1 00:00:14,849 --> 00:00:17,810 [ DISCO MUSIC ] 2 00:00:17,852 --> 00:00:22,815 [ ♪♪ ] 3 00:00:22,857 --> 00:00:25,400 [ WHOOPING AND CHEERING ] 4 00:00:37,579 --> 00:00:39,039 CHECK IT OUT. 5 00:00:39,080 --> 00:00:42,250 HO, HO, HO, YEAH! 6 00:00:39,080 --> 00:00:42,250 YEAH! 7 00:00:43,251 --> 00:00:45,880 COME ON. 8 00:00:43,251 --> 00:00:45,880 COME ON. 9 00:00:45,921 --> 00:00:47,172 PLEASE? 10 00:00:47,214 --> 00:00:51,134 [ ALL BEGGING ] 11 00:00:54,095 --> 00:00:56,223 THE MORE THE MERRIER. 12 00:00:56,264 --> 00:00:57,766 YEAH, 13 00:00:56,264 --> 00:00:57,766 ALL THE WAY! 14 00:01:01,353 --> 00:01:04,523 [ ELECTRONIC MUSIC ] 15 00:01:04,565 --> 00:01:11,321 [ ♪♪ ] 16 00:01:11,363 --> 00:01:12,740 I WAS THINKING 17 00:01:11,363 --> 00:01:12,740 ABOUT ASKING 18 00:01:12,781 --> 00:01:13,908 YOLANDA'S EX-GIRLFRIEND 19 00:01:13,949 --> 00:01:15,409 TO BID 20 00:01:13,949 --> 00:01:15,409 ON THE PROVOCATIONS JOB. 21 00:01:15,450 --> 00:01:17,494 IS SHE A CONTRACTOR? 22 00:01:15,450 --> 00:01:17,494 A CARPENTER. 23 00:01:17,536 --> 00:01:18,913 SHE'S GOT 24 00:01:17,536 --> 00:01:18,913 AN ALL-WOMAN CREW. 25 00:01:18,954 --> 00:01:20,121 THAT'S COOL. 26 00:01:20,163 --> 00:01:21,331 YOU SHOULD DEFINITELY 27 00:01:20,163 --> 00:01:21,331 HIRE HER. 28 00:01:21,373 --> 00:01:23,417 HEY. 29 00:01:21,373 --> 00:01:23,417 OH, HEY, GUYS. 30 00:01:23,458 --> 00:01:24,585 HELLO. 31 00:01:24,626 --> 00:01:25,794 HELLO. 32 00:01:25,836 --> 00:01:27,170 GOOD MORNING. 33 00:01:27,212 --> 00:01:28,463 THE MOST IMPORTANT THING 34 00:01:27,212 --> 00:01:28,463 ARE HIS PILLS. 35 00:01:28,505 --> 00:01:31,383 HE GETS THEM 36 00:01:28,505 --> 00:01:31,383 THREE TIMES A DAY. 37 00:01:31,425 --> 00:01:32,927 IT'S RIGHT HERE, SEE? 38 00:01:32,968 --> 00:01:34,177 THREE TIMES A DAY 39 00:01:32,968 --> 00:01:34,177 WITH WET FOOD, 40 00:01:34,219 --> 00:01:36,055 AND IT'S BEST 41 00:01:34,219 --> 00:01:36,055 JUST TO SORT OF LET HIM 42 00:01:36,095 --> 00:01:37,264 WAKE UP ON HIS OWN 43 00:01:37,305 --> 00:01:38,849 BECAUSE 44 00:01:37,305 --> 00:01:38,849 HE'S LESS CRABBY 45 00:01:38,891 --> 00:01:40,601 ABOUT TAKING THEM 46 00:01:38,891 --> 00:01:40,601 THAT WAY, 47 00:01:40,642 --> 00:01:42,227 BUT HE SHOULD... 48 00:01:42,269 --> 00:01:44,229 HE SHOULD BE OKAY, 49 00:01:42,269 --> 00:01:44,229 RIGHT, P.? 50 00:01:44,271 --> 00:01:46,565 RIGHT, MR. P. MAN? 51 00:01:46,607 --> 00:01:48,275 WOW, YOU ARE UP 52 00:01:46,607 --> 00:01:48,275 SO EARLY, BETTE. 53 00:01:48,316 --> 00:01:49,526 YEAH, WELL, I GUESS 54 00:01:49,568 --> 00:01:51,028 IT'S JUST THE EXCITEMENT 55 00:01:49,568 --> 00:01:51,028 OF THE TRIP. 56 00:01:51,070 --> 00:01:52,446 THAT SHE'S TOO BUSY 57 00:01:51,070 --> 00:01:52,446 TO GO ON. 58 00:01:52,487 --> 00:01:54,031 YEAH, BUT SOMEONE'S 59 00:01:52,487 --> 00:01:54,031 READY TO PARTY 60 00:01:54,073 --> 00:01:55,365 FOR THE BOTH OF US. 61 00:01:55,407 --> 00:01:56,784 THAT'S RIGHT. 62 00:01:55,407 --> 00:01:56,784 RIGHT ON, HUH? 63 00:01:56,825 --> 00:01:59,286 YEAH, LET'S GO. 64 00:01:56,825 --> 00:01:59,286 YES. 65 00:01:59,327 --> 00:02:01,705 UM, WAS JENNY'S 66 00:01:59,327 --> 00:02:01,705 A REGULAR LATTE? 67 00:02:01,747 --> 00:02:05,084 IS JENNY GOING WITH YOU? 68 00:02:05,125 --> 00:02:06,460 I INVITED HER. 69 00:02:06,501 --> 00:02:07,878 I FELT BAD FOR HER. 70 00:02:07,920 --> 00:02:09,129 SHE'S ALL ALONE. 71 00:02:09,170 --> 00:02:10,631 WELL, THAT'S GOOD. 72 00:02:10,672 --> 00:02:12,507 I GUESS. 73 00:02:14,802 --> 00:02:15,761 SAY, "BYE, EVERYBODY. 74 00:02:15,803 --> 00:02:17,137 "I'M GOING TO STAY 75 00:02:15,803 --> 00:02:17,137 WITH AUNTIE KIT 76 00:02:17,178 --> 00:02:18,346 "WHILE MOM GOES AWAY 77 00:02:18,388 --> 00:02:20,223 WITH ALL OF HER 78 00:02:18,388 --> 00:02:20,223 FRIENDS," RIGHT? 79 00:02:20,265 --> 00:02:22,309 SAY, "BYE, SHANE. 80 00:02:20,265 --> 00:02:22,309 BYE, LENORE. 81 00:02:22,350 --> 00:02:23,978 "BYE, BETTE AND TINA. 82 00:02:24,019 --> 00:02:25,186 HAVE FUN 83 00:02:24,019 --> 00:02:25,186 IN PALM SPRINGS." 84 00:02:25,228 --> 00:02:26,396 YES, MR. P. 85 00:02:26,438 --> 00:02:28,315 AUNTIE KIT 86 00:02:26,438 --> 00:02:28,315 WILL WATCH YOUR BACK. 87 00:02:28,356 --> 00:02:29,733 THANK YOU SO MUCH, KIT. 88 00:02:29,775 --> 00:02:31,151 [ ALICE ]: WHOO-HOO. 89 00:02:29,775 --> 00:02:31,151 CONGRATULATE ME. 90 00:02:31,192 --> 00:02:33,821 I GOT MY PERIOD. 91 00:02:33,862 --> 00:02:35,990 SO WHY 92 00:02:33,862 --> 00:02:35,990 ARE WE CONGRATULATING YOU? 93 00:02:36,031 --> 00:02:38,659 HUH? 94 00:02:40,995 --> 00:02:42,537 BECAUSE I LOVE 95 00:02:40,995 --> 00:02:42,537 GETTING MY PERIOD. 96 00:02:42,579 --> 00:02:44,873 SHE DOES. EVER SINCE 97 00:02:42,579 --> 00:02:44,873 SHE WAS A KID. 98 00:02:44,915 --> 00:02:46,207 RIGHT. 99 00:02:46,249 --> 00:02:48,167 YEAH, NO, BECAUSE IT 100 00:02:46,249 --> 00:02:48,167 REAFFIRMS MY WOMANHOOD. 101 00:02:48,209 --> 00:02:50,337 I LIKE TO CELEBRATE IT 102 00:02:50,378 --> 00:02:51,672 TO, YOU KNOW, 103 00:02:51,713 --> 00:02:53,465 SHOW WOMEN EVERYWHERE 104 00:02:51,713 --> 00:02:53,465 IT'S A BLESSING, 105 00:02:53,507 --> 00:02:54,925 IT'S NOT A CURSE. 106 00:02:54,967 --> 00:02:57,011 OKAY, YOU GUYS, 107 00:02:54,967 --> 00:02:57,011 ROAD TRIP? 108 00:02:57,052 --> 00:02:58,345 LET'S GO. 109 00:02:58,386 --> 00:03:00,514 [ SHANE ]: SEE YOU, KIT. 110 00:02:58,386 --> 00:03:00,514 BYE, BETTE. 111 00:03:03,224 --> 00:03:04,518 I'LL CALL YOU. 112 00:03:04,559 --> 00:03:06,895 HAVE A SLIPPERY NIPPLE FOR ME. 113 00:03:04,559 --> 00:03:06,895 I WILL. 114 00:03:06,937 --> 00:03:08,229 [ DANA ]: 115 00:03:06,937 --> 00:03:08,229 GOOD-BYE, P. MAN. 116 00:03:08,271 --> 00:03:09,564 BYE. 117 00:03:09,606 --> 00:03:11,650 BYE. 118 00:03:11,692 --> 00:03:14,569 BY THE WAY, 119 00:03:11,692 --> 00:03:14,569 YOU WERE AMAZING 120 00:03:14,611 --> 00:03:16,195 ON INSIGHT WITH GEORGE PARSON. 121 00:03:16,237 --> 00:03:17,739 I MEAN, ABSOLUTELY AMAZING. 122 00:03:17,781 --> 00:03:20,701 I REALLY APPLAUD YOUR CAUSE 123 00:03:17,781 --> 00:03:20,701 AND YOUR COMMITMENT AND... 124 00:03:20,742 --> 00:03:22,995 OH, GOD, THAT BITCH, 125 00:03:20,742 --> 00:03:22,995 FAE BUCKLEY, 126 00:03:23,037 --> 00:03:24,203 YOU SHOULD HAVE DECKED HER. 127 00:03:24,245 --> 00:03:25,372 THANK YOU. 128 00:03:25,413 --> 00:03:27,582 IT WAS GREAT. 129 00:03:36,216 --> 00:03:37,676 SO IS THIS 130 00:03:36,216 --> 00:03:37,676 A GOLF TOURNAMENT? 131 00:03:37,718 --> 00:03:38,677 YEAH. 132 00:03:38,719 --> 00:03:39,887 IT'S THE KRAFT-NABISCO 133 00:03:39,928 --> 00:03:41,763 PROFESSIONAL 134 00:03:39,928 --> 00:03:41,763 WOMEN'S GOLF TOURNAMENT. 135 00:03:41,805 --> 00:03:44,099 OTHERWISE KNOWN AS 136 00:03:41,805 --> 00:03:44,099 THE DINAH SHORE WEEKEND. 137 00:03:44,141 --> 00:03:45,308 IS SHE GAY? 138 00:03:45,350 --> 00:03:47,061 NO, DINAH SHORE'S 139 00:03:45,350 --> 00:03:47,061 DEAD. 140 00:03:47,102 --> 00:03:48,395 SHE DIED BACK IN '94, 141 00:03:48,436 --> 00:03:49,938 AND, ACTUALLY, THE WORD IS 142 00:03:49,980 --> 00:03:51,732 THAT SHE HATED HER SNOOTY 143 00:03:49,980 --> 00:03:51,732 LITTLE GOLF TOURNAMENT 144 00:03:51,773 --> 00:03:54,151 TURNED INTO 145 00:03:51,773 --> 00:03:54,151 A SPRING BREAK FOR LESBIANS, 146 00:03:54,193 --> 00:03:55,485 REFUSED TO ACKNOWLEDGE IT. 147 00:03:55,527 --> 00:03:56,945 YOU GUYS, 148 00:03:55,527 --> 00:03:56,945 THERE'S SUPPOSED TO BE, 149 00:03:56,987 --> 00:03:58,238 LIKE, 10,000 WOMEN THERE. 150 00:03:58,279 --> 00:03:59,447 WOW. 151 00:03:58,279 --> 00:03:59,447 OH, GOD. 152 00:03:59,489 --> 00:04:01,033 SHE'S DONE RESEARCH. 153 00:04:01,075 --> 00:04:02,910 YEAH, I'M DOING A STORY ON IT 154 00:04:01,075 --> 00:04:02,910 FOR THE WEEKLY. 155 00:04:02,951 --> 00:04:05,370 GOT TO MAKE SOMETHING OUT 156 00:04:02,951 --> 00:04:05,370 OF THIS LAME-ASS WEEKEND, RIGHT? 157 00:04:05,412 --> 00:04:08,957 AND DANA'S GETTING 158 00:04:05,412 --> 00:04:08,957 AN H.R.C. AWARD. 159 00:04:08,999 --> 00:04:10,751 YEAH, 160 00:04:08,999 --> 00:04:10,751 AND WE'RE TOTALLY PROUD OF HER. 161 00:04:10,792 --> 00:04:12,252 WHAT'S THAT? 162 00:04:12,293 --> 00:04:13,754 IT'S THE HUMAN RIGHTS CAMPAIGN. 163 00:04:13,795 --> 00:04:15,797 IT'S THE BIGGEST GAY 164 00:04:13,795 --> 00:04:15,797 CIVIL RIGHTS ORGANIZATION 165 00:04:15,839 --> 00:04:16,882 IN THE COUNTRY. 166 00:04:16,924 --> 00:04:18,967 IT'S A HUGE DEAL. 167 00:04:16,924 --> 00:04:18,967 CONGRATULATIONS. 168 00:04:19,009 --> 00:04:20,427 THANK YOU. 169 00:04:20,468 --> 00:04:23,263 ♪ I LOOKED TO THE CHILDREN ♪ 170 00:04:23,304 --> 00:04:24,973 ♪ I DRANK FROM THE FOUNTAINS ♪ 171 00:04:25,015 --> 00:04:26,683 ♪ YEAH ♪ 172 00:04:26,725 --> 00:04:29,770 ♪ THERE'S MORE THAN ONE ANSWER 173 00:04:26,725 --> 00:04:29,770 TO THESE QUESTIONS ♪ 174 00:04:29,811 --> 00:04:33,190 ♪ POINTING ME 175 00:04:29,811 --> 00:04:33,190 IN A CROOKED LINE ♪ 176 00:04:33,232 --> 00:04:34,775 ♪ YEAH ♪ 177 00:04:34,816 --> 00:04:38,820 ♪ AND THE LESS I SEEK MY SOURCE 178 00:04:34,816 --> 00:04:38,820 FOR SOME DEFINITIVE ♪ 179 00:04:38,862 --> 00:04:44,409 ♪ THE CLOSER I AM TO FINE 180 00:04:38,862 --> 00:04:44,409 YEAH ♪ 181 00:04:44,451 --> 00:04:50,124 ♪ CLOSER I AM TO FINE, YEAH ♪ 182 00:04:50,165 --> 00:04:53,334 [ ALL WHISTLING ] 183 00:05:00,175 --> 00:05:02,219 THANK GOD. 184 00:05:02,261 --> 00:05:04,679 DO YOU KNOW HOW MANY TIMES 185 00:05:02,261 --> 00:05:04,679 I HAD TO HEAR THAT SONG 186 00:05:04,721 --> 00:05:07,933 WHEN ALICE WAS FIRST 187 00:05:04,721 --> 00:05:07,933 COMING OUT OF THE CLOSET? 188 00:05:07,975 --> 00:05:09,851 IT WAS A NIGHTMARE. 189 00:05:09,893 --> 00:05:12,020 IT WAS ALL 190 00:05:09,893 --> 00:05:12,020 ABOUT ANNIE FLAHERTY. 191 00:05:12,062 --> 00:05:14,606 OH, TELL THEM 192 00:05:14,648 --> 00:05:17,067 YOUR COMING-OUT STORY, HONEY. 193 00:05:17,109 --> 00:05:18,526 IT'S SO HILARIOUS. 194 00:05:18,568 --> 00:05:19,778 FIRST OF ALL, 195 00:05:18,568 --> 00:05:19,778 IT'S NOT MY COMING-OUT STORY. 196 00:05:19,820 --> 00:05:22,239 IT WAS JUST 197 00:05:19,820 --> 00:05:22,239 A DRUNK HIGH SCHOOL GROPE. 198 00:05:22,281 --> 00:05:23,991 TELL US 199 00:05:22,281 --> 00:05:23,991 YOUR COMING-OUT STORY. 