1 00:00:10,067 --> 00:00:11,200 PREVIOUSLY ON THE L WORD... DO YOU NEED A RIDE? 2 00:00:11,900 --> 00:00:13,833 YEAH. 3 00:00:17,567 --> 00:00:19,467 I WON'T LET SHAY LIVE IN SOME HOMELESS SHELTER 4 00:00:19,500 --> 00:00:20,533 THE WAY I DID WHEN I WAS A KID. 5 00:00:20,567 --> 00:00:22,467 I'M BEGGING YOU. 6 00:00:22,500 --> 00:00:23,900 PLEASE JUST LET HIM GO TO SCHOOL HERE. 7 00:00:23,933 --> 00:00:25,100 I'M YOUR 8 00:00:25,133 --> 00:00:27,767 JUST-BEEN-OFFERED- $100,000-RECORD-DEAL- 9 00:00:27,800 --> 00:00:29,367 WITH-THRILL-CITY-RECORDS BOYFRIEND! 10 00:00:29,400 --> 00:00:31,167 NUH-UH. 11 00:00:31,200 --> 00:00:32,567 UH-HUH! 12 00:00:32,600 --> 00:00:33,800 I HATE TO SAY IT, MAN, 13 00:00:33,833 --> 00:00:35,033 BUT THE A&R GUY CALLED BACK. 14 00:00:35,067 --> 00:00:37,067 SO, YOU WOULDN'T BE ACTUALLY IN THE BAND. 15 00:00:39,267 --> 00:00:40,867 I MET YOU AT CHERIE JAFFE'S PARTY LAST WEEK. 16 00:00:40,900 --> 00:00:42,667 I'LL TAKE SOME SNAPSHOTS 17 00:00:42,700 --> 00:00:44,500 AND I'LL SEND THEM OVER TO HUGO BOSS HIMSELF. 18 00:00:44,533 --> 00:00:45,633 I'M NOT A MODEL. 19 00:00:45,667 --> 00:00:46,900 IT'S TOO BAD 20 00:00:46,933 --> 00:00:48,400 YOU CAN'T PROVE YOUR CRITIC WAS WRONG 21 00:00:48,433 --> 00:00:51,333 ABOUT HER GIRLFRIEND'S UNIMPEACHABLE INTEGRITY. 22 00:00:51,367 --> 00:00:52,300 I WONDER IF YOU CAN DO ME A FAVOUR. 23 00:00:52,333 --> 00:00:53,533 YEAH. 24 00:00:53,567 --> 00:00:54,733 I'M TRYING TO FIND A FRIEND OF MINE, 25 00:00:54,767 --> 00:00:57,133 LINDSAY, WHO I WENT TO SUMMER CAMP WITH. 26 00:00:57,167 --> 00:01:01,200 I COULD DO A COMPUTER SEARCH AND SEE WHAT I CAN COME UP WITH. 27 00:01:01,233 --> 00:01:03,800 PHYLLIS, HI! IT'S GOOD TO SEE YOU. 28 00:01:03,833 --> 00:01:05,267 I WANTED TO THANK YOU FOR LAST NIGHT. 29 00:01:05,300 --> 00:01:06,733 I HAD A LOVELY TIME. 30 00:01:06,767 --> 00:01:09,900 I ESPECIALLY LOVED ALICE. SHE'S SO VIBRANT. 31 00:01:11,567 --> 00:01:13,100 YEAH, OKAY, UP HIGHER, YEAH. 32 00:01:13,133 --> 00:01:15,200 LEFT. NO, NO, THE OTHER LEFT. 33 00:01:15,233 --> 00:01:16,533 OKAY, YEAH, GOOD, GOOD. 34 00:01:16,567 --> 00:01:18,433 SO FUCKING LEFT. 35 00:01:18,467 --> 00:01:21,633 OKAY, ALL RIGHT, NOW MAKE CIRCLES OR SOMETHING. 36 00:01:21,667 --> 00:01:23,533 CIRCLES ARE GOOD. CIRCLES, CIRCLES... 37 00:01:23,567 --> 00:01:24,600 OH, YEAH. 38 00:01:24,633 --> 00:01:26,267 OKAY, BIGGER CIRCLES. 39 00:01:26,300 --> 00:01:28,167 BIGGER-- OKAY, NOT THAT BIG, NOT... 40 00:01:28,200 --> 00:01:29,267 NO, NO, NO, NO. 41 00:01:29,300 --> 00:01:30,700 OKAY, OKAY. NO, NOW YOU'RE NOT... 42 00:01:30,733 --> 00:01:33,133 ALL RIGHT, YOU KNOW WHAT, JUST THINK ABOUT... 43 00:01:33,167 --> 00:01:34,400 THINK ABOUT, LIKE, WHAT YOU LIKE. 44 00:01:34,433 --> 00:01:35,933 HO, WHOA. 45 00:01:35,967 --> 00:01:37,967 OKAY, NICE SURPRISE. 46 00:01:38,067 --> 00:01:39,100 A-PLUS. 47 00:01:39,133 --> 00:01:40,233 OKAY, GOOD. 48 00:01:40,267 --> 00:01:42,267 ALL RIGHT, NOW, BOTH. 49 00:01:42,300 --> 00:01:44,433 YEAH, KEEP... BOTH IS GOOD. 50 00:01:44,467 --> 00:01:46,067 KEEP THEM...KEEP GOING, KEEP GOING, 51 00:01:46,067 --> 00:01:47,200 KEEP THEM BOTH. 52 00:01:47,233 --> 00:01:49,067 YEAH, YEAH, KEEP THEM INSIDE. 53 00:01:49,067 --> 00:01:50,433 OKAY. NOW... 54 00:01:50,467 --> 00:01:52,067 NOW WHAT I WANT YOU TO DO 55 00:01:52,100 --> 00:01:53,400 IS JUST--WHAT? 56 00:01:53,433 --> 00:01:54,900 TEETH. TEETH AREN'T GO-- 57 00:01:54,933 --> 00:01:56,100 NO, NO, NO, NO, NO, NO TEETH. 58 00:01:56,133 --> 00:01:57,200 NO TEETH, NO, NO, NO-- 59 00:01:57,233 --> 00:01:59,200 OH, OKAY. 60 00:01:59,233 --> 00:02:00,500 TEETH ARE GOOD. 61 00:02:00,533 --> 00:02:01,833 FUCK. 62 00:02:01,867 --> 00:02:02,967 OKAY, GREAT. 63 00:02:03,067 --> 00:02:04,067 YOU'RE DOING SO GOOD. 64 00:02:04,100 --> 00:02:05,867 OKAY. 65 00:02:05,900 --> 00:02:07,267 OH, JESUS FUCKING A. CHRIST. 66 00:02:07,300 --> 00:02:08,533 OKAY, YEAH. 67 00:02:08,567 --> 00:02:09,667 OH, GOOD. 68 00:02:09,700 --> 00:02:11,500 OKAY, AND THEN, JUST LIKE... 69 00:02:11,533 --> 00:02:12,567 YEAH, THAT'S GOOD, 70 00:02:12,600 --> 00:02:14,067 AND THEN YOU JUST, LIKE... 71 00:02:14,067 --> 00:02:15,600 ALL THAT. OH, YEAH. 72 00:02:15,633 --> 00:02:18,333 OKAY. OH, FUCK. 73 00:02:18,367 --> 00:02:19,800 OH, YEAH, FUCK. 74 00:02:19,833 --> 00:02:21,733 YEAH, THIS IS GOOD, OKAY? 75 00:02:21,767 --> 00:02:23,200 OH, YEAH! 76 00:02:23,233 --> 00:02:24,533 FUCK! 77 00:02:24,567 --> 00:02:25,633 AH! 78 00:02:25,667 --> 00:02:27,400 FUCK! FUCK! 79 00:02:27,433 --> 00:02:28,767 AH! 80 00:02:28,800 --> 00:02:30,967 FUCK! 81 00:02:31,067 --> 00:02:33,800 [PANTING] 82 00:02:33,833 --> 00:02:36,333 WOW... 83 00:02:36,367 --> 00:02:40,367 WOW. 84 00:02:40,400 --> 00:02:42,067 [MOANS] 85 00:02:42,067 --> 00:02:43,533 THAT WAS GOOD. 86 00:02:43,567 --> 00:02:44,667 [SIGHS] 87 00:02:49,367 --> 00:02:51,667 [SIGHING HEAVILY] 88 00:02:54,067 --> 00:02:56,933 [**] 89 00:02:56,967 --> 00:03:03,667 * GIRLS IN TIGHT DRESSES WHO DRAG WITH MUSTACHES * 90 00:03:03,700 --> 00:03:10,400 * CHICKS DRIVING FAST INGENUES WITH LONG LASHES * 91 00:03:10,433 --> 00:03:15,900 * WOMEN WHO LONG, LOVE, LUST WOMEN WHO GIVE * 92 00:03:15,933 --> 00:03:23,067 * THIS IS THE WAY IT'S THE WAY THAT WE LIVE * 93 00:03:30,533 --> 00:03:31,833 * TALKING, LAUGHING LOVING, BREATHING * 94 00:03:31,867 --> 00:03:33,733 * FIGHTING, FUCKING CRYING, DRINKING * 95 00:03:33,767 --> 00:03:35,100 * WRITING, WINNING LOSING, CHEATING * 96 00:03:35,133 --> 00:03:36,833 * KISSING, THINKING, DREAMING 97 00:03:36,867 --> 00:03:38,833 * THIS IS THE WAY... 98 00:03:38,867 --> 00:03:41,667 * IT'S THE WAY THAT WE LIVE * 99 00:03:41,700 --> 00:03:47,200 * IT'S THE WAY THAT WE LIVE 100 00:03:47,233 --> 00:03:50,633 * AND LOVE 101 00:03:54,900 --> 00:03:56,700 SO, DID YOU ORGASM? 102 00:03:56,733 --> 00:03:58,167 YOU DID, RIGHT? 103 00:03:58,200 --> 00:04:00,267 PHYLLIS, FOR FUTURE REFERENCE, 104 00:04:00,300 --> 00:04:01,667 WHEN A GIRL YOU'RE FUCKING 105 00:04:01,700 --> 00:04:03,067 SCREAMS REALLY LOUD 106 00:04:03,100 --> 00:04:05,133 AND THEN GOES COMPLETELY LIMP LIKE THAT, 107 00:04:05,167 --> 00:04:06,233 IT'S A PRETTY GOOD INDICATION 108 00:04:06,267 --> 00:04:07,933 YOU MADE HER COME. 109 00:04:10,067 --> 00:04:13,300 I CAN'T BELIEVE HOW WONDERFUL THIS IS. 110 00:04:13,333 --> 00:04:15,667 IT IS THE MOST AMAZING FEELING, 111 00:04:15,700 --> 00:04:18,367 TO MAKE A WOMAN COME. 112 00:04:18,400 --> 00:04:20,133 YOU'VE MADE YOURSELF COME, RIGHT? 113 00:04:20,167 --> 00:04:21,300 OH, OF COURSE, 114 00:04:21,333 --> 00:04:22,933 BUT THAT WAS MERE NECESSITY. 115 00:04:22,967 --> 00:04:24,400 THIS IS PLEASURE. 116 00:04:24,433 --> 00:04:27,133 PURE, UNADULTERATED PLEASURE. 117 00:04:27,167 --> 00:04:28,233 IT'S WHAT I'VE BEEN DREAMING 118 00:04:28,267 --> 00:04:30,200 AND FANTASIZING ABOUT, 119 00:04:30,233 --> 00:04:32,700 WISHING FOR FOREVER. 120 00:04:32,733 --> 00:04:35,733 [SQUEALING IN GLEE] 121 00:04:35,767 --> 00:04:36,967 WELCOME... 122 00:04:37,067 --> 00:04:39,867 TO THE WONDERFUL WORLD OF DISNEY. 123 00:04:39,900 --> 00:04:41,633 [GASPS] 124 00:04:41,667 --> 00:04:43,133 OH... 125 00:04:43,167 --> 00:04:46,200 [GASPING] 126 00:04:46,233 --> 00:04:47,233 YOU ARE SO... 127 00:04:48,633 --> 00:04:49,633 GOOD. 128 00:04:49,667 --> 00:04:51,200 YOU ARE GOOD AT THIS. 129 00:04:51,233 --> 00:04:52,767 YOU MAKE... 130 00:04:52,800 --> 00:04:54,100 YOU MAKE A REALLY GOOD STUDENT. 131 00:04:55,533 --> 00:04:57,167 ALICE... 132 00:04:57,200 --> 00:04:59,367 I WANT TO BE THE PROFESSOR. 133 00:04:59,400 --> 00:05:01,567 [SQUEALING, GIGGLING] 134 00:05:02,533 --> 00:05:04,500 [SHAY]: SEE YOU, SHANE. I'M GOING. 135 00:05:04,533 --> 00:05:05,800 DO YOU HAVE EVERYTHING? 136 00:05:05,833 --> 00:05:09,600 UM, I FORGOT TO GIVE YOU THIS. 137 00:05:09,633 --> 00:05:12,933 WHAT IS IT? 138 00:05:12,967 --> 00:05:14,533 OH... 139 00:05:14,567 --> 00:05:16,067 BACK TO SCHOOL NIGHT? 140 00:05:17,500 --> 00:05:19,200 UM, WELL, LOOK, 141 00:05:19,233 --> 00:05:20,500 I'M GOING TO TRY TO GET TO THIS THING. 142 00:05:20,533 --> 00:05:23,733 I JUST, UH... 143 00:05:23,767 --> 00:05:25,900 I DON'T KNOW IF I CAN DO THIS, SHAY. 144 00:05:31,700 --> 00:05:33,767 WHAT ARE WE GOING TO TELL THE KIDS? 145 00:05:33,800 --> 00:05:34,800 WE'LL JUST TELL THEM 146 00:05:34,833 --> 00:05:36,300 WE HAD TO TAKE SMOKEY TO THE FARM. 147 00:05:36,333 --> 00:05:39,400 THAT'S WHAT MY PARENTS TOLD ME. 148 00:05:39,433 --> 00:05:40,400 DEBBIE? 149 00:05:40,433 --> 00:05:42,467 DEBBIE? 150 00:05:42,500 --> 00:05:43,500 OH, ME. 151 00:05:43,533 --> 00:05:44,500 IS THAT RIGHT? 152 00:05:44,533 --> 00:05:45,667 YEAH, DEBBIE'S MY NAME. 153 00:05:45,700 --> 00:05:46,800 I'M NOT SO GOOD 154 00:05:46,833 --> 00:05:48,700 AT REMEMBERING PEOPLE NAMES. 155 00:05:48,733 --> 00:05:49,833 IS THIS SOUNDER? 156 00:05:49,867 --> 00:05:52,267 ISN'T SHE PRECIOUS? 157 00:05:52,300 --> 00:05:53,367 YES, HE IS. 158 00:05:53,400 --> 00:05:55,200 HI. HI! 159 00:05:55,233 --> 00:05:56,700 LIKE I WAS SAYING, DEBBIE, 160 00:05:56,733 --> 00:05:58,133 SOUNDER IS A SUPER OLD DOG. 161 00:05:58,167 --> 00:06:00,633 SHE'S ALMOST 11. 162 00:06:00,667 --> 00:06:02,367 SHE'S GOT CATARACTS, 163 00:06:02,400 --> 00:06:04,600 AND UNDER HER COAT YOU'LL FEEL SOME TUMORS, 164 00:06:04,633 --> 00:06:06,067 BUT THAT'S JUST WHAT HAPPENS 165 00:06:06,067 --> 00:06:07,733 AS THEY GET OLDER. 166 00:06:07,767 --> 00:06:09,967 SHE HAS SOME INCONTINENCE, 167 00:06:10,067 --> 00:06:11,733 BUT THAT'S TO BE EXPECTED. 168 00:06:11,767 --> 00:06:13,367 I'M SURE YOU'VE HAD TO DEAL WITH THAT 169 00:06:13,400 --> 00:06:15,233 WITH ALL THE OLDER DOGS YOU'VE TAKEN IN. 170 00:06:15,267 --> 00:06:18,467 OH, YEAH. I'VE DEALT WITH, UH, INCONTINENCE A LOT. 171 00:06:18,500 --> 00:06:19,533 OH, DON'T BE UPSET, DEBBIE. 172 00:06:19,567 --> 00:06:20,533 SHE'S... 173 00:06:20,567 --> 00:06:22,767 SHE'S NOT IN PAIN. 174 00:06:22,800 --> 00:06:26,367 OH, I THINK IT'S SO LOVELY WHAT YOU DO FOR OLD DOGS, 175 00:06:26,400 --> 00:06:29,433 TAKING THEM IN TO CARE FOR THEM IN THEIR FINAL DAYS. 176 00:06:31,233 --> 00:06:33,533 YOU KNOW, ALL SENTIENT BEINGS DESERVE TO DIE 177 00:06:33,567 --> 00:06:34,800 SURROUNDED BY LOVE. 178 00:06:36,200 --> 00:06:37,200 NAMASTE. 179 00:06:38,567 --> 00:06:39,567 NAMASTE. 