1 00:00:26,485 --> 00:00:28,779 BRING IN 2 00:00:26,485 --> 00:00:28,779 THE PUSSY LIGHT. 3 00:00:33,158 --> 00:00:36,453 ♪ I COULD TELL 4 00:00:33,158 --> 00:00:36,453 WHEN I LOOK AT YOU ♪ 5 00:00:36,495 --> 00:00:38,163 ♪ YOU WANNA BE A STAR ♪ 6 00:00:38,205 --> 00:00:40,457 YOU GOOD? 7 00:00:40,499 --> 00:00:42,877 ♪ YOU WANNA 8 00:00:40,499 --> 00:00:42,877 BE IN PICTURES ♪ 9 00:00:42,918 --> 00:00:46,755 ♪ YOU WANNA BE FAMOUS ♪ 10 00:00:46,797 --> 00:00:48,799 ♪ YOU'RE GONNA 11 00:00:46,797 --> 00:00:48,799 MAKE IT BIG ♪ 12 00:00:48,841 --> 00:00:50,926 AND... 13 00:00:50,968 --> 00:00:52,803 ACTION. 14 00:00:52,845 --> 00:00:54,471 ♪ READY FOR 15 00:00:52,845 --> 00:00:54,471 THE BIG SCREEN ♪ 16 00:00:54,513 --> 00:00:55,973 CHINA, GET STARTED. 17 00:00:58,225 --> 00:01:01,562 ♪ AND ALL THE WOMEN ♪ 18 00:01:01,603 --> 00:01:03,731 AMBER, REALLY 19 00:01:01,603 --> 00:01:03,731 GET INTO IT. 20 00:01:03,772 --> 00:01:05,983 [moans] 21 00:01:06,025 --> 00:01:08,777 GREAT. NOW IN WALKS 22 00:01:06,025 --> 00:01:08,777 THE PRINCIPAL. 23 00:01:09,945 --> 00:01:12,031 YOU READY, MAN, 24 00:01:09,945 --> 00:01:12,031 YOU GOT WOOD? 25 00:01:12,072 --> 00:01:14,491 OKAY, SO AT FIRST, 26 00:01:12,072 --> 00:01:14,491 YOU'RE MAD. 27 00:01:14,533 --> 00:01:16,869 GET IN THERE. 28 00:01:18,286 --> 00:01:19,329 GIRLS, YOU'RE 29 00:01:18,286 --> 00:01:19,329 EMBARRASSED 30 00:01:19,371 --> 00:01:22,416 AND SURPRISED. 31 00:01:22,457 --> 00:01:24,710 NOW YOU'RE HOT. 32 00:01:26,503 --> 00:01:29,214 CHINA, BLOW HIM. 33 00:01:29,256 --> 00:01:31,425 POP ON HER FACE, 34 00:01:29,256 --> 00:01:31,425 GIVE HER A FACIAL, 35 00:01:31,466 --> 00:01:34,011 AND WHEN HE'S DONE THAT, 36 00:01:31,466 --> 00:01:34,011 CHINA, 37 00:01:34,053 --> 00:01:35,763 LOOK UP AND SAY, 38 00:01:34,053 --> 00:01:35,763 "THAT WAS GREAT." 39 00:01:35,804 --> 00:01:36,805 THAT WAS GREAT. 40 00:01:36,847 --> 00:01:39,266 "THAT WAS GREAT." 41 00:02:20,181 --> 00:02:23,602 OH, TINA. 42 00:02:23,644 --> 00:02:25,938 OH... 43 00:02:25,980 --> 00:02:27,147 IT'LL TAKE TIME, 44 00:02:27,188 --> 00:02:28,857 BUT WE'LL GET 45 00:02:27,188 --> 00:02:28,857 THROUGH IT. 46 00:02:28,899 --> 00:02:32,736 ALL RIGHT? 47 00:02:28,899 --> 00:02:32,736 WE'LL GET THROUGH IT. 48 00:02:32,778 --> 00:02:36,239 COME ON. 49 00:02:36,281 --> 00:02:37,866 [ TIM ]: SO GLAD 50 00:02:36,281 --> 00:02:37,866 YOU CAME OVER. 51 00:02:37,908 --> 00:02:39,451 SO...I'LL CALL YOU 52 00:02:37,908 --> 00:02:39,451 AFTER CLASS? 53 00:02:39,493 --> 00:02:40,702 OKAY. 54 00:02:39,493 --> 00:02:40,702 HAVE A GOOD DAY. 55 00:02:40,744 --> 00:02:43,080 [ TIM ]: BYE. 56 00:02:40,744 --> 00:02:43,080 BYE, TIM. 57 00:02:50,253 --> 00:02:51,839 OH. 58 00:02:53,590 --> 00:02:55,258 HI...TRISH. 59 00:02:55,300 --> 00:02:56,510 HI. 60 00:02:56,551 --> 00:02:58,470 UM... 61 00:02:58,512 --> 00:03:01,890 I'M JUST ON MY WAY 62 00:02:58,512 --> 00:03:01,890 TO THE GROCERY STORE... 63 00:03:01,932 --> 00:03:05,602 UM, TO GET SOME BREAD... 64 00:03:05,644 --> 00:03:06,979 FOR TOAST. 65 00:03:07,021 --> 00:03:10,273 I'VE, UH... 66 00:03:10,315 --> 00:03:12,985 I'VE FORGOTTEN MY WALLET 67 00:03:10,315 --> 00:03:12,985 AND MY KEYS. 68 00:03:13,027 --> 00:03:15,194 I'M JUST 69 00:03:13,027 --> 00:03:15,194 GOING TO GO GET THEM. 70 00:03:15,236 --> 00:03:17,572 GOOD-BYE. 71 00:03:19,240 --> 00:03:22,619 AND WHEN DOES IT 72 00:03:19,240 --> 00:03:22,619 START PREPPING? 73 00:03:22,661 --> 00:03:24,412 MM-HMM. 74 00:03:24,454 --> 00:03:25,914 GOOD. 75 00:03:25,956 --> 00:03:27,457 MM-HMM. 76 00:03:25,956 --> 00:03:27,457 [chuckles] 77 00:03:27,499 --> 00:03:30,502 SO WHEN DO I HAVE 78 00:03:27,499 --> 00:03:30,502 TO GO TO VIRGINIA? 79 00:03:30,544 --> 00:03:31,545 THAT'S EXCITING. 80 00:03:31,586 --> 00:03:32,921 ALL RIGHT. 81 00:03:32,963 --> 00:03:36,466 ALL RIGHT, 82 00:03:32,963 --> 00:03:36,466 THANKS, VAL. 83 00:03:39,344 --> 00:03:42,097 YOU'RE GOING 84 00:03:39,344 --> 00:03:42,097 TO VIRGINIA? 85 00:03:42,139 --> 00:03:44,808 AS THE PERSONAL 86 00:03:42,139 --> 00:03:44,808 FOR DREW BARRYMORE. 87 00:03:44,850 --> 00:03:46,476 IT'S A HUGE FASHION PICTURE, 88 00:03:46,518 --> 00:03:47,895 AND MY BUDGET'S GOING TO BE 89 00:03:46,518 --> 00:03:47,895 THREE TIMES WHAT IT WAS 90 00:03:47,936 --> 00:03:50,105 ON DARKNESS. 91 00:03:50,147 --> 00:03:53,483 THAT'S 92 00:03:50,147 --> 00:03:53,483 WONDERFUL... 93 00:03:53,525 --> 00:03:54,818 BUT I WISH YOU HAD 94 00:03:53,525 --> 00:03:54,818 DISCUSSED IT WITH ME 95 00:03:54,860 --> 00:03:56,570 BEFORE MAKING 96 00:03:54,860 --> 00:03:56,570 THAT DECISION. 97 00:03:56,611 --> 00:03:58,572 I DON'T KNOW 98 00:03:56,611 --> 00:03:58,572 WHAT THERE IS TO DISCUSS. 99 00:03:58,613 --> 00:04:00,115 I GOT OFFERED A JOB. 100 00:04:00,157 --> 00:04:01,825 I TOOK IT. 101 00:04:06,830 --> 00:04:08,957 WHAT ABOUT 102 00:04:06,830 --> 00:04:08,957 OUR SUMMER HOLIDAY? 103 00:04:08,999 --> 00:04:10,792 I WAS ORGANIZING 104 00:04:08,999 --> 00:04:10,792 THE HOUSE IN HYDRA. 105 00:04:10,834 --> 00:04:12,544 I NEVER SIGNED OFF 106 00:04:10,834 --> 00:04:12,544 ON HYDRA. 107 00:04:12,586 --> 00:04:16,464 WE TALKED ABOUT IT, 108 00:04:12,586 --> 00:04:16,464 BUT I DIDN'T SAY BOOK A HOUSE. 109 00:04:16,506 --> 00:04:18,425 DID YOU BOOK A HOUSE? 110 00:04:21,595 --> 00:04:23,680 I JUST WANT 111 00:04:21,595 --> 00:04:23,680 TO SPEND TIME WITH YOU. 112 00:04:23,722 --> 00:04:26,307 YOU'VE BEEN HERE SIX WEEKS 113 00:04:23,722 --> 00:04:26,307 OUT OF AN ENTIRE YEAR. 114 00:04:26,349 --> 00:04:29,310 DON'T YOU WANT TO 115 00:04:26,349 --> 00:04:29,310 SPEND TIME TOGETHER? 116 00:04:31,980 --> 00:04:33,690 COME AND BE WITH ME NOW. 117 00:04:36,693 --> 00:04:38,237 COME ON. 118 00:04:50,624 --> 00:04:52,584 NOW, THE FACT IS, 119 00:04:52,626 --> 00:04:55,295 I CAN'T AFFORD 120 00:04:52,626 --> 00:04:55,295 NOT TO TAKE THIS JOB. 121 00:04:55,336 --> 00:04:59,258 DO YOU HAVE ANY IDEA 122 00:04:55,336 --> 00:04:59,258 HOW MUCH YOU OWE? HMM? 123 00:04:59,299 --> 00:05:01,135 A LOT. 124 00:05:01,176 --> 00:05:03,971 [laughs] 125 00:05:04,012 --> 00:05:05,680 SWEETHEART... 126 00:05:05,722 --> 00:05:09,559 I WANT YOU TO HAVE 127 00:05:05,722 --> 00:05:09,559 YOUR BEAUTIFUL DREAM. 128 00:05:09,601 --> 00:05:12,312 THEN I HAVE 129 00:05:09,601 --> 00:05:12,312 TO GO TO WORK, DON'T I? 130 00:05:12,353 --> 00:05:14,564 TO TAKE CARE OF YOU. 131 00:05:29,329 --> 00:05:31,165 AND WHILE I'M GONE, 132 00:05:31,206 --> 00:05:34,668 YOU CAN RESUME 133 00:05:31,206 --> 00:05:34,668 YOUR LITTLE THING WITH JENNY. 134 00:05:34,709 --> 00:05:37,545 I KNOW YOU DON'T WANT 135 00:05:34,709 --> 00:05:37,545 TO BE HERE WITH ME NOW. 136 00:05:37,587 --> 00:05:40,465 YOU WANT JENNY. 137 00:05:40,507 --> 00:05:43,177 AND HE'S ROUGH, 138 00:05:40,507 --> 00:05:43,177 YOU KNOW? 139 00:05:43,218 --> 00:05:44,511 IT'S, LIKE-- 140 00:05:44,552 --> 00:05:46,305 HE FUCKS ME, 141 00:05:44,552 --> 00:05:46,305 YOU KNOW? 142 00:05:46,345 --> 00:05:47,639 IT'S HOT. 143 00:05:47,681 --> 00:05:49,099 YEAH, THAT'S-- 144 00:05:47,681 --> 00:05:49,099 THAT'S WICKED HOT. 145 00:05:49,141 --> 00:05:50,391 IT IS. 146 00:05:49,141 --> 00:05:50,391 IT REALLY IS, 147 00:05:50,433 --> 00:05:51,810 BECAUSE THERE'S 148 00:05:50,433 --> 00:05:51,810 NOT THAT, 149 00:05:51,852 --> 00:05:53,812 YOU KNOW, BULLSHIT, 150 00:05:51,852 --> 00:05:53,812 OF, LIKE, YOU KNOW, 151 00:05:53,854 --> 00:05:55,314 I'LL DO YOU, 152 00:05:53,854 --> 00:05:55,314 THEN YOU DO ME, 153 00:05:55,396 --> 00:05:57,024 AND, YOU KNOW, 154 00:05:55,396 --> 00:05:57,024 WE'LL CHECK IN, 155 00:05:57,065 --> 00:05:58,817 HAVE WE HAD EQUAL TIME? 156 00:05:57,065 --> 00:05:58,817 ALL THAT CRAP. 157 00:05:58,859 --> 00:06:00,819 YOU KNOW, AL, JUST BECAUSE 158 00:05:58,859 --> 00:06:00,819 YOU'RE RIDING THE BIG FAT WEENIE 159 00:06:00,861 --> 00:06:02,237 DOESN'T MEAN 160 00:06:00,861 --> 00:06:02,237 THERE'S SOMETHING WRONG 161 00:06:02,279 --> 00:06:03,655 WITH THE WAY 162 00:06:02,279 --> 00:06:03,655 THE REST OF US DO IT, OKAY? 163 00:06:03,697 --> 00:06:04,990 HEY, LOOK, NOW THAT 164 00:06:03,697 --> 00:06:04,990 YOU'RE OUT BIG-TIME, 165 00:06:05,032 --> 00:06:05,991 LET'S GIVE YOU 166 00:06:05,032 --> 00:06:05,991 A MULLET. 167 00:06:06,033 --> 00:06:07,492 WHAT? NO. 168 00:06:07,534 --> 00:06:08,493 YES, COME ON, HOCKEY HAIR. 169 00:06:07,534 --> 00:06:08,493 IT'D BE HOT. 170 00:06:08,535 --> 00:06:10,329 NO! 171 00:06:10,369 --> 00:06:11,330 I DON'T THINK SHE'S READY 172 00:06:10,369 --> 00:06:11,330 TO BE A BULL DYKE, SHANE. 173 00:06:11,370 --> 00:06:12,580 THANK YOU. 174 00:06:11,370 --> 00:06:12,580 OKAY. 175 00:06:12,622 --> 00:06:13,581 THE THING IS, 176 00:06:12,622 --> 00:06:13,581 THOUGH, YOU GUYS, 177 00:06:13,623 --> 00:06:15,292 I'VE, YOU KNOW, 178 00:06:15,334 --> 00:06:16,375 I'VE ONLY 179 00:06:15,334 --> 00:06:16,375 SLEPT WITH HIM, 180 00:06:16,417 --> 00:06:18,920 WHAT, LIKE, FIVE TIMES, 181 00:06:18,962 --> 00:06:20,005 SO IF I'M LATE-- 182 00:06:20,047 --> 00:06:21,006 YOU'RE LATE? 183 00:06:21,048 --> 00:06:22,216 FOR MY PERIOD. 184 00:06:22,257 --> 00:06:23,633 I'M SURE YOU LEARNED 185 00:06:22,257 --> 00:06:23,633 IN FIFTH GRADE 186 00:06:23,675 --> 00:06:25,719 THAT THAT'S PART OF 187 00:06:23,675 --> 00:06:25,719 YOUR REPRODUCTIVE CYCLE. 188 00:06:25,760 --> 00:06:27,012 WHOA, WHOA. 189 00:06:27,054 --> 00:06:28,222 SO WHAT ARE YOU 190 00:06:27,054 --> 00:06:28,222 SAYING, THEN? 191 00:06:28,263 --> 00:06:29,973 I'M SAYING, 192 00:06:28,263 --> 00:06:29,973 IF I'M LATE, 193 00:06:30,015 --> 00:06:33,143 IT WOULDN'T 194 00:06:30,015 --> 00:06:33,143 BE ANDREW'S. 195 00:06:33,185 --> 00:06:34,811 WELL, WOULD IT 196 00:06:33,185 --> 00:06:34,811 BE LISA'S? 197 00:06:34,853 --> 00:06:37,647 WOW. 198 00:06:37,689 --> 00:06:39,149 WELL, YOU'D BE THE FIRST LESBO 199 00:06:37,689 --> 00:06:39,149 IN HISTORY 200 00:06:39,191 --> 00:06:41,400 EVER TO PULL THAT ONE OFF. 201 00:06:41,442 --> 00:06:43,486 SHIT. 202 00:06:43,528 --> 00:06:45,197 OH, SO ACCORDING TO THE CAC, 203 00:06:45,239 --> 00:06:47,615 THE WORLD THAT WE LIVE IN 204 00:06:45,239 --> 00:06:47,615 IS A GODLESS ONE. 205 00:06:47,657 --> 00:06:49,034 AND ART REFLECTS THAT. 206 00:06:49,076 --> 00:06:50,744 IT MIRRORS 207 00:06:49,076 --> 00:06:50,744 THE WORLD WE LIVE IN. 208 00:06:50,785 --> 00:06:54,206 DO YOU THINK THE FACT 209 00:06:50,785 --> 00:06:54,206 THAT YOU'RE HOMOSEXUAL 210 00:06:54,248 --> 00:06:58,210 MAKES YOU MORALLY BANKRUPT? 211 00:06:58,252 --> 00:07:00,170 I AM A PERVERT... 212 00:07:00,212 --> 00:07:01,546 AND ONLY A PERVERT 213 00:07:00,212 --> 00:07:01,546 COULD SHOW THIS WORK. 214 00:07:04,883 --> 00:07:07,094 I DIDN'T KNOW 215 00:07:04,883 --> 00:07:07,094 I WAS BEING TAPED. 216 00:07:07,135 --> 00:07:08,595 ANYWAY, THAT IS NOT 217 00:07:07,135 --> 00:07:08,595 WHAT I SAID. 218 00:07:08,636 --> 00:07:09,679 SHE TWISTED IT. 219 00:07:09,721 --> 00:07:11,181 THAT'S WHAT 220 00:07:09,721 --> 00:07:11,181 THEY DO. 221 00:07:11,223 --> 00:07:12,349 AND YOU CAN BE SURE 222 00:07:12,391 --> 00:07:13,558 THAT THIS TAPE 223 00:07:12,391 --> 00:07:13,558 HAS BEEN SENT 224 00:07:13,600 --> 00:07:15,518 TO EVERY 225 00:07:13,600 --> 00:07:15,518 CONSERVATIVE CONGRESSMAN, 226 00:07:15,560 --> 00:07:17,396 ALONG WITH THIS 227 00:07:15,560 --> 00:07:17,396 LOVELY DOCUMENT-- 228 00:07:17,437 --> 00:07:18,646 A LIFE-SIZE PAINTING 229 00:07:18,688 --> 00:07:19,647 OF THE PRESIDENT 230 00:07:18,688 --> 00:07:19,647 OF THE UNITED STATES 231 00:07:19,689 --> 00:07:21,108 IN AN S.S. UNIFORM, 232 00:07:21,149 --> 00:07:22,442 JESUS SODOMIZING MARY, 233 00:07:22,483 --> 00:07:24,444 AND THIS IS A DOOZY-- 234 00:07:24,485 --> 00:07:26,196 THIS IS A LIVE 235 00:07:24,485 --> 00:07:26,196 PERFORMANCE PIECE. 