1 00:00:11,433 --> 00:00:14,167 SO YOU DROVE ALL THE WAY FROM L.A. TO LOS ALAMITOS, 2 00:00:14,200 --> 00:00:16,300 TALKED YOUR WAY ONTO A MILITARY BASE 3 00:00:16,333 --> 00:00:18,033 TO TELL ME YOU REALLY LIKE ME. 4 00:00:18,067 --> 00:00:20,133 I WANTED YOU TO KNOW THAT YOU'RE NOT A PORTAL TO ME. 5 00:00:22,000 --> 00:00:24,233 LOVING SHAY AND CARING FOR HIM 6 00:00:24,267 --> 00:00:26,367 HAS BEEN THE MOST AMAZING 7 00:00:26,400 --> 00:00:28,333 AND IMPORTANT THING I'VE EVER DONE. 8 00:00:28,367 --> 00:00:32,600 SINCE WE ALREADY DID THE TIME, 9 00:00:32,633 --> 00:00:36,100 WE MIGHT AS WELL DO THE CRIME. 10 00:00:36,133 --> 00:00:37,367 SHE'S NOT GOING TO SLEEP WITH THIS WOMAN 11 00:00:37,400 --> 00:00:38,900 JUST TO PAY OFF A GAMBLING DEBT. 12 00:00:38,933 --> 00:00:40,367 I'M GIVING YOU ANOTHER CHANCE. 13 00:00:40,400 --> 00:00:42,633 WE'RE GOING TO PLAY STRIP GIN RUMMY. 14 00:00:42,667 --> 00:00:44,300 IF YOU WIN, I'LL CONSIDER YOUR DEBT PAID IN FULL. 15 00:00:44,333 --> 00:00:46,700 IT WAS A PLEASURE DOING BUSINESS WITH YOU, CATHERINE. 16 00:00:46,733 --> 00:00:48,267 CONGRATULATIONS. YOU'RE A FREE WOMAN. 17 00:00:48,300 --> 00:00:49,900 MOVIES REACH A HUGE AUDIENCE. 18 00:00:49,933 --> 00:00:51,767 MAYBE IT COULD BE A REALLY GOOD MOVIE. 19 00:00:51,800 --> 00:00:53,767 WE'RE GOING TO MAKE A GREAT TEAM. 20 00:00:53,800 --> 00:00:56,700 SHAOLIN IS COMMITTED TO THE INTEGRITY OF THIS PROJECT. 21 00:00:56,733 --> 00:00:58,367 DID YOU KNOW THAT I'M AN EX-DRUNK? 22 00:00:58,400 --> 00:01:01,100 I SERVED YOU DINNER WITH LEMON-FLAVORED PELLEGRINO. 23 00:01:01,133 --> 00:01:02,200 IT'S ABOUT KIT. 24 00:01:02,233 --> 00:01:05,067 ANGUS IS CHEATING ON HER. 25 00:01:05,067 --> 00:01:06,167 AND I WANT YOU TO KNOW 26 00:01:06,200 --> 00:01:07,933 THAT I WOULD HAVE FIRED HAZEL 27 00:01:07,967 --> 00:01:09,700 IF HE HADN'T HAVE ENDED IT. 28 00:01:11,500 --> 00:01:14,267 [**] 29 00:01:45,733 --> 00:01:49,833 OH, SOUNDER... 30 00:01:49,867 --> 00:01:52,567 AM I GOING TO ROT IN HELL? 31 00:01:59,067 --> 00:02:01,400 [GASPING] 32 00:02:02,533 --> 00:02:05,167 [GASPS] 33 00:02:07,767 --> 00:02:10,667 [**] 34 00:02:10,700 --> 00:02:16,700 * GIRLS IN TIGHT DRESSES WHO DRAG WITH MUSTACHES * 35 00:02:16,733 --> 00:02:24,133 * CHICKS DRIVING FAST INGENUES WITH LONG LASHES * 36 00:02:24,167 --> 00:02:29,667 * WOMEN WHO LONG, LOVE, LUST WOMEN WHO GIVE * 37 00:02:29,700 --> 00:02:36,700 * THIS IS THE WAY IT'S THE WAY THAT WE LIVE * 38 00:02:44,167 --> 00:02:45,467 * TALKING, LAUGHING LOVING, BREATHING * 39 00:02:45,500 --> 00:02:47,400 * FIGHTING, FUCKING CRYING, DRINKING * 40 00:02:47,433 --> 00:02:48,767 * WRITING, WINNING LOSING, CHEATING * 41 00:02:48,800 --> 00:02:50,500 * KISSING, THINKING, DREAMING 42 00:02:50,533 --> 00:02:52,500 * THIS IS THE WAY... 43 00:02:52,533 --> 00:02:55,333 * IT'S THE WAY THAT WE LIVE * 44 00:02:55,367 --> 00:03:00,967 * IT'S THE WAY THAT WE LIVE 45 00:03:01,067 --> 00:03:06,300 * AND LOVE 46 00:03:08,533 --> 00:03:09,700 I HEAR YOU'RE BUYING THE RIGHTS 47 00:03:09,733 --> 00:03:11,100 TO JENNY'S NEW YORKER PIECE. 48 00:03:11,133 --> 00:03:13,067 IT'S SUCH A NIGHTMARE. 49 00:03:13,100 --> 00:03:14,067 REALLY? 50 00:03:14,067 --> 00:03:15,067 WHY ARE YOU DOING IT, THEN? 51 00:03:15,100 --> 00:03:16,167 IT'S THE HOTTEST PROPERTY 52 00:03:16,200 --> 00:03:17,500 IN TOWN. 53 00:03:17,533 --> 00:03:19,867 EVERYONE WANTS IT. 54 00:03:19,900 --> 00:03:21,167 THAT'S WHAT I HATE ABOUT THE MOVIE BUSINESS. 55 00:03:21,200 --> 00:03:23,467 WELL, SHE'S NOT VERY KIND TO YOU. 56 00:03:23,500 --> 00:03:24,633 [SIGHS] 57 00:03:24,667 --> 00:03:25,900 I HAVE TO KISS HER ASS 58 00:03:25,933 --> 00:03:29,067 BECAUSE EVERY STUDIO IN TOWN IS BLOWING SMOKE UP IT, 59 00:03:29,067 --> 00:03:31,233 AND ALL I REALLY WANT TO DO IS WRING HER NECK. 60 00:03:31,267 --> 00:03:32,500 [CHUCKLES] 61 00:03:32,533 --> 00:03:33,800 AND THAT CHARACTER, NINA... 62 00:03:35,333 --> 00:03:36,600 IS THAT REALLY WHAT PEOPLE THINK OF ME? 63 00:03:36,633 --> 00:03:37,600 NO. 64 00:03:37,633 --> 00:03:38,933 TINA... 65 00:03:38,967 --> 00:03:42,100 COME ON, JENNY'S A FICTION WRITER. 66 00:03:42,133 --> 00:03:45,167 I MEAN, HER STORY IS FUNNY, AND IT'S OVER THE TOP. 67 00:03:45,200 --> 00:03:46,333 THAT'S WHY PEOPLE ARE LOVING IT. 68 00:03:48,200 --> 00:03:50,133 YOU'VE SAID SOME OF THOSE THINGS. 69 00:03:50,167 --> 00:03:51,733 IN PAIN AND ANGER. 70 00:03:51,767 --> 00:03:54,900 I MEAN, I KNOW OUR RELATIONSHIP WAS REAL. 71 00:03:54,933 --> 00:03:57,200 I KNOW YOU LOVED ME, 72 00:03:57,233 --> 00:03:58,533 AND IT WASN'T JUST SOME 73 00:03:58,567 --> 00:04:00,067 TRIVIAL EXPERIMENT TO YOU. 74 00:04:00,067 --> 00:04:02,900 [SIGHS SLOWLY] 75 00:04:07,267 --> 00:04:10,167 I STILL LOVE YOU, YOU KNOW. 76 00:04:13,100 --> 00:04:14,567 I LOVE YOU, TOO. 77 00:04:18,333 --> 00:04:19,600 [SIGHS] 78 00:04:23,133 --> 00:04:26,567 IT'S SO HARD, BETTE. 79 00:04:26,600 --> 00:04:29,467 I MISS YOU SO MUCH SOMETIMES. 80 00:04:31,667 --> 00:04:35,900 I MISS OUR LIFE. 81 00:04:35,933 --> 00:04:38,467 I MISS THE WAY WE COMMUNICATED SUBTLY. 82 00:04:38,500 --> 00:04:41,433 I MISS THE WAY THAT WE WORKED TOGETHER 83 00:04:41,467 --> 00:04:46,367 TO MAKE EVERYTHING AROUND US SO BEAUTIFUL. 84 00:04:49,267 --> 00:04:52,833 I MISS BEING SURROUNDED BY WOMEN, 85 00:04:52,867 --> 00:04:57,800 AND FEELING PART OF SOMETHING SO SECRET AND SPECIAL. 86 00:05:01,667 --> 00:05:03,200 COME HERE. 87 00:05:13,067 --> 00:05:14,567 [SIGHS] 88 00:05:15,733 --> 00:05:20,400 SOMETIMES I THINK I MADE A MISTAKE. 89 00:05:23,833 --> 00:05:26,733 YOU DON'T HAVE TO THINK ABOUT IT THAT WAY. 90 00:05:31,833 --> 00:05:33,633 JODI... 91 00:05:33,667 --> 00:05:35,967 UH, TINA, THIS IS JODI LERNER. 92 00:05:36,067 --> 00:05:39,833 THIS IS TINA. 93 00:05:39,867 --> 00:05:41,400 NICE TO MEET YOU. 94 00:05:41,433 --> 00:05:43,133 NICE TO MEET YOU, TOO. 95 00:05:49,767 --> 00:05:50,933 HI. 96 00:05:50,967 --> 00:05:54,567 I'M GOING TO GET THE DIAPER BAG. 97 00:06:01,900 --> 00:06:05,367 YOU'RE TEACHING HER TO SIGN. 98 00:06:05,400 --> 00:06:06,967 I HAVEN'T EVEN DONE ANYTHING. 99 00:06:07,067 --> 00:06:10,867 SHE JUST... STARTED DOING IT ON HER OWN. 100 00:06:10,900 --> 00:06:13,867 BABIES LEARN QUICK. 101 00:06:13,900 --> 00:06:15,667 SIGN LANGUAGE IS EASY FOR THEM. 102 00:06:17,067 --> 00:06:18,800 YOU MUST BE SPENDING A LOT OF TIME HERE. 103 00:06:21,467 --> 00:06:23,100 I DON'T WANT TO MISS MUCH. 104 00:06:23,133 --> 00:06:24,200 DIDN'T YOU PAUSE IT? 105 00:06:24,233 --> 00:06:26,267 WE DON'T HAVE THAT ON THIS TV. 106 00:06:26,300 --> 00:06:27,733 YOU DON'T HAVE TiVo? 107 00:06:27,767 --> 00:06:29,667 NO, WE DON'T HAVE TiVo. 108 00:06:29,700 --> 00:06:31,400 HE ALSO DOESN'T HAVE HIS OWN ROOM. 109 00:06:31,433 --> 00:06:34,133 I'M A TERRIBLE PERSON. 110 00:06:34,167 --> 00:06:36,100 HEY! 111 00:06:36,133 --> 00:06:37,600 HEY, BETTE! 112 00:06:37,633 --> 00:06:39,267 SO, ANYWAY, ALL I WAS SAYING 113 00:06:39,300 --> 00:06:41,300 IS THAT YOU'RE NOT THE FIRST WOMAN 114 00:06:41,333 --> 00:06:42,633 I'VE EVER BEEN WITH. 115 00:06:42,667 --> 00:06:44,800 YOU'RE NOT THE FIRST STRAIGHT GIRL I'VE BEEN WITH. 116 00:06:44,833 --> 00:06:46,633 UH... 117 00:06:46,667 --> 00:06:48,200 UH, "STRAIGHT GIRL"? 118 00:06:49,733 --> 00:06:50,833 OH, I'M SORRY. 119 00:06:50,867 --> 00:06:52,300 SHOULD I BE CALLING YOU SOMETHING DIFFERENT? 120 00:06:52,333 --> 00:06:55,267 WELL, I'D RATHER NOT BE CALLED ANYTHING. 121 00:06:55,300 --> 00:06:57,600 I'M...SEXUALLY FLUID. 122 00:06:57,633 --> 00:07:01,067 WELL, YOU STILL HAVEN'T BEEN WITH A GIRL. 123 00:07:01,067 --> 00:07:03,667 I MEAN, YOU HAVEN'T HAD A RELATIONSHIP WITH ONE. 124 00:07:03,700 --> 00:07:05,933 WHAT'S YOUR POINT? 125 00:07:05,967 --> 00:07:07,500 WELL, I JUST... 126 00:07:07,533 --> 00:07:08,700 I DON'T WANT YOU TO THINK 127 00:07:08,733 --> 00:07:11,200 IT WOULD BE ANY BETTER. 128 00:07:11,233 --> 00:07:14,267 I DO THINK IT WOULD BE BETTER. 129 00:07:14,300 --> 00:07:17,867 I MEAN, I FIND MEN PHYSICALLY ATTRACTIVE 130 00:07:17,900 --> 00:07:20,500 BUT EMOTIONALLY RETARDED. 131 00:07:20,533 --> 00:07:22,367 WELL, GIRLS ARE THE SAME WAY. 132 00:07:22,400 --> 00:07:23,433 BUT LESS SO. 133 00:07:23,467 --> 00:07:24,733 OH, PLEASE. 