200 00:05:24,032 --> 00:05:26,326 WELL, THEY GOT HAMMERED, 201 00:05:24,032 --> 00:05:26,326 THE TWO OF THEM, 202 00:05:26,367 --> 00:05:29,913 AND THEN THEY SCAMPERED 203 00:05:26,367 --> 00:05:29,913 UNDER THE BLEACHERS 204 00:05:29,955 --> 00:05:31,123 FOR A SMOKE, 205 00:05:29,955 --> 00:05:31,123 WHICH, OF COURSE, 206 00:05:31,165 --> 00:05:33,041 SHE WAS NOT ALLOWED TO DO, 207 00:05:33,083 --> 00:05:36,086 AND THEN, JUST AS THEY 208 00:05:33,083 --> 00:05:36,086 WERE ABOUT TO KISS... 209 00:05:36,128 --> 00:05:37,504 [ LAUGHING ] 210 00:05:37,545 --> 00:05:39,338 ANNIE VOMITED ALL OVER ALICE. 211 00:05:39,380 --> 00:05:42,259 OH! 212 00:05:39,380 --> 00:05:42,259 OH. 213 00:05:42,301 --> 00:05:45,220 NOW, MY REAL COMING-OUT STORY 214 00:05:42,301 --> 00:05:45,220 HAPPENED IN COLLEGE. 215 00:05:45,262 --> 00:05:48,098 MY BOYFRIEND GREG AND I 216 00:05:45,262 --> 00:05:48,098 HAD THIS BAND CALLED BUTTER, 217 00:05:48,140 --> 00:05:50,642 AND WE PLAYED EVERY WEEKEND 218 00:05:48,140 --> 00:05:50,642 AT THE TAP ROOM, 219 00:05:50,684 --> 00:05:53,228 WHICH WAS LIKE 220 00:05:50,684 --> 00:05:53,228 OUR LITTLE BAR ON CAMPUS. 221 00:05:53,270 --> 00:05:55,396 BUTTER RULES! 222 00:05:58,399 --> 00:06:00,861 [ SHOUTS ] 223 00:06:00,902 --> 00:06:02,570 IT WAS THREE GUYS AND ME, 224 00:06:02,612 --> 00:06:04,323 AND I DON'T KNOW, 225 00:06:02,612 --> 00:06:04,323 I WASN'T THAT INTO IT, 226 00:06:04,363 --> 00:06:06,867 BUT GREG THOUGHT WE WERE GOING 227 00:06:04,363 --> 00:06:06,867 TO GO ALL THE WAY. 228 00:06:06,908 --> 00:06:08,035 [ MUSIC STOPS ] 229 00:06:08,076 --> 00:06:10,120 HEY! 230 00:06:08,076 --> 00:06:10,120 WHERE'S BRAD? 231 00:06:10,162 --> 00:06:11,746 WHERE THE FUCK 232 00:06:10,162 --> 00:06:11,746 IS BRAD? 233 00:06:11,788 --> 00:06:14,208 BUT ANYWAY, OUR BASS PLAYER 234 00:06:11,788 --> 00:06:14,208 QUITS ONE DAY, RIGHT, 235 00:06:14,249 --> 00:06:16,501 SO WE HAD THREE DAYS 236 00:06:14,249 --> 00:06:16,501 TO FIND A NEW ONE, 237 00:06:16,543 --> 00:06:17,711 SO WE HOLD THESE AUDITIONS, 238 00:06:17,752 --> 00:06:19,378 AND ALL THESE GUYS COME, 239 00:06:19,420 --> 00:06:20,922 AND THEY COULDN'T PLAY BASS 240 00:06:19,420 --> 00:06:20,922 TO SAVE THEIR LIVES. 241 00:06:20,964 --> 00:06:24,092 GET YOUR FEET 242 00:06:20,964 --> 00:06:24,092 OFF THE TABLE. 243 00:06:24,134 --> 00:06:25,093 SHOW SOME RESPECT. 244 00:06:25,135 --> 00:06:30,891 [ PLAYING BASS LINE ] 245 00:06:30,932 --> 00:06:35,312 DAVE, GIVE ME MY LAST 246 00:06:30,932 --> 00:06:35,312 FUCKING CIGARETTE! 247 00:06:35,354 --> 00:06:37,689 FUCKING COCK. 248 00:06:43,737 --> 00:06:45,906 [ RASPBERRIES ] 249 00:06:45,947 --> 00:06:50,409 AND THEN... 250 00:06:45,947 --> 00:06:50,409 TAYO WALKS ONSTAGE. 251 00:06:50,451 --> 00:06:56,583 [ PLAYING BASS LINE ] 252 00:07:00,795 --> 00:07:02,256 DON'T FUCKING TOUCH ME. 253 00:07:02,297 --> 00:07:04,549 GOD. GET AWAY FROM ME. 254 00:07:04,591 --> 00:07:10,138 [ PLAYING BASS LINE ] 255 00:07:12,640 --> 00:07:13,808 WE WERE FAMOUS 256 00:07:13,850 --> 00:07:15,143 IN OUR LITTLE COLLEGE UNIVERSE. 257 00:07:15,185 --> 00:07:17,229 I MEAN, PEOPLE WERE COMING 258 00:07:15,185 --> 00:07:17,229 JUST TO SEE US. 259 00:07:17,271 --> 00:07:19,356 [ CROWD SHOUTING ] 260 00:07:19,398 --> 00:07:21,566 AND ME AND TAYO, 261 00:07:21,608 --> 00:07:25,486 WE HAD AMAZING CHEMISTRY 262 00:07:21,608 --> 00:07:25,486 ONSTAGE. 263 00:07:26,613 --> 00:07:31,743 [ CROWD CHEERING ] 264 00:07:45,757 --> 00:07:48,343 [ CHEERING CONTINUES ] 265 00:07:48,385 --> 00:07:51,346 [ ROCK MUSIC ] 266 00:07:51,388 --> 00:07:53,807 [ ♪♪ ] 267 00:07:53,848 --> 00:07:55,809 TAYO AND I ONLY LASTED 268 00:07:53,848 --> 00:07:55,809 ABOUT TWO MONTHS. 269 00:07:55,850 --> 00:07:57,602 AFTER ME, 270 00:07:55,850 --> 00:07:57,602 SHE WENT THROUGH 271 00:07:57,644 --> 00:07:59,313 EVERY GAY, LESBIAN, 272 00:07:57,644 --> 00:07:59,313 BISEXUAL, 273 00:07:59,354 --> 00:08:01,731 AND TRANSGENDERED 274 00:07:59,354 --> 00:08:01,731 ORGANIZATION ON CAMPUS. 275 00:08:01,773 --> 00:08:03,233 SHE TOTALLY BROKE MY HEART. 276 00:08:03,275 --> 00:08:06,778 THAT'S WHY 277 00:08:03,275 --> 00:08:06,778 YOU'RE A DIRTY BISEXUAL, HUH? 278 00:08:08,738 --> 00:08:10,282 LET'S HEAR YOUR STORY. 279 00:08:10,324 --> 00:08:12,117 OH, THAT'S NICE. 280 00:08:10,324 --> 00:08:12,117 YOU KNOW I CAN'T DO THAT. 281 00:08:12,159 --> 00:08:13,994 WHY? 282 00:08:14,035 --> 00:08:15,495 IT'S PROBABLY 283 00:08:14,035 --> 00:08:15,495 FRESH WOUNDS. 284 00:08:15,536 --> 00:08:17,497 IT WAS 12 YEARS AGO, MOM. 285 00:08:17,538 --> 00:08:20,208 GOD, SHE WAS BEAUTIFUL. 286 00:08:23,378 --> 00:08:26,340 IT WAS AT TENNIS CAMP. 287 00:08:26,381 --> 00:08:28,549 I WAS 16. 288 00:08:26,381 --> 00:08:28,549 SHE WAS 17. 289 00:08:28,591 --> 00:08:29,843 EVERYBODY, OUT ON THE COURTS. 290 00:08:29,884 --> 00:08:31,345 COME ON. LET'S GO. 291 00:08:31,386 --> 00:08:32,637 SHE WAS MY COUNSELOR. 292 00:08:32,679 --> 00:08:34,139 I'D TELL YOU HER NAME, 293 00:08:34,181 --> 00:08:36,016 BUT SHE'S FAMOUS NOW, 294 00:08:34,181 --> 00:08:36,016 SO I CAN'T. 295 00:08:36,057 --> 00:08:39,186 I'LL JUST CALL HER RALPH. 296 00:08:39,227 --> 00:08:42,022 AREN'T YOU READY YET? 297 00:08:42,063 --> 00:08:44,524 GOD, SHE HAD 298 00:08:42,063 --> 00:08:44,524 THE MOST BEAUTIFUL EYES 299 00:08:44,565 --> 00:08:47,861 YOU'VE EVER SEEN. 300 00:08:58,746 --> 00:09:00,207 I LOVE YOU, [ BEEP ]. 301 00:09:00,248 --> 00:09:02,167 I LOVE YOU MORE. 302 00:09:04,419 --> 00:09:05,879 WHAT HAPPENED NEXT? 303 00:09:05,920 --> 00:09:07,630 SHE NEEDED TO TELL SOMEBODY 304 00:09:05,920 --> 00:09:07,630 ABOUT IT, RIGHT? 305 00:09:07,672 --> 00:09:09,132 SO SHE WROTE 306 00:09:07,672 --> 00:09:09,132 HER BEST FRIEND AT HOME 307 00:09:09,174 --> 00:09:12,593 AND TOLD HER ABOUT US 308 00:09:09,174 --> 00:09:12,593 AND HOW IN LOVE WE WERE... 309 00:09:12,635 --> 00:09:15,889 AND HER FRIEND 310 00:09:12,635 --> 00:09:15,889 TOLD HER PARENTS... 311 00:09:15,930 --> 00:09:20,060 AND HER PARENTS YANKED HER 312 00:09:15,930 --> 00:09:20,060 OUT OF TENNIS CAMP, LIKE THAT. 313 00:09:20,101 --> 00:09:21,520 [ FATHER ]: HONEY, 314 00:09:20,101 --> 00:09:21,520 WE'LL TALK IN A MINUTE. 315 00:09:21,561 --> 00:09:23,771 [ MOTHER ]: I DON'T WANT TO TALK 316 00:09:21,561 --> 00:09:23,771 ABOUT IT RIGHT NOW. 317 00:09:23,813 --> 00:09:26,733 JUST GO, PLEASE. 318 00:09:35,700 --> 00:09:38,578 AFTER THAT, 319 00:09:35,700 --> 00:09:38,578 I RAN INTO HER AT A FEW MATCHES, 320 00:09:38,619 --> 00:09:42,665 AND SHE WOULDN'T EVEN 321 00:09:38,619 --> 00:09:42,665 LOOK AT ME. 322 00:09:42,707 --> 00:09:46,086 SO ANYWAY, THAT'S IT. 323 00:09:46,127 --> 00:09:49,672 TENNIS PLAYERS 324 00:09:46,127 --> 00:09:49,672 ARE LIKE GIRLS IN COLLEGE-- 325 00:09:49,714 --> 00:09:51,425 GAY UNTIL GRADUATION. 326 00:09:51,466 --> 00:09:53,260 [ LAUGHTER ] 327 00:09:55,303 --> 00:09:57,805 [ KNOCKING ] 328 00:09:57,847 --> 00:09:59,182 HEY, I'M SORRY TO BOTHER YOU. 329 00:09:59,224 --> 00:10:00,725 JAMES... 330 00:09:59,224 --> 00:10:00,725 YOU DON'T HAVE TO SAY SORRY 331 00:10:00,767 --> 00:10:02,060 EVERY TIME 332 00:10:00,767 --> 00:10:02,060 YOU HAVE SOMETHING TO TELL ME. 333 00:10:02,102 --> 00:10:03,728 OKAY, WELL, I'M SORRY. 334 00:10:03,770 --> 00:10:05,646 A CANDACE JEWELL 335 00:10:03,770 --> 00:10:05,646 IS HERE FOR YOU. 336 00:10:05,688 --> 00:10:07,190 CAN YOU TELL HER 337 00:10:07,232 --> 00:10:08,942 I'LL MEET HER 338 00:10:07,232 --> 00:10:08,942 IN THE CONFERENCE ROOM? 339 00:10:08,983 --> 00:10:11,194 OKAY. 340 00:10:18,743 --> 00:10:19,953 SO I THINK 341 00:10:18,743 --> 00:10:19,953 WE'LL DEDICATE 342 00:10:19,994 --> 00:10:21,704 THIS GALLERY 343 00:10:19,994 --> 00:10:21,704 TO TWO ARTISTS. 344 00:10:21,746 --> 00:10:23,290 ISABELLA PERNAO, 345 00:10:23,331 --> 00:10:24,541 WHO DOES THESE AMAZING 346 00:10:24,583 --> 00:10:26,126 LARGE-SCREEN VIDEO 347 00:10:24,583 --> 00:10:26,126 INSTALLATIONS, 348 00:10:26,167 --> 00:10:27,752 WHO I THINK SHOULD 349 00:10:26,167 --> 00:10:27,752 BE ON THIS WALL, 350 00:10:27,794 --> 00:10:29,170 AND RAY FIELD'S WORK 351 00:10:29,212 --> 00:10:30,630 SHOULD BE 352 00:10:29,212 --> 00:10:30,630 ON THE OTHER WALL. 353 00:10:30,671 --> 00:10:32,673 HE DOES HAND-DRAWN, 354 00:10:30,671 --> 00:10:32,673 LETTERED BOOKS, 355 00:10:32,715 --> 00:10:34,259 SO WE'RE GOING TO NEED 356 00:10:34,301 --> 00:10:36,261 TO CONSTRUCT SOME 357 00:10:34,301 --> 00:10:36,261 DISPLAY CASES FOR THOSE. 358 00:10:36,303 --> 00:10:38,513 IT'S JUST LIKE 359 00:10:36,303 --> 00:10:38,513 THEATER-SET CONSTRUCTION. 360 00:10:38,555 --> 00:10:39,806 IS THAT A GOOD THING? 361 00:10:39,847 --> 00:10:41,475 WELL, I DID IT IN COLLEGE, 362 00:10:39,847 --> 00:10:41,475 AND I LOVED IT. 363 00:10:41,516 --> 00:10:42,850 OH. 364 00:10:42,892 --> 00:10:45,520 LOOK, WHAT IF, 365 00:10:42,892 --> 00:10:45,520 INSTEAD OF WALL MOUNTING, 366 00:10:45,562 --> 00:10:46,896 WE WERE TO CONSTRUCT 367 00:10:46,938 --> 00:10:48,482 SOME FREE-STANDING 368 00:10:46,938 --> 00:10:48,482 SCAFFOLDING HERE? 369 00:10:48,523 --> 00:10:50,442 YOU KNOW, IT WOULD WORK 370 00:10:48,523 --> 00:10:50,442 SOMETHING LIKE SHOJI SCREENS. 371 00:10:50,484 --> 00:10:52,819 I THINK IT WOULD REALLY 372 00:10:50,484 --> 00:10:52,819 MAKE THE SPACE MORE DYNAMIC 373 00:10:52,860 --> 00:10:54,237 FOR DISPLAYING 374 00:10:52,860 --> 00:10:54,237 THE WORK. 375 00:10:54,279 --> 00:10:55,238 HMM. 376 00:10:55,280 --> 00:10:56,656 WELL, HOW LONG 377 00:10:55,280 --> 00:10:56,656 WOULD IT TAKE YOU 378 00:10:56,697 --> 00:10:58,492 TO GET ME A BID? 379 00:10:58,533 --> 00:11:00,827 I DON'T KNOW. TODAY? 380 00:11:00,868 --> 00:11:01,995 THAT WOULD BE GREAT. 381 00:11:02,036 --> 00:11:03,455 OKAY. 382 00:11:03,497 --> 00:11:05,373 OKAY, THEN. 383 00:11:05,415 --> 00:11:07,917 MY COMING-OUT STORY 384 00:11:05,415 --> 00:11:07,917 ALSO INVOLVES SOMEONE FAMOUS. 385 00:11:07,959 --> 00:11:09,210 [ MOUTHS ] 386 00:11:07,959 --> 00:11:09,210 IS SHE GAY? 387 00:11:09,252 --> 00:11:11,045 [ MOUTHS ] 388 00:11:09,252 --> 00:11:11,045 NO. 389 00:11:09,252 --> 00:11:11,045 IT WAS THE '70s, 390 00:11:11,087 --> 00:11:13,089 AND EVERY WEEKEND 391 00:11:11,087 --> 00:11:13,089 I WENT 392 00:11:13,131 --> 00:11:15,425 TO ONE OF THESE PARTIES 393 00:11:13,131 --> 00:11:15,425 AT "THE MANSION"... 