180 00:06:40,900 --> 00:06:43,067 I THINK SHE LIKES ME. 181 00:06:43,067 --> 00:06:45,100 I THINK SHE'S NOT FEELING VERY WELL. 182 00:06:45,133 --> 00:06:47,800 SHE USUALLY DOES THAT A FEW TIMES BEFORE SHE, UH-- 183 00:06:47,833 --> 00:06:49,100 [VOMITING] 184 00:06:49,133 --> 00:06:50,533 OH. 185 00:06:50,567 --> 00:06:51,600 HUH... 186 00:06:55,200 --> 00:06:56,400 OH, MY GOODNESS. 187 00:06:56,433 --> 00:06:57,633 UH... 188 00:06:57,667 --> 00:07:00,133 I'LL TAKE HER. 189 00:07:04,333 --> 00:07:05,700 IF I WANT TO HIT IT WITH A GIRL, 190 00:07:05,733 --> 00:07:06,867 THEN I DO. 191 00:07:06,900 --> 00:07:08,200 IT'S REALLY THAT SIMPLE. 192 00:07:08,233 --> 00:07:10,200 I'VE ONLY BEEN TURNED DOWN ONCE IN MY LIFE. 193 00:07:10,233 --> 00:07:11,667 WHO TURNED YOU DOWN? 194 00:07:11,700 --> 00:07:14,167 SELMA JOHNSON. 195 00:07:14,200 --> 00:07:16,200 MY MOTHER-- GOD BLESS HER. 196 00:07:16,233 --> 00:07:16,867 WHAT? 197 00:07:16,900 --> 00:07:18,067 HER BEST FRIEND. 198 00:07:18,067 --> 00:07:19,533 OH! OH, YOU GOT TURNED DOWN 199 00:07:19,567 --> 00:07:20,800 BY YOUR MOTHER'S BEST FRIEND? 200 00:07:20,833 --> 00:07:22,333 WELL, I MEAN, NO WONDER. HELLO. 201 00:07:22,367 --> 00:07:25,333 WELL, SHE TURNED ME DOWN WHEN I WAS 12, 202 00:07:25,367 --> 00:07:26,667 BUT WE HIT IT WHEN I WAS 17. 203 00:07:26,700 --> 00:07:28,100 THANKS. 204 00:07:28,133 --> 00:07:29,400 AND SHE WAS WORTH THE WAIT. 205 00:07:29,433 --> 00:07:31,267 SHE WAS ONE FUCKING HOT-ASS OLD LADY. 206 00:07:31,300 --> 00:07:32,867 YOU KNOW WHAT I'M SAYING? 207 00:07:32,900 --> 00:07:35,967 YEAH, I SO DO KNOW WHAT YOU'RE SAYING. 208 00:07:36,067 --> 00:07:37,133 WHY DON'T YOU JUST TELL ME 209 00:07:37,167 --> 00:07:38,267 WHO YOU'VE BEEN HITTING IT WITH LATELY, 210 00:07:38,300 --> 00:07:39,267 HUH? 211 00:07:39,300 --> 00:07:40,267 BESIDES THE LOVINGS YOU GOT 212 00:07:40,300 --> 00:07:42,133 IN THE BACK OF THE LIMO. 213 00:07:42,167 --> 00:07:43,300 OH, NO ONE. 214 00:07:43,333 --> 00:07:44,333 I MEAN, WELL, YOU KNOW, 215 00:07:44,367 --> 00:07:46,267 NO ONE YOU'D KNOW... 216 00:07:46,300 --> 00:07:47,333 MAYBE. 217 00:07:47,367 --> 00:07:49,067 WAS SHE GOOD? 218 00:07:49,067 --> 00:07:50,200 YEAH, GOOD, YEAH. 219 00:07:50,233 --> 00:07:51,333 WELL, DIFFERENT. 220 00:07:51,367 --> 00:07:52,400 DIFFERENT. 221 00:07:52,433 --> 00:07:53,833 GOOD. SHE WAS GOOD. 222 00:07:53,867 --> 00:07:55,167 SHE WAS GREAT. WHAT AM I SAYING? 223 00:07:55,200 --> 00:07:56,400 SHE WAS GREAT. 224 00:07:56,433 --> 00:07:57,967 JUST, YOU KNOW, SHE'S NOT MY NORMAL TYPE, 225 00:07:58,067 --> 00:07:59,767 NOT THAT I HAVE A TYPE, BUT, UH... 226 00:07:59,800 --> 00:08:00,933 YEAH, I DON'T KNOW. 227 00:08:00,967 --> 00:08:02,200 I THINK IT'S... 228 00:08:02,233 --> 00:08:03,267 IT'S NOT ABOUT STICKING WITH WHAT YOU KNOW... 229 00:08:03,300 --> 00:08:04,233 RIGHT NOW... FOR ME. 230 00:08:04,267 --> 00:08:05,400 YOU KNOW, DIFFERENT IS GOOD. 231 00:08:05,433 --> 00:08:07,600 YEAH, DIFFERENT SOUNDS MARRIED, ALICE. 232 00:08:07,633 --> 00:08:09,100 JUST KEEP THAT ON THE DL. 233 00:08:09,133 --> 00:08:10,233 YOU DON'T NEED TO BE DODGING BULLETS. 234 00:08:10,267 --> 00:08:11,800 NO, IT'S NOT LIKE THAT, PAPI. 235 00:08:11,833 --> 00:08:13,367 I MEAN, I KNOW WHEN TO KEEP IT IN MY PANTS. 236 00:08:13,400 --> 00:08:14,367 IT'S OKAY. 237 00:08:14,400 --> 00:08:16,567 SHIT, I DON'T. 238 00:08:19,433 --> 00:08:20,533 YEAH, I JUST THINK, FOR ME, RIGHT NOW, 239 00:08:20,567 --> 00:08:22,133 IT'S ABOUT NEW PORTALS. 240 00:08:22,167 --> 00:08:23,400 I DON'T KNOW WHAT THAT MEANS. 241 00:08:23,433 --> 00:08:24,500 NEW PORTALS, NEW FRONTIERS. 242 00:08:24,533 --> 00:08:26,233 NEW OPENINGS. 243 00:08:26,267 --> 00:08:27,533 LIKE, PLACES TO MEET GIRLS, 244 00:08:27,567 --> 00:08:30,267 WHICH, I WOULD LOVE TO TELL THE GIRLS ON OUR CHART 245 00:08:30,300 --> 00:08:31,433 WHERE TO MEET GIRLS, 246 00:08:31,467 --> 00:08:33,867 BECAUSE, YOU KNOW, YOU SAY YOU KNOW, SO... 247 00:08:33,900 --> 00:08:34,933 OKAY. 248 00:08:34,967 --> 00:08:37,900 YEAH, WELL, THERE'S LOTS OF PLACES, 249 00:08:37,933 --> 00:08:39,367 BUT I'LL TELL YOU THE BEST ONE. 250 00:08:39,400 --> 00:08:40,367 OH. 251 00:08:40,400 --> 00:08:41,400 EVERY SUNDAY 252 00:08:41,433 --> 00:08:43,367 THERE'S A LESBIAN PICK-UP BASKETBALL GAME 253 00:08:43,400 --> 00:08:44,733 AT WEST HOLLYWOOD PARK. 254 00:08:44,767 --> 00:08:46,533 I DON'T LEAVE THERE WITHOUT AT LEAST ONE GIRL, 255 00:08:46,567 --> 00:08:47,700 AND, LIKE, A COUPLE OF DIGITS. 256 00:08:47,733 --> 00:08:48,400 YEAH, IT'S HOT, TOO. 257 00:08:48,433 --> 00:08:49,867 IT'S, LIKE, 258 00:08:49,900 --> 00:08:52,067 ALL DIFFERENT KINDS OF GIRLS, LIKE, ALL SWEATY AND SHIT. 259 00:08:52,067 --> 00:08:53,600 THAT SOUNDS GREAT. I MEAN, IT SOUNDS HOT. 260 00:08:53,633 --> 00:08:54,733 YEAH, IT'S MAD HOT. 261 00:08:54,767 --> 00:08:55,867 YOU SHOULD COME, TOO. 262 00:08:55,900 --> 00:08:57,400 LIKE, THIS SUNDAY, MY WHOLE CREW'S GOING. 263 00:08:57,433 --> 00:08:58,500 I CAN EVEN GET YOU ON A TEAM, 264 00:08:58,533 --> 00:09:00,400 BUT IT'S MORE LIKE A DONE DEAL 265 00:09:00,433 --> 00:09:02,133 IF YOU BRING YOUR OWN. 266 00:09:02,167 --> 00:09:03,400 OH, SO YOU MAKE A LITTLE TEAM? 267 00:09:03,433 --> 00:09:05,267 YEAH. 268 00:09:05,300 --> 00:09:06,333 OH, MY FRIENDS, WE COULD MAKE A LITTLE A TEAM. 269 00:09:06,367 --> 00:09:07,333 IT'D BE GOOD. 270 00:09:07,367 --> 00:09:09,800 [SNIGGERS] 271 00:09:09,833 --> 00:09:11,067 WHAT YOU GOING TO CALL YOUR LITTLE TEAM, HUH? 272 00:09:11,067 --> 00:09:12,167 THE BOUGIE ASS GIRLS? 273 00:09:12,967 --> 00:09:15,167 NO, MORE LIKE, THE KICK YOUR ASS GIRLS. 274 00:09:15,200 --> 00:09:16,667 OH, RIGHT, RIGHT. 275 00:09:16,700 --> 00:09:19,333 WELL, JUST MAKE SURE YOU BRING, UH, VANILLA SPICE. 276 00:09:19,367 --> 00:09:20,733 YOU MEAN SHANE? 277 00:09:20,767 --> 00:09:21,733 YEAH, SHAME. 278 00:09:21,767 --> 00:09:22,800 [SPEAKS SPANISH] 279 00:09:23,833 --> 00:09:24,833 YEAH, WE'RE GONNA HURT YOU SO BAD. 280 00:09:24,867 --> 00:09:26,467 LOOK, YOU'RE ALREADY TRIPPIN'. 281 00:09:26,500 --> 00:09:27,800 OH, YEAH. 282 00:09:27,833 --> 00:09:29,467 OOH, WE'RE SO SCARED TO PLAY BASKETBALL WITH PAPI. 283 00:09:29,500 --> 00:09:30,633 YEAH, WELL, YOU SHOULD BE, 284 00:09:30,667 --> 00:09:32,333 BECAUSE WE'RE GOING TO WHOOP YOUR ASSES 285 00:09:32,367 --> 00:09:33,967 ALL THE WAY BACK TO RODEO DRIVE SO YOU CAN GO SHOPPING, 286 00:09:34,067 --> 00:09:35,633 WHICH IS PROBABLY THE ONLY SPORT YOU CAN PLAY. 287 00:09:35,667 --> 00:09:38,467 OH, WE'LL BE THERE, PAPI, OKAY, 288 00:09:38,500 --> 00:09:40,900 AND YOU CAN SAVE THE SHIT FOR THE FIELD, ALL RIGHT? 289 00:09:42,333 --> 00:09:43,467 IT'S CALLED THE COURT. 290 00:09:43,500 --> 00:09:45,900 WHATEVER. 291 00:09:45,933 --> 00:09:47,733 IT'S ON. 292 00:09:47,767 --> 00:09:49,400 IT'S SO FUCKING ON. 293 00:09:49,433 --> 00:09:50,900 [LAUGHS] 294 00:09:50,933 --> 00:09:53,500 [**] 295 00:10:14,667 --> 00:10:18,100 [MUSIC CONTINUES] 296 00:10:25,667 --> 00:10:27,633 [NEEDLE SCRATCHES RECORD, ENDING SONG ABRUPTLY] 297 00:10:27,667 --> 00:10:28,467 GOOD MORNING, CHANCELLOR. 298 00:10:28,500 --> 00:10:29,567 OH, BETTE, GOOD MORNING. 299 00:10:29,600 --> 00:10:30,700 LOVELY DAY, ISN'T IT? 300 00:10:30,733 --> 00:10:31,700 NO! 301 00:10:31,733 --> 00:10:33,333 ASTOUNDING DAY. 302 00:10:33,367 --> 00:10:36,033 ABSOLUTELY LIFE-ALTERING. 303 00:10:36,067 --> 00:10:38,067 UM, YEAH, IT IS... 304 00:10:38,100 --> 00:10:39,300 IT'S A NICE MORNING. 305 00:10:39,333 --> 00:10:40,533 DID YOU... 306 00:10:40,567 --> 00:10:41,600 DID YOU DO SOMETHING DIFFERENT? 307 00:10:41,633 --> 00:10:42,667 DID YOU CHANGE YOUR HAIR, OR... 308 00:10:42,700 --> 00:10:44,800 YOU MIGHT SAY THAT. 309 00:10:44,833 --> 00:10:46,200 OH... 310 00:10:46,233 --> 00:10:48,067 WELL, LISTEN, I'M ABOUT TO GO MEET SKIP CONNELLY, 311 00:10:48,100 --> 00:10:49,367 AND I WAS JUST GOING TO DROP BY YOUR OFFICE 312 00:10:49,400 --> 00:10:51,467 TO SEE IF YOU HAD ANY WORDS OF ADVICE 313 00:10:51,500 --> 00:10:52,533 FOR HIS TOUR. 314 00:10:52,567 --> 00:10:53,667 JUST THREE. 315 00:10:53,700 --> 00:10:55,567 KISS. HIS. ASS. 316 00:10:55,600 --> 00:10:57,767 HE'S ONE OF OUR WEALTHIEST DONORS, 317 00:10:57,800 --> 00:10:59,300 AND HE HASN'T GIVEN US A DIME 318 00:10:59,333 --> 00:11:00,600 SINCE THAT PERFORMANCE ART FIASCO 319 00:11:00,633 --> 00:11:01,667 LAST YEAR. 320 00:11:01,700 --> 00:11:03,067 I HEARD HE'S VERY CONSERVATIVE. 321 00:11:03,100 --> 00:11:04,167 CONSERVATIVE IS A LITTLE LEFT 322 00:11:04,200 --> 00:11:05,733 OF WHERE HE IS. 323 00:11:05,767 --> 00:11:08,867 HE AND GEORGE W. GREW UP PLAYING GI JOES TOGETHER. 324 00:11:08,900 --> 00:11:10,633 BE STRATEGIC. 325 00:11:10,667 --> 00:11:12,633 SHOW HIM WHAT HE WANTS TO SEE. 326 00:11:12,667 --> 00:11:16,600 BUT YOU'RE NOT ASKING ME TO CENSOR 327 00:11:16,633 --> 00:11:18,333 OR SUPPRESS ANY STUDENT ARTWORK, ARE YOU? 328 00:11:18,367 --> 00:11:20,400 I'M TELLING YOU TO CHOOSE YOUR BATTLES WISELY, BETTE. 329 00:11:20,433 --> 00:11:21,867 WHERE ARE YOU TAKING HIM? 330 00:11:21,900 --> 00:11:23,700 UM, WELL, I WAS GOING TO TAKE HIM 331 00:11:23,733 --> 00:11:25,333 TO THE FOUNDATION BUILDING, 332 00:11:25,367 --> 00:11:26,700 AND THEN I WAS GOING TO TAKE HIM 333 00:11:26,733 --> 00:11:29,067 TO JODI LERNER'S GRADUATE SCULPTURE STUDIO. 334 00:11:29,067 --> 00:11:30,600 GOOD. 335 00:11:30,633 --> 00:11:32,467 JODI WILL IMPRESS HIM. 336 00:11:32,500 --> 00:11:34,367 SKIP IS REALLY INTO BIG NAMES. 337 00:11:34,400 --> 00:11:35,433 I'M SO EXCITED TO MEET HER, TOO. 338 00:11:35,467 --> 00:11:36,933 I MEAN, ORIENTATION HAD ME SO CRAZY 339 00:11:36,967 --> 00:11:39,100 THAT THIS IS ACTUALLY THE FIRST TIME I'VE HAD 340 00:11:39,133 --> 00:11:41,400 TO INTRODUCE MYSELF. 341 00:11:41,433 --> 00:11:42,700 OH, AND TODAY AT LUNCH 342 00:11:42,733 --> 00:11:44,967 WE SHOULD GO OVER THE DONORS LIST. 343 00:11:45,067 --> 00:11:46,400 OKAY. 344 00:11:46,433 --> 00:11:48,067 AND I HAVE SOMETHING FUN TO TELL YOU. 345 00:11:48,067 --> 00:11:49,167 OH. 346 00:11:49,200 --> 00:11:50,900 I'M LOOKING FORWARD TO IT. 347 00:11:50,933 --> 00:11:52,467 I'VE GOT TO SAY, YOU REALLY... 348 00:11:52,500 --> 00:11:55,367 YOU REALLY ARE RADIATING SOMETHING. 349 00:11:55,400 --> 00:11:56,467 REALLY. 350 00:11:56,500 --> 00:11:57,700 ANYWAY, I'D BETTER GO PREPARE 351 00:11:57,733 --> 00:11:59,100 FOR MY MEETING WITH SKIP. 352 00:11:59,133 --> 00:12:00,767 OKAY. 353 00:12:01,767 --> 00:12:03,133 I JUST HOPE I DON'T END UP ON OUR CHART. 