1 00:00:01,200 --> 00:00:02,266 PREVIOUSLY ON THE L WORD... 2 00:00:02,266 --> 00:00:03,533 IF IT ISN'T JENNIFER SCHECTER, 3 00:00:03,533 --> 00:00:05,100 AUTHOR OF SOME OF HER PARTS. 4 00:00:05,100 --> 00:00:06,433 OF COURSE I'M GOING TO READ MY OWN REVIEWS. 5 00:00:06,433 --> 00:00:07,066 WHY SHOULDN'T I? 6 00:00:07,066 --> 00:00:08,166 FREAK, 7 00:00:08,166 --> 00:00:09,133 WHAT WERE YOU THINKING, 8 00:00:09,133 --> 00:00:10,033 THINKING YOU WERE GOING TO MARRY 9 00:00:10,033 --> 00:00:11,066 THAT RIDICULOUS GIRL? 10 00:00:11,066 --> 00:00:12,834 ALICE WORKED FOR WEEKS SETTING THIS WEDDING UP. 11 00:00:12,834 --> 00:00:15,900 HELENA SPENT A SMALL FORTUNE. 12 00:00:15,900 --> 00:00:18,233 WHAT SHANE DID IS TERRIBLE, 13 00:00:18,233 --> 00:00:20,066 AND COMPLETELY UNFORGIVABLE. 14 00:00:20,066 --> 00:00:21,233 I KNEW YOU WERE HIS DAUGHTER, 15 00:00:21,233 --> 00:00:23,266 AND IT WASN'T JUST BECAUSE OF THE NAME. 16 00:00:23,266 --> 00:00:24,433 IT WAS A PICTURE. 17 00:00:24,433 --> 00:00:26,100 I MEAN, LOOK AT ALL THREE OF YOU. 18 00:00:26,100 --> 00:00:28,100 I LEFT YOU A GIFT. IT'S ON THE BACK PORCH. 19 00:00:29,433 --> 00:00:31,233 I'M CUTTING YOU OFF FINANCIALLY. 20 00:00:31,233 --> 00:00:32,467 [WHITNEY]: A MOVIE STUDIO 21 00:00:32,467 --> 00:00:33,467 PARAMOUNT WAS LOOKING TO ACQUIRE-- 22 00:00:33,467 --> 00:00:34,433 YOUR MOTHER WANTED TO UNLOAD IT 23 00:00:34,433 --> 00:00:36,233 BEFORE SHE LEFT FOR ANTIGUA. 24 00:00:36,233 --> 00:00:37,867 WHO'S AARON KORNBLUTH? 25 00:00:37,867 --> 00:00:39,333 HE'S OUR NEW BOSS. 26 00:00:39,333 --> 00:00:40,500 WE'RE MEETING HIM ON WEDNESDAY. 27 00:00:40,500 --> 00:00:42,300 MY DAUGHTER BROOKE'S COMING HOME FROM MT. HOLYOKE. 28 00:00:42,300 --> 00:00:43,367 I ALWAYS THOUGHT 29 00:00:43,367 --> 00:00:44,500 THE TWO OF YOU WOULD HIT IT OFF. 30 00:00:44,500 --> 00:00:45,533 PHYLLIS... 31 00:00:45,533 --> 00:00:47,333 YEAH, I CAN'T WAIT TO GET STARTED. 32 00:00:47,333 --> 00:00:49,233 I WILL SEE YOU ON CAMPUS MONDAY MORNING. 33 00:00:49,233 --> 00:00:50,567 WHO THE HELL IS PAPI? 34 00:00:50,567 --> 00:00:55,433 THIS MORNING, IT WAS 1,150, 35 00:00:55,433 --> 00:00:58,967 WITH THE QUESTION THAT IS ON EVERYONE'S MIND TONIGHT-- 36 00:00:58,967 --> 00:01:00,533 WHERE'S PAPI? 37 00:01:01,400 --> 00:01:03,533 [LATIN DANCE MUSIC PLAYS] 38 00:01:42,767 --> 00:01:43,900 ALICE! 39 00:01:43,900 --> 00:01:44,800 HEY, ALICE! 40 00:01:44,800 --> 00:01:47,066 ALICE! ALICE, OVER HERE! 41 00:01:47,066 --> 00:01:49,200 ALICE, RIGHT? 42 00:01:49,200 --> 00:01:50,333 FROM THE RADIO? 43 00:01:50,333 --> 00:01:51,400 YEAH. YOU SCARED ME. 44 00:01:51,400 --> 00:01:53,300 HERE I AM. 45 00:01:54,367 --> 00:01:56,000 R-REALLY? YOU'RE... 46 00:01:56,000 --> 00:01:57,367 PAPI. 47 00:01:57,367 --> 00:01:59,066 I HEAR YOU'VE BEEN LOOKIN' FOR ME. 48 00:01:59,066 --> 00:02:00,333 YOU'RE PAPI? 49 00:02:00,333 --> 00:02:01,400 SI. THAT'S ME. 50 00:02:01,400 --> 00:02:02,467 EXCUSE ME, HONEY. 51 00:02:02,467 --> 00:02:03,800 ARE YOU ALICE "PISQUECKI"? 52 00:02:03,800 --> 00:02:05,166 UH-HUH. 53 00:02:05,166 --> 00:02:06,400 WHEN I FOUND OUT THAT YOU WERE LOOKING FOR ME... 54 00:02:06,400 --> 00:02:07,767 [SPEAKING SPANISH] 55 00:02:07,767 --> 00:02:08,767 SEE HOW MUCH THIS MEANS TO ME. 56 00:02:08,767 --> 00:02:09,400 I'VE BEEN LISTENING TO YOUR PROGRAM 57 00:02:09,400 --> 00:02:10,800 EVERY SINGLE DAY. 58 00:02:10,800 --> 00:02:12,934 SHE'S BEEN WAITING HER WHOLE LIFE 59 00:02:12,934 --> 00:02:14,000 TO BE DISCOVERED. 60 00:02:14,000 --> 00:02:15,967 ALICE! 61 00:02:15,967 --> 00:02:16,934 HELLO! OH! 62 00:02:16,934 --> 00:02:19,767 MY WONDERFUL LADY, I AM PAPI-- 63 00:02:19,767 --> 00:02:20,767 [WOMAN INTERJECTS] 64 00:02:20,767 --> 00:02:22,934 [SPEAKING SPANISH] 65 00:02:22,934 --> 00:02:24,400 SHE'S LOOKING FOR WOMEN, YOU IDIOTS. 66 00:02:24,400 --> 00:02:26,066 WHY DON'T YOU FUCK OFF, EH? 67 00:02:26,066 --> 00:02:27,400 WELL, I LOOK MORE WOMAN THAN... 68 00:02:27,400 --> 00:02:28,700 [SPEAKING RAPID SPANISH] 69 00:02:28,700 --> 00:02:30,734 YOU WANNA GO WITH ME? 70 00:02:30,734 --> 00:02:31,166 BRING IT. 71 00:02:31,166 --> 00:02:33,467 [ARGUING IN SPANISH] 72 00:02:33,467 --> 00:02:35,767 I SUPPOSE SHE'S PAPI, TOO? 73 00:02:35,767 --> 00:02:36,934 OH, WELL, "PAPI" MEANS "DADDY." 74 00:02:38,467 --> 00:02:41,433 YOU GOING TO FIND A LOT OF PAPIS HERE TONIGHT. 75 00:02:41,433 --> 00:02:42,900 AH-HA... 76 00:02:43,967 --> 00:02:45,767 [LAUGHS AWKWARDLY] 77 00:02:47,133 --> 00:02:50,033 [♪] 78 00:02:50,033 --> 00:02:56,934 ♪ GIRLS IN TIGHT DRESSES WHO DRAG WITH MUSTACHES ♪ 79 00:02:56,934 --> 00:03:03,767 ♪ CHICKS DRIVING FAST INGENUES WITH LONG LASHES ♪ 80 00:03:03,767 --> 00:03:09,800 ♪ WOMEN WHO LONG, LOVE, LUST WOMEN WHO GIVE ♪ 81 00:03:09,800 --> 00:03:16,333 ♪ THIS IS THE WAY IT'S THE WAY THAT WE LIVE ♪ 82 00:03:23,800 --> 00:03:24,900 ♪ TALKING, LAUGHING LOVING, BREATHING ♪ 83 00:03:24,900 --> 00:03:26,834 ♪ FIGHTING, FUCKING CRYING, DRINKING ♪ 84 00:03:26,834 --> 00:03:28,333 ♪ WRITING, WINNING LOSING, CHEATING ♪ 85 00:03:28,333 --> 00:03:30,166 ♪ KISSING, THINKING, DREAMING ♪ 86 00:03:30,166 --> 00:03:32,066 ♪ THIS IS THE WAY... ♪ 87 00:03:32,066 --> 00:03:34,900 ♪ IT'S THE WAY THAT WE LIVE ♪ 88 00:03:34,900 --> 00:03:40,367 ♪ IT'S THE WAY THAT WE LIVE ♪ 89 00:03:40,367 --> 00:03:44,300 ♪ AND LOVE ♪ 90 00:03:48,633 --> 00:03:50,967 HEY, IS THIS GARY DOUGLAS? 91 00:03:50,967 --> 00:03:53,834 I-I'M LOOKING FOR A GUY NAMED GABE McCUTCHEON. 92 00:03:53,834 --> 00:03:54,900 UM, UM... 93 00:03:54,900 --> 00:03:57,166 SEE, I'M HIS DAUGHTER, AND I WAS HOPING YOU MIGHT... 94 00:03:57,166 --> 00:03:58,633 I KNOW, I-I TRIED THERE, 95 00:03:58,633 --> 00:03:59,934 AND THEY SAID THEY HAVEN'T SEEN HIM 96 00:03:59,934 --> 00:04:02,333 SINCE THE, UH... 97 00:04:02,333 --> 00:04:05,166 RIGHT. 98 00:04:05,166 --> 00:04:06,633 RIGHT, I UNDERSTAND, 99 00:04:06,633 --> 00:04:08,166 BUT DO YOU THINK YOU MIGHT KNOW ANYBODY ELSE 100 00:04:08,166 --> 00:04:10,066 THAT COULD... 101 00:04:10,066 --> 00:04:11,367 OKAY. 102 00:04:11,367 --> 00:04:13,934 NO, UM, THANK YOU. 103 00:04:13,934 --> 00:04:15,767 OKAY, BYE. 104 00:04:17,100 --> 00:04:19,033 FUCK! 105 00:04:19,033 --> 00:04:20,767 STILL NO LUCK, HUH? 106 00:04:20,767 --> 00:04:21,800 NO. 107 00:04:23,166 --> 00:04:26,633 YOU KNOW, I COULD DO A COMPUTER SEARCH IF YOU WANT. 108 00:04:26,633 --> 00:04:28,133 I MEAN, THERE'S THIS GREAT NEW PROGRAM 109 00:04:28,133 --> 00:04:29,700 FOR TRACKING DOWN MISSING PEOPLE. 110 00:04:29,700 --> 00:04:32,767 IT ACCESSES POLICE RECORDS, AND... 111 00:04:32,767 --> 00:04:34,266 I MEAN, I COULD LOOK FOR CARLA, TOO. 112 00:04:34,266 --> 00:04:35,700 I HOPE IT WORKS. 113 00:04:35,700 --> 00:04:38,300 JENNY, HE'S A SWEET KID. 114 00:04:38,300 --> 00:04:40,033 I KNOW THAT HE'S A SWEET KID, 115 00:04:40,033 --> 00:04:42,700 BUT THE THING IS, SHANE... 116 00:04:42,700 --> 00:04:43,700 WHAT? 117 00:04:43,700 --> 00:04:45,133 YOUR FRIENDS JUST MISS SEEING YOU. 118 00:04:47,033 --> 00:04:48,166 JENNY, I HAVEN'T GONE ANYWHERE. 119 00:04:48,166 --> 00:04:49,300 WELL, I THINK THAT YOU'RE HIDING. 120 00:04:49,300 --> 00:04:50,867 YOU KNOW, YOU'RE... 121 00:04:50,867 --> 00:04:52,767 YOU'RE SORT OF DISTRACTING YOURSELF 122 00:04:52,767 --> 00:04:55,166 BY TRYING TO GET THE KID OFF YOUR HANDS. 123 00:05:03,633 --> 00:05:04,867 I'M SORRY. 124 00:05:08,767 --> 00:05:11,667 BALLARD AND GAVIN HAVE THIS LITTLE REAL ESTATE DISPUTE 125 00:05:11,667 --> 00:05:12,834 ONCE OR TWICE A YEAR. 126 00:05:12,834 --> 00:05:13,834 GOOD MORNING, CHANCELLOR KROLL. 127 00:05:13,834 --> 00:05:15,266 GOOD MORNING! 128 00:05:15,266 --> 00:05:17,033 IT'S BEEN GOING ON SINCE BALLARD GOT TENURE-- 129 00:05:17,033 --> 00:05:19,233 PHYLLIS, DID YOU GET MY NEW BUDGET REQUEST? 130 00:05:19,233 --> 00:05:20,834 I GOT IT, RANDY, THANKS. 131 00:05:20,834 --> 00:05:21,934 I RECOMMEND YOU GIVE GAVIN SOME EXTRA STUDIO SPACE. 132 00:05:21,934 --> 00:05:23,033 HI, CHANCELLOR KROLL! 133 00:05:23,033 --> 00:05:24,033 GOOD MORNING TO YOU! 134 00:05:24,033 --> 00:05:25,500 MORNING, CHANCELLOR KROLL. 135 00:05:25,500 --> 00:05:26,567 I PUT HIM ON THE SELECTION COMMITTEE 136 00:05:26,567 --> 00:05:27,533 TO CHOOSE THE ARCHITECT FOR THE NEW BUILDING. 137 00:05:27,533 --> 00:05:28,633 HE SEEMS HAPPY. 138 00:05:28,633 --> 00:05:30,767 NOW LET'S TALK ABOUT YOUR BUILDING. 139 00:05:30,767 --> 00:05:32,867 WE'VE SET ASIDE THE OLD HUMANITIES DEPARTMENT 140 00:05:32,867 --> 00:05:34,133 FOR YOUR NEW BUILDING. 141 00:05:34,133 --> 00:05:37,000 NOW, ALL YOU HAVE TO DO IS RAISE THE MONEY TO BUILD IT. 142 00:05:37,000 --> 00:05:38,533 WELL, I'VE WORKED UP A LIST. 143 00:05:38,533 --> 00:05:39,633 I DON'T SEE IT AS A HUGE CHALLENGE. 144 00:05:39,633 --> 00:05:40,867 EXCELLENT. 145 00:05:40,867 --> 00:05:42,600 HAVE WE TALKED ABOUT THE TRUSTEES' BRUNCH? 146 00:05:42,600 --> 00:05:43,667 NEXT SATURDAY. 147 00:05:43,667 --> 00:05:44,834 AT MY HOUSE. 148 00:05:44,834 --> 00:05:46,233 MY HUSBAND MIGHT COME DOWN FOR IT. 149 00:05:46,233 --> 00:05:47,567 HE'S AT STANFORD. 150 00:05:47,567 --> 00:05:48,667 RIGHT, 151 00:05:48,667 --> 00:05:49,633 THE DEAN OF THE SCHOOL OF ENGINEERING. 152 00:05:49,633 --> 00:05:50,633 MM-HMM. 153 00:05:50,633 --> 00:05:53,100 I'M LOOKING FORWARD TO MEETING HIM. 154 00:05:53,100 --> 00:05:54,200 ANYWAY, 155 00:05:54,200 --> 00:05:55,567 I'D LIKE YOU TO MAKE A LITTLE PRESENTATION, 156 00:05:55,567 --> 00:05:57,000 JUST A FEW MINUTES ON YOUR GOALS, 157 00:05:57,000 --> 00:05:58,066 THE WORLD-CLASS ARTISTS 158 00:05:58,066 --> 00:05:59,767 YOU'LL BE BRINGING HERE TO TEACH, 159 00:05:59,767 --> 00:06:01,066 HOW YOU'RE GOING TO RE-ESTABLISH 160 00:06:01,066 --> 00:06:02,567 CALIFORNIA UNIVERSITY AS A LEADER 161 00:06:02,567 --> 00:06:04,667 IN FINE ARTS EDUCATION. 162 00:06:04,667 --> 00:06:05,734 IN 50 WORDS OR LESS? 163 00:06:05,734 --> 00:06:07,033 I THINK I CAN DO THAT, PHYLLIS. 164 00:06:07,033 --> 00:06:08,166 [LAUGHS] 165 00:06:08,166 --> 00:06:09,500 WELL, JUST BE SURE TO TELL THEM 166 00:06:09,500 --> 00:06:10,600 YOU'LL BE DOING IT FOR ONE-THIRD 167 00:06:10,600 --> 00:06:12,100 OF THE FORMER DEAN'S BUDGET. 