1 00:00:10,700 --> 00:00:12,933 [**] 2 00:00:12,967 --> 00:00:14,367 OH, MY GOODNESS! 3 00:00:14,400 --> 00:00:15,667 [JENNY]: YOU WANT TO COME TO L.A. WITH ME? 4 00:00:15,700 --> 00:00:17,867 NOBODY MAKES ME WET LIKE THAT. 5 00:00:17,900 --> 00:00:19,500 [**] 6 00:00:19,533 --> 00:00:20,933 WE WANT TO PUBLISH YOUR BOOK. 7 00:00:20,967 --> 00:00:23,033 [SHRIEKING AND CHEERING] 8 00:00:23,067 --> 00:00:24,667 I CHEATED ON YOU. WHEN? 9 00:00:24,700 --> 00:00:26,533 AFTER YOU FUCKED CHERIE JAFFE. 10 00:00:26,567 --> 00:00:28,667 [SHOUTING] 11 00:00:28,700 --> 00:00:30,533 [**] 12 00:00:30,567 --> 00:00:31,700 WOULD YOU MARRY ME? 13 00:00:33,767 --> 00:00:38,033 AND I AM ALICE PIESZECKI ON KCRW. WELCOME BACK. 14 00:00:38,067 --> 00:00:39,133 WE ARE TALKING ABOUT 15 00:00:39,167 --> 00:00:40,767 THE CONNECTION 16 00:00:40,800 --> 00:00:42,700 BETWEEN LOVE AND THE SENSES. 17 00:00:42,733 --> 00:00:45,467 WE ARE TRYING TO REKINDLE THE SEXUAL SPARK 18 00:00:45,500 --> 00:00:47,700 IN THIS LONGTERM RELATIONSHIP. 19 00:00:47,733 --> 00:00:49,333 I JUST HAVE ALL OF THESE FEELINGS... 20 00:00:49,367 --> 00:00:50,400 FEELINGS ABOUT WHAT? 21 00:00:50,433 --> 00:00:51,433 FEELINGS ABOUT MEN. 22 00:00:51,467 --> 00:00:53,133 [BETTE]: I WANT YOU TO MOVE OUT. 23 00:00:54,567 --> 00:00:55,533 WHAT ARE YOU DOING WITH THAT CHILD? 24 00:00:55,567 --> 00:00:56,700 WHO ARE YOU? 25 00:00:56,733 --> 00:00:58,100 HER AUNT, KIT PORTER. 26 00:00:58,133 --> 00:00:59,633 [ANGUS]: I'VE NEVER FELL THIS HARD FOR A WOMAN 27 00:00:59,667 --> 00:01:01,167 IN MY ENTIRE LIFE. 28 00:01:01,200 --> 00:01:02,433 I'M PREGNANT. 29 00:01:02,467 --> 00:01:03,933 [**] 30 00:01:03,967 --> 00:01:06,400 [MAX]: I DON'T KNOW WHO I AM ANYMORE. 31 00:01:06,433 --> 00:01:08,700 I'VE ALWAYS FELT REALLY UNCOMFORTABLE IN THIS BODY. 32 00:01:08,733 --> 00:01:11,267 SO I'VE DECIDED TO TRANSITION FROM FEMALE TO MALE. 33 00:01:11,300 --> 00:01:12,900 WHEN YOU GET THE BODY YOU NEED, 34 00:01:12,933 --> 00:01:14,267 WHO'S GOING TO LIVE INSIDE OF IT? 35 00:01:14,300 --> 00:01:17,233 IF YOU THINK MEN ARE THE ENEMY, THEN YOU AND I HAVE A PROBLEM. 36 00:01:17,267 --> 00:01:20,067 I WANT TO BELIEVE THAT REAL, TRUE CONNECTION 37 00:01:20,100 --> 00:01:21,367 AMONG HUMAN BEINGS 38 00:01:21,400 --> 00:01:23,233 IS ACTUALLY POSSIBLE. 39 00:01:23,267 --> 00:01:24,733 SHANE IS GOING TO OREGON CITY 40 00:01:24,767 --> 00:01:27,400 TO SEE GABRIEL McCUTCHEON. 41 00:01:27,433 --> 00:01:28,933 WHY DON'T YOU COME HOME WITH ME FOR DINNER? 42 00:01:28,967 --> 00:01:31,400 BE A GOOD TIME TO MEET CARLA AND SHAY. 43 00:01:31,433 --> 00:01:33,733 I KNEW YOU WERE HIS DAUGHTER. YOU HAVE HIS GENES. 44 00:01:33,767 --> 00:01:34,833 LOOK AT ALL THREE OF YOU. 45 00:01:34,867 --> 00:01:37,100 I'M GETTING MARRIED NEXT WEEK. 46 00:01:37,133 --> 00:01:38,267 I'D LIKE FOR YOU GUYS TO BE THERE. 47 00:01:38,300 --> 00:01:39,533 THIS IS CARMEN'S FRIEND HELENA. 48 00:01:39,567 --> 00:01:40,933 SHE'S THE ONE 49 00:01:40,967 --> 00:01:42,667 THAT INVITED US ALL 50 00:01:42,700 --> 00:01:43,833 AND PAID FOR OUR PLANE TICKETS 51 00:01:43,867 --> 00:01:45,067 AND OUR HOTEL ROOMS. 52 00:01:45,067 --> 00:01:46,933 I'M CUTTING YOU OFF FINANCIALLY. 53 00:01:46,967 --> 00:01:48,233 YOU'RE NOT SERIOUS? 54 00:01:48,267 --> 00:01:49,600 YOU NEED TO KNOW 55 00:01:49,633 --> 00:01:52,167 THAT PEOPLE LOVE YOU EVEN IF YOU'RE PENNILESS. 56 00:01:52,200 --> 00:01:54,900 TODAY ON THE CHART, WE'RE LOOKING AT 57 00:01:54,933 --> 00:01:56,767 HOW DO YOU END A VICIOUS CYCLE? 58 00:01:56,800 --> 00:01:58,233 WELL, SHANE'S FATHER 59 00:01:58,267 --> 00:02:01,167 LEFT HIS WIFE AND RAN OFF WITH SOME FLOOZY. 60 00:02:01,200 --> 00:02:02,300 [GABRIEL]: I'M SORRY. 61 00:02:02,333 --> 00:02:03,267 IT'S JUST WHO I AM. 62 00:02:03,300 --> 00:02:04,833 I KNOW YOU KNOW WHAT I'M TALKING ABOUT. 63 00:02:06,200 --> 00:02:07,633 SHE SAID THAT 64 00:02:07,667 --> 00:02:09,800 SHE DOESN'T EXPECT YOU TO FORGIVE HER. 65 00:02:09,833 --> 00:02:11,667 SHE'S NOT PROUD OF THIS. 66 00:02:11,700 --> 00:02:12,733 IT'S JUST WHO SHE IS. 67 00:02:12,767 --> 00:02:15,400 [SOBBING] 68 00:02:15,433 --> 00:02:16,767 [TINA]: I'VE CHANGED MY MIND. 69 00:02:16,800 --> 00:02:18,567 I DON'T WANT YOU TO ADOPT MY DAUGHTER. 70 00:02:18,600 --> 00:02:20,633 HENRY AND I ARE THINKING ABOUT STARTING A FAMILY, 71 00:02:20,667 --> 00:02:23,100 AND WE WANT ANGELICA TO BE A FULL PART OF THAT. 72 00:02:23,133 --> 00:02:23,800 DON'T DO THIS. 73 00:02:24,767 --> 00:02:26,833 I'M WARNING YOU. 74 00:02:26,867 --> 00:02:28,433 WHERE ARE THEY? 75 00:02:28,467 --> 00:02:30,133 FUCK YOU, BETTE. 76 00:02:30,167 --> 00:02:31,500 BETTE, IT'S TINA. 77 00:02:31,533 --> 00:02:32,933 THIS IS NOT OKAY. 78 00:02:32,967 --> 00:02:34,300 WHERE THE HELL ARE YOU? 79 00:02:34,333 --> 00:02:36,100 ANGELICA AND MAMA B., 80 00:02:36,133 --> 00:02:37,367 WE'RE JUST GOING TO GO FOR A LITTLE ADVENTURE 81 00:02:37,400 --> 00:02:39,467 UNTIL WE FIGURE OUT WHAT TO DO NEXT. 82 00:02:39,500 --> 00:02:41,567 IT'S GOING TO BE FINE. 83 00:03:35,233 --> 00:03:38,133 [**] 84 00:03:38,167 --> 00:03:44,800 * GIRLS IN TIGHT DRESSES WHO DRAG WITH MUSTACHES * 85 00:03:44,833 --> 00:03:51,533 * CHICKS DRIVING FAST INGENUES WITH LONG LASHES * 86 00:03:51,567 --> 00:03:57,433 * WOMEN WHO LONG, LOVE, LUST WOMEN WHO GIVE * 87 00:03:57,467 --> 00:04:04,167 * THIS IS THE WAY IT'S THE WAY THAT WE LIVE * 88 00:04:11,700 --> 00:04:13,067 * TALKING, LAUGHING LOVING, BREATHING * 89 00:04:13,067 --> 00:04:14,933 * FIGHTING, FUCKING CRYING, DRINKING * 90 00:04:14,967 --> 00:04:16,300 * WRITING, WINNING LOSING, CHEATING * 91 00:04:16,333 --> 00:04:18,067 * KISSING, THINKING, DREAMING 92 00:04:18,067 --> 00:04:20,067 * THIS IS THE WAY... 93 00:04:20,067 --> 00:04:22,833 * IT'S THE WAY THAT WE LIVE * 94 00:04:22,867 --> 00:04:28,400 * IT'S THE WAY THAT WE LIVE 95 00:04:28,433 --> 00:04:32,133 * AND LOVE 96 00:04:38,600 --> 00:04:40,233 [KNOCKING ON DOOR] 97 00:04:40,267 --> 00:04:41,767 [ALICE]: YEAH, IT'S OPEN. COME IN. 98 00:04:41,800 --> 00:04:43,933 STILL NOTHING. 99 00:04:45,333 --> 00:04:48,333 ALL RIGHT, YOU KNOW WHAT? 100 00:04:48,367 --> 00:04:49,933 IT'S WORTH A TRY. 101 00:04:49,967 --> 00:04:51,100 SHE CAN'T BE FAR. 102 00:04:51,133 --> 00:04:52,533 IT HASN'T EVEN BEEN 24 HOURS. 103 00:04:52,567 --> 00:04:53,633 I THINK WE SHOULD JUST DO IT. 104 00:04:55,533 --> 00:04:57,567 WHERE'S LARA? 105 00:04:57,600 --> 00:04:59,800 SHE LEFT THIS MORNING. 106 00:04:59,833 --> 00:05:02,100 DID SHE TAKE THAT JOB IN SAN FRANCISCO? 107 00:05:02,133 --> 00:05:03,933 YOU KNEW ABOUT THAT? IT'S A GREAT GIG. 108 00:05:03,967 --> 00:05:05,433 IT'S A FOUR-STAR HOTEL. 109 00:05:05,467 --> 00:05:06,700 SHE'LL HAVE HER OWN KITCHEN. 110 00:05:06,733 --> 00:05:09,367 SHE WAS SO AFRAID 111 00:05:09,400 --> 00:05:11,067 THAT YOU WOULD TAKE THIS REALLY HARD. 112 00:05:11,100 --> 00:05:14,233 NO, I MEAN... IT'S... 113 00:05:14,267 --> 00:05:16,067 IT'S WEIRD, BECAUSE DANA SAID-- 114 00:05:16,067 --> 00:05:18,433 ONE DAY IN THE HOSPITAL, SHE WAS, LIKE, 115 00:05:18,467 --> 00:05:20,867 SHE REALLY WANTED ME TO GO OUT AND MAKE NEW FRIENDS, YOU KNOW? 116 00:05:20,900 --> 00:05:22,200 SHE SAID, "YOUR WHOLE WORLD 117 00:05:22,233 --> 00:05:24,100 REVOLVES AROUND THIS TINY LITTLE ORBIT," 118 00:05:24,133 --> 00:05:25,800 AND IT WAS BEFORE THE LARA THING, 119 00:05:25,833 --> 00:05:27,600 SO IT WAS KIND OF WEIRD. 120 00:05:27,633 --> 00:05:30,433 OH, YEAH, WELL, THE LARA THING... 121 00:05:30,467 --> 00:05:31,700 WELL, IT WAS, UH... 122 00:05:31,733 --> 00:05:33,300 INCESTUOUS. 123 00:05:33,333 --> 00:05:34,567 YEAH, IF THAT'S WHAT YOU WANT TO CALL IT. 124 00:05:34,600 --> 00:05:35,933 SOMETHING HAPPENED TO ME UP HERE, 125 00:05:35,967 --> 00:05:37,933 AND I'M REALLY READY TO SORT OF GO HOME, AND-- 126 00:05:37,967 --> 00:05:39,233 [JENNY, KNOCKING]: HELLO. 127 00:05:39,267 --> 00:05:41,100 FUCK. 128 00:05:41,133 --> 00:05:43,367 OKAY. HI. 129 00:05:43,400 --> 00:05:44,700 THANK YOU. OH, YOU'RE WELCOME. 130 00:05:44,733 --> 00:05:45,800 DO YOU GUYS MIND 131 00:05:45,833 --> 00:05:47,300 IF WE START THIS VERY SOON? 132 00:05:47,333 --> 00:05:49,267 CLAUDE'S LEAVING FOR MONTREAL IN ABOUT 10 MINUTES 133 00:05:49,300 --> 00:05:51,700 AND I WANT TO BE ABLE TO SAY GOODBYE. 134 00:05:51,733 --> 00:05:52,500 YEAH, I WAS JUST WAITING FOR HELENA. 135 00:05:52,533 --> 00:05:53,767 [KNOCKING] 136 00:05:53,800 --> 00:05:55,833 SORRY. I WAS JUST SETTLING UP THE BILL. 137 00:05:55,867 --> 00:05:57,267 IRONIC. HEY, SHOULD WE ALL PITCH IN? 138 00:05:57,300 --> 00:05:58,833 NO. 139 00:05:58,867 --> 00:06:00,367 DON'T BE SILLY, MAX. THANKS, BUT-- 140 00:06:00,400 --> 00:06:01,400 HELENA, MAYBE-- 141 00:06:02,700 --> 00:06:05,367 LOOK, IT WAS ALL TAKEN CARE OF IN ADVANCE, ALL RIGHT? 142 00:06:05,400 --> 00:06:06,533 STOP FUSSING. 143 00:06:06,567 --> 00:06:07,867 OKAY, CAN WE START? 144 00:06:07,900 --> 00:06:09,567 MAYBE I SHOULD TAKE OFF FOR THIS. 145 00:06:09,600 --> 00:06:11,200 [KIT]: NO, MAX, THIS IS AN INTERVENTION, 146 00:06:11,233 --> 00:06:13,100 AND, IN AN INTERVENTION, WE NEED EVERYBODY, 147 00:06:13,133 --> 00:06:14,433 THE WHOLE EXTENDED FAMILY. 148 00:06:14,467 --> 00:06:16,167 NOW GET OVER HERE. 149 00:06:16,200 --> 00:06:17,233 [BETTE, ON ANSWERING MACHINE]: THIS IS BETTE PORTER. 150 00:06:17,267 --> 00:06:17,967 YOU'VE REACHED MY CELLPHONE. 