1 00:00:10,833 --> 00:00:11,433 PREVIOUSLY ON THE L WORD... 2 00:00:11,467 --> 00:00:12,400 MY ORDERS CAME DOWN. 3 00:00:12,433 --> 00:00:13,666 MY UNIT'S BEING MOBILIZED 4 00:00:13,701 --> 00:00:14,567 BACK TO IRAQ. 5 00:00:14,601 --> 00:00:16,033 I'M LEAVING IN TWO WEEKS. 6 00:00:16,067 --> 00:00:17,434 SWEENEY. WE'RE ALSO-- 7 00:00:17,466 --> 00:00:19,634 YOU'RE NOT ON THE ACCOUNT ANYMORE. 8 00:00:19,667 --> 00:00:20,399 WHAT ARE YOU TALKING ABOUT? 9 00:00:20,434 --> 00:00:21,667 WE HAD TO REPLACE YOU. 10 00:00:21,701 --> 00:00:22,367 MEGAN TOOK OVER. 11 00:00:22,399 --> 00:00:24,167 HEY, ALICE. IT'S MAX. 12 00:00:24,199 --> 00:00:26,701 WHAT DO YOU THINK YOU COULD AFFORD TO PAY ME 13 00:00:26,734 --> 00:00:27,867 IF I WORKED FOR YOU FULL-TIME? 14 00:00:30,567 --> 00:00:31,667 I FEEL LIKE WE'RE DRIFTING APART. 15 00:00:31,701 --> 00:00:32,533 IS THERE SOMEBODY ELSE? 16 00:00:32,567 --> 00:00:33,200 IT'S NOT ABOUT HER. 17 00:00:33,234 --> 00:00:35,366 BIRTHDAY GIRL! 18 00:00:35,399 --> 00:00:37,167 [SPEAKING QUIETLY] 19 00:00:37,200 --> 00:00:38,466 I'M SO FUCKED UP. 20 00:00:38,500 --> 00:00:39,466 WHAT ARE YOU GOING TO DO ABOUT IT? 21 00:00:39,500 --> 00:00:41,000 I'VE GOT TO GO TO A MEETING TOMORROW. 22 00:00:42,067 --> 00:00:43,366 WOULD YOU TAKE ME 23 00:00:43,399 --> 00:00:44,701 TOMORROW, PLEASE? 24 00:00:44,734 --> 00:00:46,067 [SNIFFLES] 25 00:00:46,100 --> 00:00:47,567 IS IT TRUE THAT ONE OF THE CHARACTERS 26 00:00:47,600 --> 00:00:48,701 IN THIS BOOK IS BASED ON YOU? 27 00:00:48,734 --> 00:00:49,734 DID THIS UPSET JODI? 28 00:00:49,767 --> 00:00:50,701 IS THAT WHY SHE'S LEAVING? 29 00:00:50,734 --> 00:00:52,634 WHO SAID JODI'S LEAVING? 30 00:00:52,667 --> 00:00:54,801 SHE'S BEEN CHOSEN TO CREATE A NEW SCULPTURE 31 00:00:54,834 --> 00:00:56,399 AT THE FOREST REFUGE ART CENTER 32 00:00:56,433 --> 00:00:58,033 IN MOUNTAINVILLE, NEW YORK. 33 00:00:58,067 --> 00:01:00,000 I'M SITTING HERE WITH JENNY'S LITTLE FUCKING TOME. 34 00:01:00,000 --> 00:01:01,066 WELL, YOU SAID IT WAS FLUFF. 35 00:01:01,100 --> 00:01:02,299 I HADN'T READ THE WHOLE BOOK. 36 00:01:02,334 --> 00:01:03,701 NOW I'LL HAVE TO FIRE JENNY. 37 00:01:03,734 --> 00:01:04,767 SHE DESERVES TO BE FIRED. 38 00:01:04,801 --> 00:01:05,801 DO YOU KNOW WHERE SHE IS? 39 00:01:05,833 --> 00:01:06,801 SHE'S ON AN AIRPLANE. 40 00:01:06,833 --> 00:01:09,166 SHE'S ON HER WAY TO NEW YORK. 41 00:01:09,199 --> 00:01:12,801 [**] 42 00:01:15,433 --> 00:01:19,266 * HOW LONG? 43 00:01:19,300 --> 00:01:22,766 * HOW MUCH MORE LONG? 44 00:01:22,800 --> 00:01:26,701 * HOW LONG? 45 00:01:26,734 --> 00:01:30,501 * MMM... 46 00:01:30,533 --> 00:01:34,933 * HOW LONG? 47 00:01:34,968 --> 00:01:38,100 * HOW MUCH MORE LONG? 48 00:01:38,133 --> 00:01:43,734 * HOW LONG? 49 00:01:43,767 --> 00:01:45,968 * WELL, WELL... 50 00:01:46,067 --> 00:01:50,901 * I WANNA KNOW HOW MUCH MORE LONGER * 51 00:01:50,933 --> 00:01:58,267 * AM I JUST GONNA HAVE TO WAIT ON YOU? * 52 00:01:58,299 --> 00:02:01,567 * HEY, HEY 53 00:02:01,601 --> 00:02:06,299 * I'VE BEEN STANDIN' AT THE STATION, BABY * 54 00:02:06,333 --> 00:02:12,199 * WAITIN' FOR MY CHANGE TO COME * 55 00:02:12,234 --> 00:02:17,199 * OH, YEAH 56 00:02:17,234 --> 00:02:20,800 * I'VE BEEN STANDIN' AT THE STATION * 57 00:02:20,833 --> 00:02:23,067 * AND I'M WAITIN' 58 00:02:23,067 --> 00:02:27,968 * WAITIN' FOR MY CHANGE TO COME... * 59 00:02:30,199 --> 00:02:33,366 [**] 60 00:02:33,399 --> 00:02:39,133 * GIRLS IN TIGHT DRESSES WHO DRAG WITH MUSTACHES * 61 00:02:39,167 --> 00:02:45,901 * CHICKS DRIVING FAST INGENUES WITH LONG LASHES * 62 00:02:45,933 --> 00:02:52,100 * WOMEN WHO LONG, LOVE, LUST WOMEN WHO GIVE * 63 00:02:52,133 --> 00:02:59,167 * THIS IS THE WAY IT'S THE WAY THAT WE LIVE * 64 00:03:06,734 --> 00:03:08,067 * TALKING, LAUGHING LOVING, BREATHING * 65 00:03:08,067 --> 00:03:09,900 * FIGHTING, FUCKING CRYING, DRINKING * 66 00:03:09,933 --> 00:03:11,300 * WRITING, WINNING LOSING, CHEATING * 67 00:03:11,333 --> 00:03:13,067 * KISSING, THINKING, DREAMING 68 00:03:13,067 --> 00:03:15,067 * THIS IS THE WAY... 69 00:03:15,067 --> 00:03:17,833 * IT'S THE WAY THAT WE LIVE * 70 00:03:17,867 --> 00:03:23,367 * IT'S THE WAY THAT WE LIVE 71 00:03:23,399 --> 00:03:27,100 * AND LOVE 72 00:03:34,133 --> 00:03:36,267 HI, THE MEDIUM TRIPLE SOY CAPPUCCINO 73 00:03:36,299 --> 00:03:38,701 WITH THREE PUMPS OF VANILLA IS MINE. 74 00:03:38,734 --> 00:03:41,600 THE MONEY'S RIGHT HERE. 75 00:03:41,634 --> 00:03:42,767 JENNY. 76 00:03:42,801 --> 00:03:44,567 I'M SO GLAD I FOUND YOU. 77 00:03:44,600 --> 00:03:46,100 I JUST, UM... NO. 78 00:03:46,133 --> 00:03:47,767 THERE'S SOMETHING HERE THAT I WANT YOU TO READ. 79 00:03:47,801 --> 00:03:48,868 I CAN'T TALK RIGHT NOW. 80 00:03:48,901 --> 00:03:49,868 MM-MM.YOU WHAT? 81 00:03:49,901 --> 00:03:50,868 THIS IS IMPORTANT. 82 00:03:50,901 --> 00:03:52,667 JUST TAKE A LOOK AT THIS, OKAY? 83 00:03:52,701 --> 00:03:53,701 NO, I CAN'T. 84 00:03:53,734 --> 00:03:55,067 I'M GOING TO PICK UP MY NEW PUPPY. 85 00:03:55,067 --> 00:03:56,500 BUT I'LL SEE YOU AT THE MEETING THIS AFTERNOON. 86 00:03:56,533 --> 00:03:57,600 YOU KNOW WHAT? 87 00:03:57,634 --> 00:03:59,067 THE MEETING, 88 00:03:59,067 --> 00:04:01,133 IT'S, UH... IT'S BEEN CANCELED. 89 00:04:01,167 --> 00:04:02,968 WHY? 90 00:04:03,067 --> 00:04:04,801 LORENZO, THE SENIOR V.P., HE WENT ON LOCATION. 91 00:04:04,833 --> 00:04:06,133 WHAT? 92 00:04:06,166 --> 00:04:07,234 I JUST FOUND OUT THIS MORNING. 93 00:04:07,267 --> 00:04:09,801 WHAT A FUCKING ASSHOLE. 94 00:04:09,833 --> 00:04:12,067 I KNOW. IT'S HOLLYWOOD. 95 00:04:12,099 --> 00:04:14,833 I HATE THIS FUCKING HOLLYWOOD BULLSHIT. 96 00:04:14,868 --> 00:04:16,800 GOOD LUCK WITH YOUR PUPPY. 97 00:04:16,833 --> 00:04:17,934 IT'S A POMERANIAN. 98 00:04:17,968 --> 00:04:19,367 OH, HOW CUTE. 99 00:04:19,399 --> 00:04:20,600 I KNOW, IT'S GOING TO BE SO MINI AND CUTE. 100 00:04:20,634 --> 00:04:21,600 I'LL SEE YOU LATER. 101 00:04:21,634 --> 00:04:22,734 HAVE A REALLY NICE DAY, TINA. 102 00:04:22,766 --> 00:04:23,766 OKAY, YOU TOO. 103 00:04:23,800 --> 00:04:25,067 BYE! 104 00:04:30,333 --> 00:04:33,334 [**] 105 00:04:35,801 --> 00:04:37,267 MOM! THEY HAVE THE NEW THE TOY MACHINE STICKERS! 106 00:04:37,299 --> 00:04:39,067 THAT'S GREAT, HONEY. 107 00:04:39,100 --> 00:04:40,567 [CLEARS THROAT] 108 00:04:40,600 --> 00:04:43,100 WHAT ARE YOU GUYS DOING? 109 00:04:43,133 --> 00:04:44,500 NOTHING. 110 00:04:44,533 --> 00:04:46,133 SETTING UP. 111 00:04:46,167 --> 00:04:48,133 YEAH, WE WEREN'T DOING ANYTHING. 112 00:04:48,167 --> 00:04:50,466 WELL, CAN I GET SOME STICKERS FOR MY BOARD? 113 00:04:50,500 --> 00:04:52,466 YEAH, YEAH, IF YOU HAVE ENOUGH MONEY SAVED UP. 114 00:04:54,067 --> 00:04:56,567 [EXHALING] 115 00:04:57,901 --> 00:05:00,000 I CAN'T STAND THIS ANYMORE. 116 00:05:00,000 --> 00:05:02,166 WHAT CAN'T YOU STAND? 117 00:05:02,200 --> 00:05:03,500 HIM. 118 00:05:03,533 --> 00:05:04,801 BUSTING IN ON US. 119 00:05:04,833 --> 00:05:06,067 IT'S LIKE HE PURPOSEFULLY 120 00:05:06,099 --> 00:05:07,501 GOES OUT OF HIS WAY 121 00:05:07,533 --> 00:05:09,567 TO MAKE SURE THAT WE DON'T GET A MOMENT ALONE TOGETHER. 122 00:05:09,601 --> 00:05:10,701 PAIGE, HE'S A KID. 123 00:05:10,734 --> 00:05:12,234 HE CAN'T HELP IT. 124 00:05:12,266 --> 00:05:13,500 WELL, IT BOTHERS ME. 125 00:05:13,534 --> 00:05:14,701 I DON'T KNOW WHAT TO TELL YOU. 126 00:05:14,734 --> 00:05:16,466 LOOK... 127 00:05:16,501 --> 00:05:19,501 I LOVE... 128 00:05:19,533 --> 00:05:22,067 I LOVE BEING WITH YOU 129 00:05:22,100 --> 00:05:23,900 IN CARS 130 00:05:23,934 --> 00:05:27,667 AND AT YOUR WORK, 131 00:05:27,701 --> 00:05:30,100 BUT I WOULD REALLY LIKE 132 00:05:30,132 --> 00:05:33,067 TO FUCK YOU IN A BED. 133 00:05:33,067 --> 00:05:36,334 AND I WOULD LIKE TO GO TO SLEEP WITH YOU, 134 00:05:36,366 --> 00:05:39,901 AND THEN I'D LIKE TO WAKE UP WITH YOU. 135 00:05:45,200 --> 00:05:48,399 WELL, THEN, UH, WE'LL TALK TO HIM. 136 00:05:50,767 --> 00:05:51,868 OKAY? 137 00:05:51,901 --> 00:05:53,701 OKAY. 138 00:05:53,734 --> 00:05:55,167 WE'LL, UH... 139 00:05:55,200 --> 00:05:57,200 WE'LL TALK TO HIM. 140 00:06:09,234 --> 00:06:10,601 GET OUT OF THE CAR. 141 00:06:12,132 --> 00:06:15,467 ALICE, GET OUT OF THE CAR, PLEASE! 142 00:06:21,100 --> 00:06:22,367 ALICE! 143 00:06:23,399 --> 00:06:24,634 WILL YOU STOP, ALICE? 144 00:06:24,667 --> 00:06:26,434 ALICE! 145 00:06:26,466 --> 00:06:27,634 ALICE. ALICE. 146 00:06:27,667 --> 00:06:28,833 LISTEN TO ME. LISTEN TO ME. 147 00:06:28,867 --> 00:06:29,968 PLEASE. ALL RIGHT? 148 00:06:30,067 --> 00:06:31,600 I'M SORRY. 149 00:06:31,634 --> 00:06:33,466 I KNOW HOW I HANDLED IT WAS FUCKED UP. 150 00:06:33,500 --> 00:06:34,466 YEAH. 151 00:06:34,500 --> 00:06:41,466 YEAH.TOLD YOU SOONER. 152 00:06:41,500 --> 00:06:43,801 I REALLY WANT YOU TO COME TO MY GOING-AWAY PARTY. 153 00:06:45,433 --> 00:06:47,801 WHO THE FUCK IS EVA TORRES? 154 00:06:47,834 --> 00:06:49,267 IT'S PAPI. 155 00:06:52,567 --> 00:06:53,868 ALICE! 156 00:06:53,901 --> 00:06:54,868 WHAT? 157 00:06:54,901 --> 00:06:55,933 OH, MY GOD. 158 00:06:55,968 --> 00:06:57,133 ALICE... 159 00:06:57,167 --> 00:06:58,533 CAN YOU STOP FOLLOWING ME? 160 00:06:58,567 --> 00:07:00,000 ALICE. 161 00:07:01,701 --> 00:07:02,666 SO WHAT HAPPENS NOW? 162 00:07:02,701 --> 00:07:03,666 WHAT DO YOU MEAN? 163 00:07:03,701 --> 00:07:05,067 YOUR ORDERS CAME DOWN, 164 00:07:05,067 --> 00:07:07,833 YOUR UNIT'S BEEN WHATEVER THE FUCK, DEPLOYED... 165 00:07:07,868 --> 00:07:09,534 I HAVE A BAG DRAG TOMORROW. 166 00:07:09,567 --> 00:07:10,734 EXCELLENT. 167 00:07:10,766 --> 00:07:12,968 THAT'S WHERE THE UNIT GATHERS AT THE BASE 168 00:07:13,067 --> 00:07:14,634 AND WE SORT THROUGH ALL OF OUR EQUIPMENT 169 00:07:14,666 --> 00:07:16,367 TO MAKE SURE WE HAVE EVERYTHING WE NEED FOR DEPLOYMENT, 170 00:07:16,399 --> 00:07:17,766 AND THEN I HAVE TO 171 00:07:17,800 --> 00:07:19,067 GET MY MOBILITY FOLDER IN ORDER. 