1 00:00:13,848 --> 00:00:15,223 [ HORSE WHINNIES ] 2 00:00:15,265 --> 00:00:17,977 ♪ SHE... ♪ 3 00:00:18,018 --> 00:00:20,479 [ ♪♪ ] 4 00:00:20,521 --> 00:00:23,858 ♪ A BEAUTIFUL QUESTION MARK ♪ 5 00:00:23,899 --> 00:00:27,319 [ ♪♪ ] 6 00:00:27,361 --> 00:00:32,157 ♪ A FIRE IN A TINY SPARK ♪ 7 00:00:32,199 --> 00:00:35,911 ♪ SHE LIGHTS UP MY HEART ♪ 8 00:00:35,953 --> 00:00:40,499 [ ♪♪ ] 9 00:00:40,541 --> 00:00:44,879 ♪ ME... ♪ 10 00:00:44,920 --> 00:00:50,885 ♪ LONELY AT 11 00:00:44,920 --> 00:00:50,885 THE THOUGHT OF HER ♪ 12 00:00:50,926 --> 00:00:52,761 I DIDN'T GET IN. 13 00:00:52,803 --> 00:00:54,054 THEN I'M NOT GOING. 14 00:00:54,095 --> 00:00:55,556 DON'T BE RIDICULOUS. 15 00:00:55,597 --> 00:00:57,057 YOU GET TO GO TO PARIS 16 00:00:55,597 --> 00:00:57,057 AND GERMANY AND SPAIN, 17 00:00:57,098 --> 00:00:59,518 MEET THE BEST DRESSAGE RIDERS 18 00:00:57,098 --> 00:00:59,518 IN THE WORLD. 19 00:00:59,560 --> 00:01:01,269 IT WON'T BE ANY FUN 20 00:00:59,560 --> 00:01:01,269 WITHOUT YOU. 21 00:01:01,311 --> 00:01:02,479 YOU'LL PROBABLY 22 00:01:01,311 --> 00:01:02,479 MAKE BEST FRIENDS 23 00:01:02,521 --> 00:01:04,147 WITH SOME SNOBBY GIRL 24 00:01:02,521 --> 00:01:04,147 FROM SPENCE. 25 00:01:04,189 --> 00:01:05,649 YOU WON'T EVEN WANT 26 00:01:04,189 --> 00:01:05,649 TO TALK TO ME 27 00:01:05,691 --> 00:01:07,026 WHEN YOU GET BACK. 28 00:01:07,067 --> 00:01:09,695 [ ♪♪ ] 29 00:01:09,737 --> 00:01:11,947 ♪ OH... ♪ 30 00:01:11,989 --> 00:01:14,825 ♪ OH ♪ 31 00:01:14,867 --> 00:01:16,326 WILL YOU GO BACK 32 00:01:14,867 --> 00:01:16,326 TO SENECA LAKE? 33 00:01:16,368 --> 00:01:17,536 I THINK I MIGHT 34 00:01:16,368 --> 00:01:17,536 STAY HERE. 35 00:01:17,578 --> 00:01:18,579 MY MOM WANTS ME 36 00:01:17,578 --> 00:01:18,579 TO CANVASS 37 00:01:18,620 --> 00:01:19,663 FOR NIXON/AGNEW 38 00:01:19,705 --> 00:01:23,042 IN THE CALIFORNIA PRIMARY. 39 00:01:25,419 --> 00:01:30,007 SEND ME POSTCARDS, OKAY? 40 00:01:25,419 --> 00:01:30,007 EVERY DAY. 41 00:01:30,049 --> 00:01:33,092 I'M GOING TO MISS YOU 42 00:01:30,049 --> 00:01:33,092 SO MUCH, LESLIE. 43 00:01:44,271 --> 00:01:47,691 JESUS! 44 00:01:44,271 --> 00:01:47,691 WHAT ARE YOU DOING? 45 00:01:49,735 --> 00:01:51,111 IT JUST... 46 00:01:51,152 --> 00:01:52,487 I DON'T KNOW, 47 00:01:51,152 --> 00:01:52,487 IT JUST HAPPENED. 48 00:01:52,529 --> 00:01:53,781 IT FELT RIGHT. 49 00:01:53,822 --> 00:01:55,282 PEOPLE HAVE 50 00:01:53,822 --> 00:01:55,282 ALL KINDS OF FEELINGS. 51 00:01:55,323 --> 00:01:57,409 IT DOESN'T MEAN 52 00:01:57,451 --> 00:02:00,746 WE'RE SUPPOSED 53 00:01:57,451 --> 00:02:00,746 TO ACT ON THEM. 54 00:02:00,788 --> 00:02:05,751 ♪ I'M CRAZY ABOUT HER ♪ 55 00:02:05,793 --> 00:02:08,754 [ ELECTRONIC MUSIC ] 56 00:02:08,796 --> 00:02:15,176 [ ♪♪ ] 57 00:02:17,178 --> 00:02:19,389 I DON'T THINK 58 00:02:17,178 --> 00:02:19,389 I WANT TO DO THIS. 59 00:02:19,431 --> 00:02:20,390 TRY. 60 00:02:20,432 --> 00:02:21,558 IF YOU HATE IT, 61 00:02:21,600 --> 00:02:22,893 WE CAN STAND UP 62 00:02:21,600 --> 00:02:22,893 AND SAY, "SORRY. 63 00:02:22,935 --> 00:02:24,061 "WE THINK WE'RE 64 00:02:22,935 --> 00:02:24,061 BETTER THAN YOU 65 00:02:24,103 --> 00:02:25,646 AND WE'RE 66 00:02:24,103 --> 00:02:25,646 OUT OF HERE," 67 00:02:25,687 --> 00:02:27,147 OR ELSE WE COULD 68 00:02:25,687 --> 00:02:27,147 PASS JUDGMENT ON THEM 69 00:02:27,188 --> 00:02:30,109 WITHOUT EVER EVEN 70 00:02:27,188 --> 00:02:30,109 MEETING THEM. 71 00:02:32,027 --> 00:02:34,195 I JUST 72 00:02:32,027 --> 00:02:34,195 WANT YOU TO KNOW 73 00:02:34,237 --> 00:02:36,698 I AM ONLY 74 00:02:34,237 --> 00:02:36,698 DOING THIS FOR YOU. 75 00:02:42,663 --> 00:02:44,623 WELCOME... 76 00:02:44,665 --> 00:02:47,042 BETTE AND TINA. 77 00:02:47,084 --> 00:02:49,711 HI. 78 00:02:47,084 --> 00:02:49,711 HI. 79 00:02:59,138 --> 00:03:01,431 SO... 80 00:03:08,355 --> 00:03:10,357 HEY! 81 00:03:10,398 --> 00:03:11,483 HEY! 82 00:03:11,525 --> 00:03:12,526 WHEN DID YOU 83 00:03:11,525 --> 00:03:12,526 GET HERE? 84 00:03:12,567 --> 00:03:13,902 HI, BIG GIRL. 85 00:03:13,944 --> 00:03:16,488 GIVE ME A HUG. 86 00:03:13,944 --> 00:03:16,488 COME HERE. 87 00:03:16,530 --> 00:03:17,531 NICE TO SEE YOU. 88 00:03:17,572 --> 00:03:18,532 OH, IT'S NICE TO SEE YOU. 89 00:03:18,573 --> 00:03:19,783 THE BAND... 90 00:03:19,825 --> 00:03:21,200 YEAH. THIS IS THE BAND. 91 00:03:19,825 --> 00:03:21,200 THIS IS ME. 92 00:03:21,242 --> 00:03:22,870 THIS IS MY BAND, 93 00:03:21,242 --> 00:03:22,870 THE GARANIMALS! 94 00:03:22,911 --> 00:03:23,871 DO YOU LOVE IT? 95 00:03:22,911 --> 00:03:23,871 DO WE ROCK? 96 00:03:23,912 --> 00:03:24,913 IT'S GOOD. 97 00:03:24,955 --> 00:03:26,623 WE ROCK, RIGHT? 98 00:03:24,955 --> 00:03:26,623 OH, FORGET IT. 99 00:03:26,665 --> 00:03:27,916 YOU THINK I SOLD OUT 100 00:03:27,958 --> 00:03:29,501 WITH THE REAL ESTATE THING. 101 00:03:29,543 --> 00:03:31,210 NO, I THINK 102 00:03:29,543 --> 00:03:31,210 YOU'RE TURNING INTO A SUIT. 103 00:03:31,252 --> 00:03:33,588 YEAH, 104 00:03:31,252 --> 00:03:33,588 I'M A REAL ESTATE BROKER. 105 00:03:33,630 --> 00:03:35,049 LOOK, IT'S COOL 106 00:03:35,090 --> 00:03:36,925 TO DO SOMETHING STUPID 107 00:03:36,967 --> 00:03:39,094 AND MAKE A LOT OF MONEY, 108 00:03:36,967 --> 00:03:39,094 AND THEN YOU CAN DO 109 00:03:39,136 --> 00:03:41,096 WHATEVER THE HELL YOU WANT, 110 00:03:39,136 --> 00:03:41,096 RIGHT? 111 00:03:41,138 --> 00:03:43,057 ALL RIGHT. 112 00:03:41,138 --> 00:03:43,057 OKAY. OKAY. 113 00:03:45,684 --> 00:03:47,102 OKAY. 114 00:03:47,144 --> 00:03:48,979 I LOVE YOUR APARTMENT, 115 00:03:47,144 --> 00:03:48,979 BY THE WAY. 116 00:03:49,021 --> 00:03:50,313 YOU DO? 117 00:03:50,355 --> 00:03:53,483 DO YOU THINK 118 00:03:50,355 --> 00:03:53,483 IT HAS GOOD ENERGY? 119 00:03:53,525 --> 00:03:55,152 I THINK IT'S A TOOL SHED. 120 00:03:55,194 --> 00:03:57,278 IF I TAKE 121 00:03:55,194 --> 00:03:57,278 MORE RESPONSIBILITY 122 00:03:57,320 --> 00:04:00,991 FOR MY CHOICES AND ACTIONS 123 00:03:57,320 --> 00:04:00,991 TODAY... 124 00:04:01,033 --> 00:04:02,534 I WILL STOP 125 00:04:01,033 --> 00:04:02,534 BLAMING CHARLIE 126 00:04:02,576 --> 00:04:05,204 FOR MY LOW 127 00:04:02,576 --> 00:04:05,204 SELF-ESTEEM. 128 00:04:05,245 --> 00:04:06,496 SOMETIMES 129 00:04:05,245 --> 00:04:06,496 I KEEP MYSELF PASSIVE 130 00:04:06,538 --> 00:04:09,583 WHEN I... 131 00:04:09,624 --> 00:04:12,044 LET BETTE MAKE 132 00:04:09,624 --> 00:04:12,044 ALL THE FINANCIAL DECISIONS 133 00:04:12,086 --> 00:04:13,795 IN OUR LIVES, 134 00:04:13,837 --> 00:04:15,296 EVEN THOUGH WE AGREED THAT-- 135 00:04:15,338 --> 00:04:16,840 THAT'S GOOD, TINA. 136 00:04:16,882 --> 00:04:18,508 JUST A SIMPLE 137 00:04:16,882 --> 00:04:18,508 DECLARATIVE STATEMENT. 138 00:04:18,550 --> 00:04:19,760 NO NEED TO ELABORATE 139 00:04:19,801 --> 00:04:21,636 AT THIS STAGE. 140 00:04:21,678 --> 00:04:24,305 WHY COULDN'T I HAVE BEEN BORN 141 00:04:21,678 --> 00:04:24,305 WITH A TRUST FUND? YOU KNOW? 142 00:04:24,347 --> 00:04:25,640 ALL I WANT TO DO 143 00:04:25,682 --> 00:04:27,267 IS SIT AT THIS DESK 144 00:04:25,682 --> 00:04:27,267 AND JUST WRITE-- 145 00:04:27,308 --> 00:04:28,894 THAT'S BECAUSE 146 00:04:27,308 --> 00:04:28,894 MOST PEOPLE WITH TRUST FUNDS 147 00:04:28,936 --> 00:04:31,063 AREN'T TORTURED ENOUGH 148 00:04:28,936 --> 00:04:31,063 TO WRITE. 149 00:04:31,105 --> 00:04:32,856 SO, UM... 150 00:04:32,898 --> 00:04:34,733 ARE YOU AND TIM 151 00:04:32,898 --> 00:04:34,733 STILL HAVING SEX? 152 00:04:34,775 --> 00:04:36,526 WERE YOU HAVING SEX 153 00:04:34,775 --> 00:04:36,526 WHEN YOU BROKE UP, 154 00:04:36,568 --> 00:04:37,778 OR DID BREAK UP 155 00:04:36,568 --> 00:04:37,778 OUT OF BOREDOM? 156 00:04:37,819 --> 00:04:39,029 OKAY. 157 00:04:39,071 --> 00:04:40,321 DID YOU HAVE 158 00:04:39,071 --> 00:04:40,321 A LOT OF ANGRY SEX? 159 00:04:40,363 --> 00:04:41,865 THAT'S KIND OF HOT, 160 00:04:40,363 --> 00:04:41,865 ACTUALLY. 161 00:04:41,907 --> 00:04:43,617 CAN WE PLEASE, 162 00:04:41,907 --> 00:04:43,617 PLEASE, PLEASE 163 00:04:43,658 --> 00:04:45,077 NOT TALK ABOUT TIM? 164 00:04:45,119 --> 00:04:46,912 IT'S THE WORST 165 00:04:45,119 --> 00:04:46,912 MOOD KILLER. 166 00:04:46,954 --> 00:04:49,248 THANK GOD, 167 00:04:49,289 --> 00:04:51,166 'CAUSE I'VE GOT TO TELL YOU, 168 00:04:49,289 --> 00:04:51,166 BACK IN COLLEGE, 169 00:04:51,208 --> 00:04:53,710 DO YOU HAVE ANY IDEA 170 00:04:51,208 --> 00:04:53,710 HOW HARD IT WAS TO GET ANY SLEEP 171 00:04:53,752 --> 00:04:54,878 IN A BED 10 FEET AWAY 172 00:04:54,920 --> 00:04:55,921 FROM YOU GUYS 173 00:04:54,920 --> 00:04:55,921 DOING IT? 174 00:04:55,963 --> 00:04:57,505 I MEAN, 175 00:04:57,547 --> 00:04:59,591 I WAS MILDLY DISGUSTED 176 00:04:57,547 --> 00:04:59,591 BY HIS BULGING MUSCLES 177 00:04:59,633 --> 00:05:02,010 AND HIS LITTLE-- 178 00:05:02,052 --> 00:05:04,345 HIS LITTLE GRUNTS 179 00:05:02,052 --> 00:05:04,345 OF PLEASURE. 180 00:05:04,387 --> 00:05:05,346 "OH. 181 00:05:05,388 --> 00:05:07,515 "OH. 182 00:05:07,557 --> 00:05:09,559 "OH, JENNY. 183 00:05:09,601 --> 00:05:10,644 OH, JENNY, JENNY." 184 00:05:10,685 --> 00:05:12,062 NO, NO, NO. STOP. 185 00:05:10,685 --> 00:05:12,062 WHAT? 186 00:05:12,104 --> 00:05:13,897 IT'S EVIL TO SAY 187 00:05:12,104 --> 00:05:13,897 BAD THINGS ABOUT TIM. 188 00:05:13,939 --> 00:05:14,898 OH, FOR GOD'S SAKE, 189 00:05:13,939 --> 00:05:14,898 WHAT IS THIS? 190 00:05:14,940 --> 00:05:16,275 IT IS. 191 00:05:16,316 --> 00:05:18,152 YOU GUYS GOING 192 00:05:16,316 --> 00:05:18,152 TO GET BACK TOGETHER IN A WEEK? 193 00:05:18,193 --> 00:05:19,778 I MEAN, YOU'VE BEEN BANISHED 194 00:05:18,193 --> 00:05:19,778 TO THE TOOL SHED 195 00:05:19,820 --> 00:05:21,113 TO DO YOUR PENANCE, 196 00:05:19,820 --> 00:05:21,113 AND THEN HE'S GONNA 197 00:05:21,155 --> 00:05:23,073 LET YOU BACK INTO 198 00:05:21,155 --> 00:05:23,073 HIS HALLOWED BED? 199 00:05:23,115 --> 00:05:24,866 NO. IT'S DONE. IT'S OVER. 200 00:05:23,115 --> 00:05:24,866 IT'S OVER? 201 00:05:24,908 --> 00:05:26,243 FINI. 202 00:05:26,285 --> 00:05:29,579 MY GREATEST FEAR 203 00:05:26,285 --> 00:05:29,579 ABOUT BEING A PARENT IS... 204 00:05:29,621 --> 00:05:34,042 THAT OUR CHILD 205 00:05:29,621 --> 00:05:34,042 WILL SEEM LIKE AN ALIEN TO US 206 00:05:34,084 --> 00:05:38,672 AND WE'LL SEEM 207 00:05:34,084 --> 00:05:38,672 LIKE AN ALIEN TO HIM... 208 00:05:38,713 --> 00:05:40,174 OR HER. 209 00:05:40,215 --> 00:05:44,803 THAT I'D BE BORED 210 00:05:40,215 --> 00:05:44,803 BEING A STAY-AT-HOME DAD 211 00:05:44,845 --> 00:05:46,847 AND I'D START 212 00:05:44,845 --> 00:05:46,847 TO BLAME CHARLIE. 213 00:05:46,888 --> 00:05:50,184 THAT ALMA WILL NEVER 214 00:05:46,888 --> 00:05:50,184 REALLY ACCEPT HECTOR 215 00:05:50,225 --> 00:05:51,852 AS OUR CHILD. 216 00:05:51,893 --> 00:05:56,898 THAT HECTOR WILL CONTINUE 217 00:05:51,893 --> 00:05:56,898 TO BE A TROUBLED CHILD. 218 00:05:56,940 --> 00:05:59,400 THAT MY DAUGHTER 219 00:05:56,940 --> 00:05:59,400 WILL FEEL ANGRY WITH ME 220 00:05:59,442 --> 00:06:01,987 FOR NOT GIVING HER 221 00:05:59,442 --> 00:06:01,987 A FATHER. 222 00:06:05,782 --> 00:06:08,243 AHEM. 223 00:06:08,285 --> 00:06:11,330 AHEM. 224 00:06:11,370 --> 00:06:13,207 PASS. 225 00:06:13,248 --> 00:06:16,084 OKAY. 226 00:06:16,126 --> 00:06:17,169 LET'S MOVE ON. 227 00:06:17,211 --> 00:06:19,004 TINA? 228 00:06:19,046 --> 00:06:20,297 UH... 229 00:06:20,339 --> 00:06:21,715 I KNOW BETTE AND I 230 00:06:21,756 --> 00:06:23,217 MUST HAVE 231 00:06:21,756 --> 00:06:23,217 SOME FEARS, 232 00:06:23,258 --> 00:06:24,551 BECAUSE OTHERWISE 233 00:06:24,592 --> 00:06:27,012 WHAT WOULD WE BE DOING 234 00:06:24,592 --> 00:06:27,012 IN THIS GROUP? 235 00:06:27,054 --> 00:06:28,222 BUT WE'RE PRETTY COMFORTABLE 236 00:06:28,263 --> 00:06:30,724 WITH THE WHOLE 237 00:06:28,263 --> 00:06:30,724 LESBIAN PARENT THING. 238 00:06:30,765 --> 00:06:34,936 I GUESS OUR GREATEST FEAR 239 00:06:30,765 --> 00:06:34,936 WOULD BE... 240 00:06:34,978 --> 00:06:36,730 WHETHER OR NOT 241 00:06:34,978 --> 00:06:36,730 BETTE'S FATHER 242 00:06:36,771 --> 00:06:40,399 WILL ACCEPT 243 00:06:36,771 --> 00:06:40,399 OUR CHILD. 