1 00:00:10,833 --> 00:00:11,833 PREVIOUSLY ON THE L WORD... 2 00:00:11,867 --> 00:00:12,700 DID YOU KNOW THAT I'M AN EX-DRUNK? 3 00:00:12,733 --> 00:00:14,533 YOU SHOULDN'T BE DRINKING, KIT. 4 00:00:16,533 --> 00:00:19,767 YEAH, AND WHO DO I HAVE TO THANK FOR THAT? 5 00:00:19,800 --> 00:00:21,100 THANK YOU FOR LETTING ME TAKE YOU DANCING 6 00:00:21,133 --> 00:00:22,300 THE OTHER NIGHT. 7 00:00:22,333 --> 00:00:23,533 YOU SHOW ME RESPECT, YOU KNOW? 8 00:00:26,233 --> 00:00:27,367 WHY'D YOU COME HERE? 9 00:00:27,400 --> 00:00:29,033 I'M GOING BACK TO OREGON THIS AFTERNOON 10 00:00:29,067 --> 00:00:30,267 AND I'M TAKING MY SON HOME WITH ME. 11 00:00:32,433 --> 00:00:34,867 I WAS THINKING ABOUT HAVING A DINNER PARTY. 12 00:00:34,900 --> 00:00:35,933 I REALLY WANT YOU 13 00:00:35,967 --> 00:00:37,200 TO MEET SOME OF MY FRIENDS. 14 00:00:39,567 --> 00:00:41,933 WOULD IT BE INTERESTING IF THEY WERE REALLY HAVING SEX? 15 00:00:41,967 --> 00:00:44,067 WHAT? WHAT? 16 00:00:44,100 --> 00:00:46,033 SHE'S REALLY SENSITIVE ABOUT THE MATERIAL. 17 00:00:46,067 --> 00:00:47,700 SHE DOESN'T WANT ANYBODY TO MESS IT UP. 18 00:00:47,733 --> 00:00:50,367 I MEAN, YOU CAN DO WHATEVER YOU WANT. 19 00:00:50,400 --> 00:00:52,267 THAT'S WHAT LEZ GIRLS IS, 20 00:00:52,300 --> 00:00:53,200 IS A MUSICAL. 21 00:00:55,333 --> 00:00:56,300 * LOVELY 22 00:00:56,333 --> 00:00:58,733 * LISSOME LADIES... 23 00:00:58,767 --> 00:01:00,600 MY MOM DIED. 24 00:01:00,633 --> 00:01:01,900 YOUR SISTER ASKED YOU 25 00:01:01,933 --> 00:01:03,267 NOT TO GO TO THE FUNERAL? 26 00:01:03,300 --> 00:01:06,600 PLAY POKER AND WIN. 27 00:01:06,633 --> 00:01:07,267 YOU WON? 28 00:01:07,300 --> 00:01:09,067 ONLY $150,000! 29 00:01:09,067 --> 00:01:10,067 [GASPS] 30 00:01:10,100 --> 00:01:12,267 [**] 31 00:01:12,300 --> 00:01:16,067 * INVEST IN MY LOVE 32 00:01:16,067 --> 00:01:18,867 * INVEST IN MY LOVE... 33 00:01:18,900 --> 00:01:21,933 [CATHERINE]: SO, IT'S OUT OF THE GATE FROM HERE... 34 00:01:21,967 --> 00:01:24,133 AND AROUND THE TRACK. 35 00:01:24,167 --> 00:01:26,567 WE SIT HERE AND DRINK CHAMPAGNE... 36 00:01:26,600 --> 00:01:27,767 [HELENA CHUCKLES] 37 00:01:27,800 --> 00:01:30,733 AS OUR HORSE CROSSES THE FINISH LINE... 38 00:01:30,767 --> 00:01:32,500 HERE. 39 00:01:32,533 --> 00:01:35,833 * ANYTHING AND EVERYTHING UNDER THE SUN... * 40 00:01:35,867 --> 00:01:39,500 [**] 41 00:01:39,533 --> 00:01:45,533 * GIRLS IN TIGHT DRESSES WHO DRAG WITH MUSTACHES * 42 00:01:45,567 --> 00:01:52,967 * CHICKS DRIVING FAST INGENUES WITH LONG LASHES * 43 00:01:53,067 --> 00:01:58,500 * WOMEN WHO LONG, LOVE, LUST WOMEN WHO GIVE * 44 00:01:58,533 --> 00:02:05,600 * THIS IS THE WAY IT'S THE WAY THAT WE LIVE * 45 00:02:13,133 --> 00:02:14,433 * TALKING, LAUGHING LOVING, BREATHING * 46 00:02:14,467 --> 00:02:16,333 * FIGHTING, FUCKING CRYING, DRINKING * 47 00:02:16,367 --> 00:02:17,900 * WRITING, WINNING LOSING, CHEATING * 48 00:02:17,933 --> 00:02:19,400 * KISSING, THINKING, DREAMING 49 00:02:19,433 --> 00:02:21,400 * THIS IS THE WAY... 50 00:02:21,433 --> 00:02:24,233 * IT'S THE WAY THAT WE LIVE * 51 00:02:24,267 --> 00:02:29,767 * IT'S THE WAY THAT WE LIVE 52 00:02:29,800 --> 00:02:34,567 * AND LOVE 53 00:02:36,800 --> 00:02:38,333 AND YOU'RE SURE ABOUT THIS? 54 00:02:38,367 --> 00:02:39,733 I'VE NEVER GOTTEN 55 00:02:39,767 --> 00:02:41,067 A BETTER TIP. 56 00:02:41,067 --> 00:02:42,933 IN THE PINK'S TRAINER TOLD MILES 57 00:02:42,967 --> 00:02:45,367 THEY WERE HOLDING HER BACK TO IMPROVE THE ODDS. 58 00:02:45,400 --> 00:02:46,967 SO IT'S A SURE THING? 59 00:02:47,067 --> 00:02:48,200 AS CLOSE AS YOU CAN GET. 60 00:02:48,233 --> 00:02:50,300 IF YOU THINK POKER IS EXCITING, 61 00:02:50,333 --> 00:02:54,067 THE HORSE RACES WILL BLOW YOUR MIND. 62 00:02:54,100 --> 00:02:56,867 YOU COULD DOUBLE THE MONEY 63 00:02:56,900 --> 00:02:58,500 YOU MADE IN MALLORCA. 64 00:02:58,533 --> 00:03:00,500 SO... 65 00:03:00,533 --> 00:03:04,267 ARE YOU IN? 66 00:03:04,300 --> 00:03:06,433 [EXHALING] 67 00:03:06,467 --> 00:03:08,833 YES. 68 00:03:08,867 --> 00:03:11,333 I'M IN. 69 00:03:11,367 --> 00:03:13,300 EXCELLENT. 70 00:03:13,333 --> 00:03:14,833 HERE, 71 00:03:14,867 --> 00:03:16,200 I BOOKED US A PRIVATE ROOM 72 00:03:16,233 --> 00:03:17,333 IN THE RESTAURANT, 73 00:03:17,367 --> 00:03:18,733 BUT WE SHOULD SPEND THE WHOLE DAY THERE. 74 00:03:18,767 --> 00:03:19,833 SIT IN THE STANDS, 75 00:03:19,867 --> 00:03:22,067 EXPERIENCE THE COLLECTIVE RUSH. 76 00:03:22,067 --> 00:03:25,233 WHY DON'T YOU INVITE SOME OF YOUR FRIENDS? 77 00:03:25,267 --> 00:03:27,400 WE CAN DO SOME BUSINESS ON THAT WEBSITE. 78 00:03:27,433 --> 00:03:29,733 I'VE ALREADY TOLD ALICE I'M IN FOR 50 GRAND. 79 00:03:29,767 --> 00:03:31,867 OH, AND INVITE THE LITTLE DARK, TWISTED ONE. 80 00:03:31,900 --> 00:03:33,233 SHE AMUSES ME. 81 00:03:33,267 --> 00:03:35,500 YOU KNOW, SHE'S TALKING ABOUT GETTING A MONKEY. 82 00:03:35,533 --> 00:03:36,900 OF COURSE SHE IS. 83 00:03:36,933 --> 00:03:39,433 [**] 84 00:03:50,800 --> 00:03:53,600 YOU WERE KISSING A MOUSE ON THE LIPS? 85 00:03:53,633 --> 00:03:55,800 YEAH, I FOUND IT UNDER THE HOUSE. 86 00:03:55,833 --> 00:03:56,933 I LEANED IN TO KISS IT 87 00:03:56,967 --> 00:03:58,467 AND THE LITTLE FUCKER BIT ME, 88 00:03:58,500 --> 00:03:59,767 AND THE WHOLE WAY TO THE DOCTOR, 89 00:03:59,800 --> 00:04:01,067 MY SISTER SIOBAN 90 00:04:01,067 --> 00:04:02,300 KEPT TRYING TO TELL ME I HAD RABIES. 91 00:04:02,333 --> 00:04:03,333 THAT'S SO MEAN. 92 00:04:03,367 --> 00:04:04,500 SHE WAS TORTURING YOU. 93 00:04:04,533 --> 00:04:07,067 WE DEFINITELY TORTURED EACH OTHER. 94 00:04:07,067 --> 00:04:08,733 I USED TO KICK OPEN THE DOOR TO THE BATHROOM 95 00:04:08,767 --> 00:04:10,067 AND TAKE POLAROIDS OF HER 96 00:04:10,067 --> 00:04:12,433 TO PASS AROUND AT SCHOOL. 97 00:04:12,467 --> 00:04:14,833 I WOULD'VE TORTURED YOU, TOO. 98 00:04:14,867 --> 00:04:18,433 [RAIN PATTERING] 99 00:04:18,467 --> 00:04:22,567 I HAVEN'T SEEN ANY OF THEM IN YEARS. 100 00:04:22,600 --> 00:04:24,267 [EXHALES] 101 00:04:24,300 --> 00:04:26,467 MAYBE THIS WASN'T THE BEST IDEA, GRACE. 102 00:04:26,500 --> 00:04:28,800 THEY ARE YOUR FAMILY. 103 00:04:28,833 --> 00:04:30,967 YEAH. 104 00:04:31,067 --> 00:04:33,067 [**] 105 00:04:33,067 --> 00:04:35,567 [DOORBELL CHIMES] 106 00:04:36,767 --> 00:04:38,067 [BETTE]: NO, IT'S NOT A CATERER, 107 00:04:38,067 --> 00:04:40,133 IT'S JUST A COOK AND A SERVER, 108 00:04:40,167 --> 00:04:41,133 THAT'S ALL. 109 00:04:41,167 --> 00:04:42,633 I MEAN, I HAVEN'T HAD A DINNER PARTY 110 00:04:42,667 --> 00:04:44,067 IN A LONG TIME, 111 00:04:44,067 --> 00:04:46,333 AND I WANT IT TO BE NICE AND COMFORTABLE. 112 00:04:49,767 --> 00:04:51,133 ACTUALLY, IT'S NOT QUITE AS SMALL 113 00:04:51,167 --> 00:04:52,333 AS I ORIGINALLY THOUGHT. 114 00:04:52,367 --> 00:04:54,533 UH... 115 00:04:55,933 --> 00:04:57,833 11 PEOPLE. 116 00:05:00,233 --> 00:05:02,933 11 PEOPLE AT A DINNER PARTY 117 00:05:02,967 --> 00:05:05,200 DOES NOT "A FORCE OF NATURE" MAKE. 118 00:05:08,467 --> 00:05:12,567 AND I'VE NEVER MET ANYONE LIKE YOU. 119 00:05:15,167 --> 00:05:17,967 OH, BUT THE ONE PROBLEM IS 120 00:05:18,067 --> 00:05:19,333 I HAVEN'T HEARD BACK 121 00:05:19,367 --> 00:05:20,733 FROM KIT. 122 00:05:20,767 --> 00:05:22,567 YEAH. 123 00:05:22,600 --> 00:05:24,067 I THINK SHE THINKS 124 00:05:24,100 --> 00:05:26,867 I'M PROTECTING ANGUS. 125 00:05:47,233 --> 00:05:49,800 NO, BETTE, PLEASE STAY. 126 00:06:24,800 --> 00:06:26,067 FUCK YOU! 127 00:06:26,067 --> 00:06:27,767 I FUCKING DID MY BEST! 128 00:06:27,800 --> 00:06:29,067 YOU FUCKING FUCK! 129 00:06:29,067 --> 00:06:29,833 GET OUT! 130 00:06:31,967 --> 00:06:34,300 [INHALING DEEPLY] 131 00:06:34,333 --> 00:06:36,667 [SIGHING SHAKILY] 132 00:06:48,100 --> 00:06:52,200 REALLY JUST... TOO FAST FOR ME. 133 00:06:54,867 --> 00:06:57,433 BUT IT SEEMS LIKE IT WENT REALLY WELL. 134 00:06:57,467 --> 00:07:00,333 [SIGHING] 135 00:07:00,367 --> 00:07:03,367 I'M HAPPY TO SEE YOU, MAX. 136 00:07:03,400 --> 00:07:05,533 IT'S NOT THAT I DIDN'T WANT YOU TO COME. 137 00:07:05,567 --> 00:07:06,767 IT'S JUST THAT I KNEW 138 00:07:06,800 --> 00:07:09,067 IT WOULD FREAK EVERYONE OUT. 139 00:07:09,067 --> 00:07:12,833 YOU KNOW HOW DAD FEELS... 