394 00:11:15,467 --> 00:11:16,675 WHICH, OF COURSE, 395 00:11:16,717 --> 00:11:19,720 WAS FULL OF SWINGERS 396 00:11:16,717 --> 00:11:19,720 AND ORGIES AND DRUGS, 397 00:11:19,762 --> 00:11:22,641 AS I AM SURE YOU GIRLS KNOW. 398 00:11:22,681 --> 00:11:24,725 SO ONE NIGHT, 399 00:11:24,767 --> 00:11:25,977 THERE WAS AN EX 400 00:11:24,767 --> 00:11:25,977 OF MINE 401 00:11:26,019 --> 00:11:27,354 THAT I HADN'T SEEN 402 00:11:26,019 --> 00:11:27,354 IN YEARS, 403 00:11:27,395 --> 00:11:30,231 AND HE WAS SITTING RIGHT THERE 404 00:11:27,395 --> 00:11:30,231 IN THE LIVING ROOM, 405 00:11:30,273 --> 00:11:33,734 AND ALL I COULD THINK OF 406 00:11:30,273 --> 00:11:33,734 TO SAY TO HIM WAS... 407 00:11:33,776 --> 00:11:36,029 "I THOUGHT I TOLD YOU 408 00:11:33,776 --> 00:11:36,029 TO WAIT IN THE CAR." 409 00:11:36,070 --> 00:11:38,448 MOM, THAT IS STRAIGHT 410 00:11:38,490 --> 00:11:40,074 OUT OF TALLULAH BANKHEAD'S 411 00:11:38,490 --> 00:11:40,074 BIOGRAPHY. 412 00:11:40,116 --> 00:11:44,412 THAT DOESN'T MEAN 413 00:11:40,116 --> 00:11:44,412 THAT I DIDN'T SAY IT. 414 00:11:44,454 --> 00:11:47,748 ANYWAY, WHERE WAS I? 415 00:11:47,790 --> 00:11:49,334 MM-HMM! 416 00:11:47,790 --> 00:11:49,334 THE POOL. 417 00:11:49,376 --> 00:11:51,878 WELL, I DON'T WANT 418 00:11:49,376 --> 00:11:51,878 TO BE INDISCREET HERE, 419 00:11:51,919 --> 00:11:54,088 BUT THERE WAS AN INCIDENT 420 00:11:51,919 --> 00:11:54,088 IN A POOL 421 00:11:54,130 --> 00:11:57,384 WITH TWO GIRLS, AND, UM... 422 00:11:57,425 --> 00:11:59,427 I MEAN, THESE GIRLS 423 00:11:59,469 --> 00:12:01,262 WERE REAL KNOCKOUTS. 424 00:12:01,304 --> 00:12:03,473 I MEAN, MOST OF THE GIRLS 425 00:12:01,304 --> 00:12:03,473 THAT WENT TO THOSE PARTIES 426 00:12:03,515 --> 00:12:05,058 WERE KNOCKOUTS, 427 00:12:05,099 --> 00:12:07,352 BUT THEY WERE GIVING EACH OTHER 428 00:12:05,099 --> 00:12:07,352 A TONSIL INSPECTION 429 00:12:07,394 --> 00:12:10,230 THAT WOULD HAVE MADE A DOCTOR 430 00:12:07,394 --> 00:12:10,230 BLUSH. 431 00:12:10,271 --> 00:12:12,607 SO I DECIDED, 432 00:12:10,271 --> 00:12:12,607 "WHAT THE HEY?" 433 00:12:12,649 --> 00:12:13,941 AND JOINED IN... 434 00:12:13,983 --> 00:12:15,985 [ CHUCKLING ] 435 00:12:16,027 --> 00:12:18,405 AND WHAT CAN I SAY? 436 00:12:18,446 --> 00:12:23,284 ONE THING LED TO ANOTHER, 437 00:12:18,446 --> 00:12:23,284 AND... 438 00:12:24,536 --> 00:12:26,954 IT WAS HOT. 439 00:12:31,959 --> 00:12:33,044 OKAY. SHANE. 440 00:12:33,086 --> 00:12:35,338 DO YOU WANT TO SHARE 441 00:12:33,086 --> 00:12:35,338 YOUR STORY? 442 00:12:35,380 --> 00:12:37,674 YEAH, UM... 443 00:12:37,716 --> 00:12:38,925 THAT'S EASY. 444 00:12:38,966 --> 00:12:41,553 TIFFANY GARDNER. 445 00:12:41,595 --> 00:12:43,638 SHE WAS THIS GORGEOUS BLONDE 446 00:12:41,595 --> 00:12:43,638 WHO LIVED DOWN THE STREET... 447 00:12:43,680 --> 00:12:48,309 AND I USED TO SIT FOR HOURS 448 00:12:43,680 --> 00:12:48,309 AND WATCH HER PLAY IN THE PARK. 449 00:12:48,351 --> 00:12:49,728 AND THEN, ONE DAY, 450 00:12:48,351 --> 00:12:49,728 I THOUGHT, 451 00:12:49,768 --> 00:12:51,062 "YOU KNOW WHAT? FUCK THIS. 452 00:12:51,104 --> 00:12:52,272 "ENOUGH'S ENOUGH. 453 00:12:52,313 --> 00:12:54,315 I'M GOING TO MEET THIS CHICK." 454 00:12:54,357 --> 00:12:58,236 SO I PACK UP MY SUNSHINE MEAL, 455 00:12:54,357 --> 00:12:58,236 AND I WALK OVER TO HER... 456 00:12:58,278 --> 00:13:00,113 AND SHE'S JUST SITTING THERE 457 00:12:58,278 --> 00:13:00,113 IN THE SAND 458 00:13:00,154 --> 00:13:01,615 PLAYING HARD TO GET... 459 00:13:01,656 --> 00:13:03,408 AND I KNEW I WAS HOOKED. 460 00:13:03,450 --> 00:13:06,661 THAT GIRL 461 00:13:03,450 --> 00:13:06,661 TOOK MY SUNSHINE MEAL TOY, 462 00:13:06,703 --> 00:13:08,329 AND THEN SHE TOOK MY HEART. 463 00:13:08,371 --> 00:13:10,290 OKAY. PERFECT TIMING. 464 00:13:10,331 --> 00:13:11,499 HERE WE ARE. 465 00:13:11,541 --> 00:13:13,293 JENNY, WILL YOU OPEN THE DOOR 466 00:13:11,541 --> 00:13:13,293 FOR MY MOM? 467 00:13:13,334 --> 00:13:14,502 THAT REMINDS ME 468 00:13:14,544 --> 00:13:17,130 OF THIS BEAUTIFUL 469 00:13:14,544 --> 00:13:17,130 BUT TRAGIC LESBIAN 470 00:13:17,171 --> 00:13:18,965 WHO ONCE PASSED OUT 471 00:13:17,171 --> 00:13:18,965 ON MY KITCHEN FLOOR... 472 00:13:19,006 --> 00:13:20,133 AND I'LL NEVER FORGET. 473 00:13:20,174 --> 00:13:21,760 JOHN CASSAVETES 474 00:13:20,174 --> 00:13:21,760 AND GENA ROWLANDS 475 00:13:21,800 --> 00:13:23,470 HAD COME FOR LUNCH THAT DAY, 476 00:13:23,511 --> 00:13:25,179 AND, OF COURSE, THEY'D HAD 477 00:13:23,511 --> 00:13:25,179 A COUPLE OF DRINKS, AS HAD I, 478 00:13:25,221 --> 00:13:27,348 AND JUST AS THEY WALK 479 00:13:25,221 --> 00:13:27,348 IN THE KITCHEN, 480 00:13:27,390 --> 00:13:29,016 SHE WAKES UP-- 481 00:13:29,058 --> 00:13:30,435 MOM, I THINK 482 00:13:29,058 --> 00:13:30,435 YOUR PHONE'S RINGING. 483 00:13:30,477 --> 00:13:31,936 OH, LET ME 484 00:13:30,477 --> 00:13:31,936 JUST FINISH MY STORY. 485 00:13:31,978 --> 00:13:33,980 SO SHE WAKES UP, 486 00:13:31,978 --> 00:13:33,980 JUST AT THAT MOMENT-- 487 00:13:34,021 --> 00:13:35,315 MAYBE 488 00:13:34,021 --> 00:13:35,315 IT'S YOUR NEW AGENT. 489 00:13:35,356 --> 00:13:37,024 OH, MY GOD. 490 00:13:35,356 --> 00:13:37,024 YOU'RE RIGHT. 491 00:13:37,066 --> 00:13:38,735 [ TELEPHONE RINGING ] 492 00:13:38,777 --> 00:13:40,779 BYE, LENORE. 493 00:13:38,777 --> 00:13:40,779 BYE, LENORE. 494 00:13:40,819 --> 00:13:42,614 BYE, LENORE. 495 00:13:42,656 --> 00:13:43,948 YOU KNOW WHAT, DANA? 496 00:13:42,656 --> 00:13:43,948 HELP ME. 497 00:13:43,990 --> 00:13:45,158 WHAT? 498 00:13:45,199 --> 00:13:46,993 JUST HELP ME. JUST HELP-- 499 00:13:45,199 --> 00:13:46,993 GRAB A BAG. 500 00:13:47,034 --> 00:13:48,536 I CAN GET THAT ONE. 501 00:13:47,034 --> 00:13:48,536 JUST GRAB A BAG. 502 00:13:48,578 --> 00:13:51,539 I CAN GET IT. 503 00:13:48,578 --> 00:13:51,539 COME ON. 504 00:13:51,581 --> 00:13:54,542 [ DISCO MUSIC ] 505 00:13:54,584 --> 00:13:59,046 [ ♪♪ ] 506 00:13:59,088 --> 00:14:01,341 MOM, I LEFT THE BAG 507 00:13:59,088 --> 00:14:01,341 ON THE PORCH! 508 00:14:01,382 --> 00:14:02,550 GET IN THE CAR! 509 00:14:02,592 --> 00:14:04,552 BYE, LENORE. 510 00:14:05,679 --> 00:14:08,640 GO, GO, GO, GO, GO. 511 00:14:08,682 --> 00:14:09,848 OH, MY GOD. 512 00:14:09,890 --> 00:14:11,810 AM I GOING TO HELL FOR THAT? 513 00:14:11,850 --> 00:14:13,561 ALL RIGHT, THANK YOU, GUYS. 514 00:14:13,603 --> 00:14:17,023 YOUR ASSES WERE IN THIS VAN 515 00:14:13,603 --> 00:14:17,023 SO FAST. COME ON. 516 00:14:17,064 --> 00:14:19,192 POOR LENORE. 517 00:14:20,610 --> 00:14:22,362 [ CELL PHONE RINGING ] 518 00:14:22,403 --> 00:14:23,904 AW, FUCK. 519 00:14:23,946 --> 00:14:26,115 HELLO? 520 00:14:26,157 --> 00:14:27,867 NO, MA-- 521 00:14:26,157 --> 00:14:27,867 HI. NO. 522 00:14:27,908 --> 00:14:29,703 NO, NO. OF COURSE NOT. 523 00:14:29,744 --> 00:14:31,579 NO, IT'S JUST, WE DIDN'T KNOW 524 00:14:29,744 --> 00:14:31,579 HOW LONG YOU WERE GOING TO BE, 525 00:14:31,621 --> 00:14:35,958 AND DANA'S GOT TO REGISTER 526 00:14:31,621 --> 00:14:35,958 FOR THE EVENT... 527 00:14:36,000 --> 00:14:38,002 SO, YEAH. 528 00:14:38,044 --> 00:14:40,254 OKAY, YEAH. OF COURSE. 529 00:14:38,044 --> 00:14:40,254 OF COURSE. 530 00:14:40,296 --> 00:14:41,255 I WILL. 531 00:14:41,297 --> 00:14:42,799 OKAY. I'LL TALK TO YOU SOON. 532 00:14:42,841 --> 00:14:44,091 OKAY. BYE. 533 00:14:44,133 --> 00:14:46,010 [ PHONE BEEPS ] 534 00:14:46,052 --> 00:14:47,679 SHE WAS MAKING US CRAZY, 535 00:14:46,052 --> 00:14:47,679 RIGHT? 536 00:14:47,721 --> 00:14:48,888 I MEAN... 537 00:14:48,929 --> 00:14:50,807 RIGHT? 538 00:14:50,849 --> 00:14:52,308 YEAH, YEAH. 539 00:14:57,647 --> 00:15:00,608 [ ELECTRONIC MUSIC ] 540 00:15:00,650 --> 00:15:08,616 [ ♪♪ ] 541 00:15:16,791 --> 00:15:19,419 DANA? DANA FAIRBANKS. 542 00:15:19,460 --> 00:15:21,588 SO, SO GLAD TO MEET YOU. 543 00:15:19,460 --> 00:15:21,588 I'M TONYA, GUEST LIAISON. 544 00:15:21,629 --> 00:15:23,423 I'M HERE TO TAKE CARE 545 00:15:21,629 --> 00:15:23,423 OF ALL YOUR NEEDS. 546 00:15:23,464 --> 00:15:25,675 OH. 547 00:15:23,464 --> 00:15:25,675 LET ME GET THIS FOR YOU. 548 00:15:25,717 --> 00:15:27,009 EXCUSE ME. 549 00:15:27,051 --> 00:15:28,386 THIS IS DANA FAIRBANKS, 550 00:15:27,051 --> 00:15:28,386 OKAY? 551 00:15:28,428 --> 00:15:29,846 WE NEED SOMEONE 552 00:15:28,428 --> 00:15:29,846 TO TAKE HER STUFF 553 00:15:29,888 --> 00:15:31,681 TO HER ROOM, SUITE 251. 554 00:15:31,723 --> 00:15:32,932 SO ARE YOU ALONE? 555 00:15:32,973 --> 00:15:34,267 UH, NO, 556 00:15:32,973 --> 00:15:34,267 I'M WITH FRIENDS. 557 00:15:34,308 --> 00:15:36,185 DID YOU WANT TO BRING THEM 558 00:15:34,308 --> 00:15:36,185 TO THE DINNER? 559 00:15:36,227 --> 00:15:37,645 I'M SURE 560 00:15:36,227 --> 00:15:37,645 I CAN GET THEM TICKETS. 561 00:15:37,687 --> 00:15:39,397 I NEED YOU AT A PHOTO SHOOT 562 00:15:37,687 --> 00:15:39,397 IN ABOUT AN HOUR, BUT-- 563 00:15:39,439 --> 00:15:40,774 I JUST NEED TO MAKE 564 00:15:39,439 --> 00:15:40,774 A FEW CALLS. 565 00:15:40,815 --> 00:15:42,275 UH, WE'LL BE FINE. 566 00:15:42,316 --> 00:15:43,693 YEAH, WE DON'T WANT 567 00:15:42,316 --> 00:15:43,693 TO CRAMP DANA'S STYLE. 568 00:15:43,735 --> 00:15:44,903 OH, OKAY. 569 00:15:44,944 --> 00:15:46,153 SO GLAD TO HAVE YOU HERE. 570 00:15:46,195 --> 00:15:47,655 I'M GOING TO HAVE 571 00:15:46,195 --> 00:15:47,655 TO PROTECT YOU 572 00:15:47,697 --> 00:15:49,198 FROM SOME OF THE STAFF. 573 00:15:49,240 --> 00:15:50,408 SERIOUSLY, THOUGH. 574 00:15:50,450 --> 00:15:51,910 I AM HERE TO ACT 575 00:15:50,450 --> 00:15:51,910 AS A BUFFER 576 00:15:51,951 --> 00:15:53,119 BETWEEN YOU 577 00:15:51,951 --> 00:15:53,119 AND YOUR FANS, OKAY? 578 00:15:53,160 --> 00:15:54,788 THAT IS PART MY JOB. 579 00:15:53,160 --> 00:15:54,788 OKAY. 580 00:15:54,829 --> 00:15:58,875 NOW, I'M GOING TO GIVE YOU 581 00:15:54,829 --> 00:15:58,875 THE KEY TO YOUR ROOM... 582 00:15:58,917 --> 00:16:00,084 THANKS. 583 00:16:00,126 --> 00:16:01,961 AND HERE'S MY CARD. 584 00:16:02,002 --> 00:16:03,588 I'M GOING TO GIVE YOU 585 00:16:02,002 --> 00:16:03,588 MY CELL PHONE NUMBER, 586 00:16:03,630 --> 00:16:05,381 AND I WANT YOU TO USE IT 587 00:16:03,630 --> 00:16:05,381 IF YOU NEED ANYTHING AT ALL. 588 00:16:05,423 --> 00:16:07,300 OKAY. 589 00:16:05,423 --> 00:16:07,300 I'M TALKING 590 00:16:05,423 --> 00:16:07,300 ABOUT A SECOND OPINION 591 00:16:07,341 --> 00:16:08,760 ON WHAT PAIR 592 00:16:07,341 --> 00:16:08,760 OF SHOES TO WEAR. 593 00:16:08,802 --> 00:16:10,511 YOU JUST CALL ME, 594 00:16:08,802 --> 00:16:10,511 OKAY? 595 00:16:10,553 --> 00:16:12,722 OKAY. 596 00:16:10,553 --> 00:16:12,722 AND I'LL SEE YOU 597 00:16:10,553 --> 00:16:12,722 IN AN HOUR. 598 00:16:12,764 --> 00:16:13,932 OKAY. 599 00:16:12,764 --> 00:16:13,932 OKAY. 600 00:16:13,973 --> 00:16:15,141 THANKS. 