134 00:07:24,767 --> 00:07:25,867 WHO ARE YOU KIDDING? 135 00:07:25,900 --> 00:07:27,067 THEY'RE WORSE. 136 00:07:28,133 --> 00:07:29,533 I KNOW YOU HAVE THIS... 137 00:07:29,567 --> 00:07:32,400 MYTHOLOGY ABOUT YOURSELF, 138 00:07:32,433 --> 00:07:35,500 BUT I'VE WATCHED YOU WITH SHAY. 139 00:07:35,533 --> 00:07:37,067 YOU'RE NOT EMOTIONALLY RETARDED. 140 00:07:37,067 --> 00:07:39,833 IT'S DIFFERENT WITH HIM. 141 00:07:39,867 --> 00:07:42,867 WELL, IT SPEAKS VOLUMES. 142 00:07:45,233 --> 00:07:47,700 LOOK, I DON'T WANT YOU TO THINK 143 00:07:47,733 --> 00:07:50,433 THAT I'M EXPECTING YOU TO JUMP INTO A RELATIONSHIP WITH ME. 144 00:07:54,233 --> 00:07:55,533 OKAY. 145 00:07:55,567 --> 00:07:57,600 I'LL GIVE YOU, LIKE, A WEEK OR TWO. 146 00:07:57,633 --> 00:07:58,900 [LAUGHING]: OH, CHRIST... 147 00:07:58,933 --> 00:08:02,167 [LAUGHING] 148 00:08:02,200 --> 00:08:03,867 OH, GOD, YOU ARE A DYKE. 149 00:08:03,900 --> 00:08:05,067 I WAS TOTALLY WRONG. 150 00:08:05,100 --> 00:08:06,833 YOU'RE MORE OF ONE THAN I AM. 151 00:08:06,867 --> 00:08:07,867 JESUS... 152 00:08:07,900 --> 00:08:09,433 WATCH OUT. 153 00:08:11,800 --> 00:08:13,267 OOH... 154 00:08:13,300 --> 00:08:15,067 MY GIRL IS HOT. 155 00:08:15,067 --> 00:08:16,633 YOU LIKE IT? 156 00:08:16,667 --> 00:08:18,267 SURE. 157 00:08:18,300 --> 00:08:19,733 WELL, IF YOU WANT TO CHANGE SOMETHING, 158 00:08:19,767 --> 00:08:20,767 I CAN GET THE GUY TO WORK ON IT 159 00:08:20,800 --> 00:08:22,167 IF YOU'RE NOT HAPPY. 160 00:08:22,200 --> 00:08:24,733 NO, NO POINT IN CHANGING ANYTHING NOW. 161 00:08:24,767 --> 00:08:26,200 WHAT'S DONE IS DONE. 162 00:08:26,233 --> 00:08:27,333 WELL, OKAY. 163 00:08:27,367 --> 00:08:28,500 AS LONG AS YOU'RE HAPPY. 164 00:08:28,533 --> 00:08:29,933 I DIDN'T SAY THAT. 165 00:08:29,967 --> 00:08:31,700 HEY, WHAT'S UP, PAPI? 166 00:08:31,733 --> 00:08:32,900 MM... 167 00:08:32,933 --> 00:08:34,533 WHAT'S UP, GORGEOUS? 168 00:08:34,567 --> 00:08:35,667 SO, WHAT YOU DOING? 169 00:08:35,700 --> 00:08:37,067 I'M JUST PSYCHED ABOUT TONIGHT. 170 00:08:37,100 --> 00:08:38,267 ARE YOU COMING TO THE PARTY TONIGHT? 171 00:08:38,300 --> 00:08:39,400 HELL, YEAH. 172 00:08:39,433 --> 00:08:40,700 MY GIRL TASHA? 173 00:08:40,733 --> 00:08:42,633 HER MOM'S, LIKE, YOUR BIGGEST FAN. 174 00:08:42,667 --> 00:08:43,800 AW... 175 00:08:43,833 --> 00:08:46,067 WHY DON'T THEY BRING HER ON DOWN, TOO? 176 00:08:46,067 --> 00:08:47,067 OH, SHE LIVES IN VIRGINIA, 177 00:08:47,100 --> 00:08:48,767 BUT I'M GOING TO BUY HER A CD, 178 00:08:48,800 --> 00:08:50,067 AND I'M GOING TO TRY AND GET ME 179 00:08:50,067 --> 00:08:52,567 SOME OF THAT FIERCE KITTY, TOO. 180 00:08:52,600 --> 00:08:53,633 AW... 181 00:08:53,667 --> 00:08:55,433 WELL, TONIGHT MIGHT BE YOUR LUCKY... 182 00:08:55,467 --> 00:08:56,700 NIGHT. 183 00:08:56,733 --> 00:08:58,100 BRING IT ON, GIRL. 184 00:08:58,133 --> 00:08:59,267 I'M GOING TO GO PICK UP THAT GUITAR. 185 00:08:59,300 --> 00:09:00,400 DO YOU NEED ANYTHING? 186 00:09:00,433 --> 00:09:02,833 NO. 187 00:09:02,867 --> 00:09:04,733 JUST FOR YOU TO BE SINGING WITH ME 188 00:09:04,767 --> 00:09:05,567 ON STAGE TONIGHT. 189 00:09:05,600 --> 00:09:07,067 THAT'S ALL. 190 00:09:07,100 --> 00:09:08,667 YOU KNOW, SOMEBODY STOLE HIS GUITAR FROM MY OFFICE. 191 00:09:08,700 --> 00:09:09,667 OH. 192 00:09:09,700 --> 00:09:11,367 FUCKIN' BUMMER, RIGHT? 193 00:09:11,400 --> 00:09:13,833 [IN SURFER VOICE]: YEAH, FUCKING BUMMER, DUDE. 194 00:09:17,233 --> 00:09:18,700 ROCK ON, SISTERS. 195 00:09:19,800 --> 00:09:21,100 ARE YOU GOING TO TELL ME 196 00:09:21,133 --> 00:09:22,300 WHEN YOU'RE READY TO DROP THAT BOY? 197 00:09:22,333 --> 00:09:24,400 HMM? 198 00:09:24,433 --> 00:09:26,400 YOU KNOW, I... 199 00:09:28,200 --> 00:09:30,467 I DON'T KNOW HOW... 200 00:09:30,500 --> 00:09:31,533 TO DO THIS. 201 00:09:31,567 --> 00:09:32,633 YOU KNOW? 202 00:09:34,800 --> 00:09:38,467 AND I CAN'T... 203 00:09:38,500 --> 00:09:41,533 I CAN'T, UM... 204 00:09:46,600 --> 00:09:52,367 [SIGHS] 205 00:09:52,400 --> 00:09:53,567 [WHISPERING]: YOU'RE SO BEAUTIFUL. 206 00:09:55,933 --> 00:09:58,667 AND I'M... 207 00:09:58,700 --> 00:10:01,967 SO INTO YOU... 208 00:10:02,000 --> 00:10:03,467 AND I CAN'T HANDLE IT. 209 00:10:06,033 --> 00:10:10,200 AND I DON'T WANT TO FEEL THIS WAY 210 00:10:10,233 --> 00:10:12,267 WHEN I KNOW 211 00:10:12,300 --> 00:10:14,700 YOU'RE SEEING OTHER PEOPLE. 212 00:10:21,667 --> 00:10:24,567 [SIGHS HEAVILY] 213 00:10:26,467 --> 00:10:27,900 I DON'T KNOW. 214 00:10:33,667 --> 00:10:37,233 [SIGHS] 215 00:10:40,433 --> 00:10:42,200 NO, GOD... 216 00:10:42,233 --> 00:10:43,667 NO, NO. 217 00:10:43,700 --> 00:10:46,033 JESUS, IT FEELS LIKE FUCKING HIGH SCHOOL. 218 00:10:46,067 --> 00:10:47,167 NO. 219 00:10:47,200 --> 00:10:48,900 JUST... YOU KNOW WHAT? 220 00:10:48,933 --> 00:10:50,033 THE TRUTH IS, 221 00:10:50,067 --> 00:10:51,300 I'M JUST NOT AS EVOLVED AS YOU. 222 00:10:51,333 --> 00:10:54,367 I'M JUST NOT AS EVOLVED AS YOU. 223 00:10:54,400 --> 00:10:55,600 WHAT? 224 00:10:55,633 --> 00:10:56,800 OKAY. 225 00:10:56,833 --> 00:11:00,100 I TRIED... 226 00:11:00,133 --> 00:11:02,067 TO TELL MYSELF 227 00:11:02,067 --> 00:11:04,733 THAT I COULD HANDLE IT, 228 00:11:04,767 --> 00:11:07,567 BUT WHEN I THINK ABOUT YOU 229 00:11:07,600 --> 00:11:08,767 WITH... 230 00:11:08,800 --> 00:11:11,767 WHOEVER, I... 231 00:11:11,800 --> 00:11:13,133 I GET JEALOUS. 232 00:11:13,167 --> 00:11:14,533 I DO, I GET JEALOUS, 233 00:11:14,567 --> 00:11:17,667 AND I DON'T WANT TO BE THAT PERSON. 234 00:11:17,700 --> 00:11:20,200 I DON'T WANT TO BE THAT PERSON. 235 00:11:20,233 --> 00:11:21,767 [SIGHS HEAVILY] 236 00:11:26,433 --> 00:11:28,500 SO HOW DID YOU FIND OUT ABOUT OURCHART? 237 00:11:28,533 --> 00:11:29,733 I WAS LOOKING FOR MUSIC. 238 00:11:29,767 --> 00:11:33,067 I WAS IN A DANCE ENSEMBLE UP IN BERKELEY. 239 00:11:33,067 --> 00:11:36,200 WE WERE CALLED "HOMO ERECT US." 240 00:11:36,233 --> 00:11:38,667 [BOTH GIGGLING] 241 00:11:38,700 --> 00:11:40,300 WELL, IT'S A REALLY COOL PAGE. 242 00:11:40,333 --> 00:11:41,733 I MEAN, YOU DID A REALLY GOOD JOB ON IT, YOU KNOW? 243 00:11:41,767 --> 00:11:43,300 THANKS. 244 00:11:43,333 --> 00:11:46,100 THE TOOLS ARE KIND OF RUDIMENTARY, SO... 245 00:11:46,133 --> 00:11:47,267 YEAH, I KNOW. 246 00:11:47,300 --> 00:11:50,300 BUT WE'RE GOING TO SERIOUSLY UPGRADE SOON. 247 00:11:50,333 --> 00:11:52,067 IT'S JUST-- I HAVE THIS DAY JOB, YOU KNOW, 248 00:11:52,067 --> 00:11:53,500 AND THEY'VE BEEN KIND OF POLICING ME AND STUFF, 249 00:11:53,533 --> 00:11:55,433 SO I'M LOOKING FOR SOMEONE 250 00:11:55,467 --> 00:11:57,800 WHO CAN HELP WITH MAINTENANCE AND CONTENT. 251 00:11:57,833 --> 00:11:58,867 STUFF LIKE THAT. 252 00:11:58,900 --> 00:12:00,200 I'M A TOTAL GEEK. 253 00:12:00,233 --> 00:12:01,433 WHEN I LIVED IN THE BAY AREA, 254 00:12:01,467 --> 00:12:03,267 I FLOATED FOR A BUNCH OF INFO TECH COMPANIES. 255 00:12:03,300 --> 00:12:04,367 COOL. 256 00:12:04,400 --> 00:12:06,733 SO, WHY'D YOU MOVE TO L.A.? 257 00:12:06,767 --> 00:12:08,333 I GET MORE WORK AS A DANCER. 258 00:12:08,367 --> 00:12:10,833 A LOT OF MUSIC VIDEOS SHOOT HERE. 259 00:12:10,867 --> 00:12:12,733 BUT I MISS SAN FRANCISCO. 260 00:12:12,767 --> 00:12:14,967 THERE ARE PRETTY MUCH NO BUTCH WOMEN IN L.A. 261 00:12:15,067 --> 00:12:16,333 YOU THINK SO? 262 00:12:16,367 --> 00:12:18,767 WELL, NO CULTURE, NO COMMUNITY. 263 00:12:18,800 --> 00:12:22,100 EVERYONE'S ALL INTO HIGH FASHION. 264 00:12:22,133 --> 00:12:24,533 FEMALE MASCULINITY ISN'T CELEBRATED HERE. 265 00:12:26,400 --> 00:12:28,167 YEAH, I GUESS IT'S NOT, REALLY. 266 00:12:28,200 --> 00:12:30,633 IS THAT WHY YOU BECAME A MAN? 267 00:12:36,300 --> 00:12:38,567 WHY I BECAME A MAN... 268 00:12:38,600 --> 00:12:40,933 NO, I AM A MAN, INTRINSICALLY, YOU KNOW? 269 00:12:40,967 --> 00:12:43,700 I DIDN'T MEAN TO OFFEND YOU. 270 00:12:43,733 --> 00:12:46,067 THERE ARE A LOT OF REASONS WHY PEOPLE TRANSITION, 271 00:12:46,100 --> 00:12:48,867 AND THEY'RE ALL LEGITIMATE, AS FAR AS I'M CONCERNED. 272 00:12:48,900 --> 00:12:53,133 [MUSIC PLAYING SOFTLY] 273 00:12:53,167 --> 00:12:56,267 ANYWAY, I LOVE THE SITE. 274 00:12:56,300 --> 00:12:58,200 WE DON'T HAVE ANY MONEY, REALLY, THOUGH. 275 00:12:58,233 --> 00:12:59,567 HEY, I KNOW. 276 00:12:59,600 --> 00:13:01,333 YOU SAID AN INTERN. 