151 00:06:18,067 --> 00:06:18,933 [BEEP] 152 00:06:18,967 --> 00:06:20,967 HEY, BETTE, IT'S ALICE-- 153 00:06:21,067 --> 00:06:22,067 AND JENNY. 154 00:06:22,067 --> 00:06:23,067 AND HELENA. 155 00:06:23,067 --> 00:06:24,567 AND MAX. AND KIT. 156 00:06:24,600 --> 00:06:26,900 WE JUST WANT TO TELL YOU HOW MUCH WE LOVE YOU. 157 00:06:26,933 --> 00:06:28,067 YEAH, WE LOVE YOU, 158 00:06:28,100 --> 00:06:30,733 AND WE WANT YOU TO KNOW THAT WE STAND BY YOU... 159 00:06:30,767 --> 00:06:32,367 SO, NO MATTER WHAT. 160 00:06:32,400 --> 00:06:33,600 AND WE TOTALLY UNDERSTAND 161 00:06:33,633 --> 00:06:34,700 WHAT YOU DID, 162 00:06:34,733 --> 00:06:36,367 BECAUSE IF WE HAD BEEN IN YOUR POSITION, BETTE, 163 00:06:36,400 --> 00:06:38,667 WE WOULD HAVE DONE EXACTLY THE SAME THING. 164 00:06:38,700 --> 00:06:40,067 WELL, MAYBE NOT THE SAME THING, 165 00:06:40,067 --> 00:06:42,467 MAYBE, YOU KNOW, UH, SOMETHING-- 166 00:06:42,500 --> 00:06:43,567 BUT YOU'VE GOT TO DO 167 00:06:43,600 --> 00:06:44,833 THE RIGHT THING. 168 00:06:44,867 --> 00:06:46,833 BETTE, YOU'VE GOT TO BRING ANGELICA HOME. 169 00:06:46,867 --> 00:06:47,667 WE CAN HELP YOU. 170 00:06:47,700 --> 00:06:48,700 AND, BETTE, 171 00:06:48,733 --> 00:06:49,733 THERE'S NO QUESTION ABOUT THE FACT 172 00:06:49,767 --> 00:06:51,167 THAT SHE IS YOUR BABY. 173 00:06:51,200 --> 00:06:52,167 OH, YEAH. 174 00:06:52,200 --> 00:06:53,567 WE'RE NOT GOING TO LET ANYBODY 175 00:06:53,600 --> 00:06:54,833 TAKE THE BABY AWAY FROM YOU, SO-- 176 00:06:54,867 --> 00:06:56,833 NOT EVEN A MOTHERFUCKING COURT OF LAW. 177 00:06:56,867 --> 00:06:58,833 WELL, IF IT DOES COME TO A COURT OF LAW, BETTE, 178 00:06:58,867 --> 00:07:00,133 WE'RE ALL GOING TO TESTIFY ON YOUR BEHALF, 179 00:07:00,167 --> 00:07:01,733 BECAUSE YOU HAVE A REALLY STRONG CASE. 180 00:07:01,767 --> 00:07:03,067 AND WE'LL TALK TO TINA, 181 00:07:03,067 --> 00:07:04,733 AND WE'LL TELL HER TO, YOU KNOW, CALM DOWN, AND-- 182 00:07:04,767 --> 00:07:06,833 TINA'S JUST-- 183 00:07:06,867 --> 00:07:08,400 GOING TO CALL THE POLICE AND HAVE YOUR ASS THROWN IN JAIL 184 00:07:08,433 --> 00:07:10,400 AND RUIN YOUR BRAND-NEW GODDAMN CAREER, 185 00:07:10,433 --> 00:07:11,867 NOT TO MENTION-- [DIAL TONE HUMS] 186 00:07:11,900 --> 00:07:13,367 ...THE REST OF YOUR FUCKING LIFE. 187 00:07:13,400 --> 00:07:14,800 TINA, THAT WAS KIND OF STUPID. 188 00:07:14,833 --> 00:07:15,833 SHE'S NOT GOING TO COME HOME. 189 00:07:15,867 --> 00:07:17,067 WHERE THE FUCK IS SHE? 190 00:07:17,067 --> 00:07:18,533 IS SHE STILL IN CANADA? 191 00:07:18,567 --> 00:07:20,333 IS SHE BACK IN THE STATES? 192 00:07:20,367 --> 00:07:22,433 WHAT, DID SHE TAKE ANGELICA TO FUCKING TIMBUKTU? 193 00:07:22,467 --> 00:07:24,200 KIT? 194 00:07:24,233 --> 00:07:26,767 I HAVE NO IDEA WHERE SHE IS. 195 00:07:26,800 --> 00:07:30,900 WELL, YOU CAN TELL HER FOR ME 196 00:07:30,933 --> 00:07:33,900 THAT IF SHE IS NOT IN L.A. BY THE TIME I GET BACK, 197 00:07:33,933 --> 00:07:35,333 I WILL CALL THE POLICE. 198 00:07:35,367 --> 00:07:36,500 AND WHEN THEY FIND HER, 199 00:07:36,533 --> 00:07:38,567 I WILL TAKE MY DAUGHTER AWAY FROM HER 200 00:07:38,600 --> 00:07:41,200 AND SHE WILL NEVER SEE ANGELICA AGAIN. 201 00:07:41,233 --> 00:07:42,800 OKAY? YOU GOT THAT? 202 00:07:42,833 --> 00:07:45,067 YOU TELL HER THAT! 203 00:07:48,667 --> 00:07:52,233 YEAH, WELL, HOW SERIOUS? 204 00:07:52,267 --> 00:07:53,700 NO. NO, NO, NO, JOYCE. 205 00:07:53,733 --> 00:07:55,067 JOYCE, JUST TELL ME WHAT SHE CAN DO-- 206 00:07:55,100 --> 00:07:57,067 WHAT CAN SHE DO, WORST-CASE SCENARIO, 207 00:07:57,100 --> 00:07:58,567 IF SHE DECIDES TO BE THE HYPOCRITICAL MONSTER 208 00:07:58,600 --> 00:07:59,733 WE ALREADY KNOW SHE IS. 209 00:08:02,267 --> 00:08:03,833 WELL, FUCK HER, THEN. 210 00:08:03,867 --> 00:08:05,067 JUST FUCK HER. 211 00:08:05,067 --> 00:08:08,067 NO, NOBODY'S TAKING MY FAMILY AWAY. 212 00:08:08,067 --> 00:08:09,133 YEAH, I DON'T KNOW. 213 00:08:09,167 --> 00:08:11,100 I DON'T KNOW. 214 00:08:11,133 --> 00:08:13,833 WELL, WE'RE JUST NOT COMING BACK. 215 00:08:13,867 --> 00:08:16,933 I-- MEXICO. I DON'T KNOW. 216 00:08:16,967 --> 00:08:19,133 YEAH, WELL, I HAD AN ARTIST FRIEND OF MINE 217 00:08:19,167 --> 00:08:21,500 MOVE HIS ENTIRE FAMILY TO OAXACA. 218 00:08:21,533 --> 00:08:25,800 WELL, I DIDN'T HAVE ANY TROUBLE CROSSING THE AMERICAN BORDER. 219 00:08:25,833 --> 00:08:27,133 JOYCE, CAN YOU HOLD ON? 220 00:08:27,167 --> 00:08:29,333 I'M GETTING ANOTHER CALL. HOLD ON. 221 00:08:29,367 --> 00:08:31,467 PHYLLIS. 222 00:08:31,500 --> 00:08:33,733 YEAH. HI. 223 00:08:33,767 --> 00:08:35,833 NO, NO, NO, NO, I'M HAPPY TO HEAR FROM YOU. 224 00:08:35,867 --> 00:08:36,833 YEAH. 225 00:08:36,867 --> 00:08:39,467 UH, WHERE AM I? 226 00:08:39,500 --> 00:08:42,167 I'M IN NORTHERN CALIFORNIA. 227 00:08:42,200 --> 00:08:45,633 I'M JUST TAKING A LAST-MINUTE ROAD TRIP WITH MY DAUGHTER. 228 00:08:45,667 --> 00:08:48,700 YEAH, JUST TRYING TO GET IN THOSE LAST PRECIOUS MOMENTS 229 00:08:48,733 --> 00:08:51,300 BEFORE WORK. 230 00:08:51,333 --> 00:08:53,267 YEAH, I KNOW, I KNOW, I KNOW. 231 00:08:53,300 --> 00:08:55,133 IT GOES BY SO FAST. 232 00:08:55,167 --> 00:08:57,067 [SIGHING] 233 00:08:57,100 --> 00:08:58,667 BUT I'M EXCITED. 234 00:08:58,700 --> 00:09:00,533 YEAH, I AM, I'M READY. 235 00:09:00,567 --> 00:09:02,700 YEAH, I CAN'T WAIT TO GET STARTED. 236 00:09:02,733 --> 00:09:05,533 SO, I-- I WILL SEE YOU ON CAMPUS 237 00:09:05,567 --> 00:09:06,633 MONDAY MORNING. 238 00:09:06,667 --> 00:09:09,533 OKAY, GREAT. THANKS. 239 00:09:09,567 --> 00:09:11,900 CAN I GET A SIPPY CUP? 240 00:09:11,933 --> 00:09:14,867 DOES ANYBODY HAVE A SIPPY CUP? 241 00:09:14,900 --> 00:09:15,900 JESUS. 242 00:09:30,333 --> 00:09:33,400 [PANTING] 243 00:09:51,667 --> 00:09:53,700 SHANE! 244 00:09:53,733 --> 00:09:56,600 COME ON! 245 00:09:56,633 --> 00:09:58,600 I WANT YOU! 246 00:10:02,733 --> 00:10:04,167 [SHOES SQUISHING] 247 00:10:04,200 --> 00:10:05,633 JESUS. 248 00:10:05,667 --> 00:10:08,000 WHERE HAVE YOU BEEN? 249 00:10:13,233 --> 00:10:14,700 WHEN ARE YOU GOING TO FUCK ME? 250 00:10:14,733 --> 00:10:17,633 I'VE BEEN WAITING ALL DAY. 251 00:10:24,567 --> 00:10:28,200 JUST FUCKING RELAX FOR A SECOND. 252 00:10:31,767 --> 00:10:34,100 YOU CRAZY LITTLE FREAK. 253 00:10:37,233 --> 00:10:38,367 FREAK, WHAT WERE YOU THINKING, 254 00:10:38,400 --> 00:10:39,967 THINKING YOU WERE GOING TO MARRY 255 00:10:40,000 --> 00:10:41,967 THAT RIDICULOUS GIRL? 256 00:10:42,000 --> 00:10:44,633 THAT RIDICULOUS LITTLE... 257 00:10:44,667 --> 00:10:46,867 [SNORTING] 258 00:10:46,900 --> 00:10:48,867 ...BOUNCY CHA-CHA TWINKLET. 259 00:10:48,900 --> 00:10:51,200 [SNICKERS] 260 00:10:51,233 --> 00:10:54,667 YOU DON'T KNOW HER. 261 00:10:58,267 --> 00:11:01,833 YOU HAVE NO RIGHT TO SAY THAT ABOUT HER. 262 00:11:03,400 --> 00:11:05,900 [LAUGHING] 263 00:11:13,800 --> 00:11:15,167 OH, SHIT. 264 00:11:15,200 --> 00:11:16,400 WHERE'S MY DRIVER? 265 00:11:16,433 --> 00:11:18,067 OH! RIGHT. 266 00:11:18,067 --> 00:11:22,067 I CANCELLED YOUR DRIVER. 267 00:11:22,067 --> 00:11:23,600 YOU DID WHAT? 268 00:11:23,633 --> 00:11:28,067 HELENA, YOU NEED TO TRY-- 269 00:11:28,067 --> 00:11:30,800 YOU NEED TO START THINKING DIFFERENTLY, YOU KNOW? 270 00:11:30,833 --> 00:11:35,067 YOU CAN'T JUST TAKE A LIMOUSINE HOME FROM THE AIRPORT ANYMORE. 271 00:11:35,067 --> 00:11:38,067 ALICE, I'M ACTUALLY QUITE A PRACTICAL PERSON. 272 00:11:38,100 --> 00:11:39,300 I'LL TAKE A TAXI. 273 00:11:39,333 --> 00:11:41,733 A TAXI TO BROAD BEACH IN MALIBU 274 00:11:41,767 --> 00:11:43,267 WOULD BE JUST AS MUCH AS A LIMOUSINE. 275 00:11:43,300 --> 00:11:44,867 THEN I'LL TAKE THE BUS. 276 00:11:44,900 --> 00:11:46,200 A BUS IS NOT GOING TO GO THERE! 277 00:11:46,233 --> 00:11:47,533 YOU NEED TO TAKE 278 00:11:47,567 --> 00:11:48,633 AN AIRPORT SHUTTLE. 279 00:11:48,667 --> 00:11:51,567 FINE. 280 00:11:51,600 --> 00:11:53,933 JUST SHOW ME WHERE I HAVE TO GO, ALL RIGHT? 281 00:11:53,967 --> 00:11:55,533 AH-AH-AH! 282 00:11:55,567 --> 00:11:56,833 YOUR LUGGAGE? 283 00:11:56,867 --> 00:11:58,633 PORTER! NO, NO. HEY! NO. 284 00:11:58,667 --> 00:12:00,533 NO. 285 00:12:00,567 --> 00:12:02,167 COME HERE. 286 00:12:02,200 --> 00:12:04,333 THERE'S THIS THING, 287 00:12:04,367 --> 00:12:07,067 AND IT'S CALLED A LUGGAGE CART. 288 00:12:19,600 --> 00:12:21,167 I DON'T KNOW ABOUT MOVING IN YET. 289 00:12:21,200 --> 00:12:23,933 IT FEELS KIND OF CREEPY. 290 00:12:23,967 --> 00:12:26,100 SHE'S NOT DEAD. 291 00:12:26,133 --> 00:12:28,500 I'M JUST ASSUMING THAT CARMEN WILL NOT 292 00:12:28,533 --> 00:12:30,667 BE LIVING WITH US ANYMORE. 293 00:12:30,700 --> 00:12:33,600 I COULD TOTALLY PICK UP HER SHARE OF THE RENT. 294 00:12:33,633 --> 00:12:36,567 I'M JUST GOING TO CLEAN UP HER STUFF 295 00:12:36,600 --> 00:12:38,067 FOR SAFE KEEPING, 296 00:12:38,067 --> 00:12:40,700 AND SHANE CAN DEAL WITH ALL OF CARMEN'S STUFF 297 00:12:40,733 --> 00:12:43,600 WHEN SHE GETS BACK. 298 00:12:43,633 --> 00:12:44,900 I KIND OF WANT TO MAKE SURE 299 00:12:44,933 --> 00:12:46,333 IT'S OKAY WITH SHANE FIRST. 300 00:12:46,367 --> 00:12:48,400 I DON'T CARE IF IT'S OKAY WITH SHANE 301 00:12:48,433 --> 00:12:49,533 RIGHT NOW. 302 00:12:49,567 --> 00:12:51,767 WHAT SHANE DID IS TERRIBLE 303 00:12:51,800 --> 00:12:53,900 AND COMPLETELY UNFORGIVABLE. 304 00:12:53,933 --> 00:12:55,100 JENNY. 