1 00:00:10,567 --> 00:00:11,667 I'M JUST SAYING 2 00:00:11,700 --> 00:00:12,400 I DON'T THINK I FEEL COMFORTABLE 3 00:00:12,433 --> 00:00:13,367 DOING THIS ANYMORE. 4 00:00:13,400 --> 00:00:14,600 ALICE, I'VE NEVER FELT THIS WAY BEFORE 5 00:00:14,633 --> 00:00:15,700 ABOUT ANYONE. 6 00:00:15,733 --> 00:00:16,700 I THINK I SHOULD GO. 7 00:00:16,733 --> 00:00:17,700 THE VAGINA'S GIRLFRIEND 8 00:00:17,733 --> 00:00:19,167 WAS MOLESTED, 9 00:00:19,200 --> 00:00:20,700 AND NOW SHE'S, LIKE, THIS PERFECT SAINT. 10 00:00:20,733 --> 00:00:22,400 I'M TRYING TO FIND A FRIEND OF MINE... 11 00:00:22,433 --> 00:00:23,200 LINDSEY. 12 00:00:23,233 --> 00:00:24,367 MY GIRLFRIEND, STACEY. 13 00:00:24,400 --> 00:00:25,367 SHE'S A JOURNALIST. 14 00:00:25,400 --> 00:00:27,200 WE'RE KIND OF HAVING PROBLEMS RIGHT NOW. 15 00:00:27,233 --> 00:00:28,300 AW, I'M SO SORRY. 16 00:00:28,333 --> 00:00:29,200 YEAH, I BET YOU ARE. 17 00:00:31,067 --> 00:00:32,167 YOU HAVE A MOTORCYCLE? 18 00:00:32,200 --> 00:00:33,533 FUCK, THAT'S COOL! 19 00:00:33,567 --> 00:00:35,233 I'LL TAKE YOU FOR A RIDE SOMETIME. 20 00:00:35,267 --> 00:00:36,367 I WOULD LOVE THAT. 21 00:00:36,400 --> 00:00:38,200 FUCK... 22 00:00:40,433 --> 00:00:41,833 I WANT ANOTHER LESSON. 23 00:00:41,867 --> 00:00:43,200 SHE IS SO FIRED. 24 00:00:43,233 --> 00:00:44,333 IT'S ABOUT KIT. 25 00:00:44,367 --> 00:00:45,867 ANGUS IS... 26 00:00:45,900 --> 00:00:46,867 CHEATING ON HER. 27 00:00:46,900 --> 00:00:48,867 AND HE BROKE HIS ARM. 28 00:00:48,900 --> 00:00:49,867 POOR THING. 29 00:00:49,900 --> 00:00:51,967 DO YOU HAVE MEDICAL INSURANCE? 30 00:00:52,000 --> 00:00:53,667 UH, NO, I DON'T. 31 00:00:53,700 --> 00:00:55,167 HOW ARE YOU MANAGING? 32 00:00:55,200 --> 00:00:58,533 WELL, I-I TOOK ANOTHER JOB TO HELP PAY FOR, UH... 33 00:00:58,567 --> 00:01:00,100 HIS ARM, AND EVERYTHING THAT COMES WITH IT. 34 00:01:00,133 --> 00:01:01,133 THAT'S A BITCH. 35 00:01:01,167 --> 00:01:01,967 MY HEART GOES OUT TO YOU... 36 00:01:03,233 --> 00:01:05,433 BUT, UH, WE DO WHAT WE HAVE TO DO, RIGHT? 37 00:01:11,067 --> 00:01:14,067 [**] 38 00:01:17,100 --> 00:01:19,133 "YOU'RE LOOKING VERY SHANE TODAY." 39 00:01:19,167 --> 00:01:20,633 ISN'T IT FANTASTIC? 40 00:01:20,667 --> 00:01:22,400 IT STRIKES EXACTLY THE CHORD WE WANT. 41 00:01:22,433 --> 00:01:24,233 SEXY AND WITHHOLDING. 42 00:01:24,267 --> 00:01:25,433 LIKE, "YOU WANNA FUCK ME, 43 00:01:25,467 --> 00:01:26,600 BUT YOU CAN'T FUCK ME." 44 00:01:26,633 --> 00:01:27,867 TOMORROW NIGHT'S GOING TO BE AMAZING. 45 00:01:27,900 --> 00:01:28,900 I KNOW, RIGHT? 46 00:01:28,933 --> 00:01:30,533 I'M SORRY, WHAT'S TOMORROW NIGHT? 47 00:01:30,567 --> 00:01:31,900 SILLY, WE'RE SPONSORING 48 00:01:31,933 --> 00:01:33,667 THE ROLL THE DICE PREMIERE. 49 00:01:33,700 --> 00:01:35,467 OH... WELL, I DON'T KNOW 50 00:01:35,500 --> 00:01:37,200 IF I CAN GET A BABYSITTER IN TIME. 51 00:01:37,233 --> 00:01:38,267 TOMORROW NIGHT 52 00:01:38,300 --> 00:01:39,767 THERE'S GOING TO BE YOU EVERYWHERE. 53 00:01:39,800 --> 00:01:42,367 POSTERS, BILLBOARDS, GIFT BAGS, COASTERS, 54 00:01:42,400 --> 00:01:44,067 TCHOTCHKES, KEYCHAINS, HANDBAGS-- 55 00:01:44,067 --> 00:01:45,067 AND YOU. 56 00:01:45,067 --> 00:01:46,067 YOU'D BETTER BE THERE 57 00:01:46,067 --> 00:01:47,167 LOOKING VERY SHANE. 58 00:01:47,200 --> 00:01:48,433 IT'S THE BIGGEST PARTY OF THE YEAR, 59 00:01:48,467 --> 00:01:49,933 AND YOU'RE OUR NEWEST "IT" GIRL! 60 00:01:49,967 --> 00:01:53,133 DON'T YOU WANT TO JUST DIE? 61 00:01:53,933 --> 00:01:56,800 [**] 62 00:01:56,833 --> 00:02:02,933 * GIRLS IN TIGHT DRESSES WHO DRAG WITH MUSTACHES * 63 00:02:02,967 --> 00:02:10,367 * CHICKS DRIVING FAST INGENUES WITH LONG LASHES * 64 00:02:10,400 --> 00:02:15,867 * WOMEN WHO LONG, LOVE, LUST WOMEN WHO GIVE * 65 00:02:15,900 --> 00:02:22,933 * THIS IS THE WAY IT'S THE WAY THAT WE LIVE * 66 00:02:30,467 --> 00:02:31,767 * TALKING, LAUGHING LOVING, BREATHING * 67 00:02:31,800 --> 00:02:33,633 * FIGHTING, FUCKING CRYING, DRINKING * 68 00:02:33,667 --> 00:02:35,067 * WRITING, WINNING LOSING, CHEATING * 69 00:02:35,067 --> 00:02:36,700 * KISSING, THINKING, DREAMING 70 00:02:36,733 --> 00:02:38,700 * THIS IS THE WAY... 71 00:02:38,733 --> 00:02:41,533 * IT'S THE WAY THAT WE LIVE * 72 00:02:41,567 --> 00:02:47,100 * IT'S THE WAY THAT WE LIVE 73 00:02:47,133 --> 00:02:52,433 * AND LOVE 74 00:02:56,333 --> 00:02:58,233 [CELL PHONE RINGS] 75 00:02:58,267 --> 00:02:59,700 YEAH. 76 00:02:59,733 --> 00:03:00,600 WHAT AM I GOING TO DO? 77 00:03:00,633 --> 00:03:01,567 ABOUT WHAT? 78 00:03:01,600 --> 00:03:02,567 ABOUT PHYLLIS! 79 00:03:02,600 --> 00:03:03,967 SHE KEEPS CALLING ME, 80 00:03:04,067 --> 00:03:05,067 AND SHE THINKS I'M THE LOVE OF HER LIFE. 81 00:03:05,067 --> 00:03:06,067 WHAT DO YOU EXPECT, MAN? 82 00:03:06,100 --> 00:03:07,233 YOU WERE HER FIRST LOVE. 83 00:03:07,267 --> 00:03:10,333 I KNOW, BUT SHANE, SHE'S MARRIED WITH KIDS! 84 00:03:10,367 --> 00:03:12,700 AND SHE'S THIS TOTALLY ACCOMPLISHED WOMAN 85 00:03:12,733 --> 00:03:14,433 WITH THIS BIG-TIME CAREER, 86 00:03:14,467 --> 00:03:17,433 AND THIS WHOLE OTHER, YOU KNOW, LIFE, 87 00:03:17,467 --> 00:03:18,533 AND NOW BETTE'S MAD AT ME-- 88 00:03:18,567 --> 00:03:19,700 LOOK, ALICE, 89 00:03:19,733 --> 00:03:20,800 I LOVE YOU TO PIECES, ANGEL, 90 00:03:20,833 --> 00:03:22,533 BUT I GOT TO DEAL WITH MY OWN STUFF RIGHT NOW. 91 00:03:22,567 --> 00:03:23,667 WHAT THING? 92 00:03:23,700 --> 00:03:24,667 THE FUCKIN' UNDERWEAR THING. 93 00:03:24,700 --> 00:03:25,833 BE SPECIFIC. 94 00:03:25,867 --> 00:03:27,700 YOU KNOW, THE FUCKIN' BULLSHIT GODDAMN 95 00:03:27,733 --> 00:03:29,167 HOLLYWOOD PARTY THAT I HAVE TO GO TO. 96 00:03:29,200 --> 00:03:30,700 OOH, WHAT MOVIE? 97 00:03:30,733 --> 00:03:32,333 UH, WHAT IS IT? ROLL THE DICE? 98 00:03:32,367 --> 00:03:34,200 YOU'RE PART OF THE ROLL THE DI PREMIERE? 99 00:03:34,233 --> 00:03:35,233 THAT'S SO EXCITING! 100 00:03:35,267 --> 00:03:36,333 NO, IT'S REALLY NOT THAT BIG OF A DEAL. 101 00:03:36,367 --> 00:03:37,967 OH, MY GOD, CAN I PLEASE BE YOUR DATE? 102 00:03:38,067 --> 00:03:39,267 PLEASE? 103 00:03:39,300 --> 00:03:40,900 AND I THINK YOU SHOULD INVITE EVERYBODY. 104 00:03:40,933 --> 00:03:42,100 NO! 105 00:03:42,133 --> 00:03:44,733 NO-- I MEAN, YES, YOU CAN BE MY DATE, 106 00:03:44,767 --> 00:03:46,367 BUT NO, I DON'T WANT YOU INVITING ANYBODY ELSE. 107 00:03:46,400 --> 00:03:47,533 DON'T BE A YENTA. 108 00:03:47,567 --> 00:03:48,733 ALL RIGHT, SHANE, 109 00:03:48,767 --> 00:03:50,067 I REALLY THINK WE SHOULD ALL BE THERE 110 00:03:50,067 --> 00:03:51,267 TO, LIKE, SUPPORT YOUR UNDERWEAR. 111 00:03:51,300 --> 00:03:52,433 ALICE, ALICE! OH, SHIT, HOLD ON. 112 00:03:52,467 --> 00:03:53,333 ALICE!THAT'S MY OTHER LINE. 113 00:03:53,367 --> 00:03:54,967 HELLO? 114 00:03:55,067 --> 00:03:56,467 ALICE, THIS THING WITH PHYLLIS 115 00:03:56,500 --> 00:03:58,500 IS COMPLETELY OUT OF HAND 116 00:03:58,533 --> 00:04:00,267 ALL RIGHT, TWO WORDS-- SASKIA PHILLIPS. 117 00:04:00,300 --> 00:04:01,267 WHAT? 118 00:04:01,300 --> 00:04:02,267 SHE'S THAT REALLY HOT STAR 119 00:04:02,300 --> 00:04:03,267 OF, YOU KNOW, ROLL THE DICE, 120 00:04:03,300 --> 00:04:04,267 AND WE ALL WANT TO GO TO THE PREMIERE 121 00:04:04,300 --> 00:04:05,467 TOMORROW NIGHT IN SUPPORT OF SHANE. 122 00:04:05,500 --> 00:04:06,367 I CAN'T GO. WHY? 123 00:04:06,400 --> 00:04:07,633 BECAUSE I HAVE TO WORK. 124 00:04:07,667 --> 00:04:08,900 WHY DO I HAVE TO WORK? BECAUSE OF THE WAY 125 00:04:08,933 --> 00:04:10,567 THAT YOU BROKE UP WITH PHYLLIS. 126 00:04:10,600 --> 00:04:12,933 SHE'S COMPLETELY TERRORIZING MY STAFF. 127 00:04:12,967 --> 00:04:14,067 SHE HAS ALREADY SLASHED MY BUDGET. 128 00:04:14,100 --> 00:04:15,400 IT'S A FUCKING BLOODBATH OVER HERE! 129 00:04:15,433 --> 00:04:17,433 I'VE GOT PHYLLIS ON LINE ONE. 130 00:04:17,467 --> 00:04:18,533 ALICE, CAN YOU HOLD ON A SECOND? 131 00:04:18,567 --> 00:04:19,600 YEAH, YEAH, YEAH. 132 00:04:19,633 --> 00:04:20,800 [SIGHS] 133 00:04:20,833 --> 00:04:22,467 OKAY... 134 00:04:22,500 --> 00:04:23,567 PHYLLIS... 135 00:04:23,600 --> 00:04:26,067 HAVE YOU HEARD FROM ALICE? 136 00:04:26,067 --> 00:04:27,767 NO. 137 00:04:27,800 --> 00:04:29,333 NO, YOU KNOW WHAT? 138 00:04:29,367 --> 00:04:31,167 I'M SURE THAT SHE'S JUST SWAMPED 139 00:04:31,200 --> 00:04:33,067 WITH HER... HER INTERNET SITE, AND-- 140 00:04:33,067 --> 00:04:34,633 I NEED YOU TO GET HER TO TALK TO ME. 141 00:04:34,667 --> 00:04:37,067 IT'S A DIFFICULT SITUATION, PHYLLIS. 142 00:04:37,100 --> 00:04:38,467 THE SEX WAS INCREDIBLE. 143 00:04:38,500 --> 00:04:40,300 STELLAR, EARTH-SHATTERING, EVEN. 144 00:04:40,333 --> 00:04:42,467 WELL, YOU KNOW, SOMETIMES... 145 00:04:42,500 --> 00:04:43,933 CAN I GET A DOUBLE AMERICANO? 146 00:04:43,967 --> 00:04:45,400 WHEN YOU HAVE GREAT SEX WITH SOMEONE, IT DOESN'T MEAN... 147 00:04:45,433 --> 00:04:46,400 [RINGING] 148 00:04:46,433 --> 00:04:47,233 YOU'RE SUPPOSED TO HAVE A RELATIONSHIP. 149 00:04:47,267 --> 00:04:48,233 HELLO? 150 00:04:48,267 --> 00:04:49,233 WE'RE OUT OF MILK. 151 00:04:49,267 --> 00:04:50,267 ALL RIGHT, LISTEN, 152 00:04:50,300 --> 00:04:51,433 WE ARE GOING TO THE PREMIERE 153 00:04:51,467 --> 00:04:52,667 OF ROLL THE DICE TOMORROW NIGHT 154 00:04:52,700 --> 00:04:53,700 TO SEE SHANE'S UNDERWEAR. 155 00:04:53,733 --> 00:04:55,767 I'M NOT GOING ANYWHERE. 156 00:04:55,800 --> 00:04:56,833 IT'S TOO EXPENSIVE. 157 00:04:56,867 --> 00:04:58,067 EVEN WHEN I WORK, I LOSE MONEY. 158 00:04:58,067 --> 00:04:59,367 HELENA, SERIOUSLY, I'M GETTING WORRIED. 159 00:04:59,400 --> 00:05:00,567 BECAUSE, LIKE, YOU'RE NOT EATING, 160 00:05:00,600 --> 00:05:02,267 YOU'RE NOT SLEEPING-- 161 00:05:02,300 --> 00:05:03,500 I'M EATING, ALL RIGHT? I'M EATING. 162 00:05:03,533 --> 00:05:05,900 DON'T WORRY, YOU'RE COMING. 163 00:05:05,933 --> 00:05:07,233 YOU'RE GOING TO HAVE A GREAT TIME. 164 00:05:07,267 --> 00:05:08,733 WE'RE ALL GOING TO GO SEE SHANE'S UNDERWEAR. 165 00:05:08,767 --> 00:05:10,800 IT'S GREAT. I'LL TALK TO YOU LATER. 166 00:05:10,833 --> 00:05:12,800 [RINGING] 167 00:05:12,833 --> 00:05:14,067 WHAT? HELENA'S IN! 168 00:05:14,067 --> 00:05:15,767 ALICE! I'M TELLING YOU, THAT'S THE POINT! 169 00:05:15,800 --> 00:05:17,067 I DON'T WANT ANYBODY IN! 170 00:05:17,100 --> 00:05:19,133 ANYBODY OUT! [BEEPING] 171 00:05:19,167 --> 00:05:20,167 IT'S PAPI. HOLD ON. 172 00:05:20,200 --> 00:05:21,200 YOU KNOW WHAT? FUCK IT. 173 00:05:21,233 --> 00:05:22,367 I'M GETTING OFF. I WANT COFFEE. 174 00:05:22,400 --> 00:05:24,100 YO! ALICIA... 