277 00:13:01,367 --> 00:13:02,700 ALICE IS... 278 00:13:02,733 --> 00:13:04,067 YOU KNOW, SHE'S DRAWING UP A BUSINESS PLAN, 279 00:13:04,067 --> 00:13:05,367 AND WE'RE HOPING TO GET INVESTORS, 280 00:13:05,400 --> 00:13:07,267 BUT WE'LL SEE. 281 00:13:07,300 --> 00:13:09,467 I'D LIKE TO WORK WITH YOU, MAX. 282 00:13:09,500 --> 00:13:10,667 I DON'T CARE ABOUT THE MONEY. 283 00:13:13,867 --> 00:13:14,867 COOL. 284 00:13:18,067 --> 00:13:19,367 [CARTOON PLAYING ON TV] 285 00:13:19,400 --> 00:13:20,433 [KIDS GIGGLING] 286 00:13:20,467 --> 00:13:22,200 UM... 287 00:13:22,233 --> 00:13:23,200 YEAH. 288 00:13:23,233 --> 00:13:24,600 THAT'S GREAT, THANK YOU. 289 00:13:24,633 --> 00:13:26,633 IF YOU COULD JUST PUT THAT ON THE ROOM. 290 00:13:26,667 --> 00:13:28,067 SO DO YOU LITTLE ONES 291 00:13:28,067 --> 00:13:30,300 WANT ANYTHING FROM ROOM SERVICE? 292 00:13:30,333 --> 00:13:31,500 NO, I'M GOOD. AN ICE CREAM SUNDAE? 293 00:13:31,533 --> 00:13:32,700 AND SOME TIRAMISU? 294 00:13:32,733 --> 00:13:34,500 ABSOLUTELY. 295 00:13:36,967 --> 00:13:38,133 OOH... 296 00:13:38,167 --> 00:13:39,200 YOU KNOW, 297 00:13:39,233 --> 00:13:40,500 I'VE ONLY GOT THEM FOR THE WEEKEND, 298 00:13:40,533 --> 00:13:42,100 WHILE WINNIE'S ON RETREAT AT YADDO, 299 00:13:42,133 --> 00:13:43,400 BUT I DON'T KNOW HOW PEOPLE COPE 300 00:13:43,433 --> 00:13:45,367 WITHOUT A NANNY. 301 00:13:45,400 --> 00:13:46,533 HELENA, ARE YOU REALLY 302 00:13:46,567 --> 00:13:47,667 GOING TO GET THEM TIRAMISU 303 00:13:47,700 --> 00:13:50,267 AND BANANA SPLITS? 304 00:13:50,300 --> 00:13:51,300 WELL...YEAH. 305 00:13:51,333 --> 00:13:52,333 WHY NOT? 306 00:13:52,367 --> 00:13:53,900 WELL, I MEAN, WHO'S PAYING FOR THIS? 307 00:13:53,933 --> 00:13:55,133 CATHERINE? 308 00:13:55,167 --> 00:13:56,433 DOES SHE EVEN KNOW YOUR KIDS ARE HERE? 309 00:13:56,467 --> 00:13:57,567 WELL... 310 00:13:57,600 --> 00:13:59,800 YEAH, I MEAN, I DID TELL HER. 311 00:13:59,833 --> 00:14:01,400 ANYWAY, CATHERINE'S IN MALLORCA. 312 00:14:01,433 --> 00:14:03,767 BY THE TIME SHE GETS BACK, I'LL HAVE DOUBLED MY WINNINGS. 313 00:14:03,800 --> 00:14:05,500 YOU KNOW, SHE STAKED ME IN A GAME LAST WEEK. 314 00:14:05,533 --> 00:14:07,600 I WON $50,000. 315 00:14:07,633 --> 00:14:08,867 JESUS! 316 00:14:08,900 --> 00:14:10,400 I KNOW. I'M GOOD AT THIS, ALICE. 317 00:14:10,433 --> 00:14:12,233 YOU KNOW, I'VE ALWAYS BEEN GOOD AT MATHS. 318 00:14:12,267 --> 00:14:14,767 CATHERINE THINKS I SHOULD EVEN GO PRO. 319 00:14:16,733 --> 00:14:17,967 HELENA, I DON'T KNOW. 320 00:14:18,067 --> 00:14:20,400 THIS WHOLE THING IS REALLY WEIRD. 321 00:14:20,433 --> 00:14:22,333 YOU KNOW, I MEAN, DOES SHE LIVE HERE? 322 00:14:22,367 --> 00:14:23,867 LIKE, DOES SHE EVEN HAVE A HOUSE? 323 00:14:23,900 --> 00:14:25,067 AND WHY IS SHE... 324 00:14:25,100 --> 00:14:26,133 LIKE, WHAT IS SHE EXPECTING? 325 00:14:26,167 --> 00:14:28,100 WHAT DOES SHE WANT FROM YOU? 326 00:14:28,133 --> 00:14:29,467 WELL, I DON'T KNOW, IT'S JUST... 327 00:14:29,500 --> 00:14:30,800 IT'S QUITE NORMAL. 328 00:14:30,833 --> 00:14:31,900 IT'S WHAT RICH PEOPLE DO, YOU KNOW? 329 00:14:31,933 --> 00:14:33,133 RICH PEOPLE WHO TRAVEL. 330 00:14:33,167 --> 00:14:35,533 AND I TELL YOU, CATHERINE IS THE ONLY ONE 331 00:14:35,567 --> 00:14:36,533 WHO'S REALLY STOOD BY ME-- 332 00:14:36,567 --> 00:14:39,067 I HATE THE FUCKING MIDWEST! 333 00:14:39,067 --> 00:14:40,633 THEY'RE ALL SUCH WIMPS. 334 00:14:40,667 --> 00:14:42,067 CATHERINE, HI. 335 00:14:42,067 --> 00:14:44,667 I NEVER MADE IT TO MALLORCA. 336 00:14:44,700 --> 00:14:45,867 I GOT AS FAR AS MILWAUKEE. 337 00:14:45,900 --> 00:14:48,733 GODDAMN PIG FARMERS BACKED OUT OF THE DEAL. 338 00:14:48,767 --> 00:14:50,067 THE ONLY SAVING GRACE 339 00:14:50,100 --> 00:14:51,500 IS THAT THERE'S A BIGGER GAME 340 00:14:51,533 --> 00:14:52,567 NEXT FRIDAY. 341 00:14:52,600 --> 00:14:54,733 I JUST HAVE TO RAISE THE DIFFERENCE. 342 00:14:54,767 --> 00:14:55,967 CAN YOU GET THEM TO TURN THAT DOWN? 343 00:14:56,067 --> 00:14:57,300 YES, OF COURSE. YES. 344 00:14:57,333 --> 00:14:58,333 I SHOULD GO. 345 00:14:58,367 --> 00:14:59,767 I NEED YOU TO STAY. 346 00:14:59,800 --> 00:15:00,733 JUST A WHILE LONGER 347 00:15:00,767 --> 00:15:01,867 WHILE WE GO DOWNSTAIRS. 348 00:15:01,900 --> 00:15:03,433 IN FACT, ARE YOU BOOKED THIS EVENING? 349 00:15:03,467 --> 00:15:04,500 CATHERINE, ACTUALLY, UM... 350 00:15:04,533 --> 00:15:07,267 THIS IS MY FRIEND ALICE. 351 00:15:07,300 --> 00:15:08,300 YOU MET HER AT THE POKER. 352 00:15:08,333 --> 00:15:09,700 SHE'S... YEAH. 353 00:15:09,733 --> 00:15:11,300 SHE'S NOT THE BABYSITTER. 354 00:15:11,333 --> 00:15:12,300 NOT THE BABYSITTER. 355 00:15:12,333 --> 00:15:13,733 OF COURSE, ALICE. 356 00:15:13,767 --> 00:15:14,967 ALICE, ALICE. 357 00:15:15,067 --> 00:15:16,233 STAY FOR LUNCH. 358 00:15:16,267 --> 00:15:17,800 WE'LL ALL GO DOWNSTAIRS TO THE POOL. 359 00:15:17,833 --> 00:15:19,600 CAN WE GO SWIMMING, MOMMY? 360 00:15:19,633 --> 00:15:20,900 THAT'S A GREAT IDEA. 361 00:15:20,933 --> 00:15:22,733 THEY CAN SWIM WHILE WE EAT. 362 00:15:22,767 --> 00:15:24,100 YEAH. 363 00:15:24,133 --> 00:15:25,467 YOU KNOW, I HAVE SO MANY THINGS TO DO. 364 00:15:25,500 --> 00:15:26,500 SO MANY THINGS. 365 00:15:26,533 --> 00:15:28,267 SO, THANK YOU, THOUGH... 366 00:15:28,300 --> 00:15:29,467 AND IT WAS VERY NICE TO MEET YOU. 367 00:15:29,500 --> 00:15:30,900 AGAIN. 368 00:15:30,933 --> 00:15:31,967 'CAUSE WE HAD... MET. 369 00:15:33,233 --> 00:15:34,267 GREAT. I WILL SEE YOU LATER. 370 00:15:34,300 --> 00:15:35,367 ALL RIGHT. OKAY. 371 00:15:35,400 --> 00:15:36,267 THANKS FOR COMING BY. 372 00:15:36,300 --> 00:15:37,267 GUYS... 373 00:15:37,300 --> 00:15:38,333 BYE. 374 00:15:41,567 --> 00:15:43,200 WE NEED A BABYSITTER TONIGHT. 375 00:15:43,233 --> 00:15:44,600 DO YOU HAVE ONE? 376 00:15:44,633 --> 00:15:46,367 OH, UM... 377 00:15:46,400 --> 00:15:49,633 CATHERINE, I WASN'T REALLY EXPECTING YOU BACK. 378 00:15:49,667 --> 00:15:51,200 TONIGHT, I MEAN. 379 00:15:51,233 --> 00:15:52,533 DO YOU NEED US TO GET ANOTHER PLACE TO STAY? 380 00:15:52,567 --> 00:15:53,733 NO. 381 00:15:53,767 --> 00:15:55,733 THERE'S PLENTY OF ROOM FOR YOUR BRATS. 382 00:15:55,767 --> 00:15:56,900 LOOK, I'M SURE THE HOTEL 383 00:15:56,933 --> 00:15:59,367 CAN FIND A SITTER FOR US. 384 00:15:59,400 --> 00:16:02,067 YEAH, BUT ACTUALLY, I DO HAVE PLANS. 385 00:16:02,100 --> 00:16:03,700 YOU SEE, I MEAN, I WANT TO BE WITH MY CHILDREN. 386 00:16:03,733 --> 00:16:06,533 I'M EVEN MISSING MY FRIEND'S RECORD RELEASE PARTY TONIGHT 387 00:16:06,567 --> 00:16:07,600 SO THAT I CAN BE WITH THEM, AND-- 388 00:16:07,633 --> 00:16:08,867 WE'RE PLAYING POKER. 389 00:16:08,900 --> 00:16:11,633 IT'S A $50,000 BUY-IN. 390 00:16:14,567 --> 00:16:15,733 AH... 391 00:16:22,233 --> 00:16:24,400 [KNOCK AT DOOR] 392 00:16:25,933 --> 00:16:27,067 HEY... 393 00:16:27,067 --> 00:16:28,067 COME ON IN, COME ON IN. 394 00:16:28,100 --> 00:16:29,733 THANKS, THANKS. 395 00:16:29,767 --> 00:16:30,867 UH... 396 00:16:30,900 --> 00:16:33,667 SHAY'S IN THE BEDROOM WATCHING MR. MEATY. 397 00:16:33,700 --> 00:16:35,533 SHANE, THIS IS DIERDRE. 398 00:16:35,567 --> 00:16:37,100 CAN I GO WATCH WITH THEM? I LOVE MR. MEATY. 399 00:16:37,133 --> 00:16:38,200 [LAUGHING]: SURE, SURE. 400 00:16:38,233 --> 00:16:39,333 WHY DON'T YOU JUST MAKE SURE 401 00:16:39,367 --> 00:16:40,567 YOU GIVE THEM DINNER BY 7:00. 402 00:16:40,600 --> 00:16:42,067 UH, YEAH, THERE'S PIZZAS AND ICE CREAM 403 00:16:42,067 --> 00:16:43,067 IN THE FREEZER. 404 00:16:47,233 --> 00:16:48,267 WHAT IF THEY FALL ASLEEP 405 00:16:48,300 --> 00:16:49,267 ON YOUR BED? 406 00:16:49,300 --> 00:16:50,267 [WHISPERING]: WHO'S THAT? 407 00:16:50,300 --> 00:16:51,267 SHE'S THE BABYSITTER. 408 00:16:51,300 --> 00:16:52,867 SHE'S FINE. 409 00:16:52,900 --> 00:16:53,933 WELL, UH... 410 00:16:53,967 --> 00:16:55,067 IF THEY FALL ASLEEP ON MY BED, 411 00:16:55,067 --> 00:16:55,933 I'LL SLEEP ON THE COUCH. 412 00:16:55,967 --> 00:16:57,267 IT'S NO BIG DEAL. 413 00:16:57,300 --> 00:16:58,100 HONEY, YOU REALLY NEED TO GET YOUR OWN PLACE. 414 00:16:58,133 --> 00:16:59,733 I KNOW, 415 00:16:59,767 --> 00:17:01,267 AND I'M LOOKING FOR ONE, I PROMISE. 