236 00:07:26,238 --> 00:07:27,281 ARE YOU SURE THIS IS ART? 237 00:07:27,322 --> 00:07:28,407 ABSOLUTELY. 238 00:07:28,448 --> 00:07:30,575 WE PUT IT TO 239 00:07:28,448 --> 00:07:30,575 A VOTE, BERT. 240 00:07:30,617 --> 00:07:31,826 IT'S AN IMPORTANT 241 00:07:30,617 --> 00:07:31,826 EXHIBITION, 242 00:07:31,868 --> 00:07:32,953 AND THE MUSEUM 243 00:07:31,868 --> 00:07:32,953 STANDS BEHIND IT. 244 00:07:32,994 --> 00:07:33,912 OKAY. 245 00:07:35,997 --> 00:07:38,041 YOU ARE GOING TO HAVE TO LEARN 246 00:07:35,997 --> 00:07:38,041 HOW TO DEAL WITH FAE BUCKLEY. 247 00:07:38,083 --> 00:07:39,876 SHE WAS CAUGHT 248 00:07:38,083 --> 00:07:39,876 OFF-GUARD, BERT. 249 00:07:39,918 --> 00:07:41,336 IT COULD HAPPEN 250 00:07:39,918 --> 00:07:41,336 TO ANYONE. 251 00:07:41,378 --> 00:07:42,670 AS YOUR COUNSEL, 252 00:07:41,378 --> 00:07:42,670 I CAN TELL YOU THAT THEY WILL 253 00:07:42,712 --> 00:07:44,798 TRY AND GET AT YOU 254 00:07:42,712 --> 00:07:44,798 ON LEGAL GROUNDS. 255 00:07:44,839 --> 00:07:46,591 NOW, THE LAW IS PRETTY MUCH 256 00:07:44,839 --> 00:07:46,591 ON YOUR SIDE RIGHT NOW. 257 00:07:46,633 --> 00:07:48,385 HOWEVER, 258 00:07:46,633 --> 00:07:48,385 THE POLITICAL CLIMATE IS NOT. 259 00:07:48,427 --> 00:07:49,970 THERE'S TWO 260 00:07:48,427 --> 00:07:49,970 WAYS TO GO. 261 00:07:50,011 --> 00:07:53,014 ONE, THEY RANT AND RAVE 262 00:07:50,011 --> 00:07:53,014 WHILE WE LOOK THE OTHER WAY. 263 00:07:53,056 --> 00:07:54,308 WE DO NOT ENGAGE. 264 00:07:54,349 --> 00:07:55,767 THAT IS WHAT 265 00:07:54,349 --> 00:07:55,767 WE'VE BEEN DOING, 266 00:07:55,809 --> 00:07:57,352 SITTING WITH OUR HANDS 267 00:07:55,809 --> 00:07:57,352 FOLDED IN OUR LAPS 268 00:07:57,394 --> 00:07:59,062 WHILE THEY CALL US 269 00:07:57,394 --> 00:07:59,062 PORNOGRAPHERS AND PEDOPHILES. 270 00:07:59,104 --> 00:08:00,314 THE OTHER STRATEGY 271 00:07:59,104 --> 00:08:00,314 IS TO MEET THEM HEAD-ON, 272 00:08:00,355 --> 00:08:01,731 DUKE IT OUT. 273 00:08:01,773 --> 00:08:03,942 I WANT TO CHALLENGE FAE BUCKLEY 274 00:08:01,773 --> 00:08:03,942 TO A DEBATE. 275 00:08:03,984 --> 00:08:05,819 THE WOMAN'S A GLADIATOR 276 00:08:03,984 --> 00:08:05,819 IN THE PUBLIC ARENA. 277 00:08:05,860 --> 00:08:07,404 SHE'S BRILLIANT. 278 00:08:07,446 --> 00:08:08,529 SHE PRETTY MUCH ALWAYS WINS. 279 00:08:08,571 --> 00:08:10,740 LET'S DO IT. 280 00:08:10,782 --> 00:08:12,242 FUCK... 281 00:08:12,284 --> 00:08:13,618 WHAT AM I GONNA DO 282 00:08:12,284 --> 00:08:13,618 IF I'M FUCKING PREGNANT? 283 00:08:13,660 --> 00:08:16,537 GET AN ABORTION, AL. 284 00:08:16,579 --> 00:08:20,041 OR GIVE THE BABY 285 00:08:16,579 --> 00:08:20,041 TO BETTE AND TINA. 286 00:08:20,083 --> 00:08:21,501 WHAT, WE'RE ALREADY 287 00:08:20,083 --> 00:08:21,501 LIKE A FAMILY. 288 00:08:21,542 --> 00:08:22,877 IT WOULD BE LIKE THE KID 289 00:08:21,542 --> 00:08:22,877 BELONGS TO ALL OF US. 290 00:08:22,919 --> 00:08:24,045 SO INSTEAD OF 291 00:08:22,919 --> 00:08:24,045 HEATHER HAS TWO MOMMIES, 292 00:08:24,087 --> 00:08:25,422 HEATHER HAS SIX MOMMIES? 293 00:08:25,464 --> 00:08:27,299 NO, BETTE AND TINA 294 00:08:25,464 --> 00:08:27,299 WOULD BE THE MOMS, 295 00:08:27,341 --> 00:08:28,883 BUT WE'D ALL BE CONNECTED 296 00:08:27,341 --> 00:08:28,883 BECAUSE OF HOW IT WENT DOWN-- 297 00:08:28,925 --> 00:08:30,760 LOOK, DANA, THIS IS GONNA BE 298 00:08:28,925 --> 00:08:30,760 ENTIRELY NATURAL, OKAY? 299 00:08:30,802 --> 00:08:33,138 OKAY, AS LONG AS IT'S 300 00:08:30,802 --> 00:08:33,138 NOT TOO, LIKE, CRAZY, 301 00:08:33,180 --> 00:08:34,389 OR, YOU KNOW... 302 00:08:34,431 --> 00:08:35,556 ALL RIGHT, OR TOO COOL. 303 00:08:34,431 --> 00:08:35,556 I HEAR YOU. 304 00:08:35,598 --> 00:08:36,975 BUT THINK ABOUT IT. 305 00:08:37,017 --> 00:08:38,226 WE'D BE THE KID'S 306 00:08:37,017 --> 00:08:38,226 EXTENDED FAMILY. 307 00:08:38,268 --> 00:08:39,560 THAT'S A GREAT 308 00:08:38,268 --> 00:08:39,560 IDEA, SHANE. 309 00:08:39,602 --> 00:08:41,271 LOOK, THERE'S NO BIGGER 310 00:08:39,602 --> 00:08:41,271 KARMIC BLESSING 311 00:08:41,313 --> 00:08:42,856 THAN DOING SOMETHING 312 00:08:41,313 --> 00:08:42,856 ENTIRELY SELFLESS 313 00:08:42,897 --> 00:08:44,358 FOR ANOTHER PERSON. 314 00:08:44,399 --> 00:08:45,566 I'M SERIOUS. 315 00:08:45,608 --> 00:08:47,486 HOW ABOUT A LITTLE SUPPORT 316 00:08:45,608 --> 00:08:47,486 FOR ME? 317 00:08:49,112 --> 00:08:50,697 TINA, BETTE WOULD HAVE 318 00:08:49,112 --> 00:08:50,697 HIRED SOMEBODY 319 00:08:50,738 --> 00:08:51,906 TO DO THIS FOR YOU. 320 00:08:51,948 --> 00:08:53,992 I WOULD HAVE 321 00:08:51,948 --> 00:08:53,992 DONE IT FOR YOU. 322 00:08:55,327 --> 00:08:57,204 I'M NOT GOING TO... 323 00:08:57,245 --> 00:08:59,580 COME TO YOUR... 324 00:08:57,245 --> 00:08:59,580 SHOW TONIGHT. 325 00:08:59,622 --> 00:09:01,582 I'M SORRY. I CAN'T. 326 00:09:01,624 --> 00:09:02,750 HEY, IT'S OKAY. 327 00:09:02,792 --> 00:09:06,046 I'M SURE BETTE 328 00:09:02,792 --> 00:09:06,046 WILL COME. 329 00:09:07,839 --> 00:09:08,923 TINA, I WOULDN'T 330 00:09:07,839 --> 00:09:08,923 WANT YOU 331 00:09:08,965 --> 00:09:10,175 TO DO ANYTHING 332 00:09:10,217 --> 00:09:12,219 YOU'RE NOT 333 00:09:10,217 --> 00:09:12,219 UP TO DOING... 334 00:09:12,260 --> 00:09:13,594 BUT DON'T YOU THINK 335 00:09:12,260 --> 00:09:13,594 IT'D BE GOOD FOR YOU 336 00:09:13,636 --> 00:09:15,638 TO GET OUT? 337 00:09:28,318 --> 00:09:30,445 IT'S GREAT. 338 00:09:30,487 --> 00:09:31,530 I LOOK GOOD, RIGHT? 339 00:09:31,571 --> 00:09:32,531 YOU LOOK HOT. 340 00:09:32,572 --> 00:09:33,990 YOU LOOK EXCELLENT. 341 00:09:34,032 --> 00:09:34,991 LOOK AT THIS. 342 00:09:35,033 --> 00:09:36,201 FROM THE NECK UP. 343 00:09:36,243 --> 00:09:37,369 I MEAN, WE REALLY 344 00:09:36,243 --> 00:09:37,369 HAVE TO DO SOMETHING 345 00:09:37,411 --> 00:09:38,578 ABOUT YOUR CLOTHES. 346 00:09:38,619 --> 00:09:39,829 WHAT DO YOU MEAN? 347 00:09:39,871 --> 00:09:40,955 WE'VE GOT TO TAKE HER 348 00:09:39,871 --> 00:09:40,955 TO FRED SEGAL. 349 00:09:40,997 --> 00:09:42,416 I GOT THESE 350 00:09:40,997 --> 00:09:42,416 AT FRED SEGAL. 351 00:09:42,457 --> 00:09:43,958 SHANE... 352 00:09:44,000 --> 00:09:46,711 MADAME CHERIE, 353 00:09:44,000 --> 00:09:46,711 LINE THREE. 354 00:09:46,753 --> 00:09:48,171 SHE REQUIRES 355 00:09:46,753 --> 00:09:48,171 YOUR ATTENTION 356 00:09:48,213 --> 00:09:50,006 IMMEDIATEMENT. 357 00:09:50,048 --> 00:09:51,425 [ HONKING ] 358 00:09:59,724 --> 00:10:01,184 HELLO. 359 00:10:02,936 --> 00:10:04,604 AH. HI. 360 00:10:04,645 --> 00:10:05,730 HI. 361 00:10:05,772 --> 00:10:07,482 WHERE ARE YOU 362 00:10:05,772 --> 00:10:07,482 TAKING ME? 363 00:10:07,524 --> 00:10:08,733 IT'S A SECRET. 364 00:10:08,775 --> 00:10:10,360 OKAY. 365 00:10:10,402 --> 00:10:11,652 LET'S GO. 366 00:10:27,252 --> 00:10:30,171 [chuckles] 367 00:10:27,252 --> 00:10:30,171 WELL? 368 00:10:31,798 --> 00:10:35,009 WELL, I DON'T KNOW 369 00:10:31,798 --> 00:10:35,009 WHY WE'RE HERE. 370 00:10:35,051 --> 00:10:37,429 STEVE AND HARRY OWN 371 00:10:35,051 --> 00:10:37,429 MOST OF THIS BLOCK. 372 00:10:37,471 --> 00:10:40,056 THEY'RE DEVELOPING IT, 373 00:10:40,098 --> 00:10:43,143 AND I'VE CONVINCED STEVE 374 00:10:40,098 --> 00:10:43,143 TO INVEST IN YOU. 375 00:10:43,184 --> 00:10:44,644 SO YOU CAN OPEN 376 00:10:43,184 --> 00:10:44,644 YOUR OWN SHOP. 377 00:10:44,685 --> 00:10:46,354 [laughter] 378 00:10:46,396 --> 00:10:48,231 NO WAY. 379 00:10:48,273 --> 00:10:51,485 WAY. BUT YOU CAN'T TELL HIM 380 00:10:48,273 --> 00:10:51,485 THAT I BROUGHT YOU HERE, OKAY? 381 00:10:54,195 --> 00:10:56,697 ISN'T IT JUST OOZING 382 00:10:54,195 --> 00:10:56,697 WITH POTENTIAL? 383 00:10:59,534 --> 00:11:01,953 IT'S BEAUTIFUL. 384 00:11:01,995 --> 00:11:03,288 IT... 385 00:11:03,330 --> 00:11:06,749 I MEAN, 386 00:11:03,330 --> 00:11:06,749 IT'S UN-FUCKING-BELIEVABLE. 387 00:11:06,791 --> 00:11:09,961 I MEAN, I THINK I'D KEEP THIS 388 00:11:06,791 --> 00:11:09,961 LIKE THE OLD BARBERSHOP. 389 00:11:10,003 --> 00:11:11,630 NO BIG RECEPTION DESK 390 00:11:10,003 --> 00:11:11,630 OR ANYTHING. 391 00:11:11,671 --> 00:11:13,548 JUST THE CUTTING STATIONS 392 00:11:11,671 --> 00:11:13,548 RIGHT HERE-- 393 00:11:13,590 --> 00:11:14,673 AND THIS COULD BE 394 00:11:13,590 --> 00:11:14,673 THE WAITING AREA 395 00:11:14,715 --> 00:11:16,510 WHERE THEY HAVE SOFAS 396 00:11:14,715 --> 00:11:16,510 AND TABLES. 397 00:11:16,551 --> 00:11:20,180 I SEE IT MID-CENTURY 398 00:11:16,551 --> 00:11:20,180 MODERNE, 399 00:11:20,221 --> 00:11:23,224 KIND OF KITSCHY, 400 00:11:20,221 --> 00:11:23,224 BUT CHIC. 401 00:11:23,266 --> 00:11:24,434 HMM... 402 00:11:24,476 --> 00:11:27,228 I'M THINKING 403 00:11:24,476 --> 00:11:27,228 POOL TABLE... 404 00:11:28,687 --> 00:11:31,816 AND...AND UP HERE, 405 00:11:28,687 --> 00:11:31,816 IT COULD BE THE COLORING 406 00:11:31,858 --> 00:11:34,569 OR SHAMPOO STATIONS. 407 00:11:34,611 --> 00:11:35,570 SHANE... 408 00:11:35,612 --> 00:11:37,864 YEAH? 409 00:11:37,905 --> 00:11:40,325 LOOK AT THIS. 410 00:11:44,162 --> 00:11:46,540 [laughs] 411 00:11:46,581 --> 00:11:49,125 AH, FUCK. 412 00:11:49,167 --> 00:11:52,337 YES, PLEASE. 413 00:11:49,167 --> 00:11:52,337 [ GIGGLES ] 414 00:12:08,727 --> 00:12:11,231 [ GIGGLING ] 415 00:12:19,573 --> 00:12:24,536 I KNOW I WAS ONLY 12 WEEKS... 416 00:12:24,578 --> 00:12:26,246 BUT I FEEL LIKE 417 00:12:24,578 --> 00:12:26,246 I LOST SOMEONE 418 00:12:26,287 --> 00:12:30,458 I WAS WITH MY WHOLE LIFE... 419 00:12:30,500 --> 00:12:33,044 MY BABY BOY. 420 00:12:38,132 --> 00:12:39,718 JUST LAST WEEK, 421 00:12:38,132 --> 00:12:39,718 WE FOUND OUT 422 00:12:39,758 --> 00:12:43,221 THAT IT WAS GOING TO BE 423 00:12:39,758 --> 00:12:43,221 A BOY. 424 00:12:44,431 --> 00:12:47,392 YOU'LL TRY AGAIN. 425 00:12:47,434 --> 00:12:49,310 I KNOW IT'S HARD 426 00:12:47,434 --> 00:12:49,310 TO THINK ABOUT IT 427 00:12:49,352 --> 00:12:50,687 RIGHT NOW, 428 00:12:50,729 --> 00:12:53,440 BUT YOU'LL TRY AGAIN. 429 00:12:53,481 --> 00:12:55,108 I KNOW THAT 430 00:12:53,481 --> 00:12:55,108 TINA'S DEVASTATED. 431 00:12:55,149 --> 00:12:56,984 FRANKLY, THAT'S THE WAY 432 00:12:55,149 --> 00:12:56,984 SHE SHOULD BE FEELING. 433 00:12:57,026 --> 00:13:00,238 SHE'S GRIEVING. 434 00:13:00,280 --> 00:13:01,948 I'M WORRIED 435 00:13:00,280 --> 00:13:01,948 ABOUT YOU, BETTE. 436 00:13:01,989 --> 00:13:05,243 I SEE YOU STEADY 437 00:13:01,989 --> 00:13:05,243 AND STRONG, 438 00:13:05,285 --> 00:13:08,121 LETTING TINA LEAN ON YOU. 439 00:13:08,162 --> 00:13:11,708 HAS IT SUNK IN 440 00:13:08,162 --> 00:13:11,708 FOR YOU YET? 441 00:13:11,750 --> 00:13:12,751 HAVE YOU CRIED? 442 00:13:12,791 --> 00:13:14,335 BELIEVE ME, IT'S SUNK IN. 443 00:13:14,377 --> 00:13:18,632 BUT KAREN ASKED YOU 444 00:13:14,377 --> 00:13:18,632 A SPECIFIC QUESTION. 445 00:13:18,673 --> 00:13:22,302 HAVE YOU CRIED? 446 00:13:27,098 --> 00:13:29,100 I DON'T NEED TO CRY. 447 00:13:29,142 --> 00:13:30,809 I WANT TO SEE SOME EPISODES 448 00:13:29,142 --> 00:13:30,809 OF INSIGHT. 449 00:13:30,851 --> 00:13:33,271 CAN YOU GET ME SOME TAPES 450 00:13:30,851 --> 00:13:33,271 TOMORROW MORNING? 