175 00:05:24,133 --> 00:05:25,300 YOU GOING TO THAT ROLL THE DICE PREMIERE 176 00:05:25,333 --> 00:05:27,133 TOMORROW NIGHT WITH YOUR GIRL, SHANE? 177 00:05:27,167 --> 00:05:28,267 YES, I AM. ALL RIGHT, 178 00:05:28,300 --> 00:05:29,467 'CAUSE I GOT MYSELF A TICKET 179 00:05:29,500 --> 00:05:30,800 FROM THIS PRODUCER THAT I DRIVE, 180 00:05:30,833 --> 00:05:32,633 BUT I WANT TO BRING MY GIRL TASHA. 181 00:05:32,667 --> 00:05:33,633 SHE'S YOUR GIRLFRIEND? 182 00:05:33,667 --> 00:05:34,733 GIRL, SHE'S NOT MY "GIRL." 183 00:05:34,767 --> 00:05:36,367 SHE'S MY GIRL, YOU KNOW? 184 00:05:36,400 --> 00:05:37,900 AND BY THE WAY, 185 00:05:37,933 --> 00:05:39,600 SHE IS ONE OF THE BEST PEOPLE ON THE FACE OF THE PLANET 186 00:05:39,633 --> 00:05:41,200 THAT YOU COULD EVER MEET... 187 00:05:41,233 --> 00:05:42,200 AND I THINK SHE THINKS YOU'RE CUTE. 188 00:05:42,233 --> 00:05:44,300 SHE THINKS I'M CUTE? 189 00:05:44,333 --> 00:05:46,200 DEFINITELY. OKAY, LISTEN. 190 00:05:46,233 --> 00:05:47,600 I'LL TRY TO HOOK YOU UP WITH A TICKET. 191 00:05:47,633 --> 00:05:48,667 ALL RIGHT, GOOD. 192 00:05:48,700 --> 00:05:50,067 ALSO, THERE'S AN AFTER PARTY 193 00:05:50,067 --> 00:05:51,700 THROWN BY SOME WOMAN, LIKE, ROTHBERG? 194 00:05:51,733 --> 00:05:52,633 OH, YEAH, YEAH, YEAH, YEAH. 195 00:05:52,667 --> 00:05:53,967 CATHERINE ROTHBERG. 196 00:05:54,067 --> 00:05:56,200 SHE'S FAMOUS FOR HER HIGH-STAKES POKER GAMES, 197 00:05:56,233 --> 00:05:57,267 BUT SHE'S WAY OUT OF MY LEAGUE. 198 00:05:57,300 --> 00:05:58,300 I DON'T EVEN KNOW HOW TO PLAY. 199 00:05:58,333 --> 00:05:59,400 THAT'S OKAY, GIRL, 200 00:05:59,433 --> 00:06:00,933 'CAUSE I JUST HAPPEN TO BE AN EXPERT, 201 00:06:00,967 --> 00:06:01,933 AND I'LL TEACH YOU HOW TO PLAY. 202 00:06:01,967 --> 00:06:02,967 OKAY, GREAT. 203 00:06:03,067 --> 00:06:05,400 SEE YOU. OKAY-- OH, BYE. 204 00:06:05,433 --> 00:06:07,300 GREAT. FUN, FUN, FUN... 205 00:06:08,367 --> 00:06:10,067 YO.WE'RE GOING OUT TONIGHT. 206 00:06:10,067 --> 00:06:11,100 I'M SENSING A LOVE CONNECTION. 207 00:06:11,133 --> 00:06:12,533 YEAH, I KNOW WHAT YOU'RE DOING. 208 00:06:12,567 --> 00:06:13,633 DON'T DO IT. 209 00:06:13,667 --> 00:06:15,433 YOU CAN'T FIGHT THE FATES, WILLIAMS. 210 00:06:15,467 --> 00:06:17,067 I SEE THE SIGNS. 211 00:06:17,067 --> 00:06:18,200 WE'RE GOING OUT, AND THAT'S AN ORDER. 212 00:06:18,233 --> 00:06:20,700 UH, JODI LERNER'S HERE TO SEE YOU. 213 00:06:20,733 --> 00:06:21,767 WHAT? 214 00:06:21,800 --> 00:06:24,800 UH... 215 00:06:24,833 --> 00:06:26,100 JODI... 216 00:06:26,133 --> 00:06:27,367 UM...HI. 217 00:06:27,400 --> 00:06:30,067 I'M REALLY SORRY THAT I HAVEN'T RETURNED YOUR CALLS. 218 00:06:30,067 --> 00:06:32,067 I'VE JUST BEEN SO SLAMMED WITH WORK-- 219 00:06:32,100 --> 00:06:33,200 YOU KNOW WHAT? STOP IT. 220 00:06:33,233 --> 00:06:34,667 IT'S... 221 00:06:34,700 --> 00:06:38,067 YOU'VE BEEN FREAKING OUT EVER SINCE WE ALMOST KISSED, 222 00:06:38,067 --> 00:06:39,233 AND YOU'RE AVOIDING ME, 223 00:06:39,267 --> 00:06:40,367 SO I JUST WANTED TO SAY... 224 00:06:40,400 --> 00:06:41,533 GET OVER IT. 225 00:06:41,567 --> 00:06:42,867 YOU'RE WICKED HOT, 226 00:06:42,900 --> 00:06:45,367 AND I WOULD HAVE GONE FOR IT, 227 00:06:45,400 --> 00:06:48,367 BUT WE HAVE TO WORK TOGETHER, SO... 228 00:06:48,400 --> 00:06:50,367 IF YOU WANT TO PRETEND THAT IT NEVER HAPPENED, 229 00:06:50,400 --> 00:06:51,533 I'M OKAY WITH THAT. 230 00:06:52,500 --> 00:06:53,700 [LAUGHS AWKWARDLY] 231 00:06:53,733 --> 00:06:56,200 I DON'T EVEN KNOW HOW TO RESPOND TO THAT. 232 00:06:56,233 --> 00:06:57,267 I'VE GOT PHYLLIS ON LINE ONE. 233 00:06:57,300 --> 00:06:59,733 SHIT. 234 00:06:59,767 --> 00:07:01,333 I'LL LET YOU GET THAT. 235 00:07:02,733 --> 00:07:04,433 [SIGHING HEAVILY] 236 00:07:04,467 --> 00:07:05,833 OKAY... 237 00:07:05,867 --> 00:07:06,967 PHYLLIS. 238 00:07:07,067 --> 00:07:08,967 IT'S BECAUSE SHE MET LEONARD. 239 00:07:09,067 --> 00:07:10,200 IF I DIDN'T HAVE A HUSBAND, 240 00:07:10,233 --> 00:07:11,267 EVERYTHING WOULD BE DIFFERENT. 241 00:07:11,300 --> 00:07:12,800 ALICE ON LINE FOUR. 242 00:07:12,833 --> 00:07:14,333 PHYLLIS, CAN YOU HOLD ON FOR JUST A SECOND? 243 00:07:14,367 --> 00:07:16,133 ALICE... 244 00:07:16,167 --> 00:07:18,767 ALICE, YOU HAVE TO BREAK UP WITH HER. 245 00:07:18,800 --> 00:07:20,667 I ALREADY BROKE UP WITH HER-- 246 00:07:20,700 --> 00:07:22,067 YEAH, WELL, YOU RE-BREAK UP WITH HER, 247 00:07:22,067 --> 00:07:23,333 BECAUSE SOME LESBIANS, 248 00:07:23,367 --> 00:07:24,667 YOU HAVE TO BREAK UP WITH THEM MORE THAN ONCE-- 249 00:07:24,700 --> 00:07:25,900 [BEEPING] 250 00:07:25,933 --> 00:07:26,967 HOLD ON. THAT'S JENNY. I GOT TO GO-- 251 00:07:27,067 --> 00:07:28,300 I'M SERIOUS! 252 00:07:28,333 --> 00:07:30,733 ALICE! OKAY! 253 00:07:30,767 --> 00:07:32,433 HI. HI. 254 00:07:32,467 --> 00:07:33,500 DO YOU WANT TO COME TO THE PLANET 255 00:07:33,533 --> 00:07:34,600 AND HAVE COFFEE WITH ME? 256 00:07:34,633 --> 00:07:35,833 I WISH I COULD. 257 00:07:35,867 --> 00:07:37,267 THERE'S TOO MUCH DRAMA, 258 00:07:37,300 --> 00:07:38,533 BUT LISTEN, WE'RE ALL GOING TO THE PREMIERE 259 00:07:38,567 --> 00:07:39,533 OF ROLL THE DICE TOMORROW NIGHT. 260 00:07:39,567 --> 00:07:40,600 DO YOU WANT TO COME? 261 00:07:40,633 --> 00:07:42,133 YEAH, DEFINITELY. HEY, MAMA. 262 00:07:42,167 --> 00:07:43,433 HI. HANG ON ONE SECOND. 263 00:07:43,467 --> 00:07:44,800 UM, THAT'S ALICE, 264 00:07:44,833 --> 00:07:46,133 AND SHE'S PUTTING TOGETHER A BUNCH OF PEOPLE 265 00:07:46,167 --> 00:07:47,200 FOR THE ROLL THE DICE PREMIERE 266 00:07:47,233 --> 00:07:48,300 TOMORROW NIGHT. 267 00:07:48,333 --> 00:07:49,333 DO YOU WANT TO COME? 268 00:07:49,367 --> 00:07:51,267 GIVE ME THE PHONE. 269 00:07:51,300 --> 00:07:52,700 ALICE, YOU'RE FUCKING KILLING ME. 270 00:07:52,733 --> 00:07:53,833 I'M NOT DOING ANYTHING! 271 00:07:53,867 --> 00:07:55,567 YEAH, DEAN PORTER'S OFFICE. 272 00:07:55,600 --> 00:07:58,067 UH, KIT, HER SISTER, IS CALLING. 273 00:07:58,067 --> 00:07:59,133 I'M GOING TO KILL MYSELF. 274 00:07:59,167 --> 00:08:00,267 BEFORE YOU KILL YOURSELF, 275 00:08:00,300 --> 00:08:01,267 JENNY WANTS TO KNOW 276 00:08:01,300 --> 00:08:02,333 DO YOU WANT TO GO TO A PREMIERE WITH HER 277 00:08:02,367 --> 00:08:03,367 TOMORROW NIGHT. 278 00:08:03,400 --> 00:08:05,600 I CAN'T GO BECAUSE I'LL BE DEAD 279 00:08:05,633 --> 00:08:06,733 BECAUSE I WILL HAVE KILLED MYSELF. 280 00:08:06,767 --> 00:08:08,067 PHYLLIS WILL NOT GET OFF THE FUCKING PHONE. 281 00:08:08,067 --> 00:08:10,500 WELL, SHANE'S ON THE PHONE WITH ALICE NOW. 282 00:08:10,533 --> 00:08:13,267 TELL HER TO TELL ALICE TO BREAK IT OFF RIGHT NOW. 283 00:08:13,300 --> 00:08:14,867 SHANE... YEAH? 284 00:08:14,900 --> 00:08:16,200 BETTE SAID TELL ALICE TO CALL PHYLLIS 285 00:08:16,233 --> 00:08:17,733 AND BREAK IT OFF WITH HER RIGHT NOW. 286 00:08:17,767 --> 00:08:19,100 OKAY, KIT SAYS THAT BETTE SAYS 287 00:08:19,133 --> 00:08:20,200 THAT YOU NEED TO CALL PHYLLIS 288 00:08:20,233 --> 00:08:21,400 AND BREAK IT OFF WITH HER RIGHT NOW. 289 00:08:21,433 --> 00:08:22,400 I DID! SHE DID. SHE DID. 290 00:08:22,433 --> 00:08:23,300 TELL HER TO DO IT AGAIN. 291 00:08:23,333 --> 00:08:24,467 DO IT AGAIN. 292 00:08:24,500 --> 00:08:25,533 LOOK, ALICE, WILL YOU PLEASE 293 00:08:25,567 --> 00:08:26,700 LET THIS WOMAN OFF THE HOOK? 294 00:08:26,733 --> 00:08:27,700 OH, REALLY? 295 00:08:27,733 --> 00:08:28,833 YOU OF ALL PEOPLE ARE GIVING ME ADVICE 296 00:08:28,867 --> 00:08:30,500 HOW TO LET A GIRL DOWN EASY? 297 00:08:30,533 --> 00:08:32,233 YOU KNOW WHAT? I DON'T THINK 298 00:08:32,267 --> 00:08:34,067 I DON'T HAVEIS NECESSARY. ANY MONEY. 299 00:08:34,100 --> 00:08:35,267 ALSO, I DON'T WANT YOU CHANGING THE TOPIC. 300 00:08:35,300 --> 00:08:36,400 I WANT TO KNOW HOW MANY PEOPLE 301 00:08:36,433 --> 00:08:37,433 YOU FUCKING INVITED. 302 00:08:37,467 --> 00:08:39,267 OKAY, I INVITED HELENA, JENNY, BETTE-- 303 00:08:39,300 --> 00:08:41,333 SHE CAN'T COME-- 304 00:08:41,367 --> 00:08:42,367 UM, PAPI'S COMING, 305 00:08:42,400 --> 00:08:44,200 BUT SHE NEEDS AN EXTRA TICKET FOR TASHA... 306 00:08:44,233 --> 00:08:45,267 BUT THAT'S HER ANGRY FRIEND. 307 00:08:45,300 --> 00:08:46,367 SHE'S NOT ANGRY. [BEEPING] 308 00:08:46,400 --> 00:08:47,467 SHE'S NOT ANGRY. SHE'S JUST-- 309 00:08:47,500 --> 00:08:48,567 WAIT, LOOK, AL, I'M SORRY. 310 00:08:48,600 --> 00:08:49,967 THIS IS JENNY'S PHONE. HOLD ON. 311 00:08:50,067 --> 00:08:51,200 HELLO. 312 00:08:51,233 --> 00:08:52,267 DEBBIE? 313 00:08:52,300 --> 00:08:53,333 WHAT? WHO'S DEBBIE? 314 00:08:53,367 --> 00:08:55,433 OH, UH... IT'S FOR ME. 315 00:08:55,467 --> 00:08:56,467 COULD YOU HOLD ON A SECOND? 316 00:08:56,500 --> 00:08:57,533 OH, YEAH, SURE. 317 00:08:57,567 --> 00:08:58,667 HEY, AL? YEAH? 318 00:08:58,700 --> 00:08:59,567 LOOK, I GOT TO GO. IT'S JENNY'S PHONE. 319 00:08:59,600 --> 00:09:00,733 OKAY, LISTEN, WE'RE GOING TO HAVE 320 00:09:00,767 --> 00:09:02,233 A REALLY GOOD TIME TOMORROW NIGHT. 321 00:09:02,267 --> 00:09:03,833 UH-HUH, I'M SO SURE. 322 00:09:03,867 --> 00:09:05,533 BYE. 323 00:09:05,567 --> 00:09:07,667 UM, HOLD ON A SECOND PLEASE. 324 00:09:07,700 --> 00:09:08,800 OKAY. 325 00:09:10,233 --> 00:09:11,300 WHO'S DEBBIE? 326 00:09:11,333 --> 00:09:12,300 UM... 327 00:09:12,333 --> 00:09:14,500 DEBBIE IS MY CHILDHOOD NICKNAME. 328 00:09:14,533 --> 00:09:15,533 RIGHT. 329 00:09:15,567 --> 00:09:16,533 SORRY. 330 00:09:16,567 --> 00:09:17,567 OKAY, DEBBIE. 331 00:09:17,600 --> 00:09:18,567 HELLO? 332 00:09:18,600 --> 00:09:19,567 HI! 333 00:09:19,600 --> 00:09:20,633 I GOT YOUR MESSAGE. 334 00:09:20,667 --> 00:09:21,800 YES. HI! 335 00:09:21,833 --> 00:09:23,067 WELL, GUESS WHAT... 336 00:09:23,067 --> 00:09:24,367 [WHISPERING]: SORRY. 337 00:09:24,400 --> 00:09:25,700 [NORMAL VOICE]: I AM THINKING 338 00:09:25,733 --> 00:09:26,867 ABOUT GETTING A PUPPY, 339 00:09:26,900 --> 00:09:27,933 AND I WAS WONDERING 340 00:09:27,967 --> 00:09:29,067 WHETHER YOU WANT TO COME WITH ME 341 00:09:29,067 --> 00:09:30,100 TO THE SHELTER THIS WEEKEND 342 00:09:30,133 --> 00:09:31,100 TO PICK ONE OUT. 343 00:09:31,133 --> 00:09:32,100 OH, MY GOD. 344 00:09:32,133 --> 00:09:33,367 I'D BE TOTALLY HONORED 345 00:09:33,400 --> 00:09:34,767 TO HELP YOU PICK OUT A PUPPY, 346 00:09:34,800 --> 00:09:36,400 BUT I CAN'T THIS WEEKEND. 347 00:09:36,433 --> 00:09:38,733 UM, STACEY'S HERE. 348 00:09:38,767 --> 00:09:40,933 YEAH, WE'RE GOING ON A ROMANTIC WEEKEND, 349 00:09:40,967 --> 00:09:42,267 AND WE LEAVE IN THE MORNING. 