1 00:00:10,867 --> 00:00:11,667 PREVIOUSLY ON THE L WORD... 2 00:00:11,700 --> 00:00:12,667 BACK TO SCHOOL NIGHT. 3 00:00:12,700 --> 00:00:13,800 I'M PAIGE SOBEL. 4 00:00:13,833 --> 00:00:15,133 I'M HERE FOR MY LITTLE BROTHER, SHAY. 5 00:00:15,167 --> 00:00:16,467 SO YOU'RE MY COMPETITION, VANILLA? 6 00:00:16,500 --> 00:00:18,233 I WILL STILL KICK YOUR MICRO ASS. 7 00:00:18,267 --> 00:00:19,733 SINCE YOU DON'T HAVE ANY INSURANCE, 8 00:00:19,767 --> 00:00:20,967 WE'LL BE BILLING YOU FOR THE CHARGES DIRECTLY. 9 00:00:21,000 --> 00:00:22,200 WHERE WILL I COME UP WITH THAT MONEY? 10 00:00:22,233 --> 00:00:23,667 I'M DESPERATE TO FIND A CATERER. 11 00:00:23,700 --> 00:00:24,867 FOR NEXT WEEK'S FUNDRAISER. 12 00:00:24,900 --> 00:00:26,367 HELENA IS A CATERER. I AM? 13 00:00:26,400 --> 00:00:27,500 ARE YOU FREE FRIDAY, HELENA? 14 00:00:27,533 --> 00:00:29,867 YEAH. 15 00:00:29,900 --> 00:00:31,067 I CANNOT BELIEVE YOU FUCKED MY BOSS. 16 00:00:31,100 --> 00:00:32,333 I WON'T LET THIS GET OUT OF HAND. 17 00:00:32,367 --> 00:00:33,867 MAY I INTRODUCE YOU 18 00:00:33,900 --> 00:00:35,200 TO OUR ESTEEMED ARTIST-IN-RESIDENCE, 19 00:00:35,233 --> 00:00:36,367 JODI LERNER. 20 00:00:36,400 --> 00:00:37,967 THIS IS HER ASSISTANT, TOM MATER. 21 00:00:38,000 --> 00:00:40,067 IF YOU WANT TO SAY SOMETHING, TALK TO ME, NOT TOM. 22 00:00:40,100 --> 00:00:42,367 I ONLY CHOOSE BOOKS TO REVIEW 23 00:00:42,400 --> 00:00:44,333 THAT HOLD SIGNIFICANCE TO ME. 24 00:00:44,367 --> 00:00:46,167 WHY DOES "SOME OF HER PARTS" HOLD SIGNIFICANCE TO YOU? 25 00:00:46,200 --> 00:00:47,667 MY PARTNER'S A SURVIVOR. 26 00:00:47,700 --> 00:00:50,467 "SELF-INDULGENT AND SELF-PITYING? 27 00:00:50,500 --> 00:00:52,067 FUCK YOU, STACEY MERKIN! 28 00:00:52,100 --> 00:00:53,833 IS THIS SOUNDER? I'LL TAKE HER. 29 00:00:53,867 --> 00:00:54,933 HOW LONG HAVE YOU HAD HER, DEBBIE? 30 00:00:54,967 --> 00:00:56,033 ABOUT 11 YEARS, 31 00:00:56,067 --> 00:00:57,400 MY LONGEST RELATIONSHIP. 32 00:00:57,433 --> 00:00:59,300 THAT'S MY GIRLFRIEND, STACEY. SHE'S A JOURNALIST. 33 00:00:59,333 --> 00:01:00,800 I'D LOVE TO GET LESSONS FROM YOU. 34 00:01:00,833 --> 00:01:02,267 I'M PROBABLY PRETTY RUSTY. 35 00:01:02,300 --> 00:01:04,067 I'M NOT. 36 00:01:04,100 --> 00:01:05,133 I'VE BEEN LIVING AS A MAN. 37 00:01:05,167 --> 00:01:06,700 SOON, I'M PHYSICALLY GOING TO BE ONE. 38 00:01:06,733 --> 00:01:08,100 I DON'T DATE FREAKS. 39 00:01:08,133 --> 00:01:09,633 YOU FUCKING FREAK! 40 00:02:03,833 --> 00:02:06,700 [**] 41 00:02:06,733 --> 00:02:13,367 * GIRLS IN TIGHT DRESSES WHO DRAG WITH MUSTACHES * 42 00:02:13,400 --> 00:02:20,133 * CHICKS DRIVING FAST INGENUES WITH LONG LASHES * 43 00:02:20,167 --> 00:02:26,167 * WOMEN WHO LONG, LOVE, LUST WOMEN WHO GIVE * 44 00:02:26,200 --> 00:02:32,700 * THIS IS THE WAY IT'S THE WAY THAT WE LIVE * 45 00:02:40,233 --> 00:02:41,533 * TALKING, LAUGHING LOVING, BREATHING * 46 00:02:41,567 --> 00:02:43,467 * FIGHTING, FUCKING CRYING, DRINKING * 47 00:02:43,500 --> 00:02:44,833 * WRITING, WINNING LOSING, CHEATING * 48 00:02:44,867 --> 00:02:46,533 * KISSING, THINKING, DREAMING 49 00:02:46,567 --> 00:02:48,533 * THIS IS THE WAY... 50 00:02:48,567 --> 00:02:51,367 * IT'S THE WAY THAT WE LIVE * 51 00:02:51,400 --> 00:02:56,933 * IT'S THE WAY THAT WE LIVE 52 00:02:56,967 --> 00:03:00,733 * AND LOVE 53 00:03:03,967 --> 00:03:06,300 [DOORBELL RINGS] 54 00:03:10,400 --> 00:03:11,367 HELLO, ANGUS. 55 00:03:11,400 --> 00:03:12,367 HI. 56 00:03:12,400 --> 00:03:13,400 HI, SWEETHEART. 57 00:03:13,433 --> 00:03:15,700 SHE IS IN A REALLY CRAPPY MOOD. 58 00:03:15,733 --> 00:03:17,233 YES. COME HERE, GORGEOUS. 59 00:03:17,267 --> 00:03:18,633 YOU WANT TO SEE MIKEY? 60 00:03:18,667 --> 00:03:20,067 LET'S GO PLAY WITH MIKEY. 61 00:03:20,067 --> 00:03:21,200 YES, COME. 62 00:03:21,233 --> 00:03:22,600 [MIKEY]: HEY, ANGELICA, DO YOU WANT TO COME PLAY? 63 00:03:22,633 --> 00:03:24,633 GO GET HIM, TIGER. 64 00:03:24,667 --> 00:03:27,400 THERE YOU GO. 65 00:03:27,433 --> 00:03:28,467 IS TINA NOT HERE? 66 00:03:28,500 --> 00:03:29,833 TINA AND HENRY DECIDED LAST MINUTE 67 00:03:29,867 --> 00:03:31,733 ON GOING TO THE THEATER. 68 00:03:31,767 --> 00:03:33,467 WE'VE GOT SOME PIZZA IN HERE. 69 00:03:33,500 --> 00:03:34,567 YOU WANT TO JOIN US? 70 00:03:34,600 --> 00:03:35,600 OH, NO, I'VE GOT TO GET HOME. 71 00:03:35,633 --> 00:03:38,467 I HAD A REALLY SUCKY DAY. 72 00:03:38,500 --> 00:03:39,667 WHAT WAS SUCKY OF IT? 73 00:03:39,700 --> 00:03:42,200 UH, IT'S JUST CRAP. 74 00:03:42,233 --> 00:03:44,400 IT'S JUST... 75 00:03:44,433 --> 00:03:45,933 FIGHTING WITH MY FORMER BEST FRIENDS 76 00:03:45,967 --> 00:03:48,667 ABOUT WHO OWNS THE PUBLISHING TO SONGS I TOTALLY WROTE, 77 00:03:48,700 --> 00:03:49,733 BUT GENEROUSLY GAVE THEM CREDIT ON. 78 00:03:49,767 --> 00:03:51,067 THAT KIND OF SUCK. 79 00:03:51,067 --> 00:03:55,067 I'M SORRY THAT WAS MAKING YOU CRABBY. 80 00:03:55,067 --> 00:03:56,367 I, UM... 81 00:03:56,400 --> 00:03:58,733 WAS HOPING YOU TO GIVE ME LESSON PLAYING GUITAR, 82 00:03:58,767 --> 00:04:01,467 BUT... 83 00:04:02,833 --> 00:04:04,200 YEAH, YOU COME BY THE STUDIO SOME TIME, 84 00:04:04,233 --> 00:04:05,300 I'LL GIVE YOU SOME POINTERS 85 00:04:05,333 --> 00:04:06,633 ON YOUR TECHNIQUE. 86 00:04:06,667 --> 00:04:08,667 MIGHT HAVE TO TAKE YOU UP ON THAT. 87 00:04:08,700 --> 00:04:09,767 THEN WHEN WE'RE FINISHED, 88 00:04:09,800 --> 00:04:11,433 I'LL SHOW YOU HOW TO CLEAN UP. 89 00:04:11,467 --> 00:04:13,100 HELLO, TOM. 90 00:04:13,133 --> 00:04:14,133 DEAN. 91 00:04:16,100 --> 00:04:18,167 HEY, DEAN PORTER. 92 00:04:18,200 --> 00:04:19,567 I'M GLAD TO SEE TOM 93 00:04:19,600 --> 00:04:22,267 IS GETTING TO KNOW SOME OF THE STUDENTS. 94 00:04:22,300 --> 00:04:24,067 [LAUGHS] 95 00:04:24,067 --> 00:04:25,733 WHAT ABOUT YOU? 96 00:04:25,767 --> 00:04:28,267 ARE YOU STILL SLEEPING WITH NADIA? 97 00:04:28,300 --> 00:04:32,067 EXCUSE ME? 98 00:04:32,067 --> 00:04:33,700 SHE SAID, "ARE YOU STILL FUCKING NADIA?" 99 00:04:33,733 --> 00:04:35,100 THANK YOU, I GOT THE GIST OF IT. 100 00:04:35,133 --> 00:04:38,333 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 101 00:04:38,367 --> 00:04:39,400 [TOM INTERPRETS]: JUST A FRIENDLY QUESTION. 102 00:04:39,433 --> 00:04:40,967 OUT OF CURIOSITY, 103 00:04:41,067 --> 00:04:43,067 MAYBE A LITTLE CONCERN. 104 00:04:43,067 --> 00:04:45,933 I MEAN, NADIA'S NOT A POKER FACE, YOU KNOW. 105 00:04:45,967 --> 00:04:49,200 WELL, DON'T BELIEVE EVERYTHING YOU HEAR. 106 00:04:49,233 --> 00:04:51,267 WELL, I SEE A LOT MORE THAN I HEAR. 107 00:04:51,300 --> 00:04:52,600 I'M SORRY, I DIDN'T... 108 00:04:52,633 --> 00:04:54,100 I FELL INTO THAT ONE. 109 00:04:56,067 --> 00:04:58,300 WELL, I MADE A FEW MISTAKES WHEN I TAUGHT AT COLUMBIA, 110 00:04:58,333 --> 00:05:00,867 BUT, YOU KNOW, FOLLOWING THE RULES 111 00:05:00,900 --> 00:05:02,467 IS NOT ALWAYS MY THING. 112 00:05:02,500 --> 00:05:03,467 UM... 113 00:05:03,500 --> 00:05:04,567 EXCUSE ME? 114 00:05:04,600 --> 00:05:08,333 BRITTANY, GIRL, WAS BIG, BIG MISTAKE. 115 00:05:08,367 --> 00:05:09,333 BRITTANY? 116 00:05:09,367 --> 00:05:11,600 I SEE. 117 00:05:11,633 --> 00:05:15,367 [TOM INTERPRETS]: SHE WAS A COLUMBIA GRADUATE STUDENT, 118 00:05:15,400 --> 00:05:16,533 AND I MADE A MISTAKE WITH HER. 119 00:05:16,567 --> 00:05:17,900 MM-HMM. 120 00:05:17,933 --> 00:05:20,200 [TOM INTERPRETS]: SHE TURNED HER SENIOR THESIS 121 00:05:20,233 --> 00:05:23,733 INTO A LIFE-SIZE SCULPTURE 122 00:05:23,767 --> 00:05:24,867 OF ME, NAKED. 123 00:05:24,900 --> 00:05:27,367 IT WAS PRETTY GOOD... 124 00:05:28,567 --> 00:05:31,900 BUT SHE SHOULD HAVE MADE MY BREASTS BIGGER. 125 00:05:31,933 --> 00:05:33,067 [LAUGHS] 126 00:05:33,067 --> 00:05:34,200 WELL, I'M GLAD TO HEAR 127 00:05:34,233 --> 00:05:35,500 THERE WEREN'T ANY MORE SERIOUS REPERCUSSIONS, 128 00:05:35,533 --> 00:05:39,633 AND I WILL TRY TO BE MORE CAREFUL THAN YOU. 129 00:05:39,667 --> 00:05:42,200 [TOM INTERPRETS]: NO, DON'T BE TOO CAREFUL. 130 00:05:42,233 --> 00:05:43,400 THAT'S DREARY. 131 00:05:43,433 --> 00:05:46,200 THANK YOU FOR THE ADVICE. 132 00:05:46,233 --> 00:05:47,333 I'LL SEE YOU TOMORROW. 133 00:05:49,567 --> 00:05:50,800 YEAH, THE E.V.C.'S MONEY MOOCH. 134 00:05:50,833 --> 00:05:52,633 YOU KNOW, THE FUNDRAISER 135 00:05:52,667 --> 00:05:54,200 AT THE CHANCELLOR'S RESIDENCE? 136 00:05:54,233 --> 00:05:55,700 RIGHT. 137 00:05:55,733 --> 00:05:57,633 [SNIFFLING] 138 00:05:57,667 --> 00:05:59,100 OH, SOUNDER... 139 00:05:59,133 --> 00:06:00,267 DEBBIE, I DID 140 00:06:00,300 --> 00:06:01,333 EVERYTHING I COULD FOR HER, 141 00:06:01,367 --> 00:06:02,800 BUT SHE'S NOT EATING, 142 00:06:02,833 --> 00:06:04,367 SHE HAS KIDNEY FAILURE, 143 00:06:04,400 --> 00:06:05,633 AND SHE'S IN A LOT OF PAIN. 144 00:06:05,667 --> 00:06:07,700 THIS IS THE RIGHT THING TO DO. 145 00:06:07,733 --> 00:06:09,667 ARE YOU SURE? 146 00:06:09,700 --> 00:06:11,100 I'M SURE. 147 00:06:11,133 --> 00:06:13,733 ARE YOU SURE HE HAS TO DIE? 148 00:06:13,767 --> 00:06:16,133 IT'S HER TIME TO GO, DEBBIE. 149 00:06:16,167 --> 00:06:17,433 OKAY... 150 00:06:18,567 --> 00:06:19,633 OKAY? 151 00:06:19,667 --> 00:06:20,900 OKAY. 152 00:06:23,133 --> 00:06:25,867 THAT'S A GIRL. 153 00:06:25,900 --> 00:06:27,400 THAT'S A GIRL... 154 00:06:27,433 --> 00:06:29,267 [DOG BREATHES HEAVILY] 155 00:06:49,267 --> 00:06:51,633 [SIGHS] 156 00:06:51,667 --> 00:06:52,900 OKAY. 157 00:06:55,067 --> 00:06:57,100 THERE YOU GO. 158 00:06:57,133 --> 00:06:58,200 YOU GAVE HER A WONDERFUL LIFE, 159 00:06:58,233 --> 00:06:59,233 DEBBIE. 160 00:07:00,633 --> 00:07:01,600 NO, I DIDN'T. 161 00:07:01,633 --> 00:07:03,400 YES, YOU DID. 162 00:07:03,433 --> 00:07:05,800 NO, I DIDN'T. 163 00:07:08,333 --> 00:07:11,200 HEY, LISTEN, WHY DON'T YOU, UH... 164 00:07:11,233 --> 00:07:12,667 WOULD YOU LET ME TAKE YOU OUT TO DINNER? 165 00:07:12,700 --> 00:07:14,533 WE'LL... WE'LL CELEBRATE SOUNDER. 166 00:07:14,567 --> 00:07:15,633 WE'LL HAVE A DRINK IN HER HONOR, HUH? 167 00:07:17,867 --> 00:07:22,200 [SIGHS HEAVILY] 168 00:07:22,233 --> 00:07:23,500 OKAY. 169 00:07:23,533 --> 00:07:24,667 EAT... 170 00:07:24,700 --> 00:07:25,767 ALL... 171 00:07:25,800 --> 00:07:26,867 DEAD... 172 00:07:26,900 --> 00:07:28,067 GOPHERS... 173 00:07:28,067 --> 00:07:29,167 BEFORE... 174 00:07:29,200 --> 00:07:30,200 EASTER. 