172 00:07:19,067 --> 00:07:20,132 OH, YEAH. 173 00:07:20,167 --> 00:07:21,567 YOU CAN'T HAVE A DISORDERLY MOBILITY FOLDER. 174 00:07:21,600 --> 00:07:23,067 MEANING I NEED TO SEE A DOCTOR 175 00:07:23,067 --> 00:07:25,067 AND GET A CLEAN BILL OF HEALTH. 176 00:07:25,067 --> 00:07:26,399 WHY DON'T YOU GO SEE MY DOCTOR? 177 00:07:26,434 --> 00:07:28,100 SHE'LL SAY WHATEVER YOU NEED HER TO SAY. 178 00:07:28,132 --> 00:07:30,167 SHE'LL SAY YOU HAVE-- I DON'T KNOW-- 179 00:07:30,199 --> 00:07:31,600 CRABS OR SCURVY 180 00:07:31,634 --> 00:07:33,167 OR WHATEVER. ALICE, STOP. 181 00:07:33,200 --> 00:07:35,067 THEY'LL REJECT YOU, YOU WON'T HAVE TO GO. 182 00:07:35,067 --> 00:07:37,366 I'M NOT TRYING TO GET OUT OF IT. 183 00:07:37,399 --> 00:07:39,366 WHAT? 184 00:07:39,399 --> 00:07:41,433 I LEAVE ON MONDAY 185 00:07:41,466 --> 00:07:42,634 FOR TWO WEEKS 186 00:07:42,667 --> 00:07:43,433 OF PRE-DEPLOYMENT TRAINING. 187 00:07:43,466 --> 00:07:46,200 IT'S FORT IRWIN IN THE MOJAVE. 188 00:07:46,234 --> 00:07:47,466 FUCKING ARMPIT OF THE UNIVERSE, 189 00:07:47,500 --> 00:07:49,500 WAY WORSE THAN IRAQ. 190 00:07:49,533 --> 00:07:51,067 AND IF I SURVIVE THAT... 191 00:07:52,466 --> 00:07:54,366 THEN WE SHIP OUT. 192 00:07:57,667 --> 00:07:58,634 [GROANS] 193 00:07:58,667 --> 00:07:59,801 ALICE, WAIT. 194 00:07:59,834 --> 00:08:01,567 CAN YOU JUST GO? 195 00:08:01,601 --> 00:08:02,867 ALICE, CAN'T YOU MAYBE JUST TRY TO UNDERSTAND 196 00:08:02,900 --> 00:08:04,601 THAT THIS ISN'T SOME WHIM FOR ME? 197 00:08:04,634 --> 00:08:06,367 I MADE A COMMITMENT! 198 00:08:06,400 --> 00:08:07,466 I GET IT, TASHA. 199 00:08:07,501 --> 00:08:09,333 I UNDERSTAND, OKAY? 200 00:08:09,367 --> 00:08:12,067 JUST GO, JUST GO HONOR YOUR FUCKING COMMITMENT. 201 00:08:13,601 --> 00:08:15,701 FUCK. 202 00:08:23,968 --> 00:08:25,900 LOOK, NOT THAT I MIND HELPING, 203 00:08:25,934 --> 00:08:27,234 YOU KNOW, 204 00:08:27,266 --> 00:08:30,567 BUT, I MEAN, LIKE, WOW, RIGHT? 205 00:08:30,600 --> 00:08:34,767 IF CATHERINE CAN AFFORD ALL THIS, 206 00:08:34,801 --> 00:08:36,234 THEN SHE PROBABLY CAN AFFORD 207 00:08:36,267 --> 00:08:37,901 SOMEONE TO MOVE HER STUFF FOR HER, YOU KNOW? 208 00:08:37,933 --> 00:08:40,067 YEAH, I SUPPOSE SHE COULD, 209 00:08:40,100 --> 00:08:44,399 BUT I'M HERE, AND I'M ABLE-BODIED, 210 00:08:44,433 --> 00:08:47,834 AND IT'S NOT AS IF I WORK FOR A LIVING. 211 00:08:47,868 --> 00:08:49,267 DID SHE SAY THAT SHIT TO YOU? 212 00:08:49,299 --> 00:08:50,834 LOOK, PAPI... 213 00:08:50,868 --> 00:08:52,600 CATHERINE AND I HAVE AN ARRANGEMENT. 214 00:08:52,634 --> 00:08:54,399 ALL RIGHT? IT SUITS ME. 215 00:08:54,433 --> 00:08:56,100 AND I'M GETTING REALLY TIRED OF EVERYBODY 216 00:08:56,133 --> 00:08:57,533 SECOND-GUESSING ME ABOUT IT. 217 00:08:57,567 --> 00:08:58,600 WHATEVER. IT'S YOUR LIFE. 218 00:08:58,634 --> 00:09:00,000 LOOK. SHE LEFT YOU A MESSAGE. 219 00:09:00,000 --> 00:09:02,601 "HELENA, DEAR. 220 00:09:02,633 --> 00:09:06,067 "SEPARATE MY UNDERWEAR-- BIKINIS, THONGS, BRIEFS-- 221 00:09:06,067 --> 00:09:08,500 AND FOLD THEM BEFORE YOU PUT IT AWAY." 222 00:09:15,833 --> 00:09:18,667 PAPI, I DON'T KNOW WHAT I WOULD HAVE DONE 223 00:09:18,701 --> 00:09:20,067 IF I HADN'T MET CATHERINE, ALL RIGHT? 224 00:09:20,067 --> 00:09:22,501 I'M NOT CUT OUT TO LIVE MODESTLY. 225 00:09:22,533 --> 00:09:23,634 AND SHE'S TEACHING ME A TRADE. 226 00:09:23,667 --> 00:09:24,399 OH, YEAH, POKER. 227 00:09:24,434 --> 00:09:25,300 THAT'S A GREAT TRADE. 228 00:09:25,333 --> 00:09:26,701 AND IN THE MEANTIME, 229 00:09:26,734 --> 00:09:28,667 SHE'S GIVING ME BOARD AND LODGINGS AND LUXURIES 230 00:09:28,701 --> 00:09:30,234 AND TRAVEL AND ALL THE THINGS 231 00:09:30,266 --> 00:09:32,399 I CAN'T LIVE WITHOUT. 232 00:09:32,433 --> 00:09:35,234 AND THE SEX ISN'T BAD EITHER. 233 00:09:35,267 --> 00:09:36,801 NOW YOU'RE TALKING, GIRL. 234 00:09:36,834 --> 00:09:38,634 AND SHE'S BEING GENEROUS, RIGHT? 235 00:09:38,667 --> 00:09:39,968 SHE'S LETTING US HAVE THE PARTY HERE. 236 00:09:40,067 --> 00:09:41,901 YEAH, SHE'S GENEROUS. 237 00:09:41,933 --> 00:09:43,067 AS LONG AS YOU KNOW 238 00:09:43,100 --> 00:09:45,600 WHAT YOU'RE GETTING YOURSELF INTO. 239 00:09:48,968 --> 00:09:50,167 DID YOU EMAIL HER? 240 00:09:50,200 --> 00:09:51,200 YES, OF COURSE I'VE EMAILED HER. 241 00:09:51,234 --> 00:09:52,366 I MEAN, I EMAILED HER LIKE 10 TIMES, 242 00:09:52,399 --> 00:09:53,868 AND I TOLD HER. 243 00:09:53,901 --> 00:09:55,734 I TOLD HER, YOU KNOW, THAT I'M REALLY SORRY 244 00:09:55,767 --> 00:09:57,399 THAT I DIDN'T SHOW UP FOR HER OPENING. 245 00:09:57,433 --> 00:09:59,133 WHAT? YOU DIDN'T GO TO THE OPENING? 246 00:09:59,167 --> 00:10:00,000 NO WONDER SHE'S NOT TALKING TO YOU. 247 00:10:00,000 --> 00:10:02,000 NO, I MEAN, COME ON. 248 00:10:02,032 --> 00:10:03,900 I TOLD YOU WHAT HAPPENED AFTER THE DINNER PARTY. 249 00:10:03,934 --> 00:10:06,501 REALLY, I MEAN... AND THEN... 250 00:10:06,533 --> 00:10:07,801 THEN, AFTER SHE GETS THE COMMISSION 251 00:10:07,833 --> 00:10:09,067 AND SHE DOESN'T TELL ME ABOUT IT? 252 00:10:09,099 --> 00:10:10,634 COME ON, I HAVE A DEPARTMENT TO RUN. 253 00:10:10,666 --> 00:10:11,666 BETTE. 254 00:10:11,701 --> 00:10:12,666 WHAT? 255 00:10:12,701 --> 00:10:14,400 COULD YOU BE ANY MORE SELF-SERVING 256 00:10:14,433 --> 00:10:15,666 AND SELF-CENTERED? 257 00:10:15,701 --> 00:10:18,434 WHAT? HOW IS THAT SELF-SERVING? 258 00:10:18,466 --> 00:10:20,167 GIVE ME THAT. 259 00:10:20,199 --> 00:10:21,333 WHAT? 260 00:10:21,367 --> 00:10:23,800 JUST GIVE IT TO ME. 261 00:10:23,833 --> 00:10:27,033 "DEAR... JODI." 262 00:10:29,766 --> 00:10:32,901 "WHEN... I AM SCARED, 263 00:10:32,933 --> 00:10:36,067 "I MICROMANAGE. 264 00:10:36,100 --> 00:10:37,968 "WHEN I AM UNCERTAIN, 265 00:10:38,000 --> 00:10:40,901 I OVER...STATE." 266 00:10:42,366 --> 00:10:45,901 "AND WHEN I AM CHALLENGED..." 267 00:10:48,366 --> 00:10:51,634 "I, UH, BELITTLE..." 268 00:10:53,033 --> 00:10:55,267 "AND... 269 00:10:55,299 --> 00:10:57,968 LASH OUT." 270 00:11:00,000 --> 00:11:01,734 [SIGHING] 271 00:11:01,766 --> 00:11:03,701 "AND WHEN I LOVE SOMEONE, 272 00:11:03,734 --> 00:11:05,900 "I TRY 273 00:11:05,934 --> 00:11:09,567 TO PUT HER IN A BOX." 274 00:11:13,067 --> 00:11:14,567 SHOULD I SEND IT? 275 00:11:17,634 --> 00:11:18,600 GO AHEAD. 276 00:11:18,634 --> 00:11:19,634 OKAY. GO AHEAD. 277 00:11:19,667 --> 00:11:22,300 OKAY. NO, GO AHEAD. 278 00:11:22,333 --> 00:11:22,399 NOW YOU HAVE TO FOLLOW UP 279 00:11:24,701 --> 00:11:25,900 WITH SOMETHING ROMANTIC. 280 00:11:25,934 --> 00:11:27,367 I SENT HER FLOWERS. 281 00:11:27,399 --> 00:11:29,667 FLOWERS? THAT'S GENERIC. 282 00:11:29,701 --> 00:11:31,067 IS JODI GENERIC? 283 00:11:31,067 --> 00:11:33,366 [SIGHING] 284 00:11:33,399 --> 00:11:37,167 WELL, I DID HAVE THIS ONE REALLY CRAZY IDEA. 285 00:11:37,200 --> 00:11:40,533 THERE'S THIS BUILDING ON SELMA IN HOLLY-- 286 00:11:40,567 --> 00:11:42,299 IN HOLLYWOOD... 287 00:11:42,334 --> 00:11:43,533 OH. 288 00:11:43,567 --> 00:11:44,968 IT LOOKS LIKE YOU HAVE TO GO. 289 00:11:45,067 --> 00:11:47,667 YEAH, I HAVE TO SHOW KATE HER OFFICE. 290 00:11:47,701 --> 00:11:49,067 WE SET UP A PRODUCTION OFFICE 291 00:11:49,067 --> 00:11:50,868 FOR LEZ GIRLS. 292 00:11:50,901 --> 00:11:54,366 SO YOU'RE BACK WITH WOMEN, THEN? 293 00:11:54,399 --> 00:11:55,968 NO. 294 00:11:56,067 --> 00:11:57,399 WE'RE JUST WORKING TOGETHER. 295 00:11:59,067 --> 00:12:00,000 DO YOU HAVE A PROBLEM WITH THAT? 296 00:12:00,000 --> 00:12:02,067 THAT YOU'RE BACK WITH WOMEN? 297 00:12:02,067 --> 00:12:03,067 NO, OF COURSE NOT. 298 00:12:03,067 --> 00:12:05,200 IT'S JUST, LIKE... 299 00:12:05,234 --> 00:12:06,934 I JUST WANT YOU TO BE HAPPY. 300 00:12:06,968 --> 00:12:10,300 I WANT YOU TO BE HAPPY, TOO. 301 00:12:10,333 --> 00:12:11,933 HEY, KATE. 302 00:12:13,467 --> 00:12:14,968 [CHUCKLING]: HEY. 303 00:12:17,634 --> 00:12:20,100 ANYWAY, THANKS A MILLION FOR YOUR HELP. 304 00:12:20,132 --> 00:12:21,800 CALL ME IF YOU, UM... 305 00:12:21,833 --> 00:12:23,100 IF YOU NEED SOME... 306 00:12:23,132 --> 00:12:24,734 YOU KNOW, ADVICE. 307 00:12:24,766 --> 00:12:25,867 OKAY. 308 00:12:25,900 --> 00:12:27,399 OKAY. 309 00:12:27,434 --> 00:12:28,399 GOOD LUCK. 310 00:12:28,434 --> 00:12:29,399 OKAY. 311 00:12:29,434 --> 00:12:31,600 ANYWAY, BYE. 312 00:12:31,634 --> 00:12:33,366 SEE YOU, KATE. 313 00:12:33,399 --> 00:12:35,399 MM. 314 00:12:37,634 --> 00:12:40,868 SO, HONEY, UM, SHANE AND I HAVE SOMETHING 315 00:12:40,901 --> 00:12:42,600 THAT WE'VE BEEN WANTING TO TALK TO YOU ABOUT. 316 00:12:45,634 --> 00:12:47,366 UH... 317 00:12:47,399 --> 00:12:48,334 OH, BOY. 318 00:12:48,366 --> 00:12:49,433 SORRY, DID THAT GET YOU? 319 00:12:49,466 --> 00:12:50,433 NO, NO, NO. OOPS, MY BAD. 320 00:12:50,466 --> 00:12:52,267 NO, NO, NO, IT'S OKAY. 321 00:12:52,299 --> 00:12:53,267 ARE YOU LISTENING TO ME? 322 00:12:53,299 --> 00:12:54,567 YEAH. WHAT? 323 00:12:54,600 --> 00:12:57,600 OKAY, WELL, YOU KNOW 324 00:12:57,634 --> 00:13:00,000 THAT SHANE IS MY GIRLFRIEND... 325 00:13:02,299 --> 00:13:03,701 YOU DO KNOW THAT? 326 00:13:03,734 --> 00:13:06,200 YEAH. SO? 327 00:13:09,067 --> 00:13:11,333 WELL, WE WANT TO MAKE SURE YOU'RE OKAY WITH THAT. 328 00:13:11,367 --> 00:13:13,433 OKAY WITH US 329 00:13:13,467 --> 00:13:15,534 BEING GIRLFRIENDS 330 00:13:15,567 --> 00:13:17,167 AND SPENDING A LOT OF TIME TOGETHER 331 00:13:17,199 --> 00:13:19,600 AND REALLY... 332 00:13:19,634 --> 00:13:21,800 REALLY CARING ABOUT-- 333 00:13:21,833 --> 00:13:22,800 AW, MOM... 334 00:13:22,833 --> 00:13:23,968 I ALREADY TOLD YOU. 335 00:13:24,067 --> 00:13:25,367 I DON'T WANT YOU TO BE A LEZ. 336 00:13:25,399 --> 00:13:26,533 I ALREADY KNOW THAT YOU ARE, 337 00:13:26,567 --> 00:13:27,667 BUT I DON'T WANT MY MOM 338 00:13:27,701 --> 00:13:29,167 TO BE ONE. 339 00:13:32,567 --> 00:13:33,868 CAN I TRY? 340 00:13:33,901 --> 00:13:36,667 PLEASE. 341 00:13:36,701 --> 00:13:38,701 JARED? 342 00:13:40,200 --> 00:13:42,200 JARED. 