168 00:06:12,100 --> 00:06:13,967 [LAUGHS] 169 00:06:17,667 --> 00:06:19,800 WE HAVE GOT A BRILLIANT GROUP 170 00:06:19,800 --> 00:06:20,900 OF T.A. CANDIDATES 171 00:06:20,900 --> 00:06:22,567 FOR YOU TO INTERVIEW, BETTE. 172 00:06:22,567 --> 00:06:23,700 THANK YOU. 173 00:06:23,700 --> 00:06:25,633 WELL, THERE'S A LOT OF COMPETITION. 174 00:06:25,633 --> 00:06:26,500 YOU'RE THE MOST GLAMOROUS DEAN 175 00:06:26,500 --> 00:06:28,100 THEY'VE HAD IN YEARS. 176 00:06:28,100 --> 00:06:30,734 MATTHEW REESE WAS 85 AND BALD. 177 00:06:30,734 --> 00:06:32,000 WELL, IT'S MORE ABOUT YOUR BACKGROUND. 178 00:06:32,000 --> 00:06:33,967 YOU SHOW "PROVOCATIONS" WAS A FLASHPOINT 179 00:06:33,967 --> 00:06:35,133 FOR THEIR GENERATION. 180 00:06:35,133 --> 00:06:36,100 THEY ALL STILL SEEM TO THINK 181 00:06:36,100 --> 00:06:38,900 YOU CAN CHANGE THE WORLD THROUGH ART. 182 00:06:38,900 --> 00:06:40,033 SO DO I. 183 00:06:40,033 --> 00:06:40,900 GOOD MORNING, CHANCELLOR KROLL! 184 00:06:40,900 --> 00:06:43,500 HOW DO YOU EXPLAIN 185 00:06:43,500 --> 00:06:45,633 THIS STEAMING PILE OF SHIT ON MY DESK? 186 00:06:45,633 --> 00:06:47,734 MOST OF IT PREDATES ME. 187 00:06:47,734 --> 00:06:49,633 I'VE ONLY BEEN HERE NINE MONTHS, AARON, 188 00:06:49,633 --> 00:06:50,633 AND I HAD A MANDATE-- 189 00:06:50,633 --> 00:06:52,200 THERE'S A NEW MANDATE NOW, TINA, 190 00:06:52,200 --> 00:06:53,533 AND THAT'S TO MAKE SHAOLIN 191 00:06:53,533 --> 00:06:56,633 SYNONYMOUS WITH THE 18-TO-24 MARKET. 192 00:06:56,633 --> 00:06:59,800 I NEED PEOPLE AROUND ME WHO ARE HIP TO THEIR TASTES, 193 00:06:59,800 --> 00:07:01,500 WHO SPEAK THEIR LANGUAGE, 194 00:07:01,500 --> 00:07:02,500 WHO CAN DELIVER THE NEXT BRETT RATNER, 195 00:07:02,500 --> 00:07:03,867 MARK LINDBERG. 196 00:07:03,867 --> 00:07:05,967 TELL ME A MOVIE YOU'VE ALWAYS WANTED TO MAKE. 197 00:07:05,967 --> 00:07:07,767 TWISTED FOREST. 198 00:07:07,767 --> 00:07:11,066 EVERY MONKEY IN THIS TOWN WANTS TO MAKE TWISTED FOREST. 199 00:07:11,066 --> 00:07:12,867 THE OLD BIDDY WON'T SELL. 200 00:07:12,867 --> 00:07:14,033 SHE HATES HOLLYWOOD. 201 00:07:14,033 --> 00:07:16,600 YEAH, BUT SHE LOVES INDIAN CINEMA, 202 00:07:16,600 --> 00:07:19,467 REALLY OBSCURE INDIAN CINEMA. 203 00:07:19,467 --> 00:07:20,767 SHE'S A FREAK FOR SATYAJIT RAY, 204 00:07:20,767 --> 00:07:23,000 AND WE TALKED FOR HOURS 205 00:07:23,000 --> 00:07:24,600 ABOUT PATHER PANCHALI-- 206 00:07:24,600 --> 00:07:25,934 WHOA, WHOA, WHOA, WHOA. 207 00:07:25,934 --> 00:07:27,800 YOU SPOKE TO HER? 208 00:07:27,800 --> 00:07:28,667 MM-HMM. 209 00:07:28,667 --> 00:07:29,967 SHE ALSO LOVES MIRA NAIR, 210 00:07:29,967 --> 00:07:32,100 WHICH IS WHAT SEALED THE DEAL. 211 00:07:32,100 --> 00:07:33,700 WE'RE GOING TO START 212 00:07:33,700 --> 00:07:35,734 AS SOON AS MIRA WRAPS POST ON GANGSTA, MD. 213 00:07:37,567 --> 00:07:39,700 SHE SOLD YOU THE RIGHTS? 214 00:07:41,500 --> 00:07:43,133 WE'VE GOT TWISTED FOREST. 215 00:07:43,133 --> 00:07:45,066 [CLEARS THROAT] 216 00:07:45,066 --> 00:07:46,400 OKAY. 217 00:07:46,400 --> 00:07:47,700 YOU GET TO STAY. 218 00:07:50,033 --> 00:07:51,633 I NEED YOU TO DO ONE LAST THING FOR ME. 219 00:07:51,633 --> 00:07:54,700 WHAT'S THE DEAL WITH HELENA PEABODY? 220 00:07:54,700 --> 00:07:56,734 SHE'S A REALLY GREAT GAL. 221 00:07:56,734 --> 00:07:57,867 SHE HAS A BIG HEART-- 222 00:07:57,867 --> 00:07:59,400 AND A REALLY BIG BANK ACCOUNT, 223 00:07:59,400 --> 00:08:01,834 AND SHE ALMOST RAN SHAOLIN INTO THE GROUND. 224 00:08:01,834 --> 00:08:06,066 HERE'S WHAT I NEED YOU TO DO FOR ME. 225 00:08:06,066 --> 00:08:07,633 HE SENT YOU TO FIRE ME? 226 00:08:07,633 --> 00:08:09,367 I'M SORRY, HELENA. 227 00:08:09,367 --> 00:08:11,333 IT WAS A POWER TRIP. 228 00:08:11,333 --> 00:08:12,533 HE'S A SCUMBAG. 229 00:08:12,533 --> 00:08:15,033 I SCUMBAG YOU'RE WORKING FOR. 230 00:08:15,033 --> 00:08:16,400 WELL, I NEED MY JOB BACK. 231 00:08:16,400 --> 00:08:17,967 I COULDN'T AFFORD TO TELL HIM TO GET FUCKED. 232 00:08:20,667 --> 00:08:22,467 WELL... 233 00:08:22,467 --> 00:08:24,433 WHY DID HE FIRE ME? 234 00:08:24,433 --> 00:08:25,900 I THINK HE'S THREATENED BY YOU. 235 00:08:25,900 --> 00:08:28,800 HE WANTS TO ESTABLISH HIMSELF AS THE BOSS, 236 00:08:28,800 --> 00:08:30,400 AND HE'S AFRAID THAT EVERYONE'S GOING TO THINK 237 00:08:30,400 --> 00:08:31,667 THAT HE WORKS FOR YOU. 238 00:08:31,667 --> 00:08:33,800 [SIGHS] 239 00:08:34,533 --> 00:08:35,633 OR IT COULD HAVE BEEN 240 00:08:35,633 --> 00:08:38,066 THAT COMMENT YOU MADE ABOUT HIS MOVIE, 241 00:08:38,066 --> 00:08:39,600 ZOMBIES ON A TRAIN, 242 00:08:39,600 --> 00:08:41,567 AND HOW IT APPEALED TO THE PEOPLE 243 00:08:41,567 --> 00:08:43,667 WITH THE INTELLECT OF A TROLL. 244 00:08:44,700 --> 00:08:46,500 YEAH. 245 00:08:46,500 --> 00:08:48,633 IF YOU HAVE A SOCIAL LIFE, 246 00:08:48,633 --> 00:08:50,667 IF YOU LIKE TO SPEND QUALITY TIME 247 00:08:50,667 --> 00:08:52,467 WITH YOUR GIRLFRIEND OR BOYFRIEND, 248 00:08:52,467 --> 00:08:54,000 VISIT YOUR MOTHER ON THE WEEKENDS, 249 00:08:54,000 --> 00:08:56,300 GO TO THE GYM SEVERAL TIMES A WEEK 250 00:08:56,300 --> 00:08:58,300 TO KEEP YOUR BODY FIT AND HEALTHY, 251 00:08:58,300 --> 00:08:59,367 I RESPECT THAT. 252 00:08:59,367 --> 00:09:01,600 I EVEN ENVY IT, 253 00:09:01,600 --> 00:09:03,667 BUT YOU SHOULDN'T BE HERE. 254 00:09:03,667 --> 00:09:05,400 BECAUSE IF YOU'RE GOING TO T.A. FOR ME, 255 00:09:05,400 --> 00:09:08,333 YOU SHOULDN'T EXPECT TO HAVE A LIFE. 256 00:09:08,333 --> 00:09:09,333 YOU'RE ONLY HERE 257 00:09:09,333 --> 00:09:10,600 BECAUSE YOU ARE INTENSELY DRIVEN, 258 00:09:10,600 --> 00:09:12,734 AND YOU ARE AS DETERMINED AS I AM 259 00:09:12,734 --> 00:09:14,700 TO MAKE C.U. THE DESTINATION ART SCHOOL 260 00:09:14,700 --> 00:09:16,700 AHEAD OF RISD AND YALE, 261 00:09:16,700 --> 00:09:17,967 AND THE ONLY REASON 262 00:09:17,967 --> 00:09:19,433 YOU CAN EVEN CONTEMPLATE 263 00:09:19,433 --> 00:09:21,300 TAKING ON THIS ADDED RESPONSIBILITY 264 00:09:21,300 --> 00:09:23,700 IN ADDITION TO YOUR ALREADY INSANE COURSE LOAD 265 00:09:23,700 --> 00:09:24,767 AND THE HOURS YOU SPEND 266 00:09:24,767 --> 00:09:28,433 IN YOUR GRADUATE STUDIO MAKING ART 267 00:09:28,433 --> 00:09:30,667 IS THAT YOU ARE YOUNG ENOUGH 268 00:09:30,667 --> 00:09:33,033 AND FOOLISH ENOUGH 269 00:09:33,033 --> 00:09:35,266 TO THINK THAT YOU CAN GET BY 270 00:09:35,266 --> 00:09:37,367 ON THREE HOURS OF SLEEP A NIGHT. 271 00:09:38,500 --> 00:09:40,867 "TONIGHT, 10:00 P.M. I'LL BE THERE. 272 00:09:40,867 --> 00:09:42,266 WILL YOU?" 273 00:09:42,266 --> 00:09:44,633 OH, YEAH, SURE YOU WILL, PAPI. 274 00:09:44,633 --> 00:09:46,633 YOU CALL YOUR COMPUTER "PAPI"? 275 00:09:46,633 --> 00:09:48,600 OH, NO. 276 00:09:48,600 --> 00:09:50,433 IT'S THIS GIRL ON OUR CHART. 277 00:09:50,433 --> 00:09:51,700 PAPI. 278 00:09:51,700 --> 00:09:52,834 YOU KNOW, SHE HAS MORE HITS THAN SHANE. 279 00:09:52,834 --> 00:09:54,300 HOW DO YOU NOT KNOW THIS? 280 00:09:54,300 --> 00:09:55,400 WHERE HAVE YOU BEEN? 281 00:09:55,400 --> 00:09:57,567 [LAUGHS] 282 00:09:57,567 --> 00:09:59,000 OH, RIGHT. 283 00:09:59,000 --> 00:10:00,233 STUCK IN THE FAR REACHES OF HETEROVILLE, 284 00:10:00,233 --> 00:10:01,433 THAT'S RIGHT. 285 00:10:01,433 --> 00:10:02,300 YES, IT'S SO SCARY. 286 00:10:02,300 --> 00:10:03,967 OOH... 287 00:10:03,967 --> 00:10:06,200 OOH, SCARY... 288 00:10:06,200 --> 00:10:07,266 I THINK I REMEMBER YOU LURKING AROUND THERE 289 00:10:07,266 --> 00:10:08,433 A COUPLE YEARS AGO. 290 00:10:08,433 --> 00:10:09,867 BUT I DID COME TO MY SENSES. 291 00:10:09,867 --> 00:10:11,266 SEE, THAT'S THE DIFFERENCE BETWEEN YOU AND ME. 292 00:10:11,266 --> 00:10:13,533 HEY, GIRL. 293 00:10:13,533 --> 00:10:14,967 KIT, HI! HOW ARE YOU? 294 00:10:14,967 --> 00:10:19,400 OH, GIRL, I'M OKAY, THANK YOU. 295 00:10:19,400 --> 00:10:20,800 OH, BUT I CAN TELL YOU, 296 00:10:20,800 --> 00:10:22,700 I SURE WOULD HAVE LOVED 297 00:10:22,700 --> 00:10:25,333 A LARGE GLASS OF RED WINE AFTERWARDS. 298 00:10:25,333 --> 00:10:27,567 I SWEAR, I... 299 00:10:27,567 --> 00:10:31,367 OH, I JUST FELT SO... SAD. 300 00:10:31,367 --> 00:10:32,533 I'VE NEVER HAD AN ABORTION. 301 00:10:32,533 --> 00:10:34,800 IT MUST BE REALLY HARD. 302 00:10:34,800 --> 00:10:36,400 I ALWAYS THOUGHT IT WAS THE REASON 303 00:10:36,400 --> 00:10:37,734 WHY I HAD SO MUCH TROUBLE GETTING PREGNANT WITH ANGELICA. 304 00:10:37,734 --> 00:10:38,900 I HAD TWO IN MY EARLY 20s. 305 00:10:38,900 --> 00:10:40,300 REALLY? 306 00:10:40,300 --> 00:10:41,467 MM-HMM. 307 00:10:41,467 --> 00:10:43,867 AND NOW YOU HAVE A LITTLE ANGEL. 308 00:10:43,867 --> 00:10:45,400 YEAH, 309 00:10:45,400 --> 00:10:46,500 BUT ONLY 50% OF THE TIME. 310 00:10:46,500 --> 00:10:47,867 AND HER OTHER MOTHER HAS HER 311 00:10:47,867 --> 00:10:49,533 THE OTHER 50% OF THE TIME, 312 00:10:49,533 --> 00:10:50,767 AND THAT'S THE WAY IT SHOULD BE. 313 00:10:51,667 --> 00:10:52,767 IT'S HARD ON BETTE, TOO, YOU KNOW. 314 00:10:52,767 --> 00:10:54,266 OH... 315 00:10:54,266 --> 00:10:56,300 AND ANGELICA MUST NEVER HEAR YOU SAY 316 00:10:56,300 --> 00:10:58,533 THAT BETTE IS ANY LESS HER MOTHER THAN YOU ARE. 317 00:10:58,533 --> 00:10:59,834 I KNOW. I WOULD NEVER SAY THAT. 318 00:10:59,834 --> 00:11:00,900 I... 319 00:11:00,900 --> 00:11:02,300 I KNOW. 320 00:11:03,667 --> 00:11:05,467 IT'S FINE. 321 00:11:05,467 --> 00:11:07,133 WELL, HOLY FUCK. 322 00:11:08,333 --> 00:11:10,800 AS I LIVE AND BREATHE. 323 00:11:10,800 --> 00:11:12,600 [TINA]: WOW. SHANE... 324 00:11:12,600 --> 00:11:16,233 [KIT]: WELL, LOOK WHO FINALLY SHOWED UP. 325 00:11:18,233 --> 00:11:20,667 WELL, WELL, WELL. 326 00:11:20,667 --> 00:11:22,700 I WAS WONDERING WHEN SHE WOULD RE-EMERGE. 327 00:11:22,700 --> 00:11:24,367 HOW ARE YOU DOING? 328 00:11:24,367 --> 00:11:25,266 HEY. PRETTY GOOD. 329 00:11:25,266 --> 00:11:27,300 HEY. 330 00:11:27,300 --> 00:11:29,433 LOOKS LIKE CARMEN FOUND YOU. 331 00:11:31,533 --> 00:11:33,500 SO WHO'S THIS GENTLEMAN, HUH? 332 00:11:33,500 --> 00:11:35,133 SHAY. 333 00:11:35,133 --> 00:11:36,333 WELL, HI, SHAY. 334 00:11:36,333 --> 00:11:37,734 NICE TO MEET YOU. 335 00:11:37,734 --> 00:11:38,867 YOU HUNGRY? 336 00:11:38,867 --> 00:11:40,233 WHY DON'T YOU COME ON OVER HERE, 337 00:11:40,233 --> 00:11:41,600 AND I'LL HOOK YOU UP, 338 00:11:41,600 --> 00:11:43,467 AND YOU CAN TALK TO YOUR FRIENDS. 