416 00:17:01,300 --> 00:17:03,333 GREAT. 417 00:17:03,367 --> 00:17:04,600 YOU LOOK GOOD. 418 00:17:04,633 --> 00:17:05,800 THANK YOU. 419 00:17:05,833 --> 00:17:07,667 SO DO YOU. 420 00:17:15,500 --> 00:17:19,067 SHOULD WE, UM, GET THE HELL OUT OF HERE? 421 00:17:21,067 --> 00:17:22,133 ARE YOU SURE? 422 00:17:22,167 --> 00:17:23,267 SHE'S FINE. 423 00:17:23,300 --> 00:17:24,333 SHE'S BEEN BABYSITTING FOR HIM FOR YEARS. 424 00:17:24,367 --> 00:17:25,333 LET'S GO. 425 00:17:25,367 --> 00:17:26,367 THAT'S TERRIFYING. 426 00:17:27,233 --> 00:17:28,267 HI. 427 00:17:28,300 --> 00:17:29,633 HEY... 428 00:17:29,667 --> 00:17:31,900 THAT'S SO SWEET. 429 00:17:31,933 --> 00:17:33,133 SWEET? 430 00:17:33,167 --> 00:17:34,167 AND SO CUTE. 431 00:17:34,200 --> 00:17:36,067 SO TRADITIONAL. 432 00:17:36,067 --> 00:17:37,200 OH, SHIT. 433 00:17:37,233 --> 00:17:38,367 OH, DON'T BE EMBARRASSED. 434 00:17:38,400 --> 00:17:40,900 I LOVE THAT YOU'RE OLD-FASHIONED. 435 00:17:49,700 --> 00:17:51,367 OKAY. 436 00:17:51,400 --> 00:17:53,200 OKAY. 437 00:17:55,400 --> 00:17:56,800 WELL, WOULD IT BE OLD-FASHIONED OF ME 438 00:17:56,833 --> 00:17:59,367 TO ASK MISS PORTER TO SIGN THIS 439 00:17:59,400 --> 00:18:02,233 FOR MY MOM? 440 00:18:02,267 --> 00:18:03,833 WELL, ONLY IF YOU CALL HER MISS PORTER. 441 00:18:03,867 --> 00:18:04,900 [LAUGHS] 442 00:18:04,933 --> 00:18:06,433 YOU KNOW WHAT I COULD DO. 443 00:18:06,467 --> 00:18:07,733 I COULD HAVE HER CALL YOUR MOM. 444 00:18:07,767 --> 00:18:09,500 SHOULD WE HAVE KIT CALL HER ON THE PHONE? 445 00:18:09,533 --> 00:18:11,700 OH, NO, NO, NO, SHE'D FREAK OUT. 446 00:18:11,733 --> 00:18:13,833 JUST SIGNING IT, THAT'LL BE COOL. 447 00:18:13,867 --> 00:18:15,700 YEAH, OF COURSE. 448 00:18:17,333 --> 00:18:20,333 [**] 449 00:18:31,633 --> 00:18:32,767 [SIGHS] 450 00:18:32,800 --> 00:18:34,667 NOBODY'S HERE. 451 00:18:34,700 --> 00:18:35,833 YEAH, YOU'RE RIGHT. 452 00:18:35,867 --> 00:18:36,900 IT'S, UM... 453 00:18:36,933 --> 00:18:39,200 IT'S ACTUALLY KIND OF EARLY. 454 00:18:39,233 --> 00:18:42,400 KIND OF EMPTY. 455 00:18:42,433 --> 00:18:45,767 SO, WHAT DO YOU, UM... 456 00:18:45,800 --> 00:18:48,067 THINK WE SHOULD DO? 457 00:18:51,600 --> 00:18:53,067 [CHUCKLING] 458 00:19:04,467 --> 00:19:06,100 GOD, WHERE ARE WE? 459 00:19:06,133 --> 00:19:08,400 WE'RE HOME, DARLING. 460 00:19:14,100 --> 00:19:16,267 * TRANSFORMATION 461 00:19:16,300 --> 00:19:19,600 * RUST TO DUST US TO THEM * 462 00:19:19,633 --> 00:19:20,933 * OOH 463 00:19:20,967 --> 00:19:24,233 * CHANGE YOUR MIND CHANGE YOUR SKIN * 464 00:19:24,267 --> 00:19:25,233 * OOH 465 00:19:25,267 --> 00:19:27,567 YOU SEEM CRAZY ABOUT HER. 466 00:19:27,600 --> 00:19:31,567 WHAT MAKES YOU SAY THAT? 467 00:19:31,600 --> 00:19:32,900 JUST THE WAY YOU LOOKED AT HER. 468 00:19:32,933 --> 00:19:34,067 [CHUCKLES] 469 00:19:34,100 --> 00:19:36,533 THAT LOOK. I KNOW THAT LOOK. 470 00:19:36,567 --> 00:19:38,600 YOU USED TO LOOK AT ME LIKE THAT BACK IN THE DAY. 471 00:19:38,633 --> 00:19:42,767 [SIGHS] 472 00:19:42,800 --> 00:19:44,433 ARE YOU IN LOVE WITH HER? 473 00:19:44,467 --> 00:19:47,167 OH, GOD, TINA, I DON'T KNOW. 474 00:19:47,200 --> 00:19:48,967 I THINK YOU ARE. 475 00:19:50,567 --> 00:19:51,800 IT'S WAY TOO SOON. 476 00:19:51,833 --> 00:19:53,567 I DON'T EVEN WANT TO THINK ABOUT IT. 477 00:19:53,600 --> 00:19:55,400 WHY ISN'T SHE HERE? 478 00:19:55,433 --> 00:19:57,100 SHE'S DEAF. 479 00:19:57,133 --> 00:19:58,800 OH. 480 00:19:58,833 --> 00:20:01,133 OF COURSE. I'M SORRY. 481 00:20:01,167 --> 00:20:02,533 WHY ISN'T HENRY HERE? 482 00:20:02,567 --> 00:20:04,900 OH, HE'S, UH... 483 00:20:04,933 --> 00:20:06,033 PHEW, I DON'T KNOW, 484 00:20:06,067 --> 00:20:07,467 CLUELESS. 485 00:20:07,500 --> 00:20:08,500 [LAUGHS] 486 00:20:08,533 --> 00:20:10,533 OF COURSE. I'M SORRY. 487 00:20:10,567 --> 00:20:11,567 WELL... 488 00:20:11,600 --> 00:20:12,667 WAITER, CAN I HAVE A... 489 00:20:12,700 --> 00:20:16,200 HAVE ANOTHER? 490 00:20:16,233 --> 00:20:17,400 WELL, I CAN'T BLAME YOU FOR GLOATING. 491 00:20:17,433 --> 00:20:19,433 I'M-- I'M NOT GLOATING. 492 00:20:19,467 --> 00:20:21,400 I MEAN, REALLY, THE REAL REASON THAT JODI ISN'T HERE 493 00:20:21,433 --> 00:20:22,400 IS BECAUSE SHE HAS A-- 494 00:20:22,433 --> 00:20:23,433 HELLO. 495 00:20:23,467 --> 00:20:24,467 HI. 496 00:20:24,500 --> 00:20:25,467 HI. HOW ARE YOU? 497 00:20:25,500 --> 00:20:26,467 GOOD. 498 00:20:26,500 --> 00:20:27,500 HI, TINA. 499 00:20:27,533 --> 00:20:29,867 I HAVE GOOD NEWS FOR YOU. 500 00:20:29,900 --> 00:20:30,867 IT'S LOOKING GOOD. 501 00:20:30,900 --> 00:20:31,967 GREAT. 502 00:20:32,000 --> 00:20:33,267 OH, WHAT'S LOOKING GOOD FOR TINA? 503 00:20:33,300 --> 00:20:35,700 OH, TINA'S COMPANY IS TRYING TO BUY THE MOVIE RIGHTS 504 00:20:35,733 --> 00:20:36,733 TO MY BOOK. 505 00:20:36,767 --> 00:20:38,300 MM. 506 00:20:38,333 --> 00:20:39,300 SO MY AGENTS ARE SUPPOSED TO 507 00:20:39,333 --> 00:20:40,667 BE HERE SOON, 508 00:20:40,700 --> 00:20:42,600 AND THEY SAID THERE'S THREE OFFERS ON THE TABLE, 509 00:20:42,633 --> 00:20:43,800 AND YOU'RE IN THE RUNNING, 510 00:20:43,833 --> 00:20:45,667 SO I'D LIKE YOU TO TALK TO THEM TONIGHT. 511 00:20:45,700 --> 00:20:47,767 WHAT ARE THE ISSUES? 512 00:20:47,800 --> 00:20:49,233 UM, I'M SORRY, I DON'T MEAN TO INTERRUPT, 513 00:20:49,267 --> 00:20:51,067 BUT I DON'T UNDERSTAND. 514 00:20:51,100 --> 00:20:52,500 WHY WOULDN'T YOU JUST CHOOSE TINA 515 00:20:52,533 --> 00:20:53,567 OVER THE OTHER BUYERS? 516 00:20:53,600 --> 00:20:55,967 WHAT DO YOU MEAN? 517 00:20:56,000 --> 00:20:57,367 WELL, FIRST OF ALL, SHE'S YOUR FRIEND, 518 00:20:57,400 --> 00:20:59,667 AND IF ALL THE OFFERS ARE IN THE SAME BALLPARK, 519 00:20:59,700 --> 00:21:01,167 I THINK IT SHOULD JUST BE AUTOMATIC. 520 00:21:01,200 --> 00:21:03,067 BECAUSE SHE'S MY FRIEND? 521 00:21:03,067 --> 00:21:04,167 ABSOLUTELY. 522 00:21:04,200 --> 00:21:05,267 OKAY, SO, 523 00:21:05,300 --> 00:21:06,367 IF I WANTED A TEACHING POSITION 524 00:21:06,400 --> 00:21:07,833 AT YOUR UNIVERSITY, 525 00:21:07,867 --> 00:21:10,333 WOULD YOU AUTOMATICALLY HIRE ME BECAUSE I'M YOUR FRIEND? 526 00:21:10,367 --> 00:21:13,133 IF I WERE THE DEAN OF THE ENGLISH DEPARTMENT. 527 00:21:13,167 --> 00:21:14,900 [LAUGHS] 528 00:21:14,933 --> 00:21:15,967 BETTE... 529 00:21:16,067 --> 00:21:18,300 HI. 530 00:21:18,333 --> 00:21:19,533 UM, MY AGENTS ARE HERE. 531 00:21:19,567 --> 00:21:20,567 TINA? 532 00:21:20,600 --> 00:21:21,900 MM-HMM? 533 00:21:21,933 --> 00:21:23,533 YOU SHOULD GO TALK TO THEM IF YOU WANT TO DO THIS. 534 00:21:23,567 --> 00:21:24,633 OKAY? 535 00:21:24,667 --> 00:21:25,700 BYE. 536 00:21:25,733 --> 00:21:27,567 CAN'T WAIT. 537 00:21:29,300 --> 00:21:30,400 THAT'S INCREDIBLE. 538 00:21:32,567 --> 00:21:33,667 THANK YOU. 539 00:21:33,700 --> 00:21:34,700 [SIGHS] 540 00:21:34,733 --> 00:21:36,233 I JUST THINK IT SHOULD BE AUTOMATIC. 541 00:21:36,267 --> 00:21:37,267 I MEAN, IS THAT CRAZY? 542 00:21:37,300 --> 00:21:38,967 I JUST THINK IT SHOULD BE AUTOMATIC. 543 00:21:39,067 --> 00:21:40,633 THAT'S ONE OF THE THINGS 544 00:21:40,667 --> 00:21:42,100 I LOVE ABOUT YOU. 545 00:21:42,133 --> 00:21:44,533 WHAT, THAT I'M A... BOMBASTIC BULLY? 546 00:21:44,567 --> 00:21:45,767 THAT YOU'RE LOYAL 547 00:21:45,800 --> 00:21:47,533 AND UNSWERVING IN YOUR CONVICTIONS. 548 00:21:47,567 --> 00:21:48,633 [SIGHS] 549 00:21:52,700 --> 00:21:55,333 [PANTING AND MOANING] 550 00:21:57,333 --> 00:22:00,067 [GASPING AND SIGHING] 551 00:22:00,067 --> 00:22:01,100 IS THAT TOO MUCH? 552 00:22:01,133 --> 00:22:03,200 NO. 553 00:22:07,067 --> 00:22:08,167 IS THIS GOOD? 554 00:22:08,200 --> 00:22:09,967 MORE. MORE. 555 00:22:11,733 --> 00:22:12,833 [CRIES OUT] 556 00:22:12,867 --> 00:22:13,867 WHAT? WHAT, WHAT, WHAT? 557 00:22:13,900 --> 00:22:15,067 ARE YOU HURT? 558 00:22:15,067 --> 00:22:16,067 NO, IT'S JUST... 559 00:22:16,067 --> 00:22:17,533 THE SEATBELT IS UP MY ASS. 560 00:22:17,567 --> 00:22:18,633 OH, SHIT. 561 00:22:18,667 --> 00:22:21,600 WHERE'D IT GO? 562 00:22:21,633 --> 00:22:23,400 THERE. 563 00:22:23,433 --> 00:22:27,367 THEY DON'T MAKE CARS LIKE THIS ANYMORE. 564 00:22:27,400 --> 00:22:29,600 PUT YOUR FINGERS INSIDE ME. 565 00:22:29,633 --> 00:22:31,367 PLEASE. 