343 00:13:46,334 --> 00:13:49,834 SO YOU'RE NOT SO HAPPY ABOUT THIS? 344 00:13:51,133 --> 00:13:52,734 YOU KNOW, MAN, I DON'T THINK 345 00:13:52,767 --> 00:13:54,100 YOU'RE REALLY BEING VERY FAIR, 346 00:13:54,133 --> 00:13:55,399 WHAT YOU'RE DOING. 347 00:13:55,433 --> 00:13:57,267 BECAUSE, YOUR MOM, 348 00:13:57,299 --> 00:13:58,868 SHE'S A PRETTY WONDERFUL PERSON, 349 00:13:58,901 --> 00:14:00,000 AND SHE LOVES YOU, 350 00:14:00,000 --> 00:14:03,601 AND SHE LETS YOU BE WHO YOU ARE. 351 00:14:03,633 --> 00:14:06,634 SO YOU DON'T WANT HER TO BE WHO SHE IS? 352 00:14:10,868 --> 00:14:13,067 I MEAN, WHAT, WOULD YOU-- 353 00:14:13,067 --> 00:14:15,968 DO YOU NOT WANT SHAY AS A BROTHER? 354 00:14:16,067 --> 00:14:17,766 WHAT DO YOU MEAN? 355 00:14:17,800 --> 00:14:20,434 I MEAN, WE COULD GET A HOUSE 356 00:14:20,466 --> 00:14:21,667 AND WE COULD BE LIKE A FAMILY, 357 00:14:21,701 --> 00:14:25,466 AND-- AND YOU AND SHAY COULD BE LIKE BROTHERS. 358 00:14:25,501 --> 00:14:29,067 BUT SHAY DOESN'T LIVE WITH YOU ANYMORE. 359 00:14:29,100 --> 00:14:30,533 I KNOW. 360 00:14:30,567 --> 00:14:32,901 SO, UM, HERE IT IS. 361 00:14:32,933 --> 00:14:36,299 FEEL FREE TO ADD ANY PERSONAL TOUCHES. 362 00:14:36,334 --> 00:14:39,200 I KNOW IT'S NOT VERY ELEGANT. 363 00:14:39,234 --> 00:14:42,433 WELL, IT'S ACTUALLY POSITIVELY SWANKY 364 00:14:42,466 --> 00:14:44,133 COMPARED TO WHAT I'M USED TO. 365 00:14:44,167 --> 00:14:45,500 I MEAN, ON PANDORA, 366 00:14:45,533 --> 00:14:48,567 THE BATHROOM WAS MY PRODUCTION OFFICE. 367 00:14:50,334 --> 00:14:52,868 WELL, IT'S ALL YOURS. 368 00:14:52,901 --> 00:14:54,167 YEAH? 369 00:14:54,200 --> 00:14:57,366 MM-HMM. 370 00:14:58,801 --> 00:15:00,000 "DIRECTOR." 371 00:15:00,000 --> 00:15:03,633 DID YOU TELL JENNY? 372 00:15:03,666 --> 00:15:05,734 UH, NOT EXACTLY. 373 00:15:05,767 --> 00:15:07,367 I WANT US TO TAKE THE STUDIO MEETING FIRST, 374 00:15:07,400 --> 00:15:08,634 AND ONCE THEY'RE ON BOARD, 375 00:15:08,666 --> 00:15:10,266 WE CAN TELL THEM WE NEED TO FIRE JENNY 376 00:15:10,300 --> 00:15:11,433 AND BUY HER OUT OF HER CONTRACT. 377 00:15:11,467 --> 00:15:12,666 IS SHE GOING TO BE AT THE MEETING? 378 00:15:12,701 --> 00:15:14,734 NO, NO, NO, I TOLD HER IT WAS CANCELED. 379 00:15:14,766 --> 00:15:16,766 I TOLD HER 380 00:15:16,800 --> 00:15:18,734 THAT LORENZO WAS OUT OF TOWN. 381 00:15:21,501 --> 00:15:23,934 [LAUGHS] 382 00:15:25,067 --> 00:15:26,634 SO IS IT BETTE? 383 00:15:26,667 --> 00:15:27,968 IS WHAT BETTE? 384 00:15:28,067 --> 00:15:30,533 THE PERSON THAT YOU HAVE FEELINGS FOR. 385 00:15:30,567 --> 00:15:32,600 THE REASON YOU COULDN'T COME HOME WITH ME 386 00:15:32,634 --> 00:15:33,801 THE OTHER NIGHT. 387 00:15:34,968 --> 00:15:37,334 WE'RE WORKING TOGETHER. 388 00:15:46,968 --> 00:15:49,466 IT WAS BETTE. 389 00:15:52,200 --> 00:15:53,667 IT WAS. 390 00:15:53,701 --> 00:15:55,868 SO WHY ARE YOU HELPING HER GET BACK TOGETHER WITH JODI? 391 00:15:55,901 --> 00:15:57,634 I DON'T KNOW, MAYBE I FEEL GUILTY 392 00:15:57,667 --> 00:15:58,868 THAT I WANT HER BACK 393 00:15:58,901 --> 00:16:00,000 LESS THAN A YEAR AFTER BREAKING UP. 394 00:16:00,000 --> 00:16:01,766 I FUCKED UP. 395 00:16:01,800 --> 00:16:03,367 IT WAS... 396 00:16:03,399 --> 00:16:04,833 IT WAS FUCKING BLOODY. IT WAS BAD. 397 00:16:04,868 --> 00:16:07,067 THAT'S WHAT BREAK-UPS ARE. THEY'RE FUCKING BLOODY. 398 00:16:07,067 --> 00:16:08,234 I DON'T HAVE THE RIGHT TO COMPLICATE HER LIFE 399 00:16:08,266 --> 00:16:10,067 JUST BECAUSE SHE'S MET SOMEONE ELSE. 400 00:16:10,067 --> 00:16:11,766 AND IF IT DOESN'T WORK OUT BETWEEN THEM? 401 00:16:11,801 --> 00:16:14,734 I GUESS I'M WAITING TO SEE ABOUT THAT, TOO. 402 00:16:14,766 --> 00:16:16,067 WELL, YOU KNOW, 403 00:16:16,067 --> 00:16:17,734 GIRLS LIKE ME DON'T STAY 404 00:16:17,766 --> 00:16:19,533 ON THE OPEN MARKET VERY LONG. 405 00:16:19,567 --> 00:16:20,701 SO IF YOU WANT SOME OF THIS, 406 00:16:20,734 --> 00:16:21,701 YOU'D BETTER GET IN THERE 407 00:16:21,734 --> 00:16:23,734 SOONER RATHER THAN LATER. 408 00:16:24,833 --> 00:16:25,968 [CHUCKLES] 409 00:16:26,067 --> 00:16:28,234 [BETTE]: PHYLLIS, THIS IS JOYCE WISCHNIA, 410 00:16:28,266 --> 00:16:29,333 A.K.A. "THE REAMER." 411 00:16:29,367 --> 00:16:30,501 PLEASURE TO MEET YOU, PHYLLIS. 412 00:16:30,533 --> 00:16:31,667 NICE TO MEET YOU, JOYCE. 413 00:16:31,701 --> 00:16:32,701 I HATE TO ADMIT IT, 414 00:16:32,734 --> 00:16:34,133 BUT I'M NOT FAMILIAR WITH REAMERS. 415 00:16:34,167 --> 00:16:35,267 IT'S A PRECISION TOOL, PHYLLIS. 416 00:16:35,299 --> 00:16:36,634 IF YOU'RE GOING TO BE A LESBIAN, 417 00:16:36,667 --> 00:16:37,868 YOU'RE GOING TO HAVE TO GET TO KNOW YOUR TOOL KIT. 418 00:16:37,901 --> 00:16:39,868 TECHNICALLY, A TOOL FOR ENLARGING HOLES, 419 00:16:39,901 --> 00:16:43,067 WHICH IS NOT NECESSARILY THE ANALOGY I WOULD HAVE CHOSEN, 420 00:16:43,100 --> 00:16:46,901 BUT ONE RARELY GETS TO CHOOSE ONE'S OWN ENDEARING EPITHET. 421 00:16:46,933 --> 00:16:48,200 I KNOW. 422 00:16:48,234 --> 00:16:49,901 MINE IS-- OH, BETTE, TELL HER. 423 00:16:49,933 --> 00:16:51,734 WELL, PHYLLIS, 424 00:16:51,767 --> 00:16:54,234 I HAVE ONLY HEARD YOU REFERRED TO AS "MA'AM." 425 00:16:54,267 --> 00:16:56,567 [GIGGLING] 426 00:16:56,600 --> 00:16:58,533 "HEADS WILL ROLL" KROLL. 427 00:16:58,567 --> 00:17:00,000 I LOVE IT! 428 00:17:00,000 --> 00:17:01,300 [PHYLLIS AND JOYCE LAUGHING] 429 00:17:01,334 --> 00:17:03,100 ANYWAY, I KNOW THAT JOYCE 430 00:17:03,133 --> 00:17:04,601 IS THE BEST LAWYER IN TOWN TO HELP YOU 431 00:17:04,634 --> 00:17:06,200 WITH WHAT YOU'RE ABOUT TO GO THROUGH. 432 00:17:06,234 --> 00:17:07,634 SHE GOT ME AND TINA THROUGH A HIDEOUS CUSTODY BATTLE. 433 00:17:07,666 --> 00:17:08,933 HOW IS TINA, 434 00:17:08,968 --> 00:17:10,433 BY THE WAY? 435 00:17:10,467 --> 00:17:12,634 SHE'S BACK IN THE FOLD, ACTUALLY. 436 00:17:12,666 --> 00:17:13,833 "BACK IN THE FOLD"? 437 00:17:13,868 --> 00:17:15,199 DO WE HAVE TO BE SO ARCANE? 438 00:17:15,234 --> 00:17:16,234 OF COURSE SHE IS. 439 00:17:16,266 --> 00:17:18,132 PLEASE DON'T TELL ME THE TWO OF YOU 440 00:17:18,167 --> 00:17:19,199 ARE GETTING BACK TOGETHER. 441 00:17:19,234 --> 00:17:21,067 NO, SHE'S MET SOMEONE ELSE. 442 00:17:21,067 --> 00:17:22,300 AND SO HAS BETTE. 443 00:17:22,333 --> 00:17:23,667 OH, REALLY? WELL, GOOD FOR YOU. 444 00:17:23,701 --> 00:17:24,867 BUT SHE'S BLOWING IT. 445 00:17:24,900 --> 00:17:26,900 SHE LET HER GO. 446 00:17:26,934 --> 00:17:28,399 WORSE, SHE DROVE HER AWAY. 447 00:17:28,434 --> 00:17:30,766 YOU WERE SO THRILLING TOGETHER. 448 00:17:30,800 --> 00:17:32,133 YOU WERE PERFECT FOR ONE ANOTHER. 449 00:17:32,167 --> 00:17:33,299 JODI'S A BRILLIANT ARTIST. 450 00:17:33,334 --> 00:17:34,933 FORMIDABLE. 451 00:17:34,968 --> 00:17:36,200 NOW, WHAT ARE YOU GOING TO DO 452 00:17:36,234 --> 00:17:38,133 TO GET HER BACK, BETTE? 453 00:17:39,600 --> 00:17:41,767 I SENT HER FLOWERS. 454 00:17:41,801 --> 00:17:42,933 FLOWERS? 455 00:17:42,968 --> 00:17:44,767 OH, COME ON. YOU'RE AN IDIOT. 456 00:17:44,801 --> 00:17:46,600 WHAT IS SO WRONG WITH FLOWERS? 457 00:17:46,634 --> 00:17:48,133 WELL, YOU'VE GOT TO BE A LITTLE MORE ORIGINAL THAN THAT 458 00:17:48,167 --> 00:17:49,901 IF SHE'S AS SPECIAL AS PHYLLIS SAYS. 459 00:17:51,067 --> 00:17:52,433 I'M GOING TO GO AND COMMIT HARA-KIRI 460 00:17:52,466 --> 00:17:53,600 RIGHT NOW. 461 00:17:53,634 --> 00:17:55,299 YOU HAVE A GREAT SPRING BREAK, PHYLLIS. 462 00:17:55,334 --> 00:17:56,734 YOU TOO, BETTE. 463 00:17:56,767 --> 00:17:58,267 IT WAS NICE TO SEE YOU, JOYCE. 464 00:17:58,299 --> 00:18:00,000 NICE TO SEE YOU, TOO. 465 00:18:00,000 --> 00:18:02,067 HAVE A SEAT. 466 00:18:03,200 --> 00:18:04,700 OKAY. 467 00:18:04,734 --> 00:18:06,767 PHYLLIS, LET'S HAVE IT. 468 00:18:06,801 --> 00:18:08,601 WHAT'S YOUR STORY? 469 00:18:08,634 --> 00:18:09,601 WELL, JOYCE, 470 00:18:09,634 --> 00:18:11,801 I FIRST SUSPECTED 471 00:18:11,833 --> 00:18:12,833 I MIGHT BE LESBIAN 472 00:18:12,868 --> 00:18:15,166 WHEN I WAS A SOPHOMORE AT WELLESLEY. 473 00:18:15,199 --> 00:18:17,234 I FELL MADLY IN LOVE WITH JANE HOWARD. 474 00:18:17,266 --> 00:18:18,667 WE BOTH LOVED-- 475 00:18:18,701 --> 00:18:20,634 NO, NO, NO, I MEAN YOUR PRESENT-DAY STORY. 476 00:18:20,667 --> 00:18:22,199 OH.I UNDERSTAND YOU AND YOUR HUSBAND 477 00:18:22,234 --> 00:18:24,167 ARE GETTING A DIVORCE. 478 00:18:26,234 --> 00:18:27,600 YES. 479 00:18:27,634 --> 00:18:28,800 I ACTUALLY SAW YOUR MOVIE 480 00:18:28,833 --> 00:18:30,501 BEFORE IT WON SUNDANCE. 481 00:18:30,533 --> 00:18:31,968 I TRIED TO CONVINCE THESE ASSHOLES 482 00:18:32,067 --> 00:18:33,067 TO PICK IT UP, BUT... 483 00:18:33,067 --> 00:18:35,067 OUR CLASSICS DIVISION 484 00:18:35,067 --> 00:18:36,267 WAS A MESS. 485 00:18:36,299 --> 00:18:37,933 YEAH, IT WAS OUR BAD. 486 00:18:37,968 --> 00:18:39,466 WELL, NOW YOU HAVE HER NEXT MOVIE, 487 00:18:39,500 --> 00:18:40,399 WHICH IS A PRETTY GOOD CHUMP PRIZE. 488 00:18:40,433 --> 00:18:41,533 HELLO. 489 00:18:41,567 --> 00:18:44,067 I'M SO SORRY I AM LATE, 490 00:18:44,067 --> 00:18:45,334 BUT I HAD TO PICK UP SOUNDER FROM THE GROOMER, 491 00:18:45,366 --> 00:18:46,533 BECAUSE I WANTED HIM 492 00:18:46,567 --> 00:18:47,500 TO BE ALL LOVELY AND PRETTY 493 00:18:47,533 --> 00:18:49,067 FOR HIS VERY FIRST STUDIO MEETING. 494 00:18:49,067 --> 00:18:50,968 THERE WAS NO PARKING PASS FOR ME AT THE GUARD GATE 495 00:18:51,067 --> 00:18:52,234 FOR SOME REASON. 496 00:18:52,267 --> 00:18:53,433 LORENZO, DEE DEE, CHIP, 497 00:18:53,466 --> 00:18:56,334 THIS IS JENNY SCHECTER. 498 00:18:56,366 --> 00:18:57,634 HI. SHE'S THE AUTHOR 499 00:18:57,667 --> 00:18:58,634 OF THE BOOK. 500 00:18:58,667 --> 00:18:59,334 OH! 501 00:18:59,366 --> 00:19:00,000 LORENZO? 502 00:19:00,000 --> 00:19:01,100 YES. 503 00:19:01,133 --> 00:19:03,200 HI. 504 00:19:03,234 --> 00:19:05,099 LET ME GIVE YOU A VERY BIG HUG. 505 00:19:05,133 --> 00:19:06,567 MWAH. WELCOME BACK. 506 00:19:06,601 --> 00:19:08,400 IT'S SO NICE TO FINALLY MEET YOU. 507 00:19:08,433 --> 00:19:09,734 I ACTUALLY DIDN'T KNOW 508 00:19:09,766 --> 00:19:11,067 THAT YOU WOULD BE AT THE MEETING. 