451 00:13:33,313 --> 00:13:36,357 HEY, TINA. 452 00:13:33,313 --> 00:13:36,357 TINA, HI. 453 00:13:36,399 --> 00:13:38,652 NOW'S THE TIME, 454 00:13:36,399 --> 00:13:38,652 YOU KNOW? 455 00:13:38,693 --> 00:13:39,818 WHEN SOMETHING 456 00:13:38,693 --> 00:13:39,818 TERRIBLE HAPPENS, 457 00:13:39,860 --> 00:13:40,945 AND YOU FEEL YOURSELF 458 00:13:39,860 --> 00:13:40,945 BEING SUCKED 459 00:13:40,987 --> 00:13:42,821 INTO THAT 460 00:13:40,987 --> 00:13:42,821 BLACK PIT OF DESPAIR, 461 00:13:42,863 --> 00:13:43,822 IT'S TIME TO GET 462 00:13:42,863 --> 00:13:43,822 OUTSIDE YOURSELF 463 00:13:43,864 --> 00:13:44,907 AND FORCE YOURSELF 464 00:13:44,949 --> 00:13:46,242 TO DO SOMETHING 465 00:13:44,949 --> 00:13:46,242 FOR PEOPLE 466 00:13:46,284 --> 00:13:47,619 WHO CAN'T EVEN TELL YOU 467 00:13:46,284 --> 00:13:47,619 WHAT DESPAIR IS, 468 00:13:47,661 --> 00:13:48,827 BECAUSE IT'S ALL 469 00:13:47,661 --> 00:13:48,827 THEY'VE EVER KNOWN. 470 00:13:48,869 --> 00:13:51,122 I'LL BE THERE 471 00:13:48,869 --> 00:13:51,122 ALL DAY TOMORROW. 472 00:13:52,206 --> 00:13:53,374 WHAT DID HE WANT? 473 00:13:53,416 --> 00:13:55,209 HE WANTS ME 474 00:13:53,416 --> 00:13:55,209 TO VOLUNTEER. 475 00:13:55,251 --> 00:13:56,670 HMM, MAYBE YOU SHOULD 476 00:13:55,251 --> 00:13:56,670 CHECK IT OUT. 477 00:13:56,711 --> 00:13:57,920 MAYBE IT WOULD BE 478 00:13:56,711 --> 00:13:57,920 GOOD FOR YOU. 479 00:13:57,962 --> 00:13:59,589 YEAH. 480 00:13:59,631 --> 00:14:00,590 DO YOU THINK YOU'RE 481 00:13:59,631 --> 00:14:00,590 GOING TO BE ABLE TO MAKE IT 482 00:14:00,632 --> 00:14:01,716 TO KIT'S SHOW? 483 00:14:01,758 --> 00:14:02,883 BABE, I REALLY DON'T WANT TO. 484 00:14:02,925 --> 00:14:04,469 I TOLD KIT. 485 00:14:02,925 --> 00:14:04,469 SHE UNDERSTANDS. 486 00:14:12,811 --> 00:14:13,770 EXCUSE ME. 487 00:14:13,812 --> 00:14:15,522 EXCUSE ME, 488 00:14:13,812 --> 00:14:15,522 CAN I GET... 489 00:14:21,611 --> 00:14:22,570 THIS IS SO FUNNY. 490 00:14:22,612 --> 00:14:24,197 I HAD GROUP TODAY. 491 00:14:24,238 --> 00:14:25,948 YOU MISS MY ASS? 492 00:14:25,990 --> 00:14:27,283 YOU GUYS HAVE A WHOLE SESSION 493 00:14:25,990 --> 00:14:27,283 TALKING ABOUT HOW YOU FEEL 494 00:14:27,325 --> 00:14:28,868 ABOUT ME GETTING 495 00:14:27,325 --> 00:14:28,868 THE HELL OUT OF THERE? 496 00:14:28,909 --> 00:14:30,620 WELL, WE HAD QUITE A FEW 497 00:14:28,909 --> 00:14:30,620 OTHER THINGS TO TALK ABOUT, 498 00:14:30,662 --> 00:14:34,374 BUT I HAVE TO ADMIT IT'S NOT 499 00:14:30,662 --> 00:14:34,374 AS INTENSE WITHOUT YOU. 500 00:14:36,250 --> 00:14:37,794 WHAT? 501 00:14:37,836 --> 00:14:38,837 DON'T TELL ME THIS IS 502 00:14:37,836 --> 00:14:38,837 THE LAST PLACE ON EARTH 503 00:14:38,878 --> 00:14:40,254 YOU'D EXPECT TO SEE ME. 504 00:14:40,296 --> 00:14:43,007 I JUST NEVER FIGURED YOU 505 00:14:40,296 --> 00:14:43,007 TO BE A KIT PORTER FAN. 506 00:14:43,049 --> 00:14:44,300 SHE'S MY SISTER. 507 00:14:44,342 --> 00:14:45,343 EXCUSE ME. 508 00:14:44,342 --> 00:14:45,343 EXCUSE ME. 509 00:14:45,385 --> 00:14:46,344 HEY, HERE YOU GO. 510 00:14:46,386 --> 00:14:48,012 OH, MEET MY EX. 511 00:14:48,054 --> 00:14:51,098 BETTE PORTER, THIS IS, 512 00:14:48,054 --> 00:14:51,098 UH, CANDACE JEWELL. 513 00:14:51,140 --> 00:14:52,099 NICE TO MEET YOU. 514 00:14:52,141 --> 00:14:53,476 NICE TO MEET YOU. 515 00:14:53,518 --> 00:14:54,519 DO YOU WANT TO SIT WITH ME 516 00:14:53,518 --> 00:14:54,519 AT MY TABLE? 517 00:14:54,561 --> 00:14:55,520 IT'S JUST ME 518 00:14:54,561 --> 00:14:55,520 AND A COUPLE 519 00:14:55,562 --> 00:14:57,397 OF MY SISTER'S 520 00:14:55,562 --> 00:14:57,397 FRIENDS. 521 00:14:57,438 --> 00:14:59,190 HEY, WHERE'S TINA, 522 00:14:57,438 --> 00:14:59,190 BY THE WAY? 523 00:14:59,232 --> 00:15:01,693 SHE WASN'T FEELING WELL. 524 00:15:03,069 --> 00:15:04,028 HEY... 525 00:15:04,070 --> 00:15:07,532 HEY, BABY SIS. 526 00:15:07,574 --> 00:15:09,743 THIS IS YOLANDA 527 00:15:07,574 --> 00:15:09,743 AND CANDACE. 528 00:15:09,784 --> 00:15:10,744 THIS IS SLIM DADDY. 529 00:15:10,785 --> 00:15:11,745 HI, NICE 530 00:15:10,785 --> 00:15:11,745 TO MEET YOU. 531 00:15:11,786 --> 00:15:12,746 HEY, BEAUTIFUL. 532 00:15:12,787 --> 00:15:13,996 AND NOW, 533 00:15:14,038 --> 00:15:15,665 PLEASE PUT YOUR 534 00:15:14,038 --> 00:15:15,665 HANDS TOGETHER. 535 00:15:15,707 --> 00:15:18,752 TOGETHER, TOGETHER, TOGETHER, 536 00:15:15,707 --> 00:15:18,752 FOR... 537 00:15:18,793 --> 00:15:20,420 KIT PORTER! 538 00:15:21,504 --> 00:15:22,963 WHOO-HOO! 539 00:15:26,676 --> 00:15:27,677 WHOO! 540 00:15:27,719 --> 00:15:29,262 THIS, THIS IS SO COOL. 541 00:15:29,303 --> 00:15:30,346 IT'S OVERWHELMING. 542 00:15:30,388 --> 00:15:33,140 I-I THINK I NEED A DRINK. 543 00:15:33,182 --> 00:15:34,768 I WAS JUST KIDDING, 544 00:15:33,182 --> 00:15:34,768 BABY SISTER. 545 00:15:34,809 --> 00:15:36,519 MY BABY SISTER 546 00:15:34,809 --> 00:15:36,519 IS IN HERE TONIGHT, 547 00:15:36,561 --> 00:15:41,441 AND SHE HAS HELPED ME GO DOWN 548 00:15:36,561 --> 00:15:41,441 THAT STRAIGHT AND NARROW. 549 00:15:41,482 --> 00:15:45,945 IN THE HOUSE TONIGHT 550 00:15:41,482 --> 00:15:45,945 IS SLIM DADDY! 551 00:15:50,450 --> 00:15:51,743 THANK YOU, THANK YOU. 552 00:15:51,785 --> 00:15:53,244 I DON'T KNOW 553 00:15:51,785 --> 00:15:53,244 WHAT I WANT TO SAY, 554 00:15:53,286 --> 00:15:56,080 BUT THERE'S NO ONE 555 00:15:53,286 --> 00:15:56,080 LIKE THIS WOMAN. 556 00:15:56,122 --> 00:15:58,999 KIT PORTER IS A REAL 557 00:15:56,122 --> 00:15:58,999 MOTHERFUCKIN' DIVA. 558 00:15:59,041 --> 00:16:01,001 Y'ALL GO ON, 559 00:15:59,041 --> 00:16:01,001 GIVE IT UP FOR KIT. 560 00:16:01,043 --> 00:16:03,463 [ APPLAUSE ] 561 00:16:10,010 --> 00:16:11,512 I RESPECT 562 00:16:10,010 --> 00:16:11,512 THAT SHE'S YOUR WOMAN. 563 00:16:11,554 --> 00:16:12,722 SHE'S NOT. 564 00:16:12,764 --> 00:16:14,515 YOU MET MY WOMAN. 565 00:16:14,557 --> 00:16:16,559 OH, RIGHT, RIGHT. 566 00:16:16,601 --> 00:16:19,312 WELL, I STILL THINK 567 00:16:16,601 --> 00:16:19,312 THE TWO OF YOU WOULD, UH... 568 00:16:19,353 --> 00:16:22,148 YOU KNOW? 569 00:16:22,189 --> 00:16:25,985 YEAH. 570 00:16:22,189 --> 00:16:25,985 LORD, HAVE MERCY ON ME. 571 00:16:30,323 --> 00:16:31,783 [ SNAPS FINGERS ] 572 00:16:31,825 --> 00:16:35,244 SING THAT SONG, KIT. 573 00:16:35,286 --> 00:16:40,333 ♪ HOLD ON TO OUR LOVE ♪ 574 00:16:40,374 --> 00:16:44,337 ♪ WE CAN ♪ 575 00:16:44,378 --> 00:16:48,424 ♪ RISE ABOVE ♪ 576 00:16:48,466 --> 00:16:51,177 ♪ ALL THE THINGS 577 00:16:48,466 --> 00:16:51,177 THAT PEOPLE ♪ 578 00:16:51,218 --> 00:16:57,433 ♪ SEEM TO THINK THEY KNOW ♪ 579 00:16:57,475 --> 00:16:59,268 ♪ THEY'RE JUST WORDS ♪ 580 00:16:59,310 --> 00:17:01,562 ♪ WE SHOULDN'T LISTEN ♪ 581 00:17:01,604 --> 00:17:07,944 ♪ ANYMORE ♪ 582 00:17:07,986 --> 00:17:12,490 ♪ HERE IN THE DARK ♪ 583 00:17:12,532 --> 00:17:16,995 ♪ NOTHING ELSE BUT US ♪ 584 00:17:17,036 --> 00:17:20,832 ♪ HERE IN THE DARK ♪ 585 00:17:20,874 --> 00:17:24,752 ♪ ALL I WANT TO DO 586 00:17:20,874 --> 00:17:24,752 IS THINK OF YOU ♪ 587 00:17:24,794 --> 00:17:29,007 ♪ AND I ♪ 588 00:17:29,048 --> 00:17:32,886 ♪ I KNOW THAT 589 00:17:29,048 --> 00:17:32,886 I'LL NEVER SAY ♪ 590 00:17:32,927 --> 00:17:37,097 ♪ GOOD-BYE ♪ 591 00:17:37,139 --> 00:17:39,934 I PASS BY THE CALIFORNIA 592 00:17:37,139 --> 00:17:39,934 ART CENTER EVERY MORNING. 593 00:17:39,976 --> 00:17:41,435 I'M DOING A JOB 594 00:17:39,976 --> 00:17:41,435 RIGHT NEAR THERE. 595 00:17:41,477 --> 00:17:42,979 WHAT KIND OF JOB? 596 00:17:43,021 --> 00:17:44,564 MY PARTNER AND I 597 00:17:43,021 --> 00:17:44,564 ARE DOING THE FINISH CARPENTRY 598 00:17:44,605 --> 00:17:46,024 ON A LOFT IN VENICE 599 00:17:44,605 --> 00:17:46,024 WE'VE BEEN REMODELING. 600 00:17:46,065 --> 00:17:47,692 YOU'RE A CARPENTER? 601 00:17:47,734 --> 00:17:50,486 HEY... 602 00:17:50,528 --> 00:17:51,738 SURE YOU DON'T WANT 603 00:17:50,528 --> 00:17:51,738 TO HANG OUT 604 00:17:51,779 --> 00:17:53,322 WITH US TONIGHT, 605 00:17:51,779 --> 00:17:53,322 BABY SIS? 606 00:17:53,364 --> 00:17:57,577 WE GOT EVERYTHING 607 00:17:53,364 --> 00:17:57,577 FOR EVERYONE WHO NEEDS ANYTHING. 608 00:17:57,618 --> 00:17:58,578 YEAH, I'M SURE. 609 00:17:58,619 --> 00:18:00,120 I'VE GOT 610 00:17:58,619 --> 00:18:00,120 TO GET HOME. 611 00:18:00,162 --> 00:18:02,456 WELL, I GUESS I'LL DREAM 612 00:18:00,162 --> 00:18:02,456 ABOUT THE TWO OF YOU... 613 00:18:02,498 --> 00:18:04,876 BECAUSE I GOT THAT 614 00:18:02,498 --> 00:18:04,876 BASIC INSTINCT 615 00:18:04,918 --> 00:18:06,419 ABOUT YOU. 616 00:18:06,460 --> 00:18:07,921 DON'T YOU 617 00:18:06,460 --> 00:18:07,921 GET MY SISTER 618 00:18:07,962 --> 00:18:09,964 INTO ANY TROUBLE. 619 00:18:10,006 --> 00:18:11,298 I CAN HANDLE IT. 620 00:18:11,340 --> 00:18:12,508 CONGRATULATIONS. 621 00:18:12,550 --> 00:18:14,301 THANK YOU, THANK YOU. 622 00:18:14,343 --> 00:18:15,970 ALL RIGHT, WELL... 623 00:18:16,012 --> 00:18:17,722 I'M SO PROUD OF YOU. 624 00:18:17,764 --> 00:18:19,766 LISTEN, I SHOULD REALLY 625 00:18:17,764 --> 00:18:19,766 GET HOME. 626 00:18:19,807 --> 00:18:20,975 IT WAS NICE 627 00:18:19,807 --> 00:18:20,975 RUNNING INTO YOU. 628 00:18:21,017 --> 00:18:22,393 YEAH. 629 00:18:22,435 --> 00:18:23,686 NICE TO MEET YOU. 630 00:18:23,728 --> 00:18:25,354 YOU SHOULD COME BY 631 00:18:23,728 --> 00:18:25,354 AND CHECK OUT THE MUSEUM 632 00:18:25,396 --> 00:18:26,940 ONE DAY 633 00:18:25,396 --> 00:18:26,940 ON YOUR LUNCH BREAK. 634 00:18:26,981 --> 00:18:27,941 YEAH. 635 00:18:27,982 --> 00:18:28,900 OKAY. 636 00:18:38,993 --> 00:18:40,160 [ FRANCESCA ]: 637 00:18:38,993 --> 00:18:40,160 THIS IS RIDICULOUS. 638 00:18:40,202 --> 00:18:41,621 [ SHANE ]: NO, 639 00:18:40,202 --> 00:18:41,621 I'LL GET IT. 640 00:18:41,662 --> 00:18:43,873 [ FRANCESCA ]: THE WAIT 641 00:18:41,662 --> 00:18:43,873 STAFF ARE SO SLOW. 642 00:18:43,915 --> 00:18:46,375 THEY'RE USELESS. 643 00:18:49,128 --> 00:18:50,588 YOU SHOULDN'T BE DOING THAT. 644 00:18:49,128 --> 00:18:50,588 THANK YOU. 645 00:18:50,630 --> 00:18:52,131 IT'S THEIR JOB. 646 00:18:52,172 --> 00:18:54,174 WELL, THEY'RE BUSY. 647 00:18:52,172 --> 00:18:54,174 I'M HELPING THEM. 648 00:18:54,216 --> 00:18:55,760 YOU'RE CODDLING THEM. 649 00:18:55,802 --> 00:18:56,928 WE DIDN'T ORDER-- 650 00:18:56,970 --> 00:18:57,929 DID ONE OF YOU ORDER THAT? 651 00:18:57,971 --> 00:18:59,764 IT'S A GIFT FROM ME. 652 00:18:59,806 --> 00:19:01,641 I WANT TO BE IN PARIS 653 00:18:59,806 --> 00:19:01,641 THIS MORNING. 654 00:19:01,682 --> 00:19:03,684 AND I WANT 655 00:19:01,682 --> 00:19:03,684 TO BE IN PROFIT SOME DAY. 656 00:19:03,726 --> 00:19:05,853 IT'S MY TREAT. 657 00:19:03,726 --> 00:19:05,853 ENJOY. 658 00:19:05,895 --> 00:19:07,480 PUT IT ON THE BOOKS. 659 00:19:09,565 --> 00:19:11,567 KATE MOSS, 660 00:19:09,565 --> 00:19:11,567 EAT YOUR HEART OUT! 661 00:19:11,609 --> 00:19:12,986 LOOK AT YOU. 662 00:19:13,027 --> 00:19:14,070 WOW. 663 00:19:13,027 --> 00:19:14,070 YEAH. 664 00:19:14,112 --> 00:19:15,655 IF I DIDN'T KNOW 665 00:19:14,112 --> 00:19:15,655 IT WAS YOU, 666 00:19:15,696 --> 00:19:17,782 I WOULD HAVE THOUGHT 667 00:19:15,696 --> 00:19:17,782 SOMEONE HOT JUST WALKED IN. 668 00:19:17,824 --> 00:19:18,783 SIT DOWN. 669 00:19:18,825 --> 00:19:19,784 I FEEL STUPID. 670 00:19:19,826 --> 00:19:20,994 YOU LOOK 671 00:19:19,826 --> 00:19:20,994 SO SEXY, DANA. 672 00:19:21,035 --> 00:19:22,787 OH, SHUT UP. 673 00:19:22,829 --> 00:19:24,122 REALLY, YOU LIKE THE 'DO? 674 00:19:24,163 --> 00:19:27,083 YEAH, GREAT. 675 00:19:27,125 --> 00:19:28,084 WHAT ARE YOU DOING? 676 00:19:28,126 --> 00:19:29,752 ME? 677 00:19:28,126 --> 00:19:29,752 YEAH. 678 00:19:29,794 --> 00:19:31,087 I'M DRINKING COFFEE. 679 00:19:31,129 --> 00:19:32,212 OH, YOU CAN'T 680 00:19:31,129 --> 00:19:32,212 DO THAT. 681 00:19:32,254 --> 00:19:33,380 BETTE AND TINA 682 00:19:32,254 --> 00:19:33,380 WOULD KILL YOU, 683 00:19:33,422 --> 00:19:34,423 RIGHT, SHANE? 