566 00:22:31,400 --> 00:22:34,700 [GASPING AND MOANING] 567 00:22:35,967 --> 00:22:39,200 [HORN HONKS] 568 00:22:39,233 --> 00:22:41,133 YOU KNOW WHAT? THIS IS FANTASTIC. 569 00:22:41,167 --> 00:22:42,333 I FEEL LIKE I'M REALLY THERE 570 00:22:42,367 --> 00:22:43,367 IN "LEZ GIRLS." 571 00:22:43,400 --> 00:22:46,300 YOU REALLY CAPTURED IT, BABE. 572 00:22:46,333 --> 00:22:47,333 LADIES... 573 00:22:47,367 --> 00:22:49,067 GOOD TO SEE YOU, BETTE. 574 00:22:49,067 --> 00:22:50,867 DID YOU SEE THE PETTIBON OPENING AT THE REGEN PROJECTS? 575 00:22:50,900 --> 00:22:52,433 ACTUALLY, I WAS OUT OF TOWN, 576 00:22:52,467 --> 00:22:54,367 BUT I HEARD IT WAS A SPECTACULAR SHOW. 577 00:22:54,400 --> 00:22:56,200 I BOUGHT TWO DRAWINGS. 578 00:22:56,233 --> 00:22:58,733 I AM SO FUCKING EXCITED. 579 00:22:58,767 --> 00:23:00,533 [LAUGHING] 580 00:23:00,567 --> 00:23:02,633 BETTE AND I HAVE A COUPLE OF PETTIBONS. 581 00:23:02,667 --> 00:23:04,800 OH. OH, ARE-- ARE YOU TWO... 582 00:23:04,833 --> 00:23:06,333 NO, NOT ANYMORE, 583 00:23:06,367 --> 00:23:08,200 BUT WE BOUGHT THEM WHEN WE WERE TOGETHER. 584 00:23:08,233 --> 00:23:10,067 HI, LADIES. 585 00:23:10,067 --> 00:23:11,133 OH, HEY. 586 00:23:11,167 --> 00:23:12,800 HEY. 587 00:23:12,833 --> 00:23:14,100 HEY, GUYS. 588 00:23:14,133 --> 00:23:15,467 HEY. IS EVERYTHING OKAY? 589 00:23:15,500 --> 00:23:16,500 OH, YEAH. 590 00:23:16,533 --> 00:23:17,800 SHE'S JUST A LITTLE NERVOUS. 591 00:23:17,833 --> 00:23:18,867 SHE'LL BE OUT SOON. 592 00:23:18,900 --> 00:23:20,300 EVERYBODY GOT EVERYTHING THEY NEED? 593 00:23:20,333 --> 00:23:21,367 YEAH, WE'RE GOOD. 594 00:23:21,400 --> 00:23:22,467 GREAT, YEAH, THANK YOU. 595 00:23:22,500 --> 00:23:24,200 EXCELLENT. 596 00:23:24,233 --> 00:23:25,300 THANKS, ANGUS. 597 00:23:25,333 --> 00:23:26,367 SO, TINA, UM, 598 00:23:26,400 --> 00:23:28,133 BACK TO WHAT WE WERE TALKING ABOUT. 599 00:23:28,167 --> 00:23:29,267 THANK YOU. 600 00:23:29,300 --> 00:23:30,467 BEAUTIFUL PROPOSAL YOU SUBMITTED, 601 00:23:30,500 --> 00:23:31,933 AND WE'RE CONSIDERING IT, 602 00:23:31,967 --> 00:23:34,367 BUT FOX SEARCHLIGHT HAS A TRACK RECORD 603 00:23:34,400 --> 00:23:36,367 FOR AWARD-WINNING INDEPENDENT FEATURES. 604 00:23:36,400 --> 00:23:39,067 YEAH, FOX SEARCHLIGHT IS FANTASTIC, 605 00:23:39,067 --> 00:23:40,133 BUT I'VE TALKED TO JENNY 606 00:23:40,167 --> 00:23:41,800 AND I'VE ALREADY TOLD HER HOW COMMITTED I AM 607 00:23:41,833 --> 00:23:43,600 TO THE INTEGRITY OF HER PROJECT. 608 00:23:43,633 --> 00:23:44,933 I KNOW, BUT TINA, 609 00:23:44,967 --> 00:23:46,333 AT THE END OF THE DAY, 610 00:23:46,367 --> 00:23:47,267 THE PROJECT'S GOING TO BE OUT OF YOUR HANDS. 611 00:23:47,300 --> 00:23:48,367 BUT-- I DON'T-- 612 00:23:48,400 --> 00:23:49,467 I'M SORRY. 613 00:23:49,500 --> 00:23:51,467 BUT I DON'T THINK, UM... 614 00:23:51,500 --> 00:23:52,533 THAT MAYBE YOU'RE AWARE 615 00:23:52,567 --> 00:23:54,233 OF THE KINDS OF MOVIES 616 00:23:54,267 --> 00:23:56,633 THAT TINA'S BEEN INVOLVED WITH 617 00:23:56,667 --> 00:23:58,167 DURING THE COURSE OF HER CAREER. 618 00:23:58,200 --> 00:23:59,700 I MEAN, SHE TURNED SOFIA COPPOLA ONTO THE VIRGIN SUICIDES. 619 00:23:59,733 --> 00:24:01,233 OH, REALLY? 620 00:24:01,267 --> 00:24:02,600 MICHEL GONDRY HAS THANKED HER 621 00:24:02,633 --> 00:24:04,667 IN EVERY SINGLE ONE OF HIS ACCEPTANCE SPEECHES... 622 00:24:06,133 --> 00:24:07,167 AND FRANKLY, 623 00:24:07,200 --> 00:24:08,933 SHE'S ONE OF THE BEST EXECUTIVES 624 00:24:08,967 --> 00:24:10,100 YOU'LL EVER WORK WITH... 625 00:24:11,867 --> 00:24:13,833 NOT TO MENTION THE MOST HONEST. 626 00:24:17,200 --> 00:24:19,533 WHAT ARE THEY TALKING ABOUT? 627 00:24:19,567 --> 00:24:22,067 UM, A MOVIE DEAL, I THINK. 628 00:24:22,100 --> 00:24:23,200 I DON'T KNOW. 629 00:24:23,233 --> 00:24:24,200 YOU KNOW, 630 00:24:24,233 --> 00:24:26,333 YOU TWO ARE SO FUCKING HOT, 631 00:24:26,367 --> 00:24:28,067 AND... 632 00:24:28,067 --> 00:24:30,933 YOU KNOW, I'M INTO THAT, AND... 633 00:24:30,967 --> 00:24:32,500 JUST MAKE THE CALL. 634 00:24:32,533 --> 00:24:33,500 WHAT? 635 00:24:33,533 --> 00:24:35,667 [SCOFFS] 636 00:24:35,700 --> 00:24:37,833 WHAT? 637 00:24:43,100 --> 00:24:44,167 YOU SEE CHUBSTER OVER THERE 638 00:24:44,200 --> 00:24:45,567 IN THE TOUPEE? 639 00:24:45,600 --> 00:24:47,533 LAST WEEK HE LIMPS IN AT ABOUT MIDNIGHT. 640 00:24:47,567 --> 00:24:48,667 I'M ON THE BUTTON. 641 00:24:48,700 --> 00:24:49,967 HE RAISES SIX TIMES THE BIG BLIND. 642 00:24:50,067 --> 00:24:51,067 NOW, THESE ARE FAIRLY LOOSE 643 00:24:51,067 --> 00:24:52,867 AND AGGRESSIVE TABLES. 644 00:24:52,900 --> 00:24:55,067 SO HE'S THE MARK. 645 00:24:55,067 --> 00:24:56,433 VERY GOOD. 646 00:24:56,467 --> 00:24:57,633 SO YOU KNOW WHAT TO DO WHEN THE FLOP COMES 647 00:24:57,667 --> 00:24:59,667 AND THE FAT MAN GOES ALL IN. 648 00:24:59,700 --> 00:25:02,067 MAKE HIM THINK HE STANDS A CHANCE. 649 00:25:02,100 --> 00:25:03,867 THAT'S MY GIRL. 650 00:25:05,667 --> 00:25:07,300 [MAN WHISTLES] 651 00:25:08,367 --> 00:25:12,333 YOU HAVE A TALENT FOR THE GAME, HELENA. 652 00:25:12,367 --> 00:25:14,500 WE MAKE A GREAT TEAM. 653 00:25:21,433 --> 00:25:24,767 [PANTING AND MOANING] 654 00:25:29,533 --> 00:25:32,133 [GASPING] 655 00:25:39,367 --> 00:25:42,067 I WANT TO SPEND THE NIGHT WITH YOU. 656 00:25:43,367 --> 00:25:45,333 THE CHILDREN... 657 00:25:45,367 --> 00:25:47,633 WHAT WOULD THE CHILDREN SAY? 658 00:25:47,667 --> 00:25:49,767 [LAUGHING] 659 00:25:52,367 --> 00:25:53,833 [GASPING] 660 00:25:53,867 --> 00:25:54,867 DO YOU LIKE THAT? 661 00:25:54,900 --> 00:25:57,800 UH-HUH. 662 00:25:57,833 --> 00:26:00,300 20,000. 663 00:26:01,867 --> 00:26:03,433 OH... 664 00:26:09,733 --> 00:26:11,900 20,000... 665 00:26:11,933 --> 00:26:13,833 [LAUGHS COYLY] 666 00:26:17,833 --> 00:26:20,933 OH, YOU KNOW WHAT? 667 00:26:20,967 --> 00:26:22,467 I'M GOING TO RAISE YOU. 668 00:26:22,500 --> 00:26:23,067 [LAUGHS] 669 00:26:23,067 --> 00:26:24,433 SORRY. 670 00:26:25,467 --> 00:26:27,067 OKAY... 671 00:26:47,167 --> 00:26:48,933 [EXHALES] 672 00:26:48,967 --> 00:26:50,067 FOLD. 673 00:26:53,233 --> 00:26:54,633 [SIGHS] 674 00:26:54,667 --> 00:26:56,967 CHEERS. 675 00:26:57,067 --> 00:26:58,867 HEY, ALICE, THIS IS GRACE, 676 00:26:58,900 --> 00:27:00,067 THE NEW INTERN. 677 00:27:00,067 --> 00:27:01,867 HEY, GRACE, IT'S SO NICE TO MEET YOU. 678 00:27:01,900 --> 00:27:03,467 MAX TELLS ME YOU'RE A REAL WHIZ. 679 00:27:03,500 --> 00:27:04,933 IT'S NICE TO MEET YOU, TOO. 680 00:27:04,967 --> 00:27:06,200 I LOVE YOUR SITE. 681 00:27:06,233 --> 00:27:07,267 AH, THANKS. 682 00:27:07,300 --> 00:27:08,867 AND I LIKE YOUR T-SHIRT. 683 00:27:08,900 --> 00:27:11,900 OH, LET ME SEE. 684 00:27:11,933 --> 00:27:12,967 THAT'S FANTASTIC. 685 00:27:13,067 --> 00:27:13,967 [LAUGHING] 686 00:27:14,067 --> 00:27:15,200 I SAW ONE YESTERDAY. 687 00:27:15,233 --> 00:27:16,900 IT SAID, "WAGING WAR TO STOP TERRORISM 688 00:27:16,933 --> 00:27:18,167 "IS LIKE PUTTING OUT A FIRE 689 00:27:18,200 --> 00:27:19,833 WITH GASOLINE." 690 00:27:19,867 --> 00:27:22,367 [TINA]: OH, WAIT, I SAW ONE. 691 00:27:22,400 --> 00:27:24,067 UH, "KILL ONE, AND IT'S MURDER, 692 00:27:24,067 --> 00:27:25,733 KILL THOUSANDS, AND IT'S FOREIGN POLICY." 693 00:27:25,767 --> 00:27:27,200 OH, RIGHT, I'VE SEEN THAT ONE. 694 00:27:27,233 --> 00:27:29,233 OR "WE'RE KILLING PEOPLE FASTER THAN WE'RE MAKING ENEMIES." 695 00:27:29,267 --> 00:27:30,433 "AMERICA, WAKE UP 696 00:27:30,467 --> 00:27:31,267 AND SMELL THE CATASTROPHE." 697 00:27:31,300 --> 00:27:32,700 [LAUGHING] 698 00:27:32,733 --> 00:27:35,200 I LIKE "GOD DOESN'T TAKE SIDES IN WAR." 699 00:27:35,233 --> 00:27:37,933 THAT'S A GOOD ONE.... 700 00:27:37,967 --> 00:27:40,733 OH, FUCK. 701 00:27:40,767 --> 00:27:42,067 I'M SORRY. 702 00:27:42,067 --> 00:27:43,200 SORRY. 703 00:27:45,400 --> 00:27:47,067 ALL RIGHT, YOU GUYS, 704 00:27:47,067 --> 00:27:48,567 DOING HER NEW SINGLE, "BAREBACK," 705 00:27:48,600 --> 00:27:49,967 COMING OUT SOON ON FIERCE KITTY RECORDS, 706 00:27:50,067 --> 00:27:52,733 LET'S GIVE IT UP FOR KIT PORTER. 707 00:27:52,767 --> 00:27:55,367 [CHEERING AND APPLAUSE] 708 00:27:55,400 --> 00:27:57,500 WE FINALLY GOT YOU INTO THE PLANET. 