175 00:07:30,233 --> 00:07:31,867 THAT'S HOW I REMEMBER IT. 176 00:07:31,900 --> 00:07:32,867 THAT'S FUNNY. 177 00:07:32,900 --> 00:07:34,067 AND GROSS. 178 00:07:34,100 --> 00:07:35,400 YEAH. 179 00:07:35,433 --> 00:07:37,067 OKAY, SO YOU GOT THE A, 180 00:07:37,067 --> 00:07:40,133 AND THE E, AND THE D CHORD DOWN, 181 00:07:40,167 --> 00:07:42,600 SO NOW, YOU JUST GOT TO WORK ON YOUR STRUM. 182 00:07:42,633 --> 00:07:45,133 THAT'S THE ONE THING I CANNOT SEEM TO MASTER. 183 00:07:45,167 --> 00:07:46,867 YEAH, WELL, IT'S, UH... 184 00:07:46,900 --> 00:07:48,233 YOU JUST WANT TO KEEP YOUR WRIST 185 00:07:48,267 --> 00:07:49,767 SORT OF LOOSE 186 00:07:49,800 --> 00:07:52,200 AND, UH, RELAXED, AND, UM... 187 00:07:52,233 --> 00:07:53,367 YOU JUST, YOU WANT TO KEEP 188 00:07:53,400 --> 00:07:54,867 THIS UP AND DOWN MOVEMENT GOING 189 00:07:54,900 --> 00:07:56,200 NO MATTER WHAT. 190 00:07:56,233 --> 00:07:57,567 I DON'T USUALLY HAVE A PROBLEM 191 00:07:57,600 --> 00:08:02,067 KEEPING MY UP AND DOWN MOVEMENT. 192 00:08:02,067 --> 00:08:04,067 UH, SO, UH... 193 00:08:04,067 --> 00:08:06,900 YEAH, YOU KEEP THE, UH, WRIST LOOSE, 194 00:08:06,933 --> 00:08:07,967 AND UP AND DOWN, 195 00:08:08,067 --> 00:08:09,300 AND THEN YOU JUST STRIKE THE STRINGS 196 00:08:09,333 --> 00:08:10,500 WITH THE RHYTHM YOU WANT. 197 00:08:10,533 --> 00:08:14,067 DOWN, DOWN, UP. DOWN, DOWN, UP. 198 00:08:14,100 --> 00:08:17,300 DOWN, DOWN, UP... 199 00:09:00,833 --> 00:09:07,133 [**] 200 00:09:07,167 --> 00:09:08,200 IT'S GOOD, KIT. 201 00:09:08,233 --> 00:09:09,233 YEAH? 202 00:09:09,267 --> 00:09:10,200 MM-HMM. 203 00:09:10,233 --> 00:09:11,867 REALLY? MM-HMM. 204 00:09:11,900 --> 00:09:13,267 [SIGHS HEAVILY] 205 00:09:13,300 --> 00:09:15,167 I HAVEN'T PLAYED IT FOR ANGUS YET. 206 00:09:15,200 --> 00:09:17,667 HE'S BEEN SO DOWN ON HIMSELF LATELY. 207 00:09:17,700 --> 00:09:19,300 WELL, IT'S GOOD. 208 00:09:19,333 --> 00:09:20,367 IT COULD CHEER HIM UP. 209 00:09:20,400 --> 00:09:21,367 [SIGHS] 210 00:09:21,400 --> 00:09:22,500 I'M HOPING. 211 00:09:22,533 --> 00:09:24,433 CAN I LISTEN? 212 00:09:24,467 --> 00:09:25,633 OH, NO, NO, NO, NO. 213 00:09:25,667 --> 00:09:27,700 IT'S A LITTLE TOO NASTY FOR YOU, NOW, UH-UH. 214 00:09:27,733 --> 00:09:28,833 NO, NO. 215 00:09:28,867 --> 00:09:30,533 STOP THIS, TOO. 216 00:09:30,567 --> 00:09:32,133 IT'S NOT GOOD FOR YOU. 217 00:09:32,167 --> 00:09:34,433 WHAT'S UP, BEAUTIFUL? 218 00:09:34,467 --> 00:09:36,533 AH, HOL PAPI. 219 00:09:36,567 --> 00:09:37,800 YO, VANILLA. 220 00:09:37,833 --> 00:09:39,367 YO, POPS. 221 00:09:39,400 --> 00:09:40,433 WE NEVER FINISHED OUR GAME. 222 00:09:40,467 --> 00:09:41,533 UH, YEAH, I KNOW. 223 00:09:41,567 --> 00:09:42,700 I'M NOT MUCH OF A BASKETBALL PLAYER. 224 00:09:42,733 --> 00:09:43,800 WELL, NO SHIT, 225 00:09:43,833 --> 00:09:44,967 BUT WE GOT TO DO SOMETHING, 226 00:09:45,067 --> 00:09:46,933 BECAUSE THIS LITTLE PROBLEMA IS UNRESOLVED. 227 00:09:48,200 --> 00:09:49,833 [LAUGHS] 228 00:09:49,867 --> 00:09:51,700 LOOK, I'VE GOT TO TELL YOU, 229 00:09:51,733 --> 00:09:53,833 I HAVE ABSOLUTELY NO IDEA WHAT YOU'RE TALKING ABOUT. 230 00:09:53,867 --> 00:09:55,100 OH, REALLY? 231 00:09:55,133 --> 00:09:55,933 ALL RIGHT, SO THEN LET ME BREAK THIS DOWN 232 00:09:55,967 --> 00:09:57,167 FOR YOU, OKAY? 233 00:09:57,200 --> 00:09:59,567 NOW THAT YOU'RE IN MY SOLAR SYSTEM, 234 00:09:59,600 --> 00:10:01,633 I CAN'T HAVE YOU DIMMING MY STARS AND SHIT. 235 00:10:01,667 --> 00:10:02,900 YOU MUST BE KIDDING. 236 00:10:02,933 --> 00:10:04,700 YEAH, SERIOUSLY, THAT'S ALICE'S THING. 237 00:10:04,733 --> 00:10:05,800 IT'S NOT ME. 238 00:10:09,367 --> 00:10:12,067 FUCK, MAN, I'M JUST FUCKING WITH YOU. 239 00:10:12,100 --> 00:10:14,167 LIKE THE FOXY LADY SAID, 240 00:10:14,200 --> 00:10:15,333 I'M JUST KIDDING. 241 00:10:15,367 --> 00:10:16,533 ALL RIGHT. 242 00:10:16,567 --> 00:10:17,833 WE GOOD, THEN? 243 00:10:17,867 --> 00:10:18,900 SURE. 244 00:10:18,933 --> 00:10:19,933 COME ON, WE GOOD? 245 00:10:22,967 --> 00:10:24,267 YEAH. 246 00:10:25,633 --> 00:10:26,600 UGH! 247 00:10:26,633 --> 00:10:29,000 I COULDN'T BELIEVE THAT GUY. 248 00:10:29,033 --> 00:10:30,833 I THOUGHT HE'D NEVER STOP HITTING ON US! 249 00:10:30,867 --> 00:10:32,267 THAT'S TYPICAL OF A GUY. 250 00:10:32,300 --> 00:10:34,333 SEES TWO WOMEN TOGETHER, THINKS HE'S SO NEEDED. 251 00:10:34,367 --> 00:10:35,167 I JUST WANT TO CHECK ON-- 252 00:10:35,200 --> 00:10:36,533 HE WOULD BE SO TOTALLY WRONG, 253 00:10:36,567 --> 00:10:37,700 BECAUSE WE HAVE EVERYTHING 254 00:10:37,733 --> 00:10:40,000 ANYONE COULD EVER WANT JUST BEING TOGETHER. 255 00:10:42,467 --> 00:10:43,700 I JUST WANT TO CHECK ON HELENA 256 00:10:43,733 --> 00:10:44,833 REALLY QUICK BECAUSE-- 257 00:10:44,867 --> 00:10:46,067 NO! 258 00:10:46,100 --> 00:10:46,967 NO, SHE'S BEEN COOKING ALL DAY, AND I JUST, YOU KNOW-- 259 00:10:47,000 --> 00:10:47,967 HEY! 260 00:10:48,000 --> 00:10:48,967 NO, NO... 261 00:10:49,000 --> 00:10:50,233 HEY! 262 00:10:50,267 --> 00:10:53,100 WOW, IT SMELLS REALLY GOOD IN HERE. 263 00:10:53,133 --> 00:10:54,833 WELL, THERE'S FIVE KINDS OF CROSTINI, 264 00:10:54,867 --> 00:10:55,967 THREE PER PERSON, 265 00:10:56,000 --> 00:10:56,900 ALL READY FOR ASSEMBLY. 266 00:10:56,933 --> 00:10:58,033 HOW DOES THAT SOUND? 267 00:10:58,067 --> 00:10:59,367 OH, IT'S-- IT'S VERY GOOD. 268 00:10:59,400 --> 00:11:00,533 I'M SURE IT'LL BE WONDERFUL. 269 00:11:00,567 --> 00:11:02,133 WE HAVE QUICHE WITH LEEK, BACON 270 00:11:02,167 --> 00:11:04,067 AND PORTOBELLO MUSHROOM. 271 00:11:04,067 --> 00:11:05,100 WE HAVE BELGIAN ENDIVE WITH STILTON, 272 00:11:05,133 --> 00:11:06,200 TOASTED WALNUTS, 273 00:11:06,233 --> 00:11:07,300 AND PORT JELLY. 274 00:11:07,333 --> 00:11:08,400 WE HAVE CHICKEN SATAY 275 00:11:08,433 --> 00:11:12,067 WITH TAMARIND SAUCE... 276 00:11:12,067 --> 00:11:13,133 AND IT'S ALL GOING TO BE READY 277 00:11:13,167 --> 00:11:14,367 FOR YOUR PARTY TOMORROW EVENING, 278 00:11:14,400 --> 00:11:15,633 DESPITE THE FACT 279 00:11:15,667 --> 00:11:17,600 THAT MY ASSISTANT HAS BEEN INCAPACITATED 280 00:11:17,633 --> 00:11:19,300 BY A BAD OYSTER. 281 00:11:19,333 --> 00:11:20,833 DO YOU NEED, UM... DO YOU NEED HELP? 282 00:11:20,867 --> 00:11:21,867 NO, NO, IT'S ALL GOOD. 283 00:11:21,900 --> 00:11:22,967 I'VE GOT IT ALL UNDER CONTROL. 284 00:11:23,067 --> 00:11:24,467 REALLY? 285 00:11:24,500 --> 00:11:25,967 BECAUSE I'M A GOOD CHOPPER. I COULD CHOP-- 286 00:11:26,067 --> 00:11:27,533 NO, YOU KNOW WHAT? SHE CAN HANDLE IT. 287 00:11:27,567 --> 00:11:28,833 COME ON, HONEY. REALLY? 288 00:11:28,867 --> 00:11:29,867 COME ON. 289 00:11:30,900 --> 00:11:32,067 HAVE FUN, GIRLS. 290 00:11:32,100 --> 00:11:33,400 [GIGGLING] 291 00:11:33,433 --> 00:11:35,200 WOW. 292 00:11:36,233 --> 00:11:37,233 WOW... 293 00:11:37,267 --> 00:11:38,267 WHOO! COOL YOUR JETS, THERE, PHYLLIS. 294 00:11:38,300 --> 00:11:39,700 [GIGGLING] 295 00:11:39,733 --> 00:11:42,200 DON'T YOU WANT TO TAKE A SHOWER OR SOMETHING? 296 00:11:42,233 --> 00:11:44,067 WHY? DO I NEED ONE? 297 00:11:44,067 --> 00:11:44,900 NO. 298 00:11:44,933 --> 00:11:46,467 OOH, I HAVE A SURPRISE FOR YOU. 299 00:11:46,500 --> 00:11:47,500 WHAT? 300 00:11:47,533 --> 00:11:48,767 [GIGGLING] 301 00:11:48,800 --> 00:11:49,867 WHAT, WHAT, WHAT? 302 00:11:49,900 --> 00:11:51,067 YOU SLY LITTLE DOG. 303 00:11:51,067 --> 00:11:52,067 HOW'D YOU GET THAT IN HERE? 304 00:11:52,100 --> 00:11:54,133 OOH, WHAT IS IT? 305 00:11:54,167 --> 00:11:55,467 [GIGGLING] 306 00:11:55,500 --> 00:11:57,633 WELL, IT DOESN'T SOUND LIKE A DIAMOND NECKLACE. 307 00:11:57,667 --> 00:11:58,733 THAT'S VERY DISAPPOINTING. 308 00:11:58,767 --> 00:12:01,200 IS IT A MOTORCYCLE? 309 00:12:01,233 --> 00:12:02,433 OH! 310 00:12:05,133 --> 00:12:06,267 WOW, THE WHOLE LESBIAN SEX BOOK, HUH? 311 00:12:06,300 --> 00:12:08,733 IS IT A FAUX PAS? 312 00:12:08,767 --> 00:12:09,767 NO... 313 00:12:09,800 --> 00:12:10,667 NO. 314 00:12:10,700 --> 00:12:12,067 I WAS THINKING, YOU KNOW, 315 00:12:12,067 --> 00:12:13,067 WE'RE HAVING SUCH A WONDERFUL TIME, 316 00:12:13,067 --> 00:12:15,233 AND JUST TO TRY TO KEEP EVERYTHING 317 00:12:15,267 --> 00:12:17,200 JUST FRESH AND EXCITING, 318 00:12:17,233 --> 00:12:18,533 MAYBE WE COULD EXPERIMENT? 319 00:12:18,567 --> 00:12:19,700 RIGHT. 320 00:12:19,733 --> 00:12:21,133 RIGHT, RIGHT, RIGHT, RIGHT. 321 00:12:21,167 --> 00:12:22,200 LIKE, UH... 322 00:12:22,233 --> 00:12:23,200 LET'S SEE. 323 00:12:23,233 --> 00:12:24,267 OH. 324 00:12:25,333 --> 00:12:27,367 ANALINGUS. 325 00:12:27,400 --> 00:12:28,433 YEAH? 326 00:12:28,467 --> 00:12:29,633 SURE. 327 00:12:29,667 --> 00:12:30,700 YEAH. 328 00:12:30,733 --> 00:12:32,067 YOU KNOW WHAT? I'M SORRY. 329 00:12:32,067 --> 00:12:33,200 YES. 330 00:12:33,233 --> 00:12:34,367 YES! LET'S EXPERIMENT. 331 00:12:34,400 --> 00:12:35,367 COME ON, PHYLLIS, TOTALLY. 332 00:12:35,400 --> 00:12:36,367 I WANT TO DO EVERY SINGLE THING 333 00:12:36,400 --> 00:12:37,433 DESCRIBED IN THAT BOOK. 334 00:12:37,467 --> 00:12:38,433 OKAY. 335 00:12:38,467 --> 00:12:39,467 EVERY SINGLE THING. 336 00:12:39,500 --> 00:12:40,900 EVERYTHING. 337 00:12:40,933 --> 00:12:42,367 EVERY SINGLE THING. 338 00:12:42,400 --> 00:12:43,200 YOU KNOW, YOU'RE GOING TO WEAR ME OUT, WOMAN. 339 00:12:43,233 --> 00:12:44,300 I SWEAR TO GOD. 340 00:12:44,333 --> 00:12:45,300 I'M GOING TO NEED, LIKE A LITTLE PINCH-HITTER. 341 00:12:45,333 --> 00:12:46,300 RIGHT? 342 00:12:46,333 --> 00:12:49,467 NO, YOU'RE THE ONLY ONE I NEED. 343 00:12:49,500 --> 00:12:50,733 REALLY? 344 00:12:50,767 --> 00:12:51,867 I MEAN, YOU DON'T LIMIT YOURSELF. 345 00:12:51,900 --> 00:12:53,067 YOU KNOW WHAT I MEAN? 346 00:12:53,067 --> 00:12:55,133 THERE'S, LIKE, A LOT 347 00:12:55,167 --> 00:12:57,400 OF REALLY FABULOUS WOMEN OUT THERE, PHYLLIS. 348 00:12:57,433 --> 00:12:59,700 WHY DO I NEED ANOTHER FABULOUS WOMAN? 349 00:12:59,733 --> 00:13:00,967 BECAUSE, YOU KNOW, 350 00:13:01,067 --> 00:13:02,133 YOU'RE A NEW STAR. 351 00:13:02,167 --> 00:13:03,533 YOU'RE GOING TO BE VERY SICK OF STAYING 352 00:13:03,567 --> 00:13:04,933 IN THIS TINY LITTLE ORBIT. 353 00:13:04,967 --> 00:13:07,167 OH, YOU AND YOUR CHARTS AND YOUR SOLAR SYSTEMS. 354 00:13:07,200 --> 00:13:10,067 ALICE, YOU AND I ARE BINARY STARS. 355 00:13:10,100 --> 00:13:11,133 RIGHT. 