601 00:16:13,973 --> 00:16:15,141 BYE, LADIES. 602 00:16:15,182 --> 00:16:17,477 BYE. 603 00:16:15,182 --> 00:16:17,477 BYE-BYE. 604 00:16:17,518 --> 00:16:18,645 WOW. 605 00:16:18,686 --> 00:16:20,814 DOES THAT THING COME 606 00:16:18,686 --> 00:16:20,814 WITH BATTERIES, DANA? 607 00:16:20,855 --> 00:16:24,150 HUH? 608 00:16:20,855 --> 00:16:24,150 OH. 609 00:16:26,026 --> 00:16:27,570 OH, MY GOD. 610 00:16:27,612 --> 00:16:30,156 I'VE NEVER SEEN 611 00:16:27,612 --> 00:16:30,156 SO MANY WOMEN IN ONE PLACE 612 00:16:30,197 --> 00:16:31,658 IN MY WHOLE LIFE. 613 00:16:31,699 --> 00:16:33,033 AND EVERY ONE 614 00:16:31,699 --> 00:16:33,033 OF THEM'S GREASED UP 615 00:16:33,075 --> 00:16:34,243 AND READY TO GO. 616 00:16:34,285 --> 00:16:35,954 WE SHOULD 617 00:16:34,285 --> 00:16:35,954 GO DOWN THERE, YOU GUYS. 618 00:16:35,995 --> 00:16:39,874 ♪ WHEN WE SHOW 619 00:16:35,995 --> 00:16:39,874 JUST WHO WE ARE ♪ 620 00:16:39,916 --> 00:16:41,501 ♪ THIS IS THE TIME ♪ 621 00:16:41,542 --> 00:16:46,255 ♪ WHEN WE SEE 622 00:16:41,542 --> 00:16:46,255 WE'VE COME SO FAR ♪ 623 00:16:46,297 --> 00:16:52,011 ♪ AND ALL THAT WE HAVE 624 00:16:46,297 --> 00:16:52,011 IS LIFE ♪ 625 00:16:52,052 --> 00:16:57,684 ♪ AND ALL THAT WE HAVE 626 00:16:52,052 --> 00:16:57,684 IS LOVE ♪ 627 00:16:57,725 --> 00:17:00,728 ♪ TO SWIM IN THE OCEAN ♪ 628 00:17:00,770 --> 00:17:03,189 ♪ TO SWIM IN THE SEA ♪ 629 00:17:03,230 --> 00:17:06,233 ♪ TO SAIL IN THE ISLANDS ♪ 630 00:17:06,275 --> 00:17:08,945 ♪ AND CLIMB THE HIGHEST TREE ♪ 631 00:17:08,987 --> 00:17:11,572 ♪ WE ARE FREE ♪ 632 00:17:11,614 --> 00:17:14,742 ♪ WE ARE FREE ♪ 633 00:17:14,784 --> 00:17:18,245 GUYS? GUYS? 634 00:17:18,287 --> 00:17:19,539 IS THIS SUIT 635 00:17:18,287 --> 00:17:19,539 TOO CONSERVATIVE? 636 00:17:19,580 --> 00:17:22,166 I BROUGHT A DRESS. 637 00:17:19,580 --> 00:17:22,166 TELL ME WHAT YOU THINK. 638 00:17:25,252 --> 00:17:26,629 THE SUIT'S GREAT. 639 00:17:26,671 --> 00:17:28,172 THANKS. 640 00:17:28,214 --> 00:17:30,758 [ KNOCKING ] 641 00:17:34,094 --> 00:17:36,055 HI. IS DANA HERE? 642 00:17:36,096 --> 00:17:37,306 UH-HUH. YEAH. 643 00:17:37,348 --> 00:17:39,517 EXCELLENT. 644 00:17:37,348 --> 00:17:39,517 WOW. YOU LOOK PHENOMENAL. 645 00:17:39,559 --> 00:17:40,935 BUT I BET YOU WOULD 646 00:17:39,559 --> 00:17:40,935 IN ANYTHING THAT YOU WORE. 647 00:17:40,977 --> 00:17:42,311 [ LAUGHS ] 648 00:17:42,353 --> 00:17:44,564 HERE'S SOME PASSES 649 00:17:42,353 --> 00:17:44,564 TO SOME OF THE EVENTS 650 00:17:44,605 --> 00:17:46,566 AND A CHANCE TO WIN 651 00:17:44,605 --> 00:17:46,566 AN OLIVIA CRUISE. 652 00:17:46,607 --> 00:17:48,735 THANKS, 653 00:17:46,607 --> 00:17:48,735 TONYA. 654 00:17:48,776 --> 00:17:49,986 SO ARE YOU READY 655 00:17:48,776 --> 00:17:49,986 TO GO? 656 00:17:50,028 --> 00:17:51,696 UH-HUH. 657 00:17:50,028 --> 00:17:51,696 EXCELLENT. 658 00:17:51,738 --> 00:17:54,615 WELL, I'VE GOT MY WORK 659 00:17:51,738 --> 00:17:54,615 CUT OUT FOR ME WITH YOU. 660 00:17:54,657 --> 00:17:58,244 PEOPLE ARE GOING TO BE 661 00:17:54,657 --> 00:17:58,244 ALL OVER YOU TONIGHT. 662 00:17:58,285 --> 00:17:59,746 BYE, GIRLS. 663 00:17:58,285 --> 00:17:59,746 OH, YEAH. 664 00:17:59,787 --> 00:18:00,955 HAVE FUN. 665 00:17:59,787 --> 00:18:00,955 THANK YOU. 666 00:18:00,997 --> 00:18:02,164 THANK YOU AGAIN. 667 00:18:02,206 --> 00:18:03,249 BYE. 668 00:18:02,206 --> 00:18:03,249 THANK YOU. 669 00:18:03,290 --> 00:18:06,419 LET ME SEE THOSE. 670 00:18:07,837 --> 00:18:09,255 OH. 671 00:18:09,296 --> 00:18:12,132 I HAVE YOUR ESTIMATE FOR YOU. 672 00:18:17,304 --> 00:18:22,226 OKAY, UM, THIS IS $50 MORE 673 00:18:17,304 --> 00:18:22,226 THAN THE HIGHEST BIDDER. 674 00:18:23,686 --> 00:18:25,646 MAY I? 675 00:18:28,148 --> 00:18:29,817 HAVE YOU EVER SEEN THIS? 676 00:18:34,030 --> 00:18:36,074 THERE ARE THREE SIDES 677 00:18:34,030 --> 00:18:36,074 TO THE TRIANGLE, SEE? 678 00:18:36,115 --> 00:18:37,951 FAST. GOOD. CHEAP. 679 00:18:37,992 --> 00:18:39,285 YEAH. 680 00:18:39,326 --> 00:18:40,912 YOU CAN HAVE ANY TWO 681 00:18:39,326 --> 00:18:40,912 OF THE THREE IN COMBINATION, 682 00:18:40,954 --> 00:18:42,121 BUT YOU CAN NEVER HAVE 683 00:18:40,954 --> 00:18:42,121 ALL THREE TOGETHER. 684 00:18:42,162 --> 00:18:43,414 OF COURSE YOU CAN. 685 00:18:43,456 --> 00:18:44,791 I MEAN, IF YOU HAVE 686 00:18:43,456 --> 00:18:44,791 ENOUGH MONEY-- 687 00:18:44,832 --> 00:18:47,043 OH, RIGHT, 688 00:18:44,832 --> 00:18:47,043 THEN IT WOULDN'T BE CHEAP. OKAY. 689 00:18:47,085 --> 00:18:48,628 YOU CAN HAVE 690 00:18:47,085 --> 00:18:48,628 FAST AND GOOD, 691 00:18:48,669 --> 00:18:50,463 BUT THAT TAKES A BIG CREW 692 00:18:48,669 --> 00:18:50,463 OF SKILLED, HIGHLY PAID WORKERS. 693 00:18:50,504 --> 00:18:51,965 AND I CAN HAVE 694 00:18:50,504 --> 00:18:51,965 FAST AND CHEAP, 695 00:18:52,006 --> 00:18:54,174 BUT THEN THE END PRODUCT 696 00:18:52,006 --> 00:18:54,174 WOULD PROBABLY LOOK LIKE SHIT. 697 00:18:54,216 --> 00:18:55,426 YOU CAN HAVE CHEAP AND GOOD-- 698 00:18:55,468 --> 00:18:56,970 THAT'S THE ONE I WANT. 699 00:18:57,011 --> 00:18:58,471 BUT YOU'LL PROBABLY 700 00:18:58,512 --> 00:19:00,431 BE BUMPING UP 701 00:18:58,512 --> 00:19:00,431 AGAINST THAT CARPENTER 702 00:19:00,473 --> 00:19:03,893 FOR THE BETTER PART OF A YEAR. 703 00:19:06,228 --> 00:19:08,481 UM, UH, OKAY. 704 00:19:08,522 --> 00:19:10,149 ARE YOU HERE 705 00:19:08,522 --> 00:19:10,149 FOR A LITTLE WHILE LONGER? 706 00:19:10,190 --> 00:19:12,318 BECAUSE I LOVE THAT CUBAN PLACE 707 00:19:10,190 --> 00:19:12,318 UP THE STREET FROM HERE. 708 00:19:12,359 --> 00:19:14,487 I COULD PICK US UP 709 00:19:12,359 --> 00:19:14,487 SOME TAKE-OUT, IF YOU WANT. 710 00:19:14,528 --> 00:19:15,655 I'LL DRAW YOU 711 00:19:14,528 --> 00:19:15,655 SOME ROUGH SKETCHES 712 00:19:15,696 --> 00:19:19,492 OF WHAT I'M THINKING 713 00:19:15,696 --> 00:19:19,492 WHILE WE EAT. 714 00:19:19,533 --> 00:19:20,493 OKAY. 715 00:19:20,534 --> 00:19:22,328 GOOD. 716 00:19:20,534 --> 00:19:22,328 I'LL PUT THE ORDER IN. 717 00:19:22,369 --> 00:19:25,581 YOU LOOK AT THAT 718 00:19:22,369 --> 00:19:25,581 WHILE I'M GONE. 719 00:19:35,049 --> 00:19:37,343 WOW, ALICE. 720 00:19:35,049 --> 00:19:37,343 WHO KNEW? 721 00:19:37,384 --> 00:19:39,929 I'M THINKING 722 00:19:37,384 --> 00:19:39,929 NOT DINAH SHORE. 723 00:19:39,971 --> 00:19:41,848 CAN I HAVE ONE? 724 00:19:41,889 --> 00:19:43,265 OH, WAIT. AL... 725 00:19:43,307 --> 00:19:46,894 WHAT? 726 00:19:46,936 --> 00:19:48,187 WHAT ABOUT YOU, JENNY? 727 00:19:48,228 --> 00:19:49,814 UM, MAYBE IF I HAD 728 00:19:48,228 --> 00:19:49,814 A FEW MORE OF THESE SHOTS. 729 00:19:49,856 --> 00:19:51,357 OH, WAIT. 730 00:19:49,856 --> 00:19:51,357 HOLD ON. HOLD ON. 731 00:19:51,398 --> 00:19:54,152 PRESENT FOR BETTE? 732 00:19:54,193 --> 00:19:56,529 OH, MY GOD. 733 00:19:54,193 --> 00:19:56,529 THAT'S GOOD. 734 00:19:56,570 --> 00:19:58,031 WHAT, SHOULD I CALL HER 735 00:19:58,072 --> 00:19:59,866 AND ASK HER IF I SHOULD WEAR 736 00:19:58,072 --> 00:19:59,866 ONE OF THESE T-SHIRTS 737 00:19:59,907 --> 00:20:00,783 WHILE I'M HERE? 738 00:20:00,825 --> 00:20:02,284 ABSOLUTELY. 739 00:20:00,825 --> 00:20:02,284 MAKE IT A SURPRISE. 740 00:20:02,326 --> 00:20:05,579 WE JUST FOUGHT ALL THE TIME. 741 00:20:05,621 --> 00:20:07,206 I MEAN, 742 00:20:05,621 --> 00:20:07,206 YOU KNOW HOW YOLANDA IS. 743 00:20:07,247 --> 00:20:08,749 MM-HMM. 744 00:20:08,791 --> 00:20:10,877 SHE ISN'T HAPPY UNLESS 745 00:20:08,791 --> 00:20:10,877 SHE'S RANTING ABOUT SOMETHING. 746 00:20:10,918 --> 00:20:13,713 YOU KNOW, SHE CAN'T ABIDE YOU 747 00:20:10,918 --> 00:20:13,713 IF YOU DISAGREE WITH HER, 748 00:20:13,754 --> 00:20:16,049 SHE WON'T RESPECT YOU 749 00:20:13,754 --> 00:20:16,049 IF YOU DON'T CHALLENGE HER. 750 00:20:16,090 --> 00:20:17,383 THAT IS SO TRUE. 751 00:20:17,424 --> 00:20:18,843 SHE SHOULD HAVE STAYED 752 00:20:17,424 --> 00:20:18,843 IN THERAPY. 753 00:20:18,885 --> 00:20:20,053 YEAH. 754 00:20:20,094 --> 00:20:22,138 [ CELL PHONE VIBRATING ] 755 00:20:22,180 --> 00:20:24,306 EXCUSE ME. 756 00:20:28,394 --> 00:20:30,521 CAN YOU EXCUSE ME 757 00:20:28,394 --> 00:20:30,521 FOR A SECOND? 758 00:20:33,273 --> 00:20:34,441 HEY. 759 00:20:34,483 --> 00:20:36,736 [ TINA ]: HI. 760 00:20:34,483 --> 00:20:36,736 OH, MY GOD. 761 00:20:36,777 --> 00:20:38,237 THIS IS INSANE. 762 00:20:38,278 --> 00:20:39,739 I WISH YOU COULD SEE IT. 763 00:20:39,780 --> 00:20:42,241 IT'S TOTALLY CRAZY. 764 00:20:39,780 --> 00:20:42,241 SAY HI TO THE GIRLS. 765 00:20:42,282 --> 00:20:43,242 HEY, BETTE. 766 00:20:43,283 --> 00:20:44,785 HI, BETTE. 767 00:20:44,827 --> 00:20:45,995 SEE? 768 00:20:46,037 --> 00:20:47,287 EVERYBODY 769 00:20:46,037 --> 00:20:47,287 MISSES YOU. 770 00:20:47,329 --> 00:20:48,706 I'M GLAD 771 00:20:47,329 --> 00:20:48,706 YOU'RE HAVING FUN, BABY. 772 00:20:48,748 --> 00:20:49,957 YOU DESERVE IT. 773 00:20:49,999 --> 00:20:51,959 I'M JUST HERE HAVING SOME FOOD 774 00:20:49,999 --> 00:20:51,959 WITH CANDACE. 775 00:20:52,001 --> 00:20:53,460 SHE'S STILL TAKING 776 00:20:52,001 --> 00:20:53,460 SOME MEASUREMENTS. 777 00:20:53,502 --> 00:20:55,588 WHAT, BABE? 778 00:20:53,502 --> 00:20:55,588 IT'S SO LOUD HERE. 779 00:20:55,629 --> 00:20:58,591 I CAN'T HEAR YOU. 780 00:20:58,632 --> 00:21:00,259 ARE YOU STILL AT WORK? 781 00:21:00,300 --> 00:21:01,844 YOU KNOW, YOU SHOULD TRY 782 00:21:00,300 --> 00:21:01,844 TO GET SOME REST 783 00:21:01,886 --> 00:21:04,055 BEFORE THE ARTISTS GET THERE, 784 00:21:01,886 --> 00:21:04,055 YOU ALWAYS DO THAT. 785 00:21:04,097 --> 00:21:05,723 YEAH, I'LL TRY. 786 00:21:04,097 --> 00:21:05,723 TINA, CAN YOU HEAR ME? 787 00:21:05,765 --> 00:21:06,933 WHAT, BABE? 788 00:21:06,974 --> 00:21:08,267 HELLO? 789 00:21:08,308 --> 00:21:10,019 OH, BABY, IT'S BREAKING UP. 790 00:21:08,308 --> 00:21:10,019 I CAN'T HEAR YOU. 791 00:21:10,061 --> 00:21:12,230 LOOK, I'M GOING 792 00:21:10,061 --> 00:21:12,230 TO CALL YOU BACK LATER. 793 00:21:12,271 --> 00:21:13,981 BYE. 794 00:21:21,989 --> 00:21:23,199 IS EVERYTHING OKAY? 795 00:21:23,241 --> 00:21:24,408 I HEARD 796 00:21:23,241 --> 00:21:24,408 SOME OF THE ARTWORK 797 00:21:24,450 --> 00:21:25,659 WAS BEING HELD UP 798 00:21:24,450 --> 00:21:25,659 AT CUSTOMS. 