350 00:09:42,300 --> 00:09:43,333 OH, REALLY? 351 00:09:43,367 --> 00:09:44,400 WHERE ARE YOU GUYS GOING? 352 00:09:44,433 --> 00:09:45,800 SHE BOOKED A B & B IN SOLVANG. 353 00:09:45,833 --> 00:09:46,900 IT'S SUPPOSED TO BE REALLY PRETTY. 354 00:09:46,933 --> 00:09:50,067 THAT'S GREAT. 355 00:09:50,067 --> 00:09:52,267 UM, I'M VERY HAPPY FOR YOU 356 00:09:52,300 --> 00:09:53,400 THAT YOU'RE WORKING IT OUT. 357 00:09:53,433 --> 00:09:54,467 THANK YOU. 358 00:09:54,500 --> 00:09:55,567 I-I TOLD HER 359 00:09:55,600 --> 00:09:56,600 THAT IF SHE CANCELED THIS WEEKEND 360 00:09:56,633 --> 00:09:57,667 IT WAS OVER. 361 00:09:57,700 --> 00:09:58,833 I DID EXACTLY WHAT YOU SAID, 362 00:09:58,867 --> 00:10:00,067 AND THERE YOU GO. HUH, WELL... 363 00:10:00,100 --> 00:10:02,200 HAVE A GREAT WEEKEND. 364 00:10:02,233 --> 00:10:03,333 THANKS, DEBBIE. 365 00:10:06,467 --> 00:10:08,500 UM, DO YOU THINK I COULD JUST USE YOUR PHONE 366 00:10:08,533 --> 00:10:10,733 FOR JUST A QUICK SEC? 367 00:10:10,767 --> 00:10:12,467 IT'S NOT LONG DISTANCE. 368 00:10:12,500 --> 00:10:13,833 THANKS. 369 00:10:14,500 --> 00:10:15,867 SORRY. 370 00:10:17,833 --> 00:10:18,600 [TELEPHONE RINGS] 371 00:10:18,633 --> 00:10:19,800 HELLO? 372 00:10:19,833 --> 00:10:21,567 [IN THICK ACCENT]: IS STACEY MERKIN THERE? 373 00:10:21,600 --> 00:10:22,933 SPEAKING. 374 00:10:22,967 --> 00:10:25,200 THIS IS SOPHIA MANCUSO CALLING FROM C MAGAZINE. 375 00:10:25,233 --> 00:10:26,233 C MAGAZINE? 376 00:10:26,267 --> 00:10:29,533 UH, YES. SI. C... 377 00:10:29,567 --> 00:10:31,267 AND THE WRITER WHO WAS COVERING 378 00:10:31,300 --> 00:10:34,267 THE ROLL THE DICE PREMIERE, UM, UH... 379 00:10:34,300 --> 00:10:36,467 DROP OUT TOMORROW, 380 00:10:36,500 --> 00:10:39,100 AND WE WANT TO KNOW IF YOU COULD GO TOMORROW 381 00:10:39,133 --> 00:10:40,500 TO INTERVIEW THE SHANE MCCUTCHEON. 382 00:10:40,533 --> 00:10:42,533 GEE, THAT'S REALLY SHORT NOTICE. 383 00:10:42,567 --> 00:10:43,533 I HAVE WEEKEND-- 384 00:10:43,567 --> 00:10:44,567 OH, NO! YOU'RE TOO BUSY? 385 00:10:44,600 --> 00:10:45,767 THAT'S TERRIBLE. 386 00:10:45,800 --> 00:10:47,967 OH, SO SAD, BECAUSE, YOU KNOW, 387 00:10:48,000 --> 00:10:50,333 WE ARE LOOKING FOR SENIOR EDITOR, 388 00:10:50,367 --> 00:10:51,500 BUT IF YOU'RE TOO BUSY, YOU KNOW-- 389 00:10:51,533 --> 00:10:52,867 NO, NO, NO, NO, WAIT. 390 00:10:52,900 --> 00:10:54,400 I THINK I CAN REARRANGE A FEW THINGS-- 391 00:10:54,433 --> 00:10:55,567 AH, EXCELLENT! 392 00:10:55,600 --> 00:10:57,367 WE WILL BE IN TOUCH WITH YOU, 393 00:10:57,400 --> 00:11:00,500 AND, UH, SOMEONE... MY ASSISTANT ANGELICA 394 00:11:00,533 --> 00:11:02,333 WILL CALL YOU ABOUT THE PRESS PASS, OKAY? 395 00:11:02,367 --> 00:11:03,467 OKAY. 396 00:11:03,500 --> 00:11:05,500 BYE. BIG KISS TO YOU. 397 00:11:05,533 --> 00:11:06,800 OKAY, BYE. BYE. 398 00:11:06,833 --> 00:11:08,833 [IN NORMAL VOICE]: THANK YOU SO MUCH. 399 00:11:08,867 --> 00:11:10,533 I REALLY, REALLY APPRECIATE IT. 400 00:11:11,633 --> 00:11:13,500 DO YOU THINK ALICE IS SEEING ANOTHER WOMAN? 401 00:11:13,533 --> 00:11:14,667 NO, I DON'T THINK 402 00:11:14,700 --> 00:11:16,067 SHE'S SEEING SOMEONE ELSE. 403 00:11:16,067 --> 00:11:18,167 I THINK SHE PROBABLY JUST NEEDS MORE SPACE. 404 00:11:18,200 --> 00:11:19,333 WHY DOES SHE NEED SPACE? 405 00:11:19,367 --> 00:11:21,567 DID SHE TELL YOU SHE NEEDED SPACE? 406 00:11:21,600 --> 00:11:23,133 UH, I HAVE ALICE ON LINE FOUR. 407 00:11:23,167 --> 00:11:25,900 PHYLLIS, CAN YOU JUST HOLD ON ONE SECOND? 408 00:11:25,933 --> 00:11:27,300 JUST ONE SECOND, OKAY? 409 00:11:27,333 --> 00:11:29,833 ALICE... NO. 410 00:11:29,867 --> 00:11:31,700 I WANTED TO TELL YOU THAT I FEEL BAD 411 00:11:31,733 --> 00:11:33,433 ABOUT THIS PHYLLIS THING. 412 00:11:33,467 --> 00:11:35,067 I JUST DON'T THINK TALKING'S GOING TO HELP. 413 00:11:35,100 --> 00:11:36,067 [RINGING] 414 00:11:36,067 --> 00:11:38,167 OH, FUCK. PHYLLIS IS CALLING. 415 00:11:38,200 --> 00:11:39,467 OH, PICK IT UP. NO, I CAN'T. 416 00:11:39,500 --> 00:11:41,700 NO, NO, NO. PICK IT UP RIGHT NOW. 417 00:11:41,733 --> 00:11:42,800 OH, IT WENT TO VOICEMAIL. 418 00:11:42,833 --> 00:11:44,067 FUCK... IT'S OKAY. 419 00:11:44,067 --> 00:11:45,067 MY LIFE IS RUINED. IT'S JUST RUINED. 420 00:11:45,100 --> 00:11:48,767 I'M SORRY. I AM. I JUST... 421 00:11:48,800 --> 00:11:50,067 I DIDN'T PLAN FOR THIS TO HAPPEN. 422 00:11:50,067 --> 00:11:51,867 HI. IT'S PHYLLIS. 423 00:11:51,900 --> 00:11:54,567 I JUST WANTED YOU TO KNOW... 424 00:11:54,600 --> 00:11:58,233 THAT I REALLY MISS YOU, 425 00:11:58,267 --> 00:12:03,233 AND I WANT THIS THING TO WORK OUT. 426 00:12:03,267 --> 00:12:05,333 I KNOW YOU'RE SCARED. 427 00:12:05,367 --> 00:12:07,200 I'M SCARED, TOO. 428 00:12:07,233 --> 00:12:10,833 I DON'T WANT IT TO END, ALICE. 429 00:12:10,867 --> 00:12:14,533 I'M IN LOVE WITH YOU. 430 00:12:14,567 --> 00:12:15,767 UH, PLEASE CALL ME. 431 00:12:15,800 --> 00:12:17,767 I'M AT THE OFFICE. 432 00:12:17,800 --> 00:12:19,333 UM... 433 00:12:19,367 --> 00:12:21,100 CALL ME? 434 00:12:22,300 --> 00:12:23,733 OKAY... 435 00:12:23,767 --> 00:12:24,933 PHYLLIS. 436 00:12:26,233 --> 00:12:28,533 PHYLLIS? 437 00:12:28,567 --> 00:12:30,967 DAMN IT! 438 00:12:31,067 --> 00:12:32,700 TINA'S HERE TO SEE YOU. 439 00:12:32,733 --> 00:12:34,067 WHAT? TINA? 440 00:12:34,100 --> 00:12:36,967 HOW FUCKING HARD IS IT TO GET YOU ON THE PHONE? 441 00:12:37,067 --> 00:12:38,067 APPARENTLY NOT THAT HARD. 442 00:12:38,100 --> 00:12:39,200 WELL, YOU CAN'T AVOID ME WHENEVER YOU LIKE, 443 00:12:39,233 --> 00:12:41,133 BECAUSE WE HAVE A KID TOGETHER NOW, OKAY? 444 00:12:41,167 --> 00:12:42,767 OKAY, WHAT DO YOU NEED FROM ME NOW? 445 00:12:42,800 --> 00:12:44,600 I NEED YOUR SIGNATURE 446 00:12:44,633 --> 00:12:46,867 ON THE BEVERLY MONTESSORI ENROLLMENT. 447 00:12:49,167 --> 00:12:50,533 WAIT, ENROLLMENT? 448 00:12:50,567 --> 00:12:52,600 I JUST... I JUST ONLY SENT IN THE APPLICATIONS. 449 00:12:52,633 --> 00:12:53,733 YOU WHAT? 450 00:12:53,767 --> 00:12:55,067 WE DECIDED WE WERE GOING TO APPLY 451 00:12:55,067 --> 00:12:56,200 TO FIRST PRES, WALDORF, 452 00:12:56,233 --> 00:12:57,567 THE CENTER FOR EARLY EDUCATION, 453 00:12:57,600 --> 00:12:58,967 THEN I ADDED CHADWICK AND CHILDREN'S INSTITUTE 454 00:12:59,067 --> 00:13:00,833 BECAUSE THEY HAD EARLY ARTS AND MUSIC PROGRAMS. 455 00:13:00,867 --> 00:13:01,933 HOW COULD YOU DO THAT? 456 00:13:01,967 --> 00:13:03,433 HOW COULD MAKE ALL THOSE DECISIONS WITHOUT ME? 457 00:13:03,467 --> 00:13:04,633 WHAT DO YOU MEAN? 458 00:13:04,667 --> 00:13:06,067 I DIDN'T MAKE THIS DECISION WITHOUT YOU. 459 00:13:06,100 --> 00:13:07,167 WE BOTH DECIDED, TINA-- 460 00:13:07,200 --> 00:13:09,167 NO, WE DECIDED NOTHING OF THE SORT. 461 00:13:09,200 --> 00:13:11,200 ANGELICA SHOULD GO TO BEVERLY MONTESSORI. 462 00:13:11,233 --> 00:13:12,500 THERE IS NO WAY 463 00:13:12,533 --> 00:13:14,767 WE ARE GOING TO PAY $18,000 FOR PRESCHOOL-- 464 00:13:14,800 --> 00:13:16,967 WE WILL PAY WHATEVER IT TAKES 465 00:13:17,067 --> 00:13:18,667 TO GET HER THE BEST EDUCATION AVAILABLE-- 466 00:13:18,700 --> 00:13:20,200 BEVERLY MONTESSORI IS A WONDERFUL SCHOOL, 467 00:13:20,233 --> 00:13:20,933 AND IT HAPPENS TO BE 468 00:13:20,967 --> 00:13:22,600 VERY CLOSE TO MY HOUSE-- 469 00:13:22,633 --> 00:13:23,833 THAT IS NOT A FACTOR. 470 00:13:23,867 --> 00:13:25,467 SO YOU'RE GOING TO MAKE ANGELICA TAKE 471 00:13:25,500 --> 00:13:27,633 A TWO-AND-A-HALF-HOUR CAR RIDE EVERY SINGLE DAY 472 00:13:27,667 --> 00:13:30,167 SO SHE CAN GO TO PRESCHOOL WITH DIANE KEATON'S KIDS? 473 00:13:30,200 --> 00:13:31,600 NO! 474 00:13:31,633 --> 00:13:34,467 I WILL MAKE SURE THAT SHE GOES TO THE BEST SCHOOL, PERIOD. 475 00:13:34,500 --> 00:13:36,067 THE BEST SCHOOL! PERIOD! 476 00:13:36,067 --> 00:13:37,067 YOU KNOW WHAT? FUCK IT. 477 00:13:37,067 --> 00:13:38,233 I DON'T EVEN KNOW WHY I BOTHER. 478 00:13:38,267 --> 00:13:40,067 YOU CLEARLY DECIDED ALL OF THIS WITHOUT ME, 479 00:13:40,067 --> 00:13:41,200 AND FOR THE RECORD, 480 00:13:41,233 --> 00:13:42,633 I'M NOT GOING TO LET YOUR OVERACHIEVING, 481 00:13:42,667 --> 00:13:43,967 PSYCHO DYSFUNCTION 482 00:13:44,067 --> 00:13:46,333 STRESS OUT OUR KID BEFORE SHE'S THREE YEARS OLD! 483 00:13:46,367 --> 00:13:48,067 IT'S JUST FUCKING PRESCHOOL, FOR GOD'S SAKE. 484 00:13:48,067 --> 00:13:49,733 CRAYONS AND PLAY-DOH. 485 00:13:49,767 --> 00:13:51,100 NO, IT IS NOT JUST CRAYONS! 486 00:13:51,133 --> 00:13:53,667 IT IS A FUCKING IVY LEAGUE EDUCATION. 487 00:13:53,700 --> 00:13:54,900 SO NAIVE! 488 00:13:54,933 --> 00:13:56,167 JESUS! 489 00:13:56,200 --> 00:13:58,733 UH, BETTE? 490 00:13:58,767 --> 00:14:00,200 PHYLLIS IS ON LINE ONE. 491 00:14:00,233 --> 00:14:01,967 OOH! FUCK YOU, JAMES! 492 00:14:02,067 --> 00:14:03,933 JUST FUCK YOU! 493 00:14:08,967 --> 00:14:13,067 HONESTLY, ALICE, POKER'S NOT MY GAME. 494 00:14:13,067 --> 00:14:15,267 I MEAN, I PLAYED ONCE IN MONTE CARLO, 495 00:14:15,300 --> 00:14:17,500 BUT I'M NOT A WINNER. 496 00:14:17,533 --> 00:14:18,900 WELL, THAT'S OKAY, 497 00:14:18,933 --> 00:14:20,200 BECAUSE, YOU KNOW, THAT'S WHY PAPI'S COMING. 498 00:14:20,233 --> 00:14:22,400 SHE'S GOING TO TEACH US ALL THE LITTLE POKER TRICKS. 499 00:14:22,433 --> 00:14:23,633 [DOORBELL CHIMES] 500 00:14:23,667 --> 00:14:25,067 OH, SHIT. COME IN! 501 00:14:25,100 --> 00:14:26,267 HELENA, PICK YOUR SHIT UP. 502 00:14:26,300 --> 00:14:28,133 GET YOUR PANTS OFF THE CHIPS. 503 00:14:28,167 --> 00:14:29,200 WHAT'S UP! 504 00:14:29,233 --> 00:14:30,200 HEY! 505 00:14:30,233 --> 00:14:31,200 LIQUOR IN THE FRONT... 506 00:14:31,233 --> 00:14:32,267 YEAH, POKER IN THE REAR! 507 00:14:32,300 --> 00:14:33,367 I KNOW THAT ONE. 508 00:14:33,400 --> 00:14:34,433 WHO WANTS A DRINK? 509 00:14:34,467 --> 00:14:35,733 I DO, UH... 510 00:14:35,767 --> 00:14:36,900 YOU WANT A DRINK? 511 00:14:36,933 --> 00:14:38,233 YEAH, OKAY. 512 00:14:38,267 --> 00:14:40,100 I INVITED SOME PEOPLE. I HOPE YOU DON'T MIND. 513 00:14:40,133 --> 00:14:41,367 [DOORBELL CHIMES] 514 00:14:41,400 --> 00:14:42,200 YOU SHOULD JUST LEAVE THAT OPEN. 515 00:14:42,233 --> 00:14:43,400 HEY, COME IN! 516 00:14:43,433 --> 00:14:44,933 A LOT OF PEOPLE? 517 00:14:44,967 --> 00:14:46,067 LIKE, A FEW. 518 00:14:46,100 --> 00:14:47,133 HI. HEY. 519 00:14:47,167 --> 00:14:48,267 WANT A... THANKS. 