356 00:13:11,167 --> 00:13:14,233 ORBITING A CENTRAL SYSTEM OF MASS, 357 00:13:14,267 --> 00:13:16,233 BOUND BY GRAVITY. 358 00:13:16,267 --> 00:13:17,267 OKAY. 359 00:13:17,300 --> 00:13:18,333 YOU'RE... 360 00:13:18,367 --> 00:13:20,433 [SQUEALS] 361 00:13:20,467 --> 00:13:22,500 [GIGGLING] 362 00:13:23,500 --> 00:13:24,467 YOU ARE WILD, PHYLLIS! 363 00:13:24,500 --> 00:13:25,833 [PLAYFUL SLAP] 364 00:13:25,867 --> 00:13:27,133 [GIGGLING HYSTERICALLY] 365 00:13:27,167 --> 00:13:28,700 OH, DO IT AGAIN, DO IT AGAIN. OH! 366 00:13:28,733 --> 00:13:32,400 THE THING THAT I WAS CLOSEST IN THE WORLD TO 367 00:13:32,433 --> 00:13:34,300 WHEN I WAS A CHILD, 368 00:13:34,333 --> 00:13:36,667 WAS THIS LITTLE CREATURE NAMED BOOTSIE, 369 00:13:36,700 --> 00:13:39,133 WHO WAS THE MOST TRUSTWORTHY SOUL 370 00:13:39,167 --> 00:13:41,200 THAT I KNEW WHEN I WAS A CHILD. 371 00:13:41,233 --> 00:13:42,233 I KNOW WHAT YOU MEAN, DEBBIE. 372 00:13:42,267 --> 00:13:44,467 THAT'S WHY I BECAME A VET. 373 00:13:44,500 --> 00:13:45,933 WHY? 374 00:13:45,967 --> 00:13:47,067 BECAUSE YOU DON'T TRUST PEOPLE? 375 00:13:47,067 --> 00:13:48,167 WELL, I DIDN'T, 376 00:13:48,200 --> 00:13:51,833 NOT FOR A LONG TIME, AFTER I... 377 00:13:51,867 --> 00:13:54,167 AFTER WHAT? 378 00:13:54,200 --> 00:13:55,167 UM... 379 00:13:55,200 --> 00:13:56,600 DID SOMETHING HAPPEN TO YOU? 380 00:13:56,633 --> 00:13:58,067 I'D RATHER NOT TALK ABOUT IT. 381 00:13:58,067 --> 00:13:59,200 I DON'T THINK IT'S REALLY FAIR 382 00:13:59,233 --> 00:14:01,367 TO FORCE PEOPLE TO EXPRESS SYMPATHY 383 00:14:01,400 --> 00:14:02,900 FOR SOMETHING BAD 384 00:14:02,933 --> 00:14:04,367 THAT'S HAPPENED TO YOU IN YOUR CHILDHOOD. 385 00:14:04,400 --> 00:14:05,433 OH, PLEASE. 386 00:14:05,467 --> 00:14:07,700 I'M SO SORRY, BUT YOU KNOW WHAT? 387 00:14:07,733 --> 00:14:11,133 OWN THE SHIT THAT HAPPENS TO YOU AS A CHILD, 388 00:14:11,167 --> 00:14:15,100 'CAUSE IT CAN MAKE YOU BETTER AS AN ADULT. 389 00:14:16,767 --> 00:14:17,933 YEAH, BUT I CAN'T, 390 00:14:17,967 --> 00:14:19,600 BECAUSE THEN MAYBE I'D FEEL VULNERABLE, 391 00:14:19,633 --> 00:14:21,233 AND THEN I'D... 392 00:14:21,267 --> 00:14:23,900 YOU KNOW. 393 00:14:26,900 --> 00:14:28,067 YOU'RE KIND OF SEXY. 394 00:14:28,067 --> 00:14:29,067 OH, GOD... 395 00:14:29,100 --> 00:14:32,533 GOD, AND YOU HAVE NICE TITS... 396 00:14:32,567 --> 00:14:33,767 AND YOU'RE SWEATING UNDER YOUR ARMS, 397 00:14:33,800 --> 00:14:35,367 AND YOU'RE NERVOUS, AND I WANT TO KISS YOU. 398 00:14:36,967 --> 00:14:39,067 I FEEL LIKE KISSING YOU... 399 00:14:39,100 --> 00:14:41,433 BUT I...CAN'T. 400 00:14:41,467 --> 00:14:43,367 WHY? 401 00:14:43,400 --> 00:14:44,867 [EXHALES] 402 00:14:44,900 --> 00:14:47,333 BECAUSE I HAVE A GIRLFRIEND. 403 00:14:48,767 --> 00:14:50,867 ALTHOUGH WE'RE KIND OF HAVING PROBLEMS RIGHT NOW... 404 00:14:50,900 --> 00:14:52,067 OH, I'M SO SORRY. 405 00:14:52,067 --> 00:14:54,200 YEAH, I BET YOU ARE. 406 00:14:54,233 --> 00:14:55,600 [LAUGHS] 407 00:14:55,633 --> 00:14:57,333 WHY ARE YOU HAVING PROBLEMS? 408 00:14:58,700 --> 00:14:59,733 I DON'T KNOW. 409 00:14:59,767 --> 00:15:02,467 SHE'S JUST A WORKAHOLIC. 410 00:15:02,500 --> 00:15:04,067 STACEY'S A JOURNALIST, YOU KNOW, 411 00:15:04,067 --> 00:15:05,300 AND WHEN SHE'S WRITING, SHE'S JUST TOTALLY-- 412 00:15:05,333 --> 00:15:06,833 EW, SHE'S A WRITER? YEAH. 413 00:15:06,867 --> 00:15:08,133 UGH. 414 00:15:08,167 --> 00:15:09,567 WELL, SHE... WHAT? 415 00:15:09,600 --> 00:15:10,600 SHE JUST... 416 00:15:10,633 --> 00:15:12,133 SHE GETS TOTALLY FOCUSED IN HER WORK, 417 00:15:12,167 --> 00:15:13,333 AND THEN SHE'S, LIKE, OBSESSIVE 418 00:15:13,367 --> 00:15:14,567 AND SELF-ABSORBED-- 419 00:15:14,600 --> 00:15:15,600 OH, MY GOD. 420 00:15:15,633 --> 00:15:17,400 I JUST HAD THIS IMAGE IN MY MIND OF HER, 421 00:15:17,433 --> 00:15:20,400 THAT SHE JUST BECOMES THIS FUCKING CUNT... 422 00:15:20,433 --> 00:15:23,067 THAT JUST CHURNS OUT PAGE AFTER PAGE 423 00:15:23,067 --> 00:15:24,967 OF UTTER SHIT 424 00:15:25,067 --> 00:15:27,133 THAT SHE THINKS IS WORTH ALL THE EGO 425 00:15:27,167 --> 00:15:29,800 AND MANIACAL BEHAVIOR. 426 00:15:31,700 --> 00:15:33,067 SHE IS A GOOD PERSON, 427 00:15:33,100 --> 00:15:35,067 AND SHE IS SMART, AND SHE'S FUNNY, 428 00:15:35,100 --> 00:15:37,133 AND SHE'S JUST A LITTLE INSECURE, THAT'S ALL-- 429 00:15:37,167 --> 00:15:38,600 WHERE DOES SHE LIVE? 430 00:15:38,633 --> 00:15:40,300 [CLEARS THROAT] 431 00:15:40,333 --> 00:15:41,533 IN VAN NUYS? 432 00:15:41,567 --> 00:15:43,567 SHE LIVES IN BURBANK. 433 00:15:43,600 --> 00:15:45,067 WE HAVE AN ARRANGEMENT, RIGHT? 434 00:15:45,067 --> 00:15:46,533 LIKE, SHE'S SUPPOSED TO COME UP EVERY OTHER WEEKEND, 435 00:15:46,567 --> 00:15:47,967 I'M SUPPOSED TO GO DOWN EVERY OTHER WEEKEND, 436 00:15:48,067 --> 00:15:49,567 AND IT HARDLY EVER HAPPENS. 437 00:15:49,600 --> 00:15:50,867 SHE HASN'T BEEN HERE FOR OVER A MONTH. 438 00:15:50,900 --> 00:15:52,367 I GO DOWN TO L.A. ALL THE TIME. 439 00:15:52,400 --> 00:15:53,500 THAT'S BULLSHIT. 440 00:15:53,533 --> 00:15:54,900 YOU SHOULD BE WITH SOMEBODY 441 00:15:54,933 --> 00:15:57,267 THAT PUTS YOU FIRST 442 00:15:57,300 --> 00:15:59,633 AND WHO TREATS YOU LIKE A PRINCESS. 443 00:16:02,067 --> 00:16:03,533 SHE'S... 444 00:16:03,567 --> 00:16:05,767 SHE'S DRIVEN, AND SHE'S TALENTED, AND... 445 00:16:05,800 --> 00:16:07,500 I FEEL HONORED TO SUPPORT THAT. 446 00:16:07,533 --> 00:16:08,533 I DO. 447 00:16:08,567 --> 00:16:10,667 YOU SEEM LIKE YOU LOVE HER. 448 00:16:10,700 --> 00:16:13,200 I LOVE HER, AND... 449 00:16:14,733 --> 00:16:16,233 YEAH, SOMETIMES IT FEELS 450 00:16:16,267 --> 00:16:17,567 LIKE I'M THE LAST THING ON HER LIST, YEAH. 451 00:16:18,933 --> 00:16:21,067 RIGHT. 452 00:16:22,733 --> 00:16:23,867 SHE'S COMING UP TOMORROW. 453 00:16:23,900 --> 00:16:25,067 WE'LL SEE HOW IT IS. 454 00:16:25,100 --> 00:16:26,533 GOOD. 455 00:16:26,567 --> 00:16:28,467 THAT'S VERY GOOD. 456 00:16:28,500 --> 00:16:30,867 MAKE HER COME UP HERE MORE. 457 00:16:30,900 --> 00:16:33,500 MAKE HER WORK FOR YOU. 458 00:16:33,533 --> 00:16:36,567 CAN WE TALK ABOUT SOMETHING ELSE, PLEASE? 459 00:16:36,600 --> 00:16:39,367 OKAY. 460 00:16:40,600 --> 00:16:42,933 LIKE, WHAT ARE YOU DOING THIS WEEKEND? 461 00:16:42,967 --> 00:16:44,833 WELL... 462 00:16:46,333 --> 00:16:47,867 WELL, I'VE BEEN TERRIBLY DISTRAUGHT 463 00:16:47,900 --> 00:16:50,267 ABOUT THE DOG BEING PUT DOWN, 464 00:16:50,300 --> 00:16:53,067 SO I'M RATHER BEHIND ON MY SCHOOLWORK. 465 00:16:53,100 --> 00:16:54,533 SCHOOLWORK? MM-HMM. 466 00:16:54,567 --> 00:16:55,933 WHAT ARE YOU STUDYING? 467 00:16:55,967 --> 00:16:57,200 SERIOUSLY? 468 00:16:59,067 --> 00:17:02,067 THE GENTLE MANATEES OF NORTHEAST FLORIDA. 469 00:17:02,100 --> 00:17:04,633 WHAT? 470 00:17:06,967 --> 00:17:08,633 REALLY. 471 00:17:08,667 --> 00:17:10,800 I LOVE IT THAT YOU'RE STUDYING MANATEES. 472 00:17:13,733 --> 00:17:15,167 RAISING A KID IS A CAREER. 473 00:17:15,200 --> 00:17:16,367 COME ON. 474 00:17:16,400 --> 00:17:17,700 OKAY, IT'S NOT LIKE... 475 00:17:17,733 --> 00:17:18,933 BUT IT'S NOT. 476 00:17:18,967 --> 00:17:20,067 I MEAN, IT'S A DIFFERENT... 477 00:17:20,067 --> 00:17:21,067 I DON'T MEAN IT THAT WAY. 478 00:17:21,067 --> 00:17:22,233 YES, IT IS. 479 00:17:22,267 --> 00:17:23,333 I MEAN, I JUST... 480 00:17:23,367 --> 00:17:24,333 SHE GOT WEIRD. 481 00:17:24,367 --> 00:17:26,067 I DIDN'T MEAN TO INSULT HER, BUT-- 482 00:17:26,067 --> 00:17:27,633 WELL, YOU DID. 483 00:17:27,667 --> 00:17:29,467 WELL, GOD. SORRY. 484 00:17:29,500 --> 00:17:30,700 I JUST DON'T THINK IT'S GOOD 485 00:17:30,733 --> 00:17:32,900 TO BE TOTALLY DEPENDENT ON ANOTHER PERSON. 486 00:17:32,933 --> 00:17:34,300 WELL, HOW... 487 00:17:34,333 --> 00:17:36,133 LIKE WHEN BETTE SUPPORTED YOU? 488 00:17:36,167 --> 00:17:38,900 I TOOK TIME OFF TO HAVE A BABY. 489 00:17:38,933 --> 00:17:40,067 THAT'S CRAZY. 490 00:17:40,067 --> 00:17:41,067 SHE JUST... 491 00:17:41,067 --> 00:17:42,800 SHH, SHH, SHH. 492 00:17:42,833 --> 00:17:44,200 FUCK. 493 00:17:44,233 --> 00:17:45,267 OH, MY GOD. 494 00:17:49,333 --> 00:17:51,600 I WANT ANOTHER LESSON. 495 00:18:04,433 --> 00:18:08,533 [CAR ENGINE STARTS] 496 00:18:08,567 --> 00:18:09,767 [DOOR CLOSES] 497 00:18:09,800 --> 00:18:11,733 SHE IS SO FIRED. 498 00:18:15,933 --> 00:18:16,967 HEY. 499 00:18:17,067 --> 00:18:17,967 HI. 500 00:18:18,067 --> 00:18:18,967 WHAT ARE YOU GETTING? 501 00:18:19,067 --> 00:18:19,967 JUST THESE COMICS. 502 00:18:20,067 --> 00:18:20,967 COOL. 503 00:18:21,067 --> 00:18:22,067 HEY. 504 00:18:22,067 --> 00:18:23,300 HEY. 505 00:18:23,333 --> 00:18:24,700 HE HAS A PLAYDATE WITH HIS FRIEND. 506 00:18:24,733 --> 00:18:26,067 NICE. 507 00:18:26,067 --> 00:18:27,267 THAT'S PROBABLY THE LAST WORD ON EARTH 508 00:18:27,300 --> 00:18:29,067 I EVER EXPECTED TO BE UTTERED FROM YOUR LIPS. 509 00:18:29,067 --> 00:18:30,467 WELL, IF THE PLAYDATE GOES WELL, 510 00:18:30,500 --> 00:18:31,633 WE MIGHT TRY FOR A SLEEPOVER. 511 00:18:31,667 --> 00:18:33,067 NICE. YEAH. 512 00:18:33,100 --> 00:18:35,133 WHAT DO YOU GOT? 513 00:18:35,167 --> 00:18:37,267 JUST THESE TWO. 514 00:18:37,300 --> 00:18:38,467 JUST CHOOSE ONE. 515 00:18:38,500 --> 00:18:39,833 TWO-- ONE FOR ME AND ONE FOR JARED. 516 00:18:39,867 --> 00:18:40,600 PLEASE? 517 00:18:40,633 --> 00:18:42,067 HEY, DID YOU HEAR 518 00:18:42,067 --> 00:18:43,233 THAT JENNY HAS AN ARTICLE IN THE NEW YORKER? 519 00:18:43,267 --> 00:18:44,567 YEAH, I HEARD ABOUT THAT. 520 00:18:44,600 --> 00:18:46,300 I THINK IT'S PRETTY COOL. 521 00:18:46,333 --> 00:18:48,067 "LEZ GIRLS" BY JENNIFER SCHECTER. 522 00:18:48,067 --> 00:18:49,933 ISN'T SHE CLEVER. 523 00:18:49,967 --> 00:18:51,800 WHAT A NICE PLAY ON WORDS. 524 00:18:51,833 --> 00:18:52,800 "LES GIRLS," JENNY. 525 00:18:52,833 --> 00:18:53,800 VERY CUTE. 526 00:18:53,833 --> 00:18:54,800 BUY IT. 527 00:18:54,833 --> 00:18:55,800 TELL ME WHAT YOU THINK. 528 00:18:55,833 --> 00:18:58,100 I HAVEN'T READ IT YET. 529 00:19:08,233 --> 00:19:10,367 [KNOCK ON DOOR] 530 00:19:10,400 --> 00:19:12,400 YEAH, COME IN. 531 00:19:13,400 --> 00:19:14,433 OH, HEY. 532 00:19:14,467 --> 00:19:15,500 HOW WAS TOKYO? 533 00:19:15,533 --> 00:19:18,200 I SPOKE TO BROOKE. 