1 00:00:10,833 --> 00:00:11,800 PREVIOUSLY ON THE L WORD... 2 00:00:11,833 --> 00:00:13,267 THE HORSE RACES WILL BLOW YOUR MIND. 3 00:00:13,300 --> 00:00:14,800 [LAUGHS] 4 00:00:14,833 --> 00:00:17,033 100,000 ON IN THE PINK. 5 00:00:17,067 --> 00:00:20,200 I THOUGHT IT WAS A SURE THING. 6 00:00:20,233 --> 00:00:21,433 HI, SHANE. 7 00:00:21,467 --> 00:00:22,700 HEY, JARED. 8 00:00:22,733 --> 00:00:23,900 DO YOU MISS SHAY? 9 00:00:23,933 --> 00:00:25,767 YEAH, I DO. 10 00:00:25,800 --> 00:00:26,933 I'M HERE TO BACK UP MEGAN REED. 11 00:00:26,967 --> 00:00:27,867 WHAT DO YOU MEAN? 12 00:00:27,900 --> 00:00:29,067 I KNOW FOR A FACT 13 00:00:29,100 --> 00:00:30,167 THAT MITCH DOESN'T SUPPORT WOMEN. 14 00:00:30,200 --> 00:00:31,200 WELL, HOW DO YOU KNOW THAT? 15 00:00:31,233 --> 00:00:33,200 BECAUSE HE DID IT TO ME. 16 00:00:33,233 --> 00:00:34,367 PRIVATE BROWN. 17 00:00:34,400 --> 00:00:35,867 WHAT ARE YOU DOING HERE? 18 00:00:35,900 --> 00:00:37,367 I WAS JUST GOING TO SAY THE SAME THING TO YOU. 19 00:00:37,400 --> 00:00:38,700 [ALICE]: HE DIDN'T SEE ANYTHING. 20 00:00:38,733 --> 00:00:40,600 WE WEREN'T EVEN TOUCHING. 21 00:00:40,633 --> 00:00:42,033 HE'S A BORN-AGAIN HOMOPHOBE 22 00:00:42,067 --> 00:00:43,267 WHO THINKS HE SHOULD HAVE MY JOB. 23 00:00:43,300 --> 00:00:45,167 IT'S A STRUGGLE TO TRY TO DO SOMETHING 24 00:00:45,200 --> 00:00:46,467 THAT YOU REALLY BELIEVE IN-- 25 00:00:46,500 --> 00:00:47,800 ALL THESE FUCKING HOLLYWOOD SUITS 26 00:00:47,833 --> 00:00:49,133 TRYING TO PIGEONHOLE YOU. 27 00:00:49,167 --> 00:00:51,267 PRESENT HOLLYWOOD COMPANY EXCLUDED. 28 00:00:51,300 --> 00:00:52,500 ALTHOUGH YOU WOULD LOOK 29 00:00:52,533 --> 00:00:53,767 REALLY HOT IN A SUIT. 30 00:00:53,800 --> 00:00:56,900 I THINK WE FOUND OUR DIRECTOR. 31 00:00:56,933 --> 00:00:59,600 [VOICE BREAKING]: I WANT TO BE IN A RELATIONSHIP 32 00:00:59,633 --> 00:01:03,100 WITH SOMEONE WHO WORKS WITH ME. 33 00:01:03,133 --> 00:01:04,633 YOU WANT TO BE IN A RELATIONSHIP 34 00:01:04,667 --> 00:01:06,467 WITH SOMEONE 35 00:01:06,500 --> 00:01:08,067 WHO WORKS FOR YOU. 36 00:01:10,833 --> 00:01:13,333 [KIT MOANING SOFTLY] 37 00:01:13,367 --> 00:01:16,067 * BRING IT BACK TO THE MIDDLE AND AROUND AGAIN * 38 00:01:16,100 --> 00:01:17,533 * WHIP IT UP SHAKE IT DOWN * 39 00:01:17,567 --> 00:01:21,333 * SLIDE IT BACK ON IN ALL RIGHT * 40 00:01:21,367 --> 00:01:23,233 [MOANING] 41 00:01:23,267 --> 00:01:25,867 * OH, RIGHT 42 00:01:25,900 --> 00:01:28,767 * KNOCKIN' ON HARD WOOD LIKE I KNOW YOU SHOULD * 43 00:01:28,800 --> 00:01:32,333 * YOU'LL BE SHAKIN' ON THE KITCHEN FLOOR * 44 00:01:32,367 --> 00:01:35,433 * COOKIN' UP YOUR TV DINNER SUNDAY AFTERNOON SINNER * 45 00:01:35,467 --> 00:01:38,567 * TURN IT OFF, TURN IT OFF SWITCH IT ON * 46 00:01:38,600 --> 00:01:42,467 * CAN I GET AN ANGEL UP IN HERE... * 47 00:01:42,500 --> 00:01:44,167 OH... 48 00:01:44,200 --> 00:01:46,133 NO. NO. NO, NO, NO. 49 00:01:46,167 --> 00:01:47,233 JUST STOP. 50 00:01:47,267 --> 00:01:49,267 JUST... 51 00:01:59,067 --> 00:02:01,100 FUCK. 52 00:02:05,067 --> 00:02:06,167 LISTEN, YOU KNOW-- 53 00:02:06,200 --> 00:02:07,433 THIS HAS NEVER HAPPENED TO ME 54 00:02:07,467 --> 00:02:09,933 BEFORE, KIT. 55 00:02:11,733 --> 00:02:14,533 YOU ARE THE SEXIEST, 56 00:02:14,567 --> 00:02:17,733 HOTTEST, BADDEST 57 00:02:17,767 --> 00:02:21,600 MOTHERFUCKIN' HOT, SEXY BITCH. 58 00:02:23,533 --> 00:02:25,533 THEN WHAT? 59 00:02:29,067 --> 00:02:31,067 [SIGHING] 60 00:02:31,067 --> 00:02:34,533 I GUESS... 61 00:02:34,567 --> 00:02:37,900 I GUESS I'M NOT A LESBIAN. 62 00:02:41,300 --> 00:02:44,500 [**] 63 00:02:44,533 --> 00:02:50,233 * GIRLS IN TIGHT DRESSES WHO DRAG WITH MUSTACHES * 64 00:02:50,267 --> 00:02:57,067 * CHICKS DRIVING FAST INGENUES WITH LONG LASHES * 65 00:02:57,067 --> 00:03:03,267 * WOMEN WHO LONG, LOVE, LUST WOMEN WHO GIVE * 66 00:03:03,300 --> 00:03:10,333 * THIS IS THE WAY IT'S THE WAY THAT WE LIVE * 67 00:03:17,833 --> 00:03:19,133 * TALKING, LAUGHING LOVING, BREATHING * 68 00:03:19,167 --> 00:03:21,067 * FIGHTING, FUCKING CRYING, DRINKING * 69 00:03:21,067 --> 00:03:22,400 * WRITING, WINNING LOSING, CHEATING * 70 00:03:22,433 --> 00:03:24,100 * KISSING, THINKING, DREAMING 71 00:03:24,133 --> 00:03:26,100 * THIS IS THE WAY... 72 00:03:26,133 --> 00:03:28,933 * IT'S THE WAY THAT WE LIVE * 73 00:03:28,967 --> 00:03:34,467 * IT'S THE WAY THAT WE LIVE 74 00:03:34,500 --> 00:03:38,200 * AND LOVE 75 00:03:41,133 --> 00:03:42,900 OKAY, SLOW DOWN, SLOW DOWN. 76 00:03:42,933 --> 00:03:44,700 HERE. PARK HERE. 77 00:03:44,733 --> 00:03:46,200 OKAY. SHH-- 78 00:03:46,233 --> 00:03:47,233 SLOW DOWN. 79 00:03:47,267 --> 00:03:48,333 ALL RIGHT. 80 00:03:48,367 --> 00:03:49,533 SHIT. 81 00:03:49,567 --> 00:03:50,967 [SHUTS MOTOR OFF] 82 00:03:51,067 --> 00:03:52,600 WELL, I DID GET UP UNTIL... 83 00:03:52,633 --> 00:03:53,600 THERE YOU GO. 84 00:03:53,633 --> 00:03:55,800 YOU GOT IT? OKAY. 85 00:03:55,833 --> 00:03:57,200 ALL RIGHT. PRETTY GOOD, RIGHT? 86 00:03:57,233 --> 00:03:58,200 PRETTY GOOD? 87 00:03:58,233 --> 00:03:59,200 [INDIFFERENTLY]: YEAH. 88 00:03:59,233 --> 00:04:00,267 COME ON. 89 00:04:00,300 --> 00:04:01,267 [LAUGHING] 90 00:04:01,300 --> 00:04:02,267 I DIDN'T KILL YOU. 91 00:04:02,300 --> 00:04:04,433 YEAH. SHIT. 92 00:04:04,467 --> 00:04:05,633 THIS TIME. 93 00:04:05,667 --> 00:04:09,233 OKAY, LISTEN, I HAVE A REALLY GREAT IDEA 94 00:04:09,267 --> 00:04:11,533 THAT I-- WELL, I WANTED TO SURPRISE YOU, 95 00:04:11,567 --> 00:04:13,667 BUT I'M KIND OF TOO EXCITED. 96 00:04:13,700 --> 00:04:15,067 I WANT TO TAKE YOU TO MEXICO. 97 00:04:15,067 --> 00:04:16,467 MM... 98 00:04:16,500 --> 00:04:18,400 I DO, BECAUSE I THINK IT'D BE REALLY FUN, 99 00:04:18,433 --> 00:04:19,700 BECAUSE THERE'S THIS GREAT SPA, 100 00:04:19,733 --> 00:04:21,200 AND IT'S ON THE BEACH, 101 00:04:21,233 --> 00:04:23,433 AND-- AND WE COULD RENT MOTORCYCLES... 102 00:04:23,467 --> 00:04:25,067 AH, THAT SOUNDS... 103 00:04:25,067 --> 00:04:26,500 REALLY EXPENSIVE, ALICE. 104 00:04:26,533 --> 00:04:27,933 DON'T WORRY ABOUT THE MONEY. 105 00:04:27,967 --> 00:04:30,133 YOU'VE GOT YOURSELF A DADDY. 106 00:04:30,167 --> 00:04:31,900 [BOTH LAUGHING] 107 00:04:31,933 --> 00:04:33,300 WHAT DO YOU THINK? 108 00:04:33,333 --> 00:04:35,300 LIKE THE FIRST OF MAY, WHEN MY WEBSITE'S DONE. 109 00:04:35,333 --> 00:04:36,967 WOW. FIRST OF MAY? 110 00:04:37,067 --> 00:04:38,367 THAT'S FAST. 111 00:04:38,400 --> 00:04:42,067 OH, YOU'RE TOO FANCY, NOW. 112 00:04:42,067 --> 00:04:43,667 MAX IS FAST. 113 00:04:43,700 --> 00:04:44,700 I WISH I HAD HIM FULL-TIME. 114 00:04:44,733 --> 00:04:46,067 WHAT DO YOU THINK? 115 00:04:46,100 --> 00:04:47,567 [SQUEALING] 116 00:04:47,600 --> 00:04:48,600 ALICE, WATCH IT! 117 00:04:49,733 --> 00:04:51,233 [SHOUTING] 118 00:04:51,267 --> 00:04:53,900 [GUNFIRE] 119 00:04:53,933 --> 00:04:55,233 FUCK YOU! 120 00:04:55,267 --> 00:04:56,333 FUCK YOU, DYKE. 121 00:04:56,367 --> 00:04:58,933 [TIRES SQUEALING, ALICE SHOUTING] 122 00:04:58,967 --> 00:05:01,267 FUCK, MY HAND. 123 00:05:01,300 --> 00:05:04,733 TASH, YOU OKAY? 124 00:05:04,767 --> 00:05:07,067 HEY. ARE YOU OKAY? 125 00:05:07,067 --> 00:05:09,600 YEAH, I'M-- SHIT, I'M SORRY, COME ON. 126 00:05:09,633 --> 00:05:10,967 ARE YOU OKAY? 127 00:05:11,067 --> 00:05:12,233 OW. OW, MY HAND, MY HAND. 128 00:05:15,500 --> 00:05:17,667 [SIGHING] 129 00:05:17,700 --> 00:05:18,533 OH, GIRL. YOU OKAY? 130 00:05:18,567 --> 00:05:20,533 YEAH, GIRL. GET SOMETHING, OKAY? 131 00:05:20,567 --> 00:05:21,967 ALL RIGHT. 132 00:05:26,100 --> 00:05:28,567 WHOA. 133 00:05:28,600 --> 00:05:30,167 HAVE YOU READ THIS? 134 00:05:30,200 --> 00:05:32,567 BETTE IS GOING TO BE PISSED. 135 00:05:32,600 --> 00:05:35,367 FUCK BETTE. 136 00:05:35,400 --> 00:05:37,600 SHE CAN KISS MY BLACK ASS. 137 00:05:47,167 --> 00:05:48,900 ARE YOU-- 138 00:05:48,933 --> 00:05:52,733 ARE YOU INVOLVED WITH HER? 139 00:05:52,767 --> 00:05:55,700 WHY IS EVERYBODY IN MY BUSINESS? 140 00:05:55,733 --> 00:05:57,267 I DON'T KNOW WHAT YOU'RE DOING, KIT. 141 00:05:57,300 --> 00:05:59,700 YOU'RE SO NOT A LESBIAN. 142 00:05:59,733 --> 00:06:01,500 WHAT THE FUCK DO YOU KNOW? 143 00:06:01,533 --> 00:06:02,500 HMM? 144 00:06:02,533 --> 00:06:05,067 I KNOW THAT YOU'RE DRINKING, 145 00:06:05,067 --> 00:06:08,700 AND I KNOW THAT IF SHE CARED HALF AS MUCH ABOUT YOU AS I DO 146 00:06:08,733 --> 00:06:09,967 THAT SHE WOULDN'T LET YOU. 147 00:06:10,067 --> 00:06:11,467 YOU KNOW, YOU SHOULD HAVE THOUGHT ABOUT THAT 148 00:06:11,500 --> 00:06:16,067 BEFORE YOU HAD THE NANNY'S LIPS WRAPPED AROUND YOUR DICK. 149 00:06:16,067 --> 00:06:19,267 [PILLS RATTLES] 150 00:06:22,667 --> 00:06:25,467 [MURMURING AND LAUGHING SOFTLY] 151 00:06:30,500 --> 00:06:32,367 [GIGGLING] 152 00:06:35,733 --> 00:06:37,233 IS IT TRUE 153 00:06:37,267 --> 00:06:38,567 THAT ONE OF THE CHARACTERS IN THIS BOOK 154 00:06:38,600 --> 00:06:39,700 IS BASED ON YOU? 155 00:06:41,067 --> 00:06:42,767 WHO TOLD YOU THAT? 156 00:06:42,800 --> 00:06:44,533 EVERYONE'S TALKING ABOUT IT ON CAMPUS. 157 00:06:44,567 --> 00:06:45,733 IT'S A CAUSE CELEBRE. 158 00:06:45,767 --> 00:06:46,767 LET'S SEE. 159 00:06:46,800 --> 00:06:50,100 "THE SEXUALLY PREDATORY, 160 00:06:50,133 --> 00:06:52,400 EMOTIONALLY ABUSIVE BEV," THAT'S YOU, 161 00:06:52,433 --> 00:06:54,500 "WHO USES HER PROFESSIONAL STATURE 162 00:06:54,533 --> 00:06:57,100 TO BED EVERY GIRL AND WOMAN WHO CROSSES HER PATH"? 163 00:06:57,133 --> 00:06:59,300 I HAVEN'T EVEN READ THE FUCKING THING, 164 00:06:59,333 --> 00:07:00,467 BUT I CAN'T IMAGINE 165 00:07:00,500 --> 00:07:02,100 THAT IT HAS ANYTHING TO DO WITH ME. 166 00:07:02,133 --> 00:07:03,333 DID THIS UPSET JODI? 167 00:07:03,367 --> 00:07:06,200 IS THAT WHY SHE'S LEAVING? 168 00:07:06,233 --> 00:07:07,500 WHO SAID JODI'S LEAVING? 169 00:07:07,533 --> 00:07:09,067 IT SAYS IT IN THE MEMO THIS MORNING. 170 00:07:09,100 --> 00:07:10,533 SHE'S BEEN... 171 00:07:11,900 --> 00:07:14,167 CHOSEN TO CREATE A NEW SCULPTURE 172 00:07:14,200 --> 00:07:15,667 AT THE FOREST REFUGE ART CENTER 173 00:07:15,700 --> 00:07:17,967 IN MOUNTAINVILLE, NEW YORK, 174 00:07:18,067 --> 00:07:19,200 THIS MARCH. 175 00:07:19,233 --> 00:07:21,400 I DON'T KNOW ANYTHING ABOUT IT. 176 00:07:21,433 --> 00:07:23,533 DOES THIS MEAN 177 00:07:23,567 --> 00:07:25,167 SHE'S NOT FINISHING OUT THE SEMESTER? 