244 00:06:40,441 --> 00:06:42,027 YEAH, THAT'S IT, 245 00:06:42,069 --> 00:06:44,071 THAT BETTE'S FATHER 246 00:06:42,069 --> 00:06:44,071 WON'T CONSIDER, 247 00:06:44,112 --> 00:06:47,241 UM...OUR BABY 248 00:06:44,112 --> 00:06:47,241 TO BE HIS GRANDCHILD. 249 00:06:49,284 --> 00:06:51,370 NOW, THE NEXT EXERCISE... 250 00:06:51,410 --> 00:06:55,374 MY GREATEST FEAR ABOUT 251 00:06:51,410 --> 00:06:55,374 BEING A PARENT IS... 252 00:06:56,958 --> 00:07:01,629 THAT I WON'T BE 253 00:06:56,958 --> 00:07:01,629 A GOOD ENOUGH PROVIDER. 254 00:07:01,671 --> 00:07:03,715 THAT'S GOOD, BETTE. 255 00:07:03,757 --> 00:07:06,009 IT TAKES TIME 256 00:07:03,757 --> 00:07:06,009 TO BUILD TRUST IN THE GROUP. 257 00:07:06,051 --> 00:07:08,136 EVENTUALLY, IT'LL BE EASIER 258 00:07:08,178 --> 00:07:11,223 TO SAY WHAT YOU 259 00:07:08,178 --> 00:07:11,223 REALLY MEAN TO SAY. 260 00:07:12,640 --> 00:07:14,142 I... 261 00:07:14,184 --> 00:07:15,810 WENT ON A THREE-DAY 262 00:07:14,184 --> 00:07:15,810 WINE TOUR. 263 00:07:15,852 --> 00:07:18,521 MORE WINE. GOOD. 264 00:07:18,563 --> 00:07:19,898 THIS IS REALLY YUMMY. 265 00:07:19,940 --> 00:07:20,899 OKAY, WE'VE GOT 266 00:07:19,940 --> 00:07:20,899 TO GO TO TIM'S 267 00:07:20,941 --> 00:07:22,067 TO GET THE CORKSCREW. 268 00:07:22,109 --> 00:07:24,611 NO SHIT. 269 00:07:24,652 --> 00:07:25,653 WHERE IS HE? 270 00:07:25,695 --> 00:07:26,654 ON A RECRUITING TRIP. 271 00:07:26,696 --> 00:07:27,781 OH, GOODY. 272 00:07:27,822 --> 00:07:28,782 OH, THIS IS GONNA 273 00:07:27,822 --> 00:07:28,782 BE SO MUCH FUN, 274 00:07:28,823 --> 00:07:29,908 BECAUSE WE CAN SNOOP 275 00:07:29,950 --> 00:07:30,909 TO OUR HEART'S CONTENT, 276 00:07:29,950 --> 00:07:30,909 RIGHT? 277 00:07:30,951 --> 00:07:32,119 YES. 278 00:07:32,160 --> 00:07:33,120 WE CAN GO THROUGH 279 00:07:32,160 --> 00:07:33,120 HIS DRAWERS, 280 00:07:33,161 --> 00:07:34,329 READ HIS MAIL, 281 00:07:34,371 --> 00:07:35,830 PUT ON HIS PANTS. 282 00:07:35,872 --> 00:07:36,957 MAYBE. 283 00:07:36,998 --> 00:07:38,041 WHEE! 284 00:07:38,083 --> 00:07:39,084 I'M GOING 285 00:07:38,083 --> 00:07:39,084 TO DANCE TOPLESS 286 00:07:39,126 --> 00:07:40,877 ON HIS TABLE, BABY. 287 00:07:40,919 --> 00:07:42,712 WHAT ARE YOU DOING? 288 00:07:42,754 --> 00:07:43,755 I'M GETTING THE KEY. 289 00:07:43,797 --> 00:07:44,839 OKAY. 290 00:07:44,881 --> 00:07:46,549 THANK YOU, TIM. 291 00:07:46,591 --> 00:07:48,302 SO DO YOU THINK HE'S REALLY 292 00:07:46,591 --> 00:07:48,302 ON A RECRUITING TRIP, 293 00:07:48,343 --> 00:07:49,928 OR YOU THINK 294 00:07:48,343 --> 00:07:49,928 HE'S IN SOME LITTLE LOVE NEST 295 00:07:49,970 --> 00:07:50,929 WITH ANOTHER WOMAN? 296 00:07:50,971 --> 00:07:52,764 NO-- 297 00:07:52,806 --> 00:07:55,516 I'M JUST ASKING. 298 00:07:55,558 --> 00:07:56,935 UH-OH. 299 00:07:56,977 --> 00:07:58,686 WHAT... 300 00:07:58,728 --> 00:08:00,021 WHAT IS THIS FACE? 301 00:08:00,063 --> 00:08:01,648 IS THERE ANOTHER WOMAN? 302 00:08:01,689 --> 00:08:02,941 SORT OF. 303 00:08:02,983 --> 00:08:04,234 NOT EVERYTHING'S 304 00:08:04,276 --> 00:08:06,069 ABOUT FURTHERING 305 00:08:04,276 --> 00:08:06,069 MY POLITICAL CAREER. 306 00:08:06,111 --> 00:08:07,195 REALLY? 307 00:08:07,237 --> 00:08:08,196 WELL, YOU WOULDN'T 308 00:08:07,237 --> 00:08:08,196 KNOW THAT 309 00:08:08,238 --> 00:08:09,823 TO HEAR YOU 310 00:08:08,238 --> 00:08:09,823 SPEAK PUBLICLY. 311 00:08:09,864 --> 00:08:11,950 THESE ARE 312 00:08:11,992 --> 00:08:13,952 TWO VERY SEPARATE 313 00:08:11,992 --> 00:08:13,952 ISSUES FOR ME. 314 00:08:13,994 --> 00:08:16,079 THIS KID HAS BEEN 315 00:08:13,994 --> 00:08:16,079 BOUNCED AROUND 316 00:08:16,121 --> 00:08:17,956 FROM GROUP HOME 317 00:08:16,121 --> 00:08:17,956 TO THE FOSTER HOME 318 00:08:17,998 --> 00:08:19,291 TO THE SHELTER. 319 00:08:19,333 --> 00:08:21,084 I'VE WORKED WITH HIM 320 00:08:19,333 --> 00:08:21,084 FOR A COUPLE YEARS, 321 00:08:21,126 --> 00:08:23,253 AND I KNOW THAT IF HE DOESN'T 322 00:08:21,126 --> 00:08:23,253 GET INTO A GOOD FAMILY, 323 00:08:23,295 --> 00:08:25,005 THEN HE IS A GONER. 324 00:08:25,046 --> 00:08:28,008 I THINK IT'S REALLY ADMIRABLE 325 00:08:25,046 --> 00:08:28,008 TO ADOPT A NEEDY CHILD. 326 00:08:28,049 --> 00:08:29,717 BETTE AND I WANTED TO ADOPT 327 00:08:28,049 --> 00:08:29,717 ORIGINALLY. 328 00:08:29,759 --> 00:08:31,094 SO WHY DIDN'T YOU? 329 00:08:31,136 --> 00:08:32,971 BECAUSE SOME GIRL 330 00:08:31,136 --> 00:08:32,971 FROM THE MIDWEST 331 00:08:33,013 --> 00:08:35,765 WHO HASN'T EVEN MET A LESBIAN 332 00:08:33,013 --> 00:08:35,765 AND WHO THINKS WE HAVE HORNS 333 00:08:35,807 --> 00:08:37,058 ISN'T ABOUT 334 00:08:35,807 --> 00:08:37,058 TO CHOOSE US 335 00:08:37,100 --> 00:08:39,019 AS THE ADOPTIVE PARENTS 336 00:08:37,100 --> 00:08:39,019 FOR HER BABY. 337 00:08:39,060 --> 00:08:41,396 IT'S JUST THE WAY 338 00:08:39,060 --> 00:08:41,396 THE SYSTEM WORKS RIGHT NOW. 339 00:08:41,438 --> 00:08:43,357 THAT'S ONLY IF YOU'RE 340 00:08:41,438 --> 00:08:43,357 SET ON GETTING 341 00:08:43,398 --> 00:08:45,108 A NEWBORN WHITE BABY. 342 00:08:45,150 --> 00:08:46,860 WHAT'S WRONG WITH A WHITE PERSON 343 00:08:45,150 --> 00:08:46,860 WANTING A WHITE BABY? 344 00:08:46,901 --> 00:08:48,153 I THINK 345 00:08:48,195 --> 00:08:50,030 MOST PEOPLE 346 00:08:48,195 --> 00:08:50,030 WANT TO HAVE A FAMILY 347 00:08:50,071 --> 00:08:52,949 THAT LOOKS LIKE THE FAMILY 348 00:08:50,071 --> 00:08:52,949 THAT THEY GREW UP IN. 349 00:08:55,035 --> 00:08:56,577 YOLANDA? 350 00:08:56,619 --> 00:08:57,787 DO YOU HAVE 351 00:08:56,619 --> 00:08:57,787 SOMETHING 352 00:08:57,829 --> 00:08:58,955 YOU WANT TO SAY 353 00:08:57,829 --> 00:08:58,955 TO BETTE? 354 00:08:58,997 --> 00:09:00,581 I DO. 355 00:09:00,623 --> 00:09:04,627 YOU TALK SO PROUD AND FORTHRIGHT 356 00:09:00,623 --> 00:09:04,627 ABOUT BEING A LESBIAN, 357 00:09:04,669 --> 00:09:07,005 BUT YOU NEVER ONCE 358 00:09:04,669 --> 00:09:07,005 REFERRED TO YOURSELF 359 00:09:07,047 --> 00:09:08,965 AS AN AFRICAN-AMERICAN WOMAN. 360 00:09:09,007 --> 00:09:10,675 ALL I HEAR YOU SAYING 361 00:09:10,717 --> 00:09:13,178 IS THAT WHITE PEOPLE SHOULD ONLY 362 00:09:10,717 --> 00:09:13,178 TAKE CARE OF WHITE BABIES. 363 00:09:13,220 --> 00:09:15,222 I SAID NOTHING OF THE KIND. 364 00:09:15,263 --> 00:09:17,807 IN FACT, 365 00:09:15,263 --> 00:09:17,807 I WAS JUST ABOUT TO SAY 366 00:09:17,849 --> 00:09:20,227 THAT TINA AND I CHOSE 367 00:09:17,849 --> 00:09:20,227 AN AFRICAN-AMERICAN DONOR 368 00:09:20,268 --> 00:09:21,769 BECAUSE IT WAS IMPORTANT TO US 369 00:09:21,811 --> 00:09:24,147 TO HAVE A FAMILY 370 00:09:21,811 --> 00:09:24,147 THAT REFLECTS WHO WE ARE. 371 00:09:24,189 --> 00:09:26,441 BEFORE YOU CAN 372 00:09:24,189 --> 00:09:26,441 REFLECT WHO YOU ARE, 373 00:09:26,483 --> 00:09:27,817 YOU HAVE TO BE WHO YOU ARE. 374 00:09:27,859 --> 00:09:29,610 I MEAN, LOOK, 375 00:09:29,652 --> 00:09:31,321 THEY'RE WONDERING WHAT THE HELL 376 00:09:29,652 --> 00:09:31,321 WE'RE TALKING ABOUT, 377 00:09:31,363 --> 00:09:32,989 BECAUSE THEY DIDN'T EVEN KNOW 378 00:09:31,363 --> 00:09:32,989 YOU WERE A BLACK WOMAN. 379 00:09:33,031 --> 00:09:34,657 I THINK BEFORE YOU 380 00:09:33,031 --> 00:09:34,657 HAVE A CHILD, 381 00:09:34,699 --> 00:09:36,159 YOU NEED TO REFLECT 382 00:09:36,201 --> 00:09:38,119 ON WHAT IT IS YOU'RE SAYING 383 00:09:36,201 --> 00:09:38,119 TO THE WORLD 384 00:09:38,161 --> 00:09:40,997 BY HIDING SO 385 00:09:38,161 --> 00:09:40,997 BEHIND THE LIGHTNESS 386 00:09:41,039 --> 00:09:42,749 OF YOUR SKIN. 387 00:09:42,790 --> 00:09:44,918 YOU KNOW, 388 00:09:44,959 --> 00:09:48,422 YOU KNOW NOTHING ABOUT ME. 389 00:09:48,463 --> 00:09:50,465 YOU DON'T KNOW 390 00:09:48,463 --> 00:09:50,465 HOW I GREW UP. 391 00:09:50,507 --> 00:09:52,175 YOU DON'T KNOW 392 00:09:50,507 --> 00:09:52,175 HOW I LIVE MY LIFE. 393 00:09:52,217 --> 00:09:53,176 THAT'S BECAUSE YOU-- 394 00:09:53,218 --> 00:09:54,761 YOLANDA, BETTE. 395 00:09:54,802 --> 00:09:55,970 I'M GOING TO HAVE 396 00:09:54,802 --> 00:09:55,970 TO ASK YOU 397 00:09:56,012 --> 00:09:58,098 TO SAVE THIS 398 00:09:56,012 --> 00:09:58,098 TILL THURSDAY. 399 00:09:58,139 --> 00:10:00,934 WE'LL PICK IT UP 400 00:09:58,139 --> 00:10:00,934 DURING FREESTYLE. 401 00:10:00,975 --> 00:10:02,269 GOOD WORK, EVERYONE. 402 00:10:05,230 --> 00:10:07,941 HEY. 403 00:10:07,982 --> 00:10:10,151 TELL BETTE NOT TO LET YOLANDA 404 00:10:07,982 --> 00:10:10,151 GET TO HER TOO MUCH. 405 00:10:10,193 --> 00:10:11,486 SHE'S JUST TRYING 406 00:10:10,193 --> 00:10:11,486 TO FIGURE HER OUT, 407 00:10:11,528 --> 00:10:14,739 SEE IF SHE HAS 408 00:10:11,528 --> 00:10:14,739 AN ALLY. 409 00:10:14,781 --> 00:10:16,032 STICK AROUND, 410 00:10:16,074 --> 00:10:17,451 AND IN A COUPLE 411 00:10:16,074 --> 00:10:17,451 OF WEEKS, 412 00:10:17,492 --> 00:10:18,993 YOU ACTUALLY START 413 00:10:17,492 --> 00:10:18,993 LOOKING FORWARD TO IT. 414 00:10:19,035 --> 00:10:20,036 OH, NO, NO. 415 00:10:20,078 --> 00:10:21,288 WE BOTH THOUGHT IT WAS, UH... 416 00:10:21,329 --> 00:10:22,747 REALLY INTERESTING. 417 00:10:22,789 --> 00:10:23,873 WE? 418 00:10:23,915 --> 00:10:24,958 YOU HAVEN'T EVEN 419 00:10:23,915 --> 00:10:24,958 HAD A CHANCE 420 00:10:24,999 --> 00:10:26,918 TO TALK TO BETTE 421 00:10:24,999 --> 00:10:26,918 ABOUT IT YET. 422 00:10:28,420 --> 00:10:29,796 OH, YEAH. 423 00:10:29,837 --> 00:10:33,258 UM, I THOUGHT 424 00:10:29,837 --> 00:10:33,258 IT WAS REALLY INTERESTING, 425 00:10:33,300 --> 00:10:34,968 AND I'LL TALK 426 00:10:33,300 --> 00:10:34,968 TO BETTE ABOUT IT, 427 00:10:35,009 --> 00:10:37,011 AND WE'LL BOTH DECIDE 428 00:10:35,009 --> 00:10:37,011 WHAT WE WANT TO DO. 429 00:10:37,053 --> 00:10:38,096 BETTER? 430 00:10:38,138 --> 00:10:41,015 MM-HMM. 431 00:10:41,057 --> 00:10:42,016 SEE YOU. 432 00:10:42,058 --> 00:10:43,059 OH, MY GOD. 433 00:10:43,101 --> 00:10:44,352 THAT IS... 434 00:10:44,394 --> 00:10:45,979 I MEAN, WELL, 435 00:10:44,394 --> 00:10:45,979 I'M SO GLAD 436 00:10:46,020 --> 00:10:47,021 THAT IT WAS YOU 437 00:10:46,020 --> 00:10:47,021 AND NOT TIM 438 00:10:47,063 --> 00:10:48,940 WHO WENT OUT 439 00:10:47,063 --> 00:10:48,940 AND DID THE NASTY, 440 00:10:48,982 --> 00:10:50,150 YOU KNOW? 441 00:10:50,191 --> 00:10:51,359 SO, LIKE, 442 00:10:50,191 --> 00:10:51,359 WHAT DID... 443 00:10:51,401 --> 00:10:52,944 WHERE DID YOU 444 00:10:51,401 --> 00:10:52,944 MEET HIM? 445 00:10:52,986 --> 00:10:54,237 WHAT DOES HE DO? 446 00:10:54,279 --> 00:10:55,489 WHAT IS HE... 447 00:10:54,279 --> 00:10:55,489 WHAT IS HE? 448 00:10:55,530 --> 00:10:57,198 WHAT DOES HE 449 00:10:55,530 --> 00:10:57,198 LOOK LIKE? 450 00:10:57,240 --> 00:10:58,658 AT A PARTY. 451 00:10:58,699 --> 00:11:00,577 YEAH? 452 00:11:00,619 --> 00:11:02,996 OWNS A CAFE. 453 00:11:03,037 --> 00:11:04,581 THAT'S COOL. 454 00:11:04,623 --> 00:11:06,833 ANNETTE, I'M NOT PROUD 455 00:11:04,623 --> 00:11:06,833 OF WHAT I DID. 456 00:11:06,874 --> 00:11:08,251 IT WAS REALLY SHITTY. 457 00:11:08,293 --> 00:11:11,963 WHAT? IS HE FUNNY? 458 00:11:12,005 --> 00:11:12,964 DEFINITELY NOT. 459 00:11:13,006 --> 00:11:14,090 SMART? 460 00:11:14,132 --> 00:11:16,675 I DON'T KNOW. 461 00:11:16,717 --> 00:11:18,052 HOT? 462 00:11:20,555 --> 00:11:23,850 MARINA IS DEFINITELY HOT. 463 00:11:25,893 --> 00:11:27,979 "MARINA"? 464 00:11:28,021 --> 00:11:29,772 WHOA. 465 00:11:29,814 --> 00:11:31,566 DUDE, THAT'S 466 00:11:29,814 --> 00:11:31,566 THE ONE THING 467 00:11:31,608 --> 00:11:33,360 I HAVEN'T DONE. 468 00:11:33,401 --> 00:11:35,403 SO... 469 00:11:35,445 --> 00:11:36,946 WHAT ARE YOU 470 00:11:35,445 --> 00:11:36,946 GOING TO CALL HER 471 00:11:36,988 --> 00:11:38,365 IN THE STORY? 472 00:11:38,406 --> 00:11:41,284 NO, I DIDN'T DO IT 473 00:11:38,406 --> 00:11:41,284 BECAUSE OF THAT. 474 00:11:41,326 --> 00:11:42,536 I DIDN'T DO THIS 475 00:11:42,577 --> 00:11:45,539 FOR SOMETHING TO WRITE ABOUT. 476 00:11:45,580 --> 00:11:47,957 [ SOFT ROCK MUSIC ] 477 00:11:47,999 --> 00:11:52,045 JENNY? 478 00:11:52,086 --> 00:11:53,254 HEY. 479 00:11:53,296 --> 00:11:54,464 WHAT? 480 00:11:54,506 --> 00:11:57,467 LOOK AT ME. 481 00:11:57,509 --> 00:11:59,511 [ ♪♪ ] 482 00:11:59,553 --> 00:12:01,720 OH, MY GOD. 483 00:12:03,722 --> 00:12:07,060 SHE BROKE YOUR HEART. 