140 00:07:12,867 --> 00:07:15,067 ABOUT WHAT? 141 00:07:15,067 --> 00:07:16,767 ABOUT QUEERS. 142 00:07:16,800 --> 00:07:18,667 THOSE ARE HIS WORDS, ACTUALLY. 143 00:07:18,700 --> 00:07:20,167 WHEN WE WERE GROWING UP, 144 00:07:20,200 --> 00:07:21,433 HE WAS ALWAYS RANTING ON AND ON 145 00:07:21,467 --> 00:07:23,133 ABOUT WOPS, 146 00:07:23,167 --> 00:07:25,300 QUEERS, NIGGERS, FAGGOTS... 147 00:07:25,333 --> 00:07:26,867 I MEAN, YOU NAME IT, 148 00:07:26,900 --> 00:07:28,800 AND HE HAD A WORD FOR IT. 149 00:07:28,833 --> 00:07:30,667 SOUNDS CHARMING. 150 00:07:30,700 --> 00:07:32,767 HE'S NOT A BAD GUY. 151 00:07:32,800 --> 00:07:34,200 HE'S JUST-- HE'S IGNORANT... 152 00:07:34,233 --> 00:07:36,233 AND HE'S SHELTERED... 153 00:07:36,267 --> 00:07:37,467 AND HE'S AFRAID OF ANYTHING 154 00:07:37,500 --> 00:07:38,667 THAT'S DIFFERENT FROM HIM. 155 00:07:38,700 --> 00:07:41,833 I DIDN'T COME HERE FOR HIM, MAGGIE. 156 00:07:41,867 --> 00:07:44,433 I CAME HERE FOR MOM. 157 00:07:44,467 --> 00:07:45,733 SHE'S MY MOM, TOO. 158 00:07:45,767 --> 00:07:48,900 THEN WHY DID YOU DISAPPEAR? 159 00:07:48,933 --> 00:07:52,667 WHY DIDN'T YOU TELL HER ABOUT WHAT YOU WERE GOING THROUGH? 160 00:07:52,700 --> 00:07:54,600 I DIDN'T THINK SHE COULD HANDLE IT. 161 00:07:54,633 --> 00:07:56,600 IT WOULD'VE BEEN TOO HARD FOR HER. 162 00:07:56,633 --> 00:07:57,900 YOU DON'T KNOW THAT. 163 00:07:57,933 --> 00:08:00,767 YOU JUST ASSUME THAT EVERYONE'LL HATE YOU. 164 00:08:00,800 --> 00:08:02,733 I DON'T HATE YOU. 165 00:08:02,767 --> 00:08:04,067 YOU'VE CALLED ME TWICE 166 00:08:04,100 --> 00:08:05,600 SINCE I TOLD YOU I WAS TRANSITIONING. 167 00:08:05,633 --> 00:08:07,267 HOW MANY TIMES HAVE YOU CALLED ME? 168 00:08:07,300 --> 00:08:08,300 [DOOR OPENS] 169 00:08:08,333 --> 00:08:10,067 DAD. 170 00:08:10,067 --> 00:08:11,200 I COULDN'T GET 171 00:08:11,233 --> 00:08:11,967 THE MAHOGANY ONE, MAGGIE. 172 00:08:12,067 --> 00:08:13,967 I HAD TO GO 173 00:08:14,067 --> 00:08:15,633 WITH THE PLAIN PINE CASKET. 174 00:08:15,667 --> 00:08:16,800 BUT EVERYTHING ELSE WILL BE 175 00:08:16,833 --> 00:08:18,833 EXACTLY THE WAY SHE WANTED IT, 176 00:08:18,867 --> 00:08:20,167 THE REST OF THE FUNERAL-- 177 00:08:20,200 --> 00:08:21,700 I'D LIKE TO PAY FOR THE MAHOGANY CASKET. 178 00:08:29,067 --> 00:08:30,567 [CLEARING THROAT] 179 00:08:30,600 --> 00:08:31,767 HI. 180 00:08:31,800 --> 00:08:33,933 HI. 181 00:08:36,333 --> 00:08:38,367 UM... 182 00:08:38,400 --> 00:08:40,467 WE WERE ON OUR WAY TO SCHOOL, 183 00:08:40,500 --> 00:08:44,633 AND JARED WAS TALKING ABOUT MISSING SHAY, 184 00:08:44,667 --> 00:08:46,267 AND HE SAID, 185 00:08:46,300 --> 00:08:48,600 "IF I MISS SHAY THIS MUCH, 186 00:08:48,633 --> 00:08:51,400 SHANE MUST REALLY MISS HIM." 187 00:08:51,433 --> 00:08:53,833 SO WE DECIDED TO TAKE AN IMPROMPTU HOLIDAY, 188 00:08:53,867 --> 00:08:55,633 AND, UH... 189 00:08:55,667 --> 00:08:57,867 HERE WE ARE. 190 00:08:57,900 --> 00:08:59,300 HI, SHANE. 191 00:08:59,333 --> 00:09:00,633 HEY, JARED. 192 00:09:00,667 --> 00:09:01,800 GO ON, ASK HER. 193 00:09:01,833 --> 00:09:04,300 HOW ARE YOU? 194 00:09:05,500 --> 00:09:08,500 I'M OKAY. 195 00:09:10,833 --> 00:09:12,800 I'M SORRY FOR DISAPPEARING ON YOU. 196 00:09:12,833 --> 00:09:15,067 I'M KIND OF... 197 00:09:15,067 --> 00:09:17,333 GLAD THAT YOU SHOWED UP ON MY DOORSTEP. 198 00:09:17,367 --> 00:09:18,967 IT'S GOOD TO SEE YOU GUYS. 199 00:09:19,067 --> 00:09:20,533 DO YOU MISS SHAY? 200 00:09:20,567 --> 00:09:23,067 UH... 201 00:09:23,067 --> 00:09:24,533 YEAH. 202 00:09:24,567 --> 00:09:25,833 YEAH, I DO. 203 00:09:25,867 --> 00:09:27,100 ME TOO. 204 00:09:27,133 --> 00:09:28,400 MM-HMM. 205 00:09:28,433 --> 00:09:30,667 IT'S... IT'S TOUGH. 206 00:09:32,067 --> 00:09:35,533 WELL, WE WERE GOING TO GO TO BREAKFAST 207 00:09:35,567 --> 00:09:36,600 AND WERE WONDERING 208 00:09:36,633 --> 00:09:37,667 IF YOU'D LIKE TO JOIN US. 209 00:09:37,700 --> 00:09:40,067 NOW, IT'S A "JARED'S CHOICE DAY", 210 00:09:40,067 --> 00:09:42,733 SO HE GETS TO PICK WHAT WE EAT. 211 00:09:42,767 --> 00:09:43,833 ICE CREAM. 212 00:09:43,867 --> 00:09:45,567 OOH... 213 00:09:45,600 --> 00:09:47,467 MM. 214 00:09:47,500 --> 00:09:48,500 ALL RIGHT. 215 00:09:48,533 --> 00:09:49,600 COME ON IN. 216 00:09:49,633 --> 00:09:51,167 LET ME GET CHANGED. 217 00:09:51,200 --> 00:09:52,500 I CAME TO PAY MY RESPECTS. 218 00:09:52,533 --> 00:09:53,800 HAVE YOU LOST YOUR MIND? 219 00:09:53,833 --> 00:09:55,667 YOU RUN OFF, 220 00:09:55,700 --> 00:09:57,133 AND YOU SHOW UP AFTER SHE'S DEAD, 221 00:09:57,167 --> 00:09:58,967 LIKE THIS? 222 00:09:59,067 --> 00:10:00,633 DAD, STOP. 223 00:10:02,967 --> 00:10:04,433 YOU'RE FUCKING DISGUSTING. 224 00:10:04,467 --> 00:10:05,533 SHUT UP, SIOBAN. 225 00:10:05,567 --> 00:10:08,900 YOU SHAME ME. 226 00:10:08,933 --> 00:10:11,167 YOU SHAME YOUR MOTHER'S MEMORY. 227 00:10:14,933 --> 00:10:16,100 YOU AND YOUR FRIEND 228 00:10:16,133 --> 00:10:17,400 NEED TO LEAVE NOW, MOIRA. 229 00:10:17,433 --> 00:10:19,633 YEAH. 230 00:10:19,667 --> 00:10:21,633 MOM TOLD ME ON HER DEATHBED 231 00:10:21,667 --> 00:10:22,833 THAT SHE THOUGHT 232 00:10:22,867 --> 00:10:24,067 YOU SHOULD'VE BEEN BORN A BOY. 233 00:10:24,100 --> 00:10:25,200 BUT LOOK AT YOU. 234 00:10:25,233 --> 00:10:26,500 YOU'RE A FREAK NOW. 235 00:10:26,533 --> 00:10:28,733 I'M GLAD SHE'S NOT ALIVE 236 00:10:28,767 --> 00:10:30,233 TO ACTUALLY SEE IT. 237 00:10:30,267 --> 00:10:32,767 [**] 238 00:10:36,333 --> 00:10:38,300 HOW'S THAT BREAKFAST OF CHAMPIONS? 239 00:10:41,233 --> 00:10:43,567 I'M GLAD YOU CAME OUT WITH US. 240 00:10:44,833 --> 00:10:47,167 YEAH, ME TOO. 241 00:10:49,933 --> 00:10:50,967 LISTEN, 242 00:10:51,000 --> 00:10:54,533 I'M SORRY I NEVER CALLED YOU BACK, 243 00:10:54,567 --> 00:10:57,167 AND FOR THE WAY I SNAPPED AT YOU. 244 00:10:57,200 --> 00:10:59,467 I SHOULDN'T HAVE DONE THAT. 245 00:11:01,567 --> 00:11:05,567 I'VE MISSED YOU. 246 00:11:05,600 --> 00:11:08,967 AND I'VE MISSED OUR, UM... 247 00:11:11,833 --> 00:11:14,433 OUR... 248 00:11:14,467 --> 00:11:15,900 STORY...TIME. 249 00:11:15,933 --> 00:11:18,067 [CLEARING THROAT]: THAT ONE STORY 250 00:11:18,067 --> 00:11:21,533 IN THE CAR... 251 00:11:21,567 --> 00:11:24,533 THAT WAS THE BEST STORY 252 00:11:24,567 --> 00:11:26,800 I HAVE EVER HEARD. 253 00:11:26,833 --> 00:11:29,100 WELL, I, UH... 254 00:11:29,133 --> 00:11:31,533 YOU KNOW, I-- 255 00:11:31,567 --> 00:11:35,467 I THOUGHT OF SOME NEW... STORIES... 256 00:11:35,500 --> 00:11:37,867 IF YOU WANT ME TO READ 'EM TO YOU. 257 00:11:37,900 --> 00:11:39,500 OF COURSE. 258 00:11:39,533 --> 00:11:42,267 WILL YOU LISTEN TO SOME OF MINE, TOO? 259 00:11:42,300 --> 00:11:43,633 YEAH. 260 00:11:43,667 --> 00:11:45,700 YEAH, I'D LOVE TO. 261 00:11:46,900 --> 00:11:47,967 LISTEN, UH, 262 00:11:48,067 --> 00:11:52,200 BETTE'S HAVING THIS DINNER PARTY ON SUNDAY. 263 00:11:52,233 --> 00:11:54,567 WOULD YOU COME WITH ME? 264 00:11:54,600 --> 00:11:56,800 OF COURSE. 265 00:11:56,833 --> 00:11:58,900 I'LL, UM... 266 00:11:58,933 --> 00:12:00,767 JUST HAVE TO GET A SITTER 267 00:12:00,800 --> 00:12:02,933 FOR THIS ONE. 268 00:12:02,967 --> 00:12:05,267 DO YOU GUYS HAVE THE SAME FLAVOR? 269 00:12:05,300 --> 00:12:07,800 WHAT-- WHAT'D YOU GET? 270 00:12:07,833 --> 00:12:08,833 IT'S GREEN APPLE. 271 00:12:08,867 --> 00:12:09,967 THAT'S WHAT I GOT. 272 00:12:10,067 --> 00:12:13,067 THE THING I REALLY CONNECTED TO 273 00:12:13,067 --> 00:12:15,333 WAS THE FUCKING INTENSITY OF THE ROMANCE. 274 00:12:15,367 --> 00:12:18,233 LIKE WHEN JESSIE MEETS KARINA FOR THE VERY FIRST TIME, 275 00:12:18,267 --> 00:12:19,967 AND HOW OVERWHELMED SHE IS... 276 00:12:20,067 --> 00:12:21,600 MM-HMM. 277 00:12:21,633 --> 00:12:24,367 I SO REMEMBER THAT FEELING. 278 00:12:24,400 --> 00:12:28,267 THAT MOMENT SHOULD JUST BE, LIKE, VISUALLY REALLY INTENSE. 279 00:12:28,300 --> 00:12:30,700 THE SOUND SHOULD JUST, LIKE, FADE AWAY, 280 00:12:30,733 --> 00:12:31,833 SO IT'S ONLY THEM IN THE WORLD. 281 00:12:31,867 --> 00:12:33,933 IT'S JUST JESSIE AND KARINA. 