178 00:07:25,200 --> 00:07:26,533 YOU TELL ME. 179 00:07:26,567 --> 00:07:29,067 WELL, IF THAT'S WHAT SHE WANTS. 180 00:07:29,067 --> 00:07:31,433 I MEAN, I GUESS WE SHOULD JUST LET HER GO 181 00:07:31,467 --> 00:07:34,233 IF SHE'S NOT HAPPY HERE. 182 00:07:34,267 --> 00:07:36,067 "ORIGAMI WITH STEEL." 183 00:07:36,067 --> 00:07:39,333 THAT'S A NICE WAY TO DESCRIBE HER WORK. 184 00:07:39,367 --> 00:07:41,600 FOREST REFUGE ART CENTER-- IT'S A BIG DEAL. 185 00:07:41,633 --> 00:07:43,800 I'M SURE SHE FEELS VERY HONORED. 186 00:07:43,833 --> 00:07:46,167 PLEASE DON'T TELL ME YOU'RE SPLITTING UP. 187 00:07:46,200 --> 00:07:47,833 REMEMBER WHEN YOU CAME TO MY HOUSE, 188 00:07:47,867 --> 00:07:49,133 AND THE TWO OF YOU WERE SO MUCH IN LOVE-- 189 00:07:49,167 --> 00:07:50,767 PHYLLIS...YOU TAUGHT ME SO MUCH ABOUT LOVE. 190 00:07:50,800 --> 00:07:52,333 PHYLLIS.PLEASE DON'T TELL ME YOU'RE SPLITTING UP. 191 00:07:52,367 --> 00:07:55,967 I WOULD RATHER NOT TALK ABOUT IT. 192 00:07:57,867 --> 00:07:59,200 OKAY? 193 00:07:59,233 --> 00:08:01,100 [KNOCKING AT DOOR] 194 00:08:01,133 --> 00:08:03,900 I HAVE ELI BROAD'S OFFICE ON LINE ONE FOR YOU. 195 00:08:05,767 --> 00:08:07,267 [SIGHS] 196 00:08:07,300 --> 00:08:09,533 WELL, I JUST CAN'T WAIT TO FIND OUT WHAT HAPPENS 197 00:08:09,567 --> 00:08:11,833 WITH BEV AND THE PLUMBER. 198 00:08:11,867 --> 00:08:13,867 [SIGHS] 199 00:08:14,900 --> 00:08:16,400 JAMES. 200 00:08:16,433 --> 00:08:17,500 YEAH? 201 00:08:17,533 --> 00:08:18,400 CAN YOU GET ME A COPY 202 00:08:18,433 --> 00:08:19,767 OF THAT FUCKING BOOK, ASAP? 203 00:08:19,800 --> 00:08:21,233 YEAH, AND MAKE SURE 204 00:08:21,267 --> 00:08:22,633 YOU GET A COMP COPY. 205 00:08:22,667 --> 00:08:25,567 I DON'T WANT TO HAVE TO PAY FOR IT. 206 00:08:25,600 --> 00:08:26,733 THESE NUMBERS ARE PROJECTED 207 00:08:26,767 --> 00:08:28,367 FOR THE FOURTH QUARTER. 208 00:08:28,400 --> 00:08:30,067 REALISTIC NUMBERS. 209 00:08:30,067 --> 00:08:31,933 ALL RIGHT, TIME TO GET STARTED, PEOPLE. 210 00:08:31,967 --> 00:08:35,433 LET'S BEGIN WITH AN UPDATE ON SPACE GATE. 211 00:08:35,467 --> 00:08:37,967 THE NEXT STEP OF THE SPACE GATE PROJECT 212 00:08:38,067 --> 00:08:40,767 IS THE STABILIZER MODULE... 213 00:08:40,800 --> 00:08:42,167 FOR THE NEOVECTOR COMMUNICATION SATELLITE. 214 00:08:42,200 --> 00:08:43,800 OUR PROJECT GOAL 215 00:08:43,833 --> 00:08:46,333 IS TO INCREASE THE MEAN ORBITAL ALTITUDE 216 00:08:46,367 --> 00:08:47,567 BY 18% 217 00:08:47,600 --> 00:08:50,167 AND THE ORBITAL VELOCITY BY 20%. 218 00:08:50,200 --> 00:08:52,300 SWEENEY. WE'RE ALSO-- 219 00:08:52,333 --> 00:08:53,967 YOU'RE NOT ON THE ACCOUNT ANYMORE. 220 00:08:54,067 --> 00:08:55,967 WHAT ARE YOU TALKING ABOUT? 221 00:08:56,067 --> 00:08:57,533 WE HAD TO REPLACE YOU. 222 00:08:57,567 --> 00:08:59,133 MEGAN TOOK OVER. 223 00:09:03,067 --> 00:09:05,967 I'VE BEEN ON SPACE GATE FOR NINE MONTHS. 224 00:09:06,067 --> 00:09:07,333 BRANDON STOPPARD AND I HAVE 225 00:09:07,367 --> 00:09:09,067 A GREAT WORKING RELATIONSHIP. 226 00:09:09,067 --> 00:09:10,133 YOU WENT ON A VACATION 227 00:09:10,167 --> 00:09:12,200 DURING A CRITICAL TIME FOR THEM. 228 00:09:12,233 --> 00:09:13,433 THEY HAD A CRISIS WHILE YOU WERE AWAY. 229 00:09:13,467 --> 00:09:14,700 IT WAS A NEAR DISASTER. 230 00:09:14,733 --> 00:09:16,767 I WENT TO MY MOTHER'S FUNERAL. 231 00:09:16,800 --> 00:09:18,533 BRANDON WAS REALLY HAPPY 232 00:09:18,567 --> 00:09:20,800 WITH THE WAY MEGAN SAVED THE DAY. 233 00:09:20,833 --> 00:09:21,833 HE ASKED 234 00:09:21,867 --> 00:09:23,633 THAT SHE TAKE OVER THE ACCOUNT. 235 00:09:23,667 --> 00:09:26,833 IT WAS THE CLIENT'S REQUEST. 236 00:09:32,600 --> 00:09:34,867 [EXHALES] 237 00:09:35,533 --> 00:09:36,533 EXCUSE ME. 238 00:09:36,567 --> 00:09:37,733 WHERE THE HELL DO YOU-- 239 00:09:37,767 --> 00:09:39,467 LEAVE IT BE. 240 00:09:45,433 --> 00:09:47,467 MEGAN. 241 00:09:49,433 --> 00:09:52,633 [**] 242 00:09:52,667 --> 00:09:54,200 [KNOCKING AT DOOR] 243 00:09:54,233 --> 00:09:56,100 COME IN. 244 00:09:56,133 --> 00:09:58,167 YOU WANTED TO SEE ME, SIR? 245 00:09:58,200 --> 00:09:59,200 CLOSE THE DOOR. 246 00:10:03,400 --> 00:10:05,567 I WANT YOU TO KNOW THAT CERTAIN THINGS 247 00:10:05,600 --> 00:10:07,533 HAVE COME TO MY ATTENTION. 248 00:10:07,567 --> 00:10:08,833 THINGS THAT COULD HAVE 249 00:10:08,867 --> 00:10:09,867 VERY SERIOUS CONSEQUENCES FOR YOU. 250 00:10:13,067 --> 00:10:15,633 NOW, YOUR LIFESTYLE IS YOUR LIFESTYLE, 251 00:10:15,667 --> 00:10:18,233 BUT I DON'T WANT TO SEE IT OR HEAR ABOUT IT EVER AGAIN. 252 00:10:18,267 --> 00:10:19,700 AM I CLEAR ON THAT? 253 00:10:19,733 --> 00:10:21,167 VERY CLEAR, SIR. 254 00:10:21,200 --> 00:10:24,167 OTHER SOLDIERS LOOK UP TO YOU, WILLIAMS, 255 00:10:24,200 --> 00:10:25,867 AND THEY DON'T NEED TO SEE IT 256 00:10:25,900 --> 00:10:28,067 OR HEAR ABOUT IT EITHER. 257 00:10:28,100 --> 00:10:29,367 I UNDERSTAND, SIR. 258 00:10:29,400 --> 00:10:32,000 I'M NOT GOING TO SUBMIT YOU FOR REVIEW. 259 00:10:32,033 --> 00:10:34,533 HOPEFULLY NO ONE ELSE WILL EITHER, 260 00:10:34,567 --> 00:10:37,000 BUT YOU NEED TO BE MORE CAREFUL. 261 00:10:37,033 --> 00:10:39,867 THIS HAPPENS AGAIN, I WILL BE FORCED TO TAKE ACTION. 262 00:10:39,900 --> 00:10:42,033 YES, SIR. 263 00:10:42,067 --> 00:10:44,067 DISMISSED. 264 00:10:46,033 --> 00:10:47,967 HEY, ALICE. IT'S MAX. 265 00:10:48,000 --> 00:10:49,500 HEY, MAX. 266 00:10:49,533 --> 00:10:51,833 LISTEN, WHAT DO YOU THINK YOU COULD AFFORD TO PAY ME 267 00:10:51,867 --> 00:10:53,333 IF I WORKED FOR YOU FULL-TIME? 268 00:10:53,367 --> 00:10:54,633 WELL, I DON'T KNOW, MAX. 269 00:10:54,667 --> 00:10:55,800 I MEAN, YOU MADE THE BUSINESS PLAN, 270 00:10:55,833 --> 00:10:56,800 SO YOU TELL ME. 271 00:10:56,833 --> 00:10:58,200 YEAH, I CAN MANAGE. 272 00:10:58,233 --> 00:11:00,267 YOU KNOW, I DON'T NEED TO MAKE A LOT OF MONEY. 273 00:11:00,300 --> 00:11:01,733 I JUST... 274 00:11:01,767 --> 00:11:02,933 I NEED TO LIVE A DECENT LIFE. 275 00:11:02,967 --> 00:11:03,633 IT'S VERY EXCITING. 276 00:11:03,667 --> 00:11:04,800 I MEAN, I WAS JUST 277 00:11:04,833 --> 00:11:05,767 TELLING TASHA THIS MORNING 278 00:11:05,800 --> 00:11:07,067 THAT I WISHED THAT I HAD YOU. 279 00:11:07,100 --> 00:11:08,433 YEAH, WE'LL GET TOGETHER, 280 00:11:08,467 --> 00:11:10,667 WE'LL-- WE'LL WORK IT ALL OUT. 281 00:11:10,700 --> 00:11:11,767 HEY, HEY, HEY. 282 00:11:11,800 --> 00:11:13,067 HEY! 283 00:11:13,067 --> 00:11:14,133 OKAY, I'VE GOT TO GO. GOOD LUCK. 284 00:11:14,167 --> 00:11:15,467 I THOUGHT YOU TOTALLY DITCHED US. 285 00:11:15,500 --> 00:11:16,767 I NEED YOUR HELP. 286 00:11:16,800 --> 00:11:18,867 OKAY, DO YOU THINK THAT THIS WATCH HERE 287 00:11:18,900 --> 00:11:20,067 IS TOO, LIKE, FEMMY 288 00:11:20,067 --> 00:11:21,900 FOR TASHA? 289 00:11:21,933 --> 00:11:22,900 YEAH. 290 00:11:22,933 --> 00:11:23,900 YOU DO? MM-HMM. 291 00:11:23,933 --> 00:11:25,267 THOUGHT SO. FUCK. 292 00:11:25,300 --> 00:11:27,267 WHICH ONE DO YOU LIKE? 293 00:11:27,300 --> 00:11:28,467 WHAT, OUT OF THOSE? 294 00:11:28,500 --> 00:11:29,633 YEAH. GIRLS? 295 00:11:29,667 --> 00:11:30,933 UH, THIS ONE. 296 00:11:30,967 --> 00:11:32,100 WHAT DO YOU THINK? 297 00:11:32,133 --> 00:11:33,467 I CAN'T DECIDE. 298 00:11:33,500 --> 00:11:36,067 HOW MUCH ARE THEY? 299 00:11:37,733 --> 00:11:38,867 I THINK YOU SHOULD UNDERWRITE 300 00:11:38,900 --> 00:11:40,200 A THIRD WORLD COUNTRY INSTEAD. 301 00:11:40,233 --> 00:11:42,367 WELL, CATHERINE'S BUYING THEM. 302 00:11:42,400 --> 00:11:43,633 SHE'S GIVEN ME HER CREDIT CARD. 303 00:11:43,667 --> 00:11:44,800 WE HAVE SOME EVENT 304 00:11:44,833 --> 00:11:46,567 OR SOMETHING TO GO TO NEXT WEEK 305 00:11:46,600 --> 00:11:47,933 WHEN SHE GETS BACK. 306 00:11:47,967 --> 00:11:49,400 AND WHERE IS SHE NOW? 307 00:11:49,433 --> 00:11:50,600 SHE'S IN GENEVA. 308 00:11:50,633 --> 00:11:51,633 OH. GENEVA. 309 00:11:51,667 --> 00:11:53,067 MM. 310 00:11:53,067 --> 00:11:54,667 AND ALICE, I... 311 00:11:54,700 --> 00:11:56,167 I AM GOING TO INVEST IN OURCHART 312 00:11:56,200 --> 00:11:57,900 JUST AS SOON AS I WIN BACK THE MONEY 313 00:11:57,933 --> 00:11:59,767 THAT I LOST AT THE RACES. 314 00:11:59,800 --> 00:12:00,933 HELENA, DON'T WORRY. 315 00:12:00,967 --> 00:12:03,067 I REALLY DON'T EXPECT YOU TO, LIKE-- 316 00:12:03,067 --> 00:12:04,167 I WANT TO. OKAY? 317 00:12:04,200 --> 00:12:05,233 I'VE LEARNED MY LESSON NOW. 318 00:12:05,267 --> 00:12:06,700 I SHOULD NEVER HAVE RISKED MY MONEY 319 00:12:06,733 --> 00:12:08,100 AT THE HORSE RACES LIKE THAT. 320 00:12:08,133 --> 00:12:09,367 IT WAS STUPID. 321 00:12:09,400 --> 00:12:10,467 WAIT, WAIT. I'M SORRY. 322 00:12:10,500 --> 00:12:11,600 DID CATHERINE TELL YOU THAT? 323 00:12:11,633 --> 00:12:13,533 YEAH, BUT SHE'S RIGHT. 324 00:12:13,567 --> 00:12:14,533 OH, PLEASE! 325 00:12:14,567 --> 00:12:15,933 IT WAS HER TIP ON THE HORSE. 326 00:12:15,967 --> 00:12:17,500 YEAH, BUT I'M THE ONE WHO SHOULD HAVE KNOWN BETTER. 327 00:12:17,533 --> 00:12:19,433 OH, PLEASE! THAT IS A SET-UP. 328 00:12:19,467 --> 00:12:20,500 NO, IT'S NOT! DO YOU BELIEVE HER? 329 00:12:20,533 --> 00:12:21,433 THAT IS A SET-UP. 330 00:12:21,467 --> 00:12:22,733 LOOK, SHE'S JUST TRYING TO HELP ME 331 00:12:22,767 --> 00:12:23,967 LEARN TO STAND ON MY OWN TWO FEET. 332 00:12:24,067 --> 00:12:25,067 THAT'S ALL SHE'S DOING. 333 00:12:25,067 --> 00:12:26,367 NO, SHE'S NOT. REALLY? 334 00:12:26,400 --> 00:12:27,533 REALLY? YOUR TINY LITTLE FEET? 335 00:12:27,567 --> 00:12:29,333 [SIGHING] 336 00:12:29,367 --> 00:12:32,700 SHE IS. I DON'T KNOW. 337 00:12:32,733 --> 00:12:32,800 SHANE? 338 00:12:34,467 --> 00:12:35,500 YEAH? 339 00:12:35,533 --> 00:12:37,267 WHAT ARE YOU DOING? 340 00:12:37,300 --> 00:12:38,533 NOTHING. 341 00:12:38,567 --> 00:12:39,933 I'M JUST...TAKING A LOOK. 342 00:12:39,967 --> 00:12:41,500 WHO IS THAT FOR? 343 00:12:41,533 --> 00:12:42,967 WHAT, THIS? YEAH. 344 00:12:43,067 --> 00:12:44,800 IS IT FOR PAIGE? 345 00:12:44,833 --> 00:12:46,700 I DON'T KNOW, NANCY DREW. 346 00:12:46,733 --> 00:12:47,867 FIGURE IT OUT. 347 00:12:47,900 --> 00:12:49,467 SHANE, YOU'RE-- 348 00:12:49,500 --> 00:12:52,067 NO... ARE YOU SEEING SOMEONE ELSE? 349 00:12:52,067 --> 00:12:53,167 JESUS CHRIST! THE HARDY GIRLS. 