520 00:14:48,300 --> 00:14:49,567 [CELL PHONE RINGS] 521 00:14:51,233 --> 00:14:53,500 I DON'T HAVE TO GET THAT... 522 00:14:53,533 --> 00:14:55,300 PHONE CALL. 523 00:14:56,900 --> 00:14:58,500 [SIGHS] 524 00:14:59,900 --> 00:15:01,867 SO, PAPI, LISTEN, I... 525 00:15:01,900 --> 00:15:04,633 I HAVEN'T PLAYED POKER FOR A REALLY LONG TIME. 526 00:15:04,667 --> 00:15:05,933 ALL RIGHT, MY LITTLE ENGLISH MUFFIN, 527 00:15:05,967 --> 00:15:07,300 DON'T YOU EVEN WORRY, ALL RIGHT? 528 00:15:07,333 --> 00:15:09,500 IT'S ALL ABOUT THE LESSONS YOU LEARN HERE TONIGHT. 529 00:15:09,533 --> 00:15:10,600 OKAY, YOU FOLLOW THESE SIMPLE RULES, 530 00:15:10,633 --> 00:15:11,633 YOU CAN'T LOSE. 531 00:15:11,667 --> 00:15:12,700 OKAY? OKAY. 532 00:15:12,733 --> 00:15:13,800 ALL RIGHT, LET'S PLAY! 533 00:15:13,833 --> 00:15:15,800 HI, PAPI. 534 00:15:15,833 --> 00:15:17,967 HEY... 535 00:15:18,067 --> 00:15:19,833 COME HERE, GIVE ME A KISS. 536 00:15:22,567 --> 00:15:24,400 I LOVE YOU. 537 00:15:24,433 --> 00:15:25,467 WHY DON'T YOU 538 00:15:25,500 --> 00:15:26,767 GET YOUR GIRLS A DRINK, OKAY? 539 00:15:26,800 --> 00:15:27,933 ALL RIGHT. 540 00:15:29,700 --> 00:15:32,067 DO YOU LIKE CARDS, OR... 541 00:15:32,067 --> 00:15:33,667 DO I? 542 00:15:33,700 --> 00:15:35,300 COME WATCH HOW I TAKE YOUR MONEY. 543 00:15:44,500 --> 00:15:45,100 HEY. 544 00:15:46,667 --> 00:15:48,867 NO, I REALLY WANT YOU TO HEAR THE SONG, GIRL. 545 00:15:48,900 --> 00:15:50,133 ANGUS, HE HASN'T HEARD IT. 546 00:15:50,167 --> 00:15:51,800 I KNOW HE'S GOING TO BE SO HAPPY-- 547 00:15:51,833 --> 00:15:53,100 HEY, JAMES? 548 00:15:53,133 --> 00:15:55,067 JAMES, CAN YOU GET ME THE BEST INTERNET SITE AVAILABLE 549 00:15:55,067 --> 00:15:56,267 FOR LEARNING SIGN LANGUAGE? 550 00:15:56,300 --> 00:15:58,633 ANGUS AND ANGELICA ARE HERE TO SEE YOU. 551 00:15:58,667 --> 00:15:59,867 UH... 552 00:15:59,900 --> 00:16:01,067 SPEAKING OF ANGUS. 553 00:16:01,067 --> 00:16:02,200 CAN YOU JUST SHOW THEM IN? 554 00:16:02,233 --> 00:16:03,633 ANGUS AND ANGELICA, 555 00:16:03,667 --> 00:16:04,700 THEY'RE JUST ABOUT TO WALK INTO MY OFFICE. 556 00:16:04,733 --> 00:16:05,967 OH, HOW'S MY BOO, MY LITTLE BOO? 557 00:16:06,067 --> 00:16:08,133 WELL, I DON'T KNOW. YOU TELL ME. 558 00:16:08,167 --> 00:16:10,067 WHAT DO YOU MEAN? 559 00:16:10,100 --> 00:16:10,933 YOU DO EVERYTHING FOR HIM. 560 00:16:10,967 --> 00:16:12,167 I JUST WANT TO MAKE SURE 561 00:16:12,200 --> 00:16:13,200 THAT HE'S TREATING MY SISTER RIGHT. 562 00:16:13,233 --> 00:16:14,733 CAN YOU HOLD ON A SECOND? 563 00:16:14,767 --> 00:16:15,767 HEY... 564 00:16:15,800 --> 00:16:16,800 HEY, MAMA B! 565 00:16:16,833 --> 00:16:18,333 HI, BABYCAKES. 566 00:16:18,367 --> 00:16:19,833 WOW... SO GOOD TO SEE YOU. 567 00:16:19,867 --> 00:16:21,133 LOOK HOW IMPRESSIVE SHE LOOKS 568 00:16:21,167 --> 00:16:23,067 IN HER NEW DIGS. 569 00:16:23,067 --> 00:16:24,200 HEY, I GOT KIT ON THE PHONE. 570 00:16:24,233 --> 00:16:25,500 YOU WANT TO TALK TO HER? 571 00:16:25,533 --> 00:16:27,300 OH, UH... NO, I'LL CALL HER LATER. 572 00:16:27,333 --> 00:16:28,533 UH, KIT, CAN I CALL YOU RIGHT BACK? 573 00:16:28,567 --> 00:16:29,833 UM, YEAH, OKAY. 574 00:16:29,867 --> 00:16:30,900 ALL RIGHT. GREAT. 575 00:16:34,100 --> 00:16:35,200 SO HOW'S EVERYTHING WITH MY SISTER? 576 00:16:35,233 --> 00:16:37,367 UH, SHE'S... IT'S GREAT. 577 00:16:37,400 --> 00:16:38,667 THE ALBUM'S REALLY AWESOME, 578 00:16:38,700 --> 00:16:40,633 AND PEOPLE ARE REALLY EXCITED ABOUT IT. 579 00:16:40,667 --> 00:16:41,900 YEAH, AND YOU'RE REALLY LUCKY TO BE ON IT. 580 00:16:41,933 --> 00:16:42,900 UH... 581 00:16:42,933 --> 00:16:44,267 YES, I AM. 582 00:16:44,300 --> 00:16:45,400 YEAH, I AM. 583 00:16:45,433 --> 00:16:47,300 HOW'S HAZEL? 584 00:16:47,333 --> 00:16:48,300 SHE'S GOOD. 585 00:16:48,333 --> 00:16:49,533 SHE'S, UM... 586 00:16:49,567 --> 00:16:52,200 SHE'S REALLY GOOD WITH THE KIDS, AND, UM-- 587 00:16:52,233 --> 00:16:53,267 MM-HMM. 588 00:16:53,300 --> 00:16:55,367 DO YOU LOVE MY SISTER? 589 00:17:01,633 --> 00:17:02,767 WHAT ARE YOU TALKING ABOUT? 590 00:17:05,367 --> 00:17:06,833 I'M TALKING ABOUT THE FACT 591 00:17:06,867 --> 00:17:08,200 THAT YOU'RE FUCKING THE NANNY BEHIND MY SISTER'S BACK. 592 00:17:12,633 --> 00:17:15,067 FUCK OFF. THAT'S WHAT I'M TALKING ABOUT. 593 00:17:16,567 --> 00:17:17,800 WHAT? 594 00:17:17,833 --> 00:17:19,767 YOU KNOW, I LOVE YOUR SISTER VERY MUCH, 595 00:17:19,800 --> 00:17:20,767 AND I MADE A MISTAKE, 596 00:17:20,800 --> 00:17:21,867 AND IF I'M NOT WRONG, 597 00:17:21,900 --> 00:17:23,067 YOU'VE MADE A COUPLE OF THOSE 598 00:17:23,067 --> 00:17:24,233 IN YOUR LIFE, TOO, SO I DON'T THINK 599 00:17:24,267 --> 00:17:25,433 YOU'RE REALLY IN A POSITION 600 00:17:25,467 --> 00:17:26,567 TO JUDGE ME RIGHT NOW. 601 00:17:26,600 --> 00:17:28,467 DON'T YOU DARE TRY TO TURN THIS INTO SOME-- 602 00:17:28,500 --> 00:17:29,867 OKAY, NO. 603 00:17:29,900 --> 00:17:31,067 ALL RIGHT. 604 00:17:31,100 --> 00:17:32,067 NO, YOU'RE RIGHT. 605 00:17:32,100 --> 00:17:34,667 [COOING TO BABY] 606 00:17:34,700 --> 00:17:36,200 I WANT TO FIX IT. 607 00:17:38,733 --> 00:17:39,933 OKAY. 608 00:17:39,967 --> 00:17:41,533 SO I'M GOING TO BREAK IT OFF WITH HAZEL. 609 00:17:41,567 --> 00:17:42,733 I MEAN, THAT'S A GIVEN. 610 00:17:42,767 --> 00:17:45,767 I JUST... I'M NOT SURE... 611 00:17:45,800 --> 00:17:48,133 I DON'T KNOW WHETHER TO TELL KIT, OR... 612 00:17:48,167 --> 00:17:51,967 WHY, SO YOU CAN BREAK HER HEART AND DESTROY HER TRUST IN YOU? 613 00:17:52,067 --> 00:17:52,900 [INTERCOM BEEPS] 614 00:17:52,933 --> 00:17:56,133 MISS PHILBIN ON LINE ONE. 615 00:17:56,167 --> 00:17:58,900 SWEETIE, MAMA B'S GOT TO PUT OUT SOME FIRES, 616 00:17:58,933 --> 00:18:03,833 BUT I LOVE YOU, AND I WILL SEE YOU LATER. 617 00:18:03,867 --> 00:18:05,533 THANK YOU FOR BRINGING HER BY. 618 00:18:05,567 --> 00:18:07,467 THANKS. 619 00:18:12,267 --> 00:18:13,433 HEY, I LOVE YOU, TOO. 620 00:18:15,700 --> 00:18:17,800 RULE NUMBER ONE-- 621 00:18:17,833 --> 00:18:19,933 POKER'S ALL ABOUT DECEPTION. 622 00:18:23,533 --> 00:18:24,700 HELLO? 623 00:18:24,733 --> 00:18:25,767 HEY. 624 00:18:25,800 --> 00:18:27,400 [SIGHS] 625 00:18:27,433 --> 00:18:28,667 UM, SHE LEFT. 626 00:18:28,700 --> 00:18:30,300 STACEY DID? 627 00:18:30,333 --> 00:18:35,100 IT'S ABOUT PRETENDING YOUR HAND IS BETTER THAN IT IS. 628 00:18:35,133 --> 00:18:37,333 WE WERE ALL SET TO GO ON THIS ROMANTIC WEEKEND, 629 00:18:37,367 --> 00:18:40,833 AND SHE GOT THIS LAST-MINUTE JOB OFFER, 630 00:18:40,867 --> 00:18:42,433 AND SHE TOOK IT. 631 00:18:42,467 --> 00:18:44,733 IT'S ABOUT PSYCHING OUT THE OTHER PLAYER 632 00:18:44,767 --> 00:18:46,800 TO YOUR ADVANTAGE. 633 00:18:46,833 --> 00:18:49,100 WELL, THANK YOU VERY MUCH, YOU FUCKING VAGINA WIG. 634 00:18:49,133 --> 00:18:50,833 THE WHAT? 635 00:18:50,867 --> 00:18:54,533 YOU GOT TO KNOW WHEN TO BLUFF AND HOW FAR TO PUSH IT. 636 00:18:54,567 --> 00:18:56,267 OH, NOTHING. 637 00:18:56,300 --> 00:18:57,400 IT'S, UH... 638 00:18:57,433 --> 00:19:00,633 IT'S JUST SOMETHING THAT I CALL MY LITTLE... 639 00:19:00,667 --> 00:19:02,100 BABY NIECE. 640 00:19:02,133 --> 00:19:03,233 WELL, FUCK HER, RIGHT? 641 00:19:03,267 --> 00:19:04,233 FUCK HER. 642 00:19:04,267 --> 00:19:05,333 YEAH. 643 00:19:05,367 --> 00:19:06,733 FUCK HER. 644 00:19:06,767 --> 00:19:09,967 UM, LISTEN, I... 645 00:19:10,067 --> 00:19:11,700 I WAS WONDERING, UM... 646 00:19:11,733 --> 00:19:13,667 YOU KNOW, I'VE STILL GOT THESE RESERVATIONS, 647 00:19:13,700 --> 00:19:15,900 AND, UH... 648 00:19:15,933 --> 00:19:18,500 IF THERE'S ANY CHANCE YOU'RE FREE, YOU KNOW... 649 00:19:18,533 --> 00:19:21,067 IT-- IT'D BE REALLY SILLY TO LET THEM GO TO WASTE, 650 00:19:21,067 --> 00:19:22,233 YOU KNOW? 651 00:19:23,667 --> 00:19:26,300 LET ME CHECK MY SCHEDULE. 652 00:19:29,100 --> 00:19:30,533 SECOND RULE... 653 00:19:30,567 --> 00:19:31,867 HEY, MEGAN. 654 00:19:31,900 --> 00:19:34,133 WHAT'S WRONG? 655 00:19:34,167 --> 00:19:36,800 MITCH GAVE BARCLAY HILL THE PROMOTION. 656 00:19:36,833 --> 00:19:39,100 YOU'RE KIDDING ME. 657 00:19:39,133 --> 00:19:40,633 THAT GUY'S A MORON. 658 00:19:40,667 --> 00:19:43,300 LEAVE EMOTION AT THE DOOR. 659 00:19:43,333 --> 00:19:44,533 A MORON WHO PLAYED GOLF WITH MITCH 660 00:19:44,567 --> 00:19:47,500 AND WENT TO THE SAME FRATERNITY. 661 00:19:47,533 --> 00:19:50,700 THAT IS SO UNCOOL. 662 00:19:50,733 --> 00:19:51,933 I MEAN, YOU'RE SO MUCH MORE QUALIFIED 663 00:19:51,967 --> 00:19:53,800 THAN BARCLAY HILL. 664 00:19:53,833 --> 00:19:56,100 PLUS, YOU'VE BEEN HERE SINCE THE BEGINNING. 665 00:19:56,133 --> 00:19:58,433 YOU'VE GOT TO PLAY THE HAND YOU'RE DEALT. 666 00:19:58,467 --> 00:20:00,267 WELL, WHAT DO YOU SUGGEST I DO? 667 00:20:00,300 --> 00:20:02,400 YOU FUCKIN' SUE HIM. 668 00:20:02,433 --> 00:20:03,367 LISTEN, TO ME, MEGAN. 669 00:20:03,400 --> 00:20:04,733 NOBODY HERE DESERVES THAT PROMOTION 670 00:20:04,767 --> 00:20:05,867 MORE THAN YOU. 671 00:20:05,900 --> 00:20:07,967 NOBODY. 672 00:20:08,000 --> 00:20:10,233 DON'T GET INVOLVED IN OTHER PEOPLE'S BULLSHIT. 673 00:20:10,267 --> 00:20:12,000 THAT JUST GETS IN THE WAY. 674 00:20:12,033 --> 00:20:13,900 YOU KNOW, THAT'S EASY FOR YOU TO SAY. 675 00:20:13,933 --> 00:20:15,667 YOU'RE A MEMBER OF THE BOYS' CLUB. 676 00:20:15,700 --> 00:20:17,667 A NICE MEMBER, 677 00:20:17,700 --> 00:20:19,933 BUT A MEMBER NONETHELESS. 678 00:20:21,233 --> 00:20:22,367 [SIGHS] 679 00:20:23,567 --> 00:20:24,800 THIRD RULE-- 680 00:20:24,833 --> 00:20:26,800 POKER IS NOT FOR, LIKE, THE WUSSY PLAYER, ALL RIGHT? 681 00:20:26,833 --> 00:20:30,300 SOMETIMES, YOU GOT TO GO ALL IN. 682 00:20:36,967 --> 00:20:39,300 PLACE YOUR BET... 683 00:20:41,400 --> 00:20:44,200 [POWER TOOLS WHIRRING] 684 00:20:54,533 --> 00:20:56,367 THEN COMMIT TO YOUR HAND. 685 00:21:00,567 --> 00:21:03,933 [**] 686 00:21:19,133 --> 00:21:20,967 WHY DO I SCARE YOU? 687 00:21:40,967 --> 00:21:42,667 [SIGHS SHAKILY] 688 00:21:53,467 --> 00:21:57,767 THE MORE I'M AFRAID OF SOMETHING, 689 00:21:57,800 --> 00:22:00,967 THE MORE I KNOW I HAVE TO DO IT. 690 00:22:02,500 --> 00:22:04,867 I FIGURED THAT OUT WHEN I WAS A KID. 691 00:22:07,933 --> 00:22:12,533 I CAN LEAD A PROTECTED LIFE, 692 00:22:12,567 --> 00:22:17,933 HIDING AWAY FROM THE SCARY WORLD, 693 00:22:17,967 --> 00:22:21,467 OR I CAN TAKE ON THE THINGS 694 00:22:21,500 --> 00:22:23,333 THAT SCARE ME THE MOST. 695 00:22:26,367 --> 00:22:30,067 THE MORE IT MIGHT HURT... 696 00:22:33,333 --> 00:22:36,567 THE MORE I MIGHT DIE DOING IT... 697 00:22:40,533 --> 00:22:44,700 THE MORE WORTH DOING IT MUST BE. 698 00:22:47,200 --> 00:22:49,133 I DON'T WANT TO DIE RIGHT NOW. 699 00:22:49,167 --> 00:22:52,067 ME NEITHER. 