484 00:12:08,936 --> 00:12:11,064 FUCK. 485 00:12:14,859 --> 00:12:15,818 YOU LOOK GREAT. 486 00:12:15,860 --> 00:12:16,819 LOOK HOW GOOD 487 00:12:15,860 --> 00:12:16,819 YOU LOOK. 488 00:12:16,861 --> 00:12:17,820 I LOVE IT. 489 00:12:17,862 --> 00:12:18,821 DANA, YOU LOOK WICKED. 490 00:12:18,863 --> 00:12:19,822 THAT'S AWESOME. 491 00:12:19,864 --> 00:12:21,324 I WANT YOU 492 00:12:19,864 --> 00:12:21,324 TO SIGN IT. 493 00:12:21,366 --> 00:12:23,702 MAKE IT OUT TO 494 00:12:21,366 --> 00:12:23,702 FRANCESCA AND I. 495 00:12:23,742 --> 00:12:25,286 SHE'S BACK? 496 00:12:25,328 --> 00:12:27,746 OH, WELL, THEN YOU SHOULD 497 00:12:25,328 --> 00:12:27,746 BRING HER TO TWAT. 498 00:12:27,788 --> 00:12:29,332 YOU HAVE TO TAKE HER. 499 00:12:29,374 --> 00:12:31,000 MAKE IT 500 00:12:29,374 --> 00:12:31,000 REALLY SPECIAL. 501 00:12:31,042 --> 00:12:32,502 YEAH, SIGN IT, 502 00:12:31,042 --> 00:12:32,502 "DANA FAIRBANKS, 503 00:12:32,544 --> 00:12:36,047 PROFESSIONAL LESBIAN." 504 00:12:36,089 --> 00:12:37,798 OH, COME ON. 505 00:12:36,089 --> 00:12:37,798 IT'S GOING WIDE NEXT WEEK. 506 00:12:37,840 --> 00:12:40,343 IT'S GOING TO BE 507 00:12:37,840 --> 00:12:40,343 IN EVERY MAGAZINE YOU READ. 508 00:12:40,385 --> 00:12:41,802 THAT'S AMAZING. 509 00:12:41,844 --> 00:12:43,304 YOU WON'T BE ABLE 510 00:12:41,844 --> 00:12:43,304 TO KEEP THE GIRLS AWAY. 511 00:12:43,346 --> 00:12:47,350 YOUR PARENTS 512 00:12:43,346 --> 00:12:47,350 MUST BE SO PROUD. 513 00:12:47,392 --> 00:12:49,185 DANA? 514 00:12:50,437 --> 00:12:53,273 DID YOU NOT DO IT? 515 00:12:53,314 --> 00:12:55,525 YOU DIDN'T COME OUT 516 00:12:53,314 --> 00:12:55,525 TO YOUR PARENTS YET? 517 00:12:55,567 --> 00:12:56,817 I THINK SUBARU'S GOING 518 00:12:55,567 --> 00:12:56,817 TO DO IT FOR YOU. 519 00:12:56,859 --> 00:12:57,860 [ CLEARS THROAT ] 520 00:12:57,902 --> 00:12:58,861 YOU DIDN'T TELL THEM. 521 00:12:58,903 --> 00:13:00,405 YOU DIDN'T 522 00:12:58,903 --> 00:13:00,405 TELL THEM. 523 00:13:00,447 --> 00:13:01,740 ALL RIGHT, 524 00:13:00,447 --> 00:13:01,740 YOU KNOW, 525 00:13:01,780 --> 00:13:03,074 YOU HAVE TO DO THIS TODAY, 526 00:13:01,780 --> 00:13:03,074 'CAUSE-- 527 00:13:03,116 --> 00:13:04,659 I CAN'T DO IT 528 00:13:03,116 --> 00:13:04,659 TODAY, AL. 529 00:13:04,701 --> 00:13:06,077 MY MOM'S GETTING 530 00:13:04,701 --> 00:13:06,077 THAT AWARD 531 00:13:06,119 --> 00:13:08,413 FROM HER WOMEN'S GROUP 532 00:13:06,119 --> 00:13:08,413 OR WHATEVER. 533 00:13:08,455 --> 00:13:09,456 YOUR MOTHER BELONGS 534 00:13:08,455 --> 00:13:09,456 TO A WOMEN'S GROUP? 535 00:13:09,497 --> 00:13:10,873 THAT'S GOOD. 536 00:13:10,915 --> 00:13:12,459 UH-UH. 537 00:13:12,500 --> 00:13:15,794 ORANGE COUNTY 538 00:13:12,500 --> 00:13:15,794 REPUBLICAN WOMEN'S COALITION. 539 00:13:15,836 --> 00:13:17,589 AY CONO. 540 00:13:15,836 --> 00:13:17,589 I'M SORRY. 541 00:13:17,631 --> 00:13:19,006 [ LAUGHING ] 542 00:13:19,048 --> 00:13:20,883 DANA, COME ON. 543 00:13:20,925 --> 00:13:22,552 WE WEREN'T LAUGHING. 544 00:13:22,594 --> 00:13:24,471 OH, MY GOD. 545 00:13:22,594 --> 00:13:24,471 DANA, TALK TO ME. 546 00:13:24,512 --> 00:13:25,597 I WANT TO HELP. 547 00:13:25,639 --> 00:13:27,181 I JUST... 548 00:13:27,223 --> 00:13:28,767 I CAN'T BELIEVE MY LIFE 549 00:13:27,223 --> 00:13:28,767 RIGHT NOW, YOU KNOW? 550 00:13:28,807 --> 00:13:30,143 I FUCKED UP SO BAD 551 00:13:28,807 --> 00:13:30,143 WITH LARA, 552 00:13:30,184 --> 00:13:31,686 AND YOU GUYS ARE ALL 553 00:13:30,184 --> 00:13:31,686 LAUGHING AT ME. 554 00:13:31,728 --> 00:13:33,438 I JUST... 555 00:13:31,728 --> 00:13:33,438 I CAN'T HANDLE IT. 556 00:13:33,480 --> 00:13:34,855 OKAY. 557 00:13:33,480 --> 00:13:34,855 ALL RIGHT. I'M SORRY. 558 00:13:34,897 --> 00:13:39,277 I FEEL LIKE AN ASSHOLE. 559 00:13:39,319 --> 00:13:40,819 I HAVE AN IDEA. 560 00:13:39,319 --> 00:13:40,819 READY? 561 00:13:40,861 --> 00:13:42,489 LISTEN TO ME. 562 00:13:40,861 --> 00:13:42,489 I'M GOING TO COME WITH YOU. 563 00:13:42,530 --> 00:13:43,698 I CAN'T DO IT. 564 00:13:43,740 --> 00:13:44,907 NO, I'M COMING. 565 00:13:44,949 --> 00:13:46,409 I'M GOING 566 00:13:44,949 --> 00:13:46,409 TO BE WITH YOU, 567 00:13:46,451 --> 00:13:47,661 AND YOU'RE GONNA 568 00:13:46,451 --> 00:13:47,661 TELL YOUR MOM AND DAD 569 00:13:47,702 --> 00:13:49,788 BEFORE YOUR MOTHER 570 00:13:47,702 --> 00:13:49,788 GETS THE AWARD, OKAY? 571 00:13:49,828 --> 00:13:52,081 JUST BLAM, "MOM, DAD, 572 00:13:49,828 --> 00:13:52,081 I'M A LESBIAN." 573 00:13:52,123 --> 00:13:54,751 NO BIG DEAL, JUST LIKE THAT, 574 00:13:52,123 --> 00:13:54,751 BECAUSE THERE'S NO WAY 575 00:13:54,793 --> 00:13:56,002 YOUR PARENTS ARE GOING 576 00:13:54,793 --> 00:13:56,002 TO MAKE A SCENE 577 00:13:56,043 --> 00:13:58,797 IN FRONT OF 578 00:13:56,043 --> 00:13:58,797 ALL THOSE PEOPLE. 579 00:13:58,837 --> 00:14:00,965 I CAN LOOK REPUBLICAN. 580 00:14:01,007 --> 00:14:02,925 WHO THE HELL DOES SHE 581 00:14:01,007 --> 00:14:02,925 THINK SHE IS? 582 00:14:02,967 --> 00:14:04,843 I MEAN, I'M A TOTAL 583 00:14:02,967 --> 00:14:04,843 STRANGER TO HER. 584 00:14:04,885 --> 00:14:06,805 SHE KNOWS NOTHING 585 00:14:04,885 --> 00:14:06,805 ABOUT MY RACE POLITICS, 586 00:14:06,845 --> 00:14:08,682 NOTHING ABOUT 587 00:14:06,845 --> 00:14:08,682 MY SELF-IDENTIFICATION, 588 00:14:08,723 --> 00:14:09,848 NOTHING. 589 00:14:09,890 --> 00:14:14,395 SHE'S A WRITER. 590 00:14:09,890 --> 00:14:14,395 YOLANDA WATKINS. 591 00:14:14,437 --> 00:14:16,939 I GOOGLED HER. 592 00:14:14,437 --> 00:14:16,939 TEACHES AT UCLA. 593 00:14:16,981 --> 00:14:19,192 SHE'S PUBLISHED 594 00:14:16,981 --> 00:14:19,192 THREE VOLUMES OF POETRY 595 00:14:19,233 --> 00:14:21,319 AND TWO BOOKS 596 00:14:19,233 --> 00:14:21,319 OF NON-FICTION, 597 00:14:21,361 --> 00:14:22,945 INCLUDING, UH, 598 00:14:22,987 --> 00:14:25,323 SISTAH, STAND UP. 599 00:14:25,365 --> 00:14:27,950 WE'RE GOING TO HAVE 600 00:14:25,365 --> 00:14:27,950 SOME FUN WITH HER. 601 00:14:27,992 --> 00:14:29,410 WE? 602 00:14:29,452 --> 00:14:32,539 YOU'RE NOT THE ONE 603 00:14:29,452 --> 00:14:32,539 SHE JUMPED ALL OVER. 604 00:14:32,580 --> 00:14:34,833 I WAS JUST AS UPSET ABOUT IT 605 00:14:32,580 --> 00:14:34,833 AS YOU WERE, BABY. 606 00:14:34,874 --> 00:14:36,209 I DON'T THINK SO, TINA. 607 00:14:36,250 --> 00:14:38,878 IT WAS MY WHOLE LIFE 608 00:14:36,250 --> 00:14:38,878 SHE WAS ATTACKING. 609 00:14:38,919 --> 00:14:40,839 MY LIFE. 610 00:14:44,175 --> 00:14:45,926 SO, JEN, 611 00:14:45,968 --> 00:14:47,970 WERE YOU ALWAYS A LESBIAN? 612 00:14:48,012 --> 00:14:50,849 I NEVER SAID 613 00:14:48,012 --> 00:14:50,849 I WAS A LESBIAN. 614 00:14:50,890 --> 00:14:53,434 SO IT JUST CAME OUT OF NOWHERE 615 00:14:50,890 --> 00:14:53,434 AND BIT YOU ON THE ASS? 616 00:14:53,476 --> 00:14:55,895 JUST LIKE THAT? 617 00:14:55,936 --> 00:14:59,315 BECAUSE ME, YOU KNOW, 618 00:14:55,936 --> 00:14:59,315 I LOVE WOMEN. 619 00:14:59,357 --> 00:15:01,401 YEAH, FOR COMPANIONSHIP, 620 00:15:01,442 --> 00:15:05,071 I FIGURE I COULD DO WITHOUT 621 00:15:01,442 --> 00:15:05,071 THE COMPANY OF MEN ENTIRELY, 622 00:15:05,112 --> 00:15:07,824 EXCEPT, DUDE, 623 00:15:07,866 --> 00:15:09,116 I CAN'T GET DOWN 624 00:15:07,866 --> 00:15:09,116 WITH THE PUSS. 625 00:15:09,158 --> 00:15:10,410 I LOVE A DICK. 626 00:15:10,451 --> 00:15:12,203 I THINK I'M BISEXUAL. 627 00:15:12,245 --> 00:15:13,371 OH, BROTHER. 628 00:15:13,413 --> 00:15:14,748 I DO. 629 00:15:13,413 --> 00:15:14,748 I REALLY DO. 630 00:15:14,789 --> 00:15:17,083 JENNY, IS THIS JUST YOUR WAY 631 00:15:14,789 --> 00:15:17,083 OF TELLING ME 632 00:15:17,124 --> 00:15:18,668 THAT YOU HAD 633 00:15:18,710 --> 00:15:20,920 A HUGE CRUSH ON ME 634 00:15:18,710 --> 00:15:20,920 IN COLLEGE? 635 00:15:20,961 --> 00:15:22,881 ANNETTE... 636 00:15:25,091 --> 00:15:26,509 NO. 637 00:15:26,551 --> 00:15:27,635 YOU'RE LYING. 638 00:15:27,677 --> 00:15:29,136 YOU'RE MADLY IN LOVE WITH ME. 639 00:15:29,178 --> 00:15:30,597 WELL, 640 00:15:30,638 --> 00:15:32,891 I'VE GOT TO GET A LOOK 641 00:15:30,638 --> 00:15:32,891 AT THIS MARINA, 642 00:15:32,932 --> 00:15:33,892 SEE IF SHE'S WORTH IT. 643 00:15:33,933 --> 00:15:34,934 NO. 644 00:15:34,975 --> 00:15:36,352 YEAH. 645 00:15:34,975 --> 00:15:36,352 OH, NO. 646 00:15:36,394 --> 00:15:37,896 YEAH, NO, WE'VE GOT 647 00:15:36,394 --> 00:15:37,896 TO STALK HER. 648 00:15:37,937 --> 00:15:38,897 WE JUST STALK HER 649 00:15:37,937 --> 00:15:38,897 A LITTLE BIT, 650 00:15:38,938 --> 00:15:40,314 JUST SO I CAN SEE. 651 00:15:40,356 --> 00:15:41,524 NO, NO. 652 00:15:40,356 --> 00:15:41,524 NO STALKING. 653 00:15:41,566 --> 00:15:42,901 WHY? 654 00:15:42,942 --> 00:15:44,903 BECAUSE, UM, 655 00:15:44,944 --> 00:15:46,946 HER GIRLFRIEND'S 656 00:15:44,944 --> 00:15:46,946 BACK IN TOWN. 657 00:15:46,987 --> 00:15:47,947 HER GIRLFRIEND? 658 00:15:47,988 --> 00:15:49,616 I KNOW. 659 00:15:47,988 --> 00:15:49,616 I KNOW. 660 00:15:49,657 --> 00:15:51,284 DOES THIS 661 00:15:49,657 --> 00:15:51,284 JUST KEEP GETTING BETTER? 662 00:15:51,325 --> 00:15:52,660 SHE TOLD ME 663 00:15:51,325 --> 00:15:52,660 THAT SHE HAD A GIRLFRIEND 664 00:15:52,702 --> 00:15:54,746 AFTER TIM LEFT ME, 665 00:15:54,788 --> 00:15:56,414 BUT YOU KNOW WHAT? 666 00:15:56,456 --> 00:15:57,665 I WOULD HAVE 667 00:15:56,456 --> 00:15:57,665 DONE EVERYTHING 668 00:15:57,707 --> 00:15:59,876 IN THE EXACT SAME WAY 669 00:15:57,707 --> 00:15:59,876 I DID IT NOW. 670 00:15:59,918 --> 00:16:01,878 I WOULD HAVE. 671 00:16:01,920 --> 00:16:04,213 OKAY, IS THERE 672 00:16:01,920 --> 00:16:04,213 ANY MORE TO THIS STORY? 673 00:16:04,255 --> 00:16:05,381 NO. 674 00:16:05,423 --> 00:16:06,549 FINE. 675 00:16:06,591 --> 00:16:08,593 THIS IS WHAT I THINK. 676 00:16:08,635 --> 00:16:10,177 I'VE GOT TO SEE THIS WOMAN, 677 00:16:10,219 --> 00:16:11,429 AND YOU'VE GOT 678 00:16:10,219 --> 00:16:11,429 TO STAKE OUT THE COMPETITION. 679 00:16:11,471 --> 00:16:13,598 OH, MY GOD. 680 00:16:11,471 --> 00:16:13,598 I'M SERIOUS. LISTEN. 681 00:16:13,640 --> 00:16:15,057 YOU'RE NOT GOING TO TAKE THIS 682 00:16:13,640 --> 00:16:15,057 SITTING DOWN. 683 00:16:15,099 --> 00:16:17,393 IF YOU'RE REALLY 684 00:16:15,099 --> 00:16:17,393 IN LOVE-- 685 00:16:17,435 --> 00:16:19,061 I DON'T KNOW IF I'M IN LOVE. 686 00:16:17,435 --> 00:16:19,061 WHATEVER. 687 00:16:19,103 --> 00:16:20,605 YOU'VE GOT TO GO OUT 688 00:16:19,103 --> 00:16:20,605 GUNS BLAZING, 689 00:16:20,647 --> 00:16:22,106 YOU KNOW WHAT I MEAN? 690 00:16:22,148 --> 00:16:25,359 YOU'VE GOT TO STAND UP AND FIGHT 691 00:16:22,148 --> 00:16:25,359 FOR THE...THE... 692 00:16:25,401 --> 00:16:26,986 WHAT? 693 00:16:27,027 --> 00:16:28,822 WHATEVER-- 694 00:16:27,027 --> 00:16:28,822 WHAT'S THE GIRLFRIEND'S NAME? 695 00:16:28,863 --> 00:16:29,948 FRANCESCA WOLFF. 696 00:16:29,989 --> 00:16:31,407 OH, BARF. 697 00:16:29,989 --> 00:16:31,407 I KNOW, RIGHT? 698 00:16:31,449 --> 00:16:34,327 WELL, FINE. 699 00:16:31,449 --> 00:16:34,327 FRANCESCA'S GOING DOWN. 700 00:16:39,916 --> 00:16:41,709 WE'RE GONNA BE SHOOTING 701 00:16:39,916 --> 00:16:41,709 THE VIDEO IN ABOUT THREE WEEKS, 702 00:16:41,751 --> 00:16:43,336 SO OUR PEOPLE WILL BE 703 00:16:41,751 --> 00:16:43,336 IN TOUCH WITH YOU 704 00:16:43,377 --> 00:16:44,545 TO WORK ON 705 00:16:43,377 --> 00:16:44,545 THE DETAILS. 706 00:16:44,587 --> 00:16:46,130 WOW, THAT'S SWEET, 707 00:16:44,587 --> 00:16:46,130 YOU KNOW? 708 00:16:46,172 --> 00:16:47,715 HEY, I'M DOWN WITH IT. 709 00:16:46,172 --> 00:16:47,715 GOOD. 710 00:16:47,757 --> 00:16:49,467 HEY. 711 00:16:47,757 --> 00:16:49,467 HEY, BABY GIRL. 712 00:16:49,509 --> 00:16:51,177 OH, DWAYNE, 713 00:16:51,218 --> 00:16:53,137 I WANT YOU TO MEET 714 00:16:51,218 --> 00:16:53,137 MY LITTLE SISTER, BETTE. 715 00:16:53,179 --> 00:16:54,681 BETTE, THIS 716 00:16:53,179 --> 00:16:54,681 IS DWAYNE WASHINGTON 717 00:16:54,722 --> 00:16:56,474 OF BEN'S BOX RECORDS. 