354 00:12:03,167 --> 00:12:06,067 PHYLLIS, YOU CAN'T END UP ON THE CHART UNLESS-- 355 00:12:09,267 --> 00:12:11,400 FUCK ME. 356 00:12:20,367 --> 00:12:22,200 I'M SORRY. 357 00:12:22,233 --> 00:12:23,267 I'M TRYING TO GET OVER THIS. 358 00:12:23,300 --> 00:12:25,400 I JUST-- I FEEL TOSSED ASIDE. 359 00:12:25,433 --> 00:12:27,900 I FEEL LIKE I MISSED THE PARTY. 360 00:12:27,933 --> 00:12:29,367 I FEEL OLD FOR THE FIRST TIME, 361 00:12:29,400 --> 00:12:30,433 WHICH IS REALLY... 362 00:12:30,467 --> 00:12:31,533 BABY... 363 00:12:31,567 --> 00:12:32,600 IF YOU FEEL OLD, 364 00:12:32,633 --> 00:12:35,933 THEN I AM JUST BACK FROM THE DEAD. 365 00:12:35,967 --> 00:12:38,933 BABY, YOU'RE 36 YEARS OLD, WITH A 19-YEAR-OLD APPLE BOOTY. 366 00:12:38,967 --> 00:12:41,667 I'M SURE THERE'S A WHOLE LOT OF ROCK 'N' ROLL 367 00:12:41,700 --> 00:12:43,200 LEFT IN YOU. 368 00:12:46,767 --> 00:12:49,700 YOU KNOW HOW MUCH I LOVE YOU. 369 00:12:49,733 --> 00:12:51,067 WHY DON'T YOU GO BACK HOME 370 00:12:51,067 --> 00:12:52,333 AND PLAY YOUR LES PAUL. 371 00:12:52,367 --> 00:12:53,533 UGH. COME ON, BABY. 372 00:12:53,567 --> 00:12:55,367 IT SEEMS LIKE THAT BEAT-UP THING 373 00:12:55,400 --> 00:12:56,500 BRINGS YOUR MOJO BACK. 374 00:12:56,533 --> 00:12:57,733 IT JUST... 375 00:12:57,767 --> 00:12:59,300 YEAH, I'M SORRY. I JUST... 376 00:12:59,333 --> 00:13:04,200 I DON'T REALLY FEEL LIKE PLAYING GUITAR RIGHT NOW. 377 00:13:04,233 --> 00:13:06,933 WELL, YOU BETTER. 378 00:13:06,967 --> 00:13:08,600 BECAUSE... 379 00:13:08,633 --> 00:13:11,967 I AM GOING TO RECORD 380 00:13:12,067 --> 00:13:14,733 THE SONG THAT YOU WROTE FOR ME 381 00:13:14,767 --> 00:13:16,933 FOR THIS CD. 382 00:13:16,967 --> 00:13:18,067 WHAT, "BAREBACK"? 383 00:13:18,100 --> 00:13:19,167 MM-HMM. 384 00:13:19,200 --> 00:13:20,500 I THOUGHT YOU SAID THAT WAS TOO NASTY. 385 00:13:20,533 --> 00:13:22,500 MM-MM. 386 00:13:22,533 --> 00:13:23,633 I LIKE IT BECAUSE IT'S REALLY, 387 00:13:23,667 --> 00:13:27,200 REALLY, REALLY NASTY. 388 00:13:27,233 --> 00:13:28,433 THAT'S WHY 389 00:13:28,467 --> 00:13:30,933 WE'RE GONNA SING IT TOGETHER. 390 00:13:30,967 --> 00:13:32,600 WHAT, YOU'RE GOING... 391 00:13:32,633 --> 00:13:33,800 YOU'RE GOING TO DO A DUET WITH ME 392 00:13:33,833 --> 00:13:36,200 ON YOUR NEW RECORD? 393 00:13:36,233 --> 00:13:37,367 YES. 394 00:13:37,400 --> 00:13:39,967 MM-HMM. YES. 395 00:13:40,067 --> 00:13:41,533 SO, WHY DON'T YOU GO HOME AND REHEARSE. 396 00:13:41,567 --> 00:13:43,733 GET IT GOING. GET IT STARTED. 397 00:13:43,767 --> 00:13:45,267 YOU KNOW, WE'VE GOT A LOT TO DO. 398 00:13:45,300 --> 00:13:47,200 YES, GET THEM HOT FINGERS GOING. 399 00:13:47,233 --> 00:13:48,267 OKAY. 400 00:13:48,300 --> 00:13:49,300 ALL RIGHT? YEAH. 401 00:13:49,333 --> 00:13:50,633 ALL RIGHT. 402 00:13:55,867 --> 00:13:58,200 SHE CHALLENGED US. 403 00:13:58,233 --> 00:14:00,900 YES, AND SHE'S CALLING YOU, LIKE, VANILLA SPICE, 404 00:14:00,933 --> 00:14:04,200 AND SHE SAID ALL WE COULD DO IS SHOP. 405 00:14:04,233 --> 00:14:07,267 BACK TO SCHOOL NIGHT-- WHAT'S THAT? 406 00:14:07,300 --> 00:14:09,067 YES, I'M PEEING. 407 00:14:09,067 --> 00:14:10,867 NO, SHANE, WE HAVE TO KICK THEIR ASSES, 408 00:14:10,900 --> 00:14:12,100 IS THE POINT. 409 00:14:12,133 --> 00:14:13,800 WEST HOLLYWOOD IS OUR TERRITORY. 410 00:14:13,833 --> 00:14:16,900 WE CAN'T JUST LET THEM HAVE IT WITHOUT PUTTING UP A FIGHT. 411 00:14:16,933 --> 00:14:18,967 YOU KNOW WHAT I MEAN? 412 00:14:19,067 --> 00:14:21,600 YEAH, AND, AND, AND, AND, 413 00:14:21,633 --> 00:14:24,133 SHE SAID, LIKE, 30 OF THE HOTTEST GIRLS SHOW UP 414 00:14:24,167 --> 00:14:25,533 EVERY SUNDAY. 415 00:14:25,567 --> 00:14:26,600 YEAH. 416 00:14:26,633 --> 00:14:28,533 I KNOW! 417 00:14:28,567 --> 00:14:29,633 OKAY. 418 00:14:29,667 --> 00:14:30,867 OH, GREAT! 419 00:14:30,900 --> 00:14:32,200 I KNEW YOU WOULDN'T LET DOWN THE TEAM. 420 00:14:32,233 --> 00:14:33,367 OKAY. 421 00:14:33,400 --> 00:14:35,567 UM, WE HAVE TO THINK OF A GAME PLAN, SO... 422 00:14:35,600 --> 00:14:36,700 ALL RIGHT, WE'LL TALK LATER. 423 00:14:36,733 --> 00:14:38,100 OKAY, BYE. 424 00:14:38,133 --> 00:14:39,133 YAY. 425 00:14:41,400 --> 00:14:44,467 [METALLIC GRINDING] 426 00:14:58,267 --> 00:14:59,900 [GASPS IN SHOCK] 427 00:15:00,067 --> 00:15:01,333 OH, GOD! 428 00:15:01,367 --> 00:15:02,733 YOU SCARED THE SHIT OUT OF ME! 429 00:15:02,767 --> 00:15:03,933 I'M SO SORRY, JODI. YOU SCARED THE SHIT OUT OF ME! 430 00:15:03,967 --> 00:15:05,067 I DIDN'T MEAN TO STARTLE YOU. 431 00:15:05,100 --> 00:15:07,067 I'M VERY, VERY SORRY. 432 00:15:07,067 --> 00:15:09,167 I WAS JUST TRYING TO INTRODUCE MYSELF. 433 00:15:09,200 --> 00:15:10,067 SHE DOES NOT LIKE PEOPLE 434 00:15:10,100 --> 00:15:11,367 SNEAKING UP ON HER WHILE SHE WORKS. 435 00:15:11,400 --> 00:15:13,300 IT BREAKS HER CONCENTRATION, AND IT FLIPS HER OUT. 436 00:15:13,333 --> 00:15:14,967 I'M SO-- WASN'T THINKING. 437 00:15:15,067 --> 00:15:16,567 I'M VERY SORRY. 438 00:15:16,600 --> 00:15:18,300 I WAS JUST TRYING TO... 439 00:15:18,333 --> 00:15:20,233 I WAS JUST TRYING TO INTRODUCE MYSELF. 440 00:15:20,267 --> 00:15:21,433 I'M BETTE PORTER. 441 00:15:21,467 --> 00:15:22,467 YEAH. I'M TOM MATER. 442 00:15:22,500 --> 00:15:23,633 I'M JODI'S INTERPRETER. 443 00:15:23,667 --> 00:15:24,733 OH, NICE TO MEET YOU. 444 00:15:24,767 --> 00:15:25,833 OH, I'M SUCH A HUGE ADMIRER 445 00:15:25,867 --> 00:15:28,067 OF JODI'S WORK. 446 00:15:28,067 --> 00:15:30,333 IF YOU WANT TO SAY SOMETHING, TALK TO ME, NOT TOM. 447 00:15:30,367 --> 00:15:32,800 YEAH, YOU CAN JUST FACE HER. 448 00:15:32,833 --> 00:15:34,067 SHE WANTS TO BE ABLE TO READ YOUR LIPS 449 00:15:34,067 --> 00:15:35,067 AND LOOK INTO YOUR EYES. 450 00:15:35,100 --> 00:15:37,200 OH, OKAY. 451 00:15:37,233 --> 00:15:38,267 I'M BETTE PORTER. 452 00:15:38,300 --> 00:15:40,333 I KNOW. 453 00:15:40,367 --> 00:15:41,633 I SAW YOUR INSTALLATION 454 00:15:41,667 --> 00:15:44,867 AT THE HAMMER TWO YEARS AGO, AND IT WAS JUST... 455 00:15:44,900 --> 00:15:45,933 IT WAS JUST STUNNING, 456 00:15:45,967 --> 00:15:47,533 AND I'M... I'M SO THRILLED 457 00:15:47,567 --> 00:15:49,167 TO HAVE YOU HERE WORKING WITH US. 458 00:15:49,200 --> 00:15:50,200 THANK YOU. 459 00:15:50,233 --> 00:15:51,333 AND I'M SORRY 460 00:15:51,367 --> 00:15:52,467 THAT OUR FIRST BIT OF BUSINESS 461 00:15:52,500 --> 00:15:54,133 HAS TO BE SO PETTY AND ANNOYING, 462 00:15:54,167 --> 00:15:55,233 BUT THERE'S SOMETHING 463 00:15:55,267 --> 00:15:57,333 THAT I NEED YOUR HELP WITH. 464 00:15:57,367 --> 00:15:59,233 I HOPE YOU'LL BE OKAY WITH THAT. 465 00:15:59,267 --> 00:16:00,933 OH, OKAY. 466 00:16:00,967 --> 00:16:03,100 OKAY. 467 00:16:03,133 --> 00:16:04,667 SO, I WAS AT THE STUDIO, 468 00:16:04,700 --> 00:16:06,200 AT YOUR STUDIO, 469 00:16:06,233 --> 00:16:08,667 AND I WAS LOOKING AT SOME OF THE STUDENT WORK, 470 00:16:08,700 --> 00:16:11,500 AND IT'S REALLY, PRETTY-- 471 00:16:11,533 --> 00:16:14,200 I'M SORRY. I'M SORRY. 472 00:16:14,233 --> 00:16:15,700 I WAS AT YOUR STUDIO, 473 00:16:15,733 --> 00:16:17,400 AND I WAS LOOKING AT THE STUDENT WORK. 474 00:16:17,433 --> 00:16:19,700 IT'S SO IMPRESSIVE. 475 00:16:19,733 --> 00:16:21,067 I MEAN, THEY'VE CLEARLY 476 00:16:21,067 --> 00:16:23,467 ALREADY BEEN SO AFFECTED BY YOU. 477 00:16:24,567 --> 00:16:27,467 [TOM INTERPRETING]: I'M JUST TRYING TO OPEN THEM UP. 478 00:16:27,500 --> 00:16:28,533 YOU KNOW, THEY THINK 479 00:16:28,567 --> 00:16:30,367 THEY'RE ALREADY FORMED AS ARTISTS, 480 00:16:30,400 --> 00:16:33,333 WHEN THEY SHOULD BE EXPLORING THEIR OWN INNER VOICES. 481 00:16:33,367 --> 00:16:34,367 YEAH. 482 00:16:35,833 --> 00:16:38,700 UH, THERE'S A RADICAL SCULPTURE IN THE STUDIO, 483 00:16:38,733 --> 00:16:41,900 WHICH IS CRUDE AND BRILLIANT 484 00:16:41,933 --> 00:16:44,467 AND ENORMOUS. 485 00:16:46,333 --> 00:16:48,633 OH, YOU MEAN LANI SHIPMAN'S PIECE. 486 00:16:48,667 --> 00:16:51,867 AH, SHE IS SO GIFTED. 487 00:16:51,900 --> 00:16:52,633 A LITTLE INTENSE-- 488 00:16:52,667 --> 00:16:54,067 A LITTLE INTENSE? 489 00:16:54,067 --> 00:16:56,633 SHE'S THE PARASITIC TWIN OF VALERIE SOLANAS. 490 00:16:56,667 --> 00:16:58,067 [CHUCKLES] 491 00:16:59,533 --> 00:17:00,633 ANYWAY, MY FIRST DAY HERE, 492 00:17:00,667 --> 00:17:01,967 SHE BROUGHT IT IN, 493 00:17:02,067 --> 00:17:03,267 SAYING HOW WEIRD IT WAS 494 00:17:03,300 --> 00:17:07,100 AND HOW BAD HER WORK IS, YOU KNOW, 495 00:17:07,133 --> 00:17:10,767 ALL THAT YOUNG TORTURED ARTIST CRAP, 496 00:17:10,800 --> 00:17:14,900 BUT AFTER THREE DAYS OF WORKING ON IT 497 00:17:14,933 --> 00:17:16,733 HERE IN THE STUDIO, 498 00:17:16,767 --> 00:17:19,867 SHE FINALLY PULLED HER HAIR BACK FROM HER EYES, 499 00:17:19,900 --> 00:17:22,933 AND SHE SAID, "I'M STARTING TO REALIZE IT." 500 00:17:22,967 --> 00:17:26,400 WELL, IT IS POWERFUL, AND... 501 00:17:26,433 --> 00:17:29,300 AND CONFRONTATIONAL, 502 00:17:29,333 --> 00:17:32,200 BUT TODAY I'M BRINGING SKIP CONNELLY, 503 00:17:32,233 --> 00:17:33,267 ONE OF OUR BIGGEST DONORS, 504 00:17:33,300 --> 00:17:34,933 TO TOUR THE STUDIO, AND I-- 505 00:17:34,967 --> 00:17:36,100 OH, I KNOW HIM. 506 00:17:36,133 --> 00:17:37,167 YOU DO? 507 00:17:37,200 --> 00:17:39,133 OH, OBSCENELY WEALTHY. 508 00:17:39,167 --> 00:17:40,667 IMPRESSIONIST ART COLLECTOR. 509 00:17:40,700 --> 00:17:41,767 RIGHT, RIGHT. 510 00:17:41,800 --> 00:17:44,733 SLEEPS WITH THE ENEMY. 511 00:17:44,767 --> 00:17:46,267 HE'S NOT GOING TO LIKE THAT PIECE. 512 00:17:46,300 --> 00:17:48,233 NO. NO. 513 00:17:48,267 --> 00:17:53,133 YOU KNOW WHAT I HAVE TO ASK YOU? 514 00:17:53,167 --> 00:17:54,833 [TOM LAUGHS] 515 00:17:54,867 --> 00:18:00,533 YOU WANT ME TO... 516 00:18:00,567 --> 00:18:03,400 PUT LANI'S PIECE IN A CORNER UNTIL... 517 00:18:03,433 --> 00:18:06,833 AFTER THE DONOR HAS DONED, RIGHT? 518 00:18:06,867 --> 00:18:08,400 BUT JUST FOR THE AFTERNOON. 519 00:18:08,433 --> 00:18:09,667 JUST FOR THE AFTERNOON. 520 00:18:12,933 --> 00:18:15,067 THANK YOU SO MUCH FOR UNDERSTANDING. 521 00:18:15,067 --> 00:18:16,133 I REALLY... 522 00:18:16,167 --> 00:18:17,867 I REALLY, REALLY APPRECIATE IT. 523 00:18:17,900 --> 00:18:19,233 I'M GOING TO GO MEET WITH HIM NOW, 524 00:18:19,267 --> 00:18:20,700 AND I'M GOING TO BRING HIM BY A LITTLE BIT LATER. 525 00:18:20,733 --> 00:18:24,233 THANK YOU. THANK YOU. 526 00:18:24,267 --> 00:18:25,400 THANK YOU. 527 00:18:25,433 --> 00:18:26,433 CERTAINLY. 