534 00:19:19,933 --> 00:19:21,367 UH-HUH. 535 00:19:21,400 --> 00:19:25,167 SHE TOLD ME SHE ENDED IT WITH YOU. 536 00:19:25,200 --> 00:19:28,067 MAX, I'M VERY TROUBLED. 537 00:19:28,067 --> 00:19:29,600 I DON'T KNOW... 538 00:19:29,633 --> 00:19:31,200 WHAT SHE SAID TO YOU, 539 00:19:31,233 --> 00:19:32,700 I DON'T KNOW HOW SHE EXPLAINED IT, 540 00:19:32,733 --> 00:19:34,667 BUT I HAD TO BE HONEST, YOU KNOW? 541 00:19:34,700 --> 00:19:35,900 YOU KNOW, MY DAUGHTER GOES THROUGH GUYS 542 00:19:35,933 --> 00:19:37,633 THE WAY SHE GOES THROUGH CLOTHES. 543 00:19:37,667 --> 00:19:39,067 ONE DAY, 544 00:19:39,100 --> 00:19:40,367 SHE CAN'T LIVE WITHOUT IT, 545 00:19:40,400 --> 00:19:41,667 AND A WEEK LATER, 546 00:19:41,700 --> 00:19:42,767 IT'S THE WORST CRIME 547 00:19:42,800 --> 00:19:44,733 THE FASHION INDUSTRY EVER PERPETRATED. 548 00:19:44,767 --> 00:19:47,233 I'M STARTING TO LOSE HOPE FOR HER. 549 00:19:48,900 --> 00:19:50,867 I GUESS THAT'S JUST WOMEN, HUH? 550 00:19:50,900 --> 00:19:52,067 UH... 551 00:19:52,100 --> 00:19:53,633 MAX... 552 00:19:53,667 --> 00:19:55,300 YOU KNOW, I DON'T WANT YOU TO THINK FOR A MINUTE 553 00:19:55,333 --> 00:19:57,067 THIS IS GOING TO HAVE ANY BEARING ON YOUR JOB. 554 00:19:57,067 --> 00:19:59,267 YOU UNDERSTAND WHAT I'M SAYING. 555 00:19:59,300 --> 00:20:00,733 YEAH. 556 00:20:00,767 --> 00:20:02,600 I'LL LET YOU GET BACK TO WORK. 557 00:20:02,633 --> 00:20:05,233 OKAY. 558 00:20:06,933 --> 00:20:09,433 [DOOR CLOSES] 559 00:20:23,767 --> 00:20:26,700 [VIDEO GAME GUNFIRE CONTINUES] 560 00:20:26,733 --> 00:20:28,800 EW, GROSS. MOM... 561 00:20:28,833 --> 00:20:30,900 OH, PLEASE. 562 00:20:40,067 --> 00:20:41,900 [DOORBELL CHIMES] 563 00:20:50,833 --> 00:20:51,833 HI. 564 00:20:51,867 --> 00:20:53,567 HI, SHAY. 565 00:20:53,600 --> 00:20:54,867 JARED'S IN HIS... 566 00:20:54,900 --> 00:20:57,033 SHAY, COME HERE! I'M IN THE POD! 567 00:20:57,067 --> 00:21:01,067 OTHERWISE KNOWN AS HIS BEDROOM. 568 00:21:01,100 --> 00:21:02,433 UH... 569 00:21:02,467 --> 00:21:04,333 COME ON IN. 570 00:21:04,367 --> 00:21:05,633 I... 571 00:21:05,667 --> 00:21:07,300 NO, I SHOULD PROBABLY GET TO WORK... 572 00:21:07,333 --> 00:21:08,833 TO BE HONEST. 573 00:21:08,867 --> 00:21:11,800 JUST FOR A CUP OF COFFEE? 574 00:21:13,567 --> 00:21:14,800 OKAY. 575 00:21:14,833 --> 00:21:24,867 GOOD. SURE. 576 00:21:24,867 --> 00:21:31,067 GOOD. SURE. 577 00:21:31,100 --> 00:21:31,167 [TINA]: THANKS FOR MEETING ME. 578 00:21:32,933 --> 00:21:34,933 I WANTED TO SEE YOU IN PERSON. 579 00:21:34,967 --> 00:21:36,667 SURE. 580 00:21:36,700 --> 00:21:38,300 IT'S ABOUT KIT. 581 00:21:39,867 --> 00:21:41,167 [SIGHS] 582 00:21:41,200 --> 00:21:42,467 I'M PRETTY SURE 583 00:21:42,500 --> 00:21:44,067 THAT ANGUS IS... 584 00:21:44,100 --> 00:21:45,467 CHEATING ON HER. 585 00:21:47,467 --> 00:21:49,133 WHAT ARE YOU TALKING ABOUT? 586 00:21:49,167 --> 00:21:50,833 I DON'T BELIEVE THAT FOR A SECOND. 587 00:21:50,867 --> 00:21:53,133 HE'S COMPLETELY DEVOTED TO HER. 588 00:21:53,167 --> 00:21:55,133 I SAW HIM. 589 00:21:55,167 --> 00:21:56,667 WHAT DID YOU SEE? WHAT? 590 00:21:56,700 --> 00:21:57,900 WHERE? 591 00:21:57,933 --> 00:22:00,067 WITH HAZEL. 592 00:22:00,100 --> 00:22:01,500 THE NANNY. 593 00:22:01,533 --> 00:22:03,533 HENRY AND I WERE COMING HOME, AND-- 594 00:22:03,567 --> 00:22:05,100 I KNEW... 595 00:22:05,133 --> 00:22:06,933 I KNEW THAT YOU WERE GOING TO MOVE IN WITH HIM. 596 00:22:06,967 --> 00:22:08,167 I DID. 597 00:22:08,200 --> 00:22:09,833 I HAVEN'T MOVED IN WITH HIM. 598 00:22:09,867 --> 00:22:11,500 OKAY. 599 00:22:11,533 --> 00:22:13,200 COME ON. I STAY THE NIGHT SOMETIMES. 600 00:22:13,233 --> 00:22:14,867 OKAY. 601 00:22:14,900 --> 00:22:18,067 ANYWAY, WE WERE COMING BACK FROM THE THEATER, 602 00:22:18,100 --> 00:22:20,433 AND AS WE DROVE UP, THERE THEY WERE, 603 00:22:20,467 --> 00:22:22,733 JUST MAKING OUT. 604 00:22:22,767 --> 00:22:25,067 THEY WERE COMPLETELY ALL OVER EACH-- 605 00:22:25,067 --> 00:22:26,067 WHAT CAN I GET YOU? 606 00:22:26,067 --> 00:22:27,067 ARE YOU GUYS READY TO ORDER? 607 00:22:27,067 --> 00:22:28,733 I'LL HAVE A... 608 00:22:28,767 --> 00:22:29,733 COBB SALAD. COBB SALAD. 609 00:22:29,767 --> 00:22:31,300 FOR BOTH OF YOU? 610 00:22:31,333 --> 00:22:32,700 YES, PLEASE. 611 00:22:32,733 --> 00:22:33,800 THAT'LL BE IT? 612 00:22:33,833 --> 00:22:40,767 YEAH. YEAH. 613 00:22:40,800 --> 00:22:40,867 WELL, DID THEY SEE YOU? 614 00:22:42,500 --> 00:22:44,300 NO. 615 00:22:44,333 --> 00:22:47,700 WE WERE SO FREAKED OUT THAT WE HID FROM THEM... 616 00:22:47,733 --> 00:22:49,900 BUT THEY WERE ALL OVER EACH OTHER, 617 00:22:49,933 --> 00:22:51,633 LIKE GRINDING AND SUCKING AND-- 618 00:22:51,667 --> 00:22:52,833 YEAH, I DON'T NEED THE DETAILS. 619 00:22:52,867 --> 00:22:53,833 THEY MIGHT AS WELL HAVE BEEN FUCKING 620 00:22:53,867 --> 00:22:54,967 RIGHT THERE IN FRONT OF US. 621 00:22:55,067 --> 00:22:57,067 I DON'T NEED THE DETAILS. 622 00:22:57,067 --> 00:22:57,967 WHAT ARE WE GOING TO DO ABOUT IT? 623 00:22:58,067 --> 00:22:58,967 WHAT DO YOU MEAN? 624 00:22:59,067 --> 00:23:00,933 WE'RE GOING TO STAY OUT OF IT, TINA. 625 00:23:00,967 --> 00:23:03,300 WELL... 626 00:23:03,333 --> 00:23:04,300 I JUST DON'T THINK THAT'S FAIR TO KIT. 627 00:23:04,333 --> 00:23:05,300 I DON'T KNOW IF I CAN DO THAT. 628 00:23:05,333 --> 00:23:06,467 WHAT DO YOU MEAN, 629 00:23:06,500 --> 00:23:08,067 YOU DON'T KNOW IF YOU CAN FUCKING DO THAT? 630 00:23:08,067 --> 00:23:09,400 WHAT BUSINESS IS IT OF YOURS? 631 00:23:10,800 --> 00:23:11,967 I CARE ABOUT KIT, 632 00:23:12,067 --> 00:23:13,200 AND I DON'T WANT TO SEE HER GET HURT. 633 00:23:13,233 --> 00:23:14,500 WELL, THEN DON'T TELL HER THAT YOU SAW 634 00:23:14,533 --> 00:23:16,433 THE MAN THAT SHE LOVES SUCKING YOUR NANNY'S FACE. 635 00:23:16,467 --> 00:23:18,933 WELL, SHE'S GOING TO FIND OUT EVENTUALLY, 636 00:23:18,967 --> 00:23:20,833 AND I CAN TELL YOU FROM EXPERIENCE, 637 00:23:20,867 --> 00:23:22,200 IT'S MUCH MORE PAINFUL SEEING IT WITH YOUR OWN EYES. 638 00:23:22,233 --> 00:23:23,267 GIVE ME A FUCKING BREAK. 639 00:23:23,300 --> 00:23:24,700 I MEAN, DON'T ACT 640 00:23:24,733 --> 00:23:26,600 LIKE YOU'RE THE ONLY PERSON WHO'S EVER BEEN HURT. 641 00:23:31,267 --> 00:23:32,433 AND I DON'T WANT YOU TALKING TO KIT. 642 00:23:34,567 --> 00:23:35,533 OKAY. 643 00:23:35,567 --> 00:23:37,867 FINE. 644 00:23:37,900 --> 00:23:39,567 THAT'S FINE. 645 00:23:41,167 --> 00:23:42,867 I'M GOING TO TELL HER IF YOU DON'T. 646 00:23:44,433 --> 00:23:46,200 I DON'T KNOW WHAT I'M GOING TO DO. 647 00:23:46,233 --> 00:23:47,333 ALL RIGHT? 648 00:23:47,367 --> 00:23:48,567 I DON'T KNOW WHAT I'M GOING TO DO. 649 00:23:48,600 --> 00:23:49,733 I NEED SOME TIME TO THINK ABOUT IT, 650 00:23:49,767 --> 00:23:51,067 BUT IN THE MEANTIME, KEEP YOUR MOUTH SHUT. 651 00:23:51,067 --> 00:23:53,467 PLEASE? THANK YOU. 652 00:23:56,133 --> 00:23:59,100 [JAZZ PLAYING SOFTLY] 653 00:23:59,133 --> 00:24:00,667 [ALICE]: OH, MY FUCKING GOD. 654 00:24:00,700 --> 00:24:02,433 HAVE YOU READ THIS? 655 00:24:02,467 --> 00:24:03,533 JENNY TRASHED US 656 00:24:03,567 --> 00:24:04,833 ALL OVER THE NEW YORKER. 657 00:24:04,867 --> 00:24:06,167 WE ARE ALL OVER THIS THING. 658 00:24:06,200 --> 00:24:07,567 WHAT DO YOU MEAN, SHE TRASHED US? 659 00:24:07,600 --> 00:24:08,933 OKAY. 660 00:24:08,967 --> 00:24:10,233 "'LEZ GIRLS.' 661 00:24:10,267 --> 00:24:11,467 "NEW FICTION, 662 00:24:11,500 --> 00:24:13,100 "PART ONE OF A SERIALIZED NOVELLA 663 00:24:13,133 --> 00:24:15,167 BY AUTHOR OF SOME OF HER PARTS." 664 00:24:15,200 --> 00:24:16,933 NICE ONE, JENNY. 665 00:24:16,967 --> 00:24:18,433 OKAY... 666 00:24:18,467 --> 00:24:20,133 "ALYSSE CLUNG TO THE BISEXUAL LABEL 667 00:24:20,167 --> 00:24:21,933 "NOT OUT OF ANY GENUINE AFFECTION FOR MEN. 668 00:24:21,967 --> 00:24:25,433 SHE CLUNG TO IT OUT OF SHEER FASHION DESPERATION." 669 00:24:25,467 --> 00:24:26,667 OH, AND THIS IS PRICELESS. 670 00:24:26,700 --> 00:24:27,800 WHERE WAS IT? 671 00:24:27,833 --> 00:24:31,767 "ALYSSE WAS GROUND ZERO FOR RUMOR AND HEARSAY, 672 00:24:31,800 --> 00:24:33,067 "AND IT WAS HARD TO IMAGINE 673 00:24:33,067 --> 00:24:34,500 "SHE HAD ANY TIME FOR ACTUAL ROMANCE, 674 00:24:34,533 --> 00:24:36,267 "STRAIGHT, BISEXUAL, OR OTHERWISE, 675 00:24:36,300 --> 00:24:37,467 "BECAUSE SHE SPENT SO MUCH TIME 676 00:24:37,500 --> 00:24:38,700 "OBSESSING OVER OTHER PEOPLE'S 677 00:24:38,733 --> 00:24:40,133 SEXUAL COMINGS AND GOINGS." 678 00:24:40,167 --> 00:24:41,800 WHAT, AND YOU THINK THAT SOUNDS LIKE YOU? 679 00:24:41,833 --> 00:24:43,933 ALYSSE, THE BISEXUAL GOSSIP? 680 00:24:43,967 --> 00:24:45,333 YEAH. 681 00:24:45,367 --> 00:24:46,900 ALICE, NO. NO, NO. 682 00:24:46,933 --> 00:24:48,333 YOU CAN'T DO THAT. 683 00:24:48,367 --> 00:24:50,900 AND ALICE, IT DOESN'T EVEN SOUND LIKE YOU. 684 00:24:50,933 --> 00:24:52,633 I MEAN, IT'S FICTION. 685 00:24:52,667 --> 00:24:54,433 FICTION, MY ASS. 686 00:24:54,467 --> 00:24:57,167 IT'S ABOUT AN INNOCENT BUT OPEN-HEARTED "PHOTOGRAPHER" 687 00:24:57,200 --> 00:24:58,467 FROM THE MIDWEST, 688 00:24:58,500 --> 00:25:00,133 JESSIE STARR, 689 00:25:00,167 --> 00:25:01,600 WHO MOVES TO LOS ANGELES TO BE WITH HER BOYFRIEND, 690 00:25:01,633 --> 00:25:03,067 AND IS SEDUCED BY KARINA, 691 00:25:03,067 --> 00:25:06,733 YOU KNOW, THE PROPRIETRESS OF AN ITALIAN CAFE. 692 00:25:06,767 --> 00:25:08,067 KARINA? 693 00:25:08,067 --> 00:25:09,467 IS THAT SUPPOSED TO BE-- 694 00:25:09,500 --> 00:25:10,733 MARINA. DUH. 695 00:25:10,767 --> 00:25:11,733 OH-HO. 696 00:25:11,767 --> 00:25:14,867 AND JESSIE AND TODD MOVE NEXT DOOR 697 00:25:14,900 --> 00:25:16,100 TO A LESBIAN COUPLE, 698 00:25:16,133 --> 00:25:17,500 BEV AND NINA. 699 00:25:17,533 --> 00:25:18,800 WHOA. 700 00:25:18,833 --> 00:25:20,333 THAT'S A LITTLE CLOSE TO THE BONE. 701 00:25:20,367 --> 00:25:22,067 IT'S MORE LIKE SUCKING ON THE MARROW. 702 00:25:22,067 --> 00:25:25,600 BEV IS A POWER DYKE IN THE PUBLISHING WORLD, 703 00:25:25,633 --> 00:25:27,300 AND NINA IS DESCRIBED... 704 00:25:27,333 --> 00:25:28,833 IT'S SO MEAN. 705 00:25:28,867 --> 00:25:31,067 "A BI-CURIOUS STRAIGHT GIRL, 706 00:25:31,100 --> 00:25:32,900 "A GIRL WHO WOULD WASTE EIGHT YEARS 707 00:25:32,933 --> 00:25:33,900 "OF SOMEONE ELSE'S LIFE 708 00:25:33,933 --> 00:25:35,067 "TRYING OUT AN IDENTITY 709 00:25:35,067 --> 00:25:36,400 THAT WAS NEVER GOING TO FIT HER." 710 00:25:36,433 --> 00:25:37,400 [GASPS] 711 00:25:37,433 --> 00:25:38,867 THAT'S MEAN. 712 00:25:38,900 --> 00:25:40,133 THAT'S REALLY HARSH. 