709 00:28:01,267 --> 00:28:04,167 [**] 710 00:28:04,200 --> 00:28:07,167 * I LIKE THE WAY YOU WALK * 711 00:28:07,200 --> 00:28:10,067 * I LIKE THE WAY YOU WALK 712 00:28:10,100 --> 00:28:12,467 * WHEN YOU WALK TO ME 713 00:28:12,500 --> 00:28:14,867 YEAH! 714 00:28:14,900 --> 00:28:17,967 * I LIKE THE WAY YOU MOVE * 715 00:28:18,067 --> 00:28:21,967 * LIKE THE WAY YOU MM-HMM * 716 00:28:22,067 --> 00:28:26,867 * WHEN YOU MOVE WITH ME 717 00:28:26,900 --> 00:28:29,333 * I WANNA FEEL YOU THROUGH 718 00:28:29,367 --> 00:28:32,533 * MY MIND'S MADE UP ON YOU * 719 00:28:32,567 --> 00:28:36,067 * WANT NOTHING IN BETWEEN 720 00:28:36,067 --> 00:28:37,867 * JUST LET ME MAKE YOU SCREAM 721 00:28:37,900 --> 00:28:40,433 * I WANNA RIDE WITH YOU 722 00:28:40,467 --> 00:28:43,133 WHOO! 723 00:28:43,167 --> 00:28:45,433 [**] 724 00:28:47,633 --> 00:28:48,767 * BAREBACK 725 00:28:48,800 --> 00:28:51,067 * WANNA DO YOU WANNA TAKE YOU * 726 00:28:51,067 --> 00:28:53,100 * BAREBACK 727 00:28:53,133 --> 00:28:57,633 * WANNA LOVE YOU GOTTA MAKE YOU KNOW ME * 728 00:28:57,667 --> 00:29:02,333 * CAN'T DO THIS WITH ANYONE BUT YOU, THIS... * 729 00:29:02,367 --> 00:29:05,100 * BAREBACK LOVIN' 730 00:29:05,133 --> 00:29:07,700 * PUSHIN' ME AND SHOVIN' 731 00:29:07,733 --> 00:29:11,867 * INTO LOVE, LOVE, LOVE... 732 00:29:11,900 --> 00:29:13,233 YOU MOTHERFUCKIN' LIAR! 733 00:29:13,267 --> 00:29:14,833 FUCK YOU-- YOU-- YOU- 734 00:29:14,867 --> 00:29:16,867 YOU LYIN', LOW-DOWN, NANNY-FUCKIN' MOTHERFUCKER! 735 00:29:16,900 --> 00:29:17,933 WHO DO YOU THINK I AM, 736 00:29:17,967 --> 00:29:19,067 SOME MOTHERFUCKING CHUMP? 737 00:29:19,067 --> 00:29:20,967 FUCK YOU, MOTHERFUCKER! 738 00:29:21,067 --> 00:29:22,367 GODDAMN YOU! 739 00:29:22,400 --> 00:29:23,433 GET OUT OF MY FUCKIN' LIFE, MOTHERFUCKER. 740 00:29:23,467 --> 00:29:24,500 SHIT. 741 00:29:26,067 --> 00:29:27,500 [CROWD MURMURING] 742 00:29:35,967 --> 00:29:37,567 [KNOCKING] 743 00:29:38,500 --> 00:29:39,500 KIT? 744 00:29:39,533 --> 00:29:41,567 GO AWAY! 745 00:29:41,600 --> 00:29:43,267 COME ON, OPEN THE DOOR. 746 00:29:43,300 --> 00:29:44,800 I NEED TO TALK TO YOU. 747 00:29:44,833 --> 00:29:46,333 JUST... 748 00:29:46,367 --> 00:29:48,133 PLEASE, JUST LET ME TALK TO YOU. 749 00:29:48,167 --> 00:29:49,200 I DON'T WANT TO SEE YOU. 750 00:29:49,233 --> 00:29:51,267 I DON'T WANT TO SEE YOU! 751 00:29:51,300 --> 00:29:54,067 JUST GO ON. DO WHAT SHE SAYS. 752 00:29:54,100 --> 00:29:56,067 I'LL TRY. 753 00:30:00,500 --> 00:30:01,533 [KNOCKS SOFTLY] 754 00:30:01,567 --> 00:30:04,733 KIT... KIT, IT'S ME. 755 00:30:06,033 --> 00:30:08,200 HE'S GONE. 756 00:30:12,067 --> 00:30:14,267 FUCK YOU. 757 00:30:15,967 --> 00:30:18,267 EXCUSE ME? 758 00:30:19,867 --> 00:30:21,900 [SNIFFLING] 759 00:30:27,800 --> 00:30:31,000 TALK TO ME. 760 00:30:31,033 --> 00:30:34,800 YOU PROTECTED HIM. 761 00:30:34,833 --> 00:30:38,400 YOU PROTECTED HIM WHEN YOU KNEW 762 00:30:38,433 --> 00:30:42,433 HE WAS LYING AND CHEATING. 763 00:30:42,467 --> 00:30:45,033 KIT, I WASN'T PROTECTING HIM. 764 00:30:45,067 --> 00:30:47,800 I WAS PROTECTING YOU. 765 00:30:47,833 --> 00:30:48,967 I DIDN'T WANT YOU TO GET HURT. 766 00:30:49,000 --> 00:30:50,400 THAT'S WHAT I TOLD HIM. 767 00:30:50,433 --> 00:30:52,400 I TOLD HIM THAT HE SHOULD BREAK IT OFF... 768 00:30:54,433 --> 00:30:57,567 YOU TOLD HIM? 769 00:30:57,600 --> 00:30:59,867 I'M SORRY. 770 00:31:03,267 --> 00:31:06,500 [DOOR SLAMS] 771 00:31:10,567 --> 00:31:12,433 KIT, I'M SO SORRY. 772 00:31:16,500 --> 00:31:17,633 PAPI, COME ON. 773 00:31:17,667 --> 00:31:19,300 GET ME OUT OF HERE. 774 00:31:19,333 --> 00:31:21,233 I AM DONE WITH MOTHERFUCKIN' MEN. 775 00:31:21,267 --> 00:31:22,500 GET ME OUT OF HERE. 776 00:31:22,533 --> 00:31:23,567 I DON'T WANT TO DEAL WITH IT ANYMORE. 777 00:31:23,600 --> 00:31:24,567 COME ON. 778 00:31:24,600 --> 00:31:26,133 COME ON, LET'S GO. 779 00:31:26,167 --> 00:31:27,900 COME ON, GIRL. 780 00:31:43,167 --> 00:31:44,467 USUALLY I'D LEAVE IT ON BANKROLL, 781 00:31:44,500 --> 00:31:45,533 BUT WE NEED IT 782 00:31:45,567 --> 00:31:47,533 WHEN WE GET TO MALLORCA. 783 00:31:47,567 --> 00:31:50,067 WE? 784 00:31:50,067 --> 00:31:52,067 I'M NOT GOING TO MALLORCA, AM I? 785 00:31:52,100 --> 00:31:53,300 [LAUGHS] 786 00:31:53,333 --> 00:31:55,567 IF YOU MAKE IT WORTH MY WHILE. 787 00:31:55,600 --> 00:31:56,433 BABE... 788 00:31:58,500 --> 00:31:59,533 IT'S MORE LIKE 789 00:31:59,567 --> 00:32:02,400 IF YOU MAKE IT WORTH MY WHILE. 790 00:32:02,433 --> 00:32:04,300 EXCELLENT. 791 00:32:16,600 --> 00:32:18,767 LOOK, I DIDN'T KNOW YOU WERE THAT UPSET. 792 00:32:18,800 --> 00:32:19,633 WHY DON'T YOU JUST COME UP, 793 00:32:19,667 --> 00:32:20,900 AND WE CAN TALK ABOUT IT. 794 00:32:20,933 --> 00:32:22,400 WHAT ARE WE GOING TO TALK ABOUT? 795 00:32:22,433 --> 00:32:23,600 ALL THAT SHIT YOU PEOPLE ARE SPOUTING 796 00:32:23,633 --> 00:32:24,700 ON T-SHIRTS? 797 00:32:24,733 --> 00:32:25,800 WEARING SLOGANS, 798 00:32:25,833 --> 00:32:26,900 WHILE OTHER PEOPLE ARE WEARING ARMOR. 799 00:32:26,933 --> 00:32:27,933 OH, YEAH, WHAT'S SO GREAT 800 00:32:27,967 --> 00:32:29,133 ABOUT WEARING ARMOR? 801 00:32:29,167 --> 00:32:31,100 YOU AND I LIVE IN DIFFERENT WORLDS, ALICE. 802 00:32:31,133 --> 00:32:32,367 YEAH. 803 00:32:32,400 --> 00:32:35,167 I LIVE IN A WORLD WHERE PEOPLE TALK ABOUT THINGS. 804 00:32:35,200 --> 00:32:37,100 WHY DON'T YOU TAKE OFF YOUR ARMOR 805 00:32:37,133 --> 00:32:38,200 AND JUST COME UPSTAIRS. 806 00:32:38,233 --> 00:32:39,300 JESUS... 807 00:32:39,333 --> 00:32:40,533 [SIGHS] 808 00:32:42,067 --> 00:32:43,233 I'M NOT-- 809 00:32:43,267 --> 00:32:44,600 YOU'RE COMING IN. 810 00:32:44,633 --> 00:32:45,967 I'M NOT LETTING YOU GO LIKE THIS. 811 00:32:46,067 --> 00:32:47,133 OH, YEAH? 812 00:32:47,167 --> 00:32:48,633 YEAH. 813 00:32:49,667 --> 00:32:51,233 YOU BETTER GET YOUR ASS UPSTAIRS. 814 00:32:51,267 --> 00:32:52,800 AH... 815 00:32:55,667 --> 00:32:58,500 [**] 816 00:33:02,567 --> 00:33:03,567 GIRL, YOU'RE ABOUT TO TRY 817 00:33:03,600 --> 00:33:04,733 THE BEST MOJITO YOU'VE EVER HAD 818 00:33:04,767 --> 00:33:06,367 IN YOUR LIFE. 819 00:33:06,400 --> 00:33:08,633 YOU HAVE NO IDEA. 820 00:33:10,400 --> 00:33:11,467 MMM! 821 00:33:11,500 --> 00:33:12,467 IT'S GOOD, RIGHT? 822 00:33:12,500 --> 00:33:13,467 MM-HMM. 823 00:33:13,500 --> 00:33:15,067 OKAY, ALL RIGHT. 824 00:33:15,100 --> 00:33:17,067 WE CAN COME BACK. WE CAN COME BACK. 825 00:33:17,067 --> 00:33:18,200 [LAUGHS] 826 00:33:18,233 --> 00:33:19,233 LET ME SHOW YOU WHAT IT'S LIKE 827 00:33:19,267 --> 00:33:20,533 TO BE TREATED LIKE A LADY. 828 00:33:20,567 --> 00:33:24,200 [SINGING IN SPANISH] 829 00:33:47,800 --> 00:33:48,967 THOSE PEOPLE ARE SO IGNORANT. 830 00:33:49,067 --> 00:33:50,600 IT MAKES ME INSANE. 831 00:33:50,633 --> 00:33:52,800 WELL, THEY'RE NOT MY PEOPLE. 832 00:33:52,833 --> 00:33:54,367 THEY'RE JENNY'S AGENTS. 833 00:33:54,400 --> 00:33:55,533 YEAH? 834 00:33:55,567 --> 00:33:57,300 WELL, WHAT ABOUT THAT GIRL? 835 00:33:57,333 --> 00:33:58,300 SHE WORKS FOR YOU. 836 00:33:58,333 --> 00:33:59,800 GRACE? 837 00:33:59,833 --> 00:34:01,167 WELL, YEAH, BUT YOU SAW. 838 00:34:01,200 --> 00:34:02,267 I WAS INTRODUCED TO HER 839 00:34:02,300 --> 00:34:03,333 FOR THE FIRST TIME. 840 00:34:03,367 --> 00:34:04,400 OH, COME ON, ALICE, STOP FRONTING, OKAY? 841 00:34:04,433 --> 00:34:06,333 THAT'S YOUR WORLD. 842 00:34:06,367 --> 00:34:07,633 YOU WERE RIGHT IN THERE WITH THEM 843 00:34:07,667 --> 00:34:10,267 WITH ALL THEIR KNEE-JERK LIBERAL BULLSHIT. 844 00:34:10,300 --> 00:34:13,733 YEAH, BUT THAT'S AMERICA. 845 00:34:13,767 --> 00:34:15,167 IT'S SUPPOSEDLY WHAT YOU'RE FIGHTING FOR. 846 00:34:15,200 --> 00:34:16,500 IT'S A LITTLE THING CALLED FREEDOM OF SPEECH. 847 00:34:16,533 --> 00:34:17,667 REMEMBER? 848 00:34:17,700 --> 00:34:18,933 YEAH, I REMEMBER. 849 00:34:18,967 --> 00:34:20,333 IT'S SOMETHING IRAQ COULDN'T EVEN DREAM OF 850 00:34:20,367 --> 00:34:21,767 UNTIL WE CAME IN. 851 00:34:21,800 --> 00:34:23,100 OH, PLEASE... 852 00:34:23,133 --> 00:34:25,067 OKAY, YEAH, NOW THEY HAVE THE FREEDOM TO STARVE, 853 00:34:25,067 --> 00:34:27,633 AND THE FREEDOM TO BE BLOWN UP EVERY DAY? 854 00:34:27,667 --> 00:34:30,067 WE BUILT HOSPITALS, SCHOOLS, ELECTRICAL SYSTEMS. 