282 00:12:33,967 --> 00:12:35,333 KIND OF LIKE THAT FEELING 283 00:12:35,367 --> 00:12:37,600 WHEN YOU MEET SOMEONE AND YOUR HEART BEGINS TO BEAT-- 284 00:12:37,633 --> 00:12:39,467 YOUR MOUTH GOES DRY... 285 00:12:39,500 --> 00:12:41,267 AND THE BLOOD KIND OF RUSHES 286 00:12:41,300 --> 00:12:42,233 FROM YOUR HANDS-- 287 00:12:42,267 --> 00:12:44,100 YES, IN FACT, WHAT YOU CAN DO 288 00:12:44,133 --> 00:12:45,733 IS YOU CAN JUST FADE THE COLOR AWAY, 289 00:12:45,767 --> 00:12:46,733 JUST BLOW IT OUT. 290 00:12:46,767 --> 00:12:47,867 IN LAST MOVIE THAT I DID, 291 00:12:47,900 --> 00:12:51,367 I JUST SLOWLY DRAINED THE COLOR-- 292 00:12:51,400 --> 00:12:52,500 [GASPING]: OH, MY GOD. 293 00:12:52,533 --> 00:12:53,933 THAT SCENE, 294 00:12:53,967 --> 00:12:56,067 IT WAS JUST SO VISUAL AND SO SENSUAL... 295 00:12:56,067 --> 00:12:57,133 YEAH. 296 00:12:57,167 --> 00:12:59,133 WHEN I SAW IT AT SUNDANCE, I WAS JUST... 297 00:12:59,167 --> 00:13:00,467 GOD. 298 00:13:00,500 --> 00:13:02,267 SHE WON THE AUDIENCE AWARD. 299 00:13:02,300 --> 00:13:03,433 I SAW THE FILM, TINA. 300 00:13:03,467 --> 00:13:04,600 IT WAS LIKE A BLUR. 301 00:13:04,633 --> 00:13:06,067 I WAS SO NERVOUS. 302 00:13:06,067 --> 00:13:07,833 WHO'S RELEASING PANDORA? 303 00:13:07,867 --> 00:13:09,067 FOX 2000. 304 00:13:09,067 --> 00:13:11,833 THAT'S FANTASTIC. YEAH. 305 00:13:11,867 --> 00:13:11,933 I GOT REALLY LUCKY. 306 00:13:13,367 --> 00:13:14,667 I GOT VERY LUCKY. 307 00:13:14,700 --> 00:13:16,400 I MET A LOT OF NICE PEOPLE UP THERE, 308 00:13:16,433 --> 00:13:17,667 AND-- AND, UH-- 309 00:13:17,700 --> 00:13:18,767 IT'S A STRUGGLE. 310 00:13:18,800 --> 00:13:20,333 IT'S A STRUGGLE TO TRY TO DO SOMETHING 311 00:13:20,367 --> 00:13:21,667 THAT YOU REALLY BELIEVE IN-- 312 00:13:21,700 --> 00:13:23,667 AND TO STAY TRUERIGHT. TO YOUR VISION 313 00:13:23,700 --> 00:13:26,100 WITH ALL THESE FUCKING HOLLYWOOD SUITS 314 00:13:26,133 --> 00:13:27,600 TO PIGEONHOLE YOU. TOTALLY. 315 00:13:27,633 --> 00:13:29,767 PRESENT HOLLYWOOD COMPANY EXCLUDED. 316 00:13:29,800 --> 00:13:31,167 ALTHOUGH YOU WOULD LOOK 317 00:13:31,200 --> 00:13:32,533 REALLY HOT IN A SUIT. 318 00:13:32,567 --> 00:13:34,900 THANK YOU. 319 00:13:40,933 --> 00:13:43,667 I WAS SO TURNED ON BY YOUR STORY, 320 00:13:43,700 --> 00:13:46,067 BECAUSE I JUST THOUGHT, YOU KNOW... 321 00:13:46,067 --> 00:13:48,600 "THIS IS ME. 322 00:13:48,633 --> 00:13:49,600 "THIS IS, UH, 323 00:13:49,633 --> 00:13:51,267 "PEOPLE I KNOW, 324 00:13:51,300 --> 00:13:53,067 PEOPLE I'VE SLEPT WITH." 325 00:13:53,067 --> 00:13:55,333 YOU KNOW, I'M NOT ABOUT BULLSHIT. 326 00:13:55,367 --> 00:13:57,300 I REALLY AM NOT THAT INTERESTED 327 00:13:57,333 --> 00:14:00,133 IN MAKING PEOPLE FEEL FUCKING COMFORTABLE. 328 00:14:00,167 --> 00:14:01,567 YOU KNOW? 329 00:14:01,600 --> 00:14:04,133 SO, I WANT TO MAKE MOVIES THAT SAY SOMETHING. 330 00:14:09,433 --> 00:14:12,433 I-I WOULD REALLY LOVE TO DIRECT THE FILM. 331 00:14:12,467 --> 00:14:14,833 WHAT DO YOU THINK? 332 00:14:16,500 --> 00:14:20,067 I THINK WE'VE FOUND OUR DIRECTOR. 333 00:14:20,100 --> 00:14:21,867 BETTE... 334 00:14:21,900 --> 00:14:23,600 [TELEPHONE RINGING IN BACKGROUND] 335 00:14:25,800 --> 00:14:28,100 I KNOW, I KNOW, I KNOW, BUT YOU KNOW WHAT? 336 00:14:28,133 --> 00:14:30,900 SEATING IS VERY IMPORTANT AT A DINNER PARTY. 337 00:14:30,933 --> 00:14:32,200 IT IS. 338 00:14:32,233 --> 00:14:33,767 IT'S JUST ALL A PART OF 339 00:14:33,800 --> 00:14:35,467 MAKING IT FLOW BETTER, THAT'S ALL. 340 00:14:38,200 --> 00:14:39,267 I KNOW. 341 00:14:39,300 --> 00:14:40,767 I KNOW, I KNOW. I AM! 342 00:14:40,800 --> 00:14:42,500 I'M RELAXED. 343 00:14:42,533 --> 00:14:46,400 I JUST WANT IT TO BE PERFECT FOR YOU. 344 00:14:54,567 --> 00:14:56,067 [KNOCKING ON DOOR] 345 00:14:56,067 --> 00:14:58,567 NOT NOW, I'M BUSY. 346 00:15:00,867 --> 00:15:02,600 [MAX]: I'M JUST SORRY I DRAGGED YOU HERE. 347 00:15:02,633 --> 00:15:03,600 [GRACE]: I'M NOT. 348 00:15:03,633 --> 00:15:04,700 EVERYONE NEEDS A WITNESS 349 00:15:04,733 --> 00:15:07,133 TO SOMETHING LIKE THIS. 350 00:15:09,467 --> 00:15:10,833 THANKS FOR COMING, GRACE. 351 00:15:10,867 --> 00:15:12,567 [KNOCKING ON DOOR] 352 00:15:22,833 --> 00:15:25,833 I GOT SOMETHING FOR YOU. 353 00:15:27,600 --> 00:15:31,333 YOUR MOTHER WANTED YOU TO HAVE THAT. 354 00:15:34,067 --> 00:15:35,733 HER CHARM BRACELET. 355 00:15:35,767 --> 00:15:38,333 SHE LOVED THAT THING. 356 00:15:38,367 --> 00:15:40,900 HER PRIDE AND JOY. 357 00:15:42,167 --> 00:15:44,700 ANY TIME ANYONE WENT ANYWHERE, 358 00:15:44,733 --> 00:15:47,700 THEY'D BRING MY MOM BACK A CHARM FOR THIS THING. 359 00:15:47,733 --> 00:15:50,567 SHE ALWAYS SAID THAT SHE WAS COLLECTING 360 00:15:50,600 --> 00:15:52,733 MEMORIES THAT SHE MIGHT HAVE ONE DAY. 361 00:15:52,767 --> 00:15:54,767 ALL THE PLACES SHE WANTED TO GO 362 00:15:54,800 --> 00:15:57,233 AND I COULDN'T AFFORD TO TAKE HER. 363 00:15:57,267 --> 00:16:00,933 I GUESS IT'S YOURS NOW. 364 00:16:00,967 --> 00:16:03,133 THANKS. 365 00:16:04,700 --> 00:16:06,533 UM... 366 00:16:11,067 --> 00:16:12,400 I'M JUST GOING TO STEP OUTSIDE. 367 00:16:12,433 --> 00:16:15,100 [DOOR OPENS] 368 00:16:19,467 --> 00:16:22,067 WHAT SIOBAN SAID TODAY... 369 00:16:24,300 --> 00:16:25,633 [SIGHING] 370 00:16:25,667 --> 00:16:27,167 WHENEVER YOUR MOTHER AND I 371 00:16:27,200 --> 00:16:28,333 TALKED ABOUT YOU, 372 00:16:28,367 --> 00:16:30,233 WE'D END UP FIGHTING, 373 00:16:30,267 --> 00:16:31,567 AND SO, AFTER A WHILE, 374 00:16:31,600 --> 00:16:33,367 WE JUST STOPPED TALKING ABOUT YOU. 375 00:16:36,267 --> 00:16:37,867 AND I... 376 00:16:37,900 --> 00:16:42,200 I DIDN'T KNOW THAT SHE FELT THAT WAY. 377 00:16:42,233 --> 00:16:44,100 I DIDN'T KNOW THAT-- 378 00:16:44,133 --> 00:16:46,600 I WANT TO SAY GOODBYE TO MOM, 379 00:16:46,633 --> 00:16:49,633 AND I'D LIKE TO STAY FOR THE FUNERAL. 380 00:16:56,333 --> 00:17:01,400 THERE'S A WAKE AT THE HOUSE TOMORROW. 381 00:17:01,433 --> 00:17:04,867 YOU AND YOUR FRIEND CAN COME IF YOU WANT. 382 00:17:04,900 --> 00:17:07,067 [DOOR OPENS AND CLOSES] 383 00:17:09,233 --> 00:17:11,500 I WANT YOU TO COME BY THE HORSE RACES TOMORROW. 384 00:17:11,533 --> 00:17:12,533 IT'S THE BEST RUSH. 385 00:17:12,567 --> 00:17:13,833 I CAN'T BELIEVE 386 00:17:13,867 --> 00:17:15,433 HOW THAT SHIT MAKES ME FEEL, FOR REAL. 387 00:17:16,900 --> 00:17:19,467 YOU'RE THE FIRST PERSON I'VE WANTED TO SHARE IT WITH. 388 00:17:19,500 --> 00:17:21,267 JUST DON'T DROP TOO MUCH. 389 00:17:21,300 --> 00:17:22,800 I KNOW HOW TO BET. 390 00:17:22,833 --> 00:17:26,200 I PLAN TO MAKE A LOT OF MONEY BEFORE I'M THROUGH. 391 00:17:28,400 --> 00:17:30,333 [SIGHING]: WHAT? 392 00:17:30,367 --> 00:17:32,300 I JUST WANTED TO LET YOU KNOW, 393 00:17:32,333 --> 00:17:33,867 I'VE BEEN TALKING TO KOCH 394 00:17:33,900 --> 00:17:35,300 ABOUT DISTRIBUTING BAREBACK. 395 00:17:35,333 --> 00:17:38,967 THEY'RE INTERESTED. 396 00:17:39,067 --> 00:17:42,267 WELL, YOU REALLY DIDN'T HAVE TO DO THAT. 397 00:17:42,300 --> 00:17:44,633 WELL, I'M DOING IT BECAUSE I WANT TO. 398 00:17:44,667 --> 00:17:47,467 I ALSO GOT A COUPLE OF RADIO STATIONS 399 00:17:47,500 --> 00:17:50,067 INTERESTED IN PICKING YOU UP. 400 00:17:50,067 --> 00:17:52,133 THANKS. 401 00:17:52,167 --> 00:17:54,933 THANK YOU. 402 00:17:56,300 --> 00:18:00,100 WELL, I BELIEVE IN THE RECORD, AND... 403 00:18:01,500 --> 00:18:03,700 I BELIEVE IN YOU. 404 00:18:07,200 --> 00:18:08,933 I JUST WANTED TO GET YOU UP AND RUNNING. 405 00:18:08,967 --> 00:18:10,333 I'VE BEEN UP AND RUNNING 406 00:18:10,367 --> 00:18:13,700 SINCE YOU WERE BARE-ASSED, STREAKING THROUGH A SPRINKLER. 407 00:18:26,900 --> 00:18:29,067 MAYBE IT'S TIME FOR YOU TO GIVE HIM A BREAK. 408 00:18:29,067 --> 00:18:31,367 [SIGHS] 409 00:18:31,400 --> 00:18:32,767 LET'S NOT GO THERE. 410 00:18:32,800 --> 00:18:34,267 COME ON. HE MADE A MISTAKE, KIT. 411 00:18:34,300 --> 00:18:35,433 FORGETTING TO SET YOUR ALARM CLOCK 412 00:18:35,467 --> 00:18:36,967 IS A MISTAKE. 413 00:18:37,067 --> 00:18:39,633 PUTTING SUGAR IN A SALT SHAKER, 414 00:18:39,667 --> 00:18:42,533 THAT'S A MISTAKE. 415 00:18:42,567 --> 00:18:45,867 WHAT HE DID WAS MORE THAN JUST A MISTAKE. 