713 00:25:40,167 --> 00:25:41,467 SO MEAN. 714 00:25:41,500 --> 00:25:42,800 THIS IS SO FUCKING GOOD. 715 00:25:42,833 --> 00:25:44,200 YOU'RE NOT ALLOWED TO EAT ANY MORE. 716 00:25:44,233 --> 00:25:45,333 YOU'RE NOT ALLOWED ANY MORE. 717 00:25:45,367 --> 00:25:46,433 BUT I'M HUNGRY. 718 00:25:46,467 --> 00:25:47,633 YOUR GIRLFRIEND'S GOING TO TELL ME OFF 719 00:25:47,667 --> 00:25:48,633 IF YOU EAT ALL MY FOOD. 720 00:25:48,667 --> 00:25:49,700 OH, YOU KNOW WHAT? 721 00:25:49,733 --> 00:25:50,700 NOT MY GIRLFRIEND. 722 00:25:50,733 --> 00:25:52,100 NO, I MEAN IT. 723 00:25:52,133 --> 00:25:53,500 YOU'RE DOING GREAT 724 00:25:53,533 --> 00:25:56,133 UNDER REALLY INTENSE CIRCUMSTANCES. 725 00:25:56,167 --> 00:25:58,067 AND HE BROKE HIS ARM... 726 00:25:58,067 --> 00:26:00,100 POOR THING. 727 00:26:00,133 --> 00:26:02,567 DO YOU HAVE MEDICAL INSURANCE? 728 00:26:02,600 --> 00:26:05,133 UH, NO, I DON'T. 729 00:26:05,167 --> 00:26:07,567 YOU REALLY HAVE TAKEN ON A LOT. 730 00:26:07,600 --> 00:26:09,433 HOW ARE YOU MANAGING? 731 00:26:09,467 --> 00:26:10,833 WELL, I-I TOOK ANOTHER JOB 732 00:26:10,867 --> 00:26:12,300 TO HELP PAY FOR HIS ARM 733 00:26:12,333 --> 00:26:13,700 AND EVERYTHING THAT COMES WITH IT. 734 00:26:13,733 --> 00:26:14,933 THAT'S A BITCH. 735 00:26:14,967 --> 00:26:16,133 MY HEART GOES OUT TO YOU... 736 00:26:16,167 --> 00:26:20,600 BUT WE DO WHAT WE HAVE TO DO, RIGHT? 737 00:26:20,633 --> 00:26:24,933 I BARTEND AT THE BEAUTY BAR ON CAHUENGA. 738 00:26:24,967 --> 00:26:27,533 OH, ISN'T THAT THE PLACE WITH THE HAIR SALON CHAIRS? 739 00:26:27,567 --> 00:26:28,633 YEAH. 740 00:26:28,667 --> 00:26:31,233 YOU WANT CREAM, SUGAR, IN YOUR COFFEE? 741 00:26:31,267 --> 00:26:32,833 OH, JUST A LITTLE CREAM 742 00:26:32,867 --> 00:26:33,833 WOULD BE FINE. 743 00:26:33,867 --> 00:26:35,200 YEAH. 744 00:26:35,233 --> 00:26:36,967 YEAH, THE MONEY'S GREAT, 745 00:26:37,067 --> 00:26:38,967 SO I WORK THERE A FEW NIGHTS A WEEK, 746 00:26:39,067 --> 00:26:40,200 AND... 747 00:26:41,467 --> 00:26:43,100 WHILE JARED'S IN SCHOOL, 748 00:26:43,133 --> 00:26:45,233 I DO TELEMARKETING FROM HOME. 749 00:26:45,267 --> 00:26:47,767 SO THE REST OF THE FREE TIME WE SPEND TOGETHER. 750 00:26:47,800 --> 00:26:49,067 WELL... 751 00:26:49,067 --> 00:26:50,533 WE DO WHAT WE HAVE TO DO, RIGHT? 752 00:26:50,567 --> 00:26:52,267 WELL, SOME OF US DO, 753 00:26:52,300 --> 00:26:57,600 AND SOME OF US DON'T TAKE ANY RESPONSIBILITY AT ALL. 754 00:26:57,633 --> 00:26:59,700 LIKE JARED'S FATHER. 755 00:27:01,067 --> 00:27:02,167 OH. 756 00:27:02,200 --> 00:27:03,900 UM... 757 00:27:03,933 --> 00:27:05,400 I'M SORRY TO HEAR THAT. 758 00:27:05,433 --> 00:27:07,400 AH, I'M OVER IT. 759 00:27:07,433 --> 00:27:10,400 I'D BE HAPPY TO NEVER FUCK ANOTHER MAN IN MY LIFE. 760 00:27:12,900 --> 00:27:14,700 THE CREAM WENT OFF. 761 00:27:16,200 --> 00:27:18,067 IT'S OKAY. 762 00:27:20,067 --> 00:27:21,533 I'M JUST SORRY FOR JARED... 763 00:27:21,567 --> 00:27:22,900 THAT'S ALL. 764 00:27:22,933 --> 00:27:24,800 HE WISHES HE HAD A DAD. 765 00:27:24,833 --> 00:27:28,833 WELL, HE'S GOT A PRETTY INCREDIBLE MOM. 766 00:27:28,867 --> 00:27:30,900 [JARED AND SHAY CHATTERING IN BACKGROUND] 767 00:27:32,567 --> 00:27:34,100 UM... 768 00:27:34,133 --> 00:27:35,767 BUT I'M GUESSING YOU MUST HAVE BEEN, WHAT, 769 00:27:35,800 --> 00:27:37,067 16 WHEN YOU HAD HIM? 770 00:27:37,067 --> 00:27:40,200 18... 771 00:27:40,233 --> 00:27:43,567 BUT SOMETIMES I FEEL LIKE I'M A MILLION YEARS OLD, 772 00:27:43,600 --> 00:27:46,333 AND BEFORE YOU KNOW IT, 773 00:27:46,367 --> 00:27:49,700 I WILL BE TOO OLD AND WRETCHED TO PICK UP THE PIECES. 774 00:27:49,733 --> 00:27:50,867 NO... 775 00:27:50,900 --> 00:27:52,700 PLEASE. YOU'RE BEAUTIFUL. 776 00:27:52,733 --> 00:27:55,633 I DON'T THINK YOU HAVE TO WORRY ABOUT THAT. 777 00:27:57,833 --> 00:27:59,367 ARE YOU HITTING ON ME? 778 00:28:02,300 --> 00:28:02,800 UH... 779 00:28:02,833 --> 00:28:04,767 I WASN'T. UM... 780 00:28:04,800 --> 00:28:06,200 BUT I'M... 781 00:28:06,233 --> 00:28:08,900 I'M SORRY TO MAKE YOU UNCOMFORTABLE, IF... 782 00:28:08,933 --> 00:28:10,767 IF YOU THINK I WAS. 783 00:28:13,100 --> 00:28:14,533 NO, NO. 784 00:28:14,567 --> 00:28:16,100 I'M SORRY. 785 00:28:16,133 --> 00:28:18,733 I WAS HOPING YOU WERE. 786 00:28:22,233 --> 00:28:23,767 MOM, CAN I GO TO THE BEVERLY CENTER NOW? 787 00:28:23,800 --> 00:28:25,700 I WANT TO SHOW SHAY THE BIONICLES 788 00:28:25,733 --> 00:28:27,200 BEFORE THE MOVIE. 789 00:28:27,233 --> 00:28:28,233 YEAH, I SHOULD... 790 00:28:28,267 --> 00:28:29,567 I SHOULD GET TO WORK, TOO. 791 00:28:29,600 --> 00:28:30,767 UH, YEAH. 792 00:28:30,800 --> 00:28:32,200 WHY DON'T YOU TWO GO BACK TO THE POD 793 00:28:32,233 --> 00:28:33,200 AND PUT YOUR SHOES ON, 794 00:28:33,233 --> 00:28:34,233 AND THEN WE'LL GO. 795 00:28:38,067 --> 00:28:39,333 BRILLIANT TIMING. 796 00:28:39,367 --> 00:28:41,267 YEAH. 797 00:28:41,300 --> 00:28:43,500 YEAH, UM... 798 00:28:43,533 --> 00:28:45,733 WELL, THANK YOU FOR THE COFFEE. 799 00:28:45,767 --> 00:28:49,167 I HOPE WE CAN DO IT AGAIN. 800 00:28:49,200 --> 00:28:50,600 ME TOO. 801 00:28:50,633 --> 00:28:52,067 UH, THANK YOU 802 00:28:52,067 --> 00:28:53,400 FOR WATCHING SHAY AS WELL. 803 00:28:53,433 --> 00:28:55,300 IT'S MY PLEASURE. 804 00:28:55,333 --> 00:28:57,767 TALK TO YOU LATER. 805 00:29:04,833 --> 00:29:06,433 OH, THAT LOOKS WONDERFUL. 806 00:29:06,467 --> 00:29:07,967 THANK YOU. 807 00:29:08,067 --> 00:29:09,633 SO I CALLED 808 00:29:09,667 --> 00:29:10,867 THE WOOD DELIVERY PEOPLE. 809 00:29:10,900 --> 00:29:12,100 THEY'LL BE HERE IN ABOUT HALF AN HOUR. 810 00:29:12,133 --> 00:29:13,367 OH, THANK YOU, HONEY. 811 00:29:13,400 --> 00:29:15,800 OOH. 812 00:29:15,833 --> 00:29:17,067 GO SIT BY THE FIRE. 813 00:29:17,067 --> 00:29:18,433 YOU'RE GETTING UNDERFOOT. 814 00:29:18,467 --> 00:29:19,867 [KISS] 815 00:29:24,067 --> 00:29:26,667 THE PERILS OF BEING THE EXECUTIVE VICE CHANCELLOR. 816 00:29:26,700 --> 00:29:29,667 SHE CERTAINLY MANAGES TO SQUEEZE A LOT IN. 817 00:29:29,700 --> 00:29:32,100 YEAH, WELL, UP AT STANFORD, 818 00:29:32,133 --> 00:29:34,767 SHE CHAIRED AT LEAST 15 COMMITTEES, 819 00:29:34,800 --> 00:29:36,500 AND SHE PRETTY MUCH SINGLE-HANDEDLY 820 00:29:36,533 --> 00:29:37,900 RESURRECTED 821 00:29:37,933 --> 00:29:41,133 THE SCHOOL OF ENGINEERING. 822 00:29:41,167 --> 00:29:44,233 THAT'S MY DEPARTMENT. 823 00:29:44,267 --> 00:29:45,467 YOU KNOW-- 824 00:29:45,500 --> 00:29:47,600 OH, NO, LEONARD. YOU CAN'T HAVE THEM. 825 00:29:47,633 --> 00:29:48,933 THEY HAVEN'T BEEN COOKED YET. 826 00:29:48,967 --> 00:29:53,533 WELL, UH, LET ME KNOW IF I CAN HELP OR ANYTHING, 827 00:29:53,567 --> 00:29:55,100 ALL RIGHT? 828 00:29:58,400 --> 00:30:00,733 I WISH YOU WERE COMING TONIGHT. 829 00:30:00,767 --> 00:30:02,967 LEONARD IS JUST IRRITATING THE HELL OUT OF ME. 830 00:30:03,000 --> 00:30:07,600 I DON'T KNOW WHY I ASKED HIM TO COME DOWN FOR THIS. 831 00:30:07,633 --> 00:30:12,000 I HAD SUCH A WONDERFUL TIME LAST NIGHT AND THIS MORNING. 832 00:30:12,033 --> 00:30:13,867 I MISS YOU. 833 00:30:13,900 --> 00:30:17,700 I LOVE YOU. 834 00:30:17,733 --> 00:30:18,700 CALL ME LATER. 835 00:30:18,733 --> 00:30:21,067 NO, DON'T CALL ME. I'LL CALL YOU. 836 00:30:21,100 --> 00:30:23,867 WHEW. 837 00:30:23,900 --> 00:30:25,033 [KNOCKING] 838 00:30:25,067 --> 00:30:27,033 [SHANE, OPENING DOOR]: YEAH, YEAH, YEAH. WHAT? 839 00:30:27,067 --> 00:30:28,133 [ALICE]: HELLO, HELLO. 840 00:30:28,167 --> 00:30:29,933 I LIKE YOUR OUTFIT. I LIKE YOURS. 841 00:30:29,967 --> 00:30:30,800 I LIKE YOURS, GREASED LIGHTNING. 842 00:30:30,833 --> 00:30:32,033 GREASED LIGHTNING. 843 00:30:32,067 --> 00:30:32,800 AND THE HAT'S CUTE TOO. 844 00:30:32,833 --> 00:30:33,733 THANKS. I JUST GOT IT. 845 00:30:33,767 --> 00:30:34,867 HEY, UH, JEN. 846 00:30:34,900 --> 00:30:35,700 WE'RE GOING TO HERE. DO YOU WANT TO COME? 847 00:30:35,733 --> 00:30:37,233 MM-HMM. 848 00:30:37,267 --> 00:30:39,267 CAN I JUST FINISH MY DINNER AND THEN GO GET CHANGED? 849 00:30:39,300 --> 00:30:40,367 YES. 850 00:30:40,400 --> 00:30:41,167 IF SHE'S GOING, I'M NOT GOING. 851 00:30:41,200 --> 00:30:42,233 HUH? WHAT? 852 00:30:42,267 --> 00:30:44,167 WHAT ARE YOU TALKING ABOUT? 853 00:30:44,200 --> 00:30:45,400 JENNY, YOU KNOW WHAT I'M TALKING ABOUT. 854 00:30:45,433 --> 00:30:47,100 WHAT ARE YOU TALKING ABOUT, ALICE? 855 00:30:47,133 --> 00:30:50,167 OH, NO, JUST CALL ME ALYSSE, THE BISEXUAL FASHION VICTIM. 856 00:30:50,200 --> 00:30:51,167 I'M SORRY, IS MY HAT TOO MUCH? 857 00:30:51,200 --> 00:30:53,500 A LITTLE. WHAT? 858 00:30:53,533 --> 00:30:54,167 WHAT ARE YOU TALKING ABOUT? 859 00:30:54,200 --> 00:30:55,467 JENNY WROTE A STORY. 860 00:30:55,500 --> 00:30:56,867 IT WAS PUBLISHED IN THE NEW YORKER. 861 00:30:56,900 --> 00:30:58,567 WE'RE ALL VERY, VERY EXCITED FOR YOU, JENNY. 862 00:30:58,600 --> 00:31:00,467 BUT WE'RE IN IT. 863 00:31:00,500 --> 00:31:02,633 WE'RE IN IT. 864 00:31:02,667 --> 00:31:04,067 OH... 865 00:31:04,067 --> 00:31:05,267 THANK YOU, ALICE, FOR BEING SO GRACIOUS 866 00:31:05,300 --> 00:31:07,300 ABOUT MY ACCOMPLISHMENT 867 00:31:07,333 --> 00:31:08,867 OF BEING PUBLISHED IN THE NEW YORKER, 868 00:31:08,900 --> 00:31:10,167 BUT, ALICE, 869 00:31:10,200 --> 00:31:11,500 IF YOU ACTUALLY READ BEYOND THE COVER-- 870 00:31:11,533 --> 00:31:12,600 OH, I READ IT. 871 00:31:12,633 --> 00:31:13,833 YOU DID? YEAH. 872 00:31:13,867 --> 00:31:15,400 IT'S IN THE NEW YORKER, FICTION ISSUE. 873 00:31:15,433 --> 00:31:16,567 THEREFORE, YOU'D SEE 874 00:31:16,600 --> 00:31:18,067 THAT IT WAS ACTUALLY A WORK OF FICTION. 875 00:31:18,067 --> 00:31:19,800 OH, THAT'S BULLSHIT. 876 00:31:19,833 --> 00:31:21,367 I TAKE IT YOU HAVEN'T READ THIS "STORY." 877 00:31:21,400 --> 00:31:23,067 CLEARLY NOT. NO. 878 00:31:23,100 --> 00:31:24,600 YOU READ IT. TELL HER. 879 00:31:24,633 --> 00:31:26,800 YEAH, I READ IT. 880 00:31:26,833 --> 00:31:29,200 I MEAN, SHE CLAIMS THAT IT'S NOT YOU. 881 00:31:29,233 --> 00:31:30,633 IT'S NOT. 882 00:31:30,667 --> 00:31:32,333 I DRAW FROM MY OWN LIFE, 883 00:31:32,367 --> 00:31:34,933 AND I USE MY FRIENDS AND MY OWN EXPERIENCES 884 00:31:34,967 --> 00:31:36,433 AS INSPIRATION, 885 00:31:36,467 --> 00:31:37,933 BUT AT THE END OF THE DAY, IT'S FICTION. 