684 00:19:34,465 --> 00:19:35,800 BETTE AND TINA 685 00:19:34,465 --> 00:19:35,800 WOULD KILL HER, 686 00:19:35,842 --> 00:19:36,801 BECAUSE SHE'S DR-- 687 00:19:36,843 --> 00:19:38,260 I... 688 00:19:38,302 --> 00:19:40,972 AH, FUCK, 689 00:19:38,302 --> 00:19:40,972 I'M SORRY. 690 00:19:41,014 --> 00:19:42,682 ALICE MIGHT 691 00:19:41,014 --> 00:19:42,682 BE PREGNANT. 692 00:19:42,723 --> 00:19:45,143 "MIGHT" BEING THE WORD 693 00:19:42,723 --> 00:19:45,143 I'M CLINGING ONTO. 694 00:19:45,184 --> 00:19:46,352 LOOK, NO, NO, NO. 695 00:19:46,393 --> 00:19:48,562 WE THOUGHT IT WAS 696 00:19:46,393 --> 00:19:48,562 KARMICALLY DESTINED, 697 00:19:48,604 --> 00:19:51,691 BECAUSE BETTE AND TINA 698 00:19:48,604 --> 00:19:51,691 WANTED A BABY SO BADLY. 699 00:19:51,732 --> 00:19:53,109 YOU MEAN, YOU WOULD 700 00:19:51,732 --> 00:19:53,109 HAVE A BABY-- 701 00:19:53,151 --> 00:19:54,986 AND BETTE AND TINA WOULD 702 00:19:53,151 --> 00:19:54,986 ADOPT IT, RIGHT, SHANE? 703 00:19:55,028 --> 00:19:55,987 YEAH, BUT-- 704 00:19:56,029 --> 00:19:57,488 OH, MY GOD. 705 00:19:57,530 --> 00:19:58,656 HEY, HEY, LOOK, 706 00:19:57,530 --> 00:19:58,656 YOU CAN'T SAY ANYTHING, 707 00:19:58,698 --> 00:19:59,949 BECAUSE THEY 708 00:19:58,698 --> 00:19:59,949 DON'T KNOW AND-- 709 00:19:59,991 --> 00:20:01,868 YEAH, AND YOU MIGHT BE 710 00:19:59,991 --> 00:20:01,868 MISREADING THE KARMA 711 00:20:01,909 --> 00:20:02,869 OR SOMETHING. 712 00:20:02,910 --> 00:20:03,870 OH, THE KARMA. 713 00:20:02,910 --> 00:20:03,870 YEAH. 714 00:20:03,911 --> 00:20:05,163 DO YOU KNOW 715 00:20:05,204 --> 00:20:06,622 WHAT AN EXTRAORDINARY 716 00:20:05,204 --> 00:20:06,622 GIFT THAT WOULD BE? 717 00:20:06,664 --> 00:20:08,166 YEAH, THEY'RE MAKING 718 00:20:06,664 --> 00:20:08,166 SUPER SURE I KNOW THAT. 719 00:20:08,207 --> 00:20:09,458 NOT JUST TO 720 00:20:08,207 --> 00:20:09,458 BETTE AND TINA, 721 00:20:09,500 --> 00:20:11,085 BUT TO ALL OF US. 722 00:20:11,127 --> 00:20:13,754 THE WHOLE DNA MODEL OF FAMILY 723 00:20:11,127 --> 00:20:13,754 IS BEING REINVENTED. 724 00:20:13,796 --> 00:20:14,964 WE'RE MAKING A NEW WORLD 725 00:20:15,006 --> 00:20:16,799 THAT REFLECTS 726 00:20:15,006 --> 00:20:16,799 THE WAY WE LOVE 727 00:20:16,841 --> 00:20:18,300 AND MAKE RELATIONSHIPS AND-- 728 00:20:18,342 --> 00:20:20,928 I'D LIKE TO SEE THAT 729 00:20:18,342 --> 00:20:20,928 REFLECTED SOMEWHERE. 730 00:20:20,970 --> 00:20:23,181 WHAT? 731 00:20:26,059 --> 00:20:27,810 UM... 732 00:20:27,852 --> 00:20:30,479 I'M GONNA TAKE CARE 733 00:20:27,852 --> 00:20:30,479 OF THIS TODAY, OKAY? 734 00:20:30,521 --> 00:20:31,480 OH, IT'S MINE! 735 00:20:31,522 --> 00:20:32,690 HEY, NO, NO, NO, 736 00:20:32,732 --> 00:20:34,567 I HAVE A TAB TO PAY. 737 00:20:32,732 --> 00:20:34,567 I'M PAYING IT. 738 00:20:34,608 --> 00:20:36,069 I'M GONNA GO CHECK OUT 739 00:20:34,608 --> 00:20:36,069 THIS RAW SPACE 740 00:20:36,110 --> 00:20:37,486 WITH STEVE JAFFE, 741 00:20:36,110 --> 00:20:37,486 BECAUSE... 742 00:20:37,528 --> 00:20:38,696 YEAH? 743 00:20:38,738 --> 00:20:39,780 YEAH, HE'S 744 00:20:38,738 --> 00:20:39,780 TALKING ABOUT 745 00:20:39,822 --> 00:20:40,781 OPENING UP 746 00:20:39,822 --> 00:20:40,781 MY OWN SALON. 747 00:20:40,823 --> 00:20:42,116 NO WAY! 748 00:20:42,158 --> 00:20:45,036 YOU GOING TO CALL IT "SHANE", 749 00:20:42,158 --> 00:20:45,036 SHANE? 750 00:20:45,078 --> 00:20:46,204 YEAH, I'M GOING TO GO. 751 00:20:46,245 --> 00:20:47,830 YOU LOOK GREAT. 752 00:20:47,872 --> 00:20:48,998 BYE. 753 00:20:49,040 --> 00:20:49,999 HEY, THANK YOU, 754 00:20:49,040 --> 00:20:49,999 THANK YOU. 755 00:20:50,041 --> 00:20:51,000 YES. 756 00:20:51,042 --> 00:20:52,334 BYE. 757 00:20:52,376 --> 00:20:53,335 HEY, THERE'S A LINE 758 00:20:52,376 --> 00:20:53,335 AT THE COUNTER. 759 00:20:53,377 --> 00:20:55,421 MARINA... 760 00:20:55,462 --> 00:20:58,174 THERE'S A LINE. 761 00:20:58,216 --> 00:20:59,299 THERE SEEMS TO BE 762 00:20:59,341 --> 00:21:00,300 A COMMUNICATION 763 00:20:59,341 --> 00:21:00,300 BREAKDOWN. 764 00:21:00,342 --> 00:21:01,301 SHANE? 765 00:21:00,342 --> 00:21:01,301 YEAH? 766 00:21:01,343 --> 00:21:02,469 HOLD UP. 767 00:21:02,511 --> 00:21:03,470 I'LL SEE 768 00:21:02,511 --> 00:21:03,470 YOU GUYS LATER. 769 00:21:03,512 --> 00:21:04,680 I GOT TO GO, 770 00:21:04,722 --> 00:21:05,890 AND THANK YOU FOR 771 00:21:04,722 --> 00:21:05,890 ALL THE CROISSANTS 772 00:21:05,932 --> 00:21:08,142 AND THE COFFEE 773 00:21:05,932 --> 00:21:08,142 I COULDN'T DRINK. 774 00:21:09,435 --> 00:21:10,770 AREN'T YOU LATE 775 00:21:09,435 --> 00:21:10,770 FOR SOMETHING? 776 00:21:10,811 --> 00:21:12,605 BYE. 777 00:21:10,811 --> 00:21:12,605 YES. 778 00:21:12,646 --> 00:21:14,148 UH, WAIT FOR ME! 779 00:21:14,190 --> 00:21:17,860 THANK YOU. 780 00:21:14,190 --> 00:21:17,860 THANK YOU. 781 00:21:17,902 --> 00:21:19,070 BYE. YOU LOOK GREAT. 782 00:21:19,112 --> 00:21:22,531 BYE, THANKS. 783 00:21:19,112 --> 00:21:22,531 YOU LOOK REALLY GOOD. 784 00:21:22,573 --> 00:21:24,283 IS THERE SOMETHING 785 00:21:22,573 --> 00:21:24,283 YOU WANT TO SAY? 786 00:21:24,324 --> 00:21:25,492 NO. 787 00:21:25,534 --> 00:21:26,493 YOU PICK 788 00:21:25,534 --> 00:21:26,493 A FIGHT WITH ME 789 00:21:26,535 --> 00:21:28,079 IN FRONT OF THESE PEOPLE, 790 00:21:28,121 --> 00:21:30,081 AND THEN YOU MAKE LIKE YOU'RE-- 791 00:21:28,121 --> 00:21:30,081 YOU'RE HURT, 792 00:21:30,123 --> 00:21:33,084 OR VICTIMIZED. 793 00:21:33,126 --> 00:21:35,128 YOU WANT SOMEONE 794 00:21:33,126 --> 00:21:35,128 TO COME TO YOUR RESCUE? 795 00:21:35,169 --> 00:21:37,213 MAYBE. 796 00:21:37,255 --> 00:21:38,672 WHO, MARINA? 797 00:21:38,714 --> 00:21:42,260 I ALREADY RESCUED YOU. 798 00:21:42,301 --> 00:21:44,845 REMEMBER? 799 00:21:45,930 --> 00:21:47,223 HEY. 800 00:21:45,930 --> 00:21:47,223 HEY. 801 00:21:47,265 --> 00:21:48,432 COME ON, 802 00:21:47,265 --> 00:21:48,432 WE'LL TAKE THE JAG. 803 00:21:48,474 --> 00:21:50,226 ALL RIGHT. 804 00:21:50,268 --> 00:21:51,727 HOPE YOU DON'T MIND, 805 00:21:51,769 --> 00:21:53,520 WE'RE GOING TO DROP 806 00:21:51,769 --> 00:21:53,520 MY DAUGHTER ON THIRD STREET 807 00:21:53,562 --> 00:21:55,982 SO SHE CAN KILL A COUPLE HUNDRED 808 00:21:53,562 --> 00:21:55,982 OF MY HARD-EARNED BUCKS 809 00:21:56,023 --> 00:21:57,399 ON AN OUTFIT THAT 810 00:21:56,023 --> 00:21:57,399 LOOKS LIKE IT CAME 811 00:21:57,441 --> 00:21:59,318 FROM THE SALVATION ARMY 812 00:21:57,441 --> 00:21:59,318 REJECT BIN. 813 00:21:59,359 --> 00:22:01,528 OH... 814 00:22:01,570 --> 00:22:04,448 THAT'S FINE. 815 00:22:04,490 --> 00:22:05,658 I WAS HOPING 816 00:22:04,490 --> 00:22:05,658 YOU MIGHT 817 00:22:05,699 --> 00:22:07,743 HANG OUT WITH CLEA 818 00:22:05,699 --> 00:22:07,743 FOR A WHILE. 819 00:22:07,785 --> 00:22:09,453 JUST SOMETHING. 820 00:22:09,495 --> 00:22:10,537 WELL... 821 00:22:10,579 --> 00:22:12,081 WELL, YOU KNOW WHAT? 822 00:22:10,579 --> 00:22:12,081 SHE-- 823 00:22:12,123 --> 00:22:14,917 SHE QUIT COLLEGE 824 00:22:12,123 --> 00:22:14,917 AFTER SIX MONTHS. 825 00:22:14,959 --> 00:22:16,294 SHE'S FLAILING. 826 00:22:16,335 --> 00:22:17,336 I THOUGHT MAYBE 827 00:22:17,377 --> 00:22:18,337 YOU COULD SPEND 828 00:22:17,377 --> 00:22:18,337 A LITTLE TIME 829 00:22:18,378 --> 00:22:19,755 WITH HER TODAY. 830 00:22:19,797 --> 00:22:21,632 SHE MIGHT 831 00:22:19,797 --> 00:22:21,632 OPEN UP TO YOU. 832 00:22:21,674 --> 00:22:23,676 JUST AN INSTINCT 833 00:22:21,674 --> 00:22:23,676 I HAVE. 834 00:22:23,717 --> 00:22:25,094 I DON'T KNOW, 835 00:22:23,717 --> 00:22:25,094 STEVE, IT'S-- 836 00:22:25,136 --> 00:22:28,889 I WOULD CONSIDER IT 837 00:22:25,136 --> 00:22:28,889 A FAVOR. 838 00:22:31,142 --> 00:22:34,352 OH, YEAH, 839 00:22:31,142 --> 00:22:34,352 ABSOLUTELY. 840 00:22:34,394 --> 00:22:36,814 YES, NO, I'VE CHECKED THAT. 841 00:22:36,856 --> 00:22:39,441 I'M CHECKING IT TWICE 842 00:22:36,856 --> 00:22:39,441 RIGHT NOW, ACTUALLY. 843 00:22:39,483 --> 00:22:41,235 YOU'VE TOLD HIM THAT WE'RE 844 00:22:39,483 --> 00:22:41,235 A NON-PROFIT ORGANIZATION? 845 00:22:41,277 --> 00:22:44,322 IT'S A TAX WRITE-OFF? 846 00:22:44,362 --> 00:22:47,283 WELL, THEN, YOU SHOULD 847 00:22:44,362 --> 00:22:47,283 LET HIM KNOW THAT WE... 848 00:22:47,325 --> 00:22:50,703 WE'RE WAITING FOR HIM. 849 00:22:50,744 --> 00:22:52,454 WE GOT A GRANT 850 00:22:50,744 --> 00:22:52,454 TO HIRE A LAW FIRM. 851 00:22:52,496 --> 00:22:55,749 SO NOW, MORE THAN 50,000 852 00:22:52,496 --> 00:22:55,749 L.A. GARMENT INDUSTRY WORKERS 853 00:22:55,791 --> 00:22:57,710 HAVE HEALTH BENEFITS 854 00:22:55,791 --> 00:22:57,710 FOR THE FIRST TIME EVER. 855 00:22:57,751 --> 00:22:59,837 THAT WAS OUR BIGGEST PROJECT. 856 00:22:59,879 --> 00:23:03,632 MOSTLY, WE DEAL WITH VERY 857 00:22:59,879 --> 00:23:03,632 HUMAN-SCALE STUFF, YOU KNOW. 858 00:23:03,674 --> 00:23:06,677 HEY, I WANTED 859 00:23:03,674 --> 00:23:06,677 TO TELL YOU... 860 00:23:06,719 --> 00:23:08,929 WE ALSO HAVE A GAY 861 00:23:06,719 --> 00:23:08,929 AND LESBIAN ALLIANCE. 862 00:23:08,971 --> 00:23:10,223 I DON'T KNOW 863 00:23:08,971 --> 00:23:10,223 IF THAT'S SOMETHING 864 00:23:10,264 --> 00:23:11,515 YOU'D BE INTERESTED 865 00:23:10,264 --> 00:23:11,515 IN, OR-- 866 00:23:11,557 --> 00:23:14,685 UM, I THINK I'D LIKE 867 00:23:11,557 --> 00:23:14,685 TO DO SOMETHING... 868 00:23:14,727 --> 00:23:15,853 WITH KIDS, 869 00:23:15,895 --> 00:23:18,480 UNDERPRIVILEGED 870 00:23:15,895 --> 00:23:18,480 OR AT-RISK CHILDREN. 871 00:23:18,522 --> 00:23:20,233 OKAY. 872 00:23:18,522 --> 00:23:20,233 YEAH. 873 00:23:20,274 --> 00:23:22,068 OYE, ESAI. 874 00:23:20,274 --> 00:23:22,068 COMO ESTA? 875 00:23:22,109 --> 00:23:23,277 COMO ESTA? 876 00:23:22,109 --> 00:23:23,277 BIEN. 877 00:23:23,319 --> 00:23:24,528 ESAI HERE IS WORKING 878 00:23:23,319 --> 00:23:24,528 WITH THESE GUYS 879 00:23:24,570 --> 00:23:26,404 TO BRING DOWN 880 00:23:24,570 --> 00:23:26,404 CLAY PATTERSON. 881 00:23:26,446 --> 00:23:27,573 HE'S THE TELEVANGELIST 882 00:23:27,614 --> 00:23:29,158 WHOSE REFINERY 883 00:23:27,614 --> 00:23:29,158 IS GIVING CANCER 884 00:23:29,200 --> 00:23:31,744 TO HUNDREDS OF KIDS 885 00:23:29,200 --> 00:23:31,744 IN THE SOUTH L.A. HOOD. 886 00:23:31,785 --> 00:23:33,411 OH, HE'S A BASTARD. 887 00:23:33,453 --> 00:23:35,413 HE GETS AROUND 888 00:23:33,453 --> 00:23:35,413 EVERY COURT INJUNCTION. 889 00:23:35,455 --> 00:23:36,707 SOME CHRISTIAN, HUH? 890 00:23:36,749 --> 00:23:37,833 HAVE YOU EVER 891 00:23:36,749 --> 00:23:37,833 COME ACROSS A WOMAN 892 00:23:37,875 --> 00:23:40,878 NAMED FAE BUCKLEY? 893 00:23:40,920 --> 00:23:42,796 BEN COUGHLIN 894 00:23:40,920 --> 00:23:42,796 JUST RESIGNED FROM OUR BOARD. 895 00:23:42,838 --> 00:23:44,422 YOU'RE KIDDING. 896 00:23:44,464 --> 00:23:46,466 YESTERDAY IN THE MAIL, 897 00:23:44,464 --> 00:23:46,466 HE GOT 62 INDIVIDUAL LETTERS 898 00:23:46,508 --> 00:23:48,928 WITH HIS COMPANY CREDIT CARD 899 00:23:46,508 --> 00:23:48,928 CHOPPED IN PIECES-- 900 00:23:48,969 --> 00:23:50,263 FROM PEOPLE WHO DON'T WANT 901 00:23:48,969 --> 00:23:50,263 TO BUY OFFICE SUPPLIES 902 00:23:50,304 --> 00:23:53,057 FROM A BLASPHEMING 903 00:23:50,304 --> 00:23:53,057 PORNOGRAPHER. 904 00:23:53,099 --> 00:23:54,641 SHALL WE GET BACK TO WORK? 905 00:23:54,683 --> 00:23:56,894 "ORGANS OF DEAD 906 00:23:54,683 --> 00:23:56,894 ANIMALS DECOMPOSING, 907 00:23:56,936 --> 00:23:58,478 "A MAN STRANGLING 908 00:23:56,936 --> 00:23:58,478 HIMSELF 909 00:23:58,520 --> 00:23:59,980 "WHILE 910 00:23:58,520 --> 00:23:59,980 MASTURBATING-- 911 00:24:00,022 --> 00:24:01,690 YOU CALL THAT ART, 912 00:24:00,022 --> 00:24:01,690 MS. PORTER?" 