350 00:12:53,200 --> 00:12:54,700 FIGURE IT OUT. 351 00:12:54,733 --> 00:12:56,167 ARE YOU UP TO YOUR OLD TRICKS? 352 00:12:56,200 --> 00:12:57,167 OH, MY-- 353 00:12:57,200 --> 00:12:58,467 I FEEL VERY COMFORTED BY THAT SOMEHOW. 354 00:12:58,500 --> 00:12:59,700 I DON'T KNOW WHY. 355 00:12:59,733 --> 00:13:01,233 [CELL PHONE RINGS] OKAY, I'M ON TO YOU. 356 00:13:01,267 --> 00:13:02,367 THIS PURSE THING. 357 00:13:02,400 --> 00:13:03,500 CATHERINE. 358 00:13:03,533 --> 00:13:06,633 WHAT TIME IS IT THERE? 359 00:13:06,667 --> 00:13:08,400 BIRDIE LAMB? 360 00:13:08,433 --> 00:13:11,700 NO, I DON'T THINK I DO KNOW HER. 361 00:13:14,700 --> 00:13:18,500 THAT'S ALL VERY WELL, BUT WHERE AM I SUPPOSED-- 362 00:13:18,533 --> 00:13:21,500 OKAY, I'LL SEE IF THEY HAVE A ROOM FOR ME. 363 00:13:22,733 --> 00:13:25,067 YES. 364 00:13:25,067 --> 00:13:26,067 YES. OKAY. 365 00:13:26,067 --> 00:13:27,233 WELL, I'LL GET-- 366 00:13:27,267 --> 00:13:30,567 I'LL GET OVER THERE RIGHT NOW. 367 00:13:32,600 --> 00:13:35,167 MORE TOUGH LOVE? 368 00:13:35,200 --> 00:13:36,800 YEAH, UM, 369 00:13:36,833 --> 00:13:38,800 HER FRIEND, BIRDIE LAMB, 370 00:13:38,833 --> 00:13:40,700 GETS INTO TOWN THIS AFTERNOON, 371 00:13:40,733 --> 00:13:42,067 AND SHE SAID 372 00:13:42,067 --> 00:13:44,667 THAT SHE CAN HAVE HER HOTEL SUITE. 373 00:13:44,700 --> 00:13:46,167 WHERE ARE YOU GOING TO STAY? 374 00:13:46,200 --> 00:13:48,967 WHY DON'T YOU COME STAY BACK WITH ME? 375 00:13:49,067 --> 00:13:50,733 NO, ALICE, I CAN'T. 376 00:13:50,767 --> 00:13:51,900 YOU'RE TOTALLY WELCOME. 377 00:13:51,933 --> 00:13:53,533 ALICE, IT'S FINE, ALL RIGHT? 378 00:13:53,567 --> 00:13:54,567 I DON'T WANT TO GET 379 00:13:54,600 --> 00:13:56,133 IN YOURS AND TASHA'S WAY. 380 00:13:56,167 --> 00:13:57,667 I... 381 00:13:57,700 --> 00:13:58,900 YOU KNOW, I SHOULD GET BACK THERE. 382 00:13:58,933 --> 00:14:00,067 I'VE GOT TO GET MY STUFF OUT. 383 00:14:00,100 --> 00:14:02,333 WE DON'T WANT BIRDIE TO FEEL GUILTY 384 00:14:02,367 --> 00:14:04,100 JUST BECAUSE SHE'S PUTTING ME OUT IN THE STREET. 385 00:14:04,133 --> 00:14:06,100 YOU KNOW WHAT? I'M GOING TO GET BOTH OF THESE. 386 00:14:06,133 --> 00:14:08,433 OH, AND SHE'LL TAKE THE UGLY PURSE. 387 00:14:08,467 --> 00:14:12,067 OH, AND SHE'S GOING TO TAKE THAT UGLY WATCH. 388 00:14:12,100 --> 00:14:15,667 AND WHY DON'T WE PUT IT ALL ON CATHERINE'S CARD, EH? 389 00:14:15,700 --> 00:14:18,267 EGOBOOST HAS A MARKET EXPANSION STRATEGY 390 00:14:18,300 --> 00:14:20,067 THAT THEY'RE RELYING ON US TO HELP THEM IMPLEMENT. 391 00:14:20,067 --> 00:14:22,700 THE TECHNOLOGY COMPONENT IS IN THE EARLY STAGES, 392 00:14:22,733 --> 00:14:24,200 AND WE'RE JUST AWAITING APPROVAL 393 00:14:24,233 --> 00:14:25,800 ON THE FINAL PLANS. 394 00:14:25,833 --> 00:14:27,067 WHAT NEXT WE'RE GOING TO 395 00:14:27,067 --> 00:14:28,833 MOVE INTO IS THE... 396 00:14:28,867 --> 00:14:31,333 SORRY TO INTERRUPT. 397 00:14:31,367 --> 00:14:33,567 I JUST CAME TO SAY GOODBYE. 398 00:14:36,067 --> 00:14:37,933 IT'S GOOD KNOWING YOU. 399 00:14:40,567 --> 00:14:45,300 I'VE REALLY ENJOYED BEING YOUR COLLEAGUE. 400 00:14:45,333 --> 00:14:48,333 I'VE LEARNED A LOT FROM YOU. 401 00:14:48,367 --> 00:14:49,667 THANK YOU 402 00:14:49,700 --> 00:14:52,367 FOR EVERYTHING YOU'VE TAUGHT ME. 403 00:14:55,367 --> 00:14:58,933 I WISH YOU CONTINUED SUCCESS. 404 00:14:58,967 --> 00:15:02,567 GIVE MY BEST TO YOUR WIFE AND YOUR KID. 405 00:15:02,600 --> 00:15:04,133 PHYLLIS. 406 00:15:04,167 --> 00:15:06,367 LEONARD. WHAT ARE YOU DOING HERE? 407 00:15:06,400 --> 00:15:09,967 WELL, I JUST WANTED TO CONGRATULATE YOU. 408 00:15:10,067 --> 00:15:11,533 CONGRATULATE ME ON WHAT? 409 00:15:11,567 --> 00:15:12,667 ONCE AGAIN, 410 00:15:12,700 --> 00:15:13,967 YOU HAVE TAKEN THE OLD 411 00:15:14,067 --> 00:15:16,367 CONVENTIONAL HETEROSEXUAL PARADIGM 412 00:15:16,400 --> 00:15:18,167 AND TURNED IT ON ITS EAR. 413 00:15:18,200 --> 00:15:19,967 PARADIGM? 414 00:15:20,067 --> 00:15:22,467 I MEAN, CONVENTIONALLY, I AM SUPPOSED TO BE THE ONE 415 00:15:22,500 --> 00:15:25,967 WHO HAS THE MID-LIFE CRISIS, GOES OFF, AND FINDS 416 00:15:26,067 --> 00:15:28,233 A SASSY LITTLE GIRL HALF MY AGE. 417 00:15:28,267 --> 00:15:30,133 ALICE IS NOT HALF MY AGE. 418 00:15:30,167 --> 00:15:31,900 [CHORTLING] 419 00:15:31,933 --> 00:15:33,167 OKAY, LOOK. 420 00:15:33,200 --> 00:15:34,800 YOU KNOW, THE AFFAIR'S OVER, 421 00:15:34,833 --> 00:15:36,267 YOU HAD YOUR LITTLE FLING 422 00:15:36,300 --> 00:15:37,567 WITH YOUR CREAM-PUFF, 423 00:15:37,600 --> 00:15:38,800 NOW I JUST WANT TO TELL YOU 424 00:15:38,833 --> 00:15:42,500 THAT I FORGIVE YOU AND I'LL TAKE YOU BACK. 425 00:15:43,733 --> 00:15:45,400 LEONARD, 426 00:15:45,433 --> 00:15:48,467 I THINK YOU'RE FORGETTING ONE SMALL POINT. 427 00:15:48,500 --> 00:15:49,700 ONE LITTLE PIECE OF-- 428 00:15:49,733 --> 00:15:51,200 NO, I'M NOT FORGETTING ANYTHING, PHYLLIS. 429 00:15:51,233 --> 00:15:53,333 I WAS THERE, I SAW THOSE GIRLS. 430 00:15:53,367 --> 00:15:55,733 YOU'RE NOTHING LIKE THEM. 431 00:15:55,767 --> 00:15:57,533 WHAT DO YOU MEAN, "NOT LIKE THEM"? 432 00:15:57,567 --> 00:15:59,800 I MEAN, I HONESTLY DON'T THINK YOU'RE A LESBIAN. 433 00:15:59,833 --> 00:16:01,600 REALLY? 434 00:16:01,633 --> 00:16:02,767 I DON'T THINK 435 00:16:02,800 --> 00:16:04,933 YOU KNOW WHAT THE FUCK YOU'RE TALKING ABOUT. 436 00:16:04,967 --> 00:16:06,200 AND STOP PSYCHOANALYZING ME. 437 00:16:06,233 --> 00:16:07,233 I'M NOT PSYCHOANALYZING YOU. 438 00:16:07,267 --> 00:16:08,333 YES, YOU ARE. 439 00:16:08,367 --> 00:16:09,567 NO, I'M NOT. THAT'S BULLSHIT. 440 00:16:09,600 --> 00:16:11,267 BUT LET'S GET REAL HERE, ALL RIGHT? 441 00:16:11,300 --> 00:16:13,233 MAYBE YOU HAVE SOME, UH... 442 00:16:13,267 --> 00:16:14,900 SOME LESBIAN TENDENCIES OR WHATEVER, 443 00:16:14,933 --> 00:16:16,267 BUT IT'S NOT YOUR COLLEGE DAYS ANYMORE-- 444 00:16:16,300 --> 00:16:18,067 WHAT IS A LESBIAN TENDENCY? 445 00:16:18,067 --> 00:16:19,167 CAN YOU EXPLAIN THAT TO ME? 446 00:16:19,200 --> 00:16:20,433 WELL, YOU KNOW, 447 00:16:20,467 --> 00:16:22,133 EVERY TIME WE'VE SEEN A MOVIE IN THE LAST 20 YEARS-- 448 00:16:22,167 --> 00:16:23,533 "OH, I LOVE SALMA HAYEK. 449 00:16:23,567 --> 00:16:25,633 YOU KNOW, SHE REALLY TURNS ME ON." 450 00:16:25,667 --> 00:16:26,867 WHERE DID YOU GET THAT CRAP? 451 00:16:26,900 --> 00:16:28,333 THAT'S WHAT YOU TELL ME. 452 00:16:28,367 --> 00:16:29,700 I NEVER TOLD YOU-- 453 00:16:29,733 --> 00:16:31,600 OKAY, OKAY, NOW, JUST... 454 00:16:31,633 --> 00:16:34,433 LET'S GET REAL HERE FOR A MINUTE NOW. 455 00:16:34,467 --> 00:16:37,700 IT'S A LITTLE LATE IN THE GAME FOR YOU, PHYLLIS. 456 00:16:37,733 --> 00:16:39,100 YOU'RE 58 YEARS OLD-- 457 00:16:39,133 --> 00:16:40,433 I AM NOT 58. 458 00:16:40,467 --> 00:16:41,433 I'M 56! 459 00:16:41,467 --> 00:16:42,300 LOOK AT YOUR DRIVER'S LICENSE-- 460 00:16:42,333 --> 00:16:43,200 WELL, YOU LOOK IN THE MIRROR. 461 00:16:43,233 --> 00:16:44,900 I AM A MAN! 462 00:16:44,933 --> 00:16:46,067 SO WHAT? 463 00:16:46,067 --> 00:16:47,067 LOOK... 464 00:16:47,100 --> 00:16:48,200 NOBODY IS GOING TO BE AS GOOD FOR YOU 465 00:16:48,233 --> 00:16:49,200 AS I AM. 466 00:16:49,233 --> 00:16:50,767 NOW THAT IS A FACT OF LIFE. 467 00:16:50,800 --> 00:16:52,833 YOU REALLY WANT TO TAKE ALL OF OUR LIFE TOGETHER 468 00:16:52,867 --> 00:16:54,633 AND JUST THROW IT IN THE TOILET? 469 00:16:54,667 --> 00:16:56,800 YES. I DO, LEONARD. 470 00:16:56,833 --> 00:16:58,767 PHYLLIS, COME ON. 471 00:16:58,800 --> 00:17:00,233 I WANT TO THROW IT IN THE TOILET. 472 00:17:00,267 --> 00:17:01,767 I WANT TO THROW YOU IN THE TOILET RIGHT NOW. 473 00:17:01,800 --> 00:17:03,067 BUT DO YOU THINK THAT YOU'RE ACTUALLY 474 00:17:03,100 --> 00:17:04,300 GOING TO GET ME TO COME BACK TO YOU 475 00:17:04,333 --> 00:17:05,500 BY INSULTING ME AND EXALTING YOURSELF? 476 00:17:05,533 --> 00:17:06,800 I DON'T CARE 477 00:17:06,833 --> 00:17:09,800 IF I NEVER HAD A LOVER FOR THE REST OF MY LIFE. 478 00:17:09,833 --> 00:17:13,700 MY LIFE IS GOING TO BE SO WONDERFUL 479 00:17:13,733 --> 00:17:15,467 BECAUSE I KNOW WHO I AM 480 00:17:15,500 --> 00:17:16,700 AND I'M BEING HONEST WITH MYSELF. 481 00:17:16,733 --> 00:17:17,867 DON'T YOU GET IT? 482 00:17:17,900 --> 00:17:19,967 IT HAS NOTHING TO DO WITH YOU. 483 00:17:20,067 --> 00:17:22,600 YOU, WITH YOUR MALE EGO, STOMPING AROUND HERE. 484 00:17:22,633 --> 00:17:23,700 WHAT IS THE-- 485 00:17:23,733 --> 00:17:25,500 LOOK, YOU'RE JUST SO THREATENED BY IT. 486 00:17:25,533 --> 00:17:26,600 [KNOCK ON DOOR] OKAY-- 487 00:17:26,633 --> 00:17:28,200 EXCUSE ME, CHANCELLOR KROLL. 488 00:17:28,233 --> 00:17:30,200 THE SELECTION COMMITTEE IS HERE. 489 00:17:30,233 --> 00:17:31,933 OH, YES. YES, THANK YOU. 490 00:17:31,967 --> 00:17:33,167 I'LL BE RIGHT WITH YOU. 491 00:17:33,200 --> 00:17:36,100 YOU'RE LEAVING ME NO CHOICE. 492 00:17:36,133 --> 00:17:37,267 OH. 493 00:17:37,300 --> 00:17:38,933 WHAT DO YOU MEAN, "NO CHOICE"? 494 00:17:40,467 --> 00:17:42,600 HI. HAVE A SEAT. 495 00:17:42,633 --> 00:17:44,967 I HAVE TO CATCH UP WITH MY EXPENSE REIMBURSEMENTS. 496 00:17:45,067 --> 00:17:48,067 DO I HAVE ANYTHING AFTER THE THESIS REVIEWS? 497 00:17:48,067 --> 00:17:49,733 UH, YOU HAVE A CONFERENCE CALL 498 00:17:49,767 --> 00:17:52,800 WITH CHANCELLOR KROLL AND ELI BROAD 499 00:17:52,833 --> 00:17:54,100 ABOUT THE MEDIA LAB BUILDING. 500 00:17:54,133 --> 00:17:56,200 OH, SHIT! I'M SO NOT PREPARED FOR THAT. 501 00:17:56,233 --> 00:17:58,067 DO YOU WANT TO RESCHEDULE? 502 00:17:58,100 --> 00:18:00,133 NO, YOU DON'T RESCHEDULE ELI BROAD. 503 00:18:00,167 --> 00:18:01,267 [KNOCK ON DOOR] 504 00:18:01,300 --> 00:18:02,667 ATTENDANCE 505 00:18:02,700 --> 00:18:03,833 IS GOING TO SKYROCKET. 506 00:18:03,867 --> 00:18:04,933 ALTHOUGH WE MIGHT LOSE 507 00:18:04,967 --> 00:18:07,367 A FEW CHRISTIAN FOLK ALONG THE WAY. 508 00:18:07,400 --> 00:18:10,333 LEZ GIRLS-- WAY TO GO, "BEV". 509 00:18:16,567 --> 00:18:19,067 SO FUCKING UNACCEPTABLE. 510 00:18:19,067 --> 00:18:22,067 IT'S UNACCEPTABLE. 511 00:18:22,100 --> 00:18:24,233 [SIGHING] 512 00:18:24,267 --> 00:18:25,533 HELLO? 513 00:18:25,567 --> 00:18:26,833 TINA. HI, BETTE. 