509 00:19:11,067 --> 00:19:12,567 WELL, JENNY, WE THOUGHT THAT-- 510 00:19:12,601 --> 00:19:15,567 WHAT, THAT I WAS, UH, COMPLETELY CLUELESS? 511 00:19:15,601 --> 00:19:17,067 SOMEONE TO FUCK WITH? 512 00:19:17,067 --> 00:19:18,067 NO, OF COURSE NOT. 513 00:19:18,100 --> 00:19:19,167 SOMEONE WHO DIDN'T REALIZE 514 00:19:19,199 --> 00:19:20,333 WHAT A LYING, 515 00:19:20,367 --> 00:19:21,833 DUPLICITOUS, SCHEMING, 516 00:19:21,867 --> 00:19:23,567 EXCUSE YOU ARE FOR A FRIEND? [CLATTERING] 517 00:19:23,600 --> 00:19:25,067 BE CAREFUL 518 00:19:25,100 --> 00:19:26,367 IF YOU'RE DOING BUSINESS WITH THIS WOMAN 519 00:19:26,399 --> 00:19:27,533 BECAUSE SHE ACTUALLY EATS HER OWN. 520 00:19:27,567 --> 00:19:28,533 JENNY, ACTUALLY, 521 00:19:28,567 --> 00:19:30,533 TINA'S BEEN A REALLY GOOD FRIEND TO YOU. 522 00:19:30,567 --> 00:19:32,167 AS A MATTER OF FACT, SHE'S PROTECTED YOU. 523 00:19:32,200 --> 00:19:33,600 SHE JUST WANTS TO FUCK YOU. 524 00:19:33,634 --> 00:19:35,234 SHE DOES. 525 00:19:35,267 --> 00:19:37,067 SHE JUST WANTS TO GET IN YOUR PANTS. 526 00:19:37,067 --> 00:19:38,701 SHUT THE FUCK UP, JENNY, OKAY? 527 00:19:38,734 --> 00:19:39,834 YOU'RE A CUNT. 528 00:19:39,868 --> 00:19:40,701 THAT-- UH... 529 00:19:40,734 --> 00:19:41,901 DON'T TOUCH MY DOG. 530 00:19:41,933 --> 00:19:43,600 BETTE ALMOST LOST HER JOB BECAUSE OF YOU. 531 00:19:43,634 --> 00:19:44,801 DID YOU KNOW THAT? 532 00:19:44,834 --> 00:19:45,901 THAT ENDANGERS MY CHILD. 533 00:19:45,933 --> 00:19:47,100 SORRY. COME HERE. 534 00:19:47,133 --> 00:19:48,567 THAT IS FOOD IN ANGELICA'S MOUTH. 535 00:19:48,600 --> 00:19:49,868 THAT IS A ROOF OVER HER HEAD. 536 00:19:49,901 --> 00:19:51,399 THAT, TO ME, IS UNFORGIVABLE. 537 00:19:51,433 --> 00:19:52,868 OH, GOD, TINA. 538 00:19:52,901 --> 00:19:55,100 CAN YOU JUST CUT ALL YOUR BULLSHIT? 539 00:19:55,133 --> 00:19:56,868 JUST BECAUSE YOU'VE HAD A BABY 540 00:19:56,901 --> 00:19:59,334 DOESN'T MAKE YOU MORE EXALTED THAN THE REST OF US. 541 00:19:59,366 --> 00:20:01,000 I AM SO FUCKING TIRED 542 00:20:01,032 --> 00:20:03,734 OF ALL THESE TEDIOUS LESBIANS HAVING BABIES 543 00:20:03,766 --> 00:20:06,434 AND THE SELF-AGGRANDIZING BULLSHIT. 544 00:20:06,466 --> 00:20:08,032 [LIQUID TRICKLING] 545 00:20:08,067 --> 00:20:09,166 OOH. 546 00:20:09,199 --> 00:20:10,234 GOD. 547 00:20:10,266 --> 00:20:11,433 I'M SORRY. 548 00:20:11,467 --> 00:20:13,199 HE'S NOT POTTY-TRAINED. 549 00:20:13,234 --> 00:20:16,434 IS HE? SORRY. 550 00:20:16,466 --> 00:20:17,734 [BETTE]: I LOVE YOU, SWEETIE. 551 00:20:17,766 --> 00:20:18,934 GOOD NIGHT. 552 00:20:18,968 --> 00:20:21,934 YOU SLEEP TIGHT. 553 00:20:21,968 --> 00:20:22,934 I LOVE YOU. 554 00:20:22,968 --> 00:20:23,934 I LOVE YOU. 555 00:20:23,968 --> 00:20:24,934 I LOVE YOU. 556 00:20:24,968 --> 00:20:27,033 I LOVE YOU. 557 00:20:28,766 --> 00:20:31,867 [TELEPHONE RINGING] 558 00:20:31,900 --> 00:20:33,334 HELLO? 559 00:20:33,366 --> 00:20:34,399 HI. IT'S TOM MATER 560 00:20:34,433 --> 00:20:36,100 INTERPRETING FOR JODI LERNER. 561 00:20:36,133 --> 00:20:39,100 SHE'S-- SHE'S CALLING ME BACK? 562 00:20:41,701 --> 00:20:44,033 HELLO? 563 00:20:44,067 --> 00:20:46,067 YEAH, I'M IN UPSTATE NEW YORK. 564 00:20:46,100 --> 00:20:48,100 CELL PHONES DON'T WORK HERE. 565 00:20:48,133 --> 00:20:49,868 WE'RE SLEEPING IN A TENT. 566 00:20:49,901 --> 00:20:52,533 WE JUST GOT TO THE LODGE TONIGHT. 567 00:20:52,567 --> 00:20:55,466 SO, UM, WHERE-- WHERE IS THE LODGE? 568 00:20:55,500 --> 00:20:57,533 IT'S IN TOWN. 569 00:20:57,567 --> 00:20:59,901 WHAT CAN I DO FOR YOU? 570 00:21:01,300 --> 00:21:02,934 I JUST WANTED TO SAY 571 00:21:02,968 --> 00:21:05,934 THAT, JODI, I JUST... I GOT... 572 00:21:05,968 --> 00:21:08,132 I GOT SCARED, AND... 573 00:21:08,166 --> 00:21:10,968 AND YOU PUT ME IN A BOX. 574 00:21:11,067 --> 00:21:13,534 I KNOW. 575 00:21:13,567 --> 00:21:16,199 OH, SO YOU GOT THE-- YOU GOT MY EMAIL? 576 00:21:16,234 --> 00:21:17,501 YES, I DID. 577 00:21:17,533 --> 00:21:21,567 AND I REALLY APPRECIATE YOUR HONESTY. 578 00:21:25,667 --> 00:21:28,199 SO HOW'S EVERYTHING GOING? 579 00:21:30,533 --> 00:21:32,299 HELLO? 580 00:21:32,334 --> 00:21:34,133 UM... 581 00:21:34,167 --> 00:21:37,399 IT'S COLD... 582 00:21:37,433 --> 00:21:39,067 AND INTENSE. 583 00:21:39,067 --> 00:21:40,834 WELL, YEAH, I MEAN, I'M SURE 584 00:21:40,868 --> 00:21:42,167 IF YOU GUYS ARE-- 585 00:21:42,200 --> 00:21:43,667 IF YOU'RE LIVING IN A TENT-- 586 00:21:43,701 --> 00:21:45,834 AND I'M SURE THE WORK IS GOING WELL, 587 00:21:45,868 --> 00:21:48,767 I JUST... HELLO? 588 00:21:50,067 --> 00:21:52,100 WAS THERE ANYTHING IN PARTICULAR 589 00:21:52,133 --> 00:21:53,968 YOU WANTED TO SPEAK TO ME ABOUT? 590 00:22:00,000 --> 00:22:01,633 HELLO? 591 00:22:01,667 --> 00:22:03,100 YEAH. 592 00:22:03,133 --> 00:22:06,067 UH... 593 00:22:06,099 --> 00:22:08,067 WELL... 594 00:22:08,067 --> 00:22:10,166 [EXHALES SHAKILY] 595 00:22:10,199 --> 00:22:12,968 I JUST... AHEM. 596 00:22:13,067 --> 00:22:16,501 I JUST WANTED TO SAY THAT I MISS YOU, 597 00:22:16,533 --> 00:22:20,399 AND, UM, I'M SURE ANGIE MISSES YOU, TOO. 598 00:22:20,434 --> 00:22:21,399 SHE JUST SIGNED... 599 00:22:21,434 --> 00:22:23,734 SHE JUST SIGNED "I LOVE YOU" 600 00:22:23,766 --> 00:22:26,100 TO ME TONIGHT. 601 00:22:30,934 --> 00:22:33,067 THAT'S SWEET. 602 00:22:36,399 --> 00:22:38,200 [**] 603 00:22:38,234 --> 00:22:40,267 * THANK YOU 604 00:22:40,299 --> 00:22:45,634 * THANK YOU FOR GIVING US THE DAY * 605 00:22:51,067 --> 00:22:53,200 SO I SECURED THE DOLLY DOWN 606 00:22:53,234 --> 00:22:54,968 WITH THESE BUNGEE CORDS. 607 00:22:55,067 --> 00:22:56,533 OH, GOOD. GREAT. THANK YOU. 608 00:22:56,567 --> 00:22:58,167 AND I GAVE YOU MY POWER DRILL SET 609 00:22:58,200 --> 00:23:00,000 AND AN EXTRA ROPE. 610 00:23:00,000 --> 00:23:02,867 I'M JUST SORRY I CAN'T GO WITH YOU GUYS. 611 00:23:02,900 --> 00:23:05,067 IT'S NO PROBLEM. THANK YOU. 612 00:23:05,099 --> 00:23:07,067 SO, IS GRACE GOING WITH YOU TO SAN FRANCISCO? 613 00:23:07,067 --> 00:23:08,266 YEAH, SHE IS. 614 00:23:08,300 --> 00:23:09,067 GOOD MORNING. 615 00:23:09,099 --> 00:23:10,367 HEY. 616 00:23:10,400 --> 00:23:11,500 HOW LONG ARE YOU GOING BE THERE? 617 00:23:11,534 --> 00:23:13,534 HOW LONG IS THE RECOVERY? 618 00:23:13,567 --> 00:23:15,234 I DON'T KNOW. 619 00:23:15,266 --> 00:23:17,701 I DON'T KNOW IF I'M GOING TO DO IT. 620 00:23:17,734 --> 00:23:19,266 YOU'RE NOT GOING TO GO THROUGH WITH IT? 621 00:23:19,300 --> 00:23:20,533 REALLY? 622 00:23:20,567 --> 00:23:22,833 GOOD LORD, IT'S EARLY. GOOD MORNING. 623 00:23:22,867 --> 00:23:24,766 HEY, GOOD LUCK IN SAN FRANCISCO. 624 00:23:24,800 --> 00:23:25,766 THANKS. 625 00:23:25,800 --> 00:23:26,833 OH, HE DOESN'T KNOW 626 00:23:26,867 --> 00:23:28,600 IF HE'S GOING TO GO THROUGH WITH IT. 627 00:23:28,634 --> 00:23:29,833 YOU'RE NOT GOING TO GET THE, UH... 628 00:23:29,867 --> 00:23:30,900 [WHISTLES] 629 00:23:30,934 --> 00:23:31,900 REALLY? 630 00:23:31,934 --> 00:23:32,901 I MIGHT. 631 00:23:32,933 --> 00:23:34,366 I JUST... 632 00:23:34,399 --> 00:23:36,701 IT'S AN IRREVERSIBLE DECISION, YOU KNOW? 633 00:23:36,734 --> 00:23:37,868 RIGHT. 634 00:23:37,901 --> 00:23:39,067 YEAH. 635 00:23:39,100 --> 00:23:40,801 WELL, ANYWAY, YOU GUYS SHOULD TAKE OFF. 636 00:23:42,167 --> 00:23:43,234 YOU DRIVING? YEAH. 637 00:23:43,267 --> 00:23:44,500 GOOD LUCK. 638 00:23:44,533 --> 00:23:46,634 THANKS. GOOD LUCK TO YOU. 639 00:23:46,667 --> 00:23:48,433 TAKE CARE. 640 00:24:02,734 --> 00:24:05,734 [**] 641 00:24:33,567 --> 00:24:35,767 [BETTE]: I'M SORRY I'M NOT GOING TO BE ABLE 642 00:24:35,801 --> 00:24:37,433 TO GO TO TASHA'S GOING-AWAY PARTY. 643 00:24:37,466 --> 00:24:38,901 [SHANE]: THAT'S ALL RIGHT, NEITHER IS ALICE. 644 00:24:38,933 --> 00:24:39,968 [ALICE]: I'M NOT GOING. 645 00:24:40,067 --> 00:24:42,167 WHAT ARE YOU TALKING ABOUT? 646 00:24:42,200 --> 00:24:43,834 I'M NOT GOING TO A PARTY TO CELEBRATE 647 00:24:43,868 --> 00:24:46,667 THAT THE PERSON I CARE FOR IS ABOUT TO LEAVE 648 00:24:46,701 --> 00:24:48,067 FOR THE MOST DANGEROUS PLACE ON EARTH, 649 00:24:48,100 --> 00:24:48,868 YOU KNOW, TO FIGHT 650 00:24:48,901 --> 00:24:50,366 IN A MORALLY BANKRUPT WAR 651 00:24:50,399 --> 00:24:52,567 AND MAY BE COMING HOME IN A BODY BAG. 652 00:24:52,600 --> 00:24:53,701 IT WOULD BE INSANE. 653 00:24:53,734 --> 00:24:54,701 YOU'RE WRONG, ALICE. 654 00:24:54,734 --> 00:24:55,701 WELL, SHE'S NOT TOTALLY WRONG. 655 00:24:55,734 --> 00:24:56,600 WHY? 656 00:24:56,634 --> 00:24:59,433 IT IS A MORALLY BANKRUPT WAR. 657 00:25:00,000 --> 00:25:02,067 LET'S GO. 658 00:25:03,266 --> 00:25:05,133 ARE YOU SURE 659 00:25:05,166 --> 00:25:06,601 YOU KNOW, MAYBE SHE JUST WOULDN'T WANT, LIKE, 660 00:25:06,634 --> 00:25:08,601 A SPORTS CAR? 661 00:25:08,634 --> 00:25:10,234 OR, I DON'T KNOW, LIKE A CARTIER DIAMOND 662 00:25:10,266 --> 00:25:11,833 WOULD BE A LOVELY GIFT. 663 00:25:11,868 --> 00:25:13,333 WELL, SHE SAID SHE WANTED TO USE IT 664 00:25:13,367 --> 00:25:14,868 IN A SCULPTURE. 665 00:25:14,900 --> 00:25:16,667 SHE SAID IT WAS THE MOST BEAUTIFUL SIGN 666 00:25:16,701 --> 00:25:17,800 SHE'D EVER SEEN. 667 00:25:17,833 --> 00:25:18,867 [SIGHING] 668 00:25:18,900 --> 00:25:20,067 LOOK, THE WHOLE BUILDING 669 00:25:20,067 --> 00:25:21,067 IS SCHEDULED 670 00:25:21,100 --> 00:25:22,600 TO BE DEMOLISHED NEXT WEEK ANYWAY. 671 00:25:22,634 --> 00:25:23,968 I TRIED TO TALK TO THE OWNER OF THE BUILDING, 672 00:25:24,067 --> 00:25:25,466 BUT HE'S OUT OF THE COUNTRY, 673 00:25:25,501 --> 00:25:27,434 EVADING TAX FRAUD CHARGES OR SOMETHING. 674 00:25:27,466 --> 00:25:28,800 OKAY, SHANE, I'M GOING TO GIVE YOU THE ROPE. 675 00:25:28,833 --> 00:25:30,132 I WANT YOU TO RIG IT UP 676 00:25:30,167 --> 00:25:31,199 SO WE CAN TRY TO GET IT OVER THE FENCE. 