416 00:18:45,900 --> 00:18:49,067 ARE YOU STILL IN LOVE WITH HIM? 417 00:18:53,400 --> 00:18:55,567 NO. 418 00:19:02,133 --> 00:19:04,667 [**] 419 00:19:04,700 --> 00:19:06,600 I'M GOING TO SEE YOU ON MONDAY, OKAY? 420 00:19:06,633 --> 00:19:08,167 MOMMY'S GOING TO MISS YOU SO MUCH, 421 00:19:08,200 --> 00:19:09,333 BUT YOU'RE GOING TO HAVE FUN. 422 00:19:09,367 --> 00:19:11,267 IT WAS, UH, 423 00:19:11,300 --> 00:19:13,267 NICE TO SEE YOU AGAIN, JODI. 424 00:19:13,300 --> 00:19:14,867 NICE TO SEE YOU TOO. 425 00:19:14,900 --> 00:19:17,133 OKAY, BABY. 426 00:19:17,167 --> 00:19:19,733 [WHISPERING] 427 00:19:27,600 --> 00:19:29,933 [LAUGHS] 428 00:19:29,967 --> 00:19:32,167 IS THAT A DINNER PARTY LIST? 429 00:19:32,200 --> 00:19:34,400 I REMEMBER THAT. 430 00:19:34,433 --> 00:19:36,133 OH, SHE'S DONE IT BEFORE? 431 00:19:36,167 --> 00:19:37,500 UH, YEAH. 432 00:19:39,467 --> 00:19:40,767 UH, WELL, ACTUALLY, WE ARE... 433 00:19:40,800 --> 00:19:42,067 WE'RE HAVING A DINNER PARTY 434 00:19:42,100 --> 00:19:43,133 TOMORROW NIGHT, 435 00:19:43,167 --> 00:19:44,500 AND WE WOULD LOVE IT 436 00:19:44,533 --> 00:19:45,833 IF YOU AND HENRY COULD COME. 437 00:19:45,867 --> 00:19:47,433 THANK YOU. 438 00:19:47,467 --> 00:19:50,600 UM, ACTUALLY, I ALREADY HAVE DINNER PLANS. 439 00:19:50,633 --> 00:19:51,900 OH. 440 00:19:51,933 --> 00:19:53,067 OH, WELL, TELL HENRY MAYBE SOME-- 441 00:19:53,100 --> 00:19:54,900 OH, IT'S NOT WITH HENRY. 442 00:19:54,933 --> 00:19:57,833 MY DATE IS WITH, UH, KATE ARDEN. 443 00:19:57,867 --> 00:19:59,600 SHE'S THE DIRECTOR OF JENNY'S MOVIE. 444 00:19:59,633 --> 00:20:00,733 KATE? 445 00:20:00,767 --> 00:20:02,800 KATE ARDEN, THE FILM DIRECTOR. 446 00:20:02,833 --> 00:20:04,900 YEAH, I SAW HER MOVIE IN NEW YORK. 447 00:20:04,933 --> 00:20:06,033 PANDORA. 448 00:20:06,067 --> 00:20:07,100 I LOVED IT. 449 00:20:07,133 --> 00:20:08,767 IT'S GREAT, ISN'T IT? 450 00:20:08,800 --> 00:20:11,900 SO YOU'RE GOING ON A... LIKE A "DATE" DATE? 451 00:20:11,933 --> 00:20:13,267 [SCOFFING]: OH. NO. 452 00:20:13,300 --> 00:20:14,867 I WISH. 453 00:20:14,900 --> 00:20:16,067 SHE'S FANTASTIC. 454 00:20:16,100 --> 00:20:17,733 SHE'S TALENTED AND INTELLIGENT. 455 00:20:17,767 --> 00:20:19,367 OH, WE'RE SO LUCKY TO GET HER. 456 00:20:19,400 --> 00:20:20,733 YOU'D LOVE HER. 457 00:20:22,633 --> 00:20:24,733 I COULD BRING HER. 458 00:20:24,767 --> 00:20:26,933 TO THE DINNER PARTY... 459 00:20:26,967 --> 00:20:29,267 IF YOU'RE OKAY WITH THAT. 460 00:20:30,867 --> 00:20:32,400 UH, YEAH, SURE. 461 00:20:32,433 --> 00:20:33,733 YEAH, THAT WOULD BE GREAT. 462 00:20:33,767 --> 00:20:35,500 GREAT. 463 00:20:35,533 --> 00:20:39,300 YEAH, WE'LL JUST ADD HER TO THE LIST. 464 00:20:39,333 --> 00:20:40,300 [STARTING BELL RINGS] 465 00:20:40,333 --> 00:20:41,700 [ANNOUNCER]: AND THEY'RE OFF! 466 00:20:41,733 --> 00:20:42,767 [CROWD ROARING] 467 00:20:42,800 --> 00:20:44,300 OUT OF THE GATE, 468 00:20:44,333 --> 00:20:46,133 WE HAVE VERMICELLO AND ABSINTHE BLUES 469 00:20:46,167 --> 00:20:47,200 FOLLOWED BY ITSY BITSY. 470 00:20:47,233 --> 00:20:48,400 DIAMONDBACK AND MIDNIGHT STAR 471 00:20:48,433 --> 00:20:50,067 AND ROWLEY'S REVENGE 472 00:20:50,100 --> 00:20:51,467 ARE IN FOURTH, FIFTH, AND SIXTH PLACE. 473 00:20:51,500 --> 00:20:53,233 AND THAT'S ITSY BITSY BY A LENGTH, 474 00:20:53,267 --> 00:20:55,867 WITH ABSINTHE BLUES PLACING SECOND 475 00:20:55,900 --> 00:20:57,567 AND VERMICELLO FINISHING THIRD. 476 00:20:58,733 --> 00:20:59,900 ALL RIGHT. 477 00:21:00,067 --> 00:21:02,333 $20 TO WIN. 478 00:21:02,367 --> 00:21:03,367 WHENEVER I'M IN A PUBLIC PLACE LIKE THIS 479 00:21:03,400 --> 00:21:04,867 WITH LOTS OF PEOPLE AROUND, 480 00:21:04,900 --> 00:21:06,700 I ALWAYS HAVE THIS COMPULSION TO TAKE OFF ALL MY CLOTHES. 481 00:21:06,733 --> 00:21:08,167 I KNOW WHAT YOU MEAN. 482 00:21:08,200 --> 00:21:10,067 IS THERE, LIKE, A BOOBY PRIZE 483 00:21:10,067 --> 00:21:11,467 FOR COMING IN LAST EVERY TIME? 484 00:21:11,500 --> 00:21:12,567 ALICE, 485 00:21:12,600 --> 00:21:13,733 YOU BET $2. 486 00:21:13,767 --> 00:21:15,100 I MEAN, REALLY, HOW BAD CAN IT BE? 487 00:21:15,133 --> 00:21:16,133 I LIKE WINNING. 488 00:21:16,167 --> 00:21:17,533 WE ALL LIKE WINNING. 489 00:21:17,567 --> 00:21:18,700 AW, YOU'RE A WINNER, BABY. 490 00:21:18,733 --> 00:21:19,700 YEAH, LOOK AT 491 00:21:19,733 --> 00:21:20,667 THE HOTTIE YOU SCORED. 492 00:21:20,700 --> 00:21:22,433 I KNOW. 493 00:21:22,467 --> 00:21:25,567 WE'RE IN A PUBLIC PLACE, ALICE. 494 00:21:25,600 --> 00:21:26,900 PDAs AREN'T COOL FOR ME. 495 00:21:26,933 --> 00:21:27,967 I TOLD YOU THAT. 496 00:21:28,067 --> 00:21:28,967 SORRY. 497 00:21:29,067 --> 00:21:30,367 HORSE RACES MAKE ME HOT. 498 00:21:30,400 --> 00:21:32,500 THIS AIN'T YOUR GRANNY'S TACO, BUT... 499 00:21:32,533 --> 00:21:34,167 OOH! 500 00:21:34,200 --> 00:21:35,200 YEAH, THANK YOU. 501 00:21:35,233 --> 00:21:36,300 HEY, YO, PAPI. 502 00:21:36,333 --> 00:21:38,800 WHAT'S UP WITH THE REST OF US? 503 00:21:38,833 --> 00:21:39,933 CATHERINE? 504 00:21:39,967 --> 00:21:41,533 I DON'T DO CARBS. 505 00:21:43,067 --> 00:21:45,300 I'LL HAVE SOME. 506 00:21:48,367 --> 00:21:49,667 HELLO? 507 00:21:49,700 --> 00:21:51,800 ONE FUCKING FRY YOU LEAVE ME? 508 00:21:51,833 --> 00:21:54,233 THAT'S WHAT YOU GET. OKAY? 509 00:21:54,267 --> 00:21:55,600 DON'T TALK TO ME. 510 00:21:55,633 --> 00:21:57,600 ARE YOU GOING TO GO TO BETTE'S TOMORROW NIGHT? 511 00:21:57,633 --> 00:21:58,633 MM. MM-HMM. 512 00:21:58,667 --> 00:22:00,267 I WANT TO GO BECAUSE I WANT TO MEET JODI, 513 00:22:00,300 --> 00:22:01,733 AND SO I'M GOING TO 514 00:22:01,767 --> 00:22:03,533 FORGIVE MY SISTER HER SORRY ASS 515 00:22:03,567 --> 00:22:04,900 FOR PROTECTING ANGUS. 516 00:22:04,933 --> 00:22:05,967 JODI LOOKS COOL. 517 00:22:06,067 --> 00:22:08,200 I GOOGLED HER LAST NIGHT. MM? 518 00:22:08,233 --> 00:22:10,267 YEAH, YEAH, A BIG ARTIST. SHE'S HOT. 519 00:22:10,300 --> 00:22:12,433 I WONDER WHAT IT'S LIKE TO BE WITH SOMEONE THAT'S DEAF. 520 00:22:12,467 --> 00:22:13,967 PROBABLY REALLY INTENSE, YOU KNOW? 521 00:22:14,067 --> 00:22:15,600 ONCE ONE SENSE IS GONE, 522 00:22:15,633 --> 00:22:17,833 LIKE, THE OTHERS PUMP UP PROBABLY, RIGHT? 523 00:22:17,867 --> 00:22:19,600 BUT BETTE SAID SHE CAN READ LIPS. 524 00:22:19,633 --> 00:22:21,267 IS BETTE LEARNING HOW TO SIGN? 525 00:22:21,300 --> 00:22:24,200 OH, I'M SURE SHE'S ALL OVER IT. 526 00:22:24,233 --> 00:22:25,700 [ALICE]: I THINK SHE REALLY LIKES HER, 527 00:22:25,733 --> 00:22:27,133 BECAUSE WHEN SHE TALKS ABOUT HER, 528 00:22:27,167 --> 00:22:28,467 SHE KIND OF GLOWS. 529 00:22:28,500 --> 00:22:29,300 [ANNOUNCER]: 15 MINUTES... 530 00:22:29,333 --> 00:22:30,533 OKAY, LADIES. 531 00:22:30,567 --> 00:22:32,100 THAT'S OUR RACE. LET'S PLACE OUR BETS. 532 00:22:32,133 --> 00:22:34,533 EXCUSE ME. 533 00:22:34,567 --> 00:22:35,567 I JUST REPLACED 534 00:22:35,600 --> 00:22:37,133 THE CARBURETOR AND THE CRANKSHAFT, 535 00:22:37,167 --> 00:22:39,200 BUT I HAVEN'T WORKED ON IT 536 00:22:39,233 --> 00:22:41,700 SINCE YOUR MOTHER GOT SICK. 537 00:22:41,733 --> 00:22:43,200 WE THOUGHT WE HAD IT LICKED. 538 00:22:43,233 --> 00:22:45,933 IT JUST GOES TO SHOW YOU. 539 00:22:49,267 --> 00:22:50,600 DID SHE SUFFER? 540 00:22:50,633 --> 00:22:52,433 NOT TOO BAD. 541 00:22:52,467 --> 00:22:55,233 SHE WENT PRETTY FAST WHEN IT CAME BACK, 542 00:22:55,267 --> 00:22:58,267 AND I HAD HER AT HOME, SO... 543 00:22:59,867 --> 00:23:01,533 SHE DID GET... 544 00:23:01,567 --> 00:23:03,333 WELL, THE LAST COUPLE OF DAYS, 545 00:23:03,367 --> 00:23:05,333 SHE WAS PRETTY OUT OF IT. 546 00:23:05,367 --> 00:23:08,367 I HAD TO KEEP HER IN DIAPERS. 547 00:23:10,100 --> 00:23:11,833 JESUS. 548 00:23:11,867 --> 00:23:13,933 JESUS, DAD. I'M SORRY. 549 00:23:13,967 --> 00:23:15,067 [TOOL RATTLING] 550 00:23:15,100 --> 00:23:17,067 I DIDN'T MIND. 551 00:23:17,067 --> 00:23:18,467 I WAS GLAD TO BE ABLE TO DO IT. 552 00:23:18,500 --> 00:23:19,567 I MEAN, GOD KNOWS 553 00:23:19,600 --> 00:23:20,933 SHE LOOKED AFTER ME FOR YEARS, 554 00:23:20,967 --> 00:23:23,633 AND I NEVER THANKED HER. 555 00:23:28,067 --> 00:23:30,367 LET'S TAKE HER FOR A RIDE, SON. 556 00:23:30,400 --> 00:23:33,067 SHE GOES PRETTY DAMN FAST. 557 00:23:33,067 --> 00:23:34,833 [MAGGIE]: DAD? 558 00:23:34,867 --> 00:23:36,433 FATHER O'SHEA'S HERE. 559 00:23:36,467 --> 00:23:39,967 DO YOU WANT TO SAY HELLO? 