528 00:18:34,867 --> 00:18:39,067 [**] 529 00:18:39,067 --> 00:18:40,133 UH... 530 00:18:40,167 --> 00:18:41,700 OH, MY GOD... 531 00:18:41,733 --> 00:18:43,467 [SNEEZES] 532 00:18:43,500 --> 00:18:47,100 I AM SO ALLERGIC TO YOU. 533 00:18:47,133 --> 00:18:48,333 HI. 534 00:18:48,367 --> 00:18:50,733 I'D LOVE TO MAKE AN APPOINTMENT 535 00:18:50,767 --> 00:18:54,867 WITH DR. SCOTT, PLEASE? 536 00:18:54,900 --> 00:18:56,367 THAT WOULD BE AWESOME. 537 00:18:56,400 --> 00:18:59,267 AN EMERGENCY VET APPOINTMENT, PLEASE. 538 00:18:59,300 --> 00:19:00,433 UH... 539 00:19:00,467 --> 00:19:03,533 YEAH, CAN SHE SEE ME RIGHT NOW? 540 00:19:03,567 --> 00:19:05,567 OKAY, THAT WOULD BE GREAT. 541 00:19:05,600 --> 00:19:07,267 OKAY, GREAT, THANK YOU. 542 00:19:07,300 --> 00:19:08,700 MY NAME? 543 00:19:08,733 --> 00:19:12,267 UH, MY NAME IS, UH... 544 00:19:12,300 --> 00:19:13,333 DEBBIE... 545 00:19:15,133 --> 00:19:17,267 OXNARD. 546 00:19:17,300 --> 00:19:19,267 I WILL BE THERE VERY, VERY SOON. 547 00:19:26,333 --> 00:19:27,600 YOU DON'T LIKE YOUR FOOD, DO YOU? 548 00:19:27,633 --> 00:19:29,667 I MEAN... 549 00:19:29,700 --> 00:19:31,833 I LIKE IT ALL RIGHT. 550 00:19:31,867 --> 00:19:34,200 I WENT ON THIS RAW FOODS THING 551 00:19:34,233 --> 00:19:36,067 MY SOPHOMORE YEAR. 552 00:19:36,067 --> 00:19:37,667 I WAS REALLY INTO IT, 553 00:19:37,700 --> 00:19:38,733 BUT AFTER ABOUT TWO MONTHS, 554 00:19:38,767 --> 00:19:40,167 I FOUND MYSELF SORT OF... 555 00:19:40,200 --> 00:19:41,733 FALLING UP THE STAIRS TO MY DORM. 556 00:19:43,667 --> 00:19:45,400 GUESS I NEED MY MEAT. 557 00:19:47,400 --> 00:19:49,900 BROOKE, I REALLY LIKE YOU A LOT. 558 00:19:52,800 --> 00:19:56,500 I REALLY LIKE YOU, TOO, MAX. 559 00:19:56,533 --> 00:19:58,700 I MEAN... 560 00:19:58,733 --> 00:20:01,200 NO GUY HAS EVER WANTED TO WAIT TO GET TO KNOW ME BETTER 561 00:20:01,233 --> 00:20:02,400 BEFORE HAVING SEX. 562 00:20:05,700 --> 00:20:08,300 I HAVE SOMETHING I HAVE TO TELL YOU ABOUT MYSELF, 563 00:20:08,333 --> 00:20:10,800 AND I WANT TO EXPLAIN IT TO YOU, BECAUSE... 564 00:20:10,833 --> 00:20:13,300 I FEEL LIKE YOU'RE REALLY SPECIAL, YOU KNOW, 565 00:20:13,333 --> 00:20:15,333 AND I DON'T WANT THERE TO BE ANY SECRETS BETWEEN US. 566 00:20:17,633 --> 00:20:19,700 DON'T TELL ME, LET ME GUESS. 567 00:20:19,733 --> 00:20:22,533 YOU ARE AN ESCAPED CONVICT, ON THE LAM FROM THE LAW. 568 00:20:22,567 --> 00:20:23,600 NO. 569 00:20:30,000 --> 00:20:31,900 [SIGHS] 570 00:20:31,933 --> 00:20:34,500 I... 571 00:20:34,533 --> 00:20:36,433 I REALLY TRUST YOU, YOU KNOW? 572 00:20:36,467 --> 00:20:37,600 I JUST... 573 00:20:37,633 --> 00:20:38,933 IT'S ALL NEW TO ME, 574 00:20:38,967 --> 00:20:40,333 THIS WHOLE THING, AND I... 575 00:20:40,367 --> 00:20:41,500 I JUST WANT YOU TO KNOW THAT. 576 00:20:43,967 --> 00:20:45,267 WHAT DO YOU HAVE TO TELL ME? 577 00:20:47,467 --> 00:20:50,000 I'VE ALWAYS FELT LIKE A MAN, INSIDE, 578 00:20:50,033 --> 00:20:51,800 FOR MY WHOLE LIFE, 579 00:20:51,833 --> 00:20:54,667 AND, I MEAN, NOW THAT I KNOW WHAT THAT FEELING IS... 580 00:20:56,567 --> 00:21:00,267 I'M PHYSICALLY BECOMING ONE. 581 00:21:00,300 --> 00:21:01,700 I'M NOT REALLY SURE I UNDERSTAND 582 00:21:01,733 --> 00:21:03,733 WHAT YOU'RE TRYING TO TELL ME. 583 00:21:03,767 --> 00:21:05,900 UM... 584 00:21:05,933 --> 00:21:07,600 I'M GOING THROUGH A TRANSITION. 585 00:21:07,633 --> 00:21:09,800 I'VE BEEN TAKING TESTOSTERONE 586 00:21:09,833 --> 00:21:11,267 FOR THE PAST YEAR, 587 00:21:11,300 --> 00:21:13,333 AND I'M UNDER THE CARE OF THIS DOCTOR, 588 00:21:13,367 --> 00:21:14,733 AND I'VE BEEN LIVING AS A MAN, 589 00:21:14,767 --> 00:21:17,300 AND SOON I'M PHYSICALLY GOING TO BE ONE AS WELL. 590 00:21:22,633 --> 00:21:23,933 I WAS BORN A GIRL, 591 00:21:23,967 --> 00:21:25,967 AND, I MEAN, I KIND OF... 592 00:21:26,067 --> 00:21:27,667 I STILL KIND OF HAVE, LIKE, A WOMAN'S BODY, 593 00:21:27,700 --> 00:21:28,800 I MEAN, EVEN THOUGH I AM A MAN. 594 00:21:28,833 --> 00:21:30,367 MY GOD. WAIT, BROOKE. 595 00:21:30,400 --> 00:21:31,500 LOOK, I KNOW THIS IS A LOT TO TAKE IN, BUT-- 596 00:21:31,533 --> 00:21:33,167 YOU'RE A FREAK. 597 00:21:33,200 --> 00:21:35,700 I DON'T DATE FREAKS. 598 00:21:35,733 --> 00:21:36,700 HOW DARE YOU? 599 00:21:36,733 --> 00:21:37,767 YOU LIAR. 600 00:21:37,800 --> 00:21:38,800 WAIT... 601 00:21:38,833 --> 00:21:40,667 WHAT DO YOU THINK I AM? 602 00:21:40,700 --> 00:21:41,933 JESUS, FUCK. 603 00:21:41,967 --> 00:21:43,067 NO... 604 00:21:43,100 --> 00:21:45,300 YOU FUCKING FREAK. 605 00:21:50,800 --> 00:21:53,067 COME ON, BETTE, PEOPLE ARE PEOPLE. 606 00:21:53,100 --> 00:21:54,200 I TELL YOU, 607 00:21:54,233 --> 00:21:55,067 IF SOMEBODY WANTED TO LET ME IN A UNIVERSITY 608 00:21:55,100 --> 00:21:56,333 JUST BECAUSE OF MY COLOR 609 00:21:56,367 --> 00:21:57,567 OR MY ECONOMIC STATUS, 610 00:21:57,600 --> 00:21:58,833 I'D HAVE BEEN INSULTED. 611 00:21:58,867 --> 00:22:00,533 ADMISSION SHOULD BE BASED ON MERIT, 612 00:22:00,567 --> 00:22:01,600 NOT NEED. 613 00:22:01,633 --> 00:22:02,667 WELL, I THINK THERE ARE A LOT 614 00:22:02,700 --> 00:22:03,733 OF OTHER ISSUES AT STAKE 615 00:22:03,767 --> 00:22:05,133 WITH PROPOSITION 209. 616 00:22:05,167 --> 00:22:06,700 SKIP CONNELLY, LET ME INTRODUCE YOU 617 00:22:06,733 --> 00:22:08,533 TO OUR ESTEEMED ARTIST-IN-RESIDENCE, 618 00:22:08,567 --> 00:22:09,533 JODI LERNER. 619 00:22:09,567 --> 00:22:10,533 THIS IS HER ASSISTANT, TOM MATER. 620 00:22:10,567 --> 00:22:12,367 I'M HER INTERPRETER. 621 00:22:12,400 --> 00:22:13,467 INTERPRETER. 622 00:22:13,500 --> 00:22:14,467 A PLEASURE TO MEET YOU, 623 00:22:14,500 --> 00:22:15,700 MS. LERNER. 624 00:22:15,733 --> 00:22:17,067 I'M VERY CURIOUS TO SEE WHAT YOU'VE BEEN UP TO 625 00:22:17,067 --> 00:22:18,933 AT MY OLD ALMA MATER. 626 00:22:18,967 --> 00:22:21,433 OH, PLEASE FEEL FREE TO LOOK AROUND 627 00:22:21,467 --> 00:22:23,100 AT SOME OF THE STUDENTS' WORK. 628 00:22:23,133 --> 00:22:26,333 I HOPE YOU'LL FIND IT STIMULATING. 629 00:22:26,367 --> 00:22:27,667 THANK YOU. 630 00:22:49,433 --> 00:22:52,300 I THOUGHT WE HAD AN UNDERSTANDING. 631 00:22:52,333 --> 00:22:54,567 MY UNDERSTANDING WAS THAT YOU WANTED ME TO CAPITULATE 632 00:22:54,600 --> 00:22:56,267 TO SOME ASSHOLE'S REPTILIAN POLITICS 633 00:22:56,300 --> 00:22:57,433 TO GET MONEY OUT OF HIM, 634 00:22:57,467 --> 00:22:58,500 AND THAT, I WILL NEVER DO. 635 00:22:58,533 --> 00:23:00,167 NO, ACTUALLY, WHAT I ASKED YOU TO DO 636 00:23:00,200 --> 00:23:01,267 WAS TO PUT THE STUDENTS AND UNIVERSITY 637 00:23:01,300 --> 00:23:02,367 AHEAD OF YOUR OWN EGO, 638 00:23:02,400 --> 00:23:03,800 SO WE COULD GET THE REPTILE'S MONEY 639 00:23:03,833 --> 00:23:05,100 IN ORDER TO MAKE ART AND NOT BOMBS, 640 00:23:05,133 --> 00:23:07,067 AND YOU AGREED. 641 00:23:14,133 --> 00:23:15,233 [TOM INTERPRETS]: THIS IS CALLED 642 00:23:15,267 --> 00:23:19,733 THE "UNAUTHORIZED ABORTION OF W." 643 00:23:19,767 --> 00:23:22,567 SOME OF THE MOST POWERFUL STUDENT WORK I'VE SEEN. 644 00:23:22,600 --> 00:23:24,867 IT'S AN ABOMINATION, 645 00:23:24,900 --> 00:23:26,400 AND AN ABUSE OF UNIVERSITY FUNDS. 646 00:23:26,433 --> 00:23:27,633 WELL, SKIP, DON'T YOU THINK, REALLY, 647 00:23:27,667 --> 00:23:29,367 THAT THE PRIMARY MISSION OF A UNIVERSITY 648 00:23:29,400 --> 00:23:33,400 IS TO PROVIDE A SAFE HAVEN TO EXPLORE IDEAS 649 00:23:33,433 --> 00:23:35,267 AND EXPAND BOUNDARIES? 650 00:23:35,300 --> 00:23:36,900 NOT ON MY DOLLAR. 651 00:23:36,933 --> 00:23:38,200 SKIP, THIS IS ONE ARTIST AMONG HUNDREDS HERE 652 00:23:38,233 --> 00:23:39,633 WHO'S JUST TRYING OUT HER VOICE. 653 00:23:39,667 --> 00:23:40,600 I MEAN, REALLY, ISN'T THAT WHAT GRADUATE SCHOOL IS ABOUT? 654 00:23:40,633 --> 00:23:41,767 SUPPORTING-- 655 00:23:41,800 --> 00:23:43,467 WELL, I SURE AS HELL WON'T BE SUPPORTING IT, 656 00:23:43,500 --> 00:23:44,767 THANK YOU VERY MUCH. GOOD DAY. 657 00:23:45,967 --> 00:23:47,067 SKIP-- 658 00:23:48,700 --> 00:23:50,967 JUST LEAVE HIM ALONE, 659 00:23:51,067 --> 00:23:52,967 THEN CALL HIM 660 00:23:53,067 --> 00:23:54,700 AND GIVE HIM THE SPEECH 661 00:23:54,733 --> 00:23:56,100 ABOUT HOW THE IMPRESSIONISTS WERE MET WITH THE SAME RESPONSE 662 00:23:56,133 --> 00:23:59,767 WHEN THEY DEBUTED THEIR WORK IN PARIS IN 1874. 663 00:23:59,800 --> 00:24:02,133 NOW ON TOP OF EVERYTHING, 664 00:24:02,167 --> 00:24:04,133 YOU'RE GOING TO TELL ME HOW TO DO MY JOB? 665 00:24:04,167 --> 00:24:05,067 [SCOFFS] 666 00:24:11,567 --> 00:24:12,733 [DOG WHINING] 667 00:24:12,767 --> 00:24:13,933 SHE'S EATEN A QUARTER-POUND OF KONA COFFEE. 668 00:24:13,967 --> 00:24:15,567 I THINK SHE'S GONE INTO SOME KIND OF SHOCK. 669 00:24:15,600 --> 00:24:16,833 I'LL GET THE DOCTOR RIGHT AWAY. 670 00:24:16,867 --> 00:24:17,767 WHAT THE HELL WERE YOU THINKING? 671 00:24:17,800 --> 00:24:18,867 OH, JESUS, RICH. 672 00:24:18,900 --> 00:24:21,067 I TURNED AROUND FOR A MINUTE. 673 00:24:21,067 --> 00:24:22,100 ONE MINUTE, 674 00:24:22,133 --> 00:24:24,067 AND SHE WAS ALREADY HALFWAY THROUGH THE BAG. 675 00:24:24,067 --> 00:24:25,867 OH, MY GOD... 676 00:24:25,900 --> 00:24:26,933 MOLLY. 677 00:24:32,567 --> 00:24:34,500 [DOG WHIMPERING] 678 00:24:37,067 --> 00:24:38,067 IT'LL BE OKAY, MOLLY. 679 00:24:38,067 --> 00:24:39,600 WE LOVE YOU. 680 00:24:40,867 --> 00:24:42,867 UM, SOUNDER OXNARD? 681 00:24:42,900 --> 00:24:44,267 ME. 682 00:24:44,300 --> 00:24:45,267 OH, HI. 683 00:24:45,300 --> 00:24:46,267 HI. 684 00:24:46,300 --> 00:24:48,433 YOU CAN COME ON IN. 685 00:24:51,800 --> 00:24:53,200 HOW LONG HAVE YOU HAD HER, DEBBIE? 686 00:24:53,233 --> 00:24:54,833 ABOUT 11 YEARS, SINCE SHE WAS A PUPPY. 687 00:24:54,867 --> 00:24:57,333 MY LONGEST RELATIONSHIP. 688 00:24:57,367 --> 00:24:59,467 [CHUCKLES] 689 00:24:59,500 --> 00:25:00,767 YOU DON'T KNOW HOW MANY TIMES I'VE HEARD THAT. 690 00:25:00,800 --> 00:25:02,200 GIRL'S BEST FRIEND, HUH? 691 00:25:02,233 --> 00:25:04,300 I'VE BEEN THROUGH THREE GIRLFRIENDS WITH HER, 692 00:25:04,333 --> 00:25:06,333 AND... 693 00:25:06,367 --> 00:25:07,633 YOU KNOW, THEY LEAVE, 694 00:25:07,667 --> 00:25:08,767 BUT THEN THEY ALWAYS WANT TO COME BACK 695 00:25:08,800 --> 00:25:09,867 TO VISIT SOUNDER. 696 00:25:13,767 --> 00:25:15,600 DEBBIE... 