339 00:11:47,367 --> 00:11:49,266 HEY. 340 00:11:50,367 --> 00:11:51,266 GOOD TO SEE YOU. 341 00:11:51,266 --> 00:11:52,767 YEAH, YOU TOO. 342 00:11:54,300 --> 00:11:55,367 IT WAS NICE GETTING TO KNOW YOU, ERIC. 343 00:11:55,367 --> 00:11:56,567 WE'LL TALK SOON. 344 00:11:56,567 --> 00:11:57,500 THANK YOU FOR YOUR TIME, DEAN PORTER. 345 00:11:57,500 --> 00:11:58,600 SURE. 346 00:11:58,600 --> 00:11:59,734 AND WHAT WAS THAT MATERIAL CALLED? 347 00:11:59,734 --> 00:12:01,200 OH, SYNDECRETE. 348 00:12:01,200 --> 00:12:02,300 IT'S AMAZING STUFF. 349 00:12:02,300 --> 00:12:04,166 IT WAS DEVELOPED BY DAVID HERTZ. 350 00:12:04,166 --> 00:12:05,166 RIGHT. I'LL LOOK INTO IT. 351 00:12:05,166 --> 00:12:06,400 OKAY. 352 00:12:06,400 --> 00:12:07,266 AND NEXT, WE HAVE... 353 00:12:07,266 --> 00:12:08,800 NADIA. 354 00:12:08,800 --> 00:12:10,133 DON'T TELL ME. 355 00:12:11,266 --> 00:12:12,400 NADIA KARELLA. 356 00:12:12,400 --> 00:12:14,300 THAT'S VERY GOOD, DEAN PORTER. 357 00:12:14,300 --> 00:12:16,166 IT'S ITALIAN? 358 00:12:16,166 --> 00:12:17,433 HAVE YOU HEARD BACK FROM FRANKLIN YET, JAMES? 359 00:12:17,433 --> 00:12:18,500 OH, YEAH. 360 00:12:18,500 --> 00:12:20,367 HE'S COMING TO THE PLANNING BRUNCH, 361 00:12:20,367 --> 00:12:21,367 AND HE SAID HE'D BE HONORED 362 00:12:21,367 --> 00:12:22,633 TO JOIN THE COMMITTEE. 363 00:12:22,633 --> 00:12:23,533 IT'S GREEK. 364 00:12:23,533 --> 00:12:25,500 IT'S MY STEPFATHER'S NAME. 365 00:12:25,500 --> 00:12:26,500 OH, GREAT. 366 00:12:26,500 --> 00:12:27,700 I LOVE GREECE. 367 00:12:27,700 --> 00:12:29,500 I USED TO SPEND EVERY SUMMER IN MYKONOS. 368 00:12:29,500 --> 00:12:32,300 A BUNCH OF ARTISTS AND COLLECTORS... 369 00:12:32,300 --> 00:12:33,767 MY STEPFATHER HAS A HOUSE IN MYKONOS. 370 00:12:33,767 --> 00:12:34,800 OH, GREAT. 371 00:12:34,800 --> 00:12:36,300 COME ON IN. 372 00:12:38,800 --> 00:12:41,233 SHAY, I KNOW YOU'RE GOING TO LOVE 373 00:12:41,233 --> 00:12:42,100 THESE FRENCH FRIES. 374 00:12:42,100 --> 00:12:43,300 HUH? 375 00:12:43,300 --> 00:12:44,667 YOU WANT SOME KETCHUP? 376 00:12:47,100 --> 00:12:48,300 HEY, SHAY? 377 00:12:48,300 --> 00:12:48,767 YOU DOING OKAY? 378 00:12:51,033 --> 00:12:52,233 GOOD. 379 00:12:54,367 --> 00:12:56,066 HELENA HATES ME, DOESN'T SHE? 380 00:12:56,066 --> 00:12:58,400 NO, SHE DOESN'T HATE YOU, 381 00:12:58,400 --> 00:12:59,600 BUT, YOU KNOW, APART FROM CARMEN, 382 00:12:59,600 --> 00:13:02,066 SHE IS THE ONE WHO GOT HURT THE MOST. 383 00:13:04,367 --> 00:13:05,467 YOU KNOW SHE'S MY ROOMMATE NOW? 384 00:13:05,467 --> 00:13:06,600 REALLY? 385 00:13:06,600 --> 00:13:08,500 MM-HMM. 386 00:13:08,500 --> 00:13:10,467 WELL, THEN, WHAT DO YOU THINK I CAN DO TO MAKE IT UP TO HER? 387 00:13:10,467 --> 00:13:13,166 YOU GOT $40 MILLION STASHED AWAY IN A SOCK? 388 00:13:13,166 --> 00:13:15,200 WHAT? 389 00:13:18,700 --> 00:13:20,600 I'M AN INDUSTRIAL DESIGN MAJOR. 390 00:13:20,600 --> 00:13:23,734 I DID GRAPHIC DESIGN AS AN UNDERGRAD. 391 00:13:25,533 --> 00:13:26,767 DR. KROLL, ACTUALLY, 392 00:13:26,767 --> 00:13:29,400 REALLY, UH, LIKED THAT LAST ONE. 393 00:13:29,400 --> 00:13:31,367 YOU DESIGNED THIS PROSPECTUS 394 00:13:31,367 --> 00:13:32,500 FOR DR. KROLL? 395 00:13:32,500 --> 00:13:33,367 MM-HMM. 396 00:13:33,367 --> 00:13:34,500 YEAH, NO, SHE WENT ON AND ON 397 00:13:34,500 --> 00:13:35,500 ABOUT HOW, UH, 398 00:13:35,500 --> 00:13:38,233 IT WAS UTTERLY DISTINCTIVE, 399 00:13:38,233 --> 00:13:39,400 BUT, UH, SHE HAD NO IDEA 400 00:13:39,400 --> 00:13:41,300 THAT IT WAS ACTUALLY COMPLETELY DERIVATIVE. 401 00:13:41,300 --> 00:13:43,033 OF LASZLO MOHOLY-NAGY. 402 00:13:43,033 --> 00:13:46,333 WELL, THAT'S ACCEPTABLE. 403 00:13:46,333 --> 00:13:47,734 I WAS INSPIRED BY YOUR SHOW 404 00:13:47,734 --> 00:13:50,066 AT THE C.A.C. 405 00:13:50,066 --> 00:13:56,166 YOU INTRODUCED ME TO MOHOLY-NAGY AND EL LISSITZKY. 406 00:13:56,166 --> 00:13:57,567 SO YOU SAW THE CONSTRUCTIVISM SHOW? 407 00:13:57,567 --> 00:13:59,066 IT BLEW ME AWAY. 408 00:13:59,066 --> 00:14:01,633 I-I'D JUST ARRIVED IN L.A., 409 00:14:01,633 --> 00:14:03,500 AND I WAS ONE OF THOSE EAST COAST GIRLS 410 00:14:03,500 --> 00:14:05,266 WHO, YOU KNOW, THINKS THAT CALIFORNIA 411 00:14:05,266 --> 00:14:07,200 IS COMPLETELY DEVOID OF ANY SORT OF CULTURE. 412 00:14:07,200 --> 00:14:08,467 WHICH IS AN OBSOLETE CLICHE. 413 00:14:08,467 --> 00:14:10,100 RIGHT, NO, I KNOW. 414 00:14:10,100 --> 00:14:11,233 I KNOW THAT NOW. 415 00:14:11,233 --> 00:14:12,467 [LAUGHS AWKWARDLY] 416 00:14:14,367 --> 00:14:15,500 WOW. 417 00:14:15,500 --> 00:14:18,467 ARE YOU... ARE YOU AN ATHLETE? 418 00:14:18,467 --> 00:14:19,934 NO. 419 00:14:19,934 --> 00:14:20,967 WHY? 420 00:14:20,967 --> 00:14:24,533 BECAUSE YOU HAVE, UH... 421 00:14:24,533 --> 00:14:28,166 BECAUSE YOU HAVE VERY BEAUTIFUL ARMS. 422 00:14:28,166 --> 00:14:29,667 [LAUGHS] 423 00:14:29,667 --> 00:14:30,934 UH... 424 00:14:30,934 --> 00:14:31,667 I DO SOME... 425 00:14:31,667 --> 00:14:32,934 YOU KNOW, JUST A LITTLE YOGA 426 00:14:32,934 --> 00:14:34,367 EVERY NOW AND AGAIN. 427 00:14:34,367 --> 00:14:35,934 I REALLY DON'T HAVE ANY TIME 428 00:14:35,934 --> 00:14:37,934 TO DO ANYTHING MORE THAN THAT. 429 00:14:37,934 --> 00:14:39,266 MY EX-GIRLFRIEND WAS A PROFESSIONAL BOXER, 430 00:14:39,266 --> 00:14:40,333 AND YOUR ARMS SORT OF 431 00:14:40,333 --> 00:14:42,533 REMIND ME OF HERS. 432 00:14:42,533 --> 00:14:43,500 [LAUGHS] 433 00:14:43,500 --> 00:14:44,967 WELL, I'M NOT A BOXER, 434 00:14:44,967 --> 00:14:47,433 SO I'D BETTER NOT GET IN THE RING WITH HER. 435 00:14:52,033 --> 00:14:53,000 UH... 436 00:14:53,000 --> 00:14:54,900 ANYWAY. 437 00:14:54,900 --> 00:14:57,166 I HAVE TO MAKE A PRESENTATION AT THE TRUSTEES' BRUNCH, 438 00:14:57,166 --> 00:14:58,433 AS YOU KNOW, 439 00:14:58,433 --> 00:14:59,934 AND I WOULD LIKE TO USE A METAPHOR. 440 00:14:59,934 --> 00:15:01,600 I WANT TO USE A METAPHOR ABOUT... 441 00:15:01,600 --> 00:15:06,333 BEING IN A NEW PLACE, FULL OF WONDER, 442 00:15:06,333 --> 00:15:07,900 AND THERE'S THIS COMIC. 443 00:15:07,900 --> 00:15:10,433 IT'S A LITTLE BOY, AND IT'S HIS DREAMSCAPE, 444 00:15:10,433 --> 00:15:11,433 AND THE DRAWINGS ARE JUST EXQUISITE, 445 00:15:11,433 --> 00:15:12,500 BUT I CANNOT FOR THE LIFE OF ME 446 00:15:12,500 --> 00:15:14,200 REMEMBER WHO DID THEM. 447 00:15:14,200 --> 00:15:15,233 WINSOR MCCAY. 448 00:15:16,433 --> 00:15:17,400 YOU KNOW, I THINK THAT'S RIGHT. 449 00:15:17,400 --> 00:15:18,600 YEAH. 450 00:15:18,600 --> 00:15:19,967 LITTLE NEMO IN SLUMBERLAND. 451 00:15:19,967 --> 00:15:20,967 YEAH, 452 00:15:20,967 --> 00:15:22,033 IT'S REALLY GENIUS, ACTUALLY. 453 00:15:22,033 --> 00:15:23,200 I THINK DR. KROLL WOULD LOVE THAT. 454 00:15:23,200 --> 00:15:24,133 EVEN IF IT IS DERIVATIVE? 455 00:15:24,133 --> 00:15:25,400 NO! GOD, NO, IT WOULDN'T BE. 456 00:15:25,400 --> 00:15:26,433 I MEAN, BY THE TIME THAT WE WERE DONE WITH IT, 457 00:15:26,433 --> 00:15:27,467 WE COULD JUST... 458 00:15:27,467 --> 00:15:29,200 I-I... UH, WOW, I'M SORRY. 459 00:15:29,200 --> 00:15:31,066 I DIDN'T MEAN TO BE PRESUMPTUOUS. I... 460 00:15:31,066 --> 00:15:32,300 WELL, YOU ARE. 461 00:15:32,300 --> 00:15:36,300 YOU'RE VERY PRESUMPTUOUS. 462 00:15:38,900 --> 00:15:39,934 BUT WHY DON'T YOU COME IN TOMORROW MORNING, 463 00:15:39,934 --> 00:15:40,900 AND WE'LL GET STARTED? 464 00:15:43,333 --> 00:15:46,266 THEN I'VE...GOT THE JOB? 465 00:15:46,266 --> 00:15:47,300 WELL, I'D LIKE TO WORK WITH YOU 466 00:15:47,300 --> 00:15:48,567 ON THIS PRESENTATION, 467 00:15:48,567 --> 00:15:50,300 AND WE'LL SEE HOW IT GOES. 468 00:15:50,300 --> 00:15:53,133 WHEN DO YOU WANT ME? 469 00:15:54,367 --> 00:15:55,533 9:00. 470 00:15:57,300 --> 00:15:59,900 I'LL BE HERE AT 8:30. 471 00:16:38,333 --> 00:16:40,066 [SIGHS NERVOUSLY] 472 00:16:45,266 --> 00:16:46,467 [KNOCKS] 473 00:16:50,333 --> 00:16:52,500 THE REAL THING'S A BEAUTY. 474 00:16:52,500 --> 00:16:54,367 PERFECT COMBINATION OF STEP LOCATION 475 00:16:54,367 --> 00:16:56,033 AND ANGLES OF ATTACK. 476 00:16:56,033 --> 00:16:57,000 AND I BET SHE HAS 477 00:16:57,000 --> 00:16:59,166 THE MERCURY E.F.I. SUPER-VENTILATED, RIGHT? 478 00:16:59,166 --> 00:17:00,333 IT WAS A CHOPPY DAY, 479 00:17:00,333 --> 00:17:01,767 BUT I HAD HER UP TO 88 MPH 480 00:17:01,767 --> 00:17:02,767 IN A MATTER OF SECONDS. 481 00:17:02,767 --> 00:17:04,767 YOU'LL HAVE TO COME OUT WITH US 482 00:17:04,767 --> 00:17:06,033 ONE WEEKEND. 483 00:17:06,033 --> 00:17:08,133 YEAH, THAT'D BE GREAT. 484 00:17:14,367 --> 00:17:16,867 BROOKE, THIS IS MAX SWEENEY. 485 00:17:16,867 --> 00:17:17,934 IT'S NICE TO MEET YOU. 486 00:17:20,166 --> 00:17:20,900 THANK YOU. 487 00:17:20,900 --> 00:17:22,166 THAT'S SWEET. 488 00:17:22,166 --> 00:17:25,467 I MADE A RESERVATION AT HANCOCK PARK. 489 00:17:25,467 --> 00:17:27,333 I HOPE THAT'S OKAY? 490 00:17:27,333 --> 00:17:29,166 OOPS, I FORGOT TO TELL YOU. 491 00:17:29,166 --> 00:17:30,200 BROOKE'S A VEGETARIAN. 492 00:17:30,200 --> 00:17:31,166 UM, DAD, 493 00:17:31,166 --> 00:17:32,433 THAT WAS, LIKE, THREE YEARS AGO. 494 00:17:32,433 --> 00:17:35,100 HANCOCK PARK SOUNDS WONDERFUL. 495 00:17:35,100 --> 00:17:37,767 WELL, WHO CAN KEEP UP? 496 00:17:37,767 --> 00:17:39,333 HERE, HONEY, LET ME TAKE THE FLOWERS. 497 00:17:46,367 --> 00:17:47,400 AND HE SENT TINA TO DO IT? 498 00:17:47,400 --> 00:17:50,400 IT'S NOT HER FAULT. 499 00:17:50,400 --> 00:17:52,400 SHE HAD NO CHOICE, REALLY. 500 00:17:52,400 --> 00:17:53,467 OH, HELENA, 501 00:17:53,467 --> 00:17:54,400 SHE'S A FUCKING COLLABORATOR. 502 00:17:54,400 --> 00:17:55,900 IF SHE SAID NO TO THE GUY, 503 00:17:55,900 --> 00:17:57,100 SHE WOULD HAVE BEEN OUT OF A JOB 504 00:17:57,100 --> 00:17:58,300 AND WOULD HAVE BEEN COMING AFTER YOU 505 00:17:58,300 --> 00:17:59,367 FOR CHILD SUPPORT. 506 00:17:59,367 --> 00:18:00,734 OH, COME ON, YOU GUYS, 507 00:18:00,734 --> 00:18:01,700 DO YOU REALLY THINK TINA WOULD DO THAT? 508 00:18:01,700 --> 00:18:02,433 COME ON. 509 00:18:02,433 --> 00:18:04,734 SHE'D BE ENTITLED TO IT. 510 00:18:04,734 --> 00:18:06,166 I'M SORRY, BETTE, BUT UNDER THE LAW, 511 00:18:06,166 --> 00:18:07,834 SHE WOULD, WOULDN'T SHE? 512 00:18:07,834 --> 00:18:08,967 OH, PROBABLY. 