913 00:24:01,732 --> 00:24:03,901 THOSE ARE INFLAMMATORY 914 00:24:01,732 --> 00:24:03,901 DESCRIPTIONS, MS. BUCKLEY, 915 00:24:03,943 --> 00:24:05,069 OF BUT A FEW 916 00:24:03,943 --> 00:24:05,069 WORKS OF ART 917 00:24:05,111 --> 00:24:06,612 IN A MUCH LARGER 918 00:24:05,111 --> 00:24:06,612 EXHIBITION. 919 00:24:06,653 --> 00:24:07,863 YEAH, BUT YOU DIDN'T 920 00:24:06,653 --> 00:24:07,863 ANSWER THE QUESTION. 921 00:24:07,905 --> 00:24:09,990 WHAT MAKES THAT ART? 922 00:24:10,032 --> 00:24:11,449 [ CELL PHONE RINGING ] 923 00:24:11,491 --> 00:24:14,036 EXCUSE ME. 924 00:24:14,078 --> 00:24:15,121 I'M SORRY, 925 00:24:14,078 --> 00:24:15,121 I HAVE TO TAKE IT. 926 00:24:15,162 --> 00:24:16,289 IT'S TINA. 927 00:24:16,330 --> 00:24:17,331 SHE'S BEEN HAVING 928 00:24:16,330 --> 00:24:17,331 A ROUGH TIME. 929 00:24:17,373 --> 00:24:18,582 BABY, ARE YOU ALL RIGHT? 930 00:24:18,624 --> 00:24:21,501 I'M WITH OSCAR. 931 00:24:18,624 --> 00:24:21,501 OSCAR ALVAREZ. 932 00:24:21,543 --> 00:24:22,669 I'M RIGHT IN THE MIDDLE OF-- 933 00:24:22,711 --> 00:24:23,670 YOU'RE NOT GOING TO BELIEVE 934 00:24:23,712 --> 00:24:24,671 WHAT HE DOES HERE. 935 00:24:24,713 --> 00:24:27,174 YOU HAVE TO COME BY. 936 00:24:31,637 --> 00:24:32,638 HEY. 937 00:24:32,679 --> 00:24:33,847 YOU'RE NOT 938 00:24:32,679 --> 00:24:33,847 GOING TO BELIEVE 939 00:24:33,889 --> 00:24:34,974 WHAT WE FOUND 940 00:24:33,889 --> 00:24:34,974 ON FAE BUCKLEY. 941 00:24:35,015 --> 00:24:35,975 IS THAT WHAT 942 00:24:35,015 --> 00:24:35,975 YOU'VE BEEN DOING? 943 00:24:36,016 --> 00:24:37,184 FAE BUCKLEY RESEARCH? 944 00:24:37,226 --> 00:24:38,394 YEAH. DO YOU KNOW 945 00:24:37,226 --> 00:24:38,394 SHE WAS ONE 946 00:24:38,436 --> 00:24:39,645 OF THE MAIN PEOPLE 947 00:24:38,436 --> 00:24:39,645 RESPONSIBLE 948 00:24:39,686 --> 00:24:41,147 FOR GETTING 949 00:24:39,686 --> 00:24:41,147 THAT TEACHER FIRED 950 00:24:41,188 --> 00:24:42,398 AT THE UNIVERSITY 951 00:24:41,188 --> 00:24:42,398 OF MISSOURI? 952 00:24:42,440 --> 00:24:44,150 YEAH, THEY TRUMPED UP 953 00:24:42,440 --> 00:24:44,150 CHILD PORN CHARGES 954 00:24:44,191 --> 00:24:45,276 BASED ON PICTURES 955 00:24:44,191 --> 00:24:45,276 OF HER THREE-YEAR-OLD 956 00:24:45,318 --> 00:24:46,484 PLAYING NAKED 957 00:24:45,318 --> 00:24:46,484 ON THE BEACH. 958 00:24:46,526 --> 00:24:48,321 I'VE BEEN DOING THIS 959 00:24:46,526 --> 00:24:48,321 ALL DAY, TINA. 960 00:24:48,362 --> 00:24:50,448 I MEAN, I'VE HAD OUR 961 00:24:48,362 --> 00:24:50,448 HIGHLY-PAID P.R. FIRM 962 00:24:50,488 --> 00:24:51,531 WORKING WITH ME. 963 00:24:51,573 --> 00:24:52,866 MY PEOPLE 964 00:24:51,573 --> 00:24:52,866 AREN'T SLOUCHES. 965 00:24:52,908 --> 00:24:55,411 LOOK, THIS IS WHAT 966 00:24:52,908 --> 00:24:55,411 OSCAR DOES, OKAY? 967 00:24:55,453 --> 00:24:58,538 JUST LISTEN. 968 00:24:58,580 --> 00:24:59,665 IS THERE A PROBLEM? 969 00:24:59,706 --> 00:25:01,083 I THOUGHT 970 00:24:59,706 --> 00:25:01,083 THIS WAS SUPPOSED TO BE 971 00:25:01,125 --> 00:25:02,876 ABOUT TINA FINDING 972 00:25:01,125 --> 00:25:02,876 SOMETHING OF HER OWN. 973 00:25:02,918 --> 00:25:04,795 I THOUGHT THIS WAS SUPPOSED 974 00:25:02,918 --> 00:25:04,795 TO BE ABOUT HELPING TINA 975 00:25:04,837 --> 00:25:06,130 GET OUT OF 976 00:25:04,837 --> 00:25:06,130 A BAD DEPRESSION. 977 00:25:06,172 --> 00:25:08,548 YOU'VE GOT 978 00:25:06,172 --> 00:25:08,548 TO LOOK AT THIS. 979 00:25:11,218 --> 00:25:12,428 I THINK YOU AND YOUR PEOPLE 980 00:25:12,470 --> 00:25:15,097 MIGHT FIND THIS 981 00:25:12,470 --> 00:25:15,097 PRETTY INTERESTING. 982 00:25:27,276 --> 00:25:28,735 HEY... 983 00:25:28,777 --> 00:25:30,737 CLEA'LL BE RIGHT OUT. 984 00:25:30,779 --> 00:25:33,824 NOW, I WANT YOU TO KNOW, 985 00:25:30,779 --> 00:25:33,824 I WILL NOT FORGET THIS. 986 00:25:33,866 --> 00:25:36,910 NOW, CHERIE IS PLANNING 987 00:25:33,866 --> 00:25:36,910 THIS BIG MOTHER-DAUGHTER TRIP 988 00:25:36,952 --> 00:25:37,995 TO PARIS, 989 00:25:38,037 --> 00:25:39,038 AND YOU SHOULD HEAR HER 990 00:25:39,079 --> 00:25:40,247 MAKING ALL THESE 991 00:25:39,079 --> 00:25:40,247 ARRANGEMENTS. 992 00:25:40,289 --> 00:25:41,290 SOUNDS LIKE 993 00:25:40,289 --> 00:25:41,290 SHE'S PLANNING 994 00:25:41,332 --> 00:25:42,875 THE CAMP DAVID 995 00:25:41,332 --> 00:25:42,875 SUMMIT. 996 00:25:42,916 --> 00:25:44,835 NOW, CLEA DOESN'T WANT GO. 997 00:25:44,877 --> 00:25:47,421 SEE IF YOU CAN'T 998 00:25:44,877 --> 00:25:47,421 CHANGE HER MIND. 999 00:25:53,052 --> 00:25:55,471 HAVE A GOOD TIME, 1000 00:25:53,052 --> 00:25:55,471 SWEETHEART. 1001 00:26:03,979 --> 00:26:06,732 LOOK, I KNOW 1002 00:26:03,979 --> 00:26:06,732 THIS IS LAME, 1003 00:26:06,773 --> 00:26:09,527 BUT YOUR FATHER ASKED ME 1004 00:26:06,773 --> 00:26:09,527 TO DO THIS, OKAY? 1005 00:26:15,074 --> 00:26:16,200 CRAP. 1006 00:26:18,035 --> 00:26:19,245 ALL RIGHT. 1007 00:26:19,286 --> 00:26:20,371 ALL RIGHT, ALL RIGHT, 1008 00:26:19,286 --> 00:26:20,371 ALL RIGHT. 1009 00:26:20,413 --> 00:26:21,372 THIS SHOULD BE 1010 00:26:20,413 --> 00:26:21,372 PRETTY EASY. 1011 00:26:21,414 --> 00:26:22,622 MM-HMM. 1012 00:26:25,042 --> 00:26:26,584 SHIT! FUCK ME! 1013 00:26:26,626 --> 00:26:27,585 SORRY. 1014 00:26:27,627 --> 00:26:29,963 [ LAUGHS ] 1015 00:26:30,005 --> 00:26:31,631 NICE WORK. 1016 00:26:31,673 --> 00:26:33,509 CAN I GO AGAIN? 1017 00:26:33,551 --> 00:26:34,801 YEAH. 1018 00:26:34,843 --> 00:26:35,928 MAN, I HAVEN'T 1019 00:26:34,843 --> 00:26:35,928 PLAYED THIS GAME 1020 00:26:35,969 --> 00:26:37,430 SINCE I WAS, LIKE, 1021 00:26:35,969 --> 00:26:37,430 SEVEN YEARS OLD. 1022 00:26:37,471 --> 00:26:38,431 NO? 1023 00:26:38,472 --> 00:26:40,057 NO. 1024 00:26:40,099 --> 00:26:41,392 I NEVER DID THIS 1025 00:26:40,099 --> 00:26:41,392 AS A KID. 1026 00:26:41,434 --> 00:26:42,684 WHAT, YOUR PARENTS 1027 00:26:41,434 --> 00:26:42,684 NEVER TOOK YOU? 1028 00:26:42,726 --> 00:26:44,186 NO, THEY WEREN'T AROUND. 1029 00:26:44,228 --> 00:26:45,563 BUT I MET MY MOM ONCE. 1030 00:26:45,603 --> 00:26:46,897 WOW, YOU DIDN'T 1031 00:26:45,603 --> 00:26:46,897 LIVE WITH HER? 1032 00:26:46,939 --> 00:26:48,023 NO. 1033 00:26:48,065 --> 00:26:49,275 WOW. 1034 00:26:49,316 --> 00:26:50,359 CAN I, UH, 1035 00:26:50,401 --> 00:26:51,360 CAN I SHOW YOU 1036 00:26:50,401 --> 00:26:51,360 SOMETHING? 1037 00:26:51,402 --> 00:26:52,694 DO YOU MIND? 1038 00:26:52,736 --> 00:26:53,779 SURE. 1039 00:26:53,820 --> 00:26:55,155 MAY I SHOW YOU 1040 00:26:53,820 --> 00:26:55,155 SOMETHING? 1041 00:26:55,197 --> 00:26:56,614 SURE. 1042 00:26:56,656 --> 00:26:57,741 BEFORE YOU HIT 1043 00:26:56,656 --> 00:26:57,741 THE BALL... 1044 00:26:57,783 --> 00:26:58,992 YEAH. 1045 00:26:59,034 --> 00:26:59,993 IF YOU TRY 1046 00:26:59,034 --> 00:26:59,993 BOUNCING A FEW TIMES. 1047 00:27:00,035 --> 00:27:01,203 BOUNCE? 1048 00:27:01,245 --> 00:27:02,496 YEAH, WELL... 1049 00:27:01,245 --> 00:27:02,496 OKAY. 1050 00:27:02,538 --> 00:27:03,497 YOU WANT TO TRY IT? 1051 00:27:02,538 --> 00:27:03,497 SURE. 1052 00:27:03,539 --> 00:27:04,915 OKAY, READY? 1053 00:27:03,539 --> 00:27:04,915 YEAH. 1054 00:27:04,957 --> 00:27:06,584 ONE, TWO THREE. 1055 00:27:08,668 --> 00:27:10,003 AH, WELL. 1056 00:27:10,045 --> 00:27:11,130 JUST ABOUT. 1057 00:27:11,171 --> 00:27:12,423 NICE, NICE THOUGH. 1058 00:27:12,465 --> 00:27:14,216 YEAH, IT WAS A GREAT 1059 00:27:12,465 --> 00:27:14,216 TECHNIQUE, THOUGH. 1060 00:27:14,258 --> 00:27:15,717 IT'S ALMOST THERE. 1061 00:27:15,759 --> 00:27:16,718 SMART-ASS. 1062 00:27:16,760 --> 00:27:17,886 AH, WELL. 1063 00:27:17,928 --> 00:27:19,763 SHUT UP. 1064 00:27:19,805 --> 00:27:21,056 "HERE CUMS THE PRINCIPAL"? 1065 00:27:21,098 --> 00:27:22,349 C-U-M-S. 1066 00:27:21,098 --> 00:27:22,349 WHAT IS THIS? 1067 00:27:22,391 --> 00:27:24,977 OKAY, HANG ON, 1068 00:27:22,391 --> 00:27:24,977 HANG ON... 1069 00:27:27,521 --> 00:27:29,106 JUST, JESUS, 1070 00:27:27,521 --> 00:27:29,106 JUST TURN IT OFF. 1071 00:27:29,148 --> 00:27:30,316 I MEAN, REALLY, 1072 00:27:30,357 --> 00:27:31,691 WHAT ARE YOU 1073 00:27:30,357 --> 00:27:31,691 GOING TO TELL ME? 1074 00:27:31,733 --> 00:27:32,692 THAT FAE BUCKLEY 1075 00:27:31,733 --> 00:27:32,692 PRODUCES PORNO VIDEOS? 1076 00:27:32,734 --> 00:27:34,236 NO, NO, NO, NO-- 1077 00:27:34,278 --> 00:27:36,322 THERE. SEE THAT GIRL 1078 00:27:34,278 --> 00:27:36,322 RIGHT THERE? 1079 00:27:36,363 --> 00:27:37,615 SHE'S 17. 1080 00:27:37,655 --> 00:27:39,699 SHE RAN AWAY FROM HOME 1081 00:27:37,655 --> 00:27:39,699 WHEN SHE WAS 14. 1082 00:27:39,741 --> 00:27:41,994 APPARENTLY, HER FATHER WAS 1083 00:27:39,741 --> 00:27:41,994 ABUSING THE HELL OUT OF HER, 1084 00:27:42,035 --> 00:27:45,080 AND HER MOTHER COULDN'T 1085 00:27:42,035 --> 00:27:45,080 OR WOULDN'T STOP HIM. 1086 00:27:45,122 --> 00:27:46,624 CHILD SERVICES REPORT 1087 00:27:45,122 --> 00:27:46,624 WE PULLED 1088 00:27:46,664 --> 00:27:49,835 HAS ALL THE GORY DETAILS, 1089 00:27:49,876 --> 00:27:53,839 BUT HER PORN-STAR NAME 1090 00:27:49,876 --> 00:27:53,839 IS CHINA, 1091 00:27:53,880 --> 00:27:56,716 HER GIVEN NAME 1092 00:27:53,880 --> 00:27:56,716 IS CORA BUCKLEY. 1093 00:27:59,094 --> 00:28:00,596 I KNOW THEY KNOW 1094 00:27:59,094 --> 00:28:00,596 THAT I'M GAY, 1095 00:28:00,638 --> 00:28:02,014 I JUST REALLY 1096 00:28:00,638 --> 00:28:02,014 DON'T WANT 1097 00:28:02,055 --> 00:28:03,474 TO TALK ABOUT IT 1098 00:28:02,055 --> 00:28:03,474 WITH THEM. 1099 00:28:03,516 --> 00:28:06,644 AH, THEY'RE 1100 00:28:03,516 --> 00:28:06,644 SUCH PERVS. 1101 00:28:06,684 --> 00:28:09,396 WHY ARE THEY PERVS? 1102 00:28:09,438 --> 00:28:11,190 WELL, THEY HAVE 1103 00:28:09,438 --> 00:28:11,190 THIS CABINET 1104 00:28:11,231 --> 00:28:12,525 THAT THEY NORMALLY 1105 00:28:11,231 --> 00:28:12,525 KEEP LOCKED 1106 00:28:12,566 --> 00:28:13,775 IN THE MEDIA ROOM. 1107 00:28:13,817 --> 00:28:15,319 ANYWAY, ONE NIGHT 1108 00:28:13,817 --> 00:28:15,319 THEY GOT DRUNK 1109 00:28:15,361 --> 00:28:16,778 AND LEFT SOME 1110 00:28:15,361 --> 00:28:16,778 STUFF OUT, 1111 00:28:16,820 --> 00:28:18,447 AND CONSUELA WAS CLEANING 1112 00:28:16,820 --> 00:28:18,447 THE NEXT DAY 1113 00:28:18,489 --> 00:28:21,367 AND JUST HAPPENED TO 1114 00:28:18,489 --> 00:28:21,367 PUSH PLAY ON THE VCR, 1115 00:28:21,408 --> 00:28:24,244 AND UP POPS MY MOM, 1116 00:28:21,408 --> 00:28:24,244 BUCK NAKED, OKAY, 1117 00:28:24,286 --> 00:28:26,330 RIDING MY DAD, 1118 00:28:26,372 --> 00:28:28,123 WHIPPING HIM 1119 00:28:26,372 --> 00:28:28,123 WITH A SWITCH. 1120 00:28:28,165 --> 00:28:29,124 [ CHUCKLING ] 1121 00:28:29,166 --> 00:28:31,669 IT WAS PRETTY GROSS. 1122 00:28:33,546 --> 00:28:35,172 YOU KNOW, BUT 1123 00:28:33,546 --> 00:28:35,172 YOU'VE GOT TO-- 1124 00:28:35,214 --> 00:28:37,799 YOU'VE GOT TO GIVE IT 1125 00:28:35,214 --> 00:28:37,799 TO YOUR FOLKS, I MEAN, 1126 00:28:37,841 --> 00:28:40,260 THEY WANT TO KEEP 1127 00:28:37,841 --> 00:28:40,260 THEIR LIFE INTERESTING... 1128 00:28:40,302 --> 00:28:44,097 AND THEY STILL 1129 00:28:40,302 --> 00:28:44,097 WANT TO GET IT ON. 1130 00:28:44,139 --> 00:28:46,725 GOD. 1131 00:28:46,766 --> 00:28:49,895 YOU KNOW, I'VE 1132 00:28:46,766 --> 00:28:49,895 NEVER MET ANYONE 1133 00:28:49,936 --> 00:28:52,814 LIKE YOU BEFORE. 1134 00:28:52,856 --> 00:28:54,191 WELL, THAT'S-- 1135 00:28:54,233 --> 00:28:57,903 THAT'S NOT NECESSARILY 1136 00:28:54,233 --> 00:28:57,903 A VERY GOOD THING. 1137 00:28:57,944 --> 00:28:59,488 TELL ME MORE ABOUT 1138 00:28:57,944 --> 00:28:59,488 YOUR PARENTS. 