305 00:12:55,133 --> 00:12:56,767 YOU KNOW WHAT? SHE SHOULD HAVE CALLED US. 306 00:12:56,800 --> 00:12:58,167 SHE SHOULD HAVE TOLD US WHAT'S GOING ON. 307 00:12:58,200 --> 00:12:59,433 IT'S TERRIBLE. 308 00:12:59,467 --> 00:13:01,300 HAVE SOME COMPASSION, JENNY. 309 00:13:01,333 --> 00:13:02,900 ALICE WORKED FOR WEEKS 310 00:13:02,933 --> 00:13:04,067 SETTING THIS WEDDING UP. 311 00:13:04,067 --> 00:13:05,967 HELENA SPENT A SMALL FORTUNE. 312 00:13:06,067 --> 00:13:08,600 I DON'T EXPECT CARMEN TO FORGIVE SHANE ANY TIME SOON, 313 00:13:08,633 --> 00:13:11,567 BUT I DO, AND SO SHOULD YOU. 314 00:13:11,600 --> 00:13:12,967 I MEAN, I FORGIVE YOU. 315 00:13:14,667 --> 00:13:16,200 WHAT? 316 00:13:16,233 --> 00:13:18,333 WHAT THE FUCK DO YOU FORGIVE ME FOR? 317 00:13:18,367 --> 00:13:20,267 OH, COME ON-- 318 00:13:20,300 --> 00:13:22,967 I HAVEN'T CHANGED WHO I AM, MAX. 319 00:13:23,067 --> 00:13:25,233 I KNOW I'VE BEEN KIND OF A JERK 320 00:13:25,267 --> 00:13:27,600 SINCE I'VE BEEN ON THE TESTOSTERONE, 321 00:13:27,633 --> 00:13:31,067 BUT I THOUGHT YOU TOTALLY SUPPORTED MY TRANSITION. 322 00:13:31,067 --> 00:13:32,967 I DO SUPPORT YOUR TRANSITION. 323 00:13:33,067 --> 00:13:35,333 WE JUST DON'T GO TOGETHER ANYMORE. 324 00:13:35,367 --> 00:13:38,833 THAT'S WHY I DIDN'T FREAK OUT WHEN YOU GOT TOGETHER 325 00:13:38,867 --> 00:13:40,600 WITH CLAUDE. 326 00:13:40,633 --> 00:13:41,833 BUT I JUST-- I DON'T-- 327 00:13:41,867 --> 00:13:44,233 I JUST DON'T KNOW WHY WE CAN'T WORK IT OUT. 328 00:13:44,267 --> 00:13:46,800 BECAUSE YOU IDENTIFY AS A STRAIGHT MAN. 329 00:13:46,833 --> 00:13:48,500 SO THERE'S THE MISMATCH. 330 00:13:48,533 --> 00:13:49,967 BECAUSE YOU WANT ME TO BE YOUR STRAIGHT GIRLFRIEND 331 00:13:50,067 --> 00:13:51,100 TO YOUR STRAIGHT GUY, 332 00:13:51,133 --> 00:13:53,200 AND I IDENTIFY AS A LESBIAN 333 00:13:53,233 --> 00:13:57,300 WHO LIKES TO FUCK GIRLS. 334 00:13:57,333 --> 00:13:59,500 AND YOU'RE NOT A GIRL. 335 00:14:02,633 --> 00:14:03,967 [SIGHING]: YEAH. 336 00:14:04,067 --> 00:14:05,633 [HENRY]: YOU DON'T HAVE A KEY ANYMORE? 337 00:14:05,667 --> 00:14:08,667 NO, BETTE CHANGED THE FUCKING LOCKS 338 00:14:08,700 --> 00:14:10,867 THE DAY I MOVED OUT. 339 00:14:10,900 --> 00:14:13,067 [DOOR RATTLING] 340 00:14:13,100 --> 00:14:14,133 FUCK! 341 00:14:14,167 --> 00:14:16,433 [SOBBING] 342 00:14:16,467 --> 00:14:19,267 I WANT MY BABY. 343 00:14:19,300 --> 00:14:21,967 I JUST WANT TO SEE HER. 344 00:14:22,067 --> 00:14:23,200 I KNOW. 345 00:14:23,233 --> 00:14:26,900 WHERE THE HELL IS SHE? HUH? 346 00:14:26,933 --> 00:14:28,833 WHERE IS SHE? 347 00:14:28,867 --> 00:14:32,133 I JUST... I WANT HER BACK. 348 00:14:32,167 --> 00:14:33,867 I WANT HER BACK. 349 00:14:33,900 --> 00:14:37,067 MAYBE IT'S TIME TO CALL THE POLICE. 350 00:14:43,333 --> 00:14:45,433 MOMMY DOESN'T HAVE ANY MILK, 351 00:14:45,467 --> 00:14:48,767 WE CAN PUT SOME WATER IN HERE 352 00:14:48,800 --> 00:14:49,767 IF YOU WANT ME TO. 353 00:14:49,800 --> 00:14:52,500 [BANGING AT DOOR] 354 00:14:52,533 --> 00:14:54,367 SHIT! 355 00:14:59,467 --> 00:15:01,067 BETTE, ARE YOU IN THERE? 356 00:15:01,100 --> 00:15:03,667 IT'S ME, KIT. 357 00:15:05,067 --> 00:15:06,767 HOW'S THAT? BETTER? 358 00:15:06,800 --> 00:15:08,600 IT'S BETTER THAN A POKE IN THE EYE 359 00:15:08,633 --> 00:15:09,867 WITH A SHARP STICK, 360 00:15:09,900 --> 00:15:11,600 IF THAT'S WHAT YOU MEAN, WHIT. 361 00:15:11,633 --> 00:15:13,200 THERE IS GOOD NEWS. 362 00:15:13,233 --> 00:15:15,133 AH! THERE'S GOOD NEWS? 363 00:15:15,167 --> 00:15:16,300 THE GOOD NEWS 364 00:15:16,333 --> 00:15:18,067 IS THAT I'VE FOUND A QUALIFIED TENANT, 365 00:15:18,100 --> 00:15:19,700 AND YOUR LANDLORD IS WILLING TO LET YOU 366 00:15:19,733 --> 00:15:20,733 OUT OF THE LEASE. 367 00:15:20,767 --> 00:15:22,200 THE BAD NEWS IS, 368 00:15:22,233 --> 00:15:23,767 THE TENANT WANTS TO TAKE OVER PRETTY MUCH STRAIGHT AWAY. 369 00:15:23,800 --> 00:15:26,767 WELL, WHERE AM I SUPPOSED TO GO? 370 00:15:26,800 --> 00:15:29,400 WELL, I SUGGEST... 371 00:15:31,433 --> 00:15:34,800 YOU NEED TO WORK OUT WHAT YOUR INCOME IS GOING TO BE, 372 00:15:34,833 --> 00:15:36,467 AND WHAT YOU CAN AFFORD TO PAY IN RENT. 373 00:15:37,967 --> 00:15:44,067 I WASN'T EXACTLY ON A SALARY, WHIT. 374 00:15:44,100 --> 00:15:48,633 BUT, THEN, IF I'M GOING TO BE RUNNING A MOVIE STUDIO, THEN-- 375 00:15:48,667 --> 00:15:50,400 AH, YES, THE MOVIE STUDIO. 376 00:15:53,567 --> 00:15:56,967 WELL, I KNOW THAT WE'RE STILL OPERATING IN THE RED, WHIT. 377 00:15:57,067 --> 00:15:58,800 I WASN'T GOING TO BE PIGGISH, 378 00:15:58,833 --> 00:16:02,133 BUT I SHOULD BE MAKING AT LEAST WHAT TINA'S MAKING. 379 00:16:04,067 --> 00:16:06,600 IT SEEMS THE LIBRARY ALONE 380 00:16:06,633 --> 00:16:08,233 WAS WORTH THE ASKING PRICE, 381 00:16:08,267 --> 00:16:09,867 AND PARAMOUNT WAS LOOKING TO ACQUIRE... 382 00:16:09,900 --> 00:16:12,500 YOUR MOTHER WANTED TO UNLOAD IT BEFORE SHE LEFT FOR ANTIGUA. 383 00:16:15,067 --> 00:16:17,500 MOTHER'S IN ANTIGUA. 384 00:16:17,533 --> 00:16:19,800 WELL, A PRIVATE ISLAND, ACTUALLY. 385 00:16:19,833 --> 00:16:22,100 NO PHONES. VERY ROMANTIC. 386 00:16:22,133 --> 00:16:24,633 SHE SEEMS TO BE HEAD OVER HEELS. 387 00:16:26,567 --> 00:16:30,400 HOW LOVELY FOR HER. 388 00:16:30,433 --> 00:16:32,767 OH... 389 00:16:38,800 --> 00:16:40,467 PLEASE, WHIT. 390 00:16:40,500 --> 00:16:47,433 JUST-- I'LL GET THE BOTTLE. 391 00:16:47,467 --> 00:16:47,533 SO, YOU WANT ME TO LEAVE? 392 00:16:49,467 --> 00:16:51,467 LIKE, DRIVE AWAY, RIGHT NOW? 393 00:16:51,500 --> 00:16:52,333 YEAH, SHE'S FREAKED. 394 00:16:52,367 --> 00:16:53,867 SHE DOESN'T WANT TO SEE ANYBODY, 395 00:16:53,900 --> 00:16:55,200 NOT EVEN YOU. 396 00:16:55,233 --> 00:16:56,400 I HAVE TO TAKE HER TO HER LAWYER'S OFFICE 397 00:16:56,433 --> 00:16:58,667 AS SOON AS WE LAND IN L.A. 398 00:16:58,700 --> 00:17:00,767 [GAGGING] 399 00:17:12,100 --> 00:17:15,800 SORRY. 400 00:17:15,833 --> 00:17:19,633 LISTEN, I MADE THAT APPOINTMENT. 401 00:17:19,667 --> 00:17:21,067 TOMORROW AT NOON. 402 00:17:21,067 --> 00:17:23,700 YOU STILL OKAY WITH THAT? 403 00:17:23,733 --> 00:17:25,833 LOOK, WE'VE GONE OVER THIS 404 00:17:25,867 --> 00:17:27,400 106 WAYS TO SUNDAY. 405 00:17:27,433 --> 00:17:29,333 I KNOW. I KNOW IT'S THE RIGHT DECISION. 406 00:17:29,367 --> 00:17:31,533 I JUST WANT TO MAKE SURE 407 00:17:31,567 --> 00:17:33,400 YOU'RE NOT HAVING A TOUGH TIME WITH IT. 408 00:17:33,433 --> 00:17:35,933 I AM HAVING A TOUGH TIME WITH IT, 409 00:17:35,967 --> 00:17:39,300 BUT I KNOW IT'S THE RIGHT DECISION. 410 00:17:39,333 --> 00:17:42,500 [SIGHING] 411 00:17:42,533 --> 00:17:45,533 HEY, I LOVE YOU. 412 00:17:52,867 --> 00:17:55,300 NO, NO, YOU REALLY DON'T WANT TO KISS ME RIGHT NOW. 413 00:17:55,333 --> 00:17:56,333 YEAH. 414 00:17:56,367 --> 00:17:58,733 YEAH, YEAH, THAT WOULD BE DISGUSTING. 415 00:18:02,167 --> 00:18:04,333 I LOVE YOU. 416 00:18:05,667 --> 00:18:07,767 I LOVE YOU. 417 00:18:24,200 --> 00:18:27,933 ONE CREDIT CARD WITH A $3,500 LIMIT. 418 00:18:27,967 --> 00:18:29,667 I CAN'T EVEN BUY A PAIR OF SHOES 419 00:18:29,700 --> 00:18:31,567 WITH $3,500. 420 00:18:31,600 --> 00:18:33,833 WELL, NO, NOT IF YOU'RE TALKING ABOUT 421 00:18:33,867 --> 00:18:36,667 $14,000 HANDMADE-IN-BARCELONA LACE-UPS, NO. 422 00:18:36,700 --> 00:18:37,833 YEAH, BUT I HAD TO. 423 00:18:37,867 --> 00:18:39,167 I MEAN, THEY WERE PERFECT 424 00:18:39,200 --> 00:18:40,967 WITH THAT EMPIRE-WAIST VINTAGE PRINT SHIFT-- 425 00:18:41,067 --> 00:18:42,567 REFILL? 426 00:18:42,600 --> 00:18:44,733 NO, I DON'T THINK I CAN AFFORD IT. 427 00:18:44,767 --> 00:18:46,800 HELENA, IT'S FREE. 428 00:18:49,733 --> 00:18:51,333 UM, WHAT ABOUT YOUR CAR? 429 00:18:51,367 --> 00:18:53,467 WASN'T YOUR CAR WORTH, LIKE, $300,000? 430 00:18:53,500 --> 00:18:55,233 I MEAN, YOU COULD LIVE ON THAT FOR, LIKE, TWO YEARS. 431 00:18:55,267 --> 00:18:56,867 MAYBE YOU COULD. 432 00:18:56,900 --> 00:18:58,800 ALL RIGHT, MAYBE I COULD. 433 00:18:58,833 --> 00:19:02,233 IF MY MOTHER HADN'T ALREADY REPOSSESSED IT. 434 00:19:02,267 --> 00:19:05,600 WHIT SUGGESTED I LOOK INTO SOMETHING 435 00:19:05,633 --> 00:19:08,433 CALLED A, "HI-UN-DI--" "DAY"? 436 00:19:08,467 --> 00:19:09,333 HYUNDAI? 437 00:19:09,367 --> 00:19:10,533 YEAH, HYUNDAI. 438 00:19:10,567 --> 00:19:14,133 WOW, SHE REALLY DOES WANT TO BRING YOU DOWN. 439 00:19:14,167 --> 00:19:15,867 YEAH. OUT OF LOVE. 440 00:19:15,900 --> 00:19:17,500 YOU KNOW WHAT I THINK? 441 00:19:19,167 --> 00:19:21,067 I THINK YOU SHOULD MOVE IN WITH ME. 442 00:19:21,067 --> 00:19:22,700 I MEAN, JUST UNTIL WE GET YOU ON YOUR FEET. 443 00:19:22,733 --> 00:19:24,633 ALICE, I COULDN'T. 444 00:19:24,667 --> 00:19:25,800 HELENA, YOU HAVE BEEN, LIKE, 445 00:19:25,833 --> 00:19:27,267 THE MOST GENEROUS FRIEND TO ME, 446 00:19:27,300 --> 00:19:28,633 AND I FEEL LIKE THIS IS THE FIRST TIME 447 00:19:28,667 --> 00:19:30,367 I HAVE SOMETHING TO OFFER YOU IN RETURN. 448 00:19:32,533 --> 00:19:34,300 IT'S GOING TO BE OKAY. 449 00:19:34,333 --> 00:19:36,300 WE'RE GOING TO HELP YOU THROUGH THIS. 450 00:19:36,333 --> 00:19:38,667 I JUST... I HAD NO IDEA 451 00:19:38,700 --> 00:19:41,367 IT COULD FEEL THIS WARM AND FUZZY 452 00:19:41,400 --> 00:19:42,500 BEING POOR. 453 00:19:44,067 --> 00:19:45,633 YEAH. 454 00:19:50,800 --> 00:19:53,067 [GASPS] 455 00:19:58,800 --> 00:20:00,933 [COUGHING] 456 00:20:07,300 --> 00:20:10,200 IF IT ISN'T JENNIFER SCHECTER, 457 00:20:10,233 --> 00:20:11,867 AUTHOR OF SOME OF HER PARTS. 