700 00:23:04,400 --> 00:23:07,067 DO YOU WANT TO TRY IT? 701 00:23:43,133 --> 00:23:44,100 IT'S OKAY. 702 00:23:44,133 --> 00:23:46,467 [SIGHS, SOBBING] 703 00:23:54,267 --> 00:23:57,333 [**] 704 00:24:30,133 --> 00:24:31,100 COME DOWN. 705 00:24:31,133 --> 00:24:32,533 COME UP. 706 00:24:32,567 --> 00:24:34,433 [LAUGHS SOFTLY] 707 00:24:34,467 --> 00:24:36,900 DON'T WORRY ABOUT GETTING DIRTY. 708 00:25:06,433 --> 00:25:08,500 [GASPS] 709 00:26:05,200 --> 00:26:06,867 [GASPING] 710 00:26:33,067 --> 00:26:34,833 [EXCITED CHATTER] 711 00:26:34,867 --> 00:26:37,233 NICELY DONE. 712 00:26:37,267 --> 00:26:38,467 PUT 'EM IN, PUT 'EM IN. 713 00:26:38,500 --> 00:26:40,133 ARE WE IN? 714 00:26:40,167 --> 00:26:41,633 WHAT ARE WE DOING HERE? ALL RIGHT, ALL RIGHT. 715 00:26:41,667 --> 00:26:44,333 LIKE HOW DO YOU KNOW YOU WON? 716 00:26:44,367 --> 00:26:45,500 [LAUGHING] 717 00:26:45,533 --> 00:26:46,733 ALL RIGHT. 718 00:26:46,767 --> 00:26:48,833 PAPI... 719 00:26:48,867 --> 00:26:50,433 WE'RE GOING TO SMOKE. 720 00:26:50,467 --> 00:26:53,233 ALL RIGHT, GIRL. 721 00:26:53,267 --> 00:26:54,433 [SIGHS] 722 00:26:54,467 --> 00:26:57,167 HERE WE GO, AND... 723 00:26:57,200 --> 00:26:58,400 YEAH, I'M READY. 724 00:26:58,433 --> 00:26:59,467 GO. 725 00:26:59,500 --> 00:27:00,467 OH, SHIT! 726 00:27:00,500 --> 00:27:02,067 OH, MAN! 727 00:27:02,067 --> 00:27:03,700 I WANT MY SHIT.MY GIRL'S A WINNER. 728 00:27:03,733 --> 00:27:05,300 SHE KEEPS THOSE CARDS CLOSE TO HER CHEST. 729 00:27:07,933 --> 00:27:09,067 I AM SO PROUD OF YOU, MAN. 730 00:27:09,100 --> 00:27:11,700 OH! 731 00:27:11,733 --> 00:27:12,800 YOU JUST WAIT IT OUT. 732 00:27:12,833 --> 00:27:13,800 YOU JUST WAIT IT OUT, LADY. 733 00:27:13,833 --> 00:27:14,867 YOU JUST WAIT IT OUT. 734 00:27:14,900 --> 00:27:15,933 THIS IS RENT MONEY. 735 00:27:15,967 --> 00:27:16,900 ARE YOU SHUFFLING THE CARDS FUNNY? 736 00:27:16,933 --> 00:27:17,967 ALICE... 737 00:27:18,067 --> 00:27:19,533 IT'S THE SEVEN OF SPADES, RIGHT? 738 00:27:19,567 --> 00:27:21,733 [LAUGHING] 739 00:27:21,767 --> 00:27:22,533 OKAY! 740 00:27:22,567 --> 00:27:23,700 READY? 741 00:27:23,733 --> 00:27:24,833 READ IT AND WEEP! 742 00:27:24,867 --> 00:27:26,567 I'M DEALIN', I'M DEALIN'. 743 00:27:26,600 --> 00:27:28,067 OH, SORRY, SORRY. 744 00:27:28,100 --> 00:27:29,900 GET PAPI OFF THE CHIPS. 745 00:27:29,933 --> 00:27:31,200 [LAUGHING] 746 00:27:31,233 --> 00:27:32,467 THAT'S FUNNY. I'LL DO THAT. 747 00:27:32,500 --> 00:27:34,333 THAT'S IT. SHE'S IN. 748 00:27:34,367 --> 00:27:35,533 OH, YOU KNOW WHAT? 749 00:27:35,567 --> 00:27:37,200 YOU KNOW WHAT? 750 00:27:37,233 --> 00:27:38,200 YEAH, YEAH, SURE OKAY. 751 00:27:38,233 --> 00:27:41,500 AH, SHIT, LITTLE NICKI. 752 00:27:41,533 --> 00:27:43,200 HUH? 753 00:27:46,767 --> 00:27:48,367 OKAY. 754 00:27:48,700 --> 00:27:50,700 OH, YOU ARE SO FUCKED. 755 00:27:50,733 --> 00:27:52,067 I'M GOING TO PUT... 756 00:27:52,067 --> 00:27:53,333 YOU KNOW WHAT? 757 00:27:53,367 --> 00:27:54,367 HEY, MAMA... 758 00:27:54,400 --> 00:27:55,533 I WON! OW! 759 00:27:57,400 --> 00:27:59,533 TAKING IT IN, TAKING IT IN... 760 00:27:59,567 --> 00:28:01,433 [LAUGHING] 761 00:28:01,467 --> 00:28:02,467 WHAT SHOULD I HAVE DONE, THEN? 762 00:28:04,200 --> 00:28:05,267 WHAT ARE YOU DOING? 763 00:28:06,767 --> 00:28:08,267 GET THE FUCK OFF OF HER! 764 00:28:08,300 --> 00:28:09,600 FUCK YOU. 765 00:28:09,633 --> 00:28:10,600 [SPEAKING SPANISH] 766 00:28:10,633 --> 00:28:12,267 FUCK YOU! OKAY, OKAY... 767 00:28:12,300 --> 00:28:14,633 FUCK YOU! 768 00:28:14,667 --> 00:28:15,567 FUCK YOU, FUCK YOU! 769 00:28:15,600 --> 00:28:16,700 FUCK YOU! 770 00:28:16,733 --> 00:28:18,133 OKAY, OKAY, CALM THE SHIT DOWN! 771 00:28:18,167 --> 00:28:19,600 [ALL SHOUTING AT ONCE] 772 00:28:19,633 --> 00:28:20,900 STOP IT! CHILL OUT! 773 00:28:20,933 --> 00:28:22,233 [SHOUTING ANGRILY IN SPANISH] 774 00:28:22,267 --> 00:28:23,600 GET OFF HER! 775 00:28:23,633 --> 00:28:26,567 HANDLE YOUR BITCHES, MAN! 776 00:28:26,600 --> 00:28:27,467 OH, YOU'RE GOING DOWN, BITCH! 777 00:28:27,500 --> 00:28:29,400 ALL RIGHT, ALL RIGHT. 778 00:28:29,433 --> 00:28:30,300 LADIES! 779 00:28:30,333 --> 00:28:31,967 YOU'RE GOING DOWN, BITCH! 780 00:28:32,067 --> 00:28:33,467 FUCK YOU! 781 00:28:33,500 --> 00:28:34,900 CAN WE ALL JUST GET ALONG? 782 00:28:34,933 --> 00:28:37,767 OH, GOD. OH, GOD... 783 00:28:37,800 --> 00:28:38,767 FUCK MY MOTHER! 784 00:28:38,800 --> 00:28:39,767 I AM SO SORRY. 785 00:28:39,800 --> 00:28:42,067 OH, FUCK. SHIT... 786 00:28:42,100 --> 00:28:43,067 OH, IT HURTS. 787 00:28:43,100 --> 00:28:43,867 ARE YOU OKAY? 788 00:28:43,900 --> 00:28:44,767 IT REALLY HURTS. 789 00:28:48,533 --> 00:28:49,633 I'M SORRY AGAIN. 790 00:28:49,667 --> 00:28:51,700 THAT RUBY'S KIND OF PSYCHO. 791 00:28:51,733 --> 00:28:52,767 IT'S OKAY. 792 00:28:52,800 --> 00:28:53,767 OW, OW, OW. 793 00:28:53,800 --> 00:28:56,500 SORRY. OH. 794 00:28:56,533 --> 00:28:58,533 NO, IT'S-- IT'S FINE. 795 00:28:58,567 --> 00:28:59,567 I'M ACTUALLY KIND OF EXCITED 796 00:28:59,600 --> 00:29:00,767 TO GET A BLACK EYE. 797 00:29:00,800 --> 00:29:01,900 I THINK IT'LL BE CUTE. 798 00:29:01,933 --> 00:29:03,067 I DON'T KNOW WHY. 799 00:29:03,067 --> 00:29:04,167 IT'S GOING TO LOOK GOOD. 800 00:29:04,200 --> 00:29:05,167 I DON'T KNOW ABOUT A BLACK EYE, 801 00:29:05,200 --> 00:29:06,767 BUT YOU'LL DEFINITELY HAVE A BAD BRUISE 802 00:29:06,800 --> 00:29:08,600 FOR ABOUT A WEEK. 803 00:29:08,633 --> 00:29:09,933 WELL, SEE, THAT'S NO GOOD. 804 00:29:09,967 --> 00:29:11,067 THAT IS NOT GOING TO LOOK GOOD 805 00:29:11,067 --> 00:29:12,800 FOR THE PREMIERE. 806 00:29:12,833 --> 00:29:13,867 YOU'RE GOING, RIGHT? 807 00:29:13,900 --> 00:29:15,067 ARE YOU GOING? 808 00:29:15,067 --> 00:29:16,133 YEAH, I'M GOING. 809 00:29:17,967 --> 00:29:20,067 AND DON'T WORRY, YOU'LL STILL BE CUTE. 810 00:29:26,467 --> 00:29:27,500 OH, MY GOD. 811 00:29:27,533 --> 00:29:28,933 IT LOOKS LIKE HE GOT ATTACKED 812 00:29:28,967 --> 00:29:30,667 WITH A LAWNMOWER. 813 00:29:30,700 --> 00:29:32,933 I'M GUESSING A CAR ACCIDENT. 814 00:29:32,967 --> 00:29:34,133 ALL THAT BLOOD COMING OUT OF HIS NOSE 815 00:29:34,167 --> 00:29:36,100 MEANS HE COULD HAVE INTERNAL INJURIES. 816 00:29:36,133 --> 00:29:38,833 HE'S DEFINITELY GETTING IN BEFORE YOU. 817 00:29:38,867 --> 00:29:41,067 WHAT ARE YOU, A PARAMEDIC? 818 00:29:41,100 --> 00:29:43,567 NO. 819 00:29:46,067 --> 00:29:48,200 EXCUSE US, PEOPLE. COMING THROUGH HERE. 820 00:29:48,233 --> 00:29:50,900 IT'S LIKE FUCKING IRAQ IN HERE. 821 00:29:50,933 --> 00:29:52,167 IT'S NOT FUCKING IRAQ IN HERE. 822 00:29:52,200 --> 00:29:55,167 YOU HAVEN'T SEEN IRAQ. 823 00:29:55,200 --> 00:29:56,200 LIKE YOU HAVE? 824 00:29:56,233 --> 00:29:57,833 YEAH. 825 00:29:57,867 --> 00:29:59,167 WHAT ARE YOU TALKING ABOUT? 826 00:29:59,200 --> 00:30:00,933 JUST WHAT I SAID. I'VE BEEN TO IRAQ. 827 00:30:00,967 --> 00:30:02,433 ARE YOU A JOURNALIST? 828 00:30:02,467 --> 00:30:04,300 NO, I'M IN THE SERVICE. 829 00:30:04,333 --> 00:30:06,133 YOU'RE IN THE ARMY? 830 00:30:06,167 --> 00:30:07,367 NATIONAL GUARD. 831 00:30:09,267 --> 00:30:10,933 WHAT, YOU GOT A PROBLEM WITH THAT? 832 00:30:13,433 --> 00:30:14,533 NO, I JUST... 833 00:30:14,567 --> 00:30:16,267 I GUESS I NEVER IMAGINED-- 834 00:30:16,300 --> 00:30:17,867 OKAY, I'LL TELL YOU WHAT. 835 00:30:17,900 --> 00:30:19,733 WHILE I WAS OVER THERE DEFENDING YOUR COUNTRY, 836 00:30:19,767 --> 00:30:21,333 WHAT WERE YOU OVER HERE DOING? 837 00:30:21,367 --> 00:30:22,900 WHAT, BURNING UP OIL 838 00:30:22,933 --> 00:30:26,367 DRIVING YOUR CAR TO THE BEAUTY SALON? 839 00:30:26,400 --> 00:30:27,567 UH, LISTEN, 840 00:30:27,600 --> 00:30:28,833 I NEVER ASKED YOU TO GO FIGHT 841 00:30:28,867 --> 00:30:30,733 GEORGE BUSH'S STUPID FUCKING WAR, OKAY? 842 00:30:30,767 --> 00:30:32,000 IT WAS MY JOB. 843 00:30:32,033 --> 00:30:34,000 I DON'T LIKE BUSH ANY MORE THAN YOU DO. 844 00:30:34,033 --> 00:30:35,867 IT'S YOUR JOB TO KILL INNOCENT IRAQIS? 845 00:30:35,900 --> 00:30:37,067 YOU KNOW WHAT?THAT'S... THAT'S A JOB? 846 00:30:37,100 --> 00:30:38,467 FUCK THIS SHIT. 847 00:30:38,500 --> 00:30:40,000 HEY, TASHA, I'M SORRY. 848 00:30:40,033 --> 00:30:41,167 I'M SORRY. 849 00:30:43,233 --> 00:30:44,600 I DON'T EVEN KNOW WHY I SAID THAT. 850 00:30:44,633 --> 00:30:45,700 I WAS... 851 00:30:45,733 --> 00:30:46,833 I'M SORRY. 852 00:30:48,467 --> 00:30:49,867 PLEASE DON'T GO. 853 00:30:51,033 --> 00:30:52,833 I'M SORRY. 854 00:31:12,767 --> 00:31:14,833 SO, WHAT'S UP WITH YOUR EYE? 855 00:31:14,867 --> 00:31:17,067 WELL, IT HURTS LIKE FUCK. 856 00:31:17,067 --> 00:31:18,900 SORRY. 857 00:31:20,867 --> 00:31:22,567 [CHUCKLING] 858 00:31:28,100 --> 00:31:29,067 PERSONALLY, 859 00:31:29,100 --> 00:31:29,967 I'VE NEVER SEEN ANYTHING LIKE IT BEFORE. 860 00:31:30,067 --> 00:31:31,100 YOU DO A GIRL A FAVOR, 861 00:31:31,133 --> 00:31:33,533 AND SHE ENDS UP BITING THE HAND THAT FEEDS HER? 862 00:31:33,567 --> 00:31:34,667 HEY, WHAT'S HAPPENING? 863 00:31:34,700 --> 00:31:37,367 OH, MEGAN REED MADE A COMPLAINT 864 00:31:37,400 --> 00:31:38,633 AND IS THINKING ABOUT SUING MITCH 865 00:31:38,667 --> 00:31:41,433 FOR PASSING HER OVER FOR THE PM PROMOTION. 866 00:31:41,467 --> 00:31:42,867 SHE'S GOING TO SUE HIM? 867 00:31:42,900 --> 00:31:44,067 WELL, SHE HAS BEEN HERE LONGER THAN BARCLAY 868 00:31:44,067 --> 00:31:45,267 IT'S TOTAL BULLSHIT, OKAY? 869 00:31:45,300 --> 00:31:46,600 SHE DOESN'T HAVE A LEG TO STAND ON. 870 00:31:46,633 --> 00:31:48,300 DONALD HEARD ME OUT. 871 00:31:48,333 --> 00:31:49,767 HE'S TOTALLY BEHIND ME. 872 00:31:49,800 --> 00:31:51,633 SHE'S A STUPID BITCH. 873 00:31:53,067 --> 00:31:54,533 WHATEVER. 874 00:31:54,567 --> 00:31:55,700 WHATEVER. 875 00:32:05,533 --> 00:32:07,100 LET'S GO, MR. MAN. 876 00:32:07,133 --> 00:32:08,133 YOU HAVE A GREAT TIME. 877 00:32:08,167 --> 00:32:09,133 OKAY. 878 00:32:09,167 --> 00:32:10,167 HEY. 879 00:32:10,200 --> 00:32:11,367 HEY, SHAY. 880 00:32:11,400 --> 00:32:12,667 HI. 881 00:32:12,700 --> 00:32:13,500 JARED'S OUT BACK WITH OUR NEIGHBORS. 882 00:32:13,533 --> 00:32:14,800 SEE YOU, SHANE. 883 00:32:14,833 --> 00:32:15,833 THANK YOU SO MUCH FOR DOING THIS. 884 00:32:15,867 --> 00:32:16,900 I APPRECIATE IT. 885 00:32:16,933 --> 00:32:18,367 SURE... 886 00:32:18,400 --> 00:32:19,500 AND, UM... 887 00:32:19,533 --> 00:32:21,267 I'M SORRY... 888 00:32:21,300 --> 00:32:23,067 ABOUT THE OTHER DAY. 889 00:32:23,067 --> 00:32:24,367 NO... 890 00:32:24,400 --> 00:32:26,233 I REALLY DON'T WANT TO MAKE YOU UNCOMFORTABLE. 