886 00:31:37,967 --> 00:31:39,500 RIGHT. RIGHT. 887 00:31:39,533 --> 00:31:42,433 YEAH, THERE'S THIS CHARACTER NAMED SHAUN, SHANE, 888 00:31:42,467 --> 00:31:43,767 AND SHE'S A MAKEUP ARTIST, RIGHT? 889 00:31:43,800 --> 00:31:45,767 AM I CORRECT? MM-HMM. 890 00:31:45,800 --> 00:31:47,767 YEAH, AND SHE SLEEPS WITH A LOT OF GIRLS... 891 00:31:47,800 --> 00:31:48,533 THAT'S NOT BAD. 892 00:31:48,567 --> 00:31:49,833 HEY, ALICE. 893 00:31:49,867 --> 00:31:52,100 YOU KNOW, THERE'S THIS CRAZY WEIRD THING THAT HAPPENS 894 00:31:52,133 --> 00:31:53,067 WHEN YOU WRITE. 895 00:31:53,067 --> 00:31:54,667 AS A WRITER-- 896 00:31:54,700 --> 00:31:55,733 WAIT, IS THIS A LESSON? 897 00:31:55,767 --> 00:31:56,533 YEAH. IN WRITING? 898 00:31:56,567 --> 00:31:58,067 FROM JENNY SCHECTER? 899 00:31:58,067 --> 00:31:58,867 YEAH. 900 00:31:58,900 --> 00:32:00,067 OH, FUCK, LET ME GRAB A PEN. 901 00:32:00,067 --> 00:32:01,800 GET A PAD, TOO. 902 00:32:01,833 --> 00:32:03,200 SO THIS THING THAT HAPPENS WHEN YOU WRITE 903 00:32:03,233 --> 00:32:04,067 IS YOU DRAW FROM YOUR OWN LIFE, 904 00:32:04,067 --> 00:32:05,300 AND THEN, IN TURN, 905 00:32:05,333 --> 00:32:07,200 YOU TAKE THOSE EXPERIENCES 906 00:32:07,233 --> 00:32:10,300 AND YOU USE SOMETHING CALLED IMAGINATION, ALICE. 907 00:32:10,333 --> 00:32:12,567 OH, IMAGINATION. 908 00:32:12,600 --> 00:32:13,867 GOD. 909 00:32:13,900 --> 00:32:15,067 SO THAT'S THE THING YOU WERE LACKING 910 00:32:15,100 --> 00:32:17,100 WHEN YOU COULD BARELY CHANGE OUR NAMES, HUH? 911 00:32:17,133 --> 00:32:17,967 HEY, JUST A SECOND. YOU GUYS... 912 00:32:18,067 --> 00:32:20,933 DO YOU... DO YOU HEAR THAT? 913 00:32:20,967 --> 00:32:24,067 OH, MY GOD, IT'S MONET. 914 00:32:24,100 --> 00:32:25,867 MONET HAS COME BACK FROM THE DEAD, 915 00:32:25,900 --> 00:32:27,633 AND HE WANTS ME TO GIVE YOU A MESSAGE. 916 00:32:27,667 --> 00:32:29,233 HE SAYS, "I AM SO SORRY 917 00:32:29,267 --> 00:32:31,633 "FOR SITTING IN FRONT OF MY POND IN FRANCE 918 00:32:31,667 --> 00:32:33,467 "AND SKETCHING THOSE WATER LILIES 919 00:32:33,500 --> 00:32:35,133 "AND USING THE WATER LILIES 920 00:32:35,167 --> 00:32:37,667 "AS ACTUAL INSPIRATION. 921 00:32:37,700 --> 00:32:39,100 SORRY TO OFFEND, ALICE." 922 00:32:39,133 --> 00:32:40,567 RIGHT, RIGHT. 923 00:32:40,600 --> 00:32:41,300 OH, WAIT. 924 00:32:41,333 --> 00:32:42,200 HE'S TALKING TO ME. 925 00:32:42,233 --> 00:32:44,133 SO WEIRD. IT'S CRA-- HUH? 926 00:32:44,167 --> 00:32:46,133 WHAT? 927 00:32:46,167 --> 00:32:48,667 OKAY, I'LL TELL HER. 928 00:32:48,700 --> 00:32:52,267 HE SAID DON'T EVER FUCKING COMPARE YOURSELF TO HIM. 929 00:32:52,300 --> 00:32:54,300 [TOM INTERPRETING]: I WAS SAYING, 930 00:32:54,333 --> 00:32:55,333 I'M NOT SURE 931 00:32:55,367 --> 00:32:57,067 WHERE I'M PUTTING THE SCULPTURE YET. 932 00:32:57,067 --> 00:33:00,700 I DID MOVE A HAMMOCK IN, THOUGH. 933 00:33:00,733 --> 00:33:02,067 AT SOME POINT, 934 00:33:02,100 --> 00:33:05,667 I LIKE TO SLEEP AND WORK IN THE SAME PLACE. 935 00:33:05,700 --> 00:33:08,133 SO I LIKE TO BE INTIMATE WITH MY OBJECTS. 936 00:33:08,167 --> 00:33:09,933 AND THE OBJECTS BEING 937 00:33:09,967 --> 00:33:11,200 ALL OF THIS JUNK YOU HAULED IN. 938 00:33:12,667 --> 00:33:13,733 THAT COULD SOUND RUDE, WEB. 939 00:33:13,767 --> 00:33:16,200 HIS TONE-- 940 00:33:16,233 --> 00:33:18,333 NO, NO, NO. I GOT HIS TONE. 941 00:33:18,367 --> 00:33:19,333 IT'S OKAY. 942 00:33:19,367 --> 00:33:20,833 SHE'S GOT MY TONE. 943 00:33:20,867 --> 00:33:22,200 DON'T WORRY ABOUT IT. 944 00:33:25,300 --> 00:33:26,300 OH... 945 00:33:28,167 --> 00:33:29,867 HERE'S SOMEONE I REALLY HAVE TO MEET. 946 00:33:29,900 --> 00:33:33,100 NICE TO, UH, MEET YOU. 947 00:33:33,133 --> 00:33:35,067 [SPEAKING SLOWLY AND LOUDLY]: UH, WELL, 948 00:33:35,067 --> 00:33:37,833 IT WAS NICE TO MEET YOU, DON. 949 00:33:37,867 --> 00:33:40,167 IT'S TOM. 950 00:33:40,200 --> 00:33:40,867 AND I'M NOT DEAF. 951 00:33:40,900 --> 00:33:42,733 AH. RIGHT. 952 00:33:42,767 --> 00:33:43,467 AND, UM... 953 00:33:43,500 --> 00:33:44,567 JODI. 954 00:33:44,600 --> 00:33:45,500 JODI. 955 00:33:45,533 --> 00:33:46,233 AND I'M DEAF. 956 00:33:46,267 --> 00:33:47,833 YES, OF COURSE. 957 00:33:47,867 --> 00:33:50,300 I MEAN, WELL YOU KNOW, I'M GOING TO GO SEE MY FRIEND. 958 00:33:50,333 --> 00:33:50,933 BYE-BYE. 959 00:33:50,967 --> 00:33:51,533 TAKE CARE. 960 00:33:51,567 --> 00:33:55,400 [**] 961 00:33:57,733 --> 00:33:58,733 HELLO, CHRISTINE. 962 00:34:02,300 --> 00:34:04,100 DEAN PORTER. 963 00:34:04,133 --> 00:34:06,533 HELLO. 964 00:34:06,567 --> 00:34:11,300 MY, MY, YOU CLEAN UP NICE. 965 00:34:11,333 --> 00:34:13,867 THANKS. 966 00:34:13,900 --> 00:34:16,633 [TOM INTERPRETING]: I CAN'T SAY THE SAME FOR YOU. 967 00:34:16,667 --> 00:34:19,933 TOM. SO NICE TO SEE YOU. 968 00:34:19,967 --> 00:34:22,467 THANK YOU. 969 00:34:22,500 --> 00:34:23,800 DID YOU JUST INSULT ME? 970 00:34:23,833 --> 00:34:27,067 NO. 971 00:34:27,067 --> 00:34:28,533 YOU'RE JUST ALWAYS SO VERY CLEAN. 972 00:34:28,567 --> 00:34:31,633 I CAN'T EVEN IMAGINE YOU BEING DIRTY AT ALL. 973 00:34:31,667 --> 00:34:32,767 I'VE BEEN PLENTY DIRTY. 974 00:34:32,800 --> 00:34:36,600 OH. HMM. 975 00:34:36,633 --> 00:34:38,700 I HAVE A HARD TIME PICTURING THAT. 976 00:34:38,733 --> 00:34:39,767 I'M SORRY, I JUST... 977 00:34:39,800 --> 00:34:42,433 I DON'T KNOW, 978 00:34:42,467 --> 00:34:45,600 MAYBE A FETCHING LITTLE SMUDGE RIGHT ABOUT-- 979 00:34:45,633 --> 00:34:47,100 DIRTIER. 980 00:35:04,900 --> 00:35:06,167 I DON'T ENVY YOU, 981 00:35:06,200 --> 00:35:09,467 TRYING TO RAISE MONEY FROM CREEPS LIKE THOSE GUYS. 982 00:35:09,500 --> 00:35:10,667 IT'S NOT SO BAD. 983 00:35:14,800 --> 00:35:16,333 ACTUALLY, IT'S A FUCKING NIGHTMARE. 984 00:35:17,733 --> 00:35:20,533 OH, GOD. EXACTLY. 985 00:35:20,567 --> 00:35:20,633 UGH. 986 00:35:22,067 --> 00:35:23,500 DICKS. 987 00:35:23,533 --> 00:35:24,667 DID YOU GET THAT? 988 00:35:24,700 --> 00:35:25,433 THEY'RE DICKS. 989 00:35:25,467 --> 00:35:28,700 YEAH, I DID. I GOT THAT. 990 00:35:30,200 --> 00:35:31,933 LET'S GET STONED. 991 00:35:31,967 --> 00:35:33,567 THEN WE CAN LAUGH AT THEM. 992 00:35:33,600 --> 00:35:35,200 I CAN'T DO THAT. OH, COME ON. 993 00:35:35,233 --> 00:35:36,300 I CAN'T, 994 00:35:36,333 --> 00:35:37,300 BUT THANK YOU FOR THE INVITATION. 995 00:35:37,333 --> 00:35:40,200 BREAK SOME RULES, BETTE. 996 00:35:40,233 --> 00:35:41,700 IT WILL LIBERATE YOU. 997 00:35:41,733 --> 00:35:43,167 I CAN'T. 998 00:35:43,200 --> 00:35:45,533 COME ON. 999 00:35:45,567 --> 00:35:46,867 COME ON, DEAN. 1000 00:35:46,900 --> 00:35:48,600 BRING IT. 1001 00:35:50,867 --> 00:35:54,067 ALL I'M SAYING IS THAT YOU'VE DONE IT YOURSELF 1002 00:35:54,067 --> 00:35:56,067 IN YOUR, LIKE, FUCKING RADIO SHOW AND-- 1003 00:35:56,067 --> 00:35:57,500 THAT IS SO DIFFERENT. 1004 00:35:57,533 --> 00:35:58,733 WHY ARE YOU YELLING? 1005 00:35:58,767 --> 00:35:59,433 DON'T YELL. 1006 00:35:59,467 --> 00:36:01,167 ON TOP OF THAT, 1007 00:36:01,200 --> 00:36:02,233 I JUST WANT TO MAKE ANOTHER POINT. 1008 00:36:02,267 --> 00:36:03,067 I JUST WANT TO MAKE THE POINT 1009 00:36:03,100 --> 00:36:04,600 THAT YOU ARE SOMEHOW SAYING 1010 00:36:04,633 --> 00:36:06,667 THAT I DON'T HAVE ONE CREATIVE BONE IN MY BODY, 1011 00:36:06,700 --> 00:36:07,567 AND THAT'S BULLSHIT. 1012 00:36:07,600 --> 00:36:08,600 YEAH, WHATEVER. WHATEVER. 1013 00:36:08,633 --> 00:36:09,367 WHAT? 1014 00:36:09,400 --> 00:36:10,467 WHATEVER, JENNY. 1015 00:36:10,500 --> 00:36:12,200 NO, YOU WERE THE ONE THAT BROUGHT IT UP. 1016 00:36:12,233 --> 00:36:13,167 DO YOU KNOW WHO MAKES THIS HAT? 1017 00:36:13,200 --> 00:36:14,067 WHO? 1018 00:36:14,100 --> 00:36:15,367 DO YOU KNOW? NO. 1019 00:36:15,400 --> 00:36:16,400 YOU DON'T KNOW. I WOULD GUESS-- 1020 00:36:16,433 --> 00:36:18,067 I WOULD GUESS 1021 00:36:18,067 --> 00:36:20,767 THE LEAD SINGER OF THE VILLAGE PEOPLE. 1022 00:36:20,800 --> 00:36:22,533 LADIES! 1023 00:36:22,567 --> 00:36:26,367 THIS IS MY GIRL, TASHA. 1024 00:36:26,400 --> 00:36:30,333 TASHA, MEET ALICE, JENNY, AND VANILLA. 1025 00:36:30,367 --> 00:36:32,167 I'M SHANE. 1026 00:36:32,200 --> 00:36:34,867 VANILLA, 'CAUSE SHE'S ME EXCEPT IN ANOTHER FLAVOR. 1027 00:36:34,900 --> 00:36:36,867 RIGHT. 1028 00:36:36,900 --> 00:36:37,767 DO YOU GUYS WANT TO HAVE A DRINK? 1029 00:36:37,800 --> 00:36:38,567 YEAH. WHAT CAN I GET YOU? 1030 00:36:38,600 --> 00:36:39,833 I DON'T CARE. 1031 00:36:39,867 --> 00:36:40,733 HEY, TASH, WHAT DO YOU WANT? 1032 00:36:40,767 --> 00:36:42,367 I CAN BUY MY OWN DRINK. 1033 00:36:42,400 --> 00:36:43,600 FUCK THAT, MAN. 1034 00:36:43,633 --> 00:36:46,167 THIS IS YOUR WELCOME BACK INTO THE WORLD. 1035 00:36:46,200 --> 00:36:48,233 IT'S BEEN A WHILE SINCE TASHA'S BEEN IN THE CLUBS, SO-- 1036 00:36:48,267 --> 00:36:51,200 SHUT UP, PAPI. SHUT UP. 1037 00:36:59,133 --> 00:37:00,467 YO, PAPI, 1038 00:37:00,500 --> 00:37:01,700 I'M GOING TO GO SMOKE, ALL RIGHT? 1039 00:37:01,733 --> 00:37:03,267 WELL, HOLD ON. I'LL COME WITH YOU. 1040 00:37:03,300 --> 00:37:04,133 NO, I'M COOL. 1041 00:37:07,200 --> 00:37:08,900 IS SHE OKAY? 1042 00:37:08,933 --> 00:37:10,467 SHE SEEMS MAD OR SOMETHING. 1043 00:37:10,500 --> 00:37:11,333 OH, YOU KNOW, SHE'S COOL. 1044 00:37:19,067 --> 00:37:20,800 [BETTE]: THERE'S SOMEBODY COMING. 1045 00:37:20,833 --> 00:37:22,133 [TOM]: YOU'RE NOT EVEN STONED YET 1046 00:37:22,167 --> 00:37:23,600 AND YOU'RE PARANOID. 1047 00:37:23,633 --> 00:37:25,667 RELAX. 1048 00:37:27,900 --> 00:37:29,667 COME ON, DEAN. 1049 00:37:29,700 --> 00:37:32,067 ALL RIGHT, NONE OF THAT "CLINTONIAN" SHIT NOW. 1050 00:37:32,067 --> 00:37:34,100 INHALE. 1051 00:37:35,867 --> 00:37:37,500 AND... 1052 00:37:42,067 --> 00:37:44,300 PLEASE, SHE KNOWS WHAT SHE'S DOING. 1053 00:37:47,633 --> 00:37:50,567 [**] 1054 00:38:20,433 --> 00:38:21,400 HEY. 1055 00:38:21,433 --> 00:38:23,367 HOW ARE YOU? 1056 00:38:23,400 --> 00:38:24,400 I'M GOOD. HOW ARE YOU? 1057 00:38:24,433 --> 00:38:26,400 I SAW YOU WATCHING ME. 1058 00:38:26,433 --> 00:38:28,867 YES, I WAS. 1059 00:38:28,900 --> 00:38:30,700 MY NAME'S RUBY. 1060 00:38:30,733 --> 00:38:31,833 RUBY? 1061 00:38:31,867 --> 00:38:32,400 YES. 1062 00:38:32,433 --> 00:38:33,533 SHANE. 