677 00:25:31,234 --> 00:25:32,834 THEN I TRIED TO TALK TO THE BUILDING MANAGER, 678 00:25:32,868 --> 00:25:35,500 BUT HE'S A USELESS FRIGGIN' PETTY BUREAUCRAT 679 00:25:35,533 --> 00:25:36,901 WHO WOULD RATHER SAY NO 680 00:25:36,933 --> 00:25:38,834 THAN TAKE A $1,500 BRIBE, 681 00:25:38,868 --> 00:25:40,466 AND JAMES WASN'T ABLE TO GET IN TOUCH 682 00:25:40,500 --> 00:25:41,901 WITH THE SECURITY GUARD. 683 00:25:41,933 --> 00:25:43,533 SO THAT MEANS... 684 00:25:43,567 --> 00:25:45,234 HERE WE ARE. 685 00:25:45,267 --> 00:25:46,734 OKAY. 686 00:25:46,767 --> 00:25:48,734 WELL, I HOPE WE DON'T GET IN TOUCH WITH HIM THIS MORNING. 687 00:25:48,767 --> 00:25:49,968 THAT WOULD SUCK. 688 00:25:50,067 --> 00:25:51,734 NO, WELL, I HAD HIM CHECK ON THE SHIFTS. 689 00:25:51,767 --> 00:25:52,801 WEEKENDS, HE ONLY COMES 690 00:25:52,834 --> 00:25:54,167 IN THE LATE AFTERNOON. 691 00:25:54,200 --> 00:25:56,067 OKAY, SO, WE HAVE THE DOLLY, 692 00:25:56,100 --> 00:25:58,100 WE HAVE THE ROPE, WE HAVE THE TOOLKIT, 693 00:25:58,133 --> 00:25:59,200 WE HAVE THE WIRECUTTERS, 694 00:25:59,234 --> 00:26:00,000 WE HAVE STEAKS. 695 00:26:00,000 --> 00:26:02,334 OKAY... 696 00:26:02,367 --> 00:26:04,868 STEAKS? 697 00:26:04,900 --> 00:26:06,067 FOR LUNCH? 698 00:26:06,067 --> 00:26:07,067 ONE... 699 00:26:07,067 --> 00:26:08,067 THAT'D BE NICE. 700 00:26:08,067 --> 00:26:11,367 TWO... 701 00:26:11,400 --> 00:26:12,567 HAVE YOU DONE THAT BEFORE, BETTE? 702 00:26:12,601 --> 00:26:13,567 NO, ALICE, I HAVEN'T. 703 00:26:13,601 --> 00:26:14,968 WE'RE GOING OVER. 704 00:26:15,067 --> 00:26:16,800 YOU GO FIRST. ME? 705 00:26:16,833 --> 00:26:17,800 WHAT DO I DO? 706 00:26:17,833 --> 00:26:19,132 WHY DON'T YOU... START ON UP. 707 00:26:19,167 --> 00:26:20,833 WE'RE GOING TO TAKE THE DOLLY UP OVER THE FENCE. 708 00:26:20,867 --> 00:26:22,399 OKAY. 709 00:26:22,434 --> 00:26:23,701 NEED A HAND? 710 00:26:23,734 --> 00:26:25,333 UH, YEAH-- OH! 711 00:26:25,367 --> 00:26:26,567 THANKS. 712 00:26:26,600 --> 00:26:28,900 YOU KNOW, KATE, I THINK 713 00:26:28,934 --> 00:26:30,600 IS JUST A REPLACEMENT FOR YOU, BETTE. 714 00:26:30,634 --> 00:26:33,200 I THINK TINA REALLY WANTS TO GET 715 00:26:33,234 --> 00:26:34,200 BACK TOGETHER WITH YOU. 716 00:26:34,234 --> 00:26:35,334 NO, SHE DOESN'T. 717 00:26:35,366 --> 00:26:36,634 OH, REALLY? HOW DO YOU KNOW? 718 00:26:36,667 --> 00:26:38,067 BECAUSE SHE'S TRYING TO HELP ME GET JODI BACK. 719 00:26:38,100 --> 00:26:39,433 WHY WOULD SHE TRY TO HELP ME GET JODI BACK 720 00:26:39,466 --> 00:26:40,466 IF SHE WANTED TO BE WITH ME? 721 00:26:40,500 --> 00:26:41,701 RIGHT. 722 00:26:41,734 --> 00:26:44,901 OKAY, I'M GOING TO HAND UP THE DOLLY. 723 00:26:49,267 --> 00:26:50,868 WHEW. 724 00:26:50,901 --> 00:26:52,299 HEY, WHAT ARE THOSE STEAKS FOR ANYWAY? 725 00:26:52,334 --> 00:26:53,634 [DOGS BARKING] 726 00:26:54,801 --> 00:26:56,234 [SCREAMING] 727 00:26:58,067 --> 00:26:59,801 [ALICE SHRIEKING] 728 00:26:59,834 --> 00:27:00,000 [GATE SLAMS] 729 00:27:02,133 --> 00:27:03,867 COME ON, YOU GUYS, LET'S GO! 730 00:27:03,900 --> 00:27:06,434 [**] 731 00:27:06,466 --> 00:27:08,067 LET'S GO. 732 00:27:13,234 --> 00:27:14,199 THIS WAY. 733 00:27:14,234 --> 00:27:15,199 ALICE, ALICE, ALICE. 734 00:27:15,234 --> 00:27:16,199 BE CAREFUL. 735 00:27:16,234 --> 00:27:17,199 [GRUNTS] 736 00:27:17,234 --> 00:27:18,434 ALL RIGHT. 737 00:27:18,466 --> 00:27:21,132 DON'T MAKE SO MUCH NOISE, OKAY? 738 00:27:21,167 --> 00:27:24,567 HEY, DID YOU GUYS EVER HEAR OF VALLEY VILLAGE? 739 00:27:24,600 --> 00:27:25,900 VALLEY VILLAGE? 740 00:27:25,934 --> 00:27:27,533 YEAH, THE PLACE WHERE YOU CAN GET 741 00:27:27,567 --> 00:27:28,533 THAT THREE-BEDROOM HOUSE, 742 00:27:28,567 --> 00:27:29,867 AND A DISHWASHER-- 743 00:27:29,900 --> 00:27:31,600 WITH JUNE AND BEAVER CLEAVER AS YOUR NEIGHBOR, YEAH. 744 00:27:31,634 --> 00:27:33,133 ASIDE FROM THAT SNOTTY REMARK, 745 00:27:33,167 --> 00:27:34,133 YOU KNOW, THE KIDS CAN 746 00:27:34,167 --> 00:27:35,167 RIDE THEIR BIKES TO SCHOOL, AND-- 747 00:27:35,200 --> 00:27:36,701 SHIT. NO? 748 00:27:36,734 --> 00:27:38,500 FUCK. 749 00:27:38,533 --> 00:27:42,100 HEY! 750 00:27:42,133 --> 00:27:44,067 LET'S GO, FATTY. COME ON. 751 00:27:44,067 --> 00:27:45,567 YOU OWE ME. 752 00:27:45,600 --> 00:27:46,567 OKAY. 753 00:27:46,600 --> 00:27:48,067 OKAY! OKAY! 754 00:27:48,067 --> 00:27:50,100 [THUMP] 755 00:27:50,133 --> 00:27:51,533 I GOT IT. 756 00:27:51,567 --> 00:27:53,466 WHY IS SHE TALKING ABOUT KIDS AND BIKES 757 00:27:53,500 --> 00:27:55,133 AND FAMILY ROOMS? 758 00:27:55,167 --> 00:27:57,267 I DON'T THINK THAT'S SHANE. 759 00:27:57,299 --> 00:27:58,466 I THINK THAT'S A POD PERSON 760 00:27:58,500 --> 00:28:00,000 IN SHANE'S BODY PRETENDING TO BE SHANE. 761 00:28:00,000 --> 00:28:02,100 OKAY, COME ON. 762 00:28:02,133 --> 00:28:03,200 OW! 763 00:28:03,234 --> 00:28:04,267 OOF! 764 00:28:06,601 --> 00:28:07,767 WHERE IS IT? 765 00:28:07,801 --> 00:28:09,433 THERE IT IS, UP THERE. 766 00:28:09,467 --> 00:28:10,734 THAT'S NOT IT. 767 00:28:10,766 --> 00:28:11,634 IS THAT IT? YEAH, YEAH. 768 00:28:11,666 --> 00:28:13,099 YEAH, IT IS. 769 00:28:13,132 --> 00:28:18,600 YOU'RE KIDDING. OH, MY GOD. 770 00:28:18,634 --> 00:28:18,701 ARE YOU HIGH? 771 00:28:20,434 --> 00:28:22,434 THIS ISN'T REALISTIC. 772 00:28:22,466 --> 00:28:24,800 THIS IS FUCKING INSANE. 773 00:28:24,833 --> 00:28:27,167 I KNOW. 774 00:28:27,199 --> 00:28:28,266 BUT IT'S ROMANTIC. 775 00:28:28,300 --> 00:28:29,934 IT IS. 776 00:28:29,968 --> 00:28:32,299 LAUGH IF YOU WANT. 777 00:28:37,567 --> 00:28:39,868 WAIT A MINUTE! 778 00:28:39,901 --> 00:28:41,267 WHAT? 779 00:28:41,299 --> 00:28:42,366 [CAMERA BEEPS] 780 00:28:42,399 --> 00:28:43,933 OH, MY GOD. PHOTO OP. 781 00:28:43,968 --> 00:28:45,901 ALICE... 782 00:28:48,600 --> 00:28:50,868 OKAY, SAY, "THIS IS FUCKING CRAZY!" 783 00:28:50,901 --> 00:28:52,100 [CLICKS] 784 00:28:52,133 --> 00:28:54,968 [**] 785 00:29:08,367 --> 00:29:10,333 * GONNA LEAVE YOU, BABY 786 00:29:10,367 --> 00:29:13,367 [GROWLING] 787 00:29:15,067 --> 00:29:17,766 * BEFORE I COMMIT A CRIME 788 00:29:21,199 --> 00:29:23,333 * I'M GONNA LEAVE YOU, BABY 789 00:29:27,900 --> 00:29:30,067 * BEFORE I COMMIT A CRIME 790 00:29:30,067 --> 00:29:31,867 [BARKING] 791 00:29:34,067 --> 00:29:35,533 YEAH, GIRL, WE MADE ALL THESE LITTLE SANDWICHES, 792 00:29:35,567 --> 00:29:36,901 YOU KNOW, THINGS THAT'LL KEEP, 793 00:29:36,933 --> 00:29:39,234 AND WE MADE THE PLANET COOKIES! 794 00:29:39,267 --> 00:29:40,868 OH, I LOVE THE PLANET COOKIES! 795 00:29:40,901 --> 00:29:42,067 WELL, I'M SO GLAD, 796 00:29:42,067 --> 00:29:44,433 BECAUSE I MADE A THOUSAND OF THEM SUCKERS, 797 00:29:44,466 --> 00:29:45,433 SO WE BETTER EAT 'EM, 798 00:29:45,466 --> 00:29:46,533 AND I MADE A CAKE, 799 00:29:46,567 --> 00:29:47,667 WHICH I WILL BRING BACK 800 00:29:47,701 --> 00:29:48,767 WHEN I COME BACK TONIGHT. 801 00:29:48,801 --> 00:29:50,100 IS IT RED, WHITE, AND BLUE? 802 00:29:50,133 --> 00:29:51,067 NO. 803 00:29:51,067 --> 00:29:53,067 [LAUGHS] 804 00:29:57,399 --> 00:29:59,500 ARE YOU GUYS BACK TOGETHER? 805 00:30:01,032 --> 00:30:02,834 PAPI... 806 00:30:02,867 --> 00:30:05,133 I... 807 00:30:05,166 --> 00:30:06,634 I'M REALLY WORKING ON 808 00:30:06,666 --> 00:30:08,567 GETTING MYSELF BACK TOGETHER FIRST 809 00:30:08,601 --> 00:30:09,666 BEFORE I CAN 810 00:30:09,701 --> 00:30:13,000 GO BACK WITH ANYONE. 811 00:30:14,534 --> 00:30:17,434 I WISH YOU BOTH HAPPINESS. 812 00:30:21,399 --> 00:30:24,033 I'M AFRAID WE HAVE A LITTLE CONFLICT. 813 00:30:24,067 --> 00:30:25,667 WHAT KIND OF A CONFLICT? 814 00:30:25,701 --> 00:30:28,968 WE'VE BEEN INVITED TO A POKER GAME THIS EVENING. 815 00:30:29,000 --> 00:30:30,100 VERY BIG PAYDAY. 816 00:30:30,132 --> 00:30:31,199 CATHERINE, 817 00:30:31,234 --> 00:30:33,033 THIS IS MY FRIEND'S GOING-AWAY PARTY. 818 00:30:33,067 --> 00:30:34,200 I HAVE TO BE HERE. 819 00:30:34,234 --> 00:30:36,000 YOU DON'T HAVE TO BE HERE. 820 00:30:36,033 --> 00:30:37,433 I'M SURE YOUR FRIENDS WILL UNDERSTAND 821 00:30:37,466 --> 00:30:39,267 THAT I NEED YOU. 822 00:30:46,200 --> 00:30:48,100 [SCOFFS] 823 00:30:55,701 --> 00:30:57,366 [**] 824 00:30:57,399 --> 00:30:59,167 COME ON, COME ON, COME ON. 825 00:31:02,834 --> 00:31:03,934 HERE IT COMES. 826 00:31:03,968 --> 00:31:05,501 COME ON. 827 00:31:06,934 --> 00:31:07,700 OKAY, I GOT IT. 828 00:31:07,734 --> 00:31:09,367 I GOT IT. SHIT! 829 00:31:09,400 --> 00:31:10,300 [DOGS BARKING] 830 00:31:10,333 --> 00:31:11,400 I THINK I HEAR SOMEONE! 831 00:31:11,433 --> 00:31:12,734 [DOGS BARKING] 832 00:31:12,766 --> 00:31:13,601 HURRY UP! 833 00:31:13,634 --> 00:31:14,933 SHIT. IT'S THAT SECURITY GUY. 834 00:31:14,968 --> 00:31:15,933 I THOUGHT YOU SAID 835 00:31:15,968 --> 00:31:17,533 HE WAS COMING THIS AFTERNOON? 836 00:31:17,567 --> 00:31:18,367 SHANE, WE'RE COMING DOWN. 837 00:31:18,399 --> 00:31:19,333 YEAH, HURRY UP. 838 00:31:19,367 --> 00:31:20,333 OKAY, COME ON. LET'S GO. 839 00:31:20,367 --> 00:31:23,067 OH, GOD. I'M STUCK! 840 00:31:23,100 --> 00:31:24,367 GO WITHOUT ME. 841 00:31:24,399 --> 00:31:25,934 LEAVE ME BEHIND! 842 00:31:25,968 --> 00:31:27,934 SAVE YOURSELF! 843 00:31:27,968 --> 00:31:29,333 WE CAN'T DO THIS, YOU GUYS. 844 00:31:29,367 --> 00:31:30,333 YES, WE CAN. 845 00:31:30,367 --> 00:31:31,367 JUST KEEP GOING. 846 00:31:31,399 --> 00:31:33,200 [GRUNTING] 847 00:31:35,968 --> 00:31:38,299 [CLATTERING] 848 00:31:41,634 --> 00:31:42,600 OH, GOD. 849 00:31:42,634 --> 00:31:44,600 WHEW. 850 00:31:44,634 --> 00:31:47,600 YOU GUYS ARE THE BEST. 851 00:31:47,634 --> 00:31:49,466 REALLY. 852 00:31:49,500 --> 00:31:52,067 YOU'RE JUST THE BEST. 853 00:31:52,067 --> 00:31:53,067 THANK YOU. 854 00:31:53,067 --> 00:31:54,701 YOU'RE WELCOME. YEAH, YEAH. 855 00:31:54,734 --> 00:31:57,267 [DOG YAPPING] 856 00:31:57,299 --> 00:31:59,200 [WHISPERING]: SOUNDER. 857 00:31:59,234 --> 00:32:01,266 STOP IT. 858 00:32:01,300 --> 00:32:02,766 [YAPPING] 859 00:32:02,801 --> 00:32:04,400 STOP IT. 860 00:32:04,434 --> 00:32:08,734 [**] 861 00:32:09,801 --> 00:32:13,868 * TRY ME I'M HARD TO PLEASE * 862 00:32:13,900 --> 00:32:15,300 SOUNDER. 