514 00:18:26,867 --> 00:18:29,600 I'M SITTING HERE WITH JENNY'S LITTLE FUCKING TOME, 515 00:18:29,633 --> 00:18:32,067 WONDERING WHY YOU DIDN'T GIVE ME A HEADS-UP. 516 00:18:32,067 --> 00:18:33,400 WELL, YOU KNOW WHAT? 517 00:18:33,433 --> 00:18:34,700 IT DIDN'T EVEN OCCUR TO ME TO TALK ABOUT IT. 518 00:18:34,733 --> 00:18:36,133 I DON'T KNOW. 519 00:18:36,167 --> 00:18:38,600 YOU'RE THE ONE THAT SAID-- YOU SAID IT WAS FLUFF, REMEMBER? 520 00:18:38,633 --> 00:18:40,267 YOU SAID IT WAS FRIVOLOUS ENTERTAINMENT. 521 00:18:40,300 --> 00:18:41,833 WELL, I HADN'T READ THE WHOLE BOOK. 522 00:18:41,867 --> 00:18:44,400 LOOK, LOOK, IT'S NOT YOU. 523 00:18:44,433 --> 00:18:45,800 IT'S A CHARACTER. 524 00:18:45,833 --> 00:18:47,600 ALL IT IS IS A CHARACTER. 525 00:18:47,633 --> 00:18:49,300 IT'S NOT YOU. 526 00:18:49,333 --> 00:18:52,300 YOU'RE PERSONALIZING IT WAY TOO MUCH. 527 00:18:52,333 --> 00:18:53,733 NO, NO-- 528 00:18:53,767 --> 00:18:55,267 LOOK, NO, YOU'RE NOT NARCISSISTIC. 529 00:18:55,300 --> 00:18:57,900 IF ANYTHING, YOU'RE JUST A LITTLE BIT OF A CONTROL FREAK, 530 00:18:57,933 --> 00:18:58,767 BUT YOU KNOW WHAT? 531 00:18:58,800 --> 00:19:00,933 IT'S ENDEARING. IT'S ENDEARING. 532 00:19:00,967 --> 00:19:02,733 EVERYBODY-- 533 00:19:02,767 --> 00:19:04,500 YOU KNOW WHAT? I HAVE TO GO. 534 00:19:04,533 --> 00:19:05,900 I'M HAVING LUNCH WITH MY DIRECTOR. 535 00:19:05,933 --> 00:19:07,167 OH, YOU MEAN KATE ARDEN? 536 00:19:07,200 --> 00:19:08,833 YOU'RE HAVING LUNCH WITH KATE ARDEN? 537 00:19:08,867 --> 00:19:11,100 ENJOY YOURSELF. 538 00:19:15,167 --> 00:19:17,900 TWO PELLEGRINOS, ACTUALLY, OVER AT THAT TABLE. 539 00:19:17,933 --> 00:19:19,767 THANKS. 540 00:19:19,800 --> 00:19:21,600 HI. 541 00:19:22,900 --> 00:19:24,633 SUIT. 542 00:19:24,667 --> 00:19:25,700 NICE. 543 00:19:25,733 --> 00:19:27,067 THANKS. 544 00:19:28,367 --> 00:19:30,333 [CHUCKLES] 545 00:19:30,367 --> 00:19:31,833 HEY. LARRY KENNAR. 546 00:19:31,867 --> 00:19:33,267 OH, SORRY. 547 00:19:33,300 --> 00:19:34,300 THAT'S MY MANAGER. 548 00:19:34,333 --> 00:19:35,467 HEARD A LOT OF GREAT THINGS ABOUT YOU 549 00:19:35,500 --> 00:19:36,767 FROM KATE. 550 00:19:39,567 --> 00:19:41,733 SO HOW'S IT GOING WITH JENNY? 551 00:19:41,767 --> 00:19:43,567 I CAN'T WAIT TO TAKE A LOOK AT THE SCRIPT. 552 00:19:43,600 --> 00:19:45,600 UM... 553 00:19:47,233 --> 00:19:49,500 IT'S-- IT'S-- IT'S ALL RIGHT. 554 00:19:49,533 --> 00:19:51,500 YOU KNOW, IT'S, UH... 555 00:19:51,533 --> 00:19:53,467 LIKE, JUST... 556 00:19:53,500 --> 00:19:56,233 [SIGHING]: A LITTLE CHALLENGING AT TIMES. 557 00:19:56,267 --> 00:19:58,300 LOOK, HERE'S THE DEAL, OKAY? 558 00:19:58,333 --> 00:20:00,767 KATE'S DOING ALL THE WORK, 559 00:20:00,800 --> 00:20:01,933 AND, YOU KNOW, 560 00:20:01,967 --> 00:20:03,533 THIS WRITER'S COMPLETELY INCOMPETENT, 561 00:20:03,567 --> 00:20:04,600 I GOT TO TELL YOU. 562 00:20:04,633 --> 00:20:06,433 ABSOLUTELY NOTHING AGAINST JENNY. 563 00:20:06,467 --> 00:20:07,767 SHE'S A GREAT NOVELIST, 564 00:20:07,800 --> 00:20:10,733 SHE'S JUST REALLY NOT A SCREENWRITER YET. 565 00:20:10,767 --> 00:20:12,300 SHE DOESN'T THINK VISUALLY. 566 00:20:12,333 --> 00:20:13,733 SHE DOESN'T KNOW STRUCTURE, 567 00:20:13,767 --> 00:20:15,367 ALL OF HER CHARACTERS SPEAK THEIR SUBTEXT, 568 00:20:15,400 --> 00:20:17,200 AND SHE WRITES PAGE AFTER PAGE OF DESCRIPTION 569 00:20:17,233 --> 00:20:18,833 THAT JUST HAS NOTHING 570 00:20:18,867 --> 00:20:20,567 TO DO WITH MOVING THE STORY FORWARD. 571 00:20:20,600 --> 00:20:21,233 SO YOU'VE READ IT. 572 00:20:21,267 --> 00:20:22,433 OH, YEAH. 573 00:20:22,467 --> 00:20:23,900 YOU SLIPPED HIM THE PAGES? 574 00:20:23,933 --> 00:20:24,900 CAN YOU SLIP ME THE PAGES? 575 00:20:24,933 --> 00:20:26,267 I'D LIKE TO TAKE A LOOK AT IT. 576 00:20:26,300 --> 00:20:28,600 WELL, YOU KNOW, KATE DID WRITE THE SCREENPLAY 577 00:20:28,633 --> 00:20:30,433 FOR PANDORA'S FLIGHT. LARRY. 578 00:20:30,467 --> 00:20:32,233 I'M NOT ANGLING TO WRITE THIS. 579 00:20:32,267 --> 00:20:35,867 LOOK-- I'M TALKING! 580 00:20:35,900 --> 00:20:35,967 THAT'S NOT MY AGENDA. 581 00:20:38,300 --> 00:20:40,733 SHE'S BEING SHY, BUT HERE'S THE DEAL. 582 00:20:40,767 --> 00:20:41,733 YOU KNOW WHAT? 583 00:20:41,767 --> 00:20:43,433 WHETHER SHE'S ANGLING FOR IT OR NOT, 584 00:20:43,467 --> 00:20:44,500 JENNIFER SCHECTER 585 00:20:44,533 --> 00:20:45,800 IS A COMPLETE WASTE OF HER TIME. 586 00:20:45,833 --> 00:20:47,200 KATE'S GOT TOO MANY PROJECTS 587 00:20:47,233 --> 00:20:49,000 TO MESS AROUND WITH THIS, YOU KNOW? 588 00:20:49,033 --> 00:20:50,300 YOU'VE GOT TO GET RID OF HER. 589 00:20:50,333 --> 00:20:51,567 OKAY, WHOA, WHOA, WHOA. 590 00:20:51,600 --> 00:20:52,767 I GET WHAT YOU'RE SAYING, ALL RIGHT? 591 00:20:52,800 --> 00:20:54,300 LOOK, SHE'S A FRIEND OF MINE, ALL RIGHT, 592 00:20:54,333 --> 00:20:56,133 AND SHE OWNS THE RIGHTS TO THIS. 593 00:20:56,167 --> 00:20:57,567 THIS IS HER STORY. 594 00:20:57,600 --> 00:20:58,867 IT'S VERY PERSONAL TO HER. 595 00:20:58,900 --> 00:21:01,167 I LIKE JENNY. 596 00:21:01,200 --> 00:21:03,200 YEAH, WELL, I THINK JENNY LIKES YOU, TOO. 597 00:21:03,233 --> 00:21:06,133 I JUST THINK THE MOST IMPORTANT THING 598 00:21:06,167 --> 00:21:08,133 IS THAT WE GO INTO THIS MEETING 599 00:21:08,167 --> 00:21:09,833 WITH A REALLY STRONG WORKING SCRIPT. 600 00:21:09,867 --> 00:21:11,367 YEAH, I REALLY BELIEVE IN THIS. 601 00:21:11,400 --> 00:21:14,367 I'M NOT GIVING UP ON THIS OR ANYTHING. 602 00:21:14,400 --> 00:21:17,367 AND I LOVE WORKING WITH YOU. 603 00:21:17,400 --> 00:21:20,300 YOU KNOW, I THINK WE COULD DO, UH, 604 00:21:20,333 --> 00:21:22,900 GREAT THINGS TOGETHER. 605 00:21:22,933 --> 00:21:24,600 AT THIS MIDPOINT OF MY PROJECT, 606 00:21:24,633 --> 00:21:26,433 I'M FINDING THAT I'M RETHINKING 607 00:21:26,467 --> 00:21:29,067 MY CORE CONCEPT. 608 00:21:29,067 --> 00:21:32,067 I'M STILL EXPLORING LANDSCAPE, BUT-- 609 00:21:32,100 --> 00:21:33,233 [DOOR OPENS] 610 00:21:37,067 --> 00:21:39,367 I FOUND MYSELF 611 00:21:39,400 --> 00:21:40,733 MORE DRAWN TO PAINTING. 612 00:21:40,767 --> 00:21:42,433 ISN'T THE MIDPOINT A LITTLE LATE 613 00:21:42,467 --> 00:21:44,467 TO BE RETHINKING YOUR CORE CONCEPT? 614 00:21:44,500 --> 00:21:46,233 THIS IS A SCULPTURE STUDIO. 615 00:21:46,267 --> 00:21:48,233 [TOM]: THIS IS AN ART SCHOOL. 616 00:21:48,267 --> 00:21:49,867 THERE'S VALUE 617 00:21:49,900 --> 00:21:51,167 IN A STUDENT DISCOVERING SOMETHING 618 00:21:51,200 --> 00:21:52,400 HE WASN'T EXPECTING, 619 00:21:52,433 --> 00:21:55,067 AND THERE'S ALSO VALUE IN EVERYONE ELSE 620 00:21:55,067 --> 00:21:56,767 LISTENING TO HIS PROCESS. 621 00:21:56,800 --> 00:21:58,900 THIS IS A SCULPTURE STUDIO, 622 00:21:58,933 --> 00:22:01,533 AND THIS IS A PAINTING THESIS. 623 00:22:01,567 --> 00:22:03,733 I'D HAVE TO SAY THAT I AGREE. 624 00:22:03,767 --> 00:22:05,800 I THINK IT WOULD BE IRRESPONSIBLE 625 00:22:05,833 --> 00:22:07,533 FOR YOU TO GO FORWARD WITH THIS THESIS. 626 00:22:07,567 --> 00:22:08,800 YOU'RE GOING TO NEED TO FIND 627 00:22:08,833 --> 00:22:10,533 A SCULPTURAL INTERPRETATION, 628 00:22:10,567 --> 00:22:11,567 ESPECIALLY SINCE YOUR ADVISOR 629 00:22:11,600 --> 00:22:14,367 MIGHT BE LEAVING MID-SEMESTER. 630 00:22:14,400 --> 00:22:16,700 [SIGHS] 631 00:22:16,733 --> 00:22:18,900 I CAN TRY TO TAKE IT INTO THREE DIMENSIONS. 632 00:22:18,933 --> 00:22:21,733 IT JUST FELT LIKE AN ARTIFICE. 633 00:22:21,767 --> 00:22:24,267 YOU KNOW? 634 00:22:30,233 --> 00:22:31,367 YOU'RE NOT GOING TO PASS 635 00:22:31,400 --> 00:22:32,367 THE SCULPTURE REVIEW BOARD 636 00:22:32,400 --> 00:22:33,300 WITH A PAINTING. 637 00:22:33,333 --> 00:22:34,533 I DON'T HAVE TIME TO DO IT OVER. 638 00:22:34,567 --> 00:22:36,067 I'VE GOT, LIKE, A HALF A SEMESTER LEFT 639 00:22:36,067 --> 00:22:37,133 TO DO THIS? 640 00:22:37,167 --> 00:22:38,333 COME ON, LOOK WHAT I DID. 641 00:22:38,367 --> 00:22:40,067 LOOK AT ALL THIS. 642 00:22:40,100 --> 00:22:42,100 [DOORBELL CHIMES] 643 00:22:44,067 --> 00:22:45,333 HI. 644 00:22:45,367 --> 00:22:46,900 HOW ARE YOU? HI, MY FRIEND. 645 00:22:46,933 --> 00:22:49,533 GOOD TO SEE YOU. 646 00:22:49,567 --> 00:22:50,833 I GOT IT... 647 00:22:50,867 --> 00:22:52,067 I HAVE SOMETHING FOR YOU. 648 00:22:52,067 --> 00:22:54,867 IT'S A DAY EARLY, BUT, UH, 649 00:22:54,900 --> 00:22:56,433 I DON'T WANT YOU TO BE MAD. 650 00:22:56,467 --> 00:22:57,633 I KNOW IT'S NOT HIS BIRTHDAY, 651 00:22:57,667 --> 00:22:59,200 BUT I KNOW HE WANTS IT, SO... 652 00:22:59,233 --> 00:23:00,267 THIS IS FOR YOU. 653 00:23:00,300 --> 00:23:01,600 THANK YOU. 654 00:23:01,633 --> 00:23:02,667 OH, THAT'S SO SWEET. 655 00:23:02,700 --> 00:23:03,833 AH, WELL, IT'S JUST A LITTLE SOMETHING. 656 00:23:07,467 --> 00:23:08,700 YOU LOOK GOOD. 657 00:23:08,733 --> 00:23:09,800 THANK YOU. 658 00:23:09,833 --> 00:23:10,967 SO DO YOU... 659 00:23:11,067 --> 00:23:12,833 AS ALWAYS. 660 00:23:12,867 --> 00:23:15,233 EL PANDA! AWESOME! 661 00:23:15,267 --> 00:23:16,600 AND IT'S THE SWEET-AND-SOUR EDITION, 662 00:23:16,633 --> 00:23:19,400 AND THERE'S ONLY A HUNDRED MADE, SO... 663 00:23:19,433 --> 00:23:20,133 YOU'RE ONE OF THE LUCKY HUNDRED. 664 00:23:20,167 --> 00:23:21,467 COOL! 665 00:23:21,500 --> 00:23:22,600 HE IS UGLY. 666 00:23:22,633 --> 00:23:23,867 SEE, THIS HAS THE WHOLE HISTORY, 667 00:23:23,900 --> 00:23:26,167 RIGHT HERE. 668 00:23:26,200 --> 00:23:27,500 LOOK AT THAT. 669 00:23:27,533 --> 00:23:30,833 "DESPITE NOT SPEAKING THE LANGUAGE 670 00:23:30,867 --> 00:23:34,067 "AND ASSERTING THAT CHOP SUEY, 671 00:23:34,100 --> 00:23:36,900 IS A TRADITIONAL DISH OF MAINLAND CHINA--" 672 00:23:36,933 --> 00:23:38,933 [SHANE AND JARED]: "EL PANDA BELIEVES 673 00:23:38,967 --> 00:23:40,333 "HE IS CHINESE. 674 00:23:40,367 --> 00:23:41,767 HIS DISTORTED INTERPRETATION..." 675 00:23:41,800 --> 00:23:44,567 [MUTTERING TO SELF]: IT'S NOT A BIRTHDAY PRESENT OR ANYTHING, 676 00:23:44,600 --> 00:23:47,967 BECAUSE TOMORROW'S NOT HIS BIRTHDAY. 677 00:23:48,067 --> 00:23:49,500 HEY, PAIGE, 678 00:23:49,533 --> 00:23:52,600 I WAS HOPING I COULD PICK HIM UP TOMORROW 679 00:23:52,633 --> 00:23:53,700 AND TAKE HIM 680 00:23:53,733 --> 00:23:54,800 TO THE THIRD STREET PROMENADE, 681 00:23:54,833 --> 00:23:56,333 BECAUSE THEY HAVE THIS NEW COLLECTION 682 00:23:56,367 --> 00:23:58,433 OF THESE THINGS CALLED SUBSERVIENT CHICKENS. 