718 00:16:56,516 --> 00:16:58,309 NICE TO MEET YOU. 719 00:16:58,351 --> 00:17:00,603 AND WHAT'S THIS? 720 00:17:00,645 --> 00:17:02,271 I WORK WITH SLIM DADDY, 721 00:17:02,313 --> 00:17:03,272 HE'S GOING TO SAMPLE 722 00:17:02,313 --> 00:17:03,272 "IT'S THE REAL THING" 723 00:17:03,314 --> 00:17:05,149 ON HIS NEXT ALBUM. 724 00:17:03,314 --> 00:17:05,149 WOW. 725 00:17:05,191 --> 00:17:06,651 FANTASTIC. 726 00:17:06,693 --> 00:17:09,403 DO YOU MIND 727 00:17:06,693 --> 00:17:09,403 IF I TAKE A LOOK? 728 00:17:09,445 --> 00:17:13,115 HEY, WHO WOULD HAVE THOUGHT THAT 729 00:17:09,445 --> 00:17:13,115 A SONG THAT I WROTE IN 1986 730 00:17:13,157 --> 00:17:17,370 WOULD BE SAMPLED BY SLIM DADDY 731 00:17:13,157 --> 00:17:17,370 IN 2004? 732 00:17:17,411 --> 00:17:18,872 AND $1,000 733 00:17:18,913 --> 00:17:20,164 IS ALL YOU'RE 734 00:17:18,913 --> 00:17:20,164 OFFERING MY SISTER 735 00:17:20,206 --> 00:17:21,582 FOR UNLIMITED USE 736 00:17:20,206 --> 00:17:21,582 OF HER SONG? 737 00:17:21,624 --> 00:17:23,042 IT'S A STANDARD CONTRACT 738 00:17:21,624 --> 00:17:23,042 FOR A SAMPLE. 739 00:17:23,083 --> 00:17:25,378 HEY, I'M DOWN 740 00:17:23,083 --> 00:17:25,378 WITH THE DEAL. 741 00:17:25,419 --> 00:17:26,671 WELL, ARE YOU 742 00:17:25,419 --> 00:17:26,671 GOING TO GIVE HER 743 00:17:26,713 --> 00:17:28,172 A PERCENTAGE OF 744 00:17:26,713 --> 00:17:28,172 THE SONG'S REVENUES? 745 00:17:28,214 --> 00:17:29,924 I THINK WE SHOULD HAVE 746 00:17:28,214 --> 00:17:29,924 A LAWYER LOOK AT THIS, 747 00:17:29,966 --> 00:17:31,634 AND THEN YOU CAN 748 00:17:29,966 --> 00:17:31,634 GET IT BACK TO DWAYNE 749 00:17:31,676 --> 00:17:32,719 IN A COUPLE OF DAYS. 750 00:17:32,760 --> 00:17:34,136 LOOK, 751 00:17:34,178 --> 00:17:37,807 THIS IS PRETTY MUCH 752 00:17:34,178 --> 00:17:37,807 A NON-NEGOTIABLE OFFER. 753 00:17:40,560 --> 00:17:42,937 HERE YOU GO. 754 00:17:42,979 --> 00:17:44,564 HEY, LET ME KNOW 755 00:17:42,979 --> 00:17:44,564 WHEN YOU'RE GOING 756 00:17:44,605 --> 00:17:48,902 TO BE DOING 757 00:17:44,605 --> 00:17:48,902 THAT VIDEO, OKAY? 758 00:17:48,943 --> 00:17:49,903 OKAY. 759 00:17:49,944 --> 00:17:51,779 NICE TO MEET YOU. 760 00:17:51,821 --> 00:17:53,781 NICE TO MEET YOU. 761 00:17:53,823 --> 00:17:55,408 YOU ALMOST FUCKED 762 00:17:53,823 --> 00:17:55,408 THAT UP FOR ME. 763 00:17:55,449 --> 00:17:56,576 FUCKED THAT UP FOR YOU? 764 00:17:55,449 --> 00:17:56,576 I WAS TRYING TO HELP YOU. 765 00:17:56,617 --> 00:17:58,118 YOU SAID YOURSELF 766 00:17:58,160 --> 00:17:59,412 YOU DON'T ALWAYS MAKE 767 00:17:58,160 --> 00:17:59,412 THE BEST DECISIONS. 768 00:17:59,453 --> 00:18:02,999 WELL, IN THIS CASE, 769 00:17:59,453 --> 00:18:02,999 THANKS BUT NO THANKS. 770 00:18:05,960 --> 00:18:08,379 YOU KNOW, I TALKED 771 00:18:05,960 --> 00:18:08,379 TO DAVID YESTERDAY. 772 00:18:08,421 --> 00:18:10,673 AND WHAT DID HE WANT? 773 00:18:10,715 --> 00:18:12,717 HE SAID HE CAME 774 00:18:10,715 --> 00:18:12,717 TO MEET YOU. 775 00:18:12,759 --> 00:18:13,843 HE WALKED IN, 776 00:18:13,885 --> 00:18:14,886 SAW YOU SITTING 777 00:18:13,885 --> 00:18:14,886 AT THE BAR, 778 00:18:14,928 --> 00:18:16,888 HAVING A DRINK, 779 00:18:14,928 --> 00:18:16,888 AND HE LEFT. 780 00:18:16,930 --> 00:18:18,472 WHAT? 781 00:18:18,514 --> 00:18:20,433 YOU WERE THERE. 782 00:18:18,514 --> 00:18:20,433 YOU KNOW I WASN'T DRINKING. 783 00:18:20,474 --> 00:18:23,477 I MUST HAVE BEEN IN THE BATHROOM 784 00:18:20,474 --> 00:18:23,477 WHEN HE CAME. 785 00:18:23,519 --> 00:18:26,230 YOU KNOW I WASN'T DRINKING. 786 00:18:26,272 --> 00:18:27,648 OH, NICE. 787 00:18:27,690 --> 00:18:28,816 YOU'VE ALWAYS 788 00:18:28,858 --> 00:18:30,192 GOT TO TAKE ME 789 00:18:28,858 --> 00:18:30,192 DOWN A NOTCH, 790 00:18:30,234 --> 00:18:31,193 YOU KNOW, WHY CAN'T 791 00:18:30,234 --> 00:18:31,193 YOU JUST SAY, 792 00:18:31,235 --> 00:18:32,403 "WELL DONE, KIT. 793 00:18:32,445 --> 00:18:33,654 "SLIM DADDY 794 00:18:32,445 --> 00:18:33,654 WANTS TO SAMPLE 795 00:18:33,696 --> 00:18:34,906 "ONE OF YOUR SONGS 796 00:18:34,948 --> 00:18:36,950 "AND YOU GOT THROUGH 797 00:18:34,948 --> 00:18:36,950 A TERRIBLE SITUATION 798 00:18:36,991 --> 00:18:38,034 "THE OTHER NIGHT 799 00:18:38,076 --> 00:18:39,410 WITHOUT A DRINK." 800 00:18:39,452 --> 00:18:40,912 YOU CAN'T EVEN 801 00:18:39,452 --> 00:18:40,912 GIVE ME THAT, 802 00:18:40,954 --> 00:18:42,872 CAN YOU? 803 00:19:00,640 --> 00:19:02,892 OH, HELLO. 804 00:19:02,934 --> 00:19:05,812 HEY. 805 00:19:05,853 --> 00:19:10,108 I WAS JUST LOOKING 806 00:19:05,853 --> 00:19:10,108 FOR A CIGARETTE. 807 00:19:10,149 --> 00:19:11,943 GUESS I SHOULD 808 00:19:10,149 --> 00:19:11,943 HAVE ASKED, HUH? 809 00:19:11,985 --> 00:19:13,611 YEAH. 810 00:19:13,653 --> 00:19:15,279 HEY, CLIVE, 811 00:19:13,653 --> 00:19:15,279 HAVE YOU NOTICED 812 00:19:15,321 --> 00:19:17,364 ALL THOSE BANNERS THAT 813 00:19:15,321 --> 00:19:17,364 ARE AROUND THE HOUSE 814 00:19:17,406 --> 00:19:19,199 THAT SAY 815 00:19:17,406 --> 00:19:19,199 "SMOKING KILLS WOMEN"? 816 00:19:19,241 --> 00:19:21,410 IF I'M RIGHT, I THINK 817 00:19:19,241 --> 00:19:21,410 THERE'S ONE OVER THE TOILET, NO? 818 00:19:21,452 --> 00:19:23,412 YEAH. 819 00:19:25,331 --> 00:19:27,667 THEY DON'T SMOKE. 820 00:19:28,793 --> 00:19:30,920 DUH. 821 00:19:42,640 --> 00:19:45,726 BETTE, THERE'S A CALL 822 00:19:42,640 --> 00:19:45,726 ON LINE ONE. 823 00:19:45,768 --> 00:19:46,978 I THINK YOU MIGHT 824 00:19:45,768 --> 00:19:46,978 WANT TO TAKE IT. 825 00:19:47,020 --> 00:19:49,229 TAKE A MESSAGE. 826 00:19:47,020 --> 00:19:49,229 I'M LATE FOR LUNCH. 827 00:19:49,271 --> 00:19:51,691 I THINK YOU 828 00:19:49,271 --> 00:19:51,691 SHOULD TAKE IT. 829 00:19:51,732 --> 00:19:54,652 [ GROANS ] 830 00:19:51,732 --> 00:19:54,652 OH, GOD. 831 00:20:01,034 --> 00:20:02,118 THIS IS BETTE PORTER. 832 00:20:02,160 --> 00:20:03,202 [ MAN ]: 833 00:20:02,160 --> 00:20:03,202 ARE YOU THE PERSON 834 00:20:03,243 --> 00:20:04,203 IN CHARGE 835 00:20:03,243 --> 00:20:04,203 OF THE MUSEUM? 836 00:20:04,244 --> 00:20:05,663 I AM. 837 00:20:05,705 --> 00:20:07,999 DO YOU BELIEVE 838 00:20:05,705 --> 00:20:07,999 IN JESUS CHRIST, MA'AM? 839 00:20:08,041 --> 00:20:09,416 BECAUSE GOD 840 00:20:08,041 --> 00:20:09,416 WILL PUNISH YOU 841 00:20:09,458 --> 00:20:10,960 FOR PUTTING UP 842 00:20:09,458 --> 00:20:10,960 THAT BLASPHEMOUS FILTH 843 00:20:11,002 --> 00:20:12,879 IN YOUR MUSEUM. 844 00:20:12,920 --> 00:20:14,797 YOU AND ALL THOSE 845 00:20:12,920 --> 00:20:14,797 INVOLVED 846 00:20:14,839 --> 00:20:17,091 ARE GOING 847 00:20:14,839 --> 00:20:17,091 TO BURN IN HELL. 848 00:20:17,133 --> 00:20:18,592 DO YOU HEAR ME? 849 00:20:18,634 --> 00:20:20,678 YOU'RE ALL GOING 850 00:20:18,634 --> 00:20:20,678 TO BURN IN HELL. 851 00:20:20,720 --> 00:20:22,805 [ DIAL TONE ] 852 00:20:22,847 --> 00:20:24,891 THAT'S THE FIFTH CALL TODAY. 853 00:20:24,932 --> 00:20:27,101 WE THOUGHT 854 00:20:24,932 --> 00:20:27,101 YOU SHOULD KNOW. 855 00:20:27,143 --> 00:20:29,603 JUST KEEP A RECORD 856 00:20:27,143 --> 00:20:29,603 OF THE CALLS. 857 00:20:29,645 --> 00:20:31,564 OKAY? 858 00:20:51,042 --> 00:20:52,168 OH! 859 00:20:52,210 --> 00:20:54,420 OH, MY GOD! 860 00:20:54,461 --> 00:20:55,421 OH, MY GOD, 861 00:20:54,461 --> 00:20:55,421 I KILLED HIM. 862 00:20:55,462 --> 00:20:56,672 FUCKING BITCH. 863 00:20:56,714 --> 00:20:58,382 ARE YOU FUCKING BLIND? 864 00:20:58,424 --> 00:20:59,633 I AM SO SORRY. 865 00:20:59,675 --> 00:21:00,801 GET AWAY FROM ME! 866 00:20:59,675 --> 00:21:00,801 PLEASE, I'M SORRY. 867 00:21:00,843 --> 00:21:02,720 THERE IS NO NEED 868 00:21:00,843 --> 00:21:02,720 TO BE SO AGGRESSIVE. 869 00:21:02,762 --> 00:21:04,013 FUCK YOU! 870 00:21:04,055 --> 00:21:05,139 IT WAS A MISTAKE. 871 00:21:04,055 --> 00:21:05,139 IT WAS A MISTAKE. 872 00:21:05,181 --> 00:21:06,224 FUCK YOU, YOU COW. 873 00:21:06,265 --> 00:21:07,266 FUCK YOU. 874 00:21:07,307 --> 00:21:08,267 NO, FUCKING 875 00:21:07,307 --> 00:21:08,267 FUCK YOU. 876 00:21:08,308 --> 00:21:09,936 YOU ARE 877 00:21:08,308 --> 00:21:09,936 A FUCKING NUT CASE. 878 00:21:09,977 --> 00:21:11,896 YOU'RE A FUCKING MENACE. 879 00:21:09,977 --> 00:21:11,896 CAN I HELP? 880 00:21:11,938 --> 00:21:13,022 THIS DOESN'T SEEM 881 00:21:11,938 --> 00:21:13,022 TO BE GOING ANYWHERE. 882 00:21:13,064 --> 00:21:15,858 YOU OKAY? 883 00:21:13,064 --> 00:21:15,858 YEAH. 884 00:21:15,900 --> 00:21:17,651 YOU INJURED? SHOULD WE 885 00:21:15,900 --> 00:21:17,651 GET YOU TO A HOSPITAL? 886 00:21:17,693 --> 00:21:18,694 NO, I'M FINE. 887 00:21:17,693 --> 00:21:18,694 THANK YOU FOR ASKING. 888 00:21:18,736 --> 00:21:20,238 IT'S ABOUT TIME SOMEONE DID. 889 00:21:20,279 --> 00:21:21,989 YEAH, YOU DIDN'T GIVE US 890 00:21:20,279 --> 00:21:21,989 A CHANCE, YOU FREAK. 891 00:21:22,031 --> 00:21:24,408 HEY. 892 00:21:24,450 --> 00:21:27,703 WELL, YOU'RE OBVIOUSLY 893 00:21:24,450 --> 00:21:27,703 IN ONE PIECE. 894 00:21:27,745 --> 00:21:29,038 YOU SURE KNOW HOW TO FALL. 895 00:21:29,080 --> 00:21:30,206 I MEAN, YOU SEEM TO BE 896 00:21:29,080 --> 00:21:30,206 IN AMAZING SHAPE. 897 00:21:30,248 --> 00:21:31,415 THANKS. 898 00:21:31,457 --> 00:21:32,875 YOU SURE YOU CAN RIDE? 899 00:21:32,917 --> 00:21:34,460 YEAH, I CAN. 900 00:21:34,501 --> 00:21:37,379 I'M NOT SURE 901 00:21:34,501 --> 00:21:37,379 THEY CAN. 902 00:21:37,421 --> 00:21:39,381 LEARN TO DRIVE. 903 00:21:41,592 --> 00:21:43,010 THANK YOU FOR THAT. 904 00:21:43,052 --> 00:21:44,053 THERE'S NO TALKING 905 00:21:43,052 --> 00:21:44,053 TO PEOPLE LIKE THAT. 906 00:21:44,095 --> 00:21:45,096 APPEAL TO THEIR VANITY. 907 00:21:45,138 --> 00:21:46,180 IT WORKS EVERY TIME. 908 00:21:46,222 --> 00:21:47,890 BE CAREFUL. 909 00:21:52,228 --> 00:21:53,187 [ SNAPS FINGERS ] 910 00:21:53,229 --> 00:21:54,188 [ DANA ]: OKAY. 911 00:21:54,230 --> 00:21:55,189 [ ALICE ]: OKAY. 912 00:21:55,231 --> 00:21:57,275 OKAY. 913 00:21:55,231 --> 00:21:57,275 ALL RIGHT. 914 00:21:57,316 --> 00:21:58,692 LET'S REVIEW THE STRATEGY 915 00:21:57,316 --> 00:21:58,692 ONE MORE TIME. 916 00:21:58,734 --> 00:21:59,986 ALL RIGHT. 917 00:22:00,027 --> 00:22:01,487 WE EXCHANGE 918 00:22:00,027 --> 00:22:01,487 PLEASANTRIES. 919 00:22:01,528 --> 00:22:03,030 MOM TELLS ME 920 00:22:01,528 --> 00:22:03,030 HOW THIN I LOOK. 921 00:22:03,072 --> 00:22:04,364 YOUR FATHER ASKS HOW 922 00:22:03,072 --> 00:22:04,364 MY CAREER'S GOING... 923 00:22:04,406 --> 00:22:05,532 RIGHT. 924 00:22:05,574 --> 00:22:06,533 THEN YOU TELL THEM. 925 00:22:06,575 --> 00:22:07,534 RIGHT, JUST... 926 00:22:07,576 --> 00:22:08,953 JUST BLURT IT OUT. 927 00:22:08,995 --> 00:22:10,496 BEFORE LUNCH. 928 00:22:08,995 --> 00:22:10,496 BEFORE MOM GETS THE AWARD. 929 00:22:10,537 --> 00:22:12,039 RIGHT. SHE'LL KEEP IT 930 00:22:10,537 --> 00:22:12,039 TOGETHER. 931 00:22:12,081 --> 00:22:13,332 SHE'S NOT GOING 932 00:22:12,081 --> 00:22:13,332 ON THAT STAGE 933 00:22:13,373 --> 00:22:14,834 WITH HER MASCARA RUNNING. 934 00:22:13,373 --> 00:22:14,834 LET'S DO IT. 935 00:22:14,875 --> 00:22:16,169 LET'S GO. 936 00:22:14,875 --> 00:22:16,169 COME ON. 937 00:22:16,210 --> 00:22:18,129 OKAY. 938 00:22:21,257 --> 00:22:24,218 [ PIANO MUZAK PLAYING ] 939 00:22:24,260 --> 00:22:27,345 [ ♪♪ ] 940 00:22:27,387 --> 00:22:30,557 OH, WILL YOU LOOK AT 941 00:22:27,387 --> 00:22:30,557 THESE BEAUTIFUL LADIES 942 00:22:30,599 --> 00:22:31,976 WHO'VE COME ALL THE WAY 943 00:22:30,599 --> 00:22:31,976 FROM BEVERLY HILLS 944 00:22:32,018 --> 00:22:33,727 TO BE AT MY LUNCHEON. 945 00:22:33,769 --> 00:22:36,647 I DON'T LIVE 946 00:22:33,769 --> 00:22:36,647 IN BEVERLY HILLS, MOM. 947 00:22:36,689 --> 00:22:37,982 OH, SO THIN. 948 00:22:38,024 --> 00:22:39,900 ALICE, YOU LOOK WONDERFUL, 949 00:22:38,024 --> 00:22:39,900 AS ALWAYS. 950 00:22:39,942 --> 00:22:40,985 SO NICE TO SEE YOU. 951 00:22:41,027 --> 00:22:42,028 CONGRATS, SHARON. 952 00:22:41,027 --> 00:22:42,028 HI, DAD. 953 00:22:42,069 --> 00:22:43,112 YOU MUST BE 954 00:22:42,069 --> 00:22:43,112 GREAT REPUBLICANS. 955 00:22:43,154 --> 00:22:44,780 YOU'VE MISSED THE RECEPTION, 956 00:22:44,822 --> 00:22:46,448 AND WE'LL HAVE TO JUST GO 957 00:22:44,822 --> 00:22:46,448 AND SIT DOWN TO LUNCH. 