863 00:32:15,333 --> 00:32:17,067 SOUNDER, COME. 864 00:32:17,100 --> 00:32:19,266 [WHISPERING] 865 00:32:19,300 --> 00:32:20,466 SOUNDER, COME. 866 00:32:20,501 --> 00:32:23,434 BEHAVE YOURSELF. 867 00:32:28,734 --> 00:32:30,333 LET'S GO. 868 00:32:30,367 --> 00:32:32,433 HEY. 869 00:32:32,466 --> 00:32:33,701 KATE. 870 00:32:33,734 --> 00:32:35,433 HI. 871 00:32:35,466 --> 00:32:36,667 JENNY. 872 00:32:36,701 --> 00:32:37,968 I, UH... I WANTED TO APOLOGIZE 873 00:32:38,067 --> 00:32:41,067 FOR MY BEHAVIOR THE OTHER DAY. 874 00:32:41,067 --> 00:32:42,167 I WAS... 875 00:32:42,200 --> 00:32:43,366 A LITTLE UPSET. 876 00:32:43,399 --> 00:32:45,234 I THINK THAT... 877 00:32:45,267 --> 00:32:46,834 THE REASON WHY ALL OF THAT HAPPENED 878 00:32:46,868 --> 00:32:49,366 IS 'CAUSE TINA MIGHT BE THREATENED OR SOMETHING-- 879 00:32:49,399 --> 00:32:50,500 YOU KNOW, ACTUALLY, 880 00:32:50,533 --> 00:32:51,767 I'LL TELL YOU SOMETHING. 881 00:32:51,801 --> 00:32:53,667 THIS ISN'T REALLY A GOOD TIME, OKAY? 882 00:32:53,701 --> 00:32:56,433 BUT MAYBE YOU AND I COULD GET TOGETHER AFTER. 883 00:32:56,466 --> 00:32:57,433 YOU KNOW. 884 00:32:57,466 --> 00:32:58,801 SURE. OKAY. 885 00:32:58,834 --> 00:33:01,167 I WAS... I MEAN, I-- I JUST WANTED TO TELL YOU 886 00:33:01,199 --> 00:33:03,734 THAT I THINK THAT IF YOU AND I COULD TRY 887 00:33:03,766 --> 00:33:05,333 TO WORK TOGETHER, 888 00:33:05,367 --> 00:33:06,700 I THINK THAT WE COULD 889 00:33:06,734 --> 00:33:08,099 DO SOMETHING MEANINGFUL AND POWERFUL AND-- 890 00:33:08,132 --> 00:33:09,199 I HEAR THE BOOK IS RIVETING, 891 00:33:09,234 --> 00:33:10,467 JENNY. 892 00:33:10,500 --> 00:33:11,634 I CAN'T WAIT TO READ IT. 893 00:33:11,666 --> 00:33:13,567 MERKIN? ANY MORE LIVES 894 00:33:13,601 --> 00:33:14,933 DESTROYED IN THIS ONE? 895 00:33:14,968 --> 00:33:17,067 HAVE YOU CRUSHED ANY SOULS LATELY? 896 00:33:17,100 --> 00:33:18,833 OR WAS LINDSEY IT? 897 00:33:18,867 --> 00:33:20,667 WHAT IS SHE DOING HERE? 898 00:33:20,701 --> 00:33:22,199 I'M WRITING A STORY ON KATE 899 00:33:22,234 --> 00:33:24,634 FOR VELVETPARK MAGAZINE. 900 00:33:24,667 --> 00:33:26,968 ARE YOU GUYS... 901 00:33:27,067 --> 00:33:29,199 WHERE'S-- WHERE'S LINDSEY? 902 00:33:29,234 --> 00:33:31,867 WHAT HAVE YOU-- WHAT HAPPENED TO LINDSEY? 903 00:33:31,900 --> 00:33:33,200 WHO'S LINDSEY? 904 00:33:33,234 --> 00:33:34,901 THAT'S JUST WHAT 905 00:33:34,933 --> 00:33:36,167 I WAS ABOUT TO TALK TO YOU ABOUT. 906 00:33:36,200 --> 00:33:38,334 LINDSEY WAS MY GIRLFRIEND. 907 00:33:38,366 --> 00:33:39,634 SHE WAS A VETERINARIAN. 908 00:33:39,667 --> 00:33:42,234 A SWEET, SELFLESS PERSON. 909 00:33:42,267 --> 00:33:45,200 AND THEN JENNY CAME IN AND DESTROYED HER. 910 00:33:45,234 --> 00:33:49,701 SHE WROTE A TERRIBLE REVIEW OF MY BOOK. 911 00:33:49,734 --> 00:33:51,067 ARE YOU GOING TO KILL THAT DOG, TOO? 912 00:33:51,067 --> 00:33:52,299 I DIDN'T KILL A DOG. 913 00:33:52,334 --> 00:33:53,366 YOU KILLED A DOG? 914 00:33:53,399 --> 00:33:54,634 NO, I DIDN'T. 915 00:33:54,667 --> 00:33:55,968 THE DOG WAS OLD 916 00:33:56,067 --> 00:33:58,366 AND THE DOG WAS-- THE DOG WAS SICK. 917 00:33:58,399 --> 00:34:01,433 LINDSEY WAS SO, SO INCREDIBLY UPSET 918 00:34:01,467 --> 00:34:02,434 WHEN SHE FOUND OUT 919 00:34:02,467 --> 00:34:03,734 THAT THE DOG SHE PUT DOWN 920 00:34:03,766 --> 00:34:05,601 WAS ACTUALLY NOT JENNY'S DOG AT ALL. 921 00:34:05,634 --> 00:34:07,367 OH... 922 00:34:07,400 --> 00:34:10,067 YOU'RE MORE TWISTED THAN TINA SAID YOU WERE. 923 00:34:10,099 --> 00:34:13,467 YOU'RE MORE TWISTED THAN THE CHARACTERS IN YOUR BOOK. 924 00:34:13,500 --> 00:34:14,634 I MADE A MISTAKE, OKAY? 925 00:34:14,666 --> 00:34:16,132 IT WAS A VERY BAD MISTAKE. 926 00:34:16,167 --> 00:34:17,600 DO YOU, LIKE, 927 00:34:17,634 --> 00:34:20,567 PREY ON PEOPLE WHOSE LIVES ARE ALREADY FALLING APART, 928 00:34:20,600 --> 00:34:22,234 OR DO YOU ACTUALLY TAKE 929 00:34:22,266 --> 00:34:25,100 A MORE AGGRESSIVE ROLE IN CREATING THEIR GRIEF 930 00:34:25,132 --> 00:34:26,867 AND DESTRUCTION? 931 00:34:26,900 --> 00:34:28,701 THAT'S SUCH A GOOD QUESTION. 932 00:34:28,734 --> 00:34:29,800 I MEAN, IN JENNY'S WORLD, 933 00:34:29,833 --> 00:34:31,067 DOES ART IMITATE LIFE? 934 00:34:31,067 --> 00:34:32,600 DOES LIFE IMITATE ART? 935 00:34:32,634 --> 00:34:35,634 AND WHEN I THINK OF THAT POOR GIRL 936 00:34:35,667 --> 00:34:38,433 THAT'S THE BASE FOR THE CHARACTER "KARINA"-- 937 00:34:38,466 --> 00:34:40,366 YOU DON'T KNOW WHAT YOU'RE TALKING ABOUT. 938 00:34:40,399 --> 00:34:42,100 MARINA WAS A VIPER. 939 00:34:42,133 --> 00:34:43,901 NO, ACTUALLY, I HEARD SHE WAS A REALLY NICE GIRL 940 00:34:43,933 --> 00:34:45,167 UNTIL SHE MET YOU, 941 00:34:45,200 --> 00:34:46,067 AND THEN HER LIFE, LIKE, FELL APART. 942 00:34:46,067 --> 00:34:46,901 THAT'S NOT TRUE. 943 00:34:46,933 --> 00:34:48,200 YOU SHOULDN'T LISTEN 944 00:34:48,234 --> 00:34:49,767 TO ANYTHING MERKIN SAYS. 945 00:34:49,801 --> 00:34:51,600 NO, STACEY DIDN'T TELL ME. 946 00:34:51,634 --> 00:34:52,968 WHAT? WHO TOLD YOU THAT? 947 00:34:53,067 --> 00:34:54,399 IT WAS, UH, "ALYSSE." 948 00:34:54,433 --> 00:34:55,901 NO, IT WAS... 949 00:34:55,933 --> 00:34:57,667 "SHAUN." "SHAUN" TOLD ME. 950 00:34:57,701 --> 00:34:58,801 OH, NO. "NINA." 951 00:34:58,834 --> 00:34:59,933 WAS IT "NINA"? 952 00:35:00,000 --> 00:35:02,100 YOU KNOW, I CAN'T WAIT 953 00:35:02,133 --> 00:35:04,067 TO TELL YOU WHAT I'M GOING TO DO 954 00:35:04,099 --> 00:35:05,501 WITH THE CHARACTER OF JESSIE 955 00:35:05,533 --> 00:35:07,968 IN MY ADAPTATION OF LEZ GIRLS. 956 00:35:11,067 --> 00:35:12,601 [KNOCK ON DOOR] 957 00:35:12,634 --> 00:35:13,868 NO, I DON'T WANT THE TRACK-- 958 00:35:13,900 --> 00:35:15,166 OKAY, NO, YOU'RE RIGHT. 959 00:35:15,199 --> 00:35:16,968 OH, I'LL GET THE TRACKING NUMBER. 960 00:35:17,067 --> 00:35:18,300 OKAY, WHAT IS IT? 961 00:35:19,833 --> 00:35:21,766 HI. I'M PHYLLIS KROLL. 962 00:35:21,800 --> 00:35:23,100 HI. I'M TINA KENNARD. 963 00:35:23,132 --> 00:35:24,766 IS BETTE HERE? UH, YEAH. 964 00:35:24,800 --> 00:35:26,167 HI! I'M SORRY. 965 00:35:26,199 --> 00:35:27,600 I'M JUST-- I'M RUNNING TO THE AIRPORT RIGHT NOW-- 966 00:35:27,634 --> 00:35:28,600 I'M SO SORRY. 967 00:35:28,634 --> 00:35:29,600 I'LL JUST TAKE 968 00:35:29,634 --> 00:35:30,434 A MOMENT OF YOUR TIME. 969 00:35:30,466 --> 00:35:31,199 YOU WILL NOT BELIEVE THIS. 970 00:35:31,234 --> 00:35:32,600 JOYCE WISCHNIA 971 00:35:32,634 --> 00:35:33,968 REFUSES TO REPRESENT ME, 972 00:35:34,067 --> 00:35:35,933 SAYING IT'S A CONFLICT OF INTEREST. 973 00:35:35,968 --> 00:35:36,933 WELL, I'M REALLY SORRY, PHYLLIS. 974 00:35:36,968 --> 00:35:38,366 I CAN'T IMAGINE 975 00:35:38,399 --> 00:35:39,366 WHAT CONFLICT OF INTEREST THERE WOULD BE. 976 00:35:39,399 --> 00:35:40,533 BUT RIGHT NOW I'M-- 977 00:35:40,567 --> 00:35:41,834 WELL, IT WOULD HAVE BEEN A CONFLICT 978 00:35:41,868 --> 00:35:43,567 BECAUSE THE MOMENT I LAID EYES ON HER, 979 00:35:43,600 --> 00:35:46,299 I KNEW I WANTED TO JUMP HER LOVELY BONES. 980 00:35:46,334 --> 00:35:47,334 [GIGGLES] 981 00:35:47,366 --> 00:35:48,968 [LAUGHING] 982 00:35:49,067 --> 00:35:50,100 HEY, TINA. 983 00:35:50,133 --> 00:35:51,466 HI, JOYCE. 984 00:35:51,500 --> 00:35:52,834 [LAUGHING] 985 00:35:52,868 --> 00:35:55,334 OH, WHAT A STUNNINGLY BEAUTIFUL, BRILLIANT, 986 00:35:55,366 --> 00:35:56,968 AND SEXY BOSS YOU HAVE, BETTE. 987 00:35:57,067 --> 00:35:58,767 [LAUGHS] 988 00:35:58,801 --> 00:36:00,000 WHAT DO YOU SAY, DOLL? 989 00:36:00,000 --> 00:36:01,534 YOU WANT TO HIT THE ROAD? 990 00:36:01,567 --> 00:36:02,567 YEAH, LET'S GO ON OUT 991 00:36:02,601 --> 00:36:04,434 TO WATTLES MANSION. YEAH! 992 00:36:04,466 --> 00:36:05,734 OOH, WE'RE GOING TO WATTLES MANSION! 993 00:36:05,767 --> 00:36:08,400 OH, WE JUST LOVE TO DO ARCHITECTURAL GARDEN TOURS. 994 00:36:08,433 --> 00:36:10,400 OH, BETTE, 995 00:36:10,433 --> 00:36:11,900 DID YOU CALL A TAXI? 996 00:36:11,933 --> 00:36:13,067 OH, YEAH, CAN YOU ASK THEM 997 00:36:13,099 --> 00:36:15,534 TO WAIT ONE SECOND? 998 00:36:15,567 --> 00:36:17,734 [LAUGHS] 999 00:36:17,766 --> 00:36:19,968 THAT WAS SURREAL. SURREAL. 1000 00:36:20,067 --> 00:36:21,199 ABSOLUTELY. 1001 00:36:21,234 --> 00:36:23,266 OH, MY GOD. 1002 00:36:23,300 --> 00:36:25,067 I'M GOING TO CALL AND TALK TO ANGIE. 1003 00:36:25,100 --> 00:36:26,766 THANK YOU SO MUCH FOR HELPING ME. 1004 00:36:26,800 --> 00:36:28,266 I REALLY, REALLY APPRECIATE IT. 1005 00:36:28,300 --> 00:36:30,100 OKAY, AND REMEMBER-- 1006 00:36:30,132 --> 00:36:32,433 "I TOTALLY DEFER TO YOU." 1007 00:36:32,466 --> 00:36:33,767 WHEN SHE ASKS YOU WHETHER YOU'RE PLANNING 1008 00:36:33,801 --> 00:36:35,200 ON HANGING OUT WHEN SHE'S WORKING-- 1009 00:36:35,234 --> 00:36:36,834 "I TOTALLY DEFER TO YOU." 1010 00:36:36,868 --> 00:36:38,167 AND WHEN SHE WANTS TO JOIN YOU FOR DINNER? 1011 00:36:38,200 --> 00:36:40,200 "I YIELD TO YOUR WISHES." 1012 00:36:40,234 --> 00:36:41,801 AND WHEN SHE EQUIVOCATES ABOUT WHETHER IT'S A GOOD IDEA 1013 00:36:41,834 --> 00:36:43,267 FOR YOU TO SLEEP TOGETHER TOMORROW NIGHT? 1014 00:36:43,299 --> 00:36:46,567 "I BOW TO YOUR SUPERIOR JUDGMENT." 1015 00:36:46,600 --> 00:36:48,600 GOOD LUCK. 1016 00:36:50,067 --> 00:36:51,701 GOOD LUCK TO YOU, TOO. 1017 00:36:51,734 --> 00:36:52,868 FOR WHAT? 1018 00:36:52,901 --> 00:36:54,466 WITH KATE. 1019 00:36:54,500 --> 00:36:55,901 OH... 1020 00:36:55,933 --> 00:36:57,533 YEAH. 1021 00:36:57,567 --> 00:36:58,533 WELL, I'LL CALL YOU. 1022 00:36:58,567 --> 00:36:59,533 OKAY. 1023 00:36:59,567 --> 00:37:00,000 YOU'LL LOCK UP? 1024 00:37:00,000 --> 00:37:01,701 OH, YEAH, I GOT IT, I GOT IT. 1025 00:37:01,734 --> 00:37:03,067 GREAT. 