855 00:34:30,067 --> 00:34:31,067 WE PUT IN PUBLIC SEWER SYSTEMS-- 856 00:34:31,067 --> 00:34:32,433 FINE! 857 00:34:32,467 --> 00:34:33,900 OKAY, BUT HOW MUCH OF THAT WAS DESTROYED BY US 858 00:34:33,933 --> 00:34:35,167 IN THE FIRST PLACE? 859 00:34:35,200 --> 00:34:38,600 IT'S ALL BECAUSE BUSH NEEDS HIS OIL, 860 00:34:38,633 --> 00:34:40,600 AND BECAUSE HALLIBURTON NEEDS TO PROTECT THEIR INVESTMENTS. 861 00:34:40,633 --> 00:34:42,067 I MEAN, GOD KNOWS WHO ELSE IS MAKING MONEY 862 00:34:42,100 --> 00:34:43,267 FROM THIS FUCKING WAR. 863 00:34:43,300 --> 00:34:45,167 THE SOLDIERS I KNOW WENT BECAUSE WE HAD TO, 864 00:34:45,200 --> 00:34:46,967 AND WE TRIED TO DO THE BEST THAT WE COULD, 865 00:34:47,067 --> 00:34:49,100 AND YEAH, OKAY, I KNOW SOME OF IT'S A MESS, 866 00:34:49,133 --> 00:34:51,500 BUT I'M PROUD OF THE SOLDIERS THAT I SERVED WITH, 867 00:34:51,533 --> 00:34:53,200 AND I'M SO TIRED OF PEOPLE TALKING SHIT 868 00:34:53,233 --> 00:34:54,200 WITHOUT EVEN KNOWING WHAT IT'S REALLY LIKE 869 00:34:54,233 --> 00:34:55,600 TO BE IN IT. 870 00:34:55,633 --> 00:34:58,300 WELL, THEN TELL ME WHAT IT'S LIKE TO BE IN IT. 871 00:35:01,467 --> 00:35:03,533 [**] 872 00:35:06,267 --> 00:35:07,233 OH, YEAH! 873 00:35:07,267 --> 00:35:09,067 AH! 874 00:35:14,600 --> 00:35:15,600 YEAH! 875 00:35:49,700 --> 00:35:52,333 [LAUGHING] 876 00:35:52,367 --> 00:35:54,933 DID HE SEE IT? 877 00:35:54,967 --> 00:35:56,533 OH, MY GOD. SHH... 878 00:35:56,567 --> 00:35:57,700 WHERE ARE YOU GOING? 879 00:35:57,733 --> 00:35:59,100 I HAVE TO CHECK ON THE CHILDREN. 880 00:35:59,133 --> 00:36:00,533 THEY'RE FINE. 881 00:36:00,567 --> 00:36:01,600 YEAH, BUT-- 882 00:36:01,633 --> 00:36:03,133 THEY'RE FINE. 883 00:36:03,167 --> 00:36:04,233 CATHERINE, I-- 884 00:36:04,267 --> 00:36:06,067 UP, UP. 885 00:36:10,167 --> 00:36:11,667 WHOA. 886 00:36:43,733 --> 00:36:44,900 SHOW ME THE MONEY. 887 00:36:49,300 --> 00:36:52,133 SHOW ME THE MONEY. 888 00:36:59,100 --> 00:37:01,467 SHOW ME THE MONEY. 889 00:37:22,400 --> 00:37:25,200 [GASPING] 890 00:37:31,100 --> 00:37:32,833 [**] 891 00:37:46,067 --> 00:37:48,433 YEAH, SOME OF THEM ARE POOR KIDS WHO ARE OVER THERE 892 00:37:48,467 --> 00:37:49,800 BECAUSE BACK WHERE THEY COME FROM 893 00:37:49,833 --> 00:37:51,367 NOBODY'S GIVING THEM A CHANCE. 894 00:37:51,400 --> 00:37:54,067 RIGHT, AND WE TREAT THEM LIKE SECOND-CLASS CITIZENS, 895 00:37:54,067 --> 00:37:55,300 AND THEN WE EXPECT THEM TO DIE 896 00:37:55,333 --> 00:37:56,633 SO SOME RICH GUY CAN GET RICHER... 897 00:37:56,667 --> 00:37:59,133 AND THEN THE KIDS IN THE GHETTO, PLEASE-- 898 00:37:59,167 --> 00:38:00,700 WHAT, YOU THINK I COME FROM THE FUCKING GHETTO? 899 00:38:00,733 --> 00:38:02,733 I DIDN'T SAY YOU. 900 00:38:02,767 --> 00:38:04,433 YOU KNOW, SOME OF THE PEOPLE ARE IN THE MILITARY 901 00:38:04,467 --> 00:38:06,867 BECAUSE THEY WANT TO SERVE THEIR COUNTRY, OKAY? 902 00:38:06,900 --> 00:38:08,467 WE BELIEVE IN WHAT WE STAND FOR. 903 00:38:08,500 --> 00:38:10,267 I'M SORRY IF WE DON'T LIVE OUR LIVES 904 00:38:10,300 --> 00:38:12,767 WEARING TRENDY FAKE-ASS RAGGEDY T-SHIRTS 905 00:38:12,800 --> 00:38:15,233 THAT SCREAM OUT BULLSHIT ABOUT "WHY DO WE KILL PEOPLE?" 906 00:38:15,267 --> 00:38:17,933 YOU THINK IT'S TRENDY TO NOT WANT TO KILL PEOPLE? 907 00:38:17,967 --> 00:38:19,067 THE SOLDIERS THAT I SERVED WITH 908 00:38:19,067 --> 00:38:20,067 DON'T WANT TO KILL PEOPLE! 909 00:38:20,067 --> 00:38:21,067 LIKE, WHAT THE FUCK? 910 00:38:21,067 --> 00:38:22,233 DO YOU THINK I WANT TO KILL PEOPLE? 911 00:38:22,267 --> 00:38:23,733 WELL, WHY ARE YOU THERE? 912 00:38:23,767 --> 00:38:26,967 THE QUESTION IS, WHY THE FUCK AM I HERE? 913 00:38:27,067 --> 00:38:28,400 BECAUSE WE WANT TO FUCK EACH OTHER! 914 00:38:29,900 --> 00:38:33,467 [**] 915 00:38:33,500 --> 00:38:36,500 * YOU KNOW I'M JUST ANOTHER SOLDIER * 916 00:38:36,533 --> 00:38:40,333 * IN THE ARMY OF LOVE 917 00:38:40,367 --> 00:38:44,067 * I'M JUST ANOTHER SOLDIER 918 00:38:44,100 --> 00:38:46,367 * IN THE ARMY OF LOVE 919 00:38:46,400 --> 00:38:50,533 * HUP, TWO, THREE, FOUR 920 00:38:50,567 --> 00:38:53,167 * CRYIN' SOMETIMES AS I GO * 921 00:38:53,200 --> 00:38:56,333 * I'M JUST ANOTHER SOLDIER 922 00:38:56,367 --> 00:39:00,067 * IN THE ARMY OF LOVE 923 00:39:00,067 --> 00:39:03,167 * NOW, HATE IS MY ENEMY 924 00:39:03,200 --> 00:39:07,067 * I GOT TO FIGHT IT DAY AND NIGHT * 925 00:39:07,067 --> 00:39:11,667 * LOVE IS THE ONLY WEAPON WITH WHICH I... * 926 00:39:11,700 --> 00:39:12,967 WHAT THE FUCK ARE YOU DOING? 927 00:39:13,067 --> 00:39:14,867 TAKING THIS SHIT TO THE FUCKING BEDROOM. 928 00:39:14,900 --> 00:39:16,600 RIGHT ON. 929 00:39:16,633 --> 00:39:19,900 * ...FOR MY FELLOW MAN 930 00:39:19,933 --> 00:39:23,100 * AND ONE DAY I'LL HOLD 931 00:39:23,133 --> 00:39:26,367 * THE VICTORY IN MY HAND 932 00:39:26,400 --> 00:39:29,767 * THAT'S WHY I'M JUST ANOTHER SOLDIER * 933 00:39:29,800 --> 00:39:33,233 * IN THE ARMY OF LOVE 934 00:39:33,267 --> 00:39:36,300 * I'M JUST ANOTHER SOLDIER 935 00:39:36,333 --> 00:39:39,867 * IN THE ARMY OF LOVE 936 00:39:39,900 --> 00:39:43,667 * HUP, TWO, THREE, FOUR 937 00:39:43,700 --> 00:39:46,667 * CRYIN' SOMETIMES AS I GO * 938 00:39:46,700 --> 00:39:49,733 * BUT I'M JUST ANOTHER SOLDIER 939 00:39:49,767 --> 00:39:53,433 * IN THE ARMY OF LOVE 940 00:39:53,467 --> 00:39:56,400 * NOW, MARTIN, JOHN AND BOBBY * 941 00:39:56,433 --> 00:39:59,900 * ONCE FOUGHT HERE BY MY SIDE * 942 00:40:00,067 --> 00:40:02,800 * BUT THE CAPTAIN CALLED THEM TO THAT * 943 00:40:02,833 --> 00:40:06,433 * COMMAND POST IN THE SKY 944 00:40:06,467 --> 00:40:09,133 * THIS ARMY IS YOUR FRIEND... 945 00:40:09,167 --> 00:40:12,267 [PANTING] 946 00:40:12,300 --> 00:40:14,867 YOU KNOW WHAT? 947 00:40:14,900 --> 00:40:16,100 IT'S NOT THAT I DON'T UNDERSTAND 948 00:40:16,133 --> 00:40:18,867 WHAT YOU WERE SAYING ABOUT RECRUITMENT. 949 00:40:18,900 --> 00:40:19,933 LIKE, I REALLY GET THAT, 950 00:40:19,967 --> 00:40:21,133 BUT I JUST FEEL LIKE-- 951 00:40:21,167 --> 00:40:22,567 SHUT UP AND LET ME FUCK YOU. 952 00:40:22,600 --> 00:40:23,533 OKAY. 953 00:40:23,567 --> 00:40:25,867 * ...IN THIS ARMY OF LOVE 954 00:40:25,900 --> 00:40:27,200 * I TELL YA I'M JUST A... * 955 00:40:27,233 --> 00:40:30,567 WHERE WE AT? 956 00:40:30,600 --> 00:40:33,533 YOU SAID YOU WANTED ME TO TAKE YOU HOME. 957 00:40:33,567 --> 00:40:34,800 OH, YEAH, 958 00:40:34,833 --> 00:40:36,867 'CAUSE YOU SAID 959 00:40:36,900 --> 00:40:40,133 YOU WERE GOING TO TREAT ME 960 00:40:40,167 --> 00:40:42,167 LIKE A LADY. 961 00:40:42,200 --> 00:40:43,733 THAT'S RIGHT. 962 00:40:47,800 --> 00:40:50,567 [MUSIC PLAYING SOFTLY] 963 00:40:50,600 --> 00:40:52,367 * SAW YOUR FACE 964 00:40:52,400 --> 00:40:56,167 * AND I NOTICED A CHANGE IN YOUR EYES * 965 00:40:56,200 --> 00:41:00,433 * YOU'VE GROWN TIRED OF ALL THE LIES * 966 00:41:00,467 --> 00:41:03,400 [CHUCKLES SOFTLY] 967 00:41:03,433 --> 00:41:05,200 GET THAT OFF YOU. 968 00:41:05,233 --> 00:41:07,867 FUCK ME SO... 969 00:41:07,900 --> 00:41:11,500 FUCK ME SO I FORGET. 970 00:41:22,800 --> 00:41:24,633 YOU WITH ME, BEAUTIFUL? 971 00:41:27,400 --> 00:41:29,167 ALL RIGHT. 972 00:41:29,200 --> 00:41:35,067 YOU HAVE HAD TOO MUCH TO DRINK, PRINCESS. 973 00:41:35,100 --> 00:41:37,233 LET'S PUT YOU TO BED. 974 00:41:38,500 --> 00:41:41,500 [**] 975 00:42:01,767 --> 00:42:03,333 YOU KNOW, 976 00:42:03,367 --> 00:42:05,167 I THINK IF DICK CHENEY DIDN'T HAVE INVESTMENTS 977 00:42:05,200 --> 00:42:06,600 IN IRAQI OIL, 978 00:42:06,633 --> 00:42:08,767 THAT I DON'T KNOW IF BUSH REALLY WOULD HAVE-- 979 00:42:08,800 --> 00:42:11,067 [GROANING] 980 00:42:11,067 --> 00:42:13,167 SHUT UP. 981 00:42:13,200 --> 00:42:15,567 PLEASE. 982 00:42:15,600 --> 00:42:17,167 OKAY? YOUR BUSH IS THE ONLY BUSH 983 00:42:17,200 --> 00:42:18,800 I WANT TO THINK ABOUT RIGHT NOW. 984 00:42:18,833 --> 00:42:19,833 [LAUGHING]: NO... 985 00:42:19,867 --> 00:42:21,067 YES. 986 00:42:21,067 --> 00:42:22,467 SAY THAT.IDN'T YES. 987 00:42:22,500 --> 00:42:23,567 OH, NO. 988 00:42:23,600 --> 00:42:24,767 YES. 989 00:42:24,800 --> 00:42:25,767 [SIGHS] 990 00:42:25,800 --> 00:42:27,067 OKAY. 991 00:42:27,067 --> 00:42:29,067 ALL RIGHT, CAN YOU TELL ME WHAT TIME IT IS? 992 00:42:29,100 --> 00:42:31,533 UH, YEAH, THAT'S 23 MINUTES TO GO. 993 00:42:31,567 --> 00:42:32,400 TWO MINUTES LESS 994 00:42:32,433 --> 00:42:35,333 THAN WHEN THERE WERE 25 MINUTES. 