958 00:22:46,490 --> 00:22:48,617 HOWIE, HAVE YOU SAID HELLO 959 00:22:46,490 --> 00:22:48,617 TO YOUR SISTER? 960 00:22:48,659 --> 00:22:49,660 HEY, D-DOG. 961 00:22:49,702 --> 00:22:50,911 HEY, HOW. 962 00:22:50,953 --> 00:22:54,248 HOW YOU DOING? 963 00:22:50,953 --> 00:22:54,248 HELLO. 964 00:22:56,125 --> 00:22:57,126 OOH. 965 00:22:57,168 --> 00:22:58,127 SHIT. 966 00:22:58,169 --> 00:22:59,295 SHIT, SHIT, 967 00:22:58,169 --> 00:22:59,295 SHIT, SHIT. 968 00:22:59,337 --> 00:23:02,340 IT'S OKAY. GO. 969 00:23:09,638 --> 00:23:11,598 SEE, ALL I CAN 970 00:23:09,638 --> 00:23:11,598 SEE RIGHT NOW 971 00:23:11,640 --> 00:23:13,267 IS HER BUTT, 972 00:23:13,309 --> 00:23:15,602 WHICH IS NICE FOR A GIRL, 973 00:23:13,309 --> 00:23:15,602 BUT YOU KNOW, 974 00:23:15,644 --> 00:23:17,521 I'M NOT AN EXPERT 975 00:23:15,644 --> 00:23:17,521 ON WOMEN'S ASSES. 976 00:23:17,563 --> 00:23:20,649 COME ON, TURN AROUND. 977 00:23:17,563 --> 00:23:20,649 [ SIGHS ] OKAY. 978 00:23:20,691 --> 00:23:22,985 WOW. 979 00:23:23,027 --> 00:23:24,195 WOW. 980 00:23:24,237 --> 00:23:25,238 OKAY... 981 00:23:24,237 --> 00:23:25,238 CAN WE GO? 982 00:23:25,279 --> 00:23:26,364 KEEP YOUR 983 00:23:25,279 --> 00:23:26,364 PANTIES ON. 984 00:23:26,404 --> 00:23:27,781 SERIOUSLY, I JUST... 985 00:23:27,823 --> 00:23:29,158 I'M TRYING TO WRAP 986 00:23:27,823 --> 00:23:29,158 MY HEAD AROUND THIS. 987 00:23:29,200 --> 00:23:30,243 I WANT TO 988 00:23:29,200 --> 00:23:30,243 ASK YOU SOMETHING. 989 00:23:30,284 --> 00:23:31,244 WHAT? 990 00:23:31,285 --> 00:23:32,619 YOU HAD SEX 991 00:23:31,285 --> 00:23:32,619 WITH THAT WOMAN? 992 00:23:32,661 --> 00:23:33,996 PLEASE, PLEASE-- 993 00:23:32,661 --> 00:23:33,996 YOU SLEPT WITH THAT WOMAN? 994 00:23:34,038 --> 00:23:34,997 DID YOU GO DOWN ON HER 995 00:23:34,038 --> 00:23:34,997 AND EVERYTHING? 996 00:23:35,039 --> 00:23:36,957 NO, THIS IS IMPORTANT. 997 00:23:36,999 --> 00:23:39,335 DO GIRLS STILL LOOK PRETTY 998 00:23:36,999 --> 00:23:39,335 WHEN THEY'RE GETTING EATEN OUT? 999 00:23:39,377 --> 00:23:41,379 BECAUSE GUYS LOOK SO DORKY WHEN 1000 00:23:39,377 --> 00:23:41,379 YOU'RE GIVING THEM BLOW JOBS. 1001 00:23:41,419 --> 00:23:42,546 HELLO AGAIN. 1002 00:23:42,588 --> 00:23:45,216 HI. 1003 00:23:42,588 --> 00:23:45,216 HI. 1004 00:23:45,258 --> 00:23:46,300 [ LAUGHS ] 1005 00:23:46,342 --> 00:23:48,135 OKAY, WE HAVE 1006 00:23:46,342 --> 00:23:48,135 TO GO NOW. 1007 00:23:48,177 --> 00:23:52,098 ANNETTE, NOT FUNNY. 1008 00:23:52,139 --> 00:23:53,515 WHAT? 1009 00:23:53,557 --> 00:23:56,269 JENNY. JENNY. 1010 00:23:53,557 --> 00:23:56,269 WHAT? 1011 00:23:56,310 --> 00:24:00,231 [ SMOOTH JAZZ PLAYING ] 1012 00:24:00,273 --> 00:24:02,191 OH, MY GOD. 1013 00:24:02,233 --> 00:24:05,194 THAT'S FRANCESCA. 1014 00:24:05,236 --> 00:24:13,160 [ ♪♪ ] 1015 00:24:17,831 --> 00:24:19,792 THANK YOU. 1016 00:24:19,833 --> 00:24:22,836 MM, DANA, 1017 00:24:22,878 --> 00:24:24,588 YOU MUST BE SO PROUD 1018 00:24:22,878 --> 00:24:24,588 OF YOUR MOTHER. 1019 00:24:24,630 --> 00:24:25,756 DO YOU KNOW 1020 00:24:25,798 --> 00:24:26,882 THAT SHE RAISED 1021 00:24:25,798 --> 00:24:26,882 MORE MONEY LAST YEAR 1022 00:24:26,924 --> 00:24:28,175 FOR OUR CANDIDATES 1023 00:24:28,217 --> 00:24:29,509 THAN ANYBODY ELSE 1024 00:24:28,217 --> 00:24:29,509 IN THE CLUB? 1025 00:24:29,551 --> 00:24:32,638 OH, NO, I AM 1026 00:24:29,551 --> 00:24:32,638 VERY PROUD. YEAH. 1027 00:24:32,679 --> 00:24:34,848 WE JUST WANTED TO SAY 1028 00:24:32,679 --> 00:24:34,848 CONGRATULATIONS, 1029 00:24:34,890 --> 00:24:36,016 SHARON. 1030 00:24:36,058 --> 00:24:38,436 THANK YOU. 1031 00:24:36,058 --> 00:24:38,436 THANK YOU SO MUCH. 1032 00:24:38,476 --> 00:24:39,812 OH, DAD. 1033 00:24:39,853 --> 00:24:42,189 OH, I WAS JUST 1034 00:24:39,853 --> 00:24:42,189 TAKING A DRINK. 1035 00:24:42,231 --> 00:24:44,233 SORRY ABOUT THAT. 1036 00:24:44,275 --> 00:24:45,318 MOM, DAD... 1037 00:24:45,359 --> 00:24:48,070 UM, HOW... 1038 00:24:48,112 --> 00:24:50,323 THERE'S SOMETHING I WANT 1039 00:24:48,112 --> 00:24:50,323 TO TALK TO YOU GUYS ABOUT. 1040 00:24:50,364 --> 00:24:52,074 UM... 1041 00:24:52,116 --> 00:24:53,409 UH, DANA, 1042 00:24:53,451 --> 00:24:55,286 DO YOU HAVE A BOYFRIEND, 1043 00:24:53,451 --> 00:24:55,286 BY ANY CHANCE? 1044 00:24:55,328 --> 00:24:57,330 HOWIE, DON'T BE A PAIN. 1045 00:24:57,371 --> 00:24:59,832 I'M SURE IF DANA HAD A BOYFRIEND 1046 00:24:57,371 --> 00:24:59,832 HE'D BE RIGHT HERE WITH US. 1047 00:24:59,873 --> 00:25:03,752 NO, DANA'S LIKE I WAS 1048 00:24:59,873 --> 00:25:03,752 WHEN I WAS YOUNG. 1049 00:25:03,794 --> 00:25:06,213 WHEN YOU'RE GOOD AT SOMETHING, 1050 00:25:03,794 --> 00:25:06,213 MEN ARE INTIMIDATED. 1051 00:25:06,255 --> 00:25:09,175 YOU'VE GOT TO WAIT 1052 00:25:06,255 --> 00:25:09,175 FOR THE RIGHT ONE TO COME ALONG. 1053 00:25:12,136 --> 00:25:13,095 WHAT WAS IT 1054 00:25:12,136 --> 00:25:13,095 YOU WERE SAYING, DEAR? 1055 00:25:13,137 --> 00:25:14,138 EXCUSE ME. 1056 00:25:14,180 --> 00:25:16,349 I WANT AN AUTOGRAPH. 1057 00:25:16,390 --> 00:25:18,351 I'M SORRY 1058 00:25:16,390 --> 00:25:18,351 TO INTERRUPT, 1059 00:25:18,392 --> 00:25:20,686 BUT THIS SEEMED 1060 00:25:18,392 --> 00:25:20,686 LIKE MY BEST CHANCE. 1061 00:25:20,727 --> 00:25:21,895 OH, YOU MUST BE 1062 00:25:20,727 --> 00:25:21,895 SO PROUD. 1063 00:25:21,937 --> 00:25:23,230 OH, DANA, 1064 00:25:21,937 --> 00:25:23,230 YOU KNOW MARIAN. 1065 00:25:23,272 --> 00:25:24,273 HI. 1066 00:25:24,315 --> 00:25:25,316 HI. HOW ARE YOU? YEAH. 1067 00:25:25,358 --> 00:25:26,524 MY GOD! 1068 00:25:26,566 --> 00:25:27,734 DANA... 1069 00:25:27,776 --> 00:25:29,111 IT'S MY SON. 1070 00:25:29,153 --> 00:25:30,112 TO YOUR SON. 1071 00:25:30,154 --> 00:25:31,197 MY SON, BRUCE. 1072 00:25:31,238 --> 00:25:32,198 HE GAVE ME 1073 00:25:31,238 --> 00:25:32,198 THIS MAGAZINE, 1074 00:25:32,239 --> 00:25:33,366 AND HE KNEW 1075 00:25:32,239 --> 00:25:33,366 THAT YOUR MOTHER 1076 00:25:33,407 --> 00:25:35,951 WAS FRIENDS WITH ME. 1077 00:25:35,993 --> 00:25:38,037 WE'VE COME SUCH A LONG WAY, 1078 00:25:35,993 --> 00:25:38,037 HAVEN'T WE? 1079 00:25:38,078 --> 00:25:39,079 OH, SHIT. 1080 00:25:39,121 --> 00:25:40,080 HOWIE. 1081 00:25:39,121 --> 00:25:40,080 DANA... 1082 00:25:40,122 --> 00:25:41,081 WHAT? 1083 00:25:41,123 --> 00:25:44,835 SWEETIE, 1084 00:25:41,123 --> 00:25:44,835 WHAT WAS THAT? 1085 00:25:44,877 --> 00:25:47,254 WHAT WAS THAT? 1086 00:25:49,089 --> 00:25:52,343 MY SUBARU AD. 1087 00:25:52,385 --> 00:25:55,804 EVERY TIME SOMETHING WONDERFUL 1088 00:25:52,385 --> 00:25:55,804 HAPPENS TO YOU, 1089 00:25:55,846 --> 00:25:57,097 YOU DOWNPLAY IT. 1090 00:25:57,139 --> 00:25:58,891 NOW, THAT AD 1091 00:25:57,139 --> 00:25:58,891 WAS VERY IMPRESSIVE. 1092 00:25:58,932 --> 00:26:00,351 HONEY... 1093 00:26:00,393 --> 00:26:02,686 HONEY, WHEN WERE YOU 1094 00:26:00,393 --> 00:26:02,686 GOING TO TELL US? 1095 00:26:02,728 --> 00:26:04,104 I MEAN, A FEW MORE 1096 00:26:02,728 --> 00:26:04,104 SURPRISES LIKE THAT 1097 00:26:04,146 --> 00:26:06,273 AND I COULD KEEL OVER 1098 00:26:04,146 --> 00:26:06,273 FROM A HEART ATTACK. 1099 00:26:06,315 --> 00:26:08,192 UH...I'VE... 1100 00:26:08,234 --> 00:26:10,861 IT'S YOUR DAY. 1101 00:26:10,903 --> 00:26:12,988 IT'S YOUR DAY, 1102 00:26:10,903 --> 00:26:12,988 YOU KNOW? 1103 00:26:13,030 --> 00:26:14,448 SHE DIDN'T WANT 1104 00:26:13,030 --> 00:26:14,448 TO STEAL THE THUNDER. 1105 00:26:14,490 --> 00:26:15,741 SHE DIDN'T WANT 1106 00:26:14,490 --> 00:26:15,741 TO TAKE IT AWAY. 1107 00:26:15,782 --> 00:26:18,369 ALWAYS THINKING 1108 00:26:15,782 --> 00:26:18,369 OF OTHER PEOPLE. 1109 00:26:18,411 --> 00:26:19,870 THAT'S MY GIRL. 1110 00:26:19,912 --> 00:26:21,372 I JUST CAN'T WAIT TO TELL 1111 00:26:21,414 --> 00:26:22,664 YOUR AUNT SASHA 1112 00:26:21,414 --> 00:26:22,664 AND THE BOYS. 1113 00:26:22,706 --> 00:26:23,916 I'M SURE SHE HASN'T SEEN IT YET, 1114 00:26:23,957 --> 00:26:25,084 OTHERWISE 1115 00:26:23,957 --> 00:26:25,084 SHE WOULD BE SCREAMING. 1116 00:26:25,125 --> 00:26:27,585 I'M SURE 1117 00:26:25,125 --> 00:26:27,585 SHE WOULD BE. 1118 00:26:27,627 --> 00:26:28,795 WHAT DID IT SAY AGAIN, DEAR? 1119 00:26:28,837 --> 00:26:30,339 IT SAID, UH... 1120 00:26:30,381 --> 00:26:32,091 "GET OUT AND STAY OUT." 1121 00:26:32,132 --> 00:26:34,260 YEAH. YEAH. 1122 00:26:37,346 --> 00:26:38,889 I'M NOT REALLY SURE 1123 00:26:37,346 --> 00:26:38,889 WHAT THAT MEANS. 1124 00:26:38,931 --> 00:26:42,393 UM... 1125 00:26:42,435 --> 00:26:45,145 IT MEANS, UH... 1126 00:26:45,187 --> 00:26:46,730 IT'S A MARKETING 1127 00:26:45,187 --> 00:26:46,730 CAMPAIGN 1128 00:26:46,772 --> 00:26:48,399 FOR WOMEN 1129 00:26:48,441 --> 00:26:49,567 WHO ARE LIKE ME. 1130 00:26:49,607 --> 00:26:51,235 WHO, UH... 1131 00:26:51,277 --> 00:26:53,446 WHO ARE OUT... 1132 00:26:53,487 --> 00:26:54,780 DOORSY. 1133 00:26:54,821 --> 00:26:56,990 OUTSIDE A LOT. 1134 00:26:57,032 --> 00:26:59,243 PLAYING TENNIS, YOU KNOW? 1135 00:26:59,285 --> 00:27:00,660 THINGS LIKE THAT. 1136 00:27:00,702 --> 00:27:01,995 YOU KNOW, 1137 00:27:02,037 --> 00:27:05,165 I'M JUST NOT HUNGRY 1138 00:27:02,037 --> 00:27:05,165 ALL OF A SUDDEN. 1139 00:27:05,207 --> 00:27:06,208 CAN YOU JUST GIVE ME A MINUTE? 1140 00:27:06,250 --> 00:27:07,293 I JUST NEED A MINUTE. 1141 00:27:07,334 --> 00:27:08,294 I'M JUST GOING TO... 1142 00:27:08,335 --> 00:27:09,378 SURE. 1143 00:27:09,420 --> 00:27:11,255 I'LL BE BACK. 1144 00:27:09,420 --> 00:27:11,255 JUST... 1145 00:27:11,297 --> 00:27:12,590 OKAY, I'M PRETTY SURE 1146 00:27:12,630 --> 00:27:13,631 THEY HAVE NO IDEA 1147 00:27:12,630 --> 00:27:13,631 WHAT IT MEANS. 1148 00:27:13,673 --> 00:27:15,008 YOU THINK? 1149 00:27:15,050 --> 00:27:16,093 OR THEY 1150 00:27:15,050 --> 00:27:16,093 TOTALLY GET IT, 1151 00:27:16,135 --> 00:27:17,136 BUT THEY'VE SPUN 1152 00:27:17,177 --> 00:27:18,471 INTO SOME BLACK HOLE 1153 00:27:17,177 --> 00:27:18,471 OF DENIAL 1154 00:27:18,512 --> 00:27:22,640 AND TURNED INTO ROBOTS 1155 00:27:18,512 --> 00:27:22,640 OR SOMETHING. 1156 00:27:22,682 --> 00:27:24,017 YOU DON'T UNDERSTAND 1157 00:27:22,682 --> 00:27:24,017 HOW WITHIN 1158 00:27:24,059 --> 00:27:25,727 THE REALM OF POSSIBILITY 1159 00:27:24,059 --> 00:27:25,727 THAT IS. 1160 00:27:25,769 --> 00:27:27,229 LOOK, MAYBE THEY GET IT, 1161 00:27:25,769 --> 00:27:27,229 MAYBE THEY DON'T. 1162 00:27:27,271 --> 00:27:28,814 I DON'T KNOW, 1163 00:27:28,855 --> 00:27:31,066 BUT RIGHT NOW, 1164 00:27:28,855 --> 00:27:31,066 THEY'RE REALLY PROUD OF YOU, 1165 00:27:31,108 --> 00:27:33,152 AND I'M THINKING 1166 00:27:31,108 --> 00:27:33,152 THIS IS THE MOMENT. 1167 00:27:33,193 --> 00:27:34,694 DO YOU WANT TO PRACTICE? 1168 00:27:34,736 --> 00:27:36,238 OKAY. 1169 00:27:36,280 --> 00:27:39,617 OKAY, THIS WILL BE SHARON 1170 00:27:36,280 --> 00:27:39,617 AND THIS WILL BE IRWIN. 1171 00:27:39,657 --> 00:27:40,618 OKAY. 1172 00:27:40,658 --> 00:27:44,079 GO AHEAD. 1173 00:27:44,121 --> 00:27:45,872 THAT'S RETARDED. 1174 00:27:45,914 --> 00:27:47,458 WOULD YOU JUST PLAY? 1175 00:27:47,500 --> 00:27:49,084 "I'M NOT REALLY SURE 1176 00:27:47,500 --> 00:27:49,084 WHAT THAT MEANS, HONEY. 1177 00:27:49,126 --> 00:27:51,170 'GET OUT AND STAY OUT.'" 1178 00:27:51,211 --> 00:27:54,173 [ MELLOW PIANO IN BACKGROUND ] 1179 00:27:54,214 --> 00:27:59,052 [ ♪♪ ] 1180 00:27:59,094 --> 00:28:00,554 WHAT ARE YOU LOOKING AT? 1181 00:28:00,596 --> 00:28:01,555 [ APPLAUSE ] 1182 00:28:01,597 --> 00:28:03,557 THANKS. 1183 00:28:01,597 --> 00:28:03,557 THANK YOU. 1184 00:28:03,599 --> 00:28:05,100 LADIES AND GENTLEMEN, 1185 00:28:05,142 --> 00:28:07,186 WOULD YOU PLEASE JOIN ME 1186 00:28:05,142 --> 00:28:07,186 IN WELCOMING TO THE STAGE 1187 00:28:07,227 --> 00:28:09,396 OUR OWN WOMAN OF THE YEAR, 1188 00:28:09,438 --> 00:28:12,274 SHARON FAIRBANKS. 1189 00:28:12,316 --> 00:28:15,235 CONGRATULATIONS, 1190 00:28:12,316 --> 00:28:15,235 SHARON! 1191 00:28:15,277 --> 00:28:17,446 BRAVO! 1192 00:28:21,158 --> 00:28:26,121 WHAT A DAY TO BE 1193 00:28:21,158 --> 00:28:26,121 PROUD OF MY GIRLS. 