513 00:18:08,967 --> 00:18:09,967 PROBABLY. 514 00:18:09,967 --> 00:18:11,000 SPEAKING OF THE LAW, SHANE... 515 00:18:11,000 --> 00:18:12,100 WHAT? 516 00:18:12,100 --> 00:18:13,800 WHAT'S THE LAW HAVE TO DO WITH HIM? 517 00:18:13,800 --> 00:18:16,266 [BETTE]: WELL, THERE'S SCHOOL, FOR ONE. 518 00:18:16,266 --> 00:18:17,734 [HELENA]: IT'S TRUE. 519 00:18:17,734 --> 00:18:20,400 IT'S ILLEGAL TO KEEP A CHILD OUT OF SCHOOL. 520 00:18:20,400 --> 00:18:21,467 WELL, LET THEM ARREST ME. 521 00:18:21,467 --> 00:18:23,767 WELL, HAVE YOU THOUGHT ABOUT PLACEMENT? 522 00:18:23,767 --> 00:18:25,467 IN L.A., THEY HAVE THESE SERVICES. 523 00:18:25,467 --> 00:18:26,834 YOU MEAN FOSTER CARE? 524 00:18:28,400 --> 00:18:30,033 SHANE, I KNOW YOU'VE HAD 525 00:18:30,033 --> 00:18:32,000 SOME REALLY WHACK PERSONAL EXPERIENCES, 526 00:18:32,000 --> 00:18:34,667 BUT WHAT ABOUT PRIVATE SOCIAL SERVICES? 527 00:18:34,667 --> 00:18:37,266 I MEAN, FOR KIDS THAT DON'T HAVE FAMILIES-- 528 00:18:37,266 --> 00:18:39,400 HEY, SHAY... 529 00:18:39,400 --> 00:18:41,333 HOW'D YOU LIKE YOUR CAKE? 530 00:18:41,333 --> 00:18:43,166 HEY, DID YOU FINISH YOUR MILKSHAKE? 531 00:18:43,166 --> 00:18:44,667 I THINK I'M GOING TO THROW UP. 532 00:18:44,667 --> 00:18:46,667 OH, UM... 533 00:18:46,667 --> 00:18:47,934 LOOK, THE BATHROOM'S RIGHT OVER THERE. 534 00:18:47,934 --> 00:18:49,033 [HELENA]: SHANE... 535 00:18:49,033 --> 00:18:50,100 WHAT? 536 00:18:50,100 --> 00:18:51,200 YOU SHOULD GO WITH HIM. 537 00:18:51,200 --> 00:18:52,300 WHAT THE HELL AM I SUPPOSED TO DO? 538 00:18:52,300 --> 00:18:54,367 HOLD HIS HAIR. 539 00:18:54,367 --> 00:18:55,266 HE DOESN'T HAVE ANY HAIR. 540 00:18:55,266 --> 00:18:56,700 WOULD YOU JUST GO. 541 00:18:59,166 --> 00:19:00,934 MAN, IS THAT A FUCKIN' DISASTER. 542 00:19:00,934 --> 00:19:03,166 SHE'S SO NOT READY FOR THIS. 543 00:19:03,166 --> 00:19:05,400 I WISH CARMEN WAS HERE TO HELP HER. 544 00:19:05,400 --> 00:19:06,867 YEAH, BUT SHE WASN'T READY 545 00:19:06,867 --> 00:19:08,367 FOR CARMEN EITHER. 546 00:19:12,000 --> 00:19:13,834 THIS GIRL THAT I GO TO SCHOOL WITH, 547 00:19:13,834 --> 00:19:14,867 SHE WAS ATTACKED, 548 00:19:14,867 --> 00:19:15,867 AND IT WAS, LIKE, 549 00:19:15,867 --> 00:19:18,133 ALL OVER THE NEWS AND EVERYTHING. 550 00:19:18,133 --> 00:19:19,633 THE GUY WAS BROUGHT UP ON CHARGES. 551 00:19:19,633 --> 00:19:21,033 EVERYONE KNEW HE DID IT, 552 00:19:21,033 --> 00:19:22,266 AND HE STILL GOT THE REYNOLDS GRANT 553 00:19:22,266 --> 00:19:24,900 OVER MY FRIEND SARAH. 554 00:19:24,900 --> 00:19:26,133 YEAH, 555 00:19:26,133 --> 00:19:27,800 AND I BET ALL THE FRAT GUYS GATHERED AROUND 556 00:19:27,800 --> 00:19:29,867 AND SAID THE GIRL WAS ASKING FOR IT, RIGHT? 557 00:19:29,867 --> 00:19:32,233 YEAH, EVEN SOME OF THE GIRLS SAID IT, 558 00:19:32,233 --> 00:19:36,033 OR AT LEAST, THEY DIDN'T STAND UP FOR HER. 559 00:19:36,033 --> 00:19:37,200 BUT WHEN YOU FEEL POWERLESS, I MEAN... 560 00:19:37,200 --> 00:19:40,133 GIRLS SOMETIMES BETRAY EACH OTHER 561 00:19:40,133 --> 00:19:41,867 JUST TO KEEP THEIR CONNECTION TO THEIR MAN, 562 00:19:41,867 --> 00:19:43,934 BECAUSE THEY FEEL LIKE 563 00:19:43,934 --> 00:19:46,233 WITHOUT A CONNECTION TO SOME MAN, 564 00:19:46,233 --> 00:19:47,800 THEY'RE TOTALLY CUT OFF FROM POWER, 565 00:19:47,800 --> 00:19:50,333 WHICH I IMAGINE IS, LIKE, REALLY SCARY. 566 00:19:50,333 --> 00:19:51,633 YOU KNOW? 567 00:19:51,633 --> 00:19:53,133 YEAH. 568 00:19:53,133 --> 00:19:53,934 [LAUGHS] 569 00:19:53,934 --> 00:19:55,734 WHAT? 570 00:19:55,734 --> 00:19:58,266 I'VE JUST NEVER MET A GUY WHO UNDERSTOOD THAT, 571 00:19:58,266 --> 00:20:00,100 LET ALONE CARED. 572 00:20:00,100 --> 00:20:02,800 WELL, WHAT CAN I SAY? 573 00:20:05,100 --> 00:20:06,133 MONSIEUR? 574 00:20:09,000 --> 00:20:10,233 YOU TRY. 575 00:20:21,066 --> 00:20:24,233 [♪] 576 00:20:42,700 --> 00:20:44,867 [PATRONS CONVERSE QUIETLY IN SPANISH] 577 00:21:00,600 --> 00:21:02,834 THAT LADY MUST BE LOST, EH? 578 00:21:02,834 --> 00:21:05,100 SHE'S NOT LOST. SHE'S LOOKING FOR ME. 579 00:21:05,100 --> 00:21:06,934 YOU LOOKING FOR SOMEBODY? 580 00:21:06,934 --> 00:21:10,200 I AM, 581 00:21:10,200 --> 00:21:12,100 BUT I THINK I MIGHT HAVE BEEN SENT 582 00:21:12,100 --> 00:21:14,934 ON ANOTHER WILD GOOSE CHASE. 583 00:21:17,834 --> 00:21:21,133 DO YOU KNOW ANYBODY BY THE NAME OF... 584 00:21:21,133 --> 00:21:22,166 PAPI? 585 00:21:22,166 --> 00:21:25,066 YOU'RE LOOKING FOR PAPI? 586 00:21:25,066 --> 00:21:28,800 YOU SURE? 587 00:21:28,800 --> 00:21:29,767 OKAY. 588 00:21:29,767 --> 00:21:30,800 RIGHT OVER THERE. 589 00:21:43,000 --> 00:21:44,934 THANK YOU. 590 00:21:47,100 --> 00:21:48,800 [CLEARS THROAT] 591 00:21:54,233 --> 00:21:57,200 [CELLPHONE RINGS] 592 00:22:00,467 --> 00:22:01,467 HELLO. 593 00:22:01,467 --> 00:22:02,834 MM... 594 00:22:02,834 --> 00:22:04,500 ALL RIGHT, LOOK, I DON'T KNOW WHO THIS IS, 595 00:22:04,500 --> 00:22:05,934 BUT I'M REALLY SICK OF THESE GAMES, 596 00:22:05,934 --> 00:22:07,934 AND I'M NOT GOING TO-- 597 00:22:07,934 --> 00:22:09,767 WHERE? 598 00:22:11,867 --> 00:22:13,667 OKAY. 599 00:22:15,133 --> 00:22:16,133 HOLA, MAMASITA-- 600 00:22:16,133 --> 00:22:17,100 HEY, DON'T EVEN! 601 00:22:17,100 --> 00:22:21,133 [SPEAKS SPANISH] 602 00:22:29,734 --> 00:22:31,166 OH, FUCK YOU! 603 00:22:31,166 --> 00:22:32,667 [KNOCKS ON WINDOW] 604 00:22:39,500 --> 00:22:41,800 OH, GOD... 605 00:22:41,800 --> 00:22:43,500 OKAY... 606 00:22:43,500 --> 00:22:44,800 WHAT'S THE PLAN? 607 00:22:50,166 --> 00:22:51,767 ARE YOU TAKING ME TO PAPI? 608 00:22:54,066 --> 00:22:56,133 I AIN'T GOT NO PLAN, BABY. 609 00:22:56,133 --> 00:22:58,834 IT'S YOU WHO WANTED TO SEE ME. 610 00:22:59,066 --> 00:23:01,600 [♪] 611 00:23:06,734 --> 00:23:08,800 THANK YOU SO MUCH FOR AGREEING TO SIT DOWN WITH ME. 612 00:23:08,800 --> 00:23:10,934 I KNOW THAT YOU HAVE A WRITING DEADLINE. 613 00:23:10,934 --> 00:23:11,900 YEAH, I'M, UH, 614 00:23:11,900 --> 00:23:13,400 I'M SUPPOSED TO HAND IN MY STORY 615 00:23:13,400 --> 00:23:14,500 FOR THE NEW YORKER 616 00:23:14,500 --> 00:23:15,500 TO MY AGENT TOMORROW, 617 00:23:15,500 --> 00:23:16,700 SO I'M JUST, LIKE... 618 00:23:16,700 --> 00:23:17,967 [SIGHS IN EXASPERATION] 619 00:23:17,967 --> 00:23:19,066 CONGRATULATIONS. 620 00:23:19,066 --> 00:23:19,934 YOU KNOW, I DID A STORY FOR THE NEW YORKER 621 00:23:19,934 --> 00:23:21,433 LAST YEAR. 622 00:23:21,433 --> 00:23:22,633 I KNOW. I READ IT, AND I LOVED IT. 623 00:23:22,633 --> 00:23:24,467 I THOUGHT IT WAS JUST FANTASTIC. 624 00:23:24,467 --> 00:23:25,667 THAT'S WHY I SAID 625 00:23:25,667 --> 00:23:26,667 I WANTED TO DO THE INTERVIEW WITH YOU. 626 00:23:26,667 --> 00:23:28,667 WELL, I MEAN, NOT SPECIFICALLY 627 00:23:28,667 --> 00:23:30,834 BECAUSE YOU WROTE FOR THE NEW YORKER, BUT... 628 00:23:30,834 --> 00:23:31,934 ANYWAY. 629 00:23:31,934 --> 00:23:34,066 [LAUGHS POLITELY] 630 00:23:34,066 --> 00:23:35,400 UM, I TOLD THE PUBLICIST 631 00:23:35,400 --> 00:23:38,367 THAT I DON'T WANT TO DO ANY MORE GAY PRESS AFTER THIS. 632 00:23:38,367 --> 00:23:39,667 WELL, THAT'S UNDERSTANDABLE. 633 00:23:39,667 --> 00:23:41,333 I MEAN, YOU DON'T WANT TO BE GHETTOIZED 634 00:23:41,333 --> 00:23:42,767 AS A LESBIAN WRITER. 635 00:23:42,767 --> 00:23:46,633 WELL, NOT SPECIFICALLY AS A LESBIAN, 636 00:23:46,633 --> 00:23:47,934 BUT GHETTOIZED 637 00:23:47,934 --> 00:23:51,066 AS A LESBIAN WRITER, A MEMOIRIST... YOU KNOW. 638 00:23:51,066 --> 00:23:52,033 I JUST WANT TO BE JENNY. 639 00:23:52,033 --> 00:23:53,400 YEAH. 640 00:23:53,400 --> 00:23:54,533 YOU KNOW, I'M NOT HAPPY 641 00:23:54,533 --> 00:23:57,033 UNLESS I'M QUALIFIED WITH AT LEAST FIVE THINGS. 642 00:23:57,033 --> 00:23:58,433 WHAT ARE YOUR FIVE THINGS? 643 00:23:58,433 --> 00:24:00,367 UM... PUSSY-CHASING-- 644 00:24:00,367 --> 00:24:01,500 [GASPS MOCKINGLY] 645 00:24:01,500 --> 00:24:03,767 ...CUNT-ENTHUSIAST, HALF BUJEW-- 646 00:24:03,767 --> 00:24:05,800 WAIT, WAIT, WAIT, WAIT, WHAT'S "BUJEW?" 647 00:24:05,800 --> 00:24:06,800 BUJEW. 648 00:24:06,800 --> 00:24:07,800 BUJEW. 649 00:24:07,800 --> 00:24:08,967 BUJEW... 650 00:24:08,967 --> 00:24:11,367 IT IS HALF JEWISH, BUT PRACTICING BUDDHIST. 651 00:24:11,367 --> 00:24:12,433 I'M JEWISH! 652 00:24:12,433 --> 00:24:13,767 NICE! YES. 653 00:24:13,767 --> 00:24:14,834 ROCK ON. 654 00:24:14,834 --> 00:24:15,900 [LAUGHS] 655 00:24:15,900 --> 00:24:17,000 JEWISH SISTERHOOD. 656 00:24:17,000 --> 00:24:18,667 WAY TO GO. 657 00:24:18,667 --> 00:24:19,767 [LAUGHING] 658 00:24:19,767 --> 00:24:20,800 JEWISH LESBIANS... 659 00:24:20,800 --> 00:24:22,500 BUT, ANYWAY, 660 00:24:22,500 --> 00:24:25,700 THE REASON THAT I CHOOSE TO WRITE FOR CURVE MAGAZINE 661 00:24:25,700 --> 00:24:28,533 IS BECAUSE THEY LET ME PICK THE BOOKS THAT I REVIEW, 662 00:24:28,533 --> 00:24:30,633 AND I ONLY REVIEW BOOKS 663 00:24:30,633 --> 00:24:33,600 THAT HOLD A REAL SIGNIFICANCE TO ME. 664 00:24:33,600 --> 00:24:36,400 WHY DOES SOME OF HER PARTS HOLD SIGNIFICANCE TO YOU? 665 00:24:36,400 --> 00:24:38,934 MY PARTNER'S A SURVIVOR. 666 00:24:38,934 --> 00:24:41,734 OH, WOW. 667 00:24:41,967 --> 00:24:44,033 HEY, PAPI! 668 00:24:44,033 --> 00:24:45,266 HEY, AMIGOS! 669 00:24:45,266 --> 00:24:47,500 HEY! 670 00:24:47,500 --> 00:24:48,767 [WHISTLING AND CHEERS] 671 00:24:50,300 --> 00:24:52,000 HEY... 672 00:24:52,000 --> 00:24:53,033 HEY, EVERYONE! 673 00:24:53,033 --> 00:24:53,867 PAPI'S IN THE HOUSE! 674 00:24:53,867 --> 00:24:55,767 PAPI! 675 00:24:58,600 --> 00:24:59,600 YEAH, YEAH, YEAH. 676 00:24:59,600 --> 00:25:00,767 HERE, TRY THIS, TRY THIS. 677 00:25:01,934 --> 00:25:03,333 AH? 678 00:25:03,333 --> 00:25:04,367 YOU KNOW SHE LIKES IT, RIGHT? 679 00:25:04,367 --> 00:25:05,800 ME GUSTA. 680 00:25:05,800 --> 00:25:08,767 COME ON, GIRL. 681 00:25:10,266 --> 00:25:13,433 AH, WHAT'S UP? 682 00:25:13,433 --> 00:25:15,633 HEY, EVERYONE, PAPI'S IN THE HOUSE! 683 00:25:15,633 --> 00:25:18,967 [LOUD AND CHEERFUL GREETINGS] 684 00:25:18,967 --> 00:25:20,367 HEY! 685 00:25:20,367 --> 00:25:22,333 [INDISTINCT GREETING] 686 00:25:24,433 --> 00:25:26,734 [EVERYONE TALKING AT ONCE] 687 00:25:30,500 --> 00:25:31,700 ALICIA! 688 00:25:31,700 --> 00:25:33,633 YES! 689 00:25:33,633 --> 00:25:34,600 HEY... 690 00:25:34,600 --> 00:25:35,533 OH... 691 00:25:35,533 --> 00:25:36,533 MUCHO GUSTO. 