪ Tell you from the word "go" ♪ 887 00:51:22,133 --> 00:51:24,000 ♪ Destined to deceive her ♪ 888 00:51:24,000 --> 00:51:27,733 ♪ He's the wrong kind of paradise ♪ 889 00:51:27,733 --> 00:51:31,366 ♪ But it was just another lesson in life ♪ 890 00:51:31,366 --> 00:51:35,133 ♪ That boy was a Walkaway Joe ♪ 891 00:51:36,233 --> 00:51:39,466 -♪ Mm, yeah ♪ 892 00:51:39,466 --> 00:51:44,166 ♪ All he was was a Walkaway Joe ♪ 893 00:51:44,166 --> 00:51:47,666 ♪ Ooh-hoo, ooh-hoo ♪ 894 00:51:47,666 --> 00:51:51,733 -♪ Ooh, Walkaway Joe ♪ 895 00:51:51,733 --> 00:51:52,866 [ Cheers and applause ] 896 00:51:52,866 --> 00:51:57,233 -♪ He was a Walkaway Joe ♪ 897 00:51:57,233 --> 00:52:07,633 ♪♪ 898 00:52:07,633 --> 00:52:11,500 [ Cheers and applause ] 899 00:52:14,966 --> 00:52:16,400 Don Henley. 900 00:52:16,400 --> 00:52:24,733 [ Cheers and applause continue ] 901 00:52:24,733 --> 00:52:27,466 -Please welcome back everybody that just sang. 902 00:52:27,466 --> 00:52:29,733 Jo Dee Messina. 903 00:52:29,733 --> 00:52:34,300 Ronnie Dunn, Brandy Clark, Brothers Osborne. 904 00:52:34,300 --> 00:52:36,533 Thank you so much. I love y'all. 905 00:52:36,533 --> 00:52:39,233 Thank you. Thank you, Austin City Limits. 906 00:52:39,233 --> 00:52:42,166 [ Cheers and applause ] 907 00:52:53,666 --> 00:52:55,933 [ Cheers and applause continue ] 908 00:53:08,066 --> 00:53:11,033 [ Cheers and applause continue ] 909 00:53:22,600 --> 00:53:24,700 -I think Trisha Yearwood -- I'll say this. 910 00:53:24,700 --> 00:53:26,233 And it'll be hard for me to get through. 911 00:53:26,233 --> 00:53:30,733 But the great thing is, people who love you that never met you 912 00:53:30,733 --> 00:53:33,833 are even more in love with you after they meet you. 913 00:53:33,833 --> 00:53:39,266 I know I was and I continue to be, so just a huge fan. 914 00:53:39,266 --> 00:53:41,966 Love how you do your business, love how you treat your people. 915 00:53:41,966 --> 00:53:44,000 Your talent is obvious. 916 00:53:44,000 --> 00:53:46,333 Your heart, since you're a little more shy 917 00:53:46,333 --> 00:53:49,000 and less outgoing, is a little more 918 00:53:49,000 --> 00:53:51,166 kept secret from people, but I'm telling you, 919 00:53:51,166 --> 00:53:53,033 if everybody got to see the way I did, 920 00:53:53,033 --> 00:53:54,566 they would all love you as much as I do. 921 00:53:56,100 --> 00:53:58,700 -♪ She only wanted love ♪ 922 00:53:58,700 --> 00:54:00,966 ♪ Didn't bargain for this ♪ 923 00:54:00,966 --> 00:54:04,866 ♪ She can't help but love him for the way he is ♪ 924 00:54:04,866 --> 00:54:08,266 ♪ She's only 17 ♪ 925 00:54:08,266 --> 00:54:12,766 ♪ And there ain't no reasoning ♪ 926 00:54:12,766 --> 00:54:18,800 -♪ So she'll ride this ride as far as it can go ♪ 927 00:54:20,300 --> 00:54:24,000 -♪ 'Cause that boy's just a Walkaway Joe ♪ 928 00:54:24,000 --> 00:54:25,800 ♪ Born to be a leaver ♪ 929 00:54:25,800 --> 00:54:28,533 ♪ Tell you from the word "go" ♪ 930 00:54:28,533 --> 00:54:30,400 ♪ Destined to deceive her ♪ 931 00:54:30,400 --> 00:54:34,266 ♪ He's the wrong kind of paradise ♪ 932 00:54:34,266 --> 00:54:37,800 ♪ She's gonna know it in a matter of time ♪ 933 00:54:37,800 --> 00:54:41,800 ♪ That boy's just a Walkaway Joe ♪ 934 00:54:41,800 --> 00:54:45,366 ♪♪ 935 00:54:45,366 --> 00:54:48,400 [ Cheers and applause ]