1194 00:28:26,163 --> 00:28:27,373 THANK YOU SO MUCH. 1195 00:28:27,414 --> 00:28:30,708 I FEEL SO HONORED 1196 00:28:30,750 --> 00:28:34,505 TO BE STANDING HERE 1197 00:28:30,750 --> 00:28:34,505 IN FRONT OF YOU AND MY FAMILY. 1198 00:28:34,547 --> 00:28:37,466 I CAN'T TELL YOU 1199 00:28:34,547 --> 00:28:37,466 WHAT A PRECIOUS MOMENT THIS IS. 1200 00:28:37,508 --> 00:28:39,635 FOR THE LAST EIGHT YEARS... 1201 00:28:41,720 --> 00:28:43,972 YOU'RE MAKING 1202 00:28:41,720 --> 00:28:43,972 YOURSELF CRAZY. 1203 00:28:44,014 --> 00:28:46,141 MAYBE WE SHOULD ABORT. 1204 00:28:46,183 --> 00:28:47,142 WHO'S SMOKING? 1205 00:28:47,184 --> 00:28:49,311 SOMEBODY'S SMOKING. 1206 00:28:49,353 --> 00:28:51,355 WHAT UP, 1207 00:28:49,353 --> 00:28:51,355 LESBOS? 1208 00:28:51,397 --> 00:28:52,772 THANK GOD. 1209 00:28:52,814 --> 00:28:54,066 SHIT. HOWIE, 1210 00:28:52,814 --> 00:28:54,066 WHAT ARE YOU DOING? 1211 00:28:54,107 --> 00:28:55,150 WHAT? 1212 00:28:55,192 --> 00:28:56,360 HERE. 1213 00:28:56,402 --> 00:28:57,944 NO, NO, NO, NO. 1214 00:28:57,986 --> 00:28:59,112 IT MIGHT HELP YOU 1215 00:28:57,986 --> 00:28:59,112 RELAX A LITTLE BIT, 1216 00:28:59,154 --> 00:29:01,073 YOU KNOW? 1217 00:29:04,076 --> 00:29:07,079 OH, D-DOG, 1218 00:29:04,076 --> 00:29:07,079 I'VE GOT TO TELL YOU, 1219 00:29:07,120 --> 00:29:11,166 WHEN MOM AND DAD 1220 00:29:07,120 --> 00:29:11,166 DISOWN YOU AND ALL, 1221 00:29:11,208 --> 00:29:13,377 I'LL STILL COME AND VISIT. 1222 00:29:13,419 --> 00:29:16,505 THANKS, BRO. 1223 00:29:16,547 --> 00:29:18,549 HERE. 1224 00:29:18,591 --> 00:29:20,509 OKAY. 1225 00:29:18,591 --> 00:29:20,509 YEAH, GO FOR IT. 1226 00:29:23,970 --> 00:29:25,180 WAIT A MINUTE, 1227 00:29:23,970 --> 00:29:25,180 WAIT A MINUTE. 1228 00:29:25,222 --> 00:29:26,432 [ GASPS ] 1229 00:29:26,473 --> 00:29:28,726 OH, SHE BOUGHT HER A WATCH. 1230 00:29:28,767 --> 00:29:31,562 OH, IT'S A MONT BLANC. 1231 00:29:28,767 --> 00:29:31,562 THOSE ARE VERY EXPENSIVE. 1232 00:29:31,604 --> 00:29:32,938 ANNETTE, WE'RE OFFICIALLY 1233 00:29:31,604 --> 00:29:32,938 STALKING SOMEONE, 1234 00:29:32,979 --> 00:29:34,398 WHICH MAKES US 1235 00:29:32,979 --> 00:29:34,398 KIND OF CRAZY AND INSANE. 1236 00:29:34,440 --> 00:29:35,608 YOU KNOW WHAT? 1237 00:29:35,649 --> 00:29:37,859 I THINK YOU CAN 1238 00:29:35,649 --> 00:29:37,859 TAKE HER DOWN. 1239 00:29:37,901 --> 00:29:39,152 LOOK AT HER. 1240 00:29:39,194 --> 00:29:41,697 SHE'S FUCKING 1241 00:29:39,194 --> 00:29:41,697 BEAUTIFUL, MAN. 1242 00:29:41,739 --> 00:29:43,616 SHE DRIVES 1243 00:29:41,739 --> 00:29:43,616 VINTAGE MERCEDES. 1244 00:29:43,657 --> 00:29:46,744 SHE'S LIKE BELMONDO 1245 00:29:46,785 --> 00:29:47,911 IN, LIKE, 1246 00:29:46,785 --> 00:29:47,911 THIS GODARD FILM, 1247 00:29:47,953 --> 00:29:49,204 YOU KNOW? 1248 00:29:49,246 --> 00:29:51,415 I LIVE OUT OF 1249 00:29:49,246 --> 00:29:51,415 A GARBAGE BAG. 1250 00:29:51,457 --> 00:29:52,832 I LIVE 1251 00:29:51,457 --> 00:29:52,832 IN A TOOL SHED. 1252 00:29:52,874 --> 00:29:54,960 OKAY, BUT HERE'S WHAT I SEE, 1253 00:29:52,874 --> 00:29:54,960 OKAY? 1254 00:29:55,001 --> 00:29:56,295 WHAT DO YOU SEE? 1255 00:29:56,336 --> 00:29:58,130 FRANCESCA IS BUYING 1256 00:29:58,171 --> 00:29:59,798 MARINA'S AFFECTIONS. 1257 00:29:59,839 --> 00:30:01,383 YOU'RE WAY YOUNGER. 1258 00:29:59,839 --> 00:30:01,383 YES. 1259 00:30:01,425 --> 00:30:02,676 YOU'RE WAY HOTTER. 1260 00:30:02,718 --> 00:30:03,843 WHY DO YOU THINK 1261 00:30:02,718 --> 00:30:03,843 SHE CAME LOOKING FOR YOU 1262 00:30:03,885 --> 00:30:04,844 IN THE FIRST PLACE? 1263 00:30:04,886 --> 00:30:06,012 WHY? 1264 00:30:06,054 --> 00:30:07,013 BECAUSE IT'S OVER 1265 00:30:06,054 --> 00:30:07,013 BETWEEN THEM. 1266 00:30:07,055 --> 00:30:08,014 LOOK AT THEM, MAN. 1267 00:30:08,056 --> 00:30:09,141 LOOK AT THEM. 1268 00:30:09,182 --> 00:30:10,183 THERE'S LOVE IN THEIR EYES. 1269 00:30:10,225 --> 00:30:11,393 THEY HAVE THAT, LIKE-- 1270 00:30:11,435 --> 00:30:12,394 TWAT. 1271 00:30:12,436 --> 00:30:13,395 NO MORE TWAT. 1272 00:30:13,437 --> 00:30:15,439 NO MORE TWAT FOR ME. 1273 00:30:15,481 --> 00:30:17,107 TWAT GETS ME INTO TROUBLE. 1274 00:30:17,149 --> 00:30:19,276 TWAT THE NIGHT, YOU IDIOT. 1275 00:30:19,318 --> 00:30:20,860 WE GO, TOGETHER, YOU AND ME. 1276 00:30:20,902 --> 00:30:21,945 WE LOOK ALL HOT, RIGHT? 1277 00:30:21,987 --> 00:30:23,322 WE GET YOU 1278 00:30:21,987 --> 00:30:23,322 ALL DOLLED UP, 1279 00:30:23,363 --> 00:30:25,783 LIKE THE JENNY 1280 00:30:23,363 --> 00:30:25,783 THAT I USED TO KNOW. 1281 00:30:25,824 --> 00:30:27,909 MARINA SEES US, MAYBE SHE GETS 1282 00:30:25,824 --> 00:30:27,909 A LITTLE BIT JEALOUS, 1283 00:30:27,951 --> 00:30:29,244 STARTS TO 1284 00:30:27,951 --> 00:30:29,244 COMPARISON SHOP. 1285 00:30:29,286 --> 00:30:30,870 MAYBE A BAD IDEA. 1286 00:30:29,286 --> 00:30:30,870 MAYBE A LITTLE-- 1287 00:30:30,912 --> 00:30:32,790 WORST-CASE SCENARIO, 1288 00:30:32,831 --> 00:30:33,873 SHE THINKS YOU HAVE 1289 00:30:32,831 --> 00:30:33,873 A HOT NEW GIRLFRIEND 1290 00:30:33,915 --> 00:30:35,334 AND YOU AND ME GET LOADED, 1291 00:30:35,375 --> 00:30:37,336 BUT IF EVERYTHING GOES 1292 00:30:35,375 --> 00:30:37,336 ACCORDING TO PLAN, 1293 00:30:37,377 --> 00:30:38,462 OL' FRAN WILL BE 1294 00:30:37,377 --> 00:30:38,462 GETTING HER WALKING PAPERS 1295 00:30:38,504 --> 00:30:39,546 BY THE END OF THE NIGHT. 1296 00:30:39,588 --> 00:30:41,757 [ GIGGLING ] 1297 00:30:41,799 --> 00:30:44,593 [ MELLOW PIANO CONTINUES ] 1298 00:30:44,635 --> 00:30:47,220 HOWIE, I WAS AT THIS-- 1299 00:30:47,262 --> 00:30:48,472 OH, FUCK. 1300 00:30:48,514 --> 00:30:50,182 OH, MY GOD. 1301 00:30:50,223 --> 00:30:53,977 NO, MOM, MOM. 1302 00:30:54,019 --> 00:30:55,437 YOU DIDN'T DO 1303 00:30:54,019 --> 00:30:55,437 ANYTHING, MOM. 1304 00:30:55,479 --> 00:30:57,648 DAD, IT'S NOT 1305 00:30:55,479 --> 00:30:57,648 LIKE THAT. 1306 00:30:57,690 --> 00:30:58,774 JUST LET ME EXPLAIN. 1307 00:30:58,816 --> 00:31:00,025 PLEASE LET ME EXPLAIN. 1308 00:31:00,066 --> 00:31:02,402 I THINK YOU'VE SAID 1309 00:31:00,066 --> 00:31:02,402 ENOUGH ALREADY. 1310 00:31:02,444 --> 00:31:05,113 I TAKE IT YOU'RE A PART 1311 00:31:02,444 --> 00:31:05,113 OF THIS LIFESTYLE TOO? 1312 00:31:05,155 --> 00:31:07,783 ME? NO, NO. 1313 00:31:05,155 --> 00:31:07,783 I HAVE A BOYFRIEND. 1314 00:31:13,330 --> 00:31:14,790 A BOYFRIEND? THANKS. 1315 00:31:23,298 --> 00:31:24,424 MOM, DAD, WAIT. 1316 00:31:24,466 --> 00:31:26,218 WAIT, WAIT, WAIT. 1317 00:31:26,259 --> 00:31:28,303 MOM... 1318 00:31:28,345 --> 00:31:29,471 [ TAPPING ] 1319 00:31:29,513 --> 00:31:31,223 I'M SORRY. 1320 00:31:31,264 --> 00:31:33,767 I DIDN'T DO THIS 1321 00:31:31,264 --> 00:31:33,767 TO HURT YOU. 1322 00:31:33,809 --> 00:31:37,062 WE ALL HAVE FEELINGS 1323 00:31:33,809 --> 00:31:37,062 FOR OUR GIRLFRIENDS, DANA. 1324 00:31:37,103 --> 00:31:39,981 IT DOESN'T MEAN YOU 1325 00:31:37,103 --> 00:31:39,981 HAVE TO ACT ON THEM. 1326 00:32:09,177 --> 00:32:11,430 HEY. YOU ALL RIGHT? 1327 00:32:27,780 --> 00:32:28,739 HEY. 1328 00:32:28,781 --> 00:32:29,740 [ HORN HONKS ] 1329 00:32:29,782 --> 00:32:31,032 HEY! 1330 00:32:31,074 --> 00:32:32,992 WHY ARE YOU DOING THIS SHIT, 1331 00:32:31,074 --> 00:32:32,992 CLIVE? 1332 00:32:33,034 --> 00:32:34,119 WHAT'S UP? 1333 00:32:34,160 --> 00:32:35,120 WHAT AM I 1334 00:32:34,160 --> 00:32:35,120 SUPPOSED TO DO? 1335 00:32:35,161 --> 00:32:37,997 THEY KICKED ME OUT. 1336 00:32:38,039 --> 00:32:39,416 I MEAN, 1337 00:32:39,458 --> 00:32:42,294 I WAS JUST LOOKING 1338 00:32:39,458 --> 00:32:42,294 FOR A FUCKING CIGARETTE. 1339 00:32:42,335 --> 00:32:43,712 SO IF I WAS TO LOOK 1340 00:32:42,335 --> 00:32:43,712 IN YOUR BAG RIGHT NOW, 1341 00:32:43,754 --> 00:32:45,881 I WOULDN'T FIND 1342 00:32:43,754 --> 00:32:45,881 MARNIE'S CD PLAYER? 1343 00:32:47,048 --> 00:32:49,551 DO NOT THROW THIS SHIT AT ME. 1344 00:32:49,593 --> 00:32:52,805 DO NOT FUCKING DO THAT. 1345 00:32:52,846 --> 00:32:54,180 IF IT'S NOT THERE, 1346 00:32:54,222 --> 00:32:55,181 THAT MEANS YOU SOLD IT 1347 00:32:54,222 --> 00:32:55,181 OR TRADED IT FOR DRUGS. 1348 00:32:55,223 --> 00:32:56,182 DO NOT BLAME ME. 1349 00:32:56,224 --> 00:32:57,810 FUCK YOU. 1350 00:32:57,851 --> 00:33:00,979 YOU ARE JUST 1351 00:32:57,851 --> 00:33:00,979 LIKE THEM. 1352 00:33:01,020 --> 00:33:02,021 SHANE, PLEASE, 1353 00:33:01,020 --> 00:33:02,021 YOU'VE GOT TO HELP ME. 1354 00:33:02,063 --> 00:33:03,398 OH, FUCK. 1355 00:33:03,440 --> 00:33:04,566 NO, PLEASE, PLEASE. 1356 00:33:03,440 --> 00:33:04,566 YOU'VE GOT... 1357 00:33:04,608 --> 00:33:05,901 PLEASE. 1358 00:33:05,943 --> 00:33:07,444 DON'T LET THEM 1359 00:33:05,943 --> 00:33:07,444 KICK ME OUT, OKAY? 1360 00:33:07,486 --> 00:33:08,946 LOOK, TELL THEM 1361 00:33:07,486 --> 00:33:08,946 I'M COOL, WHATEVER. 1362 00:33:08,987 --> 00:33:10,238 I JUST NEED 1363 00:33:08,987 --> 00:33:10,238 A COUPLE MORE DAYS-- 1364 00:33:10,280 --> 00:33:11,239 NO, I'M OUT. 1365 00:33:10,280 --> 00:33:11,239 I'M DONE. I CAN'T. 1366 00:33:11,281 --> 00:33:13,617 I CAN'T. 1367 00:33:13,659 --> 00:33:15,034 YOU FUCKED IT. I CAN'T. 1368 00:33:15,076 --> 00:33:16,035 TAKE THAT. 1369 00:33:16,077 --> 00:33:18,246 I CANNOT DO THAT. 1370 00:33:18,288 --> 00:33:19,247 OH, GOD. 1371 00:33:19,289 --> 00:33:21,875 [ BACKGROUND CHATTER ] 1372 00:33:21,917 --> 00:33:23,836 GOD DAMN IT. 1373 00:33:25,921 --> 00:33:27,756 ALL RIGHT... 1374 00:33:30,592 --> 00:33:31,844 IF YOU TAKE THAT, 1375 00:33:31,885 --> 00:33:34,471 YOU CAN STAY AT A HOTEL 1376 00:33:31,885 --> 00:33:34,471 FOR A FEW NIGHTS. 1377 00:33:37,891 --> 00:33:39,058 YOU KNOW, 1378 00:33:37,891 --> 00:33:39,058 THE REASON YOU HAVE 1379 00:33:39,100 --> 00:33:40,686 THIS MONEY IS BECAUSE OF ME. 1380 00:33:40,727 --> 00:33:42,980 I MEAN, I'M THE ONE 1381 00:33:40,727 --> 00:33:42,980 WHO GOT YOU WHERE YOU ARE. 1382 00:33:43,021 --> 00:33:45,106 ALL RIGHT? 1383 00:33:43,021 --> 00:33:45,106 I'M THE ONE WHO SET YOU UP. 1384 00:33:45,148 --> 00:33:46,733 IF IT WASN'T FOR ME, 1385 00:33:45,148 --> 00:33:46,733 YOU NEVER WOULD HAVE MET HARRY, 1386 00:33:46,775 --> 00:33:47,985 AND YOU NEVER WOULD 1387 00:33:46,775 --> 00:33:47,985 HAVE ANY CLIENTS. 1388 00:33:48,026 --> 00:33:51,112 YOU OWE ME. 1389 00:33:51,154 --> 00:33:53,448 THANK YOU. 1390 00:33:53,490 --> 00:33:56,075 I THANK YOU FOR SETTING ME UP. 1391 00:33:56,117 --> 00:33:58,453 SELFISH PRICK. 1392 00:34:00,831 --> 00:34:02,415 SHANE... 1393 00:34:02,457 --> 00:34:04,125 FUCK. 1394 00:34:04,167 --> 00:34:06,003 WAIT. 1395 00:34:09,422 --> 00:34:10,674 ARE YOU HOLDING? 1396 00:34:10,716 --> 00:34:12,050 NO! 1397 00:34:14,135 --> 00:34:16,847 GOD DAMN IT! 1398 00:34:27,983 --> 00:34:29,026 JUST TAKE IT. 1399 00:34:29,067 --> 00:34:32,696 OH, GOD. 1400 00:34:32,738 --> 00:34:35,073 I'M SORRY. 1401 00:34:35,114 --> 00:34:37,034 NO, YOU'RE NOT. 1402 00:34:45,166 --> 00:34:46,793 JENNY? 1403 00:34:46,835 --> 00:34:48,169 [ FOOTSTEPS APPROACHING ] 1404 00:34:48,211 --> 00:34:52,131 HEY, LESBO, 1405 00:34:48,211 --> 00:34:52,131 IS THAT YOU? 1406 00:34:52,173 --> 00:34:54,092 WHOA. 1407 00:34:55,218 --> 00:34:58,346 HI, TIM. 1408 00:34:58,388 --> 00:35:00,015 HOW LONG ARE YOU 1409 00:34:58,388 --> 00:35:00,015 GOING TO BE? 1410 00:35:00,057 --> 00:35:01,934 IN THE BATHROOM 1411 00:35:00,057 --> 00:35:01,934 OR IN L.A.? 1412 00:35:01,975 --> 00:35:03,852 THE BATHROOM. 1413 00:35:03,894 --> 00:35:06,563 I'M ALMOST DONE. 1414 00:35:06,605 --> 00:35:07,564 HEY. 1415 00:35:07,606 --> 00:35:09,816 HEY, TIM. 1416 00:35:12,736 --> 00:35:15,238 I'M SORRY FOR EVERYTHING 1417 00:35:12,736 --> 00:35:15,238 THAT'S BEEN GOING ON. 1418 00:35:15,280 --> 00:35:18,324 IT MUST HAVE BEEN 1419 00:35:15,280 --> 00:35:18,324 REALLY HARD. 1420 00:35:20,410 --> 00:35:21,661 YEAH. 1421 00:35:21,703 --> 00:35:25,123 WELL, IT STILL IS. 1422 00:35:25,164 --> 00:35:27,542 I KNOW 1423 00:35:25,164 --> 00:35:27,542 YOU'RE HURTING... 1424 00:35:27,584 --> 00:35:32,505 BUT... 1425 00:35:27,584 --> 00:35:32,505 IF YOU CAN, 1426 00:35:32,547 --> 00:35:35,801 WOULD YOU 1427 00:35:32,547 --> 00:35:35,801 TAKE CARE OF JENNY? 