1063 00:38:33,567 --> 00:38:34,333 NICE TO MEET YOU, SHANE. 1064 00:38:34,367 --> 00:38:35,433 IT'S NICE TO MEET YOU, RUBY. 1065 00:38:35,467 --> 00:38:37,067 YOU'RE VERY DELICIOUS. 1066 00:38:39,900 --> 00:38:41,067 DO YOU HAVE A GIRLFRIEND? 1067 00:38:41,067 --> 00:38:42,433 NO. NO? 1068 00:38:42,467 --> 00:38:42,967 NO. 1069 00:38:43,067 --> 00:38:43,567 EITHER DO I. 1070 00:38:43,600 --> 00:38:45,767 HEY, SHANE. 1071 00:38:45,800 --> 00:38:46,667 PAPI. 1072 00:38:46,700 --> 00:38:47,533 OH, HI. HOW ARE YOU? 1073 00:38:47,567 --> 00:38:49,067 GIRL, WHAT'S YOUR NAME? 1074 00:38:49,067 --> 00:38:50,533 MY NAME'S RUBY. 1075 00:38:50,567 --> 00:38:52,300 RUBY, I'M PAPI. IT'S NICE TO MEET YOU. 1076 00:38:52,333 --> 00:38:53,833 NICE TO MEET YOU. RUBY, THAT'S A BEAUTIFUL NAME. 1077 00:38:53,867 --> 00:38:55,533 YOU KNOW, MY COUSIN SONJA HAS A LITTLE GIRL 1078 00:38:55,567 --> 00:38:56,367 NAMED RUBY. 1079 00:38:56,400 --> 00:38:57,433 I'M HER GODMOTHER. 1080 00:38:57,467 --> 00:38:58,233 YEAH, I LOVE THAT GIRL MORE THAN ANYTHING, 1081 00:38:58,267 --> 00:38:59,067 YOU KNOW? 1082 00:38:59,100 --> 00:39:01,633 THAT'S REALLY GREAT. 1083 00:39:01,667 --> 00:39:04,133 MY BROTHER'S WIFE ACTUALLY JUST HAD A BABY. 1084 00:39:04,167 --> 00:39:06,067 REALLY? SHE'S SO INCREDIBLE. 1085 00:39:06,100 --> 00:39:07,300 ACTUALLY, 1086 00:39:07,333 --> 00:39:09,167 I CRIED THE FIRST TIME I HELD HER. 1087 00:39:09,200 --> 00:39:09,967 OH, YOU MUST HAVE BEEN SO BEAUTIFUL. 1088 00:39:10,067 --> 00:39:12,067 NO, YOU KNOW WHAT I MEAN-- 1089 00:39:12,067 --> 00:39:13,733 YOU MUST HAVE BEEN LIKE MADONNA WITH THE CHILD. 1090 00:39:13,767 --> 00:39:14,900 MADONNA WITH THE CHILD? 1091 00:39:14,933 --> 00:39:16,533 YEAH. 1092 00:39:16,567 --> 00:39:19,633 MERRY CHRISTMAS, PAPI. 1093 00:39:19,667 --> 00:39:20,600 THANK YOU, SHANE. 1094 00:39:20,633 --> 00:39:22,067 AND THAT'S A CUTE HAT. 1095 00:39:22,067 --> 00:39:23,733 IT WAS NICE TO MEET YOU. 1096 00:39:23,767 --> 00:39:25,067 IT WAS NICE MEETING YOU. 1097 00:39:25,100 --> 00:39:27,067 BYE-BYE. BYE. 1098 00:39:27,067 --> 00:39:27,467 OH, I'M SORRY. 1099 00:39:27,500 --> 00:39:28,667 DID I-- 1100 00:39:28,700 --> 00:39:30,167 I DIDN'T MEAN TO, LIKE-- 1101 00:39:30,200 --> 00:39:31,633 DID YOU HAVE A... 1102 00:39:31,667 --> 00:39:32,433 NO. 1103 00:39:32,467 --> 00:39:33,200 ARE YOU SURE? 1104 00:39:33,233 --> 00:39:33,933 I'M SURE. 1105 00:39:33,967 --> 00:39:35,400 I DIDN'T MEAN TO-- 1106 00:39:35,433 --> 00:39:36,233 DO YOU WANT TO DANCE? YES. 1107 00:39:36,267 --> 00:39:36,867 ALL RIGHT. 1108 00:39:36,900 --> 00:39:38,967 GO AHEAD. 1109 00:39:48,433 --> 00:39:50,700 [**] 1110 00:40:01,800 --> 00:40:03,933 SHIT! 1111 00:40:03,967 --> 00:40:05,533 IT'S JENNY SCHECTER, 1112 00:40:05,567 --> 00:40:07,367 THE FUCKING LUNATIC WHOSE BOOK I REVIEWED. 1113 00:40:07,400 --> 00:40:08,267 WHO? 1114 00:40:08,300 --> 00:40:10,000 STACEY MERKIN IS HERE. 1115 00:40:10,033 --> 00:40:11,900 WHO'S THAT? THE VAGINA WITCH? 1116 00:40:11,933 --> 00:40:13,367 YEAH, SHE'S HERE. 1117 00:40:13,400 --> 00:40:14,700 JUST LOOK CASUAL, LIKE NOTHING'S HAPPENING-- 1118 00:40:14,733 --> 00:40:16,100 OH, MY GOD. 1119 00:40:16,133 --> 00:40:17,667 THAT'S... I THINK THAT'S DEBBIE. 1120 00:40:17,700 --> 00:40:18,767 WHO'S DEBBIE? 1121 00:40:18,800 --> 00:40:20,033 DEBBIE, SHE'S JUST A-- 1122 00:40:20,067 --> 00:40:21,500 WELL, HER DOG IS MY PATIENT. 1123 00:40:21,533 --> 00:40:22,467 I HAD TO PUT HER DOG DOWN. 1124 00:40:22,500 --> 00:40:23,200 OH, MY GOD. 1125 00:40:23,233 --> 00:40:24,233 WHAT IS SHE DOING HERE? 1126 00:40:24,267 --> 00:40:26,467 SHE LIVES IN SANTA BARBARA. 1127 00:40:26,500 --> 00:40:27,867 SHE'S WITH THE RED T-SHIRT. 1128 00:40:27,900 --> 00:40:28,867 WHAT'S SHE DOING NOW? YEAH, YEAH. 1129 00:40:28,900 --> 00:40:31,900 COME HERE. NO, JUST COME HERE. 1130 00:40:31,933 --> 00:40:33,267 [ALICE]: THEY'RE WALKING... 1131 00:40:33,300 --> 00:40:34,767 OH, MY GOD, DISTRACT THEM, 1132 00:40:34,800 --> 00:40:35,700 BECAUSE I DON'T WANT THEM TO COME OVER TO ME. 1133 00:40:35,733 --> 00:40:36,567 CAN YOU KISS ME? NO! 1134 00:40:36,600 --> 00:40:37,500 PLEASE KISS ME. 1135 00:40:37,533 --> 00:40:39,033 I DON'T KISS GIRLS WHO WEAR DOILIES. 1136 00:40:39,067 --> 00:40:40,667 I BEG YOU. I WILL BUY YOU STARBUCKS FOR A WEEK. 1137 00:40:40,700 --> 00:40:41,933 PLEASE. BEG YOU. 1138 00:40:41,967 --> 00:40:43,200 YES, YES, YES. PLEASE. 1139 00:40:43,233 --> 00:40:43,967 OKAY. 1140 00:40:44,000 --> 00:40:44,700 OKAY, GO. READY? 1141 00:40:44,733 --> 00:40:47,333 ONE, TWO, THREE. 1142 00:40:49,233 --> 00:40:51,133 OH... COME ON. 1143 00:40:51,167 --> 00:40:54,567 [STACEY]: I DON'T WANT SCHECTER TO SEE ME. 1144 00:40:55,467 --> 00:40:56,067 OKAY. 1145 00:40:56,100 --> 00:40:56,633 ALL RIGHT? YEAH. 1146 00:40:56,667 --> 00:40:58,133 COME HERE. 1147 00:41:00,667 --> 00:41:01,600 [HELENA]: IT'LL BE FANTASTIC. 1148 00:41:01,633 --> 00:41:02,800 I'D LOVE TO BE THERE, 1149 00:41:02,833 --> 00:41:04,600 BUT MUMMY, SHE'S TAKEN WILSON AND JUN YING 1150 00:41:04,633 --> 00:41:05,933 TO THE VILLA IN TUSCANY. 1151 00:41:05,967 --> 00:41:06,733 MM, NICE. 1152 00:41:06,767 --> 00:41:07,667 THEY'RE HAVING A FABULOUS TIME. 1153 00:41:07,700 --> 00:41:10,267 OH, I ADORE THEM. 1154 00:41:10,300 --> 00:41:11,633 PHYLLIS, EXCELLENT PARTY. 1155 00:41:11,667 --> 00:41:12,400 DID YOU KNOW 1156 00:41:12,433 --> 00:41:13,200 THAT HELENA'S MOTHER AND I 1157 00:41:13,233 --> 00:41:14,867 ARE OLD FRIENDS? 1158 00:41:14,900 --> 00:41:16,333 ISN'T SHE DOING A GREAT JOB? 1159 00:41:16,367 --> 00:41:18,067 MM. 1160 00:41:19,067 --> 00:41:19,967 WHAT DOES SHE MEAN? 1161 00:41:20,067 --> 00:41:22,100 WHAT ARE YOU DOING? 1162 00:41:22,133 --> 00:41:24,400 NOTHING, JUST SOMETHING I DO ON THE SIDE SOMETIMES. 1163 00:41:24,433 --> 00:41:25,533 IT'S CATERING. 1164 00:41:25,567 --> 00:41:26,867 ANYWHERE, I'D BE THERE. 1165 00:41:26,900 --> 00:41:28,733 I'M TOO BUSY AT THE MOMENT. 1166 00:41:28,767 --> 00:41:30,067 EVERYTHING-- 1167 00:41:30,100 --> 00:41:31,367 I THINK YOU MIGHT WANT TO COME INTO THE KITCHEN. 1168 00:41:31,400 --> 00:41:33,633 JUST... GIVE ME A MINUTE, 1169 00:41:33,667 --> 00:41:36,600 WOULD YOU? 1170 00:41:36,633 --> 00:41:37,933 ANYWAYS... 1171 00:41:37,967 --> 00:41:40,667 UH, I REALLY THINK YOU SHOULD COME TO THE KITCHEN. 1172 00:41:43,433 --> 00:41:45,667 FUCK! FUCK! 1173 00:41:47,667 --> 00:41:50,500 FUCK! 1174 00:41:50,533 --> 00:41:52,067 WHAT THE FUCK! 1175 00:41:52,067 --> 00:41:53,767 WHY DIDN'T YOU TELL ME-- 1176 00:41:53,800 --> 00:41:56,500 WHAT THE FUCK! WHAT THE-- 1177 00:41:56,533 --> 00:41:57,967 WHAT AM I GOING TO DO? IT'S ALL RUINED! 1178 00:41:58,067 --> 00:41:59,533 WHY DIDN'T YOU COME AND TELL ME EARLIER ABOUT THIS? 1179 00:41:59,567 --> 00:42:03,600 THERE'S GLASS ON EVERYTHING. PEOPLE CAN'T EAT THIS. 1180 00:42:03,633 --> 00:42:05,567 SHIT! 1181 00:42:05,600 --> 00:42:07,400 SHIT! 1182 00:42:07,433 --> 00:42:10,900 [**] 1183 00:42:17,867 --> 00:42:19,067 [ALICE]: HI. 1184 00:42:19,067 --> 00:42:19,933 HEY. 1185 00:42:19,967 --> 00:42:22,367 CAN I SIT? OR... 1186 00:42:22,400 --> 00:42:24,233 YEAH? 1187 00:42:30,067 --> 00:42:33,533 SO, HOW LONG HAVE YOU KNOWN PAPI? 1188 00:42:33,567 --> 00:42:34,900 FIVE YEARS. 1189 00:42:34,933 --> 00:42:37,400 FIVE YEARS? WOW. 1190 00:42:37,433 --> 00:42:38,567 HOW'D YOU MEET HER? 1191 00:42:38,600 --> 00:42:40,700 HANGING OUT. 1192 00:42:40,733 --> 00:42:41,733 OH. 1193 00:42:43,667 --> 00:42:45,900 YOU LIKE HANGING OUT? 1194 00:42:45,933 --> 00:42:49,433 IT'S ALL RIGHT. 1195 00:42:49,467 --> 00:42:52,733 WHAT DO YOU DO WHEN YOU'RE HANGING OUT? 1196 00:42:52,767 --> 00:42:56,533 I DON'T KNOW. PLAY BASKETBALL, I GUESS. 1197 00:42:56,567 --> 00:43:00,100 WELL, SEE, THERE'S THE CATCH. 1198 00:43:00,133 --> 00:43:02,633 TASHA, I THINK YOU'RE LYING. 1199 00:43:02,667 --> 00:43:04,200 WELL, 'CAUSE WE PLAYED A GAME WITH PAPI 1200 00:43:04,233 --> 00:43:06,633 AND YOU WEREN'T THERE, SO... 1201 00:43:09,500 --> 00:43:11,933 I WAS OUT OF TOWN. 1202 00:43:16,400 --> 00:43:17,900 OH. 1203 00:43:27,433 --> 00:43:31,333 AND I GUESS I LIKE WORKING ON MY RIDE. 1204 00:43:31,367 --> 00:43:32,733 I'VE GOT A TRIUMPH SCRAMBLER. 1205 00:43:32,767 --> 00:43:35,300 GET THE FUCK OUT OF TOWN. 1206 00:43:35,333 --> 00:43:36,500 YOU HAVE A MOTORCYCLE? 1207 00:43:36,533 --> 00:43:37,300 THAT'S-- 1208 00:43:37,333 --> 00:43:38,900 FUCK, THAT'S COOL. 1209 00:43:38,933 --> 00:43:39,600 THAT'S SO COOL, 1210 00:43:39,633 --> 00:43:41,100 'CAUSE I HAVE 1211 00:43:41,133 --> 00:43:42,167 THIS KIND OF NEW OBSESSION 1212 00:43:42,200 --> 00:43:43,267 WITH MOTORCYCLES. 1213 00:43:43,300 --> 00:43:44,500 I DON'T KNOW WHY, BUT I WANT ONE, 1214 00:43:44,533 --> 00:43:47,267 AND I DON'T KNOW... WOW. 1215 00:43:47,300 --> 00:43:48,133 HOW FAST DO YOU GO? 1216 00:43:48,167 --> 00:43:49,500 ON THE OPEN ROAD, 1217 00:43:49,533 --> 00:43:52,433 I'VE TAKEN HER UP TO ABOUT 120. 1218 00:43:52,467 --> 00:43:55,067 120? MILES AN HOUR? 1219 00:43:55,100 --> 00:44:00,200 OH! THAT'S FAST. 1220 00:44:00,233 --> 00:44:03,100 VERY. 1221 00:44:03,133 --> 00:44:04,700 HUH. 1222 00:44:06,833 --> 00:44:09,067 I'LL TAKE YOU FOR A RIDE SOME TIME. 1223 00:44:09,100 --> 00:44:11,467 REALLY. 1224 00:44:11,500 --> 00:44:13,467 THAT WOULD BE-- I WOULD LOVE THAT. 1225 00:44:13,500 --> 00:44:14,400 THAT WOULD BE COOL. 1226 00:44:15,400 --> 00:44:16,800 [CELLPHONE RINGS] 1227 00:44:16,833 --> 00:44:17,967 OH, SHOOT. SORRY. 1228 00:44:21,100 --> 00:44:22,333 HELLO? 1229 00:44:22,367 --> 00:44:23,733 HEY, HELENA. 1230 00:44:23,767 --> 00:44:25,700 YEAH. NO, I'M OUT. 1231 00:44:25,733 --> 00:44:27,133 YEAH. 1232 00:44:27,167 --> 00:44:28,500 YOU RAN INTO-- 1233 00:44:28,533 --> 00:44:30,067 I DON'T KNOW WHO DOUGLAS CHIBI IS, NO. 1234 00:44:32,567 --> 00:44:33,967 I-- WILL YOU SLOW DOWN? 1235 00:44:34,067 --> 00:44:36,967 BECAUSE I CAN'T-- I'M NOT UNDERSTANDING YOU. 1236 00:44:37,067 --> 00:44:38,733 WHAT I NEED YOU TO DO 1237 00:44:38,767 --> 00:44:41,067 IS PLEASE GO TO PETROSSIAN, 1238 00:44:41,067 --> 00:44:44,667 GET ME FIVE POUNDS OF SEVRUGA CAVIAR. 1239 00:44:44,700 --> 00:44:45,700 I'VE STILL GOT SOME BLINIS, 1240 00:44:45,733 --> 00:44:47,967 I CAN CUT UP SOME EGGS AND-- 1241 00:44:48,067 --> 00:44:51,900 ALICE, I DON'T CARE HOW MUCH IT IS, OKAY? 1242 00:44:51,933 --> 00:44:54,700 IT'S THE ONLY WAY FOR ME TO SALVAGE THIS FUCKING PARTY. 