891 00:32:26,267 --> 00:32:27,667 NO, NO, YOU DIDN'T... 892 00:32:27,700 --> 00:32:29,800 IT WAS... IT WAS ME, TOO. 893 00:32:29,833 --> 00:32:31,467 I HAD A PART IN THAT. 894 00:32:31,500 --> 00:32:33,967 I JUST, UH... 895 00:32:34,067 --> 00:32:35,800 I DON'T KNOW. I DON'T... 896 00:32:35,833 --> 00:32:37,867 I DON'T WANT TO FUCK THINGS UP RIGHT NOW. 897 00:32:37,900 --> 00:32:39,400 YOU KNOW, WITH SHAY... 898 00:32:39,433 --> 00:32:40,800 AND MYSELF-- 899 00:32:40,833 --> 00:32:43,633 WHAT MAKES YOU THINK YOU WOULD FUCK THINGS UP? 900 00:32:45,267 --> 00:32:48,233 PAIGE... 901 00:32:48,267 --> 00:32:50,467 I MEAN IT, I THINK YOU ARE AN AMAZING WOMAN-- 902 00:32:50,500 --> 00:32:51,800 OH, NO, NO, NO. 903 00:32:51,833 --> 00:32:55,667 JUST-- JUST STOP BEFORE YOU GET TO THE "BUT." 904 00:32:55,700 --> 00:32:59,567 "YOU'RE A REALLY AMAZING WOMAN, BUT YOU'RE NOT MY TYPE. 905 00:32:59,600 --> 00:33:01,800 "YOU'RE A REALLY AMAZING WOMAN, 906 00:33:01,833 --> 00:33:04,233 "BUT I'M IN A RELATIONSHIP. 907 00:33:04,267 --> 00:33:07,567 "I'D REALLY LOVE TO FUCK YOU... 908 00:33:07,600 --> 00:33:09,367 BUT I WON'T STAY THE NIGHT." 909 00:33:12,067 --> 00:33:13,200 I PROBABLY WOULDN'T... 910 00:33:15,900 --> 00:33:18,333 AND... 911 00:33:18,367 --> 00:33:20,833 I'M ALSO THE PERSON THAT... 912 00:33:20,867 --> 00:33:23,867 WHEN I GET TOO CLOSE TO SOMEONE, I PUSH HER AWAY... 913 00:33:26,400 --> 00:33:30,133 AND I DON'T TRUST MYSELF ENOUGH TO NOT DO THAT TO YOU. 914 00:33:31,500 --> 00:33:34,100 AND I DON'T WANT TO DO THAT TO YOU, 915 00:33:34,133 --> 00:33:36,133 BECAUSE I... I MEAN IT. 916 00:33:36,167 --> 00:33:38,233 I DO THINK YOU'RE AN AMAZING WOMAN, 917 00:33:38,267 --> 00:33:40,933 AND I... 918 00:33:40,967 --> 00:33:42,200 I THINK YOU CAN DO A LOT BETTER THAN ME. 919 00:33:42,233 --> 00:33:44,233 THANKS. 920 00:33:44,267 --> 00:33:46,367 THAT'S A NICE WAY TO PUT IT. 921 00:33:46,400 --> 00:33:48,367 IT'S THE TRUTH. 922 00:33:52,600 --> 00:33:54,800 WELL, UM, THANK YOU AGAIN. 923 00:33:54,833 --> 00:33:56,267 HAVE A GOOD TIME. 924 00:33:56,300 --> 00:33:57,367 YEAH. 925 00:33:57,400 --> 00:33:59,233 UM, I'LL CALL YOU IN A LITTLE BIT 926 00:33:59,267 --> 00:34:02,967 AND CHECK IN AND SEE HOW THE KIDS ARE DOING. 927 00:34:03,067 --> 00:34:04,367 GO. 928 00:34:05,533 --> 00:34:06,533 HEY... 929 00:34:06,567 --> 00:34:07,867 UM... 930 00:34:07,900 --> 00:34:09,100 WITH EVERYTHING THAT'S GOING ON 931 00:34:09,133 --> 00:34:11,933 IN YOUR LIFE RIGHT NOW... 932 00:34:11,967 --> 00:34:14,867 IF YOU NEED A FRIEND, 933 00:34:14,900 --> 00:34:16,067 I'M UP FOR THAT. 934 00:34:17,567 --> 00:34:18,700 I WOULD LOVE THAT. 935 00:34:24,467 --> 00:34:26,467 [ENGINE TURNS OVER] 936 00:34:27,933 --> 00:34:29,267 WELL, CHECK AGAIN! 937 00:34:29,300 --> 00:34:31,333 AM I SPEAKING ANOTHER LANGUAGE? 938 00:34:31,367 --> 00:34:32,867 STACEY MERKIN. 939 00:34:32,900 --> 00:34:35,233 M-E-R-K-I-N. 940 00:34:35,267 --> 00:34:37,200 JUST CHECK UNDER C MAGAZINE. 941 00:34:37,233 --> 00:34:37,900 WHAT'S GOING ON? 942 00:34:37,933 --> 00:34:39,267 HI. 943 00:34:39,300 --> 00:34:41,700 I'M SUPPOSED TO BE INTERVIEWING SHANE MCCUTCHEON. 944 00:34:41,733 --> 00:34:44,067 I'M STACEY MERKIN FROM C MAGAZINE. 945 00:34:44,100 --> 00:34:45,533 C MAGAZINE'S ALREADY INSIDE IN THE GREEN ROOM. 946 00:34:45,567 --> 00:34:46,633 WHO BOOKED YOU? 947 00:34:46,667 --> 00:34:47,933 SOPHIA MANCUSO. 948 00:34:47,967 --> 00:34:49,300 I DON'T KNOW ANY SOPHIA MANCUSO, 949 00:34:49,333 --> 00:34:50,367 AND I KNOW EVERYBODY. 950 00:34:50,400 --> 00:34:51,433 WE CAN'T HELP YOU. 951 00:34:51,467 --> 00:34:53,267 FUCKIN' ASSHOLE. 952 00:34:53,300 --> 00:34:54,533 HEY, MAX. 953 00:34:54,567 --> 00:34:55,867 HEY. 954 00:34:55,900 --> 00:34:57,767 WHAT IS IT THAT YOU WANTED TO TALK TO ME ABOUT? 955 00:34:57,800 --> 00:35:01,233 I'M HERE TO BACK UP MEGAN REED. 956 00:35:01,267 --> 00:35:03,267 WHAT DO YOU MEAN? 957 00:35:03,300 --> 00:35:05,800 I KNOW FOR A FACT THAT MITCH DOESN'T SUPPORT WOMEN 958 00:35:05,833 --> 00:35:07,800 AND THAT HE ROUTINELY DISCRIMINATES 959 00:35:07,833 --> 00:35:09,200 AGAINST FEMALE EMPLOYEES. 960 00:35:09,233 --> 00:35:11,067 WELL, HOW DO YOU KNOW THAT? 961 00:35:11,067 --> 00:35:12,700 WHAT EVIDENCE ARE YOU OFFERING 962 00:35:12,733 --> 00:35:14,800 TO SUBSTANTIATE MEGAN'S ACCUSATION? 963 00:35:16,767 --> 00:35:18,533 BECAUSE HE DID IT TO ME. 964 00:35:21,400 --> 00:35:24,833 [**] 965 00:35:24,867 --> 00:35:27,500 [CAMERAS CLICKING] 966 00:35:47,967 --> 00:35:50,067 [ONLOOKERS SHOUTING AND CHEERING] 967 00:35:50,067 --> 00:35:51,700 OH, MY GOD. 968 00:35:51,733 --> 00:35:52,800 OH, MY GOD. 969 00:35:52,833 --> 00:35:53,833 WOW... 970 00:35:56,333 --> 00:35:57,567 WHAT DOES THAT MEAN? 971 00:35:57,600 --> 00:35:58,933 "YOU'RE LOOKING VERY SHANE TODAY"? 972 00:35:58,967 --> 00:36:00,567 FUCK IF I KNOW. 973 00:36:03,567 --> 00:36:05,167 LET'S GO ON IN. 974 00:36:05,200 --> 00:36:06,200 OH, COME WITH ME. 975 00:36:06,233 --> 00:36:07,100 OH, SORRY, YOU HAVE TO STAY HERE. 976 00:36:07,133 --> 00:36:08,467 THEY'RE GOING TO COME IN. 977 00:36:08,500 --> 00:36:09,400 OH, REALLY? 978 00:36:09,433 --> 00:36:11,667 THAT IS SO RUDE. 979 00:36:11,700 --> 00:36:13,300 [CAMERAS CLICKING] 980 00:36:13,333 --> 00:36:15,600 [CROWD CHEERING] 981 00:36:28,867 --> 00:36:32,367 THIS IS CRAZY. 982 00:36:32,400 --> 00:36:33,367 THIS SUCKS. 983 00:36:33,400 --> 00:36:35,533 OKAY, ENOUGH. 984 00:36:35,567 --> 00:36:36,567 DO YOU WANT TO GO IN? 985 00:36:36,600 --> 00:36:37,567 LET'S GO ON IN. 986 00:36:37,600 --> 00:36:38,567 SHANE! 987 00:36:38,600 --> 00:36:40,100 SHANE, HI. 988 00:36:40,133 --> 00:36:41,367 IT'S STACEY MERKIN. I WAS SUPPOSED TO INTERVIEW YOU. 989 00:36:41,400 --> 00:36:43,367 ARE YOU THE VAGINA WIG? 990 00:36:43,400 --> 00:36:44,533 NO, I-- 991 00:36:44,567 --> 00:36:45,700 ALL RIGHT, TIME TO GO, MA'AM. 992 00:36:45,733 --> 00:36:49,433 HI! 993 00:36:49,467 --> 00:36:50,567 THE CHART. 994 00:36:50,600 --> 00:36:51,967 YEAH, ALICE. YOU KNOW... 995 00:36:52,067 --> 00:36:52,867 YOU KNOW... 996 00:36:52,900 --> 00:36:53,900 DRESS. 997 00:36:53,933 --> 00:36:55,600 IT'S A PRETTY... 998 00:36:55,633 --> 00:36:57,133 SORRY. 999 00:37:02,500 --> 00:37:04,100 DEBBIE... 1000 00:37:04,133 --> 00:37:05,467 DO YOU THINK IT'S TERRIBLE, 1001 00:37:05,500 --> 00:37:08,067 THE TWO OF US BEING HERE ALONE TOGETHER? 1002 00:37:08,100 --> 00:37:10,300 NO, I DON'T THINK IT'S TERRIBLE. 1003 00:37:10,333 --> 00:37:12,567 I THINK THAT SHE WAS THE ONE THAT STOOD YOU UP, 1004 00:37:12,600 --> 00:37:16,167 AND YOU'VE DONE NOTHING WRONG. 1005 00:37:19,067 --> 00:37:20,900 THING IS, I'M SUPPOSED TO BE COMPLETELY BROKEN-HEARTED 1006 00:37:20,933 --> 00:37:23,733 BECAUSE SHE DOESN'T CARE ENOUGH ABOUT THE RELATIONSHIP 1007 00:37:23,767 --> 00:37:25,800 TO TURN DOWN A STUPID INTERVIEW 1008 00:37:25,833 --> 00:37:29,467 WITH SOME NO-NAME CELEBRITY, 1009 00:37:29,500 --> 00:37:32,600 AND THE TRUTH IS, I ACTUALLY... 1010 00:37:32,633 --> 00:37:35,767 IN A VERY BEAUTIFUL PLACE WITH YOU, 1011 00:37:35,800 --> 00:37:39,267 AND... 1012 00:37:39,300 --> 00:37:44,800 AND THERE'S A FIRE, AND GOOD WINE, AND... 1013 00:37:48,067 --> 00:37:49,867 I THINK THE REASON WHY I FEEL GUILTY 1014 00:37:49,900 --> 00:37:52,300 IS THAT I REALLY WANT TO KISS YOU. 1015 00:37:52,333 --> 00:37:54,933 YOU DO? 1016 00:37:58,767 --> 00:37:59,800 A LOT. 1017 00:38:04,567 --> 00:38:06,233 SO KISS ME. 1018 00:38:09,067 --> 00:38:10,733 I... 1019 00:38:21,733 --> 00:38:23,100 [SIGHING] 1020 00:38:43,333 --> 00:38:44,733 [GIGGLING] 1021 00:38:49,900 --> 00:38:51,067 OH, I CAN'T. 1022 00:38:51,067 --> 00:38:52,133 [EXHALES] 1023 00:38:52,167 --> 00:38:54,567 I'M SORRY. I... 1024 00:38:54,600 --> 00:38:56,100 OKAY. 1025 00:38:56,133 --> 00:38:58,633 I REALLY WANT YOU... 1026 00:38:58,667 --> 00:39:01,467 BUT I THINK THAT, UH... 1027 00:39:01,500 --> 00:39:03,433 I FEEL TERRIBLE, BUT I JUST... 1028 00:39:03,467 --> 00:39:05,167 I CAN'T CHEAT ON STACEY LIKE THIS. 1029 00:39:05,200 --> 00:39:06,767 I'VE GOT TO, UM... 1030 00:39:06,800 --> 00:39:08,633 I'LL TALK TO HER, 1031 00:39:08,667 --> 00:39:11,867 AND I'LL TELL HER THAT IT'S JUST... 1032 00:39:11,900 --> 00:39:13,933 OVER, AND THEN I'LL... 1033 00:39:13,967 --> 00:39:15,600 I OWE HER THAT. 1034 00:39:15,633 --> 00:39:19,133 I AM SO CRAZY ABOUT YOU. 1035 00:39:19,167 --> 00:39:20,333 YOU ARE? 1036 00:39:25,800 --> 00:39:26,833 OH, FUCK. 1037 00:39:26,867 --> 00:39:28,367 UM... 1038 00:39:28,400 --> 00:39:30,067 I HAVE TO, UH... 1039 00:39:30,067 --> 00:39:31,800 I HAVE TO TALK TO YOU ABOUT SOMETHING. 1040 00:39:31,833 --> 00:39:33,600 WHAT? 1041 00:39:33,633 --> 00:39:35,067 UH... 1042 00:39:35,067 --> 00:39:36,800 OKAY. 1043 00:39:36,833 --> 00:39:38,100 I'VE BEEN LYING TO YOU, 1044 00:39:38,133 --> 00:39:41,600 AND I'VE DONE SOMETHING THAT'S VERY DISHONEST, 1045 00:39:41,633 --> 00:39:43,767 AND I'M VERY, VERY, VERY SORRY. 1046 00:39:43,800 --> 00:39:48,300 I HOPE THAT... 1047 00:39:48,333 --> 00:39:51,267 IF YOU CAN LET ME EXPLAIN ALL THE CRAZY REASONS 1048 00:39:51,300 --> 00:39:54,367 WHY I'VE DONE THIS, THAT... 1049 00:39:54,400 --> 00:39:57,700 IT WON'T BE TOO LATE FOR US. 1050 00:39:59,300 --> 00:40:01,667 OH... 1051 00:40:01,700 --> 00:40:04,467 UM, THERE'S NO SUCH THING AS "TOO LATE." 1052 00:40:04,500 --> 00:40:07,433 I REALLY BELIEVE THAT. 1053 00:40:07,467 --> 00:40:08,933 TRULY. 1054 00:40:08,967 --> 00:40:10,300 JUST TELL ME. 1055 00:40:10,333 --> 00:40:11,600 JUST TALK TO ME. 1056 00:40:11,633 --> 00:40:13,433 WHATEVER YOU'VE DONE-- I AM SO SORRY. 1057 00:40:13,467 --> 00:40:15,700 WHAT, HONEY? I CAN-- 1058 00:40:15,733 --> 00:40:16,767 [KNOCK ON DOOR] 1059 00:40:16,800 --> 00:40:18,133 YEAH? 1060 00:40:18,167 --> 00:40:19,400 LINDSEY? 1061 00:40:19,433 --> 00:40:20,467 LINDSEY, ARE YOU IN THERE? 1062 00:40:20,500 --> 00:40:22,167 LINDSEY? 1063 00:40:22,200 --> 00:40:23,367 WHERE'S MY SHIRT? 1064 00:40:23,400 --> 00:40:24,500 LINDSEY? 1065 00:40:24,533 --> 00:40:25,933 FLOOR. 1066 00:40:25,967 --> 00:40:27,400 IT'S OKAY, HONEY, I JUST... 1067 00:40:27,433 --> 00:40:28,933 I'M GETTING OUT OF THE SHOWER. 1068 00:40:28,967 --> 00:40:30,467 THERE'S WATER EVERYWHERE. 1069 00:40:30,500 --> 00:40:31,567 SWEETIE, I AM SO SORRY. 1070 00:40:31,600 --> 00:40:32,967 I'LL BE THERE IN TWO SECONDS. 1071 00:40:33,000 --> 00:40:34,267 WHAT THE FUCK IS SHE DOING HERE? 1072 00:40:34,300 --> 00:40:35,200 IT WAS SUCH A STUPID MISTAKE. 