1139 00:28:59,530 --> 00:29:04,284 LIKE, HOW COME YOU 1140 00:28:59,530 --> 00:29:04,284 DIDN'T LIVE WITH THEM? 1141 00:29:04,326 --> 00:29:06,453 NO. NO. 1142 00:29:06,495 --> 00:29:08,539 NO, I... 1143 00:29:08,581 --> 00:29:10,332 NO, I CAN'T DO THAT. 1144 00:29:10,374 --> 00:29:11,500 IT'S NOT RIGHT. 1145 00:29:11,542 --> 00:29:12,959 WHY? 1146 00:29:13,001 --> 00:29:14,169 BECAUSE THAT'S NOT 1147 00:29:13,001 --> 00:29:14,169 WHAT YOUR DAD HAD IN MIND 1148 00:29:14,211 --> 00:29:15,170 WHEN HE ASKED ME 1149 00:29:14,211 --> 00:29:15,170 TO HANG OUT WITH YOU. 1150 00:29:15,212 --> 00:29:16,296 GOD, I DON'T CARE. 1151 00:29:16,338 --> 00:29:19,174 CLEA... 1152 00:29:19,216 --> 00:29:22,094 I'M INVOLVED 1153 00:29:19,216 --> 00:29:22,094 IN A FEW THINGS THAT I... 1154 00:29:22,135 --> 00:29:23,136 I--I JUST-- 1155 00:29:22,135 --> 00:29:23,136 I DON'T WANT... 1156 00:29:23,178 --> 00:29:26,098 OH, LIKE DRUGS? 1157 00:29:23,178 --> 00:29:26,098 WHAT? 1158 00:29:28,225 --> 00:29:30,352 YEAH, THAT'S 1159 00:29:28,225 --> 00:29:30,352 PART OF IT. 1160 00:29:32,812 --> 00:29:34,064 WHAT IF IT'S 1161 00:29:32,812 --> 00:29:34,064 NOT TRUE? 1162 00:29:34,106 --> 00:29:35,774 NO, WE GOT AHOLD 1163 00:29:34,106 --> 00:29:35,774 OF THE POLICE RECORDS, 1164 00:29:35,815 --> 00:29:37,317 AND THE MISSING PERSONS 1165 00:29:35,815 --> 00:29:37,317 REPORT. 1166 00:29:37,359 --> 00:29:38,818 WE HAVE EVIDENCE OF FAE 1167 00:29:37,359 --> 00:29:38,818 PAYING OFF 1168 00:29:38,860 --> 00:29:40,820 A DISTRICT COURT JUDGE 1169 00:29:38,860 --> 00:29:40,820 TO EXPUNGE THE RECORD. 1170 00:29:40,862 --> 00:29:42,573 WELL, THEN WHY HAS IT 1171 00:29:40,862 --> 00:29:42,573 NEVER COME OUT? 1172 00:29:42,615 --> 00:29:45,158 BECAUSE OUR PEOPLE DON'T KNOW 1173 00:29:42,615 --> 00:29:45,158 HOW TO PLAY THIS GAME. 1174 00:29:45,200 --> 00:29:46,744 WE'RE PROGRESSIVES, 1175 00:29:46,785 --> 00:29:48,454 AND WE'RE ACCUSED 1176 00:29:46,785 --> 00:29:48,454 OF BEING MORALLY BANKRUPT. 1177 00:29:48,495 --> 00:29:50,289 THEY HAVE SO MANY FUCKING 1178 00:29:48,495 --> 00:29:50,289 SKELETONS IN THEIR CLOSETS, 1179 00:29:50,330 --> 00:29:52,791 AND WE DON'T TOUCH THEM. 1180 00:29:52,832 --> 00:29:55,294 WE TAKE THE HIGH ROAD, 1181 00:29:52,832 --> 00:29:55,294 WE WIND UP IN THE DITCH. 1182 00:29:55,335 --> 00:29:58,004 WE LEAVE OUR DIRTY LAUNDRY 1183 00:29:55,335 --> 00:29:58,004 HANGING OUT ALL OVER THE PLACE, 1184 00:29:58,046 --> 00:29:59,298 BECAUSE WE'RE NOT 1185 00:29:58,046 --> 00:29:59,298 SO ASHAMED OF IT. 1186 00:29:59,339 --> 00:30:00,799 THEY GRAB IT, 1187 00:29:59,339 --> 00:30:00,799 AND THEY WAVE IT AROUND, 1188 00:30:00,840 --> 00:30:03,051 THEY MAKE US LOOK 1189 00:30:00,840 --> 00:30:03,051 LIKE PERVERTS. 1190 00:30:03,093 --> 00:30:05,220 WE HAVE TO GET 1191 00:30:03,093 --> 00:30:05,220 INTO THEIR CLOSETS. 1192 00:30:05,262 --> 00:30:08,181 WE CAN NOT AFFORD TO KEEP ON 1193 00:30:05,262 --> 00:30:08,181 BEING SO HIGH-MINDED, 1194 00:30:08,223 --> 00:30:11,143 BECAUSE WE'RE 1195 00:30:08,223 --> 00:30:11,143 GETTING KILLED. 1196 00:30:12,227 --> 00:30:19,693 ♪ DRIVING INTO THE SUN ♪ 1197 00:30:19,735 --> 00:30:23,113 ♪ OF OUR NEWFOUND DESPAIR ♪ 1198 00:30:23,155 --> 00:30:24,698 HEY. 1199 00:30:23,155 --> 00:30:24,698 HI! 1200 00:30:24,740 --> 00:30:26,116 DANA, RIGHT? 1201 00:30:26,158 --> 00:30:27,117 JENNY. 1202 00:30:27,159 --> 00:30:28,118 ARE YOU ALONE? 1203 00:30:28,160 --> 00:30:29,536 YEAH. 1204 00:30:29,578 --> 00:30:30,996 CAN I SIT WITH YOU? 1205 00:30:31,037 --> 00:30:32,498 YEAH, YEAH, YEAH, 1206 00:30:31,037 --> 00:30:32,498 COME ON. 1207 00:30:32,539 --> 00:30:33,915 HERE, SIT. 1208 00:30:35,208 --> 00:30:36,918 I'VE NEVER DONE THIS BEFORE. 1209 00:30:36,960 --> 00:30:38,629 YOU'VE NEVER BEEN 1210 00:30:36,960 --> 00:30:38,629 TO A BAR BEFORE? 1211 00:30:38,671 --> 00:30:41,674 NO, A WOMEN'S BAR... 1212 00:30:38,671 --> 00:30:41,674 BY MYSELF. 1213 00:30:41,715 --> 00:30:43,383 OH. ME NEITHER. 1214 00:30:43,425 --> 00:30:44,677 OH, YEAH? 1215 00:30:43,425 --> 00:30:44,677 YEAH. 1216 00:30:44,718 --> 00:30:46,303 WELL, ALICE WAS SUPPOSED 1217 00:30:44,718 --> 00:30:46,303 TO COME WITH ME, 1218 00:30:46,345 --> 00:30:48,681 BUT HER BOYFRIEND CALLED, 1219 00:30:46,345 --> 00:30:48,681 SO... 1220 00:30:48,722 --> 00:30:50,182 ALICE IS BISEXUAL? 1221 00:30:51,266 --> 00:30:52,184 YEAH. 1222 00:30:55,020 --> 00:30:57,690 THIS IS LIKE SOMETHING 1223 00:30:55,020 --> 00:30:57,690 OUT OF THE 1950s. 1224 00:30:57,731 --> 00:30:59,483 IT'S SO BUTCH AND FEMME. 1225 00:30:59,525 --> 00:31:00,859 I KNOW. 1226 00:30:59,525 --> 00:31:00,859 YEAH. 1227 00:31:00,900 --> 00:31:02,695 WELL, IT'S THE OLDEST 1228 00:31:00,900 --> 00:31:02,695 LESBIAN BAR IN L.A. 1229 00:31:02,736 --> 00:31:06,865 ACTUALLY, IT PROBABLY 1230 00:31:02,736 --> 00:31:06,865 HASN'T CHANGED SINCE THE '50s... 1231 00:31:06,906 --> 00:31:08,742 BUT, REALLY, IT'S NO DIFFERENT 1232 00:31:06,906 --> 00:31:08,742 THAN ANY OTHER CLUB, 1233 00:31:08,784 --> 00:31:10,118 YOU KNOW, 1234 00:31:08,784 --> 00:31:10,118 I MEAN, 1235 00:31:10,160 --> 00:31:11,745 YOU HAVE A FEW DRINKS, 1236 00:31:10,160 --> 00:31:11,745 YOU KNOW, 1237 00:31:11,787 --> 00:31:14,707 TALK TO A FEW PEOPLE YOU HAVE 1238 00:31:11,787 --> 00:31:14,707 NOTHING IN COMMON WITH, 1239 00:31:14,748 --> 00:31:16,416 REALIZE HOW UNLIKELY IT IS 1240 00:31:16,458 --> 00:31:19,878 YOU'LL EVER MEET ANYONE 1241 00:31:16,458 --> 00:31:19,878 WHO'S RIGHT FOR YOU AGAIN. 1242 00:31:19,919 --> 00:31:22,881 SO YOU HAVE MET SOMEONE 1243 00:31:19,919 --> 00:31:22,881 THAT'S RIGHT FOR YOU? 1244 00:31:22,922 --> 00:31:25,592 WE BROKE UP. 1245 00:31:38,938 --> 00:31:40,691 IT'S MESSY. 1246 00:31:40,733 --> 00:31:41,983 I KNOW THAT. 1247 00:31:42,025 --> 00:31:42,984 NO, NO, NO, 1248 00:31:42,025 --> 00:31:42,984 IT'S NO PROBLEM. 1249 00:31:43,026 --> 00:31:44,194 YEAH. 1250 00:31:43,026 --> 00:31:44,194 IT'S FINE. 1251 00:31:44,236 --> 00:31:45,904 IT'S SMALL. 1252 00:31:45,945 --> 00:31:50,242 THERE AREN'T, UH, 1253 00:31:45,945 --> 00:31:50,242 TOO MANY PLACES TO SIT. 1254 00:31:57,541 --> 00:31:59,918 OH, SORRY. 1255 00:31:59,959 --> 00:32:02,504 [ CLEARS THROAT ] 1256 00:32:02,546 --> 00:32:06,091 SO YOU'RE 1257 00:32:02,546 --> 00:32:06,091 A TENNIS PLAYER? 1258 00:32:07,467 --> 00:32:09,511 MM-HMM. 1259 00:32:10,970 --> 00:32:13,891 WHAT'S THAT LIKE? 1260 00:32:16,435 --> 00:32:17,686 I TRAIN A LOT. 1261 00:32:17,728 --> 00:32:21,732 WOW, THAT'S REALLY 1262 00:32:17,728 --> 00:32:21,732 INTERESTING. 1263 00:32:21,774 --> 00:32:23,233 I GO ON TOUR. 1264 00:32:23,275 --> 00:32:24,234 OH, WOW. 1265 00:32:24,276 --> 00:32:27,195 YEAH. 1266 00:32:24,276 --> 00:32:27,195 YEAH. 1267 00:32:29,907 --> 00:32:33,619 I DON'T HAVE 1268 00:32:29,907 --> 00:32:33,619 ANYTHING TO DRINK. 1269 00:32:35,454 --> 00:32:38,498 DO YOU WANT JUICE? 1270 00:32:39,583 --> 00:32:40,542 SURE. 1271 00:32:40,584 --> 00:32:42,961 OKAY. 1272 00:32:48,675 --> 00:32:50,636 SO THIS IS WHERE YOU WRITE? 1273 00:32:50,677 --> 00:32:53,096 YEAH, YEAH, I, UH... 1274 00:32:53,138 --> 00:32:58,351 I PRETTY MUCH DO EVERYTHING 1275 00:32:53,138 --> 00:32:58,351 IN HERE, AS YOU CAN SEE. 1276 00:32:58,393 --> 00:33:02,314 IT USED TO BE 1277 00:32:58,393 --> 00:33:02,314 MY WRITING STUDIO, 1278 00:33:02,355 --> 00:33:05,191 BUT, YOU KNOW, AFTER 1279 00:33:02,355 --> 00:33:05,191 THAT THING WITH TIM AND I... 1280 00:33:05,233 --> 00:33:07,152 OH, RIGHT. YEAH, YEAH, YEAH. 1281 00:33:05,233 --> 00:33:07,152 MM-HMM. 1282 00:33:07,193 --> 00:33:10,113 SO HE'S LETTING ME 1283 00:33:07,193 --> 00:33:10,113 STAY HERE, SO FAR... 1284 00:33:12,783 --> 00:33:15,118 AND I PAY HIM RENT, 1285 00:33:15,160 --> 00:33:16,829 WHICH IS 1286 00:33:15,160 --> 00:33:16,829 KIND OF WEIRD. 1287 00:33:16,870 --> 00:33:17,871 YEAH. YEAH. 1288 00:33:17,913 --> 00:33:22,918 ♪ IT'S SO AWKWARD ♪ 1289 00:33:22,960 --> 00:33:25,921 ♪ TO BE NEAR YOU ♪ 1290 00:33:28,841 --> 00:33:33,804 ♪ ON THIS TRAGIC KIND OF DAY ♪ 1291 00:33:40,435 --> 00:33:44,648 ♪ ALL OF THE PLAYERS ♪ 1292 00:33:44,690 --> 00:33:46,358 [ CLEARS THROAT ] 1293 00:33:46,399 --> 00:33:48,443 ♪ THAT NEVER WILL PLACE ♪ 1294 00:33:48,485 --> 00:33:49,903 OH, GOSH. 1295 00:33:49,945 --> 00:33:52,614 OH, SH--I'M SO SORRY. 1296 00:33:49,945 --> 00:33:52,614 OH, NO, NO-- 1297 00:33:52,656 --> 00:33:53,824 OH, GOD. 1298 00:33:53,866 --> 00:33:55,074 NO, NO, NO. GOSH. 1299 00:33:53,866 --> 00:33:55,074 GIVE THEM TO ME, 1300 00:33:55,116 --> 00:33:56,368 I'LL GET THEM 1301 00:33:55,116 --> 00:33:56,368 DRY CLEANED. 1302 00:33:56,409 --> 00:33:57,870 NO, NO, IT'S OKAY-- 1303 00:33:56,409 --> 00:33:57,870 I'M JUST-- 1304 00:33:57,911 --> 00:34:00,079 I KNOW THERE'S WORSE STUFF 1305 00:33:57,911 --> 00:34:00,079 ON IT THAN THAT. 1306 00:34:00,121 --> 00:34:02,040 OH... 1307 00:34:04,668 --> 00:34:06,294 ♪ ALL OF THE RUNNERS ♪ 1308 00:34:06,336 --> 00:34:09,923 OKAY. 1309 00:34:09,965 --> 00:34:14,511 ♪ THAT NEVER 1310 00:34:09,965 --> 00:34:14,511 FINISH THE RACE ♪ 1311 00:34:14,553 --> 00:34:16,596 [ CLEARS THROAT ] 1312 00:34:16,638 --> 00:34:19,975 ♪ WORDS NEVER SPOKEN ♪ 1313 00:34:22,477 --> 00:34:26,189 ♪ 'CAUSE THERE 1314 00:34:22,477 --> 00:34:26,189 WAS NO GRACE ♪ 1315 00:34:26,231 --> 00:34:27,399 HERE... 1316 00:34:29,317 --> 00:34:30,819 ♪ TAKE MY LOVER ♪ 1317 00:34:30,861 --> 00:34:33,154 OOF! 1318 00:34:33,196 --> 00:34:34,907 UM... 1319 00:34:34,948 --> 00:34:37,075 OKAY, JUST, UM... 1320 00:34:37,116 --> 00:34:39,536 OH! 1321 00:34:37,116 --> 00:34:39,536 OH, GOD. 1322 00:34:39,578 --> 00:34:42,121 OKAY. 1323 00:34:44,207 --> 00:34:45,834 OOF! DAMN! 1324 00:34:44,207 --> 00:34:45,834 OH, SORRY. 1325 00:34:45,876 --> 00:34:47,044 DID THAT HURT? 1326 00:34:47,085 --> 00:34:48,127 NO, IT'S ALL RIGHT. 1327 00:34:47,085 --> 00:34:48,127 AH, HERE. 1328 00:34:48,169 --> 00:34:50,005 OKAY. UM, YOU KNOW, 1329 00:34:50,047 --> 00:34:51,590 WHY DON'T, UH... 1330 00:34:51,631 --> 00:34:53,216 WHAT? IS THIS 1331 00:34:51,631 --> 00:34:53,216 NO GOOD? 1332 00:34:53,258 --> 00:34:54,300 YEAH, WHY DON'T YOU 1333 00:34:53,258 --> 00:34:54,300 GET ON TOP? 1334 00:34:54,342 --> 00:34:57,012 OKAY, HERE, HERE. 1335 00:35:01,182 --> 00:35:02,141 OOH... 1336 00:35:02,183 --> 00:35:03,142 HERE. 1337 00:35:03,184 --> 00:35:04,686 OW! 1338 00:35:04,728 --> 00:35:05,938 THAT'S OKAY. 1339 00:35:05,979 --> 00:35:11,109 ♪ ON THIS TRAGIC 1340 00:35:05,979 --> 00:35:11,109 KIND OF DAY ♪ 1341 00:35:13,194 --> 00:35:18,491 THIS IS A REALLY 1342 00:35:13,194 --> 00:35:18,491 BAD IDEA... 1343 00:35:18,533 --> 00:35:20,326 ISN'T IT? 1344 00:35:20,368 --> 00:35:22,537 IT'S REALLY BAD. 1345 00:35:22,579 --> 00:35:25,331 MAYBE WE SHOULD STOP 1346 00:35:25,373 --> 00:35:28,001 BEFORE IT GETS 1347 00:35:25,373 --> 00:35:28,001 TOO GRIM. 1348 00:35:28,043 --> 00:35:30,253 I THINK SO. 1349 00:35:30,295 --> 00:35:33,006 ♪ ALL OF THE FEELINGS ♪ 1350 00:35:33,048 --> 00:35:34,466 [ CLEARS THROAT ] 1351 00:35:34,507 --> 00:35:36,843 YEAH. 1352 00:35:38,095 --> 00:35:40,388 [sighs] 1353 00:35:42,641 --> 00:35:43,767 MAYBE WE SHOULD 1354 00:35:42,641 --> 00:35:43,767 JUST BE FRIENDS 1355 00:35:43,809 --> 00:35:46,812 OR SOMETHING-- 1356 00:35:43,809 --> 00:35:46,812 YEAH, YEAH, YEAH. 1357 00:35:46,853 --> 00:35:48,605 I'LL JUST GRAB THIS. 1358 00:35:48,647 --> 00:35:50,857 OKAY. 1359 00:35:56,195 --> 00:35:58,782 OH, GOD... 1360 00:35:58,824 --> 00:36:01,367 I AM SO P.M.S. 1361 00:36:01,409 --> 00:36:02,911 IT'S GOOD TO GET 1362 00:36:01,409 --> 00:36:02,911 OFF MY FEET. 1363 00:36:02,953 --> 00:36:04,997 I HAVE SO MANY 1364 00:36:02,953 --> 00:36:04,997 FUNCTIONS THIS MONTH. 