560 00:23:46,067 --> 00:23:48,867 [**] 561 00:23:48,900 --> 00:23:52,133 100,000 ON IN THE PINK. 562 00:23:52,167 --> 00:23:53,200 TO WIN. 563 00:23:53,233 --> 00:23:54,700 [**] 564 00:24:01,633 --> 00:24:03,233 [COUNTER WHIRRING] 565 00:24:09,600 --> 00:24:11,500 THAT'S 100,000 ON IN THE PINK TO WIN. 566 00:24:14,067 --> 00:24:18,700 I'LL HAVE A $10 TRIFECTA-- BOX TWO, THREE, SIX. 567 00:24:18,733 --> 00:24:20,100 THAT'S $60. THERE YOU GO... 568 00:24:20,133 --> 00:24:21,833 DAVE 569 00:24:21,867 --> 00:24:24,433 YOU REALLY KNOW WHAT YOU'RE DOING. 570 00:24:24,467 --> 00:24:28,333 WELL, I USED TO COME TO THE TRACK BACK IN THE DAY. 571 00:24:28,367 --> 00:24:29,267 KIT... KIT, KIT. 572 00:24:29,300 --> 00:24:30,267 DID YOU SEE 573 00:24:30,300 --> 00:24:31,333 HOW MUCH MONEY CATHERINE PULLED 574 00:24:31,367 --> 00:24:32,500 OUT OF THAT BRIEFCASE? 575 00:24:32,533 --> 00:24:34,233 YEAH, BUT HELENA SAID IT WAS A SURE THING. 576 00:24:34,267 --> 00:24:36,400 THERE'S NO SUCH THING AS A SURE THING. 577 00:24:36,433 --> 00:24:38,100 DAMN STRAIGHT. 578 00:24:39,567 --> 00:24:41,333 MA'AM? 579 00:24:42,567 --> 00:24:44,333 PRIVATE BROWN. 580 00:24:44,367 --> 00:24:45,633 WHAT ARE YOU DOING HERE? 581 00:24:45,667 --> 00:24:47,333 I WAS JUST GOING TO SAY THE SAME THING TO YOU. 582 00:24:47,367 --> 00:24:49,267 YOU'RE THE LAST PERSON I EXPECTED TO SEE 583 00:24:49,300 --> 00:24:50,600 AT THE RACES. 584 00:24:50,633 --> 00:24:51,367 SHE'S NEVER BEEN TO A RACE BEFORE. 585 00:24:51,400 --> 00:24:52,533 HI. I'M ALICE. 586 00:24:52,567 --> 00:24:54,100 I'M JUST HERE WITH SOME FRIENDS. 587 00:24:54,133 --> 00:24:56,933 WILL YOU LADIES BE JOINING US 588 00:24:56,967 --> 00:24:58,300 IN THE SKY BOX? 589 00:24:58,333 --> 00:24:59,867 NO, I THINK WE MIGHT STAY DOWN HERE 590 00:24:59,900 --> 00:25:01,167 AND HANG OUT WITH THE PEOPLE. 591 00:25:01,200 --> 00:25:02,200 [PAPI]: YEAH, I'M WITH KIT. 592 00:25:02,233 --> 00:25:03,833 I WANT TO SMELL MY HORSE WIN. 593 00:25:07,800 --> 00:25:08,733 OUR RACE IS PROBABLY STARTING, 594 00:25:08,767 --> 00:25:10,067 SO WE SHOULD GET GOING. 595 00:25:10,067 --> 00:25:12,600 YEAH, I'VE GOT TO GRAB MY WIFE A HOT DOG. 596 00:25:12,633 --> 00:25:13,933 RELISH AND ONIONS. 597 00:25:13,967 --> 00:25:15,767 YOU KNOW HOW IT IS WITH PREGNANT WOMEN. 598 00:25:15,800 --> 00:25:17,067 YEAH. WOMEN. 599 00:25:17,067 --> 00:25:18,067 [LAUGHS] 600 00:25:18,100 --> 00:25:19,900 MA'AM. 601 00:25:24,067 --> 00:25:25,533 [SIGHS]: SHIT. 602 00:25:25,567 --> 00:25:26,533 WHAT? 603 00:25:26,567 --> 00:25:28,067 HE'S NOT COOL. 604 00:25:28,067 --> 00:25:29,767 HE WAS TOTALLY RESPECTFUL. 605 00:25:29,800 --> 00:25:31,867 NO, HE'S A BORN-AGAIN HOMOPHOBE 606 00:25:31,900 --> 00:25:33,333 WHO THINKS HE SHOULD HAVE MY JOB. 607 00:25:33,367 --> 00:25:35,133 OH, PLEASE, HE DIDN'T SEE ANYTHING. 608 00:25:35,167 --> 00:25:36,500 WE WEREN'T EVEN TOUCHING. 609 00:25:36,533 --> 00:25:38,667 COME ON, DON'T EVEN THINK ABOUT IT. 610 00:25:38,700 --> 00:25:40,800 LET'S GO WATCH THE RACE, OKAY? 611 00:25:40,833 --> 00:25:42,600 I'M SO SORRY FOR YOUR LOSS, BON. 612 00:25:42,633 --> 00:25:44,167 WE'RE ALL GOING TO MISS FIONA. 613 00:25:44,200 --> 00:25:46,200 THANKS, CONNIE. 614 00:25:48,633 --> 00:25:50,067 YOU KNOW FATHER, UM-- 615 00:25:50,100 --> 00:25:54,667 O'SHEA. YES. 616 00:25:54,700 --> 00:25:55,900 AND THIS IS MAX. 617 00:25:59,900 --> 00:26:03,667 FIONA'S COUSIN'S SON FROM CALIFORNIA. 618 00:26:03,700 --> 00:26:05,200 MAX? 619 00:26:05,233 --> 00:26:06,067 HI, CONNIE. 620 00:26:06,067 --> 00:26:07,867 HI. 621 00:26:07,900 --> 00:26:08,800 [O'SHEA]: ARE SIOBAN AND THE BOYS 622 00:26:08,833 --> 00:26:10,200 COMING BY LATER, BON? 623 00:26:10,233 --> 00:26:11,300 THE FUNERAL TOMORROW. 624 00:26:11,333 --> 00:26:12,700 AND ANY WORD YET 625 00:26:12,733 --> 00:26:14,067 FROM YOUR OTHER DAUGHTER? 626 00:26:14,067 --> 00:26:16,067 MOIRA? 627 00:26:17,400 --> 00:26:19,400 NO. 628 00:26:34,067 --> 00:26:35,500 TO IN THE PINK. 629 00:26:35,533 --> 00:26:37,100 IN THE PINK. 630 00:26:37,133 --> 00:26:38,800 [CLINK] 631 00:26:43,500 --> 00:26:46,800 [CROWD BUZZING] 632 00:26:49,467 --> 00:26:51,433 [EXHALES] 633 00:26:53,133 --> 00:26:54,800 [MOANS LIGHTLY] 634 00:26:59,500 --> 00:27:02,200 [**] 635 00:27:02,233 --> 00:27:04,867 [ANNOUNCER]: AND THEY'RE OUT OF THE GATE! 636 00:27:04,900 --> 00:27:07,300 THEY'RE IN THE CLEAR ON THE OUTSIDE THIRD. 637 00:27:07,333 --> 00:27:08,933 NOT FAR BEHIND 638 00:27:08,967 --> 00:27:10,433 IS TOO MUCH FUN, 639 00:27:10,467 --> 00:27:12,433 AND EDMUND STEER IS RUNNING ALONG IN FOURTH, 640 00:27:12,467 --> 00:27:14,067 AND THEY'RE FOLLOWED BY ROYAL BEAN 641 00:27:14,067 --> 00:27:15,333 AND IN THE PINK... 642 00:27:15,367 --> 00:27:16,567 RUN, YOU MOTHERFUCKER! 643 00:27:17,900 --> 00:27:19,900 [**] 644 00:27:19,933 --> 00:27:21,467 SHIT! 645 00:27:21,500 --> 00:27:23,800 SHE'S RUNNING COLD. 646 00:27:23,833 --> 00:27:25,300 SHE'S GOING TO WIN. 647 00:27:25,333 --> 00:27:26,267 [ANNOUNCER]: ROCK HARD TEN IS PRESSING HIM 648 00:27:26,300 --> 00:27:27,967 FROM THE INSIDE. 649 00:27:28,067 --> 00:27:29,800 EDMUND STEER IS WORKING HARD 650 00:27:29,833 --> 00:27:30,967 TO STAY WITHIN TWO LENGTHS OF THE LEAD. 651 00:27:31,067 --> 00:27:32,233 OF THE LEAD. 652 00:27:32,267 --> 00:27:34,133 IN THE PINK COMMENCES A RALLY. 653 00:27:34,167 --> 00:27:36,067 SHE'S SIX LENGTHS FROM THE FRONT. 654 00:27:36,067 --> 00:27:38,367 TOO MUCH FUN HAS NOTHING LEFT. 655 00:27:38,400 --> 00:27:39,700 FARTHER BACK IS ROYAL BEAN. 656 00:27:39,733 --> 00:27:40,867 HERE SHE COMES. 657 00:27:40,900 --> 00:27:41,867 THEY'RE COMING 658 00:27:41,900 --> 00:27:43,133 TO THE TOP OF THE STRETCH. 659 00:27:43,167 --> 00:27:44,267 EDMUND STEER 660 00:27:44,300 --> 00:27:45,900 IS UP A FOUR-LENGTH LEAD. 661 00:27:45,933 --> 00:27:48,133 IN THE PINK IS MOVING TO BE SECOND ON THE OUTSIDE. 662 00:27:48,167 --> 00:27:49,867 ROCK HARD TEN IS MOVING BACK 663 00:27:49,900 --> 00:27:51,300 TO BE THIRD. SHE'S GOING TO WIN! 664 00:27:51,333 --> 00:27:52,700 THE WHIP IS OUT ON EDMUND STEER! 665 00:27:52,733 --> 00:27:54,267 [CROWD CHEERING] 666 00:27:54,300 --> 00:27:56,767 JUST ONE FURLONG AWAY. 667 00:27:56,800 --> 00:27:58,867 THEY'RE COMING DOWN TO THE FINISH! 668 00:27:58,900 --> 00:28:00,267 RUN, YOU FUCKER, RUN! 669 00:28:00,300 --> 00:28:01,100 HERE COMES IN THE PINK! 670 00:28:01,133 --> 00:28:02,067 COME ON, GIRL, COME ON! 671 00:28:02,067 --> 00:28:03,700 IN THE PINK TAKING THE LEAD, 672 00:28:03,733 --> 00:28:05,300 BUT EDMUND STEER IS KEEPING IT UP. 673 00:28:05,333 --> 00:28:06,767 THEY'RE NECK-AND-NECK! 674 00:28:06,800 --> 00:28:08,067 IT'S IN THE PINK BY A NOSE! 675 00:28:08,067 --> 00:28:09,767 NOW EDMUND STEER TAKES OVER! 676 00:28:09,800 --> 00:28:12,400 THEY'RE INTO THE FINISH! 677 00:28:12,433 --> 00:28:14,100 THEY'RE SIDE-BY-SIDE, NECK-AND-NECK! 678 00:28:14,133 --> 00:28:16,767 EDMUND STEER SURGES PAST! 679 00:28:16,800 --> 00:28:18,767 EDMUND STEER WINS BY A NOSE! 680 00:28:18,800 --> 00:28:20,067 OH, FUCK. 681 00:28:20,100 --> 00:28:21,433 IN THE PINK COMES IN SECOND, 682 00:28:21,467 --> 00:28:22,800 WITH ROCK HARD TEN FINISHING THIRD. 683 00:28:22,833 --> 00:28:24,300 OH, MY GOD! 684 00:28:24,333 --> 00:28:26,633 [CROWD CHEERING] 685 00:28:31,167 --> 00:28:32,967 FUCKING FUCK. FUCK ME. 686 00:28:33,067 --> 00:28:34,500 I JUST WON. 687 00:28:34,533 --> 00:28:36,200 [ALICE]: YOU BET ON EDMUND STEER? 688 00:28:36,233 --> 00:28:37,267 YEAH. WHAT? 689 00:28:37,300 --> 00:28:38,300 YEAH, I LIKED THE NAME. 690 00:28:38,333 --> 00:28:39,467 YOU SAT THERE STONE-FACED, 691 00:28:39,500 --> 00:28:41,267 NO EMOTION, AND YOU WON. 692 00:28:41,300 --> 00:28:42,667 HEY. 693 00:28:42,700 --> 00:28:43,867 GUYS, LET'S GET OUT OF HERE. 694 00:28:43,900 --> 00:28:44,933 I'M GOING TO COLLECT MY $300. 695 00:28:44,967 --> 00:28:46,067 LET'S GO. 696 00:28:46,067 --> 00:28:47,467 BUT YOU DIDN'T EVEN CARE. 697 00:28:47,500 --> 00:28:49,233 I'M GOING TO GO GET THE MONEY. 698 00:28:49,267 --> 00:28:51,867 BUT YOU DIDN'T EVEN CARE. 699 00:28:54,067 --> 00:28:56,067 THAT WAS EXCITING, RIGHT? 