683 00:23:58,467 --> 00:24:00,167 THEY'RE SO COOL. YOU LIKE THEM, RIGHT? 684 00:24:00,200 --> 00:24:01,567 YES. THAT'S WHAT I THOUGHT. 685 00:24:01,600 --> 00:24:02,700 AND I WANT TO SHOW IT TO HIM, IF YOU DON'T MIND. 686 00:24:02,733 --> 00:24:04,533 WELL, YEAH, SURE, 687 00:24:04,567 --> 00:24:07,467 JUST AS LONG AS YOU DROP HIM AT HIS VIOLIN LESSON. 688 00:24:07,500 --> 00:24:08,767 WHAT DO YOU THINK? VIOLIN AND CHICKENS? 689 00:24:08,800 --> 00:24:10,133 OKAY. 690 00:24:10,167 --> 00:24:12,833 OKAY. 691 00:24:12,867 --> 00:24:14,067 DOES HIS HEAD MOVE? 692 00:24:14,067 --> 00:24:15,567 [JARED]: YEAH, MM-HMM. IT DOES. 693 00:24:15,600 --> 00:24:16,933 IT'S KIND OF STICKY, THOUGH. 694 00:24:18,633 --> 00:24:20,633 [NAIL CLIPS] 695 00:24:24,067 --> 00:24:26,067 [NAIL CLIPS] 696 00:24:26,067 --> 00:24:27,667 [SIGHING] 697 00:24:27,700 --> 00:24:30,167 CAN YOU DO THAT IN ANOTHER ROOM? 698 00:24:30,200 --> 00:24:34,233 CAN'T YOU GO SOMEWHERE ELSE? 699 00:24:36,900 --> 00:24:41,100 [TELEPHONE RINGING] 700 00:24:43,700 --> 00:24:45,567 KATE. 701 00:24:45,600 --> 00:24:47,533 YEAH, I KNOW, I'M READING IT. 702 00:24:47,567 --> 00:24:49,667 NO, I'M READING IT RIGHT NOW. 703 00:24:49,700 --> 00:24:52,900 IT'S SO BAD. IT'S SO BAD. 704 00:24:52,933 --> 00:24:55,100 [LAUGHING]: NO. WHAT? 705 00:24:56,567 --> 00:24:58,533 NUH-UH. NO! 706 00:24:58,567 --> 00:25:00,933 [LAUGHING] 707 00:25:00,967 --> 00:25:02,833 YEAH. 708 00:25:02,867 --> 00:25:04,800 REALLY? 709 00:25:04,833 --> 00:25:07,167 I DON'T KNOW ABOUT THAT. 710 00:25:07,200 --> 00:25:11,067 WELL, NO, NO, I'D LOVE TO GO OUT WITH YOU, 711 00:25:11,067 --> 00:25:12,967 BUT, UH, I'M ACTUALLY, UH... 712 00:25:13,067 --> 00:25:14,433 I TOLD HENRY I'D STAY IN. 713 00:25:14,467 --> 00:25:17,667 I DON'T EVEN KNOW WHY I DID THAT. 714 00:25:17,700 --> 00:25:19,467 TO FREEDOM. 715 00:25:19,500 --> 00:25:21,133 FREEDOM. 716 00:25:21,167 --> 00:25:22,533 [GLASSES CLINK] 717 00:25:22,567 --> 00:25:24,333 * ...NOBODY WANTS TO HEAR 718 00:25:24,367 --> 00:25:27,367 * MY DEAR, I FEAR WE CLEAR A MERE TEAR... * 719 00:25:27,400 --> 00:25:29,667 I'M REALLY PROUD OF YOU. 720 00:25:29,700 --> 00:25:32,633 I'M PRETTY PROUD OF MYSELF... 721 00:25:32,667 --> 00:25:35,067 ACTUALLY. 722 00:25:35,067 --> 00:25:36,333 * ...HAVE SEX WITH YOU? 723 00:25:36,367 --> 00:25:38,067 * NO THANKS I ALREADY GOT A GIRL * 724 00:25:38,067 --> 00:25:40,467 * NOT OUT TO FUCK THE WORLD 'CAUSE YOU THINK I'M A PERV * 725 00:25:40,500 --> 00:25:42,433 * DESERVE TO SERVE, UNNERVED NOT IMPERVIOUS TO HURT * 726 00:25:42,467 --> 00:25:43,733 * I'M DIRT TO THE DIRT BURIED IN EARTH * 727 00:25:43,767 --> 00:25:45,133 * YOU'RE SCARED OF THIS BIRTH 728 00:25:45,167 --> 00:25:46,633 * IT CAME WITH A CURSE A MAN WITH A PURSE, PUSS * 729 00:25:46,667 --> 00:25:48,433 * OF COURSE I PUSH BACK IF PUSHED FIRST * 730 00:25:48,467 --> 00:25:49,900 * I ATTACK THE LACK OF THOUGHT-OUT PLANS * 731 00:25:49,933 --> 00:25:51,800 * AND WHITE MAN POPPIN' BEER CANS * 732 00:25:51,833 --> 00:25:53,800 * THEY FEAR TRANS WITH OVERLY SUNTANNED NECKS * 733 00:25:53,833 --> 00:25:57,433 * THAT'S WHY WE STILL GET NO RESPECT * 734 00:25:57,467 --> 00:26:01,300 * IF YOU DIDN'T UNDERSTAND TRY TO * 735 00:26:01,333 --> 00:26:03,333 * WOMAN OR A MAN NOT TRUE * 736 00:26:03,367 --> 00:26:06,233 * I'M SOMETHING DIFFERENT 737 00:26:08,100 --> 00:26:10,867 * IF YOU DIDN'T UNDERSTAND TRY TO * 738 00:26:10,900 --> 00:26:13,100 * WOMAN OR A MAN NOT TRUE * 739 00:26:13,133 --> 00:26:15,700 * I'M SOMETHING DIFFERENT 740 00:26:15,733 --> 00:26:17,333 * I TELL YOU WHAT I AM 741 00:26:17,367 --> 00:26:18,967 * A MAR ON THE GAY COMMUNITY 742 00:26:19,067 --> 00:26:20,900 * TO SOON FOR ME TO PROMOTE UNITY * 743 00:26:20,933 --> 00:26:22,867 * WHEN WE ONLY SEE AS FAR IN FRONT AS A MIRROR * 744 00:26:22,900 --> 00:26:24,400 * AND FEAR OR HATE KEEP US IN OUR PLACE * 745 00:26:24,433 --> 00:26:25,800 * TRY TO SAVE FACE INSTATE GRACE * 746 00:26:25,833 --> 00:26:27,133 * IN A RAT RACE 747 00:26:27,167 --> 00:26:28,533 * WHERE FREEBASE IS BOUGHT BY THE CASE * 748 00:26:28,567 --> 00:26:30,200 * ONCE YOU HAVE YOUR FIRST TASTE YOU WON'T REMEMBER... * 749 00:26:30,233 --> 00:26:32,800 TAKE IT OFF. 750 00:26:32,833 --> 00:26:34,400 * ASK ME TO CONCENTRATE 751 00:26:34,433 --> 00:26:36,133 * BECOME A PRODUCTIVE MEMBER OF SOCIETY * 752 00:26:36,167 --> 00:26:38,333 * CALL ME AN INGRATE AND LEGISLATE IN EVERY STATE * 753 00:26:38,367 --> 00:26:39,833 * AND TELL ME NO ONE'S LIED TO ME * 754 00:26:39,867 --> 00:26:41,433 * BUT I TRIED TO BE PROVIDE THE * 755 00:26:41,467 --> 00:26:43,433 * GUIDE TO BE A DECENT HUMAN BEING * 756 00:26:43,467 --> 00:26:45,567 * DOESN'T LEAVE THE PEOPLE FUMING AND FLEEING * 757 00:26:45,600 --> 00:26:47,333 * AND DOOMING WITH ME IN THE DRIVER'S SEAT * 758 00:26:47,367 --> 00:26:49,300 * I'LL SURVIVE THE HEAT REVIVE THE BEAT * 759 00:26:49,333 --> 00:26:51,067 * ALIVE TO MEET ANOTHER DAY CONNIVE DECEIT * 760 00:26:51,067 --> 00:26:52,333 * AND FIND SOME OTHER WAY 761 00:26:52,367 --> 00:26:54,333 * TO DESTROY SECOND-HAND NOTIONS... * 762 00:26:54,367 --> 00:26:56,467 [MOANING SOFTLY] 763 00:26:56,500 --> 00:27:00,933 * IF YOU DIDN'T UNDERSTAND TRY TO * 764 00:27:00,967 --> 00:27:03,100 * WOMAN OR A MAN NOT TRUE * 765 00:27:03,133 --> 00:27:06,267 * I'M SOMETHING DIFFERENT 766 00:27:08,067 --> 00:27:11,067 * IF YOU DIDN'T UNDERSTAND TRY TO * 767 00:27:11,100 --> 00:27:13,133 * WOMAN OR A MAN NOT TRUE * 768 00:27:13,167 --> 00:27:16,133 * I'M SOMETHING DIFFERENT 769 00:27:18,067 --> 00:27:19,700 * ARE YOU FORGETTING? UPSETTING THE DELICATE BALANCE * 770 00:27:19,733 --> 00:27:22,367 * I CHALLENGE VALIANT VIOLENCE WITHOUT SILENCE * 771 00:27:22,400 --> 00:27:23,867 * AND START GETTING MY FRIENDS TO FORGET * 772 00:27:23,900 --> 00:27:26,267 * WHY WE FENCED PAST-TENSE PROGRESSIVENESS * 773 00:27:26,300 --> 00:27:27,267 * THIS OBSESSIVENESS MAKES DENSE TENSE * 774 00:27:27,300 --> 00:27:28,733 * HENCE THE AGGRAVATED 775 00:27:28,767 --> 00:27:30,067 * I'M NOT MAD, JUST HATED 776 00:27:30,067 --> 00:27:32,567 * BERATED FOR WHAT FATE DID DISASSOCIATED * 777 00:27:32,600 --> 00:27:33,900 * JUST SUPPOSED TO PLAY DEAD SIMON SAID * 778 00:27:33,933 --> 00:27:34,967 * BUT I DON'T WANT TO PLAY THIS GAME... * 779 00:27:35,067 --> 00:27:36,700 UH-UH. 780 00:27:36,733 --> 00:27:38,833 LET ME TOUCH YOU. 781 00:27:38,867 --> 00:27:40,900 UH-UH. 782 00:27:42,533 --> 00:27:44,867 I DON'T WANT TO. 783 00:27:49,067 --> 00:27:51,567 DON'T HIDE FROM ME, MAX. 784 00:27:51,600 --> 00:27:53,300 I WANT TO FEEL YOUR BODY. 785 00:27:53,333 --> 00:27:56,933 IT'S NOT MY BODY. 786 00:27:56,967 --> 00:28:01,367 I MEAN, IT'LL BE MY BODY IN A COUPLE OF WEEKS 787 00:28:01,400 --> 00:28:03,133 WHEN I GET THE SURGERY. 788 00:28:06,933 --> 00:28:08,067 BUT YOU KNOW... 789 00:28:08,100 --> 00:28:11,433 YOU WERE HOT FOR ME JUST NOW. 790 00:28:11,467 --> 00:28:13,800 YEAH. 791 00:28:15,533 --> 00:28:17,167 THAT WAS YOUR BODY. 792 00:28:17,200 --> 00:28:19,900 IT FELT GOOD. 793 00:28:21,067 --> 00:28:25,067 I DON'T FEEL COMFORTABLE WITH IT. 794 00:28:25,067 --> 00:28:27,233 I DO. 795 00:28:31,933 --> 00:28:33,733 YOU DO? 796 00:28:33,767 --> 00:28:35,433 YEAH. 797 00:28:37,833 --> 00:28:40,333 I THINK YOU'RE SO HOT... 798 00:28:41,767 --> 00:28:45,067 AND ALL I WANT TO DO IS SUCK ON YOUR COCK. 799 00:28:47,133 --> 00:28:49,800 YOU TURN ME ON SO MUCH. 800 00:28:52,567 --> 00:28:55,067 WILL YOU LET ME? 801 00:28:57,800 --> 00:29:00,767 [**] 802 00:29:13,400 --> 00:29:14,800 CAN YOU FEEL THAT? 803 00:29:14,833 --> 00:29:16,067 YEAH. 804 00:29:16,067 --> 00:29:17,667 IT FEELS GOOD, DOESN'T IT? 805 00:29:17,700 --> 00:29:19,700 YEAH. 806 00:29:24,667 --> 00:29:27,567 [GASPING] 807 00:29:39,267 --> 00:29:41,367 [GASPING] 808 00:29:45,600 --> 00:29:48,433 [MOANING SOFTLY] 809 00:29:50,600 --> 00:29:54,100 I WANT YOU TO COME IN MY MOUTH. 810 00:30:02,100 --> 00:30:04,467 [GASPING] 811 00:30:17,400 --> 00:30:19,367 FUCK YOU, JENNY. 812 00:30:19,400 --> 00:30:24,033 THIS IS COMPLETE AND UTTER TOTAL FUCKING BULLSHIT. 813 00:30:24,067 --> 00:30:26,933 I WOULDN'T SAY THAT. 814 00:30:26,967 --> 00:30:29,100 NEVER. 815 00:30:29,133 --> 00:30:30,967 THAT'S NOT EVEN GRAMMATICALLY CORRECT, 816 00:30:31,000 --> 00:30:33,333 YOU FUCKING IDIOT. 817 00:30:36,067 --> 00:30:37,633 YOU'RE DEAD MEAT. 818 00:30:37,667 --> 00:30:40,033 YOU'RE JUST DEAD FUCKING MEAT, JENNY SCHECTER. 819 00:30:44,233 --> 00:30:46,167 HEY. 820 00:30:46,200 --> 00:30:47,833 HEY. 821 00:30:47,867 --> 00:30:49,933 [EGGS SIZZLING] 822 00:30:49,967 --> 00:30:51,933 CAN WE TALK? 823 00:30:51,967 --> 00:30:53,967 OKAY. 824 00:30:56,100 --> 00:30:58,500 I'M NOT HAPPY. 825 00:30:59,567 --> 00:31:01,767 NOT HAPPY HOW? 826 00:31:01,800 --> 00:31:05,400 I FEEL LIKE WE'RE DRIFTING APART. 827 00:31:06,967 --> 00:31:08,633 RIGHT. 828 00:31:08,667 --> 00:31:10,200 OKAY. 829 00:31:10,233 --> 00:31:12,200 DO YOU AGREE WITH ME? 830 00:31:12,233 --> 00:31:14,267 YEAH, I MEAN, I... I GUESS. 831 00:31:14,300 --> 00:31:15,867 I THOUGHT IT MIGHT PASS, YOU KNOW. 832 00:31:15,900 --> 00:31:17,067 I KNOW YOU'RE REALLY BUSY RIGHT NOW, 833 00:31:17,067 --> 00:31:19,133 ALL WRAPPED UP IN YOUR WORK. 834 00:31:19,167 --> 00:31:21,533 WELL... I DON'T KNOW. 835 00:31:21,567 --> 00:31:23,067 I DON'T KNOW WHAT TO DO ABOUT IT. 836 00:31:24,600 --> 00:31:26,800 IS THERE SOMEBODY ELSE? 837 00:31:28,100 --> 00:31:29,933 NO. 838 00:31:29,967 --> 00:31:31,067 NO. 839 00:31:33,567 --> 00:31:35,700 IS IT A WOMAN? 840 00:31:37,833 --> 00:31:40,400 [SIGHS SOFTLY] 841 00:31:40,433 --> 00:31:41,500 YOU KNOW, IT'S... 842 00:31:41,533 --> 00:31:42,933 IT'S NOT ABOUT HER. 843 00:31:44,233 --> 00:31:46,067 WHO IS IT? 844 00:31:46,100 --> 00:31:47,233 YOU KNOW WHAT? 845 00:31:47,267 --> 00:31:48,400 THIS ISN'T ABOUT THAT. 846 00:31:48,433 --> 00:31:49,567 THIS IS ABOUT US. 847 00:31:49,600 --> 00:31:51,067 THIS IS ABOUT YOU AND ME. 848 00:31:51,067 --> 00:31:52,533 FUCK. 849 00:31:52,567 --> 00:31:54,300 I FEEL LIKE AN ASSHOLE, YOU KNOW? 850 00:31:54,333 --> 00:31:56,133 I MEAN, I JUST... I KNEW THIS WOULD HAPPEN. 851 00:31:56,167 --> 00:31:58,967 WHAT DOES THAT MEAN, YOU KNEW IT? 852 00:31:59,067 --> 00:32:00,500 COME ON, TINA! 853 00:32:00,533 --> 00:32:02,667 ONCE A LESBIAN, ALWAYS A LESBIAN. 