697 00:25:15,633 --> 00:25:18,500 YOU KNOW THAT SOUNDER'S PRETTY OLD, HUH, 698 00:25:18,533 --> 00:25:22,500 AND SHE FEELS TO ME LIKE SHE'S REALLY SLOWED DOWN. 699 00:25:22,533 --> 00:25:23,567 WHAT I'M TRYING TO SAY 700 00:25:23,600 --> 00:25:25,633 IS THAT SOUNDER'S NOT REALLY SICK, 701 00:25:25,667 --> 00:25:26,833 SHE'S JUST-- 702 00:25:26,867 --> 00:25:28,167 I KNOW WHAT'S GOING TO HAPPEN. 703 00:25:28,200 --> 00:25:29,567 YOUR EYES ARE SWOLLEN. 704 00:25:31,267 --> 00:25:32,867 WELL, DO YOU WANT TO WASH UP? 705 00:25:32,900 --> 00:25:34,367 CAN I GET YOU ANYTHING AT ALL? 706 00:25:34,400 --> 00:25:35,633 THANKS. 707 00:25:37,567 --> 00:25:38,600 DEBBIE, I DON'T KNOW WHAT TO SAY. 708 00:25:38,633 --> 00:25:40,900 THIS MUST BE HARD, THIS JOB. 709 00:25:40,933 --> 00:25:42,067 YOU SEEM LIKE A SAINT. 710 00:25:42,067 --> 00:25:43,067 OH, GOD, NO. 711 00:25:43,100 --> 00:25:45,800 NO, NOT REALLY. 712 00:25:45,833 --> 00:25:48,400 I JUST CAN'T IMAGINE DOING ANYTHING ELSE, YOU KNOW? 713 00:25:48,433 --> 00:25:49,600 MOST KIDS PLAY DOCTOR WHEN THEY'RE GROWING UP. 714 00:25:49,633 --> 00:25:50,733 I PLAYED VET. 715 00:25:50,767 --> 00:25:53,500 I HAD THIS CAT, TWIGGY. 716 00:25:53,533 --> 00:25:56,067 SHE HAD, LIKE, 300 FAKE OPERATIONS 717 00:25:56,100 --> 00:25:58,900 BY THE TIME I WAS SIX. 718 00:25:58,933 --> 00:26:01,167 THESE GUYS ARE MY FAMILY, YOU KNOW? 719 00:26:02,367 --> 00:26:04,967 IS IT YOUR WHOLE FAMILY? 720 00:26:05,067 --> 00:26:06,867 ALMOST. 721 00:26:06,900 --> 00:26:09,267 THIS IS MY WHOLE FAMILY. 722 00:26:09,300 --> 00:26:11,633 THIS IS, UM, SPARKY. 723 00:26:11,667 --> 00:26:12,733 HE'S MY PERFECT LITTLE BUDDY, 724 00:26:12,767 --> 00:26:14,767 AND THAT'S STACEY, MY GIRLFRIEND. 725 00:26:14,800 --> 00:26:16,900 SHE'S A JOURNALIST. 726 00:26:16,933 --> 00:26:18,067 OH, RIGHT. 727 00:26:18,067 --> 00:26:21,133 YOU HAVE A BEAUTIFUL FAMILY. 728 00:26:21,167 --> 00:26:22,967 THANKS. 729 00:26:23,067 --> 00:26:24,433 SO, IT'S LIKE... 730 00:26:24,467 --> 00:26:25,867 IT'S LIKE YOU'RE DRYING YOUR NAILS. 731 00:26:25,900 --> 00:26:27,067 DRYING YOUR NAILS. 732 00:26:27,067 --> 00:26:28,100 YOU'RE DRYING YOUR NAILS. 733 00:26:28,133 --> 00:26:29,067 DRYING YOUR NAILS. YOU GOT THAT? 734 00:26:29,067 --> 00:26:30,167 OKAY, BLOCK ME. 735 00:26:30,200 --> 00:26:31,633 COME UP HERE, BLOCK ME. 736 00:26:31,667 --> 00:26:33,067 I'M GOING TO TRY TO SHOOT, BUT YOU'RE GOING TO THROW IT. 737 00:26:33,100 --> 00:26:33,600 YOU'RE GOING TO-- WHOOSH! YOU KNOW I MEAN? 738 00:26:33,633 --> 00:26:34,467 SO, COME IN, 739 00:26:34,500 --> 00:26:36,633 BUT I'M GOING TO BE LIKE THIS, 740 00:26:36,667 --> 00:26:38,600 BUT THEN YOU HAVE TO... YOU KNOW WHAT I MEAN? 741 00:26:38,633 --> 00:26:39,933 SO I'M LIKE THIS. I COME, AND I'M COMING IN, 742 00:26:39,967 --> 00:26:41,133 BUT YOU'RE THERE, AND YOU'RE THERE, 743 00:26:41,167 --> 00:26:42,233 AND YOU'RE THERE, BUT I'M-- 744 00:26:42,267 --> 00:26:43,467 COME UP, RIGHT? 745 00:26:43,500 --> 00:26:45,767 AND I... OH, LOOK AT THAT. 746 00:26:45,800 --> 00:26:46,767 WELL, YEAH, GREAT, ALICE. 747 00:26:46,800 --> 00:26:48,500 THAT'S GOOD. 748 00:26:48,533 --> 00:26:49,633 YOU KNOW WHAT? YEAH? 749 00:26:49,667 --> 00:26:50,900 I THINK WE NEED TO TAKE A BREAK. 750 00:26:50,933 --> 00:26:51,800 HELENA, WE'VE GOT THE GAME ON SUNDAY. 751 00:26:51,833 --> 00:26:53,067 WE HAVE TO TRAIN, 752 00:26:53,100 --> 00:26:55,333 AND I STILL HAVE TO TEACH YOU HOW TO SLAP THE ASSES. 753 00:26:55,367 --> 00:26:56,567 ALICE... 754 00:26:56,600 --> 00:26:59,133 I'VE HAD FIVE JOB INTERVIEWS TODAY, 755 00:26:59,167 --> 00:27:00,300 ALL RIGHT? 756 00:27:00,333 --> 00:27:01,600 I'M KNACKERED, 757 00:27:01,633 --> 00:27:02,700 AND I'VE JUST RIPPED YOUR FAVORITE T-SHIRT. 758 00:27:02,733 --> 00:27:05,367 I COULD REALLY DO WITH A GLASS OF WINE. 759 00:27:05,400 --> 00:27:07,133 OKAY. 760 00:27:07,167 --> 00:27:08,433 UH, HELENA? 761 00:27:08,467 --> 00:27:09,633 YOU MIGHT WANT TO TAKE A LOOK AT THIS, 762 00:27:09,667 --> 00:27:10,700 BECAUSE YOU JUST GOT IT IN. 763 00:27:10,733 --> 00:27:11,867 OVER THE SHOULDER. 764 00:27:11,900 --> 00:27:13,100 I DID? 765 00:27:13,133 --> 00:27:14,967 OVER YOUR HEAD, NOT EVEN LOOKING! 766 00:27:15,067 --> 00:27:16,633 [KNOCKING ON DOOR] 767 00:27:16,667 --> 00:27:18,300 I THINK YOU MIGHT BE OUR SECRET WEAPON. 768 00:27:18,333 --> 00:27:20,067 HUH? 769 00:27:20,067 --> 00:27:21,400 WOW, PHYLLIS, HI! 770 00:27:21,433 --> 00:27:23,067 WHAT ARE YOU DOING HERE? 771 00:27:23,067 --> 00:27:24,433 I JUST DROPPED BY TO GIVE YOU THIS. 772 00:27:24,467 --> 00:27:27,167 OH... 773 00:27:27,200 --> 00:27:29,800 OH, YEAH, UH, OKAY. 774 00:27:29,833 --> 00:27:30,833 JULIE LONDON, UH-HUH. 775 00:27:30,867 --> 00:27:32,100 I DON'T KNOW HER. 776 00:27:32,133 --> 00:27:33,367 I THOUGHT WE COULD, UH, LISTEN TO IT NEXT TIME. 777 00:27:33,400 --> 00:27:34,500 SURE. 778 00:27:34,533 --> 00:27:35,567 OH, I WISH I COULD STAY. 779 00:27:35,600 --> 00:27:37,067 I'VE GOT TO RUN. 780 00:27:37,067 --> 00:27:38,067 I'M DESPERATE TO FIND A CATERER 781 00:27:38,067 --> 00:27:39,267 FOR NEXT WEEK'S FUNDRAISER. 782 00:27:39,300 --> 00:27:40,833 MY REGULAR CANCELLED. 783 00:27:40,867 --> 00:27:42,067 WEIRD. 784 00:27:42,067 --> 00:27:44,400 WEIRD AND COINCIDENTAL THAT HELENA'S HERE, 785 00:27:44,433 --> 00:27:45,533 BECAUSE HELENA IS A CATERER. 786 00:27:45,567 --> 00:27:46,900 I AM? 787 00:27:46,933 --> 00:27:47,967 YES, SHE IS. 788 00:27:48,067 --> 00:27:49,533 I AM.YOU ARE? REALLY? 789 00:27:49,567 --> 00:27:50,600 YEAH, SHE STUDIED AT, UH... 790 00:27:50,633 --> 00:27:51,667 CORDON BLEU. 791 00:27:51,700 --> 00:27:53,067 CORDON BLEU. UH-HUH. 792 00:27:53,067 --> 00:27:54,133 WELL, GREAT. DO YOU HAVE A CARD? 793 00:27:54,167 --> 00:27:57,400 UH, NO. BECAUSE... 794 00:27:57,433 --> 00:27:59,167 BECAUSE YOU'RE GETTING THOSE NEW BUSINESS CARDS MADE UP. 795 00:27:59,200 --> 00:28:00,267 MADE UP. RIGHT. 796 00:28:00,300 --> 00:28:01,467 YEAH. YEAH. 797 00:28:01,500 --> 00:28:02,700 SHE'S GREAT, THOUGH. YOU SHOULD USE HER. 798 00:28:02,733 --> 00:28:04,067 WELL, ARE YOU FREE FRIDAY, HELENA? 799 00:28:04,067 --> 00:28:05,900 YEAH. 800 00:28:05,933 --> 00:28:07,367 I'LL CALL YOU. I'VE GOT TO RUN. 801 00:28:07,400 --> 00:28:09,600 I'M-I'M LATE FOR A MEETING WITH MY PLANNING GROUP. 802 00:28:09,633 --> 00:28:10,633 OH... 803 00:28:11,967 --> 00:28:12,700 OKAY... 804 00:28:12,733 --> 00:28:15,267 OKAY, BYE! 805 00:28:15,300 --> 00:28:17,767 ALICE! 806 00:28:19,067 --> 00:28:20,067 A... 807 00:28:20,067 --> 00:28:21,400 YEAH. 808 00:28:21,433 --> 00:28:23,100 WHAT DID WE JUST GET ME INTO, 809 00:28:23,133 --> 00:28:25,067 AND B, 810 00:28:25,100 --> 00:28:27,133 YOU'RE NOT TELLING ME THAT 811 00:28:27,167 --> 00:28:29,467 THAT SOPHISTICATED, GENTEEL, 812 00:28:29,500 --> 00:28:31,267 INTELLIGENT, LOVELY-- 813 00:28:31,300 --> 00:28:32,467 LOVELY? 814 00:28:32,500 --> 00:28:35,100 MATURE WOMAN IS THE SAME ANIMAL 815 00:28:35,133 --> 00:28:37,433 RESPONSIBLE FOR THOSE HIDEOUSLY LOUD NOISES 816 00:28:37,467 --> 00:28:39,100 EMANATING FROM YOUR BEDROOM THE OTHER NIGHT? 817 00:28:39,133 --> 00:28:40,200 YEAH. 818 00:28:40,233 --> 00:28:41,367 THAT WOULD BE THE LADY. 819 00:28:41,400 --> 00:28:42,433 UH-HUH. 820 00:28:44,067 --> 00:28:45,433 HOW LONG YOU BEEN IN THE STATES? 821 00:28:45,467 --> 00:28:46,533 I'VE BEEN MIKEY'S NANNY 822 00:28:46,567 --> 00:28:48,233 FOR ALMOST TWO YEARS NOW. 823 00:28:48,267 --> 00:28:50,433 HE'S BECOME LIKE MY LITTLE BROTHER. 824 00:28:50,467 --> 00:28:51,867 HE LOVES ANGELICA. 825 00:28:51,900 --> 00:28:53,200 YEAH, I KNOW WHAT YOU MEAN, 826 00:28:53,233 --> 00:28:56,133 EXCEPT ANGELICA FEELS MORE LIKE MY DAUGHTER. 827 00:28:56,167 --> 00:28:57,200 YOU DON'T LOOK OLD ENOUGH 828 00:28:57,233 --> 00:28:59,233 TO BE ANYBODY'S FATHER. 829 00:28:59,267 --> 00:29:03,600 YOU'RE WAY TOO HOT TO BE A PAPA. 830 00:29:03,633 --> 00:29:04,900 UH, YEAH, WELL, 831 00:29:04,933 --> 00:29:06,433 IT'S THE LEARNING FUCKING NOTHING, 832 00:29:06,467 --> 00:29:10,067 KEEPS YOU YOUNG. 833 00:29:10,067 --> 00:29:11,100 TINA TOLD ME 834 00:29:11,133 --> 00:29:14,167 YOU PLAY GUITAR IN A BAND. 835 00:29:14,200 --> 00:29:16,167 LET'S FEEL YOUR CALLUSES. 836 00:29:20,200 --> 00:29:23,067 I'M JUST STARTING TO GET SOME. 837 00:29:23,067 --> 00:29:24,433 HMM... 838 00:29:24,467 --> 00:29:27,200 UM, HOW LONG YOU BEEN PLAYING? 839 00:29:27,233 --> 00:29:28,233 ONE MONTH. 840 00:29:28,267 --> 00:29:29,267 MM-HMM. 841 00:29:29,300 --> 00:29:31,367 I KNOW THREE CHORDS. 842 00:29:31,400 --> 00:29:34,700 I'D LOVE TO GET LESSONS FROM YOU. 843 00:29:34,733 --> 00:29:36,667 YEAH, WELL, I MEAN, 844 00:29:36,700 --> 00:29:38,267 YOU'VE GOT THE THREE CHORDS, 845 00:29:38,300 --> 00:29:40,600 SO IT'S JUST, UH, GETTING THE STRUM DOWN... 846 00:29:40,633 --> 00:29:43,967 [PLAYS A QUICK MELODY] 847 00:29:44,067 --> 00:29:45,200 AND THEN YOU'RE GOOD TO GO 848 00:29:45,233 --> 00:29:46,800 ON, LIKE, YOU KNOW, A MILLION SONGS. 849 00:29:46,833 --> 00:29:48,100 I PRIDE MYSELF 850 00:29:48,133 --> 00:29:51,100 ON BEING GOOD TO GO FOR A LOT OF THINGS. 851 00:29:53,100 --> 00:29:54,467 YOU KNOW, I, UH... 852 00:29:54,500 --> 00:29:55,900 [CHUCKLES AWKWARDLY] 853 00:29:55,933 --> 00:29:59,333 I HAVEN'T TAUGHT IN QUITE A WHILE, SO, UM, 854 00:29:59,367 --> 00:30:00,633 I'M PROBABLY PRETTY RUSTY. 855 00:30:00,667 --> 00:30:02,500 I'M NOT. 856 00:30:07,567 --> 00:30:10,400 I AM GOING TO, UH... 857 00:30:10,433 --> 00:30:13,100 GO GET ANGELICA FOR YOU. 858 00:30:13,133 --> 00:30:16,433 [**] 859 00:30:21,533 --> 00:30:22,833 ARE THOSE NINES? 860 00:30:22,867 --> 00:30:24,100 YEAH, THESE ARE A NINE, MA'AM. 861 00:30:24,133 --> 00:30:25,300 NO, NO, NO, THEY-- THEY AIN'T NO NINE. 862 00:30:25,333 --> 00:30:26,300 NO, MM-MM. 863 00:30:26,333 --> 00:30:27,400 YOU KNOW WHAT, IT FEELS REALLY TIGHT. 864 00:30:27,433 --> 00:30:28,700 I'M GOING TO GRAB YOU A 10. 865 00:30:28,733 --> 00:30:30,533 NO, I DON'T WEAR A DOUBLE-DIGIT SHOE, OKAY, HONEY? 866 00:30:32,067 --> 00:30:33,100 HELENA? 867 00:30:33,133 --> 00:30:34,167 CAN YOU HELP ME GET THIS ON? 868 00:30:34,200 --> 00:30:35,200 SURE. 869 00:30:35,233 --> 00:30:36,800 SHE'LL DO IT. 870 00:30:36,833 --> 00:30:38,667 JUST, YEAH, JUST KIND OF ANGLE IT AROUND. 