692 00:25:36,533 --> 00:25:39,333 OH, WOW, THANK YOU. 693 00:25:42,767 --> 00:25:43,734 WOW. 694 00:25:43,734 --> 00:25:45,200 [LAUGHS] 695 00:25:45,200 --> 00:25:47,200 PAPI, HUH? 696 00:25:47,200 --> 00:25:50,400 A LOT OF PEOPLE KNOW YOU HERE. 697 00:25:50,400 --> 00:25:51,367 WHAT ARE YOU, 698 00:25:51,367 --> 00:25:53,300 LIKE, THE POPE OF EAST L.A.? 699 00:25:53,300 --> 00:25:54,633 ACTUALLY, IT'S PRONOUNCED PAPI. 700 00:25:54,633 --> 00:25:55,533 WHAT? 701 00:25:55,533 --> 00:25:56,333 IT'S OKAY. 702 00:25:56,333 --> 00:25:57,633 IT'S JUST A LITTLE MORE LATINA 703 00:25:57,633 --> 00:25:58,667 THAN YOUR TONGUE IS USED TO, CHICA. 704 00:25:58,667 --> 00:26:01,367 HERE, LET ME HELP YOU TO SAY MY NAME RIGHT. 705 00:26:01,367 --> 00:26:03,500 YOU MIGHT NEED IT LATER. 706 00:26:03,500 --> 00:26:04,633 SO, AH... 707 00:26:04,633 --> 00:26:05,700 OH... AH... 708 00:26:05,700 --> 00:26:06,633 AH... 709 00:26:06,633 --> 00:26:07,600 PI. PI. OH... 710 00:26:07,600 --> 00:26:08,734 PAPI. PAPI. 711 00:26:08,734 --> 00:26:09,900 MORE BETTER, GIRLIE. 712 00:26:09,900 --> 00:26:11,200 MUCH MORE BETTER. 713 00:26:11,200 --> 00:26:12,400 NOW, WHAT CAN I HELP YOU WITH, HUH? 714 00:26:12,400 --> 00:26:13,500 NOT A LOT OF LADIES PUT AN APB OUT ON ME 715 00:26:13,500 --> 00:26:14,767 OVER THE RADIO. 716 00:26:14,767 --> 00:26:16,834 MOSTLY IT'S THEIR BOYFRIENDS COMIN' AFTER ME. 717 00:26:16,834 --> 00:26:19,467 OH, WELL, I HOPE I DIDN'T PUT YOU IN A BAD POSITION, OR... 718 00:26:19,467 --> 00:26:21,800 FUCK, NO, MAN, I'M HONORED. 719 00:26:21,800 --> 00:26:22,867 HEY, CAN I... 720 00:26:22,867 --> 00:26:23,767 WOULD YOU MIND IF I TAPE RECORDED THIS? 721 00:26:23,767 --> 00:26:25,900 NO? 722 00:26:25,900 --> 00:26:27,266 GREAT. 723 00:26:27,266 --> 00:26:29,233 GREAT... 724 00:26:29,233 --> 00:26:31,200 UH, INTERVIEW... 725 00:26:31,200 --> 00:26:33,600 UM, WEB-FAMOUS PAPI, UM... 726 00:26:34,867 --> 00:26:37,800 PAPI. 727 00:26:39,300 --> 00:26:41,166 HOLA, ANITA! 728 00:26:41,166 --> 00:26:41,900 WE'LL HAVE ONE OF THOSE PITCHERS, 729 00:26:41,900 --> 00:26:44,200 POR FAVOR. 730 00:26:44,200 --> 00:26:46,200 SO, WHAT YOU WANT TO KNOW ABOUT PAPI, HUH? 731 00:26:46,200 --> 00:26:46,867 WELL, PAPI... 732 00:26:46,867 --> 00:26:48,133 [CHUCKLES] 733 00:26:48,133 --> 00:26:50,867 YOU... HAVE BECOME SORT OF A LEGEND 734 00:26:50,867 --> 00:26:52,734 IN ABOUT, UH, TWO DAYS 735 00:26:52,734 --> 00:26:53,900 ON MY WEBSITE. 736 00:26:53,900 --> 00:26:55,233 YOU CRASHED MY WHOLE SERVER. 737 00:26:55,233 --> 00:26:56,367 WHAT CAN I SAY? 738 00:26:56,367 --> 00:26:57,800 I'VE BEEN BLESSED. 739 00:26:57,800 --> 00:27:00,400 SEEMS THE LADIES LIKE ME AS MUCH AS I LIKE THEM. 740 00:27:00,400 --> 00:27:02,600 WE'RE TALKING ABOUT A HELL OF A LOT OF LADIES. 741 00:27:02,600 --> 00:27:03,633 LIKE I SAID. 742 00:27:03,633 --> 00:27:05,500 I'VE BEEN BLESSED. 743 00:27:05,500 --> 00:27:06,400 A LOT. 744 00:27:06,400 --> 00:27:08,567 RIGHT, BUT... 745 00:27:08,567 --> 00:27:11,433 WHY-- WHY DO YOU THINK THAT HAPPENS TO YOU? 746 00:27:11,433 --> 00:27:12,567 IT'S NOT SOMETHING I DO, GIRL. 747 00:27:12,567 --> 00:27:13,834 I DON'T WAKE UP IN THE MORNING AND SAY, 748 00:27:13,834 --> 00:27:15,734 "I'M GONNA GET ME SOME PUSSY TODAY." 749 00:27:15,734 --> 00:27:16,767 WELL, SOMETIMES, BUT... 750 00:27:16,767 --> 00:27:17,800 OKAY, ME TOO. 751 00:27:17,800 --> 00:27:18,767 YEAH? 752 00:27:18,767 --> 00:27:20,500 YEAH, YEAH. 753 00:27:20,500 --> 00:27:22,633 YOU KNOW, I JUST... I JUST DO MY THING. 754 00:27:22,633 --> 00:27:23,767 I LIVE MY LIFE, 755 00:27:23,767 --> 00:27:25,767 AND MY LIFE HAS GIRLS IN IT. 756 00:27:25,767 --> 00:27:27,300 MM... 757 00:27:27,300 --> 00:27:29,200 MM-HMM, 758 00:27:29,200 --> 00:27:31,734 BUT HERE'S THE QUESTION, PAPI... 759 00:27:31,734 --> 00:27:33,867 WHY DO YOU THINK THEY FLOCK TO YOU? 760 00:27:33,867 --> 00:27:34,867 YOU KNOW? 761 00:27:34,867 --> 00:27:37,467 LOVE, I GUESS. 762 00:27:37,467 --> 00:27:38,600 THEY KNOW I LOVE THEM. 763 00:27:39,734 --> 00:27:41,200 REALLY? 764 00:27:41,200 --> 00:27:42,100 YEAH. REALLY, PAPI? 765 00:27:42,100 --> 00:27:43,467 ALL OF THEM? 766 00:27:43,467 --> 00:27:44,567 MM-HMM. 767 00:27:44,567 --> 00:27:48,266 I LOVE THEIR VOICES. 768 00:27:48,266 --> 00:27:50,467 I LOVE THEIR EYES. 769 00:27:50,467 --> 00:27:51,567 THEIR HAIR, 770 00:27:51,567 --> 00:27:53,200 THEIR CURVES, THEIR BODIES... 771 00:27:53,200 --> 00:27:54,233 [GIGGLES AWKWARDLY] 772 00:27:54,233 --> 00:27:56,367 THEIR LAUGHTER. 773 00:27:58,066 --> 00:27:59,166 THE SADNESS, 774 00:27:59,166 --> 00:28:03,066 THE WETNESS. 775 00:28:03,066 --> 00:28:05,633 SEE, EVERYTHING ABOUT A WOMAN, I LOVE. 776 00:28:05,633 --> 00:28:08,467 TOUCHING THEM, 777 00:28:08,467 --> 00:28:10,600 FEELING THEIR SKIN AGAINST MINE, 778 00:28:10,600 --> 00:28:13,100 MAKING THEM FEEL GOOD... 779 00:28:13,100 --> 00:28:15,066 MM... 780 00:28:15,066 --> 00:28:17,200 SEE, I RESPECT THEM, 781 00:28:17,200 --> 00:28:19,166 AND I RESPECT MYSELF, 782 00:28:19,166 --> 00:28:23,734 AND, UH... 783 00:28:24,800 --> 00:28:26,600 AND WHAT? 784 00:28:28,533 --> 00:28:30,033 THEY LIKE THE WAY I KISS. 785 00:28:34,567 --> 00:28:36,800 I CAN MAKE A WOMAN COME 786 00:28:36,800 --> 00:28:38,367 JUST BY KISSING HER. 787 00:28:43,600 --> 00:28:45,734 WELL, I HOPE I DIDN'T BORE YOU TO TEARS. 788 00:28:45,734 --> 00:28:49,133 YOU DIDN'T BORE ME AT ALL. 789 00:28:49,133 --> 00:28:51,100 I DIDN'T SHUT UP. 790 00:28:51,100 --> 00:28:52,100 YOU KNOW 791 00:28:52,100 --> 00:28:54,567 EVERYTHING THERE IS TO KNOW ABOUT ME, AND... 792 00:28:54,567 --> 00:28:58,300 I DON'T EVEN KNOW WHERE YOU COME FROM. 793 00:28:58,300 --> 00:29:00,633 I COME FROM WILMETTE. 794 00:29:00,633 --> 00:29:05,433 IT'S IN ILLINOIS, OUTSIDE CHICAGO. 795 00:29:05,433 --> 00:29:07,700 DO YOUR PARENTS STILL LIVE THERE? 796 00:29:07,700 --> 00:29:09,700 DO YOU HAVE ANY BROTHERS OR SISTERS? 797 00:29:09,700 --> 00:29:11,233 WHY DON'T WE SAVE ALL THAT STUFF 798 00:29:11,233 --> 00:29:14,033 FOR THE SECOND DATE? 799 00:29:33,166 --> 00:29:34,533 [GIGGLES] 800 00:29:34,533 --> 00:29:36,100 OH, SHIT. 801 00:29:36,100 --> 00:29:38,033 CLASSIC. 802 00:29:38,033 --> 00:29:39,233 YOU'D THINK I WAS 17. 803 00:29:39,233 --> 00:29:40,266 [GIGGLES] 804 00:29:40,266 --> 00:29:41,300 I DON'T THINK THAT 805 00:29:41,300 --> 00:29:44,700 THAT'S EVER HAPPENED TO ME. 806 00:29:44,700 --> 00:29:46,533 REALLY? 807 00:29:46,533 --> 00:29:47,500 [GIGGLES] 808 00:29:47,500 --> 00:29:48,467 SO YOU'VE NEVER BEEN CAUGHT 809 00:29:48,467 --> 00:29:51,266 WITH YOUR TONGUE DOWN SOME GIRL'S THROAT? 810 00:29:51,266 --> 00:29:52,533 WELL, MY PARENTS... 811 00:29:52,533 --> 00:29:56,433 YOU KNOW, THEY WEREN'T THAT STRICT, SO.. 812 00:29:56,433 --> 00:29:57,967 WELL, YOU'RE A BOY. 813 00:29:57,967 --> 00:29:59,934 AND I WAS ALWAYS KIND OF A GOOD KID. 814 00:29:59,934 --> 00:30:02,033 OH, YOU WERE, WERE YOU? 815 00:30:02,033 --> 00:30:04,433 YEAH. 816 00:30:04,433 --> 00:30:06,700 WELL, LET ME TEACH YOU HOW TO BE BAD. 817 00:30:27,467 --> 00:30:28,667 GO ON. 818 00:30:28,667 --> 00:30:31,100 GET INSIDE. 819 00:30:32,100 --> 00:30:34,300 CALL ME? 820 00:30:34,300 --> 00:30:36,300 I MIGHT... 821 00:30:36,300 --> 00:30:38,900 BE ABLE TO WAIT TILL TOMORROW, BUT... 822 00:30:38,900 --> 00:30:40,166 I'M GOING TO BE THINKING ABOUT YOU 823 00:30:40,166 --> 00:30:41,600 ALL NIGHT. 824 00:30:53,567 --> 00:30:56,400 UM... I DIDN'T WANT THE BOYS TO COME ACROSS 825 00:30:56,400 --> 00:30:58,266 AS ONE-DIMENSIONAL MONSTERS, 826 00:30:58,266 --> 00:31:00,200 AND WHAT I WAS TRYING TO SHOW 827 00:31:00,200 --> 00:31:02,200 IS THAT I THINK THAT, IN OUR CULTURE, 828 00:31:02,200 --> 00:31:05,967 THAT SOMETIMES BOYS ARE CONDONED FOR THEIR ACTIONS, 829 00:31:05,967 --> 00:31:09,233 AND THE MESSAGE IS, "GO AHEAD, RAPE THESE GIRLS. 830 00:31:09,233 --> 00:31:10,867 THE GIRLS ARE FOR RAPING." 831 00:31:10,867 --> 00:31:12,000 WELL, IT SEEMS TO ME 832 00:31:12,000 --> 00:31:14,467 THAT THE REAL MONSTERS IN YOUR BOOK 833 00:31:14,467 --> 00:31:16,000 ARE YOUR PARENTS. 834 00:31:16,000 --> 00:31:17,066 NO. 835 00:31:17,066 --> 00:31:21,300 I MEAN, I DIDN'T WANT MY PARENTS TO COME ACROSS AS EVIL. 836 00:31:21,300 --> 00:31:23,633 I LOVE MY PARENTS SO MUCH. 837 00:31:23,633 --> 00:31:25,300 YOU KNOW, AND WHEN THAT... 838 00:31:25,300 --> 00:31:27,400 THING HAPPENED, 839 00:31:27,400 --> 00:31:29,300 THEY WERE JUST DEVASTATED, 840 00:31:29,300 --> 00:31:31,266 BUT, YOU KNOW, I THINK, AS ADULTS, 841 00:31:31,266 --> 00:31:35,600 THEY HAD THE POWER TO HELP ME OVERCOME IT, 842 00:31:35,600 --> 00:31:36,834 AND THEY CHOSE NOT TO, 843 00:31:36,834 --> 00:31:40,233 AND INSTEAD, IT FESTERED INTO A PATHOLOGY, 844 00:31:40,233 --> 00:31:42,600 AND I THINK THE SUM OF IT 845 00:31:42,600 --> 00:31:44,533 MADE ME PRETTY DYSFUNCTIONAL, YOU KNOW. 846 00:31:44,533 --> 00:31:48,233 IT PROBABLY MADE ME 847 00:31:48,233 --> 00:31:49,333 INTO THE DYSFUNCTIONAL LIAR THAT I WAS 848 00:31:49,333 --> 00:31:52,567 FOR MOST OF MY YOUNG ADULT LIFE. 849 00:31:54,100 --> 00:31:55,934 YOU KNOW... 850 00:31:55,934 --> 00:31:59,133 THAT'S A VERY BRAVE THING TO ADMIT ABOUT YOURSELF, JENNY. 851 00:31:59,133 --> 00:32:00,300 I DON'T KNOW. 852 00:32:00,300 --> 00:32:02,533 I MEAN, I THINK THAT'S WHY I WRITE. 853 00:32:02,533 --> 00:32:04,533 BECAUSE... 854 00:32:04,533 --> 00:32:07,200 YOU JUST WANT TO GET ALL OF THIS STUFF OUT. 855 00:32:07,200 --> 00:32:08,200 [SIGHS] 856 00:32:08,200 --> 00:32:09,400 WOW... 857 00:32:09,400 --> 00:32:10,934 I DON'T THINK I'VE EVER OPENED LIKE THIS 858 00:32:10,934 --> 00:32:12,367 TO SOMEONE BEFORE. 859 00:32:13,467 --> 00:32:16,266 YOU'VE MADE ME FEEL VERY SAFE. 860 00:32:16,266 --> 00:32:18,967 THANK YOU FOR THAT. 861 00:32:22,533 --> 00:32:24,200 WOW... 862 00:32:24,200 --> 00:32:25,967 FANCY. 863 00:32:29,400 --> 00:32:31,200 WHAT, DOES THAT MAKE THE BED POP OUT? 864 00:32:31,200 --> 00:32:32,533 [CHUCKLES] 865 00:32:32,533 --> 00:32:35,100 [♪] 866 00:32:39,867 --> 00:32:40,834 NICE BEATS. 867 00:32:40,834 --> 00:32:42,834 YEAH? YEAH, GOOD BEATS. 