854 00:32:02,700 --> 00:32:04,133 WHAT THE FUCK WAS I THINKING? 855 00:32:04,167 --> 00:32:05,300 THAT WE LIKED EACH OTHER, 856 00:32:05,333 --> 00:32:07,067 THAT WE WERE ATTRACTED TO EACH ANOTHER, 857 00:32:07,067 --> 00:32:08,433 THAT WE LIKED FUCKING. 858 00:32:08,467 --> 00:32:10,133 YOU WERE SO COOL WITH ME BEING A LESBIAN. 859 00:32:10,167 --> 00:32:11,567 UNTIL YOU GOT WHAT YOU NEEDED, 860 00:32:11,600 --> 00:32:13,767 AND THEN YOU WERE READY FOR A CHANGE OF PACE. 861 00:32:13,800 --> 00:32:15,067 ISN'T THAT HOW THIS WORKS FOR YOU, TINA? 862 00:32:15,067 --> 00:32:16,400 FUCK YOU. 863 00:32:16,433 --> 00:32:17,700 NO, FUCK YOU. FUCK YOU. 864 00:32:17,733 --> 00:32:18,700 THAT IS REALLY FUCKING UNFAIR. 865 00:32:18,733 --> 00:32:19,733 WHAT DO YOU WANT ME TO SAY? 866 00:32:19,767 --> 00:32:21,067 WHAT DO YOU WANT ME TO DO? 867 00:32:21,100 --> 00:32:21,967 I DON'T KNOW. NOTHING. 868 00:32:22,067 --> 00:32:23,200 [SIGHS] 869 00:32:23,233 --> 00:32:25,367 NOTHING. DO NOTHING. 870 00:32:25,400 --> 00:32:27,067 THAT'S WHAT YOU'RE GOING TO DO, RIGHT? 871 00:32:27,067 --> 00:32:28,633 NOTHING. 872 00:32:30,400 --> 00:32:32,967 [SIGHING]: WELL, THEN, YOU KNOW... 873 00:32:35,100 --> 00:32:36,833 I GUESS WE NEED TO FIGURE IT OUT. 874 00:32:38,767 --> 00:32:39,867 [SCOFFS] 875 00:32:39,900 --> 00:32:41,300 FIGURE OUT WHAT? 876 00:32:41,333 --> 00:32:42,733 FUCK IT. 877 00:32:42,767 --> 00:32:45,333 THERE'S NOTHING TO FIGURE OUT, IS THERE? 878 00:32:45,367 --> 00:32:46,533 [PAN CLUNKS IN SINK] 879 00:32:46,567 --> 00:32:47,800 FUCK. 880 00:32:51,067 --> 00:32:53,167 * DREAM A LITTLE DREAM 881 00:32:53,200 --> 00:32:56,867 * A LITTLE DREAM FOR MY NIGHT * 882 00:32:56,900 --> 00:32:58,867 * SMOKE A LITTLE SMOKE... 883 00:32:58,900 --> 00:33:00,800 [DOOR OPENS] 884 00:33:00,833 --> 00:33:03,200 [DOOR CLOSES] 885 00:33:04,967 --> 00:33:08,733 ALICE? 886 00:33:08,767 --> 00:33:15,267 * ...THAT YOUR VOICE IS TREMBLING * 887 00:33:17,267 --> 00:33:19,267 * DREAM A LITTLE DREAM 888 00:33:19,300 --> 00:33:23,067 * A LITTLE DREAM FOR MY NIGHT * 889 00:33:23,067 --> 00:33:25,333 * SMOKE A LITTLE MORE 890 00:33:25,367 --> 00:33:29,600 * A LITTLE MORE IN THE DARK 891 00:33:29,633 --> 00:33:35,300 * WHEN YOU TALK I JUST HEAR * 892 00:33:35,333 --> 00:33:41,233 * THAT YOUR VOICE IS TREMBLING 893 00:33:43,167 --> 00:33:44,867 * DOO, DOO-DOO 894 00:33:44,900 --> 00:33:45,867 * DOO-DOO-DOO-DOO 895 00:33:45,900 --> 00:33:48,700 [WATCH TICKING] 896 00:33:48,733 --> 00:33:51,867 * DOO, DOO-DOO... 897 00:33:51,900 --> 00:33:54,500 [TICKING] 898 00:33:54,533 --> 00:33:58,067 [HELICOPTER BLADES WHIRRING] 899 00:34:01,800 --> 00:34:03,933 [WOMAN SOBS] 900 00:34:03,967 --> 00:34:05,100 YOU'VE GOT TO HOLD YOURSELF TOGETHER. 901 00:34:05,133 --> 00:34:07,067 [SOBBING]: BASTARD! 902 00:34:07,067 --> 00:34:10,267 LISA, YOU'VE GOT TO HOLD ON TO YOURSELF. 903 00:34:10,300 --> 00:34:12,067 I CAN'T. 904 00:34:12,067 --> 00:34:14,467 I'VE GOT TO GO HOME AFTER ALL THIS, AND I... 905 00:34:14,500 --> 00:34:16,233 [SOBBING] 906 00:34:16,267 --> 00:34:18,633 I'M NOT EVEN GOING TO GET TO SEE MY BABY... 907 00:34:18,667 --> 00:34:20,867 NO, YOU'RE GONNA GET YOUR BABY BACK. 908 00:34:20,900 --> 00:34:21,533 [SOBS] 909 00:34:21,567 --> 00:34:22,633 TRUST ME. 910 00:34:22,667 --> 00:34:24,133 TRUST ME, TRUST ME, PLEASE. 911 00:34:24,167 --> 00:34:25,467 [SOBBING] 912 00:34:25,500 --> 00:34:27,833 NO COURT IS GOING TO GIVE HIM CUSTODY. 913 00:34:28,967 --> 00:34:30,700 OKAY? YOU'RE HER MOTHER. YOU'RE HER MOTHER. 914 00:34:30,733 --> 00:34:31,600 [SOBBING] 915 00:34:31,633 --> 00:34:33,533 YOU'RE GOING TO GET HER BACK. 916 00:34:33,567 --> 00:34:35,100 [SOBBING] 917 00:34:37,467 --> 00:34:39,067 MEDIC! 918 00:34:39,067 --> 00:34:41,067 MEDIC! 919 00:34:41,067 --> 00:34:43,067 [THROWS WATCH DOWN] 920 00:34:45,733 --> 00:34:48,300 [DOOR OPENS AND CLOSES] 921 00:34:48,333 --> 00:34:49,700 TASH? 922 00:34:49,733 --> 00:34:51,733 TASH! 923 00:34:53,633 --> 00:34:55,633 WHAT THE FUCK? 924 00:34:59,067 --> 00:35:02,100 [**] 925 00:35:27,900 --> 00:35:29,267 ALICE, WHAT ARE YOU DOING HERE? 926 00:35:29,300 --> 00:35:30,567 WHERE THE FUCK DID YOU GO LAST NIGHT? 927 00:35:30,600 --> 00:35:32,067 I CAN'T GET INTO THIS RIGHT NOW. 928 00:35:32,067 --> 00:35:33,867 WELL, COULD YOU MAYBE RETURN 929 00:35:33,900 --> 00:35:35,233 ONE OF MY FUCKING PHONE CALLS? 930 00:35:35,267 --> 00:35:37,067 ALICE, I CAN'T DO THIS, NOT HERE. 931 00:35:37,067 --> 00:35:38,667 I WOULD LIKE TO TALK ABOUT THIS, SO LET'S GO TO YOUR OFFICE-- 932 00:35:38,700 --> 00:35:40,067 NO, WE CAN'T GO TO MY OFFICE. 933 00:35:40,100 --> 00:35:41,567 YOU'RE NOT EVEN SUPPOSED TO BE ON THE BASE. 934 00:35:41,600 --> 00:35:43,200 I'VE ALREADY BEEN ON THE FUCKING BASE! 935 00:35:43,233 --> 00:35:44,833 WHAT'S THE BIG DEAL? 936 00:35:44,867 --> 00:35:45,967 GOD, THEY FRICKIN' LOVE ME HERE. 937 00:35:46,067 --> 00:35:47,833 LOOK, ALICE... 938 00:35:47,867 --> 00:35:50,200 BROWN IS AFTER ME, OKAY? ALL RIGHT? 939 00:35:50,233 --> 00:35:52,867 HE REPORTED ME, AND IF MY C.O. WASN'T SO COOL, 940 00:35:52,900 --> 00:35:54,067 THEN HE COULD START AN INVESTIGATION 941 00:35:54,067 --> 00:35:55,700 AND I COULD GET CHAPTERED OUT. 942 00:35:55,733 --> 00:35:57,267 FOR WHAT? 943 00:35:57,300 --> 00:35:58,600 FOR HOMOSEXUAL CONDUCT. 944 00:35:58,633 --> 00:35:59,833 YOU EVER HEARD OF THAT? 945 00:35:59,867 --> 00:36:02,067 YEAH, WELL... 946 00:36:02,067 --> 00:36:03,633 ALL RIGHT, I'M SORRY. 947 00:36:03,667 --> 00:36:05,767 I-- IS THAT WHY YOU LEFT LAST NIGHT? 948 00:36:05,800 --> 00:36:07,067 ALICE...BECAUSE YOU COULD'VE JUST SAID. 949 00:36:07,067 --> 00:36:08,200 PLEASE. 950 00:36:08,233 --> 00:36:09,400 NOT HERE. PLEASE. 951 00:36:09,433 --> 00:36:10,367 I CAN'T FU-- 952 00:36:10,400 --> 00:36:11,467 [CAR APPROACHING] 953 00:36:15,567 --> 00:36:17,500 WHAT THE HELL'S HE LOOKING AT? 954 00:36:18,567 --> 00:36:19,733 LOOK, ALICE, 955 00:36:19,767 --> 00:36:21,567 PLEASE LEAVE, OKAY? 956 00:37:04,967 --> 00:37:06,500 BETTE? 957 00:37:10,400 --> 00:37:12,133 NO, ANYBODY-- ANYBODY CAN USE IT. 958 00:37:12,167 --> 00:37:14,667 FEEL FREE. 959 00:37:34,100 --> 00:37:36,067 MOM, YOU'RE NOT A LESBIAN, YOU'RE MY MOTHER, 960 00:37:36,067 --> 00:37:38,500 AND YOU DON'T JUST UP AND DECIDE AFTER 25 YEARS OF MARRIAGE 961 00:37:38,533 --> 00:37:39,500 THAT YOU WANT TO BE GAY. 962 00:37:39,533 --> 00:37:40,833 SHE'S PART OF THE FAMILY. 963 00:37:40,867 --> 00:37:41,967 SHE HAS A RIGHT TO KNOW WHAT'S GOING ON WITH US. 964 00:37:42,067 --> 00:37:43,300 I CAN'T BELIEVE YOU TOLD HER 965 00:37:43,333 --> 00:37:44,667 WITHOUT CONSULTING ME. HOW DARE HE TELL ME-- 966 00:37:44,700 --> 00:37:45,967 YOU'RE GOING TO BREAK UP OUR FAMILY, 967 00:37:46,067 --> 00:37:47,100 AND YOU'RE NOT EVEN GOING TO TELL ME? 968 00:37:47,133 --> 00:37:48,067 OF COURSE I'M GOING TO TELL YOU-- 969 00:37:48,100 --> 00:37:49,100 WHAT'S DAD SUPPOSED TO DO? 970 00:37:49,133 --> 00:37:50,900 WHO'S GOING TO TAKE CARE OF HIM? 971 00:37:50,933 --> 00:37:52,167 WELL, I'M NOT A NURSEMAID, MOLLY. 972 00:37:52,200 --> 00:37:53,167 HE'S A GROWN MAN. 973 00:37:53,200 --> 00:37:54,467 HE CAN TAKE CARE OF HIMSELF. 974 00:37:54,500 --> 00:37:56,067 AND HE SHOULD NOT HAVE BROUGHT HIS DAUGHTER 975 00:37:56,067 --> 00:37:57,800 HOME FROM COLLEGE IN THE MIDDLE OF-- 976 00:37:57,833 --> 00:37:59,200 DON'T WORRY ABOUT ME. 977 00:37:59,233 --> 00:38:00,633 NOT THAT YOU EVER WOULD. 978 00:38:00,667 --> 00:38:01,867 ALL YOU EVER THINK ABOUT IS YOURSELF. 979 00:38:01,900 --> 00:38:02,733 OH, MOLLY-- IT'S TRUE! 980 00:38:02,767 --> 00:38:03,900 WELL, JUST-- 981 00:38:03,933 --> 00:38:04,967 I WOULD DO ANYTH-- 982 00:38:05,067 --> 00:38:06,200 YOU'RE EVERYTHING TO ME. 983 00:38:06,233 --> 00:38:07,767 I HAVE BUILT MY WHOLE LIFE AROUND YOU. 984 00:38:07,800 --> 00:38:09,367 THIS IS UNFAIR, LEONARD. 985 00:38:09,400 --> 00:38:10,967 UNFAIR? WHO'S BEING UNFAIR HERE? 986 00:38:11,067 --> 00:38:12,567 MOLLY... 987 00:38:12,600 --> 00:38:16,167 YOU KNOW THAT I CARE MORE ABOUT YOU AND YOUR SISTER 988 00:38:16,200 --> 00:38:17,233 THAN ANYTHING ELSE IN THE WORLD. 989 00:38:17,267 --> 00:38:20,200 NO, MOM, I DON'T, OKAY? 990 00:38:20,233 --> 00:38:21,567 I DON'T KNOW ANYTHING ANYMORE. 991 00:38:21,600 --> 00:38:22,800 I CAN'T LIVE A LIE. 992 00:38:22,833 --> 00:38:24,067 AND I LOVE YOUR FATHER-- 993 00:38:24,067 --> 00:38:25,533 HE'S THE MOST WONDERFUL MAN IN THE WORLD-- 994 00:38:25,567 --> 00:38:28,433 BUT ONCE YOU FINALLY FIGURE IT OUT, 995 00:38:28,467 --> 00:38:29,967 WHO YOU ARE, 996 00:38:30,067 --> 00:38:31,533 IT'S IMPOSSIBLE... 997 00:38:31,567 --> 00:38:33,067 IT'S DEADLY TO IGNORE IT. 998 00:38:33,067 --> 00:38:34,367 DEADLY? DEADLY? 999 00:38:34,400 --> 00:38:35,867 IS THAT WHAT OUR LIFE TOGETHER HAS BEEN? DEADLY? 1000 00:38:35,900 --> 00:38:37,067 YES, LEONARD. 1001 00:38:37,067 --> 00:38:38,200 SO TYPICAL OF YOU. 1002 00:38:38,233 --> 00:38:39,800 YOU ARE SUCH A DRAMA QUEEN. 1003 00:38:39,833 --> 00:38:40,933 GOD. GROW UP. 1004 00:38:42,233 --> 00:38:44,267 I'M SORRY, MOLLY. 1005 00:38:44,300 --> 00:38:45,567 I'M SORRY. 1006 00:38:45,600 --> 00:38:47,233 I'M SORRY IF I'VE HURT YOU DEEPLY. 1007 00:38:47,267 --> 00:38:49,067 BUT I HOPE THAT SOME DAY 1008 00:38:49,100 --> 00:38:52,767 YOU CAN FIND IT IN YOUR HEART TO WISH FOR MY HAPPINESS 1009 00:38:52,800 --> 00:38:55,533 THE WAY THAT I WISH FOR YOURS. 1010 00:38:55,567 --> 00:38:56,733 OKAY. I'LL GET ON THAT. 1011 00:38:56,767 --> 00:38:58,633 I'LL DIG REAL DEEP, OKAY? 1012 00:38:58,667 --> 00:39:00,533 I'LL GET BACK TO YOU. 1013 00:39:00,567 --> 00:39:02,100 LET'S GO, DAD. 1014 00:39:06,333 --> 00:39:07,667 BYE, MISS PALMER. 1015 00:39:07,700 --> 00:39:08,667 [PAIGE]: THANK YOU. 1016 00:39:08,700 --> 00:39:09,800 NO PROBLEM, PAIGE. 1017 00:39:09,833 --> 00:39:11,167 WE'LL SEE YOU NEXT WEEK. 1018 00:39:11,200 --> 00:39:12,567 HI, HONEY. HOW WAS YOUR LESSON? 1019 00:39:12,600 --> 00:39:13,700 GOOD. 1020 00:39:13,733 --> 00:39:15,133 GOOD. I'LL TAKE IT. 1021 00:39:18,200 --> 00:39:19,200 I'M HUNGRY. 1022 00:39:19,233 --> 00:39:21,100 YOU'RE HUNGRY? 1023 00:39:21,133 --> 00:39:23,200 WELL, DO YOU WANT TO GO OUT TO DINNER? 