871 00:30:38,700 --> 00:30:40,367 OKAY, PUSH, PUSH, PUSH. 872 00:30:40,400 --> 00:30:41,433 OH, KIT, ARE YOU SURE? 873 00:30:41,467 --> 00:30:43,000 COME ON. OH, KIT... 874 00:30:43,033 --> 00:30:43,967 THEY LOOK A BIT... 875 00:30:44,000 --> 00:30:45,967 OW! OOH, OKAY... 876 00:30:46,000 --> 00:30:47,133 [GASPING IN PAIN] 877 00:30:47,167 --> 00:30:47,833 SEE? 878 00:30:47,867 --> 00:30:49,467 IT'S OKAY. 879 00:30:49,500 --> 00:30:50,533 I FEEL 880 00:30:50,567 --> 00:30:51,533 LIKE I COULD SLAM-DUNK IN THESE. 881 00:30:51,567 --> 00:30:53,633 PAPI'S GOING DOWN. 882 00:30:55,133 --> 00:30:56,867 WHAT'S UP WITH YOU? 883 00:30:56,900 --> 00:30:58,367 NOTHING. I'M JUST... 884 00:30:58,400 --> 00:30:59,467 I DON'T KNOW, I JUST KEEP THINKING 885 00:30:59,500 --> 00:31:00,933 ABOUT THIS BACK TO SCHOOL SCHTICK 886 00:31:00,967 --> 00:31:02,867 I HAVE TO GO TO TONIGHT. 887 00:31:02,900 --> 00:31:04,100 WELL, FIRST OF ALL, 888 00:31:04,133 --> 00:31:05,167 DO SOMETHING ABOUT THE SNEAKS. 889 00:31:05,200 --> 00:31:06,167 SECOND OF ALL, QUIT WORRYING, 890 00:31:06,200 --> 00:31:07,533 AND JUST, LIKE, FLIRT WITH THE TEACHER. 891 00:31:07,567 --> 00:31:08,767 WHAT ARE YOU BASHING MY SNEAKERS FOR? 892 00:31:08,800 --> 00:31:10,100 YOU SHOULD TELL HER 893 00:31:10,133 --> 00:31:11,267 YOU'RE GOING TO BECOME A MEN'S UNDERWEAR MODEL. 894 00:31:11,300 --> 00:31:12,733 OH, YEAH, I'M SO SURE. 895 00:31:12,767 --> 00:31:14,867 SHE'LL THINK IT'S VERY, VERY SEXY. 896 00:31:14,900 --> 00:31:15,900 YOU'RE NOT GOING TO DO IT? 897 00:31:15,933 --> 00:31:17,200 SHANE, THERE'S TONS OF MONEY IN IT. 898 00:31:17,233 --> 00:31:19,200 I KNOW, AND I'M NOT DOING IT. 899 00:31:19,233 --> 00:31:20,133 WHY ARE YOU IN SUCH A BAD MOOD? 900 00:31:20,167 --> 00:31:21,400 KIT, I REALLY THINK 901 00:31:21,433 --> 00:31:23,233 MAYBE YOU SHOULD GET A BIGGER SIZE UP. 902 00:31:23,267 --> 00:31:24,267 THEY LOOK TINY. 903 00:31:24,300 --> 00:31:26,067 NO, NO, THEY PERFECTLY FIT. 904 00:31:26,100 --> 00:31:27,500 THEY REALLY DO. 905 00:31:27,533 --> 00:31:28,933 HEY, JENNY? 906 00:31:28,967 --> 00:31:30,167 YEAH? 907 00:31:30,200 --> 00:31:32,067 GIRL, I LOVE YOU, 908 00:31:32,100 --> 00:31:33,200 BUT YOU SMELLING LIKE AN OLD DOG TODAY. 909 00:31:33,233 --> 00:31:34,467 WHAT IS IT? 910 00:31:34,500 --> 00:31:35,767 OH, UM... 911 00:31:36,933 --> 00:31:38,533 WELL, IT'S BECAUSE I'VE BEEN WORKING OUT. 912 00:31:38,567 --> 00:31:39,700 YOU KNOW, GETTING READY FOR THE BIG GAME. 913 00:31:39,733 --> 00:31:41,700 YEAH. YEAH. 914 00:31:41,733 --> 00:31:43,400 WHEN DID TRAINERS GET THAT EXPENSIVE? 915 00:31:43,433 --> 00:31:44,500 WE'RE GOING TO GO, SWEETIE. 916 00:31:44,533 --> 00:31:45,567 REALLY? 917 00:31:45,600 --> 00:31:48,367 UH, LET ME SEE, IN 1980? 918 00:31:48,400 --> 00:31:49,700 YOU GOT THE SHOTS, HELENA. 919 00:31:49,733 --> 00:31:51,333 NOW YOU NEED THE SHOES. 920 00:31:51,367 --> 00:31:53,400 WELL, JUST EXPLAIN TO ME THE NAME. 921 00:31:53,433 --> 00:31:55,067 WAS IT THE BOUGIE ASS... 922 00:31:55,100 --> 00:31:56,733 BOUGIE, BABY. 923 00:31:56,767 --> 00:31:58,400 COME ON, THE BOURGEOISIE. 924 00:31:58,433 --> 00:32:00,567 YOU KNOW, THE UPPER CLASS, THE UPPER CRUST. 925 00:32:00,600 --> 00:32:01,800 YEAH, I'M JUST TAKING PAPI'S PUTDOWN, 926 00:32:01,833 --> 00:32:03,333 AND I'M USING IT TO EMPOWER US. 927 00:32:03,367 --> 00:32:06,133 MA'AM, YOUR TOES ARE HITTING THE FRONT OF THOSE SHOES. 928 00:32:06,167 --> 00:32:07,567 I'LL TAKE THEM. 929 00:32:07,600 --> 00:32:09,567 LIZA LOU'S ENVIRONMENTAL SCULPTURE, 930 00:32:09,600 --> 00:32:10,633 KITCHEN. 931 00:32:10,667 --> 00:32:13,200 IT TOOK HER FIVE YEARS TO COMPLETE THIS WORK, 932 00:32:13,233 --> 00:32:14,800 WHICH IS MADE UP OF 933 00:32:14,833 --> 00:32:17,467 MILLIONS AND MILLIONS OF TINY COLORED GLASS BEADS. 934 00:32:17,500 --> 00:32:20,067 CAN YOU DESCRIBE THE ARTIST'S EXPERIENCE? 935 00:32:20,067 --> 00:32:21,733 YOU KNOW, THE THING THAT WE TALKED ABOUT THE OTHER NIGHT? 936 00:32:22,767 --> 00:32:25,067 YES, OF COURSE, NADIA. 937 00:32:25,067 --> 00:32:27,700 LIZA LOU DESCRIBES THE ACT OF MAKING THESE HUGE, 938 00:32:27,733 --> 00:32:28,933 LABOR-INTENSIVE WORKS 939 00:32:28,967 --> 00:32:31,167 AS BEING LIKE PRAYER, 940 00:32:31,200 --> 00:32:33,067 A MYSTICAL EXPERIENCE COMPARABLE IN SOME WAYS 941 00:32:33,067 --> 00:32:34,200 TO RELIGIOUS MARTYRDOM-- 942 00:32:34,233 --> 00:32:35,067 YEAH, BUT DIDN'T MOST OF THE CRITICS 943 00:32:35,067 --> 00:32:36,300 EQUATE HER 944 00:32:36,333 --> 00:32:38,067 WITH THE FEMINIST ARTISTS OF THE 1970s? 945 00:32:38,100 --> 00:32:39,867 YES, SOME OF THE EARLIER WORKS. 946 00:32:39,900 --> 00:32:41,300 YES, LIKE KITCHEN, THAT'S TRUE, 947 00:32:41,333 --> 00:32:43,233 IN THAT A KITCHEN IS USUALLY EQUATED WITH WOMEN'S WORK, 948 00:32:43,267 --> 00:32:45,067 BUT HERE, 949 00:32:45,067 --> 00:32:47,133 WE'RE TALKING ABOUT THE DEVOTIONAL 950 00:32:47,167 --> 00:32:49,467 RATHER THAN THE MUNDANE, 951 00:32:49,500 --> 00:32:51,633 OR THE WAYS IN WHICH THE MUNDANE IS ELEVATED 952 00:32:51,667 --> 00:32:54,467 TO THE REALM OF MYSTICAL EXPERIENCE. 953 00:32:54,500 --> 00:32:55,867 IN FACT, JEANETTE WINTERSON, 954 00:32:55,900 --> 00:32:57,300 WHO HAS WRITTEN EXTENSIVELY 955 00:32:57,333 --> 00:33:00,867 ABOUT THE TRANSFORMING POWER OF LIZA LOU'S WORK HAS SAID, 956 00:33:00,900 --> 00:33:02,500 "WHAT ART DOES 957 00:33:02,533 --> 00:33:05,900 "IS COAX US AWAY FROM THE MECHANICAL 958 00:33:05,933 --> 00:33:07,367 TOWARD THE MIRACULOUS." 959 00:33:07,400 --> 00:33:10,333 AGAIN, "WHAT ART DOES 960 00:33:10,367 --> 00:33:13,567 "IS COAX US AWAY FROM THE MECHANICAL 961 00:33:13,600 --> 00:33:16,967 AND TOWARD THE MIRACULOUS." 962 00:33:17,067 --> 00:33:18,867 WHAT WAS THE WORD AGAIN? 963 00:33:20,833 --> 00:33:21,533 NUMINOUS. 964 00:33:21,567 --> 00:33:23,367 IT MEANS DIVINE, 965 00:33:23,400 --> 00:33:25,867 MAJESTIC, THAT WHICH IS WHOLLY OTHER. 966 00:33:25,900 --> 00:33:26,900 MOVING ON TO SARAH VANDER-- 967 00:33:27,900 --> 00:33:29,167 OH, I JUST... 968 00:33:29,200 --> 00:33:31,300 I WANTED TO TELL YOU THAT THE TIME IS UP. 969 00:33:34,067 --> 00:33:35,867 WE'LL TALK ABOUT SARAH VANDERLIP NEXT WEEK. 970 00:33:35,900 --> 00:33:37,267 IN THE MEANTIME, 971 00:33:37,300 --> 00:33:39,067 I WANT YOU TO STUDY KATHARINA FRITSCH'S "MOUSE" 972 00:33:39,067 --> 00:33:40,133 THAT WE VIEWED EARLIER, 973 00:33:40,167 --> 00:33:41,300 AND COMPARE IT 974 00:33:41,333 --> 00:33:43,367 WITH DUCHAMP'S "BICYCLE WHEEL", 975 00:33:43,400 --> 00:33:45,167 AND START THINKING ABOUT THE ARTIST'S USE 976 00:33:45,200 --> 00:33:46,333 OF EVERYDAY OBJECTS. 977 00:33:51,467 --> 00:33:52,533 NADIA, I'D LIKE A WORD WITH YOU. 978 00:33:59,833 --> 00:34:02,200 I THINK I'D LIKE MORE THAN THAT WITH YOU. 979 00:34:02,233 --> 00:34:03,667 NADIA... 980 00:34:03,700 --> 00:34:05,667 JUST LISTEN TO ME. 981 00:34:05,700 --> 00:34:07,733 YOU'RE A BEAUTIFUL GIRL, 982 00:34:07,767 --> 00:34:10,267 AND I HAD A WONDERFUL TIME WITH YOU, 983 00:34:10,300 --> 00:34:13,767 BUT WHAT HAPPENED CAN NEVER HAPPEN AGAIN. 984 00:34:13,800 --> 00:34:14,900 I THINK YOU'RE BEING 985 00:34:14,933 --> 00:34:16,533 OVERLY SENSITIVE TO ME. 986 00:34:16,567 --> 00:34:17,600 NO, I'M BEING VERY SERIOUS. 987 00:34:17,633 --> 00:34:19,867 WE MADE A MISTAKE. 988 00:34:19,900 --> 00:34:21,100 DO YOU UNDERSTAND ME? 989 00:34:21,133 --> 00:34:23,067 I UNDERSTAND 990 00:34:23,100 --> 00:34:25,200 THAT YOU WANT ME AS MUCH AS I WANT YOU. 991 00:34:27,067 --> 00:34:28,267 IT'S OVER, 992 00:34:28,300 --> 00:34:30,067 AND THAT'S FINAL. 993 00:34:30,067 --> 00:34:32,133 OKAY, I'M SORRY. 994 00:34:32,167 --> 00:34:34,500 I'LL BE MORE CAREFUL AROUND CAMPUS. 995 00:34:34,533 --> 00:34:35,867 IF YOU CONTINUE TO IGNORE WHAT I'M SAYING TO YOU, 996 00:34:35,900 --> 00:34:38,367 THEN I'M GOING TAKE DISCIPLINARY ACTION, 997 00:34:38,400 --> 00:34:39,767 AND I WILL TAKE THE CONSEQUENCES, 998 00:34:39,800 --> 00:34:42,433 BELIEVE ME. 999 00:34:42,467 --> 00:34:43,567 DO YOU UNDERSTAND ME NOW? 1000 00:34:45,333 --> 00:34:46,867 I'M SORRY, DEAN PORTER. 1001 00:34:46,900 --> 00:34:48,967 I UNDERSTAND THAT YOU'RE SERIOUS. 1002 00:34:54,633 --> 00:34:55,767 [SIGHS] 1003 00:34:55,800 --> 00:34:58,700 BUBBLEOLOGY IS A HANDS-ON PROGRAM. 1004 00:34:58,733 --> 00:35:03,067 THE CHILDREN WILL LEARN ABOUT GAS, EVAPORATION, 1005 00:35:03,100 --> 00:35:04,767 GRAVITY, PHYSICS, 1006 00:35:04,800 --> 00:35:06,600 SURFACE TENSION, PRISMS, 1007 00:35:06,633 --> 00:35:07,667 MANY, MANY OTHER THINGS 1008 00:35:07,700 --> 00:35:10,367 ALL THROUGH THE STUDY OF BUBBLES. 1009 00:35:10,400 --> 00:35:12,367 SO, IF YOU HAVE ANY QUESTIONS, 1010 00:35:12,400 --> 00:35:14,300 PLEASE FEEL FREE TO ASK ME, 1011 00:35:14,333 --> 00:35:15,967 AND HELP YOURSELF TO REFRESHMENTS. 1012 00:35:23,467 --> 00:35:24,967 I DIDN'T KNOW THIS WAS BACK TO SCHOOL OF ROCK NIGHT. 1013 00:35:25,067 --> 00:35:26,633 MAYBE PATTI SMITH'S JUST HERE 1014 00:35:26,667 --> 00:35:28,833 FOR THE FREE FOOD. 1015 00:35:28,867 --> 00:35:30,300 IGNORE THEM. 1016 00:35:30,333 --> 00:35:31,600 SOMETIMES, 1017 00:35:31,633 --> 00:35:34,067 BEING A PARENT CAUSES DEMENTIA 1018 00:35:34,067 --> 00:35:35,833 WITH SIDE EFFECTS OF PETTINESS. 1019 00:35:35,867 --> 00:35:37,767 RIGHT. 1020 00:35:37,800 --> 00:35:38,867 I'M PAIGE SOBEL. 1021 00:35:38,900 --> 00:35:39,900 HI. 1022 00:35:39,933 --> 00:35:40,733 I'M JARED'S MOM. 1023 00:35:40,767 --> 00:35:41,933 HI. I'M SHANE. 1024 00:35:41,967 --> 00:35:44,167 I'M HERE FOR MY LITTLE BROTHER, SHAY. 1025 00:35:44,200 --> 00:35:45,800 WELL, IT'S REALLY GREAT THAT YOU CAME. 1026 00:35:45,833 --> 00:35:47,067 I'M SURE IT MEANS A LOT TO SHAY. 1027 00:35:47,067 --> 00:35:48,267 I DON'T REALLY KNOW. 1028 00:35:48,300 --> 00:35:50,133 HE DOESN'T TALK TO ME MUCH. 1029 00:35:50,167 --> 00:35:52,167 SOUND LIKE A TYPICAL BOY. 1030 00:35:52,200 --> 00:35:55,067 JARED NEVER ASKS ME FOR ANYTHING, 1031 00:35:55,067 --> 00:35:58,600 EXCEPT MORE TOY GUNS 1032 00:35:58,633 --> 00:35:59,667 AND SKATEBOARD STUFF. 1033 00:35:59,700 --> 00:36:01,067 [LAUGHS] 1034 00:36:01,067 --> 00:36:01,933 WELL, YOU SHOULD TAKE HIM TO MY SHOP. 1035 00:36:01,967 --> 00:36:03,067 WE DO CUSTOM BOARDS. 1036 00:36:03,067 --> 00:36:04,333 YOU HAVE A SKATEBOARD SHOP? 1037 00:36:04,367 --> 00:36:05,433 I DO, YEAH. 1038 00:36:05,467 --> 00:36:07,067 WE HAVE EQUIPMENT AND BOARDS 1039 00:36:07,100 --> 00:36:08,400 AND A HALF PIPE IN THE BACK. 1040 00:36:08,433 --> 00:36:09,767 WHOLE THING. 1041 00:36:09,800 --> 00:36:13,067 WE SHOULD DO A PLAY DATE WITH THE BOYS THERE. 1042 00:36:13,067 --> 00:36:14,233 YEAH. 1043 00:36:15,567 --> 00:36:16,700 SURE. 1044 00:36:18,067 --> 00:36:19,200 HELLO, PAIGE. 