1365 00:36:05,038 --> 00:36:06,164 STEVE AND I 1366 00:36:05,038 --> 00:36:06,164 ARE THE CO-CHAIRS 1367 00:36:06,205 --> 00:36:07,540 OF THE "I HAVE A DREAM" GALA-- 1368 00:36:07,582 --> 00:36:09,375 IT'S GOOD TO SEE YOU. 1369 00:36:09,417 --> 00:36:11,169 I'VE BEEN DYING TO GET THESE 1370 00:36:09,417 --> 00:36:11,169 CHROME HEARTS MOTORCYCLE BOOTS. 1371 00:36:11,210 --> 00:36:13,839 THEY WOULD LOOK 1372 00:36:11,210 --> 00:36:13,839 AMAZING ON YOU. 1373 00:36:13,880 --> 00:36:14,965 LOOK, BABY, 1374 00:36:13,880 --> 00:36:14,965 I NEED TO TALK TO YOU-- 1375 00:36:15,007 --> 00:36:17,300 HOLD THAT THOUGHT. 1376 00:36:21,805 --> 00:36:23,640 NO... 1377 00:36:25,433 --> 00:36:26,768 I CAN'T. 1378 00:36:26,810 --> 00:36:27,811 DON'T BE RIDICULOUS, 1379 00:36:26,810 --> 00:36:27,811 TRY IT ON. 1380 00:36:27,853 --> 00:36:29,604 I CAN'T. 1381 00:36:29,646 --> 00:36:31,106 LOOK, CHERIE, 1382 00:36:29,646 --> 00:36:31,106 IF I'M GOING TO DO BUSINESS 1383 00:36:31,148 --> 00:36:33,358 WITH YOU 1384 00:36:31,148 --> 00:36:33,358 AND YOUR HUSBAND, 1385 00:36:33,399 --> 00:36:34,818 I'M NOT GETTING 1386 00:36:33,399 --> 00:36:34,818 INVOLVED IN YOUR MARRIAGE. 1387 00:36:34,860 --> 00:36:37,236 I'M SORRY. 1388 00:36:39,156 --> 00:36:42,492 YOU'RE NOT TRYING 1389 00:36:39,156 --> 00:36:42,492 TO BREAK UP WITH ME, ARE YOU? 1390 00:36:44,577 --> 00:36:46,079 BECAUSE THAT 1391 00:36:44,577 --> 00:36:46,079 WOULD BE... 1392 00:36:46,121 --> 00:36:51,793 A VERY, 1393 00:36:46,121 --> 00:36:51,793 VERY BAD THING TO DO. 1394 00:36:51,835 --> 00:36:54,754 DO YOU LIKE 1395 00:36:51,835 --> 00:36:54,754 FUCKING ME, SHANE? 1396 00:36:56,506 --> 00:36:58,008 I LOVE IT. 1397 00:36:59,801 --> 00:37:02,512 STEVE WILL NEVER FIND OUT. 1398 00:37:10,603 --> 00:37:11,771 I'M NOT WEARING 1399 00:37:10,603 --> 00:37:11,771 ANY UNDERWEAR. 1400 00:37:11,813 --> 00:37:13,314 I KNOW. 1401 00:37:11,813 --> 00:37:13,314 I CAN SEE THAT. 1402 00:37:13,356 --> 00:37:15,567 [ GIGGLING ] 1403 00:37:15,608 --> 00:37:16,985 YOU'RE CRAZY. 1404 00:37:17,027 --> 00:37:18,653 YOU HAVE NO IDEA. 1405 00:37:18,695 --> 00:37:20,697 UH, DOES IT LACK... 1406 00:37:20,739 --> 00:37:22,199 OKAY, OKAY, 1407 00:37:20,739 --> 00:37:22,199 DOES IT LACK... 1408 00:37:22,240 --> 00:37:23,324 DOES IT LACK... 1409 00:37:23,366 --> 00:37:25,326 OH, DOES IT LACK 1410 00:37:23,366 --> 00:37:25,326 SERIOUS LITERARY, 1411 00:37:25,368 --> 00:37:26,912 ARTISTIC, POLITICAL, 1412 00:37:25,368 --> 00:37:26,912 OR SCIENTIFIC VALUE? 1413 00:37:26,953 --> 00:37:28,496 GOOD. 1414 00:37:28,538 --> 00:37:30,248 INSIGHT'S JUST DOWN 1415 00:37:28,538 --> 00:37:30,248 HERE ON STAGE FOUR. 1416 00:37:30,289 --> 00:37:31,249 NOW, WHAT ARE YOU 1417 00:37:30,289 --> 00:37:31,249 GOING TO DO 1418 00:37:31,290 --> 00:37:32,250 WHEN SHE BAITS YOU? 1419 00:37:32,291 --> 00:37:33,418 "SO MISS PORTER, 1420 00:37:33,459 --> 00:37:35,962 WHY ARE YOU 1421 00:37:33,459 --> 00:37:35,962 SUCH AN ANGRY LESBIAN?" 1422 00:37:36,004 --> 00:37:37,172 MS. BUCKLEY, 1423 00:37:36,004 --> 00:37:37,172 WHY ARE YOU 1424 00:37:37,214 --> 00:37:40,050 SUCH A LYING, 1425 00:37:37,214 --> 00:37:40,050 SCHEMING BIGOT? 1426 00:37:40,092 --> 00:37:42,886 OKAY, SORRY. 1427 00:37:42,928 --> 00:37:44,137 MS. BUCKLEY, 1428 00:37:44,179 --> 00:37:46,264 I DON'T DENY 1429 00:37:44,179 --> 00:37:46,264 I AM A LESBIAN, 1430 00:37:46,305 --> 00:37:47,933 AND IT MAKES ME ANGRY 1431 00:37:47,974 --> 00:37:49,350 WHEN PEOPLE WHO 1432 00:37:47,974 --> 00:37:49,350 HAVEN'T TAKEN THE TIME 1433 00:37:49,392 --> 00:37:50,518 TO SEE THE WORK 1434 00:37:50,560 --> 00:37:51,853 DISTORT AND 1435 00:37:50,560 --> 00:37:51,853 MISREPRESENT IT 1436 00:37:51,895 --> 00:37:53,855 TO THE PUBLIC 1437 00:37:51,895 --> 00:37:53,855 AND TO THE MEDIA. 1438 00:37:53,897 --> 00:37:55,023 IS THAT BETTER? 1439 00:37:55,065 --> 00:37:56,649 IT'S A LITTLE 1440 00:37:55,065 --> 00:37:56,649 COMBATIVE, 1441 00:37:56,691 --> 00:37:58,944 BUT IT'S GOOD. 1442 00:37:58,985 --> 00:38:00,112 OKAY, WAIT. 1443 00:38:00,153 --> 00:38:01,113 WHAT ELSE ARE 1444 00:38:00,153 --> 00:38:01,113 WE FORGETTING? 1445 00:38:01,154 --> 00:38:02,321 WHAT ELSE ARE WE 1446 00:38:01,154 --> 00:38:02,321 FORGETTING? 1447 00:38:02,363 --> 00:38:03,322 OKAY, WE DID 1448 00:38:02,363 --> 00:38:03,322 CRITICAL THINKING, 1449 00:38:03,364 --> 00:38:04,407 FIRST AMENDMENT, 1450 00:38:04,449 --> 00:38:06,785 CENSORSHIP 1451 00:38:04,449 --> 00:38:06,785 IN AMERICA. 1452 00:38:06,826 --> 00:38:07,827 THERE'S THE KUROSAWA 1453 00:38:06,826 --> 00:38:07,827 QUOTE. 1454 00:38:07,869 --> 00:38:09,037 WHAT IS THE KUROSAWA 1455 00:38:07,869 --> 00:38:09,037 QUOTE? 1456 00:38:09,079 --> 00:38:10,622 OKAY, "NEVER 1457 00:38:09,079 --> 00:38:10,622 AVERT YOUR EYES--" 1458 00:38:10,663 --> 00:38:12,165 BABY, YOU ARE 1459 00:38:10,663 --> 00:38:12,165 SO PREPARED. 1460 00:38:12,207 --> 00:38:13,666 JUST RELAX. 1461 00:38:13,708 --> 00:38:15,585 TAKE A DEEP BREATH. 1462 00:38:15,627 --> 00:38:16,753 OKAY? 1463 00:38:18,130 --> 00:38:20,215 YOU'RE GOING TO BE GREAT. 1464 00:38:24,677 --> 00:38:28,265 THANK YOU SO MUCH 1465 00:38:24,677 --> 00:38:28,265 FOR BEING HERE WITH ME. 1466 00:38:28,306 --> 00:38:30,183 I KNOW HOW HARD IT IS 1467 00:38:28,306 --> 00:38:30,183 FOR YOU RIGHT NOW 1468 00:38:30,225 --> 00:38:32,269 JUST TO GET OUT OF BED 1469 00:38:30,225 --> 00:38:32,269 IN THE MORNING. 1470 00:38:32,310 --> 00:38:34,854 I'M GOING 1471 00:38:32,310 --> 00:38:34,854 TO BE OKAY. 1472 00:38:34,896 --> 00:38:38,191 I KNOW. 1473 00:38:42,570 --> 00:38:44,739 LET'S DO THIS IN 1474 00:38:42,570 --> 00:38:44,739 FRONT OF FAE BUCKLEY. 1475 00:38:44,781 --> 00:38:46,825 I'M THERE. 1476 00:38:46,866 --> 00:38:49,244 OKAY. 1477 00:38:56,751 --> 00:38:58,211 [ LAUGHTER AND SPLASHING ] 1478 00:38:58,253 --> 00:38:59,963 TIM, NO! 1479 00:39:00,005 --> 00:39:01,089 COME ON. 1480 00:39:01,131 --> 00:39:02,340 I'M GOING TO GET YOU 1481 00:39:01,131 --> 00:39:02,340 WITH THIS. 1482 00:39:02,381 --> 00:39:06,219 [ LAUGHTER ] 1483 00:39:06,261 --> 00:39:07,971 BE NICE! 1484 00:39:08,013 --> 00:39:10,682 [ LAUGHTER ] 1485 00:39:10,723 --> 00:39:11,641 COME ON. 1486 00:39:16,395 --> 00:39:18,523 JESUS CHRIST, IT WAS 1487 00:39:16,395 --> 00:39:18,523 HARD ENOUGH FINDING THIS-- 1488 00:39:18,564 --> 00:39:19,732 BETTE! 1489 00:39:19,774 --> 00:39:21,400 I AM SO GLAD 1490 00:39:19,774 --> 00:39:21,400 TO SEE YOU. 1491 00:39:21,442 --> 00:39:23,236 I HAVE REALLY BEEN 1492 00:39:21,442 --> 00:39:23,236 LOOKING FORWARD TO THIS. 1493 00:39:23,278 --> 00:39:24,946 [sighs] 1494 00:39:23,278 --> 00:39:24,946 YES, SO HAVE I. 1495 00:39:24,988 --> 00:39:26,114 GOOD, I SEE YOU'VE MET. 1496 00:39:26,156 --> 00:39:27,115 BETTE PORTER. 1497 00:39:27,157 --> 00:39:28,116 WELCOME TO THE SHOW. 1498 00:39:27,157 --> 00:39:28,116 HI. 1499 00:39:28,158 --> 00:39:29,159 NICE TO HAVE YOU 1500 00:39:28,158 --> 00:39:29,159 AGAIN. 1501 00:39:29,201 --> 00:39:30,285 OH, I'M SO 1502 00:39:29,201 --> 00:39:30,285 GLAD TO BE HERE. 1503 00:39:30,327 --> 00:39:31,452 DARLA WILL BE OUT 1504 00:39:30,327 --> 00:39:31,452 IN A FEW MINUTES 1505 00:39:31,494 --> 00:39:32,662 TO TAKE YOU BOTH 1506 00:39:31,494 --> 00:39:32,662 TO MAKEUP. 1507 00:39:32,704 --> 00:39:34,164 I'LL SEE YOU ON SET. 1508 00:39:34,206 --> 00:39:35,290 IT MUST BE HARD 1509 00:39:34,206 --> 00:39:35,290 FOR MAKEUP PEOPLE 1510 00:39:35,332 --> 00:39:36,749 TO FIND YOUR COLOR. 1511 00:39:36,791 --> 00:39:38,001 IT'S SO IN-BETWEEN. 1512 00:39:38,043 --> 00:39:40,086 I GUESS DARLA 1513 00:39:38,043 --> 00:39:40,086 WILL HAVE TO MIX. 1514 00:39:42,922 --> 00:39:43,882 WHAT DID SHE MEAN BY THAT? 1515 00:39:43,923 --> 00:39:45,175 SHE WAS 1516 00:39:43,923 --> 00:39:45,175 LETTING YOU KNOW 1517 00:39:45,217 --> 00:39:46,301 THAT SHE KNOWS PERSONAL 1518 00:39:45,217 --> 00:39:46,301 DETAILS ABOUT YOU. 1519 00:39:46,343 --> 00:39:47,552 SHE KNOWS 1520 00:39:46,343 --> 00:39:47,552 YOU'RE HALF BLACK. 1521 00:39:47,593 --> 00:39:48,720 IS THAT A CRIME NOW? 1522 00:39:48,761 --> 00:39:50,347 NO, SHE WAS TRYING 1523 00:39:48,761 --> 00:39:50,347 TO PSYCHE YOU OUT. 1524 00:39:50,388 --> 00:39:52,224 I CAN SEE 1525 00:39:50,388 --> 00:39:52,224 THAT IT WORKED. 1526 00:39:52,265 --> 00:39:53,725 LOOK, BETTE... 1527 00:39:53,766 --> 00:39:54,726 THE BOARD 1528 00:39:53,766 --> 00:39:54,726 IS FINE WITH IT, 1529 00:39:54,767 --> 00:39:55,894 I'M FINE WITH IT 1530 00:39:55,935 --> 00:39:58,646 IF YOU WANT TO USE 1531 00:39:55,935 --> 00:39:58,646 THAT VIDEO. 1532 00:40:01,149 --> 00:40:02,108 [ LAUGHTER ] 1533 00:40:02,150 --> 00:40:03,401 [ TELEPHONE RINGING ] 1534 00:40:03,442 --> 00:40:04,777 YEAH, THAT WAS REALLY GOOD. 1535 00:40:03,442 --> 00:40:04,777 THANK YOU. 1536 00:40:04,819 --> 00:40:07,072 WAIT A SECOND. 1537 00:40:04,819 --> 00:40:07,072 I'LL BE RIGHT BACK. 1538 00:40:07,113 --> 00:40:08,406 PROMISE. 1539 00:40:12,285 --> 00:40:16,455 [ TELEPHONE RINGING ] 1540 00:40:16,497 --> 00:40:17,623 HELLO? 1541 00:40:17,665 --> 00:40:19,584 HI. 1542 00:40:19,625 --> 00:40:22,461 OKAY, TIM, 1543 00:40:19,625 --> 00:40:22,461 WE NEED TO TALK. 1544 00:40:22,503 --> 00:40:23,546 CAN'T IT WAIT? 1545 00:40:23,588 --> 00:40:24,797 NO, NO, NO. 1546 00:40:23,588 --> 00:40:24,797 IT CAN'T WAIT, 1547 00:40:24,839 --> 00:40:25,798 BECAUSE YOU KNOW WHAT? 1548 00:40:25,840 --> 00:40:27,466 EVERY MINUTE THAT GOES BY, 1549 00:40:27,508 --> 00:40:28,885 YOU'RE GOING TO GET INTO DEEPER 1550 00:40:27,508 --> 00:40:28,885 AND DEEPER TROUBLE. 1551 00:40:28,927 --> 00:40:30,387 YOU KNOW YOU SHOULDN'T 1552 00:40:28,927 --> 00:40:30,387 BE DATING A STUDENT. 1553 00:40:30,428 --> 00:40:31,971 LOOK, JENNY, 1554 00:40:30,428 --> 00:40:31,971 IT'S NONE OF YOUR BUSINESS. 1555 00:40:32,013 --> 00:40:33,890 I KNOW IT'S NONE 1556 00:40:32,013 --> 00:40:33,890 OF MY BUSINESS, OKAY? 1557 00:40:33,932 --> 00:40:37,643 BUT WHAT IF RANDY 1558 00:40:33,932 --> 00:40:37,643 WERE TO FIND OUT, TIM? 1559 00:40:41,981 --> 00:40:43,233 TIM... 1560 00:40:43,275 --> 00:40:44,901 [ ATTEMPTING TO OPEN 1561 00:40:43,275 --> 00:40:44,901 LOCKED DOOR ] 1562 00:40:44,943 --> 00:40:46,444 COME ON, 1563 00:40:44,943 --> 00:40:46,444 OPEN THE DOOR. 1564 00:40:46,485 --> 00:40:47,779 COME ON! 1565 00:40:51,366 --> 00:40:53,159 IF RANDY WERE TO WHAT, HMM? 1566 00:40:53,201 --> 00:40:54,535 CAN YOU 1567 00:40:53,201 --> 00:40:54,535 COME IN, PLEASE? 1568 00:40:54,577 --> 00:40:56,079 DON'T. 1569 00:40:56,121 --> 00:40:57,455 I'M NOT GOING TO DO THIS 1570 00:40:56,121 --> 00:40:57,455 IN FRONT OF HER, OKAY? 1571 00:40:57,496 --> 00:40:58,664 JENNY, 1572 00:40:57,496 --> 00:40:58,664 YOU HAVE NO RIGHT. 1573 00:40:58,706 --> 00:40:59,958 STAY OUT OF MY LIFE. 1574 00:40:59,999 --> 00:41:01,418 NO. 1575 00:41:04,545 --> 00:41:05,755 WHAT ARE YOU GONNA DO, 1576 00:41:04,545 --> 00:41:05,755 JENNY, HUH? 1577 00:41:05,797 --> 00:41:07,799 ARE YOU GONNA 1578 00:41:05,797 --> 00:41:07,799 FUCKING REPORT ME? 1579 00:41:07,840 --> 00:41:09,259 FUCK YOU. 1580 00:41:09,301 --> 00:41:11,094 YOU'RE OBVIOUSLY 1581 00:41:09,301 --> 00:41:11,094 THAT FUCKING TREACHEROUS. 1582 00:41:11,136 --> 00:41:12,720 I HAVE WITH ME BETTE PORTER, 1583 00:41:12,762 --> 00:41:14,472 THE DIRECTOR 1584 00:41:12,762 --> 00:41:14,472 OF THE CALIFORNIA ART CENTER, 1585 00:41:14,513 --> 00:41:15,765 THE MUSEUM 1586 00:41:14,513 --> 00:41:15,765 THAT IS MOUNTING 1587 00:41:15,807 --> 00:41:18,310 THE CONTROVERSIAL 1588 00:41:15,807 --> 00:41:18,310 ART EXHIBITION, 1589 00:41:18,351 --> 00:41:19,394 PROVOCATIONS, 1590 00:41:19,436 --> 00:41:20,853 AND FAE BUCKLEY 1591 00:41:20,895 --> 00:41:22,855 OF THE COALITION 1592 00:41:20,895 --> 00:41:22,855 OF CONCERNED CITIZENS, 1593 00:41:22,897 --> 00:41:24,983 THE GROUP THAT IS 1594 00:41:22,897 --> 00:41:24,983 LEADING THE EFFORTS 1595 00:41:25,024 --> 00:41:26,943 TO SHUT DOWN 1596 00:41:25,024 --> 00:41:26,943 THE EXHIBITION-- 1597 00:41:26,985 --> 00:41:28,653 SHE NEEDS TO LOOSEN UP. 1598 00:41:28,694 --> 00:41:30,363 SHE SHOULD SMILE. 