1024 00:39:23,233 --> 00:39:25,300 IT'S MY BIRTHDAY, AFTER ALL. 1025 00:39:25,333 --> 00:39:26,733 AW, I'M SORRY, MOM. 1026 00:39:26,767 --> 00:39:27,833 I FORGOT. 1027 00:39:27,867 --> 00:39:29,467 THAT'S OKAY, SWEETIE. 1028 00:39:29,500 --> 00:39:33,467 DID SHANE CALL YOU AND WISH YOU A HAPPY BIRTHDAY? 1029 00:39:33,500 --> 00:39:34,733 NO. 1030 00:39:34,767 --> 00:39:36,367 SHE MUST HAVE FORGOTTEN, TOO... 1031 00:39:36,400 --> 00:39:37,733 BUT, UH, THAT'S OKAY. 1032 00:39:37,767 --> 00:39:39,867 I DIDN'T REALLY EXPECT HER TO REMEMBER. 1033 00:39:39,900 --> 00:39:43,600 I ONLY MENTIONED IT ONCE, SO... 1034 00:39:43,633 --> 00:39:45,433 WHERE DO YOU WANT TO EAT? 1035 00:39:45,467 --> 00:39:47,367 THAT PLACE WE WENT WITH SHAY, 1036 00:39:47,400 --> 00:39:49,067 WHERE THEY HAD THE REALLY GOOD FRENCH FRIES. 1037 00:39:49,067 --> 00:39:50,500 THE PLANET? 1038 00:39:50,533 --> 00:39:52,367 YOU WANT TO GO TO THE PLANET? 1039 00:39:52,400 --> 00:39:55,733 ALL RIGHT. LET'S GO TO THE PLANET. 1040 00:39:57,067 --> 00:39:58,133 [BETTE SOBS] 1041 00:39:58,167 --> 00:39:59,667 I'M SORRY. FUCK. 1042 00:39:59,700 --> 00:40:01,867 I'M JUST... I'M SO SORRY. 1043 00:40:01,900 --> 00:40:03,200 IT'S OKAY, IT'S OKAY. 1044 00:40:03,233 --> 00:40:04,533 LOOK, IT'S OKAY TO CRY. 1045 00:40:04,567 --> 00:40:06,733 YOU CAN CRY WITH ME. 1046 00:40:07,900 --> 00:40:10,900 WHAT DO I DO WRONG, TINA? 1047 00:40:10,933 --> 00:40:12,667 WHAT DO I DO WRONG? 1048 00:40:12,700 --> 00:40:14,033 YOU DON'T DO ANYTHING WRONG. 1049 00:40:14,067 --> 00:40:15,133 NO, REALLY, I MEAN IT. 1050 00:40:15,167 --> 00:40:16,333 WHY IS IT SO FUCKING HARD 1051 00:40:16,367 --> 00:40:18,733 TO BE IN A RELATIONSHIP WITH ME? 1052 00:40:18,767 --> 00:40:21,400 LOOK, JUST TELL ME. 1053 00:40:21,433 --> 00:40:23,367 TELL ME EVERYTHING THAT I DID 1054 00:40:23,400 --> 00:40:25,500 TO MAKE YOU RUN FROM ME. 1055 00:40:27,133 --> 00:40:30,200 I'M BEGGING YOU. PLEASE. 1056 00:40:30,233 --> 00:40:32,467 [EXHALING] 1057 00:40:32,500 --> 00:40:34,767 YOU'RE A CONTROL FREAK. 1058 00:40:34,800 --> 00:40:36,033 [LAUGHS] 1059 00:40:36,067 --> 00:40:37,467 YOU ARE! 1060 00:40:37,500 --> 00:40:39,700 SO? 1061 00:40:39,733 --> 00:40:40,933 THAT'S FUCKING RIDICULOUS. 1062 00:40:40,967 --> 00:40:42,300 EVERYBODY'S A CONTROL FREAK SOMETIMES. 1063 00:40:42,333 --> 00:40:46,033 THAT'S WHAT YOU HAVE TO DO TO GET THINGS DONE. 1064 00:40:46,067 --> 00:40:48,500 YEAH, BUT YOU THINK YOUR THINGS ARE MORE IMPORTANT 1065 00:40:48,533 --> 00:40:49,767 THAN EVERYONE ELSE'S, 1066 00:40:49,800 --> 00:40:51,933 AND THAT'S REALLY, REALLY HARD IN A RELATIONSHIP. 1067 00:40:51,967 --> 00:40:55,333 WHEN YOUR WORK, YOUR NEEDS, YOUR IDEAS 1068 00:40:55,367 --> 00:40:59,300 ARE ALWAYS RIGHT, ALWAYS ON A HIGHER PLANE... 1069 00:40:59,333 --> 00:41:02,400 YOU'RE MORE ENLIGHTENED, YOU'RE MORE INFORMED, 1070 00:41:02,433 --> 00:41:03,733 YOU'RE MORE INTUITIVE-- 1071 00:41:03,767 --> 00:41:04,767 IT MUST HAVE BEEN HIDEOUS. 1072 00:41:04,800 --> 00:41:06,433 I'M SORRY. 1073 00:41:06,467 --> 00:41:10,067 [VOICE BREAKS]: I'M SORRY. 1074 00:41:10,067 --> 00:41:12,667 I'LL TAKE IT OVER THE SAFE, BORING MAN 1075 00:41:12,700 --> 00:41:15,067 I'VE BEEN SEEING ANY DAY. 1076 00:41:19,067 --> 00:41:20,833 YOU WOULD? 1077 00:41:24,567 --> 00:41:26,567 YOU MET YOUR MATCH. 1078 00:41:26,600 --> 00:41:29,500 I THINK YOU MET YOUR MATCH IN JODI. 1079 00:41:29,533 --> 00:41:31,400 SHE'S AS STRONG AS YOU ARE. 1080 00:41:31,433 --> 00:41:32,867 IT'S UP TO YOU. 1081 00:41:32,900 --> 00:41:34,867 CAN YOU HANDLE IT? 1082 00:41:34,900 --> 00:41:37,367 WHAT ABOUT KATE ARDEN? 1083 00:41:37,400 --> 00:41:38,467 WHAT? 1084 00:41:38,500 --> 00:41:39,533 WHAT-- 1085 00:41:39,567 --> 00:41:40,533 KATE ARDEN. 1086 00:41:40,567 --> 00:41:42,067 WHAT ARE YOU TALKING ABOUT? 1087 00:41:42,100 --> 00:41:43,133 T... 1088 00:41:43,167 --> 00:41:44,133 WHAT? 1089 00:41:44,167 --> 00:41:46,067 KATE ARDEN. COME ON. 1090 00:41:46,100 --> 00:41:48,800 WHAT ABOUT HER? 1091 00:41:48,833 --> 00:41:51,167 WHAT DO YOU WANT ME TO SAY? 1092 00:41:51,200 --> 00:41:52,433 I MEAN... 1093 00:41:52,467 --> 00:41:54,333 WHAT ABOUT KATE ARDEN? 1094 00:41:54,367 --> 00:41:56,200 OKAY. SHE'S ATTRACTIVE. 1095 00:41:56,233 --> 00:41:58,067 I'M ATTRACTED TO HER. 1096 00:41:58,100 --> 00:41:59,367 JUST... 1097 00:41:59,400 --> 00:42:00,233 SHE'S HOT. 1098 00:42:00,267 --> 00:42:01,067 SHE'S SMART. 1099 00:42:01,100 --> 00:42:02,267 IT'S CRAZY. 1100 00:42:02,300 --> 00:42:03,167 SHE'S NOT INTERESTED IN ME. 1101 00:42:03,200 --> 00:42:04,667 SHE'S INTERESTED. 1102 00:42:04,700 --> 00:42:05,767 THINKING ABOUT ME. SHE'S INTERESTED. 1103 00:42:05,800 --> 00:42:07,633 WHAT? 1104 00:42:13,367 --> 00:42:16,100 I'M NOT READY. 1105 00:42:16,133 --> 00:42:18,867 I WANT TO BE ON MY OWN. 1106 00:42:18,900 --> 00:42:21,233 BESIDES, THAT'S MESSY. 1107 00:42:21,267 --> 00:42:22,267 THAT'S REALLY MESSY. 1108 00:42:22,300 --> 00:42:23,400 I'M WORKING WITH HER. 1109 00:42:23,433 --> 00:42:25,300 THAT'D BE UNPROFESSIONAL. 1110 00:42:25,333 --> 00:42:27,133 AND NOW I'M GOING TO HAVE TO FIRE JENNY-- 1111 00:42:27,167 --> 00:42:28,133 [GROANS] 1112 00:42:28,167 --> 00:42:29,433 WHICH IS COMPLETELY HORRIFYING TO ME. 1113 00:42:29,467 --> 00:42:30,700 FUCK JENNY! I KNOW. 1114 00:42:30,733 --> 00:42:31,800 JUST FUCK JENNY, PLEASE. 1115 00:42:31,833 --> 00:42:33,067 SHE DESERVES TO BE FIRED. 1116 00:42:33,067 --> 00:42:34,967 I'LL FUCKING FIRE HER FOR YOU. 1117 00:42:35,067 --> 00:42:36,633 WOULD YOU? YES, HAPPILY. 1118 00:42:36,667 --> 00:42:38,067 SHE'S FUCKING DRIVING ME CRAZY. 1119 00:42:38,100 --> 00:42:39,700 BITCH. 1120 00:42:39,733 --> 00:42:41,333 [SIGHING] 1121 00:42:43,933 --> 00:42:48,433 I JUST WAS STARTING TO DO SO WELL ON MY OWN. 1122 00:42:51,067 --> 00:42:53,600 FUCKING JODI. 1123 00:42:53,633 --> 00:42:56,067 FUCK. 1124 00:42:56,067 --> 00:42:57,800 I'M NOT SURPRISED 1125 00:42:57,833 --> 00:42:59,667 THAT YOU'RE RUNNING FROM HER. 1126 00:42:59,700 --> 00:43:01,800 YOU FINALLY MET SOMEONE WHO WON'T PUT UP WITH YOUR SHIT. 1127 00:43:01,833 --> 00:43:03,467 YOU NEVER PUT UP WITH MY SHIT. 1128 00:43:03,500 --> 00:43:04,533 WHAT? 1129 00:43:04,567 --> 00:43:06,900 [CHUCKLES] 1130 00:43:08,800 --> 00:43:11,700 RIGHT. OKAY. 1131 00:43:11,733 --> 00:43:14,633 DO YOU REALLY THINK I'M RUNNING FROM HER? 1132 00:43:14,667 --> 00:43:16,067 YEAH, I THINK YOU'RE RUNNING. 1133 00:43:16,067 --> 00:43:17,067 YOU'RE SCARED. 1134 00:43:17,067 --> 00:43:19,833 SHE'S AS ACCOMPLISHED AS YOU ARE. 1135 00:43:19,867 --> 00:43:22,100 SHE'S AS OPINIONATED. 1136 00:43:22,133 --> 00:43:24,533 SHE'S AS POWERFUL. 1137 00:43:24,567 --> 00:43:26,267 [SIGHING HEAVILY] 1138 00:43:26,300 --> 00:43:28,600 AND YOU GUYS, 1139 00:43:28,633 --> 00:43:30,933 YOU HAVE THIS INCREDIBLE ENERGY 1140 00:43:30,967 --> 00:43:33,500 BETWEEN THE TWO OF YOU. 1141 00:43:33,533 --> 00:43:37,700 I COULD FEEL IT FROM 10 FEET AWAY. 1142 00:43:37,733 --> 00:43:40,067 IT SUCKED. 1143 00:43:40,067 --> 00:43:42,467 IT WAS REALLY HARD FOR ME. 1144 00:43:59,533 --> 00:44:03,067 [**] 1145 00:44:03,100 --> 00:44:04,933 THE PIMPS AND THE HOS? 1146 00:44:04,967 --> 00:44:05,933 [LAUGHING] 1147 00:44:05,967 --> 00:44:08,067 [HELENA]: I LEFT MY DAMN TOILETRIES BAG 1148 00:44:08,100 --> 00:44:09,267 IN CATHERINE'S HOTEL SUITE, 1149 00:44:09,300 --> 00:44:10,733 AND I CAN'T GO BACK AND GET IT, 1150 00:44:10,767 --> 00:44:12,533 BECAUSE THAT FUCKING OLD LADY'S THERE. 1151 00:44:12,567 --> 00:44:13,700 GREAT STORY-- 1152 00:44:13,733 --> 00:44:14,700 I WAS STAYING AT A FRIEND'S HOUSE, 1153 00:44:14,733 --> 00:44:15,967 AND EVERY TIME 1154 00:44:16,067 --> 00:44:16,967 SHE BROUGHT A GIRL HOME, 1155 00:44:17,067 --> 00:44:18,767 SHE USED TO KICK ME OUT! 1156 00:44:18,800 --> 00:44:20,433 REALLY? YEAH! 1157 00:44:20,467 --> 00:44:21,433 FASCINATING. 1158 00:44:21,467 --> 00:44:23,533 THAT WAS A GREAT STORY. 1159 00:44:23,567 --> 00:44:27,533 [LAUGHING] 1160 00:44:29,767 --> 00:44:30,233 WHAT IS IT? 1161 00:44:30,267 --> 00:44:31,433 WHAT? 1162 00:44:31,467 --> 00:44:32,833 I THINK THAT SHE'S FUNNY, 1163 00:44:32,867 --> 00:44:34,867 AND SHE'S KIND OF BRILLIANT. 1164 00:44:37,733 --> 00:44:38,967 WHO, ME? 1165 00:44:39,067 --> 00:44:40,900 HUH? NO, WE WEREN'T TALKING ABOUT YOU. 1166 00:44:40,933 --> 00:44:42,433 ALICE, WHERE'S TASHA? 1167 00:44:42,467 --> 00:44:43,433 I DON'T KNOW. 1168 00:44:43,467 --> 00:44:44,667 SHE'S HAVING A "DARK NIGHT". 1169 00:44:44,700 --> 00:44:46,067 DON'T ASK ME WHAT THE FUCK THAT MEANS. 1170 00:44:46,067 --> 00:44:47,533 IT'S THE MILITARY TERM 1171 00:44:47,567 --> 00:44:50,567 FOR WORKING AT NIGHT. 1172 00:44:50,600 --> 00:44:51,867 OH, HONEY. 1173 00:44:51,900 --> 00:44:53,500 THERE'S A SPECIAL SHOW ON TONIGHT. 1174 00:44:53,533 --> 00:44:54,533 WE MIGHT HAVE TO GO SOMEWHERE ELSE. 1175 00:44:54,567 --> 00:44:55,733 NO. 1176 00:44:55,767 --> 00:44:57,067 I DON'T THINK WE'RE GOING TO BE ABLE 1177 00:44:57,100 --> 00:44:58,233 TO GET IN, YOU KNOW? 1178 00:44:58,267 --> 00:44:59,433 LOOK AT ALL THESE PEOPLE. 1179 00:44:59,467 --> 00:45:00,933 THEY PROBABLY HAVE SPECIAL SEATS. 1180 00:45:00,967 --> 00:45:02,433 HEY, PAIGE, HOW YOU DOING? 1181 00:45:02,467 --> 00:45:03,633 GOOD. 1182 00:45:03,667 --> 00:45:05,267 ARE YOU HERE TO SEE GOLDFRAPP, GIRL? 1183 00:45:05,300 --> 00:45:07,067 GOLDFRAPP? 1184 00:45:07,100 --> 00:45:08,367 YEAH! HERE? 1185 00:45:08,400 --> 00:45:09,367 YEAH, HERE, GIRL. 1186 00:45:09,400 --> 00:45:10,567 THEY'RE ABOUT TO START, GIRL. 1187 00:45:10,600 --> 00:45:11,833 THEY'RE ABOUT TO START. 1188 00:45:11,867 --> 00:45:13,600 OH, MY GOSH, I DIDN'T EVEN KNOW. 1189 00:45:13,633 --> 00:45:16,767 YEAH, YEAH, SO WHY DON'T YOU COME ON IN AND GET A TABLE. 1190 00:45:16,800 --> 00:45:17,800 WE GOT ONE FOR YOU. 1191 00:45:17,833 --> 00:45:18,867 OH, YOU DO? YEAH. 1192 00:45:18,900 --> 00:45:20,833 I'M SURE SHE'LL LOVE IT. 1193 00:45:20,867 --> 00:45:21,833 YEAH. 1194 00:45:21,867 --> 00:45:23,500 HAPPY BIRTHDAY! 1195 00:45:23,533 --> 00:45:26,267 OH, MY GOD. 1196 00:45:26,300 --> 00:45:27,367 WHAT, YOU THOUGHT I FORGOT? 1197 00:45:27,400 --> 00:45:30,767 I DID THINK YOU FORGOT! 1198 00:45:30,800 --> 00:45:32,867 OH, THAT'S SO SWEET... 1199 00:45:32,900 --> 00:45:34,100 I WOULDN'T HAVE FORGOTTEN. 