799 00:21:25,701 --> 00:21:28,621 NO, NOTHING 800 00:21:25,701 --> 00:21:28,621 LIKE THAT. 801 00:21:28,662 --> 00:21:31,707 IT WAS MY GIRLFRIEND. 802 00:21:31,749 --> 00:21:32,792 OH. 803 00:21:32,833 --> 00:21:35,044 I DIDN'T KNOW YOU HAD ONE. 804 00:21:35,086 --> 00:21:37,004 WHY WOULD YOU? 805 00:21:44,637 --> 00:21:50,517 [ GIRLS LAUGHING ] 806 00:21:50,559 --> 00:21:51,936 WELL, AT LEAST 807 00:21:50,559 --> 00:21:51,936 I CAN HAVE A DRINK NOW. 808 00:21:51,978 --> 00:21:53,146 CHEERS. 809 00:21:53,187 --> 00:21:54,772 OKAY, ALL RIGHT. 810 00:21:53,187 --> 00:21:54,772 LOOK, RIGHT THERE. 811 00:21:54,814 --> 00:21:55,815 SEE? 812 00:21:55,856 --> 00:21:57,316 THAT'S WHAT I CALL 813 00:21:55,856 --> 00:21:57,316 A HUNDRED-FOOTER. 814 00:21:57,357 --> 00:21:58,734 WHAT'S THAT? 815 00:21:58,776 --> 00:22:00,278 IT MEANS 816 00:21:58,776 --> 00:22:00,278 YOU CAN TELL SHE'S A LESBIAN 817 00:22:00,319 --> 00:22:01,528 FROM A HUNDRED FEET AWAY. 818 00:22:01,570 --> 00:22:02,905 IS IT HER HAIR? 819 00:22:02,947 --> 00:22:04,448 IS IT HER JOGBRA? 820 00:22:02,947 --> 00:22:04,448 IS IT HER MANDLES? 821 00:22:04,490 --> 00:22:06,033 I DON'T KNOW. 822 00:22:06,075 --> 00:22:07,576 I CAN TELL SHE'S A LESBO 823 00:22:06,075 --> 00:22:07,576 FROM ACROSS A FOOTBALL FIELD. 824 00:22:07,618 --> 00:22:10,163 YOU GUYS? 825 00:22:07,618 --> 00:22:10,163 WHAT AM I? 826 00:22:10,204 --> 00:22:11,998 NO. YOU'RE IN TRANSITION. 827 00:22:12,039 --> 00:22:13,207 IT'S IMPOSSIBLE. 828 00:22:13,249 --> 00:22:14,500 NO, COME ON. 829 00:22:14,541 --> 00:22:16,335 NO, YOU NEED, LIKE, 830 00:22:14,541 --> 00:22:16,335 A GUY OR A GIRL WITH YOU 831 00:22:16,376 --> 00:22:17,586 TO TIP YOU ONE WAY 832 00:22:16,376 --> 00:22:17,586 OR THE OTHER. 833 00:22:17,628 --> 00:22:19,005 IT'S NOT, IT'S... 834 00:22:17,628 --> 00:22:19,005 RIGHT? 835 00:22:19,046 --> 00:22:20,214 YEP. MM-HMM. 836 00:22:20,256 --> 00:22:21,715 FUCK. 837 00:22:22,967 --> 00:22:26,512 WELL, I GUESS I'D BETTER 838 00:22:22,967 --> 00:22:26,512 GET BACK TO WORK, 839 00:22:26,553 --> 00:22:29,473 SO I CAN GET BACK TO BED 840 00:22:26,553 --> 00:22:29,473 SOMETIME TONIGHT. 841 00:22:29,515 --> 00:22:31,184 YEAH. 842 00:22:29,515 --> 00:22:31,184 I HAVE A PHONE MEETING 843 00:22:31,225 --> 00:22:33,144 AT 7:00 A.M. 844 00:22:31,225 --> 00:22:33,144 WITH NEW YORK. 845 00:22:33,186 --> 00:22:34,520 OH. I MISS IT. 846 00:22:34,561 --> 00:22:35,896 I'M FROM BROOKLYN. 847 00:22:35,938 --> 00:22:38,316 I GREW UP THERE. 848 00:22:35,938 --> 00:22:38,316 OLD-SCHOOL BROOKLYN. 849 00:22:38,356 --> 00:22:39,525 YOU KNOW, BEFORE 850 00:22:38,356 --> 00:22:39,525 IT WAS FASHIONABLE. 851 00:22:39,566 --> 00:22:40,693 NORTH PHILLY, 852 00:22:40,734 --> 00:22:42,360 BEFORE IT WAS 853 00:22:40,734 --> 00:22:42,360 A WAR ZONE. 854 00:22:42,402 --> 00:22:44,571 RIGHT. 855 00:22:55,373 --> 00:22:58,336 [ THUMPING ELECTRONIC MUSIC ] 856 00:22:58,376 --> 00:23:02,506 [ ♪♪ ] 857 00:23:02,548 --> 00:23:06,052 THIS IS TOTALLY 858 00:23:02,548 --> 00:23:06,052 A WHITE PARTY, YOU GUYS. 859 00:23:06,093 --> 00:23:08,054 I'M GOING TO GO 860 00:23:06,093 --> 00:23:08,054 HAVE ANOTHER DRINK. 861 00:23:08,095 --> 00:23:09,429 BYE. 862 00:23:09,471 --> 00:23:10,890 ALL RIGHT. 863 00:23:09,471 --> 00:23:10,890 SEE YOU LATER. 864 00:23:10,931 --> 00:23:12,892 BYE. 865 00:23:12,933 --> 00:23:20,858 [ ♪♪ ] 866 00:23:29,449 --> 00:23:31,244 ONE, TWO, THREE... 867 00:23:31,285 --> 00:23:33,246 OH, FUCK. 868 00:23:33,287 --> 00:23:35,706 [ TECHNO MUSIC ] 869 00:23:35,748 --> 00:23:37,415 GOOD GIRL. 870 00:23:35,748 --> 00:23:37,415 NICE. 871 00:23:37,457 --> 00:23:40,378 GUH! 872 00:23:40,418 --> 00:23:41,628 OKAY, SO THEN 873 00:23:40,418 --> 00:23:41,628 WHAT HAPPENED? 874 00:23:41,670 --> 00:23:43,256 [ JENNY ]: 875 00:23:41,670 --> 00:23:43,256 SO I GO OVER TO HER HOUSE, 876 00:23:43,297 --> 00:23:44,464 LIKE A FUCKING IDIOT, 877 00:23:44,506 --> 00:23:46,175 AND I'M STANDING THERE, 878 00:23:46,217 --> 00:23:48,219 AND I'M WATCHING HER 879 00:23:46,217 --> 00:23:48,219 WITH HER REAL GIRLFRIEND, 880 00:23:48,261 --> 00:23:50,554 WHICH, BY THE WAY, 881 00:23:48,261 --> 00:23:50,554 I KNOW ABSOLUTELY NOTHING ABOUT, 882 00:23:50,596 --> 00:23:52,139 AND THEY'RE WATCHING ME 883 00:23:52,181 --> 00:23:54,558 LIKE I'M THIS LITTLE 884 00:23:52,181 --> 00:23:54,558 SORT OF AMUSEMENT, 885 00:23:54,600 --> 00:23:56,269 SORT OF LIKE 886 00:23:54,600 --> 00:23:56,269 THIS LITTLE PLAYTHING. 887 00:23:56,310 --> 00:23:57,811 MEANWHILE, 888 00:23:56,310 --> 00:23:57,811 BACK AT THE RANCH, 889 00:23:57,853 --> 00:23:59,772 MY BOY-- 890 00:23:57,853 --> 00:23:59,772 NO, I'M SORRY, MY HUSBAND-- 891 00:23:59,813 --> 00:24:05,403 MY...MY LIFE-- 892 00:23:59,813 --> 00:24:05,403 MY LIFE IS COMPLETELY RUINED. 893 00:24:05,443 --> 00:24:06,779 YOU KNOW, SHE MANAGED 894 00:24:06,820 --> 00:24:09,782 TO FUCKING DESTROY 895 00:24:06,820 --> 00:24:09,782 MY RELATIONSHIP 896 00:24:09,823 --> 00:24:12,826 WHILE LEAVING HERS 897 00:24:09,823 --> 00:24:12,826 COMPLETELY INTACT. 898 00:24:12,868 --> 00:24:17,290 WAIT, SO THIS IS THE FIRST WOMAN 899 00:24:12,868 --> 00:24:17,290 YOU WERE EVER WITH? 900 00:24:17,331 --> 00:24:19,875 OH, MY GOD. 901 00:24:21,627 --> 00:24:23,503 THIS IS MY COMING-OUT STORY. 902 00:24:23,545 --> 00:24:26,590 LADIES, I AM TELLING 903 00:24:23,545 --> 00:24:26,590 ALL OF YOU GUYS 904 00:24:26,632 --> 00:24:28,050 MY COMING-OUT STORY. 905 00:24:28,092 --> 00:24:29,302 TELL IT! TELL IT! 906 00:24:29,343 --> 00:24:31,011 TELL IT! 907 00:24:29,343 --> 00:24:31,011 TELL IT! 908 00:24:31,053 --> 00:24:32,721 TELL IT! TELL IT! 909 00:24:32,763 --> 00:24:34,848 OKAY, OKAY, OKAY, OKAY, OKAY. 910 00:24:34,890 --> 00:24:38,394 I GO TO A PARTY 911 00:24:34,890 --> 00:24:38,394 AT MY NEIGHBORS', 912 00:24:38,436 --> 00:24:40,020 BETTE AND TINA'S HOUSE. 913 00:24:40,062 --> 00:24:42,315 BETTE AND TINA! 914 00:24:42,356 --> 00:24:43,690 YES. OKAY. 915 00:24:43,732 --> 00:24:48,070 I'M AT THE PARTY, 916 00:24:43,732 --> 00:24:48,070 AND THERE SHE IS. 917 00:24:48,112 --> 00:24:50,072 I SEE MARINA. 918 00:24:50,114 --> 00:24:52,658 SHE WAS POSSIBLY 919 00:24:52,699 --> 00:24:55,286 THE MOST BEAUTIFUL WOMAN 920 00:24:52,699 --> 00:24:55,286 I'D EVER SEEN. 921 00:24:57,371 --> 00:24:59,165 LATER ON THAT NIGHT, 922 00:24:59,206 --> 00:25:02,042 SHE FOLLOWED ME 923 00:24:59,206 --> 00:25:02,042 INTO THE BATHROOM. 924 00:25:04,044 --> 00:25:06,504 AND THEN SHE DOES IT-- 925 00:25:04,044 --> 00:25:06,504 THE THING. 926 00:25:06,546 --> 00:25:08,674 "AM I CRAZY? AM I DRUNK? 927 00:25:08,715 --> 00:25:09,883 AM I HALLUCINATING?" 928 00:25:09,925 --> 00:25:11,593 AND I WAS THINKING, 929 00:25:11,635 --> 00:25:13,179 "AM I CRAZY? 930 00:25:13,220 --> 00:25:14,512 "AM I DRUNK? 931 00:25:14,554 --> 00:25:16,514 AM I HALLUCINATING?" 932 00:25:16,556 --> 00:25:18,892 AND THEN SHE DOES IT... 933 00:25:18,934 --> 00:25:23,897 THE THING THAT WOULD GO ON 934 00:25:18,934 --> 00:25:23,897 TO CONFUSE ME 935 00:25:23,939 --> 00:25:27,776 AND FUCK WITH ALL THINGS 936 00:25:23,939 --> 00:25:27,776 STABLE 937 00:25:27,818 --> 00:25:29,945 IN MY LIFE... 938 00:25:29,987 --> 00:25:31,197 AND THEN I'M WALKING 939 00:25:29,987 --> 00:25:31,197 OUT THE DOOR, 940 00:25:31,238 --> 00:25:32,698 AND I'M THINKING, 941 00:25:31,238 --> 00:25:32,698 "OH, MY GOD, 942 00:25:32,739 --> 00:25:37,870 "I HAVE JUST HAD 943 00:25:32,739 --> 00:25:37,870 THE BEST FUCKING SEX 944 00:25:37,911 --> 00:25:39,913 IN MY WHOLE 945 00:25:37,911 --> 00:25:39,913 FUCKING LIFE, MAN!" 946 00:25:39,955 --> 00:25:43,625 NO, NO, NO, YOU GUYS, 947 00:25:39,955 --> 00:25:43,625 GUYS, I'M SERIOUS. 948 00:25:43,667 --> 00:25:45,543 THIS IS PROBABLY 949 00:25:43,667 --> 00:25:45,543 THE BEST SEX 950 00:25:45,585 --> 00:25:49,382 THAT ANYBODY CAN HAVE 951 00:25:45,585 --> 00:25:49,382 ON THE FUCKING PLANET EARTH, 952 00:25:49,423 --> 00:25:52,092 AND THEN SHE DOES IT. 953 00:25:52,134 --> 00:25:53,677 SHE DOES THIS FUCKING THING. 954 00:25:52,134 --> 00:25:53,677 COME HERE. 955 00:25:53,719 --> 00:25:54,928 NO, I'M GOING TO SHOW YOU. 956 00:25:54,970 --> 00:25:56,389 OKAY, WAIT. 957 00:25:54,970 --> 00:25:56,389 I'VE GOT TO BE HER. 958 00:25:56,430 --> 00:25:58,098 OKAY. 959 00:26:01,559 --> 00:26:03,561 JENNY... 960 00:26:03,603 --> 00:26:06,899 I HOPE THIS 961 00:26:03,603 --> 00:26:06,899 DOESN'T MAKE IT WORSE... 962 00:26:06,940 --> 00:26:10,568 BUT I THINK 963 00:26:06,940 --> 00:26:10,568 I COULD FALL IN LOVE WITH YOU. 964 00:26:10,610 --> 00:26:12,446 OH! 965 00:26:10,610 --> 00:26:12,446 THAT'S GROSS! 966 00:26:12,488 --> 00:26:14,990 SO CHEESY! 967 00:26:12,488 --> 00:26:14,990 THAT'S FUCKED. 968 00:26:15,032 --> 00:26:16,367 FUCK HER. 969 00:26:16,409 --> 00:26:18,952 NOTICE, IT'S NOT 970 00:26:16,409 --> 00:26:18,952 "I'M FALLING IN LOVE WITH YOU," 971 00:26:18,994 --> 00:26:21,539 IT'S "I THINK 972 00:26:18,994 --> 00:26:21,539 I'M FALLING IN LOVE WITH YOU." 973 00:26:21,579 --> 00:26:22,748 SHE SAID, "I THINK 974 00:26:22,789 --> 00:26:25,459 I COULD FALL IN LOVE 975 00:26:22,789 --> 00:26:25,459 WITH YOU." 976 00:26:25,501 --> 00:26:26,919 THAT'S EVEN WORSE. 977 00:26:26,960 --> 00:26:29,547 YOU DON'T HEAR 978 00:26:26,960 --> 00:26:29,547 THE "I THINK I COULD" PART, 979 00:26:29,587 --> 00:26:30,964 BECAUSE YOU'RE 980 00:26:29,587 --> 00:26:30,964 NOT SUPPOSED TO. 981 00:26:31,006 --> 00:26:34,843 IT'S A TRICK. 982 00:26:31,006 --> 00:26:34,843 IT'S A FUCKING LOOPHOLE. 983 00:26:34,885 --> 00:26:40,224 SHE WRECKED MY FUCKING LIFE 984 00:26:34,885 --> 00:26:40,224 WITH SUPPOSITION. 985 00:26:40,266 --> 00:26:41,434 HERE. 986 00:26:41,475 --> 00:26:42,600 WHAT? 987 00:26:42,642 --> 00:26:43,852 GO AHEAD. 988 00:26:42,642 --> 00:26:43,852 CALL HER UP. 989 00:26:43,894 --> 00:26:46,188 TELL HER 990 00:26:43,894 --> 00:26:46,188 WHAT A FUCKING FUCKER SHE IS. 991 00:26:46,230 --> 00:26:47,856 YOU NEED TO SAY IT. 992 00:26:47,898 --> 00:26:50,067 GO ON. DO IT. 993 00:26:47,898 --> 00:26:50,067 IT'LL CLEANSE YOU. 994 00:26:50,109 --> 00:26:51,444 YOU THINK 995 00:26:50,109 --> 00:26:51,444 I SHOULD CALL HER UP? 996 00:26:51,485 --> 00:26:52,861 YES. 997 00:26:52,903 --> 00:26:54,280 CALL HER! CALL HER! 998 00:26:54,321 --> 00:26:58,867 CALL HER! CALL HER! 999 00:26:54,321 --> 00:26:58,867 CALL HER! 1000 00:26:58,909 --> 00:27:00,411 I'M GOING 1001 00:26:58,909 --> 00:27:00,411 TO CALL HER UP. 1002 00:27:00,453 --> 00:27:02,037 DO IT! 1003 00:27:00,453 --> 00:27:02,037 TELL HER! 1004 00:27:02,079 --> 00:27:03,621 I'M GOING TO TELL HER 1005 00:27:02,079 --> 00:27:03,621 WHAT A FUCKING FUCKER SHE IS 1006 00:27:03,663 --> 00:27:05,291 FOR FUCKING WITH MY LIFE... 1007 00:27:05,332 --> 00:27:07,751 FOR LEAVING HER LIFE 1008 00:27:05,332 --> 00:27:07,751 EXACTLY THE WAY IT IS. 1009 00:27:07,793 --> 00:27:10,421 I'M GOING TO SET 1010 00:27:07,793 --> 00:27:10,421 THAT FUCKING BITCH-- 1011 00:27:10,463 --> 00:27:11,629 YES, YOU GO GIRL! 1012 00:27:11,671 --> 00:27:13,006 STRAIGHT. 