458 00:20:11,900 --> 00:20:13,433 OH! WILL YOU SIGN MY BOOK? 459 00:20:13,467 --> 00:20:14,500 YOU HAVE MY BOOK? 460 00:20:14,533 --> 00:20:15,700 HOW DID YOU GET A BOOK? 461 00:20:15,733 --> 00:20:16,967 BECAUSE IT DOESN'T COME OUT TILL THURSDAY. 462 00:20:17,000 --> 00:20:17,967 I WAS KIDDING. 463 00:20:18,000 --> 00:20:19,500 WELL, CONGRATULATIONS. 464 00:20:19,533 --> 00:20:20,600 IT'S FANTASTIC. 465 00:20:20,633 --> 00:20:21,667 THANK YOU! 466 00:20:21,700 --> 00:20:23,100 AND GUESS WHAT? 467 00:20:23,133 --> 00:20:24,633 MY PUBLISHER'S WEEKLY REVIEW APPARENTLY 468 00:20:24,667 --> 00:20:26,300 HAS JUST COME OUT... 469 00:20:26,333 --> 00:20:28,000 YOU'RE NOT GOING TO READ YOUR OWN REVIEWS, 470 00:20:28,033 --> 00:20:29,300 ARE YOU? 471 00:20:29,333 --> 00:20:30,067 WELL, OF COURSE I'M GOING TO READ 472 00:20:30,100 --> 00:20:31,133 MY OWN REVIEWS. 473 00:20:31,167 --> 00:20:32,033 WHY SHOULDN'T I? 474 00:20:32,067 --> 00:20:32,833 WELL, IN CASE SOMEBODY DOESN'T SAY 475 00:20:32,867 --> 00:20:34,667 SOMETHING QUITE SO POSITIVE. 476 00:20:34,700 --> 00:20:36,433 THIS IS PURELY FOR INFORMATIONAL PURPOSES. 477 00:20:36,467 --> 00:20:38,300 OH, GUESS WHAT. 478 00:20:38,333 --> 00:20:40,633 WE GOT A MENTION ON MYSPACE. SEE? 479 00:20:40,667 --> 00:20:42,900 AND WE TOOK OUT AN AD ON OUR CHART. 480 00:20:42,933 --> 00:20:44,567 WHY, THANK YOU. 481 00:20:44,600 --> 00:20:46,600 HOW DOES IT WORK, THIS CHART OF YOURS? 482 00:20:46,633 --> 00:20:47,733 I MEAN, I'VE NEVER ACTUALLY BEEN ON-- 483 00:20:47,767 --> 00:20:49,733 YOU'VE NEVER BEEN ON OUR CHART? 484 00:20:49,767 --> 00:20:51,200 WHAT? OH, MY GOD. IT'S SO MUCH FUN. 485 00:20:51,233 --> 00:20:52,633 YOU DON'T KNOW WHAT YOU'RE MISSING. 486 00:20:52,667 --> 00:20:53,700 YEAH, IT'S LIKE A SOCIAL NETWORKING SITE. 487 00:20:53,733 --> 00:20:54,933 FOR LESBIANS. 488 00:20:54,967 --> 00:20:56,133 DO YOU HAVE TO SLEEP WITH SOMEONE FIRST? 489 00:20:56,167 --> 00:20:57,467 WELL, I MEAN, WHEN I FIRST PUT IT UP, 490 00:20:57,500 --> 00:20:58,733 THAT WAS THE CORE CONCEPT. 491 00:20:58,767 --> 00:21:00,100 YOU KNOW, JENNY SLEPT WITH TINA 492 00:21:00,133 --> 00:21:01,100 WHO SLEPT WITH ANNIE WHO SLEPT WITH-- 493 00:21:01,133 --> 00:21:02,467 YOU SLEPT WITH TINA? 494 00:21:02,500 --> 00:21:03,900 NO. I'D NEVER SLEEP WITH TINA! 495 00:21:03,933 --> 00:21:05,233 HYPOTHETICAL. 496 00:21:05,267 --> 00:21:07,100 BUT, LIKE, LESBIANS BEING LESBIANS, 497 00:21:07,133 --> 00:21:08,300 THEY STARTED LOGGING ON 498 00:21:08,333 --> 00:21:09,333 AND TALKING ABOUT THEMSELVES 499 00:21:09,367 --> 00:21:10,067 AND, YOU KNOW... 500 00:21:10,100 --> 00:21:12,067 YEAH. 501 00:21:12,100 --> 00:21:13,933 BUT FOR ME IT'S STILL ABOUT THE HOOK-UP PAGE. 502 00:21:13,967 --> 00:21:16,100 SEE, LIKE, HERE'S ME, 503 00:21:16,133 --> 00:21:17,600 AND THEN THAT'S MY WHOLE CONSTELLATION. 504 00:21:17,633 --> 00:21:19,333 AND I SLEPT WITH GABBY DEVEAUX 505 00:21:19,367 --> 00:21:21,333 SO I WANT TO ADD HER TO MY CONSTELLATION. 506 00:21:21,367 --> 00:21:22,433 SO I SUBMIT HER NAME 507 00:21:22,467 --> 00:21:23,567 AND THE WEBMASTER 508 00:21:23,600 --> 00:21:25,267 WILL EMAIL HER SAYING, YOU KNOW, 509 00:21:25,300 --> 00:21:27,167 ALICE PIESZECKI HAS ADDED YOUR NAME 510 00:21:27,200 --> 00:21:28,700 TO OUR CHART 511 00:21:28,733 --> 00:21:30,200 AND WOULD LIKE TO PUT YOU ON HER HOOK-UPS PAGE. 512 00:21:30,233 --> 00:21:31,533 AND, THEN, IF SHE GIVES PERMISSION, 513 00:21:31,567 --> 00:21:32,767 THEN SHE HAS THE CHOICE 514 00:21:32,800 --> 00:21:34,567 OF STARTING HER OWN CONSTELLATION. 515 00:21:34,600 --> 00:21:35,600 THERE'S GABBY DEVEAUX. RIGHT. 516 00:21:35,633 --> 00:21:36,700 WHOA, THAT'S A LOT OF HOOK-UPS. 517 00:21:36,733 --> 00:21:38,367 YEAH, SHE'S A WHORE. 518 00:21:38,400 --> 00:21:39,800 YEAH. 519 00:21:39,833 --> 00:21:41,067 BUT, UM, LET'S SEE-- HAVE YOU SEEN SHANE? 520 00:21:41,067 --> 00:21:43,233 YEAH, YEAH, CAN I SHOW YOU-- 521 00:21:43,267 --> 00:21:46,067 BECAUSE IF YOU WERE TO THEN CLICK ON SHANE'S NAME... 522 00:21:46,067 --> 00:21:50,267 YOU CAN THEN SEE HOW MANY PEOPLE SHANE'S HOOKED UP WITH. 523 00:21:50,300 --> 00:21:51,633 [ALICE]: SHE'S WHAT WE CALL A HUB, 524 00:21:51,667 --> 00:21:52,800 WHICH IS ANYONE 525 00:21:52,833 --> 00:21:54,067 WHO'S SLEPT WITH OVER 50 PEOPLE. 526 00:21:54,067 --> 00:21:55,433 SHANE'S CONSIDERED THE HUB OF HUBS. 527 00:21:55,467 --> 00:21:56,733 RIGHT, AND ONCE YOU BECOME A HUB, 528 00:21:56,767 --> 00:21:57,900 THEN YOU SORT OF BECOME A PORTAL, 529 00:21:57,933 --> 00:21:59,167 BECAUSE, INEVITABLY, YOU'RE GOING TO, LIKE, 530 00:21:59,200 --> 00:22:00,933 BRING US INTO A WHOLE NEW SOLAR SYSTEM. 531 00:22:00,967 --> 00:22:02,200 YEAH, LOOK, DO YOU REMEMBER 532 00:22:02,233 --> 00:22:03,700 THAT JAPANESE GIRL THAT SHANE SLEPT WITH? 533 00:22:03,733 --> 00:22:05,567 WELL, NOW THE JAPANESE GIRL 534 00:22:05,600 --> 00:22:06,767 IN KYOTO 535 00:22:06,800 --> 00:22:08,767 HAS HER WHOLE NEW SOLAR SYSTEM OUT THERE. 536 00:22:08,800 --> 00:22:09,933 YEAH. YEAH. 537 00:22:09,967 --> 00:22:11,167 SHOULD WE LOOK AT CARMEN? 538 00:22:11,200 --> 00:22:12,467 WELL, YEAH, I THINK 539 00:22:12,500 --> 00:22:13,633 WE COULD LEAVE CARMEN OUT OF IT. 540 00:22:13,667 --> 00:22:15,267 OKAY, SO, LOOK. 541 00:22:15,300 --> 00:22:17,067 CARMEN HAS HER WHOLE SOLAR SYSTEM-- 542 00:22:17,100 --> 00:22:18,900 WOW. ...IN EAST L.A. 543 00:22:18,933 --> 00:22:20,067 I CAN SEE THAT. LOOK AT THAT. 544 00:22:20,100 --> 00:22:21,533 THERE'S, LIKE, ROSA, MARILENA-- 545 00:22:21,567 --> 00:22:23,500 I HAD NO IDEA IT WAS SUCH A BIG DEAL. 546 00:22:23,533 --> 00:22:25,067 OH, YEAH, WE'RE GOING TO HAVE TO 547 00:22:25,067 --> 00:22:26,267 UPGRADE THE SERVER 548 00:22:26,300 --> 00:22:27,700 BECAUSE WE'RE GETTING SO MUCH TRAFFIC. 549 00:22:27,733 --> 00:22:29,367 WHAT'S THE TERM YOU SAY YOU USE WHEN THERE'S GROUP OF GIRLS-- 550 00:22:29,400 --> 00:22:30,067 SOLAR SYSTEM. YEAH. 551 00:22:30,067 --> 00:22:31,533 THERE'S A GIRL HERE 552 00:22:31,567 --> 00:22:34,367 IN CARMEN'S SOLAR SYSTEM, SHE'S GOT MORE HITS THAN SHANE. 553 00:22:34,400 --> 00:22:35,467 OH, THAT'S NOT POSSIBLE. 554 00:22:35,500 --> 00:22:37,100 NO. NO WAY. NO. 555 00:22:37,133 --> 00:22:38,567 CAN I HAVE MY COMPUTER NOW? 556 00:22:38,600 --> 00:22:39,600 YEAH. LOOK. 557 00:22:39,633 --> 00:22:42,100 OH, MY GOD. 558 00:22:42,133 --> 00:22:43,267 YOU'RE RIGHT! 559 00:22:43,300 --> 00:22:44,767 LOOK AT THIS. 560 00:22:44,800 --> 00:22:47,067 THIS GIRL HAS SLEPT... 561 00:22:47,067 --> 00:22:48,300 WITH ONE THOUSAND, ONE HUNDRED-- 562 00:22:48,333 --> 00:22:49,767 [ALL GASPING] 563 00:22:49,800 --> 00:22:51,133 SHE JUST ADDED A NAME! 564 00:22:51,167 --> 00:22:52,167 WAIT, LET ME GO-- 565 00:22:52,200 --> 00:22:53,333 NOW IT'S 1,151! LET ME GO IN. 566 00:22:53,367 --> 00:22:54,467 ALL RIGHT, RELAX. 567 00:22:54,500 --> 00:22:55,433 LET ME GO IN. 568 00:22:55,467 --> 00:22:57,100 I GOT TO SEE WHO THIS IS. 569 00:22:57,133 --> 00:22:59,267 WHO THE HELL IS PAPI? 570 00:22:59,300 --> 00:23:01,167 I THINK WARREN HAS TOO MUCH ON HIS PLATE. 571 00:23:01,200 --> 00:23:02,800 I GOING TO HAVE YOU RUN POINT 572 00:23:02,833 --> 00:23:04,467 ON THE PYROTECH PROJECT. 573 00:23:04,500 --> 00:23:05,667 OH... 574 00:23:05,700 --> 00:23:07,767 THANKS. THANKS, BOSS. 575 00:23:07,800 --> 00:23:10,600 HOW'S EVERYTHING ELSE GOING FOR YOU, MAX? 576 00:23:10,633 --> 00:23:11,700 JUST GREAT. 577 00:23:11,733 --> 00:23:13,067 I SHOULD HAVE THESE UPDATES NAILED 578 00:23:13,067 --> 00:23:14,133 BY THE END OF THE WEEK. 579 00:23:14,167 --> 00:23:15,200 HOW'S JENNY? 580 00:23:15,233 --> 00:23:17,567 SHE'S FINE. 581 00:23:17,600 --> 00:23:18,833 ACTUALLY, WE BROKE UP. 582 00:23:18,867 --> 00:23:20,867 OH. I'M SORRY. 583 00:23:20,900 --> 00:23:22,100 I'M FINE WITH IT. 584 00:23:22,133 --> 00:23:24,067 WELL... 585 00:23:24,100 --> 00:23:25,967 I HOPE YOU DON'T THINK I'M OUT OF LINE, MAX, 586 00:23:26,067 --> 00:23:27,400 BUT I'M NOT ALL THAT SURPRISED. 587 00:23:27,433 --> 00:23:30,167 YEAH, I MEAN, WE DEFINITELY HAD OUR PROBLEMS. 588 00:23:30,200 --> 00:23:32,233 YOU'RE A VERY STRAIGHT AHEAD PERSON. 589 00:23:32,267 --> 00:23:33,567 YOU DON'T REALLY SEEM TO HAVE ANY HIDDEN AGENDAS, 590 00:23:33,600 --> 00:23:37,833 AND JENNY SEEMED A LITTLE COMPLICATED. 591 00:23:37,867 --> 00:23:39,933 SHE SURE IS COMPLICATED. 592 00:23:41,700 --> 00:23:43,833 LOOK, UH... 593 00:23:43,867 --> 00:23:46,700 I KNOW THIS MIGHT SEEM A LITTLE OUT OF LEFT FIELD, 594 00:23:46,733 --> 00:23:47,933 BUT MY DAUGHTER BROOKE'S COMING HOME 595 00:23:47,967 --> 00:23:49,800 FROM MT. HOLYOKE THIS WEEKEND, 596 00:23:49,833 --> 00:23:51,267 AND I ALWAYS THOUGHT 597 00:23:51,300 --> 00:23:52,467 THE TWO OF YOU WOULD HIT IT OFF. 598 00:23:52,500 --> 00:23:53,600 YOUR DAUGHTER? 599 00:23:53,633 --> 00:23:54,667 I'LL I.M. YOU 600 00:23:54,700 --> 00:23:55,900 HER PHONE NUMBER. 601 00:23:55,933 --> 00:23:57,100 YOU CAN CALL HER IF YOU'RE UP FOR IT. 602 00:23:57,133 --> 00:23:58,833 NO OBLIGATION. 603 00:23:58,867 --> 00:24:00,767 HONESTLY. 604 00:24:07,100 --> 00:24:09,400 OH, FUCK. 605 00:24:11,167 --> 00:24:13,800 I'M GLAD YOU DECIDED TO COME. 606 00:24:17,667 --> 00:24:19,467 COME TO MAMA, SWEETIE. 607 00:24:19,500 --> 00:24:21,133 MAMA'S NEVER GOING TO LEAVE YOU AGAIN. 608 00:24:21,167 --> 00:24:22,167 COME HERE, SWEETIE. 