1200 00:45:34,133 --> 00:45:35,300 NEVER, NEVER. 1201 00:45:35,333 --> 00:45:38,467 YOU'RE GREAT. OH, MY GOD. 1202 00:45:38,500 --> 00:45:41,267 [INDISTINCT CONVERSATION] 1203 00:45:41,300 --> 00:45:42,933 HI, HOW'S IT GOING? 1204 00:45:42,967 --> 00:45:44,533 HAPPY BIRTHDAY. 1205 00:45:44,567 --> 00:45:45,933 THANK YOU. 1206 00:45:48,333 --> 00:45:49,667 [WOLF-WHISTLING] 1207 00:45:53,067 --> 00:45:54,533 [TOM INTERPRETING]: THANK YOU. 1208 00:45:54,567 --> 00:45:55,800 THANK YOU SO MUCH. 1209 00:45:55,833 --> 00:45:58,067 I AM JUST... I'M IN AWE. 1210 00:45:58,100 --> 00:46:01,367 THIS HAS BEEN AN AMAZING EXPERIENCE FOR ME. 1211 00:46:01,400 --> 00:46:05,067 YOU ARE ALL INSPIRED AND INSPIRING. 1212 00:46:05,100 --> 00:46:07,233 YOU ARE VERY FORTUNATE 1213 00:46:07,267 --> 00:46:09,700 TO BE A PART OF THIS AMAZING INSTITUTION 1214 00:46:09,733 --> 00:46:11,367 AT SUCH A DYNAMIC TIME. 1215 00:46:11,400 --> 00:46:12,900 YOU ARE IN VERY GOOD HANDS 1216 00:46:12,933 --> 00:46:14,333 WITH DEAN PORTER. 1217 00:46:14,367 --> 00:46:15,667 SHE IS A PERSON 1218 00:46:15,700 --> 00:46:17,933 WITH THE MOST PASSION AND CONVICTION 1219 00:46:17,967 --> 00:46:19,900 OF ANYONE I HAVE EVER MET. 1220 00:46:19,933 --> 00:46:22,667 I KNOW THAT SHE HAS MADE A BIG DIFFERENCE 1221 00:46:22,700 --> 00:46:25,500 IN MANY OF YOUR LIVES. 1222 00:46:27,100 --> 00:46:28,200 SHE CERTAINLY HAS MADE 1223 00:46:28,233 --> 00:46:30,500 A BIG DIFFERENCE IN MINE. 1224 00:46:30,533 --> 00:46:34,067 I HAVE NO DOUBT THAT SHE WILL CONTINUE 1225 00:46:34,067 --> 00:46:36,600 TO PUSH THE BOUNDARIES OF YOUR LIVES 1226 00:46:36,633 --> 00:46:38,767 AS WELL AS WHAT THIS SCHOOL HAS TO OFFER. 1227 00:46:38,800 --> 00:46:40,533 AS SOME OF YOU ALREADY KNOW, 1228 00:46:40,567 --> 00:46:41,700 I HAVE BEEN OFFERED 1229 00:46:41,733 --> 00:46:43,933 A GREAT OPPORTUNITY 1230 00:46:43,967 --> 00:46:46,567 TO CREATE AN OUTDOOR PIECE 1231 00:46:46,600 --> 00:46:49,533 FOR THE FOREST REFUGE ART CENTER. 1232 00:46:50,800 --> 00:46:53,133 I'LL BE IN GREAT COMPANY-- 1233 00:46:53,167 --> 00:46:56,500 WITH DAVID SMITH, ALICE AYCOCK, 1234 00:46:56,533 --> 00:46:57,967 AND SANDRA MAYO. 1235 00:46:58,067 --> 00:46:59,367 THEY ARE ALL WONDERFUL ARTISTS. 1236 00:46:59,400 --> 00:47:02,300 I LOOK VERY FORWARD TO IT. 1237 00:47:02,333 --> 00:47:04,333 THANK YOU SO MUCH FOR COMING. 1238 00:47:04,367 --> 00:47:07,600 [APPLAUSE] 1239 00:47:10,300 --> 00:47:14,233 [**] 1240 00:47:14,267 --> 00:47:18,100 * NOW TAKE ME DANCING AT THE DISCO * 1241 00:47:18,133 --> 00:47:19,233 * WHEN YOU BUY 1242 00:47:19,267 --> 00:47:22,067 * YOUR WINNEBAGO 1243 00:47:22,067 --> 00:47:25,500 * I WANNA RIDE ON A WHITE HORSE * 1244 00:47:25,533 --> 00:47:28,467 * I WANT TO RIDE ON A WHITE HORSE * 1245 00:47:28,500 --> 00:47:31,067 I CAN'T BELIEVE YOU PULLED THIS OFF. 1246 00:47:32,200 --> 00:47:35,800 * WHEN THE LIGHT TURNS INTO DARKNESS * 1247 00:47:35,833 --> 00:47:38,833 * WILL HE TURN UP TO EXPLAIN US * 1248 00:47:38,867 --> 00:47:43,567 * I WANNA RIDE ON A WHITE HORSE * 1249 00:47:43,600 --> 00:47:47,433 * I WANT TO RIDE ON A WHITE HORSE * 1250 00:47:47,467 --> 00:47:49,467 PAPI, UM, HAVE YOU TALKED TO TASHA? 1251 00:47:49,500 --> 00:47:50,900 I'M JUST KIND OF WORRIED ABOUT HER. 1252 00:47:50,933 --> 00:47:52,400 I WAS WONDERING IF SHE'S TOLD YOU ANYTHING. 1253 00:47:52,433 --> 00:47:54,767 REALLY-- 1254 00:47:54,800 --> 00:47:56,967 YOU GUYS GOT TO TALK, ALL RIGHT? 1255 00:47:58,900 --> 00:48:00,400 OKAY. 1256 00:48:00,433 --> 00:48:02,867 * OH, OH... 1257 00:48:05,100 --> 00:48:08,667 * WHEN IS THERE EVER SENSE 1258 00:48:08,700 --> 00:48:11,533 I THINK THAT SHE SHOULD PLAY JESSIE. 1259 00:48:11,567 --> 00:48:13,533 THAT'S A GREAT IDEA. 1260 00:48:13,567 --> 00:48:14,700 COME ON, I SERIOUSLY THINK-- 1261 00:48:14,733 --> 00:48:15,700 LOOK AT HER. 1262 00:48:15,733 --> 00:48:16,867 I'M SERIOUS. 1263 00:48:16,900 --> 00:48:17,900 THAT'S A GREAT IDEA. 1264 00:48:17,933 --> 00:48:21,133 OH, SHUT UP. 1265 00:48:21,167 --> 00:48:23,667 [**] 1266 00:48:28,067 --> 00:48:31,533 * I LIKE DANCING AT THE DISCO * 1267 00:48:31,567 --> 00:48:33,067 * I WANT BLISTERS 1268 00:48:33,100 --> 00:48:35,067 I'M GOING TO... 1269 00:48:35,067 --> 00:48:36,367 I'M GOING TO GO WATCH HER. 1270 00:48:36,400 --> 00:48:37,800 ALL RIGHT. 1271 00:48:37,833 --> 00:48:39,300 HEY, KIT! 1272 00:48:39,333 --> 00:48:40,467 HAVE A BUMP! 1273 00:48:40,500 --> 00:48:41,467 NO, IT'S SHIT! 1274 00:48:41,500 --> 00:48:42,567 EXACTLY. 1275 00:48:42,600 --> 00:48:44,300 [SNORTING]: WHOO! 1276 00:48:44,333 --> 00:48:45,467 THAT'S ALL RIGHT. 1277 00:48:45,500 --> 00:48:46,467 MM! 1278 00:48:46,500 --> 00:48:48,967 OH, YES! 1279 00:48:49,067 --> 00:48:50,167 THAT'S SWEET! 1280 00:48:50,200 --> 00:48:51,867 ONE MORE TASTE ONE MORE TASTE FOR THE ROAD. 1281 00:48:51,900 --> 00:48:53,133 I'M SOLD OUT, MAMA. 1282 00:48:53,167 --> 00:48:54,833 FUCK YOU, MOTHERFUCKER! FUCK YOU! 1283 00:48:54,867 --> 00:48:57,233 [**] 1284 00:48:57,267 --> 00:49:00,467 * OH, OH 1285 00:49:03,433 --> 00:49:06,467 * WHEN IS THERE EVER SENSE... 1286 00:49:09,100 --> 00:49:11,700 I'M REALLY, REALLY FUCKED UP. 1287 00:49:11,733 --> 00:49:12,967 I'M... 1288 00:49:13,067 --> 00:49:15,700 SO FUCKED UP. 1289 00:49:17,600 --> 00:49:19,433 WHAT ARE YOU GOING TO DO ABOUT IT? 1290 00:49:19,467 --> 00:49:23,100 I GOT TO GO TO A MEETING TOMORROW. 1291 00:49:23,133 --> 00:49:24,233 I GOT TO... 1292 00:49:24,267 --> 00:49:26,900 [SNIFFS] 1293 00:49:26,933 --> 00:49:28,667 WOULD YOU DRIVE ME? 1294 00:49:28,700 --> 00:49:31,767 WOULD YOU TAKE ME TOMORROW, PLEASE? 1295 00:49:38,900 --> 00:49:42,433 [**] 1296 00:49:53,767 --> 00:49:56,567 * I WANNA RIDE ON A WHITE HORSE * 1297 00:49:56,600 --> 00:50:01,200 * I WANT TO RIDE ON A WHITE HORSE * 1298 00:50:01,233 --> 00:50:04,700 * I WANNA RIDE ON A WHITE HORSE * 1299 00:50:04,733 --> 00:50:08,967 * I WANT TO RIDE ON A WHITE HORSE * 1300 00:50:09,000 --> 00:50:11,067 * I WANNA RIDE ON... 1301 00:50:11,100 --> 00:50:13,967 [SCREAMING AND CHEERING] 1302 00:50:20,767 --> 00:50:22,700 HAPPY BIRTHDAY, PAIGE! 1303 00:50:22,733 --> 00:50:25,467 [LAUGHING] 1304 00:50:25,500 --> 00:50:28,367 [CHEERING AND APPLAUSE] 1305 00:50:32,400 --> 00:50:33,733 HI, BETTE. HI. 1306 00:50:33,767 --> 00:50:34,833 THIS IS KAT. 1307 00:50:34,867 --> 00:50:36,033 HI. 1308 00:50:36,067 --> 00:50:37,200 YOU MISSED 1309 00:50:37,233 --> 00:50:39,067 A REALLY BEAUTIFUL SPEECH TONIGHT. 1310 00:50:39,100 --> 00:50:40,200 IT WAS VERY MOVING. 1311 00:50:40,233 --> 00:50:41,967 JODI SAID BEAUTIFUL THINGS ABOUT YOU. 1312 00:50:42,000 --> 00:50:42,967 REALLY FANTASTIC. 1313 00:50:43,000 --> 00:50:44,233 WHERE-- WHERE IS SHE? 1314 00:50:44,267 --> 00:50:46,233 YOU KNOW, I THINK SHE'S GONE ALREADY. 1315 00:50:46,267 --> 00:50:47,933 OH, SHIT. 1316 00:51:03,600 --> 00:51:05,600 DO YOU KNOW WHERE SHE IS? 1317 00:51:08,500 --> 00:51:11,133 I KNOW YOU THINK I'M THE ASSHOLE OF LIFE, 1318 00:51:11,167 --> 00:51:12,933 BUT SHE'S NOT RESPONDING TO ANY OF MY MESSAGES. 1319 00:51:12,967 --> 00:51:16,433 THAT'S PROBABLY BECAUSE SHE'S ON AN AIRPLANE. 1320 00:51:16,467 --> 00:51:18,567 YOU'RE KIDDING. 1321 00:51:18,600 --> 00:51:20,167 NOPE. 1322 00:51:20,200 --> 00:51:22,533 SHE TOOK A RED-EYE. 1323 00:51:22,567 --> 00:51:24,267 I TOLD HER I'D PACK HER STUFF AND SHIP IT. 1324 00:51:24,300 --> 00:51:27,400 SHE'S ON HER WAY TO NEW YORK. 1325 00:51:29,367 --> 00:51:31,367 [SIGHS] 1326 00:51:37,367 --> 00:51:41,633 [**] 1327 00:51:49,500 --> 00:51:53,900 * I LOVE YOU 1328 00:51:55,833 --> 00:52:01,333 * STEEL PAINTED EYES 1329 00:52:01,367 --> 00:52:06,067 * FEELS LIKE SNOW 1330 00:52:06,067 --> 00:52:09,200 * CHANGE MY HEAD 1331 00:52:09,233 --> 00:52:13,200 * DAYS SO LONG 1332 00:52:13,233 --> 00:52:16,067 * YOU NEVER KNOW YOU NEVER KNOW * 1333 00:52:16,067 --> 00:52:18,867 * YOU NEVER KNOW 1334 00:52:18,900 --> 00:52:22,067 * YOU NEVER KNOW YOU NEVER KNOW * 1335 00:52:22,100 --> 00:52:23,667 * YOU NEVER KNOW... 1336 00:52:23,700 --> 00:52:25,467 [GASPS] 1337 00:52:25,500 --> 00:52:27,367 OH, MY GOD. 1338 00:52:27,400 --> 00:52:29,300 TASHA. 1339 00:52:29,333 --> 00:52:32,667 WHAT ARE YOU DOING HERE? 1340 00:52:33,900 --> 00:52:36,933 THE WATCH IS REALLY BEAUTIFUL. 1341 00:52:36,967 --> 00:52:39,067 I'M SORRY I CAN'T ACCEPT IT. 1342 00:52:47,267 --> 00:52:49,067 WHAT DO YOU MEAN, YOU CAN'T ACCEPT IT? 1343 00:52:49,100 --> 00:52:52,467 BECAUSE OF WHAT HAPPENED TO LISA. 1344 00:52:52,500 --> 00:52:54,533 HER HUSBAND GAVE HER THIS WATCH. 1345 00:52:54,567 --> 00:52:55,800 IT WAS ALL INSCRIBED, 1346 00:52:55,833 --> 00:52:58,567 AND IT SAID THAT HE'D LOVE HER FOREVER. 1347 00:52:58,600 --> 00:52:59,900 AND THEN WHEN SHE WAS OVER THERE 1348 00:53:00,067 --> 00:53:01,167 RISKING HER LIFE, 1349 00:53:01,200 --> 00:53:04,400 HE LEFT HER FOR SOME NEIGHBOR OR SOMETHING. 1350 00:53:04,433 --> 00:53:06,100 WELL... 1351 00:53:06,133 --> 00:53:08,533 HE'S A FUCKING ASSHOLE. 1352 00:53:08,567 --> 00:53:10,900 HE TOOK THEIR DAUGHTER, 1353 00:53:10,933 --> 00:53:14,067 AND HE SAID IN HIS LETTER THAT LISA WAS A BAD MOTHER 1354 00:53:14,067 --> 00:53:16,967 BECAUSE SHE LEFT HER TO GO FIGHT IN A WAR. 1355 00:53:17,067 --> 00:53:19,833 WELL, I'M SURE SHE GOT HER DAUGHTER BACK 1356 00:53:19,867 --> 00:53:21,433 WHEN SHE CAME BACK FROM IRAQ, RIGHT? 1357 00:53:29,067 --> 00:53:31,300 [SIGHING] 1358 00:53:33,733 --> 00:53:35,333 LISA'S NEVER 1359 00:53:35,367 --> 00:53:38,567 GOING TO GET HER LITTLE GIRL BACK, ALICE. 1360 00:53:38,600 --> 00:53:42,233 SHE AIN'T NEVER COMING HOME FROM IRAQ. 1361 00:53:42,267 --> 00:53:45,067 FUCK. 1362 00:53:45,067 --> 00:53:46,867 THIS WASN'T SUPPOSED TO HAPPEN. 1363 00:53:46,900 --> 00:53:48,467 I WASN'T GOING TO FALL FOR ANYBODY 1364 00:53:48,500 --> 00:53:50,067 WHILE I WAS BACK. 1365 00:53:50,100 --> 00:53:52,433 WHAT DO YOU MEAN, WHILE YOU WERE BACK? 1366 00:53:52,467 --> 00:53:55,800 ARE YOU GOING SOMEWHERE? 1367 00:53:55,833 --> 00:53:58,267 MY ORDERS CAME DOWN. 1368 00:53:58,300 --> 00:54:01,733 MY UNIT'S BEING MOBILIZED BACK TO IRAQ. 1369 00:54:04,667 --> 00:54:07,067 I'M LEAVING IN TWO WEEKS. 1370 00:54:08,933 --> 00:54:11,867 [**] 1371 00:55:06,233 --> 00:55:08,267 [**] 1372 00:55:08,300 --> 00:55:09,200 YEAH.