868 00:32:44,400 --> 00:32:47,867 THIS MAKES THE BED POP OUT. 869 00:32:47,867 --> 00:32:49,767 [LAUGHS AWKWARDLY] 870 00:32:53,066 --> 00:32:55,867 [♪] 871 00:33:06,266 --> 00:33:09,934 [SPEAKING SPANISH] 872 00:33:14,233 --> 00:33:16,033 PAPI? 873 00:33:16,033 --> 00:33:17,100 MM? 874 00:33:17,100 --> 00:33:18,233 UM... 875 00:33:18,233 --> 00:33:20,400 WELL, I-- I JUST, UH... 876 00:33:20,400 --> 00:33:22,967 I JUST FEEL LIKE MAYBE... 877 00:33:22,967 --> 00:33:26,333 I FEEL LIKE MAYBE YOU'RE MOVING A LITTLE FAST. 878 00:33:26,333 --> 00:33:29,133 WE NEED TIME FOR THE FULL TOUR. 879 00:33:29,133 --> 00:33:30,266 I'M GOING TO TAKE YOU PLACES 880 00:33:30,266 --> 00:33:32,834 YOU'VE NEVER BEEN BEFORE. 881 00:33:32,834 --> 00:33:33,867 OH... 882 00:33:34,934 --> 00:33:38,066 I HIGHLY DOUBT THAT, PAPI. 883 00:33:38,367 --> 00:33:41,800 [♪] 884 00:34:12,000 --> 00:34:13,200 HOW ABOUT THAT? 885 00:34:25,700 --> 00:34:28,967 YOU LIKE THAT? 886 00:34:28,967 --> 00:34:29,900 [GASPS] 887 00:34:29,900 --> 00:34:31,967 WOW... 888 00:34:31,967 --> 00:34:34,133 [SIGHS] 889 00:34:34,133 --> 00:34:35,734 WHAT ARE YOU DOING? 890 00:34:35,734 --> 00:34:38,100 CIRCLES. 891 00:34:38,100 --> 00:34:39,266 MAGIC CIRCLES. 892 00:34:39,266 --> 00:34:40,367 CIRCLES. 893 00:34:40,367 --> 00:34:41,834 CIRCLES ARE GOOD, RIGHT? 894 00:34:41,834 --> 00:34:43,000 OH, YEAH, CIRCLES ARE GOOD. 895 00:34:43,000 --> 00:34:44,100 UH-HUH. 896 00:34:44,100 --> 00:34:46,066 YEAH, CIRCLES. 897 00:34:46,066 --> 00:34:47,266 OH, WOW, CIRCLES. 898 00:34:47,266 --> 00:34:48,734 YOU LIKE THAT? 899 00:34:48,734 --> 00:34:51,233 OH, YEAH, I THINK I REALLY LIKE CIRCLES. 900 00:34:51,233 --> 00:34:53,200 OH, WOW... 901 00:34:53,200 --> 00:34:55,233 YEAH, CIRCLES. 902 00:34:55,233 --> 00:34:58,100 CIRCLES ARE GREAT, PAPI. 903 00:34:58,100 --> 00:35:00,133 CIRCLES ARE REALLY GREAT, PAPI. 904 00:35:00,133 --> 00:35:01,233 [LAUGHS] 905 00:35:01,233 --> 00:35:02,834 OH, PAPI... 906 00:35:02,834 --> 00:35:03,967 OH, PAPI... 907 00:35:03,967 --> 00:35:05,200 HERE, GIRL. 908 00:35:05,200 --> 00:35:06,867 OH, MY GOD, PAPI. 909 00:35:06,867 --> 00:35:07,867 PAPI... 910 00:35:07,867 --> 00:35:09,066 PAPI! 911 00:35:09,066 --> 00:35:12,333 [KEYBOARD CLACKING] 912 00:35:15,967 --> 00:35:17,667 [KNOCKS] 913 00:35:20,367 --> 00:35:22,300 HEY, COME ON IN. 914 00:35:26,600 --> 00:35:27,800 [SIGHS] 915 00:35:31,633 --> 00:35:34,166 I FEEL LIKE I NEVER SEE YOU ANYMORE. 916 00:35:34,166 --> 00:35:36,166 YOU'RE SO BUSY. 917 00:35:36,166 --> 00:35:38,667 I SAW YOU EARLIER THIS EVENING. 918 00:35:38,667 --> 00:35:41,633 OH, IT WAS JUST A FEELING. 919 00:35:41,633 --> 00:35:44,934 I'M ALLOWED MY-- MY FEELINGS, AREN'T I? 920 00:35:44,934 --> 00:35:46,567 [SNIFFLES] 921 00:35:46,567 --> 00:35:48,667 WHAT'S WRONG? 922 00:35:50,200 --> 00:35:54,600 DID SOMETHING HAPPEN? 923 00:35:54,600 --> 00:35:56,700 WHERE'S ANGUS? 924 00:35:56,700 --> 00:35:58,734 [SIGHS] 925 00:35:58,734 --> 00:36:00,767 I FEEL SO DAMN GUILTY. 926 00:36:00,767 --> 00:36:04,700 KIT, YOU TOLD ME THAT YOU WERE CLEAR ABOUT THIS. 927 00:36:04,700 --> 00:36:06,166 YOU SAID THAT YOU AND ANGUS BOTH AGREED 928 00:36:06,166 --> 00:36:07,633 THIS WAS THE RIGHT DECISION. 929 00:36:07,633 --> 00:36:12,000 IT WAS THE RIGHT DECISION, 930 00:36:12,000 --> 00:36:16,533 BUT I FEEL SO SAD FOR ANGUS. 931 00:36:16,533 --> 00:36:18,867 HE'S TRYING TO BE REAL BRAVE ABOUT IT, 932 00:36:18,867 --> 00:36:21,934 BUT I KNOW HE FEELS SO SAD. 933 00:36:21,934 --> 00:36:23,100 [SIGHS HEAVILY] 934 00:36:23,100 --> 00:36:24,567 [SNIFFLES] 935 00:36:24,567 --> 00:36:27,633 YOU KNOW, KIT, YOU CAN BE SAD FOR YOURSELF, TOO. 936 00:36:34,900 --> 00:36:36,266 [SIGHS] 937 00:36:36,266 --> 00:36:40,033 I'M JUST GLAD HE'S NOT HERE 938 00:36:40,033 --> 00:36:41,533 TO SEE ME BEING THIS SAD, 939 00:36:41,533 --> 00:36:43,767 BECAUSE IT WOULD ONLY MAKE HIM SADDER. 940 00:36:48,133 --> 00:36:50,533 YOU THINK MAYBE I CAN HAVE... 941 00:36:50,533 --> 00:36:51,567 [SIGHS] 942 00:36:51,567 --> 00:36:52,767 ...HAVE A LITTLE HUG? 943 00:36:54,200 --> 00:36:55,633 [PATS HER LAP] 944 00:36:59,166 --> 00:37:01,633 [SNIFFLING] 945 00:37:09,066 --> 00:37:11,767 OH, WOW... 946 00:37:11,767 --> 00:37:14,533 HOW DO YOU SAY, "I'M DONE" IN SPANISH? 947 00:37:14,533 --> 00:37:15,900 YOU'RE NOT DONE. 948 00:37:15,900 --> 00:37:17,000 NO? MM-MM. 949 00:37:22,700 --> 00:37:24,900 OH, PAPI! 950 00:37:24,900 --> 00:37:26,467 PAPI! 951 00:37:26,467 --> 00:37:28,100 THAT'S HOW YOU SAY MY NAME, GIRL. 952 00:37:28,100 --> 00:37:31,800 [MOANING] 953 00:37:39,633 --> 00:37:41,033 [CAR DOOR OPENS] 954 00:37:45,834 --> 00:37:47,133 OH... 955 00:37:49,600 --> 00:37:50,600 WHOO! 956 00:37:50,600 --> 00:37:51,667 [LAUGHING] 957 00:37:53,033 --> 00:37:54,900 WOW... 958 00:37:54,900 --> 00:37:56,166 OKAY, WELL, 959 00:37:56,166 --> 00:37:57,533 DO YOU WANT TO COME IN, OR... 960 00:37:57,533 --> 00:37:58,533 OH, NO, NO, NO, 961 00:37:58,533 --> 00:37:59,767 THANKS, THOUGH, 962 00:37:59,767 --> 00:38:00,967 BUT IT'S AGAINST THE RULES. 963 00:38:00,967 --> 00:38:02,200 RULE NUMBER ONE-- 964 00:38:02,200 --> 00:38:03,867 PAPI DOESN'T DO BREAKFAST. 965 00:38:03,867 --> 00:38:05,633 OH, OKAY. 966 00:38:07,567 --> 00:38:09,667 WELL, IT WAS FUN. 967 00:38:09,667 --> 00:38:10,834 I HAD A REALLY GOOD TIME. 968 00:38:10,834 --> 00:38:11,800 SO DID I. 969 00:38:11,800 --> 00:38:14,033 YOU KNOW, I'M GLAD I FOUND YOU. 970 00:38:14,033 --> 00:38:15,000 OKAY... 971 00:38:15,000 --> 00:38:16,066 ALL RIGHT, ALICE. 972 00:38:16,066 --> 00:38:18,800 SEE YOU AROUND. 973 00:38:18,800 --> 00:38:19,800 OKAY. 974 00:38:19,800 --> 00:38:20,734 WHOO! 975 00:38:24,900 --> 00:38:26,700 WELL, WELL, WELL, 976 00:38:26,700 --> 00:38:28,033 SOMEONE HAD A BUSY NIGHT. 977 00:38:28,033 --> 00:38:29,467 YEAH, I WAS WORKING. 978 00:38:29,467 --> 00:38:30,400 WORKING? 979 00:38:30,400 --> 00:38:31,600 YEAH, WORKING PRETTY HARD. 980 00:38:31,600 --> 00:38:33,033 [CHUCKLES] 981 00:38:33,033 --> 00:38:34,767 ALL RIGHT, SEE YOU. 982 00:38:34,767 --> 00:38:35,800 SEE YOU LATER! 983 00:38:35,800 --> 00:38:36,767 OKAY. 984 00:38:49,367 --> 00:38:51,633 OH, MY GOD. 985 00:38:52,834 --> 00:38:54,700 REALLY? 986 00:38:54,700 --> 00:38:57,633 REALLY, PAPI? 987 00:38:57,633 --> 00:38:59,367 WOW. 988 00:38:59,367 --> 00:39:01,533 THAT GIRL DOES NOT QUIT. 989 00:39:02,734 --> 00:39:03,734 IT'S KIND OF FREAKING ME OUT. 990 00:39:03,734 --> 00:39:05,400 I MEAN, SHE IS THE BOSS' DAUGHTER, 991 00:39:05,400 --> 00:39:08,467 AND I'M NOT EVEN OUT AT WORK. 992 00:39:08,467 --> 00:39:10,033 SO YOU SHOULD COME OUT. 993 00:39:10,033 --> 00:39:12,367 HEY, IS IT CURVEMAG.COM OR .NET? 994 00:39:12,367 --> 00:39:13,133 YOU DON'T UNDERSTAND. 995 00:39:13,133 --> 00:39:14,600 COMING OUT FOR ME-- 996 00:39:14,600 --> 00:39:16,734 IT'S NOT THE SAME AS IT IS FOR YOU. 997 00:39:16,734 --> 00:39:18,633 HMM. 998 00:39:18,633 --> 00:39:20,333 SHE SAID THAT IT WAS GOING TO BE OUT 999 00:39:20,333 --> 00:39:21,633 FIRST THING THIS MORNING, 1000 00:39:21,633 --> 00:39:23,600 SO I DON'T UNDERSTAND WHY I CAN'T FIND IT, 1001 00:39:23,600 --> 00:39:25,433 BECAUSE WHEN SHE CALLED ME TO GET SOME COMMENTS, 1002 00:39:25,433 --> 00:39:27,000 SHE SAID THE REVIEW WAS ALREADY DONE. 1003 00:39:27,000 --> 00:39:28,400 I THOUGHT YOU WERE GOING TO LET ME READ THE REVIEWS 1004 00:39:28,400 --> 00:39:29,433 BEFORE YOU LOOKED AT THEM. 1005 00:39:29,433 --> 00:39:31,333 NO, I DON'T NEED TO WITH THIS ONE. 1006 00:39:31,333 --> 00:39:33,100 WE HAD THIS UNDERSTANDING, 1007 00:39:33,100 --> 00:39:34,533 AND, YOU KNOW, I THINK 1008 00:39:34,533 --> 00:39:35,533 THAT'S THE KIND OF THING THAT HAPPENS 1009 00:39:35,533 --> 00:39:37,567 WHEN TWO GAY WOMEN SPEAK TO EACH OTHER. 1010 00:39:37,567 --> 00:39:38,533 OH, YAY! 1011 00:39:38,533 --> 00:39:40,333 HERE IT IS. OKAY, READY? 1012 00:39:40,333 --> 00:39:43,934 JENNIFER SCHECTER, SOME OF HER PARTS. 1013 00:39:43,934 --> 00:39:45,600 OKAY, READY? 1014 00:39:45,600 --> 00:39:46,700 "JENNIFER SCHECTER'S 1015 00:39:46,700 --> 00:39:48,467 "AUTOBIOGRAPHICAL EXAMINATION 1016 00:39:48,467 --> 00:39:49,800 "OF HER VIOLATED CHILDHOOD 1017 00:39:49,800 --> 00:39:53,066 "IS SEXUALLY EXPLICIT, SELF-INDULGENT, 1018 00:39:53,066 --> 00:39:54,967 AND SELF-PITYING"? 1019 00:39:54,967 --> 00:39:56,433 YOU KNOW WHAT? 1020 00:39:56,433 --> 00:39:57,633 MAYBE YOU REALLY SHOULDN'T BE READING THIS RIGHT NOW. 1021 00:40:00,567 --> 00:40:02,333 "SCHECTER IS AN UNDISCIPLINED WRITER 1022 00:40:02,333 --> 00:40:05,033 "WHO APPLIES A SLOPPY SOLIPSISTIC LOGIC 1023 00:40:05,033 --> 00:40:07,333 "TO AN UNDISCIPLINED LIFE. 1024 00:40:07,333 --> 00:40:08,734 "HER CENTRAL THESIS 1025 00:40:08,734 --> 00:40:11,767 "THAT CHILDHOOD SEXUAL ABUSE IS BOTH A CAUSE 1026 00:40:11,767 --> 00:40:13,333 "AND AN EXCUSE 1027 00:40:13,333 --> 00:40:15,700 "FOR DECEITFUL ADULT BEHAVIOR 1028 00:40:15,700 --> 00:40:20,734 "IS BOTH INSULTING AND DANGEROUS TO THOSE MYRIAD WOMEN 1029 00:40:20,734 --> 00:40:25,367 WHO HAVE SUFFERED AT THE HANDS OF PREDATORY MEN." 1030 00:40:25,367 --> 00:40:27,900 HMM. 1031 00:40:27,900 --> 00:40:29,567 OKAY. 1032 00:40:31,367 --> 00:40:32,633 C'EST LA VIE. 1033 00:40:37,500 --> 00:40:40,467 FUCK YOU, STACEY MERKIN! 1034 00:40:40,467 --> 00:40:42,700 FUCK YOU! 1035 00:40:42,700 --> 00:40:44,300 JENNY, COME ON, THE KID'S HERE. 1036 00:40:44,300 --> 00:40:45,633 OH, MY GOD, MY BAG! 1037 00:40:45,633 --> 00:40:47,266 I WAS WAIT-LISTED FOR THIS BAG! 1038 00:40:47,266 --> 00:40:48,533 OKAY, WE'RE CLEANING IT UP. 1039 00:40:48,533 --> 00:40:50,800 IT'S OKAY, RIGHT? 1040 00:40:50,800 --> 00:40:52,500 WHAT ARE YOU SCREAMING ABOUT? 1041 00:40:52,500 --> 00:40:54,000 NOTHING. 1042 00:40:54,000 --> 00:40:56,700 WHAT HAPPENED? 1043 00:40:56,700 --> 00:40:57,800 I SPILLED. 1044 00:40:59,533 --> 00:41:02,233 OH, UH, OKAY. 1045 00:41:02,233 --> 00:41:03,467 NO, THAT'S NOT WHAT HAPPENED. 1046 00:41:03,467 --> 00:41:06,533 WHAT HAPPENED IS THAT STACEY MERKIN 1047 00:41:06,533 --> 00:41:08,233 REVEALED HERSELF TO BE A TRUE CUNT-- 1048 00:41:08,233 --> 00:41:09,700 HEY! 1049 00:41:09,700 --> 00:41:10,967 PLEASE. 