609 00:24:22,200 --> 00:24:23,467 YEAH. 610 00:24:23,500 --> 00:24:24,633 COME HERE, MY BABY. 611 00:24:24,667 --> 00:24:26,500 COME HERE, MY BABY. 612 00:24:26,533 --> 00:24:28,467 I MISSED YOU. 613 00:24:28,500 --> 00:24:30,967 [TINA COOING] 614 00:24:31,067 --> 00:24:32,533 [TINA KISSES ANGELICA] 615 00:24:32,567 --> 00:24:33,933 YES. MY BABY... 616 00:24:33,967 --> 00:24:35,067 I LOOKED LIKE A GUY, 617 00:24:35,100 --> 00:24:37,100 BUT I DIDN'T FIT IN THE STRAIGHT WORLD, 618 00:24:37,133 --> 00:24:39,100 AND ALL OF A SUDDEN, I DIDN'T FIT 619 00:24:39,133 --> 00:24:40,467 IN THE DYKE COMMUNITY EITHER. 620 00:24:40,500 --> 00:24:41,467 I HAD NO IDEA 621 00:24:41,500 --> 00:24:43,233 IT WOULD BE SO DAMN LONELY. 622 00:24:43,267 --> 00:24:44,567 AND THE WORST THING WAS, I COULDN'T CRY. 623 00:24:44,600 --> 00:24:45,600 THAT WAS 624 00:24:45,633 --> 00:24:46,600 THE HARSHEST THING FOR ME. 625 00:24:46,633 --> 00:24:48,067 WHEN THE TESTOSTERONE KICKED IN, 626 00:24:48,067 --> 00:24:49,300 MY EMOTIONS TOTALLY CHANGED, 627 00:24:49,333 --> 00:24:50,367 AND I COULDN'T EVEN CRY ANYMORE. 628 00:24:50,400 --> 00:24:53,200 I NEVER STOPPED CRYING, PERSONALLY, 629 00:24:53,233 --> 00:24:54,533 BUT NOBODY REALLY PREPARES YOU 630 00:24:54,567 --> 00:24:56,467 FOR WHAT YOUR BODY'S GOING TO GO THROUGH. 631 00:24:56,500 --> 00:24:58,100 AT LEAST BOYS, WHEN THEY START PUBERTY, 632 00:24:58,133 --> 00:25:00,633 THEY HAVE, YOU KNOW, SEX EDUCATION. 633 00:25:00,667 --> 00:25:02,200 DO YOU GUYS KNOW WHERE I COULD GO 634 00:25:02,233 --> 00:25:04,133 TO FIND OUT MORE INFORMATION? 635 00:25:04,167 --> 00:25:07,867 WHEN I GOT MY T, I GOT IF FROM MY FRIEND, 636 00:25:07,900 --> 00:25:09,300 IT WAS SORT OF SMUGGLED, OR WHATEVER, SO-- 637 00:25:09,333 --> 00:25:11,067 OH, JEEZ. 638 00:25:11,067 --> 00:25:12,733 WHAT DOSAGE ARE YOU ON, DUDE? 639 00:25:12,767 --> 00:25:14,800 200, LIKE, EVERY WEEK-- 640 00:25:14,833 --> 00:25:16,100 WHOO. 641 00:25:16,133 --> 00:25:17,567 I STARTED OUT-- A WEEK? 642 00:25:17,600 --> 00:25:19,167 DO YOU HAVE ANY IDEA WHAT THAT CAN DO TO YOUR LIVER? 643 00:25:19,200 --> 00:25:21,067 NOT TO MENTION YOUR PERSONALITY. 644 00:25:21,100 --> 00:25:22,500 DO YOU GOT ANY FRIENDS LEFT, MAN? 645 00:25:22,533 --> 00:25:25,833 YEAH, I DO, BUT IT'S BEEN PRETTY MESSED UP. 646 00:25:25,867 --> 00:25:27,700 I MEAN, I FREAK OUT A LOT. 647 00:25:27,733 --> 00:25:29,833 I MEAN, THAT'S WHY I CAME HERE. 648 00:25:29,867 --> 00:25:31,200 I THOUGHT MAYBE YOU GUYS COULD HELP ME OUT. 649 00:25:31,233 --> 00:25:32,800 WE'RE GOING TO GIVE YOU 650 00:25:32,833 --> 00:25:33,900 THE NUMBER OF A DOCTOR, OKAY? 651 00:25:33,933 --> 00:25:36,467 HE'S AN ENDOCRINOLOGIST THAT A LOT OF US SEE. 652 00:25:36,500 --> 00:25:38,867 THANKS. 653 00:25:38,900 --> 00:25:40,233 THIS IS JUST SO INSANE, 654 00:25:40,267 --> 00:25:42,233 THE IDEA THAT I'M NOT TRUSTWORTHY. 655 00:25:42,267 --> 00:25:43,533 SHE'S THE ONE 656 00:25:43,567 --> 00:25:45,133 WITH PATTERN OF LYING AND CHEATING. 657 00:25:45,167 --> 00:25:47,200 SHE'S THE ONE WHO SWORE-- SHE SWORE-- 658 00:25:47,233 --> 00:25:49,700 FROM THE DAY ANGELICA WAS BORN THAT SHE WAS OUR CHILD. 659 00:25:49,733 --> 00:25:51,867 OUR CHILD, UNEQUIVOCALLY, 660 00:25:51,900 --> 00:25:53,567 IRREVOCABLY OUR CHILD. 661 00:25:53,600 --> 00:25:54,800 AND THEN THE SECOND-- 662 00:25:54,833 --> 00:25:56,100 THE SECOND IT'S BECOMES INCONVENIENT-- 663 00:25:56,133 --> 00:25:57,500 SHE STARTS SAYING, "OH, IT'S MY DAUGHTER." 664 00:25:57,533 --> 00:25:59,667 SHE'S THE ONE WHO TRIED TO TAKE HER AWAY IN THE FIRST PLACE. 665 00:25:59,700 --> 00:26:00,967 OH, IN THE FIRST PLACE? 666 00:26:01,067 --> 00:26:02,167 SHE'S THE ONE WHO WENT SCAMPERING BACK 667 00:26:02,200 --> 00:26:03,300 TO THE SAFETY OF WHITE HETEROSEXUAL PRIVILEGE. 668 00:26:03,333 --> 00:26:04,567 SAFETY? 669 00:26:04,600 --> 00:26:05,967 THIS IS ABOUT THE BRAVEST THING 670 00:26:06,067 --> 00:26:07,233 I'VE EVER DONE. 671 00:26:07,267 --> 00:26:08,567 I STAND TO LOSE ALL MY FRIENDS, 672 00:26:08,600 --> 00:26:10,633 WHO VIEW ME AS SOME SORT OF A TURNCOAT. 673 00:26:10,667 --> 00:26:11,867 NO ONE HATES YOU 674 00:26:11,900 --> 00:26:13,867 BECAUSE OF YOUR SEXUAL ORIENTATION, TINA. 675 00:26:13,900 --> 00:26:15,333 THEY HATE YOU 676 00:26:15,367 --> 00:26:17,800 BECAUSE YOU CAN'T BE TRUSTED NOT TO USE IT AGAINST ME 677 00:26:17,833 --> 00:26:19,933 WHEN IT COMES TO SHARING CUSTODY OF OUR CHILD. 678 00:26:19,967 --> 00:26:22,467 OH, HERE WE GO WITH THE TRUST THING AGAIN. 679 00:26:22,500 --> 00:26:23,700 THAT IS SO FUCKING CRAZY. 680 00:26:23,733 --> 00:26:25,100 DON'T YOU DARE. 681 00:26:25,133 --> 00:26:26,667 OH, BECAUSE YOU WOULD NEVER DO SUCH A THING? 682 00:26:26,700 --> 00:26:28,200 I'M SORRY, BUT WHO WAS IT THAT KIDNAPPED OUR DAUGHTER 683 00:26:28,233 --> 00:26:29,400 AND DROVE OFF 684 00:26:29,433 --> 00:26:30,900 IN THE MIDDLE OF THE NIGHT? 685 00:26:30,933 --> 00:26:32,067 COULD YOU MOVE, PLEASE? 686 00:26:32,067 --> 00:26:33,133 OKAY, OKAY, WELL, I'M GLAD TO SEE 687 00:26:33,167 --> 00:26:35,667 THAT YOU'VE MADE YOUR DECISION. 688 00:26:35,700 --> 00:26:36,800 WHAT DECISION HAVE WE MADE? 689 00:26:36,833 --> 00:26:38,067 MOMMY DEAREST ONE 690 00:26:38,067 --> 00:26:39,433 AND MOMMY DEAREST TWO 691 00:26:39,467 --> 00:26:41,067 WILL BE FIGHTING THIS OUT IN A COURT OF LAW. 692 00:26:41,067 --> 00:26:44,133 WHICH, IN THE END, IS NOT A TERRIBLE THING. 693 00:26:44,167 --> 00:26:45,467 HOW IS THAT NOT A TERRIBLE THING? 694 00:26:45,500 --> 00:26:47,233 YEAH, IN WHAT UNIVERSE IS THAT NOT A TERRIBLE THING? 695 00:26:47,267 --> 00:26:48,367 WELL, IN THE UNIVERSE 696 00:26:48,400 --> 00:26:49,967 OF MY BANK ACCOUNT, FOR ONE, 697 00:26:50,067 --> 00:26:52,200 AND, LUCKILY FOR ME, MY CLIENT IS EMPLOYED AGAIN. 698 00:26:52,233 --> 00:26:54,133 BUT THE REAL BEAUTY 699 00:26:54,167 --> 00:26:55,700 IS THAT THIS CASE 700 00:26:55,733 --> 00:26:57,633 WILL BE A MEDIA BONANZA. 701 00:26:57,667 --> 00:27:00,167 AND, TINA, IF I MAY STEP BACK INTO MY ROLE 702 00:27:00,200 --> 00:27:01,433 AS MEDIATOR FOR RIGHT NOW, 703 00:27:01,467 --> 00:27:02,500 I SUGGEST YOU FIND YOURSELF A BETTER LAWYER. 704 00:27:02,533 --> 00:27:03,867 WHAT'S WRONG WITH MY LAWYER? 705 00:27:03,900 --> 00:27:05,200 WHY ARE YOU TELLING HER THIS? 706 00:27:05,233 --> 00:27:06,767 WELL, CHARLES IS COMPETENT, 707 00:27:06,800 --> 00:27:08,067 BUT, FRANKLY, HE'S A MILQUETOAST. 708 00:27:08,067 --> 00:27:09,267 I'LL HAVE HIM FOR BREAKFAST. 709 00:27:09,300 --> 00:27:12,233 OH, IT'S A SHAME JOHNNIE COCHRAN'S DEAD. 710 00:27:12,267 --> 00:27:15,767 A FLAMBOYANT AFRICAN-AMERICAN LAWYER 711 00:27:15,800 --> 00:27:18,600 ARGUING ON BEHALF OF YOUR PICTURE-PERFECT 712 00:27:18,633 --> 00:27:19,533 WHITE HETERO FAMILY-- 713 00:27:19,567 --> 00:27:20,933 THAT WOULD'VE BEEN PERFECT FOR YOU. 714 00:27:20,967 --> 00:27:22,867 BECAUSE, AS YOU KNOW, WE'RE GOING TO BE PLAYING 715 00:27:22,900 --> 00:27:24,700 THE RACE CARD. IT'S NOT A CARD. 716 00:27:24,733 --> 00:27:25,633 IT'S SOMETHING I KNOW 717 00:27:25,667 --> 00:27:26,833 TO BE FIRMLY AND INTRINSICALLY TRUE. 718 00:27:26,867 --> 00:27:28,067 TINA'S NOT QUALIFIED 719 00:27:28,067 --> 00:27:29,533 TO PARENT A BIRACIAL CHILD. 720 00:27:29,567 --> 00:27:30,600 OH, YEAH, AND I WAS QUALIFIED TO LIVE AND SLEEP WITH ONE 721 00:27:30,633 --> 00:27:31,933 FOR EIGHT YEARS? 722 00:27:31,967 --> 00:27:33,767 OBVIOUSLY YOU WEREN'T QUALIFIED FOR THAT EITHER. 723 00:27:33,800 --> 00:27:35,167 LET'S KEEP IT ON THE HIGH ROAD, OKAY? 724 00:27:35,200 --> 00:27:37,667 AND YOU, MY LITTLE SWEET, 725 00:27:37,700 --> 00:27:39,867 YOU WILL BE KNOWN IN THE PRESS AS "BABY A," 726 00:27:39,900 --> 00:27:42,467 THE ARTIFICIALLY CONCEIVED DAUGHTER 727 00:27:42,500 --> 00:27:44,267 OF A BISEXUAL WHITE MOVIE EXEC 728 00:27:44,300 --> 00:27:46,433 AND A BIRACIAL LESBIAN 729 00:27:46,467 --> 00:27:48,100 ART WORLD TITAN. 730 00:27:48,133 --> 00:27:49,300 OH, MY GOSH. 731 00:27:49,333 --> 00:27:51,100 THE FUNDAMENTALISTS WILL PICKET. 732 00:27:51,133 --> 00:27:55,333 LIBERALS AND FEMINISTS WILL ARGUE AMONG THEMSELVES. 733 00:27:55,367 --> 00:27:57,733 GOOD CHRISTIAN FOLKS WILL WRITE IN TO THE OP-EDS 734 00:27:57,767 --> 00:27:59,067 OFFERING TO ADOPT HER 735 00:27:59,067 --> 00:28:03,500 AWAY FROM HER SICK AND PERVERTED WARRING PARENTS. 736 00:28:10,233 --> 00:28:11,467 SO I GOT THE NAME OF THIS DOCTOR 737 00:28:11,500 --> 00:28:12,633 WHO TREATS PRETTY MUCH 738 00:28:12,667 --> 00:28:14,067 ALL THE TRANS GUYS IN LOS ANGELES. 739 00:28:14,067 --> 00:28:15,333 OH, COOL. 740 00:28:15,367 --> 00:28:16,767 AND THE GUYS IN THE GROUP, I MEAN, 741 00:28:16,800 --> 00:28:18,600 THEY COULDN'T EVEN BELIEVE HOW MUCH T I'VE BEEN ON. 742 00:28:18,633 --> 00:28:20,100 I'M GOING GET AN APPOINTMENT 743 00:28:20,133 --> 00:28:21,267 AS SOON AS I CAN. 744 00:28:21,300 --> 00:28:22,300 OH, THAT'S AWESOME. 745 00:28:22,333 --> 00:28:23,067 SORRY. I HOPE THEY CAN HELP YOU. 746 00:28:23,067 --> 00:28:25,167 [DOORBELL RINGING] 747 00:28:25,200 --> 00:28:27,233 HEY, JENNY, THE DOOR. 748 00:28:27,267 --> 00:28:29,133 FUCK. CAN YOU JUST GET THAT FOR ME? 749 00:28:29,167 --> 00:28:31,167 I'M SORRY. 