1026 00:37:03,067 --> 00:37:03,801 THANK YOU, THANK YOU, THANK YOU. 1027 00:37:03,834 --> 00:37:04,801 BYE. 1028 00:37:04,833 --> 00:37:06,501 BYE. 1029 00:37:10,300 --> 00:37:13,333 [**] 1030 00:37:16,900 --> 00:37:19,399 [WATER SPLASHING] 1031 00:37:22,766 --> 00:37:24,634 [SPITS] 1032 00:37:31,367 --> 00:37:33,067 [MUMBLING] 1033 00:37:33,067 --> 00:37:35,567 UM... OKAY. 1034 00:37:50,299 --> 00:37:52,067 [EXHALING] 1035 00:37:52,067 --> 00:37:53,466 HOW AMAZING IS THIS? 1036 00:37:53,500 --> 00:37:55,067 WHAT? 1037 00:37:55,067 --> 00:37:56,801 BEING ALONE IN THE HOUSE. 1038 00:37:56,834 --> 00:37:58,399 NO ROOMMATES. 1039 00:37:58,433 --> 00:37:59,801 NO KID. 1040 00:37:59,834 --> 00:38:01,433 HAVE YOU TALKED TO JARED? 1041 00:38:01,467 --> 00:38:02,533 YES. 1042 00:38:02,567 --> 00:38:04,067 HE'S FINE. 1043 00:38:04,067 --> 00:38:05,934 IT'S HIS SECOND SLEEPOVER WITH GREG. 1044 00:38:05,968 --> 00:38:07,299 OH, GOOD. 1045 00:38:08,933 --> 00:38:10,367 WHAT'S THAT? 1046 00:38:10,400 --> 00:38:12,367 OH, IT'S, UH... 1047 00:38:12,400 --> 00:38:14,367 A HOUSE I WAS GOING TO TAKE. 1048 00:38:14,400 --> 00:38:16,501 IT WOULD HAVE BEEN PERFECT, TOO. 1049 00:38:16,533 --> 00:38:18,867 THREE-BEDROOM, FAMILY ROOM, 1050 00:38:18,900 --> 00:38:20,533 BACKYARD... 1051 00:38:20,567 --> 00:38:24,167 MAYBE YOU AND JARED SHOULD TAKE IT. 1052 00:38:24,199 --> 00:38:26,167 OH, YOU KNOW WE CAN'T AFFORD THAT. 1053 00:38:31,567 --> 00:38:35,968 MAYBE WE SHOULD TALK ABOUT, UM... 1054 00:38:36,067 --> 00:38:38,366 MAYBE TAKING IT TOGETHER. 1055 00:38:41,734 --> 00:38:44,067 WHAT? 1056 00:38:44,067 --> 00:38:45,067 WHAT? 1057 00:38:45,067 --> 00:38:46,100 WHAT'D I SAY? 1058 00:38:46,133 --> 00:38:47,533 NOTHING! 1059 00:38:47,567 --> 00:38:48,868 NO, YOU JUST HAVE A LITTLE, UM, TOOTHPASTE 1060 00:38:48,901 --> 00:38:49,901 RIGHT... 1061 00:38:49,933 --> 00:38:51,234 HERE? 1062 00:38:51,267 --> 00:38:52,667 NO, NO, NO. 1063 00:38:52,701 --> 00:38:54,133 NO, THE OTHER SIDE. 1064 00:38:54,167 --> 00:38:55,466 YEAH. 1065 00:38:55,500 --> 00:38:56,600 IS IT OFF? 1066 00:38:56,634 --> 00:38:57,701 NO, NOT REALLY. 1067 00:38:57,734 --> 00:38:59,667 IT'S STILL KIND OF THERE. 1068 00:38:59,701 --> 00:39:00,000 WHAT, YOU GOING TO LET ME SIT HERE WITH IT ON? 1069 00:39:01,066 --> 00:39:07,700 NO. YOU'RE GONNA TAKE IT OFF? 1070 00:39:07,734 --> 00:39:09,367 IS IT OFF? 1071 00:39:19,800 --> 00:39:22,466 NO, I DON'T THINK IT'S OFF YET. 1072 00:39:23,833 --> 00:39:27,734 [**] 1073 00:39:39,234 --> 00:39:44,734 * HERE AGAIN AT THE END * 1074 00:39:44,767 --> 00:39:48,067 * BEFORE THE BEGINNING 1075 00:39:48,100 --> 00:39:52,399 * SO THE SALT WILL SPILL AGAIN * 1076 00:39:52,433 --> 00:39:55,868 * THROW IT OVER YOUR SHOULDER 1077 00:39:55,901 --> 00:40:00,000 * OH, IT'S IN TOMORROW FORTUNE OR SORROW * 1078 00:40:00,000 --> 00:40:04,567 * WAIT, YOU MAY WIN 1079 00:40:04,601 --> 00:40:08,766 * I DON'T MEAN TO SHOW THAT I KNOW HOW THIS GOES * 1080 00:40:08,801 --> 00:40:13,266 * BEFORE WE BEGIN 1081 00:40:13,300 --> 00:40:15,099 * AGAIN 1082 00:40:22,833 --> 00:40:26,701 * YOU MAY HIDE ON ONE SIDE * 1083 00:40:26,734 --> 00:40:30,766 * AND ME ON THE OTHER 1084 00:40:30,800 --> 00:40:35,466 * YOU MAY SPEAK BUT WAIT FOR ME * 1085 00:40:35,500 --> 00:40:39,299 * SHOULD MY SENTENCE FALTER 1086 00:40:39,334 --> 00:40:43,767 * OH, IT'S IN TOMORROW FORTUNE OR SORROW * 1087 00:40:43,801 --> 00:40:47,600 * WAIT, YOU MAY WIN 1088 00:40:47,634 --> 00:40:52,399 * BUT NOW IT FEELS EMPTY THERE'S NO NEED IN GUESSING * 1089 00:40:52,433 --> 00:40:55,701 * BEFORE WE BEGIN 1090 00:40:55,734 --> 00:40:58,600 * AGAIN 1091 00:41:13,801 --> 00:41:18,067 * OH, IT'S IN TOMORROW FORTUNE OR SORROW * 1092 00:41:18,067 --> 00:41:23,100 * WAIT, YOU MAY WIN 1093 00:41:23,132 --> 00:41:26,934 * BUT NOW IT FEELS EMPTY THERE'S NO NEED IN GUESSING * 1094 00:41:26,968 --> 00:41:30,867 * BEFORE WE BEGIN 1095 00:41:30,900 --> 00:41:33,734 * AGAIN 1096 00:41:40,834 --> 00:41:44,466 * SO HERE WE ARE AGAIN * 1097 00:41:44,500 --> 00:41:49,299 * BACK TO THE BEGINNING 1098 00:41:49,334 --> 00:41:54,200 * SO THE SALT WILL SPILL AGAIN * 1099 00:41:54,234 --> 00:41:58,133 * THROW IT OVER YOUR SHOULDER 1100 00:41:58,167 --> 00:42:01,667 * OH, IT'S IN TOMORROW FORTUNE OR SORROW * 1101 00:42:01,701 --> 00:42:05,900 * WAIT, YOU MAY WIN 1102 00:42:05,934 --> 00:42:10,067 * I DON'T MEAN TO SHOW THAT I KNOW HOW THIS GOES * 1103 00:42:10,067 --> 00:42:14,601 * BEFORE WE BEGIN 1104 00:42:14,634 --> 00:42:16,367 * AGAIN 1105 00:42:18,199 --> 00:42:19,934 [EXHALES] 1106 00:42:35,600 --> 00:42:37,500 ALL RIGHT, I'LL BE WAITING OUTSIDE. 1107 00:42:37,533 --> 00:42:39,533 OKAY. 1108 00:42:44,133 --> 00:42:47,466 FUCK YOU, TASHA. 1109 00:42:47,500 --> 00:42:49,933 [DANA]: WELL, FUCK YOU, TOO. 1110 00:42:54,100 --> 00:42:56,067 WHAT ARE YOU DOING HERE? 1111 00:42:56,100 --> 00:42:58,767 I DIDN'T ASK YOU TO COME HERE. 1112 00:42:58,801 --> 00:43:00,000 WHAT? 1113 00:43:00,000 --> 00:43:01,467 WHAT ARE YOU TALKING ABOUT? 1114 00:43:02,801 --> 00:43:04,400 YOU NEED ME. 1115 00:43:04,434 --> 00:43:06,067 OH, PLEASE. 1116 00:43:06,067 --> 00:43:07,333 WHO ELSE IS GOING TO TELL YOU 1117 00:43:07,367 --> 00:43:09,333 TO GET YOUR ASS OFF THE SOFA, HUH? 1118 00:43:09,367 --> 00:43:12,234 AND OVER TO YOUR FRIEND'S FUCKING GOING-AWAY PARTY, ALICE? 1119 00:43:12,266 --> 00:43:14,067 I CAN'T DO THAT, OKAY? 1120 00:43:14,099 --> 00:43:16,333 BECAUSE YOU'RE FALLING IN LOVE WITH HER? 1121 00:43:18,167 --> 00:43:19,634 BECAUSE SHE GOT INSIDE HERE? 1122 00:43:21,132 --> 00:43:22,199 BECAUSE YOU'RE AFRAID 1123 00:43:22,234 --> 00:43:23,667 YOU'RE NEVER GOING TO SEE HER AGAIN? 1124 00:43:25,501 --> 00:43:27,067 DO YOU KNOW SOMETHING? 1125 00:43:27,100 --> 00:43:29,100 DO YOU HAVE INFORMATION? 1126 00:43:29,132 --> 00:43:30,399 LOOK... 1127 00:43:30,434 --> 00:43:32,299 [SETS CAN DOWN] 1128 00:43:32,334 --> 00:43:36,267 WHAT I KNOW, ALICE... 1129 00:43:36,299 --> 00:43:39,600 IS THAT YOU NEVER KNOW 1130 00:43:39,634 --> 00:43:41,834 HOW LONG ANYTHING'S GONNA LAST. 1131 00:43:41,868 --> 00:43:42,834 THE ONLY THING 1132 00:43:42,868 --> 00:43:44,334 ANY OF US KNOWS IN THIS LIFE 1133 00:43:44,366 --> 00:43:45,634 IS THAT ANYTHING CAN HAPPEN. 1134 00:43:45,667 --> 00:43:48,433 YOU NEVER KNOW WHAT'S GOING TO HAPPEN NEXT. 1135 00:43:48,466 --> 00:43:50,100 WELL, THAT'S TOO HARD FOR ME. 1136 00:43:50,133 --> 00:43:51,933 SO, WHAT ARE YOU SAYING? 1137 00:43:51,968 --> 00:43:53,334 HMM? 1138 00:43:53,366 --> 00:43:55,634 THAT YOU WISH YOU NEVER MET ME? 1139 00:43:55,667 --> 00:43:57,366 THAT, BECAUSE I HAD TO LEAVE, 1140 00:43:57,399 --> 00:43:58,466 AND THAT WAS REALLY 1141 00:43:58,500 --> 00:43:59,701 HARD FOR YOU, 1142 00:43:59,734 --> 00:44:02,334 THAT YOU'D RATHER I JUST NEVER EXISTED 1143 00:44:02,367 --> 00:44:03,801 IN THE FIRST PLACE? 1144 00:44:03,834 --> 00:44:06,700 HMM? 1145 00:44:06,734 --> 00:44:08,500 THAT'D BE EASIER? 1146 00:44:10,333 --> 00:44:11,701 LOOK, ALICE, I DON'T THINK 1147 00:44:11,734 --> 00:44:13,868 IT'S ANY LESS PAINFUL 1148 00:44:13,900 --> 00:44:15,534 TO LOSE SOMEONE TO A TRAGIC MISUNDERSTANDING 1149 00:44:15,567 --> 00:44:16,701 THAN IT IS TO LOSE SOMEONE 1150 00:44:16,734 --> 00:44:18,667 TO A GODDAMN HEART ATTACK. 1151 00:44:18,701 --> 00:44:19,833 THAT'S NOT TRUE, 1152 00:44:19,867 --> 00:44:21,833 BECAUSE I CAN GET OVER A MISUNDERSTANDING. 1153 00:44:21,867 --> 00:44:23,067 NOT ALWAYS. 1154 00:44:24,701 --> 00:44:30,266 ANYWAY, DON'T-- DON'T ARGUE WITH MY SUPERIOR WISDOM, OKAY? 1155 00:44:30,300 --> 00:44:32,133 GO GET DRESSED. 1156 00:44:33,634 --> 00:44:35,067 GO ON! 1157 00:44:35,067 --> 00:44:37,466 I WANT TO SEE YOU IN THAT FUCKING PARTY DRESS. 1158 00:44:37,500 --> 00:44:39,901 OH. GOD... 1159 00:44:43,067 --> 00:44:46,801 YOU REALLY CURSE A LOT MORE NOW. 1160 00:44:46,834 --> 00:44:48,234 [**] 1161 00:44:48,267 --> 00:44:49,767 OHH... 1162 00:44:49,801 --> 00:44:52,634 * I'VE BEEN HERE FOR A LONG TIME... * 1163 00:44:52,667 --> 00:44:55,667 YEAH, WELL, YOU'D CURSE A LOT, TOO. 1164 00:44:55,701 --> 00:44:58,500 [SIGHING] 1165 00:44:58,533 --> 00:45:01,100 * WE'RE GONNA HAVE TO CARRY YOU OUT * 1166 00:45:01,133 --> 00:45:06,133 * HOW LONG? 1167 00:45:06,166 --> 00:45:09,766 * HOW MUCH MORE LONG? HOW LONG? * 1168 00:45:09,801 --> 00:45:12,266 WELL, THANKS FOR HAVING US. 1169 00:45:12,300 --> 00:45:14,199 WOW! LOOK AT THIS VIEW! 1170 00:45:14,234 --> 00:45:15,333 HEY THERE. 1171 00:45:15,367 --> 00:45:16,567 HEY. 1172 00:45:16,600 --> 00:45:17,701 HI. HI. 1173 00:45:17,734 --> 00:45:18,734 HOW'RE YOU DOING? 1174 00:45:18,766 --> 00:45:20,100 THEY FIRED ME FROM THE MOVIE. 1175 00:45:20,132 --> 00:45:21,234 SHUT UP. 1176 00:45:21,266 --> 00:45:23,399 YEAH, THEY DID. 1177 00:45:23,434 --> 00:45:26,300 I THINK I'VE BEEN JUDGED A LOT, 1178 00:45:26,333 --> 00:45:27,634 AND I DON'T KNOW. 1179 00:45:27,667 --> 00:45:28,567 PEOPLE HERE JUST THINK 1180 00:45:28,600 --> 00:45:29,900 THAT I'M, LIKE, THIS PARIAH. 1181 00:45:29,934 --> 00:45:31,367 YOU'RE NOT A PARIAH. 1182 00:45:31,399 --> 00:45:32,366 YOU KNOW THAT. 1183 00:45:32,399 --> 00:45:33,366 I LOVE YOU. 1184 00:45:33,399 --> 00:45:34,433 I LOVE YOU TOO. 1185 00:45:34,466 --> 00:45:35,868 YOU'RE NOT A PARIAH. FUCK OFF. 1186 00:45:35,901 --> 00:45:37,133 COME HAVE A DRINK WITH ME. 1187 00:45:37,167 --> 00:45:38,533 NAH, I'M JUST GOING TO STAY HERE. 1188 00:45:38,567 --> 00:45:40,067 YOU SURE? 1189 00:45:40,067 --> 00:45:41,200 YEAH, I'M GOOD. 1190 00:45:41,234 --> 00:45:42,433 I'M GOING TO COME AND CHECK ON YOU. 1191 00:45:42,466 --> 00:45:45,701 BYE. BYE. 1192 00:45:45,734 --> 00:45:45,801 HEY. 1193 00:45:47,200 --> 00:45:48,200 HEY. WHAT'S UP? 1194 00:45:48,234 --> 00:45:50,167 IT'S TASHA'S PARTY. WHERE'S TASHA? 1195 00:45:50,200 --> 00:45:51,533 SHE'S WALKING ON THE BEACH 1196 00:45:51,567 --> 00:45:52,734 WITH PAPI SOMEWHERE. 1197 00:45:52,767 --> 00:45:54,901 I THINK KIT RAN INTO SOMEBODY SHE KNEW. 1198 00:45:54,933 --> 00:45:56,200 * ...IN HAITI 1199 00:45:56,234 --> 00:45:57,466 * THE COAST GUARD DROPPED ME... * 1200 00:45:57,500 --> 00:45:59,067 YOU KNOW IF YOU DIE OUT THERE, 1201 00:45:59,067 --> 00:46:00,000 I'LL FUCKING KILL YOU, RIGHT? 