1073 00:40:35,233 --> 00:40:36,233 I DIDN'T MEAN-- IT'S OKAY. 1074 00:40:36,267 --> 00:40:37,933 WHAT ARE YOU DOING HERE? 1075 00:40:37,967 --> 00:40:39,667 OH, MY GOD. I AM SO SORRY. 1076 00:40:39,700 --> 00:40:41,533 YOU'RE CRAZY. 1077 00:40:41,567 --> 00:40:42,733 I... 1078 00:40:44,100 --> 00:40:45,900 UH... 1079 00:40:45,933 --> 00:40:46,933 SCHECTER. 1080 00:40:46,967 --> 00:40:49,300 HELLO, MERKIN. 1081 00:40:49,333 --> 00:40:50,467 STACEY, THIS IS MY FRIEND 1082 00:40:50,500 --> 00:40:51,533 I WAS TELLING YOU ABOUT. 1083 00:40:51,567 --> 00:40:52,633 THIS IS DEBBIE OXNARD. 1084 00:40:52,667 --> 00:40:54,233 NO. 1085 00:40:54,267 --> 00:40:55,967 THIS IS JENNIFER FUCKING SCHECTER. 1086 00:40:56,000 --> 00:40:57,533 THE LUNATIC WHOSE BOOK I REVIEWED. 1087 00:40:57,567 --> 00:40:59,767 WHAT? 1088 00:40:59,800 --> 00:41:01,633 [CLEARS THROAT] 1089 00:41:01,667 --> 00:41:04,200 THAT'S ACTUALLY WHAT I WAS ABOUT TO... 1090 00:41:04,233 --> 00:41:05,633 EXPLAIN. 1091 00:41:05,667 --> 00:41:07,833 WHAT COULD YOU POSSIBLY SAY? 1092 00:41:07,867 --> 00:41:09,800 I DON'T KNOW. 1093 00:41:09,833 --> 00:41:11,633 THIS IS GOING TO SOUND SO... 1094 00:41:16,200 --> 00:41:20,133 I THOUGHT THAT IF I COULD PROVE THAT YOU WEREN'T A SAINT... 1095 00:41:20,167 --> 00:41:23,333 AND I THOUGHT THAT IF I COULD MAKE YOU... 1096 00:41:23,367 --> 00:41:25,067 SLEEP WITH ME, 1097 00:41:25,067 --> 00:41:26,967 THAT IT WOULD PROVE THAT ALL THOSE REALLY HORRIBLE, 1098 00:41:27,067 --> 00:41:28,067 MEAN THINGS 1099 00:41:28,067 --> 00:41:29,433 THAT STACEY SAID ABOUT ME, 1100 00:41:29,467 --> 00:41:33,533 AND MY EXPERIENCES, AND THE WAY I TURNED OUT, 1101 00:41:33,567 --> 00:41:34,700 WOULDN'T BE TRUE. 1102 00:41:34,733 --> 00:41:37,667 WHAT THE FUCK ARE YOU TALKING ABOUT? 1103 00:41:37,700 --> 00:41:40,300 I THOUGHT THAT IF I COULD MAKE YOU 1104 00:41:40,333 --> 00:41:42,933 INTO A LIAR AND A CHEAT 1105 00:41:42,967 --> 00:41:44,367 LIKE ME... 1106 00:41:44,400 --> 00:41:45,467 BUT YOU KNOW, THE THING IS, 1107 00:41:45,500 --> 00:41:46,833 YOU'RE NOT. 1108 00:41:46,867 --> 00:41:49,733 I MEAN, YOU'RE RIGHT ABOUT THAT, STACEY. 1109 00:41:52,067 --> 00:41:53,833 YOU'RE A SAINT. 1110 00:41:57,367 --> 00:41:59,100 I'M SO SORRY. 1111 00:41:59,133 --> 00:42:01,567 YOU'RE NOT... 1112 00:42:01,600 --> 00:42:03,367 YOU'RE NOT A STUDENT. 1113 00:42:03,400 --> 00:42:04,600 [INHALES] 1114 00:42:04,633 --> 00:42:05,900 NO. 1115 00:42:08,400 --> 00:42:10,600 FUCKING MANATEES. 1116 00:42:10,633 --> 00:42:12,400 THE MANATEES WERE A LITTLE BIT TRUE, 1117 00:42:12,433 --> 00:42:14,233 BECAUSE I-I DID WRITE A STORY 1118 00:42:14,267 --> 00:42:15,233 ABOUT-- 1119 00:42:15,267 --> 00:42:16,233 SOUNDER. 1120 00:42:16,267 --> 00:42:17,867 THAT'S NOT MY DOG. 1121 00:42:17,900 --> 00:42:19,600 I ADOPTED HIM FROM A RESCUE. 1122 00:42:19,633 --> 00:42:20,833 [SOBS] 1123 00:42:22,400 --> 00:42:23,400 DID YOU SLEEP WITH HER? 1124 00:42:23,433 --> 00:42:24,533 NO. NO. 1125 00:42:24,567 --> 00:42:25,667 I GOT TO... 1126 00:42:25,700 --> 00:42:27,100 [STAMMERING] 1127 00:42:27,133 --> 00:42:28,100 UM... 1128 00:42:28,133 --> 00:42:29,400 I GOT TO GET OUT OF HERE. 1129 00:42:30,867 --> 00:42:32,333 HOW COULD YOU DO THAT? 1130 00:42:32,367 --> 00:42:35,067 FUCK... 1131 00:42:36,233 --> 00:42:38,433 HOW COULD ANYBODY DO SOMETHING LIKE THAT? 1132 00:42:38,467 --> 00:42:39,900 I KNOW. IT'S CRAZY. 1133 00:42:43,667 --> 00:42:46,733 JUST STAY THE FUCK AWAY FROM US. 1134 00:42:46,767 --> 00:42:49,567 [DOOR CLOSES] 1135 00:42:53,233 --> 00:42:54,233 [SIGHS HEAVILY] 1136 00:43:04,100 --> 00:43:05,733 UGH, THAT MOVIE BIT ASS. 1137 00:43:05,767 --> 00:43:06,767 YOU KNOW WHAT? 1138 00:43:06,800 --> 00:43:08,067 I NEED A NEW HAIRCUT, 1139 00:43:08,100 --> 00:43:09,300 AND I HAVE TO STOP WEARING TIES. 1140 00:43:09,333 --> 00:43:10,767 BUT IT WAS AN AMAZING FLOP, 1141 00:43:10,800 --> 00:43:11,900 BUT THEN WHEN SHE HAD THE RIVER... 1142 00:43:11,933 --> 00:43:13,133 GOD, THAT WAS A HAND. 1143 00:43:13,167 --> 00:43:14,067 HEY... 1144 00:43:14,067 --> 00:43:15,967 WOW, YOU LOOK, UH... 1145 00:43:16,067 --> 00:43:17,133 VERY SHANE TODAY? 1146 00:43:17,167 --> 00:43:18,333 FUCK YOU. 1147 00:43:18,367 --> 00:43:20,133 FUCK EVERYONE. LET'S PLAY POKER. 1148 00:43:22,500 --> 00:43:23,467 SHANE... 1149 00:43:23,500 --> 00:43:24,500 YES. 1150 00:43:24,533 --> 00:43:25,833 THERE'S SOMEBODY I THINK YOU SHOULD MEET. 1151 00:43:25,867 --> 00:43:26,833 OKAY. 1152 00:43:26,867 --> 00:43:27,900 GREAT. 1153 00:43:27,933 --> 00:43:29,767 SASKIA... 1154 00:43:29,800 --> 00:43:31,733 I WOULD LIKE TO INTRODUCE YOU TO SHANE. 1155 00:43:31,767 --> 00:43:35,067 I'VE BEEN TOLD I'M LOOKING VERY SHANE TODAY. 1156 00:43:35,067 --> 00:43:37,233 WELL, I WILL CONSIDER THAT A COMPLIMENT. 1157 00:43:37,267 --> 00:43:38,467 THANK YOU. 1158 00:43:38,500 --> 00:43:39,467 [CELL PHONE RINGS] 1159 00:43:39,500 --> 00:43:40,667 OH... 1160 00:43:42,933 --> 00:43:44,467 SHIT, UM... 1161 00:43:44,500 --> 00:43:45,500 I NEED TO TAKE THIS. 1162 00:43:45,533 --> 00:43:46,633 THANKS, BURT. 1163 00:43:46,667 --> 00:43:48,067 UM, SO IT WAS NICE TO MEET YOU. 1164 00:43:48,100 --> 00:43:49,800 HELLO? 1165 00:43:49,833 --> 00:43:50,833 HEY... 1166 00:43:50,867 --> 00:43:51,900 OH, I'M... 1167 00:43:51,933 --> 00:43:53,100 REALLY SORRY TO BOTHER YOU. 1168 00:43:53,133 --> 00:43:55,567 I JUST THOUGHT I'D GET YOUR VOICEMAIL. 1169 00:43:55,600 --> 00:43:57,400 UM... 1170 00:43:57,433 --> 00:43:58,967 SHAY WOKE UP FROM A BAD DREAM. 1171 00:43:59,067 --> 00:44:01,133 CAN I TALK TO HIM? 1172 00:44:01,167 --> 00:44:02,767 THERE YOU GO. 1173 00:44:02,800 --> 00:44:03,900 HELLO? 1174 00:44:03,933 --> 00:44:05,733 HEY, LITTLE MAN. 1175 00:44:05,767 --> 00:44:07,667 I HEAR YOU HAD A BAD DREAM. 1176 00:44:07,700 --> 00:44:09,900 YEAH. 1177 00:44:09,933 --> 00:44:11,300 WANT ME TO COME AND GET YOU? 1178 00:44:11,333 --> 00:44:13,100 NO, I'M OKAY. 1179 00:44:13,133 --> 00:44:15,133 YOU SURE? 1180 00:44:15,167 --> 00:44:16,667 CAN I GO BACK TO BED NOW? 1181 00:44:16,700 --> 00:44:21,867 YEAH, IF YOU WANT. GO AHEAD. 1182 00:44:21,900 --> 00:44:21,967 YEAH, HE'S GOING TO GO BACK TO BED. 1183 00:44:24,233 --> 00:44:25,467 HE JUST NEEDED TO HEAR YOUR VOICE. 1184 00:44:25,500 --> 00:44:28,133 SHOULD I, UM, COME AND GET HIM? 1185 00:44:28,167 --> 00:44:30,067 I MEAN, I CAN TRY TO-- NO, DON'T WORRY. 1186 00:44:30,067 --> 00:44:31,133 HE'S FINE. 1187 00:44:31,167 --> 00:44:33,400 YOU JUST HAVE A GOOD TIME, OKAY? 1188 00:44:33,433 --> 00:44:34,933 OKAY. 1189 00:44:34,967 --> 00:44:45,733 BYE. BYE. 1190 00:44:45,767 --> 00:44:45,833 WE WERE TOGETHER FOR FIVE YEARS 1191 00:44:48,133 --> 00:44:49,867 IN NEW YORK. 1192 00:44:52,100 --> 00:44:54,900 SHE WAS HOT, 1193 00:44:54,933 --> 00:44:59,200 BUT HER CAREER STOPPED, AND MINE TOOK OFF. 1194 00:44:59,233 --> 00:45:02,367 SO WHY DID IT END? 1195 00:45:02,400 --> 00:45:03,533 I GOT FAMOUS, 1196 00:45:03,567 --> 00:45:06,400 AND SHE WANTED TO BE THE STAR. 1197 00:45:06,433 --> 00:45:08,533 TINA AND I... 1198 00:45:08,567 --> 00:45:09,967 UH... 1199 00:45:10,067 --> 00:45:13,367 TINA, AND I WERE TOGETHER FOR EIGHT... 1200 00:45:13,400 --> 00:45:14,467 EIGHT. 1201 00:45:14,500 --> 00:45:15,800 EIGHT, EIGHT. 1202 00:45:15,833 --> 00:45:16,867 EIGHT. EIGHT, EIGHT, EIGHT. 1203 00:45:16,900 --> 00:45:17,933 EIGHT YEARS... 1204 00:45:19,533 --> 00:45:21,467 BUT THEN... 1205 00:45:21,500 --> 00:45:24,533 THEN A LOT CHANGED AFTER SHE HAD THE BABY. 1206 00:45:24,567 --> 00:45:26,100 SO MUCH CHANGED-- 1207 00:45:26,133 --> 00:45:28,267 WHOA, WHOA. TINA HAD A BABY? 1208 00:45:28,300 --> 00:45:29,800 OH, NO, WE... 1209 00:45:29,833 --> 00:45:31,800 WE HAD A BABY. 1210 00:45:31,833 --> 00:45:33,200 ME AND TINA. 1211 00:45:33,233 --> 00:45:34,400 YOU AND TINA TOGETHER? 1212 00:45:34,433 --> 00:45:36,400 YES, UH... 1213 00:45:36,433 --> 00:45:37,733 A TODDLER. 1214 00:45:37,767 --> 00:45:38,800 SHE'S LITTLE. 1215 00:45:38,833 --> 00:45:39,833 ANGELICA. 1216 00:45:39,867 --> 00:45:40,967 SHE'S ALMOST TWO. 1217 00:45:41,067 --> 00:45:43,867 [STAMMERS] 1218 00:45:43,900 --> 00:45:47,133 ANGELICA... 1219 00:45:47,167 --> 00:45:48,133 ANGELICA. 1220 00:45:48,167 --> 00:45:49,267 ANGELICA. 1221 00:45:49,300 --> 00:45:51,100 MM-HMM. 1222 00:45:51,133 --> 00:45:52,267 THAT'S PRETTY. 1223 00:45:52,300 --> 00:45:53,767 THANK YOU. 1224 00:45:53,800 --> 00:45:55,100 SHE'S BEAUTIFUL. 1225 00:45:59,300 --> 00:46:00,600 I DON'T LIKE KIDS. 1226 00:46:00,633 --> 00:46:03,067 WHAT? 1227 00:46:03,067 --> 00:46:06,667 I DON'T LIKE KIDS. 1228 00:46:09,233 --> 00:46:11,200 WOW. 1229 00:46:11,233 --> 00:46:12,833 [LAUGHS] 1230 00:46:12,867 --> 00:46:14,200 WOW. 1231 00:46:14,233 --> 00:46:17,067 I'M SORRY. 1232 00:46:17,067 --> 00:46:18,600 I DON'T. 1233 00:46:22,233 --> 00:46:24,067 THEY NEED TOO MUCH ATTENTION. 1234 00:46:25,433 --> 00:46:27,167 THEY GET IN THE WAY OF WORK, 1235 00:46:27,200 --> 00:46:31,067 OF SEX... 1236 00:46:31,067 --> 00:46:32,600 THEY'RE A HASSLE. 1237 00:46:35,367 --> 00:46:36,633 CAN I GET YOU LADIES ANYTHING ELSE? 1238 00:46:36,667 --> 00:46:38,300 NO, JUST THE CHECK, THANKS. 1239 00:46:38,333 --> 00:46:39,833 THANK YOU. 1240 00:46:46,233 --> 00:46:47,367 [LAUGHTER] 1241 00:46:47,400 --> 00:46:49,067 'CAUSE I LOVE HER. 1242 00:46:49,100 --> 00:46:50,267 IT'S JUST, YOU KNOW, 1243 00:46:50,300 --> 00:46:51,733 I THINK SHE'S JUST USED TO HAVING HOUSEKEEPERS 1244 00:46:51,767 --> 00:46:52,967 AND PEOPLE LOOKING AFTER, LIKE, 1245 00:46:53,067 --> 00:46:53,967 EVERYTHING, AND... 1246 00:46:54,067 --> 00:46:56,067 YEAH, NO, I GET THAT. 1247 00:46:56,067 --> 00:46:58,333 WHAT'S THE DEAL WITH YOU AND PAPI, THOUGH? 1248 00:46:58,367 --> 00:47:00,067 OH, UM... 1249 00:47:00,067 --> 00:47:01,500 I, UH... 1250 00:47:01,533 --> 00:47:04,133 I WAS AT CAL STATE, LONG BEACH, 1251 00:47:04,167 --> 00:47:06,467 AND I'D JUST COME OUT. 1252 00:47:06,500 --> 00:47:08,067 AND I WENT TO THE PALMS. 1253 00:47:08,100 --> 00:47:09,200 [CHUCKLING] 1254 00:47:09,233 --> 00:47:10,267 YEAH... 1255 00:47:10,300 --> 00:47:11,300 AND OF COURSE, 1256 00:47:11,333 --> 00:47:12,300 PAPI TRIED TO PICK ME UP. 1257 00:47:12,333 --> 00:47:13,333 YEAH. 1258 00:47:13,367 --> 00:47:14,933 SO WE HOOKED UP FOR ONE NIGHT, 1259 00:47:14,967 --> 00:47:17,467 AND, UM... 1260 00:47:17,500 --> 00:47:19,167 THAT SHIT WAS TERRIBLE. 1261 00:47:19,200 --> 00:47:20,567 OH, REALLY? 1262 00:47:20,600 --> 00:47:21,667 YOU HAD BAD SEX WITH PAPI? 1263 00:47:21,700 --> 00:47:22,867 OH, YEAH. 1264 00:47:22,900 --> 00:47:23,933 THERE WAS, LIKE, NO CHEMISTRY. 