1013 00:27:11,671 --> 00:27:13,006 DO IT! 1014 00:27:13,048 --> 00:27:14,632 SHE'LL NEVER KNOW 1015 00:27:13,048 --> 00:27:14,632 UNLESS YOU TELL HER. 1016 00:27:14,674 --> 00:27:15,926 SHH. PLEASE, PLEASE. 1017 00:27:15,968 --> 00:27:19,096 OKAY, IT'S RINGING. 1018 00:27:20,806 --> 00:27:23,434 OH, MY GOSH. IT'S HER. 1019 00:27:25,769 --> 00:27:27,229 I GOT YOU. 1020 00:27:27,271 --> 00:27:28,439 HI! 1021 00:27:28,481 --> 00:27:31,317 IS THOMAS THERE? 1022 00:27:31,358 --> 00:27:33,777 OH, THIS ISN'T 1023 00:27:31,358 --> 00:27:33,777 TOM'S HOUSE? 1024 00:27:33,819 --> 00:27:35,988 HELLO? 1025 00:27:36,029 --> 00:27:38,949 BITCH HUNG UP ON ME. 1026 00:27:36,029 --> 00:27:38,949 PERFECT. 1027 00:27:40,493 --> 00:27:42,911 I'LL TAKE THAT. 1028 00:27:42,953 --> 00:27:45,831 THAT WAS VERY NICE OF YOU. 1029 00:27:47,124 --> 00:27:48,501 WELL... 1030 00:27:48,542 --> 00:27:50,419 THAT WAS VERY KIND. 1031 00:27:50,461 --> 00:27:53,880 IT WAS MY PLEASURE. 1032 00:27:53,922 --> 00:27:55,757 YEAH. 1033 00:27:53,922 --> 00:27:55,757 OH, YEAH, YEAH, YEAH. 1034 00:27:55,799 --> 00:27:57,635 OH, MY GOD, YOU WERE 1035 00:27:55,799 --> 00:27:57,635 SO AMAZING IN THERE. 1036 00:27:57,675 --> 00:27:58,844 YOU SHOULD BE SO PROUD 1037 00:27:57,675 --> 00:27:58,844 OF YOURSELF. 1038 00:27:58,885 --> 00:28:00,179 OH, THANK YOU. 1039 00:28:00,220 --> 00:28:01,555 YOU KNOW, 1040 00:28:00,220 --> 00:28:01,555 THAT STORY ABOUT YOUR MOTHER-- 1041 00:28:01,597 --> 00:28:02,764 HI! 1042 00:28:01,597 --> 00:28:02,764 HI. 1043 00:28:01,597 --> 00:28:02,764 HOW ARE YOU? 1044 00:28:02,806 --> 00:28:04,016 TRULY WAS HYSTERICAL, 1045 00:28:02,806 --> 00:28:04,016 OKAY? 1046 00:28:04,057 --> 00:28:05,184 HI! HI. 1047 00:28:05,225 --> 00:28:06,684 AND YOUR SUBARU 1048 00:28:05,225 --> 00:28:06,684 COMING-OUT STORY? 1049 00:28:06,726 --> 00:28:08,270 OH, MY GOD. 1050 00:28:06,726 --> 00:28:08,270 IT BROKE MY HEART. 1051 00:28:08,312 --> 00:28:09,396 IT DID? 1052 00:28:09,438 --> 00:28:10,856 WELL, JUST TELL ME, 1053 00:28:09,438 --> 00:28:10,856 DID YOU AND LARA-- 1054 00:28:10,897 --> 00:28:12,107 WERE YOU ABLE 1055 00:28:10,897 --> 00:28:12,107 TO WORK IT OUT? 1056 00:28:12,149 --> 00:28:14,276 HOW ARE YOU? HI. 1057 00:28:12,149 --> 00:28:14,276 NO, I TOTALLY BLEW-- 1058 00:28:14,318 --> 00:28:15,528 DANA! DANA! 1059 00:28:15,569 --> 00:28:17,571 I KNOW I'M BEING 1060 00:28:15,569 --> 00:28:17,571 A TOTAL GEEK RIGHT NOW, 1061 00:28:17,613 --> 00:28:19,490 BUT WOULD YOU SIGN 1062 00:28:17,613 --> 00:28:19,490 MY UNDERWEAR FOR ME? 1063 00:28:19,532 --> 00:28:21,367 MISS FAIRBANKS 1064 00:28:19,532 --> 00:28:21,367 HAS AN APPOINTMENT, OKAY? 1065 00:28:21,408 --> 00:28:22,576 PLEASE? 1066 00:28:21,408 --> 00:28:22,576 EXCUSE ME. 1067 00:28:22,618 --> 00:28:23,785 I--I--I-- 1068 00:28:23,827 --> 00:28:25,204 UNBELIEVABLE. 1069 00:28:25,245 --> 00:28:26,205 HI. 1070 00:28:26,246 --> 00:28:27,747 WE HAVE THIS BET ON 1071 00:28:26,246 --> 00:28:27,747 OVER HERE 1072 00:28:27,789 --> 00:28:29,416 AND, UH, DO YOU 1073 00:28:27,789 --> 00:28:29,416 HAVE A GIRLFRIEND? 1074 00:28:29,458 --> 00:28:30,917 I REALLY DON'T THINK 1075 00:28:29,458 --> 00:28:30,917 THAT'S ANY OF YOUR BUSINESS. 1076 00:28:30,959 --> 00:28:32,794 OH, MY GOD. 1077 00:28:30,959 --> 00:28:32,794 NO. 1078 00:28:32,836 --> 00:28:34,213 NOW, WE NEED 1079 00:28:32,836 --> 00:28:34,213 TO GET YOU OUT OF HERE 1080 00:28:34,254 --> 00:28:35,713 BECAUSE YOUR FANS 1081 00:28:34,254 --> 00:28:35,713 ARE GETTING OUT OF CONTROL. 1082 00:28:35,755 --> 00:28:38,717 [ THUMPING ELECTRONIC MUSIC ] 1083 00:28:38,758 --> 00:28:46,933 [ ♪♪ ] 1084 00:29:06,286 --> 00:29:07,996 IT IS FLYING THROUGH THE AIR. 1085 00:29:08,038 --> 00:29:10,332 I WOULD LOVE TO KNOW 1086 00:29:08,038 --> 00:29:10,332 WHAT THAT FEELS LIKE. 1087 00:29:10,374 --> 00:29:12,918 WELL, WHEN YOU'RE WORKING 1088 00:29:10,374 --> 00:29:12,918 WITH SOMEONE ELSE, 1089 00:29:12,959 --> 00:29:14,420 IT'S ALL ABOUT TRUST. 1090 00:29:14,461 --> 00:29:16,422 YOU'RE LIKE, "IS THIS PERSON 1091 00:29:14,461 --> 00:29:16,422 MAD AT ME TODAY?" 1092 00:29:16,463 --> 00:29:19,007 "DID I GIVE THEM A REASON 1093 00:29:16,463 --> 00:29:19,007 TO NOT CATCH ME RIGHT NOW?" 1094 00:29:19,049 --> 00:29:20,426 IF I WERE 1095 00:29:19,049 --> 00:29:20,426 A TRAPEZE ARTIST, 1096 00:29:20,467 --> 00:29:22,928 I DON'T THINK THAT ANYBODY 1097 00:29:20,467 --> 00:29:22,928 WOULD CATCH ME. 1098 00:29:22,969 --> 00:29:24,971 I THINK 1099 00:29:22,969 --> 00:29:24,971 THAT I WOULD PROBABLY NEED, 1100 00:29:25,013 --> 00:29:27,140 LIKE, THIS MASSIVE NET 1101 00:29:25,013 --> 00:29:27,140 OR SOMETHING. 1102 00:29:27,182 --> 00:29:29,017 YOU KNOW THAT'S, LIKE, 1103 00:29:27,182 --> 00:29:29,017 THE THIRD TIME 1104 00:29:29,059 --> 00:29:31,520 YOU'VE REFERRED YOURSELF 1105 00:29:29,059 --> 00:29:31,520 AS WORTHLESS? 1106 00:29:31,562 --> 00:29:34,481 I MEAN, IS THIS YOUR BIG 1107 00:29:31,562 --> 00:29:34,481 LEAVING LAS VEGAS MOMENT? 1108 00:29:34,523 --> 00:29:35,774 YOU COME TO DINAH SHORE 1109 00:29:35,815 --> 00:29:38,026 TO GET ALCOHOL POISONING 1110 00:29:35,815 --> 00:29:38,026 AND DIE? 1111 00:29:38,068 --> 00:29:40,446 NO. I'M NOT-- 1112 00:29:38,068 --> 00:29:40,446 I'M NOT SUICIDAL. 1113 00:29:40,487 --> 00:29:43,949 I'VE JUST FUCKED UP MY LIFE 1114 00:29:40,487 --> 00:29:43,949 JUST A LITTLE BIT. 1115 00:29:43,990 --> 00:29:45,158 YOU KNOW? 1116 00:29:45,200 --> 00:29:46,785 SO CAN I TELL YOU SOMETHING? 1117 00:29:46,826 --> 00:29:48,120 WHAT? 1118 00:29:48,161 --> 00:29:50,623 WORKING ON THE TRAPEZE 1119 00:29:48,161 --> 00:29:50,623 IS LIKE FUCKING UP. 1120 00:29:50,664 --> 00:29:51,915 I MEAN, YOU'RE UP THERE, 1121 00:29:51,957 --> 00:29:53,584 50 FEET ABOVE THE GROUND, 1122 00:29:51,957 --> 00:29:53,584 YOU KNOW, 1123 00:29:53,626 --> 00:29:56,920 AND YOU DELIBERATELY LET GO 1124 00:29:53,626 --> 00:29:56,920 OF THE ONLY SECURITY YOU HAVE 1125 00:29:56,962 --> 00:29:58,297 TO GO FLYING THROUGH THE AIR. 1126 00:29:58,338 --> 00:30:00,840 IN THAT MOMENT, 1127 00:29:58,338 --> 00:30:00,840 EVERYTHING'S LOST. 1128 00:30:00,882 --> 00:30:02,718 YOU COULD LIVE 1129 00:30:00,882 --> 00:30:02,718 OR YOU COULD DIE, 1130 00:30:02,760 --> 00:30:04,470 BUT YOU'VE TAKEN 1131 00:30:02,760 --> 00:30:04,470 THAT RISK, 1132 00:30:04,511 --> 00:30:07,139 AND GRABBING THAT BAR AGAIN 1133 00:30:04,511 --> 00:30:07,139 IS LIKE GETTING A SECOND CHANCE. 1134 00:30:07,180 --> 00:30:09,642 SO YOU GRAB IT, 1135 00:30:07,180 --> 00:30:09,642 AND YOU FUCKING SWING ON IT, 1136 00:30:09,683 --> 00:30:13,562 AND YOU DO IT ALL OVER AGAIN, 1137 00:30:09,683 --> 00:30:13,562 JENNY, YOU KNOW? 1138 00:30:16,106 --> 00:30:17,483 THANKS. 1139 00:30:16,106 --> 00:30:17,483 NO, I REALLY... 1140 00:30:17,524 --> 00:30:19,318 NO PROBLEM. 1141 00:30:17,524 --> 00:30:19,318 I REALLY APPRECIATE THIS. 1142 00:30:19,359 --> 00:30:21,153 THERE ARE PROBABLY 1143 00:30:19,359 --> 00:30:21,153 TONS OF PEOPLE IN MY ROOM-- 1144 00:30:21,194 --> 00:30:22,154 DANA, I'VE GOT TO BE 1145 00:30:21,194 --> 00:30:22,154 HONEST WITH YOU. 1146 00:30:22,195 --> 00:30:23,322 YEAH? 1147 00:30:22,195 --> 00:30:23,322 WHOA. 1148 00:30:23,363 --> 00:30:26,659 I WANT TO MAKE LOVE 1149 00:30:23,363 --> 00:30:26,659 TO YOU. 1150 00:30:26,700 --> 00:30:28,868 OH. OKAY. 1151 00:30:30,704 --> 00:30:33,248 UM...HUH. 1152 00:30:33,290 --> 00:30:35,334 MAGNIFICENT. 1153 00:30:37,544 --> 00:30:40,046 [ TV PLAYING ] 1154 00:30:40,088 --> 00:30:41,923 [ WOMAN ]: I LOVE YOU 1155 00:30:40,088 --> 00:30:41,923 SO MUCH, DARLING, 1156 00:30:41,965 --> 00:30:43,550 MORE THAN YOU SEEM ABLE 1157 00:30:41,965 --> 00:30:43,550 TO UNDERSTAND. 1158 00:30:43,592 --> 00:30:44,843 OH... 1159 00:30:44,884 --> 00:30:46,052 I NEVER REALLY 1160 00:30:44,884 --> 00:30:46,052 KNEW HAPPINESS 1161 00:30:46,094 --> 00:30:47,513 UNTIL I LOVED YOU. 1162 00:30:47,554 --> 00:30:48,888 SOMETIMES, WHEN I USED 1163 00:30:47,554 --> 00:30:48,888 TO BE AFRAID... 1164 00:30:48,930 --> 00:30:50,349 HI. 1165 00:30:50,390 --> 00:30:51,642 HEY. 1166 00:30:51,684 --> 00:30:53,101 HEY. 1167 00:30:51,684 --> 00:30:53,101 HEY. 1168 00:30:53,143 --> 00:30:55,061 I'VE JUST NEVER SEEN 1169 00:30:53,143 --> 00:30:55,061 SO MUCH DEBAUCHERY 1170 00:30:55,103 --> 00:30:56,814 IN MY WHOLE LIFE. 1171 00:30:56,855 --> 00:30:59,858 I HAD SO MUCH TEQUILA... 1172 00:30:59,899 --> 00:31:01,193 I HAVE NO IDEA 1173 00:31:01,234 --> 00:31:02,861 WHY I'M STILL STANDING 1174 00:31:01,234 --> 00:31:02,861 RIGHT NOW, 1175 00:31:02,902 --> 00:31:04,446 AND THEN I HAD TO, 1176 00:31:02,902 --> 00:31:04,446 LIKE, 1177 00:31:04,488 --> 00:31:06,532 STEP OVER ALL THESE-- 1178 00:31:04,488 --> 00:31:06,532 ALL THESE... 1179 00:31:06,573 --> 00:31:08,534 WOMEN-BODIES 1180 00:31:08,575 --> 00:31:12,287 IN ORDER TO GET TO THIS ROOM, 1181 00:31:08,575 --> 00:31:12,287 WHICH WAS SORT OF CRAZY, 1182 00:31:12,329 --> 00:31:13,789 YOU KNOW? 1183 00:31:13,831 --> 00:31:18,418 WHAT HAPPENED 1184 00:31:13,831 --> 00:31:18,418 WITH THE LADY, ANYTHING? 1185 00:31:18,460 --> 00:31:20,920 I HAVE A DATE 1186 00:31:18,460 --> 00:31:20,920 ON WEDNESDAY NIGHT IN L.A. 1187 00:31:20,962 --> 00:31:22,130 WOW. 1188 00:31:20,962 --> 00:31:22,130 WOW. 1189 00:31:22,172 --> 00:31:23,549 HEY. 1190 00:31:22,172 --> 00:31:23,549 ALL RIGHT. 1191 00:31:23,590 --> 00:31:25,342 GOOD JOB. 1192 00:31:31,515 --> 00:31:32,558 [ PHONE VIBRATES ] 1193 00:31:32,599 --> 00:31:34,560 OOH, IT'S ON VIBRATE. 1194 00:31:32,599 --> 00:31:34,560 I LIKE IT. 1195 00:31:34,601 --> 00:31:36,729 OH, HERE, LET ME-- 1196 00:31:34,601 --> 00:31:36,729 I'LL JUST... 1197 00:31:36,770 --> 00:31:38,938 SORRY...GET THIS. 1198 00:31:40,691 --> 00:31:42,067 HELLO? 1199 00:31:42,108 --> 00:31:43,610 YEAH. OOH, SORRY. 