1202 00:46:02,734 --> 00:46:05,734 * NO, NO, NO, NO 1203 00:46:05,767 --> 00:46:09,534 * HOW LONG? 1204 00:46:09,567 --> 00:46:12,300 * HOW MUCH MORE LONG? 1205 00:46:12,333 --> 00:46:14,534 * HOW LONG? 1206 00:46:15,734 --> 00:46:17,367 * HEY 1207 00:46:17,399 --> 00:46:23,434 * BABY, HOW LONG? 1208 00:46:23,466 --> 00:46:26,100 * HOW MUCH MORE LONG? 1209 00:46:26,132 --> 00:46:28,667 * HOW LONG? 1210 00:46:28,701 --> 00:46:31,399 * OH 1211 00:46:31,434 --> 00:46:33,133 * I WANNA KNOW 1212 00:46:33,167 --> 00:46:35,133 * HOW MUCH MORE LONGER 1213 00:46:35,167 --> 00:46:39,567 * AM I JUST GONNA HAVE TO WAIT ON YOU? * 1214 00:46:39,600 --> 00:46:43,567 * YEAH, YEAH, YEAH, YEAH 1215 00:46:45,200 --> 00:46:48,067 WHOO! 1216 00:46:48,067 --> 00:46:49,834 ALL RIGHT! 1217 00:46:49,868 --> 00:46:52,334 HEY, TOSHI... 1218 00:46:52,366 --> 00:46:53,933 THERE'S TASHA, THAT'S OUR GIRL 1219 00:46:53,968 --> 00:46:55,634 THAT'S GOING TO IRAQ TOMORROW. 1220 00:47:24,234 --> 00:47:26,600 ARE YOU HAVING FUN? 1221 00:47:26,634 --> 00:47:28,466 YES. 1222 00:47:28,501 --> 00:47:31,567 AS A MATTER OF FACT. 1223 00:47:33,767 --> 00:47:35,901 WHAT ABOUT THOSE TWO? 1224 00:47:35,933 --> 00:47:40,234 I DON'T KNOW IF THEY'RE HAVING FUN. 1225 00:47:40,267 --> 00:47:43,600 DO YOU THINK THEY'LL LAST? 1226 00:47:45,234 --> 00:47:47,834 DO YOU WANT TO WAGER ON IT? 1227 00:47:47,868 --> 00:47:49,567 [CHUCKLES] 1228 00:47:52,399 --> 00:47:53,868 YOU WANT TO MAKE A BET 1229 00:47:53,901 --> 00:47:55,366 AS TO WHETHER OR NOT SHANE AND PAIGE 1230 00:47:55,399 --> 00:47:56,667 ARE GOING TO STAY TOGETHER? 1231 00:47:56,701 --> 00:47:58,334 COME ON, IT'LL BE FUN. 1232 00:47:58,366 --> 00:48:01,601 [OPENS AND CLOSES SAFE] 1233 00:48:01,633 --> 00:48:03,166 I'M BETTING THEY'LL MAKE IT. 1234 00:48:03,200 --> 00:48:04,900 YEAH, WELL, YOU DON'T KNOW SHANE'S HISTORY 1235 00:48:04,934 --> 00:48:06,700 LIKE I DO. 1236 00:48:06,734 --> 00:48:08,067 THEN IT'LL BE A GOOD BET FOR YOU, 1237 00:48:08,099 --> 00:48:09,132 WON'T IT? 1238 00:48:09,166 --> 00:48:12,766 I'LL TELL YOU WHAT-- 1239 00:48:12,801 --> 00:48:13,900 IF THEY'RE NOT STILL TOGETHER 1240 00:48:13,933 --> 00:48:15,234 SIX MONTHS FROM NOW, 1241 00:48:15,266 --> 00:48:17,934 I'LL WRITE YOU A CHECK FOR A MILLION DOLLARS. 1242 00:48:17,968 --> 00:48:19,968 [LAUGHS LIGHTLY] 1243 00:48:20,067 --> 00:48:22,132 AND IF THEY'RE STILL TOGETHER? 1244 00:48:22,167 --> 00:48:23,466 WELL, IF I WIN, 1245 00:48:23,501 --> 00:48:26,333 YOU GET TO BE MY SERVANT AND SEX SLAVE 1246 00:48:26,367 --> 00:48:29,132 FOR THE NEXT YEAR. 1247 00:48:31,567 --> 00:48:35,533 [CALLING OUT]: HAVE A GREAT POKER GAME. 1248 00:48:35,567 --> 00:48:37,801 [WHISPERING]: AND GO FUCK YOURSELF. 1249 00:48:49,901 --> 00:48:51,701 [CELL PHONE RINGING] 1250 00:48:51,734 --> 00:48:53,734 [BOTH LAUGHING] 1251 00:48:53,767 --> 00:48:55,767 FUCKING EXECUTIVES. 1252 00:48:55,801 --> 00:48:57,567 HOLD ON. 1253 00:48:57,600 --> 00:49:01,066 OH, IT'S, UM... IT'S BETTE. 1254 00:49:03,734 --> 00:49:05,533 HEY. 1255 00:49:05,567 --> 00:49:07,200 I'M SORRY. IS THIS TOO LATE TO CALL? 1256 00:49:07,234 --> 00:49:09,601 NO, NO, IT'S... IT'S NOT TOO LATE. 1257 00:49:09,634 --> 00:49:11,400 ARE YOU STILL AT TASHA'S PARTY? 1258 00:49:11,433 --> 00:49:14,067 YEAH, I'M STILL HERE. 1259 00:49:14,067 --> 00:49:17,466 I'M OUT ON THE BEACH WITH KATE. 1260 00:49:17,501 --> 00:49:20,600 OH, UM... 1261 00:49:20,634 --> 00:49:23,234 WELL, I JUST... I JUST... 1262 00:49:23,266 --> 00:49:27,968 I JUST I NEED ONE MORE LITTLE THING. 1263 00:49:31,734 --> 00:49:35,567 JUST TELL ME WHAT TO SAY WHEN I GIVE HER THE SIGN. 1264 00:49:36,901 --> 00:49:38,901 OKAY, UM... 1265 00:49:41,500 --> 00:49:44,299 "I NEVER SHOULD HAVE LET YOU GO." 1266 00:49:45,634 --> 00:49:49,533 "I WOULD DO ANYTHING FOR ANOTHER CHANCE." 1267 00:49:51,466 --> 00:49:56,667 "I'M NOT AFRAID TO MAKE A FOOL OUT OF MYSELF." 1268 00:49:57,868 --> 00:50:00,000 OKAY? 1269 00:50:05,567 --> 00:50:07,166 SLEEP WELL. 1270 00:50:07,200 --> 00:50:09,199 THANK YOU, T. 1271 00:50:14,199 --> 00:50:16,199 [EXHALING HEAVILY] 1272 00:50:38,200 --> 00:50:40,167 [JENNY]: ALL RIGHT, COME ON, KIDDO. 1273 00:50:40,200 --> 00:50:41,667 SINCE NO ONE WANTS TO RIDE WITH ME, 1274 00:50:41,701 --> 00:50:42,801 WHY DON'T WE GO TAKE A RIDE? 1275 00:50:42,834 --> 00:50:43,801 LET'S GO. 1276 00:50:43,834 --> 00:50:45,634 DO YOU WANT TO GO? 1277 00:50:45,667 --> 00:50:47,734 COME ON. COME ON! 1278 00:50:47,767 --> 00:50:50,200 YOU AND I WILL BE FRIENDS, ALL RIGHT? 1279 00:50:50,234 --> 00:50:52,868 THANKS FOR STICKING AROUND, BUDDY. 1280 00:50:52,901 --> 00:50:55,299 IT'S JUST YOU AND THE PARIAH, SOUNDER. 1281 00:50:55,334 --> 00:50:58,167 [GUITAR PLAYING BLUESY LICKS] 1282 00:51:21,766 --> 00:51:23,600 [YAPPING] 1283 00:51:23,634 --> 00:51:25,100 HEY! 1284 00:51:25,132 --> 00:51:27,067 HEY. 1285 00:51:27,067 --> 00:51:28,132 WHAT ARE YOU GUYS DOING? 1286 00:51:28,167 --> 00:51:31,434 WE'RE JUST HANGING OUT AND HAVING A GOOD TIME. 1287 00:51:31,466 --> 00:51:34,533 JUST ONE BIG, HAPPY FAMILY. 1288 00:51:34,567 --> 00:51:35,533 YEAH. [SOUNDER BARKING] 1289 00:51:35,567 --> 00:51:36,933 SOUNDER? 1290 00:51:38,267 --> 00:51:39,801 [BARKING] 1291 00:51:39,834 --> 00:51:41,433 WHAT'S GOING ON? 1292 00:51:41,466 --> 00:51:42,901 WHAT ARE YOU DOING? 1293 00:51:42,933 --> 00:51:44,100 WHAT ARE YOU DOING? 1294 00:51:47,701 --> 00:51:48,701 HUH? 1295 00:51:48,734 --> 00:51:50,901 WERE YOU GETTING BORED AT THE PARTY? 1296 00:51:50,933 --> 00:51:52,399 WHERE'S YOUR MOTHER? 1297 00:51:52,433 --> 00:51:54,466 HEY, WHERE'S JENNY? 1298 00:51:54,500 --> 00:51:55,634 THAT'S SOUNDER. 1299 00:51:55,667 --> 00:51:58,667 UH, I HAVEN'T SEEN HER. 1300 00:52:13,868 --> 00:52:16,800 [**] 1301 00:52:19,367 --> 00:52:20,634 [TOM, INTERPRETING]: I WANT THIS ONE 1302 00:52:20,667 --> 00:52:22,234 TO HANG PARALLEL. 1303 00:52:25,132 --> 00:52:26,800 UP A LITTLE BIT MORE. 1304 00:52:26,833 --> 00:52:29,199 GOOD. GOOD, GOOD, GOOD. 1305 00:52:29,234 --> 00:52:31,833 PERFECT. 1306 00:52:31,867 --> 00:52:34,299 I'M GOING TO HANG SOMETHING THERE. 1307 00:52:35,433 --> 00:52:36,968 LIKE WHAT? 1308 00:52:38,734 --> 00:52:39,968 SHE SAID SHE DOESN'T KNOW 1309 00:52:40,067 --> 00:52:41,234 WHAT SHE'S GOING TO HANG. 1310 00:52:41,267 --> 00:52:42,433 SHE HASN'T FOUND IT YET, 1311 00:52:42,466 --> 00:52:43,533 BUT SOMETHING. 1312 00:52:43,567 --> 00:52:45,067 * LET'S PRETEND WE'RE JUST TWO PEOPLE * 1313 00:52:45,100 --> 00:52:48,701 * AND YOU'RE NOT BETTER THAN ME * 1314 00:52:48,734 --> 00:52:52,200 * I'D LIKE TO ASK YOU SOME QUESTIONS * 1315 00:52:52,234 --> 00:52:56,968 * IF WE CAN SPEAK HONESTLY 1316 00:52:57,067 --> 00:52:59,100 * WHAT DO YOU FEEL 1317 00:52:59,133 --> 00:53:04,601 * WHEN YOU SEE ALL THE HOMELESS ON THE STREET? * 1318 00:53:04,634 --> 00:53:11,666 * WHO DO YOU PRAY FOR AT NIGHT BEFORE YOU GO TO SLEEP? * 1319 00:53:11,701 --> 00:53:17,067 * WHAT DO YOU FEEL WHEN YOU LOOK IN THE MIRROR? * 1320 00:53:17,100 --> 00:53:22,067 * ARE YOU PROUD? 1321 00:53:22,100 --> 00:53:28,300 * HOW DO YOU SLEEP WHILE THE REST OF US CRY? * 1322 00:53:28,333 --> 00:53:29,766 * HOW DO YOU DREAM 1323 00:53:29,800 --> 00:53:35,801 * WHEN A MOTHER HAS NO CHANCE TO SAY GOODBYE? * 1324 00:53:35,834 --> 00:53:42,767 * HOW DO YOU WALK WITH YOUR HEAD HELD HIGH? * 1325 00:53:42,801 --> 00:53:49,600 * CAN YOU EVEN LOOK ME IN THE EYE * 1326 00:53:49,634 --> 00:53:52,067 * AND TELL ME WHY? 1327 00:54:06,833 --> 00:54:09,801 * DEAR MR. PRESIDENT 1328 00:54:09,833 --> 00:54:11,634 * WERE YOU A LONELY BOY? 1329 00:54:11,666 --> 00:54:13,534 * WERE YOU A LONELY BOY? * 1330 00:54:13,567 --> 00:54:15,400 * ARE YOU A LONELY BOY? 1331 00:54:15,433 --> 00:54:19,399 * ARE YOU A LONELY BOY? * 1332 00:54:19,434 --> 00:54:24,333 * HOW CAN YOU SAY NO CHILD IS LEFT BEHIND? * 1333 00:54:24,367 --> 00:54:28,100 * WE'RE NOT DUMB AND WE'RE NOT BLIND... * 1334 00:54:28,132 --> 00:54:31,167 BETTER NOT BREAK MY HEART. 1335 00:54:31,199 --> 00:54:35,334 * ...WHILE YOU PAVE THE ROAD TO HELL * 1336 00:54:35,366 --> 00:54:37,366 * WHAT KIND OF FATHER 1337 00:54:37,399 --> 00:54:42,299 * WOULD TAKE HIS OWN DAUGHTERS' RIGHTS AWAY? * 1338 00:54:42,334 --> 00:54:44,600 * AND WHAT KIND OF FATHER 1339 00:54:44,634 --> 00:54:49,701 * MIGHT HATE HIS OWN DAUGHTER IF SHE WERE GAY? * 1340 00:54:49,734 --> 00:54:51,933 * I CAN ONLY IMAGINE 1341 00:54:51,968 --> 00:54:56,067 * WHAT THE FIRST LADY HAS TO SAY * 1342 00:54:56,100 --> 00:55:03,334 * YOU'VE COME A LONG WAY FROM WHISKEY AND COCAINE * 1343 00:55:03,367 --> 00:55:10,367 * HOW DO YOU SLEEP WHILE THE REST OF US CRY? * 1344 00:55:10,400 --> 00:55:12,433 * HOW DO YOU DREAM 1345 00:55:12,467 --> 00:55:17,867 * WHEN A MOTHER HAS NO CHANCE TO SAY GOODBYE? * 1346 00:55:17,900 --> 00:55:24,667 * HOW DO YOU WALK WITH YOUR HEAD HELD HIGH? * 1347 00:55:24,701 --> 00:55:32,200 * CAN YOU EVEN LOOK ME IN THE EYE? * 1348 00:55:32,234 --> 00:55:35,933 * LET ME TELL YOU ABOUT HARD WORK * 1349 00:55:35,968 --> 00:55:39,701 * MINIMUM WAGE WITH A BABY ON THE WAY * 1350 00:55:39,734 --> 00:55:42,834 * LET ME TELL YOU ABOUT HARD WORK * 1351 00:55:42,868 --> 00:55:46,334 * REBUILDING YOUR HOUSE AFTER THE BOMBS TOOK THEM AWAY * 1352 00:55:46,366 --> 00:55:50,067 * LET ME TELL YOU ABOUT HARD WORK * 1353 00:55:50,067 --> 00:55:53,868 * BUILDING A BED OUT OF A CARDBOARD BOX * 1354 00:55:53,901 --> 00:55:56,767 * LET ME TELL YOU ABOUT HARD WORK * 1355 00:55:56,801 --> 00:56:01,066 * HARD WORK, HARD WORK 1356 00:56:01,066 --> 00:56:03,533 * YOU DON'T KNOW NOTHING ABOUT HARD WORK * 1357 00:56:03,567 --> 00:56:09,567 * HARD WORK, HARD WORK 1358 00:56:15,500 --> 00:56:22,533 * HOW DO YOU SLEEP AT NIGHT? 1359 00:56:22,567 --> 00:56:26,067 * HOW DO YOU WALK 1360 00:56:26,100 --> 00:56:30,399 * WITH YOUR HEAD HELD HIGH? 1361 00:56:30,434 --> 00:56:32,567 * DEAR MR. PRESIDENT... 1362 00:56:35,600 --> 00:56:37,734 [**] 1363 00:56:37,767 --> 00:56:38,567 YEAH.