700 00:28:56,100 --> 00:28:59,500 ACTUALLY, HELENA LOST A LOT OF MONEY. 701 00:28:59,533 --> 00:29:01,733 I'M SORRY. IT... 702 00:29:01,767 --> 00:29:03,500 WHY ARE YOU SORRY? 703 00:29:03,533 --> 00:29:04,767 WHAT ARE YOU SORRY ABOUT? 704 00:29:04,800 --> 00:29:05,933 WELL, YOU SAW IT, ALICE. 705 00:29:05,967 --> 00:29:07,367 IN THE PINK LOST THE RACE, 706 00:29:07,400 --> 00:29:10,800 AND YOU LOST YOUR INVESTMENT. 707 00:29:10,833 --> 00:29:13,800 I THOUGHT IT WAS A SURE THING. 708 00:29:13,833 --> 00:29:15,900 [SIGHS] 709 00:29:18,267 --> 00:29:20,267 IT'S A MOMENTARY SETBACK. 710 00:29:20,300 --> 00:29:22,833 WE'RE GOING TO BE FINE. 711 00:29:30,133 --> 00:29:33,500 I THOUGHT YOU CAME TO GO TO THE FUNERAL. 712 00:29:33,533 --> 00:29:37,200 I CAME TO PAY MY LAST RESPECTS TO MOM... 713 00:29:39,500 --> 00:29:42,633 AND WHEN I SAW HOW CONNIE REACTED, I... 714 00:29:42,667 --> 00:29:44,933 I REALIZED THAT TOMORROW SHOULD BE ABOUT MOM, 715 00:29:44,967 --> 00:29:46,300 NOT ABOUT ME. 716 00:29:46,333 --> 00:29:49,600 I DON'T WANT TO BE THE THING THAT PEOPLE ARE THINKING ABOUT 717 00:29:49,633 --> 00:29:51,967 AT HER FUNERAL. 718 00:29:54,133 --> 00:29:57,667 WELL, I DON'T KNOW WHAT TO SAY. 719 00:29:57,700 --> 00:30:01,400 I CAN'T JUST COME OUT AND TELL EVERYONE WHO YOU ARE. 720 00:30:01,433 --> 00:30:03,000 YOU DON'T HAVE TO, DAD. 721 00:30:03,033 --> 00:30:04,100 I KNOW WHO I AM. 722 00:30:04,133 --> 00:30:05,833 I'M MAX SWEENEY, 723 00:30:05,867 --> 00:30:08,267 WHO USED TO BE MOIRA-- 724 00:30:08,300 --> 00:30:11,300 BON AND FIONA'S DAUGHTER. 725 00:30:14,667 --> 00:30:17,600 OKAY, HOW'S THIS? 726 00:30:17,633 --> 00:30:19,367 WHAT? 727 00:30:19,400 --> 00:30:20,700 [LAUGHS] 728 00:30:20,733 --> 00:30:23,367 I JUST-- I WANT TO MAKE SURE 729 00:30:23,400 --> 00:30:25,767 THAT YOU CAN SEE EVERYBODY'S MOUTH 730 00:30:25,800 --> 00:30:27,633 FROM WHERE YOU'RE SITTING. 731 00:30:27,667 --> 00:30:29,067 BETTE. WHAT? 732 00:30:29,100 --> 00:30:31,900 I'M GOING TO MISS THINGS. 733 00:30:31,933 --> 00:30:33,833 THAT'S WHAT HAPPENS 734 00:30:33,867 --> 00:30:37,033 WHEN I'M AROUND HEARING PEOPLE. 735 00:30:37,067 --> 00:30:39,267 THEY ALL KNOW I'M DEAF, RIGHT? 736 00:30:39,300 --> 00:30:40,833 YEAH. OKAY. 737 00:30:40,867 --> 00:30:43,867 WHAT, SHOULD I HAVE NOT TOLD THEM? 738 00:30:43,900 --> 00:30:45,067 NO, NO, NO, NO, NO. 739 00:30:45,100 --> 00:30:46,767 I AM DEAF. 740 00:30:46,800 --> 00:30:48,800 IT'S OKAY TO TELL PEOPLE. 741 00:30:48,833 --> 00:30:50,233 OF COURSE. IT'S A REALITY. 742 00:30:50,267 --> 00:30:51,667 RIGHT. RIGHT. 743 00:30:51,700 --> 00:30:54,033 OKAY. SO CAN WE HANG THE LIGHTS NOW? 744 00:30:56,400 --> 00:30:58,900 I'M GOING TO JUST... FROM THE TREE. 745 00:31:03,933 --> 00:31:08,167 I WANT YOU TO MEET MY FRIENDS IN NEW YORK SOMETIME. 746 00:31:08,200 --> 00:31:10,633 WE'LL DO A DINNER PARTY, 747 00:31:10,667 --> 00:31:11,900 AND I'LL COOK. 748 00:31:11,933 --> 00:31:15,200 I WANT TO BE A MUCH MORE FLUENT SIGNER 749 00:31:15,233 --> 00:31:17,567 BEFORE I MEET YOUR FRIENDS. 750 00:31:17,600 --> 00:31:19,233 THEY'RE NOT ALL DEAF. 751 00:31:19,267 --> 00:31:20,967 I'M SORRY, I DIDN'T MEAN-- 752 00:31:21,067 --> 00:31:23,067 I KNOW, I KNOW, I KNOW, I KNOW. IT'S OKAY. 753 00:31:23,067 --> 00:31:24,567 IT'S OKAY. THE LIGHTS. 754 00:31:24,600 --> 00:31:26,067 CAN WE DO IT TOMORROW? 755 00:31:26,100 --> 00:31:27,300 WE DON'T HAVE TIME. 756 00:31:27,333 --> 00:31:28,900 OKAY, WE HAVE TO GET THE CATERERS GOING, 757 00:31:28,933 --> 00:31:31,233 WE HAVE TO MAKE SURE 758 00:31:31,267 --> 00:31:33,667 THAT THE BAR IS STOCKED. 759 00:31:33,700 --> 00:31:36,067 STOCKED. 760 00:31:36,100 --> 00:31:39,300 WE HAVE TO MAKE SURE THE BAR IS STOCKED... 761 00:31:39,333 --> 00:31:42,433 AND I STILL DON'T HAVE PLACE SETTINGS. 762 00:31:42,467 --> 00:31:46,400 ACTUALLY, I WAS THINKING THAT I MIGHT DO 763 00:31:46,433 --> 00:31:48,533 JUST LITTLE PLACE CARDS. 764 00:31:48,567 --> 00:31:49,533 WHAT DO YOU THINK? 765 00:31:49,567 --> 00:31:51,067 PLACE CARDS? 766 00:31:51,100 --> 00:31:52,600 YEAH. JUST SUBTLE, SMALL. 767 00:31:52,633 --> 00:31:53,733 YEAH. 768 00:31:53,767 --> 00:31:55,433 [CHUCKLING] 769 00:31:55,467 --> 00:31:56,533 WHAT? 770 00:31:56,567 --> 00:31:58,433 [LAUGHING]: OH, MY GOD. 771 00:31:58,467 --> 00:31:59,767 [SIGHING] 772 00:31:59,800 --> 00:32:01,633 I LOVE YOU SO MUCH. 773 00:32:01,667 --> 00:32:04,133 COME HERE. 774 00:32:05,467 --> 00:32:06,833 MM. 775 00:32:11,067 --> 00:32:12,967 WHAT? 776 00:32:13,067 --> 00:32:16,700 YOU JUST SAID THAT YOU LOVE ME. 777 00:32:20,767 --> 00:32:22,867 [PAPER RUSTLES] 778 00:32:22,900 --> 00:32:25,933 YOU KNOW, THERE'S JUST SO MUCH, 779 00:32:25,967 --> 00:32:29,233 AND THERE'S REALLY NO TIME AT ALL. 780 00:32:31,100 --> 00:32:33,733 [LAUGHING]: THAT'S NOT FUNNY. 781 00:32:33,767 --> 00:32:36,333 OH, NO. 782 00:32:36,367 --> 00:32:37,900 [PAPER CRUMPLES] 783 00:32:37,933 --> 00:32:39,367 COME GET IT. 784 00:32:56,067 --> 00:32:57,833 I HAVE COPIES. 785 00:32:57,867 --> 00:32:59,800 [LAUGHING] 786 00:32:59,833 --> 00:33:01,900 [FATHER O'SHEA]: IN SURE AND CERTAIN HOPE 787 00:33:01,933 --> 00:33:03,500 OF THE RESURRECTION TO ETERNAL LIFE 788 00:33:03,533 --> 00:33:05,667 THROUGH OUR LORD JESUS CHRIST, 789 00:33:05,700 --> 00:33:09,933 WE COMMEND TO ALMIGHTY GOD FIONA BRIDGET SWEENEY, 790 00:33:09,967 --> 00:33:12,867 AND WE COMMIT HER BODY TO THE GROUND-- 791 00:33:12,900 --> 00:33:14,233 EARTH TO EARTH, 792 00:33:14,267 --> 00:33:17,067 ASHES TO ASHES, DUST TO DUST. 793 00:33:17,067 --> 00:33:18,767 THE LORD BLESS AND KEEP HER, 794 00:33:18,800 --> 00:33:20,300 THE LORD MAKE HIS FACE 795 00:33:20,333 --> 00:33:21,733 TO SHINE UPON HER 796 00:33:21,767 --> 00:33:26,433 AND BE GRACIOUS UNTO HER AND GIVE HER PEACE. 797 00:33:51,267 --> 00:33:54,067 [**] 798 00:34:01,200 --> 00:34:04,067 DO YOU WANT RED OR WHITE? 799 00:34:04,067 --> 00:34:07,433 SPARKLING WATER. 800 00:34:07,467 --> 00:34:08,900 THEY BET, LIKE, A HUNDRED GRAND 801 00:34:08,933 --> 00:34:10,533 AND LOST IT IN, LIKE, THREE MINUTES. 802 00:34:10,567 --> 00:34:11,600 IT WAS SO INSANE. 803 00:34:11,633 --> 00:34:12,900 YOU KNOW WHAT'S INSANE 804 00:34:12,933 --> 00:34:14,167 IS THEY'RE GAMBLING AGAIN TONIGHT, 805 00:34:14,200 --> 00:34:15,633 AND HELENA'S NOT HERE WITH HER FRIENDS. 806 00:34:15,667 --> 00:34:18,500 WELL, THEY OBVIOUSLY GET OFF ON IT. 807 00:34:18,533 --> 00:34:19,833 I MEAN, WHAT THOSE TWO 808 00:34:19,867 --> 00:34:21,433 WERE DOING UP IN THE SKY BOX... 809 00:34:21,467 --> 00:34:22,533 WHAT WERE THEY DOING 810 00:34:22,567 --> 00:34:24,133 IN THAT SKY BOX? 811 00:34:24,167 --> 00:34:25,800 KIT, THEY WERE FUCKING. 812 00:34:25,833 --> 00:34:27,233 THEY WERE. 813 00:34:27,267 --> 00:34:28,633 THEY'RE, LIKE, TWISTED TOGETHER. 814 00:34:30,967 --> 00:34:32,500 BY THE WAY, WHERE WERE YOU GUYS? 815 00:34:33,633 --> 00:34:34,967 FOR THE... 816 00:34:35,067 --> 00:34:36,133 UM... 817 00:34:36,167 --> 00:34:38,300 WHAT WERE WE DOING? 818 00:34:38,333 --> 00:34:41,167 YOU KNOW, WE WERE JUST, UH... 819 00:34:41,200 --> 00:34:42,500 WE WERE, UM-- AHEM-- 820 00:34:42,533 --> 00:34:43,800 READING-- READING STORIES. 821 00:34:43,833 --> 00:34:44,867 OH. STORIES. 822 00:34:44,900 --> 00:34:47,200 ALL DAY? 823 00:34:47,233 --> 00:34:48,900 YEAH, IT WAS KIND OF 824 00:34:48,933 --> 00:34:52,467 A WHOLE BOX SET OF-- OF-- OF STORIES, RIGHT? 825 00:34:52,500 --> 00:34:53,533 THAT'S SO SWEET, 826 00:34:53,567 --> 00:34:54,967 YOU READING STORIES TO PAIGE'S SON. 827 00:34:55,067 --> 00:34:56,967 [ALICE]: REALLY SWEET, YOU GUYS. 828 00:34:57,067 --> 00:34:58,267 SHE'S VERY SWEET. 829 00:34:58,300 --> 00:35:01,767 [DOORBELL CHIMES] 830 00:35:01,800 --> 00:35:03,933 [LAUGHING] 831 00:35:03,967 --> 00:35:05,367 HI. HI! 832 00:35:05,400 --> 00:35:07,067 YOU LOOK BEAUTIFUL. 833 00:35:07,067 --> 00:35:08,067 OH, THANKS. 834 00:35:08,100 --> 00:35:09,200 THIS IS KATE ARDEN. HI. 835 00:35:09,233 --> 00:35:10,867 NICE TO MEET YOU. THE FAMOUS BETTE. 