1200 00:31:43,652 --> 00:31:46,822 HI, AL, YEAH. 1201 00:31:46,864 --> 00:31:48,156 DO YOU LIKE THAT? 1202 00:31:48,198 --> 00:31:50,033 NO, IT'S, YEAH... 1203 00:31:48,198 --> 00:31:50,033 DOES THAT FEEL GOOD? 1204 00:31:50,075 --> 00:31:52,745 AT THE HOTEL. MM-HMM. 1205 00:31:52,786 --> 00:31:56,206 PEOPLE. 1206 00:31:56,248 --> 00:31:58,083 YEAH. SOON. 1207 00:31:56,248 --> 00:31:58,083 I'VE GOT TO GO. OKAY. 1208 00:31:58,124 --> 00:32:00,627 GOT TO GO. BYE. 1209 00:32:02,629 --> 00:32:06,049 YOU GUYS, 1210 00:32:02,629 --> 00:32:06,049 DANA'S HOOKING UP. 1211 00:32:06,091 --> 00:32:07,509 OH, MY GOD. 1212 00:32:07,551 --> 00:32:08,719 HO... 1213 00:32:08,761 --> 00:32:10,095 OH, NO. 1214 00:32:10,136 --> 00:32:12,138 IT'S NOT THAT WEIRD 1215 00:32:10,136 --> 00:32:12,138 HOSPITALITY CHICK, IS IT? 1216 00:32:12,180 --> 00:32:13,473 OKAY, CALL ME 1217 00:32:12,180 --> 00:32:13,473 A HIPPIE, 1218 00:32:13,515 --> 00:32:15,601 BUT THAT GIRL 1219 00:32:13,515 --> 00:32:15,601 HAS BAD FUCKING VIBES. 1220 00:32:15,642 --> 00:32:16,769 ALL RIGHT? 1221 00:32:16,810 --> 00:32:18,228 I MEAN, 1222 00:32:16,810 --> 00:32:18,228 AND DANA'S JUDGMENT SUCKS, 1223 00:32:18,270 --> 00:32:19,646 RIGHT? EXCEPT FOR LARA. 1224 00:32:19,688 --> 00:32:20,898 AL, LOOK WHO'S TALKING. 1225 00:32:20,939 --> 00:32:22,357 OKAY. 1226 00:32:22,399 --> 00:32:26,486 WHY IS IT SO DIFFICULT 1227 00:32:22,399 --> 00:32:26,486 TO MEET THE RIGHT PERSON? 1228 00:32:26,528 --> 00:32:27,654 YOU KNOW? 1229 00:32:27,696 --> 00:32:30,156 ALL OF YOUR STORIES 1230 00:32:27,696 --> 00:32:30,156 ARE ABOUT CONFUSION 1231 00:32:30,198 --> 00:32:32,701 AND UNFULFILLED DESIRE 1232 00:32:32,743 --> 00:32:34,453 AND DISAPPOINTMENT, RIGHT? 1233 00:32:34,494 --> 00:32:36,455 YEAH, BUT THAT 1234 00:32:34,494 --> 00:32:36,455 PRETTY MUCH HAPPENS 1235 00:32:36,496 --> 00:32:38,290 TO EVERYONE WHO TRIES 1236 00:32:36,496 --> 00:32:38,290 TO BE IN A RELATIONSHIP. 1237 00:32:38,331 --> 00:32:39,833 OKAY, TINA, I'M SORRY, 1238 00:32:39,875 --> 00:32:41,585 BUT I THINK IT'S TIME FOR YOU 1239 00:32:39,875 --> 00:32:41,585 TO BUST OUT YOUR STORY. 1240 00:32:41,627 --> 00:32:42,586 NO... 1241 00:32:42,628 --> 00:32:43,962 YEAH, GIVE THESE WOMEN 1242 00:32:42,628 --> 00:32:43,962 SOME HOPE. 1243 00:32:44,003 --> 00:32:45,672 SIT DOWN. SIT. 1244 00:32:45,714 --> 00:32:46,965 THANK YOU. 1245 00:32:47,006 --> 00:32:48,341 SPEAK. 1246 00:32:48,383 --> 00:32:49,635 OKAY. 1247 00:32:49,676 --> 00:32:52,471 WELL, I WAS DATING 1248 00:32:49,676 --> 00:32:52,471 THIS ENTERTAINMENT LAWYER-- 1249 00:32:52,512 --> 00:32:54,222 ERIC. 1250 00:32:54,264 --> 00:32:56,850 WHAT? 1251 00:32:54,264 --> 00:32:56,850 I WAS THERE. 1252 00:32:56,892 --> 00:32:58,101 ALL RIGHT, 1253 00:32:56,892 --> 00:32:58,101 IT WAS RIGHT AFTER 1254 00:32:58,143 --> 00:32:59,311 ME AND BETTE 1255 00:32:58,143 --> 00:32:59,311 STOPPED DATING, 1256 00:32:59,352 --> 00:33:00,520 AND WE WERE IN THAT 1257 00:32:59,352 --> 00:33:00,520 "BEST FRIEND" STAGE, 1258 00:33:00,562 --> 00:33:02,981 AND ERIC WAS PRETTY HOT, 1259 00:33:00,562 --> 00:33:02,981 I HAVE TO SAY. 1260 00:33:03,022 --> 00:33:04,357 HE'S A BIG 1261 00:33:03,022 --> 00:33:04,357 ART COLLECTOR, 1262 00:33:04,399 --> 00:33:07,820 AND ONE NIGHT 1263 00:33:04,399 --> 00:33:07,820 HE TOOK ME TO THIS ART OPENING 1264 00:33:07,861 --> 00:33:09,237 AT THE BETTE PORTER GALLERY. 1265 00:33:09,279 --> 00:33:10,656 I HELPED HER FIND THAT SPACE, 1266 00:33:09,279 --> 00:33:10,656 YOU KNOW. 1267 00:33:10,697 --> 00:33:12,991 I KNOW. 1268 00:33:13,032 --> 00:33:16,119 ANYWAY, SHE HAD 1269 00:33:13,032 --> 00:33:16,119 THIS AMAZING REPUTATION 1270 00:33:16,161 --> 00:33:17,663 FOR PICKING 1271 00:33:16,161 --> 00:33:17,663 ALL THE GREAT ARTISTS, 1272 00:33:17,704 --> 00:33:20,123 AND SHE WAS SMART 1273 00:33:17,704 --> 00:33:20,123 AND TOUGH... 1274 00:33:20,165 --> 00:33:21,333 EXCUSE ME, BETTE. 1275 00:33:21,374 --> 00:33:22,668 AND UNBELIEVABLY BEAUTIFUL. 1276 00:33:22,709 --> 00:33:24,962 THIS IS MY GIRLFRIEND, 1277 00:33:22,709 --> 00:33:24,962 TINA KENNARD. 1278 00:33:25,003 --> 00:33:27,130 SHE HEADS UP DEVELOPMENT 1279 00:33:25,003 --> 00:33:27,130 AT ALPHAVILLE. 1280 00:33:27,172 --> 00:33:29,508 TINA, 1281 00:33:27,172 --> 00:33:29,508 BETTE PORTER. 1282 00:33:29,549 --> 00:33:31,885 NICE TO MEET YOU. 1283 00:33:29,549 --> 00:33:31,885 HEY. NICE TO MEET YOU. 1284 00:33:31,927 --> 00:33:33,136 BETTE, 1285 00:33:31,927 --> 00:33:33,136 WE WERE WONDERING. 1286 00:33:33,178 --> 00:33:34,429 HOW WOULD CATHERINE OPIE FEEL 1287 00:33:34,471 --> 00:33:36,849 ABOUT US BLOWING UP 1288 00:33:34,471 --> 00:33:36,849 THAT PRINT THERE 1289 00:33:36,890 --> 00:33:38,266 TO ABOUT 1290 00:33:36,890 --> 00:33:38,266 FIVE-BY-SIX FEET? 1291 00:33:38,308 --> 00:33:39,726 WELL, WHY DON'T YOU ASK HER 1292 00:33:38,308 --> 00:33:39,726 YOURSELF? 1293 00:33:39,768 --> 00:33:42,270 SHE'S RIGHT OVER THERE. 1294 00:33:42,312 --> 00:33:44,147 I THINK 1295 00:33:42,312 --> 00:33:44,147 I'LL JUST STAY HERE. 1296 00:33:44,189 --> 00:33:47,025 OKAY. 1297 00:33:44,189 --> 00:33:47,025 EXCELLENT. 1298 00:33:47,066 --> 00:33:49,194 AND SO THEN 1299 00:33:47,066 --> 00:33:49,194 ERIC AND I GOT INVITED 1300 00:33:49,235 --> 00:33:50,863 TO ONE OF HER ARTIST DINNERS, 1301 00:33:50,904 --> 00:33:53,782 AND HER ARTIST DINNERS 1302 00:33:50,904 --> 00:33:53,782 WERE REALLY, REALLY FAMOUS. 1303 00:33:53,824 --> 00:33:55,283 THERE WERE 1304 00:33:55,325 --> 00:33:58,203 ALL THESE PEOPLE THERE 1305 00:33:55,325 --> 00:33:58,203 FROM PARIS AND NEW YORK... 1306 00:33:58,244 --> 00:34:01,748 SOME CELEBRATED INTELLECTUAL, 1307 00:33:58,244 --> 00:34:01,748 YOU KNOW, 1308 00:34:01,790 --> 00:34:03,792 SOME BIG-SHOT CRITIC. 1309 00:34:03,834 --> 00:34:06,127 IT WAS, UH, INTIMIDATING, 1310 00:34:06,169 --> 00:34:11,424 BUT SHE WAS SO WARM 1311 00:34:06,169 --> 00:34:11,424 AND GRACIOUS. 1312 00:34:11,466 --> 00:34:14,093 ARE YOU COMING 1313 00:34:11,466 --> 00:34:14,093 TO SIT DOWN? 1314 00:34:14,135 --> 00:34:16,179 YEAH. YEAH... 1315 00:34:16,221 --> 00:34:18,056 I JUST REALLY LIKE THIS ONE. 1316 00:34:18,097 --> 00:34:19,725 AND THEN, UM, 1317 00:34:19,766 --> 00:34:24,062 AND THEN THE EARRING THING 1318 00:34:19,766 --> 00:34:24,062 HAPPENED. 1319 00:34:24,103 --> 00:34:25,856 OH. 1320 00:34:25,898 --> 00:34:29,776 YOU'VE LOST YOUR EARRING 1321 00:34:25,898 --> 00:34:29,776 IN YOUR HAIR. 1322 00:34:31,110 --> 00:34:33,238 THANK YOU. 1323 00:34:35,615 --> 00:34:36,700 THANK YOU SO MUCH. 1324 00:34:36,742 --> 00:34:38,869 I'M REALLY, REALLY EXCITED 1325 00:34:36,742 --> 00:34:38,869 TO GET STARTED. 1326 00:34:38,911 --> 00:34:40,286 NO, THANK YOU. 1327 00:34:40,328 --> 00:34:42,414 IT'S A DREAM PROJECT, 1328 00:34:40,328 --> 00:34:42,414 EVERYTHING ABOUT IT. 1329 00:34:42,455 --> 00:34:45,208 GOOD NIGHT. 1330 00:34:42,455 --> 00:34:45,208 GOOD NIGHT. 1331 00:34:47,586 --> 00:34:49,128 [ JENNY ]: 1332 00:34:47,586 --> 00:34:49,128 TINA, I DIDN'T KNOW 1333 00:34:49,170 --> 00:34:50,547 THAT BETTE 1334 00:34:49,170 --> 00:34:50,547 WAS YOUR FIRST GIRLFRIEND. 1335 00:34:50,589 --> 00:34:52,340 YEAH. 1336 00:34:50,589 --> 00:34:52,340 FIRST, LAST, AND FOREVER. 1337 00:34:52,382 --> 00:34:54,092 AREN'T YOU 1338 00:34:52,382 --> 00:34:54,092 KIND OF CURIOUS, THOUGH, 1339 00:34:54,133 --> 00:34:55,928 TO BE 1340 00:34:54,133 --> 00:34:55,928 WITH SOMEONE ELSE? 1341 00:34:55,969 --> 00:34:57,345 YEAH, DEFINITELY. 1342 00:34:57,387 --> 00:34:59,723 I THINK, "GOD, AM I GOING 1343 00:34:57,387 --> 00:34:59,723 TO GO TO MY GRAVE 1344 00:34:59,765 --> 00:35:01,767 AND BETTE WILL BE THE ONLY WOMAN 1345 00:34:59,765 --> 00:35:01,767 I'VE EVER SLEPT WITH?" 1346 00:35:01,808 --> 00:35:04,352 BUT THEN I LOOK AT HER 1347 00:35:01,808 --> 00:35:04,352 AND I THINK, 1348 00:35:04,394 --> 00:35:06,187 "WHAT MORE COULD I WANT?" 1349 00:35:06,229 --> 00:35:08,065 WELL, TELL THEM 1350 00:35:06,229 --> 00:35:08,065 THE REST. 1351 00:35:08,106 --> 00:35:10,609 OKAY, SO THEN, THAT NIGHT, 1352 00:35:10,650 --> 00:35:12,778 I GO HOME, 1353 00:35:10,650 --> 00:35:12,778 AND I REALIZE 1354 00:35:12,819 --> 00:35:14,613 I LEFT THE EARRING 1355 00:35:12,819 --> 00:35:14,613 AT HER GALLERY, 1356 00:35:14,654 --> 00:35:18,742 EVEN THOUGH I COULD HAVE SWORN 1357 00:35:14,654 --> 00:35:18,742 THAT I PUT IT BACK ON MY EAR. 1358 00:35:18,784 --> 00:35:20,243 CALL IT FATE. 1359 00:35:20,285 --> 00:35:22,871 OR CALL IT THE OLDEST TRICK 1360 00:35:20,285 --> 00:35:22,871 IN THE BOOK. 1361 00:35:22,913 --> 00:35:25,874 [ SOFT ELECTRONIC MUSIC ] 1362 00:35:25,916 --> 00:35:29,127 [ ♪♪ ] 1363 00:35:29,168 --> 00:35:30,503 I COULD HAVE SWORN 1364 00:35:30,545 --> 00:35:33,715 I WATCHED YOU 1365 00:35:30,545 --> 00:35:33,715 PUT THIS BACK ON. 1366 00:35:33,757 --> 00:35:41,681 [ ♪♪ ] 1367 00:36:00,784 --> 00:36:02,201 I FORGOT SOMETHING. 1368 00:36:02,243 --> 00:36:04,704 YEAH. YOU DID. 1369 00:36:08,792 --> 00:36:10,418 I FORGOT... 1370 00:36:10,460 --> 00:36:12,378 THAT I WON'T BE ABLE 1371 00:36:10,460 --> 00:36:12,378 TO SLEEP TONIGHT 1372 00:36:12,420 --> 00:36:14,006 IF I DON'T TELL YOU 1373 00:36:14,047 --> 00:36:17,425 THAT ALL I'VE WANTED TO DO 1374 00:36:14,047 --> 00:36:17,425 ALL DAY LONG IS KISS YOU. 1375 00:36:21,262 --> 00:36:24,349 PLEASE TELL ME 1376 00:36:21,262 --> 00:36:24,349 IF YOU DON'T WANT ME TO. 1377 00:36:54,587 --> 00:36:57,757 I SHOULD GO, 1378 00:36:54,587 --> 00:36:57,757 SHOULDN'T I? 1379 00:36:57,799 --> 00:37:00,802 YEAH, YOU SHOULD. 1380 00:37:15,150 --> 00:37:19,571 [ SOBBING ] 1381 00:37:19,612 --> 00:37:22,782 [ DISTANT TECHNO MUSIC ] 1382 00:37:22,824 --> 00:37:30,790 [ ♪♪ ] 1383 00:37:33,626 --> 00:37:35,545 [ CELL PHONE DIALING ] 1384 00:37:37,881 --> 00:37:40,092 HELLO? 1385 00:37:40,133 --> 00:37:42,594 HEY, YOU. 1386 00:37:42,635 --> 00:37:46,264 YEAH. 1387 00:37:42,635 --> 00:37:46,264 I'LL BE BACK TOMORROW. 1388 00:37:46,305 --> 00:37:48,850 YEAH. 1389 00:37:48,892 --> 00:37:51,269 OKAY, THAT SOUNDS NICE. 1390 00:37:51,310 --> 00:37:53,271 ALL RIGHT. 1391 00:37:53,312 --> 00:37:54,898 YOU'RE HOT. 1392 00:37:54,940 --> 00:37:56,399 THANK YOU. 1393 00:37:56,441 --> 00:37:58,235 SHE'S SO CUTE. 1394 00:37:58,276 --> 00:38:00,278 NO, IT'S OKAY. GO. 1395 00:38:00,319 --> 00:38:03,740 OKAY. OKAY. 1396 00:38:00,319 --> 00:38:03,740 CHERIE... 1397 00:38:06,952 --> 00:38:09,287 NO, NOTHING, NOTHING. 1398 00:38:09,328 --> 00:38:10,538 NOTHING. I'M OKAY. 1399 00:38:10,580 --> 00:38:13,833 I'LL SEE YOU TOMORROW. 