1265 00:47:23,967 --> 00:47:25,067 OH... 1266 00:47:25,067 --> 00:47:26,067 YEAH. 1267 00:47:26,100 --> 00:47:27,167 I MEAN, SHE'S NOT MY TYPE. 1268 00:47:27,200 --> 00:47:30,100 I DIDN'T KNOW YOU HAD A TYPE. 1269 00:47:30,133 --> 00:47:34,600 I JUST LIKE GIRLS WHO ARE GIRLS. 1270 00:47:34,633 --> 00:47:35,800 IT'S ALL GOOD, THOUGH, 1271 00:47:35,833 --> 00:47:38,567 'CAUSE ME AND PAPI, WE BECAME BEST FRIENDS. 1272 00:47:38,600 --> 00:47:40,367 SHE'S THE BEST FRIEND ANYBODY COULD HAVE. 1273 00:47:40,400 --> 00:47:41,733 YEAH, YEAH. THAT'S FOR SURE. 1274 00:47:41,767 --> 00:47:42,800 SHE'S GOT YOUR BACK. 1275 00:47:42,833 --> 00:47:46,367 YEAH. DEFINITELY. 1276 00:47:46,400 --> 00:47:46,467 SO YOU LIKE GIRLY GIRLS, HUH? 1277 00:47:48,067 --> 00:47:49,433 [LAUGHS] 1278 00:47:49,467 --> 00:47:50,600 YEAH. 1279 00:47:50,633 --> 00:47:52,533 YOU LIKE MY DRESS? 1280 00:47:52,567 --> 00:47:53,900 ARE YOU FUCKING WITH ME? 1281 00:47:53,933 --> 00:47:55,300 IT'S PRETTY, RIGHT? 1282 00:47:55,333 --> 00:47:57,067 IT'S PINK. 1283 00:47:57,067 --> 00:47:58,367 FEMININE. 1284 00:47:58,400 --> 00:48:00,400 [LAUGHS] 1285 00:48:01,667 --> 00:48:02,733 YEAH, IT'S CUTE. 1286 00:48:02,767 --> 00:48:05,833 YEAH. THOUGHT YOU LIKED IT. 1287 00:48:05,867 --> 00:48:08,133 [LAUGHS] 1288 00:48:08,167 --> 00:48:10,067 YOU WERE TOUCHING MY RIGHT NIPPLE, 1289 00:48:10,067 --> 00:48:11,133 AND I WAS... 1290 00:48:11,167 --> 00:48:12,367 [LAUGHING] 1291 00:48:12,400 --> 00:48:13,467 OH, EXCUSE ME. 1292 00:48:13,500 --> 00:48:14,467 YEAH. 1293 00:48:14,500 --> 00:48:15,633 IS THAT YOUR FRIEND IN THE POSTER? 1294 00:48:15,667 --> 00:48:16,867 YES. 1295 00:48:16,900 --> 00:48:18,067 WE WERE JUST WONDERING 1296 00:48:18,100 --> 00:48:19,633 IF YOU COULD SETTLE A LITTLE WAGER FOR US. 1297 00:48:19,667 --> 00:48:20,767 SURE. 1298 00:48:20,800 --> 00:48:22,400 UH, DOES SHE PREFER TO SLEEP WITH BOYS OR GIRLS? 1299 00:48:22,433 --> 00:48:23,567 [WHISPERING]: BOYS... 1300 00:48:23,600 --> 00:48:26,633 ACTUALLY, SHE PLAYS ON THE ALL-GIRLS TEAM. 1301 00:48:26,667 --> 00:48:27,800 OH, DAMN IT. 1302 00:48:27,833 --> 00:48:29,433 CATHERINE ROTHBERG. 1303 00:48:29,467 --> 00:48:30,433 OH, HI. 1304 00:48:30,467 --> 00:48:31,533 I HATE TO TAKE YOUR MONEY, MILES. 1305 00:48:31,567 --> 00:48:32,700 IT'S JUST WAY TOO EASY. 1306 00:48:32,733 --> 00:48:33,800 MM-HMM. MILES DOUL. 1307 00:48:33,833 --> 00:48:34,900 HE'S CANADIAN. 1308 00:48:34,933 --> 00:48:35,867 HELENA PEABODY. 1309 00:48:35,900 --> 00:48:37,267 IT'S A PLEASURE. 1310 00:48:37,300 --> 00:48:39,133 OOH, DOUBLE OR NOTHING-- GUESS THAT ACCENT. 1311 00:48:39,167 --> 00:48:40,133 AUSTRALIAN. 1312 00:48:40,167 --> 00:48:41,900 NO. MIDDLESEX. 1313 00:48:41,933 --> 00:48:42,633 LONDON. 1314 00:48:42,667 --> 00:48:43,833 SUSSEX. 1315 00:48:43,867 --> 00:48:45,700 AH... AH... 1316 00:48:45,733 --> 00:48:46,967 I HAVE A HOUSE NEAR MIDHURST. 1317 00:48:47,067 --> 00:48:48,433 IT'S BIG, IT'S OLD, IT'S FREEZING IN THE WINTER, 1318 00:48:48,467 --> 00:48:49,467 AND I HATE IT. 1319 00:48:49,500 --> 00:48:51,067 OH, I'M SORRY. 1320 00:48:51,067 --> 00:48:52,100 SO, WHAT'S YOUR STORY? 1321 00:48:52,133 --> 00:48:53,167 HUNDRED BUCKS SAYS 1322 00:48:53,200 --> 00:48:54,567 SHE HAS A BOYFRIEND WHO'S AN ARCHITECT. 1323 00:48:54,600 --> 00:48:56,433 NO, NO, MOVIE PRODUCER, DEFINITELY. 1324 00:48:56,467 --> 00:48:58,900 WOW, DO YOU JUST BET ON EVERYTHING? 1325 00:48:58,933 --> 00:49:00,600 EVERYTHING. EVERYTHING. 1326 00:49:00,633 --> 00:49:01,700 SO, WHAT'S THE VERDICT? 1327 00:49:01,733 --> 00:49:03,167 CURRENTLY SINGLE, 1328 00:49:03,200 --> 00:49:05,233 BUT A LIFELONG PLAYER ON SHANE'S TEAM. 1329 00:49:05,267 --> 00:49:07,333 WOW... HMM... 1330 00:49:07,367 --> 00:49:10,067 I HATE TO LOSE. 1331 00:49:10,067 --> 00:49:11,067 [WHISPERING] 1332 00:49:13,233 --> 00:49:14,800 UH, WE WERE JUST ON OUR WAY 1333 00:49:14,833 --> 00:49:15,900 TO MY PRIVATE POKER GAME, 1334 00:49:15,933 --> 00:49:17,133 AND WE'RE WONDERING IF YOU'D LIKE TO JOIN US. 1335 00:49:17,167 --> 00:49:19,133 I'D... I'D LOVE TO COME. 1336 00:49:19,167 --> 00:49:20,867 I'VE HEARD IT'S A GREAT GAME. 1337 00:49:20,900 --> 00:49:22,333 WELL, I HAVE TO WARN YOU, 1338 00:49:22,367 --> 00:49:23,800 IT'S NOT FOR THE FAINT OF HEART. 1339 00:49:23,833 --> 00:49:26,200 I'M FEELING LUCKY TONIGHT. 1340 00:49:26,233 --> 00:49:27,900 [LOCK CLICKS] 1341 00:49:30,867 --> 00:49:33,133 HEY... 1342 00:49:33,167 --> 00:49:35,067 UH, SHE WENT DOWN AROUND 9:00. 1343 00:49:35,067 --> 00:49:37,067 HOW WAS YOUR DATE? 1344 00:49:37,067 --> 00:49:38,333 SUCKED. 1345 00:49:38,367 --> 00:49:39,467 OH. 1346 00:49:39,500 --> 00:49:42,767 SORRY. 1347 00:49:42,800 --> 00:49:44,133 GOOD NIGHT. 1348 00:49:44,167 --> 00:49:45,133 I... 1349 00:49:45,167 --> 00:49:47,633 I DID IT, BY THE WAY. 1350 00:49:47,667 --> 00:49:50,300 I BROKE IT OFF WITH HAZEL. 1351 00:49:53,567 --> 00:49:55,800 GOOD. 1352 00:50:02,133 --> 00:50:04,767 [**] 1353 00:50:13,100 --> 00:50:19,100 * THEY CALL YOU LADY LUCK 1354 00:50:19,133 --> 00:50:24,100 * BUT THERE IS ROOM FOR DOUBT 1355 00:50:24,133 --> 00:50:29,967 * AT TIMES YOU HAVE A VERY UNLADYLIKE WAY * 1356 00:50:30,000 --> 00:50:33,500 * OF RUNNING OUT 1357 00:50:35,400 --> 00:50:37,900 I ASKED THEM TO CHANGE OVER THE THEATER. 1358 00:50:44,867 --> 00:50:47,900 * LUCK BE A LADY TONIGHT 1359 00:50:47,933 --> 00:50:49,533 NICE TO SEE YOU. 1360 00:50:49,567 --> 00:50:51,333 LOOK AT HER DRESS. 1361 00:50:51,367 --> 00:50:54,200 * LUCK BE A LADY TONIGHT 1362 00:50:54,233 --> 00:50:55,033 HAVE A SEAT. 1363 00:50:55,067 --> 00:50:56,100 THANK YOU. 1364 00:50:56,133 --> 00:50:57,400 HI. 1365 00:50:57,433 --> 00:50:58,467 PLEASE SIGN HERE, MS. PEABODY. 1366 00:50:58,500 --> 00:50:59,500 OH. 1367 00:50:59,533 --> 00:51:00,900 THANK YOU. 1368 00:51:00,933 --> 00:51:01,933 YOU'RE NOT PLAYING? 1369 00:51:01,967 --> 00:51:03,667 HELL NO... 1370 00:51:03,700 --> 00:51:04,900 AND TAKE IT EASY, OKAY? 1371 00:51:04,933 --> 00:51:06,367 I FORGOT TO TELL YOU THE LAST RULE. 1372 00:51:06,400 --> 00:51:07,433 MM-HMM? 1373 00:51:07,467 --> 00:51:08,533 HOUSE ALWAYS WINS. 1374 00:51:08,567 --> 00:51:10,733 LET'S DO THIS. 1375 00:51:10,767 --> 00:51:11,867 LET'S DO IT. 1376 00:51:11,900 --> 00:51:16,867 * A LADY NEVER LEAVES HER ESCORT * 1377 00:51:16,900 --> 00:51:17,833 * IT ISN'T FAIR 1378 00:51:17,867 --> 00:51:18,967 HEY... 1379 00:51:20,267 --> 00:51:22,767 * IT ISN'T NICE 1380 00:51:22,800 --> 00:51:24,633 YOU LEFT THE PARTY? 1381 00:51:24,667 --> 00:51:25,867 YEAH, YOU, UH... 1382 00:51:25,900 --> 00:51:27,100 WELL, YOU DIDN'T MISS MUCH. 1383 00:51:27,133 --> 00:51:28,867 I MADE MY GRANDMOTHER'S MEATLOAF. 1384 00:51:28,900 --> 00:51:31,067 SOUNDS GOOD. 1385 00:51:33,700 --> 00:51:35,900 I DON'T THINK I'VE ACTUALLY EATEN ANYTHING TONIGHT. 1386 00:51:35,933 --> 00:51:39,100 WOULD YOU LIKE SOME MEATLOAF? 1387 00:51:44,067 --> 00:51:45,200 LET'S SEE 'EM. 1388 00:51:47,167 --> 00:51:50,233 * STICK WITH ME, BABY 1389 00:51:50,267 --> 00:51:54,067 * I'M THE GUY THAT YOU CAME IN WITH * 1390 00:51:54,067 --> 00:51:58,467 * LUCK BE A LADY TONIGHT 1391 00:52:12,733 --> 00:52:14,833 HAVE IT. 1392 00:52:21,633 --> 00:52:23,133 [LAUGHING SOFTLY] 1393 00:52:23,167 --> 00:52:25,533 AH, YOU KNOW, I JUST NEED TO... 1394 00:52:25,567 --> 00:52:27,467 TAKE THINGS KIND OF SLOW. 1395 00:52:27,500 --> 00:52:29,267 YOU KNOW? 1396 00:52:29,300 --> 00:52:30,967 OKAY. 1397 00:52:31,067 --> 00:52:32,733 SLOW'S GOOD. I LIKE SLOW. 1398 00:52:32,767 --> 00:52:36,233 I CAN DO SLOW, SO... 1399 00:52:36,267 --> 00:52:37,300 PHYLLIS? 1400 00:52:37,333 --> 00:52:39,633 ALICE! I TOLD LEONARD ABOUT US. 1401 00:52:39,667 --> 00:52:41,067 I TOLD HIM I WANTED A DIVORCE. 1402 00:52:42,533 --> 00:52:47,200 * LUCK BE A LADY WITH ME 1403 00:52:50,233 --> 00:52:51,367 I DON'T DO DRAMA. 1404 00:52:51,400 --> 00:52:52,500 OBVIOUSLY THERE'S SOME THINGS 1405 00:52:52,533 --> 00:52:54,333 YOU NEED TO WORK OUT. 1406 00:52:54,367 --> 00:52:56,433 I'LL SEE YOU AROUND. 1407 00:53:03,400 --> 00:53:04,367 HI. 1408 00:53:04,400 --> 00:53:07,567 I'M SORRY. 1409 00:53:07,600 --> 00:53:09,900 CAN WE TRY AGAIN? 1410 00:53:11,833 --> 00:53:13,267 COME IN. 1411 00:53:15,067 --> 00:53:19,933 * COME ON, LET'S KEEP THIS PARTY POLITE * 1412 00:53:21,767 --> 00:53:23,600 I'M ALL IN. 1413 00:53:25,900 --> 00:53:27,167 I CALL. 1414 00:53:28,233 --> 00:53:29,700 I'LL TAKE YOUR 50,000. 1415 00:53:29,733 --> 00:53:32,100 $50,000? 1416 00:53:32,133 --> 00:53:33,767 YEAH, THAT'S WHAT YOU SIGNED UP FOR. 1417 00:53:33,800 --> 00:53:37,567 I HAD... NO IDEA IT WAS QUITE THAT MUCH. 1418 00:53:37,600 --> 00:53:40,400 WELL, IT'S TOO LATE NOW. 1419 00:53:41,433 --> 00:53:43,067 LET'S SEE YOUR CARDS. 1420 00:53:45,967 --> 00:53:48,267 AS YOU AMERICANS LIKE TO SAY... 1421 00:53:48,300 --> 00:53:51,067 "READ THEM... 1422 00:53:51,067 --> 00:53:52,767 AND WEEP." 1423 00:53:52,800 --> 00:53:54,200 [CLEARS THROAT] 1424 00:53:57,733 --> 00:54:06,200 * LUCK BE A LADY TONIGHT 1425 00:54:12,600 --> 00:54:14,433 OH, MY GOD. 1426 00:54:14,467 --> 00:54:16,167 CATHERINE, 1427 00:54:16,200 --> 00:54:18,333 I-I HAVEN'T BEEN ENTIRELY FORTHCOMING 1428 00:54:18,367 --> 00:54:20,367 ABOUT MY FINANCIAL SITUATION. 1429 00:54:20,400 --> 00:54:21,467 I MEAN... 1430 00:54:21,500 --> 00:54:23,700 IT'S A LITTLE EMBARRASSING, ACTUALLY, 1431 00:54:23,733 --> 00:54:24,867 BUT MY MOTHER AND I, 1432 00:54:24,900 --> 00:54:26,500 WE HAD THIS SLIGHT DISAGREEMENT, 1433 00:54:26,533 --> 00:54:28,400 AND I CAN'T, FOR THE TIME BEING, 1434 00:54:28,433 --> 00:54:30,300 GET MY HANDS ON THE FAMILY HOLDING. 1435 00:54:30,333 --> 00:54:31,900 I... 1436 00:54:31,933 --> 00:54:35,067 I CAN'T PAY MY DEBT, CATHERINE. 1437 00:54:35,067 --> 00:54:36,067 I KNOW. 1438 00:54:36,100 --> 00:54:37,167 I HAD LUNCH WITH YOUR MOTHER 1439 00:54:37,200 --> 00:54:39,200 TWO WEEKS AGO IN MONACO. 1440 00:54:39,233 --> 00:54:42,867 LOOK, THIS IS THE KEY TO MY PRESIDENTIAL SUITE. 1441 00:54:42,900 --> 00:54:45,267 MEET ME WEDNESDAY NIGHT AT 8:00. 1442 00:54:45,300 --> 00:54:46,367 LOOK, I'M SORRY TO HEAR 1443 00:54:46,400 --> 00:54:47,600 ABOUT YOUR FINANCIAL PROBLEMS, 1444 00:54:47,633 --> 00:54:49,333 BUT DON'T WORRY. 1445 00:54:49,367 --> 00:54:51,767 THERE'S MORE THAN ONE WAY TO PAY OFF A DEBT. 1446 00:54:53,233 --> 00:54:55,367 YOU SHOULD HAVE LISTENED TO YOUR FRIEND. 1447 00:54:55,400 --> 00:54:57,733 EVERYBODY KNOWS THE HOUSE ALWAYS WINS. 1448 00:56:01,300 --> 00:56:03,133 [**] 1449 00:56:03,167 --> 00:56:04,267 YEAH.