750 00:28:36,867 --> 00:28:38,500 HELLO, MAX. 751 00:28:40,467 --> 00:28:41,800 HEY, LET ME HELP YOU WITH THOSE. I GOT IT. 752 00:28:41,833 --> 00:28:44,333 HI! HOW ARE YOU? 753 00:28:44,367 --> 00:28:47,600 IT'S SO NICE TO SEE YOU. 754 00:28:49,067 --> 00:28:50,767 HOW ARE YOU? 755 00:28:50,800 --> 00:28:51,500 GOOD. 756 00:28:51,533 --> 00:28:52,267 YEAH? 757 00:28:52,300 --> 00:28:55,167 YEAH. 758 00:29:03,433 --> 00:29:04,967 IT'S GOING TO BE FINE. 759 00:29:10,100 --> 00:29:12,067 OKEY-DOKEY, I THINK WE'VE GOT 760 00:29:12,100 --> 00:29:13,467 EVERYTHING IN HERE A GIRL COULD NEED. 761 00:29:13,500 --> 00:29:14,633 OKAY. 762 00:29:14,667 --> 00:29:15,633 [KNOCKING] 763 00:29:15,667 --> 00:29:16,767 AND JUST IN TIME. 764 00:29:16,800 --> 00:29:18,067 WHOO! 765 00:29:18,100 --> 00:29:20,267 COME HERE, SWEETIE. 766 00:29:20,300 --> 00:29:22,067 [DOOR OPENING] 767 00:29:24,333 --> 00:29:26,667 HEY, ANGIE, YOU READY TO GO? 768 00:29:26,700 --> 00:29:29,100 SHE'S READY TO ROCK. 769 00:29:29,133 --> 00:29:30,700 SO THE SCHEDULE IS, 770 00:29:30,733 --> 00:29:32,067 SHE'S WITH MAMA T FOR A COUPLE OF DAYS, 771 00:29:32,067 --> 00:29:33,233 AND THEN I'LL BE BY 772 00:29:33,267 --> 00:29:34,367 ON WEDNESDAY AND PICK HER UP 773 00:29:34,400 --> 00:29:35,600 AND BRING HER BACK TO MAMA B. 774 00:29:35,633 --> 00:29:37,067 AREN'T YOU GOING TO LOOK AFTER HER 775 00:29:37,067 --> 00:29:38,067 WHEN SHE'S WITH ME? 776 00:29:38,067 --> 00:29:39,467 I'VE STILL GOT TO WORK. 777 00:29:39,500 --> 00:29:41,100 I'VE BEEN REAL BUSY LATELY. 778 00:29:41,133 --> 00:29:44,067 MY BAND JUST PUT OUT A DEMO ON MYSPACE, 779 00:29:44,100 --> 00:29:47,133 SO I'VE GOT MEETINGS WITH RECORD COMPANIES. 780 00:29:47,167 --> 00:29:48,733 YOU KNOW WHAT? 781 00:29:48,767 --> 00:29:50,233 I'M SURE HAZEL WON'T MIND BABYSITTING 782 00:29:50,267 --> 00:29:53,100 FOR BOTH ANGIE AND MIKEY. 783 00:29:53,133 --> 00:29:54,733 HAZEL'S FANTASTIC. 784 00:29:54,767 --> 00:29:55,767 [COOING] 785 00:29:55,800 --> 00:29:58,067 YOU READY TO GO? 786 00:29:58,100 --> 00:30:00,600 [KIT BABY-TALKING] 787 00:30:00,633 --> 00:30:02,500 OOH, HERE WE GO. 788 00:30:02,533 --> 00:30:04,767 HERE WE GO. 789 00:30:04,800 --> 00:30:07,600 HERE WE GO. 790 00:30:09,467 --> 00:30:13,600 [BETTE]: SO, I GUESS I'LL TYPE UP A SCHEDULE. 791 00:30:13,633 --> 00:30:16,067 ARE YOU STILL USING iCAL? 792 00:30:16,100 --> 00:30:17,900 YEAH. 793 00:30:17,933 --> 00:30:20,000 OKAY. WELL, THEN, I'LL DO IT IN iCAL. 794 00:30:20,033 --> 00:30:22,333 THAT'LL BE GOOD. 795 00:30:27,367 --> 00:30:29,367 [DOOR CLOSES] 796 00:30:30,800 --> 00:30:35,233 THIS MORNING, IT WAS 1,150. 797 00:30:35,267 --> 00:30:38,233 NOW, TONIGHT-- WELL, LOOK AT THAT. 798 00:30:38,267 --> 00:30:41,167 IT'S UP TO 1,377. 799 00:30:41,200 --> 00:30:44,433 NOW, THAT'S ALL WITHIN ONLY 20 HOURS 800 00:30:44,467 --> 00:30:45,833 AFTER HER NAME APPEARED ON OUR CHART. 801 00:30:45,867 --> 00:30:47,567 SHE HAS CRASHED OUR SERVER. 802 00:30:47,600 --> 00:30:50,933 SHE HAS CAUSED AN ALL-OUT PANIC AMONG OUR WEB PROGRAMMERS. 803 00:30:50,967 --> 00:30:52,933 AND SHE'S DISPLACED, PERHAPS, 804 00:30:52,967 --> 00:30:56,100 THE GREATEST PLAYER IN THE HISTORY OF PLAYERS! 805 00:30:56,133 --> 00:30:58,333 NOW, ALL I CAN SAY IS, PAPI-- 806 00:30:58,367 --> 00:31:00,100 PAPI, IF YOU ARE OUT THERE, 807 00:31:00,133 --> 00:31:03,267 IF YOU ARE REAL, IF YOU REALLY EXIST, 808 00:31:03,300 --> 00:31:05,600 PLEASE MAKE CONTACT WITH US. 809 00:31:05,633 --> 00:31:08,267 YOU CAN CALL US, YOU CAN DROP US AN E-MAIL. 810 00:31:08,300 --> 00:31:10,233 LET US KNOW WHERE YOU HANG OUT. 811 00:31:10,267 --> 00:31:11,567 I WILL FIND YOU. 812 00:31:11,600 --> 00:31:14,500 LET US KNOW WHEN YOU SLEEP, IF YOU DO. 813 00:31:14,533 --> 00:31:17,400 I JUST WANT TO KNOW, PAPI, 814 00:31:17,433 --> 00:31:21,100 HOW YOU DO THAT THING YOU DO. 815 00:31:21,133 --> 00:31:24,267 THIS IS ALICE PIESZECKI SIGNING OFF 816 00:31:24,300 --> 00:31:25,900 WITH THE QUESTION 817 00:31:25,933 --> 00:31:28,067 THAT IS ON EVERYONE'S MIND TONIGHT-- 818 00:31:28,067 --> 00:31:30,633 WHERE'S PAPI? 819 00:31:30,667 --> 00:31:33,300 [**] 820 00:31:39,133 --> 00:31:40,867 [SLAP] 821 00:31:40,900 --> 00:31:43,367 HEY, LITTLE FREAK! 822 00:31:43,400 --> 00:31:45,900 WE'RE HAVING A PARTY. 823 00:31:45,933 --> 00:31:47,933 COME ON! 824 00:31:49,067 --> 00:31:50,867 COME ON. 825 00:31:50,900 --> 00:31:52,067 COME ON, LITTLE FREAK. 826 00:31:53,600 --> 00:31:55,467 COME ON, BABY. 827 00:31:55,500 --> 00:31:57,467 WE'RE HAVING A PARTY. 828 00:31:57,500 --> 00:32:00,267 EVERYBODY, THIS IS SHANE! 829 00:32:00,300 --> 00:32:01,200 [MAN]: HEY, SHANE! 830 00:32:01,233 --> 00:32:03,067 OKAY, OKAY, OKAY. 831 00:32:03,067 --> 00:32:05,667 I KNOW WHAT YOU NEED. 832 00:32:09,633 --> 00:32:12,367 [**] 833 00:32:12,400 --> 00:32:14,667 [WOMAN LAUGHS] 834 00:32:24,767 --> 00:32:27,233 [MUSIC FADES OUT, SLOWS] 835 00:32:27,267 --> 00:32:30,533 [MUSIC SPEEDS UP, DISTORTS] 836 00:32:32,067 --> 00:32:34,067 [LAUGHING] 837 00:32:34,067 --> 00:32:37,067 [MUSIC DISTORTING, SCREECHING] 838 00:32:39,633 --> 00:32:42,633 [**] 839 00:32:51,867 --> 00:32:53,700 IT'S SNOW TIME! 840 00:32:55,900 --> 00:32:58,700 THAT'LL WAKE YOU UP. 841 00:32:58,733 --> 00:33:00,700 [SNORTING] 842 00:33:00,733 --> 00:33:02,367 THERE YOU GO. 843 00:33:02,400 --> 00:33:04,067 [CHUCKLING] 844 00:33:04,067 --> 00:33:06,100 [SNORTING] 845 00:33:06,133 --> 00:33:07,767 YOU LOOKED SO CUTE LYING THERE 846 00:33:07,800 --> 00:33:09,167 ALL CRASHED OUT LIKE THAT. 847 00:33:09,200 --> 00:33:10,400 COME DANCE WITH ME. 848 00:33:10,433 --> 00:33:11,667 GO, SHANE. 849 00:33:11,700 --> 00:33:13,133 WE KNOW YOU LIKE THE BUBBLY ONES. 850 00:33:13,167 --> 00:33:15,667 [**] 851 00:33:30,200 --> 00:33:32,500 ALL I HAVE IS... 852 00:33:32,533 --> 00:33:34,567 CAVIAR AND CREME FRAICHE. 853 00:33:34,600 --> 00:33:37,500 AND I THINK I FOUND SOME CRACKERS. 854 00:33:38,900 --> 00:33:39,867 OOH. 855 00:33:39,900 --> 00:33:40,900 [LID SETTLES ON FLOOR] 856 00:33:40,933 --> 00:33:42,233 IT'S MOLDY. 857 00:33:44,100 --> 00:33:45,533 [CONTAINER CLATTERS] 858 00:33:45,567 --> 00:33:46,567 IT'S OKAY. 859 00:33:46,600 --> 00:33:50,267 I'M GLAD WE DON'T HAVE TO LEAVE THE HOUSE. 860 00:33:59,100 --> 00:34:01,833 [**] 861 00:34:15,700 --> 00:34:17,867 HI. I'M HERE WITH KIT PORTER. 862 00:34:17,900 --> 00:34:21,533 SHE HAS AN APPOINTMENT. 863 00:34:21,567 --> 00:34:22,733 HERE WE GO. 864 00:34:26,900 --> 00:34:29,800 IF YOU'LL JUST FILL OUT THIS PAPERWORK, 865 00:34:29,833 --> 00:34:31,267 WE'LL GET YOU IN FOR YOUR PREGNANCY TEST 866 00:34:31,300 --> 00:34:32,367 IN A FEW MINUTES. 867 00:34:32,400 --> 00:34:33,900 BUT I'VE ALREADY DONE LIKE, 20 OF THOSE TESTS 868 00:34:33,933 --> 00:34:35,200 AT HOME, 869 00:34:35,233 --> 00:34:37,133 AND I'VE BEEN EATING LIKE A LUNATIC, 870 00:34:37,167 --> 00:34:38,367 AND PUKING MY GUTS UP 871 00:34:38,400 --> 00:34:40,633 FOR THE LAST 10 MORNINGS. 872 00:34:40,667 --> 00:34:42,100 I DON'T NEED ANOTHER TEST. 873 00:34:42,133 --> 00:34:43,300 IT'S REQUIRED, DEAR. 874 00:34:43,333 --> 00:34:44,600 JUST A STANDARD PROCEDURE 875 00:34:44,633 --> 00:34:46,367 BEFORE WE CAN OFFER ANY OTHER SERVICES. 876 00:35:00,333 --> 00:35:03,167 [**] 877 00:35:03,200 --> 00:35:06,967 WHERE THE FUCK ARE MY CAR KEYS? 878 00:35:13,200 --> 00:35:15,733 YOU CAME IN A CAB FROM THE AIRPORT. 879 00:35:15,767 --> 00:35:16,867 REMEMBER? I DID? 880 00:35:16,900 --> 00:35:18,700 NO, I DID. I DID? 881 00:35:18,733 --> 00:35:20,967 WHA-- WAIT. 882 00:35:21,067 --> 00:35:22,333 THESE ARE YOURS, RIGHT? 883 00:35:22,367 --> 00:35:23,633 WHERE ARE YOU GOING? NOWHERE. 884 00:35:23,667 --> 00:35:24,800 BUT I'M GOING TO TAKE THESE. 885 00:35:24,833 --> 00:35:26,533 I DON'T KNOW WHAT YOUR FUCKING PROBLEM IS, 886 00:35:26,567 --> 00:35:27,533 BUT, YOU KNOW, IF YOU DO THIS, 887 00:35:27,567 --> 00:35:29,933 YOU'D BE... HAPPY? 888 00:35:29,967 --> 00:35:32,467 [LAUGHING] 889 00:35:38,567 --> 00:35:41,933 [**] 890 00:35:49,433 --> 00:35:52,767 WHERE'S THE DOCTOR THAT'S GOING TO DO THIS? 891 00:35:52,800 --> 00:35:55,067 CONGRATULATIONS. 892 00:35:55,067 --> 00:35:57,100 CONGRATULATIONS FOR WHAT? 893 00:35:57,133 --> 00:35:58,200 HERE'S A PICTURE 894 00:35:58,233 --> 00:36:01,100 OF YOUR BEAUTIFUL LITTLE BABY. 895 00:36:01,133 --> 00:36:02,067 THE APPROXIMATE DUE DATE 896 00:36:02,100 --> 00:36:03,433 IS SEPTEMBER 12th-- 897 00:36:03,467 --> 00:36:05,233 OH, NO, YOU DON'T. 898 00:36:05,267 --> 00:36:06,767 HERE'S A PICTURE OF YOUR BABY 899 00:36:06,800 --> 00:36:08,800 IF YOU DO THE TERRIBLE THING YOU'RE THINKING ABOUT DOING. 900 00:36:08,833 --> 00:36:11,167 DR. LEMPERT WILL MEET WITH YOU IN HIS OFFICE IN A MINUTE 901 00:36:11,200 --> 00:36:12,367 TO TALK ABOUT SOME OTHER ALTERNA-- 902 00:36:12,400 --> 00:36:13,367 ANGUS! ANGUS! 903 00:36:13,400 --> 00:36:14,500 GET ME OUT OF HERE! 904 00:36:14,533 --> 00:36:16,700 GET ME THE FUCK OUT OF HERE! 905 00:36:16,733 --> 00:36:18,267 ANGUS! PLEASE GET ME OUT OF HERE. 906 00:36:18,300 --> 00:36:19,433 PLEASE TAKE ME. LET'S GO, LET'S GO! 907 00:36:19,467 --> 00:36:20,767 YOUR CLOTHES-- 908 00:36:20,800 --> 00:36:22,100 FUCK MY CLOTHES! JUST GET OUT OF HERE. 909 00:36:22,133 --> 00:36:23,133 DON'T RUN AWAY, DEAR. IT'S GOING TO BE OKAY. 910 00:36:23,167 --> 00:36:25,067 OH, GET THE FUCK AWAY FROM ME! 911 00:36:25,067 --> 00:36:26,767 WE JUST WANT TO PRAY WITH YOU. 912 00:36:26,800 --> 00:36:28,067 OH, NO, YOU DON'T. 913 00:36:28,067 --> 00:36:29,133 DR. LEMPERT, WE NEED YOU OUT HERE-- 914 00:36:29,167 --> 00:36:31,100 SELF-APPOINTED, BIBLE-PUSHING, ANTI-WOMEN-- 915 00:36:31,133 --> 00:36:32,267 WE'RE NOT ANTI-WOMEN-- 916 00:36:32,300 --> 00:36:33,433 OH, YES, YOU ARE! 917 00:36:33,467 --> 00:36:34,500 YOU'RE HERE TO HARASS AND INTIMIDATE 918 00:36:34,533 --> 00:36:37,067 DESPERATE WOMEN WHO COME HERE FOR HELP! 919 00:36:37,067 --> 00:36:38,100 MISS PORTER. 