1045 00:36:19,233 --> 00:36:20,200 GOOD TO SEE YOU. 1046 00:36:20,233 --> 00:36:21,700 WELCOME. 1047 00:36:21,733 --> 00:36:22,833 BYE. 1048 00:36:22,867 --> 00:36:24,267 I'M SALLY RAPSON. 1049 00:36:24,300 --> 00:36:25,367 HEY, SHANE McCUTCHEON. 1050 00:36:25,400 --> 00:36:26,400 I'M SHAY'S SISTER. 1051 00:36:26,433 --> 00:36:28,067 I COULD HAVE GUESSED. 1052 00:36:28,100 --> 00:36:29,700 YOU LOOK ALIKE. 1053 00:36:29,733 --> 00:36:32,900 SHAY'S A BRIGHT BOY. 1054 00:36:32,933 --> 00:36:35,367 HE SEEMS TO BE ADJUSTING FAIRLY WELL, CONSIDERING. 1055 00:36:35,400 --> 00:36:36,533 GOOD, GOOD. 1056 00:36:36,567 --> 00:36:37,767 HE HAS A LITTLE TROUBLE WITH HIS CONCENTRATION, 1057 00:36:37,800 --> 00:36:40,867 AND HIS PARTICIPATION ISN'T QUITE 1058 00:36:40,900 --> 00:36:41,867 WHERE I'D LIKE IT TO BE, 1059 00:36:41,900 --> 00:36:43,567 BUT I THINK IT MIGHT BE HELPFUL 1060 00:36:43,600 --> 00:36:45,567 IF YOU WOULD THINK ABOUT GETTING HIM INVOLVED 1061 00:36:45,600 --> 00:36:47,067 IN SOME ACTIVITIES. 1062 00:36:47,100 --> 00:36:49,067 RIGHT, UH... 1063 00:36:49,067 --> 00:36:51,133 LOOK, MA'AM, I DON'T... 1064 00:36:51,167 --> 00:36:52,533 I DON'T KNOW HOW HELPFUL I CAN BE 1065 00:36:52,567 --> 00:36:53,833 IN THIS DEPARTMENT. 1066 00:36:53,867 --> 00:36:55,100 I'M MEAN, I'M JUST... 1067 00:36:55,133 --> 00:36:57,067 I'M LITERALLY JUST FILLING IN, 1068 00:36:57,100 --> 00:36:59,767 AND, YOU KNOW, I KNOW HE MISSES HIS FAMILY A LOT. 1069 00:37:02,067 --> 00:37:03,367 LET ME SHOW YOU SOMETHING, SHANE. 1070 00:37:03,400 --> 00:37:04,600 JUST OVER HERE. 1071 00:37:04,633 --> 00:37:05,800 SURE. 1072 00:37:25,800 --> 00:37:29,333 I CANNOT BELIEVE YOU FUCKED MY BOSS. 1073 00:37:29,367 --> 00:37:32,433 DO YOU UNDERSTAND THE CONSEQUENCES OF THIS? 1074 00:37:32,467 --> 00:37:34,433 REALLY INTENSE, GREAT ORGASMS? 1075 00:37:34,467 --> 00:37:36,333 I'M SERIOUS, ALICE. 1076 00:37:36,367 --> 00:37:39,200 SHE'S NEVER BEEN WITH A WOMAN BEFORE. 1077 00:37:39,233 --> 00:37:40,400 SHE COULD'VE FOOLED ME. 1078 00:37:40,433 --> 00:37:43,333 OH, BETTE, JUST CHILL. 1079 00:37:43,367 --> 00:37:45,633 I MEAN, EVERYBODY HAS THEIR FIRST TIME, OKAY? 1080 00:37:45,667 --> 00:37:47,133 AND I HAVE TO SAY, I'M A VERY GOOD FIRST. 1081 00:37:47,167 --> 00:37:49,067 SHE'S NOT JUST SOME GIRL ON YOUR CHART. 1082 00:37:49,100 --> 00:37:51,133 ALL RIGHT? 1083 00:37:51,167 --> 00:37:52,967 PHYLLIS IS THE EXECUTIVE VICE CHANCELLOR 1084 00:37:53,067 --> 00:37:54,200 OF A MAJOR UNIVERSITY. 1085 00:37:54,233 --> 00:37:56,300 MARRIED WITH CHILDREN, CONSIDERABLY OLDER THAN YOU. 1086 00:37:56,333 --> 00:37:57,633 RIGHT, EXACTLY, 1087 00:37:57,667 --> 00:37:58,533 WHICH IS WHY I THOUGHT THAT SHE WOULD, YOU KNOW... 1088 00:37:58,567 --> 00:37:59,767 SHE KNOWS WHAT SHE'S DOING. 1089 00:38:00,933 --> 00:38:02,500 COME ON, IT'S ALL ABOUT 1090 00:38:02,533 --> 00:38:06,200 ME BROADENING MY HORIZONS RIGHT NOW, OKAY, AND I... 1091 00:38:06,233 --> 00:38:09,167 I LIKED TRYING AN OLDER VINTAGE. 1092 00:38:10,533 --> 00:38:13,200 WELL, I JUST HOPE IT DOESN'T BLOW UP IN YOUR FACE, 1093 00:38:13,233 --> 00:38:14,867 OR MINE, MORE TO THE POINT. 1094 00:38:14,900 --> 00:38:16,500 OKAY, BUT WHEN SHE ATE ME OUT, IT WAS-- 1095 00:38:16,533 --> 00:38:17,533 NO, NO, NO, LA LA LA LA LA! 1096 00:38:17,567 --> 00:38:19,067 NO! 1097 00:38:19,067 --> 00:38:21,567 OKAY, I'M NOT GOING TO LET THIS GET OUT OF HAND, I PROMISE. 1098 00:38:21,600 --> 00:38:22,400 [SIGHS] 1099 00:38:22,433 --> 00:38:24,600 THANK YOU. 1100 00:38:24,633 --> 00:38:25,967 CAN WE TALK ABOUT BASKETBALL NOW? 1101 00:38:26,067 --> 00:38:27,100 I HAVEN'T PLAYED BASKETBALL 1102 00:38:27,133 --> 00:38:28,333 SINCE JUNIOR YEAR IN HIGH SCHOOL. 1103 00:38:28,367 --> 00:38:29,933 YOU PLAYED IN HIGH SCHOOL? 1104 00:38:29,967 --> 00:38:31,200 OKAY, LISTEN, WE NEED YOU, 1105 00:38:31,233 --> 00:38:33,333 BECAUSE OUR HONOR IS AT STAKE. 1106 00:38:33,367 --> 00:38:34,867 I DON'T HAVE TIME, ALICE. 1107 00:38:34,900 --> 00:38:37,567 I'M NOT INTO THAT COMPETITIVE TEAM SPORT THING ANYMORE. 1108 00:38:37,600 --> 00:38:39,967 IT'S JUST GOING TO BE A COUPLE OF HOURS SUNDAY, 1109 00:38:40,067 --> 00:38:41,500 AND IT'LL GIVE YOU A GOOD CHANCE TO HANG WITH YOUR FRIENDS. 1110 00:38:41,533 --> 00:38:43,100 I HAVE A REPORT DUE. 1111 00:38:43,133 --> 00:38:44,467 I HAVE A SPEECH THAT I HAVE TO WRITE 1112 00:38:44,500 --> 00:38:45,800 FOR THE DONORS RECEPTION. 1113 00:38:45,833 --> 00:38:47,333 I HAVE FIVE BUDGETS-- 1114 00:38:47,367 --> 00:38:48,667 I'M GOING TO CALL PHYLLIS, 1115 00:38:48,700 --> 00:38:50,200 AND I AM GOING TO TELL HER TO ORDER YOU TO PLAY. 1116 00:38:50,233 --> 00:38:52,133 OH, SHE'LL DO ANYTHING I WANT RIGHT NOW. 1117 00:38:52,167 --> 00:38:54,167 ANYTHING. 1118 00:38:57,267 --> 00:38:59,167 OH, IT'S SO CLEVER. I CAN'T BELIEVE MYSELF. 1119 00:38:59,200 --> 00:39:00,233 OW! 1120 00:39:00,267 --> 00:39:01,233 [**] 1121 00:39:01,267 --> 00:39:03,267 YEAH... 1122 00:39:03,300 --> 00:39:05,133 ALL RIGHT. 1123 00:39:05,167 --> 00:39:06,300 HERE. PASS IT HERE. 1124 00:39:07,633 --> 00:39:09,200 COME ON, GIRL. 1125 00:39:09,233 --> 00:39:10,533 YEAH... 1126 00:39:10,567 --> 00:39:12,600 ALL RIGHT, CHECK IT. 1127 00:39:17,567 --> 00:39:18,533 YO. 1128 00:39:18,567 --> 00:39:19,567 YEAH. 1129 00:39:19,600 --> 00:39:21,067 NICE. 1130 00:39:23,900 --> 00:39:25,167 [GIGGLING] 1131 00:39:32,667 --> 00:39:35,300 [**] 1132 00:39:54,067 --> 00:39:56,700 YOU GOT A PRETTY TEAM HERE, ALICE. 1133 00:39:56,733 --> 00:39:59,100 YEAH, WE'RE JUST HERE TO PLAY, PAPI. 1134 00:39:59,133 --> 00:40:01,000 ALL RIGHT. 1135 00:40:01,033 --> 00:40:03,067 [SCOFFS] 1136 00:40:05,300 --> 00:40:07,200 YEAH, I GOT TO GET OFF THE PHONE. 1137 00:40:07,233 --> 00:40:08,267 OKAY, BYE. 1138 00:40:09,867 --> 00:40:10,933 I'M GONNA COVER YOU. 1139 00:40:12,933 --> 00:40:14,033 OKAY. 1140 00:40:14,067 --> 00:40:15,467 HEY, EVERYBODY. 1141 00:40:15,500 --> 00:40:16,300 HEY, BLONDIE. 1142 00:40:16,333 --> 00:40:17,633 YOU MADE IT. 1143 00:40:17,667 --> 00:40:18,433 HEY, WHAT ARE YOU DOING HERE, TINA? 1144 00:40:18,467 --> 00:40:21,133 I, UH, DECIDED TO PLAY. 1145 00:40:21,167 --> 00:40:22,600 WHERE'S ANGELICA? 1146 00:40:22,633 --> 00:40:24,033 SHE'S WITH ANGUS AND HAZEL. SHE'S FINE. 1147 00:40:24,067 --> 00:40:26,067 BUT IT'S A LESBIAN GAME, TINA. 1148 00:40:26,100 --> 00:40:27,633 HEY, WHAT ABOUT ME? 1149 00:40:27,667 --> 00:40:29,433 YOU'RE AN HONORARY LESBIAN, KIT. COME ON. 1150 00:40:29,467 --> 00:40:30,867 THAT'S FINE, JENNY. 1151 00:40:30,900 --> 00:40:32,067 I STILL IDENTIFY AS A LESBIAN. 1152 00:40:32,100 --> 00:40:33,200 YEAH, BUT WHEN YOU WALK DOWN THE STREET 1153 00:40:33,233 --> 00:40:34,267 WITH YOUR BOYFRIEND, 1154 00:40:34,300 --> 00:40:35,667 HOLDING YOUR BOYFRIEND'S HAND, 1155 00:40:35,700 --> 00:40:37,433 ENJOYING ALL THE HETEROSEXUAL PRIVILEGES, 1156 00:40:37,467 --> 00:40:38,867 YOU STOP BEING A LESBIAN. 1157 00:40:38,900 --> 00:40:39,967 DEPENDS ON WHAT COLOR HETEROSEXUAL YOU ARE 1158 00:40:40,000 --> 00:40:42,433 THAT GETS YOU ALL THEM PRIVILEGES. 1159 00:40:42,467 --> 00:40:43,333 [SHANE]: TINA, I DON'T THINK IT MAKES 1160 00:40:43,367 --> 00:40:44,633 A GODDAMN DIFFERENCE. 1161 00:40:44,667 --> 00:40:45,867 I DON'T KNOW, I MEAN, 1162 00:40:45,900 --> 00:40:47,067 IF TINA WANTS TO IDENTIFY AS A LESBIAN, 1163 00:40:47,100 --> 00:40:48,133 ISN'T THAT HER CHOICE? 1164 00:40:48,167 --> 00:40:49,600 WHY DON'T YOU JUST BE A BISEXUAL? 1165 00:40:49,633 --> 00:40:51,967 ACTUALLY, I THINK OF LESBIAN AS A POLITICAL IDENTITY, 1166 00:40:52,000 --> 00:40:53,100 TO TELL YOU THE TRUTH. 1167 00:40:53,133 --> 00:40:54,167 NO, IT'S NOT. 1168 00:40:54,200 --> 00:40:55,167 IT'S NOT ABOUT WHO YOU VOTE FOR. 1169 00:40:55,200 --> 00:40:56,200 IT'S ABOUT WHO YOU FUCK. 1170 00:40:56,233 --> 00:40:57,333 HEY... 1171 00:40:57,367 --> 00:40:58,567 WE DON'T CARE WHO YOU'RE FUCKING. 1172 00:40:58,600 --> 00:41:00,100 COME ON, PLAY WITH US. LET'S DO THIS. 1173 00:41:00,133 --> 00:41:01,533 LET'S GO. 1174 00:41:01,567 --> 00:41:02,667 YOU GUYS!E ON, YEAH, COOL. 1175 00:41:02,700 --> 00:41:03,933 ALL RIGHT! 1176 00:41:05,433 --> 00:41:09,067 SO, YOU'RE MY COMPETITION, VANILLA? 1177 00:41:09,100 --> 00:41:11,433 WHATEVER YOU SAY, POPS. 1178 00:41:11,467 --> 00:41:12,967 SHOW ME WHAT YOU GOT. 1179 00:41:13,067 --> 00:41:14,067 [SCOFFS] 1180 00:41:14,100 --> 00:41:15,067 OKAY. 1181 00:41:15,100 --> 00:41:16,233 COME ON. 1182 00:41:17,833 --> 00:41:19,533 [**] 1183 00:41:22,367 --> 00:41:23,933 [PLAYERS SHOUT] 1184 00:41:28,300 --> 00:41:29,300 WHAT YOU DOING, RODEO DRIVE? 1185 00:41:29,333 --> 00:41:30,867 SHOPPING, BITCH. 1186 00:41:31,800 --> 00:41:32,833 OVER HERE! 1187 00:41:34,367 --> 00:41:35,867 ALICE! ALICE! 1188 00:41:35,900 --> 00:41:39,167 COME ON, ALICE. ALICE, HERE! 1189 00:41:39,200 --> 00:41:40,067 [SHOUTS] 1190 00:41:42,967 --> 00:41:45,067 WHOA, WHOA, WHOA! 1191 00:41:45,067 --> 00:41:47,667 NICE, NICE, NICE, NICE, NICE. 1192 00:41:47,700 --> 00:41:49,333 WHAT? I TOLD YOU. 1193 00:41:49,367 --> 00:41:50,833 PUT THE FUCKING COFFEE DOWN. 1194 00:41:50,867 --> 00:41:52,167 PUT IT DOWN. 1195 00:41:52,200 --> 00:41:53,167 ARE WE AT THE PLANET RIGHT NOW? 1196 00:41:53,200 --> 00:41:54,233 I DON'T THINK SO, 1197 00:41:54,267 --> 00:41:55,600 BUT I TOLD YOU NOT TO PASS IT TO ME. 1198 00:41:59,900 --> 00:42:01,567 STOP FUCKING FOULING ME! 1199 00:42:01,600 --> 00:42:03,167 STOP FUCKING TRAVELING WITH THE BALL. 1200 00:42:04,333 --> 00:42:05,433 [SCREAMING] 1201 00:42:06,533 --> 00:42:09,067 ALL RIGHT, BETTE! 1202 00:42:09,067 --> 00:42:10,533 [CHEERING] 1203 00:42:10,567 --> 00:42:12,233 [APPLAUSE] 1204 00:42:14,600 --> 00:42:16,400 NICE JOB, RODEO. 1205 00:42:16,433 --> 00:42:18,767 YOU'RE NOT AS TENDER AS YOU LOOK. 1206 00:42:19,900 --> 00:42:22,867 BUT I WILL STILL KICK YOUR MICRO ASS. 1207 00:42:22,900 --> 00:42:24,233 YEAH, OKAY, DAD. 1208 00:42:24,933 --> 00:42:26,233 LET'S PLAY. 1209 00:42:26,267 --> 00:42:27,567 ALL RIGHT, GO, COME ON, COME ON. 1210 00:42:30,633 --> 00:42:32,433 OH, YOU SUCK. 1211 00:42:34,467 --> 00:42:36,933 [CHEERING] 1212 00:42:42,100 --> 00:42:44,500 GO TO THE BALL. 1213 00:42:44,533 --> 00:42:46,533 GOT TO THE GODDAMN BALL. 1214 00:42:46,567 --> 00:42:47,767 OKAY... 1215 00:42:47,800 --> 00:42:49,933 ALL RIGHT, OKAY, OKAY! 1216 00:42:49,967 --> 00:42:51,233 YEAH? 1217 00:43:05,733 --> 00:43:06,900 [CHEERING] 1218 00:43:08,867 --> 00:43:10,933 OKAY, COME ON, GIRLS. 