1243 00:44:54,733 --> 00:44:59,633 THIS PARTY IS SO MUCH BETTER THAN I THOUGHT IT WOULD BE. 1244 00:45:06,600 --> 00:45:09,867 YOU ARE MUCH NAUGHTIER THAN I THOUGHT YOU WOULD BE. 1245 00:45:18,833 --> 00:45:19,767 MORE. 1246 00:45:19,800 --> 00:45:21,100 SHE ASKED ME 1247 00:45:21,133 --> 00:45:23,900 IF I THINK YOU'VE EVER BEEN REALLY DECADENT. 1248 00:45:26,433 --> 00:45:28,700 ACTUALLY, I PREFER NOT TO THINK ABOUT IT. 1249 00:45:28,733 --> 00:45:31,233 I'D RATHER PRESERVE MY VISION OF DEAN PORTER 1250 00:45:31,267 --> 00:45:34,333 AS THE IMPENETRABLE ICE QUEEN. 1251 00:45:42,133 --> 00:45:44,267 THAT IS SO FUCKED UP. 1252 00:45:44,300 --> 00:45:45,300 HERE. 1253 00:45:45,333 --> 00:45:47,567 IT IS. IT IS! 1254 00:45:47,600 --> 00:45:48,100 BUT YOU KNOW WHAT? 1255 00:45:48,133 --> 00:45:49,333 I HAVE TO SAY, 1256 00:45:49,367 --> 00:45:52,867 IT'S ACTUALLY REALLY USEFUL 1257 00:45:52,900 --> 00:45:54,767 TO HAVE PEOPLE THINK THAT YOU'RE IMPENETRABLE 1258 00:45:54,800 --> 00:45:57,433 BECAUSE THEN IT MAKES THEM WANT YOU, 1259 00:45:57,467 --> 00:46:02,333 AND YOU GET ALL OF THESE REALLY GREAT INVITATIONS. 1260 00:46:02,367 --> 00:46:05,733 OH... 1261 00:46:05,767 --> 00:46:07,900 TELL. 1262 00:46:07,933 --> 00:46:09,767 TELL EVERYTHING. 1263 00:46:12,500 --> 00:46:15,700 COME ON, DEAN. 1264 00:46:15,733 --> 00:46:17,200 CAVIAR BLINIS? 1265 00:46:17,233 --> 00:46:19,067 MARVELOUS TOUCH, HELENA. 1266 00:46:19,067 --> 00:46:20,233 I HAD NO IDEA WE HAD IT IN THE BUDGET. 1267 00:46:20,267 --> 00:46:21,167 SCREW THE BUDGET. 1268 00:46:21,200 --> 00:46:22,367 I WANT YOU YOU TO COME UP TO STANFORD 1269 00:46:22,400 --> 00:46:23,767 AND CATER SOME PARTIES 1270 00:46:23,800 --> 00:46:25,167 FOR THE DEPARTMENT OF ENGINEERING. 1271 00:46:25,200 --> 00:46:26,700 NO WAY. 1272 00:46:26,733 --> 00:46:27,500 I'M NOT SHARING HER. 1273 00:46:27,533 --> 00:46:30,200 I'M GLAD YOU'RE HAPPY, PHYLLIS. 1274 00:46:30,233 --> 00:46:32,300 WELL, SHE'S USUALLY VERY GENEROUS. 1275 00:46:32,333 --> 00:46:34,933 SHE MUST ADORE YOU. 1276 00:46:34,967 --> 00:46:37,067 HELENA, I'M-- 1277 00:46:37,067 --> 00:46:39,500 ALICE! 1278 00:46:39,533 --> 00:46:41,600 I'M SORRY. 1279 00:46:41,633 --> 00:46:43,367 I WAS JUST DROPPING SOME STUFF OFF 1280 00:46:43,400 --> 00:46:44,100 FOR HELENA, 1281 00:46:44,133 --> 00:46:45,200 BUT I'M GOING TO GO. 1282 00:46:45,233 --> 00:46:45,900 HI. 1283 00:46:45,933 --> 00:46:46,300 I'M LEONARD... 1284 00:46:46,333 --> 00:46:48,167 KROLL. 1285 00:46:48,200 --> 00:46:49,500 I'M PHYLLIS' HUSBAND. 1286 00:46:49,533 --> 00:46:50,167 GREAT. YEAH. ALICE. 1287 00:46:50,200 --> 00:46:51,100 ALICE. 1288 00:46:51,133 --> 00:46:52,600 I LOVE YOUR HAT. 1289 00:46:52,633 --> 00:46:53,567 YOU DO? 1290 00:46:53,600 --> 00:46:54,867 MM-HMM. IT'S GREAT. 1291 00:46:54,900 --> 00:46:57,167 I'M, UH, HELENA'S ROOMMATE. 1292 00:46:57,200 --> 00:46:59,067 OH, WELL, YOU'RE LUCKY. 1293 00:46:59,067 --> 00:47:01,167 GREAT COOK. 1294 00:47:01,200 --> 00:47:05,067 I DIDN'T EXACTLY COOK THE CAVIAR. 1295 00:47:05,100 --> 00:47:06,500 STILL GOOD. 1296 00:47:06,533 --> 00:47:09,267 YOU MUST...EAT WELL. 1297 00:47:09,300 --> 00:47:10,367 SO, CAN I GET YOU A DRINK 1298 00:47:10,400 --> 00:47:11,533 OR SOMETHING TO EAT? 1299 00:47:11,567 --> 00:47:12,433 THE FOOD'S GREAT. 1300 00:47:12,467 --> 00:47:13,233 NO, I'M GOOD. 1301 00:47:13,267 --> 00:47:15,733 GOOD. 1302 00:47:15,767 --> 00:47:17,233 WELL, WELCOME. 1303 00:47:17,267 --> 00:47:18,200 THANK YOU. 1304 00:47:18,233 --> 00:47:19,400 IT'S A REALLY, REALLY BEAUTIFUL HOUSE. 1305 00:47:19,433 --> 00:47:21,733 OH, THANK YOU. WELL, WE LIKE IT. 1306 00:47:21,767 --> 00:47:24,200 IT'S SNUG. 1307 00:47:24,233 --> 00:47:25,733 ARE THOSE YOUR KIDS? 1308 00:47:25,767 --> 00:47:28,267 OH, YEAH, YEAH. 1309 00:47:28,300 --> 00:47:30,833 MOLLY IS A JUNIOR AT VASSAR NOW, 1310 00:47:30,867 --> 00:47:33,400 AND SOPHIA IS JUST STARTING BENNINGTON. 1311 00:47:33,433 --> 00:47:35,833 IT'S A BEAUTIFUL FAMILY. 1312 00:47:35,867 --> 00:47:38,233 YEAH, WE'RE VERY PROUD OF THEM. 1313 00:47:38,267 --> 00:47:40,667 CAN YOU BELIEVE IT? 1314 00:47:40,700 --> 00:47:44,733 HOW OLD WERE YOU TWO HERE? 1315 00:47:44,767 --> 00:47:45,767 WHAT WAS I? 1316 00:47:45,800 --> 00:47:47,700 I WAS 36, AND YOU WERE, UH... 1317 00:47:47,733 --> 00:47:48,367 29. 1318 00:47:48,400 --> 00:47:51,733 [LAUGHS]: 29... 1319 00:47:54,967 --> 00:47:57,533 OKAY, WELL... BEAUTIFUL. 1320 00:47:57,567 --> 00:47:58,400 BEAUTIFUL. 1321 00:47:58,433 --> 00:47:59,067 THANK YOU. 1322 00:47:59,067 --> 00:48:01,233 OKAY. 1323 00:48:01,267 --> 00:48:03,167 ALL RIGHT, IT WAS NICE MEETING YOU. 1324 00:48:03,200 --> 00:48:04,133 NICE TO MEET YOU TOO. 1325 00:48:04,167 --> 00:48:05,300 OKAY. SEE YOU LATER. 1326 00:48:05,333 --> 00:48:06,200 COME BY ANY TIME. 1327 00:48:06,233 --> 00:48:07,067 OKAY. 1328 00:48:07,100 --> 00:48:09,633 CUTE. 1329 00:48:09,667 --> 00:48:12,467 WELL, THERE WAS THIS ONE TIME 1330 00:48:12,500 --> 00:48:14,067 THAT TINA AND I 1331 00:48:14,100 --> 00:48:16,867 WERE ON THIS REALLY REALLY BIG YACHT, 1332 00:48:16,900 --> 00:48:19,467 AND TINA AND I WERE IN OUR STATEROOM, 1333 00:48:19,500 --> 00:48:22,067 AND VALENTINO IS UP ON THE DECK, 1334 00:48:22,067 --> 00:48:25,133 AND HE WAS, LIKE, LITTLE BLACK SPEEDOS, 1335 00:48:25,167 --> 00:48:28,100 AND THE SENATOR COMES IN 1336 00:48:28,133 --> 00:48:31,333 TO THE ROOM... 1337 00:48:31,367 --> 00:48:34,267 WITH THIS BONER. 1338 00:48:37,967 --> 00:48:39,233 I'VE HEARD HE'S GOT A COCK 1339 00:48:39,267 --> 00:48:41,967 THE SIZE OF A TINY LITTLE CIGAR. 1340 00:48:42,067 --> 00:48:44,467 [BETTE]: IT'S MORE LIKE A CIGARILLO, ACTUALLY, 1341 00:48:44,500 --> 00:48:47,267 THAT'S BEEN IN SOMEONE'S POCKET FOR FOUR DAYS. 1342 00:48:47,300 --> 00:48:49,233 OKAY, OKAY, OKAY. 1343 00:48:49,267 --> 00:48:51,233 SPARE ME THE DETAILS. 1344 00:48:51,267 --> 00:48:53,467 DID HE WHIP IT OUT? 1345 00:48:55,533 --> 00:48:57,067 OF COURSE HE DID, 1346 00:48:57,100 --> 00:48:58,533 AND THEN I YELLED, 1347 00:48:58,567 --> 00:48:59,733 AND TINA DOVE UNDER THE COVERS, 1348 00:48:59,767 --> 00:49:00,800 AND IT WAS JUST... 1349 00:49:00,833 --> 00:49:03,200 IT WASN'T PRETTY. 1350 00:49:03,233 --> 00:49:04,533 I DON'T KNOW WHY THEY ALL THINK 1351 00:49:04,567 --> 00:49:06,267 THEY CAN INVITE THEMSELVES INTO OUR BED. 1352 00:49:06,300 --> 00:49:08,067 I DON'T KNOW. 1353 00:49:11,700 --> 00:49:12,667 SHE WANTS TO KNOW 1354 00:49:12,700 --> 00:49:14,600 IF YOU KNOW HOW TO SHOTGUN. 1355 00:49:14,633 --> 00:49:17,700 WELL, YOU'RE JUST GOING TO HAVE TO FIND OUT. 1356 00:49:18,900 --> 00:49:23,633 [**] 1357 00:49:23,667 --> 00:49:27,400 * ALL I WANT IS FOR YOU TO STAY * 1358 00:49:27,433 --> 00:49:32,400 * YOU SAY A TIGHT DRESS MAKES YOU DROOL * 1359 00:49:32,433 --> 00:49:34,900 * AND YOU DON'T WANT TO LEAVE 1360 00:49:34,933 --> 00:49:38,567 * UNTIL I'M GONE 1361 00:49:38,600 --> 00:49:42,200 * ALL I CRAVE IS YOUR NUMBER... * 1362 00:49:42,233 --> 00:49:43,367 [PHYLLIS]: ALICE! 1363 00:49:43,400 --> 00:49:45,567 SHIT. 1364 00:49:47,400 --> 00:49:48,400 ALICE, WAIT. 1365 00:49:50,500 --> 00:49:51,500 I WANT TO EXPLAIN. 1366 00:49:51,533 --> 00:49:52,633 YOU DON'T HAVE TO. 1367 00:49:52,667 --> 00:49:54,567 HE'S YOUR HUSBAND. 1368 00:49:54,600 --> 00:49:56,500 WE'RE NOT LIKE THAT. 1369 00:49:56,533 --> 00:49:57,533 WE HAVEN'T HAD A PHYSICAL RELATIONSHIP FOR YEARS. 1370 00:49:57,567 --> 00:49:59,800 I MEAN, WE HAVEN'T... 1371 00:49:59,833 --> 00:50:00,800 WE... 1372 00:50:00,833 --> 00:50:02,200 WE DON'T F-- 1373 00:50:02,233 --> 00:50:03,200 ALICE... 1374 00:50:03,233 --> 00:50:05,300 NO. 1375 00:50:05,333 --> 00:50:07,633 WE DON'T FUCK, OKAY? 1376 00:50:07,667 --> 00:50:09,033 IT'S NOT REALLY THAT. 1377 00:50:09,067 --> 00:50:10,400 I THINK I'VE BEEN A LITTLE SELFISH. 1378 00:50:10,433 --> 00:50:12,167 [ALICE CONTINUES]: I HAVEN'T THOUGHT FOR A SECOND 1379 00:50:12,200 --> 00:50:13,867 THAT YOU HAVE A HUSBAND, YOU HAVE A FAMILY, 1380 00:50:13,900 --> 00:50:14,667 YOU HAVE KIDS... 1381 00:50:14,700 --> 00:50:16,133 THAT'S NOT YOUR RESPONSIBILITY. 1382 00:50:16,167 --> 00:50:16,967 I KNOW WHAT I'M DOING. 1383 00:50:17,000 --> 00:50:18,233 I'M GOING TO HURT ANYBODY. 1384 00:50:18,267 --> 00:50:19,433 I'M NOT SAYING THAT. 1385 00:50:19,467 --> 00:50:20,767 I'M JUST SAYING, 1386 00:50:20,800 --> 00:50:22,233 I DON'T THINK I FEEL COMFORTABLE DOING THIS ANYMORE. 1387 00:50:22,267 --> 00:50:24,500 ALICE, I'VE NEVER FELT THIS WAY BEFORE 1388 00:50:24,533 --> 00:50:25,600 ABOUT ANYONE. 1389 00:50:25,633 --> 00:50:26,600 OKAY, LISTEN. 1390 00:50:26,633 --> 00:50:27,567 I DON'T WANT TO DO THIS WITH HIM INSIDE. 1391 00:50:27,600 --> 00:50:28,233 IT'S NOT RIGHT. 1392 00:50:28,267 --> 00:50:29,633 I THINK I SHOULD GO. 1393 00:50:29,667 --> 00:50:30,700 I REALLY DO. 1394 00:50:30,733 --> 00:50:31,367 CAN YOU LET GO OF MY HANDS? PLEASE? 1395 00:50:31,400 --> 00:50:32,233 PLEASE? 1396 00:50:32,267 --> 00:50:34,033 ALICE... 1397 00:50:34,067 --> 00:50:36,667 CAN YOU LET GO OF MY HANDS? PLEASE? 1398 00:50:36,700 --> 00:50:37,867 I LOVE YOU. 1399 00:50:37,900 --> 00:50:39,367 PLEASE? 1400 00:50:39,400 --> 00:50:41,200 ALICE, PLEASE. THANK YOU. 1401 00:50:41,233 --> 00:50:46,200 * CLOSE THE DOOR 1402 00:50:46,233 --> 00:50:52,667 * DON'T LEAVE YOUR FEARS BEHIND * 1403 00:50:52,700 --> 00:50:57,400 * I'LL FIND THE TEARS 1404 00:50:57,433 --> 00:51:03,100 * YOU THOUGHT NO ONE COULD FIND * 1405 00:51:03,133 --> 00:51:08,867 * AND WHEN I'M THROUGH 1406 00:51:08,900 --> 00:51:13,733 * I'LL GIVE TO YOU 1407 00:51:13,767 --> 00:51:19,533 * TENDER LOVE 1408 00:51:19,567 --> 00:51:23,133 * TENDER LOVE 1409 00:51:26,700 --> 00:51:32,333 * TAKE OFF YOUR COAT 1410 00:51:32,367 --> 00:51:37,633 * AND I'LL MAKE YOU SOME TEA 1411 00:51:37,667 --> 00:51:43,300 * AND THEN I'LL SHOW... 1412 00:51:43,333 --> 00:51:49,067 * YOU WHY YOU CAME TO ME * 1413 00:51:49,100 --> 00:51:53,867 * I WON'T SPARE THE ROD 1414 00:51:53,900 --> 00:51:59,767 * BUT I'LL SPOIL THE CHILD 1415 00:51:59,800 --> 00:52:05,433 * TENDER LOVE 1416 00:52:05,467 --> 00:52:10,067 * TENDER LOVE 1417 00:52:12,367 --> 00:52:15,333 * TENDER LOVE 1418 00:52:15,367 --> 00:52:17,533 [**] 1419 00:52:17,567 --> 00:52:18,333 YEAH.