836 00:35:10,900 --> 00:35:12,067 I'VE HEARD A LOT ABOUT YOU. 837 00:35:12,067 --> 00:35:13,233 THIS IS FOR YOU. 838 00:35:13,267 --> 00:35:15,067 WE USUALLY JUST TAKE THE TOP OFF IN BROOKLYN 839 00:35:15,100 --> 00:35:16,167 AND THROW IT AWAY 840 00:35:16,200 --> 00:35:17,433 AT THE BEGINNING OF THE PARTY. 841 00:35:17,467 --> 00:35:18,500 [BETTE]: OH, GREAT. 842 00:35:18,533 --> 00:35:20,833 TEQUILA-- MAYBE WE'LL GET TO THAT 843 00:35:20,867 --> 00:35:22,200 SOMETIME LATER IN THE EVENING. 844 00:35:22,233 --> 00:35:23,667 OH. WELL, SURE. 845 00:35:23,700 --> 00:35:25,233 WELCOME. 846 00:35:25,267 --> 00:35:26,467 [JENNY]: HI. 847 00:35:26,500 --> 00:35:27,533 HI, JENNY. 848 00:35:27,567 --> 00:35:29,067 KATE, I DIDN'T KNOW THAT YOU WERE COMING. 849 00:35:29,067 --> 00:35:30,333 HERE I AM. 850 00:35:30,367 --> 00:35:31,533 HELLO, TINA. 851 00:35:31,567 --> 00:35:32,733 [TINA]: HI, JENNY. 852 00:35:32,767 --> 00:35:34,467 [JENNY]: LET ME INTRODUCE YOU 853 00:35:34,500 --> 00:35:37,100 TO THE LOVELY JODI LERNER. 854 00:35:37,133 --> 00:35:38,200 HI. 855 00:35:38,233 --> 00:35:40,167 IT'S VERY NICE TO MEET YOU. 856 00:35:40,200 --> 00:35:41,233 I LOVE YOUR MOVIE. 857 00:35:41,267 --> 00:35:42,067 OH, REALLY? 858 00:35:42,067 --> 00:35:43,667 OH, WOW, THAT'S GREAT. 859 00:35:43,700 --> 00:35:45,267 AND I LOVE YOUR WORK. 860 00:35:45,300 --> 00:35:46,567 THANK YOU SO MUCH. 861 00:35:46,600 --> 00:35:47,733 DO YOU SIGN? 862 00:35:47,767 --> 00:35:48,967 NO, I DON'T. 863 00:35:49,067 --> 00:35:49,667 THAT'S ALL I KNOW HOW TO SAY. 864 00:35:49,700 --> 00:35:51,200 THAT, AND... 865 00:35:51,233 --> 00:35:52,933 "WHERE ARE THE PORTA-JANES?" 866 00:35:52,967 --> 00:35:55,100 [LAUGHING] 867 00:35:55,133 --> 00:35:56,433 [QUIETLY]: HAVE YOU SEEN HER FILM? 868 00:35:56,467 --> 00:35:57,733 UH-UH. 869 00:35:57,767 --> 00:35:59,600 IT'S SO PRETENTIOUS. 870 00:35:59,633 --> 00:36:02,400 MY FIRST SHORT FILM SHOWED 871 00:36:02,433 --> 00:36:04,600 AT THE MICHIGAN WOMYN'S MUSIC FESTIVAL. 872 00:36:04,633 --> 00:36:05,933 HAVE YOU BEEN THERE? 873 00:36:05,967 --> 00:36:07,100 NO. 874 00:36:07,133 --> 00:36:08,167 YOU SHOULD GO THERE. 875 00:36:08,200 --> 00:36:09,200 YOU WOULD LOVE IT. 876 00:36:09,233 --> 00:36:10,400 THEY INTERPRET EVERYTHING 877 00:36:10,433 --> 00:36:11,667 FOR THE DEAF. 878 00:36:11,700 --> 00:36:13,600 YEAH, EVERY SONG, 879 00:36:13,633 --> 00:36:16,933 EVERY PERFORMANCE, EVEN THE STAND-UP. 880 00:36:16,967 --> 00:36:19,900 THE, UM... THE HAND THING? 881 00:36:19,933 --> 00:36:21,300 LIKE, LOOK AT YOUR HANDS. 882 00:36:23,500 --> 00:36:25,767 AND... 883 00:36:25,800 --> 00:36:27,067 NOW, IF YOU'RE A DYKE, 884 00:36:27,100 --> 00:36:28,467 YOU'RE SUPPOSED TO LOOK AT YOUR NAILS 885 00:36:28,500 --> 00:36:29,767 LIKE THIS, 886 00:36:29,800 --> 00:36:31,800 AND IF YOU'RE STRAIGHT... FOOLPROOF. 887 00:36:31,833 --> 00:36:33,767 OH, THAT'S... WOW. 888 00:36:33,800 --> 00:36:35,900 I FEEL SO... 889 00:36:35,933 --> 00:36:37,667 [LAUGHING] 890 00:36:39,167 --> 00:36:41,100 OF COURSE.[JENNY]: I HAVE ONE. 891 00:36:41,133 --> 00:36:43,733 HERE'S MY THEORY. 892 00:36:43,767 --> 00:36:46,567 GAY GIRLS WANT MONKEYS AS CHILDREN, 893 00:36:46,600 --> 00:36:48,433 AND STRAIGHT GIRLS 894 00:36:48,467 --> 00:36:49,733 WANT HORSES. 895 00:36:49,767 --> 00:36:51,167 WHAT? PLEASE. 896 00:36:51,200 --> 00:36:52,733 MAKE THAT UP? NO, I GOT IT-- 897 00:36:52,767 --> 00:36:53,700 HORSES? 898 00:36:53,733 --> 00:36:54,967 YES, THE PETS. 899 00:36:55,067 --> 00:36:57,567 THEY WANT, LIKE, THE FANTASY PET. 900 00:36:57,600 --> 00:36:59,100 I MEAN, I WANTED A MONKEY, BUT IT'S BECAUSE 901 00:36:59,133 --> 00:37:00,733 I SAW THAT MOVIE WITH SIGOURNEY WEAVER-- 902 00:37:00,767 --> 00:37:02,400 GORILLAS IN THE MIST. 903 00:37:02,433 --> 00:37:03,633 RIGHT. THE APE ONE. 904 00:37:04,567 --> 00:37:06,133 I'M GOING TO GO HELP IN THERE. 905 00:37:06,167 --> 00:37:08,167 NO, NO, NO, NO. YOU STAY. 906 00:37:08,200 --> 00:37:09,333 NO, STAY. 907 00:37:09,367 --> 00:37:11,233 MY FRIENDS ARE HERE FOR YOU. 908 00:37:11,267 --> 00:37:12,300 STAY. 909 00:37:12,333 --> 00:37:14,567 [OTHERS LAUGHING AND TALKING] 910 00:37:14,600 --> 00:37:15,733 WHAT DID YOU WANT? 911 00:37:15,767 --> 00:37:19,833 OH, I THINK I GOT TO SAY A MONKEY. 912 00:37:19,867 --> 00:37:21,067 HORSE. I WANTED A HORSE. 913 00:37:21,067 --> 00:37:22,100 WHAT CAN I SAY? 914 00:37:22,133 --> 00:37:23,233 SEE? 915 00:37:23,267 --> 00:37:24,400 [SHANE]: I THINK YOUR THEORY'S BULLSHIT. 916 00:37:24,433 --> 00:37:26,133 I DON'T KNOW IF PAIGE IS GAY. 917 00:37:26,167 --> 00:37:27,600 [ALL GASPING] 918 00:37:27,633 --> 00:37:28,833 OH, DRAMA! 919 00:37:28,867 --> 00:37:30,867 DRAMA! 920 00:37:30,900 --> 00:37:32,833 [SHANE]: WELL, I HOPE SHE IS. 921 00:37:32,867 --> 00:37:34,100 [LAUGHTER] 922 00:37:34,133 --> 00:37:35,467 WHAT ABOUT YOU, JODI? 923 00:37:35,500 --> 00:37:37,067 JODI? 924 00:37:37,100 --> 00:37:39,467 WHAT DID YOU WANT? 925 00:37:42,500 --> 00:37:44,833 I'M SORRY? 926 00:37:44,867 --> 00:37:46,867 OH, UM... 927 00:37:46,900 --> 00:37:48,233 SHE ASKED 928 00:37:48,267 --> 00:37:51,167 IF, WHEN YOU WERE A LITTLE GIRL, 929 00:37:51,200 --> 00:37:54,533 DID YOU WANT A MONKEY OR A HORSE? 930 00:37:54,567 --> 00:37:58,067 JENNY HAS THIS FANTASTIC THEORY... 931 00:37:58,067 --> 00:38:01,067 GIRLS THAT GROW UP WANTING HORSES ARE STRAIGHT, 932 00:38:01,067 --> 00:38:02,167 AND GIRLS THAT GROW UP 933 00:38:02,200 --> 00:38:03,367 WANTING MONKEYS AS PETS 934 00:38:03,400 --> 00:38:04,533 ARE GAY. 935 00:38:04,567 --> 00:38:06,667 [LAUGHING] 936 00:38:06,700 --> 00:38:09,867 I DIDN'T WANT EITHER. 937 00:38:09,900 --> 00:38:12,800 I WANTED TO DRIVE RACE CARS. 938 00:38:12,833 --> 00:38:14,767 AH... 939 00:38:14,800 --> 00:38:16,600 NOW, THAT'S A BONA FIDE DYKE FOR YOU. 940 00:38:16,633 --> 00:38:18,067 BEAT YOUR THEORY OUT OF THE WATER. 941 00:38:19,567 --> 00:38:21,967 MY GIRLFRIENDS, 942 00:38:22,067 --> 00:38:23,167 WE USED TO GO TO THE STOCK CAR RACES. 943 00:38:23,200 --> 00:38:24,600 I ALWAYS WANTED TO MAKE A MOVIE ABOUT THAT. 944 00:38:24,633 --> 00:38:27,067 WE SHOULD DO THAT-- A GIRL'S CONTEMPORARY 945 00:38:27,100 --> 00:38:28,533 COMING-OF-AGE STORY. 946 00:38:28,567 --> 00:38:29,733 I ALWAYS WANTED TO MAKE 947 00:38:29,767 --> 00:38:31,233 A MOVIE ABOUT THAT. 948 00:38:31,267 --> 00:38:32,267 THAT WOULD BE A GOOD MOVIE, 949 00:38:32,300 --> 00:38:33,533 BECAUSE YOU ONLY SEE, LIKE, GUYS'-- 950 00:38:33,567 --> 00:38:34,600 BLAH, BLAH, BLAH-- 951 00:38:34,633 --> 00:38:35,567 SEXUALITY, YOU KNOW WHAT I MEAN? 952 00:38:35,600 --> 00:38:36,533 YOU NEVER GET TO SEE 953 00:38:36,567 --> 00:38:37,700 ANYTHING ABOUT GIRLS' SEXUALITY. 954 00:38:37,733 --> 00:38:39,200 YOU KNOW, ACTUALLY, THE MOVIE-- 955 00:38:39,233 --> 00:38:40,700 WELL, THIS MOVIE I DID, I DON'T KNOW IF YOU SAW IT-- 956 00:38:40,733 --> 00:38:43,367 BUT THAT SCENE WHERE 957 00:38:43,400 --> 00:38:45,067 EMMA FINGER-FUCKS JUSTINE 958 00:38:45,100 --> 00:38:46,433 UNDER THE DESK-- 959 00:38:46,467 --> 00:38:47,867 OH, MY GOD. 960 00:38:47,900 --> 00:38:50,433 THE AUDIENCE LOVED THAT. 961 00:38:50,467 --> 00:38:51,767 THEY JUST WENT NUTS FOR IT. 962 00:38:51,800 --> 00:38:52,767 YEAH? 963 00:38:52,800 --> 00:38:53,800 IT WAS SUCH A-- WOW. 964 00:38:55,900 --> 00:38:57,067 DID YOU LIKE THAT SCENE? 965 00:38:57,100 --> 00:38:58,133 TINA DOESN'T REALLY LIKE 966 00:38:58,167 --> 00:39:00,600 SEX SCENES IN MOVIES. 967 00:39:00,633 --> 00:39:02,067 I DON'T? 968 00:39:02,067 --> 00:39:03,700 WELL, YOU JUST TOLD ME THAT YOU DIDN'T. 969 00:39:03,733 --> 00:39:05,467 MADE YOU UNCOMFORTABLE? 970 00:39:05,500 --> 00:39:07,433 YOU DON'T REMEMBER? 971 00:39:09,633 --> 00:39:11,600 I ACTUALLY LIKE 972 00:39:11,633 --> 00:39:13,167 THE SEX SCENE IN YOUR FILM. 973 00:39:13,200 --> 00:39:14,433 THANK YOU. 974 00:39:14,467 --> 00:39:17,100 YOU'RE WELCOME. 975 00:39:19,733 --> 00:39:22,433 SO, YOU GUYS USED TO BE LOVERS, RIGHT? 976 00:39:22,467 --> 00:39:24,300 A LONG TIME AGO. 977 00:39:24,333 --> 00:39:25,400 OKAY. 978 00:39:25,433 --> 00:39:26,533 ALL THE WAY FROM NEW YORK-- 979 00:39:26,567 --> 00:39:28,833 THAT IS A VERY LONG LESBIAN PHONE TREE CORD. 980 00:39:28,867 --> 00:39:29,900 ACTUALLY, I DIDN'T HEAR IT 981 00:39:29,933 --> 00:39:31,067 ON THE GRAPEVINE. 