1219 00:43:10,967 --> 00:43:12,200 COME ON, SET IT UP. 1220 00:43:12,233 --> 00:43:14,600 SET IT UP. 1221 00:43:15,467 --> 00:43:16,467 ALICE! 1222 00:43:16,500 --> 00:43:18,133 ALICE! 1223 00:43:18,167 --> 00:43:21,067 ALICE, GO FOR IT! YOU'VE GOT THE BALL! 1224 00:43:21,067 --> 00:43:23,133 [SQUEALING] 1225 00:43:47,500 --> 00:43:49,233 WHAT YOU DOIN', GIRL? 1226 00:43:49,267 --> 00:43:50,233 I'M JUST TRYING 1227 00:43:50,267 --> 00:43:51,267 TO GET TO KNOW MY COMPETITION. 1228 00:43:51,300 --> 00:43:52,367 COME ON, MOVE YOUR ASS! 1229 00:43:52,400 --> 00:43:53,800 I CAN'T! I CAN'T RUN. MY SHOES ARE KILLING ME! 1230 00:43:53,833 --> 00:43:54,900 JENNY! 1231 00:43:56,833 --> 00:43:58,367 DON'T-- DON'T TOUCH ME. 1232 00:43:58,400 --> 00:43:59,533 MOVE. 1233 00:43:59,567 --> 00:44:00,633 GO. 1234 00:44:00,667 --> 00:44:01,700 SHOOT, JENNY. 1235 00:44:01,733 --> 00:44:02,767 YIKES! 1236 00:44:02,800 --> 00:44:03,800 GODDAMN IT! 1237 00:44:03,833 --> 00:44:05,433 GO, GO, GO, GO! 1238 00:44:05,467 --> 00:44:07,300 OH, CAREFUL, CAREFUL! MY HEAD! 1239 00:44:08,667 --> 00:44:10,900 GODDAMN IT! WE'RE LOSING. 1240 00:44:10,933 --> 00:44:11,733 BETTE! 1241 00:44:11,767 --> 00:44:12,733 WHAT? 1242 00:44:12,767 --> 00:44:13,867 YOU'RE SCARING ME. 1243 00:44:13,900 --> 00:44:15,567 BALL IN. 1244 00:44:15,600 --> 00:44:16,867 WE'RE JUST PLAYING HOOPS, BETTE. 1245 00:44:16,900 --> 00:44:17,900 JUST A LITTLE GAME OF HOOPS. 1246 00:44:17,933 --> 00:44:20,200 YOU'RE THE ONE 1247 00:44:20,233 --> 00:44:21,567 WHO STARTED THIS BULLSHIT. 1248 00:44:23,233 --> 00:44:24,667 [WHISTLING] 1249 00:44:24,700 --> 00:44:26,333 OKAY! 1250 00:44:28,067 --> 00:44:29,533 OVER HERE! 1251 00:44:35,367 --> 00:44:36,733 SHOOT IT! OH! 1252 00:44:36,767 --> 00:44:38,433 FOULED ME! 1253 00:44:38,467 --> 00:44:39,900 FUCKING FOUL, MARISSA! 1254 00:44:39,933 --> 00:44:42,400 TWO FROM THE LINE FOR MY BRITISH BOMBSHELL. 1255 00:44:45,433 --> 00:44:49,067 OH, IT LOOKS LIKE OUR SECRET WEAPON JUST ARRIVED. 1256 00:44:50,433 --> 00:44:52,467 COME ON, HELENA! 1257 00:44:55,400 --> 00:44:57,133 GOOD WEAPON FOR US. 1258 00:44:59,567 --> 00:45:00,900 [CLEARS THROAT] 1259 00:45:00,933 --> 00:45:02,633 DO THAT THING. 1260 00:45:04,367 --> 00:45:05,900 ARE YOU SERIOUS? 1261 00:45:19,133 --> 00:45:20,633 [CHEERING] 1262 00:45:25,467 --> 00:45:26,533 IN YOUR FACE, PAPI. 1263 00:45:29,633 --> 00:45:31,567 28 TO 3. WHOOM! 1264 00:45:31,600 --> 00:45:33,133 GIRL, YOU GOTTA GO IN. BITCH STEPPED ON MY FOOT. 1265 00:45:34,333 --> 00:45:35,600 FUCK... 1266 00:45:35,633 --> 00:45:37,067 GOOD TEAM, GUYS. GOOD TEAM. 1267 00:45:37,067 --> 00:45:38,067 COME ON, SHANE! 1268 00:45:38,100 --> 00:45:39,900 GO, SHANE! GO ON! 1269 00:45:39,933 --> 00:45:41,067 OVER HERE! 1270 00:45:45,433 --> 00:45:48,333 NICE... 1271 00:45:48,367 --> 00:45:49,900 DON'T BE MAD, BROWN BARBIE. 1272 00:45:49,933 --> 00:45:51,433 WHO THE FUCK YOU CALLING BROWN BARBIE, 1273 00:45:51,467 --> 00:45:52,900 YOU FUCKING CARMELITA TROPICANA? 1274 00:45:52,933 --> 00:45:54,467 HEY, SHANE! I'M JUST PLAYING. 1275 00:45:54,500 --> 00:45:55,767 SHANE, 1276 00:45:55,800 --> 00:45:56,800 SHAY FELL OFF HIS BOARD. 1277 00:45:56,833 --> 00:45:57,867 WHAT? 1278 00:45:57,900 --> 00:45:58,867 TIME OUT, EVERYONE. 1279 00:45:58,900 --> 00:46:00,933 HEY, BETTE... 1280 00:46:00,967 --> 00:46:02,067 NO, NO, NO, IT'S OKAY. I GOT IT, I GOT IT. 1281 00:46:02,067 --> 00:46:04,067 WHAT HAPPENED? 1282 00:46:04,067 --> 00:46:05,867 HE FELL ON HIS ARM. 1283 00:46:05,900 --> 00:46:08,067 IT LOOKS REALLY BAD, YOU GUYS. 1284 00:46:08,067 --> 00:46:09,433 WHAT'S GOING ON? 1285 00:46:09,467 --> 00:46:10,700 SEEMS LIKE 1286 00:46:10,733 --> 00:46:13,400 WE MIGHT HAVE TO POSTPONE THE GAME, PAPI. 1287 00:46:13,433 --> 00:46:15,200 WE GOING TO GET YOUR ASS NEXT TIME. 1288 00:46:15,233 --> 00:46:16,233 OH, REALLY? 1289 00:46:16,267 --> 00:46:17,667 YEAH. 1290 00:46:17,700 --> 00:46:19,133 OKAY, ALL RIGHT. 1291 00:46:23,067 --> 00:46:24,233 [LAUGHING] 1292 00:46:24,267 --> 00:46:26,067 OW, MY DOGS ARE KILLING ME. 1293 00:46:26,067 --> 00:46:27,200 I DON'T THINK I'M GOING TO BE ABLE 1294 00:46:27,233 --> 00:46:28,300 TO WALK TOMORROW. 1295 00:46:28,333 --> 00:46:29,367 WILL SOMEBODY TELL ME 1296 00:46:29,400 --> 00:46:30,600 WHEN BASKETBALL 1297 00:46:30,633 --> 00:46:32,600 BECAME THIS NEW LESBIAN SPORT? 1298 00:46:32,633 --> 00:46:33,800 IT ALWAYS HAS BEEN. 1299 00:46:33,833 --> 00:46:35,200 THE WNBA IS JUST... 1300 00:46:35,233 --> 00:46:36,200 THEY RUN FROM IT, 1301 00:46:36,233 --> 00:46:37,267 WHICH IS PART OF THE REASON 1302 00:46:37,300 --> 00:46:38,333 THEY DON'T MAKE ANY MONEY. 1303 00:46:38,367 --> 00:46:39,333 THEY DON'T WANT TO BE ASSOCIATED 1304 00:46:39,367 --> 00:46:40,533 WITH THEIR CORE AUDIENCE. 1305 00:46:40,567 --> 00:46:42,100 THAT'S SAD. 1306 00:46:42,133 --> 00:46:43,300 I THOUGHT SOFTBALL WAS, LIKE, 1307 00:46:43,333 --> 00:46:44,600 THE BIG DYKEY SPORT. 1308 00:46:44,633 --> 00:46:45,867 THANK YOU. 1309 00:46:45,900 --> 00:46:46,900 WELL, WHAT ABOUT RUGBY? 1310 00:46:46,933 --> 00:46:47,933 I DON'T KNOW. 1311 00:46:47,967 --> 00:46:49,067 YEAH, AND THERE'S GOLF. 1312 00:46:49,067 --> 00:46:50,067 THERE'S THAT ROSIE JONES WOMAN 1313 00:46:50,100 --> 00:46:51,167 OR SOMETHING. 1314 00:46:51,200 --> 00:46:52,300 AND THERE'S TENNIS. 1315 00:46:52,333 --> 00:46:57,800 YEAH, THERE'S MARTINA, AND, UM... 1316 00:46:57,833 --> 00:46:58,900 WELL, HERE'S TO THE BOUGIE ASSES. 1317 00:46:58,933 --> 00:47:00,100 YES. YEAH. 1318 00:47:00,133 --> 00:47:02,133 CHEERS. 1319 00:47:02,167 --> 00:47:02,867 YEAH, GOOD GAME. 1320 00:47:02,900 --> 00:47:03,600 I MEAN, WE TRIED, RIGHT? 1321 00:47:03,633 --> 00:47:04,600 YEAH, WE DID ALL RIGHT. 1322 00:47:04,633 --> 00:47:05,600 AND TO SHAY. 1323 00:47:05,633 --> 00:47:06,633 SHAY TOOK ONE FOR THE TEAM. 1324 00:47:06,667 --> 00:47:07,933 YEAH, TO SHAY. TO SHAY. 1325 00:47:07,967 --> 00:47:09,100 THE NEXT TIME WE PLAY, 1326 00:47:09,133 --> 00:47:10,267 I WANT TO GET EVERYBODY TOGETHER, 1327 00:47:10,300 --> 00:47:11,800 AND HAVE, YOU KNOW, A PRACTICE, 1328 00:47:11,833 --> 00:47:12,833 SO WE CAN BEAT THEM. 1329 00:47:12,867 --> 00:47:13,900 YEAH, JENNY. YES, ALICE. 1330 00:47:13,933 --> 00:47:15,067 WE PRACTICED. 1331 00:47:15,067 --> 00:47:16,200 ME? ALICE! 1332 00:47:16,233 --> 00:47:17,400 WHAT? 1333 00:47:17,433 --> 00:47:18,733 [LAUGHING] 1334 00:47:18,767 --> 00:47:20,200 SINCE YOU DON'T HAVE ANY INSURANCE, 1335 00:47:20,233 --> 00:47:21,467 WE'LL BE BILLING YOU DIRECTLY 1336 00:47:21,500 --> 00:47:22,533 FOR THE CHARGES. 1337 00:47:22,567 --> 00:47:23,700 OKAY, THAT'S FINE. 1338 00:47:23,733 --> 00:47:27,467 JUST TELL ME HOW MUCH IT IS. 1339 00:47:27,500 --> 00:47:29,600 COMPOUND COMMINUTED FRACTURE. 1340 00:47:29,633 --> 00:47:31,200 THEY RESET THE BONE. 1341 00:47:31,233 --> 00:47:33,867 THAT PROCEDURE RUNS AROUND $5,000. 1342 00:47:33,900 --> 00:47:35,833 THE HOSPITAL BILL WILL BE NO LESS 1343 00:47:35,867 --> 00:47:37,333 THAN $4,000. 1344 00:47:37,367 --> 00:47:40,100 THEN THERE'S $1,000 FOR THE ANESTHESIOLOGIST. 1345 00:47:40,133 --> 00:47:44,067 THEN THERE'S X-RAYS AND THE DOCTOR'S FEES. 1346 00:47:44,067 --> 00:47:45,600 HE'S GOING TO NEED FOLLOWUP EXAMS, 1347 00:47:45,633 --> 00:47:48,067 CAST REMOVAL. 1348 00:47:48,100 --> 00:47:51,067 THAT'LL PROBABLY RUN YOU ANOTHER FIVE GRAND. 1349 00:47:52,967 --> 00:47:53,767 [SIGHS] 1350 00:47:53,800 --> 00:47:55,233 FUCK... 1351 00:47:57,067 --> 00:48:00,167 FUCK. 1352 00:48:00,200 --> 00:48:04,333 WHERE AM I GOING TO COME UP WITH THAT MONEY? 1353 00:48:04,367 --> 00:48:06,133 THANK YOU. 1354 00:48:08,333 --> 00:48:11,667 I TOLD YOU SHE WAS PERFECT. 1355 00:48:11,700 --> 00:48:14,733 [**] 1356 00:48:34,067 --> 00:48:35,667 * YOU GOT THEM ALL BY THE BALLS * 1357 00:48:35,700 --> 00:48:37,133 * CAUSIN' WATERFALLS 1358 00:48:37,167 --> 00:48:38,733 * STONE WALLS, BAR BRAWLS 1359 00:48:38,767 --> 00:48:40,733 * COMMON STALLS AT CONCERT HALLS * 1360 00:48:40,767 --> 00:48:42,933 * TO YOU THEY CRAWL BODIES SPRAWL * 1361 00:48:42,967 --> 00:48:44,467 * SMOKIN' PALL MALLS 1362 00:48:44,500 --> 00:48:45,767 * CLOSE CALL, STAND TALL 1363 00:48:45,800 --> 00:48:47,900 * DOLL, YOU MAKE THEM FEEL SO SMALL * 1364 00:48:47,933 --> 00:48:49,233 * AND THEY LOVE IT 1365 00:48:49,267 --> 00:48:51,800 * OOH, OOH 1366 00:48:51,833 --> 00:48:56,133 * OOH, OOH, OOH, OOH 1367 00:48:56,167 --> 00:48:58,667 * OOH, OOH 1368 00:48:58,700 --> 00:49:01,500 * OOH, OOH, OOH, OOH 1369 00:49:01,533 --> 00:49:03,333 * THE BOYS WANNA BE HER 1370 00:49:03,367 --> 00:49:04,800 * THE GIRLS WANNA BE HER 1371 00:49:04,833 --> 00:49:07,300 * THE BOYS WANNA BE HER 1372 00:49:07,333 --> 00:49:08,667 * THE GIRLS WANNA BE HER 1373 00:49:08,700 --> 00:49:10,067 * THE BOYS WANNA BE HER 1374 00:49:10,067 --> 00:49:11,733 * THE GIRLS WANNA BE HER 1375 00:49:11,767 --> 00:49:13,333 * THE BOYS WANNA BE HER 1376 00:49:13,367 --> 00:49:16,600 * I WANNA BE HER 1377 00:49:16,633 --> 00:49:18,633 * YES, I DO 1378 00:49:24,367 --> 00:49:26,067 * THE WAY YOU ROCK DON'T STOP* 1379 00:49:26,067 --> 00:49:27,367 * GIRL, YOU GOT THE CHOPS 1380 00:49:27,400 --> 00:49:29,700 * FLIP-FLOP, SHE-BOP SELF-TAUGHT * 1381 00:49:29,733 --> 00:49:31,167 * YOUR LICKS ARE HOT 1382 00:49:31,200 --> 00:49:33,067 * HER LYRICS HEAVE KIDS RECEIVE * 1383 00:49:33,100 --> 00:49:34,500 * CRAWLING UP THE SLEEVE 1384 00:49:34,533 --> 00:49:35,867 * PARENTS PEEVED CAN'T CONCEIVE * 1385 00:49:35,900 --> 00:49:38,300 * THAT INDEED WE'LL NEVER LEAVE * 1386 00:49:38,333 --> 00:49:39,433 * AND WE LOVE IT 1387 00:49:39,467 --> 00:49:41,733 * OOH, OOH 1388 00:49:41,767 --> 00:49:45,767 * OOH, OOH, OOH, OOH 1389 00:49:45,800 --> 00:49:48,500 * OOH, OOH 1390 00:49:48,533 --> 00:49:51,633 * OOH, OOH, OOH, OOH 1391 00:49:51,667 --> 00:49:53,233 * THE BOYS WANNA BE HER 1392 00:49:53,267 --> 00:49:54,900 * THE GIRLS WANNA BE HER 1393 00:49:54,933 --> 00:49:56,400 * THE BOYS WANNA BE HER 1394 00:49:56,433 --> 00:49:58,133 * THE GIRLS WANNA BE HER 1395 00:49:58,167 --> 00:50:00,067 * THE BOYS WANNA BE HER 1396 00:50:00,067 --> 00:50:01,633 * THE GIRLS WANNA BE HER 1397 00:50:01,667 --> 00:50:03,700 * THE BOYS WANNA BE HER 1398 00:50:03,733 --> 00:50:06,700 * I WANNA BE HER... 1399 00:50:06,733 --> 00:50:08,867 [**] 1400 00:50:08,900 --> 00:50:09,700 YEAH.