920 00:36:38,133 --> 00:36:39,267 WHY DON'T YOU JUST COME WITH ME? 921 00:36:39,300 --> 00:36:40,600 WHY DON'T YOU JUST SHUT THE FUCK UP? 922 00:36:40,633 --> 00:36:42,067 I SWEAR TO GOD, YOU COME NEAR ME, 923 00:36:42,067 --> 00:36:43,600 I WILL ABORT YOUR HEAD FROM YOUR BODY 924 00:36:43,633 --> 00:36:45,333 WITH MY BARE HANDS! 925 00:36:45,367 --> 00:36:46,700 COME ON, ANGUS. 926 00:36:46,733 --> 00:36:48,867 LET'S GET OUT OF HERE. I HATE THESE FUCKING PEOPLE. 927 00:36:48,900 --> 00:36:49,733 [FOOTSTEPS RACING AWAY] 928 00:36:49,767 --> 00:36:51,767 [DOOR SHUTS] 929 00:37:00,633 --> 00:37:02,067 [CAR DOOR OPENING] 930 00:37:02,067 --> 00:37:03,100 HI. 931 00:37:03,133 --> 00:37:04,567 [CHUCKLES AWKWARDLY] 932 00:37:04,600 --> 00:37:06,600 [DOG BARKS] 933 00:37:07,900 --> 00:37:09,267 CAN I HELP YOU? 934 00:37:09,300 --> 00:37:10,267 IS CARMEN HERE? 935 00:37:10,300 --> 00:37:12,200 SHE DOESN'T WANT TO SEE YOU, SHANE. 936 00:37:12,233 --> 00:37:13,233 SHE'S DONE WITH YOU. 937 00:37:13,267 --> 00:37:14,367 I KNOW SHE PROBABLY HATES ME, 938 00:37:14,400 --> 00:37:16,533 BUT I WOULD LOVE TO TALK TO HER FOR JUST A-- 939 00:37:16,567 --> 00:37:17,767 SHE DOESN'T WANT YOU HERE, MAN! 940 00:37:17,800 --> 00:37:19,200 OW! GOD. 941 00:37:19,233 --> 00:37:20,533 LOOK AT YOU! 942 00:37:20,567 --> 00:37:21,767 YOU'RE A MESS. 943 00:37:21,800 --> 00:37:23,433 HEY, YOU'RE PATHETIC! 944 00:37:23,467 --> 00:37:24,533 I'M THANKING GOD 945 00:37:24,567 --> 00:37:26,367 MY COUSIN DIDN'T MARRY YOU. 946 00:37:26,400 --> 00:37:27,733 GET THE FUCK OUT OF HERE. 947 00:37:27,767 --> 00:37:29,767 GET LOST. 948 00:37:33,467 --> 00:37:35,067 GO! 949 00:37:35,067 --> 00:37:36,367 [DOG YAPPING] 950 00:37:36,400 --> 00:37:37,800 LEAVE! 951 00:37:39,633 --> 00:37:41,633 [TIRES SQUEALING] 952 00:37:44,167 --> 00:37:45,533 HEY, YOU GUYS. 953 00:37:45,567 --> 00:37:47,633 [GIGGLING] 954 00:37:47,667 --> 00:37:49,667 JENNY? 955 00:37:51,600 --> 00:37:53,600 OH. HELLO, MAX. 956 00:37:55,233 --> 00:37:57,467 DON'T YOU THINK YOU GUYS SHOULD BE GETTING READY? 957 00:37:57,500 --> 00:37:58,667 BECAUSE IT'S ALMOST 7:00. 958 00:38:05,800 --> 00:38:07,367 IT'S TIME TO GET READY. 959 00:38:07,400 --> 00:38:09,667 FIVE MORE MINUTES. 960 00:38:20,567 --> 00:38:23,567 [**] 961 00:38:33,567 --> 00:38:34,867 [BRAKES SCREECH] 962 00:38:34,900 --> 00:38:36,300 [HONKING] 963 00:38:36,333 --> 00:38:37,367 [TIRES SQUEALING] 964 00:38:38,733 --> 00:38:40,767 [HORNS HONKING] 965 00:38:40,800 --> 00:38:42,367 [TIRES SQUEALING] 966 00:38:42,400 --> 00:38:43,800 [HONKING] 967 00:38:43,833 --> 00:38:46,533 [**] 968 00:38:46,567 --> 00:38:48,333 WOULD YOU FUCKING MOVE? 969 00:38:51,533 --> 00:38:54,067 [TIRES SQUEALING] 970 00:38:56,567 --> 00:38:57,900 [BRAKES SCREECHING] 971 00:39:03,567 --> 00:39:05,933 [HORN HONKING] 972 00:39:09,067 --> 00:39:09,967 [AIR HISSING] 973 00:39:10,067 --> 00:39:12,300 [TIRES SQUEALING] 974 00:39:13,400 --> 00:39:14,433 ARE YOU OKAY? 975 00:39:14,467 --> 00:39:15,600 ARE YOU OKAY? 976 00:39:15,633 --> 00:39:17,900 JUST STAY THERE. I'LL GET AN AMBULANCE. 977 00:39:17,933 --> 00:39:20,133 [DIALING] 978 00:39:21,600 --> 00:39:23,567 NO, NO, STAY THERE. 979 00:39:23,600 --> 00:39:24,867 THERE'S BEEN AN ACCIDENT. 980 00:39:24,900 --> 00:39:26,667 A BLACK BMW HIT THE GUARD RAIL 981 00:39:26,700 --> 00:39:28,400 HERE ON THE HOLLYWOOD FREEWAY. 982 00:39:28,433 --> 00:39:29,833 WHERE ARE WE? WHERE ARE WE? 983 00:39:29,867 --> 00:39:31,367 YOU KNOW, YOU SHOULD JUST STAY HERE. 984 00:39:31,400 --> 00:39:32,933 SHE'S WALKING AWAY. 985 00:39:32,967 --> 00:39:33,833 THE CAR'S REALLY WRECKED. 986 00:39:33,867 --> 00:39:35,133 SHE'S HURT PRETTY BAD. 987 00:39:35,167 --> 00:39:37,400 MA'AM? 988 00:39:39,933 --> 00:39:42,833 IMAGINE THAT HOLLY GOLIGHTLY, IN HER LATE 20s, 989 00:39:42,867 --> 00:39:45,467 PENNED A MEMOIR OF CHILDHOOD SEXUAL ABUSE 990 00:39:45,500 --> 00:39:47,333 AND ADULT SELF-MUTILATION, 991 00:39:47,367 --> 00:39:49,733 AND IN DOING SO CONVINCED US 992 00:39:49,767 --> 00:39:50,933 THAT POST-TRAUMATIC STRESS SYMPTOMS 993 00:39:50,967 --> 00:39:53,467 CAN SOMETIMES DOUBLE AS AN ANALGESIC, 994 00:39:53,500 --> 00:39:55,800 AN APHRODISIAC, A PARTY DRUG, 995 00:39:55,833 --> 00:39:57,867 A SEDUCTION STYLE MANUAL. 996 00:39:57,900 --> 00:40:00,067 JENNIFER SCHECTER HAS WRITTEN A WINCINGLY ACUTE... 997 00:40:00,100 --> 00:40:02,633 [TONE OF VOICE FLATTENS]: IF SHAMELESSLY SELF-INDULGENT 998 00:40:02,667 --> 00:40:04,867 PORTRAIT OF HERSELF. 999 00:40:04,900 --> 00:40:06,267 [SUCKS TEETH] 1000 00:40:07,533 --> 00:40:10,567 C'EST BIEN. 1001 00:40:10,600 --> 00:40:11,833 THOSE FUCKERS. 1002 00:40:11,867 --> 00:40:13,100 WE SHOULD JUST BURN DOWN THE CLINIC. 1003 00:40:13,133 --> 00:40:14,333 I JUST WANT TO FIREBOMB THEM. 1004 00:40:14,367 --> 00:40:15,633 THEY DON'T KNOW WHO THEY'RE MESSING WITH. 1005 00:40:15,667 --> 00:40:17,267 GUYS, YOU NEED TO CALM DOWN A LITTLE BIT. 1006 00:40:17,300 --> 00:40:19,767 WHAT DO YOU DO IN SITUATION LIKE THAT? 1007 00:40:19,800 --> 00:40:21,033 I'LL GIVE 'EM A SITUATION-- 1008 00:40:21,067 --> 00:40:22,400 I WANT TO BURN THAT CLINIC DOWN. 1009 00:40:22,433 --> 00:40:23,733 [THUMPING CHAIR ON FLOOR] ARSON! ARSON! 1010 00:40:23,767 --> 00:40:24,967 ALL RIGHT, ALL RIGHT, LOOK. 1011 00:40:25,000 --> 00:40:26,067 WHY DON'T YOU JUST DO, LIKE, 1012 00:40:26,100 --> 00:40:27,400 A BENEFIT FOR PLANNED PARENTHOOD? 1013 00:40:27,433 --> 00:40:29,533 I MEAN, IT'S SOMETHING POSITIVE, 1014 00:40:29,567 --> 00:40:30,800 IT DOESN'T CARRY A SENTENCE OF 30-TO-LIFE. 1015 00:40:34,167 --> 00:40:38,133 I NEED THREE WATERS WITH EXTRA LEMON, PLEASE. 1016 00:40:38,167 --> 00:40:39,867 [**] 1017 00:40:43,567 --> 00:40:44,733 WOW. 1018 00:40:44,767 --> 00:40:46,600 ARE WE REALLY THAT UNTOUCHABLE? 1019 00:40:46,633 --> 00:40:49,067 WHAT ARE YOU TALKING ABOUT? 1020 00:40:49,100 --> 00:40:50,433 YOU JUST BACKED AWAY FROM US, 1021 00:40:50,467 --> 00:40:53,633 LIKE WE HAVE SOME SORT OF HETEROSEXUAL COOTIE. 1022 00:40:53,667 --> 00:40:55,100 DON'T BE RIDICULOUS. 1023 00:40:55,133 --> 00:40:57,000 I DIDN'T BACK AWAY FROM YOU. 1024 00:40:57,033 --> 00:40:58,367 HI. HI. 1025 00:40:58,400 --> 00:40:59,533 HI. HOW'RE YOU DOING? 1026 00:40:59,567 --> 00:41:01,300 GOOD. 1027 00:41:03,300 --> 00:41:04,733 DID YOU GET THE PHONE CALL? 1028 00:41:04,767 --> 00:41:07,467 AARON KORNBLUTH. 1029 00:41:07,500 --> 00:41:08,467 YEAH. 1030 00:41:08,500 --> 00:41:10,067 I'M MEETING HIM ON WEDNESDAY. 1031 00:41:10,067 --> 00:41:11,500 ME TOO. 1032 00:41:11,533 --> 00:41:13,167 WHO'S AARON KORNBLUTH? 1033 00:41:13,200 --> 00:41:15,533 HE'S OUR NEW BOSS. 1034 00:41:15,567 --> 00:41:18,667 A FELLOW IRISHMAN, NO DOUBT. 1035 00:41:19,933 --> 00:41:22,767 WAS THAT AN ANTI-SEMITIC REMARK? 1036 00:41:22,800 --> 00:41:25,100 I HOPE NOT. 1037 00:41:25,133 --> 00:41:27,500 SHE DID BACK AWAY FROM US. 1038 00:41:43,833 --> 00:41:46,833 [INDISTINCT BACKGROUND CONVERSATION] 1039 00:41:48,233 --> 00:41:51,567 LADIES, LADIES, LADIES, AND GENTLEMEN... 1040 00:41:51,600 --> 00:41:53,700 I AM SO PROUD 1041 00:41:53,733 --> 00:41:56,167 TO INTRODUCE YOU TO A WOMAN 1042 00:41:56,200 --> 00:41:58,433 WE'VE ALL BEEN WAITING FOR. 1043 00:41:58,467 --> 00:42:01,700 TO SOME OF YOU HERE TONIGHT, SHE'S AN OLD FRIEND. 1044 00:42:01,733 --> 00:42:03,300 SHE WENT AWAY FOR A LITTLE WHILE, 1045 00:42:03,333 --> 00:42:04,100 AND THEN SHE CAME BACK, 1046 00:42:04,133 --> 00:42:05,267 AND WE ARE SO GLAD SHE DID, 1047 00:42:05,300 --> 00:42:06,333 BECAUSE SHE'S ONE OF 1048 00:42:06,367 --> 00:42:08,267 THE MOST BEAUTIFUL, SPECIAL, 1049 00:42:08,300 --> 00:42:09,867 AND INTRIGUING PEOPLE 1050 00:42:09,900 --> 00:42:12,433 TO EVER TO SPEND TIME HERE AT THE PLANET. 1051 00:42:12,467 --> 00:42:15,767 SO LADIES, LADIES, LADIES, AND GENTLEMEN, 1052 00:42:15,800 --> 00:42:17,767 HERE SHE IS... 1053 00:42:17,800 --> 00:42:19,767 [WHISPERING]: JENNY, COME ON. 1054 00:42:19,800 --> 00:42:21,233 COME ON. 1055 00:42:21,267 --> 00:42:25,167 THE WOMAN YOU'VE ALL BEEN WAITING FOR... 1056 00:42:25,200 --> 00:42:26,933 DID YOU KNOW SHE WAS IN TOWN? 1057 00:42:26,967 --> 00:42:27,933 OH, MY GOD. 1058 00:42:27,967 --> 00:42:29,367 [FAINT MURMURING] 1059 00:42:31,567 --> 00:42:32,867 GIRL! WHERE YOU BEEN? 1060 00:42:32,900 --> 00:42:35,267 [KIT]: OH, MY GOD! 1061 00:42:36,433 --> 00:42:37,933 KIT. 1062 00:42:39,533 --> 00:42:41,100 OH, MY GOD! OH! 1063 00:42:41,133 --> 00:42:42,067 OH, LOOKIT-- 1064 00:42:42,067 --> 00:42:43,433 MARINA. 1065 00:42:43,467 --> 00:42:44,900 GOD, YOU LOOK FANTASTIC. 1066 00:42:44,933 --> 00:42:46,933 WOW. 1067 00:42:48,300 --> 00:42:49,267 IT'S REALLY GOOD TO SEE YOU. 1068 00:42:49,300 --> 00:42:50,867 WHERE ARE YOU STAYING? 1069 00:42:50,900 --> 00:42:52,400 YEAH. WHO ARE YOU HERE WITH? 1070 00:42:52,433 --> 00:42:53,933 [BETTE]: ARE YOU GOING TO BE HERE A LITTLE WHILE? 1071 00:42:53,967 --> 00:42:56,267 [ALICE]: YEAH, I HEARD YOU WERE IN ROME. 1072 00:42:56,300 --> 00:42:57,433 I THOUGHT IT WAS FLORENCE? 1073 00:42:57,467 --> 00:42:58,633 OH, LADIES, LADIES. 1074 00:42:58,667 --> 00:43:00,133 LET'S SEE. 1075 00:43:00,167 --> 00:43:01,833 I'M HERE FOR BUSINESS. 