1400 00:38:13,875 --> 00:38:16,335 OKAY. BYE. 1401 00:38:33,603 --> 00:38:35,438 I CAN'T BELIEVE 1402 00:38:35,480 --> 00:38:38,608 I'M ABOUT TO GO DOWN 1403 00:38:35,480 --> 00:38:38,608 ON DANA FAIRBANKS. 1404 00:38:52,205 --> 00:38:55,333 OH... 1405 00:38:55,374 --> 00:38:58,753 OH, MY GOD. 1406 00:38:55,374 --> 00:38:58,753 I SLEPT IN MY CLOTHES. 1407 00:39:02,048 --> 00:39:04,009 HEY, AL. 1408 00:39:09,555 --> 00:39:10,890 [ DOOR UNLOCKING ] 1409 00:39:28,741 --> 00:39:31,703 TELL ME EVERYTHING! 1410 00:39:28,741 --> 00:39:31,703 TELL ME EVERYTHING! 1411 00:39:31,744 --> 00:39:33,955 TELL ME EVERYTHING. 1412 00:39:31,744 --> 00:39:33,955 WHERE WERE YOU? 1413 00:39:37,334 --> 00:39:43,464 [ PHONE RINGING ] 1414 00:39:52,431 --> 00:39:53,558 HI, BABY. 1415 00:39:53,599 --> 00:39:54,851 [ TINA ]: 1416 00:39:53,599 --> 00:39:54,851 THERE YOU ARE. 1417 00:39:54,893 --> 00:39:56,769 OH, YOU SOUND 1418 00:39:54,893 --> 00:39:56,769 EXHAUSTED. 1419 00:39:56,811 --> 00:39:58,271 DID YOU WORK LATE LAST NIGHT? 1420 00:39:58,313 --> 00:39:59,731 YEAH, YEAH, I DID. 1421 00:39:59,772 --> 00:40:01,233 WELL, YOU'RE NOT 1422 00:39:59,772 --> 00:40:01,233 THE ONLY ONE... 1423 00:40:01,274 --> 00:40:05,070 'CAUSE DANA JUST CRAWLED IN 1424 00:40:01,274 --> 00:40:05,070 THIS MORNING. 1425 00:40:05,111 --> 00:40:08,281 I CAN'T WAIT TO HEAR 1426 00:40:05,111 --> 00:40:08,281 ABOUT IT. 1427 00:40:08,323 --> 00:40:09,324 SO WHEN ARE YOU 1428 00:40:08,323 --> 00:40:09,324 COMING HOME? 1429 00:40:09,366 --> 00:40:10,700 OH, I DON'T KNOW. 1430 00:40:10,742 --> 00:40:12,285 I'LL TRY TO GET 1431 00:40:10,742 --> 00:40:12,285 THE GIRLS ON THE ROAD, 1432 00:40:12,327 --> 00:40:13,536 BUT I DON'T THINK WE'RE REALLY 1433 00:40:12,327 --> 00:40:13,536 GOING TO MAKE IT 1434 00:40:13,578 --> 00:40:14,913 UNTIL THIS AFTERNOON 1435 00:40:14,954 --> 00:40:17,040 BECAUSE DANA 1436 00:40:14,954 --> 00:40:17,040 HAS SOME AUTOGRAPH THING. 1437 00:40:17,082 --> 00:40:18,875 OKAY. MISS YOU. 1438 00:40:18,917 --> 00:40:21,460 BYE. 1439 00:40:21,502 --> 00:40:23,629 DANA! 1440 00:40:30,469 --> 00:40:31,804 WHERE'S DANA? 1441 00:40:31,846 --> 00:40:34,640 SAYING GOOD-BYE 1442 00:40:31,846 --> 00:40:34,640 TO HER FANS. 1443 00:40:38,144 --> 00:40:39,104 SHIT. 1444 00:40:39,145 --> 00:40:41,147 WHAT? 1445 00:40:41,189 --> 00:40:43,233 SHE IS NOT... 1446 00:40:43,275 --> 00:40:46,027 SHE'S NOT! 1447 00:40:46,069 --> 00:40:47,486 HEY, GUYS! 1448 00:40:46,069 --> 00:40:47,486 HEY. 1449 00:40:47,528 --> 00:40:48,947 YOU REMEMBER TONYA, RIGHT? 1450 00:40:48,988 --> 00:40:50,156 UH-HUH. 1451 00:40:50,198 --> 00:40:51,616 MM-HMM. 1452 00:40:51,657 --> 00:40:53,952 SHE'S COMING WITH US. 1453 00:40:51,657 --> 00:40:53,952 I'LL GET YOUR BAG. 1454 00:40:53,993 --> 00:40:55,245 LET'S GO. 1455 00:40:55,287 --> 00:40:56,454 [ TONYA ]: OH, MY GOD! 1456 00:40:55,287 --> 00:40:56,454 ME TOO! 1457 00:40:56,495 --> 00:40:57,914 I AM TOTALLY 1458 00:40:56,495 --> 00:40:57,914 A MORNING PERSON. 1459 00:40:57,956 --> 00:40:59,665 MY EX-GIRLFRIEND USED TO THINK 1460 00:40:57,956 --> 00:40:59,665 I WAS COMPLETELY PSYCHOTIC 1461 00:40:59,707 --> 00:41:00,959 BECAUSE I'D GET UP 1462 00:40:59,707 --> 00:41:00,959 SO EARLY, BUT WHATEVER. 1463 00:41:01,000 --> 00:41:02,501 I SAY, CARPE DIEM, RIGHT? 1464 00:41:01,000 --> 00:41:02,501 RIGHT. 1465 00:41:02,543 --> 00:41:03,962 YEAH, YOU MUST 1466 00:41:04,003 --> 00:41:05,380 HAVE TO GET UP SO EARLY 1467 00:41:04,003 --> 00:41:05,380 TO TRAIN, HUH? 1468 00:41:05,422 --> 00:41:07,506 I DO. 1469 00:41:05,422 --> 00:41:07,506 I BET YOU DO. 1470 00:41:07,548 --> 00:41:08,716 NOW, BROTHERS 1471 00:41:07,548 --> 00:41:08,716 OR SISTERS? 1472 00:41:08,758 --> 00:41:10,302 I HAVE A BROTHER, HOWIE, 16. 1473 00:41:10,343 --> 00:41:11,594 HE'S A TOTAL PAIN IN MY ASS. 1474 00:41:11,636 --> 00:41:13,096 I'LL BET HE'S CUTE, THOUGH. 1475 00:41:13,138 --> 00:41:15,181 HE'D HAVE TO BE. 1476 00:41:13,138 --> 00:41:15,181 HE'S FROM YOUR FAMILY, RIGHT? 1477 00:41:15,223 --> 00:41:16,391 AW, SHUT UP. 1478 00:41:16,433 --> 00:41:17,642 OKAY, CAT 1479 00:41:16,433 --> 00:41:17,642 OR DOG PERSON? 1480 00:41:17,683 --> 00:41:19,018 PLEASE SAY DOG, 1481 00:41:17,683 --> 00:41:19,018 BECAUSE I HATE CATS. 1482 00:41:19,060 --> 00:41:21,062 I KNOW THAT'S NOT 1483 00:41:19,060 --> 00:41:21,062 VERY LESBIAN OF ME AND STUFF, 1484 00:41:21,104 --> 00:41:24,274 BUT I THINK THEY'RE 1485 00:41:21,104 --> 00:41:24,274 SO COLD AND UNFEELING. 1486 00:41:24,316 --> 00:41:25,984 WELL, I GUESS SOME 1487 00:41:24,316 --> 00:41:25,984 OF THEM CAN BE, YEAH, 1488 00:41:26,025 --> 00:41:27,526 BUT SOME OF THEM 1489 00:41:26,025 --> 00:41:27,526 ARE ALMOST HUMAN. 1490 00:41:27,568 --> 00:41:29,737 YOU THINK? 1491 00:41:27,568 --> 00:41:29,737 WELL, MINE IS. 1492 00:41:29,779 --> 00:41:31,489 I REALLY LOVE MR. PIDDLES. 1493 00:41:31,530 --> 00:41:32,865 MR. PIDDLES? 1494 00:41:32,907 --> 00:41:34,659 YEAH. HE'S DANA'S CAT. 1495 00:41:34,700 --> 00:41:36,786 WELL, I THINK THAT'S GREAT, 1496 00:41:36,828 --> 00:41:38,204 AND I TOTALLY AGREE 1497 00:41:36,828 --> 00:41:38,204 WITH YOU, YOU KNOW? 1498 00:41:38,246 --> 00:41:39,497 THESE KIND OF DECISIONS 1499 00:41:39,538 --> 00:41:40,957 HAVE TO BE MADE 1500 00:41:39,538 --> 00:41:40,957 ON A CAT-BY-CAT BASIS. 1501 00:41:40,999 --> 00:41:41,958 RIGHT. 1502 00:41:42,000 --> 00:41:43,626 I CANNOT WAIT 1503 00:41:42,000 --> 00:41:43,626 TO MEET MR. PIDDLES. 1504 00:41:43,668 --> 00:41:45,337 SEE? OKAY, 1505 00:41:43,668 --> 00:41:45,337 I KNEW YOU'D GET IT. 1506 00:41:45,378 --> 00:41:46,712 DO YOU WANT TO SEE 1507 00:41:45,378 --> 00:41:46,712 A PICTURE? 1508 00:41:46,754 --> 00:41:48,965 I WOULD LOVE TO. 1509 00:41:46,754 --> 00:41:48,965 OKAY. 1510 00:41:49,007 --> 00:41:50,758 YOU HAVE A PICTURE 1511 00:41:49,007 --> 00:41:50,758 OF YOUR CAT? 1512 00:41:50,800 --> 00:41:53,011 THAT'S SO CUTE. 1513 00:41:53,052 --> 00:41:54,429 MR. PIDDLES. 1514 00:41:54,471 --> 00:41:57,974 SENOR PIDDLES, 1515 00:41:54,471 --> 00:41:57,974 INTERNATIONAL CAT OF MYSTERY. 1516 00:41:58,016 --> 00:41:59,851 MY MYSTERIOUS ONE-MAN SHOW. 1517 00:41:59,892 --> 00:42:01,227 HE'S MY SPECIAL FURRY MAN. 1518 00:42:01,269 --> 00:42:02,561 SEE? 1519 00:42:02,603 --> 00:42:04,730 [ KISSING ] 1520 00:42:02,603 --> 00:42:04,730 MEOW. 1521 00:42:04,772 --> 00:42:06,024 [ ALL ]: 1522 00:42:04,772 --> 00:42:06,024 BYE! 1523 00:42:06,065 --> 00:42:08,693 SEE YOU LATER. 1524 00:42:06,065 --> 00:42:08,693 WE'LL SEE YOU, GUYS. 1525 00:42:12,155 --> 00:42:14,740 WHAT THE FUCK 1526 00:42:12,155 --> 00:42:14,740 ARE WE GOING TO DO? 1527 00:42:14,782 --> 00:42:16,575 WHAT ARE WE GOING 1528 00:42:14,782 --> 00:42:16,575 TO DO ABOUT WHAT? 1529 00:42:16,617 --> 00:42:17,869 YOU GUYS, 1530 00:42:16,617 --> 00:42:17,869 DON'T TELL ME 1531 00:42:17,910 --> 00:42:19,745 YOU DON'T THINK 1532 00:42:17,910 --> 00:42:19,745 SHE'S TROUBLE. 1533 00:42:19,787 --> 00:42:22,207 WELL, YEAH, THE CAT THING 1534 00:42:19,787 --> 00:42:22,207 WAS A BIT MUCH. 1535 00:42:22,248 --> 00:42:24,459 YEAH, AND THAT STORY 1536 00:42:22,248 --> 00:42:24,459 ABOUT MEETING ANNE HECHE 1537 00:42:24,501 --> 00:42:25,710 IN THE RESTAURANT? 1538 00:42:25,751 --> 00:42:27,086 I MEAN, 1539 00:42:25,751 --> 00:42:27,086 WHAT WAS THAT ABOUT? 1540 00:42:27,128 --> 00:42:28,087 AND YOU GUYS, 1541 00:42:28,129 --> 00:42:29,672 I GAVE HER 50 BUCKS 1542 00:42:28,129 --> 00:42:29,672 FOR THE GAS... 1543 00:42:29,714 --> 00:42:31,883 AND I WATCHED THE METER, 1544 00:42:29,714 --> 00:42:31,883 NOT TO BE CRAZY, 1545 00:42:31,924 --> 00:42:33,801 BUT IT WAS $32.50, 1546 00:42:31,924 --> 00:42:33,801 AND SHE DIDN'T GIVE ME 1547 00:42:33,843 --> 00:42:35,220 ANY FUCKING CHANGE. 1548 00:42:33,843 --> 00:42:35,220 WHAT? 1549 00:42:35,261 --> 00:42:36,721 WELL, WHY DIDN'T YOU 1550 00:42:35,261 --> 00:42:36,721 SAY ANYTHING? 1551 00:42:36,762 --> 00:42:38,056 WELL, I DON'T KNOW. 1552 00:42:38,097 --> 00:42:40,558 I GUESS I NEED MORE EVIDENCE 1553 00:42:38,097 --> 00:42:40,558 OR SOMETHING... 1554 00:42:40,599 --> 00:42:41,893 AND WHAT AM I SUPPOSED TO SAY? 1555 00:42:41,934 --> 00:42:43,478 "DANA, YOUR GIRLFRIEND'S 1556 00:42:41,934 --> 00:42:43,478 A GRIFTER?" 1557 00:42:43,520 --> 00:42:45,146 I MEAN, SHE'S HAPPY. 1558 00:42:45,188 --> 00:42:47,106 I CAN'T. 1559 00:42:54,239 --> 00:42:55,656 HEY. 1560 00:42:55,698 --> 00:42:58,535 I JUST THOUGHT I'D LET YOU KNOW 1561 00:42:55,698 --> 00:42:58,535 I'M OUT HERE WORKING. 1562 00:42:58,576 --> 00:43:00,119 THANK YOU. 1563 00:43:27,813 --> 00:43:31,943 I'M SORRY. 1564 00:43:27,813 --> 00:43:31,943 I CAN'T. 1565 00:43:31,984 --> 00:43:34,820 YOU CAN'T WHAT, 1566 00:43:31,984 --> 00:43:34,820 BABE? 1567 00:43:37,782 --> 00:43:40,118 HEY. 1568 00:43:37,782 --> 00:43:40,118 HI. 1569 00:43:40,159 --> 00:43:42,537 UM, I--I'M-- 1570 00:43:40,159 --> 00:43:42,537 I JUST WAS THINKING 1571 00:43:42,579 --> 00:43:43,913 THAT I'M NOT SURE 1572 00:43:43,955 --> 00:43:47,625 THAT I CAN GET THE SHOW READY 1573 00:43:43,955 --> 00:43:47,625 IN THREE WEEKS. 1574 00:43:47,666 --> 00:43:49,835 YOU CAN DO IT. 1575 00:43:51,504 --> 00:43:55,174 THAT PARTY 1576 00:43:51,504 --> 00:43:55,174 WAS SO CRAZY. 1577 00:43:55,216 --> 00:43:57,218 GOD, IT JUST MADE ME 1578 00:43:55,216 --> 00:43:57,218 WANT TO GO HOME 1579 00:43:57,260 --> 00:43:59,471 AND CURL UP IN BED 1580 00:43:57,260 --> 00:43:59,471 WITH YOU. 1581 00:43:59,512 --> 00:44:01,097 ♪ CAN'T THINK ABOUT YOU ♪ 1582 00:44:01,139 --> 00:44:06,769 ♪ WITH SOMEONE ELSE 1583 00:44:01,139 --> 00:44:06,769 IN MY HEAD ♪ 1584 00:44:06,811 --> 00:44:11,816 ♪ I CAN'T JUST TALK TO YOU ♪ 1585 00:44:11,857 --> 00:44:16,904 ♪ WHEN THIS LOVE IS DEAD ♪ 1586 00:44:16,946 --> 00:44:22,494 ♪ IF MY WORDS CAN'T BE TRUSTED ♪ 1587 00:44:22,535 --> 00:44:25,663 ♪ WHAT DO YOU EXPECT ME TO DO? ♪ 1588 00:44:25,704 --> 00:44:29,667 ♪ IF I CHEAT ON MY LOVER ♪ 1589 00:44:29,708 --> 00:44:35,881 ♪ HOW CAN I BE FAITHFUL 1590 00:44:29,708 --> 00:44:35,881 TO YOU? ♪ 1591 00:44:36,841 --> 00:44:42,972 ♪ LOVE IS NOT A PLAYTHING ♪ 1592 00:44:44,765 --> 00:44:49,020 ♪ TAKEN LIGHTLY ♪ 1593 00:44:49,061 --> 00:44:55,193 ♪ HOW CAN I SEE YOU ANYMORE? ♪ 1594 00:44:55,234 --> 00:44:58,404 ♪ NOW ALL ♪ 1595 00:44:58,446 --> 00:45:01,949 ♪ MY BEST INTENTIONS ♪ 1596 00:45:01,991 --> 00:45:07,413 ♪ ARE BROKEN ON THE FLOOR ♪