995 00:42:35,367 --> 00:42:36,533 YOU'RE GOING TO GET A TIME-OUT. 996 00:42:36,567 --> 00:42:38,367 OH, I LIKE THAT. 997 00:42:38,400 --> 00:42:40,067 NO, IT'S JUST CUTE. 998 00:42:40,067 --> 00:42:40,767 YOU'RE JUST A LITTLE BIT NERVOUS. 999 00:42:40,800 --> 00:42:41,833 I'M NOT NERVOUS. 1000 00:42:41,867 --> 00:42:42,667 JUST A LITTLE BIT. 1001 00:42:42,700 --> 00:42:43,833 NO, I'M NOT. 1002 00:42:43,867 --> 00:42:45,900 HEY, SHAY, DID YOU GUYS CHOOSE BOARDS OUT? 1003 00:42:45,933 --> 00:42:50,067 YEAH, WE BOTH LIKE THE DARKSTARS. 1004 00:42:50,067 --> 00:42:51,367 THAT'S FANTASTIC. 1005 00:42:51,400 --> 00:42:52,467 WE'RE JUST GOING TO GO PRACTICE 1006 00:42:52,500 --> 00:42:53,533 OUT ON THE HALF-PIPE. 1007 00:42:53,567 --> 00:42:54,700 YEAH, HELMETS. 1008 00:42:54,733 --> 00:42:55,700 HELMETS, HELMETS, HELMETS. 1009 00:42:55,733 --> 00:42:56,800 THAT'S RIGHT, THAT'S RIGHT. 1010 00:42:56,833 --> 00:42:57,833 EVERYONE WEARS HELMETS TODAY. 1011 00:42:57,867 --> 00:42:58,900 IT'S YOUR JOB, ALL RIGHT, KID? 1012 00:42:58,933 --> 00:42:59,900 OKAY. 1013 00:43:25,433 --> 00:43:26,833 BABY, WHERE YOU GOIN'? 1014 00:43:26,867 --> 00:43:30,667 HOME. 1015 00:43:30,700 --> 00:43:33,067 DO YOU KNOW WHERE YOU'RE AT? 1016 00:43:33,067 --> 00:43:34,500 [SIGHS] 1017 00:43:34,533 --> 00:43:36,367 UM... 1018 00:43:36,400 --> 00:43:37,833 Y-YOUR PLACE? 1019 00:43:37,867 --> 00:43:41,767 YEAH, WHICH IS IN ECHO PARK. 1020 00:43:45,733 --> 00:43:46,867 LET ME DRIVE YOU HOME. 1021 00:43:46,900 --> 00:43:49,900 DID WE... 1022 00:43:49,933 --> 00:43:51,300 [LAUGHS] 1023 00:43:51,333 --> 00:43:53,067 LOOK, I COULD NEVER TAKE ADVANTAGE OF A LADY 1024 00:43:53,100 --> 00:43:54,800 IN A COMPROMISED SITUATION. 1025 00:43:54,833 --> 00:43:57,633 YOU MEAN, I DIDN'T MAKE THE CHART? 1026 00:43:57,667 --> 00:43:59,500 THE CHART? 1027 00:43:59,533 --> 00:44:02,600 YOU MEAN, I DIDN'T EVEN MAKE THE MOTHERFUCKIN' CHART? 1028 00:44:02,633 --> 00:44:03,700 [SIGHS] 1029 00:44:08,700 --> 00:44:10,100 OKAY, THAT'S NOT TOO TIGHT, IS IT? 1030 00:44:10,133 --> 00:44:11,133 NO. 1031 00:44:11,167 --> 00:44:12,567 NO? 1032 00:44:12,600 --> 00:44:13,600 THEN YOU'RE GOOD TO GO, MISS. 1033 00:44:13,633 --> 00:44:15,867 OKAY, THANKS. 1034 00:44:15,900 --> 00:44:18,667 BUT YEAH, EVERYTHING THAT I'M SEEING THESE DAYS 1035 00:44:18,700 --> 00:44:19,900 IS EITHER DIRTY OR DINGY, 1036 00:44:19,933 --> 00:44:22,067 AND DARK AND DISGUSTING, AND-- 1037 00:44:22,067 --> 00:44:23,133 OH, I KNOW, I KNOW, 1038 00:44:23,167 --> 00:44:24,233 AND WHAT ABOUT OUTDOOR SPACE? 1039 00:44:24,267 --> 00:44:25,467 I MEAN, DON'T YOU WANT SOMETHING WITH... 1040 00:44:25,500 --> 00:44:26,600 I DON'T KNOW, A COURTYARD 1041 00:44:26,633 --> 00:44:28,533 OR A GARDEN OR SOMETHING? 1042 00:44:28,567 --> 00:44:29,633 WELL, YEAH, IDEALISTICALLY, 1043 00:44:29,667 --> 00:44:31,100 I'D LOVE OUTDOOR SPACE, 1044 00:44:31,133 --> 00:44:32,433 BUT REALISTICALLY, I CAN'T REALLY AFFORD IT. 1045 00:44:32,467 --> 00:44:33,633 WELL, YOU KNOW, IF YOU'RE JUST PREPARED 1046 00:44:33,667 --> 00:44:35,067 TO GO A LITTLE BIT FURTHER EAST, 1047 00:44:35,067 --> 00:44:36,500 IT'S TOTALLY POSSIBLE. 1048 00:44:36,533 --> 00:44:39,700 HAVE YOU EVER THOUGHT ABOUT SILVERLAKE? 1049 00:44:39,733 --> 00:44:41,333 WELL, I'M NOT AGAINST SILVERLAKE. 1050 00:44:41,367 --> 00:44:42,467 I HAVE A REALLY BEAUTIFUL 1051 00:44:42,500 --> 00:44:44,500 THREE-PLUS-TWO IN A FOURPLEX. 1052 00:44:44,533 --> 00:44:46,133 IT'S JUST ABOVE THE RESERVOIR. 1053 00:44:46,167 --> 00:44:48,500 IT'S GOT, LIKE, A TERRACE OFF THE MASTER BEDROOM, 1054 00:44:48,533 --> 00:44:49,867 IT'S GOT ITS OWN LITTLE BACKYARD... 1055 00:44:49,900 --> 00:44:51,067 REALLY? 1056 00:44:51,100 --> 00:44:52,267 MM-HMM. IT'S A TINY BIT MORE 1057 00:44:52,300 --> 00:44:53,467 THAN WHAT YOU WANT TO SPEND, 1058 00:44:53,500 --> 00:44:54,500 BUT I BET YOU I COULD GET THEM 1059 00:44:54,533 --> 00:44:55,500 FOR YOU.DOWN YOU COULD? 1060 00:44:55,533 --> 00:44:56,700 I THINK SO. DO YOU WANT ME TO CALL? 1061 00:44:56,733 --> 00:44:57,833 WOULD YOU? 1062 00:44:57,867 --> 00:44:58,967 YEAH, I'LL CALL THEM TODAY. 1063 00:44:59,067 --> 00:45:00,133 I'D APPRECIATE THAT. 1064 00:45:00,167 --> 00:45:01,300 YEAH, NO PROBLEM. LET ME KNOW. 1065 00:45:01,333 --> 00:45:03,600 [SKATEBOARDERS CHEER] 1066 00:45:16,900 --> 00:45:18,267 WHAT'S THAT? 1067 00:45:18,300 --> 00:45:21,567 CREAM. 1068 00:45:21,600 --> 00:45:23,300 HEAVY CREAM? 1069 00:45:23,333 --> 00:45:25,100 CLOTTED CREAM. 1070 00:45:25,133 --> 00:45:26,367 DON'T TELL ME YOU'RE WATCHING YOUR WEIGHT. 1071 00:45:26,400 --> 00:45:27,500 OH, PLEASE. 1072 00:45:27,533 --> 00:45:29,600 THAT'S SOME WHITE GIRL SHIT. 1073 00:45:29,633 --> 00:45:31,233 [LAUGHS] 1074 00:45:35,767 --> 00:45:37,867 OH, DAMN, THAT'S GOOD. 1075 00:45:37,900 --> 00:45:40,967 IT'S THE SALTY SEEDS WITH THE SWEET CREAM. 1076 00:45:44,300 --> 00:45:45,967 MMM... 1077 00:45:47,700 --> 00:45:48,700 OH, SORRY. 1078 00:45:48,733 --> 00:45:49,700 [LAUGHING] 1079 00:45:49,733 --> 00:45:51,200 I'M SO SORRY. 1080 00:45:51,233 --> 00:45:52,567 MMM... 1081 00:46:01,633 --> 00:46:02,833 YOU DESIGNED THESE YOURSELF? 1082 00:46:02,867 --> 00:46:03,833 THEY'RE SUPER CUTE. 1083 00:46:03,867 --> 00:46:05,100 NO, NO, NO, 1084 00:46:05,133 --> 00:46:06,367 WE HAVE A FEW OF GUYS WHO DO IT FOR US. 1085 00:46:06,400 --> 00:46:07,633 DO YOU SELL THEM ANYPLACE ELSE? 1086 00:46:07,667 --> 00:46:08,933 I'LL BET THEY'D BE REALLY POPULAR 1087 00:46:08,967 --> 00:46:10,067 IF YOU WANTED TO MASS-MARKET THEM. 1088 00:46:10,067 --> 00:46:11,267 THAT'S WHAT I KEEP TELLING HER. 1089 00:46:11,300 --> 00:46:12,767 OH, NO, RIGHT NOW, YOU CAN JUST GET IT 1090 00:46:12,800 --> 00:46:14,100 THROUGH THE STORE AND THE WEBSITE. 1091 00:46:14,133 --> 00:46:15,200 IT'S EASY. 1092 00:46:16,267 --> 00:46:17,400 HEY, SHANE. 1093 00:46:17,433 --> 00:46:19,233 YES, SIR? 1094 00:46:19,267 --> 00:46:21,867 UM, CAN I GO TO CARLOS' BIRTHDAY PARTY NEXT WEEKEND, 1095 00:46:21,900 --> 00:46:22,933 AT GO-KART WORLD? 1096 00:46:22,967 --> 00:46:24,067 THAT'S IN CARSON. 1097 00:46:24,067 --> 00:46:25,100 IT'S A GREAT PLACE FOR A BIRTHDAY PARTY. 1098 00:46:25,133 --> 00:46:26,267 KIDS LOVE IT. 1099 00:46:26,300 --> 00:46:27,467 SAY PLEASE. 1100 00:46:27,500 --> 00:46:28,533 PLEASE? 1101 00:46:28,567 --> 00:46:29,600 ONE MORE TIME. 1102 00:46:29,633 --> 00:46:31,233 PLEASE? 1103 00:46:31,267 --> 00:46:32,467 MM... OKAY, FINE. 1104 00:46:32,500 --> 00:46:33,933 NEXT WEEKEND? YEAH. 1105 00:46:33,967 --> 00:46:34,933 IT'S A DATE. YOU GOT IT. 1106 00:46:34,967 --> 00:46:35,933 THANK YOU. 1107 00:46:35,967 --> 00:46:37,200 YOU'RE QUITE WELCOME. 1108 00:46:37,233 --> 00:46:38,267 YEAH, 'CAUSE I REALLY THINK 1109 00:46:38,300 --> 00:46:39,333 YOU COULD SELL THESE AT FRED SEGAL, 1110 00:46:39,367 --> 00:46:41,433 AND IT WOULDN'T TAKE ANYTHING AWAY FROM WAX. 1111 00:46:41,467 --> 00:46:42,867 ABSOLUTELY, YEAH. 1112 00:46:42,900 --> 00:46:44,400 IT'S A GOOD IDEA. 1113 00:46:44,433 --> 00:46:46,367 I MEAN, THIS WOULD LOOK GREAT ON YOU. 1114 00:46:46,400 --> 00:46:47,400 I THINK SO. 1115 00:46:48,567 --> 00:46:49,767 TRY THAT ON? 1116 00:46:49,800 --> 00:46:51,600 UM... 1117 00:46:51,633 --> 00:46:53,600 I'M SORRY. EXCUSE ME FOR A SECOND. 1118 00:46:54,533 --> 00:46:55,633 SHAY? 1119 00:46:55,667 --> 00:46:57,367 WHAT'S WRONG? 1120 00:46:57,400 --> 00:46:58,733 HUH? 1121 00:46:58,767 --> 00:47:00,067 WHAT ARE YOU LOOKING AT? 1122 00:47:04,300 --> 00:47:05,900 DAD! 1123 00:47:07,467 --> 00:47:09,533 HOW'S MY LITTLE MAN, HUH? 1124 00:47:11,700 --> 00:47:13,133 [MURMURS] 1125 00:47:13,167 --> 00:47:14,900 YEAH? 1126 00:47:19,067 --> 00:47:22,133 * I CAN FEEL MYSELF FALLING 1127 00:47:22,167 --> 00:47:23,933 * I'M FALLING 1128 00:47:23,967 --> 00:47:27,667 * AND I CAN FEEL MYSELF FALLING * 1129 00:47:27,700 --> 00:47:29,533 * FALLING APART 1130 00:47:29,567 --> 00:47:32,067 * I DON'T WANT TO FALL ANY MORE, NO * 1131 00:47:32,067 --> 00:47:35,067 * I DON'T WANT TO FALL ANY MORE, NO * 1132 00:47:35,067 --> 00:47:39,200 * I CAN FEEL MYSELF FALLING 1133 00:47:39,233 --> 00:47:40,600 * I'M FALLING 1134 00:48:31,833 --> 00:48:33,933 [**] 1135 00:48:33,967 --> 00:48:34,800 YEAH.