1428 00:35:35,842 --> 00:35:37,385 SHE REALLY NEEDS 1429 00:35:35,842 --> 00:35:37,385 SOMEBODY NOW, 1430 00:35:37,427 --> 00:35:39,763 AND I LIVE 1431 00:35:37,427 --> 00:35:39,763 TOO FAR AWAY. 1432 00:35:45,477 --> 00:35:46,728 THANKS. 1433 00:35:46,770 --> 00:35:48,688 IT'S ALL YOURS. 1434 00:35:53,443 --> 00:35:55,236 IT'S A PETITION 1435 00:35:53,443 --> 00:35:55,236 OPPOSING 1436 00:35:55,278 --> 00:35:56,279 THE CALIFORNIA 1437 00:35:55,278 --> 00:35:56,279 ART CENTER 1438 00:35:56,321 --> 00:35:57,697 FOR DISPLAYING 1439 00:35:56,321 --> 00:35:57,697 OBSCENE ART. 1440 00:35:57,739 --> 00:35:59,032 IT DEPICTS 1441 00:35:57,739 --> 00:35:59,032 THE VIRGIN MARY 1442 00:35:59,074 --> 00:36:00,533 ENGAGED IN A SEX ACT 1443 00:35:59,074 --> 00:36:00,533 WITH HERSELF, 1444 00:36:00,575 --> 00:36:01,743 IMAGES 1445 00:36:00,575 --> 00:36:01,743 OF YOUNG CHILDREN 1446 00:36:01,785 --> 00:36:02,869 WITH THEIR 1447 00:36:01,785 --> 00:36:02,869 GENITALS EXPOSED... 1448 00:36:02,911 --> 00:36:04,496 EXCUSE ME. 1449 00:36:02,911 --> 00:36:04,496 EXCUSE ME, MA'AM, 1450 00:36:04,537 --> 00:36:06,873 WOULD YOU BE INTERESTED 1451 00:36:04,537 --> 00:36:06,873 IN SIGNING THIS PETITION? 1452 00:36:06,915 --> 00:36:08,834 I KNOW SOMETHING 1453 00:36:06,915 --> 00:36:08,834 ABOUT THE EXHIBIT. 1454 00:36:08,875 --> 00:36:10,002 REALLY? 1455 00:36:10,043 --> 00:36:11,377 WELL, THEN YOU MUST BE DISGUSTED 1456 00:36:11,419 --> 00:36:13,005 AT THE SICK 1457 00:36:11,419 --> 00:36:13,005 AND THE HORRIBLE MATERIAL 1458 00:36:13,046 --> 00:36:14,380 THAT THEY'RE CALLING ART. 1459 00:36:14,422 --> 00:36:17,092 HAVE YOU SEEN IT? 1460 00:36:14,422 --> 00:36:17,092 THIS SO-CALLED ART? 1461 00:36:17,134 --> 00:36:18,426 NOT PERSONALLY, NO, 1462 00:36:18,468 --> 00:36:21,680 BUT I DON'T FEEL 1463 00:36:18,468 --> 00:36:21,680 I NEED TO. 1464 00:36:21,721 --> 00:36:22,889 WELL, HOW CAN YOU 1465 00:36:21,721 --> 00:36:22,889 ASK PEOPLE 1466 00:36:22,931 --> 00:36:24,975 TO SIGN A PETITION 1467 00:36:22,931 --> 00:36:24,975 OPPOSING IT? 1468 00:36:25,017 --> 00:36:26,184 HOW CAN YOU CONDEMN 1469 00:36:25,017 --> 00:36:26,184 WORKS OF ART 1470 00:36:26,225 --> 00:36:27,519 WITHOUT EVER 1471 00:36:26,225 --> 00:36:27,519 SEEING THEM 1472 00:36:27,560 --> 00:36:28,979 OR TAKING EVEN 1473 00:36:27,560 --> 00:36:28,979 A MOMENT TO CONSIDER 1474 00:36:29,021 --> 00:36:30,689 WHAT THE ARTIST MIGHT 1475 00:36:29,021 --> 00:36:30,689 BE TRYING TO SAY TO YOU? 1476 00:36:30,730 --> 00:36:32,649 SIR... 1477 00:36:32,691 --> 00:36:35,944 EXCUSE ME. 1478 00:36:32,691 --> 00:36:35,944 YOU'RE ON PRIVATE PROPERTY. 1479 00:36:35,986 --> 00:36:39,990 [ BACKGROUND CHATTER ] 1480 00:36:41,407 --> 00:36:43,409 THANK YOU FOR YOUR SUPPORT. 1481 00:36:49,082 --> 00:36:51,334 NEXT TIME, 1482 00:36:49,082 --> 00:36:51,334 WE'LL HAVE LAP DANCERS. 1483 00:36:51,376 --> 00:36:53,086 TOTALLY. 1484 00:36:55,296 --> 00:36:56,673 IS THIS THE TWAT? 1485 00:36:56,715 --> 00:36:58,675 THE NIGHT. 1486 00:37:00,052 --> 00:37:01,011 $15. 1487 00:37:01,053 --> 00:37:03,513 TWO. AWESOME. 1488 00:37:03,555 --> 00:37:05,891 SO DID YOU AND MARINA 1489 00:37:03,555 --> 00:37:05,891 HANG OUT HERE A LOT? 1490 00:37:05,932 --> 00:37:08,601 UM, OH, MY GOD. 1491 00:37:08,643 --> 00:37:12,064 NO, WE ACTUALLY NEVER 1492 00:37:08,643 --> 00:37:12,064 WENT OUT AT ALL. 1493 00:37:12,105 --> 00:37:13,356 OH, WHY? 1494 00:37:13,398 --> 00:37:15,650 IT WAS AWFUL. 1495 00:37:15,692 --> 00:37:16,943 IT WAS SO AWFUL. 1496 00:37:15,692 --> 00:37:16,943 THEY MADE ME CHASE THEM 1497 00:37:16,985 --> 00:37:18,695 OUT THE FRONT DOOR 1498 00:37:16,985 --> 00:37:18,695 OF THE HOTEL, 1499 00:37:18,737 --> 00:37:21,198 AND... 1500 00:37:18,737 --> 00:37:21,198 AND THEN SHE SAID, 1501 00:37:21,239 --> 00:37:23,116 "WE ALL HAVE FEELINGS 1502 00:37:21,239 --> 00:37:23,116 FOR OUR GIRLFRIENDS, 1503 00:37:23,158 --> 00:37:24,701 BUT IT DOESN'T MEAN 1504 00:37:23,158 --> 00:37:24,701 WE HAVE TO ACT ON THEM." 1505 00:37:24,743 --> 00:37:27,037 I MEAN, WHAT THE HELL IS THAT 1506 00:37:24,743 --> 00:37:27,037 SUPPOSED TO MEAN? 1507 00:37:27,079 --> 00:37:29,081 IT PROBABLY MEANS 1508 00:37:27,079 --> 00:37:29,081 THAT AT SOME POINT 1509 00:37:29,122 --> 00:37:30,707 SHE FELL IN LOVE 1510 00:37:29,122 --> 00:37:30,707 WITH ONE OF HER FRIENDS 1511 00:37:30,749 --> 00:37:32,000 AND GOT HER HEART BROKEN. 1512 00:37:32,042 --> 00:37:33,168 WHAT? NO WAY. 1513 00:37:33,210 --> 00:37:34,460 SHARON FAIRBANKS? 1514 00:37:34,502 --> 00:37:37,214 ORANGE COUNTY REPUBLICAN 1515 00:37:34,502 --> 00:37:37,214 WOMAN OF THE YEAR, 1516 00:37:37,255 --> 00:37:38,631 GARDEN GROVE CHAPTER? 1517 00:37:38,673 --> 00:37:41,342 I DON'T THINK SO, SHANE. 1518 00:37:41,384 --> 00:37:42,343 IT TAKES ALL KINDS. 1519 00:37:42,385 --> 00:37:43,803 YEAH, WELL, 1520 00:37:42,385 --> 00:37:43,803 YOU WOULD KNOW. 1521 00:37:43,845 --> 00:37:45,180 SHE WOULD. 1522 00:37:45,222 --> 00:37:46,556 OH, SO FUCKING TINA 1523 00:37:45,222 --> 00:37:46,556 TELLS ME 1524 00:37:46,598 --> 00:37:48,100 YOU'RE CUTTING 1525 00:37:46,598 --> 00:37:48,100 CHERIE JAFFE'S HAIR. 1526 00:37:48,141 --> 00:37:49,226 YEAH, ON FRIDAY. 1527 00:37:49,267 --> 00:37:50,643 THAT IS SO HUGE. 1528 00:37:50,685 --> 00:37:51,811 YOU KNOW, 1529 00:37:50,685 --> 00:37:51,811 SHE'S, LIKE, 1530 00:37:51,853 --> 00:37:53,230 THE COOLEST PERSON 1531 00:37:51,853 --> 00:37:53,230 IN HOLLYWOOD 1532 00:37:53,271 --> 00:37:54,898 WHO DOESN'T 1533 00:37:53,271 --> 00:37:54,898 HAVE A JOB, 1534 00:37:54,940 --> 00:37:56,315 AND SHE COULD 1535 00:37:54,940 --> 00:37:56,315 MAKE YOU. 1536 00:37:56,357 --> 00:37:58,401 YOU KNOW WHAT? 1537 00:37:56,357 --> 00:37:58,401 QUIT WITH YOUR COOL STUFF, 1538 00:37:58,443 --> 00:38:00,779 BECAUSE SHE COULD BREAK YOU, 1539 00:37:58,443 --> 00:38:00,779 TOO, AND YOU KNOW IT. 1540 00:38:09,662 --> 00:38:11,873 I'M A BLACK WOMAN. 1541 00:38:09,662 --> 00:38:11,873 THAT'S WHO I AM. 1542 00:38:11,915 --> 00:38:13,875 THAT IS HOW I IDENTIFY. 1543 00:38:13,917 --> 00:38:15,752 NOW, I GET 1544 00:38:13,917 --> 00:38:15,752 THE IMPRESSION 1545 00:38:15,794 --> 00:38:16,753 THAT YOU DON'T EVEN 1546 00:38:15,794 --> 00:38:16,753 THINK OF YOURSELF 1547 00:38:16,795 --> 00:38:17,921 AS AFRICAN-AMERICAN. 1548 00:38:17,963 --> 00:38:20,506 I AM, HALF 1549 00:38:17,963 --> 00:38:20,506 AFRICAN-AMERICAN, 1550 00:38:20,548 --> 00:38:23,301 AND MY MOTHER 1551 00:38:20,548 --> 00:38:23,301 IS WHITE. 1552 00:38:23,342 --> 00:38:24,302 BUT LEGALLY, 1553 00:38:23,342 --> 00:38:24,302 YOU'RE BLACK. 1554 00:38:24,343 --> 00:38:25,929 ISN'T THAT A FACT? 1555 00:38:25,971 --> 00:38:27,889 THAT'S THE WHITE MAN'S 1556 00:38:25,971 --> 00:38:27,889 DEFINITION OF ME, 1557 00:38:27,931 --> 00:38:29,557 YES. 1558 00:38:27,931 --> 00:38:29,557 THE "ONE DROP" RULE, 1559 00:38:29,599 --> 00:38:30,850 SO BASICALLY, 1560 00:38:29,599 --> 00:38:30,850 WHAT YOU'RE SAYING 1561 00:38:30,892 --> 00:38:31,935 IS THAT YOU 1562 00:38:30,892 --> 00:38:31,935 WOULD LIKE TO SEE 1563 00:38:31,977 --> 00:38:33,561 WHITE AMERICA 1564 00:38:31,977 --> 00:38:33,561 DEFINE ME. 1565 00:38:33,603 --> 00:38:35,147 NO, THAT IS NOT 1566 00:38:33,603 --> 00:38:35,147 WHAT I'M SAYING. 1567 00:38:35,188 --> 00:38:36,731 I'M SAYING 1568 00:38:36,773 --> 00:38:39,276 IT FEELS LIKE 1569 00:38:36,773 --> 00:38:39,276 YOU'RE RUNNING FROM SOMETHING. 1570 00:38:39,317 --> 00:38:40,735 HOW CAN YOU SAY THAT 1571 00:38:40,777 --> 00:38:42,112 WHEN YOU'VE ONLY 1572 00:38:40,777 --> 00:38:42,112 KNOWN HER FOR TWO-- 1573 00:38:42,154 --> 00:38:44,322 TINA, I DON'T NEED YOU 1574 00:38:42,154 --> 00:38:44,322 TO DEFEND ME. OKAY? 1575 00:38:44,363 --> 00:38:46,407 YOU KNOW, 1576 00:38:44,363 --> 00:38:46,407 WHAT I WANT TO KNOW 1577 00:38:46,449 --> 00:38:48,994 IS HOW DO YOU JUSTIFY 1578 00:38:46,449 --> 00:38:48,994 PUSHING ME SO HARD 1579 00:38:49,035 --> 00:38:50,245 TO COME OUT 1580 00:38:49,035 --> 00:38:50,245 AS A BLACK WOMAN 1581 00:38:50,287 --> 00:38:51,454 WHEN ALL THE WHILE, 1582 00:38:51,496 --> 00:38:52,831 YOU'VE LET US 1583 00:38:51,496 --> 00:38:52,831 MISTAKE YOU 1584 00:38:52,872 --> 00:38:54,499 FOR A STRAIGHT WOMAN? 1585 00:38:57,002 --> 00:38:58,295 YOU THOUGHT I WAS STRAIGHT? 1586 00:38:58,336 --> 00:39:00,172 WELL, WHY WOULDN'T I? 1587 00:39:00,213 --> 00:39:02,174 I MEAN, YOU'RE NOT 1588 00:39:00,213 --> 00:39:02,174 EXACTLY READABLE 1589 00:39:02,215 --> 00:39:03,800 AS A LESBIAN, 1590 00:39:03,842 --> 00:39:05,135 AND YOU DIDN'T COME OUT 1591 00:39:03,842 --> 00:39:05,135 AND DECLARE YOURSELF. 1592 00:39:05,177 --> 00:39:06,469 I MEAN, 1593 00:39:06,511 --> 00:39:08,221 IT WASN'T UNTIL 1594 00:39:06,511 --> 00:39:08,221 I READ YOUR POEM 1595 00:39:08,263 --> 00:39:12,767 FROM SISTAH STAND UP-- 1596 00:39:08,263 --> 00:39:12,767 WITH AN "H," MIGHT I ADD-- 1597 00:39:12,809 --> 00:39:15,687 "ON BEING A BLACK 1598 00:39:12,809 --> 00:39:15,687 SOCIALIST FEMINIST LESBIAN, 1599 00:39:15,728 --> 00:39:17,730 "WORKING TO OVERTHROW 1600 00:39:17,772 --> 00:39:20,233 THE WHITE, MALE, 1601 00:39:17,772 --> 00:39:20,233 CAPITALIST PATRIARCHY." 1602 00:39:20,275 --> 00:39:22,652 I NOTICED LESBIAN 1603 00:39:20,275 --> 00:39:22,652 COMES LAST. 1604 00:39:22,694 --> 00:39:25,488 BUT YOU SEE, 1605 00:39:22,694 --> 00:39:25,488 I DID NOT NEGATE IT. 1606 00:39:25,530 --> 00:39:27,365 I DID NOT DENY IT. 1607 00:39:27,406 --> 00:39:28,366 I DID NOT 1608 00:39:27,406 --> 00:39:28,366 LEAVE IT OUT. 1609 00:39:28,407 --> 00:39:29,534 WELL, NEITHER DO I. 1610 00:39:29,575 --> 00:39:31,995 I MEAN, 1611 00:39:29,575 --> 00:39:31,995 I WOULD NEVER DEFINE MYSELF 1612 00:39:32,037 --> 00:39:33,746 EXCLUSIVELY AS BEING WHITE 1613 00:39:32,037 --> 00:39:33,746 ANY MORE 1614 00:39:33,788 --> 00:39:34,747 THAN I WOULD 1615 00:39:33,788 --> 00:39:34,747 DEFINE MYSELF 1616 00:39:34,789 --> 00:39:36,374 EXCLUSIVELY 1617 00:39:34,789 --> 00:39:36,374 AS BEING BLACK. 1618 00:39:36,415 --> 00:39:38,626 I MEAN, REALLY, 1619 00:39:36,415 --> 00:39:38,626 WHY IS IT SO WRONG FOR ME 1620 00:39:38,668 --> 00:39:40,545 TO MOVE MORE FREELY 1621 00:39:38,668 --> 00:39:40,545 IN THE WORLD 1622 00:39:40,586 --> 00:39:42,005 JUST BECAUSE 1623 00:39:40,586 --> 00:39:42,005 MY APPEARANCE 1624 00:39:42,047 --> 00:39:44,757 DOESN'T AUTOMATICALLY 1625 00:39:42,047 --> 00:39:44,757 ANNOUNCE WHO I AM? 1626 00:39:44,799 --> 00:39:45,842 BECAUSE IT IS A LIE. 1627 00:39:45,884 --> 00:39:48,970 [ CLEARS THROAT ] 1628 00:39:50,722 --> 00:39:52,098 YOLANDA, I THINK YOU'RE BEING 1629 00:39:50,722 --> 00:39:52,098 A LITTLE HARSH. 1630 00:39:52,140 --> 00:39:53,892 I'M BEING A LITTLE HARSH? 1631 00:39:53,933 --> 00:39:55,227 MM-HMM. 1632 00:39:55,268 --> 00:39:57,062 YOU JUST LOOK 1633 00:39:55,268 --> 00:39:57,062 AT WHAT YOUR WHITE WORLD 1634 00:39:57,103 --> 00:39:58,563 HAS DONE 1635 00:39:57,103 --> 00:39:58,563 TO THIS WOMAN. 1636 00:39:58,604 --> 00:40:02,025 SHE DENIES HER BLACKNESS 1637 00:40:02,067 --> 00:40:03,943 BECAUSE IT IS EASIER, 1638 00:40:02,067 --> 00:40:03,943 PREFERABLE, 1639 00:40:03,985 --> 00:40:05,820 FOR HER TO GO THROUGH THE WORLD 1640 00:40:05,862 --> 00:40:07,446 HAVING PEOPLE MISTAKE HER 1641 00:40:05,862 --> 00:40:07,446 AS WHITE. 1642 00:40:07,488 --> 00:40:11,993 YOU DON'T KNOW 1643 00:40:07,488 --> 00:40:11,993 HOW I'VE GONE THROUGH THE WORLD. 1644 00:40:12,035 --> 00:40:15,955 YOU HAVE NO IDEA. 1645 00:40:20,085 --> 00:40:21,794 YOLANDA, YOU'RE BEING 1646 00:40:20,085 --> 00:40:21,794 VERY CONFRONTATIONAL. 1647 00:40:21,836 --> 00:40:24,923 PERHAPS WE SHOULD TRY 1648 00:40:21,836 --> 00:40:24,923 TO REDIRECT THIS CONVERSATION. 1649 00:40:27,050 --> 00:40:32,513 IS THIS BLACK LADY 1650 00:40:27,050 --> 00:40:32,513 GETTING OUT OF CONTROL? 1651 00:40:32,555 --> 00:40:33,806 IS THAT 1652 00:40:33,848 --> 00:40:35,516 WHAT YOU'RE TRYING 1653 00:40:33,848 --> 00:40:35,516 TO SAY, DAN? 1654 00:40:35,558 --> 00:40:36,893 WHY IS IT 1655 00:40:36,935 --> 00:40:38,311 THAT WHENEVER 1656 00:40:36,935 --> 00:40:38,311 A BLACK WOMAN 1657 00:40:38,353 --> 00:40:39,771 HAS AN OPINION 1658 00:40:39,812 --> 00:40:41,856 SHE'S BEING 1659 00:40:39,812 --> 00:40:41,856 CONFRONTATIONAL? 