1050 00:41:13,233 --> 00:41:14,367 AND SHE USED HER GAYNESS 1051 00:41:14,367 --> 00:41:15,734 TO GET ME TO OPEN UP, 1052 00:41:15,734 --> 00:41:16,667 AND THE THING IS, SHAY, 1053 00:41:16,667 --> 00:41:18,767 I DIDN'T EVEN WANT TO DO THE FUCKING-- 1054 00:41:20,333 --> 00:41:22,633 SECOND TIME. 1055 00:41:22,633 --> 00:41:24,300 ...INTERVIEW 1056 00:41:24,300 --> 00:41:26,967 IN THE FIRST PLACE. 1057 00:41:26,967 --> 00:41:28,433 ARE YOU DONE? 1058 00:41:28,433 --> 00:41:29,433 YEAH. 1059 00:41:29,433 --> 00:41:31,633 SHAY... SHAY... 1060 00:41:31,633 --> 00:41:32,834 LISTEN, THERE'S MAC AND CHEESE 1061 00:41:32,834 --> 00:41:34,200 IN THE FREEZER, ALL RIGHT? 1062 00:41:34,200 --> 00:41:35,600 AND IF I'M NOT GOING TO BE BACK FOR LUNCH, 1063 00:41:35,600 --> 00:41:37,433 JENNY'S GOING TO HELP YOU WITH THE STOVE. 1064 00:41:37,433 --> 00:41:37,834 OKAY? 1065 00:41:37,834 --> 00:41:38,800 OKAY. 1066 00:41:38,800 --> 00:41:39,533 I'LL SEE YOU LATER. 1067 00:41:39,533 --> 00:41:40,834 HAVE FUN. 1068 00:41:40,834 --> 00:41:42,700 YOU WATCH IT. 1069 00:41:42,700 --> 00:41:44,433 SHAY, SAY, 1070 00:41:44,433 --> 00:41:45,333 "STACEY MERKIN'S A FUCKING CUNT." 1071 00:41:45,333 --> 00:41:46,467 OKAY, YOU KNOW WHAT? 1072 00:41:46,467 --> 00:41:47,567 BECAUSE STACEY MERKIN'S A FUCKING CUNT. 1073 00:41:47,567 --> 00:41:49,633 NO, HE'S NOT GOING TO SAY IT. 1074 00:41:49,633 --> 00:41:50,867 SAY IT, SAY IT. HAVE A GREAT DAY, JENNY. 1075 00:41:50,867 --> 00:41:52,333 STACEY MERKIN'S A FUCKING CUNT. 1076 00:41:58,567 --> 00:41:59,600 HEY, DO YOU HAVE A SECOND? 1077 00:41:59,600 --> 00:42:01,166 JESUS... OH, NADIA. 1078 00:42:01,166 --> 00:42:02,600 I'M SORRY, I-- I'M JUST SO EXCITED. 1079 00:42:02,600 --> 00:42:03,767 I FOUND THE BOOK, 1080 00:42:03,767 --> 00:42:05,934 AND IT IS FANTASTIC. 1081 00:42:05,934 --> 00:42:08,166 HEADS-WILL-ROLL IS GOING TO LOVE IT. 1082 00:42:08,166 --> 00:42:08,834 "HEADS-WILL-ROLL?" 1083 00:42:08,834 --> 00:42:10,333 EVC KROLL. 1084 00:42:10,333 --> 00:42:12,567 WE CALL HER HEADS-WILL-ROLL KROLL 1085 00:42:12,567 --> 00:42:14,166 BECAUSE SHE FIRES AT LEAST ONE DEAN A YEAR. 1086 00:42:14,166 --> 00:42:15,700 OH. LOOK AT THIS. 1087 00:42:20,300 --> 00:42:22,600 OKAY, AS YOU KNOW, THIS IS THE ORIGINAL. 1088 00:42:22,600 --> 00:42:24,200 MM-HMM. 1089 00:42:24,200 --> 00:42:27,333 BUT WE ARE GOING TO MAKE THIS C.U. 1090 00:42:27,333 --> 00:42:29,500 MM... 1091 00:42:29,500 --> 00:42:31,633 AND I'M GOING TO MAKE YOU LITTLE NEMO, 1092 00:42:31,633 --> 00:42:32,800 BECAUSE THIS IS YOUR DREAM 1093 00:42:32,800 --> 00:42:35,467 FOR THE FUTURE OF THE SCHOOL OF THE ARTS. 1094 00:42:35,467 --> 00:42:36,567 NO... 1095 00:42:36,567 --> 00:42:38,433 NO, LITTLE NEMO IS A STUDENT. 1096 00:42:38,433 --> 00:42:39,433 MAKE IT A BOY, 1097 00:42:39,433 --> 00:42:40,567 BECAUSE MOST OF THE TRUSTEES ARE MEN, 1098 00:42:40,567 --> 00:42:41,667 AND THEY'RE SO SENTIMENTAL 1099 00:42:41,667 --> 00:42:43,166 ABOUT THEIR BOYHOODS, 1100 00:42:43,166 --> 00:42:44,333 AND I WANT YOU TO FOCUS 1101 00:42:44,333 --> 00:42:45,367 ON THE SCHOOL OF THE ARTS, 1102 00:42:45,367 --> 00:42:46,500 BUT I ALSO WANT YOU TO ACKNOWLEDGE 1103 00:42:46,500 --> 00:42:48,400 THE OTHER DEPARTMENTS OF THE UNIVERSITY. 1104 00:42:48,400 --> 00:42:52,533 LIKE, MAKE THIS PHYSICS, AND... 1105 00:42:52,533 --> 00:42:55,233 MAKE THIS ATHLETICS. 1106 00:42:55,233 --> 00:42:57,200 OKAY? 1107 00:42:57,200 --> 00:42:58,667 WOW. 1108 00:42:58,667 --> 00:43:01,200 YOU... 1109 00:43:01,200 --> 00:43:02,233 YOU'RE AMAZING. 1110 00:43:04,867 --> 00:43:06,300 UH, PRESTON, 1111 00:43:06,300 --> 00:43:08,700 I WAS JUST COMING TO SEE YOU. 1112 00:43:08,700 --> 00:43:10,500 WELL, GOOD WORK, NADIA. 1113 00:43:10,500 --> 00:43:11,667 SO YOU SEE WHERE I'M GOING WITH THIS? 1114 00:43:11,667 --> 00:43:13,133 YES, ABSOLUTELY, I DO. 1115 00:43:13,133 --> 00:43:14,166 THANK YOU. 1116 00:43:14,166 --> 00:43:15,133 THANK YOU. 1117 00:43:15,133 --> 00:43:16,367 ALL RIGHT. 1118 00:43:16,367 --> 00:43:17,300 HEY... 1119 00:43:17,300 --> 00:43:18,400 CAN I CALL YOU BETTE? 1120 00:43:18,400 --> 00:43:19,467 SHE COULD CALL ME 1121 00:43:19,467 --> 00:43:22,166 ANYTHING SHE WANTS. 1122 00:43:22,166 --> 00:43:23,333 "DEAN PORTER" IS JUST FINE. 1123 00:43:38,600 --> 00:43:40,066 HEY, MARTA? 1124 00:43:40,066 --> 00:43:42,633 CAN YOU GET MY LITTLE BROTHER A SMOOTHIE OR SOMETHING? 1125 00:43:43,567 --> 00:43:44,567 A SMOOTHIE? 1126 00:43:44,567 --> 00:43:46,300 YES, A SMOOTHIE. 1127 00:43:46,300 --> 00:43:48,533 IS IT SO HARD TO GET THE KID A FUCKING SMOOTHIE? 1128 00:43:50,233 --> 00:43:51,300 MARTA, DON'T GIVE ME SHIT. 1129 00:43:51,300 --> 00:43:52,300 JUST GET ME A SMOOTHIE. 1130 00:43:52,300 --> 00:43:53,633 SHANE, YOUR NEXT CLIENT'S STILL WAITING, 1131 00:43:53,633 --> 00:43:55,333 AND CAN I GET YOUR SIGNATURE ON THIS THING? 1132 00:44:01,767 --> 00:44:04,734 JODI LERNER'S GOING TO BE HERE IN THREE WEEKS. 1133 00:44:04,734 --> 00:44:05,800 IT'S SUCH A COUP, 1134 00:44:05,800 --> 00:44:07,500 GETTING HER AS AN ARTIST-IN-RESIDENCE. 1135 00:44:07,500 --> 00:44:08,433 I LOVE IT. 1136 00:44:08,433 --> 00:44:10,133 I WOULD ALSO LIKE TO TRY TO COAX 1137 00:44:10,133 --> 00:44:12,400 LEE BONTECOU OR JOHN BALDESSARI. 1138 00:44:12,400 --> 00:44:13,767 AND ED RUSCHA. HE OWES ME A FAVOR. 1139 00:44:13,767 --> 00:44:16,400 I ALSO HAVE A LIST OF ALL OF OUR EQUIPMENT NEEDS, 1140 00:44:16,400 --> 00:44:18,233 BECAUSE IF WE'RE TO BE TRULY COMPETITIVE 1141 00:44:18,233 --> 00:44:20,333 WITH THE REST OF THE TOP TIER... 1142 00:44:20,333 --> 00:44:21,367 PHYLLIS? 1143 00:44:21,367 --> 00:44:23,734 I'M SORRY. GO ON. 1144 00:44:23,734 --> 00:44:25,066 YEAH. 1145 00:44:25,066 --> 00:44:26,200 IF WE'RE TO BE TRULY COMPETITIVE 1146 00:44:26,200 --> 00:44:27,333 WITH THE REST OF THE TOP TIER, 1147 00:44:27,333 --> 00:44:28,400 THEN WE'LL NEED TO UPGRADE 1148 00:44:28,400 --> 00:44:30,533 OUR DIGITAL MEDIA RESOURCES. 1149 00:44:32,433 --> 00:44:37,100 I'VE BEEN MARRIED 23 YEARS, BETTE. 1150 00:44:37,100 --> 00:44:38,433 I HAVE TWO CHILDREN. 1151 00:44:38,433 --> 00:44:41,600 THEY'RE BOTH GONE AWAY TO COLLEGE. 1152 00:44:41,600 --> 00:44:43,133 ARE YOU OKAY, PHYLLIS? 1153 00:44:44,433 --> 00:44:47,467 ARE YOUR CHILDREN OKAY? 1154 00:44:47,467 --> 00:44:48,667 HAVE YOU EVER HAD THE CONVICTION 1155 00:44:48,667 --> 00:44:50,400 YOU'VE BEEN LIVING A LIE YOUR WHOLE LIFE? 1156 00:44:52,333 --> 00:44:53,367 NO. 1157 00:44:53,367 --> 00:44:54,467 ACTUALLY, I HAVEN'T. 1158 00:44:54,467 --> 00:44:57,166 NO, OF COURSE NOT. 1159 00:44:57,166 --> 00:44:58,533 YOU'RE COURAGEOUS. 1160 00:44:58,533 --> 00:45:02,266 YOU LIVE YOUR LIFE BOLDLY, HONESTLY. 1161 00:45:02,266 --> 00:45:06,200 I WISH I COULD TAKE YOUR EXAMPLE. 1162 00:45:06,200 --> 00:45:10,266 PHYLLIS, YOU ARE A WOMAN OF INCREDIBLE ACCOMPLISHMENTS. 1163 00:45:10,266 --> 00:45:12,000 I CANNOT POSSIBLY SEE-- 1164 00:45:12,000 --> 00:45:14,500 I THINK I'M A LESBIAN, BETTE. 1165 00:45:17,467 --> 00:45:20,000 OH. 1166 00:45:20,000 --> 00:45:22,100 [INHALES] 1167 00:45:24,533 --> 00:45:25,567 [BREATHES OUT SLOWLY] 1168 00:45:25,567 --> 00:45:29,000 IN FACT, I KNOW I AM. 1169 00:45:29,000 --> 00:45:30,200 I'VE KNOWN IT 1170 00:45:30,200 --> 00:45:32,200 SINCE I FELL IN LOVE WITH MY COLLEGE ROOMMATE. 1171 00:45:32,200 --> 00:45:34,100 MM... 1172 00:45:34,100 --> 00:45:35,500 WE DIDN'T ACT ON IT. 1173 00:45:35,500 --> 00:45:38,633 I WAS TOO AFRAID. 1174 00:45:38,633 --> 00:45:42,400 [VOICE BREAKING]: IT DIDN'T FIT IN WITH MY LIFE. 1175 00:45:42,400 --> 00:45:43,467 GOSH... 1176 00:45:43,467 --> 00:45:44,500 I WONDER WHERE SHE IS. 1177 00:45:44,500 --> 00:45:47,166 I WONDER IF SHE EVEN REMEMBERS. 1178 00:45:47,166 --> 00:45:50,667 I JUST CAN'T KEEP THIS INSIDE ANYMORE, BETTE. 1179 00:45:50,667 --> 00:45:52,000 DO YOU KNOW WHAT I MEAN? 1180 00:45:52,000 --> 00:45:54,000 I-- NO... 1181 00:45:54,000 --> 00:45:55,266 WAIT, NO, NO, I DON'T. 1182 00:45:55,266 --> 00:45:56,600 I DON'T KNOW WHAT YOU MEAN. 1183 00:45:56,600 --> 00:45:58,133 I HAVE TO FIND OUT ABOUT THESE FEELINGS. 1184 00:45:58,133 --> 00:46:00,367 I HAVE TO FIND OUT ABOUT WHAT I'VE MISSED. 1185 00:46:00,367 --> 00:46:02,333 WELL, WHY DON'T YOU... 1186 00:46:02,333 --> 00:46:03,667 WHY DON'T YOU TALK TO SOMEONE? 1187 00:46:03,667 --> 00:46:05,133 I MEAN, MAYBE A THERAPIST, OR... 1188 00:46:05,133 --> 00:46:08,300 I'VE BEEN LYING TO MY THERAPIST FOR YEARS. 1189 00:46:08,300 --> 00:46:09,500 I NEED TO TALK TO YOU, BETTE. 1190 00:46:09,500 --> 00:46:11,066 ME? 1191 00:46:14,066 --> 00:46:15,100 WHY ME? 1192 00:46:15,100 --> 00:46:16,967 BECAUSE YOU SEEM SO COMFORTABLE WITH IT. 1193 00:46:16,967 --> 00:46:18,000 YOU... 1194 00:46:18,000 --> 00:46:19,233 [SIGHS HEAVILY] 1195 00:46:19,233 --> 00:46:20,233 YOU SEEM SO FULFILLED, 1196 00:46:20,233 --> 00:46:22,934 AND I HAVE TO KNOW HOW YOU'VE DONE THAT. 1197 00:46:24,500 --> 00:46:26,066 IT'S A PROCESS, PHYLLIS. 1198 00:46:26,066 --> 00:46:27,934 I MEAN, IT WASN'T ALWAYS EASY. 1199 00:46:29,266 --> 00:46:34,600 GOD, I SURE AS HELL HOPE IT'S NOT TOO LATE FOR ME. 1200 00:46:34,600 --> 00:46:36,600 DO YOU... DO YOU THINK IT'S TOO LATE FOR ME? 1201 00:46:37,033 --> 00:46:38,600 [SIGHS] 1202 00:46:40,300 --> 00:46:42,333 IT'S NEVER TOO LATE, PHYLLIS. 1203 00:46:44,200 --> 00:46:47,100 IT'S NEVER TOO LATE. 1204 00:46:47,100 --> 00:46:48,967 WHERE IS SHE? 1205 00:46:48,967 --> 00:46:50,367 I WANT HER TO LOOK ME IN THE EYE, 1206 00:46:50,367 --> 00:46:52,300 AND SAY ALL OF THIS TO MY FACE. 1207 00:46:52,300 --> 00:46:53,233 SHE'S A FREELANCE WRITER. 1208 00:46:53,233 --> 00:46:54,367 SHE DOESN'T HAVE AN OFFICE HERE. 1209 00:46:54,367 --> 00:46:56,033 OH, YEAH? WHAT'S YOUR NAME? 1210 00:46:56,033 --> 00:46:57,266 JOLEEN. 1211 00:46:57,266 --> 00:46:59,133 JOLEEN, YOU'RE A LIAR... 1212 00:46:59,133 --> 00:47:01,500 BECAUSE I CAN SEE RIGHT HERE. 1213 00:47:01,500 --> 00:47:04,500 I SEE THAT STACEY MERKIN IS IN SUITE 293, 1214 00:47:04,500 --> 00:47:05,600 AND I'M GOING TO GO TO HER OFFICE RIGHT NOW! 1215 00:47:05,600 --> 00:47:06,834 I TOLD YOU, 1216 00:47:06,834 --> 00:47:08,533 SHE'S NOT HERE! 1217 00:47:08,533 --> 00:47:10,900 SHE COMES IN ONCE A WEEK FOR A STAFF MEETING. 1218 00:47:10,900 --> 00:47:11,867 OH, YEAH? 1219 00:47:11,867 --> 00:47:13,433 LET ME ASK YOU SOMETHING, JOLEEN. 