982 00:39:31,067 --> 00:39:32,700 I GOOGLED TINA. 983 00:39:32,733 --> 00:39:34,433 REALLY? 984 00:39:34,467 --> 00:39:36,667 WHAT DID YOU FIND OUT ABOUT HER? 985 00:39:36,700 --> 00:39:37,867 I FOUND OUT THAT SHE WAS RESPONSIBLE 986 00:39:37,900 --> 00:39:39,433 FOR SOME OF MY FAVORITE MOVIES, 987 00:39:39,467 --> 00:39:42,367 AND THAT MADE ME WANT TO WORK WITH HER. 988 00:39:42,400 --> 00:39:44,267 AND HER PICTURE WAS HOT. 989 00:39:44,300 --> 00:39:46,200 [TINA]: WHAT? 990 00:39:46,233 --> 00:39:48,100 WHAT PICTURE? 991 00:39:48,133 --> 00:39:49,567 SOME PREMIERE, 992 00:39:49,600 --> 00:39:51,200 AND YOU HAD A TURQUOISE DRESS ON. 993 00:39:51,233 --> 00:39:53,633 [TINA]: OH, MY GOD, I REMEMBER THAT. 994 00:39:53,667 --> 00:39:54,733 THAT'S A TERRIBLE PICTURE-- 995 00:39:54,767 --> 00:39:55,733 [CLINKING GLASS] 996 00:39:55,767 --> 00:39:57,267 I'D LIKE TO MAKE A TOAST. 997 00:39:57,300 --> 00:39:58,467 I'D LIKE TO MAKE A TOAST. 998 00:40:00,467 --> 00:40:02,767 I'M SO HAPPY TO HAVE ALL OF YOU HERE IN MY HOME 999 00:40:02,800 --> 00:40:04,833 TO MEET SOMEONE 1000 00:40:04,867 --> 00:40:09,200 WHO IS VERY SPECIAL TO ME. 1001 00:40:09,233 --> 00:40:11,100 TO JODI. 1002 00:40:11,133 --> 00:40:13,167 [ALL AGREEING] 1003 00:40:13,200 --> 00:40:15,300 CHEERS. 1004 00:40:15,333 --> 00:40:16,500 IT'S NICE TO FINALLY 1005 00:40:16,533 --> 00:40:17,967 MEET YOU, JODI. 1006 00:40:18,000 --> 00:40:19,700 TO MEETING ALL OF YOU. 1007 00:40:19,733 --> 00:40:21,233 [SHANE]: YEAH, IT'S ABOUT TIME. 1008 00:40:21,267 --> 00:40:24,100 I HAD TO MAKE SURE SHE WAS GOING TO STICK. 1009 00:40:30,900 --> 00:40:32,333 WHAT ARE YOU DOING? 1010 00:40:32,367 --> 00:40:34,600 WHAT'S UP? 1011 00:40:38,500 --> 00:40:40,967 KIT, WHAT THE FUCK ARE YOU DOING? 1012 00:40:43,200 --> 00:40:45,633 UM... 1013 00:40:45,667 --> 00:40:47,100 MINDING MY OWN BUSINESS. 1014 00:40:47,133 --> 00:40:49,867 WHAT ABOUT YOU? 1015 00:40:54,233 --> 00:40:56,133 BETTE, DON'T. 1016 00:40:56,167 --> 00:40:58,033 DON'T TELL ME WHAT TO DO, OKAY? 1017 00:40:58,067 --> 00:41:00,267 YOU DON'T UNDERSTAND. MY SISTER SHOULDN'T BE DRINKING. 1018 00:41:00,300 --> 00:41:01,600 I KNOW. 1019 00:41:04,800 --> 00:41:06,733 HAS SHE BEEN DRINKING ALL NIGHT? 1020 00:41:06,767 --> 00:41:08,667 YEAH, A LITTLE. WHY? 1021 00:41:08,700 --> 00:41:11,367 BECAUSE MY SISTER'S A FUCKING ALCOHOLIC, THAT'S WHY. 1022 00:41:11,400 --> 00:41:13,933 PAPI DOESN'T KNOW ABOUT THAT. 1023 00:41:13,967 --> 00:41:16,367 YOU KNOW, BETTE, 1024 00:41:16,400 --> 00:41:18,700 YOU KNOW, IT'S REALLY NOT YOUR PLACE 1025 00:41:18,733 --> 00:41:21,900 TO TELL ME WHAT I SHOULD DO AND WHAT I SHOULDN'T DO. 1026 00:41:21,933 --> 00:41:24,700 UNDERSTAND? 1027 00:41:29,067 --> 00:41:31,600 MATTER OF FACT, A DOUBLE. 1028 00:41:33,767 --> 00:41:34,967 MMM! 1029 00:41:37,067 --> 00:41:38,167 HEY, JODI. 1030 00:41:40,233 --> 00:41:41,967 IT WAS REALLY NICE TO MEET YOU. 1031 00:41:42,067 --> 00:41:43,967 YOU ALL RIGHT, GIRL. 1032 00:41:44,067 --> 00:41:46,267 COME ON, PAPI. 1033 00:41:46,300 --> 00:41:47,800 TAKE ME ON HOME. 1034 00:41:47,833 --> 00:41:49,333 WE'RE GOING TO ROLL ON OUT OF HERE. 1035 00:42:13,733 --> 00:42:15,833 FUCKING KIT. 1036 00:42:15,867 --> 00:42:17,967 THAT WAS HARD. 1037 00:42:18,067 --> 00:42:20,433 YEAH, IT WAS HARD BECAUSE OF MY SISTER. 1038 00:42:20,467 --> 00:42:22,400 NO, BECAUSE OF YOU 1039 00:42:22,433 --> 00:42:24,133 INTERPRETING FOR ME... 1040 00:42:24,167 --> 00:42:27,500 WHEN I ASKED YOU NOT TO. 1041 00:42:27,533 --> 00:42:30,067 SO, PLEASE, DON'T DO IT AGAIN. 1042 00:42:30,067 --> 00:42:31,400 ARE YOU SERIOUS? 1043 00:42:31,433 --> 00:42:35,067 BETTE, IF I WANTED AN INTERPRETER AT THE PARTY, 1044 00:42:35,067 --> 00:42:36,467 I WOULD HAVE BROUGHT TOM. 1045 00:42:36,500 --> 00:42:38,067 YOU KNOW THAT. 1046 00:42:38,067 --> 00:42:39,633 I WAS JUST TRYING TO HELP YOU. 1047 00:42:39,667 --> 00:42:42,500 I WANTED YOU TO FEEL MORE COMFORTABLE. 1048 00:42:42,533 --> 00:42:43,933 WERE YOU? 1049 00:42:43,967 --> 00:42:47,633 OR WERE YOU TRYING TO CONTROL EVERYTHING 1050 00:42:47,667 --> 00:42:49,567 AND INTERPRET 1051 00:42:49,600 --> 00:42:51,400 WHAT YOU WANTED ME TO HEAR AND TO KNOW? 1052 00:42:51,433 --> 00:42:54,067 THAT IS COMPLETE AND UTTER BULLSHIT. 1053 00:42:54,067 --> 00:42:55,733 NOT TO MENTION FUCKING INSULTING. 1054 00:42:55,767 --> 00:42:56,800 YOU'RE INSULTED? 1055 00:42:56,833 --> 00:42:58,067 WHAT ABOUT ME? 1056 00:42:58,100 --> 00:42:59,233 THE WHOLE EVENING WAS FOR YOU. 1057 00:42:59,267 --> 00:43:01,433 I MEAN, I THREW A DINNER PARTY FOR YOU. 1058 00:43:01,467 --> 00:43:02,667 I BENT OVER BACKWARDS 1059 00:43:02,700 --> 00:43:05,067 TO MAKE SURE IT WENT SMOOTHLY FOR YOU. 1060 00:43:05,067 --> 00:43:07,700 YOU CAN'T HANDLE IT. 1061 00:43:07,733 --> 00:43:09,067 I CAN'T HANDLE WHAT? 1062 00:43:09,100 --> 00:43:12,200 THAT COMMUNICATION IS DIFFERENT WITH ME. 1063 00:43:12,233 --> 00:43:15,700 THAT IT ISN'T EXACTLY HOW YOU WANT IT TO BE. 1064 00:43:15,733 --> 00:43:17,400 WELL, NO, IT'S NOT EXACTLY HOW I WANT IT TO BE. 1065 00:43:17,433 --> 00:43:19,267 I FEEL FUCKING INCOMPETENT AT EVERY TURN, 1066 00:43:19,300 --> 00:43:20,533 BUT YOU KNOW WHAT? 1067 00:43:20,567 --> 00:43:23,233 I THINK THAT I HAVE WORKED VERY HARD 1068 00:43:23,267 --> 00:43:25,900 TO LEARN TO COMMUNICATE WITH YOU, 1069 00:43:25,933 --> 00:43:28,167 AND I THINK THAT WE DO PRETTY WELL. 1070 00:43:28,200 --> 00:43:30,667 I JUST... I DIDN'T WANT IT TO BE HARD 1071 00:43:30,700 --> 00:43:32,167 WITH MY FRIENDS TONIGHT. 1072 00:43:32,200 --> 00:43:36,067 OH, I'M SO SORRY IT WAS HARD FOR YOU. 1073 00:43:36,067 --> 00:43:37,467 THAT'S NOT WHAT I SAID. 1074 00:43:37,500 --> 00:43:38,733 WHAT DID YOU SAY? 1075 00:43:38,767 --> 00:43:39,733 I SAID... 1076 00:43:39,767 --> 00:43:40,733 HUH? 1077 00:43:46,300 --> 00:43:50,800 I WANT TO BE IN A RELATIONSHIP 1078 00:43:50,833 --> 00:43:54,500 WITH SOMEONE WHO WORKS WITH ME. 1079 00:43:56,067 --> 00:43:58,500 [SIGHING] 1080 00:44:00,800 --> 00:44:03,333 BETTE... 1081 00:44:03,367 --> 00:44:05,967 YOU WANT TO BE IN A RELATIONSHIP 1082 00:44:06,067 --> 00:44:09,067 WITH SOMEONE WHO WORKS FOR YOU. 1083 00:44:13,500 --> 00:44:15,067 [EXHALES SHARPLY] 1084 00:44:15,067 --> 00:44:17,100 WHAT ARE YOU TRYING TO SAY? 1085 00:44:17,133 --> 00:44:19,433 I SAW YOU TONIGHT. 1086 00:44:19,467 --> 00:44:22,100 YOU TRY TO CONTROL EVERYTHING. 1087 00:44:22,133 --> 00:44:23,667 [SIGHING] 1088 00:44:23,700 --> 00:44:27,067 I MEAN, YOU WANTED TO-- YOU TRIED TO CONTROL TINA. 1089 00:44:27,100 --> 00:44:28,200 YOU TRIED TO CONTROL 1090 00:44:28,233 --> 00:44:30,367 WHAT SHE SAID TO THE DIRECTOR. 1091 00:44:30,400 --> 00:44:33,067 YOU TRIED TO CONTROL KIT. 1092 00:44:33,067 --> 00:44:35,133 AND YOU WANT TO BE MY INTERPRETER 1093 00:44:35,167 --> 00:44:37,067 AND CONTROL HOW I TALK TO EVERYONE. 1094 00:44:37,067 --> 00:44:38,233 FUCK YOU. 1095 00:44:38,267 --> 00:44:39,367 FUCK YOU! 1096 00:44:39,400 --> 00:44:40,967 I WAS JUST TRYING TO DO WHAT'S BEST FOR YOU. 1097 00:44:41,067 --> 00:44:42,900 HOW DO YOU KNOW WHAT'S BEST FOR ME? 1098 00:44:42,933 --> 00:44:44,400 YOU DIDN'T KNOW WHAT WAS GOING ON 1099 00:44:44,433 --> 00:44:45,533 HALF OF THE TIME. 1100 00:44:45,567 --> 00:44:46,600 YOU WEREN'T THERE. 1101 00:44:46,633 --> 00:44:47,700 YOU DIDN'T EVEN TRY TO BE ENGAGED. 1102 00:44:47,733 --> 00:44:49,067 OH, REALLY? 1103 00:44:49,067 --> 00:44:51,167 HOW THE FUCK DO YOU KNOW? 1104 00:44:51,200 --> 00:44:53,333 ARE YOU HAVING MY EXPERIENCE? 1105 00:44:53,367 --> 00:44:54,533 ARE YOU FUCKING DEAF? 1106 00:44:54,567 --> 00:44:57,567 OH... JESUS. 1107 00:44:58,733 --> 00:45:01,867 I HAD NO IDEA YOU FELT SO FUCKING PERSECUTED. 1108 00:45:01,900 --> 00:45:03,767 IT MAKES ME FEEL REALLY SAD FOR YOU. 1109 00:45:03,800 --> 00:45:05,300 I THINK, THOUGH, FOR ONE MINUTE, 1110 00:45:05,333 --> 00:45:08,867 YOU SHOULD JUST ASK YOURSELF, WHAT AM I EXPERIENCING? 1111 00:45:08,900 --> 00:45:11,633 WHAT IS MY FUCKING EXPERIENCE? 1112 00:45:19,900 --> 00:45:22,900 [**] 1113 00:46:11,200 --> 00:46:15,400 * I FEEL IN THE AIR 1114 00:46:15,433 --> 00:46:17,333 * LIKE DUST TO THE EARTH... 1115 00:46:17,367 --> 00:46:19,600 [**] 1116 00:46:19,633 --> 00:46:20,333 YEAH.