1076 00:43:01,867 --> 00:43:03,400 I'M IN LOS ANGELES FOR THREE DAYS. 1077 00:43:03,433 --> 00:43:05,067 I'M STAYING AT THE BEL AIR 1078 00:43:05,100 --> 00:43:07,600 BECAUSE I THINK IT'S IMPORTANT TO REVISIT THE PLACES 1079 00:43:07,633 --> 00:43:10,233 WHERE WE'VE FACED OUR DARKEST DEMONS. 1080 00:43:10,267 --> 00:43:13,433 AND IT IS ROME, NOT FLORENCE. 1081 00:43:13,467 --> 00:43:17,067 BUT I FEEL LIKE I'M INTERRUPTING SOMETHING. 1082 00:43:17,067 --> 00:43:19,833 LADIES AND GENTLEMEN, 1083 00:43:19,867 --> 00:43:22,100 PLEASE PAY YOUR UNDIVIDED ATTENTION 1084 00:43:22,133 --> 00:43:24,233 TO THE LOVELY AND TALENTED 1085 00:43:24,267 --> 00:43:25,967 JENNY SCHECTER. 1086 00:43:26,067 --> 00:43:27,467 [AUDIENCE APPLAUDING] 1087 00:43:27,500 --> 00:43:30,067 [CHEERING] 1088 00:43:40,333 --> 00:43:43,333 [**] 1089 00:43:49,800 --> 00:43:52,833 WHAT'S HER NAME? 1090 00:43:52,867 --> 00:43:55,400 UH... THANKS. 1091 00:43:55,433 --> 00:44:00,100 MARINA DELLA GHERARDESCA FERRER. 1092 00:44:00,133 --> 00:44:02,067 HOW DO YOU KNOW HER? 1093 00:44:02,067 --> 00:44:03,767 WE WERE FRIENDS. 1094 00:44:03,800 --> 00:44:05,100 WHAT KIND OF FRIENDS? 1095 00:44:05,133 --> 00:44:07,467 SHE WAS MY FIRST. 1096 00:44:07,500 --> 00:44:10,400 OH. 1097 00:44:10,433 --> 00:44:15,067 THEN, SHE WAS VERY IMPORTANT TO YOU. 1098 00:44:15,067 --> 00:44:18,067 FOR A MINUTE, I GUESS. 1099 00:44:20,733 --> 00:44:22,700 CONGRATULATIONS, JENNY. 1100 00:44:22,733 --> 00:44:24,067 YOUR STORY IS WONDERFUL. 1101 00:44:24,100 --> 00:44:25,267 BEAUTIFULLY WRITTEN. 1102 00:44:25,300 --> 00:44:26,567 IT REMINDS ME 1103 00:44:26,600 --> 00:44:29,700 OF DOROTHY ALLISON WITH THE CHIC OF MARY GAITSKILL. 1104 00:44:29,733 --> 00:44:31,600 AND THE MAGAZINE, 1105 00:44:31,633 --> 00:44:33,400 THEY COMPARED YOU TO TRUMAN CAPOTE. 1106 00:44:33,433 --> 00:44:36,200 THEY COMPARED HER TO HOLLY GOLIGHTLY. 1107 00:44:36,233 --> 00:44:39,233 NOT EXACTLY THE SAME AS TRUMAN CAPOTE. 1108 00:44:39,267 --> 00:44:41,433 BETTER, DON'T YOU THINK? 1109 00:44:41,467 --> 00:44:42,867 [CHUCKLES] 1110 00:44:42,900 --> 00:44:45,433 MARINA FERRER. 1111 00:44:45,467 --> 00:44:48,467 CLAUDE MONDRIAN. 1112 00:44:48,500 --> 00:44:50,233 I'M PROUD OF YOU. 1113 00:44:50,267 --> 00:44:51,533 ARE YOU WELL? 1114 00:44:51,567 --> 00:44:52,633 I'M GREAT. 1115 00:44:52,667 --> 00:44:53,800 I'M GREAT. HOW ARE YOU? 1116 00:44:53,833 --> 00:44:55,067 GOOD. 1117 00:44:55,100 --> 00:44:56,933 IN THE LAST YEAR, I HAVE DONE SOMETHING 1118 00:44:56,967 --> 00:44:58,567 THAT I HAVE ALWAYS DREAMED ABOUT. 1119 00:44:58,600 --> 00:45:00,633 I'M TOURING WITH A GROUP OF DANCERS. 1120 00:45:00,667 --> 00:45:02,633 I'M THEIR BENEFACTOR. 1121 00:45:02,667 --> 00:45:05,567 I RAISE THE MONEY AND FIND THE THEATERS, 1122 00:45:05,600 --> 00:45:07,533 AND THEY'RE VERY UNUSUAL. 1123 00:45:07,567 --> 00:45:10,767 ARE THEY PERFORMING HERE IN LOS ANGELES? 1124 00:45:10,800 --> 00:45:12,533 UH, YES, I AM GOING TO BRING THEM TO LOS ANGELES, 1125 00:45:12,567 --> 00:45:13,633 AND I HOPE YOU'LL COME. 1126 00:45:13,667 --> 00:45:16,200 WELL, I WISH YOU THE BEST OF LUCK WITH IT. 1127 00:45:16,233 --> 00:45:17,767 GOOD LUCK TO YOU, TOO. 1128 00:45:17,800 --> 00:45:19,167 THANK YOU. 1129 00:45:19,200 --> 00:45:21,900 I SEE YOU HAVE IT ALREADY. 1130 00:45:23,300 --> 00:45:24,800 DO YOU THINK 1131 00:45:24,833 --> 00:45:26,900 SHE'LL HAVE SEX WITH US? 1132 00:45:28,300 --> 00:45:29,800 NO. 1133 00:45:29,833 --> 00:45:31,233 ASK HER. 1134 00:45:31,267 --> 00:45:34,267 [**] 1135 00:45:42,733 --> 00:45:44,600 [PLAYING FAINTLY]: * I CAN SEE THE FEAR 1136 00:45:44,633 --> 00:45:48,267 * IN YOUR EYES, MY FRIEND 1137 00:45:48,300 --> 00:45:49,767 * YOU CAN SEE... 1138 00:45:49,800 --> 00:45:52,500 [MUFFLED SPEAKING] 1139 00:45:58,767 --> 00:46:02,100 [SPEAKING SOFTLY IN FRENCH] 1140 00:46:10,300 --> 00:46:11,933 CIAO. 1141 00:46:11,967 --> 00:46:13,967 [PHONE BEEPS] 1142 00:46:16,067 --> 00:46:18,200 [**] 1143 00:46:38,533 --> 00:46:41,300 PAS MAL. 1144 00:47:00,133 --> 00:47:02,200 YOU DID GET LUCKY. 1145 00:47:03,700 --> 00:47:06,933 DON'T YOU WANT TO GET LUCKY, TOO? 1146 00:47:09,133 --> 00:47:11,367 MAIS J'AI UNE CHANCE CE NUIT. 1147 00:47:11,400 --> 00:47:13,733 [**] 1148 00:47:37,567 --> 00:47:39,233 WHAT ARE YOU WAITING FOR? 1149 00:47:41,933 --> 00:47:43,967 WELL, MY NEW YORK TIMES REVIEW 1150 00:47:44,067 --> 00:47:45,767 IS GOING TO BE POSTED AT MIDNIGHT, 1151 00:47:45,800 --> 00:47:47,600 SO I'M GOING TO GO CHECK. 1152 00:47:47,633 --> 00:47:50,067 ARE YOU KIDDING? 1153 00:47:50,067 --> 00:47:52,367 I DON'T THINK SHE'S KIDDING. 1154 00:47:52,400 --> 00:47:55,267 BUT I THINK YOU SHOULD STAY HERE 1155 00:47:55,300 --> 00:47:58,300 AND BE WITH MARINA. 1156 00:48:01,633 --> 00:48:02,967 GOOD NIGHT. 1157 00:48:09,167 --> 00:48:11,433 [SPEAKING FRENCH] 1158 00:48:15,333 --> 00:48:18,333 [**] 1159 00:48:25,400 --> 00:48:27,300 SHOULD HAVE KNOWN SOONER OR LATER 1160 00:48:27,333 --> 00:48:28,900 THE BASTARD WOULD WALK OUT ON ME. 1161 00:48:28,933 --> 00:48:30,933 CARLA? 1162 00:48:32,900 --> 00:48:34,167 ALSO SHOULD'VE KNOWN 1163 00:48:34,200 --> 00:48:36,833 THAT YOU WOULDN'T CALL ME BACK. 1164 00:48:38,300 --> 00:48:39,933 THE THING IS, 1165 00:48:39,967 --> 00:48:43,467 I'VE GOT NO PRIDE LEFT, SO... 1166 00:48:43,500 --> 00:48:45,067 HERE I AM. 1167 00:48:45,067 --> 00:48:46,433 YOU CALLED ME? 1168 00:48:46,467 --> 00:48:47,567 FIVE, SIX, 1169 00:48:47,600 --> 00:48:49,767 MAYBE 10 TIMES. 1170 00:48:49,800 --> 00:48:50,967 I'M SORRY. 1171 00:48:51,067 --> 00:48:54,500 I, UM, I LOST MY PHONE. 1172 00:48:54,533 --> 00:48:57,500 AND I'M SORRY... 1173 00:48:58,900 --> 00:49:00,700 THAT GABE LET YOU DOWN. 1174 00:49:00,733 --> 00:49:02,567 MY FAULT. 1175 00:49:02,600 --> 00:49:04,467 SHOULD HAVE KNOWN BETTER. 1176 00:49:04,500 --> 00:49:07,733 NO, IT'S NOT YOUR FAULT. 1177 00:49:07,767 --> 00:49:11,733 HE MADE YOU THINK YOU COULD CHANGE HIM. 1178 00:49:11,767 --> 00:49:14,067 AND HE, UH... 1179 00:49:14,067 --> 00:49:16,533 WELL, HE EVEN CONVINCED HIMSELF OF THAT. 1180 00:49:16,567 --> 00:49:18,067 [SNIFFLES] 1181 00:49:18,100 --> 00:49:22,200 AND, UH, THAT'S WHERE THE REAL DAMAGE COMES IN. 1182 00:49:22,233 --> 00:49:25,100 YOU KNOW, ALL I'VE DONE FOR THE PAST FEW DAYS 1183 00:49:25,133 --> 00:49:26,800 IS LIE ON THE FLOOR. 1184 00:49:26,833 --> 00:49:29,400 I JUST CRAWL FROM ROOM TO ROOM. 1185 00:49:29,433 --> 00:49:32,567 I TRY TO TALK. ALL THAT COMES OUT IS CRYING. 1186 00:49:32,600 --> 00:49:36,333 I TRY TO EAT... I PUKE MY GUTS UP. 1187 00:49:36,367 --> 00:49:37,600 PUKED SO MUCH, 1188 00:49:37,633 --> 00:49:40,133 STARTED SPITTING UP BLOOD. 1189 00:49:40,167 --> 00:49:42,133 IF I COULD TURN BACK THE CLOCK, I'D SPARE YOU... 1190 00:49:42,167 --> 00:49:44,233 [SNIFFS] 1191 00:49:44,267 --> 00:49:47,067 THE BAD FORTUNE OF EVER KNOWING ME. 1192 00:49:47,067 --> 00:49:48,067 I, UH... 1193 00:49:48,100 --> 00:49:49,400 I LEFT YOU A GIFT. 1194 00:49:49,433 --> 00:49:51,267 IT'S ON THE BACK PORCH. 1195 00:49:51,300 --> 00:49:53,833 WHERE ARE YOU GOING? 1196 00:49:53,867 --> 00:49:56,133 IT'S FROM YOUR FATHER, REALLY. 1197 00:49:56,167 --> 00:49:57,200 HEY, CARLA, YOU'RE SICK. 1198 00:49:57,233 --> 00:49:58,800 LET ME TAKE YOU TO A DOCTOR. 1199 00:49:58,833 --> 00:50:01,633 [CHUCKLING BITTERLY] 1200 00:50:01,667 --> 00:50:04,033 THAT WOULD FIX EVERYTHING, HUH? 1201 00:50:04,067 --> 00:50:06,400 GO TO HELL. 1202 00:50:15,300 --> 00:50:17,733 [SNIFFING] 1203 00:50:20,200 --> 00:50:23,200 [DOOR OPEN, CLOSES] 1204 00:50:37,600 --> 00:50:39,600 [BOTTLES RATTLING] 1205 00:51:00,500 --> 00:51:04,100 [SCREAMING]: CARLA! 1206 00:51:04,133 --> 00:51:06,633 [**] 1207 00:51:10,567 --> 00:51:13,067 * SAVE ME 1208 00:51:13,067 --> 00:51:16,533 * SOMEBODY SAVE ME 1209 00:51:18,400 --> 00:51:21,800 * SAVE ME 1210 00:51:21,833 --> 00:51:24,367 * SOMEBODY SAVE ME 1211 00:51:26,633 --> 00:51:30,233 * PROMISED MYSELF AFTER THE FIRST ROMANCE * 1212 00:51:30,267 --> 00:51:33,967 * I WOULDN'T GIVE YOU A SECOND CHANCE * 1213 00:51:34,067 --> 00:51:37,667 * SAID YOU SEE YOU'RE SURE TO FIND * 1214 00:51:37,700 --> 00:51:39,467 * BUT THE CLOSER I GET TO YOU, BABY * 1215 00:51:39,500 --> 00:51:41,367 * YOU DRIVE ME STONE OUT OF MY MIND * 1216 00:51:41,400 --> 00:51:44,133 * SAVE ME 1217 00:51:44,167 --> 00:51:45,767 * OH, YEAH, YEAH 1218 00:51:45,800 --> 00:51:47,833 * SAVE ME 1219 00:51:47,867 --> 00:51:49,600 * OH... 1220 00:51:49,633 --> 00:51:53,400 * THOSE WHO LOVE ALWAYS GIVE THE MOST * 1221 00:51:53,433 --> 00:51:57,500 * WE'RE CRYING TOGETHER FROM COAST TO COAST * 1222 00:51:57,533 --> 00:52:01,133 * LOVE LEAVES US COLD AND HURT INSIDE * 1223 00:52:01,167 --> 00:52:04,400 * THESE TEARS OF OURS UNJUSTIFIED * 1224 00:52:04,433 --> 00:52:07,433 * BEGGIN' YOU TO SAVE ME * 1225 00:52:07,467 --> 00:52:09,400 * I NEED SOMEBODY 1226 00:52:09,433 --> 00:52:11,100 * SAVE ME 1227 00:52:11,133 --> 00:52:13,333 * OH, YEAH, YEAH, YEAH 1228 00:52:14,767 --> 00:52:16,333 * YEAH 1229 00:52:16,367 --> 00:52:18,533 * SAVE ME 1230 00:52:18,567 --> 00:52:20,467 * MM-HMM 1231 00:52:20,500 --> 00:52:22,500 * SAVE ME 1232 00:52:22,533 --> 00:52:24,600 * ALL RIGHT 1233 00:52:28,967 --> 00:52:32,167 * YOUR LOVE SAID YOU NEEDED ME * 1234 00:52:32,200 --> 00:52:36,367 * YOU ABUSED MY LOVE SET ME FREE... * 1235 00:52:39,433 --> 00:52:41,533 [**] 1236 00:52:41,567 --> 00:52:42,400 YEAH.