1220 00:47:13,433 --> 00:47:16,066 DID YOU READ THAT LITTLE PIECE OF SHIT REVIEW 1221 00:47:16,066 --> 00:47:17,433 THAT SHE WROTE ABOUT ME 1222 00:47:17,433 --> 00:47:20,834 IN YOUR LITTLE MAGAZINE CALLED CURVE? 1223 00:47:20,834 --> 00:47:22,033 BECAUSE, ACTUALLY, 1224 00:47:22,033 --> 00:47:24,367 I GOT A RAVE REVIEW IN PUBLISHER'S WEEKLY MAGAZINE. 1225 00:47:24,367 --> 00:47:26,433 CAN YOU JUST LOOK UP MY REVIEW, PLEASE? 1226 00:47:26,433 --> 00:47:29,033 JUST PUBLISHERSWEEKLY.COM. 1227 00:47:29,033 --> 00:47:30,500 JENNIFER SCHECTER. 1228 00:47:30,500 --> 00:47:31,567 GOOD FOR YOU, JENNIFER, 1229 00:47:31,567 --> 00:47:32,834 BUT THEN YOU SHOULDN'T GIVE A SHIT 1230 00:47:32,834 --> 00:47:34,066 WHAT SHE WROTE IN THIS PIECE OF SHIT MAGAZINE. 1231 00:47:34,066 --> 00:47:35,000 WELL, I DO GIVE A SHIT, 1232 00:47:35,000 --> 00:47:37,867 BECAUSE I THINK SHE SHOULD BE FIRED! 1233 00:47:37,867 --> 00:47:40,033 I THINK SHE USED DUPLICITOUS METHODS 1234 00:47:40,033 --> 00:47:40,900 TO GET ME TO OPEN UP. 1235 00:47:40,900 --> 00:47:42,533 DUPLICITOUS? 1236 00:47:42,533 --> 00:47:45,000 YES, SHE USED HER SEXUAL ORIENTATION 1237 00:47:45,000 --> 00:47:46,467 AND HER GAYNESS 1238 00:47:46,467 --> 00:47:48,367 TO GET ME TO OPEN UP, 1239 00:47:48,367 --> 00:47:51,567 AND DO YOU KNOW WHAT "MERKIN" MEANS, JOLEEN? 1240 00:47:53,100 --> 00:47:55,266 VAGINA WIG. 1241 00:47:55,266 --> 00:47:57,133 THAT'S WHAT HER NAME MEANS. 1242 00:47:57,133 --> 00:47:59,500 SHAME ON YOU 1243 00:47:59,500 --> 00:48:04,233 FOR NOT CORRECTING HER SLOPPY SYNTAX AND GRAMMAR. 1244 00:48:08,533 --> 00:48:09,533 SHANE? 1245 00:48:09,533 --> 00:48:10,767 YEAH. 1246 00:48:10,767 --> 00:48:11,767 I NEED YOU TO COME AND CHECK THIS OUT. 1247 00:48:14,300 --> 00:48:16,300 ALL RIGHT, WHAT? 1248 00:48:20,934 --> 00:48:22,300 OH, SHIT, SHAY... 1249 00:48:22,300 --> 00:48:23,233 UM... 1250 00:48:23,233 --> 00:48:25,000 OKAY, UM, HEY, MARTA? 1251 00:48:25,000 --> 00:48:27,400 MARTA? 1252 00:48:27,400 --> 00:48:29,233 WOULD YOU GET ME A MOP, PLEASE? 1253 00:48:33,800 --> 00:48:34,834 HEY, SHAY? 1254 00:48:34,834 --> 00:48:35,867 SHAY, DON'T WORRY, OKAY? 1255 00:48:35,867 --> 00:48:37,066 DON'T SWEAT IT. IT'S NO BIG DEAL. 1256 00:48:39,133 --> 00:48:40,900 SHANE! WHAT? 1257 00:48:40,900 --> 00:48:42,000 THE DYE'S ALL FUCKED UP. LOOK AT THIS. 1258 00:48:42,000 --> 00:48:43,000 ALL RIGHT, YOU KNOW WHAT? 1259 00:48:43,000 --> 00:48:44,166 WE'LL MIX SOME MORE. 1260 00:48:44,166 --> 00:48:45,233 JUST TAKE A FUCKIN' PILL, OKAY? 1261 00:48:45,233 --> 00:48:46,767 I'LL HELP YOU. 1262 00:48:49,100 --> 00:48:50,333 HEY, MARTA, 1263 00:48:50,333 --> 00:48:51,066 WILL YOU TELL MY BROTHER TO COME BACK IN? 1264 00:48:51,066 --> 00:48:52,767 THANK YOU. 1265 00:48:58,300 --> 00:48:59,500 HEY, MARTA... 1266 00:49:00,266 --> 00:49:01,467 MARTA... 1267 00:49:02,367 --> 00:49:03,400 DID YOU ASK MY BROTHER 1268 00:49:03,400 --> 00:49:04,266 TO COME BACK IN? 1269 00:49:04,266 --> 00:49:05,333 HE LEFT. 1270 00:49:05,333 --> 00:49:07,367 WHAT ARE YOU TALKING ABOUT, HE LEFT? 1271 00:49:07,367 --> 00:49:09,266 HE JUST WALKED OUT THE DOOR. 1272 00:49:09,266 --> 00:49:11,767 HE'S NINE. 1273 00:49:11,767 --> 00:49:12,800 JESUS CHRIST! 1274 00:49:12,800 --> 00:49:15,066 WHAT, IS LIFE SO FUCKING HARD FOR YOU? 1275 00:49:15,066 --> 00:49:16,800 YOU'RE FIRED. 1276 00:49:16,800 --> 00:49:18,233 AGAIN? 1277 00:49:18,233 --> 00:49:19,700 SHAY! 1278 00:49:22,433 --> 00:49:24,433 SHANE SOUNDED REALLY UPSET. 1279 00:49:24,433 --> 00:49:25,700 HERE SHE IS. 1280 00:49:25,700 --> 00:49:27,767 HOW LONG HAS HE BEEN MISSING? 1281 00:49:27,767 --> 00:49:28,900 ALL RIGHT, LISTEN, 1282 00:49:28,900 --> 00:49:30,266 MY FUCKING WORTHLESS ASSISTANT SAID 1283 00:49:30,266 --> 00:49:31,900 HE COULD BE WANDERING AROUND ROBERTSON, 1284 00:49:31,900 --> 00:49:32,834 BUT I DON'T KNOW. 1285 00:49:32,834 --> 00:49:34,033 OKAY, WELL, WE'LL CHECK ON THESE STREETS, 1286 00:49:34,033 --> 00:49:35,300 AND THEN WE'LL HEAD OVER TO THE BEVERLY CENTER, OKAY? 1287 00:49:35,300 --> 00:49:36,467 WE CAN CHECK OUT THE PARK. 1288 00:49:36,467 --> 00:49:37,467 OKAY. 1289 00:49:37,467 --> 00:49:38,900 WE NEED MORE PEOPLE. 1290 00:49:38,900 --> 00:49:39,967 I CAN'T GET THROUGH TO HELENA. 1291 00:49:39,967 --> 00:49:41,000 ME AND JENNY CAN GO TO THE SKATE PARK 1292 00:49:41,000 --> 00:49:42,100 AND CHECK IT OUT, RIGHT? 1293 00:49:42,100 --> 00:49:44,000 YEAH, AND WE'LL ASK EVERYBODY IF THEY'VE SEEN HIM. 1294 00:49:44,000 --> 00:49:45,433 AND HAVE YOU FILED A POLICE REPORT YET? 1295 00:49:45,433 --> 00:49:47,767 NO, NO, NO, BUT KIT SAID SHE WAS GOING TO. 1296 00:49:47,767 --> 00:49:49,066 SO WILL YOU JUST CALL ME AND LET ME KNOW? 1297 00:49:49,066 --> 00:49:49,900 YES, ABSOLUTELY. 1298 00:49:49,900 --> 00:49:50,934 OKAY, BYE. 1299 00:49:50,934 --> 00:49:51,867 THANK YOU, GUYS. 1300 00:49:51,867 --> 00:49:53,133 BYE. 1301 00:49:53,133 --> 00:49:54,734 DON'T WORRY, SHANE, WE'LL FIND HIM! 1302 00:50:24,967 --> 00:50:26,300 WAIT, WAIT, WAIT, NO... 1303 00:50:26,300 --> 00:50:28,667 WHAT DO YOU MEAN I NEED A PICTURE OF HIM? 1304 00:50:28,667 --> 00:50:31,066 NO, NO, NO, NO, I DON'T HAVE A PICTURE OF HIM. 1305 00:50:31,066 --> 00:50:32,367 I HAVEN'T KNOWN HIM FOR THAT LONG! 1306 00:50:32,367 --> 00:50:33,667 [PHONE BEEPS] 1307 00:50:33,667 --> 00:50:35,900 FUCKIN' MORON. 1308 00:50:35,900 --> 00:50:36,934 [HONKING] 1309 00:50:36,934 --> 00:50:39,200 AND WHAT ARE YOU, FUCKING BLIND? 1310 00:50:50,166 --> 00:50:52,100 HEY, LET'S ASK THIS GUY. 1311 00:50:52,100 --> 00:50:53,300 HEY, BUDDY! 1312 00:50:57,367 --> 00:50:58,767 HEY, HAVE YOU SEEN A KID AROUND HERE? 1313 00:50:58,767 --> 00:51:00,166 LIKE, NINE YEARS OLD. 1314 00:51:00,166 --> 00:51:02,367 HE HAS BROWN HAIR AND BLUE EYES, 1315 00:51:02,367 --> 00:51:04,033 AND HE WAS WEARING, LIKE, A GRAY SWEATSHIRT. 1316 00:51:04,033 --> 00:51:06,266 NAH, SORRY. 1317 00:51:09,033 --> 00:51:12,033 HOW OLD DID YOU SAY YOU WERE AGAIN? 1318 00:51:12,033 --> 00:51:14,233 I'LL BE 10 IN NOVEMBER. 1319 00:51:14,233 --> 00:51:16,767 10, HUH? 1320 00:51:16,767 --> 00:51:18,166 SO YOU KNOW WHAT HAPPENS TO 10-YEAR-OLD BOYS 1321 00:51:18,166 --> 00:51:19,266 THAT RUN AWAY, 1322 00:51:19,266 --> 00:51:20,734 DON'T YOU? 1323 00:52:19,000 --> 00:52:20,000 NOW... 1324 00:52:20,000 --> 00:52:21,734 [BRAKES SCREECHING] 1325 00:52:22,900 --> 00:52:24,000 SHAY? 1326 00:52:24,000 --> 00:52:25,934 MS. McCUTCHEON... 1327 00:52:25,934 --> 00:52:26,834 THANK YOU. 1328 00:52:26,834 --> 00:52:27,734 THANK YOU, THANK YOU, THANK YOU. 1329 00:52:27,734 --> 00:52:29,000 OH, MY GOD. 1330 00:52:29,000 --> 00:52:31,000 OH, MY GOD... 1331 00:52:31,000 --> 00:52:32,266 WHAT THE HELL WERE YOU DOING? 1332 00:52:32,266 --> 00:52:34,000 IT'S JUST LUCKY IT WAS ME THAT PICKED HIM UP 1333 00:52:34,000 --> 00:52:36,000 AND NOT SOME WHACKO. 1334 00:52:36,000 --> 00:52:37,500 I'M SORRY. 1335 00:52:37,500 --> 00:52:38,700 HAD A HARD TIME FINDING YOUR NUMBER 1336 00:52:38,700 --> 00:52:39,767 TO YOUR STORE. 1337 00:52:39,767 --> 00:52:40,767 HE TOLD ME THE NAME OF IT. 1338 00:52:40,767 --> 00:52:42,233 WAX-- I THOUGHT IT WAS A FLOOR-SHINING PLACE 1339 00:52:42,233 --> 00:52:43,533 OR SOMETHING. 1340 00:52:43,533 --> 00:52:44,533 DON'T EVER RUN AWAY FROM ME AGAIN. 1341 00:52:44,533 --> 00:52:45,567 DO YOU HEAR ME? 1342 00:52:45,567 --> 00:52:47,066 WHERE DID YOU THINK YOU WERE GOING TO GO? 1343 00:52:47,066 --> 00:52:48,266 HOME. 1344 00:52:50,100 --> 00:52:51,934 [SIGHS] 1345 00:52:51,934 --> 00:52:53,734 LOOK... 1346 00:52:53,734 --> 00:52:56,233 I'M YOUR HOME NOW, OKAY? 1347 00:52:56,233 --> 00:52:57,633 AND WE BOTH HAVE TO GET USED TO THAT. 1348 00:52:59,600 --> 00:53:01,734 OKAY? 1349 00:53:01,734 --> 00:53:02,700 THANK YOU. 1350 00:53:19,600 --> 00:53:21,567 [BETTE SIGHS] 1351 00:53:21,567 --> 00:53:22,767 THIS IS CRAZY. 1352 00:53:22,767 --> 00:53:24,100 WE ARE NEVER GOING TO FIND HIM HERE. 1353 00:53:24,100 --> 00:53:27,433 I KNOW. 1354 00:53:27,433 --> 00:53:29,000 [CELLPHONE RINGS] 1355 00:53:29,000 --> 00:53:31,467 OH, IT'S SHANE. 1356 00:53:31,467 --> 00:53:32,600 HEY, SHANE... 1357 00:53:32,600 --> 00:53:34,166 HEY, BUDDY, HOW'S IT-- 1358 00:53:36,967 --> 00:53:38,567 OH, MY GOD. 1359 00:53:38,567 --> 00:53:39,700 OH, MY GOD. 1360 00:53:39,700 --> 00:53:40,734 THIS IS... 1361 00:53:40,734 --> 00:53:41,967 SHE FOUND HIM? 1362 00:53:41,967 --> 00:53:42,800 THAT'S GREAT! 1363 00:53:42,800 --> 00:53:44,000 WOW... 1364 00:53:44,000 --> 00:53:45,000 OKAY, YEAH. 1365 00:53:45,000 --> 00:53:47,500 WE'LL JUST SEE YOU BACK AT THE HOUSE. 1366 00:53:47,500 --> 00:53:49,066 YEAH, TAKE YOUR TIME. 1367 00:53:49,066 --> 00:53:51,433 YEAH, GET HIM A BIG BURGER. 1368 00:53:51,433 --> 00:53:53,133 THAT'S A GOOD IDEA. 1369 00:53:53,133 --> 00:53:54,700 OKAY, SEE YOU LATER. 1370 00:53:54,700 --> 00:53:56,734 OKAY, BYE. 1371 00:53:56,734 --> 00:53:57,633 WOW. 1372 00:53:57,633 --> 00:53:59,834 OH, THANK GOD, THANK GOD. 1373 00:53:59,834 --> 00:54:01,133 CAN YOU BELIEVE THAT? 1374 00:54:05,433 --> 00:54:07,667 [SIGHS] 1375 00:54:08,633 --> 00:54:10,867 [LEAVES RUSTLING] 1376 00:54:12,767 --> 00:54:14,633 [WOMAN SIGHS] 1377 00:54:16,100 --> 00:54:18,033 HOW DO YOU FEEL? 1378 00:54:18,033 --> 00:54:19,667 [SIGHS BREATHLESSLY] 1379 00:54:19,667 --> 00:54:20,934 FANTASTIC. 1380 00:54:20,934 --> 00:54:22,133 WHO'S THAT? 1381 00:54:22,133 --> 00:54:25,533 UM... 1382 00:54:25,533 --> 00:54:27,100 THAT'S UH... 1383 00:54:27,100 --> 00:54:28,800 PAPI. 1384 00:54:28,800 --> 00:54:30,700 [SIGHS BREATHLESSLY] 1385 00:54:32,900 --> 00:54:34,433 SO WOULD YOU LIKE TO COME BACK 1386 00:54:34,433 --> 00:54:35,934 FOR A NIGHTCAP? 1387 00:54:35,934 --> 00:54:37,667 UH... 1388 00:54:37,667 --> 00:54:38,767 RULE NUMBER TWO-- 1389 00:54:38,767 --> 00:54:40,433 NEVER GO HOME WITH A GIRL 1390 00:54:40,433 --> 00:54:41,066 WHOSE ROOMMATE YOU JUST POPPED 1391 00:54:41,066 --> 00:54:42,834 THAT SAME MORNING. 1392 00:54:42,834 --> 00:54:44,066 BUT, UH... 1393 00:54:44,066 --> 00:54:46,700 THANKS FOR THE OFFER. 1394 00:54:50,934 --> 00:54:53,633 [♪] 1395 00:55:18,967 --> 00:55:21,333 CAPTIONING PERFORMED BY: 1396 00:55:21,333 --> 00:55:26,700 LINE 21 MEDIA SERVICES LTD. VANCOUVER, B.C. 2006 1397 00:55:26,700 --> 00:55:34,567 LINE 21 MEDIA SERVICES LTD. VANCOUVER, B.C. 2006