1599 00:41:30,405 --> 00:41:31,781 EVERY TIME SOMETHING 1600 00:41:30,405 --> 00:41:31,781 DOESN'T GO THEIR WAY, 1601 00:41:31,823 --> 00:41:33,491 THEY CRY FASCISM. 1602 00:41:33,532 --> 00:41:34,700 AND I'M SORRY 1603 00:41:34,742 --> 00:41:35,952 THIS HAD TO HAPPEN 1604 00:41:34,742 --> 00:41:35,952 IN FRONT OF YOU, 1605 00:41:35,994 --> 00:41:37,287 BUT IF YOU REALLY CARE 1606 00:41:35,994 --> 00:41:37,287 ABOUT HIM, 1607 00:41:37,329 --> 00:41:40,039 YOU'RE GOING TO BACK OFF, 1608 00:41:37,329 --> 00:41:40,039 OKAY? 1609 00:41:41,416 --> 00:41:43,293 LET ME TELL YOU 1610 00:41:41,416 --> 00:41:43,293 SOMETHING, JENNY. 1611 00:41:43,335 --> 00:41:46,545 NOBODY IN THEIR RIGHT MINDS 1612 00:41:43,335 --> 00:41:46,545 WOULD BELIEVE FOR A SECOND 1613 00:41:46,587 --> 00:41:48,756 THAT YOU GIVE A SHIT 1614 00:41:46,587 --> 00:41:48,756 ABOUT WHAT HAPPENS TO ME. 1615 00:41:54,762 --> 00:41:55,888 ARE YOU, IN FACT, 1616 00:41:55,930 --> 00:41:57,390 BETRAYING 1617 00:41:55,930 --> 00:41:57,390 THE PUBLIC TRUST? 1618 00:41:57,432 --> 00:41:59,684 ON THE CONTRARY, GEORGE, 1619 00:41:57,432 --> 00:41:59,684 I'M TRUSTING THE PUBLIC. 1620 00:41:59,725 --> 00:42:01,144 I MEAN, WHAT GIVES ME 1621 00:41:59,725 --> 00:42:01,144 THE RIGHT 1622 00:42:01,186 --> 00:42:03,313 TO DECIDE WHAT YOU CAN 1623 00:42:01,186 --> 00:42:03,313 AND CAN'T SEE? 1624 00:42:03,355 --> 00:42:05,606 I'M NO MORE ENTITLED 1625 00:42:03,355 --> 00:42:05,606 THAN MS. BUCKLEY IS 1626 00:42:05,648 --> 00:42:07,150 TO DECIDE FOR YOU 1627 00:42:07,192 --> 00:42:08,860 WHAT'S GOING TO UPLIFT 1628 00:42:07,192 --> 00:42:08,860 AND ENLIGHTEN YOU. 1629 00:42:08,901 --> 00:42:10,111 OH, THERE SHE GOES AGAIN 1630 00:42:10,153 --> 00:42:11,988 WITH THAT LIBERAL 1631 00:42:10,153 --> 00:42:11,988 DUCK AND PARRY. 1632 00:42:12,030 --> 00:42:13,948 IT'S JUST PLAIN BAD FAITH 1633 00:42:13,990 --> 00:42:16,659 TO PROMOTE AN AGENDA 1634 00:42:13,990 --> 00:42:16,659 THE WAY THIS ART SHOW DOES 1635 00:42:16,701 --> 00:42:18,370 AND THEN CLAIM 1636 00:42:16,701 --> 00:42:18,370 NO RESPONSIBILITY 1637 00:42:18,411 --> 00:42:20,955 FOR THE IMMORAL BEHAVIOR 1638 00:42:18,411 --> 00:42:20,955 IT ENCOURAGES. 1639 00:42:20,997 --> 00:42:23,333 ART IS MEANT TO BE 1640 00:42:20,997 --> 00:42:23,333 PERCEIVED AND INTERPRETED. 1641 00:42:23,375 --> 00:42:26,378 IT DOESN'T INTRINSICALLY 1642 00:42:23,375 --> 00:42:26,378 ADVOCATE BEHAVIOR. 1643 00:42:26,419 --> 00:42:30,340 HOW CAN YOU SAY 1644 00:42:26,419 --> 00:42:30,340 YOU'RE NOT ADVOCATING BEHAVIOR? 1645 00:42:30,382 --> 00:42:34,135 YOUR WHOLE PURPOSE IS TO MAKE 1646 00:42:30,382 --> 00:42:34,135 THAT LIFESTYLE APPEAR NORMAL 1647 00:42:34,177 --> 00:42:35,845 SO THAT MORE PEOPLE 1648 00:42:34,177 --> 00:42:35,845 WILL WANT TO TRY IT. 1649 00:42:37,596 --> 00:42:41,393 IF I WERE TRYING TO CONVERT 1650 00:42:37,596 --> 00:42:41,393 PEOPLE TO MY LIFESTYLE, 1651 00:42:41,434 --> 00:42:42,894 AS YOU SEEM TO BE IMPLYING, 1652 00:42:41,434 --> 00:42:42,894 MS. BUCKLEY, 1653 00:42:42,935 --> 00:42:44,396 DO YOU REALLY THINK 1654 00:42:42,935 --> 00:42:44,396 I'D DO IT 1655 00:42:44,437 --> 00:42:46,523 BY USING IMAGES OF 1656 00:42:44,437 --> 00:42:46,523 A MAN FLAYING HIMSELF 1657 00:42:46,564 --> 00:42:48,107 AND TRUSSING UP 1658 00:42:46,564 --> 00:42:48,107 HIS TESTICLES? 1659 00:42:48,149 --> 00:42:51,027 THAT PIECE MAKES ME 1660 00:42:48,149 --> 00:42:51,027 SO UNCOMFORTABLE 1661 00:42:51,069 --> 00:42:52,445 I CAN BARELY LOOK AT IT. 1662 00:42:52,487 --> 00:42:53,821 I DON'T THINK IT'S GONNA 1663 00:42:53,863 --> 00:42:55,448 MAKE ANYONE 1664 00:42:53,863 --> 00:42:55,448 WANT TO BECOME A LESBIAN. 1665 00:42:55,490 --> 00:42:57,909 WHERE IS 1666 00:42:55,490 --> 00:42:57,909 THE ACCOUNTABILITY? 1667 00:42:57,950 --> 00:42:59,118 SOMEBODY HAS GOT TO-- 1668 00:42:59,160 --> 00:43:01,246 I OPENED 1669 00:42:59,160 --> 00:43:01,246 THE '97 BRUNELLO. 1670 00:43:01,287 --> 00:43:04,374 IS THAT THE CAPARZO 1671 00:43:01,287 --> 00:43:04,374 OR THE CASTELGIOCONDO? 1672 00:43:04,416 --> 00:43:05,624 WELL, IF IT'S 1673 00:43:04,416 --> 00:43:05,624 TOO EXPENSIVE, 1674 00:43:05,666 --> 00:43:08,669 I CAN ALWAYS 1675 00:43:05,666 --> 00:43:08,669 PAWN MY WATCH. 1676 00:43:08,711 --> 00:43:10,255 DON'T BE PETULANT, 1677 00:43:08,711 --> 00:43:10,255 MARINA. 1678 00:43:10,296 --> 00:43:11,548 THAT'S NOT HOW YOU 1679 00:43:10,296 --> 00:43:11,548 WANT ME TO REMEMBER YOU 1680 00:43:11,589 --> 00:43:12,549 WHEN I'M DECIDING 1681 00:43:11,589 --> 00:43:12,549 WHO TO TAKE 1682 00:43:12,590 --> 00:43:14,175 TO ANTIGUA 1683 00:43:12,590 --> 00:43:14,175 WHEN I WRAP. 1684 00:43:14,217 --> 00:43:16,052 MORAL AMERICANS AREN'T 1685 00:43:14,217 --> 00:43:16,052 RESPONSIBLE ENOUGH 1686 00:43:16,094 --> 00:43:18,054 TO DECIDE FOR THEMSELVES 1687 00:43:16,094 --> 00:43:18,054 WHETHER TO GO SEE AN ART SHOW 1688 00:43:18,096 --> 00:43:20,557 THEY MIGHT FIND 1689 00:43:18,096 --> 00:43:20,557 OBJECTIONABLE. 1690 00:43:20,598 --> 00:43:22,850 WHAT ABOUT THAT, FAE? 1691 00:43:20,598 --> 00:43:22,850 ARE YOU CONTRADICTING YOURSELF? 1692 00:43:22,892 --> 00:43:25,811 MS. PORTER'S A VERY PROPER 1693 00:43:22,892 --> 00:43:25,811 WOMAN, AREN'T YOU, MS. PORTER? 1694 00:43:25,853 --> 00:43:26,896 SHE THINKS 1695 00:43:25,853 --> 00:43:26,896 SHE'S CLEVER ENOUGH 1696 00:43:26,938 --> 00:43:28,314 TO TRICK 1697 00:43:26,938 --> 00:43:28,314 THE REST OF US 1698 00:43:28,356 --> 00:43:30,400 INTO BELIEVING 1699 00:43:28,356 --> 00:43:30,400 THAT FILTH ISN'T FILTH, 1700 00:43:30,442 --> 00:43:32,151 BLASPHEMY 1701 00:43:30,442 --> 00:43:32,151 ISN'T BLASPHEMY, 1702 00:43:32,193 --> 00:43:34,028 PORNOGRAPHY 1703 00:43:32,193 --> 00:43:34,028 IS NOT PORNOGRAPHY, 1704 00:43:34,070 --> 00:43:36,697 BUT THE STUFF 1705 00:43:34,070 --> 00:43:36,697 SPEAKS FOR ITSELF, 1706 00:43:36,739 --> 00:43:39,492 AND HOWEVER HARD 1707 00:43:36,739 --> 00:43:39,492 SHE TRIES TO DEFEND IT 1708 00:43:39,534 --> 00:43:40,826 WITH HER 1709 00:43:39,534 --> 00:43:40,826 FANCY LANGUAGE 1710 00:43:40,868 --> 00:43:43,246 AND HER 1711 00:43:40,868 --> 00:43:43,246 INSULTING LOGIC, 1712 00:43:43,288 --> 00:43:44,830 ALL IT IS 1713 00:43:44,872 --> 00:43:49,210 IS SHEER, DISGUSTING, 1714 00:43:44,872 --> 00:43:49,210 FILTHY, UGLY PORNOGRAPHY. 1715 00:43:49,252 --> 00:43:51,588 SHE IS A PORNOGRAPHER. 1716 00:43:56,008 --> 00:43:57,927 I... 1717 00:43:59,678 --> 00:44:03,766 I UNDERSTAND WHY MS. BUCKLEY 1718 00:43:59,678 --> 00:44:03,766 IS SO SICKENED 1719 00:44:03,808 --> 00:44:05,268 BY THE PORN INDUSTRY. 1720 00:44:03,808 --> 00:44:05,268 I DO. 1721 00:44:05,310 --> 00:44:07,103 I MEAN, 1722 00:44:05,310 --> 00:44:07,103 IT'S BRUTAL, 1723 00:44:07,145 --> 00:44:10,440 ESPECIALLY FOR 1724 00:44:07,145 --> 00:44:10,440 THE POOR CHILDREN 1725 00:44:10,482 --> 00:44:13,901 AND TEENAGE GIRLS 1726 00:44:10,482 --> 00:44:13,901 WHO GET LURED IN AND EXPLOITED, 1727 00:44:13,943 --> 00:44:16,988 ALL BECAUSE THEY WERE 1728 00:44:13,943 --> 00:44:16,988 RUNNING AWAY FROM SOMETHING. 1729 00:44:17,029 --> 00:44:18,615 THOSE CHILDREN LACKED LOVE. 1730 00:44:18,656 --> 00:44:21,534 THEY WERE ABUSED. 1731 00:44:21,576 --> 00:44:23,119 I MEAN, 1732 00:44:21,576 --> 00:44:23,119 HOW AWFUL IT MUST BE 1733 00:44:23,161 --> 00:44:26,205 TO COME FROM A HOME LIFE 1734 00:44:23,161 --> 00:44:26,205 SO DESPERATE. 1735 00:44:26,247 --> 00:44:30,627 THERE IS A WORLD OF DIFFERENCE 1736 00:44:26,247 --> 00:44:30,627 BETWEEN COMPLEX, PROVOCATIVE ART 1737 00:44:30,668 --> 00:44:33,338 AND THE TRAGEDY 1738 00:44:30,668 --> 00:44:33,338 OF THE PORN INDUSTRY. 1739 00:44:33,379 --> 00:44:34,797 [ INTERVIEWER ]: 1740 00:44:33,379 --> 00:44:34,797 MAY I ASK WHAT'S IN THE BOX? 1741 00:44:34,839 --> 00:44:36,090 DOES IT SOMEHOW RELATE 1742 00:44:34,839 --> 00:44:36,090 TO OUR DISCUSSION? 1743 00:44:36,132 --> 00:44:37,509 [ FAE ]: DO YOU BELIEVE 1744 00:44:36,132 --> 00:44:37,509 IN GOD, BETTE? 1745 00:44:37,550 --> 00:44:39,302 [ BETTE ]: I DON'T SEE 1746 00:44:37,550 --> 00:44:39,302 WHAT THAT-- 1747 00:44:39,344 --> 00:44:40,595 [ FAE ]: BECAUSE IF YOU DID, 1748 00:44:39,344 --> 00:44:40,595 THIS WOULDN'T BE COMPLEX. 1749 00:44:40,637 --> 00:44:42,054 YOU SEE, GOD HAS ALREADY 1750 00:44:40,637 --> 00:44:42,054 DONE THE WORK 1751 00:44:42,096 --> 00:44:44,307 OF SORTING THROUGH 1752 00:44:42,096 --> 00:44:44,307 ALL OF THIS FOR US. 1753 00:44:44,349 --> 00:44:47,310 FAITH MAKES 1754 00:44:44,349 --> 00:44:47,310 SEEMINGLY COMPLEX THINGS 1755 00:44:47,352 --> 00:44:48,645 SIMPLE AND OBVIOUS-- 1756 00:44:48,686 --> 00:44:50,146 GOD IS ABOUT 1757 00:44:48,686 --> 00:44:50,146 THE MOST COMP-- 1758 00:44:50,188 --> 00:44:51,856 THE BIBLE CONDEMNS 1759 00:44:51,897 --> 00:44:53,774 HOMOSEXUALITY. 1760 00:44:53,816 --> 00:44:56,861 THAT'S WHY GOD 1761 00:44:53,816 --> 00:44:56,861 TOOK YOUR UNBORN CHILD 1762 00:44:56,902 --> 00:44:59,447 FROM YOUR 1763 00:44:56,902 --> 00:44:59,447 LESBIAN LOVER, 1764 00:44:59,489 --> 00:45:00,697 AND THAT 1765 00:44:59,489 --> 00:45:00,697 WAS A BLESSING. 1766 00:45:00,739 --> 00:45:04,243 THAT BABY IS WITH HIM NOW, 1767 00:45:04,285 --> 00:45:06,621 SO HE DOESN'T HAVE TO SUFFER 1768 00:45:04,285 --> 00:45:06,621 THE DEGRADATION 1769 00:45:06,663 --> 00:45:07,997 HE WOULD HAVE BEEN 1770 00:45:06,663 --> 00:45:07,997 SUBJECT TO 1771 00:45:08,039 --> 00:45:11,792 HAD HE BEEN BORN 1772 00:45:08,039 --> 00:45:11,792 INTO YOUR DEPRAVED LIFE! 1773 00:45:16,005 --> 00:45:18,675 [ CRYING ] 1774 00:45:22,053 --> 00:45:23,804 MONSTER. 1775 00:45:23,846 --> 00:45:27,642 ♪ IN A LONG FORGOTTEN 1776 00:45:23,846 --> 00:45:27,642 BOOK I READ ♪ 1777 00:45:27,684 --> 00:45:31,354 ♪ SOMETHING 1778 00:45:27,684 --> 00:45:31,354 THAT AUGUSTINE SAID ♪ 1779 00:45:31,396 --> 00:45:33,856 ♪ IN HIS DEEPEST WOUND ♪ 1780 00:45:33,898 --> 00:45:38,361 ♪ HE FOUND GOD'S GLORY ♪ 1781 00:45:38,403 --> 00:45:41,906 ♪ BUT I'M AFRAID 1782 00:45:38,403 --> 00:45:41,906 THAT I'M TOO SICK ♪ 1783 00:45:41,947 --> 00:45:45,493 ♪ TO CONJURE UP 1784 00:45:41,947 --> 00:45:45,493 THAT MAGIC TRICK ♪ 1785 00:45:45,535 --> 00:45:48,329 ♪ CAN I WRITE MYSELF 1786 00:45:45,535 --> 00:45:48,329 INTO THAT STORY ♪ 1787 00:45:48,371 --> 00:45:50,289 MONSTER. 1788 00:45:52,291 --> 00:45:55,211 ♪ KYRIE ♪ 1789 00:45:55,253 --> 00:45:58,631 ♪ ELEISON ♪ 1790 00:45:58,673 --> 00:46:02,260 ♪ KYRIE ♪ 1791 00:46:02,301 --> 00:46:05,930 ♪ ELEISON ♪ 1792 00:46:05,971 --> 00:46:09,392 ♪ ONCE HAD FAITH ♪ 1793 00:46:09,434 --> 00:46:13,145 ♪ NOW IT'S GONE ♪ 1794 00:46:13,187 --> 00:46:16,649 ♪ KYRIE ♪ 1795 00:46:16,691 --> 00:46:19,818 ♪ ELEISON ♪ 1796 00:46:19,860 --> 00:46:23,698 ♪ KYRIE ♪ 1797 00:46:23,740 --> 00:46:26,909 ♪ ELEISON ♪ 1798 00:46:30,329 --> 00:46:34,083 ♪ I CUT MYSELF WITH STONES 1799 00:46:30,329 --> 00:46:34,083 AND CRY ♪ 1800 00:46:34,125 --> 00:46:36,377 ♪ PRETEND I'M NOT ALONE ♪ 1801 00:46:36,419 --> 00:46:40,005 ♪ WHEN I FEAR 1802 00:46:36,419 --> 00:46:40,005 THAT ALL ALONG ♪ 1803 00:46:40,047 --> 00:46:43,968 ♪ IT'S ONLY ME ♪ 1804 00:46:44,009 --> 00:46:47,054 ♪ KYRIE ♪ 1805 00:46:47,096 --> 00:46:50,642 ♪ DO YOU CARE? ♪ 1806 00:46:50,683 --> 00:46:53,018 ♪ ELEISON ♪ 1807 00:46:54,312 --> 00:46:55,354 [ CAT MEOWS ] 1808 00:46:55,396 --> 00:46:56,855 [ CAT PURRS ]