1660 00:40:49,322 --> 00:40:51,991 OKAY. THEY'RE NOT HERE. 1661 00:40:52,033 --> 00:40:53,076 WHAT? 1662 00:40:53,118 --> 00:40:54,369 CAN WE PLEASE GO? 1663 00:40:53,118 --> 00:40:54,369 PLEASE. 1664 00:40:54,411 --> 00:40:55,870 NO, NO, NO, NO. 1665 00:40:55,912 --> 00:40:58,497 WE'RE HERE... 1666 00:40:58,539 --> 00:41:00,083 AND... 1667 00:41:08,466 --> 00:41:09,634 OH, FUCK. 1668 00:41:09,675 --> 00:41:11,094 NO, YOU'RE GOOD. 1669 00:41:09,675 --> 00:41:11,094 YOU'RE GOOD. 1670 00:41:11,136 --> 00:41:13,305 HI. COULD I 1671 00:41:11,136 --> 00:41:13,305 HAVE TWO... 1672 00:41:14,680 --> 00:41:16,433 YOU LOOK AMAZING. 1673 00:41:16,474 --> 00:41:17,976 SO... 1674 00:41:25,358 --> 00:41:28,611 YOU TAKE THIS 1675 00:41:25,358 --> 00:41:28,611 AND COME WITH ME. 1676 00:41:28,653 --> 00:41:29,988 [ ♪♪ ] 1677 00:41:33,241 --> 00:41:35,827 WHAT? 1678 00:41:33,241 --> 00:41:35,827 WHEN WAS THAT? 1679 00:41:39,247 --> 00:41:40,415 SO THEN SHE SAYS, 1680 00:41:40,457 --> 00:41:41,833 "YOU WANT MY WHAT 1681 00:41:40,457 --> 00:41:41,833 WHERE?" 1682 00:41:41,874 --> 00:41:44,043 HE SAYS, "IT'S NOT 1683 00:41:41,874 --> 00:41:44,043 GOING TO FIT." 1684 00:41:44,085 --> 00:41:46,171 WHO'S THE FREAK? 1685 00:41:46,212 --> 00:41:47,713 YEAH? 1686 00:41:47,755 --> 00:41:50,091 THE CHICK. 1687 00:41:47,755 --> 00:41:50,091 THE CHICK WITH JENNY. 1688 00:41:50,133 --> 00:41:52,469 NO IDEA. 1689 00:41:50,133 --> 00:41:52,469 NEVER SEEN HER. 1690 00:41:50,133 --> 00:41:52,469 MUST BE-- 1691 00:41:52,510 --> 00:41:54,887 LOOK LIKE YOU'RE HAVING 1692 00:41:52,510 --> 00:41:54,887 A GOOD TIME. 1693 00:41:54,929 --> 00:41:57,140 IT MAKES HER WANT YOU BAD. 1694 00:41:54,929 --> 00:41:57,140 ALL RIGHT? 1695 00:41:57,182 --> 00:42:00,226 OKAY. 1696 00:41:57,182 --> 00:42:00,226 OKAY, JUST GIVE ME A SEC, OKAY? 1697 00:42:00,268 --> 00:42:02,437 THERE YOU GO. 1698 00:42:02,479 --> 00:42:03,646 [ LAUGHS ] 1699 00:42:08,234 --> 00:42:10,653 WHAT WE'VE GOT TO DO IS 1700 00:42:08,234 --> 00:42:10,653 WE'VE GOT TO GET YOU 1701 00:42:10,695 --> 00:42:14,073 OVER NEXT TO FRANCESCA THERE 1702 00:42:10,695 --> 00:42:14,073 SO THAT MARINA CAN SEE YOU TWO. 1703 00:42:14,115 --> 00:42:16,242 YOU KNOW WHAT? 1704 00:42:14,115 --> 00:42:16,242 IT LOOKS GREAT. 1705 00:42:16,284 --> 00:42:20,163 SHE'S SO BEAUTIFUL, 1706 00:42:16,284 --> 00:42:20,163 AND I AM NOT BEAUTIFUL. 1707 00:42:20,205 --> 00:42:22,832 YOU ARE SO 1708 00:42:20,205 --> 00:42:22,832 BEAUTIFUL. 1709 00:42:22,874 --> 00:42:25,543 BUT SHE IS 1710 00:42:22,874 --> 00:42:25,543 SOPHISTICATED 1711 00:42:25,584 --> 00:42:26,752 AND I'M NOT. 1712 00:42:26,794 --> 00:42:28,129 YEAH, WELL, JENNY, 1713 00:42:28,171 --> 00:42:29,381 YOU'RE ONE HELL 1714 00:42:28,171 --> 00:42:29,381 OF A TRAMP, HONEY, 1715 00:42:29,422 --> 00:42:31,299 AND I'VE SEEN YOU 1716 00:42:29,422 --> 00:42:31,299 WORK THAT. 1717 00:42:31,341 --> 00:42:32,550 REMEMBER ALL THE PROFESSORS 1718 00:42:31,341 --> 00:42:32,550 IN COLLEGE? 1719 00:42:32,591 --> 00:42:33,676 OKAY. 1720 00:42:33,718 --> 00:42:34,719 YEAH, YEAH. 1721 00:42:34,760 --> 00:42:35,761 REMEMBER THAT, 1722 00:42:34,760 --> 00:42:35,761 JENNY? 1723 00:42:35,803 --> 00:42:36,804 OKAY, 1724 00:42:36,846 --> 00:42:38,723 SHE'S LOOKING... 1725 00:42:38,764 --> 00:42:40,099 SHE WANTS YOU BAD. 1726 00:42:40,141 --> 00:42:41,309 SERIOUSLY. 1727 00:42:41,351 --> 00:42:43,061 OKAY, 1728 00:42:41,351 --> 00:42:43,061 WHAT DO I DO? 1729 00:42:43,102 --> 00:42:44,521 UM... 1730 00:42:44,562 --> 00:42:46,981 I DON'T KNOW. 1731 00:42:47,023 --> 00:42:49,484 COME ON, NOW. 1732 00:42:47,023 --> 00:42:49,484 PUT IT RIGHT THERE. 1733 00:42:49,526 --> 00:42:50,651 CHANGE OF PLANS. 1734 00:42:50,693 --> 00:42:52,278 OKAY, SHE'S GETTING UP 1735 00:42:52,320 --> 00:42:54,780 AND I THINK SHE'S 1736 00:42:52,320 --> 00:42:54,780 GOING TO THE BATHROOM, 1737 00:42:54,822 --> 00:42:56,115 WHICH IS A SIGNAL 1738 00:42:56,157 --> 00:42:58,659 FOR YOU 1739 00:42:56,157 --> 00:42:58,659 TO FOLLOW HER. 1740 00:42:58,701 --> 00:42:59,744 OKAY. 1741 00:42:59,785 --> 00:43:01,079 GO GET HER. 1742 00:42:59,785 --> 00:43:01,079 REALLY? 1743 00:43:01,120 --> 00:43:03,373 YOU CAN DO THIS. 1744 00:43:01,120 --> 00:43:03,373 YOU'RE A KITTEN OF LOVE. 1745 00:43:03,415 --> 00:43:05,291 NO, NO. SHH. 1746 00:43:03,415 --> 00:43:05,291 WATCH, WATCH. 1747 00:43:05,333 --> 00:43:08,127 SHE WANTS YOU. 1748 00:43:05,333 --> 00:43:08,127 GO GET HER. 1749 00:43:08,169 --> 00:43:09,962 HELLO AGAIN. 1750 00:43:10,004 --> 00:43:11,214 I THINK IT'S TIME 1751 00:43:10,004 --> 00:43:11,214 WE MET FORMALLY, 1752 00:43:11,256 --> 00:43:12,590 DON'T YOU? 1753 00:43:12,631 --> 00:43:14,342 FRANCESCA WOLFF. 1754 00:43:14,384 --> 00:43:15,968 I'M JENNY SCHECTER. 1755 00:43:16,010 --> 00:43:17,887 JENNY. 1756 00:43:17,929 --> 00:43:19,680 ANNETTE BISHOP. 1757 00:43:19,722 --> 00:43:21,516 ANNETTE. 1758 00:43:21,558 --> 00:43:23,601 YOU TWO KNOWN EACH OTHER 1759 00:43:21,558 --> 00:43:23,601 A LONG TIME? 1760 00:43:23,642 --> 00:43:24,894 UH, YEAH, 1761 00:43:24,936 --> 00:43:27,272 WE'VE KNOWN EACH OTHER 1762 00:43:24,936 --> 00:43:27,272 SINCE COLLEGE. 1763 00:43:27,313 --> 00:43:28,356 YEAH, BUT A LOT'S 1764 00:43:27,313 --> 00:43:28,356 CHANGED SINCE THEN, 1765 00:43:28,398 --> 00:43:29,774 HASN'T IT, JENNY? 1766 00:43:29,815 --> 00:43:31,109 YEAH, A LOT 1767 00:43:29,815 --> 00:43:31,109 HAS CHANGED. 1768 00:43:31,150 --> 00:43:33,194 I REMEMBER THE YEARS 1769 00:43:31,150 --> 00:43:33,194 AFTER COLLEGE. 1770 00:43:33,236 --> 00:43:37,115 EVERYTHING YOU THOUGHT WAS TRUE 1771 00:43:33,236 --> 00:43:37,115 BECAME SOMETHING ELSE. 1772 00:43:37,156 --> 00:43:38,116 I REMEMBER 1773 00:43:37,156 --> 00:43:38,116 WATCHING MY GIRLFRIENDS 1774 00:43:38,157 --> 00:43:39,492 TURN INTO THEIR MOTHERS 1775 00:43:39,534 --> 00:43:40,785 AND SETTLE DOWN 1776 00:43:40,826 --> 00:43:42,620 WITH GUYS 1777 00:43:40,826 --> 00:43:42,620 LIKE THEIR FATHERS. 1778 00:43:42,661 --> 00:43:44,581 IF YOU WANTED TO DO THINGS 1779 00:43:42,661 --> 00:43:44,581 A LITTLE DIFFERENTLY, 1780 00:43:44,622 --> 00:43:45,998 YOU HAD TO MOVE 1781 00:43:44,622 --> 00:43:45,998 TO NEW YORK OR L.A. 1782 00:43:46,040 --> 00:43:47,917 THAT DOESN'T 1783 00:43:46,040 --> 00:43:47,917 HAPPEN ANYMORE 1784 00:43:47,959 --> 00:43:49,586 WITH OUR GENERATION. 1785 00:43:49,627 --> 00:43:51,003 NO, IT'S TRUE, 1786 00:43:49,627 --> 00:43:51,003 ANNETTE. 1787 00:43:51,045 --> 00:43:52,422 YOU KNOW, 1788 00:43:51,045 --> 00:43:52,422 EVERYTHING YOU THOUGHT WAS TRUE 1789 00:43:52,464 --> 00:43:54,257 DOES BECOME SOMETHING ELSE. 1790 00:43:57,051 --> 00:43:58,303 LISTEN, 1791 00:43:58,344 --> 00:44:00,096 I KNOW THIS CAN BE 1792 00:43:58,344 --> 00:44:00,096 A DIFFICULT TIME. 1793 00:44:00,138 --> 00:44:02,390 IT'S GOOD YOU TWO 1794 00:44:00,138 --> 00:44:02,390 HAVE EACH OTHER. 1795 00:44:02,432 --> 00:44:03,975 IT'S IMPORTANT 1796 00:44:02,432 --> 00:44:03,975 TO TALK TO SOMEBODY 1797 00:44:04,016 --> 00:44:04,976 WHEN YOU'RE 1798 00:44:04,016 --> 00:44:04,976 GOING THROUGH 1799 00:44:05,017 --> 00:44:06,561 SUCH BIG CHANGES. 1800 00:44:06,603 --> 00:44:07,812 WE'RE GOING TO LEAVE 1801 00:44:07,853 --> 00:44:09,272 THIS ILL-CONCEIVED AFFAIR, 1802 00:44:09,314 --> 00:44:11,566 BUT MARINA AND I 1803 00:44:09,314 --> 00:44:11,566 WOULD LOVE TO HAVE YOU OVER 1804 00:44:11,608 --> 00:44:13,067 FOR DINNER SOMETIME. 1805 00:44:13,109 --> 00:44:14,193 OH, THAT'S GREAT. 1806 00:44:14,235 --> 00:44:15,653 SHE'S TOLD ME 1807 00:44:14,235 --> 00:44:15,653 A LOT ABOUT YOU. 1808 00:44:15,694 --> 00:44:19,407 SILENCE CAN BE 1809 00:44:15,694 --> 00:44:19,407 VERY PRODUCTIVE. 1810 00:44:19,449 --> 00:44:21,909 LET'S JUST... 1811 00:44:21,951 --> 00:44:23,286 BREATHE IN THIS SILENCE 1812 00:44:23,328 --> 00:44:26,289 AND SEE WHERE IT TAKES US. 1813 00:44:28,082 --> 00:44:31,169 THIS SUCKS, MAN, 1814 00:44:31,210 --> 00:44:32,920 I'LL NEVER GET ALMA 1815 00:44:31,210 --> 00:44:32,920 TO STAY IN THE GROUP 1816 00:44:32,962 --> 00:44:35,881 IF EVERYONE 1817 00:44:32,962 --> 00:44:35,881 KEEPS FIGHTING LIKE THIS. 1818 00:44:35,923 --> 00:44:38,468 I SHOULD THINK 1819 00:44:35,923 --> 00:44:38,468 OF SOMETHING TO SAY. 1820 00:44:38,510 --> 00:44:40,428 GET US ON ANOTHER SUBJECT. 1821 00:44:42,388 --> 00:44:45,099 EXACTLY 1822 00:44:42,388 --> 00:44:45,099 LIKE MY MOTHER ALWAYS SAID. 1823 00:44:45,141 --> 00:44:47,143 "THERAPY IS FOR PEOPLE 1824 00:44:47,185 --> 00:44:50,729 WHO HAVE ENOUGH TIME AND MONEY 1825 00:44:47,185 --> 00:44:50,729 TO PAY TO MAKE PROBLEMS." 1826 00:44:50,771 --> 00:44:53,608 FUCK THIS GROUP. 1827 00:44:50,771 --> 00:44:53,608 FUCK YOU, DAN. 1828 00:44:53,650 --> 00:44:57,987 FUCK YOU, CHARLIE AND MATT 1829 00:44:53,650 --> 00:44:57,987 AND KAREN AND HARLEY. 1830 00:44:58,029 --> 00:45:01,991 YOU WANT AN ANGRY BLACK LADY, 1831 00:44:58,029 --> 00:45:01,991 YOU GOT HER. 1832 00:45:04,536 --> 00:45:06,037 ONE OF THESE DAYS 1833 00:45:06,078 --> 00:45:08,831 I AM GOING TO BRING UP 1834 00:45:06,078 --> 00:45:08,831 THE BALTIMORE THING. 1835 00:45:08,873 --> 00:45:11,708 NOW'S PROBABLY 1836 00:45:08,873 --> 00:45:11,708 NOT THE BEST TIME. 1837 00:45:11,750 --> 00:45:13,670 I FORGOT TO RETURN 1838 00:45:11,750 --> 00:45:13,670 CANTER'S CALL. 1839 00:45:13,710 --> 00:45:16,088 IF I DON'T CLOSE THAT DEAL 1840 00:45:13,710 --> 00:45:16,088 TOMORROW, 1841 00:45:16,130 --> 00:45:18,424 SONY'S LIABLE TO PULL OUT. 1842 00:45:18,466 --> 00:45:21,135 TILE WOULD BE BETTER 1843 00:45:21,177 --> 00:45:25,806 IF WE'RE GOING TO GO 1844 00:45:21,177 --> 00:45:25,806 FOR THAT SPANISHY TYPE FEEL. 1845 00:45:25,848 --> 00:45:29,268 I WONDER HOW LESBIANS KNOW 1846 00:45:25,848 --> 00:45:29,268 WHEN THEY'RE DONE HAVING SEX, 1847 00:45:29,310 --> 00:45:32,021 BECAUSE WOMEN 1848 00:45:29,310 --> 00:45:32,021 CAN JUST GO ON AND ON. 1849 00:45:32,063 --> 00:45:34,691 I BET BETTE'S THE MAN. 1850 00:45:34,773 --> 00:45:37,360 UP MY PRICE 1851 00:45:34,773 --> 00:45:37,360 TO 250 AN HOUR 1852 00:45:37,402 --> 00:45:39,237 AND I COULD... 1853 00:45:39,278 --> 00:45:41,155 I KNOW GROUP 1854 00:45:39,278 --> 00:45:41,155 WAS HARD TODAY, 1855 00:45:41,197 --> 00:45:43,491 BUT I THINK 1856 00:45:41,197 --> 00:45:43,491 WE GOT TO TALK 1857 00:45:43,533 --> 00:45:45,493 ABOUT SOME REALLY 1858 00:45:43,533 --> 00:45:45,493 IMPORTANT THINGS. 1859 00:45:45,535 --> 00:45:48,037 I THINK TOO OFTEN 1860 00:45:45,535 --> 00:45:48,037 PEOPLE ARE AFRAID 1861 00:45:48,079 --> 00:45:50,747 TO SAY WHAT THEY 1862 00:45:48,079 --> 00:45:50,747 REALLY FEEL. 1863 00:45:50,789 --> 00:45:53,042 THEY'RE AFRAID THEY 1864 00:45:50,789 --> 00:45:53,042 MIGHT BE REJECTED. 1865 00:45:53,084 --> 00:45:56,546 WHAT'S HAPPENING TO ME? 1866 00:45:56,588 --> 00:46:00,425 AM I JUST PANICKING? 1867 00:46:00,466 --> 00:46:03,302 IS THIS ABOUT THE BABY, 1868 00:46:03,344 --> 00:46:06,222 OR AM I FALLING OUT OF LOVE? 1869 00:46:06,264 --> 00:46:07,557 IT'S HARD 1870 00:46:06,264 --> 00:46:07,557 TO BE HONEST, 1871 00:46:07,599 --> 00:46:08,683 BECAUSE PEOPLE 1872 00:46:07,599 --> 00:46:08,683 DON'T REALLY WANT 1873 00:46:08,725 --> 00:46:10,309 TO HEAR THE TRUTH, 1874 00:46:10,351 --> 00:46:14,731 AND THE TRUTH IS DIFFERENT 1875 00:46:14,771 --> 00:46:16,857 FOR EVERYONE. 1876 00:46:16,899 --> 00:46:18,859 I GUESS THE BEST 1877 00:46:16,899 --> 00:46:18,859 WE CAN DO 1878 00:46:18,901 --> 00:46:23,615 IS JUST TO SAY 1879 00:46:18,901 --> 00:46:23,615 WHAT WE FEEL. 1880 00:46:23,656 --> 00:46:28,620 ♪ THEN I BELONG TO YOU ♪ 1881 00:46:28,661 --> 00:46:36,586 [ ♪♪ ] 1882 00:46:37,712 --> 00:46:39,756 HEY. 1883 00:46:39,796 --> 00:46:41,048 GOOD NIGHT. 1884 00:46:41,090 --> 00:46:43,050 CIAO. 1885 00:46:54,979 --> 00:46:58,107 ♪ I SPIN ♪ 1886 00:46:58,149 --> 00:47:02,695 ♪ LIKE A TOP, YOU SEE ♪ 1887 00:47:02,737 --> 00:47:06,365 ♪ NO GRAVITY ♪ 1888 00:47:06,407 --> 00:47:11,203 ♪ CAN HOLD ME ♪ 1889 00:47:11,245 --> 00:47:14,666 ♪ AND DOWN FROM THE CEILING ♪ 1890 00:47:14,707 --> 00:47:18,336 ♪ I GAZE ♪ 1891 00:47:18,377 --> 00:47:25,718 [ ♪♪ ] 1892 00:47:25,760 --> 00:47:31,390 ♪ UPON OUR LIVES ♪ 1893 00:47:31,432 --> 00:47:34,143 [ ♪♪ ] 1894 00:47:34,185 --> 00:47:39,649 ♪ UPON OUR LIVES ♪